1 00:00:01,080 --> 00:00:03,120 Speaker 1: Welcome to the Tutor Dixon Podcast. 2 00:00:03,440 --> 00:00:06,280 Speaker 2: I'm excited today because we are going to be talking 3 00:00:06,440 --> 00:00:09,680 Speaker 2: about Hollywood, and I know right now we're talking a 4 00:00:09,680 --> 00:00:12,520 Speaker 2: lot about California, but this specifically, we're going to be 5 00:00:12,600 --> 00:00:15,400 Speaker 2: talking about Hollywood personality. So it's a little bit of 6 00:00:15,400 --> 00:00:18,480 Speaker 2: a gossip type of show. But we have someone with 7 00:00:18,560 --> 00:00:21,479 Speaker 2: us today. Her name is Jamie Lee Lardner. She is 8 00:00:21,520 --> 00:00:25,520 Speaker 2: a media expert who has worked for management companies on 9 00:00:25,600 --> 00:00:29,800 Speaker 2: set with TV stars, Hollywood directors, celebrities, everybody throughout her career. 10 00:00:30,080 --> 00:00:32,160 Speaker 1: She actually grew up on sets too. 11 00:00:32,320 --> 00:00:36,800 Speaker 2: And I've been following this story with this new movie 12 00:00:36,880 --> 00:00:37,480 Speaker 2: that came out. 13 00:00:37,479 --> 00:00:40,080 Speaker 1: It ends with us. It's got Blake Lively. 14 00:00:40,240 --> 00:00:45,000 Speaker 2: She is now accusing her co star of I guess harassment, 15 00:00:45,080 --> 00:00:47,360 Speaker 2: and he's kind of come out and said no, no, 16 00:00:47,720 --> 00:00:51,120 Speaker 2: there are allegations of her being difficult to work with. 17 00:00:51,320 --> 00:00:54,240 Speaker 2: We'll be speaking with Jamie Lee Lardner in just a minute, 18 00:00:54,240 --> 00:00:57,639 Speaker 2: but first let me tell you about preborn. This Sanctity 19 00:00:57,680 --> 00:01:00,560 Speaker 2: of Life Month, we honor the over six x six 20 00:01:00,600 --> 00:01:04,200 Speaker 2: million babies whose lives have been tragically ended through abortion 21 00:01:04,360 --> 00:01:08,280 Speaker 2: since Row Sadly, since Roe was overturned, babies lives are 22 00:01:08,280 --> 00:01:11,400 Speaker 2: at an even greater risk. You see, the abortion pill 23 00:01:11,480 --> 00:01:15,080 Speaker 2: accounts for over sixty percent of all abortions, and that 24 00:01:15,160 --> 00:01:18,520 Speaker 2: makes this tragedy available twenty four to seven. But in 25 00:01:18,560 --> 00:01:21,200 Speaker 2: the midst of this darkness, there is a light that shines. 26 00:01:21,560 --> 00:01:25,640 Speaker 2: Preborn has rescued over three hundred thousand babies from abortion, 27 00:01:26,000 --> 00:01:29,039 Speaker 2: and every day, on an average day, they rescue two 28 00:01:29,160 --> 00:01:32,759 Speaker 2: hundred plus babies. When a woman is considering an abortion, 29 00:01:33,440 --> 00:01:36,480 Speaker 2: she hears her baby's heartbeat and sees her precious baby 30 00:01:36,520 --> 00:01:39,679 Speaker 2: on ultrasound, and her baby's chance at life is doubled. 31 00:01:40,040 --> 00:01:43,800 Speaker 2: Preborn shares free heartbeats and God's love for mother and child, 32 00:01:44,000 --> 00:01:47,200 Speaker 2: and they need our help. For just twenty eight dollars 33 00:01:47,240 --> 00:01:50,000 Speaker 2: the cost of a dinner, you can sponsor an ultrasound 34 00:01:50,000 --> 00:01:52,840 Speaker 2: to introduce a mother to her baby for the first time. 35 00:01:53,000 --> 00:01:56,480 Speaker 2: One hundred percent of your donation goes towards saving babies. 36 00:01:56,720 --> 00:01:57,560 Speaker 1: Will you help us? 37 00:01:57,840 --> 00:02:01,120 Speaker 2: Just dial pound two five zero and save the keyword baby. 38 00:02:01,280 --> 00:02:04,720 Speaker 2: That's pound two point fifty baby, or donate securely at 39 00:02:04,760 --> 00:02:09,680 Speaker 2: preborn dot com slash dixon. That's preborn dot com slash dixon. 40 00:02:10,120 --> 00:02:16,880 Speaker 2: Now let's get into our interview with Jamie Lee Lardner. Jamie, 41 00:02:16,960 --> 00:02:19,440 Speaker 2: you posted something on Twitter, so I wanted to get 42 00:02:19,480 --> 00:02:22,160 Speaker 2: a little bit of your background and what you see 43 00:02:22,160 --> 00:02:23,440 Speaker 2: from the Hollywood perspective. 44 00:02:24,280 --> 00:02:27,240 Speaker 3: So my perspective is based on personal experience and as 45 00:02:27,240 --> 00:02:30,760 Speaker 3: you just said, working in many different ways throughout the industry. 46 00:02:31,040 --> 00:02:34,840 Speaker 3: But I watched the movie for the first time yesterday, 47 00:02:35,080 --> 00:02:38,720 Speaker 3: and it is a very sexual movie. I don't know 48 00:02:38,760 --> 00:02:41,040 Speaker 3: if you've seen it. There's a lot of sex scenes. 49 00:02:41,160 --> 00:02:44,320 Speaker 3: And she came out swinging with these allegations, and then 50 00:02:44,360 --> 00:02:47,560 Speaker 3: he came back with receipts, a paper trail saying that 51 00:02:48,400 --> 00:02:51,440 Speaker 3: she never met with the intimacy coordinator. So that kind 52 00:02:51,440 --> 00:02:56,320 Speaker 3: of got me thinking about like unfounded allegations, because that's 53 00:02:56,360 --> 00:02:57,960 Speaker 3: where my experience comes into play. 54 00:02:58,200 --> 00:03:00,679 Speaker 2: Well, and that's so for the those of us who 55 00:03:00,760 --> 00:03:06,160 Speaker 2: are not people that work on movies and have intimacy coordinators. 56 00:03:06,200 --> 00:03:07,919 Speaker 2: Like I watch a movie and I think it all 57 00:03:07,960 --> 00:03:11,200 Speaker 2: just happens, but you know the behind the scenes. So 58 00:03:11,400 --> 00:03:14,880 Speaker 2: to me, finding out that she didn't meet with them 59 00:03:15,280 --> 00:03:17,640 Speaker 2: is a very big deal. And this is where I started. 60 00:03:17,680 --> 00:03:19,640 Speaker 2: I saw this at first, and I think there is 61 00:03:19,680 --> 00:03:21,960 Speaker 2: a tendency to be like, oh my gosh, this woman 62 00:03:22,080 --> 00:03:24,639 Speaker 2: was in a bad situation, and then we all suddenly 63 00:03:24,680 --> 00:03:28,160 Speaker 2: hate Justin Baldoni. And here's a guy who is he's 64 00:03:28,240 --> 00:03:30,840 Speaker 2: kind of newer, his career is just taking off. She's 65 00:03:31,000 --> 00:03:35,040 Speaker 2: well known, she's married to Ryan Reynolds. Everybody is kind 66 00:03:35,160 --> 00:03:37,920 Speaker 2: has kind of been a fangirl like Lively at some point, 67 00:03:38,360 --> 00:03:42,600 Speaker 2: and suddenly is like, wait, if you make this up, 68 00:03:42,680 --> 00:03:45,960 Speaker 2: it's incredibly damaging. When he comes back with the receipts 69 00:03:45,960 --> 00:03:48,760 Speaker 2: saying she wasn't there and you mentioned the movie as 70 00:03:48,880 --> 00:03:53,360 Speaker 2: very sexual, she says there were unwanted kisses and things 71 00:03:53,400 --> 00:03:55,840 Speaker 2: like that, But isn't that why you meet with this person? 72 00:03:55,920 --> 00:03:58,160 Speaker 2: Explain a little bit to those of us who haven't 73 00:03:58,160 --> 00:04:00,960 Speaker 2: had someone coordinating our intimate So. 74 00:04:01,480 --> 00:04:04,800 Speaker 3: Yeah, intimacy coordinators are like ninety nine percent there to 75 00:04:05,200 --> 00:04:09,480 Speaker 3: protect the woman who historically in the past male talent 76 00:04:09,560 --> 00:04:12,360 Speaker 3: will take liberties with put a hand a little lower, 77 00:04:12,440 --> 00:04:14,960 Speaker 3: you know, take a kiss a little longer. Actual things 78 00:04:15,080 --> 00:04:18,600 Speaker 3: she accused him of where it's a miss for me, 79 00:04:19,000 --> 00:04:22,280 Speaker 3: is that's all stuff that goes through the intimacy coordinator nowadays, 80 00:04:22,279 --> 00:04:26,120 Speaker 3: who is effectively think of dance choreography, You don't just 81 00:04:26,200 --> 00:04:28,400 Speaker 3: go out there and wing your dance moves. Like you 82 00:04:28,560 --> 00:04:32,240 Speaker 3: have a heavily coreographed situation. That's how intimacy is nowadays. 83 00:04:32,800 --> 00:04:36,200 Speaker 3: Every placement of the hand, even down to what looks 84 00:04:36,240 --> 00:04:39,200 Speaker 3: better or like sexier, if you will. Like these intimacy 85 00:04:39,200 --> 00:04:42,680 Speaker 3: coordinators are extremely vital to the creative process. They protect 86 00:04:42,760 --> 00:04:45,120 Speaker 3: talent and they help talent look sexier. 