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Speaker 1: Motherfucking mini yourself mini episode. Motherfucking mini yourself.

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Speaker 2: She said, take your time. What's the rush, baby, I'm

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Speaker 2: a dog, I'm a muddy. There it is.

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Speaker 3: There it is.

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Speaker 2: Ladies and gentlemen, Welcome to another phenomenal episode of My

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Speaker 2: Mama Told.

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Speaker 3: Me, the podcast where we dive deep into the pockets

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Speaker 3: of black conspiracy theories.

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Speaker 2: And we finally worked to prove the silly shit that

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Speaker 2: you got cooking at home.

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Speaker 3: It's a motherfucking mini episode.

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Speaker 2: Hell yeah, oh thank you. Yeah, it's a new song.

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Speaker 2: I feel cool when I when I can squeeze a

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Speaker 2: new song in.

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Speaker 3: Yeah. I tried to do it with the LaMelo or

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Speaker 3: the LiAngelo Paul song. I thought it was okay, yeah, yeah,

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Speaker 3: and I thought it was great. Been that corner.

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Speaker 2: Whoa, whoa, you really had a great he had a

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Speaker 2: great Like three weeks I would say, yeah.

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Speaker 3: Yeah, yeah, you got Lil Wayne on the remix like

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Speaker 3: he really he did it.

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Speaker 2: No, I don't believe in him in any way, shape

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Speaker 2: or forms, So I just don't expect that. We'll keep

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Speaker 2: hearing uh stuff that we like. But but for now, yeah,

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Speaker 2: you did.

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Speaker 3: It, man. Yeah, you can get one. You can get

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Speaker 3: one like I feel like everybody has one hit rap

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Speaker 3: song in though.

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Speaker 2: I can see that, but yeah, because it doesn't have

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Speaker 2: to be good to hit once. If you dedicated the

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Speaker 2: time and the resources so that like you could make

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Speaker 2: something quality every time you attempted, I bet you could

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Speaker 2: land on something like oh shit. That doesn't mean it pops,

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Speaker 2: and that doesn't mean that like that like you become

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Speaker 2: famous off the ship because and everybody would be, but

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Speaker 2: it does mean like everybody secretly has like one jam

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Speaker 2: in their in their pocket.

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Speaker 3: I think so. I think everybody could have a year

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Speaker 3: like baby Boy to Prince, remember that guy. Mm hm

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Speaker 3: mm hmm hmmm, The Way I Live? Yeah, I don't

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Speaker 3: know any other singles, but that was that was a

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Speaker 3: fun song. Yeah.

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Speaker 2: Young Berg was such a one song ass nigga that

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Speaker 2: he has to change his name now.

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Speaker 3: Yeah, what's his name now? I didn't even know yet.

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Speaker 3: Fuck what is it? Very good? That's exactly no.

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Speaker 2: But he's like he's like he's an introducer now, but

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Speaker 2: he wasn't when he was Young Bird.

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Speaker 3: Hit maker. That's what it is. He's hit maker. Yeah, but.

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Speaker 2: He was young Berg before and we laughed at him,

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Speaker 2: you know what I mean, Like we we mocked it. Yeah,

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Speaker 2: I'm being young Bird. What was his song? I don't

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Speaker 2: even remember what his song was?

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Speaker 3: Some young Bird as ship, I don't know. Yeah, I

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Speaker 3: feel like it was bad, you know what I mean?

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Speaker 3: Hey should out all the one hit wonder rappers still

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Speaker 3: getting some That's cool. That's cool that y'all do. Yeah,

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Speaker 3: it's not a bad life.

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Speaker 1: Yeah.

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Speaker 3: Anyways, we're not here to talk about young.

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Speaker 2: Bird or a hit making. We keep both. Yeah, we

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Speaker 2: can keep your dead name out out of our mouths.

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Speaker 2: Hit making now yeah, we no, no, no, I acknowledge

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Speaker 2: your new name.

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Speaker 3: We have a voicemail.

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Speaker 2: We have a fun I guess fun, I don't know.

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Speaker 2: We haven't listened to it. Or voicemail that that bay

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Speaker 2: is going to play for us and we'll laugh and

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Speaker 2: and or and or thinks seriously about the subject or cry.

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Speaker 3: I'm trying to be more open to it. WHOA you

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Speaker 3: think you can cry on this podcast? No, not on here.

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Speaker 3: I'm not.

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Speaker 4: I'm not crying on the internet. But like your life,

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Speaker 4: I'm proud I got you. Yeah, yeah, not me. I

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Speaker 4: think I'm I'm ready to shut it all down.

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Speaker 3: You had some you had some big ones early though.

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Speaker 3: I feel like Yeah, I'm ready for the go ahead.

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Speaker 3: Shut at the door doors factory.

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Speaker 2: We we we got all the water out we need.

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Speaker 3: I get that. I mean, do you feel safe crying?

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Speaker 3: Is there anywhere that you feel safe crying?

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Speaker 2: I think I'm I feel safe in as safe as

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Speaker 2: I can feel with with my partner.

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Speaker 3: Do you know what I mean?

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Speaker 1: That?

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Speaker 2: Like that is not in any way a judgment of

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Speaker 2: her or the quality of love that we share. But

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Speaker 2: but I got some shit in me that makes safety

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Speaker 2: with crying still uh, sort of a looser.

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Speaker 3: Exchange than I would like. I would like for it to.

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Speaker 2: Yeah, I'd like for it to be a simple change

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Speaker 2: of just true feelings.

