WEBVTT - Gambler's Fallacy w/ Donal Logue

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<v Speaker 1>Of the Law and Order franchises. SVU is considered especially watchable.

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<v Speaker 2>We are the amateur detectives who kind of investigate the

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<v Speaker 2>vicious felonies.

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<v Speaker 3>These episodes are based on. These are our stories, done.

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<v Speaker 4>Done, Hello, we are here s I've done this eight

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<v Speaker 4>hundred times.

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<v Speaker 2>I can't believe this just happened to me. This is

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<v Speaker 2>thats messed up an sv podcast. And I am Lisa Trigger.

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<v Speaker 1>And I'm Kark Gleg and this is our two hundred

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<v Speaker 1>and twenty third episode and Lisa is.

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<v Speaker 3>Not knowing how the name of the bob what happened.

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<v Speaker 2>I'm looking at the name of the episode we're covering,

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<v Speaker 2>and it broke my brain. So I'm looking at our

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<v Speaker 2>sheet and I'm like, what's going on here? But I

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<v Speaker 2>do know the name of our podcast, and I wear

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<v Speaker 2>our merch everywhere like I It is embarrassing because sometime,

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<v Speaker 2>like I said, at soul Cycle, people be like, hey,

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<v Speaker 2>love the pod.

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<v Speaker 3>And I'm wearing an icy sweatshirt holding.

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<v Speaker 2>Do you have a children detective bag? And I'm like,

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<v Speaker 2>I need to get out of here.

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<v Speaker 1>No, I love it. And speaking of merch, by the way, everybody,

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<v Speaker 1>you have to go see Lisa on tour because she

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<v Speaker 1>is selling Did I make it to the fridge, Yeah,

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<v Speaker 1>oh you're on my fridge. Baby baby Lisa will be

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<v Speaker 1>looking at me on my fridge forever. She's right next

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<v Speaker 1>to Honestly, this all ties in perfectly. She's right next

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<v Speaker 1>to my magnet that I got from an amazing listener.

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<v Speaker 1>That is the woman from It's Isabella Rossolini from Death

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<v Speaker 1>becomes her as well as Meryl Street from She Devil.

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<v Speaker 1>You're like in between them. Lisa is selling magnets of

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<v Speaker 1>her baby Lisa in front of her awl collection and

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<v Speaker 1>it's an amazing magnet.

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<v Speaker 3>So you need to go to see her on tour

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<v Speaker 3>so that you can buy that.

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<v Speaker 2>Thank you so much, because it is a Mythsvah, you

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<v Speaker 2>said that, And if you've seen me live, you know

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<v Speaker 2>I've been talking about it. The magnets are so heavy.

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<v Speaker 2>I'm so so mad at Kara. We've been selling magnets

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<v Speaker 2>for the podcast for years. Not a peep, not a peep.

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<v Speaker 2>Every club I go to that got the box, they

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<v Speaker 2>were like, what the fuck is in there? That's the

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<v Speaker 2>heaviest box we've ever got. And it's a small box.

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<v Speaker 2>That's what's crazy. It's a small box. That weighs I

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<v Speaker 2>would say sixty pounds.

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<v Speaker 1>Yeah, the box is wild because it is like a

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<v Speaker 1>very small box that's just packed with magnets.

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<v Speaker 3>It's so heavy.

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<v Speaker 1>But I don't bring the whole box, like when we

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<v Speaker 1>go on tour, I just bring. I usually bring what I.

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<v Speaker 3>Think you to be a little more organized than that.

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<v Speaker 2>Because the week before I was in Portland, I go, oh,

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<v Speaker 2>I should have merch huh. And then I also like,

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<v Speaker 2>also people come to see me that haven't seen the specials,

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<v Speaker 2>so they're like, what is this, or they someone came

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<v Speaker 2>from survival, and so then it's like it's also fully

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<v Speaker 2>out of context. It's assuming so much onto the person.

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<v Speaker 2>But I just like magnets I buy. I loved our

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<v Speaker 2>magnets we sold, and I love Broadway magnets.

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<v Speaker 1>Yeah they're so cute. Oh my god, wait what you

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<v Speaker 1>just saying?

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<v Speaker 3>That minds me that you saw death becomes her, that

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<v Speaker 3>I saw death becomes her, and you told me how

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<v Speaker 3>great the merch was.

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<v Speaker 1>And I didn't even go by the merch table. Fuck

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<v Speaker 1>I had I had had a little bit of worry.

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<v Speaker 1>I bought two pin sets. Okay, they were so too

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<v Speaker 1>Maybe I can have one like I I we went

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<v Speaker 1>and like I got I had a little bit of

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<v Speaker 1>wine before and then I got the like the big

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<v Speaker 1>wine there that comes in the little Death Becomes Her,

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<v Speaker 1>like cup, You got the cup? Yeah, but I left

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<v Speaker 1>it at my friend's house. I was like, you can

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<v Speaker 1>have a set, you know, and and I like, I

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<v Speaker 1>think I was just a little bit buzzed, and I

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<v Speaker 1>didn't go to the fuck Now, I'm so mad I

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<v Speaker 1>didn't go to the merch table. But honestly, what what

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<v Speaker 1>a wreck I've been telling anyone that will fucking listen.

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<v Speaker 1>Death Becomes Her was one of the best musicals I've

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<v Speaker 1>seen on Broadway. I usually don't see something I'll be honest,

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<v Speaker 1>most of the musicals I've seen, I kind of know

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<v Speaker 1>a little bit of the music before I go, Like,

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<v Speaker 1>I knew none of the music. I thought the music

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<v Speaker 1>was so good. I thought the staging was so good.

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<v Speaker 1>I didn't see the main woman that plays the Goldie

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<v Speaker 1>Hawn part. I guess she was out that day. But

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<v Speaker 1>I saw Megan Hilty and Michelle Williams from I think

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<v Speaker 1>Megen Hilty is the main one. No, there's another woman

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<v Speaker 1>who's like a Broadway legend that plays the other one.

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<v Speaker 3>But like she was out that day.

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<v Speaker 1>But still the girl who played her was amazing, Like

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<v Speaker 1>the understudy was sickening. They were so good, Like I

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<v Speaker 1>just loved it. Maybe I was buzzed, but I loved

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<v Speaker 1>every second of it.

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<v Speaker 2>No, And as a lover of the movie, I thought

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<v Speaker 2>there would be moments of disappointment or confusion or I

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<v Speaker 2>don't know, and I felt none of that. But it's

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<v Speaker 2>so funny. So I just got my gray covered. And

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<v Speaker 2>my hairstylist she loved it. But she her daughter, who's

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<v Speaker 2>only like four or six sick. I don't know, ages

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<v Speaker 2>are hard, but a child, No, she's six, because she's yeah.

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<v Speaker 3>I'm like remembering where she is in school and reading.

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<v Speaker 2>Okay, Anyways, she loved the music, so she actually took

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<v Speaker 2>her child, who's seen it now twice, who loved it?

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<v Speaker 3>Who?

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<v Speaker 2>And then she's like, I don't know if I could

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<v Speaker 2>show her the movie, because it's true, once you see.

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<v Speaker 3>The musical at my be hard to Yeah, especially as

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<v Speaker 3>a child.

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<v Speaker 1>Well that's so funny because when I was watching it,

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<v Speaker 1>I was like, I wonder if Rosie would like this,

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<v Speaker 1>Like I would love to bring Rosie to this.

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<v Speaker 2>And then I loved the set I feel like Rosie

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<v Speaker 2>would love the set and the darkness and like the

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<v Speaker 2>effects of it all.

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<v Speaker 1>And honestly, I think Oscar might be my Broadway baby.

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<v Speaker 1>Like Oscar is always asking me to play Wicked.

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<v Speaker 2>Oh, I mean the guy, the little guy who's wearing

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<v Speaker 2>a Frozen dress.

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<v Speaker 3>Yeah, he might be the Broadway might be my musical guy.

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<v Speaker 1>Just saying he might be, I'm I know, I'm gonna

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<v Speaker 1>make a huge swing here and say he might be.

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<v Speaker 1>Like like I was like thinking this summer, I'm going

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<v Speaker 1>to be in New York, and I was like, I

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<v Speaker 1>should take him to a musical. But I would I

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<v Speaker 1>like to say, so something that's not Lion King. I

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<v Speaker 1>don't feel the need to see Lion King a second

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<v Speaker 1>time and before, But why.

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<v Speaker 2>Don't you just go to theater that's not Broadway that's

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<v Speaker 2>geared towards children that are that young, Cause it's like

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<v Speaker 2>that's like, ugh, Like I don't know, I've gone to

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<v Speaker 2>a bunch of stuff like that, and it's just more

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<v Speaker 2>it's straight for the kids.

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<v Speaker 1>Like I'd like to go to something that we both enjoy,

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<v Speaker 1>you know what I mean. Like if they were doing

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<v Speaker 1>Frozen on Broadway, which I think they did, do, Like,

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<v Speaker 1>I bet we'd both enjoy that, you know what I mean.

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<v Speaker 1>But like I think right now, people let me know

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<v Speaker 1>if there's something that you think a four.

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<v Speaker 2>Year old is there, like a turtle? Yeah, like I

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<v Speaker 2>would maybe six. He might like six because there's no intermission.

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<v Speaker 2>I think it was just one.

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<v Speaker 3>Act and the pop yeah, the gay pop is and Juliet.

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<v Speaker 3>Oh that's right, that's right. Six is like but it

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<v Speaker 3>is there's not much plot.

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<v Speaker 2>It's like each girl sings, but he's into dresses and

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<v Speaker 2>they do look very yeah, and.

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<v Speaker 1>They look beautiful. Okay, that's what he likes, beautiful things,

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<v Speaker 1>as he likes.

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<v Speaker 2>To say, I feel like six is really beautiful. But

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<v Speaker 2>also in death becomes like the sexiness of the dancers.

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<v Speaker 3>Those outfits are so cool. Oh I did.

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<v Speaker 1>I kept saying, look how hot these fucking dancers are,

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<v Speaker 1>Like I couldn't believe how hot everyone was.

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<v Speaker 3>I can.

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<v Speaker 2>And of course the guy who plays Ernest, that's an

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<v Speaker 2>svulm he is.

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<v Speaker 1>Okay, I brought my prom home because I didn't get

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<v Speaker 1>a chance.

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<v Speaker 3>We got there like with only a few minutes.

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<v Speaker 1>I usually have more time to like scan my program

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<v Speaker 1>and see who everybody is.

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<v Speaker 2>And he's Sex in the City. I'm pretty sure. Yeah,

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<v Speaker 2>he's in Sex in the City. He's the guy who

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<v Speaker 2>works at Helena Rubinstein who goes down on the women

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<v Speaker 2>but doesn't go down on Samantha and she gets him

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<v Speaker 2>fired the women's luncheon. So I mostly remember him from

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<v Speaker 2>Sex and the City of being the massage therapist.

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<v Speaker 1>Okay, wait, now I'm looking up who this guy is. Oh,

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<v Speaker 1>Christopher Cyber. Okay, who is he on SVU?

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<v Speaker 3>I need to know?

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<v Speaker 1>Oh, yeah, I recognize him. Oh my god, totally. I

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<v Speaker 1>didn't recgnize him in the musical because you're wearing a

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<v Speaker 1>fucking mustache. Well, there was one complaint I had, but

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<v Speaker 1>I didn't want to mention.

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<v Speaker 3>Yes, I wanted to do it. I was. I was

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<v Speaker 3>watching the musical going, I wonder what Lisa's complaint is.

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<v Speaker 2>So I just feel like Isabella Rossellini is so sexual

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<v Speaker 2>and sexy and powerful, and I think Michelle Williams hit

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<v Speaker 2>her notes like sounds incredible, was regal, and hit her

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<v Speaker 2>jokes to her too, like the timing was amazing, but

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<v Speaker 2>like she was stiff.

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<v Speaker 3>Yes, yes, I just fine.

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<v Speaker 2>I agree because the people that I said that to,

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<v Speaker 2>their kind of response was like, but the dancers and

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<v Speaker 2>everyone else was so sexy and she just did a

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<v Speaker 2>different thing, and I get that, but I just am

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<v Speaker 2>really into Isabella Wrestlingi's character, and I was just I

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<v Speaker 2>was a little thrown off by just that.

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<v Speaker 3>But that's so minor from a movie I love.

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<v Speaker 1>Well, I agree with what you're saying because that's true,

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<v Speaker 1>Like she was kind of just standing there, but that's

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<v Speaker 1>like famously, I think she is like the least sort

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<v Speaker 1>of charismatic destiny child, I will say, but I thought

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<v Speaker 1>her voice kind of covered for it because she sounded amazing,

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<v Speaker 1>Like she sounded so good and I don't know, she

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<v Speaker 1>has a huge reaction when the curtain opens, and it's

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<v Speaker 1>heart like I mean, I but but I agree, Like,

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<v Speaker 1>imagine somebody like who takes over for her that has

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<v Speaker 1>like the voice and the sexual like like be it,

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<v Speaker 1>like you know, vibe.

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<v Speaker 3>I could see that really crushing Tony Orb.

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<v Speaker 2>I did just see a video on my Instagram where

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<v Speaker 2>it was like they were performing something at an award

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<v Speaker 2>show for Michael Jackson, but Beyonce's obvious. In the middle,

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<v Speaker 2>it's Kelly and Michelle, but Michelle's hat falls off and

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<v Speaker 2>Kelly what a professional quick on her feet throws her

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<v Speaker 2>hat off too, so it doesn't look weird. And I

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<v Speaker 2>was like that, bitch, wow, backing up your girl. I

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<v Speaker 2>like loved it well because it would have looked weird,

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<v Speaker 2>just like I like that on The Fly Present Saturday,

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<v Speaker 2>Theater of It.

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<v Speaker 1>Okay, Just to bring it all full circle, Chris for Cyber,

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<v Speaker 1>the guy who is in death becomes her as earnest.

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<v Speaker 1>He is in patrimonial burden with our girl, Geneva Carr,

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<v Speaker 1>who we interviewed, and I think she's the He's the

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<v Speaker 1>husband of the family like that has the kids that

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<v Speaker 1>they're married, like the Dougger family.

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<v Speaker 2>Basically, Yeah, it was interesting. Well, it's so funny because

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<v Speaker 2>the moment I saw him, I turned to who I

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<v Speaker 2>was with and I went SVU and then later looked

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<v Speaker 2>at the program. She's like, you were right, and I

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<v Speaker 2>was like, well, I never questioned if I was right. Well,

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<v Speaker 2>I do have something to say, yes pertaining to Luigi obviously,

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<v Speaker 2>Bah Papa Luigi report. I'm not going to do everything

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<v Speaker 2>I do want to say, Like news came out about

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<v Speaker 2>how there's all these porns made with him and all

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<v Speaker 2>this stuff. It's not real. It's Toronto's son. It's the

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<v Speaker 2>Daily Mail. It's not one credit the source has done that. Second,

0:10:28.440 --> 0:10:30.280
<v Speaker 2>people are despicable that would have been out in the

0:10:30.280 --> 0:10:35.839
<v Speaker 2>open immediately. And third it's counter to everything we've heard

0:10:35.880 --> 0:10:37.600
<v Speaker 2>about everyone in his life, like it's just not it.

0:10:37.640 --> 0:10:40.480
<v Speaker 2>And there's old tweet like that's not his opition. I

0:10:40.520 --> 0:10:42.800
<v Speaker 2>don't know, it's just wrong and I'm gonna find that

0:10:42.840 --> 0:10:44.680
<v Speaker 2>guy when I'm in Toronto's you better watch out.

0:10:45.200 --> 0:10:46.120
<v Speaker 3>I saw it as a meme.

0:10:46.200 --> 0:10:47.560
<v Speaker 1>I saw it as a meme of like a girl

0:10:47.600 --> 0:10:50.000
<v Speaker 1>being like you hear Luigi's in a bunch of pornos,

0:10:50.040 --> 0:10:52.160
<v Speaker 1>like searching the computer, you know, like more of like

0:10:52.240 --> 0:10:52.920
<v Speaker 1>a he's hot.

0:10:52.920 --> 0:10:53.880
<v Speaker 3>It's just no.

0:10:53.880 --> 0:10:54.000
<v Speaker 5>Now.

0:10:54.000 --> 0:10:56.199
<v Speaker 2>I looked at all the sources. It was like three magazines,

0:10:56.240 --> 0:10:59.680
<v Speaker 2>all not real. So I'll Radmax. But it's also just

0:10:59.800 --> 0:11:03.360
<v Speaker 2>like it just doesn't that doesn't make sense. But also

0:11:03.800 --> 0:11:05.840
<v Speaker 2>what I found out that this is what I really

0:11:05.840 --> 0:11:07.839
<v Speaker 2>wanted to talk about, but I knew people would would.

0:11:08.120 --> 0:11:09.840
<v Speaker 2>People are sending me a lot of stuff, and I

0:11:09.880 --> 0:11:10.240
<v Speaker 2>love that.

0:11:11.840 --> 0:11:13.800
<v Speaker 3>I'm really in the loop. I'm knowing at all.

0:11:14.400 --> 0:11:20.359
<v Speaker 2>But my big thing Karen, who is his attorney, She's incredible.

0:11:20.480 --> 0:11:23.560
<v Speaker 2>She was like the da of Manhattan just seems really incredible.

0:11:23.600 --> 0:11:26.959
<v Speaker 2>I went to the legal pages reading about the law firm.

0:11:27.120 --> 0:11:28.880
<v Speaker 2>They also have like a few lawyers I just wanted

0:11:28.920 --> 0:11:32.120
<v Speaker 2>to read. And she was a consultant for Law and order.

0:11:32.240 --> 0:11:34.199
<v Speaker 2>Is a consultant for law and order. She might be

0:11:34.240 --> 0:11:36.520
<v Speaker 2>a little too busy now I wonder if they're bothering her,

0:11:36.679 --> 0:11:41.520
<v Speaker 2>but yeah, kind of exciting consultant for law and order.

0:11:42.800 --> 0:11:47.320
<v Speaker 1>Love that love that connection. I knew I loved her

0:11:47.360 --> 0:11:51.240
<v Speaker 1>to begin with. So is she's Ditty's lawyer or her husband?

0:11:51.320 --> 0:11:52.679
<v Speaker 3>Is her husband?

0:11:52.760 --> 0:11:52.880
<v Speaker 5>Is?

0:11:53.080 --> 0:11:53.440
<v Speaker 3>Okay?

0:11:53.679 --> 0:11:55.640
<v Speaker 2>I think it would be crazy to do two giant

0:11:55.679 --> 0:11:58.760
<v Speaker 2>cases at the same time when it's right, that's true.

0:11:58.679 --> 0:12:00.520
<v Speaker 3>That's true, that would be crazy. But do you think

0:12:00.520 --> 0:12:01.439
<v Speaker 3>these two people.

0:12:01.160 --> 0:12:05.319
<v Speaker 1>Ever see each other? Like she's representing Luigi, he's representing Diddy.

0:12:05.400 --> 0:12:07.040
<v Speaker 1>What is a fucking dinner between them?

0:12:07.120 --> 0:12:07.200
<v Speaker 3>Like?

0:12:07.320 --> 0:12:11.080
<v Speaker 2>I would love to know. I bet they bring work home.

0:12:11.120 --> 0:12:13.320
<v Speaker 2>I bt I bet they each have their own office.

0:12:13.320 --> 0:12:17.160
<v Speaker 2>I have bet it's a sprawling apartment leather. I think

0:12:17.160 --> 0:12:19.840
<v Speaker 2>it reminds me of like I want the green desk

0:12:19.920 --> 0:12:22.480
<v Speaker 2>library lamp, you know, like I'm imagining that kind of vibe.

0:12:22.520 --> 0:12:24.560
<v Speaker 1>But it's also kind of like I bet they watched

0:12:24.600 --> 0:12:29.680
<v Speaker 1>White Lotus. Yeah, like, does it remind you of like

0:12:29.760 --> 0:12:32.440
<v Speaker 1>that guy James Carville and like his wife, like how

0:12:32.440 --> 0:12:37.200
<v Speaker 1>they're like the famous Republican Democrat couple. Like she's defending

0:12:37.240 --> 0:12:40.400
<v Speaker 1>this guy who like is like a modern day Robinhood

0:12:40.440 --> 0:12:43.040
<v Speaker 1>of sorts that people are really like lionizing and like,

0:12:43.080 --> 0:12:44.840
<v Speaker 1>and then he's.

0:12:44.600 --> 0:12:48.599
<v Speaker 2>Defending doctor Michael Batten ended up marrying one of like

0:12:48.720 --> 0:12:51.040
<v Speaker 2>Casey Anthony's a herne Is and Phil Spector's you know

0:12:51.080 --> 0:12:53.480
<v Speaker 2>what I mean, and not marrying dating he left his

0:12:53.520 --> 0:12:54.400
<v Speaker 2>wife for this woman.

0:12:54.600 --> 0:12:59.200
<v Speaker 1>So it's like, yeah, it's just like I mean, everybody

0:12:59.280 --> 0:12:59.920
<v Speaker 1>deserves a defect.

0:13:00.360 --> 0:13:03.560
<v Speaker 3>That's like what lawyers. Yeah, yeah, lawyers know that everybody

0:13:03.559 --> 0:13:06.800
<v Speaker 3>deserves a defense. But I met they don't even talk

0:13:06.800 --> 0:13:07.559
<v Speaker 3>about it. I'm shocked.

0:13:07.640 --> 0:13:11.760
<v Speaker 2>She even hyphenated her name to include his, to be honest,

0:13:12.040 --> 0:13:14.200
<v Speaker 2>Karen Friedman Agni filo.

0:13:15.160 --> 0:13:18.480
<v Speaker 3>Wow, Wow, Well she's amazing.

0:13:18.880 --> 0:13:21.600
<v Speaker 2>Of course she's involved with law and order, like lawn

0:13:21.679 --> 0:13:23.640
<v Speaker 2>order is the best, so why wouldn't they use the best.

0:13:24.120 --> 0:13:26.720
<v Speaker 2>So that's exciting. Well I did, I did you love

0:13:26.720 --> 0:13:28.600
<v Speaker 2>it or leave it? Which I could. I never thought

0:13:28.600 --> 0:13:30.520
<v Speaker 2>i'd be able to do. And I'm so excited. I

0:13:30.520 --> 0:13:32.080
<v Speaker 2>did it, but I talked about Luigi a lot, and

0:13:32.080 --> 0:13:33.800
<v Speaker 2>it is upper crust in a way where I'm like,

0:13:34.080 --> 0:13:36.640
<v Speaker 2>maybe someone told Karen about it, and I did advocate.

0:13:37.200 --> 0:13:39.880
<v Speaker 2>I did advocate, and I was losing some of the

0:13:39.880 --> 0:13:41.439
<v Speaker 2>people and John was in a too. But there was

0:13:41.480 --> 0:13:43.480
<v Speaker 2>like a row of three gaze that were just like

0:13:43.559 --> 0:13:46.080
<v Speaker 2>we were connected in a way that I could not believe.

0:13:46.480 --> 0:13:48.360
<v Speaker 3>That's you could see the three gays.

0:13:48.360 --> 0:13:50.080
<v Speaker 1>Because I always whenever I do love it or leave

0:13:50.080 --> 0:13:52.040
<v Speaker 1>it at that theater, I can't see anybody in the audience.

0:13:52.080 --> 0:13:54.520
<v Speaker 1>They keep it so dark, so I'm always like, is

0:13:54.559 --> 0:13:56.000
<v Speaker 1>this hitting? Like I can never tell.

0:13:56.280 --> 0:13:59.240
<v Speaker 2>No, I had the time in my life and we'll

0:13:59.240 --> 0:14:02.800
<v Speaker 2>do some celebri updates. So Jesse Tyler ferguson Modern Family.

0:14:02.880 --> 0:14:05.880
<v Speaker 2>I also on an episode of el Sbeth recently. Okay,

0:14:05.640 --> 0:14:09.040
<v Speaker 2>so noone else I mentioned it to him. He was like, okay,

0:14:11.280 --> 0:14:14.439
<v Speaker 2>but walked in going already watched this, He goes, I

0:14:14.480 --> 0:14:15.920
<v Speaker 2>already watched the special.

0:14:15.640 --> 0:14:16.600
<v Speaker 3>Loved it. Oh my god.

0:14:16.679 --> 0:14:18.880
<v Speaker 2>I told all my friends about it. They've already seen it.

0:14:19.200 --> 0:14:20.600
<v Speaker 2>I guess I'm late to the game.

0:14:20.920 --> 0:14:23.400
<v Speaker 3>Oh I go. Jesse Tyler Ferguson you're right on time.

0:14:23.440 --> 0:14:24.600
<v Speaker 3>You're right on time, honey.

0:14:24.800 --> 0:14:27.400
<v Speaker 2>But then obviously I'm a bad girl and I'm comfortable

0:14:27.440 --> 0:14:28.680
<v Speaker 2>at Dynasty as you are.

0:14:28.800 --> 0:14:33.200
<v Speaker 3>So I'm smoking weed back there. I've been walking on stage.

0:14:33.240 --> 0:14:36.080
<v Speaker 2>I heard him go, oh my god, it smells like

0:14:36.200 --> 0:14:38.120
<v Speaker 2>and then he came back out and was like, wow,

0:14:38.120 --> 0:14:43.160
<v Speaker 2>it's pretty weedy back there, and like, yeah, I'm actually

0:14:43.480 --> 0:14:46.240
<v Speaker 2>going there tomorrow. He was the coolest person I've ever seen.

0:14:46.320 --> 0:14:48.520
<v Speaker 2>And then his he walked away and I took told

0:14:48.560 --> 0:14:50.640
<v Speaker 2>the I looked at his pr person, I go, what

0:14:50.760 --> 0:14:54.520
<v Speaker 2>an angel and she goes, He's my favorite. He's so incredible,

0:14:54.560 --> 0:14:56.520
<v Speaker 2>and he was like making little jokes, but he knew

0:14:56.520 --> 0:14:58.240
<v Speaker 2>who he was. He wasn't like fake humble where he

0:14:58.240 --> 0:15:00.000
<v Speaker 2>doesn't know he's Jesse Tyler Fergus.

0:15:00.080 --> 0:15:01.520
<v Speaker 3>Yeah, and just.

0:15:01.560 --> 0:15:03.600
<v Speaker 2>Was making me laugh and make me feel so good,

0:15:03.760 --> 0:15:06.560
<v Speaker 2>and I just like, it just made me really happy.

0:15:06.680 --> 0:15:07.240
<v Speaker 3>I love that.

0:15:07.680 --> 0:15:10.320
<v Speaker 1>I mean, he's that. I love Modern Family. It's a

0:15:10.320 --> 0:15:13.280
<v Speaker 1>great show. Oh my gossip, my flag race. He was

0:15:13.280 --> 0:15:15.000
<v Speaker 1>a judge on season five. I go, oh my god,

0:15:15.000 --> 0:15:16.320
<v Speaker 1>not the best season, are you kidding me?

0:15:16.480 --> 0:15:21.440
<v Speaker 3>Yeah? Whoa he got in there early. Oh I love it, I.

0:15:21.480 --> 0:15:25.680
<v Speaker 2>Mean, and then friend of the pod Laura Bananti, posted

0:15:25.760 --> 0:15:30.000
<v Speaker 2>about the special and DMed me we DM. I don't

0:15:30.000 --> 0:15:32.800
<v Speaker 2>think she remembers she was on our podcast, but I.

0:15:32.680 --> 0:15:34.600
<v Speaker 3>Saw her post about it. She doesn't remember. Well, she

0:15:34.840 --> 0:15:36.320
<v Speaker 3>you should have been like, girl, you had a yoga

0:15:36.360 --> 0:15:36.960
<v Speaker 3>mat on your head.

0:15:37.000 --> 0:15:39.560
<v Speaker 2>I remember, it's one of our favorite memories. But she

0:15:39.760 --> 0:15:42.000
<v Speaker 2>was just so I couldn't believe it. I couldn't believe

0:15:42.040 --> 0:15:45.640
<v Speaker 2>it dead. So that's amazing. Well night, now, I was

0:15:45.640 --> 0:15:48.640
<v Speaker 2>still streaming on Netflix. Everybody, get your butts to the

0:15:48.680 --> 0:15:51.360
<v Speaker 2>Netflix to the I know I'm I usually try to

0:15:51.360 --> 0:15:55.440
<v Speaker 2>be demure, but I have been way more vocal to strangers.

0:15:55.840 --> 0:15:58.480
<v Speaker 2>I told the woman who does my laundry May. She

0:15:58.600 --> 0:16:00.840
<v Speaker 2>was like, so, what do you do. You're traveling, you're in,

0:16:00.880 --> 0:16:03.120
<v Speaker 2>you're out, And I uh, I said, honey, I'll show

0:16:03.160 --> 0:16:05.040
<v Speaker 2>you what I do. Why don't you look at Well

0:16:05.040 --> 0:16:07.640
<v Speaker 2>she goes, I'll ask my granddaughter. And I go, well,

0:16:07.640 --> 0:16:09.360
<v Speaker 2>how old is she? And she's twenty one?

0:16:09.400 --> 0:16:12.440
<v Speaker 1>So I go, okay, okay, okay, yeah, let's not let's

0:16:12.480 --> 0:16:13.200
<v Speaker 1>not go too young.

0:16:14.560 --> 0:16:14.800
<v Speaker 3>Wait.

0:16:14.840 --> 0:16:17.160
<v Speaker 1>I'm actually going to be at Dynasty tomorrow night. Not

0:16:17.240 --> 0:16:19.440
<v Speaker 1>that this is a promo, because this is happening. This

0:16:19.520 --> 0:16:21.800
<v Speaker 1>episode's coming out after this happens. But I'm opening for

0:16:22.000 --> 0:16:25.680
<v Speaker 1>a comedian who I've never heard of but has like

0:16:25.720 --> 0:16:27.280
<v Speaker 1>a big social media following.

0:16:27.600 --> 0:16:31.520
<v Speaker 3>And her name is Shannon Fiebler. Oh my, not the

0:16:31.560 --> 0:16:33.640
<v Speaker 3>Hoffs who produced my special produced hers.

0:16:34.000 --> 0:16:37.160
<v Speaker 1>Oh okay, yeah yeah yeah, I'm I were tomorrow night

0:16:37.200 --> 0:16:40.440
<v Speaker 1>at Dynasty. So yeah, she's like pregnant. So I don't

0:16:40.480 --> 0:16:42.040
<v Speaker 1>know if they like wanted a mom or whatever, but

0:16:42.320 --> 0:16:46.480
<v Speaker 1>you can bring up the Hoffs. Yeah, okay, we'll do Yeah.

0:16:46.600 --> 0:16:48.240
<v Speaker 3>Wait, I can't even believe it.

0:16:48.320 --> 0:16:50.280
<v Speaker 2>That's why I mean, Dinasty is a great venue if

0:16:50.280 --> 0:16:53.560
<v Speaker 2>you guys live in La, around La. Their programming is incredible. Yeah,

0:16:53.560 --> 0:16:58.040
<v Speaker 2>they're so comedy like performer friendly. I mean, the snacks

0:16:58.040 --> 0:17:00.000
<v Speaker 2>in the back alone are you're the best.

0:17:00.000 --> 0:17:01.920
<v Speaker 3>It's like fall of size candy bars.

0:17:02.160 --> 0:17:03.840
<v Speaker 1>First of all, that's where we did our first live

0:17:03.880 --> 0:17:06.240
<v Speaker 1>show ever, not counting the one in my backyard.

0:17:06.280 --> 0:17:07.680
<v Speaker 3>That was where we did our first live show ever.

0:17:07.800 --> 0:17:10.160
<v Speaker 1>And they're just like, they're so nice to me when

0:17:10.160 --> 0:17:11.920
<v Speaker 1>I go there just to see something, you know what

0:17:12.000 --> 0:17:14.119
<v Speaker 1>I mean, Like some venues it's like if you're not

0:17:14.160 --> 0:17:16.439
<v Speaker 1>on the lineup, they don't really they're like okay, but

0:17:16.640 --> 0:17:19.000
<v Speaker 1>everybody's like always so nice and like what can we get, Like,

0:17:19.000 --> 0:17:20.760
<v Speaker 1>I don't know. I love that venue. So shout out

0:17:20.760 --> 0:17:23.200
<v Speaker 1>to Dynasty Typewriter. If you live in LA, do check

0:17:23.200 --> 0:17:27.560
<v Speaker 1>out their calendar. They're the best. But I went to

0:17:27.560 --> 0:17:30.679
<v Speaker 1>New York speaking of like comedy, I was in LA

0:17:30.720 --> 0:17:33.240
<v Speaker 1>last week. If we were in LA, we crossed planes.

0:17:33.280 --> 0:17:35.480
<v Speaker 1>Our planes high fived on the way past each other.

0:17:36.000 --> 0:17:39.000
<v Speaker 1>And well, first of all, a really quick shout out.

0:17:39.000 --> 0:17:40.560
<v Speaker 1>I know we already did this, but it was fake

0:17:40.560 --> 0:17:42.080
<v Speaker 1>because it was in the time machine. But thank you

0:17:42.119 --> 0:17:44.000
<v Speaker 1>to everybody that came to our DC show. We had

0:17:44.040 --> 0:17:46.000
<v Speaker 1>such a great time. It was such a fun show,

0:17:46.119 --> 0:17:47.359
<v Speaker 1>Like I had a blast and.

0:17:47.600 --> 0:17:51.800
<v Speaker 2>Great crowds in DC, and we were happy to be

0:17:51.840 --> 0:17:57.639
<v Speaker 2>there because truly, yeah, they are feeling the bleakness pretty hard,

0:17:58.440 --> 0:17:59.960
<v Speaker 2>feeling it. But it's like a lot of these people

0:18:00.040 --> 0:18:04.840
<v Speaker 2>work in the government and yeahah and even everyone.

0:18:05.320 --> 0:18:07.119
<v Speaker 1>Yeah, even talking to my friends that live there, I

0:18:07.160 --> 0:18:08.720
<v Speaker 1>was like, what's it like to be here? They were like,

0:18:08.800 --> 0:18:11.200
<v Speaker 1>it's like it's probably, I mean, it's probably we're all

0:18:11.200 --> 0:18:12.840
<v Speaker 1>feeling it. But I think to live in like the

0:18:12.840 --> 0:18:15.600
<v Speaker 1>belly of the Beast is like tough, you know, so

0:18:15.760 --> 0:18:18.080
<v Speaker 1>they're like everyone we know, Like my friend's like I'm

0:18:18.080 --> 0:18:20.200
<v Speaker 1>getting a call every Friday of people getting laid off.

0:18:20.240 --> 0:18:21.440
<v Speaker 3>It's like really really tough.

0:18:21.480 --> 0:18:23.639
<v Speaker 2>So I know it feels so hopeless, and I also

0:18:23.760 --> 0:18:25.359
<v Speaker 2>and it is so big, and it's all the news

0:18:25.400 --> 0:18:27.960
<v Speaker 2>is bad. I do have a new glimmer of hope,

0:18:28.000 --> 0:18:30.280
<v Speaker 2>but I don't know if I'm being a fool. I

0:18:30.280 --> 0:18:34.359
<v Speaker 2>think he's gonna start fucking people over faster than we

0:18:34.440 --> 0:18:37.199
<v Speaker 2>think that like him, that they're gonna revolt. I think

0:18:37.280 --> 0:18:39.639
<v Speaker 2>he's gonna fuck with the rich, the tariff, like, I

0:18:39.640 --> 0:18:41.680
<v Speaker 2>think he's gonna crash the economy so bad, and I

0:18:41.680 --> 0:18:43.400
<v Speaker 2>think we're all gonna suffer a lot. But I think

0:18:43.400 --> 0:18:47.640
<v Speaker 2>he's gonna fuck over his rich friends and his fan

0:18:47.680 --> 0:18:52.160
<v Speaker 2>base quicker and they're gonna be angrier into the scar hyena.

0:18:52.400 --> 0:18:56.719
<v Speaker 3>But this is just this morning. But I also don't know.

0:18:57.160 --> 0:18:59.320
<v Speaker 1>Yeah, the problem is like because you're what you're saying

0:18:59.359 --> 0:19:02.119
<v Speaker 1>is pretty much absolutely true, Like that is going to happen,

0:19:02.119 --> 0:19:04.639
<v Speaker 1>I feel. But the problem is what I was reading

0:19:04.640 --> 0:19:07.800
<v Speaker 1>this morning is that just like the their media, like

0:19:07.840 --> 0:19:10.000
<v Speaker 1>the right wing media, is like he's killing it.