87 00:04:46,240 --> 00:04:49,000 Speaker 2: That's interesting because we like to imagine that that's what 88 00:04:49,040 --> 00:04:51,480 Speaker 2: we all look like. And thank god nobody is in 89 00:04:51,520 --> 00:04:54,360 Speaker 2: my bedroom, like, no, put your hand here, this is going. 90 00:04:54,279 --> 00:04:57,080 Speaker 1: To work out better for you. But okay, moving on 91 00:04:57,240 --> 00:04:59,560 Speaker 1: from that, we this. 92 00:04:59,520 --> 00:05:04,200 Speaker 2: Comes out New York Times, and Justin is like, holy crap, 93 00:05:04,320 --> 00:05:06,040 Speaker 2: this came out in the New York Times, and this 94 00:05:06,120 --> 00:05:07,240 Speaker 2: is like a but this. 95 00:05:07,200 --> 00:05:12,120 Speaker 1: Is a long article. So what occurred to have the 96 00:05:12,160 --> 00:05:12,760 Speaker 1: New York. 97 00:05:12,600 --> 00:05:16,160 Speaker 2: Times suddenly essentially decide to write a hit piece on 98 00:05:16,200 --> 00:05:17,920 Speaker 2: someone for Blake Lively. 99 00:05:18,480 --> 00:05:22,120 Speaker 3: Well, the lawyer went on camera and explained that Justin 100 00:05:22,240 --> 00:05:25,040 Speaker 3: received the notice that The New York Times was going 101 00:05:25,120 --> 00:05:28,080 Speaker 3: to run this at about nine pm the night before 102 00:05:28,279 --> 00:05:30,920 Speaker 3: and gave him a deadline to reply, which was only 103 00:05:30,960 --> 00:05:32,640 Speaker 3: a few hours later. 104 00:05:32,800 --> 00:05:36,640 Speaker 2: So I always love that too, because remember, you could 105 00:05:36,680 --> 00:05:38,240 Speaker 2: be out, you could be asleep. 106 00:05:38,320 --> 00:05:40,560 Speaker 1: You have just a few hours. 107 00:05:40,279 --> 00:05:43,120 Speaker 2: To get back to someone who sneaks into your email 108 00:05:43,200 --> 00:05:44,920 Speaker 2: in the in the evening hours. 109 00:05:45,000 --> 00:05:46,800 Speaker 1: That's a low blow. 110 00:05:47,360 --> 00:05:48,960 Speaker 3: Yeah, And so we didn't give him a lot of 111 00:05:48,960 --> 00:05:53,279 Speaker 3: time to reply, let alone when the allegations are that serious, 112 00:05:53,720 --> 00:05:56,400 Speaker 3: you are going to call counsel. That left him very 113 00:05:56,400 --> 00:05:59,520 Speaker 3: little time to call his PR team or his lawyer, 114 00:06:00,000 --> 00:06:02,880 Speaker 3: because when you're getting accused of sexual harassment, you're going 115 00:06:02,920 --> 00:06:03,600 Speaker 3: to lawyer up. 116 00:06:04,000 --> 00:06:05,200 Speaker 4: And so they were. 117 00:06:05,120 --> 00:06:07,159 Speaker 3: Going to print it within seven hours, per what his 118 00:06:07,279 --> 00:06:10,800 Speaker 3: lawyer had already said. So that was a big red 119 00:06:10,800 --> 00:06:13,800 Speaker 3: flag for me on something is not going according to 120 00:06:14,000 --> 00:06:18,159 Speaker 3: the normal process. And then he never got to respond, 121 00:06:18,279 --> 00:06:20,880 Speaker 3: So it was just all of her allegations running to print. 122 00:06:21,000 --> 00:06:23,640 Speaker 4: And that's why he's suing The New York Times. 123 00:06:24,480 --> 00:06:26,360 Speaker 2: I mean, and what would you do at this point? 124 00:06:26,440 --> 00:06:29,120 Speaker 2: And he's suing them for two hundred and fifty million dollars. 125 00:06:29,440 --> 00:06:33,000 Speaker 2: Now his attorney has been out talking to people and 126 00:06:33,040 --> 00:06:35,760 Speaker 2: he's like, look, if we have to, we're going to 127 00:06:35,800 --> 00:06:39,599 Speaker 2: go after Blake Lively and Ryan Reynolds too, because they've 128 00:06:39,600 --> 00:06:43,360 Speaker 2: fully destroyed his career. And and to your point, when 129 00:06:43,400 --> 00:06:47,240 Speaker 2: you come back with these receipts, like, hey, this is 130 00:06:47,279 --> 00:06:48,160 Speaker 2: not what happened. 131 00:06:49,040 --> 00:06:51,120 Speaker 1: Then it starts to look a little bit fishy. 132 00:06:51,160 --> 00:06:54,960 Speaker 2: But she sort of has a reputation for not being 133 00:06:55,440 --> 00:06:57,680 Speaker 2: for having a bit of a mean girl side, and 134 00:06:57,880 --> 00:07:00,600 Speaker 2: this started to come out from people. I mean, this 135 00:07:00,760 --> 00:07:03,520 Speaker 2: goes back to even Gossip Girl, and I haven't I 136 00:07:03,640 --> 00:07:05,599 Speaker 2: was like thinking about it, and I'm like, I've watched 137 00:07:05,640 --> 00:07:08,279 Speaker 2: a lot of Ryan Reynolds movies. I'm a huge fan 138 00:07:08,360 --> 00:07:11,040 Speaker 2: of the proposal. It makes me very sad that this 139 00:07:11,080 --> 00:07:14,120 Speaker 2: could potentially mean that they're both like personally not very 140 00:07:14,200 --> 00:07:17,920 Speaker 2: nice people, depending on how this ends up going. 141 00:07:18,360 --> 00:07:19,920 Speaker 1: But when you look. 142 00:07:19,800 --> 00:07:21,880 Speaker 2: Back at this, she had issues with people on the 143 00:07:21,920 --> 00:07:24,240 Speaker 2: set of Gossip Girl, She's had issues with people on 144 00:07:24,320 --> 00:07:27,280 Speaker 2: other sets. It seems to be that there's a theme 145 00:07:27,360 --> 00:07:29,320 Speaker 2: here and you've actually experienced this too. 146 00:07:29,960 --> 00:07:33,520 Speaker 3: Mine was pre Gossip Girl. She was doing Sisterhood of 147 00:07:33,560 --> 00:07:36,320 Speaker 3: the Traveling Pants. I was an intern. Again, don't speak 148 00:07:36,360 --> 00:07:38,600 Speaker 3: to the talent, And I can go back and explain 149 00:07:38,680 --> 00:07:40,640 Speaker 3: why you don't speak to talent, but like, that's a 150 00:07:40,640 --> 00:07:44,320 Speaker 3: whole separate conversation, but well understood from my perspective because 151 00:07:44,360 --> 00:07:46,280 Speaker 3: I grew up with my parents in sports TV. 152 00:07:47,080 --> 00:07:48,880 Speaker 4: So my job that day was. 153 00:07:48,840 --> 00:07:51,400 Speaker 3: To hand out water bottles, and I had to walk 154 00:07:51,480 --> 00:07:54,640 Speaker 3: by them in the hallway with other interns who didn't 155 00:07:54,640 --> 00:07:55,200 Speaker 3: speak to her. 156 00:07:55,280 --> 00:07:57,360 Speaker 4: Nobody there were three of us. Nobody spoke to her. 157 00:07:57,880 --> 00:07:59,800 Speaker 3: We pin ourselves against the wall so they can get 158 00:07:59,840 --> 00:08:03,760 Speaker 3: to and then we wind up on set. We watched 159 00:08:03,760 --> 00:08:06,520 Speaker 3: them tape the show, and maybe twenty minutes after taping 160 00:08:06,560 --> 00:08:09,120 Speaker 3: the show, they're like emergency intern meeting upstairs. 161 00:08:09,400 --> 00:08:11,040 Speaker 4: So we all go upstairs and we're like, oh, what's 162 00:08:11,080 --> 00:08:13,760 Speaker 4: this about. You need to never talk to talent. 163 00:08:13,920 --> 00:08:16,240 Speaker 3: You need to not treat them like you're a fan 164 00:08:16,280 --> 00:08:18,760 Speaker 3: of theirs. You're working, you're in a professional capacity. 165 00:08:19,080 --> 00:08:21,120 Speaker 4: And I'm looking around like who did something at this 166 00:08:21,160 --> 00:08:22,960 Speaker 4: point because I didn't see any of that. 167 00:08:23,680 --> 00:08:25,920 Speaker 3: Then they asked me to stay after the meeting, and 168 00:08:25,960 --> 00:08:29,720 Speaker 3: I'm like me. Then they proceeded to say, what did 169 00:08:29,760 --> 00:08:31,640 Speaker 3: you How did you interact with Blake? Why does she 170 00:08:31,720 --> 00:08:33,520 Speaker 3: keep saying you treated her like a fan? You treated 171 00:08:33,520 --> 00:08:35,920 Speaker 3: her like a fan, And I'm like her, I didn't 172 00:08:35,920 --> 00:08:38,880 Speaker 3: speak to anyone, let alone her, didn't know who she was, 173 00:08:39,440 --> 00:08:42,679 Speaker 3: and so I was very just very confused, and they 174 00:08:42,760 --> 00:08:44,120 Speaker 3: specifically kept saying it was her. 175 00:08:44,200 --> 00:08:45,920 Speaker 4: What could you have done? What could you have done? 176 00:08:46,040 --> 00:08:46,800 Speaker 4: I'm freaking out. 177 00:08:46,840 --> 00:08:48,520 Speaker 3: Am I going to lose my job at this point? 