WEBVTT - Jeff Sherman Meets World (again)

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<v Speaker 1>Some Boy Meets World in Pop Culture News. We got

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<v Speaker 1>a lot of emails about all three of these things.

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<v Speaker 1>And first up is a new movie out called Boy

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<v Speaker 1>Kills worlds Well sent it in our group chat. We

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<v Speaker 1>also got a lot of emails about it. There were

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<v Speaker 1>a lot of comments on social media. It comes out

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<v Speaker 1>in April, but the trailer was released last month and

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<v Speaker 1>it stars Bill Scarsgard, Jessica Roth or maybe Roth and

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<v Speaker 1>Brett Gelman. It may have similarities to the name of

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<v Speaker 1>our show, but that's about where it ends. The movie

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<v Speaker 1>is about a deaf man named Boy who escapes to

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<v Speaker 1>the jungle after his family is killed. He's then trained

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<v Speaker 1>by a mysterious mentor to enact vengeance on the murderers.

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<v Speaker 2>Oh god's my dream movie.

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<v Speaker 3>It's like kill Bill, right, it's a very kill Bill

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<v Speaker 3>John Wickish.

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<v Speaker 4>Right, you want to star in that movie?

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<v Speaker 2>Will If they're the like the the lead guy.

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<v Speaker 5>Is this really out of shape guy who doesn't really

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<v Speaker 5>pick up the martial arts quickly?

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<v Speaker 2>I'm the guy you call. That'd be great. I get

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<v Speaker 2>to the first you know, it's always like a video game.

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<v Speaker 5>You've got to go level by level and you get

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<v Speaker 5>to the bad boss, right, and be killed at the

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<v Speaker 5>first level every single time.

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<v Speaker 4>I think you sell yourself short.

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<v Speaker 6>Yeah, but do we think.

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<v Speaker 1>The title is a reference to boy Meets World? Did

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<v Speaker 1>boy meets World create that phrase?

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<v Speaker 4>Meets World?

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<v Speaker 2>No, boy meets.

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<v Speaker 3>Girl, Right, So I think it was a development.

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<v Speaker 7>I think it was boy meets Girl is like the

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<v Speaker 7>saying or the phrase, and then boy Meets World was a.

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<v Speaker 3>Play on that.

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<v Speaker 7>And now it does seem like boy meets World has

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<v Speaker 7>entered enough of the like cultural zeite guys that you

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<v Speaker 7>can build on off that, right, Yeah, so it's like riff.

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<v Speaker 3>It is sort of a riff on our I mean.

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<v Speaker 7>I think because howels because I remember when Boy Meet's

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<v Speaker 7>World was the title, when that was announced before we

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<v Speaker 7>did or we had already done the pilot, it.

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<v Speaker 3>Was we were all like kind of and then it

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<v Speaker 3>just kind of got used to it.

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<v Speaker 7>And now it's totally like, I can't imagine it being

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<v Speaker 7>called anything else, but it wasn't.

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<v Speaker 3>I don't think it was a great.

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<v Speaker 2>Title at first it either.

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<v Speaker 7>But yeah, I can't even I can't even like reset

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<v Speaker 7>my brain to that feeling because.

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<v Speaker 3>I can't show I.

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<v Speaker 1>Have no memory of it's just like right being the thing, right,

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<v Speaker 1>and I wonder.

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<v Speaker 3>If most people feel that way. Now you know it's.

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<v Speaker 5>Because you when you booked it, though, because now we've

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<v Speaker 5>seen the original original.

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<v Speaker 2>When you booked it, was it the Ben Savage Project

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<v Speaker 2>or was.

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<v Speaker 3>It eleven untitled Ben Savage product?

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<v Speaker 2>Okay, so I never saw it. It was eleven.

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<v Speaker 7>Yeah, so the pilot that you got, because you actually

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<v Speaker 7>send it to me and I haven't watched it. You

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<v Speaker 7>sent want the original you did, and it was called

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<v Speaker 7>eleven in that Yeah, yeah, okay, so it must have

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<v Speaker 7>been untitled Ben Savage. Then they tested eleven, right, and

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<v Speaker 7>then they were like, Nope, that's not gonna work, and

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<v Speaker 7>this older brother's not going to work, and that dad's

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<v Speaker 7>not gonna work, and so they made all those changes.

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<v Speaker 2>Yeah.

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<v Speaker 3>Yeah, But I remember.

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<v Speaker 7>Going back to BOYL and being like what they talking

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<v Speaker 7>with my parents being like I don't like this, but

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<v Speaker 7>now I totally love it.

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<v Speaker 3>Yeah, perfectly.

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<v Speaker 4>I want to clarify.

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<v Speaker 1>I think we had talked about this very early on

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<v Speaker 1>in the show, that we had seen the original pilot,

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<v Speaker 1>that Will had found it. I think we talked about

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<v Speaker 1>it on the show, but just in case we haven't,

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<v Speaker 1>Will had a copy of the original Boy Meets World pilot.

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<v Speaker 1>That was the one we saw called eleven and no,

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<v Speaker 1>I'll answer your question now, we will not and cannot

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<v Speaker 1>post it. But it had the original cast members, the

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<v Speaker 1>original Eric and the original Alan Matthews.

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<v Speaker 4>So we we have seen it, but we know we

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<v Speaker 4>will not share it with you.

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<v Speaker 1>As much as we'd love to, we would be sued

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<v Speaker 1>to high heavens, yes so fast.

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<v Speaker 7>Something that's with the title that's always struck me is

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<v Speaker 7>like I realized after we finished the show, Like you know,

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<v Speaker 7>if I talked about the show ever in my life,

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<v Speaker 7>and I know we all when we talked about it,

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<v Speaker 7>we always referred to it as boy.

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<v Speaker 4>Boy like we were just shortened it to boy, but

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<v Speaker 4>fans didn't do that.

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<v Speaker 7>Like within the production we always said, oh I got

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<v Speaker 7>to go back to work on boy, or we're in

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<v Speaker 7>a new season a boy like That's how we always

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<v Speaker 7>referred to it. And it was like later I would

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<v Speaker 7>make that reference to non production members.

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<v Speaker 3>That it'd be like, what are you talking about?

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<v Speaker 7>And if anything, it would be shortened to like BMW

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<v Speaker 7>yeah yeah, which is so weird because we never called

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<v Speaker 7>it that, like we never were like you know, and

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<v Speaker 7>so I wonder where that's at now because I'm assuming

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<v Speaker 7>we still call it boy, like do we I don't

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<v Speaker 7>know on this show do we call it?

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<v Speaker 1>I call it BMW and anything that's written bmwbmwbm do

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<v Speaker 1>anything written is BMW. I will say, especially if we're

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<v Speaker 1>ever talking about boy versus girl, Like when somebody comes

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<v Speaker 1>up to me and talks to me at a con

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<v Speaker 1>and they say, like playing Topanga and they have a

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<v Speaker 1>question about it, and I'll say, well, when we were

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<v Speaker 1>doing boy and then and then, but then when we

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<v Speaker 1>did girl, and so I I do notice that, I'll

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<v Speaker 1>do that.

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<v Speaker 4>I say it like that.

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<v Speaker 2>I just call it fuller house, which is really confusing,

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<v Speaker 2>how that you know.

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<v Speaker 1>What you're right now that now that you mention it

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<v Speaker 1>my show is that? Where my show Eric Matthews Show.

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<v Speaker 1>When I was on my show, I was on So

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<v Speaker 1>Second Up. One of TV's best and brightest stars in

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<v Speaker 1>my humble opinion, was on Hot Ones with Sean Evans,

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<v Speaker 1>a show where celebrities eat escalating hot wings.

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<v Speaker 4>During an interview, I.

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<v Speaker 2>Want to do that.

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<v Speaker 4>I want to do it.

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<v Speaker 2>I want to do it.

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<v Speaker 3>Well, you took the kalas off of my plate. Last night.

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<v Speaker 3>We had dinner at like taking a kalipino off of every.

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<v Speaker 7>Single piece of sushi that they were serving.

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<v Speaker 3>You were like, you're not going to eat those.

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<v Speaker 1>Let me tell you something, right, if we ever got

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<v Speaker 1>offered to do hot ones as a trio and you

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<v Speaker 1>said no and then we didn't get to do it,

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<v Speaker 1>I would not kill you, but I would think.

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<v Speaker 3>Can you tap out? Can you stop? Yes, I've never

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<v Speaker 3>seen it.

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<v Speaker 7>I could just tap out before we even started to

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<v Speaker 7>be like, yeah, you can tap out.

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<v Speaker 3>Milk God the option.

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<v Speaker 1>You could have any type of milk you want, but

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<v Speaker 1>milk is counteracts the heat, so they let you could

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<v Speaker 1>have an oat milk.

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<v Speaker 7>Much eat like bread. Isn't it better to eat something

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<v Speaker 7>that like sort of absorbs the oils.

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<v Speaker 2>They let you do that though.

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<v Speaker 1>When we were in Thailand, I ate the hottest fries

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<v Speaker 1>I've ever eaten in my life, and nothing was working.

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<v Speaker 1>I was like, anything, give me regular fries, give me bread,

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<v Speaker 1>give me a cracker or anything.

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<v Speaker 4>And milk did actually help.

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<v Speaker 2>It helps a bit.

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<v Speaker 1>The time I got to milk, I was like, Okay,

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<v Speaker 1>this is working a little bit.

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<v Speaker 2>It's a stop gap to get you to the bathroom.

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<v Speaker 3>Correct, this is so awful.

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<v Speaker 6>Why do you do this too.

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<v Speaker 4>We want to do it.

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<v Speaker 8>I want to do it.

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<v Speaker 2>I want to do it. I do so.

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<v Speaker 1>In this segment, Sean is rapid Fire asking Quinta Brunson

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<v Speaker 1>questions and her thoughts on some classic sitcoms. And she's

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<v Speaker 1>from Abbott Elementary I've never seen. He is incredible and

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<v Speaker 1>she's just I absolutely love her. I follow her on Instagram.

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<v Speaker 1>She's one Emmy's She's she's like an EP. She's so

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<v Speaker 1>freaking smart and wonderful. Anyway, Boy Meets World is mentioned,

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<v Speaker 1>and here's the clip, and remember she's currently trying not

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<v Speaker 1>to die from wing heat.

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<v Speaker 9>Okay, world great in Philadelphia, mister Feenie legend, interesting cast,

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<v Speaker 9>one of the first interracial couples on on our on

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<v Speaker 9>our TV screens that we just allowed in every day.

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<v Speaker 9>Good to Panga, that's fine.

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<v Speaker 3>That's fine, to Panga, that's fine.

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<v Speaker 4>That's a bunch you though. That's a fun name.

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<v Speaker 1>I loved it and everybody kept sending it to us.

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<v Speaker 4>So great, so fun.

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<v Speaker 1>Always fun to see a Boy Meets World mentioned, like

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<v Speaker 1>in the wild, you know, like when it's on Jeopardy

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<v Speaker 1>or something. I always think, Wow, that's so cool.

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<v Speaker 5>I'm still waiting to see one of our Pod meets

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<v Speaker 5>World shirts in the wild was I saw one? A

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<v Speaker 5>guy walked onto an airplane with one, but it was

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<v Speaker 5>coming back from one of our live shows.

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<v Speaker 4>I think, what about the counts?

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<v Speaker 3>What about the football player who got injured during the

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<v Speaker 3>Super Bowl? Yeah?

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<v Speaker 4>Oh j yeah that counts.

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<v Speaker 10>You were one of our shirts, right, I met like

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<v Speaker 10>in like I actually, yeah, he went to the mall

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<v Speaker 10>or something, and it's like, and I never go to

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<v Speaker 10>the mall, so that probably won't happen, but somewhere where

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<v Speaker 10>I'm like, hey, Pod meets World shirt, that would be cool.

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<v Speaker 1>Well, finally, this one has been brought to my attention

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<v Speaker 1>a lot, and it involved another best and Brightest star,

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<v Speaker 1>Elvis himself some might.

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<v Speaker 4>Say Oscar nominee.

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<v Speaker 1>Austin Butler, the thirty two year old was asked on

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<v Speaker 1>the Drew berry More Show about who his first crush was,

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<v Speaker 1>and here is his answer.

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<v Speaker 4>It was your first crush.

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<v Speaker 11>I think, like Topanga on what was that show? Was that?

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<v Speaker 8>Boy? Is that?

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<v Speaker 6>What was that?

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<v Speaker 7>Well?

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<v Speaker 3>Say you find a boy in this world? Which one

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<v Speaker 3>is it? Boymous world?

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<v Speaker 8>To me?

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<v Speaker 6>Manga?

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<v Speaker 4>Okay, So it sounds.

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<v Speaker 2>Like just a bunch of clips of celebrities talking about you.

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<v Speaker 3>Hmm, is that what you you found? Shatter?

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<v Speaker 6>And another time people loved me and here I was

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<v Speaker 6>the world crush.

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<v Speaker 1>From getting asked about Boy Meets World And then one

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<v Speaker 1>that's Austin Butler saying I was his crush.

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<v Speaker 4>Outed this whole thing.

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<v Speaker 2>Now, you guys.

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<v Speaker 4>Accusing me of it being about me.

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<v Speaker 8>No.

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<v Speaker 1>I thought that was very cute and people sent it

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<v Speaker 1>to me all over the place because Austin Butler is

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<v Speaker 1>obviously I mean, he's a smoke show and that's pretty

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<v Speaker 1>cool to be his first crush.

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<v Speaker 4>But also I just want to play this clip because.

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<v Speaker 1>Because it from a few months earlier when he was

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<v Speaker 1>promoting Elvis and weirdly w magazine asks him, who was

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<v Speaker 1>your first crush?

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<v Speaker 4>And here's what he said.

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<v Speaker 8>It was my cinematic crush.

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<v Speaker 11>I had a crush on to Panga from as A

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<v Speaker 11>Saved by the Bell. Oh, to Pega from Boy Meets

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<v Speaker 11>World It's not Saved by the Bell?

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<v Speaker 3>Yeah to Penga, Yeah, I watched that a lot.

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<v Speaker 8>As a kid.

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<v Speaker 11>I feel like that's the first time I remember having

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<v Speaker 11>a crush.

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<v Speaker 3>He's stilling a cool and cool. I don't know, I mean,

0:10:31.760 --> 0:10:34.360
<v Speaker 3>I don't know what show it was, Mike, Why keep

0:10:34.360 --> 0:10:34.680
<v Speaker 3>doing a bit?

0:10:34.800 --> 0:10:35.600
<v Speaker 4>What do you keep doing a bit?

0:10:35.640 --> 0:10:35.760
<v Speaker 8>Bro?

0:10:35.920 --> 0:10:36.559
<v Speaker 2>Yeah, it's a bit.

0:10:37.160 --> 0:10:41.360
<v Speaker 6>Elvis's Creek the first one? Which one to get it?

0:10:41.480 --> 0:10:43.960
<v Speaker 4>You didn't remember? Saved by the Bell? Couldn't couldn't get

0:10:44.000 --> 0:10:46.760
<v Speaker 4>it right? Who was it? Save by the Bell? Just

0:10:46.800 --> 0:10:47.679
<v Speaker 4>a few months.

0:10:47.480 --> 0:10:51.560
<v Speaker 6>Later, you know he's got he's got a lot in

0:10:51.600 --> 0:10:52.440
<v Speaker 6>his his play.

0:10:52.640 --> 0:10:53.560
<v Speaker 3>He's dealing with a lot.

0:10:53.640 --> 0:10:55.760
<v Speaker 7>He's still it's like Saved by the Bell and boy

0:10:55.760 --> 0:10:57.440
<v Speaker 7>means world occupy the same part.

0:10:57.240 --> 0:11:01.079
<v Speaker 3>Of his uh, his brain. You know that was a

0:11:01.120 --> 0:11:01.440
<v Speaker 3>good show.

0:11:02.679 --> 0:11:06.360
<v Speaker 1>I think he's still doing the Elephs voice I can't.

0:11:06.240 --> 0:11:09.160
<v Speaker 2>Get rid of and send one out to her.

0:11:09.400 --> 0:11:11.000
<v Speaker 3>Let's let's keep our yours open. I wonder if he's

0:11:11.000 --> 0:11:12.120
<v Speaker 3>gonna do it a third time.

0:11:14.400 --> 0:11:14.600
<v Speaker 7>Show.

0:11:15.280 --> 0:11:18.760
<v Speaker 1>At this point, no one out there doesn't know the answer,

0:11:18.840 --> 0:11:21.040
<v Speaker 1>so no one will ask him that same question again

0:11:21.080 --> 0:11:21.920
<v Speaker 1>and yet again.

0:11:22.320 --> 0:11:26.880
<v Speaker 4>Who's your first crush? Anyway? Welcome to Pod Meets World.

0:11:26.880 --> 0:11:29.880
<v Speaker 4>I'm Daniel Fischel, I'm writer Strong, and I'm Wilfredell.

0:11:41.200 --> 0:11:43.720
<v Speaker 1>So if you have been listening to the season four

0:11:43.760 --> 0:11:46.720
<v Speaker 1>episodes of this podcast, you know that, without a doubt,

0:11:47.120 --> 0:11:50.840
<v Speaker 1>this has been the absolute best run of Boy Meets

0:11:50.840 --> 0:11:53.840
<v Speaker 1>World we have seen so far. There have been so

0:11:54.200 --> 0:11:59.520
<v Speaker 1>many iconic moments, memorable storylines, legendary quotes, peak performances, and

0:11:59.600 --> 0:12:03.080
<v Speaker 1>hilario jokes. It has caught us completely off guard. How

0:12:03.080 --> 0:12:06.079
<v Speaker 1>did this particular run of scripts and ideas for twenty

0:12:06.160 --> 0:12:09.040
<v Speaker 1>two episodes of the show become what appears to be

0:12:09.240 --> 0:12:10.760
<v Speaker 1>an undeniable sweet spot?

0:12:10.960 --> 0:12:12.640
<v Speaker 4>What happened? What was different?

0:12:13.000 --> 0:12:15.920
<v Speaker 1>How did they bat so close to a thousand? We've

0:12:15.960 --> 0:12:19.320
<v Speaker 1>thrown out ideas like increased budget, a comfort over time

0:12:19.360 --> 0:12:21.760
<v Speaker 1>with the production schedule, a shift in the writer's room,

0:12:21.920 --> 0:12:25.320
<v Speaker 1>or a newfound commitment to other characters. Anything is possible,

0:12:25.400 --> 0:12:28.160
<v Speaker 1>but we want to know more about it. So to

0:12:28.240 --> 0:12:31.080
<v Speaker 1>talk about the excellence that is season four, we are

0:12:31.120 --> 0:12:33.880
<v Speaker 1>welcoming back one of the core members of the creative team.

