WEBVTT - Tito Jackson

0:00:00.320 --> 0:00:03.199
<v Speaker 1>Question. Love Supreme is a production of I Heart Radio.

0:00:05.600 --> 0:00:07.680
<v Speaker 1>Do you turn me up a little bit? All right? Bet?

0:00:08.000 --> 0:00:18.320
<v Speaker 1>Suprema suprema role called suprema subprema role called subprema subprema

0:00:18.520 --> 0:00:25.040
<v Speaker 1>roll call subprema suprema role. We're making them chips or

0:00:25.079 --> 0:00:28.200
<v Speaker 1>should I say Frito's. Were the most laid back Jackson

0:00:28.240 --> 0:00:36.200
<v Speaker 1>of all Torrannio at Daryl Supreme Suprema road called Subprema

0:00:36.479 --> 0:00:41.600
<v Speaker 1>subprema rod called. My name is Sugar. Yeah, this shore

0:00:41.720 --> 0:00:46.280
<v Speaker 1>is nto to be right here on I Heart Radio.

0:00:47.440 --> 0:00:56.720
<v Speaker 1>Sama roll call such supremo roll call. It's m Yeah,

0:00:56.880 --> 0:01:00.840
<v Speaker 1>your favorite black one, Yeah with my man Tito. Yeah,

0:01:01.000 --> 0:01:06.959
<v Speaker 1>the finest Jackson roll call suprema so surema roll call,

0:01:07.440 --> 0:01:12.640
<v Speaker 1>sub prema sub prima role call boll schools. My name yeah,

0:01:12.800 --> 0:01:17.040
<v Speaker 1>Northern Indiana boy, Yeah, from the Jackson family. Yeah, brought

0:01:17.080 --> 0:01:22.040
<v Speaker 1>me a whole lot of joy. Call Sa su prema

0:01:22.240 --> 0:01:28.759
<v Speaker 1>roll call, SA surema road call. My name is Terry, Yeah,

0:01:29.040 --> 0:01:32.759
<v Speaker 1>my last name is Jackson. Yeah, I come with the action. Yeah,

0:01:33.120 --> 0:01:40.360
<v Speaker 1>that's a math faction surema roll call, so prema, so

0:01:41.280 --> 0:01:46.280
<v Speaker 1>su prema roll call sub prema son sub prima roll

0:01:46.480 --> 0:01:53.680
<v Speaker 1>call sub prema Son. Surema, roll call Wow, yeah, I

0:01:53.760 --> 0:01:58.720
<v Speaker 1>just recorded a song with the Jackson. Wait, this is

0:01:58.720 --> 0:02:01.800
<v Speaker 1>our second second going with the Jackson. Yeah. Yeah, so

0:02:03.080 --> 0:02:07.760
<v Speaker 1>we're experienced. Now we're honre Jackson's. Ladies and gentlemen, Welcome

0:02:07.800 --> 0:02:11.960
<v Speaker 1>to another episode of Quest Love Supreme. How are you doing? Uh?

0:02:12.000 --> 0:02:15.040
<v Speaker 1>And now we got sugar Steve. Hello, how's it going Steve?

0:02:15.080 --> 0:02:18.760
<v Speaker 1>It's going good? Now. I've never I've never seen all

0:02:18.800 --> 0:02:26.079
<v Speaker 1>thirty eight fifty thirty eight. That sounds like not enough? Well,

0:02:26.880 --> 0:02:31.639
<v Speaker 1>you know, just enough? Uh? Like how how's like? All right?

0:02:31.880 --> 0:02:35.400
<v Speaker 1>And uh, boss Bill? What's up? Wow? Even Boss Bill

0:02:35.520 --> 0:02:43.520
<v Speaker 1>is happy? Yeah? Jobs. You know usually start every Quest

0:02:43.560 --> 0:02:48.720
<v Speaker 1>Love Supreme episode with a barge of hyperbole and praise

0:02:48.960 --> 0:02:52.640
<v Speaker 1>that usually takes about seven minutes. But if you don't

0:02:52.639 --> 0:02:54.840
<v Speaker 1>know who are I guess this is the dailies and gentlemen,

0:02:55.560 --> 0:02:58.720
<v Speaker 1>and you listen to Quest Love Supreme's been under a rock?

0:02:58.880 --> 0:03:04.200
<v Speaker 1>Yeah something something something saying literally, I will say a

0:03:04.320 --> 0:03:09.520
<v Speaker 1>member probably one of the most love and respected musical dynasties, uh,

0:03:09.680 --> 0:03:14.640
<v Speaker 1>celebrating their fifty anniversary and show business just wow. I

0:03:14.680 --> 0:03:16.679
<v Speaker 1>remember that Soul Training episode where it was like their

0:03:16.720 --> 0:03:20.919
<v Speaker 1>tenth anniversary show Business now it's fifty. That's incredible, man,

0:03:20.960 --> 0:03:23.720
<v Speaker 1>that's that's a legacy for your ass ladies and gentlemen.

0:03:23.880 --> 0:03:28.040
<v Speaker 1>What else can I say but welcome Tito Jackson, Love Supreme,

0:03:30.000 --> 0:03:32.560
<v Speaker 1>Benjamin Button Jackson. Yeah, and I was about to say

0:03:32.639 --> 0:03:36.880
<v Speaker 1>regressing and you when I walked in the room, you

0:03:36.960 --> 0:03:41.600
<v Speaker 1>thought it was my nephew. Yeah, I was. You're taking

0:03:41.640 --> 0:03:44.840
<v Speaker 1>care of yourself. Man. We always knew that you and

0:03:44.880 --> 0:03:48.680
<v Speaker 1>your brother Jackie had proper government names that weren't your

0:03:48.680 --> 0:03:55.480
<v Speaker 1>stage names. Um so, how did you uh was Tito

0:03:55.600 --> 0:03:57.520
<v Speaker 1>your middle name or your mind? How did you get

0:03:57.560 --> 0:04:00.800
<v Speaker 1>your monica Tito? Papa Papa Joe name me after boxer

0:04:00.880 --> 0:04:04.240
<v Speaker 1>named Tito something? So Tito's on your birth certificate? No

0:04:04.360 --> 0:04:07.720
<v Speaker 1>it's not, Oh never mind. My birth certificate name is

0:04:07.880 --> 0:04:12.880
<v Speaker 1>Terry okay, terrana A Daryl Daryl Jackson. Wait, those are

0:04:13.040 --> 0:04:19.000
<v Speaker 1>so many names. Terrano, Darryl Jackson, Daryl, Daryl, just three

0:04:19.080 --> 0:04:22.240
<v Speaker 1>names the first, middle of the last, like everybody else, Margaret, Terry,

0:04:22.360 --> 0:04:27.680
<v Speaker 1>almost a Darrel. Okay, I'm sorry. So at what point

0:04:27.680 --> 0:04:32.400
<v Speaker 1>were you ever? Since? I can remember so all your life,

0:04:32.760 --> 0:04:35.840
<v Speaker 1>your siblings and Tito. Most people know me bot Tito,

0:04:36.400 --> 0:04:39.919
<v Speaker 1>and what surprised me. We have a corporation with the brothers,

0:04:39.960 --> 0:04:43.320
<v Speaker 1>and my brother handed me a credit card American Express

0:04:43.800 --> 0:04:46.000
<v Speaker 1>instead of having my real name Terry. I don't know

0:04:46.080 --> 0:04:48.640
<v Speaker 1>it had Tito Jackson, I said, Jackie, I can't use

0:04:48.760 --> 0:04:50.880
<v Speaker 1>this right. I don't have one piece of I d

0:04:51.040 --> 0:04:55.000
<v Speaker 1>that says Tito Jackson. Oh, I understand this because nobody

0:04:55.000 --> 0:04:56.800
<v Speaker 1>in my family has ever called me by my birth name,

0:04:57.279 --> 0:04:59.280
<v Speaker 1>like I've always been eat the junior of June Book.

0:04:59.760 --> 0:05:03.760
<v Speaker 1>Like really, yeah, only we call you Bill. Okay, only

0:05:04.120 --> 0:05:07.000
<v Speaker 1>my friends and and people I work with call me

0:05:07.200 --> 0:05:10.640
<v Speaker 1>by my real name. Everybody else. See, now that I've

0:05:10.640 --> 0:05:13.200
<v Speaker 1>put this on the internet, y'all gonna mess that up. Yes,

0:05:13.360 --> 0:05:17.080
<v Speaker 1>June Bug, I can call you a matter of fact,

0:05:17.839 --> 0:05:24.120
<v Speaker 1>you are a June Bug. So okay. So Tito was

0:05:24.160 --> 0:05:27.400
<v Speaker 1>your your nicknames so always unless it's time to take

0:05:27.440 --> 0:05:34.400
<v Speaker 1>out the garbage, then where you like didn't pay attention? Yeah,

0:05:34.520 --> 0:05:38.520
<v Speaker 1>let's see, Tito, I have no chores. I had plenty

0:05:38.560 --> 0:05:47.320
<v Speaker 1>of I Okay. So I know you're probably tired of

0:05:47.480 --> 0:05:51.159
<v Speaker 1>recapitulating the story over and over and over again. Okay,

0:05:51.240 --> 0:05:55.520
<v Speaker 1>Is there is there a question about Gary, Indiana that

0:05:55.600 --> 0:05:58.920
<v Speaker 1>you've not been asked that we don't know about. Well,

0:05:59.240 --> 0:06:01.840
<v Speaker 1>maybe I don't know. It depends on what you want

0:06:01.839 --> 0:06:06.920
<v Speaker 1>to ask. Well, what what I'm really curious about? Um,

0:06:06.960 --> 0:06:11.119
<v Speaker 1>I'm more curious about the creative process of how things

0:06:11.160 --> 0:06:16.719
<v Speaker 1>come together. And I know that and without the whatever,

0:06:16.839 --> 0:06:20.679
<v Speaker 1>under the watchful I of the iron hand of drill

0:06:20.720 --> 0:06:23.719
<v Speaker 1>Sergeant Joe or whatever. But I know that to get

0:06:23.760 --> 0:06:28.479
<v Speaker 1>to that level of perfection you have to put hours

0:06:28.480 --> 0:06:32.279
<v Speaker 1>and hours and hours and hours of practicing exactly. So,

0:06:33.560 --> 0:06:39.679
<v Speaker 1>could you give me what a typical itinerary was primo

0:06:39.800 --> 0:06:45.040
<v Speaker 1>town of you guys prepping for your talent shows. Of

0:06:45.080 --> 0:06:48.440
<v Speaker 1>course I can. Well, it was more like, go to school,

0:06:48.880 --> 0:06:51.440
<v Speaker 1>come home, put them books over in the corner. The

0:06:51.480 --> 0:06:54.720
<v Speaker 1>mics are already set up, all five microphones, amps are

0:06:54.760 --> 0:06:58.200
<v Speaker 1>on standby, and we're doing it and kids are still

0:06:58.240 --> 0:07:00.680
<v Speaker 1>walking home from school and then stop and by hearing

0:07:00.720 --> 0:07:03.320
<v Speaker 1>the music, pushing each other out the way to try

0:07:03.360 --> 0:07:06.240
<v Speaker 1>and take a look or whatever. And we rehearsed maybe

0:07:06.320 --> 0:07:09.320
<v Speaker 1>three or four hours prior to doing the show that night.

0:07:10.000 --> 0:07:12.920
<v Speaker 1>We usually go to Chicago, play the Peppermint Nounge of

0:07:13.000 --> 0:07:16.200
<v Speaker 1>the Hot Shop around something like that, then get home

0:07:16.280 --> 0:07:19.680
<v Speaker 1>like two in the morning. You know, and uh go

0:07:19.760 --> 0:07:21.920
<v Speaker 1>to school next day, wake up at six seven in

0:07:21.920 --> 0:07:28.000
<v Speaker 1>the morning, go school. Were you allowed any downtime from

0:07:28.000 --> 0:07:32.000
<v Speaker 1>when school let out to home or was it like

0:07:32.120 --> 0:07:35.920
<v Speaker 1>for me, the fear was you better be home before

0:07:35.920 --> 0:07:38.560
<v Speaker 1>the uperh theme comes on, which I had to be

0:07:38.720 --> 0:07:42.120
<v Speaker 1>home after three at three. Yeah, that that bell like

0:07:42.120 --> 0:07:46.080
<v Speaker 1>when Carlton starts dancing. My reactions when I hear that whistle,

0:07:46.160 --> 0:07:49.400
<v Speaker 1>it's just it's just like I had to be home

0:07:49.440 --> 0:07:53.239
<v Speaker 1>at three. Well, my father's thing was when we weren't

0:07:53.280 --> 0:07:55.720
<v Speaker 1>doing music, he said, don't let the street lights catch you.

0:07:56.400 --> 0:07:58.200
<v Speaker 1>If those street lights are on and you're not in

0:07:58.280 --> 0:08:02.480
<v Speaker 1>the house, you're in trouble. Yikes. Okay, so wait, can

0:08:02.520 --> 0:08:04.440
<v Speaker 1>I ask a question? How often did you did you

0:08:04.440 --> 0:08:08.560
<v Speaker 1>guys do the showcase or the talent, because well, we

0:08:08.640 --> 0:08:12.120
<v Speaker 1>rehearsed every day and we do our home break between breaks.

0:08:12.920 --> 0:08:15.160
<v Speaker 1>Oh yeah, so what kind of students were you guys?

0:08:15.400 --> 0:08:19.080
<v Speaker 1>Great students, great students. Yeah. We also travel with a

0:08:19.160 --> 0:08:23.240
<v Speaker 1>tutor after we had made it professionally, and they have

0:08:23.680 --> 0:08:27.000
<v Speaker 1>rules of course, uh state laws. The kids have to

0:08:27.040 --> 0:08:29.680
<v Speaker 1>work so many hours now he has to have so

0:08:29.720 --> 0:08:33.520
<v Speaker 1>many hours of a break. So we had a teacher

0:08:33.559 --> 0:08:36.640
<v Speaker 1>by the name of Rose Fine, and she talked. She

0:08:36.760 --> 0:08:39.680
<v Speaker 1>was so cool because she would let me smoke my

0:08:39.720 --> 0:08:45.079
<v Speaker 1>cigarette right in class. I was smoking as a team.

0:08:45.200 --> 0:08:48.720
<v Speaker 1>You know. Were you the rebellious Jackson? Some people say that,

0:08:48.760 --> 0:08:50.640
<v Speaker 1>but I don't think, like, who's the first to really

0:08:50.720 --> 0:08:55.000
<v Speaker 1>test the water? Is still like I'm gonna break curfew.

0:08:55.000 --> 0:09:00.560
<v Speaker 1>You're not gonna hit me with that belt. So it

0:09:00.640 --> 0:09:03.200
<v Speaker 1>was the myth true of the whole guitar thing, because

0:09:03.280 --> 0:09:06.080
<v Speaker 1>is that the way that was presented in in the

0:09:06.120 --> 0:09:10.880
<v Speaker 1>bio pick. You know, you were doing chords and stuff already.

0:09:10.920 --> 0:09:14.440
<v Speaker 1>So how long did it take you too, from the

0:09:14.480 --> 0:09:17.960
<v Speaker 1>first time you I had that guitar to learn chords

0:09:17.960 --> 0:09:20.439
<v Speaker 1>and all those things before the string broke. Oh, it

0:09:20.480 --> 0:09:22.480
<v Speaker 1>took a little while. It took it at least three

0:09:22.520 --> 0:09:25.320
<v Speaker 1>to four months. You know. I was just playing with it,

0:09:25.360 --> 0:09:27.559
<v Speaker 1>and I I used to go and my uncle Luth

0:09:27.640 --> 0:09:29.360
<v Speaker 1>and my father would play a lot of the blues

0:09:29.480 --> 0:09:33.720
<v Speaker 1>Jimmy Reid, B B. King, all these guys from old school,

0:09:34.200 --> 0:09:36.400
<v Speaker 1>and I just sit there and just stare. You know,

0:09:36.640 --> 0:09:39.760
<v Speaker 1>he knew I was interested, and I just stare and stare.

0:09:39.920 --> 0:09:42.560
<v Speaker 1>And when he would go to work, he go to

0:09:42.679 --> 0:09:46.040
<v Speaker 1>myself and Jermaine and he and Jackie. He would go,

0:09:46.679 --> 0:09:49.559
<v Speaker 1>I'm going to work. Don't none of you boys touch

0:09:49.679 --> 0:09:53.320
<v Speaker 1>my guitar. I'm putting it here in the closet, you know,

0:09:53.440 --> 0:09:55.800
<v Speaker 1>and we being being a kid, you don't say that,

0:09:56.240 --> 0:09:58.800
<v Speaker 1>you know, we want to touch it. Even more so

0:09:59.160 --> 0:10:01.240
<v Speaker 1>I will take to get how I played for hours.

0:10:01.320 --> 0:10:03.439
<v Speaker 1>My mom would let me play it all day long,

0:10:04.080 --> 0:10:06.800
<v Speaker 1>and she said, honey, your father's gonna be home soon.