178 00:08:48,520 --> 00:08:51,080 Speaker 3: Because you know how interns are. You're the most disposable 179 00:08:51,080 --> 00:08:53,800 Speaker 3: person on set, get out. If you're a problem, you're 180 00:08:53,920 --> 00:08:58,000 Speaker 3: so easily removed. So the gravity of it hits me 181 00:08:58,040 --> 00:08:59,640 Speaker 3: as I walk out, and I just like start crying 182 00:08:59,640 --> 00:09:02,040 Speaker 3: because I'm like, oh my God, Like my dad had 183 00:09:02,040 --> 00:09:02,760 Speaker 3: gotten me this job. 184 00:09:02,800 --> 00:09:05,320 Speaker 4: Are they gonna call him after? Like where is this 185 00:09:05,440 --> 00:09:05,880 Speaker 4: gonna go? 186 00:09:06,480 --> 00:09:11,000 Speaker 3: Luckily, nothing happened beyond that other than it just stuck 187 00:09:11,040 --> 00:09:13,440 Speaker 3: with me. And then through the years, as I would 188 00:09:13,480 --> 00:09:16,880 Speaker 3: hear anecdotal stories, I was like, man, that kind of 189 00:09:16,920 --> 00:09:18,600 Speaker 3: tracks with my experience where. 190 00:09:18,400 --> 00:09:21,119 Speaker 4: She fabricated a situation. 191 00:09:21,760 --> 00:09:25,120 Speaker 3: Now, sometimes I think maybe another intern might have spoken 192 00:09:25,160 --> 00:09:26,959 Speaker 3: to her somewhere else. I don't know why I was 193 00:09:27,000 --> 00:09:30,640 Speaker 3: specifically identified. To this day, I don't, but I like this. 194 00:09:30,880 --> 00:09:32,240 Speaker 4: I don't know. It was weird. 195 00:09:32,600 --> 00:09:35,320 Speaker 3: And then later on other people who are below the 196 00:09:35,360 --> 00:09:38,679 Speaker 3: line were targeted by her as well, So there seems 197 00:09:38,679 --> 00:09:41,200 Speaker 3: to be like a she picks on or doesn't like 198 00:09:41,240 --> 00:09:44,160 Speaker 3: people below her. But all I can say is that 199 00:09:44,240 --> 00:09:46,520 Speaker 3: was my experience with her. I went on to work 200 00:09:46,559 --> 00:09:50,160 Speaker 3: with other movie stars, directors, other people in the industry, 201 00:09:50,240 --> 00:09:52,640 Speaker 3: and no one's ever accused me of treating someone like 202 00:09:52,679 --> 00:09:53,120 Speaker 3: a fan. 203 00:09:53,440 --> 00:09:55,959 Speaker 2: We'll be right back with more from Jamie Lee Lardner, 204 00:09:55,960 --> 00:09:57,120 Speaker 2: but first let me tell you. 205 00:09:57,040 --> 00:09:58,200 Speaker 1: About Patriot Mobile. 206 00:09:58,600 --> 00:10:00,880 Speaker 2: While we may have won the selet the fight to 207 00:10:00,960 --> 00:10:04,000 Speaker 2: restore our great nation is only beginning. Now is the 208 00:10:04,040 --> 00:10:06,959 Speaker 2: time to take a stand, and Patriot Mobile is leading 209 00:10:07,080 --> 00:10:12,040 Speaker 2: that charge. As America's only Christian conservative wireless provider, Patriot 210 00:10:12,080 --> 00:10:15,520 Speaker 2: Mobile offers a way to vote with your wallet without 211 00:10:15,559 --> 00:10:19,840 Speaker 2: compromising on quality or convenience. Patriot Mobile isn't just about 212 00:10:19,840 --> 00:10:23,040 Speaker 2: providing exceptional cell phone service. It's a call to action 213 00:10:23,160 --> 00:10:26,440 Speaker 2: to defend our rights and freedoms. With Patriot Mobile, you'll 214 00:10:26,440 --> 00:10:30,680 Speaker 2: get outstanding nationwide coverage because they operate on all three 215 00:10:30,720 --> 00:10:33,680 Speaker 2: major networks. If you have cell phone service today, you 216 00:10:33,720 --> 00:10:36,160 Speaker 2: can get your cell phone service with Patriot Mobile with 217 00:10:36,240 --> 00:10:39,400 Speaker 2: a coverage guarantee. But the difference is that every dollar 218 00:10:39,480 --> 00:10:42,600 Speaker 2: you spend will support the first and second amendments. The 219 00:10:42,640 --> 00:10:47,280 Speaker 2: sanctity of life are veterans and first responders. Switching is easy, 220 00:10:47,480 --> 00:10:50,119 Speaker 2: keep your number, keep your phone, or you can upgrade. 221 00:10:50,200 --> 00:10:53,600 Speaker 2: Their one hundred percent US based customer support team will 222 00:10:53,600 --> 00:10:56,520 Speaker 2: help you find the perfect plan right now. Go to 223 00:10:56,600 --> 00:10:59,599 Speaker 2: Patriotmobile dot com, slash tutor or call nine seven to 224 00:10:59,640 --> 00:11:02,400 Speaker 2: two Patriot and get a free month of service with 225 00:11:02,520 --> 00:11:05,960 Speaker 2: promo code tutor. Switch to Patriot Mobile today and defend 226 00:11:06,000 --> 00:11:09,559 Speaker 2: freedom with every call and text you make. Visit Patriotmobile 227 00:11:09,600 --> 00:11:13,280 Speaker 2: dot com, slash tutor or call nine seven to two Patriot. 228 00:11:16,320 --> 00:11:19,160 Speaker 2: I mean, it's interesting because what I was telling you 229 00:11:19,200 --> 00:11:23,000 Speaker 2: before we started recording, so years and years ago, I'm 230 00:11:23,040 --> 00:11:25,800 Speaker 2: obviously aging myself now because I was an intern on 231 00:11:25,840 --> 00:11:28,120 Speaker 2: The Rosie o'donald Show, which is a show that when 232 00:11:28,160 --> 00:11:30,000 Speaker 2: I talked to young people today, they're like, what was 233 00:11:30,000 --> 00:11:34,080 Speaker 2: that great? At the time, it was like a show 234 00:11:34,200 --> 00:11:37,520 Speaker 2: that every everybody loved Rosie, you know she she was 235 00:11:37,679 --> 00:11:40,200 Speaker 2: She had this big crush on Tom Cruise on the show. 236 00:11:40,240 --> 00:11:43,200 Speaker 2: Always would always talk about had celebrities on every day, 237 00:11:43,559 --> 00:11:46,520 Speaker 2: and it was really fun working there. So I was young, 238 00:11:46,600 --> 00:11:48,760 Speaker 2: I was just out of college. I was working as 239 00:11:48,800 --> 00:11:52,080 Speaker 2: an intern. And when we got there, they explained she 240 00:11:52,160 --> 00:11:55,439 Speaker 2: had had a bad experience with an intern, and she 241 00:11:55,559 --> 00:11:57,960 Speaker 2: you know, anytime you're in that situation where you are 242 00:11:58,080 --> 00:12:02,160 Speaker 2: so famous, and she had had some experiences where people 243 00:12:02,480 --> 00:12:05,199 Speaker 2: didn't like that. And I think it was not widely 244 00:12:05,280 --> 00:12:08,880 Speaker 2: known at that point that she was in a relationship 245 00:12:08,960 --> 00:12:10,840 Speaker 2: with a woman and they had children together, but there 246 00:12:10,840 --> 00:12:13,320 Speaker 2: were people that knew. So then there were people that 247 00:12:13,360 --> 00:12:16,840 Speaker 2: were threatening her, and you know, obviously those are very 248 00:12:16,960 --> 00:12:20,360 Speaker 2: when you were threatening someone or their children, they're very protective. 249 00:12:20,440 --> 00:12:24,520 Speaker 2: So I understood when they said she doesn't communicate with interns. 250 00:12:24,760 --> 00:12:25,240 Speaker 1: I got it. 251 00:12:25,280 --> 00:12:27,880 Speaker 2: And I have to say that her set was nothing 252 00:12:28,000 --> 00:12:29,839 Speaker 2: like what we've heard of other celebrities sets. 253 00:12:29,920 --> 00:12:32,120 Speaker 1: The people that worked with her, they had worked with 254 00:12:32,160 --> 00:12:35,280 Speaker 1: her for years. They absolutely loved her. But I knew 255 00:12:35,280 --> 00:12:36,800 Speaker 1: my role don't talk to her. 256 00:12:37,000 --> 00:12:40,240 Speaker 2: And I had become friends with some of her bodyguards, 257 00:12:40,280 --> 00:12:46,440 Speaker 2: and so, you know, like, I'm I'm twenty one years old, right, 258 00:12:46,800 --> 00:12:50,000 Speaker 2: and you're learning your place in the world. And so 259 00:12:50,120 --> 00:12:52,040 Speaker 2: I was at the front desk one day and they 260 00:12:52,040 --> 00:12:54,360 Speaker 2: were walking out and I said to the guy who 261 00:12:54,440 --> 00:12:56,480 Speaker 2: was with her, bye, have a good weekend. And she 262 00:12:56,600 --> 00:12:58,320 Speaker 2: turned around looked at me, and I was like, oh, 263 00:12:58,600 --> 00:13:01,320 Speaker 2: not you, and then I was and she looked at 264 00:13:01,360 --> 00:13:04,000 Speaker 2: me kind of like what that, you know, And I 265 00:13:04,040 --> 00:13:06,040 Speaker 2: was like, no, that came out wrong. 