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Speaker 1: Yo, what I mean? It's another edition of that bouleg

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Speaker 1: Cap podcast episode number almost thirty, that's for sure, not

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Speaker 1: quite thirty. I think it's twenty eight, twenty eight. It's

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Speaker 1: twenty eight, episode number twenty eight with the homie J Mills.

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Speaker 1: What a crazy day. First of all, got a shout

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Speaker 1: out everybody who got nominated for Grammys, Roddy Rich the Baby,

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Speaker 1: But most importantly, the Rap Album of the Year category

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Speaker 1: was revealed, and boy was there a lot of rappin'

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Speaker 1: ass rap on that category. Freddie gibbson Alchemist Alfredo headlining

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Speaker 1: the Album of the Year nominations for Alfredo. Then of

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Speaker 1: course you have a Jay Electronica's album, D Smokes Project,

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Speaker 1: Royce the Five Nines Project, and NASA's King's Disease. So

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Speaker 1: some real dope rap music got nominated for Grammys. I

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Speaker 1: think personally, there was some obvious snubs in the Album

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Speaker 1: of the Year category. There's no way you do Album

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Speaker 1: of the Year and not put Roddy Rich in there. Also,

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Speaker 1: Run the Jewels Killer, Mike LP Run the Jewels four

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Speaker 1: should have been in that talk probably would have left

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Speaker 1: off D Smoke, probably would have left off Jay Electronica,

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Speaker 1: if I'm being honest, Shout out to jay great project,

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Speaker 1: but you know, the whole album jay Z just kind

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Speaker 1: of washed him. Nonetheless, I hope Freddie Gibbs wins. It's

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Speaker 1: my favorite album of the year. And congratulations to Gangs,

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Speaker 1: the Gibbs and the Alchemists for being nominated finally because

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Speaker 1: they got snubbed last year. Him and Madlib got snubbed

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Speaker 1: last year. But I digress. YO dope episode this week.

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Speaker 1: Shout out to j Mills formerly of Young Money. You know,

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Speaker 1: it's crazy because we had him come up just to

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Speaker 1: do a freestyle. The freestyle's out right now on our

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Speaker 1: YouTube page. But then we started to just shoot the

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Speaker 1: shit with him and we're like, Yo, you should come

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Speaker 1: in and do an interview because he's got so much

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Speaker 1: crazy insight into the Young Money world because he was

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Speaker 1: signed a Young Money for about a decade and was

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Speaker 1: around for so many history moments. So this interview with

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Speaker 1: J Mills. By the way, he's got a new album

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Speaker 1: out go support that. But it really was us just

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Speaker 1: kind of diving into his time with Young Money and

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Speaker 1: him sharing some pretty dope stories about his time around

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Speaker 1: Drake and Nicki and Wayne for the last decade or so,

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Speaker 1: so I hope you enjoyed the episode. Shout out to

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Speaker 1: our our pod cast sponsors, per the Usual. Got a

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Speaker 1: big big ups. Big ups to our main sponsor, odds Socks.

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Speaker 1: out of check out at vapincbd dot com. Let's get

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Speaker 1: into the episode. J Mills episode number twenty eight. Let's go,

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Speaker 1: it's the bluele Camp podcast. Man, we got the homie

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Speaker 1: J Mills. Yeah yeah, yeah, yeah yeah. What's up man?

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Speaker 1: Welcome sir? What up? What up? All right? Man? You

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Speaker 1: got a new project that's officially out. Woodpan walls. By

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Speaker 1: the time this is out, it'll be out. Yeah, woodpano

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Speaker 1: walls with wood painted walls, wood panel, wood panel walls. Yeah.

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Speaker 1: So what's that? What's that like in a car you

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Speaker 1: get the wood panel you know what it is? It's like, Uh.

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Speaker 1: I grew up in New York City and Boston Heights,

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Speaker 1: so a lot of those apartments was The architecture was

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Speaker 1: real old school. It might have all, I know, the

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Speaker 1: kind of walls you're talking. Yeah, it might have like

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Speaker 1: five six rooms, but when you first come in, it's

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Speaker 1: a long hallway, but it'll be a room on this side,

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Speaker 1: then the room here, then a kitchen in the room here.

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Speaker 1: Then So my grandmother had one of those apartments, right,

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Speaker 1: And when I was born, I was living in my

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Speaker 1: grandmam's crib. She from down South, had eleven kids, so

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Speaker 1: the house was very busy, but I'm a virgo, so

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Speaker 1: my memory bank is incredible. Like I can remember things

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Speaker 1: that I probably shouldn't remember and I didn't even try

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Speaker 1: to remember. But the woodpanel wallshit, it's stuck out, you

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Speaker 1: know what I'm saying, Like rest in peace to my

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Speaker 1: grandmom's too. Yeah, they got him trailed in my uncle's trailer.

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Speaker 1: It's like wood, but it's not real wood. Is that

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Speaker 1: what used to be on side of the station wagons too? Yeah?

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Speaker 1: I think so, you know Grizzwall Ride Wile World. Yeah,

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Speaker 1: it's something like that, like threes think like Three's Company, Like,

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Speaker 1: you know, you got to look panels all and my

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Speaker 1: Grandmam's crib was all like that. So when I went

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Speaker 1: to do this project, kind of like what we was

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Speaker 1: talking about the other day, I've come from an era

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Speaker 1: of the radio record the street single to this record,

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Speaker 1: you know what I'm saying. So this was the first

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Speaker 1: time I was like, man, fuck all that, let me

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Speaker 1: just record. Let me record a story, you know what

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Speaker 1: I'm saying. I got so many stories, so many memories.

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Speaker 1: Let me just record some ship that I could paint

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Speaker 1: a picture from track one to track whatever's going to

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Speaker 1: be the last one, no radio records. It ain't no

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Speaker 1: party shit, no strip club shit. It ain't really too

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Speaker 1: much with a bounce. But if you listen to it

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Speaker 1: from beginning to end, it's a good story. Now I

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Speaker 1: first knew of you from your battle and days. Yeah,

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Speaker 1: way back in the day. It's a long time now

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Speaker 1: we're getting we get in the years agoing like I

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Speaker 1: didn't even know you. Just battled the nets again recently

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Speaker 1: because I remember the original Yeah shouted shouting nets. You

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Speaker 1: know that was an RB situation. He was in the band, right, Yeah,

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Speaker 1: he was in the band, And this is a big

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Speaker 1: thing people don't hate. He was the only one that

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Speaker 1: was dope in there. I think people I think I

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Speaker 1: think people think I was trying to be a part

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Speaker 1: of the band. Like I never was auditioning for the band.

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Speaker 1: I was never trying to be in the band. It

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Speaker 1: was just like did he call me and nit a

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Speaker 1: battle nest? That's really all it was. I wasn't that

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Speaker 1: was probably like was that like the first like like

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Speaker 1: your biggest look at the time was to do at

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Speaker 1: that time, that might have been my biggest look. I

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Speaker 1: was still doing like street, But I don't know if

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Speaker 1: I had no No No out yet. I don't think

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Speaker 1: I had I don't know if I had the Warner

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Speaker 1: Brothers deal yet. I think I was still doing like

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Speaker 1: battling mixtape type shit. But yeah, I mean coming. I

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Speaker 1: mean obviously, you go from the Battle world where you're

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Speaker 1: like a legend, and then you had the No No

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Speaker 1: No record. I remember having that right now final yeah yeah.

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Speaker 1: But then there's like a whole other wave of people

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Speaker 1: who just know you from being from Young Money. So

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Speaker 1: you and Wayne and the Young Money situation, Uh, how

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Speaker 1: like when did that start and how did it initially

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Speaker 1: happen because at the time, it was what just you

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Speaker 1: and Nikki. They were from the East Coast from New York.

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Speaker 1: It was me and Nicky. But he was fucking with

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Speaker 1: Cory Guns too shot Oh yeah yeahyah. Well, I mean

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Speaker 1: I don't know if Guns was I don't know if

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Speaker 1: Guns I don't think he ever signed officially, but I

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Speaker 1: don't know if he was signed or whatever yet. But

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Speaker 1: I remember he had the Millie remix Yah, and he

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Speaker 1: was fucking with guns. I feel like he was on

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Speaker 1: the original Yeah yeah, yeah. Guns might have been around

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Speaker 1: Young Money before me. Guns and NICKI might have been

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Speaker 1: around Young Money before me, but nothing was really solidified.

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Speaker 1: Nicky was definitely around around, but me and Guns was

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Speaker 1: kind of like Wayne just fucked with us. He just

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Speaker 1: liked that rapping type shit. But yeah, that was that

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Speaker 1: was that situation. I think around the time I started

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Speaker 1: fucking with Wayne might have been like two thousand and seven.

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Speaker 1: I want to say like two thousand and seven because

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Speaker 1: this is the situation with me and Wayne. I'm explaining this.

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Speaker 1: I had a song called how Had a Player? And

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Speaker 1: I don't know if people knew or not, but I

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Speaker 1: wasn't signed to Universal no more. This is like when

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Speaker 1: Sylvia Ron came over and everything changed, like and you know,

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Speaker 1: like I said, I'm from the radio era. I'm from

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Speaker 1: that era of the single and all of this shit.

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Speaker 1: So I'm trying to just keep my record going because

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Speaker 1: I know I don't got no deal no more. So

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Speaker 1: I'm doing shit like this is it six. I'm doing

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Speaker 1: shit like recording myself, taking the curses out and texting

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Speaker 1: DJ Enough or DJ Camillo or k Slade like or

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Speaker 1: flex like y'all got this new record? Now? This is

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Speaker 1: usually coming from a department. Now, it's like you're sending

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Speaker 1: me a shit directly. Well, all right, cool, we fuck

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Speaker 1: with you, So yeah, just send it. And now I

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Speaker 1: started getting radio play, and I'm like, damn, I'm noticing.

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Speaker 1: I'm getting play like mixed show played twice a day.

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Speaker 1: You might get the rush hour play. You might get

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Speaker 1: the traffic hour, traffic jam play, seven o'clock play. You know,

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Speaker 1: later on somebody else come on to twelve. I might

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Speaker 1: have heard my shit four or five times today. I

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Speaker 1: don't got no deal with my mom's crib real shit.

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Speaker 1: And I'm like, I can't go on to another record.

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Speaker 1: I'm smart enough to know that I cannot go on

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Speaker 1: to another record. I got son going right now. So

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Speaker 1: I hit Wayne right like, uh, I got this record.

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Speaker 1: You know what I'm saying. It's bubbling in New York

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Speaker 1: right now. If you want to jump on, and I

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Speaker 1: sent it to you. I'm really just taking a shot

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Speaker 1: in the dark. I don't I don't know if he

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Speaker 1: gonna get on this shit or not. But I had

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Speaker 1: a record called Bring It Back with Jada Kiss, and

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Speaker 1: then I did a remix with Wayne and Fab. Wayne said,

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Speaker 1: come to the studio. I shot the Fab shot the kiss.

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Speaker 1: You know what I'm saying. Granted, they was they busy

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Speaker 1: but Wayne told me come to the studio and did

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Speaker 1: it that night and then charged me nothing. This is

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Speaker 1: when he doing like three hundred records in it. So

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Speaker 1: in my mind, I'm like, I'm just taking shit. I'm

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Speaker 1: shooting from half court in a dark gym on all

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Speaker 1: of these moves right now. I don't know what's gonna happen.

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Speaker 1: Send him the record. He send the record back next day.

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Speaker 1: So my brother is like the super little Wayne fan

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Speaker 1: at this time. He like, BROH heard that verse before.

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Speaker 1: I'm like, no, he just did this verse with me

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Speaker 1: last night. He said, not, bro I heard that verse before.

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Speaker 1: IM gonna be real like he ain't want to say

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Speaker 1: like that, but he's like he pulled the verse up,

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Speaker 1: all sorts of egg all on my face now. So

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Speaker 1: now I'm faced with the decision. Do I act like

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Speaker 1: I do not know that this man said this verse

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Speaker 1: already and still put this song out, or can I

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Speaker 1: just hit him and just be like, yo, I appreciate it,

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Speaker 1: but I can't put this out, you know, blah blah.

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Speaker 1: And he was like, oh my fht blah blah blah blah.

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Speaker 1: Next day, sent me another verse back and said some

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Speaker 1: shit in the junk like Miles had to tell me

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Speaker 1: stop recycling verses, and since I don't write it, I

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Speaker 1: recited in cursive. I was like, oh, that's personalized for me.

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Speaker 1: That ain't like he just gave me a verse from

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Speaker 1: some a dedication mixtape that didn't come out right. So

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Speaker 1: now I'm like, oh, that shot you took in the

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Speaker 1: dark gym, you hit the rim on that shit like

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Speaker 1: you might could stand in this dark gym a little more,

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Speaker 1: but just try to get closer to where you hit

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Speaker 1: the rim at. So now I'm like, yo, look man,

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Speaker 1: I ain't got no situation. I know you're doing the

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Speaker 1: young money shit. You know what I'm saying. If I

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Speaker 1: coul come play some music, he said, you don't got

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Speaker 1: no deal? Coury right back. So I'm like, oh, I'm

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Speaker 1: done on that verse like that versus a dub. He's not.

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Speaker 1: I don't got no budget. I don't he knows now

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Speaker 1: I don't have money to give him for the verse.

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Speaker 1: He caught me back with Taz on the phone. He's like,

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Speaker 1: when can you get on a flight? He said, but

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Speaker 1: tell me this again. You said you don't got no vert,

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Speaker 1: no deal, right, I said, nah? He said, well when

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Speaker 1: can you get on a flight to Miami. Now I'm

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Speaker 1: in Harlem. I'm like, I get on a flight yesterday.

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Speaker 1: He started laughing. After that flight, I was young money

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Speaker 1: until I wasn't young money no more. Yeah, I mean

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Speaker 1: so that was six. That was like, oh that's around

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Speaker 1: six o seven. It was around. It was right before

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Speaker 1: you know how reason three was right before the car three.

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Speaker 1: When I got around. I remember the first time out.

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Speaker 1: He flew me out. After that conversation, I went to

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Speaker 1: the Hit Factory and when he walked in, he started

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Speaker 1: just playing me a bunch of music and shit, and

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Speaker 1: I remember he played Lollipop. I'll never forget this shit.

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Speaker 1: This is when I was like, oh yeah, I gotta

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Speaker 1: step my shit up a whole lot like that. I'm

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Speaker 1: a nice rapper, it's a huge I was like, I'm

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Speaker 1: a good rapper. He's a great artist. And I have

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Speaker 1: no problem at all. I have no problem with saying

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Speaker 1: that because Wayne is my man. I love Wayne unconditionally.

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Speaker 1: He showed me shit that no other friend showed me.

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Speaker 1: No of a homie, no of a businessman, of a ceo,

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Speaker 1: no of a rapper. He showed me. And it was

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Speaker 1: hard on me with that ship too. But I learned

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Speaker 1: a lot, so I'm like, I'm like, damn, what the

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Speaker 1: fuck is this? But it sounded like the T Pain.

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Speaker 1: T Pain was killing everything at this time. But now

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Speaker 1: I'm I know Wayne from Dad, and now it's like

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Speaker 1: I'm like, I'm like, damn, how he do that shit?

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Speaker 1: Like now he playing me a bunch of shit? He

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Speaker 1: played me got money. Now I had had to beat

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Speaker 1: for got money from playing skills or they had played

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Speaker 1: me like, you know, beat that gaming to beat, so

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Speaker 1: I knew. I was like, oh I heard this ship before,

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Speaker 1: all right, let me just sit here and listen to

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Speaker 1: his version. I was like, oh shit, he got T

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Speaker 1: pain on it. That's what that's the plan that they played.

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Speaker 1: When they played me the song like oh he I

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Speaker 1: was like, woy, I wouldn't have not made this song

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Speaker 1: like this, right, Glad they didn't get a ship to me, Like,

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Speaker 1: I'm so glad they didn't waste this record with me

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Speaker 1: because I wouldn't have never made this this, you know

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Speaker 1: what I'm saying. So Carter three wasn't out yet. He

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Speaker 1: was still doing like college arenas and ship like that.

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Speaker 1: It wasn't like the I Am music. It was still

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Speaker 1: like and then like a lot of the Carter three leaked,

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Speaker 1: he was still performing a lot of the leak shit.

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Speaker 1: He was still performing. Were you around when the music

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Speaker 1: leaker had that already been leaked. I was starting to

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Speaker 1: come around. I was still like just doing my like

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Speaker 1: I wasn't on Universe, And I just remember like being

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Speaker 1: at because I used to slang shit at the swap meet.

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Speaker 1: They're talking my name, So I remember just having to

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Speaker 1: every little Wayne tape. There was like Carter three fucking leaks,

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Speaker 1: the drought, the droughts, and then it was like, I

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Speaker 1: mean obviously before that the squad up shit, but like

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Speaker 1: that that like era, like right before Carter three, like

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Speaker 1: the like twelve months prior, when he was just heating

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Speaker 1: up the mixtape shit. It was like that's what really

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Speaker 1: got Wayne hot up top. I mean he was already

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Speaker 1: hot since he was fucking thirteen fourteen, but I mean

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Speaker 1: like reinventing himself from being like a little wheezy to

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Speaker 1: like the fire man. Well, no one took little Wayne

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Speaker 1: like serious. No, he had to start saying, I'm the

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Speaker 1: best rapper alive since the best rapper retired, because he

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Speaker 1: had to start had to make that statement. And then

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Speaker 1: he just started. And then I remember he performed on

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Speaker 1: the BT Awards. He performed gossip. Oh yeah, yeah, yeah, yeah,

294
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Speaker 1: stop hating on a nigga that no remember that moment.

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Speaker 1: No hype man on like an EP. It wasn't even

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Speaker 1: on his It was a leak. It was a leak.

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Speaker 1: It was a leak. Like you didn't like Wayne once

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Speaker 1: I got around him, That's what made me realize, Oh

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Speaker 1: I remember that. I was like, oh, this is the

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Speaker 1: first single for Carter three, and then nah, he didn't

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Speaker 1: get he was one of them type people when songs

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Speaker 1: leaked him. He like like he called those dead homies

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Speaker 1: he was. I mean, yet what he did with uh?

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Speaker 1: Because you know, being the youngest dude in Cash Money,

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00:14:52,120 --> 00:14:54,600
Speaker 1: I feel like as a rapper, there wasn't a lot

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00:14:54,600 --> 00:14:56,960
Speaker 1: of people who with credibility that probably took him serious

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Speaker 1: until the first Carter when he started popping his shit.

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Speaker 1: That's that's around the time because five hundred degrees was whatever.

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00:15:04,560 --> 00:15:06,080
Speaker 1: I mean, I think the block is Hot was dope.

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Speaker 1: I think if you really were a Cash Money fan,

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Speaker 1: you knew little Wayne crap. Yeah, But like people like

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Speaker 1: like you said, like once that first Carter came out,

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Speaker 1: I remember working a best buy man when that shit dropped.

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Speaker 1: That shit was I remember the first time I heard

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Speaker 1: being U being Junior. Mm hmm, is that the puttest

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Speaker 1: feeding the blades. I ain't tripping nigga. I played the

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Speaker 1: corner like ripkin Nigga with the forty. I was like, yeah,

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Speaker 1: he in a different world. But Carter two was was

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Speaker 1: when because by this time I'm deep in rap. I'm deep.

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Speaker 1: I'm an artist. I didn't have my ups, my downs,

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Speaker 1: and my high points my low points. I read credits,

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Speaker 1: I read magazines. I want to know people that go

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Speaker 1: to school late. But I'm walking in the lunch room

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Speaker 1: with the Source magazine, the Double Excel, the Blaze. I

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Speaker 1: might have the vibe that might Blaze magazine. Yeah, I

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00:15:50,760 --> 00:15:53,160
Speaker 1: might have had fucking the free styles of people. Get

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Speaker 1: your tape decks ready last night on DJ Clue the

328
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Speaker 1: fucking fire Truck. I was that type of kid. So

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Speaker 1: when I heard Carter too, like, oh ship, this is

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Speaker 1: the first time I heard of Wayne album with no

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Speaker 1: many fresh production and it was dope. Now I get

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00:16:05,800 --> 00:16:09,680
Speaker 1: to hear him compare to everybody else. Now, now damn

333
00:16:09,680 --> 00:16:12,120
Speaker 1: me rapping over the heat makers. Who the fuck are

334
00:16:12,120 --> 00:16:15,800
Speaker 1: the runners. Who you know what I'm saying. So around

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00:16:15,800 --> 00:16:17,520
Speaker 1: that time I got with Wayne, that shit showed me

336
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Speaker 1: a lot. It was to bring it back full circle.

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00:16:20,760 --> 00:16:24,400
Speaker 1: It was around that time, right before Carter three. That's

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00:16:24,440 --> 00:16:26,560
Speaker 1: around the time I got with Young Money. Help me understand.

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00:16:26,720 --> 00:16:33,280
Speaker 1: Uh okay, so Young Money mm hmm. There's obviously the

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Speaker 1: product of Young Money is two of the biggest artists

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00:16:35,720 --> 00:16:39,600
Speaker 1: of all time, Drake and Nikki. But there was all

342
00:16:39,640 --> 00:16:43,760
Speaker 1: these other rappers, so many let's talk about it. There

343
00:16:43,840 --> 00:16:46,280
Speaker 1: was you, there was Gotta Gotta I mean, you know,

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00:16:46,320 --> 00:16:48,240
Speaker 1: Macmaine was the President, but you know it was a

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00:16:48,320 --> 00:16:51,320
Speaker 1: rapper for Shout Shout the Mac. Surprise, Mac never got

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00:16:51,320 --> 00:16:54,040
Speaker 1: a solo album off the President. You wanted some funny shit.

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Speaker 1: When I first came around Young Money, I remember Mac

348
00:16:58,120 --> 00:17:00,600
Speaker 1: was telling me then like I want to be on

349
00:17:00,640 --> 00:17:05,080
Speaker 1: some balls ship this rapper, like he was tired of it. Then, Hey,

350
00:17:05,640 --> 00:17:07,280
Speaker 1: I'm looking at it, like, bro, you I used to

351
00:17:07,400 --> 00:17:09,679
Speaker 1: I used to send him so much ship let's get

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00:17:09,680 --> 00:17:11,720
Speaker 1: on his beat. Let's because I was I'm a fan

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Speaker 1: of Mac Man, I'm a fan of the Squad, I'm

354
00:17:13,600 --> 00:17:15,320
Speaker 1: a fan of Win. So I wanted to just do

355
00:17:15,600 --> 00:17:17,359
Speaker 1: all Sorts Hill with everybody. And then I was the

356
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Speaker 1: person that used to when Wayne would fly me out,

357
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Speaker 1: I would bring my inbox and my computer and my

358
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Speaker 1: my m audio speakers in the hotel room that he

359
00:17:26,840 --> 00:17:28,960
Speaker 1: has me or would never go to the bus where

360
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Speaker 1: he's at. I would just be in the room just recording.

361
00:17:32,200 --> 00:17:34,000
Speaker 1: And I remember one day I think gut or Twist

362
00:17:34,040 --> 00:17:35,440
Speaker 1: told him He's like, what mails And He's like, he

363
00:17:35,520 --> 00:17:41,960
Speaker 1: upstairs recording? What are you doing? You're recording hisself? Promise you.

364
00:17:42,000 --> 00:17:44,960
Speaker 1: The next day I came downstairs on Wayne's tour bus.

365
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Speaker 1: He had all that ship learned how to record itself.

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Speaker 1: Oh wow, quick quick, Uh but no, but we're talking

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Speaker 1: like a vast amount of artists, like you just said,

368
00:17:55,359 --> 00:18:03,679
Speaker 1: Little Twist sew piercing right me guns Maneople, and it

369
00:18:03,800 --> 00:18:09,200
Speaker 1: seems Tiger Tiger, Nikki Drake. It just seemed like, uh,

370
00:18:09,960 --> 00:18:12,639
Speaker 1: being on young money could more too, that's the crazy

371
00:18:12,720 --> 00:18:15,520
Speaker 1: put a lot more. But it could be perceived to

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Speaker 1: be a gift in a curse. T Streets shot my

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Speaker 1: man T Streets, T Streets, But like, what why do

374
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Speaker 1: you think? Uh? It didn't work out for everybody, And

375
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Speaker 1: by everybody, I mean the majority of the artists on

376
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Speaker 1: the label. I tell people this all the time. It

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00:18:30,600 --> 00:18:34,600
Speaker 1: never works out for everybody. Once you understand that, It's like,

378
00:18:36,160 --> 00:18:38,439
Speaker 1: and I'm looking at this picture of Charles Barkley right now,

379
00:18:38,440 --> 00:18:40,639
Speaker 1: and it's taking me somewhere right. I want to explain

380
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Speaker 1: people something. There was a lot of great people on

381
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Speaker 1: the Sixers when Barkley came, a lot of great people

382
00:18:49,760 --> 00:18:54,520
Speaker 1: uh on the Lakers when Kobe came. I always tell

383
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Speaker 1: I always tell people, I know what it feels like

384
00:18:59,000 --> 00:19:02,480
Speaker 1: to be Eddie Joe. I know what it feels like

385
00:19:02,520 --> 00:19:04,960
Speaker 1: to be Eddie Jones. Not saying that I'm not nice,

386
00:19:05,640 --> 00:19:08,199
Speaker 1: I'm not great, but I know what it was like

387
00:19:08,359 --> 00:19:13,400
Speaker 1: to be great. And somebody comes around and they are undeniable.

388
00:19:13,480 --> 00:19:15,480
Speaker 1: You can go in the studio and make the dopest

389
00:19:15,520 --> 00:19:19,840
Speaker 1: shit you want. Aubrey is undeniable. I remember the first

390
00:19:19,880 --> 00:19:22,800
Speaker 1: time Wayne let me hear successful, I was like, WHOA,

391
00:19:22,800 --> 00:19:24,240
Speaker 1: this shit is dope. The next time I heard it,

392
00:19:24,280 --> 00:19:26,280
Speaker 1: Wayne had a different verse. Said why you got a

393
00:19:26,280 --> 00:19:27,840
Speaker 1: different verse? So I sent it to Drake and he

394
00:19:27,840 --> 00:19:30,560
Speaker 1: said he didn't really he liked the verse, but he

395
00:19:30,600 --> 00:19:32,920
Speaker 1: didn't really think it went with the concept of the song.

396
00:19:32,920 --> 00:19:35,919
Speaker 1: I said, he made you do a verse over damn,

397
00:19:36,280 --> 00:19:38,439
Speaker 1: you know what I'm saying. But it showed me to

398
00:19:38,520 --> 00:19:41,639
Speaker 1: respect Wayne had for him because he did the same

399
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Speaker 1: thing for me. He did the same thing for me.

400
00:19:45,440 --> 00:19:48,000
Speaker 1: Did it over? I respect you? You know what You're right,

401
00:19:48,680 --> 00:19:50,879
Speaker 1: you know what I'm saying. So that just brings me

402
00:19:50,920 --> 00:19:52,840
Speaker 1: back to the whole. It was a lot of artists

403
00:19:52,800 --> 00:19:56,200
Speaker 1: would happened. It was a lot of artists on cash money.

404
00:19:56,200 --> 00:19:57,760
Speaker 1: It was a lot of artists on no limits, a

405
00:19:57,760 --> 00:20:00,600
Speaker 1: lot of artists on death roll. But I remember Snoop

406
00:20:01,520 --> 00:20:05,040
Speaker 1: Pot and the Dog Pound, not saying Lady of Rage

407
00:20:05,119 --> 00:20:08,040
Speaker 1: or jewell or or crook or or you know what

408
00:20:08,040 --> 00:20:09,920
Speaker 1: I'm say. It's not to say that they wasn't great.

409
00:20:10,320 --> 00:20:12,720
Speaker 1: Was a part of it after like the dark years

410
00:20:12,720 --> 00:20:14,600
Speaker 1: of death throw. It's not to say that they wasn't great.

411
00:20:14,640 --> 00:20:21,760
Speaker 1: But Nikki was undeniable, Drake was undeniable out of let's say,

412
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Speaker 1: if it was ten of us, because it was all

413
00:20:24,200 --> 00:20:26,000
Speaker 1: it was like ten, ten, eleven of us. It was

414
00:20:26,040 --> 00:20:32,320
Speaker 1: a lot to hit with three the way that you hit. Now.

415
00:20:32,320 --> 00:20:34,120
Speaker 1: Some people might say, males, you being a little too

416
00:20:34,119 --> 00:20:36,199
Speaker 1: cordial about that, my nigga, because you wasn't one of

417
00:20:36,200 --> 00:20:39,680
Speaker 1: those three. It's how it works sometimes, keep it moving,

418
00:20:39,760 --> 00:20:42,760
Speaker 1: figure it out. That wasn't my first stop on the train.

419
00:20:42,840 --> 00:20:45,439
Speaker 1: It's not gonna be my last. I came there with

420
00:20:45,520 --> 00:20:48,359
Speaker 1: Dil's already. A lot of people came there that was

421
00:20:48,400 --> 00:20:51,760
Speaker 1: their first time, that was their first rodeo. You know

422
00:20:51,760 --> 00:20:54,600
Speaker 1: what I'm saying. I didn't fell off the horse, did

423
00:20:54,920 --> 00:20:57,800
Speaker 1: all of this shit already, so this isn't new to me.

424
00:20:57,880 --> 00:20:59,840
Speaker 1: I know that this shit ain't gonna last forever. And

425
00:20:59,880 --> 00:21:02,040
Speaker 1: I feel like a lot of people they thought it

426
00:21:02,160 --> 00:21:05,720
Speaker 1: was gonna last forever. I think with Tiger, he had

427
00:21:05,760 --> 00:21:07,600
Speaker 1: been around, he had been with gym class heroes. He

428
00:21:07,640 --> 00:21:10,640
Speaker 1: had poking up milk. He had understood how to make

429
00:21:10,720 --> 00:21:13,600
Speaker 1: this ship work. Drake had already been comeback season. I

430
00:21:13,600 --> 00:21:16,560
Speaker 1: would almost argue that that Tiger popped despite little Wayne.

431
00:21:16,600 --> 00:21:20,280
Speaker 1: He did Wayne it tune, I Love you, I Love

432
00:21:20,320 --> 00:21:24,760
Speaker 1: you tune? All right, Tiger will tell you this. Wayne

433
00:21:24,760 --> 00:21:27,840
Speaker 1: didn't like that direction that Tiger was going in, like

434
00:21:28,119 --> 00:21:30,560
Speaker 1: make it nasty, rack city, bitch, better have my money

435
00:21:30,640 --> 00:21:34,639
Speaker 1: dancing for them dollars? Uh? What was the joint? He

436
00:21:34,680 --> 00:21:37,480
Speaker 1: had asked? So fat and neither lapped in Wayne wasn't

437
00:21:37,480 --> 00:21:40,840
Speaker 1: feeling that because you gotta understand that's not the vision

438
00:21:40,880 --> 00:21:44,080
Speaker 1: Wayne saw for him when he first met him. You Tiger, Tiger,

439
00:21:44,119 --> 00:21:47,320
Speaker 1: you like your bouncy flow like kind of like so

440
00:21:47,520 --> 00:21:50,399
Speaker 1: and sos of mischief type shit. You different You like

441
00:21:50,440 --> 00:21:54,359
Speaker 1: a real West Coast lyrical crafty with your words. And

442
00:21:54,400 --> 00:21:58,840
Speaker 1: now you going strip club or me, they don't even

443
00:21:58,880 --> 00:22:01,000
Speaker 1: really have strip clubs where you act like that, like

444
00:22:01,040 --> 00:22:02,919
Speaker 1: where it is coming from. It was kind of like

445
00:22:04,000 --> 00:22:07,080
Speaker 1: when I used to first got around Young Money. You

446
00:22:07,080 --> 00:22:10,280
Speaker 1: listen to Dedication three, my bars was like on top

447
00:22:10,359 --> 00:22:12,560
Speaker 1: of each other, on top of each other. Even anytime

448
00:22:12,600 --> 00:22:15,080
Speaker 1: I did mixtapes for Young Money, my bars was on

449
00:22:15,119 --> 00:22:17,280
Speaker 1: top of each other like that. And that's because Wayne

450
00:22:17,359 --> 00:22:20,880
Speaker 1: taught me how to differentiate it. She ain't got a man,

451
00:22:21,320 --> 00:22:25,640
Speaker 1: but she's not alone misindependent. Yeah, she got her own. Hey,

452
00:22:26,119 --> 00:22:29,200
Speaker 1: I hated that verse. That was the end of my verse.

453
00:22:29,800 --> 00:22:31,760
Speaker 1: Wayne said, naw, you know what, I think you should

454
00:22:31,800 --> 00:22:34,560
Speaker 1: start the verse off like that, because that's more like

455
00:22:35,040 --> 00:22:37,600
Speaker 1: that's a memorable and I'm just like, I don't care.

456
00:22:38,080 --> 00:22:40,520
Speaker 1: I was more until I got a bitch Nakekeisha from

457
00:22:40,560 --> 00:22:42,439
Speaker 1: around the way. She used to go to college school

458
00:22:42,440 --> 00:22:44,879
Speaker 1: back and the day he was like, oh shit, that's dope.

459
00:22:45,560 --> 00:22:47,280
Speaker 1: That's why he just wanted me to talk crazy all

460
00:22:47,359 --> 00:22:49,480
Speaker 1: day because in his mind his vision for me was

461
00:22:49,960 --> 00:22:52,480
Speaker 1: they already know you for talking crazy. You said big

462
00:22:52,520 --> 00:22:54,560
Speaker 1: in my trouble or what da da dah, and I

463
00:22:54,600 --> 00:22:57,240
Speaker 1: put a gun in your feet. We love you for that,

464
00:22:57,800 --> 00:23:00,720
Speaker 1: So you get a pass to do that, because Little

465
00:23:00,800 --> 00:23:03,520
Speaker 1: Chucky and Little Twist can't do that. They not known

466
00:23:03,640 --> 00:23:06,440
Speaker 1: for that. They gotta be kids still, you know what

467
00:23:06,480 --> 00:23:09,240
Speaker 1: I'm saying. So he had visions for all of us.

