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Speaker 1: Hey, everybody, welcome to way another episode of I Saw

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Speaker 1: What You Did. My name is Millie to Jericho, and

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Speaker 1: I'm Danielle Henderson. Film is what we're here to talk

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Speaker 1: about with you all today. Hey, Danielle, what hey doing? Uh?

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Speaker 1: I'm fine. It's September. I can't believe it's the years

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Speaker 1: just flown by.

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Speaker 2: It's fucking cruising. I'm fully dressed. If that gives you

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Speaker 2: any indication to the seasonal change. I'm no longer Henry Rawland,

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Speaker 2: no longer pulling a hank rawlins.

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Speaker 1: Hey, old Hank and his shorts.

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Speaker 2: I've got full outfit on, a full outfit and shoes.

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Speaker 2: Do I think I have shoes? Wow?

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Speaker 1: That's truly an incredible moment because I've seen you this

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Speaker 1: summer and there many layers going on.

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Speaker 2: It was real loosey goosey around here. It was real like, oh,

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Speaker 2: that old lady that lives in the woods in that

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Speaker 2: weird house energy.

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Speaker 1: The naked house.

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Speaker 2: I took my fucking garbage out. I wasn't wearing any pants.

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Speaker 2: I totally forgot to put on pants, went outside and

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Speaker 2: just wheeled my garbage can to the curb, and I

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Speaker 2: was like, oh, glad, nobody saw me. I think nobody

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Speaker 2: saw me, and you know, my fucking garbage. My curb

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Speaker 2: is far like it's not like it's just like I

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Speaker 2: walked out the door, took two steps and put it

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Speaker 2: on the street. Like I had to walk to the

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Speaker 2: street quite a ways and I was halfway back before

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Speaker 2: I realized I ain't got no fucking pants on. Thank god,

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Speaker 2: I got some drawers on. Thank god, I was just

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Speaker 2: porky picking it. But like I had underwear on. But like,

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Speaker 2: thank god had underw on, because I never know who

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Speaker 2: can see. I mean, I don't have a lot of neighbors,

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Speaker 2: but I don't want to terrify any of them.

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Speaker 1: Yeah, no, I mean, listen, it's a far it's a

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Speaker 1: far away to travel with no painants. And that's and

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Speaker 1: that is the thing is that it is that moment

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Speaker 1: where I think, just as a person who was, you know,

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Speaker 1: been working at home for the past couple of years

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Speaker 1: and not really interacting with people on the rigs in

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Speaker 1: that way, there are times where like I'm like, oh,

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Speaker 1: I'm gonna go walk outside and maybe I'm not wearing

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Speaker 1: a bra or any something like that, but it's like

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Speaker 1: we're not wearing pants yeah.

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Speaker 2: That was a new one for me. Look, basically, they

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Speaker 2: should have never given me this much freedom. Yeah, because

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Speaker 2: I am I am. I am unruly with the amount

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Speaker 2: of freedom that I have right now. Yeah, no, totally

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Speaker 2: hear that. Plus there's too many animals around here, like

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Speaker 2: ticks and all. I should never be outside without pants on.

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Speaker 2: I'm constantly outside without pants on.

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Speaker 1: Yeah.

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Speaker 2: Oh yeah.

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Speaker 1: And and trust me in if you live in the

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Speaker 1: woods and it's like the ticks are out, you're supposed

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Speaker 1: to wear like long sleeves and long pants.

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Speaker 2: Yeah.

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Speaker 1: Like, and I'm out here no shirt, only shorts, no oh,

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Speaker 1: shoes exactly.

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Speaker 2: Not the exact opposite of that, which is barely any

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Speaker 2: clothes ever. Even I was sitting on my porch yesterday,

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Speaker 2: no fucking clothes on, just underwear, just underwear and a bra,

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Speaker 2: sitting on my porch enjoying the sunshine, and a cricket

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Speaker 2: the size of a fucking mouse jumped on the chair

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Speaker 2: and I was like, this is why people have clothes on,

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Speaker 2: because what did this thing like? It was just too

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Speaker 2: many too clothes, It was too many inches near my

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Speaker 2: fucking tits. Yeah, And I'm like, I can't have you

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Speaker 2: jumping on my fucking tits. If you're a cricket like this,

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Speaker 2: like this huge ass cricket, I couldn't can't have it so.

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Speaker 1: Well, I admire you. I Unfortunately I'm not as free

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Speaker 1: with my alone time like i'm you know me, and

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Speaker 1: I think we've talked about this. I were multiple cardigans also.

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Speaker 1: I think at one point I mentioned in a very

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Speaker 1: early episode that when I love like carry grant pajamas where.

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Speaker 2: It's like.

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Speaker 1: You like IM's long sleeve long pants then a.

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Speaker 2: Robe, your pajamas have like a separate spot for like

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Speaker 2: a wallet.

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Speaker 1: Yeah, I wish I could sleep naked. I've never been

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Speaker 1: able to sleep naked. What no, I mean it is

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Speaker 1: maybe in certain situations if if it, if it came

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Speaker 1: up like I would, but it's like in the normal

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Speaker 1: state of my life, I have to wear pajamas. I

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Speaker 1: just feel like there needs to be a barrier between

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Speaker 1: the sheets and my body. And I don't know why

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Speaker 1: that is.

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Speaker 2: I could not be more opposite. Yeah, and the winter

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Speaker 2: is the fucking worst time a year for me because

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Speaker 2: I kind of have to wear pajamas so I can

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Speaker 2: stay warm at night. Yeah, and I've tried it with

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Speaker 2: like flannel sheets, it's pajamas, Like I have to wear

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Speaker 2: pajamas in the winter, and the minute it gets even

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Speaker 2: two degrees warm enough for me to not, I'm naked

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Speaker 2: for the rest of the fucking season, like I can.

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Speaker 2: And I've always been like this as a child, i

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Speaker 2: would take my pajamas off in the middle of the

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Speaker 2: night and my mom would come in and get me

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Speaker 2: and be like, why are you fucking naked? I'm like,

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Speaker 2: I don't know, man, I got hot, I gotta take

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Speaker 2: these pajamas off. Choose to cut my feet out of

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Speaker 2: my pajamas, and I'm like, my feet need to be free.

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Speaker 2: I can't take it. They should have never given me

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Speaker 2: this much freedom. I'm right now live in my best life. Dude.

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Speaker 1: I listen, I'm trying to get it, your love. I'm not.

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Speaker 2: Truly, I'm a little robe.

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Speaker 1: Yeah, I mean the first step is truly to get

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Speaker 1: out of the Triple Xcel band T shirt.

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Speaker 2: You know.

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Speaker 1: That's kind of like my my my mode when I

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Speaker 1: go to sleep is that I'm like a little some

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Speaker 1: pajama bottoms and then like a ginormous Soundgarden T shirt

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Speaker 1: or something. But then like I don't know, sometimes when

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Speaker 1: it gets really hot. I'm like, how do I how

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Speaker 1: do I this? Do I just wear a brawlett and

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Speaker 1: some bottoms? Like? Do I just take the pants off completely?

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Speaker 1: I don't know. I just I need a carrier.

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Speaker 2: If you put on a bra let to go to sleep,

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Speaker 2: I am not your friend anymore. There, you need a barrier,

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Speaker 2: Get another sheet, wrap yourself up like a mummy in

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Speaker 2: a little sheet, and then put another top sheet on

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Speaker 2: top of that, and you'll technically be naked, but you'll

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Speaker 2: still have your barrier.

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Speaker 1: Well, but but here's something else about me that you

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Speaker 1: may not know. I actually am not really into covers.

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Speaker 1: You see what I'm saying.

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Speaker 2: That's why you can't sleep naked, because you're completely exposed

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Speaker 2: to the elements if you sleep naked.

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Speaker 1: Exact an I'm like, gotcha. I think for me, I

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Speaker 1: would rather the coverage would be in the clothes and

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Speaker 1: not the sheets. Do you know what I'm saying?

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Speaker 2: That makes perfect sense? Carry on with your brawlet. I

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Speaker 2: totally get it now.

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Speaker 1: The braw let is set. Don't sleep in a bralett.

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Speaker 1: The boobs need to be as flat as fucking pancakes

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Speaker 1: when you're asleep. I should not be wasting.

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Speaker 2: Wet mittens when you're asleep.

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Speaker 1: Yeah.

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Speaker 2: So, but that makes so much sense because if I

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Speaker 2: sleeping naked without covers, I'd be like, oh, I'm naturally

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Speaker 2: gonna get like serial killed tonight or a murderer is

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Speaker 2: going to come in here.

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Speaker 1: Yeah that's too Yeah. In my I don't know what

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Speaker 1: it is about. I feel very constricted in covers, especially

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Speaker 1: if there's a tight fucking tuck, like when you're in

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Speaker 1: a hotel and they do that tight tuck at the bottom,

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Speaker 1: I'm like, are you trying to suppress me? Like, I

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Speaker 1: can't have this. I feel suffocated by the tight tuck.

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Speaker 2: The first thing I do is untuck that sheet.

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Speaker 1: Oh yeah, me too. And then my dream, ultimately a dream,

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Speaker 1: A scenario for me would be laying in bed, completely

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Speaker 1: comfortable temperature, possibly a flat sheet, maybe halfway on the

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Speaker 1: on the legs. But I don't want to be covered

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Speaker 1: in anything unless it's like super duper freezing outside, Like

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Speaker 1: I just don't I want a feeling of something, but

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Speaker 1: I don't want the whole. I don't want to be covered. Uh.

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Speaker 1: And maybe you're right, Maybe that's why the clothes are there, that's.

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Speaker 2: Why I'm Yeah, otherwise you would be way too exposed.

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Speaker 2: The clothes makes sense. I totally get it, because again

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Speaker 2: beyond beyond serial killers, Like, I don't want spiders all

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Speaker 2: crawling up in my shit if I'm just naked with

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Speaker 2: no covers on in my bed.

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Speaker 1: Yeah, oh yeah, that's see, that's that's the Other thing too,

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Speaker 1: is that I've I've had instances where a roach has

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Speaker 1: crawled on me in the middle of the night or

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Speaker 1: some weird shit like that, and I'm like, from that

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Speaker 1: point on, no way, no, no orifice will be unexposed

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Speaker 1: in the event.

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Speaker 2: No, it's left fu.

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Speaker 1: Now trying to get no pal metal bug in my ass,

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Speaker 1: Like that's a real thing that could happen in Georgia.

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Speaker 1: By the way, those things can fly. Do you know

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Speaker 1: what a palmetal blood is? People Like, essentially it's an

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Speaker 1: oversized roach that can fly. It is fucking crazy. No,

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Speaker 1: they are all over the place in the summertime down here,

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Speaker 1: and they're and they're fast as shit, like even when

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Speaker 1: they're not flying, they're super fast.

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Speaker 2: So I don't need it. I do not need a

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Speaker 2: palmetal bucking bugs crawling up in my shit. Keep your chikatas,

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Speaker 2: keep all that shit off.

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Speaker 1: Well, speaking of bugs in the ass. No, actually, that's

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Speaker 1: a badge. This is a terrible segue or the best

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Speaker 1: one of all time, or could be. Well, and here's

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Speaker 1: the thing. We've been reading some of the viewer letters

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Speaker 1: on the main feed, even though where bonuses are also

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Speaker 1: on the main feed now, so there's no distinction really,

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Speaker 1: but sometimes we pull them on to a main feed

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Speaker 1: episode because they're fun and we actually, this is a

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Speaker 1: we've read an email from from this person before. His

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Speaker 1: name is Sam. He was the one that sent us

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Speaker 1: the epic Halloween themed FMK. Oh my God where it

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Speaker 1: was revealed that Danielle wants to marry the Blob.

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Speaker 2: And I think that was the one where you said

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Speaker 2: you would you would fuck both Jason and Michael.

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Speaker 1: I would, Yeah, I would know what fuck and Mary Jason?

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Speaker 1: I think is what I said. Because you yelled at

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Speaker 1: me about that. You were like, that is I was

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Speaker 1: not the part of the rules. And now looking back,

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Speaker 1: looking back on it, I'm like, yeah, I should have

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Speaker 1: been yelled at. That was not proper FMK etiquette.

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Speaker 2: Look, you just couldn't choose. You just couldn't choose. But

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Speaker 2: that that email was truly epic. Sam.

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Speaker 1: Yeah, so Sam's back with another incredible FMK, actually two,

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Speaker 1: and here's the email. So hey, y'all, So I just

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Speaker 1: recently listened to episode one eighteen and when I got

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Speaker 1: an HBO Max Enter, the Dragon and blood Sport were

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Speaker 1: right next.

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Speaker 2: To each other.

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Speaker 1: Woo. Yeah, so I had a true double feature tonight,

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Speaker 1: and wow where y'all write about both movies. Truly an

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Speaker 1: amazing and weird way to spend my night. While I

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Speaker 1: don't think I will ever top my Halloween FMK I

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Speaker 1: sent last year, I am already thinking about another Halloween

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Speaker 1: one for this year. Watching these, I thought of a

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Speaker 1: quicksh FMK to send in. It's just two rounds, and

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Speaker 1: the first one I think is going to be pretty easy.

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Speaker 1: But I cannot wait to hear y'all talk about it.

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Speaker 1: I love listening to y'all every week and hearing all

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Speaker 1: scream laugh is always the best part of an episode.

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Speaker 2: Forever your fan, Sam h Thank you Sam. We love Sam.

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Speaker 2: We are also your fan. Because again, that Halloween FMK

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Speaker 2: is one for the books.

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Speaker 1: Yeah, Property Rich Dracula, I will never forget. We have

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Speaker 1: to get Scotty and Pete back on the podcast.

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Speaker 2: But we have to. We have to Scotti and Pete

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Speaker 2: from the Movies That Made Us Gay, which you should

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Speaker 2: also be listening to so fun.

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Speaker 1: So are you ready to tackle this? I mean I'm

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Speaker 1: scared about how I might answer.

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Speaker 2: Are you ready?

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Speaker 1: Oh god? Yeah? I mean I've been going through this

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Speaker 1: all morning, going I don't know if I'm gonna do

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Speaker 1: the right thing. So let's just put that out there, Okay.

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Speaker 1: So Sam zepan k first round the Enter the Dragon cast,

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Speaker 1: Fuck Mary, Kill, Bruce Lee, Jim Kelly, and John Saxon.

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Speaker 2: This is so easy for me.

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Speaker 1: I figured it would be.

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Speaker 2: But I'm gonna fuck Bruce Lee into dust.

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Speaker 1: Dust.

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Speaker 2: I'm gonna ruin his bike. He's gonna be like one

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Speaker 2: of He's gonna be like Zelda from from pet Cemetery,

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Speaker 2: just like all emaciated and like dehydrated. When I'm done

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Speaker 2: with him, like, he'll show up all muscly and Bruce

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Speaker 2: Lee like. And by the time I'm done with him,

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Speaker 2: he's gonna look like a piece of beef jerky.

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Speaker 1: You're gonna fuck the moisture right out of his body.

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Speaker 2: I'm gonna fuck all the water right out of him.

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Speaker 2: I'm gonna marry Jim Kelly because I feel like he

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Speaker 2: would maybe not always be gone, but he will always

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Speaker 2: be training and that's enough. And I feel like he's fine.

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Speaker 2: He's got a good sense of humor, and as we

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Speaker 2: could tell from Enter the Dragon, he's sexually adventurous. So

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Speaker 2: if you marry that, you're like, you're gonna get the

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Speaker 2: best of both worlds.

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Speaker 1: Absolutely.

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Speaker 2: And I'm killing John Saxon because the haircut is too

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Speaker 2: much for me. And he's he's reckless with money. He's

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Speaker 2: a gambler. Our lives would be miserable if we marry,

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Speaker 2: and I would be so sick of listening him talk

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Speaker 2: about gambling while we fuck. I gotta kill him.

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Speaker 1: Yeah, hair, I think plays a lot into your fmks

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Speaker 1: because too like, yeah, you know, it's a deciding factor.

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Speaker 2: It kind of is, Yeah, it kind of is. But yeah,

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Speaker 2: like I just that I can't look at that hair

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Speaker 2: all the time for marrying or fucking. And he's he's reckless.

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Speaker 2: He's a reckless motherfucker. I can't have him in my life.

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Speaker 2: He's gotta go.

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Speaker 1: Nie Eddie is an overpacker.

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Speaker 2: Oh my god, the man. Listen. I am a carry

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Speaker 2: on only bitch. I can travel for three months out

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Speaker 2: of one bag. I'm a professional packer when it comes

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Speaker 2: to getting my shit ready to go. Yeah, I would

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Speaker 2: run away from him if he had had the nerve

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Speaker 2: to bring ten trunks, not even suitcase. It's ten trunks

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Speaker 2: full of shit for a three day event. What are

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Speaker 2: you a fucking real his wife?

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Speaker 1: Get out here, I know, oh exactly. And it was

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Speaker 1: funny because I remember when you came and stayed with

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Speaker 1: me the weekend that you were here for the Kearras event.

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Speaker 1: I was like, this bitch literally just came in with

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Speaker 1: a purse to weekend. She was like, she just came

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Speaker 1: in with a big purse. And then you bought like

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Speaker 1: five books, like five hardcover books while you were down

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Speaker 1: here and put him in that purse. I was like,

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Speaker 1: what did I bought?

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Speaker 2: What a g I bought a backpack to see you

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Speaker 2: because I'm like, I only for a couple of days.

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Speaker 2: I can do this in a backpack. And I had

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Speaker 2: like different outfit choices and shit, I had another pair

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Speaker 2: of shoes.

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Speaker 1: Yeah, you had a coat. I mean it was all

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Speaker 1: I mean. I was very impressed by your efficiency. So yeah,

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Speaker 1: that was the first thing I thought of. When you're

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Speaker 1: killing drawn Saxon, I was like, this guy's got the

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Speaker 1: Louis Vuitton set. There's no way she's getting with this guy.

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Speaker 2: So he's traveling like he's on the Titanic just to

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Speaker 2: go to like Cleveland. I can't do it. But how

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Speaker 2: are you going to answer?

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Speaker 1: Okay, I am I'm really torn up about this. I'm

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Speaker 1: definitely I'm the anti. Let's just say that in this case.

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Speaker 1: So fuck Mary kill. I am going to fuck John Saxon.

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Speaker 2: Oh what, I knew it though I knew it because

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Speaker 2: he's got that forty seventies fucking shitty little body. Like

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Speaker 2: I knew it. He's a jock.

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Speaker 1: Yes, I need I would need to get into that

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Speaker 1: like man hair for a little while, you know, like

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Speaker 1: have a couple brandies and see what shakes loose like.

