WEBVTT - The A&G Replay Friday Hour Two

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<v Speaker 1>Broadcasting live from the Abraham Lincoln Radio Studio, the George

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<v Speaker 1>Washington Broadcast Center, Jack Armstrong, Joe, Getty.

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<v Speaker 2>Armstrong and Jette and now he Armstrong and Getty Strong

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<v Speaker 2>and the Independence Day. It's the fourth of July and

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<v Speaker 2>it's the Armstrong and.

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<v Speaker 3>Getty replay featuring bits and pieces of our podcast, Armstrong

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<v Speaker 3>and Getty.

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<v Speaker 2>One more thing, don't miss a single moment.

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<v Speaker 4>Get every episode on the iHeart app and wherever you

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<v Speaker 4>get your podcasts.

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<v Speaker 3>Yeah, so rare copies of both the Emancipation Proclamation and

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<v Speaker 3>the Thirteenth Amendment are going to be auctioned off in

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<v Speaker 3>Softab's upcoming Books and Manuscriptscripts sale in New York City.

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<v Speaker 2>How many times I've been in these stores.

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<v Speaker 4>They're usually in Vegas, one of your frontsy casinos or

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<v Speaker 4>were they where they sell memorabilia, whether it's sports memorabilia, music,

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<v Speaker 4>or you know, politics or whatever, and they have a

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<v Speaker 4>really it's usually a cool picture and a really fancy frame,

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<v Speaker 4>and then what you're paying for is the little signature.

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<v Speaker 2>On something, a letter or whatever.

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<v Speaker 4>But I've come close to buying them many times, but

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<v Speaker 4>I never had. I never have, mostly because I don't

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<v Speaker 4>have the slightest idea if the price.

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<v Speaker 2>Is raised more nuts.

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<v Speaker 3>Well, they almost got me once or twice. Two authorities

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<v Speaker 3>believe alcohol was involved, but they didn't.

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<v Speaker 2>And and it's.

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<v Speaker 3>Usually for the same reason. I end up thinking, all right,

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<v Speaker 3>what would I do with this? Who would I show it?

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<v Speaker 2>To? Stick it under your pillow, sleep with your head

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<v Speaker 2>on it every night?

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<v Speaker 3>Well, and how much you know, like after a year,

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<v Speaker 3>how much joy would it bring me to have?

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<v Speaker 2>Is it's just an investment? I wouldn't do it.

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<v Speaker 4>I would I never looked at it as an investment.

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<v Speaker 4>It's always the coolness of it. But how would it

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<v Speaker 4>continue to be coo if I had? Okay, I got

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<v Speaker 4>a signed copy of the Gettysburg Address by Brad Lincoln.

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<v Speaker 2>That's a good one that I would get.

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<v Speaker 4>I enjoy looking at that every day, hanging on my

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<v Speaker 4>wall forever, or at some point is the phone worn off?

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<v Speaker 2>I don't know.

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<v Speaker 3>My friends and acquaintances are history freaks enough that that

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<v Speaker 3>would be really cool. But then, because I try not

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<v Speaker 3>to be the slave to my more base urges, I

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<v Speaker 3>find myself thinking, okay, so I'd be getting it to

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<v Speaker 3>make myself look cool, And is that really a healthy

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<v Speaker 3>use of time?

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<v Speaker 2>Money, and you know that's one.

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<v Speaker 3>I'm not sure that's so I always end up in

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<v Speaker 3>the same place, although I will tell you have.

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<v Speaker 2>So much an extent with some stuff.

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<v Speaker 4>It's just one degree removed from just showing somebody your

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<v Speaker 4>bank statement. This is not much money I have in

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<v Speaker 4>my account. I mean, because the point is this was

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<v Speaker 4>expensive and I haven't.

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<v Speaker 2>Yeah, well yeah, partly. Yeah, you're not wrong.

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<v Speaker 3>I've mentioned several times that the one thing I've lusted

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<v Speaker 3>after for years and have really gone back and forth

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<v Speaker 3>on spending the money for is a first edition of

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<v Speaker 3>Dickens A Christmas Carol. And because they're available and they're

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<v Speaker 3>not so prohibitively expensive as to be insane, it's not

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<v Speaker 3>like buying a copy of would you say the Gettysburg

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<v Speaker 3>Address would be. But my beloved daughter Delaney, when she

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<v Speaker 3>was in England, she went to the Dickens Museum and

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<v Speaker 3>got me a reproduction of the first edition of A

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<v Speaker 3>Christmas Carol with all the original art and stuff like

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<v Speaker 3>that was absolutely lovely gift and very cool. When I

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<v Speaker 3>read A Christmas Carol this Christmas time, as I do

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<v Speaker 3>every single year, I will be reading it from that edition,

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<v Speaker 3>which I'm excited about.

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<v Speaker 4>But anyway, so you got rare copies of both the

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<v Speaker 4>crestation thing, right, So is that is that the one

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<v Speaker 4>where righting the title, Yes, that's the one where the

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<v Speaker 4>burglars break into the house and the kids parents had

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<v Speaker 4>gone on vacation. Yes, that's exactly and they said, up

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<v Speaker 4>the kid sets up various booby traps. And I've never

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<v Speaker 4>actually read to the end, but yeah, that's my understanding

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<v Speaker 4>of it.

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<v Speaker 2>Sorry, too funny not to go along with. So anyway, you.

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<v Speaker 3>Got the the EP and the thirteenth Amendment on sale

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<v Speaker 3>in June twenty six. The eighteen sixty three Probably Proclamation,

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<v Speaker 3>was originally signed by Lincoln, issued during the Civil War,

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<v Speaker 3>declared all enslaved people in Confederate States would be free.

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<v Speaker 3>The copy, which was signed a year later, is estimating

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<v Speaker 3>to sell for at least three million dollars. The handwritten

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<v Speaker 3>Amendment he signed on vellum in eighteen sixty five, ending

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<v Speaker 3>slavery nationwide, is expected to sell for at least eight

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<v Speaker 3>million dollars price that would triple its auction.

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<v Speaker 2>Record, and the two single sheet.

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<v Speaker 3>Papers represent the priceiest examples of each document to enter

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<v Speaker 3>the marketplace and should serve as a major test of

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<v Speaker 3>collectors appetites for historic American artifacts, and they actually get

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<v Speaker 3>into the market for this sort of thing, which I

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<v Speaker 3>found interesting.

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<v Speaker 2>The overall art market.

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<v Speaker 3>Is in a slump, but this category has enjoyed an

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<v Speaker 3>influx of gen X and millennial bidders ever since. A

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<v Speaker 3>copy of the Constitution sold a billionaire Ken Griffin for

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<v Speaker 3>forty three point two million dollars in twenty twenty one.

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<v Speaker 3>Griffin famously outbit a consortium of cryptocurrency investors to win it.

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<v Speaker 4>I have no idea how many original copies of the

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<v Speaker 4>Constitution there are, or there's six or sixty, Probably closer

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<v Speaker 4>to six than sixty because you had to handle the hole.

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<v Speaker 3>They were originally like thirty two assumeing if these numbers

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<v Speaker 3>are wrong and they're far fewer left now Katie, there.

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<v Speaker 5>Are only thirteen known surviving original copies.

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<v Speaker 3>Okay, good, Yeah, So aficionados are also getting more enthusiastic

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<v Speaker 3>as we approached our two hundred and fiftieth anniversary. But

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<v Speaker 3>Lincoln is super super hot within the pantheon of historic signatures.

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<v Speaker 3>Demand has fallen off off in the past decade for

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<v Speaker 3>President Thomas Jefferson and Robert E. Lee, for instance, and

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<v Speaker 3>remained steady for George Washington and Ben Franklin.

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<v Speaker 2>Something from doctor Franklin would be very very cool.

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<v Speaker 4>Yeah, you can't be a guy who's got to sign

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<v Speaker 4>Robert a lease something hanging on your wall anymore.

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<v Speaker 2>Well, not north of Kentucky anyway.

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<v Speaker 3>Lincoln has proved to be the most coveted name in

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<v Speaker 3>the American rare documents arena Lincoln reigns, Supreme.

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<v Speaker 2>Said this authority from Sothabes.