0:12:34.280 --> 0:12:36.480
<v Speaker 1>His name has appeared on some of the most classic

0:12:36.520 --> 0:12:38.760
<v Speaker 1>Boy Meets World scripts, and from what we've seen so

0:12:38.840 --> 0:12:42.240
<v Speaker 1>far in season four, he wrote Shallow Boy, Dangerous Secret,

0:12:42.440 --> 0:12:46.560
<v Speaker 1>and an Affair to Forget Quite a trio. So please

0:12:46.800 --> 0:12:50.840
<v Speaker 1>welcome back to Pod Meets World. Writer and producer Jeff Sherman.

0:12:51.360 --> 0:12:56.920
<v Speaker 7>Hey, hi gotcha?

0:12:57.000 --> 0:12:57.560
<v Speaker 6>Are you not?

0:12:57.920 --> 0:13:00.960
<v Speaker 2>Did you give up your more? And this is not

0:13:01.000 --> 0:13:01.760
<v Speaker 2>an exaggeration.

0:13:02.360 --> 0:13:06.920
<v Speaker 5>Sixteen mile walk to come and talk to us today.

0:13:06.920 --> 0:13:08.840
<v Speaker 8>I would give up seventeen miles for you.

0:13:10.120 --> 0:13:13.640
<v Speaker 2>He walked sixteen miles. He walked sixteen miles a day.

0:13:13.760 --> 0:13:14.520
<v Speaker 3>That's amazing.

0:13:15.040 --> 0:13:18.120
<v Speaker 8>I got into a pattern of walking eight miles a day.

0:13:18.280 --> 0:13:20.199
<v Speaker 8>But then about twice a week, I'll try to get

0:13:20.200 --> 0:13:21.920
<v Speaker 8>down to the beach and I'll just walk in the

0:13:21.920 --> 0:13:23.440
<v Speaker 8>bike path for sixteen miles.

0:13:23.440 --> 0:13:26.280
<v Speaker 3>So and you're listening to Podmeet's World the whole time.

0:13:26.480 --> 0:13:27.240
<v Speaker 8>I actually do.

0:13:29.120 --> 0:13:29.800
<v Speaker 3>I love it.

0:13:31.240 --> 0:13:33.360
<v Speaker 8>You could staff over by, I walk and I just

0:13:33.360 --> 0:13:34.960
<v Speaker 8>get lost in what you're talking about.

0:13:36.320 --> 0:13:38.560
<v Speaker 3>Screaming at us the whole time. You're like, that's not what,

0:13:38.840 --> 0:13:42.240
<v Speaker 3>that's not right. That's once in a while, it's just

0:13:42.480 --> 0:13:45.840
<v Speaker 3>I wish I could just you know, all in. Yes,

0:13:45.960 --> 0:13:48.040
<v Speaker 3>that's why we had you back. That's why we had

0:13:48.040 --> 0:13:48.760
<v Speaker 3>to have you back.

0:13:49.200 --> 0:13:51.080
<v Speaker 8>I'm so honored to be back you guys. It's great.

0:13:51.400 --> 0:13:53.040
<v Speaker 1>Well, we wanted to bring you back on the show

0:13:53.080 --> 0:13:56.120
<v Speaker 1>to talk about the magic that has been season four

0:13:56.280 --> 0:13:59.000
<v Speaker 1>and what was happening behind the scenes while like all

0:13:59.040 --> 0:14:01.080
<v Speaker 1>this classic was being made.

0:14:02.200 --> 0:14:04.360
<v Speaker 8>Well, you know, I've been on the show from the

0:14:04.440 --> 0:14:07.520
<v Speaker 8>very beginning, not the pilot itself, but I came on.

0:14:07.559 --> 0:14:10.080
<v Speaker 8>My first episode was on the Fence, the first episode

0:14:10.120 --> 0:14:12.600
<v Speaker 8>that aired out, so I'd been on it the whole

0:14:12.600 --> 0:14:16.240
<v Speaker 8>time and seen different iterations of the staff. You know.

0:14:16.360 --> 0:14:18.319
<v Speaker 8>The first year it was like a doctor in Strauss

0:14:18.400 --> 0:14:21.360
<v Speaker 8>kind of year in April Kelly, and then they all left,

0:14:21.400 --> 0:14:23.280
<v Speaker 8>and then it was David Kendall for a couple of years,

0:14:23.280 --> 0:14:27.400
<v Speaker 8>and then the fourth year, Bob Young came on and

0:14:27.520 --> 0:14:31.200
<v Speaker 8>David left. I think he'd had enough of it, really know.

0:14:31.360 --> 0:14:33.480
<v Speaker 8>We never really talked about it, but it's sort of

0:14:33.520 --> 0:14:35.720
<v Speaker 8>the same way you guys are with the cast. People

0:14:35.720 --> 0:14:37.920
<v Speaker 8>would leave the staff and we would never hear why,

0:14:37.960 --> 0:14:40.200
<v Speaker 8>but you know, it just kind of happened, right. So

0:14:40.560 --> 0:14:43.600
<v Speaker 8>fourth year came on and I loved Bob Young. He

0:14:43.680 --> 0:14:46.800
<v Speaker 8>was great. He was a perfect kind of a counter

0:14:47.040 --> 0:14:51.520
<v Speaker 8>to Michael. He was really kind of, you know, joke

0:14:51.680 --> 0:14:55.080
<v Speaker 8>structurally interesting things. He had sort of different take on things,

0:14:55.120 --> 0:14:58.480
<v Speaker 8>and he was sort of a voice of reason sometimes

0:14:58.560 --> 0:15:00.800
<v Speaker 8>when when you that writer's room.

0:15:00.880 --> 0:15:01.880
<v Speaker 6>So interesting.

0:15:02.160 --> 0:15:04.560
<v Speaker 7>Yeah, he was a very different personality because I mean

0:15:04.720 --> 0:15:07.920
<v Speaker 7>to be honest, like Bob, he sort of he for us.

0:15:08.000 --> 0:15:10.160
<v Speaker 7>He was not like very aggressive, he was very sort

0:15:10.160 --> 0:15:14.400
<v Speaker 7>of the nicest Yeah, totally the nicest guy. But I

0:15:14.400 --> 0:15:16.960
<v Speaker 7>always remember, like if I was having a conversation with Bob,

0:15:17.000 --> 0:15:19.440
<v Speaker 7>it was like, okay, we've been thinking. It was always

0:15:19.440 --> 0:15:22.000
<v Speaker 7>so reasonable and sort of like, here's what's been going on.

0:15:22.200 --> 0:15:24.160
<v Speaker 7>He's just such a great guy, but a very different

0:15:24.280 --> 0:15:26.480
<v Speaker 7>energy than like the rest of the writing stuff.

0:15:26.680 --> 0:15:29.480
<v Speaker 8>Yeah. Yeah, Well, you know, the great thing with the

0:15:29.480 --> 0:15:32.160
<v Speaker 8>writing staff is you tend to get you know, when

0:15:32.160 --> 0:15:34.080
<v Speaker 8>you when you fill a writer's room, you get people.

0:15:34.080 --> 0:15:36.080
<v Speaker 8>It's like a baseball team. You get somebody's good at hitting,

0:15:36.120 --> 0:15:39.040
<v Speaker 8>somebody that's good at pitching, somebody that's good at fielding, whatever.

0:15:39.680 --> 0:15:42.520
<v Speaker 8>And so that room the fourth year, I think it

0:15:42.600 --> 0:15:44.560
<v Speaker 8>really kind of came together and there was a lot

0:15:44.560 --> 0:15:46.560
<v Speaker 8>of cooking there. You know, we had bloodin bus Gang

0:15:46.600 --> 0:15:49.520
<v Speaker 8>Minell was there, he was that, Matt Nelson was there.

0:15:51.160 --> 0:15:54.480
<v Speaker 8>I don't completely remember the whole was Kevin there, Kevin

0:15:54.520 --> 0:15:55.360
<v Speaker 8>Calton maybe he might.

0:15:55.280 --> 0:15:58.280
<v Speaker 4>Have been Kevin Kelton, Susan Estelle Janson, Steve.

0:15:58.080 --> 0:16:01.960
<v Speaker 8>Hibbert came in the gimp.

0:16:04.320 --> 0:16:06.920
<v Speaker 7>I remember you telling me this was after boy Me's World.

0:16:06.920 --> 0:16:08.920
<v Speaker 7>I remember you you said basically the same thing you

0:16:08.960 --> 0:16:10.520
<v Speaker 7>just said, and you put it so well and it's

0:16:10.640 --> 0:16:12.520
<v Speaker 7>something that's it's like a lesson that's always stuck with me.

0:16:12.560 --> 0:16:15.040
<v Speaker 3>You're like, look, right, are there are? There are really

0:16:15.120 --> 0:16:16.760
<v Speaker 3>kind of three types of television writers.

0:16:16.760 --> 0:16:18.680
<v Speaker 7>There are those who are good on the page, there

0:16:18.680 --> 0:16:20.320
<v Speaker 7>are those who are good in the room, and there

0:16:20.320 --> 0:16:22.320
<v Speaker 7>are those who are good at both. And you're like,

0:16:22.320 --> 0:16:24.120
<v Speaker 7>and you kind of need them all, you know, like

0:16:24.160 --> 0:16:26.440
<v Speaker 7>and you weren't saying that like one was better than

0:16:26.480 --> 0:16:28.840
<v Speaker 7>the other. You were just like, there's different different, and

0:16:29.000 --> 0:16:31.280
<v Speaker 7>that's really stuck with me. And I think that's super true.

0:16:31.360 --> 0:16:33.040
<v Speaker 7>Do you where do you fall?

0:16:33.160 --> 0:16:33.400
<v Speaker 8>Are you?

0:16:33.440 --> 0:16:34.240
<v Speaker 3>Are you good at both?

0:16:34.400 --> 0:16:38.520
<v Speaker 8>Or you know? I'm When I went into the writer's

0:16:38.600 --> 0:16:42.720
<v Speaker 8>room the first year, I was kind of shy. I

0:16:42.720 --> 0:16:45.120
<v Speaker 8>didn't really I'm not a stand up comedian. I hadn't

0:16:45.120 --> 0:16:47.200
<v Speaker 8>been used to being in writers' rooms. But by the

0:16:47.200 --> 0:16:49.160
<v Speaker 8>fourth year I was pretty good at speaking up and

0:16:49.160 --> 0:16:52.440
<v Speaker 8>pitching stuff and adding jokes to people's things. You know,

0:16:52.560 --> 0:16:54.800
<v Speaker 8>I pitched a bunch of stories that got made for

0:16:54.840 --> 0:16:56.920
<v Speaker 8>the season that some of them I didn't even write.

0:16:57.520 --> 0:17:01.120
<v Speaker 8>You know, I kind of got it for me. The

0:17:01.160 --> 0:17:03.600
<v Speaker 8>fourth season, the age you guys were at, you know,

0:17:03.600 --> 0:17:05.199
<v Speaker 8>we went from being a kid showed a sort of

0:17:05.240 --> 0:17:06.800
<v Speaker 8>like an older adolescent show.

0:17:07.119 --> 0:17:07.320
<v Speaker 1>Yeah.

0:17:07.400 --> 0:17:09.479
<v Speaker 8>Yeah, So it opened up a whole bunch of stories

0:17:09.520 --> 0:17:12.119
<v Speaker 8>I was more comfortable with, and I got to do

0:17:12.119 --> 0:17:13.879
<v Speaker 8>a couple of stories that I really wanted to do.

0:17:13.960 --> 0:17:18.520
<v Speaker 8>For the four years, you know, I earned a little

0:17:18.560 --> 0:17:22.360
<v Speaker 8>bit of cred with Michael, and so for instance, one

0:17:22.400 --> 0:17:24.520
<v Speaker 8>of the shows that I wanted to do all four

0:17:24.600 --> 0:17:29.080
<v Speaker 8>years was A Dangerous Secret of the Beauty and Michael

0:17:29.119 --> 0:17:30.760
<v Speaker 8>said the first you know, I just got laughed out

0:17:30.800 --> 0:17:32.720
<v Speaker 8>of the room. The first year they went, really, we're

0:17:32.760 --> 0:17:34.080
<v Speaker 8>going to do an abuse show with a little kid.

0:17:34.400 --> 0:17:38.040
<v Speaker 8>And then second year and so finally I was only

0:17:38.080 --> 0:17:41.360
<v Speaker 8>contracted for three years and I was getting offers from

0:17:41.359 --> 0:17:43.239
<v Speaker 8>other shows I kind of wanted to go to. I

0:17:43.240 --> 0:17:45.600
<v Speaker 8>loved you guys that I wanted to stay. But there

0:17:45.760 --> 0:17:47.199
<v Speaker 8>it was a little tents in the room. I'm not

0:17:47.200 --> 0:17:50.880
<v Speaker 8>going to get into why, but it you know, there

0:17:50.880 --> 0:17:52.800
<v Speaker 8>were some political things going on and stuff, and I

0:17:52.960 --> 0:17:55.320
<v Speaker 8>was I was feeling it, and so I was kind

0:17:55.320 --> 0:17:57.600
<v Speaker 8>of looking around and Kendall left, and I think Michael

0:17:57.680 --> 0:17:59.480
<v Speaker 8>kind of freaked out because he was so important to

0:17:59.520 --> 0:18:02.359
<v Speaker 8>the show, and so I was going to leave. I

0:18:02.359 --> 0:18:04.000
<v Speaker 8>got an offer to go to do something else.

0:18:04.359 --> 0:18:06.160
<v Speaker 4>We'd wait, I want to know what was the offer?

0:18:06.200 --> 0:18:09.960
<v Speaker 8>What was the for you know what I'm saying McCarthy show.

0:18:10.160 --> 0:18:11.480
<v Speaker 2>Okay, okay, right.

0:18:11.840 --> 0:18:13.679
<v Speaker 8>And so U and they were kind of coming to

0:18:13.720 --> 0:18:16.000
<v Speaker 8>me and would you leave? Would you? And I'm forgetting Yeah,

0:18:16.080 --> 0:18:17.520
<v Speaker 8>it kind of you know, they were going to offer

0:18:17.560 --> 0:18:21.440
<v Speaker 8>me a promotion and raise and it's an adult last

0:18:21.800 --> 0:18:23.440
<v Speaker 8>three episodes? So is it is better?

0:18:25.040 --> 0:18:27.680
<v Speaker 7>So the industry is so crazy now, I mean, because

0:18:27.680 --> 0:18:29.760
<v Speaker 7>you think about that position you're in and you're like, yeah,

0:18:29.800 --> 0:18:31.240
<v Speaker 7>I've got it, you know. I mean, it's a great

0:18:31.280 --> 0:18:33.040
<v Speaker 7>position to be in in your career where you have

0:18:33.720 --> 0:18:37.120
<v Speaker 7>already have this this this body of work and established show.

0:18:37.160 --> 0:18:38.520
<v Speaker 3>But do you take the risk?

0:18:38.840 --> 0:18:40.960
<v Speaker 7>You know, because if that had gone, that could have

0:18:41.040 --> 0:18:43.280
<v Speaker 7>been the next Friends for you know, and then it

0:18:43.280 --> 0:18:45.360
<v Speaker 7>could have been launched your career in this whole other way.

0:18:45.760 --> 0:18:46.080
<v Speaker 3>Yeah.

0:18:46.200 --> 0:18:47.919
<v Speaker 2>But that's the other question is does it go more

0:18:47.960 --> 0:18:48.680
<v Speaker 2>than three episodes?

0:18:48.720 --> 0:18:52.000
<v Speaker 5>You never know running it it went three because he

0:18:52.080 --> 0:18:54.120
<v Speaker 5>didn't go maybe it goes longer if Jeff we're there.

0:18:54.119 --> 0:18:56.480
<v Speaker 2>So it's you're gambling every single time you take it.

0:18:56.520 --> 0:18:58.720
<v Speaker 3>And it's so hard to predict because we've all read

0:18:58.760 --> 0:18:59.360
<v Speaker 3>those scripts.

0:18:59.359 --> 0:19:01.320
<v Speaker 7>That were like, well this is a slam dunk, or

0:19:01.359 --> 0:19:03.640
<v Speaker 7>you see those casts that you're like, well, this cast.

0:19:03.480 --> 0:19:06.400
<v Speaker 3>Can't lose, and then it does. It doesn't matter. It's

0:19:06.480 --> 0:19:07.320
<v Speaker 3>just so hard to know.

0:19:07.720 --> 0:19:10.240
<v Speaker 8>There's so many factors. It's where it's programmed in, you

0:19:10.240 --> 0:19:13.720
<v Speaker 8>know what it's following. There's all these different things, so

0:19:14.400 --> 0:19:16.399
<v Speaker 8>you know on for so, Michael said to me. He

0:19:16.440 --> 0:19:17.919
<v Speaker 8>took me in his office. He said, I want you

0:19:17.960 --> 0:19:19.720
<v Speaker 8>to come back, and I said, well, I'm getting these offers.

0:19:19.760 --> 0:19:21.359
<v Speaker 8>He goes, I know, but how about I'll let you

0:19:21.400 --> 0:19:25.040
<v Speaker 8>do that show you want to that episode, said so,

0:19:25.160 --> 0:19:26.600
<v Speaker 8>and I said, and the other thing I want to

0:19:26.600 --> 0:19:28.200
<v Speaker 8>do by the end of the year is I want

0:19:28.240 --> 0:19:32.679
<v Speaker 8>to get Eric into college. And I just felt that

0:19:32.800 --> 0:19:35.199
<v Speaker 8>was the feene Eric thing all the way. If you

0:19:35.200 --> 0:19:38.320
<v Speaker 8>look at if you trace my episodes, it's the sat

0:19:38.600 --> 0:19:41.040
<v Speaker 8>it's all the different things I really want. Eric was

0:19:41.080 --> 0:19:44.040
<v Speaker 8>always really bright, and I felt that Corey knew that

0:19:44.720 --> 0:19:47.240
<v Speaker 8>because if you see Eric kind of plays goofy around

0:19:47.280 --> 0:19:49.480
<v Speaker 8>other people, and when he gets serious with Corey, he's

0:19:49.520 --> 0:19:52.000
<v Speaker 8>really smart. He gives them, he almost gives them Feenie

0:19:52.040 --> 0:19:53.360
<v Speaker 8>advice in his own way.

