WEBVTT - Reasonable Doubt w/ Bradley Whitford

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<v Speaker 1>Of the Law and Order franchises. SVU is considered especially watchable.

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<v Speaker 2>We are the amateur detectives who kind of investigate the

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<v Speaker 2>vicious felonies. These episodes are based on. These are our stories.

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<v Speaker 3>Done done.

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<v Speaker 1>Yay, that's messed up an SVU podcast. I am Liza

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<v Speaker 1>Tragger and I'm Kara Klank and by now hopefully you

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<v Speaker 1>know what's going on here. It's SVU, it's true crime,

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<v Speaker 1>it's interviews with celebs, to be honest, and today's a

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<v Speaker 1>really good one. But first, wow, I have I can't

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<v Speaker 1>see Okay, tell me, okay, okay, So I feel like

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<v Speaker 1>you have a more exciting life than me. You always

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<v Speaker 1>have fun stories, and I finally feel like it's my

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<v Speaker 1>moment in the sun. Okay, have fun stories, have fun

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<v Speaker 1>story No, I know, I know, I know, but okay.

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<v Speaker 1>So I mentioned this on the pod a few weeks

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<v Speaker 1>ago that I was going to see Ama Dais at

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<v Speaker 1>the Pasadena Playhouse starring Jefferson Mace, friend of the Pod

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<v Speaker 1>aka doctor Carl Rudnick.

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<v Speaker 4>Okay, so the week or so before, I'm.

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<v Speaker 1>Like, you know what, I'm just gonna like see if

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<v Speaker 1>he wants to, like, say hi after the show, right,

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<v Speaker 1>so I email his publicists and I'm just like, hey,

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<v Speaker 1>I interviewed your client a year ago on my podcast.

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<v Speaker 1>I'm going I already have tickets. I'm not asking for

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<v Speaker 1>anything free. I was like, I would love to pop

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<v Speaker 1>in and say hi after the show. She was like,

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<v Speaker 1>he would love to see you. I was like, I

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<v Speaker 1>was gagged.

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<v Speaker 4>Okay.

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<v Speaker 2>I also did see the photo and I would like

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<v Speaker 2>to say, Jared going gray, I think is a great look.

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<v Speaker 1>Thank you. Do you feel that way or are you

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<v Speaker 1>not into it? Yeah? Because you know what, he was

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<v Speaker 1>already so blonde that it's so it's so gradual, like

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<v Speaker 1>it's kind of.

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<v Speaker 2>Like because I haven't seen him in a long time.

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<v Speaker 2>And I was, yeah, I was like, this is a

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<v Speaker 2>good look.

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<v Speaker 1>Yeah, yeah, yeah, it's it's going good for it because

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<v Speaker 1>he kind of still has a baby case.

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<v Speaker 2>I just now that I mentioned your husband, I obviously

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<v Speaker 2>think of Kumel the new star of White Lotus. I mean,

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<v Speaker 2>I mean and then in my hat him like that's

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<v Speaker 2>the biggest deal ever and that I remember he's like Marvel,

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<v Speaker 2>like he is famous, but like I just can't even Amerine.

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<v Speaker 1>I know, but I texted his wife yesterday, who's like

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<v Speaker 1>my good friend, and I was like, I'm I was like,

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<v Speaker 1>I'm simultaneously feel betrayed that you didn't tell me, but

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<v Speaker 1>also know fully well that you could never have told me. Yeah,

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<v Speaker 1>thank you for realizing that, because I was like, that's

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<v Speaker 1>so huge. But I texted him congrats, and I think

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<v Speaker 1>that he's over the moon, like so excited. And France,

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<v Speaker 1>I mean, yeah, they're gonna be near Kahn, They're gonna

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<v Speaker 1>being con They're.

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<v Speaker 2>Gonna have this time with the Times. It's gonna be amazing.

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<v Speaker 2>All right, get back. Okay, so you're at the Pasadena Playhouse.

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<v Speaker 1>Okay, So I'm at the Pasadena Playhouse and we see

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<v Speaker 1>the show, and I'm gonna I honestly, maybe the best

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<v Speaker 1>play I've ever seen in my entire life, Like I

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<v Speaker 1>have never seen amadeis the movie I have never seen.

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<v Speaker 1>I don't I've never watched the play. Like it was

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<v Speaker 1>so good. The stage picture, like the last thing I

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<v Speaker 1>saw there was Kate with You, right, Like so Kate

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<v Speaker 1>Berlance One Woman Show awesome, but like pretty much a

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<v Speaker 1>black stage with like a projection up during certain points.

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<v Speaker 1>This was like scrims and projections in the back and

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<v Speaker 1>like this awesome two floor set where like people keep

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<v Speaker 1>appearing almost like ghosts at the top. Like it was

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<v Speaker 1>like really fantastic. And Jefferson Mays is the star of

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<v Speaker 1>the damn show. It's called Amadaeus because it's it is

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<v Speaker 1>about Mozart, but he plays Salieri and like if you

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<v Speaker 1>don't know the show, it's basically like it's basically like

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<v Speaker 1>they're both composers, and Saliary realizes that.

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<v Speaker 4>The photos he looks incredible. This wig.

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<v Speaker 1>Yeah, he realizes that Mozart is like a god given

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<v Speaker 1>talent like and so he basically makes it his mission

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<v Speaker 1>to like ruin him so that he can be It's

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<v Speaker 1>like but he but he acts like his friend. So

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<v Speaker 1>it's like a tale of gaslighting and somebody like trying

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<v Speaker 1>to take you down, but acting like your friend.

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<v Speaker 4>It's like so good, it looks so cool.

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<v Speaker 1>Wow, he has like the most he has so many lines,

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<v Speaker 1>Like I mean, it's like he's the star of the

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<v Speaker 1>fucking show. It's nuts, and he does an amazing job.

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<v Speaker 1>There's monologues where he's screaming. He has to go from

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<v Speaker 1>young salary to old dying salary and it's like a

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<v Speaker 1>totally different posture and voice and everything, like he's a master,

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<v Speaker 1>like he was so good, so you know, and I

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<v Speaker 1>saw it the second to last day, like it closed

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<v Speaker 1>the next day, so it was a full house. So

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<v Speaker 1>we go, we go backstage. We're waiting. You've seen, You've

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<v Speaker 1>been in the room. We're sitting on like these little

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<v Speaker 1>couches kind of like waiting because it's this big green

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<v Speaker 1>room where everyone has like a little dressing room off

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<v Speaker 1>to the side. So we're just like waiting for him

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<v Speaker 1>to come out, okay, And I'm seeing other members of

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<v Speaker 1>the cast and I'm like, that was amazing, you were

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<v Speaker 1>so good. Blah blah blah. There's opera in it, like

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<v Speaker 1>some of the actresses and actors like sing opera. It

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<v Speaker 1>was crazy. And then in the doorway comes this big

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<v Speaker 1>guy and some of the cast members go, we saw

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<v Speaker 1>you from the stage. Oh my god. And I look

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<v Speaker 1>to the side and I go, I go, oh, that

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<v Speaker 1>that looks like Christopher Maloney, and like, kind of from

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<v Speaker 1>the side, are you kidding me? No?

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<v Speaker 4>I go, kind of from the side, that guy looks

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<v Speaker 4>like Christopher Maloney.

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<v Speaker 1>And then Jefferson Mays comes out of his room and

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<v Speaker 1>he's like in a rob he's just obviously taking all

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<v Speaker 1>his makeup off, and he goes and he shakes the

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<v Speaker 1>man's hand. I'm my Maloney lighter in my hand. Yeah.

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<v Speaker 1>He goes and shakes the man's hand, and in my mind,

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<v Speaker 1>I'm going, well, it's not Christopher Malone, because Jefferson Mays

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<v Speaker 1>would know Christopher Maloney. Then he steps into the dress

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<v Speaker 1>into the green room and it is Christopher Maloney, and

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<v Speaker 1>my entire heart like sinks into my stomach.

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<v Speaker 4>There's like fifteen people in the green room.

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<v Speaker 2>You think Jefferson's like putting this together like in his

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<v Speaker 2>head like this is no, no, not a.

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<v Speaker 1>He's not so because he hasn't even seen us yet.

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<v Speaker 1>He hasn't even seen me in Jared yet. He's like

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<v Speaker 1>zipped out of his dressing room and gone and seen

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<v Speaker 1>straight to obviously gone straight to Maloney. And so he is,

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<v Speaker 1>but he buzzes around, he goes somewhere else because Maloney

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<v Speaker 1>knows one of the actors in the play. Okay, So

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<v Speaker 1>I'm like, oh my god, oh my god. Jared is

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<v Speaker 1>sitting there with me, and he goes, how can I

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<v Speaker 1>support you? What if you want to do? And I'm

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<v Speaker 1>like I'm like, I'm like paralyzed, like I don't know

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<v Speaker 1>what to do. I'm usually like pretty cool around celebs,

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<v Speaker 1>and I just was like, I don't even know like

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<v Speaker 1>how I speak to him, because I know he kind

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<v Speaker 1>of it, but he's in a good mood. He's like

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<v Speaker 1>telling everybody how great they did whatever, and I'm like, okay.

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<v Speaker 1>So then he goes and he's deeper into the green

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<v Speaker 1>room taking pictures with some of the cast members, and

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<v Speaker 1>then Jefferson comes up to us, and I'm like, oh

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<v Speaker 1>my god. Hi. It's like, yeah, you know Kara from

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<v Speaker 1>the podcast.

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<v Speaker 4>And he goes, of course, thank you so much for

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<v Speaker 4>coming back.

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<v Speaker 1>Oh my god. And I was like, you were so amazing,

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<v Speaker 1>and I'm like talking about how how could he possibly like

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<v Speaker 1>keep his voice every night a day after day he goes,

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<v Speaker 1>it just comes back. I was like, oh my god,

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<v Speaker 1>it's because he screams monologues like it's crazy. But anyway,

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<v Speaker 1>the whole time I'm like talking to Jefferson, I'm also

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<v Speaker 1>like at the back of my mind, like I have

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<v Speaker 1>one eye wandering like where's Christopher Maloney And so I go,

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<v Speaker 1>I go, I can't believe Christopher Lone he's here, Jefferson

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<v Speaker 1>and he goes, oh, you gotta get him, and I go,

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<v Speaker 1>I go, I got, I know, I gotta go say hi,

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<v Speaker 1>And he was like, yeah, yeah yeah.

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<v Speaker 4>So he and I chat for a little bit.

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<v Speaker 2>He's so fun, he said, yeah, rod Nick's later right,

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<v Speaker 2>like they never worked together.

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<v Speaker 1>That's what I realized after. That's when I realized after

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<v Speaker 1>the reason he was introducing himself is because Rudnick is

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<v Speaker 1>seasoned like fourteen fifteen, right, so they never they never

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<v Speaker 1>probably yeah, so, but in my mind I just wasn't

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<v Speaker 1>you know, I wasn't thinking seasons right at the no.

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<v Speaker 1>I know, I know, yeah, yeah, yeah, I don't know.

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<v Speaker 1>The same thing came to me after I go. I

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<v Speaker 1>said to Jared, I go, that's why they don't know

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<v Speaker 1>each other different later seasons. And Jared goes, okay, like

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<v Speaker 1>he has no idea what's going on. So I'm like, fuck, okay.

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<v Speaker 1>So and Jefferson said, he goes, I had the best

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<v Speaker 1>time with you ladies. He was like talking about how

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<v Speaker 1>much he loved being on the podcast, and he was like,

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<v Speaker 1>you guys indulging me with my little day drinking. And

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<v Speaker 1>I was like, you were just having a glassy, little

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<v Speaker 1>glass of white wine. It was no big deal. And

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<v Speaker 1>so he was and March, that's so funny. It was

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<v Speaker 1>a little martini glass, okay, And we'd we asked him,

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<v Speaker 1>we were like, are is that a martini? He's like,

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<v Speaker 1>it's a white wine. But he was so so sweet,

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<v Speaker 1>and he said that there's talk of the show moving

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<v Speaker 1>possibly to New York and if it goes there, you

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<v Speaker 1>gotta go like so good. So then he has to

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<v Speaker 1>go obviously, like he's got other people to see and

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<v Speaker 1>shit to do. And I'm like, okay. So Maloney has

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<v Speaker 1>gone to the stage with his friend, so I follow.

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<v Speaker 1>I go up to the stage and he's gone, and

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<v Speaker 1>I go. I go to the friend. I go, did

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<v Speaker 1>Christopher Maloney leave?

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<v Speaker 4>And he goes yeah.

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<v Speaker 1>I go. I go, oh no, I go, I have

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<v Speaker 1>the Number one is for You podcast. He goes, oh

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<v Speaker 1>my god, you want me to text him? And I go,

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<v Speaker 1>you guys are friends. He goes, yeah, he was here

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<v Speaker 1>to see me. And I go, oh no, that's okay,

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<v Speaker 1>Like you're not gonna text and go there's a girl

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<v Speaker 1>with a podcast. Then come back like you know, like

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<v Speaker 1>that's not happening. But it was like I couldn't like

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<v Speaker 1>be rude to Jefferson and like down maloney and it

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<v Speaker 1>was so quick. But I'll tell you he looked great.

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<v Speaker 1>The butt was he was standing in front of me.

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<v Speaker 1>I saw his butt before I saw his full face

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<v Speaker 1>and was like, it's him, Like that's him and uh,

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<v Speaker 1>really filling out those genes. And he was really nice

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<v Speaker 1>and complimentary to the whole cast. And you know I

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<v Speaker 1>heard him talk about where he lives in La. It's

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<v Speaker 1>not impossible that I could run into him again.

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<v Speaker 4>No, we will run into him again. He will do

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<v Speaker 4>the pod, We will see him.

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<v Speaker 2>Yes, you were in close proximity.

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<v Speaker 1>Yeah, who was he with somebody? At first I thought

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<v Speaker 1>he was, but they were two other friends of the

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<v Speaker 1>same actor, so he was alone. Got it wow?

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<v Speaker 4>And he was off into the night.

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<v Speaker 1>And then I, you know, I got out onto those

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<v Speaker 1>streets after I left and was like scanning everywhere seeing

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<v Speaker 1>if he was like getting into a black car.

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<v Speaker 2>But I missed opportunity. He didn't miss it. That was

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<v Speaker 2>what was supposed to happen. It's like, yeah, you know.

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<v Speaker 1>He was like I could have touched him. He was

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<v Speaker 1>so close. It was crazy, Like did he look but

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<v Speaker 1>I felt that feeling? Yeah, he was. He looked really

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<v Speaker 1>hot and I because he was like just very like

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<v Speaker 1>cash and I just have not had that feeling of

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<v Speaker 1>like oh my god, like what do I do? What

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<v Speaker 1>do I say? How like what do I have to

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<v Speaker 1>approach this like in a long time. So nice to

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<v Speaker 1>know I still I can still feel you know. That

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<v Speaker 1>was good.

0:10:14.920 --> 0:10:16.960
<v Speaker 4>Now my heart is beating so fast right now.

0:10:17.080 --> 0:10:20.080
<v Speaker 1>Yeah. Yeah, but I was like it was so crazy.

0:10:20.120 --> 0:10:21.840
<v Speaker 1>I go wow in profile, that guy really looks like

0:10:21.880 --> 0:10:24.280
<v Speaker 1>Christopher Maloney. And then I was like, but it's how

0:10:24.320 --> 0:10:26.679
<v Speaker 1>big is the I guess I didn't anticipate me like

0:10:26.960 --> 0:10:29.720
<v Speaker 1>seeing a big guy and going, oh my god, it's Maloney.

0:10:29.280 --> 0:10:31.440
<v Speaker 4>Like it was the baldness too.

0:10:31.559 --> 0:10:35.080
<v Speaker 1>Yeah, like he was just baldi and like I just

0:10:35.120 --> 0:10:37.000
<v Speaker 1>saw him in the doorway, you know, like people were

0:10:37.080 --> 0:10:38.920
<v Speaker 1>kind of in front and act the actresses were like.

0:10:38.880 --> 0:10:40.720
<v Speaker 4>We saw you from the stage. I was like, this

0:10:40.800 --> 0:10:41.480
<v Speaker 4>must be somebody.

0:10:41.559 --> 0:10:43.240
<v Speaker 2>I mean, this is kind of like when people are

0:10:43.240 --> 0:10:45.000
<v Speaker 2>like are you going to SNL like for Connor Store

0:10:45.040 --> 0:10:47.320
<v Speaker 2>or whatever? I go no, because I don't want to

0:10:47.320 --> 0:10:49.920
<v Speaker 2>behave Like sometimes it's like you can't be desperate, you

0:10:49.960 --> 0:10:53.560
<v Speaker 2>know what I mean, like your exact situations. Everyone wants

0:10:53.559 --> 0:10:56.040
<v Speaker 2>a thing, and sometimes that feeling is just too much

0:10:56.080 --> 0:10:58.280
<v Speaker 2>to handle and you have to stay grounded, and it's

0:10:58.320 --> 0:11:01.680
<v Speaker 2>like you can't be a free and sometimes the freaks

0:11:01.679 --> 0:11:02.240
<v Speaker 2>are rewarded.

0:11:02.240 --> 0:11:04.760
<v Speaker 4>I'm sure, but like I don't know totally.

0:11:05.120 --> 0:11:06.640
<v Speaker 1>And I was like, I mean, in my mind, I

0:11:06.679 --> 0:11:09.280
<v Speaker 1>was like gonna be like, I'm so sorry to bother you.

0:11:09.360 --> 0:11:11.000
<v Speaker 1>I just have to tell you because like I mean,

0:11:11.080 --> 0:11:14.320
<v Speaker 1>I don't know if he even knows about our podcast,

0:11:14.400 --> 0:11:15.359
<v Speaker 1>but I.

0:11:15.360 --> 0:11:18.000
<v Speaker 4>You know, I had I had a plan in my

0:11:18.000 --> 0:11:18.480
<v Speaker 4>mind to win.

0:11:18.559 --> 0:11:20.839
<v Speaker 2>It's gonna be one of those where when he finally

0:11:20.920 --> 0:11:23.079
<v Speaker 2>does it, we'll be like, well, you've said no forever

0:11:23.120 --> 0:11:25.200
<v Speaker 2>and he goes what I would never have said no,

0:11:25.320 --> 0:11:28.640
<v Speaker 2>and it's like, yeah.

0:11:27.240 --> 0:11:33.160
<v Speaker 1>He said no his people. Yeah, so yeah that's my

0:11:33.280 --> 0:11:37.800
<v Speaker 1>story and what a night. But damn and yeah, and

0:11:37.880 --> 0:11:39.840
<v Speaker 1>I like, yeah, I posted a story. I have a

0:11:40.440 --> 0:11:42.120
<v Speaker 1>maybe I'll put it on Maine or something. I have

0:11:42.160 --> 0:11:43.760
<v Speaker 1>a great I have a great pick of me, just

0:11:43.800 --> 0:11:46.199
<v Speaker 1>me and rod Nick alone. Jared's not the best photographer,

0:11:46.280 --> 0:11:53.679
<v Speaker 1>but you know we got a cute little pick. Wow. Okay,

0:11:53.760 --> 0:11:55.800
<v Speaker 1>I do have to I do have a confession to

0:11:55.800 --> 0:11:59.720
<v Speaker 1>make to you guys. And I I know, I like

0:11:59.880 --> 0:12:02.560
<v Speaker 1>I actually ended up not really doing Saint Patrick's Day yesterday.

0:12:02.600 --> 0:12:05.560
<v Speaker 1>So I apologize for moving the four, okay, I cause

0:12:05.600 --> 0:12:07.840
<v Speaker 1>I saw on your stories that you had an early

0:12:07.880 --> 0:12:08.959
<v Speaker 1>one and that's really fun.

0:12:09.720 --> 0:12:12.280
<v Speaker 2>I did because Julia was leaving town and I made

0:12:12.280 --> 0:12:14.680
<v Speaker 2>her feel so guilty and bad that she would leave me.

0:12:15.000 --> 0:12:16.920
<v Speaker 2>And she was also like, these are like we don't

0:12:17.000 --> 0:12:18.840
<v Speaker 2>really even do this holiday, Like why are you acting

0:12:18.880 --> 0:12:19.080
<v Speaker 2>like this?

0:12:19.120 --> 0:12:20.040
<v Speaker 1>And then I had receipts.

0:12:20.080 --> 0:12:22.440
<v Speaker 2>I go, oh, like when Lane Maine corn beef and

0:12:22.480 --> 0:12:24.480
<v Speaker 2>you did, I go, how dare you say we don't

0:12:24.520 --> 0:12:25.280
<v Speaker 2>do this holiday?

0:12:26.320 --> 0:12:28.800
<v Speaker 4>So she felt so bad that she went to soul

0:12:28.840 --> 0:12:29.480
<v Speaker 4>cycle with me.

0:12:29.760 --> 0:12:31.600
<v Speaker 2>We went to cornerbe stre It was like also a

0:12:31.640 --> 0:12:34.440
<v Speaker 2>gorgeous day in New York City. Yeah, it was like

0:12:34.480 --> 0:12:37.440
<v Speaker 2>in the sixties but or maybe fifties. But we sat

0:12:37.440 --> 0:12:39.160
<v Speaker 2>outside and then we went to ear in our favorite

0:12:39.160 --> 0:12:42.120
<v Speaker 2>Irish place. And then I had yeah, oh my god,

0:12:42.200 --> 0:12:44.920
<v Speaker 2>this is the New York Friday. Seven o'clock drinks at

0:12:44.960 --> 0:12:49.280
<v Speaker 2>a steakhouse, eight o'clock Korean barbecue, ten o'clock karaoke, twelve

0:12:49.320 --> 0:12:53.040
<v Speaker 2>forty five a spot, two am, a spot like I

0:12:53.160 --> 0:12:55.520
<v Speaker 2>was performing fully black Down. Oh yeah, I got a

0:12:55.520 --> 0:12:57.559
<v Speaker 2>text from the friend group I left from karaoke being

0:12:57.640 --> 0:12:59.400
<v Speaker 2>at one forty five, going where are you at?

0:12:59.440 --> 0:13:01.200
<v Speaker 4>And I said, I'm still waiting to go up.

0:13:02.800 --> 0:13:03.880
<v Speaker 1>Oh my god.

0:13:04.400 --> 0:13:06.319
<v Speaker 2>So I like party and you know, and this is

0:13:06.360 --> 0:13:08.640
<v Speaker 2>the thing, like I'm at soul Cycle with high schoolers

0:13:08.640 --> 0:13:09.960
<v Speaker 2>and I'm like, I am thirty eight.

0:13:10.480 --> 0:13:13.000
<v Speaker 4>I started drinking at seven o'clock.

0:13:13.160 --> 0:13:16.559
<v Speaker 2>I missed, I mixed four liquors and I'm fucking here

0:13:16.640 --> 0:13:18.760
<v Speaker 2>spinning bitch. I was just like, I felt really good

0:13:18.760 --> 0:13:19.439
<v Speaker 2>about myself.

0:13:19.840 --> 0:13:21.080
<v Speaker 1>But then Julie and.

0:13:21.080 --> 0:13:23.440
<v Speaker 2>I went straight to Saint Patti's, so I was like

0:13:23.559 --> 0:13:26.320
<v Speaker 2>drunk and then I'd arrest before my next one am spot.

0:13:26.520 --> 0:13:28.440
<v Speaker 1>You know what I mean? Oh my god.

0:13:29.400 --> 0:13:32.160
<v Speaker 2>No, But I kept wanting to party and everyone was like, well,

0:13:32.160 --> 0:13:35.200
<v Speaker 2>I have a job, Like what do you mean? Like nothing,

0:13:35.240 --> 0:13:37.320
<v Speaker 2>like nothing was clicking, and I was like, am I

0:13:37.360 --> 0:13:40.280
<v Speaker 2>just gonna get blacked out alone in the neighborhood. And

0:13:40.320 --> 0:13:42.079
<v Speaker 2>then I went to get a coffee at ten am

0:13:42.120 --> 0:13:43.640
<v Speaker 2>and I go, you know, I thought I was going

0:13:43.679 --> 0:13:46.560
<v Speaker 2>to party today and the girl goes, I mean, it's

0:13:46.600 --> 0:13:47.520
<v Speaker 2>still pretty early.

0:13:48.080 --> 0:13:57.040
<v Speaker 1>Yeah, things could turn around, girl made by lunch. But

0:13:57.120 --> 0:13:59.520
<v Speaker 1>this is what I did. So basically, I have I

0:13:59.520 --> 0:14:01.319
<v Speaker 1>do have a lot it's not gonna be the maloney.

0:14:01.400 --> 0:14:02.000
<v Speaker 1>I do have a list.

0:14:02.160 --> 0:14:05.040
<v Speaker 2>It all is kind of connected also, Casey, it's so funny.

0:14:05.080 --> 0:14:08.400
<v Speaker 2>So my hairdresser, Lacey's been doing my hair in color

0:14:08.400 --> 0:14:10.280
<v Speaker 2>and cut for like a decade. I would say over

0:14:10.320 --> 0:14:12.000
<v Speaker 2>a decade, and she said the same thing you did.

0:14:12.000 --> 0:14:13.719
<v Speaker 2>She goes, Lisa, I've never heard you say you read

0:14:13.720 --> 0:14:15.040
<v Speaker 2>a book. And I'm really proud of you.

0:14:15.120 --> 0:14:20.120
<v Speaker 1>Right now people are saying that, like the streets are

0:14:20.160 --> 0:14:22.480
<v Speaker 1>saying that. But I finished the eighth one.

0:14:22.920 --> 0:14:25.200
<v Speaker 2>I didn't know what to do, and then I actually,

0:14:25.280 --> 0:14:27.280
<v Speaker 2>I hope you're a listener. I ran into a girl

0:14:27.320 --> 0:14:30.120
<v Speaker 2>who came to my Grammarcy show at the park and

0:14:30.200 --> 0:14:31.920
<v Speaker 2>she goes, you need to read this book, and I

0:14:31.960 --> 0:14:34.360
<v Speaker 2>went and bought it. But it's love Letters to a

0:14:34.400 --> 0:14:36.800
<v Speaker 2>serial Killer and it's really fun.

0:14:36.880 --> 0:14:40.400
<v Speaker 1>I'm into it really. Yeah. I'm only like fifty pages in.

0:14:40.440 --> 0:14:42.920
<v Speaker 1>But I was like scared that nothing but gay hockey

0:14:42.960 --> 0:14:44.320
<v Speaker 1>would like get me to read.

0:14:44.600 --> 0:14:46.200
<v Speaker 4>But I found Murder.

0:14:46.920 --> 0:14:47.240
<v Speaker 5>Murder.

0:14:47.280 --> 0:14:50.600
<v Speaker 1>Now it's a muscle. Now it's a muscle that it's working. Now, yeah,

0:14:50.680 --> 0:14:53.120
<v Speaker 1>you can do other stuff. Well now when I started

0:14:53.120 --> 0:14:55.960
<v Speaker 1>in people have been dming stuff that you should also

0:14:56.040 --> 0:14:59.800
<v Speaker 1>read yeah, like about gay FBI agents. Once somebody said

0:14:59.800 --> 0:15:01.680
<v Speaker 1>some and I got a forwarded.

0:15:01.760 --> 0:15:03.800
<v Speaker 2>I need it because I bought a straight book and

0:15:03.880 --> 0:15:05.680
<v Speaker 2>it just wasn't doing it. I like, couldn't read this

0:15:05.680 --> 0:15:08.040
<v Speaker 2>straight romance, but this one has a murder element and

0:15:08.080 --> 0:15:10.200
<v Speaker 2>she's like writing to this murderer and I do enjoy it,

0:15:10.240 --> 0:15:10.920
<v Speaker 2>but I needed this.