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Speaker 1: I just like he probably smells like brute or something,

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Speaker 1: and I'm just like, okay, that's that would be like

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Speaker 1: a fun romp.

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Speaker 2: Okay, oh absolutely, that is you all over. He smells

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Speaker 2: like your car noir. Yeah, and he looks like a

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Speaker 2: seventies soccer player.

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Speaker 1: Yes, it would be like a super fun, craggy night

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Speaker 1: for your girl. So there's that now marrying. I feel like,

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Speaker 1: once I say this, you're gonna scream because it, you know,

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Speaker 1: basically says it informs the rest of the thing. So

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Speaker 1: you're like, Okay, if I'm marrying somebody, that means somebody's dead. Yeah,

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Speaker 1: so I'm gonna marry Jim Kelly, bitch, what You're not

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Speaker 1: gonna fuck or marry Bruce Lee. I think you know

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Speaker 1: why we're gonna have to kill Bruce.

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Speaker 2: I would love to see you try it. I would

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Speaker 2: love to see you try to kill Bruce Lee.

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Speaker 1: It would never happen. I would be dead. But I

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Speaker 1: think it's because he's got that mouth. He's a shit talker.

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Speaker 1: He's a fucking shit talker. And you know how I

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Speaker 1: feel about shit talkers.

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Speaker 2: That is that is always a deal breaker for you.

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Speaker 2: That is always I don't care how hot, If Channing

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Speaker 2: Tatum started running that mouth, you'd be out the door or.

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Speaker 1: I talkers. I'm just not like I mean, Jim Kelly

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Speaker 1: in the movie is a little bit of a shit

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Speaker 1: talker as well. But I'm just saying, be permitted. Bruce

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Speaker 1: Lee is shit talking more than everybody else.

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Speaker 2: He's very confident.

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Speaker 1: I love confidence, but there's a level, there's a level

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Speaker 1: to it where I'm like, Okay, this is annoying. I

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Speaker 1: can't marry you. I can't marry a guy like that.

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Speaker 2: And he's got that mouth, and that mouth comes with

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Speaker 2: attitude like he can't tone it down, which is why

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Speaker 2: I'm gonna fuck him. I'm gonna see how that plays

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Speaker 2: out in the bedroom. But you're gonna kill him because

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Speaker 2: you're like, you can be running that mouth all over town,

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Speaker 2: but all our ship, all our business would be out

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Speaker 2: there just so you can get in a fight.

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Speaker 1: Yeah, look, I these kill these, kill me like because

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Speaker 1: it makes me feel like I'm doing the wrong thing.

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Speaker 1: And do I want to kill Asian legend Bruce Lee. No,

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Speaker 1: But in the context of this game, he gotta die

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Speaker 1: because he talks too much.

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Speaker 2: So it makes sense. Shocking, but it makes absolute sense.

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Speaker 2: That is a shocking round of FMK.

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Speaker 1: Thank you, Sam.

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Speaker 2: Shocking we reveal so much.

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Speaker 1: So second and last round here, I feel like this

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Speaker 1: is gonna be super fun and I cannot wait to

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Speaker 1: hear what you're gonna say. So second last FMK round

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Speaker 1: from Sam. Action Men of the nineteen eighties, Fuck Mary Kill,

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Speaker 1: Jean Claude Van Dam, Arnold Schwarzenegger, and Sylvester stillone.

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Speaker 2: Okay, this one might surprise you. This might be a

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Speaker 2: very revealing round for me. I'm gonna fuck Sylvester Stallone.

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Speaker 2: M okay, okay, Now you know one of my tattoos

362
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Speaker 2: is based on the movie Rocky Yes, it's possitive, one

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Speaker 2: of my top three favorite movies of all time, the

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Speaker 2: first one, which is a stunning study of masculinity. I

365
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Speaker 2: know he has had some problems, some problematic shit go

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Speaker 2: on in his life, but just from the perspective of

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Speaker 2: the eighties action dude, I will fuck him like you

368
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Speaker 2: gotta fuck. You gotta fuck Rambo. Yes, yes, take you

369
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Speaker 2: gotta like he's out in the woods, like he'll again

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Speaker 2: throwing you up in a tree like it's gonna get wild.

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Speaker 2: He'll like throw you down on a well and then

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Speaker 2: jump in on top of you and start spinning around

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Speaker 2: like a helicopter like it's gonna get weird.

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Speaker 1: If you.

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Speaker 2: So, I gotta, I gotta foxt alone, I'll take. I

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Speaker 2: will grab the human growth hormone out of his fucking

377
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Speaker 2: hands and smash it against a wall and then we'll

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Speaker 2: get down. Now that means I have to kill or

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Speaker 2: marry one of the other ones. Mm hm, I am

380
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Speaker 2: going to marry John Claude Van. Damn.

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Speaker 3: Wow, and that just came off the dome.

382
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Speaker 2: I didn't even think about it. I'm gonna marry Jean Claudevan, Damn,

383
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Speaker 2: I think because he's always up to some fuck shit,

384
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Speaker 2: so he's never really home. He's like, oh, today, I'm

385
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Speaker 2: a Belgian American fucking army dude. Tomorrow I'm gonna be

386
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Speaker 2: kicking ass in Tokyo. M h oh, it's me straddling

387
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Speaker 2: two trucks. I'm gonna marry him because he ate long

388
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Speaker 2: for this world, pulling all this shit he's pulling. Plus

389
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Speaker 2: he can do those deep splits, and I'll be like,

390
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Speaker 2: do those deep splits and clean under the fucking stove,

391
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Speaker 2: like get under that fridge. I'll put his ass to

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Speaker 2: work all over the house, like, oh, fucking climb on

393
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Speaker 2: the ceiling like goddamn spider man and use those thigh

394
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Speaker 2: muscles to clean the ceiling the.

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Speaker 1: Gross space of your house. And that's split like hopping

396
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Speaker 1: around and I'm like, hey, so I noticed that the

397
00:22:07,000 --> 00:22:11,240
Speaker 1: pipes are actually cast iron down here. Maybe we need

398
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Speaker 1: to fix that. Get some PBC.

399
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Speaker 2: You better hop around on those nuts and tell me

400
00:22:16,640 --> 00:22:25,440
Speaker 2: what's going on with the fucking h bag those nuts

401
00:22:25,440 --> 00:22:30,119
Speaker 2: like a bouncy ball. Do those fucking splits. I'm getting

402
00:22:30,119 --> 00:22:37,439
Speaker 2: that basement. I would have that dude doing all kinds.

403
00:22:37,720 --> 00:22:39,480
Speaker 2: He would fix my house from top about him. He'd

404
00:22:39,480 --> 00:22:42,000
Speaker 2: be residing it. He'd be in the fucking garage taking

405
00:22:42,040 --> 00:22:44,800
Speaker 2: down planks like do it all those put those thigh

406
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Speaker 2: muscles to work. And that means they gotta kill Arnold

407
00:22:48,320 --> 00:22:51,280
Speaker 2: because as much as yeah, I can't with Arnold, for me,

408
00:22:51,960 --> 00:22:54,560
Speaker 2: I can't excuse the whole political portion of his life.

409
00:22:54,880 --> 00:22:58,680
Speaker 2: He gotta go. Yeah, uh huh uh huh.

410
00:22:58,400 --> 00:23:02,040
Speaker 1: Yeah, under stood, understood.

411
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Speaker 2: Plus he's so big, I feel like he would accidentally

412
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Speaker 2: hurt me, like I'm a big bitch. I'm a big bitch.

413
00:23:07,240 --> 00:23:09,080
Speaker 2: But I feel like he would accidentally like he would

414
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Speaker 2: hug me and then my ribs would cave in.

415
00:23:11,600 --> 00:23:15,520
Speaker 1: Yes, oh, always a threat. I mean you are going

416
00:23:15,560 --> 00:23:18,199
Speaker 1: to be fucking Sylvester Stallone, so you may want to

417
00:23:18,520 --> 00:23:19,639
Speaker 1: think about that as well.

418
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Speaker 2: For him, but he's shorter. He's shorter than than Arnold,

419
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Speaker 2: I think, so I feel like I can take him.

420
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Speaker 2: I don't know. That's something that's wrong with me in

421
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Speaker 2: my head where I feel like because I'm tall, no

422
00:23:32,800 --> 00:23:34,840
Speaker 2: matter how many muscles they have. I can take them

423
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Speaker 2: if they're shorter than me, even if they look like

424
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Speaker 2: a character that walks straight out of the Street Fighter

425
00:23:42,200 --> 00:23:43,679
Speaker 2: video game. I like, I could take you because I

426
00:23:43,720 --> 00:23:45,840
Speaker 2: got like four inches on you. Yeah, he's good.

427
00:23:46,680 --> 00:23:51,800
Speaker 1: Listen, I I can completely understand that mathematic equation that

428
00:23:51,840 --> 00:23:55,280
Speaker 1: you've just made. Having said that, I still think you're

429
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Speaker 1: gonna get crushed by Sylvester in the way l that

430
00:24:00,920 --> 00:24:03,600
Speaker 1: you're in while he's helicoptering or whatever. The fuck.

431
00:24:04,119 --> 00:24:06,680
Speaker 2: He can fuck me into traction. I'll try anything once,

432
00:24:08,200 --> 00:24:12,080
Speaker 2: fuck me into hospitalization. Let's try it. Oh my god,

433
00:24:12,160 --> 00:24:17,200
Speaker 2: it's consensual. It's consensual consensual hospitalization. Because I'll fuck him

434
00:24:17,240 --> 00:24:21,080
Speaker 2: up too. Yeah, I'll get it. He he hasn't seen

435
00:24:21,119 --> 00:24:23,600
Speaker 2: my moves. He doesn't know what I'm capable of. I

436
00:24:23,600 --> 00:24:24,600
Speaker 2: will fuck him up to.

437
00:24:28,880 --> 00:24:32,119
Speaker 1: All Right, Sam, you've opened a door that we're never

438
00:24:32,160 --> 00:24:35,800
Speaker 1: gonna be able to close. He always does, Sam always does,

439
00:24:35,880 --> 00:24:36,560
Speaker 1: always does.

440
00:24:37,440 --> 00:24:40,160
Speaker 2: All Right, you got sorry? How you're answered this? Fuck

441
00:24:40,240 --> 00:24:41,320
Speaker 2: Mary kill? Yeah?

442
00:24:41,480 --> 00:24:45,800
Speaker 1: Bringing up the caboose on this epic game of FMK.

443
00:24:46,640 --> 00:24:51,760
Speaker 1: So I feel like these this tracks Maybe I don't know,

444
00:24:52,080 --> 00:24:56,760
Speaker 1: does it? So my FMK is gonna be laid out

445
00:24:56,800 --> 00:25:01,080
Speaker 1: like this, I'm gonna fuck Arnold d.

446
00:25:02,160 --> 00:25:02,880
Speaker 2: What do you mean the.

447
00:25:04,400 --> 00:25:08,320
Speaker 1: I'm a huge Arnold person, Like I'm a huge Arnold

448
00:25:08,320 --> 00:25:10,520
Speaker 1: person and that is something that I have to deal

449
00:25:10,600 --> 00:25:14,800
Speaker 1: with as well, because I I hate that Republican govenator shit,

450
00:25:15,080 --> 00:25:20,160
Speaker 1: trust right, But in the eighties he was everything and

451
00:25:20,720 --> 00:25:25,560
Speaker 1: terminator to judgment day, a formative core memory of my life.

452
00:25:26,040 --> 00:25:31,080
Speaker 1: When he's naked for the brief moment, I'm like, that

453
00:25:31,280 --> 00:25:39,000
Speaker 1: is it. That's it. I've been activated sexually by all this. Yes,

454
00:25:39,119 --> 00:25:42,800
Speaker 1: when he especially, you know, especially when he's in the

455
00:25:42,840 --> 00:25:46,320
Speaker 1: fucking La River basin with the damn motorcycle and the

456
00:25:46,359 --> 00:25:51,399
Speaker 1: fucking shotgun, I'm like, that is phallic representation for me,

457
00:25:51,520 --> 00:25:55,320
Speaker 1: Like there's some kind of it's just some kind of

458
00:25:55,400 --> 00:25:58,480
Speaker 1: sexual energy of Arnold.

459
00:25:58,560 --> 00:25:59,040
Speaker 2: I get it.

460
00:25:59,520 --> 00:26:02,920
Speaker 1: I get it, And that is not that is. Having

461
00:26:03,240 --> 00:26:05,600
Speaker 1: said too that I've seen pumping iron a bunch of times,

462
00:26:05,600 --> 00:26:08,119
Speaker 1: and his whole like demeanor and pumping iron where he

463
00:26:08,160 --> 00:26:11,879
Speaker 1: talks about weightlifting is basically like shooting a load or whatever.

464
00:26:12,200 --> 00:26:16,600
Speaker 1: Like I'm not even I always said that, I know

465
00:26:16,720 --> 00:26:19,000
Speaker 1: that's a sexy thing to say. I don't I don't

466
00:26:19,000 --> 00:26:23,080
Speaker 1: think it is necessarily I'm speaking. I'm basing this information

467
00:26:23,160 --> 00:26:26,840
Speaker 1: off of just Terminator. Really just Terminator.

468
00:26:27,000 --> 00:26:29,960
Speaker 2: The man is a horny grandpa, Okay, Yes, and he's

469
00:26:29,960 --> 00:26:34,040
Speaker 2: been a horny grandpa since he was young. Yes, he's

470
00:26:34,040 --> 00:26:37,720
Speaker 2: had those horny grandpa jokes that is on your wheelhouse.

471
00:26:38,160 --> 00:26:41,680
Speaker 1: Yes, and I saw I saw the Arnold documentary recently too,

472
00:26:41,680 --> 00:26:45,200
Speaker 1: where he's like driving around in his fucking custom Range

473
00:26:45,280 --> 00:26:50,200
Speaker 1: Rover with his cigar chop on a cigar like he's

474
00:26:50,240 --> 00:26:53,160
Speaker 1: fucking what's his name from the A team, Like, I'm

475
00:26:53,200 --> 00:26:58,200
Speaker 1: just like, what the hell George Papard know, he's such

476
00:26:58,240 --> 00:27:00,840
Speaker 1: a corny motherfucker. But anyway, I would fucking have to

477
00:27:00,880 --> 00:27:06,399
Speaker 1: I just have to say marrying, marrying, I'm gonna marry

478
00:27:06,400 --> 00:27:12,520
Speaker 1: Sylvester Stallone truly literally just based off of Rambo three,

479
00:27:13,000 --> 00:27:15,520
Speaker 1: where at the very beginning of Rambo three, when he's

480
00:27:15,560 --> 00:27:18,080
Speaker 1: like a monk, he's like living in that monastery and

481
00:27:18,119 --> 00:27:22,400
Speaker 1: he's like, I live a peaceful life. Ah, I will

482
00:27:22,440 --> 00:27:26,359
Speaker 1: not return to violence in that moment. I'm like, I

483
00:27:26,400 --> 00:27:28,480
Speaker 1: can see, I can see how he would be a

484
00:27:28,520 --> 00:27:31,879
Speaker 1: good husband. He just wants to like live off the land,

485
00:27:32,280 --> 00:27:36,800
Speaker 1: away from the public eye. Maybe we get a ranch somewhere.

486
00:27:37,600 --> 00:27:40,240
Speaker 2: But then he does, he returns to so much violence,

487
00:27:40,640 --> 00:27:44,280
Speaker 2: of course, but I'm saying I'm just basing this decision

488
00:27:44,920 --> 00:27:50,960
Speaker 2: on the first five minutes of Rambo three. So so

489
00:27:51,160 --> 00:27:53,479
Speaker 2: sue me, I love it. I fucking love it.

490
00:27:55,040 --> 00:27:58,400
Speaker 1: AR means I'm killing j c BB.

491
00:27:58,960 --> 00:28:00,480
Speaker 2: I cannot believe that one.

492
00:28:00,960 --> 00:28:05,399
Speaker 1: I know, I think because I I don't know what

493
00:28:05,480 --> 00:28:08,080
Speaker 1: it is about him. I don't know what it is.

494
00:28:08,560 --> 00:28:12,240
Speaker 1: I'm like, ah, there's just something about him. I don't know.

495
00:28:12,560 --> 00:28:14,359
Speaker 1: I don't I don't know what I feel about him.

496
00:28:14,359 --> 00:28:16,640
Speaker 1: I don't want to fucking or marry him.

497
00:28:17,119 --> 00:28:20,560
Speaker 2: He's a weirdo. I don't I don't blame you. He's

498
00:28:20,600 --> 00:28:21,520
Speaker 2: a straight weirdo.

499
00:28:22,320 --> 00:28:25,560
Speaker 1: It's a vibe and I can't say anything else other

500
00:28:25,640 --> 00:28:26,760
Speaker 1: than that, It's just a vibe.

501
00:28:26,760 --> 00:28:27,200
Speaker 2: I catch.

502
00:28:27,359 --> 00:28:33,760
Speaker 1: I'm yeah, what is the vibe of j cv D.

503
00:28:34,960 --> 00:28:38,360
Speaker 1: But even in blood Sport, I'm like, he left that

504
00:28:38,480 --> 00:28:41,480
Speaker 1: lady after he had sex with her, Yeah, and was like,

505
00:28:41,680 --> 00:28:44,000
Speaker 1: see at the kumute if you can get in, how

506
00:28:44,000 --> 00:28:45,520
Speaker 1: are you going to do that? I might letting you.

507
00:28:47,000 --> 00:28:50,360
Speaker 2: He is the vibe of a creep who walks around

508
00:28:50,360 --> 00:28:53,240
Speaker 2: the mall all day for no reason. Every day, never

509
00:28:53,280 --> 00:28:56,720
Speaker 2: buys anything, always bothering the girls of the coffee shop.

510
00:28:57,560 --> 00:28:58,920
Speaker 2: It's the mall creep.

511
00:28:59,600 --> 00:29:01,440
Speaker 1: Oh. He is definitely the kind of guy that would

512
00:29:01,440 --> 00:29:04,040
Speaker 1: tell you what kind of stitch are you using to

513
00:29:04,120 --> 00:29:05,360
Speaker 1: sew those wild oats?

514
00:29:05,600 --> 00:29:11,160
Speaker 2: Oh, he's murdered his business partner for sure. He's got

515
00:29:11,280 --> 00:29:17,560
Speaker 2: that wild oats creep cornball. I just picture him so

516
00:29:18,040 --> 00:29:22,080
Speaker 2: fully in a mall, just being that guy like or

517
00:29:22,120 --> 00:29:24,080
Speaker 2: everyone's like, oh God, I hope he doesn't come in

518
00:29:24,120 --> 00:29:28,560
Speaker 2: here today, and he always does, and then he starts

519
00:29:28,760 --> 00:29:34,240
Speaker 2: jabberge on about some fucking kickboxing match, and you're like, sir,

520
00:29:34,320 --> 00:29:35,880
Speaker 2: I'm just trying to fold these shirts at the gap.