0:19:10.040 --> 0:19:14.920
<v Speaker 2>He's crushing so like people I'm talking about, yea, that

0:19:15.520 --> 0:19:18.719
<v Speaker 2>are the reason they both looking at the Yeah, and

0:19:18.800 --> 0:19:21.199
<v Speaker 2>once we're all fucked and we're not shopping and we

0:19:21.240 --> 0:19:24.640
<v Speaker 2>can't you know, the Canada, all this stuff is happening. Yeah,

0:19:24.680 --> 0:19:27.520
<v Speaker 2>the things are plummeting whatever, the stocks are plummeting, like

0:19:27.640 --> 0:19:31.199
<v Speaker 2>I plummeted. Yeah, I feel like once, I think the

0:19:31.320 --> 0:19:34.280
<v Speaker 2>rich people are about to get fucked faster than they thought,

0:19:34.760 --> 0:19:38.960
<v Speaker 2>because he truly is a fool, Like he's a bankrupting fool.

0:19:39.160 --> 0:19:43.119
<v Speaker 2>He's not smart, like he's a lunatic who actually you know,

0:19:43.160 --> 0:19:44.560
<v Speaker 2>they all think like, oh, I'm going to get this

0:19:44.600 --> 0:19:46.119
<v Speaker 2>out of him or this or use but like, at

0:19:46.119 --> 0:19:47.680
<v Speaker 2>the end of the day, he'll throw them all under

0:19:47.680 --> 0:19:50.520
<v Speaker 2>the bus for anything and anybody. And I do feel

0:19:50.560 --> 0:19:53.280
<v Speaker 2>like he's gonna fuck them over and even the poor.

0:19:53.840 --> 0:19:57.760
<v Speaker 2>They might keep blaming Biden, but eventually, I don't know.

0:19:57.800 --> 0:19:59.600
<v Speaker 2>I just think they're all going to get fucked with faster,

0:19:59.800 --> 0:20:05.360
<v Speaker 2>Like it seems like there's such immediate consequences to all

0:20:05.400 --> 0:20:09.600
<v Speaker 2>this budget cutting and firing. Yeah, but I think that

0:20:10.760 --> 0:20:13.560
<v Speaker 2>the hillbilly trash, I think we're gonna get fucked with faster.

0:20:13.840 --> 0:20:16.120
<v Speaker 2>But you're right, Media and propaganda and being an occult

0:20:16.200 --> 0:20:17.720
<v Speaker 2>is strong and it could take a long time. But

0:20:17.720 --> 0:20:21.439
<v Speaker 2>for some reason I had a glimmer of hope. Yeah, yeah,

0:20:21.600 --> 0:20:23.320
<v Speaker 2>I mean no, I think that's good to hope. That's

0:20:23.359 --> 0:20:25.280
<v Speaker 2>good hope. Look, we have to have hope.

0:20:25.600 --> 0:20:28.680
<v Speaker 1>But anyway, I loved talking about the DC show was amazing,

0:20:28.720 --> 0:20:30.480
<v Speaker 1>and thank you for everybody that came out. We loved

0:20:30.480 --> 0:20:33.160
<v Speaker 1>you guys, And it was just it was just so fun.

0:20:33.200 --> 0:20:35.520
<v Speaker 1>And we got some really funny bracelets. Thank you to

0:20:35.560 --> 0:20:37.680
<v Speaker 1>the person who made me a bracelet that says Clank

0:20:37.720 --> 0:20:41.680
<v Speaker 1>Family Classic because that really tickled me. But then I

0:20:41.800 --> 0:20:45.800
<v Speaker 1>was so I was in New York, and after DC,

0:20:45.920 --> 0:20:48.280
<v Speaker 1>I went to New York. So death becomes Her obviously

0:20:48.560 --> 0:20:50.560
<v Speaker 1>a huge highlight. And then Monday I kind of went

0:20:50.600 --> 0:20:52.840
<v Speaker 1>around with our friend to some different comedy shows. And

0:20:52.880 --> 0:20:55.680
<v Speaker 1>I hadn't done like a little bounce around to like

0:20:56.200 --> 0:20:58.359
<v Speaker 1>West Village, Brooklyn comedy shows.

0:20:58.359 --> 0:21:00.200
<v Speaker 3>In a minute. It was fun. It was like fun.

0:21:00.240 --> 0:21:02.639
<v Speaker 1>It felt like I was like back in my my

0:21:02.880 --> 0:21:05.760
<v Speaker 1>like twenties and early thirties when I was you know,

0:21:06.119 --> 0:21:08.639
<v Speaker 1>like just going around doing like four or five shows

0:21:08.640 --> 0:21:08.920
<v Speaker 1>a night.

0:21:08.960 --> 0:21:11.960
<v Speaker 3>It was fun. Had a blast. Yeah, where'd you guys, eat,

0:21:12.000 --> 0:21:12.720
<v Speaker 3>what else did you do?

0:21:13.040 --> 0:21:13.360
<v Speaker 5>We went?

0:21:13.400 --> 0:21:15.840
<v Speaker 1>We ate at Rosemary's in the Way, which I hadn't

0:21:15.840 --> 0:21:16.399
<v Speaker 1>been to before.

0:21:16.400 --> 0:21:17.680
<v Speaker 3>It was good. It was just like in between.

0:21:17.720 --> 0:21:19.159
<v Speaker 1>She had to show at Stonewall and she had to

0:21:19.200 --> 0:21:21.399
<v Speaker 1>show at Pete's candy store, so we went in between,

0:21:22.040 --> 0:21:23.600
<v Speaker 1>and then I got over. I got to go over

0:21:23.640 --> 0:21:25.480
<v Speaker 1>to her house and meet and see Riz. He would

0:21:25.560 --> 0:21:27.000
<v Speaker 1>not really give me the time of day. I tried

0:21:27.040 --> 0:21:29.159
<v Speaker 1>a couple times and he was not having it. But

0:21:29.160 --> 0:21:31.760
<v Speaker 1>that's okay. I met my sister's dog. My sister got

0:21:31.760 --> 0:21:33.560
<v Speaker 1>a dog named Betty. You got to meet her dog.

0:21:34.080 --> 0:21:35.359
<v Speaker 1>And then I went to New Hampshire and had a

0:21:35.400 --> 0:21:36.360
<v Speaker 1>fun little weekend with my.

0:21:36.480 --> 0:21:38.920
<v Speaker 2>What kind of dog is Betty? We could tell you're

0:21:38.920 --> 0:21:41.200
<v Speaker 2>not an animal person? Well, you're like the cat didn't

0:21:41.200 --> 0:21:43.400
<v Speaker 2>do exactly what I wanted as I walked in, even

0:21:43.440 --> 0:21:45.280
<v Speaker 2>though he doesn't know me, and I guess there's a

0:21:45.280 --> 0:21:45.760
<v Speaker 2>new dog.

0:21:45.920 --> 0:21:46.160
<v Speaker 3>No.

0:21:46.400 --> 0:21:48.520
<v Speaker 1>I gave Riz a lot of time and then I

0:21:48.600 --> 0:21:50.720
<v Speaker 1>just was like really trying to slowly approach him, and

0:21:50.720 --> 0:21:52.399
<v Speaker 1>he was looking at me for a lot of it,

0:21:52.440 --> 0:21:56.280
<v Speaker 1>but he was he would not approach. The dog is

0:21:56.760 --> 0:22:00.520
<v Speaker 1>a rescue a mix, a pit mix. I think, but

0:22:00.560 --> 0:22:04.040
<v Speaker 1>she's blind a bigger dog, but she's not that big,

0:22:04.240 --> 0:22:11.040
<v Speaker 1>like she's not that big, like she's are they excited? Yeah, yeah,

0:22:11.080 --> 0:22:13.240
<v Speaker 1>they love her. I mean, my sister's already like acting

0:22:13.280 --> 0:22:15.360
<v Speaker 1>like a mom. She's always like well with Betty and

0:22:15.480 --> 0:22:17.040
<v Speaker 1>like I have to take her to her blood work.

0:22:17.119 --> 0:22:18.680
<v Speaker 2>I'm like, oh my gosh, well because I know the

0:22:18.840 --> 0:22:21.120
<v Speaker 2>true child this summer, so I wonder if they're gonna

0:22:21.119 --> 0:22:23.240
<v Speaker 2>have to just now drive for their vacaate, like they're

0:22:23.240 --> 0:22:25.080
<v Speaker 2>gonna not want a vacation in the summer.

0:22:25.119 --> 0:22:27.679
<v Speaker 1>Now, I think that they will because I think like

0:22:27.760 --> 0:22:30.240
<v Speaker 1>this summer they weren't going to vacation anyway, Like they'll

0:22:30.240 --> 0:22:31.840
<v Speaker 1>come out to they'll come out like and see us

0:22:31.840 --> 0:22:33.240
<v Speaker 1>in Connecticut and stuff like that. I don't think this

0:22:33.240 --> 0:22:34.639
<v Speaker 1>summer they were gonna do a trip because they did

0:22:34.680 --> 0:22:37.160
<v Speaker 1>a huge one last summer. And then by next year,

0:22:37.680 --> 0:22:39.720
<v Speaker 1>I think she'll be more tame and calm because she's

0:22:39.720 --> 0:22:41.600
<v Speaker 1>still little. She's only like a year and a half old,

0:22:42.080 --> 0:22:44.000
<v Speaker 1>and I think that they'll be okay to like leave

0:22:44.000 --> 0:22:45.919
<v Speaker 1>her with my brother or something like somebody else that

0:22:45.960 --> 0:22:48.159
<v Speaker 1>has a dog, or you know, or his brother has

0:22:48.200 --> 0:22:49.840
<v Speaker 1>a dog as well. My brother in law's brother has

0:22:49.840 --> 0:22:51.359
<v Speaker 1>a dog, so like, I think that they will. I

0:22:51.359 --> 0:22:54.000
<v Speaker 1>don't think this will keep them from traveling forever. But

0:22:54.600 --> 0:22:56.200
<v Speaker 1>I never thought my sister would ever have a dog

0:22:56.240 --> 0:22:58.080
<v Speaker 1>in a million years. And she's like, can you believe this,

0:22:58.200 --> 0:23:01.560
<v Speaker 1>like when she was with the dogs Benji, like your

0:23:01.600 --> 0:23:03.160
<v Speaker 1>brother's dog is an influence.

0:23:03.760 --> 0:23:07.119
<v Speaker 2>But also everyone fresh off the beat, Robbie Hoffman and

0:23:07.200 --> 0:23:11.720
<v Speaker 2>Gabby Windy, No, I know, and I.

0:23:11.680 --> 0:23:14.720
<v Speaker 3>Can't believe that it's been like two months. It was

0:23:14.720 --> 0:23:15.840
<v Speaker 3>a secret.

0:23:16.520 --> 0:23:19.560
<v Speaker 2>Oh okay, because I'm like, oh, they got married in Portugal.

0:23:19.600 --> 0:23:21.160
<v Speaker 3>They're in Portugal right now, That's what I thought.

0:23:21.240 --> 0:23:24.320
<v Speaker 1>Here was No, they got married in Vegas in January

0:23:24.359 --> 0:23:25.960
<v Speaker 1>and they haven't told anybody. And I'm like, I was

0:23:26.000 --> 0:23:29.040
<v Speaker 1>just texting with Robbie about Gabby like a couple weeks ago,

0:23:29.119 --> 0:23:32.280
<v Speaker 1>and yeah, no, no, leak's there. She wasn't telling me

0:23:32.320 --> 0:23:35.480
<v Speaker 1>the big secret. So I think it's so cute. I'm

0:23:35.480 --> 0:23:38.840
<v Speaker 1>so happy for them, big big news. But no, I

0:23:38.840 --> 0:23:40.639
<v Speaker 1>think my sister got the dog with her husband wanted it,

0:23:40.680 --> 0:23:42.959
<v Speaker 1>by the way, to close the loop on that combo,

0:23:43.240 --> 0:23:44.159
<v Speaker 1>not because of Benji.

0:23:44.320 --> 0:23:47.720
<v Speaker 3>She just he wanted one. How else was la you

0:23:47.760 --> 0:23:50.040
<v Speaker 3>went due to the story how is your camp thing?

0:23:50.560 --> 0:23:52.280
<v Speaker 1>Oh, it was great, it was great. I went to

0:23:52.280 --> 0:23:54.560
<v Speaker 1>New Hampshire. My friend lives in Portsmouth, New Hampshire. What

0:23:54.640 --> 0:23:57.199
<v Speaker 1>a picturesque little fucking town that is.

0:23:57.240 --> 0:23:57.520
<v Speaker 3>I don't know.

0:23:57.520 --> 0:23:59.920
<v Speaker 2>It's also shout out to Vermont where your camp is,

0:24:00.520 --> 0:24:04.320
<v Speaker 2>because they fucking said jd Vance do you want to ski?

0:24:04.600 --> 0:24:07.720
<v Speaker 1>Go fuck yourself? Yeah, they bullied J Vance right off

0:24:07.720 --> 0:24:11.160
<v Speaker 1>that mountain. The fucking Yeah. New England doesn't fuck around.

0:24:11.280 --> 0:24:14.119
<v Speaker 1>It's so funny because I posted the some of them

0:24:14.119 --> 0:24:16.560
<v Speaker 1>are montras. My favorite things that they posted inside the

0:24:16.880 --> 0:24:19.280
<v Speaker 1>signs they wrote for Vance. One was Advance puts his

0:24:19.440 --> 0:24:22.160
<v Speaker 1>cast iron skillet in the dishwasher and the other one

0:24:22.200 --> 0:24:24.120
<v Speaker 1>was Vance skis and jeans, and I thought those were

0:24:24.119 --> 0:24:26.000
<v Speaker 1>my those were like my favorite ones, so I posted

0:24:26.000 --> 0:24:28.360
<v Speaker 1>those and then the Vance puts his in the cast

0:24:28.400 --> 0:24:30.480
<v Speaker 1>iron skill and the dishwasher. One of our listeners wrote

0:24:30.600 --> 0:24:32.600
<v Speaker 1>was like, that's my high school math teacher. I was like,

0:24:32.640 --> 0:24:35.320
<v Speaker 1>the world is so small. I love it, so love

0:24:35.440 --> 0:24:40.040
<v Speaker 1>those little states. Loved that, and yeah, New Portsmouth is

0:24:40.119 --> 0:24:42.280
<v Speaker 1>like adorable, you know what's crazy?

0:24:42.359 --> 0:24:42.479
<v Speaker 5>Like?

0:24:42.920 --> 0:24:47.720
<v Speaker 1>So Portsmouth had like three or four stores that are

0:24:47.880 --> 0:24:50.920
<v Speaker 1>like I don't know what the equivalent of like La

0:24:51.200 --> 0:24:53.679
<v Speaker 1>stories maybe like spitfire Girl or something like that. Like

0:24:53.800 --> 0:24:57.000
<v Speaker 1>gift stores, like stores where you can buy like little onesies,

0:24:57.160 --> 0:25:00.879
<v Speaker 1>magnet socks like whatever, you know, funny books you know that.

0:25:00.920 --> 0:25:04.240
<v Speaker 3>I think, yeah, so many like that, and.

0:25:04.160 --> 0:25:05.720
<v Speaker 1>Like there were there were stores like that when I

0:25:05.760 --> 0:25:08.760
<v Speaker 1>was younger, but now they all just have swear words

0:25:08.760 --> 0:25:11.120
<v Speaker 1>in them. Like now it's just like, oh, you want

0:25:11.119 --> 0:25:12.679
<v Speaker 1>to find me, I'm out fucking hiking.

0:25:12.800 --> 0:25:16.320
<v Speaker 3>Like everything's just like everything is like fuck fuck fuck.

0:25:16.440 --> 0:25:19.679
<v Speaker 1>Like there weren't onesies that said for a baby that

0:25:19.760 --> 0:25:23.080
<v Speaker 1>said I came from nutting, like but spelled n U

0:25:23.119 --> 0:25:28.639
<v Speaker 1>T T I N like just yeah, I got I gotta.

0:25:29.320 --> 0:25:31.320
<v Speaker 1>They didn't have they didn't have patients and size. I'm

0:25:31.359 --> 0:25:35.680
<v Speaker 1>so sorry, but yeah, I was just shocked. I was like, Wow,

0:25:35.720 --> 0:25:37.960
<v Speaker 1>these like gifts kind of shops have been around forever,

0:25:38.080 --> 0:25:41.280
<v Speaker 1>but like they're they're they feel like a little bit

0:25:41.280 --> 0:25:43.800
<v Speaker 1>more high end now at the same time as feeling

0:25:44.200 --> 0:25:49.520
<v Speaker 1>very like so like just dirty kind of like so

0:25:49.600 --> 0:25:52.480
<v Speaker 1>many dirty things in these shops. It was just like

0:25:52.520 --> 0:25:54.200
<v Speaker 1>cracking me up because there was like three of them

0:25:54.240 --> 0:25:55.120
<v Speaker 1>in this little town.

0:25:55.920 --> 0:25:57.120
<v Speaker 3>But anyway, or.

0:25:57.080 --> 0:25:59.359
<v Speaker 1>Like books that just say cheese porn, you know what

0:25:59.440 --> 0:26:03.639
<v Speaker 1>I mean, Like I would just it's just funny to me.

0:26:03.720 --> 0:26:05.600
<v Speaker 1>But I also have kids that are at home going

0:26:06.040 --> 0:26:07.840
<v Speaker 1>fucking god damn it. So I don't know why I

0:26:07.920 --> 0:26:10.879
<v Speaker 1>think swearing is going anywhere. It's where. I mean, swearing

0:26:10.920 --> 0:26:12.879
<v Speaker 1>is fine obviously to me. It's just was shocking to

0:26:12.880 --> 0:26:15.480
<v Speaker 1>me that at these little stores in New England where

0:26:15.480 --> 0:26:17.359
<v Speaker 1>people are like, maybe I'll go pick up a gift,

0:26:17.480 --> 0:26:21.360
<v Speaker 1>and then it's just like fuck everywhere. It was making

0:26:21.400 --> 0:26:23.200
<v Speaker 1>me laugh. But New Hampshire was great.

0:26:23.359 --> 0:26:26.520
<v Speaker 3>We walked around, we saw the ocean, we went to dinner,

0:26:26.920 --> 0:26:27.520
<v Speaker 3>We laughed.

0:26:27.600 --> 0:26:29.120
<v Speaker 1>We had a great time. I have the best time

0:26:29.119 --> 0:26:32.639
<v Speaker 1>with them. We just laughed our little asses off. And

0:26:32.680 --> 0:26:35.080
<v Speaker 1>then I had the longest fucking travel day ever coming back.

0:26:35.119 --> 0:26:37.400
<v Speaker 1>And I got back to La right as oscar traffic

0:26:37.640 --> 0:26:41.600
<v Speaker 1>was unleashing, so it took me forever to go home. Yeah,

0:26:41.640 --> 0:26:44.600
<v Speaker 1>I forgot. I shouldn't have done that. I love the Oscars.

0:26:44.600 --> 0:26:47.359
<v Speaker 1>I don't know why I booked travel. I guess I

0:26:47.359 --> 0:26:48.879
<v Speaker 1>had to, like I had to get home, but like,

0:26:48.960 --> 0:26:51.040
<v Speaker 1>I really like watching the Oscars and I was bummed

0:26:51.040 --> 0:26:53.360
<v Speaker 1>that I watched it.

0:26:53.400 --> 0:26:55.879
<v Speaker 3>That I had to miss it. You know, not watching

0:26:55.880 --> 0:26:58.000
<v Speaker 3>it live. How was How was La?

0:26:58.960 --> 0:27:01.240
<v Speaker 2>I'll say it was the best trip I've had in

0:27:01.280 --> 0:27:02.360
<v Speaker 2>a while, the most fun I had.

0:27:02.400 --> 0:27:03.439
<v Speaker 3>It was like really busy.

0:27:03.520 --> 0:27:06.119
<v Speaker 2>I was like both two days, I had to be

0:27:06.160 --> 0:27:08.919
<v Speaker 2>somewhere at nine am or like nine thirty so and

0:27:08.960 --> 0:27:12.560
<v Speaker 2>I was go go go, had a nice had some meals,

0:27:12.960 --> 0:27:16.560
<v Speaker 2>had a dinner, had Alfred. I was fine at my spots,

0:27:17.400 --> 0:27:21.040
<v Speaker 2>played some games, did some podcasts. I saw a little esther,

0:27:21.200 --> 0:27:22.560
<v Speaker 2>I met her baby, loved that.

0:27:23.160 --> 0:27:25.240
<v Speaker 3>Oh cute. Wait does she live in Oh yeah she

0:27:25.240 --> 0:27:25.560
<v Speaker 3>lives here?

0:27:25.600 --> 0:27:26.000
<v Speaker 5>Do yeah?

0:27:26.040 --> 0:27:27.120
<v Speaker 3>Yeah? Yeah.

0:27:27.680 --> 0:27:30.560
<v Speaker 2>Someone recently was like, no one calls her little esther anymore,

0:27:30.560 --> 0:27:31.239
<v Speaker 2>and I'm like, you're right.

0:27:31.280 --> 0:27:36.040
<v Speaker 3>She was a grown woman, she has a child. But

0:27:36.480 --> 0:27:37.480
<v Speaker 3>it was it was just.

0:27:37.400 --> 0:27:40.520
<v Speaker 2>Fun, you know, because we've known each other since elementary school. Yeah,

0:27:40.920 --> 0:27:43.639
<v Speaker 2>like really nice to hold her baby. She's so I

0:27:43.640 --> 0:27:46.439
<v Speaker 2>haven't had a little baby in a while. That's so

0:27:46.520 --> 0:27:49.520
<v Speaker 2>really sweet. It was nice. And then I got upgraded

0:27:49.560 --> 0:27:53.520
<v Speaker 2>and fucking slip man. I Yeah, it was just so fast.

0:27:53.560 --> 0:27:56.359
<v Speaker 2>I think, La to me is like my family trips

0:27:56.400 --> 0:27:57.240
<v Speaker 2>three days max.

0:27:59.560 --> 0:27:59.879
<v Speaker 3>Yeah.

0:28:00.040 --> 0:28:01.480
<v Speaker 2>But yeah, I'm trying to think if there was like

0:28:01.520 --> 0:28:03.600
<v Speaker 2>a big LA highlight.

0:28:03.840 --> 0:28:06.320
<v Speaker 3>But it was like a petticker with a friend. Sounds

0:28:06.320 --> 0:28:08.600
<v Speaker 3>like it was pretty fun. Love it and leave. It

0:28:08.600 --> 0:28:10.000
<v Speaker 3>was one of the best nights of my life. I

0:28:10.160 --> 0:28:10.560
<v Speaker 3>was on a.

0:28:10.520 --> 0:28:12.760
<v Speaker 2>Buzz, like I went being like early night, I have

0:28:12.800 --> 0:28:16.239
<v Speaker 2>to be up tomorrow morning. And then instead I was like, oh,

0:28:16.280 --> 0:28:18.840
<v Speaker 2>I gotta go out, like I am jazzed, and I

0:28:18.840 --> 0:28:20.639
<v Speaker 2>could tell I annoyed him at first, but then I

0:28:20.760 --> 0:28:22.199
<v Speaker 2>really got because I was like, are you mad at me?

0:28:22.600 --> 0:28:24.199
<v Speaker 3>Cause I you know, I am who I am and

0:28:24.240 --> 0:28:24.800
<v Speaker 3>he's a dork.

0:28:25.320 --> 0:28:27.560
<v Speaker 2>So he's like so smart, but it's cool to be

0:28:27.600 --> 0:28:29.840
<v Speaker 2>around someone that's that smart. Like at one point he

0:28:29.880 --> 0:28:32.800
<v Speaker 2>like mentioned like this person the sea blah blah blah,

0:28:32.520 --> 0:28:34.639
<v Speaker 2>and in my head I went, wow, yeah, this is

0:28:34.680 --> 0:28:36.960
<v Speaker 2>like actually really intelligent.

0:28:37.359 --> 0:28:39.680
<v Speaker 1>What was their hot take that you two agreed on.

0:28:39.760 --> 0:28:42.160
<v Speaker 1>I saw it on your Instagram, but I forgot it.

0:28:42.520 --> 0:28:47.200
<v Speaker 3>Just that thin mints are are overrated. Oh they need

0:28:47.240 --> 0:28:48.120
<v Speaker 3>to be in the fridge.

0:28:48.480 --> 0:28:50.680
<v Speaker 2>But I had one callback to something where I could

0:28:50.680 --> 0:28:52.840
<v Speaker 2>tell he was impressed, and like there there was something

0:28:52.880 --> 0:28:54.720
<v Speaker 2>about me where like I wanted to impress this like

0:28:54.800 --> 0:28:58.560
<v Speaker 2>smart guy, but because your gold seem made fun of me.

0:28:58.600 --> 0:29:00.520
<v Speaker 3>He's like, do you have a crush on him. Oh

0:29:00.560 --> 0:29:02.720
<v Speaker 3>I think I do. I'm like, I was just like,

0:29:03.040 --> 0:29:06.560
<v Speaker 3>I don't know. It felt really fun. Yeah.

0:29:06.600 --> 0:29:08.960
<v Speaker 2>I like being on stage like I forgot and being

0:29:09.000 --> 0:29:10.320
<v Speaker 2>back on the road. I'm like, oh yeah, I like

0:29:10.400 --> 0:29:14.640
<v Speaker 2>to work and like yeah, yeah. Well, let's get started

0:29:14.640 --> 0:29:15.240
<v Speaker 2>with our episode.

0:29:15.240 --> 0:29:16.920
<v Speaker 1>But speaking of you being on the road, go to

0:29:17.000 --> 0:29:21.480
<v Speaker 1>That's messed Up live dot com, Lisa's links to Lisa's dates.

0:29:21.520 --> 0:29:24.920
<v Speaker 3>She's all over the place, watch night Owl.

0:29:26.120 --> 0:29:28.440
<v Speaker 1>You can listen to my other podcast that's called Who's

0:29:28.480 --> 0:29:30.760
<v Speaker 1>the Bitch? I mean, what else anything else going on?

0:29:30.880 --> 0:29:33.320
<v Speaker 2>Well, Survival of the Thickest Season two comes out, oh

0:29:33.360 --> 0:29:34.680
<v Speaker 2>March twenty seventh.

0:29:34.920 --> 0:29:39.800
<v Speaker 3>But that's that's that. That's still a couple away. But

0:29:39.840 --> 0:29:42.040
<v Speaker 3>we'll be reminding you. Yeah, we will be reminding you

0:29:42.080 --> 0:29:46.720
<v Speaker 3>to do remind me, but says coming up. But that's yeah.

0:29:47.400 --> 0:29:50.360
<v Speaker 3>All right, Well let that's that's all for now.

0:29:50.400 --> 0:29:57.840
<v Speaker 1>Guys, let's get started on today's episode. All right, we

0:29:57.880 --> 0:30:04.080
<v Speaker 1>are going to dive into gamb Fallacy Season fifteen, episode seventeen.

0:30:05.360 --> 0:30:07.800
<v Speaker 3>This is a Rollins heavy one. It's crazy.

0:30:07.840 --> 0:30:10.120
<v Speaker 1>It's a Rollin's heavy episode for those of you, for

0:30:10.200 --> 0:30:13.040
<v Speaker 1>you Rollins heads out there. The title by the way,

0:30:13.560 --> 0:30:17.000
<v Speaker 1>they never bring up in the episode. But gambler's fallacy,

0:30:17.120 --> 0:30:22.400
<v Speaker 1>according to my Google search, is occurs when an individual

0:30:22.560 --> 0:30:25.640
<v Speaker 1>erroneously believes that a certain random event is less likely

0:30:25.840 --> 0:30:28.480
<v Speaker 1>or more likely to happen based on the outcome of

0:30:28.480 --> 0:30:31.440
<v Speaker 1>a previous event or series of events. So, like, I'm

0:30:31.560 --> 0:30:34.040
<v Speaker 1>so guilty of the gambler's fallacy. Like I'll play Roulemme

0:30:34.040 --> 0:30:36.800
<v Speaker 1>and be like, well, it's hit black seven times, it's

0:30:36.840 --> 0:30:37.960
<v Speaker 1>gotta hit red next.

0:30:38.160 --> 0:30:39.440
<v Speaker 3>Not true, that's a fallacy.

0:30:39.480 --> 0:30:41.800
<v Speaker 1>It's just as likely to hit red every single fucking

0:30:41.880 --> 0:30:45.040
<v Speaker 1>time as it, you know. And so but you know,

0:30:45.120 --> 0:30:47.640
<v Speaker 1>we tell ourselves something when we're a little buzzed and

0:30:47.720 --> 0:30:49.120
<v Speaker 1>having fun losing our money.

0:30:49.560 --> 0:30:51.520
<v Speaker 3>So I can't remember it.

0:30:51.760 --> 0:30:54.440
<v Speaker 1>Do we know before this episode about Rollins is big

0:30:54.480 --> 0:30:57.080
<v Speaker 1>gambling or not? I like, it's hard to she has

0:30:57.120 --> 0:30:58.880
<v Speaker 1>such a long tenure on the show, it's hard to

0:30:58.960 --> 0:30:59.560
<v Speaker 1>like remember.

0:31:00.000 --> 0:31:02.880
<v Speaker 2>Well, not only that, there's just she's done almost every

0:31:02.920 --> 0:31:05.640
<v Speaker 2>single thing right, Like her and Danny Pino joining the

0:31:05.680 --> 0:31:08.560
<v Speaker 2>show was just like, let's see how much we can

0:31:08.600 --> 0:31:12.000
<v Speaker 2>make these cops fuck up. And yeah, people want to

0:31:12.080 --> 0:31:14.440
<v Speaker 2>like fuck them and have a like want them on

0:31:14.480 --> 0:31:15.400
<v Speaker 2>the show.

0:31:15.600 --> 0:31:20.120
<v Speaker 1>Oh, in season thirteen, which is her first season. In

0:31:20.160 --> 0:31:23.600
<v Speaker 1>the episode Home Invasions, she does confess that she's in

0:31:23.760 --> 0:31:25.360
<v Speaker 1>twenty thousand dollars of debt with a.

0:31:25.360 --> 0:31:28.240
<v Speaker 3>Bookie, okay, and then I.

0:31:28.200 --> 0:31:31.000
<v Speaker 1>Think she does eventually go to like Gambling's Anonymous, but

0:31:31.360 --> 0:31:34.240
<v Speaker 1>as we find out, soon she falls off the wagon.

0:31:34.360 --> 0:31:37.560
<v Speaker 1>So we open the episode zoomed in on Rollins's face,

0:31:37.600 --> 0:31:39.240
<v Speaker 1>and she looks a little sketch, you know, she's up

0:31:39.280 --> 0:31:41.600
<v Speaker 1>to some shit. She's got shifty eyes. She says good

0:31:41.680 --> 0:31:44.000
<v Speaker 1>night to the team, and Tomorrow's like, what are your plans?

0:31:44.080 --> 0:31:46.440
<v Speaker 1>And she's like, I'm going to Niagara Falls. And I

0:31:46.440 --> 0:31:49.360
<v Speaker 1>thought she's being sarcastic, but she's serious. And Finn's like, oh,

0:31:49.440 --> 0:31:51.520
<v Speaker 1>you gotta go to the Canada side. That's where the

0:31:51.560 --> 0:31:54.920
<v Speaker 1>fucking wild clubs are. And of course, of course Finn

0:31:54.920 --> 0:31:57.920
<v Speaker 1>knows about the nightlife in Niagara Falls, and Rollins is like,

0:31:57.960 --> 0:32:00.239
<v Speaker 1>it's more of a nature trip and Franny's coming with me,

0:32:00.360 --> 0:32:02.200
<v Speaker 1>like it's just going to be like a little walk

0:32:02.240 --> 0:32:04.800
<v Speaker 1>through the you know, the woods with my dog. Amarro

0:32:04.960 --> 0:32:06.640
<v Speaker 1>Is man explaining like, you know, you need.

0:32:06.520 --> 0:32:08.360
<v Speaker 3>To take papers to get a dog across the border,

0:32:08.360 --> 0:32:10.560
<v Speaker 3>and she's like, I'm on it Dad, but she gets

0:32:10.600 --> 0:32:12.719
<v Speaker 3>really close to his face. It's flirty as usual.

0:32:13.680 --> 0:32:16.520
<v Speaker 1>But the episode where he actually is coming out of

0:32:16.520 --> 0:32:18.560
<v Speaker 1>the shower at her place is later this season, so

0:32:18.560 --> 0:32:21.360
<v Speaker 1>if you're picking up on vibes, that's what's happening. He

0:32:21.400 --> 0:32:24.680
<v Speaker 1>offers to walk her out. He's headed to DC to Seezara.

0:32:24.920 --> 0:32:27.760
<v Speaker 1>They leave, Benson walks out and goes, those two, I

0:32:27.760 --> 0:32:29.160
<v Speaker 1>wish they'd get a room already.

0:32:29.280 --> 0:32:30.880
<v Speaker 3>It's like, okay, and then.

0:32:30.800 --> 0:32:33.040
<v Speaker 1>Live has a look on her face and Finn goes,

0:32:33.080 --> 0:32:34.680
<v Speaker 1>I'll pretend you didn't. I didn't hear you say that.

0:32:34.720 --> 0:32:38.400
<v Speaker 1>But Liv looks like pissed, concerned, like she ate bad sushi.

0:32:38.400 --> 0:32:40.880
<v Speaker 1>It's hard to say. I can't tell what's wrong, but

0:32:40.960 --> 0:32:43.640
<v Speaker 1>she looks annoyed to see them walk out of work together,

0:32:43.680 --> 0:32:47.479
<v Speaker 1>as if that's not happened before. Then a song starts playing.

0:32:47.520 --> 0:32:50.400
<v Speaker 1>It's called The Blackout Days by Fanta Graham. You know I

0:32:50.400 --> 0:32:52.200
<v Speaker 1>have the captions on. That's the only reason I know.

0:32:52.600 --> 0:32:54.120
<v Speaker 1>I don't know this band, but they do have six

0:32:54.200 --> 0:32:56.880
<v Speaker 1>and a half million monthly listeners on Spotify, So good

0:32:56.880 --> 0:32:59.320
<v Speaker 1>for you, guys, and s few once in a while,

0:32:59.400 --> 0:33:01.720
<v Speaker 1>shells out them. I need a license like songs that

0:33:01.760 --> 0:33:04.240
<v Speaker 1>are not you know, just made up, like you know,

0:33:04.400 --> 0:33:07.120
<v Speaker 1>generic hip hop that they'll hear at a club. Anyway,

0:33:07.200 --> 0:33:09.200
<v Speaker 1>we see a woman putting on lipstick in the dark,

0:33:09.280 --> 0:33:11.680
<v Speaker 1>and uh, it's Rollin's. She gets out of her car.

0:33:11.760 --> 0:33:14.240
<v Speaker 1>She's in a shady fucking area. She's like under a bridge,

0:33:14.240 --> 0:33:17.000
<v Speaker 1>truly the only car in the area. She's got great

0:33:17.040 --> 0:33:19.560
<v Speaker 1>outerwear on as usual, hair looks good.

0:33:19.800 --> 0:33:20.280
<v Speaker 3>What's up?

0:33:20.360 --> 0:33:22.280
<v Speaker 1>Is she meeting a day? Does she undercover? We don't

0:33:22.280 --> 0:33:25.320
<v Speaker 1>know what's happening. Her hair is like criminally underrated. It's

0:33:25.320 --> 0:33:28.280
<v Speaker 1>one of the best little messy fun news. I'm like

0:33:28.400 --> 0:33:30.640
<v Speaker 1>obsessed with her hair else and I have and I

0:33:30.680 --> 0:33:36.760
<v Speaker 1>have more comments on the hair. Later, she goes into

0:33:36.800 --> 0:33:39.600
<v Speaker 1>some building. It's like a factory that's closed like after

0:33:39.640 --> 0:33:42.240
<v Speaker 1>hours or closed down. A security guy is there. He

0:33:42.320 --> 0:33:44.920
<v Speaker 1>wants her up and down. She gets let into this

0:33:45.440 --> 0:33:47.200
<v Speaker 1>I'll say it. It looks like a cool ass club. It

0:33:47.240 --> 0:33:50.080
<v Speaker 1>looks like a private gambling club, very kind of like

0:33:50.200 --> 0:33:54.479
<v Speaker 1>Molly's Game, but like another level. Rollin's is smoking butts,

0:33:54.520 --> 0:33:57.640
<v Speaker 1>telling the dealer to hit me. There's this guy next

0:33:57.680 --> 0:34:00.000
<v Speaker 1>to her, like a Brazilian guy, and he's trying to

0:34:00.080 --> 0:34:02.160
<v Speaker 1>tell her shit about her game, and she's like, you want,

0:34:02.160 --> 0:34:04.240
<v Speaker 1>don't you count your cards? And I'll count mine, Like

0:34:04.280 --> 0:34:07.000
<v Speaker 1>she's not having it. And then this guy starts pawing

0:34:07.000 --> 0:34:09.879
<v Speaker 1>at a waitress and orders a kapy reina for him

0:34:09.920 --> 0:34:13.040
<v Speaker 1>and one for Rollin's, and Rollin's and the waitress make

0:34:13.160 --> 0:34:16.160
<v Speaker 1>long eye contact like they recognize each other, and that's

0:34:16.200 --> 0:34:18.960
<v Speaker 1>because the girl was a victim four months earlier in

0:34:18.960 --> 0:34:22.719
<v Speaker 1>an episode called Jersey Breakdown. Rollins turns down to the

0:34:22.800 --> 0:34:25.280
<v Speaker 1>drink and decides to call it a night. The waitress

0:34:25.320 --> 0:34:28.560
<v Speaker 1>goes to the back room and her boss goes, what's

0:34:28.560 --> 0:34:32.160
<v Speaker 1>the crack, which is Irish for what's up? And I

0:34:32.200 --> 0:34:35.320
<v Speaker 1>only know that from Dairy Girls? And we SVU fans

0:34:35.440 --> 0:34:39.440
<v Speaker 1>obviously know this is Lieutenant Declan Murphy, but he's ultimate.