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<v Speaker 3>The record so far for any Lincoln related document is

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<v Speaker 3>a three point eight million dollar copy of the Emancipation

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<v Speaker 3>Proclamation sold to an anonymous guy in twenty ten. That,

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<v Speaker 3>oh man, it stood out in part because it also

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<v Speaker 3>belonged to Robert F. Kennedy Senior, who bought it in

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<v Speaker 3>early nineteen sixty four for ninety five hundred bucks when

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<v Speaker 3>he was an Attorney general. Oh wow, now three point

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<v Speaker 3>eight million.

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<v Speaker 4>Don't you have a guitar pick from somebody famous or something?

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<v Speaker 4>Keith Richards guitar pick?

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<v Speaker 2>Yeah.

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<v Speaker 3>I also have Jimmy Page's cigarette, but which I actually

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<v Speaker 3>grabbed off the front.

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<v Speaker 2>Of the stage.

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<v Speaker 4>And where do you keep these artifacts? You're in your

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<v Speaker 4>pocket right now?

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<v Speaker 3>This pocket? Well right, they're in a little box in

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<v Speaker 3>my music room in my house.

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<v Speaker 4>How often do you show them to people? This gets

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<v Speaker 4>to our earlier discussion, how often do you open them up?

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<v Speaker 2>And look at him? Look at that guitar pick. I'll

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<v Speaker 2>be damned, it's opener.

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<v Speaker 3>I think I've shown the guitar pick once or twice

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<v Speaker 3>the guitar players in the I forgot I had the

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<v Speaker 3>Jimmy Page cigarette button until we just talked about it now.

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<v Speaker 3>So it's been twenty years since I've shown it to anybody.

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<v Speaker 2>Okay, so you're not getting not much enjoyment out of it,

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<v Speaker 2>I'm really not.

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<v Speaker 3>Of course, Let's keep in mind what I paid for

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<v Speaker 3>both of them, nothing and nothing true. Uh so interesting. Well,

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<v Speaker 3>here's some more interesting stuff. The upcoming version of the

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<v Speaker 3>proclamation has a storied history of its own. This copy.

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<v Speaker 3>Lincoln was already embroiled in the Civil War when he

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<v Speaker 3>signed the original Freeing and sleigh People on jan one,

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<v Speaker 3>eighteen sixty three. Great quote from Lincoln at the time quote,

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<v Speaker 3>I never in my life felt more certain that I

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<v Speaker 3>was doing right than I do in signing this paper.

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<v Speaker 3>Lincoln and Secretary of State William Sword later carved up

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<v Speaker 3>and mortally wounded by the assassin team that killed Lincoln

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<v Speaker 3>later signed an additional forty eight folio broadsides that were

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<v Speaker 3>sold for ten dollars apiece to raise funds for the

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<v Speaker 3>US Sanitary Commission, a private release relief agency that helped

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<v Speaker 3>wounded Union soldiers and their families. So they signed forty

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<v Speaker 3>eight more of them and sold them for ten bucks apiece.

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<v Speaker 3>Lincoln's original handwritten written manuscript of the proclamation was lost

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<v Speaker 3>in the eighteen seventy one Chicago fire. Oh wow, so

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<v Speaker 3>the printed copies have become very, very coveted. Only twenty

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<v Speaker 3>seven are known to survive, eighteen to which are now

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<v Speaker 3>tucked away in institutions, and nine are on the loose.

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<v Speaker 3>They're privately owned and occasionally come up for sale. If

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<v Speaker 3>you're really famous, so many of your things could be

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<v Speaker 3>worth something if they could be documented. I'm surprised that.

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<v Speaker 3>I mean, everything Lincoln had or touched it could be

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<v Speaker 3>worth quite a bit of money. His socks, his pants,

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<v Speaker 3>his hat, Yeah, his chair, it is just everything. Well

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<v Speaker 3>and famously, back in the day, people would write letters

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<v Speaker 3>to Lincoln or Washington or whomever and ask for a

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<v Speaker 3>lock of their hair, and they would and they would

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<v Speaker 3>accommodate people if they wrote a nice letter, they would

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<v Speaker 3>send them a lock of their hair.

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<v Speaker 2>It was really common.

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<v Speaker 3>And so once in a great while you'll see what

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<v Speaker 3>is allegedly Lincoln's hair come up frogs. And I remember

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<v Speaker 3>I was talking about that a few years ago that

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<v Speaker 3>I really wanted to buy some Lincoln's hair.

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<v Speaker 6>Oh geez, And what.

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<v Speaker 2>Would you like? Tape it to your head and warning around.

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<v Speaker 3>Or showing it to friends together with Jimmy Page's cigarette,

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<v Speaker 3>but both of which would have to be DNA tested

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<v Speaker 3>for authenticity. Although I'm telling you, yeah, I saw Jimmy

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<v Speaker 3>smoke the thing, throw down the cigarette butts, and I

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<v Speaker 3>just grabbed one.

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<v Speaker 2>Yeah.

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<v Speaker 4>The prominence in all of these things is difficult. Although

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<v Speaker 4>that means word it came from actually and being able

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<v Speaker 4>to document it.

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<v Speaker 2>Yeah.

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<v Speaker 4>But if but if you believe it it's true, right,

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<v Speaker 4>doesn't even make any difference.

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<v Speaker 2>Yeah, it's funny.

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<v Speaker 3>I get all hot to trot thinking about this stuff,

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<v Speaker 3>like something really cool from Ben Franklin. Then I always

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<v Speaker 3>come back to where we started this discussion. All right,

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<v Speaker 3>what would I do with it?

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<v Speaker 2>You know what?

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<v Speaker 3>It's partly an expression of my admiration and love for

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<v Speaker 3>Abraham Lincoln, for instance, I would do that, but then okay, then,

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<v Speaker 3>but what good is it to me unless I tell people,

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<v Speaker 3>and then it's a showing off thing.

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<v Speaker 2>I don't know. I'm conflicted. I'm very conflicted. I would

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<v Speaker 2>wear Lincoln socks every day if I had them.

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<v Speaker 3>I don't think they're probably in wearing shape at this point.

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<v Speaker 3>I remember the old squares of the bloody pillow case, right,

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<v Speaker 3>if I remember correctly.

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<v Speaker 2>At one point there is some info about that.

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<v Speaker 4>I was just at Ford's Theater not that long ago,

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<v Speaker 4>oh right, with my kids, and there was some info

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<v Speaker 4>in there. Actually the house across the street, which I

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<v Speaker 4>don't think i'd ever been in before, the house across

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<v Speaker 4>the street where he actually.

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<v Speaker 3>Died, Yeah, it was. It's Katie. It is a very

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<v Speaker 3>small room. It's like under the level of the street.

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<v Speaker 3>What do you call that with like there's a skylighting window,

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<v Speaker 3>as I recall, But it was very dismal and small

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<v Speaker 3>and terrible and just kind of adds to the feeling

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<v Speaker 3>of what a miserable waste.

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<v Speaker 2>The assassination of Lincoln was. Wow.

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<v Speaker 4>Well in the weird stuff on that thing like that,

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<v Speaker 4>you know, a murder like a week later, it's pretty weird.

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<v Speaker 4>And disgusting to be in the room where somebody was

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<v Speaker 4>killed or died. But you wait long enough and it's

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<v Speaker 4>you know, everybody's just chattering and taking pictures and talking.

0:11:57.679 --> 0:12:00.640
<v Speaker 2>Yeah. Yeah, has there been I'm sure there.

0:12:00.720 --> 0:12:04.319
<v Speaker 3>I have been multiple great books written about the amount

0:12:04.400 --> 0:12:09.720
<v Speaker 3>of human suffering that was caused by the assassination Lincoln

0:12:10.760 --> 0:12:14.400
<v Speaker 3>because he couldn't oversee the early days of reconstruction established

0:12:14.440 --> 0:12:15.160
<v Speaker 3>his policies.

0:12:16.000 --> 0:12:18.720
<v Speaker 2>Yeah, I would read that while I was wearing Lincoln socks.

0:12:18.760 --> 0:12:20.000
<v Speaker 2>That's what I would do if I had them.

0:12:20.600 --> 0:12:27.720
<v Speaker 3>You know, is there John Wilkes Booth memorabilia? No, probably not.