521
00:29:35,920 --> 00:29:40,160
Speaker 2: Can you please find a friend, get a therapist. He's

522
00:29:40,200 --> 00:29:40,640
Speaker 2: that guy.

523
00:29:41,040 --> 00:29:43,800
Speaker 1: Go get a frosty, leave us alone.

524
00:29:44,360 --> 00:29:46,320
Speaker 2: Can you get an orange Julius? Please?

525
00:29:48,240 --> 00:29:51,959
Speaker 1: Well, there you have it, Sam again, your a legend

526
00:29:52,000 --> 00:29:56,800
Speaker 1: for sending in a great FMK. And if y'all have

527
00:29:57,280 --> 00:29:59,760
Speaker 1: emails for us or fmks for us, please send them

528
00:30:00,040 --> 00:30:01,480
Speaker 1: at gmail dot com.

529
00:30:02,280 --> 00:30:04,800
Speaker 2: We will read them, we will learn, we will laugh,

530
00:30:05,040 --> 00:30:07,480
Speaker 2: we will love. We will be afraid of each other forever.

531
00:30:09,520 --> 00:30:11,080
Speaker 2: Speaking of being afraid.

532
00:30:11,240 --> 00:30:24,240
Speaker 1: Yeah, truly, Danielle, you name this theme again another one

533
00:30:24,280 --> 00:30:28,520
Speaker 1: of your barn burner titles. So why don't you tell

534
00:30:28,560 --> 00:30:30,040
Speaker 1: the folks what the theme is for this week?

535
00:30:30,720 --> 00:30:34,440
Speaker 2: Our theme this week is stop Leaving your Hair on

536
00:30:34,520 --> 00:30:40,240
Speaker 2: the Soap. Yes, it's movies about roommates.

537
00:30:40,480 --> 00:30:46,040
Speaker 1: Yes, roommate Hell perhaps I have had a lot of

538
00:30:46,080 --> 00:30:47,000
Speaker 1: roommates in my life.

539
00:30:47,040 --> 00:30:49,360
Speaker 2: Have you? I have had a lot of roommates in

540
00:30:49,360 --> 00:30:53,040
Speaker 2: my life. I left I mean, I graduated high school

541
00:30:53,040 --> 00:30:55,280
Speaker 2: and left home when I was seventeen, and you know,

542
00:30:56,160 --> 00:30:58,600
Speaker 2: lived hand to mouth and paycheck to paycheck for a

543
00:30:58,680 --> 00:31:00,840
Speaker 2: very long time. Roommates were Yeah.

544
00:31:00,960 --> 00:31:06,280
Speaker 1: No, It's funny because I always attribute that. I think

545
00:31:06,360 --> 00:31:10,040
Speaker 1: if you if you live in a town for an

546
00:31:10,120 --> 00:31:13,680
Speaker 1: extended period of time, like especially in your youth, and

547
00:31:14,520 --> 00:31:17,280
Speaker 1: you seem to know everybody in the town, I always

548
00:31:17,360 --> 00:31:21,960
Speaker 1: say it's because you have either had a lot of jobs,

549
00:31:22,640 --> 00:31:24,360
Speaker 1: had a lot of roommates, or both.

550
00:31:25,080 --> 00:31:28,600
Speaker 2: Yep, Oh my god. Roommates will bring like you just

551
00:31:28,680 --> 00:31:31,920
Speaker 2: it's so easy to cross social circles when you have roommates.

552
00:31:32,600 --> 00:31:36,360
Speaker 2: And if you're both working public facing jobs and you're

553
00:31:36,360 --> 00:31:39,880
Speaker 2: hanging out together, it's like you you know everyone very

554
00:31:40,040 --> 00:31:43,760
Speaker 2: very quickly, build a community and that's a blessing that

555
00:31:43,800 --> 00:31:45,880
Speaker 2: occurs because a lot of times those communities talk to

556
00:31:45,920 --> 00:31:48,520
Speaker 2: each other. Mm hmm, there's a lot of gossip that

557
00:31:48,560 --> 00:31:49,320
Speaker 2: gets passed around.

558
00:31:49,800 --> 00:31:54,400
Speaker 1: Oh yeah, absolutely, I I have. I think I can

559
00:31:54,440 --> 00:31:56,840
Speaker 1: think of at least two roommates who hate my guts.

560
00:31:59,600 --> 00:32:02,880
Speaker 1: I don't, and I will say that I don't know why,

561
00:32:03,240 --> 00:32:05,880
Speaker 1: but you know who knows you left your hair on

562
00:32:05,920 --> 00:32:09,640
Speaker 1: the soap. But what I think is really interesting about

563
00:32:09,760 --> 00:32:12,240
Speaker 1: this week, well, actually your movie, which I have not

564
00:32:12,320 --> 00:32:14,840
Speaker 1: seen in a very long time and I forgot how

565
00:32:14,840 --> 00:32:18,760
Speaker 1: good it is, is that like mixed gender roommate scenario

566
00:32:19,200 --> 00:32:24,840
Speaker 1: where it feels like romance could happen or something like that.

567
00:32:24,880 --> 00:32:26,840
Speaker 1: And I was like, wow, that's such an interesting thing

568
00:32:26,880 --> 00:32:31,360
Speaker 1: about roommates, is the possibility for romance or some kind

569
00:32:31,360 --> 00:32:32,560
Speaker 1: of flirtation.

570
00:32:33,360 --> 00:32:36,840
Speaker 2: Yeah, especially if you're like strangers when you meet. And

571
00:32:37,800 --> 00:32:40,160
Speaker 2: that's that was always weird to me about roommates too,

572
00:32:40,160 --> 00:32:44,760
Speaker 2: because I always I always had roommates in places that

573
00:32:44,800 --> 00:32:47,600
Speaker 2: were not my hometown. So I left and started living

574
00:32:47,640 --> 00:32:50,880
Speaker 2: and so all of my roommates were strangers to me. Yeah,

575
00:32:50,920 --> 00:32:55,120
Speaker 2: and my first ever roommate, we both worked at the mall,

576
00:32:55,480 --> 00:32:58,040
Speaker 2: and both of our we worked at the same coffee

577
00:32:58,040 --> 00:33:00,440
Speaker 2: shop at the mall, and our boyfriends worked at the

578
00:33:00,440 --> 00:33:04,840
Speaker 2: same cigarette slash cigar shop in the mall mm hmm,

579
00:33:05,640 --> 00:33:08,880
Speaker 2: and so we were all four of us always together,

580
00:33:10,080 --> 00:33:15,880
Speaker 2: which was weird. And yeah, it's just again the community,

581
00:33:16,000 --> 00:33:18,320
Speaker 2: the strangerness of it, Like it's just a strange thing

582
00:33:18,360 --> 00:33:19,880
Speaker 2: to be, like, hey, I don't know, you want to

583
00:33:19,920 --> 00:33:24,000
Speaker 2: live together and like meld our lives together. Always a

584
00:33:24,000 --> 00:33:28,120
Speaker 2: little strange. But yeah, I just the possibility of romance.

585
00:33:28,640 --> 00:33:31,719
Speaker 2: I think with a roommate situation can be very fraught

586
00:33:31,840 --> 00:33:34,000
Speaker 2: because you don't want to shop where you live or eat,

587
00:33:35,000 --> 00:33:40,200
Speaker 2: but you also are like the convenience factor cannot be denied. Yeah. Absolutely,

588
00:33:40,960 --> 00:33:42,880
Speaker 2: if you met this stranger in a bar, you might

589
00:33:42,920 --> 00:33:45,120
Speaker 2: have just fucked, but you met them in their roommate situation,

590
00:33:45,280 --> 00:33:47,240
Speaker 2: so maybe you still fuck.

591
00:33:47,440 --> 00:33:50,080
Speaker 1: I don't know. Well, and even in the case of

592
00:33:50,120 --> 00:33:55,040
Speaker 1: my movie, the idea of roommates bringing in third parties

593
00:33:55,160 --> 00:33:58,040
Speaker 1: like boyfriends or friends, and then they become part of

594
00:33:58,080 --> 00:34:02,800
Speaker 1: this you know, world of people potentially that you could

595
00:34:02,840 --> 00:34:06,480
Speaker 1: have relationships with and have sex with. It's so crazy,

596
00:34:06,520 --> 00:34:09,319
Speaker 1: Like I was like, I just think about these two

597
00:34:09,400 --> 00:34:12,080
Speaker 1: movies and having watched them this week, going, I can't

598
00:34:12,080 --> 00:34:14,440
Speaker 1: believe I ever used to have roommates. It just seems

599
00:34:14,520 --> 00:34:16,160
Speaker 1: so intense and crazy.

600
00:34:16,719 --> 00:34:20,160
Speaker 2: You know, I never should have had roommates. I guarantee

601
00:34:20,160 --> 00:34:24,279
Speaker 2: everyone I've ever lived with hates my guts. Yeah, I

602
00:34:24,280 --> 00:34:27,279
Speaker 2: should never have had roommates because I'm too particular. I

603
00:34:27,280 --> 00:34:29,560
Speaker 2: don't want toast sweat on the counter like butter your

604
00:34:29,560 --> 00:34:32,360
Speaker 2: fucking toast on a plate. Yeah, do your dish like.

605
00:34:32,360 --> 00:34:34,080
Speaker 2: I don't want to be anyone's mom, which is why

606
00:34:34,080 --> 00:34:35,680
Speaker 2: I don't want to have roommates, because I feel like

607
00:34:35,760 --> 00:34:40,560
Speaker 2: no one is reaches my level of neatness. Yeah.

608
00:34:40,600 --> 00:34:42,640
Speaker 1: Absolutely, And I mean I'm not said to begrudge people

609
00:34:42,640 --> 00:34:45,319
Speaker 1: who have roommates because you know, financially it's the best thing.

610
00:34:45,360 --> 00:34:48,239
Speaker 1: I mean, it's just saved so much money. But I

611
00:34:48,320 --> 00:34:52,000
Speaker 1: just think about just the simple concept of sharing your

612
00:34:52,040 --> 00:34:56,719
Speaker 1: space with somebody who's not a family member or a partner,

613
00:34:57,160 --> 00:35:00,480
Speaker 1: and I'm like, wow, that is such a weird concept.

614
00:35:00,480 --> 00:35:02,239
Speaker 1: But then again, I've lived alone for so long that

615
00:35:02,280 --> 00:35:03,759
Speaker 1: seems weird to me, so there you go.

616
00:35:04,000 --> 00:35:05,959
Speaker 2: I know, but when I was doing it, it felt fine.

617
00:35:06,000 --> 00:35:07,480
Speaker 2: When I had roommates, I'm like, yeah, of course this

618
00:35:07,560 --> 00:35:10,480
Speaker 2: makes sense. I'm saving money, we're splitting bills.

619
00:35:10,760 --> 00:35:15,760
Speaker 1: We could truly have another podcast about roommate stories completely. Well, look,

620
00:35:15,960 --> 00:35:19,200
Speaker 1: I'm excited to talk about these two films. They're both

621
00:35:19,239 --> 00:35:22,200
Speaker 1: thrillers for the most part, and you're going first.

622
00:35:22,320 --> 00:35:25,480
Speaker 2: Oo oo oo. My movie was released in nineteen ninety four.

623
00:35:25,960 --> 00:35:28,400
Speaker 2: The screenplay is by John Hodge. It was directed by

624
00:35:28,440 --> 00:35:31,920
Speaker 2: Danny Boyle, and my movie is Shallow Grave.

625
00:35:32,440 --> 00:35:35,200
Speaker 3: Go ahead, down telephone the place, tell him there was

626
00:35:35,200 --> 00:35:38,359
Speaker 3: a suitcase full of money and you don't want it.

627
00:35:38,920 --> 00:35:42,719
Speaker 2: I also love that both of our films showcase the

628
00:35:42,760 --> 00:35:48,919
Speaker 2: worst possible outcome of living with somebody, of having real yes, worse. Yeah,

629
00:35:48,920 --> 00:35:52,640
Speaker 2: that's welcome totally. So. I know we haven't covered a

630
00:35:52,640 --> 00:35:54,520
Speaker 2: lot of Danny Boyle on the show, but he is

631
00:35:54,560 --> 00:35:58,720
Speaker 2: a very prolific and well known director. You know, twenty

632
00:35:58,760 --> 00:36:03,000
Speaker 2: eight days later he's Trainspotting like. He's just directed so

633
00:36:03,080 --> 00:36:06,560
Speaker 2: many things that people love, including the opening ceremony to

634
00:36:06,680 --> 00:36:09,440
Speaker 2: the Olympics a few years ago. People loved it. But

635
00:36:09,480 --> 00:36:14,640
Speaker 2: I love it. I like his style. He is Scottish

636
00:36:15,520 --> 00:36:18,400
Speaker 2: and he he kind of based a lot of his

637
00:36:18,480 --> 00:36:22,160
Speaker 2: early films in Scotland or in the kind of world

638
00:36:22,200 --> 00:36:24,320
Speaker 2: that he was familiar with. But I think that what

639
00:36:24,840 --> 00:36:27,840
Speaker 2: I respond to, what I really love about his directing

640
00:36:27,960 --> 00:36:30,840
Speaker 2: is that he has a very unique and specific eye.

641
00:36:31,520 --> 00:36:33,880
Speaker 2: For example, like he does in most of his films,

642
00:36:34,120 --> 00:36:36,640
Speaker 2: there's a shot of somebody kind of on their side

643
00:36:36,760 --> 00:36:40,799
Speaker 2: looking straight at the camera. He loves to use the

644
00:36:40,840 --> 00:36:45,279
Speaker 2: saturation of the color red to kind of help emphasize

645
00:36:45,320 --> 00:36:48,440
Speaker 2: a story. And if there's one thing that you can

646
00:36:48,480 --> 00:36:50,759
Speaker 2: always count on in a Dandy Boyle movie, it's a

647
00:36:50,760 --> 00:36:51,799
Speaker 2: creepy fucking' doll.

648
00:36:53,960 --> 00:36:56,200
Speaker 1: It's all, yeah, yeah, he.

649
00:36:56,120 --> 00:36:58,160
Speaker 2: Loves a fucking creepy doll. But he kind of has

650
00:36:58,200 --> 00:37:01,680
Speaker 2: this like noir Ish approach to his directing that I

651
00:37:01,760 --> 00:37:05,000
Speaker 2: just appreciate. And it's also really infused with humor. And

652
00:37:05,080 --> 00:37:07,440
Speaker 2: I think he doesn't know. The way that he shows

653
00:37:07,480 --> 00:37:11,920
Speaker 2: and showcases people is interesting. And this is his first film,

654
00:37:11,920 --> 00:37:14,600
Speaker 2: Like it started for me with this film with Danny

655
00:37:14,600 --> 00:37:18,759
Speaker 2: Boyle and this movie, I'll give you the one sentenced synopsis.

656
00:37:19,080 --> 00:37:23,600
Speaker 2: Three young professionals in Edinburgh try to find a new roommate,

657
00:37:23,960 --> 00:37:26,360
Speaker 2: take a joke too far, and a bunch of people

658
00:37:26,440 --> 00:37:26,960
Speaker 2: end up dead.

659
00:37:29,719 --> 00:37:30,480
Speaker 1: That's accurate.

660
00:37:32,080 --> 00:37:35,800
Speaker 2: So, like Cass is incredible We've got Carrie Fox playing

661
00:37:35,840 --> 00:37:41,560
Speaker 2: Juliet Miller, Christopher eccleston plays David Stevens, and Ewan McGregor

662
00:37:41,840 --> 00:37:45,440
Speaker 2: is Alex Law. And these are all like these actors

663
00:37:45,520 --> 00:37:49,239
Speaker 2: were just starting out, like they could not look more

664
00:37:49,239 --> 00:37:53,719
Speaker 2: babyish if they tried. I particularly love you and McGregor's

665
00:37:53,800 --> 00:37:56,520
Speaker 2: look in this film. His hair's a little bit longer,

666
00:37:56,600 --> 00:37:59,280
Speaker 2: but he always wears these like white scrunchy socks.

667
00:38:00,480 --> 00:38:03,440
Speaker 1: Yes, that's come back, by the way, that look has

668
00:38:03,480 --> 00:38:07,040
Speaker 1: come Oh no it hasn't, ma'am. If you go out

669
00:38:07,040 --> 00:38:10,120
Speaker 1: on these streets right now, you will see people wearing

670
00:38:10,200 --> 00:38:13,560
Speaker 1: scrunchy white sox with like broken stocks.

671
00:38:13,920 --> 00:38:16,279
Speaker 2: I can't handle this shit. This is news that I

672
00:38:16,360 --> 00:38:18,759
Speaker 2: cannot use well.

673
00:38:18,800 --> 00:38:22,719
Speaker 1: And like it totally was like because I wasn't sure.

674
00:38:22,760 --> 00:38:24,200
Speaker 1: I was like, is this the first time that I

675
00:38:24,280 --> 00:38:26,280
Speaker 1: had ever seen or heard of Ian McGregor.

676
00:38:27,960 --> 00:38:28,680
Speaker 2: Yeah, it was for me.

677
00:38:29,320 --> 00:38:31,680
Speaker 1: Yeah, I think it was for me too, And so

678
00:38:31,800 --> 00:38:34,040
Speaker 1: of course I just like hyper focused on his look.

679
00:38:34,080 --> 00:38:36,840
Speaker 1: He just looks really young and his style, which I

680
00:38:36,840 --> 00:38:42,960
Speaker 1: feel like his style in this movie is current fashion

681
00:38:43,320 --> 00:38:44,600
Speaker 1: in a way come back around.

682
00:38:44,800 --> 00:38:48,719
Speaker 2: Yeah. Yeah, So it's absolutely sick. And same with Juliete,

683
00:38:48,719 --> 00:38:50,279
Speaker 2: like where she wears like a little T shirt under

684
00:38:50,320 --> 00:38:53,080
Speaker 2: a strappy dress or something like. Her look is also

685
00:38:53,239 --> 00:38:58,080
Speaker 2: very very nineties, but apparently it's coming back around, which

686
00:38:58,120 --> 00:39:02,080
Speaker 2: I cannot handle. But they're kind of great. And the

687
00:39:02,080 --> 00:39:05,280
Speaker 2: thing is like they're all professionals. You know, they're Juliette's

688
00:39:05,320 --> 00:39:08,920
Speaker 2: a doctor, David is an accountant, and Alex is a

689
00:39:08,960 --> 00:39:13,759
Speaker 2: journalist or an aspiring journalist. And you never quite know

690
00:39:13,880 --> 00:39:16,080
Speaker 2: how they got to be roommates. But when you first

691
00:39:16,160 --> 00:39:19,120
Speaker 2: meet them, they are sitting on a couch and interviewing

692
00:39:19,160 --> 00:39:22,439
Speaker 2: people to be their fourth roommate. And I gotta say,

693
00:39:22,440 --> 00:39:25,040
Speaker 2: when you first meet them, they are fucking pricks. Like

694
00:39:25,080 --> 00:39:28,319
Speaker 2: they are so goddamn mean to everyone that comes in

695
00:39:28,320 --> 00:39:30,320
Speaker 2: the door, and they're just treating it like a joke,

696
00:39:30,880 --> 00:39:33,399
Speaker 2: completely at the expense of these people who are looking

697
00:39:33,400 --> 00:39:34,160
Speaker 2: for a place to live.