0:10:06.920 --> 0:10:10.000
<v Speaker 1>Put it away, you know. So she was protecting me

0:10:10.240 --> 0:10:17.120
<v Speaker 1>until I broke that string. Didn't How long did the

0:10:17.160 --> 0:10:21.080
<v Speaker 1>Falcons last your father's I have no idea that because

0:10:21.120 --> 0:10:23.319
<v Speaker 1>I was so young at that time, you know. But

0:10:23.600 --> 0:10:26.680
<v Speaker 1>they were around a little while I was basically just

0:10:26.760 --> 0:10:29.000
<v Speaker 1>a kid trying to play some music with mom called

0:10:29.080 --> 0:10:31.600
<v Speaker 1>my father, and they would play blues all day and

0:10:31.600 --> 0:10:34.960
<v Speaker 1>they had me doing Doom, Doom Doom. Do they get

0:10:35.000 --> 0:10:37.760
<v Speaker 1>all the lead parts? And they give me maybe a

0:10:37.840 --> 0:10:40.400
<v Speaker 1>minute at the end of the jam section. Okay, you

0:10:40.440 --> 0:10:43.160
<v Speaker 1>can play now, you know. And I played whatever I could,

0:10:43.280 --> 0:10:47.360
<v Speaker 1>you know, mistakes at all, whatever, you know. That was it.

0:10:47.440 --> 0:10:50.280
<v Speaker 1>So by the time you guys were formed and the

0:10:50.360 --> 0:10:54.720
<v Speaker 1>Falcons weren't necessarily doing that, No, they weren't at that time. Okay,

0:10:54.800 --> 0:10:58.720
<v Speaker 1>I see, I just recently not discovered. I didn't realize

0:10:58.760 --> 0:11:01.800
<v Speaker 1>there was a whole message. I knew the steel Town

0:11:01.880 --> 0:11:07.199
<v Speaker 1>Recordings was forty five, but I didn't realize that there

0:11:07.200 --> 0:11:10.480
<v Speaker 1>were a collection of other songs in that era. But

0:11:10.600 --> 0:11:12.480
<v Speaker 1>I mean, of course, you know someone's gonna come up

0:11:12.520 --> 0:11:16.600
<v Speaker 1>like start cashing, and so half of it was just

0:11:16.720 --> 0:11:20.960
<v Speaker 1>rehearsals whatever. But at the time, when you guys got

0:11:21.040 --> 0:11:24.720
<v Speaker 1>your thing together with steel Town, was that like an

0:11:24.760 --> 0:11:27.880
<v Speaker 1>excitement thing like this is Jack Pott. It can't get

0:11:27.880 --> 0:11:30.160
<v Speaker 1>nobody than this. Oh yeah, we thought we had made

0:11:30.200 --> 0:11:33.040
<v Speaker 1>big time. You know, steel Town was the local label,

0:11:33.040 --> 0:11:36.640
<v Speaker 1>while to Gary, Indiana and their their reach wasn't very far.

0:11:37.160 --> 0:11:39.920
<v Speaker 1>I think we thought we made some noise in Texas,

0:11:40.040 --> 0:11:42.560
<v Speaker 1>and we made some noise and Gary and I can't

0:11:44.120 --> 0:11:47.320
<v Speaker 1>think of anywhere else in America that it was hidden.

0:11:48.040 --> 0:11:51.240
<v Speaker 1>So that was pretty much the success of that first record.

0:11:51.240 --> 0:11:55.800
<v Speaker 1>I'm a big boy now and knowing that you guys

0:11:55.920 --> 0:12:00.840
<v Speaker 1>played the I guess you could say that the Chitland

0:12:00.840 --> 0:12:04.240
<v Speaker 1>circuit of the day, we were some of the venues

0:12:04.559 --> 0:12:08.719
<v Speaker 1>that you well, you the major venues that we used

0:12:08.760 --> 0:12:11.680
<v Speaker 1>to do the Regal Theater in Chicago, and uh was

0:12:11.720 --> 0:12:15.480
<v Speaker 1>that equivalent to the Apollo Yes, as far as the pressure, yes, well,

0:12:15.559 --> 0:12:19.520
<v Speaker 1>Chicago's version of the Apollo. You know, Regal Theater. We've

0:12:19.520 --> 0:12:23.000
<v Speaker 1>seen and open up for Jackie Wilson, Gladys Night, Bobby

0:12:23.000 --> 0:12:27.080
<v Speaker 1>Taylor in the Vancouver's. We were basically a local band

0:12:27.160 --> 0:12:30.160
<v Speaker 1>that the pros used to come through Chicago and we

0:12:30.160 --> 0:12:33.599
<v Speaker 1>we were the opening act. And uh, every once in

0:12:33.600 --> 0:12:35.880
<v Speaker 1>a while we'll go to the Uptown in Philly and

0:12:35.920 --> 0:12:38.320
<v Speaker 1>we'll go to the Apollo Theater here in New York.

0:12:38.440 --> 0:12:41.840
<v Speaker 1>And uh, that was pretty much the big, big dates

0:12:42.000 --> 0:12:45.320
<v Speaker 1>for us. So I would assume that your dad would

0:12:45.360 --> 0:12:49.240
<v Speaker 1>do all the driving. We had this other man by

0:12:49.280 --> 0:12:51.480
<v Speaker 1>the name of Jack Richardson who was a friend of

0:12:51.520 --> 0:12:54.080
<v Speaker 1>my father. He would do a lot of the driving

0:12:54.240 --> 0:12:57.280
<v Speaker 1>because my father would work sometime and Jack Richardson would

0:12:57.280 --> 0:12:59.839
<v Speaker 1>take us to the performances. Why ask my father want

0:12:59.880 --> 0:13:04.360
<v Speaker 1>to work? I'm just trying to imagine how all the

0:13:04.400 --> 0:13:06.959
<v Speaker 1>equipment and there's no such thing as backline and all

0:13:06.960 --> 0:13:11.920
<v Speaker 1>that stuff. So yeah, we had a votewagon bus vowagon bus,

0:13:11.960 --> 0:13:15.160
<v Speaker 1>so would load everything in the bus and back then

0:13:15.240 --> 0:13:17.520
<v Speaker 1>you travel with your own PA system as well as

0:13:17.520 --> 0:13:19.360
<v Speaker 1>your amps and everything. That's what I'm saying, Like, how

0:13:19.400 --> 0:13:23.760
<v Speaker 1>did you guys squeeze? We slept on the amps. We

0:13:23.800 --> 0:13:26.600
<v Speaker 1>slept and sat on the amps. So we took all

0:13:26.600 --> 0:13:30.439
<v Speaker 1>the seats out of the car. Okay, I'm trying to

0:13:30.480 --> 0:13:32.200
<v Speaker 1>figure out the configuration and how did you get the

0:13:32.240 --> 0:13:34.520
<v Speaker 1>amps and the seats and there? I wish you guys

0:13:34.520 --> 0:13:37.720
<v Speaker 1>can see the look on his face. I mean, there's

0:13:37.720 --> 0:13:39.920
<v Speaker 1>a fift passenger van we run. No, no, no, they're

0:13:40.000 --> 0:13:43.319
<v Speaker 1>driving way further than you guys do in this uncomfortable situation.

0:13:43.720 --> 0:13:45.800
<v Speaker 1>In the beginning, we didn't get our first tour bus

0:13:45.800 --> 0:13:51.360
<v Speaker 1>to like our second album, so listen to compare in nineties. No,

0:13:51.520 --> 0:13:53.920
<v Speaker 1>I'm just saying, I get I've never thought about taking

0:13:53.920 --> 0:13:58.080
<v Speaker 1>out the seats. Okay, it makes sense you hello, uncomfortable,

0:13:58.200 --> 0:14:02.600
<v Speaker 1>but pre seat belts too, kind of middle passage jurish

0:14:02.880 --> 0:14:05.600
<v Speaker 1>pre seatbelts exactly? Do you remember us since you were

0:14:05.679 --> 0:14:08.079
<v Speaker 1>a teenager at this time, right, y'all are touring you're

0:14:08.080 --> 0:14:11.079
<v Speaker 1>a teenager, Yes, I was a young teenager, maybe twelve

0:14:11.160 --> 0:14:13.000
<v Speaker 1>thirteen years old. Do you remember what it was like

0:14:13.120 --> 0:14:16.880
<v Speaker 1>going to these different cities and this time of it

0:14:17.000 --> 0:14:23.040
<v Speaker 1>was exciting, you know. I remembers, oh yeah, I remember

0:14:23.080 --> 0:14:24.760
<v Speaker 1>all that. They used to put us in the back

0:14:24.800 --> 0:14:28.240
<v Speaker 1>of the hotel near the dumpsters. You know, we were

0:14:28.280 --> 0:14:30.720
<v Speaker 1>little kids making a lot of noise and they wanted

0:14:30.800 --> 0:14:34.200
<v Speaker 1>us away from the front desk. Really so oh yeah,

0:14:34.240 --> 0:14:37.640
<v Speaker 1>there in the hallways and exactly, and we did it all.

0:14:38.400 --> 0:14:46.280
<v Speaker 1>So can you finally put the official stamp on who

0:14:46.320 --> 0:14:50.440
<v Speaker 1>brought you the Motown? I understand that it was actually

0:14:50.440 --> 0:14:54.400
<v Speaker 1>it was two people. I say it's responsible for bringing

0:14:54.480 --> 0:14:57.440
<v Speaker 1>us to Motown, and that would be Gladys Night. Okay,

0:14:57.480 --> 0:15:02.000
<v Speaker 1>because she tells me the story every time. I'm you're

0:15:02.040 --> 0:15:04.920
<v Speaker 1>one of like twelve people. Now, No, Glad's Night, glad

0:15:04.920 --> 0:15:07.880
<v Speaker 1>It's night, big big instrumental uh and Bobby Taylor of

0:15:07.960 --> 0:15:12.160
<v Speaker 1>the Vancours and UH. Basically with Diana Ross, the story

0:15:12.200 --> 0:15:15.240
<v Speaker 1>with Dinah Ross were just basically she presented us through

0:15:15.280 --> 0:15:18.480
<v Speaker 1>the world market. Yes, she had just gone solo that

0:15:18.560 --> 0:15:20.080
<v Speaker 1>she was getting ready to her first solo record at

0:15:20.120 --> 0:15:22.160
<v Speaker 1>the time too, right, so that would have been like

0:15:22.200 --> 0:15:24.840
<v Speaker 1>she had did it or what getting ready? But they

0:15:24.920 --> 0:15:28.440
<v Speaker 1>used Dinah Ross presents to Jackson five. Yeah, Barry was

0:15:28.480 --> 0:15:33.560
<v Speaker 1>thinking of marketing and mind you Uh, Tommy Chong was

0:15:33.720 --> 0:15:36.440
<v Speaker 1>Oh yeah, Tommy Chong was a get our player. Then

0:15:37.240 --> 0:15:44.280
<v Speaker 1>Bobby Taylor. Um, so how long was it till after

0:15:44.680 --> 0:15:49.000
<v Speaker 1>that um audition at Motel at least the one that

0:15:49.040 --> 0:15:52.320
<v Speaker 1>we saw that where it was like official. Not long.

0:15:52.400 --> 0:15:55.000
<v Speaker 1>They got us in the studio pretty much right away.

0:15:55.200 --> 0:15:57.120
<v Speaker 1>You know, we were in the studio within a month.

0:15:57.680 --> 0:16:00.200
<v Speaker 1>And uh. But the thing about it where we had

0:16:00.280 --> 0:16:03.520
<v Speaker 1>did that audition, we didn't think we would be signed

0:16:03.520 --> 0:16:06.320
<v Speaker 1>because Barry was in a corner, very stern. He would

0:16:06.400 --> 0:16:08.720
<v Speaker 1>didn't show no expression, and we were like doing that

0:16:08.880 --> 0:16:11.480
<v Speaker 1>things say do he like us? And this and that?

0:16:11.680 --> 0:16:14.360
<v Speaker 1>And we had heard he don't want more children on

0:16:14.440 --> 0:16:17.080
<v Speaker 1>his label. He having a hard time with Stevie Wonder

0:16:17.120 --> 0:16:21.240
<v Speaker 1>with the social workers. He can't record you already had

0:16:21.360 --> 0:16:23.560
<v Speaker 1>him in the studio for four hours. I gotta take

0:16:23.640 --> 0:16:26.160
<v Speaker 1>him home. He got work, he got school tomorrow. Say

0:16:26.160 --> 0:16:28.680
<v Speaker 1>what I'm gonna do with five kids? I can't handle one?

0:16:29.600 --> 0:16:32.040
<v Speaker 1>And uh, I guess it was Gladys and Bobby that

0:16:32.120 --> 0:16:35.320
<v Speaker 1>convinced him that you have to hear these children because

0:16:35.320 --> 0:16:38.720
<v Speaker 1>I always wanted a thing on that tape. Michael asked,

0:16:38.720 --> 0:16:41.200
<v Speaker 1>how is that or something like, sir and I never

0:16:41.280 --> 0:16:46.640
<v Speaker 1>knew what the answer was like. Yeah, speaking of five

0:16:46.760 --> 0:16:51.120
<v Speaker 1>kids from the Chicago Land area, go back to promotean

0:16:51.200 --> 0:16:53.440
<v Speaker 1>a little bit. Were the Five Stairs Steps? Were you

0:16:53.440 --> 0:16:57.760
<v Speaker 1>guys like in competition with him constantly? We were friends,

0:16:57.800 --> 0:16:59.960
<v Speaker 1>you know, Our Stealth Steps is a great group. They

0:17:00.000 --> 0:17:02.640
<v Speaker 1>a young group like Jackson's War back then, and they

0:17:02.680 --> 0:17:04.600
<v Speaker 1>had a song out by the name of ou Chaw.

0:17:05.320 --> 0:17:07.680
<v Speaker 1>It was made a lout of noise at that time.

0:17:07.760 --> 0:17:11.240
<v Speaker 1>And they used to travel. We would travel right behind

0:17:11.280 --> 0:17:13.639
<v Speaker 1>them or with them or what have you. Yeah, I

0:17:13.640 --> 0:17:19.119
<v Speaker 1>was gonna say, um between the Silvers of Tennessee, especially

0:17:19.160 --> 0:17:24.160
<v Speaker 1>because they got such an early start. Um. Leon told

0:17:24.200 --> 0:17:26.080
<v Speaker 1>us that from Indiana to well he was born in

0:17:26.080 --> 0:17:30.560
<v Speaker 1>Indiana in Southend where I'm from. That I forgot about Leon. Yeah,

0:17:30.600 --> 0:17:32.800
<v Speaker 1>well I didn't know that. I totally forgot about that.

0:17:33.119 --> 0:17:36.120
<v Speaker 1>So I mean, I'll never forget that man. Of course,

0:17:36.280 --> 0:17:41.600
<v Speaker 1>everybody born in Indiana, I remember. So was it when

0:17:41.680 --> 0:17:44.480
<v Speaker 1>when it's time to do these shows? Um, and I

0:17:44.520 --> 0:17:47.320
<v Speaker 1>forgot even the emotions said that they were running to

0:17:47.359 --> 0:17:50.879
<v Speaker 1>you guys often. Oh yeah, the emotions, and said we

0:17:50.960 --> 0:17:52.840
<v Speaker 1>used to run into our emotions. And back in the

0:17:52.920 --> 0:17:55.520
<v Speaker 1>day it wasn't Earthwaring as far. They were called the

0:17:55.560 --> 0:18:01.000
<v Speaker 1>T Box Simmons. It was a band. Yeah, there was

0:18:01.040 --> 0:18:03.840
<v Speaker 1>in a band called T Box Simmons and they would

0:18:03.880 --> 0:18:08.919
<v Speaker 1>play the same place, uh, the Hushaparral. And yeah, we

0:18:09.000 --> 0:18:12.239
<v Speaker 1>came up with those guys as well and emotions. So

0:18:12.320 --> 0:18:15.200
<v Speaker 1>you're saying that a month after that audition, you guys

0:18:15.240 --> 0:18:17.680
<v Speaker 1>got the news that you got accepted to motewl Oh. Yeah,

0:18:17.720 --> 0:18:19.520
<v Speaker 1>we got that. Matter of fact that we got that

0:18:19.560 --> 0:18:22.720
<v Speaker 1>pretty much at the audition because he walked over to

0:18:22.800 --> 0:18:25.239
<v Speaker 1>us after he had we had finished our audition and

0:18:25.840 --> 0:18:27.560
<v Speaker 1>we didn't know what he was going to say. He

0:18:27.560 --> 0:18:30.560
<v Speaker 1>walked over and said, I'm going to take your first

0:18:30.560 --> 0:18:35.560
<v Speaker 1>three records number one. Oh okay, we said, what that

0:18:35.680 --> 0:18:38.800
<v Speaker 1>was unheard of, especially about black artists. You know, three

0:18:38.800 --> 0:18:42.000
<v Speaker 1>records number one in the country, you know all the

0:18:42.119 --> 0:18:46.119
<v Speaker 1>charts he did four times. Yeah, yeah, so he did

0:18:46.200 --> 0:18:50.880
<v Speaker 1>it four times. When do you officially consider like your

0:18:51.160 --> 0:18:56.440
<v Speaker 1>last day or period in Gary, Indiana as in rear

0:18:56.520 --> 0:19:02.159
<v Speaker 1>view mirror, never turning back, we're being too well. We

0:19:02.280 --> 0:19:07.520
<v Speaker 1>moved to California back in nineteen sixty nine, and uh,

0:19:07.880 --> 0:19:11.080
<v Speaker 1>it was funny because our neighbor, uh this young lady

0:19:11.080 --> 0:19:13.560
<v Speaker 1>by the name of Brenda White. She's always said, you

0:19:13.680 --> 0:19:16.160
<v Speaker 1>Jackson's all of you guys in that little house making

0:19:16.200 --> 0:19:20.320
<v Speaker 1>all that. No, y'all ain't going nowhere, So you know

0:19:20.359 --> 0:19:25.240
<v Speaker 1>our motivations Gary, Indiana, I was like, wait, who lived

0:19:25.240 --> 0:19:33.760
<v Speaker 1>in Beverly Hills. Brenda used to say, my friend sing that,

0:19:33.880 --> 0:19:37.359
<v Speaker 1>just keep watching, you'll see you'll see y'all. Ever circle

0:19:37.440 --> 0:19:39.800
<v Speaker 1>back to her, please tell me I haven't seen her

0:19:39.840 --> 0:19:50.080
<v Speaker 1>since well. I mean, of course, of my observations with

0:19:50.119 --> 0:19:52.960
<v Speaker 1>you guys is that your family was really the first

0:19:53.000 --> 0:20:00.280
<v Speaker 1>to reap the benefits of the I have a dreams beach.