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Speaker 3: And I can't say that that's true. You were talking

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Speaker 3: to like white guys and they're like they cry at

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Speaker 3: commercials and you ship and you're like, fuck you.

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Speaker 2: Yeah, you know what my problem is. There's that lives

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Speaker 2: in me where I do be wanting to cry. It like, no,

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Speaker 2: I know a show and our commercial or whatever it is,

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Speaker 2: and then I feel like, no, you can't, you can't.

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Speaker 2: It's like that's stop. Yeah, stop man. Just the duck

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Speaker 2: with the oil on it made you sad. It's okay

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Speaker 2: if you just want to like let that out.

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Speaker 3: If I I got really good at if I even

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Speaker 3: feel it in my throat, I could just be like no, no,

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Speaker 3: and then immediately I'll like, I'll like think of why

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Speaker 3: I actually hate that thing instead that that made me

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Speaker 3: elicit that emotion.

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Speaker 2: You know, what's what's wild for me is when other

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Speaker 2: people cry, I cry like it it triggers for me.

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Speaker 2: Where like if you're if you started crying, I would

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Speaker 2: start crying just off of like fuck I but it's

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Speaker 2: it's not and this is fucked up. It's not even

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Speaker 2: always I think fully just empathy. I think some of

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Speaker 2: it is that, like I'm I'm sad that you reach

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Speaker 2: this level of vulnerability.

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Speaker 3: I'm sad that would help me.

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Speaker 2: Whatever your feeling was so extreme for you that you broke,

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Speaker 2: and that makes me sad.

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Speaker 3: And I get it. That's nasty.

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Speaker 2: That's some nasty you know patriarchy that I'm never gonna

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Speaker 2: unpack from my brain.

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Speaker 3: Nah, listen, we could do, we could We could do

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Speaker 3: what we could do. You know what I'm saying.

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Speaker 2: I think we we we give all we got, You

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Speaker 2: give it all you got.

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Speaker 3: You love on the people you can love on.

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Speaker 2: You pay your taxes as you said, and come on, uh,

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Speaker 2: and you just hope for the best.

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Speaker 3: You're so be able to cry, hopefully, or his son,

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Speaker 3: I hope.

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Speaker 2: So that's what I want for him, and that's what

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Speaker 2: I want, frankly for me, for you. I'm not. I'm

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Speaker 2: not in a position where I'm fully given up. So

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Speaker 2: maybe there's a world where I can find myself, you know,

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Speaker 2: crying with my boy one day.

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Speaker 3: I'm just not all the way. But there is a

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Speaker 3: level this sounds terrible, There is a level of not

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Speaker 3: trusting a man who cries. M m m mmmmm.

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Speaker 2: I don't like that, I say, And I'm not. I'm

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Speaker 2: not a man who who doesn't cry, you know what

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Speaker 2: I mean?

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Speaker 3: Like I cry.

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Speaker 2: It's just the weird self hate I can't quite escape.

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Speaker 3: I mean, I in life, NIGGI, I had this guy.

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Speaker 3: I had a neighbor who used to cry all the time,

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Speaker 3: blew up my apartment. True story, WHOA make it? But

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Speaker 3: t ain't extracted hash oil fuck yeah and yeah, how

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Speaker 3: do you connect? How do you connect those feelings? So

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Speaker 3: this is a crazy story. So he moved in right

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Speaker 3: and it was a crazy scenario. It was this dude,

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Speaker 3: this oh, he was like my age so it's probably

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Speaker 3: like twenty four at a time, this old ugly woman

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Speaker 3: that was his girlfriend, This old ugly, ugly white woman

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Speaker 3: and her son, they moved in next door to us, right,

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Speaker 3: and we would hear.

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Speaker 2: Them, never a great combination. We would hear them arguing

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Speaker 2: with adult adult son with young boyfriend that's fucked up,

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Speaker 2: not adult like thirteen. Oh even I'm telling you this.

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Speaker 3: She gets it gets worse. So we would hear them

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Speaker 3: arguing all the all the time, right, And one night

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Speaker 3: I heard them arguing because it's like it's like a

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Speaker 3: slum in Serance in English side. But like one night

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Speaker 3: I hear him arguing and he's like, I got this

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Speaker 3: apartment for us, Jennifer, so you don't have to hook

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Speaker 3: no more, so you can have your kid here. And

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Speaker 3: I'm like, damn, this shit bad. This is fuck this

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Speaker 3: is bad.

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Speaker 2: But like, uh, that was like a soaplo. That's the

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Speaker 2: that's the way it's written on the WB.

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Speaker 3: It gets so much worse. So I'm like, this is

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Speaker 3: already fucked up. But this is probably like twenty eleven.