698
00:39:34,640 --> 00:39:40,719
Speaker 1: Yeah, that really hit me this time, just they're they

699
00:39:40,800 --> 00:39:44,000
Speaker 1: have kind of this I don't know what the vibe is.

700
00:39:44,080 --> 00:39:49,680
Speaker 1: It feels kind of like they're this Algonquin roundtable type

701
00:39:49,719 --> 00:39:53,080
Speaker 1: of friend group, Like they're all like, we're so fun

702
00:39:53,120 --> 00:39:57,720
Speaker 1: and smart and interesting and we we have to find

703
00:39:57,719 --> 00:40:00,480
Speaker 1: this other person. And they're never gonna be as interesting

704
00:40:00,520 --> 00:40:03,640
Speaker 1: and fun as us, So let's just make fucking fun

705
00:40:03,719 --> 00:40:06,520
Speaker 1: of them and rip them to shreds. That's kind of

706
00:40:06,560 --> 00:40:10,160
Speaker 1: a vibe that I felt when I was watching this again, right, yeah, And.

707
00:40:10,080 --> 00:40:12,560
Speaker 2: It's a it's a weird vibe of like why are

708
00:40:12,600 --> 00:40:14,839
Speaker 2: they even getting a fourth roommate? If they are all

709
00:40:15,000 --> 00:40:18,280
Speaker 2: these professional young people. They live in a huge loft. Yes,

710
00:40:18,320 --> 00:40:23,120
Speaker 2: like the loft is gorgeous and it's again monstrous, but

711
00:40:23,200 --> 00:40:25,799
Speaker 2: why are they even go putting people through this if

712
00:40:25,800 --> 00:40:27,960
Speaker 2: they don't even seem to want a fourth roommate. That's

713
00:40:27,960 --> 00:40:29,960
Speaker 2: what was interesting to me too, is like do they

714
00:40:30,000 --> 00:40:33,319
Speaker 2: even want a roommate? Yeah? Are they doing so? That

715
00:40:33,400 --> 00:40:37,160
Speaker 2: was never made explicit, yeah, as to why they're doing this,

716
00:40:37,200 --> 00:40:39,680
Speaker 2: but the way they go about it is just so cruel,

717
00:40:40,040 --> 00:40:42,160
Speaker 2: especially like the first guy, Cameron, They're kind of like,

718
00:40:42,160 --> 00:40:43,560
Speaker 2: why do you think we would ever want to live

719
00:40:43,600 --> 00:40:47,440
Speaker 2: with you? And I'm like, oh my god, poor guy.

720
00:40:48,239 --> 00:40:51,000
Speaker 2: So they're just ripping everybody to shreds. They're kind of pricks.

721
00:40:51,320 --> 00:40:54,120
Speaker 2: Like at one point Alex, the you U McGregor character,

722
00:40:54,239 --> 00:40:55,920
Speaker 2: asks like, what would you do if you have to

723
00:40:55,960 --> 00:40:58,960
Speaker 2: sacrifice a goat? And like they're just asking the stupidest questions,

724
00:40:59,000 --> 00:41:02,720
Speaker 2: which really did also bring me back to having roommates.

725
00:41:02,760 --> 00:41:05,160
Speaker 2: It's like, what kind of questions do you ask to

726
00:41:05,200 --> 00:41:07,440
Speaker 2: figure out if you're living with someone who's compatible with you?

727
00:41:07,719 --> 00:41:09,839
Speaker 2: So they're kind of making fun of the process of

728
00:41:10,080 --> 00:41:12,760
Speaker 2: looking for a roommate but also being dicks.

729
00:41:13,040 --> 00:41:15,279
Speaker 1: Also, you know, what's something I noticed, and this is

730
00:41:15,320 --> 00:41:20,560
Speaker 1: maybe a connective thread between the two films. They took

731
00:41:20,800 --> 00:41:25,880
Speaker 1: photos of the potential roommates, and I was like, A,

732
00:41:26,000 --> 00:41:29,879
Speaker 1: I cannot fucking believe that that ever happened. B did

733
00:41:29,920 --> 00:41:32,120
Speaker 1: anybody take a photo of you when you're replying to

734
00:41:32,120 --> 00:41:35,000
Speaker 1: be somebody's roommates? I can't imagine that right now.

735
00:41:35,840 --> 00:41:39,840
Speaker 2: I can't even imagine a world where in the nineties

736
00:41:39,840 --> 00:41:40,680
Speaker 2: that would have been cool.

737
00:41:40,920 --> 00:41:44,440
Speaker 1: Yeah this helllo now, yes, this happens in both of

738
00:41:44,480 --> 00:41:48,759
Speaker 1: our films, where I'm like, I never provided a headshot

739
00:41:48,920 --> 00:41:51,200
Speaker 1: for any roommates scenario.

740
00:41:51,920 --> 00:41:54,160
Speaker 2: And what's weird is like it kind of makes sense

741
00:41:54,160 --> 00:41:56,000
Speaker 2: and you're seeing a lot of people to be like,

742
00:41:56,000 --> 00:41:59,600
Speaker 2: which one was this? But it's also I think a

743
00:41:59,719 --> 00:42:03,200
Speaker 2: very professional way to approach roommates, which I just never reached.

744
00:42:03,239 --> 00:42:04,680
Speaker 2: For me, it was always like, oh, do you know

745
00:42:04,719 --> 00:42:07,600
Speaker 2: someone who wants to live here or needs a room? Yeah,

746
00:42:07,640 --> 00:42:10,520
Speaker 2: like they kind of in both scenarios in both films

747
00:42:10,520 --> 00:42:13,920
Speaker 2: were treating finding a roommate like finding like hiring someone

748
00:42:13,960 --> 00:42:17,680
Speaker 2: for a job. Totally totally. Yeah, it was. Yeah, you're right.

749
00:42:17,719 --> 00:42:20,920
Speaker 2: That was so bizarre because I never did that at

750
00:42:20,960 --> 00:42:22,759
Speaker 2: any point in my life, and I wouldn't even do

751
00:42:22,760 --> 00:42:24,440
Speaker 2: it now somebody wanted to live here and be like

752
00:42:24,440 --> 00:42:28,560
Speaker 2: all right, yeah, I have to remember your face. I guess.

753
00:42:29,120 --> 00:42:31,879
Speaker 1: Yeah, I mean just show up and let me look

754
00:42:31,920 --> 00:42:33,680
Speaker 1: at you. I don't want I don't need a polaroid.

755
00:42:34,160 --> 00:42:38,040
Speaker 1: This isn't like a you know, a modeling job. And

756
00:42:38,080 --> 00:42:39,080
Speaker 1: then what do you do with them?

757
00:42:39,120 --> 00:42:41,920
Speaker 2: If you are somebody who took pictures of your potential

758
00:42:41,960 --> 00:42:44,600
Speaker 2: roommates in the nineties, did you keep the polaroids? Are

759
00:42:44,600 --> 00:42:46,680
Speaker 2: you looking through the polaroids now and you're like, oh shit,

760
00:42:46,880 --> 00:42:49,839
Speaker 2: I could have lived with you and McGregor at one point. Yes.

761
00:42:50,000 --> 00:42:54,040
Speaker 1: Oh if you somehow did this in your life and

762
00:42:54,120 --> 00:42:56,719
Speaker 1: you have stories of it, please email us because I

763
00:42:56,760 --> 00:42:58,279
Speaker 1: am fascinated by it.

764
00:42:58,560 --> 00:43:00,480
Speaker 2: Oh, you gotta do it, you got to do it.

765
00:43:00,760 --> 00:43:02,520
Speaker 2: But yeah, we're kind of like, so we're thrown into

766
00:43:02,520 --> 00:43:04,719
Speaker 2: this world and that the roommates themselves have. You know,

767
00:43:04,760 --> 00:43:07,640
Speaker 2: the three have a really good relationship, but it's also

768
00:43:07,760 --> 00:43:11,200
Speaker 2: kind of strange because they're very like they feel like

769
00:43:11,239 --> 00:43:13,839
Speaker 2: siblings at some point, where there's always needling each other.

770
00:43:14,200 --> 00:43:16,000
Speaker 2: But they go out and play squash together, they go

771
00:43:16,000 --> 00:43:18,960
Speaker 2: to parties together. There's a little bit of sexual tension

772
00:43:19,040 --> 00:43:22,000
Speaker 2: between Juliet and Alex because you know, of course there is.

773
00:43:22,600 --> 00:43:27,239
Speaker 2: And you know, David is very high strung, but he

774
00:43:27,239 --> 00:43:29,520
Speaker 2: he seems of the three the most likely to be

775
00:43:29,680 --> 00:43:32,920
Speaker 2: like the very serious one. But they they make dinner

776
00:43:32,960 --> 00:43:34,640
Speaker 2: together and they kind of have a good thing going on.

777
00:43:35,600 --> 00:43:40,640
Speaker 2: So the person they decide to allow to live with

778
00:43:40,680 --> 00:43:43,840
Speaker 2: them is this very mysterious man named Hugo who shows

779
00:43:43,920 --> 00:43:47,880
Speaker 2: up one day and he only talks to Juliette, and

780
00:43:47,960 --> 00:43:50,880
Speaker 2: then she kind of convinces the other two to have

781
00:43:50,960 --> 00:43:55,040
Speaker 2: dinner with him, and he says he's a writer, and

782
00:43:55,080 --> 00:43:57,560
Speaker 2: they're like, oh, go writer, Like, can you afford this apartment?

783
00:43:57,880 --> 00:44:00,320
Speaker 2: And he pulls out a lot of cash and shuts

784
00:44:00,320 --> 00:44:02,239
Speaker 2: everybody up and he's like, yeah, I can't afford it.

785
00:44:02,280 --> 00:44:05,160
Speaker 2: Here's your fucking money for this room. And at one

786
00:44:05,200 --> 00:44:09,879
Speaker 2: point David falls into that line of questioning where they're

787
00:44:09,920 --> 00:44:12,400
Speaker 2: kind of asking ridiculous questions, and he says, oh, have

788
00:44:12,440 --> 00:44:16,120
Speaker 2: you ever killed a man? But then we flash back

789
00:44:16,160 --> 00:44:21,000
Speaker 2: to Hugo actually killing someone at like an atm. He

790
00:44:21,040 --> 00:44:23,799
Speaker 2: answers no, but as a viewer we know that he

791
00:44:23,880 --> 00:44:27,399
Speaker 2: has literally killed someone, so he's very mysterious. He moves in,

792
00:44:28,400 --> 00:44:32,319
Speaker 2: he has two suitcases. He sneaks into the apartment, goes

793
00:44:32,320 --> 00:44:36,520
Speaker 2: into his room, locks the door. The roommates know he's there,

794
00:44:37,320 --> 00:44:39,200
Speaker 2: but they haven't seen him for like a day or two,

795
00:44:39,680 --> 00:44:42,480
Speaker 2: and his car is still out front, so they're kind

796
00:44:42,480 --> 00:44:44,160
Speaker 2: of like trying to bust into the room and they're

797
00:44:44,200 --> 00:44:46,160
Speaker 2: peeking in and trying to like, you know, get in.

798
00:44:46,200 --> 00:44:48,480
Speaker 2: They finally open the door. They kick open the door

799
00:44:48,960 --> 00:44:51,640
Speaker 2: and they all come pouring in, and Hugo is dead.

800
00:44:52,120 --> 00:44:54,720
Speaker 2: He's dead and naked on his bed like a stone

801
00:44:54,719 --> 00:45:03,600
Speaker 2: temple Pilot Song Wang hanging out, just unceremoniously dead.

802
00:45:04,160 --> 00:45:06,480
Speaker 1: I forgot that Wang was there, by the way. I

803
00:45:06,520 --> 00:45:08,480
Speaker 1: was like fucking shocked.

804
00:45:09,000 --> 00:45:10,920
Speaker 2: Danny Boyle will give you a creepy doll and a

805
00:45:11,000 --> 00:45:15,799
Speaker 2: little wang every time. Hang't afraid of a wang. Yeah,

806
00:45:16,000 --> 00:45:18,920
Speaker 2: but he so he's dead, and they're like, what the fuck,

807
00:45:19,040 --> 00:45:22,440
Speaker 2: And Alex starts going through his shit immediately, and they're like,

808
00:45:22,480 --> 00:45:25,800
Speaker 2: what are you doing? And he's like, it's a story,

809
00:45:25,880 --> 00:45:28,200
Speaker 2: and Juliet's like, it's not a story, it's a corpse.

810
00:45:28,800 --> 00:45:31,560
Speaker 2: And even though she's a doctor and she's seen them all,

811
00:45:31,840 --> 00:45:34,279
Speaker 2: like she's seen corpses all the time, she's still a

812
00:45:34,320 --> 00:45:36,480
Speaker 2: little rocked by one being in her fucking house. So

813
00:45:37,640 --> 00:45:40,640
Speaker 2: as Alex is going through all of his shit, Juliet

814
00:45:40,920 --> 00:45:45,560
Speaker 2: starts to call nine ninety nine, and Alex finds drug paraphernalia,

815
00:45:46,280 --> 00:45:50,120
Speaker 2: so Hugo's probably overdosed. It's how we're thinking he's died.

816
00:45:50,600 --> 00:45:53,000
Speaker 2: But then he finds and opens one of the suitcases,

817
00:45:53,400 --> 00:45:56,000
Speaker 2: and just as Juliete's about to start talking to the

818
00:45:56,000 --> 00:45:59,759
Speaker 2: emergency services, he walks forward with a suitcase and you

819
00:45:59,800 --> 00:46:03,160
Speaker 2: see that it is filled to the goddamn brim with cash.

820
00:46:03,600 --> 00:46:06,880
Speaker 2: So she hangs up, and this is where shit gets weird.

821
00:46:07,680 --> 00:46:11,160
Speaker 2: Alex wants to keep the money. Juliette and David do not.

822
00:46:12,080 --> 00:46:16,880
Speaker 2: They eventually decide to keep it, but David is already

823
00:46:16,880 --> 00:46:18,719
Speaker 2: starting to get a little bit weird, like even when

824
00:46:18,719 --> 00:46:21,200
Speaker 2: he saw the dead body. He's like, I saw the

825
00:46:21,239 --> 00:46:23,360
Speaker 2: dead body. I've seen a dead body before. It was

826
00:46:23,400 --> 00:46:25,520
Speaker 2: my grandma, but she was alive. And you're like, David,

827
00:46:25,560 --> 00:46:27,200
Speaker 2: what are you talking about? Like he's just starting to

828
00:46:27,200 --> 00:46:30,160
Speaker 2: wig out a little bit. But they decide to leave

829
00:46:30,200 --> 00:46:33,680
Speaker 2: the body in the room and go to work. So

830
00:46:33,800 --> 00:46:37,200
Speaker 2: that's a weird choice. I mean, good lord, if I'm

831
00:46:37,320 --> 00:46:40,719
Speaker 2: your roommate and I die, please call someone right away.

832
00:46:40,719 --> 00:46:43,400
Speaker 2: Don't leave me in my fucking room all day crooked

833
00:46:43,440 --> 00:46:46,319
Speaker 2: with my fucking tits out. Just like, cover me up

834
00:46:46,840 --> 00:46:51,680
Speaker 2: and call someone. Yeah, But they go to work, and

835
00:46:51,719 --> 00:46:54,400
Speaker 2: then they finally agree not only are we going to

836
00:46:54,480 --> 00:46:56,000
Speaker 2: keep the money, but if we're going to keep the

837
00:46:56,040 --> 00:46:57,600
Speaker 2: money and we don't know this guy, we don't even

838
00:46:57,600 --> 00:47:00,240
Speaker 2: know his last name, if we're going to keep the money,

839
00:47:00,320 --> 00:47:03,120
Speaker 2: we have to get rid of the body. So how

840
00:47:03,120 --> 00:47:05,359
Speaker 2: do they decide to get rid of the body. They

841
00:47:05,360 --> 00:47:08,359
Speaker 2: are going to cut off the hands and feet and

842
00:47:08,480 --> 00:47:11,960
Speaker 2: smash in the teeth so that if the body is

843
00:47:11,960 --> 00:47:16,680
Speaker 2: ever found, it is unrecognizable and unable to be identified.

844
00:47:17,200 --> 00:47:21,439
Speaker 2: And they come to this decision so fucking quickly. It's

845
00:47:21,680 --> 00:47:23,240
Speaker 2: very very surprised.

846
00:47:24,360 --> 00:47:26,440
Speaker 1: Yeah.

847
00:47:26,480 --> 00:47:29,359
Speaker 2: And also even though they've come to this decision. They

848
00:47:29,360 --> 00:47:32,319
Speaker 2: haven't decided who's actually going to do the deed. So

849
00:47:32,440 --> 00:47:34,799
Speaker 2: David's already freaking out because he's like, I can't do it,

850
00:47:34,840 --> 00:47:36,680
Speaker 2: Like I can't cut off hands and feet, I can't

851
00:47:36,719 --> 00:47:40,000
Speaker 2: smash teeth in I can't be the one. So they

852
00:47:40,040 --> 00:47:43,239
Speaker 2: steal and Juliet doesn't want to do it either, so

853
00:47:43,440 --> 00:47:45,640
Speaker 2: they steal a hospital maintenance ban. They kind of sneak

854
00:47:45,680 --> 00:47:48,239
Speaker 2: the body out one night of their flat. They snink

855
00:47:48,239 --> 00:47:50,960
Speaker 2: it out of their flat, and then they draw straws,

856
00:47:51,360 --> 00:47:53,799
Speaker 2: and whoever draws the short straw has to do the deed,

857
00:47:54,680 --> 00:47:58,640
Speaker 2: and it's David who has to do the deed. Now,

858
00:47:58,680 --> 00:48:00,680
Speaker 2: at the same time this has happening, we're starting to

859
00:48:00,719 --> 00:48:03,200
Speaker 2: realize that people are actually looking for Hugo because there's

860
00:48:03,200 --> 00:48:08,040
Speaker 2: a lot of violence happening as people are looking for Hugo.