0:34:39.520 --> 0:34:42.560
<v Speaker 1>He's also the ultimate undercover cop slash thespian like we

0:34:42.600 --> 0:34:46.279
<v Speaker 1>did recently watch him piss himself in a jail cell

0:34:46.360 --> 0:34:48.600
<v Speaker 1>to try to get Kevin from the office to give

0:34:48.680 --> 0:34:52.040
<v Speaker 1>up some flash drives. So the waitress if you're but

0:34:52.120 --> 0:34:54.320
<v Speaker 1>if you're just watching the show for the first time,

0:34:54.440 --> 0:34:55.920
<v Speaker 1>you don't know who that is. You just think this

0:34:56.000 --> 0:34:57.799
<v Speaker 1>is some guy in the back of an illegal thing,

0:34:57.840 --> 0:35:00.440
<v Speaker 1>and he's like one of the bosses. The waitress tell him,

0:35:00.480 --> 0:35:02.520
<v Speaker 1>you guys know that that blonde is a cop. Right,

0:35:03.120 --> 0:35:06.760
<v Speaker 1>So Rollins is cashing out when Irish mob guy comes

0:35:06.880 --> 0:35:08.800
<v Speaker 1>up with to her with some muscle.

0:35:08.840 --> 0:35:10.359
<v Speaker 3>They're like, why do you come with us? She's like,

0:35:10.600 --> 0:35:11.400
<v Speaker 3>what's the problem.

0:35:11.640 --> 0:35:13.840
<v Speaker 1>I wasn't counting cards, and she's like, if I was

0:35:13.880 --> 0:35:16.239
<v Speaker 1>counting cards, I would be I wouldn't be down fifteen K.

0:35:16.640 --> 0:35:20.600
<v Speaker 1>So she's back in the hole pretty hard again. They

0:35:20.640 --> 0:35:22.520
<v Speaker 1>don't want this to go down in front of all

0:35:22.520 --> 0:35:24.960
<v Speaker 1>these people, and he's like, you don't want this night

0:35:25.040 --> 0:35:28.640
<v Speaker 1>completely banjaxed, which is a word I've never heard or

0:35:28.760 --> 0:35:32.000
<v Speaker 1>seen in my entire life, so I did look it up.

0:35:32.040 --> 0:35:36.000
<v Speaker 1>It means, you know, ruined, fucked, but banjaxed, I never

0:35:36.040 --> 0:35:39.120
<v Speaker 1>heard it. They bring Rollin's back to the back room

0:35:39.160 --> 0:35:40.920
<v Speaker 1>and as soon as the door closes, they pull guns

0:35:40.960 --> 0:35:44.320
<v Speaker 1>on her. The Irish batty is like, makes a quiet

0:35:44.360 --> 0:35:47.760
<v Speaker 1>motion and then he rips Rollin's shirt open, buttons go flying.

0:35:47.800 --> 0:35:49.800
<v Speaker 1>She's obviously wearing a hot bra. She didn't come to

0:35:49.880 --> 0:35:52.600
<v Speaker 1>an illegal gambling night wearing like, you know, her shitty

0:35:52.640 --> 0:35:56.920
<v Speaker 1>laundry day bra. He goes no wire, not even an underwire,

0:35:57.000 --> 0:35:58.880
<v Speaker 1>and I think the bra clearly has an underwire, but

0:35:59.040 --> 0:36:00.080
<v Speaker 1>I could be wrong, but I don't like.

0:36:00.160 --> 0:36:00.759
<v Speaker 3>This guy knows.

0:36:01.239 --> 0:36:03.920
<v Speaker 1>The song keeps playing and we hit the credits with

0:36:04.040 --> 0:36:06.480
<v Speaker 1>Rollins tits out, guns points it at her. I bet

0:36:06.560 --> 0:36:09.279
<v Speaker 1>Niagara Falls is looking pretty good right now. Top of

0:36:09.320 --> 0:36:11.719
<v Speaker 1>act one, we're still in the back room. Rollin's shirt

0:36:11.760 --> 0:36:14.239
<v Speaker 1>is now fully off, okay, like they've taken her shirt

0:36:14.280 --> 0:36:14.839
<v Speaker 1>all the way off.

0:36:14.840 --> 0:36:15.719
<v Speaker 3>They're patting her down.

0:36:16.120 --> 0:36:18.440
<v Speaker 1>They obviously find her badge and she's like, I'm off

0:36:18.520 --> 0:36:21.480
<v Speaker 1>duty and she goes, no gun, no wire, no worries,

0:36:21.520 --> 0:36:24.280
<v Speaker 1>and unfortunately they're not down with that. He's like, bitch,

0:36:24.600 --> 0:36:27.200
<v Speaker 1>you're down fifteen k standing here, half naked with a

0:36:27.200 --> 0:36:29.719
<v Speaker 1>gun to your head, so yeah, you actually do have worries, like,

0:36:30.120 --> 0:36:33.680
<v Speaker 1>and then he introduces himself as Declan O'Rourke, So I do.

0:36:33.800 --> 0:36:36.759
<v Speaker 1>I love the idea that he just changes last names

0:36:36.800 --> 0:36:40.799
<v Speaker 1>to something also irish to go undercover. Rollins is like,

0:36:41.040 --> 0:36:43.680
<v Speaker 1>don't threaten a cop and he's like, why not. You're

0:36:43.719 --> 0:36:47.400
<v Speaker 1>a manky, dirty, filthy little girl like and he's basically like,

0:36:47.400 --> 0:36:50.600
<v Speaker 1>you can't do shit about it, and his female associate

0:36:50.719 --> 0:36:53.000
<v Speaker 1>who is his boss, Like, you can't tell that yet,

0:36:53.080 --> 0:36:56.360
<v Speaker 1>but eventually you realize, like she's above him. Is Sondra

0:36:56.440 --> 0:36:59.560
<v Speaker 1>Vaughn and she's played by an actress named Sherry Som,

0:36:59.600 --> 0:37:02.920
<v Speaker 1>who is also in the John Glazer episode of SVU

0:37:02.960 --> 0:37:06.640
<v Speaker 1>that that's in later seasons, and she's a pretty big

0:37:06.719 --> 0:37:09.200
<v Speaker 1>role in that one, and she's good in this one anyway.

0:37:09.600 --> 0:37:11.480
<v Speaker 1>Rollin's is trying to explain that this has nothing to

0:37:11.480 --> 0:37:13.520
<v Speaker 1>do with her job. She's got to pay what she owes,

0:37:13.560 --> 0:37:16.040
<v Speaker 1>she's got OT coming up. I'm like, girl, I don't

0:37:16.040 --> 0:37:18.840
<v Speaker 1>think you have fifteen thousand dollars of OT coming up. Maybe,

0:37:19.600 --> 0:37:21.719
<v Speaker 1>but Sandra's like, we have to make sure you're not

0:37:21.760 --> 0:37:24.719
<v Speaker 1>an informer. Declan's gonna test you, and if she passes,

0:37:25.480 --> 0:37:28.160
<v Speaker 1>they can talk about how she'll work off the debt.

0:37:28.360 --> 0:37:30.080
<v Speaker 3>And she's like, okay, cool, can I do the test

0:37:30.120 --> 0:37:30.880
<v Speaker 3>with my shirt on?

0:37:30.960 --> 0:37:32.800
<v Speaker 1>And so they give her back her shirt and now

0:37:33.280 --> 0:37:37.000
<v Speaker 1>she's back at the precinct and her hair looks perfect.

0:37:37.120 --> 0:37:39.759
<v Speaker 1>Her hair is some hair up, some hair down, as

0:37:39.760 --> 0:37:43.480
<v Speaker 1>I've always called it. And Amaro walks in and goes,

0:37:43.520 --> 0:37:46.200
<v Speaker 1>what's up with your hair? And she goes, oh natural,

0:37:46.320 --> 0:37:48.880
<v Speaker 1>and I'm like, it looks professionally done. What are we

0:37:48.960 --> 0:37:51.839
<v Speaker 1>talking about here? Like I don't understand what's going on,

0:37:52.040 --> 0:37:54.680
<v Speaker 1>but literally in the back it looks like it's clipped

0:37:54.719 --> 0:37:58.040
<v Speaker 1>into this like sweet little shape. Like I'm like, I

0:37:58.040 --> 0:37:59.960
<v Speaker 1>don't know what you're talking about. Like he acts like

0:38:00.120 --> 0:38:02.480
<v Speaker 1>she came in with like BedHead from a hookup. And

0:38:02.520 --> 0:38:04.399
<v Speaker 1>then he's like, how is Niagara Fall? She's like, oh,

0:38:04.440 --> 0:38:07.520
<v Speaker 1>we didn't make it for Aanny got carsick. Amorrow sees

0:38:07.560 --> 0:38:10.160
<v Speaker 1>she's looking on the DMV site and she makes up

0:38:10.160 --> 0:38:12.239
<v Speaker 1>an excuse like, oh, yeah, my friend keeps getting parking

0:38:12.239 --> 0:38:14.200
<v Speaker 1>tickets even though he parks in a garage. Like she's

0:38:14.200 --> 0:38:16.120
<v Speaker 1>good at lying quickly, but I do think she has

0:38:16.200 --> 0:38:20.040
<v Speaker 1>like liar face kind of And Amorrow goes to the

0:38:20.080 --> 0:38:21.640
<v Speaker 1>men's room and he sees Finn there.

0:38:22.160 --> 0:38:23.600
<v Speaker 3>How's your weekend? Finn goes, my.

0:38:23.560 --> 0:38:27.040
<v Speaker 1>Weekend was dope, and Amorrow asks have you noticed anything

0:38:27.080 --> 0:38:31.000
<v Speaker 1>off about Rollins lately? And he thinks it's kind of shady.

0:38:31.040 --> 0:38:33.160
<v Speaker 1>She never made it to Niagara Falls. It's like she

0:38:33.320 --> 0:38:34.200
<v Speaker 1>changed her plans.

0:38:34.280 --> 0:38:34.680
<v Speaker 3>I don't know.

0:38:34.960 --> 0:38:37.359
<v Speaker 1>And now she's checking for parking tickets and Finn's like,

0:38:37.440 --> 0:38:39.359
<v Speaker 1>you got a boner for her or what And he's like, no, no,

0:38:39.440 --> 0:38:41.920
<v Speaker 1>of course not. And then Live busts in and goes, hey,

0:38:41.920 --> 0:38:44.360
<v Speaker 1>gossip girls, and I do love that, and she's just like,

0:38:44.400 --> 0:38:45.320
<v Speaker 1>we caught a suspect.

0:38:45.360 --> 0:38:46.080
<v Speaker 3>Move your asses.

0:38:47.120 --> 0:38:49.879
<v Speaker 1>Rollins is back now with Declan and he slaps down

0:38:49.880 --> 0:38:52.560
<v Speaker 1>a dozen more parking tickets and Rollins is like, that's

0:38:52.600 --> 0:38:55.279
<v Speaker 1>not my precinct, but I did find out when they

0:38:55.320 --> 0:38:58.839
<v Speaker 1>do their blitzes, and he's like, I want these tickets gone.

0:38:58.880 --> 0:39:01.120
<v Speaker 1>It's like you run an eily eagle gambling ring. This

0:39:01.239 --> 0:39:03.160
<v Speaker 1>is truly what you're asking her to do is like

0:39:03.239 --> 0:39:07.560
<v Speaker 1>fix these tickets. It's like so low stakes, Like don't

0:39:07.560 --> 0:39:09.400
<v Speaker 1>you guys make it up? Pay the tickets, Like I

0:39:09.400 --> 0:39:12.320
<v Speaker 1>don't understand why they have to be gone. And she's like, look,

0:39:12.719 --> 0:39:15.400
<v Speaker 1>we're in the digital age, Like I can't fix tickets anymore.

0:39:15.400 --> 0:39:17.800
<v Speaker 1>They'll track them right to me. So then they offer

0:39:17.880 --> 0:39:21.240
<v Speaker 1>her a different test. They basically need her to jury

0:39:21.280 --> 0:39:24.000
<v Speaker 1>tamper give them the home address of a juror who

0:39:24.080 --> 0:39:27.200
<v Speaker 1>is on a case for an insurance fraud. They're like,

0:39:27.200 --> 0:39:29.920
<v Speaker 1>it's a victimless crime. We're not going to hurt her.

0:39:29.960 --> 0:39:32.880
<v Speaker 1>We just want to convince her to vote the right way.

0:39:33.239 --> 0:39:35.240
<v Speaker 1>Rollins is like, if I get caught, I lose everything,

0:39:35.239 --> 0:39:37.120
<v Speaker 1>and Declan is like, we have footage of you gambling

0:39:37.160 --> 0:39:40.640
<v Speaker 1>in an illegal club. You've lost everything, and it's like meanwhile,

0:39:40.640 --> 0:39:43.040
<v Speaker 1>I'm like, no, it doesn't like the cops cover their

0:39:43.080 --> 0:39:45.000
<v Speaker 1>own asses. Like if she got caught, if she went

0:39:45.040 --> 0:39:47.200
<v Speaker 1>straight to Live and goes, look, I've been gambling at

0:39:47.200 --> 0:39:49.680
<v Speaker 1>an illegal club, she'd get desk duty for a bit

0:39:49.719 --> 0:39:51.800
<v Speaker 1>and then she'd be back to flirting with serial killers

0:39:51.800 --> 0:39:54.280
<v Speaker 1>in no time. Like I know this is a TV show,

0:39:54.320 --> 0:39:56.239
<v Speaker 1>but she should just go to Live now.

0:39:56.360 --> 0:39:59.600
<v Speaker 2>Robald also, I don't know, but it's also like, why

0:39:59.640 --> 0:40:03.160
<v Speaker 2>does I just have the most giant budgets to just

0:40:03.239 --> 0:40:06.560
<v Speaker 2>do these long undercover acting exercises.

0:40:06.719 --> 0:40:06.960
<v Speaker 3>I know?

0:40:08.000 --> 0:40:10.880
<v Speaker 2>Is it really is gambling and drugs that like I

0:40:10.960 --> 0:40:11.880
<v Speaker 2>just don't get vice?

0:40:12.080 --> 0:40:15.600
<v Speaker 1>I really yeah, yeah, yeah yeah no, I like I understand,

0:40:15.680 --> 0:40:18.239
<v Speaker 1>like when you're busting heroin, but then it's like we

0:40:18.320 --> 0:40:22.000
<v Speaker 1>have these like cigarette operations and like gambling and stuff

0:40:22.040 --> 0:40:24.080
<v Speaker 1>that it's like this just doesn't feel like it's really

0:40:24.080 --> 0:40:25.040
<v Speaker 1>where the money needs to go.

0:40:25.080 --> 0:40:27.200
<v Speaker 3>And we're embedding a guy for like months and months

0:40:27.239 --> 0:40:27.680
<v Speaker 3>and months.

0:40:28.200 --> 0:40:31.399
<v Speaker 1>It's crazy now Rollins is at the courthouse because she's

0:40:31.440 --> 0:40:33.960
<v Speaker 1>gonna fucking do it, and she just straight up follows

0:40:34.000 --> 0:40:36.000
<v Speaker 1>the juror home. I thought she was just gonna like

0:40:36.200 --> 0:40:38.880
<v Speaker 1>look it up, like it's probably public, probably in some

0:40:39.000 --> 0:40:41.279
<v Speaker 1>kind of police system who the jurors are. But then

0:40:41.320 --> 0:40:44.759
<v Speaker 1>they she sees the juror has a kid in a wheelchair,

0:40:45.200 --> 0:40:47.799
<v Speaker 1>and she opens up her ancient flip phone and she

0:40:47.880 --> 0:40:50.920
<v Speaker 1>deletes the text that she was gonna send with the address.

0:40:51.440 --> 0:40:54.680
<v Speaker 1>She uh gets back to the illegal club, she tells Declan, ah,

0:40:54.719 --> 0:40:56.320
<v Speaker 1>I lost her. I had her on the subway, but

0:40:56.360 --> 0:40:58.560
<v Speaker 1>I lost her. At first He's like, oh, you lost her?

0:40:58.600 --> 0:41:01.000
<v Speaker 1>Hunt and then he grabs her and he's like, you dumbass,

0:41:01.040 --> 0:41:03.120
<v Speaker 1>we had you follow you. Let us write to her,

0:41:03.480 --> 0:41:06.120
<v Speaker 1>and Rollins begs, She's like please, the woman has a son.

0:41:06.160 --> 0:41:08.359
<v Speaker 1>And he's like, yeah, we're gonna pay her bills. We're

0:41:08.400 --> 0:41:10.920
<v Speaker 1>helping her, like we're not gonna hurt her. And Rolin's like,

0:41:11.000 --> 0:41:13.080
<v Speaker 1>I'm not gonna do anything that's gonna hurt anyone, and

0:41:13.120 --> 0:41:15.359
<v Speaker 1>Declan's like, cool, I guess we're done here. Are we

0:41:15.440 --> 0:41:17.600
<v Speaker 1>calling your sergeant or are we calling IAB. I've got

0:41:17.600 --> 0:41:20.080
<v Speaker 1>both numbers. Just saved in my phone here and then

0:41:20.120 --> 0:41:22.160
<v Speaker 1>he was like, just a reminder, jail for a cop

0:41:22.280 --> 0:41:26.719
<v Speaker 1>is not pleasant. She tells him wait, she starts to

0:41:26.840 --> 0:41:28.960
<v Speaker 1>flirt with him and is like, maybe there's another way

0:41:29.000 --> 0:41:31.560
<v Speaker 1>we can work this out, and Declan tells this guy

0:41:31.960 --> 0:41:34.200
<v Speaker 1>his other guy to leave, and he starts setting up

0:41:34.239 --> 0:41:37.920
<v Speaker 1>his phone to record their little like tryst, and Rollins

0:41:38.000 --> 0:41:40.640
<v Speaker 1>is like, you're not gonna record this and he's like, girl,

0:41:40.719 --> 0:41:42.799
<v Speaker 1>I'm in charge, Like shut your mouth, and the next

0:41:42.800 --> 0:41:44.400
<v Speaker 1>thing we see is Rollin's.

0:41:44.040 --> 0:41:47.919
<v Speaker 3>Like being dragged down, like towards the man, and that's

0:41:47.920 --> 0:41:48.880
<v Speaker 3>a fade to commercial.

0:41:49.640 --> 0:41:52.960
<v Speaker 1>Back at the craps table, we've got Sondra the boss

0:41:53.120 --> 0:41:56.000
<v Speaker 1>flirting with the same rich Brazilian dude who tried to

0:41:56.000 --> 0:41:59.000
<v Speaker 1>buy Rollins the capirinha, and then she's like, you better mate,

0:41:59.000 --> 0:42:01.480
<v Speaker 1>good tonight. My boss is getting impatient, and then she

0:42:01.520 --> 0:42:05.759
<v Speaker 1>tells the waitress that guy's cut off, and when she

0:42:05.800 --> 0:42:08.000
<v Speaker 1>goes into the back room, she finds Rollins and Declan

0:42:08.080 --> 0:42:10.480
<v Speaker 1>looking like they're getting their clothes back on after their

0:42:10.560 --> 0:42:14.840
<v Speaker 1>you know, little sexual payoff moment. Declan says she passed

0:42:14.840 --> 0:42:17.719
<v Speaker 1>the third test. She went below and beyond the call

0:42:17.760 --> 0:42:19.480
<v Speaker 1>of duty, l ol.

0:42:19.719 --> 0:42:20.120
<v Speaker 3>He goes.

0:42:20.520 --> 0:42:23.560
<v Speaker 1>Now we know she's not undercover. Sondra tells Declan to leave.

0:42:24.120 --> 0:42:27.160
<v Speaker 1>She pours Rollin's a drink and she goes, just so

0:42:27.239 --> 0:42:28.680
<v Speaker 1>you know you're not gonna have to do that again,

0:42:28.760 --> 0:42:31.520
<v Speaker 1>whatever you had to do, and Rollins is like, okay,

0:42:31.520 --> 0:42:34.319
<v Speaker 1>cool girl power, like I work for you only now,

0:42:34.400 --> 0:42:36.839
<v Speaker 1>like please let that Irish fuck know. And then they

0:42:36.840 --> 0:42:39.160
<v Speaker 1>get down to the girl talk. Rollins tells her, look,

0:42:39.320 --> 0:42:41.239
<v Speaker 1>I'll be honest with you. The NYP does not the

0:42:41.320 --> 0:42:44.200
<v Speaker 1>NYPD does not know about this place, which again, I

0:42:44.200 --> 0:42:46.000
<v Speaker 1>don't think she would know that unless she was like

0:42:46.160 --> 0:42:50.239
<v Speaker 1>in vice and she's like, duh, I'm an Ivy League

0:42:50.360 --> 0:42:54.040
<v Speaker 1>educated art history major. That's what Sondra says, and Rollins

0:42:54.080 --> 0:42:56.399
<v Speaker 1>is like, oh, I'm from rural Georgia, like I'm from

0:42:56.400 --> 0:42:59.400
<v Speaker 1>a hard scrabble family. And then Sondra, who is pregnant,

0:42:59.440 --> 0:43:01.799
<v Speaker 1>touches her back and goes, my son's not going to

0:43:01.800 --> 0:43:04.840
<v Speaker 1>grow up how I did. And then she asks Rollins,

0:43:05.000 --> 0:43:06.759
<v Speaker 1>you ever asked yourself what you want out of life?

0:43:06.760 --> 0:43:09.280
<v Speaker 3>And Rollins goes, this place seems cool.

0:43:09.440 --> 0:43:11.280
<v Speaker 1>She's like, I get to smoke and drink and gamble,

0:43:11.320 --> 0:43:13.279
<v Speaker 1>and I basically had to just fuck a strange man

0:43:13.360 --> 0:43:15.160
<v Speaker 1>to keep my job. So this is this is great,

0:43:15.560 --> 0:43:17.600
<v Speaker 1>And Sondra's like, yeah, you could do well here if

0:43:17.640 --> 0:43:22.640
<v Speaker 1>you let go of your working class morality, and Rollins asks, yeah,

0:43:22.640 --> 0:43:24.120
<v Speaker 1>if you can let go of my debt, and then

0:43:24.160 --> 0:43:27.640
<v Speaker 1>they both laugh, but Rollins is like, Rollins is like JKJK,

0:43:27.800 --> 0:43:29.920
<v Speaker 1>but also I'm kind of serious, like can you let

0:43:29.960 --> 0:43:31.759
<v Speaker 1>go of my debt? And Sondra's like, you're gonna work

0:43:31.760 --> 0:43:35.840
<v Speaker 1>it off. And then right before she leaves, Rollins starts

0:43:35.880 --> 0:43:40.480
<v Speaker 1>trying to like sow some distrust with Sondra about Declench.

0:43:40.480 --> 0:43:43.520
<v Speaker 1>She's like, you trust that guy, and She's like, why

0:43:43.560 --> 0:43:45.640
<v Speaker 1>you think I shouldn't, And she's like kind of just

0:43:45.680 --> 0:43:47.520
<v Speaker 1>like trying to imply maybe he's one of those guys

0:43:47.520 --> 0:43:49.840
<v Speaker 1>that's trying to like usurp power from women who have

0:43:49.880 --> 0:43:51.520
<v Speaker 1>worked hard, like we do all the work, and then

0:43:51.520 --> 0:43:53.319
<v Speaker 1>they come in here and try to like fucking take over,

0:43:53.480 --> 0:43:55.480
<v Speaker 1>and that like resonates with Sandra. She looks like a

0:43:55.480 --> 0:44:01.080
<v Speaker 1>little bit like shook by that like possibility. In Benson's office,

0:44:01.120 --> 0:44:04.440
<v Speaker 1>Finn and Tomorrow now walk in. Amorrow is worried about Rollins.

0:44:04.480 --> 0:44:08.000
<v Speaker 1>Benson thinks she has the flu, so she called in

0:44:08.040 --> 0:44:09.880
<v Speaker 1>sick and they're like, yeah, but we went over to

0:44:09.880 --> 0:44:12.360
<v Speaker 1>her place with some soup and she wasn't there. I

0:44:12.360 --> 0:44:14.799
<v Speaker 1>would love too cute men to bring me soup when

0:44:14.800 --> 0:44:18.480
<v Speaker 1>I have the flu. Amorrow tracked her cell to some

0:44:18.600 --> 0:44:20.920
<v Speaker 1>warehouse in the navy yard and was talking to some

0:44:20.960 --> 0:44:23.000
<v Speaker 1>guy who looked like and when he and then followed

0:44:23.000 --> 0:44:25.480
<v Speaker 1>her there and saw her talking to some guy who

0:44:25.480 --> 0:44:28.760
<v Speaker 1>looked like Irish Mob, Amorrow thinks it's a gambling club.

0:44:28.920 --> 0:44:31.240
<v Speaker 1>Finn's still trying to give Rollins the benefit of the doubt.

0:44:31.280 --> 0:44:33.000
<v Speaker 1>Live tells them to shut the fuck up and she'll

0:44:33.000 --> 0:44:36.120
<v Speaker 1>handle it. Finn leaves, but Live closes the door before

0:44:36.160 --> 0:44:38.839
<v Speaker 1>Amorrow can go, and she's like, I do have a

0:44:38.880 --> 0:44:42.520
<v Speaker 1>problem with you tracking her cell phone and following her,

0:44:42.560 --> 0:44:44.600
<v Speaker 1>and he's like, well, I don't want to take any

0:44:44.640 --> 0:44:46.560
<v Speaker 1>chances about after what happened with you, and I think,

0:44:46.600 --> 0:44:48.960
<v Speaker 1>you know, he's obviously talking about William Lewis and he's like,

0:44:49.400 --> 0:44:53.239
<v Speaker 1>I'm not stalking her. And then Benson gets right into

0:44:53.280 --> 0:44:56.560
<v Speaker 1>the personal like how's Maria doing and he says we're

0:44:56.600 --> 0:44:59.120
<v Speaker 1>working it out, and then Live drops the bomb. You know,

0:44:59.239 --> 0:45:02.120
<v Speaker 1>She's called me a couple times because she's worried about you,

0:45:02.719 --> 0:45:04.920
<v Speaker 1>and he's like, you know, you could tell that that

0:45:05.120 --> 0:45:07.400
<v Speaker 1>would fuck with somebody like tomorrow, so much like for

0:45:07.480 --> 0:45:09.600
<v Speaker 1>his wife to like call his work like go behind

0:45:09.600 --> 0:45:11.960
<v Speaker 1>his back and like, you know, make anybody at his

0:45:12.000 --> 0:45:14.640
<v Speaker 1>work think that he's soft or having problems or anything.

0:45:15.080 --> 0:45:16.920
<v Speaker 1>And he's like, well, I'm sorry she pulled you in.

0:45:17.000 --> 0:45:19.160
<v Speaker 1>She won't call you again and lives like good and

0:45:19.200 --> 0:45:22.359
<v Speaker 1>keep away from Rollins too. It's so antagonistic between them.

0:45:22.440 --> 0:45:24.960
<v Speaker 1>It's like a weird shift in their relationship, like after

0:45:25.040 --> 0:45:27.840
<v Speaker 1>all that Ganzelle and Carissa shit that they went through,

0:45:28.320 --> 0:45:30.839
<v Speaker 1>and Live was backing him up so hard, and now

0:45:30.880 --> 0:45:33.280
<v Speaker 1>she's like thinks he's a bad guy. Like I think,

0:45:33.680 --> 0:45:35.120
<v Speaker 1>I don't know, maybe they're setting him up to like

0:45:35.200 --> 0:45:35.680
<v Speaker 1>leave the show.

0:45:35.719 --> 0:45:37.480
<v Speaker 3>I don't know what's going on. Well, she's under a

0:45:37.560 --> 0:45:40.480
<v Speaker 3>lot of stress. Yeah, yeah.

0:45:41.040 --> 0:45:44.279
<v Speaker 1>So back at the gambling club, Declan tells her that

0:45:44.760 --> 0:45:47.399
<v Speaker 1>h Rollins that she has to take drunk Brazilian guy

0:45:47.520 --> 0:45:49.920
<v Speaker 1>to his house and up the stairs, and just as

0:45:50.040 --> 0:45:52.200
<v Speaker 1>Rollins is like, I'm not a sex worker, he goes,

0:45:52.280 --> 0:45:54.920
<v Speaker 1>don't flatter yourself. He's not into trailer trash, and I'm like,

0:45:55.320 --> 0:45:56.959
<v Speaker 1>I beg to differ. He was trying to buy Rowlins

0:45:57.000 --> 0:45:59.719
<v Speaker 1>a drink, like he's very into her. Then Rollins is like,

0:46:00.760 --> 0:46:03.120
<v Speaker 1>all right, I'll like I'll do it. And then Rollins

0:46:03.239 --> 0:46:05.160
<v Speaker 1>is like, by the way, that waitress that you guys

0:46:05.239 --> 0:46:08.239
<v Speaker 1>hired is sixteen years old, the one that gave me up,

0:46:08.520 --> 0:46:11.480
<v Speaker 1>and Sondra is pissed and she's like, Declan, I thought

0:46:11.520 --> 0:46:12.160
<v Speaker 1>you vetted her.

0:46:12.239 --> 0:46:15.319
<v Speaker 3>So this is like more declan fucking up.

0:46:15.920 --> 0:46:18.960
<v Speaker 1>Rollins is now driving brazil drunk home and he's like

0:46:19.080 --> 0:46:23.160
<v Speaker 1>lounging across the backseat slurring while Rollins drives. He reveals

0:46:23.200 --> 0:46:26.040
<v Speaker 1>he's a diplomat, he has immunity, and he's never going

0:46:26.080 --> 0:46:27.640
<v Speaker 1>to pay his debts to the club, but he owes

0:46:27.680 --> 0:46:29.759
<v Speaker 1>them so much they need him and I don't really

0:46:29.760 --> 0:46:32.000
<v Speaker 1>get that. I'm like, they need him for what if

0:46:32.000 --> 0:46:33.640
<v Speaker 1>you don't have if you're not paying your debts, what

0:46:33.680 --> 0:46:35.680
<v Speaker 1>do they need you for? I don't they need you for?

0:46:36.239 --> 0:46:39.040
<v Speaker 1>Maybe sketchy getting more people to the club, maybe like

0:46:39.080 --> 0:46:42.279
<v Speaker 1>Brazilian businessman contacts or something could be that, or like.

0:46:42.239 --> 0:46:46.200
<v Speaker 2>What they're doing with Rollins, you know, like favors. Yeah,

0:46:46.239 --> 0:46:46.680
<v Speaker 2>that's true.

0:46:46.680 --> 0:46:48.680
<v Speaker 1>I don't know what the Brazilian diplomat could do for them,

0:46:48.719 --> 0:46:52.000
<v Speaker 1>but maybe yeah. When they get to his house, his

0:46:52.040 --> 0:46:54.160
<v Speaker 1>wife comes to the door and doesn't want Rolins to

0:46:54.160 --> 0:46:55.960
<v Speaker 1>come in, but the husband makes up an excuse and

0:46:56.040 --> 0:46:59.520
<v Speaker 1>is like, oh, she's just a receptionist from like the

0:46:59.600 --> 0:47:00.520
<v Speaker 1>Russian mission.

0:47:00.719 --> 0:47:02.560
<v Speaker 3>Like we had too much vodka.

0:47:02.680 --> 0:47:04.759
<v Speaker 1>She's just taking me home and she says like, I'm

0:47:04.800 --> 0:47:05.759
<v Speaker 1>just the designated driver.

0:47:06.080 --> 0:47:08.520
<v Speaker 3>The wife like like, eventually lets Rollin's in.

0:47:08.560 --> 0:47:12.839
<v Speaker 1>They bring him in, and then she's like, oh, this

0:47:12.880 --> 0:47:16.160
<v Speaker 1>is a nice place and there's all this art up

0:47:16.760 --> 0:47:18.960
<v Speaker 1>and the woman goes, yeah, it doesn't belong to us,

0:47:18.960 --> 0:47:22.280
<v Speaker 1>it belongs to the Brazilian government. And then she goes,

0:47:23.080 --> 0:47:24.640
<v Speaker 1>you can go now, and then she goes and please

0:47:24.680 --> 0:47:26.680
<v Speaker 1>don't let my husband back into that club, like she

0:47:26.760 --> 0:47:29.720
<v Speaker 1>knows he's that Rollins is not from a fucking Russian

0:47:29.719 --> 0:47:32.879
<v Speaker 1>mission or whatever it is, Like, she's like, don't let

0:47:32.880 --> 0:47:34.920
<v Speaker 1>my husband back into that club. He has issues, but

0:47:35.000 --> 0:47:37.799
<v Speaker 1>you guys are the worst, like you take advantage of him.

0:47:37.800 --> 0:47:39.200
<v Speaker 1>And then she's like, get the fuck out of here.

0:47:39.560 --> 0:47:41.880
<v Speaker 1>So Rollins gets a text as she's headed out, so

0:47:41.920 --> 0:47:44.200
<v Speaker 1>she walks into a bar and her best buddy Finn

0:47:44.239 --> 0:47:47.719
<v Speaker 1>is there and he's like, how's the flu and she's like, oh,

0:47:47.760 --> 0:47:50.600
<v Speaker 1>I took some mental health days. And Finn's like how

0:47:50.680 --> 0:47:52.920
<v Speaker 1>much do you need? And Rollin's is like, I'm fine,

0:47:53.000 --> 0:47:55.400
<v Speaker 1>I'm moonlaighting to pay it off. And he keeps asking

0:47:55.400 --> 0:47:57.680
<v Speaker 1>her how much she owes and if they have her

0:47:57.719 --> 0:48:00.520
<v Speaker 1>doing shady shit like looking up people's licenses, et cetera.

0:48:00.640 --> 0:48:03.719
<v Speaker 1>He's like, girl, if I'm noticing other people are noticing too,

0:48:03.800 --> 0:48:06.280
<v Speaker 1>this is gonna bite you in the ass. She insists

0:48:06.360 --> 0:48:09.160
<v Speaker 1>she's got it covered and Finn's like, all right, it's cool.

0:48:09.200 --> 0:48:10.760
<v Speaker 1>You know where to find me, and then he hands

0:48:10.760 --> 0:48:12.960
<v Speaker 1>her a wad of cash. He's such a good friend.

0:48:13.000 --> 0:48:14.879
<v Speaker 1>He just like hands her a bunch of money and

0:48:14.920 --> 0:48:17.160
<v Speaker 1>he's like, but whatever this is, stop it now.

0:48:17.239 --> 0:48:18.680
<v Speaker 3>I'm not ready for another partner.

0:48:19.200 --> 0:48:21.319
<v Speaker 1>Finn walks out, we see Declan and one of his

0:48:21.400 --> 0:48:24.760
<v Speaker 1>goons are sitting right there. They approach Rollins. She hands

0:48:24.800 --> 0:48:27.959
<v Speaker 1>Declan the cash immediately and he's and she's like, maybe

0:48:27.960 --> 0:48:29.880
<v Speaker 1>it's time for me to get out of this extremely

0:48:29.920 --> 0:48:32.880
<v Speaker 1>dangerous situation and he's like no, Soandra needs another favor.

