WEBVTT - #28 - Jae Millz

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<v Speaker 1>Yo, what I mean? It's another edition of that bouleg

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<v Speaker 1>Cap podcast episode number almost thirty, that's for sure, not

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<v Speaker 1>quite thirty. I think it's twenty eight, twenty eight. It's

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<v Speaker 1>twenty eight, episode number twenty eight with the homie J Mills.

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<v Speaker 1>What a crazy day. First of all, got a shout

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<v Speaker 1>out everybody who got nominated for Grammys, Roddy Rich the Baby,

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<v Speaker 1>But most importantly, the Rap Album of the Year category

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<v Speaker 1>was revealed, and boy was there a lot of rappin'

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<v Speaker 1>ass rap on that category. Freddie gibbson Alchemist Alfredo headlining

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<v Speaker 1>the Album of the Year nominations for Alfredo. Then of

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<v Speaker 1>course you have a Jay Electronica's album, D Smokes Project,

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<v Speaker 1>Royce the Five Nines Project, and NASA's King's Disease. So

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<v Speaker 1>some real dope rap music got nominated for Grammys. I

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<v Speaker 1>think personally, there was some obvious snubs in the Album

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<v Speaker 1>of the Year category. There's no way you do Album

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<v Speaker 1>of the Year and not put Roddy Rich in there. Also,

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<v Speaker 1>Run the Jewels Killer, Mike LP Run the Jewels four

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<v Speaker 1>should have been in that talk probably would have left

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<v Speaker 1>off D Smoke, probably would have left off Jay Electronica,

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<v Speaker 1>if I'm being honest, Shout out to jay great project,

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<v Speaker 1>but you know, the whole album jay Z just kind

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<v Speaker 1>of washed him. Nonetheless, I hope Freddie Gibbs wins. It's

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<v Speaker 1>my favorite album of the year. And congratulations to Gangs,

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<v Speaker 1>the Gibbs and the Alchemists for being nominated finally because

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<v Speaker 1>they got snubbed last year. Him and Madlib got snubbed

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<v Speaker 1>last year. But I digress. YO dope episode this week.

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<v Speaker 1>Shout out to j Mills formerly of Young Money. You know,

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<v Speaker 1>it's crazy because we had him come up just to

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<v Speaker 1>do a freestyle. The freestyle's out right now on our

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<v Speaker 1>YouTube page. But then we started to just shoot the

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<v Speaker 1>shit with him and we're like, Yo, you should come

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<v Speaker 1>in and do an interview because he's got so much

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<v Speaker 1>crazy insight into the Young Money world because he was

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<v Speaker 1>signed a Young Money for about a decade and was

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<v Speaker 1>around for so many history moments. So this interview with

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<v Speaker 1>J Mills. By the way, he's got a new album

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<v Speaker 1>out go support that. But it really was us just

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<v Speaker 1>kind of diving into his time with Young Money and

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<v Speaker 1>him sharing some pretty dope stories about his time around

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<v Speaker 1>Drake and Nicki and Wayne for the last decade or so,

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<v Speaker 1>so I hope you enjoyed the episode. Shout out to

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<v Speaker 1>our our pod cast sponsors, per the Usual. Got a

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<v Speaker 1>big big ups. Big ups to our main sponsor, odds Socks.

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<v Speaker 1>You know the holidays are coming. I'm sure they got

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<v Speaker 1>out of check out at vapincbd dot com. Let's get

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<v Speaker 1>into the episode. J Mills episode number twenty eight. Let's go,

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<v Speaker 1>it's the bluele Camp podcast. Man, we got the homie

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<v Speaker 1>J Mills. Yeah yeah, yeah, yeah yeah. What's up man?

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<v Speaker 1>Welcome sir? What up? What up? All right? Man? You

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<v Speaker 1>got a new project that's officially out. Woodpan walls. By

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<v Speaker 1>the time this is out, it'll be out. Yeah, woodpano

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<v Speaker 1>walls with wood painted walls, wood panel, wood panel walls. Yeah.

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<v Speaker 1>So what's that? What's that like in a car you

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<v Speaker 1>get the wood panel you know what it is? It's like, Uh.

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<v Speaker 1>I grew up in New York City and Boston Heights,

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<v Speaker 1>so a lot of those apartments was The architecture was

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<v Speaker 1>real old school. It might have all, I know, the

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<v Speaker 1>kind of walls you're talking. Yeah, it might have like

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<v Speaker 1>five six rooms, but when you first come in, it's

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<v Speaker 1>a long hallway, but it'll be a room on this side,

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<v Speaker 1>then the room here, then a kitchen in the room here.

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<v Speaker 1>Then So my grandmother had one of those apartments, right,

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<v Speaker 1>And when I was born, I was living in my

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<v Speaker 1>grandmam's crib. She from down South, had eleven kids, so

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<v Speaker 1>the house was very busy, but I'm a virgo, so

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<v Speaker 1>my memory bank is incredible. Like I can remember things

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<v Speaker 1>that I probably shouldn't remember and I didn't even try

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<v Speaker 1>to remember. But the woodpanel wallshit, it's stuck out, you

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<v Speaker 1>know what I'm saying, Like rest in peace to my

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<v Speaker 1>grandmom's too. Yeah, they got him trailed in my uncle's trailer.

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<v Speaker 1>It's like wood, but it's not real wood. Is that

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<v Speaker 1>what used to be on side of the station wagons too? Yeah?

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<v Speaker 1>I think so, you know Grizzwall Ride Wile World. Yeah,

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<v Speaker 1>it's something like that, like threes think like Three's Company, Like,

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<v Speaker 1>you know, you got to look panels all and my

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<v Speaker 1>Grandmam's crib was all like that. So when I went

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<v Speaker 1>to do this project, kind of like what we was

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<v Speaker 1>talking about the other day, I've come from an era

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<v Speaker 1>of the radio record the street single to this record,

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<v Speaker 1>you know what I'm saying. So this was the first

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<v Speaker 1>time I was like, man, fuck all that, let me

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<v Speaker 1>just record. Let me record a story, you know what

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<v Speaker 1>I'm saying. I got so many stories, so many memories.

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<v Speaker 1>Let me just record some ship that I could paint

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<v Speaker 1>a picture from track one to track whatever's going to

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<v Speaker 1>be the last one, no radio records. It ain't no

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<v Speaker 1>party shit, no strip club shit. It ain't really too

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<v Speaker 1>much with a bounce. But if you listen to it

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<v Speaker 1>from beginning to end, it's a good story. Now I

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<v Speaker 1>first knew of you from your battle and days. Yeah,

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<v Speaker 1>way back in the day. It's a long time now

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<v Speaker 1>we're getting we get in the years agoing like I

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<v Speaker 1>didn't even know you. Just battled the nets again recently

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<v Speaker 1>because I remember the original Yeah shouted shouting nets. You

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<v Speaker 1>know that was an RB situation. He was in the band, right, Yeah,

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<v Speaker 1>he was in the band, And this is a big

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<v Speaker 1>thing people don't hate. He was the only one that

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<v Speaker 1>was dope in there. I think people I think I

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<v Speaker 1>think people think I was trying to be a part

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<v Speaker 1>of the band. Like I never was auditioning for the band.

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<v Speaker 1>I was never trying to be in the band. It

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<v Speaker 1>was just like did he call me and nit a

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<v Speaker 1>battle nest? That's really all it was. I wasn't that

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<v Speaker 1>was probably like was that like the first like like

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<v Speaker 1>your biggest look at the time was to do at

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<v Speaker 1>that time, that might have been my biggest look. I

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<v Speaker 1>was still doing like street, But I don't know if

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<v Speaker 1>I had no No No out yet. I don't think

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<v Speaker 1>I had I don't know if I had the Warner

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<v Speaker 1>Brothers deal yet. I think I was still doing like

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<v Speaker 1>battling mixtape type shit. But yeah, I mean coming. I

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<v Speaker 1>mean obviously, you go from the Battle world where you're

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<v Speaker 1>like a legend, and then you had the No No

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<v Speaker 1>No record. I remember having that right now final yeah yeah.

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<v Speaker 1>But then there's like a whole other wave of people

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<v Speaker 1>who just know you from being from Young Money. So

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<v Speaker 1>you and Wayne and the Young Money situation, Uh, how

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<v Speaker 1>like when did that start and how did it initially

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<v Speaker 1>happen because at the time, it was what just you

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<v Speaker 1>and Nikki. They were from the East Coast from New York.

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<v Speaker 1>It was me and Nicky. But he was fucking with

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<v Speaker 1>Cory Guns too shot Oh yeah yeahyah. Well, I mean

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<v Speaker 1>I don't know if Guns was I don't know if

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<v Speaker 1>Guns I don't think he ever signed officially, but I

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<v Speaker 1>don't know if he was signed or whatever yet. But

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<v Speaker 1>I remember he had the Millie remix Yah, and he

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<v Speaker 1>was fucking with guns. I feel like he was on

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<v Speaker 1>the original Yeah yeah, yeah. Guns might have been around

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<v Speaker 1>Young Money before me. Guns and NICKI might have been

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<v Speaker 1>around Young Money before me, but nothing was really solidified.

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<v Speaker 1>Nicky was definitely around around, but me and Guns was

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<v Speaker 1>kind of like Wayne just fucked with us. He just

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<v Speaker 1>liked that rapping type shit. But yeah, that was that

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<v Speaker 1>was that situation. I think around the time I started

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<v Speaker 1>fucking with Wayne might have been like two thousand and seven.

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<v Speaker 1>I want to say like two thousand and seven because

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<v Speaker 1>this is the situation with me and Wayne. I'm explaining this.

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<v Speaker 1>I had a song called how Had a Player? And

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<v Speaker 1>I don't know if people knew or not, but I

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<v Speaker 1>wasn't signed to Universal no more. This is like when

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<v Speaker 1>Sylvia Ron came over and everything changed, like and you know,

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<v Speaker 1>like I said, I'm from the radio era. I'm from

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<v Speaker 1>that era of the single and all of this shit.

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<v Speaker 1>So I'm trying to just keep my record going because

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<v Speaker 1>I know I don't got no deal no more. So

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<v Speaker 1>I'm doing shit like this is it six. I'm doing

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<v Speaker 1>shit like recording myself, taking the curses out and texting

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<v Speaker 1>DJ Enough or DJ Camillo or k Slade like or

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<v Speaker 1>flex like y'all got this new record? Now? This is

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<v Speaker 1>usually coming from a department. Now, it's like you're sending

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<v Speaker 1>me a shit directly. Well, all right, cool, we fuck

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<v Speaker 1>with you, So yeah, just send it. And now I

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<v Speaker 1>started getting radio play, and I'm like, damn, I'm noticing.

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<v Speaker 1>I'm getting play like mixed show played twice a day.

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<v Speaker 1>You might get the rush hour play. You might get

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<v Speaker 1>the traffic hour, traffic jam play, seven o'clock play. You know,

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<v Speaker 1>later on somebody else come on to twelve. I might

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<v Speaker 1>have heard my shit four or five times today. I

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<v Speaker 1>don't got no deal with my mom's crib real shit.

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<v Speaker 1>And I'm like, I can't go on to another record.

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<v Speaker 1>I'm smart enough to know that I cannot go on

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<v Speaker 1>to another record. I got son going right now. So

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<v Speaker 1>I hit Wayne right like, uh, I got this record.

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<v Speaker 1>You know what I'm saying. It's bubbling in New York

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<v Speaker 1>right now. If you want to jump on, and I

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<v Speaker 1>sent it to you. I'm really just taking a shot

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<v Speaker 1>in the dark. I don't I don't know if he

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<v Speaker 1>gonna get on this shit or not. But I had

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<v Speaker 1>a record called Bring It Back with Jada Kiss, and

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<v Speaker 1>then I did a remix with Wayne and Fab. Wayne said,

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<v Speaker 1>come to the studio. I shot the Fab shot the kiss.

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<v Speaker 1>You know what I'm saying. Granted, they was they busy

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<v Speaker 1>but Wayne told me come to the studio and did

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<v Speaker 1>it that night and then charged me nothing. This is

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<v Speaker 1>when he doing like three hundred records in it. So

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<v Speaker 1>in my mind, I'm like, I'm just taking shit. I'm

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<v Speaker 1>shooting from half court in a dark gym on all

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<v Speaker 1>of these moves right now. I don't know what's gonna happen.

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<v Speaker 1>Send him the record. He send the record back next day.

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<v Speaker 1>So my brother is like the super little Wayne fan

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<v Speaker 1>at this time. He like, BROH heard that verse before.

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<v Speaker 1>I'm like, no, he just did this verse with me

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<v Speaker 1>last night. He said, not, bro I heard that verse before.

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<v Speaker 1>IM gonna be real like he ain't want to say

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<v Speaker 1>like that, but he's like he pulled the verse up,

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<v Speaker 1>all sorts of egg all on my face now. So

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<v Speaker 1>now I'm faced with the decision. Do I act like

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<v Speaker 1>I do not know that this man said this verse

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<v Speaker 1>already and still put this song out, or can I

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<v Speaker 1>just hit him and just be like, yo, I appreciate it,

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<v Speaker 1>but I can't put this out, you know, blah blah.

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<v Speaker 1>And he was like, oh my fht blah blah blah blah.

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<v Speaker 1>Next day, sent me another verse back and said some

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<v Speaker 1>shit in the junk like Miles had to tell me

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<v Speaker 1>stop recycling verses, and since I don't write it, I

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<v Speaker 1>recited in cursive. I was like, oh, that's personalized for me.

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<v Speaker 1>That ain't like he just gave me a verse from

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<v Speaker 1>some a dedication mixtape that didn't come out right. So

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<v Speaker 1>now I'm like, oh, that shot you took in the

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<v Speaker 1>dark gym, you hit the rim on that shit like

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<v Speaker 1>you might could stand in this dark gym a little more,

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<v Speaker 1>but just try to get closer to where you hit

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<v Speaker 1>the rim at. So now I'm like, yo, look man,

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<v Speaker 1>I ain't got no situation. I know you're doing the

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<v Speaker 1>young money shit. You know what I'm saying. If I

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<v Speaker 1>coul come play some music, he said, you don't got

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<v Speaker 1>no deal? Coury right back. So I'm like, oh, I'm

0:11:00.040 --> 0:11:04.080
<v Speaker 1>done on that verse like that versus a dub. He's not.

0:11:04.160 --> 0:11:06.320
<v Speaker 1>I don't got no budget. I don't he knows now

0:11:06.320 --> 0:11:07.880
<v Speaker 1>I don't have money to give him for the verse.

0:11:09.280 --> 0:11:10.839
<v Speaker 1>He caught me back with Taz on the phone. He's like,

0:11:10.840 --> 0:11:12.920
<v Speaker 1>when can you get on a flight? He said, but

0:11:12.960 --> 0:11:14.400
<v Speaker 1>tell me this again. You said you don't got no vert,

0:11:14.400 --> 0:11:16.400
<v Speaker 1>no deal, right, I said, nah? He said, well when

0:11:16.440 --> 0:11:18.719
<v Speaker 1>can you get on a flight to Miami. Now I'm

0:11:18.760 --> 0:11:22.959
<v Speaker 1>in Harlem. I'm like, I get on a flight yesterday.

0:11:23.160 --> 0:11:27.160
<v Speaker 1>He started laughing. After that flight, I was young money

0:11:27.240 --> 0:11:30.360
<v Speaker 1>until I wasn't young money no more. Yeah, I mean

0:11:30.679 --> 0:11:33.440
<v Speaker 1>so that was six. That was like, oh that's around

0:11:33.679 --> 0:11:36.200
<v Speaker 1>six o seven. It was around. It was right before

0:11:36.240 --> 0:11:39.160
<v Speaker 1>you know how reason three was right before the car three.

0:11:39.160 --> 0:11:42.199
<v Speaker 1>When I got around. I remember the first time out.

0:11:42.240 --> 0:11:44.520
<v Speaker 1>He flew me out. After that conversation, I went to

0:11:44.559 --> 0:11:46.880
<v Speaker 1>the Hit Factory and when he walked in, he started

0:11:46.880 --> 0:11:49.560
<v Speaker 1>just playing me a bunch of music and shit, and

0:11:49.600 --> 0:11:52.400
<v Speaker 1>I remember he played Lollipop. I'll never forget this shit.

0:11:53.200 --> 0:11:55.840
<v Speaker 1>This is when I was like, oh yeah, I gotta

0:11:55.840 --> 0:11:58.200
<v Speaker 1>step my shit up a whole lot like that. I'm

0:11:58.200 --> 0:12:00.520
<v Speaker 1>a nice rapper, it's a huge I was like, I'm

0:12:00.520 --> 0:12:04.440
<v Speaker 1>a good rapper. He's a great artist. And I have

0:12:04.480 --> 0:12:06.600
<v Speaker 1>no problem at all. I have no problem with saying

0:12:06.640 --> 0:12:08.959
<v Speaker 1>that because Wayne is my man. I love Wayne unconditionally.

0:12:09.000 --> 0:12:12.040
<v Speaker 1>He showed me shit that no other friend showed me.

0:12:12.160 --> 0:12:14.760
<v Speaker 1>No of a homie, no of a businessman, of a ceo,

0:12:14.880 --> 0:12:17.280
<v Speaker 1>no of a rapper. He showed me. And it was

0:12:17.280 --> 0:12:19.280
<v Speaker 1>hard on me with that ship too. But I learned

0:12:19.280 --> 0:12:23.600
<v Speaker 1>a lot, so I'm like, I'm like, damn, what the

0:12:23.600 --> 0:12:25.520
<v Speaker 1>fuck is this? But it sounded like the T Pain.

0:12:25.920 --> 0:12:28.800
<v Speaker 1>T Pain was killing everything at this time. But now

0:12:28.920 --> 0:12:33.240
<v Speaker 1>I'm I know Wayne from Dad, and now it's like

0:12:35.120 --> 0:12:37.080
<v Speaker 1>I'm like, I'm like, damn, how he do that shit?

0:12:37.280 --> 0:12:40.680
<v Speaker 1>Like now he playing me a bunch of shit? He

0:12:40.720 --> 0:12:43.560
<v Speaker 1>played me got money. Now I had had to beat

0:12:43.640 --> 0:12:46.400
<v Speaker 1>for got money from playing skills or they had played

0:12:46.400 --> 0:12:48.360
<v Speaker 1>me like, you know, beat that gaming to beat, so

0:12:48.480 --> 0:12:50.360
<v Speaker 1>I knew. I was like, oh I heard this ship before,

0:12:50.400 --> 0:12:51.719
<v Speaker 1>all right, let me just sit here and listen to

0:12:51.760 --> 0:12:54.000
<v Speaker 1>his version. I was like, oh shit, he got T

0:12:54.120 --> 0:12:56.160
<v Speaker 1>pain on it. That's what that's the plan that they played.

0:12:56.160 --> 0:12:58.920
<v Speaker 1>When they played me the song like oh he I

0:12:59.000 --> 0:13:00.800
<v Speaker 1>was like, woy, I wouldn't have not made this song

0:13:00.880 --> 0:13:03.880
<v Speaker 1>like this, right, Glad they didn't get a ship to me, Like,

0:13:03.920 --> 0:13:05.880
<v Speaker 1>I'm so glad they didn't waste this record with me

0:13:05.920 --> 0:13:09.240
<v Speaker 1>because I wouldn't have never made this this, you know

0:13:09.240 --> 0:13:11.720
<v Speaker 1>what I'm saying. So Carter three wasn't out yet. He

0:13:11.760 --> 0:13:14.680
<v Speaker 1>was still doing like college arenas and ship like that.

0:13:15.160 --> 0:13:18.160
<v Speaker 1>It wasn't like the I Am music. It was still

0:13:18.200 --> 0:13:21.040
<v Speaker 1>like and then like a lot of the Carter three leaked,

0:13:21.800 --> 0:13:23.600
<v Speaker 1>he was still performing a lot of the leak shit.

0:13:23.679 --> 0:13:26.040
<v Speaker 1>He was still performing. Were you around when the music

0:13:26.160 --> 0:13:27.880
<v Speaker 1>leaker had that already been leaked. I was starting to

0:13:27.880 --> 0:13:30.480
<v Speaker 1>come around. I was still like just doing my like

0:13:30.600 --> 0:13:33.199
<v Speaker 1>I wasn't on Universe, And I just remember like being

0:13:33.240 --> 0:13:35.600
<v Speaker 1>at because I used to slang shit at the swap meet.

0:13:35.600 --> 0:13:37.199
<v Speaker 1>They're talking my name, So I remember just having to

0:13:37.240 --> 0:13:41.800
<v Speaker 1>every little Wayne tape. There was like Carter three fucking leaks,

0:13:42.440 --> 0:13:45.400
<v Speaker 1>the drought, the droughts, and then it was like, I

0:13:45.400 --> 0:13:48.600
<v Speaker 1>mean obviously before that the squad up shit, but like

0:13:48.679 --> 0:13:51.080
<v Speaker 1>that that like era, like right before Carter three, like

0:13:51.080 --> 0:13:53.120
<v Speaker 1>the like twelve months prior, when he was just heating

0:13:53.160 --> 0:13:56.120
<v Speaker 1>up the mixtape shit. It was like that's what really

0:13:56.160 --> 0:13:59.000
<v Speaker 1>got Wayne hot up top. I mean he was already

0:13:59.040 --> 0:14:01.959
<v Speaker 1>hot since he was fucking thirteen fourteen, but I mean

0:14:02.040 --> 0:14:05.560
<v Speaker 1>like reinventing himself from being like a little wheezy to

0:14:05.640 --> 0:14:07.439
<v Speaker 1>like the fire man. Well, no one took little Wayne

0:14:07.480 --> 0:14:10.040
<v Speaker 1>like serious. No, he had to start saying, I'm the

0:14:10.040 --> 0:14:12.640
<v Speaker 1>best rapper alive since the best rapper retired, because he

0:14:12.679 --> 0:14:14.920
<v Speaker 1>had to start had to make that statement. And then

0:14:14.960 --> 0:14:17.880
<v Speaker 1>he just started. And then I remember he performed on

0:14:17.920 --> 0:14:21.240
<v Speaker 1>the BT Awards. He performed gossip. Oh yeah, yeah, yeah, yeah,

0:14:21.280 --> 0:14:24.520
<v Speaker 1>stop hating on a nigga that no remember that moment.

0:14:24.600 --> 0:14:27.920
<v Speaker 1>No hype man on like an EP. It wasn't even

0:14:28.080 --> 0:14:30.280
<v Speaker 1>on his It was a leak. It was a leak.

0:14:30.400 --> 0:14:33.520
<v Speaker 1>It was a leak. Like you didn't like Wayne once

0:14:33.560 --> 0:14:36.120
<v Speaker 1>I got around him, That's what made me realize, Oh

0:14:36.240 --> 0:14:37.880
<v Speaker 1>I remember that. I was like, oh, this is the

0:14:37.920 --> 0:14:40.440
<v Speaker 1>first single for Carter three, and then nah, he didn't

0:14:40.480 --> 0:14:42.320
<v Speaker 1>get he was one of them type people when songs

0:14:42.400 --> 0:14:46.280
<v Speaker 1>leaked him. He like like he called those dead homies

0:14:46.560 --> 0:14:48.480
<v Speaker 1>he was. I mean, yet what he did with uh?

0:14:48.920 --> 0:14:51.240
<v Speaker 1>Because you know, being the youngest dude in Cash Money,

0:14:52.120 --> 0:14:54.600
<v Speaker 1>I feel like as a rapper, there wasn't a lot

0:14:54.600 --> 0:14:56.960
<v Speaker 1>of people who with credibility that probably took him serious

0:14:58.000 --> 0:15:00.760
<v Speaker 1>until the first Carter when he started popping his shit.

0:15:01.400 --> 0:15:04.320
<v Speaker 1>That's that's around the time because five hundred degrees was whatever.

0:15:04.560 --> 0:15:06.080
<v Speaker 1>I mean, I think the block is Hot was dope.

0:15:06.080 --> 0:15:07.760
<v Speaker 1>I think if you really were a Cash Money fan,

0:15:07.760 --> 0:15:10.480
<v Speaker 1>you knew little Wayne crap. Yeah, But like people like

0:15:10.480 --> 0:15:12.480
<v Speaker 1>like you said, like once that first Carter came out,

0:15:12.520 --> 0:15:14.600
<v Speaker 1>I remember working a best buy man when that shit dropped.

0:15:14.600 --> 0:15:16.440
<v Speaker 1>That shit was I remember the first time I heard

0:15:16.520 --> 0:15:20.720
<v Speaker 1>being U being Junior. Mm hmm, is that the puttest

0:15:21.240 --> 0:15:24.400
<v Speaker 1>feeding the blades. I ain't tripping nigga. I played the

0:15:24.400 --> 0:15:27.280
<v Speaker 1>corner like ripkin Nigga with the forty. I was like, yeah,

0:15:27.280 --> 0:15:31.600
<v Speaker 1>he in a different world. But Carter two was was

0:15:31.600 --> 0:15:34.800
<v Speaker 1>when because by this time I'm deep in rap. I'm deep.

0:15:34.840 --> 0:15:36.920
<v Speaker 1>I'm an artist. I didn't have my ups, my downs,

0:15:36.920 --> 0:15:40.000
<v Speaker 1>and my high points my low points. I read credits,

0:15:40.040 --> 0:15:42.080
<v Speaker 1>I read magazines. I want to know people that go

0:15:42.120 --> 0:15:45.080
<v Speaker 1>to school late. But I'm walking in the lunch room

0:15:45.240 --> 0:15:47.920
<v Speaker 1>with the Source magazine, the Double Excel, the Blaze. I

0:15:48.000 --> 0:15:50.720
<v Speaker 1>might have the vibe that might Blaze magazine. Yeah, I

0:15:50.760 --> 0:15:53.160
<v Speaker 1>might have had fucking the free styles of people. Get

0:15:53.200 --> 0:15:55.400
<v Speaker 1>your tape decks ready last night on DJ Clue the

0:15:55.440 --> 0:15:58.240
<v Speaker 1>fucking fire Truck. I was that type of kid. So

0:15:58.280 --> 0:16:01.360
<v Speaker 1>when I heard Carter too, like, oh ship, this is

0:16:01.360 --> 0:16:03.200
<v Speaker 1>the first time I heard of Wayne album with no

0:16:03.320 --> 0:16:05.720
<v Speaker 1>many fresh production and it was dope. Now I get

0:16:05.800 --> 0:16:09.680
<v Speaker 1>to hear him compare to everybody else. Now, now damn

0:16:09.680 --> 0:16:12.120
<v Speaker 1>me rapping over the heat makers. Who the fuck are

0:16:12.120 --> 0:16:15.800
<v Speaker 1>the runners. Who you know what I'm saying. So around

0:16:15.800 --> 0:16:17.520
<v Speaker 1>that time I got with Wayne, that shit showed me

0:16:17.560 --> 0:16:20.680
<v Speaker 1>a lot. It was to bring it back full circle.

0:16:20.760 --> 0:16:24.400
<v Speaker 1>It was around that time, right before Carter three. That's

0:16:24.440 --> 0:16:26.560
<v Speaker 1>around the time I got with Young Money. Help me understand.

0:16:26.720 --> 0:16:33.280
<v Speaker 1>Uh okay, so Young Money mm hmm. There's obviously the

0:16:33.320 --> 0:16:35.720
<v Speaker 1>product of Young Money is two of the biggest artists

0:16:35.720 --> 0:16:39.600
<v Speaker 1>of all time, Drake and Nikki. But there was all

0:16:39.640 --> 0:16:43.760
<v Speaker 1>these other rappers, so many let's talk about it. There

0:16:43.840 --> 0:16:46.280
<v Speaker 1>was you, there was Gotta Gotta I mean, you know,

0:16:46.320 --> 0:16:48.240
<v Speaker 1>Macmaine was the President, but you know it was a

0:16:48.320 --> 0:16:51.320
<v Speaker 1>rapper for Shout Shout the Mac. Surprise, Mac never got

0:16:51.320 --> 0:16:54.040
<v Speaker 1>a solo album off the President. You wanted some funny shit.

0:16:54.080 --> 0:16:57.960
<v Speaker 1>When I first came around Young Money, I remember Mac

0:16:58.120 --> 0:17:00.600
<v Speaker 1>was telling me then like I want to be on

0:17:00.640 --> 0:17:05.080
<v Speaker 1>some balls ship this rapper, like he was tired of it. Then, Hey,

0:17:05.640 --> 0:17:07.280
<v Speaker 1>I'm looking at it, like, bro, you I used to

0:17:07.400 --> 0:17:09.679
<v Speaker 1>I used to send him so much ship let's get

0:17:09.680 --> 0:17:11.720
<v Speaker 1>on his beat. Let's because I was I'm a fan

0:17:11.760 --> 0:17:13.600
<v Speaker 1>of Mac Man, I'm a fan of the Squad, I'm

0:17:13.600 --> 0:17:15.320
<v Speaker 1>a fan of Win. So I wanted to just do

0:17:15.600 --> 0:17:17.359
<v Speaker 1>all Sorts Hill with everybody. And then I was the

0:17:17.400 --> 0:17:19.800
<v Speaker 1>person that used to when Wayne would fly me out,

0:17:19.840 --> 0:17:23.280
<v Speaker 1>I would bring my inbox and my computer and my

0:17:23.280 --> 0:17:26.800
<v Speaker 1>my m audio speakers in the hotel room that he

0:17:26.840 --> 0:17:28.960
<v Speaker 1>has me or would never go to the bus where

0:17:28.960 --> 0:17:31.720
<v Speaker 1>he's at. I would just be in the room just recording.

0:17:32.200 --> 0:17:34.000
<v Speaker 1>And I remember one day I think gut or Twist

0:17:34.040 --> 0:17:35.440
<v Speaker 1>told him He's like, what mails And He's like, he

0:17:35.520 --> 0:17:41.960
<v Speaker 1>upstairs recording? What are you doing? You're recording hisself? Promise you.

0:17:42.000 --> 0:17:44.960
<v Speaker 1>The next day I came downstairs on Wayne's tour bus.

0:17:45.000 --> 0:17:47.560
<v Speaker 1>He had all that ship learned how to record itself.

0:17:47.840 --> 0:17:51.960
<v Speaker 1>Oh wow, quick quick, Uh but no, but we're talking

0:17:52.000 --> 0:17:55.280
<v Speaker 1>like a vast amount of artists, like you just said,

0:17:55.359 --> 0:18:03.679
<v Speaker 1>Little Twist sew piercing right me guns Maneople, and it

0:18:03.800 --> 0:18:09.200
<v Speaker 1>seems Tiger Tiger, Nikki Drake. It just seemed like, uh,

0:18:09.960 --> 0:18:12.639
<v Speaker 1>being on young money could more too, that's the crazy

0:18:12.720 --> 0:18:15.520
<v Speaker 1>put a lot more. But it could be perceived to

0:18:15.560 --> 0:18:17.960
<v Speaker 1>be a gift in a curse. T Streets shot my

0:18:18.000 --> 0:18:20.679
<v Speaker 1>man T Streets, T Streets, But like, what why do

0:18:20.760 --> 0:18:25.439
<v Speaker 1>you think? Uh? It didn't work out for everybody, And

0:18:25.480 --> 0:18:27.560
<v Speaker 1>by everybody, I mean the majority of the artists on

0:18:27.600 --> 0:18:30.560
<v Speaker 1>the label. I tell people this all the time. It

0:18:30.600 --> 0:18:34.600
<v Speaker 1>never works out for everybody. Once you understand that, It's like,

0:18:36.160 --> 0:18:38.439
<v Speaker 1>and I'm looking at this picture of Charles Barkley right now,

0:18:38.440 --> 0:18:40.639
<v Speaker 1>and it's taking me somewhere right. I want to explain

0:18:40.720 --> 0:18:44.480
<v Speaker 1>people something. There was a lot of great people on

0:18:44.600 --> 0:18:48.600
<v Speaker 1>the Sixers when Barkley came, a lot of great people

0:18:49.760 --> 0:18:54.520
<v Speaker 1>uh on the Lakers when Kobe came. I always tell

0:18:55.680 --> 0:18:58.720
<v Speaker 1>I always tell people, I know what it feels like

0:18:59.000 --> 0:19:02.480
<v Speaker 1>to be Eddie Joe. I know what it feels like

0:19:02.520 --> 0:19:04.960
<v Speaker 1>to be Eddie Jones. Not saying that I'm not nice,

0:19:05.640 --> 0:19:08.199
<v Speaker 1>I'm not great, but I know what it was like

0:19:08.359 --> 0:19:13.400
<v Speaker 1>to be great. And somebody comes around and they are undeniable.

0:19:13.480 --> 0:19:15.480
<v Speaker 1>You can go in the studio and make the dopest

0:19:15.520 --> 0:19:19.840
<v Speaker 1>shit you want. Aubrey is undeniable. I remember the first

0:19:19.880 --> 0:19:22.800
<v Speaker 1>time Wayne let me hear successful, I was like, WHOA,

0:19:22.800 --> 0:19:24.240
<v Speaker 1>this shit is dope. The next time I heard it,

0:19:24.280 --> 0:19:26.280
<v Speaker 1>Wayne had a different verse. Said why you got a

0:19:26.280 --> 0:19:27.840
<v Speaker 1>different verse? So I sent it to Drake and he

0:19:27.840 --> 0:19:30.560
<v Speaker 1>said he didn't really he liked the verse, but he

0:19:30.600 --> 0:19:32.920
<v Speaker 1>didn't really think it went with the concept of the song.

0:19:32.920 --> 0:19:35.919
<v Speaker 1>I said, he made you do a verse over damn,

0:19:36.280 --> 0:19:38.439
<v Speaker 1>you know what I'm saying. But it showed me to

0:19:38.520 --> 0:19:41.639
<v Speaker 1>respect Wayne had for him because he did the same

0:19:41.680 --> 0:19:44.679
<v Speaker 1>thing for me. He did the same thing for me.

0:19:45.440 --> 0:19:48.000
<v Speaker 1>Did it over? I respect you? You know what You're right,

0:19:48.680 --> 0:19:50.879
<v Speaker 1>you know what I'm saying. So that just brings me

0:19:50.920 --> 0:19:52.840
<v Speaker 1>back to the whole. It was a lot of artists

0:19:52.800 --> 0:19:56.200
<v Speaker 1>would happened. It was a lot of artists on cash money.

0:19:56.200 --> 0:19:57.760
<v Speaker 1>It was a lot of artists on no limits, a

0:19:57.760 --> 0:20:00.600
<v Speaker 1>lot of artists on death roll. But I remember Snoop

0:20:01.520 --> 0:20:05.040
<v Speaker 1>Pot and the Dog Pound, not saying Lady of Rage

0:20:05.119 --> 0:20:08.040
<v Speaker 1>or jewell or or crook or or you know what

0:20:08.040 --> 0:20:09.920
<v Speaker 1>I'm say. It's not to say that they wasn't great.

0:20:10.320 --> 0:20:12.720
<v Speaker 1>Was a part of it after like the dark years

0:20:12.720 --> 0:20:14.600
<v Speaker 1>of death throw. It's not to say that they wasn't great.

0:20:14.640 --> 0:20:21.760
<v Speaker 1>But Nikki was undeniable, Drake was undeniable out of let's say,

0:20:21.760 --> 0:20:23.919
<v Speaker 1>if it was ten of us, because it was all

0:20:24.200 --> 0:20:26.000
<v Speaker 1>it was like ten, ten, eleven of us. It was

0:20:26.040 --> 0:20:32.320
<v Speaker 1>a lot to hit with three the way that you hit. Now.