0:19:53.680 --> 0:19:55.680
<v Speaker 3>Wow insight.

0:19:55.880 --> 0:19:58.600
<v Speaker 8>Yeah, And I knew Will, I knew all you guys,

0:19:58.800 --> 0:20:00.639
<v Speaker 8>and I just went, he's so smart, and you know

0:20:00.680 --> 0:20:04.200
<v Speaker 8>what I said. Anyway, So the dangerous secret when I'll

0:20:04.200 --> 0:20:08.479
<v Speaker 8>go back to so Michael in the room was like,

0:20:08.600 --> 0:20:11.800
<v Speaker 8>I remember, I was getting real opposition. That's gonna be horrible.

0:20:11.800 --> 0:20:16.680
<v Speaker 8>It's gonna oh serious of special Jeff. You know, I

0:20:15.000 --> 0:20:18.919
<v Speaker 8>got the damn I've got a deal with Michael. And

0:20:18.960 --> 0:20:21.119
<v Speaker 8>he said I could do it this year. So I

0:20:21.200 --> 0:20:23.560
<v Speaker 8>go in and I outlined it. I showed it to

0:20:23.600 --> 0:20:28.560
<v Speaker 8>Michael and he says, okay, sure, He said, I'll tell

0:20:28.560 --> 0:20:31.960
<v Speaker 8>you what, if you can make this funny and not

0:20:32.119 --> 0:20:34.720
<v Speaker 8>too heavy for two thirds of it all support you wanted.

0:20:34.760 --> 0:20:36.400
<v Speaker 8>If you can't, I'm not going to do the episode,

0:20:36.400 --> 0:20:38.040
<v Speaker 8>it said, bit you, he said. I said, I'd let

0:20:38.080 --> 0:20:39.640
<v Speaker 8>you write it, so I.

0:20:39.640 --> 0:20:44.080
<v Speaker 3>Oh, wow, you had to. You had to prove it

0:20:44.119 --> 0:20:44.800
<v Speaker 3>on the page.

0:20:44.960 --> 0:20:46.840
<v Speaker 8>And it was hard because when I finally got down

0:20:46.840 --> 0:20:48.200
<v Speaker 8>to it, I went, I got to make this thing

0:20:48.280 --> 0:20:50.320
<v Speaker 8>work right, And I was really serious about it, and

0:20:50.320 --> 0:20:52.200
<v Speaker 8>I talked to a couple of psychologists, a couple of

0:20:52.240 --> 0:20:55.560
<v Speaker 8>police officers about what to put in this episode before

0:20:55.560 --> 0:20:59.600
<v Speaker 8>I'd even pitched it. You know, amazing, So then everybody

0:20:59.640 --> 0:21:01.600
<v Speaker 8>was sort of pointing me toward this place called the

0:21:01.720 --> 0:21:04.920
<v Speaker 8>Child Help Hotline. Everybody I talked to you, they said,

0:21:04.960 --> 0:21:07.080
<v Speaker 8>that's kind of the clearinghouse for all kids that are

0:21:07.080 --> 0:21:09.679
<v Speaker 8>in trouble. It was a national hotline. Still is it's

0:21:09.720 --> 0:21:13.600
<v Speaker 8>still there. Sadly, it's still an issue. And so I

0:21:13.640 --> 0:21:16.119
<v Speaker 8>got in touch with a head of Child Help Hotline

0:21:16.200 --> 0:21:19.040
<v Speaker 8>and we talked for a long time, and he put

0:21:19.080 --> 0:21:21.280
<v Speaker 8>me in touch with victims. He put me in touch

0:21:21.280 --> 0:21:23.399
<v Speaker 8>with people that worked with their group. I talked to

0:21:23.520 --> 0:21:26.080
<v Speaker 8>so many people, and I kind of I made notes

0:21:26.119 --> 0:21:28.399
<v Speaker 8>and found what the common things were. In fact, some

0:21:28.440 --> 0:21:31.600
<v Speaker 8>of the poignant lines in Dangerous Secret, like when Claire

0:21:31.640 --> 0:21:35.520
<v Speaker 8>says why did he have me? That was what devastated Yeah,

0:21:36.080 --> 0:21:38.400
<v Speaker 8>it was real dialogue. The people said to me, most

0:21:38.400 --> 0:21:40.479
<v Speaker 8>of it in that part, and I wanted to make

0:21:40.520 --> 0:21:42.439
<v Speaker 8>it right. And the thing that kind of upset me

0:21:42.560 --> 0:21:45.639
<v Speaker 8>was when the show went to Disney Channel. Writer, I

0:21:45.680 --> 0:21:47.919
<v Speaker 8>don't know. I remember I was listening to an episode

0:21:47.920 --> 0:21:49.840
<v Speaker 8>of A couple when you were talking about it, And remember

0:21:49.840 --> 0:21:51.840
<v Speaker 8>that Michael and I called you up into the office

0:21:51.840 --> 0:21:55.399
<v Speaker 8>and he was there. The reason we called you up

0:21:55.560 --> 0:21:58.840
<v Speaker 8>was because I wanted to put a PSA at the

0:21:58.960 --> 0:22:01.679
<v Speaker 8>end of the episode, which is I don't know if

0:22:01.680 --> 0:22:03.639
<v Speaker 8>you guys have gone through that. It's a big ordeal

0:22:03.680 --> 0:22:06.439
<v Speaker 8>because you have to get network, studio approval, you have

0:22:06.480 --> 0:22:08.320
<v Speaker 8>to get you know, your group's approval, you have to

0:22:08.320 --> 0:22:09.640
<v Speaker 8>get all these different things.

0:22:09.680 --> 0:22:11.560
<v Speaker 5>So I got it, by the way, just for everybody

0:22:11.600 --> 0:22:14.240
<v Speaker 5>listening who might not know, a PSA's a public service announcement.

0:22:14.280 --> 0:22:15.680
<v Speaker 5>It's one of those things at the end where it's

0:22:15.720 --> 0:22:18.080
<v Speaker 5>like drawing attention to whatever issue.

0:22:17.800 --> 0:22:20.960
<v Speaker 8>You just right and shows the number for the hotline.

0:22:20.960 --> 0:22:22.480
<v Speaker 8>At the time, there was no internet, so it's just

0:22:22.480 --> 0:22:25.000
<v Speaker 8>a phone number. Now they're online, you can find it,

0:22:25.520 --> 0:22:27.920
<v Speaker 8>and so it was really important me to get this right.

0:22:28.440 --> 0:22:32.280
<v Speaker 8>And so when we got the PSA on, I got

0:22:32.280 --> 0:22:34.080
<v Speaker 8>a phone call from the network. They said you can't

0:22:34.119 --> 0:22:36.760
<v Speaker 8>put that on. I said, what are you talking about?

0:22:37.160 --> 0:22:42.679
<v Speaker 8>They said, well, Child Help Hotline is backed by a

0:22:42.880 --> 0:22:45.680
<v Speaker 8>corporation that is in conflict with one of our big

0:22:45.680 --> 0:22:48.000
<v Speaker 8>sponsors and they don't want it on. I said, okay,

0:22:48.359 --> 0:22:51.639
<v Speaker 8>their number, So I called and spoke to a This

0:22:51.800 --> 0:22:55.640
<v Speaker 8>was like a major This was just me going, I'm

0:22:55.720 --> 0:22:58.480
<v Speaker 8>constantly trying to get and I cut this kind of

0:22:58.480 --> 0:23:00.040
<v Speaker 8>the phone, and I shamed him and I said, so

0:23:00.160 --> 0:23:02.560
<v Speaker 8>you're gonna you know, this is one of the most

0:23:02.560 --> 0:23:05.679
<v Speaker 8>watched kid shows, family shows in the country, in the

0:23:05.680 --> 0:23:08.359
<v Speaker 8>world at the time, And I said, you know, this

0:23:08.520 --> 0:23:11.960
<v Speaker 8>is a wonderful opportunity for people to find a resource

0:23:12.040 --> 0:23:14.040
<v Speaker 8>to get help, and you're going to stop that. And

0:23:14.080 --> 0:23:15.919
<v Speaker 8>the guy shamed if. He said, all right, go ahead.

0:23:16.400 --> 0:23:18.760
<v Speaker 8>So I got it and we and we put it on.

0:23:18.840 --> 0:23:20.720
<v Speaker 8>But when we went to Disney Channel, for some reason,

0:23:20.720 --> 0:23:23.159
<v Speaker 8>they've cut the Child Health Hotline thing out. Probably there's oil,

0:23:23.560 --> 0:23:26.520
<v Speaker 8>maybe it was time. I don't know. I know everybody goes,

0:23:26.600 --> 0:23:28.560
<v Speaker 8>you know, go to the police. Even the police told

0:23:28.600 --> 0:23:30.560
<v Speaker 8>me it's great if you come to the police in

0:23:30.600 --> 0:23:33.240
<v Speaker 8>an emergency, but child Help Hotline is the real solution

0:23:33.359 --> 0:23:36.240
<v Speaker 8>because they have to get you to the right people.

0:23:36.560 --> 0:23:38.560
<v Speaker 1>Well, that ps A is on YouTube and it's in

0:23:38.600 --> 0:23:40.399
<v Speaker 1>writer's voice, so if anybody's interested.

0:23:42.160 --> 0:23:44.440
<v Speaker 7>Okay, So you called me into the office to check

0:23:44.480 --> 0:23:47.200
<v Speaker 7>if I would be cool recording the voiceover.

0:23:48.240 --> 0:23:50.280
<v Speaker 8>Wasn't it will do it, But it didn't make any

0:23:50.320 --> 0:23:53.119
<v Speaker 8>sense because it was your story, you know. But or

0:23:53.160 --> 0:23:56.760
<v Speaker 8>Ben you know, but but I thought that and you

0:23:56.760 --> 0:23:59.800
<v Speaker 8>you said absolutely were yeah, Oh.

0:23:59.600 --> 0:24:01.760
<v Speaker 5>Wow, it's so interesting that you say that you got

0:24:01.760 --> 0:24:04.679
<v Speaker 5>a lot of your dialogue from survivors and things like that,

0:24:04.720 --> 0:24:06.639
<v Speaker 5>because one of the things we talked about when we

0:24:06.680 --> 0:24:09.480
<v Speaker 5>recapped the episode was all the little subtleties that were

0:24:09.520 --> 0:24:12.520
<v Speaker 5>done that made it so real, like her saying if

0:24:12.520 --> 0:24:15.160
<v Speaker 5>you say anything, I'm just gonna lie. Yeah, her blaming

0:24:15.200 --> 0:24:18.760
<v Speaker 5>herself making it a powerful man instead of it was

0:24:18.800 --> 0:24:23.000
<v Speaker 5>like only takes place in poor communities. It was all

0:24:23.040 --> 0:24:26.240
<v Speaker 5>those little things that were done that made it that

0:24:26.320 --> 0:24:28.320
<v Speaker 5>episode to where we as we're talking about it, we're like,

0:24:28.440 --> 0:24:30.600
<v Speaker 5>it all worked because of those things.

0:24:30.600 --> 0:24:31.840
<v Speaker 2>It just made it very real.

0:24:32.040 --> 0:24:34.520
<v Speaker 5>And of course then the actress Arianna was just so

0:24:34.640 --> 0:24:36.840
<v Speaker 5>good and really just crushed the park.

0:24:38.240 --> 0:24:39.359
<v Speaker 2>It was just it was.

0:24:39.440 --> 0:24:43.359
<v Speaker 4>Yeah, was she chosen? Did she audition? Was she chose?

0:24:43.440 --> 0:24:43.520
<v Speaker 8>Like?

0:24:43.600 --> 0:24:45.560
<v Speaker 4>How did how did you get to her?

0:24:46.119 --> 0:24:47.439
<v Speaker 8>I was at the point where I could do that.

0:24:47.520 --> 0:24:49.400
<v Speaker 8>I had seen Jurassic Park and I said it would

0:24:49.400 --> 0:24:52.120
<v Speaker 8>be great to get that girl. It's in Jurassic Park.

0:24:52.160 --> 0:24:57.240
<v Speaker 8>And we got her and yeah, yeah she was terrific.

0:24:57.280 --> 0:24:59.199
<v Speaker 8>But you know it's for me. It was like I

0:24:59.240 --> 0:25:01.400
<v Speaker 8>knew this was going to be my last year because

0:25:01.760 --> 0:25:03.119
<v Speaker 8>I thought it was going to towards the end of

0:25:03.119 --> 0:25:04.399
<v Speaker 8>the year. I think I told you last time in

0:25:04.440 --> 0:25:07.520
<v Speaker 8>the last podcast. Michael came to in my office and

0:25:07.680 --> 0:25:09.760
<v Speaker 8>he said, you know, sure, I'm going to be doing

0:25:09.760 --> 0:25:11.440
<v Speaker 8>some other stuff, so I want you to run the

0:25:11.440 --> 0:25:14.479
<v Speaker 8>show next year. So I started working on them, and

0:25:14.520 --> 0:25:17.000
<v Speaker 8>then and Bluckman and Bustment I think had gone away,

0:25:17.119 --> 0:25:18.520
<v Speaker 8>and then they came back and wanted to do it.

0:25:18.560 --> 0:25:19.960
<v Speaker 8>Michael said, I have to give it to them because

0:25:19.960 --> 0:25:22.080
<v Speaker 8>they are half stuff above you, and I left because

0:25:22.080 --> 0:25:24.080
<v Speaker 8>that was that was kind of my political We were

0:25:24.080 --> 0:25:26.560
<v Speaker 8>bumping up. We're all really good friends. Now at the time,

0:25:26.600 --> 0:25:29.400
<v Speaker 8>you know, you're stuck in a room together type.

0:25:29.920 --> 0:25:31.760
<v Speaker 7>I have to think about your own career too. You're

0:25:31.800 --> 0:25:35.359
<v Speaker 7>all jocking for the future, you know, can't you can't

0:25:35.440 --> 0:25:37.960
<v Speaker 7>just be thinking one episode out or one season out.

0:25:38.000 --> 0:25:40.280
<v Speaker 7>You have to think, you know, I got to provide

0:25:40.280 --> 0:25:42.040
<v Speaker 7>for my family and provide for my career.

0:25:42.160 --> 0:25:44.320
<v Speaker 8>Yeah, and this serial with TV, you know, because you

0:25:44.720 --> 0:25:47.879
<v Speaker 8>do take this big leap over this gap going. I

0:25:47.920 --> 0:25:50.119
<v Speaker 8>hope that show keeps what you were saying before. You know,

0:25:50.160 --> 0:25:53.240
<v Speaker 8>you don't know, but I knew that for me developmentally

0:25:53.840 --> 0:25:55.879
<v Speaker 8>and every other way I saw that the show was

0:25:55.920 --> 0:25:58.439
<v Speaker 8>going to start turning a little more serious. I just

0:25:58.520 --> 0:26:01.119
<v Speaker 8>I really, my goals when I came men were I

0:26:01.160 --> 0:26:03.000
<v Speaker 8>really wanted to get Will in college. I wanted to

0:26:03.000 --> 0:26:05.919
<v Speaker 8>get Eric in college. I just thought that's such a thing.

0:26:06.040 --> 0:26:08.120
<v Speaker 8>So that was the other I know this, you guys

0:26:08.160 --> 0:26:10.280
<v Speaker 8>haven't done that episode yet, but when you get to it,

0:26:10.920 --> 0:26:12.320
<v Speaker 8>you know, it was like we had a big debate

0:26:12.320 --> 0:26:14.680
<v Speaker 8>in the writer's room because you know, Michael never finished college.

0:26:15.040 --> 0:26:16.840
<v Speaker 8>A lot of the people in that room never went

0:26:16.880 --> 0:26:18.920
<v Speaker 8>to college and never finished college. So they were going,

0:26:19.040 --> 0:26:20.000
<v Speaker 8>do you really need.

0:26:19.800 --> 0:26:21.840
<v Speaker 7>College to have a life, And oh, that's so interesting

0:26:21.840 --> 0:26:24.680
<v Speaker 7>because we've talked about that. The college focus on boying

0:26:24.720 --> 0:26:27.760
<v Speaker 7>me's world. So so you were the pro college.

0:26:27.400 --> 0:26:30.720
<v Speaker 8>Guy absolutely, and I just you know, it's it's fine

0:26:30.760 --> 0:26:32.920
<v Speaker 8>to you know, you don't necessarily have to go. But

0:26:33.000 --> 0:26:35.800
<v Speaker 8>for everybody kind of perceived a kind of maybe he

0:26:35.920 --> 0:26:38.320
<v Speaker 8>was dumb, but I always thought it was really smart.

0:26:39.480 --> 0:26:42.320
<v Speaker 8>The one woman show, you know, we just did that.

0:26:42.480 --> 0:26:44.919
<v Speaker 8>It was funny. You know, it was like he was

0:26:45.320 --> 0:26:47.920
<v Speaker 8>he was doing he did things when the time came.

0:26:47.960 --> 0:26:50.720
<v Speaker 8>He was really smart and made the right moves. And

0:26:50.840 --> 0:26:53.720
<v Speaker 8>I thought, this kid is a role model for so

0:26:53.800 --> 0:26:55.800
<v Speaker 8>many kids. And if we say he doesn't have to

0:26:55.840 --> 0:26:57.640
<v Speaker 8>go to college, think how many kids would have gone

0:26:57.680 --> 0:27:00.159
<v Speaker 8>I don't have to go to college. So I I

0:27:00.240 --> 0:27:02.679
<v Speaker 8>just took Michael aside again and I said, Michael, this

0:27:02.720 --> 0:27:05.240
<v Speaker 8>is he'd given me this last episode. I'd had four.

0:27:05.280 --> 0:27:07.360
<v Speaker 8>I was contracted do four, and he came to gave

0:27:07.400 --> 0:27:09.680
<v Speaker 8>me five, which was a I think Bluckman. The bus

0:27:09.760 --> 0:27:11.479
<v Speaker 8>Gang as a team got four, and they were very

0:27:11.560 --> 0:27:17.600
<v Speaker 8>upsets with me, Michael. So but that was my The

0:27:17.600 --> 0:27:19.720
<v Speaker 8>other thing was they wanted me to be in that episode.