468
00:23:09,320 --> 00:23:11,159
Speaker 1: He never really wanted all of us to be like

469
00:23:11,520 --> 00:23:14,960
Speaker 1: signed to Young Money. He wanted us to be Young

470
00:23:15,000 --> 00:23:16,920
Speaker 1: Money a group and we do some Wu tang shit

471
00:23:17,000 --> 00:23:20,640
Speaker 1: and all get deals. I know, this sounds like crazy,

472
00:23:20,720 --> 00:23:24,200
Speaker 1: This sounds like yeah right, Mills he did. He never

473
00:23:24,200 --> 00:23:26,919
Speaker 1: really wanted us all to be signed to him. He

474
00:23:26,960 --> 00:23:29,240
Speaker 1: wanted to give us a platform and we go rep

475
00:23:29,280 --> 00:23:32,199
Speaker 1: Young Money and get deals and bags everywhere. But we

476
00:23:32,320 --> 00:23:36,359
Speaker 1: still like this fucking conglomerate on some shit. Because in

477
00:23:36,400 --> 00:23:39,720
Speaker 1: his mind, the Hot Boys was all solo artists. True,

478
00:23:39,760 --> 00:23:42,400
Speaker 1: so like they if Birdman could put me in the studio,

479
00:23:42,880 --> 00:23:46,200
Speaker 1: beg and juvenile. I don't want to hear y'all say

480
00:23:46,200 --> 00:23:47,760
Speaker 1: nothing about me putting y'all in the studio with a

481
00:23:47,760 --> 00:23:51,040
Speaker 1: little Chucky and Little Twists. Yeah, I mean, go Chucky,

482
00:23:51,119 --> 00:23:53,600
Speaker 1: little Twist, God bless him. Look, there was some times

483
00:23:53,600 --> 00:23:55,280
Speaker 1: that we drop off. There were some times that we

484
00:23:55,280 --> 00:23:59,040
Speaker 1: was like, tune check this out. Bro. We love you, man,

485
00:23:59,119 --> 00:24:02,480
Speaker 1: we love you, but come on, man, it's five forty

486
00:24:02,520 --> 00:24:05,320
Speaker 1: five am. Man, it's beeping looping for We don't really

487
00:24:05,359 --> 00:24:08,080
Speaker 1: want to do this. But but I knew that a

488
00:24:08,080 --> 00:24:10,159
Speaker 1: lot of to see me. I knew a lot of

489
00:24:10,160 --> 00:24:11,639
Speaker 1: the shit that Wayne used to do to us was

490
00:24:11,640 --> 00:24:13,880
Speaker 1: a test. It was like boot camp. It's a lot

491
00:24:13,880 --> 00:24:16,119
Speaker 1: of y'all. I need to see who really wanted you

492
00:24:16,200 --> 00:24:17,840
Speaker 1: know what I'm saying. I need to see who gonna

493
00:24:17,840 --> 00:24:21,800
Speaker 1: go hard? Like it ain't really about who nice. You

494
00:24:21,840 --> 00:24:24,240
Speaker 1: could be dead nice, but you might be lazy. Was

495
00:24:24,240 --> 00:24:27,639
Speaker 1: there ever? Like there's hell of rumors of internal issues

496
00:24:27,680 --> 00:24:33,920
Speaker 1: with people in Young Money. I mean, uh, you said

497
00:24:34,000 --> 00:24:38,040
Speaker 1: Chucky and Twist didn't get along. It was internal issues everywhere,

498
00:24:38,080 --> 00:24:42,359
Speaker 1: but not like not like not like beef, Like Me

499
00:24:42,440 --> 00:24:46,480
Speaker 1: and Twist had they thing because they was like they

500
00:24:46,520 --> 00:24:49,440
Speaker 1: were kids. It was like the kid who's the who's

501
00:24:49,440 --> 00:24:52,000
Speaker 1: the young money young and who's the prince of young money?

502
00:24:52,440 --> 00:24:56,040
Speaker 1: And then Chanelle and Nikki they never had a thing,

503
00:24:56,240 --> 00:24:59,560
Speaker 1: but to me it felt like it because it's like, well,

504
00:24:59,560 --> 00:25:01,840
Speaker 1: who's the lady of young Money. Yeah, I mean that

505
00:25:01,880 --> 00:25:04,879
Speaker 1: was pretty evident, not in the beginning, Not in the

506
00:25:04,920 --> 00:25:07,679
Speaker 1: beginning when we all used to have to do group

507
00:25:07,800 --> 00:25:11,000
Speaker 1: photo shoots and shit like that. You gotta remember, Nikki

508
00:25:11,119 --> 00:25:15,480
Speaker 1: was coming from Come Up DVD. Chanelle was coming from

509
00:25:15,520 --> 00:25:20,640
Speaker 1: being a songwriter and a dancer for Neo. Two different things,

510
00:25:20,960 --> 00:25:25,680
Speaker 1: totally different at that time. I'm talking about ten years ago,

511
00:25:26,640 --> 00:25:28,160
Speaker 1: you know what I'm saying. It was a different thing.

512
00:25:28,280 --> 00:25:31,520
Speaker 1: Like Drake wasn't what he is now. He was like

513
00:25:31,600 --> 00:25:33,960
Speaker 1: coming from the grass Sea. He was more known for

514
00:25:34,040 --> 00:25:37,240
Speaker 1: the grassy than people respected him as a rapper. It

515
00:25:37,320 --> 00:25:39,840
Speaker 1: took a very long time for people to respect Drake

516
00:25:39,960 --> 00:25:41,760
Speaker 1: as a rapper. But I think it was so much

517
00:25:41,840 --> 00:25:44,240
Speaker 1: music we was in that digital era that once you

518
00:25:44,280 --> 00:25:47,399
Speaker 1: got so far gone, you was like he alright, no,

519
00:25:47,560 --> 00:25:50,320
Speaker 1: he was fucking incredible, but you just didn't want to

520
00:25:50,359 --> 00:25:53,760
Speaker 1: say he was incredible, because it's like, damn, Wayne's still incredible.

521
00:25:54,680 --> 00:25:57,760
Speaker 1: Then after I was like well, who's more incredible. Then

522
00:25:57,800 --> 00:26:01,240
Speaker 1: after a while it's like, damn, Nikki kind of high too,

523
00:26:02,240 --> 00:26:04,280
Speaker 1: and then you kind of for Tiger. I feel like

524
00:26:04,440 --> 00:26:06,879
Speaker 1: Tiger was the first one to get lost in it.

525
00:26:06,960 --> 00:26:08,560
Speaker 1: When I seen Tiger get lost in it, I said,

526
00:26:08,600 --> 00:26:12,600
Speaker 1: it's bad for me. Mmm, that's real shit. I'm gonna

527
00:26:12,640 --> 00:26:16,120
Speaker 1: keep it a buck. I said, it's bad for me

528
00:26:16,400 --> 00:26:20,960
Speaker 1: because Tiger had a setup, right, yeah. I don't know

529
00:26:21,000 --> 00:26:22,760
Speaker 1: if that time he was managed by Jay Irvin. I

530
00:26:22,800 --> 00:26:24,560
Speaker 1: don't know. T don't don't don't kill me for this.

531
00:26:25,000 --> 00:26:27,520
Speaker 1: I don't really know the specifics of it, but I remember,

532
00:26:29,080 --> 00:26:32,000
Speaker 1: I remember me and Gutter used to talk a lot.

533
00:26:32,480 --> 00:26:34,159
Speaker 1: Me and GUTTI start, I talked, spoke the gutta gut

534
00:26:34,160 --> 00:26:35,840
Speaker 1: over the shout, the Gutter shout to the whole young

535
00:26:35,920 --> 00:26:43,239
Speaker 1: Money period. Me and Gutter used to talk a lot

536
00:26:43,359 --> 00:26:47,399
Speaker 1: right about just the way shit was going. Because Guttter

537
00:26:47,480 --> 00:26:49,600
Speaker 1: used to he was around before me, and when I

538
00:26:49,680 --> 00:26:52,280
Speaker 1: first got the young money, Wayne told me, if you

539
00:26:52,359 --> 00:26:55,359
Speaker 1: want to know how to stay around me, like how

540
00:26:55,440 --> 00:26:58,040
Speaker 1: to if you really want to know me, stick to him?

541
00:26:58,960 --> 00:27:00,720
Speaker 1: He told me. I remember when I first came around,

542
00:27:00,760 --> 00:27:03,040
Speaker 1: he was like He's like he knows me. You know

543
00:27:03,040 --> 00:27:05,240
Speaker 1: what I'm saying. If you if you want to know me,

544
00:27:05,480 --> 00:27:07,080
Speaker 1: you want to know how not to get on my

545
00:27:07,200 --> 00:27:09,640
Speaker 1: bad side, how not to you know what I'm saying,

546
00:27:09,680 --> 00:27:12,119
Speaker 1: How to move around me? Stick to him? You know

547
00:27:12,160 --> 00:27:13,760
Speaker 1: what I'm saying. And to this day, I still talk

548
00:27:13,800 --> 00:27:16,000
Speaker 1: to Gutt to Gutter. You know what I'm saying. He's

549
00:27:16,040 --> 00:27:18,119
Speaker 1: not on your money anymore. He's so young money, so

550
00:27:18,200 --> 00:27:20,280
Speaker 1: young money. They gotta they gotta rec it out right now.

551
00:27:20,600 --> 00:27:24,920
Speaker 1: I think it's Wayne Gutter and Hood called NFL. It's

552
00:27:24,960 --> 00:27:27,159
Speaker 1: for like the prime video for Thursday Night Football. It's

553
00:27:27,200 --> 00:27:31,040
Speaker 1: like the song for some dope shit, but basically bring

554
00:27:31,119 --> 00:27:34,479
Speaker 1: it to bring it back. Gut. It was like, how

555
00:27:34,560 --> 00:27:36,639
Speaker 1: you think this shit gonna go for US malls? And

556
00:27:36,760 --> 00:27:39,439
Speaker 1: I was like, it's a chain. I was like, at

557
00:27:39,480 --> 00:27:42,040
Speaker 1: the end of the day, Drake is undeniable, Nicki undeniable.

558
00:27:42,119 --> 00:27:44,479
Speaker 1: We don't know who gonna come first out of them.

559
00:27:44,520 --> 00:27:46,880
Speaker 1: And then Wayne went to jail in the midst of them,

560
00:27:47,000 --> 00:27:51,880
Speaker 1: being like like yeah, So by the time he came

561
00:27:51,920 --> 00:27:55,399
Speaker 1: out of jail, Nicky was pink Wig, Marg Simpson. It

562
00:27:55,520 --> 00:27:59,080
Speaker 1: was like, you know, and Drake was Aston Martin music

563
00:27:59,280 --> 00:28:01,320
Speaker 1: and he was he was. He was. They was coming

564
00:28:01,400 --> 00:28:05,440
Speaker 1: into their own and then I remember six foot seven,

565
00:28:06,400 --> 00:28:08,800
Speaker 1: and then Wayne was right back to being Wayne, and

566
00:28:08,880 --> 00:28:10,920
Speaker 1: then it was like damn. Now it's like Big three.

567
00:28:11,920 --> 00:28:14,359
Speaker 1: But Tiger, me and Gutter used to always be like, damn,

568
00:28:14,440 --> 00:28:16,480
Speaker 1: Tiger putting in work. I would come out here to

569
00:28:17,000 --> 00:28:19,560
Speaker 1: Cali to see my lady and had kid on the

570
00:28:19,600 --> 00:28:22,080
Speaker 1: way at that time, and I'd be like, Tiger, keep

571
00:28:22,119 --> 00:28:25,040
Speaker 1: a song on the radio. Now maybe we in Miami

572
00:28:25,240 --> 00:28:26,960
Speaker 1: or New York, we might not hear that ship like that.

573
00:28:27,560 --> 00:28:29,720
Speaker 1: But when I used to come here before I moved here,

574
00:28:30,480 --> 00:28:32,280
Speaker 1: and I moved here in twenty fifteen, so this is

575
00:28:32,359 --> 00:28:36,040
Speaker 1: like eleven, twelve, thirteen, whatever. Yeah, I call his Molly

576
00:28:36,119 --> 00:28:38,240
Speaker 1: mal Era. When he was in Vegas for MA, he

577
00:28:38,400 --> 00:28:40,800
Speaker 1: was hitting he shit called strip hop going up, and

578
00:28:40,920 --> 00:28:42,160
Speaker 1: there was I think that's where a lot of the

579
00:28:42,480 --> 00:28:44,400
Speaker 1: he was. He was hitting, and he was like branding

580
00:28:44,480 --> 00:28:47,720
Speaker 1: himself in that lane of like bop that DJ muzzle

581
00:28:47,800 --> 00:28:50,880
Speaker 1: on that he would bring himself City Low kids the

582
00:28:50,880 --> 00:28:53,960
Speaker 1: record that really blew. Didn't feel like they was like

583
00:28:55,880 --> 00:28:59,160
Speaker 1: it felt like he was forcing their hand, like you

584
00:28:59,240 --> 00:29:01,600
Speaker 1: got it now you And I felt like, damn if

585
00:29:01,680 --> 00:29:05,400
Speaker 1: he gotta force they hand. You know what I'm saying.

586
00:29:05,480 --> 00:29:09,040
Speaker 1: I'm like, I gotta figure some shit out, you know

587
00:29:09,080 --> 00:29:11,920
Speaker 1: what I'm saying, And I was throwing shit. I'm trying

588
00:29:11,920 --> 00:29:13,640
Speaker 1: to figure shit out. But you gotta remember in the

589
00:29:13,760 --> 00:29:19,480
Speaker 1: midst of that, Wayne is Wayne, Drake is Drake, and

590
00:29:19,560 --> 00:29:24,200
Speaker 1: he's only coming bigger. Nicky is Nicki, and the Barbie

591
00:29:24,320 --> 00:29:28,800
Speaker 1: is only becoming bigger. So now we gotta sustain this.

592
00:29:29,480 --> 00:29:33,680
Speaker 1: We gotta sustain Wayne, Nicki, Drake, Tiger's doing this thing,

593
00:29:33,760 --> 00:29:37,120
Speaker 1: but they're keeping the lights on. Nicky and Drake kept

594
00:29:37,160 --> 00:29:40,160
Speaker 1: the lights on when Wayne went the Rikers, Allen keeping

595
00:29:40,200 --> 00:29:43,480
Speaker 1: it a buck. So now all right, now we're touring,

596
00:29:44,480 --> 00:29:46,120
Speaker 1: all right, Well, how do we do the tours? Now?

597
00:29:47,480 --> 00:29:51,120
Speaker 1: Who's gonna open, who's gonna close? Oh, he's not going

598
00:29:51,160 --> 00:29:52,600
Speaker 1: out with us, he's going out on his own. Or

599
00:29:52,760 --> 00:29:55,920
Speaker 1: she's doing her own tour she's taking. So now I'm

600
00:29:55,960 --> 00:30:02,880
Speaker 1: peeping like this one I realized this ship is really

601
00:30:03,040 --> 00:30:06,080
Speaker 1: really different, and it happened fast. I remember Drake did

602
00:30:06,560 --> 00:30:11,280
Speaker 1: Club Paradise. That was the name of Drake. I was hot.

603
00:30:14,040 --> 00:30:16,400
Speaker 1: What were you about? I loved Drake, but I was hot.

604
00:30:17,360 --> 00:30:19,239
Speaker 1: I think me and I think me and Gutta gut

605
00:30:19,280 --> 00:30:20,920
Speaker 1: It might have been I don't know if gut It

606
00:30:21,000 --> 00:30:23,920
Speaker 1: was too hot, but I was hot, and I think

607
00:30:24,040 --> 00:30:26,600
Speaker 1: I was hot because I was thinking something was gonna

608
00:30:26,640 --> 00:30:28,920
Speaker 1: go a certain way, Like did you think you were

609
00:30:28,920 --> 00:30:31,960
Speaker 1: supposed to be on the tour? Yes, I will completely.

610
00:30:33,760 --> 00:30:37,160
Speaker 1: I was every that was big, that was basically everybody

611
00:30:37,480 --> 00:30:39,680
Speaker 1: that was doing the same thing that we were doing

612
00:30:39,800 --> 00:30:43,360
Speaker 1: at that time that wasn't with Young Money. I remember that.

613
00:30:43,520 --> 00:30:46,840
Speaker 1: I remember, and I loved Drake. I ain't gonna lie.

614
00:30:46,880 --> 00:30:49,400
Speaker 1: I loved Drake with all my heart. Man. I love Nikki,

615
00:30:49,480 --> 00:30:52,960
Speaker 1: I love Tiger, Wayne Gutta, mac Maine, Twist, I love

616
00:30:53,240 --> 00:30:55,800
Speaker 1: all the everybody that was a part of that ride

617
00:30:56,400 --> 00:30:58,240
Speaker 1: who were young Money whoever. We still because me and

618
00:30:58,320 --> 00:31:00,880
Speaker 1: Tiger not young money no more. But I I'm not

619
00:31:00,960 --> 00:31:03,120
Speaker 1: covering my young Money tattoo, like I still sign my

620
00:31:03,200 --> 00:31:05,520
Speaker 1: checks and you still see it. Because that was a

621
00:31:05,880 --> 00:31:07,720
Speaker 1: decade of my life. That was a that was like

622
00:31:07,760 --> 00:31:11,240
Speaker 1: a real period of my life. But there were a

623
00:31:11,320 --> 00:31:15,040
Speaker 1: lot of times that in that period I started to see, oh,

624
00:31:15,160 --> 00:31:20,440
Speaker 1: we're label mates, we homies, but we're label mates, and

625
00:31:20,480 --> 00:31:23,600
Speaker 1: you can't you can't forget that because you didn't grow

626
00:31:23,720 --> 00:31:26,520
Speaker 1: up with these people. You met these people on some

627
00:31:26,720 --> 00:31:34,200
Speaker 1: business shit, so people people get traded. At this time,

628
00:31:34,240 --> 00:31:36,880
Speaker 1: we still got the same uniform on. So I'm looking

629
00:31:36,920 --> 00:31:39,840
Speaker 1: at it like, damn, I would have thought we could

630
00:31:39,840 --> 00:31:42,920
Speaker 1: at least open up. You know what I'm saying, like

631
00:31:43,080 --> 00:31:46,680
Speaker 1: thro take us out there like Tune took you or

632
00:31:47,960 --> 00:31:50,840
Speaker 1: or Nikki too. You know what I'm saying, like, take

633
00:31:50,920 --> 00:31:53,920
Speaker 1: us out there like you took dadg Loaf or this

634
00:31:54,080 --> 00:31:56,680
Speaker 1: one and this one. Even if we not hot, like that,

635
00:31:56,840 --> 00:32:00,000
Speaker 1: make us hot. Somebody made you hot now once again,

636
00:32:00,360 --> 00:32:03,440
Speaker 1: to be fair, to be fair, this is just me

637
00:32:03,640 --> 00:32:07,160
Speaker 1: and my feeling here at that time as a younger artist.

638
00:32:07,880 --> 00:32:10,040
Speaker 1: I'm in my feelings because I'm like, yo, we crewe

639
00:32:10,320 --> 00:32:14,400
Speaker 1: we We didn't both had to go chase the tour

640
00:32:14,480 --> 00:32:18,040
Speaker 1: people around for pudem before. Like did you communicate that

641
00:32:18,240 --> 00:32:20,040
Speaker 1: to Drake or did Drake ever like know that you

642
00:32:20,280 --> 00:32:23,240
Speaker 1: you were? Once again, what I'm saying is, at that time,

643
00:32:23,520 --> 00:32:26,560
Speaker 1: we were in our feelings about shit. I'm saying might

644
00:32:26,600 --> 00:32:28,760
Speaker 1: have been in his feelings about shit with us that

645
00:32:28,920 --> 00:32:30,680
Speaker 1: we don't know about. You know, he might have been

646
00:32:30,720 --> 00:32:33,800
Speaker 1: in his feelings with about Wayne or Tesz or you

647
00:32:33,840 --> 00:32:36,000
Speaker 1: know what I'm saying. It was times that Wayne might

648
00:32:36,040 --> 00:32:37,760
Speaker 1: have been in his feelings with some shit about tests

649
00:32:37,840 --> 00:32:40,000
Speaker 1: and Drake might have paid for it, you know what

650
00:32:40,040 --> 00:32:42,840
Speaker 1: I'm saying, Like it might have been some times that

651
00:32:43,880 --> 00:32:46,760
Speaker 1: Wayne wasn't He just wasn't fucking with New York. And

652
00:32:46,840 --> 00:32:49,600
Speaker 1: when I walk in the room, it's just like fucking

653
00:32:49,600 --> 00:32:52,720
Speaker 1: old New York ass nigga nothing. It's not like the

654
00:32:52,920 --> 00:32:54,720
Speaker 1: end of the world. It's not in person, but you

655
00:32:54,800 --> 00:32:57,240
Speaker 1: gotta think when you around people. As long as we

656
00:32:57,440 --> 00:33:01,360
Speaker 1: was around each other, young money, shit was a long ride.

657
00:33:01,520 --> 00:33:04,920
Speaker 1: That shit wasn't like no two three year you hot

658
00:33:05,560 --> 00:33:07,840
Speaker 1: and then you hear it's like nah, we all went

659
00:33:07,880 --> 00:33:11,640
Speaker 1: from one bus. We was all on Wayne bus to

660
00:33:11,800 --> 00:33:14,320
Speaker 1: now it's Wayne Buss and an artist bus. Now we're

661
00:33:14,320 --> 00:33:16,840
Speaker 1: all on the artist bus. To now it's Wayne Buster,

662
00:33:17,000 --> 00:33:20,040
Speaker 1: artist bus, Drake Bus, Nikki Bust, the band bust, the

663
00:33:20,200 --> 00:33:24,640
Speaker 1: dancers bus, the chef bust, the crew. Like that shit changed.

664
00:33:24,680 --> 00:33:27,640
Speaker 1: I went from doing clubs to performing in front of

665
00:33:27,840 --> 00:33:30,760
Speaker 1: When I say Jay, you say males, Jay, Jay, where

666
00:33:30,800 --> 00:33:32,800
Speaker 1: you at Milsey? And then my shit come on and

667
00:33:32,840 --> 00:33:34,800
Speaker 1: I'm like, damn, I never heard people scream for me

668
00:33:34,920 --> 00:33:38,040
Speaker 1: like that. So it was a hell of a ride.

669
00:33:38,160 --> 00:33:41,960
Speaker 1: But in along that ride, you did learn shit. You

670
00:33:42,040 --> 00:33:43,760
Speaker 1: know what I'm saying. You did learn that, Yo, Drake,

671
00:33:43,800 --> 00:33:48,040
Speaker 1: don't gotta do nothing for you nothing. Now, once I

672
00:33:48,120 --> 00:33:51,719
Speaker 1: got that through my head, I was cool. It's like, yo,

673
00:33:51,760 --> 00:33:53,600
Speaker 1: I don't know, I'm not tripping. If he come out

674
00:33:53,640 --> 00:33:55,960
Speaker 1: with six or seven albums and I'm not on none

675
00:33:56,000 --> 00:33:58,600
Speaker 1: of them, I could still find the dopeness in the

676
00:33:58,640 --> 00:34:01,480
Speaker 1: fucking album. It's like, it's cool, bro, It's not the

677
00:34:01,640 --> 00:34:06,160
Speaker 1: end of the world if somebody don't pull you along,

678
00:34:06,640 --> 00:34:09,239
Speaker 1: like especially if you never told me you was gonna

679
00:34:09,239 --> 00:34:12,440
Speaker 1: pull me along and it's all in your head. You

680
00:34:12,480 --> 00:34:14,400
Speaker 1: know what I'm saying. Did you ever help Wayne with

681
00:34:14,480 --> 00:34:17,040
Speaker 1: any writing? Because and this is a thing too, I

682
00:34:17,080 --> 00:34:18,799
Speaker 1: want because there was like there's there's been a lot

683
00:34:18,840 --> 00:34:21,040
Speaker 1: of rumors about like Gilly used to write for him,

684
00:34:21,160 --> 00:34:23,200
Speaker 1: and well I wasn't around for that. Was I wasn't

685
00:34:23,200 --> 00:34:25,640
Speaker 1: around for the Gilly show. I mean, like you got

686
00:34:25,640 --> 00:34:27,680
Speaker 1: at like did he ever tap in with you for

687
00:34:27,760 --> 00:34:30,680
Speaker 1: some bars? I will say this, There's been many times

688
00:34:30,760 --> 00:34:33,480
Speaker 1: that we're in the studio and Wayne might be like,

689
00:34:34,840 --> 00:34:37,480
Speaker 1: y'all tell me what you think it is yo, okay

690
00:34:38,040 --> 00:34:41,680
Speaker 1: m m, but yeah, like that's what I got for

691
00:34:41,760 --> 00:34:43,480
Speaker 1: right now. But I feel like that's natural. That's like

692
00:34:43,560 --> 00:34:46,680
Speaker 1: any studio. I will go down stairs in the studio

693
00:34:46,760 --> 00:34:50,239
Speaker 1: with Wayne and be like, Yo, this I got. I

694
00:34:50,320 --> 00:34:52,520
Speaker 1: got like twelve, but I don't know if how she

695
00:34:52,719 --> 00:34:55,239
Speaker 1: does sixteen or twelve, but this is what I got.

696
00:34:55,320 --> 00:34:57,680
Speaker 1: I wanted to say this next, but I don't know

697
00:34:57,760 --> 00:35:00,560
Speaker 1: how that ship sound like what you say that. But

698
00:35:00,640 --> 00:35:02,759
Speaker 1: if you flip it this way and just say it

699
00:35:02,880 --> 00:35:04,600
Speaker 1: like this, so that mean Wayne wrote for me. Now,

700
00:35:05,920 --> 00:35:08,200
Speaker 1: that's just because I watched Kanye West go in the

701
00:35:08,280 --> 00:35:12,640
Speaker 1: studio Kanye. I watched Kanye play Lucifer for jay Z

702
00:35:14,360 --> 00:35:16,520
Speaker 1: and say I'm from the murder Capital where we murder

703
00:35:16,600 --> 00:35:19,279
Speaker 1: for capitals. If you don't use this, I'm gonna use

704
00:35:19,280 --> 00:35:21,480
Speaker 1: this for my album. And then jay Z got on

705
00:35:21,520 --> 00:35:23,200
Speaker 1: there and said I gotta get these devils out my

706
00:35:23,360 --> 00:35:25,719
Speaker 1: life and then cut it off and said, oh my,

707
00:35:25,840 --> 00:35:27,600
Speaker 1: oh god, I never read the Bible. Damn my life.

708
00:35:27,960 --> 00:35:29,960
Speaker 1: On Faith the Black, he says that I watched Kanye

709
00:35:30,120 --> 00:35:33,080
Speaker 1: go in there and give him Lucifer and say I'm

710
00:35:33,080 --> 00:35:35,560
Speaker 1: from the murder Capitol where they murder for capitals. Jay

711
00:35:35,640 --> 00:35:38,800
Speaker 1: Z was not from the Murder Capital Kanye West was.

712
00:35:38,880 --> 00:35:41,839
Speaker 1: But we will never say Kanye West wrote for jay Z. True.

713
00:35:42,000 --> 00:35:49,239
Speaker 1: We will never, even with clear fucking footage of it

714
00:35:49,440 --> 00:35:52,719
Speaker 1: in Fade the Black, we will never say Kanye West

715
00:35:52,800 --> 00:35:54,800
Speaker 1: wrote for jay Z. Well, why do you think the

716
00:35:55,239 --> 00:35:58,759
Speaker 1: Drake thing was recepted so differently? I think I think

717
00:35:58,880 --> 00:36:03,320
Speaker 1: personally it was because we heard the references. Yeah, and

718
00:36:03,440 --> 00:36:06,399
Speaker 1: that's kind of like, Oh, I think with Wayne too,

719
00:36:06,520 --> 00:36:10,920
Speaker 1: it was big because I think it only comes so

720
00:36:11,120 --> 00:36:13,839
Speaker 1: heavy like that when it's somebody you respect. So when

721
00:36:13,920 --> 00:36:16,040
Speaker 1: Gilly said this shit about Wayne, it was like, Nah,

722
00:36:16,080 --> 00:36:18,279
Speaker 1: Wayne been nice since he was thirteen. He didn't even

723
00:36:18,360 --> 00:36:20,320
Speaker 1: know you didn't, so how you saying you wrote? And

724
00:36:20,400 --> 00:36:21,880
Speaker 1: I don't think he was saying it like that. I

725
00:36:22,000 --> 00:36:24,439
Speaker 1: think he was just saying there was a time where

726
00:36:24,520 --> 00:36:28,120
Speaker 1: I was influencing the way that he rapped. Now. I

727
00:36:28,160 --> 00:36:32,040
Speaker 1: could understand that because we younger than Gilly. So I

728
00:36:32,160 --> 00:36:34,080
Speaker 1: was a major Figures fan too. I was on Dutch

729
00:36:34,120 --> 00:36:36,279
Speaker 1: and Spade too. I was on all that shit, Like

730
00:36:36,360 --> 00:36:39,640
Speaker 1: I bought Major Figures. I bought the album. You know

731
00:36:39,680 --> 00:36:41,960
Speaker 1: what I'm saying. I understood Gilly was with Suave House

732
00:36:42,000 --> 00:36:44,200
Speaker 1: and Tony Draper and ab Liva before he got was

733
00:36:44,400 --> 00:36:47,239
Speaker 1: I was a fan, I not was m still as

734
00:36:47,280 --> 00:36:49,080
Speaker 1: a fan with major figures, I'll still say they was

735
00:36:49,160 --> 00:36:52,759
Speaker 1: dead nice. So I can understand where Gilly's influence. He

736
00:36:52,800 --> 00:36:56,400
Speaker 1: could say like I influenced the all that swag raping

737
00:36:56,480 --> 00:36:59,919
Speaker 1: the dragon, the words, but I don't like you wrote

738
00:37:00,360 --> 00:37:02,720
Speaker 1: like wrote for him once again, I can't say he didn't,

739
00:37:02,840 --> 00:37:04,839
Speaker 1: but I could see what he could say he influenced him.

740
00:37:05,320 --> 00:37:09,680
Speaker 1: But Wayne is so like articulate with the way he

741
00:37:09,760 --> 00:37:15,520
Speaker 1: put his ship together. He he wants to put it together,

742
00:37:15,640 --> 00:37:16,840
Speaker 1: you know what I'm saying. He wants the craft in

743
00:37:16,880 --> 00:37:18,680
Speaker 1: and put it together. Now you can help him. You

744
00:37:18,760 --> 00:37:20,440
Speaker 1: could tell him, Nah, I don't think you should say it.

745
00:37:20,440 --> 00:37:22,279
Speaker 1: You should say it this way. But if I was

746
00:37:22,360 --> 00:37:25,560
Speaker 1: in here recording something, you might tell me that. Yo, Jay,

747
00:37:25,640 --> 00:37:28,160
Speaker 1: I think you that shit might have been crazy if

748
00:37:28,160 --> 00:37:30,160
Speaker 1: you would have said, oh shit, you know what, keV,

749
00:37:30,200 --> 00:37:33,920
Speaker 1: You're right, let's do it over. You know what I'm saying.

750
00:37:33,960 --> 00:37:35,840
Speaker 1: I think like you said with the Drake shit, we

751
00:37:35,960 --> 00:37:38,759
Speaker 1: heard the references. Yeah, the Drake thing. When you heard

752
00:37:38,800 --> 00:37:42,000
Speaker 1: the references, and it's like that was supposed to be

753
00:37:42,120 --> 00:37:43,880
Speaker 1: the go that was a little crazy, supposed to be

754
00:37:43,880 --> 00:37:45,919
Speaker 1: one of the greatest of all time. It's the same

755
00:37:46,080 --> 00:37:48,320
Speaker 1: that was a little crazy. But that's different than what

756
00:37:48,400 --> 00:37:51,600
Speaker 1: we're talking about. What we're talking about is, hey, we're

757
00:37:51,640 --> 00:37:53,640
Speaker 1: in the studio, let me help you with with the

758
00:37:53,760 --> 00:37:56,040
Speaker 1: with the Drake joint. Was it like the same verse

759
00:37:56,120 --> 00:37:59,200
Speaker 1: and all of that, or was the same like melody

760
00:37:59,280 --> 00:38:01,440
Speaker 1: of words and he changed some of the worlds. It

761
00:38:01,560 --> 00:38:03,799
Speaker 1: was the same shit. It was the same hook, same verse,

762
00:38:04,080 --> 00:38:07,400
Speaker 1: the same shit. Quentin Miller Man, No, I know he

763
00:38:07,440 --> 00:38:09,960
Speaker 1: did it, But I do also think listen to think

764
00:38:10,040 --> 00:38:12,640
Speaker 1: that Drake is incredible with his pen as an ignorant

765
00:38:13,640 --> 00:38:15,320
Speaker 1: thought to have. I think Drake is like one of

766
00:38:15,400 --> 00:38:18,480
Speaker 1: the best artists ever. Of course, I think, of course,

767
00:38:18,520 --> 00:38:21,640
Speaker 1: if we're having that discussion, like in life, everybody included.

768
00:38:22,160 --> 00:38:25,040
Speaker 1: So I just think that if you're Drake, you're probably

769
00:38:25,120 --> 00:38:28,480
Speaker 1: so fucking busy, Like he's probably torn doing all kinds

770
00:38:28,520 --> 00:38:30,759
Speaker 1: of shit and people are sending references and he might

771
00:38:30,840 --> 00:38:32,440
Speaker 1: just be like, yeah, that shits hot, Like let me Like,

772
00:38:33,000 --> 00:38:35,759
Speaker 1: I personally don't rappers do that all the time, man,

773
00:38:35,840 --> 00:38:37,919
Speaker 1: I know they do. It's just it was him. It's

774
00:38:38,000 --> 00:38:41,680
Speaker 1: Drake that the references came out on because once again,

775
00:38:41,960 --> 00:38:44,560
Speaker 1: I will always go back to this, like Fade the

776
00:38:44,640 --> 00:38:49,399
Speaker 1: Black with Kanye West and jay Z. Nobody will ever

777
00:38:49,480 --> 00:38:51,839
Speaker 1: say Kanye West wrote for jay Z, but they'll turn

778
00:38:51,880 --> 00:38:55,759
Speaker 1: around and say somebody wrote for Kanye, but they won't

779
00:38:55,840 --> 00:38:57,919
Speaker 1: give him that same respect and be like he took

780
00:38:57,960 --> 00:39:01,000
Speaker 1: a song into jay Z's session, said this is the

781
00:39:01,160 --> 00:39:04,239
Speaker 1: hook and if you don't use this, I'm gonna use

782
00:39:04,280 --> 00:39:06,600
Speaker 1: it on my album. And if you go pull up

783
00:39:07,640 --> 00:39:11,719
Speaker 1: the Black album, he word for words said yah shit

784
00:39:11,840 --> 00:39:14,040
Speaker 1: that Ya brought him in the studio and we overlooked it.

785
00:39:14,440 --> 00:39:18,279
Speaker 1: We overlooked it because Drake ain't jay Z at that time.

786
00:39:18,719 --> 00:39:21,959
Speaker 1: But Drake is up there man now. At that time,

787
00:39:22,560 --> 00:39:24,239
Speaker 1: we were still talking about oh, he wrapped on the

788
00:39:24,320 --> 00:39:28,160
Speaker 1: BlackBerry on Flex. Yeah, And it was only because you've

789
00:39:28,280 --> 00:39:31,520
Speaker 1: seen him with the BlackBerry. I know a million rappers

790
00:39:31,600 --> 00:39:34,279
Speaker 1: that went up to funk Master Flex show and their

791
00:39:34,400 --> 00:39:36,759
Speaker 1: phone is on the speaker, but you can't see it.