0:20:32.320 --> 0:20:34.120
<v Speaker 1>Some people might say, males, you being a little too

0:20:34.119 --> 0:20:36.199
<v Speaker 1>cordial about that, my nigga, because you wasn't one of

0:20:36.200 --> 0:20:39.680
<v Speaker 1>those three. It's how it works sometimes, keep it moving,

0:20:39.760 --> 0:20:42.760
<v Speaker 1>figure it out. That wasn't my first stop on the train.

0:20:42.840 --> 0:20:45.439
<v Speaker 1>It's not gonna be my last. I came there with

0:20:45.520 --> 0:20:48.359
<v Speaker 1>Dil's already. A lot of people came there that was

0:20:48.400 --> 0:20:51.760
<v Speaker 1>their first time, that was their first rodeo. You know

0:20:51.760 --> 0:20:54.600
<v Speaker 1>what I'm saying. I didn't fell off the horse, did

0:20:54.920 --> 0:20:57.800
<v Speaker 1>all of this shit already, so this isn't new to me.

0:20:57.880 --> 0:20:59.840
<v Speaker 1>I know that this shit ain't gonna last forever. And

0:20:59.880 --> 0:21:02.040
<v Speaker 1>I feel like a lot of people they thought it

0:21:02.160 --> 0:21:05.720
<v Speaker 1>was gonna last forever. I think with Tiger, he had

0:21:05.760 --> 0:21:07.600
<v Speaker 1>been around, he had been with gym class heroes. He

0:21:07.640 --> 0:21:10.640
<v Speaker 1>had poking up milk. He had understood how to make

0:21:10.720 --> 0:21:13.600
<v Speaker 1>this ship work. Drake had already been comeback season. I

0:21:13.600 --> 0:21:16.560
<v Speaker 1>would almost argue that that Tiger popped despite little Wayne.

0:21:16.600 --> 0:21:20.280
<v Speaker 1>He did Wayne it tune, I Love you, I Love

0:21:20.320 --> 0:21:24.760
<v Speaker 1>you tune? All right, Tiger will tell you this. Wayne

0:21:24.760 --> 0:21:27.840
<v Speaker 1>didn't like that direction that Tiger was going in, like

0:21:28.119 --> 0:21:30.560
<v Speaker 1>make it nasty, rack city, bitch, better have my money

0:21:30.640 --> 0:21:34.639
<v Speaker 1>dancing for them dollars? Uh? What was the joint? He

0:21:34.680 --> 0:21:37.480
<v Speaker 1>had asked? So fat and neither lapped in Wayne wasn't

0:21:37.480 --> 0:21:40.840
<v Speaker 1>feeling that because you gotta understand that's not the vision

0:21:40.880 --> 0:21:44.080
<v Speaker 1>Wayne saw for him when he first met him. You Tiger, Tiger,

0:21:44.119 --> 0:21:47.320
<v Speaker 1>you like your bouncy flow like kind of like so

0:21:47.520 --> 0:21:50.399
<v Speaker 1>and sos of mischief type shit. You different You like

0:21:50.440 --> 0:21:54.359
<v Speaker 1>a real West Coast lyrical crafty with your words. And

0:21:54.400 --> 0:21:58.840
<v Speaker 1>now you going strip club or me, they don't even

0:21:58.880 --> 0:22:01.000
<v Speaker 1>really have strip clubs where you act like that, like

0:22:01.040 --> 0:22:02.919
<v Speaker 1>where it is coming from. It was kind of like

0:22:04.000 --> 0:22:07.080
<v Speaker 1>when I used to first got around Young Money. You

0:22:07.080 --> 0:22:10.280
<v Speaker 1>listen to Dedication three, my bars was like on top

0:22:10.359 --> 0:22:12.560
<v Speaker 1>of each other, on top of each other. Even anytime

0:22:12.600 --> 0:22:15.080
<v Speaker 1>I did mixtapes for Young Money, my bars was on

0:22:15.119 --> 0:22:17.280
<v Speaker 1>top of each other like that. And that's because Wayne

0:22:17.359 --> 0:22:20.880
<v Speaker 1>taught me how to differentiate it. She ain't got a man,

0:22:21.320 --> 0:22:25.640
<v Speaker 1>but she's not alone misindependent. Yeah, she got her own. Hey,

0:22:26.119 --> 0:22:29.200
<v Speaker 1>I hated that verse. That was the end of my verse.

0:22:29.800 --> 0:22:31.760
<v Speaker 1>Wayne said, naw, you know what, I think you should

0:22:31.800 --> 0:22:34.560
<v Speaker 1>start the verse off like that, because that's more like

0:22:35.040 --> 0:22:37.600
<v Speaker 1>that's a memorable and I'm just like, I don't care.

0:22:38.080 --> 0:22:40.520
<v Speaker 1>I was more until I got a bitch Nakekeisha from

0:22:40.560 --> 0:22:42.439
<v Speaker 1>around the way. She used to go to college school

0:22:42.440 --> 0:22:44.879
<v Speaker 1>back and the day he was like, oh shit, that's dope.

0:22:45.560 --> 0:22:47.280
<v Speaker 1>That's why he just wanted me to talk crazy all

0:22:47.359 --> 0:22:49.480
<v Speaker 1>day because in his mind his vision for me was

0:22:49.960 --> 0:22:52.480
<v Speaker 1>they already know you for talking crazy. You said big

0:22:52.520 --> 0:22:54.560
<v Speaker 1>in my trouble or what da da dah, and I

0:22:54.600 --> 0:22:57.240
<v Speaker 1>put a gun in your feet. We love you for that,

0:22:57.800 --> 0:23:00.720
<v Speaker 1>So you get a pass to do that, because Little

0:23:00.800 --> 0:23:03.520
<v Speaker 1>Chucky and Little Twist can't do that. They not known

0:23:03.640 --> 0:23:06.440
<v Speaker 1>for that. They gotta be kids still, you know what

0:23:06.480 --> 0:23:09.240
<v Speaker 1>I'm saying. So he had visions for all of us.

0:23:09.320 --> 0:23:11.159
<v Speaker 1>He never really wanted all of us to be like

0:23:11.520 --> 0:23:14.960
<v Speaker 1>signed to Young Money. He wanted us to be Young

0:23:15.000 --> 0:23:16.920
<v Speaker 1>Money a group and we do some Wu tang shit

0:23:17.000 --> 0:23:20.640
<v Speaker 1>and all get deals. I know, this sounds like crazy,

0:23:20.720 --> 0:23:24.200
<v Speaker 1>This sounds like yeah right, Mills he did. He never

0:23:24.200 --> 0:23:26.919
<v Speaker 1>really wanted us all to be signed to him. He

0:23:26.960 --> 0:23:29.240
<v Speaker 1>wanted to give us a platform and we go rep

0:23:29.280 --> 0:23:32.199
<v Speaker 1>Young Money and get deals and bags everywhere. But we

0:23:32.320 --> 0:23:36.359
<v Speaker 1>still like this fucking conglomerate on some shit. Because in

0:23:36.400 --> 0:23:39.720
<v Speaker 1>his mind, the Hot Boys was all solo artists. True,

0:23:39.760 --> 0:23:42.400
<v Speaker 1>so like they if Birdman could put me in the studio,

0:23:42.880 --> 0:23:46.200
<v Speaker 1>beg and juvenile. I don't want to hear y'all say

0:23:46.200 --> 0:23:47.760
<v Speaker 1>nothing about me putting y'all in the studio with a

0:23:47.760 --> 0:23:51.040
<v Speaker 1>little Chucky and Little Twists. Yeah, I mean, go Chucky,

0:23:51.119 --> 0:23:53.600
<v Speaker 1>little Twist, God bless him. Look, there was some times

0:23:53.600 --> 0:23:55.280
<v Speaker 1>that we drop off. There were some times that we

0:23:55.280 --> 0:23:59.040
<v Speaker 1>was like, tune check this out. Bro. We love you, man,

0:23:59.119 --> 0:24:02.480
<v Speaker 1>we love you, but come on, man, it's five forty

0:24:02.520 --> 0:24:05.320
<v Speaker 1>five am. Man, it's beeping looping for We don't really

0:24:05.359 --> 0:24:08.080
<v Speaker 1>want to do this. But but I knew that a

0:24:08.080 --> 0:24:10.159
<v Speaker 1>lot of to see me. I knew a lot of

0:24:10.160 --> 0:24:11.639
<v Speaker 1>the shit that Wayne used to do to us was

0:24:11.640 --> 0:24:13.880
<v Speaker 1>a test. It was like boot camp. It's a lot

0:24:13.880 --> 0:24:16.119
<v Speaker 1>of y'all. I need to see who really wanted you

0:24:16.200 --> 0:24:17.840
<v Speaker 1>know what I'm saying. I need to see who gonna

0:24:17.840 --> 0:24:21.800
<v Speaker 1>go hard? Like it ain't really about who nice. You

0:24:21.840 --> 0:24:24.240
<v Speaker 1>could be dead nice, but you might be lazy. Was

0:24:24.240 --> 0:24:27.639
<v Speaker 1>there ever? Like there's hell of rumors of internal issues

0:24:27.680 --> 0:24:33.920
<v Speaker 1>with people in Young Money. I mean, uh, you said

0:24:34.000 --> 0:24:38.040
<v Speaker 1>Chucky and Twist didn't get along. It was internal issues everywhere,

0:24:38.080 --> 0:24:42.359
<v Speaker 1>but not like not like not like beef, Like Me

0:24:42.440 --> 0:24:46.480
<v Speaker 1>and Twist had they thing because they was like they

0:24:46.520 --> 0:24:49.440
<v Speaker 1>were kids. It was like the kid who's the who's

0:24:49.440 --> 0:24:52.000
<v Speaker 1>the young money young and who's the prince of young money?

0:24:52.440 --> 0:24:56.040
<v Speaker 1>And then Chanelle and Nikki they never had a thing,

0:24:56.240 --> 0:24:59.560
<v Speaker 1>but to me it felt like it because it's like, well,

0:24:59.560 --> 0:25:01.840
<v Speaker 1>who's the lady of young Money. Yeah, I mean that

0:25:01.880 --> 0:25:04.879
<v Speaker 1>was pretty evident, not in the beginning, Not in the

0:25:04.920 --> 0:25:07.679
<v Speaker 1>beginning when we all used to have to do group

0:25:07.800 --> 0:25:11.000
<v Speaker 1>photo shoots and shit like that. You gotta remember, Nikki

0:25:11.119 --> 0:25:15.480
<v Speaker 1>was coming from Come Up DVD. Chanelle was coming from

0:25:15.520 --> 0:25:20.640
<v Speaker 1>being a songwriter and a dancer for Neo. Two different things,

0:25:20.960 --> 0:25:25.680
<v Speaker 1>totally different at that time. I'm talking about ten years ago,

0:25:26.640 --> 0:25:28.160
<v Speaker 1>you know what I'm saying. It was a different thing.

0:25:28.280 --> 0:25:31.520
<v Speaker 1>Like Drake wasn't what he is now. He was like

0:25:31.600 --> 0:25:33.960
<v Speaker 1>coming from the grass Sea. He was more known for

0:25:34.040 --> 0:25:37.240
<v Speaker 1>the grassy than people respected him as a rapper. It

0:25:37.320 --> 0:25:39.840
<v Speaker 1>took a very long time for people to respect Drake

0:25:39.960 --> 0:25:41.760
<v Speaker 1>as a rapper. But I think it was so much

0:25:41.840 --> 0:25:44.240
<v Speaker 1>music we was in that digital era that once you

0:25:44.280 --> 0:25:47.399
<v Speaker 1>got so far gone, you was like he alright, no,

0:25:47.560 --> 0:25:50.320
<v Speaker 1>he was fucking incredible, but you just didn't want to

0:25:50.359 --> 0:25:53.760
<v Speaker 1>say he was incredible, because it's like, damn, Wayne's still incredible.

0:25:54.680 --> 0:25:57.760
<v Speaker 1>Then after I was like well, who's more incredible. Then

0:25:57.800 --> 0:26:01.240
<v Speaker 1>after a while it's like, damn, Nikki kind of high too,

0:26:02.240 --> 0:26:04.280
<v Speaker 1>and then you kind of for Tiger. I feel like

0:26:04.440 --> 0:26:06.879
<v Speaker 1>Tiger was the first one to get lost in it.

0:26:06.960 --> 0:26:08.560
<v Speaker 1>When I seen Tiger get lost in it, I said,

0:26:08.600 --> 0:26:12.600
<v Speaker 1>it's bad for me. Mmm, that's real shit. I'm gonna

0:26:12.640 --> 0:26:16.120
<v Speaker 1>keep it a buck. I said, it's bad for me

0:26:16.400 --> 0:26:20.960
<v Speaker 1>because Tiger had a setup, right, yeah. I don't know

0:26:21.000 --> 0:26:22.760
<v Speaker 1>if that time he was managed by Jay Irvin. I

0:26:22.800 --> 0:26:24.560
<v Speaker 1>don't know. T don't don't don't kill me for this.

0:26:25.000 --> 0:26:27.520
<v Speaker 1>I don't really know the specifics of it, but I remember,

0:26:29.080 --> 0:26:32.000
<v Speaker 1>I remember me and Gutter used to talk a lot.

0:26:32.480 --> 0:26:34.159
<v Speaker 1>Me and GUTTI start, I talked, spoke the gutta gut

0:26:34.160 --> 0:26:35.840
<v Speaker 1>over the shout, the Gutter shout to the whole young

0:26:35.920 --> 0:26:43.239
<v Speaker 1>Money period. Me and Gutter used to talk a lot

0:26:43.359 --> 0:26:47.399
<v Speaker 1>right about just the way shit was going. Because Guttter

0:26:47.480 --> 0:26:49.600
<v Speaker 1>used to he was around before me, and when I

0:26:49.680 --> 0:26:52.280
<v Speaker 1>first got the young money, Wayne told me, if you

0:26:52.359 --> 0:26:55.359
<v Speaker 1>want to know how to stay around me, like how

0:26:55.440 --> 0:26:58.040
<v Speaker 1>to if you really want to know me, stick to him?

0:26:58.960 --> 0:27:00.720
<v Speaker 1>He told me. I remember when I first came around,

0:27:00.760 --> 0:27:03.040
<v Speaker 1>he was like He's like he knows me. You know

0:27:03.040 --> 0:27:05.240
<v Speaker 1>what I'm saying. If you if you want to know me,

0:27:05.480 --> 0:27:07.080
<v Speaker 1>you want to know how not to get on my

0:27:07.200 --> 0:27:09.640
<v Speaker 1>bad side, how not to you know what I'm saying,

0:27:09.680 --> 0:27:12.119
<v Speaker 1>How to move around me? Stick to him? You know

0:27:12.160 --> 0:27:13.760
<v Speaker 1>what I'm saying. And to this day, I still talk

0:27:13.800 --> 0:27:16.000
<v Speaker 1>to Gutt to Gutter. You know what I'm saying. He's

0:27:16.040 --> 0:27:18.119
<v Speaker 1>not on your money anymore. He's so young money, so

0:27:18.200 --> 0:27:20.280
<v Speaker 1>young money. They gotta they gotta rec it out right now.

0:27:20.600 --> 0:27:24.920
<v Speaker 1>I think it's Wayne Gutter and Hood called NFL. It's

0:27:24.960 --> 0:27:27.159
<v Speaker 1>for like the prime video for Thursday Night Football. It's

0:27:27.200 --> 0:27:31.040
<v Speaker 1>like the song for some dope shit, but basically bring

0:27:31.119 --> 0:27:34.479
<v Speaker 1>it to bring it back. Gut. It was like, how

0:27:34.560 --> 0:27:36.639
<v Speaker 1>you think this shit gonna go for US malls? And

0:27:36.760 --> 0:27:39.439
<v Speaker 1>I was like, it's a chain. I was like, at

0:27:39.480 --> 0:27:42.040
<v Speaker 1>the end of the day, Drake is undeniable, Nicki undeniable.

0:27:42.119 --> 0:27:44.479
<v Speaker 1>We don't know who gonna come first out of them.

0:27:44.520 --> 0:27:46.880
<v Speaker 1>And then Wayne went to jail in the midst of them,

0:27:47.000 --> 0:27:51.880
<v Speaker 1>being like like yeah, So by the time he came

0:27:51.920 --> 0:27:55.399
<v Speaker 1>out of jail, Nicky was pink Wig, Marg Simpson. It

0:27:55.520 --> 0:27:59.080
<v Speaker 1>was like, you know, and Drake was Aston Martin music

0:27:59.280 --> 0:28:01.320
<v Speaker 1>and he was he was. He was. They was coming

0:28:01.400 --> 0:28:05.440
<v Speaker 1>into their own and then I remember six foot seven,

0:28:06.400 --> 0:28:08.800
<v Speaker 1>and then Wayne was right back to being Wayne, and

0:28:08.880 --> 0:28:10.920
<v Speaker 1>then it was like damn. Now it's like Big three.

0:28:11.920 --> 0:28:14.359
<v Speaker 1>But Tiger, me and Gutter used to always be like, damn,

0:28:14.440 --> 0:28:16.480
<v Speaker 1>Tiger putting in work. I would come out here to

0:28:17.000 --> 0:28:19.560
<v Speaker 1>Cali to see my lady and had kid on the

0:28:19.600 --> 0:28:22.080
<v Speaker 1>way at that time, and I'd be like, Tiger, keep

0:28:22.119 --> 0:28:25.040
<v Speaker 1>a song on the radio. Now maybe we in Miami

0:28:25.240 --> 0:28:26.960
<v Speaker 1>or New York, we might not hear that ship like that.

0:28:27.560 --> 0:28:29.720
<v Speaker 1>But when I used to come here before I moved here,

0:28:30.480 --> 0:28:32.280
<v Speaker 1>and I moved here in twenty fifteen, so this is

0:28:32.359 --> 0:28:36.040
<v Speaker 1>like eleven, twelve, thirteen, whatever. Yeah, I call his Molly

0:28:36.119 --> 0:28:38.240
<v Speaker 1>mal Era. When he was in Vegas for MA, he

0:28:38.400 --> 0:28:40.800
<v Speaker 1>was hitting he shit called strip hop going up, and

0:28:40.920 --> 0:28:42.160
<v Speaker 1>there was I think that's where a lot of the

0:28:42.480 --> 0:28:44.400
<v Speaker 1>he was. He was hitting, and he was like branding

0:28:44.480 --> 0:28:47.720
<v Speaker 1>himself in that lane of like bop that DJ muzzle

0:28:47.800 --> 0:28:50.880
<v Speaker 1>on that he would bring himself City Low kids the

0:28:50.880 --> 0:28:53.960
<v Speaker 1>record that really blew. Didn't feel like they was like

0:28:55.880 --> 0:28:59.160
<v Speaker 1>it felt like he was forcing their hand, like you

0:28:59.240 --> 0:29:01.600
<v Speaker 1>got it now you And I felt like, damn if

0:29:01.680 --> 0:29:05.400
<v Speaker 1>he gotta force they hand. You know what I'm saying.

0:29:05.480 --> 0:29:09.040
<v Speaker 1>I'm like, I gotta figure some shit out, you know

0:29:09.080 --> 0:29:11.920
<v Speaker 1>what I'm saying, And I was throwing shit. I'm trying

0:29:11.920 --> 0:29:13.640
<v Speaker 1>to figure shit out. But you gotta remember in the

0:29:13.760 --> 0:29:19.480
<v Speaker 1>midst of that, Wayne is Wayne, Drake is Drake, and

0:29:19.560 --> 0:29:24.200
<v Speaker 1>he's only coming bigger. Nicky is Nicki, and the Barbie

0:29:24.320 --> 0:29:28.800
<v Speaker 1>is only becoming bigger. So now we gotta sustain this.

0:29:29.480 --> 0:29:33.680
<v Speaker 1>We gotta sustain Wayne, Nicki, Drake, Tiger's doing this thing,

0:29:33.760 --> 0:29:37.120
<v Speaker 1>but they're keeping the lights on. Nicky and Drake kept

0:29:37.160 --> 0:29:40.160
<v Speaker 1>the lights on when Wayne went the Rikers, Allen keeping

0:29:40.200 --> 0:29:43.480
<v Speaker 1>it a buck. So now all right, now we're touring,

0:29:44.480 --> 0:29:46.120
<v Speaker 1>all right, Well, how do we do the tours? Now?

0:29:47.480 --> 0:29:51.120
<v Speaker 1>Who's gonna open, who's gonna close? Oh, he's not going

0:29:51.160 --> 0:29:52.600
<v Speaker 1>out with us, he's going out on his own. Or

0:29:52.760 --> 0:29:55.920
<v Speaker 1>she's doing her own tour she's taking. So now I'm

0:29:55.960 --> 0:30:02.880
<v Speaker 1>peeping like this one I realized this ship is really

0:30:03.040 --> 0:30:06.080
<v Speaker 1>really different, and it happened fast. I remember Drake did

0:30:06.560 --> 0:30:11.280
<v Speaker 1>Club Paradise. That was the name of Drake. I was hot.

0:30:14.040 --> 0:30:16.400
<v Speaker 1>What were you about? I loved Drake, but I was hot.

0:30:17.360 --> 0:30:19.239
<v Speaker 1>I think me and I think me and Gutta gut

0:30:19.280 --> 0:30:20.920
<v Speaker 1>It might have been I don't know if gut It

0:30:21.000 --> 0:30:23.920
<v Speaker 1>was too hot, but I was hot, and I think

0:30:24.040 --> 0:30:26.600
<v Speaker 1>I was hot because I was thinking something was gonna

0:30:26.640 --> 0:30:28.920
<v Speaker 1>go a certain way, Like did you think you were

0:30:28.920 --> 0:30:31.960
<v Speaker 1>supposed to be on the tour? Yes, I will completely.

0:30:33.760 --> 0:30:37.160
<v Speaker 1>I was every that was big, that was basically everybody

0:30:37.480 --> 0:30:39.680
<v Speaker 1>that was doing the same thing that we were doing

0:30:39.800 --> 0:30:43.360
<v Speaker 1>at that time that wasn't with Young Money. I remember that.

0:30:43.520 --> 0:30:46.840
<v Speaker 1>I remember, and I loved Drake. I ain't gonna lie.

0:30:46.880 --> 0:30:49.400
<v Speaker 1>I loved Drake with all my heart. Man. I love Nikki,

0:30:49.480 --> 0:30:52.960
<v Speaker 1>I love Tiger, Wayne Gutta, mac Maine, Twist, I love

0:30:53.240 --> 0:30:55.800
<v Speaker 1>all the everybody that was a part of that ride

0:30:56.400 --> 0:30:58.240
<v Speaker 1>who were young Money whoever. We still because me and

0:30:58.320 --> 0:31:00.880
<v Speaker 1>Tiger not young money no more. But I I'm not

0:31:00.960 --> 0:31:03.120
<v Speaker 1>covering my young Money tattoo, like I still sign my

0:31:03.200 --> 0:31:05.520
<v Speaker 1>checks and you still see it. Because that was a

0:31:05.880 --> 0:31:07.720
<v Speaker 1>decade of my life. That was a that was like

0:31:07.760 --> 0:31:11.240
<v Speaker 1>a real period of my life. But there were a

0:31:11.320 --> 0:31:15.040
<v Speaker 1>lot of times that in that period I started to see, oh,

0:31:15.160 --> 0:31:20.440
<v Speaker 1>we're label mates, we homies, but we're label mates, and

0:31:20.480 --> 0:31:23.600
<v Speaker 1>you can't you can't forget that because you didn't grow

0:31:23.720 --> 0:31:26.520
<v Speaker 1>up with these people. You met these people on some

0:31:26.720 --> 0:31:34.200
<v Speaker 1>business shit, so people people get traded. At this time,

0:31:34.240 --> 0:31:36.880
<v Speaker 1>we still got the same uniform on. So I'm looking

0:31:36.920 --> 0:31:39.840
<v Speaker 1>at it like, damn, I would have thought we could

0:31:39.840 --> 0:31:42.920
<v Speaker 1>at least open up. You know what I'm saying, like

0:31:43.080 --> 0:31:46.680
<v Speaker 1>thro take us out there like Tune took you or

0:31:47.960 --> 0:31:50.840
<v Speaker 1>or Nikki too. You know what I'm saying, like, take

0:31:50.920 --> 0:31:53.920
<v Speaker 1>us out there like you took dadg Loaf or this

0:31:54.080 --> 0:31:56.680
<v Speaker 1>one and this one. Even if we not hot, like that,

0:31:56.840 --> 0:32:00.000
<v Speaker 1>make us hot. Somebody made you hot now once again,

0:32:00.360 --> 0:32:03.440
<v Speaker 1>to be fair, to be fair, this is just me

0:32:03.640 --> 0:32:07.160
<v Speaker 1>and my feeling here at that time as a younger artist.

0:32:07.880 --> 0:32:10.040
<v Speaker 1>I'm in my feelings because I'm like, yo, we crewe

0:32:10.320 --> 0:32:14.400
<v Speaker 1>we We didn't both had to go chase the tour

0:32:14.480 --> 0:32:18.040
<v Speaker 1>people around for pudem before. Like did you communicate that

0:32:18.240 --> 0:32:20.040
<v Speaker 1>to Drake or did Drake ever like know that you

0:32:20.280 --> 0:32:23.240
<v Speaker 1>you were? Once again, what I'm saying is, at that time,

0:32:23.520 --> 0:32:26.560
<v Speaker 1>we were in our feelings about shit. I'm saying might

0:32:26.600 --> 0:32:28.760
<v Speaker 1>have been in his feelings about shit with us that

0:32:28.920 --> 0:32:30.680
<v Speaker 1>we don't know about. You know, he might have been

0:32:30.720 --> 0:32:33.800
<v Speaker 1>in his feelings with about Wayne or Tesz or you

0:32:33.840 --> 0:32:36.000
<v Speaker 1>know what I'm saying. It was times that Wayne might

0:32:36.040 --> 0:32:37.760
<v Speaker 1>have been in his feelings with some shit about tests

0:32:37.840 --> 0:32:40.000
<v Speaker 1>and Drake might have paid for it, you know what

0:32:40.040 --> 0:32:42.840
<v Speaker 1>I'm saying, Like it might have been some times that

0:32:43.880 --> 0:32:46.760
<v Speaker 1>Wayne wasn't He just wasn't fucking with New York. And

0:32:46.840 --> 0:32:49.600
<v Speaker 1>when I walk in the room, it's just like fucking

0:32:49.600 --> 0:32:52.720
<v Speaker 1>old New York ass nigga nothing. It's not like the

0:32:52.920 --> 0:32:54.720
<v Speaker 1>end of the world. It's not in person, but you

0:32:54.800 --> 0:32:57.240
<v Speaker 1>gotta think when you around people. As long as we

0:32:57.440 --> 0:33:01.360
<v Speaker 1>was around each other, young money, shit was a long ride.

0:33:01.520 --> 0:33:04.920
<v Speaker 1>That shit wasn't like no two three year you hot

0:33:05.560 --> 0:33:07.840
<v Speaker 1>and then you hear it's like nah, we all went

0:33:07.880 --> 0:33:11.640
<v Speaker 1>from one bus. We was all on Wayne bus to

0:33:11.800 --> 0:33:14.320
<v Speaker 1>now it's Wayne Buss and an artist bus. Now we're

0:33:14.320 --> 0:33:16.840
<v Speaker 1>all on the artist bus. To now it's Wayne Buster,

0:33:17.000 --> 0:33:20.040
<v Speaker 1>artist bus, Drake Bus, Nikki Bust, the band bust, the

0:33:20.200 --> 0:33:24.640
<v Speaker 1>dancers bus, the chef bust, the crew. Like that shit changed.

0:33:24.680 --> 0:33:27.640
<v Speaker 1>I went from doing clubs to performing in front of

0:33:27.840 --> 0:33:30.760
<v Speaker 1>When I say Jay, you say males, Jay, Jay, where

0:33:30.800 --> 0:33:32.800
<v Speaker 1>you at Milsey? And then my shit come on and

0:33:32.840 --> 0:33:34.800
<v Speaker 1>I'm like, damn, I never heard people scream for me

0:33:34.920 --> 0:33:38.040
<v Speaker 1>like that. So it was a hell of a ride.

0:33:38.160 --> 0:33:41.960
<v Speaker 1>But in along that ride, you did learn shit. You

0:33:42.040 --> 0:33:43.760
<v Speaker 1>know what I'm saying. You did learn that, Yo, Drake,

0:33:43.800 --> 0:33:48.040
<v Speaker 1>don't gotta do nothing for you nothing. Now, once I

0:33:48.120 --> 0:33:51.719
<v Speaker 1>got that through my head, I was cool. It's like, yo,

0:33:51.760 --> 0:33:53.600
<v Speaker 1>I don't know, I'm not tripping. If he come out

0:33:53.640 --> 0:33:55.960
<v Speaker 1>with six or seven albums and I'm not on none

0:33:56.000 --> 0:33:58.600
<v Speaker 1>of them, I could still find the dopeness in the

0:33:58.640 --> 0:34:01.480
<v Speaker 1>fucking album. It's like, it's cool, bro, It's not the

0:34:01.640 --> 0:34:06.160
<v Speaker 1>end of the world if somebody don't pull you along,

0:34:06.640 --> 0:34:09.239
<v Speaker 1>like especially if you never told me you was gonna

0:34:09.239 --> 0:34:12.440
<v Speaker 1>pull me along and it's all in your head. You

0:34:12.480 --> 0:34:14.400
<v Speaker 1>know what I'm saying. Did you ever help Wayne with

0:34:14.480 --> 0:34:17.040
<v Speaker 1>any writing? Because and this is a thing too, I

0:34:17.080 --> 0:34:18.799
<v Speaker 1>want because there was like there's there's been a lot

0:34:18.840 --> 0:34:21.040
<v Speaker 1>of rumors about like Gilly used to write for him,

0:34:21.160 --> 0:34:23.200
<v Speaker 1>and well I wasn't around for that. Was I wasn't

0:34:23.200 --> 0:34:25.640
<v Speaker 1>around for the Gilly show. I mean, like you got

0:34:25.640 --> 0:34:27.680
<v Speaker 1>at like did he ever tap in with you for

0:34:27.760 --> 0:34:30.680
<v Speaker 1>some bars? I will say this, There's been many times

0:34:30.760 --> 0:34:33.480
<v Speaker 1>that we're in the studio and Wayne might be like,

0:34:34.840 --> 0:34:37.480
<v Speaker 1>y'all tell me what you think it is yo, okay

0:34:38.040 --> 0:34:41.680
<v Speaker 1>m m, but yeah, like that's what I got for

0:34:41.760 --> 0:34:43.480
<v Speaker 1>right now. But I feel like that's natural. That's like

0:34:43.560 --> 0:34:46.680
<v Speaker 1>any studio. I will go down stairs in the studio

0:34:46.760 --> 0:34:50.239
<v Speaker 1>with Wayne and be like, Yo, this I got. I

0:34:50.320 --> 0:34:52.520
<v Speaker 1>got like twelve, but I don't know if how she

0:34:52.719 --> 0:34:55.239
<v Speaker 1>does sixteen or twelve, but this is what I got.

0:34:55.320 --> 0:34:57.680
<v Speaker 1>I wanted to say this next, but I don't know

0:34:57.760 --> 0:35:00.560
<v Speaker 1>how that ship sound like what you say that. But

0:35:00.640 --> 0:35:02.759
<v Speaker 1>if you flip it this way and just say it

0:35:02.880 --> 0:35:04.600
<v Speaker 1>like this, so that mean Wayne wrote for me. Now,

0:35:05.920 --> 0:35:08.200
<v Speaker 1>that's just because I watched Kanye West go in the

0:35:08.280 --> 0:35:12.640
<v Speaker 1>studio Kanye. I watched Kanye play Lucifer for jay Z

0:35:14.360 --> 0:35:16.520
<v Speaker 1>and say I'm from the murder Capital where we murder

0:35:16.600 --> 0:35:19.279
<v Speaker 1>for capitals. If you don't use this, I'm gonna use

0:35:19.280 --> 0:35:21.480
<v Speaker 1>this for my album. And then jay Z got on

0:35:21.520 --> 0:35:23.200
<v Speaker 1>there and said I gotta get these devils out my

0:35:23.360 --> 0:35:25.719
<v Speaker 1>life and then cut it off and said, oh my,

0:35:25.840 --> 0:35:27.600
<v Speaker 1>oh god, I never read the Bible. Damn my life.

0:35:27.960 --> 0:35:29.960
<v Speaker 1>On Faith the Black, he says that I watched Kanye

0:35:30.120 --> 0:35:33.080
<v Speaker 1>go in there and give him Lucifer and say I'm

0:35:33.080 --> 0:35:35.560
<v Speaker 1>from the murder Capitol where they murder for capitals. Jay

0:35:35.640 --> 0:35:38.800
<v Speaker 1>Z was not from the Murder Capital Kanye West was.

0:35:38.880 --> 0:35:41.839
<v Speaker 1>But we will never say Kanye West wrote for jay Z. True.

0:35:42.000 --> 0:35:49.239
<v Speaker 1>We will never, even with clear fucking footage of it

0:35:49.440 --> 0:35:52.719
<v Speaker 1>in Fade the Black, we will never say Kanye West

0:35:52.800 --> 0:35:54.800
<v Speaker 1>wrote for jay Z. Well, why do you think the

0:35:55.239 --> 0:35:58.759
<v Speaker 1>Drake thing was recepted so differently? I think I think

0:35:58.880 --> 0:36:03.320
<v Speaker 1>personally it was because we heard the references. Yeah, and

0:36:03.440 --> 0:36:06.399
<v Speaker 1>that's kind of like, Oh, I think with Wayne too,

0:36:06.520 --> 0:36:10.920
<v Speaker 1>it was big because I think it only comes so

0:36:11.120 --> 0:36:13.839
<v Speaker 1>heavy like that when it's somebody you respect. So when

0:36:13.920 --> 0:36:16.040
<v Speaker 1>Gilly said this shit about Wayne, it was like, Nah,

0:36:16.080 --> 0:36:18.279
<v Speaker 1>Wayne been nice since he was thirteen. He didn't even

0:36:18.360 --> 0:36:20.320
<v Speaker 1>know you didn't, so how you saying you wrote? And

0:36:20.400 --> 0:36:21.880
<v Speaker 1>I don't think he was saying it like that. I

0:36:22.000 --> 0:36:24.439
<v Speaker 1>think he was just saying there was a time where

0:36:24.520 --> 0:36:28.120
<v Speaker 1>I was influencing the way that he rapped. Now. I

0:36:28.160 --> 0:36:32.040
<v Speaker 1>could understand that because we younger than Gilly. So I

0:36:32.160 --> 0:36:34.080
<v Speaker 1>was a major Figures fan too. I was on Dutch

0:36:34.120 --> 0:36:36.279
<v Speaker 1>and Spade too. I was on all that shit, Like

0:36:36.360 --> 0:36:39.640
<v Speaker 1>I bought Major Figures. I bought the album. You know

0:36:39.680 --> 0:36:41.960
<v Speaker 1>what I'm saying. I understood Gilly was with Suave House

0:36:42.000 --> 0:36:44.200
<v Speaker 1>and Tony Draper and ab Liva before he got was

0:36:44.400 --> 0:36:47.239
<v Speaker 1>I was a fan, I not was m still as

0:36:47.280 --> 0:36:49.080
<v Speaker 1>a fan with major figures, I'll still say they was

0:36:49.160 --> 0:36:52.759
<v Speaker 1>dead nice. So I can understand where Gilly's influence. He

0:36:52.800 --> 0:36:56.400
<v Speaker 1>could say like I influenced the all that swag raping

0:36:56.480 --> 0:36:59.919
<v Speaker 1>the dragon, the words, but I don't like you wrote

0:37:00.360 --> 0:37:02.720
<v Speaker 1>like wrote for him once again, I can't say he didn't,

0:37:02.840 --> 0:37:04.839
<v Speaker 1>but I could see what he could say he influenced him.