0:15:11.160 --> 0:15:13.520
<v Speaker 1>I need gay fbis you need to say that, Yeah,

0:15:13.520 --> 0:15:15.440
<v Speaker 1>I'll forward it to you. I definitely need.

0:15:15.400 --> 0:15:18.920
<v Speaker 2>But whatever, So okay, there's so many So anyways, I've

0:15:19.000 --> 0:15:21.080
<v Speaker 2>just been like out and about and it's mostly heated

0:15:21.120 --> 0:15:26.680
<v Speaker 2>rivalry related. But Connor Story's v Man magazine. I don't

0:15:26.680 --> 0:15:28.240
<v Speaker 2>know what that is, but it came out. It was

0:15:28.240 --> 0:15:30.400
<v Speaker 2>supposed to come out the sixteenth to Barnes and Noble.

0:15:30.760 --> 0:15:32.440
<v Speaker 2>So I'm on it. I'm showing it. They go, we

0:15:32.440 --> 0:15:34.520
<v Speaker 2>don't have it. We don't know when magazines come. It's

0:15:34.560 --> 0:15:37.240
<v Speaker 2>per the distributor. Like they were stressed. You could tell

0:15:37.240 --> 0:15:40.280
<v Speaker 2>Barnes and Noble was stressed. So I start calling magazine shops.

0:15:40.280 --> 0:15:42.040
<v Speaker 2>I'm calling all the places in New York like trying

0:15:42.040 --> 0:15:44.600
<v Speaker 2>to get this magazine. So then one guy finally he's like,

0:15:44.640 --> 0:15:47.040
<v Speaker 2>come tomorrow morning, just please come tomorrow morning. So that

0:15:47.120 --> 0:15:48.960
<v Speaker 2>so that's Saint Patrick's stay. So I'm up at like

0:15:49.000 --> 0:15:50.040
<v Speaker 2>eight third, I'm like, let's go.

0:15:50.680 --> 0:15:53.600
<v Speaker 1>So so you are partying, you're tracking out a magazine,

0:15:53.640 --> 0:15:58.840
<v Speaker 1>so you are partying a little bit, so you're on

0:15:58.920 --> 0:16:01.560
<v Speaker 1>the fucking case Like this is so good.

0:16:01.720 --> 0:16:03.760
<v Speaker 2>I get to the story immediately, like I'll take three,

0:16:04.240 --> 0:16:05.440
<v Speaker 2>and he's and then I give him money and he

0:16:05.480 --> 0:16:07.000
<v Speaker 2>goes wanting to do five. I go, I don't need

0:16:07.040 --> 0:16:08.160
<v Speaker 2>He goes, you could sell it. I go, that's not

0:16:08.160 --> 0:16:13.000
<v Speaker 2>my spirit. And then I go and then I go like,

0:16:13.160 --> 0:16:15.040
<v Speaker 2>how's it been or what's going on? And he goes,

0:16:15.720 --> 0:16:21.840
<v Speaker 2>you people are driving me crazy.

0:16:20.800 --> 0:16:22.800
<v Speaker 4>Like they're bringing back print meet that's a slur.

0:16:22.920 --> 0:16:24.080
<v Speaker 1>You're only talking about women.

0:16:24.160 --> 0:16:25.800
<v Speaker 4>You're basically mostly talking about women.

0:16:27.160 --> 0:16:28.960
<v Speaker 2>And then I go, I'll take a fourth one. I go, okay,

0:16:29.000 --> 0:16:31.920
<v Speaker 2>because I'm gonna give one my niece whatever, Like I just, I.

0:16:32.080 --> 0:16:33.520
<v Speaker 1>Just I'm surprised they didn't put a limit on it,

0:16:33.520 --> 0:16:36.040
<v Speaker 1>like the Princess Diana Beanie baby out where I worked,

0:16:36.080 --> 0:16:37.440
<v Speaker 1>we were only allowed to buy one.

0:16:38.480 --> 0:16:40.600
<v Speaker 2>No, he wanted me to buy more. He was, and

0:16:40.600 --> 0:16:42.200
<v Speaker 2>then he gave me. He's like, well, let's fold it.

0:16:42.240 --> 0:16:44.240
<v Speaker 2>I go excuse me. He goes, that's okay, right. I go,

0:16:44.840 --> 0:16:46.720
<v Speaker 2>absolutely not, and you said there's two why are you

0:16:46.760 --> 0:16:49.160
<v Speaker 2>doing that? And then he's like and started opening a

0:16:49.200 --> 0:16:52.440
<v Speaker 2>new box. He was like pissed, but I got the magazines.

0:16:52.880 --> 0:16:55.000
<v Speaker 2>But then so I went to go get another book

0:16:55.520 --> 0:16:58.000
<v Speaker 2>and I'm in like Matao's neighborhood.

0:16:58.080 --> 0:17:00.720
<v Speaker 1>This is like and in my and my guy.

0:17:00.760 --> 0:17:02.000
<v Speaker 2>I go, oh, I should see if he wants to

0:17:02.040 --> 0:17:03.880
<v Speaker 2>do breakfast and I was like, oh, whatever, it's Saint

0:17:03.920 --> 0:17:05.600
<v Speaker 2>Patrick's there. I think I have to do something else.

0:17:05.720 --> 0:17:08.160
<v Speaker 2>So then I go to the bookstore. I got recognized

0:17:08.200 --> 0:17:10.160
<v Speaker 2>at the bookstore. The one of those guys who works

0:17:10.200 --> 0:17:12.480
<v Speaker 2>there goes, I hear you on Sydney and Marie's podcast.

0:17:12.560 --> 0:17:15.560
<v Speaker 2>I love their podcast, and I heard Mateo call you

0:17:15.640 --> 0:17:18.520
<v Speaker 2>and he mentions Mateo. One minute later, Mateo calls me

0:17:18.960 --> 0:17:20.040
<v Speaker 2>like can you believe that?

0:17:21.640 --> 0:17:21.720
<v Speaker 5>What?

0:17:22.000 --> 0:17:24.120
<v Speaker 2>And he goes, hey, we're filming something and a bunch

0:17:24.119 --> 0:17:24.800
<v Speaker 2>of people are late.

0:17:24.840 --> 0:17:27.040
<v Speaker 4>Can you like rush over and do something real quick?

0:17:27.080 --> 0:17:30.199
<v Speaker 2>And I went okay, So like that felt kind of

0:17:30.240 --> 0:17:33.680
<v Speaker 2>serendipitous and psychotic, yeah, like to like Mateo, And then

0:17:33.800 --> 0:17:35.960
<v Speaker 2>it happened, so like that was really really fun but

0:17:36.280 --> 0:17:37.639
<v Speaker 2>so we just did a thing. But I got my

0:17:37.680 --> 0:17:41.400
<v Speaker 2>magazines and I just loved the way the guy. Oh

0:17:41.440 --> 0:17:45.280
<v Speaker 2>but then for Saint Patrick. Then my road agent, no

0:17:45.280 --> 0:17:48.080
<v Speaker 2>big deal. Ryan was like, Hey, my mom's flight got fucked.

0:17:48.119 --> 0:17:49.880
<v Speaker 2>I have Broadway tickets. Do you want to come see

0:17:49.920 --> 0:17:52.440
<v Speaker 2>a show? And I went, I guess this is all

0:17:52.480 --> 0:17:56.320
<v Speaker 2>meant to be honest. Say so, I saw a show

0:17:56.400 --> 0:17:59.480
<v Speaker 2>called Strangers Carrying a Cake in New York.

0:18:00.359 --> 0:18:03.840
<v Speaker 1>Oh cool. I never heard of it across to New York.

0:18:03.880 --> 0:18:05.520
<v Speaker 1>Across I had to look at the magnet I bought,

0:18:05.680 --> 0:18:09.000
<v Speaker 1>but I happened. Of course you bought merch. Was it good?

0:18:09.560 --> 0:18:11.800
<v Speaker 2>It was lovely? It was like sweet romantic. I love

0:18:11.840 --> 0:18:13.720
<v Speaker 2>the set. They're very, very talented.

0:18:13.920 --> 0:18:16.000
<v Speaker 1>I don't think those songs are like hits or whatever,

0:18:16.080 --> 0:18:17.400
<v Speaker 1>but they're it's good.

0:18:17.440 --> 0:18:18.760
<v Speaker 4>I laughed. I was into it.

0:18:19.320 --> 0:18:21.760
<v Speaker 2>And I think people are into like romance vibes, so

0:18:21.800 --> 0:18:24.640
<v Speaker 2>like people who are like oh yeah, yeah, yeah.

0:18:24.520 --> 0:18:24.960
<v Speaker 1>Kind of fun.

0:18:25.680 --> 0:18:27.200
<v Speaker 2>And I had a great time and just like any

0:18:27.480 --> 0:18:29.080
<v Speaker 2>you know, it's like it just feel it's like a

0:18:29.560 --> 0:18:31.080
<v Speaker 2>just feels cool to be in New York and be

0:18:31.119 --> 0:18:32.840
<v Speaker 2>able to go to a Broadway show last minute, you

0:18:32.920 --> 0:18:35.280
<v Speaker 2>know what I mean? And I was next to two

0:18:35.320 --> 0:18:37.359
<v Speaker 2>teen girls and there was a Harry Potter joke and

0:18:37.400 --> 0:18:37.920
<v Speaker 2>the way.

0:18:37.720 --> 0:18:39.240
<v Speaker 4>They laugh then they got that one.

0:18:41.119 --> 0:18:43.360
<v Speaker 2>No, but okay, So before I bought my eighth gay

0:18:43.359 --> 0:18:46.199
<v Speaker 2>hockey book and it finished it I So I go

0:18:46.240 --> 0:18:49.720
<v Speaker 2>to Barnes and Noble and I'm in line with it

0:18:49.920 --> 0:18:52.440
<v Speaker 2>and a man budges me. But you know, like like Sephora,

0:18:52.520 --> 0:18:55.439
<v Speaker 2>like there's items on the side, so you're just you're looking.

0:18:55.960 --> 0:18:58.199
<v Speaker 1>But a man cuts me in line. But I'm like,

0:18:58.920 --> 0:19:00.959
<v Speaker 1>I love that. I never heard I only hear you

0:19:01.000 --> 0:19:05.439
<v Speaker 1>say that budging. Budging, Yeah, like someone budges you. It's like,

0:19:05.560 --> 0:19:08.280
<v Speaker 1>is that you say that to case? Yeah? Like I

0:19:08.359 --> 0:19:11.080
<v Speaker 1>never heard that before? Really, and except you said I

0:19:11.080 --> 0:19:14.159
<v Speaker 1>know you said it before. It's so cute. Cut is

0:19:14.200 --> 0:19:16.639
<v Speaker 1>like you're cutting me. Budge is like I just nudged

0:19:16.680 --> 0:19:18.920
<v Speaker 1>in front of you. But it's not nice. No, it's

0:19:18.920 --> 0:19:20.600
<v Speaker 1>like an old guy and I'm not in a hurry.

0:19:20.680 --> 0:19:21.600
<v Speaker 1>So I was like what hu.

0:19:21.960 --> 0:19:23.959
<v Speaker 2>Then a second man cuts me in line, so then

0:19:23.960 --> 0:19:27.680
<v Speaker 2>I'm like, okay, what's like? Am I invisible? So I go, okay, sir,

0:19:27.880 --> 0:19:29.760
<v Speaker 2>like what's going on here? I'm in line? Why is

0:19:29.760 --> 0:19:32.040
<v Speaker 2>ever going in front of me. It's Neil Patrick Harris.

0:19:32.080 --> 0:19:40.359
<v Speaker 1>He turns around, Wait what at Barnes and nobody? And

0:19:40.440 --> 0:19:42.879
<v Speaker 1>aren't you friends with him? From your go ahead?

0:19:43.040 --> 0:19:46.480
<v Speaker 2>So I go, oh hey, I go I met you

0:19:46.600 --> 0:19:50.280
<v Speaker 2>backstage at your at your play and he goes, okay,

0:19:50.480 --> 0:19:52.280
<v Speaker 2>I just I thought you were looking at the items.

0:19:52.840 --> 0:19:54.919
<v Speaker 2>I go, I know, it was just like you were

0:19:54.960 --> 0:19:56.320
<v Speaker 2>the second person to budge me.

0:19:56.320 --> 0:19:58.760
<v Speaker 4>It just was kind of crazy, and he went okay,

0:19:59.000 --> 0:19:59.640
<v Speaker 4>and then that was it.

0:20:00.440 --> 0:20:03.680
<v Speaker 1>Ah. But then it was like so New York because

0:20:03.680 --> 0:20:05.280
<v Speaker 1>then I left and then I ran into John Early

0:20:05.320 --> 0:20:07.480
<v Speaker 1>at the farmers market. It really it's really been like

0:20:07.640 --> 0:20:09.880
<v Speaker 1>I guess a who's who of adventure when you leave

0:20:09.920 --> 0:20:10.920
<v Speaker 1>the house, you know what I mean?

0:20:11.119 --> 0:20:14.040
<v Speaker 4>I got nineteen thousand steps I think two days ago.

0:20:14.400 --> 0:20:16.919
<v Speaker 1>Geez, just trying to get a comfort rise the amount

0:20:17.119 --> 0:20:19.440
<v Speaker 1>of the hard to get ten Wait.

0:20:19.520 --> 0:20:21.760
<v Speaker 4>No, I do have to say it is a heated rivalrything.

0:20:21.760 --> 0:20:24.480
<v Speaker 2>But remember when I was first raving about it, I

0:20:24.680 --> 0:20:29.280
<v Speaker 2>mentioned how I love his progression of English and how

0:20:29.359 --> 0:20:31.600
<v Speaker 2>like it's because they shot it out of order. So

0:20:31.640 --> 0:20:34.560
<v Speaker 2>I was like the fact that his English gets better

0:20:34.560 --> 0:20:36.879
<v Speaker 2>and how he knows words is like so incredible, and

0:20:36.920 --> 0:20:40.000
<v Speaker 2>so I saw an interview with the script supervisor, and

0:20:40.040 --> 0:20:41.880
<v Speaker 2>I guess I didn't realize. I knew it was about

0:20:41.960 --> 0:20:45.800
<v Speaker 2>continuity and script stuff, and I remember the script supervisor

0:20:45.840 --> 0:20:47.399
<v Speaker 2>and survival being like, you need a jacket.

0:20:47.400 --> 0:20:50.439
<v Speaker 4>You're coming from outside. But I didn't put it together.

0:20:51.080 --> 0:20:53.639
<v Speaker 2>But it's her that would be like because in the

0:20:53.720 --> 0:20:56.680
<v Speaker 2>book when he gives Shane his room number, he goes

0:20:56.960 --> 0:20:59.560
<v Speaker 2>twelve twenty one, and I noticed in the show he

0:20:59.600 --> 0:21:01.760
<v Speaker 2>goes one two two one, and I was like, I

0:21:01.840 --> 0:21:04.359
<v Speaker 2>wonder what that was. And it was the fucking script supervisor.

0:21:04.400 --> 0:21:07.360
<v Speaker 2>She's like, your English is too good. She's like, it's

0:21:07.400 --> 0:21:07.840
<v Speaker 2>too early.

0:21:07.880 --> 0:21:09.919
<v Speaker 4>I'd say twelve twenty one, you would say one two

0:21:10.000 --> 0:21:10.440
<v Speaker 4>two one.

0:21:10.640 --> 0:21:13.520
<v Speaker 2>Yeah, And I was just like, holy shit. It was

0:21:13.560 --> 0:21:16.040
<v Speaker 2>someone's fucking job and they did a good job at it,

0:21:16.200 --> 0:21:19.080
<v Speaker 2>and I did notice it, and it was just cool

0:21:19.080 --> 0:21:20.679
<v Speaker 2>that I caught that interview and the.

0:21:20.720 --> 0:21:24.120
<v Speaker 1>Idea I was that new thing. So script supervisors are

0:21:24.200 --> 0:21:26.680
<v Speaker 1>like the people that are like me on this podcast

0:21:26.720 --> 0:21:27.919
<v Speaker 1>looking for the holes like you.

0:21:28.160 --> 0:21:30.320
<v Speaker 4>I'm like, I'm like, would I be good at that job?

0:21:30.400 --> 0:21:32.040
<v Speaker 1>Like you have to be like, wait a minute, that

0:21:32.040 --> 0:21:34.840
<v Speaker 1>doesn't really make sense because you're coming from a totally

0:21:34.840 --> 0:21:35.480
<v Speaker 1>different place.

0:21:35.600 --> 0:21:37.280
<v Speaker 2>Like, no, I had the wrong impression. I was like,

0:21:37.320 --> 0:21:39.480
<v Speaker 2>they're the nerds who want me to be script perfect

0:21:39.520 --> 0:21:41.639
<v Speaker 2>and I don't want to. Like in my head, I'm like,

0:21:41.680 --> 0:21:43.760
<v Speaker 2>get away from me and I'm gonna say whatever I want.

0:21:43.800 --> 0:21:46.159
<v Speaker 1>Yeah, that's so interesting that they have to have like

0:21:46.200 --> 0:21:49.800
<v Speaker 1>the whole does it makes you think it's.

0:21:49.920 --> 0:21:52.879
<v Speaker 4>Just really cool that the like the that good.

0:21:53.200 --> 0:21:55.320
<v Speaker 2>I mean, also, we didn't even mention the fucking oscars

0:21:55.320 --> 0:21:56.320
<v Speaker 2>were already at a half hour.

0:21:56.400 --> 0:21:58.840
<v Speaker 4>This is a nightmare. And I'm like, I just with

0:21:58.920 --> 0:21:59.560
<v Speaker 4>Ryan Coogler.

0:21:59.600 --> 0:22:01.240
<v Speaker 2>It's like with him, it's like the team, it's the

0:22:01.280 --> 0:22:04.679
<v Speaker 2>people together, it's everyone working so hard, it's everything, and

0:22:04.720 --> 0:22:07.160
<v Speaker 2>then his and then everyone talking about him in such

0:22:07.200 --> 0:22:10.560
<v Speaker 2>a beautiful way. And I'm just like James Cameron, you

0:22:10.640 --> 0:22:13.240
<v Speaker 2>suck right, like no one thinks you're nice, and it's

0:22:13.280 --> 0:22:15.840
<v Speaker 2>like you can make great things and also be beloved

0:22:15.880 --> 0:22:17.280
<v Speaker 2>and nurture other people's talent.

0:22:17.320 --> 0:22:18.360
<v Speaker 4>And I just love him.

0:22:18.560 --> 0:22:21.440
<v Speaker 1>Yeah, Ryan Coogler is the mushco Hargate I would say

0:22:21.480 --> 0:22:24.480
<v Speaker 1>of the movie world. And like I would, I would

0:22:24.520 --> 0:22:26.720
<v Speaker 1>be devastated if like someone comes out and is like

0:22:27.160 --> 0:22:30.359
<v Speaker 1>he doesn't he is mean to me. At the laundromat,

0:22:30.440 --> 0:22:32.520
<v Speaker 1>like I don't know, like I'm gonna be He's just

0:22:32.680 --> 0:22:36.240
<v Speaker 1>so like he gives me hope. And I'm gonna watch

0:22:36.240 --> 0:22:38.679
<v Speaker 1>Sinners because now it's too much. Now I gotta watch it.

0:22:38.680 --> 0:22:40.720
<v Speaker 1>I'm gonna watch and that weapons one that's like a

0:22:40.720 --> 0:22:44.920
<v Speaker 1>big whorry, that's like fucking cool. I love I mean,

0:22:45.000 --> 0:22:50.479
<v Speaker 1>I love A. I love A like a later in

0:22:50.520 --> 0:22:53.000
<v Speaker 1>life Hollywood, like she's been working for so long, give

0:22:53.040 --> 0:22:55.440
<v Speaker 1>her some flower, Like I love that with Amy Madigan.

0:22:55.600 --> 0:22:56.720
<v Speaker 4>Yeah, I think that's great.

0:22:57.040 --> 0:23:02.120
<v Speaker 2>I like he's doing that the lights well, Leo looked

0:23:02.119 --> 0:23:04.600
<v Speaker 2>hot because I watched that Libies and like at the

0:23:04.680 --> 0:23:06.639
<v Speaker 2>same time, we looked at each other and we're like whoa.

0:23:07.080 --> 0:23:09.119
<v Speaker 2>And Allison's like, it's he still does it for me.

0:23:09.200 --> 0:23:11.119
<v Speaker 2>And then I was with other people and everyone was

0:23:11.160 --> 0:23:13.080
<v Speaker 2>just like like he did something or he's getting ready

0:23:13.119 --> 0:23:14.960
<v Speaker 2>for something because he looks fucking good.

0:23:15.359 --> 0:23:18.680
<v Speaker 1>He looked your You know what I've said on this podcast,

0:23:18.800 --> 0:23:19.760
<v Speaker 1>Leo doesn't do it for me.

0:23:20.080 --> 0:23:21.240
<v Speaker 4>I've said on this podcast.

0:23:21.800 --> 0:23:24.800
<v Speaker 1>When they shot came to him during the rose Burn

0:23:24.920 --> 0:23:27.200
<v Speaker 1>thing when she was taught, when he was like no,

0:23:27.359 --> 0:23:29.560
<v Speaker 1>I was like, why does he look hot? Like he

0:23:30.119 --> 0:23:32.679
<v Speaker 1>did look good. He's like deep puffed or something.

0:23:32.760 --> 0:23:35.280
<v Speaker 2>Well, the rumor is because he's gonna shoot a Scorsese

0:23:35.359 --> 0:23:38.360
<v Speaker 2>movie with Jennifer Lawrence and she's so hot.

0:23:38.800 --> 0:23:41.200
<v Speaker 4>Somebody told me that Scorsese retired.

0:23:41.720 --> 0:23:46.560
<v Speaker 2>Casey also also Scorsese Pta, and who's the other one.

0:23:46.920 --> 0:23:50.760
<v Speaker 2>They all won their Best Movie Oscars with fucking Leo.

0:23:51.640 --> 0:23:55.320
<v Speaker 1>Leo gets the people Oscars. He's their muse. Yeah.

0:23:55.359 --> 0:23:57.840
<v Speaker 2>Oh, and James Cameron for Titanic, like he fucking gets

0:23:57.960 --> 0:23:59.200
<v Speaker 2>yeah Oscars.

0:23:59.240 --> 0:23:59.760
<v Speaker 1>He's so good.

0:23:59.800 --> 0:24:02.959
<v Speaker 4>Y No Connor and Hudson looks so good.

0:24:03.000 --> 0:24:04.520
<v Speaker 2>And I bought new sheets and I bought brown sheets

0:24:04.520 --> 0:24:06.040
<v Speaker 2>because he was wearing brown. I was like, maybe I'll

0:24:06.080 --> 0:24:07.560
<v Speaker 2>just do brown sheet.

0:24:07.920 --> 0:24:10.800
<v Speaker 1>Noah. They looked like complimentary and they're like sheer those

0:24:10.840 --> 0:24:13.520
<v Speaker 1>like sheer numbers that they were. I had some friends

0:24:13.600 --> 0:24:16.439
<v Speaker 1>that went to those parties and it's just so funny

0:24:16.440 --> 0:24:18.480
<v Speaker 1>because everyone's like it's really just a lot of celebrities

0:24:18.480 --> 0:24:21.399
<v Speaker 1>waiting around in lines like it's people, and like everybody

0:24:21.440 --> 0:24:23.800
<v Speaker 1>gets to these parties afterwards and they my friend sent

0:24:23.840 --> 0:24:25.679
<v Speaker 1>me what they had underneath the seats, and it's like

0:24:25.680 --> 0:24:27.840
<v Speaker 1>a Bauga's bag of skinny pop and a water bottle,

0:24:27.880 --> 0:24:29.840
<v Speaker 1>Like these people are starving, Like they get to these

0:24:29.880 --> 0:24:31.080
<v Speaker 1>parties after then they get.

0:24:31.000 --> 0:24:32.879
<v Speaker 2>To go to the chateau for like Beyonce or like

0:24:32.920 --> 0:24:36.439
<v Speaker 2>Madonna's parties. Yeah, they have like a good time. Yeah

0:24:36.520 --> 0:24:39.159
<v Speaker 2>oh yeah the guy oh Siri party. Oh I have

0:24:39.160 --> 0:24:42.000
<v Speaker 2>one more thing I'd like to plug. I went to

0:24:42.440 --> 0:24:46.240
<v Speaker 2>a party at club Coming for Underdogs. It's an Audible show.

0:24:46.320 --> 0:24:50.600
<v Speaker 2>Drew Anderson and Marshabell Ski. Yes, they've been working five years,

0:24:50.640 --> 0:24:52.840
<v Speaker 2>Like I remember the day they both told me they

0:24:52.880 --> 0:24:55.720
<v Speaker 2>got this deal that they're starting to write it. Alan

0:24:55.760 --> 0:25:00.160
<v Speaker 2>Cummings in it BB New Earth, but young young actors

0:25:00.200 --> 0:25:01.920
<v Speaker 2>like early twenty maybe teens.

0:25:02.200 --> 0:25:04.800
<v Speaker 4>That's sang and they were one of them. Brought me

0:25:04.840 --> 0:25:05.240
<v Speaker 4>to tears.

0:25:05.320 --> 0:25:07.280
<v Speaker 2>I was fully crying at the end, like it was

0:25:08.640 --> 0:25:11.159
<v Speaker 2>so good and it's about like the kids in a

0:25:11.200 --> 0:25:13.080
<v Speaker 2>school who don't make the play and then they make

0:25:13.119 --> 0:25:14.919
<v Speaker 2>their own like play and it's called Underdog.

0:25:15.200 --> 0:25:16.600
<v Speaker 1>I love that way. When does it? Is it out

0:25:16.640 --> 0:25:17.320
<v Speaker 1>already out?

0:25:17.359 --> 0:25:19.320
<v Speaker 2>It's out on Audible And it was like and the

0:25:19.640 --> 0:25:22.959
<v Speaker 2>live show was so fun. And then Natalie Walker, who's

0:25:23.040 --> 0:25:24.960
<v Speaker 2>an incredible singer, she's y and.

0:25:24.920 --> 0:25:27.080
<v Speaker 1>She always she's funny. You should keep.

0:25:26.920 --> 0:25:29.439
<v Speaker 4>Following her, Why have I heard from her?

0:25:29.480 --> 0:25:31.280
<v Speaker 1>Maybe she still do it, but to honor like high

0:25:31.320 --> 0:25:34.320
<v Speaker 1>school vibes, she was like, you know, I played Fontine

0:25:34.320 --> 0:25:37.399
<v Speaker 1>and ley Miz, but I was such a theater girl

0:25:37.760 --> 0:25:39.960
<v Speaker 1>that I, you know, I need to know how she died.

0:25:40.000 --> 0:25:42.440
<v Speaker 1>And since it was syphilis, I while I sang the

0:25:42.520 --> 0:25:45.240
<v Speaker 1>last song, I started going blind. And so she's saying

0:25:45.280 --> 0:25:48.080
<v Speaker 1>as her high school self, like going blind from syphilis

0:25:48.119 --> 0:25:51.119
<v Speaker 1>as she saying, And it was like, I mean, it

0:25:51.240 --> 0:25:53.719
<v Speaker 1>was like the best and I don't know, yeah, so

0:25:54.040 --> 0:25:57.639
<v Speaker 1>if you guys want to do that. It was an

0:25:57.680 --> 0:26:00.240
<v Speaker 1>incredible show. And then Julia listened to it all already

0:26:00.280 --> 0:26:01.440
<v Speaker 1>and said it was so fucking good.

0:26:01.560 --> 0:26:03.560
<v Speaker 4>So I'm obsessed.