266 00:13:06,360 --> 00:13:08,320 Speaker 1: Not that you shouldn't have a nice weekend. I just 267 00:13:08,440 --> 00:13:09,160 Speaker 1: wasn't talking to you. 268 00:13:09,200 --> 00:13:10,800 Speaker 2: I was talking to him, and then I was like, 269 00:13:10,880 --> 00:13:14,240 Speaker 2: this is getting I hear what's happening, and it's getting 270 00:13:14,240 --> 00:13:16,480 Speaker 2: worse now. She, I think, kind of laughed it off 271 00:13:16,520 --> 00:13:19,200 Speaker 2: and walked out the door. And I never got I 272 00:13:19,200 --> 00:13:21,320 Speaker 2: certainly never got in trouble about it. But when I 273 00:13:21,360 --> 00:13:23,520 Speaker 2: heard your story, I'm like, man, it is true that 274 00:13:23,600 --> 00:13:26,720 Speaker 2: there's a lot of pressure on these sets, and I 275 00:13:26,760 --> 00:13:31,280 Speaker 2: think like, in that situation, she understood that it was 276 00:13:31,480 --> 00:13:34,320 Speaker 2: not me trying to put her in an awkward position. But 277 00:13:34,440 --> 00:13:37,120 Speaker 2: had she had a different personality, I could have gotten 278 00:13:37,120 --> 00:13:37,920 Speaker 2: in trouble for that. 279 00:13:38,360 --> 00:13:40,240 Speaker 4: Oh yeah, there's talent that'll yell at you for that. 280 00:13:40,440 --> 00:13:41,760 Speaker 4: But I also wanted. 281 00:13:41,480 --> 00:13:45,199 Speaker 3: To add in people are taking a risk on an intern. 282 00:13:45,800 --> 00:13:47,920 Speaker 3: You get some bad ones who are like read my 283 00:13:48,000 --> 00:13:51,240 Speaker 3: script right right and do all sorts of or or 284 00:13:51,480 --> 00:13:54,880 Speaker 3: fangirl on the talent like it does occur. So the 285 00:13:55,040 --> 00:13:57,640 Speaker 3: rule makes sense because so many people in my comment 286 00:13:57,679 --> 00:13:59,760 Speaker 3: section were like, what do you mean you can't talk 287 00:13:59,760 --> 00:14:00,000 Speaker 3: to tis? 288 00:14:00,280 --> 00:14:02,480 Speaker 4: That's ridiculous. I wouldn't work somewhere where I couldn't, And 289 00:14:02,480 --> 00:14:02,839 Speaker 4: I'm like. 290 00:14:02,800 --> 00:14:06,280 Speaker 3: Oh no, when it goes wrong, it's extremely annoying. To 291 00:14:06,320 --> 00:14:08,880 Speaker 3: be talent, and every time you go somewhere, hey mister 292 00:14:08,960 --> 00:14:11,360 Speaker 3: John Cruise read my script. Hey mister John Cruse, I 293 00:14:11,400 --> 00:14:13,600 Speaker 3: want to be an actor. It's like, okay, the rule 294 00:14:13,640 --> 00:14:16,239 Speaker 3: makes sense until we know you well, because. 295 00:14:16,040 --> 00:14:18,360 Speaker 2: It's I mean, we forget that this is their job, 296 00:14:18,559 --> 00:14:20,880 Speaker 2: you know, and they're going to work, just like I 297 00:14:20,920 --> 00:14:23,200 Speaker 2: wouldn't want to have people sitting outside of my door 298 00:14:23,280 --> 00:14:24,800 Speaker 2: at my office every day like. 299 00:14:24,720 --> 00:14:26,640 Speaker 1: Hey, can I talk to you about this? They're working, 300 00:14:26,760 --> 00:14:28,440 Speaker 1: this is their career and it's hard work. 301 00:14:28,480 --> 00:14:28,640 Speaker 4: You know. 302 00:14:28,720 --> 00:14:31,360 Speaker 2: We think of movies as like so glamorous, but they're 303 00:14:31,440 --> 00:14:32,120 Speaker 2: long days. 304 00:14:32,440 --> 00:14:33,600 Speaker 1: I mean, you're in. 305 00:14:33,520 --> 00:14:36,360 Speaker 2: A situation where you have to have an intimacy coordinator. 306 00:14:36,400 --> 00:14:39,040 Speaker 2: You know, it's awkward. These are these are tough days. 307 00:14:39,080 --> 00:14:44,840 Speaker 2: So I understand that. But she has had other experiences 308 00:14:44,880 --> 00:14:48,040 Speaker 2: where she has come off as this mean girl personality. 309 00:14:48,080 --> 00:14:50,280 Speaker 2: So I want to play this clip from a reporter 310 00:14:50,320 --> 00:14:54,600 Speaker 2: who interestingly released this just before this all blew up 311 00:14:54,800 --> 00:14:58,920 Speaker 2: with Justin Baldoni and now Blake Lively is accusing him 312 00:14:59,080 --> 00:15:03,760 Speaker 2: of having coordinate with her to hurt Blake's personality or 313 00:15:04,040 --> 00:15:08,680 Speaker 2: hurt her reputation, and this interviewer said, no, I just 314 00:15:09,160 --> 00:15:12,600 Speaker 2: went back through and this was earlier, like six years ago, 315 00:15:12,880 --> 00:15:15,680 Speaker 2: and I really questioned my career after this interview. 316 00:15:15,720 --> 00:15:17,680 Speaker 1: So let's watch one of the clips from this. 317 00:15:18,400 --> 00:15:20,920 Speaker 4: First of all, congrets on your little bump. 318 00:15:21,280 --> 00:15:24,520 Speaker 1: Congrats on your little bump? What not my bump? 319 00:15:26,600 --> 00:15:30,360 Speaker 2: Which I watched this and then I saw that the 320 00:15:30,520 --> 00:15:35,520 Speaker 2: reporter posted she was postmenopausal, had never been able to 321 00:15:35,520 --> 00:15:36,120 Speaker 2: have kids. 322 00:15:36,520 --> 00:15:39,040 Speaker 1: She did feel like she had a little bump. 323 00:15:38,840 --> 00:15:41,440 Speaker 2: There because you know, when you get older, that's kind 324 00:15:41,480 --> 00:15:43,560 Speaker 2: of how women's bodies tend to grow. 325 00:15:44,040 --> 00:15:46,760 Speaker 1: And she was so taken. 326 00:15:46,400 --> 00:15:49,600 Speaker 2: Aback by how rude it was. And you can see 327 00:15:49,680 --> 00:15:52,600 Speaker 2: in that clip if you're watching or even listening. I mean, 328 00:15:52,640 --> 00:15:57,680 Speaker 2: she's very condescending. It's very here is somebody saying, congratulations 329 00:15:57,680 --> 00:16:01,240 Speaker 2: that you're pregnant. She's obviously American, you can tell by 330 00:16:01,240 --> 00:16:04,880 Speaker 2: her accent. There's a different culture there, and yet Blake 331 00:16:04,960 --> 00:16:08,040 Speaker 2: makes her feel like she is this big and it's 332 00:16:08,080 --> 00:16:08,960 Speaker 2: so nasty. 333 00:16:09,440 --> 00:16:13,560 Speaker 3: It was that clip that actually got me into this 334 00:16:13,600 --> 00:16:17,320 Speaker 3: whole situation because it ends with us. It's not a 335 00:16:17,360 --> 00:16:20,960 Speaker 3: typical movie that I would be watching, not really my story. 336 00:16:21,000 --> 00:16:23,480 Speaker 3: I did wind up watching it to be able to 337 00:16:23,480 --> 00:16:26,320 Speaker 3: speak on these issues. But when I saw that clip. 338 00:16:26,400 --> 00:16:30,000 Speaker 3: It brought me back so hard to that day when 339 00:16:30,000 --> 00:16:32,040 Speaker 3: she lobbied those allegations against me. 340 00:16:32,200 --> 00:16:34,320 Speaker 4: I was like, I'm starting to really believe that this. 341 00:16:34,200 --> 00:16:36,440 Speaker 3: Is a pattern here that wasn't just a bad day 342 00:16:36,520 --> 00:16:37,680 Speaker 3: or a misidentification. 343 00:16:38,800 --> 00:16:40,760 Speaker 2: And I think that if there is a pattern, then 344 00:16:40,960 --> 00:16:43,200 Speaker 2: you do have to call I mean, that interview went 345 00:16:43,280 --> 00:16:45,600 Speaker 2: off the rails, and if you'll notice in the interview, 346 00:16:45,920 --> 00:16:48,680 Speaker 2: she won't even make eye contact with this woman. 347 00:16:49,000 --> 00:16:50,760 Speaker 1: And I really feel. 348 00:16:50,480 --> 00:16:53,800 Speaker 2: Like if you I've had this experience where someone has 349 00:16:53,880 --> 00:16:56,680 Speaker 2: asked me like can I come and promote my book 350 00:16:56,760 --> 00:17:00,680 Speaker 2: or promote my film or promote something on your podcast, 351 00:17:01,000 --> 00:17:02,600 Speaker 2: and then they. 352 00:17:02,520 --> 00:17:05,000 Speaker 1: Give you one word answers and you clearly can. 353 00:17:04,880 --> 00:17:09,920 Speaker 2: Tell okay, they're they're media person asked to have them 354 00:17:09,920 --> 00:17:11,880 Speaker 2: on here, and it's like pulling teeth. 355 00:17:12,119 --> 00:17:13,760 Speaker 1: There's nothing more uncomfortable. 