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Speaker 3: So I don't know if you're familiar with hash oil

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Speaker 3: and how it's evolved, but twenty eleven was early on

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Speaker 3: hash oil, early, early, early, so I didn't even know

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Speaker 3: what this was. He would come over with a dab

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Speaker 3: rig in hash oil that he made and he would

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Speaker 3: get me and my roommate high on hash oil and

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Speaker 3: we were like, this is I never, this is like crazy,

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Speaker 3: and it was free. We didn't even know where to

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Speaker 3: get it at the time, and it was free. But

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Speaker 3: he would get us all high on hash oil and

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Speaker 3: then he would start crying about his life, like literal tears, right,

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Speaker 3: like crying, telling us about his hooker girlfriend. Now his

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Speaker 3: mom don't love him and that's not his kid, and

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Speaker 3: YadA YadA, and the girlfriend, by the way, huge bitch,

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Speaker 3: huge bitch, such a mean lady. And one day I'm

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Speaker 3: taking the trash out and I see him and they

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Speaker 3: have this thing like a long cylinder and it's got

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Speaker 3: cheesecloth on the bottom and they're running, uh, they're running

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Speaker 3: but tane through it. And they have a trash bag

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Speaker 3: full of shake weed because I guess her dad was

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Speaker 3: a grower or something, so they had trash bags full

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Speaker 3: of shake and they're making but tane extracted house oil

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Speaker 3: and they're making it on the side of the house

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Speaker 3: and I'm like, damn, that's crazy. And our other neighbor,

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Speaker 3: this dude named Roy from Mississippi one tooth, moved to

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Speaker 3: San Francisco to smoke weed. Great guy, Great guy Roy

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Speaker 3: by that guy, he was like yeah, he was like,

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Speaker 3: that's gonna blow us up. And we were liked, no man.

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Speaker 3: And then uh, I was at the punchline opening opening

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Speaker 3: for somebody and my roommate calls me. He's like, fu

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Speaker 3: fu fuck the apartment. The apartment blew up. They were

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Speaker 3: making that ship in the house and one of the

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Speaker 3: Kansas buttane exploded and fucking it was like in the

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Speaker 3: kitchen and it was like a concussion. I don't know

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Speaker 3: what you call the blast, but it like knocked out

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Speaker 3: the bathroom wall in our house, burned their whole ship up.

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Speaker 3: Firefighters had to come. Little boys face gets burned up.

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Speaker 3: They gotta take they had to get injuries and ship right. Yeah,

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Speaker 3: they had to take skin from the ass to put

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Speaker 3: it on a little boy's face. And the mom and

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Speaker 3: the boyfriend ran off and then they both now he

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Speaker 3: now he's a tip drill. Yeah. But anyways, after that,

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Speaker 3: I was like, hey, don't let me that little boy

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Speaker 3: is a tip drill. He's like, it must be your

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Speaker 3: ass because chin'ge your face. You know, I don't mean

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Speaker 3: to know.

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Speaker 2: I'm sorry that happened to you, but you are by

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Speaker 2: by Leeland Tip true a young tip True.

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Speaker 3: But but anyways, ever said that guy was crying all

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Speaker 3: the time, and I knew I didn't trust him because

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Speaker 3: of that, and then boom exploded my ship.

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Speaker 2: So so crying for you does feel too, too vulnerable

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Speaker 2: to the point that it's it's untrustworthy.

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Speaker 3: Yeah, if I don't know you well all front of me, Yeah,

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Speaker 3: that's rue.

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Speaker 2: There is there is a level of it is similar

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Speaker 2: to what we were talking about of like detachment, where

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Speaker 2: it does feel like, wait a minute, you you don't

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Speaker 2: understand social cues in a way that I don't.

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Speaker 3: Love either, like manipulator, unhealthy? Yeah, yeah, are you manipulating me?

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Speaker 3: Because he wasn't pulling that ship when he wouldn't come

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Speaker 3: over sober because we didn't want to hear that ship.

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Speaker 3: He get us high on a new kind of drugs.

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Speaker 2: Right, Give you a little give you a little taste

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Speaker 2: of whatever is going to make this uh an easy

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Speaker 2: comp station instead of one where he actually has to

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Speaker 2: reflect on what he's saying exactly damn. Anyways, we got

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Speaker 2: a voicemail. We got a voicemail. Uh that you can

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Speaker 2: play the voicemail. Well, let's see what happens.

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Speaker 3: Heynks.

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Speaker 5: I'm a negros who lives in the Roska and a

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Speaker 5: former veteranian.

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Speaker 3: Pause right there. Did she calls up? Damn? That's devastating.

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Speaker 3: Did she sayunks? Can we go back? I'm pretty sure

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Speaker 3: she called us unks this one more time, one more time?

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Speaker 2: Fuck, heynks, Damn, damn.

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Speaker 6: Oh no, what the fuck? I'm young, I'm young. No,

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Speaker 6: that's obviously we are.

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Speaker 3: No, we're never even advocated for that kind of behavior,

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Speaker 3: not at all. Also, if you are listening to this

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Speaker 3: in the position where you think we're unks and you're

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Speaker 3: listening for some type of like life wisdom, is not

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Speaker 3: a good plan for you.

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Speaker 2: No, no, no, no, no, not in this house.

256
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Speaker 3: No, you are mistaken. That's not what we're aiming for.

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Speaker 2: And I know it's strending now where young niggas will

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Speaker 2: be like I can't wait to be an unk.

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Speaker 3: I'm not that.

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Speaker 2: No, I'm too close to it on a technical sense

261
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Speaker 2: to still be like playing charming games where I can't

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Speaker 2: wait to wear a big old pair of shorts with

263
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Speaker 2: some leather sandals. No, I'm not that. Ain't mean that's

264
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Speaker 2: You're exactly right, you know what. Manuel can get away

265
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Speaker 2: with it because he's eleven years old.

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Speaker 3: That is a boy cos.

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Speaker 2: He is dressing up as his favorite cartoon character, which

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Speaker 2: happens to be unk.

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Speaker 3: I got a mortgage. Ain't cute to me? Yeah, I

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Speaker 3: got I got a problem. I needn't feel good. I

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Speaker 3: don't want to be nah, I keep that ship.