0:26:03.760 --> 0:26:06.600
<v Speaker 1>Those don't. I haven't listened to it, but I can

0:26:06.640 --> 0:26:09.359
<v Speaker 1>attest that Drew Anderson and Marshabelski are two of the

0:26:09.359 --> 0:26:12.919
<v Speaker 1>funniest people, so talented, so and see, yeah, go listen.

0:26:13.000 --> 0:26:15.000
<v Speaker 2>And they love musical theater. It's basically, if you love

0:26:15.080 --> 0:26:17.399
<v Speaker 2>musical theater like you will love this.

0:26:17.520 --> 0:26:19.400
<v Speaker 1>Oh my god, I feel like a lot of our

0:26:19.960 --> 0:26:21.000
<v Speaker 1>listeners will be into this.

0:26:21.040 --> 0:26:23.320
<v Speaker 2>All right, this was long. I mean, this was really

0:26:23.320 --> 0:26:25.040
<v Speaker 2>a lot of name drops too. If that's something you

0:26:25.280 --> 0:26:26.560
<v Speaker 2>I know love about what we did.

0:26:26.560 --> 0:26:29.360
<v Speaker 1>It's aust for week and I went to randomly see

0:26:29.359 --> 0:26:31.359
<v Speaker 1>this play. How could I ever have known I was

0:26:31.400 --> 0:26:34.280
<v Speaker 1>going to cross paths with that ass? Wait?

0:26:34.359 --> 0:26:36.480
<v Speaker 2>But what else about the I can't believe. Well, it's

0:26:36.520 --> 0:26:38.639
<v Speaker 2>funny because I've made a friend host. And then I

0:26:38.720 --> 0:26:40.320
<v Speaker 2>came late and then I had to leave early for

0:26:40.359 --> 0:26:42.719
<v Speaker 2>a spot. And then everyone goes, we wouldn't have watched it.

0:26:42.800 --> 0:26:44.959
<v Speaker 2>You forced this upon us. Why are you doing this?

0:26:45.000 --> 0:26:45.919
<v Speaker 2>And I went, I'm sorry.

0:26:46.480 --> 0:26:51.400
<v Speaker 1>Yeah, I watched it at another comedian's house and we

0:26:52.119 --> 0:26:54.680
<v Speaker 1>just I love filling out the ballots because I'm actually

0:26:54.720 --> 0:26:58.080
<v Speaker 1>pretty good at the ballots, even in like sound editing

0:26:58.119 --> 0:26:58.760
<v Speaker 1>and crap like that.

0:26:58.800 --> 0:27:00.359
<v Speaker 4>I'm just like kind of good at guests. What's going

0:27:00.400 --> 0:27:00.720
<v Speaker 4>to well?

0:27:00.720 --> 0:27:05.159
<v Speaker 2>I'm also casting was really exciting, and I'm so glad

0:27:05.160 --> 0:27:07.120
<v Speaker 2>that she got to like rib Pta too.

0:27:08.080 --> 0:27:10.320
<v Speaker 1>Yeah, it's like crazy, but I had to leave before

0:27:10.440 --> 0:27:13.240
<v Speaker 1>the big I had to leave before all the big announces, unfortunately,

0:27:13.280 --> 0:27:14.920
<v Speaker 1>because it's like it was like seven o'clock and I

0:27:14.960 --> 0:27:18.320
<v Speaker 1>had to get my kids to bed. But like, I

0:27:18.400 --> 0:27:22.080
<v Speaker 1>was really happy for all the people. I guess there

0:27:22.080 --> 0:27:24.919
<v Speaker 1>were that many disappointments best supporting. I was like, not

0:27:25.000 --> 0:27:26.080
<v Speaker 1>that down with Sean Penwin.

0:27:26.640 --> 0:27:29.040
<v Speaker 2>Guess what, He's in fucking Ukraine with Zelensky and gave

0:27:29.080 --> 0:27:32.080
<v Speaker 2>him the oscar Like he's like, oh okay, I know

0:27:32.160 --> 0:27:33.720
<v Speaker 2>we all hate him and he's like in fucking Ukraine.

0:27:33.720 --> 0:27:35.280
<v Speaker 2>I was talking about him and then someone goes, I

0:27:35.280 --> 0:27:38.920
<v Speaker 2>think he's in Ukraine doing humanitarian aid and I went, well, okay,

0:27:39.119 --> 0:27:39.520
<v Speaker 2>I think.

0:27:39.359 --> 0:27:42.359
<v Speaker 4>He'll still be okay, two things can be true.

0:27:43.560 --> 0:27:45.600
<v Speaker 2>No, I was gonna say, did you see Wendy what's

0:27:45.600 --> 0:27:48.720
<v Speaker 2>her name not McLevin, what's her name, Wendy mcleey.

0:27:48.320 --> 0:27:51.639
<v Speaker 1>Plending Covey. Did you see why she didn't make it

0:27:51.640 --> 0:27:53.919
<v Speaker 1>to the oscars? Yeah? She goes, I gotta I got

0:27:53.960 --> 0:27:56.000
<v Speaker 1>a neck lift and I'm sick of looking like a

0:27:56.080 --> 0:27:56.840
<v Speaker 1>melting candle.

0:27:56.960 --> 0:28:01.240
<v Speaker 4>So that's where I am. There's no bad blood.

0:28:01.359 --> 0:28:03.400
<v Speaker 2>I mean, she's incredible, but that's what everyone was thinking,

0:28:03.400 --> 0:28:04.440
<v Speaker 2>like where the fuck's are, bitch?

0:28:04.640 --> 0:28:05.640
<v Speaker 1>Like where the bucks are?

0:28:05.640 --> 0:28:05.880
<v Speaker 5>Girl?

0:28:06.960 --> 0:28:10.520
<v Speaker 4>But that was really fun, love her, love her. Before

0:28:10.520 --> 0:28:11.119
<v Speaker 4>we get started.

0:28:11.160 --> 0:28:14.240
<v Speaker 1>I just also want to mention that Exactly Rights web

0:28:14.320 --> 0:28:18.320
<v Speaker 1>store is having a spring cleaning sale that starts this Thursday,

0:28:18.520 --> 0:28:22.159
<v Speaker 1>March twenty sixth. You can use the code EERM Spring

0:28:22.280 --> 0:28:26.000
<v Speaker 1>twenty six for twenty percent off site wide. There's some exclusions,

0:28:26.000 --> 0:28:30.239
<v Speaker 1>I guess, but there's a last chance section, so you know,

0:28:30.640 --> 0:28:33.480
<v Speaker 1>just you can go get our Lois Louise Lewis t

0:28:33.600 --> 0:28:35.480
<v Speaker 1>shirt that I love so much, and we have some

0:28:35.560 --> 0:28:38.960
<v Speaker 1>other random leftover merch up there, so you can go

0:28:39.080 --> 0:28:42.400
<v Speaker 1>grab that stuff at exactly rightstore dot com or you know,

0:28:42.440 --> 0:28:44.000
<v Speaker 1>the link is in our bio and at That's messed

0:28:44.040 --> 0:28:46.800
<v Speaker 1>Up Live dot com, where you can also find Lisa's

0:28:46.840 --> 0:28:51.959
<v Speaker 1>tour schedule and all of our other pertinent links.

0:28:52.800 --> 0:28:54.840
<v Speaker 4>All right, let's get started.

0:28:55.400 --> 0:29:01.520
<v Speaker 1>We've got, I mean nothing short of a fantastic episode today.

0:29:03.120 --> 0:29:07.520
<v Speaker 2>All right, Tommy's we're doing Reasonable Doubt season fifteen, episode

0:29:07.560 --> 0:29:13.200
<v Speaker 2>twenty two, May seventh, twenty fourteen, aka the Bradley Whitford episode.

0:29:14.320 --> 0:29:17.200
<v Speaker 2>I'm thrilled. And we've talked to Samantha Mathis, who's in this.

0:29:17.360 --> 0:29:19.800
<v Speaker 2>We talked to her about it with a different episode.

0:29:20.280 --> 0:29:24.280
<v Speaker 2>She's a hero for you, I remember, I love her. Yeah,

0:29:24.320 --> 0:29:27.200
<v Speaker 2>And so we start off and it's an old timey musical.

0:29:27.240 --> 0:29:29.240
<v Speaker 2>I think it's an eight track or something, and it

0:29:29.280 --> 0:29:33.360
<v Speaker 2>says New York Hustle seventies font green and orange, you

0:29:33.360 --> 0:29:38.880
<v Speaker 2>know that perfect seventies color. And are they they they

0:29:38.920 --> 0:29:41.240
<v Speaker 2>sprung for Earthwind and Fire Bookie Wonderland.

0:29:41.240 --> 0:29:44.200
<v Speaker 1>Oh yeah, it is Booky Wonderland. Yep. So that's pretty huge.

0:29:44.640 --> 0:29:49.240
<v Speaker 2>Full disco, everyone's dancing colorfull floor short shorts. We follow

0:29:49.280 --> 0:29:51.640
<v Speaker 2>a blonde, curly haired woman and a pimp and they

0:29:51.680 --> 0:29:53.880
<v Speaker 2>walk over to a drug dealer and then she truly

0:29:53.880 --> 0:29:55.440
<v Speaker 2>gets on her knees in the middle of the club

0:29:55.480 --> 0:29:57.960
<v Speaker 2>and is about to start blowing this man. And then

0:29:58.000 --> 0:30:01.160
<v Speaker 2>she sees a badge and screams he's a cop, he's

0:30:01.200 --> 0:30:06.280
<v Speaker 2>a pig, and starts running huge gun situation. Everything's crazy,

0:30:06.320 --> 0:30:11.720
<v Speaker 2>and then obviously cut cut cut. We're we're acting, and

0:30:11.800 --> 0:30:15.280
<v Speaker 2>the actor in the leather is pissed about the cut,

0:30:15.680 --> 0:30:18.720
<v Speaker 2>and then Bradley Whitford runs out. He's the director, he's

0:30:18.840 --> 0:30:22.040
<v Speaker 2>named Frank, and he's pissed too. He's like, how darey

0:30:22.080 --> 0:30:25.120
<v Speaker 2>you fucking not call me for first team rehearsal And

0:30:25.160 --> 0:30:27.360
<v Speaker 2>then someone's like, dude, we were behind. But he would

0:30:27.400 --> 0:30:29.240
<v Speaker 2>never do a rehearsal without a director, like that would

0:30:29.240 --> 0:30:31.760
<v Speaker 2>be psychoed, Like, yeah, it wouldn't even happen without him,

0:30:31.800 --> 0:30:33.600
<v Speaker 2>you know what I mean, like it just wouldn't even happen,

0:30:33.760 --> 0:30:37.160
<v Speaker 2>So I like, I'm not on Frank's side, but I

0:30:37.200 --> 0:30:40.880
<v Speaker 2>get Frank being like what are you guys doing, but

0:30:40.960 --> 0:30:43.440
<v Speaker 2>not yelling like that. Then he then he gives off

0:30:43.640 --> 0:30:46.600
<v Speaker 2>very much manager of a restaurant who's never there, but

0:30:46.640 --> 0:30:48.320
<v Speaker 2>then shows up to yell at people about things that

0:30:48.320 --> 0:30:50.920
<v Speaker 2>don't actually matter. So he basically goes, well, now you're

0:30:50.920 --> 0:30:53.840
<v Speaker 2>gonna be further behind because this is all wrong. Rose

0:30:53.920 --> 0:30:56.560
<v Speaker 2>is a whore? What is this pink and then rubs

0:30:56.600 --> 0:30:59.760
<v Speaker 2>the actress's lips, stick off her mouth too in a

0:30:59.800 --> 0:31:03.880
<v Speaker 2>sent and then calls it different actor a moron, says,

0:31:04.000 --> 0:31:07.480
<v Speaker 2>can you pretend you're straight for once and take her

0:31:07.520 --> 0:31:10.560
<v Speaker 2>like a man, And then he grabs the actress and

0:31:10.640 --> 0:31:13.720
<v Speaker 2>takes her and starts making out with her and then says,

0:31:13.760 --> 0:31:17.080
<v Speaker 2>you were so hot last night. We're surrounded by idiots.

0:31:17.760 --> 0:31:19.840
<v Speaker 2>He screams, you gotta make her want it.

0:31:19.960 --> 0:31:23.920
<v Speaker 1>I need it raw more, smoke more smoke, suck and blow,

0:31:24.120 --> 0:31:27.880
<v Speaker 1>suck and blow. You know what sucks? The costumes fucking suck.

0:31:28.400 --> 0:31:30.440
<v Speaker 1>They're not the red shorts I picked, and they're like

0:31:30.520 --> 0:31:33.760
<v Speaker 1>you said, bright red. He goes I said, Crimson, And

0:31:33.800 --> 0:31:36.400
<v Speaker 1>then he runs out and he yells about the car.

0:31:36.360 --> 0:31:39.360
<v Speaker 2>The car's too shiny. Then he threatens to kill off

0:31:39.360 --> 0:31:42.479
<v Speaker 2>someone's character. And then a woman in a ballet flat

0:31:42.560 --> 0:31:44.719
<v Speaker 2>and tight ass genes, you know what year it is,

0:31:45.360 --> 0:31:47.560
<v Speaker 2>and she goes, I don't think we can kill him,

0:31:47.560 --> 0:31:50.320
<v Speaker 2>and he goes, it's cable, who gives a shit? And

0:31:50.360 --> 0:31:56.040
<v Speaker 2>the threat and then threatens you know, more death scene. Oh,

0:31:56.080 --> 0:31:59.320
<v Speaker 2>he goes, you know what about I write a death

0:31:59.360 --> 0:32:03.640
<v Speaker 2>scene where you're also questioning your sexuality, so you like,

0:32:03.760 --> 0:32:06.200
<v Speaker 2>you're gonna question your sexuality, have gay.

0:32:06.000 --> 0:32:09.080
<v Speaker 1>Sex and then die. So that's the worst death ever

0:32:09.120 --> 0:32:11.680
<v Speaker 1>for an actor, not just to die, but.

0:32:11.600 --> 0:32:17.160
<v Speaker 4>To die maybe gay like. So then donal donal logue,

0:32:17.480 --> 0:32:19.480
<v Speaker 4>donal logue, you know what's crazy?

0:32:19.560 --> 0:32:21.240
<v Speaker 2>So I was like talk, I was like thinking about

0:32:21.320 --> 0:32:23.600
<v Speaker 2>him while I was writing this, and I was like, God,

0:32:23.640 --> 0:32:25.520
<v Speaker 2>what a dream guest. I hope we can get him.

0:32:25.560 --> 0:32:27.320
<v Speaker 2>Why hasn't he done the pod? And then I remembered

0:32:27.360 --> 0:32:29.560
<v Speaker 2>he did the pod. He did the pod, He's done

0:32:29.560 --> 0:32:29.960
<v Speaker 2>the pot.

0:32:30.600 --> 0:32:33.800
<v Speaker 1>We've truly like and then I remember I was talking

0:32:33.840 --> 0:32:36.400
<v Speaker 1>and stuff, but I forgot like we've just had so

0:32:36.480 --> 0:32:38.440
<v Speaker 1>many guests and I was like, I can't believe we

0:32:38.480 --> 0:32:41.640
<v Speaker 1>did talk to Donald lug Well, you know Rollin's baby

0:32:41.680 --> 0:32:43.000
<v Speaker 1>daddy undercover Hattie.

0:32:43.120 --> 0:32:45.480
<v Speaker 2>Truly, I wrote in the notes, I wrote, truly one

0:32:45.520 --> 0:32:49.360
<v Speaker 2>of my dream guests. Wait, I just realized and remember

0:32:49.480 --> 0:32:56.600
<v Speaker 2>we talked to him. Oh my god. Benson's there and

0:32:56.640 --> 0:32:58.760
<v Speaker 2>the view of the city so pretty, and they want

0:32:58.760 --> 0:33:01.600
<v Speaker 2>to talk to Frank and he's like lol, and they're like,

0:33:01.680 --> 0:33:03.760
<v Speaker 2>it's about your daughter, and he softens and he goes,

0:33:03.760 --> 0:33:06.280
<v Speaker 2>it's Chelsea okay, and Benson goes, well, that's what we're

0:33:06.320 --> 0:33:08.680
<v Speaker 2>trying to figure out. And he immediately goes, oh, what

0:33:08.920 --> 0:33:12.000
<v Speaker 2>is this about my ex Catherine? And it's like, why

0:33:12.000 --> 0:33:15.200
<v Speaker 2>don't you focus on your daughter? The NYPD is there

0:33:15.360 --> 0:33:18.320
<v Speaker 2>because of your daughter and your thing is immediately like

0:33:18.400 --> 0:33:20.840
<v Speaker 2>I'm being set up? What did Catherine do? And it's like,

0:33:20.920 --> 0:33:23.920
<v Speaker 2>why are you jumping to that verse? How is my daughter?

0:33:25.000 --> 0:33:27.880
<v Speaker 1>Yeah? To me, it's like, you're guilty.

0:33:27.960 --> 0:33:30.720
<v Speaker 2>Whatever this is, whatever happens, I know you're fucking guilty.

0:33:30.760 --> 0:33:34.480
<v Speaker 2>Because that's a crazy response. Donald goes, yes, let's talk

0:33:34.520 --> 0:33:37.240
<v Speaker 2>in private. He goes, what's she accusing me of now?

0:33:37.320 --> 0:33:38.480
<v Speaker 2>And it's like, what if she got into a car?

0:33:38.520 --> 0:33:38.880
<v Speaker 1>Accident.

0:33:39.920 --> 0:33:42.040
<v Speaker 2>What if she fell in the playground, Like, why are

0:33:42.080 --> 0:33:47.200
<v Speaker 2>you assuming it's an Like I don't understand. But and

0:33:47.240 --> 0:33:51.320
<v Speaker 2>then like Donald is wearing sunglasses, Murphy, but you could

0:33:51.320 --> 0:33:54.240
<v Speaker 2>tell he's looking at this guy like your fucking scum U.

0:33:54.720 --> 0:33:58.520
<v Speaker 2>But he goes, it wasn't Catherine. It was Chelsea's pediatrician.

0:33:59.200 --> 0:34:00.880
<v Speaker 2>And he thinks that she she may be a victim

0:34:00.920 --> 0:34:03.719
<v Speaker 2>of sexual abuse. And again it's about him, not Oh

0:34:03.760 --> 0:34:04.760
<v Speaker 2>my god, what happened to her?

0:34:04.840 --> 0:34:05.240
<v Speaker 1>Is my daughter?

0:34:05.360 --> 0:34:06.520
<v Speaker 4>Okay, it's straight.

0:34:06.600 --> 0:34:09.839
<v Speaker 2>So Catherine said it's me And then he scoffs and goes,

0:34:09.880 --> 0:34:12.840
<v Speaker 2>you're wasting your time. I'm in a custody battle and

0:34:12.880 --> 0:34:15.719
<v Speaker 2>my wife's out of her fucking mind, and you can

0:34:15.760 --> 0:34:18.400
<v Speaker 2>talk to my lawyer. And it's like you still have

0:34:18.480 --> 0:34:21.759
<v Speaker 2>not asked who, Like what if it was someone else

0:34:21.880 --> 0:34:22.560
<v Speaker 2>abusing her?

0:34:23.120 --> 0:34:24.480
<v Speaker 1>Yeah?

0:34:24.640 --> 0:34:27.720
<v Speaker 4>Why are you asking what the pediatrician found?

0:34:29.320 --> 0:34:32.600
<v Speaker 1>I mean, I think I think it's accurately portraying what

0:34:32.640 --> 0:34:36.719
<v Speaker 1>a mess this is. That like everybody's just paranoid and

0:34:36.719 --> 0:34:39.319
<v Speaker 1>going at each other and nobody is actually thinking about

0:34:39.320 --> 0:34:42.120
<v Speaker 1>the best interest of the child at all. Yeah.

0:34:42.360 --> 0:34:47.040
<v Speaker 2>Yeah, So now it cuts to a video of a

0:34:47.040 --> 0:34:50.520
<v Speaker 2>young redheaded girl and she's on tape answering questions. So

0:34:50.640 --> 0:34:55.400
<v Speaker 2>Barbara Amaro and Rollins are watching at the DA's office.

0:34:55.760 --> 0:34:58.400
<v Speaker 2>Do you think the DA and cops watch these offices

0:34:58.400 --> 0:35:00.840
<v Speaker 2>and go, wow, we wish our office look that nice?

0:35:01.040 --> 0:35:03.880
<v Speaker 4>Like do you think they're pissed? And how nice like

0:35:04.000 --> 0:35:04.920
<v Speaker 4>teen seasons are?

0:35:04.960 --> 0:35:07.080
<v Speaker 2>Because I feel season one they try to be rugged

0:35:07.080 --> 0:35:11.160
<v Speaker 2>cops and then like, yeah, definitely really had. It's very

0:35:11.200 --> 0:35:14.160
<v Speaker 2>modern now because when I went to one PP it

0:35:14.200 --> 0:35:14.839
<v Speaker 2>felt like shit.

0:35:14.960 --> 0:35:18.279
<v Speaker 4>It looked like looked like shit.

0:35:18.920 --> 0:35:22.360
<v Speaker 2>So basically, this little redhead of cutie, she's like, you know,

0:35:23.400 --> 0:35:25.880
<v Speaker 2>he said that I spilled ice cream on my dress,

0:35:25.920 --> 0:35:27.800
<v Speaker 2>but he spilled the ice cream and we went to

0:35:27.880 --> 0:35:30.200
<v Speaker 2>the laundry room and he took off my clothes and

0:35:30.239 --> 0:35:32.320
<v Speaker 2>then because he had to clean them, but then he

0:35:32.400 --> 0:35:34.520
<v Speaker 2>sat her on the washing machine and said it was

0:35:34.640 --> 0:35:37.799
<v Speaker 2>fun the way it moved, and he held her. And

0:35:37.840 --> 0:35:41.880
<v Speaker 2>she's a and the prompter of the questions is her mom,

0:35:42.040 --> 0:35:46.319
<v Speaker 2>Catherine Summers, who's an actress, divorcing this husband. And the

0:35:46.360 --> 0:35:50.040
<v Speaker 2>reason they're getting a divorce is because Frank left her

0:35:50.120 --> 0:35:53.759
<v Speaker 2>for her younger sister, Rose, who is a teenager. So

0:35:54.040 --> 0:35:57.040
<v Speaker 2>and the whole episode They're like, Catherine, stop being so upset,

0:35:57.160 --> 0:35:58.920
<v Speaker 2>like you dumb bitch, just get over it.

0:35:59.000 --> 0:36:01.719
<v Speaker 1>Like no one says seems secure that he's dating an

0:36:01.719 --> 0:36:04.239
<v Speaker 1>eighteen or nineteen year old at this point that like

0:36:05.400 --> 0:36:07.800
<v Speaker 1>he like, everyone's just like Catherine's such a pill.

0:36:07.960 --> 0:36:09.960
<v Speaker 2>Why won't she get over it? And no one's like

0:36:11.000 --> 0:36:14.160
<v Speaker 2>why did you? Like, why'd you take the team? Why

0:36:14.200 --> 0:36:16.840
<v Speaker 2>did you? Everyone's like she's jealous. She's jealous.

0:36:17.040 --> 0:36:19.359
<v Speaker 1>This is like, so are I'm going to get into

0:36:19.400 --> 0:36:24.040
<v Speaker 1>it later with the real crime, you know, yeah you will. Okay,

0:36:24.120 --> 0:36:28.279
<v Speaker 1>So basically, you know he dated where he left for

0:36:28.360 --> 0:36:31.560
<v Speaker 1>the teen sister, and now the teen sister is the arc.

0:36:31.719 --> 0:36:35.080
<v Speaker 1>So like that blonde, curly haired woman that you saw

0:36:35.160 --> 0:36:39.560
<v Speaker 1>him kiss on set is a teenager. And yeah, so

0:36:39.880 --> 0:36:40.239
<v Speaker 1>that's that.

0:36:40.680 --> 0:36:43.800
<v Speaker 2>Now Catherine made the video and there are multiple time jumps,

0:36:43.800 --> 0:36:48.080
<v Speaker 2>so that's of course suspicious to like Tomorrow and Rollins

0:36:48.120 --> 0:36:50.560
<v Speaker 2>because they want to defend him. And then Barbara's like, great,

0:36:50.600 --> 0:36:53.960
<v Speaker 2>a high profile mess with a bunch of ego and

0:36:54.040 --> 0:36:58.719
<v Speaker 2>like a divorce, Get ready for the media. Circus. Okay, circus,

0:36:58.719 --> 0:37:03.160
<v Speaker 2>come into town. Credit he's in woodroom Blinds and Jeffrey

0:37:03.200 --> 0:37:05.960
<v Speaker 2>tambour is his lawyer, who.

0:37:05.719 --> 0:37:09.040
<v Speaker 4>I think miss Cobra harassment.

0:37:09.680 --> 0:37:13.320
<v Speaker 1>Yes, he's had a harassment, he's had an he's been canceled,

0:37:13.360 --> 0:37:17.000
<v Speaker 1>I would say, due to harassment, bad behavior on sets,

0:37:17.080 --> 0:37:18.000
<v Speaker 1>et cetera, et cetera.

0:37:18.680 --> 0:37:21.600
<v Speaker 2>But he is in this episode and he is the lawyer,

0:37:21.680 --> 0:37:23.879
<v Speaker 2>and Frank is like, yeah, I'm an asshole, but I'm

0:37:23.880 --> 0:37:27.520
<v Speaker 2>not a pedophile. This is all Catherine. And then Murphy's like,

0:37:27.560 --> 0:37:29.960
<v Speaker 2>well you did fuck her little sister. And he's like, well,

0:37:30.000 --> 0:37:32.800
<v Speaker 2>we're in love. And the lawyer starts talking about punishing

0:37:32.880 --> 0:37:36.239
<v Speaker 2>the pediatrician for a false report, and it's like, what, No,

0:37:36.440 --> 0:37:39.240
<v Speaker 2>we need doctors reporting, like you cannot sue the doctor

0:37:39.400 --> 0:37:43.600
<v Speaker 2>for like I would rather doctors go above and beyond

0:37:43.640 --> 0:37:46.800
<v Speaker 2>and be wrong about abuse instead of letting it fucking

0:37:46.880 --> 0:37:50.440
<v Speaker 2>go right. And Benson's like, okay, we just need your

0:37:50.480 --> 0:37:52.319
<v Speaker 2>side about how we you know, that's how we're going

0:37:52.400 --> 0:37:54.799
<v Speaker 2>to start. So you were in Chelsea, were together at

0:37:54.800 --> 0:37:57.880
<v Speaker 2>your ex wife's apartment and he goes, yeah, I'm her father,

0:37:58.480 --> 0:38:01.359
<v Speaker 2>and the Tibetan nanny was and it's like such an

0:38:01.480 --> 0:38:06.080
<v Speaker 2>old person thing that, like why wouldn't you just say nanny? Yeah,

0:38:06.560 --> 0:38:09.520
<v Speaker 2>so weird. It's like cool, but I don't get it.

0:38:09.640 --> 0:38:12.839
<v Speaker 2>So her son Danny was there. Benson says, Chelsea said,

0:38:12.880 --> 0:38:16.239
<v Speaker 2>you played perverted games and he says, nope, Catherine told

0:38:16.280 --> 0:38:20.040
<v Speaker 2>her to say that. Catherine's borderline. She has cats, bunnies,

0:38:20.200 --> 0:38:24.520
<v Speaker 2>sixteen straight dogs. She's nuts. And Murphy's like, okay, so

0:38:24.719 --> 0:38:26.720
<v Speaker 2>yes or no? Did you assault your daughter? And he says,

0:38:26.920 --> 0:38:29.279
<v Speaker 2>if I wanted to assault my daughter, why wouldn't I

0:38:29.320 --> 0:38:31.800
<v Speaker 2>wait to get custody and then have her to myself?