356 00:17:13,960 --> 00:17:17,439 Speaker 2: And I honestly think it's incredibly rude because you're taking 357 00:17:17,520 --> 00:17:21,640 Speaker 2: your time, You're you're using your platform in your space 358 00:17:21,720 --> 00:17:25,440 Speaker 2: to give them time to promote their stuff, and they're 359 00:17:25,480 --> 00:17:27,960 Speaker 2: treating you like you're lucky to have them there. So 360 00:17:28,000 --> 00:17:30,320 Speaker 2: there's another clip that I want you to watch, because 361 00:17:30,320 --> 00:17:33,840 Speaker 2: she's obviously got this this mean girl vibe where she 362 00:17:34,200 --> 00:17:36,200 Speaker 2: is trying to be the victim as a woman. 363 00:17:36,240 --> 00:17:38,680 Speaker 1: Here it is you like the movie are you Woody 364 00:17:38,720 --> 00:17:39,200 Speaker 1: Allen fan? 365 00:17:39,320 --> 00:17:41,320 Speaker 3: I love most of his movies and this one was 366 00:17:41,359 --> 00:17:43,440 Speaker 3: so like visually amazing. 367 00:17:43,800 --> 00:17:47,000 Speaker 4: Yeah, it's gorgeous. Did you guys love wearing those kind 368 00:17:47,000 --> 00:17:49,280 Speaker 4: of clothes that you yeah. 369 00:17:48,960 --> 00:17:51,040 Speaker 3: Yeah, and you know working in digital to talk about 370 00:17:51,040 --> 00:17:52,600 Speaker 3: the clothes, But I wonder if they would ask the 371 00:17:52,640 --> 00:17:53,560 Speaker 3: men about the clothes. 372 00:17:54,520 --> 00:17:57,320 Speaker 4: It's like, wasn't wasn't they have to do with her 373 00:17:57,440 --> 00:17:58,080 Speaker 4: like clothing? 374 00:17:59,359 --> 00:18:03,439 Speaker 3: Actually, I'm a fan of her style, like her street style, 375 00:18:03,520 --> 00:18:07,000 Speaker 3: whatever you want to call it. And she was talking 376 00:18:07,119 --> 00:18:11,120 Speaker 3: ad nauseum about Lily Bloom, the character she plays this style, 377 00:18:11,200 --> 00:18:13,720 Speaker 3: So I'm surprised she was hostile to a style question. 378 00:18:14,320 --> 00:18:17,040 Speaker 2: And I think that that is why so many people 379 00:18:17,720 --> 00:18:18,720 Speaker 2: are drawn to her. 380 00:18:18,840 --> 00:18:22,200 Speaker 1: She has this natural beauty. She's not really made up. 381 00:18:22,480 --> 00:18:24,600 Speaker 2: There's nothing that you don't look at her and you go, oh, 382 00:18:24,600 --> 00:18:27,199 Speaker 2: those are hair extensions, are lip injections. You look at 383 00:18:27,240 --> 00:18:30,679 Speaker 2: her and she's kind of like striggle next Yes, that 384 00:18:30,760 --> 00:18:34,440 Speaker 2: girl next door beauty, And you're right, she can wear 385 00:18:34,720 --> 00:18:36,880 Speaker 2: baggy jeans and a T shirt and you're like, man, 386 00:18:36,960 --> 00:18:38,760 Speaker 2: I wish I look like that and baggie jeans and 387 00:18:38,760 --> 00:18:41,400 Speaker 2: a T shirt. She's kind of that person that would 388 00:18:41,480 --> 00:18:44,440 Speaker 2: be a great role model. And that's why I think 389 00:18:44,480 --> 00:18:47,399 Speaker 2: it is so striking that when you see her in 390 00:18:47,440 --> 00:18:51,040 Speaker 2: these interviews, you're like, oh my gosh, you just ripped 391 00:18:51,080 --> 00:18:51,600 Speaker 2: my heart out. 392 00:18:53,280 --> 00:18:53,560 Speaker 4: Yeah. 393 00:18:53,600 --> 00:18:55,679 Speaker 3: And the other thing that strikes me about some of this, 394 00:18:55,840 --> 00:18:58,600 Speaker 3: I call it press going left with her is most 395 00:18:58,600 --> 00:19:00,960 Speaker 3: of these people are giving her car compliments and she's 396 00:19:01,080 --> 00:19:04,719 Speaker 3: like misinterpreting them or replying in a weird way where 397 00:19:04,760 --> 00:19:08,920 Speaker 3: like congratulations on your phone, thank you, next question well. 398 00:19:08,960 --> 00:19:12,600 Speaker 2: And I saw another interview where someone was asking her 399 00:19:13,040 --> 00:19:15,760 Speaker 2: what would you do if someone came up and they 400 00:19:15,760 --> 00:19:18,600 Speaker 2: said they identified with this movie and they wanted to 401 00:19:18,600 --> 00:19:21,240 Speaker 2: talk to you on a personal level about the movie. 402 00:19:21,320 --> 00:19:23,720 Speaker 2: And I think that when you do something like this, 403 00:19:24,560 --> 00:19:26,800 Speaker 2: you take on a role like this, you kind of 404 00:19:26,880 --> 00:19:33,120 Speaker 2: know that you have become a champion to abused women and. 405 00:19:33,280 --> 00:19:36,360 Speaker 1: This is more than just a movie role. 406 00:19:36,400 --> 00:19:38,280 Speaker 2: And I think that was what the interviewer was saying, 407 00:19:38,400 --> 00:19:43,040 Speaker 2: like this movie is about a wife that is being abused, 408 00:19:43,080 --> 00:19:46,080 Speaker 2: and she says, I have to break the cycle is 409 00:19:46,080 --> 00:19:49,280 Speaker 2: going to end here. There are so many people in 410 00:19:49,320 --> 00:19:51,639 Speaker 2: this world that are in that situation. 411 00:19:51,720 --> 00:19:54,399 Speaker 1: So the guys like, what would you do if someone 412 00:19:54,480 --> 00:19:54,960 Speaker 1: comes up? 413 00:19:55,119 --> 00:19:58,760 Speaker 2: And it's almost like a sensory issue, like she doesn't 414 00:19:58,800 --> 00:20:01,679 Speaker 2: fully understand and how to interact with people, and she 415 00:20:01,720 --> 00:20:04,560 Speaker 2: goes into this like are you asking for my personal number? 416 00:20:04,720 --> 00:20:06,880 Speaker 2: Are you asking for my home addressed? Do you think 417 00:20:06,880 --> 00:20:08,760 Speaker 2: they're going to want to contact me at any time? 418 00:20:08,960 --> 00:20:11,119 Speaker 2: Because when you ask that question, I'm a virgo. I 419 00:20:11,160 --> 00:20:13,520 Speaker 2: need it to be explained a little bit clearer than 420 00:20:13,520 --> 00:20:17,080 Speaker 2: what exactly you're saying. I saw that one and that 421 00:20:17,119 --> 00:20:20,200 Speaker 2: guy is also put off, and you can tell everybody's 422 00:20:20,200 --> 00:20:23,720 Speaker 2: trying to like quickly clean up and apologize. No no, no, no, no, yes, yes, 423 00:20:23,800 --> 00:20:26,800 Speaker 2: Oh you're so funny, But why be so hostile? 424 00:20:27,640 --> 00:20:28,680 Speaker 4: I have a theory. 425 00:20:29,400 --> 00:20:32,400 Speaker 3: There's a few different types of actors in my experience. 426 00:20:32,520 --> 00:20:36,240 Speaker 3: There's great improvisers, like your Will Ferrell's, like your Jim Care's, 427 00:20:36,320 --> 00:20:38,760 Speaker 3: like your Robin Williams, who you're going to let go 428 00:20:38,880 --> 00:20:43,639 Speaker 3: off the rails. There's actors who struggle with off the 429 00:20:43,640 --> 00:20:47,040 Speaker 3: cuff situations. But when you give them a script, man, 430 00:20:47,119 --> 00:20:50,680 Speaker 3: can they breathe some life into it? And they interview 431 00:20:50,800 --> 00:20:54,080 Speaker 3: differently on Red Carpets, And my theory is she's a 432 00:20:54,160 --> 00:20:58,760 Speaker 3: script based actor who struggles in the moment with press. 433 00:20:58,960 --> 00:21:01,840 Speaker 3: And I know a few actors who are actually pulled 434 00:21:01,880 --> 00:21:04,520 Speaker 3: off of press because it's notoriously not gone well for 435 00:21:04,600 --> 00:21:07,720 Speaker 3: them as a way to just not distract from the film. 436 00:21:08,080 --> 00:21:11,120 Speaker 3: So I don't know where they lost the messaging here. 437 00:21:11,160 --> 00:21:13,720 Speaker 3: But this is also why I think she's upset at Baldoni. 