WEBVTT - Tangled

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<v Speaker 1>On the Bell Cast, the questions asked if movies have

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<v Speaker 1>women in um, are all their discussions just boyfriends and husbands?

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<v Speaker 1>Or do they have individualism? The patriarchy? Zef invest start

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<v Speaker 1>changing it with the beck Del Cast. Oh, Jamie, let

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<v Speaker 1>down your hair. Wow, Caitlin, my hair is so unhealthy. Okay, Um,

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<v Speaker 1>we're gonna get about. Do you need to travel from

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<v Speaker 1>my shoulders to my scalp because that's about as far

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<v Speaker 1>as we're gonna get at this point in time. Oh great,

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<v Speaker 1>well then yeah, absolutely no problem. It will hurt a lot,

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<v Speaker 1>But like Rapunzel, I'm extremely self sacrificing for no reason,

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<v Speaker 1>So sure it hurt me. Oh do you actually we

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<v Speaker 1>just met? But should I like die for you? You know? Um,

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<v Speaker 1>welcome to the Bechdel Cast. We both have pretty short hair,

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<v Speaker 1>not like short, we're both we're both medium right now.

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<v Speaker 1>Mine used to be much shorter. I used to be

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<v Speaker 1>the baldest woman in charge and then and now I

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<v Speaker 1>would say, we're we're about right now. It's a really

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<v Speaker 1>equal leadership. We're both kind of medium right now, which

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<v Speaker 1>is which I think is a fair and just way

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<v Speaker 1>to rule a podcast. I think so I love parody

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<v Speaker 1>equality I wish, I wish I could do. I get

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<v Speaker 1>nervous about having a shorter haircut because I have a

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<v Speaker 1>weird head shape and I have a lump on top

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<v Speaker 1>of my head, and I just don't like calling too

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<v Speaker 1>much attention to my head. Don't say those things about

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<v Speaker 1>my friend Jamie. Look, I've I've known her for a

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<v Speaker 1>long time, and she has a lump on her head

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<v Speaker 1>and I don't have the confidence to embrace it at

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<v Speaker 1>this point in my life. Someday I'm gonna be calling

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<v Speaker 1>attention to this damn lump, because that's where all the

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<v Speaker 1>good ships happening, right in that little golf ball on

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<v Speaker 1>top of my head. Oh boy, Welcome to the Bechtel Cast.

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<v Speaker 1>My name is Jamie Loftus, my name is Caitlin Darante,

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<v Speaker 1>and this is our show where we examine movies through

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<v Speaker 1>an intersectional feminist lens, using, of course, the Bechdel test

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<v Speaker 1>simply as a jumping off point. Oh for sure, that

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<v Speaker 1>Bechdel test. Let me tell you about it, because there's

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<v Speaker 1>some things about it, but you're not going to expect

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<v Speaker 1>Just kidding. If you listen to the show, um, you

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<v Speaker 1>know what it is. Uh, we use it as a

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<v Speaker 1>jumping off point for discussion. It is a media metric

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<v Speaker 1>originally created by queer cartoonist Alison Bechdel, sometimes called the

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<v Speaker 1>Bechdel Wallace Test. Many versions of this test. Our version

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<v Speaker 1>is this, are there two characters with names of a

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<v Speaker 1>marginalized gender who talked to each other about something other

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<v Speaker 1>than a man for two lines of dialogue? And very

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<v Speaker 1>often it doesn't happen very often, you know, in this

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<v Speaker 1>day and age and this economy, very often it does.

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<v Speaker 1>Either way, we're gonna talk about it for about two

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<v Speaker 1>seconds in one and a half hours, so don't worry

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<v Speaker 1>about it for now. Um, and today we are covering

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<v Speaker 1>on the main feed. I think this is what we've

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<v Speaker 1>been kind of making a concerted effort as of late

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<v Speaker 1>to uh knock out some of our top requests that

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<v Speaker 1>have literally been on our request list for at this

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<v Speaker 1>point more than half a decade, because look, enough is enough.

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<v Speaker 1>We understand there are certain films, Flims, pieces of cinema

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<v Speaker 1>that you pieces of cinema no, no, that go with it.

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<v Speaker 1>Commit Oh my god, I just in my head heard

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<v Speaker 1>a shattering glass sound and I'm just like you can

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<v Speaker 1>interpret that as my brain breaking, or you could interpret

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<v Speaker 1>it as me punging through the glass ceiling coming up

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<v Speaker 1>with a new incredible phrase. Pieces of cinema, I choose

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<v Speaker 1>the ladder. Wait, what happens at the end of What

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<v Speaker 1>does he say at the end of Saw? And then

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<v Speaker 1>he slams the door? He says, game over, slam. That's

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<v Speaker 1>what's happening in my head. Twenty four seven. Anytime I

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<v Speaker 1>encounter something that is confusing to me, and I just

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<v Speaker 1>take a nap and I'm kidding and I educate myself.

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<v Speaker 1>I learned, Okay, wow, okay, no no no, no, no

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<v Speaker 1>no no. Of course not of course, not doing really

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<v Speaker 1>weird lately, but that doesn't mean I'm not ready to

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<v Speaker 1>have some discorse about the movie Tangled with my friend Caitlin.

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<v Speaker 1>This movie has been on our list forever, Yes, it has.

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<v Speaker 1>Our listeners want this episode, and we decided, you know what,

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<v Speaker 1>it's time. It's time, and so that's what we're covering today.

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<v Speaker 1>Two thousand ten Disney animated film starring I didn't really

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<v Speaker 1>I knew it was Mandy Moore because I was a

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<v Speaker 1>childhood fan of Mandy Moore. I know I've talked about

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<v Speaker 1>this on the show before. I haven't had a Haunted

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<v Speaker 1>Mandy Moore Poster. I didn't know Zachary Levi was in

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<v Speaker 1>this movie, which is interesting to me because he's handsome.

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<v Speaker 1>That he is, and that's all I have to say.

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<v Speaker 1>And also Paul of Tompkins shout out to Pop Tompkins. Yeah,

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<v Speaker 1>there's some fun voice acting in this movie. Zachary Levi

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<v Speaker 1>Mr Shazam himself. I do confuse them of Zachary Quinto

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<v Speaker 1>sometimes due to their both being named Zachary and being handsome.

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<v Speaker 1>But this is Zachary. This is Shazam Zachary, not star

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<v Speaker 1>Trek Zachary. Correct. And that is how we distinguish them.

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<v Speaker 1>That is, that is famously how we do that. There's

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<v Speaker 1>Sam and Their Spots podcast, and there there are two

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<v Speaker 1>kinds of Zachary's Shazam and spak Sprouse. There's three kinds

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<v Speaker 1>of Zachary's. Oh right, Oh, you don't know the Sprouse

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<v Speaker 1>is off the tip. No wait, oh my god, I

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<v Speaker 1>got it wrong. It's Dylan. I was thinking of his

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<v Speaker 1>character zach from This Week Life of Zach and Cody.

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<v Speaker 1>I'm wrong, Glass shattering game over slam Well, Zachary Zachary. Listeners,

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<v Speaker 1>please let us know which of the two Zachary options

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<v Speaker 1>you are. Are you a Spock or Chosam. We're back

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<v Speaker 1>down to two. Sprouse is not an option because that

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<v Speaker 1>was a fictional character. I'm more spok, I think, Oh

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<v Speaker 1>I am definitely more of a Spok than a Chosam. Yeah,

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<v Speaker 1>because you didn't like Sham, as we talked about recently

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<v Speaker 1>on the Matreon. Um, I really broke some young man's

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<v Speaker 1>heart that day. Sorry sir. Anyway, Okay, Jamie, what is

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<v Speaker 1>your your relationship with Tangled? Oh my gosh, Um, I

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<v Speaker 1>did not see this movie when I came out. I

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<v Speaker 1>was in high school and I was like, I'm too

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<v Speaker 1>old for this. I don't need I don't need to

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<v Speaker 1>go see Tangled. You. So I did not see it

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<v Speaker 1>when it originally came out. I think I saw it

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<v Speaker 1>a couple of years later. My vague memory that is

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<v Speaker 1>completely useless and irrelevant about seeing this movie was I

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<v Speaker 1>saw it on DVD at a woman's house where I

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<v Speaker 1>was modeling T shirts for her question Mark. At some

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<v Speaker 1>point in college, I made money, um, in a lot

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<v Speaker 1>of shady ways. In college. I sold my blood and

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<v Speaker 1>I did that too. I mean, it's kind of a

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<v Speaker 1>time honored tradition in the grand uh in the grand

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<v Speaker 1>tradition of late capitalism. Of course, we both sold our blood.

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<v Speaker 1>And I also would do these like weird modeling gigs

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<v Speaker 1>where I'm pretty sure you're getting super ripped off that

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<v Speaker 1>you would wear like these ugly ass T shirts that

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<v Speaker 1>would say, like, you know, like corny early tens T

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<v Speaker 1>shirts that would be like, I'm trying to think, like

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<v Speaker 1>good morning is an oxy moron something like that. Kind

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<v Speaker 1>of I kind of like those better, I like Auntie

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<v Speaker 1>T shirts are fine with me, but this was like

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<v Speaker 1>sassy millennial like like bacon humor. It was bacon humor,

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<v Speaker 1>ultimately embarrassing. I hope they don't exist on the internet anymore.

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<v Speaker 1>But anyways, this random woman was doing my makeup at

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<v Speaker 1>her house and we watched Tangled, and then I'm pretty

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<v Speaker 1>sure I got my got my image exploited, I see,

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<v Speaker 1>But I liked it. And then I've and I've and

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<v Speaker 1>I've watched it a couple of times since. I think

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<v Speaker 1>it's like I've never thought very hard about it. But

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<v Speaker 1>I knew a little bit about the production around this movie,

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<v Speaker 1>and I'm excited to talk about it because it feels

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<v Speaker 1>like a very particular moment in time for Princess Energy.

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<v Speaker 1>So sure, what's your history. I don't think I saw

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<v Speaker 1>this in theaters, but I do remember seeing it probably

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<v Speaker 1>within a year of it coming out. I was living

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<v Speaker 1>in Boston at the time. Brave Me too, and we oh,

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<v Speaker 1>no way, I was still at home. Oh jeez, well,

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<v Speaker 1>I was living in Boston. I was not, um, a

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<v Speaker 1>supermodel like you were. Yeah. Yeah, people were datat pictures

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<v Speaker 1>of me in ugly shirts on their point and shoots.

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<v Speaker 1>So it sounds to me like you were doing some

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<v Speaker 1>like runway high fashion runway modeling. It was really sexy

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<v Speaker 1>what I was doing, for sure. Um No, I was

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<v Speaker 1>just kind of chilling in Boston. Probably saw this with

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<v Speaker 1>my friend j T. I remember liking it, but not

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<v Speaker 1>enough to be like, oh, this is gonna be in

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<v Speaker 1>my rotation kind of thing. So I didn't watch it

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<v Speaker 1>again until I want to say twenty nineteen, maybe sometime

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<v Speaker 1>around then. I went to a friends giving celebration at

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<v Speaker 1>a friend of the pod Sammy Junio's house, Love It,

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<v Speaker 1>and we decided that we were going to watch a

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<v Speaker 1>bunch of movies and that those movies could only start

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<v Speaker 1>with the letter T. So we watched three T movies,

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<v Speaker 1>the first one of course, being Titanic, the second one

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<v Speaker 1>being Terminator too, and the third one being Tangled. So

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<v Speaker 1>I saw it again and I was like, oh, this movie,

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<v Speaker 1>this is cute, this is this is better than I remember.

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<v Speaker 1>I like this movie. But then again, I didn't see

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<v Speaker 1>it again until prepping for this episode, so rewatching it,

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<v Speaker 1>especially through like the Bechtel cast lens Um, was an

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<v Speaker 1>interesting journey. I feel like there's there's a lot to discuss. Yeah,

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<v Speaker 1>this movie really is it. It's it's messing with you.

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<v Speaker 1>And I think when the first, like maybe one or

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<v Speaker 1>two times I saw it, it didn't really click for

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<v Speaker 1>me because it is for its faults, which we will

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<v Speaker 1>be discussing. I think it's a really fun movie. It's

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<v Speaker 1>like a good, engaging Disney movie that doesn't feel like

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<v Speaker 1>most other Disney movies. But not because it's you know,

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<v Speaker 1>amazing and progressive. It's just kind of different. It's actually

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<v Speaker 1>I like it. I like the chameleon Pascal. That was

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<v Speaker 1>the chameleon from the Minions test, wasn't it? It was

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<v Speaker 1>so listen. Famously, we all Jamie and I both took

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<v Speaker 1>a which Minion are you test? On your birthday of course,

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<v Speaker 1>I swear to god. I texted that damn quiz to

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<v Speaker 1>every person I've ever met and was like, I need

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<v Speaker 1>to know what many you are right now, because like,

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<v Speaker 1>is this friendship gonna sustain or not? Let's share our results?

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<v Speaker 1>Shall we mine? Sucks? Okay, yeah, Caitlin, now you're awesome.

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<v Speaker 1>Minions quiz results. I got Stewart, Is that right? I

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<v Speaker 1>don't even remember now Stewart Sieball the rock Star. I'm

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<v Speaker 1>classic me, you know, classic Caitlin. A bunch of people

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<v Speaker 1>in my life got Kevin's, which is like, okay, that's

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<v Speaker 1>if we're getting we're pulling a Kevin or a Stewart

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<v Speaker 1>result friend for life. Meanwhile, I pulled Grow. I got Grow.

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<v Speaker 1>I don't see it if if it makes you feel

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<v Speaker 1>any better, thank you so much. I don't know how

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<v Speaker 1>I got Grow, but it lowered my self esteem immeasurably.

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<v Speaker 1>I can't and on your birthday. It happened to me

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<v Speaker 1>on my birthday while we got the Minion's menu at

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<v Speaker 1>eye Hoop, which was gross disappointing. Oh my god. Okay,

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<v Speaker 1>last thing before we jump to the discourse the Minions.

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<v Speaker 1>First of all, I don't think I hop as one

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<v Speaker 1>of ours, our sponsors. Listeners are randomly generated, and so

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<v Speaker 1>we don't really know, but hopefully not. I hop because

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<v Speaker 1>the Minions menu, we were so looking forward to it.

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<v Speaker 1>Caitlin brilliantly decided we should go on my birthday. And

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<v Speaker 1>then we get there and what is the menu. It's

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<v Speaker 1>just existing menu items with Minions characters. Yeah, like pancakes,

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<v Speaker 1>but with yellow and blue sprinkles. Literally, minion come. Sorry,

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<v Speaker 1>but like that was that was the consistency. It was gross.

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<v Speaker 1>Are you suggesting that minions come, yes, yellow and blue sprinkles? Okay? No, no, no, no,

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<v Speaker 1>I was I was talking about the yellow gou. Oh,

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<v Speaker 1>the yellow okay, So there was banana flavored goo and

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<v Speaker 1>then sprinkles on top of that. Yeah, the goo was cold,

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<v Speaker 1>So I do think that minions come cold, yellow banana goo. Okay,

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<v Speaker 1>here's a thing not to derail this conversation even further,

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<v Speaker 1>but similar to the does beetle juice come wet or

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<v Speaker 1>dry scabs? You're in the camp of minions, come that

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<v Speaker 1>cold banana flavored goo. I'm in the camp of minions,

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<v Speaker 1>come yellow and blue sprinkles. See that's a fun kind

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<v Speaker 1>of changing of the narrative because with beetle juice. As

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<v Speaker 1>we're going to be debating come October, as we do

0:13:24.480 --> 0:13:28.000
<v Speaker 1>every year. I always say he comes dry scabs sounds

0:13:28.040 --> 0:13:30.840
<v Speaker 1>like card shuffling. You always say he comes wet scabs

0:13:30.880 --> 0:13:34.320
<v Speaker 1>like a laser jet printer. And in this case, I'm

0:13:34.400 --> 0:13:39.040
<v Speaker 1>team wet and your team dry exactly. Wow. What we

0:13:39.120 --> 0:13:43.200
<v Speaker 1>know for sure is that Minions, uh, they do not

0:13:43.760 --> 0:13:48.880
<v Speaker 1>sexually reproduce, so all of their sex is strictly for pleasure,

0:13:50.040 --> 0:13:54.480
<v Speaker 1>and I celebrate that, which I think is um kind

0:13:54.480 --> 0:14:01.280
<v Speaker 1>of amazing and progressive Minions progressive text. Okay, transitioning into

0:14:02.040 --> 0:14:06.200
<v Speaker 1>our discussion around Tangled. So we both have uh light

0:14:06.440 --> 0:14:10.320
<v Speaker 1>you know, light appreciation for this movie prior to prior

0:14:10.400 --> 0:14:12.360
<v Speaker 1>to covering it. I don't think either of us have

0:14:12.440 --> 0:14:17.120
<v Speaker 1>a particularly strong attachment. But I was thinking, as I

0:14:17.160 --> 0:14:21.920
<v Speaker 1>was watching this movie for you, what like, as much

0:14:21.920 --> 0:14:23.480
<v Speaker 1>as I was enjoying the movie, I'm like, what is

0:14:23.520 --> 0:14:27.000
<v Speaker 1>this movie doing that Shrek had not already done? Yes,

0:14:27.040 --> 0:14:33.840
<v Speaker 1>a question, a legitimate question, and I will say, well,

0:14:36.360 --> 0:14:38.640
<v Speaker 1>you know, my thing is like I do think that

0:14:39.160 --> 0:14:44.400
<v Speaker 1>Rapunzel has more certainly more screen time than Princess Fiona

0:14:44.760 --> 0:14:48.760
<v Speaker 1>certainly has a more distinct well, I don't even know there.

0:14:49.040 --> 0:14:51.800
<v Speaker 1>I think that Fiona might do more with less screen time,

0:14:51.840 --> 0:14:57.480
<v Speaker 1>and Shrek two thousand one is because she is. I mean, look,

0:14:57.720 --> 0:15:00.720
<v Speaker 1>did I rewatch Trek before this? No? Should I have?

0:15:00.960 --> 0:15:03.720
<v Speaker 1>Of course this is in a comparative study. I just

0:15:03.800 --> 0:15:06.840
<v Speaker 1>there's obviously, because Shrek is a rip off of literally everything,

0:15:07.640 --> 0:15:10.520
<v Speaker 1>Princess Fiona kind of has a Rapunzel thing going on.

0:15:11.680 --> 0:15:14.120
<v Speaker 1>She has trapped in a tower against her will and

0:15:14.200 --> 0:15:19.600
<v Speaker 1>needs to be rescued. Right, I would argue that Rapunzel

0:15:19.720 --> 0:15:22.560
<v Speaker 1>has in this movie, at least in this version of

0:15:22.680 --> 0:15:28.800
<v Speaker 1>the narrative, she has more agency than Fiona. She there's

0:15:28.880 --> 0:15:31.480
<v Speaker 1>no far quad. There's no far quad, so there's not

0:15:31.520 --> 0:15:36.200
<v Speaker 1>like a rival man. Right. The humor of the movie

0:15:36.400 --> 0:15:40.960
<v Speaker 1>does not rely on punching down in the way that

0:15:41.080 --> 0:15:46.680
<v Speaker 1>Shrek humor often does. Excuse me, or just like kind

0:15:46.680 --> 0:15:51.600
<v Speaker 1>of outdated references the way that Shrek tends to do.

0:15:51.880 --> 0:15:53.800
<v Speaker 1>I truly did not mean to start this as a

0:15:53.840 --> 0:15:59.040
<v Speaker 1>genuine conversation, but finishing it was a joke. I know,

0:15:59.200 --> 0:16:03.800
<v Speaker 1>but I think still a legitimate question. Donkey better than

0:16:03.880 --> 0:16:07.280
<v Speaker 1>Maximus certainly, Oh yeah, for sure, But I don't like

0:16:07.360 --> 0:16:11.160
<v Speaker 1>Maximus is the Max the Horses arc. I don't like

0:16:11.280 --> 0:16:14.280
<v Speaker 1>Max the Horse's arc. I say we cut Max honestly

0:16:14.320 --> 0:16:17.000
<v Speaker 1>because it's just my My central issue with this movie

0:16:17.160 --> 0:16:20.760
<v Speaker 1>is that it's there's so much Flynn, There's so much Flynn,

0:16:21.120 --> 0:16:24.400
<v Speaker 1>and there's like, why does Flint, even Flynn's horse, have

0:16:24.520 --> 0:16:28.800
<v Speaker 1>an arc? Why not give that to Rapunzel's animal familiar,

0:16:28.800 --> 0:16:32.000
<v Speaker 1>who is mostly just very adorable, which I love. But

0:16:32.040 --> 0:16:34.000
<v Speaker 1>I'm like, we're giving the horse an arc, but we

0:16:34.040 --> 0:16:36.920
<v Speaker 1>still don't have any empathy for the villain. Like I

0:16:37.000 --> 0:16:39.680
<v Speaker 1>just I was like, too much, too much Flynn. As

0:16:39.720 --> 0:16:42.680
<v Speaker 1>much as I think zach rely By is handsome, he's

0:16:42.680 --> 0:16:46.520
<v Speaker 1>a cartoon in this. So what why am I watching this? No?

0:16:46.640 --> 0:16:51.480
<v Speaker 1>I agree my very scholarly opinion. Yeah, I say Max,

0:16:52.560 --> 0:16:54.560
<v Speaker 1>take him to the backyard and put him down. That's

0:16:54.600 --> 0:16:56.840
<v Speaker 1>what I say about man. Wow, you want to send

0:16:56.880 --> 0:17:01.200
<v Speaker 1>him to the glue factor? Your face? Yeah, we gotta

0:17:01.280 --> 0:17:04.199
<v Speaker 1>turn Max into glue. I think he's he's mucking up

0:17:04.240 --> 0:17:08.359
<v Speaker 1>the story. I don't care about Flynn's rivalry with his

0:17:08.400 --> 0:17:13.760
<v Speaker 1>own horse. Well it's not his horse. Sorry. I I

0:17:14.880 --> 0:17:18.040
<v Speaker 1>as much as I love love a good horse, we

0:17:18.200 --> 0:17:19.920
<v Speaker 1>just went to medieval times. I love a good horse.

0:17:19.920 --> 0:17:21.680
<v Speaker 1>Oh my god, I went to the Kentucky Derby this year.

0:17:21.680 --> 0:17:24.439
<v Speaker 1>I love a good horse. Yeah. Okay, well that's I

0:17:24.440 --> 0:17:28.080
<v Speaker 1>think that brings us into the recap, because let's talk

0:17:28.119 --> 0:17:32.479
<v Speaker 1>about it. Here's the story of Rapunzel, or of Tangled Tangled,

0:17:32.680 --> 0:17:35.159
<v Speaker 1>which is also a huge thing. Why is the name different?

0:17:35.200 --> 0:17:40.040
<v Speaker 1>We'll still talk about it, yes, okay, So we open

0:17:40.760 --> 0:17:45.560
<v Speaker 1>by learning about Rapunzel's backstory, which is told to us

0:17:45.640 --> 0:17:48.880
<v Speaker 1>by Flynn Rider. We will meet him for what reason later?

0:17:49.320 --> 0:17:55.479
<v Speaker 1>Good question, and we are in you could say, medieval times.

0:17:55.560 --> 0:17:59.159
<v Speaker 1>Shout out to your recent birthday celebration. Shout out to

0:17:59.200 --> 0:18:02.360
<v Speaker 1>the Red Knight. Oh my god, Red Night, Red Night,

0:18:02.640 --> 0:18:06.320
<v Speaker 1>Red Night King, the king of medieval times. Okay, I

0:18:06.359 --> 0:18:11.080
<v Speaker 1>went a park, a drop of sun fell to the earth,

0:18:11.359 --> 0:18:15.680
<v Speaker 1>and a magic golden flower grew from it that had

0:18:15.720 --> 0:18:19.199
<v Speaker 1>the ability to heal the sick and injured if you

0:18:19.280 --> 0:18:22.200
<v Speaker 1>sing a special song to the flower. Put a pin

0:18:22.240 --> 0:18:25.560
<v Speaker 1>in that. There is a kingdom with a king and

0:18:25.600 --> 0:18:29.080
<v Speaker 1>a queen, and the queen is gregnant, and she is

0:18:29.119 --> 0:18:32.720
<v Speaker 1>about to have a greg but she gets really sick.