0:37:05.320 --> 0:37:09.680
<v Speaker 1>But Wayne is so like articulate with the way he

0:37:09.760 --> 0:37:15.520
<v Speaker 1>put his ship together. He he wants to put it together,

0:37:15.640 --> 0:37:16.840
<v Speaker 1>you know what I'm saying. He wants the craft in

0:37:16.880 --> 0:37:18.680
<v Speaker 1>and put it together. Now you can help him. You

0:37:18.760 --> 0:37:20.440
<v Speaker 1>could tell him, Nah, I don't think you should say it.

0:37:20.440 --> 0:37:22.279
<v Speaker 1>You should say it this way. But if I was

0:37:22.360 --> 0:37:25.560
<v Speaker 1>in here recording something, you might tell me that. Yo, Jay,

0:37:25.640 --> 0:37:28.160
<v Speaker 1>I think you that shit might have been crazy if

0:37:28.160 --> 0:37:30.160
<v Speaker 1>you would have said, oh shit, you know what, keV,

0:37:30.200 --> 0:37:33.920
<v Speaker 1>You're right, let's do it over. You know what I'm saying.

0:37:33.960 --> 0:37:35.840
<v Speaker 1>I think like you said with the Drake shit, we

0:37:35.960 --> 0:37:38.759
<v Speaker 1>heard the references. Yeah, the Drake thing. When you heard

0:37:38.800 --> 0:37:42.000
<v Speaker 1>the references, and it's like that was supposed to be

0:37:42.120 --> 0:37:43.880
<v Speaker 1>the go that was a little crazy, supposed to be

0:37:43.880 --> 0:37:45.919
<v Speaker 1>one of the greatest of all time. It's the same

0:37:46.080 --> 0:37:48.320
<v Speaker 1>that was a little crazy. But that's different than what

0:37:48.400 --> 0:37:51.600
<v Speaker 1>we're talking about. What we're talking about is, hey, we're

0:37:51.640 --> 0:37:53.640
<v Speaker 1>in the studio, let me help you with with the

0:37:53.760 --> 0:37:56.040
<v Speaker 1>with the Drake joint. Was it like the same verse

0:37:56.120 --> 0:37:59.200
<v Speaker 1>and all of that, or was the same like melody

0:37:59.280 --> 0:38:01.440
<v Speaker 1>of words and he changed some of the worlds. It

0:38:01.560 --> 0:38:03.799
<v Speaker 1>was the same shit. It was the same hook, same verse,

0:38:04.080 --> 0:38:07.400
<v Speaker 1>the same shit. Quentin Miller Man, No, I know he

0:38:07.440 --> 0:38:09.960
<v Speaker 1>did it, But I do also think listen to think

0:38:10.040 --> 0:38:12.640
<v Speaker 1>that Drake is incredible with his pen as an ignorant

0:38:13.640 --> 0:38:15.320
<v Speaker 1>thought to have. I think Drake is like one of

0:38:15.400 --> 0:38:18.480
<v Speaker 1>the best artists ever. Of course, I think, of course,

0:38:18.520 --> 0:38:21.640
<v Speaker 1>if we're having that discussion, like in life, everybody included.

0:38:22.160 --> 0:38:25.040
<v Speaker 1>So I just think that if you're Drake, you're probably

0:38:25.120 --> 0:38:28.480
<v Speaker 1>so fucking busy, Like he's probably torn doing all kinds

0:38:28.520 --> 0:38:30.759
<v Speaker 1>of shit and people are sending references and he might

0:38:30.840 --> 0:38:32.440
<v Speaker 1>just be like, yeah, that shits hot, Like let me Like,

0:38:33.000 --> 0:38:35.759
<v Speaker 1>I personally don't rappers do that all the time, man,

0:38:35.840 --> 0:38:37.919
<v Speaker 1>I know they do. It's just it was him. It's

0:38:38.000 --> 0:38:41.680
<v Speaker 1>Drake that the references came out on because once again,

0:38:41.960 --> 0:38:44.560
<v Speaker 1>I will always go back to this, like Fade the

0:38:44.640 --> 0:38:49.399
<v Speaker 1>Black with Kanye West and jay Z. Nobody will ever

0:38:49.480 --> 0:38:51.839
<v Speaker 1>say Kanye West wrote for jay Z, but they'll turn

0:38:51.880 --> 0:38:55.759
<v Speaker 1>around and say somebody wrote for Kanye, but they won't

0:38:55.840 --> 0:38:57.919
<v Speaker 1>give him that same respect and be like he took

0:38:57.960 --> 0:39:01.000
<v Speaker 1>a song into jay Z's session, said this is the

0:39:01.160 --> 0:39:04.239
<v Speaker 1>hook and if you don't use this, I'm gonna use

0:39:04.280 --> 0:39:06.600
<v Speaker 1>it on my album. And if you go pull up

0:39:07.640 --> 0:39:11.719
<v Speaker 1>the Black album, he word for words said yah shit

0:39:11.840 --> 0:39:14.040
<v Speaker 1>that Ya brought him in the studio and we overlooked it.

0:39:14.440 --> 0:39:18.279
<v Speaker 1>We overlooked it because Drake ain't jay Z at that time.

0:39:18.719 --> 0:39:21.959
<v Speaker 1>But Drake is up there man now. At that time,

0:39:22.560 --> 0:39:24.239
<v Speaker 1>we were still talking about oh, he wrapped on the

0:39:24.320 --> 0:39:28.160
<v Speaker 1>BlackBerry on Flex. Yeah, And it was only because you've

0:39:28.280 --> 0:39:31.520
<v Speaker 1>seen him with the BlackBerry. I know a million rappers

0:39:31.600 --> 0:39:34.279
<v Speaker 1>that went up to funk Master Flex show and their

0:39:34.400 --> 0:39:36.759
<v Speaker 1>phone is on the speaker, but you can't see it.

0:39:37.719 --> 0:39:40.480
<v Speaker 1>People come to our show all the time. Don't tell

0:39:40.520 --> 0:39:42.920
<v Speaker 1>me this, Let's just go to Sun else. Don't tell

0:39:42.960 --> 0:39:45.800
<v Speaker 1>me this. I've had artists have their lyrics on my

0:39:45.920 --> 0:39:48.239
<v Speaker 1>laptop in front of them and the laptops off. Are

0:39:48.239 --> 0:39:50.880
<v Speaker 1>you doing this? Man? But to be fair, because you

0:39:50.960 --> 0:39:53.719
<v Speaker 1>know it's funny because they're gonna know exactly who you're

0:39:53.719 --> 0:39:55.759
<v Speaker 1>talking about when this no no, no, Like one of

0:39:55.800 --> 0:39:58.400
<v Speaker 1>my boys, I'm cool listening. One of the homies. I'm

0:39:58.400 --> 0:39:59.920
<v Speaker 1>not gonna say his name, really close close friend of

0:40:00.400 --> 0:40:02.680
<v Speaker 1>he wrote the ship like when he got to the stage.

0:40:02.760 --> 0:40:06.160
<v Speaker 1>That's different. So that is different, that's different. But no,

0:40:06.320 --> 0:40:08.040
<v Speaker 1>he wrote it on the spot, that's dope. He literally

0:40:08.160 --> 0:40:11.360
<v Speaker 1>was like, yo, throwing a beat and then he was like,

0:40:11.400 --> 0:40:13.319
<v Speaker 1>give me like twenty minutes and I'll have something now

0:40:13.360 --> 0:40:15.239
<v Speaker 1>that's dope. And then he and then he was like, yeah,

0:40:15.239 --> 0:40:18.200
<v Speaker 1>I got something written that's different. I can respect that. Yes, Now,

0:40:18.640 --> 0:40:20.760
<v Speaker 1>there has been artists that have come in who literally

0:40:20.840 --> 0:40:23.080
<v Speaker 1>put their phone on the thing. And then I got

0:40:23.200 --> 0:40:25.840
<v Speaker 1>to I'm like, because I'm like, I want a good freestyle.

0:40:26.239 --> 0:40:28.520
<v Speaker 1>So I'm out of camera and I'm literally with my

0:40:28.600 --> 0:40:35.400
<v Speaker 1>fingers scrolling down there. That shit happens. Yeah, But this

0:40:35.560 --> 0:40:36.840
<v Speaker 1>is one thing I do want to say about the

0:40:36.880 --> 0:40:40.719
<v Speaker 1>Young Money shit. I feel like the way the Young

0:40:40.760 --> 0:40:43.520
<v Speaker 1>Money shit played out for all of us, believe it

0:40:43.640 --> 0:40:47.279
<v Speaker 1>or not, believe it, or not. That was exactly how

0:40:47.320 --> 0:40:51.439
<v Speaker 1>I was supposed to play out. If I could say, Man,

0:40:51.560 --> 0:40:55.560
<v Speaker 1>Wayne fucked my shit up, that'd be different. I can't

0:40:55.600 --> 0:40:57.879
<v Speaker 1>say Wayne fucked my shit up. The good outwegh to bad.

0:40:58.520 --> 0:41:01.080
<v Speaker 1>He did more than he didn't do, you know what

0:41:01.120 --> 0:41:04.000
<v Speaker 1>I'm saying. So I might could say I ain't gonna

0:41:04.000 --> 0:41:05.480
<v Speaker 1>lie I was a little I was a little hot

0:41:05.560 --> 0:41:08.920
<v Speaker 1>behind Club Paradise. It might be the only thing that

0:41:09.000 --> 0:41:11.759
<v Speaker 1>I could say I was ever hot behind with Drake.

0:41:11.800 --> 0:41:13.720
<v Speaker 1>But I could name so much of a good ship,

0:41:14.440 --> 0:41:16.720
<v Speaker 1>you know what I'm saying. I could say, well, Nikki

0:41:16.800 --> 0:41:19.200
<v Speaker 1>never really like took me onto a nehba, same way

0:41:19.280 --> 0:41:21.320
<v Speaker 1>Drake didn't. She never really put me on nothing like

0:41:21.360 --> 0:41:25.359
<v Speaker 1>that neither, but stopped it stopped there. I can't say

0:41:25.520 --> 0:41:28.800
<v Speaker 1>anything else. And it's and those things are me and

0:41:28.920 --> 0:41:31.600
<v Speaker 1>my feelings. That's artist ship, that's rapper ship. Thinking you.

0:41:33.120 --> 0:41:37.480
<v Speaker 1>I wouldn't say ego ship. I would say it's feeling like, uh,

0:41:38.200 --> 0:41:44.680
<v Speaker 1>what's the word, uh not prideful, feeling like you uhled

0:41:45.360 --> 0:41:50.080
<v Speaker 1>entitlement that and that that we crew. So I'm entitled

0:41:50.520 --> 0:41:52.840
<v Speaker 1>to first DIBs on something or what you did for

0:41:52.960 --> 0:41:55.399
<v Speaker 1>that artist. You could have did that for me. We crew.

0:41:55.680 --> 0:41:57.680
<v Speaker 1>It's that that's that entitlement, you know what I'm saying,

0:41:57.760 --> 0:42:01.120
<v Speaker 1>so and not saying that you partially shouldn't have that

0:42:01.360 --> 0:42:03.480
<v Speaker 1>entitlement with your team, you know what I'm saying. But

0:42:04.040 --> 0:42:05.879
<v Speaker 1>some of it might have just been me thinking too much.

0:42:06.080 --> 0:42:08.920
<v Speaker 1>But once again, the good outwegh to bad with everybody.

0:42:09.120 --> 0:42:13.680
<v Speaker 1>So it's not like that's not changing. It's not like, oh,

0:42:13.680 --> 0:42:15.400
<v Speaker 1>I don't follow that nigga, ain't like him. I don't care.

0:42:15.880 --> 0:42:17.759
<v Speaker 1>I don't care about she just had kids. Don't give

0:42:17.760 --> 0:42:20.000
<v Speaker 1>fuck if it's his son's birthday on kid. It's like, Bro,

0:42:20.160 --> 0:42:22.120
<v Speaker 1>that shit was It's not that Sari, It's not that deep. Okay,

0:42:22.160 --> 0:42:24.920
<v Speaker 1>So you're behind the scenes. I want to know because

0:42:25.880 --> 0:42:28.439
<v Speaker 1>pusha T Is one of my favorite rappers ever. Push

0:42:28.480 --> 0:42:31.360
<v Speaker 1>your T has been He was poking and prodding at

0:42:31.440 --> 0:42:34.520
<v Speaker 1>little Wayne for years ever since mister Me too, which

0:42:34.600 --> 0:42:37.600
<v Speaker 1>is for long. That's prior to you being with Young Money,

0:42:37.760 --> 0:42:41.960
<v Speaker 1>that sugar Push your T and Young Money or Wayne, shit,

0:42:42.040 --> 0:42:44.160
<v Speaker 1>that should go back way before me. Like I just

0:42:44.719 --> 0:42:47.160
<v Speaker 1>I just probably only entertained it because I was young

0:42:47.239 --> 0:42:49.120
<v Speaker 1>money at the time. Yeah, because you know what I'm saying,

0:42:49.640 --> 0:42:52.399
<v Speaker 1>it took Wayne. I want to say it was maybe

0:42:52.760 --> 0:42:54.759
<v Speaker 1>three or four years ago he finally said push his

0:42:54.880 --> 0:42:57.120
<v Speaker 1>name on a record or it was, I don't remember

0:42:57.200 --> 0:42:59.840
<v Speaker 1>what he said. He's finally acknowledged push your ta officially,

0:43:00.200 --> 0:43:04.279
<v Speaker 1>and I was like wow, but like was that like

0:43:05.000 --> 0:43:09.359
<v Speaker 1>was that something that like like like was a known

0:43:09.480 --> 0:43:11.560
<v Speaker 1>issue in the crew, like, man, this fuck these guys

0:43:11.640 --> 0:43:14.440
<v Speaker 1>over here, Man, they're fucking disrespect now you know why?

0:43:14.560 --> 0:43:17.480
<v Speaker 1>Because Wayne be in his own little world, So Wayne

0:43:17.560 --> 0:43:21.040
<v Speaker 1>don't really listen, like he don't really be knowing what

0:43:21.160 --> 0:43:23.440
<v Speaker 1>be going on. It'd be like me or gutt or

0:43:23.560 --> 0:43:26.480
<v Speaker 1>like show him something. Yeah, a little twist would always

0:43:26.480 --> 0:43:28.160
<v Speaker 1>come in and show him some shit on the laptop

0:43:28.320 --> 0:43:30.239
<v Speaker 1>or or Twitter or Instagram. Here a big bro, look

0:43:30.239 --> 0:43:32.800
<v Speaker 1>at this. So he would be so far into his

0:43:33.000 --> 0:43:36.800
<v Speaker 1>music he wouldn't really know about like the darts, but

0:43:36.920 --> 0:43:39.040
<v Speaker 1>when he find out about it, it'd be like a

0:43:39.160 --> 0:43:40.839
<v Speaker 1>word or pull that shit up, let me see that shit.

0:43:41.520 --> 0:43:44.279
<v Speaker 1>And then everybody, like all assistance and managers to be like,

0:43:44.360 --> 0:43:47.000
<v Speaker 1>oh god, males, why did you get them started? I

0:43:47.120 --> 0:43:53.279
<v Speaker 1>remember we was in the studio and Yay came to

0:43:53.360 --> 0:44:01.920
<v Speaker 1>play him over this Atoven production. I don't know if

0:44:01.960 --> 0:44:06.240
<v Speaker 1>I even wanted to know his story, you gotta started.

0:44:06.360 --> 0:44:11.880
<v Speaker 1>But first time Wayne heard he heard him right, he

0:44:11.960 --> 0:44:18.560
<v Speaker 1>didn't feel that ship. Uh the damn what was the

0:44:18.680 --> 0:44:21.719
<v Speaker 1>barn then? Man? I just remember the baby money you got,

0:44:21.800 --> 0:44:24.560
<v Speaker 1>baby money. That ain't my late something, my lady money.

0:44:24.640 --> 0:44:26.920
<v Speaker 1>That's baby money you got like it was some ship

0:44:27.120 --> 0:44:31.600
<v Speaker 1>like that. M Wayne walked out the room, song still playing,

0:44:32.880 --> 0:44:35.080
<v Speaker 1>like just went to go get like a cup of

0:44:35.160 --> 0:44:39.439
<v Speaker 1>water and ship like yeah. And I remember like two

0:44:39.560 --> 0:44:45.279
<v Speaker 1>days later he did a song. Was he Drake, Jada

0:44:45.360 --> 0:44:49.959
<v Speaker 1>Kiss and Wayne? Was that Carter three? Kidnap your bitch,

0:44:50.280 --> 0:44:53.160
<v Speaker 1>Kidnap your bitch, See how much you love your lady money?

0:44:54.840 --> 0:44:56.960
<v Speaker 1>That was Carter three? I think that was that was

0:44:57.520 --> 0:44:59.239
<v Speaker 1>I think it was Drake. It might have been. It

0:44:59.320 --> 0:45:00.879
<v Speaker 1>might have been called A four. Carter Foy was Drake,

0:45:01.280 --> 0:45:03.719
<v Speaker 1>Jadakiss and Wayne. Because Washing the Throne came out in

0:45:03.719 --> 0:45:06.000
<v Speaker 1>twenty eleven, it was four four apart, it was four.

0:45:06.480 --> 0:45:08.600
<v Speaker 1>I remember, I don't remember much from that album. It

0:45:08.640 --> 0:45:10.600
<v Speaker 1>wasn't good. This is when I liked Carter four. It

0:45:10.680 --> 0:45:13.600
<v Speaker 1>just wasn't Carter three. It just wasn't Carter three. Carter

0:45:13.680 --> 0:45:19.080
<v Speaker 1>four was fired it, Uh, I remember he was like, Yo,

0:45:19.200 --> 0:45:22.640
<v Speaker 1>y'all think that's too much, And everybody was like, nah,

0:45:22.640 --> 0:45:24.120
<v Speaker 1>I think you should take that ball out. Man, I

0:45:24.120 --> 0:45:30.479
<v Speaker 1>don't think you should really say that. Man, fuck that ship.

0:45:30.560 --> 0:45:32.640
<v Speaker 1>Say that shit. Everybody got mad at me. So when

0:45:32.840 --> 0:45:34.680
<v Speaker 1>he's like you know what, I was like, Yo, do

0:45:34.800 --> 0:45:39.520
<v Speaker 1>you feel like he was talking about you? Not necessarily?

0:45:39.680 --> 0:45:41.320
<v Speaker 1>I was like, Bro, this's his words. It ain't like you.

0:45:41.719 --> 0:45:45.120
<v Speaker 1>It ain't like if he was talking about you. He

0:45:45.200 --> 0:45:49.720
<v Speaker 1>said that it was j So at this point, nigga,

0:45:49.800 --> 0:45:52.880
<v Speaker 1>you you you you just sold a million records. Of

0:45:52.960 --> 0:45:54.719
<v Speaker 1>course first week, came home and you about to do

0:45:54.800 --> 0:45:57.560
<v Speaker 1>it again. This is you you right now if you

0:45:57.920 --> 0:46:00.520
<v Speaker 1>feel this is just a battle rapper and at this time,

0:46:00.560 --> 0:46:02.360
<v Speaker 1>but this is how much I fuck with Wayne. This

0:46:02.440 --> 0:46:04.520
<v Speaker 1>is this is what Wayne looks at me for. You

0:46:04.560 --> 0:46:06.840
<v Speaker 1>know what I'm saying. I'm like, do you feel like

0:46:07.160 --> 0:46:11.000
<v Speaker 1>it was a shot? You? I'm like, nah, seriously, do

0:46:11.080 --> 0:46:13.160
<v Speaker 1>you feel it was a shot? Because if you didn't

0:46:13.160 --> 0:46:14.880
<v Speaker 1>feel it was a shot, you wouldn't have thought of

0:46:14.960 --> 0:46:18.040
<v Speaker 1>the ball you thought of So you asking us for

0:46:18.239 --> 0:46:21.960
<v Speaker 1>validation to go in there to go say what you feel? Now?

0:46:24.040 --> 0:46:26.919
<v Speaker 1>You know what you right? He went in there turn

0:46:27.000 --> 0:46:32.880
<v Speaker 1>me up lighter, everybody looking at me. Yeah, because I

0:46:32.920 --> 0:46:34.480
<v Speaker 1>do feel like, why would you tell him to do that?

0:46:34.560 --> 0:46:36.840
<v Speaker 1>There was like this period of time where and I'm like,

0:46:36.920 --> 0:46:38.879
<v Speaker 1>why not, though, I'm like, at the end of the day,

0:46:39.000 --> 0:46:42.560
<v Speaker 1>it's words, it's a sport, it's rap. It's not like

0:46:42.960 --> 0:46:45.879
<v Speaker 1>he said I'm gonna kill you. You felt he said

0:46:45.960 --> 0:46:48.799
<v Speaker 1>something and you wanted to say something back. Do you rap?

0:46:48.920 --> 0:46:51.120
<v Speaker 1>Do you feel like that there was some contention growing

0:46:51.200 --> 0:46:53.840
<v Speaker 1>between Hove and Wayne. I feel like there's some contention

0:46:54.000 --> 0:46:57.840
<v Speaker 1>growing between Hove and anybody else that gets hot to

0:46:57.960 --> 0:47:01.800
<v Speaker 1>the point where they're on his radar. Yeah, because I

0:47:01.920 --> 0:47:03.719
<v Speaker 1>remember I remember that we should go that should go

0:47:03.840 --> 0:47:05.880
<v Speaker 1>back to nas Well, there was the rumors that that

0:47:06.000 --> 0:47:08.239
<v Speaker 1>Wayne was gonna leave Cash Money and then signed with

0:47:08.360 --> 0:47:10.800
<v Speaker 1>Rocking Rock. I remember that. I remember that being a

0:47:10.840 --> 0:47:13.200
<v Speaker 1>thing a few different times, and then and then it

0:47:13.280 --> 0:47:15.399
<v Speaker 1>seemed like they been back before I was with Young Money.

0:47:15.440 --> 0:47:18.040
<v Speaker 1>I think Wayne and Jay had some business history. I

0:47:18.080 --> 0:47:20.560
<v Speaker 1>think Jay was gonna sign him or he was going

0:47:20.640 --> 0:47:22.759
<v Speaker 1>to give him, like a situation to something that go

0:47:22.880 --> 0:47:29.120
<v Speaker 1>back and then it said what happened said in an

0:47:29.160 --> 0:47:37.640
<v Speaker 1>interview that they were talking mm hmm. But then there

0:47:37.760 --> 0:47:41.359
<v Speaker 1>was like after the Carter three, it felt like there

0:47:41.480 --> 0:47:45.880
<v Speaker 1>was like this almost like an unspoken like like like

0:47:46.840 --> 0:47:48.840
<v Speaker 1>energy between the two where it was like Wayne was

0:47:48.880 --> 0:47:51.279
<v Speaker 1>the only guy who was like challenging Hove. Is that dude?

0:47:52.280 --> 0:47:53.759
<v Speaker 1>And I felt like that. I feel like it was

0:47:53.800 --> 0:47:56.759
<v Speaker 1>definitely like was that talked about like openly or was

0:47:56.800 --> 0:48:00.359
<v Speaker 1>it more just like you mean amongst us like the crew, Nah,

0:48:00.680 --> 0:48:03.359
<v Speaker 1>we always looked at even Wayne. Wayne look at Jay

0:48:03.480 --> 0:48:07.680
<v Speaker 1>like Jay, you the go. But Wayne his favorite like

0:48:08.440 --> 0:48:13.320
<v Speaker 1>person ever is like Prince Kobe Bryant. Like if anybody

0:48:13.440 --> 0:48:15.799
<v Speaker 1>knows Wayne, they will tell you mails No, Wayne off

0:48:15.880 --> 0:48:19.919
<v Speaker 1>that it's Prince and Kobe Bryant. Michael Jackson is cool,

0:48:20.080 --> 0:48:23.680
<v Speaker 1>but to Wayne, Michael Jackson isn't Prince, you know what

0:48:23.719 --> 0:48:27.439
<v Speaker 1>I'm saying. Jordan Jordan is cool too, but to Wayne, yeah,

0:48:27.480 --> 0:48:30.000
<v Speaker 1>Kobe could have won seven, you know what I'm saying.

0:48:30.040 --> 0:48:33.560
<v Speaker 1>So it's like menia. His mentality is I love Mike,

0:48:34.160 --> 0:48:37.279
<v Speaker 1>but I'm coming at him. And I think that's what

0:48:37.440 --> 0:48:39.719
<v Speaker 1>it always was with Jay, even if you go back

0:48:39.760 --> 0:48:43.000
<v Speaker 1>to I'm the best rapper alive since the best rapper retired,

0:48:43.719 --> 0:48:46.200
<v Speaker 1>and then once JD wasn't retiring no more. He never

0:48:46.239 --> 0:48:48.440
<v Speaker 1>stopped calling himself the best rapper alive though. He just

0:48:48.840 --> 0:48:51.640
<v Speaker 1>kept calling himself. It's like, oh you back. I thought

0:48:51.680 --> 0:48:53.960
<v Speaker 1>it was my turn. I thought you was retiring. Well

0:48:54.000 --> 0:48:56.120
<v Speaker 1>I'm still. I'm still that nigga here. So if you

0:48:56.280 --> 0:48:58.640
<v Speaker 1>that nigga and I'm I'm the best, though I know

0:48:58.719 --> 0:49:01.279
<v Speaker 1>you might be the greatest, but I'm the best, Like

0:49:01.440 --> 0:49:03.800
<v Speaker 1>right now, I'm the best. And I think Wayne just

0:49:03.920 --> 0:49:07.080
<v Speaker 1>carried that shit for so long. He carried that shit

0:49:07.160 --> 0:49:10.799
<v Speaker 1>for so long. It's you heard it when you when

0:49:10.800 --> 0:49:12.840
<v Speaker 1>you heard him about to come on a song, you

0:49:13.000 --> 0:49:15.000
<v Speaker 1>just felt that energy like he just feel he about

0:49:15.000 --> 0:49:16.920
<v Speaker 1>to come on. He used to tell us that he

0:49:17.000 --> 0:49:19.160
<v Speaker 1>used to play beats and look at me and Drake

0:49:19.280 --> 0:49:22.839
<v Speaker 1>and Nikki and Tyger Gutto whoever's on the song. Oh,

0:49:22.880 --> 0:49:25.080
<v Speaker 1>I'm just letting your balls know, like I'm gonna kill

0:49:25.080 --> 0:49:26.920
<v Speaker 1>all your niggas on this song right now and turn

0:49:26.960 --> 0:49:28.640
<v Speaker 1>around and just turn the ship all the way back

0:49:28.680 --> 0:49:30.719
<v Speaker 1>up and like this blood that's crazy. So when you

0:49:31.120 --> 0:49:33.840
<v Speaker 1>at some point, now we come on the record like

0:49:33.920 --> 0:49:37.240
<v Speaker 1>that too. Now, Nikki, come on, I'm a motherfucking mine stuff.

0:49:37.280 --> 0:49:39.719
<v Speaker 1>But she come on like I want to kill I

0:49:39.760 --> 0:49:42.920
<v Speaker 1>don't think Little Chucky ever playing a record like that. Damn, Yo,

0:49:43.040 --> 0:49:45.840
<v Speaker 1>you really don't like Chucky was horrible. I was like,

0:49:45.880 --> 0:49:47.879
<v Speaker 1>why these Why is he signing these twelve year old

0:49:47.920 --> 0:49:50.479
<v Speaker 1>children who can't rap? Shout out to Chuck and shout

0:49:50.480 --> 0:49:53.000
<v Speaker 1>out to Twists. Man. Look, the views of Bootleg keV

0:49:53.320 --> 0:49:56.480
<v Speaker 1>are nothing to do with the views and Mills. Yeah,

0:49:57.239 --> 0:50:01.080
<v Speaker 1>I can you know what though, I can respect, Nah,

0:50:01.120 --> 0:50:03.000
<v Speaker 1>I don't want to say I could respect because those

0:50:03.000 --> 0:50:09.200
<v Speaker 1>still my little homies forever. I can understand a person

0:50:09.360 --> 0:50:12.560
<v Speaker 1>like you being like, nah, they was fucking trash because

0:50:12.560 --> 0:50:15.040
<v Speaker 1>they could look. Look who they standing next to. They

0:50:15.120 --> 0:50:20.640
<v Speaker 1>standing next to Wayne Drake, Nikki Tiger Mills. I'm godly

0:50:20.719 --> 0:50:22.840
<v Speaker 1>with this lyric. If I never put out an album

0:50:23.320 --> 0:50:26.040
<v Speaker 1>with Young Money. I always used to say I was

0:50:26.120 --> 0:50:28.480
<v Speaker 1>who I was before I got here. I'm godly. I'm

0:50:28.520 --> 0:50:30.160
<v Speaker 1>gonna let you know me for what you know me for.

0:50:30.920 --> 0:50:33.279
<v Speaker 1>This can't change that, it can add on. I have

0:50:33.440 --> 0:50:36.040
<v Speaker 1>plaques for one hundred million streams, and I have plaques

0:50:36.080 --> 0:50:38.759
<v Speaker 1>for four times Platinum, two times Platinum, Billboard Peak one

0:50:38.800 --> 0:50:44.239
<v Speaker 1>Peak two Peak seven. That's more than I had before

0:50:44.239 --> 0:50:47.160
<v Speaker 1>I got there. True, So the good outway to bad.

0:50:47.239 --> 0:50:48.839
<v Speaker 1>You know what I'm saying a lot of people, they

0:50:48.960 --> 0:50:52.640
<v Speaker 1>might have loved Drake and Wayne, but they looked at me,

0:50:52.760 --> 0:50:54.520
<v Speaker 1>how you looked that little chucky in a little twist

0:50:55.640 --> 0:50:58.239
<v Speaker 1>like oh my god, Jay Mills and Gutta Gutta was

0:50:58.440 --> 0:51:01.520
<v Speaker 1>fucking horrible. They may look at us like it's just

0:51:01.560 --> 0:51:03.440
<v Speaker 1>like these people that may look at me and gut

0:51:03.520 --> 0:51:05.759
<v Speaker 1>a gutting like nah, they was killing dedication through they

0:51:05.800 --> 0:51:08.160
<v Speaker 1>held They held a lot of them mixtapes up when

0:51:08.560 --> 0:51:12.359
<v Speaker 1>other artists wasn't on them ships. Now, you had said

0:51:12.400 --> 0:51:14.120
<v Speaker 1>something to me last week. You said you were around

0:51:14.280 --> 0:51:16.920
<v Speaker 1>Young Money enough to see everyone get kicked out at

0:51:17.000 --> 0:51:25.440
<v Speaker 1>least once. Oh shit, I said that to you. I did,

0:51:25.600 --> 0:51:30.040
<v Speaker 1>I did? I did. So explain to me the times

0:51:30.120 --> 0:51:32.400
<v Speaker 1>in which both Nikki and Drake were kicked out of

0:51:32.480 --> 0:51:35.880
<v Speaker 1>Young Money, because that seems like a preposterous thing. You

0:51:35.960 --> 0:51:38.400
<v Speaker 1>want to hear. You want to hear the story about

0:51:38.520 --> 0:51:41.160
<v Speaker 1>how Nikki and Drake were once kicked out of it

0:51:41.280 --> 0:51:43.239
<v Speaker 1>was probably only lasted for about a day or two, right,

0:51:43.800 --> 0:51:46.200
<v Speaker 1>But or do you want to hear when I got

0:51:46.280 --> 0:51:47.960
<v Speaker 1>kicked out of? You? All of them? But which which

0:51:47.960 --> 0:51:49.839
<v Speaker 1>one do you want to hear first, whatever you feel,

0:51:50.960 --> 0:51:52.839
<v Speaker 1>I'll give you the Nicky and Drake shit first because

0:51:52.840 --> 0:51:56.040
<v Speaker 1>they're bigger names and that'll probably be more entertaining for y'all.

0:51:57.040 --> 0:52:01.840
<v Speaker 1>I remember or I saw with Nicki Nicki if you

0:52:01.920 --> 0:52:04.640
<v Speaker 1>remember that one time she was managed by Dad Walker

0:52:04.719 --> 0:52:08.239
<v Speaker 1>Moms yep, yeah, and Dad had a work and had

0:52:08.280 --> 0:52:10.200
<v Speaker 1>her out there with Gucci, and you know, I think

0:52:10.360 --> 0:52:12.319
<v Speaker 1>Dad was managing French at that time. So she used

0:52:12.320 --> 0:52:14.840
<v Speaker 1>to do like some shit like Gucci to be booked.

0:52:14.960 --> 0:52:18.080
<v Speaker 1>But French and Nicki get a bag too, and they

0:52:18.280 --> 0:52:21.360
<v Speaker 1>come together. So it got to a point when we

0:52:21.480 --> 0:52:24.080
<v Speaker 1>started going out because we used to record a lot

0:52:24.160 --> 0:52:26.719
<v Speaker 1>in Atlanta, Miami and shit like that. But now when

0:52:27.160 --> 0:52:30.880
<v Speaker 1>Carter three come out Wayne on the road and he

0:52:31.040 --> 0:52:32.879
<v Speaker 1>used to tell us shit like he used to tell

0:52:33.000 --> 0:52:35.080
<v Speaker 1>me a lot. This is what made me start coming.

0:52:35.120 --> 0:52:37.160
<v Speaker 1>He was like, Yo, I don't think it's fair to

0:52:37.200 --> 0:52:40.160
<v Speaker 1>the other artists that you get to go home and

0:52:40.239 --> 0:52:42.000
<v Speaker 1>then fly back when you want to come back out.

0:52:42.160 --> 0:52:44.600
<v Speaker 1>Like they don't go home, they just they they on

0:52:44.680 --> 0:52:46.480
<v Speaker 1>the road with me. But I had never been a

0:52:46.560 --> 0:52:49.120
<v Speaker 1>part of nothing like that to understand an artist like

0:52:49.239 --> 0:52:52.640
<v Speaker 1>him that lives on the road like lives on a

0:52:52.719 --> 0:52:54.359
<v Speaker 1>tour bus. You know what I'm saying. I was more

0:52:54.400 --> 0:52:55.719
<v Speaker 1>like a well when y'all come to New York or

0:52:55.760 --> 0:52:56.960
<v Speaker 1>you want me to come back out? Let me know.