438 00:21:14,119 --> 00:21:16,680 Speaker 3: He was very consistent in his messaging. He was visiting 439 00:21:16,680 --> 00:21:20,040 Speaker 3: domestic violence shelters, he was bringing up violence against women, 440 00:21:20,520 --> 00:21:23,240 Speaker 3: and he was very consistent in the messaging of the film. 441 00:21:23,520 --> 00:21:26,000 Speaker 3: He wanted to shoot it from a female gaze to 442 00:21:26,040 --> 00:21:30,159 Speaker 3: make it really authentic to the survivor's experience. And so 443 00:21:30,840 --> 00:21:34,560 Speaker 3: that juxtaposed with her marketing her hair care product and 444 00:21:34,680 --> 00:21:37,639 Speaker 3: billing it as a girl's night, I think may have 445 00:21:37,760 --> 00:21:39,960 Speaker 3: been like kicking a hornet's nest a little bit when 446 00:21:39,960 --> 00:21:43,360 Speaker 3: they were already not getting along, because it did kind 447 00:21:43,359 --> 00:21:45,320 Speaker 3: of expose she's missing the mark here. 448 00:21:45,480 --> 00:21:47,040 Speaker 4: Now. I don't know if that's her comms team. 449 00:21:47,359 --> 00:21:48,840 Speaker 3: I don't know if that's just how she is, and 450 00:21:48,840 --> 00:21:50,840 Speaker 3: she doesn't listen to the comms team like I don't 451 00:21:50,840 --> 00:21:53,280 Speaker 3: know what the origin of that is, but like, she 452 00:21:53,520 --> 00:21:56,760 Speaker 3: has a lot of interviews that don't land where I'm like, 453 00:21:57,160 --> 00:22:00,000 Speaker 3: someone needs to teach her how to like field these questions. 454 00:22:00,359 --> 00:22:03,120 Speaker 1: A little bit of media trading, yeah. 455 00:22:02,880 --> 00:22:07,679 Speaker 3: Because none of these questions should have been hostile replies now. 456 00:22:07,520 --> 00:22:10,439 Speaker 2: And something you don't consider with an actress because you 457 00:22:10,520 --> 00:22:12,840 Speaker 2: do assume that they can just take on a role 458 00:22:12,960 --> 00:22:17,000 Speaker 2: and even if that role is being the interviewee and talking, 459 00:22:17,560 --> 00:22:19,200 Speaker 2: but maybe not, maybe she can't. 460 00:22:19,960 --> 00:22:22,640 Speaker 3: I just feel like you can get five talk points. 461 00:22:22,760 --> 00:22:24,640 Speaker 3: I mean I do this as an amateur. There's five 462 00:22:24,680 --> 00:22:26,640 Speaker 3: talk points that I want to reiterate and just make 463 00:22:26,640 --> 00:22:28,480 Speaker 3: sure make it into the conversation. 464 00:22:28,760 --> 00:22:31,680 Speaker 1: Right exactly and maybe easy one. 465 00:22:32,280 --> 00:22:35,359 Speaker 2: Maybe it's tough when you have someone with the personality 466 00:22:35,800 --> 00:22:40,760 Speaker 2: that is, I'm the talent, I'm the special one here, 467 00:22:40,800 --> 00:22:42,760 Speaker 2: and it's hard to even have that conversation you're going 468 00:22:42,840 --> 00:22:43,119 Speaker 2: to go in. 469 00:22:43,160 --> 00:22:45,159 Speaker 1: And I think that was actually a concern. 470 00:22:44,840 --> 00:22:47,520 Speaker 2: Of his in some of this stuff that has come out, 471 00:22:47,600 --> 00:22:51,120 Speaker 2: some of these text messages and messages between his team 472 00:22:51,160 --> 00:22:53,600 Speaker 2: and her team, It has come out, is she going 473 00:22:53,680 --> 00:22:55,000 Speaker 2: to bail on. 474 00:22:54,960 --> 00:22:55,640 Speaker 1: The press tour? 475 00:22:55,960 --> 00:22:58,919 Speaker 2: Is she going to refuse to promote the movie, and 476 00:22:59,000 --> 00:23:02,560 Speaker 2: so I kind of wonder if because that happened, then 477 00:23:02,600 --> 00:23:05,480 Speaker 2: she started to get a little uptight and was like, well, 478 00:23:05,560 --> 00:23:07,560 Speaker 2: if I'm going to do this, it's gonna benefit me too. 479 00:23:08,240 --> 00:23:11,600 Speaker 1: But what happens now we see that because this is 480 00:23:11,680 --> 00:23:12,120 Speaker 1: kind of a. 481 00:23:12,119 --> 00:23:14,879 Speaker 2: Unique situation, although we did sort of see it with 482 00:23:14,960 --> 00:23:18,959 Speaker 2: Johnny Depp as well. It's like you have one actor 483 00:23:19,920 --> 00:23:25,119 Speaker 2: attacking the other, and then that actor that gets attacked goes, actually, 484 00:23:25,119 --> 00:23:28,240 Speaker 2: I'm going to release the receipts, and then does somebody 485 00:23:28,320 --> 00:23:29,360 Speaker 2: end up getting canceled? 486 00:23:31,840 --> 00:23:33,679 Speaker 4: This is what I really think will happen. 487 00:23:34,800 --> 00:23:39,760 Speaker 3: Say Justin loses, he's done right because Blake and Ryan 488 00:23:39,800 --> 00:23:42,600 Speaker 3: are so powerful so up here that he will just 489 00:23:42,640 --> 00:23:45,000 Speaker 3: be kicked out of Hollywood if he wins. 490 00:23:45,520 --> 00:23:46,920 Speaker 4: Blake and Ryan are going to be fine. 491 00:23:47,160 --> 00:23:50,280 Speaker 3: Like he was writing with the stressful movies of the year, 492 00:23:50,359 --> 00:23:51,960 Speaker 3: Deadpool did really really well. 493 00:23:52,520 --> 00:23:53,680 Speaker 4: It ends with us now. 494 00:23:53,760 --> 00:23:55,679 Speaker 3: As a result, as we say in pr there's no 495 00:23:55,720 --> 00:23:58,440 Speaker 3: such thing as ban press. As a result is like 496 00:23:58,480 --> 00:24:01,960 Speaker 3: one of Netflix's top films right now. So they both 497 00:24:02,080 --> 00:24:04,320 Speaker 3: prove that they can open a film. She has a 498 00:24:04,320 --> 00:24:06,960 Speaker 3: great filmography. Ryan is a great filmography. They have a 499 00:24:07,040 --> 00:24:10,880 Speaker 3: large fan base individually and together. So even if they 500 00:24:11,000 --> 00:24:14,240 Speaker 3: lose this, they're gonna be fine. Maybe she goes into 501 00:24:14,280 --> 00:24:16,280 Speaker 3: a little bit of a pr rehab where she does 502 00:24:16,480 --> 00:24:19,440 Speaker 3: a domestic violence tour and like or does some cute 503 00:24:19,520 --> 00:24:21,760 Speaker 3: videos with her kids chopping vegetables. 504 00:24:22,000 --> 00:24:24,040 Speaker 4: I think there's a way to rehab her image here. 505 00:24:24,440 --> 00:24:27,880 Speaker 3: I think if Justin can't pull this off, people won't 506 00:24:27,880 --> 00:24:30,560 Speaker 3: want to work with him again because why take on Goliath? 507 00:24:30,640 --> 00:24:33,520 Speaker 3: Why risk upsetting Goliath? It's a gig economy, it's a 508 00:24:33,520 --> 00:24:36,600 Speaker 3: referral economy. Blake and Ryan are going to be having 509 00:24:36,600 --> 00:24:38,240 Speaker 3: dinner with your Steven Spielberg's. 510 00:24:38,480 --> 00:24:40,480 Speaker 4: If you are one of the lower. 511 00:24:40,240 --> 00:24:42,959 Speaker 3: Actors on set, you want them bringing you up when 512 00:24:42,960 --> 00:24:45,240 Speaker 3: there's a random part available. Oh, I had a great 513 00:24:45,280 --> 00:24:48,159 Speaker 3: experience with Jenny Slate, Like, let me bring her on 514 00:24:48,200 --> 00:24:50,359 Speaker 3: to the next movie. Versus if Jenny Slate comes out 515 00:24:50,400 --> 00:24:53,440 Speaker 3: and goes I'm team Justin whether or not she is, 516 00:24:53,520 --> 00:24:56,560 Speaker 3: it's way safer to align with Goliath in this instance. 517 00:24:56,720 --> 00:24:59,760 Speaker 2: Now this is as execulative, but stay tuned for more 518 00:24:59,800 --> 00:25:02,120 Speaker 2: with Jamie Lee Lardner. But first I want to talk 519 00:25:02,160 --> 00:25:05,719 Speaker 2: to you about the International Fellowship of Christians and Jews. 520 00:25:06,200 --> 00:25:10,840 Speaker 2: On January twenty seventh International Holocaust Remembrance Day. We remember 521 00:25:10,880 --> 00:25:13,919 Speaker 2: the great evil of the Holocaust, when millions of Jews 522 00:25:13,960 --> 00:25:17,639 Speaker 2: were slaughtered during the Nazi reign of terror. Today, the 523 00:25:17,760 --> 00:25:21,440 Speaker 2: rise in global anti Semitism and constant attacks on Israel 524 00:25:21,720 --> 00:25:24,600 Speaker 2: show us that it's more important than ever to remember 525 00:25:24,640 --> 00:25:28,720 Speaker 2: the atrocities of the Holocaust and ensure it never happens again. 526 00:25:29,280 --> 00:25:33,000 Speaker 2: That's why I've partnered with the International Fellowship of Christians 527 00:25:33,000 --> 00:25:36,439 Speaker 2: and Jews. They provide food, shelter, and safety to Jews 528 00:25:36,440 --> 00:25:40,760 Speaker 2: in Israel and around the world, including those remaining Holocaust survivors. 