861
00:48:08,040 --> 00:48:10,839
Speaker 2: There's a lot of killing going on by these two

862
00:48:10,880 --> 00:48:14,120
Speaker 2: dudes who are trying to find him. So they draw

863
00:48:14,160 --> 00:48:16,799
Speaker 2: the straws, and the drawing the straws means it's all

864
00:48:16,880 --> 00:48:18,799
Speaker 2: or nothing, Like if you draw the short straw, you

865
00:48:18,800 --> 00:48:21,520
Speaker 2: have to do the teeth, the feet, the hands, everything.

866
00:48:22,400 --> 00:48:27,319
Speaker 2: So Alex digs the grave and David cuts off the

867
00:48:27,320 --> 00:48:29,600
Speaker 2: feet and they show like again Danny Boyle and this

868
00:48:29,680 --> 00:48:33,120
Speaker 2: great use of red and like drama and mystery. He

869
00:48:33,200 --> 00:48:36,440
Speaker 2: kind of shows this really creepy there's really creepy shot

870
00:48:36,520 --> 00:48:39,720
Speaker 2: of them digging the grave and of David like sawing

871
00:48:39,920 --> 00:48:42,200
Speaker 2: and you can hear the crunching sounds and he's like

872
00:48:42,400 --> 00:48:45,920
Speaker 2: stopping to vomit. And it's just so visceral. It is

873
00:48:45,960 --> 00:48:48,520
Speaker 2: such a visceral scene and it does not it's not

874
00:48:48,719 --> 00:48:49,439
Speaker 2: cute at all.

875
00:48:50,440 --> 00:48:53,520
Speaker 1: Yes, and like keep in mind, I mean, if you

876
00:48:53,560 --> 00:48:58,840
Speaker 1: haven't seen this movie, like David looks like he's in

877
00:48:58,840 --> 00:49:02,200
Speaker 1: an indie pop band. He looks like he's in the

878
00:49:02,280 --> 00:49:05,160
Speaker 1: Feelies or something like he's got he's got these like

879
00:49:05,280 --> 00:49:09,080
Speaker 1: nerdy glasses. I mean, he's adorable as all hell. I

880
00:49:09,160 --> 00:49:12,600
Speaker 1: have to say. He reminded me of every guy that

881
00:49:12,680 --> 00:49:15,360
Speaker 1: I had a crush on in college that looked like

882
00:49:15,960 --> 00:49:20,360
Speaker 1: they were, you know, freaking in a Sarah Records band

883
00:49:20,480 --> 00:49:24,720
Speaker 1: in the eighties. And I like, so when you see

884
00:49:24,800 --> 00:49:31,799
Speaker 1: him having to be so violent and horrible it you're like,

885
00:49:31,920 --> 00:49:36,200
Speaker 1: holy shit, like this, it doesn't make sense that this

886
00:49:36,320 --> 00:49:39,440
Speaker 1: nerd could be even doing any.

887
00:49:39,280 --> 00:49:42,400
Speaker 2: Of this right exactly, Oh if if it was Alex,

888
00:49:42,440 --> 00:49:45,360
Speaker 2: it would have made sense because he's kind of weirdly perverse.

889
00:49:46,040 --> 00:49:49,000
Speaker 1: Yeah, he's kind of for it in that way a

890
00:49:49,040 --> 00:49:50,880
Speaker 1: lot of in a lot of the movie, so it

891
00:49:51,040 --> 00:49:52,000
Speaker 1: is strange.

892
00:49:52,400 --> 00:49:54,959
Speaker 2: And Juliet's a doctor, so it would have made more

893
00:49:55,040 --> 00:49:56,839
Speaker 2: logical sense for her to be the one to do it.

894
00:49:57,480 --> 00:50:00,440
Speaker 2: But yeah, you're right seeing David do it and his

895
00:50:01,560 --> 00:50:05,040
Speaker 2: kind of naivete and he's already so pent up, and

896
00:50:05,080 --> 00:50:08,120
Speaker 2: it's just it was absolutely the worst of the possible

897
00:50:08,320 --> 00:50:10,960
Speaker 2: choices for him to do it, and that quickly becomes

898
00:50:11,040 --> 00:50:15,000
Speaker 2: very evident because David starts to get real fucking weird.

899
00:50:15,040 --> 00:50:17,440
Speaker 2: So they take the money and they store it in

900
00:50:17,480 --> 00:50:20,319
Speaker 2: the attic. David kind of puts it up there, and

901
00:50:20,400 --> 00:50:23,160
Speaker 2: Juliette brings the body parts to the hospital and puts

902
00:50:23,200 --> 00:50:25,840
Speaker 2: them in the incinerator, and then Alex kind of pushes

903
00:50:25,880 --> 00:50:28,719
Speaker 2: the car off the cliffs. So they're actually really adept

904
00:50:28,960 --> 00:50:32,080
Speaker 2: at covering the crime. If nobody was looking for Hugo,

905
00:50:32,080 --> 00:50:34,400
Speaker 2: they absolutely could have gotten away with it like one

906
00:50:34,560 --> 00:50:37,640
Speaker 2: und which is kind of again shocking. Also that the

907
00:50:37,680 --> 00:50:40,160
Speaker 2: ease with which they seem to have been able to

908
00:50:40,200 --> 00:50:43,799
Speaker 2: dispose of this body is kind of strong. Especially because

909
00:50:43,800 --> 00:50:46,160
Speaker 2: they didn't kill him, So it's really strange, like at

910
00:50:46,200 --> 00:50:48,640
Speaker 2: who they are as people, and a really cool character

911
00:50:49,000 --> 00:50:52,480
Speaker 2: or point of character development, I think. But one day,

912
00:50:53,280 --> 00:50:56,960
Speaker 2: you know, they go to this cool fundraiser for this event,

913
00:50:57,680 --> 00:51:00,400
Speaker 2: and the only reason that I'm I mean, there's so

914
00:51:00,480 --> 00:51:02,239
Speaker 2: much that happens in this scene, but one of the

915
00:51:02,239 --> 00:51:04,120
Speaker 2: reasons that I love this scene is you get to

916
00:51:04,160 --> 00:51:07,759
Speaker 2: see Juliette really fucking with Alex And at one point

917
00:51:07,800 --> 00:51:10,040
Speaker 2: they're dancing and they're spinning around and he falls on

918
00:51:10,080 --> 00:51:12,239
Speaker 2: the floor and she just steps on him, like she

919
00:51:12,360 --> 00:51:14,279
Speaker 2: just steps on his neck and puts her foot in

920
00:51:14,360 --> 00:51:17,200
Speaker 2: his mouth, and he like, well, licks it, and I'm like,

921
00:51:17,239 --> 00:51:19,279
Speaker 2: these two are into each other in a way that

922
00:51:19,360 --> 00:51:22,959
Speaker 2: I don't think they've acknowledged. But he's just like looking

923
00:51:23,080 --> 00:51:24,840
Speaker 2: right up her skirt and she's got her foot on

924
00:51:24,880 --> 00:51:28,400
Speaker 2: his fucking neck, and I'm like, all right, get it, Juliette,

925
00:51:29,400 --> 00:51:30,279
Speaker 2: that's one way to do.

926
00:51:30,280 --> 00:51:35,360
Speaker 1: It, that's right. Yeah, that part was that's when I

927
00:51:35,440 --> 00:51:39,160
Speaker 1: kind of was like, oh yeah, remember roommates who flirted

928
00:51:39,520 --> 00:51:43,080
Speaker 1: like that, Like just like not that that ever happened

929
00:51:43,120 --> 00:51:45,200
Speaker 1: to me, but in that way where you're like that

930
00:51:45,360 --> 00:51:47,680
Speaker 1: that's what kind of made me think of the beginning,

931
00:51:48,360 --> 00:51:49,880
Speaker 1: you know, when we were talking about the theme is

932
00:51:49,920 --> 00:51:54,120
Speaker 1: just this tension that's flowing through these characters.

933
00:51:53,640 --> 00:51:56,480
Speaker 2: Right, oh, and the sexual energy between those two especially,

934
00:51:56,560 --> 00:52:01,839
Speaker 2: it's like wild because they eventually these two guys who

935
00:52:01,880 --> 00:52:05,279
Speaker 2: are looking for Hugo kind of find them, find their

936
00:52:05,320 --> 00:52:08,360
Speaker 2: way to Alex, David and Juliet and they kind of

937
00:52:08,440 --> 00:52:10,640
Speaker 2: kick in the door. They beat the shit out of

938
00:52:10,680 --> 00:52:15,040
Speaker 2: Alex's leg. You know, they're kind of just terrorizing Alex

939
00:52:15,080 --> 00:52:18,799
Speaker 2: and Juliet while David is in the attic and he

940
00:52:18,840 --> 00:52:24,320
Speaker 2: comes down in wreck shop and kills them. So Alex

941
00:52:24,360 --> 00:52:26,400
Speaker 2: and Juliet are like, what the fuck? And they have

942
00:52:26,440 --> 00:52:28,920
Speaker 2: to go back out and bury a couple more bodies

943
00:52:29,800 --> 00:52:31,880
Speaker 2: and do the same thing with the hands and the

944
00:52:31,920 --> 00:52:35,600
Speaker 2: feet and the teeth, and so now they've killed three people.

945
00:52:35,600 --> 00:52:39,080
Speaker 2: They've killed two people and buried three bodies, and David

946
00:52:39,160 --> 00:52:42,360
Speaker 2: just straight up moves into the attic, just straight up

947
00:52:42,400 --> 00:52:44,920
Speaker 2: moves into the attic. So at one point Alex and

948
00:52:45,000 --> 00:52:47,279
Speaker 2: Juliet find the suitcase of money and they're like trying

949
00:52:47,280 --> 00:52:49,200
Speaker 2: to blow up steam and they buy a bunch of shit.

950
00:52:49,520 --> 00:52:51,319
Speaker 2: And even in that scene, like they're having so much

951
00:52:51,360 --> 00:52:53,000
Speaker 2: fun in that like nineties way where they're like, we

952
00:52:53,000 --> 00:52:56,120
Speaker 2: have a camcorder and like we're doing we're wearing dresses

953
00:52:56,160 --> 00:52:57,719
Speaker 2: and we're in the bathtub and they're just kind of

954
00:52:57,719 --> 00:53:01,040
Speaker 2: having They have a very different and much more playful relationship.

955
00:53:02,280 --> 00:53:05,160
Speaker 2: But David's fucking pissed. He's like, why, why are you

956
00:53:05,160 --> 00:53:07,840
Speaker 2: spending money? Like what is going on? We shouldn't be

957
00:53:08,000 --> 00:53:11,279
Speaker 2: so obvious. At the same time, he has flat out

958
00:53:11,400 --> 00:53:13,640
Speaker 2: moved into the attic and he kind of started He

959
00:53:13,680 --> 00:53:15,920
Speaker 2: put a lock on the door to the attic from

960
00:53:15,960 --> 00:53:20,160
Speaker 2: the outside, which is weird. He has a mattress up there,

961
00:53:20,440 --> 00:53:22,840
Speaker 2: and then he starts just drilling holes in the ceiling

962
00:53:22,960 --> 00:53:25,480
Speaker 2: so he can scurry around and start looking at Alex

963
00:53:25,520 --> 00:53:28,480
Speaker 2: and Juliet during the day, like while they're getting ready

964
00:53:28,520 --> 00:53:30,560
Speaker 2: for work and while they're doing anything, like he is

965
00:53:30,640 --> 00:53:36,239
Speaker 2: straight bugging the fuck out. And it is at this

966
00:53:36,239 --> 00:53:38,880
Speaker 2: point I'm going to stop talking about the film. I

967
00:53:38,920 --> 00:53:41,360
Speaker 2: do not want to ruin it for anyone, but I

968
00:53:41,400 --> 00:53:45,480
Speaker 2: will say that at one point Alex is sent as

969
00:53:45,520 --> 00:53:49,080
Speaker 2: a journalist to cover the crimes that he committed, and

970
00:53:49,120 --> 00:53:52,600
Speaker 2: that is a wild scene, and things just get increasingly

971
00:53:53,040 --> 00:53:57,440
Speaker 2: more tense but it builds to an ending that has

972
00:53:57,520 --> 00:54:00,040
Speaker 2: stuck with me from the minute I saw it. It

973
00:54:00,120 --> 00:54:03,279
Speaker 2: has stuck with me from the fucking second I saw

974
00:54:03,320 --> 00:54:05,920
Speaker 2: this movie. I will never forget the last shot of

975
00:54:05,960 --> 00:54:10,160
Speaker 2: this movie, and it's the way that the story kind

976
00:54:10,200 --> 00:54:14,360
Speaker 2: of develops. We're looking at, basically from start to finish,

977
00:54:14,800 --> 00:54:19,600
Speaker 2: this incredibly tight group of roommates that eventually devolve into

978
00:54:19,600 --> 00:54:22,080
Speaker 2: people who kind of hate each other. So it's really

979
00:54:22,080 --> 00:54:25,200
Speaker 2: interesting to see how that works out. But I just

980
00:54:25,239 --> 00:54:27,360
Speaker 2: I think this movie is fucking spectacular. I think, you

981
00:54:27,360 --> 00:54:30,520
Speaker 2: know again showcase Dandy Boyle as a fantastic director. Every

982
00:54:30,560 --> 00:54:34,359
Speaker 2: actor you could see the beginnings of how incredible their

983
00:54:34,400 --> 00:54:37,040
Speaker 2: careers were going to be. Not for nothing, but Christopher

984
00:54:37,080 --> 00:54:39,520
Speaker 2: Eckleson when they rebooted Doctor Who, he was the first

985
00:54:39,760 --> 00:54:43,160
Speaker 2: doctor and he wears a letther coat. It's really cute.

986
00:54:43,280 --> 00:54:46,680
Speaker 2: But yeah, like the actors are great. The script is incredible.

987
00:54:46,680 --> 00:54:49,080
Speaker 2: Actually read the script. You can find it on the

988
00:54:49,120 --> 00:54:52,600
Speaker 2: Internet Script Movie Database. I think it's called but read

989
00:54:52,640 --> 00:54:54,280
Speaker 2: it if you're at all interested in that kind of stuff,

990
00:54:54,320 --> 00:54:57,040
Speaker 2: because the transitions into the scenes and the way that

991
00:54:57,719 --> 00:55:00,520
Speaker 2: you know, the descriptive use of language that on Hodge

992
00:55:00,600 --> 00:55:04,200
Speaker 2: eases is pretty impeccable, and it's just to me, a

993
00:55:04,239 --> 00:55:05,680
Speaker 2: perfect movie from top to bottom.

994
00:55:06,920 --> 00:55:12,640
Speaker 1: Yeah, you know what's really you know what really grabbed

995
00:55:12,640 --> 00:55:16,719
Speaker 1: me this time. So if you did not grow up

996
00:55:16,760 --> 00:55:21,960
Speaker 1: in the VHS era, I apologize you will not understand this. Probably,

997
00:55:23,520 --> 00:55:27,640
Speaker 1: but I swear I have seen the trailer for Shallow

998
00:55:27,680 --> 00:55:32,440
Speaker 1: Grave maybe a hundred times. I think it was attached

999
00:55:32,640 --> 00:55:36,200
Speaker 1: on it might have been hey to say it The

1000
00:55:36,239 --> 00:55:43,200
Speaker 1: Cutting Edge, where every time I watched the VHS of

1001
00:55:43,280 --> 00:55:46,400
Speaker 1: The Cutting Edge, they used to put trailers at the

1002
00:55:46,440 --> 00:55:50,360
Speaker 1: beginning of the tape, right, and so you would see

1003
00:55:50,400 --> 00:55:52,959
Speaker 1: trailers for movies before you would get into the movie,

1004
00:55:53,000 --> 00:55:55,600
Speaker 1: and a lot of times you fast forwarded them. Usually

1005
00:55:55,600 --> 00:55:57,680
Speaker 1: they are about three or four you know, kind of

1006
00:55:57,680 --> 00:55:59,600
Speaker 1: like when you go to the movies now. But like

1007
00:56:00,160 --> 00:56:02,880
Speaker 1: there was I think the Shallow Gray trailer was attached

1008
00:56:02,920 --> 00:56:06,360
Speaker 1: to either The Cutting Edge or some other movie that

1009
00:56:06,440 --> 00:56:09,759
Speaker 1: I saw a whole lot of times. So when I

1010
00:56:09,800 --> 00:56:13,360
Speaker 1: was watching the movie again this time, I was like

1011
00:56:14,160 --> 00:56:18,759
Speaker 1: almost kind of like waiting for the trailer scenes to happen, right,

1012
00:56:19,920 --> 00:56:24,680
Speaker 1: Like there's definitely like the scene of when he says, ooh,

1013
00:56:24,719 --> 00:56:27,640
Speaker 1: this is a story and juliet says, no, this is

1014
00:56:27,680 --> 00:56:30,880
Speaker 1: a corpse. I remember that from the trailer. I remember

1015
00:56:31,239 --> 00:56:36,440
Speaker 1: the eye, like the kind of the shot of David's eye,

1016
00:56:36,800 --> 00:56:40,080
Speaker 1: you know, kind of that kind of motif happening over

1017
00:56:40,120 --> 00:56:43,239
Speaker 1: and over again, and then like the whole like if

1018
00:56:43,280 --> 00:56:46,279
Speaker 1: you can't trust your friends, then what then? What then?

1019
00:56:46,400 --> 00:56:48,960
Speaker 1: Or whatever? That speech and that was in the trailer.

1020
00:56:49,040 --> 00:56:51,719
Speaker 1: That's a bad accent. By the way, do not kill me, Scotland.

1021
00:56:52,040 --> 00:56:56,520
Speaker 1: But it's that thing of like I was just watching

1022
00:56:56,560 --> 00:57:00,319
Speaker 1: the movie and remembering how, you know, how the little

1023
00:57:00,360 --> 00:57:03,720
Speaker 1: structured and what scenes they use for the trailer. Anyway. Yeah,

1024
00:57:03,760 --> 00:57:07,839
Speaker 1: having said all that, I enjoyed it so much. It

1025
00:57:07,840 --> 00:57:10,640
Speaker 1: had been a long time since I've seen it. It is.

1026
00:57:11,440 --> 00:57:14,800
Speaker 1: I definitely noticed that the fashions have come back around.

1027
00:57:16,680 --> 00:57:21,640
Speaker 1: The sloushy fucking socks. The best.