0:38:31.840 --> 0:38:35.240
<v Speaker 2>And it's like, you're a pedophile to even think that. Yeah,

0:38:35.360 --> 0:38:38.160
<v Speaker 2>and don't they do that, Like if someone says, like you,

0:38:38.160 --> 0:38:40.440
<v Speaker 2>you're a pedophile, you would go that's disgusting.

0:38:40.480 --> 0:38:43.239
<v Speaker 1>No, I'm not. This is fucked. You don't go.

0:38:43.520 --> 0:38:45.359
<v Speaker 4>I mean, if I was a pedophile, don't you think

0:38:45.360 --> 0:38:45.880
<v Speaker 4>I would.

0:38:45.640 --> 0:38:47.959
<v Speaker 1>Have done it like this? Wouldn't I have been smarter? Yeah?

0:38:48.040 --> 0:38:51.120
<v Speaker 1>I didn't do it, but if I did? The OJ book, Yeah,

0:38:51.160 --> 0:38:54.200
<v Speaker 1>it's so strange to me. All these answers, and he

0:38:54.239 --> 0:38:57.080
<v Speaker 1>does it a few times throughout this episode, and the

0:38:57.120 --> 0:39:01.360
<v Speaker 1>lawyer says that's a no. Benson's like, so what happened?

0:39:01.400 --> 0:39:03.319
<v Speaker 1>He goes, we were playing chess and they're like in

0:39:03.320 --> 0:39:05.200
<v Speaker 1>the laundry room. He goes, I don't go in the

0:39:05.239 --> 0:39:08.760
<v Speaker 1>laundry room. No, no, no, there's spiders in there. Everyone

0:39:08.800 --> 0:39:11.400
<v Speaker 1>knows I'm scared of spiders. And it's like, okay.

0:39:11.680 --> 0:39:14.960
<v Speaker 2>The detectives go to meet Barbara, Amaro and Murphy are

0:39:15.040 --> 0:39:19.040
<v Speaker 2>like playing like dick competition games and like peacocking for Rollins,

0:39:19.080 --> 0:39:22.400
<v Speaker 2>and everyone's like wanting to fuck Rollins, but they say, like,

0:39:22.440 --> 0:39:26.360
<v Speaker 2>the dude didn't deny anything, really, and he used distancing language,

0:39:26.680 --> 0:39:29.799
<v Speaker 2>and he never said Chelsea's name or looked at her

0:39:29.840 --> 0:39:33.319
<v Speaker 2>photo and had an answer for everything and again did

0:39:33.360 --> 0:39:35.520
<v Speaker 2>not deny it. And Benson's like, go to the apartment,

0:39:35.600 --> 0:39:39.160
<v Speaker 2>talk to the nanny, make sure she's from Tibet, and

0:39:39.200 --> 0:39:46.080
<v Speaker 2>then talk to the ex wife, the daughter, the son.

0:39:46.160 --> 0:39:48.360
<v Speaker 2>There's a son, Like, let's go, so we need a

0:39:48.400 --> 0:39:52.640
<v Speaker 2>warrant for the laundry room. Though everyone scadatles, Rollins stays

0:39:52.680 --> 0:39:54.719
<v Speaker 2>to talk to Murphy and she, of course is like

0:39:54.800 --> 0:39:57.719
<v Speaker 2>there to defend a man, and she goes, Frank does

0:39:57.760 --> 0:39:58.560
<v Speaker 2>hate spiders.

0:39:58.960 --> 0:40:00.520
<v Speaker 1>It's like, why the fuck do you you know that?

0:40:01.040 --> 0:40:03.280
<v Speaker 2>So now we're at a big white house and Samantha

0:40:03.320 --> 0:40:09.200
<v Speaker 2>Mathis is holding a gorgeous husky puppy, holy shit, and

0:40:09.400 --> 0:40:13.480
<v Speaker 2>she explains that Frank is obsessed with Chelsea, which I

0:40:13.480 --> 0:40:15.840
<v Speaker 2>guess for her father is okay, but for a pedophile

0:40:15.920 --> 0:40:20.040
<v Speaker 2>not okay. So Amaro pet's the dog. And then they

0:40:20.040 --> 0:40:22.359
<v Speaker 2>need Chelsea to talk, but that's why she made the tape.

0:40:22.400 --> 0:40:24.400
<v Speaker 2>And they're like, well, to pursue the case, and she

0:40:24.400 --> 0:40:26.600
<v Speaker 2>stops them, like I don't want to pursue it, and

0:40:26.640 --> 0:40:30.239
<v Speaker 2>they're confused, but like the state can do it without

0:40:30.320 --> 0:40:32.399
<v Speaker 2>her as well, and we can also like tell child

0:40:32.560 --> 0:40:35.640
<v Speaker 2>services what's up. And she screams, I'm a good mother

0:40:35.680 --> 0:40:37.920
<v Speaker 2>and I love my daughter, and Benson's like, right, exactly,

0:40:37.960 --> 0:40:39.480
<v Speaker 2>So let me talk to Chelsea. We all need to

0:40:39.560 --> 0:40:42.200
<v Speaker 2>keep her safe, and she does agree. So they're at

0:40:42.280 --> 0:40:45.000
<v Speaker 2>a long dining room table. She does keep looking at

0:40:45.000 --> 0:40:47.719
<v Speaker 2>her mom before she talks, but also this is like

0:40:47.880 --> 0:40:49.960
<v Speaker 2>huge and scary, so maybe she wants to be with

0:40:50.000 --> 0:40:50.319
<v Speaker 2>her mom.

0:40:50.360 --> 0:40:51.520
<v Speaker 4>She's an incredible actress.

0:40:51.600 --> 0:40:53.920
<v Speaker 2>She looks so sad, but she says her and her

0:40:53.920 --> 0:40:57.839
<v Speaker 2>father play pretend cops and bad girls, Okay, disgusting. Every

0:40:57.920 --> 0:41:00.759
<v Speaker 2>time she talks, she looks off to her mom, and

0:41:00.800 --> 0:41:02.760
<v Speaker 2>she says that her dad said, if I can memorize

0:41:02.760 --> 0:41:04.480
<v Speaker 2>a story and lines I can be in one of

0:41:04.480 --> 0:41:07.360
<v Speaker 2>his shows. Amorrow's like, you know the difference between truth

0:41:07.400 --> 0:41:09.840
<v Speaker 2>and pretend? And they do this to every fucking child

0:41:10.280 --> 0:41:13.120
<v Speaker 2>and she says mm hm, but not very convincing, and

0:41:13.120 --> 0:41:14.759
<v Speaker 2>they want the mom out of the room. She doesn't

0:41:14.760 --> 0:41:16.839
<v Speaker 2>want to leave, and Benson's like, we'll be good, get

0:41:16.880 --> 0:41:19.960
<v Speaker 2>the fuck out of here. The mom rubs Chelsea's shoulders

0:41:20.000 --> 0:41:22.040
<v Speaker 2>on the way out, and Tomorrow like walks her way,

0:41:22.239 --> 0:41:24.520
<v Speaker 2>walks her away. If Amorrow told me to go anywhere,

0:41:24.520 --> 0:41:27.640
<v Speaker 2>I'd go, like, I don't understand why she's arguing, like

0:41:27.840 --> 0:41:31.000
<v Speaker 2>go with Amorrow. Benson's like, okay, we saw the video

0:41:31.320 --> 0:41:33.640
<v Speaker 2>you and your mom made that was real or pretend?

0:41:33.719 --> 0:41:35.839
<v Speaker 2>And she and that's like such a great way to ask.

0:41:35.880 --> 0:41:39.680
<v Speaker 2>Benson is amazing, and she says it's real and she's like,

0:41:39.719 --> 0:41:42.480
<v Speaker 2>did your mom ask you to remember lines? And she goes, no,

0:41:42.920 --> 0:41:45.040
<v Speaker 2>she told me to say what really happened? And I

0:41:45.080 --> 0:41:49.840
<v Speaker 2>trust this little girl. So Amorrow and Catherine are talking

0:41:50.160 --> 0:41:53.839
<v Speaker 2>and then nanny led him into the house, not her,

0:41:54.520 --> 0:41:57.360
<v Speaker 2>and she was at a matinee with her sister Mavis.

0:41:57.400 --> 0:41:59.520
<v Speaker 2>And this is not Rose. She's not speaking of Rose.

0:41:59.560 --> 0:42:02.480
<v Speaker 2>Obviously that's the one with Frank. This Mavis is a

0:42:02.520 --> 0:42:05.520
<v Speaker 2>middle sister and she's visiting from Oregon. She's not famous

0:42:05.560 --> 0:42:08.560
<v Speaker 2>at all, and he asked the question about Frank and

0:42:08.680 --> 0:42:12.480
<v Speaker 2>Catherine Nail's back. Frank does what Frank wants. She explains

0:42:12.520 --> 0:42:14.800
<v Speaker 2>that of course there's a set schedule, but he doesn't

0:42:14.800 --> 0:42:18.280
<v Speaker 2>pay any attention to it. Tomorrow is so smooth and sexy.

0:42:18.320 --> 0:42:20.680
<v Speaker 2>I would truly give him my Social Security and pin

0:42:20.840 --> 0:42:22.200
<v Speaker 2>number in a heart beat.

0:42:22.400 --> 0:42:25.080
<v Speaker 4>And I can't believe we talked to him. Great guest,

0:42:25.160 --> 0:42:26.720
<v Speaker 4>great guest, good face.

0:42:26.880 --> 0:42:29.320
<v Speaker 1>So she's true, he's got my pin number. I already

0:42:29.320 --> 0:42:31.360
<v Speaker 1>gave it. I chatted out to him during the interview.

0:42:33.880 --> 0:42:36.120
<v Speaker 1>I was like, just keep this just in case, wanting

0:42:36.200 --> 0:42:39.400
<v Speaker 1>to have this. Okay, So how this all started?

0:42:39.440 --> 0:42:42.480
<v Speaker 2>As Chelsea said her vagina hurt and Tomorrow is like,

0:42:42.640 --> 0:42:44.680
<v Speaker 2>is that your words are hers? And she goes hers,

0:42:44.760 --> 0:42:48.200
<v Speaker 2>I took her to the doctor. So then Finn is

0:42:48.239 --> 0:42:50.640
<v Speaker 2>there and Finn is with the nanny and he goes, bitch,

0:42:50.640 --> 0:42:51.279
<v Speaker 2>I know you smoke.

0:42:51.320 --> 0:42:53.319
<v Speaker 4>Were you smoking? And she's like, fuck, yeah, that's my

0:42:53.320 --> 0:42:53.799
<v Speaker 4>one vice.

0:42:53.840 --> 0:42:57.520
<v Speaker 2>And mister Maddox understands and so he let me go smoke,

0:42:58.000 --> 0:43:00.839
<v Speaker 2>and then nanny has no good answer, but saw them

0:43:00.840 --> 0:43:03.040
<v Speaker 2>come out of the laundry room and Chelsea had her

0:43:03.120 --> 0:43:06.000
<v Speaker 2>dress on but it was unbuttoned, and she went in

0:43:06.040 --> 0:43:08.120
<v Speaker 2>there wearing tights, and then when she came out, she

0:43:08.160 --> 0:43:11.239
<v Speaker 2>was wearing no tights. So he definitely let like sent

0:43:11.320 --> 0:43:13.520
<v Speaker 2>her out to go smoke so he can assault his

0:43:13.640 --> 0:43:16.080
<v Speaker 2>daughter in the laundry room. And she fucking saw the

0:43:16.120 --> 0:43:18.960
<v Speaker 2>tights be gone, like we all saw this. So Rollins

0:43:18.960 --> 0:43:20.680
<v Speaker 2>is with Daniel, the son, and they're playing with a

0:43:20.719 --> 0:43:24.239
<v Speaker 2>basketball mini size, like a bedroom hoop. And he was

0:43:24.280 --> 0:43:26.640
<v Speaker 2>at the country house, so he was not there for this.

0:43:27.120 --> 0:43:30.560
<v Speaker 2>And Daniel likes soccer and his dad doesn't, and you know,

0:43:30.600 --> 0:43:34.640
<v Speaker 2>he's like weird, and the basically the dad doesn't pay

0:43:34.640 --> 0:43:36.200
<v Speaker 2>attention to the sun at all, and he thinks it's

0:43:36.200 --> 0:43:39.239
<v Speaker 2>based on soccer, but it's basically based on being a pedophile.

0:43:39.440 --> 0:43:43.400
<v Speaker 2>So Daniel said that his father says boys are dirty,

0:43:43.440 --> 0:43:46.760
<v Speaker 2>and he likes girls and dressing them up and making

0:43:46.800 --> 0:43:49.319
<v Speaker 2>them do what he says, and Rollin goes what And

0:43:49.360 --> 0:43:52.160
<v Speaker 2>he goes, yeah, Chelsea, mom aunt Rose, so all of

0:43:52.160 --> 0:43:56.000
<v Speaker 2>his little actresses. It's strange, right, And Rollins is like, yeah,

0:43:56.239 --> 0:43:59.359
<v Speaker 2>but it's his job. It's fine, right, and he goes, yeah,

0:43:59.400 --> 0:44:01.400
<v Speaker 2>I mean he's that Chelsea can be in his show,

0:44:01.960 --> 0:44:04.719
<v Speaker 2>but not him because boys don't play dress up, and

0:44:04.800 --> 0:44:07.720
<v Speaker 2>Rollin's goes, how am I gonna spin this to protect

0:44:07.719 --> 0:44:08.080
<v Speaker 2>the man?

0:44:08.200 --> 0:44:08.719
<v Speaker 1>You know what I mean?

0:44:08.840 --> 0:44:11.120
<v Speaker 2>He's like she's sitting there being like, how am I

0:44:11.440 --> 0:44:15.719
<v Speaker 2>gonna invalidate this child? And then the boy continues that

0:44:15.760 --> 0:44:19.160
<v Speaker 2>his nanny feels bad for him, and then we're at

0:44:19.160 --> 0:44:22.440
<v Speaker 2>the precinct, so Murphy's in the middle. He looks like

0:44:22.440 --> 0:44:25.560
<v Speaker 2>a disheveled scientist and he's like, the mom thinks the

0:44:25.640 --> 0:44:27.680
<v Speaker 2>dad is an abuser, and the dad thinks the mom

0:44:27.800 --> 0:44:28.320
<v Speaker 2>is crazy.

0:44:28.400 --> 0:44:29.440
<v Speaker 4>What did the girl say?

0:44:29.960 --> 0:44:31.760
<v Speaker 2>And the girl said that her and the dad played

0:44:31.760 --> 0:44:33.440
<v Speaker 2>a game and he took off her dress, touched her

0:44:33.480 --> 0:44:35.319
<v Speaker 2>vaginally and told her it was a secret. Like what

0:44:35.360 --> 0:44:37.879
<v Speaker 2>are we even fucking talking about? And Rollin's goes, well,

0:44:37.920 --> 0:44:41.680
<v Speaker 2>is the mom credible? And Amaro goes she's got some issues,

0:44:41.840 --> 0:44:45.000
<v Speaker 2>and Finn says, doesn't mean the girl wasn't abused, and

0:44:45.080 --> 0:44:47.600
<v Speaker 2>Murphy says, either way, she's a pawn in the game

0:44:47.640 --> 0:44:51.040
<v Speaker 2>between these two, and Rollin says yeah, and the stakes

0:44:51.040 --> 0:44:54.600
<v Speaker 2>have just Risen. Someone just leaked nude photos of Rose.

0:44:54.800 --> 0:44:57.000
<v Speaker 2>So Frank took all these photos of Rose when she

0:44:57.120 --> 0:45:00.000
<v Speaker 2>was eighteen, and Benson says that she looks much younger

0:45:00.160 --> 0:45:02.440
<v Speaker 2>than that, so it's like, are we arresting him for

0:45:02.560 --> 0:45:06.439
<v Speaker 2>child abuse images? Amaro says this proves she is out

0:45:06.440 --> 0:45:10.600
<v Speaker 2>to get him, and he thinks Catherine leaked them without

0:45:10.680 --> 0:45:13.880
<v Speaker 2>a doubt in his mind. And so then Murphy goes, Okay,

0:45:13.920 --> 0:45:17.280
<v Speaker 2>then there's no point in sending you to ask her, huh?

0:45:17.320 --> 0:45:20.440
<v Speaker 2>And I really really love that. Finn and Rollins go

0:45:20.560 --> 0:45:23.240
<v Speaker 2>and it's a media circus. The non famous sister opens

0:45:23.280 --> 0:45:25.799
<v Speaker 2>the door, Chelsea and Catherine are there, but they send

0:45:25.880 --> 0:45:28.239
<v Speaker 2>Chelsea off, and Catherine's like, I'm so sick about this,

0:45:28.360 --> 0:45:30.480
<v Speaker 2>but I guess it was bound to fucking happen. I

0:45:30.480 --> 0:45:32.960
<v Speaker 2>had a strict rule to never allow them alone together,

0:45:33.520 --> 0:45:36.040
<v Speaker 2>and so I set up nanny cams and that's how

0:45:36.200 --> 0:45:39.879
<v Speaker 2>she even saw the like about the Rose situation. And

0:45:39.960 --> 0:45:42.799
<v Speaker 2>so Frank knew about the nanny cams and knew there

0:45:42.880 --> 0:45:45.239
<v Speaker 2>wasn't one in the laundry room, so Frank knows about them.

0:45:45.320 --> 0:45:46.600
<v Speaker 4>That's how she found out Rose.

0:45:46.640 --> 0:45:49.200
<v Speaker 2>And she's trying to protect her daughter, Chelsea, and I

0:45:49.320 --> 0:45:52.359
<v Speaker 2>believe Catherine. And Catherine points to the press and goes,

0:45:52.400 --> 0:45:55.360
<v Speaker 2>look at all these fucking vultures, and she's like, Frank

0:45:55.520 --> 0:45:59.320
<v Speaker 2>did this. He did this to humiliate me. And instead

0:45:59.320 --> 0:46:02.959
<v Speaker 2>of TMZ, they call it LMZ LOL. But they only

0:46:03.000 --> 0:46:06.800
<v Speaker 2>have print copies of the photos. They can't get a jpeg.

0:46:06.960 --> 0:46:09.200
<v Speaker 2>So if they had a jpeg, they could see when

0:46:09.200 --> 0:46:11.279
<v Speaker 2>it's created. And she's like, you think if I had

0:46:11.320 --> 0:46:13.680
<v Speaker 2>a jpeg, like I wouldn't have used it in the divorce.

0:46:14.080 --> 0:46:17.200
<v Speaker 2>He would be sleeping in his tesla, she says. So

0:46:17.320 --> 0:46:20.440
<v Speaker 2>they go talk to Rose and she calls her sad

0:46:20.760 --> 0:46:23.200
<v Speaker 2>and she should let go, and Benson's like, let go

0:46:23.280 --> 0:46:26.000
<v Speaker 2>that her sister and husband are sleeping together, like without

0:46:26.000 --> 0:46:28.600
<v Speaker 2>their teenager thing, that would still be grounds to not

0:46:28.680 --> 0:46:32.799
<v Speaker 2>speak together, you know what I mean. And so they're

0:46:32.840 --> 0:46:36.160
<v Speaker 2>on set and Frank told her that their love would

0:46:36.160 --> 0:46:39.080
<v Speaker 2>cost her her relationship with her sister, and that's just

0:46:39.120 --> 0:46:43.080
<v Speaker 2>what happens with older siblings. At first it's all about them,

0:46:43.560 --> 0:46:46.160
<v Speaker 2>and then the younger sister throws them out of orbit.

0:46:46.320 --> 0:46:48.360
<v Speaker 2>But she hopes that one day she can move on

0:46:48.480 --> 0:46:51.480
<v Speaker 2>with time. So we're in cement room bars. I mean,

0:46:51.520 --> 0:46:53.520
<v Speaker 2>she's going to turn thirty one day and realize that

0:46:53.600 --> 0:46:55.319
<v Speaker 2>she was groomed and it's going to be really hard

0:46:55.360 --> 0:46:58.160
<v Speaker 2>for her in therapy. But Frank thinks this is ridiculous,

0:46:58.880 --> 0:47:02.640
<v Speaker 2>and when he brings up his fiance, Murphy interrupts him

0:47:02.640 --> 0:47:05.319
<v Speaker 2>and goes, well, your fiance graduated high school last year,

0:47:05.680 --> 0:47:08.000
<v Speaker 2>and Benson says that his hair was found in the

0:47:08.080 --> 0:47:10.640
<v Speaker 2>laundry room of his ex wife's apartment. He goes, sure,

0:47:10.960 --> 0:47:13.440
<v Speaker 2>I'm sure my hair's everywhere, all over my clothes, her

0:47:13.480 --> 0:47:16.120
<v Speaker 2>clothes everywhere, and they go not that type of hair.

0:47:16.520 --> 0:47:18.000
<v Speaker 1>So it's a pube.

0:47:18.120 --> 0:47:21.359
<v Speaker 2>He goes, I'm sure Catherine planted it, like she's obsessed.

0:47:21.400 --> 0:47:23.600
<v Speaker 2>And he goes, well, your fingerprints were all over the

0:47:23.640 --> 0:47:26.840
<v Speaker 2>laundry machine too, Did she plant those? And he's like, fine,

0:47:26.920 --> 0:47:28.799
<v Speaker 2>I admit it. You know I was there, and it's like,

0:47:28.840 --> 0:47:31.880
<v Speaker 2>I thought you were scared of fucking spiders. So it

0:47:31.920 --> 0:47:34.439
<v Speaker 2>cuts to rollin she's at home, she's with her dog,

0:47:34.480 --> 0:47:36.480
<v Speaker 2>and it's like a really long shot of her just

0:47:36.520 --> 0:47:39.640
<v Speaker 2>with the dog and I really like it and it's cute,

0:47:39.719 --> 0:47:43.160
<v Speaker 2>and then she's watching Heraldo Rivera talk about the case

0:47:43.560 --> 0:47:47.120
<v Speaker 2>and they're talking Frank, Catherine pedophile, YadA YadA, YadA, revenge,

0:47:47.160 --> 0:47:49.880
<v Speaker 2>and then Amaro comes out in a fucking towel, abs

0:47:50.120 --> 0:47:50.759
<v Speaker 2>arms back.

0:47:51.000 --> 0:47:53.360
<v Speaker 1>Oh, I've been waiting for this episode. I'm like, what

0:47:53.440 --> 0:47:56.279
<v Speaker 1>episode is that where he's in the towel. Yep, here

0:47:56.320 --> 0:48:01.240
<v Speaker 1>we go. We really we so rarely get gifted in SVU,

0:48:01.440 --> 0:48:05.120
<v Speaker 1>like a hot bod that's not murdered or in trouble

0:48:05.400 --> 0:48:09.440
<v Speaker 1>or like being trapping. Yeah, so it's just so nice

0:48:09.440 --> 0:48:12.399
<v Speaker 1>to see him in a towel and he goes, yep,

0:48:12.440 --> 0:48:15.400
<v Speaker 1>Frank is firing back. Murphy was right, and he says

0:48:15.440 --> 0:48:18.880
<v Speaker 1>she's manipulating the kids. Catherine and Chelsea show up to

0:48:18.920 --> 0:48:20.959
<v Speaker 1>set and it's like, babe, can you leave your daughter

0:48:21.000 --> 0:48:23.120
<v Speaker 1>at home? Like, leave her at home? Why are you

0:48:23.160 --> 0:48:23.879
<v Speaker 1>bringing her here?

0:48:23.960 --> 0:48:27.400
<v Speaker 2>She's gonna be so embarrassed, Like she's embarrassed. She was

0:48:27.400 --> 0:48:30.319
<v Speaker 2>like assults it by her father and now you're like

0:48:30.480 --> 0:48:33.759
<v Speaker 2>doing these weird things. So and Catherine's crying and Rose goes,

0:48:33.800 --> 0:48:35.520
<v Speaker 2>are you drunk? And she goes, I've never been more

0:48:35.520 --> 0:48:38.360
<v Speaker 2>clear headed in my life. And Rose says we should talk,

0:48:38.600 --> 0:48:40.360
<v Speaker 2>and then we see Frank's in the back and he

0:48:40.440 --> 0:48:42.560
<v Speaker 2>makes this like a symbol with his hands to like

0:48:42.600 --> 0:48:45.920
<v Speaker 2>start rolling. So now they're like taping Catherine having this

0:48:46.040 --> 0:48:49.080
<v Speaker 2>like full mental breakdown, which is warranted, and she's like

0:48:49.239 --> 0:48:52.120
<v Speaker 2>Frank took her into the laundry room and sexually abused her.

0:48:52.440 --> 0:48:54.799
<v Speaker 2>And she's pointing at Chelsea and it's like, so the

0:48:54.880 --> 0:48:56.960
<v Speaker 2>whole set you have to point at the child and

0:48:57.000 --> 0:48:58.160
<v Speaker 2>be like she was abused.

0:48:58.560 --> 0:49:01.799
<v Speaker 1>This makes no sense. All these people and you're taping it.

0:49:01.800 --> 0:49:04.359
<v Speaker 1>It's like, so fucked up. Yeah, the dad's taping it,

0:49:04.400 --> 0:49:05.560
<v Speaker 1>the mom's doing it.

0:49:05.680 --> 0:49:08.120
<v Speaker 2>These are This is very much like the Hayden Paneter

0:49:08.280 --> 0:49:13.399
<v Speaker 2>abuse episode of like these narcissist already parents and so

0:49:14.640 --> 0:49:17.880
<v Speaker 2>and now okay, so then now Frank goes behind Chelsea

0:49:18.000 --> 0:49:21.239
<v Speaker 2>and rubs her shoulder and Catherine puts her hand to

0:49:21.280 --> 0:49:25.520
<v Speaker 2>her face and shock. Chelsea looks uncomfortable and upset. She goes, mom,

0:49:25.600 --> 0:49:28.200
<v Speaker 2>can we go please? And she's about to cry. And

0:49:28.239 --> 0:49:30.520
<v Speaker 2>this little girl again, best sad face I've ever seen.

0:49:30.680 --> 0:49:33.920
<v Speaker 2>And there's a long line of sad face actresses of

0:49:33.960 --> 0:49:37.400
<v Speaker 2>this of this series, and I will say she is top.

0:49:37.520 --> 0:49:39.759
<v Speaker 2>She would be nominated for the sad face. She's a

0:49:39.760 --> 0:49:40.840
<v Speaker 2>good sad little kid.

0:49:41.360 --> 0:49:43.880
<v Speaker 1>I was looking her up and the squad is watching

0:49:43.960 --> 0:49:46.120
<v Speaker 1>this on the laptop and it's like, so this is

0:49:46.160 --> 0:49:49.680
<v Speaker 1>the woman concerned with her daughter's privacy, okay, And she

0:49:49.760 --> 0:49:52.400
<v Speaker 1>busts in again with her daughter into the precinct and

0:49:52.480 --> 0:49:57.440
<v Speaker 1>the non famous sister and leave the child at home again.

0:49:57.920 --> 0:49:59.920
<v Speaker 4>Does the daughter have to go back to the police.

0:50:00.480 --> 0:50:01.280
<v Speaker 1>It's nuts.