0:48:33.480 --> 0:48:36.240
<v Speaker 1>The goon Carlos like the guy who's been with working

0:48:36.280 --> 0:48:38.200
<v Speaker 1>with Declan the whole time. Is this guy Carlos and

0:48:38.239 --> 0:48:40.040
<v Speaker 1>he's gotten into a jam. He got stopped at a

0:48:40.040 --> 0:48:43.919
<v Speaker 1>speed trap with an unlicensed gun, and Rollins is like, uh, well,

0:48:43.960 --> 0:48:45.879
<v Speaker 1>I don't work for the DA and they're like, well,

0:48:45.920 --> 0:48:47.560
<v Speaker 1>we just need to make the gun go bye bye,

0:48:47.600 --> 0:48:48.680
<v Speaker 1>like no gun, no case.

0:48:49.280 --> 0:48:52.960
<v Speaker 3>And she's like, oh my god. She's like so much right,

0:48:53.280 --> 0:48:55.640
<v Speaker 3>Like why didn't she just tell Benson.

0:48:55.360 --> 0:48:59.040
<v Speaker 1>Like this is so much worse, all this shit, I mean,

0:49:00.080 --> 0:49:02.719
<v Speaker 1>we figure it out. But she asks like does he

0:49:02.760 --> 0:49:05.160
<v Speaker 1>have a record, and he's like, I'm squeaky clean.

0:49:05.239 --> 0:49:06.680
<v Speaker 3>I don't even have a parking ticket.

0:49:06.760 --> 0:49:09.719
<v Speaker 1>And Declan's like okay, like see what you can do,

0:49:09.760 --> 0:49:11.759
<v Speaker 1>and Rollin's looks stressed, and I can see it's like

0:49:12.080 --> 0:49:15.040
<v Speaker 1>they're just testing the boundaries, like of her morality. Like

0:49:15.040 --> 0:49:17.080
<v Speaker 1>at first it's like parking tickets. Like at first I

0:49:17.080 --> 0:49:18.320
<v Speaker 1>was like, well, who cares about the parking tickets? I

0:49:18.320 --> 0:49:20.640
<v Speaker 1>think they're seeing how far she can go, because first

0:49:20.680 --> 0:49:23.960
<v Speaker 1>it's parking tickets. Then it's follow this, we went home

0:49:23.960 --> 0:49:25.319
<v Speaker 1>and just get us her address and we're not going

0:49:25.360 --> 0:49:25.640
<v Speaker 1>to hurt he.

0:49:25.640 --> 0:49:28.440
<v Speaker 3>We're actually going to give her money. Then it's oh man,

0:49:28.480 --> 0:49:29.000
<v Speaker 3>it's a gun.

0:49:29.040 --> 0:49:31.160
<v Speaker 1>I was carrying a gun without a license, Like, I'm

0:49:31.160 --> 0:49:34.239
<v Speaker 1>not hurting anybody, right, So they're seeing like how far up,

0:49:34.560 --> 0:49:37.840
<v Speaker 1>how far she'll go? But literally checking out evidence is

0:49:39.360 --> 0:49:42.040
<v Speaker 1>definitely a level up from the other two things. So

0:49:43.280 --> 0:49:46.520
<v Speaker 1>cut to her looking incognito in a baseball cap at

0:49:46.560 --> 0:49:49.400
<v Speaker 1>the evidence locker. She's keeping her head down. She shows

0:49:49.400 --> 0:49:52.200
<v Speaker 1>a badge. The guy calls her detective Wheeler. So she's

0:49:52.239 --> 0:49:54.880
<v Speaker 1>clearly gone out of her way to get a fake badge,

0:49:55.280 --> 0:49:58.319
<v Speaker 1>and she's like avoiding the security cameras, keeping her head down.

0:49:58.520 --> 0:49:59.759
<v Speaker 3>She looks shady as hell.

0:50:00.360 --> 0:50:03.239
<v Speaker 1>Back at the gambling club, Soandra is complimenting Rolins on

0:50:03.280 --> 0:50:05.680
<v Speaker 1>a job well done. This pays off your interest at

0:50:05.719 --> 0:50:07.160
<v Speaker 1>the club. I don't know if that pays off the

0:50:07.200 --> 0:50:10.640
<v Speaker 1>base debt, but the interest. Carlos is like, uh so,

0:50:10.760 --> 0:50:12.960
<v Speaker 1>now my DNA isn't in the system, and Rollins is

0:50:13.040 --> 0:50:15.120
<v Speaker 1>like it never was. It only gets entered when there's

0:50:15.120 --> 0:50:18.920
<v Speaker 1>a conviction. Sondra's like when's your next shift and like

0:50:18.960 --> 0:50:21.080
<v Speaker 1>can you work a double? And then Declan goes hold on,

0:50:21.080 --> 0:50:23.320
<v Speaker 1>I don't know about this plan, and she's like butt out, loser,

0:50:23.360 --> 0:50:24.960
<v Speaker 1>and he looks pissed, like he looks sad that he's

0:50:24.960 --> 0:50:28.480
<v Speaker 1>being cut out. At the precinct, Rollins is playing Solitaire

0:50:28.480 --> 0:50:30.080
<v Speaker 1>on her computer. It's like this woman cannot get away

0:50:30.080 --> 0:50:30.640
<v Speaker 1>from cards.

0:50:30.880 --> 0:50:31.000
<v Speaker 5>Uh.

0:50:31.480 --> 0:50:34.719
<v Speaker 3>And there's a call and Finn writes down and address

0:50:34.840 --> 0:50:37.680
<v Speaker 3>and Rollins recognizes the address and she goes, you know what,

0:50:38.640 --> 0:50:40.279
<v Speaker 3>I'll take the call. You guys have been covering for

0:50:40.360 --> 0:50:41.160
<v Speaker 3>me a lot lately.

0:50:41.239 --> 0:50:43.759
<v Speaker 1>And then Finn's like, I'll go with you, and then

0:50:43.800 --> 0:50:46.439
<v Speaker 1>Amaro looks suspicious. He's like, because I think it's because

0:50:46.480 --> 0:50:49.399
<v Speaker 1>Rollins does have It's obviously the act. It's obviously Kelly

0:50:49.440 --> 0:50:52.400
<v Speaker 1>Giddish is like acting choices to like subtly telegraph that

0:50:52.440 --> 0:50:55.080
<v Speaker 1>she is lying, but it seems very clear whenever she lies.

0:50:55.640 --> 0:50:58.520
<v Speaker 1>And it is the house of the Brazilian diplomat, and

0:50:58.600 --> 0:51:00.839
<v Speaker 1>apparently a purp used the key he pad to get in,

0:51:01.239 --> 0:51:04.680
<v Speaker 1>pulled a gun, tied up the husband, and raped his wife.

0:51:05.440 --> 0:51:08.200
<v Speaker 1>The perp took cash, but left jewelry and electronics. And

0:51:08.280 --> 0:51:11.799
<v Speaker 1>Major Crimes is sending their art expert because some significant

0:51:11.840 --> 0:51:15.680
<v Speaker 1>paintings were stolen. Finn introduces himself to the Brazilian diplomat

0:51:16.080 --> 0:51:17.960
<v Speaker 1>and he's like, what took you so long. Then he

0:51:18.040 --> 0:51:21.160
<v Speaker 1>clocks Rollin's and you can see his face just trying

0:51:21.160 --> 0:51:24.560
<v Speaker 1>to process what's going on, and Rollins goes, I'll take

0:51:24.600 --> 0:51:27.160
<v Speaker 1>the wife, and then it seems like the.

0:51:27.080 --> 0:51:29.120
<v Speaker 3>Guys she's doing this.

0:51:30.280 --> 0:51:32.919
<v Speaker 2>I know he'll keep going, but like it's really weird

0:51:32.960 --> 0:51:37.239
<v Speaker 2>because then she's like Rollin. But when she talks to

0:51:37.239 --> 0:51:39.200
<v Speaker 2>the wife and the wife is clearly scared, it seems

0:51:39.239 --> 0:51:41.799
<v Speaker 2>like Rollin's like, what, I'm just a cop, Why are

0:51:41.800 --> 0:51:42.480
<v Speaker 2>you acting like this?

0:51:42.640 --> 0:51:44.839
<v Speaker 3>Like she's you know what I mean. I think she's

0:51:44.920 --> 0:51:47.359
<v Speaker 3>used threatening or like what is going on?

0:51:47.760 --> 0:51:49.680
<v Speaker 1>She's trying to cover her ass because she knows she

0:51:49.800 --> 0:51:51.560
<v Speaker 1>was at that house the night before and she's going

0:51:51.640 --> 0:51:55.200
<v Speaker 1>to be on security footage or something. I think I

0:51:55.200 --> 0:51:57.399
<v Speaker 1>think it's like a Brazilian diplomat's how she knows there's

0:51:57.400 --> 0:51:59.080
<v Speaker 1>going to be camera footage. She's like, if I go,

0:51:59.239 --> 0:52:01.640
<v Speaker 1>I can insert myself in the investigation and at least

0:52:01.800 --> 0:52:03.920
<v Speaker 1>cover my own ass. I think that's why she's doing it,

0:52:03.960 --> 0:52:07.200
<v Speaker 1>But it is it is wild that she would even yeah,

0:52:07.280 --> 0:52:09.840
<v Speaker 1>go up to the lady and be like not without.

0:52:09.600 --> 0:52:12.680
<v Speaker 3>Some kind of plan, you know. Well, she also seems

0:52:12.719 --> 0:52:16.719
<v Speaker 3>confused why they're all scared of for me, yeah, yeah, yeah, yeah.

0:52:17.080 --> 0:52:19.240
<v Speaker 3>So but the guy is obviously scared.

0:52:19.280 --> 0:52:21.520
<v Speaker 1>He's changing his story, like originally he said he saw

0:52:21.560 --> 0:52:23.279
<v Speaker 1>the rapist face and now he's like, oh, no, the

0:52:23.280 --> 0:52:25.400
<v Speaker 1>guy wore a mask. Now that he's seen Rolins, he's like, no,

0:52:25.440 --> 0:52:27.880
<v Speaker 1>the guy wore a mask. And obviously he thinks the

0:52:27.880 --> 0:52:30.440
<v Speaker 1>club is sending Rowlins to intimidate him. And you know,

0:52:31.000 --> 0:52:33.920
<v Speaker 1>it's very scary to know that your enemies are like it,

0:52:34.040 --> 0:52:37.200
<v Speaker 1>have the cops in their pockets. So upstairs, the wife

0:52:37.239 --> 0:52:39.279
<v Speaker 1>is telling this other officer about her attack, and when

0:52:39.280 --> 0:52:43.040
<v Speaker 1>she sees Amanda, she goes, Okay, I get the message.

0:52:43.080 --> 0:52:44.319
<v Speaker 3>I know what to do. I know what to do.

0:52:44.680 --> 0:52:46.440
<v Speaker 1>And then Rollins tries to like touch her on the

0:52:46.480 --> 0:52:48.759
<v Speaker 1>leg and she slaps her hand away and starts going,

0:52:48.920 --> 0:52:51.120
<v Speaker 1>I don't remember anything. I don't remember anything, and Rollins

0:52:51.120 --> 0:52:55.760
<v Speaker 1>looks ashamed like she is spiralless cickets.

0:52:55.800 --> 0:52:58.239
<v Speaker 3>It's like a fuckingw it. Yeah, and it's your fault.

0:52:58.360 --> 0:53:00.920
<v Speaker 2>Rollins like, yeah, I honestly can't believes she kept her

0:53:01.000 --> 0:53:03.440
<v Speaker 2>job and that we've had her on the podcast and

0:53:03.640 --> 0:53:06.560
<v Speaker 2>like her like, I'm I do not forgive her for this.

0:53:07.080 --> 0:53:09.320
<v Speaker 1>It well, that's why we have to have forgiving Rollins,

0:53:09.320 --> 0:53:12.080
<v Speaker 1>which is another episode later, like because she does so

0:53:12.200 --> 0:53:15.200
<v Speaker 1>much bad shit that we have to forgive her. But

0:53:15.800 --> 0:53:17.799
<v Speaker 1>live in Tomorrow now are on the scene. They're trying

0:53:17.840 --> 0:53:20.480
<v Speaker 1>to figure out what's up. They're like, maybe they knew

0:53:20.520 --> 0:53:23.239
<v Speaker 1>the assailant and they were scared of him. Rollin because

0:53:23.280 --> 0:53:27.000
<v Speaker 1>the guy, the Brazilian guy, would know Carlos, because Carlos

0:53:27.040 --> 0:53:28.680
<v Speaker 1>is at the club working, So it is weird he

0:53:28.680 --> 0:53:30.359
<v Speaker 1>would even ever say that he saw his face.

0:53:30.400 --> 0:53:32.240
<v Speaker 3>It's kind of even weird that he would call the cops.

0:53:32.280 --> 0:53:35.840
<v Speaker 1>I'll be honest, like, because if he knows it's Carlos,

0:53:35.840 --> 0:53:37.520
<v Speaker 1>he wouldn't call the cops. He's like, these people are

0:53:37.520 --> 0:53:39.759
<v Speaker 1>doing this because of my fucking debts. But maybe because

0:53:39.760 --> 0:53:42.160
<v Speaker 1>he has immunity. He calls for justice for his wife.

0:53:42.160 --> 0:53:44.319
<v Speaker 3>I don't know. I think it's rape and the art.

0:53:45.320 --> 0:53:47.840
<v Speaker 1>Yeah, that's true, and it belongs to the Brazilian government,

0:53:47.880 --> 0:53:49.400
<v Speaker 1>so they're gonna get in trouble for that, You're right.

0:53:50.239 --> 0:53:54.120
<v Speaker 1>So Rollins is like, I'll pull security footage because, like

0:53:54.160 --> 0:53:56.320
<v Speaker 1>I said, you know, she's trying to cover her fucking tracks.

0:53:56.960 --> 0:53:59.640
<v Speaker 1>Back at the precinct, She's running through some footage. Finn's

0:53:59.640 --> 0:54:01.359
<v Speaker 1>look a looking over her shoulder and he's like, slow down,

0:54:01.360 --> 0:54:02.480
<v Speaker 1>I can't even see what you're looking at.

0:54:02.480 --> 0:54:05.000
<v Speaker 3>She's like I got this, Like she's so shady.

0:54:05.800 --> 0:54:08.319
<v Speaker 1>Finn goes, well, the victim wouldn't do a rape kit,

0:54:08.360 --> 0:54:10.320
<v Speaker 1>but there was semen and hair found at the scene.

0:54:10.640 --> 0:54:13.720
<v Speaker 3>Then they get a hit on the DNA Carlos Reva.

0:54:13.840 --> 0:54:14.839
<v Speaker 3>Oh no, not.

0:54:14.920 --> 0:54:18.680
<v Speaker 1>Squeaky clean Carlos, and Rollins is like, sorry, if you're

0:54:18.719 --> 0:54:20.320
<v Speaker 1>listening to this and you hadn't seen the episode, I

0:54:20.360 --> 0:54:22.640
<v Speaker 1>did reveal that about a minute ago, and I apologize.

0:54:23.120 --> 0:54:25.560
<v Speaker 1>It was Carlos, the guy who's the muscle guy from

0:54:25.640 --> 0:54:26.000
<v Speaker 1>the club.

0:54:26.400 --> 0:54:28.520
<v Speaker 3>And Rollins is like, whoa are you sure?

0:54:28.600 --> 0:54:31.480
<v Speaker 1>Like what criminal would leave their jiz behind when their

0:54:31.560 --> 0:54:34.239
<v Speaker 1>DNA is in the system. So it turns out that

0:54:34.320 --> 0:54:37.879
<v Speaker 1>Carlos does have a record and the gun they can

0:54:37.920 --> 0:54:40.120
<v Speaker 1>see the gun charge that was just dropped, but also

0:54:40.280 --> 0:54:45.120
<v Speaker 1>that he has a stalking charge plea that he pled

0:54:45.160 --> 0:54:48.040
<v Speaker 1>down to domestic assault from last fall. I don't know

0:54:48.080 --> 0:54:51.239
<v Speaker 1>why his DNA would necessarily be in the system. Maybe

0:54:51.280 --> 0:54:51.759
<v Speaker 1>if there was.

0:54:51.719 --> 0:54:54.120
<v Speaker 2>Like a physical altercation, but I think if you go

0:54:54.160 --> 0:54:58.280
<v Speaker 2>to jail, you give up your DNA, not like a swab,

0:54:58.360 --> 0:55:00.200
<v Speaker 2>I don't think, And.

0:55:01.719 --> 0:55:02.799
<v Speaker 1>Like, I don't know if I don't know if they

0:55:02.880 --> 0:55:04.680
<v Speaker 1>do DNA. I know they do fingerprints and shit, I

0:55:04.680 --> 0:55:06.320
<v Speaker 1>don't know if they do DNA. If you go to jail,

0:55:06.760 --> 0:55:08.839
<v Speaker 1>I wonder. I don't know, but I wonder. But then

0:55:08.840 --> 0:55:13.440
<v Speaker 1>tomorrow goes. Good thing. New York finally authorized all crimes DNA,

0:55:13.600 --> 0:55:15.920
<v Speaker 1>so their act and I googled that, but I couldn't

0:55:15.920 --> 0:55:16.600
<v Speaker 1>find anything.

0:55:17.280 --> 0:55:19.360
<v Speaker 3>So maybe some of our New York law.

0:55:19.239 --> 0:55:21.640
<v Speaker 1>People can get involved and tell me what's going on,

0:55:21.680 --> 0:55:26.080
<v Speaker 1>because I assumed that they thought because this was like

0:55:26.160 --> 0:55:29.160
<v Speaker 1>a misdemeanor or something, because it's not a felony maybe,

0:55:29.360 --> 0:55:31.880
<v Speaker 1>but like now it's all crimes DNA, and so like

0:55:32.000 --> 0:55:34.200
<v Speaker 1>that's why they thought that he would get away with it. Anyway,

0:55:34.800 --> 0:55:38.920
<v Speaker 1>Rollins is like, oh, yawn, stretch, damn guys, I'm really sleepy.

0:55:38.960 --> 0:55:41.920
<v Speaker 1>And so Finn sends her home and says me and

0:55:42.000 --> 0:55:42.919
<v Speaker 1>tomorrow got it.

0:55:43.239 --> 0:55:46.400
<v Speaker 3>And then yeah, for detectives, they're really not catching on.

0:55:47.120 --> 0:55:51.600
<v Speaker 1>They kind of are, I mean, yeah, and Finn goes tomorrow.

0:55:51.600 --> 0:55:53.040
<v Speaker 3>Whatever you're thinking, don't.

0:55:53.640 --> 0:55:56.680
<v Speaker 1>So now they're at an art gallery and they're talking

0:55:56.719 --> 0:55:59.800
<v Speaker 1>to some guy showing him a photo of Carlos and

0:55:59.840 --> 0:56:03.000
<v Speaker 1>he's like, yeah, I don't recognize him, but like I

0:56:03.040 --> 0:56:05.600
<v Speaker 1>can look into it and see maybe if he is

0:56:05.640 --> 0:56:08.319
<v Speaker 1>like a driver for us or something. And Tomorrow's like, yeah, yeah,

0:56:08.320 --> 0:56:10.400
<v Speaker 1>I get on that, and he asks, do you know

0:56:10.520 --> 0:56:13.359
<v Speaker 1>the artist bea tri Sa Morante And that's someone they've

0:56:13.360 --> 0:56:15.640
<v Speaker 1>mentioned earlier in the episode as the artist who did

0:56:15.640 --> 0:56:17.279
<v Speaker 1>a lot of the paintings that were hanging in the

0:56:17.880 --> 0:56:21.040
<v Speaker 1>Brazilian diplomat's house and that were stolen during this like

0:56:21.160 --> 0:56:24.600
<v Speaker 1>rape slash burglary. He says, oh, yeah, she's one of

0:56:24.600 --> 0:56:26.880
<v Speaker 1>Brazil's best artists, and then they're like, oh, do you

0:56:26.880 --> 0:56:28.840
<v Speaker 1>have any of her work? And he's like, she's an

0:56:28.880 --> 0:56:31.560
<v Speaker 1>audacious painter, but she's not quite on our radar.

0:56:31.800 --> 0:56:32.719
<v Speaker 3>And I was like, I don't.

0:56:33.239 --> 0:56:34.799
<v Speaker 1>I know, We're going to get to this later, but

0:56:34.840 --> 0:56:36.759
<v Speaker 1>I was like, what are you just are you shading her?

0:56:36.880 --> 0:56:38.480
<v Speaker 1>Like what if she's one of the best, why don't

0:56:38.520 --> 0:56:41.440
<v Speaker 1>you why don't you want her art? Anyway? Back at

0:56:41.480 --> 0:56:44.560
<v Speaker 1>club no sorry, I was about to say, back at

0:56:44.560 --> 0:56:48.839
<v Speaker 1>Club Rollins. Back at the club, Rollins is like you sick.

0:56:48.960 --> 0:56:50.920
<v Speaker 1>Fox wanted me to clear the gun charge, so this

0:56:50.960 --> 0:56:54.840
<v Speaker 1>guy could revenge rape Marcello's wife. They're certainly calling him Marcelo.

0:56:54.920 --> 0:56:58.360
<v Speaker 1>He's the Brazilian diplomat. Declan goes, that was Sondra's idea,

0:56:58.719 --> 0:57:01.160
<v Speaker 1>and Rollins is like, you did that to an innocent woman,

0:57:01.280 --> 0:57:02.839
<v Speaker 1>Like I thought we had a drink and we were

0:57:02.880 --> 0:57:05.560
<v Speaker 1>like talking lady to lady about like girl power and

0:57:05.719 --> 0:57:06.719
<v Speaker 1>raising each other up.

0:57:07.120 --> 0:57:09.839
<v Speaker 3>Sondra's like, she had fair warnings. So did he.

0:57:09.840 --> 0:57:12.319
<v Speaker 1>He thought he was untouchable and we had to, you know,

0:57:12.400 --> 0:57:15.840
<v Speaker 1>send him a message. And Declan is pissed. He's like,

0:57:15.880 --> 0:57:18.040
<v Speaker 1>this was a dumb move. I should have been consulted.

0:57:18.480 --> 0:57:22.320
<v Speaker 1>Sondra's like, well, it's Rollin's his fault. She didn't get

0:57:22.360 --> 0:57:25.560
<v Speaker 1>Carlos's DNA out of Cotis and Rollins goes crazy. She

0:57:25.680 --> 0:57:28.360
<v Speaker 1>like rushes at her and goes, Carlos said he had

0:57:28.400 --> 0:57:31.120
<v Speaker 1>no record, and Sondra just laughs and goes, he lied.

0:57:31.200 --> 0:57:33.880
<v Speaker 1>He's a criminal. You should have run his name. Clean

0:57:33.960 --> 0:57:37.160
<v Speaker 1>this up. And Rollins is like or what? And Sondra

0:57:37.200 --> 0:57:38.960
<v Speaker 1>threatens to turn her over to her own people for

0:57:39.080 --> 0:57:42.160
<v Speaker 1>stealing the gun from evidence, and even Declan is like,

0:57:42.360 --> 0:57:44.560
<v Speaker 1>how is she going to fix this? And he goes

0:57:44.840 --> 0:57:48.280
<v Speaker 1>they have this Egypt's DNA and I just had to

0:57:48.280 --> 0:57:51.200
<v Speaker 1>bring that up because they're giving him so many little irishisms.

0:57:51.200 --> 0:57:55.040
<v Speaker 1>And I was like semi raised by two Irish babysitters

0:57:55.040 --> 0:57:57.600
<v Speaker 1>that lived at our house, oh pairs, and they used

0:57:57.640 --> 0:57:59.720
<v Speaker 1>to call us Egypts and people Egypts all the time.

0:57:59.760 --> 0:58:01.520
<v Speaker 1>And it's like a fun it's a fun little it's

0:58:01.560 --> 0:58:05.480
<v Speaker 1>a fun little phrase. What does it imply, though, like idiot?

0:58:06.080 --> 0:58:09.960
<v Speaker 1>I think it's just like a dummy. And I don't

0:58:09.960 --> 0:58:12.160
<v Speaker 1>think they were calling us. They would just be like,

0:58:12.600 --> 0:58:14.800
<v Speaker 1>I don't know. They would call us cheeky monkeys and

0:58:14.840 --> 0:58:16.800
<v Speaker 1>eat and then they would say maybe they'd never called

0:58:16.840 --> 0:58:18.320
<v Speaker 1>us egypt but they would say like, oh, he's an

0:58:18.360 --> 0:58:19.280
<v Speaker 1>Egypt or something.

0:58:19.320 --> 0:58:19.520
<v Speaker 5>You know.

0:58:19.960 --> 0:58:22.160
<v Speaker 1>Anyway, a little a little high for all I know,

0:58:22.160 --> 0:58:24.240
<v Speaker 1>we have Irish listeners, So we're bringing up, we're bringing

0:58:24.280 --> 0:58:31.120
<v Speaker 1>up your culture. And Rollins is thinking, and she's like,

0:58:31.240 --> 0:58:33.400
<v Speaker 1>I need to get a DNA sample from Carlos.

0:58:33.600 --> 0:58:35.080
<v Speaker 3>So now at the lab.

0:58:35.040 --> 0:58:37.919
<v Speaker 1>Rollins is talking to friend of the pod Karen send

0:58:38.000 --> 0:58:42.080
<v Speaker 1>Lee aka Emmy Susan Chung and asking her, Hey, can

0:58:42.120 --> 0:58:44.480
<v Speaker 1>you run this sample on someone that our victim's been

0:58:44.520 --> 0:58:45.400
<v Speaker 1>having an affair.

0:58:45.120 --> 0:58:46.560
<v Speaker 3>With it's just to eliminate him.

0:58:46.600 --> 0:58:49.320
<v Speaker 1>And Chung is like looking concerned because she does her

0:58:49.360 --> 0:58:51.640
<v Speaker 1>job properly and is like, well, this isn't really going

0:58:51.640 --> 0:58:53.760
<v Speaker 1>through the right channels, and Rollins is like, babe, babe,

0:58:53.800 --> 0:58:57.800
<v Speaker 1>I'll get you the paperwork, like relax and just fully

0:58:57.840 --> 0:59:02.480
<v Speaker 1>jeopardizing other people's careers like like slashing.

0:59:03.480 --> 0:59:06.840
<v Speaker 2>Yeah, it's like crazy that we keep having And now

0:59:06.880 --> 0:59:12.000
<v Speaker 2>she's a professor like yeah, So now Amarro is talking

0:59:12.040 --> 0:59:15.000
<v Speaker 2>to evidence locker guy and he's like, look, I signed

0:59:15.000 --> 0:59:17.600
<v Speaker 2>it out to Megan Wheeler and then they are like, well, dude,

0:59:17.640 --> 0:59:20.840
<v Speaker 2>she retired four years ago. So and on the security

0:59:20.880 --> 0:59:25.600
<v Speaker 2>footage that Tomorrow's looking at, it's pretty fucking obvious it's Amanda.

0:59:25.680 --> 0:59:27.760
<v Speaker 2>But then there's one shot where she looks up and

0:59:27.800 --> 0:59:31.520
<v Speaker 2>it's like very clear it's her. Amorrow is now in

0:59:31.600 --> 0:59:34.160
<v Speaker 2>Live's office with Finn, showing her a shit ton of

0:59:34.160 --> 0:59:37.600
<v Speaker 2>evidence like of Rolin shady dealings like signing out the gun,

0:59:37.960 --> 0:59:40.520
<v Speaker 2>driving the diplomat home, the elimination DNA.

0:59:40.960 --> 0:59:43.919
<v Speaker 1>Live is like, stop digging, I'll handle this. Don't tip

0:59:43.960 --> 0:59:46.720
<v Speaker 1>her off, pretend everything is normal, and Finn's like, I

0:59:46.720 --> 0:59:48.640
<v Speaker 1>don't want to go behind your back, but I gotta

0:59:48.720 --> 0:59:51.400
<v Speaker 1>let Rolins know what we know, like it's partner etiquette,

0:59:51.440 --> 0:59:55.000
<v Speaker 1>and he goes, if this was Nick or Elliott, there's.

0:59:54.800 --> 0:59:56.880
<v Speaker 3>The magic word. There's the magic word.

0:59:56.920 --> 0:59:59.360
<v Speaker 1>He's been gone two seasons and she three seasons, and

0:59:59.400 --> 1:00:02.000
<v Speaker 1>she's like, you're right, I would have definitely told him

1:00:02.000 --> 1:00:04.520
<v Speaker 1>because I would have given him a kidney. So we

1:00:04.640 --> 1:00:07.080
<v Speaker 1>cut to Finn and live at a bar with Rollins

1:00:07.600 --> 1:00:10.200
<v Speaker 1>and they're fucking laying down the law with her. Benson

1:00:10.320 --> 1:00:13.320
<v Speaker 1>is pretty disgusted with Rollins and doesn't even know if

1:00:13.320 --> 1:00:16.680
<v Speaker 1>she believes that Rollins didn't know about the rape before

1:00:16.680 --> 1:00:19.400
<v Speaker 1>it happened. And they're like, you got to turn yourself in,

1:00:19.440 --> 1:00:21.040
<v Speaker 1>and she's like, they're gonna put me in prison, and

1:00:21.040 --> 1:00:23.640
<v Speaker 1>Lives like you had to know nothing good was gonna

1:00:23.640 --> 1:00:25.800
<v Speaker 1>come of working with these sketchy fucks, and Rollins is like,

1:00:25.840 --> 1:00:27.560
<v Speaker 1>I just had to work off my debt and be done.

1:00:27.600 --> 1:00:30.240
<v Speaker 1>That's what I thought was gonna happen, and Lives like, okay,

1:00:30.320 --> 1:00:32.560
<v Speaker 1>you are done, girl, Like I'm here for Finn, but

1:00:32.560 --> 1:00:35.120
<v Speaker 1>I'm calling iab on your ass, and then Rollins goes,

1:00:35.160 --> 1:00:36.200
<v Speaker 1>let me turn myself in.

1:00:36.320 --> 1:00:37.520
<v Speaker 3>I just need a few hours.

1:00:37.520 --> 1:00:39.160
<v Speaker 1>So I can figure out what to do with Franny

1:00:39.640 --> 1:00:42.360
<v Speaker 1>and Lives like eight am tomorrow, it's over, We're taking

1:00:42.400 --> 1:00:44.720
<v Speaker 1>you in and that like that never works out whenever

1:00:44.760 --> 1:00:47.440
<v Speaker 1>they go cool eight am tomorrow, see you there. We

1:00:47.520 --> 1:00:51.600
<v Speaker 1>never that meeting never happens. Rollins shares a look with Finn.

1:00:52.040 --> 1:00:54.320
<v Speaker 1>In the next scene, Declan is getting out of the

1:00:54.400 --> 1:00:57.240
<v Speaker 1>car and Tomorrow goes up to him and Sucker punches

1:00:57.320 --> 1:01:00.000
<v Speaker 1>him and he goes, stay away from Rollins. I mean, like, dude,

1:01:00.800 --> 1:01:02.840
<v Speaker 1>Lives told you six times to drop it, and instead

1:01:02.880 --> 1:01:05.000
<v Speaker 1>you fully put yourself right in the middle of it.

1:01:05.360 --> 1:01:08.080
<v Speaker 1>And Declan's like, are you the boyfriend? And then he goes,

1:01:08.120 --> 1:01:10.680
<v Speaker 1>She's not half bad once you get past the used part.

1:01:10.880 --> 1:01:14.080
<v Speaker 1>It's like he's like really rough on Amanda for like

1:01:14.120 --> 1:01:17.360
<v Speaker 1>being from the South, I guess. And now Rollins is

1:01:17.400 --> 1:01:19.680
<v Speaker 1>in the back room of the club and Jess says

1:01:19.800 --> 1:01:21.440
<v Speaker 1>they're going to take her shield and she's going to

1:01:21.480 --> 1:01:23.560
<v Speaker 1>go to prison, and Sondra's like, I don't.

1:01:23.400 --> 1:01:26.600
<v Speaker 3>Know you, like Mariah Carey all the way.

1:01:26.720 --> 1:01:28.880
<v Speaker 1>She's like, I don't know you, bitch, and she's like,

1:01:28.880 --> 1:01:30.360
<v Speaker 1>if you try to cut a deal, my boss will

1:01:30.360 --> 1:01:32.280
<v Speaker 1>put a bullet in your brain. And the cop from

1:01:32.320 --> 1:01:35.000
<v Speaker 1>the They're like, remember that cop from the twenty fourth

1:01:35.000 --> 1:01:38.560
<v Speaker 1>who ate his gun that wasn't to suicide? So fuck

1:01:38.640 --> 1:01:41.960
<v Speaker 1>these people are not just like gamblers trying to get

1:01:42.040 --> 1:01:46.880
<v Speaker 1>rid of parking tickets. They're fucking scary psycho people. Rollins

1:01:46.920 --> 1:01:49.240
<v Speaker 1>gets close to Sandra and then pulls a gun and

1:01:49.280 --> 1:01:52.360
<v Speaker 1>presses it to her pregnant belly, and it's like, did

1:01:52.400 --> 1:01:55.120
<v Speaker 1>these people stop patting her down? I don't understand, even

1:01:55.160 --> 1:01:58.240
<v Speaker 1>though now she's more desperate than ever, Like they're like,

1:01:58.320 --> 1:01:59.920
<v Speaker 1>let's just let her in, even though she's got every

1:02:00.080 --> 1:02:01.880
<v Speaker 1>thing to lose, litterate, don't don't check if she has

1:02:01.880 --> 1:02:06.320
<v Speaker 1>a gun. So she makes Declan hand over his guns

1:02:06.360 --> 1:02:08.720
<v Speaker 1>and then tells Sondra, I need to meet the boss,

1:02:08.720 --> 1:02:10.920
<v Speaker 1>Like we're taking this up a level, bitch, and so,

1:02:11.760 --> 1:02:15.160
<v Speaker 1>oh snap, look who the boss is? The innocent art

1:02:15.200 --> 1:02:17.560
<v Speaker 1>gallery director that we didn't even get a name on,

1:02:17.720 --> 1:02:19.760
<v Speaker 1>Like we didn't even clock this guy.

1:02:20.320 --> 1:02:23.520
<v Speaker 2>They get him to say, I actually knew it all along,

1:02:23.680 --> 1:02:25.400
<v Speaker 2>but it's because I've seen this a lot.

1:02:25.640 --> 1:02:31.920
<v Speaker 1>Yeah, they get art gallery guys gun, they ask, and

1:02:31.960 --> 1:02:34.240
<v Speaker 1>he goes if anything happens to that baby, and Rollins

1:02:34.320 --> 1:02:36.680
<v Speaker 1>realizes that the boss man is the father of the baby,

1:02:36.760 --> 1:02:39.720
<v Speaker 1>so him and Chandra are a thing, their their work

1:02:39.840 --> 1:02:44.040
<v Speaker 1>and business. And then she goes nice work sister to

1:02:44.360 --> 1:02:48.360
<v Speaker 1>uh Chandra, and then I think that's shady, just being like, oh,

1:02:48.400 --> 1:02:49.840
<v Speaker 1>I thought you kind of like worked your way up,

1:02:49.840 --> 1:02:52.920
<v Speaker 1>but really you're just like fucking the boss. And she

1:02:53.080 --> 1:02:55.720
<v Speaker 1>wants Rollins is doing that thing which we just saw

1:02:55.760 --> 1:02:58.240
<v Speaker 1>in a recent episode of SVU, like I want a

1:02:58.280 --> 1:03:00.600
<v Speaker 1>million in cash, I want a new path, I want

1:03:00.640 --> 1:03:03.400
<v Speaker 1>a private plane, like asking for all these wild demands

1:03:03.400 --> 1:03:04.440
<v Speaker 1>that it's like you.

1:03:04.640 --> 1:03:06.440
<v Speaker 3>Kind of know you you're not gonna get those right.

1:03:06.840 --> 1:03:09.720
<v Speaker 1>And then she wants to take Sondra with her for insurance,

1:03:09.840 --> 1:03:13.919
<v Speaker 1>and Rollins is acting like unhinged and and like because

1:03:13.920 --> 1:03:16.280
<v Speaker 1>at first Sondra's like, yeah, babe, let's all go. We

1:03:16.320 --> 1:03:18.240
<v Speaker 1>can just all go on a little trip. It's fine.

1:03:18.280 --> 1:03:21.160
<v Speaker 1>And then suddenly she gets a pain like in her stomach.

1:03:21.240 --> 1:03:23.680
<v Speaker 1>She has to sit down. Everyone's worried about her. Declan

1:03:23.720 --> 1:03:26.320
<v Speaker 1>grabs a gun and pistol whips Rollins across her face.