0:20:01.000 --> 0:20:06.160
<v Speaker 1>I consider you guys really the first beneficiaries of kind

0:20:06.160 --> 0:20:09.439
<v Speaker 1>of the accumulated whatever was being fought for for the

0:20:09.480 --> 0:20:14.000
<v Speaker 1>civil rights movement. You guys were the beginning of that dream.

0:20:14.080 --> 0:20:15.879
<v Speaker 1>And then people see you guys and they want to

0:20:15.880 --> 0:20:17.720
<v Speaker 1>do great and so on and so on and so forth.

0:20:18.280 --> 0:20:24.000
<v Speaker 1>So but I know that being the first, and by

0:20:24.040 --> 0:20:29.040
<v Speaker 1>being the first, really being like the loan black faces

0:20:29.080 --> 0:20:32.920
<v Speaker 1>and a lot of white spaces and being first. How

0:20:33.040 --> 0:20:39.360
<v Speaker 1>fish out of water was your experience moving to Los Angeles.

0:20:39.359 --> 0:20:41.640
<v Speaker 1>I'm assuming that you guys lived in Beverly Hills first

0:20:41.760 --> 0:20:44.520
<v Speaker 1>or yeah, we lived in Hollywood first in this creek

0:20:44.560 --> 0:20:48.760
<v Speaker 1>called Queen's Road, and then we moved to Beverly Hills.

0:20:48.760 --> 0:20:52.240
<v Speaker 1>But it was really exciting. You know, We've never seen

0:20:52.280 --> 0:20:54.879
<v Speaker 1>a palm tree or anything like that, so just the

0:20:55.040 --> 0:20:58.080
<v Speaker 1>land in l a X Airport, it was like exciting

0:20:58.160 --> 0:21:00.840
<v Speaker 1>seeing the lights and the palm tree easing, the weather

0:21:01.040 --> 0:21:04.199
<v Speaker 1>so tropical and all these things. It was like paradise

0:21:04.240 --> 0:21:07.840
<v Speaker 1>to us. Nobody wanted to go back to Gary, Indiana

0:21:07.840 --> 0:21:10.840
<v Speaker 1>at that time, cole winners, you know, freezing and walking

0:21:10.880 --> 0:21:13.800
<v Speaker 1>to school and three and four foot snow, you know,

0:21:14.000 --> 0:21:17.240
<v Speaker 1>who want that? But was there ever a feeling like,

0:21:18.000 --> 0:21:20.320
<v Speaker 1>at least what my experiences where I know, like I'm

0:21:20.320 --> 0:21:24.280
<v Speaker 1>the loon shark in a odd situation. And I don't

0:21:24.280 --> 0:21:27.280
<v Speaker 1>mean like a NodD situation like everything's like rednecked now South,

0:21:27.400 --> 0:21:33.040
<v Speaker 1>but I just mean like showing up, you know, and

0:21:33.080 --> 0:21:35.200
<v Speaker 1>I'm the only black person here, or that that sort

0:21:35.240 --> 0:21:38.240
<v Speaker 1>of thing. We were always motivating and anxious and ready

0:21:38.280 --> 0:21:40.520
<v Speaker 1>to do whatever it took. And what you guys never

0:21:40.600 --> 0:21:43.200
<v Speaker 1>felt like, no, no, we've never had those feelings or

0:21:43.320 --> 0:21:46.240
<v Speaker 1>felt uncomfortable. No, not really until they put us in

0:21:46.240 --> 0:21:52.119
<v Speaker 1>the back by the garbage cast. Oh Motown period of touring.

0:21:52.320 --> 0:21:59.200
<v Speaker 1>Oh yeah, yeah, we was just loud. We deserved to

0:21:59.200 --> 0:22:01.679
<v Speaker 1>give it at this trash. So did you think at

0:22:01.720 --> 0:22:08.040
<v Speaker 1>that point be rigorous rehearsals and schedules would slow down

0:22:08.200 --> 0:22:11.600
<v Speaker 1>somewhat a little bit? They didn't. They increase, a matter

0:22:11.600 --> 0:22:14.000
<v Speaker 1>of fact, But did you think that it would. I

0:22:14.080 --> 0:22:16.040
<v Speaker 1>thought we made it and that means you don't have

0:22:16.160 --> 0:22:18.840
<v Speaker 1>to do too much of that type of thing, you know.

0:22:18.920 --> 0:22:21.840
<v Speaker 1>But of course you know quests as a musician that

0:22:21.920 --> 0:22:24.760
<v Speaker 1>you gotta keep it going, baby, you gotta rehearse. And

0:22:25.800 --> 0:22:31.120
<v Speaker 1>Motown rehearsed us very very very hard. They went through

0:22:31.160 --> 0:22:35.200
<v Speaker 1>every little move, every step everything. Okay, So in the

0:22:35.320 --> 0:22:39.439
<v Speaker 1>Motown period, what would now that you're in l A,

0:22:39.600 --> 0:22:43.800
<v Speaker 1>what is your typical itinerary? There? We would go to school,

0:22:44.480 --> 0:22:47.760
<v Speaker 1>whichol we went to private school. At first. I went

0:22:47.800 --> 0:22:51.119
<v Speaker 1>to public school, to school called Fairfax High and Los

0:22:51.119 --> 0:22:55.040
<v Speaker 1>Angeles and that only lasted so long until after the

0:22:55.320 --> 0:22:58.919
<v Speaker 1>Sullivan Show and the hit records, the students chase us away.

0:23:00.240 --> 0:23:02.959
<v Speaker 1>That we moved to Beverly Hills and I went to

0:23:03.040 --> 0:23:06.960
<v Speaker 1>another school by the name of Universal High School, and

0:23:07.040 --> 0:23:09.800
<v Speaker 1>that last I was in that school two months. Then

0:23:09.840 --> 0:23:12.280
<v Speaker 1>they figured out, we can't go to a public school.

0:23:12.640 --> 0:23:16.120
<v Speaker 1>So you guys were just that too famous to even do. Yeah,

0:23:16.119 --> 0:23:18.840
<v Speaker 1>we had a few hit records out and the kids

0:23:18.920 --> 0:23:22.560
<v Speaker 1>were like recognizing us and they would peak in the

0:23:22.680 --> 0:23:26.160
<v Speaker 1>class and that whole thing and screaming girls running down

0:23:26.200 --> 0:23:28.320
<v Speaker 1>the hall and that whole thing. How did I feel?

0:23:29.119 --> 0:23:31.439
<v Speaker 1>I mean, didn't feel like a goldfish or like it was.

0:23:31.640 --> 0:23:33.720
<v Speaker 1>It was kind of scary because all the all the

0:23:33.800 --> 0:23:38.960
<v Speaker 1>dudes wanted to your butt, jealousy, jealous and that whole thing,

0:23:39.080 --> 0:23:41.119
<v Speaker 1>you know. So they figured, these guys can't go to

0:23:41.160 --> 0:23:43.159
<v Speaker 1>school here, we got to put him in a private school.

0:23:43.359 --> 0:23:48.960
<v Speaker 1>How close was for your public school experiences? How close

0:23:49.080 --> 0:23:51.879
<v Speaker 1>was what we know as l a gang culture in

0:23:51.920 --> 0:23:55.280
<v Speaker 1>those public schools? Like did you have to worry about that? Well?

0:23:55.320 --> 0:23:59.119
<v Speaker 1>I remember, I remember my brother was dating this young

0:23:59.240 --> 0:24:03.080
<v Speaker 1>lady body and they Kathy Bockham and Dorsey High School

0:24:03.200 --> 0:24:06.480
<v Speaker 1>is in Gary as well, not Gary, I'm sorry, Los Angeles,

0:24:07.240 --> 0:24:11.560
<v Speaker 1>and talking about Jackie Jackie and this other guy from

0:24:11.600 --> 0:24:15.160
<v Speaker 1>Dorsey really dug this girl and he came over, brought

0:24:15.200 --> 0:24:19.520
<v Speaker 1>about four or five guys over to Fairfax, calling theirself

0:24:19.640 --> 0:24:22.600
<v Speaker 1>gonna whoop my butt, you know, and they didn't know

0:24:22.680 --> 0:24:27.360
<v Speaker 1>that we're from Gary and you may sing and talk

0:24:27.400 --> 0:24:29.760
<v Speaker 1>about ABC and girl, I think I love you, but

0:24:29.880 --> 0:24:32.560
<v Speaker 1>we can put some but when we have to, because

0:24:33.320 --> 0:24:36.000
<v Speaker 1>we grew up in the hood, you know, and my

0:24:36.119 --> 0:24:39.440
<v Speaker 1>father had always told us to take care of ourselves

0:24:39.480 --> 0:24:41.960
<v Speaker 1>because what he would do he would invite all the

0:24:42.040 --> 0:24:45.800
<v Speaker 1>kids in the neighborhood over on Saturdays and have boxing matches,

0:24:46.440 --> 0:24:49.600
<v Speaker 1>make us box the kids, and that wasn't I was

0:24:49.640 --> 0:24:52.240
<v Speaker 1>wondering how real that team was. Oh yeah, oh yeah.

0:24:52.320 --> 0:24:54.040
<v Speaker 1>I was gonna ask you, how much should we consider

0:24:54.119 --> 0:24:57.920
<v Speaker 1>of that story, the Jackson, the story that is referring

0:24:57.960 --> 0:25:02.080
<v Speaker 1>to the American Dream? How much a lot of it

0:25:02.080 --> 0:25:04.600
<v Speaker 1>is true? You know, my father was rough, but he

0:25:04.720 --> 0:25:08.800
<v Speaker 1>wasn't as rough as they portrayed him. They dramatized he's

0:25:08.800 --> 0:25:25.800
<v Speaker 1>a black daddy, right, I haven't left daddy anywhere. So yeah,

0:25:25.800 --> 0:25:29.520
<v Speaker 1>I was gonna say, how often was the That's the

0:25:29.560 --> 0:25:33.040
<v Speaker 1>thing I never had because you know, because the age

0:25:33.040 --> 0:25:35.560
<v Speaker 1>gap between me and my siblings. What your last name

0:25:35.600 --> 0:25:43.159
<v Speaker 1>is love? So that now I never I never had that,

0:25:43.280 --> 0:25:46.560
<v Speaker 1>Like you'nna get my brother, you know, like that's that's

0:25:46.600 --> 0:25:49.440
<v Speaker 1>the one thing you never mess You would never mess

0:25:49.480 --> 0:25:51.920
<v Speaker 1>with Yeah, you would never mess with the youngest person

0:25:52.000 --> 0:25:54.640
<v Speaker 1>on any block, because they could always say I'm gonna

0:25:54.640 --> 0:25:57.960
<v Speaker 1>get my cousin you Like, that's what that freshion on

0:25:58.040 --> 0:25:59.640
<v Speaker 1>Tito because he wanted to Oh yeah, I was about

0:25:59.640 --> 0:26:01.760
<v Speaker 1>to say. He always thought you were the oldest. Any

0:26:02.040 --> 0:26:04.760
<v Speaker 1>I'm not. I'm not I'm not your Yeah, I'm like

0:26:05.240 --> 0:26:08.280
<v Speaker 1>two and a half years younger than Jackie. But Jermaine

0:26:08.359 --> 0:26:12.320
<v Speaker 1>used to always start fights in the elementary school and

0:26:12.480 --> 0:26:16.760
<v Speaker 1>carry and he was started. He was started. Then leave

0:26:16.840 --> 0:26:19.440
<v Speaker 1>me there to fight his battle. Didn't run home and

0:26:19.480 --> 0:26:26.440
<v Speaker 1>say mother, Tito fighting. Yeah, he did that part a

0:26:26.480 --> 0:26:29.879
<v Speaker 1>few times. Socially, how do you guys pair off as

0:26:29.920 --> 0:26:36.080
<v Speaker 1>far as peers? Like who is your Yeah, I know

0:26:36.200 --> 0:26:38.320
<v Speaker 1>that all of you are close, YadA, YadA, YadA whatever,

0:26:38.680 --> 0:26:41.680
<v Speaker 1>but like who's your road dog? Who? Who are who

0:26:41.720 --> 0:26:44.119
<v Speaker 1>are the road dog groups in the Jackson family or

0:26:44.480 --> 0:26:48.359
<v Speaker 1>Jermaine and I hunger I hung out together, Um, Martin

0:26:48.440 --> 0:26:51.520
<v Speaker 1>and Michael course hung together. And Jackie just mingled damn

0:26:51.560 --> 0:26:54.399
<v Speaker 1>with all of us. He was like big brother telling

0:26:54.560 --> 0:26:57.159
<v Speaker 1>us what to do. It's time to rehearse. No, you

0:26:57.240 --> 0:26:59.159
<v Speaker 1>can't do that. We got to rehearse. You know, so

0:26:59.320 --> 0:27:02.040
<v Speaker 1>he's the alpha. Yeah, yeah, he was father figure, he

0:27:02.200 --> 0:27:06.359
<v Speaker 1>was older than everyone, the responsible, yes, okay, who was

0:27:06.400 --> 0:27:10.399
<v Speaker 1>the snitch in the family, the tattle tale? Hold, okay,

0:27:10.960 --> 0:27:14.720
<v Speaker 1>tell everything? He tells so much you tell on the South,

0:27:14.800 --> 0:27:20.240
<v Speaker 1>you don't even That's usually how it works out the family.

0:27:20.640 --> 0:27:23.239
<v Speaker 1>You know what, you're You're right about that, You're right

0:27:23.280 --> 0:27:28.480
<v Speaker 1>about that. There's um uh. Harry from Motown once played

0:27:28.480 --> 0:27:31.720
<v Speaker 1>me in tape of there's an ep K, well not

0:27:31.840 --> 0:27:36.040
<v Speaker 1>an ePK, but kind of an audio ePK of just

0:27:36.119 --> 0:27:38.160
<v Speaker 1>like you know, rapping with the Jackson five whatever, where

0:27:38.160 --> 0:27:40.119
<v Speaker 1>you guys are just talking for a half hour about

0:27:40.680 --> 0:27:45.359
<v Speaker 1>your hobbies and all that stuff. But Jermaine all of

0:27:45.520 --> 0:27:49.840
<v Speaker 1>his all of his portions were about like kind of

0:27:49.960 --> 0:27:52.920
<v Speaker 1>provoking the brothers like Michael, maybe that time when you

0:27:53.000 --> 0:27:56.280
<v Speaker 1>got in trouble for Dada Da Da and Tito. Remember

0:27:56.359 --> 0:27:57.840
<v Speaker 1>that time you got in trouble. I was like, yo,

0:27:58.080 --> 0:28:05.000
<v Speaker 1>like why he said, what the hell? Um what? I'm

0:28:05.119 --> 0:28:09.640
<v Speaker 1>also very curious about, uh, you and your brother Jermaine's

0:28:09.720 --> 0:28:15.399
<v Speaker 1>craft as um as guitarists and bass players. Now, I

0:28:15.520 --> 0:28:18.320
<v Speaker 1>know that Motown had a strict system, which, of course

0:28:18.440 --> 0:28:21.320
<v Speaker 1>you long to get away from once you went to Epic.

0:28:22.080 --> 0:28:27.359
<v Speaker 1>But I will say that based on the evidence of

0:28:28.880 --> 0:28:31.960
<v Speaker 1>a lot of live tapes that I've heard of the

0:28:32.040 --> 0:28:39.800
<v Speaker 1>concerts and uh, especially with going to Indiana, the special

0:28:40.960 --> 0:28:46.000
<v Speaker 1>going back to Indiana, that yeah, you two were at

0:28:46.040 --> 0:28:49.440
<v Speaker 1>the top of your game as far as like covering,

0:28:51.280 --> 0:28:56.240
<v Speaker 1>like really in and in fine form, what the Funk

0:28:56.280 --> 0:28:59.360
<v Speaker 1>Brothers would do on record and all those things. Because

0:28:59.640 --> 0:29:03.280
<v Speaker 1>back of the Jackson Five early days of doing concert tours,

0:29:03.840 --> 0:29:08.080
<v Speaker 1>our band contents consists of myself and Germaine and Ronnie

0:29:08.160 --> 0:29:12.400
<v Speaker 1>Ransoffer on oregon and Johnny Jackson on drums, and that

0:29:12.560 --> 0:29:16.840
<v Speaker 1>was the band. So how often were you who was

0:29:16.880 --> 0:29:20.160
<v Speaker 1>the m d of that particular of just being rehearsals?

0:29:20.800 --> 0:29:25.120
<v Speaker 1>Actually I was, you know, I was pretty much. How

0:29:25.200 --> 0:29:28.480
<v Speaker 1>were the early shows crafted? Not the adult period of

0:29:28.480 --> 0:29:32.200
<v Speaker 1>the Jackson's but like the early shows, Well, you're talking

0:29:32.320 --> 0:29:35.520
<v Speaker 1>prior to Motown, not prior to Motown like once you

0:29:35.560 --> 0:29:38.440
<v Speaker 1>guys were doing Motown. Because one one thing that I

0:29:38.520 --> 0:29:41.160
<v Speaker 1>think that our audience doesn't understand, like when you're on

0:29:41.240 --> 0:29:45.200
<v Speaker 1>your first two records, sometimes you have to do cover songs.