0:50:01.320 --> 0:50:05.360
<v Speaker 2>So then she wants to press charges. She's done, let's

0:50:05.360 --> 0:50:08.120
<v Speaker 2>go all the way. Something has to be done. So

0:50:08.239 --> 0:50:10.360
<v Speaker 2>now we're in a room with a camera and Barbara's

0:50:10.440 --> 0:50:13.840
<v Speaker 2>talking in court through a TV screen and then Chelsea's

0:50:13.840 --> 0:50:17.400
<v Speaker 2>being videotaped here and basically she's like, he touched me,

0:50:17.600 --> 0:50:20.480
<v Speaker 2>he kissed me, and you know, she drew in a

0:50:20.560 --> 0:50:23.520
<v Speaker 2>drawing that she made for Benson where he touched and

0:50:23.640 --> 0:50:27.400
<v Speaker 2>kissed her. And I really like Barbara talking to kids.

0:50:27.840 --> 0:50:31.560
<v Speaker 2>And then Tambour lawyer, his name is Lester, Hello, Lester

0:50:31.640 --> 0:50:34.880
<v Speaker 2>than molester, and so he calls her a good girl.

0:50:35.200 --> 0:50:36.000
<v Speaker 1>Disgusting.

0:50:36.640 --> 0:50:38.840
<v Speaker 2>I hate that, and he's implying that the mom is

0:50:38.880 --> 0:50:41.360
<v Speaker 2>telling her what to say. And Catherine's now on the

0:50:41.400 --> 0:50:43.960
<v Speaker 2>stand and she's explaining how Chelsea came to her and

0:50:44.000 --> 0:50:46.799
<v Speaker 2>said her vagina her and that daddy played with her

0:50:46.840 --> 0:50:49.919
<v Speaker 2>down there, and Benson's like staring down Frank. She hates him,

0:50:50.160 --> 0:50:52.200
<v Speaker 2>and Catherine's like, yeah, this sucks. I don't want this

0:50:52.200 --> 0:50:54.360
<v Speaker 2>to be true. I don't you know that my spouse

0:50:54.360 --> 0:50:57.360
<v Speaker 2>would do this, especially after sleeping with my teen's sister.

0:50:57.960 --> 0:51:00.960
<v Speaker 2>And it's like objection relevance and it's like, hello, a

0:51:01.000 --> 0:51:04.759
<v Speaker 2>pattern of being a pedophile, you weirdo. The judge allows it.

0:51:05.560 --> 0:51:07.600
<v Speaker 2>He was her brother in law and knew her since

0:51:07.640 --> 0:51:10.759
<v Speaker 2>she was a toddler. The connection is obsession with both

0:51:10.800 --> 0:51:13.319
<v Speaker 2>of them around the same age. And then she talks

0:51:13.360 --> 0:51:16.799
<v Speaker 2>about grooming, and then Lester says, move to strike an

0:51:16.840 --> 0:51:20.279
<v Speaker 2>alienated wife is not an expert witness, and that is

0:51:20.360 --> 0:51:23.360
<v Speaker 2>like a pretty sick line. So then Barbara does a

0:51:23.360 --> 0:51:26.040
<v Speaker 2>good job. But now it's time for cross. So he

0:51:26.080 --> 0:51:28.000
<v Speaker 2>starts by saying that he was always a fan of

0:51:28.000 --> 0:51:30.120
<v Speaker 2>her being an actress, and he says, like, you know

0:51:30.880 --> 0:51:33.920
<v Speaker 2>all the things you're talking about with Frank, huggs, kisses, tickles,

0:51:34.200 --> 0:51:36.279
<v Speaker 2>that's normal dad stuff. And she goes, sure, but I

0:51:36.320 --> 0:51:38.319
<v Speaker 2>have a son. He never touches or plays with him.

0:51:38.800 --> 0:51:41.680
<v Speaker 2>And he then implies it's revenge for this relationship and

0:51:41.719 --> 0:51:45.160
<v Speaker 2>the relationship with Rose and she's like, yeah, I hate him.

0:51:45.160 --> 0:51:46.120
<v Speaker 1>I'm angry at him.

0:51:46.160 --> 0:51:49.520
<v Speaker 2>This isn't like why I took her to the doctor, Like,

0:51:49.640 --> 0:51:51.600
<v Speaker 2>I don't know why you're trying to connect this and

0:51:51.640 --> 0:51:54.680
<v Speaker 2>there's no connecting. And then not famous sister is watching

0:51:54.680 --> 0:51:57.760
<v Speaker 2>in the galley and he shows her a porcelain figurine

0:51:57.840 --> 0:51:59.319
<v Speaker 2>she sent to Frank and it's a woman with her

0:51:59.320 --> 0:52:01.080
<v Speaker 2>heart being ripped out and there's like blood all over

0:52:01.360 --> 0:52:03.600
<v Speaker 2>and it's like, okay, so she sent him a statue like,

0:52:03.640 --> 0:52:06.480
<v Speaker 2>I don't think it's that crazy. She was left for

0:52:06.560 --> 0:52:09.320
<v Speaker 2>her teen's sister, Like, I just don't understand why she's.

0:52:09.120 --> 0:52:10.200
<v Speaker 4>Not allowed to be pissed.

0:52:11.080 --> 0:52:11.360
<v Speaker 1>Yep.

0:52:12.000 --> 0:52:14.040
<v Speaker 2>The way they're spinning this is so nuts to me.

0:52:14.480 --> 0:52:16.640
<v Speaker 2>I'm sure she wanted revenge, but it doesn't mean she

0:52:16.680 --> 0:52:19.680
<v Speaker 2>would do this to Chelsea, you know. And he goes

0:52:19.719 --> 0:52:22.279
<v Speaker 2>But here we are, and it's like everyone is sad.

0:52:22.320 --> 0:52:24.400
<v Speaker 2>But now the nanny's on the stand and she lies

0:52:24.440 --> 0:52:27.080
<v Speaker 2>for Frank. She says that all they did was play chess,

0:52:27.400 --> 0:52:28.760
<v Speaker 2>and she talks about meditation.

0:52:28.920 --> 0:52:30.560
<v Speaker 4>This is probably why they did the Tibet stuff.

0:52:30.600 --> 0:52:33.400
<v Speaker 2>So she meditates and she focuses on the present, not

0:52:33.520 --> 0:52:36.320
<v Speaker 2>the past, and so she can't really attest to anything

0:52:36.360 --> 0:52:39.960
<v Speaker 2>she said to Finn at all and doesn't remember anything

0:52:40.120 --> 0:52:42.600
<v Speaker 2>the tights nothing like, you know, she's like that girl

0:52:42.719 --> 0:52:45.400
<v Speaker 2>loves her father. And now they're in the hallway and

0:52:45.480 --> 0:52:47.920
<v Speaker 2>the non famous sister goes, that's it. Frank gets what

0:52:47.960 --> 0:52:51.719
<v Speaker 2>he wants because everything's for sale, and Barba is like,

0:52:51.760 --> 0:52:54.200
<v Speaker 2>she's Tibetan for all we know, he talked to the

0:52:54.200 --> 0:52:56.799
<v Speaker 2>fucking dolly Lama and it's like such a crux of

0:52:56.840 --> 0:52:59.920
<v Speaker 2>this episode. So then Benson stops and goes, hold on,

0:53:00.120 --> 0:53:01.960
<v Speaker 2>what do you mean? He always gets what he wants,

0:53:02.040 --> 0:53:05.120
<v Speaker 2>and she is like, connections, fame, people bend the rules

0:53:05.120 --> 0:53:07.600
<v Speaker 2>for him, and she's pissed that she you know that,

0:53:07.640 --> 0:53:11.200
<v Speaker 2>like Chelsea is in this type of situation. She's like Catherine,

0:53:11.719 --> 0:53:14.560
<v Speaker 2>what the fuck? Why would you do this? And Catherine's like, well,

0:53:14.560 --> 0:53:18.280
<v Speaker 2>what about me? And she's like, he made you a star.

0:53:18.440 --> 0:53:20.839
<v Speaker 2>You actually believe that people can think that you didn't

0:53:20.880 --> 0:53:24.200
<v Speaker 2>know what kind of man he was, and Catherine is stunned.

0:53:24.440 --> 0:53:28.279
<v Speaker 2>The detectives in Barba are uncomfortable to witness this, and

0:53:28.320 --> 0:53:31.239
<v Speaker 2>so now we're at work, there's so many character witnesses,

0:53:31.560 --> 0:53:35.520
<v Speaker 2>like it sucks, like oh, he's the best. She's crazy,

0:53:35.640 --> 0:53:39.480
<v Speaker 2>he's a national treasure and Rollins just doesn't see it,

0:53:39.520 --> 0:53:43.040
<v Speaker 2>and Finn goes he is guilty. Murphy asks to talk

0:53:43.080 --> 0:53:47.800
<v Speaker 2>to Rollin's alone in the office and basically confronts her

0:53:48.040 --> 0:53:50.560
<v Speaker 2>about her pick me vibes. So why are you protecting

0:53:50.560 --> 0:53:53.200
<v Speaker 2>Frank and she's like, I don't like to see innocent

0:53:53.239 --> 0:53:55.920
<v Speaker 2>men get railroaded. But then she brings up the music

0:53:56.000 --> 0:53:59.560
<v Speaker 2>teacher and that was Billy Porter and he didn't do

0:53:59.600 --> 0:54:01.520
<v Speaker 2>anything wrong. So she's like, well, why are you even

0:54:01.560 --> 0:54:05.080
<v Speaker 2>asking me? And he says, you've had complicated relationships with

0:54:05.120 --> 0:54:08.600
<v Speaker 2>older male mentors Atlanta Cragan. She says, what was so

0:54:08.680 --> 0:54:12.160
<v Speaker 2>complicated with Craigan and Murphy responds that they found a

0:54:12.200 --> 0:54:15.520
<v Speaker 2>dead hooker in his bed. You tell me, and she's like,

0:54:15.600 --> 0:54:18.640
<v Speaker 2>he was set up and then he says, probably how

0:54:18.680 --> 0:54:20.600
<v Speaker 2>about your dad and she goes, yeah, he did a

0:54:20.640 --> 0:54:21.400
<v Speaker 2>little gambling.

0:54:21.760 --> 0:54:22.920
<v Speaker 4>He goes, did he get into trouble?

0:54:22.960 --> 0:54:25.080
<v Speaker 2>She says, yeah, but mostly with my mom, who wrote

0:54:25.080 --> 0:54:27.399
<v Speaker 2>his ass and nagged him until he had to leave,

0:54:27.960 --> 0:54:29.719
<v Speaker 2>and he asks if she has a blind spot when

0:54:29.719 --> 0:54:32.240
<v Speaker 2>it comes to men in power, and she is pissed.

0:54:32.480 --> 0:54:36.560
<v Speaker 2>She has a pissed soft face and says nothing. If

0:54:36.560 --> 0:54:39.759
<v Speaker 2>a dude I casually fucked then then impregnated me said

0:54:39.800 --> 0:54:41.200
<v Speaker 2>this to me, I would murder him.

0:54:41.920 --> 0:54:44.279
<v Speaker 1>Ah. I don't know if she's been Yeah, I don't

0:54:44.320 --> 0:54:47.120
<v Speaker 1>think he's impregnated her yet I can't believe she fucked him.

0:54:47.160 --> 0:54:51.080
<v Speaker 2>After this, I was pissed, Well, do you have an

0:54:51.120 --> 0:54:52.160
<v Speaker 2>issue with men in power?

0:54:52.840 --> 0:54:55.880
<v Speaker 1>Fuck me? Proves his point, like she proves it, like,

0:54:56.600 --> 0:55:00.279
<v Speaker 1>oh my god, all right, Frank's on the stage and

0:55:00.320 --> 0:55:03.040
<v Speaker 1>he's like, listen, the bitch is old.

0:55:03.120 --> 0:55:03.600
<v Speaker 4>She's mad.

0:55:03.760 --> 0:55:05.759
<v Speaker 2>She's old. You know, she was my muse and now

0:55:05.800 --> 0:55:08.040
<v Speaker 2>she has to do old hag parts. And it is

0:55:08.080 --> 0:55:12.400
<v Speaker 2>what it is. She's lying about me being a pedophile.

0:55:12.640 --> 0:55:14.920
<v Speaker 2>I'm a good guy. And you know what, Catherine, I

0:55:14.960 --> 0:55:17.840
<v Speaker 2>know it's been hard for you. This is like really hard,

0:55:17.920 --> 0:55:20.640
<v Speaker 2>but it's sad you had to drag Chelsea into this.

0:55:21.200 --> 0:55:23.360
<v Speaker 2>I love my child and I would do nothing to

0:55:23.400 --> 0:55:26.360
<v Speaker 2>harm her. And this is you know, this charge is

0:55:26.360 --> 0:55:28.920
<v Speaker 2>out there and that's the worst thing for me. This

0:55:29.080 --> 0:55:29.920
<v Speaker 2>is bad for me.

0:55:30.400 --> 0:55:33.480
<v Speaker 1>And he does a whole monologue, but he plays dressed

0:55:33.560 --> 0:55:34.320
<v Speaker 1>up with his daughter.

0:55:34.719 --> 0:55:38.279
<v Speaker 2>She's a brilliant actor. She's playing a part that's just

0:55:38.320 --> 0:55:42.279
<v Speaker 2>written by her mother, and that's the issue. It's so rehearsed,

0:55:42.480 --> 0:55:46.800
<v Speaker 2>and then apologizes to Catherine Benson scoffs, I can't believe

0:55:46.800 --> 0:55:48.839
<v Speaker 2>there's no objection, but I guess we have to watch

0:55:48.840 --> 0:55:51.640
<v Speaker 2>Bradley Woodford work like there's a reason he's here. And

0:55:51.680 --> 0:55:53.760
<v Speaker 2>he's like, I would never hurt my daughter, and again

0:55:53.840 --> 0:55:56.600
<v Speaker 2>being weird, why would I risk everything that I've accomplished

0:55:57.320 --> 0:56:00.279
<v Speaker 2>or I'm not a pedophile, So I would never do that,

0:56:00.320 --> 0:56:02.520
<v Speaker 2>whether I've accomplished a lot or not, you know what

0:56:02.520 --> 0:56:02.879
<v Speaker 2>I mean.

0:56:03.040 --> 0:56:05.960
<v Speaker 1>And also it's like nobody asks themselves that because they

0:56:06.000 --> 0:56:08.160
<v Speaker 1>know they're not because they've accomplished so much, they're not

0:56:08.160 --> 0:56:10.759
<v Speaker 1>gonna get punished. I don't think they're all worried about

0:56:10.840 --> 0:56:13.200
<v Speaker 1>risking their accomplishments. There. They want to see how far

0:56:13.239 --> 0:56:17.680
<v Speaker 1>they can go a lot of the time, Yeah, yeah,

0:56:17.960 --> 0:56:22.239
<v Speaker 1>so whatever, and he goes, I'm not a pedophile.

0:56:23.040 --> 0:56:26.960
<v Speaker 2>Murphy goes, fuck, you know, that was great acting. That's

0:56:27.000 --> 0:56:30.160
<v Speaker 2>better acting than on any of his shows. He fucking

0:56:30.280 --> 0:56:32.440
<v Speaker 2>charmed them, and Barbara goes, don't worry. When I get

0:56:32.480 --> 0:56:35.080
<v Speaker 2>done with him, it won't matter, and then Benson's like

0:56:35.120 --> 0:56:37.480
<v Speaker 2>Mavis the middle sister wasn't there. I'm gonna go talk

0:56:37.520 --> 0:56:40.120
<v Speaker 2>to her. So they go to Catherine's apartment. She didn't

0:56:40.120 --> 0:56:41.600
<v Speaker 2>want to go to court because she didn't want to

0:56:41.680 --> 0:56:44.719
<v Speaker 2>keep hearing Frank slies. So she was twelve when him

0:56:44.719 --> 0:56:47.080
<v Speaker 2>and Catherine got married. And then she sits down and

0:56:47.120 --> 0:56:50.520
<v Speaker 2>after a few leading questions, finally gets to like, hey,

0:56:50.560 --> 0:56:52.960
<v Speaker 2>did Frank do something to you? And she doesn't. She

0:56:53.000 --> 0:56:54.759
<v Speaker 2>says it doesn't even matter if he did. He's getting

0:56:54.760 --> 0:56:56.920
<v Speaker 2>away with everything, and Benson goes, he doesn't have to.

0:56:57.360 --> 0:57:00.040
<v Speaker 2>You love Chelsea, protect her. You can protect her and

0:57:00.120 --> 0:57:02.239
<v Speaker 2>court on the stand, and she's like so many his

0:57:02.320 --> 0:57:05.000
<v Speaker 2>lawyers can call me crazy and ridicule me. No thanks,

0:57:05.320 --> 0:57:09.200
<v Speaker 2>And Benson's eyeliner is so perfect and awesome in the scene, smoldering.

0:57:09.520 --> 0:57:11.920
<v Speaker 2>And then we see her on the news style program

0:57:11.960 --> 0:57:14.880
<v Speaker 2>Mavis the non famous sister. I guess, yeah, So she's

0:57:15.280 --> 0:57:18.240
<v Speaker 2>wearing all red and she's doing an interview. She goes,

0:57:18.280 --> 0:57:21.160
<v Speaker 2>I've been dealing with this for eighteen years, and she

0:57:21.440 --> 0:57:24.040
<v Speaker 2>explains that when she was thirteen that Frank gave her

0:57:24.080 --> 0:57:25.920
<v Speaker 2>a part in one of his shows and if she

0:57:26.000 --> 0:57:28.760
<v Speaker 2>did well, she could do more because after she taped

0:57:28.800 --> 0:57:30.640
<v Speaker 2>the episode, she was at a party at one of

0:57:30.640 --> 0:57:34.400
<v Speaker 2>Frank's producer's houses and there was a bunch of famous

0:57:34.400 --> 0:57:37.280
<v Speaker 2>actors there a lot of attention, and right away he's like,

0:57:37.280 --> 0:57:39.000
<v Speaker 2>you want to go in the hot tub, and she's

0:57:39.000 --> 0:57:41.600
<v Speaker 2>struggling to speak. Her eyes are getting glassy as she

0:57:41.640 --> 0:57:44.400
<v Speaker 2>explains that he put his hands under her bathing suit,

0:57:44.520 --> 0:57:46.960
<v Speaker 2>inside of her and then raped her and said, how

0:57:47.600 --> 0:57:50.640
<v Speaker 2>all this? And then he said all his leading ladies

0:57:50.680 --> 0:57:53.480
<v Speaker 2>got their roles this way. And she was thirteen and

0:57:53.520 --> 0:57:55.840
<v Speaker 2>believed him, and Catherine loved him, and he took care

0:57:55.880 --> 0:57:58.920
<v Speaker 2>of her whole family, and she saw it happen with Rose,

0:57:59.000 --> 0:58:01.440
<v Speaker 2>and she tried to warn but Rose kept saying that

0:58:01.480 --> 0:58:04.120
<v Speaker 2>you're just jealous. And it's like, of what, I guess

0:58:04.120 --> 0:58:06.240
<v Speaker 2>he's famous. I'm like of a like not I mean,

0:58:06.280 --> 0:58:10.160
<v Speaker 2>Bradley Whitford is hot, but like this guy is not hot.

0:58:10.600 --> 0:58:11.640
<v Speaker 1>I like, you know what I.

0:58:11.560 --> 0:58:16.960
<v Speaker 2>Mean, m liked Why would Mavis be so jealous of Rose?

0:58:17.040 --> 0:58:21.080
<v Speaker 2>It's like such manipulation and stuff. But yeah, but then

0:58:21.360 --> 0:58:23.720
<v Speaker 2>and so basically, she also didn't want Catherine to know,

0:58:24.200 --> 0:58:27.720
<v Speaker 2>and then Catherine didn't want to know. And then she

0:58:27.760 --> 0:58:30.440
<v Speaker 2>says she saw the photos of Rose and she found that,

0:58:30.520 --> 0:58:31.760
<v Speaker 2>and she's the one that leaked them.

0:58:31.800 --> 0:58:33.200
<v Speaker 4>She's like, I had to do something.

0:58:33.560 --> 0:58:36.480
<v Speaker 2>He won't stop, he's hurting my niece, and everyone just

0:58:36.520 --> 0:58:39.600
<v Speaker 2>looked the other way. She's fully crying. Now, all those

0:58:39.640 --> 0:58:42.800
<v Speaker 2>people that sat in silence and watched our Frank's accomplices,

0:58:43.200 --> 0:58:47.040
<v Speaker 2>If you think talent negates responsibility, you're just as guilty

0:58:47.040 --> 0:58:49.040
<v Speaker 2>as Frank. And she doesn't want to be one of

0:58:49.040 --> 0:58:51.960
<v Speaker 2>those people anymore. She didn't make it up, she didn't

0:58:52.000 --> 0:58:54.040
<v Speaker 2>imagine it, and he knows what he did. And she

0:58:54.120 --> 0:58:57.000
<v Speaker 2>says this looking directly into the camera. So now we're

0:58:57.040 --> 0:59:00.000
<v Speaker 2>in chambers and Lester's like, hey, my my dude can't

0:59:00.080 --> 0:59:02.200
<v Speaker 2>get a fair trial. And the judge goes, I don't care.

0:59:02.280 --> 0:59:05.520
<v Speaker 2>Barba's gonna cross examine like we're doing it, and he goes, well, actually,

0:59:05.520 --> 0:59:07.240
<v Speaker 2>I don't even think my client's going to be here,

0:59:07.240 --> 0:59:09.080
<v Speaker 2>and she's like, okay, well he can be found guilty

0:59:09.120 --> 0:59:10.560
<v Speaker 2>and of sentia, like I don't give a fuck, but

0:59:10.840 --> 0:59:13.960
<v Speaker 2>produce him. Where is he And he's like I don't

0:59:13.960 --> 0:59:17.440
<v Speaker 2>think I can. So he's fled the fucking country and

0:59:17.520 --> 0:59:20.240
<v Speaker 2>Barbara goes, well, I'm willing to wave cross and goes

0:59:20.240 --> 0:59:23.680
<v Speaker 2>straight to summation, and Barbara turns and says, and I

0:59:23.680 --> 0:59:26.280
<v Speaker 2>won't imply him fleeing is proof of guilt because that

0:59:26.320 --> 0:59:29.760
<v Speaker 2>would be wrong. Right, So the trial's going on, and

0:59:29.800 --> 0:59:32.520
<v Speaker 2>now tomorrow's in the office. Frank turned up and he's

0:59:32.560 --> 0:59:36.640
<v Speaker 2>in fucking France. Rollin's being a fucking idiot, says, the

0:59:36.680 --> 0:59:39.680
<v Speaker 2>court has his passport. How did he fly? It's like

0:59:39.720 --> 0:59:43.840
<v Speaker 2>he's rich, you dumb bitch. Private jet, private jet, dual citizenship.

0:59:44.120 --> 0:59:47.240
<v Speaker 2>So he has dual citizenship, and Finn says, live from Paris,

0:59:47.840 --> 0:59:50.320
<v Speaker 2>and yeah, he's doing an interview. He says, they have

0:59:50.320 --> 0:59:53.560
<v Speaker 2>a vendetta. Everyone's jealous of me. And it's like, you

0:59:53.600 --> 0:59:57.080
<v Speaker 2>are fucking your wife's teen daughter, I mean, sister, all

0:59:57.120 --> 0:59:57.400
<v Speaker 2>of it.

0:59:57.480 --> 1:00:00.320
<v Speaker 1>Everyone. I don't know what to say, the sister less

1:00:00.360 --> 1:00:02.240
<v Speaker 1>than the daughter, Like what the fuck?

1:00:02.760 --> 1:00:05.040
<v Speaker 2>He goes A man can be accused with no evidence

1:00:05.080 --> 1:00:08.120
<v Speaker 2>and vilified. And it's like your pube was found, you

1:00:08.160 --> 1:00:11.439
<v Speaker 2>lied about being in the laundry room. And then Rose

1:00:11.480 --> 1:00:14.560
<v Speaker 2>speaks and goes, it's not true. If those things were true,

1:00:14.680 --> 1:00:17.400
<v Speaker 2>I would not be here. Frank is an artist and

1:00:17.480 --> 1:00:21.120
<v Speaker 2>my hero, and Murphy goes, ugh, this is a sideshow nightmare.

1:00:21.720 --> 1:00:24.000
<v Speaker 2>But we're back in court. He is found guilty and

1:00:24.040 --> 1:00:27.120
<v Speaker 2>the press is, you know, gonna be all over like

1:00:27.160 --> 1:00:29.320
<v Speaker 2>the women, and so they're gonna do an escort.

1:00:29.400 --> 1:00:30.720
<v Speaker 1>So Murphy gets them an escort.

1:00:31.200 --> 1:00:34.920
<v Speaker 2>They help him get like into the building, the apartment building,

1:00:35.360 --> 1:00:38.520
<v Speaker 2>and Catherine thanks Benson and it seems like legit and

1:00:38.600 --> 1:00:40.520
<v Speaker 2>she goes, and then Benson says, just take care of

1:00:40.520 --> 1:00:43.440
<v Speaker 2>your daughter, and she does a little interview while holding

1:00:43.480 --> 1:00:44.200
<v Speaker 2>Chelsea's hand.

1:00:44.560 --> 1:00:50.040
<v Speaker 1>Again, let the girl be I just I can't.

1:00:50.080 --> 1:00:53.920
<v Speaker 2>So basically Catherine goes, you know, he's a convicted felon

1:00:53.960 --> 1:00:56.040
<v Speaker 2>in the eyes of the court, and we want privacy,

1:00:56.160 --> 1:00:59.920
<v Speaker 2>and Benson and Chelsea make intense eye contact while Benson

1:01:00.120 --> 1:01:02.840
<v Speaker 2>it talks about her family tragedy with Amorrow. She's like

1:01:02.880 --> 1:01:05.360
<v Speaker 2>looking at this girl while talking shit about her. So

1:01:05.480 --> 1:01:07.600
<v Speaker 2>it's like, if he's a peto, it's good he's gone.

1:01:07.920 --> 1:01:09.960
<v Speaker 2>And if it's fake, then Chelsea lives with a full

1:01:09.960 --> 1:01:12.960
<v Speaker 2>blown narcissist that told her to lie. And she says,

1:01:13.000 --> 1:01:15.520
<v Speaker 2>either way, God help that child. And then it's like

1:01:15.680 --> 1:01:18.160
<v Speaker 2>just a close up of Chelsea's face with flashes from

1:01:18.200 --> 1:01:21.480
<v Speaker 2>all the media cameras on her little sad face and

1:01:21.520 --> 1:01:24.960
<v Speaker 2>that's stick wolf baby, And obviously I can't.

1:01:25.280 --> 1:01:26.960
<v Speaker 4>I can't. I want to know what you have to say.

1:01:27.520 --> 1:01:32.920
<v Speaker 1>Yeah, I swore that this girl, Chelsea, who's played by

1:01:32.960 --> 1:01:36.200
<v Speaker 1>an actress named Claire Foley, she just seems so familiar

1:01:36.200 --> 1:01:37.880
<v Speaker 1>to me, like I'd seen her in another SVU, but

1:01:37.920 --> 1:01:40.840
<v Speaker 1>this is the only one she's done. But I'm looking

1:01:40.840 --> 1:01:43.000
<v Speaker 1>out for her. I feel like she's gonna she didn't

1:01:43.120 --> 1:01:53.400
<v Speaker 1>see her more stuff. Yeah, she was really great. Okay,

1:01:53.760 --> 1:01:58.640
<v Speaker 1>So obviously, very obviously this is based on Woody Allen.