1:03:26.920 --> 1:03:29.120
<v Speaker 1>She's on the ground, and then Anton, who's the name

1:03:29.120 --> 1:03:30.800
<v Speaker 1>of the big boss, is like kill her.

1:03:31.240 --> 1:03:33.600
<v Speaker 3>And then suddenly you all wanted a twist.

1:03:34.240 --> 1:03:37.520
<v Speaker 1>Declan points the gun at Sondra and Anton and says,

1:03:37.720 --> 1:03:42.040
<v Speaker 1>hands in the air, Lieutenant Declan Murphy, NYPD, you're all

1:03:42.120 --> 1:03:43.400
<v Speaker 1>under arrest and done.

1:03:43.440 --> 1:03:43.760
<v Speaker 3>Done.

1:03:43.800 --> 1:03:46.440
<v Speaker 1>The Irish accent was fake two b B.

1:03:48.520 --> 1:03:51.640
<v Speaker 2>We did ruin this surprise for everyone. Yeah, I'm sorry,

1:03:51.720 --> 1:03:52.200
<v Speaker 2>I'm sorry.

1:03:52.240 --> 1:03:54.440
<v Speaker 1>I just think if you know the guy, you if

1:03:54.440 --> 1:03:57.400
<v Speaker 1>you watched any episodes in season fifteen sixteen seventeen, like,

1:03:57.440 --> 1:03:58.160
<v Speaker 1>he's all over it.

1:03:58.240 --> 1:04:01.360
<v Speaker 3>So yeah, it's like you we knew, but it is,

1:04:01.440 --> 1:04:01.800
<v Speaker 3>it is.

1:04:02.040 --> 1:04:03.960
<v Speaker 1>It was a great twist, Like when you're watching this

1:04:04.000 --> 1:04:06.360
<v Speaker 1>episode not having seen it, it's a great fucking twist.

1:04:06.640 --> 1:04:10.880
<v Speaker 1>And this but this guy is Canadian American, but I've

1:04:10.880 --> 1:04:14.040
<v Speaker 1>seen him in Sons of Anarchy also playing an irishman,

1:04:14.120 --> 1:04:16.160
<v Speaker 1>so clearly Irish accents are like.

1:04:16.360 --> 1:04:18.360
<v Speaker 3>Sure, it's because he is er.

1:04:18.640 --> 1:04:20.520
<v Speaker 1>Yeah, and but he's good at the accent too, like

1:04:20.560 --> 1:04:21.960
<v Speaker 1>he's killing the accent.

1:04:22.120 --> 1:04:27.320
<v Speaker 3>You know. Well, he's donal Logue. He must be Irish though, Like,

1:04:28.200 --> 1:04:34.040
<v Speaker 3>but he grew up. Yeah, he's Canadian American. That's a

1:04:34.080 --> 1:04:35.040
<v Speaker 3>funky name though.

1:04:35.880 --> 1:04:38.480
<v Speaker 1>Yeah, I mean his parents are Irish, so he does

1:04:38.480 --> 1:04:40.880
<v Speaker 1>the accent well because his parents he went to Ireland

1:04:40.880 --> 1:04:42.960
<v Speaker 1>in the Yeah.

1:04:42.720 --> 1:04:44.320
<v Speaker 3>Yeah, he was born in Ottawa.

1:04:44.800 --> 1:04:48.600
<v Speaker 1>He lived in Boston, California, and he's been studying his parents' accents.

1:04:48.680 --> 1:04:52.280
<v Speaker 1>So anyway, in the last act, we opened the top

1:04:52.320 --> 1:04:54.640
<v Speaker 1>of this with the tape. So obviously we knew when

1:04:54.640 --> 1:04:57.520
<v Speaker 1>they set up that tape of them allegedly having some

1:04:57.600 --> 1:05:00.560
<v Speaker 1>kind of sexual twist, that that tape was either gonna

1:05:00.680 --> 1:05:02.640
<v Speaker 1>get out or you're gonna see a part of it. Okay,

1:05:03.040 --> 1:05:06.480
<v Speaker 1>so we see the tape of when she allegedly banged

1:05:06.560 --> 1:05:07.680
<v Speaker 1>or blue Declan whatever.

1:05:07.720 --> 1:05:09.120
<v Speaker 3>We didn't know what was happening, But.

1:05:09.120 --> 1:05:11.120
<v Speaker 1>What happened for real was he told her I'm not

1:05:11.240 --> 1:05:13.640
<v Speaker 1>interested in whatever you're trying to offer me right now.

1:05:13.680 --> 1:05:16.880
<v Speaker 1>I'm Lieutenant Declan Murphy, Manhattan, Vice. The color of the

1:05:17.000 --> 1:05:20.120
<v Speaker 1>day is green. Don't forget that. That's how they id

1:05:20.280 --> 1:05:22.680
<v Speaker 1>each other to each other. So now back to this

1:05:22.760 --> 1:05:25.440
<v Speaker 1>IAB meeting Declan is basically like, as soon as that

1:05:25.480 --> 1:05:27.880
<v Speaker 1>moment happened when I revealed myself to her, she was

1:05:27.960 --> 1:05:31.160
<v Speaker 1>on loan to Vice as a UC. She was working

1:05:31.160 --> 1:05:32.880
<v Speaker 1>for me the whole time, and IAB was like, you

1:05:32.920 --> 1:05:35.439
<v Speaker 1>should have come to us, and Declan's like I tried

1:05:35.480 --> 1:05:39.240
<v Speaker 1>to connect Sondra and Anton for two years. Rollins did

1:05:39.280 --> 1:05:41.560
<v Speaker 1>it in three days, Like and it's like, don't send

1:05:41.600 --> 1:05:43.080
<v Speaker 1>a man to do a woman's job, Am I right?

1:05:43.200 --> 1:05:46.680
<v Speaker 1>Like he's been undercover with this group for two years.

1:05:46.440 --> 1:05:47.000
<v Speaker 3>That's what I mean.

1:05:47.120 --> 1:05:50.280
<v Speaker 2>Like how does Vice have these unlimited budgets forgetting I

1:05:50.280 --> 1:05:53.880
<v Speaker 2>mean they're murders too, yeah, but like just get them

1:05:53.920 --> 1:05:57.760
<v Speaker 2>on murder Like I don't understand these little games and

1:05:57.840 --> 1:05:59.400
<v Speaker 2>full investigations.

1:05:59.640 --> 1:06:02.320
<v Speaker 1>And I wonder if, like when he's on Vice, like

1:06:02.360 --> 1:06:03.920
<v Speaker 1>in a Vice investigation.

1:06:03.440 --> 1:06:06.680
<v Speaker 2>Does any enough evidence? There's not enough evidence after two years.

1:06:06.920 --> 1:06:08.240
<v Speaker 2>That's crazy, I know.

1:06:09.120 --> 1:06:12.360
<v Speaker 1>I think it's like Anton, like nobody ever Sondra was

1:06:12.360 --> 1:06:14.080
<v Speaker 1>always like as the boss, but he was like a

1:06:14.080 --> 1:06:15.959
<v Speaker 1>shadowy figure that they couldn't figure out. And I guess

1:06:15.960 --> 1:06:18.160
<v Speaker 1>putting a gun to his girlfriend's belly is like the

1:06:18.160 --> 1:06:19.800
<v Speaker 1>only way we could get to him.

1:06:20.000 --> 1:06:23.280
<v Speaker 3>So but it's crazy that you couldn't figure that out.

1:06:23.320 --> 1:06:25.560
<v Speaker 1>You couldn't follow her, you could, Yeah, Like there's no

1:06:25.680 --> 1:06:27.920
<v Speaker 1>way that she's she got pregnant by this guy she

1:06:27.960 --> 1:06:30.120
<v Speaker 1>sees him, Like, there's no way you could have figured

1:06:30.160 --> 1:06:32.680
<v Speaker 1>weaseled your way into meeting Anton after two years.

1:06:32.880 --> 1:06:33.760
<v Speaker 3>I always wonder too.

1:06:33.840 --> 1:06:36.080
<v Speaker 1>I'm like, if you're working at an illegal gambling club

1:06:36.120 --> 1:06:38.440
<v Speaker 1>at night, like as an undercover, Like during the day,

1:06:38.440 --> 1:06:40.720
<v Speaker 1>are you just like at your apartment doing your regular

1:06:40.760 --> 1:06:42.120
<v Speaker 1>life and then you just go to work at night

1:06:42.160 --> 1:06:44.320
<v Speaker 1>as undercover or do you have to be fully in

1:06:45.120 --> 1:06:49.120
<v Speaker 1>like apartment like the idea.

1:06:48.840 --> 1:06:50.840
<v Speaker 2>Yeah, you have to be fully ameshed. But I think

1:06:50.920 --> 1:06:53.360
<v Speaker 2>you rest in the day. I think you live that lifestyle.

1:06:54.080 --> 1:06:56.840
<v Speaker 2>I don't think you're going to the office. No, but

1:06:57.000 --> 1:06:58.840
<v Speaker 2>like if you had a yeah, I guess. I'm kind

1:06:58.840 --> 1:07:03.600
<v Speaker 2>of like, no. Don you remember that episode Ze Wildlife

1:07:03.640 --> 1:07:06.680
<v Speaker 2>where he's like I lost everything going undercover man?

1:07:07.080 --> 1:07:08.240
<v Speaker 3>Yeah?

1:07:08.360 --> 1:07:11.200
<v Speaker 1>Yeah, and Stabler's simply not calling his wife back. But

1:07:11.240 --> 1:07:12.880
<v Speaker 1>that's also just Stabler, you know. I don't know if

1:07:12.880 --> 1:07:14.880
<v Speaker 1>he's ever like actually allowed to slip away and go

1:07:14.960 --> 1:07:17.360
<v Speaker 1>see his family, if it's a long mission, if it's

1:07:17.360 --> 1:07:19.600
<v Speaker 1>two years, like I don't know, do you only get

1:07:19.640 --> 1:07:22.600
<v Speaker 1>guys that have no families, no friends, no interest in their.

1:07:22.560 --> 1:07:25.520
<v Speaker 3>Regular life for two years? It's like, Wow, it's wild.

1:07:25.640 --> 1:07:27.680
<v Speaker 1>If you know any more information about going undercover, I'd

1:07:27.680 --> 1:07:29.000
<v Speaker 1>love to know, please dm us.

1:07:29.880 --> 1:07:31.560
<v Speaker 3>So both of them, Declan.

1:07:31.240 --> 1:07:33.360
<v Speaker 1>And Rawlins are like, we did not know about the

1:07:33.440 --> 1:07:36.240
<v Speaker 1>plan to rape the diplomat's wife, like we're sick about it.

1:07:36.400 --> 1:07:39.000
<v Speaker 1>But they're like, Carlos Reva is in custody and will

1:07:39.000 --> 1:07:42.240
<v Speaker 1>plead guilty to rape one and grand larceny. IAB points

1:07:42.280 --> 1:07:44.600
<v Speaker 1>out that the man behind all of this is Anton

1:07:44.720 --> 1:07:47.160
<v Speaker 1>Nadari and they're like, so the guy who was just

1:07:47.200 --> 1:07:51.000
<v Speaker 1>profiled in the New York Times as a superstar art dealer,

1:07:51.520 --> 1:07:54.240
<v Speaker 1>And they're like, yeah, art dealing is his cover. He's

1:07:54.280 --> 1:07:57.560
<v Speaker 1>got a huge international criminal enterprise. We have his confession

1:07:57.680 --> 1:08:00.919
<v Speaker 1>on here, and it's like and it's some gaudy ring

1:08:01.040 --> 1:08:02.880
<v Speaker 1>that he said, I hung it on a wire at

1:08:02.920 --> 1:08:05.680
<v Speaker 1>the gallery. It's like, good one, no one noticed that

1:08:05.800 --> 1:08:09.720
<v Speaker 1>totally normal ring hanging on a wire at the gallery, Like.

1:08:09.760 --> 1:08:11.560
<v Speaker 3>Wait, what, oh my god.

1:08:11.720 --> 1:08:13.960
<v Speaker 1>It's like a ruby ring that he places down and

1:08:14.040 --> 1:08:16.000
<v Speaker 1>goes His whole confession is on here, because like the

1:08:16.040 --> 1:08:18.040
<v Speaker 1>guy goes to his own art gallery and goes, this

1:08:18.200 --> 1:08:21.479
<v Speaker 1>is a front. I am running a criminal enterprise. We

1:08:21.560 --> 1:08:25.240
<v Speaker 1>got it all on the ring. Like it's crazy. But

1:08:26.160 --> 1:08:29.040
<v Speaker 1>so I don't know if I caught that really Yeah,

1:08:29.439 --> 1:08:32.439
<v Speaker 1>as I went that little thing it's not even a camera.

1:08:32.520 --> 1:08:35.160
<v Speaker 1>It's like a little ring hanging back, it made no sense.

1:08:35.680 --> 1:08:39.840
<v Speaker 1>They're like, we're gonna get him on art theft, art forgery, extortion, rape,

1:08:39.960 --> 1:08:40.400
<v Speaker 1>murder of.

1:08:40.360 --> 1:08:44.440
<v Speaker 3>A You had all that why two years.

1:08:43.760 --> 1:08:46.840
<v Speaker 1>Because they're saying Sondra is turning state's evidence. It wasn't

1:08:46.880 --> 1:08:48.760
<v Speaker 1>until they got Sondra that they can get this guy

1:08:48.800 --> 1:08:51.479
<v Speaker 1>and all this shit. She's selling that guy out, no problem.

1:08:51.600 --> 1:08:53.040
<v Speaker 1>She's like, me and my baby are moving to the

1:08:53.040 --> 1:08:57.120
<v Speaker 1>fucking multives, you know, like she doesn't care. She's ruthless.

1:08:57.320 --> 1:09:00.920
<v Speaker 3>Uh. And Declan is arguing, and that one been raped. Yeah,

1:09:00.920 --> 1:09:01.760
<v Speaker 3>she doesn't give a fuck.

1:09:02.080 --> 1:09:04.719
<v Speaker 1>Yeah, And Declan is arguing that the ends justify the means.

1:09:04.760 --> 1:09:06.320
<v Speaker 1>I mean, like, I don't know if I buy that,

1:09:06.360 --> 1:09:08.400
<v Speaker 1>But like this poor woman who's just like a fucking

1:09:08.400 --> 1:09:12.840
<v Speaker 1>wife of a alcoholic, gambling addict diplomat who probably cheats

1:09:12.840 --> 1:09:15.720
<v Speaker 1>on her constantly, has to be the one that got punished.

1:09:15.760 --> 1:09:19.599
<v Speaker 1>But they it did help them take down this fucking

1:09:20.320 --> 1:09:23.719
<v Speaker 1>guy who's like killed cops and done all this other stuff.

1:09:23.800 --> 1:09:27.160
<v Speaker 1>So the IAB guy is like, I'm taking this upstairs,

1:09:27.240 --> 1:09:30.040
<v Speaker 1>and then Declan like steps to the IAB guys and

1:09:30.080 --> 1:09:34.040
<v Speaker 1>goes given rolins his exemplary performance, she keeps her shields

1:09:34.439 --> 1:09:38.160
<v Speaker 1>or I take it upstairs, Sarge, and it's like, okay,

1:09:38.760 --> 1:09:40.920
<v Speaker 1>he likes Rolins. I guess he's taken back all that

1:09:41.040 --> 1:09:45.479
<v Speaker 1>trash talk about her being used up and dirty and like.

1:09:45.840 --> 1:09:48.200
<v Speaker 3>A shit boy value and then he ends up being

1:09:49.240 --> 1:09:50.120
<v Speaker 3>fathering a child.

1:09:50.680 --> 1:09:56.719
<v Speaker 1>Yes, everybody, yeah, just fyi, everybody. She is Billy's mom

1:09:57.160 --> 1:09:58.800
<v Speaker 1>or dad? Which one is which one?

1:09:58.800 --> 1:09:59.000
<v Speaker 5>Oh?

1:09:59.080 --> 1:10:01.600
<v Speaker 3>God, now we have to look Rolin's fucking kids. Hold on,

1:10:02.800 --> 1:10:05.800
<v Speaker 3>isn't is it Jesse and Billy? It's Jesse. Oh, you're right.

1:10:05.920 --> 1:10:09.200
<v Speaker 1>Jesse's the first one, so I believe Jesse is doctor.

1:10:09.360 --> 1:10:14.000
<v Speaker 1>Uh the is the I thought that he was her

1:10:14.040 --> 1:10:17.400
<v Speaker 1>first kid. Oh wow, yeah she doesn't have she doesn't have.

1:10:17.479 --> 1:10:19.000
<v Speaker 1>The Doctor's the second kid.

1:10:19.360 --> 1:10:19.719
<v Speaker 3>Damn.

1:10:19.880 --> 1:10:22.400
<v Speaker 1>Ok yeah, Rolin's and then the and then Cariese's the third.

1:10:22.439 --> 1:10:23.559
<v Speaker 1>She's got three baby daddies.

1:10:24.000 --> 1:10:29.840
<v Speaker 3>And is Donald Loga not an active father? Obviously?

1:10:30.439 --> 1:10:30.519
<v Speaker 2>No.

1:10:30.800 --> 1:10:32.960
<v Speaker 1>There's one point where he comes back and she's like,

1:10:33.320 --> 1:10:35.519
<v Speaker 1>he's like, you didn't tell me, and she's like, I

1:10:35.520 --> 1:10:37.360
<v Speaker 1>didn't really think you would want to, Like I kind

1:10:37.360 --> 1:10:39.960
<v Speaker 1>of just made the decision for myself because people think

1:10:40.000 --> 1:10:43.200
<v Speaker 1>that it's Amorro's baby. And then eventually it's like kind

1:10:43.200 --> 1:10:45.840
<v Speaker 1>of revealed that it's Donald, that it's a Declan's baby,

1:10:46.920 --> 1:10:49.240
<v Speaker 1>and I think He's like, if you need anything, let

1:10:49.280 --> 1:10:50.960
<v Speaker 1>me know. But he's going back undercover. He's like an

1:10:51.000 --> 1:10:54.200
<v Speaker 1>undercover junkie, you know. He's like, yeah, you know, well,

1:10:54.280 --> 1:10:57.040
<v Speaker 1>I mean we'll find out whether maybe he'll ever be back.

1:10:57.479 --> 1:11:02.040
<v Speaker 1>So now they're walking down the street together Murphy Decla

1:11:02.120 --> 1:11:04.000
<v Speaker 1>Murphy and Rollins and she's like, you know, you could

1:11:04.000 --> 1:11:05.760
<v Speaker 1>have just busted me right away and saved yourself a

1:11:05.800 --> 1:11:08.280
<v Speaker 1>lot of grief. And he says when you came into

1:11:08.320 --> 1:11:10.599
<v Speaker 1>the back room, He's like, I really saw somebody about

1:11:10.600 --> 1:11:13.040
<v Speaker 1>to hit rock bottom. And then he talks about himself

1:11:13.040 --> 1:11:16.160
<v Speaker 1>in the third person and he goes, Decla Murphy believes

1:11:16.160 --> 1:11:18.640
<v Speaker 1>in redemption, that venal sins don't define you.

1:11:18.720 --> 1:11:19.679
<v Speaker 3>The choice is yours.

1:11:20.040 --> 1:11:21.760
<v Speaker 1>Let's hope you make a better choice than like the

1:11:21.760 --> 1:11:24.360
<v Speaker 1>shitty ones you've been making. Rollins wants to know how

1:11:24.439 --> 1:11:26.720
<v Speaker 1>much live knows and he goes, well, I finessed it,

1:11:26.800 --> 1:11:30.439
<v Speaker 1>but she's smart, so come clean and stay clean, and

1:11:30.479 --> 1:11:32.679
<v Speaker 1>then he goes May the Road Rise to meet you, detective,

1:11:32.720 --> 1:11:35.120
<v Speaker 1>which is part of the Irish Blessing, and they're laying

1:11:35.120 --> 1:11:37.120
<v Speaker 1>on everything Irish so thick with this.

1:11:37.040 --> 1:11:38.120
<v Speaker 3>Guy, it's like hilarious.

1:11:39.040 --> 1:11:40.720
<v Speaker 1>Like later in another episode they have him in like

1:11:40.720 --> 1:11:43.800
<v Speaker 1>a classic Irish like fisherman's sweater. It's like they're just

1:11:43.880 --> 1:11:46.920
<v Speaker 1>really like the notes on Donald Loge's character is just

1:11:46.920 --> 1:11:51.360
<v Speaker 1>like a shamrock. But when they're like handed to wardrobe,

1:11:51.360 --> 1:11:54.200
<v Speaker 1>they're like, here's what this character is, an Irish man.

1:11:54.840 --> 1:11:59.000
<v Speaker 1>So back at the precinct, Rollins is explaining to Tomorrow

1:11:59.000 --> 1:12:01.320
<v Speaker 1>and Finn, like, this is I couldn't tell you like

1:12:01.360 --> 1:12:03.840
<v Speaker 1>I had to tell Live. She had to know, so

1:12:03.920 --> 1:12:06.000
<v Speaker 1>I guess Live knew the whole time, and that's why

1:12:06.080 --> 1:12:09.200
<v Speaker 1>she was like. That's why she was like, don't dig

1:12:09.240 --> 1:12:11.519
<v Speaker 1>into this anymore to the guys, because she did know

1:12:11.560 --> 1:12:14.080
<v Speaker 1>what was going on. But then Live calls her into

1:12:14.080 --> 1:12:16.200
<v Speaker 1>the office and she's like, I'm not happy about this,

1:12:16.280 --> 1:12:18.600
<v Speaker 1>like I did have to lie to two of my

1:12:18.640 --> 1:12:21.639
<v Speaker 1>detectives and a woman was raped, which is like against

1:12:21.680 --> 1:12:24.520
<v Speaker 1>our full code of ethics. Here, specifically in this precinct,

1:12:24.960 --> 1:12:27.679
<v Speaker 1>she admits that the way she got involved with Wece

1:12:27.840 --> 1:12:30.519
<v Speaker 1>was that because she fell behind at the club. So basically,

1:12:30.520 --> 1:12:34.080
<v Speaker 1>Declan Murphy told uh Benson, oh, I'm using your girl

1:12:34.120 --> 1:12:36.200
<v Speaker 1>as a U see, but he didn't tell her all

1:12:36.240 --> 1:12:38.439
<v Speaker 1>the details of like here's how I found her. So

1:12:38.520 --> 1:12:40.720
<v Speaker 1>she's coming clean about it to Olivia. She's like, I

1:12:40.760 --> 1:12:42.800
<v Speaker 1>got involved with them because I fell behind at this club.

1:12:42.840 --> 1:12:44.479
<v Speaker 1>They found out I was a cop. They leveraged it

1:12:44.479 --> 1:12:47.599
<v Speaker 1>against me, and it's like she just got extremely lucky

1:12:47.600 --> 1:12:50.599
<v Speaker 1>that a guy she essentially offered to blow or fuck

1:12:50.840 --> 1:12:53.280
<v Speaker 1>was an undercover might be the officer.

1:12:54.000 --> 1:12:58.120
<v Speaker 2>And yeah, like this could have gone such a different way. Yeah, yeah,

1:12:58.280 --> 1:13:01.600
<v Speaker 2>I could have had a yeah, blow like this dude.

1:13:01.640 --> 1:13:06.920
<v Speaker 3>Right, and then my god, thank god he was an

1:13:07.000 --> 1:13:09.080
<v Speaker 3>under Oh my gosh. Yeah.

1:13:09.160 --> 1:13:11.960
<v Speaker 1>So the two crimes that she committed before she found

1:13:12.000 --> 1:13:15.080
<v Speaker 1>out she was an undercover, though, is the trying to

1:13:15.080 --> 1:13:17.320
<v Speaker 1>fix the parking tickets, which she it's not really like

1:13:17.360 --> 1:13:19.160
<v Speaker 1>a crime. It is like she looked up where they

1:13:19.160 --> 1:13:22.639
<v Speaker 1>do their like busts, and she followed the juror home,

1:13:22.800 --> 1:13:26.360
<v Speaker 1>but she also didn't give them the information. So technically

1:13:26.800 --> 1:13:29.160
<v Speaker 1>the only illegal thing that she did was gamble and

1:13:29.200 --> 1:13:33.280
<v Speaker 1>then solicit not but like, I guess, no, you can

1:13:33.320 --> 1:13:35.439
<v Speaker 1>fuck whoever you want for whatever reason you want, I guess.

1:13:35.439 --> 1:13:38.559
<v Speaker 1>So she is so like, then the next step was

1:13:38.640 --> 1:13:40.479
<v Speaker 1>offering to fuck this guy to get off of like

1:13:40.680 --> 1:13:45.880
<v Speaker 1>her prop to get out of it, you know. So basically,

1:13:47.400 --> 1:13:50.320
<v Speaker 1>Benson is like, all right, well, this guy Murphy might

1:13:50.320 --> 1:13:52.360
<v Speaker 1>trust you, but I don't. And if I weren't so

1:13:52.640 --> 1:13:56.840
<v Speaker 1>short staffed, i'd transfer you. And Rollins is like, I swear,

1:13:56.840 --> 1:13:58.519
<v Speaker 1>I'm going to get back in your good graces. I'm

1:13:58.560 --> 1:14:01.120
<v Speaker 1>gonna try, and Lives like, oh okay, we're done here,

1:14:01.240 --> 1:14:03.919
<v Speaker 1>Like Live is hard ass Live in this episode.

1:14:04.000 --> 1:14:05.920
<v Speaker 2>I don't think I've ever seen her as mad, like,

1:14:06.280 --> 1:14:09.040
<v Speaker 2>I know, outside of to.

1:14:09.280 --> 1:14:12.040
<v Speaker 1>Of herb yeah right, but to like one of the

1:14:12.040 --> 1:14:15.080
<v Speaker 1>detectives and to somebody who eventually becomes like her best friend,

1:14:15.240 --> 1:14:17.559
<v Speaker 1>Like it is kind of it's a it's a fun

1:14:17.640 --> 1:14:19.760
<v Speaker 1>arc though, how those two move, you.

1:14:19.720 --> 1:14:24.960
<v Speaker 2>Know, But this is bad, like Rollins is bad. Yeah,

1:14:25.280 --> 1:14:27.080
<v Speaker 2>I mean Rollins here, you know.

1:14:27.160 --> 1:14:30.479
<v Speaker 1>I know she just got desperate and did and like,

1:14:30.680 --> 1:14:32.479
<v Speaker 1>I mean, I think I don't know how Live could

1:14:32.479 --> 1:14:35.560
<v Speaker 1>ever forgive that your actions ledge with this woman being raped, Like,

1:14:35.560 --> 1:14:37.000
<v Speaker 1>I don't know how she could forgive it, but.

1:14:36.880 --> 1:14:39.080
<v Speaker 2>It just seems like I'll make it like I don't know,

1:14:39.200 --> 1:14:44.080
<v Speaker 2>she doesn't feel guilty and sad enough for me, Yeah,

1:14:44.120 --> 1:14:48.519
<v Speaker 2>and going there and trying to investigate. Is it's fucked

1:14:49.680 --> 1:14:53.320
<v Speaker 2>intimidating them at the crime scenes.

1:14:53.200 --> 1:14:56.479
<v Speaker 1>Fully, like trying to go, like trying to blow over,

1:14:56.600 --> 1:15:00.599
<v Speaker 1>like tampering with evidence, like the whole case, like honestly

1:15:01.240 --> 1:15:02.120
<v Speaker 1>the gun thing.

1:15:02.080 --> 1:15:03.759
<v Speaker 3>Like Carlos Reva's lawyer.

1:15:03.920 --> 1:15:05.840
<v Speaker 1>If they found out about her, as the OC could

1:15:05.960 --> 1:15:08.200
<v Speaker 1>argue that this whole fucking case is fucked and that

1:15:08.240 --> 1:15:10.519
<v Speaker 1>he can get off for the rate because there was

1:15:10.560 --> 1:15:15.960
<v Speaker 1>a UC involved that was tampering with evidence, you know, yeah,

1:15:16.000 --> 1:15:19.760
<v Speaker 1>hopefully giving his giving his semen to a fucking medical examiner.

1:15:20.120 --> 1:15:22.240
<v Speaker 1>I don't think Vice would have approved all that shit,

1:15:22.400 --> 1:15:26.280
<v Speaker 1>but you know, here I am with my law degree

1:15:26.280 --> 1:15:30.080
<v Speaker 1>from sv University. Okay, So then and Tomorrow, like look

1:15:30.080 --> 1:15:31.880
<v Speaker 1>at her when she comes out and she kind of

1:15:31.880 --> 1:15:34.160
<v Speaker 1>realizes that like no one in her whole fucking squad

1:15:34.200 --> 1:15:37.360
<v Speaker 1>trusts her poker obsessed ass, and that's dick wolf, Baby,

1:15:37.600 --> 1:15:39.919
<v Speaker 1>She's got a long way to climb out.

1:15:40.360 --> 1:15:43.920
<v Speaker 3>Of this hole. What like four episodes, yeah, something like that.

1:15:45.120 --> 1:15:48.320
<v Speaker 1>I mean, she's literally fucking Nick four episodes later, Like

1:15:48.520 --> 1:15:51.400
<v Speaker 1>she's literally in a in a relations like a casual

1:15:51.439 --> 1:15:54.080
<v Speaker 1>relationship with Tomorrow four episodes later. So I guess everybody

1:15:54.080 --> 1:15:55.240
<v Speaker 1>forgave him forget pretty quick.

1:15:57.439 --> 1:16:08.240
<v Speaker 2>All right, well, we can move right into these crimes.

1:16:08.800 --> 1:16:12.120
<v Speaker 2>So this is the Isabella Stewart Gardner Museum art.

1:16:12.040 --> 1:16:13.880
<v Speaker 3>Heist, which I know nothing about.

1:16:13.920 --> 1:16:16.000
<v Speaker 1>But when I saw this was it, I thought Lisa's

1:16:16.000 --> 1:16:17.120
<v Speaker 1>gonna be thrilled.

1:16:17.720 --> 1:16:21.880
<v Speaker 2>I was thrilled. And you know, it's a heist. We

1:16:21.960 --> 1:16:24.800
<v Speaker 2>can all deal like. It's nice to have a little

1:16:24.840 --> 1:16:29.880
<v Speaker 2>heist with all the grapes. So in nineteen ninety there

1:16:29.920 --> 1:16:34.000
<v Speaker 2>was a theft of thirteen artworks from this museum, Isabella

1:16:34.080 --> 1:16:37.599
<v Speaker 2>Stewart Gardner Museum in Boston. They made off with hundreds

1:16:37.640 --> 1:16:40.160
<v Speaker 2>of millions of dollars in stolen art. And it's coming

1:16:40.200 --> 1:16:43.640
<v Speaker 2>out about thirty five years ago that this happened. And

1:16:43.680 --> 1:16:46.320
<v Speaker 2>so this woman, she's pretty fucking cool. So she lived

1:16:46.320 --> 1:16:49.720
<v Speaker 2>from eighteen forty to nineteen twenty four, and she was

1:16:49.760 --> 1:16:52.800
<v Speaker 2>an American art collector, of philanthropist, patron of the arts,

1:16:52.840 --> 1:16:55.400
<v Speaker 2>and she founded the museum. She was popular and cool

1:16:55.439 --> 1:16:58.800
<v Speaker 2>and obviously a NEPO. She was the daughter of a

1:16:58.800 --> 1:17:01.040
<v Speaker 2>wealthy linen merchant and grew up.

1:17:00.920 --> 1:17:03.360
<v Speaker 3>In Manhattan, Okay.

1:17:04.080 --> 1:17:07.520
<v Speaker 2>She was known to enjoy flirting with scandal and gossip.

1:17:07.640 --> 1:17:11.960
<v Speaker 2>According to CNN Style, she marries one of Boston's most

1:17:12.000 --> 1:17:15.759
<v Speaker 2>eligible bachelors, and so that's how she got the gardener

1:17:15.880 --> 1:17:18.559
<v Speaker 2>last name. And then he died in eighteen ninety eight,

1:17:18.600 --> 1:17:22.440
<v Speaker 2>and suddenly she's like, you know what I'm going to realize,

1:17:22.560 --> 1:17:25.559
<v Speaker 2>like our share dream of building a museum for all

1:17:25.600 --> 1:17:28.679
<v Speaker 2>of our treasures. And it opened in nineteen oh three.

1:17:28.960 --> 1:17:32.600
<v Speaker 2>There was a giant grand opening party, champagne and donuts.

1:17:33.000 --> 1:17:37.000
<v Speaker 2>This bitch is fun. The Boston Symphony Orchestra played. So

1:17:37.040 --> 1:17:40.920
<v Speaker 2>in nineteen ninety two, men snuck into the museum disguised

1:17:40.920 --> 1:17:45.280
<v Speaker 2>as police officers answering a distress call. It was like

1:17:45.400 --> 1:17:49.759
<v Speaker 2>pre dawn hours of March eighteenth, nineteen ninety right after

1:17:49.800 --> 1:17:53.040
<v Speaker 2>the Saint Patrick's Day parade, and you know Boston and Saint.

1:17:52.760 --> 1:17:56.080
<v Speaker 1>Patty's Like, people are, I've been there for Saint Patrick's

1:17:56.120 --> 1:17:59.360
<v Speaker 1>Day and it's fucking nuts. Wait, can I just wiggle

1:17:59.400 --> 1:18:01.080
<v Speaker 1>it really quickly? Tell a story about when I went

1:18:01.120 --> 1:18:04.280
<v Speaker 1>to Saint Patrick's Day in Boston. Of course I was

1:18:04.320 --> 1:18:07.120
<v Speaker 1>fucked up, and I had a beer in my purse

1:18:07.240 --> 1:18:10.760
<v Speaker 1>and somehow it got punctured and it started exploding all

1:18:10.760 --> 1:18:13.160
<v Speaker 1>over my purse. So I got down on the street

1:18:13.240 --> 1:18:15.000
<v Speaker 1>and I just dumped my whole purse out onto the

1:18:15.040 --> 1:18:17.760
<v Speaker 1>street and I was just trying to like save my

1:18:17.800 --> 1:18:19.160
<v Speaker 1>shit from getting soaked in beer.

1:18:19.640 --> 1:18:21.720
<v Speaker 3>And these two girls walk by, and I heard this

1:18:21.760 --> 1:18:23.720
<v Speaker 3>one girl go, promise me you'll never let me get

1:18:23.720 --> 1:18:23.960
<v Speaker 3>like that.

1:18:28.760 --> 1:18:31.280
<v Speaker 1>And you know what, I had a great day after

1:18:31.320 --> 1:18:35.040
<v Speaker 1>that saved my shit kept going and I was in Southee. Okay,

1:18:35.200 --> 1:18:38.040
<v Speaker 1>that's the most Irish fucking area to be in Boston, and.

1:18:37.960 --> 1:18:41.280
<v Speaker 3>It was nuts. That's so funny. That's it. Sorry to interrupt.

1:18:41.360 --> 1:18:43.000
<v Speaker 3>I just had that thought PLoP into my head.

1:18:43.479 --> 1:18:47.000
<v Speaker 2>I love Saint Patrick's Day and just tying up two

1:18:47.080 --> 1:18:49.479
<v Speaker 2>guards is like, is this a cartoon?

1:18:49.680 --> 1:18:50.639
<v Speaker 3>Is this Scooby Doo?

1:18:51.280 --> 1:18:51.479
<v Speaker 5>Yeah?

1:18:51.680 --> 1:18:53.760
<v Speaker 1>Oh, this is also the birthday of my brothers, my

1:18:53.800 --> 1:18:56.959
<v Speaker 1>twin brothers. This would have been their third birthday, Okay.

1:18:57.160 --> 1:18:59.840
<v Speaker 2>And they and this guy, I mean, they took rembrands

1:19:01.040 --> 1:19:04.880
<v Speaker 2>for mere about like five hundred million dollars worth, But

1:19:04.960 --> 1:19:06.599
<v Speaker 2>they also took like different things.

1:19:06.600 --> 1:19:07.439
<v Speaker 3>They were kind of weird.

1:19:07.479 --> 1:19:11.120
<v Speaker 2>They took a nondescript Chinese metal vase, a bronze eagle

1:19:11.160 --> 1:19:14.800
<v Speaker 2>from a top a flagpole. Five minor sketches by dig

1:19:14.880 --> 1:19:19.200
<v Speaker 2>oz A, Mane, Manette, Manet Mene. I think it's just

1:19:19.280 --> 1:19:22.640
<v Speaker 2>crazy that like change it like Monet, Like I don't know,

1:19:22.680 --> 1:19:23.400
<v Speaker 2>it's just like kind of.