0:18:33.000 --> 0:18:38.040
<v Speaker 1>So the king's people, like the kingsman, reciput and go

0:18:38.280 --> 0:18:43.880
<v Speaker 1>out and search. This movie was missing a respute. Yeah,

0:18:43.880 --> 0:18:48.000
<v Speaker 1>where was Rescputen? Where was Resputen entangled? There, I'm gonna

0:18:48.000 --> 0:18:53.040
<v Speaker 1>start asking truly nonsense questions, start pivoting into extremely bad

0:18:53.040 --> 0:18:56.560
<v Speaker 1>faith analysis and being like, so, um, I thought this

0:18:56.600 --> 0:19:02.240
<v Speaker 1>movie was feminist, but then where was Resputen? Another question? Um? Okay?

0:19:02.640 --> 0:19:05.560
<v Speaker 1>So the kingsmen go out to look for this golden

0:19:05.560 --> 0:19:10.920
<v Speaker 1>flower to heal the queen. But there's this woman, mother Goffel,

0:19:11.280 --> 0:19:13.879
<v Speaker 1>who had already found the flower and has been hoarding

0:19:13.920 --> 0:19:18.359
<v Speaker 1>its power for centuries to keep herself young this whole time.

0:19:19.440 --> 0:19:22.399
<v Speaker 1>But the kingsman find the flower and take it to

0:19:22.440 --> 0:19:25.679
<v Speaker 1>the queen to heal her. She gives birth to a

0:19:25.680 --> 0:19:28.919
<v Speaker 1>little girl with golden hair, and this, of course is Rapunzel,

0:19:29.720 --> 0:19:32.439
<v Speaker 1>and to celebrate the birth of their daughter, the King

0:19:32.520 --> 0:19:36.919
<v Speaker 1>and Queen release a floating lantern into the sky. Adorable

0:19:37.040 --> 0:19:41.879
<v Speaker 1>love it cute, But then mother Gothel shows up. Rapunzel's

0:19:41.920 --> 0:19:46.280
<v Speaker 1>hair has the same magical properties as the flower, and

0:19:46.600 --> 0:19:49.760
<v Speaker 1>Gothel thinks she can cut some of the hair off

0:19:50.000 --> 0:19:52.880
<v Speaker 1>and use it to keep her young, but she discovers

0:19:53.359 --> 0:19:57.080
<v Speaker 1>that cutting this lock of Rapunzel's hair takes away its

0:19:57.160 --> 0:20:01.680
<v Speaker 1>magical properties and to her earns that strand of hair

0:20:01.720 --> 0:20:05.880
<v Speaker 1>that's still attached to her. Punzel's head renders it unmagical

0:20:06.080 --> 0:20:13.240
<v Speaker 1>and brown, gross brown hair bad you and me found

0:20:13.280 --> 0:20:18.720
<v Speaker 1>dead in a ditch like unbelievable. So basically, the hair

0:20:18.800 --> 0:20:21.560
<v Speaker 1>needs to be attached to Rapunzel's head in order for

0:20:21.600 --> 0:20:26.840
<v Speaker 1>it to retain its magical properties. So Gothel kidnaps Rapunzel

0:20:27.200 --> 0:20:29.640
<v Speaker 1>so that she can always have access to her hair.

0:20:30.280 --> 0:20:33.920
<v Speaker 1>Gothel keeps Rapunzel locked away in this tower hidden in

0:20:33.960 --> 0:20:37.680
<v Speaker 1>the forest, and raises Rapunzel as her own daughter, so

0:20:38.160 --> 0:20:43.920
<v Speaker 1>Rapunzel thinks that Gothel is her mother. Time passes, we

0:20:44.359 --> 0:20:48.160
<v Speaker 1>see Gozel singing this special song which activates the hair

0:20:48.400 --> 0:20:52.440
<v Speaker 1>and keeps her young. Um. We also learned that each year,

0:20:52.560 --> 0:20:56.080
<v Speaker 1>on Rapunzel's birthday at the castle far off in the distance,

0:20:56.200 --> 0:20:59.359
<v Speaker 1>the King and Queen release hundreds of lanterns into the sky,

0:20:59.720 --> 0:21:04.800
<v Speaker 1>hope being that their lost daughter will someday return. This

0:21:04.880 --> 0:21:08.400
<v Speaker 1>is something that Rapunzel always like watches and sees and

0:21:08.800 --> 0:21:14.000
<v Speaker 1>loves this event of the lanterns floating in the sky. Um. Okay,

0:21:14.000 --> 0:21:17.399
<v Speaker 1>So then we cut two Rapunzel as a teenager. She's

0:21:17.520 --> 0:21:20.240
<v Speaker 1>still living in the tower. Her hair is like a

0:21:20.359 --> 0:21:23.480
<v Speaker 1>hundred feet long since it can't be cut because it'll

0:21:23.480 --> 0:21:27.880
<v Speaker 1>lose its powers. And I've watched, um, I've watched shorts

0:21:28.040 --> 0:21:31.159
<v Speaker 1>on how I mean, I know that, like it's extremely

0:21:31.200 --> 0:21:35.920
<v Speaker 1>extremely hard to animate hair, And after under fully understanding

0:21:35.960 --> 0:21:39.840
<v Speaker 1>that process and working in animation, I was like, wow, this.

0:21:41.040 --> 0:21:43.960
<v Speaker 1>I wonder if if we have UM like legit animators

0:21:44.160 --> 0:21:46.320
<v Speaker 1>listening to the show, does watching these things with the

0:21:46.320 --> 0:21:48.600
<v Speaker 1>hair give you a panic attack? Because it stresses me

0:21:48.720 --> 0:21:53.600
<v Speaker 1>out and I don't even understand computer animation, UM, but

0:21:53.720 --> 0:21:56.520
<v Speaker 1>you're like wow, Wow. This was like the most expensive

0:21:57.000 --> 0:22:02.560
<v Speaker 1>UM Disney movie produced to date, and partially because of

0:22:02.600 --> 0:22:05.360
<v Speaker 1>development stuff that we'll talk about right. Also because like

0:22:05.640 --> 0:22:08.200
<v Speaker 1>the budget, like how many people you need to have

0:22:08.280 --> 0:22:13.320
<v Speaker 1>on hair duty alone is just like wild. Anyways, the

0:22:13.359 --> 0:22:16.639
<v Speaker 1>budget shout out to hair animators. The budget for this

0:22:16.760 --> 0:22:19.639
<v Speaker 1>was I think two and sixty million dollars, making it

0:22:19.760 --> 0:22:22.840
<v Speaker 1>one of the highest budget movies ever and the highest

0:22:22.880 --> 0:22:26.200
<v Speaker 1>budget animated movie of all time. I think. I don't

0:22:26.200 --> 0:22:28.720
<v Speaker 1>know if that record has been broken since then, but

0:22:29.040 --> 0:22:37.040
<v Speaker 1>it but it's just by other Disney movies, So I

0:22:37.080 --> 0:22:39.679
<v Speaker 1>don't think we need to give them more airtime. But

0:22:39.960 --> 0:22:48.080
<v Speaker 1>one of them was Zootopia, the movie I disliked the most. Okay,

0:22:48.119 --> 0:22:53.640
<v Speaker 1>so we learned about Rapunzel's life, which is pretty uneventful. Basically,

0:22:53.680 --> 0:22:57.119
<v Speaker 1>she just spends all day trying to keep herself occupied.

0:22:57.240 --> 0:23:00.560
<v Speaker 1>So she cleans, she cooks, she reads, she paints, she

0:23:00.960 --> 0:23:03.919
<v Speaker 1>plays guitar, she puts together puzzles, she plays chess. She

0:23:03.960 --> 0:23:07.320
<v Speaker 1>does all these things to occupy her time. And her

0:23:07.359 --> 0:23:12.240
<v Speaker 1>only friend is a chameleon named Pascal. She gets regular

0:23:12.320 --> 0:23:15.280
<v Speaker 1>visits from Gothel, but Gothel doesn't seem to live in

0:23:15.320 --> 0:23:19.639
<v Speaker 1>the tower with her, so Rapunzel is pretty isolated. The

0:23:19.720 --> 0:23:23.359
<v Speaker 1>point basically being that she wants much more than this

0:23:23.520 --> 0:23:27.520
<v Speaker 1>provincial life all the way down to like the I

0:23:27.560 --> 0:23:28.920
<v Speaker 1>feel like that had to be a Beauty in the

0:23:28.960 --> 0:23:30.879
<v Speaker 1>Beast reference for when she gets out of the tower

0:23:31.040 --> 0:23:33.920
<v Speaker 1>and there's that little what do you call those goddamn

0:23:34.320 --> 0:23:39.560
<v Speaker 1>poof plants um with the seedlings that fly into where

0:23:39.920 --> 0:23:45.600
<v Speaker 1>those are like dandelions, like dandelion, it's something about dandelions.

0:23:46.480 --> 0:23:50.160
<v Speaker 1>We're botanists, so we should not this um. But yeah,

0:23:50.200 --> 0:23:52.400
<v Speaker 1>that do you remember that? That's like a very specific

0:23:52.440 --> 0:23:54.439
<v Speaker 1>image and Beauty and the Beast I remember, And then

0:23:54.520 --> 0:23:57.800
<v Speaker 1>Rapunzel has the same image, but this time it's computers,

0:23:59.720 --> 0:24:02.159
<v Speaker 1>and she's in the middle of saying about how she

0:24:02.200 --> 0:24:06.840
<v Speaker 1>wants much more than this whatever tower life based life

0:24:06.920 --> 0:24:15.239
<v Speaker 1>hashtag tower life. So okay. So Rapunzela has decided to

0:24:15.320 --> 0:24:20.959
<v Speaker 1>ask Goszel if she can go outside and see the

0:24:21.040 --> 0:24:26.479
<v Speaker 1>floating lights, especially because tomorrow is Rapunzel's eighteenth birthday. And

0:24:26.520 --> 0:24:30.119
<v Speaker 1>she feels that these lights, which we know are the

0:24:30.200 --> 0:24:34.720
<v Speaker 1>lanterns that the castle releases, she feels that they're kind

0:24:34.720 --> 0:24:37.760
<v Speaker 1>of meant for her somehow, that she has some connection

0:24:37.840 --> 0:24:42.199
<v Speaker 1>to them. And Gothel is like, no way, I know

0:24:42.280 --> 0:24:45.000
<v Speaker 1>it's best for you. It's not safe out there. You

0:24:45.040 --> 0:24:47.760
<v Speaker 1>can't handle yourself out there. You're not strong enough to

0:24:48.000 --> 0:24:52.080
<v Speaker 1>go into this dangerous world. Yes, she's doing quite a

0:24:52.119 --> 0:24:57.960
<v Speaker 1>bit of nagging, poor Rapunzel. There's a lot to discuss

0:24:58.040 --> 0:25:02.399
<v Speaker 1>with this uh mother dog relationship, for sure, Yes, and

0:25:02.440 --> 0:25:05.880
<v Speaker 1>also with just like Gothel in general, because for all

0:25:05.920 --> 0:25:09.520
<v Speaker 1>of this movie seems to think it's subverting some of

0:25:09.560 --> 0:25:11.320
<v Speaker 1>which it actually is, a lot of which it isn't.

0:25:11.680 --> 0:25:14.719
<v Speaker 1>I feel like Gothel is like glaring, like we can

0:25:14.760 --> 0:25:21.600
<v Speaker 1>have sympathy for everyone, but uh, woman over Ford, right, Okay.

0:25:21.720 --> 0:25:27.880
<v Speaker 1>So meanwhile, Flynn writer the narrator guy who is a bandit,

0:25:28.560 --> 0:25:33.240
<v Speaker 1>steals a crown from the castle and is fleeing the

0:25:33.280 --> 0:25:38.040
<v Speaker 1>castle guards along with his two kind of like the

0:25:38.320 --> 0:25:43.119
<v Speaker 1>good buddies, the Stabbington brothers. Great name. Gotta hand it

0:25:43.160 --> 0:25:47.600
<v Speaker 1>to him. It sounds a lot like Paddington. Also, that's

0:25:47.600 --> 0:25:52.399
<v Speaker 1>his evil cousins. There's Paddington's and then there's Stabbington's. Um.

0:25:53.280 --> 0:25:55.760
<v Speaker 1>So do you think that that will be an element

0:25:55.840 --> 0:26:01.440
<v Speaker 1>of Paddington theory? God, that sounds like honestly, uh, robot

0:26:01.640 --> 0:26:06.600
<v Speaker 1>chicken pitch that would have been rejected from me, from you, yes, specifically, Well,

0:26:06.720 --> 0:26:12.520
<v Speaker 1>that's free for someone. So they're escaping. There's this horse

0:26:12.680 --> 0:26:17.399
<v Speaker 1>named Maximus, one of like the castle horses. Uh. He's

0:26:17.560 --> 0:26:25.200
<v Speaker 1>chasing Flynn, and Flynn escapes and but sabotages the Stabbington

0:26:25.440 --> 0:26:30.440
<v Speaker 1>brothers along the way. And then Flynn stumbles upon Rapunzel's tower.

0:26:31.160 --> 0:26:36.119
<v Speaker 1>He climbs it and goes into her room, and Rapunzel,

0:26:36.400 --> 0:26:40.240
<v Speaker 1>startled by this intruder, bonks him on the head with

0:26:40.359 --> 0:26:44.120
<v Speaker 1>a frying pan. There's a whole chat to have about that.

0:26:45.680 --> 0:26:52.840
<v Speaker 1>Classic a subversive bonk. Wow, hilarious. Um I actually have some,

0:26:53.480 --> 0:26:56.560
<v Speaker 1>you know, some unexpected thoughts about this. Perhaps, well, I

0:26:56.600 --> 0:26:59.399
<v Speaker 1>think I'm excited to have this discussion because this was

0:27:00.240 --> 0:27:05.000
<v Speaker 1>frying pan that didn't super broth. Same will unpack. But

0:27:05.160 --> 0:27:07.240
<v Speaker 1>but on first glance, you're just like, well, there it

0:27:07.400 --> 0:27:10.040
<v Speaker 1>is there, it is right. Yeah, there's no weapons in there.

0:27:10.640 --> 0:27:13.800
<v Speaker 1>So Rapunzel bonks him on the head and stuffs him

0:27:13.800 --> 0:27:16.520
<v Speaker 1>in her closet, and then she's like, wow, wait a minute,

0:27:16.560 --> 0:27:20.240
<v Speaker 1>I am strong enough to handle myself. So she lets

0:27:20.320 --> 0:27:22.800
<v Speaker 1>Flynn back out. She ties him up with her hair,

0:27:23.359 --> 0:27:26.480
<v Speaker 1>she hides his satchel with the crown that he stole,

0:27:26.960 --> 0:27:29.560
<v Speaker 1>and she's like, I will give you your satchel back

0:27:29.800 --> 0:27:33.680
<v Speaker 1>if you take me to see the lanterns tomorrow night.

0:27:34.400 --> 0:27:39.080
<v Speaker 1>He reluctantly agrees, and then she finally leaves her tower

0:27:39.160 --> 0:27:42.680
<v Speaker 1>for the first time, goes outside. She loves the freedom,

0:27:42.760 --> 0:27:46.360
<v Speaker 1>but she's also racked with guilt for disobeying her mother,

0:27:46.800 --> 0:27:51.520
<v Speaker 1>which I really thought was different and I liked that. Yeah, Oh,

0:27:51.760 --> 0:27:56.719
<v Speaker 1>they showed that emotional struggle for sure. Meanwhile, Flynn is

0:27:57.160 --> 0:28:00.040
<v Speaker 1>trying to get out of taking Rapunzel to see the

0:28:00.119 --> 0:28:03.000
<v Speaker 1>lanterns because he's a wanted man and he can't just go,

0:28:03.280 --> 0:28:06.760
<v Speaker 1>you know, gallivanting around, so he takes her to this

0:28:06.880 --> 0:28:10.200
<v Speaker 1>kind of like rough and tumble tavern with a lot

0:28:10.240 --> 0:28:17.040
<v Speaker 1>of scary ruffians. The twist is, but the twist is

0:28:17.160 --> 0:28:22.280
<v Speaker 1>they're nice. They're nice, especially after Rapunzel inspires them to

0:28:22.400 --> 0:28:26.119
<v Speaker 1>sing about their hopes and dreams. Kind of cute that

0:28:26.440 --> 0:28:30.040
<v Speaker 1>song that they say where they're like, I actually have dreams. Okay,

0:28:30.080 --> 0:28:33.440
<v Speaker 1>can you guess? Can you guess what other Disney song

0:28:33.640 --> 0:28:39.000
<v Speaker 1>that heavily reminded me of? Um? Is it the one

0:28:39.600 --> 0:28:44.600
<v Speaker 1>in Beauty and the Beast with Gaston singing in the tavern? No,

0:28:45.360 --> 0:28:48.960
<v Speaker 1>it is stick to the status quo from High School Musical,

0:28:50.360 --> 0:28:53.880
<v Speaker 1>because about like, I seem like one thing, but here's

0:28:53.880 --> 0:28:57.680
<v Speaker 1>my secret dream. I want to break dance. I like baking.

0:28:58.000 --> 0:29:01.240
<v Speaker 1>I'm a skateboarder, but I play the jella Anyways, that

0:29:01.320 --> 0:29:04.240
<v Speaker 1>I was just like, Wow, it's better. It's better the

0:29:04.280 --> 0:29:06.479
<v Speaker 1>high school musical song. I liked this song, but I

0:29:06.520 --> 0:29:11.080
<v Speaker 1>was like, kind of a flagrant rip off. Stick to

0:29:12.120 --> 0:29:17.680
<v Speaker 1>see what you're saying, same premise, pre incredible, yep, Okay,

0:29:18.120 --> 0:29:21.640
<v Speaker 1>thank you so much. That's why they pay me the

0:29:21.800 --> 0:29:26.120
<v Speaker 1>medium book inside like that, So they're singing about their

0:29:26.160 --> 0:29:30.080
<v Speaker 1>their dreams, and Gosfel is following them, as are the

0:29:30.120 --> 0:29:34.480
<v Speaker 1>castle guards, as are the Stabbington brothers. So Rapunzel and

0:29:34.520 --> 0:29:38.360
<v Speaker 1>Flynn have to run off and um. During this chase,

0:29:38.560 --> 0:29:42.320
<v Speaker 1>Rapunzel and Flynn get trapped in a mind shaft or something.

0:29:42.880 --> 0:29:45.880
<v Speaker 1>It's pitch black, it's filling with water. But then Rapunzel

0:29:45.920 --> 0:29:48.760
<v Speaker 1>remembers that her hair is magic and it glows when

0:29:48.800 --> 0:29:51.640
<v Speaker 1>you sing that special song, so she does that to

0:29:51.920 --> 0:29:54.680
<v Speaker 1>kind of light the way and allow them to escape.

0:29:55.480 --> 0:29:58.840
<v Speaker 1>She then uses her hair to heal a cut on

0:29:58.920 --> 0:30:03.000
<v Speaker 1>Flynn's hand, and he's like, oh my gosh, wow. And

0:30:03.040 --> 0:30:07.440
<v Speaker 1>then they're vibing and they're like flirting, and then he

0:30:07.480 --> 0:30:10.960
<v Speaker 1>goes off to get some firewood, much like Shrek goes

0:30:11.000 --> 0:30:15.320
<v Speaker 1>off to get some firewood after he and Fiona. How

0:30:15.680 --> 0:30:19.880
<v Speaker 1>men really? Do men who help you out of the tower?

0:30:19.920 --> 0:30:23.480
<v Speaker 1>Do you be getting firewood? Don't they? It is a

0:30:23.640 --> 0:30:27.320
<v Speaker 1>trope at this point. Yeah, So he's off and it's

0:30:27.360 --> 0:30:30.719
<v Speaker 1>just Rapunzel and then Gothel shows up and she's like

0:30:30.760 --> 0:30:34.160
<v Speaker 1>what the hell Rapunzel, and Rapunzel is like, Flynn likes me,

0:30:34.640 --> 0:30:38.800
<v Speaker 1>and I am enjoying this freedom and Gothel is like,

0:30:39.440 --> 0:30:42.240
<v Speaker 1>no way, he's just sticking around because he wants that

0:30:42.360 --> 0:30:44.680
<v Speaker 1>crown that you have and he'll leave you as soon

0:30:44.720 --> 0:30:47.320
<v Speaker 1>as he gets it, and she gives the crown back

0:30:47.360 --> 0:30:51.280
<v Speaker 1>to Rapunzel, and Gothel disappears with a with like a play.

0:30:51.440 --> 0:30:54.520
<v Speaker 1>You can you can tell she's like plotting something. So

0:30:54.560 --> 0:30:56.920
<v Speaker 1>the next morning we're Punzel and Flynn set off for

0:30:56.960 --> 0:31:01.120
<v Speaker 1>the castle and they befriend maximum missed the horse along

0:31:01.160 --> 0:31:05.240
<v Speaker 1>the way. They get to the castle, Rapunzel gets her

0:31:05.280 --> 0:31:08.280
<v Speaker 1>hair braided and then she livens up the place with

0:31:08.520 --> 0:31:12.040
<v Speaker 1>dance and music and drawings and everywhere that Rapunzel goes,

0:31:12.560 --> 0:31:16.280
<v Speaker 1>she just kind of inspires the best in people. She's

0:31:16.280 --> 0:31:21.720
<v Speaker 1>not like other girls. Caitlin, she's nice, question Mark, she's nice.

0:31:22.160 --> 0:31:25.239
<v Speaker 1>She and Flynn also seemed to be vibing more. And

0:31:25.280 --> 0:31:28.120
<v Speaker 1>then he takes her out on a little boat and

0:31:28.360 --> 0:31:32.240
<v Speaker 1>across the way the King and Queen release hundreds of lanterns.

0:31:32.280 --> 0:31:36.600
<v Speaker 1>It's very beautiful and romantic, and Rapunzel and Flynn almost kiss,

0:31:37.120 --> 0:31:41.640
<v Speaker 1>but oh no, the Stabbington brothers show up and they

0:31:41.760 --> 0:31:45.200
<v Speaker 1>want Rapunzel because Goffel had told them that she and

0:31:45.280 --> 0:31:48.800
<v Speaker 1>her hair are very valuable. So they try to kidnap

0:31:48.800 --> 0:31:51.800
<v Speaker 1>her um, but Goffel shows up and knocks them out.

0:31:52.680 --> 0:31:55.560
<v Speaker 1>While this is happening, it seems like Flynn has taken

0:31:55.600 --> 0:31:59.920
<v Speaker 1>off with the crown and like betrayed Rapunzel much while

0:32:00.040 --> 0:32:03.240
<v Speaker 1>not much like not to keep comparing this to Shrek,

0:32:03.600 --> 0:32:06.880
<v Speaker 1>but it's like that second act point during Shrek where

0:32:06.920 --> 0:32:10.160
<v Speaker 1>Shrek thinks that Fiona has is like saying that he's

0:32:10.200 --> 0:32:12.440
<v Speaker 1>not good enough for her, when really she's discussing her

0:32:12.480 --> 0:32:18.720
<v Speaker 1>own insecurities. So a misunderstanding is pulling the couple apart. True, yes,

0:32:20.080 --> 0:32:24.200
<v Speaker 1>Then Goffel takes Rapunzel back to her tower, where after

0:32:24.240 --> 0:32:29.200
<v Speaker 1>examining all the art that Rapunzel has made over the years,

0:32:29.240 --> 0:32:33.360
<v Speaker 1>she realizes a pattern the shape of the sun always appears,

0:32:33.680 --> 0:32:37.760
<v Speaker 1>which is like the symbol of the castle and kingdom,

0:32:37.840 --> 0:32:41.280
<v Speaker 1>and she realizes that she is the daughter of the

0:32:41.400 --> 0:32:46.600
<v Speaker 1>king and Queen. So she confronts Goffel now knowing that

0:32:46.680 --> 0:32:49.760
<v Speaker 1>she was kidnapped and the Gothel has been using Rapunzel's

0:32:49.800 --> 0:32:55.440
<v Speaker 1>magic hair all of these years, and they have an altercation. Meanwhile,

0:32:55.880 --> 0:33:00.240
<v Speaker 1>Flynn is about to be hanged for his like thievery,

0:33:00.480 --> 0:33:03.520
<v Speaker 1>but all the guys from the Tavern show up and

0:33:03.680 --> 0:33:06.560
<v Speaker 1>save him. So he gets on Max the horse and

0:33:06.680 --> 0:33:11.880
<v Speaker 1>races two Rapunzel's tower. But oh no, Gosseel stabs Flynn

0:33:12.080 --> 0:33:15.840
<v Speaker 1>when he shows up, which is I honestly I kind

0:33:15.840 --> 0:33:17.640
<v Speaker 1>of forgot that that happened. And I was like, whoa,

0:33:17.920 --> 0:33:20.920
<v Speaker 1>I know, I feel like you don't usually get that.