0:29:45.360 --> 0:29:49.680
<v Speaker 1>We did cover and we did a lot of the

0:29:49.760 --> 0:29:52.760
<v Speaker 1>album album songs we had, but a lot of those

0:29:52.800 --> 0:29:57.160
<v Speaker 1>songs were covers as well, So basically that's what we did.

0:29:57.240 --> 0:30:02.320
<v Speaker 1>We covered temptations or whether it was four Tops or whoever. Yeah,

0:30:02.360 --> 0:30:06.880
<v Speaker 1>we did a lot of covers. Then who were you, Well,

0:30:06.920 --> 0:30:10.600
<v Speaker 1>I'm curious about your record collection, like by the by

0:30:10.680 --> 0:30:12.480
<v Speaker 1>the time that you moved to l am certain that

0:30:13.360 --> 0:30:18.520
<v Speaker 1>you sort of cumulated and the Miracles of course, all

0:30:18.600 --> 0:30:22.000
<v Speaker 1>the Motown attempts and all that kind of stuff. Oh jays,

0:30:22.040 --> 0:30:24.080
<v Speaker 1>we follow who was your go to like your favorite

0:30:24.360 --> 0:30:27.080
<v Speaker 1>who were your Jackson's? Like, who is your favorite group?

0:30:27.200 --> 0:30:30.120
<v Speaker 1>Was the Temptationous really as far as a group, Yes,

0:30:30.240 --> 0:30:33.920
<v Speaker 1>Temptationous We love to sly Okay, So were you guys

0:30:33.960 --> 0:30:36.480
<v Speaker 1>at all thrown off being as though you were able

0:30:36.520 --> 0:30:38.440
<v Speaker 1>to see in real time? Were you kind of thrown

0:30:38.480 --> 0:30:42.880
<v Speaker 1>off by the Norman Whitfield period of that group, like

0:30:43.040 --> 0:30:45.920
<v Speaker 1>to go from what they were the smooth presentation of

0:30:46.040 --> 0:30:48.360
<v Speaker 1>what I assume that is the blueprint of what you

0:30:48.440 --> 0:30:52.800
<v Speaker 1>guys were. Two suddenly they're hippie. Let's keep up with

0:30:52.840 --> 0:30:58.000
<v Speaker 1>sly Stone period I think seventeen minute intros And yeah,

0:30:58.080 --> 0:31:01.440
<v Speaker 1>we were basically just trying to follow out you know, uh,

0:31:01.800 --> 0:31:04.800
<v Speaker 1>for Sly and the family Stone is very musical. You know,

0:31:04.960 --> 0:31:08.600
<v Speaker 1>they're a little different type of setup than a Temptations

0:31:08.800 --> 0:31:12.080
<v Speaker 1>Stations type of group. They're more musical, so and we

0:31:12.240 --> 0:31:14.880
<v Speaker 1>enjoyed that, you know, like songs like thank You and

0:31:14.960 --> 0:31:18.280
<v Speaker 1>all this stuff. You know, Sly was the man. You know,

0:31:18.400 --> 0:31:21.080
<v Speaker 1>we love Billy Preston as well. Were you able to

0:31:21.600 --> 0:31:24.840
<v Speaker 1>go to concert like how often would you see other

0:31:24.920 --> 0:31:28.400
<v Speaker 1>shows that weren't you any time off? Not that off

0:31:28.520 --> 0:31:30.960
<v Speaker 1>unless you're on the show or were running across some

0:31:31.640 --> 0:31:38.320
<v Speaker 1>somewhere somehow. Yeah, was there any act that not even

0:31:38.480 --> 0:31:42.640
<v Speaker 1>feeling like they might be a threat, but like that's

0:31:42.680 --> 0:31:44.640
<v Speaker 1>the level we need to get to. Like the stair

0:31:44.720 --> 0:31:47.320
<v Speaker 1>Steps five Stairsteps was one of those groups that we

0:31:47.480 --> 0:31:49.960
<v Speaker 1>used to look at and say, that's what we have

0:31:50.160 --> 0:31:52.760
<v Speaker 1>to be, like you know, or that was that rival

0:31:52.960 --> 0:31:55.120
<v Speaker 1>you know how you have a rival group or whatever?

0:31:55.200 --> 0:31:57.360
<v Speaker 1>Oh yeah, what was it? Because I've only seen like

0:31:57.440 --> 0:32:00.360
<v Speaker 1>maybe one or two performances of theirs, Like what was

0:32:00.400 --> 0:32:03.840
<v Speaker 1>it about their presentation that well? I think we love

0:32:03.920 --> 0:32:06.320
<v Speaker 1>the way they dressed, the way they carried themselves, and

0:32:06.360 --> 0:32:09.480
<v Speaker 1>they were professionals. You know, we were trying to get

0:32:09.560 --> 0:32:13.440
<v Speaker 1>to that stage in our game, you know, so they

0:32:13.560 --> 0:32:16.800
<v Speaker 1>had it already. They would come over to the policy

0:32:17.000 --> 0:32:20.240
<v Speaker 1>and just tear it up. The young ladies would scream

0:32:20.360 --> 0:32:23.840
<v Speaker 1>and holler and chased them all stage, and that's what

0:32:24.000 --> 0:32:28.160
<v Speaker 1>we want. How how frightening was the Apollo experience even

0:32:28.240 --> 0:32:30.920
<v Speaker 1>though I mean I'm talking about past amateur hour, once

0:32:30.960 --> 0:32:33.400
<v Speaker 1>you guys were even established, Like, was there still feel

0:32:33.720 --> 0:32:37.920
<v Speaker 1>fear of like we still better rocket or else? Yeah? Yeah,

0:32:38.080 --> 0:32:43.680
<v Speaker 1>we never really concentrated on, uh like trying to go

0:32:43.960 --> 0:32:47.080
<v Speaker 1>pass what we thought we could have been. We just

0:32:47.200 --> 0:32:49.800
<v Speaker 1>did what we can do, did our best at what

0:32:49.920 --> 0:32:52.880
<v Speaker 1>we could do, and that that usually turned out to

0:32:52.960 --> 0:32:58.560
<v Speaker 1>be pretty cool. So that's where that was. Um. I

0:32:58.680 --> 0:33:01.960
<v Speaker 1>know that in the vaults and Moved Town there are

0:33:02.240 --> 0:33:07.800
<v Speaker 1>hundreds like TUPAC level, Prince level of volume of finished

0:33:07.840 --> 0:33:11.640
<v Speaker 1>recorded songs, songs that are fully mixed in everything, um,

0:33:12.320 --> 0:33:14.760
<v Speaker 1>and not you know, the final nine or ten songs

0:33:14.800 --> 0:33:17.880
<v Speaker 1>that make it. Particular Jackson's album like I think at

0:33:18.000 --> 0:33:20.760
<v Speaker 1>last count, I saw at least somewhere like two hundred

0:33:20.800 --> 0:33:28.360
<v Speaker 1>plus songs. So what what is the process of how

0:33:30.040 --> 0:33:35.000
<v Speaker 1>songs were divided or like, how did you guys make decisions? Well,

0:33:35.080 --> 0:33:37.480
<v Speaker 1>we can make that those types of these sessions. They

0:33:37.560 --> 0:33:40.080
<v Speaker 1>just told you. We would come home from school right

0:33:40.120 --> 0:33:42.800
<v Speaker 1>in the studio every day if we didn't have a

0:33:42.920 --> 0:33:47.320
<v Speaker 1>concert or on the road, would go straight to the

0:33:47.400 --> 0:33:50.600
<v Speaker 1>studio studio and do our homework in the studio, get

0:33:50.680 --> 0:33:53.360
<v Speaker 1>home about ten o'clock at night, and that was it.

0:33:53.440 --> 0:33:55.440
<v Speaker 1>We used to do a song a day, you know,

0:33:55.840 --> 0:33:58.680
<v Speaker 1>background and lead vocals, and if we had any clean up,

0:33:59.040 --> 0:34:02.400
<v Speaker 1>do it on the weekend. So, I mean, whose decision

0:34:02.560 --> 0:34:05.200
<v Speaker 1>was it? Too? Like? Was it everything? Like? Okay, So

0:34:05.360 --> 0:34:08.239
<v Speaker 1>here's some ten songs and what do you guys, what

0:34:08.320 --> 0:34:11.000
<v Speaker 1>do you guys dig? And well, I think Motile pretty

0:34:11.080 --> 0:34:14.440
<v Speaker 1>much picked the songs that we were recorded, and Uh

0:34:14.680 --> 0:34:18.400
<v Speaker 1>with Hal Davis and the corporation, Freddy Parent and all

0:34:18.480 --> 0:34:21.640
<v Speaker 1>those guys, you know, they already had it laid out

0:34:21.760 --> 0:34:25.279
<v Speaker 1>for us. They had the keys and all those type

0:34:25.280 --> 0:34:28.160
<v Speaker 1>of things, and they cut the tracks and have us

0:34:28.200 --> 0:34:30.439
<v Speaker 1>to come in later and do the vocals on them.

0:34:30.600 --> 0:34:36.000
<v Speaker 1>So the various producers James Carmichael, Hal David, Uh, the

0:34:36.520 --> 0:34:41.759
<v Speaker 1>Mozelle brothers for a second, Richards France Mizelle, who did you?

0:34:42.480 --> 0:34:48.359
<v Speaker 1>Who did you were? The brothers particularly favor as a producer. Well,

0:34:48.480 --> 0:34:52.120
<v Speaker 1>we We loved working with Hal Davis because he was funny.

0:34:52.600 --> 0:34:54.960
<v Speaker 1>He's you know. He We would joke a lot in

0:34:55.360 --> 0:34:58.400
<v Speaker 1>in the studio, and he was so serious about it

0:34:58.520 --> 0:35:01.320
<v Speaker 1>and we're little kids just plan on the mic and

0:35:02.160 --> 0:35:05.520
<v Speaker 1>not serious. And he had pushed record waiting here. We

0:35:05.760 --> 0:35:11.759
<v Speaker 1>just started laughing and come on, guys, come on you

0:35:12.239 --> 0:35:15.200
<v Speaker 1>you know. He was really really a lot of fun.

0:35:15.640 --> 0:35:19.240
<v Speaker 1>But we also enjoyed the Corporation, which was Deep Richard's

0:35:19.320 --> 0:35:23.759
<v Speaker 1>fun my Zelle and Freddy parent and Barry Gordy they

0:35:23.840 --> 0:35:26.759
<v Speaker 1>called themselves the Corporation, and they were a lot of fun.

0:35:27.120 --> 0:35:28.560
<v Speaker 1>They were a lot of fun as well. They were

0:35:28.640 --> 0:35:33.000
<v Speaker 1>young men just finishing college with the musical scholarships, and

0:35:33.320 --> 0:35:36.320
<v Speaker 1>they were great writers. So how long were you guys

0:35:36.400 --> 0:35:39.680
<v Speaker 1>given a particular song to learn and absorb? We learned

0:35:39.800 --> 0:35:45.920
<v Speaker 1>on spot, learned in the studio. Okay, So like alright,

0:35:46.000 --> 0:35:50.400
<v Speaker 1>so home Along and Dance, which songs like twelve minutes

0:35:50.520 --> 0:35:53.960
<v Speaker 1>and all of you have designated parts. So would they

0:35:54.000 --> 0:35:56.600
<v Speaker 1>take you one by one or is it just certain

0:35:56.680 --> 0:35:59.319
<v Speaker 1>parts were taken one by one, Some projects were taken

0:35:59.560 --> 0:36:02.120
<v Speaker 1>as a room. And uh, like I said, we learned

0:36:02.160 --> 0:36:05.319
<v Speaker 1>that song right on the spot. You know, we're going

0:36:05.360 --> 0:36:08.719
<v Speaker 1>to the studio and uh in the control room sit

0:36:08.840 --> 0:36:11.960
<v Speaker 1>with the producer and he'll go through with this line

0:36:12.080 --> 0:36:15.040
<v Speaker 1>that this is your life, your main this your line, Michael,

0:36:15.640 --> 0:36:18.960
<v Speaker 1>your line, brothers, this you know, and that whole thing.

0:36:19.120 --> 0:36:21.520
<v Speaker 1>So wait, can you answer a question for me? I

0:36:21.560 --> 0:36:26.320
<v Speaker 1>always wanted to know this, Okay, be honest. When the

0:36:26.960 --> 0:36:31.920
<v Speaker 1>when you guys were recording Rhythm Child, mh was there

0:36:31.920 --> 0:36:34.880
<v Speaker 1>a feeling in the air like, Okay, it's gonna be

0:36:35.120 --> 0:36:37.080
<v Speaker 1>a bigger It's gonna be bigger than the Dance Machine

0:36:37.120 --> 0:36:40.160
<v Speaker 1>because basically it's the same narrative and the same DNA

0:36:40.400 --> 0:36:43.800
<v Speaker 1>as Dancing Machine. So in my mind, I felt like

0:36:44.880 --> 0:36:47.000
<v Speaker 1>you guys really felt like she's a rhythm child. It's

0:36:47.000 --> 0:36:48.360
<v Speaker 1>going to be like the new Dance Machine in the

0:36:48.400 --> 0:36:51.560
<v Speaker 1>nineteen seventy. Well, that's the machine is on this song.

0:36:51.760 --> 0:36:55.080
<v Speaker 1>You know that song is so magical. I love this

0:36:55.200 --> 0:36:58.440
<v Speaker 1>song and I didn't think that so I was just

0:36:58.600 --> 0:37:00.960
<v Speaker 1>doing what they told us to do, Okay. I always

0:37:01.000 --> 0:37:02.800
<v Speaker 1>wanted to know who brought in I'll bet you for

0:37:02.880 --> 0:37:07.600
<v Speaker 1>the ABC album Baby, Yeah, I bet you. I can't

0:37:07.640 --> 0:37:12.600
<v Speaker 1>remember that. I think that may have been Uh, I

0:37:12.680 --> 0:37:15.879
<v Speaker 1>can't remember. I'm sorry, Well, I think Barry was hands

0:37:15.920 --> 0:37:19.759
<v Speaker 1>on at least for the ABC record as far as

0:37:20.160 --> 0:37:24.320
<v Speaker 1>navigating it, very very would let the producers work with

0:37:24.520 --> 0:37:27.960
<v Speaker 1>us and they would send a copy of the track

0:37:28.120 --> 0:37:31.000
<v Speaker 1>or whatever we had did that day to him. He

0:37:31.080 --> 0:37:33.640
<v Speaker 1>would study it. Didn't give them corner notes and they

0:37:34.200 --> 0:37:36.320
<v Speaker 1>do you guys know George Clinton at all? Or was

0:37:36.400 --> 0:37:39.920
<v Speaker 1>it just like no here random funking delic song for

0:37:40.040 --> 0:37:42.600
<v Speaker 1>you guys that we didn't know George Clinton route. I'll

0:37:42.640 --> 0:37:45.359
<v Speaker 1>bet you actually it's a funk a dellic song too.

0:37:46.440 --> 0:37:48.600
<v Speaker 1>Thank you? You knew what I was thinking? Did you

0:37:49.600 --> 0:37:53.280
<v Speaker 1>all right? So you? I mean you were prominent Contrary

0:37:53.320 --> 0:37:58.360
<v Speaker 1>to uh opinion, all the brothers had parts on records,

0:37:58.480 --> 0:38:02.520
<v Speaker 1>including Marlon. I didn't realize to maybe like maybe ten

0:38:02.600 --> 0:38:05.919
<v Speaker 1>years ago, that that's him riffing on Mama God brand

0:38:05.920 --> 0:38:08.080
<v Speaker 1>New think don't say no. In my mind, always always

0:38:08.080 --> 0:38:12.200
<v Speaker 1>your main riffing. And then I realized it once I

0:38:12.360 --> 0:38:17.879
<v Speaker 1>listened closer. But um was it was it your desire being?

0:38:18.000 --> 0:38:20.839
<v Speaker 1>So you're the only minus Marland, you were the only

0:38:20.920 --> 0:38:25.319
<v Speaker 1>one that didn't do any solo projects. Yeah, I'm well,

0:38:25.440 --> 0:38:28.400
<v Speaker 1>you know, they give me those parts that nobody wanted

0:38:29.120 --> 0:38:31.640
<v Speaker 1>you know the low part. You know, I've always had

0:38:31.719 --> 0:38:35.520
<v Speaker 1>the low voice in the family. And so, like I said,

0:38:35.640 --> 0:38:41.759
<v Speaker 1>you said, nobody wanted like yeah, well, you know, you know,

0:38:41.920 --> 0:38:47.239
<v Speaker 1>Temptations was idolized group that we are Franklin exactly. So

0:38:47.400 --> 0:38:49.960
<v Speaker 1>they looked at me like Melvin Franklin and that's where

0:38:50.000 --> 0:38:53.520
<v Speaker 1>you stay now, you low voice. So I never got

0:38:53.600 --> 0:38:59.480
<v Speaker 1>that opportunity to sing. But I didn't only sing low parts.

0:38:59.480 --> 0:39:02.520
<v Speaker 1>I would all so double of the notes in the background.