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Speaker 5: Hey uh, I'm a negress who lives in the Rasca

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Speaker 5: and a former veteran you know, dancer, but not like

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Speaker 5: a ballerina, like in like a Joscelyn and like kind

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Speaker 5: of way, you know, miss Hernandez.

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Speaker 3: But I pause one more time. Is she saying that

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Speaker 3: she's a veteran of dancing or of the United States Military?

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Speaker 2: The vibe I got was both that that she she's

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Speaker 2: a veteran of the United States military and then became

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Speaker 2: a stripper.

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Speaker 3: If I'm understanding. Oh, so she's like a she's like

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Speaker 3: a soldier stripper. I guess that's like a warrior poet.

283
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Speaker 2: I've never heard of that combo, but maybe I haven't.

284
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Speaker 3: I just didn't realize it. You know what I mean.

285
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Speaker 2: Maybe that's a more common combo than I than I realized.

286
00:16:39,720 --> 00:16:42,280
Speaker 3: Yeah, maybe she just wanted the discipline or like the structure.

287
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Speaker 3: She's like, stripping's fun. But I gotta get it together.

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Speaker 3: I can't do this forever.

289
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Speaker 2: I gotta go get yelled at.

290
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Speaker 3: Yeah, go live on a boat with a hundred dudes. Yeah,

291
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Speaker 3: keep going.

292
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Speaker 5: I've noticed that clubs in small towns with like bad

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Speaker 5: regulations don't like don't really have a lot of business

294
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Speaker 5: or good business, but they seem to have a lot

295
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Speaker 5: of money and wealthy owners that do nothing else but

296
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Speaker 5: out a bad club and so and they don't.

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Speaker 3: So I was wondering.

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Speaker 5: I was like, how do they make the money? They

299
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Speaker 5: have more dancers and no customers. I realize a lot

300
00:17:24,240 --> 00:17:28,119
Speaker 5: of them are government plans. I think bad strip clubs

301
00:17:28,160 --> 00:17:31,199
Speaker 5: in conservative areas in the US is my consperratyve theora.

302
00:17:31,280 --> 00:17:34,480
Speaker 5: I think bad strip clubs and conservative areas of the

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00:17:34,600 --> 00:17:37,920
Speaker 5: US are syoups ran by the government.

304
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Speaker 3: Oh the government, honor. Yeah that's that. Tony's a print

305
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Speaker 3: now ending that Uh oh no.

306
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Speaker 2: More, no more, okay, just cia at the end. Okay, yeah,

307
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Speaker 2: m what do you think?

308
00:17:54,280 --> 00:17:56,200
Speaker 3: Interesting? Have you ever have you ever been to a

309
00:17:56,200 --> 00:17:57,920
Speaker 3: bad strip club in a conservative area?

310
00:17:58,320 --> 00:18:01,960
Speaker 2: The first strip club I ever went to was in

311
00:18:02,280 --> 00:18:06,560
Speaker 2: a place called Brooklyn, Illinois, which all of Illinois is

312
00:18:06,680 --> 00:18:10,280
Speaker 2: very very red outside of Chicago.

313
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Speaker 3: You know what I mean.

314
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Speaker 2: So it's no fucking way was that a progressive area?

315
00:18:16,440 --> 00:18:19,040
Speaker 2: And it was a night nightmare of a strip club.

316
00:18:19,080 --> 00:18:23,720
Speaker 2: It's called the Pink Slip, Pink Slipper and did uh

317
00:18:24,160 --> 00:18:28,640
Speaker 2: it shouldn't exist and it shouldn't have been my first foray?

318
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Speaker 3: Yeah, how was that?

319
00:18:30,680 --> 00:18:30,800
Speaker 1: Was that?

320
00:18:30,880 --> 00:18:33,719
Speaker 3: Like a college? How was it your first?

321
00:18:34,560 --> 00:18:39,440
Speaker 2: No on tour with Jack? First tour I had ever done,

322
00:18:40,200 --> 00:18:45,639
Speaker 2: and we had performed in Saint Louis that evening in

323
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Speaker 2: Saint Louis. Back to I think we were performing in

324
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Speaker 2: Chicago the night after. He was like, oh man, we

325
00:18:53,080 --> 00:18:55,159
Speaker 2: should go hit the strip club before we do this

326
00:18:55,280 --> 00:18:57,600
Speaker 2: drive or take you know whatever it was the next

327
00:18:57,680 --> 00:19:02,600
Speaker 2: day and Jack, yeah, So I was like, all right, yeah,

328
00:19:03,440 --> 00:19:06,560
Speaker 2: it's just me and you and Frankly, we've been on

329
00:19:06,600 --> 00:19:09,000
Speaker 2: this tour long enough that we've run out of conversation,

330
00:19:09,560 --> 00:19:16,440
Speaker 2: so uh.

331
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Speaker 3: Me, we covered it.

332
00:19:16,440 --> 00:19:19,359
Speaker 2: We were too broke to even get our own rooms,

333
00:19:19,359 --> 00:19:22,440
Speaker 2: so we're spending long days together, you know what I mean,

334
00:19:22,560 --> 00:19:25,199
Speaker 2: Like this, Yeah, it's one of them tours where you

335
00:19:25,280 --> 00:19:29,960
Speaker 2: are together type ship and uh yeah. After that you

336
00:19:30,080 --> 00:19:32,119
Speaker 2: start being like, no, we got to find new ways

337
00:19:32,119 --> 00:19:36,840
Speaker 2: to bond. So strip club, even if it's the saddest one.