0:33:21.760 --> 0:33:23.880
<v Speaker 1>I didn't hate it, like I feel like I'm always

0:33:23.920 --> 0:33:27.000
<v Speaker 1>complaining about how Disney villains aren't allowed to be like

0:33:27.320 --> 0:33:30.760
<v Speaker 1>absolutely evil anymore. Um, and I was like, oh, she

0:33:30.960 --> 0:33:37.080
<v Speaker 1>literally stab Zachary Levi. That falls under the column of evil. Yeah,

0:33:37.120 --> 0:33:41.280
<v Speaker 1>it's it's more overt violence than we've seen in Disney

0:33:41.280 --> 0:33:44.040
<v Speaker 1>movies in a long time. Like usually there isn't like

0:33:44.400 --> 0:33:47.040
<v Speaker 1>if violence does happen, it's only very suggested, or it

0:33:47.440 --> 0:33:51.400
<v Speaker 1>happens off screen or someone falls off a cliff. But

0:33:51.640 --> 0:33:54.320
<v Speaker 1>I honestly did not. I mean, if I was a kid,

0:33:54.360 --> 0:33:58.680
<v Speaker 1>I probably would have been pretty scared, but like make

0:33:58.760 --> 0:34:02.680
<v Speaker 1>kids afraid again. Well the so, okay, what happens after

0:34:02.720 --> 0:34:06.280
<v Speaker 1>this is Rapunzel strikes a deal with Gothel. If she

0:34:06.600 --> 0:34:10.080
<v Speaker 1>lets Rapunzel, he'll Flynn with her hair. She will go

0:34:10.160 --> 0:34:14.840
<v Speaker 1>willingly with Gothel, but if not, she'll basically fight every

0:34:14.880 --> 0:34:17.439
<v Speaker 1>waking moment of her life to try to get away

0:34:17.440 --> 0:34:22.480
<v Speaker 1>from Gothel. So she goes to He'll Flynn, but he

0:34:22.719 --> 0:34:26.240
<v Speaker 1>chops off all of Rapunzel's hair, making her the baldest

0:34:26.239 --> 0:34:31.200
<v Speaker 1>woman in charge, so that Gothel will die and Rapunzel

0:34:31.239 --> 0:34:34.600
<v Speaker 1>will be free of her. But like Gothel's death here

0:34:34.760 --> 0:34:39.360
<v Speaker 1>is very scary for children's movie because like the horror

0:34:39.400 --> 0:34:41.279
<v Speaker 1>imagery of it all, Like if I was a kid

0:34:41.280 --> 0:34:43.759
<v Speaker 1>and I saw that they well they body horror the

0:34:43.960 --> 0:34:46.600
<v Speaker 1>ship out of this character for a moment one But

0:34:46.719 --> 0:34:50.400
<v Speaker 1>you're I totally agree where the ending is like brutal.

0:34:50.800 --> 0:34:53.120
<v Speaker 1>The only thing that they you know, I guess relieve

0:34:53.160 --> 0:34:54.759
<v Speaker 1>you of is you don't have to see her girl

0:34:55.040 --> 0:34:59.000
<v Speaker 1>splat because she turns into dust before she hits the ground.

0:34:59.160 --> 0:35:02.320
<v Speaker 1>I kind of love and someone turns to dust. But

0:35:02.600 --> 0:35:06.000
<v Speaker 1>it is also a very very witch canon to turn

0:35:06.000 --> 0:35:08.000
<v Speaker 1>evil witch canon to turn to dust, because that's what

0:35:08.040 --> 0:35:09.759
<v Speaker 1>happens to the Witch from the Wizard of Oz. She

0:35:09.840 --> 0:35:12.400
<v Speaker 1>just doesn't oh yeah, she just kind of melts and disappears.

0:35:12.480 --> 0:35:14.520
<v Speaker 1>Yeah yeah, yeah, but yeah, I mean we have there's

0:35:14.520 --> 0:35:17.160
<v Speaker 1>a whole discussion around Gotholpe, but that is that is

0:35:17.160 --> 0:35:21.640
<v Speaker 1>a pretty even by like Disney standards, twenty years before

0:35:21.680 --> 0:35:25.360
<v Speaker 1>this movie came out. That's a pretty scary ending totally.

0:35:25.920 --> 0:35:29.440
<v Speaker 1>And then the Rapunzel's whole being ready to die for

0:35:30.400 --> 0:35:32.200
<v Speaker 1>we'll talk about that too, because I was just like,

0:35:32.680 --> 0:35:35.600
<v Speaker 1>I felt like that was We're so close to like

0:35:35.640 --> 0:35:41.399
<v Speaker 1>a really cool, exciting, you know, princess aversion. And then

0:35:41.960 --> 0:35:44.040
<v Speaker 1>her agency is like taken from her at the very

0:35:44.120 --> 0:35:46.800
<v Speaker 1>end of the movie, right, especially because like he cuts

0:35:46.800 --> 0:35:49.520
<v Speaker 1>off her hair rather than like her cutting off her

0:35:49.520 --> 0:35:53.200
<v Speaker 1>own hair. It would have been much better this unrelated

0:35:53.280 --> 0:35:55.480
<v Speaker 1>but like he cuts her hair off into a perfect

0:35:55.520 --> 0:36:01.680
<v Speaker 1>picks he cut Um, incredible, well done, but whatever, that's um,

0:36:01.719 --> 0:36:06.080
<v Speaker 1>that's fun movie nonsense, but not fun movie nonsense. Was Yeah,

0:36:06.120 --> 0:36:08.200
<v Speaker 1>I felt like her And we'll talk about this in

0:36:08.239 --> 0:36:11.960
<v Speaker 1>more detail in a second, but like her agency was

0:36:12.000 --> 0:36:15.600
<v Speaker 1>completely like ripped from her at the peak of the movies,

0:36:15.800 --> 0:36:18.200
<v Speaker 1>at the action where she was like, you know, you

0:36:18.280 --> 0:36:22.160
<v Speaker 1>have to be a self sacrificing person to be considered

0:36:22.400 --> 0:36:27.799
<v Speaker 1>you know, legitimate, yeah woman, and um, and then he

0:36:27.840 --> 0:36:31.440
<v Speaker 1>made the decision that ends up saving everybody. Great who

0:36:31.560 --> 0:36:34.280
<v Speaker 1>and then and then we get closure with his fucking horse.

0:36:35.760 --> 0:36:38.879
<v Speaker 1>I'm sorry I'm anti the horse. Get the horse out

0:36:38.920 --> 0:36:42.160
<v Speaker 1>of there. Yeah, I see your point. Yeah, that was

0:36:42.239 --> 0:36:46.880
<v Speaker 1>very frustrating, and we'll we'll unpack that shortly. But basically,

0:36:46.920 --> 0:36:50.000
<v Speaker 1>the movie ends with Rapunzel and Flynn professing their love

0:36:50.040 --> 0:36:54.279
<v Speaker 1>for each other. As Flynn dies and desperate to save him,

0:36:54.320 --> 0:36:57.520
<v Speaker 1>she sings the song to you know heal his wound,

0:36:57.840 --> 0:36:59.960
<v Speaker 1>but it doesn't seem like it's going to work because

0:37:00.040 --> 0:37:02.640
<v Speaker 1>her hair has been chopped off and it's not magical anymore.

0:37:03.200 --> 0:37:06.520
<v Speaker 1>But then her tear drop falls on his face a

0:37:06.640 --> 0:37:12.360
<v Speaker 1>k A a drop of sunshine perhaps, and her magic

0:37:12.400 --> 0:37:16.360
<v Speaker 1>works and he comes back to life, and then they kiss,

0:37:18.520 --> 0:37:22.160
<v Speaker 1>and then they go to the castle and she's like, hi,

0:37:22.280 --> 0:37:25.040
<v Speaker 1>Mom and dad, it's me your daughter, but I have

0:37:25.200 --> 0:37:32.000
<v Speaker 1>brown hair now, and they're like, why is there? Okay

0:37:32.040 --> 0:37:36.720
<v Speaker 1>another like does another too much Flynn moment? Get Flynn

0:37:36.760 --> 0:37:39.600
<v Speaker 1>out of that scene. I don't need Flynn in that scene.

0:37:39.880 --> 0:37:45.040
<v Speaker 1>This is like And also their reunion is wordless question

0:37:45.120 --> 0:37:49.280
<v Speaker 1>mark between her and her parents. Yeah, why no words?

0:37:49.440 --> 0:37:56.319
<v Speaker 1>And why is Flynn there? Great questions? Yes, So Rapunzel

0:37:56.400 --> 0:38:01.360
<v Speaker 1>returns to the Kingdom. The Kingdom celebrates Rapunzel and Flynn

0:38:01.400 --> 0:38:05.600
<v Speaker 1>get married and they live happily ever after. So that's

0:38:05.600 --> 0:38:08.520
<v Speaker 1>the story. Let's take a quick break and come back

0:38:08.600 --> 0:38:19.560
<v Speaker 1>to discuss. And we're back. We're back, and I've let

0:38:19.560 --> 0:38:25.120
<v Speaker 1>down my hair. I haven't. It's a mess today. Um,

0:38:25.280 --> 0:38:27.640
<v Speaker 1>where do we want to start? I mean, I should

0:38:27.640 --> 0:38:30.839
<v Speaker 1>we just start with Rapunzel herself. Yeah, I would like

0:38:30.880 --> 0:38:36.839
<v Speaker 1>to talk about, you know, her as a Disney princess

0:38:36.840 --> 0:38:39.919
<v Speaker 1>and the way that as we've hinted at, like there

0:38:39.920 --> 0:38:44.879
<v Speaker 1>are some subversions to the kind of classic Disney fairytale princess.

0:38:45.280 --> 0:38:49.280
<v Speaker 1>There are tropes that get you know, reinforced in this movie.

0:38:50.239 --> 0:38:54.760
<v Speaker 1>There's there's a lot to unpack. Um, I would say overall,

0:38:55.520 --> 0:38:57.680
<v Speaker 1>and I guess it depends on kind of what era

0:38:57.760 --> 0:39:03.000
<v Speaker 1>of Disney princess movie you compare this too. She falls

0:39:03.000 --> 0:39:05.600
<v Speaker 1>into the very classic Like you know, she's kind of

0:39:05.640 --> 0:39:07.680
<v Speaker 1>stuck in the beginning. She wants much more than this

0:39:07.760 --> 0:39:12.800
<v Speaker 1>provincial life. Um, she's not motivated by love or romance

0:39:12.840 --> 0:39:16.120
<v Speaker 1>the way that like snow White is, She's more like

0:39:16.200 --> 0:39:19.640
<v Speaker 1>she's Yeah, she's definitely doing laps around the early Disney princess.

0:39:19.800 --> 0:39:22.480
<v Speaker 1>It's more it's closer to like Belle from Beauty and

0:39:22.480 --> 0:39:25.600
<v Speaker 1>the Beast where she longs for kind of just to

0:39:25.640 --> 0:39:28.440
<v Speaker 1>see what's out there in the world. She's a prisoner

0:39:28.480 --> 0:39:31.319
<v Speaker 1>for a large portion of the movie. Yes, like Bell.

0:39:31.920 --> 0:39:35.880
<v Speaker 1>So so there's that um she I would say, is

0:39:35.960 --> 0:39:41.799
<v Speaker 1>more active and has more agency than most Disney fairy

0:39:41.840 --> 0:39:45.600
<v Speaker 1>tale princesses of older generations up into a point at

0:39:45.680 --> 0:39:48.160
<v Speaker 1>least for a good amount of the movie. And then

0:39:48.200 --> 0:39:50.600
<v Speaker 1>there's a point where there's that comes to a screeching

0:39:50.640 --> 0:39:53.120
<v Speaker 1>halt in a way that I was like, really kind

0:39:53.120 --> 0:39:56.840
<v Speaker 1>of bummed out by. Yeah, I like the I I

0:39:56.920 --> 0:40:00.360
<v Speaker 1>really I like Rapunzela. I can see I it's like

0:40:00.400 --> 0:40:01.959
<v Speaker 1>this sort of thing where like I can see where

0:40:02.000 --> 0:40:05.239
<v Speaker 1>they were trying to go with her and also like

0:40:05.680 --> 0:40:09.359
<v Speaker 1>the shut off of where they were willing, like how

0:40:09.400 --> 0:40:11.040
<v Speaker 1>far they were willing to go. Because I do think

0:40:11.040 --> 0:40:14.600
<v Speaker 1>that there are Disney princesses that came and whatever. Here

0:40:14.640 --> 0:40:17.399
<v Speaker 1>we are comparing a group of fictional women to each other,

0:40:17.440 --> 0:40:21.360
<v Speaker 1>but they are all built from the same mold, like canonically,

0:40:22.239 --> 0:40:24.239
<v Speaker 1>um and I do think that there are princesses that

0:40:24.280 --> 0:40:29.960
<v Speaker 1>came before Rapunzel that like, were more active and progressive

0:40:30.360 --> 0:40:33.920
<v Speaker 1>than Rapunzel. Mulan. I think as a person who really

0:40:33.920 --> 0:40:37.680
<v Speaker 1>comes to mind there of like Rapunzel's not topping uh

0:40:37.880 --> 0:40:42.279
<v Speaker 1>Mulan in terms of her agency and activeness and sort

0:40:42.320 --> 0:40:47.000
<v Speaker 1>of fullness of story. But I do think that she is,

0:40:47.719 --> 0:40:51.160
<v Speaker 1>especially because this is like a Disney fairy tale movie.

0:40:51.200 --> 0:40:54.160
<v Speaker 1>She seems to be, you know, the most active of

0:40:54.239 --> 0:40:58.480
<v Speaker 1>the European fairy tale princesses, of which there are a

0:40:58.560 --> 0:41:02.600
<v Speaker 1>stunning amount. I like that she is involved in a

0:41:02.600 --> 0:41:07.680
<v Speaker 1>bunch of action sequences. I like that she at least

0:41:08.400 --> 0:41:09.960
<v Speaker 1>I think that a lot of them kind of come

0:41:10.040 --> 0:41:14.600
<v Speaker 1>up hollow and kind of um ring a little. I'm

0:41:14.680 --> 0:41:17.520
<v Speaker 1>banning the word girl boss from my vocabulary because I

0:41:17.520 --> 0:41:21.040
<v Speaker 1>think it's just like misused at this point, and like

0:41:21.160 --> 0:41:24.480
<v Speaker 1>sometimes people say girl boss when they say woman with agency,

0:41:24.560 --> 0:41:27.040
<v Speaker 1>and it's kind of like I think it's sometimes using

0:41:27.040 --> 0:41:28.960
<v Speaker 1>a misogynist way at this point, and it bothers me.

0:41:30.160 --> 0:41:33.000
<v Speaker 1>But I think that, you know, it's like, I don't know,

0:41:33.160 --> 0:41:36.360
<v Speaker 1>the Rapunzel stands up to her mom several times, but

0:41:36.400 --> 0:41:39.120
<v Speaker 1>it usually ends up being story wise, kind of a

0:41:39.160 --> 0:41:42.880
<v Speaker 1>hollow gesture because ultimately what severs her tie from her

0:41:42.920 --> 0:41:47.960
<v Speaker 1>mom something Flynn does whatever. But but I don't I

0:41:47.960 --> 0:41:50.440
<v Speaker 1>don't know they were definitely pros and constant. I like

0:41:50.600 --> 0:41:53.759
<v Speaker 1>her a lot. I like her a lot. I like

0:41:53.840 --> 0:41:58.440
<v Speaker 1>how she's written. I love Manny Moore's performance. I like

0:41:58.560 --> 0:42:01.799
<v Speaker 1>that she like us as all of the skills that

0:42:01.920 --> 0:42:06.279
<v Speaker 1>she has, and like participates in the action usually in

0:42:06.440 --> 0:42:11.160
<v Speaker 1>about equal measure. She rescues Flynn a number of times.

0:42:11.560 --> 0:42:14.839
<v Speaker 1>He also rescues her. But it does feel like, I mean,

0:42:15.239 --> 0:42:17.720
<v Speaker 1>even though whatever, we've already said this and will continue

0:42:17.760 --> 0:42:21.080
<v Speaker 1>to discuss, Like, I think Flynn has an outsized presence

0:42:21.080 --> 0:42:23.880
<v Speaker 1>in this movie in a way that is not you know,

0:42:24.040 --> 0:42:26.279
<v Speaker 1>I mean, there's Disney executives that say that that was

0:42:26.400 --> 0:42:30.080
<v Speaker 1>very on purpose, but given that that is the choice

0:42:30.120 --> 0:42:34.200
<v Speaker 1>they made. I like that they are usually fighting and

0:42:34.239 --> 0:42:38.040
<v Speaker 1>rescuing each other in equal measure. Like, it's not like

0:42:38.960 --> 0:42:41.560
<v Speaker 1>and that she you know, she's using her hair. She's

0:42:41.600 --> 0:42:45.000
<v Speaker 1>like tarzanning around on her fucking hair. It's really cool.

0:42:45.840 --> 0:42:50.120
<v Speaker 1>She does fight and defend herself. She chooses to deceive

0:42:50.200 --> 0:42:53.319
<v Speaker 1>her mom, she chooses to you know, take Flynn as

0:42:53.320 --> 0:42:57.800
<v Speaker 1>her hostage, and I like it. I like her. Yeah,

0:42:57.840 --> 0:43:00.239
<v Speaker 1>there's also like she's cool. Not only is she able

0:43:00.280 --> 0:43:04.640
<v Speaker 1>to engage in like combat, she also um like chooses

0:43:04.719 --> 0:43:08.200
<v Speaker 1>non violence sometimes where like that scene in the tavern,

0:43:08.840 --> 0:43:11.520
<v Speaker 1>which I think is also an interesting subversion of like

0:43:12.280 --> 0:43:14.759
<v Speaker 1>but you would expect of like, oh, all these like

0:43:15.120 --> 0:43:19.920
<v Speaker 1>toxic men end up being like I want to be

0:43:19.960 --> 0:43:22.680
<v Speaker 1>a concert pianist, I want to be a mom. You know,

0:43:22.719 --> 0:43:25.680
<v Speaker 1>like all these artistic pursuits doesn't mean that you can't

0:43:25.680 --> 0:43:28.680
<v Speaker 1>also be toxic if you're a male artist. But I

0:43:28.760 --> 0:43:34.560
<v Speaker 1>just the point is, you know, she inspires, like she

0:43:34.920 --> 0:43:38.279
<v Speaker 1>inspires people to follow their dreams, and she inspires the

0:43:38.320 --> 0:43:41.560
<v Speaker 1>best in people. Um, but I agree, Yeah, there there

0:43:41.640 --> 0:43:47.520
<v Speaker 1>is an outside presence of the male lead in the movie,

0:43:47.600 --> 0:43:51.120
<v Speaker 1>which which men in general and in general, like there's

0:43:51.200 --> 0:43:55.279
<v Speaker 1>so many ancillary men in this movie. I feel that

0:43:55.360 --> 0:43:57.520
<v Speaker 1>because I like this movie and I'm coming down harder

0:43:57.560 --> 0:43:59.520
<v Speaker 1>on it than I'm expecting to I was expecting to.

0:44:00.200 --> 0:44:03.520
<v Speaker 1>But I do I mean Rapunza, Yeah, I totally agree

0:44:03.520 --> 0:44:06.600
<v Speaker 1>with you. Where it's like she has moments of action

0:44:06.680 --> 0:44:09.000
<v Speaker 1>and combat and then she also has moments where she

0:44:09.080 --> 0:44:12.120
<v Speaker 1>chooses non violence and it pays off in a big way.

0:44:12.800 --> 0:44:16.040
<v Speaker 1>I think that that's good. I feel like often empathy

0:44:16.360 --> 0:44:20.200
<v Speaker 1>and listening to people is regarded as a very like

0:44:20.440 --> 0:44:25.400
<v Speaker 1>traditionally feminine trait, and sometimes that's presented as bad as

0:44:25.440 --> 0:44:28.239
<v Speaker 1>a weakness. Yeah, when it's like when it's the reality

0:44:28.360 --> 0:44:33.000
<v Speaker 1>is like everyone should everyone has the capacity for that,

0:44:33.120 --> 0:44:38.040
<v Speaker 1>and everyone, regardless of gender right can do everything right right,

0:44:38.120 --> 0:44:41.840
<v Speaker 1>And it's like everyone is capable of empathy. So that

0:44:42.160 --> 0:44:44.040
<v Speaker 1>I like that she chooses moments and then then the

0:44:44.120 --> 0:44:46.239
<v Speaker 1>same as much as I can't stand the horse, she

0:44:46.320 --> 0:44:50.880
<v Speaker 1>negotiates with the horse and one moment where and and

0:44:50.880 --> 0:44:54.839
<v Speaker 1>and it does feel like that's intentionally done because there

0:44:54.880 --> 0:44:59.280
<v Speaker 1>are moments where Flynn is choosing combat again and again,

0:44:59.440 --> 0:45:02.560
<v Speaker 1>and then it's Rapunzel's talking and listening to people that

0:45:02.640 --> 0:45:06.520
<v Speaker 1>actually resolves the problem in the tavern and with the horse,

0:45:06.520 --> 0:45:08.600
<v Speaker 1>because Flynn is also fighting his horse, because why is

0:45:08.600 --> 0:45:12.319
<v Speaker 1>this horse here? Um? And that like on Flynn's and

0:45:12.960 --> 0:45:18.880
<v Speaker 1>his you know, penchant for swashbuckling is you know, masking

0:45:19.000 --> 0:45:23.120
<v Speaker 1>a lot of his own insecurities, which we learn about,

0:45:23.160 --> 0:45:26.200
<v Speaker 1>We learned his back story. We learned that he has

0:45:26.239 --> 0:45:29.000
<v Speaker 1>like kind of put on this fake persona as a

0:45:29.040 --> 0:45:32.480
<v Speaker 1>defense mechanism. More or less, he wants, he wanted much

0:45:32.520 --> 0:45:37.600
<v Speaker 1>more than that orphanage life. Um. So, so you know,

0:45:37.640 --> 0:45:41.280
<v Speaker 1>I like, I liked I liked that. I like Rapunzel

0:45:41.480 --> 0:45:44.440
<v Speaker 1>is like a more I feel like she had. She

0:45:44.520 --> 0:45:48.799
<v Speaker 1>has traits that your traditional Disney princess has, which is

0:45:48.840 --> 0:45:55.480
<v Speaker 1>like extreme loyalty, a lot of empathyness. Empathy inspires people

0:45:55.480 --> 0:45:59.440
<v Speaker 1>to follow her your dreams, like you're saying. But also

0:45:59.840 --> 0:46:02.319
<v Speaker 1>the those are traits that are very important to who

0:46:02.400 --> 0:46:05.520
<v Speaker 1>she is. But it's not like all she's capable. She

0:46:06.000 --> 0:46:10.520
<v Speaker 1>gets angry, she understands, at least when her mother's disrespecting her.