1:19:24.280 --> 1:19:25.760
<v Speaker 1>They're like, I'm gonna kind of do that too, but

1:19:25.840 --> 1:19:29.559
<v Speaker 1>I'm mayne. It's a cheater brand. It's honestly a cheater brand.

1:19:29.720 --> 1:19:32.160
<v Speaker 1>You cannot be tipsy girl after skinny girl.

1:19:32.240 --> 1:19:37.920
<v Speaker 2>Sorry, but the painting is the Chez Tortoni, or as

1:19:38.040 --> 1:19:42.719
<v Speaker 2>I like to call it, Tordellini. And so they walked

1:19:42.760 --> 1:19:47.519
<v Speaker 2>by tons of things worth millions, like jade figurines and

1:19:47.520 --> 1:19:50.840
<v Speaker 2>are drawing by Michelangelo. But then they spent a giant

1:19:50.880 --> 1:19:54.000
<v Speaker 2>amount of time fussing to get this vase. So it's

1:19:54.080 --> 1:19:57.639
<v Speaker 2>just so really confusing. They also left behind a super

1:19:57.680 --> 1:20:01.120
<v Speaker 2>prized red brand that they took down, but then they

1:20:01.200 --> 1:20:05.920
<v Speaker 2>left leaning against a cabinet and then okay, so ANTHONYA.

1:20:06.000 --> 1:20:08.519
<v Speaker 3>Morey is the director of security at.

1:20:08.400 --> 1:20:11.519
<v Speaker 2>The museum now not during the heist, and he thinks

1:20:11.640 --> 1:20:14.479
<v Speaker 2>that they just forgot it that red brand that was

1:20:14.600 --> 1:20:15.599
<v Speaker 2>like you just.

1:20:15.600 --> 1:20:18.600
<v Speaker 1>Take down a multimillion dollar painting and you're like, fuck, do.

1:20:18.680 --> 1:20:20.479
<v Speaker 3>We forget that? That's so crazy?

1:20:21.360 --> 1:20:24.480
<v Speaker 2>But I wonder why they went for these like flagpole

1:20:24.680 --> 1:20:27.800
<v Speaker 2>things and different stuff, but left to Michaelangelo like what

1:20:27.920 --> 1:20:32.320
<v Speaker 2>the specific things and asked you, yeah, like it's it's interesting.

1:20:33.720 --> 1:20:37.599
<v Speaker 2>They also cut some paintings out from the front, and

1:20:37.760 --> 1:20:41.080
<v Speaker 2>Kelly Horn, a deputy editor of The Boston Globe, said

1:20:41.080 --> 1:20:44.160
<v Speaker 2>that to even leave remnants of the paintings behind was

1:20:44.280 --> 1:20:46.840
<v Speaker 2>savage and that in his mind, it's sort of like

1:20:46.920 --> 1:20:52.439
<v Speaker 2>slashing someone's throat. I love that's the CNN style, so

1:20:53.000 --> 1:20:56.679
<v Speaker 2>really effective. The theft was not discovered until the cleaning

1:20:56.680 --> 1:20:59.360
<v Speaker 2>crew arrived in the morning. One of the security guards

1:20:59.400 --> 1:21:01.360
<v Speaker 2>did break pro to call and open the door for

1:21:01.400 --> 1:21:05.000
<v Speaker 2>the thieves. So he's always been a suspect, but nothing's

1:21:05.040 --> 1:21:07.840
<v Speaker 2>ever come from the suspicions and like the like, he

1:21:07.920 --> 1:21:14.519
<v Speaker 2>never got any changes in income spending, like they've tracked him.

1:21:14.880 --> 1:21:15.759
<v Speaker 3>I'm just confused.

1:21:15.800 --> 1:21:17.880
<v Speaker 1>He opened the door for them, and then no one

1:21:17.920 --> 1:21:20.479
<v Speaker 1>found out about the theft until the next morning, Like

1:21:20.720 --> 1:21:21.519
<v Speaker 1>they were tied up.

1:21:22.160 --> 1:21:23.519
<v Speaker 3>Oh that's right, da da da.

1:21:23.640 --> 1:21:27.360
<v Speaker 2>Yeah, so but not Also, not a single motion detector

1:21:27.439 --> 1:21:30.560
<v Speaker 2>was set off, so they're like, are these people ghosts?

1:21:31.120 --> 1:21:33.880
<v Speaker 2>The FBI says that eighty nine percent of museum heighs

1:21:33.960 --> 1:21:39.000
<v Speaker 2>certain side jobs. No really, yeah, I mean, how like

1:21:39.920 --> 1:21:42.000
<v Speaker 2>you need you need someone on the inside.

1:21:42.560 --> 1:21:45.840
<v Speaker 1>Yeah, and like kind of like even if you're like

1:21:46.280 --> 1:21:48.679
<v Speaker 1>making money at a museum or you're an art dealer

1:21:48.760 --> 1:21:51.200
<v Speaker 1>or anything like that, it's like the amount you could

1:21:51.240 --> 1:21:54.200
<v Speaker 1>make selling one of these paintings is like astronomical. I'm

1:21:54.200 --> 1:21:56.479
<v Speaker 1>sure it just like tempts people to like get involved

1:21:56.520 --> 1:22:01.040
<v Speaker 1>in like the black market of it, all right, yeah, yeah,

1:22:01.080 --> 1:22:02.559
<v Speaker 1>that's nuts.

1:22:02.600 --> 1:22:04.840
<v Speaker 2>Revenge or someone gets to you, like I just wonder

1:22:04.880 --> 1:22:09.080
<v Speaker 2>if it's hot, like because the thieves have to manipulate

1:22:09.120 --> 1:22:12.160
<v Speaker 2>you in some way and start a relationship with you or.

1:22:12.240 --> 1:22:15.960
<v Speaker 3>Yeah, you reach out, you know. Yeah.

1:22:16.000 --> 1:22:19.280
<v Speaker 2>But the director of security at the museum, Amore, he said,

1:22:19.320 --> 1:22:21.559
<v Speaker 2>I'd be lying if I said it doesn't affect me.

1:22:21.720 --> 1:22:24.000
<v Speaker 2>I walk by the empty frames every day.

1:22:25.040 --> 1:22:27.200
<v Speaker 1>I don't get the ones that they cut out, Like

1:22:27.240 --> 1:22:29.360
<v Speaker 1>you can't resell a painting that you cut out of

1:22:29.360 --> 1:22:31.120
<v Speaker 1>a frame. That feels like you're just doing it to

1:22:31.160 --> 1:22:33.200
<v Speaker 1>be horrible. That's what I mean.

1:22:33.439 --> 1:22:35.920
<v Speaker 2>It's a lot of your behavior, Like they took some

1:22:36.000 --> 1:22:40.160
<v Speaker 2>heavy frames but not others, like cut stuff out. But

1:22:40.360 --> 1:22:42.320
<v Speaker 2>I think it's if it's an original, it's okay. If

1:22:42.360 --> 1:22:44.040
<v Speaker 2>it's cut from the sides oh.

1:22:44.120 --> 1:22:46.960
<v Speaker 3>I thought maybe they were just yeah yeah in terms

1:22:46.960 --> 1:22:49.080
<v Speaker 3>of like resale value, yeah, but I.

1:22:49.040 --> 1:22:51.800
<v Speaker 2>Wonder who they But like does a billionaire just keep

1:22:51.840 --> 1:22:54.719
<v Speaker 2>it hidden and their basement.

1:22:55.880 --> 1:22:58.720
<v Speaker 1>I feel like you sell it overseas or something where

1:22:58.720 --> 1:23:00.280
<v Speaker 1>they're not going to get you get like you get

1:23:00.320 --> 1:23:02.720
<v Speaker 1>some fucking rich guy in Qatar to buy it, like

1:23:02.760 --> 1:23:05.280
<v Speaker 1>no one's going to come looking for American stolen art

1:23:05.439 --> 1:23:08.559
<v Speaker 1>in the Middle East, or like I'm just throwing that

1:23:08.680 --> 1:23:11.240
<v Speaker 1>country out there, you know, like other places as well.

1:23:11.120 --> 1:23:15.000
<v Speaker 3>You know, I don't know. I don't know.

1:23:15.040 --> 1:23:17.960
<v Speaker 1>I just feel like or you know places where like

1:23:18.840 --> 1:23:22.280
<v Speaker 1>billionaires here are such like public figures and people like

1:23:22.360 --> 1:23:24.680
<v Speaker 1>know what's in their houses and they do like architectural

1:23:24.720 --> 1:23:27.240
<v Speaker 1>digestors and shit like that, or you just.

1:23:27.240 --> 1:23:28.960
<v Speaker 3>Would see the art billionaire.

1:23:29.200 --> 1:23:32.600
<v Speaker 1>No, maybe not, but like they have parties, they have fundraisers,

1:23:32.640 --> 1:23:34.200
<v Speaker 1>they have people in their homes that would see it.

1:23:34.280 --> 1:23:36.840
<v Speaker 1>Like I think if you're just like if you own

1:23:36.920 --> 1:23:39.400
<v Speaker 1>the police in the country where you live, maybe you're

1:23:39.439 --> 1:23:41.000
<v Speaker 1>like who cares that's who you sell it to. I

1:23:41.040 --> 1:23:43.360
<v Speaker 1>would imagine. I imagine that's who like is buying black

1:23:43.360 --> 1:23:43.960
<v Speaker 1>market stuff.

1:23:44.000 --> 1:23:46.679
<v Speaker 2>I think if you have it, no matter what country

1:23:46.680 --> 1:23:48.840
<v Speaker 2>are and you can't hang it up for public views

1:23:48.880 --> 1:23:49.479
<v Speaker 2>or things.

1:23:49.840 --> 1:23:52.320
<v Speaker 1>Yeah, so you just like have a secret bunker gallery

1:23:52.320 --> 1:23:53.760
<v Speaker 1>that you go in and just like look at your

1:23:53.760 --> 1:23:55.360
<v Speaker 1>rem brands and then you go back to go up

1:23:55.400 --> 1:23:56.040
<v Speaker 1>back upstairs.

1:23:56.080 --> 1:23:58.800
<v Speaker 2>One of the like craziest tice, Like if you are

1:23:59.160 --> 1:24:01.240
<v Speaker 2>I just don't think you can let people know you.

1:24:01.640 --> 1:24:03.479
<v Speaker 1>But I always have wondered that my whole life. Whenever

1:24:03.520 --> 1:24:05.960
<v Speaker 1>something huge, like when the Scream got stolen, I'm like,

1:24:06.200 --> 1:24:07.080
<v Speaker 1>who's taking that?

1:24:07.160 --> 1:24:09.400
<v Speaker 3>Where are you putting it? Like what's the point of it?

1:24:09.520 --> 1:24:12.320
<v Speaker 1>Like if you can't look at it all the time

1:24:12.360 --> 1:24:14.519
<v Speaker 1>and display it, Like I don't really get. I don't know,

1:24:14.560 --> 1:24:17.760
<v Speaker 1>but I guess I'm maybe it's just the power and

1:24:17.840 --> 1:24:20.000
<v Speaker 1>the that you have that you have it, you own it.

1:24:20.080 --> 1:24:22.160
<v Speaker 3>Yeah.

1:24:22.240 --> 1:24:22.479
<v Speaker 5>Yeah.

1:24:22.520 --> 1:24:24.559
<v Speaker 2>So they kept the frames up because it was important

1:24:24.600 --> 1:24:26.760
<v Speaker 2>to Isabella that the art was displayed in her way,

1:24:26.880 --> 1:24:30.920
<v Speaker 2>so nothing's been removed, rearranged or anything. They also believe

1:24:30.960 --> 1:24:32.680
<v Speaker 2>that the paintings will come back, so they want to

1:24:32.720 --> 1:24:35.960
<v Speaker 2>have the frames ready for them. The museum, Like our

1:24:36.040 --> 1:24:40.400
<v Speaker 2>SVU squad got so many tips, emails, and a lot

1:24:40.479 --> 1:24:42.559
<v Speaker 2>of the calls are people who thought they spotted the

1:24:42.640 --> 1:24:45.320
<v Speaker 2>art during house showings are Zillow pictures, but those were

1:24:45.400 --> 1:24:48.840
<v Speaker 2>clearly reproductions for staging homes versus.

1:24:50.479 --> 1:24:53.559
<v Speaker 1>I think that rant is in Saint Louis, Missouri, in

1:24:53.640 --> 1:24:55.559
<v Speaker 1>a house that's for sale for three hundred and.

1:24:55.560 --> 1:25:00.559
<v Speaker 2>Fifty thousand dollars the museum, the FBI in the US,

1:25:00.680 --> 1:25:02.400
<v Speaker 2>that's what I mean. But if these people going to

1:25:02.520 --> 1:25:05.400
<v Speaker 2>house things are like, that's a stolen Rembrandt, Like, I

1:25:05.400 --> 1:25:08.759
<v Speaker 2>don't think you can put it up anywhere. Yeah, nobody

1:25:08.760 --> 1:25:11.320
<v Speaker 2>has ever been charged, and the statue of limitations on

1:25:11.360 --> 1:25:14.080
<v Speaker 2>the theft ran out in nineteen ninety five, but the

1:25:14.160 --> 1:25:17.000
<v Speaker 2>FBI says it's there's still an active investigation.

1:25:17.880 --> 1:25:18.599
<v Speaker 3>That's crazy.

1:25:18.640 --> 1:25:20.240
<v Speaker 1>You could just go steal a piece of art and

1:25:20.280 --> 1:25:22.240
<v Speaker 1>keep it hidden for five years and then the statute

1:25:22.240 --> 1:25:23.280
<v Speaker 1>of limitations is gone.

1:25:24.320 --> 1:25:28.919
<v Speaker 2>Yeah, weird. That's nuts, crazy, all right, that is nuts.

1:25:29.320 --> 1:25:33.479
<v Speaker 2>So now I guess you can hang the paintings. Yeah,

1:25:33.720 --> 1:25:36.160
<v Speaker 2>when you go to the museum, there's still a page

1:25:36.160 --> 1:25:39.160
<v Speaker 2>with an active ongoing investigation, and the museum's offering ten

1:25:39.160 --> 1:25:42.519
<v Speaker 2>million dollar reward for information leading to the recovery of

1:25:42.520 --> 1:25:46.640
<v Speaker 2>the stolen works. Thomas Whalen, a social scientist at Boston University,

1:25:46.680 --> 1:25:49.920
<v Speaker 2>say they've never had a satisfactory conclusion to it or

1:25:49.960 --> 1:25:52.800
<v Speaker 2>any clue about what happened. And that's to the New

1:25:52.840 --> 1:25:56.559
<v Speaker 2>York Times in twenty seventeen. No informant has ever stepped

1:25:56.560 --> 1:25:58.400
<v Speaker 2>forward very Boston.

1:25:58.560 --> 1:26:01.240
<v Speaker 3>They say, yeah a more.

1:26:01.400 --> 1:26:04.479
<v Speaker 2>The security director says that an art theft has a

1:26:04.520 --> 1:26:08.040
<v Speaker 2>high rate of recovery, but typically it happens generations later,

1:26:08.120 --> 1:26:11.200
<v Speaker 2>when people have died and informants feel safer about coming forward.

1:26:12.720 --> 1:26:15.160
<v Speaker 2>He also is reminding people that the ten million dollar

1:26:15.200 --> 1:26:18.320
<v Speaker 2>reward is not for the paintings, but for information leading

1:26:18.360 --> 1:26:23.920
<v Speaker 2>to the paintings. So maybe a listener has information.

1:26:24.080 --> 1:26:28.880
<v Speaker 1>Maybe you need your grandparents have some mov fucking rembrands

1:26:28.920 --> 1:26:29.639
<v Speaker 1>hanging up.

1:26:29.880 --> 1:26:31.400
<v Speaker 2>And you would only have to give us like a

1:26:31.439 --> 1:26:34.439
<v Speaker 2>half a million dollars. Yeah, just for telling you about it.

1:26:34.680 --> 1:26:35.559
<v Speaker 3>Yeah, just a.

1:26:37.880 --> 1:26:40.240
<v Speaker 2>He also says usually the stolen paintings stay local, so

1:26:40.240 --> 1:26:42.560
<v Speaker 2>if it was taken in America, it stays in America.

1:26:43.200 --> 1:26:47.400
<v Speaker 2>But I think that's like ignoring you know, private planes. Yeah,

1:26:48.320 --> 1:26:50.880
<v Speaker 2>I think I could do whatever I want. But the

1:26:50.960 --> 1:26:55.479
<v Speaker 2>email is theft at i SGM dot org.

1:26:56.320 --> 1:26:59.680
<v Speaker 1>So anybody have any tips c se us. Yeah, that

1:26:59.720 --> 1:27:01.400
<v Speaker 1>would pot at gmail.

1:27:01.640 --> 1:27:04.760
<v Speaker 2>That would be huge for our podcast if we were

1:27:04.800 --> 1:27:12.400
<v Speaker 2>able to crack. Yes, yes, that is my goal now

1:27:12.479 --> 1:27:15.479
<v Speaker 2>because it's not like we'd be harassing like humans and

1:27:15.520 --> 1:27:16.920
<v Speaker 2>thinking we could do police work.

1:27:17.000 --> 1:27:21.679
<v Speaker 3>You know, there's like ethical stuff with that. Yeah.

1:27:21.720 --> 1:27:23.799
<v Speaker 2>Though I would love to solve a crime. Are you kidding?

1:27:24.439 --> 1:27:27.680
<v Speaker 2>But this would be a fun one for us. Yeah,

1:27:28.320 --> 1:27:32.360
<v Speaker 2>just everyone, Yeah, everyone would be happy. Okay, now we

1:27:32.160 --> 1:27:34.240
<v Speaker 2>have we do have murder though. So this is the

1:27:34.320 --> 1:27:38.840
<v Speaker 2>murders of Prince Teddy Ktkar and Princess Nineshka Ketcar another

1:27:38.920 --> 1:27:42.799
<v Speaker 2>nineteen nineties crime. April nineteen ninety three, a Park Avenue

1:27:42.800 --> 1:27:45.880
<v Speaker 2>couple with the titles of nobility from India and connections

1:27:45.920 --> 1:27:49.559
<v Speaker 2>in Manhattan social circles were found dead in their home.

1:27:50.200 --> 1:27:53.040
<v Speaker 2>They were living on Park between sixty and sixty first

1:27:53.560 --> 1:27:57.160
<v Speaker 2>So Prince Ktkar of ked Angaval He was a fifty

1:27:57.200 --> 1:28:01.120
<v Speaker 2>seven year old financier and industrialist and then his wife

1:28:01.920 --> 1:28:07.080
<v Speaker 2>Netshka was about fifteen years his senior and was born

1:28:07.320 --> 1:28:08.520
<v Speaker 2>in South America.

1:28:09.000 --> 1:28:10.840
<v Speaker 3>And she was married to a shoe.

1:28:10.600 --> 1:28:13.960
<v Speaker 2>Manufacturer guy named Max Hoffman for ten years and lived

1:28:14.000 --> 1:28:16.839
<v Speaker 2>in this apartment with him. So she was like wealthy

1:28:16.880 --> 1:28:20.559
<v Speaker 2>on her own and the neighbors called them the Prince

1:28:20.600 --> 1:28:24.520
<v Speaker 2>and Princess, even though there were suspicions of their actual nobility,

1:28:24.640 --> 1:28:28.240
<v Speaker 2>and like they just called him Prince Teddy. But some

1:28:28.320 --> 1:28:30.799
<v Speaker 2>of his social life friends were like not really believing

1:28:31.080 --> 1:28:31.360
<v Speaker 2>a lot.

1:28:31.640 --> 1:28:35.320
<v Speaker 3>He was caught level of delusion. That's really fun. Yeah,

1:28:35.479 --> 1:28:38.479
<v Speaker 3>that's really fun. Like I need to be called Prince Teddy.

1:28:38.520 --> 1:28:39.920
<v Speaker 3>I mean, it's truly Countess Luanne.

1:28:39.960 --> 1:28:41.680
<v Speaker 1>It's count that she you know she I guess she

1:28:41.720 --> 1:28:43.760
<v Speaker 1>had the receipts the Suez Canal and all that.

1:28:45.560 --> 1:28:46.839
<v Speaker 3>Wait, what about the canal?

1:28:47.680 --> 1:28:51.040
<v Speaker 1>She's like my husband's family, they're the count and countess

1:28:51.080 --> 1:28:54.120
<v Speaker 1>because like my husband is a count because his family,

1:28:54.200 --> 1:28:57.360
<v Speaker 1>his ancestors like founded the Suez Canal or something or

1:28:57.520 --> 1:28:59.840
<v Speaker 1>conquered it or I don't know. That's but she would

1:29:00.439 --> 1:29:03.160
<v Speaker 1>like people in a really condescending way in her early

1:29:03.200 --> 1:29:06.600
<v Speaker 1>seasons before she truly found out who the real luandeleiseps is,

1:29:07.200 --> 1:29:12.000
<v Speaker 1>which is a smoking, drinking, cabaret singing star that was

1:29:12.040 --> 1:29:13.479
<v Speaker 1>beautiful but.

1:29:13.720 --> 1:29:16.400
<v Speaker 2>He was so this but he was successful, well groomed,

1:29:16.840 --> 1:29:19.920
<v Speaker 2>and they lived a really rich, fun lifestyle. Some say

1:29:19.920 --> 1:29:22.960
<v Speaker 2>he was all talk, but whatever. So a maid arrives

1:29:22.960 --> 1:29:26.200
<v Speaker 2>to clean the apartment discover the bodies and notified the doorman,

1:29:26.479 --> 1:29:29.000
<v Speaker 2>which when you just call the cops, but I guess

1:29:29.120 --> 1:29:30.240
<v Speaker 2>you didn't touch evidence.

1:29:30.320 --> 1:29:30.680
<v Speaker 3>I don't know.

1:29:31.400 --> 1:29:34.160
<v Speaker 2>The husband was in a pool of blood, laing face down,

1:29:34.400 --> 1:29:38.160
<v Speaker 2>bleeding from a neck wound. The princess was on her

1:29:38.240 --> 1:29:41.160
<v Speaker 2>back on the floor of the bedroom. She had no

1:29:41.280 --> 1:29:46.240
<v Speaker 2>marks on her body, no wounds, both fully clothed, and

1:29:46.400 --> 1:29:50.360
<v Speaker 2>the sixth room apartment was in disarray, no evidence of

1:29:50.439 --> 1:29:53.640
<v Speaker 2>forced entry as well. At first, investigators didn't know if

1:29:53.680 --> 1:29:57.040
<v Speaker 2>it was a double murder or murder suicide. But July

1:29:57.400 --> 1:30:00.519
<v Speaker 2>nineteen ninety three, cops arrested two men in Reno connection

1:30:00.600 --> 1:30:02.880
<v Speaker 2>with the crime and returned them back to New York

1:30:02.920 --> 1:30:05.639
<v Speaker 2>to face charges of killing the couple and then two

1:30:05.680 --> 1:30:09.679
<v Speaker 2>other people. So they ended up also killing two other

1:30:09.760 --> 1:30:11.800
<v Speaker 2>people as well.

1:30:12.360 --> 1:30:12.719
<v Speaker 5>Damn.

1:30:12.920 --> 1:30:14.519
<v Speaker 3>So yeah, they killed two other people.

1:30:14.640 --> 1:30:17.240
<v Speaker 2>So they were brought back for like four murders in

1:30:17.320 --> 1:30:19.639
<v Speaker 2>New York and they found them because they were using

1:30:19.640 --> 1:30:22.719
<v Speaker 2>the victim's credit cards, which is the dumbest thing ever

1:30:22.840 --> 1:30:24.920
<v Speaker 2>and kind of an easy way to track, right, Like

1:30:25.560 --> 1:30:26.520
<v Speaker 2>I don't understand.

1:30:27.760 --> 1:30:32.479
<v Speaker 3>Yeah, yeah, but in the nineties, like in the nineties,

1:30:32.479 --> 1:30:32.720
<v Speaker 3>when you.

1:30:32.760 --> 1:30:35.680
<v Speaker 1>Did your credit card, it was the thing, like it

1:30:35.760 --> 1:30:37.240
<v Speaker 1>was the thing that like that did it.

1:30:37.240 --> 1:30:38.120
<v Speaker 3>On carbon copy.

1:30:38.240 --> 1:30:41.240
<v Speaker 1>So then by the time you like the store reports,

1:30:41.280 --> 1:30:43.800
<v Speaker 1>it's like they probably had time to get away, like

1:30:43.960 --> 1:30:46.000
<v Speaker 1>they'd be a couple, they could be a state away

1:30:46.040 --> 1:30:48.840
<v Speaker 1>by the time they fucking got the credit company card

1:30:48.920 --> 1:30:50.960
<v Speaker 1>to say it's not the right charge or whatever.

1:30:51.160 --> 1:30:51.519
<v Speaker 3>Okay.

1:30:51.600 --> 1:30:53.559
<v Speaker 2>So, but they were having a fun time like charging

1:30:53.560 --> 1:30:55.679
<v Speaker 2>the credit cards, and then they got into a fight

1:30:55.840 --> 1:31:00.120
<v Speaker 2>and George called the police. So these two guys, so

1:31:00.160 --> 1:31:02.680
<v Speaker 2>one of the so it's George Cabo he's fifty six

1:31:02.800 --> 1:31:05.679
<v Speaker 2>years old, and Tony Lee Simpson who's twenty one years old,

1:31:06.040 --> 1:31:10.360
<v Speaker 2>and they are lovers. They're a coup ah. Okay, so

1:31:10.360 --> 1:31:13.320
<v Speaker 2>they're a couple. They're having fun in Vegas. They get

1:31:13.360 --> 1:31:16.599
<v Speaker 2>into a fight, George calls the police and goes Tony

1:31:16.680 --> 1:31:20.679
<v Speaker 2>did everything. And as soon as they're caught, Tony's like, actually,

1:31:20.760 --> 1:31:23.680
<v Speaker 2>i'll tell you everything. George did it. So they caught themselves.

1:31:24.640 --> 1:31:27.280
<v Speaker 2>What the fun, Like they wouldn't have even been called,

1:31:27.320 --> 1:31:30.559
<v Speaker 2>like the credit cards wore evidence, but like one called

1:31:30.600 --> 1:31:32.719
<v Speaker 2>the cops because they were probably in a drunk fight.

1:31:32.800 --> 1:31:34.320
<v Speaker 3>And then the other was like, oh.

1:31:34.240 --> 1:31:38.200
<v Speaker 1>Yeah, actually this is why you don't come at crimes

1:31:38.200 --> 1:31:40.960
<v Speaker 1>with a romantic partner. You just too many emotions get

1:31:41.000 --> 1:31:42.760
<v Speaker 1>in the way and one of you ends up just

1:31:42.880 --> 1:31:43.840
<v Speaker 1>ratting on the other one.

1:31:44.360 --> 1:31:47.439
<v Speaker 2>Yeah, so you know they killed those guys. And then

1:31:47.439 --> 1:31:49.880
<v Speaker 2>the additional crimes were the murder of Eric C. Prince

1:31:49.960 --> 1:31:53.439
<v Speaker 2>and Milton A. Seltzer in their West End Avenue apartment

1:31:53.520 --> 1:31:57.439
<v Speaker 2>one month sooner, Oh my gosh. And the those two

1:31:57.560 --> 1:32:02.519
<v Speaker 2>murders were full blown to capitations. Oh now these are

1:32:02.560 --> 1:32:06.840
<v Speaker 2>sikohs Oh my god. So January twenty third, nineteen nine.

1:32:06.840 --> 1:32:09.000
<v Speaker 1>I'm honest, I'm surprised that Ryan Murphy's not has not

1:32:09.040 --> 1:32:10.240
<v Speaker 1>made a series about them yet.

1:32:10.479 --> 1:32:12.720
<v Speaker 2>Well, there's not it's not famous enough. I don't think

1:32:12.800 --> 1:32:14.280
<v Speaker 2>a may a lot of research.

1:32:14.360 --> 1:32:18.080
<v Speaker 1>Like I'm May December, like gay couple going on a

1:32:18.160 --> 1:32:19.000
<v Speaker 1>killing spree.

1:32:19.200 --> 1:32:21.760
<v Speaker 3>That's right up his fucking alley. We got to send

1:32:21.760 --> 1:32:21.920
<v Speaker 3>it to.

1:32:22.000 --> 1:32:26.200
<v Speaker 2>Him because even for like I had to read the

1:32:26.200 --> 1:32:29.000
<v Speaker 2>the court like report to find out their sentences. Like

1:32:29.040 --> 1:32:33.360
<v Speaker 2>there wasn't even articles about it. Oh wow, Like I

1:32:33.400 --> 1:32:38.720
<v Speaker 2>had to scroll through court documents. Yeah, it's like for

1:32:38.760 --> 1:32:41.920
<v Speaker 2>some reason, I mean even the New York Times was

1:32:42.000 --> 1:32:44.559
<v Speaker 2>like not a lot. There's just not a lot, but

1:32:44.600 --> 1:32:48.000
<v Speaker 2>the decapitations and then the like wealth of this other couple,

1:32:48.840 --> 1:32:53.759
<v Speaker 2>I'm shocked it wasn't a bigger deal. Yeah, but Georgia

1:32:53.760 --> 1:32:56.360
<v Speaker 2>in nineteen ninety five got a hundred year prison sentence.

1:32:57.160 --> 1:32:59.360
<v Speaker 2>But Cabo blamed the murders on his love. He was like,

1:32:59.400 --> 1:33:01.840
<v Speaker 2>it's Tony, it's Tony. I'm afraid of Tony. I'm scared

1:33:01.840 --> 1:33:04.599
<v Speaker 2>Tony would kill me. I just went along with it

1:33:04.680 --> 1:33:08.519
<v Speaker 2>because Tony's a freak. So that was his kind of

1:33:08.680 --> 1:33:12.280
<v Speaker 2>point of view. But a jury did find everyone guilty

1:33:12.640 --> 1:33:15.160
<v Speaker 2>and they it was strangling the couple with a belt.

1:33:15.640 --> 1:33:17.479
<v Speaker 2>But even with that, I don't know how there wouldn't

1:33:17.479 --> 1:33:20.400
<v Speaker 2>be a mark. There were no marks on our body,

1:33:20.479 --> 1:33:24.600
<v Speaker 2>but I feel like a strange You don't think the

1:33:24.600 --> 1:33:28.360
<v Speaker 2>pressure would bruise at all, Like yeah, probably, or you

1:33:28.360 --> 1:33:30.800
<v Speaker 2>don't bruise after death. Like I'm just I just don't

1:33:30.800 --> 1:33:33.320
<v Speaker 2>know how there's no marks. I there'll be no marking

1:33:33.360 --> 1:33:39.160
<v Speaker 2>with full strangulation. Yeah, that's crazy, confusing. They were tried separately,

1:33:39.320 --> 1:33:43.040
<v Speaker 2>and then in November nineteen eighty five, Simpson was convicted

1:33:43.080 --> 1:33:46.160
<v Speaker 2>of the murder as well and robbery of all four victims,

1:33:46.200 --> 1:33:48.599
<v Speaker 2>including four counts of second degree murder and got two

1:33:48.680 --> 1:33:52.520
<v Speaker 2>consecutive terms of twenty five years to life to run concurrently,

1:33:52.640 --> 1:33:55.639
<v Speaker 2>and for robbery was sent to twelve and a half

1:33:55.680 --> 1:34:01.120
<v Speaker 2>to twenty five years to run concurrently with the murder counts.

1:34:01.640 --> 1:34:05.639
<v Speaker 2>So yeah, two of those consecutively. For the murders, that's

1:34:05.680 --> 1:34:08.760
<v Speaker 2>fifty years, and then the robbery is concurrent, which I

1:34:08.760 --> 1:34:11.559
<v Speaker 2>guess I'm okay with. But I don't know why Cabo

1:34:11.600 --> 1:34:15.280
<v Speaker 2>would have gotten a hundred years and this guy only fifty.

1:34:15.479 --> 1:34:17.479
<v Speaker 1>There must have been some evidence that he was really

1:34:17.479 --> 1:34:20.760
<v Speaker 1>the doer, like they're like right, there had to have

1:34:20.800 --> 1:34:23.519
<v Speaker 1>been some evidence, like maybe his height or something about him,

1:34:23.520 --> 1:34:24.880
<v Speaker 1>that he was the doer and that the other guy

1:34:24.960 --> 1:34:27.240
<v Speaker 1>was just kind of like accessory and was like involved

1:34:27.280 --> 1:34:29.679
<v Speaker 1>and helped with all of it. But like, yeah, because

1:34:29.720 --> 1:34:31.240
<v Speaker 1>that doesn't make any sense to me. The only difference

1:34:31.240 --> 1:34:33.559
<v Speaker 1>between them is their age, Like Cabo is the older ones.

1:34:33.680 --> 1:34:36.519
<v Speaker 3>Maybe they thought he was the mastermind. I have no idea, but.

1:34:38.000 --> 1:34:42.080
<v Speaker 1>I'm wondering if Simpson is eligible for parole because it's

1:34:42.080 --> 1:34:43.360
<v Speaker 1>been you know, I've been looking.

1:34:43.439 --> 1:34:45.040
<v Speaker 2>I couldn't find this, what I mean, like, I wasn't

1:34:45.080 --> 1:34:46.479
<v Speaker 2>able to really find anything.

1:34:46.960 --> 1:34:50.200
<v Speaker 3>Oh crazy, all right, but wow, but I don't know

1:34:50.200 --> 1:34:53.439
<v Speaker 3>if it's because the name is also a hard name.

1:34:53.760 --> 1:34:58.800
<v Speaker 1>Yeah, Tony Lee Simpson, it's not. Yeah, maybe it's Anthony.

1:35:00.200 --> 1:35:01.559
<v Speaker 3>I don't know. Wow.

1:35:02.000 --> 1:35:05.240
<v Speaker 1>These are kind of juicy, both of these crimes. Thank

1:35:05.280 --> 1:35:08.479
<v Speaker 1>you for giving us all the research because I did

1:35:08.560 --> 1:35:10.240
<v Speaker 1>not really know about either of these at all.

1:35:11.520 --> 1:35:14.640
<v Speaker 2>No, but they are, especially the museum one with that

1:35:14.680 --> 1:35:16.799
<v Speaker 2>many millions, Like, that's pretty crazy.

1:35:17.120 --> 1:35:19.360
<v Speaker 1>It's also crazy that thirty five years have gone by,

1:35:19.720 --> 1:35:23.599
<v Speaker 1>or twenty five years, thirty years or so. Yeah, five

1:35:24.040 --> 1:35:26.400
<v Speaker 1>thirty five years have gone by, and like no one

1:35:26.439 --> 1:35:30.360
<v Speaker 1>wants the reward, no one's stepping forward, Like it's kind of.

1:35:30.320 --> 1:35:32.719
<v Speaker 2>Not well and hopeful. I wonder if we'll be alive

1:35:32.760 --> 1:35:34.080
<v Speaker 2>when the paintings are found.

1:35:34.439 --> 1:35:39.639
<v Speaker 1>Yeah, yeah, all right, Well we've got a great guest,

1:35:39.920 --> 1:35:51.000
<v Speaker 1>so don't go anywhere. Oh my gosh, you guys today.

1:35:51.160 --> 1:35:54.120
<v Speaker 1>Our guest is a truly beloved film and television actor.

1:35:54.160 --> 1:35:57.639
<v Speaker 1>You may know him from shows like Vikings, Sons of Anarchy, Gotham,

1:35:57.760 --> 1:36:02.280
<v Speaker 1>Grounded for Life, movies like Jared Guire Blade Zodiac, but

1:36:02.400 --> 1:36:05.160
<v Speaker 1>you know him and you love him as the man

1:36:05.320 --> 1:36:09.519
<v Speaker 1>trying to win an oscar for his undercover performances. Declan Murphy,

1:36:09.600 --> 1:36:14.080
<v Speaker 1>Lieutenant Declan Murphy, please enjoy our chat with the amazing

1:36:14.280 --> 1:36:14.880
<v Speaker 1>Donald Log.

1:36:15.840 --> 1:36:21.200
<v Speaker 2>There's been no one that does so many undercover characters

1:36:21.439 --> 1:36:23.720
<v Speaker 2>as Declan Murphy.

1:36:23.960 --> 1:36:24.800
<v Speaker 3>But back to back.

1:36:24.840 --> 1:36:27.719
<v Speaker 2>It's like he's a pedophile in the cell. He's speaking

1:36:27.720 --> 1:36:30.040
<v Speaker 2>an accent here. I mean, you got to like do

1:36:30.240 --> 1:36:33.720
<v Speaker 2>so many different characters in such a short amount of time.