0:12:27.800 --> 0:12:30.240
<v Speaker 3>That wouldn't be cool. I would pee on it every

0:12:30.280 --> 0:12:33.120
<v Speaker 3>day or something, some expression of hatred. That's how I

0:12:33.160 --> 0:12:39.640
<v Speaker 3>would be normal on it. I'd tape on Lincoln's hair

0:12:40.400 --> 0:12:45.160
<v Speaker 3>onto my head and take my vengeance every day.

0:12:46.600 --> 0:12:48.599
<v Speaker 2>You can get John Lincoln air for me, can't he?

0:12:48.920 --> 0:12:49.920
<v Speaker 6>No John Wilkes booth.

0:12:50.080 --> 0:12:54.240
<v Speaker 2>You can get his hair. What's I go for? Uh?

0:12:54.400 --> 0:12:58.920
<v Speaker 5>Thirty one thousand dollars and his wanted poster is also

0:12:59.120 --> 0:13:03.120
<v Speaker 5>going for twenty three thousand dollars.

0:13:04.520 --> 0:13:06.559
<v Speaker 4>They must be able to they must have a really

0:13:06.559 --> 0:13:11.320
<v Speaker 4>good way to authenticate that hair for it to go

0:13:11.360 --> 0:13:13.280
<v Speaker 4>for that much money.

0:13:13.480 --> 0:13:17.640
<v Speaker 3>Yeah, the poster for twenty three k put put in

0:13:17.679 --> 0:13:20.079
<v Speaker 3>a bid for me. You considering it, I'm gonna buy.

0:13:20.160 --> 0:13:21.720
<v Speaker 3>Then I'll pay it back. Don'try. I'm good.

0:13:21.720 --> 0:13:24.560
<v Speaker 2>Oh okay, all right, cool front me what it? Just

0:13:24.559 --> 0:13:27.320
<v Speaker 2>still pay it any time. If you come up short,

0:13:27.360 --> 0:13:31.440
<v Speaker 2>you'll sell off your cigarette butt right. The arm Strong

0:13:31.440 --> 0:13:32.200
<v Speaker 2>and Getty Show.

0:13:32.600 --> 0:13:40.560
<v Speaker 1>More Jack your Joe podcasts and our hot links Jack

0:13:40.679 --> 0:13:44.800
<v Speaker 1>Armstrong and Joe Getty, The arm Strong and Getty Show.

0:13:46.600 --> 0:13:48.560
<v Speaker 3>Oh here you go. Here's my favorite Porsche joke. And

0:13:48.600 --> 0:13:53.000
<v Speaker 3>I owned one. What's the difference between a portion of

0:13:53.040 --> 0:13:57.000
<v Speaker 3>porcupine porcupine the picture on the outside.

0:13:57.400 --> 0:14:00.760
<v Speaker 4>Hey, and if that thought that that was course, wait

0:14:00.800 --> 0:14:02.480
<v Speaker 4>till the rest of the pot. I got two more things.

0:14:02.480 --> 0:14:04.120
<v Speaker 4>I thought I had nothing for the podcast. I got

0:14:04.160 --> 0:14:04.960
<v Speaker 4>two more things to say.

0:14:05.000 --> 0:14:05.240
<v Speaker 2>One.

0:14:05.920 --> 0:14:09.040
<v Speaker 3>I hope they were more, you know, uplifting than that

0:14:09.120 --> 0:14:10.160
<v Speaker 3>last one.

0:14:10.800 --> 0:14:11.000
<v Speaker 2>Yeah.

0:14:11.040 --> 0:14:14.360
<v Speaker 4>That's only up from here. Uh yeah, I don't want

0:14:14.400 --> 0:14:18.840
<v Speaker 4>to hurt anybody's It's just a fact. I know three

0:14:18.880 --> 0:14:25.320
<v Speaker 4>women in their mid forties who made the choice in

0:14:25.360 --> 0:14:28.840
<v Speaker 4>life to be childless and really really regret it now,

0:14:29.920 --> 0:14:33.640
<v Speaker 4>really really regret it now. Like is like makes them

0:14:33.640 --> 0:14:34.560
<v Speaker 4>cry thinking about it.

0:14:35.920 --> 0:14:38.960
<v Speaker 6>So that's common ish common ish.

0:14:39.040 --> 0:14:41.080
<v Speaker 5>Yeah, I have a couple of friends that are in

0:14:41.120 --> 0:14:42.840
<v Speaker 5>that exact same boat right now.

0:14:44.080 --> 0:14:48.840
<v Speaker 3>And folks, sometimes for medical reasons or sometimes a marriage

0:14:48.840 --> 0:14:51.360
<v Speaker 3>goes sideways reasons or whatever in the window closes.

0:14:51.400 --> 0:14:53.760
<v Speaker 2>That's that's very hard for them too. Yeah.

0:14:54.040 --> 0:14:58.120
<v Speaker 4>Well that's why the phrase chose. You know, it wasn't

0:14:58.120 --> 0:15:01.360
<v Speaker 4>a medical thing or something. Yeah, this was lifestyle. What

0:15:01.640 --> 0:15:03.920
<v Speaker 4>kind of were you going with? I'd rather on a Porsche.

0:15:04.240 --> 0:15:07.360
<v Speaker 5>Yeah, this was like a failed marriage that ended horribly

0:15:07.520 --> 0:15:09.440
<v Speaker 5>and she said, screw it, I'm not doing this anymore.

0:15:09.480 --> 0:15:11.720
<v Speaker 6>And now we're like years down the road and.

0:15:11.680 --> 0:15:14.200
<v Speaker 4>She's like, that is definitely an evantge have a man,

0:15:14.240 --> 0:15:15.600
<v Speaker 4>because I didn't. I didn't have kids, so I was

0:15:15.600 --> 0:15:18.160
<v Speaker 4>forty five. It was an option for me as a dude, right,

0:15:18.760 --> 0:15:21.920
<v Speaker 4>she just gotta find a younger woman. And what was

0:15:21.920 --> 0:15:23.480
<v Speaker 4>my other thing? I was gonna say, Oh, so I'm

0:15:23.880 --> 0:15:25.720
<v Speaker 4>I'm picking up my son from the high school the

0:15:25.760 --> 0:15:29.520
<v Speaker 4>other day. This is on the cruelty of high schoolers.

0:15:29.640 --> 0:15:31.280
<v Speaker 4>I'm picking up my son at high school the other day,

0:15:31.280 --> 0:15:33.200
<v Speaker 4>and I got my window down and there's this one

0:15:33.280 --> 0:15:35.920
<v Speaker 4>kid that forever whatever reason that has dress shoes on,

0:15:37.440 --> 0:15:40.600
<v Speaker 4>and he's walking across the parking lot. He's like wearing

0:15:40.640 --> 0:15:43.640
<v Speaker 4>khakis and dress shoes, and some guy goes, oh my god,

0:15:43.640 --> 0:15:46.040
<v Speaker 4>hey Jim, look at his shoes. And then they're both

0:15:46.040 --> 0:15:49.320
<v Speaker 4>like a like so working so hard to laugh so

0:15:49.400 --> 0:15:52.600
<v Speaker 4>hard so they can point at somebody and mock them

0:15:52.600 --> 0:15:53.040
<v Speaker 4>and laugh.

0:15:53.600 --> 0:15:55.880
<v Speaker 2>How he's their self esteem by demeanian.

0:15:55.640 --> 0:15:58.040
<v Speaker 4>Right, Yes, And you know, as a grown up having

0:15:58.120 --> 0:16:00.200
<v Speaker 4>lived through that, when it was painful for me to

0:16:00.200 --> 0:16:02.040
<v Speaker 4>be on the wrong end of that, it just looked

0:16:02.080 --> 0:16:06.240
<v Speaker 4>so ridiculous, like why would you ever give us what

0:16:06.320 --> 0:16:07.800
<v Speaker 4>those guys think about your shoes?

0:16:08.080 --> 0:16:10.440
<v Speaker 2>It's too bad anybody does? I know everything? We like?

0:16:10.560 --> 0:16:14.160
<v Speaker 2>Why people a day for ten two? Why do they need.

0:16:13.880 --> 0:16:16.920
<v Speaker 4>To elevate themselves by trying to make that person feel

0:16:16.960 --> 0:16:18.880
<v Speaker 4>worse because they had to go to their I don't know,

0:16:19.560 --> 0:16:21.920
<v Speaker 4>they had to go to the something at the church

0:16:22.000 --> 0:16:24.360
<v Speaker 4>or funeral or who knows why they're wearing dress shoes.