338
00:19:37,080 --> 00:19:41,440
Speaker 3: How many dancers, how many stages? Uh? The one?

339
00:19:41,840 --> 00:19:45,520
Speaker 2: So, if I'm not mistaken, the Pink Slipper was like

340
00:19:45,640 --> 00:19:49,840
Speaker 2: the the Kream de la Krem of the Brooklyn, Illinois

341
00:19:49,840 --> 00:19:53,960
Speaker 2: has like the strip of strip clubs, and the Pink

342
00:19:53,960 --> 00:19:57,399
Speaker 2: Slipper is like their their best one. We went to

343
00:19:57,400 --> 00:20:00,359
Speaker 2: the Pink Slipper and then Jack was like, ain't no

344
00:20:00,480 --> 00:20:02,720
Speaker 2: bad bitches in here, and he was like, we should

345
00:20:02,760 --> 00:20:05,840
Speaker 2: go next door, right, and the Pink Slipper they probably

346
00:20:05,840 --> 00:20:10,119
Speaker 2: have two stages and two cash machines, you know what

347
00:20:10,160 --> 00:20:13,120
Speaker 2: I mean, Like this is the This is them living

348
00:20:13,400 --> 00:20:16,000
Speaker 2: sort of the elite life. Then we go to the

349
00:20:16,040 --> 00:20:19,040
Speaker 2: place next door, which I can't remember the name of.

350
00:20:19,119 --> 00:20:20,920
Speaker 2: It might have been the Pink Slipper and I can't

351
00:20:20,960 --> 00:20:21,960
Speaker 2: remember the first one.

352
00:20:22,000 --> 00:20:22,480
Speaker 3: Either way.

353
00:20:22,760 --> 00:20:25,240
Speaker 2: We went next door and there was a man outside

354
00:20:25,680 --> 00:20:28,840
Speaker 2: with a cane and an eyepatch, and then we went

355
00:20:28,920 --> 00:20:33,639
Speaker 2: through the doors and truly there were four men in

356
00:20:33,720 --> 00:20:38,000
Speaker 2: the entire club, and it was an empty stage at first,

357
00:20:38,080 --> 00:20:41,399
Speaker 2: and then finally they clearly forced one of the girls

358
00:20:41,400 --> 00:20:43,840
Speaker 2: to come out because Jack and I had shown up.

359
00:20:44,800 --> 00:20:46,520
Speaker 3: Yeah, there's money in the house.

360
00:20:47,160 --> 00:20:51,840
Speaker 2: Yeah, And one lady came out very reluctantly and danced

361
00:20:52,600 --> 00:20:58,200
Speaker 2: as lazily as she could. And at one point we

362
00:20:58,200 --> 00:21:01,360
Speaker 2: were throwing money, and then I like stopped long enough

363
00:21:01,400 --> 00:21:04,320
Speaker 2: to like look for where my other money was. And

364
00:21:04,400 --> 00:21:06,879
Speaker 2: she stopped and she said, if y'all ain't gonna keep throwing,

365
00:21:07,000 --> 00:21:11,480
Speaker 2: I'm not gonna keep dancing. And I said, my bad,

366
00:21:11,520 --> 00:21:12,960
Speaker 2: baby girl, Yeah, I got you.

367
00:21:13,640 --> 00:21:17,439
Speaker 3: Let me tell you that is That's so, That's what

368
00:21:17,560 --> 00:21:21,479
Speaker 3: happens at bad strip clubs is reluctant strippers. They do

369
00:21:21,640 --> 00:21:23,879
Speaker 3: not want to make any money in the bad ones.

370
00:21:24,920 --> 00:21:28,080
Speaker 3: She ain't gonna pretend to be your friend. She don't

371
00:21:28,080 --> 00:21:31,080
Speaker 3: want in the back. I went to one in South Carolina,

372
00:21:31,280 --> 00:21:33,280
Speaker 3: was like that were there. They're clearly like in the

373
00:21:33,320 --> 00:21:36,800
Speaker 3: back arguing about who had to go, yeah, and I

374
00:21:36,840 --> 00:21:42,600
Speaker 3: was like trying to throw some money. I say all

375
00:21:42,640 --> 00:21:44,280
Speaker 3: that to say so I've been to a bunch of

376
00:21:44,280 --> 00:21:47,960
Speaker 3: bad strip clubs. I do always wonder about the economics

377
00:21:48,000 --> 00:21:52,959
Speaker 3: of it, right, because it never seems it outside of

378
00:21:53,000 --> 00:21:57,280
Speaker 3: like a major area. It doesn't seem like it's something

379
00:21:57,520 --> 00:22:02,199
Speaker 3: they can get see if they're making cover money or

380
00:22:02,320 --> 00:22:05,439
Speaker 3: bar it. Just it always feels like a front, is

381
00:22:05,440 --> 00:22:08,360
Speaker 3: what I'm saying. I don't know about CIA. I don't

382
00:22:08,359 --> 00:22:11,080
Speaker 3: think the government has their hands in it, but it

383
00:22:11,280 --> 00:22:15,960
Speaker 3: definitely feels like some way to wash money. I think

384
00:22:16,359 --> 00:22:17,840
Speaker 3: they're certainly.