792
00:39:37,719 --> 00:39:40,480
Speaker 1: People come to our show all the time. Don't tell

793
00:39:40,520 --> 00:39:42,920
Speaker 1: me this, Let's just go to Sun else. Don't tell

794
00:39:42,960 --> 00:39:45,800
Speaker 1: me this. I've had artists have their lyrics on my

795
00:39:45,920 --> 00:39:48,239
Speaker 1: laptop in front of them and the laptops off. Are

796
00:39:48,239 --> 00:39:50,880
Speaker 1: you doing this? Man? But to be fair, because you

797
00:39:50,960 --> 00:39:53,719
Speaker 1: know it's funny because they're gonna know exactly who you're

798
00:39:53,719 --> 00:39:55,759
Speaker 1: talking about when this no no, no, Like one of

799
00:39:55,800 --> 00:39:58,400
Speaker 1: my boys, I'm cool listening. One of the homies. I'm

800
00:39:58,400 --> 00:39:59,920
Speaker 1: not gonna say his name, really close close friend of

801
00:40:00,400 --> 00:40:02,680
Speaker 1: he wrote the ship like when he got to the stage.

802
00:40:02,760 --> 00:40:06,160
Speaker 1: That's different. So that is different, that's different. But no,

803
00:40:06,320 --> 00:40:08,040
Speaker 1: he wrote it on the spot, that's dope. He literally

804
00:40:08,160 --> 00:40:11,360
Speaker 1: was like, yo, throwing a beat and then he was like,

805
00:40:11,400 --> 00:40:13,319
Speaker 1: give me like twenty minutes and I'll have something now

806
00:40:13,360 --> 00:40:15,239
Speaker 1: that's dope. And then he and then he was like, yeah,

807
00:40:15,239 --> 00:40:18,200
Speaker 1: I got something written that's different. I can respect that. Yes, Now,

808
00:40:18,640 --> 00:40:20,760
Speaker 1: there has been artists that have come in who literally

809
00:40:20,840 --> 00:40:23,080
Speaker 1: put their phone on the thing. And then I got

810
00:40:23,200 --> 00:40:25,840
Speaker 1: to I'm like, because I'm like, I want a good freestyle.

811
00:40:26,239 --> 00:40:28,520
Speaker 1: So I'm out of camera and I'm literally with my

812
00:40:28,600 --> 00:40:35,400
Speaker 1: fingers scrolling down there. That shit happens. Yeah, But this

813
00:40:35,560 --> 00:40:36,840
Speaker 1: is one thing I do want to say about the

814
00:40:36,880 --> 00:40:40,719
Speaker 1: Young Money shit. I feel like the way the Young

815
00:40:40,760 --> 00:40:43,520
Speaker 1: Money shit played out for all of us, believe it

816
00:40:43,640 --> 00:40:47,279
Speaker 1: or not, believe it, or not. That was exactly how

817
00:40:47,320 --> 00:40:51,439
Speaker 1: I was supposed to play out. If I could say, Man,

818
00:40:51,560 --> 00:40:55,560
Speaker 1: Wayne fucked my shit up, that'd be different. I can't

819
00:40:55,600 --> 00:40:57,879
Speaker 1: say Wayne fucked my shit up. The good outwegh to bad.

820
00:40:58,520 --> 00:41:01,080
Speaker 1: He did more than he didn't do, you know what

821
00:41:01,120 --> 00:41:04,000
Speaker 1: I'm saying. So I might could say I ain't gonna

822
00:41:04,000 --> 00:41:05,480
Speaker 1: lie I was a little I was a little hot

823
00:41:05,560 --> 00:41:08,920
Speaker 1: behind Club Paradise. It might be the only thing that

824
00:41:09,000 --> 00:41:11,759
Speaker 1: I could say I was ever hot behind with Drake.

825
00:41:11,800 --> 00:41:13,720
Speaker 1: But I could name so much of a good ship,

826
00:41:14,440 --> 00:41:16,720
Speaker 1: you know what I'm saying. I could say, well, Nikki

827
00:41:16,800 --> 00:41:19,200
Speaker 1: never really like took me onto a nehba, same way

828
00:41:19,280 --> 00:41:21,320
Speaker 1: Drake didn't. She never really put me on nothing like

829
00:41:21,360 --> 00:41:25,359
Speaker 1: that neither, but stopped it stopped there. I can't say

830
00:41:25,520 --> 00:41:28,800
Speaker 1: anything else. And it's and those things are me and

831
00:41:28,920 --> 00:41:31,600
Speaker 1: my feelings. That's artist ship, that's rapper ship. Thinking you.

832
00:41:33,120 --> 00:41:37,480
Speaker 1: I wouldn't say ego ship. I would say it's feeling like, uh,

833
00:41:38,200 --> 00:41:44,680
Speaker 1: what's the word, uh not prideful, feeling like you uhled

834
00:41:45,360 --> 00:41:50,080
Speaker 1: entitlement that and that that we crew. So I'm entitled

835
00:41:50,520 --> 00:41:52,840
Speaker 1: to first DIBs on something or what you did for

836
00:41:52,960 --> 00:41:55,399
Speaker 1: that artist. You could have did that for me. We crew.

837
00:41:55,680 --> 00:41:57,680
Speaker 1: It's that that's that entitlement, you know what I'm saying,

838
00:41:57,760 --> 00:42:01,120
Speaker 1: so and not saying that you partially shouldn't have that

839
00:42:01,360 --> 00:42:03,480
Speaker 1: entitlement with your team, you know what I'm saying. But

840
00:42:04,040 --> 00:42:05,879
Speaker 1: some of it might have just been me thinking too much.

841
00:42:06,080 --> 00:42:08,920
Speaker 1: But once again, the good outwegh to bad with everybody.

842
00:42:09,120 --> 00:42:13,680
Speaker 1: So it's not like that's not changing. It's not like, oh,

843
00:42:13,680 --> 00:42:15,400
Speaker 1: I don't follow that nigga, ain't like him. I don't care.

844
00:42:15,880 --> 00:42:17,759
Speaker 1: I don't care about she just had kids. Don't give

845
00:42:17,760 --> 00:42:20,000
Speaker 1: fuck if it's his son's birthday on kid. It's like, Bro,

846
00:42:20,160 --> 00:42:22,120
Speaker 1: that shit was It's not that Sari, It's not that deep. Okay,

847
00:42:22,160 --> 00:42:24,920
Speaker 1: So you're behind the scenes. I want to know because

848
00:42:25,880 --> 00:42:28,439
Speaker 1: pusha T Is one of my favorite rappers ever. Push

849
00:42:28,480 --> 00:42:31,360
Speaker 1: your T has been He was poking and prodding at

850
00:42:31,440 --> 00:42:34,520
Speaker 1: little Wayne for years ever since mister Me too, which

851
00:42:34,600 --> 00:42:37,600
Speaker 1: is for long. That's prior to you being with Young Money,

852
00:42:37,760 --> 00:42:41,960
Speaker 1: that sugar Push your T and Young Money or Wayne, shit,

853
00:42:42,040 --> 00:42:44,160
Speaker 1: that should go back way before me. Like I just

854
00:42:44,719 --> 00:42:47,160
Speaker 1: I just probably only entertained it because I was young

855
00:42:47,239 --> 00:42:49,120
Speaker 1: money at the time. Yeah, because you know what I'm saying,

856
00:42:49,640 --> 00:42:52,399
Speaker 1: it took Wayne. I want to say it was maybe

857
00:42:52,760 --> 00:42:54,759
Speaker 1: three or four years ago he finally said push his

858
00:42:54,880 --> 00:42:57,120
Speaker 1: name on a record or it was, I don't remember

859
00:42:57,200 --> 00:42:59,840
Speaker 1: what he said. He's finally acknowledged push your ta officially,

860
00:43:00,200 --> 00:43:04,279
Speaker 1: and I was like wow, but like was that like

861
00:43:05,000 --> 00:43:09,359
Speaker 1: was that something that like like like was a known

862
00:43:09,480 --> 00:43:11,560
Speaker 1: issue in the crew, like, man, this fuck these guys

863
00:43:11,640 --> 00:43:14,440
Speaker 1: over here, Man, they're fucking disrespect now you know why?

864
00:43:14,560 --> 00:43:17,480
Speaker 1: Because Wayne be in his own little world, So Wayne

865
00:43:17,560 --> 00:43:21,040
Speaker 1: don't really listen, like he don't really be knowing what

866
00:43:21,160 --> 00:43:23,440
Speaker 1: be going on. It'd be like me or gutt or

867
00:43:23,560 --> 00:43:26,480
Speaker 1: like show him something. Yeah, a little twist would always

868
00:43:26,480 --> 00:43:28,160
Speaker 1: come in and show him some shit on the laptop

869
00:43:28,320 --> 00:43:30,239
Speaker 1: or or Twitter or Instagram. Here a big bro, look

870
00:43:30,239 --> 00:43:32,800
Speaker 1: at this. So he would be so far into his

871
00:43:33,000 --> 00:43:36,800
Speaker 1: music he wouldn't really know about like the darts, but

872
00:43:36,920 --> 00:43:39,040
Speaker 1: when he find out about it, it'd be like a

873
00:43:39,160 --> 00:43:40,839
Speaker 1: word or pull that shit up, let me see that shit.

874
00:43:41,520 --> 00:43:44,279
Speaker 1: And then everybody, like all assistance and managers to be like,

875
00:43:44,360 --> 00:43:47,000
Speaker 1: oh god, males, why did you get them started? I

876
00:43:47,120 --> 00:43:53,279
Speaker 1: remember we was in the studio and Yay came to

877
00:43:53,360 --> 00:44:01,920
Speaker 1: play him over this Atoven production. I don't know if

878
00:44:01,960 --> 00:44:06,240
Speaker 1: I even wanted to know his story, you gotta started.

879
00:44:06,360 --> 00:44:11,880
Speaker 1: But first time Wayne heard he heard him right, he

880
00:44:11,960 --> 00:44:18,560
Speaker 1: didn't feel that ship. Uh the damn what was the

881
00:44:18,680 --> 00:44:21,719
Speaker 1: barn then? Man? I just remember the baby money you got,

882
00:44:21,800 --> 00:44:24,560
Speaker 1: baby money. That ain't my late something, my lady money.

883
00:44:24,640 --> 00:44:26,920
Speaker 1: That's baby money you got like it was some ship

884
00:44:27,120 --> 00:44:31,600
Speaker 1: like that. M Wayne walked out the room, song still playing,

885
00:44:32,880 --> 00:44:35,080
Speaker 1: like just went to go get like a cup of

886
00:44:35,160 --> 00:44:39,439
Speaker 1: water and ship like yeah. And I remember like two

887
00:44:39,560 --> 00:44:45,279
Speaker 1: days later he did a song. Was he Drake, Jada

888
00:44:45,360 --> 00:44:49,959
Speaker 1: Kiss and Wayne? Was that Carter three? Kidnap your bitch,

889
00:44:50,280 --> 00:44:53,160
Speaker 1: Kidnap your bitch, See how much you love your lady money?

890
00:44:54,840 --> 00:44:56,960
Speaker 1: That was Carter three? I think that was that was

891
00:44:57,520 --> 00:44:59,239
Speaker 1: I think it was Drake. It might have been. It

892
00:44:59,320 --> 00:45:00,879
Speaker 1: might have been called A four. Carter Foy was Drake,

893
00:45:01,280 --> 00:45:03,719
Speaker 1: Jadakiss and Wayne. Because Washing the Throne came out in

894
00:45:03,719 --> 00:45:06,000
Speaker 1: twenty eleven, it was four four apart, it was four.

895
00:45:06,480 --> 00:45:08,600
Speaker 1: I remember, I don't remember much from that album. It

896
00:45:08,640 --> 00:45:10,600
Speaker 1: wasn't good. This is when I liked Carter four. It

897
00:45:10,680 --> 00:45:13,600
Speaker 1: just wasn't Carter three. It just wasn't Carter three. Carter

898
00:45:13,680 --> 00:45:19,080
Speaker 1: four was fired it, Uh, I remember he was like, Yo,

899
00:45:19,200 --> 00:45:22,640
Speaker 1: y'all think that's too much, And everybody was like, nah,

900
00:45:22,640 --> 00:45:24,120
Speaker 1: I think you should take that ball out. Man, I

901
00:45:24,120 --> 00:45:30,479
Speaker 1: don't think you should really say that. Man, fuck that ship.

902
00:45:30,560 --> 00:45:32,640
Speaker 1: Say that shit. Everybody got mad at me. So when

903
00:45:32,840 --> 00:45:34,680
Speaker 1: he's like you know what, I was like, Yo, do

904
00:45:34,800 --> 00:45:39,520
Speaker 1: you feel like he was talking about you? Not necessarily?

905
00:45:39,680 --> 00:45:41,320
Speaker 1: I was like, Bro, this's his words. It ain't like you.

906
00:45:41,719 --> 00:45:45,120
Speaker 1: It ain't like if he was talking about you. He

907
00:45:45,200 --> 00:45:49,720
Speaker 1: said that it was j So at this point, nigga,

908
00:45:49,800 --> 00:45:52,880
Speaker 1: you you you you just sold a million records. Of

909
00:45:52,960 --> 00:45:54,719
Speaker 1: course first week, came home and you about to do

910
00:45:54,800 --> 00:45:57,560
Speaker 1: it again. This is you you right now if you

911
00:45:57,920 --> 00:46:00,520
Speaker 1: feel this is just a battle rapper and at this time,

912
00:46:00,560 --> 00:46:02,360
Speaker 1: but this is how much I fuck with Wayne. This

913
00:46:02,440 --> 00:46:04,520
Speaker 1: is this is what Wayne looks at me for. You

914
00:46:04,560 --> 00:46:06,840
Speaker 1: know what I'm saying. I'm like, do you feel like

915
00:46:07,160 --> 00:46:11,000
Speaker 1: it was a shot? You? I'm like, nah, seriously, do

916
00:46:11,080 --> 00:46:13,160
Speaker 1: you feel it was a shot? Because if you didn't

917
00:46:13,160 --> 00:46:14,880
Speaker 1: feel it was a shot, you wouldn't have thought of

918
00:46:14,960 --> 00:46:18,040
Speaker 1: the ball you thought of So you asking us for

919
00:46:18,239 --> 00:46:21,960
Speaker 1: validation to go in there to go say what you feel? Now?

920
00:46:24,040 --> 00:46:26,919
Speaker 1: You know what you right? He went in there turn

921
00:46:27,000 --> 00:46:32,880
Speaker 1: me up lighter, everybody looking at me. Yeah, because I

922
00:46:32,920 --> 00:46:34,480
Speaker 1: do feel like, why would you tell him to do that?

923
00:46:34,560 --> 00:46:36,840
Speaker 1: There was like this period of time where and I'm like,

924
00:46:36,920 --> 00:46:38,879
Speaker 1: why not, though, I'm like, at the end of the day,

925
00:46:39,000 --> 00:46:42,560
Speaker 1: it's words, it's a sport, it's rap. It's not like

926
00:46:42,960 --> 00:46:45,879
Speaker 1: he said I'm gonna kill you. You felt he said

927
00:46:45,960 --> 00:46:48,799
Speaker 1: something and you wanted to say something back. Do you rap?

928
00:46:48,920 --> 00:46:51,120
Speaker 1: Do you feel like that there was some contention growing

929
00:46:51,200 --> 00:46:53,840
Speaker 1: between Hove and Wayne. I feel like there's some contention

930
00:46:54,000 --> 00:46:57,840
Speaker 1: growing between Hove and anybody else that gets hot to

931
00:46:57,960 --> 00:47:01,800
Speaker 1: the point where they're on his radar. Yeah, because I

932
00:47:01,920 --> 00:47:03,719
Speaker 1: remember I remember that we should go that should go

933
00:47:03,840 --> 00:47:05,880
Speaker 1: back to nas Well, there was the rumors that that

934
00:47:06,000 --> 00:47:08,239
Speaker 1: Wayne was gonna leave Cash Money and then signed with

935
00:47:08,360 --> 00:47:10,800
Speaker 1: Rocking Rock. I remember that. I remember that being a

936
00:47:10,840 --> 00:47:13,200
Speaker 1: thing a few different times, and then and then it

937
00:47:13,280 --> 00:47:15,399
Speaker 1: seemed like they been back before I was with Young Money.

938
00:47:15,440 --> 00:47:18,040
Speaker 1: I think Wayne and Jay had some business history. I

939
00:47:18,080 --> 00:47:20,560
Speaker 1: think Jay was gonna sign him or he was going

940
00:47:20,640 --> 00:47:22,759
Speaker 1: to give him, like a situation to something that go

941
00:47:22,880 --> 00:47:29,120
Speaker 1: back and then it said what happened said in an

942
00:47:29,160 --> 00:47:37,640
Speaker 1: interview that they were talking mm hmm. But then there

943
00:47:37,760 --> 00:47:41,359
Speaker 1: was like after the Carter three, it felt like there

944
00:47:41,480 --> 00:47:45,880
Speaker 1: was like this almost like an unspoken like like like

945
00:47:46,840 --> 00:47:48,840
Speaker 1: energy between the two where it was like Wayne was

946
00:47:48,880 --> 00:47:51,279
Speaker 1: the only guy who was like challenging Hove. Is that dude?

947
00:47:52,280 --> 00:47:53,759
Speaker 1: And I felt like that. I feel like it was

948
00:47:53,800 --> 00:47:56,759
Speaker 1: definitely like was that talked about like openly or was

949
00:47:56,800 --> 00:48:00,359
Speaker 1: it more just like you mean amongst us like the crew, Nah,

950
00:48:00,680 --> 00:48:03,359
Speaker 1: we always looked at even Wayne. Wayne look at Jay

951
00:48:03,480 --> 00:48:07,680
Speaker 1: like Jay, you the go. But Wayne his favorite like

952
00:48:08,440 --> 00:48:13,320
Speaker 1: person ever is like Prince Kobe Bryant. Like if anybody

953
00:48:13,440 --> 00:48:15,799
Speaker 1: knows Wayne, they will tell you mails No, Wayne off

954
00:48:15,880 --> 00:48:19,919
Speaker 1: that it's Prince and Kobe Bryant. Michael Jackson is cool,

955
00:48:20,080 --> 00:48:23,680
Speaker 1: but to Wayne, Michael Jackson isn't Prince, you know what

956
00:48:23,719 --> 00:48:27,439
Speaker 1: I'm saying. Jordan Jordan is cool too, but to Wayne, yeah,

957
00:48:27,480 --> 00:48:30,000
Speaker 1: Kobe could have won seven, you know what I'm saying.

958
00:48:30,040 --> 00:48:33,560
Speaker 1: So it's like menia. His mentality is I love Mike,

959
00:48:34,160 --> 00:48:37,279
Speaker 1: but I'm coming at him. And I think that's what

960
00:48:37,440 --> 00:48:39,719
Speaker 1: it always was with Jay, even if you go back

961
00:48:39,760 --> 00:48:43,000
Speaker 1: to I'm the best rapper alive since the best rapper retired,

962
00:48:43,719 --> 00:48:46,200
Speaker 1: and then once JD wasn't retiring no more. He never

963
00:48:46,239 --> 00:48:48,440
Speaker 1: stopped calling himself the best rapper alive though. He just

964
00:48:48,840 --> 00:48:51,640
Speaker 1: kept calling himself. It's like, oh you back. I thought

965
00:48:51,680 --> 00:48:53,960
Speaker 1: it was my turn. I thought you was retiring. Well

966
00:48:54,000 --> 00:48:56,120
Speaker 1: I'm still. I'm still that nigga here. So if you

967
00:48:56,280 --> 00:48:58,640
Speaker 1: that nigga and I'm I'm the best, though I know

968
00:48:58,719 --> 00:49:01,279
Speaker 1: you might be the greatest, but I'm the best, Like

969
00:49:01,440 --> 00:49:03,800
Speaker 1: right now, I'm the best. And I think Wayne just

970
00:49:03,920 --> 00:49:07,080
Speaker 1: carried that shit for so long. He carried that shit

971
00:49:07,160 --> 00:49:10,799
Speaker 1: for so long. It's you heard it when you when

972
00:49:10,800 --> 00:49:12,840
Speaker 1: you heard him about to come on a song, you

973
00:49:13,000 --> 00:49:15,000
Speaker 1: just felt that energy like he just feel he about

974
00:49:15,000 --> 00:49:16,920
Speaker 1: to come on. He used to tell us that he

975
00:49:17,000 --> 00:49:19,160
Speaker 1: used to play beats and look at me and Drake

976
00:49:19,280 --> 00:49:22,839
Speaker 1: and Nikki and Tyger Gutto whoever's on the song. Oh,

977
00:49:22,880 --> 00:49:25,080
Speaker 1: I'm just letting your balls know, like I'm gonna kill

978
00:49:25,080 --> 00:49:26,920
Speaker 1: all your niggas on this song right now and turn

979
00:49:26,960 --> 00:49:28,640
Speaker 1: around and just turn the ship all the way back

980
00:49:28,680 --> 00:49:30,719
Speaker 1: up and like this blood that's crazy. So when you

981
00:49:31,120 --> 00:49:33,840
Speaker 1: at some point, now we come on the record like

982
00:49:33,920 --> 00:49:37,240
Speaker 1: that too. Now, Nikki, come on, I'm a motherfucking mine stuff.

983
00:49:37,280 --> 00:49:39,719
Speaker 1: But she come on like I want to kill I

984
00:49:39,760 --> 00:49:42,920
Speaker 1: don't think Little Chucky ever playing a record like that. Damn, Yo,

985
00:49:43,040 --> 00:49:45,840
Speaker 1: you really don't like Chucky was horrible. I was like,

986
00:49:45,880 --> 00:49:47,879
Speaker 1: why these Why is he signing these twelve year old

987
00:49:47,920 --> 00:49:50,479
Speaker 1: children who can't rap? Shout out to Chuck and shout

988
00:49:50,480 --> 00:49:53,000
Speaker 1: out to Twists. Man. Look, the views of Bootleg keV

989
00:49:53,320 --> 00:49:56,480
Speaker 1: are nothing to do with the views and Mills. Yeah,

990
00:49:57,239 --> 00:50:01,080
Speaker 1: I can you know what though, I can respect, Nah,

991
00:50:01,120 --> 00:50:03,000
Speaker 1: I don't want to say I could respect because those

992
00:50:03,000 --> 00:50:09,200
Speaker 1: still my little homies forever. I can understand a person

993
00:50:09,360 --> 00:50:12,560
Speaker 1: like you being like, nah, they was fucking trash because

994
00:50:12,560 --> 00:50:15,040
Speaker 1: they could look. Look who they standing next to. They

995
00:50:15,120 --> 00:50:20,640
Speaker 1: standing next to Wayne Drake, Nikki Tiger Mills. I'm godly

996
00:50:20,719 --> 00:50:22,840
Speaker 1: with this lyric. If I never put out an album

997
00:50:23,320 --> 00:50:26,040
Speaker 1: with Young Money. I always used to say I was

998
00:50:26,120 --> 00:50:28,480
Speaker 1: who I was before I got here. I'm godly. I'm

999
00:50:28,520 --> 00:50:30,160
Speaker 1: gonna let you know me for what you know me for.

1000
00:50:30,920 --> 00:50:33,279
Speaker 1: This can't change that, it can add on. I have

1001
00:50:33,440 --> 00:50:36,040
Speaker 1: plaques for one hundred million streams, and I have plaques

1002
00:50:36,080 --> 00:50:38,759
Speaker 1: for four times Platinum, two times Platinum, Billboard Peak one

1003
00:50:38,800 --> 00:50:44,239
Speaker 1: Peak two Peak seven. That's more than I had before

1004
00:50:44,239 --> 00:50:47,160
Speaker 1: I got there. True, So the good outway to bad.

1005
00:50:47,239 --> 00:50:48,839
Speaker 1: You know what I'm saying a lot of people, they

1006
00:50:48,960 --> 00:50:52,640
Speaker 1: might have loved Drake and Wayne, but they looked at me,

1007
00:50:52,760 --> 00:50:54,520
Speaker 1: how you looked that little chucky in a little twist

1008
00:50:55,640 --> 00:50:58,239
Speaker 1: like oh my god, Jay Mills and Gutta Gutta was

1009
00:50:58,440 --> 00:51:01,520
Speaker 1: fucking horrible. They may look at us like it's just

1010
00:51:01,560 --> 00:51:03,440
Speaker 1: like these people that may look at me and gut

1011
00:51:03,520 --> 00:51:05,759
Speaker 1: a gutting like nah, they was killing dedication through they

1012
00:51:05,800 --> 00:51:08,160
Speaker 1: held They held a lot of them mixtapes up when

1013
00:51:08,560 --> 00:51:12,359
Speaker 1: other artists wasn't on them ships. Now, you had said

1014
00:51:12,400 --> 00:51:14,120
Speaker 1: something to me last week. You said you were around

1015
00:51:14,280 --> 00:51:16,920
Speaker 1: Young Money enough to see everyone get kicked out at

1016
00:51:17,000 --> 00:51:25,440
Speaker 1: least once. Oh shit, I said that to you. I did,

1017
00:51:25,600 --> 00:51:30,040
Speaker 1: I did? I did. So explain to me the times

1018
00:51:30,120 --> 00:51:32,400
Speaker 1: in which both Nikki and Drake were kicked out of

1019
00:51:32,480 --> 00:51:35,880
Speaker 1: Young Money, because that seems like a preposterous thing. You

1020
00:51:35,960 --> 00:51:38,400
Speaker 1: want to hear. You want to hear the story about

1021
00:51:38,520 --> 00:51:41,160
Speaker 1: how Nikki and Drake were once kicked out of it

1022
00:51:41,280 --> 00:51:43,239
Speaker 1: was probably only lasted for about a day or two, right,

1023
00:51:43,800 --> 00:51:46,200
Speaker 1: But or do you want to hear when I got

1024
00:51:46,280 --> 00:51:47,960
Speaker 1: kicked out of? You? All of them? But which which

1025
00:51:47,960 --> 00:51:49,839
Speaker 1: one do you want to hear first, whatever you feel,

1026
00:51:50,960 --> 00:51:52,839
Speaker 1: I'll give you the Nicky and Drake shit first because

1027
00:51:52,840 --> 00:51:56,040
Speaker 1: they're bigger names and that'll probably be more entertaining for y'all.

1028
00:51:57,040 --> 00:52:01,840
Speaker 1: I remember or I saw with Nicki Nicki if you

1029
00:52:01,920 --> 00:52:04,640
Speaker 1: remember that one time she was managed by Dad Walker

1030
00:52:04,719 --> 00:52:08,239
Speaker 1: Moms yep, yeah, and Dad had a work and had

1031
00:52:08,280 --> 00:52:10,200
Speaker 1: her out there with Gucci, and you know, I think

1032
00:52:10,360 --> 00:52:12,319
Speaker 1: Dad was managing French at that time. So she used

1033
00:52:12,320 --> 00:52:14,840
Speaker 1: to do like some shit like Gucci to be booked.

1034
00:52:14,960 --> 00:52:18,080
Speaker 1: But French and Nicki get a bag too, and they

1035
00:52:18,280 --> 00:52:21,360
Speaker 1: come together. So it got to a point when we

1036
00:52:21,480 --> 00:52:24,080
Speaker 1: started going out because we used to record a lot

1037
00:52:24,160 --> 00:52:26,719
Speaker 1: in Atlanta, Miami and shit like that. But now when

1038
00:52:27,160 --> 00:52:30,880
Speaker 1: Carter three come out Wayne on the road and he

1039
00:52:31,040 --> 00:52:32,879
Speaker 1: used to tell us shit like he used to tell

1040
00:52:33,000 --> 00:52:35,080
Speaker 1: me a lot. This is what made me start coming.

1041
00:52:35,120 --> 00:52:37,160
Speaker 1: He was like, Yo, I don't think it's fair to

1042
00:52:37,200 --> 00:52:40,160
Speaker 1: the other artists that you get to go home and

1043
00:52:40,239 --> 00:52:42,000
Speaker 1: then fly back when you want to come back out.

1044
00:52:42,160 --> 00:52:44,600
Speaker 1: Like they don't go home, they just they they on

1045
00:52:44,680 --> 00:52:46,480
Speaker 1: the road with me. But I had never been a

1046
00:52:46,560 --> 00:52:49,120
Speaker 1: part of nothing like that to understand an artist like

1047
00:52:49,239 --> 00:52:52,640
Speaker 1: him that lives on the road like lives on a

1048
00:52:52,719 --> 00:52:54,359
Speaker 1: tour bus. You know what I'm saying. I was more

1049
00:52:54,400 --> 00:52:55,719
Speaker 1: like a well when y'all come to New York or

1050
00:52:55,760 --> 00:52:56,960
Speaker 1: you want me to come back out? Let me know.

1051
00:52:57,360 --> 00:53:00,480
Speaker 1: His thing was, Miles, I fuck with you. You need

1052
00:53:00,600 --> 00:53:02,839
Speaker 1: to be here whenever what you're there for, what you're

1053
00:53:02,840 --> 00:53:05,160
Speaker 1: doing there, Young money ain't in New York. We on

1054
00:53:05,239 --> 00:53:07,759
Speaker 1: the road while you're there, you young money, right, And

1055
00:53:07,800 --> 00:53:10,080
Speaker 1: then it hit me like, all right, I gotta be

1056
00:53:10,160 --> 00:53:15,080
Speaker 1: here more so Nicki at that time, she was booked,

1057
00:53:15,480 --> 00:53:18,520
Speaker 1: so she got her own She's building like her own

1058
00:53:19,360 --> 00:53:22,080
Speaker 1: Nicki Lewinsky. You know what I'm saying. She building her

1059
00:53:22,160 --> 00:53:25,960
Speaker 1: own little Thingcottie Tape in them clubs. Like she was

1060
00:53:26,400 --> 00:53:29,160
Speaker 1: getting getting bags while we riding the bus with Wayne

1061
00:53:29,680 --> 00:53:31,759
Speaker 1: and we you know he bringing us out. She doing

1062
00:53:31,800 --> 00:53:34,239
Speaker 1: that too, but she might have a bag to get

1063
00:53:34,280 --> 00:53:37,560
Speaker 1: in South Carolina or here here. And I think he

1064
00:53:37,640 --> 00:53:40,080
Speaker 1: started to feel like, you know, he never wanted nobody

1065
00:53:40,120 --> 00:53:42,400
Speaker 1: to feel like they was better than another artist, Like

1066
00:53:42,520 --> 00:53:44,400
Speaker 1: I don't want Nikki to feel like she better than

1067
00:53:44,920 --> 00:53:47,279
Speaker 1: Chanelle or Guns just because she booked. But I don't

1068
00:53:47,320 --> 00:53:49,239
Speaker 1: want Mills to feel like he bigger than Twist or

1069
00:53:49,320 --> 00:53:51,879
Speaker 1: Chucky just because he been on TV with Diddy before

1070
00:53:51,880 --> 00:53:54,320
Speaker 1: and he did battles and he had deals. Like we

1071
00:53:54,480 --> 00:53:57,120
Speaker 1: all at the same level. You're all the same level

1072
00:53:57,160 --> 00:53:59,520
Speaker 1: field right now. Like let's look don't look down on nobody,

1073
00:53:59,640 --> 00:54:02,680
Speaker 1: because I ain't looking down on you now. If you're

1074
00:54:02,680 --> 00:54:04,479
Speaker 1: gonna look down on a little Chucky or little Twist,

1075
00:54:04,560 --> 00:54:06,719
Speaker 1: or you're gonna look down on guns, I gotta look

1076
00:54:06,800 --> 00:54:09,480
Speaker 1: down on you now, Mills, I have to, you know

1077
00:54:09,520 --> 00:54:12,040
Speaker 1: what I'm saying. So once we got that shit in

1078
00:54:12,120 --> 00:54:14,680
Speaker 1: our mind, Wayne was looking at it. I think like

1079
00:54:14,920 --> 00:54:18,399
Speaker 1: Nicki doing her own thing. I think Wayne was looking

1080
00:54:18,440 --> 00:54:22,600
Speaker 1: at it on some shit like oh, she trying to

1081
00:54:22,680 --> 00:54:25,399
Speaker 1: be over here and over here and kind of see

1082
00:54:25,440 --> 00:54:27,880
Speaker 1: which one pop first. You gotta remember, it wasn't no

1083
00:54:28,080 --> 00:54:30,719
Speaker 1: every girl in the world yet. It wasn't no we

1084
00:54:30,960 --> 00:54:33,000
Speaker 1: was just Wayne's crew, you know what I'm saying. But

1085
00:54:33,080 --> 00:54:36,759
Speaker 1: Gucci was still Gucci. Like French wasn't big, big, big

1086
00:54:36,840 --> 00:54:39,080
Speaker 1: French Montana yet, but he coke boys and he so

1087
00:54:39,160 --> 00:54:41,640
Speaker 1: he don't know if like NICKI was like you fucking

1088
00:54:41,680 --> 00:54:43,520
Speaker 1: over you over here, like you fucking with us or

1089
00:54:43,520 --> 00:54:45,360
Speaker 1: you fucking with them? You fuck? And I think he

1090
00:54:45,480 --> 00:54:47,000
Speaker 1: just had one of them days where he was like, yo,

1091
00:54:47,080 --> 00:54:49,640
Speaker 1: she ain't young on money, no more like and then

1092
00:54:50,560 --> 00:54:52,920
Speaker 1: she started just working. She'll be at video shoots here

1093
00:54:52,920 --> 00:54:55,440
Speaker 1: and there, change hair color, start wearing tight dresses. And

1094
00:54:55,640 --> 00:54:57,480
Speaker 1: did he tell that to her? I don't know if you,

1095
00:54:57,600 --> 00:54:58,960
Speaker 1: I don't. I don't want to say he told it

1096
00:54:59,000 --> 00:55:01,440
Speaker 1: to her. He probably told matt Or told Tesz to

1097
00:55:02,080 --> 00:55:05,120
Speaker 1: call or whatever. She never said nothing. He never said nothing.

1098
00:55:05,800 --> 00:55:09,600
Speaker 1: And then him being a businessman and just understanding where

1099
00:55:09,640 --> 00:55:11,719
Speaker 1: he trying to take young money. I think he told

1100
00:55:11,800 --> 00:55:15,239
Speaker 1: mac or Tez, like, yo, we put in too much

1101
00:55:15,360 --> 00:55:19,000
Speaker 1: work to just let her go, like tell, I said,

1102
00:55:19,200 --> 00:55:21,600
Speaker 1: you know what I'm saying. And then she was back

1103
00:55:21,640 --> 00:55:23,040
Speaker 1: on the road with us, but she was still doing

1104
00:55:23,080 --> 00:55:26,239
Speaker 1: her own thing. But she was back on the road.

1105
00:55:26,280 --> 00:55:27,840
Speaker 1: But I can understand how he could feel like that,

1106
00:55:27,880 --> 00:55:31,440
Speaker 1: because it's like, Yo, is you over here or is

1107
00:55:31,520 --> 00:55:33,520
Speaker 1: you over there? Is like, what is you doing right now?