0:52:57.360 --> 0:53:00.480
<v Speaker 1>His thing was, Miles, I fuck with you. You need

0:53:00.600 --> 0:53:02.839
<v Speaker 1>to be here whenever what you're there for, what you're

0:53:02.840 --> 0:53:05.160
<v Speaker 1>doing there, Young money ain't in New York. We on

0:53:05.239 --> 0:53:07.759
<v Speaker 1>the road while you're there, you young money, right, And

0:53:07.800 --> 0:53:10.080
<v Speaker 1>then it hit me like, all right, I gotta be

0:53:10.160 --> 0:53:15.080
<v Speaker 1>here more so Nicki at that time, she was booked,

0:53:15.480 --> 0:53:18.520
<v Speaker 1>so she got her own She's building like her own

0:53:19.360 --> 0:53:22.080
<v Speaker 1>Nicki Lewinsky. You know what I'm saying. She building her

0:53:22.160 --> 0:53:25.960
<v Speaker 1>own little Thingcottie Tape in them clubs. Like she was

0:53:26.400 --> 0:53:29.160
<v Speaker 1>getting getting bags while we riding the bus with Wayne

0:53:29.680 --> 0:53:31.759
<v Speaker 1>and we you know he bringing us out. She doing

0:53:31.800 --> 0:53:34.239
<v Speaker 1>that too, but she might have a bag to get

0:53:34.280 --> 0:53:37.560
<v Speaker 1>in South Carolina or here here. And I think he

0:53:37.640 --> 0:53:40.080
<v Speaker 1>started to feel like, you know, he never wanted nobody

0:53:40.120 --> 0:53:42.400
<v Speaker 1>to feel like they was better than another artist, Like

0:53:42.520 --> 0:53:44.400
<v Speaker 1>I don't want Nikki to feel like she better than

0:53:44.920 --> 0:53:47.279
<v Speaker 1>Chanelle or Guns just because she booked. But I don't

0:53:47.320 --> 0:53:49.239
<v Speaker 1>want Mills to feel like he bigger than Twist or

0:53:49.320 --> 0:53:51.879
<v Speaker 1>Chucky just because he been on TV with Diddy before

0:53:51.880 --> 0:53:54.320
<v Speaker 1>and he did battles and he had deals. Like we

0:53:54.480 --> 0:53:57.120
<v Speaker 1>all at the same level. You're all the same level

0:53:57.160 --> 0:53:59.520
<v Speaker 1>field right now. Like let's look don't look down on nobody,

0:53:59.640 --> 0:54:02.680
<v Speaker 1>because I ain't looking down on you now. If you're

0:54:02.680 --> 0:54:04.479
<v Speaker 1>gonna look down on a little Chucky or little Twist,

0:54:04.560 --> 0:54:06.719
<v Speaker 1>or you're gonna look down on guns, I gotta look

0:54:06.800 --> 0:54:09.480
<v Speaker 1>down on you now, Mills, I have to, you know

0:54:09.520 --> 0:54:12.040
<v Speaker 1>what I'm saying. So once we got that shit in

0:54:12.120 --> 0:54:14.680
<v Speaker 1>our mind, Wayne was looking at it. I think like

0:54:14.920 --> 0:54:18.399
<v Speaker 1>Nicki doing her own thing. I think Wayne was looking

0:54:18.440 --> 0:54:22.600
<v Speaker 1>at it on some shit like oh, she trying to

0:54:22.680 --> 0:54:25.399
<v Speaker 1>be over here and over here and kind of see

0:54:25.440 --> 0:54:27.880
<v Speaker 1>which one pop first. You gotta remember, it wasn't no

0:54:28.080 --> 0:54:30.719
<v Speaker 1>every girl in the world yet. It wasn't no we

0:54:30.960 --> 0:54:33.000
<v Speaker 1>was just Wayne's crew, you know what I'm saying. But

0:54:33.080 --> 0:54:36.759
<v Speaker 1>Gucci was still Gucci. Like French wasn't big, big, big

0:54:36.840 --> 0:54:39.080
<v Speaker 1>French Montana yet, but he coke boys and he so

0:54:39.160 --> 0:54:41.640
<v Speaker 1>he don't know if like NICKI was like you fucking

0:54:41.680 --> 0:54:43.520
<v Speaker 1>over you over here, like you fucking with us or

0:54:43.520 --> 0:54:45.360
<v Speaker 1>you fucking with them? You fuck? And I think he

0:54:45.480 --> 0:54:47.000
<v Speaker 1>just had one of them days where he was like, yo,

0:54:47.080 --> 0:54:49.640
<v Speaker 1>she ain't young on money, no more like and then

0:54:50.560 --> 0:54:52.920
<v Speaker 1>she started just working. She'll be at video shoots here

0:54:52.920 --> 0:54:55.440
<v Speaker 1>and there, change hair color, start wearing tight dresses. And

0:54:55.640 --> 0:54:57.480
<v Speaker 1>did he tell that to her? I don't know if you,

0:54:57.600 --> 0:54:58.960
<v Speaker 1>I don't. I don't want to say he told it

0:54:59.000 --> 0:55:01.440
<v Speaker 1>to her. He probably told matt Or told Tesz to

0:55:02.080 --> 0:55:05.120
<v Speaker 1>call or whatever. She never said nothing. He never said nothing.

0:55:05.800 --> 0:55:09.600
<v Speaker 1>And then him being a businessman and just understanding where

0:55:09.640 --> 0:55:11.719
<v Speaker 1>he trying to take young money. I think he told

0:55:11.800 --> 0:55:15.239
<v Speaker 1>mac or Tez, like, yo, we put in too much

0:55:15.360 --> 0:55:19.000
<v Speaker 1>work to just let her go, like tell, I said,

0:55:19.200 --> 0:55:21.600
<v Speaker 1>you know what I'm saying. And then she was back

0:55:21.640 --> 0:55:23.040
<v Speaker 1>on the road with us, but she was still doing

0:55:23.080 --> 0:55:26.239
<v Speaker 1>her own thing. But she was back on the road.

0:55:26.280 --> 0:55:27.840
<v Speaker 1>But I can understand how he could feel like that,

0:55:27.880 --> 0:55:31.440
<v Speaker 1>because it's like, Yo, is you over here or is

0:55:31.520 --> 0:55:33.520
<v Speaker 1>you over there? Is like, what is you doing right now?

0:55:33.560 --> 0:55:35.160
<v Speaker 1>You know what I'm saying. So they came to their agreement,

0:55:35.200 --> 0:55:38.560
<v Speaker 1>and after that everything was cool, you know what I'm saying.

0:55:38.600 --> 0:55:40.600
<v Speaker 1>But I think it was a misunderstanding. It wasn't like

0:55:40.719 --> 0:55:43.919
<v Speaker 1>it was a miscommunication somewhere. Same thing with the Drake shit.

0:55:45.040 --> 0:55:47.239
<v Speaker 1>I think Wayne and Drake thing at that time was

0:55:47.520 --> 0:55:50.520
<v Speaker 1>more so Wayne and Taz, you know what I'm saying,

0:55:50.560 --> 0:55:53.799
<v Speaker 1>Like Wayne trusting Taz with shit and then finding out

0:55:53.840 --> 0:55:56.279
<v Speaker 1>like some shit might not be what it is, and like,

0:55:57.960 --> 0:56:00.520
<v Speaker 1>but now Drake is in the middle of it because

0:56:00.560 --> 0:56:03.319
<v Speaker 1>it's like, you know, it's that business, that paperwork shit

0:56:03.400 --> 0:56:05.359
<v Speaker 1>and like all of that type of shit. I think

0:56:05.440 --> 0:56:07.320
<v Speaker 1>that was an issue, you know what I'm saying. And

0:56:07.440 --> 0:56:09.520
<v Speaker 1>I was in the studio with Drake in New York

0:56:10.560 --> 0:56:17.200
<v Speaker 1>and cool chilling everything, cool smokey recording, and he went

0:56:17.360 --> 0:56:20.520
<v Speaker 1>up and went in the hallway and came back and

0:56:20.600 --> 0:56:21.960
<v Speaker 1>I was like, you good. He's like yeah, man, he's

0:56:22.000 --> 0:56:24.120
<v Speaker 1>like to just telling me I'm not young money no more,

0:56:26.880 --> 0:56:29.040
<v Speaker 1>same thing you just did. I was like, like, where

0:56:29.040 --> 0:56:31.320
<v Speaker 1>the fuck did that come from? Like, because this is

0:56:31.360 --> 0:56:35.320
<v Speaker 1>at a time where like every girl is out like

0:56:35.520 --> 0:56:40.120
<v Speaker 1>we you know, we charting, like Drake's doing like, uh

0:56:41.080 --> 0:56:44.120
<v Speaker 1>say something and did you new girl? Like he's doing

0:56:44.280 --> 0:56:47.440
<v Speaker 1>like features now for Mary J and Drake, I mean

0:56:47.520 --> 0:56:51.040
<v Speaker 1>not Drake, Mary J, Jamie Fox. Yeah, he doing like

0:56:51.320 --> 0:56:53.080
<v Speaker 1>shit outside of the box. And I think it was

0:56:53.160 --> 0:56:57.360
<v Speaker 1>that same thing again. It was like that Yo, what

0:56:57.520 --> 0:57:00.080
<v Speaker 1>y'all like, because there's so much shit going on, but

0:57:00.120 --> 0:57:02.719
<v Speaker 1>Wayne don't know, you know what I'm saying, He don't

0:57:02.880 --> 0:57:06.560
<v Speaker 1>know what the fuck is going on with his artists.

0:57:06.960 --> 0:57:08.640
<v Speaker 1>And I think that was the thing with Drake. It

0:57:08.719 --> 0:57:11.200
<v Speaker 1>wasn't It wasn't really nothing with Drake, because even Drake

0:57:11.239 --> 0:57:13.040
<v Speaker 1>told him, he was like, he said, it really don't

0:57:13.040 --> 0:57:16.320
<v Speaker 1>have nothing to do with you and me. Just knowing Wayne,

0:57:16.360 --> 0:57:17.880
<v Speaker 1>I know he was having one of them days where

0:57:17.880 --> 0:57:20.560
<v Speaker 1>it's like, fuck, is everybody keeping me in the dark

0:57:20.640 --> 0:57:22.880
<v Speaker 1>with shit? If these is? This is my shit? You

0:57:22.920 --> 0:57:26.440
<v Speaker 1>know what I'm saying, And just once again miscommunication miss

0:57:28.200 --> 0:57:31.960
<v Speaker 1>seeing the same thing with fucking what Little Twist? I mean,

0:57:32.000 --> 0:57:34.400
<v Speaker 1>we don't. Little Twist wasn't in the Bedrock video. If

0:57:34.400 --> 0:57:37.080
<v Speaker 1>you notice, Little Chucky was all through the Bedrock video,

0:57:37.160 --> 0:57:40.080
<v Speaker 1>but he wasn't on the song. Was it because Wayne

0:57:40.080 --> 0:57:42.720
<v Speaker 1>wasn't fucking the matter? Because got him trouble in school

0:57:42.800 --> 0:57:45.840
<v Speaker 1>or some shit like that, whoor tutoring or son happened

0:57:45.880 --> 0:57:48.320
<v Speaker 1>with his moms like, so Wayne wouldn't let him be

0:57:48.320 --> 0:57:49.880
<v Speaker 1>in the video. He just let Little Chucky be all

0:57:49.920 --> 0:57:51.760
<v Speaker 1>through that. He let Little Chucky be the extra in

0:57:51.840 --> 0:57:56.080
<v Speaker 1>everybody's verse. That's so funny. That's so funny. You know

0:57:56.120 --> 0:57:59.160
<v Speaker 1>what I'm saying. I remember, I don't want people to

0:57:59.200 --> 0:58:01.040
<v Speaker 1>feel like this nigga just want to sit up there

0:58:01.040 --> 0:58:02.920
<v Speaker 1>and tell stories while people all day. No, I'm just

0:58:03.000 --> 0:58:04.560
<v Speaker 1>telling you real shit, and I'm gonna tell you about

0:58:04.560 --> 0:58:08.160
<v Speaker 1>when my stupid ass got kicked out. If you remember

0:58:09.520 --> 0:58:13.280
<v Speaker 1>the BET Awards, when Drake's foot was hert he had

0:58:13.400 --> 0:58:15.120
<v Speaker 1>just fucked his foot up when he was on tour.

0:58:15.240 --> 0:58:17.800
<v Speaker 1>He had tours acl but he still came out and

0:58:17.880 --> 0:58:23.040
<v Speaker 1>performed at the BT Awards, and I think Reginee came

0:58:23.080 --> 0:58:26.080
<v Speaker 1>out on stage. It wasn't meant to be disrespectful, but

0:58:26.320 --> 0:58:29.160
<v Speaker 1>they was performing every girl. I say they because as

0:58:29.200 --> 0:58:31.080
<v Speaker 1>I tell this story, this is gonna fuck everybody up.

0:58:31.920 --> 0:58:33.960
<v Speaker 1>So when they was performing every girl and Drake was

0:58:34.000 --> 0:58:36.600
<v Speaker 1>sitting in a chair and the kids came out, they

0:58:36.680 --> 0:58:39.600
<v Speaker 1>pulled the performance and they never showed it again because

0:58:39.640 --> 0:58:41.400
<v Speaker 1>we was performing. I just want to fuck every girl

0:58:41.440 --> 0:58:44.600
<v Speaker 1>in the world. And people had their kids up there

0:58:44.800 --> 0:58:47.120
<v Speaker 1>and we were just happy that we made it to

0:58:47.280 --> 0:58:49.479
<v Speaker 1>the awards show. You know what I'm saying. Wayne usually

0:58:49.520 --> 0:58:54.080
<v Speaker 1>performed with the hot boys cash Money. This is like everybody,

0:58:54.160 --> 0:58:56.720
<v Speaker 1>this is like young money, the shit that he had,

0:58:56.800 --> 0:58:58.640
<v Speaker 1>the plan he had for us, this shit came to life.

0:58:58.680 --> 0:59:02.080
<v Speaker 1>We on stage BT Awards. J Miles wasn't on that stage.

0:59:04.080 --> 0:59:09.280
<v Speaker 1>J Mills was in New York on one hundred and

0:59:09.360 --> 0:59:13.080
<v Speaker 1>twelve and fifth Avenue down the block from the Projects,

0:59:14.000 --> 0:59:18.800
<v Speaker 1>looking at that performance at his homies crib. Vodo was

0:59:18.840 --> 0:59:22.360
<v Speaker 1>there with me. Shout to Vado and the girl that

0:59:22.480 --> 0:59:24.960
<v Speaker 1>I had pregnant at that time sitting next to me,

0:59:25.320 --> 0:59:28.160
<v Speaker 1>about eight months pregnant, and I'm looking at them perform like, oh,

0:59:28.200 --> 0:59:35.120
<v Speaker 1>I'm done. I missed my flight. Two flights. Two flights

0:59:35.160 --> 0:59:37.800
<v Speaker 1>flights from New York Airport, had a whole nother flight

0:59:37.880 --> 0:59:39.720
<v Speaker 1>books from JFK by the time I got the JFK

0:59:39.880 --> 0:59:43.240
<v Speaker 1>missed that one too. We have to perform at the

0:59:43.280 --> 0:59:52.200
<v Speaker 1>BT Awards first live TV performance. Now my verse was performed,

0:59:53.720 --> 0:59:57.000
<v Speaker 1>but it wasn't me who performed it. Shout out to

0:59:57.240 --> 1:00:01.040
<v Speaker 1>my brother mac Maine because at that time we both

1:00:01.080 --> 1:00:03.480
<v Speaker 1>had the same facial here and we both had like

1:00:03.560 --> 1:00:06.520
<v Speaker 1>low seasons and ship and we was like husky chubby,

1:00:06.640 --> 1:00:09.280
<v Speaker 1>husky type dudes. Hey, you just want to stay with

1:00:09.360 --> 1:00:14.080
<v Speaker 1>some shades, and he I ain't you know that's wild.

1:00:14.160 --> 1:00:17.200
<v Speaker 1>I ain't being disrespectful, baby, I'm just being Mac damn.

1:00:18.040 --> 1:00:24.640
<v Speaker 1>But luckily for Milsey, the fucking performance got pulled, so

1:00:24.680 --> 1:00:29.600
<v Speaker 1>it never even ended up happening like it, but it happened.

1:00:29.640 --> 1:00:32.200
<v Speaker 1>You just can't find it anywhere. Yeah, I mean you

1:00:32.320 --> 1:00:34.919
<v Speaker 1>made somebody may have uploaded the YouTube or some ship

1:00:35.000 --> 1:00:36.640
<v Speaker 1>like that, but yeah, but it didn't actually make the

1:00:36.680 --> 1:00:41.320
<v Speaker 1>broadcast not live. And then when they whenever they showed

1:00:41.360 --> 1:00:44.760
<v Speaker 1>the after that, they just never showed that performance. Now,

1:00:46.800 --> 1:00:48.960
<v Speaker 1>this is all a part of my getting kicked out

1:00:48.960 --> 1:00:52.600
<v Speaker 1>of the Young Money story. So Mac like, Yo, we

1:00:52.840 --> 1:00:55.160
<v Speaker 1>uh were in New York, but were about to leave.

1:00:55.240 --> 1:00:56.400
<v Speaker 1>You know, we're about to leave from whre the jet

1:00:56.480 --> 1:00:59.760
<v Speaker 1>leave from. We're about to go to Paris. Were about

1:00:59.760 --> 1:01:03.080
<v Speaker 1>to go do the Paris Run and overseas and all

1:01:03.200 --> 1:01:05.520
<v Speaker 1>that shit. So Mac was like, I don't really want

1:01:05.520 --> 1:01:06.960
<v Speaker 1>you to miss this because you know you need to

1:01:07.000 --> 1:01:08.960
<v Speaker 1>be here. You know too, Mad He ain't fucking with you,

1:01:09.200 --> 1:01:12.160
<v Speaker 1>like you're not Young Money right now, he said, But

1:01:13.320 --> 1:01:15.320
<v Speaker 1>you know, I just want to see you know what

1:01:15.360 --> 1:01:17.640
<v Speaker 1>I'm saying, Like, let's just you gotta face it, you

1:01:17.720 --> 1:01:19.479
<v Speaker 1>know what I'm saying say you can't just chill because

1:01:19.480 --> 1:01:22.040
<v Speaker 1>if you chill, he'll never call you again. So I

1:01:22.160 --> 1:01:25.160
<v Speaker 1>will say, if it wasn't for Mac Main, I would

1:01:25.200 --> 1:01:28.480
<v Speaker 1>have been curved from young money a long time, a

1:01:28.720 --> 1:01:32.040
<v Speaker 1>long time ago. So regardless, and me and Mac we

1:01:32.120 --> 1:01:34.880
<v Speaker 1>done have a million disagreements, almost came to fights a

1:01:35.000 --> 1:01:38.560
<v Speaker 1>million times. Mac Main is like a big brother to me,

1:01:38.800 --> 1:01:41.800
<v Speaker 1>Like he's like the big brother that you always get

1:01:41.840 --> 1:01:44.640
<v Speaker 1>into a fight with, but he kind of always right

1:01:45.480 --> 1:01:48.320
<v Speaker 1>years later, like the shit he was telling you years

1:01:48.320 --> 1:01:50.440
<v Speaker 1>ago that y'all got in an argument about shit. Kind

1:01:50.480 --> 1:01:51.720
<v Speaker 1>of he kind of was right, but he kind of

1:01:51.720 --> 1:01:54.200
<v Speaker 1>didn't worry it right, and he always both fiery at

1:01:54.240 --> 1:01:58.280
<v Speaker 1>that time. So Mac was like, yo, just come to

1:01:58.360 --> 1:01:59.720
<v Speaker 1>the jet and let's just see if he wants you

1:01:59.800 --> 1:02:02.000
<v Speaker 1>to come to Paris with us. So when I get

1:02:02.080 --> 1:02:05.800
<v Speaker 1>some I get to the jet. They not there yet,

1:02:05.960 --> 1:02:07.720
<v Speaker 1>so I just get on the jet and I just

1:02:07.800 --> 1:02:09.360
<v Speaker 1>wait for them to put He's like, well a few

1:02:09.400 --> 1:02:12.040
<v Speaker 1>minutes away. So I remember they got on the jet, right,

1:02:12.720 --> 1:02:15.880
<v Speaker 1>So I remember, I'm me and Tad. I think streets

1:02:15.920 --> 1:02:19.040
<v Speaker 1>a couple of people, Mac man assistant everybody get up

1:02:19.080 --> 1:02:21.600
<v Speaker 1>on the joint and they look at me and just go.

1:02:24.240 --> 1:02:27.280
<v Speaker 1>So I'm dabbing everybody. But you know, like on the jet.

1:02:28.400 --> 1:02:30.240
<v Speaker 1>Well let's say were on the jet and you coming

1:02:30.280 --> 1:02:32.440
<v Speaker 1>in right here, and we got the sofa right here.

1:02:32.520 --> 1:02:34.360
<v Speaker 1>They got the captain seats right there. You know, Wayne

1:02:34.400 --> 1:02:37.040
<v Speaker 1>sit all the way in the back, all his bags everything,

1:02:37.120 --> 1:02:39.920
<v Speaker 1>you know. So I'm sitting on the sofa. Thay, everybody

1:02:39.960 --> 1:02:42.720
<v Speaker 1>walking by dapping me. So Wayne get on the He

1:02:42.760 --> 1:02:44.240
<v Speaker 1>get on the jet right so he get up, he

1:02:44.320 --> 1:02:47.480
<v Speaker 1>look at me. He just keep walking like it threw

1:02:47.560 --> 1:02:50.360
<v Speaker 1>them off to see me. Right. So now we're waiting,

1:02:50.640 --> 1:03:00.840
<v Speaker 1>jet about to take off. So everybody talking. A couple

1:03:00.880 --> 1:03:02.880
<v Speaker 1>of people talking to me. But I noticed Wayne his

1:03:03.360 --> 1:03:07.720
<v Speaker 1>conversation ain't reaching where I'm at. So he back there,

1:03:07.800 --> 1:03:10.120
<v Speaker 1>he listened to his music, you know, looking out the window.

1:03:10.600 --> 1:03:13.640
<v Speaker 1>So I said, all right, this ain't this ain't like

1:03:13.760 --> 1:03:15.720
<v Speaker 1>friend shit. This is business right now. You have to

1:03:16.160 --> 1:03:19.400
<v Speaker 1>go apologize, like you missed a little you missed a

1:03:19.480 --> 1:03:24.200
<v Speaker 1>performance at the BET Awards. You have to go speak

1:03:24.240 --> 1:03:28.800
<v Speaker 1>to this man. I walked back there. I was like, yo,

1:03:28.920 --> 1:03:30.600
<v Speaker 1>you know what I'm saying, my fault for missing the flight.

1:03:30.720 --> 1:03:32.200
<v Speaker 1>You know what I'm saying, I apologize. I know that

1:03:32.240 --> 1:03:36.040
<v Speaker 1>shit was unprofessional. Blah blah blah blah blah, and like

1:03:37.080 --> 1:03:39.200
<v Speaker 1>he looked at me said he said, what you say?

1:03:40.920 --> 1:03:42.400
<v Speaker 1>So I was like, now I'm talking about the fight.

1:03:42.440 --> 1:03:43.720
<v Speaker 1>He said, no, I heard you, but I'm asking you

1:03:43.760 --> 1:03:49.480
<v Speaker 1>what you say. I said, you're right. I just went

1:03:49.520 --> 1:03:55.840
<v Speaker 1>and sat back down. From Teeterborough to Paris, this man

1:03:55.920 --> 1:03:58.919
<v Speaker 1>did not say a word to me, spoke to everybody

1:03:59.000 --> 1:04:03.560
<v Speaker 1>else joking ha ha ha. Food just kept walking by

1:04:03.680 --> 1:04:06.000
<v Speaker 1>me the whole flight, even when we got the Paris checked.

1:04:06.000 --> 1:04:07.920
<v Speaker 1>I had my It wasn't like he shit it on

1:04:07.960 --> 1:04:12.000
<v Speaker 1>me when I got to Paris, but behind closed doors,

1:04:12.480 --> 1:04:15.560
<v Speaker 1>I felt that shit like I was definitely on like

1:04:16.280 --> 1:04:18.960
<v Speaker 1>curve time for a while. And if it wasn't for

1:04:19.040 --> 1:04:21.880
<v Speaker 1>mac Maine like telling me, like yo, just come to

1:04:22.000 --> 1:04:24.560
<v Speaker 1>the jet and like just see what happened, if I

1:04:24.560 --> 1:04:26.960
<v Speaker 1>would have been on some bit shit and been like, nah, man,

1:04:27.040 --> 1:04:28.440
<v Speaker 1>fuck that shit. If he ain't fucking with me, he

1:04:28.440 --> 1:04:30.120
<v Speaker 1>ain't fucking with me, Like you know what I'm saying,

1:04:30.520 --> 1:04:32.400
<v Speaker 1>Like I had to eat that shit, but I was wrong,

1:04:33.120 --> 1:04:35.640
<v Speaker 1>you know what I'm saying. So that's my story of

1:04:36.160 --> 1:04:38.760
<v Speaker 1>when I got fucking curved. You know what I'm saying,

1:04:39.080 --> 1:04:40.680
<v Speaker 1>I definitely thought it was over for me though, now

1:04:40.760 --> 1:04:44.320
<v Speaker 1>you're you're independent. Now, when what year did you like

1:04:44.440 --> 1:04:47.160
<v Speaker 1>officially have like an official split away from Young Money.

1:04:47.160 --> 1:04:49.720
<v Speaker 1>I know it was cordial. Yeah, I left Young Money

1:04:49.800 --> 1:04:52.600
<v Speaker 1>the end of twenty sixteen, and I'm gonna tell you

1:04:52.640 --> 1:04:56.960
<v Speaker 1>where I left h into twenty sixteen. I had my

1:04:57.040 --> 1:04:59.320
<v Speaker 1>surgery already. I had a surgery in twenty fifteen to

1:04:59.360 --> 1:05:02.480
<v Speaker 1>remove to him my throat. My daughter was born in

1:05:02.560 --> 1:05:06.400
<v Speaker 1>twenty and twelve, so twenty sixteen, she going on five.

1:05:07.400 --> 1:05:09.960
<v Speaker 1>I'm not the same dude I was in two thousand

1:05:10.000 --> 1:05:11.960
<v Speaker 1>and seven, you know what I'm saying. I'm not the

1:05:12.040 --> 1:05:15.280
<v Speaker 1>same twenty seven year old kid running around wanting to

1:05:15.360 --> 1:05:17.120
<v Speaker 1>fuck every girl in the world at this point, like

1:05:17.440 --> 1:05:19.480
<v Speaker 1>I got a little girl in this world now, Like

1:05:20.120 --> 1:05:21.960
<v Speaker 1>just the way I think now is different. And then

1:05:22.040 --> 1:05:25.280
<v Speaker 1>it's like, now it's bad with Wayne and Birdman now,

1:05:25.480 --> 1:05:28.439
<v Speaker 1>you know what I'm saying, Oh yeah, and I want yeah, yeah, shit,

1:05:28.520 --> 1:05:30.680
<v Speaker 1>it was bad and I'm one of them, And I

1:05:30.800 --> 1:05:33.600
<v Speaker 1>was always good with Birdman and Wayne, you know what

1:05:33.640 --> 1:05:36.280
<v Speaker 1>I'm saying. So we was all kind of caught in

1:05:36.400 --> 1:05:39.120
<v Speaker 1>the middle of the shit now. But now it's like

1:05:40.760 --> 1:05:42.320
<v Speaker 1>I'm one of them. I'm a rider to the wheels

1:05:42.360 --> 1:05:46.400
<v Speaker 1>fall off dude at that point, and I feel like,

1:05:46.800 --> 1:05:49.920
<v Speaker 1>to some people, Mills you should have been left. I

1:05:50.040 --> 1:05:52.400
<v Speaker 1>remember busting round seeing me in a sneaker store in

1:05:52.440 --> 1:05:54.160
<v Speaker 1>Miami and being like, Yo, what are you doing? What

1:05:54.280 --> 1:05:57.280
<v Speaker 1>you're waiting for? Like you're waiting for them to stop

1:05:57.400 --> 1:06:00.520
<v Speaker 1>fucking with you, like to make you feel that, or

1:06:00.600 --> 1:06:03.400
<v Speaker 1>you're gonna like just see it, you know what I'm saying.

1:06:03.440 --> 1:06:06.800
<v Speaker 1>But at that time, I'm like, Nah, he gave me

1:06:06.880 --> 1:06:09.920
<v Speaker 1>a chance. I owe him a little bit more to

1:06:10.160 --> 1:06:13.800
<v Speaker 1>leave because it's not good right now. You know what

1:06:13.800 --> 1:06:16.360
<v Speaker 1>I'm saying. Because it's not good right now, I owe

1:06:16.440 --> 1:06:18.880
<v Speaker 1>him a little bit more than to leave right now.

1:06:18.920 --> 1:06:21.400
<v Speaker 1>I gotta ride this one out, you know what I'm saying,

1:06:21.520 --> 1:06:25.439
<v Speaker 1>Even if my loyalty is turning into stupidity, I owe

1:06:25.520 --> 1:06:27.080
<v Speaker 1>him this to ride this out with him. You know

1:06:27.120 --> 1:06:29.400
<v Speaker 1>what I'm saying. Now, When it got to a point

1:06:29.440 --> 1:06:33.480
<v Speaker 1>where I just didn't know what I was doing no more, right,

1:06:33.880 --> 1:06:35.080
<v Speaker 1>you know what I'm saying. I didn't know when I

1:06:35.200 --> 1:06:39.120
<v Speaker 1>come around if I was supposed to be there or not.

1:06:39.840 --> 1:06:41.440
<v Speaker 1>You know what I'm saying, I don't know if like

1:06:42.360 --> 1:06:44.440
<v Speaker 1>I'm overstaying and this is just real shit because I

1:06:44.560 --> 1:06:46.040
<v Speaker 1>never really said this to a lot of people in

1:06:46.080 --> 1:06:49.200
<v Speaker 1>young Money. I never said this to Wayne, you know

1:06:49.240 --> 1:06:50.960
<v Speaker 1>what I'm saying, like real shit. I never said this

1:06:51.080 --> 1:06:53.640
<v Speaker 1>to Birdman or mac Maine or nothing like that. But

1:06:54.960 --> 1:06:57.240
<v Speaker 1>I just felt like I was overstaying my welcome, and

1:06:57.360 --> 1:07:01.080
<v Speaker 1>I felt like the Southern hospitality wasn't gonna let them

1:07:01.400 --> 1:07:04.840
<v Speaker 1>shit on me. You know what I'm saying, that they

1:07:05.200 --> 1:07:08.840
<v Speaker 1>got good hearts, they not fucked up individuals. I'm never

1:07:08.920 --> 1:07:11.000
<v Speaker 1>gonna say that, you know what I'm saying, But I

1:07:11.080 --> 1:07:15.080
<v Speaker 1>think that Southern hospitality of you know what I'm saying.

1:07:15.120 --> 1:07:16.760
<v Speaker 1>I fuck with him, but I just don't know what

1:07:16.840 --> 1:07:18.600
<v Speaker 1>to do with him, you know what I'm saying. I

1:07:18.680 --> 1:07:22.120
<v Speaker 1>think that was just like and he a good, a

1:07:22.200 --> 1:07:24.919
<v Speaker 1>good you know, millsy family, you know what I'm saying.

1:07:24.960 --> 1:07:28.360
<v Speaker 1>So it got to I could either be family and

1:07:28.600 --> 1:07:32.600
<v Speaker 1>just you know, you don't know what they trying to

1:07:32.640 --> 1:07:34.600
<v Speaker 1>do with you, and they don't really know what they

1:07:34.720 --> 1:07:36.920
<v Speaker 1>trying to do with you, and just to be real

1:07:37.000 --> 1:07:40.480
<v Speaker 1>with you, they don't have an idea of doing anything

1:07:40.560 --> 1:07:43.760
<v Speaker 1>with you at this point, Like this is the rebuild

1:07:43.840 --> 1:07:46.760
<v Speaker 1>of Lil Wayne at this time, because I remember during

1:07:46.800 --> 1:07:51.040
<v Speaker 1>that period of time when he was beefing heavy with Birdman,

1:07:51.320 --> 1:07:53.720
<v Speaker 1>Wayne went on this like club run in the South

1:07:53.800 --> 1:07:55.960
<v Speaker 1>where he was taking bags that like you would never

1:07:56.080 --> 1:07:58.240
<v Speaker 1>have ever expected Wayne to take. Like he did a

1:07:58.280 --> 1:08:00.120
<v Speaker 1>show in Tampa when I was living in town. That

1:08:00.160 --> 1:08:02.320
<v Speaker 1>was around the time. I was like, I just had

1:08:02.400 --> 1:08:04.960
<v Speaker 1>it was twenty fifteen, he said, like twenty fifteen. That

1:08:05.040 --> 1:08:07.440
<v Speaker 1>was around that time I had my surgery and I

1:08:07.520 --> 1:08:10.080
<v Speaker 1>think I was healing like he did. He did a

1:08:10.120 --> 1:08:12.760
<v Speaker 1>show in Tampa for like forty bands at a nightclub,

1:08:13.320 --> 1:08:17.760
<v Speaker 1>and I remember being like, wait, little Wayne doing something

1:08:17.800 --> 1:08:20.600
<v Speaker 1>for forty thousand dollars, like, but I think it was

1:08:20.680 --> 1:08:24.519
<v Speaker 1>because he was just I think I obviously speculation, but

1:08:24.600 --> 1:08:26.640
<v Speaker 1>I just think he was just grabbing cash. Yeah, I

1:08:26.680 --> 1:08:28.479
<v Speaker 1>mean cash. At the end of the day, he was

1:08:28.520 --> 1:08:30.400
<v Speaker 1>doing the whole HU but he was doing this whole

1:08:30.400 --> 1:08:34.120
<v Speaker 1>club run that like you would never think Wayne would do. Yeah, yeah,

1:08:34.360 --> 1:08:36.000
<v Speaker 1>And I was you know what it was for me?

1:08:36.360 --> 1:08:40.240
<v Speaker 1>Mostly it was I could even stay here because you

1:08:40.240 --> 1:08:42.200
<v Speaker 1>gotta remember, I got a kid now, so I could

1:08:42.240 --> 1:08:46.400
<v Speaker 1>even stay here and figure out what he going to do,

1:08:47.680 --> 1:08:50.000
<v Speaker 1>or I could go figure out what I'm going to

1:08:50.040 --> 1:08:53.080
<v Speaker 1>do because it's not like you're on a Young Money salary. No,

1:08:54.360 --> 1:08:57.000
<v Speaker 1>it wasn't like it was assuming by like then it

1:08:57.120 --> 1:08:59.240
<v Speaker 1>was not any income coming It wasn't like it was

1:08:59.560 --> 1:09:01.560
<v Speaker 1>no it was income coming in because we've been on

1:09:01.680 --> 1:09:05.200
<v Speaker 1>hit records, we've been on album we still coming in.

1:09:05.320 --> 1:09:07.719
<v Speaker 1>But I mean, like as far as money, the plan

1:09:08.200 --> 1:09:10.040
<v Speaker 1>like because at this time I'm looking at it like

1:09:10.240 --> 1:09:14.479
<v Speaker 1>I I'm looking at like Drake on four fifth, Nikki

1:09:14.600 --> 1:09:18.000
<v Speaker 1>on I'm looking at it like I R Now I'm

1:09:18.040 --> 1:09:20.120
<v Speaker 1>looking at the what's the plan? Like what is the

1:09:20.200 --> 1:09:25.360
<v Speaker 1>plan for me? Not what is the plan for Wayne?