0:39:02.760 --> 0:39:05.240
<v Speaker 1>Then they put me in and do a little base

0:39:05.400 --> 0:39:08.480
<v Speaker 1>bottom part or whatever. And sometimes I'll just make up

0:39:08.520 --> 0:39:11.880
<v Speaker 1>a part just so I can be on the record too. Okay, Okay,

0:39:12.040 --> 0:39:13.200
<v Speaker 1>So you did get to do that, because I was

0:39:13.239 --> 0:39:15.400
<v Speaker 1>sitting here wondering like when did you guys get to

0:39:15.520 --> 0:39:17.600
<v Speaker 1>touch the records, because you said for the longest time,

0:39:17.880 --> 0:39:20.080
<v Speaker 1>y'all just go in, you know your parts. At what

0:39:20.200 --> 0:39:22.839
<v Speaker 1>point were you able to have a voice and saying

0:39:23.680 --> 0:39:27.000
<v Speaker 1>what do we do this? How are you feeling watching

0:39:27.080 --> 0:39:32.800
<v Speaker 1>your label mets uh, Marvin Gay and Stevie Wonder especially

0:39:32.920 --> 0:39:41.120
<v Speaker 1>go through such a creative uh kind of blossoming blossoming

0:39:41.320 --> 0:39:46.200
<v Speaker 1>that you guys weren't able to have, Like how did

0:39:46.360 --> 0:39:49.720
<v Speaker 1>how did you feel in observing, like when you're getting

0:39:49.760 --> 0:39:54.520
<v Speaker 1>your copy of Intervisions and uh fulfilling this first finale,

0:39:55.920 --> 0:39:59.000
<v Speaker 1>It's like, this is what we want to do. Well,

0:39:59.320 --> 0:40:03.680
<v Speaker 1>you know, we are always uh idolized people like Stevie,

0:40:03.800 --> 0:40:06.040
<v Speaker 1>you know, and wanted to do stuff like him, and

0:40:06.600 --> 0:40:10.880
<v Speaker 1>we actually asked to be produced by him. We did Buttercup, Yeah, exactly,

0:40:10.960 --> 0:40:13.480
<v Speaker 1>we did Buttercup and uh and you're supposed to keep

0:40:13.480 --> 0:40:16.960
<v Speaker 1>you loving me. I didn't realize that was there's a

0:40:17.040 --> 0:40:21.279
<v Speaker 1>there's an original someone, let's get serious. I didn't know

0:40:21.360 --> 0:40:24.719
<v Speaker 1>Buttercup was released. Yeah, yeah, ten years ago now, yeh

0:40:24.880 --> 0:40:27.879
<v Speaker 1>finally yeah, once. But I have a follow up question

0:40:28.040 --> 0:40:31.319
<v Speaker 1>REGARDSS when they when the motown was putting that out.

0:40:31.320 --> 0:40:33.560
<v Speaker 1>I actually got invited over to the offices to um

0:40:33.680 --> 0:40:35.200
<v Speaker 1>hear a lot of the tracks that they were going through,

0:40:36.760 --> 0:40:39.160
<v Speaker 1>and one of the tracks that they played us, um

0:40:40.320 --> 0:40:43.120
<v Speaker 1>it was I think the title was something like Tito Steak.

0:40:43.719 --> 0:40:45.680
<v Speaker 1>It was. It was. It was introduced to us as

0:40:45.680 --> 0:40:47.759
<v Speaker 1>it was going to be a Tito solo track. I've

0:40:47.760 --> 0:40:49.920
<v Speaker 1>seen that real, but I've never heard it. Yeah, actually

0:40:49.920 --> 0:40:51.360
<v Speaker 1>I got to hear it. I got to hear I

0:40:51.400 --> 0:40:53.080
<v Speaker 1>can't remember what it sounds like, but I do remember

0:40:53.120 --> 0:40:55.480
<v Speaker 1>hearing it. So what what do you remember about that?

0:40:55.600 --> 0:41:03.000
<v Speaker 1>I don't remember anything. Yeah, don't even sound for him.

0:41:03.040 --> 0:41:06.080
<v Speaker 1>Maybe that was the last song that I recorded before

0:41:06.160 --> 0:41:10.759
<v Speaker 1>we left. So you're gonna go make my questions. I

0:41:10.840 --> 0:41:13.680
<v Speaker 1>wanna Well, I'm getting there. I'm getting to the bridge now.

0:41:13.920 --> 0:41:16.880
<v Speaker 1>My personal favorite period of the Jackson's is probably the

0:41:17.000 --> 0:41:20.239
<v Speaker 1>period that all of you kind of like strugg at,

0:41:20.520 --> 0:41:28.320
<v Speaker 1>which is seventy four Vegas Variety Show period predestiny. So

0:41:28.440 --> 0:41:35.399
<v Speaker 1>let's just say, like Vegas to Golden Places. What were

0:41:35.480 --> 0:41:39.640
<v Speaker 1>you personally feeling at that time as far as where

0:41:39.719 --> 0:41:42.719
<v Speaker 1>the brothers were concerned. I mean, your brother Michael expressed

0:41:42.760 --> 0:41:47.120
<v Speaker 1>that he felt like we were old hat and he

0:41:47.239 --> 0:41:50.080
<v Speaker 1>didn't enjoy doing the variety show and all those things.

0:41:51.040 --> 0:41:53.600
<v Speaker 1>And I'm pretty sure you heard it to be because

0:41:53.719 --> 0:41:55.719
<v Speaker 1>when you're in the midst this, you have what we

0:41:55.840 --> 0:41:59.800
<v Speaker 1>call haters and the people just after I think we

0:42:00.080 --> 0:42:03.760
<v Speaker 1>had our first four number ones, and then we started

0:42:03.840 --> 0:42:07.120
<v Speaker 1>having songs that didn't make it to the number one,

0:42:07.280 --> 0:42:10.680
<v Speaker 1>and people used to come up and say, you guys

0:42:10.719 --> 0:42:15.279
<v Speaker 1>have finished. You know you're not gonna Oh yeah, that

0:42:15.400 --> 0:42:19.880
<v Speaker 1>gave us motivation, of course, and we've always wanted to

0:42:20.000 --> 0:42:23.320
<v Speaker 1>write music and produce some of our own stuff, and

0:42:23.440 --> 0:42:27.960
<v Speaker 1>that was our reason for moving on to Columbia Records

0:42:28.000 --> 0:42:31.719
<v Speaker 1>at that time epic because they gave us that opportunity

0:42:32.440 --> 0:42:35.719
<v Speaker 1>to have a song or two on our our albums,

0:42:35.960 --> 0:42:39.640
<v Speaker 1>you know, like the Jackson's that was produced by Kenny

0:42:39.680 --> 0:42:43.440
<v Speaker 1>Gamble Leon Huff. You know, they worked with us with

0:42:43.640 --> 0:42:46.719
<v Speaker 1>the songs we had, you know, they and put it

0:42:46.800 --> 0:42:51.120
<v Speaker 1>their their involvement and made it happen. So that was

0:42:51.280 --> 0:42:53.920
<v Speaker 1>a very exciting moment for the brothers to know that

0:42:54.120 --> 0:42:58.560
<v Speaker 1>they were capable of writing songs that people would love

0:42:58.640 --> 0:43:02.040
<v Speaker 1>and mike and buy. So you yourself, you didn't enjoy

0:43:02.200 --> 0:43:05.560
<v Speaker 1>doing the variety show or it didn't bother me at all,

0:43:05.760 --> 0:43:07.520
<v Speaker 1>you know, I do. I was one of the members

0:43:07.600 --> 0:43:10.000
<v Speaker 1>that whatever it is, I'm going to be there, whether

0:43:10.320 --> 0:43:13.400
<v Speaker 1>we're playing in a in a closet or plan in

0:43:13.520 --> 0:43:15.840
<v Speaker 1>the arena, I'm going to be there. So is that

0:43:15.920 --> 0:43:18.040
<v Speaker 1>because you just loved it so much? Well? I just

0:43:18.120 --> 0:43:21.759
<v Speaker 1>wanted to be a team player. Yeah. And also, I mean,

0:43:21.920 --> 0:43:24.319
<v Speaker 1>like I think it would be like today if someone

0:43:24.400 --> 0:43:27.080
<v Speaker 1>got a reality show, then it's like, all right, we

0:43:27.160 --> 0:43:29.120
<v Speaker 1>gotta get a reality show. So I'm certain for you

0:43:29.200 --> 0:43:33.160
<v Speaker 1>guys it was like wait, Osman's have a variety show

0:43:33.280 --> 0:43:35.799
<v Speaker 1>and shows and Yard now and has our variety show.

0:43:35.920 --> 0:43:37.960
<v Speaker 1>And there was a point where last Night and the

0:43:38.000 --> 0:43:40.600
<v Speaker 1>Pips had a variety show, so Brady Bunch tried a

0:43:40.680 --> 0:43:43.799
<v Speaker 1>variety show exactly. No, I know you're trying to be funny,

0:43:43.880 --> 0:43:45.880
<v Speaker 1>but no, that's what I was. Was it dop As

0:43:46.000 --> 0:43:52.640
<v Speaker 1>drum break orang so um speaking of the variety or

0:43:52.719 --> 0:43:54.600
<v Speaker 1>not the right but the Veggas? What was it like?

0:43:54.880 --> 0:43:58.000
<v Speaker 1>You know, the Veggas residency started like two months after

0:43:58.040 --> 0:44:00.560
<v Speaker 1>you guys got back from Senegal, So what was what

0:44:00.680 --> 0:44:03.520
<v Speaker 1>was it like? You know the difference. Why do you

0:44:03.600 --> 0:44:07.279
<v Speaker 1>guys get your history from That's true, that's true. I

0:44:07.320 --> 0:44:11.280
<v Speaker 1>mean you guys know more about me that were following.

0:44:12.760 --> 0:44:16.160
<v Speaker 1>I never forgot everything. You know, it's been a long road.

0:44:16.360 --> 0:44:19.440
<v Speaker 1>But we uh was that the first time you guys

0:44:19.520 --> 0:44:21.880
<v Speaker 1>been to Africa? Or yes, she was. We went to

0:44:21.960 --> 0:44:25.879
<v Speaker 1>sink all about What was it like? It was very

0:44:25.920 --> 0:44:29.200
<v Speaker 1>exciting getting off the plane and that's where Michael got

0:44:29.280 --> 0:44:34.279
<v Speaker 1>that Mama say Mamasa, that's what they were chatting to us.

0:44:34.320 --> 0:44:37.720
<v Speaker 1>What we first went to Africa? They were singing, playing

0:44:37.800 --> 0:44:42.200
<v Speaker 1>the drums, Mama saying mamasa Michael, Mama saying mamasa masa.

0:44:43.000 --> 0:44:47.160
<v Speaker 1>You know what it means. I don't know how gonna say,

0:44:47.320 --> 0:44:55.680
<v Speaker 1>take out that garbage? Um. Well, also, are there any

0:44:55.760 --> 0:45:00.160
<v Speaker 1>memories whatsoever about um? Because there's an infamous vote. What

0:45:00.239 --> 0:45:03.600
<v Speaker 1>you guys hanging with the Marley's in Jamaica? Is there

0:45:03.640 --> 0:45:07.640
<v Speaker 1>any memories of that period? Did you guys know that

0:45:07.840 --> 0:45:10.719
<v Speaker 1>Bob Marley was royalty? Was it just like weird guy

0:45:10.800 --> 0:45:18.240
<v Speaker 1>with here? Well, we had did this show in Jamaica

0:45:18.320 --> 0:45:21.840
<v Speaker 1>with the Walers, and Bob Marley was there as courts

0:45:22.040 --> 0:45:25.000
<v Speaker 1>and the next day he invited us over to hang out.

0:45:25.200 --> 0:45:28.520
<v Speaker 1>And so we go to Bob Marley's compound and the

0:45:28.600 --> 0:45:31.320
<v Speaker 1>guys hanging out in the trees, smoking the dubes and

0:45:31.400 --> 0:45:34.800
<v Speaker 1>all this stuff, and it was really exciting, and he

0:45:34.920 --> 0:45:37.920
<v Speaker 1>took us through the whole compound, show this where he worked,

0:45:38.719 --> 0:45:42.000
<v Speaker 1>wrote this song, where he recorded and what have you.

0:45:42.200 --> 0:45:45.560
<v Speaker 1>And uh, I just remember that very very much. It

0:45:45.719 --> 0:45:49.720
<v Speaker 1>was a great period. And back then Bob Marley was popular,

0:45:49.840 --> 0:45:55.799
<v Speaker 1>but he's not. He wasn't last today. You know, he's

0:45:55.880 --> 0:45:59.320
<v Speaker 1>everywhere now because you're hanging out with the Marley's. But

0:45:59.480 --> 0:46:01.759
<v Speaker 1>from what we know, you guys are were a very

0:46:01.800 --> 0:46:05.120
<v Speaker 1>religious family, and you know, of course the legend of

0:46:05.200 --> 0:46:08.400
<v Speaker 1>your father being strict. How did you navigate or how

0:46:08.480 --> 0:46:11.160
<v Speaker 1>did did he ever say any give you disclaimers before

0:46:11.239 --> 0:46:14.320
<v Speaker 1>y'all did this or that, or I know he was

0:46:14.480 --> 0:46:16.480
<v Speaker 1>but but he did he say you better not do this?

0:46:16.680 --> 0:46:20.360
<v Speaker 1>You bet you know? Oh yeah, we know that black Daddy,

0:46:20.560 --> 0:46:24.360
<v Speaker 1>We knew, we knew what you know not? So so

0:46:24.480 --> 0:46:26.800
<v Speaker 1>do I guess that you Jackson's never got a taste

0:46:26.800 --> 0:46:29.480
<v Speaker 1>of the Bob Marley Ganja, No, we just asked that

0:46:29.520 --> 0:46:32.239
<v Speaker 1>they smoke. We well, that was the second question I

0:46:32.280 --> 0:46:33.839
<v Speaker 1>wanted to know. They tipped the Bob Marley and then

0:46:34.040 --> 0:46:36.480
<v Speaker 1>John just never got a taste of them. I never,

0:46:38.239 --> 0:46:41.680
<v Speaker 1>I just started smoking. And I'm like, I got bound

0:46:41.760 --> 0:46:47.520
<v Speaker 1>on me right now. So wait before I before I

0:46:47.640 --> 0:46:51.880
<v Speaker 1>jumped to Sony, before I jumped the epic um. By

0:46:51.960 --> 0:46:56.080
<v Speaker 1>this point, you're the Jackson five end quote. Um. And

0:46:56.200 --> 0:46:58.680
<v Speaker 1>I know that you were the first to get married

0:46:58.719 --> 0:47:00.960
<v Speaker 1>and have kids or whatnot, So I'm assuming that you

0:47:01.040 --> 0:47:07.439
<v Speaker 1>were domesticated. But I mean, I don't know. I just meant.

0:47:07.480 --> 0:47:11.800
<v Speaker 1>But the thing is is that you're the Jackson five,

0:47:13.200 --> 0:47:21.120
<v Speaker 1>so thrown at you. What was what was? How was

0:47:21.160 --> 0:47:24.400
<v Speaker 1>it hanging in Hollywood? Like I know you have a

0:47:24.520 --> 0:47:27.320
<v Speaker 1>massive car or had seemed like fosy U T K

0:47:27.520 --> 0:47:31.960
<v Speaker 1>card and everything like anti cars where you think, first

0:47:31.960 --> 0:47:35.280
<v Speaker 1>of all, yeah, how many I hate asking black questions.

0:47:35.360 --> 0:47:36.880
<v Speaker 1>That's the one that I never want to do, Like,

0:47:37.440 --> 0:47:39.600
<v Speaker 1>so how many mentions do you have? How many cars

0:47:39.640 --> 0:47:42.600
<v Speaker 1>do you? But I feel like you're the original Jay Leno?

0:47:43.480 --> 0:47:46.920
<v Speaker 1>Like what was it about antique cars? And because anytime

0:47:46.960 --> 0:47:49.400
<v Speaker 1>I've seen photos of you, it's like you're in a

0:47:49.440 --> 0:47:52.920
<v Speaker 1>garage with an antique car. So like, I just always

0:47:53.040 --> 0:47:56.239
<v Speaker 1>loved mechanics, you know, even when I was a young kid,

0:47:56.520 --> 0:48:00.600
<v Speaker 1>you know, built mom bicycle out the Junkyard and then

0:48:00.800 --> 0:48:04.560
<v Speaker 1>did a gold card and then got into cars. I love,

0:48:04.800 --> 0:48:08.880
<v Speaker 1>especially the older stuff like in the twenties and that.

0:48:09.239 --> 0:48:13.239
<v Speaker 1>So it's always been a love of mine. And how

0:48:13.400 --> 0:48:17.359
<v Speaker 1>easy was it to get access to that back then?

0:48:17.680 --> 0:48:19.439
<v Speaker 1>I'm just saying now, like if I buy a pair

0:48:19.719 --> 0:48:23.759
<v Speaker 1>of Jordan's, like my business managers like a man and

0:48:24.040 --> 0:48:26.320
<v Speaker 1>I'm kind of cool now, but still it's like, amen,

0:48:26.840 --> 0:48:33.040
<v Speaker 1>but how many cars were you for Jordan's? Just for sneakers.

0:48:33.840 --> 0:48:37.680
<v Speaker 1>But how many cars did you collect back then? Um?

0:48:38.239 --> 0:48:42.920
<v Speaker 1>I had about maybe a dozen. But I have a

0:48:43.000 --> 0:48:45.440
<v Speaker 1>warehouse that I put them in right right now, I

0:48:45.560 --> 0:48:52.520
<v Speaker 1>have about twenty cars. Can I have a car? And

0:48:52.600 --> 0:48:55.040
<v Speaker 1>how many do you let your kids drop? Well you're grown,

0:48:56.120 --> 0:48:59.920
<v Speaker 1>they do, but they don't have those cars, No, they don't.

0:49:00.080 --> 0:49:03.520
<v Speaker 1>They can buy the Yeah, yeah, he got some rare

0:49:03.600 --> 0:49:13.360
<v Speaker 1>stuffy But is it like, are there cars just to collect?