1028
00:57:21,080 --> 00:57:24,440
Speaker 2: All I want to come back around is at some

1029
00:57:24,560 --> 00:57:29,880
Speaker 2: point Juliette is wearing that Jemmapel Raquel T shirt. That

1030
00:57:29,920 --> 00:57:32,000
Speaker 2: has to come back. That's it. Everything else can stay

1031
00:57:32,000 --> 00:57:33,400
Speaker 2: in the nineties, but that has to come back.

1032
00:57:35,240 --> 00:57:37,840
Speaker 1: Anyway, I'm so glad you picked it. Perfect for the

1033
00:57:37,840 --> 00:57:41,400
Speaker 1: theme obviously, and just a real fun movie.

1034
00:57:41,960 --> 00:57:45,360
Speaker 2: Yeah, it's just the again. The roommate situation and how

1035
00:57:45,440 --> 00:57:49,960
Speaker 2: you can go from like happiness and joy and the

1036
00:57:50,040 --> 00:57:52,840
Speaker 2: prospect of hope and how quickly that can be demolished

1037
00:57:52,840 --> 00:57:55,920
Speaker 2: when you live with someone is beautiful.

1038
00:57:56,560 --> 00:58:03,520
Speaker 1: Yeah, speaking of which, you want to talk about some

1039
00:58:03,560 --> 00:58:07,640
Speaker 1: more bad fucking roommates always? All right?

1040
00:58:08,320 --> 00:58:08,520
Speaker 2: He Well?

1041
00:58:09,440 --> 00:58:14,360
Speaker 1: My movie for the theme stop Leaving your Hair on

1042
00:58:14,440 --> 00:58:19,360
Speaker 1: the Soap is a movie from nineteen ninety one. It

1043
00:58:19,560 --> 00:58:22,360
Speaker 1: was written by Don Ruse, directed by Barbette Schroeder, and

1044
00:58:22,400 --> 00:58:24,160
Speaker 1: it's called Single White Female.

1045
00:58:24,240 --> 00:58:26,280
Speaker 2: I know you weren't yourself when you did this thing.

1046
00:58:27,120 --> 00:58:31,720
Speaker 1: I know that was you. Hey, yes, single White Female

1047
00:58:32,320 --> 00:58:42,000
Speaker 1: heard of it? Perhaps? So this film was adapted from

1048
00:58:42,040 --> 00:58:48,800
Speaker 1: a book which the book was called SWF Seeks Same

1049
00:58:49,200 --> 00:58:53,320
Speaker 1: by John Lutz. I haven't read it, but it was

1050
00:58:53,440 --> 00:58:57,760
Speaker 1: adapted by the screenwriter and director Don Ruse, who we

1051
00:58:57,800 --> 00:59:01,200
Speaker 1: talked about in our episode out the Opposite of Sex

1052
00:59:01,920 --> 00:59:05,640
Speaker 1: from a while ago, because remember he directed that film.

1053
00:59:07,040 --> 00:59:09,920
Speaker 1: I know that we've never done a Barbette Schroeder film

1054
00:59:10,000 --> 00:59:16,240
Speaker 1: on the podcast before, but we could if we decided

1055
00:59:16,280 --> 00:59:20,680
Speaker 1: that we would be interested in seeing Gerard dip Hardu

1056
00:59:21,080 --> 00:59:27,520
Speaker 1: being tied up by a dominatrix chick duh, or if

1057
00:59:27,560 --> 00:59:30,640
Speaker 1: we want to see Mickey Rourke playing Charles Vakowski, so

1058
00:59:31,000 --> 00:59:33,560
Speaker 1: let me know. Let me know that bad and you

1059
00:59:33,600 --> 00:59:36,920
Speaker 1: want to do think about it. So I've seen Saguay

1060
00:59:36,960 --> 00:59:40,000
Speaker 1: Female a lot. The last time I saw it was

1061
00:59:40,040 --> 00:59:44,080
Speaker 1: in twenty fifteen. According to my letterbox to count, this

1062
00:59:44,120 --> 00:59:47,880
Speaker 1: is a very entertaining movie. It's very of its time,

1063
00:59:48,480 --> 00:59:51,880
Speaker 1: which I'll get to in just a second. Maybe has

1064
00:59:51,880 --> 00:59:56,480
Speaker 1: some plot points that are slightly ridiculous, but it's a

1065
00:59:56,600 --> 01:00:02,520
Speaker 1: very serviceable erotic thriller starring two titans of nineteen nineties,

1066
01:00:02,560 --> 01:00:08,439
Speaker 1: this Bridget Fonda and Jennifer Jason Lee, so up top.

1067
01:00:09,000 --> 01:00:09,960
Speaker 2: I just have to say this.

1068
01:00:10,360 --> 01:00:13,920
Speaker 1: When I was researching this film, of course, there was

1069
01:00:13,960 --> 01:00:17,240
Speaker 1: a lot of stuff that I ran into online about

1070
01:00:17,240 --> 01:00:20,560
Speaker 1: how Bridget Fonda retired from acting in the early two

1071
01:00:20,600 --> 01:00:25,640
Speaker 1: thousands and has barely been seen since then. But then

1072
01:00:25,680 --> 01:00:29,080
Speaker 1: apparently she was recently tracked down in paparazzi tod like

1073
01:00:29,240 --> 01:00:33,600
Speaker 1: lax or something, and she doesn't look like she did.

1074
01:00:33,480 --> 01:00:36,479
Speaker 2: In her twenties, No one does.

1075
01:00:37,320 --> 01:00:41,800
Speaker 1: Can you imagine not looking exactly like you did thirty

1076
01:00:41,880 --> 01:00:42,520
Speaker 1: years ago?

1077
01:00:44,080 --> 01:00:46,440
Speaker 2: And it was this whole.

1078
01:00:46,240 --> 01:00:50,000
Speaker 1: Thing where I was like, I need I need y'all

1079
01:00:50,000 --> 01:00:53,400
Speaker 1: to leave her ass alone, Okay, Like, let her be

1080
01:00:54,600 --> 01:00:58,920
Speaker 1: a civilian woman. You know, she has this she's had

1081
01:00:58,920 --> 01:01:02,800
Speaker 1: this Hollywood life since before she was fucking born. Basically, yeah,

1082
01:01:02,840 --> 01:01:04,439
Speaker 1: you know, she's a Fonda.

1083
01:01:04,240 --> 01:01:07,320
Speaker 2: She's got kids, she's like like she's living her life.

1084
01:01:07,960 --> 01:01:10,760
Speaker 1: Yeah, And I just am like, I don't know, I

1085
01:01:10,800 --> 01:01:12,960
Speaker 1: just hate this whole thing of like people who are

1086
01:01:13,040 --> 01:01:17,800
Speaker 1: just truly trying to just be outside of the public eye.

1087
01:01:18,120 --> 01:01:20,640
Speaker 1: Who yeah, people are like what happened to them? Let's

1088
01:01:20,640 --> 01:01:22,600
Speaker 1: go find him and see how old they are now.

1089
01:01:22,640 --> 01:01:26,440
Speaker 2: It's just fucking mean no, like that fucking Richard, that

1090
01:01:26,760 --> 01:01:30,480
Speaker 2: fucking podcast where that guy was like looking for Richard Simmons,

1091
01:01:30,600 --> 01:01:33,240
Speaker 2: and like, we need to let people go away. And

1092
01:01:33,320 --> 01:01:36,360
Speaker 2: especially because this is a choice that a lot of

1093
01:01:36,360 --> 01:01:39,920
Speaker 2: people are making, Like Bridget Fonda made a choice to

1094
01:01:40,080 --> 01:01:41,080
Speaker 2: have a different life.

1095
01:01:41,400 --> 01:01:44,920
Speaker 1: Let her have that well, And obviously it's quite different

1096
01:01:45,200 --> 01:01:48,800
Speaker 1: for us to be like, hey, google Ken Wall and

1097
01:01:48,800 --> 01:01:51,840
Speaker 1: see when the last movie he made was versus tracking

1098
01:01:51,880 --> 01:01:54,800
Speaker 1: somebody down at an airport with a camera and being like, hey,

1099
01:01:55,440 --> 01:01:57,720
Speaker 1: so you want to be in a movie again? You know,

1100
01:01:58,000 --> 01:02:03,440
Speaker 1: like just I hate that shit. But anyway, end of rant.

1101
01:02:04,160 --> 01:02:06,600
Speaker 1: I just wanted to throw that out there, so one

1102
01:02:06,680 --> 01:02:11,520
Speaker 1: sent synopsis of single white female, a software engineer living

1103
01:02:11,560 --> 01:02:14,520
Speaker 1: in New York City gets more than she bargained for

1104
01:02:15,200 --> 01:02:18,440
Speaker 1: after putting an ad in the paper for a roommate.

1105
01:02:19,440 --> 01:02:24,080
Speaker 2: Yep, I know. Before you start, I just want to

1106
01:02:24,160 --> 01:02:28,320
Speaker 2: jump in and say, I think this movie did for

1107
01:02:29,160 --> 01:02:34,120
Speaker 2: roommates what Fatal Attraction did for marital affairs one hundred percent.

1108
01:02:35,480 --> 01:02:42,920
Speaker 1: I feel like there was a lot of things in

1109
01:02:42,960 --> 01:02:49,280
Speaker 1: this era that were created around the concept of like

1110
01:02:49,360 --> 01:02:54,320
Speaker 1: the crazy woman. You know, people have written about this.

1111
01:02:54,400 --> 01:02:57,439
Speaker 1: I'm not discovering anything new here. I'm just I'm saying

1112
01:02:57,440 --> 01:03:02,240
Speaker 1: in my own dumbass way that there's a reason why

1113
01:03:02,280 --> 01:03:07,280
Speaker 1: these movies were popular, and the terms and the terminology

1114
01:03:07,320 --> 01:03:10,360
Speaker 1: from the films have proliferated because it was that thing

1115
01:03:10,400 --> 01:03:13,960
Speaker 1: of like, what's the scariest thing that could happen is

1116
01:03:14,000 --> 01:03:21,600
Speaker 1: if a woman went fucking crazy on you. They're supposed

1117
01:03:21,600 --> 01:03:22,440
Speaker 1: to be so sweet.

1118
01:03:23,760 --> 01:03:26,120
Speaker 2: Oh, it turns out you can't trust women at all,

1119
01:03:26,200 --> 01:03:27,520
Speaker 2: even as roommates.

1120
01:03:28,160 --> 01:03:31,360
Speaker 1: Yeah, they're fucking they'll try to fuck you and then

1121
01:03:31,520 --> 01:03:32,840
Speaker 1: kill you. They're not.

1122
01:03:35,320 --> 01:03:36,920
Speaker 2: They did pick up on our whole mo We had

1123
01:03:36,920 --> 01:03:38,680
Speaker 2: to change the fucking game. After that we had to

1124
01:03:38,760 --> 01:03:40,960
Speaker 2: change the rules for ourselves. Were like, oh shit, they're

1125
01:03:40,960 --> 01:03:42,760
Speaker 2: onto us. They know we want to fuck them and

1126
01:03:42,840 --> 01:03:43,240
Speaker 2: kill them.

1127
01:03:43,640 --> 01:03:45,960
Speaker 1: I know, I know that's what I was put on

1128
01:03:46,000 --> 01:03:51,520
Speaker 1: this earth to do. But so I think we all

1129
01:03:51,560 --> 01:03:54,640
Speaker 1: know now that this is camp be as shit, right, Like,

1130
01:03:55,520 --> 01:03:59,320
Speaker 1: both Fatal Attraction and single white female is are very

1131
01:03:59,440 --> 01:04:01,720
Speaker 1: camped to me in that way because it is that

1132
01:04:01,840 --> 01:04:06,320
Speaker 1: sort of like what's the biggest fear of men? Pretty much?

1133
01:04:06,760 --> 01:04:08,760
Speaker 1: And this is it's just so funny to see this

1134
01:04:08,920 --> 01:04:12,720
Speaker 1: because again, this there's so much like, there are so

1135
01:04:12,800 --> 01:04:16,120
Speaker 1: many hilarious things happening in this movie if you watch

1136
01:04:16,160 --> 01:04:17,560
Speaker 1: it from modern eye.

1137
01:04:17,640 --> 01:04:20,160
Speaker 2: My favorite is, I mean, there's a lot, but my

1138
01:04:20,240 --> 01:04:22,360
Speaker 2: favorite is just right up top. There's a picture of

1139
01:04:23,720 --> 01:04:26,439
Speaker 2: Bridget Fonda's boyfriend on the refrigerator and he's just hanging

1140
01:04:26,480 --> 01:04:30,960
Speaker 2: from a fence. It's got a picture of you hang

1141
01:04:31,000 --> 01:04:32,560
Speaker 2: it from this fence. That was the nineties.

1142
01:04:33,160 --> 01:04:36,160
Speaker 1: Yeah, in a nutshell, but you know, so like, you know,

1143
01:04:36,240 --> 01:04:38,840
Speaker 1: I think I have alluded to this. The term single

1144
01:04:38,840 --> 01:04:43,400
Speaker 1: white female, right is pretty much now the generic term

1145
01:04:43,640 --> 01:04:47,640
Speaker 1: for somebody who is so obsessed with another person that

1146
01:04:47,680 --> 01:04:51,640
Speaker 1: they change their look to look like them, and you know,

1147
01:04:51,680 --> 01:04:54,919
Speaker 1: we'll get into that obviously in a moment. But you've

1148
01:04:54,960 --> 01:04:59,360
Speaker 1: got Bridget Fonda. She's playing this character named Ali. At

1149
01:04:59,360 --> 01:05:01,640
Speaker 1: the beginning of the film, she's in a relationship with

1150
01:05:01,680 --> 01:05:05,200
Speaker 1: a man named Sam who was who was played by

1151
01:05:05,240 --> 01:05:09,240
Speaker 1: Steven Weber, who at the time was in a very

1152
01:05:09,280 --> 01:05:14,480
Speaker 1: popular television show called Wings. And this show was about

1153
01:05:14,520 --> 01:05:18,440
Speaker 1: two brothers who were working in a small town airport

1154
01:05:18,920 --> 01:05:22,880
Speaker 1: and they couldn't be more different, right, because Stephen Weber

1155
01:05:23,080 --> 01:05:27,080
Speaker 1: was the younger brother. He was just a carefree jokester,

1156
01:05:28,400 --> 01:05:31,960
Speaker 1: and then Tim Daly was the older brother and he

1157
01:05:32,040 --> 01:05:32,800
Speaker 1: was very uptight.

1158
01:05:33,400 --> 01:05:35,480
Speaker 2: Guess which one Millie had a crush on. Ha.

1159
01:05:35,760 --> 01:05:39,400
Speaker 1: I think I've actually gone on record, yes, to talk

1160
01:05:39,440 --> 01:05:44,160
Speaker 1: about how I fucking loved Tim Daly and Wings.

1161
01:05:44,600 --> 01:05:47,400
Speaker 2: I still love him, by the way, I know same.

1162
01:05:48,160 --> 01:05:52,720
Speaker 1: He's sexy in those pneumonia vaccine commercials. I'm sorry.

1163
01:05:53,680 --> 01:05:56,880
Speaker 2: And he's also he's out there marching and like actives

1164
01:05:56,920 --> 01:05:59,560
Speaker 2: and activist like I'm down with Tim Daily.

1165
01:06:00,120 --> 01:06:05,240
Speaker 1: Yeah, I'm down with Tyne Daily. His sister he lazy,

1166
01:06:05,800 --> 01:06:10,080
Speaker 1: come on, maybe cagny and lazy. Hell yeah, what a family.

1167
01:06:10,560 --> 01:06:14,200
Speaker 1: But Steven Weber was a hottie in this era, and

1168
01:06:14,880 --> 01:06:16,959
Speaker 1: so in the in the very beginning of the movie,

1169
01:06:16,960 --> 01:06:20,000
Speaker 1: they're together, they live together. You know, he's hanging out

1170
01:06:20,040 --> 01:06:24,720
Speaker 1: on fences on her refrigerator. But then here's the thing

1171
01:06:24,840 --> 01:06:26,960
Speaker 1: is that it gets like within the first like ten

1172
01:06:27,000 --> 01:06:30,600
Speaker 1: minutes of the movie, it gets quickly revealed that he's

1173
01:06:30,600 --> 01:06:33,800
Speaker 1: actually been cheating on Ali with his ex wife, which

1174
01:06:34,080 --> 01:06:41,960
Speaker 1: gets revealed via an answering machine. And more specifically, this

1175
01:06:42,160 --> 01:06:46,080
Speaker 1: phenomenon that happened back in the days of answering machines,

1176
01:06:46,120 --> 01:06:50,600
Speaker 1: where when he had a landline and the answering machine

1177
01:06:51,000 --> 01:06:55,400
Speaker 1: picked up, and then you were too late to grab

1178
01:06:55,400 --> 01:06:57,240
Speaker 1: the phone, and the answer machine picked up before you

1179
01:06:57,360 --> 01:07:02,200
Speaker 1: were to pick up. The answering machine would basically broadcast

1180
01:07:02,560 --> 01:07:06,240
Speaker 1: your voice talking on the answer machine and record it

1181
01:07:06,440 --> 01:07:07,120
Speaker 1: at the same time.

1182
01:07:07,800 --> 01:07:09,640
Speaker 2: They couldn't figure out that tech for a long time.

1183
01:07:09,680 --> 01:07:11,520
Speaker 2: They couldn't figure out how to just get you to

1184
01:07:11,640 --> 01:07:14,560
Speaker 2: record without everyone hearing it in your building.

1185
01:07:15,800 --> 01:07:20,800
Speaker 1: Oh my god, I remember this happening daily at my house. Yeah,

1186
01:07:21,120 --> 01:07:24,280
Speaker 1: where you would the answer shine would go off and

1187
01:07:24,320 --> 01:07:28,000
Speaker 1: it was always my dad who left the message. Why

1188
01:07:28,040 --> 01:07:29,520
Speaker 1: did that happen? Well?

1189
01:07:29,560 --> 01:07:31,720
Speaker 2: And it was also like people started using it as

1190
01:07:31,760 --> 01:07:34,680
Speaker 2: a way to be like an intercom. So they'd call

1191
01:07:34,760 --> 01:07:36,280
Speaker 2: and they'd be like, you know, the thing would be

1192
01:07:36,440 --> 01:07:37,920
Speaker 2: and they'd be like, I know you're there, pick up,

1193
01:07:38,200 --> 01:07:39,760
Speaker 2: get out of the bathroom and pick up. Like the

1194
01:07:39,800 --> 01:07:42,439
Speaker 2: message would just be like people saying pick up the phone.