1:09:26.160 --> 1:09:27.439
<v Speaker 1>You know what I'm saying. This is like the first

1:09:27.479 --> 1:09:30.800
<v Speaker 1>time where now I really have to look at like, Bro,

1:09:31.160 --> 1:09:33.560
<v Speaker 1>nobody's gonna take you on tour, nobody's gonna throw you

1:09:33.640 --> 1:09:37.520
<v Speaker 1>on a single, nobody's gonna jump on your single, nobody's

1:09:37.640 --> 1:09:42.479
<v Speaker 1>gonna promote your single, nobody's gonna promote any fucking thing

1:09:42.560 --> 1:09:47.000
<v Speaker 1>you have going because everybody has their own shit going right,

1:09:47.320 --> 1:09:49.479
<v Speaker 1>and shit is so different now. When I came around,

1:09:49.479 --> 1:09:52.800
<v Speaker 1>people were still selling ring tones. By the time I left,

1:09:52.840 --> 1:09:56.280
<v Speaker 1>Young Money music was coming out on Fridays. Now right,

1:09:56.479 --> 1:09:59.519
<v Speaker 1>no longer Tuesdays, It's no longer people lining up in

1:09:59.560 --> 1:10:02.360
<v Speaker 1>front of the stores. All the stores closed, all the

1:10:02.439 --> 1:10:05.160
<v Speaker 1>websites we used to send our music to some niggas

1:10:05.200 --> 1:10:07.320
<v Speaker 1>is corn balls. Now you could just put it on

1:10:07.840 --> 1:10:10.680
<v Speaker 1>streaming platform Why are we not putting our music on

1:10:10.840 --> 1:10:15.200
<v Speaker 1>streaming platforms? Why is Wayne not putting projects on stream?

1:10:15.200 --> 1:10:17.479
<v Speaker 1>Why doesn't Wayne have a four pack out? Why doesn't

1:10:17.479 --> 1:10:20.040
<v Speaker 1>Wayne have an EP out? Why don't we just put

1:10:20.080 --> 1:10:24.160
<v Speaker 1>out a new Young Money mixtape to promote everybody who's

1:10:24.200 --> 1:10:28.400
<v Speaker 1>sitting here ice fucking coal. And at that time, when

1:10:28.439 --> 1:10:30.240
<v Speaker 1>I got to think about all that, I'm a virgo,

1:10:30.280 --> 1:10:32.240
<v Speaker 1>I get lost in my own mind. It's like, Yo,

1:10:32.400 --> 1:10:35.800
<v Speaker 1>back yourself out. It's like, Yo, you gotta go, you

1:10:35.880 --> 1:10:38.200
<v Speaker 1>gotta go. Not a bad thing. Like man, fuck these niggas.

1:10:38.200 --> 1:10:40.680
<v Speaker 1>They ain't do nothing for me. Nah whoa whoa. Young

1:10:40.760 --> 1:10:44.080
<v Speaker 1>Money did more for J Mills than any other label

1:10:44.320 --> 1:10:46.120
<v Speaker 1>did for J Mills. Even if y'all did put me

1:10:46.200 --> 1:10:49.519
<v Speaker 1>on a promo, run and pay for the no No

1:10:49.640 --> 1:10:51.800
<v Speaker 1>no video or put me here, put me there. I

1:10:51.840 --> 1:10:54.000
<v Speaker 1>don't have no plaques. I don't have no plaques from

1:10:54.080 --> 1:10:57.280
<v Speaker 1>anything before Young Money. I don't have big ass cap

1:10:57.439 --> 1:11:02.360
<v Speaker 1>checks from anything before young money, so I could never say, man, niggas.

1:11:02.400 --> 1:11:05.840
<v Speaker 1>The niggas held me up. Nah, you got lost in

1:11:05.960 --> 1:11:09.920
<v Speaker 1>the midst of some great ship. It happens like that sometimes.

1:11:10.320 --> 1:11:12.840
<v Speaker 1>Now what you're gonna do? Now, keep it moving, Learn

1:11:12.880 --> 1:11:15.400
<v Speaker 1>how to produce, learn how to direct shoot your own videos.

1:11:16.040 --> 1:11:18.360
<v Speaker 1>You know what I'm saying. I had to figure it.

1:11:18.600 --> 1:11:21.200
<v Speaker 1>I had to basically figure it out the same way

1:11:21.240 --> 1:11:22.479
<v Speaker 1>I had to figure it out when I got with

1:11:22.600 --> 1:11:25.560
<v Speaker 1>your money. I have no deal. I'm taking shots in

1:11:25.600 --> 1:11:28.439
<v Speaker 1>the dark. I could listen and see when I hit

1:11:28.479 --> 1:11:31.080
<v Speaker 1>the rim. I'm close. Keep taking them fucking shots. What

1:11:31.160 --> 1:11:33.280
<v Speaker 1>did you tell me the other day? It's the perfect

1:11:33.320 --> 1:11:37.599
<v Speaker 1>time for somebody like you. Yeah, I told you, yo,

1:11:37.640 --> 1:11:39.200
<v Speaker 1>I'm gonna give you a record. Blah blah blah. And

1:11:39.280 --> 1:11:41.680
<v Speaker 1>what did you tell me? Can I say what you

1:11:41.760 --> 1:11:45.280
<v Speaker 1>told me about the radio record? Sure? Fuck the radio

1:11:45.439 --> 1:11:48.360
<v Speaker 1>right now? Man, facts facts, bro, And I work at

1:11:48.400 --> 1:11:50.519
<v Speaker 1>the radio, And I told when I left because I

1:11:50.560 --> 1:11:53.040
<v Speaker 1>had my lady with me, and when I left, we

1:11:53.240 --> 1:11:55.360
<v Speaker 1>was talking about that ship, and I was like I

1:11:55.520 --> 1:11:59.759
<v Speaker 1>needed to hear that, yeah, dog, to hear it because

1:12:00.720 --> 1:12:02.800
<v Speaker 1>once again, like when we were talking about See I'm

1:12:02.840 --> 1:12:05.200
<v Speaker 1>only reiterating this because they wasn't here for the conversation

1:12:05.280 --> 1:12:08.639
<v Speaker 1>other day. Like I was explaining to you that I'm

1:12:08.680 --> 1:12:11.639
<v Speaker 1>from an era of the single. I'm from an era

1:12:11.800 --> 1:12:15.599
<v Speaker 1>of the radio record or the party record. I moved

1:12:15.640 --> 1:12:21.840
<v Speaker 1>to Miami two thousand and ten. That's prime strip club

1:12:22.080 --> 1:12:24.680
<v Speaker 1>for sure. I was there for Live on Sunday King

1:12:24.760 --> 1:12:26.720
<v Speaker 1>of Diamonds money. I know what that shit is like

1:12:27.439 --> 1:12:30.400
<v Speaker 1>to be with somebody now, and I'm very underrated to

1:12:31.080 --> 1:12:34.000
<v Speaker 1>I am super cheap. Let's just get that understood. I

1:12:34.040 --> 1:12:36.160
<v Speaker 1>have never went to King of Diamonds and got singles.

1:12:36.600 --> 1:12:38.720
<v Speaker 1>Used to go every Monday. Likewise, See, I like to

1:12:38.760 --> 1:12:40.280
<v Speaker 1>go to the strip club and eat food. What the

1:12:40.400 --> 1:12:42.560
<v Speaker 1>fuck am I getting money for? Wayne just got a

1:12:42.720 --> 1:12:48.439
<v Speaker 1>box of ones a box and went here, here, here,

1:12:50.560 --> 1:12:52.360
<v Speaker 1>What the fuck am I going to get singles for?

1:12:52.560 --> 1:12:54.680
<v Speaker 1>So you think you think I'm impressing him, going to

1:12:54.720 --> 1:12:58.880
<v Speaker 1>get this rack of singles? Hell not this. Niggas just

1:12:58.920 --> 1:13:00.800
<v Speaker 1>want to sol a million and in the first week.

1:13:01.000 --> 1:13:03.040
<v Speaker 1>What are you talking about? Yeah, I'm gonna get out

1:13:03.040 --> 1:13:06.400
<v Speaker 1>of his box. But that's the type of person he is.

1:13:06.960 --> 1:13:09.960
<v Speaker 1>So like I used to always tell people when I

1:13:10.000 --> 1:13:12.519
<v Speaker 1>got around young money. That fucked me up to be

1:13:12.640 --> 1:13:14.439
<v Speaker 1>like when we on the road and he pulling the

1:13:14.479 --> 1:13:16.240
<v Speaker 1>red lobster. We on an eighteen hour bus ride, he

1:13:16.320 --> 1:13:18.840
<v Speaker 1>pulling the red lobster. I tell this story a lot

1:13:18.880 --> 1:13:20.519
<v Speaker 1>because I'll be trying to paint a picture for people

1:13:21.280 --> 1:13:23.920
<v Speaker 1>pulling the red lobster. He gets steak shrimp baked potato.

1:13:26.200 --> 1:13:32.559
<v Speaker 1>It's twenty one orders of steak shrimping baked potatoes. I'm

1:13:32.600 --> 1:13:36.479
<v Speaker 1>not paying for that. Who paid for that? You got?

1:13:36.560 --> 1:13:38.519
<v Speaker 1>Are you chipping in for that? Mac? Who paying for this? Mac?

1:13:39.120 --> 1:13:44.840
<v Speaker 1>Mills just order. Shit went like that for a long time. No,

1:13:45.520 --> 1:13:49.160
<v Speaker 1>it went like that forever. It never stopped. So when

1:13:49.200 --> 1:13:50.880
<v Speaker 1>it got to a point where, like you were saying,

1:13:50.880 --> 1:13:53.240
<v Speaker 1>I'm looking at him, he taking a forty thoual bag,

1:13:53.360 --> 1:13:57.600
<v Speaker 1>He'll or a fifty thous bag here. It's like, I

1:13:57.760 --> 1:14:00.320
<v Speaker 1>know why, you know what I'm saying, because that shit

1:14:00.400 --> 1:14:03.400
<v Speaker 1>is on his shoulders and that's all he know since

1:14:03.439 --> 1:14:05.640
<v Speaker 1>he was thirteen. All he know is that. All he

1:14:05.760 --> 1:14:10.439
<v Speaker 1>know is that lifestyle chauffeur. He's overhead. Had to be crazy,

1:14:11.000 --> 1:14:12.720
<v Speaker 1>it's all he know. You know what I'm saying. I

1:14:12.760 --> 1:14:15.519
<v Speaker 1>always tell people if I was if I was if

1:14:15.560 --> 1:14:18.519
<v Speaker 1>I was Lil Wayne like, if I had Lil Wayne

1:14:18.600 --> 1:14:22.360
<v Speaker 1>money like, I would have been way worse. I would

1:14:22.400 --> 1:14:26.679
<v Speaker 1>have been worse, way worse. But he had money since

1:14:26.720 --> 1:14:29.320
<v Speaker 1>he was so young, so he understood how to take

1:14:29.320 --> 1:14:31.720
<v Speaker 1>care of his homies, how to try to put j

1:14:32.000 --> 1:14:34.680
<v Speaker 1>Mills and Corey Gunns, and even if it don't work,

1:14:34.720 --> 1:14:38.519
<v Speaker 1>he understood how to try. So I could accept that,

1:14:38.840 --> 1:14:42.080
<v Speaker 1>you know what I'm saying. But I don't know, man,

1:14:42.120 --> 1:14:44.280
<v Speaker 1>I feel like, like I said, the shit ended how

1:14:44.320 --> 1:14:47.240
<v Speaker 1>it was supposed to end for me as far as

1:14:47.320 --> 1:14:49.519
<v Speaker 1>that chapter. Now, of course, I still fuck with Wayne,

1:14:49.560 --> 1:14:52.400
<v Speaker 1>I still fuck with everybody else. But do I think

1:14:52.479 --> 1:14:55.200
<v Speaker 1>I could have got more out of Young Money had

1:14:55.240 --> 1:14:58.600
<v Speaker 1>I stayed? You know, do you think you should have

1:14:58.640 --> 1:15:03.960
<v Speaker 1>left earlier? Yeah? Yeah, I probably should have left Young

1:15:04.000 --> 1:15:08.519
<v Speaker 1>Money years before I left. But once again, man, it

1:15:08.640 --> 1:15:11.400
<v Speaker 1>is what it is. Wayne gave me an opportunity that

1:15:11.680 --> 1:15:15.840
<v Speaker 1>nobody else has ever given me before was since So

1:15:15.960 --> 1:15:18.200
<v Speaker 1>I don't feel I did anything wrong, you know what

1:15:18.240 --> 1:15:20.680
<v Speaker 1>I'm saying. I feel like I could have left, But

1:15:22.000 --> 1:15:23.679
<v Speaker 1>I remember people used to tell me, Man, you should

1:15:23.720 --> 1:15:26.960
<v Speaker 1>go to Mayback, you should go to it, you should

1:15:27.000 --> 1:15:28.880
<v Speaker 1>go here, you should go here, and if you think

1:15:28.920 --> 1:15:31.960
<v Speaker 1>about it, Wayne was the only place I ever went

1:15:32.240 --> 1:15:35.560
<v Speaker 1>other than having my own deals. Yeah, I think that, like,

1:15:35.960 --> 1:15:39.400
<v Speaker 1>signing with an artist is a crapshoot anyway, you know,

1:15:39.479 --> 1:15:41.280
<v Speaker 1>when you signed with another artist. I think Wayne pulled

1:15:41.320 --> 1:15:43.240
<v Speaker 1>it off nicely. With Nicky and Drake, I think Ross

1:15:43.439 --> 1:15:47.160
<v Speaker 1>did a great job. But like, there's plenty more examples

1:15:47.600 --> 1:15:50.240
<v Speaker 1>of rappers who have labels. Yo, God, he's doing a

1:15:50.240 --> 1:15:53.080
<v Speaker 1>great job right now. Yeah, but there's plenty of other

1:15:53.240 --> 1:15:55.080
<v Speaker 1>artists who it's like you just look and it's like

1:15:56.520 --> 1:15:58.559
<v Speaker 1>the problem is most of the time, when you signed

1:15:58.560 --> 1:16:01.160
<v Speaker 1>with an artist, they don't want the people they signed

1:16:01.160 --> 1:16:03.880
<v Speaker 1>to be bigger than them. Yeah, and that's you know

1:16:04.080 --> 1:16:06.760
<v Speaker 1>with Wayne, that didn't happen with Ross that that wasn't

1:16:06.840 --> 1:16:09.680
<v Speaker 1>the case. Yeah, some people been around so long it's

1:16:09.760 --> 1:16:13.800
<v Speaker 1>not their first time. Like when Ross did the whole

1:16:13.880 --> 1:16:17.320
<v Speaker 1>Mayback music, shit, he had already did Triple C's right, Yeah,

1:16:17.320 --> 1:16:21.080
<v Speaker 1>he had already already did writing for Slippings. He had

1:16:21.080 --> 1:16:26.280
<v Speaker 1>already did so much shit, So it wasn't his first time. Yeah, yeah, yeah, yeah.

1:16:26.560 --> 1:16:30.240
<v Speaker 1>MMG Energy in like two thousand and like ten eleven,

1:16:31.560 --> 1:16:35.439
<v Speaker 1>so crazy, and I feel like young Money. I'm gonna

1:16:35.439 --> 1:16:38.799
<v Speaker 1>say this, I don't feel Young Money gets enough credit

1:16:39.720 --> 1:16:43.320
<v Speaker 1>for bringing back that aura, that Crew Crew. You feel

1:16:43.360 --> 1:16:46.840
<v Speaker 1>like after like Dipset and G Unit, that was it.

1:16:47.400 --> 1:16:49.960
<v Speaker 1>That was the That was the end of that era

1:16:50.720 --> 1:16:58.000
<v Speaker 1>of like d Block, G United, Dip said, uh Rough Riders, Rockefeller,

1:16:58.120 --> 1:16:59.920
<v Speaker 1>you know what. I'm like all of those like Crew

1:17:00.640 --> 1:17:02.600
<v Speaker 1>and then like Young Money came and I remember we

1:17:02.720 --> 1:17:04.479
<v Speaker 1>used to get joked on. It was the joke. You know.

1:17:04.560 --> 1:17:07.920
<v Speaker 1>We had the poppy singles and shit like that, but

1:17:08.080 --> 1:17:11.920
<v Speaker 1>we still had like Dedication three, Dedication four, like no ceilings.

1:17:12.479 --> 1:17:16.880
<v Speaker 1>Like the reason why we was like like I Am Music.

1:17:16.960 --> 1:17:20.240
<v Speaker 1>Tour was like six months. It was like the biggest tour.

1:17:20.560 --> 1:17:26.000
<v Speaker 1>But at that time, that's when Top was creating uh TD.

1:17:26.800 --> 1:17:29.080
<v Speaker 1>Like I met Jay Rock through Wayne. Yeah, they had

1:17:29.120 --> 1:17:31.360
<v Speaker 1>a song that was first single on Warner Broads and

1:17:31.400 --> 1:17:34.320
<v Speaker 1>Wayne directed the video. I remember when we flew out here.

1:17:34.439 --> 1:17:36.840
<v Speaker 1>I remember that was when Kendrick was being at that

1:17:37.000 --> 1:17:39.920
<v Speaker 1>video shoot like yeah, I think I'm just gonna stay

1:17:39.960 --> 1:17:43.759
<v Speaker 1>in the trailer right, Like you gotta understand I'm from Harlem,

1:17:44.520 --> 1:17:48.320
<v Speaker 1>Wayne out here with Dicky's and Red Band, Dannis and shit,

1:17:48.400 --> 1:17:51.360
<v Speaker 1>I'm like I'm new. I don't even know Wayne for

1:17:51.520 --> 1:17:53.519
<v Speaker 1>being like this yet, you know what I'm saying, I'm like,

1:17:54.680 --> 1:17:57.120
<v Speaker 1>fuck is nickoson? But I'm learning, you know what I'm saying.

1:17:57.120 --> 1:17:59.200
<v Speaker 1>I'm just like, oh, he like, yeah, I'm directing his

1:17:59.320 --> 1:18:03.240
<v Speaker 1>video for my uh, for my man's artists. I'm like, who, so,

1:18:03.400 --> 1:18:06.280
<v Speaker 1>my man j Rock. I didn't know who TD was.

1:18:06.439 --> 1:18:09.840
<v Speaker 1>I didn't know none of that. But I remember, like

1:18:10.040 --> 1:18:12.799
<v Speaker 1>after Young Money, they was the first people I remember

1:18:12.880 --> 1:18:16.479
<v Speaker 1>being like, oh, they building some ship like what we're doing.

1:18:16.720 --> 1:18:19.080
<v Speaker 1>Not the same thing, of course not. But I remember

1:18:19.120 --> 1:18:22.680
<v Speaker 1>because Schoolboy Q was a part of GED. That was

1:18:22.760 --> 1:18:25.479
<v Speaker 1>Tiger's crew. I don't want to say Tigers. They was

1:18:25.520 --> 1:18:27.559
<v Speaker 1>all crew, you know what I'm saying. I remember shouted

1:18:27.600 --> 1:18:29.920
<v Speaker 1>shout out the Q. I remember I remember Q from

1:18:29.960 --> 1:18:34.040
<v Speaker 1>being around Tiger, Like, so, I already knew he was nice,

1:18:34.560 --> 1:18:36.519
<v Speaker 1>you know what I'm saying. I already knew Jay Rock

1:18:37.200 --> 1:18:42.120
<v Speaker 1>from Wayne doing the video. I had heard the apps

1:18:42.160 --> 1:18:47.720
<v Speaker 1>soul uh. A lot of us knew, like found out

1:18:47.880 --> 1:18:53.400
<v Speaker 1>about Kendrick. What was this section of section eighty? Section eighty,

1:18:53.640 --> 1:18:55.280
<v Speaker 1>But he was on one of he was on Drake Shit,

1:18:55.400 --> 1:18:59.200
<v Speaker 1>he was on like an interlude or something? Am I bugging?

1:19:00.120 --> 1:19:04.120
<v Speaker 1>Was Kendrick on like a Drake Carter four? Nah, Kendrick

1:19:04.240 --> 1:19:06.000
<v Speaker 1>was on like because I remember we asked him. He

1:19:06.120 --> 1:19:08.760
<v Speaker 1>was like, yo, who that I don't remember? He broke

1:19:08.880 --> 1:19:10.760
<v Speaker 1>down the verse about how Kendrick was talking about how

1:19:10.760 --> 1:19:12.320
<v Speaker 1>they met and he went here and he was like,

1:19:12.400 --> 1:19:14.880
<v Speaker 1>that's exactly how it happened. Was it a Drake album?

1:19:15.600 --> 1:19:19.719
<v Speaker 1>I think that was yo? For real? If I'm bugging

1:19:19.880 --> 1:19:23.160
<v Speaker 1>right now, how to apologize had to be Carter four.

1:19:24.600 --> 1:19:26.680
<v Speaker 1>Carter four had all those interviews with like bun be

1:19:28.080 --> 1:19:32.960
<v Speaker 1>Was it a Drake album? Oh the way, You're right,

1:19:32.960 --> 1:19:35.560
<v Speaker 1>You're right, You're right. He was on a yeah, on

1:19:35.720 --> 1:19:38.400
<v Speaker 1>on a Drake album? Kendrick it was on take Care

1:19:38.800 --> 1:19:43.200
<v Speaker 1>all right, So now I'm peeping. I'm like, but at

1:19:43.240 --> 1:19:46.080
<v Speaker 1>this time, Ross is doing ye married to Live there

1:19:46.080 --> 1:19:48.160
<v Speaker 1>you go? Because I remember asking Drake like you know,

1:19:48.240 --> 1:19:49.360
<v Speaker 1>and he broke in and he was like, YEO, he's

1:19:49.400 --> 1:19:51.439
<v Speaker 1>not and he was rapping the verse like he said,

1:19:51.439 --> 1:19:54.720
<v Speaker 1>and that's exactly how it happened, like how we you know, Yeah,

1:19:54.800 --> 1:19:57.320
<v Speaker 1>Kendrick was already like on his way there. So pd

1:19:57.520 --> 1:20:01.719
<v Speaker 1>E mayeback music. They took that whole ship and ran

1:20:02.160 --> 1:20:05.160
<v Speaker 1>with it. That kind of like birthed the whole. And

1:20:05.200 --> 1:20:08.400
<v Speaker 1>then after that, like Cole look with Dreamville. You know

1:20:08.439 --> 1:20:12.559
<v Speaker 1>what I'm saying, Like he built that ship. It wasn't quick.

1:20:12.640 --> 1:20:14.639
<v Speaker 1>But if you if you look at and you look

1:20:14.720 --> 1:20:17.160
<v Speaker 1>at if you look at the Freshman cover, and I

1:20:17.200 --> 1:20:19.120
<v Speaker 1>got a lot I got in all sorts of trouble

1:20:19.160 --> 1:20:22.120
<v Speaker 1>for saying my fucking man was supposed to be under

1:20:22.120 --> 1:20:24.559
<v Speaker 1>cover I worded. Remember when I said the double XL

1:20:24.640 --> 1:20:27.920
<v Speaker 1>cover was whack because Vado wasn't on it. Oh. I

1:20:28.040 --> 1:20:30.040
<v Speaker 1>caught so much flak for that because everybody thought I

1:20:30.160 --> 1:20:32.519
<v Speaker 1>meant every person on the cover was whack because that

1:20:32.680 --> 1:20:35.080
<v Speaker 1>was the J Cole Fra Gizz and that was and

1:20:35.240 --> 1:20:38.719
<v Speaker 1>that was one of the best fucking covers. It turned

1:20:38.720 --> 1:20:40.320
<v Speaker 1>out to be one of the best covers. I was

1:20:40.479 --> 1:20:42.800
<v Speaker 1>just mad my home he wasn't on there. I felt

1:20:42.800 --> 1:20:45.000
<v Speaker 1>he deserved to be on there. Cool worded it wrong.

1:20:45.800 --> 1:20:48.800
<v Speaker 1>But if you look at from that time on, Cole

1:20:48.920 --> 1:20:52.080
<v Speaker 1>built Dreamville kind of fast. He had because out of

1:20:52.080 --> 1:20:54.720
<v Speaker 1>everybody on that cover, him and he had a he

1:20:54.760 --> 1:20:57.280
<v Speaker 1>had Omens signed to Dreamville. Fro There's a guy named

1:20:57.280 --> 1:20:59.360
<v Speaker 1>Omen that he had signed to the LA like Dreamgo

1:20:59.479 --> 1:21:02.320
<v Speaker 1>was a thing for a while. No, but I mean,

1:21:02.400 --> 1:21:05.760
<v Speaker 1>like from what the public first sword because young money

1:21:05.880 --> 1:21:07.800
<v Speaker 1>was a thing for a while. Young money been in things.

1:21:09.640 --> 1:21:12.080
<v Speaker 1>Does Jr. Smith have a young Money tattoo on his throat?

1:21:12.680 --> 1:21:16.360
<v Speaker 1>Young Money? Is he? I was just was homie, Okay,

1:21:16.560 --> 1:21:19.240
<v Speaker 1>I didn't know, Yo, Why does this NBA player have

1:21:19.400 --> 1:21:23.880
<v Speaker 1>a gigantic young money tattoo on his fucking throat? Then? Guys,

1:21:23.920 --> 1:21:25.960
<v Speaker 1>I when he was at the Bedrock video shooting I noticed.

1:21:26.000 --> 1:21:27.840
<v Speaker 1>I was like, Oh, she got a stupid, big young

1:21:27.880 --> 1:21:31.439
<v Speaker 1>money tattoo on his neck. Jesus Christ, the homies. He's

1:21:31.439 --> 1:21:35.519
<v Speaker 1>gotta regret that tattoo, you know what? Like, I don't

1:21:35.560 --> 1:21:38.120
<v Speaker 1>really think jayall Smith regrets too much. That might be fair.

1:21:38.280 --> 1:21:41.000
<v Speaker 1>I don't think anybody who could drink honey on game night,

1:21:41.000 --> 1:21:42.720
<v Speaker 1>I don't think they regret too much. Man shout out

1:21:42.720 --> 1:21:45.080
<v Speaker 1>to Jay all Man. So look, your album is out,

1:21:45.920 --> 1:21:49.400
<v Speaker 1>and is this like the beginning of you putting out

1:21:49.439 --> 1:21:52.160
<v Speaker 1>a ship ton of like what's your like? Early earlier

1:21:52.240 --> 1:21:54.200
<v Speaker 1>this year I put out poll Music five. Last year

1:21:54.200 --> 1:21:56.880
<v Speaker 1>I put out Feels Like I was here before Keywords.

1:21:57.320 --> 1:22:00.479
<v Speaker 1>My thing right now is just figure out where you

1:22:00.600 --> 1:22:03.640
<v Speaker 1>fit in? Right now, there's so much shit going on.

1:22:03.840 --> 1:22:07.200
<v Speaker 1>Like I love the drill shit, of course, I love

1:22:07.280 --> 1:22:09.720
<v Speaker 1>the lyrical shit. I love the melodic shit. I love

1:22:09.800 --> 1:22:12.599
<v Speaker 1>the auto tuned shit. I really wish I could fit

1:22:12.720 --> 1:22:15.560
<v Speaker 1>in all of those lanes. But I've tried it, and

1:22:15.720 --> 1:22:17.640
<v Speaker 1>I don't just rap. You know what I'm saying, Like

1:22:18.640 --> 1:22:22.000
<v Speaker 1>I learned, I learned. I say this shit a whole lot.

1:22:22.040 --> 1:22:23.880
<v Speaker 1>You can probably find a million interviews. Whou I say this.

1:22:24.760 --> 1:22:27.160
<v Speaker 1>Just because you can do something doesn't mean you should.

1:22:27.240 --> 1:22:29.479
<v Speaker 1>There you go, man, Come on, man, just because you

1:22:29.560 --> 1:22:32.080
<v Speaker 1>can do something does not mean you should. You know

1:22:32.080 --> 1:22:37.600
<v Speaker 1>what I'm saying. Like I could go out and I

1:22:37.640 --> 1:22:40.519
<v Speaker 1>could fuck ten strippers in the strip club, that doesn't

1:22:40.520 --> 1:22:44.640
<v Speaker 1>mean you should. There you go. Whether you got a

1:22:44.720 --> 1:22:47.080
<v Speaker 1>girl at home or not, Well, if you don't have

1:22:47.120 --> 1:22:50.920
<v Speaker 1>a girl at home, no, it's still it's COVID, it's cold.

1:22:51.360 --> 1:22:54.360
<v Speaker 1>It shouldn't fuck. You shouldn't have sex with ten different

1:22:54.400 --> 1:22:58.400
<v Speaker 1>people at all. Right now, I mean pandemic times I

1:22:58.479 --> 1:23:00.800
<v Speaker 1>concur but you know, just there you go. I was

1:23:00.880 --> 1:23:03.040
<v Speaker 1>just giving you an analogy. You know what I'm saying.

1:23:03.080 --> 1:23:06.680
<v Speaker 1>It's like I can DJ you know, I can get

1:23:06.720 --> 1:23:10.280
<v Speaker 1>on the wheels of still and should I I mean

1:23:10.960 --> 1:23:14.439
<v Speaker 1>I should probably, I should probably not you can probably

1:23:14.560 --> 1:23:16.760
<v Speaker 1>you can probably tell him to load a beat up

1:23:16.920 --> 1:23:22.559
<v Speaker 1>right now, talking ship, I'm not rapping, see now you could?

1:23:23.200 --> 1:23:25.400
<v Speaker 1>Should you? Should you? Of course? Not like should you

1:23:25.520 --> 1:23:29.800
<v Speaker 1>really do that? I don't know if you. So That's

1:23:29.840 --> 1:23:31.360
<v Speaker 1>where I'm at with it, man, I'm just trying to

1:23:31.360 --> 1:23:33.880
<v Speaker 1>see where I fit in. I'm having fun with this ship.

1:23:33.920 --> 1:23:38.439
<v Speaker 1>I'm independent with empire. I love my splits, y'all in trouble.

1:23:38.439 --> 1:23:41.000
<v Speaker 1>When I hit it, hit the liquid one, and I

1:23:41.080 --> 1:23:43.840
<v Speaker 1>think that that's what that's the beauty of this Eraror.

1:23:44.280 --> 1:23:46.200
<v Speaker 1>And that's probably what made me leave Young Money too,

1:23:47.080 --> 1:23:49.000
<v Speaker 1>just realizing I ain't need a machine in this Eraror

1:23:49.040 --> 1:23:51.760
<v Speaker 1>no more. You know what I'm saying the middle man,

1:23:52.040 --> 1:23:55.120
<v Speaker 1>it's not the it's like it's not to say it

1:23:55.240 --> 1:23:58.679
<v Speaker 1>like that. But I come from an era of the machine.

1:23:58.760 --> 1:24:00.680
<v Speaker 1>I was part of Warner Brothers Machine. I was part

1:24:00.720 --> 1:24:04.280
<v Speaker 1>of Universal Machine and Steve Rifkin over at SRC and

1:24:04.520 --> 1:24:06.920
<v Speaker 1>a part of Young Moneys. But you were signing a SRC.

1:24:07.800 --> 1:24:10.679
<v Speaker 1>I was signed the Universal and then when they started

1:24:10.720 --> 1:24:12.519
<v Speaker 1>doing a bunch of shifting and ship like that like

1:24:13.479 --> 1:24:15.759
<v Speaker 1>me and my team, we didn't really like the David

1:24:15.800 --> 1:24:19.960
<v Speaker 1>Banner Acon era src. Yeah, David Banner was up there.

1:24:19.960 --> 1:24:21.880
<v Speaker 1>I've been being on the road with David Banner. I've

1:24:21.880 --> 1:24:27.360
<v Speaker 1>been on the road with Remy there with Akon, Steve Rifkin,

1:24:27.439 --> 1:24:30.519
<v Speaker 1>Ah man, shout out to Steve Rifkins manage and Buster rhymes,

1:24:30.560 --> 1:24:34.720
<v Speaker 1>now what Yeah, it's Buster's manager. Know that's dope man,

1:24:34.760 --> 1:24:37.080
<v Speaker 1>and shout out the Buster too. I've seen an interview

1:24:37.120 --> 1:24:41.320
<v Speaker 1>with Buster was talking about the surgery. Uh, surgery you had.

1:24:42.200 --> 1:24:44.000
<v Speaker 1>That shit fucked me up because that's the same surgery

1:24:44.080 --> 1:24:47.080
<v Speaker 1>I had. And I never really heard nobody like talk

1:24:47.120 --> 1:24:50.000
<v Speaker 1>about that ship ship like. It scared me from the

1:24:50.080 --> 1:24:54.920
<v Speaker 1>perspective of Uh, you know, when some shit happened to you,

1:24:55.200 --> 1:24:59.200
<v Speaker 1>you don't feel it. No, that's a bad analogy. You

1:24:59.320 --> 1:25:02.880
<v Speaker 1>have a you have a you smoke weed. Yeah, you

1:25:03.000 --> 1:25:04.679
<v Speaker 1>have a smoke a bunch of weed and then walk

1:25:04.720 --> 1:25:06.960
<v Speaker 1>in the mall and wonder why everybody looking at you.

1:25:07.000 --> 1:25:08.280
<v Speaker 1>You think maybe you're sneak. You know, you got the

1:25:08.320 --> 1:25:09.920
<v Speaker 1>new sneak, you got some new Yeezy's on it. You

1:25:09.960 --> 1:25:13.120
<v Speaker 1>don't similar and you don't realize you smell like the

1:25:13.280 --> 1:25:15.640
<v Speaker 1>back of the dispensary, like it all just came in

1:25:15.800 --> 1:25:17.760
<v Speaker 1>and you opened it and rubbed it all over your skin.

1:25:17.880 --> 1:25:20.760
<v Speaker 1>But you're high, so you don't you cool? You don't

1:25:20.800 --> 1:25:23.559
<v Speaker 1>smell that shit that's me, or I don't I smell amazing.

1:25:23.640 --> 1:25:25.519
<v Speaker 1>I still smell like the colonne I sprayed this morning.

1:25:25.800 --> 1:25:28.000
<v Speaker 1>You smoked eight blunts since then, meals you don't smell

1:25:28.040 --> 1:25:30.439
<v Speaker 1>like that. But I'm in it, so I don't see it.

1:25:31.000 --> 1:25:32.880
<v Speaker 1>I remember the first time I seen Wayne have a

1:25:32.960 --> 1:25:36.479
<v Speaker 1>seizure on the jet in the air. Now I have siezures.

1:25:37.000 --> 1:25:41.360
<v Speaker 1>I have sieges in my sleep. Oh wow, like scariest

1:25:41.400 --> 1:25:44.760
<v Speaker 1>shit ever. So but every time I ever had a

1:25:44.760 --> 1:25:47.280
<v Speaker 1>siege in my sleep, I wake up and I'm cool, Like,

1:25:47.760 --> 1:25:51.400
<v Speaker 1>so you were there when we had a seizure, like

1:25:51.520 --> 1:25:54.120
<v Speaker 1>two different times, scariest shit I ever seen in my

1:25:54.200 --> 1:25:57.880
<v Speaker 1>life because it made me feel you know, it made

1:25:57.920 --> 1:26:00.120
<v Speaker 1>me feel like, oh, that's what I look like like.

1:26:01.040 --> 1:26:02.880
<v Speaker 1>And then when he got up, he was cool. He

1:26:03.000 --> 1:26:06.760
<v Speaker 1>was like, yo was his like lean usage that bad?