0:16:24.360 --> 0:16:26.120
<v Speaker 2>But it's just it was so like.

0:16:26.400 --> 0:16:29.840
<v Speaker 7>Ha ha, look at his shoes, ha ha ha, what a dork?

0:16:29.920 --> 0:16:32.200
<v Speaker 2>I mean it was that my status is now higher

0:16:32.240 --> 0:16:32.600
<v Speaker 2>than his.

0:16:33.560 --> 0:16:36.480
<v Speaker 3>Yeah, I would love to leave out to genderbread person,

0:16:36.560 --> 0:16:39.320
<v Speaker 3>for instance, and maybe just spend ten minutes on that.

0:16:39.400 --> 0:16:41.560
<v Speaker 2>Someday in like fifth grade, I almost wanted to go

0:16:41.560 --> 0:16:42.560
<v Speaker 2>over and talk to that guy.

0:16:42.640 --> 0:16:44.480
<v Speaker 4>He didn't seem to be predicular abotter, but you never

0:16:44.480 --> 0:16:48.320
<v Speaker 4>know what's going on inside his brain. Let's say, don't

0:16:48.360 --> 0:16:51.640
<v Speaker 4>give a shit those dicks think. When you're older, you

0:16:51.680 --> 0:16:54.320
<v Speaker 4>will not It will not make any difference whatsoever.

0:16:54.800 --> 0:16:57.120
<v Speaker 6>One of the many reasons why I am so glad

0:16:57.120 --> 0:16:57.800
<v Speaker 6>I'm no longer in n.

0:16:57.760 --> 0:17:00.400
<v Speaker 4>I school no kidding, no kidding, or do you have

0:17:00.440 --> 0:17:01.920
<v Speaker 4>the mind you have now? I can go back to

0:17:02.040 --> 0:17:04.960
<v Speaker 4>high school now would be hilarious people pointing in laughin

0:17:04.960 --> 0:17:07.280
<v Speaker 4>of everything's really what are you doing whatever?

0:17:07.920 --> 0:17:11.160
<v Speaker 2>It's just why would I freaking care what you think? Oh?

0:17:11.240 --> 0:17:13.240
<v Speaker 2>That would be you know, it's funny. I was about

0:17:13.280 --> 0:17:15.920
<v Speaker 2>to say, I wouldn't sentence al Qaeda to four years

0:17:15.920 --> 0:17:17.280
<v Speaker 2>of high school. It's too cruel.

0:17:18.600 --> 0:17:20.520
<v Speaker 3>On the other hand, when if you could bring your

0:17:20.560 --> 0:17:22.560
<v Speaker 3>life experience and confidence back.

0:17:22.400 --> 0:17:25.520
<v Speaker 2>For yeah, oh yeah, that would be. That would be

0:17:25.560 --> 0:17:31.280
<v Speaker 2>super great in some ways at least. Yeah huh.

0:17:31.359 --> 0:17:34.440
<v Speaker 1>The Armstrong and Getty Show, Yeah, more Jack your Shoe

0:17:34.640 --> 0:17:41.520
<v Speaker 1>podcasts and our hot links. The Armstrong and Getty Show.

0:17:46.440 --> 0:17:53.000
<v Speaker 3>Queer Canine Becomings, lesbian feminist cyborg politics and interspecies intimacies

0:17:53.080 --> 0:17:55.120
<v Speaker 3>in Ecologies of Love and Violence.

0:17:55.280 --> 0:17:57.719
<v Speaker 6>Oh, they have to be trolling that I know.

0:17:58.160 --> 0:18:01.560
<v Speaker 3>It's by Chloe Diamond Lenewe, who is an actual professor

0:18:01.600 --> 0:18:04.800
<v Speaker 3>at Eastern at the American University, which is in New

0:18:04.880 --> 0:18:05.520
<v Speaker 3>York or somewhere.

0:18:05.560 --> 0:18:09.240
<v Speaker 4>That sounds as one hundred percent as crazy as those

0:18:10.560 --> 0:18:13.440
<v Speaker 4>fake papers that James Lindsay and his friends put out.

0:18:14.240 --> 0:18:16.280
<v Speaker 2>Yes, yeah, which.

0:18:16.080 --> 0:18:18.840
<v Speaker 4>Makes his point that things are so off the rails

0:18:19.200 --> 0:18:21.360
<v Speaker 4>that you can't tell the difference between something that's real

0:18:21.400 --> 0:18:21.840
<v Speaker 4>and what's not.

0:18:23.000 --> 0:18:27.000
<v Speaker 3>Yeah, exaggeration is completely impossible. My god, you can do

0:18:27.119 --> 0:18:30.200
<v Speaker 3>is what they did, and that's like equal the insanity,

0:18:31.200 --> 0:18:33.800
<v Speaker 3>except yours is completely fake but nobody can tell, which

0:18:33.800 --> 0:18:36.439
<v Speaker 3>makes the point. But you know, I feel like I

0:18:36.440 --> 0:18:41.000
<v Speaker 3>ought to read the abstract, but it's so long. I'll

0:18:41.040 --> 0:18:43.359
<v Speaker 3>hit you with it because Jack said, I, you know,

0:18:43.480 --> 0:18:46.000
<v Speaker 3>it'd be interesting to get that whole paper and see

0:18:46.000 --> 0:18:47.879
<v Speaker 3>how much sense it made on any level.

0:18:48.200 --> 0:18:50.159
<v Speaker 2>And you're right, But so here's the abstract.

0:18:50.560 --> 0:18:54.800
<v Speaker 3>This article offers a queer lesbian feminist analysis attuned to

0:18:55.000 --> 0:18:59.119
<v Speaker 3>lesbian queer trans canine relationalities.

0:18:58.480 --> 0:19:02.000
<v Speaker 4>And that really sounds like chicks having sex with dogs?

0:19:02.200 --> 0:19:03.880
<v Speaker 4>Is it not bestiality?

0:19:04.320 --> 0:19:08.000
<v Speaker 3>I just I can't believe they're expecting me to plow

0:19:08.080 --> 0:19:12.400
<v Speaker 3>through another queer lesbian feminist analysis to into lesbian queer

0:19:12.400 --> 0:19:14.119
<v Speaker 3>transcanine relation analities.

0:19:15.200 --> 0:19:17.159
<v Speaker 6>I just want to let you know this. Chicks pronouns

0:19:17.200 --> 0:19:17.600
<v Speaker 6>are she?

0:19:17.880 --> 0:19:20.400
<v Speaker 2>They?

0:19:20.680 --> 0:19:21.040
<v Speaker 6>The scene?

0:19:21.560 --> 0:19:22.120
<v Speaker 2>I like that.

0:19:22.200 --> 0:19:26.960
<v Speaker 3>I like your your activist pieces of crazy ass Marxist garbage.

0:19:27.080 --> 0:19:30.440
<v Speaker 3>Who who throw you the curveball of she? And you're

0:19:30.480 --> 0:19:35.320
<v Speaker 3>thinking her? But no, no, I use she and they.

0:19:35.520 --> 0:19:38.240
<v Speaker 3>If you call me her, I will be insulted. I'm

0:19:38.280 --> 0:19:39.280
<v Speaker 3>looking at her Facebook.

0:19:39.320 --> 0:19:42.040
<v Speaker 5>Her profile picture is a purple fist with a banner

0:19:42.040 --> 0:19:45.000
<v Speaker 5>that says professor of lesbian dance theory.

0:19:48.760 --> 0:19:52.120
<v Speaker 3>I don't mind watching lesbian's dance. That's my only theory.

0:19:52.160 --> 0:19:56.320
<v Speaker 4>And somebody who makes a living doing that, yes, gets paid.

0:19:57.800 --> 0:19:59.600
<v Speaker 2>Dance theory, Yeah.