1108
00:55:33,560 --> 00:55:35,160
Speaker 1: You know what I'm saying. So they came to their agreement,

1109
00:55:35,200 --> 00:55:38,560
Speaker 1: and after that everything was cool, you know what I'm saying.

1110
00:55:38,600 --> 00:55:40,600
Speaker 1: But I think it was a misunderstanding. It wasn't like

1111
00:55:40,719 --> 00:55:43,919
Speaker 1: it was a miscommunication somewhere. Same thing with the Drake shit.

1112
00:55:45,040 --> 00:55:47,239
Speaker 1: I think Wayne and Drake thing at that time was

1113
00:55:47,520 --> 00:55:50,520
Speaker 1: more so Wayne and Taz, you know what I'm saying,

1114
00:55:50,560 --> 00:55:53,799
Speaker 1: Like Wayne trusting Taz with shit and then finding out

1115
00:55:53,840 --> 00:55:56,279
Speaker 1: like some shit might not be what it is, and like,

1116
00:55:57,960 --> 00:56:00,520
Speaker 1: but now Drake is in the middle of it because

1117
00:56:00,560 --> 00:56:03,319
Speaker 1: it's like, you know, it's that business, that paperwork shit

1118
00:56:03,400 --> 00:56:05,359
Speaker 1: and like all of that type of shit. I think

1119
00:56:05,440 --> 00:56:07,320
Speaker 1: that was an issue, you know what I'm saying. And

1120
00:56:07,440 --> 00:56:09,520
Speaker 1: I was in the studio with Drake in New York

1121
00:56:10,560 --> 00:56:17,200
Speaker 1: and cool chilling everything, cool smokey recording, and he went

1122
00:56:17,360 --> 00:56:20,520
Speaker 1: up and went in the hallway and came back and

1123
00:56:20,600 --> 00:56:21,960
Speaker 1: I was like, you good. He's like yeah, man, he's

1124
00:56:22,000 --> 00:56:24,120
Speaker 1: like to just telling me I'm not young money no more,

1125
00:56:26,880 --> 00:56:29,040
Speaker 1: same thing you just did. I was like, like, where

1126
00:56:29,040 --> 00:56:31,320
Speaker 1: the fuck did that come from? Like, because this is

1127
00:56:31,360 --> 00:56:35,320
Speaker 1: at a time where like every girl is out like

1128
00:56:35,520 --> 00:56:40,120
Speaker 1: we you know, we charting, like Drake's doing like, uh

1129
00:56:41,080 --> 00:56:44,120
Speaker 1: say something and did you new girl? Like he's doing

1130
00:56:44,280 --> 00:56:47,440
Speaker 1: like features now for Mary J and Drake, I mean

1131
00:56:47,520 --> 00:56:51,040
Speaker 1: not Drake, Mary J, Jamie Fox. Yeah, he doing like

1132
00:56:51,320 --> 00:56:53,080
Speaker 1: shit outside of the box. And I think it was

1133
00:56:53,160 --> 00:56:57,360
Speaker 1: that same thing again. It was like that Yo, what

1134
00:56:57,520 --> 00:57:00,080
Speaker 1: y'all like, because there's so much shit going on, but

1135
00:57:00,120 --> 00:57:02,719
Speaker 1: Wayne don't know, you know what I'm saying, He don't

1136
00:57:02,880 --> 00:57:06,560
Speaker 1: know what the fuck is going on with his artists.

1137
00:57:06,960 --> 00:57:08,640
Speaker 1: And I think that was the thing with Drake. It

1138
00:57:08,719 --> 00:57:11,200
Speaker 1: wasn't It wasn't really nothing with Drake, because even Drake

1139
00:57:11,239 --> 00:57:13,040
Speaker 1: told him, he was like, he said, it really don't

1140
00:57:13,040 --> 00:57:16,320
Speaker 1: have nothing to do with you and me. Just knowing Wayne,

1141
00:57:16,360 --> 00:57:17,880
Speaker 1: I know he was having one of them days where

1142
00:57:17,880 --> 00:57:20,560
Speaker 1: it's like, fuck, is everybody keeping me in the dark

1143
00:57:20,640 --> 00:57:22,880
Speaker 1: with shit? If these is? This is my shit? You

1144
00:57:22,920 --> 00:57:26,440
Speaker 1: know what I'm saying, And just once again miscommunication miss

1145
00:57:28,200 --> 00:57:31,960
Speaker 1: seeing the same thing with fucking what Little Twist? I mean,

1146
00:57:32,000 --> 00:57:34,400
Speaker 1: we don't. Little Twist wasn't in the Bedrock video. If

1147
00:57:34,400 --> 00:57:37,080
Speaker 1: you notice, Little Chucky was all through the Bedrock video,

1148
00:57:37,160 --> 00:57:40,080
Speaker 1: but he wasn't on the song. Was it because Wayne

1149
00:57:40,080 --> 00:57:42,720
Speaker 1: wasn't fucking the matter? Because got him trouble in school

1150
00:57:42,800 --> 00:57:45,840
Speaker 1: or some shit like that, whoor tutoring or son happened

1151
00:57:45,880 --> 00:57:48,320
Speaker 1: with his moms like, so Wayne wouldn't let him be

1152
00:57:48,320 --> 00:57:49,880
Speaker 1: in the video. He just let Little Chucky be all

1153
00:57:49,920 --> 00:57:51,760
Speaker 1: through that. He let Little Chucky be the extra in

1154
00:57:51,840 --> 00:57:56,080
Speaker 1: everybody's verse. That's so funny. That's so funny. You know

1155
00:57:56,120 --> 00:57:59,160
Speaker 1: what I'm saying. I remember, I don't want people to

1156
00:57:59,200 --> 00:58:01,040
Speaker 1: feel like this nigga just want to sit up there

1157
00:58:01,040 --> 00:58:02,920
Speaker 1: and tell stories while people all day. No, I'm just

1158
00:58:03,000 --> 00:58:04,560
Speaker 1: telling you real shit, and I'm gonna tell you about

1159
00:58:04,560 --> 00:58:08,160
Speaker 1: when my stupid ass got kicked out. If you remember

1160
00:58:09,520 --> 00:58:13,280
Speaker 1: the BET Awards, when Drake's foot was hert he had

1161
00:58:13,400 --> 00:58:15,120
Speaker 1: just fucked his foot up when he was on tour.

1162
00:58:15,240 --> 00:58:17,800
Speaker 1: He had tours acl but he still came out and

1163
00:58:17,880 --> 00:58:23,040
Speaker 1: performed at the BT Awards, and I think Reginee came

1164
00:58:23,080 --> 00:58:26,080
Speaker 1: out on stage. It wasn't meant to be disrespectful, but

1165
00:58:26,320 --> 00:58:29,160
Speaker 1: they was performing every girl. I say they because as

1166
00:58:29,200 --> 00:58:31,080
Speaker 1: I tell this story, this is gonna fuck everybody up.

1167
00:58:31,920 --> 00:58:33,960
Speaker 1: So when they was performing every girl and Drake was

1168
00:58:34,000 --> 00:58:36,600
Speaker 1: sitting in a chair and the kids came out, they

1169
00:58:36,680 --> 00:58:39,600
Speaker 1: pulled the performance and they never showed it again because

1170
00:58:39,640 --> 00:58:41,400
Speaker 1: we was performing. I just want to fuck every girl

1171
00:58:41,440 --> 00:58:44,600
Speaker 1: in the world. And people had their kids up there

1172
00:58:44,800 --> 00:58:47,120
Speaker 1: and we were just happy that we made it to

1173
00:58:47,280 --> 00:58:49,479
Speaker 1: the awards show. You know what I'm saying. Wayne usually

1174
00:58:49,520 --> 00:58:54,080
Speaker 1: performed with the hot boys cash Money. This is like everybody,

1175
00:58:54,160 --> 00:58:56,720
Speaker 1: this is like young money, the shit that he had,

1176
00:58:56,800 --> 00:58:58,640
Speaker 1: the plan he had for us, this shit came to life.

1177
00:58:58,680 --> 00:59:02,080
Speaker 1: We on stage BT Awards. J Miles wasn't on that stage.

1178
00:59:04,080 --> 00:59:09,280
Speaker 1: J Mills was in New York on one hundred and

1179
00:59:09,360 --> 00:59:13,080
Speaker 1: twelve and fifth Avenue down the block from the Projects,

1180
00:59:14,000 --> 00:59:18,800
Speaker 1: looking at that performance at his homies crib. Vodo was

1181
00:59:18,840 --> 00:59:22,360
Speaker 1: there with me. Shout to Vado and the girl that

1182
00:59:22,480 --> 00:59:24,960
Speaker 1: I had pregnant at that time sitting next to me,

1183
00:59:25,320 --> 00:59:28,160
Speaker 1: about eight months pregnant, and I'm looking at them perform like, oh,

1184
00:59:28,200 --> 00:59:35,120
Speaker 1: I'm done. I missed my flight. Two flights. Two flights

1185
00:59:35,160 --> 00:59:37,800
Speaker 1: flights from New York Airport, had a whole nother flight

1186
00:59:37,880 --> 00:59:39,720
Speaker 1: books from JFK by the time I got the JFK

1187
00:59:39,880 --> 00:59:43,240
Speaker 1: missed that one too. We have to perform at the

1188
00:59:43,280 --> 00:59:52,200
Speaker 1: BT Awards first live TV performance. Now my verse was performed,

1189
00:59:53,720 --> 00:59:57,000
Speaker 1: but it wasn't me who performed it. Shout out to

1190
00:59:57,240 --> 01:00:01,040
Speaker 1: my brother mac Maine because at that time we both

1191
01:00:01,080 --> 01:00:03,480
Speaker 1: had the same facial here and we both had like

1192
01:00:03,560 --> 01:00:06,520
Speaker 1: low seasons and ship and we was like husky chubby,

1193
01:00:06,640 --> 01:00:09,280
Speaker 1: husky type dudes. Hey, you just want to stay with

1194
01:00:09,360 --> 01:00:14,080
Speaker 1: some shades, and he I ain't you know that's wild.

1195
01:00:14,160 --> 01:00:17,200
Speaker 1: I ain't being disrespectful, baby, I'm just being Mac damn.

1196
01:00:18,040 --> 01:00:24,640
Speaker 1: But luckily for Milsey, the fucking performance got pulled, so

1197
01:00:24,680 --> 01:00:29,600
Speaker 1: it never even ended up happening like it, but it happened.

1198
01:00:29,640 --> 01:00:32,200
Speaker 1: You just can't find it anywhere. Yeah, I mean you

1199
01:00:32,320 --> 01:00:34,919
Speaker 1: made somebody may have uploaded the YouTube or some ship

1200
01:00:35,000 --> 01:00:36,640
Speaker 1: like that, but yeah, but it didn't actually make the

1201
01:00:36,680 --> 01:00:41,320
Speaker 1: broadcast not live. And then when they whenever they showed

1202
01:00:41,360 --> 01:00:44,760
Speaker 1: the after that, they just never showed that performance. Now,

1203
01:00:46,800 --> 01:00:48,960
Speaker 1: this is all a part of my getting kicked out

1204
01:00:48,960 --> 01:00:52,600
Speaker 1: of the Young Money story. So Mac like, Yo, we

1205
01:00:52,840 --> 01:00:55,160
Speaker 1: uh were in New York, but were about to leave.

1206
01:00:55,240 --> 01:00:56,400
Speaker 1: You know, we're about to leave from whre the jet

1207
01:00:56,480 --> 01:00:59,760
Speaker 1: leave from. We're about to go to Paris. Were about

1208
01:00:59,760 --> 01:01:03,080
Speaker 1: to go do the Paris Run and overseas and all

1209
01:01:03,200 --> 01:01:05,520
Speaker 1: that shit. So Mac was like, I don't really want

1210
01:01:05,520 --> 01:01:06,960
Speaker 1: you to miss this because you know you need to

1211
01:01:07,000 --> 01:01:08,960
Speaker 1: be here. You know too, Mad He ain't fucking with you,

1212
01:01:09,200 --> 01:01:12,160
Speaker 1: like you're not Young Money right now, he said, But

1213
01:01:13,320 --> 01:01:15,320
Speaker 1: you know, I just want to see you know what

1214
01:01:15,360 --> 01:01:17,640
Speaker 1: I'm saying, Like, let's just you gotta face it, you

1215
01:01:17,720 --> 01:01:19,479
Speaker 1: know what I'm saying say you can't just chill because

1216
01:01:19,480 --> 01:01:22,040
Speaker 1: if you chill, he'll never call you again. So I

1217
01:01:22,160 --> 01:01:25,160
Speaker 1: will say, if it wasn't for Mac Main, I would

1218
01:01:25,200 --> 01:01:28,480
Speaker 1: have been curved from young money a long time, a

1219
01:01:28,720 --> 01:01:32,040
Speaker 1: long time ago. So regardless, and me and Mac we

1220
01:01:32,120 --> 01:01:34,880
Speaker 1: done have a million disagreements, almost came to fights a

1221
01:01:35,000 --> 01:01:38,560
Speaker 1: million times. Mac Main is like a big brother to me,

1222
01:01:38,800 --> 01:01:41,800
Speaker 1: Like he's like the big brother that you always get

1223
01:01:41,840 --> 01:01:44,640
Speaker 1: into a fight with, but he kind of always right

1224
01:01:45,480 --> 01:01:48,320
Speaker 1: years later, like the shit he was telling you years

1225
01:01:48,320 --> 01:01:50,440
Speaker 1: ago that y'all got in an argument about shit. Kind

1226
01:01:50,480 --> 01:01:51,720
Speaker 1: of he kind of was right, but he kind of

1227
01:01:51,720 --> 01:01:54,200
Speaker 1: didn't worry it right, and he always both fiery at

1228
01:01:54,240 --> 01:01:58,280
Speaker 1: that time. So Mac was like, yo, just come to

1229
01:01:58,360 --> 01:01:59,720
Speaker 1: the jet and let's just see if he wants you

1230
01:01:59,800 --> 01:02:02,000
Speaker 1: to come to Paris with us. So when I get

1231
01:02:02,080 --> 01:02:05,800
Speaker 1: some I get to the jet. They not there yet,

1232
01:02:05,960 --> 01:02:07,720
Speaker 1: so I just get on the jet and I just

1233
01:02:07,800 --> 01:02:09,360
Speaker 1: wait for them to put He's like, well a few

1234
01:02:09,400 --> 01:02:12,040
Speaker 1: minutes away. So I remember they got on the jet, right,

1235
01:02:12,720 --> 01:02:15,880
Speaker 1: So I remember, I'm me and Tad. I think streets

1236
01:02:15,920 --> 01:02:19,040
Speaker 1: a couple of people, Mac man assistant everybody get up

1237
01:02:19,080 --> 01:02:21,600
Speaker 1: on the joint and they look at me and just go.

1238
01:02:24,240 --> 01:02:27,280
Speaker 1: So I'm dabbing everybody. But you know, like on the jet.

1239
01:02:28,400 --> 01:02:30,240
Speaker 1: Well let's say were on the jet and you coming

1240
01:02:30,280 --> 01:02:32,440
Speaker 1: in right here, and we got the sofa right here.

1241
01:02:32,520 --> 01:02:34,360
Speaker 1: They got the captain seats right there. You know, Wayne

1242
01:02:34,400 --> 01:02:37,040
Speaker 1: sit all the way in the back, all his bags everything,

1243
01:02:37,120 --> 01:02:39,920
Speaker 1: you know. So I'm sitting on the sofa. Thay, everybody

1244
01:02:39,960 --> 01:02:42,720
Speaker 1: walking by dapping me. So Wayne get on the He

1245
01:02:42,760 --> 01:02:44,240
Speaker 1: get on the jet right so he get up, he

1246
01:02:44,320 --> 01:02:47,480
Speaker 1: look at me. He just keep walking like it threw

1247
01:02:47,560 --> 01:02:50,360
Speaker 1: them off to see me. Right. So now we're waiting,

1248
01:02:50,640 --> 01:03:00,840
Speaker 1: jet about to take off. So everybody talking. A couple

1249
01:03:00,880 --> 01:03:02,880
Speaker 1: of people talking to me. But I noticed Wayne his

1250
01:03:03,360 --> 01:03:07,720
Speaker 1: conversation ain't reaching where I'm at. So he back there,

1251
01:03:07,800 --> 01:03:10,120
Speaker 1: he listened to his music, you know, looking out the window.

1252
01:03:10,600 --> 01:03:13,640
Speaker 1: So I said, all right, this ain't this ain't like

1253
01:03:13,760 --> 01:03:15,720
Speaker 1: friend shit. This is business right now. You have to

1254
01:03:16,160 --> 01:03:19,400
Speaker 1: go apologize, like you missed a little you missed a

1255
01:03:19,480 --> 01:03:24,200
Speaker 1: performance at the BET Awards. You have to go speak

1256
01:03:24,240 --> 01:03:28,800
Speaker 1: to this man. I walked back there. I was like, yo,

1257
01:03:28,920 --> 01:03:30,600
Speaker 1: you know what I'm saying, my fault for missing the flight.

1258
01:03:30,720 --> 01:03:32,200
Speaker 1: You know what I'm saying, I apologize. I know that

1259
01:03:32,240 --> 01:03:36,040
Speaker 1: shit was unprofessional. Blah blah blah blah blah, and like

1260
01:03:37,080 --> 01:03:39,200
Speaker 1: he looked at me said he said, what you say?

1261
01:03:40,920 --> 01:03:42,400
Speaker 1: So I was like, now I'm talking about the fight.

1262
01:03:42,440 --> 01:03:43,720
Speaker 1: He said, no, I heard you, but I'm asking you

1263
01:03:43,760 --> 01:03:49,480
Speaker 1: what you say. I said, you're right. I just went

1264
01:03:49,520 --> 01:03:55,840
Speaker 1: and sat back down. From Teeterborough to Paris, this man

1265
01:03:55,920 --> 01:03:58,919
Speaker 1: did not say a word to me, spoke to everybody

1266
01:03:59,000 --> 01:04:03,560
Speaker 1: else joking ha ha ha. Food just kept walking by

1267
01:04:03,680 --> 01:04:06,000
Speaker 1: me the whole flight, even when we got the Paris checked.

1268
01:04:06,000 --> 01:04:07,920
Speaker 1: I had my It wasn't like he shit it on

1269
01:04:07,960 --> 01:04:12,000
Speaker 1: me when I got to Paris, but behind closed doors,

1270
01:04:12,480 --> 01:04:15,560
Speaker 1: I felt that shit like I was definitely on like

1271
01:04:16,280 --> 01:04:18,960
Speaker 1: curve time for a while. And if it wasn't for

1272
01:04:19,040 --> 01:04:21,880
Speaker 1: mac Maine like telling me, like yo, just come to

1273
01:04:22,000 --> 01:04:24,560
Speaker 1: the jet and like just see what happened, if I

1274
01:04:24,560 --> 01:04:26,960
Speaker 1: would have been on some bit shit and been like, nah, man,

1275
01:04:27,040 --> 01:04:28,440
Speaker 1: fuck that shit. If he ain't fucking with me, he

1276
01:04:28,440 --> 01:04:30,120
Speaker 1: ain't fucking with me, Like you know what I'm saying,

1277
01:04:30,520 --> 01:04:32,400
Speaker 1: Like I had to eat that shit, but I was wrong,

1278
01:04:33,120 --> 01:04:35,640
Speaker 1: you know what I'm saying. So that's my story of

1279
01:04:36,160 --> 01:04:38,760
Speaker 1: when I got fucking curved. You know what I'm saying,

1280
01:04:39,080 --> 01:04:40,680
Speaker 1: I definitely thought it was over for me though, now

1281
01:04:40,760 --> 01:04:44,320
Speaker 1: you're you're independent. Now, when what year did you like

1282
01:04:44,440 --> 01:04:47,160
Speaker 1: officially have like an official split away from Young Money.

1283
01:04:47,160 --> 01:04:49,720
Speaker 1: I know it was cordial. Yeah, I left Young Money

1284
01:04:49,800 --> 01:04:52,600
Speaker 1: the end of twenty sixteen, and I'm gonna tell you

1285
01:04:52,640 --> 01:04:56,960
Speaker 1: where I left h into twenty sixteen. I had my

1286
01:04:57,040 --> 01:04:59,320
Speaker 1: surgery already. I had a surgery in twenty fifteen to

1287
01:04:59,360 --> 01:05:02,480
Speaker 1: remove to him my throat. My daughter was born in

1288
01:05:02,560 --> 01:05:06,400
Speaker 1: twenty and twelve, so twenty sixteen, she going on five.

1289
01:05:07,400 --> 01:05:09,960
Speaker 1: I'm not the same dude I was in two thousand

1290
01:05:10,000 --> 01:05:11,960
Speaker 1: and seven, you know what I'm saying. I'm not the

1291
01:05:12,040 --> 01:05:15,280
Speaker 1: same twenty seven year old kid running around wanting to

1292
01:05:15,360 --> 01:05:17,120
Speaker 1: fuck every girl in the world at this point, like

1293
01:05:17,440 --> 01:05:19,480
Speaker 1: I got a little girl in this world now, Like

1294
01:05:20,120 --> 01:05:21,960
Speaker 1: just the way I think now is different. And then

1295
01:05:22,040 --> 01:05:25,280
Speaker 1: it's like, now it's bad with Wayne and Birdman now,

1296
01:05:25,480 --> 01:05:28,439
Speaker 1: you know what I'm saying, Oh yeah, and I want yeah, yeah, shit,

1297
01:05:28,520 --> 01:05:30,680
Speaker 1: it was bad and I'm one of them, And I

1298
01:05:30,800 --> 01:05:33,600
Speaker 1: was always good with Birdman and Wayne, you know what

1299
01:05:33,640 --> 01:05:36,280
Speaker 1: I'm saying. So we was all kind of caught in

1300
01:05:36,400 --> 01:05:39,120
Speaker 1: the middle of the shit now. But now it's like

1301
01:05:40,760 --> 01:05:42,320
Speaker 1: I'm one of them. I'm a rider to the wheels

1302
01:05:42,360 --> 01:05:46,400
Speaker 1: fall off dude at that point, and I feel like,

1303
01:05:46,800 --> 01:05:49,920
Speaker 1: to some people, Mills you should have been left. I

1304
01:05:50,040 --> 01:05:52,400
Speaker 1: remember busting round seeing me in a sneaker store in

1305
01:05:52,440 --> 01:05:54,160
Speaker 1: Miami and being like, Yo, what are you doing? What

1306
01:05:54,280 --> 01:05:57,280
Speaker 1: you're waiting for? Like you're waiting for them to stop

1307
01:05:57,400 --> 01:06:00,520
Speaker 1: fucking with you, like to make you feel that, or

1308
01:06:00,600 --> 01:06:03,400
Speaker 1: you're gonna like just see it, you know what I'm saying.

1309
01:06:03,440 --> 01:06:06,800
Speaker 1: But at that time, I'm like, Nah, he gave me

1310
01:06:06,880 --> 01:06:09,920
Speaker 1: a chance. I owe him a little bit more to

1311
01:06:10,160 --> 01:06:13,800
Speaker 1: leave because it's not good right now. You know what

1312
01:06:13,800 --> 01:06:16,360
Speaker 1: I'm saying. Because it's not good right now, I owe

1313
01:06:16,440 --> 01:06:18,880
Speaker 1: him a little bit more than to leave right now.

1314
01:06:18,920 --> 01:06:21,400
Speaker 1: I gotta ride this one out, you know what I'm saying,

1315
01:06:21,520 --> 01:06:25,439
Speaker 1: Even if my loyalty is turning into stupidity, I owe

1316
01:06:25,520 --> 01:06:27,080
Speaker 1: him this to ride this out with him. You know

1317
01:06:27,120 --> 01:06:29,400
Speaker 1: what I'm saying. Now, When it got to a point

1318
01:06:29,440 --> 01:06:33,480
Speaker 1: where I just didn't know what I was doing no more, right,

1319
01:06:33,880 --> 01:06:35,080
Speaker 1: you know what I'm saying. I didn't know when I

1320
01:06:35,200 --> 01:06:39,120
Speaker 1: come around if I was supposed to be there or not.

1321
01:06:39,840 --> 01:06:41,440
Speaker 1: You know what I'm saying, I don't know if like

1322
01:06:42,360 --> 01:06:44,440
Speaker 1: I'm overstaying and this is just real shit because I

1323
01:06:44,560 --> 01:06:46,040
Speaker 1: never really said this to a lot of people in

1324
01:06:46,080 --> 01:06:49,200
Speaker 1: young Money. I never said this to Wayne, you know

1325
01:06:49,240 --> 01:06:50,960
Speaker 1: what I'm saying, like real shit. I never said this

1326
01:06:51,080 --> 01:06:53,640
Speaker 1: to Birdman or mac Maine or nothing like that. But

1327
01:06:54,960 --> 01:06:57,240
Speaker 1: I just felt like I was overstaying my welcome, and

1328
01:06:57,360 --> 01:07:01,080
Speaker 1: I felt like the Southern hospitality wasn't gonna let them

1329
01:07:01,400 --> 01:07:04,840
Speaker 1: shit on me. You know what I'm saying, that they

1330
01:07:05,200 --> 01:07:08,840
Speaker 1: got good hearts, they not fucked up individuals. I'm never

1331
01:07:08,920 --> 01:07:11,000
Speaker 1: gonna say that, you know what I'm saying, But I

1332
01:07:11,080 --> 01:07:15,080
Speaker 1: think that Southern hospitality of you know what I'm saying.

1333
01:07:15,120 --> 01:07:16,760
Speaker 1: I fuck with him, but I just don't know what

1334
01:07:16,840 --> 01:07:18,600
Speaker 1: to do with him, you know what I'm saying. I

1335
01:07:18,680 --> 01:07:22,120
Speaker 1: think that was just like and he a good, a

1336
01:07:22,200 --> 01:07:24,919
Speaker 1: good you know, millsy family, you know what I'm saying.

1337
01:07:24,960 --> 01:07:28,360
Speaker 1: So it got to I could either be family and

1338
01:07:28,600 --> 01:07:32,600
Speaker 1: just you know, you don't know what they trying to

1339
01:07:32,640 --> 01:07:34,600
Speaker 1: do with you, and they don't really know what they

1340
01:07:34,720 --> 01:07:36,920
Speaker 1: trying to do with you, and just to be real

1341
01:07:37,000 --> 01:07:40,480
Speaker 1: with you, they don't have an idea of doing anything

1342
01:07:40,560 --> 01:07:43,760
Speaker 1: with you at this point, Like this is the rebuild

1343
01:07:43,840 --> 01:07:46,760
Speaker 1: of Lil Wayne at this time, because I remember during

1344
01:07:46,800 --> 01:07:51,040
Speaker 1: that period of time when he was beefing heavy with Birdman,

1345
01:07:51,320 --> 01:07:53,720
Speaker 1: Wayne went on this like club run in the South

1346
01:07:53,800 --> 01:07:55,960
Speaker 1: where he was taking bags that like you would never

1347
01:07:56,080 --> 01:07:58,240
Speaker 1: have ever expected Wayne to take. Like he did a

1348
01:07:58,280 --> 01:08:00,120
Speaker 1: show in Tampa when I was living in town. That

1349
01:08:00,160 --> 01:08:02,320
Speaker 1: was around the time. I was like, I just had

1350
01:08:02,400 --> 01:08:04,960
Speaker 1: it was twenty fifteen, he said, like twenty fifteen. That

1351
01:08:05,040 --> 01:08:07,440
Speaker 1: was around that time I had my surgery and I

1352
01:08:07,520 --> 01:08:10,080
Speaker 1: think I was healing like he did. He did a

1353
01:08:10,120 --> 01:08:12,760
Speaker 1: show in Tampa for like forty bands at a nightclub,

1354
01:08:13,320 --> 01:08:17,760
Speaker 1: and I remember being like, wait, little Wayne doing something

1355
01:08:17,800 --> 01:08:20,600
Speaker 1: for forty thousand dollars, like, but I think it was

1356
01:08:20,680 --> 01:08:24,519
Speaker 1: because he was just I think I obviously speculation, but

1357
01:08:24,600 --> 01:08:26,640
Speaker 1: I just think he was just grabbing cash. Yeah, I

1358
01:08:26,680 --> 01:08:28,479
Speaker 1: mean cash. At the end of the day, he was

1359
01:08:28,520 --> 01:08:30,400
Speaker 1: doing the whole HU but he was doing this whole

1360
01:08:30,400 --> 01:08:34,120
Speaker 1: club run that like you would never think Wayne would do. Yeah, yeah,

1361
01:08:34,360 --> 01:08:36,000
Speaker 1: And I was you know what it was for me?

1362
01:08:36,360 --> 01:08:40,240
Speaker 1: Mostly it was I could even stay here because you

1363
01:08:40,240 --> 01:08:42,200
Speaker 1: gotta remember, I got a kid now, so I could

1364
01:08:42,240 --> 01:08:46,400
Speaker 1: even stay here and figure out what he going to do,

1365
01:08:47,680 --> 01:08:50,000
Speaker 1: or I could go figure out what I'm going to

1366
01:08:50,040 --> 01:08:53,080
Speaker 1: do because it's not like you're on a Young Money salary. No,

1367
01:08:54,360 --> 01:08:57,000
Speaker 1: it wasn't like it was assuming by like then it

1368
01:08:57,120 --> 01:08:59,240
Speaker 1: was not any income coming It wasn't like it was

1369
01:08:59,560 --> 01:09:01,560
Speaker 1: no it was income coming in because we've been on

1370
01:09:01,680 --> 01:09:05,200
Speaker 1: hit records, we've been on album we still coming in.

1371
01:09:05,320 --> 01:09:07,719
Speaker 1: But I mean, like as far as money, the plan

1372
01:09:08,200 --> 01:09:10,040
Speaker 1: like because at this time I'm looking at it like

1373
01:09:10,240 --> 01:09:14,479
Speaker 1: I I'm looking at like Drake on four fifth, Nikki

1374
01:09:14,600 --> 01:09:18,000
Speaker 1: on I'm looking at it like I R Now I'm

1375
01:09:18,040 --> 01:09:20,120
Speaker 1: looking at the what's the plan? Like what is the

1376
01:09:20,200 --> 01:09:25,360
Speaker 1: plan for me? Not what is the plan for Wayne?

1377
01:09:26,160 --> 01:09:27,439
Speaker 1: You know what I'm saying. This is like the first

1378
01:09:27,479 --> 01:09:30,800
Speaker 1: time where now I really have to look at like, Bro,

1379
01:09:31,160 --> 01:09:33,560
Speaker 1: nobody's gonna take you on tour, nobody's gonna throw you

1380
01:09:33,640 --> 01:09:37,520
Speaker 1: on a single, nobody's gonna jump on your single, nobody's

1381
01:09:37,640 --> 01:09:42,479
Speaker 1: gonna promote your single, nobody's gonna promote any fucking thing

1382
01:09:42,560 --> 01:09:47,000
Speaker 1: you have going because everybody has their own shit going right,

1383
01:09:47,320 --> 01:09:49,479
Speaker 1: and shit is so different now. When I came around,

1384
01:09:49,479 --> 01:09:52,800
Speaker 1: people were still selling ring tones. By the time I left,

1385
01:09:52,840 --> 01:09:56,280
Speaker 1: Young Money music was coming out on Fridays. Now right,

1386
01:09:56,479 --> 01:09:59,519
Speaker 1: no longer Tuesdays, It's no longer people lining up in

1387
01:09:59,560 --> 01:10:02,360
Speaker 1: front of the stores. All the stores closed, all the

1388
01:10:02,439 --> 01:10:05,160
Speaker 1: websites we used to send our music to some niggas

1389
01:10:05,200 --> 01:10:07,320
Speaker 1: is corn balls. Now you could just put it on

1390
01:10:07,840 --> 01:10:10,680
Speaker 1: streaming platform Why are we not putting our music on

1391
01:10:10,840 --> 01:10:15,200
Speaker 1: streaming platforms? Why is Wayne not putting projects on stream?

1392
01:10:15,200 --> 01:10:17,479
Speaker 1: Why doesn't Wayne have a four pack out? Why doesn't

1393
01:10:17,479 --> 01:10:20,040
Speaker 1: Wayne have an EP out? Why don't we just put

1394
01:10:20,080 --> 01:10:24,160
Speaker 1: out a new Young Money mixtape to promote everybody who's

1395
01:10:24,200 --> 01:10:28,400
Speaker 1: sitting here ice fucking coal. And at that time, when

1396
01:10:28,439 --> 01:10:30,240
Speaker 1: I got to think about all that, I'm a virgo,

1397
01:10:30,280 --> 01:10:32,240
Speaker 1: I get lost in my own mind. It's like, Yo,

1398
01:10:32,400 --> 01:10:35,800
Speaker 1: back yourself out. It's like, Yo, you gotta go, you

1399
01:10:35,880 --> 01:10:38,200
Speaker 1: gotta go. Not a bad thing. Like man, fuck these niggas.

1400
01:10:38,200 --> 01:10:40,680
Speaker 1: They ain't do nothing for me. Nah whoa whoa. Young

1401
01:10:40,760 --> 01:10:44,080
Speaker 1: Money did more for J Mills than any other label

1402
01:10:44,320 --> 01:10:46,120
Speaker 1: did for J Mills. Even if y'all did put me

1403
01:10:46,200 --> 01:10:49,519
Speaker 1: on a promo, run and pay for the no No

1404
01:10:49,640 --> 01:10:51,800
Speaker 1: no video or put me here, put me there. I

1405
01:10:51,840 --> 01:10:54,000
Speaker 1: don't have no plaques. I don't have no plaques from

1406
01:10:54,080 --> 01:10:57,280
Speaker 1: anything before Young Money. I don't have big ass cap

1407
01:10:57,439 --> 01:11:02,360
Speaker 1: checks from anything before young money, so I could never say, man, niggas.

1408
01:11:02,400 --> 01:11:05,840
Speaker 1: The niggas held me up. Nah, you got lost in

1409
01:11:05,960 --> 01:11:09,920
Speaker 1: the midst of some great ship. It happens like that sometimes.

1410
01:11:10,320 --> 01:11:12,840
Speaker 1: Now what you're gonna do? Now, keep it moving, Learn

1411
01:11:12,880 --> 01:11:15,400
Speaker 1: how to produce, learn how to direct shoot your own videos.

1412
01:11:16,040 --> 01:11:18,360
Speaker 1: You know what I'm saying. I had to figure it.