1:01:59.040 --> 1:02:01.640
<v Speaker 1>It's kind of wild. The show was on air for

1:02:01.880 --> 1:02:06.400
<v Speaker 1>fifteen years before they fucked with the Woody Allen stuff

1:02:06.520 --> 1:02:10.000
<v Speaker 1>because all the Woody Allen stuff really like went down

1:02:10.600 --> 1:02:14.120
<v Speaker 1>previous to the show even coming on the air. But

1:02:14.240 --> 1:02:17.040
<v Speaker 1>then I would say around the time of this episode,

1:02:17.080 --> 1:02:20.520
<v Speaker 1>which is what year again, twenty fourteen, is when a

1:02:20.520 --> 1:02:22.600
<v Speaker 1>lot of stuff kicked back up. So I think that's

1:02:22.640 --> 1:02:25.760
<v Speaker 1>why they're tackling it at this time. So Woody Allen

1:02:26.240 --> 1:02:29.880
<v Speaker 1>obviously fame director. He was forty five.

1:02:29.800 --> 1:02:33.560
<v Speaker 2>Married his stepdaughter, and everyone's okay with it. It's crazy,

1:02:34.000 --> 1:02:35.880
<v Speaker 2>sorry to scream, but yeah, it's upsetting.

1:02:36.120 --> 1:02:40.200
<v Speaker 1>Yes, yes, he was forty five and nineteen eighty when

1:02:40.240 --> 1:02:43.360
<v Speaker 1>he started dating Mia Farrow, who was thirty five, and

1:02:43.560 --> 1:02:46.920
<v Speaker 1>Mia Faraoh had previously been married to Frank Sinatra for

1:02:46.920 --> 1:02:49.600
<v Speaker 1>two years. She had previously been married to a man

1:02:49.680 --> 1:02:53.520
<v Speaker 1>named Andre Previn, and she had six kids with Andre Previn,

1:02:54.400 --> 1:02:57.960
<v Speaker 1>three biological children, three adopted, including sun Ye Previn, who

1:02:58.000 --> 1:03:02.840
<v Speaker 1>was adopted from Korea. Sun Yi's like background in Korea

1:03:02.960 --> 1:03:07.000
<v Speaker 1>is like very like fuzzy, like nobody really knows. Like

1:03:07.040 --> 1:03:08.640
<v Speaker 1>she was apparently found on the street and then was

1:03:08.680 --> 1:03:11.280
<v Speaker 1>taken to an orphanage. She doesn't really have a lot

1:03:11.320 --> 1:03:14.400
<v Speaker 1>of memory about her mother, but like she says, me

1:03:14.440 --> 1:03:16.320
<v Speaker 1>and Pharah would always be like, tell everyone your mom

1:03:16.400 --> 1:03:18.840
<v Speaker 1>was a prostitute, and like tell everyone about your hard beginnings,

1:03:18.880 --> 1:03:20.840
<v Speaker 1>and like she didn't really want to do that because

1:03:20.840 --> 1:03:25.680
<v Speaker 1>she didn't have those memories. But she it's it's a

1:03:25.680 --> 1:03:30.000
<v Speaker 1>little bit weird because they don't really know Suni's actual age,

1:03:30.440 --> 1:03:34.240
<v Speaker 1>Like they can like sort of date it that she

1:03:34.440 --> 1:03:38.040
<v Speaker 1>was between five and seven when Mia adopted her, and

1:03:38.120 --> 1:03:39.840
<v Speaker 1>so I think they would say six, but like her

1:03:39.880 --> 1:03:42.280
<v Speaker 1>age is a little bit like up for debate. So

1:03:43.240 --> 1:03:47.560
<v Speaker 1>when Woody Allen and Mia Farrow got together, she adopted.

1:03:47.600 --> 1:03:52.640
<v Speaker 1>She also had two adopted children, Dylan and Moses, who

1:03:52.720 --> 1:03:55.000
<v Speaker 1>would he then co adopted in nineteen ninety one, but

1:03:55.000 --> 1:03:58.760
<v Speaker 1>they were previously adopted by Mia Farrow. So Woody Allen

1:03:58.800 --> 1:04:01.920
<v Speaker 1>and Mia Farah had one by logical child together, Satchel,

1:04:02.040 --> 1:04:05.880
<v Speaker 1>who was known today as Ronan Pharaoh, who many people,

1:04:06.080 --> 1:04:11.440
<v Speaker 1>including Ronan himself joke, is not actually Woody Farah Alan's son,

1:04:11.800 --> 1:04:14.760
<v Speaker 1>and is actually Frank Sinatra's son, to whom Mia Farah

1:04:14.800 --> 1:04:17.439
<v Speaker 1>was briefly married from sixty six to sixty eight. Even

1:04:17.480 --> 1:04:20.880
<v Speaker 1>Mia Farah herself told Danity Fair he could be Sinatra's child,

1:04:20.960 --> 1:04:23.560
<v Speaker 1>saying they never really broke up, so they were clearly

1:04:23.600 --> 1:04:27.400
<v Speaker 1>having like affairs after they were not married anymore. Ronan

1:04:27.440 --> 1:04:29.920
<v Speaker 1>was born in nineteen eighty seven, which was smack in

1:04:29.960 --> 1:04:32.720
<v Speaker 1>the middle of her relationship with Woody Allen and Woody

1:04:32.720 --> 1:04:34.400
<v Speaker 1>Allen's like, I like to think he's my son.

1:04:34.520 --> 1:04:37.000
<v Speaker 4>Is it possibly? He's not sure anyway.

1:04:37.960 --> 1:04:40.960
<v Speaker 1>When Alan and Farah got together, sun Yee Previn was

1:04:41.000 --> 1:04:44.000
<v Speaker 1>ten years old, like I said, her mother had adopted

1:04:44.040 --> 1:04:46.480
<v Speaker 1>her from Korea at age five or six. According to

1:04:46.520 --> 1:04:49.680
<v Speaker 1>Sun Yee, they her and her mother were like oil

1:04:49.720 --> 1:04:53.200
<v Speaker 1>and water, like she doesn't remember feeling any maternal feelings

1:04:53.240 --> 1:04:56.000
<v Speaker 1>from Mia Pharaoh. She has really nothing good to say

1:04:56.000 --> 1:04:58.280
<v Speaker 1>about growing up with her as a mother. She says

1:04:58.400 --> 1:05:01.000
<v Speaker 1>she and her adopted siblings were treat like maids. They

1:05:01.000 --> 1:05:04.280
<v Speaker 1>did the shopping, the cooking, the cleaning, and did a lot.

1:05:04.280 --> 1:05:06.240
<v Speaker 1>They were really self sufficient and just did like a

1:05:06.240 --> 1:05:11.440
<v Speaker 1>lot of stuff for the family. And she doesn't speak

1:05:11.560 --> 1:05:14.920
<v Speaker 1>fondly of her mom. I mean, she has said stuff

1:05:14.960 --> 1:05:17.720
<v Speaker 1>like I'm grateful obviously that she adopted me from an

1:05:17.800 --> 1:05:20.600
<v Speaker 1>orphanage and like gave me a better life, but like

1:05:20.640 --> 1:05:22.880
<v Speaker 1>she did not feel a lot of parental warmth from

1:05:23.360 --> 1:05:25.080
<v Speaker 1>Mia Pharaoh and didn't feel like they had like a

1:05:25.120 --> 1:05:30.760
<v Speaker 1>great connection. Moses also later on described some of the

1:05:30.800 --> 1:05:34.840
<v Speaker 1>treatment of himself and his siblings as abuse, so it

1:05:34.880 --> 1:05:38.720
<v Speaker 1>was not like, you know, she all together. Mia Pharaoh

1:05:38.720 --> 1:05:44.280
<v Speaker 1>has fourteen kids, yeah, and I believe four of them

1:05:44.280 --> 1:05:47.600
<v Speaker 1>are biological and the other ten are adopted. And she

1:05:49.080 --> 1:05:51.320
<v Speaker 1>adopted a few kids who were like a couple of

1:05:51.320 --> 1:05:54.920
<v Speaker 1>the kids she adopted were blind or had other like

1:05:55.480 --> 1:05:58.680
<v Speaker 1>health problems, and so she like one was paraplegic. So

1:05:58.680 --> 1:06:02.440
<v Speaker 1>she was really like to adopt children that felt like

1:06:02.560 --> 1:06:05.280
<v Speaker 1>were you know, needed help and that this was like

1:06:05.280 --> 1:06:09.479
<v Speaker 1>a big a passion of hers was adopting children. And

1:06:09.960 --> 1:06:12.160
<v Speaker 1>you know, three of these children are no longer living.

1:06:12.800 --> 1:06:15.440
<v Speaker 1>One took their own life, another died of heart failure,

1:06:15.480 --> 1:06:19.160
<v Speaker 1>but Moses suggests that that was actually self inflicted from

1:06:19.200 --> 1:06:21.840
<v Speaker 1>a pill overdose. And then Lark, one of her daughters,

1:06:21.880 --> 1:06:26.200
<v Speaker 1>died in poverty of AIDS related pneumonia after battling addiction.

1:06:26.480 --> 1:06:30.240
<v Speaker 1>So sadly, yeah, three of these children are no longer alive.

1:06:30.760 --> 1:06:34.960
<v Speaker 1>And then during Pharaoh and Allen's relationship, they never lived together.

1:06:35.280 --> 1:06:37.880
<v Speaker 1>They lived in apartments across Central Park from each other,

1:06:37.960 --> 1:06:39.640
<v Speaker 1>like she lived on Central Park West, he lived on

1:06:39.680 --> 1:06:43.919
<v Speaker 1>Fifth Avenue. So soun Yee claims that he was never

1:06:44.080 --> 1:06:46.280
<v Speaker 1>like a father to her. He had no clothes at

1:06:46.320 --> 1:06:50.400
<v Speaker 1>their house, not a toothbrush, He never adopted them. He is,

1:06:50.800 --> 1:06:55.520
<v Speaker 1>in her mind, her mother's boyfriend. She said she didn't

1:06:55.520 --> 1:06:58.440
<v Speaker 1>even know him very well and didn't like him. And

1:06:58.480 --> 1:07:01.160
<v Speaker 1>then it wasn't until when she was in eleventh grade

1:07:01.280 --> 1:07:04.280
<v Speaker 1>that they started going to Knix games together, which apparently

1:07:04.360 --> 1:07:07.440
<v Speaker 1>was encouraged by Mia Farroh, who said that you know,

1:07:07.520 --> 1:07:10.840
<v Speaker 1>Sunny was shy and had like you know, like like

1:07:10.880 --> 1:07:12.439
<v Speaker 1>they wanted her to get out a little bit more,

1:07:12.800 --> 1:07:14.560
<v Speaker 1>and that he was always looking for someone to go

1:07:14.600 --> 1:07:20.600
<v Speaker 1>to basketball games with. So apparently because of her age thing,

1:07:20.680 --> 1:07:23.200
<v Speaker 1>and also because she has a learning disability that she

1:07:23.240 --> 1:07:26.360
<v Speaker 1>admits to, but apparently in a lot of press, Mia

1:07:26.440 --> 1:07:29.240
<v Speaker 1>Farah would make it seem like sun Nye was really

1:07:29.280 --> 1:07:33.240
<v Speaker 1>really mentally disabled. And she's like, she made me seem like,

1:07:33.320 --> 1:07:35.600
<v Speaker 1>I mean, she uses the R word. She's like, she

1:07:35.680 --> 1:07:38.000
<v Speaker 1>made me seem like that in the press all the time,

1:07:38.080 --> 1:07:39.720
<v Speaker 1>and like that's not who I am. I'm not like,

1:07:39.840 --> 1:07:43.600
<v Speaker 1>I'm not like slow. I do have some spelling like

1:07:43.720 --> 1:07:46.480
<v Speaker 1>learning disabilities, like you know, probably just lexis. I don't

1:07:46.480 --> 1:07:48.760
<v Speaker 1>know if she she specifies, but she's like, but I'm

1:07:48.760 --> 1:07:51.440
<v Speaker 1>not like, this is a woman who went to college,

1:07:51.520 --> 1:07:54.440
<v Speaker 1>went to grad school at Columbia. Like she's she's like,

1:07:54.480 --> 1:07:57.080
<v Speaker 1>I'm smart, you know, I don't. I didn't like she

1:07:57.320 --> 1:08:01.080
<v Speaker 1>classified me. She characterized me as like, you know, needing

1:08:01.120 --> 1:08:02.920
<v Speaker 1>mental help for a lot of my life. And so

1:08:03.360 --> 1:08:05.200
<v Speaker 1>when she does start hanging out with him, some of

1:08:05.240 --> 1:08:07.560
<v Speaker 1>the accounts say she's nineteen or twenty, even though she's

1:08:07.600 --> 1:08:10.320
<v Speaker 1>in eleventh grade. So like, I mean, maybe she's been

1:08:10.400 --> 1:08:13.000
<v Speaker 1>held back because of some of the like learning disabilities

1:08:13.040 --> 1:08:13.440
<v Speaker 1>or something.

1:08:13.560 --> 1:08:15.720
<v Speaker 4>But she's apparently.

1:08:15.760 --> 1:08:18.160
<v Speaker 1>Nineteen or so when they even first start hanging out

1:08:18.240 --> 1:08:21.160
<v Speaker 1>going to the basketball games. Okay, and then at nineteen

1:08:21.200 --> 1:08:24.400
<v Speaker 1>ninety one, she's twenty one and she's a freshman in college.

1:08:24.800 --> 1:08:26.439
<v Speaker 1>So that's what I'm just trying to like figure out

1:08:26.439 --> 1:08:29.200
<v Speaker 1>the timeline year because I was really confused because freshman

1:08:29.200 --> 1:08:30.720
<v Speaker 1>in college. To me, I was seventeen When I was

1:08:30.720 --> 1:08:33.599
<v Speaker 1>a freshman, you're seventeen or eighteen usually, But she's already

1:08:33.640 --> 1:08:35.880
<v Speaker 1>like twenty one as a freshman in college because I

1:08:35.920 --> 1:08:38.840
<v Speaker 1>don't know, maybe she took time off, who knows, But

1:08:39.760 --> 1:08:42.080
<v Speaker 1>that is when they started the affair, when she was

1:08:42.160 --> 1:08:44.599
<v Speaker 1>a freshman in college. It was sometime that ball. She says,

1:08:44.640 --> 1:08:47.320
<v Speaker 1>she came home from college, they were watching a movie.

1:08:47.400 --> 1:08:50.760
<v Speaker 1>He kissed her. She was like excited, but she had

1:08:50.800 --> 1:08:52.800
<v Speaker 1>never really seen him that way. And now and now

1:08:52.840 --> 1:08:55.280
<v Speaker 1>she says she fell for really really fast. So she's

1:08:55.280 --> 1:08:59.479
<v Speaker 1>twenty one, he's fifty six. They're very vague, quote unquote

1:08:59.479 --> 1:09:04.639
<v Speaker 1>on one thing turned sexual. Okay, So what I find

1:09:05.280 --> 1:09:10.720
<v Speaker 1>very strange is that in December of nineteen ninety one,

1:09:11.439 --> 1:09:14.920
<v Speaker 1>the affair with Sunie had already begun. That's when he

1:09:15.000 --> 1:09:19.519
<v Speaker 1>officially adopts Moses and Dylan, and like he's telling Sun

1:09:19.600 --> 1:09:21.479
<v Speaker 1>Yi Oh, things with me and I have been like

1:09:21.600 --> 1:09:24.160
<v Speaker 1>over for a long time, like we're really not you know,

1:09:24.160 --> 1:09:27.040
<v Speaker 1>we're going through the motions. We're not really in love anymore.

1:09:27.520 --> 1:09:31.040
<v Speaker 1>And like why are you going through the motions of

1:09:31.080 --> 1:09:35.080
<v Speaker 1>adopting these children if you are sleeping with their sister?

1:09:35.439 --> 1:09:37.960
<v Speaker 1>Like do you know what I mean? Like that's really

1:09:38.000 --> 1:09:40.719
<v Speaker 1>weird to me. It's like I would have pushed that off.

1:09:40.720 --> 1:09:42.519
<v Speaker 1>I would have been like, oh, I can't sign right now.

1:09:42.520 --> 1:09:46.599
<v Speaker 1>I don't know, Like he's like, and you know, so

1:09:46.840 --> 1:09:49.680
<v Speaker 1>in January of nineteen ninety two, like right after he

1:09:49.720 --> 1:09:52.320
<v Speaker 1>finalizes the adoption of these two other children of me

1:09:52.439 --> 1:09:56.880
<v Speaker 1>of MIA's she Mia Faroh, discovers a stack of polaroids

1:09:57.040 --> 1:10:00.960
<v Speaker 1>in whaty Allen's apartment of SUNNYI, in which she is

1:10:01.040 --> 1:10:05.360
<v Speaker 1>fully nude, spread eagle that he says later he took

1:10:05.400 --> 1:10:09.120
<v Speaker 1>those pictures because she was interested in modeling. I don't

1:10:09.160 --> 1:10:13.160
<v Speaker 1>know how many modeling agencies want to see full frontal

1:10:13.320 --> 1:10:15.840
<v Speaker 1>in order to you know, sign you we have to

1:10:15.920 --> 1:10:20.040
<v Speaker 1>rewatch that model, Docancy if that was ever like I

1:10:20.040 --> 1:10:23.559
<v Speaker 1>don't think that's a thing. But he also describes the

1:10:23.560 --> 1:10:26.760
<v Speaker 1>pictures as erotic and not pornographic. I don't fucking know

1:10:26.800 --> 1:10:29.840
<v Speaker 1>what to say, but when she sees those pictures, mea

1:10:29.960 --> 1:10:36.120
<v Speaker 1>Pharaoh fucking loses it, obviously, and she ended their relationship

1:10:36.120 --> 1:10:38.360
<v Speaker 1>after it had been eleven to twelve years. And again,

1:10:38.439 --> 1:10:40.520
<v Speaker 1>Woody Allen and soonior Y are like, but their relationship

1:10:40.520 --> 1:10:43.960
<v Speaker 1>had been over for years. Blah blah blah. So there's

1:10:44.040 --> 1:10:47.120
<v Speaker 1>all this family drama at the time over the Sunye

1:10:47.120 --> 1:10:51.280
<v Speaker 1>and Woody Allen affair. Mea Pharaoh sends Woody Allen what

1:10:51.720 --> 1:10:53.720
<v Speaker 1>is called a got what is referred to in a

1:10:53.720 --> 1:10:56.840
<v Speaker 1>lot of the press as a Gothic valentine, which is

1:10:56.920 --> 1:11:00.439
<v Speaker 1>like a photo collage of the family and pin going

1:11:00.479 --> 1:11:03.720
<v Speaker 1>through all of the kid's hearts and a knife going

1:11:03.760 --> 1:11:05.240
<v Speaker 1>through her heart. So that's kind of where they get

1:11:05.280 --> 1:11:08.519
<v Speaker 1>this statue thing from the episode. Okay, so she does

1:11:08.600 --> 1:11:13.320
<v Speaker 1>send that, and she apparently kicks sun Ye out of

1:11:13.360 --> 1:11:13.879
<v Speaker 1>the house.

1:11:14.040 --> 1:11:16.240
<v Speaker 4>She slaps sun Yie a bunch of times.

1:11:17.479 --> 1:11:21.559
<v Speaker 1>Her Sunny Like is a little bit freaking out because

1:11:21.600 --> 1:11:23.479
<v Speaker 1>her dad is going to cut her off financially too.

1:11:23.520 --> 1:11:25.400
<v Speaker 1>Like Andrea Previn is like you're dead to me. I'm

1:11:25.439 --> 1:11:29.120
<v Speaker 1>not paying for college anymore. And Mia is telling Woody

1:11:29.160 --> 1:11:32.400
<v Speaker 1>Allen that Sunni is suicidal, which Sunny says is not

1:11:32.439 --> 1:11:36.960
<v Speaker 1>true at all, so I don't. I also didn't realize

1:11:37.120 --> 1:11:39.800
<v Speaker 1>ever in all the coverage of this that I've ever read,

1:11:39.920 --> 1:11:41.920
<v Speaker 1>that at the same time that this is all going on,

1:11:42.360 --> 1:11:45.960
<v Speaker 1>Mia Parah is actively acting in a Woody Allen movie

1:11:46.400 --> 1:11:49.879
<v Speaker 1>called Husbands and Wives, Like they are on set finishing

1:11:49.880 --> 1:11:52.840
<v Speaker 1>a movie together while this is all happening, which is

1:11:52.960 --> 1:11:59.680
<v Speaker 1>what fucking nuts. Yes, So over that summer, like so

1:11:59.760 --> 1:12:03.080
<v Speaker 1>now it's summer of ninety one, I get oh no, sorry,

1:12:03.120 --> 1:12:05.519
<v Speaker 1>So summer of ninety two, Sunny goes to be a

1:12:05.560 --> 1:12:09.760
<v Speaker 1>camp counselor in Maine, but she gets fired because she's

1:12:10.200 --> 1:12:13.880
<v Speaker 1>not connecting with the kids, I guess. And she keeps

1:12:13.920 --> 1:12:16.759
<v Speaker 1>getting phone calls from a man claiming to be mister Simon,

1:12:16.840 --> 1:12:19.320
<v Speaker 1>but it's Woody Allen's like code name, right, so he

1:12:19.400 --> 1:12:21.479
<v Speaker 1>keeps calling her at camp. He says he was just

1:12:21.520 --> 1:12:24.080
<v Speaker 1>calling her to make sure that she was financially okay,

1:12:24.080 --> 1:12:25.800
<v Speaker 1>because like her dad is cutting her off and like

1:12:25.920 --> 1:12:28.360
<v Speaker 1>who knows if me is giving her money whatever. So

1:12:28.439 --> 1:12:31.680
<v Speaker 1>then this all is going down in January, right, and

1:12:31.720 --> 1:12:33.839
<v Speaker 1>then the months after this is all just happening inside

1:12:33.840 --> 1:12:38.080
<v Speaker 1>the family that this has been discovered. And in August

1:12:38.120 --> 1:12:41.640
<v Speaker 1>of nineteen ninety two, eight months after the first you know,

1:12:41.720 --> 1:12:46.599
<v Speaker 1>polaroids are discovered, Mia Farrow alleges that Woody Allen has

1:12:46.640 --> 1:12:49.559
<v Speaker 1>molested their daughter, Dylan, who is aged seven, in a

1:12:49.640 --> 1:12:55.960
<v Speaker 1>crawl space in her home in Bridgewater, Connecticut. So, I mean,

1:12:55.960 --> 1:12:58.840
<v Speaker 1>the episode is really ripping it straight from the story.

1:12:58.920 --> 1:13:02.640
<v Speaker 1>She makes a video asking Dylan all these questions, and

1:13:02.720 --> 1:13:04.439
<v Speaker 1>a video that a lot of people think is a

1:13:04.479 --> 1:13:06.479
<v Speaker 1>smoking gun against Alan, but a lot of people think

1:13:06.560 --> 1:13:09.400
<v Speaker 1>is proof that Mia Farroll coached this young girl about

1:13:09.400 --> 1:13:13.880
<v Speaker 1>what to say. And Alan, of course thinks that Mia

1:13:13.920 --> 1:13:16.760
<v Speaker 1>Farroh concocted this whole charge to get back at him

1:13:16.800 --> 1:13:21.280
<v Speaker 1>for the Sunni affair. And weirdly, sun Yee says in

1:13:21.320 --> 1:13:25.640
<v Speaker 1>an interview many years later that she says that like

1:13:25.920 --> 1:13:27.519
<v Speaker 1>she thought this thing with what he was a fling.

1:13:27.920 --> 1:13:29.240
<v Speaker 1>She was like, I thought I was going to meet

1:13:29.240 --> 1:13:31.800
<v Speaker 1>somebody in college and like get a boyfriend. He was

1:13:31.840 --> 1:13:34.240
<v Speaker 1>telling me to sleep with people in college. Like I

1:13:34.280 --> 1:13:38.000
<v Speaker 1>just thought this was gonna be like a thing like

1:13:38.000 --> 1:13:41.599
<v Speaker 1>I didn't think this was gonna last, but they ended

1:13:41.680 --> 1:13:44.800
<v Speaker 1>up just getting thrown together during the chaos of this

1:13:44.920 --> 1:13:50.160
<v Speaker 1>molestation charge. So and like spoiler alert, they're still fucking

1:13:50.160 --> 1:13:54.040
<v Speaker 1>together today. It's been almost thirty years. So the case

1:13:54.280 --> 1:13:58.360
<v Speaker 1>is so chaotic, it's unfolding fast and furious in the press,

1:13:58.400 --> 1:14:01.240
<v Speaker 1>in the court of public opinion. Like a little over

1:14:01.280 --> 1:14:04.639
<v Speaker 1>a week after Dylan's alleged abuse, according to Alan, two

1:14:04.680 --> 1:14:08.879
<v Speaker 1>of me as lawyers, Alan Dershowitz and David Levitt floated

1:14:08.920 --> 1:14:10.960
<v Speaker 1>to him the idea of how about a five to

1:14:11.000 --> 1:14:15.320
<v Speaker 1>seven million dollar reconciliation like payment, just like a quick, immediate,

1:14:15.320 --> 1:14:18.000
<v Speaker 1>confidential payment to Mia and then we'll be done with this.

1:14:18.680 --> 1:14:21.960
<v Speaker 1>And I guess that same day he decided that he

1:14:22.000 --> 1:14:24.439
<v Speaker 1>thought his kids were unsafe being with this woman that

1:14:24.560 --> 1:14:28.960
<v Speaker 1>was coaching them into saying things like that, and he

1:14:29.320 --> 1:14:32.840
<v Speaker 1>sued me in New York State Supreme Court for custody

1:14:32.960 --> 1:14:36.519
<v Speaker 1>of Satchel aka Ronan, Dylan, and Moses, saying they were

1:14:36.600 --> 1:14:39.479
<v Speaker 1>unsafe with her and would be turned against him. I mean,

1:14:40.920 --> 1:14:44.479
<v Speaker 1>I'm sure he got an alienation lawyer, uh, as we

1:14:44.520 --> 1:14:49.960
<v Speaker 1>talked about in the episode alien but Fordstein, right, Yeah,

1:14:50.120 --> 1:14:52.679
<v Speaker 1>Dershowitz's I mean, he's all over the place. I don't

1:14:52.680 --> 1:14:57.040
<v Speaker 1>think he's ever doing anything good, So like shit is

1:14:57.080 --> 1:15:02.559
<v Speaker 1>just going down crazy. And so four days after he

1:15:02.640 --> 1:15:05.200
<v Speaker 1>sues for custody of these three children, he releases a

1:15:05.240 --> 1:15:08.720
<v Speaker 1>statement confirming his relationship with Sun Yee, confirming it's all

1:15:08.760 --> 1:15:11.040
<v Speaker 1>true and that he's in love with her, which Sun

1:15:11.080 --> 1:15:14.080
<v Speaker 1>ye herself took her by surprise. She's like, we had

1:15:14.120 --> 1:15:15.760
<v Speaker 1>not told each other that we loved each other like

1:15:15.800 --> 1:15:17.960
<v Speaker 1>in that way. But she said she was in love

1:15:18.000 --> 1:15:20.280
<v Speaker 1>with him from the first time they kissed, and I'm sorry,

1:15:20.280 --> 1:15:21.800
<v Speaker 1>I like sort of can't with that, but.

1:15:22.280 --> 1:15:24.880
<v Speaker 2>She well, like because she also said it was going

1:15:24.960 --> 1:15:26.400
<v Speaker 2>to be a fling. So was it going to be

1:15:26.400 --> 1:15:30.280
<v Speaker 2>a fling or yeah? I think the moment, yeah, she.