0:27:19.720 --> 0:27:21.800
<v Speaker 8>I never did the only thing I ever did on

0:27:21.880 --> 0:27:23.440
<v Speaker 8>Boy Meets Role. I don't know if you know this.

0:27:24.760 --> 0:27:28.280
<v Speaker 8>There was one episode where Corey was giving you Topanga

0:27:28.720 --> 0:27:33.080
<v Speaker 8>a little bear that said I love you very much,

0:27:33.359 --> 0:27:34.800
<v Speaker 8>and then you guys have broken up, so he was

0:27:34.840 --> 0:27:36.560
<v Speaker 8>thrown all the stuff away through the teddy bear and

0:27:36.600 --> 0:27:37.879
<v Speaker 8>the trash capactor.

0:27:39.359 --> 0:27:40.440
<v Speaker 3>I love you very.

0:27:42.040 --> 0:27:42.480
<v Speaker 10>Jazz.

0:27:43.840 --> 0:27:44.760
<v Speaker 2>It was your voice.

0:27:44.920 --> 0:27:45.200
<v Speaker 8>Nice.

0:27:46.880 --> 0:27:48.080
<v Speaker 4>Oh that's so funny.

0:27:48.600 --> 0:27:50.399
<v Speaker 1>Okay, this is going to be a maybe this is

0:27:50.400 --> 0:27:54.159
<v Speaker 1>a weird question because it's obviously child abuse is something

0:27:54.359 --> 0:27:57.400
<v Speaker 1>we should all care about. But was there a reason

0:27:57.600 --> 0:28:00.200
<v Speaker 1>that was so important to you? Did you have a

0:28:00.240 --> 0:28:02.639
<v Speaker 1>personal attachment to that considering now that we found out

0:28:02.680 --> 0:28:05.879
<v Speaker 1>you've been pitching it since season one, what was it

0:28:05.920 --> 0:28:09.200
<v Speaker 1>about that storyline that really you wanted to do so badly?

0:28:10.480 --> 0:28:12.680
<v Speaker 8>You know, I grew up in an affluent neighborhood where

0:28:12.680 --> 0:28:17.560
<v Speaker 8>a lot of the kids were abused, you know, sexually, physically, emotionally,

0:28:17.920 --> 0:28:22.320
<v Speaker 8>and her parents were very upstanding people. And didn't know.

0:28:22.359 --> 0:28:24.959
<v Speaker 8>One of my best friends even killed himself because he'd

0:28:25.000 --> 0:28:27.840
<v Speaker 8>been abused all his childhood. I knew that it was

0:28:27.880 --> 0:28:32.520
<v Speaker 8>a and his mother's was a very famous, famous, famous actress.

0:28:32.520 --> 0:28:34.240
<v Speaker 8>I may I've told someone you about. I don't talk

0:28:34.280 --> 0:28:39.080
<v Speaker 8>about it publicly, very beloved, but she was horrible to him.

0:28:39.120 --> 0:28:41.520
<v Speaker 8>So to me, that was something that always haunted me.

0:28:42.280 --> 0:28:45.040
<v Speaker 8>And you know what I wanted to do even in

0:28:45.080 --> 0:28:46.760
<v Speaker 8>that episode too, I thought, you know, it's a more

0:28:46.800 --> 0:28:50.280
<v Speaker 8>adult season this season four. You guys were getting older,

0:28:51.480 --> 0:28:54.080
<v Speaker 8>so I thought, you know, Corey. It also sprung that

0:28:54.160 --> 0:28:57.840
<v Speaker 8>story with Corey and Tapango, which was Corey he's not

0:28:57.960 --> 0:29:00.880
<v Speaker 8>keeping up with his friend and even though he knows,

0:29:00.920 --> 0:29:02.440
<v Speaker 8>he doesn't know what to do, but he thinks he

0:29:02.480 --> 0:29:05.920
<v Speaker 8>should be these things. So what really the story for

0:29:06.000 --> 0:29:11.479
<v Speaker 8>me was Sean Ryder is an adult at the beginning

0:29:11.560 --> 0:29:14.040
<v Speaker 8>taking care of somebody, but really he's just a kid,

0:29:14.360 --> 0:29:15.600
<v Speaker 8>and you find that out at the end because he

0:29:15.600 --> 0:29:17.080
<v Speaker 8>doesn't have the adult solutions.

0:29:17.080 --> 0:29:17.960
<v Speaker 3>He doesn't sources.

0:29:18.760 --> 0:29:21.160
<v Speaker 8>He's fixing it as a kid. And Corey, who seems

0:29:21.240 --> 0:29:23.520
<v Speaker 8>like a kid emotionally because he doesn't know what to

0:29:23.560 --> 0:29:26.200
<v Speaker 8>do with the Panga, rises up and becomes the adult,

0:29:27.560 --> 0:29:29.600
<v Speaker 8>which he did in The Fugitive, which he did in

0:29:29.640 --> 0:29:31.920
<v Speaker 8>a lot of my others. And that was I was

0:29:31.960 --> 0:29:34.360
<v Speaker 8>trying to touch back to some of those things because

0:29:34.360 --> 0:29:35.800
<v Speaker 8>I kind of knew I was getting to the end

0:29:35.800 --> 0:29:37.680
<v Speaker 8>of my stay on the show, and there were a

0:29:37.680 --> 0:29:40.000
<v Speaker 8>few things I wanted to tie up and make sure

0:29:40.040 --> 0:29:42.400
<v Speaker 8>that they kind of were on their way. I wanted

0:29:42.400 --> 0:29:45.400
<v Speaker 8>to start a college years and I named Pembroke, you know,

0:29:45.560 --> 0:29:47.280
<v Speaker 8>all that kind of stuff. There were little things that

0:29:47.360 --> 0:29:50.840
<v Speaker 8>stayed afterwards, but the h you know, I tried to

0:29:50.880 --> 0:29:53.400
<v Speaker 8>do one every season. I did one on school vandalism,

0:29:53.640 --> 0:29:56.280
<v Speaker 8>I did one on running away from Home the Fugitive,

0:29:56.960 --> 0:30:01.120
<v Speaker 8>just issues that would have hit those kids. And the

0:30:01.160 --> 0:30:03.880
<v Speaker 8>funny story with the Dangerous Secret was so when I

0:30:03.880 --> 0:30:08.240
<v Speaker 8>finally finished the script, I turn it in and I'm

0:30:08.280 --> 0:30:10.680
<v Speaker 8>sitting in we were KTLA. I'm in my corner office

0:30:10.720 --> 0:30:12.840
<v Speaker 8>and Michael's all the way down the hall and Jerlyn

0:30:12.920 --> 0:30:15.640
<v Speaker 8>comes and goes, Michael wants to talk to you. Great,

0:30:15.680 --> 0:30:17.280
<v Speaker 8>you know. So I go down the hall.

0:30:17.200 --> 0:30:19.680
<v Speaker 1>And think, talk about let's tell our listeners who Jerylyn is.

0:30:19.720 --> 0:30:21.720
<v Speaker 1>We I don't think we've ever mentioned Jerylyn on the podcast.

0:30:21.960 --> 0:30:26.760
<v Speaker 8>Carolyn. She's wonderful. Jerlyne was Michael's intrepid assistant.

0:30:27.640 --> 0:30:29.600
<v Speaker 4>She did it, but I don't either.

0:30:29.800 --> 0:30:32.040
<v Speaker 8>I don't even know her name. Softly, it's her name

0:30:32.120 --> 0:30:32.920
<v Speaker 8>is Jarlyne.

0:30:34.080 --> 0:30:36.200
<v Speaker 4>I know we can all picture, we can all hear it.

0:30:37.520 --> 0:30:40.560
<v Speaker 8>So she comes down. She goes, sure, Mike wants you, okay.

0:30:40.600 --> 0:30:42.920
<v Speaker 8>So I go down the hall and the only two

0:30:42.960 --> 0:30:44.800
<v Speaker 8>people it's somber it's going to darken the room, and

0:30:45.600 --> 0:30:48.520
<v Speaker 8>Bob Young singing sitting in a chair. I can't read them.

0:30:48.560 --> 0:30:50.400
<v Speaker 8>And Michael's got the script on his desk and he'

0:30:50.880 --> 0:30:53.760
<v Speaker 8>and he flips it over and he goes, I'm not

0:30:53.880 --> 0:30:59.160
<v Speaker 8>changing a word. Oh my god, really, that's never I mean,

0:30:59.200 --> 0:31:02.760
<v Speaker 8>Michael not to fly. This is we're going back all that.

0:31:02.880 --> 0:31:06.520
<v Speaker 8>But he's on my butt and as we're going, Bob

0:31:06.600 --> 0:31:09.520
<v Speaker 8>Young grabs my shoulder. Michael, you know, runs down the hall,

0:31:10.480 --> 0:31:20.120
<v Speaker 8>Bob Young goes, grabs shoulder, goes, it's never gonna.

0:31:16.760 --> 0:31:21.960
<v Speaker 3>How can change words? Page one, line one many shows?

0:31:22.360 --> 0:31:24.440
<v Speaker 8>Trust me, she said, don't get your heart. I'll set

0:31:24.480 --> 0:31:30.720
<v Speaker 8>the watch. Michael goes, everybody that script this is fantastic. Okay,

0:31:32.200 --> 0:31:34.040
<v Speaker 8>paid him in.

0:31:34.080 --> 0:31:37.880
<v Speaker 3>The back of my script, and he goes, I don't.

0:31:39.440 --> 0:31:41.760
<v Speaker 4>Even even when it's a perfect script.

0:31:42.080 --> 0:31:45.440
<v Speaker 8>But he ended up basically Michael had to rewrite it,

0:31:45.520 --> 0:31:47.760
<v Speaker 8>even though he really he changed so little of it

0:31:48.080 --> 0:31:50.720
<v Speaker 8>that on this one especially, it just was kind of

0:31:50.720 --> 0:31:53.920
<v Speaker 8>what it was. But he wanted to make sure that

0:31:54.000 --> 0:31:56.000
<v Speaker 8>nothing was good. And you know what, when I when

0:31:56.000 --> 0:31:58.320
<v Speaker 8>I watched the shows, I watched all five from season

0:31:58.360 --> 0:32:00.160
<v Speaker 8>four last night just to kind of refra haven't see

0:32:00.200 --> 0:32:03.160
<v Speaker 8>him in a while, and uh, you know, I hear

0:32:03.280 --> 0:32:06.880
<v Speaker 8>I remember bus Gang pitching stuff on my scripts. You know,

0:32:06.920 --> 0:32:09.640
<v Speaker 8>when you see a script and something maybe people don't understand,

0:32:09.960 --> 0:32:14.320
<v Speaker 8>your viewers or listeners don't know, is really when you're

0:32:14.360 --> 0:32:17.040
<v Speaker 8>in the room, the main the first writer really does

0:32:17.080 --> 0:32:19.120
<v Speaker 8>have a big impact on any script that comes in.

0:32:19.240 --> 0:32:22.239
<v Speaker 8>But then the route really kind of plays with it

0:32:22.280 --> 0:32:23.760
<v Speaker 8>and makes it think good and bad.

0:32:23.920 --> 0:32:27.280
<v Speaker 3>You know, it was like a hive mind, right, yeah, yeah, yes, And.

0:32:27.480 --> 0:32:30.680
<v Speaker 8>But you know, and you you do have some you know,

0:32:30.920 --> 0:32:32.960
<v Speaker 8>I got some cloud toward the end to kind of

0:32:33.040 --> 0:32:35.360
<v Speaker 8>keep things I liked. Michael would trust me with things.

0:32:35.920 --> 0:32:39.280
<v Speaker 8>But you know, it was hard. You know, it's it's

0:32:39.320 --> 0:32:41.040
<v Speaker 8>a it's a you have to kind of check your

0:32:41.040 --> 0:32:43.280
<v Speaker 8>ego at the door and just go in. And most

0:32:43.280 --> 0:32:45.280
<v Speaker 8>of the time it got so much better. I mean

0:32:45.320 --> 0:32:49.520
<v Speaker 8>everybody Buttman and Yawny and Matty Nelson was so great

0:32:49.520 --> 0:32:52.800
<v Speaker 8>with you know, characters and you know, uh it was

0:32:52.840 --> 0:32:55.520
<v Speaker 8>it was terrific. And Michael just you know, he just

0:32:55.600 --> 0:32:57.120
<v Speaker 8>had a magic to him. You know, he could hear

0:32:57.200 --> 0:32:58.360
<v Speaker 8>it and know it was going to work in that

0:32:58.400 --> 0:32:59.520
<v Speaker 8>episode most of the time.

0:33:00.160 --> 0:33:03.680
<v Speaker 5>Just looking back, would you do it? Because it seemed

0:33:03.720 --> 0:33:07.800
<v Speaker 5>like danger secret came exactly when it should have age

0:33:07.840 --> 0:33:10.000
<v Speaker 5>wise in the script, so our age wives in the show.

0:33:10.040 --> 0:33:11.720
<v Speaker 5>So looking back, if you had a chance to do

0:33:11.760 --> 0:33:14.360
<v Speaker 5>it first or second season, would you still have done

0:33:14.400 --> 0:33:15.840
<v Speaker 5>that or would you have saved it for when it

0:33:15.880 --> 0:33:16.560
<v Speaker 5>when it showed up.

0:33:16.760 --> 0:33:18.480
<v Speaker 8>I couldn't have done some of the stuff I.

0:33:18.440 --> 0:33:20.280
<v Speaker 2>Did on it, you know, Yeah, that's what I figured.

0:33:20.520 --> 0:33:23.000
<v Speaker 8>Censors were all over that episode. I mean we went

0:33:23.040 --> 0:33:25.360
<v Speaker 8>in and the first that a little black eye and

0:33:25.400 --> 0:33:27.200
<v Speaker 8>Michael and I went into makeup and I said, it's

0:33:27.200 --> 0:33:29.200
<v Speaker 8>got it. It's gotta be shocking when she walks out

0:33:29.240 --> 0:33:32.200
<v Speaker 8>of the shadows. Yeah, the sensor was there. I mean,

0:33:32.240 --> 0:33:34.080
<v Speaker 8>they were really on top of this episode because the

0:33:34.120 --> 0:33:38.000
<v Speaker 8>sex and the violence. You know. Yeah, so, but you know,

0:33:38.120 --> 0:33:40.240
<v Speaker 8>you just have to talk to them and shame the

0:33:40.480 --> 0:33:42.160
<v Speaker 8>kind of you know, that's part of being a producer

0:33:42.280 --> 0:33:44.400
<v Speaker 8>is just getting going. If you're not honest with it,

0:33:44.480 --> 0:33:45.320
<v Speaker 8>nobody's going to care.

0:33:45.720 --> 0:34:03.080
<v Speaker 1>Yeah, let's talk about shallow boy Yprum, I mean, other

0:34:03.280 --> 0:34:07.760
<v Speaker 1>end of the spectrum, just showing your range. In season four,

0:34:08.200 --> 0:34:11.239
<v Speaker 1>we watched it recently and recapped it and we had

0:34:11.320 --> 0:34:13.959
<v Speaker 1>Lesha Haley on and we got to talk to her

0:34:14.440 --> 0:34:18.839
<v Speaker 1>and I just it's truly just to recap for any

0:34:18.840 --> 0:34:21.080
<v Speaker 1>of our listeners who don't remember. Eric starts dating a

0:34:21.160 --> 0:34:25.080
<v Speaker 1>highly optimistic musician, but her constant perkiness starts to annoy him.

0:34:25.440 --> 0:34:27.800
<v Speaker 1>After he dumps her, he finds himself the topic of

0:34:27.840 --> 0:34:30.880
<v Speaker 1>a scathing hit song on the radio. Meanwhile, Topanga does

0:34:30.920 --> 0:34:33.800
<v Speaker 1>not like Corey's habit of being pals with kids instead

0:34:33.800 --> 0:34:37.680
<v Speaker 1>of parenting them. What do you remember about that episode

0:34:37.719 --> 0:34:41.800
<v Speaker 1>and how do you remember coming to and then eventually

0:34:41.880 --> 0:34:43.240
<v Speaker 1>hiring Lesha Haley.

0:34:44.280 --> 0:34:48.640
<v Speaker 8>Well, the Lamis Morris had come out and found out,

0:34:48.680 --> 0:34:51.160
<v Speaker 8>you know, you heard like, who's this guy that she's

0:34:51.239 --> 0:34:53.360
<v Speaker 8>and it was the guy from like full House.

0:34:53.680 --> 0:34:57.279
<v Speaker 10>Apparently Dahl laughed about that.

0:34:57.360 --> 0:34:59.359
<v Speaker 8>But I thought, what if? And I said, what if

0:34:59.360 --> 0:35:01.600
<v Speaker 8>we did that? Like Eric meets this girl that writes

0:35:01.600 --> 0:35:03.920
<v Speaker 8>these little singing songy things and they're all kind of

0:35:03.960 --> 0:35:06.480
<v Speaker 8>sweet and all this, and he pisses her off basically,

0:35:06.840 --> 0:35:10.160
<v Speaker 8>and she becomes a Lanis Morisset because she's angry. Michael said,

0:35:10.320 --> 0:35:13.680
<v Speaker 8>that's your first episode. So that's what And then I

0:35:13.719 --> 0:35:17.000
<v Speaker 8>don't remember who somebody knew the band, but Blutman and

0:35:17.000 --> 0:35:19.120
<v Speaker 8>I believe it's just Buttlan and I went to a

0:35:19.160 --> 0:35:22.360
<v Speaker 8>little club and we went to see Lesha's band that

0:35:22.480 --> 0:35:25.840
<v Speaker 8>it was just the two women, the Murmurs and the

0:35:25.880 --> 0:35:28.239
<v Speaker 8>other you know, the other person in the band. The

0:35:28.280 --> 0:35:30.280
<v Speaker 8>woman the other woman in the band was so drunk

0:35:30.320 --> 0:35:33.920
<v Speaker 8>that night that she fell off the stage. Like, I'm like,

0:35:34.480 --> 0:35:37.960
<v Speaker 8>but Lisha was so cool and all that, I said,

0:35:37.960 --> 0:35:39.960
<v Speaker 8>she's she was just great And I said to her,

0:35:39.960 --> 0:35:42.040
<v Speaker 8>look you know, have you ever acted? She is not really,

0:35:42.120 --> 0:35:44.200
<v Speaker 8>but you know I've been wanting to, and so we

0:35:44.520 --> 0:35:47.560
<v Speaker 8>brought her in. She tested, She was great, and I

0:35:47.600 --> 0:35:50.080
<v Speaker 8>had written lyrics, you know, again in the room like

0:35:50.200 --> 0:35:53.600
<v Speaker 8>Hibbert actually came up with the shallow boy title. Oh

0:35:54.880 --> 0:35:56.959
<v Speaker 8>but he goes make it shallow boy. I just remember,

0:35:57.000 --> 0:36:01.359
<v Speaker 8>you know, you remember these things wherever. So that's great.