1413
01:11:18,600 --> 01:11:21,200
Speaker 1: I had to basically figure it out the same way

1414
01:11:21,240 --> 01:11:22,479
Speaker 1: I had to figure it out when I got with

1415
01:11:22,600 --> 01:11:25,560
Speaker 1: your money. I have no deal. I'm taking shots in

1416
01:11:25,600 --> 01:11:28,439
Speaker 1: the dark. I could listen and see when I hit

1417
01:11:28,479 --> 01:11:31,080
Speaker 1: the rim. I'm close. Keep taking them fucking shots. What

1418
01:11:31,160 --> 01:11:33,280
Speaker 1: did you tell me the other day? It's the perfect

1419
01:11:33,320 --> 01:11:37,599
Speaker 1: time for somebody like you. Yeah, I told you, yo,

1420
01:11:37,640 --> 01:11:39,200
Speaker 1: I'm gonna give you a record. Blah blah blah. And

1421
01:11:39,280 --> 01:11:41,680
Speaker 1: what did you tell me? Can I say what you

1422
01:11:41,760 --> 01:11:45,280
Speaker 1: told me about the radio record? Sure? Fuck the radio

1423
01:11:45,439 --> 01:11:48,360
Speaker 1: right now? Man, facts facts, bro, And I work at

1424
01:11:48,400 --> 01:11:50,519
Speaker 1: the radio, And I told when I left because I

1425
01:11:50,560 --> 01:11:53,040
Speaker 1: had my lady with me, and when I left, we

1426
01:11:53,240 --> 01:11:55,360
Speaker 1: was talking about that ship, and I was like I

1427
01:11:55,520 --> 01:11:59,759
Speaker 1: needed to hear that, yeah, dog, to hear it because

1428
01:12:00,720 --> 01:12:02,800
Speaker 1: once again, like when we were talking about See I'm

1429
01:12:02,840 --> 01:12:05,200
Speaker 1: only reiterating this because they wasn't here for the conversation

1430
01:12:05,280 --> 01:12:08,639
Speaker 1: other day. Like I was explaining to you that I'm

1431
01:12:08,680 --> 01:12:11,639
Speaker 1: from an era of the single. I'm from an era

1432
01:12:11,800 --> 01:12:15,599
Speaker 1: of the radio record or the party record. I moved

1433
01:12:15,640 --> 01:12:21,840
Speaker 1: to Miami two thousand and ten. That's prime strip club

1434
01:12:22,080 --> 01:12:24,680
Speaker 1: for sure. I was there for Live on Sunday King

1435
01:12:24,760 --> 01:12:26,720
Speaker 1: of Diamonds money. I know what that shit is like

1436
01:12:27,439 --> 01:12:30,400
Speaker 1: to be with somebody now, and I'm very underrated to

1437
01:12:31,080 --> 01:12:34,000
Speaker 1: I am super cheap. Let's just get that understood. I

1438
01:12:34,040 --> 01:12:36,160
Speaker 1: have never went to King of Diamonds and got singles.

1439
01:12:36,600 --> 01:12:38,720
Speaker 1: Used to go every Monday. Likewise, See, I like to

1440
01:12:38,760 --> 01:12:40,280
Speaker 1: go to the strip club and eat food. What the

1441
01:12:40,400 --> 01:12:42,560
Speaker 1: fuck am I getting money for? Wayne just got a

1442
01:12:42,720 --> 01:12:48,439
Speaker 1: box of ones a box and went here, here, here,

1443
01:12:50,560 --> 01:12:52,360
Speaker 1: What the fuck am I going to get singles for?

1444
01:12:52,560 --> 01:12:54,680
Speaker 1: So you think you think I'm impressing him, going to

1445
01:12:54,720 --> 01:12:58,880
Speaker 1: get this rack of singles? Hell not this. Niggas just

1446
01:12:58,920 --> 01:13:00,800
Speaker 1: want to sol a million and in the first week.

1447
01:13:01,000 --> 01:13:03,040
Speaker 1: What are you talking about? Yeah, I'm gonna get out

1448
01:13:03,040 --> 01:13:06,400
Speaker 1: of his box. But that's the type of person he is.

1449
01:13:06,960 --> 01:13:09,960
Speaker 1: So like I used to always tell people when I

1450
01:13:10,000 --> 01:13:12,519
Speaker 1: got around young money. That fucked me up to be

1451
01:13:12,640 --> 01:13:14,439
Speaker 1: like when we on the road and he pulling the

1452
01:13:14,479 --> 01:13:16,240
Speaker 1: red lobster. We on an eighteen hour bus ride, he

1453
01:13:16,320 --> 01:13:18,840
Speaker 1: pulling the red lobster. I tell this story a lot

1454
01:13:18,880 --> 01:13:20,519
Speaker 1: because I'll be trying to paint a picture for people

1455
01:13:21,280 --> 01:13:23,920
Speaker 1: pulling the red lobster. He gets steak shrimp baked potato.

1456
01:13:26,200 --> 01:13:32,559
Speaker 1: It's twenty one orders of steak shrimping baked potatoes. I'm

1457
01:13:32,600 --> 01:13:36,479
Speaker 1: not paying for that. Who paid for that? You got?

1458
01:13:36,560 --> 01:13:38,519
Speaker 1: Are you chipping in for that? Mac? Who paying for this? Mac?

1459
01:13:39,120 --> 01:13:44,840
Speaker 1: Mills just order. Shit went like that for a long time. No,

1460
01:13:45,520 --> 01:13:49,160
Speaker 1: it went like that forever. It never stopped. So when

1461
01:13:49,200 --> 01:13:50,880
Speaker 1: it got to a point where, like you were saying,

1462
01:13:50,880 --> 01:13:53,240
Speaker 1: I'm looking at him, he taking a forty thoual bag,

1463
01:13:53,360 --> 01:13:57,600
Speaker 1: He'll or a fifty thous bag here. It's like, I

1464
01:13:57,760 --> 01:14:00,320
Speaker 1: know why, you know what I'm saying, because that shit

1465
01:14:00,400 --> 01:14:03,400
Speaker 1: is on his shoulders and that's all he know since

1466
01:14:03,439 --> 01:14:05,640
Speaker 1: he was thirteen. All he know is that. All he

1467
01:14:05,760 --> 01:14:10,439
Speaker 1: know is that lifestyle chauffeur. He's overhead. Had to be crazy,

1468
01:14:11,000 --> 01:14:12,720
Speaker 1: it's all he know. You know what I'm saying. I

1469
01:14:12,760 --> 01:14:15,519
Speaker 1: always tell people if I was if I was if

1470
01:14:15,560 --> 01:14:18,519
Speaker 1: I was Lil Wayne like, if I had Lil Wayne

1471
01:14:18,600 --> 01:14:22,360
Speaker 1: money like, I would have been way worse. I would

1472
01:14:22,400 --> 01:14:26,679
Speaker 1: have been worse, way worse. But he had money since

1473
01:14:26,720 --> 01:14:29,320
Speaker 1: he was so young, so he understood how to take

1474
01:14:29,320 --> 01:14:31,720
Speaker 1: care of his homies, how to try to put j

1475
01:14:32,000 --> 01:14:34,680
Speaker 1: Mills and Corey Gunns, and even if it don't work,

1476
01:14:34,720 --> 01:14:38,519
Speaker 1: he understood how to try. So I could accept that,

1477
01:14:38,840 --> 01:14:42,080
Speaker 1: you know what I'm saying. But I don't know, man,

1478
01:14:42,120 --> 01:14:44,280
Speaker 1: I feel like, like I said, the shit ended how

1479
01:14:44,320 --> 01:14:47,240
Speaker 1: it was supposed to end for me as far as

1480
01:14:47,320 --> 01:14:49,519
Speaker 1: that chapter. Now, of course, I still fuck with Wayne,

1481
01:14:49,560 --> 01:14:52,400
Speaker 1: I still fuck with everybody else. But do I think

1482
01:14:52,479 --> 01:14:55,200
Speaker 1: I could have got more out of Young Money had

1483
01:14:55,240 --> 01:14:58,600
Speaker 1: I stayed? You know, do you think you should have

1484
01:14:58,640 --> 01:15:03,960
Speaker 1: left earlier? Yeah? Yeah, I probably should have left Young

1485
01:15:04,000 --> 01:15:08,519
Speaker 1: Money years before I left. But once again, man, it

1486
01:15:08,640 --> 01:15:11,400
Speaker 1: is what it is. Wayne gave me an opportunity that

1487
01:15:11,680 --> 01:15:15,840
Speaker 1: nobody else has ever given me before was since So

1488
01:15:15,960 --> 01:15:18,200
Speaker 1: I don't feel I did anything wrong, you know what

1489
01:15:18,240 --> 01:15:20,680
Speaker 1: I'm saying. I feel like I could have left, But

1490
01:15:22,000 --> 01:15:23,679
Speaker 1: I remember people used to tell me, Man, you should

1491
01:15:23,720 --> 01:15:26,960
Speaker 1: go to Mayback, you should go to it, you should

1492
01:15:27,000 --> 01:15:28,880
Speaker 1: go here, you should go here, and if you think

1493
01:15:28,920 --> 01:15:31,960
Speaker 1: about it, Wayne was the only place I ever went

1494
01:15:32,240 --> 01:15:35,560
Speaker 1: other than having my own deals. Yeah, I think that, like,

1495
01:15:35,960 --> 01:15:39,400
Speaker 1: signing with an artist is a crapshoot anyway, you know,

1496
01:15:39,479 --> 01:15:41,280
Speaker 1: when you signed with another artist. I think Wayne pulled

1497
01:15:41,320 --> 01:15:43,240
Speaker 1: it off nicely. With Nicky and Drake, I think Ross

1498
01:15:43,439 --> 01:15:47,160
Speaker 1: did a great job. But like, there's plenty more examples

1499
01:15:47,600 --> 01:15:50,240
Speaker 1: of rappers who have labels. Yo, God, he's doing a

1500
01:15:50,240 --> 01:15:53,080
Speaker 1: great job right now. Yeah, but there's plenty of other

1501
01:15:53,240 --> 01:15:55,080
Speaker 1: artists who it's like you just look and it's like

1502
01:15:56,520 --> 01:15:58,559
Speaker 1: the problem is most of the time, when you signed

1503
01:15:58,560 --> 01:16:01,160
Speaker 1: with an artist, they don't want the people they signed

1504
01:16:01,160 --> 01:16:03,880
Speaker 1: to be bigger than them. Yeah, and that's you know

1505
01:16:04,080 --> 01:16:06,760
Speaker 1: with Wayne, that didn't happen with Ross that that wasn't

1506
01:16:06,840 --> 01:16:09,680
Speaker 1: the case. Yeah, some people been around so long it's

1507
01:16:09,760 --> 01:16:13,800
Speaker 1: not their first time. Like when Ross did the whole

1508
01:16:13,880 --> 01:16:17,320
Speaker 1: Mayback music, shit, he had already did Triple C's right, Yeah,

1509
01:16:17,320 --> 01:16:21,080
Speaker 1: he had already already did writing for Slippings. He had

1510
01:16:21,080 --> 01:16:26,280
Speaker 1: already did so much shit, So it wasn't his first time. Yeah, yeah, yeah, yeah.

1511
01:16:26,560 --> 01:16:30,240
Speaker 1: MMG Energy in like two thousand and like ten eleven,

1512
01:16:31,560 --> 01:16:35,439
Speaker 1: so crazy, and I feel like young Money. I'm gonna

1513
01:16:35,439 --> 01:16:38,799
Speaker 1: say this, I don't feel Young Money gets enough credit

1514
01:16:39,720 --> 01:16:43,320
Speaker 1: for bringing back that aura, that Crew Crew. You feel

1515
01:16:43,360 --> 01:16:46,840
Speaker 1: like after like Dipset and G Unit, that was it.

1516
01:16:47,400 --> 01:16:49,960
Speaker 1: That was the That was the end of that era

1517
01:16:50,720 --> 01:16:58,000
Speaker 1: of like d Block, G United, Dip said, uh Rough Riders, Rockefeller,

1518
01:16:58,120 --> 01:16:59,920
Speaker 1: you know what. I'm like all of those like Crew

1519
01:17:00,640 --> 01:17:02,600
Speaker 1: and then like Young Money came and I remember we

1520
01:17:02,720 --> 01:17:04,479
Speaker 1: used to get joked on. It was the joke. You know.

1521
01:17:04,560 --> 01:17:07,920
Speaker 1: We had the poppy singles and shit like that, but

1522
01:17:08,080 --> 01:17:11,920
Speaker 1: we still had like Dedication three, Dedication four, like no ceilings.

1523
01:17:12,479 --> 01:17:16,880
Speaker 1: Like the reason why we was like like I Am Music.

1524
01:17:16,960 --> 01:17:20,240
Speaker 1: Tour was like six months. It was like the biggest tour.

1525
01:17:20,560 --> 01:17:26,000
Speaker 1: But at that time, that's when Top was creating uh TD.

1526
01:17:26,800 --> 01:17:29,080
Speaker 1: Like I met Jay Rock through Wayne. Yeah, they had

1527
01:17:29,120 --> 01:17:31,360
Speaker 1: a song that was first single on Warner Broads and

1528
01:17:31,400 --> 01:17:34,320
Speaker 1: Wayne directed the video. I remember when we flew out here.

1529
01:17:34,439 --> 01:17:36,840
Speaker 1: I remember that was when Kendrick was being at that

1530
01:17:37,000 --> 01:17:39,920
Speaker 1: video shoot like yeah, I think I'm just gonna stay

1531
01:17:39,960 --> 01:17:43,759
Speaker 1: in the trailer right, Like you gotta understand I'm from Harlem,

1532
01:17:44,520 --> 01:17:48,320
Speaker 1: Wayne out here with Dicky's and Red Band, Dannis and shit,

1533
01:17:48,400 --> 01:17:51,360
Speaker 1: I'm like I'm new. I don't even know Wayne for

1534
01:17:51,520 --> 01:17:53,519
Speaker 1: being like this yet, you know what I'm saying, I'm like,

1535
01:17:54,680 --> 01:17:57,120
Speaker 1: fuck is nickoson? But I'm learning, you know what I'm saying.

1536
01:17:57,120 --> 01:17:59,200
Speaker 1: I'm just like, oh, he like, yeah, I'm directing his

1537
01:17:59,320 --> 01:18:03,240
Speaker 1: video for my uh, for my man's artists. I'm like, who, so,

1538
01:18:03,400 --> 01:18:06,280
Speaker 1: my man j Rock. I didn't know who TD was.

1539
01:18:06,439 --> 01:18:09,840
Speaker 1: I didn't know none of that. But I remember, like

1540
01:18:10,040 --> 01:18:12,799
Speaker 1: after Young Money, they was the first people I remember

1541
01:18:12,880 --> 01:18:16,479
Speaker 1: being like, oh, they building some ship like what we're doing.

1542
01:18:16,720 --> 01:18:19,080
Speaker 1: Not the same thing, of course not. But I remember

1543
01:18:19,120 --> 01:18:22,680
Speaker 1: because Schoolboy Q was a part of GED. That was

1544
01:18:22,760 --> 01:18:25,479
Speaker 1: Tiger's crew. I don't want to say Tigers. They was

1545
01:18:25,520 --> 01:18:27,559
Speaker 1: all crew, you know what I'm saying. I remember shouted

1546
01:18:27,600 --> 01:18:29,920
Speaker 1: shout out the Q. I remember I remember Q from

1547
01:18:29,960 --> 01:18:34,040
Speaker 1: being around Tiger, Like, so, I already knew he was nice,

1548
01:18:34,560 --> 01:18:36,519
Speaker 1: you know what I'm saying. I already knew Jay Rock

1549
01:18:37,200 --> 01:18:42,120
Speaker 1: from Wayne doing the video. I had heard the apps

1550
01:18:42,160 --> 01:18:47,720
Speaker 1: soul uh. A lot of us knew, like found out

1551
01:18:47,880 --> 01:18:53,400
Speaker 1: about Kendrick. What was this section of section eighty? Section eighty,

1552
01:18:53,640 --> 01:18:55,280
Speaker 1: But he was on one of he was on Drake Shit,

1553
01:18:55,400 --> 01:18:59,200
Speaker 1: he was on like an interlude or something? Am I bugging?

1554
01:19:00,120 --> 01:19:04,120
Speaker 1: Was Kendrick on like a Drake Carter four? Nah, Kendrick

1555
01:19:04,240 --> 01:19:06,000
Speaker 1: was on like because I remember we asked him. He

1556
01:19:06,120 --> 01:19:08,760
Speaker 1: was like, yo, who that I don't remember? He broke

1557
01:19:08,880 --> 01:19:10,760
Speaker 1: down the verse about how Kendrick was talking about how

1558
01:19:10,760 --> 01:19:12,320
Speaker 1: they met and he went here and he was like,

1559
01:19:12,400 --> 01:19:14,880
Speaker 1: that's exactly how it happened. Was it a Drake album?

1560
01:19:15,600 --> 01:19:19,719
Speaker 1: I think that was yo? For real? If I'm bugging

1561
01:19:19,880 --> 01:19:23,160
Speaker 1: right now, how to apologize had to be Carter four.

1562
01:19:24,600 --> 01:19:26,680
Speaker 1: Carter four had all those interviews with like bun be

1563
01:19:28,080 --> 01:19:32,960
Speaker 1: Was it a Drake album? Oh the way, You're right,

1564
01:19:32,960 --> 01:19:35,560
Speaker 1: You're right, You're right. He was on a yeah, on

1565
01:19:35,720 --> 01:19:38,400
Speaker 1: on a Drake album? Kendrick it was on take Care

1566
01:19:38,800 --> 01:19:43,200
Speaker 1: all right, So now I'm peeping. I'm like, but at

1567
01:19:43,240 --> 01:19:46,080
Speaker 1: this time, Ross is doing ye married to Live there

1568
01:19:46,080 --> 01:19:48,160
Speaker 1: you go? Because I remember asking Drake like you know,

1569
01:19:48,240 --> 01:19:49,360
Speaker 1: and he broke in and he was like, YEO, he's

1570
01:19:49,400 --> 01:19:51,439
Speaker 1: not and he was rapping the verse like he said,

1571
01:19:51,439 --> 01:19:54,720
Speaker 1: and that's exactly how it happened, like how we you know, Yeah,

1572
01:19:54,800 --> 01:19:57,320
Speaker 1: Kendrick was already like on his way there. So pd

1573
01:19:57,520 --> 01:20:01,719
Speaker 1: E mayeback music. They took that whole ship and ran

1574
01:20:02,160 --> 01:20:05,160
Speaker 1: with it. That kind of like birthed the whole. And

1575
01:20:05,200 --> 01:20:08,400
Speaker 1: then after that, like Cole look with Dreamville. You know

1576
01:20:08,439 --> 01:20:12,559
Speaker 1: what I'm saying, Like he built that ship. It wasn't quick.

1577
01:20:12,640 --> 01:20:14,639
Speaker 1: But if you if you look at and you look

1578
01:20:14,720 --> 01:20:17,160
Speaker 1: at if you look at the Freshman cover, and I

1579
01:20:17,200 --> 01:20:19,120
Speaker 1: got a lot I got in all sorts of trouble

1580
01:20:19,160 --> 01:20:22,120
Speaker 1: for saying my fucking man was supposed to be under

1581
01:20:22,120 --> 01:20:24,559
Speaker 1: cover I worded. Remember when I said the double XL

1582
01:20:24,640 --> 01:20:27,920
Speaker 1: cover was whack because Vado wasn't on it. Oh. I

1583
01:20:28,040 --> 01:20:30,040
Speaker 1: caught so much flak for that because everybody thought I

1584
01:20:30,160 --> 01:20:32,519
Speaker 1: meant every person on the cover was whack because that

1585
01:20:32,680 --> 01:20:35,080
Speaker 1: was the J Cole Fra Gizz and that was and

1586
01:20:35,240 --> 01:20:38,719
Speaker 1: that was one of the best fucking covers. It turned

1587
01:20:38,720 --> 01:20:40,320
Speaker 1: out to be one of the best covers. I was

1588
01:20:40,479 --> 01:20:42,800
Speaker 1: just mad my home he wasn't on there. I felt

1589
01:20:42,800 --> 01:20:45,000
Speaker 1: he deserved to be on there. Cool worded it wrong.

1590
01:20:45,800 --> 01:20:48,800
Speaker 1: But if you look at from that time on, Cole

1591
01:20:48,920 --> 01:20:52,080
Speaker 1: built Dreamville kind of fast. He had because out of

1592
01:20:52,080 --> 01:20:54,720
Speaker 1: everybody on that cover, him and he had a he

1593
01:20:54,760 --> 01:20:57,280
Speaker 1: had Omens signed to Dreamville. Fro There's a guy named

1594
01:20:57,280 --> 01:20:59,360
Speaker 1: Omen that he had signed to the LA like Dreamgo

1595
01:20:59,479 --> 01:21:02,320
Speaker 1: was a thing for a while. No, but I mean,

1596
01:21:02,400 --> 01:21:05,760
Speaker 1: like from what the public first sword because young money

1597
01:21:05,880 --> 01:21:07,800
Speaker 1: was a thing for a while. Young money been in things.

1598
01:21:09,640 --> 01:21:12,080
Speaker 1: Does Jr. Smith have a young Money tattoo on his throat?

1599
01:21:12,680 --> 01:21:16,360
Speaker 1: Young Money? Is he? I was just was homie, Okay,

1600
01:21:16,560 --> 01:21:19,240
Speaker 1: I didn't know, Yo, Why does this NBA player have

1601
01:21:19,400 --> 01:21:23,880
Speaker 1: a gigantic young money tattoo on his fucking throat? Then? Guys,

1602
01:21:23,920 --> 01:21:25,960
Speaker 1: I when he was at the Bedrock video shooting I noticed.

1603
01:21:26,000 --> 01:21:27,840
Speaker 1: I was like, Oh, she got a stupid, big young

1604
01:21:27,880 --> 01:21:31,439
Speaker 1: money tattoo on his neck. Jesus Christ, the homies. He's

1605
01:21:31,439 --> 01:21:35,519
Speaker 1: gotta regret that tattoo, you know what? Like, I don't

1606
01:21:35,560 --> 01:21:38,120
Speaker 1: really think jayall Smith regrets too much. That might be fair.

1607
01:21:38,280 --> 01:21:41,000
Speaker 1: I don't think anybody who could drink honey on game night,

1608
01:21:41,000 --> 01:21:42,720
Speaker 1: I don't think they regret too much. Man shout out

1609
01:21:42,720 --> 01:21:45,080
Speaker 1: to Jay all Man. So look, your album is out,

1610
01:21:45,920 --> 01:21:49,400
Speaker 1: and is this like the beginning of you putting out

1611
01:21:49,439 --> 01:21:52,160
Speaker 1: a ship ton of like what's your like? Early earlier

1612
01:21:52,240 --> 01:21:54,200
Speaker 1: this year I put out poll Music five. Last year

1613
01:21:54,200 --> 01:21:56,880
Speaker 1: I put out Feels Like I was here before Keywords.

1614
01:21:57,320 --> 01:22:00,479
Speaker 1: My thing right now is just figure out where you

1615
01:22:00,600 --> 01:22:03,640
Speaker 1: fit in? Right now, there's so much shit going on.

1616
01:22:03,840 --> 01:22:07,200
Speaker 1: Like I love the drill shit, of course, I love

1617
01:22:07,280 --> 01:22:09,720
Speaker 1: the lyrical shit. I love the melodic shit. I love

1618
01:22:09,800 --> 01:22:12,599
Speaker 1: the auto tuned shit. I really wish I could fit

1619
01:22:12,720 --> 01:22:15,560
Speaker 1: in all of those lanes. But I've tried it, and

1620
01:22:15,720 --> 01:22:17,640
Speaker 1: I don't just rap. You know what I'm saying, Like

1621
01:22:18,640 --> 01:22:22,000
Speaker 1: I learned, I learned. I say this shit a whole lot.

1622
01:22:22,040 --> 01:22:23,880
Speaker 1: You can probably find a million interviews. Whou I say this.

1623
01:22:24,760 --> 01:22:27,160
Speaker 1: Just because you can do something doesn't mean you should.

1624
01:22:27,240 --> 01:22:29,479
Speaker 1: There you go, man, Come on, man, just because you

1625
01:22:29,560 --> 01:22:32,080
Speaker 1: can do something does not mean you should. You know

1626
01:22:32,080 --> 01:22:37,600
Speaker 1: what I'm saying. Like I could go out and I

1627
01:22:37,640 --> 01:22:40,519
Speaker 1: could fuck ten strippers in the strip club, that doesn't

1628
01:22:40,520 --> 01:22:44,640
Speaker 1: mean you should. There you go. Whether you got a

1629
01:22:44,720 --> 01:22:47,080
Speaker 1: girl at home or not, Well, if you don't have

1630
01:22:47,120 --> 01:22:50,920
Speaker 1: a girl at home, no, it's still it's COVID, it's cold.

1631
01:22:51,360 --> 01:22:54,360
Speaker 1: It shouldn't fuck. You shouldn't have sex with ten different

1632
01:22:54,400 --> 01:22:58,400
Speaker 1: people at all. Right now, I mean pandemic times I

1633
01:22:58,479 --> 01:23:00,800
Speaker 1: concur but you know, just there you go. I was

1634
01:23:00,880 --> 01:23:03,040
Speaker 1: just giving you an analogy. You know what I'm saying.

1635
01:23:03,080 --> 01:23:06,680
Speaker 1: It's like I can DJ you know, I can get

1636
01:23:06,720 --> 01:23:10,280
Speaker 1: on the wheels of still and should I I mean

1637
01:23:10,960 --> 01:23:14,439
Speaker 1: I should probably, I should probably not you can probably

1638
01:23:14,560 --> 01:23:16,760
Speaker 1: you can probably tell him to load a beat up

1639
01:23:16,920 --> 01:23:22,559
Speaker 1: right now, talking ship, I'm not rapping, see now you could?

1640
01:23:23,200 --> 01:23:25,400
Speaker 1: Should you? Should you? Of course? Not like should you

1641
01:23:25,520 --> 01:23:29,800
Speaker 1: really do that? I don't know if you. So That's

1642
01:23:29,840 --> 01:23:31,360
Speaker 1: where I'm at with it, man, I'm just trying to

1643
01:23:31,360 --> 01:23:33,880
Speaker 1: see where I fit in. I'm having fun with this ship.

1644
01:23:33,920 --> 01:23:38,439
Speaker 1: I'm independent with empire. I love my splits, y'all in trouble.

1645
01:23:38,439 --> 01:23:41,000
Speaker 1: When I hit it, hit the liquid one, and I

1646
01:23:41,080 --> 01:23:43,840
Speaker 1: think that that's what that's the beauty of this Eraror.

1647
01:23:44,280 --> 01:23:46,200
Speaker 1: And that's probably what made me leave Young Money too,

1648
01:23:47,080 --> 01:23:49,000
Speaker 1: just realizing I ain't need a machine in this Eraror

1649
01:23:49,040 --> 01:23:51,760
Speaker 1: no more. You know what I'm saying the middle man,

1650
01:23:52,040 --> 01:23:55,120
Speaker 1: it's not the it's like it's not to say it

1651
01:23:55,240 --> 01:23:58,679
Speaker 1: like that. But I come from an era of the machine.

1652
01:23:58,760 --> 01:24:00,680
Speaker 1: I was part of Warner Brothers Machine. I was part

1653
01:24:00,720 --> 01:24:04,280
Speaker 1: of Universal Machine and Steve Rifkin over at SRC and

1654
01:24:04,520 --> 01:24:06,920
Speaker 1: a part of Young Moneys. But you were signing a SRC.

1655
01:24:07,800 --> 01:24:10,679
Speaker 1: I was signed the Universal and then when they started

1656
01:24:10,720 --> 01:24:12,519
Speaker 1: doing a bunch of shifting and ship like that like

1657
01:24:13,479 --> 01:24:15,759
Speaker 1: me and my team, we didn't really like the David

1658
01:24:15,800 --> 01:24:19,960
Speaker 1: Banner Acon era src. Yeah, David Banner was up there.

1659
01:24:19,960 --> 01:24:21,880
Speaker 1: I've been being on the road with David Banner. I've

1660
01:24:21,880 --> 01:24:27,360
Speaker 1: been on the road with Remy there with Akon, Steve Rifkin,

1661
01:24:27,439 --> 01:24:30,519
Speaker 1: Ah man, shout out to Steve Rifkins manage and Buster rhymes,

1662
01:24:30,560 --> 01:24:34,720
Speaker 1: now what Yeah, it's Buster's manager. Know that's dope man,

1663
01:24:34,760 --> 01:24:37,080
Speaker 1: and shout out the Buster too. I've seen an interview

1664
01:24:37,120 --> 01:24:41,320
Speaker 1: with Buster was talking about the surgery. Uh, surgery you had.

1665
01:24:42,200 --> 01:24:44,000
Speaker 1: That shit fucked me up because that's the same surgery

1666
01:24:44,080 --> 01:24:47,080
Speaker 1: I had. And I never really heard nobody like talk

1667
01:24:47,120 --> 01:24:50,000
Speaker 1: about that ship ship like. It scared me from the

1668
01:24:50,080 --> 01:24:54,920
Speaker 1: perspective of Uh, you know, when some shit happened to you,

1669
01:24:55,200 --> 01:24:59,200
Speaker 1: you don't feel it. No, that's a bad analogy. You

1670
01:24:59,320 --> 01:25:02,880
Speaker 1: have a you have a you smoke weed. Yeah, you

1671
01:25:03,000 --> 01:25:04,679
Speaker 1: have a smoke a bunch of weed and then walk

1672
01:25:04,720 --> 01:25:06,960
Speaker 1: in the mall and wonder why everybody looking at you.

1673
01:25:07,000 --> 01:25:08,280
Speaker 1: You think maybe you're sneak. You know, you got the

1674
01:25:08,320 --> 01:25:09,920
Speaker 1: new sneak, you got some new Yeezy's on it. You

1675
01:25:09,960 --> 01:25:13,120
Speaker 1: don't similar and you don't realize you smell like the

1676
01:25:13,280 --> 01:25:15,640
Speaker 1: back of the dispensary, like it all just came in

1677
01:25:15,800 --> 01:25:17,760
Speaker 1: and you opened it and rubbed it all over your skin.

1678
01:25:17,880 --> 01:25:20,760
Speaker 1: But you're high, so you don't you cool? You don't

1679
01:25:20,800 --> 01:25:23,559
Speaker 1: smell that shit that's me, or I don't I smell amazing.

1680
01:25:23,640 --> 01:25:25,519
Speaker 1: I still smell like the colonne I sprayed this morning.

1681
01:25:25,800 --> 01:25:28,000
Speaker 1: You smoked eight blunts since then, meals you don't smell

1682
01:25:28,040 --> 01:25:30,439
Speaker 1: like that. But I'm in it, so I don't see it.

1683
01:25:31,000 --> 01:25:32,880
Speaker 1: I remember the first time I seen Wayne have a

1684
01:25:32,960 --> 01:25:36,479
Speaker 1: seizure on the jet in the air. Now I have siezures.

1685
01:25:37,000 --> 01:25:41,360
Speaker 1: I have sieges in my sleep. Oh wow, like scariest

1686
01:25:41,400 --> 01:25:44,760
Speaker 1: shit ever. So but every time I ever had a

1687
01:25:44,760 --> 01:25:47,280
Speaker 1: siege in my sleep, I wake up and I'm cool, Like,

1688
01:25:47,760 --> 01:25:51,400
Speaker 1: so you were there when we had a seizure, like

1689
01:25:51,520 --> 01:25:54,120
Speaker 1: two different times, scariest shit I ever seen in my

1690
01:25:54,200 --> 01:25:57,880
Speaker 1: life because it made me feel you know, it made

1691
01:25:57,920 --> 01:26:00,120
Speaker 1: me feel like, oh, that's what I look like like.

1692
01:26:01,040 --> 01:26:02,880
Speaker 1: And then when he got up, he was cool. He

1693
01:26:03,000 --> 01:26:06,760
Speaker 1: was like, yo was his like lean usage that bad?

1694
01:26:07,840 --> 01:26:09,160
Speaker 1: I don't know if it was. I don't know if

1695
01:26:09,200 --> 01:26:11,920
Speaker 1: it was the lean because I don't sibling and I

1696
01:26:11,960 --> 01:26:16,320
Speaker 1: have seen everyone's kind of uh come to that conclusion.

1697
01:26:16,320 --> 01:26:18,479
Speaker 1: I don't know. I don't. I can't really say it

1698
01:26:18,520 --> 01:26:21,280
Speaker 1: because once again, I don't sibling, and I have a

1699
01:26:21,439 --> 01:26:25,960
Speaker 1: history of you never sibling. I tried it one time,

1700
01:26:26,000 --> 01:26:28,840
Speaker 1: but I tried it by my quad. I tried it

1701
01:26:28,880 --> 01:26:30,680
Speaker 1: by mistake me and gutta gut it was and hit

1702
01:26:30,760 --> 01:26:34,600
Speaker 1: factory one time and I had a sun kiss and

1703
01:26:34,880 --> 01:26:36,280
Speaker 1: you know, you got the white cups with the ice

1704
01:26:36,880 --> 01:26:40,280
Speaker 1: poured it in there, but I didn't realize that, uh

1705
01:26:40,760 --> 01:26:42,760
Speaker 1: he had some lean and some sun kiss too, you

1706
01:26:42,800 --> 01:26:45,160
Speaker 1: know what I'm saying somewhere. So when I hit the cup,

1707
01:26:45,600 --> 01:26:49,320
Speaker 1: I'm like, oh, this ship tastes sweet, you know, tastes good. Actually,

1708
01:26:49,479 --> 01:26:51,800
Speaker 1: you know what I'm saying. But like I'm thinking, maybe

1709
01:26:52,560 --> 01:26:54,479
Speaker 1: you know, it's just a good ass sun kiss, right,

1710
01:26:54,520 --> 01:26:58,920
Speaker 1: And I caught one hit it again. I remember like, oh,

1711
01:26:59,080 --> 01:27:02,200
Speaker 1: I was just like slump beat playing like I'm trying

1712
01:27:02,200 --> 01:27:06,280
Speaker 1: to get up. I feel good though, but I'm just

1713
01:27:06,680 --> 01:27:10,639
Speaker 1: wow comfortable, like and he like, mil bitch, drunk my cup, bitch.

1714
01:27:11,439 --> 01:27:14,800
Speaker 1: I'm like, nah, that was my cup, Like males, your

1715
01:27:14,840 --> 01:27:16,599
Speaker 1: cup over there, bitch, this is my cup right here.

1716
01:27:16,640 --> 01:27:19,920
Speaker 1: I'm like, oh shit. And that's when I realized the

1717
01:27:19,960 --> 01:27:22,200
Speaker 1: whole time I was drinking gutta gutter cup. Did everyone like,

1718
01:27:22,600 --> 01:27:25,920
Speaker 1: was it like a panic when like he had a seizure,

1719
01:27:25,960 --> 01:27:29,280
Speaker 1: because that's an alarming thing to witness, especially Wayne. Yeah, yeah,

1720
01:27:29,280 --> 01:27:31,320
Speaker 1: that shit is a panic. But it was a panic

1721
01:27:31,360 --> 01:27:35,960
Speaker 1: for me because everybody looking at me like males you do, like, yo,

1722
01:27:36,160 --> 01:27:40,280
Speaker 1: I've never I usually be in the molde he's in

1723
01:27:40,479 --> 01:27:42,800
Speaker 1: right now. And I remember when he woke up, like yo,

1724
01:27:42,880 --> 01:27:45,880
Speaker 1: I'm good, everybody, you know, and they had the EMS

1725
01:27:45,960 --> 01:27:48,760
Speaker 1: on the thing. Get the fuck off my jet because

1726
01:27:48,760 --> 01:27:50,599
Speaker 1: we had to land the jet. We was going to La.