0:46:10.560 --> 0:46:14.960
<v Speaker 1>She doesn't always even to understand Flinn's doing it. But um,

0:46:15.280 --> 0:46:20.040
<v Speaker 1>Rapunzel is. I like her. I'm pro I just think

0:46:20.040 --> 0:46:23.359
<v Speaker 1>that there are certain things that um undercut what a

0:46:23.440 --> 0:46:27.520
<v Speaker 1>cool character they set up there, such as and we

0:46:27.600 --> 0:46:31.640
<v Speaker 1>hinted at this also, but the big climactic moment at

0:46:31.680 --> 0:46:35.319
<v Speaker 1>the end is her ending up with a man and

0:46:35.640 --> 0:46:38.440
<v Speaker 1>like being in a Head of Row romance. When the

0:46:38.560 --> 0:46:41.359
<v Speaker 1>narrative that had been set up for her was I

0:46:41.440 --> 0:46:43.839
<v Speaker 1>want to escape this tower. I want to like go

0:46:43.920 --> 0:46:47.160
<v Speaker 1>and see the lanterns, which could be kind of code

0:46:47.200 --> 0:46:49.960
<v Speaker 1>at for just like I want to see the world

0:46:50.000 --> 0:46:52.360
<v Speaker 1>and explore and discover who I am, she wants to

0:46:52.360 --> 0:46:56.719
<v Speaker 1>be where the people are. Disney prince basic ship. She

0:46:56.800 --> 0:47:01.040
<v Speaker 1>wants to or and slash Quasimodo like Wealthy Mottel also

0:47:01.280 --> 0:47:04.400
<v Speaker 1>Tower canon, get me out of this tower cannon evil

0:47:04.440 --> 0:47:07.960
<v Speaker 1>person in the Tower canon. So so she has these

0:47:08.040 --> 0:47:13.560
<v Speaker 1>kind of dreams too. But then also like you could

0:47:14.080 --> 0:47:19.239
<v Speaker 1>argue that like her wanting to go out and and

0:47:19.239 --> 0:47:22.239
<v Speaker 1>and you know, discover herself, discover the world her, you know,

0:47:22.320 --> 0:47:25.480
<v Speaker 1>find her place in the world. Part of a lot

0:47:25.520 --> 0:47:29.839
<v Speaker 1>of people's journey of self discovery involves figuring out what

0:47:29.880 --> 0:47:32.000
<v Speaker 1>type of relationships you want to be in, and some

0:47:32.080 --> 0:47:36.000
<v Speaker 1>of those relationships might be romantic, so you know that

0:47:36.360 --> 0:47:40.160
<v Speaker 1>is a thing for a lot of people. Um, but

0:47:40.920 --> 0:47:44.200
<v Speaker 1>it just it still feels like here we are with

0:47:44.239 --> 0:47:48.279
<v Speaker 1>another like Disney Fairytale Princess story, and of course she

0:47:48.360 --> 0:47:52.359
<v Speaker 1>has to end up in a hetero romance at the end,

0:47:52.840 --> 0:47:55.799
<v Speaker 1>right And it's like they I think it's interesting and

0:47:55.920 --> 0:48:00.800
<v Speaker 1>very like of the time, how they choose to skirt

0:48:00.840 --> 0:48:03.160
<v Speaker 1>the fact that that's absolutely what they're doing. I thought

0:48:03.160 --> 0:48:06.319
<v Speaker 1>it was like I I Caitlin I l o lt

0:48:07.080 --> 0:48:12.239
<v Speaker 1>when they do this fucking like gymnastics thing at the

0:48:12.360 --> 0:48:14.200
<v Speaker 1>end where they're like, well we didn't get married right

0:48:14.200 --> 0:48:16.440
<v Speaker 1>away and it's like all done in voiceover, was like,

0:48:16.480 --> 0:48:18.479
<v Speaker 1>we didn't get married right away, but a couple of years,

0:48:18.560 --> 0:48:20.239
<v Speaker 1>and we dated for a couple of years, and then

0:48:20.360 --> 0:48:22.520
<v Speaker 1>of course we got married. And then you still see

0:48:22.560 --> 0:48:23.959
<v Speaker 1>the wedding like you do at the end of any

0:48:24.160 --> 0:48:27.959
<v Speaker 1>fucking Disney movie. But they they do this really quick,

0:48:28.040 --> 0:48:30.960
<v Speaker 1>like oh, no, we get it. That's like that's weird,

0:48:31.239 --> 0:48:34.440
<v Speaker 1>and you're like, well, in whatever royalty, that's not actually

0:48:34.520 --> 0:48:37.400
<v Speaker 1>really that weird. But they're like, but no, we dated,

0:48:37.400 --> 0:48:41.000
<v Speaker 1>we're regular, We're just like you, and then we and

0:48:41.040 --> 0:48:43.239
<v Speaker 1>then the movie ends exactly like you know it's going

0:48:43.280 --> 0:48:45.719
<v Speaker 1>to end. I just like that was like I think

0:48:45.760 --> 0:48:49.000
<v Speaker 1>one of the many like two like we're trying to

0:48:49.080 --> 0:48:52.759
<v Speaker 1>do something, but actually we are not courageous enough to

0:48:52.760 --> 0:48:56.600
<v Speaker 1>actually stick the landing on doing it, which is a

0:48:56.640 --> 0:48:59.600
<v Speaker 1>lot of things in this movie. I thought that, like, well, actually,

0:48:59.600 --> 0:49:04.680
<v Speaker 1>before we get to Flynn, let's talk frying pan. Is

0:49:04.680 --> 0:49:08.880
<v Speaker 1>it frying pan time? Let's let's pivoting to frying pans.

0:49:09.560 --> 0:49:12.959
<v Speaker 1>Let's take a let's take a break, and then we'll

0:49:13.000 --> 0:49:23.520
<v Speaker 1>get to frying pan. So be right back and we

0:49:23.600 --> 0:49:27.040
<v Speaker 1>are back. We're back, all right, frying pan time for

0:49:27.200 --> 0:49:30.040
<v Speaker 1>frying pan discourse. So I mean, let's kind of I

0:49:30.080 --> 0:49:32.560
<v Speaker 1>think that this is kind of I have a feeling

0:49:32.600 --> 0:49:34.799
<v Speaker 1>we're on the same track with this, and I think

0:49:34.800 --> 0:49:38.680
<v Speaker 1>it's an interesting look. We've been doing the show for

0:49:39.360 --> 0:49:42.520
<v Speaker 1>six years now, and I think that there has been

0:49:43.120 --> 0:49:48.760
<v Speaker 1>a lot of um development in ways to have feminist

0:49:48.840 --> 0:49:52.680
<v Speaker 1>and intersectional feminist discourse during that time. Certainly, I think

0:49:52.719 --> 0:49:57.640
<v Speaker 1>perhaps we would have had a more kind of uh,

0:49:58.000 --> 0:50:02.799
<v Speaker 1>I guess there's a very two intends way to criticize

0:50:03.080 --> 0:50:06.239
<v Speaker 1>some movies that maybe don't hold up as well now,

0:50:06.360 --> 0:50:12.000
<v Speaker 1>and I think frying pan discourse um is an area

0:50:12.040 --> 0:50:16.120
<v Speaker 1>where there's been a little bit of shifting. So that mind,

0:50:16.440 --> 0:50:20.000
<v Speaker 1>let's let's talk frying pan. So Rapunzel for people who

0:50:20.080 --> 0:50:23.320
<v Speaker 1>haven't seen Tangled but are still listening, and we celebrate

0:50:23.360 --> 0:50:28.640
<v Speaker 1>that Rapunzel her like go to weapon is frying frying pan,

0:50:28.880 --> 0:50:30.799
<v Speaker 1>which we have said on this show before, and I

0:50:30.840 --> 0:50:34.160
<v Speaker 1>think in some cases it genuinely is true. Can be

0:50:34.360 --> 0:50:39.120
<v Speaker 1>a sort of sexist trope. We've seen it many times,

0:50:39.160 --> 0:50:41.440
<v Speaker 1>and I think in a lot of older movies it

0:50:41.600 --> 0:50:43.879
<v Speaker 1>is kind of a sexist trope where it's just like, well,

0:50:43.880 --> 0:50:46.360
<v Speaker 1>what would a woman fight with body, very domestic object.

0:50:46.480 --> 0:50:49.680
<v Speaker 1>That's the basis of frying pan discourse. We we have

0:50:49.719 --> 0:50:53.080
<v Speaker 1>talked about this trope a lot on the cast where

0:50:53.120 --> 0:50:56.680
<v Speaker 1>what we tend to see in movies is combat scenes.

0:50:57.080 --> 0:51:00.600
<v Speaker 1>If women are allowed to participate in the action, the

0:51:00.680 --> 0:51:04.080
<v Speaker 1>story is written so that the women are made to

0:51:04.160 --> 0:51:08.919
<v Speaker 1>fight with household objects, and frying pan comes up again

0:51:08.960 --> 0:51:11.800
<v Speaker 1>and again. We saw this in like Raiders of the

0:51:11.840 --> 0:51:14.120
<v Speaker 1>Lost Art we see it and who framed Roger Rabbit

0:51:14.760 --> 0:51:16.600
<v Speaker 1>other examples that I can't remember off the top of

0:51:16.640 --> 0:51:19.719
<v Speaker 1>my head. I think a lot of horror movies this happens. Yeah,

0:51:19.719 --> 0:51:22.400
<v Speaker 1>I mean there's a lot of kitchen knife staff the

0:51:22.400 --> 0:51:28.880
<v Speaker 1>original Halloween that makes more sense, but um, there's also

0:51:29.360 --> 0:51:33.200
<v Speaker 1>Disney cartoons this has taken place in like sure plenty

0:51:33.200 --> 0:51:36.160
<v Speaker 1>of times. I don't think by a primary character, but

0:51:36.239 --> 0:51:39.480
<v Speaker 1>I do specifically remember like a villager from Beauty and

0:51:39.520 --> 0:51:41.680
<v Speaker 1>the Beast fighting with a frying pan like this has

0:51:41.719 --> 0:51:48.799
<v Speaker 1>happened in animation, live action for for generations generations. So

0:51:48.840 --> 0:51:52.000
<v Speaker 1>this is what women are expected to fight with, whereas

0:51:52.120 --> 0:51:55.560
<v Speaker 1>men in the same combat scenes in the same movie

0:51:56.239 --> 0:52:00.080
<v Speaker 1>are equipped with weapons, actual weapons that they fight with.

0:52:00.440 --> 0:52:05.880
<v Speaker 1>The implication often being well women can't Slash don't know

0:52:05.920 --> 0:52:09.200
<v Speaker 1>how Slash, don't have the skills, Slash could never develop

0:52:09.280 --> 0:52:13.440
<v Speaker 1>the skills to fight with weapons. But they do know

0:52:13.520 --> 0:52:18.480
<v Speaker 1>their way around frying pans and other household objects, ones

0:52:18.520 --> 0:52:21.359
<v Speaker 1>that are especially gendered if you consider, like, oh, well,

0:52:21.400 --> 0:52:25.359
<v Speaker 1>women have historically been expected to cook and clean, so

0:52:25.400 --> 0:52:27.960
<v Speaker 1>they know how to use like frying pans and brooms,

0:52:28.480 --> 0:52:31.239
<v Speaker 1>and those are their weapons now. So, like you said,

0:52:31.239 --> 0:52:34.440
<v Speaker 1>a lot of movies in those scenes do have those

0:52:34.680 --> 0:52:41.840
<v Speaker 1>sexist implications. But as with pretty much everything, context is

0:52:41.960 --> 0:52:47.720
<v Speaker 1>very important. And when you consider Rapunzel's context, where by

0:52:47.840 --> 0:52:58.080
<v Speaker 1>you know, whereby whereby whereby? Gothel controls everything that Rapunzel

0:52:58.120 --> 0:53:00.799
<v Speaker 1>has access to, and this is a whole separate conversation,

0:53:00.960 --> 0:53:04.880
<v Speaker 1>and she certainly wouldn't be giving Rapunzel access to weapons

0:53:04.920 --> 0:53:08.680
<v Speaker 1>of any kind. Exactly. The only thing that Rapunzel does

0:53:08.719 --> 0:53:13.160
<v Speaker 1>have access to our household items. And if you have

0:53:13.360 --> 0:53:17.600
<v Speaker 1>an intruder, a cast iron skillet is a pretty decent weapon.

0:53:17.960 --> 0:53:21.279
<v Speaker 1>It's heavy, it'll do damage, it's got to handle, so

0:53:21.320 --> 0:53:24.080
<v Speaker 1>it's easy to wield, etcetera. I was kind of saying,

0:53:24.120 --> 0:53:26.879
<v Speaker 1>I was thinking of like, just because the opening song

0:53:27.160 --> 0:53:30.759
<v Speaker 1>is like puns getting more and more bored of the

0:53:30.800 --> 0:53:35.000
<v Speaker 1>mostly domestic, e kind of tasks and activities that are

0:53:35.040 --> 0:53:38.719
<v Speaker 1>made available to her. Um which again, like that context

0:53:38.800 --> 0:53:40.880
<v Speaker 1>is important. It's not like she has a choice of

0:53:40.920 --> 0:53:44.720
<v Speaker 1>everything to do in the world and she's choosing sewing, cooking, cleaning,

0:53:44.800 --> 0:53:46.960
<v Speaker 1>like those are the only things she's given to do.

0:53:47.200 --> 0:53:50.080
<v Speaker 1>Her life is very thoroughly controlled. So totally the only

0:53:50.120 --> 0:53:52.879
<v Speaker 1>other thing I was like, m get those knitting needles

0:53:53.400 --> 0:53:55.960
<v Speaker 1>in in the mix, but it's like the cats are

0:53:55.960 --> 0:53:59.399
<v Speaker 1>in skillet I I totally agree, is like the most

0:53:59.440 --> 0:54:02.640
<v Speaker 1>easily yield the ball weapon And why does she use it?

0:54:02.840 --> 0:54:04.560
<v Speaker 1>She uses it quite a bit, to the point where

0:54:04.600 --> 0:54:08.560
<v Speaker 1>it becomes a motif throughout the movie, where so Flynn

0:54:08.600 --> 0:54:11.000
<v Speaker 1>uses it himself as a weapon, which I thought was cool.

0:54:11.160 --> 0:54:14.640
<v Speaker 1>So what happens basically that the trajectory of the frying

0:54:14.680 --> 0:54:17.719
<v Speaker 1>pan is this where Puntal uses it several times on

0:54:17.840 --> 0:54:22.279
<v Speaker 1>Flynn when he first comes into the tower, and she

0:54:22.440 --> 0:54:26.319
<v Speaker 1>like does damage with it. She knocks him unconscious several times.

0:54:26.320 --> 0:54:29.799
<v Speaker 1>She then brings it along on the journey outside of

0:54:29.800 --> 0:54:33.319
<v Speaker 1>the tower and brandishes it as a weapon anytime she

0:54:33.440 --> 0:54:36.080
<v Speaker 1>feels she's in danger. So that happens a number of

0:54:36.080 --> 0:54:39.120
<v Speaker 1>times later, Like you said, Flynn uses it as a

0:54:39.120 --> 0:54:41.800
<v Speaker 1>weapon when he's fighting off the guards in that scene

0:54:42.160 --> 0:54:45.560
<v Speaker 1>what they're at the damn and he loves it. He's like, Wow,

0:54:45.600 --> 0:54:48.080
<v Speaker 1>this is such an effective weapon. I'm going to get

0:54:48.080 --> 0:54:51.000
<v Speaker 1>myself days and it is. And then towards the end,

0:54:51.320 --> 0:54:55.680
<v Speaker 1>when the Ruffians are saving Flynn from being hanged, one

0:54:55.760 --> 0:54:58.400
<v Speaker 1>of them uses the frying pan to knock out a

0:54:58.440 --> 0:55:01.000
<v Speaker 1>guard and he and Flynn are both like, wooho, what

0:55:01.120 --> 0:55:05.880
<v Speaker 1>an awesome weapon. So, while this trope has been seen

0:55:06.719 --> 0:55:10.160
<v Speaker 1>again and again in movies, specifically with women wielding a

0:55:10.239 --> 0:55:13.759
<v Speaker 1>fronting pan as a weapon, I feel like when you

0:55:13.800 --> 0:55:17.680
<v Speaker 1>consider the context and what Rapunzel has access to, and

0:55:17.760 --> 0:55:21.080
<v Speaker 1>the fact that it then is used as a weapon

0:55:21.200 --> 0:55:25.759
<v Speaker 1>by multiple characters across the gender spectrum, I feel like

0:55:25.800 --> 0:55:30.360
<v Speaker 1>it's a little bit more nuanced and tangled. I agree,

0:55:30.719 --> 0:55:33.000
<v Speaker 1>um yeah, And I like that they kind of it almost.

0:55:33.120 --> 0:55:37.400
<v Speaker 1>It felt more like they were commenting on that trope

0:55:37.480 --> 0:55:41.239
<v Speaker 1>that when it appears as often very baseless and like

0:55:41.280 --> 0:55:43.080
<v Speaker 1>you were saying, with the assumption that it's like this

0:55:43.160 --> 0:55:46.160
<v Speaker 1>is all they would know how to use because women

0:55:46.200 --> 0:55:51.320
<v Speaker 1>are pans, But in this case, they I got contextualized

0:55:51.320 --> 0:55:54.399
<v Speaker 1>it well, Rapunzel wield it as a weapon over and over,

0:55:55.440 --> 0:55:58.279
<v Speaker 1>did we I mean, and and I whatever. I think

0:55:58.320 --> 0:56:00.400
<v Speaker 1>that this is open for criticism. But the fact that

0:56:00.560 --> 0:56:05.719
<v Speaker 1>Flynn validated it as a weapon, which like m hm,

0:56:06.360 --> 0:56:09.399
<v Speaker 1>but two ten, I see what they were trying to do.

0:56:10.239 --> 0:56:12.840
<v Speaker 1>So yeah, I think maybe maybe a bit of a

0:56:12.880 --> 0:56:18.839
<v Speaker 1>twist on the pan discourse you're expecting exactly. So let's

0:56:18.920 --> 0:56:22.839
<v Speaker 1>let's get into Flynn a little bit. Um So, he's

0:56:22.880 --> 0:56:26.760
<v Speaker 1>kind of he's a bit of an Aladdin type. Um.

0:56:26.800 --> 0:56:30.400
<v Speaker 1>I would say he's he's a steeler, he's a crimer.

0:56:30.560 --> 0:56:33.560
<v Speaker 1>He doesn't have a mama or a dad, you know,

0:56:33.600 --> 0:56:37.120
<v Speaker 1>he doesn't have a parent, So he's like Aladdin without

0:56:37.120 --> 0:56:42.720
<v Speaker 1>the class stuff basically. Sure, so he's kind of swashbuckling around.

0:56:43.560 --> 0:56:46.320
<v Speaker 1>The thing is like with Flynn for the most part,

0:56:46.719 --> 0:56:49.440
<v Speaker 1>I like, don't dislike him as a character. I do

0:56:49.480 --> 0:56:50.960
<v Speaker 1>think there's a lot of things he does at the

0:56:51.000 --> 0:56:55.600
<v Speaker 1>beginning of the narrative with Rapunzel where he clearly wants

0:56:55.640 --> 0:56:58.719
<v Speaker 1>to get rid of her. He just wants to get

0:56:58.760 --> 0:57:00.520
<v Speaker 1>what he needs and go on his way. And I

0:57:00.560 --> 0:57:03.279
<v Speaker 1>get that that's his character journey. He needs to realize

0:57:03.400 --> 0:57:07.640
<v Speaker 1>that that's a shitty way to behave. But he's pretty

0:57:07.719 --> 0:57:11.160
<v Speaker 1>cruel to her at the beginning and like notices her

0:57:12.160 --> 0:57:16.640
<v Speaker 1>insecurities and fear of her own mother, and instead of

0:57:16.640 --> 0:57:20.760
<v Speaker 1>talking to her about it, weaponizes it against her two

0:57:20.800 --> 0:57:22.720
<v Speaker 1>times back to back. At first he was like, I've

0:57:22.760 --> 0:57:26.360
<v Speaker 1>noticed that you are feeling a lot of grief and

0:57:26.480 --> 0:57:30.640
<v Speaker 1>guilt and confusion about whether you should be like striking

0:57:30.680 --> 0:57:32.360
<v Speaker 1>out on your own, which to go back to a

0:57:32.360 --> 0:57:34.600
<v Speaker 1>puzzle for a second, I thought, was I liked that

0:57:34.640 --> 0:57:38.840
<v Speaker 1>they showed that in her where like it felt like

0:57:39.040 --> 0:57:42.840
<v Speaker 1>you know, for Disney fantasy movie, pretty realistic of like

0:57:43.240 --> 0:57:47.280
<v Speaker 1>her mom repeatedly guilts her for like thinking she would

0:57:47.280 --> 0:57:49.880
<v Speaker 1>be capable of doing it anything, So of course when

0:57:49.920 --> 0:57:52.640
<v Speaker 1>she gets out and she enjoys it, she's like, I'm

0:57:52.680 --> 0:57:56.720
<v Speaker 1>a horrible person. No great, the complicated feelings, right, which

0:57:56.760 --> 0:57:59.640
<v Speaker 1>is a relatable feeling to some extent for for a

0:57:59.640 --> 0:58:03.520
<v Speaker 1>lot of people. But Flynn, you know, obviously like notices

0:58:03.560 --> 0:58:06.400
<v Speaker 1>exactly what's going on and instead uses it instead of

0:58:06.880 --> 0:58:10.560
<v Speaker 1>saying what is obvious, which is like your mom treats

0:58:10.560 --> 0:58:14.000
<v Speaker 1>you really badly and like you should feel okay about

0:58:14.040 --> 0:58:16.720
<v Speaker 1>striking out on your own, like you're not doing anything wrong.

0:58:17.120 --> 0:58:19.640
<v Speaker 1>He had Stead says like, wow, looks like you like

0:58:19.720 --> 0:58:22.120
<v Speaker 1>he does exactly what her mom does, and he does

0:58:22.160 --> 0:58:26.040
<v Speaker 1>that a couple different times. And as much as I

0:58:26.080 --> 0:58:30.280
<v Speaker 1>appreciate that you get context into Flynn's character and you

0:58:30.320 --> 0:58:33.440
<v Speaker 1>get some insight into why he is the way he is,

0:58:34.280 --> 0:58:36.720
<v Speaker 1>I felt like it was like a pointed thing that

0:58:36.760 --> 0:58:39.919
<v Speaker 1>you get that for Flynn, who treats her the same

0:58:40.000 --> 0:58:43.280
<v Speaker 1>way as Gothel at the beginning of the movie. But

0:58:43.400 --> 0:58:46.800
<v Speaker 1>you don't get that for Gothel. She is just a

0:58:46.880 --> 0:58:51.080
<v Speaker 1>villainous villain who is old but wants to be young,

0:58:51.280 --> 0:58:54.680
<v Speaker 1>and that is it. There is no more context we'll

0:58:54.680 --> 0:58:57.760
<v Speaker 1>get into discussion around her, but the whole like you

0:58:57.800 --> 0:59:03.360
<v Speaker 1>know old Crone stereotype that like an anxiety around aging

0:59:03.520 --> 0:59:07.240
<v Speaker 1>for women is a personal defect and not part of

0:59:07.280 --> 0:59:10.919
<v Speaker 1>a larger societal pressure. It's like, oh, that's that's on you,

0:59:11.040 --> 0:59:14.600
<v Speaker 1>which I thought was kind of like incredible that they

0:59:14.640 --> 0:59:17.160
<v Speaker 1>didn't like in two thousand ten. I felt like, come on,

0:59:18.200 --> 0:59:22.240
<v Speaker 1>but you know, like Flynn certainly grows as a character

0:59:22.520 --> 0:59:27.000
<v Speaker 1>throughout the movie whatever, Like he has an outsized presence

0:59:27.040 --> 0:59:30.040
<v Speaker 1>in the movie, which is why you get the context

0:59:30.120 --> 0:59:33.400
<v Speaker 1>for him that you do. Um, I think that context

0:59:33.600 --> 0:59:37.080
<v Speaker 1>is pretty effective. But he never like correct me Mark.

0:59:37.160 --> 0:59:40.920
<v Speaker 1>He never really apologizes for doing what he does at

0:59:40.920 --> 0:59:44.640
<v Speaker 1>the beginning, which is very manipulative and cruel. It's not nice,

0:59:44.720 --> 0:59:49.400
<v Speaker 1>that's not boyfriendship to do. Yeah. I was frustrated by

0:59:49.640 --> 0:59:52.959
<v Speaker 1>the romantic storyline because you know that that's where it's going,

0:59:53.000 --> 0:59:55.960
<v Speaker 1>that they're going to end up together. We saw it

0:59:56.000 --> 0:59:59.880
<v Speaker 1>in Trek, We saw it in every fairy tale ever made,

1:00:00.160 --> 1:00:05.360
<v Speaker 1>but most importantly, most importantly in Trek, where he starts

1:00:05.400 --> 1:00:08.600
<v Speaker 1>out as a dick. Yeah, he's manipulative. He weaponizes her

1:00:08.640 --> 1:00:12.640
<v Speaker 1>own insecurities against her. He tries to like seduce her

1:00:12.960 --> 1:00:15.880
<v Speaker 1>at various moments where he's like, let me do this, smolder.

1:00:16.160 --> 1:00:20.040
<v Speaker 1>You know, he's just trying to like use various manipulation

1:00:20.080 --> 1:00:23.640
<v Speaker 1>tactics to get what he wants out of her, and

1:00:23.960 --> 1:00:28.360
<v Speaker 1>doesn't treat her well along the way. Uh. Of course

1:00:28.360 --> 1:00:31.880
<v Speaker 1>he does soften up as the story goes. I also

1:00:31.920 --> 1:00:36.360
<v Speaker 1>don't really know why they like each other by the end.