1:36:34.160 --> 1:36:38.240
<v Speaker 5>That was just Warren. Warren like like he knew he

1:36:38.320 --> 1:36:41.160
<v Speaker 5>knew that. I like that he wanted to try that.

1:36:41.600 --> 1:36:44.120
<v Speaker 5>So yeah too. It was so fun.

1:36:44.520 --> 1:36:48.240
<v Speaker 2>Now when we meet you in The Gambler's Fallacy, did

1:36:48.320 --> 1:36:50.120
<v Speaker 2>you know there was going to be an arc that

1:36:50.160 --> 1:36:51.920
<v Speaker 2>you were going to be back or was this like a.

1:36:51.880 --> 1:36:52.840
<v Speaker 3>One way Yeah.

1:36:52.479 --> 1:36:56.719
<v Speaker 5>The breakdown of it was, I'd come back from doing

1:36:56.880 --> 1:36:59.639
<v Speaker 5>Vikings and I had a meeting with this amazing guy

1:36:59.720 --> 1:37:04.960
<v Speaker 5>named renou Heller who created Rome and the Mentalist, and

1:37:05.040 --> 1:37:08.960
<v Speaker 5>he was doing this show called Gotham, and so I

1:37:09.000 --> 1:37:11.080
<v Speaker 5>had a meeting with him and they were like, we're

1:37:11.120 --> 1:37:13.599
<v Speaker 5>just starting to set the cast. We'd like to start,

1:37:14.160 --> 1:37:16.719
<v Speaker 5>you know, we'd like to make this character the first

1:37:16.720 --> 1:37:20.439
<v Speaker 5>one we start with. Would you be interested in doing it?

1:37:20.520 --> 1:37:24.599
<v Speaker 5>And I said yeah, And then A few days later,

1:37:25.439 --> 1:37:27.240
<v Speaker 5>I went up to Oregon and I got a call

1:37:27.320 --> 1:37:31.000
<v Speaker 5>from Warren Light and Warren said, you know, I've always

1:37:31.040 --> 1:37:36.360
<v Speaker 5>wanted to work with you, and you know we're we

1:37:36.439 --> 1:37:40.720
<v Speaker 5>want to have a new captain on SBU, and the

1:37:40.800 --> 1:37:44.320
<v Speaker 5>idea was for him to come in and be the

1:37:44.400 --> 1:37:47.519
<v Speaker 5>captain for as long as so whatever Dan was playing

1:37:47.560 --> 1:37:50.800
<v Speaker 5>before him, so it was completely open ended. And then

1:37:50.840 --> 1:37:53.559
<v Speaker 5>I said, man, oh dude, I'd love to because it

1:37:53.600 --> 1:37:58.280
<v Speaker 5>was a dream come true, but I have already contractually

1:37:58.320 --> 1:38:02.040
<v Speaker 5>agreed to do this other thing. And so Warren said, well,

1:38:02.080 --> 1:38:06.160
<v Speaker 5>let's why don't you do the pilot for GOTAM and

1:38:06.439 --> 1:38:10.679
<v Speaker 5>just pum into the show and then do episodes between

1:38:10.720 --> 1:38:13.120
<v Speaker 5>the pilot and if it gets picked up. And I

1:38:13.160 --> 1:38:15.840
<v Speaker 5>had a feeling Got Them would get picked up, so

1:38:16.080 --> 1:38:19.480
<v Speaker 5>I didn't think it was that much of a possibility,

1:38:19.520 --> 1:38:22.400
<v Speaker 5>but it was. It was. I mean, I love Got Them,

1:38:22.439 --> 1:38:24.360
<v Speaker 5>I love the people on it, but Law and Order

1:38:24.560 --> 1:38:31.519
<v Speaker 5>SVU was another level of joy and job, and for

1:38:31.640 --> 1:38:35.320
<v Speaker 5>many obvious reasons, and then for a lot of other

1:38:35.520 --> 1:38:40.320
<v Speaker 5>personal and human reasons, like that job was like the greatest,

1:38:40.680 --> 1:38:44.080
<v Speaker 5>honestly was I think it was the most thrilling thing

1:38:44.160 --> 1:38:46.400
<v Speaker 5>I'd been part of we love.

1:38:46.280 --> 1:38:49.080
<v Speaker 3>To hear this, We love that you've done.

1:38:49.160 --> 1:38:51.720
<v Speaker 5>I mean it was it was exciting. Yeah, like and

1:38:51.800 --> 1:38:54.320
<v Speaker 5>I have I have love for all of them. They're

1:38:54.320 --> 1:38:56.760
<v Speaker 5>like you're like children, you know, you're like you love

1:38:57.400 --> 1:39:00.880
<v Speaker 5>And there were there was terrier, there were the really

1:39:00.920 --> 1:39:04.800
<v Speaker 5>amazing jobs that were kind of heartbreakers and should have

1:39:04.960 --> 1:39:10.120
<v Speaker 5>or could have and then but Law and Order SVU

1:39:10.360 --> 1:39:14.679
<v Speaker 5>was something something so different and it was interesting even

1:39:14.760 --> 1:39:18.439
<v Speaker 5>talking to business like people in the industry about it,

1:39:18.479 --> 1:39:22.440
<v Speaker 5>because there's a there's something about sometimes in the industry,

1:39:22.760 --> 1:39:26.880
<v Speaker 5>people get distracted by the size of the you know,

1:39:26.960 --> 1:39:30.040
<v Speaker 5>the glittering marketing of a tool that's like something new

1:39:30.200 --> 1:39:33.360
<v Speaker 5>or and it's it's like, man, I don't know why

1:39:33.400 --> 1:39:35.519
<v Speaker 5>they don't think about this in the same way. But

1:39:35.920 --> 1:39:40.360
<v Speaker 5>like Law and Order SVU is like a worldwide and

1:39:40.400 --> 1:39:43.559
<v Speaker 5>I'm not going to say religion in a way that

1:39:44.640 --> 1:39:49.000
<v Speaker 5>dismisses one or the other. It's just people finds such

1:39:49.080 --> 1:39:54.000
<v Speaker 5>deep comfort in it. And not just because it's ripped

1:39:54.000 --> 1:39:56.599
<v Speaker 5>from the headlines and it's something that's on ten times

1:39:56.600 --> 1:39:59.720
<v Speaker 5>a day, but because it speaks to people who have

1:39:59.800 --> 1:40:03.599
<v Speaker 5>all been through you know, some level or some form

1:40:03.680 --> 1:40:06.320
<v Speaker 5>of trauma. In their lives. It gives voice to people.

1:40:06.400 --> 1:40:12.000
<v Speaker 5>It has such a deep spiritual importance. And for some reason,

1:40:13.080 --> 1:40:17.599
<v Speaker 5>Marishka and Kelly and Danny and Ice and and everybody

1:40:17.880 --> 1:40:21.519
<v Speaker 5>just welcomed me like like I had been there the

1:40:21.560 --> 1:40:28.280
<v Speaker 5>whole time. But Marishka's it's it's phenomenal because first of all,

1:40:28.320 --> 1:40:31.160
<v Speaker 5>she's the best what they so they have this saying

1:40:31.200 --> 1:40:33.800
<v Speaker 5>of number one on the call sheet and it's and

1:40:33.840 --> 1:40:39.519
<v Speaker 5>it's critical, right because it's a lot of the what

1:40:39.680 --> 1:40:42.519
<v Speaker 5>the atmosphere and the culture and the health and the joy,

1:40:42.600 --> 1:40:45.920
<v Speaker 5>and you know, it kind of starts on top and

1:40:46.000 --> 1:40:50.000
<v Speaker 5>it comes down and there's a responsibility on the shoulders

1:40:50.000 --> 1:40:53.439
<v Speaker 5>of number ones like Michael Chiklis and the Shield and

1:40:53.560 --> 1:40:56.479
<v Speaker 5>just these people I've worked with and really loved. But

1:40:56.640 --> 1:41:01.519
<v Speaker 5>you know, Marishka is like the greatest Number one Mama

1:41:01.560 --> 1:41:06.120
<v Speaker 5>bear ever in this and whether even if Long Order

1:41:06.280 --> 1:41:09.759
<v Speaker 5>SCU hadn't become the longest running show of all time,

1:41:09.880 --> 1:41:12.760
<v Speaker 5>and et cetera, et cetera, she's just like a next

1:41:12.880 --> 1:41:16.880
<v Speaker 5>level human being. And obviously when you've seen it in

1:41:16.880 --> 1:41:20.479
<v Speaker 5>that world, even in SCU where people uh, and I

1:41:20.520 --> 1:41:25.599
<v Speaker 5>don't understand it necessarily with actors, but you have years

1:41:25.640 --> 1:41:31.200
<v Speaker 5>on something and somehow you want there's there's a You're like,

1:41:31.280 --> 1:41:33.559
<v Speaker 5>there might be a greener pasture out there, and I

1:41:33.600 --> 1:41:38.120
<v Speaker 5>want to check it out and explore. And she she

1:41:38.320 --> 1:41:42.639
<v Speaker 5>never left, and she also knew that when you're number

1:41:42.680 --> 1:41:46.120
<v Speaker 5>one on the call sheet, like I had a not

1:41:46.520 --> 1:41:48.920
<v Speaker 5>I think I had an opportunity with Grounded for Life

1:41:49.000 --> 1:41:50.760
<v Speaker 5>when it is Sick Home, I did when it was.

1:41:50.920 --> 1:41:52.280
<v Speaker 3>I watched that in high school.

1:41:52.400 --> 1:41:56.519
<v Speaker 5>That was one of my shows, and it made this

1:41:56.640 --> 1:42:00.000
<v Speaker 5>really weird move from Box to the WB And there

1:42:00.000 --> 1:42:02.439
<v Speaker 5>there was a whole contractual thing where you can kind

1:42:02.439 --> 1:42:04.360
<v Speaker 5>of you can get if you want, and you know

1:42:05.640 --> 1:42:08.840
<v Speaker 5>that there are like two hundred people and families that

1:42:09.680 --> 1:42:13.559
<v Speaker 5>are supported by the fact whether this ship is floating

1:42:13.680 --> 1:42:17.840
<v Speaker 5>or not. Yeah, And there's a responsibility to the crew,

1:42:17.880 --> 1:42:20.800
<v Speaker 5>and there's a responsibility to your bosses. And if you're

1:42:20.840 --> 1:42:24.479
<v Speaker 5>on something that's it's like the Discovery Channel like in

1:42:24.520 --> 1:42:28.120
<v Speaker 5>the old days, it's like babyca Turtles. There's so many

1:42:28.160 --> 1:42:30.400
<v Speaker 5>scripts and then there are so many pilots, and then

1:42:30.439 --> 1:42:32.400
<v Speaker 5>there are only so many that get made, and then

1:42:32.400 --> 1:42:34.879
<v Speaker 5>there are only so many to get picked up to series,

1:42:35.120 --> 1:42:38.040
<v Speaker 5>and then there's only this tiny percentage that go beyond

1:42:38.080 --> 1:42:41.200
<v Speaker 5>those first one or two seasons. And so if you're

1:42:41.240 --> 1:42:46.320
<v Speaker 5>on a situation like that, imperative to stick with it

1:42:46.439 --> 1:42:50.639
<v Speaker 5>until it finds its natural conclusion whenever that might be well.

1:42:50.640 --> 1:42:55.320
<v Speaker 2>We've also heard that they shoot like rain, shine, snow, whatever,

1:42:55.520 --> 1:42:57.760
<v Speaker 2>like they're doing it outside no matter what.

1:42:58.240 --> 1:42:59.960
<v Speaker 3>And you shoot in New York all the time. Other

1:43:00.160 --> 1:43:01.120
<v Speaker 3>show is not like that.

1:43:01.720 --> 1:43:07.200
<v Speaker 5>No, they're all like that. It's honestly, it's honestly, like

1:43:07.320 --> 1:43:12.519
<v Speaker 5>can get tricky because I I know on Gotham, you know,

1:43:12.560 --> 1:43:15.760
<v Speaker 5>because Gotham had this vibe of being at night, and

1:43:16.880 --> 1:43:19.080
<v Speaker 5>so there was a lot where it was like on

1:43:19.120 --> 1:43:24.559
<v Speaker 5>a bridge in February in its minus twenty five, and

1:43:25.520 --> 1:43:29.240
<v Speaker 5>there's there's a physical element to it. Because I never

1:43:29.360 --> 1:43:31.759
<v Speaker 5>I got sick on Gotham, but I never missed work.

1:43:31.800 --> 1:43:34.360
<v Speaker 5>But there are things where you're like inevitably you get

1:43:34.400 --> 1:43:39.160
<v Speaker 5>pneumonia and stuff, but you can't stop. And so for

1:43:39.280 --> 1:43:43.840
<v Speaker 5>the film production crews in the world who bikings all

1:43:43.880 --> 1:43:48.600
<v Speaker 5>these it's you know, they're in the ocean, it's freezing outside.

1:43:49.080 --> 1:43:52.120
<v Speaker 5>If it's a really cold night for you somewhere in

1:43:52.160 --> 1:43:55.320
<v Speaker 5>Minneapolis or New York to walk from your apartment building

1:43:55.360 --> 1:43:57.960
<v Speaker 5>to old foods or whatever it is. That's what they're

1:43:58.000 --> 1:44:03.240
<v Speaker 5>doing for fourteen or fifteen hours, you know, and with

1:44:03.280 --> 1:44:09.839
<v Speaker 5>a smile and with camaraderie. And yeah, like television crews

1:44:10.000 --> 1:44:14.960
<v Speaker 5>are American television, and I say this about Canada and

1:44:15.000 --> 1:44:17.919
<v Speaker 5>Ireland too. It's kind of like we're like a circus

1:44:18.160 --> 1:44:24.200
<v Speaker 5>people worldwide. But they're so hard working and I'm always

1:44:24.320 --> 1:44:28.439
<v Speaker 5>I'm never not amazed by just the positivity and the

1:44:28.560 --> 1:44:31.920
<v Speaker 5>spree decors and all that kind of stuff. So and yeah,

1:44:31.960 --> 1:44:36.439
<v Speaker 5>that's you know, yeah, I can't imagine anything. Yeah, there's

1:44:36.479 --> 1:44:40.920
<v Speaker 5>nothing that would stop Rainhill, snow sleep whatever. It's not

1:44:40.960 --> 1:44:45.400
<v Speaker 5>going to stop. Like, and what people don't necessarily understand

1:44:46.280 --> 1:44:48.519
<v Speaker 5>is when you have this widget, so you have twenty

1:44:48.520 --> 1:44:51.200
<v Speaker 5>two or twenty four episodes of television that you have

1:44:51.280 --> 1:44:55.920
<v Speaker 5>to deliver, and they have to show on whatever night

1:44:55.960 --> 1:44:59.120
<v Speaker 5>they air at nine o'clock or whatever. So you start

1:44:59.160 --> 1:45:02.320
<v Speaker 5>the season in the summer and you have some months

1:45:02.320 --> 1:45:05.240
<v Speaker 5>of head start because it takes it almost takes two

1:45:05.240 --> 1:45:10.599
<v Speaker 5>weeks to shoot one episode, and so you're making all

1:45:10.640 --> 1:45:13.000
<v Speaker 5>these episodes and trying to bank them and when they

1:45:13.040 --> 1:45:16.160
<v Speaker 5>start coming out in September or where whatever, it is.

1:45:16.600 --> 1:45:21.040
<v Speaker 5>It's the timeline start getting closer, and so you have

1:45:21.120 --> 1:45:24.120
<v Speaker 5>to deliver it for post production this and that, and

1:45:24.160 --> 1:45:27.000
<v Speaker 5>it's a race and you cannot stop that. And I've

1:45:28.320 --> 1:45:31.320
<v Speaker 5>I don't know, I think little I'm trying to think.

1:45:31.360 --> 1:45:35.240
<v Speaker 5>I think in all of my thirty six years, the

1:45:35.280 --> 1:45:40.000
<v Speaker 5>only thing I remember shutting down for production was a

1:45:40.040 --> 1:45:42.599
<v Speaker 5>few days on Little Women because when on the writer

1:45:42.920 --> 1:45:44.000
<v Speaker 5>was really sick or something.

1:45:44.040 --> 1:45:46.479
<v Speaker 3>But that's it. Oh my gosh.

1:45:46.800 --> 1:45:49.920
<v Speaker 5>You know, I've never personally, I've never missed five minutes

1:45:50.600 --> 1:45:54.120
<v Speaker 5>of work in thirty six years, never never called in sick,

1:45:54.200 --> 1:45:57.559
<v Speaker 5>pro bones whatever it was. Wow, but that's what. That's what.

1:45:57.840 --> 1:46:01.360
<v Speaker 3>Where'd your break a bone? The vikings on Terriers?

1:46:01.400 --> 1:46:05.479
<v Speaker 5>I broke my shoulder, and on this slow budge indie

1:46:05.479 --> 1:46:09.519
<v Speaker 5>movie I broke my ankle. Oh, but it was Terriers

1:46:09.600 --> 1:46:12.519
<v Speaker 5>was weird because it was the last day of the

1:46:12.560 --> 1:46:16.479
<v Speaker 5>second episode and I just snapped this bone toward my

1:46:16.560 --> 1:46:20.000
<v Speaker 5>laborm and snapped this bone. It's called And then I

1:46:20.080 --> 1:46:24.920
<v Speaker 5>knew I was super screwed, and we were all super

1:46:24.920 --> 1:46:27.559
<v Speaker 5>screwed because I had to be in every scene. And

1:46:27.600 --> 1:46:31.840
<v Speaker 5>then I was like, now let's just keep going. There's

1:46:31.880 --> 1:46:34.120
<v Speaker 5>no shutting down, and it would have been horrible to

1:46:34.160 --> 1:46:37.040
<v Speaker 5>shut down for me because it was such a great opportunity.

1:46:37.120 --> 1:46:40.320
<v Speaker 5>But yeah, and I get more mad about getting hurt,

1:46:40.920 --> 1:46:45.679
<v Speaker 5>not because it hurts, but because you're like, I'm scared

1:46:45.760 --> 1:46:47.679
<v Speaker 5>of shutting down the god of production.

1:46:48.439 --> 1:46:51.120
<v Speaker 1>Can I ask you a question about Gambler's Fallacy? And

1:46:50.720 --> 1:46:53.760
<v Speaker 1>this is so funny because sometimes I think that you're

1:46:53.800 --> 1:46:57.880
<v Speaker 1>an Irish actor because you are. You do add Irish accent,

1:46:57.920 --> 1:47:02.120
<v Speaker 1>and I actually you came into my consciousness directly, even

1:47:02.160 --> 1:47:03.559
<v Speaker 1>though I'm sure I've seen you in a million other

1:47:03.600 --> 1:47:06.519
<v Speaker 1>things through Sons of Anarchy, and in my mind you

1:47:06.560 --> 1:47:08.879
<v Speaker 1>were one of these Irish guys on Sons of Anarchy,

1:47:08.880 --> 1:47:10.880
<v Speaker 1>but you weren't in Sons of Anarchy. I was just

1:47:10.960 --> 1:47:14.960
<v Speaker 1>completely conflating other characters that you've done. So when you

1:47:15.000 --> 1:47:17.479
<v Speaker 1>were doing Gambler's Fallacy and they were like, okay, you're

1:47:17.520 --> 1:47:20.080
<v Speaker 1>going to be undercover as Declan Murphy instead of or

1:47:20.200 --> 1:47:22.600
<v Speaker 1>as Declan O'Rourke instead of Decla Murphy, were you like,

1:47:22.640 --> 1:47:24.080
<v Speaker 1>do you guys want me to do an Irish accent?

1:47:24.160 --> 1:47:26.200
<v Speaker 6>Or was that always part of it? It was always

1:47:26.280 --> 1:47:30.400
<v Speaker 6>part of it, okay, And it's really hard and in fact,

1:47:30.720 --> 1:47:34.320
<v Speaker 6>there was a show I did called Sisters with Sarah

1:47:34.320 --> 1:47:38.080
<v Speaker 6>Goldberg who is from Barry and this woman Susan Stanley

1:47:38.120 --> 1:47:42.439
<v Speaker 6>from Ireland, and we did season one in Ireland and

1:47:42.479 --> 1:47:45.800
<v Speaker 6>I played their Irish dad, And now season two's going

1:47:45.840 --> 1:47:50.040
<v Speaker 6>down and I have to say, my parents are Irish, yeah,

1:47:50.040 --> 1:47:54.440
<v Speaker 6>and they're from a very specific corner of Ireland.

1:47:54.760 --> 1:47:59.759
<v Speaker 5>And the accents are so difficult that one I vaguely

1:47:59.840 --> 1:48:03.920
<v Speaker 5>know because it's my parents' accent and my uncles and

1:48:03.960 --> 1:48:06.800
<v Speaker 5>my cousins, and like, if someone said you have to

1:48:06.800 --> 1:48:11.040
<v Speaker 5>do a Dublin accent, I couldn't. I absolutely couldn't. Or

1:48:11.200 --> 1:48:15.240
<v Speaker 5>Northern Irish or Cork or there are so many specific

1:48:15.320 --> 1:48:17.920
<v Speaker 5>accents and so I had to bring it to a

1:48:18.000 --> 1:48:21.400
<v Speaker 5>part of the country where I vaguely but it's still

1:48:22.280 --> 1:48:23.120
<v Speaker 5>it's so hard.

1:48:23.520 --> 1:48:28.040
<v Speaker 2>Also, I wanted so Dan Florik was our first cast

1:48:28.080 --> 1:48:31.559
<v Speaker 2>member guest so thrilling, but he said, being the captain

1:48:31.680 --> 1:48:37.240
<v Speaker 2>feels like you are a traffic guard, like a crossing guard,

1:48:37.240 --> 1:48:39.960
<v Speaker 2>because he's like, you're just always bossing everyone where to go.

1:48:40.360 --> 1:48:41.960
<v Speaker 3>I feel like you had more. But did you ever

1:48:41.960 --> 1:48:42.519
<v Speaker 3>feel that way?

1:48:43.520 --> 1:48:46.439
<v Speaker 5>No, because I never inhabited that role and I wasn't

1:48:46.439 --> 1:48:48.879
<v Speaker 5>there long enough for it, And then we had these special,

1:48:48.960 --> 1:48:53.960
<v Speaker 5>weird episodes that kind of existed outside of what probably

1:48:54.000 --> 1:48:57.120
<v Speaker 5>would have felt that way if if I had stuck around.

1:48:57.200 --> 1:49:03.160
<v Speaker 5>But I do feel that there was something. By season fifteen,

1:49:04.320 --> 1:49:08.439
<v Speaker 5>it seemed like there was legitimate concern about whether they

1:49:08.439 --> 1:49:13.200
<v Speaker 5>were coming back. And this was some years before they

1:49:14.040 --> 1:49:17.160
<v Speaker 5>This was some years before well Maloney you know.

1:49:17.880 --> 1:49:20.800
<v Speaker 3>Was Yeah, it was like a big shakeup, So that

1:49:20.840 --> 1:49:21.200
<v Speaker 3>makes sense.

1:49:21.240 --> 1:49:23.679
<v Speaker 5>But that was this was seven, when Wind.

1:49:25.160 --> 1:49:30.000
<v Speaker 1>Twelve after twelve, so then fourteen fifteen, Yeah, it was

1:49:30.160 --> 1:49:30.519
<v Speaker 1>just like.

1:49:30.520 --> 1:49:33.679
<v Speaker 5>This thing that happens where it's just political and it's

1:49:33.720 --> 1:49:37.800
<v Speaker 5>weird and it's television. And there was something about that

1:49:38.320 --> 1:49:43.160
<v Speaker 5>season fifteen that there was like some gas on the fire.

1:49:43.280 --> 1:49:48.200
<v Speaker 5>There was something special about that run in when I

1:49:48.320 --> 1:49:51.160
<v Speaker 5>was when I happened to be around SVU, I felt

1:49:51.160 --> 1:49:53.280
<v Speaker 5>like it was crackling and.

1:49:54.200 --> 1:49:58.639
<v Speaker 2>Well you Rolins being a bad girl, you know, there

1:49:58.720 --> 1:50:02.000
<v Speaker 2>was there's like a lot of term within the department.

1:50:02.520 --> 1:50:04.599
<v Speaker 5>And I will say, you know, I've worked with a

1:50:04.600 --> 1:50:07.920
<v Speaker 5>ton of amazing people, but there are times where I'm

1:50:07.920 --> 1:50:11.479
<v Speaker 5>in the middle of a scene and I can think

1:50:11.520 --> 1:50:14.280
<v Speaker 5>of times I can think of a time with Vincentinoprio

1:50:14.320 --> 1:50:16.920
<v Speaker 5>and this thing called Steal this movie. I can think

1:50:16.960 --> 1:50:19.559
<v Speaker 5>of different times in the middle of a scene with someone,

1:50:20.040 --> 1:50:25.160
<v Speaker 5>and one was with Kelly and where I was like,

1:50:25.479 --> 1:50:29.000
<v Speaker 5>I'm so glad this person has chosen to do what

1:50:29.080 --> 1:50:32.040
<v Speaker 5>they are doing with their life for a living because

1:50:32.080 --> 1:50:35.839
<v Speaker 5>she's so good. There was a scene in Gambler's Fallacy

1:50:35.920 --> 1:50:43.120
<v Speaker 5>where the pregnant girlfriend of the Gallery Money Blounderer we

1:50:43.160 --> 1:50:47.400
<v Speaker 5>were in the office behind the casino or whatever it was,

1:50:47.439 --> 1:50:53.280
<v Speaker 5>and Kelly just cleared her desk off just was like, yeah,

1:50:53.760 --> 1:50:55.800
<v Speaker 5>I don't know if it was scripted or not, and

1:50:55.840 --> 1:51:00.720
<v Speaker 5>I'm like this, this woman throws down so hard and

1:51:00.800 --> 1:51:05.599
<v Speaker 5>she's so easy to do things with. And I don't

1:51:05.600 --> 1:51:08.040
<v Speaker 5>know if I did a good job in Gambler's Fallacy

1:51:08.160 --> 1:51:11.080
<v Speaker 5>or not, but I know from being in it that

1:51:11.160 --> 1:51:14.600
<v Speaker 5>I was like, that's like the coolest episode of television

1:51:14.640 --> 1:51:16.760
<v Speaker 5>I ever got to be around. And then I got

1:51:16.760 --> 1:51:19.559
<v Speaker 5>to meet these people, and then there was this arc

1:51:19.680 --> 1:51:22.000
<v Speaker 5>to it where in the read through, I remember when

1:51:22.360 --> 1:51:26.840
<v Speaker 5>he reveals he's NYPD Declan Murphy and he's been undercover

1:51:27.240 --> 1:51:29.599
<v Speaker 5>and like, i'ms throws his script down and he's like

1:51:29.720 --> 1:51:34.920
<v Speaker 5>fucking everybody's like, God, what this is like they didn't

1:51:34.920 --> 1:51:35.840
<v Speaker 5>know what's coming.

1:51:36.280 --> 1:51:39.080
<v Speaker 2>I love it, and as a viewer, were relieved that

1:51:39.200 --> 1:51:41.679
<v Speaker 2>Rollins didn't have to like go down on this guy.

1:51:41.800 --> 1:51:46.200
<v Speaker 5>We're like, right, and I tell people like that pushed

1:51:46.200 --> 1:51:49.479
<v Speaker 5>this long orders for you land so far because when

1:51:49.479 --> 1:51:53.280
<v Speaker 5>he's pressing record on me, you know, and it's like

1:51:53.320 --> 1:51:56.760
<v Speaker 5>you assume that it went this dark and then it

1:51:56.800 --> 1:51:59.360
<v Speaker 5>worked and then for him to go look and it

1:51:59.439 --> 1:52:01.839
<v Speaker 5>was so great because he can come in and say

1:52:02.080 --> 1:52:05.479
<v Speaker 5>she helped, she helped stop this, She helped. Yeah, but

1:52:05.960 --> 1:52:09.080
<v Speaker 5>just as someone who killed cops. And the guy's like, well,

1:52:09.520 --> 1:52:12.479
<v Speaker 5>I'm gonna have to go to eighth floor with this,

1:52:12.600 --> 1:52:15.160
<v Speaker 5>and I'm like, I'm gonna go to the eleventh floor, right,

1:52:16.640 --> 1:52:18.599
<v Speaker 5>And then he gets to kind of walk off into

1:52:18.640 --> 1:52:22.640
<v Speaker 5>the sunset at the end of the episode, and it's like, who.

1:52:22.479 --> 1:52:24.599
<v Speaker 3>Is totally how was this?

1:52:24.680 --> 1:52:27.240
<v Speaker 1>He's like talking about himself in third person, He's like,

1:52:27.280 --> 1:52:34.040
<v Speaker 1>defly Murphy believes in redemption. Wait, but speaking of being

1:52:34.120 --> 1:52:36.920
<v Speaker 1>amazing at what they do, I really really need to

1:52:36.960 --> 1:52:37.479
<v Speaker 1>ask you.

1:52:38.280 --> 1:52:40.080
<v Speaker 3>We got to ask you about the scene.

1:52:40.320 --> 1:52:42.400
<v Speaker 1>We just covered this episode a few weeks ago on

1:52:42.439 --> 1:52:45.960
<v Speaker 1>the podcast Thought Criminal, where you are in the cell

1:52:46.240 --> 1:52:49.240
<v Speaker 1>with Kevin from the office. I believe the actor's name

1:52:49.280 --> 1:52:52.960
<v Speaker 1>is Brian Bryan, but yeah, brought baumb gardener something and

1:52:53.080 --> 1:52:57.600
<v Speaker 1>you just pissed yourself. You're undercover as another pedophile and

1:52:57.640 --> 1:52:59.000
<v Speaker 1>then you piss yourself.

1:53:00.000 --> 1:53:01.000
<v Speaker 3>You are like the.

1:53:00.800 --> 1:53:05.080
<v Speaker 1>Oscar winning undercover cop of the NYPD, because that's.

1:53:04.960 --> 1:53:06.920
<v Speaker 2>What I was mentioning, because at that episode two you

1:53:06.920 --> 1:53:11.559
<v Speaker 2>were a high end photography enthusiast pedophile. Then you're this

1:53:11.760 --> 1:53:15.519
<v Speaker 2>like piss your pants like every socioeconomic pedophile you can get,

1:53:15.880 --> 1:53:17.960
<v Speaker 2>and then you were an Irish Knitz sweater.

1:53:18.520 --> 1:53:22.360
<v Speaker 3>Oh lonely guy, Yeah, lonely guy.

1:53:22.400 --> 1:53:25.280
<v Speaker 5>On Vaca, I went, I was just back in Ireland

1:53:25.320 --> 1:53:28.760
<v Speaker 5>and we still have a house in kemmy Kerry, and

1:53:29.600 --> 1:53:32.040
<v Speaker 5>I was in this kind of quills, you know, Aaron

1:53:32.120 --> 1:53:34.559
<v Speaker 5>sweater shop, and the women were like law and order,

1:53:35.479 --> 1:53:38.400
<v Speaker 5>law and order, lawn order. And then they said everyone

1:53:38.439 --> 1:53:41.360
<v Speaker 5>in Ireland was so bummed out about like he's wearing

1:53:41.400 --> 1:53:47.560
<v Speaker 5>the big Irish knit sweater. And I'm like, I understand,

1:53:49.040 --> 1:53:51.439
<v Speaker 5>but I will say the craziest thing and it's not

1:53:52.640 --> 1:53:57.840
<v Speaker 5>it's it happened yesterday. I'm in Boston now for a

1:53:57.880 --> 1:54:02.160
<v Speaker 5>few weeks. But the street love and had I stayed

1:54:02.200 --> 1:54:06.800
<v Speaker 5>on SVU, obviously it would be more cemented. But the

1:54:06.880 --> 1:54:11.240
<v Speaker 5>street love you get for being in sbu Land is

1:54:12.240 --> 1:54:14.840
<v Speaker 5>so and it's things that and I don't mean they're

1:54:14.880 --> 1:54:17.600
<v Speaker 5>super smart agents and managers and all that stuff, but

1:54:17.680 --> 1:54:21.400
<v Speaker 5>they don't understand that there were so many jobs I got,

1:54:21.439 --> 1:54:23.880
<v Speaker 5>even in the last few years where they were like, well,

1:54:23.920 --> 1:54:26.439
<v Speaker 5>I'm glad I made that magic phone call to that

1:54:26.600 --> 1:54:29.040
<v Speaker 5>producer or whatever, and I'm like, I know how I

1:54:29.080 --> 1:54:33.640
<v Speaker 5>got it. They saw Gambler's Fallacy on TV at two

1:54:33.640 --> 1:54:36.000
<v Speaker 5>in the morning and they were like, oh my god,

1:54:36.080 --> 1:54:41.560
<v Speaker 5>that fucking It's like how much how many people watch it?

1:54:41.600 --> 1:54:44.640
<v Speaker 5>How much dust it kicks up? And especially in New

1:54:44.720 --> 1:54:46.880
<v Speaker 5>York where you're walking down the street and someone gets

1:54:46.920 --> 1:54:51.280
<v Speaker 5>the brakes and they're like, my man, Murphy. It feels

1:54:51.360 --> 1:54:54.240
<v Speaker 5>so like the law and Order. It feels so part

1:54:54.280 --> 1:54:57.440
<v Speaker 5>of the fabric because it's coming into people's homes. Like

1:54:57.600 --> 1:55:00.040
<v Speaker 5>why TV is so direct and not regarding I And

1:55:00.280 --> 1:55:03.400
<v Speaker 5>now that's how we watched films do But you know,

1:55:03.480 --> 1:55:05.840
<v Speaker 5>it's like you're in people's homes with them and they

1:55:05.840 --> 1:55:07.800
<v Speaker 5>have this emotional connection.

1:55:08.080 --> 1:55:10.280
<v Speaker 1>What are you doing in Boston right now, Donald, what

1:55:10.320 --> 1:55:12.080
<v Speaker 1>are you? Are you on a project?

1:55:12.280 --> 1:55:15.080
<v Speaker 5>Oh yeah, it's my girlfriend just moved into this apartment

1:55:15.120 --> 1:55:15.800
<v Speaker 5>in Cambridge.

1:55:16.280 --> 1:55:18.160
<v Speaker 1>Oh so you're not You're not on a project there

1:55:18.240 --> 1:55:20.520
<v Speaker 1>right now, You're just visiting, Okay.

1:55:20.600 --> 1:55:23.040
<v Speaker 5>I always, I always felt like I was more of

1:55:23.080 --> 1:55:25.920
<v Speaker 5>a Boston person than a New York person. And I

1:55:26.080 --> 1:55:29.320
<v Speaker 5>really I did time here. I did years here when

1:55:29.320 --> 1:55:32.480
<v Speaker 5>I was a little kid in college, and then I

1:55:32.560 --> 1:55:36.480
<v Speaker 5>did my years in New York. But Boston is Boston's

1:55:36.520 --> 1:55:37.560
<v Speaker 5>produced spectacular.

1:55:37.720 --> 1:55:39.080
<v Speaker 3>Well, the big Irish community.

1:55:39.120 --> 1:55:42.600
<v Speaker 1>Maybe you felt like the Irish love in Boston.

1:55:43.000 --> 1:55:45.840
<v Speaker 5>I felt the Irish love. I felt the Irish awkwardness

1:55:45.840 --> 1:55:50.200
<v Speaker 5>in Boston because my parents we came here when I'm

1:55:50.240 --> 1:55:53.840
<v Speaker 5>in nineteen in the in the late sixties, and they

1:55:53.840 --> 1:55:56.680
<v Speaker 5>were Irish immigrants, like a lot of Irish immigrants do.

1:55:56.880 --> 1:56:01.160
<v Speaker 5>But there was a huge community here where where people

1:56:01.240 --> 1:56:04.840
<v Speaker 5>are very Irish American. But it's like a hunt that

1:56:05.680 --> 1:56:09.560
<v Speaker 5>it's one hundred and fifty years removed from when ancestors

1:56:09.600 --> 1:56:13.080
<v Speaker 5>came over, and it's that weird. It's a different Irish

1:56:13.120 --> 1:56:17.080
<v Speaker 5>American is a different thing. I am very Irish American,

1:56:17.120 --> 1:56:21.640
<v Speaker 5>but I'm not Irish like it's a it's a strange Yeah,

1:56:21.680 --> 1:56:25.839
<v Speaker 5>it's a strange culture. But here's here's a huge segue

1:56:25.960 --> 1:56:28.879
<v Speaker 5>that makes no sense. But so one of my closest

1:56:28.880 --> 1:56:32.720
<v Speaker 5>friends on Planet Earth, my brother till I die, is

1:56:33.240 --> 1:56:39.240
<v Speaker 5>Robert Burke. And so when Robert Burke at the end

1:56:39.320 --> 1:56:42.000
<v Speaker 5>of it was it season fifteen or sixteen where he.