1727
01:27:50,680 --> 01:27:52,479
Speaker 1: We had to land the jet for the emest to

1728
01:27:52,479 --> 01:27:53,639
Speaker 1: get on, and now we got to put the jet

1729
01:27:53,680 --> 01:27:57,320
Speaker 1: back up in the air. So rich nigga shit, I'm not.

1730
01:27:57,880 --> 01:28:01,000
Speaker 1: I don't live on rich nigga shit, even with money.

1731
01:28:01,160 --> 01:28:03,599
Speaker 1: I want to live on broke nigga shit. You live

1732
01:28:03,720 --> 01:28:07,599
Speaker 1: like you broke, you'll stay rich man. Put this bitch

1733
01:28:07,640 --> 01:28:09,360
Speaker 1: back up in the motherfucking air, y'all know, not much

1734
01:28:09,400 --> 01:28:13,680
Speaker 1: this fucking gas course. I was like, that guy has

1735
01:28:13,720 --> 01:28:17,639
Speaker 1: a point. Right now. We did land his jet. Now

1736
01:28:17,680 --> 01:28:19,160
Speaker 1: we have to put it back up in the air

1737
01:28:19,200 --> 01:28:22,120
Speaker 1: and land it again. It's a whole nother fee that

1738
01:28:22,280 --> 01:28:24,080
Speaker 1: none of us are paying. He had a seizure though.

1739
01:28:24,560 --> 01:28:27,639
Speaker 1: Now now granted, I'm like I get it. I get

1740
01:28:27,680 --> 01:28:30,160
Speaker 1: where he's coming from. Oh, y'all, get the fuck up

1741
01:28:30,200 --> 01:28:31,680
Speaker 1: my jet. Come on this. I gotta get to LA

1742
01:28:31,760 --> 01:28:33,759
Speaker 1: because he gotta get to LA to do an event,

1743
01:28:33,920 --> 01:28:36,120
Speaker 1: like a video game event or something like that. Now

1744
01:28:36,200 --> 01:28:38,040
Speaker 1: you know you don't do that. Now you have to

1745
01:28:38,080 --> 01:28:40,360
Speaker 1: pay for the gas to put the jet back up again.

1746
01:28:40,800 --> 01:28:42,840
Speaker 1: And you got to give them back that deposit they

1747
01:28:42,920 --> 01:28:44,360
Speaker 1: gave you because you ain't show up to that event.

1748
01:28:44,439 --> 01:28:49,280
Speaker 1: You lost twice. Today jet go back up in the air.

1749
01:28:49,320 --> 01:28:52,360
Speaker 1: He like, Milsy, He like that shit was that bad?

1750
01:28:52,400 --> 01:28:55,120
Speaker 1: It was? It was serious like that. And I promise

1751
01:28:55,160 --> 01:28:57,320
Speaker 1: you I did not want to you know, you don't

1752
01:28:57,320 --> 01:29:00,439
Speaker 1: want to really say that, but I'm like, she was bad. Bro.

1753
01:29:02,040 --> 01:29:04,280
Speaker 1: That was the first time I probably told him soning.

1754
01:29:04,280 --> 01:29:06,320
Speaker 1: He ain't want to hear. It's like, bro, that shit

1755
01:29:06,400 --> 01:29:09,160
Speaker 1: was the scaries shit I've ever seen in my life. Like, like,

1756
01:29:09,280 --> 01:29:10,920
Speaker 1: I don't want to see you like that ever again.

1757
01:29:11,000 --> 01:29:13,960
Speaker 1: My nigga. He's like word, He's like, believe that blood

1758
01:29:14,000 --> 01:29:16,240
Speaker 1: love you know what I'm saying. And then after that

1759
01:29:16,880 --> 01:29:19,120
Speaker 1: when we land, he went to he went to the

1760
01:29:19,200 --> 01:29:21,479
Speaker 1: hospital and that's when he stayed overnight. And you know,

1761
01:29:22,400 --> 01:29:24,800
Speaker 1: but that shit was scary, man, because it's like and

1762
01:29:24,880 --> 01:29:26,360
Speaker 1: that's why I said, I don't want to I don't

1763
01:29:26,360 --> 01:29:28,040
Speaker 1: want to put it to the Lean. I don't. You

1764
01:29:28,080 --> 01:29:30,960
Speaker 1: know what I'm saying, Because when I have seizures, it's

1765
01:29:31,000 --> 01:29:34,280
Speaker 1: from overworking myself. It's high blood pressure and low sugar count.

1766
01:29:34,360 --> 01:29:36,760
Speaker 1: It's it's an imbalance, you know what I'm saying. So

1767
01:29:37,160 --> 01:29:40,960
Speaker 1: it ain't it ain't Perks and Zannies and Lean because

1768
01:29:41,000 --> 01:29:43,599
Speaker 1: I got a history of this shit and I don't

1769
01:29:43,640 --> 01:29:45,960
Speaker 1: do none of that shit, right, you know what I'm saying.

1770
01:29:46,040 --> 01:29:47,960
Speaker 1: Like the closest to a pill, I'm gonna get his

1771
01:29:48,080 --> 01:29:50,200
Speaker 1: partying with an E Pill or Molly back in the day.

1772
01:29:50,360 --> 01:29:52,320
Speaker 1: Just it does seemed like that that is so different

1773
01:29:52,360 --> 01:29:55,320
Speaker 1: people bodies, you know, they it shit hit different. But

1774
01:29:55,920 --> 01:29:59,479
Speaker 1: that that's some scary shit. Damn. Was that like something

1775
01:29:59,520 --> 01:30:01,360
Speaker 1: where like you think that like it maybe changed the

1776
01:30:01,400 --> 01:30:03,519
Speaker 1: way he thought about some of the recreational use of

1777
01:30:03,520 --> 01:30:07,280
Speaker 1: stuff he had going on. Probably probably when you almost die,

1778
01:30:07,360 --> 01:30:09,519
Speaker 1: your life flash before you you think about all sorts

1779
01:30:09,520 --> 01:30:12,679
Speaker 1: of shit that's whether you get shot, you get stabbed,

1780
01:30:12,720 --> 01:30:15,840
Speaker 1: you get jumped, natural causes. I remember when the doctor

1781
01:30:15,880 --> 01:30:18,759
Speaker 1: told me I got you know, I got six months

1782
01:30:18,840 --> 01:30:20,760
Speaker 1: if I don't get this surgery. And then he said,

1783
01:30:20,760 --> 01:30:23,080
Speaker 1: I'm gonna let you be with your lady in six

1784
01:30:23,200 --> 01:30:26,200
Speaker 1: months and walked out like damn, like I'm gonna let

1785
01:30:26,240 --> 01:30:28,120
Speaker 1: you figure out if you want to get this surgery

1786
01:30:28,280 --> 01:30:29,960
Speaker 1: or if you want to wait it out a little bit.

1787
01:30:30,680 --> 01:30:34,720
Speaker 1: And at that time, it's April, my daughter three years old.

1788
01:30:34,760 --> 01:30:39,200
Speaker 1: You're telling me I'm not making it to And then

1789
01:30:39,280 --> 01:30:41,200
Speaker 1: when you go through all that, it's like, nah, I

1790
01:30:41,240 --> 01:30:44,320
Speaker 1: gotta put everything back in perspective. And I promised myself

1791
01:30:44,360 --> 01:30:48,559
Speaker 1: since twenty fifteen, I wouldn't deprive my fans. I wouldn't

1792
01:30:48,640 --> 01:30:53,200
Speaker 1: cheat myself. I wouldn't waste my time overthinking shit or

1793
01:30:54,240 --> 01:30:56,960
Speaker 1: holding the music hostage. You know what I'm saying a

1794
01:30:57,000 --> 01:30:59,280
Speaker 1: lot of times, as artists, we hold music hostage because

1795
01:30:59,280 --> 01:31:03,400
Speaker 1: we playing so much. You're thinking, like, yo, I need

1796
01:31:03,560 --> 01:31:06,439
Speaker 1: I need somebody to push this man, push that shit yourself.

1797
01:31:06,479 --> 01:31:08,800
Speaker 1: You got Instagram, you got Twitter, you got stories, you

1798
01:31:08,880 --> 01:31:13,240
Speaker 1: got timelines. Be annoying, be annoying, Be like the bitches

1799
01:31:13,280 --> 01:31:15,920
Speaker 1: that be like, hey, follow my hot bestie and never

1800
01:31:16,000 --> 01:31:20,240
Speaker 1: met them bitches before, be like that. I know it

1801
01:31:20,360 --> 01:31:25,040
Speaker 1: sounds crazy, fellas, but the moment you swallow that pride

1802
01:31:25,120 --> 01:31:28,519
Speaker 1: and you stop thinking like it's eight or twenty thirteen,

1803
01:31:29,000 --> 01:31:32,320
Speaker 1: this shit is different. Man. People out here making all

1804
01:31:32,439 --> 01:31:35,880
Speaker 1: sorts of money that don't have no hot music. Now.

1805
01:31:36,000 --> 01:31:38,640
Speaker 1: Not saying you need to put out bullshit music, but

1806
01:31:41,560 --> 01:31:44,720
Speaker 1: this is the era of don't work harder, work smarter, man.

1807
01:31:44,880 --> 01:31:48,080
Speaker 1: Facts like I'm the king of working hard. I'm the

1808
01:31:48,280 --> 01:31:52,919
Speaker 1: king of working super super hard. But somewhere not connecting

1809
01:31:52,960 --> 01:31:55,680
Speaker 1: the dots because you so busy working hard, you so

1810
01:31:55,880 --> 01:31:58,960
Speaker 1: busy busting your ass working hard, you ain't connecting the

1811
01:31:59,040 --> 01:32:01,080
Speaker 1: dots with the work, you know what I'm saying. And

1812
01:32:02,240 --> 01:32:04,360
Speaker 1: that's where That's where I'm at with it. I don't

1813
01:32:04,360 --> 01:32:05,840
Speaker 1: know where a lot of other artists at with it,

1814
01:32:05,920 --> 01:32:09,880
Speaker 1: but I feel like everything is different now. Man. We

1815
01:32:09,920 --> 01:32:11,640
Speaker 1: were talking about Tiger over there, and I was telling you,

1816
01:32:12,120 --> 01:32:13,960
Speaker 1: I remember when Tiger came out with the album Singing

1817
01:32:14,000 --> 01:32:16,000
Speaker 1: a few years ago. Now, everybody was laughing at him.

1818
01:32:16,680 --> 01:32:20,800
Speaker 1: Everybody was laughing at him. Ship said, dude, dude, and

1819
01:32:20,920 --> 01:32:24,120
Speaker 1: he never looked back. Tiger had a rough patch. Man,

1820
01:32:24,560 --> 01:32:27,920
Speaker 1: we all do. I mean, like the thing is he

1821
01:32:27,960 --> 01:32:31,679
Speaker 1: gets just kept throwing up shots, and then the taste

1822
01:32:31,880 --> 01:32:34,280
Speaker 1: was I'm gonna say, some real ship. Man. I've been

1823
01:32:34,320 --> 01:32:36,680
Speaker 1: in this game a long time. I know people may

1824
01:32:36,760 --> 01:32:38,800
Speaker 1: not realize it, they may not look at it like that,

1825
01:32:39,360 --> 01:32:41,240
Speaker 1: because I came into this ship young, and I done

1826
01:32:41,320 --> 01:32:44,920
Speaker 1: did battle solo ship young, money, shit and dependent ship

1827
01:32:45,160 --> 01:32:46,880
Speaker 1: ups and downs all that. I've been in this ship

1828
01:32:47,360 --> 01:32:52,320
Speaker 1: two decades. When you in this game as long as

1829
01:32:52,360 --> 01:32:54,559
Speaker 1: somebody like me or you got longevity in this ship

1830
01:32:54,600 --> 01:32:58,600
Speaker 1: and you learn how to stay afloat, you're gonna have

1831
01:32:58,720 --> 01:33:01,200
Speaker 1: some patches. Wheen shit get dropp. Of course, every one

1832
01:33:01,280 --> 01:33:04,560
Speaker 1: of my favorite artists had a dry patch. Nas is

1833
01:33:04,600 --> 01:33:09,240
Speaker 1: one of my favorite artists. Not Stradamus album exists there,

1834
01:33:10,000 --> 01:33:12,400
Speaker 1: Project Windows was so. Jay Z is one of my

1835
01:33:12,640 --> 01:33:18,080
Speaker 1: favorite artists. The Kingdom Come album exists. I would I

1836
01:33:18,160 --> 01:33:21,120
Speaker 1: would argue Kingdom Comes in second words, it exists, you

1837
01:33:21,200 --> 01:33:23,599
Speaker 1: know what I'm saying. Like, however, you want to look

1838
01:33:23,640 --> 01:33:27,280
Speaker 1: at it the same way, same way you said Carter

1839
01:33:27,400 --> 01:33:30,280
Speaker 1: Fall it was cool, it wasn't cool. That might be your,

1840
01:33:30,640 --> 01:33:33,680
Speaker 1: That might be your. It exists. There's a listen if

1841
01:33:33,720 --> 01:33:36,160
Speaker 1: I don't want to die, I tried it. It's a

1842
01:33:36,240 --> 01:33:38,439
Speaker 1: lot of I'm not diving down. Lil Wayne's had a

1843
01:33:38,520 --> 01:33:42,040
Speaker 1: rough decade. Yeah, it's a but you gotta think quality wise.

1844
01:33:42,760 --> 01:33:45,080
Speaker 1: Quarter three and then no Ceilings, and then after no Ceilings,

1845
01:33:45,080 --> 01:33:46,640
Speaker 1: shit just went left. For me as a fan, I

1846
01:33:46,760 --> 01:33:49,240
Speaker 1: was like, all right, listen, yeah, but you gotta take

1847
01:33:49,280 --> 01:33:51,000
Speaker 1: the good with the bad, because if you're gonna take

1848
01:33:51,040 --> 01:33:53,320
Speaker 1: those four or five, then you gotta take the fifteen

1849
01:33:53,439 --> 01:33:56,720
Speaker 1: before that that was a monumental. And now we gotta wait.

1850
01:33:57,360 --> 01:33:59,519
Speaker 1: We got to wait to Drought and Dedication one and

1851
01:33:59,640 --> 01:34:02,320
Speaker 1: dedicate I mean we got a way to card A

1852
01:34:02,439 --> 01:34:04,360
Speaker 1: one to two to three. I just think back to

1853
01:34:04,479 --> 01:34:09,320
Speaker 1: like I Am not a human degrees? What was the

1854
01:34:09,439 --> 01:34:14,040
Speaker 1: rock star album we was doing? Rock music had dropped?

1855
01:34:14,080 --> 01:34:16,320
Speaker 1: I remember that. I remember had dropped the world with

1856
01:34:16,400 --> 01:34:21,479
Speaker 1: eminem which was a solid, solid song that hit number one.

1857
01:34:22,760 --> 01:34:25,360
Speaker 1: The album probably did Little Wayne could literally ship. That's

1858
01:34:25,360 --> 01:34:29,000
Speaker 1: what I mean. Did we listen to the Snoop Lion album?

1859
01:34:29,800 --> 01:34:33,200
Speaker 1: Did we listen to the Snoop Lion album? Of course? Not? Alright,

1860
01:34:33,479 --> 01:34:37,640
Speaker 1: listen to number one Everything's not for every No way

1861
01:34:37,680 --> 01:34:39,679
Speaker 1: the Snoop Dogg album was number one on the Gospel

1862
01:34:39,720 --> 01:34:43,880
Speaker 1: album hit, number one on the bill on the reggae chart.

1863
01:34:44,320 --> 01:34:47,000
Speaker 1: Check it. Okay, wait wait wait what chart are we

1864
01:34:47,080 --> 01:34:50,040
Speaker 1: talking about here, because we're not talking about the overall Billboard.

1865
01:34:50,439 --> 01:34:52,160
Speaker 1: All I'm telling you is, I'll give you ten thousand

1866
01:34:52,160 --> 01:34:54,519
Speaker 1: dollars right now if if Snoop Dog's had a number

1867
01:34:54,520 --> 01:34:57,439
Speaker 1: one overall album in the last seven years on Billboard,

1868
01:34:58,600 --> 01:35:01,479
Speaker 1: you don't think now, you don't think gospel chart, yes,

1869
01:35:01,640 --> 01:35:05,000
Speaker 1: because there's like two gospels. We move in the goal post. Now,

1870
01:35:05,120 --> 01:35:07,720
Speaker 1: come on, no, you just moved a gold post. I'm

1871
01:35:07,760 --> 01:35:10,720
Speaker 1: telling you. Everything's not for everybody. He might have been

1872
01:35:10,880 --> 01:35:14,240
Speaker 1: number one on the reggae chart. That's number one, No,

1873
01:35:14,400 --> 01:35:17,000
Speaker 1: but not number one like number one it's number one.

1874
01:35:17,080 --> 01:35:19,000
Speaker 1: That's like saying I got a number one death metal

1875
01:35:19,080 --> 01:35:21,080
Speaker 1: song out right now, Like it's like yeah, but like

1876
01:35:21,360 --> 01:35:25,400
Speaker 1: it's number one. It's number one to somebody in the genre. No,

1877
01:35:25,880 --> 01:35:28,439
Speaker 1: you know what you just said. It's number one to somebody,

1878
01:35:28,600 --> 01:35:30,200
Speaker 1: may not be number one to you. They shout out

1879
01:35:30,200 --> 01:35:32,400
Speaker 1: to Wayne Man, shout out to Snoop too, shout shout

1880
01:35:32,479 --> 01:35:36,439
Speaker 1: the Snoop. But we're not slandering them. What We're basically

1881
01:35:36,520 --> 01:35:40,160
Speaker 1: saying is when you have longevity like a Wayne or Snoop,

1882
01:35:41,080 --> 01:35:44,040
Speaker 1: you're gonna have some drop patches. Were you disappointed number

1883
01:35:44,080 --> 01:35:48,920
Speaker 1: Carter five? It was cool? It wasn't It wasn't the

1884
01:35:49,040 --> 01:35:51,519
Speaker 1: other Carters. It wasn't like Carter two. It wasn't like

1885
01:35:51,600 --> 01:35:53,639
Speaker 1: Carter three, it wasn't like Carter four. I actually think

1886
01:35:53,640 --> 01:35:55,160
Speaker 1: it was better than Carter four. But that's not saying

1887
01:35:55,200 --> 01:35:57,360
Speaker 1: much because I thought Cardi four was and now you see,

1888
01:35:57,520 --> 01:36:00,479
Speaker 1: but but that's you. I think Carter four better than

1889
01:36:00,520 --> 01:36:04,280
Speaker 1: Carter five. So because you were around like the Carter

1890
01:36:04,400 --> 01:36:07,559
Speaker 1: five ship. I know a lot of those songs were

1891
01:36:07,600 --> 01:36:10,000
Speaker 1: older obviously, but like how many I don't think I

1892
01:36:10,120 --> 01:36:12,200
Speaker 1: was around for Carter five. I don't know. You weren't

1893
01:36:12,200 --> 01:36:13,879
Speaker 1: around when it came out, but I mean like they

1894
01:36:13,920 --> 01:36:16,280
Speaker 1: had to be, like it changed so much, That's what

1895
01:36:16,360 --> 01:36:18,679
Speaker 1: I mean, because there was a change. It was supposed

1896
01:36:18,680 --> 01:36:20,479
Speaker 1: to come out for so long, and then he was

1897
01:36:20,520 --> 01:36:25,759
Speaker 1: getting held against his will by baby Oh the free Wheezy.

1898
01:36:25,840 --> 01:36:30,080
Speaker 1: I remember that he put that on the title. Yeah, man,

1899
01:36:30,560 --> 01:36:32,360
Speaker 1: well shout out to it, shot through my man tune

1900
01:36:32,400 --> 01:36:34,800
Speaker 1: and he worked through it. He worked through it, man,

1901
01:36:35,040 --> 01:36:37,240
Speaker 1: like That's That's one thing I will say about Wayne.

1902
01:36:38,479 --> 01:36:40,960
Speaker 1: He ain't never lay down, you know what I'm saying.

1903
01:36:40,960 --> 01:36:43,720
Speaker 1: It's a lot of rappers that was out when he

1904
01:36:43,880 --> 01:36:47,760
Speaker 1: was out. They don't they laid down, you know what

1905
01:36:47,800 --> 01:36:49,680
Speaker 1: I'm saying. They threw the towel and they was like,

1906
01:36:49,760 --> 01:36:51,680
Speaker 1: fuck it. You know what I'm saying. He rapped through it.

1907
01:36:51,840 --> 01:36:53,439
Speaker 1: Even if it was some ship that you didn't want

1908
01:36:53,439 --> 01:36:56,000
Speaker 1: to hear, he rapped through it, you know what I'm saying.

1909
01:36:56,080 --> 01:36:58,680
Speaker 1: So everybody gonna have they dry spots. But I'll be

1910
01:36:58,720 --> 01:37:02,120
Speaker 1: feeling like I'm or for the comeback story. I'm more

1911
01:37:02,200 --> 01:37:04,400
Speaker 1: for like, damn, how did you bounce back off that ship?

1912
01:37:04,680 --> 01:37:08,000
Speaker 1: Come on, man, they counted Drake out. Everybody was, oh, ship,

1913
01:37:08,120 --> 01:37:11,559
Speaker 1: you had a son? You fucking don't. It's because Drake

1914
01:37:11,680 --> 01:37:15,559
Speaker 1: lost the battle. I didn't. They counted. They counted Meek

1915
01:37:15,600 --> 01:37:18,960
Speaker 1: out too. Is that a world that they counted him out?

1916
01:37:19,080 --> 01:37:24,439
Speaker 1: Everyone counted out your dub You got wat juice all over.

1917
01:37:24,600 --> 01:37:26,479
Speaker 1: This is true, and it changed. I remember seeing it

1918
01:37:26,560 --> 01:37:29,479
Speaker 1: in my own eyes, like and everything changed. I remember

1919
01:37:29,840 --> 01:37:32,800
Speaker 1: people really trying to say, like Drake was done. I

1920
01:37:32,880 --> 01:37:36,160
Speaker 1: don't know about that. Drake got fried up. By it.

1921
01:37:36,240 --> 01:37:39,479
Speaker 1: I always that I was Drake. I was like I

1922
01:37:39,680 --> 01:37:41,559
Speaker 1: was living out here. None of Drake's fans know who

1923
01:37:41,600 --> 01:37:44,559
Speaker 1: pushed it to you, I was living out here. They

1924
01:37:44,800 --> 01:37:49,160
Speaker 1: thought Aubrey was done in terms of that battle. He

1925
01:37:49,800 --> 01:37:54,040
Speaker 1: was done. They thought Drake was done. They thought he

1926
01:37:54,360 --> 01:37:57,040
Speaker 1: was done for And that was the only time he

1927
01:37:57,120 --> 01:37:59,280
Speaker 1: had any sort of stench. Well not the only time.

1928
01:37:59,640 --> 01:38:04,479
Speaker 1: Shout to quintin that that that that was funny when

1929
01:38:04,520 --> 01:38:08,639
Speaker 1: he said, uh damn a nigga got points for saying

1930
01:38:08,680 --> 01:38:14,640
Speaker 1: I had a son, My points for saying who my

1931
01:38:14,760 --> 01:38:19,920
Speaker 1: girl was Drake definitively And you know what happened after that.

1932
01:38:20,080 --> 01:38:22,960
Speaker 1: He took the L and then God's plan came. Of course,

1933
01:38:23,320 --> 01:38:27,120
Speaker 1: that's not an L in that specific battle. Now, look,

1934
01:38:27,120 --> 01:38:28,479
Speaker 1: I'm not because I don't want to shoot on push

1935
01:38:28,479 --> 01:38:30,360
Speaker 1: your tea because I'm not. I'm not. I don't have

1936
01:38:30,400 --> 01:38:32,760
Speaker 1: anything to do with that anymore. But push a push

1937
01:38:32,800 --> 01:38:35,759
Speaker 1: a put put through that out. If Drake never even replied,

1938
01:38:35,880 --> 01:38:38,320
Speaker 1: I could take if I could take that, if I

1939
01:38:38,360 --> 01:38:42,040
Speaker 1: could take that one, if that's the last high point

1940
01:38:42,360 --> 01:38:44,759
Speaker 1: that we have for pushing tea, Oh, come on, Daytona

1941
01:38:44,840 --> 01:38:47,559
Speaker 1: came out after that. I said it's a classic album.

1942
01:38:47,640 --> 01:38:49,719
Speaker 1: But you're not talking to me about a classic album

1943
01:38:49,800 --> 01:38:53,559
Speaker 1: right now. You're talking to me about a verse over

1944
01:38:53,560 --> 01:38:56,639
Speaker 1: a jay Z beat, which was a little light something

1945
01:38:56,760 --> 01:38:59,360
Speaker 1: and so light. And then I'm telling you, and then

1946
01:38:59,520 --> 01:39:03,160
Speaker 1: God's Plan came out, and then we forgot about anything

1947
01:39:03,240 --> 01:39:05,559
Speaker 1: that had to do with Push your Tea. Now I'm

1948
01:39:05,600 --> 01:39:07,920
Speaker 1: saying as far as Drake go, because I can't, just

1949
01:39:08,479 --> 01:39:10,360
Speaker 1: because because I gotta keep this a buck right now,

1950
01:39:10,439 --> 01:39:12,200
Speaker 1: I can't shoot on Push your Tea, like push your

1951
01:39:12,240 --> 01:39:15,200
Speaker 1: Tea career, don't take my career and like put his

1952
01:39:15,320 --> 01:39:17,679
Speaker 1: foot on it and like move it around a little

1953
01:39:17,680 --> 01:39:19,439
Speaker 1: bit like that. You know what I'm saying. I'm a realist,

1954
01:39:19,560 --> 01:39:21,720
Speaker 1: but I'm also going to be a realist and tell

1955
01:39:21,760 --> 01:39:26,720
Speaker 1: you after that high point for Push your Tea, I

1956
01:39:26,800 --> 01:39:29,960
Speaker 1: don't remember. Look, and somebody might be like Mills, I

1957
01:39:30,000 --> 01:39:32,880
Speaker 1: don't remember how point from you ever shut I get

1958
01:39:32,920 --> 01:39:35,840
Speaker 1: it technically came out. We just haven't. We just haven't

1959
01:39:35,880 --> 01:39:45,040
Speaker 1: regular just regular conversation. Yeah, listen, long time, but look,

1960
01:39:45,120 --> 01:39:47,639
Speaker 1: but look, look, because I love Drake man, I love Drake.

1961
01:39:48,080 --> 01:39:50,679
Speaker 1: Anything with young money involved, I'm taking the young money side.

1962
01:39:50,680 --> 01:39:56,040
Speaker 1: I don't give a fuck Drake did ordered a microphone

1963
01:39:56,800 --> 01:40:01,400
Speaker 1: with push your T's autograph on it back in the days. Yeah,

1964
01:40:01,439 --> 01:40:03,960
Speaker 1: because I remember when I seen that and I was like,

1965
01:40:04,040 --> 01:40:06,000
Speaker 1: you might, you might. That was like a bad one,

1966
01:40:06,479 --> 01:40:08,200
Speaker 1: but then you know, but then that turns out, that

1967
01:40:08,320 --> 01:40:10,960
Speaker 1: turns into like the super senior's still bothering the freshman.

1968
01:40:11,000 --> 01:40:13,680
Speaker 1: It's like, Bro, go to college. I push it's that guy, Bro,

1969
01:40:13,840 --> 01:40:18,240
Speaker 1: Now push it. Look listen, Push your te is undeniably literally,

1970
01:40:18,280 --> 01:40:21,479
Speaker 1: it's probably not impossible for Drake to like lose in

1971
01:40:21,560 --> 01:40:24,880
Speaker 1: the grand scheme of things because he's the biggest ever. Look, people,

1972
01:40:25,080 --> 01:40:29,599
Speaker 1: you can no, you can't lose. You can lose because people.

1973
01:40:29,760 --> 01:40:32,679
Speaker 1: You you have people that will say, now Drake lost

1974
01:40:32,720 --> 01:40:34,360
Speaker 1: that battle. Then you have people that say you won

1975
01:40:34,400 --> 01:40:36,920
Speaker 1: the battle. You got people saying he won the battle.

1976
01:40:37,920 --> 01:40:40,680
Speaker 1: You literally have people that they're like twelve year old

1977
01:40:40,720 --> 01:40:43,439
Speaker 1: white kids who don't know what what what see? But

1978
01:40:43,520 --> 01:40:44,960
Speaker 1: see what you know what you're saying right now? You

1979
01:40:45,120 --> 01:40:47,479
Speaker 1: move in the goal post. The goal post is who

1980
01:40:47,680 --> 01:40:49,960
Speaker 1: cares how old they are. There are people that will

1981
01:40:50,000 --> 01:40:53,760
Speaker 1: say ether was whack because they are jay Z stands.

1982
01:40:54,000 --> 01:40:56,680
Speaker 1: First of all, I'm a no stand, I'm a nod stand. Too,

1983
01:40:56,760 --> 01:40:59,360
Speaker 1: and you're knock. My favorite me to beat was Whack.

1984
01:40:59,439 --> 01:41:03,120
Speaker 1: But also, I mean you know what Ether was before that? Yeah? Okay,

1985
01:41:03,439 --> 01:41:10,920
Speaker 1: so listen in retrospect. In retrospect, say it takeover? Was it?

1986
01:41:11,160 --> 01:41:13,880
Speaker 1: Say no no? But Takeover wasn't a special it was

1987
01:41:14,280 --> 01:41:18,599
Speaker 1: There was a NOAs line in there. Right. If we're

1988
01:41:18,640 --> 01:41:23,280
Speaker 1: talking about which song is better sonically to listen to,

1989
01:41:24,800 --> 01:41:28,680
Speaker 1: why does he move the gold? Because Ether is a

1990
01:41:28,800 --> 01:41:32,400
Speaker 1: better disc record but the but which song is better

1991
01:41:32,439 --> 01:41:34,000
Speaker 1: to listen to it? I didn't ask you which song

1992
01:41:34,080 --> 01:41:37,160
Speaker 1: was better? I said who lost jay Z? And I

1993
01:41:37,200 --> 01:41:39,400
Speaker 1: said there are people like you who still say but

1994
01:41:39,520 --> 01:41:45,000
Speaker 1: the better than the It's almost like when you watched

1995
01:41:45,080 --> 01:41:46,600
Speaker 1: Belly as a kid and you were like, Yo, this

1996
01:41:46,640 --> 01:41:48,240
Speaker 1: ship is fire. But then you watch it as a

1997
01:41:48,280 --> 01:41:50,479
Speaker 1: grown ass man and you like the last twenty minutes

1998
01:41:50,520 --> 01:41:52,320
Speaker 1: and you're life watch But it's really a good movie.

1999
01:41:52,360 --> 01:41:53,920
Speaker 1: If you've been hustling and you went out of town

2000
01:41:54,000 --> 01:41:56,160
Speaker 1: and you got money and you had to drive around

2001
01:41:56,200 --> 01:41:58,240
Speaker 1: and intrepid and a nigga snitched on you, and then

2002
01:41:58,280 --> 01:41:59,920
Speaker 1: you was getting money and then you had to you

2003
01:42:00,120 --> 01:42:03,320
Speaker 1: did that before, is a great movie. It's I don't

2004
01:42:03,320 --> 01:42:05,320
Speaker 1: know if you did that before. I don't know. You

2005
01:42:05,439 --> 01:42:11,479
Speaker 1: keep saying that. There's people that say, y'all, y'all really

2006
01:42:11,600 --> 01:42:12,720
Speaker 1: like push your tea in the I don't like to

2007
01:42:12,720 --> 01:42:15,680
Speaker 1: push your tea too. I love the album, Like what

2008
01:42:15,760 --> 01:42:20,519
Speaker 1: are you talking about? So? Who won the battle? The

2009
01:42:20,640 --> 01:42:25,080
Speaker 1: overall battle? No? Or the four four four Freestyle and

2010
01:42:25,240 --> 01:42:27,479
Speaker 1: the other ship? Like the other ship for them? I

2011
01:42:27,640 --> 01:42:30,760
Speaker 1: like four Freestyle because it had I didn't. We didn't

2012
01:42:30,760 --> 01:42:32,400
Speaker 1: know he had a son. And you think Drake should

2013
01:42:32,439 --> 01:42:36,519
Speaker 1: have should have replied. I think that would have been

2014
01:42:36,560 --> 01:42:38,400
Speaker 1: good for Rap. I think that would have been good

2015
01:42:38,400 --> 01:42:40,439
Speaker 1: for Rap if you apply. I think it was a

2016
01:42:40,560 --> 01:42:42,479
Speaker 1: bad look that he didn't reply, and it was a

2017
01:42:42,560 --> 01:42:46,040
Speaker 1: bad look that he wasn't that similar to did Meek reply, Well, no,

2018
01:42:46,160 --> 01:42:49,200
Speaker 1: Meek didn't need a reply because Jesus Christ. His reply

2019
01:42:49,280 --> 01:42:52,200
Speaker 1: to Fucking Back to Back was atrocious. It was he

2020
01:42:52,360 --> 01:42:56,000
Speaker 1: ruined the Undertaker's theme song. It was really bad. It

2021
01:42:56,120 --> 01:42:58,760
Speaker 1: was over. It was like, okay, dude, Drake just hits

2022
01:42:58,760 --> 01:43:00,800
Speaker 1: you with two of them brouh and then you coming

2023
01:43:00,880 --> 01:43:03,560
Speaker 1: back with this bullshit. But but see on top of

2024
01:43:03,640 --> 01:43:06,320
Speaker 1: that and listen with me. But I and and and

2025
01:43:06,439 --> 01:43:07,960
Speaker 1: and I'm not the biggest Drake fan in the world,

2026
01:43:08,000 --> 01:43:11,200
Speaker 1: but he undoubtedly beat the ship out of Meek milling

2027
01:43:11,240 --> 01:43:14,400
Speaker 1: that it was. It wasn't even a fucking question. It

2028
01:43:14,560 --> 01:43:17,439
Speaker 1: was really sad. I remember We're in Tampa and I

2029
01:43:17,600 --> 01:43:19,160
Speaker 1: was just sitting there, like, man, it might really be

2030
01:43:19,240 --> 01:43:22,080
Speaker 1: over for Meek Man because this was when he was

2031
01:43:22,160 --> 01:43:25,840
Speaker 1: on Twitter tweet because that's when you know what he

2032
01:43:26,000 --> 01:43:27,880
Speaker 1: was like what he had the Trump Twitter fingers and

2033
01:43:27,960 --> 01:43:29,760
Speaker 1: you know what it be sometimes too. You know it'd

2034
01:43:29,760 --> 01:43:34,640
Speaker 1: be sometimes too. Sometimes you can dig a hole with

2035
01:43:35,280 --> 01:43:39,320
Speaker 1: uh the fans. I know this from battling like you

2036
01:43:39,400 --> 01:43:41,240
Speaker 1: could talk so much ship that they want to see

2037
01:43:41,280 --> 01:43:44,280
Speaker 1: you lose. Like I think that's what happened with Meek

2038
01:43:45,080 --> 01:43:48,479
Speaker 1: like Drake, not to say like back to back, but listen,

2039
01:43:48,880 --> 01:43:52,120
Speaker 1: Meek jumped out though yeah he was talking crazy you

2040
01:43:52,360 --> 01:43:54,479
Speaker 1: you you you made it with Drake looked like he

2041
01:43:54,680 --> 01:43:58,280
Speaker 1: was countering. So you made people be like, you made

2042
01:43:58,280 --> 01:44:01,360
Speaker 1: people pick sides, you made them be like, now we

2043
01:44:01,640 --> 01:44:05,439
Speaker 1: like him more than you. Even if you're right, you

2044
01:44:05,479 --> 01:44:08,160
Speaker 1: know what I'm saying, if you've given us you know

2045
01:44:08,240 --> 01:44:10,720
Speaker 1: what to go back to the Kanye jay Z ship,

2046
01:44:10,800 --> 01:44:13,600
Speaker 1: even if you're giving us evidence and you're right, we

2047
01:44:13,920 --> 01:44:18,280
Speaker 1: don't care. That's what I've seen at that time, and

2048
01:44:18,320 --> 01:44:24,640
Speaker 1: I think we don't give a fuck. We still like

2049
01:44:24,760 --> 01:44:26,760
Speaker 1: him more than you, and that's I think that's when

2050
01:44:26,800 --> 01:44:29,400
Speaker 1: it was just like, hold up, he don't write. He

2051
01:44:29,400 --> 01:44:32,720
Speaker 1: didn't write that ship though, so we don't care. I

2052
01:44:32,760 --> 01:44:36,120
Speaker 1: ain't need one dance and we're gonna say those songs too. Hey,

2053
01:44:36,200 --> 01:44:38,720
Speaker 1: back to back was crazy. The fact that you had

2054
01:44:38,720 --> 01:44:40,439
Speaker 1: to go to a night club for an X amount

2055
01:44:40,439 --> 01:44:43,519
Speaker 1: of years and hear the disc song in every club

2056
01:44:44,080 --> 01:44:46,320
Speaker 1: for two years straight. That ship was I'm a I'm

2057
01:44:46,360 --> 01:44:49,360
Speaker 1: a fan. I'm a fan of all of the disrecord ship.