1:15:30.200 --> 1:15:33.680
<v Speaker 1>Said, like because he at the beginning, he was saying, like,

1:15:33.920 --> 1:15:36.680
<v Speaker 1>you know, I don't want to like hold you down,

1:15:36.800 --> 1:15:39.840
<v Speaker 1>go be with boys from school, do whatever. And I think,

1:15:40.320 --> 1:15:44.080
<v Speaker 1>like every minute that they were together, she says, she

1:15:44.280 --> 1:15:46.400
<v Speaker 1>just fell so hard and fast for him that him

1:15:46.400 --> 1:15:49.639
<v Speaker 1>even kissing her the first time, she knows how quiet

1:15:49.720 --> 1:15:52.200
<v Speaker 1>and like introverted he is, and so it was such

1:15:52.200 --> 1:15:53.880
<v Speaker 1>a big move for him to do that that that

1:15:53.960 --> 1:15:56.680
<v Speaker 1>like made her interested, and then she was like, we

1:15:56.680 --> 1:15:58.920
<v Speaker 1>were just so attracted to each other, like right, But

1:15:59.000 --> 1:16:01.439
<v Speaker 1>even though she said that none of that really existed

1:16:01.880 --> 1:16:04.400
<v Speaker 1>when she was a nineteen year old high school junior.

1:16:04.479 --> 1:16:06.320
<v Speaker 1>I don't know, I don't know what to make of

1:16:06.320 --> 1:16:09.599
<v Speaker 1>any of this. There's like so many different fucking things

1:16:09.600 --> 1:16:13.880
<v Speaker 1>that they're all like saying they're positive about. So meanwhile,

1:16:14.320 --> 1:16:18.240
<v Speaker 1>the shit is going on with Dylan's assault alleged assault,

1:16:18.600 --> 1:16:22.439
<v Speaker 1>and the Connecticut State's Attorney's office is investigating that because

1:16:22.479 --> 1:16:24.720
<v Speaker 1>it happened at this home in Bridgewater, Connecticut, in like

1:16:24.720 --> 1:16:30.320
<v Speaker 1>northwest Connecticut, so they investigated the allegation, but they did

1:16:30.320 --> 1:16:33.040
<v Speaker 1>not press charges against Woody Allen. And then Dylan was

1:16:33.080 --> 1:16:35.800
<v Speaker 1>referred to the Child Sexual Abuse Clinic at Yale New

1:16:35.800 --> 1:16:38.840
<v Speaker 1>Haven Hospital shout out where my brother did his residency.

1:16:39.320 --> 1:16:42.440
<v Speaker 4>And then in May of nineteen ninety.

1:16:42.120 --> 1:16:46.800
<v Speaker 1>Three, so this is from August to May, so like

1:16:46.840 --> 1:16:49.760
<v Speaker 1>eight months later. John Levenhal, the pediatrician who headed the

1:16:49.760 --> 1:16:52.839
<v Speaker 1>team at the clinic, concluded that Allan had not sexually

1:16:52.840 --> 1:16:56.160
<v Speaker 1>abused Dylan, and that she was emotionally unstable and her

1:16:56.200 --> 1:17:00.920
<v Speaker 1>mother had likely coached or influenced her testimony. According to

1:17:00.960 --> 1:17:05.000
<v Speaker 1>the report, Dylan's statements were inconsistence and lacked spontaneity. They

1:17:05.040 --> 1:17:08.559
<v Speaker 1>gave the impression of repeating something learned. The report also

1:17:08.640 --> 1:17:11.920
<v Speaker 1>mentioned that Dylan felt she had to solve her mother's problems.

1:17:12.760 --> 1:17:16.040
<v Speaker 1>It also indicated that the relationship between Pharaoh, Dylan and

1:17:16.120 --> 1:17:20.720
<v Speaker 1>Satchel was very disturbed and required immediate intensive psychotherapy. I

1:17:20.760 --> 1:17:23.679
<v Speaker 1>should also mention that there is a lot of talk

1:17:23.800 --> 1:17:27.759
<v Speaker 1>that Mia Farrow sort of favored her biological sons versus

1:17:27.760 --> 1:17:31.479
<v Speaker 1>her adopted daughters. So Dylan was just a couple of

1:17:31.560 --> 1:17:35.479
<v Speaker 1>years older than Satchel aka Ronan, and when he was born,

1:17:35.680 --> 1:17:38.280
<v Speaker 1>there's a lot of accounts that she was obsessed with him,

1:17:38.400 --> 1:17:41.200
<v Speaker 1>and that she kind of dropped Dylan, and that Dylan

1:17:41.280 --> 1:17:43.880
<v Speaker 1>was like upset that like her mom's attention completely went

1:17:43.920 --> 1:17:46.720
<v Speaker 1>to the younger brother, but that she would like lock

1:17:46.800 --> 1:17:50.840
<v Speaker 1>herself away in her bedroom for like days at a time,

1:17:50.960 --> 1:17:54.760
<v Speaker 1>just her and Satchel aka Ronan, like, you know, like

1:17:54.840 --> 1:17:59.040
<v Speaker 1>breastfeeding him. I mean, she says she was like she

1:17:59.160 --> 1:18:02.760
<v Speaker 1>says she was just recovering from a tough delivery, but

1:18:03.000 --> 1:18:08.440
<v Speaker 1>I don't know. So there's an implication among some accounts

1:18:08.640 --> 1:18:10.760
<v Speaker 1>that Dylan would kind of do anything to earn back

1:18:10.760 --> 1:18:13.120
<v Speaker 1>her mother's attention. I don't know if that's true. It's

1:18:13.160 --> 1:18:18.559
<v Speaker 1>all very fucked up also, But like then soun Yee says,

1:18:18.840 --> 1:18:21.120
<v Speaker 1>we were treated like we were treated like servants, like

1:18:21.120 --> 1:18:23.439
<v Speaker 1>the girls that were adopted, Like we had to do

1:18:23.479 --> 1:18:25.840
<v Speaker 1>all this like labor around the house and stuff, and

1:18:25.920 --> 1:18:28.320
<v Speaker 1>so like I don't know, who knows, I don't know.

1:18:28.360 --> 1:18:30.880
<v Speaker 1>Maybe she's saying that stuff manipulated from Ody Allen. I'm

1:18:30.920 --> 1:18:33.479
<v Speaker 1>literally you could this would be like, this could be

1:18:33.720 --> 1:18:36.240
<v Speaker 1>this case could be its own ten part podcast pretty much.

1:18:36.280 --> 1:18:38.799
<v Speaker 1>So if I'm not getting every single piece of information,

1:18:39.240 --> 1:18:41.559
<v Speaker 1>it's because we are limited on time here and I

1:18:41.600 --> 1:18:45.160
<v Speaker 1>don't have like a research staff. So a month after

1:18:45.400 --> 1:18:49.960
<v Speaker 1>this report is given by the Yale New Haven Clinic,

1:18:52.280 --> 1:18:55.760
<v Speaker 1>in a thirty three page decision, Judge Elliott wilk questioned

1:18:55.840 --> 1:18:58.640
<v Speaker 1>the work of the Yale group, calling it sanitized. He

1:18:58.680 --> 1:19:02.439
<v Speaker 1>also denied Alan's city request, as as well as any

1:19:02.520 --> 1:19:06.800
<v Speaker 1>visitation writes with Dylan. So Woody Allen appealed a year later,

1:19:06.840 --> 1:19:10.519
<v Speaker 1>and he lost that as well, and New York State

1:19:10.640 --> 1:19:14.200
<v Speaker 1>Child Welfare investigators completed a second inquiry into the case,

1:19:14.560 --> 1:19:17.360
<v Speaker 1>concluding that quote, no credible evidence was found that Dylan

1:19:17.400 --> 1:19:22.880
<v Speaker 1>had been abused or maltreated, So that's sort of like

1:19:22.920 --> 1:19:25.439
<v Speaker 1>what happens with that. A few years later, December twenty third,

1:19:25.520 --> 1:19:29.200
<v Speaker 1>nineteen ninety seven, Woody Allen, aged sixty two, and sun

1:19:29.280 --> 1:19:32.599
<v Speaker 1>Ye Previn, aged twenty seven, are married, and like I said,

1:19:32.960 --> 1:19:35.160
<v Speaker 1>they have a quiet they have a little like quiet

1:19:35.160 --> 1:19:38.080
<v Speaker 1>ceremony like I think courthouse, and then they are still

1:19:38.080 --> 1:19:41.799
<v Speaker 1>married almost thirty years later. They together have two adopted children,

1:19:42.560 --> 1:19:45.439
<v Speaker 1>because soun Ye finds having biological children to be vain

1:19:45.479 --> 1:19:50.640
<v Speaker 1>and egocentric. She has said so in twenty thirteen. So

1:19:50.720 --> 1:19:54.759
<v Speaker 1>then it's in ninety seven, this all like they get married,

1:19:54.880 --> 1:19:57.280
<v Speaker 1>and then it sort of did die down for a while,

1:19:57.320 --> 1:20:01.320
<v Speaker 1>like people did not talk about the case a lot

1:20:01.880 --> 1:20:05.240
<v Speaker 1>from for about fifteen years. And then in twenty thirteen

1:20:05.479 --> 1:20:08.719
<v Speaker 1>Dylan spoke out to Vanity Fair, and then in twenty

1:20:08.760 --> 1:20:11.160
<v Speaker 1>fourteen she did an op ed in the New York Times,

1:20:11.439 --> 1:20:13.760
<v Speaker 1>and in twenty seventeen, amidst them a lot of the

1:20:13.800 --> 1:20:17.080
<v Speaker 1>me Too movement, she did another op ed in the

1:20:17.200 --> 1:20:18.960
<v Speaker 1>LA Times where she was kind of like, wow, you

1:20:18.960 --> 1:20:20.960
<v Speaker 1>guys are all really giving it to Harvey Weinstein like

1:20:21.040 --> 1:20:24.320
<v Speaker 1>why is Woody Allan still allowed to make movies? Like

1:20:24.320 --> 1:20:26.680
<v Speaker 1>why is this man who Like I've been consistent in

1:20:26.720 --> 1:20:28.880
<v Speaker 1>my story for years, like I've always said, this is

1:20:28.920 --> 1:20:32.519
<v Speaker 1>what happened, And basically what she her account is that

1:20:33.040 --> 1:20:36.880
<v Speaker 1>on this day in nineteen ninety two, a ton of

1:20:36.920 --> 1:20:39.799
<v Speaker 1>people are at the house, various siblings, brothers and sisters,

1:20:40.120 --> 1:20:43.280
<v Speaker 1>a family friend, that family friend's three kids, the family

1:20:43.320 --> 1:20:47.240
<v Speaker 1>friends nanny, MIA's nanny. All these people are there, and

1:20:47.320 --> 1:20:50.799
<v Speaker 1>I think Mia and her family friend go out shopping

1:20:50.960 --> 1:20:55.639
<v Speaker 1>or something and they leave, but Woody is there, and

1:20:56.040 --> 1:20:59.040
<v Speaker 1>everybody knows that Woody is not allowed to be alone

1:20:59.040 --> 1:21:01.599
<v Speaker 1>with Dylan, because Villen has said for a long time

1:21:02.479 --> 1:21:04.400
<v Speaker 1>that people had noticed that he had a lot of

1:21:04.439 --> 1:21:07.760
<v Speaker 1>attention towards her, a lot of doting behavior, bouncing on

1:21:07.800 --> 1:21:10.240
<v Speaker 1>his lap like ways that he did not act towards

1:21:10.760 --> 1:21:14.920
<v Speaker 1>his other children, his other adopted children, or his biological children,

1:21:15.080 --> 1:21:18.240
<v Speaker 1>Like apparently him and Ronan had a relationship similar to

1:21:18.280 --> 1:21:20.439
<v Speaker 1>Mia and Sunyize, like they were kind of oil and water.

1:21:20.479 --> 1:21:24.800
<v Speaker 1>They never really clicked, and but he was super super

1:21:24.840 --> 1:21:29.920
<v Speaker 1>doting on Dylan and she didn't always like it, Okay,

1:21:29.960 --> 1:21:33.840
<v Speaker 1>And so then her claim is that on this day

1:21:34.360 --> 1:21:37.479
<v Speaker 1>when when Mia is out and all these people are around, though,

1:21:37.760 --> 1:21:42.519
<v Speaker 1>he brings her upstairs to this crawl space and tells

1:21:42.560 --> 1:21:46.439
<v Speaker 1>her to look at the toy train set and put

1:21:46.479 --> 1:21:48.679
<v Speaker 1>her on her stomach, and that he touched her vagina,

1:21:49.400 --> 1:21:51.479
<v Speaker 1>And she has said in interviews later, yeah, like he

1:21:51.520 --> 1:21:53.040
<v Speaker 1>touched my labia and my volva.

1:21:53.680 --> 1:21:56.920
<v Speaker 4>So that like, whereas the episode.

1:21:56.439 --> 1:21:58.920
<v Speaker 1>Gets into like a pube and all this other stuff,

1:21:59.080 --> 1:22:01.040
<v Speaker 1>I don't think that that was ever anything that came

1:22:01.120 --> 1:22:04.840
<v Speaker 1>up in this thing. But this is what Dylan's account is,

1:22:05.720 --> 1:22:08.559
<v Speaker 1>and that he told her if you are a good girl,

1:22:08.760 --> 1:22:10.880
<v Speaker 1>you can come to Paris with me, you can be

1:22:10.880 --> 1:22:12.920
<v Speaker 1>in one of my movies. Like a lot of the

1:22:12.960 --> 1:22:18.200
<v Speaker 1>same shit from the episode. So this is what she's

1:22:18.240 --> 1:22:23.719
<v Speaker 1>saying happened. So then in twenty eighteen, her brother Moses

1:22:23.800 --> 1:22:28.479
<v Speaker 1>comes forward with a blog post and he's defending Woody

1:22:28.520 --> 1:22:31.599
<v Speaker 1>Allen and he's painting a picture of a very sad

1:22:31.680 --> 1:22:35.960
<v Speaker 1>childhood under MIA's roof, claiming that she was extremely moody

1:22:36.000 --> 1:22:40.600
<v Speaker 1>and controlling. She often doled out huge punishments for minor infractions,

1:22:40.680 --> 1:22:44.800
<v Speaker 1>like she talks about sorry. Moses talks about like his

1:22:45.120 --> 1:22:48.280
<v Speaker 1>brother who was quadriplegic being left overnight in a shed

1:22:48.360 --> 1:22:52.439
<v Speaker 1>outside because of some little thing he did wrong. So

1:22:53.560 --> 1:22:56.200
<v Speaker 1>and in his blog he says, quote Mia told me

1:22:56.320 --> 1:22:58.760
<v Speaker 1>that she was the victim of attempted molestation within her

1:22:58.760 --> 1:23:01.920
<v Speaker 1>own family. Her brother, my uncle John, who visited us

1:23:01.960 --> 1:23:04.559
<v Speaker 1>many times when we were young, is currently in prison

1:23:04.640 --> 1:23:07.760
<v Speaker 1>on a conviction of multiple child molestation charges. My mother

1:23:07.840 --> 1:23:11.840
<v Speaker 1>has never publicly commented on this or expressed concern about

1:23:11.840 --> 1:23:16.640
<v Speaker 1>his victims. End quote. So, I mean Moses's blog is

1:23:16.720 --> 1:23:19.679
<v Speaker 1>like really interesting because he talks all about how he's

1:23:19.720 --> 1:23:22.599
<v Speaker 1>like there were so many people in the house. We

1:23:22.640 --> 1:23:24.479
<v Speaker 1>all knew that Wood he was not allowed to be

1:23:24.560 --> 1:23:27.759
<v Speaker 1>with Dylan. We would have noticed if they walked off together.

1:23:27.800 --> 1:23:30.120
<v Speaker 1>We were all watching movies, like he was there. He

1:23:30.160 --> 1:23:32.320
<v Speaker 1>walked in and out, he went to go take a walk.

1:23:32.400 --> 1:23:35.280
<v Speaker 1>I saw him the whole time, Like he's acting like

1:23:35.960 --> 1:23:39.759
<v Speaker 1>this didn't happen. And then there's but there's all kinds

1:23:39.760 --> 1:23:46.160
<v Speaker 1>of like different accounts from like Nanny's and friends and

1:23:46.200 --> 1:23:48.400
<v Speaker 1>people that were there saying they saw them come out

1:23:48.439 --> 1:23:51.519
<v Speaker 1>of the crawl space or that whatever he's saying. We

1:23:51.560 --> 1:23:53.760
<v Speaker 1>didn't even have a toy train set in the crawl space,

1:23:53.800 --> 1:23:56.719
<v Speaker 1>the crawl space didn't even have a floor, like it's

1:23:56.840 --> 1:24:00.320
<v Speaker 1>like it's like insulated, filled with spiders, Like, it's like

1:24:00.360 --> 1:24:02.360
<v Speaker 1>filled with mouse droppings. It's like a place where we

1:24:02.400 --> 1:24:04.719
<v Speaker 1>would hide and shit. It's like where my mom soars

1:24:04.760 --> 1:24:06.840
<v Speaker 1>her old clothes. It's not really like where you would

1:24:06.840 --> 1:24:09.080
<v Speaker 1>go play with someone. So I don't know he has

1:24:09.160 --> 1:24:11.639
<v Speaker 1>all these And then you know, of course Woody Allen

1:24:11.680 --> 1:24:13.960
<v Speaker 1>has put his own op eds in the New York

1:24:13.960 --> 1:24:15.840
<v Speaker 1>Times where he's like, says a lot like what the

1:24:15.920 --> 1:24:18.920
<v Speaker 1>character says, where he's like, why would I, under the

1:24:18.960 --> 1:24:22.600
<v Speaker 1>scrutiny of the sun Yi thing, put myself in a

1:24:22.640 --> 1:24:27.360
<v Speaker 1>position of molesting my daughter with all these people in

1:24:27.400 --> 1:24:27.840
<v Speaker 1>the home.

1:24:28.040 --> 1:24:28.880
<v Speaker 4>I've never done it.

1:24:29.120 --> 1:24:31.200
<v Speaker 1>I've never been accused of doing it previously, and I've

1:24:31.200 --> 1:24:35.280
<v Speaker 1>never done it since, So why would I this one

1:24:35.360 --> 1:24:39.080
<v Speaker 1>time have to do that. So that's his defense on himself.

1:24:39.400 --> 1:24:42.719
<v Speaker 1>But again it's been investigated, he's been cleared. Nothing's happened

1:24:42.920 --> 1:24:45.960
<v Speaker 1>now And in twenty eighteen, soon Ye did this big,

1:24:46.000 --> 1:24:48.040
<v Speaker 1>long interview with New York Magazine that I read for

1:24:48.120 --> 1:24:52.479
<v Speaker 1>this for this as well, where you know, she just

1:24:52.520 --> 1:24:56.559
<v Speaker 1>talks really regularly about their relationship and how they got together,

1:24:56.760 --> 1:24:59.880
<v Speaker 1>and the author talks about their way of being together

1:25:00.200 --> 1:25:03.280
<v Speaker 1>like very sweet and like tossling each other's hair, and

1:25:03.320 --> 1:25:05.840
<v Speaker 1>if he interrupts her, she goes, you're interrupting me, and like,

1:25:06.360 --> 1:25:09.360
<v Speaker 1>I don't know. At this point, she's a fifty something

1:25:09.439 --> 1:25:12.160
<v Speaker 1>year old woman. She's a mother of two. I believe

1:25:12.200 --> 1:25:15.240
<v Speaker 1>they both have they have two girls. Like, she has

1:25:15.280 --> 1:25:17.640
<v Speaker 1>not recognized that she was groomed in any way. She

1:25:17.760 --> 1:25:21.760
<v Speaker 1>has not said that, like, according to her, she was

1:25:21.880 --> 1:25:27.240
<v Speaker 1>of age the moment any kind of romance happened between

1:25:27.240 --> 1:25:28.040
<v Speaker 1>that and that.

1:25:28.000 --> 1:25:31.400
<v Speaker 2>He was like, because I think about Celine Dion and

1:25:31.439 --> 1:25:33.439
<v Speaker 2>it's like, listen, you guys could have loved each other

1:25:33.479 --> 1:25:35.360
<v Speaker 2>and had a long life. I think it's creepy with

1:25:35.640 --> 1:25:37.840
<v Speaker 2>like he knew you as a child and you got sorry,

1:25:37.880 --> 1:25:39.639
<v Speaker 2>Like it's fucking creepy, Like we're allowed to think it's

1:25:39.680 --> 1:25:43.160
<v Speaker 2>fucking creepy that he knew you as a ten year

1:25:43.160 --> 1:25:47.040
<v Speaker 2>old and that, and then I'm seeing your notes and

1:25:47.080 --> 1:25:48.799
<v Speaker 2>it's like, are those kids safe?

1:25:49.479 --> 1:25:54.360
<v Speaker 1>Yeah? Yeah, Because I'm seeing the Epstein stuff and he's

1:25:54.360 --> 1:25:57.040
<v Speaker 1>not sorry. I guess he's not sorry. And Woody and

1:25:57.120 --> 1:25:59.920
<v Speaker 1>Sunye are both in the Epstein files and what ell

1:26:00.040 --> 1:26:02.040
<v Speaker 1>And says, he is not sorry for his friendship with

1:26:02.120 --> 1:26:06.720
<v Speaker 1>child sex Driver or Jeffrey Epstein. I mean, listen, it's

1:26:06.760 --> 1:26:09.160
<v Speaker 1>like I don't even know a lot of Woody Allen movies.

1:26:09.200 --> 1:26:11.000
<v Speaker 1>We might need Casey on the mic here, but like

1:26:11.080 --> 1:26:13.479
<v Speaker 1>I've talked to Jared about this before, because Jared is

1:26:13.960 --> 1:26:15.600
<v Speaker 1>knows a lot of Woody Allen movies, and he's like,

1:26:16.160 --> 1:26:19.160
<v Speaker 1>so many of his movies are about older men being

1:26:19.200 --> 1:26:25.440
<v Speaker 1>with like younger women. It's just only seen Blue Jasmine.

1:26:25.680 --> 1:26:27.559
<v Speaker 1>I think I've only seen Blue Jasmine a match Point.

1:26:27.600 --> 1:26:29.559
<v Speaker 1>I think those might be the only two Woody Allen

1:26:29.560 --> 1:26:30.160
<v Speaker 1>movies I've seen.

1:26:30.200 --> 1:26:32.160
<v Speaker 6>I think the main movie where this comes up is

1:26:32.680 --> 1:26:34.600
<v Speaker 6>the movie Manhattan.

1:26:34.960 --> 1:26:36.439
<v Speaker 1>Yes, that's what Jared was saying.

1:26:37.040 --> 1:26:39.000
<v Speaker 6>Yeah, and in that one, he plays like a forty

1:26:39.080 --> 1:26:42.360
<v Speaker 6>year old guy dating a high schooler. But that's not

1:26:42.520 --> 1:26:44.439
<v Speaker 6>like the conflict of the movie. That's just like something

1:26:44.479 --> 1:26:47.640
<v Speaker 6>that's in the movie and everyone accepts it in the

1:26:47.640 --> 1:26:51.880
<v Speaker 6>world of the movie as like a good thing. It's

1:26:52.040 --> 1:26:53.759
<v Speaker 6>very strange.

1:26:54.040 --> 1:26:56.640
<v Speaker 4>Yeah, And like then look at Jerry Seinfeld.

1:26:56.760 --> 1:26:58.880
<v Speaker 1>I mean, like he was dating a high school senior

1:26:59.080 --> 1:27:02.719
<v Speaker 1>like so, so I like, I don't know, I think

1:27:02.720 --> 1:27:07.280
<v Speaker 1>that there's this romanticization I think of like teens in

1:27:07.320 --> 1:27:10.320
<v Speaker 1>New York City also that they're like older and like

1:27:10.479 --> 1:27:15.120
<v Speaker 1>wiser because they're city kids. And I think that Woody

1:27:15.120 --> 1:27:18.519
<v Speaker 1>Allen helped to perpetuate that. But you know, yeah, so

1:27:18.560 --> 1:27:21.840
<v Speaker 1>I mean, like Woody Allen talks about how on that

1:27:22.200 --> 1:27:24.360
<v Speaker 1>trip to like that to the house when when the

1:27:24.360 --> 1:27:27.479
<v Speaker 1>alleged sexual assault of Dylan happened, that he had given

1:27:27.560 --> 1:27:33.839
<v Speaker 1>Dylan a catalog and Moses and Satchel aka Ronan catalogs,

1:27:33.840 --> 1:27:35.840
<v Speaker 1>and that they had circled all like every toy in

1:27:35.880 --> 1:27:37.320
<v Speaker 1>the catalog and he was going to go back into

1:27:37.360 --> 1:27:39.839
<v Speaker 1>the city and buy them some toys from the catalog.

1:27:39.880 --> 1:27:42.360
<v Speaker 4>And then he's like, I never saw Dylan.

1:27:42.080 --> 1:27:45.200
<v Speaker 1>Again, like because then it all then it all came

1:27:45.280 --> 1:27:48.000
<v Speaker 1>to And I think that it was similar as well,

1:27:48.000 --> 1:27:50.519
<v Speaker 1>where Mia Paraoh didn't necessarily want to bring it to

1:27:51.240 --> 1:27:54.800
<v Speaker 1>the public, the stuff, but she had brought she brought

1:27:54.880 --> 1:27:58.120
<v Speaker 1>Dylan to her pediatrician, and the pediatrician is a mandated

1:27:58.160 --> 1:28:00.280
<v Speaker 1>reporter and had to report it and then that when

1:28:00.360 --> 1:28:03.080
<v Speaker 1>law enforcement got involved. So Mia Farah was like, I

1:28:03.120 --> 1:28:05.120
<v Speaker 1>didn't necessarily even want to do this, but then what

1:28:05.200 --> 1:28:07.160
<v Speaker 1>he Allen side is like, well, of course she did.

1:28:07.160 --> 1:28:10.120
<v Speaker 1>This happened like eight months after the SUNI thing, and

1:28:10.160 --> 1:28:12.960
<v Speaker 1>she's obviously furious about it and upset, and you know,

1:28:14.680 --> 1:28:16.439
<v Speaker 1>it's like one of the most fucked up stories of

1:28:16.439 --> 1:28:20.519
<v Speaker 1>our time, and that is treated like normal.

1:28:20.760 --> 1:28:24.040
<v Speaker 2>It's really weird and that like people are just they

1:28:25.040 --> 1:28:26.040
<v Speaker 2>ride hard for him.

1:28:26.520 --> 1:28:32.120
<v Speaker 1>Oh is he Midnight in Paris? I did see that? Yeah, yeah,

1:28:32.160 --> 1:28:37.639
<v Speaker 1>I haven't seen that one. Yeah. It's like a lot

1:28:37.680 --> 1:28:41.320
<v Speaker 1>of the people who have been in his movies were like,

1:28:42.960 --> 1:28:44.760
<v Speaker 1>you know, it's hard to know. We don't know all

1:28:44.760 --> 1:28:47.000
<v Speaker 1>the facts. Like they were very like kind of skirting

1:28:47.080 --> 1:28:50.360
<v Speaker 1>around it, like Scarlett Johansson, Blake Lively, all these actresses

1:28:50.800 --> 1:28:54.200
<v Speaker 1>that worked with him, and I mean probably actors as well.

1:28:54.280 --> 1:28:55.880
<v Speaker 4>I'm just thinking of the few that I just read

1:28:55.920 --> 1:28:56.679
<v Speaker 4>doing this research.

1:28:57.040 --> 1:28:59.880
<v Speaker 1>But then now people that are seeing him in the

1:29:00.000 --> 1:29:03.000
<v Speaker 1>I've seen files and him being unapologetic about Epstein are like,

1:29:03.400 --> 1:29:05.599
<v Speaker 1>I regret being in his Like all these actors are

1:29:05.600 --> 1:29:07.519
<v Speaker 1>coming out now and going and now I regret if

1:29:07.520 --> 1:29:09.000
<v Speaker 1>I had now then what I know now, like I

1:29:09.040 --> 1:29:11.640
<v Speaker 1>wouldn't have been in his movie. So I don't know

1:29:11.640 --> 1:29:14.280
<v Speaker 1>if he's gonna get more shit for just being friends

1:29:14.280 --> 1:29:16.920
<v Speaker 1>with Jeffrey Epstein. Even if he didn't know what Epstein

1:29:16.960 --> 1:29:19.880
<v Speaker 1>was doing and never went to the island, then he

1:29:20.160 --> 1:29:24.240
<v Speaker 1>is going to get for marrying his like wife's daughter.