529 00:25:41,200 --> 00:25:44,840 Speaker 2: Your donation today will help provide food, water, medicine, and 530 00:25:44,960 --> 00:25:48,600 Speaker 2: other basic necessities to Jewish communities, and through your gift, 531 00:25:48,760 --> 00:25:51,280 Speaker 2: you will stand with the Jewish people and against this 532 00:25:51,400 --> 00:25:54,440 Speaker 2: growing anti semitism and hatred. Give a gift to show 533 00:25:54,480 --> 00:25:58,440 Speaker 2: your support to the Jewish people by visiting SUPPORTIFCJ dot org. 534 00:25:58,560 --> 00:26:02,080 Speaker 2: That's one word support IFCJ dot org or call eight 535 00:26:02,119 --> 00:26:05,760 Speaker 2: eight eight four eight eight IFCJ that's eight eight eight 536 00:26:06,080 --> 00:26:10,280 Speaker 2: four eight eight if CJ eight eight eight four eight 537 00:26:10,320 --> 00:26:14,040 Speaker 2: eight four three two five. Now stay tuned, We'll be 538 00:26:14,119 --> 00:26:19,040 Speaker 2: back with more. Is this sort of a different world 539 00:26:19,040 --> 00:26:22,880 Speaker 2: than we have experienced in Hollywood before, because I feel 540 00:26:22,920 --> 00:26:25,360 Speaker 2: like Hollywood actors have always been held up to this 541 00:26:25,480 --> 00:26:30,960 Speaker 2: like a unimaginable standard of perfection. And then we suddenly 542 00:26:31,000 --> 00:26:34,159 Speaker 2: saw this strange thing happen with Megan Markle, and she 543 00:26:34,400 --> 00:26:38,640 Speaker 2: just released this new It's some weird show on Netflix. 544 00:26:38,680 --> 00:26:41,320 Speaker 1: I think where she is at her home, but it's 545 00:26:41,320 --> 00:26:41,840 Speaker 1: not her home. 546 00:26:41,920 --> 00:26:44,480 Speaker 2: She rented the house, so she's making all this food 547 00:26:44,560 --> 00:26:47,199 Speaker 2: and she's supposed to. It's like she's getting honey out 548 00:26:47,240 --> 00:26:49,040 Speaker 2: of the backyard. And then all of a sudden, the 549 00:26:49,080 --> 00:26:51,480 Speaker 2: social media trolls were like, this isn't even our house. 550 00:26:51,520 --> 00:26:55,240 Speaker 2: She rented it, and she seems to be struggling to connect. 551 00:26:55,280 --> 00:26:58,200 Speaker 2: Once once you get canceled by the people and they 552 00:26:58,240 --> 00:27:01,760 Speaker 2: don't like you, is this a new trend in Hollywood? 553 00:27:01,800 --> 00:27:05,560 Speaker 2: Because like I said, I mean, Amber heard nobody likes 554 00:27:05,560 --> 00:27:06,200 Speaker 2: her anymore. 555 00:27:06,240 --> 00:27:07,160 Speaker 1: And now you've. 556 00:27:07,000 --> 00:27:11,159 Speaker 2: Got Blake Lively, who could potentially be like, do we 557 00:27:11,200 --> 00:27:13,520 Speaker 2: want to watch her movies if she lied about somebody. 558 00:27:13,760 --> 00:27:15,399 Speaker 1: I guess it depends on how it goes. 559 00:27:16,040 --> 00:27:18,560 Speaker 4: It doesn't, it doesn't. I still think Blake will be fine. 560 00:27:18,560 --> 00:27:21,320 Speaker 3: And I'll tell you why amberhard was the smaller fish 561 00:27:21,400 --> 00:27:24,880 Speaker 3: in this one. So if she didn't win, she's justin right. 562 00:27:24,920 --> 00:27:28,600 Speaker 3: They're not going to recover where like Johnny Depp, whether 563 00:27:28,720 --> 00:27:30,720 Speaker 3: or not he was found guilty, he was going to 564 00:27:30,840 --> 00:27:32,800 Speaker 3: be put in time out, but ultimately have a big 565 00:27:32,840 --> 00:27:35,399 Speaker 3: comeback movie. That's what Blake will do. She'll have a 566 00:27:35,400 --> 00:27:39,080 Speaker 3: big comeback movie. Megan Markle, I don't know what the 567 00:27:39,160 --> 00:27:41,239 Speaker 3: deal with that is. I do know it's common for 568 00:27:41,359 --> 00:27:44,639 Speaker 3: celebrities to rent a house for production for security purposes, 569 00:27:44,840 --> 00:27:46,080 Speaker 3: like the Kardashian state. 570 00:27:46,240 --> 00:27:49,240 Speaker 2: I wouldn't want to be showing you my house every day. 571 00:27:49,720 --> 00:27:53,480 Speaker 3: Yeah, my friends who are actors, they got robbed twice, 572 00:27:53,800 --> 00:27:57,200 Speaker 3: and so now when the one shoots her Instagram, she's 573 00:27:57,440 --> 00:28:00,600 Speaker 3: very cagey about what she shoots and where because she 574 00:28:00,720 --> 00:28:02,480 Speaker 3: was told for security purposes, don't give. 575 00:28:02,400 --> 00:28:03,639 Speaker 4: People a map of your house. 576 00:28:04,000 --> 00:28:06,600 Speaker 3: The Kardashians famously rent some of their houses for that 577 00:28:06,720 --> 00:28:07,480 Speaker 3: exact reason. 578 00:28:07,680 --> 00:28:09,680 Speaker 4: It's just don't give people a map of where they're 579 00:28:09,680 --> 00:28:10,160 Speaker 4: going to rob. 580 00:28:10,920 --> 00:28:12,000 Speaker 1: Wow, that's interesting. 581 00:28:12,080 --> 00:28:14,399 Speaker 2: I'm always careful about how I take pictures in my 582 00:28:14,480 --> 00:28:16,399 Speaker 2: house so people don't see that my kids leave their 583 00:28:16,440 --> 00:28:17,240 Speaker 2: crap everywhere. 584 00:28:17,520 --> 00:28:18,440 Speaker 4: That's where I come from. 585 00:28:18,440 --> 00:28:20,720 Speaker 3: I'm like there's journey laundry in that corner right now, 586 00:28:21,520 --> 00:28:22,320 Speaker 3: Please don't see that. 587 00:28:23,040 --> 00:28:26,520 Speaker 2: I'm like, this is really a house of having four 588 00:28:26,600 --> 00:28:29,920 Speaker 2: kids and a working mom. It is a little bit chaotic, 589 00:28:30,000 --> 00:28:33,840 Speaker 2: but I wish it were more a more serious reason. 590 00:28:33,880 --> 00:28:36,960 Speaker 2: But it's just because I'm careful of what people actually 591 00:28:37,040 --> 00:28:39,880 Speaker 2: see of the real life behind mom of four kids. 592 00:28:39,920 --> 00:28:43,200 Speaker 3: Well, like Kylie Kelsey and Jason Kelcey recently got a 593 00:28:43,200 --> 00:28:45,480 Speaker 3: little bit of flack for their house being a mess, 594 00:28:45,520 --> 00:28:47,480 Speaker 3: and she was like, I'm not over here pretending to 595 00:28:47,560 --> 00:28:49,720 Speaker 3: keep a clean house, like we're. 596 00:28:49,880 --> 00:28:50,360 Speaker 4: In the house. 597 00:28:50,840 --> 00:28:53,200 Speaker 2: I you know, there was this there's a book I'm 598 00:28:53,200 --> 00:28:56,640 Speaker 2: gonna tell everybody to read. It's called Bittersweet, and I 599 00:28:56,680 --> 00:28:59,080 Speaker 2: can't remember who the author is, but one of the 600 00:28:59,080 --> 00:29:01,600 Speaker 2: things that she talks about is just hosting people and 601 00:29:01,680 --> 00:29:04,080 Speaker 2: having people come in and even when you've had your 602 00:29:04,080 --> 00:29:06,880 Speaker 2: house is totally chaotic, let other people see that your 603 00:29:06,880 --> 00:29:07,920 Speaker 2: house is not perfect. 604 00:29:07,960 --> 00:29:10,440 Speaker 1: And I was like, I don't know that I am. 605 00:29:10,560 --> 00:29:13,680 Speaker 2: Comfortable exactly with that, because my house is totally chaotic. 606 00:29:13,840 --> 00:29:15,680 Speaker 2: But it made me feel better because it was just 607 00:29:15,720 --> 00:29:18,080 Speaker 2: this moment where I'm like, Okay, I like the fact 608 00:29:18,120 --> 00:29:20,720 Speaker 2: that the Kelsey's let you see that because. 609 00:29:20,600 --> 00:29:22,479 Speaker 1: We're all under so much pressure. 610 00:29:22,520 --> 00:29:25,560 Speaker 2: It is a different world of working parents too, working 611 00:29:25,600 --> 00:29:26,760 Speaker 2: parents and kids. 612 00:29:27,040 --> 00:29:29,760 Speaker 1: It's just it's hard. But I do think. 613 00:29:29,560 --> 00:29:33,880 Speaker 2: That this new Hollywood being held accountable, it seems a 614 00:29:33,880 --> 00:29:37,040 Speaker 2: little bit different than what has ever happened before. And 615 00:29:37,240 --> 00:29:40,240 Speaker 2: I kind of wonder if it's because Hollywood got involved 616 00:29:40,280 --> 00:29:44,800 Speaker 2: in politics. And then before that, I just loved everybody 617 00:29:44,800 --> 00:29:47,480 Speaker 2: in Hollywood. You know, I was like I because I 618 00:29:47,560 --> 00:29:50,320 Speaker 2: loved their characters. I loved who they played, and I 619 00:29:50,320 --> 00:29:53,880 Speaker 2: didn't know who they were. And maybe that's what's different 620 00:29:53,920 --> 00:29:57,080 Speaker 2: once you find out, Okay, there's not they're just human too. 621 00:29:58,160 --> 00:30:00,560 Speaker 2: I mean, maybe that's silly, but it seems I was like, oh, 622 00:30:00,600 --> 00:30:03,160 Speaker 2: I wanted them to be you know, I wanted Leonardo 623 00:30:03,200 --> 00:30:05,760 Speaker 2: DiCaprio to be the guy from Titanic. 