2058
01:44:49,360 --> 01:44:51,720
Speaker 1: That's why I like this type of conversation, whether it's Pushers,

2059
01:44:51,840 --> 01:44:57,200
Speaker 1: Drake Drake or Knives or whole no, whoever you I

2060
01:44:57,240 --> 01:44:58,760
Speaker 1: don't care if you want to talk about Kim and

2061
01:44:58,880 --> 01:45:02,320
Speaker 1: fifty close beef though, Beanie Seagull and Jada, Yo, how

2062
01:45:02,360 --> 01:45:05,800
Speaker 1: did you take that? Look a here? Why this nigga

2063
01:45:05,840 --> 01:45:08,680
Speaker 1: took it here? Earnt my spot? Ain't nobody put me

2064
01:45:08,760 --> 01:45:12,360
Speaker 1: here closest you hear the Beanie shit and the Jada shit,

2065
01:45:12,400 --> 01:45:16,000
Speaker 1: You're like, oh, so now this conversation is going somewhere

2066
01:45:16,000 --> 01:45:20,760
Speaker 1: else that was a time of like that was like

2067
01:45:20,840 --> 01:45:24,160
Speaker 1: a real time of like niggas study and like them disraps.

2068
01:45:24,439 --> 01:45:26,439
Speaker 1: When I'm talking about the cruise, I was talking about

2069
01:45:27,560 --> 01:45:31,400
Speaker 1: d Block and dipseid g Unit, State Property. I remember

2070
01:45:31,560 --> 01:45:34,240
Speaker 1: that beef. That beef went for a long time. That

2071
01:45:34,320 --> 01:45:37,599
Speaker 1: beef went from DJ Clue mixtapes to State Property. Would

2072
01:45:37,640 --> 01:45:39,280
Speaker 1: drive from Philly to New York and go up the

2073
01:45:39,320 --> 01:45:42,040
Speaker 1: funk Master Flex and rap for a hour. Fuck SPJ

2074
01:45:42,240 --> 01:45:44,479
Speaker 1: Hood died to looking out for Nazi a nigga. When

2075
01:45:44,520 --> 01:45:48,160
Speaker 1: I find you, I'm like, whoa, Like they're from Philly.

2076
01:45:48,960 --> 01:45:51,280
Speaker 1: They're at the radio station on Hudson Street. Right now.

2077
01:45:52,680 --> 01:45:55,760
Speaker 1: This is live. This isn't like a pre recorded thing.

2078
01:45:55,880 --> 01:45:59,439
Speaker 1: And then like two days later kissing them or come

2079
01:45:59,479 --> 01:46:01,320
Speaker 1: up there stay. I was to come out with some ship.

2080
01:46:01,400 --> 01:46:03,160
Speaker 1: Fuck Beanie Siegel. He could suck my dick with the

2081
01:46:03,200 --> 01:46:06,680
Speaker 1: ship up on it. WHOA, whoa? What did he just say?

2082
01:46:07,240 --> 01:46:08,960
Speaker 1: They got to see each other at some point, you

2083
01:46:09,000 --> 01:46:11,760
Speaker 1: know what I'm saying. So that's why when I think

2084
01:46:11,800 --> 01:46:14,720
Speaker 1: about like the new beefs and it's like somebody might

2085
01:46:14,800 --> 01:46:16,840
Speaker 1: put out a freestyle and in this one put out

2086
01:46:16,880 --> 01:46:20,800
Speaker 1: like nah, this ship went from Powerhouse to live performances

2087
01:46:20,840 --> 01:46:23,240
Speaker 1: the niggas throwing French fries at niggas on that stage.

2088
01:46:23,720 --> 01:46:28,960
Speaker 1: Came out that see that's different than you freestyle over

2089
01:46:29,040 --> 01:46:30,920
Speaker 1: somebody beat and you put it out and deer what

2090
01:46:31,000 --> 01:46:34,439
Speaker 1: you're saying With that being said, that was gra replied

2091
01:46:35,160 --> 01:46:38,240
Speaker 1: he I wanted him to the white flag and said,

2092
01:46:38,240 --> 01:46:41,240
Speaker 1: shit got too real, guys. I wanted to reply, you know,

2093
01:46:41,400 --> 01:46:42,800
Speaker 1: I think that would have got bad because I think

2094
01:46:42,880 --> 01:46:44,800
Speaker 1: at some point Drake would have started saying, like which

2095
01:46:44,800 --> 01:46:46,880
Speaker 1: people wives he fucked and stuff like that. I think

2096
01:46:46,920 --> 01:46:49,080
Speaker 1: it would have gotten bad because pusha t had like

2097
01:46:49,280 --> 01:46:52,760
Speaker 1: five or six records just waiting for this for like,

2098
01:46:53,040 --> 01:46:54,760
Speaker 1: you want to know what's crazy? I said that, and

2099
01:46:54,840 --> 01:46:59,519
Speaker 1: everybody in the room face it because Drake everyone's wives,

2100
01:47:00,040 --> 01:47:03,320
Speaker 1: because that could have got so bad. That could have

2101
01:47:03,360 --> 01:47:06,560
Speaker 1: gotten so that could have gotten so bad, like that

2102
01:47:06,640 --> 01:47:09,240
Speaker 1: could have got so bad of the like, oh, you

2103
01:47:09,360 --> 01:47:14,400
Speaker 1: think people write for me? I wrote for him? You

2104
01:47:14,439 --> 01:47:18,120
Speaker 1: talk about Kanye? Think who gives everyone knows con Ryan

2105
01:47:18,200 --> 01:47:22,559
Speaker 1: ft and said, Ryan Fest wrote, Jesus, well, why are

2106
01:47:22,600 --> 01:47:24,960
Speaker 1: you so quick to tell me when somebody wrote for Kanye?

2107
01:47:25,160 --> 01:47:27,160
Speaker 1: But you wasn't quick to tell me what Kanye wrote

2108
01:47:27,200 --> 01:47:32,400
Speaker 1: for jay Z. Kanye is my favorite artist ever. Listen,

2109
01:47:32,840 --> 01:47:34,880
Speaker 1: what I'm saying is Kanye is my favorite artist, but

2110
01:47:36,320 --> 01:47:38,599
Speaker 1: MC is nos on. My favorite overall artist is Kanye.

2111
01:47:38,640 --> 01:47:41,960
Speaker 1: But you're not You're overlooking. You're overlooking the same thing

2112
01:47:42,040 --> 01:47:44,120
Speaker 1: that you would put on him that he's did for

2113
01:47:44,240 --> 01:47:48,000
Speaker 1: other people. Because I never I don't, I don't think people,

2114
01:47:48,640 --> 01:47:51,559
Speaker 1: how can we How can you just Drake for having

2115
01:47:51,760 --> 01:47:54,120
Speaker 1: no no, not you, but just I'm just thinking, how

2116
01:47:54,800 --> 01:47:58,120
Speaker 1: could you dis Drake for having a ghost writer If

2117
01:47:58,160 --> 01:48:03,360
Speaker 1: the person you're assigned to he writes for, that's weird.

2118
01:48:03,439 --> 01:48:06,960
Speaker 1: This is all weird. Like we're talking, we're talking. What

2119
01:48:07,080 --> 01:48:08,760
Speaker 1: are we're talking? Gnis, you don't even know what you

2120
01:48:08,800 --> 01:48:13,080
Speaker 1: want to say. He's a gladiator. He's a Jedi when

2121
01:48:13,160 --> 01:48:15,639
Speaker 1: it comes to this rap ship. He's a fucking Jedi.

2122
01:48:16,040 --> 01:48:17,960
Speaker 1: You don't even know what you want to say. Right now,

2123
01:48:18,000 --> 01:48:20,599
Speaker 1: I'm saying, we moved the goal post for certain People's

2124
01:48:21,680 --> 01:48:24,880
Speaker 1: nothing to do with this. He has everything to do

2125
01:48:25,040 --> 01:48:27,600
Speaker 1: with this. Push your Teas hated Drake before he was

2126
01:48:28,120 --> 01:48:32,080
Speaker 1: bro I'm not even talking about pushing Tea. What are

2127
01:48:32,120 --> 01:48:35,360
Speaker 1: we I'm just talking about Drake and the ghost writing thing.

2128
01:48:36,760 --> 01:48:39,680
Speaker 1: Kanye has everything to do with it. Don't care that

2129
01:48:40,280 --> 01:48:44,120
Speaker 1: ghost ghost writers that people could say wrote for ya

2130
01:48:44,439 --> 01:48:47,280
Speaker 1: or wrote for this one. I could turn around and say,

2131
01:48:47,640 --> 01:48:51,200
Speaker 1: but yay wrote for jay Z. If we're gonna do that, okay,

2132
01:48:51,280 --> 01:48:53,920
Speaker 1: So now we gotta say jay Z has ghost writers,

2133
01:48:54,600 --> 01:48:58,720
Speaker 1: and that's a whole different conversation. But we don't want

2134
01:48:58,760 --> 01:49:01,600
Speaker 1: to have that conversation. Don't want to. I want to

2135
01:49:01,960 --> 01:49:04,240
Speaker 1: do business with rock Nation and Title, so I don't

2136
01:49:04,280 --> 01:49:06,639
Speaker 1: want to have this conversation. But I have to keep

2137
01:49:06,680 --> 01:49:11,439
Speaker 1: it real and tell you that I have footage and

2138
01:49:11,600 --> 01:49:15,280
Speaker 1: evidence that Kanye West came in the studio and gave

2139
01:49:15,360 --> 01:49:18,920
Speaker 1: him a song, a hook, and a bridge. I gotta

2140
01:49:19,040 --> 01:49:21,680
Speaker 1: get these devils out my life. That's Kanye. I'm from

2141
01:49:21,680 --> 01:49:26,400
Speaker 1: the murder capital where we murder for that's Kanye, loser

2142
01:49:26,479 --> 01:49:29,360
Speaker 1: for louserf I did the beat that I gave you,

2143
01:49:29,479 --> 01:49:32,479
Speaker 1: that I wrote that for you. That's no different than

2144
01:49:32,520 --> 01:49:36,320
Speaker 1: with Quentin Miller differs. I don't disagree, But so jay

2145
01:49:36,400 --> 01:49:39,360
Speaker 1: Z don't got ghost writers. Blame me. The Kanye reference

2146
01:49:40,160 --> 01:49:42,000
Speaker 1: it's in Fade the Black movie. You want me to

2147
01:49:42,040 --> 01:49:43,680
Speaker 1: find a time stip for you? I know it's in there.

2148
01:49:43,680 --> 01:49:45,240
Speaker 1: I remember I have the movie on DVD. I could go.

2149
01:49:45,360 --> 01:49:46,960
Speaker 1: You just don't want we don't want to accept that.

2150
01:49:47,600 --> 01:49:50,120
Speaker 1: I fuck that shit, right, Like, this is what I

2151
01:49:50,120 --> 01:49:52,160
Speaker 1: would say. I think Drake is one of the greatest

2152
01:49:52,280 --> 01:49:55,439
Speaker 1: artists that shit. Fuck that ship. I don't put Kanye

2153
01:49:55,560 --> 01:49:59,000
Speaker 1: nor Drake in the top MC's like like top ten,

2154
01:49:59,439 --> 01:50:02,920
Speaker 1: you can put them top artists exactly now we're talking

2155
01:50:02,960 --> 01:50:04,760
Speaker 1: about like MC ship like, I can't put them in

2156
01:50:04,840 --> 01:50:09,680
Speaker 1: that because because it is very very come on man,

2157
01:50:11,240 --> 01:50:14,040
Speaker 1: that fucking on crowd in two thousand and one. But

2158
01:50:14,320 --> 01:50:17,439
Speaker 1: Kanye wrote for him on him Black album, a couple

2159
01:50:17,479 --> 01:50:20,599
Speaker 1: of lines on a beat that he had brought to him.

2160
01:50:20,640 --> 01:50:21,680
Speaker 1: No no no no no no no no no no.

2161
01:50:22,040 --> 01:50:25,479
Speaker 1: He gave him a bridge, a hook and lines, and

2162
01:50:25,640 --> 01:50:28,920
Speaker 1: jay Z went in in and said it word for word. Now,

2163
01:50:28,960 --> 01:50:31,720
Speaker 1: I don't want to say I will get I don't

2164
01:50:31,760 --> 01:50:34,559
Speaker 1: want to say. I don't want to say Kanye wrote

2165
01:50:34,600 --> 01:50:37,559
Speaker 1: for jay Z. But if we're gonna move the gold

2166
01:50:37,640 --> 01:50:42,040
Speaker 1: post for certain people, you gotta keep it a buck.

2167
01:50:42,439 --> 01:50:44,400
Speaker 1: We gotta we gotta keep it a buck. Jay Z

2168
01:50:44,560 --> 01:50:47,760
Speaker 1: wrote for Bugs Bunny on the Space, jay Z wrote

2169
01:50:47,800 --> 01:50:50,120
Speaker 1: for Doctor Dre and Snoop Dogg. I'm aware, but we

2170
01:50:50,280 --> 01:50:52,800
Speaker 1: won't say. But we won't say Snoop had ghost writers

2171
01:50:52,880 --> 01:50:55,000
Speaker 1: until Snoop came out a couple of weeks ago and said,

2172
01:50:55,040 --> 01:50:58,000
Speaker 1: hell yeah, he wrote that ship for me. Yeah, but again,

2173
01:50:59,280 --> 01:51:01,280
Speaker 1: why we don't how we don't look at it like that?

2174
01:51:02,120 --> 01:51:04,080
Speaker 1: And I love all these people. I'm not shitting on them.

2175
01:51:04,080 --> 01:51:06,519
Speaker 1: I'm just trying to play Devil's advocate. Like if jay

2176
01:51:06,600 --> 01:51:08,840
Speaker 1: Z could tell me, I mean, if Snoop could tell

2177
01:51:08,840 --> 01:51:10,760
Speaker 1: me that jay Z wrote Still dr E and like,

2178
01:51:10,800 --> 01:51:12,160
Speaker 1: hell ya, that shit was banging. So I said, I

2179
01:51:12,160 --> 01:51:14,320
Speaker 1: won't say that. Let me I say that shit. And

2180
01:51:14,439 --> 01:51:16,519
Speaker 1: then I could tell you Kanye gave jay Z some

2181
01:51:16,560 --> 01:51:21,120
Speaker 1: shit he's not, I said, Snoop, while you overlook that,

2182
01:51:21,520 --> 01:51:24,639
Speaker 1: you good man, You've been in this journalism shit too, Snoop.

2183
01:51:24,640 --> 01:51:28,599
Speaker 1: If we're talking about Snoop, Snoop also somebody who openly

2184
01:51:28,680 --> 01:51:32,040
Speaker 1: admits to freestyling at this point, and they got to

2185
01:51:32,120 --> 01:51:34,080
Speaker 1: do with other people writing for you and has also

2186
01:51:34,160 --> 01:51:36,519
Speaker 1: openly admitted what does that have to do with jay Z? Right?

2187
01:51:36,560 --> 01:51:39,679
Speaker 1: And are we putting Snoop Dogg in the top ten discussion?

2188
01:51:39,760 --> 01:51:41,560
Speaker 1: He's top twenty, But I wouldn't put him in the

2189
01:51:41,600 --> 01:51:45,519
Speaker 1: top ten, top ten? What MC's who was doing top anything?

2190
01:51:45,600 --> 01:51:47,880
Speaker 1: Right now? Talking to MC, I'm just talking about you know,

2191
01:51:48,120 --> 01:51:51,240
Speaker 1: you're talking MC's, we're talking about ghostwriters. You you just

2192
01:51:51,320 --> 01:51:53,880
Speaker 1: made a whole different conversation for us to talk about.

2193
01:51:54,080 --> 01:51:56,360
Speaker 1: Now we're talking Top twenty. So Snoop not top ten,

2194
01:51:56,800 --> 01:52:01,800
Speaker 1: no top ten? What MC's So what is Snoop? If

2195
01:52:01,840 --> 01:52:03,519
Speaker 1: he if he could freestyle off the top of his head,

2196
01:52:03,760 --> 01:52:06,200
Speaker 1: top twenty, I think I think I think it's doggy.

2197
01:52:06,479 --> 01:52:12,160
Speaker 1: I think Snoop's discography doggy style. Dog Father here is

2198
01:52:12,200 --> 01:52:15,680
Speaker 1: the biggest rapper ever that you're probably right about. I

2199
01:52:15,760 --> 01:52:17,800
Speaker 1: didn't say he's the best or the greatest. I said

2200
01:52:17,800 --> 01:52:20,240
Speaker 1: he's the biggest rapper ever. He has the biggest debut.

2201
01:52:20,360 --> 01:52:26,040
Speaker 1: He got one of the longest illustrious career. He done

2202
01:52:26,320 --> 01:52:28,519
Speaker 1: had his dry patch. He had his dry patch when

2203
01:52:28,560 --> 01:52:29,920
Speaker 1: nobody was fucking with him and he had to go

2204
01:52:29,960 --> 01:52:33,160
Speaker 1: to New Orleans and he bounced back. You know what

2205
01:52:33,160 --> 01:52:34,760
Speaker 1: I'm saying. He did have a dry patch, just like

2206
01:52:35,040 --> 01:52:37,160
Speaker 1: Doctor Dre had a dry patch. But I've been there

2207
01:52:37,160 --> 01:52:40,160
Speaker 1: and I've done this. Dog Father. What he did was

2208
01:52:40,400 --> 01:52:42,400
Speaker 1: he put out one album I didn't say they don't.

2209
01:52:42,400 --> 01:52:44,320
Speaker 1: I said he had a draft patch. But his first

2210
01:52:44,360 --> 01:52:47,080
Speaker 1: album was No Limit. I said, that fucking air ball.

2211
01:52:47,320 --> 01:52:51,280
Speaker 1: I said, but that's the dry patch. But that was

2212
01:52:51,720 --> 01:52:53,920
Speaker 1: that was with New Orleans. That was with no limit. No,

2213
01:52:54,000 --> 01:52:55,600
Speaker 1: he got with no limit because he was in the

2214
01:52:55,640 --> 01:52:57,960
Speaker 1: studio doing a verse for Mystical for thirty five hundred

2215
01:52:58,000 --> 01:53:03,240
Speaker 1: dollars that had no fucking That is a did you

2216
01:53:03,280 --> 01:53:06,000
Speaker 1: hear what I just said, Snoop Dogg got with no Limit.

2217
01:53:06,280 --> 01:53:09,479
Speaker 1: You said he was in the studio doing a feature

2218
01:53:09,720 --> 01:53:13,320
Speaker 1: with Mystical for thirty five hundred dollars. He said, he

2219
01:53:13,479 --> 01:53:15,680
Speaker 1: was fucked up, and Masterpiece said, you know what, I'm

2220
01:53:15,680 --> 01:53:17,479
Speaker 1: gonna give you thirty five thousand, and I'm gonna go

2221
01:53:17,520 --> 01:53:19,720
Speaker 1: meet with sug Knight. He was. That was a dry

2222
01:53:19,840 --> 01:53:22,920
Speaker 1: spot before No Limit. Okay, are we talking about financial

2223
01:53:23,000 --> 01:53:26,080
Speaker 1: dry spots or or quality of music dry spots? He

2224
01:53:26,120 --> 01:53:28,400
Speaker 1: didn't have nothing going, That's why he was doing it.

2225
01:53:28,720 --> 01:53:31,479
Speaker 1: I mean dry spot. He had doggy style, he had

2226
01:53:31,520 --> 01:53:33,760
Speaker 1: dog father. No, I'm telling there was no No. I'm

2227
01:53:33,800 --> 01:53:35,640
Speaker 1: telling you what Snoop Dogg said. I'm not telling you

2228
01:53:35,720 --> 01:53:37,320
Speaker 1: what I think. I'm telling you that. He said he

2229
01:53:37,439 --> 01:53:40,280
Speaker 1: was in the financial dry spot because Sugar Knight was

2230
01:53:40,280 --> 01:53:42,599
Speaker 1: probably no, I don't have nothing. I don't have no deal.

2231
01:53:42,840 --> 01:53:44,640
Speaker 1: I'm fucked up. I need you to come get me

2232
01:53:44,840 --> 01:53:47,040
Speaker 1: out of my deal. This is my dry spot. I

2233
01:53:47,120 --> 01:53:49,640
Speaker 1: am in a deal with a gang member. It's a

2234
01:53:49,720 --> 01:53:51,760
Speaker 1: lot bigger than me, and I can't do shit. That's

2235
01:53:51,800 --> 01:53:54,360
Speaker 1: why I'm here doing this verse for thirty five hundred.

2236
01:53:54,600 --> 01:53:57,280
Speaker 1: And I have an album called Doggie Style, and I'm

2237
01:53:57,320 --> 01:53:59,640
Speaker 1: here doing a verse for thirty five hundred for Mystical.

2238
01:54:00,320 --> 01:54:02,679
Speaker 1: That's a draft spot. That's that was before No Limit.

2239
01:54:02,920 --> 01:54:05,800
Speaker 1: That's a draft spot. But he bounced back. He bounced

2240
01:54:05,840 --> 01:54:09,439
Speaker 1: back from that. So that's just I'm talking about this

2241
01:54:09,560 --> 01:54:12,519
Speaker 1: quality of music wise dry spots. Yeah, you had a

2242
01:54:12,560 --> 01:54:16,200
Speaker 1: dray spot there too. Oh, definitely. Every everybody has draft spots. Man.

2243
01:54:16,360 --> 01:54:18,639
Speaker 1: That that's that's I can't sit up here and say

2244
01:54:18,640 --> 01:54:22,519
Speaker 1: I can't name one artist that had a full career

2245
01:54:22,840 --> 01:54:26,720
Speaker 1: of You could have said Kanye until fucking this old

2246
01:54:26,800 --> 01:54:29,280
Speaker 1: Jesus King came out. That just fuck it was a

2247
01:54:29,439 --> 01:54:33,160
Speaker 1: fuck it that was atrocious. You think Jesus King was

2248
01:54:33,200 --> 01:54:36,560
Speaker 1: the first one? Uh, I mean personally, Jesus was was

2249
01:54:36,600 --> 01:54:39,040
Speaker 1: the one Jesus has changed sonics and music. I didn't

2250
01:54:39,040 --> 01:54:41,240
Speaker 1: ask you that. I said the one yes I listened

2251
01:54:41,240 --> 01:54:44,120
Speaker 1: to and Heartbreaks changed the sonics and music. I think

2252
01:54:44,160 --> 01:54:46,080
Speaker 1: you're a couple of albums late with the Jesus. First

2253
01:54:46,120 --> 01:54:48,600
Speaker 1: of all, sir, relaxed. I'm just telling you wanna find

2254
01:54:48,600 --> 01:54:50,800
Speaker 1: a bigger Kanye fan in the world than me. Second

2255
01:54:50,840 --> 01:54:53,680
Speaker 1: of all, that's what will me. Kanye literally has changed

2256
01:54:53,720 --> 01:55:00,240
Speaker 1: it over and over as and Heartbreaks made Drake possible. Okay, so,

2257
01:55:00,720 --> 01:55:04,120
Speaker 1: but but Jesus did the same thing for Travis, for

2258
01:55:04,240 --> 01:55:07,080
Speaker 1: all these people. Like the sonics that Kanye brought into

2259
01:55:07,200 --> 01:55:11,280
Speaker 1: hip hop on Jesus was crazy, bro, Jesus is that ship? Yes?

2260
01:55:12,200 --> 01:55:14,400
Speaker 1: You don't think Travis Scott was already making that sound.

2261
01:55:14,520 --> 01:55:17,240
Speaker 1: Travis Scott was working with Kanye on Yees. Travis Scott

2262
01:55:17,280 --> 01:55:20,680
Speaker 1: was on Grand Hustle. No ship, but no, but Travis

2263
01:55:20,680 --> 01:55:24,680
Speaker 1: Scott was worked on Jesus with Kanye. He also was

2264
01:55:24,720 --> 01:55:27,760
Speaker 1: on Grand Hustle before he met Kanye. I underware he

2265
01:55:27,880 --> 01:55:29,360
Speaker 1: was doing songs with Young Thug and all that when

2266
01:55:29,400 --> 01:55:33,040
Speaker 1: he had Little Twists. That was on days before Rodeo.

2267
01:55:33,200 --> 01:55:35,440
Speaker 1: I know, but but that was we're talking about before

2268
01:55:35,560 --> 01:55:37,520
Speaker 1: what you're talking about. I'm telling you that that sound

2269
01:55:37,640 --> 01:55:40,160
Speaker 1: was around before Kanye. He didn't bring it anywhere. Somebody

2270
01:55:40,240 --> 01:55:43,400
Speaker 1: bought it. You know what he did speak He sampled

2271
01:55:43,400 --> 01:55:46,280
Speaker 1: Travis Scott. You know, Waits and Heartbreaks wasn't a sound

2272
01:55:46,320 --> 01:55:48,800
Speaker 1: that he brought to us. Neither Kid Cut He brought

2273
01:55:48,840 --> 01:55:52,800
Speaker 1: it to him. Bro and Wayne was already doing love

2274
01:55:52,880 --> 01:55:56,800
Speaker 1: Lockdown came. What Kanye does is he sampled. He samples

2275
01:55:56,880 --> 01:56:00,200
Speaker 1: people's creative. He sampled Kid Cuddy as a huge human

2276
01:56:00,280 --> 01:56:04,040
Speaker 1: being for Awaits and Heartbreaks. Jay Z sampled all of

2277
01:56:04,040 --> 01:56:07,240
Speaker 1: the Philly niggas Flow too, definitely. Oh yeah, young, I

2278
01:56:07,360 --> 01:56:09,760
Speaker 1: was just talking about you swiped it. You want to say,

2279
01:56:09,760 --> 01:56:11,400
Speaker 1: sample or swipe? Which one we're gonna use? But the

2280
01:56:11,480 --> 01:56:13,440
Speaker 1: problem is is that those guys were in the studie.

2281
01:56:13,480 --> 01:56:16,160
Speaker 1: Kid Cuddy was there for Awaits and Harbor right and

2282
01:56:16,560 --> 01:56:18,640
Speaker 1: Scott was there for years. And I swiped that and

2283
01:56:18,720 --> 01:56:20,880
Speaker 1: I took it to a bigger level. Exactly. I didn't

2284
01:56:20,920 --> 01:56:23,800
Speaker 1: create it. I didn't say created said that that album

2285
01:56:23,840 --> 01:56:27,200
Speaker 1: made it J Dilla sound. I'm not into the I

2286
01:56:27,280 --> 01:56:30,200
Speaker 1: don't like I swiped it. It was hot and I

2287
01:56:30,440 --> 01:56:33,879
Speaker 1: swiped it. Was in Atlanta, it was hot. The difference.

2288
01:56:34,480 --> 01:56:37,600
Speaker 1: I'm not that, I'm not that I'm a creative. He did,

2289
01:56:37,760 --> 01:56:40,360
Speaker 1: I know a sound he was always gonna give Kanye.

2290
01:56:40,560 --> 01:56:43,240
Speaker 1: Kanye was heavily influenced by Cutting on a Ways and Heartbreaks,

2291
01:56:43,280 --> 01:56:44,880
Speaker 1: but cut. He was a part of that fucking album.

2292
01:56:45,040 --> 01:56:49,480
Speaker 1: He was heavily and was in the studio. He was heavy, alright,

2293
01:56:49,800 --> 01:56:53,560
Speaker 1: He was heavily and it was by Travis. Song like

2294
01:56:53,840 --> 01:56:57,400
Speaker 1: Day and Night from Kanye until Kid Cuddy was with

2295
01:56:57,840 --> 01:56:59,840
Speaker 1: we never heard and I can't stop winning. I can't

2296
01:57:00,160 --> 01:57:04,320
Speaker 1: we ned vibe from Kanye until so we can't say

2297
01:57:04,920 --> 01:57:06,760
Speaker 1: he did that. We all know that he did do

2298
01:57:06,840 --> 01:57:08,480
Speaker 1: It was a cutty thing. What do you mean he

2299
01:57:08,560 --> 01:57:10,760
Speaker 1: did it all of it. Yes, it was a cutty

2300
01:57:10,840 --> 01:57:14,880
Speaker 1: thing that Kanye did and did it ten times. Scott. No, no,

2301
01:57:15,160 --> 01:57:18,360
Speaker 1: So you're not you're telling me. You're telling me Kid Cuddy.

2302
01:57:18,480 --> 01:57:22,120
Speaker 1: It's not Travis West. You're telling Travis Scott for Kid Cuddy.

2303
01:57:22,360 --> 01:57:26,360
Speaker 1: It's okay. So they're his kids, they're his kids. Don't know.

2304
01:57:26,360 --> 01:57:28,880
Speaker 1: Cuddy's one of the most influential artists ever and Kanye

2305
01:57:29,000 --> 01:57:30,640
Speaker 1: is too. I'm not taking out away, but you got

2306
01:57:30,760 --> 01:57:33,960
Speaker 1: a credit due you think Kid Cuddy puts out a

2307
01:57:34,040 --> 01:57:36,360
Speaker 1: kid named Cuddy mixtape which was My Ship, which was

2308
01:57:36,440 --> 01:57:40,440
Speaker 1: like his first tape that everyone jumped on. And if

2309
01:57:40,520 --> 01:57:43,920
Speaker 1: it don't, if Kanye don't get behind Cuddi's moved like else.

2310
01:57:44,160 --> 01:57:47,800
Speaker 1: No know, what I'm saying is Kanye executed. He brought

2311
01:57:47,880 --> 01:57:50,040
Speaker 1: them dudes in the studio and they bought the sound.

2312
01:57:50,200 --> 01:57:53,160
Speaker 1: They bought that and he knocked out the park. No,

2313
01:57:53,320 --> 01:57:56,840
Speaker 1: you swiped because your sound is J Dilla backpack. Your

2314
01:57:56,960 --> 01:57:58,720
Speaker 1: sound ain't I got brought in that limb. Yeah, but

2315
01:57:58,720 --> 01:58:01,280
Speaker 1: see that's not even hits. In the graduation, he was

2316
01:58:01,320 --> 01:58:03,840
Speaker 1: sampling Daft punk and Ship. Like every single Kanye album

2317
01:58:03,920 --> 01:58:06,320
Speaker 1: sonically grows and is different. If you go to college dropout,

2318
01:58:06,360 --> 01:58:08,800
Speaker 1: you can say that Ja dealer ship, but you go

2319
01:58:08,880 --> 01:58:12,200
Speaker 1: to a registration, it's difficult that come around him is

2320
01:58:12,320 --> 01:58:16,160
Speaker 1: the sound. That's That's what I said, Kanye. He came

2321
01:58:16,240 --> 01:58:19,600
Speaker 1: around Kanye samples people. And once again, I don't want

2322
01:58:19,600 --> 01:58:22,240
Speaker 1: anybody think I just like having conversation about this is

2323
01:58:22,280 --> 01:58:25,960
Speaker 1: just regular conversation. You don't want every single Kanye album.

2324
01:58:26,040 --> 01:58:29,240
Speaker 1: I'm a fan of Yay. I have every single Kanye album.

2325
01:58:29,240 --> 01:58:33,120
Speaker 1: I'm saying, like every album is different, sonically Kanye way

2326
01:58:33,240 --> 01:58:35,040
Speaker 1: before a lot of this ship, like He's give me

2327
01:58:35,040 --> 01:58:38,920
Speaker 1: beat CDs. So I'm a Kanye West fucking fanatic. We

2328
01:58:39,000 --> 01:58:41,240
Speaker 1: sat up here last week and I told you, niggas

2329
01:58:41,280 --> 01:58:46,040
Speaker 1: like Yay Cole krit Russ, I'm fanatics of this That's

2330
01:58:46,080 --> 01:58:48,080
Speaker 1: what That's where I'm at with it. But that being said,

2331
01:58:48,480 --> 01:58:50,800
Speaker 1: I this all went back to you saying, do I

2332
01:58:50,840 --> 01:58:54,040
Speaker 1: think Jesus was that ship? One hundred percent front to back,

2333
01:58:54,360 --> 01:58:58,760
Speaker 1: zero skips? That ship is a classic. No, I didn't

2334
01:58:58,760 --> 01:59:01,000
Speaker 1: know Bound was on that album. I remember the video

2335
01:59:01,120 --> 01:59:03,080
Speaker 1: for Bound came. I said, you did. You didn't make

2336
01:59:03,080 --> 01:59:04,880
Speaker 1: it all the way to the end of the album. No,

2337
01:59:05,000 --> 01:59:06,960
Speaker 1: I'm not even gonna lie. Come on, man, and I'm

2338
01:59:07,000 --> 01:59:10,640
Speaker 1: a yeasy fan. I'm a blood on the leaves, blood

2339
01:59:10,680 --> 01:59:14,640
Speaker 1: on the leaves, all that hold my liquor. This ship

2340
01:59:15,280 --> 01:59:18,080
Speaker 1: Come on with Chief Keith Dog come about. That ship

2341
01:59:18,240 --> 01:59:26,120
Speaker 1: is crazy. Covall, Bro, Black skin Head is crazy. You're tripping, bro.