0:49:13.440 --> 0:49:15.600
<v Speaker 1>And I mean there are things I collect that I

0:49:15.640 --> 0:49:17.919
<v Speaker 1>would never utilize. I got pair of Jordan's I would

0:49:17.960 --> 0:49:21.319
<v Speaker 1>never wear because they will explode. But I'm just saying, yeah,

0:49:21.440 --> 0:49:23.560
<v Speaker 1>that's the that's the thing. You gotta know. Jordan's will

0:49:23.560 --> 0:49:27.560
<v Speaker 1>explode after thirty years. I get found out the hard way.

0:49:28.120 --> 0:49:30.799
<v Speaker 1>So I get a pleasure out of buying a car.

0:49:30.960 --> 0:49:34.399
<v Speaker 1>I'll find a car for seven hundred dollars and then

0:49:34.400 --> 0:49:37.239
<v Speaker 1>you'll hook it up. I'll redo it, take every nothing

0:49:37.320 --> 0:49:39.880
<v Speaker 1>vote out of it and have it powdered, blasted and

0:49:40.160 --> 0:49:43.080
<v Speaker 1>really the original Jay Leno And this is you your stuff? Like,

0:49:43.120 --> 0:49:44.520
<v Speaker 1>are you one of those people that can put together

0:49:44.600 --> 0:49:49.160
<v Speaker 1>that car? Kid? I got the carbureted. My hands have

0:49:49.280 --> 0:49:52.440
<v Speaker 1>probably got grease onto the finger nails. Now from from

0:49:52.560 --> 0:49:54.920
<v Speaker 1>some car I've worked out so even to this day,

0:49:55.000 --> 0:49:57.880
<v Speaker 1>like working on anti cars, like your hobby. Yeah, and

0:49:57.960 --> 0:50:01.040
<v Speaker 1>I've been building lately. I've been building a lot of

0:50:01.080 --> 0:50:06.799
<v Speaker 1>the surfer type sixties valse wagon buses. Yeah. I love

0:50:06.920 --> 0:50:09.960
<v Speaker 1>those things. Yeah, I got about nine. But you can

0:50:11.120 --> 0:50:18.520
<v Speaker 1>put the seats in them. Well, I'm just saying, you know,

0:50:18.960 --> 0:50:24.640
<v Speaker 1>January twenties my birthday. I'm just saying, he just said

0:50:24.680 --> 0:50:28.160
<v Speaker 1>he get away. Yeah, so well, never mind, Okay, how

0:50:28.400 --> 0:50:32.080
<v Speaker 1>I think of something? Okay, so going to Philadelphia, Um,

0:50:32.600 --> 0:50:36.920
<v Speaker 1>by the way, Uh, my elementary school was next to

0:50:37.160 --> 0:50:40.600
<v Speaker 1>Philly International and Broad Streets. So once once in a

0:50:40.640 --> 0:50:42.800
<v Speaker 1>blue moon, in second or third grade, i'd see you

0:50:42.840 --> 0:50:46.360
<v Speaker 1>guys like going and going out. It's gotta be freaky

0:50:46.400 --> 0:50:48.640
<v Speaker 1>as a kid to see that Jackson's going. Well, I've seen,

0:50:48.920 --> 0:50:52.439
<v Speaker 1>I've seen. Actually, what's weird is that you guys would

0:50:52.480 --> 0:50:55.520
<v Speaker 1>even visit to say hi, even after the fact. Like

0:50:55.719 --> 0:51:00.360
<v Speaker 1>I think once before a Destiny concert, you guys stopped

0:51:00.400 --> 0:51:04.120
<v Speaker 1>by Broad Street and I only knew because like every

0:51:04.600 --> 0:51:06.440
<v Speaker 1>human being in my school like was out in the

0:51:06.480 --> 0:51:09.200
<v Speaker 1>streets chasing you guys. That's how we know that Jackson's

0:51:09.239 --> 0:51:15.680
<v Speaker 1>are in proximity. Um, but in kind of the slow

0:51:15.800 --> 0:51:22.759
<v Speaker 1>process that eventually led to the Destiny album leaving uh Philadelphia. Um,

0:51:23.080 --> 0:51:26.000
<v Speaker 1>first of all, how how long were you guys physically infilially?

0:51:26.080 --> 0:51:28.359
<v Speaker 1>Were you only there for like studio time or did

0:51:28.400 --> 0:51:30.800
<v Speaker 1>you like live there? Now we are only there for

0:51:30.920 --> 0:51:33.960
<v Speaker 1>studio time and the week get called in and we're

0:51:34.080 --> 0:51:36.719
<v Speaker 1>do an album in two weeks and do everything and

0:51:37.800 --> 0:51:41.239
<v Speaker 1>move on. Okay, so there for two weeks? Oh yeah,

0:51:43.000 --> 0:51:45.400
<v Speaker 1>So how long did it take for you guys to

0:51:46.440 --> 0:51:53.080
<v Speaker 1>convince Ron Wisner and and I guess yeah, Freddie Dedman

0:51:53.200 --> 0:51:56.680
<v Speaker 1>and Walter get Nicough to like, okay, we got to

0:51:56.719 --> 0:51:59.759
<v Speaker 1>do this on our own, Like, how long did it? Well?

0:52:00.120 --> 0:52:03.880
<v Speaker 1>We went to Epic Records saying that we want to

0:52:03.960 --> 0:52:07.120
<v Speaker 1>write some music and produce are some of our songs?

0:52:08.120 --> 0:52:11.000
<v Speaker 1>And what had happened? We had a couple of songs

0:52:11.120 --> 0:52:14.279
<v Speaker 1>on the earlier albums, the Coin Place album and the

0:52:14.480 --> 0:52:19.600
<v Speaker 1>Jackson's album and they did very well, and uh, they

0:52:19.680 --> 0:52:21.920
<v Speaker 1>gave us the green light to do our next album,

0:52:22.719 --> 0:52:27.160
<v Speaker 1>and which was Destiny, and we wrote all the songs.

0:52:27.280 --> 0:52:30.800
<v Speaker 1>And so when you guys were doing the process, what

0:52:30.960 --> 0:52:35.680
<v Speaker 1>was the division of labor for that album? Because now

0:52:35.800 --> 0:52:37.960
<v Speaker 1>you guys have to answer to yourself, like did you

0:52:38.040 --> 0:52:40.720
<v Speaker 1>have a family meeting? And well, I think we already

0:52:40.800 --> 0:52:43.920
<v Speaker 1>had some songs. Maybe Jackie had a song or two.

0:52:44.040 --> 0:52:46.440
<v Speaker 1>I know I had a couple of songs, and Michael

0:52:46.480 --> 0:52:49.800
<v Speaker 1>had some stuff, and we get together and write the

0:52:49.920 --> 0:52:53.879
<v Speaker 1>lyrics and help each other out on the song, and uh,

0:52:54.239 --> 0:52:57.520
<v Speaker 1>write about situations, whether it was my mother and her

0:52:57.600 --> 0:53:01.759
<v Speaker 1>politeness or whatever, and that's pretty much how it came out.

0:53:02.960 --> 0:53:11.240
<v Speaker 1>He wait, wait, wait, wait, all right? Without getting personal

0:53:11.360 --> 0:53:19.880
<v Speaker 1>pan pizza, okay, I often felt I always wanted to

0:53:20.000 --> 0:53:26.880
<v Speaker 1>know what did you guys feel about the lyrics of Destiny,

0:53:27.080 --> 0:53:32.440
<v Speaker 1>because I personally felt that was kind of Michael's passive,

0:53:32.480 --> 0:53:35.720
<v Speaker 1>aggressive way of saying, guys, I want to do stuff

0:53:35.760 --> 0:53:37.319
<v Speaker 1>on my own, and I don't know how to tell

0:53:37.320 --> 0:53:41.400
<v Speaker 1>you guys, because to to look at the lyrical content,

0:53:41.840 --> 0:53:45.560
<v Speaker 1>I felt that that was his of all of all

0:53:45.640 --> 0:53:48.359
<v Speaker 1>the I want to break free themes that he's ever

0:53:48.440 --> 0:53:53.560
<v Speaker 1>had in his career, that that was the most explicit, direct,

0:53:53.680 --> 0:53:58.640
<v Speaker 1>but kind of underhanded. I mean, Destiny goes there, things

0:53:58.719 --> 0:54:02.399
<v Speaker 1>I do for you goes there, pushed me away, goes there.

0:54:03.040 --> 0:54:04.880
<v Speaker 1>Even though it's dis guy says a love song, but

0:54:05.160 --> 0:54:09.960
<v Speaker 1>espectly that's what you give for being polite, which I mean,

0:54:10.080 --> 0:54:11.600
<v Speaker 1>was there ever a moment where you guys were just

0:54:11.719 --> 0:54:14.720
<v Speaker 1>chilling one day and it's like listen, hey, wait a minute,

0:54:14.960 --> 0:54:17.799
<v Speaker 1>Like was it but you said that was about your

0:54:17.880 --> 0:54:25.839
<v Speaker 1>mom's Yes, yes, and and uh things I do for you? Yes, yes, yes,

0:54:26.080 --> 0:54:28.840
<v Speaker 1>we had that. I'm gonna go read those lios. I

0:54:28.880 --> 0:54:34.080
<v Speaker 1>mean as much as talking. Okay, since you kind of

0:54:34.160 --> 0:54:36.640
<v Speaker 1>opened that rabbit hole. Since you kind of opened that

0:54:36.760 --> 0:54:44.359
<v Speaker 1>rabbit hole and we're black, can I assume that since

0:54:44.400 --> 0:54:48.080
<v Speaker 1>you I don't know any successful black person that doesn't

0:54:48.080 --> 0:54:52.400
<v Speaker 1>go through survivor's guilt, do you understand what survivor's guild is?

0:54:53.120 --> 0:54:57.920
<v Speaker 1>As far as if someone's successful, then there's kind of

0:54:58.000 --> 0:55:05.520
<v Speaker 1>the unspoken obligat to worry, need to take people with

0:55:05.640 --> 0:55:10.600
<v Speaker 1>you mhm. And I know that there's friends and family

0:55:11.200 --> 0:55:13.440
<v Speaker 1>and cousin Ray Ray and the cat you went to

0:55:13.480 --> 0:55:16.360
<v Speaker 1>school with, and let me hold a little something, and

0:55:16.440 --> 0:55:18.600
<v Speaker 1>our phone bill is cutting off, our phones getting cut

0:55:18.640 --> 0:55:20.960
<v Speaker 1>off next week in dada da da da, Like how

0:55:21.040 --> 0:55:28.640
<v Speaker 1>are you able to matrix dodge or avoid? You know,

0:55:28.760 --> 0:55:30.759
<v Speaker 1>let me hold something real quick? Like, yo, man, can

0:55:30.880 --> 0:55:35.399
<v Speaker 1>can you help her, Like, am I assuming that if

0:55:35.480 --> 0:55:40.400
<v Speaker 1>these songs are factual in terms of people using and

0:55:41.200 --> 0:55:45.840
<v Speaker 1>that sort of thing, how are you able to avoid

0:55:46.760 --> 0:55:49.080
<v Speaker 1>or how easy are you with saying the word no?

0:55:51.080 --> 0:55:56.560
<v Speaker 1>You know how easy? How easy? How easy is it

0:55:56.680 --> 0:56:02.440
<v Speaker 1>to say the word no? Like again, like, hey, we're

0:56:02.480 --> 0:56:05.040
<v Speaker 1>down on luck? Da dada had school tuition next week? Yo,

0:56:05.080 --> 0:56:06.960
<v Speaker 1>can y'all help out? Ya da da da? Like I

0:56:07.080 --> 0:56:12.320
<v Speaker 1>just I know no successful black person that manages to

0:56:12.520 --> 0:56:18.920
<v Speaker 1>avoid And you're the Jackson's, which in everyone's mind in

0:56:18.920 --> 0:56:24.520
<v Speaker 1>America is like family royalty. So how hard is it

0:56:24.600 --> 0:56:31.960
<v Speaker 1>to avoid hanger ones or people that ask ask, ask, ask, ask, take, take, take,

0:56:32.000 --> 0:56:36.400
<v Speaker 1>take take That still happens today. You know that's comes

0:56:36.480 --> 0:56:39.120
<v Speaker 1>with the territory. As you know, you're going to meet

0:56:39.200 --> 0:56:45.320
<v Speaker 1>people that's hanging with you. Just meet another brother. I

0:56:45.360 --> 0:56:49.920
<v Speaker 1>don't mean strangers though, people people that you know just

0:56:50.040 --> 0:56:54.200
<v Speaker 1>think cousins. They haven't gotten the clue. Yeah, you've been

0:56:54.200 --> 0:56:56.799
<v Speaker 1>doing this for fifty years and the same people, they're

0:56:56.840 --> 0:57:01.120
<v Speaker 1>still the Jackson's. I'm saying people to still asking that's no.

0:57:01.239 --> 0:57:05.200
<v Speaker 1>You meet new people that still acts, but yeah you

0:57:05.719 --> 0:57:12.919
<v Speaker 1>can I have a car. Yeah, I mean I'm trying

0:57:12.920 --> 0:57:15.320
<v Speaker 1>to you know, I try to avoid got your journalism

0:57:15.440 --> 0:57:17.760
<v Speaker 1>or whatever, but I know that it has to be

0:57:17.920 --> 0:57:24.480
<v Speaker 1>awkward being a powerful family that you know, you guys

0:57:24.680 --> 0:57:27.439
<v Speaker 1>have a hard time just managing and navigating your own

0:57:27.560 --> 0:57:34.080
<v Speaker 1>thing without the eye roll of man is like, so

0:57:35.320 --> 0:57:37.240
<v Speaker 1>is it that you change your phone numbers a lot

0:57:38.720 --> 0:57:42.400
<v Speaker 1>where you're just on tour and you know that they

0:57:42.520 --> 0:57:45.160
<v Speaker 1>have cell phones back then, so you're lucky. But we

0:57:45.320 --> 0:57:49.040
<v Speaker 1>had a lot of protection from security and those type

0:57:49.080 --> 0:57:53.400
<v Speaker 1>of things. People look after, especially the people of Motown.

0:57:54.240 --> 0:57:56.840
<v Speaker 1>You know, even when we would go on the road

0:57:57.000 --> 0:58:00.560
<v Speaker 1>or whatever, and if the other other Motown people around,

0:58:00.640 --> 0:58:04.320
<v Speaker 1>they would be like our parents, you know, they would

0:58:04.360 --> 0:58:08.080
<v Speaker 1>give us advice, don't touch drugs, don't do this, do that.

0:58:08.440 --> 0:58:11.960
<v Speaker 1>So we were schooled by the Motown staff and the artists.

0:58:12.840 --> 0:58:15.880
<v Speaker 1>Is it easy to still go to family reunions or

0:58:16.640 --> 0:58:19.840
<v Speaker 1>your high school or hang with friends? Like are you

0:58:19.880 --> 0:58:22.240
<v Speaker 1>still friends with people you're friends with four years ago?

0:58:22.280 --> 0:58:25.440
<v Speaker 1>And I'm friends with friends that I have from Gary, Indiana.

0:58:27.560 --> 0:58:32.840
<v Speaker 1>That's a miracle. That's Tito. Is everybody friends with people

0:58:32.840 --> 0:58:34.800
<v Speaker 1>from Gary? Because I feel like we expect this from

0:58:34.840 --> 0:58:36.800
<v Speaker 1>Tito for some reasons. You don't know you and we

0:58:36.880 --> 0:58:38.680
<v Speaker 1>just feel like you still. I don't know, it's just

0:58:39.560 --> 0:58:42.480
<v Speaker 1>my whole buddies. Yeah. I lost a lot of people

0:58:42.520 --> 0:58:44.760
<v Speaker 1>in my life, a bunch of people. I just lost

0:58:45.040 --> 0:58:48.080
<v Speaker 1>one of my high school friends a couple of weeks ago. Sorry.

0:58:51.960 --> 0:58:56.040
<v Speaker 1>Another important element of your development as an entertainer is

0:58:56.600 --> 0:59:03.920
<v Speaker 1>the live show presentation. Be Jackson Liveshield presentation. So in

0:59:04.080 --> 0:59:12.200
<v Speaker 1>your in your mind with theatrics now entering the realm

0:59:12.680 --> 0:59:16.320
<v Speaker 1>like Earth on Fire with their theatrics and levitating and

0:59:17.640 --> 0:59:21.160
<v Speaker 1>uh Asley Brothers in smoke Machines in Parliament, Funkadelic. There

0:59:21.200 --> 0:59:25.680
<v Speaker 1>was theatrics. Were you seeing shows then? And wasn't like yo,

0:59:26.320 --> 0:59:28.640
<v Speaker 1>you gotta see blah blah blah like what it was.

0:59:29.240 --> 0:59:31.280
<v Speaker 1>It was a period when like you're saying, you know,

0:59:31.760 --> 0:59:35.400
<v Speaker 1>Earth winning Fire, they always had the great show, some

0:59:35.520 --> 0:59:39.760
<v Speaker 1>type of magic illusions or whatever, and uh we felt

0:59:39.960 --> 0:59:42.760
<v Speaker 1>that's where it's going. We got to do something too similar,

0:59:42.920 --> 0:59:46.520
<v Speaker 1>you know, to keep the concerts exciting, to make two

0:59:46.560 --> 0:59:49.280
<v Speaker 1>people want to come see you. And that's what it

0:59:49.400 --> 0:59:51.920
<v Speaker 1>was like back then. You know, we're playing arenas or

0:59:52.040 --> 0:59:55.160
<v Speaker 1>hopes in twenty thousand people. You know how you're gonna

0:59:55.200 --> 0:59:58.520
<v Speaker 1>get all these people uh in this arena, and you

0:59:58.680 --> 1:00:01.000
<v Speaker 1>had to have a show that offer more than just

1:00:01.200 --> 1:00:04.360
<v Speaker 1>the music. It had to be I candy as well.