1:26:07.840 --> 1:26:09.160
<v Speaker 1>I don't know if it was. I don't know if

1:26:09.200 --> 1:26:11.920
<v Speaker 1>it was the lean because I don't sibling and I

1:26:11.960 --> 1:26:16.320
<v Speaker 1>have seen everyone's kind of uh come to that conclusion.

1:26:16.320 --> 1:26:18.479
<v Speaker 1>I don't know. I don't. I can't really say it

1:26:18.520 --> 1:26:21.280
<v Speaker 1>because once again, I don't sibling, and I have a

1:26:21.439 --> 1:26:25.960
<v Speaker 1>history of you never sibling. I tried it one time,

1:26:26.000 --> 1:26:28.840
<v Speaker 1>but I tried it by my quad. I tried it

1:26:28.880 --> 1:26:30.680
<v Speaker 1>by mistake me and gutta gut it was and hit

1:26:30.760 --> 1:26:34.600
<v Speaker 1>factory one time and I had a sun kiss and

1:26:34.880 --> 1:26:36.280
<v Speaker 1>you know, you got the white cups with the ice

1:26:36.880 --> 1:26:40.280
<v Speaker 1>poured it in there, but I didn't realize that, uh

1:26:40.760 --> 1:26:42.760
<v Speaker 1>he had some lean and some sun kiss too, you

1:26:42.800 --> 1:26:45.160
<v Speaker 1>know what I'm saying somewhere. So when I hit the cup,

1:26:45.600 --> 1:26:49.320
<v Speaker 1>I'm like, oh, this ship tastes sweet, you know, tastes good. Actually,

1:26:49.479 --> 1:26:51.800
<v Speaker 1>you know what I'm saying. But like I'm thinking, maybe

1:26:52.560 --> 1:26:54.479
<v Speaker 1>you know, it's just a good ass sun kiss, right,

1:26:54.520 --> 1:26:58.920
<v Speaker 1>And I caught one hit it again. I remember like, oh,

1:26:59.080 --> 1:27:02.200
<v Speaker 1>I was just like slump beat playing like I'm trying

1:27:02.200 --> 1:27:06.280
<v Speaker 1>to get up. I feel good though, but I'm just

1:27:06.680 --> 1:27:10.639
<v Speaker 1>wow comfortable, like and he like, mil bitch, drunk my cup, bitch.

1:27:11.439 --> 1:27:14.800
<v Speaker 1>I'm like, nah, that was my cup, Like males, your

1:27:14.840 --> 1:27:16.599
<v Speaker 1>cup over there, bitch, this is my cup right here.

1:27:16.640 --> 1:27:19.920
<v Speaker 1>I'm like, oh shit. And that's when I realized the

1:27:19.960 --> 1:27:22.200
<v Speaker 1>whole time I was drinking gutta gutter cup. Did everyone like,

1:27:22.600 --> 1:27:25.920
<v Speaker 1>was it like a panic when like he had a seizure,

1:27:25.960 --> 1:27:29.280
<v Speaker 1>because that's an alarming thing to witness, especially Wayne. Yeah, yeah,

1:27:29.280 --> 1:27:31.320
<v Speaker 1>that shit is a panic. But it was a panic

1:27:31.360 --> 1:27:35.960
<v Speaker 1>for me because everybody looking at me like males you do, like, yo,

1:27:36.160 --> 1:27:40.280
<v Speaker 1>I've never I usually be in the molde he's in

1:27:40.479 --> 1:27:42.800
<v Speaker 1>right now. And I remember when he woke up, like yo,

1:27:42.880 --> 1:27:45.880
<v Speaker 1>I'm good, everybody, you know, and they had the EMS

1:27:45.960 --> 1:27:48.760
<v Speaker 1>on the thing. Get the fuck off my jet because

1:27:48.760 --> 1:27:50.599
<v Speaker 1>we had to land the jet. We was going to La.

1:27:50.680 --> 1:27:52.479
<v Speaker 1>We had to land the jet for the emest to

1:27:52.479 --> 1:27:53.639
<v Speaker 1>get on, and now we got to put the jet

1:27:53.680 --> 1:27:57.320
<v Speaker 1>back up in the air. So rich nigga shit, I'm not.

1:27:57.880 --> 1:28:01.000
<v Speaker 1>I don't live on rich nigga shit, even with money.

1:28:01.160 --> 1:28:03.599
<v Speaker 1>I want to live on broke nigga shit. You live

1:28:03.720 --> 1:28:07.599
<v Speaker 1>like you broke, you'll stay rich man. Put this bitch

1:28:07.640 --> 1:28:09.360
<v Speaker 1>back up in the motherfucking air, y'all know, not much

1:28:09.400 --> 1:28:13.680
<v Speaker 1>this fucking gas course. I was like, that guy has

1:28:13.720 --> 1:28:17.639
<v Speaker 1>a point. Right now. We did land his jet. Now

1:28:17.680 --> 1:28:19.160
<v Speaker 1>we have to put it back up in the air

1:28:19.200 --> 1:28:22.120
<v Speaker 1>and land it again. It's a whole nother fee that

1:28:22.280 --> 1:28:24.080
<v Speaker 1>none of us are paying. He had a seizure though.

1:28:24.560 --> 1:28:27.639
<v Speaker 1>Now now granted, I'm like I get it. I get

1:28:27.680 --> 1:28:30.160
<v Speaker 1>where he's coming from. Oh, y'all, get the fuck up

1:28:30.200 --> 1:28:31.680
<v Speaker 1>my jet. Come on this. I gotta get to LA

1:28:31.760 --> 1:28:33.759
<v Speaker 1>because he gotta get to LA to do an event,

1:28:33.920 --> 1:28:36.120
<v Speaker 1>like a video game event or something like that. Now

1:28:36.200 --> 1:28:38.040
<v Speaker 1>you know you don't do that. Now you have to

1:28:38.080 --> 1:28:40.360
<v Speaker 1>pay for the gas to put the jet back up again.

1:28:40.800 --> 1:28:42.840
<v Speaker 1>And you got to give them back that deposit they

1:28:42.920 --> 1:28:44.360
<v Speaker 1>gave you because you ain't show up to that event.

1:28:44.439 --> 1:28:49.280
<v Speaker 1>You lost twice. Today jet go back up in the air.

1:28:49.320 --> 1:28:52.360
<v Speaker 1>He like, Milsy, He like that shit was that bad?

1:28:52.400 --> 1:28:55.120
<v Speaker 1>It was? It was serious like that. And I promise

1:28:55.160 --> 1:28:57.320
<v Speaker 1>you I did not want to you know, you don't

1:28:57.320 --> 1:29:00.439
<v Speaker 1>want to really say that, but I'm like, she was bad. Bro.

1:29:02.040 --> 1:29:04.280
<v Speaker 1>That was the first time I probably told him soning.

1:29:04.280 --> 1:29:06.320
<v Speaker 1>He ain't want to hear. It's like, bro, that shit

1:29:06.400 --> 1:29:09.160
<v Speaker 1>was the scaries shit I've ever seen in my life. Like, like,

1:29:09.280 --> 1:29:10.920
<v Speaker 1>I don't want to see you like that ever again.

1:29:11.000 --> 1:29:13.960
<v Speaker 1>My nigga. He's like word, He's like, believe that blood

1:29:14.000 --> 1:29:16.240
<v Speaker 1>love you know what I'm saying. And then after that

1:29:16.880 --> 1:29:19.120
<v Speaker 1>when we land, he went to he went to the

1:29:19.200 --> 1:29:21.479
<v Speaker 1>hospital and that's when he stayed overnight. And you know,

1:29:22.400 --> 1:29:24.800
<v Speaker 1>but that shit was scary, man, because it's like and

1:29:24.880 --> 1:29:26.360
<v Speaker 1>that's why I said, I don't want to I don't

1:29:26.360 --> 1:29:28.040
<v Speaker 1>want to put it to the Lean. I don't. You

1:29:28.080 --> 1:29:30.960
<v Speaker 1>know what I'm saying, Because when I have seizures, it's

1:29:31.000 --> 1:29:34.280
<v Speaker 1>from overworking myself. It's high blood pressure and low sugar count.

1:29:34.360 --> 1:29:36.760
<v Speaker 1>It's it's an imbalance, you know what I'm saying. So

1:29:37.160 --> 1:29:40.960
<v Speaker 1>it ain't it ain't Perks and Zannies and Lean because

1:29:41.000 --> 1:29:43.599
<v Speaker 1>I got a history of this shit and I don't

1:29:43.640 --> 1:29:45.960
<v Speaker 1>do none of that shit, right, you know what I'm saying.

1:29:46.040 --> 1:29:47.960
<v Speaker 1>Like the closest to a pill, I'm gonna get his

1:29:48.080 --> 1:29:50.200
<v Speaker 1>partying with an E Pill or Molly back in the day.

1:29:50.360 --> 1:29:52.320
<v Speaker 1>Just it does seemed like that that is so different

1:29:52.360 --> 1:29:55.320
<v Speaker 1>people bodies, you know, they it shit hit different. But

1:29:55.920 --> 1:29:59.479
<v Speaker 1>that that's some scary shit. Damn. Was that like something

1:29:59.520 --> 1:30:01.360
<v Speaker 1>where like you think that like it maybe changed the

1:30:01.400 --> 1:30:03.519
<v Speaker 1>way he thought about some of the recreational use of

1:30:03.520 --> 1:30:07.280
<v Speaker 1>stuff he had going on. Probably probably when you almost die,

1:30:07.360 --> 1:30:09.519
<v Speaker 1>your life flash before you you think about all sorts

1:30:09.520 --> 1:30:12.679
<v Speaker 1>of shit that's whether you get shot, you get stabbed,

1:30:12.720 --> 1:30:15.840
<v Speaker 1>you get jumped, natural causes. I remember when the doctor

1:30:15.880 --> 1:30:18.759
<v Speaker 1>told me I got you know, I got six months

1:30:18.840 --> 1:30:20.760
<v Speaker 1>if I don't get this surgery. And then he said,

1:30:20.760 --> 1:30:23.080
<v Speaker 1>I'm gonna let you be with your lady in six

1:30:23.200 --> 1:30:26.200
<v Speaker 1>months and walked out like damn, like I'm gonna let

1:30:26.240 --> 1:30:28.120
<v Speaker 1>you figure out if you want to get this surgery

1:30:28.280 --> 1:30:29.960
<v Speaker 1>or if you want to wait it out a little bit.

1:30:30.680 --> 1:30:34.720
<v Speaker 1>And at that time, it's April, my daughter three years old.

1:30:34.760 --> 1:30:39.200
<v Speaker 1>You're telling me I'm not making it to And then

1:30:39.280 --> 1:30:41.200
<v Speaker 1>when you go through all that, it's like, nah, I

1:30:41.240 --> 1:30:44.320
<v Speaker 1>gotta put everything back in perspective. And I promised myself

1:30:44.360 --> 1:30:48.559
<v Speaker 1>since twenty fifteen, I wouldn't deprive my fans. I wouldn't

1:30:48.640 --> 1:30:53.200
<v Speaker 1>cheat myself. I wouldn't waste my time overthinking shit or

1:30:54.240 --> 1:30:56.960
<v Speaker 1>holding the music hostage. You know what I'm saying a

1:30:57.000 --> 1:30:59.280
<v Speaker 1>lot of times, as artists, we hold music hostage because

1:30:59.280 --> 1:31:03.400
<v Speaker 1>we playing so much. You're thinking, like, yo, I need

1:31:03.560 --> 1:31:06.439
<v Speaker 1>I need somebody to push this man, push that shit yourself.

1:31:06.479 --> 1:31:08.800
<v Speaker 1>You got Instagram, you got Twitter, you got stories, you

1:31:08.880 --> 1:31:13.240
<v Speaker 1>got timelines. Be annoying, be annoying, Be like the bitches

1:31:13.280 --> 1:31:15.920
<v Speaker 1>that be like, hey, follow my hot bestie and never

1:31:16.000 --> 1:31:20.240
<v Speaker 1>met them bitches before, be like that. I know it

1:31:20.360 --> 1:31:25.040
<v Speaker 1>sounds crazy, fellas, but the moment you swallow that pride

1:31:25.120 --> 1:31:28.519
<v Speaker 1>and you stop thinking like it's eight or twenty thirteen,

1:31:29.000 --> 1:31:32.320
<v Speaker 1>this shit is different. Man. People out here making all

1:31:32.439 --> 1:31:35.880
<v Speaker 1>sorts of money that don't have no hot music. Now.

1:31:36.000 --> 1:31:38.640
<v Speaker 1>Not saying you need to put out bullshit music, but

1:31:41.560 --> 1:31:44.720
<v Speaker 1>this is the era of don't work harder, work smarter, man.

1:31:44.880 --> 1:31:48.080
<v Speaker 1>Facts like I'm the king of working hard. I'm the

1:31:48.280 --> 1:31:52.919
<v Speaker 1>king of working super super hard. But somewhere not connecting

1:31:52.960 --> 1:31:55.680
<v Speaker 1>the dots because you so busy working hard, you so

1:31:55.880 --> 1:31:58.960
<v Speaker 1>busy busting your ass working hard, you ain't connecting the

1:31:59.040 --> 1:32:01.080
<v Speaker 1>dots with the work, you know what I'm saying. And

1:32:02.240 --> 1:32:04.360
<v Speaker 1>that's where That's where I'm at with it. I don't

1:32:04.360 --> 1:32:05.840
<v Speaker 1>know where a lot of other artists at with it,

1:32:05.920 --> 1:32:09.880
<v Speaker 1>but I feel like everything is different now. Man. We

1:32:09.920 --> 1:32:11.640
<v Speaker 1>were talking about Tiger over there, and I was telling you,

1:32:12.120 --> 1:32:13.960
<v Speaker 1>I remember when Tiger came out with the album Singing

1:32:14.000 --> 1:32:16.000
<v Speaker 1>a few years ago. Now, everybody was laughing at him.

1:32:16.680 --> 1:32:20.800
<v Speaker 1>Everybody was laughing at him. Ship said, dude, dude, and

1:32:20.920 --> 1:32:24.120
<v Speaker 1>he never looked back. Tiger had a rough patch. Man,

1:32:24.560 --> 1:32:27.920
<v Speaker 1>we all do. I mean, like the thing is he

1:32:27.960 --> 1:32:31.679
<v Speaker 1>gets just kept throwing up shots, and then the taste

1:32:31.880 --> 1:32:34.280
<v Speaker 1>was I'm gonna say, some real ship. Man. I've been

1:32:34.320 --> 1:32:36.680
<v Speaker 1>in this game a long time. I know people may

1:32:36.760 --> 1:32:38.800
<v Speaker 1>not realize it, they may not look at it like that,

1:32:39.360 --> 1:32:41.240
<v Speaker 1>because I came into this ship young, and I done

1:32:41.320 --> 1:32:44.920
<v Speaker 1>did battle solo ship young, money, shit and dependent ship

1:32:45.160 --> 1:32:46.880
<v Speaker 1>ups and downs all that. I've been in this ship

1:32:47.360 --> 1:32:52.320
<v Speaker 1>two decades. When you in this game as long as

1:32:52.360 --> 1:32:54.559
<v Speaker 1>somebody like me or you got longevity in this ship

1:32:54.600 --> 1:32:58.600
<v Speaker 1>and you learn how to stay afloat, you're gonna have

1:32:58.720 --> 1:33:01.200
<v Speaker 1>some patches. Wheen shit get dropp. Of course, every one

1:33:01.280 --> 1:33:04.560
<v Speaker 1>of my favorite artists had a dry patch. Nas is

1:33:04.600 --> 1:33:09.240
<v Speaker 1>one of my favorite artists. Not Stradamus album exists there,

1:33:10.000 --> 1:33:12.400
<v Speaker 1>Project Windows was so. Jay Z is one of my

1:33:12.640 --> 1:33:18.080
<v Speaker 1>favorite artists. The Kingdom Come album exists. I would I

1:33:18.160 --> 1:33:21.120
<v Speaker 1>would argue Kingdom Comes in second words, it exists, you

1:33:21.200 --> 1:33:23.599
<v Speaker 1>know what I'm saying. Like, however, you want to look

1:33:23.640 --> 1:33:27.280
<v Speaker 1>at it the same way, same way you said Carter

1:33:27.400 --> 1:33:30.280
<v Speaker 1>Fall it was cool, it wasn't cool. That might be your,

1:33:30.640 --> 1:33:33.680
<v Speaker 1>That might be your. It exists. There's a listen if

1:33:33.720 --> 1:33:36.160
<v Speaker 1>I don't want to die, I tried it. It's a

1:33:36.240 --> 1:33:38.439
<v Speaker 1>lot of I'm not diving down. Lil Wayne's had a

1:33:38.520 --> 1:33:42.040
<v Speaker 1>rough decade. Yeah, it's a but you gotta think quality wise.

1:33:42.760 --> 1:33:45.080
<v Speaker 1>Quarter three and then no Ceilings, and then after no Ceilings,

1:33:45.080 --> 1:33:46.640
<v Speaker 1>shit just went left. For me as a fan, I

1:33:46.760 --> 1:33:49.240
<v Speaker 1>was like, all right, listen, yeah, but you gotta take

1:33:49.280 --> 1:33:51.000
<v Speaker 1>the good with the bad, because if you're gonna take

1:33:51.040 --> 1:33:53.320
<v Speaker 1>those four or five, then you gotta take the fifteen

1:33:53.439 --> 1:33:56.720
<v Speaker 1>before that that was a monumental. And now we gotta wait.

1:33:57.360 --> 1:33:59.519
<v Speaker 1>We got to wait to Drought and Dedication one and

1:33:59.640 --> 1:34:02.320
<v Speaker 1>dedicate I mean we got a way to card A

1:34:02.439 --> 1:34:04.360
<v Speaker 1>one to two to three. I just think back to

1:34:04.479 --> 1:34:09.320
<v Speaker 1>like I Am not a human degrees? What was the

1:34:09.439 --> 1:34:14.040
<v Speaker 1>rock star album we was doing? Rock music had dropped?

1:34:14.080 --> 1:34:16.320
<v Speaker 1>I remember that. I remember had dropped the world with

1:34:16.400 --> 1:34:21.479
<v Speaker 1>eminem which was a solid, solid song that hit number one.

1:34:22.760 --> 1:34:25.360
<v Speaker 1>The album probably did Little Wayne could literally ship. That's

1:34:25.360 --> 1:34:29.000
<v Speaker 1>what I mean. Did we listen to the Snoop Lion album?

1:34:29.800 --> 1:34:33.200
<v Speaker 1>Did we listen to the Snoop Lion album? Of course? Not? Alright,

1:34:33.479 --> 1:34:37.640
<v Speaker 1>listen to number one Everything's not for every No way

1:34:37.680 --> 1:34:39.679
<v Speaker 1>the Snoop Dogg album was number one on the Gospel

1:34:39.720 --> 1:34:43.880
<v Speaker 1>album hit, number one on the bill on the reggae chart.

1:34:44.320 --> 1:34:47.000
<v Speaker 1>Check it. Okay, wait wait wait what chart are we

1:34:47.080 --> 1:34:50.040
<v Speaker 1>talking about here, because we're not talking about the overall Billboard.

1:34:50.439 --> 1:34:52.160
<v Speaker 1>All I'm telling you is, I'll give you ten thousand

1:34:52.160 --> 1:34:54.519
<v Speaker 1>dollars right now if if Snoop Dog's had a number

1:34:54.520 --> 1:34:57.439
<v Speaker 1>one overall album in the last seven years on Billboard,

1:34:58.600 --> 1:35:01.479
<v Speaker 1>you don't think now, you don't think gospel chart, yes,

1:35:01.640 --> 1:35:05.000
<v Speaker 1>because there's like two gospels. We move in the goal post. Now,

1:35:05.120 --> 1:35:07.720
<v Speaker 1>come on, no, you just moved a gold post. I'm

1:35:07.760 --> 1:35:10.720
<v Speaker 1>telling you. Everything's not for everybody. He might have been

1:35:10.880 --> 1:35:14.240
<v Speaker 1>number one on the reggae chart. That's number one, No,

1:35:14.400 --> 1:35:17.000
<v Speaker 1>but not number one like number one it's number one.

1:35:17.080 --> 1:35:19.000
<v Speaker 1>That's like saying I got a number one death metal

1:35:19.080 --> 1:35:21.080
<v Speaker 1>song out right now, Like it's like yeah, but like

1:35:21.360 --> 1:35:25.400
<v Speaker 1>it's number one. It's number one to somebody in the genre. No,

1:35:25.880 --> 1:35:28.439
<v Speaker 1>you know what you just said. It's number one to somebody,

1:35:28.600 --> 1:35:30.200
<v Speaker 1>may not be number one to you. They shout out

1:35:30.200 --> 1:35:32.400
<v Speaker 1>to Wayne Man, shout out to Snoop too, shout shout

1:35:32.479 --> 1:35:36.439
<v Speaker 1>the Snoop. But we're not slandering them. What We're basically

1:35:36.520 --> 1:35:40.160
<v Speaker 1>saying is when you have longevity like a Wayne or Snoop,

1:35:41.080 --> 1:35:44.040
<v Speaker 1>you're gonna have some drop patches. Were you disappointed number

1:35:44.080 --> 1:35:48.920
<v Speaker 1>Carter five? It was cool? It wasn't It wasn't the

1:35:49.040 --> 1:35:51.519
<v Speaker 1>other Carters. It wasn't like Carter two. It wasn't like

1:35:51.600 --> 1:35:53.639
<v Speaker 1>Carter three, it wasn't like Carter four. I actually think

1:35:53.640 --> 1:35:55.160
<v Speaker 1>it was better than Carter four. But that's not saying

1:35:55.200 --> 1:35:57.360
<v Speaker 1>much because I thought Cardi four was and now you see,

1:35:57.520 --> 1:36:00.479
<v Speaker 1>but but that's you. I think Carter four better than

1:36:00.520 --> 1:36:04.280
<v Speaker 1>Carter five. So because you were around like the Carter

1:36:04.400 --> 1:36:07.559
<v Speaker 1>five ship. I know a lot of those songs were

1:36:07.600 --> 1:36:10.000
<v Speaker 1>older obviously, but like how many I don't think I

1:36:10.120 --> 1:36:12.200
<v Speaker 1>was around for Carter five. I don't know. You weren't

1:36:12.200 --> 1:36:13.879
<v Speaker 1>around when it came out, but I mean like they

1:36:13.920 --> 1:36:16.280
<v Speaker 1>had to be, like it changed so much, That's what

1:36:16.360 --> 1:36:18.679
<v Speaker 1>I mean, because there was a change. It was supposed

1:36:18.680 --> 1:36:20.479
<v Speaker 1>to come out for so long, and then he was

1:36:20.520 --> 1:36:25.759
<v Speaker 1>getting held against his will by baby Oh the free Wheezy.

1:36:25.840 --> 1:36:30.080
<v Speaker 1>I remember that he put that on the title. Yeah, man,

1:36:30.560 --> 1:36:32.360
<v Speaker 1>well shout out to it, shot through my man tune

1:36:32.400 --> 1:36:34.800
<v Speaker 1>and he worked through it. He worked through it, man,

1:36:35.040 --> 1:36:37.240
<v Speaker 1>like That's That's one thing I will say about Wayne.

1:36:38.479 --> 1:36:40.960
<v Speaker 1>He ain't never lay down, you know what I'm saying.

1:36:40.960 --> 1:36:43.720
<v Speaker 1>It's a lot of rappers that was out when he

1:36:43.880 --> 1:36:47.760
<v Speaker 1>was out. They don't they laid down, you know what

1:36:47.800 --> 1:36:49.680
<v Speaker 1>I'm saying. They threw the towel and they was like,

1:36:49.760 --> 1:36:51.680
<v Speaker 1>fuck it. You know what I'm saying. He rapped through it.

1:36:51.840 --> 1:36:53.439
<v Speaker 1>Even if it was some ship that you didn't want

1:36:53.439 --> 1:36:56.000
<v Speaker 1>to hear, he rapped through it, you know what I'm saying.

1:36:56.080 --> 1:36:58.680
<v Speaker 1>So everybody gonna have they dry spots. But I'll be

1:36:58.720 --> 1:37:02.120
<v Speaker 1>feeling like I'm or for the comeback story. I'm more

1:37:02.200 --> 1:37:04.400
<v Speaker 1>for like, damn, how did you bounce back off that ship?

1:37:04.680 --> 1:37:08.000
<v Speaker 1>Come on, man, they counted Drake out. Everybody was, oh, ship,

1:37:08.120 --> 1:37:11.559
<v Speaker 1>you had a son? You fucking don't. It's because Drake

1:37:11.680 --> 1:37:15.559
<v Speaker 1>lost the battle. I didn't. They counted. They counted Meek

1:37:15.600 --> 1:37:18.960
<v Speaker 1>out too. Is that a world that they counted him out?

1:37:19.080 --> 1:37:24.439
<v Speaker 1>Everyone counted out your dub You got wat juice all over.

1:37:24.600 --> 1:37:26.479
<v Speaker 1>This is true, and it changed. I remember seeing it

1:37:26.560 --> 1:37:29.479
<v Speaker 1>in my own eyes, like and everything changed. I remember

1:37:29.840 --> 1:37:32.800
<v Speaker 1>people really trying to say, like Drake was done. I

1:37:32.880 --> 1:37:36.160
<v Speaker 1>don't know about that. Drake got fried up. By it.

1:37:36.240 --> 1:37:39.479
<v Speaker 1>I always that I was Drake. I was like I

1:37:39.680 --> 1:37:41.559
<v Speaker 1>was living out here. None of Drake's fans know who

1:37:41.600 --> 1:37:44.559
<v Speaker 1>pushed it to you, I was living out here. They

1:37:44.800 --> 1:37:49.160
<v Speaker 1>thought Aubrey was done in terms of that battle. He

1:37:49.800 --> 1:37:54.040
<v Speaker 1>was done. They thought Drake was done. They thought he

1:37:54.360 --> 1:37:57.040
<v Speaker 1>was done for And that was the only time he

1:37:57.120 --> 1:37:59.280
<v Speaker 1>had any sort of stench. Well not the only time.

1:37:59.640 --> 1:38:04.479
<v Speaker 1>Shout to quintin that that that that was funny when

1:38:04.520 --> 1:38:08.639
<v Speaker 1>he said, uh damn a nigga got points for saying

1:38:08.680 --> 1:38:14.640
<v Speaker 1>I had a son, My points for saying who my

1:38:14.760 --> 1:38:19.920
<v Speaker 1>girl was Drake definitively And you know what happened after that.

1:38:20.080 --> 1:38:22.960
<v Speaker 1>He took the L and then God's plan came. Of course,

1:38:23.320 --> 1:38:27.120
<v Speaker 1>that's not an L in that specific battle. Now, look,

1:38:27.120 --> 1:38:28.479
<v Speaker 1>I'm not because I don't want to shoot on push

1:38:28.479 --> 1:38:30.360
<v Speaker 1>your tea because I'm not. I'm not. I don't have

1:38:30.400 --> 1:38:32.760
<v Speaker 1>anything to do with that anymore. But push a push

1:38:32.800 --> 1:38:35.759
<v Speaker 1>a put put through that out. If Drake never even replied,

1:38:35.880 --> 1:38:38.320
<v Speaker 1>I could take if I could take that, if I

1:38:38.360 --> 1:38:42.040
<v Speaker 1>could take that one, if that's the last high point

1:38:42.360 --> 1:38:44.759
<v Speaker 1>that we have for pushing tea, Oh, come on, Daytona

1:38:44.840 --> 1:38:47.559
<v Speaker 1>came out after that. I said it's a classic album.

1:38:47.640 --> 1:38:49.719
<v Speaker 1>But you're not talking to me about a classic album

1:38:49.800 --> 1:38:53.559
<v Speaker 1>right now. You're talking to me about a verse over

1:38:53.560 --> 1:38:56.639
<v Speaker 1>a jay Z beat, which was a little light something

1:38:56.760 --> 1:38:59.360
<v Speaker 1>and so light. And then I'm telling you, and then

1:38:59.520 --> 1:39:03.160
<v Speaker 1>God's Plan came out, and then we forgot about anything

1:39:03.240 --> 1:39:05.559
<v Speaker 1>that had to do with Push your Tea. Now I'm

1:39:05.600 --> 1:39:07.920
<v Speaker 1>saying as far as Drake go, because I can't, just

1:39:08.479 --> 1:39:10.360
<v Speaker 1>because because I gotta keep this a buck right now,

1:39:10.439 --> 1:39:12.200
<v Speaker 1>I can't shoot on Push your Tea, like push your

1:39:12.240 --> 1:39:15.200
<v Speaker 1>Tea career, don't take my career and like put his

1:39:15.320 --> 1:39:17.679
<v Speaker 1>foot on it and like move it around a little

1:39:17.680 --> 1:39:19.439
<v Speaker 1>bit like that. You know what I'm saying. I'm a realist,

1:39:19.560 --> 1:39:21.720
<v Speaker 1>but I'm also going to be a realist and tell

1:39:21.760 --> 1:39:26.720
<v Speaker 1>you after that high point for Push your Tea, I

1:39:26.800 --> 1:39:29.960
<v Speaker 1>don't remember. Look, and somebody might be like Mills, I

1:39:30.000 --> 1:39:32.880
<v Speaker 1>don't remember how point from you ever shut I get

1:39:32.920 --> 1:39:35.840
<v Speaker 1>it technically came out. We just haven't. We just haven't

1:39:35.880 --> 1:39:45.040
<v Speaker 1>regular just regular conversation. Yeah, listen, long time, but look,

1:39:45.120 --> 1:39:47.639
<v Speaker 1>but look, look, because I love Drake man, I love Drake.

1:39:48.080 --> 1:39:50.679
<v Speaker 1>Anything with young money involved, I'm taking the young money side.

1:39:50.680 --> 1:39:56.040
<v Speaker 1>I don't give a fuck Drake did ordered a microphone

1:39:56.800 --> 1:40:01.400
<v Speaker 1>with push your T's autograph on it back in the days. Yeah,

1:40:01.439 --> 1:40:03.960
<v Speaker 1>because I remember when I seen that and I was like,

1:40:04.040 --> 1:40:06.000
<v Speaker 1>you might, you might. That was like a bad one,

1:40:06.479 --> 1:40:08.200
<v Speaker 1>but then you know, but then that turns out, that

1:40:08.320 --> 1:40:10.960
<v Speaker 1>turns into like the super senior's still bothering the freshman.

1:40:11.000 --> 1:40:13.680
<v Speaker 1>It's like, Bro, go to college. I push it's that guy, Bro,

1:40:13.840 --> 1:40:18.240
<v Speaker 1>Now push it. Look listen, Push your te is undeniably literally,

1:40:18.280 --> 1:40:21.479
<v Speaker 1>it's probably not impossible for Drake to like lose in

1:40:21.560 --> 1:40:24.880
<v Speaker 1>the grand scheme of things because he's the biggest ever. Look, people,

1:40:25.080 --> 1:40:29.599
<v Speaker 1>you can no, you can't lose. You can lose because people.

1:40:29.760 --> 1:40:32.679
<v Speaker 1>You you have people that will say, now Drake lost

1:40:32.720 --> 1:40:34.360
<v Speaker 1>that battle. Then you have people that say you won

1:40:34.400 --> 1:40:36.920
<v Speaker 1>the battle. You got people saying he won the battle.

1:40:37.920 --> 1:40:40.680
<v Speaker 1>You literally have people that they're like twelve year old

1:40:40.720 --> 1:40:43.439
<v Speaker 1>white kids who don't know what what what see? But

1:40:43.520 --> 1:40:44.960
<v Speaker 1>see what you know what you're saying right now? You

1:40:45.120 --> 1:40:47.479
<v Speaker 1>move in the goal post. The goal post is who

1:40:47.680 --> 1:40:49.960
<v Speaker 1>cares how old they are. There are people that will

1:40:50.000 --> 1:40:53.760
<v Speaker 1>say ether was whack because they are jay Z stands.

1:40:54.000 --> 1:40:56.680
<v Speaker 1>First of all, I'm a no stand, I'm a nod stand. Too,

1:40:56.760 --> 1:40:59.360
<v Speaker 1>and you're knock. My favorite me to beat was Whack.

1:40:59.439 --> 1:41:03.120
<v Speaker 1>But also, I mean you know what Ether was before that? Yeah? Okay,

1:41:03.439 --> 1:41:10.920
<v Speaker 1>so listen in retrospect. In retrospect, say it takeover? Was it?

1:41:11.160 --> 1:41:13.880
<v Speaker 1>Say no no? But Takeover wasn't a special it was

1:41:14.280 --> 1:41:18.599
<v Speaker 1>There was a NOAs line in there. Right. If we're

1:41:18.640 --> 1:41:23.280
<v Speaker 1>talking about which song is better sonically to listen to,

1:41:24.800 --> 1:41:28.680
<v Speaker 1>why does he move the gold? Because Ether is a

1:41:28.800 --> 1:41:32.400
<v Speaker 1>better disc record but the but which song is better

1:41:32.439 --> 1:41:34.000
<v Speaker 1>to listen to it? I didn't ask you which song

1:41:34.080 --> 1:41:37.160
<v Speaker 1>was better? I said who lost jay Z? And I

1:41:37.200 --> 1:41:39.400
<v Speaker 1>said there are people like you who still say but

1:41:39.520 --> 1:41:45.000
<v Speaker 1>the better than the It's almost like when you watched

1:41:45.080 --> 1:41:46.600
<v Speaker 1>Belly as a kid and you were like, Yo, this

1:41:46.640 --> 1:41:48.240
<v Speaker 1>ship is fire. But then you watch it as a

1:41:48.280 --> 1:41:50.479
<v Speaker 1>grown ass man and you like the last twenty minutes

1:41:50.520 --> 1:41:52.320
<v Speaker 1>and you're life watch But it's really a good movie.