2342
01:59:26,200 --> 01:59:30,040
Speaker 1: That should not graduation, that should not live registration hereak.

2343
01:59:30,560 --> 01:59:33,200
Speaker 1: It's definitely better than Life of Pablo. That shit. Ain't

2344
01:59:33,240 --> 01:59:35,320
Speaker 1: none of them albums better than Life of Poplo whoa

2345
01:59:36,760 --> 01:59:42,200
Speaker 1: Jesus no more? No? More parties, Jesus thirty hours. Come on, bro,

2346
01:59:42,680 --> 01:59:44,560
Speaker 1: you wild right now? Man? I love it. I love

2347
01:59:44,640 --> 01:59:46,720
Speaker 1: we Kanye for now. We go about this forever. If

2348
01:59:46,760 --> 01:59:49,440
Speaker 1: you're gonna tell I love the life that camera and

2349
01:59:49,840 --> 01:59:53,720
Speaker 1: tell the world that Yeesus is better than Life for Pop.

2350
01:59:54,480 --> 01:59:57,000
Speaker 1: Jesus is definitively better than the life of Pop. Can

2351
01:59:57,040 --> 01:59:58,800
Speaker 1: somebody raised their hand in his room? It's four people

2352
01:59:58,840 --> 02:00:01,640
Speaker 1: in here? Can somebody what are we doing right now?

2353
02:00:01,920 --> 02:00:04,400
Speaker 1: Life of Pablo Jesus. If you want to go with

2354
02:00:04,440 --> 02:00:06,040
Speaker 1: Life for Pablo, put your hand up with me. If

2355
02:00:06,040 --> 02:00:08,280
Speaker 1: you're gonna go with Jesus with him and be his friend,

2356
02:00:08,760 --> 02:00:13,960
Speaker 1: I'll take it. I'll take it. Listen, Bro, God bless uh,

2357
02:00:14,160 --> 02:00:16,720
Speaker 1: God bless the Life of Pablo. Great album. But Jesus

2358
02:00:16,880 --> 02:00:22,000
Speaker 1: was Jesus is like it's aged, don't say it. I

2359
02:00:22,080 --> 02:00:24,480
Speaker 1: loved it when it first came out. You about that

2360
02:00:24,520 --> 02:00:26,760
Speaker 1: ship the same day? Was that ship came out the

2361
02:00:26,800 --> 02:00:28,880
Speaker 1: same day as Born Center from J Cole and Mac Miller,

2362
02:00:29,520 --> 02:00:32,040
Speaker 1: I brought. I bought three albums that day. Watching movies

2363
02:00:32,040 --> 02:00:35,000
Speaker 1: with the soundofser was better than Jesus. You're fucking crazy,

2364
02:00:35,400 --> 02:00:39,520
Speaker 1: You're fucking crazy. Jesus is a fucking classic. Born Center

2365
02:00:39,720 --> 02:00:42,080
Speaker 1: was a good album. Jesus might be one of Kanye's

2366
02:00:42,120 --> 02:00:45,320
Speaker 1: worst albums. With Jesus is King, You're something fucking crazy,

2367
02:00:45,680 --> 02:00:50,360
Speaker 1: Jesus King, it's not better than graduation. Graduation might be.

2368
02:00:50,440 --> 02:00:55,400
Speaker 1: Actually think it's you're crazy. Graduation breaks Graduation to me,

2369
02:00:55,560 --> 02:00:57,840
Speaker 1: is I put Jesus above graduating. No, no, no, no, no,

2370
02:00:57,960 --> 02:01:00,320
Speaker 1: you're right. That's that's that's kind of like to I'm

2371
02:01:00,360 --> 02:01:02,360
Speaker 1: gonna tell you, I think graduation was like one of

2372
02:01:02,400 --> 02:01:06,600
Speaker 1: the best. That was the evolution. That's like I take

2373
02:01:06,680 --> 02:01:09,760
Speaker 1: cares like Drake's evolution, like my junior and senior will

2374
02:01:09,760 --> 02:01:12,520
Speaker 1: only get me in it, like that speaking shit into existence.

2375
02:01:12,600 --> 02:01:15,880
Speaker 1: I feel like like can't tell me nothing, and good

2376
02:01:15,960 --> 02:01:18,600
Speaker 1: life and I wonder and all of that shit like

2377
02:01:18,760 --> 02:01:23,400
Speaker 1: Barry Bonds and everything I'm not made me everything I am.

2378
02:01:23,600 --> 02:01:26,040
Speaker 1: All of that shit was a moment of like I

2379
02:01:26,160 --> 02:01:29,600
Speaker 1: beat fifty, I sold more than him, the Teddy Beer beat,

2380
02:01:29,680 --> 02:01:32,400
Speaker 1: the Bully. That shit was like a moment in time.

2381
02:01:32,520 --> 02:01:35,360
Speaker 1: Bro can't tell me nothing was like we all was

2382
02:01:35,400 --> 02:01:39,400
Speaker 1: wearing scarf, like the big fucking Palestinian scoffs around our neck, skinny.

2383
02:01:41,520 --> 02:01:44,640
Speaker 1: We always doing that. That was Jesus is better than graduation.

2384
02:01:45,400 --> 02:01:47,480
Speaker 1: I just named about eight songs that was incredible. He

2385
02:01:47,640 --> 02:01:50,120
Speaker 1: just had ten records. Go, but what are we talking

2386
02:01:50,120 --> 02:01:52,680
Speaker 1: about here? I just named eight bengas off of graduation.

2387
02:01:52,800 --> 02:01:54,880
Speaker 1: I didn't even get to the end. Drunken Hot Girls

2388
02:01:55,040 --> 02:01:58,000
Speaker 1: is on fucking graduation. That song was, Yo, can't tell

2389
02:01:58,080 --> 02:02:00,560
Speaker 1: me nothing. Barry Bonds with Lulu Wayne is on there. Yo,

2390
02:02:01,400 --> 02:02:04,120
Speaker 1: Barry Bonds with Lil Wayne has not aged. Well, go

2391
02:02:04,240 --> 02:02:05,920
Speaker 1: listen to that song today and tell me that song

2392
02:02:06,000 --> 02:02:08,880
Speaker 1: is aged. Well. We outa here, baby. Big Brother was great.

2393
02:02:09,000 --> 02:02:10,880
Speaker 1: Big Brother was on there too. Everything I'm not mam

2394
02:02:10,920 --> 02:02:13,400
Speaker 1: me everything. That album's not better than late Registration. I'm

2395
02:02:13,440 --> 02:02:16,240
Speaker 1: still naming songs. You stopped at one. What are we talking?

2396
02:02:16,280 --> 02:02:18,560
Speaker 1: Blood on the leaves, black skin, heead, don't drop my

2397
02:02:18,640 --> 02:02:21,600
Speaker 1: look or keep going? That's three, keep going, Welcome to

2398
02:02:21,680 --> 02:02:24,080
Speaker 1: the good life. Can't tell me nothing. I wonder bro

2399
02:02:24,760 --> 02:02:26,920
Speaker 1: with Flashing Lights on there because we could stop talking

2400
02:02:27,120 --> 02:02:30,040
Speaker 1: right now. Flashing Lights was on late registration. Late registration

2401
02:02:30,160 --> 02:02:32,360
Speaker 1: to me, No, no, no, you're cheating. What do you

2402
02:02:32,400 --> 02:02:35,879
Speaker 1: mean you're cheating right now? Flashing Lights was on graduation.

2403
02:02:36,160 --> 02:02:39,200
Speaker 1: That was the I wonder was it I wonder if

2404
02:02:39,280 --> 02:02:41,800
Speaker 1: and then flashing like yes you lost. Oh yeah, you're right.

2405
02:02:42,280 --> 02:02:44,040
Speaker 1: It was a better album than Yasus. It's not better

2406
02:02:44,080 --> 02:02:47,520
Speaker 1: than Late Registration. It's better than Yusus lost. I mean

2407
02:02:47,680 --> 02:02:51,400
Speaker 1: That's registration is incredible too. You don't argue with that,

2408
02:02:51,600 --> 02:02:55,160
Speaker 1: my beautiful twist, Like all of these albums are better

2409
02:02:55,400 --> 02:02:58,120
Speaker 1: than the ten song ye'ss album, all of them. It's

2410
02:02:58,160 --> 02:03:01,760
Speaker 1: only about five or six like incredible records on Yeesus.

2411
02:03:01,840 --> 02:03:03,880
Speaker 1: Every other album, the first six records on his Shit

2412
02:03:03,960 --> 02:03:09,360
Speaker 1: is incredible. Jesus is like Caviard bro. It's not for everybody.

2413
02:03:09,560 --> 02:03:13,240
Speaker 1: That's what Yesus is like four four four when you

2414
02:03:13,320 --> 02:03:17,520
Speaker 1: say it's better, you might say that is a great album.

2415
02:03:17,560 --> 02:03:19,360
Speaker 1: I think four four four is jay Z's worst album.

2416
02:03:19,680 --> 02:03:22,440
Speaker 1: That's just me. I can name ten other albums that

2417
02:03:22,520 --> 02:03:25,200
Speaker 1: are better. I think Magnet Carter Holy Girls' worst album.

2418
02:03:25,200 --> 02:03:27,280
Speaker 1: I thought that album was a steaming pilot dog shit

2419
02:03:29,240 --> 02:03:30,960
Speaker 1: what happened? That might be what you want to say.

2420
02:03:31,440 --> 02:03:33,080
Speaker 1: You know what album is most left on album that

2421
02:03:33,120 --> 02:03:36,320
Speaker 1: gets all the hate? Blueprint three, that was the double album,

2422
02:03:36,640 --> 02:03:38,840
Speaker 1: that was a double album, but that ship. I like

2423
02:03:38,920 --> 02:03:41,840
Speaker 1: that her Blueprint two, Blueprint too, That's what I'm got

2424
02:03:41,840 --> 02:03:45,640
Speaker 1: to say Blueprint three was terrible too. It's Blueprint three.

2425
02:03:45,760 --> 02:03:48,000
Speaker 1: Blueprint three had j Cole on it. They had an

2426
02:03:48,400 --> 02:03:51,440
Speaker 1: Empire state of Mind on it. Oh yeah, yeah, yeah,

2427
02:03:51,480 --> 02:03:54,080
Speaker 1: you had the song with phar Real some bullshit, had

2428
02:03:54,120 --> 02:03:56,760
Speaker 1: a with Drake on there too. Yeah yeah, I mean

2429
02:03:56,800 --> 02:04:00,080
Speaker 1: Empire state of Mind is biggest record. But yeah, I

2430
02:04:00,120 --> 02:04:02,200
Speaker 1: didn't like Blueprint three. I didn't like Magna Carta Holy Girl.

2431
02:04:02,280 --> 02:04:04,800
Speaker 1: I loved four forty four. Blueprint two had some of

2432
02:04:04,840 --> 02:04:06,400
Speaker 1: the best Jay on it ever, but it also had

2433
02:04:06,440 --> 02:04:08,760
Speaker 1: some of the Remember how you said Wayne had a

2434
02:04:08,840 --> 02:04:11,680
Speaker 1: tough decade? Yeah, what albums did jay Z put out

2435
02:04:11,760 --> 02:04:18,800
Speaker 1: last decade? When did American Gangster come out? That was

2436
02:04:18,840 --> 02:04:20,360
Speaker 1: a great album. But I just want to go back

2437
02:04:20,360 --> 02:04:22,560
Speaker 1: because I remember you said Wayne had a rough decade. Okay,

2438
02:04:22,600 --> 02:04:25,040
Speaker 1: I'll give you that if we're talking about the last decade.

2439
02:04:25,080 --> 02:04:31,600
Speaker 1: Four forty four great album, nominated for a Grammy, Watched

2440
02:04:31,600 --> 02:04:36,080
Speaker 1: the Throne, great album. You said that album was a

2441
02:04:36,160 --> 02:04:38,680
Speaker 1: rack of dog shits. Magna cart Holy Girl was not

2442
02:04:38,800 --> 02:04:41,720
Speaker 1: a champ. I like that album, not for me, Sir

2443
02:04:42,520 --> 02:04:46,280
Speaker 1: tom Ford, All that shit? Right? What else? What else

2444
02:04:46,320 --> 02:04:48,560
Speaker 1: came out from Home this decade? I was not a

2445
02:04:48,640 --> 02:04:51,760
Speaker 1: fan of the Beyonce album. But then again, there's people

2446
02:04:51,760 --> 02:04:53,520
Speaker 1: who think that that shit was incredible, and I'm like,

2447
02:04:53,600 --> 02:04:55,120
Speaker 1: I don't hear. I mean, I mean, I liked the

2448
02:04:55,160 --> 02:04:56,760
Speaker 1: few songs on there. I like the few songs on

2449
02:04:56,880 --> 02:05:01,160
Speaker 1: the Oh yeah, come on, come on the JA Electronic

2450
02:05:01,240 --> 02:05:03,880
Speaker 1: It became out in January, that shit, bro Hope washed

2451
02:05:03,960 --> 02:05:07,680
Speaker 1: j Electronica for a whole album. I mean, I don't,

2452
02:05:07,720 --> 02:05:10,360
Speaker 1: I don't don't. I I liked some of the joints

2453
02:05:10,400 --> 02:05:13,320
Speaker 1: on there. You don't like four forty four. I didn't

2454
02:05:13,320 --> 02:05:15,400
Speaker 1: say I don't like it. You just say it's worse

2455
02:05:16,000 --> 02:05:18,960
Speaker 1: to me. I can't put four four four above And

2456
02:05:19,080 --> 02:05:20,760
Speaker 1: this is just me having a regular convo because I'm

2457
02:05:20,760 --> 02:05:22,600
Speaker 1: a rapper, so I probably shouldn't be talking about other

2458
02:05:22,720 --> 02:05:24,880
Speaker 1: rap shit like this, but I'm a fan, so it's

2459
02:05:24,960 --> 02:05:32,000
Speaker 1: like reasonable doubt. Yes, in my lifetime Value one, in

2460
02:05:32,080 --> 02:05:37,440
Speaker 1: my lifetime Volume two Streets is watching Volume three, So

2461
02:05:37,560 --> 02:05:41,360
Speaker 1: you don't put four forty four above Volume one? Uh?

2462
02:05:41,920 --> 02:05:44,480
Speaker 1: You said, do I put four four four above Value one? Yeah?

2463
02:05:45,120 --> 02:05:48,560
Speaker 1: Volume one is Imaginary Playmates. Lucky Great Stuff on the

2464
02:05:48,600 --> 02:05:50,920
Speaker 1: Street is watching. The City is Mine? A million and

2465
02:05:51,000 --> 02:05:54,360
Speaker 1: one questions. You must love me? No, I don't you

2466
02:05:54,440 --> 02:05:56,160
Speaker 1: want me to go to volume two? No? Volume two.

2467
02:05:56,200 --> 02:06:00,600
Speaker 1: I mean listen, I love Volume three. Neither on the

2468
02:06:00,600 --> 02:06:06,080
Speaker 1: way there's been a murder dope, remove your roof, nigga,

2469
02:06:06,160 --> 02:06:08,040
Speaker 1: Let the sun shine in. No, it's not better than

2470
02:06:08,080 --> 02:06:09,440
Speaker 1: that one either. You want to go to the next one.

2471
02:06:10,200 --> 02:06:12,320
Speaker 1: It's not better than that Black album either. It's not

2472
02:06:12,800 --> 02:06:17,240
Speaker 1: Colic service announcement. And I think black album is lu

2473
02:06:17,800 --> 02:06:21,280
Speaker 1: that kan I think black album is. I think there's

2474
02:06:21,320 --> 02:06:24,280
Speaker 1: only there's three right answer. Let's keep going through these albums.

2475
02:06:24,520 --> 02:06:27,920
Speaker 1: What's your favorite jay album? Oh, Blueprint? What's got about Blueprint? Blunt?

2476
02:06:28,120 --> 02:06:31,400
Speaker 1: What's your favorite jay Z album? Blueprint? That's fair? That

2477
02:06:31,560 --> 02:06:35,760
Speaker 1: was I think because I'm born on September eleventh, So

2478
02:06:35,840 --> 02:06:38,200
Speaker 1: I remember when he put the album out him in

2479
02:06:38,280 --> 02:06:44,080
Speaker 1: fab I think fabulous album. That showed me a lot too. Yeah,

2480
02:06:44,120 --> 02:06:46,520
Speaker 1: I remember just putting Blueprint on and the city, New

2481
02:06:46,600 --> 02:06:49,280
Speaker 1: York was in like a real funny It wasn't like

2482
02:06:49,320 --> 02:06:54,080
Speaker 1: a real funny area. And uh, I remember the rulers

2483
02:06:54,120 --> 02:07:04,080
Speaker 1: back fucking uh uh song cry never change all I

2484
02:07:04,240 --> 02:07:07,080
Speaker 1: need you know what I'm saying the shit with Eminem Jesus.

2485
02:07:07,120 --> 02:07:09,680
Speaker 1: I remember jay Z's had a better decade than Wayne,

2486
02:07:10,280 --> 02:07:14,200
Speaker 1: quality of music wise, would you would you well, actually yeah,

2487
02:07:14,240 --> 02:07:16,320
Speaker 1: oh wait yeah so wait is one? Yeah, so I

2488
02:07:16,360 --> 02:07:18,280
Speaker 1: would say, you know, the last ten years, if we

2489
02:07:18,360 --> 02:07:21,160
Speaker 1: had to stack up music, it would be close. Yeah,

2490
02:07:21,560 --> 02:07:23,680
Speaker 1: every every Like I said, everybody got their drop points.

2491
02:07:23,680 --> 02:07:25,400
Speaker 1: You know how you said you ain't like the Beyonce shit,

2492
02:07:25,440 --> 02:07:27,160
Speaker 1: and you ain't like the Magna Carta Holy Grail, and

2493
02:07:27,200 --> 02:07:28,720
Speaker 1: you ain't like a lot of people like Manna card

2494
02:07:28,800 --> 02:07:30,440
Speaker 1: Holy Grail. I was not one of them. A lot

2495
02:07:30,520 --> 02:07:32,840
Speaker 1: of people like Jesus, I was not one of them.

2496
02:07:33,160 --> 02:07:36,920
Speaker 1: That's fair. Most people don't like you, I think. And

2497
02:07:37,040 --> 02:07:39,280
Speaker 1: then bring this whole thing for us, this whole conversation,

2498
02:07:39,360 --> 02:07:41,440
Speaker 1: because I don't want nobody to get this misconstrued like

2499
02:07:41,480 --> 02:07:43,560
Speaker 1: I'm shitting on people. I'm a fan of all of

2500
02:07:43,600 --> 02:07:46,320
Speaker 1: these people that we talk about. That's why I can

2501
02:07:46,520 --> 02:07:48,640
Speaker 1: go this in depth in the conversation with you about

2502
02:07:48,680 --> 02:07:50,920
Speaker 1: it and not sound like I'm kicking dirt on them

2503
02:07:51,000 --> 02:07:53,200
Speaker 1: and not be able to praise them in the same token.

2504
02:07:53,800 --> 02:07:57,720
Speaker 1: You know what I'm saying, a lot of a lot

2505
02:07:57,760 --> 02:08:01,200
Speaker 1: of artists that we've been talking about today, they went

2506
02:08:01,320 --> 02:08:04,480
Speaker 1: through errors of shit changing. You know what I'm saying.

2507
02:08:04,480 --> 02:08:06,400
Speaker 1: I think a lot of times we overlooked that too,

2508
02:08:06,520 --> 02:08:10,840
Speaker 1: prime example, push your teeth. How we was talking about

2509
02:08:10,880 --> 02:08:15,720
Speaker 1: like Lord Willing, and then then when his brother went

2510
02:08:15,800 --> 02:08:17,560
Speaker 1: to do his things, so now they not the clips

2511
02:08:17,640 --> 02:08:21,120
Speaker 1: no more? You know what I'm saying, Yeah, that was

2512
02:08:21,160 --> 02:08:23,360
Speaker 1: hard too. And then it's like then we've seen him

2513
02:08:23,360 --> 02:08:26,480
Speaker 1: on the VMA's with Yay, like oh shit, this ship

2514
02:08:26,560 --> 02:08:28,880
Speaker 1: might be oh yay, got a spitable where is this

2515
02:08:28,960 --> 02:08:30,720
Speaker 1: gonna go? Then we'll be seen where that could go.

2516
02:08:30,800 --> 02:08:34,240
Speaker 1: He had to reinvent himself from Lord Willing, from my

2517
02:08:34,360 --> 02:08:38,320
Speaker 1: I don't love her. You know, is yet to reinvent himself.

2518
02:08:38,400 --> 02:08:40,920
Speaker 1: He's still rapping about selling cocaine. No. But I mean

2519
02:08:41,360 --> 02:08:43,920
Speaker 1: when I say reinvent himself. When I say reinvent himself,

2520
02:08:43,920 --> 02:08:47,320
Speaker 1: I mean to a new eraror here to a new demographic.

2521
02:08:47,440 --> 02:08:50,680
Speaker 1: You know what I'm saying. Because I was young listening

2522
02:08:50,720 --> 02:08:54,280
Speaker 1: to the clips, so for me to be grown, and

2523
02:08:54,440 --> 02:08:57,160
Speaker 1: the nigga from the clips still look like the nigga

2524
02:08:57,160 --> 02:08:59,120
Speaker 1: from the clips in ninety eight don't even really look

2525
02:08:59,240 --> 02:09:01,920
Speaker 1: like he aged. But they fucked with him right now,

2526
02:09:01,920 --> 02:09:03,880
Speaker 1: they listening to him. You know what I'm saying, It's

2527
02:09:03,880 --> 02:09:06,240
Speaker 1: the same thing with Lil Wayne. He was Lil Wayne.

2528
02:09:06,880 --> 02:09:11,120
Speaker 1: He was on songs with Sammy and litl Zane Strike one.

2529
02:09:11,880 --> 02:09:15,440
Speaker 1: You know what I'm saying, He bowow and shit like that. Right,

2530
02:09:15,600 --> 02:09:18,800
Speaker 1: He went through eras like Lil Wayne went through the

2531
02:09:18,880 --> 02:09:23,160
Speaker 1: Kitty era, the you know, then the teenage era, the

2532
02:09:24,080 --> 02:09:27,360
Speaker 1: getting a little older era. Then it's like, oh nah,

2533
02:09:27,400 --> 02:09:30,320
Speaker 1: he's like one of the top artists. So now he

2534
02:09:30,440 --> 02:09:32,640
Speaker 1: has the top artists, Like if you look at all

2535
02:09:32,720 --> 02:09:34,640
Speaker 1: of them fucking evers. He went through like we were

2536
02:09:34,640 --> 02:09:39,000
Speaker 1: talking about Snoop. Snoop got erors of shit, Jay got

2537
02:09:39,240 --> 02:09:42,640
Speaker 1: errors of ship Yay Yay, got errors of shit. You

2538
02:09:42,680 --> 02:09:44,320
Speaker 1: know what I'm saying, Like from album to album, like

2539
02:09:44,360 --> 02:09:47,480
Speaker 1: you were saying, shit changed. Whether it was somebody coming

2540
02:09:47,560 --> 02:09:49,040
Speaker 1: in with a sound and he liked it and he

2541
02:09:49,120 --> 02:09:52,120
Speaker 1: latched onto it or whatever it was, it worked. He

2542
02:09:52,280 --> 02:09:53,720
Speaker 1: did it. A lot of people might have tried to

2543
02:09:53,760 --> 02:09:55,720
Speaker 1: do that shit and it didn't work because a lot

2544
02:09:55,760 --> 02:09:58,400
Speaker 1: of people that tried to do the sounds that other

2545
02:09:58,440 --> 02:10:01,440
Speaker 1: people did or was popping at that time, they couldn't

2546
02:10:01,440 --> 02:10:03,120
Speaker 1: make it work for them. You know what I'm saying, so,

2547
02:10:03,920 --> 02:10:06,920
Speaker 1: same thing with Rick Ross. I remember seeing Ross in

2548
02:10:07,000 --> 02:10:09,720
Speaker 1: a fucking Trina video for the all about the Benjamin's

2549
02:10:09,760 --> 02:10:14,800
Speaker 1: movie with No Beard right, told y'all how to get down.

2550
02:10:16,600 --> 02:10:19,920
Speaker 1: He was out then, but he went through errors. When

2551
02:10:20,000 --> 02:10:23,440
Speaker 1: I'm when every Day I'm Hustling came out, it's a

2552
02:10:23,520 --> 02:10:27,800
Speaker 1: total different Everdent now, definitely, it's a totally different erident now,

2553
02:10:27,960 --> 02:10:29,960
Speaker 1: you know what I'm saying. And he still got he

2554
02:10:30,040 --> 02:10:32,040
Speaker 1: still got us wanting to hear that fly shit. He

2555
02:10:32,080 --> 02:10:33,960
Speaker 1: still got a nigga like me waiting like yo, when

2556
02:10:34,040 --> 02:10:36,320
Speaker 1: Ros's gonna do an album with Justice League, Oh yeah,

2557
02:10:36,360 --> 02:10:41,000
Speaker 1: that'd be great. I need fifteen Rick Ross tracks over

2558
02:10:41,280 --> 02:10:44,160
Speaker 1: Justice League type production. You know what I'm saying. So

2559
02:10:44,280 --> 02:10:48,200
Speaker 1: your album is out wood panel walls out right now. Man.

2560
02:10:49,680 --> 02:10:54,040
Speaker 1: I rode it, recorded it, mixed it, shot all the videos,

2561
02:10:54,160 --> 02:10:59,080
Speaker 1: edit all of the videos, shot the documentary, edited. You

2562
02:10:59,360 --> 02:11:01,440
Speaker 1: handled the whole sit handled the whole ship. Man. I

2563
02:11:01,520 --> 02:11:03,160
Speaker 1: just had my homeboy master it because I was like,

2564
02:11:03,360 --> 02:11:06,040
Speaker 1: sometimes it just sounded a little a little here and there,

2565
02:11:06,120 --> 02:11:07,680
Speaker 1: But That's what I'm trying to get into. I'm trying

2566
02:11:07,720 --> 02:11:11,200
Speaker 1: to get more into the the visual aspect of it.

2567
02:11:11,720 --> 02:11:13,600
Speaker 1: I know I'm nice. You know I'm not and that's

2568
02:11:13,640 --> 02:11:15,440
Speaker 1: not even to be on no cocky shit. But I

2569
02:11:15,600 --> 02:11:19,080
Speaker 1: know I'm nice. I know I'm dead fucking nice. But

2570
02:11:19,240 --> 02:11:22,120
Speaker 1: that's not enough for me right now. At one time,

2571
02:11:22,240 --> 02:11:23,960
Speaker 1: maybe it wasn't enough, you know what I'm saying, But

2572
02:11:24,080 --> 02:11:26,600
Speaker 1: right now, I want to be known for more than

2573
02:11:26,720 --> 02:11:28,800
Speaker 1: just being nice, you know what I'm saying. Like that's

2574
02:11:28,800 --> 02:11:30,920
Speaker 1: why I'm getting into the videos and directing and shit

2575
02:11:31,040 --> 02:11:32,680
Speaker 1: like that, not saying like I just want to come

2576
02:11:32,760 --> 02:11:35,280
Speaker 1: some video direct or doing documentaries and shit, and I

2577
02:11:35,280 --> 02:11:37,720
Speaker 1: don't rap no more because rap is my first this

2578
02:11:37,880 --> 02:11:39,680
Speaker 1: is my love. Like I feel like we're in an

2579
02:11:39,800 --> 02:11:41,640
Speaker 1: error now where you don't got to retire as a rapper.

2580
02:11:42,920 --> 02:11:46,680
Speaker 1: You just put out music whenever you feel like, you know.

2581
02:11:47,040 --> 02:11:49,000
Speaker 1: So that's what I kind of did with this one.

2582
02:11:49,200 --> 02:11:53,560
Speaker 1: It's available, whoopaying the walls. I got Vito on there,

2583
02:11:55,200 --> 02:11:59,080
Speaker 1: I got cars on there, got my brother rel on there,

2584
02:12:00,080 --> 02:12:02,440
Speaker 1: Anthony King the dude singing on the High Roads joint.

2585
02:12:02,440 --> 02:12:04,080
Speaker 1: I got him on another joint on the project too,

2586
02:12:04,880 --> 02:12:07,960
Speaker 1: cause from dream though. Yeah, yeah, trying to trying to

2587
02:12:08,120 --> 02:12:11,400
Speaker 1: just do what I do, you know what I'm saying,

2588
02:12:11,440 --> 02:12:13,520
Speaker 1: because it's real. We in the error where it's real

2589
02:12:13,640 --> 02:12:15,320
Speaker 1: easy to go in the booth and just throw a

2590
02:12:15,360 --> 02:12:17,840
Speaker 1: bunch of plugins on your ship. Try to get that

2591
02:12:18,000 --> 02:12:21,440
Speaker 1: right melody, but not really say nothing, but just get

2592
02:12:21,480 --> 02:12:23,680
Speaker 1: the right melody and do that for two verses. You

2593
02:12:23,720 --> 02:12:26,000
Speaker 1: don't even need three verses no more, you know what

2594
02:12:26,040 --> 02:12:28,880
Speaker 1: I'm saying. So my shit is more, just go talk

2595
02:12:28,920 --> 02:12:30,680
Speaker 1: your ship, you know what I'm saying. So all you

2596
02:12:30,720 --> 02:12:32,480
Speaker 1: gotta do is talk your shit. You ain't really gotta

2597
02:12:33,000 --> 02:12:35,440
Speaker 1: just like you told me last week, you know, since

2598
02:12:35,480 --> 02:12:37,200
Speaker 1: we ain't making too much club shit because we ain't

2599
02:12:37,240 --> 02:12:40,880
Speaker 1: in the clubs. Male, I'm gonna play the music at well.

2600
02:12:40,920 --> 02:12:44,920
Speaker 1: I'm so at this point, man, niggas is just spitting. Man.

2601
02:12:45,000 --> 02:12:48,880
Speaker 1: I'm I'm glad that the industry is where it's kind

2602
02:12:48,880 --> 02:12:50,720
Speaker 1: of at right now, because it's kind of like open

2603
02:12:50,760 --> 02:12:52,960
Speaker 1: field right now. You don't know who gonna beat them next, niggas.

2604
02:12:53,320 --> 02:12:55,600
Speaker 1: You don't know who gonna be the person that reinvent

2605
02:12:55,720 --> 02:12:58,800
Speaker 1: theyself and do some two chain shit. You know what

2606
02:12:58,840 --> 02:13:01,040
Speaker 1: I'm saying, Just pop up like damn. He been around

2607
02:13:01,160 --> 02:13:06,280
Speaker 1: for years. We're just starting to Damn, we're late. It's

2608
02:13:06,320 --> 02:13:07,960
Speaker 1: gonna be a lot of artists like that, because right

2609
02:13:08,000 --> 02:13:12,640
Speaker 1: now it's just downtime. Man, Like how we were talking before.

2610
02:13:12,680 --> 02:13:14,320
Speaker 1: I feel bad for a lot of artists that was

2611
02:13:14,360 --> 02:13:17,120
Speaker 1: at the high points and now this shit fucked them up,

2612
02:13:17,160 --> 02:13:20,080
Speaker 1: like we were talking about Roddy and Roddy rich Russ.

2613
02:13:20,560 --> 02:13:22,560
Speaker 1: You know what I'm saying, the whole Griselda shit. You

2614
02:13:22,560 --> 02:13:24,360
Speaker 1: know what I'm saying. Get well to Benny too, you

2615
02:13:24,400 --> 02:13:28,560
Speaker 1: know shit. Yeah, man, it's like niggas, we want to

2616
02:13:28,560 --> 02:13:30,000
Speaker 1: get back on the road. We want to get back

2617
02:13:30,000 --> 02:13:33,840
Speaker 1: out there. But if you a person that make that

2618
02:13:33,960 --> 02:13:36,480
Speaker 1: type of music right now, this ship might be a

2619
02:13:36,520 --> 02:13:38,640
Speaker 1: little it's a little sketchy because it ain't really no

2620
02:13:38,720 --> 02:13:40,920
Speaker 1: way for us to feel that vibe. But if you

2621
02:13:41,000 --> 02:13:42,760
Speaker 1: a nigga like me and you just talking some shit,

2622
02:13:42,760 --> 02:13:45,560
Speaker 1: you painting pictures with these words, or you really gotta

2623
02:13:45,560 --> 02:13:47,280
Speaker 1: do it, sit dowre and roll up a blunt poor

2624
02:13:47,400 --> 02:13:50,480
Speaker 1: soning or just sit there. People are listening about yep,

2625
02:13:50,600 --> 02:13:53,320
Speaker 1: they got their headphones in right now, you're in their cars.

2626
02:13:53,520 --> 02:13:56,440
Speaker 1: That's what I'm doing, Boom, I'm listening to you know,

2627
02:13:56,600 --> 02:13:58,720
Speaker 1: I'm listening to everything too right now. A lot of

2628
02:13:58,800 --> 02:14:00,480
Speaker 1: new shit too. There's so much you shout out. You

2629
02:14:00,560 --> 02:14:02,680
Speaker 1: kind of got time to kind of got time to

2630
02:14:02,760 --> 02:14:05,760
Speaker 1: fish right. You know what I'm saying talking about Discovery Ship.

2631
02:14:05,760 --> 02:14:08,520
Speaker 1: We appreciate you pulling out, man, appreciate me come here

2632
02:14:08,520 --> 02:14:10,240
Speaker 1: and talk all of this ship about a bunch of

2633
02:14:10,360 --> 02:14:13,080
Speaker 1: rappers that's gonna think I don't like them, but I

2634
02:14:13,240 --> 02:14:15,880
Speaker 1: just appreciate Uh. Once again, I appreciate you letting me

2635
02:14:15,920 --> 02:14:18,040
Speaker 1: come through, chop it up with you all good man,

2636
02:14:18,440 --> 02:14:20,400
Speaker 1: talk some ship, promote the product. By the time this

2637
02:14:20,520 --> 02:14:22,320
Speaker 1: is out, the freestyle will be out. So you go

2638
02:14:22,440 --> 02:14:24,800
Speaker 1: check out the freestyle. Oh yeah, orange Face out of here. Man,

2639
02:14:25,160 --> 02:14:27,400
Speaker 1: it's crazy. Go check that out, man. Yeah. Bluele Cab

2640
02:14:27,480 --> 02:14:30,080
Speaker 1: podcast wrapping up J Miles Oh