0:36:01.400 --> 0:36:03.760
<v Speaker 8>So but I'd written a bunch of like really horrible lyrics.

0:36:03.840 --> 0:36:09.440
<v Speaker 8>It's like Barney would have rejected them. So I said,

0:36:09.840 --> 0:36:12.200
<v Speaker 8>I was talking to Ray cole Court and she and Alicia,

0:36:12.200 --> 0:36:14.160
<v Speaker 8>I believe, said maybe she probably told you, but I

0:36:14.160 --> 0:36:15.920
<v Speaker 8>think she said, I'll just write some music for him,

0:36:15.920 --> 0:36:18.920
<v Speaker 8>And I went, okay, we'll see what happened. And she

0:36:18.960 --> 0:36:22.960
<v Speaker 8>came in. They were great, almost too good, you know,

0:36:23.040 --> 0:36:25.719
<v Speaker 8>it's like and so she just sort of surprised us

0:36:25.760 --> 0:36:27.279
<v Speaker 8>and blew us away.

0:36:27.280 --> 0:36:29.120
<v Speaker 7>And then did you guys have a separate meeting where

0:36:29.120 --> 0:36:30.880
<v Speaker 7>she came in and presented the songs or did she

0:36:30.960 --> 0:36:32.239
<v Speaker 7>just come to the table read with them.

0:36:32.840 --> 0:36:34.240
<v Speaker 8>I don't remember that.

0:36:34.120 --> 0:36:37.000
<v Speaker 5>She would she doesn't either, That's the thing. We're master

0:36:37.120 --> 0:36:39.640
<v Speaker 5>that and she she couldn't remember. She she thinks she

0:36:39.719 --> 0:36:42.600
<v Speaker 5>went to somebody's either office or house, and we didn't

0:36:42.640 --> 0:36:44.040
<v Speaker 5>know if it was maybe your house or Ray cole

0:36:44.120 --> 0:36:47.160
<v Speaker 5>Court's house. She said there was two or three guys there,

0:36:47.239 --> 0:36:51.799
<v Speaker 5>and then she went and yeah, recorded them separately for

0:36:52.040 --> 0:36:54.880
<v Speaker 5>then the track for the episode. But she doesn't remember

0:36:54.880 --> 0:36:57.640
<v Speaker 5>who was there, or she vaguely remembers you guys coming

0:36:57.680 --> 0:37:00.400
<v Speaker 5>to the concert because we told her that her partner

0:37:00.440 --> 0:37:02.680
<v Speaker 5>fell off the stage and of course she lost it.

0:37:02.320 --> 0:37:05.840
<v Speaker 1>She's like, we used to do that a lot back.

0:37:06.760 --> 0:37:08.040
<v Speaker 2>Any number of shows.

0:37:08.040 --> 0:37:12.160
<v Speaker 1>Frankly, I was thinking maybe she'd know exactly which was.

0:37:12.360 --> 0:37:16.279
<v Speaker 5>She was like, no, no, any number of performances.

0:37:16.440 --> 0:37:18.879
<v Speaker 8>So I really enjoyed doing on Boy Meet's World because

0:37:18.880 --> 0:37:23.640
<v Speaker 8>it was such a male heavy cast. I brought it

0:37:23.680 --> 0:37:26.880
<v Speaker 8>like I did sister Teresa, I did, you know, uh,

0:37:27.280 --> 0:37:30.160
<v Speaker 8>different ones with with women characters and then the one

0:37:30.800 --> 0:37:35.680
<v Speaker 8>affair to forget with the termin matrix and you know,

0:37:35.719 --> 0:37:37.479
<v Speaker 8>but I always loved to bring in these people because

0:37:37.480 --> 0:37:40.200
<v Speaker 8>it was fun to you know, I liked when Danielle

0:37:40.239 --> 0:37:42.120
<v Speaker 8>would play against them because you would get a sense

0:37:42.120 --> 0:37:45.279
<v Speaker 8>of Danielle with women. You know, it's just another dimension, yea.

0:37:45.960 --> 0:37:49.040
<v Speaker 8>And however he responded to that stuff. So but you know,

0:37:49.239 --> 0:37:50.799
<v Speaker 8>the four season was fun for me because it was

0:37:50.800 --> 0:37:53.879
<v Speaker 8>really a playground. I came back and I just I said,

0:37:53.920 --> 0:37:55.520
<v Speaker 8>I'm gonna do what I want this year, you know,

0:37:55.640 --> 0:37:58.440
<v Speaker 8>and Bob really helped me do that, and and Michael

0:37:58.480 --> 0:38:00.279
<v Speaker 8>allowed me to, so it was well.

0:38:00.880 --> 0:38:04.080
<v Speaker 1>Another thing we've noticed about season four is that we

0:38:04.200 --> 0:38:08.239
<v Speaker 1>finally had some money. The budget seems to have really

0:38:08.280 --> 0:38:08.680
<v Speaker 1>gone up.

0:38:08.800 --> 0:38:10.239
<v Speaker 2>The set the show did.

0:38:10.680 --> 0:38:12.719
<v Speaker 4>No we you probably didn't.

0:38:17.080 --> 0:38:19.800
<v Speaker 1>Had a lot of money, but our department, set deck,

0:38:20.000 --> 0:38:24.799
<v Speaker 1>I mean, the locations, just the yogurt cup alone, it

0:38:24.840 --> 0:38:26.520
<v Speaker 1>was like, I.

0:38:26.400 --> 0:38:30.000
<v Speaker 4>Mean, truly the budget was great. Do you remember that too?

0:38:30.080 --> 0:38:32.480
<v Speaker 1>Do you remember there being like, oh, we've got some

0:38:32.600 --> 0:38:33.600
<v Speaker 1>room to play here.

0:38:33.880 --> 0:38:35.960
<v Speaker 8>Always is good to be a hit show because they

0:38:36.320 --> 0:38:39.600
<v Speaker 8>start throwing money at you, and you know, I always felt,

0:38:40.000 --> 0:38:42.960
<v Speaker 8>you know, most of my episodes, I wouldn't do that.

0:38:43.080 --> 0:38:45.040
<v Speaker 8>You know, I wouldn't go to a big swing set

0:38:45.120 --> 0:38:47.040
<v Speaker 8>or a big thing. So I really I always really

0:38:47.080 --> 0:38:48.799
<v Speaker 8>like to kind of keep it core and maybe once

0:38:48.800 --> 0:38:50.680
<v Speaker 8>in a while I bring in somebody bringing the monkeys

0:38:50.800 --> 0:38:56.840
<v Speaker 8>or something. Okay, it was sweeps. I want to explain

0:38:56.880 --> 0:38:58.160
<v Speaker 8>that to you guys, because you always go, why did

0:38:58.239 --> 0:39:01.000
<v Speaker 8>you bring in the Monkeys. So what you do you remember.

0:39:00.719 --> 0:39:06.760
<v Speaker 4>Scott about sweep Sweet? How have we not talked about

0:39:06.920 --> 0:39:07.800
<v Speaker 4>sweep Sweet?

0:39:08.000 --> 0:39:08.239
<v Speaker 3>Yeah?

0:39:08.320 --> 0:39:11.200
<v Speaker 7>We have because we never know exactly which Also, I

0:39:11.239 --> 0:39:13.799
<v Speaker 7>don't know did we really understand sweet week or I mean,

0:39:13.840 --> 0:39:14.200
<v Speaker 7>I don't.

0:39:14.280 --> 0:39:15.719
<v Speaker 3>All I know is that it's a thing that we

0:39:15.719 --> 0:39:16.879
<v Speaker 3>were all stressed.

0:39:16.719 --> 0:39:20.040
<v Speaker 1>About, you getting your ratings high, and you want to

0:39:20.080 --> 0:39:22.200
<v Speaker 1>have the highest ratings possible to get.

0:39:22.040 --> 0:39:26.600
<v Speaker 5>Your response why advertisement money?

0:39:26.880 --> 0:39:28.760
<v Speaker 3>Hold on? Who agreed what sweet?

0:39:28.880 --> 0:39:29.000
<v Speaker 8>Like?

0:39:29.040 --> 0:39:29.839
<v Speaker 3>When Sweeps week?

0:39:30.080 --> 0:39:31.799
<v Speaker 7>Like, when did that get Was it just like a

0:39:31.840 --> 0:39:34.759
<v Speaker 7>cultural like or did the network say we're going to

0:39:34.800 --> 0:39:36.160
<v Speaker 7>pick this one weeps?

0:39:36.840 --> 0:39:39.520
<v Speaker 3>Mister Sweeps came down with a cigar and said here

0:39:39.560 --> 0:39:40.560
<v Speaker 3>we go.

0:39:41.480 --> 0:39:44.760
<v Speaker 7>But really, like somebody arbitrarily picked a week and told

0:39:44.800 --> 0:39:46.440
<v Speaker 7>all the shows, this is the week that we're going

0:39:46.520 --> 0:39:50.000
<v Speaker 7>to use for as the barometer for every advertiser coming

0:39:50.040 --> 0:39:51.160
<v Speaker 7>forward yep.

0:39:51.360 --> 0:39:53.320
<v Speaker 8>And then there was another one towards the end of

0:39:53.360 --> 0:39:57.359
<v Speaker 8>the season, Yeah, we're going to get renewed. So there

0:39:57.360 --> 0:39:59.520
<v Speaker 8>were all these things going on. So what we we

0:39:59.560 --> 0:40:02.160
<v Speaker 8>would do We would sort of stunt cast on those

0:40:02.200 --> 0:40:05.399
<v Speaker 8>weeks sometimes, or we do something really like a big

0:40:05.480 --> 0:40:09.560
<v Speaker 8>episode or something to watch. So like the Monkeys everybody

0:40:09.640 --> 0:40:11.680
<v Speaker 8>left to me on that one, and and it was like,

0:40:11.719 --> 0:40:14.520
<v Speaker 8>I said, guys, you don't I've known Mickey forever and

0:40:15.719 --> 0:40:17.719
<v Speaker 8>you don't understand what kind of an audience they had

0:40:17.719 --> 0:40:19.799
<v Speaker 8>and every reason. But I don't know if you guys

0:40:19.800 --> 0:40:21.520
<v Speaker 8>remember that when we had the monkeys on, we had

0:40:21.520 --> 0:40:24.520
<v Speaker 8>to turn people away at the door. People there were

0:40:24.520 --> 0:40:26.920
<v Speaker 8>so many celebrities that came down because the monkeys hadn't

0:40:26.920 --> 0:40:29.840
<v Speaker 8>been together in a room and ten Yeah, in this

0:40:29.960 --> 0:40:32.799
<v Speaker 8>big and it's silly on the show kind of you

0:40:32.840 --> 0:40:35.760
<v Speaker 8>know and like, but it also was a crossover because

0:40:35.800 --> 0:40:37.040
<v Speaker 8>you get the parents watching.

0:40:38.040 --> 0:40:39.920
<v Speaker 3>It was event television. It was an event.

0:40:40.239 --> 0:40:41.400
<v Speaker 2>Yeah, definitely.

0:40:43.040 --> 0:40:47.919
<v Speaker 1>I literally felt like a kid again just talking just here,

0:40:48.120 --> 0:40:49.360
<v Speaker 1>just being reminded.

0:40:49.000 --> 0:40:52.600
<v Speaker 7>Of sweet little shot of adrenaline throughout your whole body.

0:40:52.800 --> 0:40:54.359
<v Speaker 3>Oh, we got we gotta do good this week.

0:40:54.440 --> 0:40:55.920
<v Speaker 2>We gotta put it on.

0:40:56.360 --> 0:40:57.680
<v Speaker 4>I wonder who's going to be there. I wonder who's

0:40:57.680 --> 0:40:59.040
<v Speaker 4>going to be a part with the episode.

0:40:58.680 --> 0:41:01.279
<v Speaker 1>Going to be the Do you remember at the end

0:41:01.360 --> 0:41:04.120
<v Speaker 1>of the year, the stress of the second Sweeps week

0:41:04.200 --> 0:41:06.840
<v Speaker 1>being about here's the week they decide whether or not

0:41:06.920 --> 0:41:08.680
<v Speaker 1>we're good enough for another season.

0:41:08.800 --> 0:41:10.760
<v Speaker 5>Are we getting a call from the from the governor

0:41:10.760 --> 0:41:11.800
<v Speaker 5>a were going to get a reprieve?

0:41:11.840 --> 0:41:15.120
<v Speaker 2>Or is this it is exactly right, we're going Oh.

0:41:14.719 --> 0:41:17.759
<v Speaker 5>Man, I have a question for you, Jeff, because there

0:41:17.840 --> 0:41:20.920
<v Speaker 5>seemed there seemed to be in season four a concerted

0:41:21.000 --> 0:41:24.520
<v Speaker 5>effort or at least a discussion that happened somewhere to

0:41:24.680 --> 0:41:28.480
<v Speaker 5>take the show out of the Matthews living room and

0:41:28.600 --> 0:41:33.239
<v Speaker 5>put it into the Hunter's trailer or Vader's trailer. I mean,

0:41:33.280 --> 0:41:36.280
<v Speaker 5>it seemed like they were showing more of those family

0:41:36.360 --> 0:41:39.000
<v Speaker 5>dynamics than the Matthews family dominat Do you remember this

0:41:39.120 --> 0:41:41.880
<v Speaker 5>actually being discussed on any level or did this just

0:41:41.880 --> 0:41:43.040
<v Speaker 5>something that happened organically.

0:41:43.719 --> 0:41:46.640
<v Speaker 8>Well, I always felt bad for Rusty and Betsy because

0:41:46.680 --> 0:41:49.920
<v Speaker 8>they were so damn good. But you know, it became

0:41:50.080 --> 0:41:53.640
<v Speaker 8>it became as a began as a family show. So

0:41:53.680 --> 0:41:56.359
<v Speaker 8>it was. But you guys were getting older and really

0:41:56.360 --> 0:41:58.200
<v Speaker 8>becoming the stars of the show. And every year they

0:41:58.200 --> 0:42:00.880
<v Speaker 8>would come and see the new the lay out of

0:42:00.920 --> 0:42:04.040
<v Speaker 8>the set, and every year the kitchen would get small,

0:42:04.080 --> 0:42:07.040
<v Speaker 8>living room would get smaller, get pushed aside, right, other

0:42:07.080 --> 0:42:10.400
<v Speaker 8>things would come. You know, the stories just kind of

0:42:10.760 --> 0:42:12.799
<v Speaker 8>generated different things. You guys were going out in the

0:42:12.800 --> 0:42:15.080
<v Speaker 8>world a little bit more. You know, we wanted to

0:42:15.480 --> 0:42:20.759
<v Speaker 8>that Wilderness Store, which I never totally got, but I

0:42:20.760 --> 0:42:24.080
<v Speaker 8>think Michael got into like like, you know, wilderness stuff,

0:42:24.080 --> 0:42:26.440
<v Speaker 8>and he goes next year buying a Wilderness store. I

0:42:26.960 --> 0:42:27.719
<v Speaker 8>know nothing about it.

0:42:28.000 --> 0:42:30.000
<v Speaker 7>That's so funny because Will and I were just talking

0:42:30.040 --> 0:42:32.160
<v Speaker 7>last night. We were like, you know, the whe when

0:42:32.160 --> 0:42:34.200
<v Speaker 7>the Wilderness Store was introduced, it seemed like such a

0:42:34.200 --> 0:42:37.120
<v Speaker 7>big deal, but actually not much has happened there. No, Like,

0:42:37.360 --> 0:42:39.200
<v Speaker 7>it was so cool when it started. We all had

0:42:39.200 --> 0:42:41.360
<v Speaker 7>we had these memories of it, but then we're like, actually,

0:42:41.360 --> 0:42:43.640
<v Speaker 7>I think there's been like four scenes in the entire

0:42:43.680 --> 0:42:44.360
<v Speaker 7>scenes never.

0:42:44.320 --> 0:42:47.520
<v Speaker 5>Used this gigantic, expensive set we've used like three times.

0:42:47.800 --> 0:42:50.520
<v Speaker 8>I never understood it myself, but it was I thought,

0:42:50.600 --> 0:42:53.440
<v Speaker 8>you know, it would give rise to to Eric and

0:42:53.680 --> 0:42:56.239
<v Speaker 8>Alan's stories because they hadn't had a lot of them,

0:42:56.239 --> 0:42:58.400
<v Speaker 8>so yeah, looking together. But we didn't really go to

0:42:58.520 --> 0:43:02.440
<v Speaker 8>that a lot, right, So but you know, it was,

0:43:02.560 --> 0:43:05.959
<v Speaker 8>uh anyway, that that's okay.

0:43:06.080 --> 0:43:09.240
<v Speaker 1>I wanted to I have a few little housekeeping things

0:43:09.360 --> 0:43:11.840
<v Speaker 1>regarding some credits that I want to talk about.

0:43:12.480 --> 0:43:14.920
<v Speaker 4>Can you explain the credit situation.

0:43:14.680 --> 0:43:19.160
<v Speaker 1>For why Affair to Forget has as like a teleplay credit.