0:19:59.280 --> 0:20:05.879
<v Speaker 3>To indoctrinate children into this incoherent gobbledegook of theory. Okay,

0:20:05.920 --> 0:20:10.280
<v Speaker 3>So I just that was like that was the first sentence. Specifically,

0:20:10.320 --> 0:20:13.919
<v Speaker 3>the article places queer and lesbian ecofeminism in conversation with

0:20:13.960 --> 0:20:17.399
<v Speaker 3>Donna Harroway's work on the cyborg and companion species to

0:20:17.440 --> 0:20:21.560
<v Speaker 3>theorize the interconnected queer becomings of people, nature, animals, and

0:20:21.600 --> 0:20:24.920
<v Speaker 3>machines amidst ecologies of love and violence in the twenty twenties.

0:20:25.480 --> 0:20:28.879
<v Speaker 3>It takes two key case studies as the focus for analysis. First,

0:20:28.880 --> 0:20:32.720
<v Speaker 3>the state instrumentalization of dogs and robot dogs for racialized

0:20:32.720 --> 0:20:35.480
<v Speaker 3>and imperial violence. Oh, you got a little race in

0:20:35.520 --> 0:20:37.359
<v Speaker 3>there too. I didn't see that coming. I mean, you

0:20:37.480 --> 0:20:40.080
<v Speaker 3>got lesbian robot dogs. You wouldn't think there's time to

0:20:40.119 --> 0:20:43.840
<v Speaker 3>work race in. But that's where you'd be wrong. Let's

0:20:43.920 --> 0:20:47.359
<v Speaker 3>see in the second I'm sorry. In the first article,

0:20:48.320 --> 0:20:50.600
<v Speaker 3>did I say that already? The article traces how dogs

0:20:50.600 --> 0:20:52.960
<v Speaker 3>are webonized as tools of state violence and proposes a

0:20:53.000 --> 0:20:57.159
<v Speaker 3>queer lesbian feminist critique of white supremacy and militarization that

0:20:57.240 --> 0:20:59.679
<v Speaker 3>can also extend to a critique of the violence committed

0:20:59.720 --> 0:21:03.439
<v Speaker 3>through toward the dogs. In the second whoof the article

0:21:03.480 --> 0:21:07.440
<v Speaker 3>analyzes how within lesbian, non binary and trans dog intimacies,

0:21:07.680 --> 0:21:09.600
<v Speaker 3>we got to stop there, don't we Let.

0:21:09.560 --> 0:21:12.840
<v Speaker 6>That they're having sights with dogs get to the fun part.

0:21:13.560 --> 0:21:20.080
<v Speaker 3>Really just started discussing that transdog intimacies. That does does

0:21:20.119 --> 0:21:25.160
<v Speaker 3>that mean like transgender dogs. That's like a former boy

0:21:25.359 --> 0:21:29.320
<v Speaker 3>dog who's now a leged bitch. I prefer to use

0:21:29.359 --> 0:21:30.320
<v Speaker 3>the technical term.

0:21:30.359 --> 0:21:32.960
<v Speaker 4>I was taking it as the interactions between trans people

0:21:33.040 --> 0:21:33.679
<v Speaker 4>and dogs.

0:21:33.840 --> 0:21:35.639
<v Speaker 6>Oh see, I was with Joe. I sounded like a

0:21:35.680 --> 0:21:36.919
<v Speaker 6>trans dog to me.

0:21:37.160 --> 0:21:40.360
<v Speaker 3>In the second the article analyzes how within lesbian, non

0:21:40.400 --> 0:21:46.199
<v Speaker 3>berry binary and transdog intimacies, dogs help articulate I think

0:21:46.200 --> 0:21:49.439
<v Speaker 3>you're right, Jack, queer gender sexuality and kinship formations and

0:21:49.480 --> 0:21:52.800
<v Speaker 3>as such, queer worlds for gender sexual and kin becomings.

0:21:53.240 --> 0:21:55.480
<v Speaker 3>The entanglements of violence and love in these queer dog

0:21:55.560 --> 0:21:59.160
<v Speaker 3>relationalities provide insights into the complexities of queer and lesbian feminists,

0:21:59.160 --> 0:22:03.680
<v Speaker 3>feminist world building, and finally, lesbian and queer feminist cyborg

0:22:03.840 --> 0:22:06.520
<v Speaker 3>politics can help theorize the potentials.

0:22:06.000 --> 0:22:08.359
<v Speaker 2>And challenges of these inter species and tangled So I'm

0:22:08.359 --> 0:22:10.080
<v Speaker 2>going to take at least a shot at what I

0:22:10.119 --> 0:22:14.359
<v Speaker 2>think this is. I appreciate the cyborgs in the end

0:22:14.400 --> 0:22:15.840
<v Speaker 2>because I was getting I was wondering where.

0:22:17.320 --> 0:22:18.200
<v Speaker 6>Where did they come from?

0:22:18.280 --> 0:22:20.800
<v Speaker 2>I'll be back you remember that that was great. I

0:22:20.840 --> 0:22:22.399
<v Speaker 2>think they believe.

0:22:23.840 --> 0:22:29.080
<v Speaker 4>That that because of our systemic racism and culture, dogs

0:22:29.080 --> 0:22:32.360
<v Speaker 4>are raised in such a way to not be friendly

0:22:32.480 --> 0:22:37.600
<v Speaker 4>to the trans lesbian community. And they have some concern

0:22:37.720 --> 0:22:40.720
<v Speaker 4>that the robot dogs that are coming our way are

0:22:40.760 --> 0:22:44.560
<v Speaker 4>going to be the same. And then when you end

0:22:44.640 --> 0:22:48.760
<v Speaker 4>up with robot people like cyborgs, now you're going to

0:22:48.800 --> 0:22:55.360
<v Speaker 4>have the robot dogs who are home transphobic, poorly treating

0:22:55.480 --> 0:22:58.879
<v Speaker 4>the robot humans. That's my guess that what this paper

0:22:58.920 --> 0:23:02.000
<v Speaker 4>is about. The hell, I think you may number one.

0:23:02.440 --> 0:23:04.760
<v Speaker 4>I am impressed.

0:23:04.960 --> 0:23:07.320
<v Speaker 5>Yeah, I mean I admire you even being able to

0:23:07.600 --> 0:23:08.840
<v Speaker 5>somewhat analyze that.

0:23:09.480 --> 0:23:12.200
<v Speaker 3>I think you may be one notch off. And I'll

0:23:12.200 --> 0:23:16.600
<v Speaker 3>repeat the lessons. Let'sbian in queer, feminist cyborg politics can

0:23:16.640 --> 0:23:22.720
<v Speaker 3>help theorize the potentials and challenges of these interspecies entanglements. Well, no,

0:23:22.840 --> 0:23:28.080
<v Speaker 3>I think yeah, so so the relationship of a trans

0:23:28.200 --> 0:23:33.800
<v Speaker 3>person with a dog, robot or otherwise can dogs are

0:23:33.840 --> 0:23:36.520
<v Speaker 3>being raised to be transmissed ache And they're concerned that

0:23:36.560 --> 0:23:38.520
<v Speaker 3>when we have robot dogs and robot people it.

0:23:38.520 --> 0:23:42.600
<v Speaker 4>Will continue then we'll have transphobic robot dogs. How are

0:23:42.640 --> 0:23:46.679
<v Speaker 4>you trans if you're a robot though a person? What

0:23:46.720 --> 0:23:48.640
<v Speaker 4>difference does it make once you're a robot?

0:23:48.760 --> 0:23:50.040
<v Speaker 6>What are we talking about?

0:23:50.680 --> 0:23:52.000
<v Speaker 2>Yeah, you know what I'm with Kittie.

0:23:52.520 --> 0:23:55.680
<v Speaker 3>I'm reminded of you know, you get somebody who's is

0:23:55.800 --> 0:23:58.760
<v Speaker 3>like a complete psychopath and does all these weird things,

0:23:58.800 --> 0:24:02.480
<v Speaker 3>and people say, what where is they thinking? No, No,

0:24:02.760 --> 0:24:06.200
<v Speaker 3>you can't come up with a rational explanation for the irrational.

0:24:06.400 --> 0:24:08.480
<v Speaker 2>You're wasting your time. You got to figure out Michael.