1195
01:07:42,720 --> 01:07:45,080
Speaker 1: Yeah, And then there would be this like feedback of this,

1196
01:07:45,200 --> 01:07:48,160
Speaker 1: like you know, screeching of like two people like the

1197
01:07:48,200 --> 01:07:50,960
Speaker 1: answer machine broadcasting while you're talking on the I mean,

1198
01:07:51,000 --> 01:07:53,400
Speaker 1: it was such a nightmare. But then you know what

1199
01:07:53,520 --> 01:07:58,600
Speaker 1: also reminded me of this at a certain point, my dad,

1200
01:07:59,000 --> 01:08:00,880
Speaker 1: I guess, was like, what it'd be funny if we

1201
01:08:00,960 --> 01:08:06,040
Speaker 1: got one of these answering machine tapes where it would

1202
01:08:06,040 --> 01:08:12,720
Speaker 1: be like rich Little doing a Ronald Reagan impression and

1203
01:08:12,760 --> 01:08:16,200
Speaker 1: it would be like him going like, well, we're not

1204
01:08:16,320 --> 01:08:16,960
Speaker 1: here right now.

1205
01:08:17,240 --> 01:08:20,200
Speaker 2: No, no, you don't remember these tapes.

1206
01:08:20,960 --> 01:08:24,320
Speaker 1: These tapes there's there was all these joky ones too,

1207
01:08:24,520 --> 01:08:29,640
Speaker 1: like Nobody's home, Oh yeah, Nobody's home yeah, and then

1208
01:08:29,720 --> 01:08:34,679
Speaker 1: Halloween forget it, you can have every day Halloween themed

1209
01:08:35,400 --> 01:08:38,280
Speaker 1: and they were just literally cassette tapes that you can

1210
01:08:38,840 --> 01:08:42,360
Speaker 1: record your answering machine messages. I mean, it was such dude.

1211
01:08:42,400 --> 01:08:44,679
Speaker 1: The tech I can't even old tech.

1212
01:08:44,760 --> 01:08:47,160
Speaker 2: It's gross. Old tech is gross, always.

1213
01:08:47,240 --> 01:08:51,880
Speaker 1: Horrible old tech. But anyway, so the movie essentially is

1214
01:08:51,960 --> 01:08:57,439
Speaker 1: hinged on this, on this idea that Ali figures out

1215
01:08:57,520 --> 01:08:59,960
Speaker 1: that her boyfriend is cheating on her because of the

1216
01:09:00,120 --> 01:09:05,839
Speaker 1: fucking answered machine. So this sets off a chain of events. Okay,

1217
01:09:06,240 --> 01:09:09,719
Speaker 1: and so she's like, you gotta go. You've been cheating

1218
01:09:09,760 --> 01:09:14,559
Speaker 1: on me. Fuck you. She's living sexily in mid air

1219
01:09:14,760 --> 01:09:19,280
Speaker 1: in this amazing apartment in New York. Okay, and so

1220
01:09:19,439 --> 01:09:25,679
Speaker 1: control absolutely so Sam is gone, and you know, she's

1221
01:09:25,760 --> 01:09:28,719
Speaker 1: she's having conversations with her next her next door neighbor,

1222
01:09:28,800 --> 01:09:32,240
Speaker 1: this gay guy named Graham, and she's like, I'm a

1223
01:09:32,280 --> 01:09:35,080
Speaker 1: little lonely. Maybe she'd get a roommate. There we go.

1224
01:09:35,160 --> 01:09:37,960
Speaker 1: So this is how it starts. One thing that I

1225
01:09:38,000 --> 01:09:40,320
Speaker 1: wanted to point out. This is just like some trivia

1226
01:09:40,360 --> 01:09:42,800
Speaker 1: that I think is really interesting. But you know what,

1227
01:09:43,520 --> 01:09:47,759
Speaker 1: So the exterior of the apartment that this movie takes

1228
01:09:47,760 --> 01:09:51,719
Speaker 1: place in is I think it's called the Ansonia Building

1229
01:09:51,880 --> 01:09:54,759
Speaker 1: in New York, which was a very famous building.

1230
01:09:54,800 --> 01:09:56,240
Speaker 2: It was in like.

1231
01:09:56,280 --> 01:09:58,479
Speaker 1: Three Days of The Call Door, my favorite film of

1232
01:09:58,520 --> 01:10:02,280
Speaker 1: all time. But the placement of the building was most

1233
01:10:02,320 --> 01:10:07,120
Speaker 1: famously the Continental baths, which were you know, the old

1234
01:10:07,160 --> 01:10:12,519
Speaker 1: the old gay bath houses where Bette Midler got her start,

1235
01:10:12,840 --> 01:10:16,160
Speaker 1: you know, where she was doing her act in the bathhouses.

1236
01:10:16,720 --> 01:10:22,000
Speaker 1: And even like Larry LaVaughn, who was a Paradise garage DJ,

1237
01:10:22,360 --> 01:10:26,840
Speaker 1: very famous DJ spun you know all over New York

1238
01:10:27,040 --> 01:10:30,200
Speaker 1: in this era. You know, he got his career started there.

1239
01:10:30,200 --> 01:10:32,040
Speaker 1: So it's just a very famous place. So anyway, I

1240
01:10:32,040 --> 01:10:33,800
Speaker 1: just thought that was really interesting about the building, the

1241
01:10:33,840 --> 01:10:39,479
Speaker 1: exterior of the building. So we're cutting to Ali now

1242
01:10:40,520 --> 01:10:45,160
Speaker 1: living alone. She's a person who has created fashion software.

1243
01:10:45,200 --> 01:10:50,800
Speaker 1: I was like, wow, she's like a stem queen, like

1244
01:10:50,800 --> 01:10:55,080
Speaker 1: like what beauty and brains.

1245
01:10:56,040 --> 01:10:58,559
Speaker 2: And even though the software looks like you remember those

1246
01:10:58,560 --> 01:11:00,760
Speaker 2: little fashion plates that pep But would get where you

1247
01:11:00,760 --> 01:11:02,519
Speaker 2: could like change the head in the outfit and then

1248
01:11:02,520 --> 01:11:06,680
Speaker 2: you color over it. Yes, that's what the software looks like,

1249
01:11:06,920 --> 01:11:09,360
Speaker 2: but it's high tech for nineteen ninety one.

1250
01:11:09,960 --> 01:11:12,840
Speaker 1: Right, And it's like, the funny thing is is that

1251
01:11:12,880 --> 01:11:15,320
Speaker 1: it's all this like back end stuff too, where she's like,

1252
01:11:15,920 --> 01:11:19,040
Speaker 1: you need accounting software, it's part of it. You need

1253
01:11:19,120 --> 01:11:23,920
Speaker 1: inventory tracking. I got you, Like she basically is Mark

1254
01:11:24,000 --> 01:11:30,840
Speaker 1: Zuckerberg in this film which I'm like wow. So, but

1255
01:11:30,880 --> 01:11:35,080
Speaker 1: here's the thing. So she's selling her product to this

1256
01:11:35,280 --> 01:11:41,280
Speaker 1: absolute fucking creep named Mitch, who is played by Steven Tealblowski.

1257
01:11:41,360 --> 01:11:48,200
Speaker 1: I think we know Steven. He was in everything. He

1258
01:11:48,320 --> 01:11:53,720
Speaker 1: is playing a creep his entire life. So here's the thing.

1259
01:11:54,520 --> 01:11:58,360
Speaker 1: She starts going through the process of hiring a roommate.

1260
01:11:59,000 --> 01:12:01,639
Speaker 1: So she's meeting pe people in the apartment, she's taking

1261
01:12:01,640 --> 01:12:05,439
Speaker 1: polaroids or whatever the hell she's doing, and then one

1262
01:12:05,520 --> 01:12:09,880
Speaker 1: day this kind of mousey, dark haired lady shows up

1263
01:12:10,479 --> 01:12:14,639
Speaker 1: and her name is Hegra. Don't know if I ever

1264
01:12:14,680 --> 01:12:16,719
Speaker 1: met a Hedgra in my life. Have you ever heard

1265
01:12:16,760 --> 01:12:17,920
Speaker 1: this name before.

1266
01:12:17,880 --> 01:12:22,040
Speaker 2: HERA never, not even in like a Southern Gothic novel.

1267
01:12:22,840 --> 01:12:27,160
Speaker 1: Yes, I was definitely like, wow, her name is very unique.

1268
01:12:28,400 --> 01:12:30,400
Speaker 1: Even Ali at one point is like, you know what,

1269
01:12:30,439 --> 01:12:35,080
Speaker 1: that shit's pretty weird. You should change it. And then

1270
01:12:35,240 --> 01:12:40,000
Speaker 1: she decides to start calling her Hetty, like Hetty Lamar right,

1271
01:12:40,160 --> 01:12:43,840
Speaker 1: the actress heady Lamar. So anyway, so of course they

1272
01:12:44,080 --> 01:12:48,000
Speaker 1: bond pretty quickly. Hetty becomes her new roommate. Okay, so

1273
01:12:48,120 --> 01:12:50,880
Speaker 1: Allie finds out pretty quickly that Hetty is real comfortable,

1274
01:12:51,720 --> 01:12:57,599
Speaker 1: real quick like alarmingly so okay, Hetty is pretty much

1275
01:12:57,600 --> 01:13:00,320
Speaker 1: walking around naked. On the first day she gets them

1276
01:13:00,320 --> 01:13:03,400
Speaker 1: a fucking dog. I'm like, the first.

1277
01:13:03,400 --> 01:13:07,040
Speaker 2: Week that shit was what I forgot that part, And

1278
01:13:07,040 --> 01:13:09,719
Speaker 2: I'm like, oh wait, she bought a dog for three

1279
01:13:09,880 --> 01:13:14,080
Speaker 2: hundred and fifty nineteen ninety one dollars and then pretended

1280
01:13:14,120 --> 01:13:18,120
Speaker 2: she just like found it. Yeah, but who just gets

1281
01:13:18,120 --> 01:13:20,720
Speaker 2: a dog in a new roommate situation?

1282
01:13:21,760 --> 01:13:24,559
Speaker 1: Yeah, And the timeline was kind of fuzzy, so I

1283
01:13:24,640 --> 01:13:27,519
Speaker 1: was expect I was thinking she's been there like a

1284
01:13:27,560 --> 01:13:32,120
Speaker 1: week and then she just said about a dog. Yeah,

1285
01:13:32,120 --> 01:13:33,080
Speaker 1: I thought I found this dog.

1286
01:13:33,280 --> 01:13:34,680
Speaker 2: Found this dog. That's what I thought. We cod to

1287
01:13:34,720 --> 01:13:35,280
Speaker 2: take care of it.

1288
01:13:37,400 --> 01:13:42,040
Speaker 1: I was definitely that was a crystal level red flag

1289
01:13:42,120 --> 01:13:42,400
Speaker 1: for me.

1290
01:13:42,760 --> 01:13:45,559
Speaker 2: This completely so, as.

1291
01:13:45,400 --> 01:13:48,479
Speaker 1: You can imagine, eventually Sam shows back up and he's like,

1292
01:13:48,520 --> 01:13:51,840
Speaker 1: come on, baby, let's get back together, and Allie's like

1293
01:13:51,880 --> 01:13:55,680
Speaker 1: should I. Hetty, as you can imagine, is now like,

1294
01:13:55,800 --> 01:13:59,519
Speaker 1: holy shit, who is this man that's coming in and

1295
01:14:00,760 --> 01:14:05,160
Speaker 1: our domestic bliss with this child slash dog that we

1296
01:14:05,240 --> 01:14:05,720
Speaker 1: have now?

1297
01:14:05,960 --> 01:14:10,559
Speaker 2: Right Also mild justice for Hetty she did say before

1298
01:14:10,600 --> 01:14:14,760
Speaker 2: she moved in mild considering what happens mild before she

1299
01:14:14,840 --> 01:14:16,800
Speaker 2: moved in. She said, is this gonna be one of

1300
01:14:16,840 --> 01:14:19,200
Speaker 2: those situations where you guys get back together and I

1301
01:14:19,240 --> 01:14:21,439
Speaker 2: have to find another place to live? And Allie told

1302
01:14:21,479 --> 01:14:25,479
Speaker 2: her no, Yeah, so she takes it too far. She

1303
01:14:25,520 --> 01:14:28,960
Speaker 2: takes it too far, but she within the right on

1304
01:14:29,040 --> 01:14:30,120
Speaker 2: that true.

1305
01:14:30,200 --> 01:14:33,280
Speaker 1: I mean, that is a fucking pain in the ass.

1306
01:14:33,479 --> 01:14:37,559
Speaker 1: Not gonna lie, but I think she takes it too far.

1307
01:14:37,800 --> 01:14:41,640
Speaker 1: As you have just said, I mean, Hetty basically is like,

1308
01:14:41,760 --> 01:14:43,360
Speaker 1: fuck it, we gotta get this guy out of here.

1309
01:14:43,439 --> 01:14:49,320
Speaker 1: She starts sabotaging the relationship in ways that become increasingly disturbing.

1310
01:14:50,280 --> 01:14:54,479
Speaker 1: And by that I mean please visit www dot does

1311
01:14:54,520 --> 01:14:57,280
Speaker 1: the doogde dot com to no more?

1312
01:14:58,120 --> 01:15:03,559
Speaker 2: Okay, like bad? Also visit www dot does she give

1313
01:15:03,600 --> 01:15:07,800
Speaker 2: her roommate's boyfriend a blowjob while she's dressed as her

1314
01:15:07,880 --> 01:15:11,120
Speaker 2: roommate dot com.

1315
01:15:11,520 --> 01:15:13,840
Speaker 1: I've been sitting on that r L for years, by

1316
01:15:13,880 --> 01:15:17,479
Speaker 1: the way, and people have been asking to buy it

1317
01:15:17,520 --> 01:15:21,240
Speaker 1: from me, and I will never let that A million

1318
01:15:21,439 --> 01:15:28,880
Speaker 1: fucking dollars, so Allie. So eventually Ali and Sam get

1319
01:15:28,880 --> 01:15:31,679
Speaker 1: back together, duh. And she's like, look, we're back together.

1320
01:15:31,840 --> 01:15:35,639
Speaker 1: It won't affect us. You can still live here and then,

1321
01:15:36,200 --> 01:15:40,080
Speaker 1: as you just mentioned, Hetty kind of pulls out all

1322
01:15:40,080 --> 01:15:42,519
Speaker 1: the stops were. Now she's trying to sidle up to Sam,

1323
01:15:42,880 --> 01:15:46,519
Speaker 1: making him fucking breakfast after he's slept over. I mean,

1324
01:15:46,560 --> 01:15:48,080
Speaker 1: it's wild, it gets wild.

1325
01:15:48,200 --> 01:15:51,160
Speaker 2: And while all this has happened, she's she's already changed

1326
01:15:51,200 --> 01:15:55,080
Speaker 2: her whole look and cut her hair to look like, Okay, allie.

1327
01:15:55,320 --> 01:15:59,360
Speaker 1: We're gonna talk about this right fucking because this was

1328
01:15:59,400 --> 01:16:02,160
Speaker 1: like bullet poo number one for me in this rewatch. Okay.

1329
01:16:03,160 --> 01:16:06,400
Speaker 1: So we get the scene that Daniel has just alluded

1330
01:16:06,439 --> 01:16:09,479
Speaker 1: to where they're going to a salon day spa, and

1331
01:16:09,520 --> 01:16:12,080
Speaker 1: Hetty's like, let's go out, be fun to get our

1332
01:16:12,120 --> 01:16:14,479
Speaker 1: haircut together. But you know, just as like a friend

1333
01:16:14,560 --> 01:16:16,760
Speaker 1: thing to do. I'm like, I don't know, haircuts feel

1334
01:16:16,800 --> 01:16:19,960
Speaker 1: like that's a personal time thing. I don't know. Yah,

1335
01:16:20,120 --> 01:16:21,960
Speaker 1: I ain't waiting around for you to get your haircut.

1336
01:16:22,000 --> 01:16:24,760
Speaker 1: I'm just telling you right now as your friend. So

1337
01:16:24,880 --> 01:16:27,360
Speaker 1: guess what, though, they go both get their haircut, and

1338
01:16:27,400 --> 01:16:30,479
Speaker 1: then there's that famous scene of Hetty coming down the

1339
01:16:30,520 --> 01:16:35,360
Speaker 1: stairs with the exact same haircut and color as Ali.

1340
01:16:35,800 --> 01:16:39,000
Speaker 2: And is a distinctive cut. You don't get a red

1341
01:16:39,040 --> 01:16:40,360
Speaker 2: bowl cut often.

1342
01:16:40,520 --> 01:16:44,920
Speaker 1: This is some fucking mushroom cap China China Phillips from

1343
01:16:44,920 --> 01:16:48,240
Speaker 1: Wilson Phillips. Ass fucking hairstyle. I mean, this is wild,

1344
01:16:48,479 --> 01:16:52,160
Speaker 1: this hair. It's not like a you know, just a

1345
01:16:52,240 --> 01:16:55,599
Speaker 1: simple you know, Bob, this is like a very unique

1346
01:16:55,640 --> 01:17:00,120
Speaker 1: hairstyle that now both of these women have. And I

1347
01:17:00,120 --> 01:17:03,200
Speaker 1: started thinking about this, and I'm like, it just really

1348
01:17:03,280 --> 01:17:05,680
Speaker 1: hit me this time, just how fucked up it is

1349
01:17:05,880 --> 01:17:09,479
Speaker 1: to get the same exact hairstyle as your friend and

1350
01:17:09,479 --> 01:17:10,240
Speaker 1: then to play.

1351
01:17:10,040 --> 01:17:11,559
Speaker 2: It off like it's not a big deal.

1352
01:17:12,040 --> 01:17:15,960
Speaker 1: Oh my god, dude. When they leave the salon and

1353
01:17:16,000 --> 01:17:18,760
Speaker 1: they are like walking home together like they are the

1354
01:17:18,760 --> 01:17:21,840
Speaker 1: fucking chicks and the Robert Palmer addicted to Love video,

1355
01:17:22,000 --> 01:17:25,920
Speaker 1: I'm like, oh, hell no, not only did you just

1356
01:17:26,360 --> 01:17:30,080
Speaker 1: steal my look, now you are not gonna walk next

1357
01:17:30,080 --> 01:17:32,160
Speaker 1: to me, You're gonna walk one hundred paces behind me

1358
01:17:32,240 --> 01:17:34,320
Speaker 1: on the opposite side of the street. Bitch, Like none

1359
01:17:34,400 --> 01:17:34,559
Speaker 1: of this.

1360
01:17:34,840 --> 01:17:37,479
Speaker 2: We will never be seen together again until you change

1361
01:17:37,520 --> 01:17:38,200
Speaker 2: that fucking hair.