1:41:52.360 --> 1:41:53.920
<v Speaker 1>If you've been hustling and you went out of town

1:41:54.000 --> 1:41:56.160
<v Speaker 1>and you got money and you had to drive around

1:41:56.200 --> 1:41:58.240
<v Speaker 1>and intrepid and a nigga snitched on you, and then

1:41:58.280 --> 1:41:59.920
<v Speaker 1>you was getting money and then you had to you

1:42:00.120 --> 1:42:03.320
<v Speaker 1>did that before, is a great movie. It's I don't

1:42:03.320 --> 1:42:05.320
<v Speaker 1>know if you did that before. I don't know. You

1:42:05.439 --> 1:42:11.479
<v Speaker 1>keep saying that. There's people that say, y'all, y'all really

1:42:11.600 --> 1:42:12.720
<v Speaker 1>like push your tea in the I don't like to

1:42:12.720 --> 1:42:15.680
<v Speaker 1>push your tea too. I love the album, Like what

1:42:15.760 --> 1:42:20.519
<v Speaker 1>are you talking about? So? Who won the battle? The

1:42:20.640 --> 1:42:25.080
<v Speaker 1>overall battle? No? Or the four four four Freestyle and

1:42:25.240 --> 1:42:27.479
<v Speaker 1>the other ship? Like the other ship for them? I

1:42:27.640 --> 1:42:30.760
<v Speaker 1>like four Freestyle because it had I didn't. We didn't

1:42:30.760 --> 1:42:32.400
<v Speaker 1>know he had a son. And you think Drake should

1:42:32.439 --> 1:42:36.519
<v Speaker 1>have should have replied. I think that would have been

1:42:36.560 --> 1:42:38.400
<v Speaker 1>good for Rap. I think that would have been good

1:42:38.400 --> 1:42:40.439
<v Speaker 1>for Rap if you apply. I think it was a

1:42:40.560 --> 1:42:42.479
<v Speaker 1>bad look that he didn't reply, and it was a

1:42:42.560 --> 1:42:46.040
<v Speaker 1>bad look that he wasn't that similar to did Meek reply, Well, no,

1:42:46.160 --> 1:42:49.200
<v Speaker 1>Meek didn't need a reply because Jesus Christ. His reply

1:42:49.280 --> 1:42:52.200
<v Speaker 1>to Fucking Back to Back was atrocious. It was he

1:42:52.360 --> 1:42:56.000
<v Speaker 1>ruined the Undertaker's theme song. It was really bad. It

1:42:56.120 --> 1:42:58.760
<v Speaker 1>was over. It was like, okay, dude, Drake just hits

1:42:58.760 --> 1:43:00.800
<v Speaker 1>you with two of them brouh and then you coming

1:43:00.880 --> 1:43:03.560
<v Speaker 1>back with this bullshit. But but see on top of

1:43:03.640 --> 1:43:06.320
<v Speaker 1>that and listen with me. But I and and and

1:43:06.439 --> 1:43:07.960
<v Speaker 1>and I'm not the biggest Drake fan in the world,

1:43:08.000 --> 1:43:11.200
<v Speaker 1>but he undoubtedly beat the ship out of Meek milling

1:43:11.240 --> 1:43:14.400
<v Speaker 1>that it was. It wasn't even a fucking question. It

1:43:14.560 --> 1:43:17.439
<v Speaker 1>was really sad. I remember We're in Tampa and I

1:43:17.600 --> 1:43:19.160
<v Speaker 1>was just sitting there, like, man, it might really be

1:43:19.240 --> 1:43:22.080
<v Speaker 1>over for Meek Man because this was when he was

1:43:22.160 --> 1:43:25.840
<v Speaker 1>on Twitter tweet because that's when you know what he

1:43:26.000 --> 1:43:27.880
<v Speaker 1>was like what he had the Trump Twitter fingers and

1:43:27.960 --> 1:43:29.760
<v Speaker 1>you know what it be sometimes too. You know it'd

1:43:29.760 --> 1:43:34.640
<v Speaker 1>be sometimes too. Sometimes you can dig a hole with

1:43:35.280 --> 1:43:39.320
<v Speaker 1>uh the fans. I know this from battling like you

1:43:39.400 --> 1:43:41.240
<v Speaker 1>could talk so much ship that they want to see

1:43:41.280 --> 1:43:44.280
<v Speaker 1>you lose. Like I think that's what happened with Meek

1:43:45.080 --> 1:43:48.479
<v Speaker 1>like Drake, not to say like back to back, but listen,

1:43:48.880 --> 1:43:52.120
<v Speaker 1>Meek jumped out though yeah he was talking crazy you

1:43:52.360 --> 1:43:54.479
<v Speaker 1>you you you made it with Drake looked like he

1:43:54.680 --> 1:43:58.280
<v Speaker 1>was countering. So you made people be like, you made

1:43:58.280 --> 1:44:01.360
<v Speaker 1>people pick sides, you made them be like, now we

1:44:01.640 --> 1:44:05.439
<v Speaker 1>like him more than you. Even if you're right, you

1:44:05.479 --> 1:44:08.160
<v Speaker 1>know what I'm saying, if you've given us you know

1:44:08.240 --> 1:44:10.720
<v Speaker 1>what to go back to the Kanye jay Z ship,

1:44:10.800 --> 1:44:13.600
<v Speaker 1>even if you're giving us evidence and you're right, we

1:44:13.920 --> 1:44:18.280
<v Speaker 1>don't care. That's what I've seen at that time, and

1:44:18.320 --> 1:44:24.640
<v Speaker 1>I think we don't give a fuck. We still like

1:44:24.760 --> 1:44:26.760
<v Speaker 1>him more than you, and that's I think that's when

1:44:26.800 --> 1:44:29.400
<v Speaker 1>it was just like, hold up, he don't write. He

1:44:29.400 --> 1:44:32.720
<v Speaker 1>didn't write that ship though, so we don't care. I

1:44:32.760 --> 1:44:36.120
<v Speaker 1>ain't need one dance and we're gonna say those songs too. Hey,

1:44:36.200 --> 1:44:38.720
<v Speaker 1>back to back was crazy. The fact that you had

1:44:38.720 --> 1:44:40.439
<v Speaker 1>to go to a night club for an X amount

1:44:40.439 --> 1:44:43.519
<v Speaker 1>of years and hear the disc song in every club

1:44:44.080 --> 1:44:46.320
<v Speaker 1>for two years straight. That ship was I'm a I'm

1:44:46.360 --> 1:44:49.360
<v Speaker 1>a fan. I'm a fan of all of the disrecord ship.

1:44:49.360 --> 1:44:51.720
<v Speaker 1>That's why I like this type of conversation, whether it's Pushers,

1:44:51.840 --> 1:44:57.200
<v Speaker 1>Drake Drake or Knives or whole no, whoever you I

1:44:57.240 --> 1:44:58.760
<v Speaker 1>don't care if you want to talk about Kim and

1:44:58.880 --> 1:45:02.320
<v Speaker 1>fifty close beef though, Beanie Seagull and Jada, Yo, how

1:45:02.360 --> 1:45:05.800
<v Speaker 1>did you take that? Look a here? Why this nigga

1:45:05.840 --> 1:45:08.680
<v Speaker 1>took it here? Earnt my spot? Ain't nobody put me

1:45:08.760 --> 1:45:12.360
<v Speaker 1>here closest you hear the Beanie shit and the Jada shit,

1:45:12.400 --> 1:45:16.000
<v Speaker 1>You're like, oh, so now this conversation is going somewhere

1:45:16.000 --> 1:45:20.760
<v Speaker 1>else that was a time of like that was like

1:45:20.840 --> 1:45:24.160
<v Speaker 1>a real time of like niggas study and like them disraps.

1:45:24.439 --> 1:45:26.439
<v Speaker 1>When I'm talking about the cruise, I was talking about

1:45:27.560 --> 1:45:31.400
<v Speaker 1>d Block and dipseid g Unit, State Property. I remember

1:45:31.560 --> 1:45:34.240
<v Speaker 1>that beef. That beef went for a long time. That

1:45:34.320 --> 1:45:37.599
<v Speaker 1>beef went from DJ Clue mixtapes to State Property. Would

1:45:37.640 --> 1:45:39.280
<v Speaker 1>drive from Philly to New York and go up the

1:45:39.320 --> 1:45:42.040
<v Speaker 1>funk Master Flex and rap for a hour. Fuck SPJ

1:45:42.240 --> 1:45:44.479
<v Speaker 1>Hood died to looking out for Nazi a nigga. When

1:45:44.520 --> 1:45:48.160
<v Speaker 1>I find you, I'm like, whoa, Like they're from Philly.

1:45:48.960 --> 1:45:51.280
<v Speaker 1>They're at the radio station on Hudson Street. Right now.

1:45:52.680 --> 1:45:55.760
<v Speaker 1>This is live. This isn't like a pre recorded thing.

1:45:55.880 --> 1:45:59.439
<v Speaker 1>And then like two days later kissing them or come

1:45:59.479 --> 1:46:01.320
<v Speaker 1>up there stay. I was to come out with some ship.

1:46:01.400 --> 1:46:03.160
<v Speaker 1>Fuck Beanie Siegel. He could suck my dick with the

1:46:03.200 --> 1:46:06.680
<v Speaker 1>ship up on it. WHOA, whoa? What did he just say?

1:46:07.240 --> 1:46:08.960
<v Speaker 1>They got to see each other at some point, you

1:46:09.000 --> 1:46:11.760
<v Speaker 1>know what I'm saying. So that's why when I think

1:46:11.800 --> 1:46:14.720
<v Speaker 1>about like the new beefs and it's like somebody might

1:46:14.800 --> 1:46:16.840
<v Speaker 1>put out a freestyle and in this one put out

1:46:16.880 --> 1:46:20.800
<v Speaker 1>like nah, this ship went from Powerhouse to live performances

1:46:20.840 --> 1:46:23.240
<v Speaker 1>the niggas throwing French fries at niggas on that stage.

1:46:23.720 --> 1:46:28.960
<v Speaker 1>Came out that see that's different than you freestyle over

1:46:29.040 --> 1:46:30.920
<v Speaker 1>somebody beat and you put it out and deer what

1:46:31.000 --> 1:46:34.439
<v Speaker 1>you're saying With that being said, that was gra replied

1:46:35.160 --> 1:46:38.240
<v Speaker 1>he I wanted him to the white flag and said,

1:46:38.240 --> 1:46:41.240
<v Speaker 1>shit got too real, guys. I wanted to reply, you know,

1:46:41.400 --> 1:46:42.800
<v Speaker 1>I think that would have got bad because I think

1:46:42.880 --> 1:46:44.800
<v Speaker 1>at some point Drake would have started saying, like which

1:46:44.800 --> 1:46:46.880
<v Speaker 1>people wives he fucked and stuff like that. I think

1:46:46.920 --> 1:46:49.080
<v Speaker 1>it would have gotten bad because pusha t had like

1:46:49.280 --> 1:46:52.760
<v Speaker 1>five or six records just waiting for this for like,

1:46:53.040 --> 1:46:54.760
<v Speaker 1>you want to know what's crazy? I said that, and

1:46:54.840 --> 1:46:59.519
<v Speaker 1>everybody in the room face it because Drake everyone's wives,

1:47:00.040 --> 1:47:03.320
<v Speaker 1>because that could have got so bad. That could have

1:47:03.360 --> 1:47:06.560
<v Speaker 1>gotten so that could have gotten so bad, like that

1:47:06.640 --> 1:47:09.240
<v Speaker 1>could have got so bad of the like, oh, you

1:47:09.360 --> 1:47:14.400
<v Speaker 1>think people write for me? I wrote for him? You

1:47:14.439 --> 1:47:18.120
<v Speaker 1>talk about Kanye? Think who gives everyone knows con Ryan

1:47:18.200 --> 1:47:22.559
<v Speaker 1>ft and said, Ryan Fest wrote, Jesus, well, why are

1:47:22.600 --> 1:47:24.960
<v Speaker 1>you so quick to tell me when somebody wrote for Kanye?

1:47:25.160 --> 1:47:27.160
<v Speaker 1>But you wasn't quick to tell me what Kanye wrote

1:47:27.200 --> 1:47:32.400
<v Speaker 1>for jay Z. Kanye is my favorite artist ever. Listen,

1:47:32.840 --> 1:47:34.880
<v Speaker 1>what I'm saying is Kanye is my favorite artist, but

1:47:36.320 --> 1:47:38.599
<v Speaker 1>MC is nos on. My favorite overall artist is Kanye.

1:47:38.640 --> 1:47:41.960
<v Speaker 1>But you're not You're overlooking. You're overlooking the same thing

1:47:42.040 --> 1:47:44.120
<v Speaker 1>that you would put on him that he's did for

1:47:44.240 --> 1:47:48.000
<v Speaker 1>other people. Because I never I don't, I don't think people,

1:47:48.640 --> 1:47:51.559
<v Speaker 1>how can we How can you just Drake for having

1:47:51.760 --> 1:47:54.120
<v Speaker 1>no no, not you, but just I'm just thinking, how

1:47:54.800 --> 1:47:58.120
<v Speaker 1>could you dis Drake for having a ghost writer If

1:47:58.160 --> 1:48:03.360
<v Speaker 1>the person you're assigned to he writes for, that's weird.

1:48:03.439 --> 1:48:06.960
<v Speaker 1>This is all weird. Like we're talking, we're talking. What

1:48:07.080 --> 1:48:08.760
<v Speaker 1>are we're talking? Gnis, you don't even know what you

1:48:08.800 --> 1:48:13.080
<v Speaker 1>want to say. He's a gladiator. He's a Jedi when

1:48:13.160 --> 1:48:15.639
<v Speaker 1>it comes to this rap ship. He's a fucking Jedi.

1:48:16.040 --> 1:48:17.960
<v Speaker 1>You don't even know what you want to say. Right now,

1:48:18.000 --> 1:48:20.599
<v Speaker 1>I'm saying, we moved the goal post for certain People's

1:48:21.680 --> 1:48:24.880
<v Speaker 1>nothing to do with this. He has everything to do

1:48:25.040 --> 1:48:27.600
<v Speaker 1>with this. Push your Teas hated Drake before he was

1:48:28.120 --> 1:48:32.080
<v Speaker 1>bro I'm not even talking about pushing Tea. What are

1:48:32.120 --> 1:48:35.360
<v Speaker 1>we I'm just talking about Drake and the ghost writing thing.

1:48:36.760 --> 1:48:39.680
<v Speaker 1>Kanye has everything to do with it. Don't care that

1:48:40.280 --> 1:48:44.120
<v Speaker 1>ghost ghost writers that people could say wrote for ya

1:48:44.439 --> 1:48:47.280
<v Speaker 1>or wrote for this one. I could turn around and say,

1:48:47.640 --> 1:48:51.200
<v Speaker 1>but yay wrote for jay Z. If we're gonna do that, okay,

1:48:51.280 --> 1:48:53.920
<v Speaker 1>So now we gotta say jay Z has ghost writers,

1:48:54.600 --> 1:48:58.720
<v Speaker 1>and that's a whole different conversation. But we don't want

1:48:58.760 --> 1:49:01.600
<v Speaker 1>to have that conversation. Don't want to. I want to

1:49:01.960 --> 1:49:04.240
<v Speaker 1>do business with rock Nation and Title, so I don't

1:49:04.280 --> 1:49:06.639
<v Speaker 1>want to have this conversation. But I have to keep

1:49:06.680 --> 1:49:11.439
<v Speaker 1>it real and tell you that I have footage and

1:49:11.600 --> 1:49:15.280
<v Speaker 1>evidence that Kanye West came in the studio and gave

1:49:15.360 --> 1:49:18.920
<v Speaker 1>him a song, a hook, and a bridge. I gotta

1:49:19.040 --> 1:49:21.680
<v Speaker 1>get these devils out my life. That's Kanye. I'm from

1:49:21.680 --> 1:49:26.400
<v Speaker 1>the murder capital where we murder for that's Kanye, loser

1:49:26.479 --> 1:49:29.360
<v Speaker 1>for louserf I did the beat that I gave you,

1:49:29.479 --> 1:49:32.479
<v Speaker 1>that I wrote that for you. That's no different than

1:49:32.520 --> 1:49:36.320
<v Speaker 1>with Quentin Miller differs. I don't disagree, But so jay

1:49:36.400 --> 1:49:39.360
<v Speaker 1>Z don't got ghost writers. Blame me. The Kanye reference

1:49:40.160 --> 1:49:42.000
<v Speaker 1>it's in Fade the Black movie. You want me to

1:49:42.040 --> 1:49:43.680
<v Speaker 1>find a time stip for you? I know it's in there.

1:49:43.680 --> 1:49:45.240
<v Speaker 1>I remember I have the movie on DVD. I could go.

1:49:45.360 --> 1:49:46.960
<v Speaker 1>You just don't want we don't want to accept that.

1:49:47.600 --> 1:49:50.120
<v Speaker 1>I fuck that shit, right, Like, this is what I

1:49:50.120 --> 1:49:52.160
<v Speaker 1>would say. I think Drake is one of the greatest

1:49:52.280 --> 1:49:55.439
<v Speaker 1>artists that shit. Fuck that ship. I don't put Kanye

1:49:55.560 --> 1:49:59.000
<v Speaker 1>nor Drake in the top MC's like like top ten,

1:49:59.439 --> 1:50:02.920
<v Speaker 1>you can put them top artists exactly now we're talking

1:50:02.960 --> 1:50:04.760
<v Speaker 1>about like MC ship like, I can't put them in

1:50:04.840 --> 1:50:09.680
<v Speaker 1>that because because it is very very come on man,

1:50:11.240 --> 1:50:14.040
<v Speaker 1>that fucking on crowd in two thousand and one. But

1:50:14.320 --> 1:50:17.439
<v Speaker 1>Kanye wrote for him on him Black album, a couple

1:50:17.479 --> 1:50:20.599
<v Speaker 1>of lines on a beat that he had brought to him.

1:50:20.640 --> 1:50:21.680
<v Speaker 1>No no no no no no no no no no.

1:50:22.040 --> 1:50:25.479
<v Speaker 1>He gave him a bridge, a hook and lines, and

1:50:25.640 --> 1:50:28.920
<v Speaker 1>jay Z went in in and said it word for word. Now,

1:50:28.960 --> 1:50:31.720
<v Speaker 1>I don't want to say I will get I don't

1:50:31.760 --> 1:50:34.559
<v Speaker 1>want to say. I don't want to say Kanye wrote

1:50:34.600 --> 1:50:37.559
<v Speaker 1>for jay Z. But if we're gonna move the gold

1:50:37.640 --> 1:50:42.040
<v Speaker 1>post for certain people, you gotta keep it a buck.

1:50:42.439 --> 1:50:44.400
<v Speaker 1>We gotta we gotta keep it a buck. Jay Z

1:50:44.560 --> 1:50:47.760
<v Speaker 1>wrote for Bugs Bunny on the Space, jay Z wrote

1:50:47.800 --> 1:50:50.120
<v Speaker 1>for Doctor Dre and Snoop Dogg. I'm aware, but we

1:50:50.280 --> 1:50:52.800
<v Speaker 1>won't say. But we won't say Snoop had ghost writers

1:50:52.880 --> 1:50:55.000
<v Speaker 1>until Snoop came out a couple of weeks ago and said,

1:50:55.040 --> 1:50:58.000
<v Speaker 1>hell yeah, he wrote that ship for me. Yeah, but again,

1:50:59.280 --> 1:51:01.280
<v Speaker 1>why we don't how we don't look at it like that?

1:51:02.120 --> 1:51:04.080
<v Speaker 1>And I love all these people. I'm not shitting on them.

1:51:04.080 --> 1:51:06.519
<v Speaker 1>I'm just trying to play Devil's advocate. Like if jay

1:51:06.600 --> 1:51:08.840
<v Speaker 1>Z could tell me, I mean, if Snoop could tell

1:51:08.840 --> 1:51:10.760
<v Speaker 1>me that jay Z wrote Still dr E and like,

1:51:10.800 --> 1:51:12.160
<v Speaker 1>hell ya, that shit was banging. So I said, I

1:51:12.160 --> 1:51:14.320
<v Speaker 1>won't say that. Let me I say that shit. And

1:51:14.439 --> 1:51:16.519
<v Speaker 1>then I could tell you Kanye gave jay Z some

1:51:16.560 --> 1:51:21.120
<v Speaker 1>shit he's not, I said, Snoop, while you overlook that,

1:51:21.520 --> 1:51:24.639
<v Speaker 1>you good man, You've been in this journalism shit too, Snoop.

1:51:24.640 --> 1:51:28.599
<v Speaker 1>If we're talking about Snoop, Snoop also somebody who openly

1:51:28.680 --> 1:51:32.040
<v Speaker 1>admits to freestyling at this point, and they got to

1:51:32.120 --> 1:51:34.080
<v Speaker 1>do with other people writing for you and has also

1:51:34.160 --> 1:51:36.519
<v Speaker 1>openly admitted what does that have to do with jay Z? Right?

1:51:36.560 --> 1:51:39.679
<v Speaker 1>And are we putting Snoop Dogg in the top ten discussion?

1:51:39.760 --> 1:51:41.560
<v Speaker 1>He's top twenty, But I wouldn't put him in the

1:51:41.600 --> 1:51:45.519
<v Speaker 1>top ten, top ten? What MC's who was doing top anything?

1:51:45.600 --> 1:51:47.880
<v Speaker 1>Right now? Talking to MC, I'm just talking about you know,

1:51:48.120 --> 1:51:51.240
<v Speaker 1>you're talking MC's, we're talking about ghostwriters. You you just

1:51:51.320 --> 1:51:53.880
<v Speaker 1>made a whole different conversation for us to talk about.

1:51:54.080 --> 1:51:56.360
<v Speaker 1>Now we're talking Top twenty. So Snoop not top ten,

1:51:56.800 --> 1:52:01.800
<v Speaker 1>no top ten? What MC's So what is Snoop? If

1:52:01.840 --> 1:52:03.519
<v Speaker 1>he if he could freestyle off the top of his head,

1:52:03.760 --> 1:52:06.200
<v Speaker 1>top twenty, I think I think I think it's doggy.

1:52:06.479 --> 1:52:12.160
<v Speaker 1>I think Snoop's discography doggy style. Dog Father here is

1:52:12.200 --> 1:52:15.680
<v Speaker 1>the biggest rapper ever that you're probably right about. I

1:52:15.760 --> 1:52:17.800
<v Speaker 1>didn't say he's the best or the greatest. I said

1:52:17.800 --> 1:52:20.240
<v Speaker 1>he's the biggest rapper ever. He has the biggest debut.

1:52:20.360 --> 1:52:26.040
<v Speaker 1>He got one of the longest illustrious career. He done

1:52:26.320 --> 1:52:28.519
<v Speaker 1>had his dry patch. He had his dry patch when

1:52:28.560 --> 1:52:29.920
<v Speaker 1>nobody was fucking with him and he had to go

1:52:29.960 --> 1:52:33.160
<v Speaker 1>to New Orleans and he bounced back. You know what

1:52:33.160 --> 1:52:34.760
<v Speaker 1>I'm saying. He did have a dry patch, just like

1:52:35.040 --> 1:52:37.160
<v Speaker 1>Doctor Dre had a dry patch. But I've been there

1:52:37.160 --> 1:52:40.160
<v Speaker 1>and I've done this. Dog Father. What he did was

1:52:40.400 --> 1:52:42.400
<v Speaker 1>he put out one album I didn't say they don't.

1:52:42.400 --> 1:52:44.320
<v Speaker 1>I said he had a draft patch. But his first

1:52:44.360 --> 1:52:47.080
<v Speaker 1>album was No Limit. I said, that fucking air ball.

1:52:47.320 --> 1:52:51.280
<v Speaker 1>I said, but that's the dry patch. But that was

1:52:51.720 --> 1:52:53.920
<v Speaker 1>that was with New Orleans. That was with no limit. No,

1:52:54.000 --> 1:52:55.600
<v Speaker 1>he got with no limit because he was in the

1:52:55.640 --> 1:52:57.960
<v Speaker 1>studio doing a verse for Mystical for thirty five hundred

1:52:58.000 --> 1:53:03.240
<v Speaker 1>dollars that had no fucking That is a did you

1:53:03.280 --> 1:53:06.000
<v Speaker 1>hear what I just said, Snoop Dogg got with no Limit.

1:53:06.280 --> 1:53:09.479
<v Speaker 1>You said he was in the studio doing a feature

1:53:09.720 --> 1:53:13.320
<v Speaker 1>with Mystical for thirty five hundred dollars. He said, he

1:53:13.479 --> 1:53:15.680
<v Speaker 1>was fucked up, and Masterpiece said, you know what, I'm

1:53:15.680 --> 1:53:17.479
<v Speaker 1>gonna give you thirty five thousand, and I'm gonna go

1:53:17.520 --> 1:53:19.720
<v Speaker 1>meet with sug Knight. He was. That was a dry

1:53:19.840 --> 1:53:22.920
<v Speaker 1>spot before No Limit. Okay, are we talking about financial

1:53:23.000 --> 1:53:26.080
<v Speaker 1>dry spots or or quality of music dry spots? He

1:53:26.120 --> 1:53:28.400
<v Speaker 1>didn't have nothing going, That's why he was doing it.

1:53:28.720 --> 1:53:31.479
<v Speaker 1>I mean dry spot. He had doggy style, he had

1:53:31.520 --> 1:53:33.760
<v Speaker 1>dog father. No, I'm telling there was no No. I'm

1:53:33.800 --> 1:53:35.640
<v Speaker 1>telling you what Snoop Dogg said. I'm not telling you

1:53:35.720 --> 1:53:37.320
<v Speaker 1>what I think. I'm telling you that. He said he

1:53:37.439 --> 1:53:40.280
<v Speaker 1>was in the financial dry spot because Sugar Knight was

1:53:40.280 --> 1:53:42.599
<v Speaker 1>probably no, I don't have nothing. I don't have no deal.

1:53:42.840 --> 1:53:44.640
<v Speaker 1>I'm fucked up. I need you to come get me

1:53:44.840 --> 1:53:47.040
<v Speaker 1>out of my deal. This is my dry spot. I

1:53:47.120 --> 1:53:49.640
<v Speaker 1>am in a deal with a gang member. It's a

1:53:49.720 --> 1:53:51.760
<v Speaker 1>lot bigger than me, and I can't do shit. That's

1:53:51.800 --> 1:53:54.360
<v Speaker 1>why I'm here doing this verse for thirty five hundred.

1:53:54.600 --> 1:53:57.280
<v Speaker 1>And I have an album called Doggie Style, and I'm

1:53:57.320 --> 1:53:59.640
<v Speaker 1>here doing a verse for thirty five hundred for Mystical.

1:54:00.320 --> 1:54:02.679
<v Speaker 1>That's a draft spot. That's that was before No Limit.

1:54:02.920 --> 1:54:05.800
<v Speaker 1>That's a draft spot. But he bounced back. He bounced

1:54:05.840 --> 1:54:09.439
<v Speaker 1>back from that. So that's just I'm talking about this

1:54:09.560 --> 1:54:12.519
<v Speaker 1>quality of music wise dry spots. Yeah, you had a

1:54:12.560 --> 1:54:16.200
<v Speaker 1>dray spot there too. Oh, definitely. Every everybody has draft spots. Man.

1:54:16.360 --> 1:54:18.639
<v Speaker 1>That that's that's I can't sit up here and say

1:54:18.640 --> 1:54:22.519
<v Speaker 1>I can't name one artist that had a full career

1:54:22.840 --> 1:54:26.720
<v Speaker 1>of You could have said Kanye until fucking this old

1:54:26.800 --> 1:54:29.280
<v Speaker 1>Jesus King came out. That just fuck it was a

1:54:29.439 --> 1:54:33.160
<v Speaker 1>fuck it that was atrocious. You think Jesus King was

1:54:33.200 --> 1:54:36.560
<v Speaker 1>the first one? Uh, I mean personally, Jesus was was

1:54:36.600 --> 1:54:39.040
<v Speaker 1>the one Jesus has changed sonics and music. I didn't

1:54:39.040 --> 1:54:41.240
<v Speaker 1>ask you that. I said the one yes I listened

1:54:41.240 --> 1:54:44.120
<v Speaker 1>to and Heartbreaks changed the sonics and music. I think

1:54:44.160 --> 1:54:46.080
<v Speaker 1>you're a couple of albums late with the Jesus. First

1:54:46.120 --> 1:54:48.600
<v Speaker 1>of all, sir, relaxed. I'm just telling you wanna find

1:54:48.600 --> 1:54:50.800
<v Speaker 1>a bigger Kanye fan in the world than me. Second

1:54:50.840 --> 1:54:53.680
<v Speaker 1>of all, that's what will me. Kanye literally has changed

1:54:53.720 --> 1:55:00.240
<v Speaker 1>it over and over as and Heartbreaks made Drake possible. Okay, so,

1:55:00.720 --> 1:55:04.120
<v Speaker 1>but but Jesus did the same thing for Travis, for

1:55:04.240 --> 1:55:07.080
<v Speaker 1>all these people. Like the sonics that Kanye brought into

1:55:07.200 --> 1:55:11.280
<v Speaker 1>hip hop on Jesus was crazy, bro, Jesus is that ship? Yes?

1:55:12.200 --> 1:55:14.400
<v Speaker 1>You don't think Travis Scott was already making that sound.

1:55:14.520 --> 1:55:17.240
<v Speaker 1>Travis Scott was working with Kanye on Yees. Travis Scott

1:55:17.280 --> 1:55:20.680
<v Speaker 1>was on Grand Hustle. No ship, but no, but Travis

1:55:20.680 --> 1:55:24.680
<v Speaker 1>Scott was worked on Jesus with Kanye. He also was

1:55:24.720 --> 1:55:27.760
<v Speaker 1>on Grand Hustle before he met Kanye. I underware he

1:55:27.880 --> 1:55:29.360
<v Speaker 1>was doing songs with Young Thug and all that when

1:55:29.400 --> 1:55:33.040
<v Speaker 1>he had Little Twists. That was on days before Rodeo.

1:55:33.200 --> 1:55:35.440
<v Speaker 1>I know, but but that was we're talking about before

1:55:35.560 --> 1:55:37.520
<v Speaker 1>what you're talking about. I'm telling you that that sound

1:55:37.640 --> 1:55:40.160
<v Speaker 1>was around before Kanye. He didn't bring it anywhere. Somebody

1:55:40.240 --> 1:55:43.400
<v Speaker 1>bought it. You know what he did speak He sampled

1:55:43.400 --> 1:55:46.280
<v Speaker 1>Travis Scott. You know, Waits and Heartbreaks wasn't a sound

1:55:46.320 --> 1:55:48.800
<v Speaker 1>that he brought to us. Neither Kid Cut He brought

1:55:48.840 --> 1:55:52.800
<v Speaker 1>it to him. Bro and Wayne was already doing love

1:55:52.880 --> 1:55:56.800
<v Speaker 1>Lockdown came. What Kanye does is he sampled. He samples

1:55:56.880 --> 1:56:00.200
<v Speaker 1>people's creative. He sampled Kid Cuddy as a huge human

1:56:00.280 --> 1:56:04.040
<v Speaker 1>being for Awaits and Heartbreaks. Jay Z sampled all of

1:56:04.040 --> 1:56:07.240
<v Speaker 1>the Philly niggas Flow too, definitely. Oh yeah, young, I

1:56:07.360 --> 1:56:09.760
<v Speaker 1>was just talking about you swiped it. You want to say,

1:56:09.760 --> 1:56:11.400
<v Speaker 1>sample or swipe? Which one we're gonna use? But the

1:56:11.480 --> 1:56:13.440
<v Speaker 1>problem is is that those guys were in the studie.

1:56:13.480 --> 1:56:16.160
<v Speaker 1>Kid Cuddy was there for Awaits and Harbor right and

1:56:16.560 --> 1:56:18.640
<v Speaker 1>Scott was there for years. And I swiped that and

1:56:18.720 --> 1:56:20.880
<v Speaker 1>I took it to a bigger level. Exactly. I didn't

1:56:20.920 --> 1:56:23.800
<v Speaker 1>create it. I didn't say created said that that album

1:56:23.840 --> 1:56:27.200
<v Speaker 1>made it J Dilla sound. I'm not into the I

1:56:27.280 --> 1:56:30.200
<v Speaker 1>don't like I swiped it. It was hot and I

1:56:30.440 --> 1:56:33.879
<v Speaker 1>swiped it. Was in Atlanta, it was hot. The difference.

1:56:34.480 --> 1:56:37.600
<v Speaker 1>I'm not that, I'm not that I'm a creative. He did,

1:56:37.760 --> 1:56:40.360
<v Speaker 1>I know a sound he was always gonna give Kanye.

1:56:40.560 --> 1:56:43.240
<v Speaker 1>Kanye was heavily influenced by Cutting on a Ways and Heartbreaks,

1:56:43.280 --> 1:56:44.880
<v Speaker 1>but cut. He was a part of that fucking album.

1:56:45.040 --> 1:56:49.480
<v Speaker 1>He was heavily and was in the studio. He was heavy, alright,

1:56:49.800 --> 1:56:53.560
<v Speaker 1>He was heavily and it was by Travis. Song like

1:56:53.840 --> 1:56:57.400
<v Speaker 1>Day and Night from Kanye until Kid Cuddy was with

1:56:57.840 --> 1:56:59.840
<v Speaker 1>we never heard and I can't stop winning. I can't

1:57:00.160 --> 1:57:04.320
<v Speaker 1>we ned vibe from Kanye until so we can't say

1:57:04.920 --> 1:57:06.760
<v Speaker 1>he did that. We all know that he did do

1:57:06.840 --> 1:57:08.480
<v Speaker 1>It was a cutty thing. What do you mean he

1:57:08.560 --> 1:57:10.760
<v Speaker 1>did it all of it. Yes, it was a cutty

1:57:10.840 --> 1:57:14.880
<v Speaker 1>thing that Kanye did and did it ten times. Scott. No, no,

1:57:15.160 --> 1:57:18.360
<v Speaker 1>So you're not you're telling me. You're telling me Kid Cuddy.

1:57:18.480 --> 1:57:22.120
<v Speaker 1>It's not Travis West. You're telling Travis Scott for Kid Cuddy.

1:57:22.360 --> 1:57:26.360
<v Speaker 1>It's okay. So they're his kids, they're his kids. Don't know.

1:57:26.360 --> 1:57:28.880
<v Speaker 1>Cuddy's one of the most influential artists ever and Kanye

1:57:29.000 --> 1:57:30.640
<v Speaker 1>is too. I'm not taking out away, but you got

1:57:30.760 --> 1:57:33.960
<v Speaker 1>a credit due you think Kid Cuddy puts out a

1:57:34.040 --> 1:57:36.360
<v Speaker 1>kid named Cuddy mixtape which was My Ship, which was

1:57:36.440 --> 1:57:40.440
<v Speaker 1>like his first tape that everyone jumped on. And if

1:57:40.520 --> 1:57:43.920
<v Speaker 1>it don't, if Kanye don't get behind Cuddi's moved like else.

1:57:44.160 --> 1:57:47.800
<v Speaker 1>No know, what I'm saying is Kanye executed. He brought

1:57:47.880 --> 1:57:50.040
<v Speaker 1>them dudes in the studio and they bought the sound.

1:57:50.200 --> 1:57:53.160
<v Speaker 1>They bought that and he knocked out the park. No,

1:57:53.320 --> 1:57:56.840
<v Speaker 1>you swiped because your sound is J Dilla backpack. Your

1:57:56.960 --> 1:57:58.720
<v Speaker 1>sound ain't I got brought in that limb. Yeah, but

1:57:58.720 --> 1:58:01.280
<v Speaker 1>see that's not even hits. In the graduation, he was

1:58:01.320 --> 1:58:03.840
<v Speaker 1>sampling Daft punk and Ship. Like every single Kanye album

1:58:03.920 --> 1:58:06.320
<v Speaker 1>sonically grows and is different. If you go to college dropout,

1:58:06.360 --> 1:58:08.800
<v Speaker 1>you can say that Ja dealer ship, but you go

1:58:08.880 --> 1:58:12.200
<v Speaker 1>to a registration, it's difficult that come around him is

1:58:12.320 --> 1:58:16.160
<v Speaker 1>the sound. That's That's what I said, Kanye. He came

1:58:16.240 --> 1:58:19.600
<v Speaker 1>around Kanye samples people. And once again, I don't want

1:58:19.600 --> 1:58:22.240
<v Speaker 1>anybody think I just like having conversation about this is

1:58:22.280 --> 1:58:25.960
<v Speaker 1>just regular conversation. You don't want every single Kanye album.

1:58:26.040 --> 1:58:29.240
<v Speaker 1>I'm a fan of Yay. I have every single Kanye album.