385
00:22:19,480 --> 00:22:25,080
Speaker 2: A logical progression to someone washing money via a strip club. Literally,

386
00:22:25,119 --> 00:22:30,560
Speaker 2: the Sopranos laid it out for us and pretty yeah,

387
00:22:30,880 --> 00:22:36,080
Speaker 2: pretty clear detail. That said, I think that that sometimes

388
00:22:36,119 --> 00:22:39,879
Speaker 2: we presume that everything goes all the way to the top,

389
00:22:40,359 --> 00:22:44,479
Speaker 2: when in fact, just being able to like keep certain

390
00:22:44,600 --> 00:22:49,160
Speaker 2: business owners afloat is how the top supports itself.

391
00:22:49,640 --> 00:22:51,080
Speaker 3: Do you know what I mean that? Like? You don't.

392
00:22:51,440 --> 00:22:56,160
Speaker 2: Part of how I, a politician, a person in power,

393
00:22:56,520 --> 00:23:00,720
Speaker 2: remain in power is to keep allies at every tier

394
00:23:01,600 --> 00:23:04,800
Speaker 2: of the evolutionary chart, you know what I mean? Like,

395
00:23:04,840 --> 00:23:07,480
Speaker 2: I can't just have allies at the top with me.

396
00:23:07,960 --> 00:23:10,320
Speaker 2: I also have to have a bot of being owner,

397
00:23:10,400 --> 00:23:13,880
Speaker 2: A pink slipper owner whatever the fuck it is, sort

398
00:23:13,920 --> 00:23:17,119
Speaker 2: of happy and satiated so that he feels like paying

399
00:23:17,160 --> 00:23:21,520
Speaker 2: his boss who then pays me and keeps the party going.

400
00:23:22,119 --> 00:23:25,480
Speaker 3: Yeah, I'm with that. I think people forget how low

401
00:23:25,600 --> 00:23:29,399
Speaker 3: level crime can be, even crimes like washing money, you

402
00:23:29,440 --> 00:23:31,119
Speaker 3: know what I mean. So I think that it's like

403
00:23:31,520 --> 00:23:34,080
Speaker 3: because I don't think it's the money making business outside

404
00:23:34,119 --> 00:23:36,679
Speaker 3: of the big ones. I just don't. I just the

405
00:23:36,720 --> 00:23:39,440
Speaker 3: margins are too thin, especially like in a small town

406
00:23:39,480 --> 00:23:42,280
Speaker 3: where it's like you got the same dancer. I mean,

407
00:23:42,680 --> 00:23:44,600
Speaker 3: don't get me wrong, I know dudes are sad and

408
00:23:44,600 --> 00:23:47,760
Speaker 3: we'll be regulars, but I can't imagine how you're getting

409
00:23:47,800 --> 00:23:50,760
Speaker 3: any money. But I don't think the CIA or the

410
00:23:50,880 --> 00:23:52,440
Speaker 3: FBI has anything to do with it.

411
00:23:52,880 --> 00:23:55,639
Speaker 2: I think that CIA and FBI have something to do

412
00:23:55,720 --> 00:23:59,480
Speaker 2: with it if they are called upon to step in

413
00:24:00,040 --> 00:24:02,600
Speaker 2: and help out. I don't think that they have something

414
00:24:02,600 --> 00:24:04,720
Speaker 2: to do with it, and that they built the structures

415
00:24:04,720 --> 00:24:06,280
Speaker 2: in the first place, right, you.

416
00:24:06,320 --> 00:24:06,760
Speaker 3: Know what I mean?

417
00:24:06,880 --> 00:24:09,560
Speaker 2: Like I think if a powerful enough person makes a

418
00:24:09,600 --> 00:24:13,639
Speaker 2: phone call and says, look, you know the I know

419
00:24:13,680 --> 00:24:16,560
Speaker 2: the pink slip didn't pay their taxes this year, we're

420
00:24:16,560 --> 00:24:21,879
Speaker 2: gonna overlook that, and the irs goes okay, And you

421
00:24:21,960 --> 00:24:24,159
Speaker 2: know what I mean, you don't know why that person

422
00:24:24,280 --> 00:24:27,399
Speaker 2: needs that business to stay open. But they do, and

423
00:24:27,440 --> 00:24:30,360
Speaker 2: they're watching a lot of money through it, and and

424
00:24:30,440 --> 00:24:35,480
Speaker 2: that maybe does eventually find its way into government officials hands.

425
00:24:35,600 --> 00:24:38,240
Speaker 2: But I don't think the CIA was like, we'll hide

426
00:24:38,280 --> 00:24:41,240
Speaker 2: all our money in shitty strip club, Like that's.

427
00:24:41,119 --> 00:24:45,159
Speaker 3: Not the exactly exactly the stripper's damn sure don't know

428
00:24:45,160 --> 00:24:49,360
Speaker 3: about it. No, they're not saying a dime. Yeah, all

429
00:24:49,359 --> 00:24:51,199
Speaker 3: that being said, I saw it. I would be a

430
00:24:51,200 --> 00:24:55,879
Speaker 3: fun proprietor of a strip club, okay, like like like

431
00:24:56,000 --> 00:24:58,280
Speaker 3: like a player's club. We get you in a real

432
00:24:58,320 --> 00:25:01,720
Speaker 3: funny DJ. I think, I think, I think, I think

433
00:25:01,760 --> 00:25:04,359
Speaker 3: I wouldn't be on those sleazy ship. I just I

434
00:25:04,359 --> 00:25:05,320
Speaker 3: think it would be fun.