1362
01:17:38,840 --> 01:17:41,640
Speaker 1: No, we're not doing the monkeys walk, you know at

1363
01:17:41,680 --> 01:17:43,960
Speaker 1: the beginning of the Monkey's credits. I'm like, no, no, no,

1364
01:17:44,479 --> 01:17:47,360
Speaker 1: get away from me, because we look exactly the same.

1365
01:17:47,640 --> 01:17:48,920
Speaker 1: That is so fucked up.

1366
01:17:49,240 --> 01:17:51,680
Speaker 2: They have the same coloring. They have this like imagine

1367
01:17:51,720 --> 01:17:53,840
Speaker 2: you go out and you get like a de ant

1368
01:17:53,880 --> 01:17:58,840
Speaker 2: ward haircut, and then your fucking roommate goes out and

1369
01:17:58,880 --> 01:18:02,160
Speaker 2: gets the same severe the ant ward haircut and color,

1370
01:18:03,080 --> 01:18:05,679
Speaker 2: and you're the same size and kind of the same coloring.

1371
01:18:06,439 --> 01:18:07,639
Speaker 2: Like you got to move out of your own fucking

1372
01:18:07,680 --> 01:18:09,400
Speaker 2: apartment at that point. You don't even have to you

1373
01:18:09,400 --> 01:18:11,280
Speaker 2: don't have time to wait around to even ask what's

1374
01:18:11,280 --> 01:18:12,240
Speaker 2: going on. You just gotta go.

1375
01:18:12,960 --> 01:18:17,640
Speaker 1: Yeah, this is like, it just was so like I

1376
01:18:17,760 --> 01:18:19,840
Speaker 1: just was sitting in that moment going like, I swear

1377
01:18:19,880 --> 01:18:21,800
Speaker 1: to god, if somebody came, like one of my friends,

1378
01:18:21,840 --> 01:18:23,679
Speaker 1: were like, guess what, we have the same hair color

1379
01:18:24,120 --> 01:18:27,800
Speaker 1: and cut and I don't even have that radical of

1380
01:18:27,840 --> 01:18:30,519
Speaker 1: a hairstyle, Like, I just would be so fucking pissed.

1381
01:18:30,560 --> 01:18:32,679
Speaker 1: I'd be like, what in the fuck are you thinking.

1382
01:18:33,080 --> 01:18:36,479
Speaker 2: I would just throw the DSM four or five at them.

1383
01:18:38,000 --> 01:18:39,720
Speaker 2: You better find yourself in here and figure out what

1384
01:18:39,720 --> 01:18:40,519
Speaker 2: the fuck's going on.

1385
01:18:41,320 --> 01:18:45,920
Speaker 1: I mean, look, it just gets completely bonkers from this moment.

1386
01:18:46,360 --> 01:18:51,200
Speaker 1: Henny is taking everybody out. She's skulking around town in

1387
01:18:51,280 --> 01:18:55,840
Speaker 1: this giant cream colored dress with combat boots. She looks

1388
01:18:55,840 --> 01:18:59,120
Speaker 1: like she's about to do spoken word at the third

1389
01:18:59,240 --> 01:19:05,200
Speaker 1: stage of Lollapalooza ninety four, like it is so nineties,

1390
01:19:09,200 --> 01:19:16,559
Speaker 1: And it gets to the to this climax pun intended

1391
01:19:16,600 --> 01:19:22,080
Speaker 1: perhaps where so now Hetty looks like Allie. She's able

1392
01:19:22,120 --> 01:19:27,479
Speaker 1: to sneak into Sam's hotel. Sam is staying at a hotel.

1393
01:19:28,800 --> 01:19:32,240
Speaker 1: First question I had during this scene he left the

1394
01:19:32,320 --> 01:19:34,560
Speaker 1: door unlocked to his hotel room, which I was like,

1395
01:19:34,640 --> 01:19:37,960
Speaker 1: I don't even think that's really possible, even in hotels.

1396
01:19:37,960 --> 01:19:40,400
Speaker 2: Not now. It might have been back then, but not now.

1397
01:19:41,240 --> 01:19:43,680
Speaker 1: Yeah, maybe he was staying at a bed and breakfast.

1398
01:19:43,800 --> 01:19:44,200
Speaker 2: I don't know.

1399
01:19:44,240 --> 01:19:47,200
Speaker 1: But she said she fucking was able to get into

1400
01:19:47,200 --> 01:19:50,559
Speaker 1: his room. And this is happening at night, and she

1401
01:19:50,680 --> 01:19:54,719
Speaker 1: looks effectively exactly like his girlfriend, and she sneaks into

1402
01:19:54,720 --> 01:20:00,200
Speaker 1: bed with him and manages to perform oral sex on him.

1403
01:20:00,600 --> 01:20:08,559
Speaker 1: He realizes it's not his girlfriend like a millisecond before

1404
01:20:10,040 --> 01:20:16,439
Speaker 1: he climbaxes, and it is disturbing, disturbing, so weird, it's

1405
01:20:16,600 --> 01:20:18,559
Speaker 1: so weird, Oh.

1406
01:20:18,680 --> 01:20:21,040
Speaker 2: God, because he's like, what can't stop?

1407
01:20:21,080 --> 01:20:25,760
Speaker 1: The train left the station. I don't care who the

1408
01:20:25,840 --> 01:20:29,920
Speaker 1: driver is now it's like I can't stop, Like it's

1409
01:20:30,280 --> 01:20:33,400
Speaker 1: it was like again like shocking to me in that moment,

1410
01:20:33,439 --> 01:20:36,240
Speaker 1: And this is to me is like the pinnacle of

1411
01:20:36,280 --> 01:20:38,960
Speaker 1: the erotic thrillerness of this movie for me, because I

1412
01:20:39,000 --> 01:20:42,400
Speaker 1: was just like, oh, look at this. Plus not for nothing,

1413
01:20:43,240 --> 01:20:50,679
Speaker 1: we technically have a Stephen Webber donaissance shot, which love

1414
01:20:50,760 --> 01:20:54,639
Speaker 1: that for him, love that for him. But it was crazy.

1415
01:20:54,800 --> 01:20:56,679
Speaker 1: It was so crazy that that happened.

1416
01:20:57,479 --> 01:21:00,920
Speaker 2: That whole scene was so much more shocking than I

1417
01:21:00,960 --> 01:21:01,679
Speaker 2: remember it being.

1418
01:21:02,400 --> 01:21:09,040
Speaker 1: Yes, and not for absolutely fucking nothing. But it ends

1419
01:21:09,600 --> 01:21:13,840
Speaker 1: in probably the best way possible, which is a high

1420
01:21:13,880 --> 01:21:15,519
Speaker 1: heel to the eyeball.

1421
01:21:17,120 --> 01:21:18,439
Speaker 2: Stiletto to the dome.

1422
01:21:19,760 --> 01:21:25,559
Speaker 1: Shit, Like, I mean, that's a wrap for me as

1423
01:21:25,640 --> 01:21:28,479
Speaker 1: far as that's the movie goes on from there. I think,

1424
01:21:28,720 --> 01:21:31,599
Speaker 1: you know, I won't spoil it obviously unless you went

1425
01:21:31,680 --> 01:21:34,519
Speaker 1: to does thedogdie dot com it might have laid it

1426
01:21:34,520 --> 01:21:39,439
Speaker 1: out out for you. But honestly, it's such a fun, fun,

1427
01:21:39,680 --> 01:21:42,360
Speaker 1: fun nineties.

1428
01:21:41,960 --> 01:21:44,000
Speaker 2: Throwback erotic thriller movie.

1429
01:21:44,640 --> 01:21:48,920
Speaker 1: I mean, it is just there are certain moments of

1430
01:21:48,960 --> 01:21:53,400
Speaker 1: this friendship that get rolled out that are so questionable

1431
01:21:53,479 --> 01:21:57,240
Speaker 1: you're gonna be like, why did that ever happen, Like,

1432
01:21:57,479 --> 01:21:58,919
Speaker 1: how did it even get to that point?

1433
01:21:59,120 --> 01:22:01,040
Speaker 2: I mean, we don't even have time to talk about

1434
01:22:01,080 --> 01:22:08,120
Speaker 2: the cat and Mona Lisa that Ali's got in her apartment, Like, Hetty,

1435
01:22:08,720 --> 01:22:10,680
Speaker 2: why are you moving in? Because Allie's kind of a

1436
01:22:10,720 --> 01:22:13,720
Speaker 2: creep herself, Like she's skulking around Hetty's room and like

1437
01:22:13,880 --> 01:22:17,200
Speaker 2: doing her own creep shit. Oh yeah, Basically, just do

1438
01:22:17,320 --> 01:22:20,600
Speaker 2: not watch this movie if you have roommates, if you

1439
01:22:20,680 --> 01:22:25,040
Speaker 2: will have roommates, if you are afraid of your roommates,

1440
01:22:25,040 --> 01:22:27,519
Speaker 2: if you don't like your roommates, Like, just this is

1441
01:22:27,760 --> 01:22:30,439
Speaker 2: a hard movie to watch. But basically it'll have you

1442
01:22:30,479 --> 01:22:32,479
Speaker 2: looking at everyone in your life like they're a little

1443
01:22:32,520 --> 01:22:34,360
Speaker 2: sus Oh definitely.

1444
01:22:34,439 --> 01:22:38,559
Speaker 1: I mean, like there's a lot of information that gets

1445
01:22:38,640 --> 01:22:42,679
Speaker 1: ruled out because of Allie's snooping. But it is snooping.

1446
01:22:42,840 --> 01:22:44,920
Speaker 1: It is her being like, well, my roommate's in the shower,

1447
01:22:44,920 --> 01:22:48,839
Speaker 1: so let me start going through her shit, you know, which.

1448
01:22:48,920 --> 01:22:50,479
Speaker 2: I've never done. I don't know if you ever did that,

1449
01:22:50,520 --> 01:22:51,360
Speaker 2: but I've never done that.

1450
01:22:51,800 --> 01:22:54,360
Speaker 1: No, I think I iroed out in a couple episodes ago.

1451
01:22:54,439 --> 01:22:57,200
Speaker 1: I'm just too lazy to do the investigative work like

1452
01:22:57,240 --> 01:22:59,760
Speaker 1: that because it's just like again, as it becomes a

1453
01:22:59,800 --> 01:23:02,840
Speaker 1: full time job, once you find out some weird shit

1454
01:23:02,920 --> 01:23:06,080
Speaker 1: about your roommate, you're like, well, now I gotta go

1455
01:23:06,120 --> 01:23:09,360
Speaker 1: through everything. Now I gotta like go to the micro

1456
01:23:09,400 --> 01:23:14,719
Speaker 1: feation in my college library and see if they've murdered

1457
01:23:14,760 --> 01:23:17,360
Speaker 1: anybody I don't know. Like it's just so it becomes

1458
01:23:17,400 --> 01:23:19,639
Speaker 1: a it's a slippery slope.

1459
01:23:19,680 --> 01:23:22,160
Speaker 2: I think we all know you either do that footwork

1460
01:23:22,200 --> 01:23:24,240
Speaker 2: before you say yes, or you don't do it at all.

1461
01:23:24,800 --> 01:23:28,639
Speaker 1: Right, But Jennifer Jason Lee is a g She fucking

1462
01:23:28,840 --> 01:23:32,000
Speaker 1: like is scary as fuck. And there was like a

1463
01:23:32,080 --> 01:23:35,400
Speaker 1: scene where she loudly cracked her knuckles and I jumped

1464
01:23:35,520 --> 01:23:36,200
Speaker 1: out of my chair.

1465
01:23:40,960 --> 01:23:43,120
Speaker 2: Like everything she does in this movie puts me on edge.

1466
01:23:43,720 --> 01:23:46,160
Speaker 1: That's it for me. I again, if you haven't seen

1467
01:23:46,200 --> 01:23:49,000
Speaker 1: this movie a long time, it is so fun and

1468
01:23:49,600 --> 01:23:53,439
Speaker 1: perfect for the theme. Maybe because you've got roommates who

1469
01:23:53,479 --> 01:24:00,200
Speaker 1: are really bad, like truly bad, and when you air

1470
01:24:00,240 --> 01:24:05,280
Speaker 1: with Shallow Grave, you're like, live by yourself, even if

1471
01:24:05,280 --> 01:24:09,200
Speaker 1: it's in a crawl space, just be alone.

1472
01:24:09,320 --> 01:24:11,120
Speaker 2: I'll send John Claude van Dam over there to fix

1473
01:24:11,200 --> 01:24:17,479
Speaker 2: your crawl space up. They don't hop on those nuts

1474
01:24:17,520 --> 01:24:20,360
Speaker 2: over that fucking apartment over there. Make sure you can

1475
01:24:20,400 --> 01:24:21,160
Speaker 2: hang that shelf.

1476
01:24:23,120 --> 01:24:26,200
Speaker 1: Oh my god, listen, this episode was super fun. Love

1477
01:24:26,240 --> 01:24:29,720
Speaker 1: to watching these movies again. Yes, if you want to

1478
01:24:29,760 --> 01:24:32,400
Speaker 1: email us for any reason, we're at I saw what

1479
01:24:32,439 --> 01:24:35,200
Speaker 1: you did. Put at gmail dot com. Send us questions

1480
01:24:35,200 --> 01:24:38,160
Speaker 1: for the bonus episodes. Please make them short if you can,

1481
01:24:39,000 --> 01:24:41,960
Speaker 1: and also if you don't want them read on air,

1482
01:24:42,080 --> 01:24:45,960
Speaker 1: potentially you'll have to say that in the email. And

1483
01:24:46,040 --> 01:24:49,599
Speaker 1: also if you're old school and you want to write

1484
01:24:49,600 --> 01:24:52,120
Speaker 1: a handwritten letter, we also have a peel box which

1485
01:24:52,160 --> 01:24:54,879
Speaker 1: is in the link tree on our Instagram page.

1486
01:24:55,439 --> 01:25:00,240
Speaker 2: We are also doing something completely new for our listener question.

1487
01:25:01,040 --> 01:25:04,120
Speaker 2: You can now send in a voicemail and we'll play

1488
01:25:04,120 --> 01:25:06,960
Speaker 2: it on air. It can be a question, a comment,

1489
01:25:07,040 --> 01:25:11,120
Speaker 2: a fart story, whatever. Just send it in and just

1490
01:25:11,200 --> 01:25:13,000
Speaker 2: know that if you send it in, we're assuming we

1491
01:25:13,000 --> 01:25:16,040
Speaker 2: can play it on the show. Please make it sixty

1492
01:25:16,120 --> 01:25:19,320
Speaker 2: seconds or less and record it in a quiet space.

1493
01:25:19,360 --> 01:25:22,200
Speaker 2: I'm going to say that again. You can send us voicemails,

1494
01:25:22,960 --> 01:25:26,519
Speaker 2: but please make it sixty seconds or less and record

1495
01:25:26,520 --> 01:25:28,439
Speaker 2: it in a quiet space. And then all you have

1496
01:25:28,479 --> 01:25:30,120
Speaker 2: to do is record your note on your phone and

1497
01:25:30,200 --> 01:25:32,120
Speaker 2: email it to I saw you did pod at gmail

1498
01:25:32,120 --> 01:25:32,639
Speaker 2: dot com.

1499
01:25:32,960 --> 01:25:35,519
Speaker 1: That's right. We are very excited to roll this out

1500
01:25:35,640 --> 01:25:38,040
Speaker 1: because when you've gotten so many great emails and then

1501
01:25:38,080 --> 01:25:40,280
Speaker 1: I think at some point we're just like, why don't

1502
01:25:40,320 --> 01:25:42,080
Speaker 1: we just let them send voicemails?

1503
01:25:42,439 --> 01:25:45,519
Speaker 2: Yeah, sometimes it's easier said in a voicemail.

1504
01:25:46,040 --> 01:25:49,400
Speaker 1: Absolutely, and those are going to be fun. I can't

1505
01:25:49,400 --> 01:25:52,280
Speaker 1: wait to start getting those, so all right, And then

1506
01:25:52,320 --> 01:25:55,720
Speaker 1: also if you want, we're on social media. We are

1507
01:25:55,720 --> 01:26:01,439
Speaker 1: at I saw pod on Instagram and Twitter. Sorry, I'm

1508
01:26:01,479 --> 01:26:03,760
Speaker 1: just I can't say ex I just can't do that.

1509
01:26:04,439 --> 01:26:07,360
Speaker 1: So anyway, we're there, and we also have merged too.

1510
01:26:07,400 --> 01:26:10,360
Speaker 1: If you go to the Exactly Right Shop, we have

1511
01:26:10,400 --> 01:26:11,080
Speaker 1: a section.

1512
01:26:11,000 --> 01:26:13,800
Speaker 2: And our bonus episodes are coming out constantly. We have

1513
01:26:13,840 --> 01:26:18,320
Speaker 2: a new bonus episode every third Thursday of the month

1514
01:26:18,400 --> 01:26:20,919
Speaker 2: dropping in the main feed, and our old bonus episodes

1515
01:26:20,960 --> 01:26:23,800
Speaker 2: are trickling out into the main feed every couple of

1516
01:26:23,800 --> 01:26:25,400
Speaker 2: weeks on Wednesdays.

1517
01:26:26,160 --> 01:26:29,920
Speaker 1: Awesome. So your movies for next week's episode are moon

1518
01:26:30,000 --> 01:26:33,879
Speaker 1: Struck from nineteen eighty seven and Crossing Delancey from nineteen

1519
01:26:34,000 --> 01:26:34,759
Speaker 1: eighty eight.

1520
01:26:35,400 --> 01:26:36,840
Speaker 2: Oh, I can't wait for next week.

1521
01:26:37,280 --> 01:26:39,280
Speaker 1: Danielle has always a fucking pleasure to doing.

1522
01:26:39,120 --> 01:26:42,080
Speaker 2: This podcast with you so much fun. Thank you so much.

1523
01:26:42,360 --> 01:26:49,960
Speaker 1: Bye eh.

1524
01:26:50,600 --> 01:26:53,639
Speaker 2: This has been an exactly right production. Produced by Casey O'Brien,

1525
01:26:53,880 --> 01:26:56,400
Speaker 2: mixed by Edson Choi. Our theme song is by Tom

1526
01:26:56,439 --> 01:27:00,200
Speaker 2: bry Fogel, artwork by Garrett Ross. Our executive producer are

1527
01:27:00,280 --> 01:27:03,760
Speaker 2: Georgia Hartstart, Karenkilgarriff, and Daniel Kramer. You can follow us

1528
01:27:03,840 --> 01:27:06,760
Speaker 2: on Instagram and Twitter at I Saw pod, and you

1529
01:27:06,800 --> 01:27:08,960
Speaker 2: can email us at I Saw What You Did Pod

1530
01:27:09,080 --> 01:27:09,719
Speaker 2: at gmail