0:43:19.600 --> 0:43:22.279
<v Speaker 8>Yeah, that I got teleplay well in the Room. That

0:43:22.320 --> 0:43:24.640
<v Speaker 8>was one of the stories that I had pitched. It

0:43:24.719 --> 0:43:28.160
<v Speaker 8>actually happened to me. I played poker with these guys

0:43:28.239 --> 0:43:30.759
<v Speaker 8>and one of the guys was getting a divorce and

0:43:30.800 --> 0:43:33.040
<v Speaker 8>we all hated his wife. We just couldn't we couldn't

0:43:33.080 --> 0:43:36.080
<v Speaker 8>get couldn't stand her. So he came one night and

0:43:36.080 --> 0:43:37.719
<v Speaker 8>he was like kind of he was drinking a little

0:43:37.760 --> 0:43:39.600
<v Speaker 8>and he said, yeah, we're breaking up, and we all

0:43:39.640 --> 0:43:44.680
<v Speaker 8>went like, I tell you, but boy, she was miss

0:43:44.840 --> 0:43:49.719
<v Speaker 8>you did yeah, next poker game, he comes back and

0:43:49.760 --> 0:43:52.160
<v Speaker 8>he seems happy and we go so everything goes, yeah,

0:43:52.160 --> 0:43:58.160
<v Speaker 8>we're back together, and he told her she just and

0:43:58.160 --> 0:44:00.120
<v Speaker 8>we were all like, you know, it was it was

0:44:00.719 --> 0:44:03.080
<v Speaker 8>and ended up not being together, but it was awkward

0:44:03.080 --> 0:44:04.520
<v Speaker 8>for well. So anyway, so I pitched that in the

0:44:04.600 --> 0:44:08.320
<v Speaker 8>Room and there was a new writer that season, iven O'Hare,

0:44:08.719 --> 0:44:11.839
<v Speaker 8>who I only vaguely remember. She wasn't there that long.

0:44:12.360 --> 0:44:14.600
<v Speaker 8>So I pitched a bunch of stuff and two of

0:44:14.600 --> 0:44:19.239
<v Speaker 8>my stories I think it was ready to be I

0:44:19.280 --> 0:44:20.560
<v Speaker 8>don't know when it was in the season, but I

0:44:20.880 --> 0:44:23.160
<v Speaker 8>pitched a couple and Michael said, I'm giving that story

0:44:23.200 --> 0:44:26.560
<v Speaker 8>to Eileen because she had pitched some stuff they didn't buy. Said,

0:44:26.560 --> 0:44:27.960
<v Speaker 8>all right, you know that's how it worked in the room,

0:44:28.000 --> 0:44:31.480
<v Speaker 8>you give it. So I said, fine, that's great, and

0:44:31.640 --> 0:44:33.839
<v Speaker 8>she went and wrote a draft I think, and then

0:44:34.239 --> 0:44:38.400
<v Speaker 8>disappeared and he didn't come back, and it was she

0:44:38.440 --> 0:44:40.840
<v Speaker 8>wrote it. She wrote an outline that Michael didn't like,

0:44:41.920 --> 0:44:44.360
<v Speaker 8>and then we helped her with it. And then she

0:44:44.400 --> 0:44:46.680
<v Speaker 8>went back and I think wrote a draft, or maybe

0:44:46.719 --> 0:44:48.520
<v Speaker 8>she just did the I don't remember, but she did.

0:44:48.560 --> 0:44:50.279
<v Speaker 8>I think she just couldn't handle it or it was

0:44:50.320 --> 0:44:52.279
<v Speaker 8>too much pressure. I don't know what happened to her.

0:44:52.320 --> 0:44:54.279
<v Speaker 8>She very nice, I just don't remember what. It was

0:44:54.280 --> 0:44:56.680
<v Speaker 8>a little bit like you guys had with like minks,

0:44:56.719 --> 0:44:59.200
<v Speaker 8>like people would just disappear and you'd never know what happened.

0:44:59.760 --> 0:44:59.960
<v Speaker 2>Yeah.

0:45:00.080 --> 0:45:03.680
<v Speaker 8>So anyway, so Michael said, sure and take it back

0:45:03.680 --> 0:45:05.520
<v Speaker 8>and you just write it was your episode anyway. So

0:45:05.560 --> 0:45:08.560
<v Speaker 8>I wrote it. So we went through the arbitration and

0:45:08.600 --> 0:45:10.320
<v Speaker 8>I didn't really fight it a whole lot because I

0:45:10.320 --> 0:45:12.360
<v Speaker 8>didn't know what her situation was, and she had written

0:45:12.360 --> 0:45:15.080
<v Speaker 8>the outline first, you know. Great. Yeah, so I got

0:45:15.080 --> 0:45:17.600
<v Speaker 8>the teleplay, so I wrote the script and it was

0:45:17.600 --> 0:45:19.000
<v Speaker 8>actually my story to start with.

0:45:19.080 --> 0:45:24.600
<v Speaker 5>So it seems like other than Susan Jansen, women didn't

0:45:24.640 --> 0:45:26.839
<v Speaker 5>seem to last very long in the writer's room.

0:45:27.200 --> 0:45:29.279
<v Speaker 8>Well, you know that's true with most writer rooms at

0:45:29.280 --> 0:45:31.400
<v Speaker 8>the time. You know, it was a different one. And

0:45:31.440 --> 0:45:34.120
<v Speaker 8>if you looked at most writer rooms, they were mostly

0:45:34.120 --> 0:45:34.760
<v Speaker 8>male heavy.

0:45:35.719 --> 0:45:39.600
<v Speaker 1>Yeah, I mean, I think still the percentage of male

0:45:39.760 --> 0:45:45.040
<v Speaker 1>comedy writers even now, there's a lot more working male

0:45:45.080 --> 0:45:48.080
<v Speaker 1>writers than there are women writers. And if you think

0:45:48.120 --> 0:45:51.799
<v Speaker 1>about being a new writer very similarly to being a

0:45:51.840 --> 0:45:54.320
<v Speaker 1>guest star, and you think about being a new writer

0:45:54.520 --> 0:45:58.200
<v Speaker 1>coming into an established writing room where everyone knows each other,

0:45:58.360 --> 0:46:02.120
<v Speaker 1>everyone knows Michael, everyone one knows the quirks and the politics,

0:46:02.640 --> 0:46:07.160
<v Speaker 1>and you're one of maybe the only woman. I don't

0:46:07.440 --> 0:46:10.680
<v Speaker 1>no matter what you're in, I don't. I don't know

0:46:11.280 --> 0:46:14.839
<v Speaker 1>how warm it's ever gonna feel walking into those situations.

0:46:14.920 --> 0:46:16.920
<v Speaker 8>You know, the best person who ever walked in that

0:46:17.000 --> 0:46:19.759
<v Speaker 8>room of all, Susan was great. I mean, Susan really

0:46:19.800 --> 0:46:22.840
<v Speaker 8>had it down and she did her stuff. But Judy

0:46:22.920 --> 0:46:28.520
<v Speaker 8>Toll Judy was amazing. Yes I missed so great because

0:46:28.880 --> 0:46:32.120
<v Speaker 8>she Bludman will kill me for this, But Bluckman used

0:46:32.120 --> 0:46:34.239
<v Speaker 8>to be so annoyed by her because she would come

0:46:34.280 --> 0:46:37.560
<v Speaker 8>in with shopping bags and she'd start showing the stuff

0:46:37.600 --> 0:46:38.200
<v Speaker 8>that she'd bought.

0:46:38.320 --> 0:46:41.280
<v Speaker 4>And she was doing halls. She was doing shopping halls

0:46:41.280 --> 0:46:42.440
<v Speaker 4>before they were a thing.

0:46:43.160 --> 0:46:48.799
<v Speaker 8>I did to piss mark off she and like, I

0:46:48.920 --> 0:46:51.120
<v Speaker 8>was just so enjoying watching her do that stuff. So

0:46:51.400 --> 0:46:52.680
<v Speaker 8>at the time, it was just kind of fun to

0:46:52.719 --> 0:46:55.839
<v Speaker 8>play with people. But she just didn't care, and she

0:46:55.920 --> 0:46:57.239
<v Speaker 8>was just so funny, and so she.

0:46:57.400 --> 0:47:00.360
<v Speaker 2>Was funny as hell. Judy Toll, what is a hall?

0:47:01.640 --> 0:47:02.080
<v Speaker 6>A hall?

0:47:02.560 --> 0:47:06.560
<v Speaker 1>You do them online where influencers or want to be

0:47:06.640 --> 0:47:10.600
<v Speaker 1>influencers come in with their shopping halls. They've just gone,

0:47:10.600 --> 0:47:12.279
<v Speaker 1>they've gone shopping, they haven't now a bunch of things

0:47:12.360 --> 0:47:14.399
<v Speaker 1>and then they unbag them for you and they show

0:47:14.440 --> 0:47:16.520
<v Speaker 1>you the things that they got. So like you could

0:47:16.560 --> 0:47:19.479
<v Speaker 1>just pick one store. I'm going to do a Target hall,

0:47:19.600 --> 0:47:21.120
<v Speaker 1>and here's all the stuff I bought a Target and

0:47:21.120 --> 0:47:22.719
<v Speaker 1>then you try it on, like look, hocket, this little

0:47:22.719 --> 0:47:24.160
<v Speaker 1>sweater is all Target.

0:47:23.840 --> 0:47:25.439
<v Speaker 4>And you just show people the things you bought.

0:47:25.680 --> 0:47:30.000
<v Speaker 1>So she was literally doing it specifically to annoy Bluffman,

0:47:30.280 --> 0:47:31.759
<v Speaker 1>and now she's my hero.

0:47:33.560 --> 0:47:35.959
<v Speaker 5>It would have worked on me because that sounds like, hell,

0:47:37.040 --> 0:47:38.120
<v Speaker 5>that's Will's hell.

0:47:38.280 --> 0:47:39.880
<v Speaker 2>I'm not to sit there and watch people try it.

0:47:39.920 --> 0:47:41.040
<v Speaker 2>All the clothes they bought somewhere.

0:47:41.160 --> 0:47:44.680
<v Speaker 8>And the funny thing was season four, you know, Blubmen

0:47:44.680 --> 0:47:47.719
<v Speaker 8>and bus Gang were having little issues too, so Busgang

0:47:47.760 --> 0:47:49.719
<v Speaker 8>was cracking up too because it just really pissed Mark

0:47:49.719 --> 0:47:53.719
<v Speaker 8>off because he just wanted to get going. So it

0:47:53.800 --> 0:47:54.400
<v Speaker 8>was really fun.

0:47:54.520 --> 0:47:56.480
<v Speaker 1>Another script I want to ask you about and the

0:47:56.480 --> 0:48:00.279
<v Speaker 1>shooting experience and all that is singled Out. Yes, oh

0:48:00.320 --> 0:48:04.520
<v Speaker 1>that singled Out was written by Steve Hibbert and again

0:48:04.600 --> 0:48:07.759
<v Speaker 1>it's Eric Lands a spot on MTV's dating show singled Out.

0:48:07.800 --> 0:48:10.399
<v Speaker 4>Meanwhile, Corey has his tonsils taken out.

0:48:11.800 --> 0:48:14.640
<v Speaker 1>What do you remember about that episode and shooting that

0:48:14.840 --> 0:48:16.879
<v Speaker 1>and all that, well, you.

0:48:16.800 --> 0:48:19.560
<v Speaker 8>Know, singled out, not that you know Jenny McCarthy and

0:48:19.600 --> 0:48:21.600
<v Speaker 8>that was the kind of the They were talking about

0:48:21.640 --> 0:48:23.960
<v Speaker 8>a show and I was, you know, talking to me

0:48:24.000 --> 0:48:28.919
<v Speaker 8>and stuff anyway, but they we went down there and

0:48:29.040 --> 0:48:33.759
<v Speaker 8>Jenny wouldn't be on the show. Why Chris Hardwick his name, Yeah,

0:48:34.440 --> 0:48:37.200
<v Speaker 8>Chris wanted to do it, and I actually I pitched Chris.

0:48:37.239 --> 0:48:39.040
<v Speaker 8>I said, you should be on television, man, you should

0:48:39.040 --> 0:48:40.960
<v Speaker 8>be like doing like a sitcom. You have that kind

0:48:41.000 --> 0:48:45.080
<v Speaker 8>of vibe to him. Yeah, but so I think that

0:48:45.200 --> 0:48:49.640
<v Speaker 8>was one of Ben's final weeks. And so Ben thought

0:48:50.239 --> 0:48:53.360
<v Speaker 8>certain episodes Ben had finals, and they were very serious

0:48:53.360 --> 0:48:55.160
<v Speaker 8>about him, and he's very serious about his school, as

0:48:55.200 --> 0:48:57.720
<v Speaker 8>you know, and so we would give him a lighter

0:48:57.760 --> 0:48:59.920
<v Speaker 8>episode that he could shoot just kind of on you know,

0:49:00.040 --> 0:49:02.719
<v Speaker 8>on his own time. And then we went down to

0:49:02.800 --> 0:49:04.640
<v Speaker 8>the singled out location.

0:49:05.120 --> 0:49:07.440
<v Speaker 3>You don't remember this at all, Oh boy, I.

0:49:07.480 --> 0:49:10.160
<v Speaker 8>Remember it was whid I kind of kind of it was.

0:49:10.239 --> 0:49:13.200
<v Speaker 8>It was pretty wild. I mean, Jenny was there. I

0:49:13.239 --> 0:49:15.480
<v Speaker 8>remember she touched my knee. I was like, very excited

0:49:15.520 --> 0:49:15.840
<v Speaker 8>about that.

0:49:17.120 --> 0:49:18.760
<v Speaker 4>Why wouldn't she do Boy Meets World?

0:49:19.400 --> 0:49:20.719
<v Speaker 8>I don't know. I think she.

0:49:20.719 --> 0:49:22.800
<v Speaker 2>Used it, she believe it.

0:49:22.800 --> 0:49:25.200
<v Speaker 8>It was it was probably too young for her. She

0:49:25.280 --> 0:49:27.120
<v Speaker 8>was trying to get her own sitcom. She was trying

0:49:27.120 --> 0:49:30.000
<v Speaker 8>to branch out right. So it was like but but

0:49:30.080 --> 0:49:33.359
<v Speaker 8>Chris was all into it. Chris loved it so and

0:49:33.400 --> 0:49:36.520
<v Speaker 8>he was fun. I don't remember much more about it

0:49:36.520 --> 0:49:37.719
<v Speaker 8>than that. Honestly, I was there.

0:49:38.160 --> 0:49:40.320
<v Speaker 4>You know, Jenny McCarthy touched your knee.

0:49:40.360 --> 0:49:45.160
<v Speaker 1>You were definitely there, and that's where these touched my knee.

0:49:45.200 --> 0:49:45.880
<v Speaker 8>That's about.

0:49:47.160 --> 0:49:49.880
<v Speaker 7>There was Jenny McCarthy there when you guys were actually

0:49:49.920 --> 0:49:51.200
<v Speaker 7>filming the scenes and she was.

0:49:51.719 --> 0:49:54.279
<v Speaker 8>Shooting their show and we went in. They had didn't

0:49:54.280 --> 0:49:55.080
<v Speaker 8>they have an audience? I don't.

0:49:55.560 --> 0:49:57.560
<v Speaker 2>Yeah, we used no hear the audience.

0:49:57.680 --> 0:50:00.319
<v Speaker 1>There was no audience. They're they're background actors like they

0:50:00.360 --> 0:50:00.920
<v Speaker 1>were cast.

0:50:01.320 --> 0:50:05.640
<v Speaker 8>Yeah, but it was kind of there while they were shooting,

0:50:05.800 --> 0:50:07.279
<v Speaker 8>so we kind of came in for a little while

0:50:07.280 --> 0:50:08.600
<v Speaker 8>while I think is what happened?

0:50:09.239 --> 0:50:10.880
<v Speaker 3>Wow, that sounds wresting.

0:50:11.080 --> 0:50:13.560
<v Speaker 8>It was fun too. That was just a madhouse. But

0:50:13.600 --> 0:50:16.160
<v Speaker 8>you know, the magic of season four. I have to

0:50:16.200 --> 0:50:20.719
<v Speaker 8>say one thing is Jeff McCracken. Oh yeah, you know,

0:50:20.880 --> 0:50:22.600
<v Speaker 8>I could throw anything out. If you look at my

0:50:22.680 --> 0:50:25.360
<v Speaker 8>five episodes, it kind of filled the spectrum of the

0:50:25.400 --> 0:50:27.520
<v Speaker 8>type of Boymise World shows who did all through the

0:50:27.560 --> 0:50:31.239
<v Speaker 8>show throw anything at Jeff McCracken. And if it was

0:50:31.280 --> 0:50:33.520
<v Speaker 8>the broad calm, it was an affair to forget and

0:50:33.960 --> 0:50:36.960
<v Speaker 8>you know, the bromance stuff, or if it was you know,

0:50:37.080 --> 0:50:40.120
<v Speaker 8>dangerous secret with the sensitive stuff and the dramatic scenes.

0:50:40.400 --> 0:50:42.920
<v Speaker 8>That guy is such a great direct I mean wonderful.

0:50:44.160 --> 0:50:47.560
<v Speaker 8>I love his stuff. But man, that guy, I hope

0:50:47.600 --> 0:50:49.920
<v Speaker 8>he still directs. I don't even know, but you know,

0:50:50.000 --> 0:50:51.719
<v Speaker 8>he and I were the two that went over to

0:50:51.760 --> 0:50:54.120
<v Speaker 8>do you wish from the show, and and Susan came

0:50:54.160 --> 0:50:58.680
<v Speaker 8>to actually and we all regretted that, but uh, that's.

0:50:59.640 --> 0:51:03.440
<v Speaker 1>But no, Jeff was definitely one of the people who

0:51:03.760 --> 0:51:05.799
<v Speaker 1>made that secret sauce for season four.

0:51:06.840 --> 0:51:08.880
<v Speaker 5>We were so comfortable with him and he made everything

0:51:09.239 --> 0:51:12.799
<v Speaker 5>so easy that whatever material came down, we knew we

0:51:12.800 --> 0:51:13.440
<v Speaker 5>were okay.

0:51:13.560 --> 0:51:15.319
<v Speaker 2>It's like you got him there. So it was Yeah,

0:51:15.320 --> 0:51:17.240
<v Speaker 2>it made a huge difference. You could tell, just as actors.

0:51:17.280 --> 0:51:19.840
<v Speaker 5>And it was writer who really pointed out, especially for

0:51:19.960 --> 0:51:23.400
<v Speaker 5>me at the beginning, where it was the whole first season,

0:51:23.800 --> 0:51:26.040
<v Speaker 5>I just wasn't comfortable as an actor, and I was

0:51:26.080 --> 0:51:28.359
<v Speaker 5>starting to feel a little more second season, and then

0:51:28.360 --> 0:51:30.480
<v Speaker 5>there'd be a third or even a second or third

0:51:30.480 --> 0:51:32.960
<v Speaker 5>season episode that all of a sudden, I'd be uncomfortable again.