1:00:04.680 --> 1:00:07.840
<v Speaker 1>So so what was that initial pitch, Like like, Okay,

1:00:07.920 --> 1:00:10.400
<v Speaker 1>we're gonna we're all gonna get in this box and

1:00:10.520 --> 1:00:12.640
<v Speaker 1>then it's gonna be like pitch dark, and then it's

1:00:12.640 --> 1:00:15.920
<v Speaker 1>gonna explode, and then we're gonna come out with new outfits.

1:00:16.000 --> 1:00:19.360
<v Speaker 1>Like you can have people in the business that have

1:00:19.520 --> 1:00:23.280
<v Speaker 1>these creative ideas that come up with the props and

1:00:23.440 --> 1:00:26.560
<v Speaker 1>things of that nature. Whatever you can imagine, they'll try

1:00:26.640 --> 1:00:30.240
<v Speaker 1>to make it happen. But this was new at the time,

1:00:30.320 --> 1:00:32.320
<v Speaker 1>so it's I mean, now it's nothing to do, you know,

1:00:32.480 --> 1:00:34.560
<v Speaker 1>for you to say, all right, Kanye West, we were

1:00:34.600 --> 1:00:37.000
<v Speaker 1>gonna levitate you on the stage throughout the stadium. But

1:00:37.920 --> 1:00:41.160
<v Speaker 1>back then, you guys were definitely like I thought my

1:00:41.200 --> 1:00:43.040
<v Speaker 1>cousins were lying, They're like yeah, and then they got

1:00:43.080 --> 1:00:47.360
<v Speaker 1>in a box and exploded. You just lying, Marky like,

1:00:48.760 --> 1:00:51.080
<v Speaker 1>how do you believe it? Until I saw my own

1:00:51.160 --> 1:00:53.120
<v Speaker 1>Jackson show, I was like, oh, they really are exploding.

1:00:53.640 --> 1:01:00.200
<v Speaker 1>So even at even Envy the initial days of of

1:01:00.280 --> 1:01:03.720
<v Speaker 1>those tours, like there wasn't I fear like, hey man, like,

1:01:05.600 --> 1:01:09.200
<v Speaker 1>there's too much like with the explosions and all that stuff. No, No,

1:01:09.480 --> 1:01:12.040
<v Speaker 1>it was exciting, you know the only thing that was

1:01:12.760 --> 1:01:18.040
<v Speaker 1>detrimental was the commercial we did, the Pepsi commercial. Have

1:01:18.200 --> 1:01:20.960
<v Speaker 1>you seen that final tape? I finally saw it like

1:01:21.080 --> 1:01:24.560
<v Speaker 1>two so's when it came online like two years ago.

1:01:24.560 --> 1:01:27.720
<v Speaker 1>I didn't really have you seen it? Do you know

1:01:27.800 --> 1:01:31.200
<v Speaker 1>what's crazy in whenever they listen to this, it's it's

1:01:31.240 --> 1:01:33.080
<v Speaker 1>people out. There's a whole generation who do not know

1:01:33.200 --> 1:01:36.320
<v Speaker 1>what you're talking about. Okay, So there was a Pepsi

1:01:36.480 --> 1:01:40.640
<v Speaker 1>commercial shot in which um said explosions that I was

1:01:40.680 --> 1:01:44.600
<v Speaker 1>speaking of. Uh Sparks went to Michael's hair and then

1:01:45.680 --> 1:01:47.720
<v Speaker 1>was it you that put your jacket on top of

1:01:47.760 --> 1:01:50.680
<v Speaker 1>his head? No, he called out my name. I was

1:01:50.800 --> 1:01:52.960
<v Speaker 1>on the other side of the stage. He called out

1:01:53.000 --> 1:01:55.160
<v Speaker 1>my name for help, but I was too far away.

1:01:55.600 --> 1:01:57.280
<v Speaker 1>I think it was one of the prop men who

1:01:58.240 --> 1:02:01.880
<v Speaker 1>thought that quickly. And like two or three years ago,

1:02:02.600 --> 1:02:07.479
<v Speaker 1>they finally put the actual with his hair on fire,

1:02:07.560 --> 1:02:10.080
<v Speaker 1>and I was I didn't realize it was that serious.

1:02:10.360 --> 1:02:15.680
<v Speaker 1>Like it was. It was seven seconds of that and

1:02:15.760 --> 1:02:18.000
<v Speaker 1>it would have been a whole new story. Yoh, like

1:02:19.880 --> 1:02:23.480
<v Speaker 1>what was well, of course, obviously, what was the feeling

1:02:23.560 --> 1:02:27.200
<v Speaker 1>of that? Like it was it hurt us very much.

1:02:27.320 --> 1:02:29.280
<v Speaker 1>You know, we knew he was hurting and that he

1:02:29.480 --> 1:02:34.120
<v Speaker 1>was had these serious burns to his scalp and that

1:02:34.280 --> 1:02:37.760
<v Speaker 1>whole thing. And from that point I felt that was

1:02:37.960 --> 1:02:42.160
<v Speaker 1>the beginning of a lot of problems for him. Yeah,

1:02:42.280 --> 1:02:46.120
<v Speaker 1>he needed he stayed in pain a long time. I

1:02:46.280 --> 1:02:50.080
<v Speaker 1>just never told us or but you guys knew that

1:02:50.200 --> 1:02:56.800
<v Speaker 1>he was. Yeah, I'm circling back on that's what you

1:02:56.920 --> 1:03:03.520
<v Speaker 1>get lyrics. I'm sorry, y'all. I just wanted Mama Catherine,

1:03:04.440 --> 1:03:07.280
<v Speaker 1>what did she have? Bigger things? What does she want?

1:03:07.840 --> 1:03:09.800
<v Speaker 1>I know she had a lot and she had nine children,

1:03:10.160 --> 1:03:12.680
<v Speaker 1>but was there more that she had wanted in her life?

1:03:13.280 --> 1:03:16.600
<v Speaker 1>Like what did you think she was? Kind of feels

1:03:16.600 --> 1:03:19.240
<v Speaker 1>like you're missing out on or can you know, well,

1:03:19.320 --> 1:03:22.400
<v Speaker 1>you know, I may have twisted that that song things

1:03:22.440 --> 1:03:24.920
<v Speaker 1>I do for you as my mom, that's what you get,

1:03:25.200 --> 1:03:31.080
<v Speaker 1>Like that's Johnny Jacks, Thank god, that's Johnny Jacks. Yeah,

1:03:31.720 --> 1:03:35.960
<v Speaker 1>oh wow, okay, that's better. Thank you? Come on, man,

1:03:36.000 --> 1:03:39.160
<v Speaker 1>why are you chopping these gyms? And then you know ambiguous,

1:03:42.000 --> 1:03:44.600
<v Speaker 1>I gotta go home and figure this movie Excube out.

1:03:45.720 --> 1:03:55.640
<v Speaker 1>That's crazy. Um so with with the Victory Tour leading

1:03:55.720 --> 1:04:02.720
<v Speaker 1>up to it and how mammoth it us what were

1:04:03.840 --> 1:04:06.840
<v Speaker 1>I mean, you know again, one person s having could

1:04:06.840 --> 1:04:11.720
<v Speaker 1>be another person's health. But to be on the inside

1:04:11.840 --> 1:04:18.160
<v Speaker 1>of what was then the biggest grand tour of all time, Like,

1:04:18.400 --> 1:04:20.760
<v Speaker 1>what are your memories of the Victory Tour? Was it

1:04:20.880 --> 1:04:25.480
<v Speaker 1>sort of like it's fun or was it like it's

1:04:25.520 --> 1:04:29.160
<v Speaker 1>getting to be too much? Or no? It was never

1:04:29.240 --> 1:04:34.440
<v Speaker 1>too much because being a black band and probably the

1:04:34.520 --> 1:04:38.240
<v Speaker 1>first black band to do those type of venues, it

1:04:38.400 --> 1:04:43.120
<v Speaker 1>was a pleasure to represent and do those. We would

1:04:43.160 --> 1:04:46.720
<v Speaker 1>go into a city like New York or wherever we too,

1:04:47.720 --> 1:04:50.960
<v Speaker 1>three shows at the stadium and sell them out, and

1:04:51.120 --> 1:04:54.000
<v Speaker 1>that was never heard of for black bands to do that,

1:04:54.360 --> 1:04:59.120
<v Speaker 1>you know. So we felt we were, you know, making

1:04:59.200 --> 1:05:05.600
<v Speaker 1>a name ourself, creating history, making landmark. About to say,

1:05:05.760 --> 1:05:08.360
<v Speaker 1>I gotta ask about we can change the world. Yes,

1:05:08.800 --> 1:05:12.920
<v Speaker 1>very uh, very okay. Speaking of Bob Marley, I always

1:05:12.960 --> 1:05:16.760
<v Speaker 1>felt that that was your kind of world music exactly.

1:05:16.960 --> 1:05:20.000
<v Speaker 1>I love rage right. Even on my Tito Times album,

1:05:20.080 --> 1:05:23.080
<v Speaker 1>I have a reggae song that I just sat there. Yeah,

1:05:24.160 --> 1:05:27.000
<v Speaker 1>so yeah, I was gonna say, was that your inspiration

1:05:27.080 --> 1:05:30.320
<v Speaker 1>is sort of do like a world music? Yes? Yes, yes,

1:05:30.840 --> 1:05:33.080
<v Speaker 1>the song is about changing the world. You've got a

1:05:33.160 --> 1:05:35.080
<v Speaker 1>lot of different styles in you. Because I was listening

1:05:35.080 --> 1:05:36.360
<v Speaker 1>to one song and I was like, you got the

1:05:36.400 --> 1:05:39.520
<v Speaker 1>country in You do country stuff too, you know, we

1:05:39.600 --> 1:05:44.640
<v Speaker 1>started out singing was like cotton Field exactly. When I

1:05:44.760 --> 1:05:46.200
<v Speaker 1>heard that, I was like, yo, what do they do

1:05:46.280 --> 1:05:48.880
<v Speaker 1>about that? But yeah, you know by my music is blues.

1:05:48.960 --> 1:05:54.600
<v Speaker 1>I love blues. Who do you consider like god? Especially

1:05:54.680 --> 1:05:57.800
<v Speaker 1>to be around in Chicago those times? Were you able

1:05:57.920 --> 1:06:05.080
<v Speaker 1>to see these legends? Uh? No? No, no really no,

1:06:06.080 --> 1:06:10.840
<v Speaker 1>So you guys never played blues clubs and Albert and

1:06:11.520 --> 1:06:13.800
<v Speaker 1>Now I never saw aber King or any of those

1:06:13.840 --> 1:06:16.840
<v Speaker 1>guys play. I would hear him on record. The albercallis

1:06:16.960 --> 1:06:21.760
<v Speaker 1>Aber King, Jamie Reid, Bob King? Such, who's your favorite

1:06:21.760 --> 1:06:25.800
<v Speaker 1>blues guitarist player as far as tone and Bob King

1:06:26.040 --> 1:06:32.120
<v Speaker 1>and Abercollins really love him? Yeah? Wow, okay, okay. I

1:06:32.200 --> 1:06:35.880
<v Speaker 1>have an article here from right On Magazine October nineteen

1:06:35.920 --> 1:06:38.400
<v Speaker 1>seventy one. You also mentioned Jamie Hendricks was one of

1:06:38.480 --> 1:06:44.280
<v Speaker 1>your favorites. Jimmie really, what were your thoughts or Ernie

1:06:44.320 --> 1:06:47.520
<v Speaker 1>Eisley and as far as the direction that the Isles took, well,

1:06:47.640 --> 1:06:50.800
<v Speaker 1>he's dope, Ernie Stope on the guitar. Yeah, I love

1:06:50.880 --> 1:06:55.720
<v Speaker 1>his tone. Okay, so I know that the fruit doesn't

1:06:55.760 --> 1:06:59.400
<v Speaker 1>fall far from the tree and that your son's would

1:06:59.400 --> 1:07:02.880
<v Speaker 1>be Yeah. Ever, miss not to mention your son's also,

1:07:03.560 --> 1:07:09.280
<v Speaker 1>uh have a you know, a successful scening career as well. Um,

1:07:09.640 --> 1:07:13.680
<v Speaker 1>were you a little skeptical and knowing what you know

1:07:13.880 --> 1:07:20.600
<v Speaker 1>what the businesses, We're skeptical and sort of uh encouraging

1:07:20.680 --> 1:07:24.040
<v Speaker 1>them to well, like you said, knowing the show business

1:07:24.120 --> 1:07:27.120
<v Speaker 1>and the ups and downs of the business. I want.

1:07:27.160 --> 1:07:30.840
<v Speaker 1>They were very good athletes. They played a lot of baseball.

1:07:30.920 --> 1:07:33.840
<v Speaker 1>My middle side was right number five in the state

1:07:34.000 --> 1:07:38.520
<v Speaker 1>for baseball pitching, and he was Barry Bond was very

1:07:38.960 --> 1:07:41.360
<v Speaker 1>looking at him and wanted to him to go to

1:07:41.520 --> 1:07:44.560
<v Speaker 1>the Giants training camp and trained with him. And at

1:07:44.600 --> 1:07:47.920
<v Speaker 1>the time he was recording his first album with the brothers,

1:07:48.160 --> 1:07:52.880
<v Speaker 1>his brothers and uh, they they hung up the gloves

1:07:52.960 --> 1:07:57.880
<v Speaker 1>and watered the prisoners pursue songs really and I felt

1:07:57.960 --> 1:07:59.880
<v Speaker 1>I used to tell them, I say, hey, you can

1:08:00.040 --> 1:08:03.200
<v Speaker 1>doing both. You know, when the baseball season ain't happen

1:08:03.600 --> 1:08:06.680
<v Speaker 1>getting under the microphone. You can do both things. Was

1:08:06.720 --> 1:08:10.560
<v Speaker 1>this t J or Trell? The t J was just

1:08:10.760 --> 1:08:15.880
<v Speaker 1>as as as brilliant as an athlete as well. Mh wow. Okay,

1:08:16.320 --> 1:08:21.479
<v Speaker 1>so they wanted to pursue sports, well, they didn't exercise that.

1:08:21.600 --> 1:08:25.080
<v Speaker 1>They wanted to be entertainers because of me and their

1:08:25.160 --> 1:08:30.479
<v Speaker 1>uncle's of course, how hard is it to keep them ground?

1:08:30.520 --> 1:08:37.400
<v Speaker 1>Didn't humble when they're family are superheroes, they're pretty easy.

1:08:37.840 --> 1:08:41.840
<v Speaker 1>You know. When did they realize like, oh shit, like, okay,

1:08:41.920 --> 1:08:46.760
<v Speaker 1>this isn't normal. That's a good question. I don't I

1:08:46.880 --> 1:08:49.760
<v Speaker 1>don't have the answer for you. But they always loved

1:08:49.800 --> 1:08:51.720
<v Speaker 1>the business and wanted to be a part of it.

1:08:52.520 --> 1:08:55.759
<v Speaker 1>You know, like they had gone to a Jackson concert

1:08:55.840 --> 1:08:58.680
<v Speaker 1>when they was super young, and they're looking at the

1:08:58.720 --> 1:09:02.519
<v Speaker 1>outfits picking off the Ryan songs and decided and then

1:09:02.640 --> 1:09:04.880
<v Speaker 1>come home and grab bronze and mops and put on

1:09:05.000 --> 1:09:09.800
<v Speaker 1>the record and yeah, and I take the record. Yeah,

1:09:10.680 --> 1:09:16.280
<v Speaker 1>trying to be like that, don't touch my guitar, didn't

1:09:16.280 --> 1:09:18.560
<v Speaker 1>have it. Don't touch my guitar mount No, No, that

1:09:18.680 --> 1:09:22.000
<v Speaker 1>didn't happen. I told him, if you're going to do this,

1:09:22.120 --> 1:09:25.320
<v Speaker 1>you're gonna do this we're not faking it and all that,

1:09:25.520 --> 1:09:29.599
<v Speaker 1>we're really playing the instruments and really singing. I'd say,

1:09:29.600 --> 1:09:32.080
<v Speaker 1>if you really want to do it, I'll let you

1:09:32.240 --> 1:09:34.439
<v Speaker 1>use my instruments. You can go in the studio and

1:09:34.600 --> 1:09:37.439
<v Speaker 1>mess around and get familiar with things. And they did.

1:09:38.120 --> 1:09:40.560
<v Speaker 1>Then they showed interests. I got them some lessons and

1:09:40.600 --> 1:09:43.240
<v Speaker 1>they've learned a few things here and there, and I

1:09:43.360 --> 1:09:47.120
<v Speaker 1>started putting them under the microphone in the studio. Are

1:09:47.160 --> 1:09:53.519
<v Speaker 1>there any second generation Jackson's that are just like doctor lawyers? Yeah? Yeah,

1:09:53.720 --> 1:09:59.679
<v Speaker 1>we have accountants and morning kids are accountants and lawyers

1:09:59.720 --> 1:10:02.120
<v Speaker 1>and like that. He don't want his kids in show business.

1:10:02.520 --> 1:10:05.479
<v Speaker 1>That's even more important. Yeah, like have some behind the

1:10:05.760 --> 1:10:07.479
<v Speaker 1>somebody got to count the money that you can trust.

1:10:09.800 --> 1:10:15.599
<v Speaker 1>I see that. Okay. So for you're why why did

1:10:15.640 --> 1:10:18.280
<v Speaker 1>it take you so long to finally like really developed.