1:00:36.520 --> 1:00:39.840
<v Speaker 1>This is a problem I have with most romantic storylines

1:00:39.880 --> 1:00:42.160
<v Speaker 1>and movies, where it's like, well, yes, they're both attractive

1:00:42.240 --> 1:00:45.680
<v Speaker 1>and they are near each other, but what else, why

1:00:45.760 --> 1:00:49.760
<v Speaker 1>else are they drawn to each other in a sustainable

1:00:49.960 --> 1:00:53.680
<v Speaker 1>way that would like sustain a relationship. I don't really

1:00:53.720 --> 1:00:57.240
<v Speaker 1>see it here at least. And this is like giving

1:00:57.640 --> 1:01:01.680
<v Speaker 1>the movie probably credit that it doesn't do serve but um,

1:01:01.720 --> 1:01:04.560
<v Speaker 1>because Rapunzel has been locked in a tower for eighteen

1:01:04.640 --> 1:01:09.240
<v Speaker 1>years and has never ventured out into the world, there

1:01:09.400 --> 1:01:12.920
<v Speaker 1>was I thought a big danger of the born Sexy

1:01:13.040 --> 1:01:16.640
<v Speaker 1>Yesterday trope being leaned into where she wouldn't know anything.

1:01:16.720 --> 1:01:20.880
<v Speaker 1>She wouldn't know sure what common objects were, or like

1:01:20.960 --> 1:01:24.440
<v Speaker 1>how to interact with people or things like that. She

1:01:24.520 --> 1:01:28.120
<v Speaker 1>does fall in love with the first man she meets, Yes,

1:01:28.200 --> 1:01:31.760
<v Speaker 1>that is part of that trope, but she is able

1:01:31.800 --> 1:01:34.880
<v Speaker 1>to hold her own as a person out in the

1:01:34.920 --> 1:01:39.320
<v Speaker 1>world far better than you know, other born Sexy Yesterday tropes.

1:01:39.440 --> 1:01:42.400
<v Speaker 1>I agree, And I think that that is like contextualized

1:01:42.680 --> 1:01:45.120
<v Speaker 1>by the fact that she interacts with her mom all

1:01:45.160 --> 1:01:47.640
<v Speaker 1>the time, who like doesn't seem to have a vested

1:01:47.680 --> 1:01:50.920
<v Speaker 1>interest in keeping her away from very basic knowledge. And

1:01:51.000 --> 1:01:53.080
<v Speaker 1>she read the toun so it's not like she would

1:01:53.880 --> 1:01:57.200
<v Speaker 1>have any understanding of how that works. So that all

1:01:57.240 --> 1:01:59.080
<v Speaker 1>made sense for me in context, And I feel like

1:01:59.520 --> 1:02:06.400
<v Speaker 1>saved us a lot of annoying trophy, like what is this? Um? Yeah, yeah,

1:02:06.640 --> 1:02:08.240
<v Speaker 1>Like I think the only moment you get that is

1:02:08.280 --> 1:02:10.280
<v Speaker 1>when she puts her feet on the grass, which I

1:02:10.280 --> 1:02:12.760
<v Speaker 1>thought was actually kind of beautiful and made me tear up.

1:02:13.120 --> 1:02:16.120
<v Speaker 1>It was nice. Um. But yeah, so I appreciate it

1:02:16.160 --> 1:02:23.160
<v Speaker 1>that that wasn't a part of the story. But Flynn overall,

1:02:23.400 --> 1:02:29.240
<v Speaker 1>it is especially annoying to me because and maybe maybe

1:02:29.280 --> 1:02:33.760
<v Speaker 1>I could be talked out of this. But her goal,

1:02:33.920 --> 1:02:38.520
<v Speaker 1>her desire that drives most of the narrative is to

1:02:38.560 --> 1:02:41.280
<v Speaker 1>go see these lanterns, which again you can kind of

1:02:41.320 --> 1:02:44.920
<v Speaker 1>interpret as just a larger like I want to venture

1:02:44.920 --> 1:02:47.120
<v Speaker 1>out into the world and see what the world has

1:02:47.160 --> 1:02:49.720
<v Speaker 1>to offer and see where what my places in the world.

1:02:49.720 --> 1:02:52.680
<v Speaker 1>Because she also like feels this connection. She's like, who

1:02:52.720 --> 1:02:56.400
<v Speaker 1>am I What these lanterns happen on my birthday? Is

1:02:56.400 --> 1:02:59.680
<v Speaker 1>it related to me and my backs? You know? She like,

1:02:59.720 --> 1:03:02.479
<v Speaker 1>once to figure out all these things totally all works

1:03:02.520 --> 1:03:04.920
<v Speaker 1>for me, And I wish that that had been the

1:03:04.960 --> 1:03:08.120
<v Speaker 1>actual resolution of the story in the big climactic moment

1:03:08.360 --> 1:03:11.520
<v Speaker 1>rather than and it's part of it, of course, but

1:03:12.000 --> 1:03:16.880
<v Speaker 1>the big climactic moment having her recaptured, recaped, and then

1:03:16.920 --> 1:03:21.960
<v Speaker 1>like she has to save Flynn, and she's prepared to

1:03:22.000 --> 1:03:26.240
<v Speaker 1>like sacrifice her freedom in order to save him. And then,

1:03:26.440 --> 1:03:30.160
<v Speaker 1>like we said, he's the one who chops off her

1:03:30.200 --> 1:03:34.760
<v Speaker 1>hair thereby saving her, which takes away her agency. I

1:03:34.880 --> 1:03:38.640
<v Speaker 1>saved her from herself, Like I just really didn't like that.

1:03:38.680 --> 1:03:40.720
<v Speaker 1>I kind of forgot that that was how it ended.

1:03:41.040 --> 1:03:43.520
<v Speaker 1>I remembered that her hair gets cut off, and that's

1:03:43.760 --> 1:03:47.840
<v Speaker 1>how like the villain is defeated. But I thought I

1:03:47.920 --> 1:03:50.120
<v Speaker 1>was like certain that she cut off her own hair

1:03:50.400 --> 1:03:52.600
<v Speaker 1>so that when so when he did it, I was like, what,

1:03:52.960 --> 1:03:55.960
<v Speaker 1>that's ridiculous. Well, here here's Jamie's a little hot tech.

1:03:56.040 --> 1:03:58.320
<v Speaker 1>If she were the protagonist of the movie, she would

1:03:58.320 --> 1:04:00.560
<v Speaker 1>have But I don't think she's the protagonist of the movie.

1:04:00.640 --> 1:04:03.920
<v Speaker 1>I think it's Flynn because of all this other stuff

1:04:03.920 --> 1:04:06.360
<v Speaker 1>that we'll talk about in a second. But like, if

1:04:06.400 --> 1:04:08.840
<v Speaker 1>the protagonists in the movie is going to do anything,

1:04:08.960 --> 1:04:11.880
<v Speaker 1>it's going to be defeat the villain. She doesn't defeat

1:04:11.880 --> 1:04:15.440
<v Speaker 1>the villain that she has the closer relationship with. Flynn

1:04:15.480 --> 1:04:20.080
<v Speaker 1>has never met this lady, Like there's no reason, even

1:04:20.080 --> 1:04:22.240
<v Speaker 1>like storytelling, why is that he would be the one

1:04:22.280 --> 1:04:25.120
<v Speaker 1>to defeat a villain he has no connection to we've

1:04:25.160 --> 1:04:28.040
<v Speaker 1>seen like everything, I kind of wonder at what, like

1:04:28.160 --> 1:04:29.920
<v Speaker 1>if there there has to be a draft of this

1:04:29.960 --> 1:04:33.120
<v Speaker 1>script where she does it, because that's what the whole

1:04:33.160 --> 1:04:37.439
<v Speaker 1>movie is fucking building. We see her, she has two

1:04:37.520 --> 1:04:41.439
<v Speaker 1>or three I thought, pretty effective confrontations, and she keeps

1:04:41.480 --> 1:04:45.440
<v Speaker 1>trying to escape her mother's grasp and then is not successful.

1:04:45.800 --> 1:04:48.440
<v Speaker 1>That doesn't even bother me, Like she's in this like

1:04:48.880 --> 1:04:52.760
<v Speaker 1>abusive situation you don't always get out on the first try.

1:04:52.840 --> 1:04:56.000
<v Speaker 1>But it's a fucking kids fantasy movie. She should be

1:04:56.040 --> 1:04:59.360
<v Speaker 1>the one to remove herself from the situation at the end,

1:04:59.400 --> 1:05:02.960
<v Speaker 1>but she's in stead ready to trap herself in that

1:05:03.080 --> 1:05:08.480
<v Speaker 1>situation permanently in order to rescue the first guy she's

1:05:08.520 --> 1:05:11.280
<v Speaker 1>ever met. And it's just like I felt like it

1:05:11.400 --> 1:05:14.920
<v Speaker 1>doubled down worse than Disney movies that were coming out

1:05:14.960 --> 1:05:17.800
<v Speaker 1>twenty years before this, Like it just it really bumped

1:05:17.800 --> 1:05:21.320
<v Speaker 1>me out, Like she doesn't get to kill the fucking villain,

1:05:21.880 --> 1:05:25.240
<v Speaker 1>especially we have spent so much time, Like it would

1:05:25.240 --> 1:05:27.760
<v Speaker 1>have been so satisfying if she and it still would

1:05:27.760 --> 1:05:31.040
<v Speaker 1>have had all the ages stuff going on, but it

1:05:31.080 --> 1:05:33.440
<v Speaker 1>would have like I just like, it doesn't even make

1:05:33.480 --> 1:05:35.760
<v Speaker 1>sense as a movie for Flynn to be the one

1:05:35.920 --> 1:05:38.560
<v Speaker 1>to initiate the ending. But I think that he's like

1:05:38.600 --> 1:05:43.400
<v Speaker 1>the movies protagonist. Honestly, we see it's more than change

1:05:43.440 --> 1:05:47.080
<v Speaker 1>in him than we see change in Rapunzel. He's the

1:05:47.120 --> 1:05:49.520
<v Speaker 1>first fucking face you see on the screen. He's narrating

1:05:49.560 --> 1:05:51.320
<v Speaker 1>the movie for some reason. I don't even think she's

1:05:51.320 --> 1:05:54.919
<v Speaker 1>the protagonist of her own movie, which is why that's

1:05:55.000 --> 1:05:57.880
<v Speaker 1>like it bothers me. I would maybe argue that she

1:05:58.480 --> 1:06:02.360
<v Speaker 1>is like a dual protagonist situation, but why it should

1:06:02.400 --> 1:06:05.160
<v Speaker 1>just be Rapunzel. He doesn't have a song, I guess

1:06:05.160 --> 1:06:08.200
<v Speaker 1>except for this song where they're like kiss the Girling.

1:06:08.320 --> 1:06:11.880
<v Speaker 1>I mean, it's it's her desire and goal that drives

1:06:12.120 --> 1:06:16.920
<v Speaker 1>the narrative, So I would are you dual protagonists? But

1:06:17.320 --> 1:06:20.160
<v Speaker 1>even so, it's like, well, it's a princess movie. Why

1:06:20.200 --> 1:06:22.360
<v Speaker 1>are we I think that that, Like that's something that

1:06:22.400 --> 1:06:24.840
<v Speaker 1>bothers me, is like they're like, the way that we're

1:06:24.880 --> 1:06:29.640
<v Speaker 1>going to subvert the princess movie is by making a

1:06:29.640 --> 1:06:33.240
<v Speaker 1>man a dual protagonist. Like that just does not work

1:06:33.280 --> 1:06:35.520
<v Speaker 1>for me. Not that it's like you can't have a

1:06:35.680 --> 1:06:40.000
<v Speaker 1>buddy movie with characters of more than one gender. That's

1:06:40.000 --> 1:06:43.280
<v Speaker 1>totally fine, but it's like, just because of the way

1:06:43.360 --> 1:06:46.320
<v Speaker 1>this movie was specifically marketed as like this is a

1:06:46.360 --> 1:06:49.960
<v Speaker 1>new kind of princess movie, where a lot of the

1:06:49.960 --> 1:06:55.800
<v Speaker 1>princess movies suck ass and are like reinforcing every trope

1:06:55.840 --> 1:06:59.040
<v Speaker 1>in the book and every stereotype in the book. But

1:06:59.200 --> 1:07:02.080
<v Speaker 1>at least they are clearly the protagonist. I agree with

1:07:02.080 --> 1:07:06.040
<v Speaker 1>what you're saying, like Nn isn't the um soul protagonist,

1:07:06.120 --> 1:07:09.000
<v Speaker 1>but it doesn't make any fucking sense that he gets

1:07:09.040 --> 1:07:15.440
<v Speaker 1>the final blow in that storyline, especially because the movie

1:07:15.600 --> 1:07:17.720
<v Speaker 1>up until that point seems to have a very vested

1:07:17.760 --> 1:07:23.560
<v Speaker 1>interest in making Rapunzel way more active, especially versus how

1:07:23.600 --> 1:07:27.160
<v Speaker 1>she is in the brother's grim fairy tale version of

1:07:27.240 --> 1:07:29.840
<v Speaker 1>the story. That's why I feel like pretty convinced that

1:07:29.840 --> 1:07:32.200
<v Speaker 1>there had to be a different draft of because this

1:07:32.240 --> 1:07:36.640
<v Speaker 1>movie was in development for nine thousand years and its

1:07:36.680 --> 1:07:40.520
<v Speaker 1>first draft was and they said this themselves, not in

1:07:40.560 --> 1:07:45.360
<v Speaker 1>this delightful way, but um Shreky in yes, where they

1:07:45.440 --> 1:07:48.880
<v Speaker 1>literally like we're going to do Rapunzel Shrek. But then

1:07:49.200 --> 1:07:51.480
<v Speaker 1>you know, later on in production they're like, well, we

1:07:51.520 --> 1:07:55.120
<v Speaker 1>want to like give this a more wholesome core, a

1:07:55.120 --> 1:08:00.200
<v Speaker 1>more Disney core. So you have those shreky and elements

1:08:00.560 --> 1:08:02.520
<v Speaker 1>and then you have those Disney elements. And I think

1:08:02.560 --> 1:08:05.800
<v Speaker 1>that that is the place where it's like chafing the hardest,

1:08:05.840 --> 1:08:08.720
<v Speaker 1>because if you're trying to have Flynn Ryder be Shrek,

1:08:08.800 --> 1:08:11.640
<v Speaker 1>first of all, it's not going to happen. Honey. There's

1:08:11.880 --> 1:08:16.120
<v Speaker 1>only one There's only one truck, and I wouldn't have

1:08:16.120 --> 1:08:21.040
<v Speaker 1>it any other way. But it really bugged me. Okay,

1:08:21.040 --> 1:08:24.439
<v Speaker 1>So actually, let's well, because it keeps coming up. The

1:08:24.439 --> 1:08:28.800
<v Speaker 1>production of this movie. It was in development forever. It

1:08:28.880 --> 1:08:34.200
<v Speaker 1>was originally announced as Rapunzel Unbraided in October two thousand

1:08:34.240 --> 1:08:39.320
<v Speaker 1>and three, which the director himself described as a Shrek

1:08:39.439 --> 1:08:43.679
<v Speaker 1>like version of the film. He didn't think to because

1:08:43.720 --> 1:08:46.519
<v Speaker 1>the word shreky and wasn't around back then. This was

1:08:47.080 --> 1:08:51.479
<v Speaker 1>Glenn key who started developing the story in nineteen six.

1:08:51.800 --> 1:08:56.320
<v Speaker 1>He eventually left left the project. Um but yeah, because

1:08:56.320 --> 1:08:59.639
<v Speaker 1>it wasn't shreky and enough. It wasn't. He's like, not

1:08:59.640 --> 1:09:02.479
<v Speaker 1>not sure, keen enough, I'm leaving. I'm out fair enough.

1:09:02.600 --> 1:09:05.200
<v Speaker 1>But yeah, So it started as a Glenn Keene Shrek

1:09:05.280 --> 1:09:09.200
<v Speaker 1>rip off, which is wildau Shruck was made despite Disney whatever.

1:09:09.920 --> 1:09:12.439
<v Speaker 1>The story has been told a million times, but like

1:09:12.479 --> 1:09:15.240
<v Speaker 1>it was supposed to take place in San Francisco and

1:09:15.320 --> 1:09:19.120
<v Speaker 1>revolve around teenagers named Claire and Vince, question mark, it

1:09:19.200 --> 1:09:22.320
<v Speaker 1>kind of sounds more like Enchanted than it sounds like

1:09:23.439 --> 1:09:28.559
<v Speaker 1>Shrek or Tangled. Um, but anyways, that is obviously not

1:09:29.040 --> 1:09:33.719
<v Speaker 1>uh what ended up happening. So then eventually Glenn Keene

1:09:33.800 --> 1:09:38.479
<v Speaker 1>leaves the project. Rapunzel Umbraided is changed to Rapunzel, which

1:09:38.479 --> 1:09:42.320
<v Speaker 1>makes sense. Most of the Princess movies are named for

1:09:42.800 --> 1:09:46.759
<v Speaker 1>the protagonist, um with I think the exception of Beauty

1:09:46.920 --> 1:09:51.400
<v Speaker 1>and the Beast um, but you've got the Little Mermaids,

1:09:51.520 --> 1:09:56.559
<v Speaker 1>snow White, Sleeping Beauty. Jasmine is not the protagonist of Aladdin,

1:09:56.680 --> 1:10:01.559
<v Speaker 1>so there you what Pocahontas which but it is named

1:10:01.600 --> 1:10:04.439
<v Speaker 1>after her, and so the movie is going to be

1:10:04.439 --> 1:10:06.960
<v Speaker 1>called Rapunzel. The Princess and the Frog is the one

1:10:07.000 --> 1:10:11.760
<v Speaker 1>that comes immediately before this. So the story here is

1:10:12.160 --> 1:10:16.080
<v Speaker 1>that Princess and the Frog comes out the year before Tangled.

1:10:16.800 --> 1:10:20.280
<v Speaker 1>And while it was like people enjoyed the movie, you

1:10:20.320 --> 1:10:23.040
<v Speaker 1>can listen to our episode about it that we we

1:10:23.120 --> 1:10:26.560
<v Speaker 1>simply cannot get into it right now. There's pros and cons.

1:10:26.600 --> 1:10:29.439
<v Speaker 1>But the movie was considered to have underperformed at the

1:10:29.479 --> 1:10:33.519
<v Speaker 1>box office. And the reason that they decided that it

1:10:33.600 --> 1:10:36.480
<v Speaker 1>underperformed at the box office is because the word princess

1:10:36.640 --> 1:10:42.960
<v Speaker 1>was in the title, which, allegedly, per Disney executives, meant

1:10:43.080 --> 1:10:45.799
<v Speaker 1>that young boys would not want to see a movie

1:10:45.840 --> 1:10:49.120
<v Speaker 1>with the word princess in the title, or a movie

1:10:49.240 --> 1:10:54.880
<v Speaker 1>named after a princess. So they rework the story to

1:10:54.960 --> 1:10:59.000
<v Speaker 1>have to protagonists, including an action boy named Flynn Ryder,

1:10:59.439 --> 1:11:03.960
<v Speaker 1>and they change the movie's title from Rapunzel two Tangled,

1:11:04.080 --> 1:11:07.519
<v Speaker 1>which I think rightfully caused a lot of controversy and

1:11:07.560 --> 1:11:13.679
<v Speaker 1>I think annoyance within the company. Um onkind of quote

1:11:13.840 --> 1:11:19.080
<v Speaker 1>a former Disney Pixar animator named Floyd Norman, who said, quote,

1:11:19.160 --> 1:11:21.160
<v Speaker 1>the idea of changing the title of a classic like

1:11:21.240 --> 1:11:24.960
<v Speaker 1>Rapunzel to Tangle just beyond stupid. I'm convinced they'll gain

1:11:25.040 --> 1:11:27.920
<v Speaker 1>nothing from this except the public seeing Disney as desperately

1:11:27.920 --> 1:11:31.800
<v Speaker 1>trying to find an audience. We've got another writer named

1:11:31.800 --> 1:11:34.960
<v Speaker 1>Margot McGowan saying, can you imagine if Disney switched to

1:11:35.000 --> 1:11:37.840
<v Speaker 1>movie title so it wouldn't risk highlighting a male star.

1:11:38.280 --> 1:11:41.360
<v Speaker 1>It's awful that this kind of radical gender discrimination exists

1:11:41.400 --> 1:11:44.200
<v Speaker 1>for our smallest people, which at first I was like,

1:11:44.200 --> 1:11:46.160
<v Speaker 1>what do you mean by that? She means kids, children,

1:11:46.560 --> 1:11:49.160
<v Speaker 1>little little kids who come into this world with huge

1:11:49.160 --> 1:11:52.000
<v Speaker 1>imaginations and aspirations, big dreams that get squashed by a

1:11:52.040 --> 1:11:55.880
<v Speaker 1>bunch of billionaire guys who run massive entertainment franchises. People

1:11:55.920 --> 1:11:58.760
<v Speaker 1>had fun with, you know, being like, what what are

1:11:58.760 --> 1:12:02.080
<v Speaker 1>we gonna call Little Mermaid beached or whatever? Like it

1:12:02.200 --> 1:12:05.799
<v Speaker 1>is kind of an obvious thing. And then UM famous

1:12:06.400 --> 1:12:10.400
<v Speaker 1>sexual harasser John Lasseter finally spoke out on the issue

1:12:11.200 --> 1:12:13.960
<v Speaker 1>UM four years after the movie is released in March

1:12:15.600 --> 1:12:18.479
<v Speaker 1>um saying that this was in fact why it had

1:12:18.520 --> 1:12:22.680
<v Speaker 1>been done, in order to and this is like very

1:12:22.840 --> 1:12:25.559
<v Speaker 1>business e in the in the Weeds terminology that I

1:12:25.560 --> 1:12:28.960
<v Speaker 1>didn't even know existed improve the film's appeal to the

1:12:29.120 --> 1:12:35.479
<v Speaker 1>four quadrants UM, father's Son, Holy Spirit, and women. Um.

1:12:36.160 --> 1:12:41.639
<v Speaker 1>There but Lassater says, quote, there was an audience perception

1:12:41.680 --> 1:12:44.000
<v Speaker 1>that these movies were just for little girls. But when boys,

1:12:44.080 --> 1:12:46.920
<v Speaker 1>men whatever actually see these movies, they liked them. So

1:12:46.960 --> 1:12:49.479
<v Speaker 1>on Rapunzela, we changed the name and we called it Tangled.

1:12:49.640 --> 1:12:51.360
<v Speaker 1>We did marketing that made the people who would not

1:12:51.400 --> 1:12:54.760
<v Speaker 1>normally show up say, hey, this looks pretty good unquote,

1:12:55.240 --> 1:12:59.360
<v Speaker 1>and um, the movie did do very well at the

1:12:59.439 --> 1:13:02.960
<v Speaker 1>box office, or at least outperformed what the Princess and

1:13:03.000 --> 1:13:06.040
<v Speaker 1>the Frog had taken in. And so I think that

1:13:06.080 --> 1:13:13.200
<v Speaker 1>this ethos was considered like, alright, cool male protagonist. I

1:13:13.240 --> 1:13:17.040
<v Speaker 1>went back and watched two of the official trailers for

1:13:17.120 --> 1:13:22.240
<v Speaker 1>this movie, and both of them make it seem like

1:13:22.720 --> 1:13:27.040
<v Speaker 1>Flynn Ryder is the sole protagonist of the movie and

1:13:27.280 --> 1:13:31.320
<v Speaker 1>the Rapunzel is barely a character based on just like

1:13:31.840 --> 1:13:36.080
<v Speaker 1>the screen time and the activity that both characters are

1:13:36.120 --> 1:13:41.160
<v Speaker 1>allotted in the trailers, and both of the trailers really

1:13:41.200 --> 1:13:47.760
<v Speaker 1>emphasized Finn's Flynn what is it Flynn's Flynn's swashbuckling and

1:13:47.880 --> 1:13:51.839
<v Speaker 1>like all of his his like he's riding horses, he's fighting,

1:13:51.880 --> 1:13:54.120
<v Speaker 1>he's doing all this stuff that has featured far more

1:13:54.160 --> 1:13:58.960
<v Speaker 1>prominently than anything related to Rapunzel's story and her like

1:13:59.280 --> 1:14:01.120
<v Speaker 1>I have this and I want to go on that

1:14:01.280 --> 1:14:05.560
<v Speaker 1>is left out of the marketing, exhausting the movie. I

1:14:05.560 --> 1:14:08.640
<v Speaker 1>remember a similar thing happening to Mohanna, where I was

1:14:08.680 --> 1:14:13.400
<v Speaker 1>watching mo Wanna trailers and now he was the protagonists,

1:14:13.479 --> 1:14:16.960
<v Speaker 1>so which at least they were able to name the

1:14:17.040 --> 1:14:21.080
<v Speaker 1>movie Mohanna, Like, it does seem like and maybe it

1:14:21.160 --> 1:14:24.280
<v Speaker 1>was like Frozen that was able to turn this car

1:14:24.320 --> 1:14:29.640
<v Speaker 1>around and like having dual female protagonists being wildly successful.