624 00:30:06,440 --> 00:30:11,040 Speaker 3: They always say, don't meet your heroes exactly right, exactly, 625 00:30:11,840 --> 00:30:13,120 Speaker 3: and who knows. 626 00:30:13,160 --> 00:30:14,360 Speaker 1: We'll see how this plays out. 627 00:30:14,400 --> 00:30:16,440 Speaker 2: But I saw your post and I was like, I 628 00:30:16,480 --> 00:30:19,000 Speaker 2: have to have Ron to talk about this, and I 629 00:30:19,000 --> 00:30:20,840 Speaker 2: would love to have you back on the next time 630 00:30:20,880 --> 00:30:23,760 Speaker 2: we have something else happening in Hollywood. Obviously, we are 631 00:30:24,320 --> 00:30:27,200 Speaker 2: saying prayers for Hollywood right now. Because we're seeing what's 632 00:30:27,200 --> 00:30:28,959 Speaker 2: happening at California. It's devastating. 633 00:30:29,240 --> 00:30:31,400 Speaker 3: It is beyond devastating. I have a friend that lost 634 00:30:31,440 --> 00:30:35,320 Speaker 3: their entire house. I have multiple friends just evacuating, which 635 00:30:35,400 --> 00:30:39,520 Speaker 3: having evacuated once, it's very scary, and it's just your 636 00:30:39,520 --> 00:30:41,280 Speaker 3: heart goes out to them because this is going to 637 00:30:41,360 --> 00:30:42,160 Speaker 3: be a long one. 638 00:30:42,200 --> 00:30:44,160 Speaker 4: This is going to be a long, long journey for 639 00:30:44,200 --> 00:30:45,080 Speaker 4: a lot of people. 640 00:30:45,360 --> 00:30:48,160 Speaker 1: I know, and I think people who are in. 641 00:30:48,160 --> 00:30:51,120 Speaker 3: Apartment buildings that are getting decimated, and where are they 642 00:30:51,160 --> 00:30:51,600 Speaker 3: going to go? 643 00:30:52,200 --> 00:30:54,160 Speaker 1: It's just a lot, that's what. 644 00:30:54,320 --> 00:30:57,040 Speaker 2: And that's where you also can sometimes see social media 645 00:30:57,120 --> 00:30:58,960 Speaker 2: becoming mean, where the people are like. 646 00:30:58,920 --> 00:31:01,640 Speaker 1: Oh, these are all the rich people, give me a break. Stop. 647 00:31:02,160 --> 00:31:06,200 Speaker 2: It's everybody, everybody there, and it doesn't matter how much 648 00:31:06,240 --> 00:31:06,760 Speaker 2: money you have. 649 00:31:07,280 --> 00:31:12,719 Speaker 1: You lose everything. I mean, imagine losing everything in your house. 650 00:31:12,800 --> 00:31:15,080 Speaker 2: I can't even It's all your memories, it's all of 651 00:31:15,120 --> 00:31:18,000 Speaker 2: your hand me downs, it's all of your children's first toys. 652 00:31:18,040 --> 00:31:23,040 Speaker 2: I mean, everything you lose, you just it's devastating. 653 00:31:23,280 --> 00:31:25,320 Speaker 4: And you get moments of notice. 654 00:31:25,400 --> 00:31:27,800 Speaker 3: You don't get advanced warning, so like there's a knock 655 00:31:27,840 --> 00:31:31,200 Speaker 3: at your door, there's a siren, blasting and you're grabbing 656 00:31:31,200 --> 00:31:34,320 Speaker 3: what you can, which, interestingly, a lot of people came 657 00:31:34,360 --> 00:31:35,800 Speaker 3: out and this was my experience, and when we had 658 00:31:35,800 --> 00:31:38,720 Speaker 3: to evacuate a fire, you grab the wrong things, and 659 00:31:38,800 --> 00:31:40,680 Speaker 3: so a lot of people just went for whatever they 660 00:31:40,720 --> 00:31:42,680 Speaker 3: could grab, and then they get out there and they're like, oh, no, 661 00:31:42,760 --> 00:31:45,080 Speaker 3: I wish I grabbed X, Y and Z. And I 662 00:31:45,160 --> 00:31:47,680 Speaker 3: still related to that because that was my experience. I 663 00:31:47,720 --> 00:31:50,720 Speaker 3: grab the most random stuff, get to our evacuation zone, 664 00:31:50,720 --> 00:31:53,400 Speaker 3: and then I'm like, oh, I have nothing I need. 665 00:31:53,800 --> 00:31:56,560 Speaker 2: Right and there's no going back. I mean it's not 666 00:31:57,000 --> 00:31:59,520 Speaker 2: there's no recovery. You see some of those houses and 667 00:31:59,560 --> 00:32:00,760 Speaker 2: it's just rubble. 668 00:32:01,120 --> 00:32:01,840 Speaker 1: It's shocking. 669 00:32:02,440 --> 00:32:04,720 Speaker 4: Yeah, and they're not one of the virus is still 670 00:32:04,720 --> 00:32:05,360 Speaker 4: not contained. 671 00:32:06,480 --> 00:32:09,680 Speaker 2: I mean I was watching all morning with the kids 672 00:32:09,760 --> 00:32:12,920 Speaker 2: what the reports are, and it's devastating. 673 00:32:13,000 --> 00:32:14,240 Speaker 1: It's just very devastating. 674 00:32:14,280 --> 00:32:18,080 Speaker 2: So our prayers go out to everyone in California, everyone 675 00:32:18,120 --> 00:32:19,520 Speaker 2: that is suffering right now. 676 00:32:19,520 --> 00:32:22,560 Speaker 1: I mean, we've seen I think that is actually one. 677 00:32:22,480 --> 00:32:25,880 Speaker 2: Of the interesting parts about the connection that you have 678 00:32:26,000 --> 00:32:28,600 Speaker 2: with celebrities, because you have people like Paris Hilton come 679 00:32:28,640 --> 00:32:31,760 Speaker 2: out and say I lost everything and I'm devastated and 680 00:32:31,800 --> 00:32:32,640 Speaker 2: you can relate. 681 00:32:32,800 --> 00:32:35,360 Speaker 1: It makes it, It makes the situation. 682 00:32:35,040 --> 00:32:37,479 Speaker 2: Real, and so I'm hoping we don't forget about it, 683 00:32:37,520 --> 00:32:40,120 Speaker 2: because the more you talk about something, the more help 684 00:32:40,120 --> 00:32:42,400 Speaker 2: will go out, and there has to be help from people. 685 00:32:42,600 --> 00:32:44,800 Speaker 3: The thing I try to reiterate to people here in 686 00:32:44,880 --> 00:32:48,400 Speaker 3: Chicago is just because they're rich or poor, they lost 687 00:32:48,440 --> 00:32:51,720 Speaker 3: that sentimental photo, they lost their wedding drop, they lost 688 00:32:51,760 --> 00:32:55,320 Speaker 3: the sentimentals. Sure, the material bigger stuff can be replaced 689 00:32:55,560 --> 00:32:59,000 Speaker 3: if you have insurance, which that's another topic. But I mean, 690 00:32:59,200 --> 00:33:03,960 Speaker 3: you lost your grand watch, all those things. I'm like, 691 00:33:04,040 --> 00:33:07,160 Speaker 3: I don't care if you're rich or poor. They all lost. 692 00:33:06,560 --> 00:33:09,920 Speaker 2: And we think about all the iconic stuff that's back, 693 00:33:10,280 --> 00:33:14,000 Speaker 2: you know that is in California, Like you know someone's guitar, 694 00:33:14,360 --> 00:33:18,000 Speaker 2: someone's first emmy someone, you know, all of these things 695 00:33:18,040 --> 00:33:22,960 Speaker 2: that are really historical pieces and museums, and we've just 696 00:33:23,000 --> 00:33:24,200 Speaker 2: seen such destruction. 697 00:33:24,280 --> 00:33:25,120 Speaker 1: It's been shocking. 698 00:33:25,680 --> 00:33:26,120 Speaker 4: Yeah. 699 00:33:26,200 --> 00:33:28,400 Speaker 3: Yeah, I just I'm over here holding my breath checking 700 00:33:28,400 --> 00:33:31,800 Speaker 3: my text messages just to get updates from my friends. 701 00:33:32,160 --> 00:33:32,600 Speaker 1: Yeah. 702 00:33:32,680 --> 00:33:35,600 Speaker 2: Yeah, absolutely, we all are. We all know, but I 703 00:33:35,880 --> 00:33:39,000 Speaker 2: I am so grateful to you. It's been fascinating chatting. 704 00:33:39,320 --> 00:33:42,760 Speaker 2: It's nice to get away from all of the craziness 705 00:33:42,760 --> 00:33:44,360 Speaker 2: of the world and just sort of get a little 706 00:33:44,360 --> 00:33:47,800 Speaker 2: gossip in. So I appreciate it. Jamie Lee Lardner. Tell 707 00:33:47,800 --> 00:33:50,000 Speaker 2: people where they can follow you at. 708 00:33:49,880 --> 00:33:53,360 Speaker 3: Cool Mom Jamie on most platforms, So see you there. 709 00:33:54,000 --> 00:33:56,360 Speaker 2: Awesome, awesome, Thank you so much, and thank you all 710 00:33:56,400 --> 00:33:58,800 Speaker 2: for joining us on the Tutor Dixon Podcast. For this 711 00:33:58,880 --> 00:34:02,040 Speaker 2: episode and others. Go to Tutor Dixon podcast dot com 712 00:34:02,200 --> 00:34:05,680 Speaker 2: or the iHeartRadio app, Apple Podcasts, or wherever you get your. 713 00:34:05,600 --> 00:34:07,959 Speaker 1: Podcasts to join us next time. Have a blessed day.