435
00:25:05,680 --> 00:25:08,359
Speaker 2: When you say fun, are you seeing yourself as like

436
00:25:09,000 --> 00:25:12,640
Speaker 2: an active character or are you just a a dude

437
00:25:12,640 --> 00:25:15,479
Speaker 2: who hangs out who everybody is excited to see.

438
00:25:16,080 --> 00:25:21,600
Speaker 3: Well, in this scenario, it's probably a college town and

439
00:25:21,760 --> 00:25:24,919
Speaker 3: I am a small town college football star who stayed

440
00:25:24,960 --> 00:25:30,560
Speaker 3: around and via some booster money, got a business loan

441
00:25:31,440 --> 00:25:33,760
Speaker 3: and started to So they're like, hey, I remember I

442
00:25:33,800 --> 00:25:38,639
Speaker 3: remember you in the Cuddy Start ball back in ninety eight. Yeah,

443
00:25:38,680 --> 00:25:41,800
Speaker 3: and I'm shaking hands. We got food, good food, good

444
00:25:41,880 --> 00:25:46,119
Speaker 3: enough food. I mean, nobody's getting hit or not letting anybody.

445
00:25:46,440 --> 00:25:48,720
Speaker 3: No pimps are coming around like it's I run a

446
00:25:48,720 --> 00:25:53,760
Speaker 3: clean establishment. Yeah yeah, yeah, much to do in town. Anyways.

447
00:25:54,480 --> 00:25:57,920
Speaker 2: You are not an immoral person. You are a man

448
00:25:57,960 --> 00:26:02,560
Speaker 2: who found a way after inevitably what breaks a lot

449
00:26:02,560 --> 00:26:06,320
Speaker 2: of men, right Like you finish football and you have nothing,

450
00:26:07,080 --> 00:26:10,159
Speaker 2: and and it turns you into a psychopath, and you're like, no,

451
00:26:10,280 --> 00:26:13,200
Speaker 2: I'm gonna I'm gonna be something, and I'm gonna use

452
00:26:13,320 --> 00:26:16,640
Speaker 2: what I had to be something that can actually benefit

453
00:26:16,760 --> 00:26:18,280
Speaker 2: myself in my community.

454
00:26:18,320 --> 00:26:21,040
Speaker 3: Exactly, I'm gonna use this cupcake degree. What do they get,

455
00:26:21,040 --> 00:26:23,280
Speaker 3: like a mass calm degree or some ship usually some

456
00:26:23,280 --> 00:26:26,199
Speaker 3: shit like that, And I'm gonna put it into the

457
00:26:26,800 --> 00:26:28,160
Speaker 3: I don't have a name yet.

458
00:26:28,040 --> 00:26:29,679
Speaker 2: But I was thought that would be a life I

459
00:26:29,680 --> 00:26:33,960
Speaker 2: would be okay with. Mm hmm, that's nice. I don't

460
00:26:34,600 --> 00:26:37,439
Speaker 2: I never imagined it for myself, But I don't hate it.

461
00:26:38,080 --> 00:26:40,200
Speaker 2: I don't hate the premise of it. It doesn't sound

462
00:26:40,400 --> 00:26:41,359
Speaker 2: like a bad life to me.

463
00:26:41,960 --> 00:26:44,960
Speaker 3: Nah, I think it'd be okay. Go fishing a lot,

464
00:26:45,000 --> 00:26:51,600
Speaker 3: I bet. But anyways, uh yeah, I'm out there all

465
00:26:51,640 --> 00:26:54,520
Speaker 3: the time. Yeah, yeah, you got other stuff going on,

466
00:26:54,960 --> 00:26:56,800
Speaker 3: and then eventually I give it to my son, who

467
00:26:56,840 --> 00:26:57,360
Speaker 3: sells it.

468
00:26:57,880 --> 00:26:59,880
Speaker 2: Okay, that's what I was about to worry about, is

469
00:27:00,080 --> 00:27:01,960
Speaker 2: once you start giving it to your son, he's gonna

470
00:27:01,960 --> 00:27:02,720
Speaker 2: be a piece of shit.

471
00:27:03,280 --> 00:27:06,359
Speaker 3: Yeah, that's the what he didn't grow up there. You

472
00:27:07,359 --> 00:27:09,360
Speaker 3: didn't grow up in the strip club with me. I'll

473
00:27:09,359 --> 00:27:11,440
Speaker 3: be honest with you. There's no way you take over

474
00:27:11,520 --> 00:27:21,240
Speaker 3: your father's strip club in Brooklyn, Illinois and don't turn

475
00:27:21,280 --> 00:27:24,360
Speaker 3: into a piece of shit. Yeah that's true. Maybe it's

476
00:27:24,400 --> 00:27:27,000
Speaker 3: just a one generation thing. You know what I could do?

477
00:27:27,200 --> 00:27:30,440
Speaker 3: Maybe I run it, But then I'm also an upstanding

478
00:27:30,560 --> 00:27:33,000
Speaker 3: like I'm in the church. I'm an upstanding member of

479
00:27:33,040 --> 00:27:35,760
Speaker 3: the community. I run it, get enough money to put

480
00:27:35,760 --> 00:27:38,040
Speaker 3: my kids on, let them go to s I U

481
00:27:38,359 --> 00:27:41,080
Speaker 3: or whatever is the good school around, and then once

482
00:27:41,119 --> 00:27:45,240
Speaker 3: they finish college, I shut it down. I retire. That's smart. Yeah,

483
00:27:45,400 --> 00:27:47,719
Speaker 3: I think that's nice. I think you're right. It shouldn't be.