0:51:33.000 --> 0:51:34.560
<v Speaker 2>And writer was like, well, look who directed it, and

0:51:34.600 --> 0:51:37.560
<v Speaker 2>it just wasn't Jeff mccracket. So you could tell. I mean,

0:51:37.600 --> 0:51:39.560
<v Speaker 2>it really makes a huge difference.

0:51:39.640 --> 0:51:43.680
<v Speaker 8>Yeah, yeah, he really got it and just good all around,

0:51:43.719 --> 0:51:46.400
<v Speaker 8>good with your You know, you felt a writer handing

0:51:46.480 --> 0:51:47.880
<v Speaker 8>the script to Jeff mcca you felt you were in

0:51:47.960 --> 0:51:51.040
<v Speaker 8>good hands, so yeah, yeah, always, and the runthroughs were

0:51:51.040 --> 0:51:52.960
<v Speaker 8>good from the beginning, so you know everything.

0:52:04.080 --> 0:52:06.239
<v Speaker 1>Something else that's coming up for us in season four

0:52:06.280 --> 0:52:09.040
<v Speaker 1>that we haven't gotten to yet is that mister Turner

0:52:09.440 --> 0:52:14.560
<v Speaker 1>is leaving. Do you have any insight for us about

0:52:15.040 --> 0:52:16.480
<v Speaker 1>why Tony was going to be gone?

0:52:18.160 --> 0:52:20.239
<v Speaker 8>You know what I think happened, guys, is as the

0:52:20.280 --> 0:52:22.920
<v Speaker 8>show went, it really evolved, you know, and the audience

0:52:22.960 --> 0:52:25.040
<v Speaker 8>evolved with you. If you think about it, the kids

0:52:25.040 --> 0:52:27.040
<v Speaker 8>that were watching were the same age as you at

0:52:27.040 --> 0:52:28.719
<v Speaker 8>the time when it first came. We were a little

0:52:28.760 --> 0:52:30.960
<v Speaker 8>older maybe or a little younger watching to see what

0:52:31.000 --> 0:52:33.960
<v Speaker 8>was going to happen to them. But everything evolved, and

0:52:34.000 --> 0:52:36.799
<v Speaker 8>so what happens is you start getting out of maybe

0:52:36.840 --> 0:52:39.799
<v Speaker 8>a classroom, and you start getting out of you know,

0:52:39.840 --> 0:52:42.440
<v Speaker 8>those kind of stories. And really, you know, I do

0:52:42.480 --> 0:52:44.919
<v Speaker 8>think there was a push because Friends was so big

0:52:44.960 --> 0:52:47.839
<v Speaker 8>and you guys were becoming like young friends that if

0:52:47.840 --> 0:52:50.040
<v Speaker 8>you look at the new song they put the next

0:52:50.120 --> 0:52:52.120
<v Speaker 8>year that was supposed that was Friends. I mean everything

0:52:52.160 --> 0:52:56.160
<v Speaker 8>about that I was gone at that point, but but

0:52:56.640 --> 0:52:58.640
<v Speaker 8>you know, they were trying to do that. So having

0:52:58.640 --> 0:53:01.719
<v Speaker 8>a teacher there made you, guys, look, you know, mister

0:53:02.239 --> 0:53:05.040
<v Speaker 8>was he was in the in the mix because he

0:53:05.120 --> 0:53:07.759
<v Speaker 8>was the neighbor and he could be there, and that

0:53:07.920 --> 0:53:10.719
<v Speaker 8>Tony was kind of there for you being in the classroom,

0:53:10.719 --> 0:53:12.560
<v Speaker 8>and then why would you you know?

0:53:12.680 --> 0:53:14.640
<v Speaker 1>So well, yeah, and I mean I guess we should

0:53:14.640 --> 0:53:17.359
<v Speaker 1>have probably thought about that too, in the sense that

0:53:17.719 --> 0:53:20.120
<v Speaker 1>we've mentioned and well even mentioned in this podcast. He

0:53:20.160 --> 0:53:23.120
<v Speaker 1>asked you, it was very obvious we were getting out

0:53:23.160 --> 0:53:28.399
<v Speaker 1>of our normal sets. They were clearly world building. Boy

0:53:28.480 --> 0:53:30.879
<v Speaker 1>Meet's world was like, we need to see them meet

0:53:30.960 --> 0:53:34.160
<v Speaker 1>more world. We've seen the Matthew's house, We've seen the school.

0:53:34.760 --> 0:53:37.200
<v Speaker 1>Let's see other people's houses. Let's see.

0:53:37.320 --> 0:53:40.160
<v Speaker 4>So you're right that it.

0:53:40.040 --> 0:53:43.279
<v Speaker 1>Does only make sense that as the kids, as we

0:53:43.280 --> 0:53:47.040
<v Speaker 1>were all aging up, you had more opportunities to put

0:53:47.080 --> 0:53:50.480
<v Speaker 1>us in situations where it wasn't the same old sets

0:53:50.480 --> 0:53:51.800
<v Speaker 1>where we felt like kids.

0:53:52.760 --> 0:53:54.279
<v Speaker 4>And I don't think I thought about that until you

0:53:54.320 --> 0:53:54.719
<v Speaker 4>just said it.

0:53:55.160 --> 0:53:58.400
<v Speaker 8>Yeah, it just it was aging up, and you know,

0:53:58.480 --> 0:54:01.840
<v Speaker 8>and you guys, you guys were also every time you

0:54:01.880 --> 0:54:04.040
<v Speaker 8>come back from hiatus, you were like ten years older,

0:54:04.080 --> 0:54:04.680
<v Speaker 8>it seemed, you know.

0:54:04.760 --> 0:54:09.120
<v Speaker 1>So I know, so it was good to us, it.

0:54:09.040 --> 0:54:11.680
<v Speaker 2>Was just smoking For me, it was just aging me. Exponentially.

0:54:12.440 --> 0:54:19.040
<v Speaker 1>Will was actually aging every five years, it was, but.

0:54:19.040 --> 0:54:22.640
<v Speaker 8>It was, you know, it was I felt that the

0:54:22.680 --> 0:54:24.680
<v Speaker 8>season was the best of the four that I was on,

0:54:24.800 --> 0:54:26.120
<v Speaker 8>not just because I'd written a lot of them, but

0:54:26.160 --> 0:54:27.879
<v Speaker 8>I just felt there was a vibe in that room

0:54:27.960 --> 0:54:30.399
<v Speaker 8>that just really a lot of it was Bob yond,

0:54:30.480 --> 0:54:33.520
<v Speaker 8>a lot of it was that there's just a certain

0:54:33.600 --> 0:54:38.160
<v Speaker 8>chemistry to each room, every year different and and I

0:54:38.239 --> 0:54:40.120
<v Speaker 8>just felt like, I don't care what anybody else thinks.

0:54:40.120 --> 0:54:41.600
<v Speaker 8>I'm just gonna write the ones I want now. So

0:54:41.680 --> 0:54:43.439
<v Speaker 8>that was those were the five that year.

0:54:43.560 --> 0:54:46.960
<v Speaker 5>Really, Now, do you a terrible question, because time is

0:54:47.000 --> 0:54:49.200
<v Speaker 5>what time is, But looking back, would you have stayed?

0:54:49.800 --> 0:54:54.279
<v Speaker 8>I don't think I could have because there was a

0:54:54.360 --> 0:54:56.360
<v Speaker 8>dynamic there in the room that I just couldn't I

0:54:56.360 --> 0:55:01.799
<v Speaker 8>couldn't handle anymore. And I knew it it was going

0:55:01.880 --> 0:55:03.560
<v Speaker 8>to be me or it was going to be blood

0:55:03.600 --> 0:55:06.560
<v Speaker 8>in the bus game and and and again, we're all

0:55:06.640 --> 0:55:10.239
<v Speaker 8>really good friends, it was, and it was just at

0:55:10.239 --> 0:55:12.080
<v Speaker 8>that point, you know, there were a lot of things.

0:55:12.080 --> 0:55:13.839
<v Speaker 8>They were having issues with each other and it would

0:55:13.840 --> 0:55:17.799
<v Speaker 8>come out on me sometimes and it's just not when

0:55:17.840 --> 0:55:21.880
<v Speaker 8>it's not fun anymore. I mean, I'm surprised with me

0:55:22.080 --> 0:55:23.920
<v Speaker 8>when I went through the first season with all the

0:55:24.080 --> 0:55:27.799
<v Speaker 8>all the constantly having a guillotine over my neck, that

0:55:27.880 --> 0:55:30.040
<v Speaker 8>I was able to be as funny as I was.

0:55:30.080 --> 0:55:32.080
<v Speaker 8>But this season I felt like I had I kind

0:55:32.120 --> 0:55:33.480
<v Speaker 8>of had my I was.

0:55:33.520 --> 0:55:35.759
<v Speaker 4>I was I hadn't you edgainst the wall?

0:55:36.239 --> 0:55:38.400
<v Speaker 8>Yeah, And I was just I was fine, you know,

0:55:38.600 --> 0:55:41.200
<v Speaker 8>I didn't. I didn't worry about it. And and then

0:55:41.239 --> 0:55:43.160
<v Speaker 8>I really, you know, I was upset because I had

0:55:43.239 --> 0:55:45.360
<v Speaker 8>started working with some of the writers on you know

0:55:45.400 --> 0:55:46.799
<v Speaker 8>what we were going to do the next year, and

0:55:46.840 --> 0:55:48.840
<v Speaker 8>then and then blubbing the bus game came back and

0:55:48.840 --> 0:55:52.239
<v Speaker 8>I went, I got get out. It won't be good

0:55:52.239 --> 0:55:55.279
<v Speaker 8>if they're on top of me. Don't I have to

0:55:55.320 --> 0:55:57.000
<v Speaker 8>prove my stories to them? I don't. I didn't think

0:55:57.000 --> 0:56:00.680
<v Speaker 8>I could do the time. So we were even friendly

0:56:00.719 --> 0:56:02.440
<v Speaker 8>in the room, but I just felt dynamically it just

0:56:02.520 --> 0:56:05.680
<v Speaker 8>wasn't sure. We're all the sort of the same place,

0:56:05.920 --> 0:56:07.560
<v Speaker 8>so we had to It was them.

0:56:08.160 --> 0:56:09.600
<v Speaker 5>But you said a lot of the stuff that you

0:56:09.640 --> 0:56:12.680
<v Speaker 5>pitched for that then made it into seasons five, six

0:56:12.760 --> 0:56:14.879
<v Speaker 5>and seven, right, I mean stuff that you would help

0:56:14.960 --> 0:56:16.240
<v Speaker 5>to lay the groundwork for.

0:56:16.719 --> 0:56:18.759
<v Speaker 8>You know, I thought of Penbrook.

0:56:19.239 --> 0:56:21.040
<v Speaker 4>You know, oh that was the name.

0:56:21.520 --> 0:56:25.279
<v Speaker 8>Yeah, I just in the college I had. I was

0:56:25.320 --> 0:56:27.359
<v Speaker 8>actually the one. I was friendly with Bonnie and Bill,

0:56:27.840 --> 0:56:30.520
<v Speaker 8>Bill Daniels and Bonnie Bartlett because I'd gone up to

0:56:30.560 --> 0:56:34.520
<v Speaker 8>their house like Will did and and uh so I

0:56:34.520 --> 0:56:37.239
<v Speaker 8>had hung with them and we talked about getting Eric

0:56:37.280 --> 0:56:39.160
<v Speaker 8>into college, and I wanted to have a scene with

0:56:39.200 --> 0:56:40.759
<v Speaker 8>the dean, and I said, wouldn't it be great if

0:56:40.760 --> 0:56:45.080
<v Speaker 8>Bonnie played the dean and that they Yeah, so we

0:56:45.120 --> 0:56:47.440
<v Speaker 8>had that line where Bill comes up at the end

0:56:47.440 --> 0:56:49.400
<v Speaker 8>and he goes, you know that Dean Bolander. You know

0:56:49.480 --> 0:56:51.080
<v Speaker 8>she's been after me for you know. It was a

0:56:51.120 --> 0:56:53.000
<v Speaker 8>little fun kind of joke. But I went to her

0:56:53.000 --> 0:56:55.400
<v Speaker 8>and said, would you consider doing that? Just I don't know,

0:56:55.400 --> 0:56:56.920
<v Speaker 8>I'd have to ask Bill if he wants me on

0:56:56.960 --> 0:57:00.600
<v Speaker 8>the show. And then Bill they she came on and

0:57:00.640 --> 0:57:04.239
<v Speaker 8>did it. Michael so cool, But it just it just

0:57:04.320 --> 0:57:05.840
<v Speaker 8>seemed kind of like a fun thing to do. But

0:57:06.239 --> 0:57:09.239
<v Speaker 8>I kind of I felt like, you know, uh, you know,

0:57:09.280 --> 0:57:11.839
<v Speaker 8>mister Feenie's last line on that last episode. I watched

0:57:11.840 --> 0:57:13.920
<v Speaker 8>the last today, I cried, we.

0:57:13.880 --> 0:57:17.640
<v Speaker 1>Haven't seen it, don't spoiler alert, don't tell us we

0:57:18.040 --> 0:57:21.240
<v Speaker 1>will We'll we'll we'll see it soon. I want to

0:57:21.280 --> 0:57:23.360
<v Speaker 1>give you an opportunity to tell us all about one

0:57:23.360 --> 0:57:26.720
<v Speaker 1>of your newest ventures. You are joining us in the

0:57:26.760 --> 0:57:29.240
<v Speaker 1>podcast space. Why don't you talk to us about your podcast.

0:57:29.600 --> 0:57:34.560
<v Speaker 8>It's the seventh sign of the apocalypse, because I'm I

0:57:34.600 --> 0:57:39.560
<v Speaker 8>said that that was the be the first sign. But yeah,

0:57:39.600 --> 0:57:42.280
<v Speaker 8>I you know, listening to your podcast, you know, I

0:57:42.360 --> 0:57:45.280
<v Speaker 8>really I listened to yours. I listened to Phil Rosenthal's

0:57:45.320 --> 0:57:47.640
<v Speaker 8>and David Wilds. I listened to a few, but I

0:57:47.720 --> 0:57:50.160
<v Speaker 8>love yours. And what I've really loved is you know,

0:57:50.360 --> 0:57:53.040
<v Speaker 8>the the Harley Hero do my Harley shirt again?

0:57:53.240 --> 0:57:54.640
<v Speaker 2>Yes, the Harley Reveal.

0:57:55.040 --> 0:57:55.360
<v Speaker 6>Yes.

0:57:56.080 --> 0:57:59.920
<v Speaker 8>But I loved when you guys started talking really deeply

0:58:00.080 --> 0:58:02.000
<v Speaker 8>with people, you know, not just the recaps, which are

0:58:02.080 --> 0:58:04.760
<v Speaker 8>nice and it's interesting for me and I love sometimes

0:58:04.800 --> 0:58:09.600
<v Speaker 8>it's a little painful, but I loved when you guys

0:58:09.600 --> 0:58:12.640
<v Speaker 8>would get with like with Danny and Ethan and you know,

0:58:12.800 --> 0:58:17.320
<v Speaker 8>Blake and both Blake's and and I started thinking, like,

0:58:17.360 --> 0:58:18.560
<v Speaker 8>you know, I know a lot of people. I've been

0:58:18.560 --> 0:58:21.480
<v Speaker 8>in the business for since I got out of UCLA

0:58:21.560 --> 0:58:23.600
<v Speaker 8>Film School, so I've known a lot of people. I've

0:58:23.640 --> 0:58:25.120
<v Speaker 8>worked with a lot of people and I know them

0:58:25.160 --> 0:58:30.400
<v Speaker 8>on person, you guys, and so I thought that's interesting.

0:58:30.440 --> 0:58:31.600
<v Speaker 8>But I don't know, I don't I don't think I

0:58:31.680 --> 0:58:33.680
<v Speaker 8>really want to be on air. I was. I was

0:58:33.760 --> 0:58:36.080
<v Speaker 8>this squishy bear in the trash compactor. That's me in

0:58:36.080 --> 0:58:41.480
<v Speaker 8>an area, So I went. I was a judge at

0:58:41.520 --> 0:58:45.480
<v Speaker 8>the Poppy Jasper Film Festival up north, it's near Silicon

0:58:45.600 --> 0:58:47.960
<v Speaker 8>Valley last year, and I was on a panel with

0:58:48.000 --> 0:58:52.720
<v Speaker 8>this amazing woman that came from Lucasfilm in Paramount. She

0:58:52.840 --> 0:58:55.880
<v Speaker 8>was head of international marketing for George Lucas and I

0:58:55.920 --> 0:58:57.960
<v Speaker 8>had to follow her on a panel and go, oh my,

0:58:58.760 --> 0:58:59.840
<v Speaker 8>she's so brilliant.

0:59:00.200 --> 0:59:04.720
<v Speaker 3>Well let's talk about the Monkeys Star Wars. Sure, but

0:59:04.960 --> 0:59:08.640
<v Speaker 3>monkeys so hey.

0:59:08.720 --> 0:59:16.640
<v Speaker 8>So so her name is Norma Garcia. And Norman and

0:59:16.680 --> 0:59:18.960
<v Speaker 8>I started talking and we just we both were like

0:59:19.040 --> 0:59:21.280
<v Speaker 8>kind of kindred spirits about film and we're both we

0:59:21.400 --> 0:59:24.480
<v Speaker 8>both mentored a lot, and we're philanthropic. I've been doing

0:59:24.520 --> 0:59:27.840
<v Speaker 8>a lot of philanthropic work with two of the officers

0:59:27.840 --> 0:59:31.240
<v Speaker 8>that testified before Congress that defended the Capitol on January sixth.

0:59:31.600 --> 0:59:33.320
<v Speaker 8>So I've been doing a lot of that stuff all

0:59:33.360 --> 0:59:36.240
<v Speaker 8>my life. I do a lot of stuff and she

0:59:36.320 --> 0:59:39.440
<v Speaker 8>does too. She's a mentor through a program and and

0:59:39.480 --> 0:59:41.800
<v Speaker 8>so she was working at a company and she did

0:59:41.840 --> 0:59:45.000
<v Speaker 8>some business in Barcelona. And there's this guy who runs

0:59:45.040 --> 0:59:51.040
<v Speaker 8>the biggest cinema room they call it the movie room.

0:59:50.880 --> 0:59:53.680
<v Speaker 2>You know, home theater system theater systems.