1:10:19.040 --> 1:10:21.760
<v Speaker 1>I don't think it took you that long because long

1:10:21.880 --> 1:10:27.000
<v Speaker 1>after the the group had left Epic. I've seen you

1:10:27.040 --> 1:10:30.920
<v Speaker 1>a few times, like you've had your blues review at

1:10:31.000 --> 1:10:35.320
<v Speaker 1>various clubs. I've seen it a few times. So during

1:10:35.400 --> 1:10:39.320
<v Speaker 1>that period, uh, late nineties, mid nineties or whatever, like

1:10:40.240 --> 1:10:44.000
<v Speaker 1>what made you decide to like sort of scratch that

1:10:44.080 --> 1:10:47.640
<v Speaker 1>blues hitch that you had, Well, it's still there, you know,

1:10:47.840 --> 1:10:50.160
<v Speaker 1>it never goes away. It's part of me, you know.

1:10:50.360 --> 1:10:54.519
<v Speaker 1>But most of my fans aren't blues, so I was figured,

1:10:54.600 --> 1:10:56.679
<v Speaker 1>if I'm gonna so they still come to the show

1:10:56.880 --> 1:11:00.120
<v Speaker 1>like waiting for you to sell the funking yeah, the

1:11:00.160 --> 1:11:04.600
<v Speaker 1>whole thing. Absolutely, And I just figured I need to

1:11:04.680 --> 1:11:09.280
<v Speaker 1>do something to satisfy their ears, you know. So I

1:11:09.439 --> 1:11:12.479
<v Speaker 1>decided my first album it's going to be for them,

1:11:13.479 --> 1:11:17.000
<v Speaker 1>you know. And I just pretty much finished the blues

1:11:17.040 --> 1:11:20.120
<v Speaker 1>album that I'm not ready to release because I'm going

1:11:20.160 --> 1:11:24.280
<v Speaker 1>to do a Cheeto time too, and maybe third album

1:11:24.360 --> 1:11:28.240
<v Speaker 1>blues record. I just did a recording with George Benson

1:11:29.200 --> 1:11:33.960
<v Speaker 1>and we did we we we redid rock Me Baby

1:11:34.840 --> 1:11:43.880
<v Speaker 1>George mcras, I'm sorry, okay, So there's yeah yeah, so

1:11:45.000 --> 1:11:47.960
<v Speaker 1>and uh we have a baby stored on the record

1:11:48.040 --> 1:11:51.280
<v Speaker 1>as well. Does she play or is she? She's a singer.

1:11:51.439 --> 1:11:54.639
<v Speaker 1>She sounds fabulous too. Do you ever just go out

1:11:54.720 --> 1:11:56.839
<v Speaker 1>and surprise people to go to it like a jam session?

1:11:57.080 --> 1:11:59.800
<v Speaker 1>I mean just I haven't done that too much of

1:11:59.840 --> 1:12:01.920
<v Speaker 1>my life. I've done it before, but not too much.

1:12:03.360 --> 1:12:07.439
<v Speaker 1>Some jams sessions, Yeah, we welcome that. You know, well,

1:12:07.600 --> 1:12:12.559
<v Speaker 1>if the roots do some jams exactly My point were

1:12:12.640 --> 1:12:17.599
<v Speaker 1>you were you surprised at the reception of Tito time

1:12:17.800 --> 1:12:21.640
<v Speaker 1>And I'm not surprised at the positive response, but you know,

1:12:21.680 --> 1:12:25.040
<v Speaker 1>I'm it's always a risk out there too. I've always

1:12:25.120 --> 1:12:29.679
<v Speaker 1>been very quiet, like I said, and uh, never spoke out.

1:12:30.680 --> 1:12:33.920
<v Speaker 1>Never never let my you know, pants down or whatever

1:12:33.960 --> 1:12:37.040
<v Speaker 1>you however you want to put it. And uh, heir,

1:12:37.160 --> 1:12:42.040
<v Speaker 1>but pants is good too. Always hair hair when I

1:12:42.160 --> 1:12:50.640
<v Speaker 1>let my pants down too. But anyhow, but anyhow, I

1:12:50.760 --> 1:12:53.720
<v Speaker 1>think the fans accepted it very well, so I thank

1:12:53.800 --> 1:12:58.439
<v Speaker 1>them for that. How often how do you guys divide

1:12:58.479 --> 1:13:02.920
<v Speaker 1>your time now? Uh with touring and doing like festivals

1:13:02.960 --> 1:13:07.679
<v Speaker 1>all over the world and downtime. Well, people don't understand

1:13:08.120 --> 1:13:11.720
<v Speaker 1>is that people always say to me, you know, this

1:13:12.040 --> 1:13:14.040
<v Speaker 1>is the last time you've seen your brother I say, well,

1:13:14.320 --> 1:13:17.840
<v Speaker 1>it's been about two weeks, three weeks, two weeks, three weeks.

1:13:18.640 --> 1:13:21.160
<v Speaker 1>I say, yeah, are you tired of people asking like

1:13:21.200 --> 1:13:23.280
<v Speaker 1>when you're alone, like where's the you know, where's it?

1:13:23.400 --> 1:13:29.800
<v Speaker 1>Like you're attested the hip, you know, but that you've

1:13:29.800 --> 1:13:33.559
<v Speaker 1>been with them all And if I see my brothers,

1:13:33.640 --> 1:13:35.439
<v Speaker 1>you know, I might see them every day for a

1:13:35.520 --> 1:13:38.120
<v Speaker 1>month on the road. You know, when I'm not on

1:13:38.240 --> 1:13:41.000
<v Speaker 1>the road, I want to get away and enjoying my

1:13:41.160 --> 1:13:43.880
<v Speaker 1>life a little bit personally. Well, I see how the

1:13:43.960 --> 1:13:47.000
<v Speaker 1>schedule is now, um, and you guys are you know,

1:13:47.960 --> 1:13:51.400
<v Speaker 1>when it's festival time for Europe and all these other countries.

1:13:51.800 --> 1:13:55.360
<v Speaker 1>I mean, you guys are pretty much together. So I

1:13:55.439 --> 1:13:59.439
<v Speaker 1>saw you guys when you first started touring, uh like,

1:14:00.320 --> 1:14:06.120
<v Speaker 1>was it two thousand, thousand, eleven um? And compared to

1:14:06.200 --> 1:14:08.640
<v Speaker 1>what it is now some eight nine years later, you

1:14:08.720 --> 1:14:13.160
<v Speaker 1>guys are like a full fledged operating machine. How do

1:14:13.280 --> 1:14:16.720
<v Speaker 1>you How do you guys divide that time? Because I

1:14:16.920 --> 1:14:22.680
<v Speaker 1>know that I know that that could be tiresome. I'm

1:14:22.720 --> 1:14:25.320
<v Speaker 1>one of those people. I don't want to see the schedule,

1:14:26.120 --> 1:14:27.760
<v Speaker 1>you know, I don't want to know what I need

1:14:27.840 --> 1:14:30.800
<v Speaker 1>to do. I'm just gonna do it. Do it, yeah,

1:14:31.360 --> 1:14:35.320
<v Speaker 1>and you see easier that way easier. I need to

1:14:35.400 --> 1:14:37.680
<v Speaker 1>know how you prepare because I was I told the

1:14:37.720 --> 1:14:40.720
<v Speaker 1>guys once I was randomly on a Jackson's tour in

1:14:40.920 --> 1:14:44.200
<v Speaker 1>London about three or so years ago. And you guys

1:14:44.320 --> 1:14:49.280
<v Speaker 1>still move your bodies like you did fifty years ago,

1:14:50.040 --> 1:14:52.880
<v Speaker 1>and they're They're like, how many y'all do, like twelve

1:14:53.120 --> 1:14:57.080
<v Speaker 1>songs at least? How do you prepare physically for something

1:14:57.200 --> 1:14:59.960
<v Speaker 1>like that. It's called not taking drugs and not drink

1:15:00.400 --> 1:15:04.120
<v Speaker 1>and get in your sleep and your rest because Marlin

1:15:04.400 --> 1:15:09.479
<v Speaker 1>Marlin still, oh my god, Yeah, seriously. Not a stretch,

1:15:09.560 --> 1:15:11.679
<v Speaker 1>not a woman on a yoga, not a not a vegan,

1:15:11.760 --> 1:15:13.800
<v Speaker 1>not a not a not a keto, not a nothing.

1:15:13.880 --> 1:15:16.400
<v Speaker 1>Just Marlin. He said, he don't eat any red in me,

1:15:16.600 --> 1:15:22.160
<v Speaker 1>but he's healthy. You know. We have to, uh, just

1:15:23.120 --> 1:15:25.920
<v Speaker 1>do it. That's all we do. Just do it. Yeah,

1:15:26.200 --> 1:15:29.080
<v Speaker 1>not even a stretch or warm up or Marlin stretches.

1:15:29.280 --> 1:15:31.760
<v Speaker 1>Of course they stretched. I don't do anything. I look

1:15:31.800 --> 1:15:37.720
<v Speaker 1>at them. And when did you fall in love with

1:15:37.760 --> 1:15:41.840
<v Speaker 1>the derby? I've been wearing this thing for twenty five years? Maybe? Yeah,

1:15:42.240 --> 1:15:44.320
<v Speaker 1>back in the day when my kids were rolling around

1:15:44.400 --> 1:15:49.160
<v Speaker 1>the UK, I went into the hattery and I discovered bowlers,

1:15:49.640 --> 1:15:51.840
<v Speaker 1>that's what they Was I wrong in calling it the derby?

1:15:53.240 --> 1:15:56.479
<v Speaker 1>So you're traveling with them in the very early stages

1:15:56.520 --> 1:16:00.479
<v Speaker 1>of three t Yes, were the teenagers? Then? Yes? They were? Okay,

1:16:00.520 --> 1:16:03.520
<v Speaker 1>so I guess yeah, yeah, they were I think fifteen

1:16:03.640 --> 1:16:08.400
<v Speaker 1>sixteen and something like that in that age group genal teenagers.

1:16:09.080 --> 1:16:12.759
<v Speaker 1>I see, So what is your what besides the Tito

1:16:12.840 --> 1:16:16.759
<v Speaker 1>t time? What you're contemplating? What's your What is your future?

1:16:17.640 --> 1:16:20.960
<v Speaker 1>What do you well? My future is to continue doing

1:16:21.040 --> 1:16:24.240
<v Speaker 1>my solo thing and enjoy it. Of course, work with

1:16:24.320 --> 1:16:28.439
<v Speaker 1>the brothers. I like to do a blues album and

1:16:29.560 --> 1:16:32.560
<v Speaker 1>do that whole thing. And that's basically all I'm looking for,

1:16:32.840 --> 1:16:37.640
<v Speaker 1>just doing my music. I'm a musician singer, so I

1:16:37.760 --> 1:16:42.720
<v Speaker 1>want to have complete success in that area. I think

1:16:42.760 --> 1:16:46.040
<v Speaker 1>you're success in that area. I mean you're Jackson. For

1:16:46.200 --> 1:16:51.000
<v Speaker 1>God's sake, you're Jackson. Any other VAM request stive? What?

1:16:51.720 --> 1:16:55.720
<v Speaker 1>Oh no, no, okay, no, he's gonna give me the car.

1:16:55.760 --> 1:16:59.840
<v Speaker 1>I'm sure I don't need to request it again. What.

1:17:00.240 --> 1:17:03.240
<v Speaker 1>What's the car you've had the longest of your car?

1:17:03.439 --> 1:17:07.880
<v Speaker 1>I have a nineteen thirty cavallet Um Model A four

1:17:08.680 --> 1:17:12.280
<v Speaker 1>that I adore. That's your favorite? It's not my favorite

1:17:12.520 --> 1:17:15.120
<v Speaker 1>when I had the longest I've had that? Which one

1:17:15.200 --> 1:17:17.600
<v Speaker 1>is your favorite that you have? I have a nineteen

1:17:19.760 --> 1:17:24.280
<v Speaker 1>Lincoln convertible that I adore. He just made me feel normal.

1:17:24.360 --> 1:17:28.640
<v Speaker 1>Do you just have a regular Corolla, like just to

1:17:28.720 --> 1:17:30.880
<v Speaker 1>go to the corner Stoy to get toilet papers. He

1:17:30.960 --> 1:17:33.760
<v Speaker 1>go to Gilsen's. He want to go to Gilson's. That's

1:17:33.800 --> 1:17:37.320
<v Speaker 1>the grocery store. If he goes to about because I

1:17:37.439 --> 1:17:42.320
<v Speaker 1>live in l A now, so I just okay, yeah,

1:17:43.600 --> 1:17:47.000
<v Speaker 1>I feel you. What is your car? What's your what's

1:17:47.000 --> 1:17:49.080
<v Speaker 1>your store car? You're run around and do Errand's car?

1:17:49.400 --> 1:17:52.400
<v Speaker 1>Or do you have to stunt every time? I know,

1:17:52.640 --> 1:17:57.840
<v Speaker 1>I actually going in cart needle. I have a few cars,

1:17:57.880 --> 1:18:03.439
<v Speaker 1>I like, you know, I drive a Fiat and I

1:18:03.600 --> 1:18:10.200
<v Speaker 1>drive a Dodge Realm pickup truck. That's that's a download

1:18:10.840 --> 1:18:15.400
<v Speaker 1>Underratar car. Yeah, I still consider that stunting. What was

1:18:15.400 --> 1:18:17.040
<v Speaker 1>the waiting for? You say, like I have a scion

1:18:17.280 --> 1:18:20.880
<v Speaker 1>or something like he does. That's what that's what quest

1:18:20.960 --> 1:18:23.880
<v Speaker 1>keeps scion and a key on deck just in case

1:18:24.520 --> 1:18:32.040
<v Speaker 1>what my one fan chases me down the street before

1:18:32.080 --> 1:18:37.479
<v Speaker 1>I let you go. Can you just tell one random

1:18:38.400 --> 1:18:44.160
<v Speaker 1>is there? Is there just a random Jackson story? That's

1:18:44.160 --> 1:18:48.559
<v Speaker 1>a few that you can tell. Well, when we were

1:18:48.640 --> 1:18:52.400
<v Speaker 1>young back in the day and everybody knows what Jermaine

1:18:52.479 --> 1:18:58.360
<v Speaker 1>is like, Betty, just give me, give me a German story.

1:19:02.200 --> 1:19:04.439
<v Speaker 1>We used to have after the show you know the

1:19:04.479 --> 1:19:07.360
<v Speaker 1>girls were crazy on the stage. Chase us off stage

1:19:07.439 --> 1:19:12.719
<v Speaker 1>and come to the hotel. We have five girls running

1:19:12.840 --> 1:19:16.000
<v Speaker 1>through the Hotel's trump good to get up the stairs,

1:19:16.080 --> 1:19:19.760
<v Speaker 1>up the elevators. Put security on the stairwells and at

1:19:19.800 --> 1:19:25.280
<v Speaker 1>the elevators and everywhere. Somehow Jermaine got somebody through what

1:19:25.640 --> 1:19:37.240
<v Speaker 1>he told me back in the day aunties. Anyhow, Jermaine

1:19:37.320 --> 1:19:40.839
<v Speaker 1>that Jermaine and Michael shared rooms. And he told Michael

1:19:43.160 --> 1:19:45.040
<v Speaker 1>because he stutters a little bit. He don't do this

1:19:45.120 --> 1:19:47.200
<v Speaker 1>when he sings, but when he talks he stutters a little.

1:19:48.320 --> 1:19:52.120
<v Speaker 1>My god, I got a girl coming over. So when

1:19:52.200 --> 1:19:58.000
<v Speaker 1>she come here, I want you to hide. So so

1:19:58.200 --> 1:20:02.880
<v Speaker 1>I guess the girl knocks on the door. Okay, Michael, Hi, Hi, Mike.

1:20:03.080 --> 1:20:06.960
<v Speaker 1>Mike his under the bed, right. So the young lady

1:20:07.040 --> 1:20:11.360
<v Speaker 1>walks in the room and jam as enjoying her and uh,

1:20:12.600 --> 1:20:14.719
<v Speaker 1>and all of a sudden she goes, wait a minute,

1:20:15.000 --> 1:20:26.519
<v Speaker 1>I feel the third hand. Thank you very much, welcome here,

1:20:26.600 --> 1:20:30.640
<v Speaker 1>any ladies and gentlemen, or and behalf of Quest Love

1:20:30.720 --> 1:20:36.320
<v Speaker 1>Supreme Boss, Bill, June Bug, Sugar Steve. It's like shout

1:20:36.360 --> 1:20:39.559
<v Speaker 1>out to Fontacolo and I'm made Bill, Thank you very much,

1:20:39.920 --> 1:20:45.040
<v Speaker 1>Mr Jackson. Thank you. We didn't ask one question. Why

1:20:45.080 --> 1:20:47.800
<v Speaker 1>did you never get the curl? Well? I never get

1:20:47.840 --> 1:20:50.320
<v Speaker 1>why did you never get the curl? The curl in

1:20:50.439 --> 1:20:55.920
<v Speaker 1>the hair? Oh on me, I don't want that. Ladies

1:20:55.960 --> 1:20:58.080
<v Speaker 1>and gentleman, take you very much. This is a sure

1:20:58.520 --> 1:21:02.160
<v Speaker 1>supreme we We'll see you on the next ground. Check

1:21:02.200 --> 1:21:14.880
<v Speaker 1>out later. For more podcasts from my Heart Radio, visit

1:21:14.920 --> 1:21:18.080
<v Speaker 1>the I Heart Radio app, Apple podcast, or wherever you

1:21:18.160 --> 1:21:22.120
<v Speaker 1>listen to your favorite shows. H