0:24:08.880 --> 0:24:10.200
<v Speaker 3>No, I was just thinking, this is why I took

0:24:10.200 --> 0:24:16.480
<v Speaker 3>aerobics in college. Yeah, I bowling, all right, I'm just

0:24:16.560 --> 0:24:20.760
<v Speaker 3>going to pick a sentence or two at random. At

0:24:20.800 --> 0:24:23.520
<v Speaker 3>the same time, it offers a model for a postgender

0:24:23.520 --> 0:24:27.400
<v Speaker 3>world that can be ironically blasphemous and subverts its origins

0:24:27.440 --> 0:24:30.840
<v Speaker 3>in the appropriation of women's bodies in a masculinist orgy

0:24:30.840 --> 0:24:34.520
<v Speaker 3>of war and other oppressive traditions, including the tradition of racist,

0:24:34.560 --> 0:24:37.840
<v Speaker 3>male dominated capitalism, the tradition of progress, the tradition of

0:24:37.880 --> 0:24:40.639
<v Speaker 3>the appropriation of nature is a resource for the production

0:24:40.760 --> 0:24:43.520
<v Speaker 3>of culture, the tradition of reproduction of the self from

0:24:43.560 --> 0:24:46.879
<v Speaker 3>the reflections of the other. One thing they sought to

0:24:46.880 --> 0:24:50.080
<v Speaker 3>spend more time studying is grammar like throw in a

0:24:50.160 --> 0:24:54.560
<v Speaker 3>period now and again, right, so I can break it

0:24:54.640 --> 0:24:55.560
<v Speaker 3>down by phrase.

0:24:56.359 --> 0:24:59.000
<v Speaker 6>Masculinist orgy of war.

0:25:00.240 --> 0:25:01.040
<v Speaker 2>Banda.

0:25:02.359 --> 0:25:04.400
<v Speaker 6>I saw them at the Warfield San Francisco.

0:25:04.400 --> 0:25:06.800
<v Speaker 2>Oh yeah, yeah, wow.

0:25:07.960 --> 0:25:10.800
<v Speaker 5>I that she wrote this out and then threw it

0:25:10.840 --> 0:25:13.800
<v Speaker 5>into chat GPT and just said, make this as wordy

0:25:13.840 --> 0:25:15.600
<v Speaker 5>and confusing as humanly possible.

0:25:15.680 --> 0:25:17.879
<v Speaker 2>I would love to take a class with one of

0:25:17.920 --> 0:25:19.680
<v Speaker 2>these people. Love it.

0:25:20.280 --> 0:25:21.800
<v Speaker 4>God, I gotta see if I can take a class

0:25:21.960 --> 0:25:23.760
<v Speaker 4>like I'm sure my universeity has this sort of stuff

0:25:23.760 --> 0:25:25.520
<v Speaker 4>in the town I live in, UC Davis.

0:25:26.040 --> 0:25:29.560
<v Speaker 2>Take one of these classes and ask sincere.

0:25:30.400 --> 0:25:36.040
<v Speaker 4>Sounding questions like just fully indulge their bost just oh

0:25:36.080 --> 0:25:39.960
<v Speaker 4>my god, you've really hit something here with me, the

0:25:40.119 --> 0:25:44.400
<v Speaker 4>masculine orgy of war or whatever that phrase was, expound

0:25:44.440 --> 0:25:46.080
<v Speaker 4>on that for me with you, and just let them

0:25:46.119 --> 0:25:47.280
<v Speaker 4>go on with their right.

0:25:47.920 --> 0:25:52.240
<v Speaker 3>Well, what's revealing about this and so interesting and odd

0:25:52.520 --> 0:25:55.199
<v Speaker 3>is that this is again, I just picked another sentence

0:25:55.200 --> 0:25:58.160
<v Speaker 3>at random. In doing so, the article develops a queer

0:25:58.160 --> 0:26:00.919
<v Speaker 3>and lesbian feminist approach to living in coalition with the

0:26:01.000 --> 0:26:03.720
<v Speaker 3>more than human with attention to what Stephen's and Sprinkle

0:26:03.800 --> 0:26:06.880
<v Speaker 3>name in this journal issue is cosensing an ethical embodied

0:26:06.880 --> 0:26:09.000
<v Speaker 3>motive relating to the earth, a tune of the sensorial

0:26:09.040 --> 0:26:11.560
<v Speaker 3>and activated through the erotic playfulness.

0:26:10.960 --> 0:26:11.479
<v Speaker 2>And joy.

0:26:12.160 --> 0:26:18.160
<v Speaker 3>Every single sentence is so I mean, just stuffed full

0:26:18.200 --> 0:26:22.520
<v Speaker 3>of jargon. Yeah, it can mean whatever they say it means,

0:26:22.600 --> 0:26:23.760
<v Speaker 3>or mean nothing at all.

0:26:24.119 --> 0:26:30.560
<v Speaker 4>I'm so happy to have become tutored by James Lindsay

0:26:30.560 --> 0:26:33.560
<v Speaker 4>and his books and his tweets about how this is

0:26:33.600 --> 0:26:35.240
<v Speaker 4>on purpose to make you feel dumb, because I no

0:26:35.280 --> 0:26:37.440
<v Speaker 4>longer feel dumb when I hear this stuff. I realize

0:26:37.480 --> 0:26:41.040
<v Speaker 4>you're trying to You're trying to, you know, pull the

0:26:41.040 --> 0:26:42.919
<v Speaker 4>wool over my eyes by using a bunch of phrases

0:26:42.960 --> 0:26:45.200
<v Speaker 4>and words that don't mean anything or only mean something

0:26:45.200 --> 0:26:47.320
<v Speaker 4>to you and make me feel dumb. So I'll sit

0:26:47.320 --> 0:26:49.880
<v Speaker 4>here and listen to this crap, right, and I don't

0:26:49.880 --> 0:26:51.399
<v Speaker 4>feel that way anymore, which is good.

0:26:52.320 --> 0:26:54.760
<v Speaker 3>Yeah, it almost becomes a riddle. All right, what are

0:26:54.800 --> 0:26:59.600
<v Speaker 3>they talking about? I'm reminded, you know, we got we

0:26:59.640 --> 0:27:01.720
<v Speaker 3>did not get enough mileage out of the cliff that

0:27:01.840 --> 0:27:07.439
<v Speaker 3>came out. Might have been during the crazy Columbia demonstrations

0:27:07.520 --> 0:27:10.919
<v Speaker 3>like last winter, in which one of the leaders of

0:27:10.960 --> 0:27:14.159
<v Speaker 3>the up with terrorism, which is actually just down with

0:27:14.200 --> 0:27:17.600
<v Speaker 3>Western civilization. All of this boils down to tearing down

0:27:17.600 --> 0:27:22.359
<v Speaker 3>Western civilization. And this gal because of course it's an

0:27:22.359 --> 0:27:24.720
<v Speaker 3>angry woman was saying.

0:27:24.760 --> 0:27:26.080
<v Speaker 2>You've learned your.

0:27:27.280 --> 0:27:32.320
<v Speaker 3>Colonialist theory and your gender theory, and your queer theory.

0:27:31.960 --> 0:27:33.639
<v Speaker 2>And your March's theory or whatever.

0:27:33.840 --> 0:27:36.240
<v Speaker 3>It's time to take all of your theories and put

0:27:36.240 --> 0:27:36.920
<v Speaker 3>them into action.

0:27:38.400 --> 0:27:41.720
<v Speaker 2>And that was a really good kind of summary.

0:27:41.800 --> 0:27:45.840
<v Speaker 3>What all of this is, All of those wackadoodal theories

0:27:45.840 --> 0:27:49.159
<v Speaker 3>that fall under critical theory are all just different ways

0:27:49.200 --> 0:27:53.320
<v Speaker 3>to attack Western civilization and bring it to its knees

0:27:53.359 --> 0:27:57.080
<v Speaker 3>so you can infiltrate it and usher in your Marxist utopia.

0:27:57.680 --> 0:28:02.919
<v Speaker 3>And all of this stuff is what that looks like

0:28:03.040 --> 0:28:06.320
<v Speaker 3>inside the sausage factory.

0:28:07.520 --> 0:28:11.920
<v Speaker 4>It's something shuh, ain't I tell you this. I ain't

0:28:12.359 --> 0:28:14.639
<v Speaker 4>gonna pay for my kid to sit in one of

0:28:14.640 --> 0:28:16.359
<v Speaker 4>those classrooms and learn that crap.

0:28:16.680 --> 0:28:17.560
<v Speaker 2>It ain't gonna happen.