0:59:53.840 --> 0:59:56.400
<v Speaker 8>He builds them all through Europe for like billionaires and

0:59:56.440 --> 0:59:59.480
<v Speaker 8>things like that, and his name is rich Red and

0:59:59.640 --> 1:00:02.960
<v Speaker 8>they and he comes from the technical side and all

1:00:03.000 --> 1:00:04.480
<v Speaker 8>that stuff. But he said to her, I want to

1:00:04.480 --> 1:00:06.120
<v Speaker 8>do a podcast. She said, I'll do it if this

1:00:06.200 --> 1:00:08.200
<v Speaker 8>other guy, I'll do it with us. And she called

1:00:08.240 --> 1:00:10.720
<v Speaker 8>me so I didn't want to do it, and she said, look,

1:00:10.760 --> 1:00:12.080
<v Speaker 8>we all want to do it, and it'll have a

1:00:12.120 --> 1:00:15.600
<v Speaker 8>filanthropic aspect to it, a mentoring thing. It's a chance

1:00:15.600 --> 1:00:18.240
<v Speaker 8>for you to mentor on a broad scale. And I went,

1:00:18.360 --> 1:00:21.480
<v Speaker 8>that's great. So what we've done is we kind of

1:00:21.480 --> 1:00:25.240
<v Speaker 8>taken your model in a way with board, but in

1:00:25.320 --> 1:00:27.560
<v Speaker 8>talking to people, and it's more. It goes deeper than

1:00:27.720 --> 1:00:30.520
<v Speaker 8>just your as you know, you guys have all been

1:00:30.560 --> 1:00:33.080
<v Speaker 8>on now and we've had we've done twenty two of

1:00:33.120 --> 1:00:33.680
<v Speaker 8>them so far.

1:00:34.080 --> 1:00:34.720
<v Speaker 9>Wow.

1:00:34.880 --> 1:00:39.320
<v Speaker 8>Great, there ready, Mickey Dolans, Nancy Allen, Terry Nunn. I

1:00:40.040 --> 1:00:42.160
<v Speaker 8>worked on a movie called Up the Creek years ago.

1:00:42.840 --> 1:00:46.000
<v Speaker 8>It was a big college movie when everybody was drunk

1:00:46.080 --> 1:00:48.800
<v Speaker 8>at a college watching animal House. They put my movie

1:00:48.840 --> 1:00:51.360
<v Speaker 8>on afterwards, so became kind of a weird poke classic

1:00:51.400 --> 1:00:53.640
<v Speaker 8>that nobody really remembers because they were really drunk at

1:00:53.640 --> 1:00:57.680
<v Speaker 8>the time. I reassembled a lot of the living cast

1:00:57.760 --> 1:01:01.000
<v Speaker 8>and we did a forty year reunion and we interviewed

1:01:01.000 --> 1:01:05.320
<v Speaker 8>three of the officers that testified before Congress, the one

1:01:05.520 --> 1:01:08.240
<v Speaker 8>the January sixth committee. So but our way in is

1:01:08.360 --> 1:01:10.479
<v Speaker 8>talking through you guys know you're on. But we talked

1:01:10.560 --> 1:01:13.120
<v Speaker 8>about film and different things, but then you get into

1:01:13.160 --> 1:01:15.640
<v Speaker 8>your passions and how you give back. What we do

1:01:15.720 --> 1:01:17.320
<v Speaker 8>at the end of our podcast is we ask, and

1:01:17.360 --> 1:01:19.360
<v Speaker 8>you guys all know this, We ask if there's a person,

1:01:19.440 --> 1:01:22.760
<v Speaker 8>cause or charity that you you know, support and you'd

1:01:22.800 --> 1:01:24.840
<v Speaker 8>like to talk about. You all beautifully did it. And

1:01:24.880 --> 1:01:26.160
<v Speaker 8>then what we do is we put it up on

1:01:26.200 --> 1:01:29.920
<v Speaker 8>our website so people can go, oh, here's Wilford ELL's charity,

1:01:29.920 --> 1:01:33.120
<v Speaker 8>here's writers or Danielle's and they can find out about

1:01:33.120 --> 1:01:35.680
<v Speaker 8>it or participate or donate.

1:01:35.720 --> 1:01:37.200
<v Speaker 3>And then Disney Plus cuts it out.

1:01:37.480 --> 1:01:42.320
<v Speaker 4>So yeah, you to find the PSN.

1:01:42.840 --> 1:01:44.600
<v Speaker 8>So we're doing a lot of stuff, you know. The

1:01:45.040 --> 1:01:48.360
<v Speaker 8>the idea is I always wanted to My dream always

1:01:48.360 --> 1:01:50.480
<v Speaker 8>to be was to be Walt Disney. That was, you know,

1:01:50.520 --> 1:01:51.880
<v Speaker 8>because I'd met him when I was a little kid.

1:01:54.280 --> 1:01:56.520
<v Speaker 8>But I never really wanted to be that corporate and big.

1:01:56.560 --> 1:01:58.840
<v Speaker 8>But this is sort of my way because these are

1:01:58.840 --> 1:02:01.439
<v Speaker 8>the projects that are uplifting. Spiraling upward is my kind

1:02:01.440 --> 1:02:05.959
<v Speaker 8>of my mantra. And so it's things that will lift

1:02:06.000 --> 1:02:09.000
<v Speaker 8>you and teach you and bring people together. So that's

1:02:09.040 --> 1:02:11.000
<v Speaker 8>that company. And then I have another company which is

1:02:11.360 --> 1:02:14.600
<v Speaker 8>called Sherman Brothers and Sons. And I started that with

1:02:14.640 --> 1:02:17.840
<v Speaker 8>my cousin Greg, who we did that documentary for Disney

1:02:17.840 --> 1:02:20.800
<v Speaker 8>called The Boys. The Sherman Brothers Story heres. It's fifteen

1:02:20.880 --> 1:02:27.000
<v Speaker 8>years now and you guys came to that to the premiere,

1:02:27.320 --> 1:02:32.919
<v Speaker 8>but I have pictures. But with Sherman Brothers and Sons,

1:02:32.960 --> 1:02:35.080
<v Speaker 8>basically what we're doing is Greg and I teamed up

1:02:35.120 --> 1:02:36.680
<v Speaker 8>with Mitchell Leeb, who used to be the head of

1:02:36.720 --> 1:02:40.440
<v Speaker 8>Disney Music. He was there for thirty years and he

1:02:40.520 --> 1:02:43.000
<v Speaker 8>retired and we got together and talked and he said,

1:02:43.040 --> 1:02:46.400
<v Speaker 8>you know, your dad and uncle wrote a thousand published songs,

1:02:46.440 --> 1:02:50.240
<v Speaker 8>they did fifteen plus movies. All that stuff's gathering dust.

1:02:50.320 --> 1:02:53.160
<v Speaker 8>Let's do something with it. So we're doing a bunch

1:02:53.160 --> 1:02:55.080
<v Speaker 8>of stuff, and of course it's really exciting. I can't

1:02:55.120 --> 1:02:57.600
<v Speaker 8>obviously talk about any of it right now.

1:02:58.160 --> 1:02:59.240
<v Speaker 4>This is great to bring up.

1:02:59.280 --> 1:03:03.600
<v Speaker 8>Then we have several talk we're in talks with Disney

1:03:03.600 --> 1:03:06.600
<v Speaker 8>about several real you'll hear about them. They're really cool,

1:03:06.640 --> 1:03:08.080
<v Speaker 8>but I'm not allowed to talk about.

1:03:08.240 --> 1:03:10.800
<v Speaker 4>Okay, Well, then don't talk about it.

1:03:10.920 --> 1:03:12.760
<v Speaker 2>We've got awesome stuff that we can't talk.

1:03:12.600 --> 1:03:14.480
<v Speaker 4>About, so many awesome things.

1:03:14.560 --> 1:03:17.240
<v Speaker 2>I can't even tell you how awesome I am. Literally

1:03:17.280 --> 1:03:18.000
<v Speaker 2>I can't tell you.

1:03:18.280 --> 1:03:20.520
<v Speaker 4>Yeah, you know what I mean, but you're going to

1:03:20.560 --> 1:03:21.560
<v Speaker 4>know about it eventually.

1:03:22.200 --> 1:03:24.160
<v Speaker 8>Well, I love all you guys. Great.

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<v Speaker 1>Jeff, we love you so much, and you have been

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<v Speaker 1>when we talk about what what was the ingredients that

1:03:30.280 --> 1:03:32.720
<v Speaker 1>go into the secret sauce? That A season four? Your

1:03:32.800 --> 1:03:35.440
<v Speaker 1>scripts and you are definitely one of them. And we

1:03:35.520 --> 1:03:38.720
<v Speaker 1>thank you as always for spending your time with us today,

1:03:38.800 --> 1:03:43.919
<v Speaker 1>answering our questions, phil giving us some so insightful. Really

1:03:43.960 --> 1:03:46.360
<v Speaker 1>great to have you so we we appreciate you so much.

1:03:46.400 --> 1:03:49.000
<v Speaker 1>We love you. You're welcome back. Anytime, and thank you

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<v Speaker 1>for joining us.

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<v Speaker 8>Thank you. Bring have several of the writers come on

1:03:52.960 --> 1:03:54.040
<v Speaker 8>at once. That'd be funny.

1:03:54.360 --> 1:04:01.440
<v Speaker 1>Yeah right, God, imagine imagine a zoom with nine of us.

1:04:02.240 --> 1:04:06.200
<v Speaker 3>We already talk over each other too much. I can't imagine, Like.

1:04:06.960 --> 1:04:10.320
<v Speaker 4>I don't want to be the only woman on that zoom.

1:04:11.440 --> 1:04:14.120
<v Speaker 3>You just start doing a hall you just you just

1:04:14.160 --> 1:04:17.160
<v Speaker 3>come in. Have you seen this that?

1:04:17.280 --> 1:04:23.640
<v Speaker 4>I just look at this. It's skincare. Thanks je.

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<v Speaker 6>By.

1:04:27.520 --> 1:04:30.760
<v Speaker 1>Always so fun to talk to him. I love his insights.

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<v Speaker 1>I can't believe we never really thought about the idea

1:04:33.000 --> 1:04:35.200
<v Speaker 1>that for Turner leaving.

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<v Speaker 2>Yeah, it makes total sense now you know it does.

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<v Speaker 8>Well.

1:04:38.360 --> 1:04:40.760
<v Speaker 7>What's funny is that I remembered, and we talked about this.

1:04:41.080 --> 1:04:45.360
<v Speaker 7>I remembered he was brought on to add a friends

1:04:45.480 --> 1:04:50.560
<v Speaker 7>like component. But then as we aged up, yeah, we

1:04:50.640 --> 1:04:53.040
<v Speaker 7>became because and it is true, like what we're doing

1:04:53.040 --> 1:04:55.400
<v Speaker 7>all these dating episodes for instance, So how is Turner

1:04:55.440 --> 1:04:57.560
<v Speaker 7>going to be involved in like our dating life without

1:04:57.560 --> 1:05:00.280
<v Speaker 7>it being creepy or weird or like cross seeing the

1:05:00.320 --> 1:05:03.200
<v Speaker 7>signals between teaching and it's like right, in a weird way,

1:05:03.680 --> 1:05:05.040
<v Speaker 7>we got too close to the.

1:05:05.000 --> 1:05:07.760
<v Speaker 3>Twenty somethings exactly, you know, which he was. Yeah.

1:05:07.800 --> 1:05:09.800
<v Speaker 5>So when you think about it too, though, it makes

1:05:09.840 --> 1:05:12.880
<v Speaker 5>perfect sense with the natural progression of how you grow

1:05:12.920 --> 1:05:15.640
<v Speaker 5>as a person because it is all about school and

1:05:15.680 --> 1:05:18.160
<v Speaker 5>everything that happens in your school life when you're a

1:05:18.400 --> 1:05:21.640
<v Speaker 5>middle twelve, and when it starts to get older, it's

1:05:21.640 --> 1:05:23.480
<v Speaker 5>more about what happens outside of school.

1:05:23.600 --> 1:05:23.800
<v Speaker 9>Yeah.

1:05:23.960 --> 1:05:26.640
<v Speaker 5>So in that sense, they really were keeping it kind

1:05:26.640 --> 1:05:29.720
<v Speaker 5>of real, and it is true every time we essentially

1:05:29.760 --> 1:05:33.720
<v Speaker 5>are cutting to the classroom, which is rare, we're seeing Tony,

1:05:33.880 --> 1:05:36.080
<v Speaker 5>we're just not cutting to the classroom anymore.

1:05:36.120 --> 1:05:39.200
<v Speaker 3>And it's also like it's it's there for a very

1:05:39.240 --> 1:05:42.880
<v Speaker 3>cool component of like introducing a literary device or a

1:05:42.920 --> 1:05:46.000
<v Speaker 3>reference point, but to see a whole scene play out

1:05:46.160 --> 1:05:48.760
<v Speaker 3>like at the school, it's difficult, you know, and even

1:05:49.240 --> 1:05:52.440
<v Speaker 3>think about janitor Dad. It's like bringing in a family

1:05:52.520 --> 1:05:54.760
<v Speaker 3>dynamic to the school to sort of show how crazy

1:05:54.840 --> 1:05:58.600
<v Speaker 3>you know it's really. Yeah, it's like the center narratively,

1:05:58.640 --> 1:06:01.560
<v Speaker 3>the center of the show is changing, right. The center show.

1:06:01.480 --> 1:06:03.160
<v Speaker 7>Was the living room in the classroom, and now it

1:06:03.240 --> 1:06:05.320
<v Speaker 7>has to move around a little bit.

1:06:05.400 --> 1:06:06.200
<v Speaker 2>That's what I was gonna say.

1:06:06.200 --> 1:06:08.240
<v Speaker 5>It used to be almost like what happened in the

1:06:08.280 --> 1:06:10.440
<v Speaker 5>family set up what they were going to learn in school,

1:06:10.600 --> 1:06:13.240
<v Speaker 5>and then it became what happened in school is setting

1:06:13.320 --> 1:06:14.600
<v Speaker 5>up what's going to happen in their life.

1:06:14.840 --> 1:06:17.680
<v Speaker 2>Wow, well so that's kind of interesting.

1:06:17.720 --> 1:06:20.320
<v Speaker 5>How but yeah, until your I said, felt the same way, Danielle,

1:06:20.360 --> 1:06:21.960
<v Speaker 5>until he said it like that, it's like, well, of course,

1:06:22.080 --> 1:06:23.680
<v Speaker 5>I don't know why none of us one.

1:06:23.640 --> 1:06:24.360
<v Speaker 4>Of us thought of that.

1:06:24.440 --> 1:06:27.760
<v Speaker 1>Yeah, really really great. And also sweeps.

1:06:28.120 --> 1:06:29.160
<v Speaker 3>How sweep.

1:06:32.000 --> 1:06:34.840
<v Speaker 7>Because it's such a weird thing and it's outdated now

1:06:35.000 --> 1:06:37.720
<v Speaker 7>you would never Yeah, but man, do.

1:06:37.720 --> 1:06:40.000
<v Speaker 4>We have podcast sweeps Week?

1:06:40.800 --> 1:06:41.560
<v Speaker 2>Is there such a thing?

1:06:41.720 --> 1:06:43.320
<v Speaker 6>I don't know what's like?

1:06:43.440 --> 1:06:46.080
<v Speaker 1>One, let's do this, guys, let's listen if we can

1:06:46.160 --> 1:06:49.560
<v Speaker 1>just arbitrarily decide we just a show.

1:06:49.560 --> 1:06:51.800
<v Speaker 3>With party hats and noisemakers and the.

1:06:51.920 --> 1:06:56.040
<v Speaker 1>Week challenge all of the other podcasts do better everything

1:06:57.040 --> 1:07:00.760
<v Speaker 1>your best week? Who can get the most downloads, who

1:07:00.800 --> 1:07:02.400
<v Speaker 1>can get the biggest guests?

1:07:02.440 --> 1:07:04.720
<v Speaker 2>Wow, it's a great idea. It should start in the

1:07:04.720 --> 1:07:07.040
<v Speaker 2>eleventh well, of course, because.

1:07:06.880 --> 1:07:12.760
<v Speaker 5>We are we can use the eleventh to start Sweeps special.

1:07:12.800 --> 1:07:15.080
<v Speaker 1>Thank you again to Jeff Sherman for coming on. I'd

1:07:15.080 --> 1:07:17.000
<v Speaker 1>like to remind you all the website where you can

1:07:17.080 --> 1:07:19.800
<v Speaker 1>check out information about his podcast and all other things

1:07:20.000 --> 1:07:23.240
<v Speaker 1>Nurjmediagroup dot com. Thank you all for joining us for

1:07:23.280 --> 1:07:25.479
<v Speaker 1>this episode of Podmeets World. As always, you can follow

1:07:25.560 --> 1:07:27.920
<v Speaker 1>us on Instagram pod Meets World Show. You can send

1:07:28.000 --> 1:07:30.880
<v Speaker 1>us your emails pod Meets World Show at gmail dot com,

1:07:30.920 --> 1:07:32.760
<v Speaker 1>and we have merch.

1:07:33.280 --> 1:07:35.360
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1:07:35.800 --> 1:07:41.080
<v Speaker 1>Yay Podmeets Worldshow dot com writer send us out.

1:07:41.360 --> 1:07:43.160
<v Speaker 3>We love you all, pod dismissed.

1:07:44.840 --> 1:07:47.520
<v Speaker 7>Pod Meets World is an iHeart podcast producer hosted by

1:07:47.560 --> 1:07:51.520
<v Speaker 7>Danielle Fischel, Wilfridell and Ryder Straw Executive producers Jensen Karp

1:07:51.600 --> 1:07:54.800
<v Speaker 7>and Amy Sugarman Executive in charge of production, Danielle Romo,

1:07:55.000 --> 1:07:57.960
<v Speaker 7>producer and editor, Tarasubasch producer, Maddie.

1:07:57.680 --> 1:08:00.680
<v Speaker 3>Moore engineer and Boy Meets World Superman. Listen out.

1:08:00.680 --> 1:08:03.840
<v Speaker 7>Our theme song is by Kyle Morton of Typhoon. Follow

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<v Speaker 7>us on Instagram at Podmets World Show, or email us

1:08:06.760 --> 1:08:12.720
<v Speaker 7>at podmetsworldshowat gmail dot com.

1:08:12.320 --> 1:08:12.360
<v Speaker 8>M