1:56:42.720 --> 1:56:43.480
<v Speaker 3>Robert John Burke.

1:56:43.920 --> 1:56:47.320
<v Speaker 1>Oh, Robert John Burke. We love him. He did our podcasts.

1:56:47.520 --> 1:56:48.320
<v Speaker 1>We love him.

1:56:48.720 --> 1:56:49.800
<v Speaker 3>We talked to him for a while.

1:56:49.880 --> 1:56:55.120
<v Speaker 2>We do want to go to Fire Island and the.

1:56:54.560 --> 1:56:56.480
<v Speaker 5>House is phenomenal, and he's the.

1:56:56.720 --> 1:56:59.960
<v Speaker 3>Oh my god, he's.

1:56:59.200 --> 1:57:03.080
<v Speaker 5>My blood, he's my brother brother. And we met and like.

1:57:03.040 --> 1:57:06.080
<v Speaker 1>The listeners are gonna wait, and one of you has

1:57:06.120 --> 1:57:08.080
<v Speaker 1>a character that was in love with Robins, and the

1:57:08.120 --> 1:57:10.240
<v Speaker 1>other one has a character that was in love with Benson,

1:57:10.400 --> 1:57:12.000
<v Speaker 1>and they're like sisters on the show.

1:57:12.080 --> 1:57:12.760
<v Speaker 3>This is all coming.

1:57:12.920 --> 1:57:15.600
<v Speaker 5>We also met in n like we met in nineteen

1:57:15.680 --> 1:57:18.880
<v Speaker 5>ninety two. We were gonna go do We worked on

1:57:18.920 --> 1:57:21.800
<v Speaker 5>this Oliver Stone movie called Heaven and Earth in Thailand,

1:57:22.440 --> 1:57:24.760
<v Speaker 5>and I thought he was like the coolest dude of

1:57:24.800 --> 1:57:28.240
<v Speaker 5>all time. And he's older than me and his parents

1:57:28.240 --> 1:57:33.440
<v Speaker 5>are from Ireland like mine. And he's just the greatest.

1:57:33.480 --> 1:57:38.480
<v Speaker 5>He's so smart, he's so kind, he's he's like a badass,

1:57:38.560 --> 1:57:41.520
<v Speaker 5>he's all you know, he's one of those dudes who

1:57:42.520 --> 1:57:45.840
<v Speaker 5>it's so weird, Like he's the only person I know

1:57:45.920 --> 1:57:51.600
<v Speaker 5>where people are really competitive about other guys will be like, uh, yeah,

1:57:51.680 --> 1:57:54.120
<v Speaker 5>Bobby Burke and I'll be like, he's one of my

1:57:54.160 --> 1:57:57.360
<v Speaker 5>best friends, and they'll go, no, Bobby Burke is my

1:57:57.520 --> 1:57:58.240
<v Speaker 5>best friend.

1:57:59.080 --> 1:57:59.800
<v Speaker 3>I don't know.

1:58:00.080 --> 1:58:02.320
<v Speaker 5>And I'm like, Robert, why the fuck are people so

1:58:02.520 --> 1:58:07.120
<v Speaker 5>competitive with you about your male friendships? You know? And

1:58:07.880 --> 1:58:10.360
<v Speaker 5>but that was one thing that was sad because we

1:58:10.440 --> 1:58:14.360
<v Speaker 5>talked about that because there was there was some discussion

1:58:14.440 --> 1:58:17.880
<v Speaker 5>and the I'm like, of course Marishka would fall like

1:58:18.200 --> 1:58:20.760
<v Speaker 5>who wouldn't fall in love with Robert Burke. Like that

1:58:20.880 --> 1:58:25.520
<v Speaker 5>guy's he's like Gabriel Oak from far from the madding crowd,

1:58:25.640 --> 1:58:29.600
<v Speaker 5>Like he just is as solid. He's an amazing actor too,

1:58:29.640 --> 1:58:32.160
<v Speaker 5>and he's just such a great guy. But when we

1:58:32.200 --> 1:58:34.720
<v Speaker 5>got to do and I can't remember what episode it was,

1:58:34.760 --> 1:58:37.600
<v Speaker 5>but it was on Roosevelt Island where we got to

1:58:37.720 --> 1:58:40.960
<v Speaker 5>kind of square off because he's internal affairs and we

1:58:41.040 --> 1:58:42.160
<v Speaker 5>got to square off in the.

1:58:42.120 --> 1:58:45.200
<v Speaker 3>Hall yeah, and I was like, bet, it's the obsession. Yeah.

1:58:45.280 --> 1:58:48.480
<v Speaker 5>I'm like yeah, I'm like, lock, I get to I

1:58:48.520 --> 1:58:51.880
<v Speaker 5>get to Like we were both like, holy shit. You

1:58:52.000 --> 1:58:54.560
<v Speaker 5>look at our journeys since nineteen ninety two when we

1:58:54.640 --> 1:58:57.360
<v Speaker 5>first sat that cool and all of them and Robert

1:58:57.400 --> 1:59:00.200
<v Speaker 5>Burke's this buddy I have. We it's called like we

1:59:00.280 --> 1:59:02.880
<v Speaker 5>do this. I don't know why it started in Bencok,

1:59:03.560 --> 1:59:06.240
<v Speaker 5>but we'd have this kind of debrief about each other's

1:59:06.280 --> 1:59:10.440
<v Speaker 5>lives over Turkey club sandwiches and I can measure through

1:59:10.480 --> 1:59:14.400
<v Speaker 5>the birth of our children and good things and difficult

1:59:14.440 --> 1:59:18.840
<v Speaker 5>things and loss of parents or whatever it is. There's

1:59:18.880 --> 1:59:23.440
<v Speaker 5>a Turkey club sandwich. Check him with Bobby Burke. No,

1:59:23.560 --> 1:59:25.800
<v Speaker 5>And so, my god, we got to be in this

1:59:26.000 --> 1:59:30.680
<v Speaker 5>show together in a hallway. It was Yeah, it was

1:59:30.720 --> 1:59:31.600
<v Speaker 5>pretty phenomenal.

1:59:31.680 --> 1:59:34.560
<v Speaker 3>So that's so cool. Wow, I can't believe. And god

1:59:34.640 --> 1:59:38.320
<v Speaker 3>we got that that we got to that, Oh my god. No.

1:59:38.440 --> 1:59:41.320
<v Speaker 1>We loved talking to him so much, like he was

1:59:41.360 --> 1:59:44.840
<v Speaker 1>the best and like he got tierry talking about his mom,

1:59:44.960 --> 1:59:46.960
<v Speaker 1>Like he was so open with us and like he

1:59:47.160 --> 1:59:48.920
<v Speaker 1>was just such a great, great guest.

1:59:49.440 --> 1:59:50.000
<v Speaker 3>Zodiac.

1:59:50.120 --> 1:59:52.120
<v Speaker 2>What was it like working with David Fincher and then

1:59:52.240 --> 1:59:54.200
<v Speaker 2>you co wrote Danny Trejose memoir.

1:59:54.400 --> 1:59:56.840
<v Speaker 3>So that's all we need to know about both of

1:59:56.840 --> 1:59:57.760
<v Speaker 3>those things very quick.

1:59:59.040 --> 2:00:03.480
<v Speaker 5>I knew David super like. I knew David from just

2:00:03.560 --> 2:00:09.480
<v Speaker 5>kind of around, and I did before the MTV Cab Driver.

2:00:10.280 --> 2:00:13.200
<v Speaker 5>I did these weird like Rock the Boat spots or

2:00:13.240 --> 2:00:18.640
<v Speaker 5>something with David Fincher as he's school MTV commercials or whatever.

2:00:18.840 --> 2:00:24.120
<v Speaker 5>I think he's the greatest, And I yeah, Zodiac was.

2:00:24.480 --> 2:00:28.000
<v Speaker 5>I think Zodiac is the best film I've ever been in.

2:00:28.160 --> 2:00:32.560
<v Speaker 5>It's such a how like Mark Ruffalo is a good friend,

2:00:33.280 --> 2:00:37.520
<v Speaker 5>watching Mark and Robert Downey Junior and Jake and like

2:00:37.600 --> 2:00:41.160
<v Speaker 5>it was so cool to be around and do And

2:00:41.720 --> 2:00:44.320
<v Speaker 5>my little sister was in Zodiac who was my little

2:00:44.400 --> 2:00:48.520
<v Speaker 5>sister and sons and terriers and in Zodiac she plays

2:00:48.560 --> 2:00:54.560
<v Speaker 5>this motorist who comes across Ione Sky's character when she's

2:00:54.600 --> 2:00:57.160
<v Speaker 5>looking for a baby, when she throws the baby out

2:00:57.200 --> 2:01:02.160
<v Speaker 5>the So anyway, there's all kinds of ties. And I

2:01:02.200 --> 2:01:05.960
<v Speaker 5>remember David Venture is such a stickler. There was a

2:01:06.000 --> 2:01:09.240
<v Speaker 5>person there was a character in Benjamin Button or something,

2:01:09.840 --> 2:01:12.080
<v Speaker 5>trying to think of what it was, but they need

2:01:12.080 --> 2:01:14.800
<v Speaker 5>to deliver one line. But they couldn't do it, and

2:01:14.840 --> 2:01:18.280
<v Speaker 5>he couldn't get anyone in New Orleans, and so David

2:01:18.360 --> 2:01:20.680
<v Speaker 5>Fincher flew my little sister out there to do this

2:01:20.760 --> 2:01:24.240
<v Speaker 5>one thing, just because he's so specific about what he

2:01:24.320 --> 2:01:29.560
<v Speaker 5>wants and granular and then yeah, Danny Trejo, just before

2:01:29.680 --> 2:01:34.560
<v Speaker 5>Robert Burke we met, and Danny and Robert are like

2:01:35.880 --> 2:01:40.280
<v Speaker 5>the trident of the two dudes in my life who

2:01:40.320 --> 2:01:44.080
<v Speaker 5>have been in my life in the most critical way

2:01:44.120 --> 2:01:47.240
<v Speaker 5>of like, you know, you're going through a breakup with

2:01:47.640 --> 2:01:50.040
<v Speaker 5>kids or you know, like the real life stuff, and

2:01:50.080 --> 2:01:52.160
<v Speaker 5>they're the dudes that are there. And so Danny I've

2:01:52.200 --> 2:01:55.320
<v Speaker 5>been friends with. In nineteen ninety one, I was the

2:01:55.440 --> 2:01:59.680
<v Speaker 5>janitor at this drug and alcohol rehabby center place in

2:01:59.880 --> 2:02:02.280
<v Speaker 5>l and I met Danny because he was coming in

2:02:02.320 --> 2:02:07.960
<v Speaker 5>to speak, and we've been super tight since then. And

2:02:08.000 --> 2:02:12.920
<v Speaker 5>it was a huge joy to introduce him to Robert

2:02:12.920 --> 2:02:17.120
<v Speaker 5>Burke and watch my two super homies come together. And

2:02:17.160 --> 2:02:21.640
<v Speaker 5>then yeah, and then you know, Danny said, isn't the

2:02:21.680 --> 2:02:24.480
<v Speaker 5>world wild? Because when I met you, when you were

2:02:24.520 --> 2:02:27.800
<v Speaker 5>a janitor at that place, like, who would know that

2:02:27.840 --> 2:02:30.000
<v Speaker 5>God put you in my path that you would be

2:02:30.040 --> 2:02:33.880
<v Speaker 5>the one to write my book all those years later

2:02:34.760 --> 2:02:39.160
<v Speaker 5>and be trusted enough as a friend to be in

2:02:40.000 --> 2:02:43.080
<v Speaker 5>a confidant in that regard. But have a little bit

2:02:43.120 --> 2:02:47.240
<v Speaker 5>of writing, you know, kind of collegiate writing skills or

2:02:47.240 --> 2:02:51.760
<v Speaker 5>whatever not to capture some prose. And but yeah, Danny,

2:02:52.440 --> 2:02:58.320
<v Speaker 5>Danny and yeah, Danny and Robert are like my brothers, brothers.

2:02:58.880 --> 2:03:00.840
<v Speaker 1>And we've kept you for an We've kept you for

2:03:00.880 --> 2:03:02.840
<v Speaker 1>over an hour. And what we could honestly have a

2:03:02.880 --> 2:03:03.640
<v Speaker 1>part two with you.

2:03:03.720 --> 2:03:07.120
<v Speaker 3>Is so right to talk to your Do you have something?

2:03:07.560 --> 2:03:09.480
<v Speaker 1>Do you have anything coming up that you want people

2:03:09.520 --> 2:03:10.800
<v Speaker 1>to look out for?

2:03:11.280 --> 2:03:13.720
<v Speaker 5>No, I just yeah, if I can leave it with anything,

2:03:13.800 --> 2:03:16.840
<v Speaker 5>It's just about the quality of human beings that everybody

2:03:16.880 --> 2:03:20.200
<v Speaker 5>at that place, and I'm talking about everybody and every

2:03:20.400 --> 2:03:26.280
<v Speaker 5>single sling in department like that's and it wouldn't and

2:03:26.320 --> 2:03:29.440
<v Speaker 5>it wouldn't go any other way, Like you couldn't wander

2:03:29.480 --> 2:03:33.040
<v Speaker 5>into law and order SDU and not be a cool

2:03:33.160 --> 2:03:38.720
<v Speaker 5>person and have it. It's like it regulates. There's no,

2:03:38.920 --> 2:03:43.480
<v Speaker 5>it's not allowed, you know. And they're just yeah, they're

2:03:43.520 --> 2:03:47.520
<v Speaker 5>they're they're phenomenal people. And what are what I was

2:03:47.600 --> 2:03:52.280
<v Speaker 5>so fortunate, Like I can't even imagine, Yeah, like how

2:03:52.360 --> 2:03:55.920
<v Speaker 5>much rich of my life was because of like that

2:03:56.400 --> 2:03:57.280
<v Speaker 5>sometimes and.

2:03:57.720 --> 2:04:02.240
<v Speaker 2>Your friends and your decades long friendships. That's like an

2:04:02.240 --> 2:04:05.440
<v Speaker 2>accomplishment and cool thing as well.

2:04:05.520 --> 2:04:07.840
<v Speaker 5>Yeah, it's the most important thing, right like is to

2:04:07.880 --> 2:04:10.520
<v Speaker 5>have yeah for us, Yeah, yeah.

2:04:11.160 --> 2:04:12.320
<v Speaker 3>Yeah, I love that.

2:04:12.400 --> 2:04:14.840
<v Speaker 1>You Robert Burke our best friend. That is like the

2:04:14.880 --> 2:04:17.720
<v Speaker 1>funnest thing ever. Robert John Berke, Sorry, Robert John Berke.

2:04:18.640 --> 2:04:20.800
<v Speaker 1>Is there anything you want to Is there anything you

2:04:20.840 --> 2:04:21.760
<v Speaker 1>want to plug before?

2:04:22.280 --> 2:04:26.680
<v Speaker 5>There's no like the only I'm doing a book because

2:04:26.680 --> 2:04:31.240
<v Speaker 5>of the Danny book, but it'll take forever. And the

2:04:31.360 --> 2:04:35.600
<v Speaker 5>business is so weird and it's just changing so radically,

2:04:35.640 --> 2:04:40.440
<v Speaker 5>and it's pretty fascinating. I mean, they're always going to

2:04:40.440 --> 2:04:44.360
<v Speaker 5>be making stuff. It's just yeah, I think unfortunately for

2:04:44.440 --> 2:04:47.560
<v Speaker 5>people I started in nineteen eighty nine out of Boston,

2:04:48.200 --> 2:04:50.720
<v Speaker 5>I've been a you know, I got my SAG card,

2:04:51.160 --> 2:04:55.600
<v Speaker 5>I've worked in that business. I've maximized my union credits

2:04:55.640 --> 2:04:58.440
<v Speaker 5>in terms of pension blah blah blah, like I had

2:04:58.440 --> 2:05:00.480
<v Speaker 5>that built for me in my life. If I've had

2:05:00.560 --> 2:05:03.560
<v Speaker 5>health insurance for me and my family, and I don't

2:05:03.600 --> 2:05:07.240
<v Speaker 5>know if this new and for the cruise NIATSI and

2:05:07.280 --> 2:05:09.520
<v Speaker 5>all this stuff. I'm just I don't know any of

2:05:09.560 --> 2:05:13.840
<v Speaker 5>the world that I came up with that that kind

2:05:13.840 --> 2:05:18.120
<v Speaker 5>of mirrors the Law and Order Dick Wolf franchises, and uh,

2:05:18.560 --> 2:05:21.840
<v Speaker 5>you know, so it's it's changing. But Dick Wolf is

2:05:21.880 --> 2:05:24.800
<v Speaker 5>actually quite an interestingly cool dude too. And what a

2:05:24.840 --> 2:05:31.920
<v Speaker 5>phenomenal Yeah, what a wild what a wild success story.

2:05:33.120 --> 2:05:38.080
<v Speaker 3>Seriously, it was so great to talk to you. Donald Bye, Donald,

2:05:38.160 --> 2:05:38.720
<v Speaker 3>thank you.

2:05:43.000 --> 2:05:47.320
<v Speaker 2>Well that was incredible. Oh my god, somebody I've wanted

2:05:47.360 --> 2:05:49.160
<v Speaker 2>to meet. I think since day one. I do bring

2:05:49.240 --> 2:05:53.920
<v Speaker 2>up grounded for life, yes, more often than not, and

2:05:53.960 --> 2:05:56.720
<v Speaker 2>I'm like, yeah, it was also nice. I watched all

2:05:56.800 --> 2:05:59.680
<v Speaker 2>nine of his episodes in prep for it, and it

2:05:59.720 --> 2:06:02.520
<v Speaker 2>wasn't It was really funny for me to see all

2:06:02.560 --> 2:06:03.840
<v Speaker 2>the undercovers in.

2:06:03.840 --> 2:06:05.760
<v Speaker 3>Rapid like that.

2:06:06.480 --> 2:06:10.320
<v Speaker 2>It's like, this motherfucker is just like a trunk full

2:06:10.360 --> 2:06:11.120
<v Speaker 2>of costumes.

2:06:11.680 --> 2:06:14.960
<v Speaker 3>Yeah, but I just like love. I don't know, I

2:06:15.000 --> 2:06:17.640
<v Speaker 3>love that guy. He works so much, he's so appreciative

2:06:17.680 --> 2:06:20.839
<v Speaker 3>of his career, Like he seems like he loves everybody

2:06:20.840 --> 2:06:23.000
<v Speaker 3>he works with. I mean, I think, I don't.

2:06:23.040 --> 2:06:25.560
<v Speaker 1>I just I was happy to get one of Rollin's

2:06:25.560 --> 2:06:27.440
<v Speaker 1>baby Daddy's you know what I mean, Like that's a

2:06:27.480 --> 2:06:28.839
<v Speaker 1>get that's a get for us.

2:06:29.520 --> 2:06:32.000
<v Speaker 2>Yeah, I mean, Rollin's the fact that she has a

2:06:32.080 --> 2:06:35.480
<v Speaker 2>job at all, and as a professor, like the fact

2:06:35.520 --> 2:06:36.960
<v Speaker 2>that that bitch has a pension.

2:06:36.600 --> 2:06:40.160
<v Speaker 3>And not in jail Like I cannot, I cannot.

2:06:40.560 --> 2:06:44.040
<v Speaker 1>It is one of the wildest stretches of the imagination

2:06:44.200 --> 2:06:47.720
<v Speaker 1>that s FU makes us, makes us participate in, Like

2:06:47.920 --> 2:06:50.600
<v Speaker 1>this whole episode is so crazy.

2:06:51.080 --> 2:06:54.040
<v Speaker 2>Like just that she's but she had us too, like

2:06:54.720 --> 2:06:57.760
<v Speaker 2>just having that sort of twist handed like you know.

2:06:58.280 --> 2:07:01.800
<v Speaker 1>Yeah, well like also, well, I mean we forget that,

2:07:01.920 --> 2:07:05.320
<v Speaker 1>like whatever happened when the video camera came on, Rollins

2:07:05.480 --> 2:07:07.400
<v Speaker 1>was ready to get down on her knees, like she

2:07:07.600 --> 2:07:10.040
<v Speaker 1>was ready to fuck this guy to keep her career

2:07:10.080 --> 2:07:10.880
<v Speaker 1>and keep her life.

2:07:10.920 --> 2:07:11.160
<v Speaker 5>You know.

2:07:11.760 --> 2:07:14.800
<v Speaker 1>So you do get a sense of, like she is

2:07:14.920 --> 2:07:17.760
<v Speaker 1>very good at conveying I think the rock bottomness of

2:07:18.280 --> 2:07:21.720
<v Speaker 1>gambling addiction, and like any kind of addiction where you're

2:07:21.800 --> 2:07:25.240
<v Speaker 1>just like, Okay, I guess I one bad decision to

2:07:25.280 --> 2:07:27.560
<v Speaker 1>try to fix the last bad decision, stacked on top

2:07:27.600 --> 2:07:30.840
<v Speaker 1>of each other forever, you know, Like but this time

2:07:31.960 --> 2:07:33.000
<v Speaker 1>I think maybe it's stuck.

2:07:33.040 --> 2:07:33.280
<v Speaker 5>I don't know.

2:07:33.320 --> 2:07:35.280
<v Speaker 1>It feels like she doesn't gamble anymore now, now that

2:07:35.320 --> 2:07:36.520
<v Speaker 1>she's got three kids.

2:07:37.120 --> 2:07:37.960
<v Speaker 3>No, I don't think she.

2:07:39.480 --> 2:07:41.880
<v Speaker 2>I think Cariese's keeping her on the straight and narrow,

2:07:42.040 --> 2:07:42.839
<v Speaker 2>and I think.

2:07:44.120 --> 2:07:46.280
<v Speaker 3>I think she learned. She might, you know what I mean.

2:07:46.520 --> 2:07:49.960
<v Speaker 2>It's just it because I was about to say she's

2:07:50.000 --> 2:07:52.240
<v Speaker 2>learned for good, but I'm like, she might have actually

2:07:52.240 --> 2:07:55.320
<v Speaker 2>had more past this, Like I don't remember the order

2:07:55.320 --> 2:07:56.960
<v Speaker 2>of her transgression, but I also don't know if this

2:07:57.040 --> 2:08:00.320
<v Speaker 2>is pre your post, like lying for her sister, and

2:08:01.080 --> 2:08:05.680
<v Speaker 2>I mean, yeah, she's lying all the time. Tomorrow's killing

2:08:05.760 --> 2:08:09.440
<v Speaker 2>unarmed black teens. We have Benson covering for her brother.

2:08:10.240 --> 2:08:12.720
<v Speaker 2>I mean, this goes on and on with the illegal

2:08:12.760 --> 2:08:15.080
<v Speaker 2>stuff that are but the fact that he I'm glad

2:08:15.120 --> 2:08:17.400
<v Speaker 2>you remembered when we asked him about the super Bowl

2:08:17.400 --> 2:08:19.840
<v Speaker 2>episode because when he didn't fully remember at first, and

2:08:19.840 --> 2:08:22.440
<v Speaker 2>I was like, does that blue leopard print top not

2:08:22.480 --> 2:08:27.640
<v Speaker 2>live in your head? Excuse me? Bearing what the fuck

2:08:27.680 --> 2:08:30.240
<v Speaker 2>are you talking about? Oh my god, I don't know

2:08:30.280 --> 2:08:32.560
<v Speaker 2>if I already mentioned this on the pot or not

2:08:32.840 --> 2:08:37.000
<v Speaker 2>Kill Me whatever. Season nine of SVU is on Delta,

2:08:37.760 --> 2:08:40.280
<v Speaker 2>so I put it on, not thinking put on alternate, Like,

2:08:40.400 --> 2:08:42.560
<v Speaker 2>let's go, what was I wearing?

2:08:42.960 --> 2:08:44.919
<v Speaker 3>My full cast SVU sweatshirt.

2:08:47.920 --> 2:08:51.080
<v Speaker 2>People probably assumed I had some sort of emotional problems,

2:08:51.160 --> 2:08:53.240
<v Speaker 2>like the fact that I'm wearing the sweatshirt watching the show.

2:08:53.280 --> 2:08:55.800
<v Speaker 2>I'm like, and then I met a baby in a

2:08:55.840 --> 2:08:58.839
<v Speaker 2>Miss Rachel shirt and I'm like, oh, okay, I am

2:09:00.600 --> 2:09:05.360
<v Speaker 2>I'm a baby. Well that's it makes sense.

2:09:05.400 --> 2:09:07.480
<v Speaker 3>When Jared gold See was just like, you're a fucking nerd.

2:09:07.480 --> 2:09:10.240
<v Speaker 2>I can't believe you don't know that, And then I'm

2:09:10.360 --> 2:09:13.240
<v Speaker 2>sitting there in a nice sweatshirt on the show being like, Wow,

2:09:13.320 --> 2:09:14.240
<v Speaker 2>I'm a nerd.

2:09:15.120 --> 2:09:15.640
<v Speaker 3>I'm a nerd.

2:09:17.000 --> 2:09:18.720
<v Speaker 1>I don't think you're that big of a nerd. Well,

2:09:18.720 --> 2:09:20.680
<v Speaker 1>you're a nerd over certain things. Everybody's a nerd over

2:09:20.720 --> 2:09:25.640
<v Speaker 1>some shit. You're a Luigi nerd, that's for sure, I know.

2:09:25.760 --> 2:09:30.120
<v Speaker 1>And John Love it was not fully having it. He's well,

2:09:30.360 --> 2:09:33.160
<v Speaker 1>his listeners, I don't know, he's gotta be like.

2:09:33.560 --> 2:09:34.400
<v Speaker 3>You know, but he said it.

2:09:34.520 --> 2:09:37.320
<v Speaker 2>He actually was pretty clever because we obviously I brought

2:09:37.360 --> 2:09:39.120
<v Speaker 2>you up in Jared like the two people I know

2:09:39.160 --> 2:09:42.280
<v Speaker 2>that goes to his holiday party, so I was like, oh,

2:09:42.280 --> 2:09:45.320
<v Speaker 2>we have mutual so we brought the podcast up, and

2:09:45.360 --> 2:09:47.560
<v Speaker 2>then I also with Luigi, I was just like, well,

2:09:47.600 --> 2:09:49.520
<v Speaker 2>you know, Ariostour's done, so now we all have a

2:09:49.560 --> 2:09:52.080
<v Speaker 2>new thing. And then once we start talking about the podcast,

2:09:52.120 --> 2:09:56.919
<v Speaker 2>he goes, oh, you like mysteries, He goes, you like secrets, mysteries,

2:09:56.960 --> 2:10:00.440
<v Speaker 2>figuring stuff out, and I go, yeah, you really figured

2:10:00.520 --> 2:10:03.200
<v Speaker 2>it out for me. That's what I'm into. Wow, Like

2:10:03.240 --> 2:10:06.520
<v Speaker 2>I just hadn't heard it so plainly said to my face.

2:10:07.040 --> 2:10:09.120
<v Speaker 2>And I liked it, and he yeah, I think he

2:10:09.200 --> 2:10:09.520
<v Speaker 2>got me.

2:10:09.760 --> 2:10:11.640
<v Speaker 1>Well, the thing with the sv too is like the

2:10:11.680 --> 2:10:14.240
<v Speaker 1>first half of the show is usually mysteries, and then

2:10:14.240 --> 2:10:18.160
<v Speaker 1>the second half is like a justice system that will

2:10:18.160 --> 2:10:20.880
<v Speaker 1>never be real, you know, like the feeling of the

2:10:20.880 --> 2:10:24.040
<v Speaker 1>feeling of fulfillment of a of a criminal getting.

2:10:23.760 --> 2:10:28.240
<v Speaker 3>With Sometimes the mystery never ends, you know, in the

2:10:28.240 --> 2:10:30.200
<v Speaker 3>second part. Yeah, of course. Yeah.

2:10:30.240 --> 2:10:34.800
<v Speaker 1>But back to this episode. Also, I really loved these

2:10:35.560 --> 2:10:37.480
<v Speaker 1>two crimes. I mean I didn't love I don't love crimes.

2:10:37.480 --> 2:10:39.120
<v Speaker 1>I don't love anyone getting murdered. But I had never

2:10:39.160 --> 2:10:42.280
<v Speaker 1>heard of these two nineties crimes of like this big

2:10:42.440 --> 2:10:47.280
<v Speaker 1>art heist and this like murder of this prince and princess, like.

2:10:47.320 --> 2:10:50.800
<v Speaker 2>Carrie, you won't even believe this. I was out socially.

2:10:51.120 --> 2:10:53.120
<v Speaker 2>I was actually at the Hermiceo. I went to the

2:10:53.160 --> 2:10:58.240
<v Speaker 2>Hermiceo to make some of our friends, and someone brought

2:10:58.360 --> 2:11:02.280
<v Speaker 2>up the museum. I got to like, flex, yeah, it's

2:11:02.360 --> 2:11:04.400
<v Speaker 2>so fresh in my brain because sometimes the thing's going

2:11:04.520 --> 2:11:06.520
<v Speaker 2>out or I can dup it some pieces, but it

2:11:06.560 --> 2:11:09.000
<v Speaker 2>was like so fresh in my brain that I got

2:11:09.040 --> 2:11:10.640
<v Speaker 2>to yeah.

2:11:10.560 --> 2:11:11.000
<v Speaker 3>Kind of see.

2:11:11.080 --> 2:11:13.520
<v Speaker 1>Yeah, the similar situation, we were all sitting around the

2:11:13.560 --> 2:11:15.720
<v Speaker 1>dinner table in New Hampshire, me and my camp girls,

2:11:16.000 --> 2:11:18.240
<v Speaker 1>and somebody goes, you know what I just found out

2:11:18.240 --> 2:11:22.480
<v Speaker 1>about this guy in Austria, FRITZL And I go, get

2:11:22.520 --> 2:11:24.640
<v Speaker 1>the fuck out of here right now. I know every

2:11:24.680 --> 2:11:26.920
<v Speaker 1>single fucking thing about this guy that you'll ever need

2:11:26.960 --> 2:11:29.800
<v Speaker 1>to know. Like, like she was trying to tell the story,

2:11:29.840 --> 2:11:31.200
<v Speaker 1>I go, are you seriously gonna sit here and tell

2:11:31.200 --> 2:11:32.000
<v Speaker 1>the story in front of me?

2:11:32.080 --> 2:11:32.560
<v Speaker 3>Like okay?

2:11:32.760 --> 2:11:36.720
<v Speaker 2>Like it was, Oh my god, the movie theater by

2:11:36.720 --> 2:11:38.440
<v Speaker 2>my house is playing Silence of the Lambs.

2:11:38.720 --> 2:11:41.000
<v Speaker 1>Ooh, I would love to see Sons of the Lambs

2:11:41.000 --> 2:11:41.600
<v Speaker 1>on the big screen.

2:11:41.600 --> 2:11:45.280
<v Speaker 3>I never have. That is cool. That is really cool.

2:11:45.840 --> 2:11:49.960
<v Speaker 2>All right, all right, how we could help.

2:11:50.040 --> 2:11:52.520
<v Speaker 1>Let's get to our Yeah, let's get to our What

2:11:52.520 --> 2:11:55.280
<v Speaker 1>would sister Peg do this week? For what Sister peg Do,

2:11:55.360 --> 2:11:57.280
<v Speaker 1>which is our weekly segment where you guys know, we

2:11:57.320 --> 2:12:00.840
<v Speaker 1>direct you towards uh an organization and article, a book,

2:12:00.840 --> 2:12:02.480
<v Speaker 1>a doc something to give you more info about what

2:12:02.480 --> 2:12:04.600
<v Speaker 1>that today's episode was about. And we'd like to point

2:12:04.600 --> 2:12:08.080
<v Speaker 1>you to the National Council on Problem Gambling. This organization

2:12:08.160 --> 2:12:11.320
<v Speaker 1>is the only national nonprofit organization that seeks to minimize

2:12:11.320 --> 2:12:14.680
<v Speaker 1>the economic and social costs associated with gambling addiction. One

2:12:14.680 --> 2:12:17.280
<v Speaker 1>of their programs is one eight hundred Gambler, which is

2:12:17.360 --> 2:12:20.160
<v Speaker 1>quote a one stop hub connecting people looking for assistance

2:12:20.160 --> 2:12:22.840
<v Speaker 1>with a gambling problem to local resources. You can actually

2:12:22.840 --> 2:12:24.520
<v Speaker 1>go on their website and there's like a full map

2:12:24.520 --> 2:12:26.040
<v Speaker 1>of the United States and you can click on your

2:12:26.080 --> 2:12:29.320
<v Speaker 1>state and get local, local resources, which is I think

2:12:29.400 --> 2:12:32.480
<v Speaker 1>is great. So for more information on this organization, go

2:12:32.520 --> 2:12:36.200
<v Speaker 1>to NCP gambling dot org or call one eight hundred

2:12:36.200 --> 2:12:39.480
<v Speaker 1>Gambler and that, as usual, will be posted in a

2:12:39.520 --> 2:12:42.680
<v Speaker 1>story on our Instagram, which is Thats Messed Up Pod

2:12:42.720 --> 2:12:44.400
<v Speaker 1>the day this episode comes out, and then we save

2:12:44.440 --> 2:12:47.240
<v Speaker 1>those stories forever in our WWSPD highlights.

2:12:47.320 --> 2:12:48.520
<v Speaker 3>Thank you so much.

2:12:48.320 --> 2:12:51.000
<v Speaker 2>For that, and it is yeah local, I love that,

2:12:51.200 --> 2:12:56.840
<v Speaker 2>I like it being a hub. Hooked season six, Episode fifteen,

2:12:57.000 --> 2:13:01.360
<v Speaker 2>Get at It Motherfucker's huluc.

2:13:02.240 --> 2:13:02.480
<v Speaker 5>VP.

2:13:02.760 --> 2:13:06.920
<v Speaker 1>Guys, thank you so much for listening and keep sending

2:13:07.000 --> 2:13:09.720
<v Speaker 1>us episode requests on our Instagram or anywhere.

2:13:09.760 --> 2:13:13.400
<v Speaker 2>And uh yeah Jack, we'll get more ga, we hear you.

2:13:13.440 --> 2:13:15.600
<v Speaker 2>We'll get more guests. And I loved everyone typing to

2:13:15.640 --> 2:13:17.240
<v Speaker 2>David Lynch. It made me so happy.

2:13:17.400 --> 2:13:19.880
<v Speaker 3>Yes, thank you for the David Lynch heads.

2:13:19.920 --> 2:13:23.800
<v Speaker 1>You guys will listen. Yeah, all right, we love you

2:13:23.800 --> 2:13:30.840
<v Speaker 1>with see you next week. Bye.

2:13:33.680 --> 2:13:35.879
<v Speaker 2>That's Messed Up as an exactly right production.

2:13:36.320 --> 2:13:38.400
<v Speaker 1>If you have compliments you'd like to give us or

2:13:38.480 --> 2:13:40.720
<v Speaker 1>episodes you'd like us to cover, shoot us an email

2:13:40.720 --> 2:13:44.080
<v Speaker 1>it That's Messed uppod at gmail dot com. Follow the

2:13:44.120 --> 2:13:47.360
<v Speaker 1>podcast on Instagram at That's Messed Up Pod and on

2:13:47.400 --> 2:13:50.840
<v Speaker 1>Twitter at Messed Up Pod, and follow us personally at

2:13:50.920 --> 2:13:54.280
<v Speaker 1>Kara Klank and at glitter Cheese. As always, please see

2:13:54.280 --> 2:13:56.560
<v Speaker 1>our show notes for sources and more information.

2:13:56.960 --> 2:13:59.919
<v Speaker 2>Thank you so much to our senior producer Casey O'Brien

2:14:00.120 --> 2:14:03.120
<v Speaker 2>and our associate producer Christina Chamberlain, and.

2:14:03.160 --> 2:14:06.440
<v Speaker 1>To our mixer John Bradley and our guest booker Patrick Cottner,

2:14:06.720 --> 2:14:09.400
<v Speaker 1>and to Henry Kaperski for our theme song and Carly

2:14:09.520 --> 2:14:12.480
<v Speaker 1>Jean Andrews for our artwork. Thank you to our executive

2:14:12.520 --> 2:14:16.720
<v Speaker 1>producers Georgia Hardstart, Karen Kilgarriff, Daniel Kramer, and everybody at

2:14:16.760 --> 2:14:17.640
<v Speaker 1>Exactly Right Media.

2:14:18.640 --> 2:14:19.520
<v Speaker 3>Dun dun,