0:28:17.880 --> 0:28:20.159
<v Speaker 4>If they somehow decide they really want that, they'll have

0:28:20.200 --> 0:28:21.879
<v Speaker 4>to take out a loan or figure it out on

0:28:21.960 --> 0:28:22.520
<v Speaker 4>their own.

0:28:23.440 --> 0:28:27.840
<v Speaker 3>One more, Just one more, can I please? Lesbian feminism

0:28:27.960 --> 0:28:33.159
<v Speaker 3>integrated with queer ecofeminism, animal studies and critical posthumanisms provide

0:28:33.200 --> 0:28:38.280
<v Speaker 3>tools to rethink non heteropatriarchal relations across more than human realms.

0:28:38.640 --> 0:28:43.200
<v Speaker 3>Queer ecofeminism involves liberating the erotic alongside nature, queers and women,

0:28:43.520 --> 0:28:47.680
<v Speaker 3>challenging the hierarchical dualisms that link mind, body, reason, emotion. Man, woman,

0:28:47.800 --> 0:28:51.200
<v Speaker 3>you can't bipoc human animal, nature, culture and heterosexual queer.

0:28:51.680 --> 0:28:57.120
<v Speaker 2>It's almost impossible to believe it's real. It's almost impossible

0:28:57.120 --> 0:28:57.800
<v Speaker 2>to believe it's real.

0:28:57.920 --> 0:28:59.560
<v Speaker 6>I'm convinced for being trolled.

0:29:01.040 --> 0:29:02.960
<v Speaker 2>By this she they.

0:29:04.680 --> 0:29:09.520
<v Speaker 3>I can believe that somewhere in America there's a crazy

0:29:09.560 --> 0:29:12.640
<v Speaker 3>old man tunelessly playing the saw.

0:29:13.000 --> 0:29:17.360
<v Speaker 2>You ever seen anybody play the singing? I can believe

0:29:17.480 --> 0:29:20.800
<v Speaker 2>that and accept it. The idea that someone's.

0:29:20.600 --> 0:29:24.280
<v Speaker 3>Paying them to do that and they have tenure. That's

0:29:24.320 --> 0:29:26.840
<v Speaker 3>where it gets crazy to me. And that's what this

0:29:26.880 --> 0:29:27.520
<v Speaker 3>stuff is.

0:29:27.880 --> 0:29:30.959
<v Speaker 4>The most important thing we learned from today's podcast that

0:29:31.000 --> 0:29:32.600
<v Speaker 4>the purple fist represents what.

0:29:32.680 --> 0:29:42.600
<v Speaker 3>Katie Oh your break Yeah, professor of lesbian dance theory.

0:29:43.640 --> 0:29:46.800
<v Speaker 4>Yes, the purple fist is lesbian dance theory. Or as

0:29:46.880 --> 0:29:48.680
<v Speaker 4>Joey said, your scornchy's too tight around your wrist?

0:29:48.720 --> 0:29:50.200
<v Speaker 2>You mother cry too tight.

0:29:51.480 --> 0:29:55.880
<v Speaker 1>The Armstrong and Getdy Show, your show podcasts and our

0:29:55.920 --> 0:30:00.800
<v Speaker 1>hot lenks.

0:30:00.800 --> 0:30:04.840
<v Speaker 7>The Armstrong and Getty shot Oh here's how money actually

0:30:04.880 --> 0:30:12.080
<v Speaker 7>works with theory seven dollars.

0:30:13.800 --> 0:30:18.280
<v Speaker 2>Beautiful shit ching, are you about to say something?

0:30:18.360 --> 0:30:18.440
<v Speaker 7>No?

0:30:19.080 --> 0:30:21.880
<v Speaker 3>Okay, So we're gonna do the one on one class

0:30:21.880 --> 0:30:23.920
<v Speaker 3>first and then two to one class. If this first

0:30:23.920 --> 0:30:26.960
<v Speaker 3>part is too obvious for some of you, congratulations on

0:30:27.080 --> 0:30:30.560
<v Speaker 3>understanding the basics of economics, which is a fairly rare

0:30:30.760 --> 0:30:34.520
<v Speaker 3>thing in today's world, which is highly discouraging. But first

0:30:34.560 --> 0:30:37.080
<v Speaker 3>of all, they're talking about who's this writer. I like

0:30:37.120 --> 0:30:39.479
<v Speaker 3>to give credit because it's really well written. Matthew Hennessy,

0:30:39.480 --> 0:30:41.640
<v Speaker 3>and the Wall Street Journal is talking about the fellows

0:30:41.680 --> 0:30:45.640
<v Speaker 3>in Oasis, the British rock band which is getting back together.

0:30:45.800 --> 0:30:48.360
<v Speaker 2>Wonderwall. He gets back, he.

0:30:48.320 --> 0:30:51.239
<v Speaker 3>Gets into some of the backstory, the Gallagher brothers who

0:30:51.320 --> 0:30:53.560
<v Speaker 3>can't stand each other and can't get along, but they're

0:30:53.600 --> 0:30:56.720
<v Speaker 3>the indispensable members of the band Oasis. Last month, the

0:30:56.720 --> 0:30:59.560
<v Speaker 3>Boys Buried the Hatchet announced series twenty twenty five concerts.

0:31:00.040 --> 0:31:02.840
<v Speaker 3>Various fans we're young and relatively poor during the band's heyday,

0:31:02.840 --> 0:31:05.560
<v Speaker 3>are now older and relatively rich. They have the willingness

0:31:05.560 --> 0:31:08.920
<v Speaker 3>and ability to pay to see Oasis and concert. Economically speaking,

0:31:09.000 --> 0:31:11.920
<v Speaker 3>that's called demand. But demand is only one side of

0:31:11.960 --> 0:31:15.600
<v Speaker 3>the economic story morning glory for the moment. At least,

0:31:15.600 --> 0:31:18.120
<v Speaker 3>the Oasis reunion is limited to a handful of shows

0:31:18.120 --> 0:31:20.760
<v Speaker 3>in the Wembley Stadium is large, it's not infinitely so,

0:31:21.240 --> 0:31:23.440
<v Speaker 3>and there's no guarantee the brothers will remain on speaking

0:31:23.520 --> 0:31:26.640
<v Speaker 3>terms beyond next summer. Fans understand that this may be

0:31:26.760 --> 0:31:29.400
<v Speaker 3>their last chance to see the battling Gallagher lads together

0:31:29.440 --> 0:31:29.959
<v Speaker 3>on stage.

0:31:30.160 --> 0:31:32.440
<v Speaker 2>Supply is limited now.

0:31:32.520 --> 0:31:35.600
<v Speaker 3>Introductory economics tell us that when supply is tight and

0:31:35.640 --> 0:31:39.440
<v Speaker 3>demand is high, prices rise to an equilibrium, which is

0:31:39.480 --> 0:31:43.000
<v Speaker 3>exactly what happened. Then he talks about dynamic pricing and

0:31:43.000 --> 0:31:46.640
<v Speaker 3>how the tickets are significantly more expensive than they seem

0:31:46.680 --> 0:31:50.560
<v Speaker 3>to be when initially announced. Some accuse the greedy brothers

0:31:50.600 --> 0:31:53.200
<v Speaker 3>of ripping off their loyal fans. Many more aimed their

0:31:53.240 --> 0:31:56.560
<v Speaker 3>furia ticket Master, the American ticket Sales BMTH owned by

0:31:56.560 --> 0:31:57.560
<v Speaker 3>Live Nation Entertainment.

0:31:58.000 --> 0:31:59.720
<v Speaker 2>The few revealed terrible.

0:32:00.240 --> 0:32:02.320
<v Speaker 4>Probably not going to hang argue me out of my

0:32:02.360 --> 0:32:04.400
<v Speaker 4>anger at Ticketmaster in general.

0:32:04.520 --> 0:32:08.800
<v Speaker 3>But go on, Oh the fees, the fees that creep

0:32:08.960 --> 0:32:10.960
<v Speaker 3>up onto your bill at the end. Yes, that's a

0:32:11.120 --> 0:32:14.680
<v Speaker 3>different topic and an interesting you're electronic sending me of

0:32:14.680 --> 0:32:19.080
<v Speaker 3>the ticket cost forty dollars. What yeah, anyway, putting that aside,

0:32:19.080 --> 0:32:21.720
<v Speaker 3>because this is just a question of the price of

0:32:21.760 --> 0:32:24.840
<v Speaker 3>the tickets. The furor revealed a terrible ignorance, even among

0:32:24.880 --> 0:32:27.240
<v Speaker 3>the highly educated, of what prices are and how they work.