1:14:29.640 --> 1:14:31.439
<v Speaker 1>They're like, maybe we don't need to go down this

1:14:31.920 --> 1:14:35.640
<v Speaker 1>road of giving the love interest this outsize presence in

1:14:35.680 --> 1:14:38.680
<v Speaker 1>the movie. I that's my guess off the top of

1:14:38.720 --> 1:14:42.160
<v Speaker 1>my head of why you were allowed to name movies

1:14:42.200 --> 1:14:45.840
<v Speaker 1>after female protagonists. Again, it's all money. It has nothing

1:14:45.880 --> 1:14:49.360
<v Speaker 1>to do with you know, giving a shit about equity

1:14:49.479 --> 1:14:53.400
<v Speaker 1>or anything like that. Um, but um, you know, I'm

1:14:53.439 --> 1:14:57.280
<v Speaker 1>sure that Frozen being a billion dollar franchise contributed to that.

1:14:57.320 --> 1:15:02.080
<v Speaker 1>But this is such a bizarre moment for Like, it

1:15:02.240 --> 1:15:05.280
<v Speaker 1>sucks because Rapunzel is a very cool character and I

1:15:05.320 --> 1:15:08.920
<v Speaker 1>don't I don't even mind that Flynn has I think

1:15:08.960 --> 1:15:11.639
<v Speaker 1>it it is actually like a positive adjustment for the

1:15:11.680 --> 1:15:17.080
<v Speaker 1>princess world that I mean, such a popular criticism of

1:15:17.560 --> 1:15:22.559
<v Speaker 1>Disney princesses is that the Disney princes is that they

1:15:22.600 --> 1:15:25.080
<v Speaker 1>have no personality and they're boring and you have no

1:15:25.120 --> 1:15:28.679
<v Speaker 1>idea why she would be interested in him. This movie

1:15:28.800 --> 1:15:34.040
<v Speaker 1>feels like a major overcorrection of that issue. I think

1:15:34.080 --> 1:15:39.280
<v Speaker 1>that Flynn having a personality is great. I like that

1:15:39.320 --> 1:15:41.720
<v Speaker 1>now and in Frozen, which is not a movie that

1:15:41.800 --> 1:15:45.760
<v Speaker 1>I have any love for. Really like Frozen too much better,

1:15:46.360 --> 1:15:50.040
<v Speaker 1>but um, you know, the love interests have or like

1:15:50.120 --> 1:15:54.400
<v Speaker 1>Anna's husband guy has a personality, like you at least

1:15:54.439 --> 1:15:57.200
<v Speaker 1>have some understanding of why are there at least attempting

1:15:57.240 --> 1:15:59.920
<v Speaker 1>to let you know why they're interested in each other.

1:16:00.439 --> 1:16:03.280
<v Speaker 1>I think that that's important and good. There are still

1:16:03.600 --> 1:16:07.760
<v Speaker 1>two white hetero couples giving a man more of a personality.

1:16:07.960 --> 1:16:13.200
<v Speaker 1>It feels like a real half step in sideways. But

1:16:13.200 --> 1:16:16.160
<v Speaker 1>but it's whatever the point being like, great, let's have

1:16:16.200 --> 1:16:20.240
<v Speaker 1>Flynn have a personality, But that doesn't mean that giving

1:16:20.320 --> 1:16:23.760
<v Speaker 1>him a personality means the movie should then be about him.

1:16:24.720 --> 1:16:29.840
<v Speaker 1>Plus like especially when that personality is he's kind of

1:16:29.880 --> 1:16:33.519
<v Speaker 1>a dick for a large swath of the movie, right right,

1:16:33.800 --> 1:16:35.640
<v Speaker 1>and it feels like he's like, well, it's okay that

1:16:35.720 --> 1:16:39.880
<v Speaker 1>I'm a dick because I'm better, and you're like, well,

1:16:39.920 --> 1:16:41.719
<v Speaker 1>but I do feel like they try, which is also

1:16:41.720 --> 1:16:43.800
<v Speaker 1>a very Disney choice, and I know that that's a

1:16:43.840 --> 1:16:47.439
<v Speaker 1>lot of like I feel like with Rapunzel, she is

1:16:47.880 --> 1:16:51.600
<v Speaker 1>a very abused person, and she's still extremely kind and

1:16:51.840 --> 1:16:54.200
<v Speaker 1>extremely empathetic and wants to see the best in people.

1:16:54.439 --> 1:16:56.639
<v Speaker 1>So it doesn't really play for me that it's like, well,

1:16:56.720 --> 1:17:00.120
<v Speaker 1>Flynn grew up in an orphanage, which obviously is an

1:17:00.120 --> 1:17:03.720
<v Speaker 1>extremely difficult thing, but they've both had difficult childhoods. It

1:17:03.760 --> 1:17:06.519
<v Speaker 1>doesn't make it okay that he treats her like garbage,

1:17:06.760 --> 1:17:13.120
<v Speaker 1>Like yeah, so, which does that transition us to the

1:17:13.200 --> 1:17:18.400
<v Speaker 1>mother daughter relationship discussion. Let's talk about every movie's about

1:17:18.600 --> 1:17:22.040
<v Speaker 1>fathers and sons. Not this time, baby it's about it's

1:17:22.080 --> 1:17:25.880
<v Speaker 1>about mothers and daughters and Flynn Ryder. For some reason,

1:17:26.360 --> 1:17:31.280
<v Speaker 1>I have a spiel about this. Here we go go off,

1:17:31.479 --> 1:17:37.080
<v Speaker 1>thank you so Disney fairy Tale, Disney fairy Tales. As

1:17:37.120 --> 1:17:42.640
<v Speaker 1>we've discussed, yes, as we've discussed endlessly on the podcast,

1:17:43.360 --> 1:17:49.040
<v Speaker 1>they have a sordid history with mother daughter relationships because

1:17:49.360 --> 1:17:54.320
<v Speaker 1>usually the mother is dead and or there's an evil

1:17:54.439 --> 1:17:57.559
<v Speaker 1>stepmother situation. They don't kill the mother in this one.

1:17:57.600 --> 1:18:01.400
<v Speaker 1>They just almost kill her. It just don't let her talk,

1:18:01.840 --> 1:18:04.479
<v Speaker 1>They don't let her speak, and he almost dies. But

1:18:04.520 --> 1:18:06.759
<v Speaker 1>then they're like, but then we saved her, We saved

1:18:06.760 --> 1:18:08.680
<v Speaker 1>her and she's good now, and she's good and and

1:18:08.680 --> 1:18:12.320
<v Speaker 1>and so in this movie there is an evil foster

1:18:12.520 --> 1:18:17.920
<v Speaker 1>mother slash kidnapper slash captor. But because Rapunzel thinks this

1:18:18.000 --> 1:18:21.160
<v Speaker 1>is her real mother for most of the movie, let's

1:18:21.240 --> 1:18:24.799
<v Speaker 1>just call it a mother daughter relationship, even though it's

1:18:25.120 --> 1:18:29.200
<v Speaker 1>I mean, she was raised as Gothel's daughter exactly. Yes,

1:18:30.080 --> 1:18:33.120
<v Speaker 1>so we've got so let's examine Gothel for a moment.

1:18:33.240 --> 1:18:39.480
<v Speaker 1>She is emotionally abusive, she's manipulative, she gaslights Rapunzel constantly.

1:18:39.760 --> 1:18:44.479
<v Speaker 1>She's obviously using Rapunzel for her powers. So a Gothel

1:18:44.640 --> 1:18:48.760
<v Speaker 1>is dependent on Rapunzel and then has created a situation

1:18:48.800 --> 1:18:53.000
<v Speaker 1>where Rapunzel has no choice but to be dependent on Goffel.

1:18:53.240 --> 1:18:57.880
<v Speaker 1>And part of this is Gothel completely isolating Rapunzel and

1:18:57.960 --> 1:19:02.519
<v Speaker 1>being very controlling of Rapunzel's life and what she does

1:19:02.560 --> 1:19:06.520
<v Speaker 1>and does not have access to. Gothel also makes insulting

1:19:06.600 --> 1:19:09.880
<v Speaker 1>remarks to Rapunzel that she insists our jokes and then

1:19:10.000 --> 1:19:14.560
<v Speaker 1>says things like stop taking everything so seriously. Gothel blames

1:19:14.600 --> 1:19:17.679
<v Speaker 1>her own abuse of behavior on Rapunzel and then says

1:19:17.720 --> 1:19:21.000
<v Speaker 1>things like you're making me the bad guy, trying to

1:19:21.080 --> 1:19:27.280
<v Speaker 1>make Rapunzel feel guilty. So even though we do not

1:19:27.479 --> 1:19:31.880
<v Speaker 1>have a lot of great examples of loving, caring, non

1:19:31.920 --> 1:19:35.679
<v Speaker 1>toxic mother daughter relationships in movies, because most movies aren't

1:19:35.680 --> 1:19:40.320
<v Speaker 1>about mother daughter relationships, the relationship we see in this

1:19:40.520 --> 1:19:44.559
<v Speaker 1>movie is very similar to plenty of real life mother

1:19:44.680 --> 1:19:47.960
<v Speaker 1>daughter relationships. And I know that there are people who

1:19:48.280 --> 1:19:53.240
<v Speaker 1>feel very seen by this particular relationship dynamic, which is important.

1:19:53.360 --> 1:19:57.720
<v Speaker 1>People like, regardless of their circumstances, want to feel represented

1:19:57.800 --> 1:20:00.800
<v Speaker 1>and seen and validated. And and I think like the

1:20:00.880 --> 1:20:04.639
<v Speaker 1>focus on a parent child relationship in a movie of

1:20:04.680 --> 1:20:09.400
<v Speaker 1>this genre that isn't uncomplicated is cool and I feel

1:20:09.400 --> 1:20:12.120
<v Speaker 1>like it kind of Um, I don't know, I'm trying

1:20:12.160 --> 1:20:16.639
<v Speaker 1>to think of other parents. Like in earlier Disney movies,

1:20:16.720 --> 1:20:21.360
<v Speaker 1>parents are either absent, dead or you have like a

1:20:21.400 --> 1:20:25.679
<v Speaker 1>well meaning but ultimately harmful father whose behavior is never

1:20:25.800 --> 1:20:30.920
<v Speaker 1>really called out. Thinking about King Triton and Bell's goofy

1:20:31.000 --> 1:20:35.519
<v Speaker 1>dad who both you know, like, I don't know, maybe

1:20:35.560 --> 1:20:39.280
<v Speaker 1>there is like some introspection on King Triton because he

1:20:39.400 --> 1:20:42.800
<v Speaker 1>faces a consequence, which is his daughter bails on him.

1:20:42.840 --> 1:20:45.960
<v Speaker 1>But all that to say, like, you don't get a

1:20:46.000 --> 1:20:51.160
<v Speaker 1>focus like this with mother's specifically very often and it's like,

1:20:51.240 --> 1:20:54.559
<v Speaker 1>I don't know, like i'd be interested to read how

1:20:54.600 --> 1:20:56.720
<v Speaker 1>people feel about it, because it is, like, I don't know,

1:20:56.880 --> 1:21:00.880
<v Speaker 1>having a deeply narcissistic person in your life from a

1:21:00.960 --> 1:21:03.840
<v Speaker 1>very young age is really traumatic and like function your

1:21:03.880 --> 1:21:06.800
<v Speaker 1>perception of the world. And I like that going back

1:21:06.840 --> 1:21:10.439
<v Speaker 1>to seeing Rapunzel's like back and forth of like elation

1:21:10.520 --> 1:21:15.320
<v Speaker 1>and deep guilt, like that really follows, attracts, affects you. Yeah,

1:21:15.479 --> 1:21:19.840
<v Speaker 1>like I thought that that was really um whatever. I mean,

1:21:20.240 --> 1:21:24.559
<v Speaker 1>it's a Disney movie. It's not subtle um, but yeah,

1:21:24.640 --> 1:21:27.080
<v Speaker 1>it's I'm kind of like the Mother gothel stuff is

1:21:27.080 --> 1:21:30.639
<v Speaker 1>tricky because I'm of two minds about it. On one end,

1:21:30.800 --> 1:21:34.280
<v Speaker 1>I do think that representing um or like just having

1:21:34.400 --> 1:21:40.040
<v Speaker 1>a storyline with a child growing up with a very narcissistic,

1:21:40.280 --> 1:21:44.840
<v Speaker 1>manipulative parent is interesting and I do totally understand why

1:21:44.880 --> 1:21:47.920
<v Speaker 1>a lot of people felt seen in that. And I

1:21:48.200 --> 1:21:50.880
<v Speaker 1>see a different side of it where it's like, is

1:21:50.920 --> 1:21:55.320
<v Speaker 1>this not just another evil older woman who is being

1:21:55.520 --> 1:21:58.160
<v Speaker 1>demonized for wanting to be young? And it's it gets

1:21:58.160 --> 1:22:00.920
<v Speaker 1>tricky because it's like you should be angry at her

1:22:01.040 --> 1:22:03.160
<v Speaker 1>for the way she is doing it. The fact that

1:22:03.200 --> 1:22:05.680
<v Speaker 1>she in the same way that like you almost think

1:22:05.720 --> 1:22:08.479
<v Speaker 1>of like the Queen and snow White to go way

1:22:08.520 --> 1:22:12.040
<v Speaker 1>back in Disney Princess Canad where kind of a similar

1:22:12.080 --> 1:22:15.799
<v Speaker 1>motivation where the Queen wants no way to die because

1:22:15.920 --> 1:22:20.920
<v Speaker 1>she's younger and more beautiful than her. Gosthel is trapping

1:22:21.560 --> 1:22:25.640
<v Speaker 1>Rapunzel and you know, manipulating her day after day because

1:22:26.200 --> 1:22:31.519
<v Speaker 1>she needs her to remain appearing younger and quote unquote

1:22:31.520 --> 1:22:35.320
<v Speaker 1>more beautiful prevent her from aging. She's like Rapunzel is

1:22:35.400 --> 1:22:38.320
<v Speaker 1>like the touch Everlasting Tree of the movie. So I

1:22:38.320 --> 1:22:42.040
<v Speaker 1>feel like the little wrench in this is that she

1:22:42.160 --> 1:22:46.120
<v Speaker 1>needs to manipulate another woman in order to remain young.

1:22:46.200 --> 1:22:50.000
<v Speaker 1>It becomes a rivalry between these two women. So so,

1:22:50.439 --> 1:22:54.960
<v Speaker 1>but I also feel like it's having an older woman

1:22:55.560 --> 1:22:59.160
<v Speaker 1>like making it seem it's it's almost like patriarchy the

1:22:59.160 --> 1:23:01.840
<v Speaker 1>guy kind of thing where it's like, oh, well, her

1:23:01.960 --> 1:23:06.400
<v Speaker 1>fixation on appearing young, that's an evil quality, and like

1:23:06.439 --> 1:23:09.719
<v Speaker 1>there's no introspection to like, well, what about the world

1:23:09.760 --> 1:23:12.880
<v Speaker 1>has made her feel that way? Because that's a very legitimate.

1:23:13.479 --> 1:23:16.639
<v Speaker 1>Certainly in two thousand ten and also now and probably

1:23:16.680 --> 1:23:19.200
<v Speaker 1>for a long time, women are going to be made

1:23:19.360 --> 1:23:22.639
<v Speaker 1>to feel bad about aging, and they will be viewed

1:23:22.720 --> 1:23:28.960
<v Speaker 1>as less valuable by society for visibly aging. Like that's

1:23:29.040 --> 1:23:33.880
<v Speaker 1>just the factiest fact there is, unfortunately, Right, So I

1:23:34.439 --> 1:23:39.720
<v Speaker 1>feel similarly conflicted because again, like I think on the podcast,

1:23:40.320 --> 1:23:43.479
<v Speaker 1>at least, I've been guilty of seeing a toxic mother

1:23:43.560 --> 1:23:48.240
<v Speaker 1>daughter relationship and just kind of writing it off as like, oh, well,

1:23:49.080 --> 1:23:52.400
<v Speaker 1>this is two women being pinned against each other and

1:23:52.520 --> 1:23:54.559
<v Speaker 1>I don't like it. But and there's a lot more

1:23:54.640 --> 1:23:58.599
<v Speaker 1>nuance to that, because there are a lot of toxic

1:23:58.680 --> 1:24:04.759
<v Speaker 1>relationship dynamics in real life that absolutely many, if not most,

1:24:04.800 --> 1:24:09.040
<v Speaker 1>people have experienced. They deserve to be explored as much

1:24:09.040 --> 1:24:12.400
<v Speaker 1>as positive relationships do on screen. But I just think

1:24:12.439 --> 1:24:14.960
<v Speaker 1>it's very pointed that this is the first one you're

1:24:15.000 --> 1:24:17.760
<v Speaker 1>seeing and the reason that it's toxic. I think like

1:24:18.200 --> 1:24:22.400
<v Speaker 1>that's where it gets a little muddled. It feels like this,

1:24:22.600 --> 1:24:24.719
<v Speaker 1>Like again, it's like a lot of this movie where

1:24:24.760 --> 1:24:28.720
<v Speaker 1>like some of it is exploring new territory and like

1:24:28.840 --> 1:24:31.840
<v Speaker 1>pushing forward in an interesting way, but even like the

1:24:31.880 --> 1:24:33.720
<v Speaker 1>attempt to do that in this movie is still like

1:24:34.120 --> 1:24:38.479
<v Speaker 1>hampered with these older tropes that I feel like gives

1:24:38.520 --> 1:24:40.640
<v Speaker 1>what should be something that is and I'm glad that

1:24:40.680 --> 1:24:44.040
<v Speaker 1>it has really worked and made a lot of people's

1:24:44.360 --> 1:24:49.639
<v Speaker 1>family dynamics feel validated and seen in a huge movie.

1:24:50.479 --> 1:24:52.080
<v Speaker 1>But it's just like, I feel like it takes away

1:24:52.120 --> 1:24:54.160
<v Speaker 1>from it a little bit by having it hampered by

1:24:54.160 --> 1:24:57.080
<v Speaker 1>those old tropes. Yeah, the main issue for me with

1:24:57.600 --> 1:25:00.120
<v Speaker 1>this particular aspect of the story is that we end

1:25:00.200 --> 1:25:03.800
<v Speaker 1>up with a pretty one dimensional female villain. I love

1:25:03.800 --> 1:25:08.360
<v Speaker 1>a female villain, especially if their villainy is contextualized, and

1:25:08.400 --> 1:25:12.439
<v Speaker 1>not that you necessarily need context for every single movie villain,

1:25:13.320 --> 1:25:15.719
<v Speaker 1>but because this one, it does seem to be playing

1:25:15.720 --> 1:25:18.400
<v Speaker 1>into tropes, it would be nice to have a better

1:25:18.439 --> 1:25:21.880
<v Speaker 1>understanding of why Gothel is the way she is, where

1:25:21.920 --> 1:25:26.040
<v Speaker 1>she's coming from, all this stuff, especially because like this

1:25:26.080 --> 1:25:28.720
<v Speaker 1>movie has. I think it just depends on the kind

1:25:28.760 --> 1:25:30.800
<v Speaker 1>of movie you're watching, where sometimes it's like we're not

1:25:30.840 --> 1:25:33.759
<v Speaker 1>getting context for any of these characters. It's an action movie.

1:25:33.960 --> 1:25:36.880
<v Speaker 1>We're giving the protagonist context and that's it, and that

1:25:37.200 --> 1:25:39.840
<v Speaker 1>at least that's like equal. But in this this movie

1:25:39.840 --> 1:25:42.040
<v Speaker 1>goes way out of its way to give you context

1:25:42.080 --> 1:25:46.040
<v Speaker 1>for Flynn, which is a subversion of this kind of movie.

1:25:46.200 --> 1:25:48.439
<v Speaker 1>But I think that the fact that they don't. And

1:25:48.479 --> 1:25:52.120
<v Speaker 1>I love villainy evil villains. I love that she gets stabbed,

1:25:52.280 --> 1:25:56.519
<v Speaker 1>like great, totally fine by me. I like, you know,

1:25:56.640 --> 1:26:01.479
<v Speaker 1>I love a villainy villain. Jigsaw is my husband, Game over,

1:26:01.920 --> 1:26:06.320
<v Speaker 1>Game over slam r I P. But I mean and

1:26:06.360 --> 1:26:09.160
<v Speaker 1>talk about a contextualized villain Jigsaw, who they got whole

1:26:09.160 --> 1:26:13.000
<v Speaker 1>movies about it. But but I just think that if

1:26:13.040 --> 1:26:18.160
<v Speaker 1>this movie is trying to change some of the standard

1:26:18.520 --> 1:26:21.200
<v Speaker 1>mechanics of a movie like this by giving the love

1:26:21.240 --> 1:26:25.479
<v Speaker 1>interest context, not extending that to the villain feels pointed,

1:26:25.800 --> 1:26:30.120
<v Speaker 1>especially when there's so much baggage around that type of

1:26:30.680 --> 1:26:34.840
<v Speaker 1>character that like total crone archetype totally it would it

1:26:34.840 --> 1:26:39.720
<v Speaker 1>would have been nice to get some some context because otherwise, yeah,

1:26:39.720 --> 1:26:43.040
<v Speaker 1>it just feels like a harmful trope that we've seen

1:26:43.120 --> 1:26:48.400
<v Speaker 1>again and again. But in keeping with the Disney tradition,

1:26:48.479 --> 1:26:52.080
<v Speaker 1>I did really like her song. Oh it's a good one.

1:26:52.240 --> 1:26:57.720
<v Speaker 1>I like the visuals too, is it's it's kind of

1:26:57.760 --> 1:27:01.680
<v Speaker 1>tied with I also really like Rapunza opening song. I

1:27:01.720 --> 1:27:04.000
<v Speaker 1>did like that Flynn Ryder did not get a song

1:27:04.720 --> 1:27:07.799
<v Speaker 1>because I didn't need it. I also, oh, first of all,

1:27:07.960 --> 1:27:12.200
<v Speaker 1>Brad Garrett and Ron Perlman. Wow, I mean, can I

1:27:12.240 --> 1:27:15.800
<v Speaker 1>just say wow? Also, this movie is so aggressively white

1:27:15.880 --> 1:27:19.680
<v Speaker 1>it is Um. Sorry, was another thing I was going

1:27:19.760 --> 1:27:23.200
<v Speaker 1>to say about one of the things that this movie

1:27:23.360 --> 1:27:27.559
<v Speaker 1>does not subvert as far as like Disney Princess Fairytale tropes.

1:27:28.200 --> 1:27:33.040
<v Speaker 1>The character design for Rapunzel very much. She is adhering

1:27:33.120 --> 1:27:38.040
<v Speaker 1>to classic Western beauty standards. She's thin, she's white, she's blonde.

1:27:38.520 --> 1:27:42.439
<v Speaker 1>The male characters she's young, young, eighteen years old. Why

1:27:42.439 --> 1:27:44.680
<v Speaker 1>are there so many movies about eighteen year olds? What

1:27:44.800 --> 1:27:48.280
<v Speaker 1>about the movies about people double that age? Thirty six?

1:27:48.880 --> 1:27:54.600
<v Speaker 1>My ageit Toronte story, erupted story. Um, there's plenty of

1:27:54.600 --> 1:27:57.599
<v Speaker 1>those two. Anyway. My point is that all the female

1:27:57.680 --> 1:28:01.559
<v Speaker 1>characters are very classically beautiful, and then men get to

1:28:01.600 --> 1:28:05.759
<v Speaker 1>be different shapes, different shapes, different sizes, etcetera, not different colors.