1:58:29.240 --> 1:58:33.120
<v Speaker 1>I'm saying, like every album is different, sonically Kanye way

1:58:33.240 --> 1:58:35.040
<v Speaker 1>before a lot of this ship, like He's give me

1:58:35.040 --> 1:58:38.920
<v Speaker 1>beat CDs. So I'm a Kanye West fucking fanatic. We

1:58:39.000 --> 1:58:41.240
<v Speaker 1>sat up here last week and I told you, niggas

1:58:41.280 --> 1:58:46.040
<v Speaker 1>like Yay Cole krit Russ, I'm fanatics of this That's

1:58:46.080 --> 1:58:48.080
<v Speaker 1>what That's where I'm at with it. But that being said,

1:58:48.480 --> 1:58:50.800
<v Speaker 1>I this all went back to you saying, do I

1:58:50.840 --> 1:58:54.040
<v Speaker 1>think Jesus was that ship? One hundred percent front to back,

1:58:54.360 --> 1:58:58.760
<v Speaker 1>zero skips? That ship is a classic. No, I didn't

1:58:58.760 --> 1:59:01.000
<v Speaker 1>know Bound was on that album. I remember the video

1:59:01.120 --> 1:59:03.080
<v Speaker 1>for Bound came. I said, you did. You didn't make

1:59:03.080 --> 1:59:04.880
<v Speaker 1>it all the way to the end of the album. No,

1:59:05.000 --> 1:59:06.960
<v Speaker 1>I'm not even gonna lie. Come on, man, and I'm

1:59:07.000 --> 1:59:10.640
<v Speaker 1>a yeasy fan. I'm a blood on the leaves, blood

1:59:10.680 --> 1:59:14.640
<v Speaker 1>on the leaves, all that hold my liquor. This ship

1:59:15.280 --> 1:59:18.080
<v Speaker 1>Come on with Chief Keith Dog come about. That ship

1:59:18.240 --> 1:59:26.120
<v Speaker 1>is crazy. Covall, Bro, Black skin Head is crazy. You're tripping, bro.

1:59:26.200 --> 1:59:30.040
<v Speaker 1>That should not graduation, that should not live registration hereak.

1:59:30.560 --> 1:59:33.200
<v Speaker 1>It's definitely better than Life of Pablo. That shit. Ain't

1:59:33.240 --> 1:59:35.320
<v Speaker 1>none of them albums better than Life of Poplo whoa

1:59:36.760 --> 1:59:42.200
<v Speaker 1>Jesus no more? No? More parties, Jesus thirty hours. Come on, bro,

1:59:42.680 --> 1:59:44.560
<v Speaker 1>you wild right now? Man? I love it. I love

1:59:44.640 --> 1:59:46.720
<v Speaker 1>we Kanye for now. We go about this forever. If

1:59:46.760 --> 1:59:49.440
<v Speaker 1>you're gonna tell I love the life that camera and

1:59:49.840 --> 1:59:53.720
<v Speaker 1>tell the world that Yeesus is better than Life for Pop.

1:59:54.480 --> 1:59:57.000
<v Speaker 1>Jesus is definitively better than the life of Pop. Can

1:59:57.040 --> 1:59:58.800
<v Speaker 1>somebody raised their hand in his room? It's four people

1:59:58.840 --> 2:00:01.640
<v Speaker 1>in here? Can somebody what are we doing right now?

2:00:01.920 --> 2:00:04.400
<v Speaker 1>Life of Pablo Jesus. If you want to go with

2:00:04.440 --> 2:00:06.040
<v Speaker 1>Life for Pablo, put your hand up with me. If

2:00:06.040 --> 2:00:08.280
<v Speaker 1>you're gonna go with Jesus with him and be his friend,

2:00:08.760 --> 2:00:13.960
<v Speaker 1>I'll take it. I'll take it. Listen, Bro, God bless uh,

2:00:14.160 --> 2:00:16.720
<v Speaker 1>God bless the Life of Pablo. Great album. But Jesus

2:00:16.880 --> 2:00:22.000
<v Speaker 1>was Jesus is like it's aged, don't say it. I

2:00:22.080 --> 2:00:24.480
<v Speaker 1>loved it when it first came out. You about that

2:00:24.520 --> 2:00:26.760
<v Speaker 1>ship the same day? Was that ship came out the

2:00:26.800 --> 2:00:28.880
<v Speaker 1>same day as Born Center from J Cole and Mac Miller,

2:00:29.520 --> 2:00:32.040
<v Speaker 1>I brought. I bought three albums that day. Watching movies

2:00:32.040 --> 2:00:35.000
<v Speaker 1>with the soundofser was better than Jesus. You're fucking crazy,

2:00:35.400 --> 2:00:39.520
<v Speaker 1>You're fucking crazy. Jesus is a fucking classic. Born Center

2:00:39.720 --> 2:00:42.080
<v Speaker 1>was a good album. Jesus might be one of Kanye's

2:00:42.120 --> 2:00:45.320
<v Speaker 1>worst albums. With Jesus is King, You're something fucking crazy,

2:00:45.680 --> 2:00:50.360
<v Speaker 1>Jesus King, it's not better than graduation. Graduation might be.

2:00:50.440 --> 2:00:55.400
<v Speaker 1>Actually think it's you're crazy. Graduation breaks Graduation to me,

2:00:55.560 --> 2:00:57.840
<v Speaker 1>is I put Jesus above graduating. No, no, no, no, no,

2:00:57.960 --> 2:01:00.320
<v Speaker 1>you're right. That's that's that's kind of like to I'm

2:01:00.360 --> 2:01:02.360
<v Speaker 1>gonna tell you, I think graduation was like one of

2:01:02.400 --> 2:01:06.600
<v Speaker 1>the best. That was the evolution. That's like I take

2:01:06.680 --> 2:01:09.760
<v Speaker 1>cares like Drake's evolution, like my junior and senior will

2:01:09.760 --> 2:01:12.520
<v Speaker 1>only get me in it, like that speaking shit into existence.

2:01:12.600 --> 2:01:15.880
<v Speaker 1>I feel like like can't tell me nothing, and good

2:01:15.960 --> 2:01:18.600
<v Speaker 1>life and I wonder and all of that shit like

2:01:18.760 --> 2:01:23.400
<v Speaker 1>Barry Bonds and everything I'm not made me everything I am.

2:01:23.600 --> 2:01:26.040
<v Speaker 1>All of that shit was a moment of like I

2:01:26.160 --> 2:01:29.600
<v Speaker 1>beat fifty, I sold more than him, the Teddy Beer beat,

2:01:29.680 --> 2:01:32.400
<v Speaker 1>the Bully. That shit was like a moment in time.

2:01:32.520 --> 2:01:35.360
<v Speaker 1>Bro can't tell me nothing was like we all was

2:01:35.400 --> 2:01:39.400
<v Speaker 1>wearing scarf, like the big fucking Palestinian scoffs around our neck, skinny.

2:01:41.520 --> 2:01:44.640
<v Speaker 1>We always doing that. That was Jesus is better than graduation.

2:01:45.400 --> 2:01:47.480
<v Speaker 1>I just named about eight songs that was incredible. He

2:01:47.640 --> 2:01:50.120
<v Speaker 1>just had ten records. Go, but what are we talking

2:01:50.120 --> 2:01:52.680
<v Speaker 1>about here? I just named eight bengas off of graduation.

2:01:52.800 --> 2:01:54.880
<v Speaker 1>I didn't even get to the end. Drunken Hot Girls

2:01:55.040 --> 2:01:58.000
<v Speaker 1>is on fucking graduation. That song was, Yo, can't tell

2:01:58.080 --> 2:02:00.560
<v Speaker 1>me nothing. Barry Bonds with Lulu Wayne is on there. Yo,

2:02:01.400 --> 2:02:04.120
<v Speaker 1>Barry Bonds with Lil Wayne has not aged. Well, go

2:02:04.240 --> 2:02:05.920
<v Speaker 1>listen to that song today and tell me that song

2:02:06.000 --> 2:02:08.880
<v Speaker 1>is aged. Well. We outa here, baby. Big Brother was great.

2:02:09.000 --> 2:02:10.880
<v Speaker 1>Big Brother was on there too. Everything I'm not mam

2:02:10.920 --> 2:02:13.400
<v Speaker 1>me everything. That album's not better than late Registration. I'm

2:02:13.440 --> 2:02:16.240
<v Speaker 1>still naming songs. You stopped at one. What are we talking?

2:02:16.280 --> 2:02:18.560
<v Speaker 1>Blood on the leaves, black skin, heead, don't drop my

2:02:18.640 --> 2:02:21.600
<v Speaker 1>look or keep going? That's three, keep going, Welcome to

2:02:21.680 --> 2:02:24.080
<v Speaker 1>the good life. Can't tell me nothing. I wonder bro

2:02:24.760 --> 2:02:26.920
<v Speaker 1>with Flashing Lights on there because we could stop talking

2:02:27.120 --> 2:02:30.040
<v Speaker 1>right now. Flashing Lights was on late registration. Late registration

2:02:30.160 --> 2:02:32.360
<v Speaker 1>to me, No, no, no, you're cheating. What do you

2:02:32.400 --> 2:02:35.879
<v Speaker 1>mean you're cheating right now? Flashing Lights was on graduation.

2:02:36.160 --> 2:02:39.200
<v Speaker 1>That was the I wonder was it I wonder if

2:02:39.280 --> 2:02:41.800
<v Speaker 1>and then flashing like yes you lost. Oh yeah, you're right.

2:02:42.280 --> 2:02:44.040
<v Speaker 1>It was a better album than Yasus. It's not better

2:02:44.080 --> 2:02:47.520
<v Speaker 1>than Late Registration. It's better than Yusus lost. I mean

2:02:47.680 --> 2:02:51.400
<v Speaker 1>That's registration is incredible too. You don't argue with that,

2:02:51.600 --> 2:02:55.160
<v Speaker 1>my beautiful twist, Like all of these albums are better

2:02:55.400 --> 2:02:58.120
<v Speaker 1>than the ten song ye'ss album, all of them. It's

2:02:58.160 --> 2:03:01.760
<v Speaker 1>only about five or six like incredible records on Yeesus.

2:03:01.840 --> 2:03:03.880
<v Speaker 1>Every other album, the first six records on his Shit

2:03:03.960 --> 2:03:09.360
<v Speaker 1>is incredible. Jesus is like Caviard bro. It's not for everybody.

2:03:09.560 --> 2:03:13.240
<v Speaker 1>That's what Yesus is like four four four when you

2:03:13.320 --> 2:03:17.520
<v Speaker 1>say it's better, you might say that is a great album.

2:03:17.560 --> 2:03:19.360
<v Speaker 1>I think four four four is jay Z's worst album.

2:03:19.680 --> 2:03:22.440
<v Speaker 1>That's just me. I can name ten other albums that

2:03:22.520 --> 2:03:25.200
<v Speaker 1>are better. I think Magnet Carter Holy Girls' worst album.

2:03:25.200 --> 2:03:27.280
<v Speaker 1>I thought that album was a steaming pilot dog shit

2:03:29.240 --> 2:03:30.960
<v Speaker 1>what happened? That might be what you want to say.

2:03:31.440 --> 2:03:33.080
<v Speaker 1>You know what album is most left on album that

2:03:33.120 --> 2:03:36.320
<v Speaker 1>gets all the hate? Blueprint three, that was the double album,

2:03:36.640 --> 2:03:38.840
<v Speaker 1>that was a double album, but that ship. I like

2:03:38.920 --> 2:03:41.840
<v Speaker 1>that her Blueprint two, Blueprint too, That's what I'm got

2:03:41.840 --> 2:03:45.640
<v Speaker 1>to say Blueprint three was terrible too. It's Blueprint three.

2:03:45.760 --> 2:03:48.000
<v Speaker 1>Blueprint three had j Cole on it. They had an

2:03:48.400 --> 2:03:51.440
<v Speaker 1>Empire state of Mind on it. Oh yeah, yeah, yeah,

2:03:51.480 --> 2:03:54.080
<v Speaker 1>you had the song with phar Real some bullshit, had

2:03:54.120 --> 2:03:56.760
<v Speaker 1>a with Drake on there too. Yeah yeah, I mean

2:03:56.800 --> 2:04:00.080
<v Speaker 1>Empire state of Mind is biggest record. But yeah, I

2:04:00.120 --> 2:04:02.200
<v Speaker 1>didn't like Blueprint three. I didn't like Magna Carta Holy Girl.

2:04:02.280 --> 2:04:04.800
<v Speaker 1>I loved four forty four. Blueprint two had some of

2:04:04.840 --> 2:04:06.400
<v Speaker 1>the best Jay on it ever, but it also had

2:04:06.440 --> 2:04:08.760
<v Speaker 1>some of the Remember how you said Wayne had a

2:04:08.840 --> 2:04:11.680
<v Speaker 1>tough decade? Yeah, what albums did jay Z put out

2:04:11.760 --> 2:04:18.800
<v Speaker 1>last decade? When did American Gangster come out? That was

2:04:18.840 --> 2:04:20.360
<v Speaker 1>a great album. But I just want to go back

2:04:20.360 --> 2:04:22.560
<v Speaker 1>because I remember you said Wayne had a rough decade. Okay,

2:04:22.600 --> 2:04:25.040
<v Speaker 1>I'll give you that if we're talking about the last decade.

2:04:25.080 --> 2:04:31.600
<v Speaker 1>Four forty four great album, nominated for a Grammy, Watched

2:04:31.600 --> 2:04:36.080
<v Speaker 1>the Throne, great album. You said that album was a

2:04:36.160 --> 2:04:38.680
<v Speaker 1>rack of dog shits. Magna cart Holy Girl was not

2:04:38.800 --> 2:04:41.720
<v Speaker 1>a champ. I like that album, not for me, Sir

2:04:42.520 --> 2:04:46.280
<v Speaker 1>tom Ford, All that shit? Right? What else? What else

2:04:46.320 --> 2:04:48.560
<v Speaker 1>came out from Home this decade? I was not a

2:04:48.640 --> 2:04:51.760
<v Speaker 1>fan of the Beyonce album. But then again, there's people

2:04:51.760 --> 2:04:53.520
<v Speaker 1>who think that that shit was incredible, and I'm like,

2:04:53.600 --> 2:04:55.120
<v Speaker 1>I don't hear. I mean, I mean, I liked the

2:04:55.160 --> 2:04:56.760
<v Speaker 1>few songs on there. I like the few songs on

2:04:56.880 --> 2:05:01.160
<v Speaker 1>the Oh yeah, come on, come on the JA Electronic

2:05:01.240 --> 2:05:03.880
<v Speaker 1>It became out in January, that shit, bro Hope washed

2:05:03.960 --> 2:05:07.680
<v Speaker 1>j Electronica for a whole album. I mean, I don't,

2:05:07.720 --> 2:05:10.360
<v Speaker 1>I don't don't. I I liked some of the joints

2:05:10.400 --> 2:05:13.320
<v Speaker 1>on there. You don't like four forty four. I didn't

2:05:13.320 --> 2:05:15.400
<v Speaker 1>say I don't like it. You just say it's worse

2:05:16.000 --> 2:05:18.960
<v Speaker 1>to me. I can't put four four four above And

2:05:19.080 --> 2:05:20.760
<v Speaker 1>this is just me having a regular convo because I'm

2:05:20.760 --> 2:05:22.600
<v Speaker 1>a rapper, so I probably shouldn't be talking about other

2:05:22.720 --> 2:05:24.880
<v Speaker 1>rap shit like this, but I'm a fan, so it's

2:05:24.960 --> 2:05:32.000
<v Speaker 1>like reasonable doubt. Yes, in my lifetime Value one, in

2:05:32.080 --> 2:05:37.440
<v Speaker 1>my lifetime Volume two Streets is watching Volume three, So

2:05:37.560 --> 2:05:41.360
<v Speaker 1>you don't put four forty four above Volume one? Uh?

2:05:41.920 --> 2:05:44.480
<v Speaker 1>You said, do I put four four four above Value one? Yeah?

2:05:45.120 --> 2:05:48.560
<v Speaker 1>Volume one is Imaginary Playmates. Lucky Great Stuff on the

2:05:48.600 --> 2:05:50.920
<v Speaker 1>Street is watching. The City is Mine? A million and

2:05:51.000 --> 2:05:54.360
<v Speaker 1>one questions. You must love me? No, I don't you

2:05:54.440 --> 2:05:56.160
<v Speaker 1>want me to go to volume two? No? Volume two.

2:05:56.200 --> 2:06:00.600
<v Speaker 1>I mean listen, I love Volume three. Neither on the

2:06:00.600 --> 2:06:06.080
<v Speaker 1>way there's been a murder dope, remove your roof, nigga,

2:06:06.160 --> 2:06:08.040
<v Speaker 1>Let the sun shine in. No, it's not better than

2:06:08.080 --> 2:06:09.440
<v Speaker 1>that one either. You want to go to the next one.

2:06:10.200 --> 2:06:12.320
<v Speaker 1>It's not better than that Black album either. It's not

2:06:12.800 --> 2:06:17.240
<v Speaker 1>Colic service announcement. And I think black album is lu

2:06:17.800 --> 2:06:21.280
<v Speaker 1>that kan I think black album is. I think there's

2:06:21.320 --> 2:06:24.280
<v Speaker 1>only there's three right answer. Let's keep going through these albums.

2:06:24.520 --> 2:06:27.920
<v Speaker 1>What's your favorite jay album? Oh, Blueprint? What's got about Blueprint? Blunt?

2:06:28.120 --> 2:06:31.400
<v Speaker 1>What's your favorite jay Z album? Blueprint? That's fair? That

2:06:31.560 --> 2:06:35.760
<v Speaker 1>was I think because I'm born on September eleventh, So

2:06:35.840 --> 2:06:38.200
<v Speaker 1>I remember when he put the album out him in

2:06:38.280 --> 2:06:44.080
<v Speaker 1>fab I think fabulous album. That showed me a lot too. Yeah,

2:06:44.120 --> 2:06:46.520
<v Speaker 1>I remember just putting Blueprint on and the city, New

2:06:46.600 --> 2:06:49.280
<v Speaker 1>York was in like a real funny It wasn't like

2:06:49.320 --> 2:06:54.080
<v Speaker 1>a real funny area. And uh, I remember the rulers

2:06:54.120 --> 2:07:04.080
<v Speaker 1>back fucking uh uh song cry never change all I

2:07:04.240 --> 2:07:07.080
<v Speaker 1>need you know what I'm saying the shit with Eminem Jesus.

2:07:07.120 --> 2:07:09.680
<v Speaker 1>I remember jay Z's had a better decade than Wayne,

2:07:10.280 --> 2:07:14.200
<v Speaker 1>quality of music wise, would you would you well, actually yeah,

2:07:14.240 --> 2:07:16.320
<v Speaker 1>oh wait yeah so wait is one? Yeah, so I

2:07:16.360 --> 2:07:18.280
<v Speaker 1>would say, you know, the last ten years, if we

2:07:18.360 --> 2:07:21.160
<v Speaker 1>had to stack up music, it would be close. Yeah,

2:07:21.560 --> 2:07:23.680
<v Speaker 1>every every Like I said, everybody got their drop points.

2:07:23.680 --> 2:07:25.400
<v Speaker 1>You know how you said you ain't like the Beyonce shit,

2:07:25.440 --> 2:07:27.160
<v Speaker 1>and you ain't like the Magna Carta Holy Grail, and

2:07:27.200 --> 2:07:28.720
<v Speaker 1>you ain't like a lot of people like Manna card

2:07:28.800 --> 2:07:30.440
<v Speaker 1>Holy Grail. I was not one of them. A lot

2:07:30.520 --> 2:07:32.840
<v Speaker 1>of people like Jesus, I was not one of them.

2:07:33.160 --> 2:07:36.920
<v Speaker 1>That's fair. Most people don't like you, I think. And

2:07:37.040 --> 2:07:39.280
<v Speaker 1>then bring this whole thing for us, this whole conversation,

2:07:39.360 --> 2:07:41.440
<v Speaker 1>because I don't want nobody to get this misconstrued like

2:07:41.480 --> 2:07:43.560
<v Speaker 1>I'm shitting on people. I'm a fan of all of

2:07:43.600 --> 2:07:46.320
<v Speaker 1>these people that we talk about. That's why I can

2:07:46.520 --> 2:07:48.640
<v Speaker 1>go this in depth in the conversation with you about

2:07:48.680 --> 2:07:50.920
<v Speaker 1>it and not sound like I'm kicking dirt on them

2:07:51.000 --> 2:07:53.200
<v Speaker 1>and not be able to praise them in the same token.

2:07:53.800 --> 2:07:57.720
<v Speaker 1>You know what I'm saying, a lot of a lot

2:07:57.760 --> 2:08:01.200
<v Speaker 1>of artists that we've been talking about today, they went

2:08:01.320 --> 2:08:04.480
<v Speaker 1>through errors of shit changing. You know what I'm saying.

2:08:04.480 --> 2:08:06.400
<v Speaker 1>I think a lot of times we overlooked that too,

2:08:06.520 --> 2:08:10.840
<v Speaker 1>prime example, push your teeth. How we was talking about

2:08:10.880 --> 2:08:15.720
<v Speaker 1>like Lord Willing, and then then when his brother went

2:08:15.800 --> 2:08:17.560
<v Speaker 1>to do his things, so now they not the clips

2:08:17.640 --> 2:08:21.120
<v Speaker 1>no more? You know what I'm saying, Yeah, that was

2:08:21.160 --> 2:08:23.360
<v Speaker 1>hard too. And then it's like then we've seen him

2:08:23.360 --> 2:08:26.480
<v Speaker 1>on the VMA's with Yay, like oh shit, this ship

2:08:26.560 --> 2:08:28.880
<v Speaker 1>might be oh yay, got a spitable where is this

2:08:28.960 --> 2:08:30.720
<v Speaker 1>gonna go? Then we'll be seen where that could go.

2:08:30.800 --> 2:08:34.240
<v Speaker 1>He had to reinvent himself from Lord Willing, from my

2:08:34.360 --> 2:08:38.320
<v Speaker 1>I don't love her. You know, is yet to reinvent himself.

2:08:38.400 --> 2:08:40.920
<v Speaker 1>He's still rapping about selling cocaine. No. But I mean

2:08:41.360 --> 2:08:43.920
<v Speaker 1>when I say reinvent himself. When I say reinvent himself,

2:08:43.920 --> 2:08:47.320
<v Speaker 1>I mean to a new eraror here to a new demographic.

2:08:47.440 --> 2:08:50.680
<v Speaker 1>You know what I'm saying. Because I was young listening

2:08:50.720 --> 2:08:54.280
<v Speaker 1>to the clips, so for me to be grown, and

2:08:54.440 --> 2:08:57.160
<v Speaker 1>the nigga from the clips still look like the nigga

2:08:57.160 --> 2:08:59.120
<v Speaker 1>from the clips in ninety eight don't even really look

2:08:59.240 --> 2:09:01.920
<v Speaker 1>like he aged. But they fucked with him right now,

2:09:01.920 --> 2:09:03.880
<v Speaker 1>they listening to him. You know what I'm saying, It's

2:09:03.880 --> 2:09:06.240
<v Speaker 1>the same thing with Lil Wayne. He was Lil Wayne.

2:09:06.880 --> 2:09:11.120
<v Speaker 1>He was on songs with Sammy and litl Zane Strike one.

2:09:11.880 --> 2:09:15.440
<v Speaker 1>You know what I'm saying, He bowow and shit like that. Right,

2:09:15.600 --> 2:09:18.800
<v Speaker 1>He went through eras like Lil Wayne went through the

2:09:18.880 --> 2:09:23.160
<v Speaker 1>Kitty era, the you know, then the teenage era, the

2:09:24.080 --> 2:09:27.360
<v Speaker 1>getting a little older era. Then it's like, oh nah,

2:09:27.400 --> 2:09:30.320
<v Speaker 1>he's like one of the top artists. So now he

2:09:30.440 --> 2:09:32.640
<v Speaker 1>has the top artists, Like if you look at all

2:09:32.720 --> 2:09:34.640
<v Speaker 1>of them fucking evers. He went through like we were

2:09:34.640 --> 2:09:39.000
<v Speaker 1>talking about Snoop. Snoop got erors of shit, Jay got

2:09:39.240 --> 2:09:42.640
<v Speaker 1>errors of ship Yay Yay, got errors of shit. You

2:09:42.680 --> 2:09:44.320
<v Speaker 1>know what I'm saying, Like from album to album, like

2:09:44.360 --> 2:09:47.480
<v Speaker 1>you were saying, shit changed. Whether it was somebody coming

2:09:47.560 --> 2:09:49.040
<v Speaker 1>in with a sound and he liked it and he

2:09:49.120 --> 2:09:52.120
<v Speaker 1>latched onto it or whatever it was, it worked. He

2:09:52.280 --> 2:09:53.720
<v Speaker 1>did it. A lot of people might have tried to

2:09:53.760 --> 2:09:55.720
<v Speaker 1>do that shit and it didn't work because a lot

2:09:55.760 --> 2:09:58.400
<v Speaker 1>of people that tried to do the sounds that other

2:09:58.440 --> 2:10:01.440
<v Speaker 1>people did or was popping at that time, they couldn't

2:10:01.440 --> 2:10:03.120
<v Speaker 1>make it work for them. You know what I'm saying, so,

2:10:03.920 --> 2:10:06.920
<v Speaker 1>same thing with Rick Ross. I remember seeing Ross in

2:10:07.000 --> 2:10:09.720
<v Speaker 1>a fucking Trina video for the all about the Benjamin's

2:10:09.760 --> 2:10:14.800
<v Speaker 1>movie with No Beard right, told y'all how to get down.

2:10:16.600 --> 2:10:19.920
<v Speaker 1>He was out then, but he went through errors. When

2:10:20.000 --> 2:10:23.440
<v Speaker 1>I'm when every Day I'm Hustling came out, it's a

2:10:23.520 --> 2:10:27.800
<v Speaker 1>total different Everdent now, definitely, it's a totally different erident now,

2:10:27.960 --> 2:10:29.960
<v Speaker 1>you know what I'm saying. And he still got he

2:10:30.040 --> 2:10:32.040
<v Speaker 1>still got us wanting to hear that fly shit. He

2:10:32.080 --> 2:10:33.960
<v Speaker 1>still got a nigga like me waiting like yo, when

2:10:34.040 --> 2:10:36.320
<v Speaker 1>Ros's gonna do an album with Justice League, Oh yeah,

2:10:36.360 --> 2:10:41.000
<v Speaker 1>that'd be great. I need fifteen Rick Ross tracks over

2:10:41.280 --> 2:10:44.160
<v Speaker 1>Justice League type production. You know what I'm saying. So

2:10:44.280 --> 2:10:48.200
<v Speaker 1>your album is out wood panel walls out right now. Man.

2:10:49.680 --> 2:10:54.040
<v Speaker 1>I rode it, recorded it, mixed it, shot all the videos,

2:10:54.160 --> 2:10:59.080
<v Speaker 1>edit all of the videos, shot the documentary, edited. You

2:10:59.360 --> 2:11:01.440
<v Speaker 1>handled the whole sit handled the whole ship. Man. I

2:11:01.520 --> 2:11:03.160
<v Speaker 1>just had my homeboy master it because I was like,

2:11:03.360 --> 2:11:06.040
<v Speaker 1>sometimes it just sounded a little a little here and there,

2:11:06.120 --> 2:11:07.680
<v Speaker 1>But That's what I'm trying to get into. I'm trying

2:11:07.720 --> 2:11:11.200
<v Speaker 1>to get more into the the visual aspect of it.

2:11:11.720 --> 2:11:13.600
<v Speaker 1>I know I'm nice. You know I'm not and that's

2:11:13.640 --> 2:11:15.440
<v Speaker 1>not even to be on no cocky shit. But I

2:11:15.600 --> 2:11:19.080
<v Speaker 1>know I'm nice. I know I'm dead fucking nice. But

2:11:19.240 --> 2:11:22.120
<v Speaker 1>that's not enough for me right now. At one time,

2:11:22.240 --> 2:11:23.960
<v Speaker 1>maybe it wasn't enough, you know what I'm saying, But

2:11:24.080 --> 2:11:26.600
<v Speaker 1>right now, I want to be known for more than

2:11:26.720 --> 2:11:28.800
<v Speaker 1>just being nice, you know what I'm saying. Like that's

2:11:28.800 --> 2:11:30.920
<v Speaker 1>why I'm getting into the videos and directing and shit

2:11:31.040 --> 2:11:32.680
<v Speaker 1>like that, not saying like I just want to come

2:11:32.760 --> 2:11:35.280
<v Speaker 1>some video direct or doing documentaries and shit, and I

2:11:35.280 --> 2:11:37.720
<v Speaker 1>don't rap no more because rap is my first this

2:11:37.880 --> 2:11:39.680
<v Speaker 1>is my love. Like I feel like we're in an

2:11:39.800 --> 2:11:41.640
<v Speaker 1>error now where you don't got to retire as a rapper.

2:11:42.920 --> 2:11:46.680
<v Speaker 1>You just put out music whenever you feel like, you know.

2:11:47.040 --> 2:11:49.000
<v Speaker 1>So that's what I kind of did with this one.

2:11:49.200 --> 2:11:53.560
<v Speaker 1>It's available, whoopaying the walls. I got Vito on there,

2:11:55.200 --> 2:11:59.080
<v Speaker 1>I got cars on there, got my brother rel on there,

2:12:00.080 --> 2:12:02.440
<v Speaker 1>Anthony King the dude singing on the High Roads joint.

2:12:02.440 --> 2:12:04.080
<v Speaker 1>I got him on another joint on the project too,

2:12:04.880 --> 2:12:07.960
<v Speaker 1>cause from dream though. Yeah, yeah, trying to trying to

2:12:08.120 --> 2:12:11.400
<v Speaker 1>just do what I do, you know what I'm saying,

2:12:11.440 --> 2:12:13.520
<v Speaker 1>because it's real. We in the error where it's real

2:12:13.640 --> 2:12:15.320
<v Speaker 1>easy to go in the booth and just throw a

2:12:15.360 --> 2:12:17.840
<v Speaker 1>bunch of plugins on your ship. Try to get that

2:12:18.000 --> 2:12:21.440
<v Speaker 1>right melody, but not really say nothing, but just get

2:12:21.480 --> 2:12:23.680
<v Speaker 1>the right melody and do that for two verses. You

2:12:23.720 --> 2:12:26.000
<v Speaker 1>don't even need three verses no more, you know what

2:12:26.040 --> 2:12:28.880
<v Speaker 1>I'm saying. So my shit is more, just go talk

2:12:28.920 --> 2:12:30.680
<v Speaker 1>your ship, you know what I'm saying. So all you

2:12:30.720 --> 2:12:32.480
<v Speaker 1>gotta do is talk your shit. You ain't really gotta

2:12:33.000 --> 2:12:35.440
<v Speaker 1>just like you told me last week, you know, since

2:12:35.480 --> 2:12:37.200
<v Speaker 1>we ain't making too much club shit because we ain't

2:12:37.240 --> 2:12:40.880
<v Speaker 1>in the clubs. Male, I'm gonna play the music at well.

2:12:40.920 --> 2:12:44.920
<v Speaker 1>I'm so at this point, man, niggas is just spitting. Man.

2:12:45.000 --> 2:12:48.880
<v Speaker 1>I'm I'm glad that the industry is where it's kind

2:12:48.880 --> 2:12:50.720
<v Speaker 1>of at right now, because it's kind of like open

2:12:50.760 --> 2:12:52.960
<v Speaker 1>field right now. You don't know who gonna beat them next, niggas.

2:12:53.320 --> 2:12:55.600
<v Speaker 1>You don't know who gonna be the person that reinvent

2:12:55.720 --> 2:12:58.800
<v Speaker 1>theyself and do some two chain shit. You know what

2:12:58.840 --> 2:13:01.040
<v Speaker 1>I'm saying, Just pop up like damn. He been around

2:13:01.160 --> 2:13:06.280
<v Speaker 1>for years. We're just starting to Damn, we're late. It's

2:13:06.320 --> 2:13:07.960
<v Speaker 1>gonna be a lot of artists like that, because right

2:13:08.000 --> 2:13:12.640
<v Speaker 1>now it's just downtime. Man, Like how we were talking before.

2:13:12.680 --> 2:13:14.320
<v Speaker 1>I feel bad for a lot of artists that was

2:13:14.360 --> 2:13:17.120
<v Speaker 1>at the high points and now this shit fucked them up,

2:13:17.160 --> 2:13:20.080
<v Speaker 1>like we were talking about Roddy and Roddy rich Russ.

2:13:20.560 --> 2:13:22.560
<v Speaker 1>You know what I'm saying, the whole Griselda shit. You

2:13:22.560 --> 2:13:24.360
<v Speaker 1>know what I'm saying. Get well to Benny too, you

2:13:24.400 --> 2:13:28.560
<v Speaker 1>know shit. Yeah, man, it's like niggas, we want to

2:13:28.560 --> 2:13:30.000
<v Speaker 1>get back on the road. We want to get back

2:13:30.000 --> 2:13:33.840
<v Speaker 1>out there. But if you a person that make that

2:13:33.960 --> 2:13:36.480
<v Speaker 1>type of music right now, this ship might be a

2:13:36.520 --> 2:13:38.640
<v Speaker 1>little it's a little sketchy because it ain't really no

2:13:38.720 --> 2:13:40.920
<v Speaker 1>way for us to feel that vibe. But if you

2:13:41.000 --> 2:13:42.760
<v Speaker 1>a nigga like me and you just talking some shit,

2:13:42.760 --> 2:13:45.560
<v Speaker 1>you painting pictures with these words, or you really gotta

2:13:45.560 --> 2:13:47.280
<v Speaker 1>do it, sit dowre and roll up a blunt poor

2:13:47.400 --> 2:13:50.480
<v Speaker 1>soning or just sit there. People are listening about yep,

2:13:50.600 --> 2:13:53.320
<v Speaker 1>they got their headphones in right now, you're in their cars.

2:13:53.520 --> 2:13:56.440
<v Speaker 1>That's what I'm doing, Boom, I'm listening to you know,

2:13:56.600 --> 2:13:58.720
<v Speaker 1>I'm listening to everything too right now. A lot of

2:13:58.800 --> 2:14:00.480
<v Speaker 1>new shit too. There's so much you shout out. You

2:14:00.560 --> 2:14:02.680
<v Speaker 1>kind of got time to kind of got time to

2:14:02.760 --> 2:14:05.760
<v Speaker 1>fish right. You know what I'm saying talking about Discovery Ship.

2:14:05.760 --> 2:14:08.520
<v Speaker 1>We appreciate you pulling out, man, appreciate me come here

2:14:08.520 --> 2:14:10.240
<v Speaker 1>and talk all of this ship about a bunch of

2:14:10.360 --> 2:14:13.080
<v Speaker 1>rappers that's gonna think I don't like them, but I

2:14:13.240 --> 2:14:15.880
<v Speaker 1>just appreciate Uh. Once again, I appreciate you letting me

2:14:15.920 --> 2:14:18.040
<v Speaker 1>come through, chop it up with you all good man,

2:14:18.440 --> 2:14:20.400
<v Speaker 1>talk some ship, promote the product. By the time this

2:14:20.520 --> 2:14:22.320
<v Speaker 1>is out, the freestyle will be out. So you go

2:14:22.440 --> 2:14:24.800
<v Speaker 1>check out the freestyle. Oh yeah, orange Face out of here. Man,

2:14:25.160 --> 2:14:27.400
<v Speaker 1>it's crazy. Go check that out, man. Yeah. Bluele Cab

2:14:27.480 --> 2:14:30.080
<v Speaker 1>podcast wrapping up J Miles Oh