0:32:27.480 --> 0:32:30.280
<v Speaker 2>I would argue to the journalists that.

0:32:30.320 --> 0:32:32.920
<v Speaker 3>Know, these are people posing as being outraged, they're not

0:32:32.960 --> 0:32:37.880
<v Speaker 3>actually outraged. Like the very Prime Minister of Britain, Kirs Starmer,

0:32:38.000 --> 0:32:40.040
<v Speaker 3>told the House Commons that he found it depressing to

0:32:40.080 --> 0:32:43.520
<v Speaker 3>hear of the Oasis price hikes. He promised a commission

0:32:43.720 --> 0:32:49.520
<v Speaker 3>to investigate what he called extortionate price resals whatever. Culture

0:32:49.600 --> 0:32:53.400
<v Speaker 3>Secretary Lisa Nandy told the Bebe that quote, vastly inflated

0:32:53.440 --> 0:32:56.120
<v Speaker 3>prices would exclude ordinary fans.

0:32:56.400 --> 0:33:00.800
<v Speaker 4>They have a culture secretary, Yeah, why do you need

0:33:00.840 --> 0:33:04.240
<v Speaker 4>that secretary of culture? And there should be some sort

0:33:04.280 --> 0:33:08.640
<v Speaker 4>of government intervention in that some things are more expensive

0:33:08.680 --> 0:33:09.200
<v Speaker 4>than others.

0:33:09.560 --> 0:33:11.640
<v Speaker 2>What yeah, bollocks?

0:33:12.280 --> 0:33:14.880
<v Speaker 3>In economic terms, a concert ticket and this is the

0:33:14.920 --> 0:33:17.040
<v Speaker 3>really important part. This is the econ one to one

0:33:17.080 --> 0:33:19.040
<v Speaker 3>stuff that if you don't understand it, you don't get

0:33:19.080 --> 0:33:22.800
<v Speaker 3>anything about economic A concert ticket is no different from

0:33:22.800 --> 0:33:25.320
<v Speaker 3>a book, a bottle, a wine, or a house. It

0:33:25.360 --> 0:33:28.760
<v Speaker 3>has no inherent value, only the price a buyer is

0:33:28.840 --> 0:33:32.000
<v Speaker 3>willing to pay and a seller is willing to accept.

0:33:32.560 --> 0:33:35.240
<v Speaker 3>The market clearing price of anything is where demand to

0:33:35.280 --> 0:33:38.960
<v Speaker 3>meet supply. The correct and fair price is whatever the

0:33:39.000 --> 0:33:41.720
<v Speaker 3>market will bear. No buyer has a right to a

0:33:41.760 --> 0:33:44.440
<v Speaker 3>low price, just as no seller has a right.

0:33:44.600 --> 0:33:45.560
<v Speaker 2>To a high price.

0:33:45.920 --> 0:33:47.880
<v Speaker 3>Then they point out the obvious Oasis could be nice

0:33:47.880 --> 0:33:50.720
<v Speaker 3>guys and sellar tickets for five bucks, but scalpers would

0:33:50.760 --> 0:33:52.320
<v Speaker 3>snatch them all up and resell them.

0:33:52.240 --> 0:33:53.480
<v Speaker 2>For much much more.

0:33:53.880 --> 0:33:56.600
<v Speaker 3>What good would it do for Oasis, for the ordinary

0:33:56.600 --> 0:33:59.680
<v Speaker 3>fan or anybody, to allow third party resellers to capture

0:33:59.720 --> 0:34:00.840
<v Speaker 3>all that value?

0:34:01.240 --> 0:34:04.680
<v Speaker 2>Well, that's what Yeah, that's what people don't understand about.

0:34:06.080 --> 0:34:11.719
<v Speaker 4>Sports, guitar players, whatever, actors and actresses. Somebody's going to

0:34:11.760 --> 0:34:13.920
<v Speaker 4>get that money because there's a demand for it. So

0:34:13.960 --> 0:34:19.440
<v Speaker 4>if it's not George Clooney or Shoheyo Tani or the

0:34:19.480 --> 0:34:23.600
<v Speaker 4>Gallagher brothers, then the company that puts on the show

0:34:23.760 --> 0:34:25.759
<v Speaker 4>or the game, or the network or whatever they get

0:34:25.760 --> 0:34:26.080
<v Speaker 4>the money.

0:34:26.080 --> 0:34:30.000
<v Speaker 2>But somebody's getting the money. It's just the way it works, right.

0:34:30.600 --> 0:34:34.000
<v Speaker 3>A couple more quick tidbits, and music industry guru explained

0:34:34.000 --> 0:34:36.239
<v Speaker 3>that the acts hide behind Ticketmaster.

0:34:36.640 --> 0:34:39.840
<v Speaker 2>They want them to take the flack for all this stuff.

0:34:39.880 --> 0:34:41.800
<v Speaker 2>Oh that's pretty good, that's probably true.

0:34:42.320 --> 0:34:44.600
<v Speaker 3>Yeah, it's not good for your image. But Ticketmaster takes

0:34:44.640 --> 0:34:49.120
<v Speaker 3>all the flack. And he also writes, here's the dirty

0:34:49.120 --> 0:34:51.600
<v Speaker 3>little secret. Ticketmaster does nothing that the band does not

0:34:51.640 --> 0:34:54.600
<v Speaker 3>agree to. So anyway, I thought that was a good

0:34:54.640 --> 0:34:58.920
<v Speaker 3>little instructional on if there's demand and little supply, the

0:34:58.920 --> 0:35:00.680
<v Speaker 3>price is going to go up and should and you

0:35:00.680 --> 0:35:02.840
<v Speaker 3>know what's gonna happen. The Gallery boys are going to

0:35:02.880 --> 0:35:06.680
<v Speaker 3>put down their fists and open up their calendars and say,

0:35:06.719 --> 0:35:08.399
<v Speaker 3>you know, I'm allan to play half a dozen more.

0:35:08.320 --> 0:35:11.560
<v Speaker 2>Shows, are you? And supply will increase in the prices will.

0:35:11.640 --> 0:35:14.640
<v Speaker 4>I was drunk in the backseat of an suv that

0:35:14.719 --> 0:35:15.760
<v Speaker 4>could go.

0:35:15.840 --> 0:35:18.280
<v Speaker 2>I have one.

0:35:17.280 --> 0:35:19.560
<v Speaker 4>Thousand, five hundred stories that start that way, but in

0:35:19.560 --> 0:35:23.360
<v Speaker 4>this particular one enter my seat. I was drunk in

0:35:23.400 --> 0:35:25.560
<v Speaker 4>the back of suv on the way to an Oasis

0:35:25.560 --> 0:35:27.520
<v Speaker 4>concert in Charlotte, North Carolina.

0:35:27.120 --> 0:35:30.160
<v Speaker 2>In nineteen ninety five when.

0:35:29.960 --> 0:35:31.600
<v Speaker 4>We heard on the radio that they had canceled the

0:35:31.600 --> 0:35:34.319
<v Speaker 4>concert because the two brothers had gotten a fistfight backstage.

0:35:34.400 --> 0:35:36.319
<v Speaker 2>So I still have not seen them.

0:35:37.360 --> 0:35:41.600
<v Speaker 3>Wow wow, Yeah, that legend not overblown.

0:35:41.719 --> 0:35:46.000
<v Speaker 2>No, that reminds me when they were like in their sixties.

0:35:46.120 --> 0:35:48.560
<v Speaker 3>The Davis Brothers it looks like Davies, but it's pronounced

0:35:48.600 --> 0:35:52.520
<v Speaker 3>Davis of The Kinks actually were continuing to come to

0:35:52.560 --> 0:35:55.719
<v Speaker 3>blows and scream at each other backstage in their sixties,

0:35:55.760 --> 0:35:56.480
<v Speaker 3>trying to tour.

0:35:56.880 --> 0:36:02.560
<v Speaker 2>Wow, get some counseling for us or something. Let it go,

0:36:03.960 --> 0:36:05.120
<v Speaker 2>Armstrong and Getty