1:28:05.800 --> 1:28:11.080
<v Speaker 1>Everyone is white, which is, like, I mean, such an

1:28:11.240 --> 1:28:14.960
<v Speaker 1>animation trope that we've discussed a million times at this point,

1:28:14.960 --> 1:28:17.200
<v Speaker 1>where there's no reason that there couldn't be diversity in

1:28:17.200 --> 1:28:21.439
<v Speaker 1>this movie. For and I it always really like, it

1:28:21.439 --> 1:28:24.599
<v Speaker 1>always bugs me when the excuse for that is like, well,

1:28:24.600 --> 1:28:27.000
<v Speaker 1>this movie takes place in European countries, so in the

1:28:27.000 --> 1:28:29.280
<v Speaker 1>area it was supposed to take place in, there would

1:28:29.280 --> 1:28:32.960
<v Speaker 1>not have been anyone who wasn't white. And it's like, um,

1:28:33.000 --> 1:28:35.320
<v Speaker 1>he fights a horse with a sore, like with a pan,

1:28:35.760 --> 1:28:39.280
<v Speaker 1>we can suspend our disbelief. Clearly we are like open

1:28:39.520 --> 1:28:45.120
<v Speaker 1>to not adhering to the rules of reality. Like haven't

1:28:45.160 --> 1:28:51.520
<v Speaker 1>you ever seen Brandy Cinderella seven the best fantasy adaptation

1:28:51.520 --> 1:28:56.599
<v Speaker 1>of all time? Wow, that that movie really does I'm

1:28:56.680 --> 1:28:58.960
<v Speaker 1>due for a rewatch. I really love that movie so much.

1:28:58.960 --> 1:29:01.599
<v Speaker 1>But then I'm just like, can I cry all night again?

1:29:02.760 --> 1:29:06.479
<v Speaker 1>Oh my gosh, I just got like a really nice

1:29:06.479 --> 1:29:09.160
<v Speaker 1>feeling to think about Brandy Cinderella Tangled. Yeah, it is

1:29:09.160 --> 1:29:13.000
<v Speaker 1>not diverse in any way. The most radical statement it

1:29:13.080 --> 1:29:17.080
<v Speaker 1>makes on anything is that it's okay to have brown hair,

1:29:17.400 --> 1:29:22.480
<v Speaker 1>which is so weird. Um like kind of a shockingly

1:29:24.120 --> 1:29:28.680
<v Speaker 1>like nothing message, like you can have a shitty haircut,

1:29:28.800 --> 1:29:30.920
<v Speaker 1>sorry but I don't like Rapundl's haircut. You can have

1:29:30.960 --> 1:29:33.120
<v Speaker 1>a shitty haircut and brown hair, and you're like, well,

1:29:33.160 --> 1:29:36.320
<v Speaker 1>I've been doing that for you know, decades at this point,

1:29:36.439 --> 1:29:40.719
<v Speaker 1>So let's let's keep it. Let's keep it pushing, all right, there,

1:29:42.040 --> 1:29:45.559
<v Speaker 1>I don't know, yeah, there there's no body diversity. There's

1:29:45.600 --> 1:29:49.599
<v Speaker 1>no diversity period. And then also, like, I think it's

1:29:49.880 --> 1:29:54.479
<v Speaker 1>very I read some criticism around how mother Goffel is,

1:29:54.920 --> 1:29:58.639
<v Speaker 1>you know, like she's tall, or she's got dark hair,

1:29:58.800 --> 1:30:01.599
<v Speaker 1>she has darker feature yours. Then Rapunzel and it just

1:30:01.600 --> 1:30:05.080
<v Speaker 1>sort of seems like, oh, the palest blondes blue aside

1:30:05.439 --> 1:30:10.320
<v Speaker 1>woman is going to be the best. Um, So okay,

1:30:10.360 --> 1:30:15.400
<v Speaker 1>we wanted to add an insert here to address something

1:30:15.439 --> 1:30:18.120
<v Speaker 1>that we didn't address in the original episode. A lot

1:30:18.160 --> 1:30:23.080
<v Speaker 1>of listeners pointed this out. Honestly, I didn't pick up

1:30:23.120 --> 1:30:26.200
<v Speaker 1>on it. So thank you to our wonderful listeners for

1:30:26.560 --> 1:30:30.360
<v Speaker 1>performing us and just helping us be as intersectional in

1:30:30.400 --> 1:30:33.840
<v Speaker 1>our analysis as possible. And honestly, I mean, this is

1:30:34.320 --> 1:30:37.439
<v Speaker 1>a trope that we have discussed before. I just we

1:30:37.520 --> 1:30:39.519
<v Speaker 1>just did not pick up on it in this particular movie,

1:30:39.800 --> 1:30:42.840
<v Speaker 1>So right, we wanted to make sure that we were

1:30:42.920 --> 1:30:45.800
<v Speaker 1>acknowledging that once our listeners pointed it out, we're like,

1:30:46.120 --> 1:30:48.599
<v Speaker 1>oh yeah, I mean we want to sort of dig

1:30:48.640 --> 1:30:52.360
<v Speaker 1>into this trope a little more because, uh, it is

1:30:52.439 --> 1:30:54.640
<v Speaker 1>rife throughout animation, which is how has come up on

1:30:54.680 --> 1:31:00.360
<v Speaker 1>this show before. That is the trend in not just

1:31:00.439 --> 1:31:04.120
<v Speaker 1>Disney media, but children's media in general, and media on

1:31:04.160 --> 1:31:09.839
<v Speaker 1>the whole of using anti Semitic tropes in the villain

1:31:10.040 --> 1:31:14.000
<v Speaker 1>of the story, which is present in the character of

1:31:14.360 --> 1:31:19.240
<v Speaker 1>Mother Gothel in Tangled, and a listener sent us a

1:31:19.280 --> 1:31:23.200
<v Speaker 1>wonderful piece written by Tatum Shut from Hey Alma dot

1:31:23.240 --> 1:31:26.800
<v Speaker 1>com entitled why do so many Disney Villains look like me?

1:31:27.240 --> 1:31:31.320
<v Speaker 1>Tatum points out that Disney has a long history of

1:31:31.960 --> 1:31:37.280
<v Speaker 1>Jewish coding their villains, and it is very clear Entangled.

1:31:37.640 --> 1:31:41.559
<v Speaker 1>I'll pull a quote from this piece. Quote, Mother Goszel

1:31:41.880 --> 1:31:45.160
<v Speaker 1>is the cinematic foil for the predictably wide eyed, button

1:31:45.200 --> 1:31:51.120
<v Speaker 1>nosed Rapunzel Goszel, that magnificent mirror curial whoops, didn't do

1:31:51.160 --> 1:31:56.400
<v Speaker 1>that word right, uh, manipulator, so miserly with her food

1:31:56.439 --> 1:31:59.559
<v Speaker 1>and money, so separate from the other golden haired kingdom,

1:32:00.040 --> 1:32:03.760
<v Speaker 1>so distinctly mothered, she so happens to be animated with

1:32:03.880 --> 1:32:07.559
<v Speaker 1>the curly black hair and hook nosed stereotypical to Jews.

1:32:08.160 --> 1:32:12.799
<v Speaker 1>But beyond Gothel's suspicious phenotype, Tangled follows an eerily familiar

1:32:12.840 --> 1:32:17.240
<v Speaker 1>story blood libel and anti semitic canard that reverberates throughout

1:32:17.280 --> 1:32:21.280
<v Speaker 1>history accuses Jews of stealing Christian children to bake their

1:32:21.280 --> 1:32:24.679
<v Speaker 1>blood into Manza. I didn't even know that that like that,

1:32:24.720 --> 1:32:28.479
<v Speaker 1>this is like a spot in history and tropes that

1:32:28.520 --> 1:32:32.000
<v Speaker 1>I was not aware how deep this anti Semitic trope.

1:32:32.560 --> 1:32:35.880
<v Speaker 1>When same same Yeah, Tatum goes on to say it

1:32:35.920 --> 1:32:38.680
<v Speaker 1>was particularly prevalent in the Middle Ages, when it was

1:32:38.760 --> 1:32:41.400
<v Speaker 1>not uncommon for European Jews to be hunted down and

1:32:41.479 --> 1:32:45.479
<v Speaker 1>murdered whenever a child went missing. Jews stealing pretty Arian

1:32:45.560 --> 1:32:50.560
<v Speaker 1>children to sustain their dark magic unquote as the you know, perception,

1:32:51.240 --> 1:32:54.120
<v Speaker 1>yeah went And then another thing I just didn't know

1:32:54.280 --> 1:32:57.439
<v Speaker 1>was Tatum shut goes on to describe and kind of

1:32:57.600 --> 1:33:02.040
<v Speaker 1>explicitly connect the fact at uh, you know, Disney is

1:33:02.040 --> 1:33:04.800
<v Speaker 1>a horrible company that is not employing this trope out

1:33:04.840 --> 1:33:07.879
<v Speaker 1>of nowhere. It is cooked into the text of Grimm's

1:33:07.920 --> 1:33:13.519
<v Speaker 1>Fairy Tales, which are also wildly anti Semitic, um going

1:33:13.560 --> 1:33:18.560
<v Speaker 1>so far as they cite a lesser known, thank god,

1:33:18.640 --> 1:33:22.559
<v Speaker 1>uh story from Grimm's Fairy Tales called the Jew in

1:33:22.600 --> 1:33:27.840
<v Speaker 1>the Brambles. So the brothers Grimm, we're also horrifically anti

1:33:27.840 --> 1:33:32.680
<v Speaker 1>Semitic themselves, and Disney instead of subverting all of the

1:33:32.760 --> 1:33:35.080
<v Speaker 1>things that they do in this movie, which is how

1:33:35.160 --> 1:33:40.200
<v Speaker 1>this movie was marketed. Instead re employs this Like you

1:33:40.280 --> 1:33:43.639
<v Speaker 1>cannot overstate the harm of using a trope like this,

1:33:43.760 --> 1:33:48.200
<v Speaker 1>and we see it in media still and so yeah,

1:33:48.400 --> 1:33:50.720
<v Speaker 1>we really wanted to thank our listeners that sent this

1:33:50.840 --> 1:33:53.400
<v Speaker 1>our way. We did not pick up on it on

1:33:53.720 --> 1:33:57.520
<v Speaker 1>first viewing, and it is still an issue in animation.

1:33:57.680 --> 1:34:00.400
<v Speaker 1>I mean, we've talked quite a bit about how Disney

1:34:00.640 --> 1:34:04.960
<v Speaker 1>m habitually queer codes their villains, but this is also

1:34:05.000 --> 1:34:08.720
<v Speaker 1>an extremely worthy discussion and where sorry we missed it

1:34:08.760 --> 1:34:11.360
<v Speaker 1>on the first time. Thank you to everyone who sent it. Indeed,

1:34:11.880 --> 1:34:15.240
<v Speaker 1>especially again because you know, coding villains in a certain way,

1:34:15.560 --> 1:34:18.439
<v Speaker 1>queer coding them, quoting them as people of color, as

1:34:18.520 --> 1:34:21.599
<v Speaker 1>Disney has done in the past, um, quoting them as Jewish.

1:34:22.280 --> 1:34:27.719
<v Speaker 1>This consciously or subconsciously influences people's perceptions of already marginalized groups.

1:34:27.760 --> 1:34:30.960
<v Speaker 1>It reinforces harmful stereotypes, all kinds of very nasty things,

1:34:31.640 --> 1:34:35.000
<v Speaker 1>to the point where like we adult media critics did

1:34:35.040 --> 1:34:37.920
<v Speaker 1>not pick up on it, right, So um, and my

1:34:38.000 --> 1:34:41.479
<v Speaker 1>guest would be like, why is this happening in a movie?

1:34:41.520 --> 1:34:45.880
<v Speaker 1>From as Tatum shut points out, like, yes, it is

1:34:45.920 --> 1:34:50.479
<v Speaker 1>baked into the source material, but why is this but

1:34:50.640 --> 1:34:53.040
<v Speaker 1>like fling Ryder is not, you know, there's there's no

1:34:53.120 --> 1:34:56.479
<v Speaker 1>excuse for it. Honestly, my guests would be I mean,

1:34:56.520 --> 1:35:02.120
<v Speaker 1>Walt Disney was notoriously anti Semitic, and he probably had

1:35:02.160 --> 1:35:06.040
<v Speaker 1>a hand in coding early Disney villains as Jewish. And

1:35:06.080 --> 1:35:09.920
<v Speaker 1>since most animated Disney films follow the same formula, they

1:35:09.920 --> 1:35:13.400
<v Speaker 1>have a very distinct visual style. All the you know,

1:35:13.479 --> 1:35:18.360
<v Speaker 1>princesses are kind of molded after a very specific, you know,

1:35:18.720 --> 1:35:22.879
<v Speaker 1>Western beauty standard phenotype. All of the villains are modeled

1:35:22.920 --> 1:35:28.320
<v Speaker 1>after like another very specific design. Like earlier Disney movies

1:35:28.400 --> 1:35:32.000
<v Speaker 1>just reused animation from previous movies. It's just like the

1:35:32.120 --> 1:35:35.920
<v Speaker 1>same movie basically over and over over and over and over.

1:35:36.000 --> 1:35:38.400
<v Speaker 1>And yeah, it's like by the time Tangled came out,

1:35:38.479 --> 1:35:41.439
<v Speaker 1>what is the when is the last time this company

1:35:41.520 --> 1:35:44.439
<v Speaker 1>sat down and said, well, what have we harmed that

1:35:44.520 --> 1:35:48.439
<v Speaker 1>we need to scale back? So so thank you again,

1:35:48.880 --> 1:35:53.120
<v Speaker 1>and um yeah we wanted to include that um in

1:35:53.240 --> 1:35:59.800
<v Speaker 1>this insert, So thanks again everyone, And back to the episode.

1:36:00.000 --> 1:36:03.400
<v Speaker 1>He's got dark hair, she has darker features than Rapunzel,

1:36:03.520 --> 1:36:05.959
<v Speaker 1>and it just sort of seems like, Oh, the palest,

1:36:06.000 --> 1:36:10.280
<v Speaker 1>blondest bluicide woman is going to be the best. She

1:36:10.320 --> 1:36:13.559
<v Speaker 1>can get a chitty haircut later, but she you know,

1:36:14.040 --> 1:36:16.160
<v Speaker 1>she's got to have blonde hair for most of the movie.

1:36:16.360 --> 1:36:21.320
<v Speaker 1>And then Flynn Ryder bravely legs women with brown hair fine, like,

1:36:21.439 --> 1:36:24.800
<v Speaker 1>oh wow, what an ally? What a king? Just like,

1:36:25.400 --> 1:36:29.280
<v Speaker 1>so bring in jig Saw. I'm ready to die that

1:36:30.439 --> 1:36:32.960
<v Speaker 1>do do do? Al So, I don't think the Saw

1:36:33.200 --> 1:36:37.120
<v Speaker 1>episode has come out yet on the Matreon, but matrons

1:36:37.400 --> 1:36:41.439
<v Speaker 1>give it like four days. And then I think we

1:36:41.560 --> 1:36:45.120
<v Speaker 1>really like not to freak anyone out, but I think

1:36:45.120 --> 1:36:47.519
<v Speaker 1>that we had a really special month over in the Matreon,

1:36:47.720 --> 1:36:54.200
<v Speaker 1>our most chaotic episode to date, and then Saw. We're um, Caitlin,

1:36:54.320 --> 1:36:57.840
<v Speaker 1>we need to plan this offline, but that screening of

1:36:57.880 --> 1:37:01.000
<v Speaker 1>Saw is coming up, and they're still time for us

1:37:01.000 --> 1:37:07.240
<v Speaker 1>to get Jigsaw cosplay, right, do do do do? Do?

1:37:07.240 --> 1:37:11.160
<v Speaker 1>Do do do do do? I think that because it is

1:37:11.160 --> 1:37:13.680
<v Speaker 1>a four thirty screening, that there will be no one

1:37:13.760 --> 1:37:15.880
<v Speaker 1>costplaying except for us, and it will be like that

1:37:15.920 --> 1:37:21.280
<v Speaker 1>amazing tweet about the Baba Duck where everyone else is

1:37:21.360 --> 1:37:25.720
<v Speaker 1>just enjoying themselves and then we're addressed as to Jigsaw perfect.

1:37:25.920 --> 1:37:29.080
<v Speaker 1>I wouldn't have any other way anyway. Do you have

1:37:29.080 --> 1:37:32.880
<v Speaker 1>anything else you want to talk about? I wanted to

1:37:32.960 --> 1:37:39.519
<v Speaker 1>share one more quote about specifically this movie's preoccupation with

1:37:39.920 --> 1:37:43.800
<v Speaker 1>blonde hair. The link to this original story is unfortunately

1:37:43.880 --> 1:37:47.320
<v Speaker 1>no longer working, but it was quoted in a Miss

1:37:47.360 --> 1:37:52.040
<v Speaker 1>magazine piece from the time. The writer being quoted is

1:37:52.160 --> 1:37:57.800
<v Speaker 1>only credited as Renee Um, but Renee of Womanist Musings.

1:37:57.840 --> 1:38:01.800
<v Speaker 1>And she's talking about the you know I mean, and

1:38:01.840 --> 1:38:05.479
<v Speaker 1>this is technically Rapunzel canon I guess like not that

1:38:06.000 --> 1:38:09.559
<v Speaker 1>Rapunzel has to be canonically blonde or white or anything like.

1:38:10.160 --> 1:38:13.320
<v Speaker 1>So she writes quote as a black woman, I know

1:38:13.400 --> 1:38:16.320
<v Speaker 1>all too well how complicated the issue of hair can be.

1:38:16.760 --> 1:38:20.360
<v Speaker 1>Looking at the image of Tangled Rapunzel, I found that

1:38:20.400 --> 1:38:22.640
<v Speaker 1>I could not see beyond her long blond hair and

1:38:22.720 --> 1:38:25.400
<v Speaker 1>blue eyes. I believe that this will also become the

1:38:25.400 --> 1:38:28.280
<v Speaker 1>focal point of many girls of color. The standard of long,

1:38:28.320 --> 1:38:32.520
<v Speaker 1>flowing blonde hair as the epitome of femininity necessarily excludes

1:38:32.640 --> 1:38:35.519
<v Speaker 1>and challenges the idea that women of color are feminine

1:38:35.520 --> 1:38:39.080
<v Speaker 1>and desired, and therefore, while Disney is creating an image

1:38:39.080 --> 1:38:41.720
<v Speaker 1>of Rapunzel that we are accustomed to. Her rebirth in

1:38:41.720 --> 1:38:44.600
<v Speaker 1>a modern day context is problematic because her body represents

1:38:44.640 --> 1:38:48.120
<v Speaker 1>the celebration of white femininity. The fact that Tangled is

1:38:48.160 --> 1:38:50.719
<v Speaker 1>coming on the heels of the first African American Disney

1:38:50.720 --> 1:38:53.760
<v Speaker 1>princess is indeed problematic. It makes Princess Tiana seemed like

1:38:53.840 --> 1:38:57.559
<v Speaker 1>an impotent token, with Rapunzel appearing to reset the standard

1:38:57.600 --> 1:39:00.760
<v Speaker 1>of what princess means and even more precise Slee what

1:39:00.920 --> 1:39:06.040
<v Speaker 1>womanhood means unquote. Um again, I mean, we do have

1:39:06.280 --> 1:39:09.360
<v Speaker 1>a whole episode on the princess and the frog that

1:39:09.400 --> 1:39:11.800
<v Speaker 1>you can go back to. But a big issue that

1:39:11.840 --> 1:39:13.600
<v Speaker 1>a lot of people had but that movie, and that

1:39:13.680 --> 1:39:16.759
<v Speaker 1>we did as well, is that Disney's first black princess

1:39:16.920 --> 1:39:19.880
<v Speaker 1>spends most of the movie as a frog. And so

1:39:19.960 --> 1:39:24.280
<v Speaker 1>you while Tiana is their first black Disney princess, she

1:39:24.840 --> 1:39:29.479
<v Speaker 1>is also not celebrated to the extent that any other

1:39:29.600 --> 1:39:33.880
<v Speaker 1>Disney princess is. So I I yeah, I just wanted

1:39:33.920 --> 1:39:37.720
<v Speaker 1>to share that as well, because again, this is a

1:39:37.760 --> 1:39:42.640
<v Speaker 1>Disney fantasy movie. Rapunzel didn't need to be white and

1:39:42.720 --> 1:39:46.040
<v Speaker 1>blonde and skinny. It just didn't need to be that way.

1:39:46.240 --> 1:39:52.679
<v Speaker 1>I mean, so most people have hair that could become long.

1:39:53.040 --> 1:39:55.320
<v Speaker 1>That is so brave of you to say not everyone.

1:39:55.360 --> 1:39:59.040
<v Speaker 1>I don't want to be making sweeping generalizations. No, but

1:39:59.439 --> 1:40:01.559
<v Speaker 1>I mean, I I get. I think that truly. The

1:40:01.600 --> 1:40:05.240
<v Speaker 1>only absolute must with Rapunzel's character is she's got to

1:40:05.320 --> 1:40:08.840
<v Speaker 1>have long hair. The end of list, like kind of

1:40:09.040 --> 1:40:12.439
<v Speaker 1>end of qualifications. Everything else about her is malleable. The

1:40:12.479 --> 1:40:15.880
<v Speaker 1>only thing that is absolutely important to the character is

1:40:15.920 --> 1:40:17.960
<v Speaker 1>that she has long hair, and she's going to be

1:40:17.960 --> 1:40:21.439
<v Speaker 1>trapped in a tower. So there you go. She could

1:40:21.439 --> 1:40:24.120
<v Speaker 1>also be wearing a wig or extensions. We don't know.

1:40:24.840 --> 1:40:28.000
<v Speaker 1>We don't know. Can you imagine that if Nicole Kidman

1:40:28.120 --> 1:40:30.880
<v Speaker 1>played Rapunzel, what kind of wig she would be bringing

1:40:30.960 --> 1:40:38.960
<v Speaker 1>to set? Oh? My word, Oh my word. Okay, Well, anyways, Um,

1:40:39.720 --> 1:40:41.799
<v Speaker 1>that's all I have. I wanted to share that quote

1:40:41.800 --> 1:40:43.840
<v Speaker 1>and that I think. That's that's all I've got. So

1:40:43.880 --> 1:40:48.679
<v Speaker 1>shall we get to the matter at hand the test? Yes,

1:40:48.720 --> 1:40:53.840
<v Speaker 1>it does, but I think only between Rapunzel and Gossl Yes,

1:40:53.920 --> 1:40:57.720
<v Speaker 1>because this movie, I think again, in this overcorrection, like

1:40:57.920 --> 1:41:01.320
<v Speaker 1>the boys won't see a princess movie like Panic, This

1:41:01.439 --> 1:41:06.639
<v Speaker 1>movie is front loaded with a million extra male characters,

1:41:06.800 --> 1:41:08.080
<v Speaker 1>some of them I like, some of them that I don't.

1:41:08.120 --> 1:41:12.400
<v Speaker 1>We got too much Flynn. Flynn's animal has a huge

1:41:12.520 --> 1:41:16.400
<v Speaker 1>arc tournament to glue, don't care. We have the gallery

1:41:16.439 --> 1:41:19.439
<v Speaker 1>of rogues that all want to be musicians in my

1:41:19.600 --> 1:41:21.240
<v Speaker 1>and I kind of like them, but they are all

1:41:21.240 --> 1:41:23.080
<v Speaker 1>men and they didn't have to all be men. Nope,

1:41:23.080 --> 1:41:27.160
<v Speaker 1>why can't we have some some women rogues that are

1:41:27.600 --> 1:41:30.920
<v Speaker 1>give Punzela of a female friend. Let's get some envy

1:41:31.080 --> 1:41:34.360
<v Speaker 1>rogues in the mix. All these the only qualification for

1:41:34.360 --> 1:41:39.599
<v Speaker 1>a rogue, They're going to be rogue ish. Yeah, so

1:41:39.760 --> 1:41:42.880
<v Speaker 1>so you really only do get two women I think

1:41:43.120 --> 1:41:47.120
<v Speaker 1>talking in the whole movie, because Rapunzel's parents are not talking.

1:41:47.160 --> 1:41:50.360
<v Speaker 1>I think that her dad at one point goes yeah,

1:41:50.439 --> 1:41:56.679
<v Speaker 1>but the queen says none of things. Zippo. Damn as

1:41:56.720 --> 1:42:01.760
<v Speaker 1>far as our nipple scale, which is the golden standard.

1:42:01.800 --> 1:42:07.840
<v Speaker 1>Speaking of golden hair, I see you're not going to

1:42:07.920 --> 1:42:12.800
<v Speaker 1>have a reaction to that. Okay, Sorry, I was looking

1:42:12.800 --> 1:42:19.280
<v Speaker 1>at a picture of Zachary Levi. Is that embarrassing? Wow? Okay, sorry,

1:42:19.320 --> 1:42:20.960
<v Speaker 1>I did zone up for a second because I was

1:42:21.040 --> 1:42:24.800
<v Speaker 1>looking at Zacharily Levi's Wikipedia page. Okay, kill me. So no,

1:42:24.960 --> 1:42:26.680
<v Speaker 1>I was trying to it again. Wait, what did you?