484
00:27:47,840 --> 00:27:50,200
Speaker 3: You don't want a generational strip club in your No.

485
00:27:50,320 --> 00:27:53,159
Speaker 2: You you you give them, you sell it, and you

486
00:27:53,560 --> 00:27:56,600
Speaker 2: put it in a trust for them. You You do

487
00:27:56,720 --> 00:28:02,040
Speaker 2: not make that who they become, because that no survivors.

488
00:28:01,880 --> 00:28:05,280
Speaker 7: Sooner or later, it's going to corrupt one of them. Yeah, yeah,

489
00:28:05,960 --> 00:28:08,080
Speaker 7: well I think we did it. I knew, I do.

490
00:28:08,280 --> 00:28:11,679
Speaker 7: I agree with you. I think that despite being called

491
00:28:13,280 --> 00:28:17,840
Speaker 7: that nasty name that we were called, I think I

492
00:28:17,840 --> 00:28:21,840
Speaker 7: think we certainly addressed the issue at hand. Yeah, you

493
00:28:21,920 --> 00:28:23,520
Speaker 7: want to tell the people where they can find you

494
00:28:23,640 --> 00:28:25,040
Speaker 7: what cool shit you got going on?

495
00:28:25,480 --> 00:28:30,280
Speaker 3: Who had jokes eighty seven on Instagram, Patreon, dot com,

496
00:28:30,320 --> 00:28:34,240
Speaker 3: backslash David Bori to buy my special. I'm going to

497
00:28:34,320 --> 00:28:39,000
Speaker 3: be in Dayton, Kentucky, which is basically Cincinnati, Ohio, March

498
00:28:39,080 --> 00:28:43,240
Speaker 3: fourteenth at the Comedy Commonwealth, And March fifteenth, I'm going

499
00:28:43,360 --> 00:28:48,720
Speaker 3: to be in Minneapolis at the Comedy Corner Underground. Come

500
00:28:48,800 --> 00:28:53,960
Speaker 3: see those our buy our merch t shirts and stuff.

501
00:28:54,040 --> 00:28:56,080
Speaker 3: I want to say too. I know Mandl's a girl. Man.

502
00:28:56,160 --> 00:28:58,560
Speaker 3: It was just the funniest the idea of that man

503
00:28:58,600 --> 00:29:01,120
Speaker 3: with that voice as an eleven year old. No, I

504
00:29:01,160 --> 00:29:04,680
Speaker 3: don't think anybody took you seriously. We're big. We could

505
00:29:04,680 --> 00:29:09,760
Speaker 3: not be bigger Mando fans on this side of town anyways. Yeah,

506
00:29:09,840 --> 00:29:10,520
Speaker 3: where are you gonna be?

507
00:29:10,920 --> 00:29:15,040
Speaker 2: As always, you can follow me at at Langston Kerrman

508
00:29:15,160 --> 00:29:16,760
Speaker 2: on all social media platforms.

509
00:29:16,760 --> 00:29:18,840
Speaker 3: You can come see me live. I'm want to be

510
00:29:18,840 --> 00:29:20,720
Speaker 3: in Vermont Comedy Club in March.

511
00:29:20,800 --> 00:29:24,640
Speaker 2: I'm going to be at Wise Guys Utah, Salt Lake

512
00:29:24,720 --> 00:29:28,880
Speaker 2: City in April as well as Wise Guys Las Vegas.

513
00:29:29,200 --> 00:29:31,920
Speaker 2: You can buy our merch. You can follow us at

514
00:29:31,960 --> 00:29:36,120
Speaker 2: at at my Mama Pod H told me Pod, I

515
00:29:36,160 --> 00:29:38,000
Speaker 2: don't know what it is on Instagram, but follow our

516
00:29:38,040 --> 00:29:41,400
Speaker 2: Instagram like subscribe, rate review, send us your own drops,

517
00:29:41,440 --> 00:29:46,320
Speaker 2: your own conspiracies, theories, Uh, send us your your young

518
00:29:46,800 --> 00:29:50,280
Speaker 2: I guess we gotta where either uns were. We can't

519
00:29:50,320 --> 00:29:53,120
Speaker 2: keep rejecting everything. They call us so little friggies. I

520
00:29:53,120 --> 00:29:55,000
Speaker 2: guess I'd rather be a little friggy than the unk.

521
00:29:55,120 --> 00:29:59,000
Speaker 2: So send us alternatives to little friggies, I guess at

522
00:29:59,040 --> 00:30:01,760
Speaker 2: my mama potage email dot com give us a call

523
00:30:01,800 --> 00:30:04,960
Speaker 2: at eight four four, little Moms. The voicemails can now

524
00:30:05,000 --> 00:30:08,480
Speaker 2: be three minutes long, which is very exciting and by

525
00:30:08,520 --> 00:30:11,280
Speaker 2: the merch. Okay, bye, bitch, Let's.

526
00:30:11,040 --> 00:30:17,200
Speaker 3: Get to come outside.

527
00:30:17,840 --> 00:30:24,760
Speaker 1: Motherfucking Mini ever S Mini Episo, motherfucking Minie ever Sow,

528
00:30:28,520 --> 00:30:35,240
Speaker 1: motherfucking Mini ever So Mini Episode, motherfucking Mini ever S