1:42:26.800 --> 1:42:28.800
<v Speaker 1>Can you do it again? It's not worth repeating because

1:42:28.800 --> 1:42:31.200
<v Speaker 1>it's not even a good joke. I just said I

1:42:31.200 --> 1:42:33.720
<v Speaker 1>said it was like, and I also phrased it wrong.

1:42:33.760 --> 1:42:36.720
<v Speaker 1>I should have said, like speaking of golden hair. The

1:42:36.760 --> 1:42:44.240
<v Speaker 1>golden standard of movie analysis scales manipple scale. Meanwhile, I'm

1:42:44.280 --> 1:42:48.639
<v Speaker 1>being here looking at pictures of merne in on Wikipedia board,

1:42:49.080 --> 1:42:56.360
<v Speaker 1>I know, setting the clock back yet again. Um okay, yes,

1:42:56.400 --> 1:42:58.599
<v Speaker 1>I do agree. This is the golden standards. Yes, thank

1:42:58.600 --> 1:43:02.760
<v Speaker 1>you so much. The golden shio. Wow, what is that?

1:43:03.040 --> 1:43:07.120
<v Speaker 1>The golden ratio is a specific number. I forget what

1:43:07.160 --> 1:43:10.120
<v Speaker 1>it is, but it shows up a lot in nature,

1:43:10.240 --> 1:43:14.639
<v Speaker 1>like a snail's shell has the golden ratio. Oh yes,

1:43:14.760 --> 1:43:17.800
<v Speaker 1>and it's like and and and like conscious and ship.

1:43:18.360 --> 1:43:24.479
<v Speaker 1>That's fine, et cetera. Leaves shout out nature, you know. Anyway,

1:43:26.160 --> 1:43:31.240
<v Speaker 1>So the nipples scale zero to five nipples based on

1:43:31.840 --> 1:43:37.360
<v Speaker 1>looking at the movie through an intersectional feminist lens. I'm

1:43:37.360 --> 1:43:39.320
<v Speaker 1>tempted to just sort of and I know this feels

1:43:39.360 --> 1:43:41.479
<v Speaker 1>like cheating, but I kind of want to give it

1:43:41.560 --> 1:43:43.400
<v Speaker 1>like a split down the middle at two point five.

1:43:44.080 --> 1:43:48.679
<v Speaker 1>I do think it is pushing the needle forward by

1:43:48.840 --> 1:43:54.280
<v Speaker 1>a little bit as far as Disney Princess Fairytale movies go,

1:43:54.560 --> 1:43:58.120
<v Speaker 1>because it is supporting some of the harmful tropes we've

1:43:58.160 --> 1:44:02.160
<v Speaker 1>seen of the past, especially because when I think of

1:44:02.479 --> 1:44:06.720
<v Speaker 1>Damsel and Distress, my go to person that I think

1:44:06.760 --> 1:44:10.719
<v Speaker 1>of is Sleeping Beauty and Rapunzel. Yeah, and I didn't

1:44:10.760 --> 1:44:14.479
<v Speaker 1>even the only thing I knew about, like the Rapunzel story,

1:44:14.520 --> 1:44:17.759
<v Speaker 1>because I've never read the Grimm's Brothers fairy tale. Fuck

1:44:18.640 --> 1:44:21.320
<v Speaker 1>had to like look on Wikipedia to see what the

1:44:21.360 --> 1:44:23.760
<v Speaker 1>actual story was because the only thing I knew was

1:44:23.800 --> 1:44:26.679
<v Speaker 1>that there's a lady with long hair in a tower

1:44:27.160 --> 1:44:29.840
<v Speaker 1>and a prince climbs her hair to save her, like

1:44:30.280 --> 1:44:35.960
<v Speaker 1>very very classic Damsel in Distress narrative. So because this movie,

1:44:36.439 --> 1:44:39.240
<v Speaker 1>you know, takes that premise, but then gives her a

1:44:39.280 --> 1:44:42.880
<v Speaker 1>lot more agency, lets her save herself, lets her save Flynn.

1:44:43.280 --> 1:44:46.960
<v Speaker 1>I keep saying, whatever his name is, Flynn, probably except

1:44:46.960 --> 1:44:49.639
<v Speaker 1>it's Eugene. I forgot to mention that in the recap.

1:44:49.720 --> 1:44:53.439
<v Speaker 1>But his real name is Eugene. Who cares Flynn, She

1:44:53.600 --> 1:44:57.960
<v Speaker 1>saves him, she saves herself. She has far more agency

1:44:58.000 --> 1:45:02.400
<v Speaker 1>than your classic Damsel in distres us character. But there's

1:45:02.439 --> 1:45:05.240
<v Speaker 1>all these other things as we've discussed that, you know,

1:45:05.360 --> 1:45:09.040
<v Speaker 1>don't push the needle as far ahead as we would

1:45:09.080 --> 1:45:11.120
<v Speaker 1>have liked. But it is kind of like a stepping

1:45:11.160 --> 1:45:14.759
<v Speaker 1>stone movie. I feel yes paves the way for Mowanna,

1:45:14.920 --> 1:45:18.080
<v Speaker 1>for example. So with that in mind, I'll give it

1:45:18.080 --> 1:45:21.000
<v Speaker 1>two and a half nipples, and I'll give one to Rapunzel.

1:45:21.479 --> 1:45:24.080
<v Speaker 1>Love her Punzel. I think a lot of her Punzel.

1:45:24.400 --> 1:45:26.320
<v Speaker 1>I mean this, I love her character, but a lot

1:45:26.320 --> 1:45:29.799
<v Speaker 1>of it is just like, Wow, Mandy Moore, she's special.

1:45:29.840 --> 1:45:31.800
<v Speaker 1>I feel like she's even though she just was on

1:45:32.000 --> 1:45:34.439
<v Speaker 1>the most famous TV show for like ten years and

1:45:34.479 --> 1:45:37.240
<v Speaker 1>I never watched it. I feel like she's still underrated.

1:45:37.360 --> 1:45:42.000
<v Speaker 1>I love Mandy Moore. Yeah, I agree. Um, I'll give

1:45:42.000 --> 1:45:46.960
<v Speaker 1>one nipple two to Gothel because I feel like she

1:45:48.360 --> 1:45:52.120
<v Speaker 1>is potentially misunderstood. Slash. I love a female villain, Slash.

1:45:52.120 --> 1:45:54.920
<v Speaker 1>I wish she had been more contextualized. Slash. There was

1:45:54.960 --> 1:45:57.160
<v Speaker 1>just like things about her character that I didn't even

1:45:57.160 --> 1:45:58.960
<v Speaker 1>need to contextualize her in a way that made her

1:45:59.000 --> 1:46:03.719
<v Speaker 1>seem nicer. You had to give us something, right, although

1:46:03.760 --> 1:46:05.960
<v Speaker 1>maybe people will be like you don't it's a fairy tale.

1:46:06.760 --> 1:46:09.360
<v Speaker 1>Villains are just evil for the sake of being evil.

1:46:09.880 --> 1:46:12.640
<v Speaker 1>I don't know. I still it's just I feel complicated

1:46:12.640 --> 1:46:14.719
<v Speaker 1>and I feel like I'll still be My feelings about

1:46:14.760 --> 1:46:21.200
<v Speaker 1>this will like continue evolving as we examine similar relationship dynamics. Yes,

1:46:21.360 --> 1:46:24.840
<v Speaker 1>point is I would have liked more for for her character. Yes,

1:46:24.960 --> 1:46:31.880
<v Speaker 1>my half nipple, I will give to the Paula Tompkins,

1:46:32.760 --> 1:46:36.640
<v Speaker 1>little old guy who wears a paper and looks like

1:46:36.680 --> 1:46:38.840
<v Speaker 1>a little cupid with a bone arrow at the end

1:46:38.880 --> 1:46:42.519
<v Speaker 1>of the movie, shout out as always, friend Paul. He's

1:46:42.520 --> 1:46:45.479
<v Speaker 1>the best best rogue in the gallery as far as

1:46:45.520 --> 1:46:48.559
<v Speaker 1>I'm concerned. And when we had Brad Garrett in there,

1:46:48.560 --> 1:46:52.120
<v Speaker 1>okay there, Caitlin. I before I give you my rating,

1:46:52.160 --> 1:46:54.040
<v Speaker 1>I did just want to say I just sent you

1:46:54.200 --> 1:46:57.479
<v Speaker 1>the first look at one of the two dueling Pinocchio movies,

1:46:57.520 --> 1:47:01.519
<v Speaker 1>and it looks so bad. It looks so ugly. Gary.

1:47:02.120 --> 1:47:05.120
<v Speaker 1>They've they made him look way too much like the

1:47:05.320 --> 1:47:09.599
<v Speaker 1>Disney animated Pinocchio. It looks like a Robot Chicken sketch.

1:47:09.680 --> 1:47:12.280
<v Speaker 1>It literally looks like robot Chicken. And I mean, and

1:47:12.520 --> 1:47:15.120
<v Speaker 1>as a former employee, I love robot Chicken. But that's

1:47:15.120 --> 1:47:17.960
<v Speaker 1>like this, this has like a billion dollar budget. Why

1:47:17.960 --> 1:47:20.760
<v Speaker 1>does it look like that? Why does it look like that?

1:47:21.360 --> 1:47:23.320
<v Speaker 1>And for more on that, you can go to the

1:47:23.360 --> 1:47:27.519
<v Speaker 1>Matreon in November for our month that we've already roped

1:47:27.560 --> 1:47:32.400
<v Speaker 1>off to be the dueling Pinocchio's month, del Toro Versus Zamackis.

1:47:32.640 --> 1:47:37.160
<v Speaker 1>Do we already know who's going to win? Obviously, Robert Zameckis,

1:47:37.439 --> 1:47:40.479
<v Speaker 1>I don't know what something happened, something happened that that happened,

1:47:40.760 --> 1:47:43.160
<v Speaker 1>and he's something a which put a curse on him

1:47:43.160 --> 1:47:47.760
<v Speaker 1>and now he's really bad at his job. But um, anyways,

1:47:48.040 --> 1:47:52.880
<v Speaker 1>that didn't happen to Del Toro. All right, I'm going

1:47:52.920 --> 1:47:54.639
<v Speaker 1>to give it two and a half nipples as well.

1:47:55.800 --> 1:48:00.240
<v Speaker 1>I think that this movie pushes some boundaries an interesting ways.

1:48:00.280 --> 1:48:03.240
<v Speaker 1>I think that it like actually kind of regresses the

1:48:03.240 --> 1:48:08.360
<v Speaker 1>princess genre in certain ways by giving Flynn so much agency.

1:48:08.560 --> 1:48:10.479
<v Speaker 1>I think that you could accomplish the same thing by

1:48:10.520 --> 1:48:15.720
<v Speaker 1>having Rapunzel. She should cut off rapunzelan action hero, she

1:48:15.760 --> 1:48:17.800
<v Speaker 1>should cut off her own hair. But also it's like,

1:48:18.040 --> 1:48:22.240
<v Speaker 1>did Princess Fiona not learn like Karate well trapped in

1:48:22.400 --> 1:48:25.439
<v Speaker 1>the tower? Yes, Like, I think that there were ways

1:48:25.760 --> 1:48:28.240
<v Speaker 1>to even if you're going to have Flynn be a

1:48:28.240 --> 1:48:32.160
<v Speaker 1>bigger character. Okay, but like you know, there are ways

1:48:32.439 --> 1:48:35.680
<v Speaker 1>to make Rapunzel more of an action character. If you

1:48:35.760 --> 1:48:38.680
<v Speaker 1>worry that there are demographics that aren't going to be

1:48:38.760 --> 1:48:42.000
<v Speaker 1>interested in a princess movie where the princess is not

1:48:42.120 --> 1:48:46.360
<v Speaker 1>action e make the princess even more actionally. I think

1:48:46.360 --> 1:48:48.760
<v Speaker 1>that they went partially that way with Rapunzel, but they

1:48:48.760 --> 1:48:51.240
<v Speaker 1>would always fall back on like Flynn had to be

1:48:51.320 --> 1:48:53.560
<v Speaker 1>validating that she was good at combat. He had to

1:48:53.680 --> 1:48:56.479
<v Speaker 1>validate that a pan was a decent weapon like he

1:48:56.640 --> 1:49:00.479
<v Speaker 1>and he's the swashbuckler. Why couldn't have she been? She? Yeah,

1:49:00.479 --> 1:49:02.519
<v Speaker 1>she had all the time in the world to learn

1:49:02.800 --> 1:49:06.280
<v Speaker 1>swashbuck I mean, it's like, and we can go back

1:49:06.280 --> 1:49:07.960
<v Speaker 1>and forth on that because I was like, she couldn't

1:49:07.960 --> 1:49:11.639
<v Speaker 1>have technically, but like whatever, Princess Fiona did it. Okay,

1:49:11.800 --> 1:49:14.519
<v Speaker 1>not to pin two women's again against each other again

1:49:14.760 --> 1:49:18.400
<v Speaker 1>two women? Okay, this has to be over. Okay, but

1:49:18.520 --> 1:49:20.599
<v Speaker 1>I did like the movie. I think it's really sweet.

1:49:20.640 --> 1:49:24.439
<v Speaker 1>I would kill off the horse, so horse isn't getting

1:49:24.439 --> 1:49:27.240
<v Speaker 1>any nipples from me, that's for damn sure. Like how

1:49:27.280 --> 1:49:29.880
<v Speaker 1>your solution is kill the horse, not just like right

1:49:30.000 --> 1:49:32.439
<v Speaker 1>him out of the story. No, I think he should

1:49:32.439 --> 1:49:35.280
<v Speaker 1>fall off a cliff. In the first two minutes. He

1:49:35.360 --> 1:49:37.760
<v Speaker 1>does fall out of a very high up tree, but

1:49:37.880 --> 1:49:41.599
<v Speaker 1>somehow survives. But he's fine. I was watching some horses yesterday.

1:49:41.800 --> 1:49:44.360
<v Speaker 1>Don't ask as well. I was just spying on a

1:49:44.360 --> 1:49:47.479
<v Speaker 1>little ranch and I was watching some horses rough housing

1:49:47.479 --> 1:49:50.000
<v Speaker 1>and it was honestly very scary. I'm becoming a horse

1:49:50.040 --> 1:49:51.760
<v Speaker 1>girl and thinking about taking a horse lessons, so of

1:49:51.840 --> 1:49:55.280
<v Speaker 1>course I'm going to be observing horses. Wow. I did

1:49:55.360 --> 1:49:59.040
<v Speaker 1>see the movie Nope recently, so it's a big year

1:49:59.080 --> 1:50:03.840
<v Speaker 1>for horaces. I can't explain why, but something is going on.

1:50:04.160 --> 1:50:07.760
<v Speaker 1>Horses are back in a big way. Um. I saw

1:50:07.880 --> 1:50:09.920
<v Speaker 1>Nope for the second time yesterday and I was like,

1:50:10.000 --> 1:50:14.800
<v Speaker 1>exactly exactly, horses they're back. They're back, Um, but not

1:50:14.840 --> 1:50:17.439
<v Speaker 1>this one. This one should die. Um. I do not

1:50:17.600 --> 1:50:20.880
<v Speaker 1>share this feeling, but go on. I'm pro horse. I'm

1:50:21.120 --> 1:50:26.080
<v Speaker 1>anti Maximus having a whole ass arc when Rapunzel doesn't

1:50:26.120 --> 1:50:30.360
<v Speaker 1>even get to kill the villain. Hello, Mr, So okay,

1:50:30.520 --> 1:50:34.400
<v Speaker 1>one nipple to Rapunzel. I'm also going to give one

1:50:34.640 --> 1:50:37.800
<v Speaker 1>nipple to Gothel because she's a solid villain and I

1:50:37.840 --> 1:50:40.160
<v Speaker 1>think that there should have been a little more done

1:50:40.200 --> 1:50:43.880
<v Speaker 1>with her. If we're gonna flesh out trophy characters, let's

1:50:43.920 --> 1:50:47.080
<v Speaker 1>flesh them all out. Don't go halfway, And I'll give

1:50:47.120 --> 1:50:52.320
<v Speaker 1>my last half nipple to what was the chameleon's name, Pascal.

1:50:52.800 --> 1:50:56.160
<v Speaker 1>I loved Pascal, um, so I'm gonna give it to him.

1:50:56.479 --> 1:51:01.680
<v Speaker 1>And oh last thing. Obviously this movie not obviously, but

1:51:01.720 --> 1:51:04.560
<v Speaker 1>you could guess that this movie was written and directed

1:51:05.240 --> 1:51:10.920
<v Speaker 1>by men. Men, men, men, men, men, so many men. Um. However,

1:51:11.400 --> 1:51:13.960
<v Speaker 1>one of the there's two male directors, as there usually

1:51:14.040 --> 1:51:17.519
<v Speaker 1>is on animated movies, UM, but one of them, Byron Howard,

1:51:17.760 --> 1:51:22.280
<v Speaker 1>is an openly gay man. UM. He has been out

1:51:22.320 --> 1:51:25.679
<v Speaker 1>for many years, which is pretty huge in the entertainment

1:51:25.720 --> 1:51:29.800
<v Speaker 1>industry of that time in general, and also in animation

1:51:29.880 --> 1:51:33.160
<v Speaker 1>as well, because animation is double prejudiced in a lot

1:51:33.160 --> 1:51:35.120
<v Speaker 1>of ways. I don't know why, but I know it's true.

1:51:35.920 --> 1:51:41.519
<v Speaker 1>And he also would go on to direct Zootopia and

1:51:41.920 --> 1:51:44.559
<v Speaker 1>um Encanto, which we will be covering on this show

1:51:45.000 --> 1:51:50.600
<v Speaker 1>rather soon. UM. So you know there's that. Also Dan Fogelman,

1:51:50.760 --> 1:51:53.960
<v Speaker 1>who wrote the screenplay and I think had a hand

1:51:54.120 --> 1:52:00.320
<v Speaker 1>in UM casting. Mandy Moore later created This is Us,

1:52:00.680 --> 1:52:03.640
<v Speaker 1>which Maddie Moore is the leader. So without Tangled, we

1:52:03.680 --> 1:52:06.920
<v Speaker 1>wouldn't have that really famous show I've never watched. Wow,

1:52:06.920 --> 1:52:11.040
<v Speaker 1>the same makes you think in conclusion, this movie is

1:52:11.520 --> 1:52:13.479
<v Speaker 1>pretty good. I think if you're just watching it to

1:52:13.479 --> 1:52:16.600
<v Speaker 1>watch a movie, I really like it, Like it's a

1:52:16.640 --> 1:52:19.160
<v Speaker 1>fun rob of a movie. If you're watching it for

1:52:19.479 --> 1:52:22.920
<v Speaker 1>factal cast purposes, it's a real mixed bag. But as

1:52:23.080 --> 1:52:25.599
<v Speaker 1>a movie, I think it's really fun and I would

1:52:25.600 --> 1:52:28.200
<v Speaker 1>probably watch I think I will watch it again. Same. Yeah,

1:52:28.439 --> 1:52:32.920
<v Speaker 1>I concur so here we are ruining another movie. It's

1:52:33.040 --> 1:52:35.960
<v Speaker 1>kind of our thing. But also if you like it

1:52:36.200 --> 1:52:38.559
<v Speaker 1>and you just want to watch it for fun, that's

1:52:39.960 --> 1:52:45.599
<v Speaker 1>in the future. UM. So that's Tangled. We hope that

1:52:45.760 --> 1:52:48.320
<v Speaker 1>everyone who's been requesting it for over half a decade,

1:52:48.560 --> 1:52:51.599
<v Speaker 1>UM is happy. I hope you're happy. I've actually kind

1:52:51.600 --> 1:52:53.680
<v Speaker 1>of probably waited to do it because I feel like

1:52:53.720 --> 1:52:57.800
<v Speaker 1>we are we are, we now have better you're better equipped. Yeah.

1:52:57.840 --> 1:53:01.880
<v Speaker 1>I could see a twenty seventeen version of this episode that,

1:53:02.120 --> 1:53:08.360
<v Speaker 1>UM I would stand Yeah totally. So, as always, thank

1:53:08.360 --> 1:53:11.120
<v Speaker 1>you for listening. We really hope you enjoyed this. Um,

1:53:11.160 --> 1:53:15.679
<v Speaker 1>we've got an exciting let's say rogues gallery of movies

1:53:15.720 --> 1:53:19.200
<v Speaker 1>and guests coming up in the fall. We're sort of

1:53:19.280 --> 1:53:22.559
<v Speaker 1>laying out our fall schedule and it's exciting. You're gonna

1:53:22.880 --> 1:53:30.920
<v Speaker 1>be smiling, laughing, crying, learning, gasp. Also very soon on

1:53:30.960 --> 1:53:34.400
<v Speaker 1>the Matreon that saw episode that we kept hinting at,

1:53:34.520 --> 1:53:40.240
<v Speaker 1>So damn scoot on over there too, Patreon dot com

1:53:40.400 --> 1:53:42.600
<v Speaker 1>slash specktel Cat. I think we are kind of in

1:53:42.800 --> 1:53:47.479
<v Speaker 1>our golden era of the Matreon right now. Um, we're

1:53:47.520 --> 1:53:50.800
<v Speaker 1>really turning out some bangers I mean here, and they're good.

1:53:50.800 --> 1:53:55.680
<v Speaker 1>Golden hair, golden standard, Golden era boom. Look forward to

1:53:55.720 --> 1:53:59.479
<v Speaker 1>the Pinocchio Wars over there and all of your favorite

1:53:59.479 --> 1:54:04.120
<v Speaker 1>movies and past over here on the main feed. Thank

1:54:04.120 --> 1:54:06.519
<v Speaker 1>you so much for listening. You can catch us on

1:54:06.800 --> 1:54:12.559
<v Speaker 1>the worldwide web on Instagram and Twitter at Bechtel Cast. Um.

1:54:12.600 --> 1:54:15.439
<v Speaker 1>As Caitlin just said, you can join our Matreon five

1:54:15.479 --> 1:54:18.000
<v Speaker 1>bucks a month for to bonus episodes and a backlog

1:54:18.040 --> 1:54:23.240
<v Speaker 1>of over one hundred episodes. Hello, wow, impressive much Now

1:54:23.280 --> 1:54:26.680
<v Speaker 1>that's what I call content. Um that's five bucks a

1:54:26.720 --> 1:54:31.200
<v Speaker 1>month over at Patreon dot com slash Bechtel Cast. And

1:54:31.240 --> 1:54:35.000
<v Speaker 1>then of course you've got our merch at t public

1:54:35.040 --> 1:54:38.120
<v Speaker 1>dot com. Slash the Bechtel cast, where you can get

1:54:38.160 --> 1:54:43.560
<v Speaker 1>such classics as wet scabs or dry scaps. I mean

1:54:44.120 --> 1:54:48.560
<v Speaker 1>team Beetle Juice. Need we say more? And maybe and

1:54:48.560 --> 1:54:51.440
<v Speaker 1>and we I this fall, I am going to be

1:54:51.520 --> 1:54:54.920
<v Speaker 1>making some new merch designs for the holiday season. Not

1:54:55.040 --> 1:54:57.560
<v Speaker 1>holiday themes, but for you to purchase for the holiday season.

1:54:57.680 --> 1:55:02.920
<v Speaker 1>And so you know, the wheels are turning in income. Um,

1:55:03.200 --> 1:55:08.000
<v Speaker 1>that's my idea. Maybe think about that. Uh as far

1:55:08.040 --> 1:55:11.880
<v Speaker 1>as I've gotten um, but you know, mensa, we'll come

1:55:11.960 --> 1:55:15.120
<v Speaker 1>up with something. I have a master's degree. We we

1:55:15.120 --> 1:55:19.280
<v Speaker 1>we got this, mensa, master's degree. It's gonna it's gonna

1:55:19.520 --> 1:55:24.600
<v Speaker 1>come together. Um, okay, A game over, you know, Oh

1:55:24.640 --> 1:55:27.720
<v Speaker 1>my gosh, okay, not that, not that Tangled isn't a

1:55:27.760 --> 1:55:30.480
<v Speaker 1>great movie, But no movie ends better than Saw One

1:55:30.680 --> 1:55:35.760
<v Speaker 1>Game Over, Sam, Bye bye bye