1:29:25.160 --> 1:29:29.839
<v Speaker 1>I mean, Ronan Pharoh will say my dad is married

1:29:29.840 --> 1:29:33.360
<v Speaker 1>to my sister. That's fucked up. Like he's like, that's

1:29:33.720 --> 1:29:36.280
<v Speaker 1>morally fucked up. Whether you want to like pussy foot

1:29:36.320 --> 1:29:39.200
<v Speaker 1>around the fucking laws and who was what age? When

1:29:39.800 --> 1:29:42.040
<v Speaker 1>that's weird and that's a weird position that you've put

1:29:42.080 --> 1:29:46.919
<v Speaker 1>your other children into as well, you know, cause according

1:29:46.960 --> 1:29:50.479
<v Speaker 1>to Moses Mia, Pharaoh made all the kids like cut

1:29:50.520 --> 1:29:53.639
<v Speaker 1>off Woodie and said, you guys, he's evil, like made

1:29:53.680 --> 1:29:56.680
<v Speaker 1>them rehearse what they said about him, and that they

1:29:56.760 --> 1:29:58.960
<v Speaker 1>all and that It wasn't until later twenty eighteen where

1:29:59.000 --> 1:30:02.120
<v Speaker 1>Moses came out come to his dad's defense. I don't

1:30:02.120 --> 1:30:04.320
<v Speaker 1>know what's going on with Moses. I don't know, but

1:30:04.479 --> 1:30:08.160
<v Speaker 1>he his blog post is like definitely I remember reading

1:30:08.200 --> 1:30:10.800
<v Speaker 1>that in twenty eighteen sixty like eight years ago and

1:30:10.840 --> 1:30:14.080
<v Speaker 1>being like, whoa, this is like a perspective on this.

1:30:14.200 --> 1:30:17.439
<v Speaker 1>I hadn't read, you know, but who knows what he's

1:30:17.479 --> 1:30:19.479
<v Speaker 1>going through? Like I really don't know, I really don't

1:30:19.479 --> 1:30:24.200
<v Speaker 1>know what to say about this, but really fucked up

1:30:24.200 --> 1:30:26.200
<v Speaker 1>and really kind of like a lot of narcissists, like

1:30:26.240 --> 1:30:29.400
<v Speaker 1>you were saying in the episode, like focusing on themselves

1:30:29.520 --> 1:30:32.920
<v Speaker 1>and not on like the worldfare of these children. So

1:30:33.000 --> 1:30:35.960
<v Speaker 1>then that's that on whatdy Ellen, unless you have anything else,

1:30:36.040 --> 1:30:39.240
<v Speaker 1>Lisa that you want to add, Okay, And then obviously

1:30:39.280 --> 1:30:42.439
<v Speaker 1>the end of this episode throws a Roman Polanski twist

1:30:42.439 --> 1:30:45.640
<v Speaker 1>in at the end, which is interesting because Mia Farrow

1:30:45.880 --> 1:30:49.599
<v Speaker 1>first became well known for even though she's from a

1:30:49.600 --> 1:30:51.840
<v Speaker 1>famous family her father was a writer director or her

1:30:51.880 --> 1:30:55.040
<v Speaker 1>mother was an actress. She she became famous for her

1:30:55.080 --> 1:30:57.479
<v Speaker 1>role in Rosemary's Baby, which was written and directed by

1:30:57.560 --> 1:31:02.320
<v Speaker 1>Roman Polanski. So it's interesting that these two are sort

1:31:02.360 --> 1:31:05.040
<v Speaker 1>of tied together in this way. These are like these

1:31:05.040 --> 1:31:08.000
<v Speaker 1>are like vintage Epstein files, like everything that's going on

1:31:08.120 --> 1:31:13.280
<v Speaker 1>with these people, but like she Roman Polanski a Polish

1:31:13.320 --> 1:31:17.280
<v Speaker 1>French director who was essentially separated from his parents during

1:31:17.320 --> 1:31:21.519
<v Speaker 1>the Holocaust. He was later reconnected with his father, but

1:31:21.920 --> 1:31:24.599
<v Speaker 1>he came to the US wrote and directed Rosemary's Baby

1:31:24.600 --> 1:31:27.200
<v Speaker 1>in nineteen sixty eight, the same year he married actress

1:31:27.200 --> 1:31:30.840
<v Speaker 1>Sharon Tate. In nineteen sixty nine, Famously, a pregnant Sharon

1:31:30.880 --> 1:31:34.000
<v Speaker 1>Tate was among those murdered by the Manson family while

1:31:34.040 --> 1:31:35.680
<v Speaker 1>he was out of town. I believe he was in

1:31:35.720 --> 1:31:40.160
<v Speaker 1>London filming a movie. In seventy four, he made Chinatown,

1:31:40.200 --> 1:31:44.320
<v Speaker 1>which was like a huge hit. Jack Nicholson latsio credits

1:31:44.360 --> 1:31:46.640
<v Speaker 1>because I just knew him as a rapist. But I

1:31:46.640 --> 1:31:49.200
<v Speaker 1>guess he's made a lot of stuff. Yeah, yeah, I

1:31:49.200 --> 1:31:51.559
<v Speaker 1>mean he made The Pianist in like two thousand and

1:31:51.600 --> 1:31:54.720
<v Speaker 1>like two or three or something. I didn't know that.

1:31:55.080 --> 1:32:00.000
<v Speaker 1>I definitely saw that. Yeah. In nineteen seventy seven, however,

1:32:00.840 --> 1:32:08.960
<v Speaker 1>Polanski had a young girl named let me see. At

1:32:09.000 --> 1:32:11.400
<v Speaker 1>the time, her name was Samantha Gaily and now she's

1:32:11.439 --> 1:32:13.680
<v Speaker 1>married and her name is Samantha Geimer. I think you

1:32:13.720 --> 1:32:17.360
<v Speaker 1>would say it Gei, Mr Roman. Polanski had her over,

1:32:17.439 --> 1:32:21.160
<v Speaker 1>she was thirteen years old, had her over to Jack

1:32:21.280 --> 1:32:27.000
<v Speaker 1>Nicholson's house, which he shared with my obsession Angelica Houston,

1:32:27.040 --> 1:32:29.920
<v Speaker 1>his girlfriend at the time. I love Angelica Houston. Jack

1:32:30.000 --> 1:32:33.040
<v Speaker 1>Nicholson was out of town skiing in Colorado. Angelica Houston

1:32:33.120 --> 1:32:35.360
<v Speaker 1>was off the premises. He had this thirteen year old

1:32:35.400 --> 1:32:38.439
<v Speaker 1>girl over Polanski, so he could photograph her as part

1:32:38.479 --> 1:32:41.720
<v Speaker 1>of French Vogue, and he'd been invited to like edit

1:32:41.840 --> 1:32:44.240
<v Speaker 1>French Vogue or something for a month, and her mother

1:32:44.320 --> 1:32:46.679
<v Speaker 1>had allowed this to be a private photo shoot. Again,

1:32:46.840 --> 1:32:49.960
<v Speaker 1>it's like, you know, there's a lot of adults that

1:32:50.040 --> 1:32:52.840
<v Speaker 1>are fucking up here, Like you know how people will.

1:32:52.680 --> 1:32:54.599
<v Speaker 4>Blame the goalie for letting the goal in.

1:32:54.680 --> 1:32:56.920
<v Speaker 1>It's like there's a lot of defense that doesn't get

1:32:57.120 --> 1:33:00.920
<v Speaker 1>that doesn't stop it either from happening. Allows this thirteen

1:33:01.000 --> 1:33:02.599
<v Speaker 1>year old girl to go have a private photo shoot

1:33:02.600 --> 1:33:06.920
<v Speaker 1>with a grown man, and she was uncomfortable, like she

1:33:06.960 --> 1:33:12.920
<v Speaker 1>had to pose topless, and so then he said later

1:33:13.120 --> 1:33:15.559
<v Speaker 1>he gave her a bunch of She testified later that

1:33:15.600 --> 1:33:17.280
<v Speaker 1>he gave her a bunch of champagne to like loosen

1:33:17.479 --> 1:33:20.960
<v Speaker 1>her up. She was nervous, she was scared, and then

1:33:21.000 --> 1:33:22.680
<v Speaker 1>he made her like lie on the bed and then

1:33:22.920 --> 1:33:26.360
<v Speaker 1>he sexually assaulted her. He assaulted her, He pedetreated her

1:33:26.600 --> 1:33:29.240
<v Speaker 1>vaginally and anally. He performed oral sex on her even

1:33:29.280 --> 1:33:32.080
<v Speaker 1>though she didn't want that. After he gave her champagne

1:33:32.080 --> 1:33:36.840
<v Speaker 1>and they allegedly shared a kaylude. So she was in

1:33:36.920 --> 1:33:41.000
<v Speaker 1>and out feeling very but she also was like she

1:33:41.120 --> 1:33:43.080
<v Speaker 1>remembers saying no, but she was also like if I

1:33:43.160 --> 1:33:44.200
<v Speaker 1>get I guess I just get.

1:33:44.040 --> 1:33:45.599
<v Speaker 4>To go home if this is done, like when this

1:33:45.680 --> 1:33:46.000
<v Speaker 4>is done.

1:33:46.760 --> 1:33:51.320
<v Speaker 1>So then he ended up being arrested for drugging and

1:33:51.439 --> 1:33:52.639
<v Speaker 1>raping the searteen year old girl.

1:33:52.680 --> 1:33:54.000
<v Speaker 4>He pleaded guilty.

1:33:54.520 --> 1:33:57.439
<v Speaker 1>The charges were unlawful sexual intercourse with a female under

1:33:57.439 --> 1:34:00.640
<v Speaker 1>the age of eighteen, rape by use of drugs, perversion,

1:34:00.760 --> 1:34:03.439
<v Speaker 1>sodomy and elude, and lascivious act upon a child under

1:34:03.439 --> 1:34:06.360
<v Speaker 1>the age of fourteen, and furnishing a controlled substance to

1:34:06.400 --> 1:34:06.800
<v Speaker 1>a minor.

1:34:07.400 --> 1:34:10.559
<v Speaker 4>So he a lot of charges, yeah.

1:34:10.360 --> 1:34:14.560
<v Speaker 1>A lot of charges, but he pleaded guilty to the

1:34:14.640 --> 1:34:17.360
<v Speaker 1>lesser charge of unlawful sex with a minor in exchange

1:34:17.360 --> 1:34:20.680
<v Speaker 1>for a probation only sentence. And he also claims to

1:34:20.760 --> 1:34:25.439
<v Speaker 1>save this girl a trial right. But then the night

1:34:25.479 --> 1:34:28.600
<v Speaker 1>before his sentencing in nineteen seventy eight, he learned that

1:34:28.640 --> 1:34:30.960
<v Speaker 1>the judge was going to reject the plea bargain, and

1:34:31.000 --> 1:34:33.280
<v Speaker 1>apparently this guy was like, fuck this, I'm throwing this

1:34:33.320 --> 1:34:34.640
<v Speaker 1>guy in for as long as I can and was

1:34:34.640 --> 1:34:37.880
<v Speaker 1>going to give him fifty years in prison. So Polanski

1:34:38.000 --> 1:34:41.200
<v Speaker 1>fled to Paris and he's a I believe he's a

1:34:41.200 --> 1:34:44.439
<v Speaker 1>French citizen as well. So he continued his career and

1:34:44.520 --> 1:34:47.960
<v Speaker 1>he remains currently still a fugitive from the US justice system.

1:34:48.200 --> 1:34:52.760
<v Speaker 1>And in the time that he's been abroad, several other

1:34:52.800 --> 1:34:56.440
<v Speaker 1>women have come forward with sexual abuse allegations by Polanski.

1:34:57.000 --> 1:35:01.360
<v Speaker 1>He rarely leaves France and two thousand and eight, actually

1:35:01.439 --> 1:35:03.800
<v Speaker 1>his victim said, I don't wish for him to be

1:35:03.880 --> 1:35:07.800
<v Speaker 1>held to further punishment or consequences, she said. She has

1:35:07.840 --> 1:35:10.200
<v Speaker 1>said that the media, reporters, the court and the judge

1:35:10.200 --> 1:35:12.800
<v Speaker 1>have caused quote unquote way more damage to me and

1:35:12.880 --> 1:35:16.400
<v Speaker 1>my family than anything Roman Polanski has ever done, really,

1:35:16.920 --> 1:35:21.360
<v Speaker 1>and which is weird because in nineteen ninety three, I'm sorry,

1:35:21.400 --> 1:35:25.400
<v Speaker 1>in nineteen eighty eight she sued him for alleged sexual assault,

1:35:25.800 --> 1:35:28.920
<v Speaker 1>false imprisonment, seduction of a minor, and intentional infliction of

1:35:28.920 --> 1:35:32.559
<v Speaker 1>emotional distress. And in nineteen ninety three he settled with

1:35:32.680 --> 1:35:35.479
<v Speaker 1>her for an undisclosed amount, and as of August of

1:35:35.560 --> 1:35:38.439
<v Speaker 1>ninety six, he still owed her six hundred thousand. But

1:35:39.479 --> 1:35:42.439
<v Speaker 1>it's interesting to me that she did sue him at

1:35:42.439 --> 1:35:45.599
<v Speaker 1>the time, maybe that was, like, who knows, I'm sure

1:35:45.640 --> 1:35:49.200
<v Speaker 1>at the like, I don't know in hindsight, maybe people

1:35:49.280 --> 1:35:52.880
<v Speaker 1>have convinced her otherwise. But in March of twenty twenty three,

1:35:53.280 --> 1:35:56.760
<v Speaker 1>her and her husband met up with Polanski and his

1:35:56.840 --> 1:36:01.960
<v Speaker 1>wife for a cover interview of French magazine, and in

1:36:02.000 --> 1:36:05.000
<v Speaker 1>this interview she says, quote, let me be very clear,

1:36:05.080 --> 1:36:07.960
<v Speaker 1>what happened with Polanski was never a big problem for me.

1:36:08.320 --> 1:36:10.840
<v Speaker 1>I didn't even know it was illegal that someone could

1:36:10.880 --> 1:36:13.880
<v Speaker 1>be arrested for it. I was fine. I'm still fine.

1:36:13.920 --> 1:36:16.639
<v Speaker 1>It was so unfair and so in opposition to justice.

1:36:16.680 --> 1:36:19.679
<v Speaker 1>Everyone should know by now that Roman has served his sentence,

1:36:19.960 --> 1:36:23.000
<v Speaker 1>which was long. If you want my opinion, anyone who

1:36:23.040 --> 1:36:24.840
<v Speaker 1>thinks that he deserves to be in prison is wrong

1:36:25.120 --> 1:36:27.320
<v Speaker 1>if it isn't the case today, and it wasn't the

1:36:27.360 --> 1:36:32.320
<v Speaker 1>case yesterday. End quote. But she did sue him, she

1:36:32.439 --> 1:36:36.000
<v Speaker 1>did tell authorities that she said no and that she

1:36:36.160 --> 1:36:39.760
<v Speaker 1>didn't want it to happen, and she protested. So I

1:36:39.800 --> 1:36:43.040
<v Speaker 1>don't fucking know. In October of twenty seventeen, a German

1:36:43.080 --> 1:36:46.240
<v Speaker 1>actress named Nte Langer told Swiss police that Polanski raped

1:36:46.240 --> 1:36:49.280
<v Speaker 1>her in Shad when she was fifteen in nineteen seventy.

1:36:49.320 --> 1:36:53.959
<v Speaker 1>Two weeks later, American artist Mary Anne Barnard accused Polanski

1:36:54.000 --> 1:36:56.200
<v Speaker 1>of sexually assaulting her in nineteen seventy five when she

1:36:56.360 --> 1:36:59.639
<v Speaker 1>was ten years old, and in November of twenty nineteen,

1:36:59.680 --> 1:37:03.280
<v Speaker 1>French actress of Valentine Monier said that Polinski raped her

1:37:03.320 --> 1:37:06.120
<v Speaker 1>at a ski Shelle and Stad in nineteen seventy five

1:37:06.160 --> 1:37:07.040
<v Speaker 1>when she was eighteen.

1:37:07.960 --> 1:37:10.480
<v Speaker 4>So those are just some of the accusations.

1:37:10.680 --> 1:37:15.040
<v Speaker 1>And this guy loves to go skiing and assault teenagers,

1:37:15.080 --> 1:37:18.400
<v Speaker 1>like I don't fucking know, but he's still.

1:37:18.400 --> 1:37:23.040
<v Speaker 2>And people defend him. I mean, that fucking Quentin Tarantino

1:37:23.120 --> 1:37:25.000
<v Speaker 2>clip was fucked, but.

1:37:25.040 --> 1:37:28.679
<v Speaker 1>He also got his Cecil b de Mille Award taken away,

1:37:29.439 --> 1:37:34.120
<v Speaker 1>and it turned like they were trying to after me too.

1:37:34.880 --> 1:37:37.320
<v Speaker 1>Focus a little bit more on how bad it is

1:37:37.360 --> 1:37:39.760
<v Speaker 1>that we're still like allowing him to release movies, like

1:37:39.800 --> 1:37:42.479
<v Speaker 1>and he's still getting deals and stuff like that. I mean,

1:37:42.800 --> 1:37:46.960
<v Speaker 1>Dylan Ferrell was saying, like, okay, so Weinstein is behind bars,

1:37:46.960 --> 1:37:49.320
<v Speaker 1>but Amazon just signed like a multimillion dollar deal with

1:37:49.360 --> 1:37:53.280
<v Speaker 1>my dad who sexually assaulted me. So it's like, you know,

1:37:53.880 --> 1:37:56.200
<v Speaker 1>there they are sort of pick and choosing on who

1:37:56.200 --> 1:38:03.000
<v Speaker 1>they are, you know, going after. But Polanski's like still

1:38:03.000 --> 1:38:10.280
<v Speaker 1>making stuff and living free in France. Yeah, France love

1:38:10.560 --> 1:38:17.160
<v Speaker 1>sexual assault. Yeah, they really like hated me too. They

1:38:17.160 --> 1:38:19.680
<v Speaker 1>think it's just like prude Americans, And I'm like, you

1:38:19.800 --> 1:38:23.960
<v Speaker 1>shouldn't have to be getting raped at work, like fuck yeah,

1:38:24.200 --> 1:38:28.559
<v Speaker 1>Like what's the big Like, I don't know, it's just

1:38:28.800 --> 1:38:31.840
<v Speaker 1>so gross that all of these men just like really

1:38:31.840 --> 1:38:37.000
<v Speaker 1>want to be with like inexperienced, like young girls when

1:38:37.240 --> 1:38:40.360
<v Speaker 1>you can. I don't know, like is a twenty two

1:38:40.439 --> 1:38:42.360
<v Speaker 1>year old not hot enough for you? I don't get it,

1:38:42.439 --> 1:38:46.400
<v Speaker 1>like you had fifteen. I know. It's gross and it's

1:38:46.439 --> 1:38:49.360
<v Speaker 1>about power, you know, yeah, like all of that stuff

1:38:49.439 --> 1:38:54.080
<v Speaker 1>like these fucking yeahs, yeah, fucking freaks to be Like

1:38:54.200 --> 1:38:56.639
<v Speaker 1>I'm twenty one and I can't get enough of Woody Allen.

1:38:56.760 --> 1:38:59.120
<v Speaker 1>It's like, I don't know, go to therapy. And he

1:38:59.240 --> 1:39:02.680
<v Speaker 1>was like pulling was kind of like claiming. I think

1:39:02.720 --> 1:39:04.559
<v Speaker 1>when he around the time where he lost the cecil

1:39:04.600 --> 1:39:07.439
<v Speaker 1>b de Mill like he was like, Weinstein's just throwing

1:39:07.439 --> 1:39:09.120
<v Speaker 1>me under the bus so that my movie doesn't win

1:39:09.120 --> 1:39:13.280
<v Speaker 1>an Oscar or something like that, and it's like, okay, yeah,

1:39:13.320 --> 1:39:16.200
<v Speaker 1>I guess just pedophile on pedophile crime happening all the

1:39:16.240 --> 1:39:18.240
<v Speaker 1>way was Winstein a pedophile or did he just like

1:39:18.640 --> 1:39:26.240
<v Speaker 1>hurt grown women Weinstein. I think the people have been grown.

1:39:26.400 --> 1:39:28.519
<v Speaker 1>But I have no idea what he's up to or

1:39:28.560 --> 1:39:33.800
<v Speaker 1>if he's any I mean, I don't know. Yeah, yeah,

1:39:33.840 --> 1:39:35.800
<v Speaker 1>anywhere anyway.

1:39:35.720 --> 1:39:38.479
<v Speaker 2>Well, we have an incredible guest. One of the best

1:39:38.640 --> 1:39:39.280
<v Speaker 2>days of my life.

1:39:39.280 --> 1:39:49.360
<v Speaker 1>Don't go anywhere, stay seated for the best guest ever.

1:39:50.240 --> 1:39:54.160
<v Speaker 1>Our guest today is a prolific actor. To use the

1:39:54.160 --> 1:39:57.280
<v Speaker 1>word mildly. You may know best for playing White House

1:39:57.320 --> 1:40:00.840
<v Speaker 1>Deputy Chief of Staff Josh Lyman on The West. You

1:40:00.880 --> 1:40:03.160
<v Speaker 1>may also know him as the Villainous Dad and Get

1:40:03.200 --> 1:40:06.519
<v Speaker 1>Out and dozens of other projects, but you know him

1:40:06.560 --> 1:40:11.639
<v Speaker 1>best today as filmmaker slash pedophile Frank Maddox. Please enjoy

1:40:11.640 --> 1:40:15.240
<v Speaker 1>our chat with the legendary Bradley Whitford. We want to

1:40:15.240 --> 1:40:17.960
<v Speaker 1>talk about both episodes that you did, but we'll start

1:40:17.960 --> 1:40:20.840
<v Speaker 1>on reasonable doubt. Like when they sent you the script

1:40:20.880 --> 1:40:23.920
<v Speaker 1>for this, were you like swim Woody Allen or what like?

1:40:23.920 --> 1:40:28.720
<v Speaker 5>Were you just like, yeah, yeah, yeah, God.

1:40:28.400 --> 1:40:31.720
<v Speaker 4>With the Roman Polanski twist at the end with it.

1:40:31.840 --> 1:40:39.160
<v Speaker 5>Yeah, it was very very sleazy. I have had I

1:40:39.280 --> 1:40:42.920
<v Speaker 5>guess the sleeze ball has been at different times in

1:40:42.960 --> 1:40:50.439
<v Speaker 5>my career what you would call a wheelhouse for me.

1:40:52.920 --> 1:40:56.599
<v Speaker 5>You know, I think when I met often I would

1:40:56.600 --> 1:40:59.040
<v Speaker 5>meet people who would assume that there was something sort

1:40:59.080 --> 1:41:02.120
<v Speaker 5>of Ted Bundy about me because of these sort of

1:41:03.240 --> 1:41:05.840
<v Speaker 5>sort of characters that I play another thing, and that

1:41:05.880 --> 1:41:09.320
<v Speaker 5>way we can get back to the incredible nuance that

1:41:09.400 --> 1:41:15.879
<v Speaker 5>I put into being a pediasque. But that was the show.

1:41:16.240 --> 1:41:22.320
<v Speaker 5>I would not know my wife if I hadn't done

1:41:22.320 --> 1:41:28.200
<v Speaker 5>that episode because part of the reason it's true, I mean,

1:41:28.200 --> 1:41:32.760
<v Speaker 5>it's what it's like one of the biggest butterfly effects

1:41:33.200 --> 1:41:37.439
<v Speaker 5>moments of my life. Jeffrey Tamior was on the show,

1:41:38.280 --> 1:41:42.000
<v Speaker 5>and I knew I had scenes with Jeffrey, and I

1:41:42.080 --> 1:41:46.840
<v Speaker 5>met Jeffrey and while we were shooting the courtroom scene,

1:41:48.200 --> 1:41:51.639
<v Speaker 5>Jeffrey came back from lunch and he's like, I don't

1:41:51.640 --> 1:41:56.360
<v Speaker 5>even know what this is. It's some internet thing. They

1:41:56.360 --> 1:42:02.439
<v Speaker 5>call it streaming. But I did, like, it wasn't even

1:42:02.479 --> 1:42:05.320
<v Speaker 5>I guess it was a pilot and it got picked

1:42:05.400 --> 1:42:10.600
<v Speaker 5>up and he came back from lunch and it was Transparent,

1:42:11.640 --> 1:42:19.800
<v Speaker 5>and Jeffrey said to Joey Solaway, you should see this

1:42:19.880 --> 1:42:27.000
<v Speaker 5>guy for this part that I did on Transparent, and

1:42:27.120 --> 1:42:30.920
<v Speaker 5>that's how I met my wife. It was because I

1:42:31.000 --> 1:42:32.559
<v Speaker 5>did that episode of SPU.

1:42:33.479 --> 1:42:36.240
<v Speaker 4>Oh my gosh, so you met on set.

1:42:37.439 --> 1:42:40.760
<v Speaker 5>So if you're lonely and you want to find the

1:42:40.840 --> 1:42:45.520
<v Speaker 5>woman of your dreams, you need to play a pediast

1:42:46.080 --> 1:42:51.840
<v Speaker 5>and pretend to be a homophobic cross dresser. Is the

1:42:51.960 --> 1:42:53.400
<v Speaker 5>lesson for everybody out there?

1:42:53.560 --> 1:42:55.080
<v Speaker 1>Well, and we could talk about get Out.

1:42:55.360 --> 1:43:00.280
<v Speaker 2>I mean that I'm party iconic bad guy.

1:42:59.760 --> 1:43:05.800
<v Speaker 5>That one of the best ever made like that was.

1:43:05.479 --> 1:43:09.920
<v Speaker 5>I remember sitting right where I am right now reading

1:43:09.960 --> 1:43:16.080
<v Speaker 5>this script and going into Amy was in the kitchen,

1:43:16.240 --> 1:43:21.120
<v Speaker 5>and I was like, oh my god, the script is

1:43:21.720 --> 1:43:28.679
<v Speaker 5>like complete. It is brilliant. I had no idea that

1:43:28.800 --> 1:43:34.320
<v Speaker 5>it was going to work, and I thought it, especially

1:43:34.360 --> 1:43:38.479
<v Speaker 5>with the part that I was playing. You know, you

1:43:38.520 --> 1:43:44.160
<v Speaker 5>don't want to get wise cracking, racist wrong. You know,

1:43:44.240 --> 1:43:46.120
<v Speaker 5>you don't know how what the tone is going to be.

1:43:46.320 --> 1:43:50.160
<v Speaker 5>I remember when I read it, I assumed, uh. I

1:43:50.320 --> 1:43:57.160
<v Speaker 5>was so obsessed with the Key and Peel and Jordan.

1:43:57.280 --> 1:44:00.400
<v Speaker 5>I just thought was, I mean, if there's there's any

1:44:00.400 --> 1:44:02.760
<v Speaker 5>bad thing about what happened with get Out, it's that

1:44:02.840 --> 1:44:05.439
<v Speaker 5>we don't get to see Jordan act anymore. Because he

1:44:05.680 --> 1:44:09.879
<v Speaker 5>was one of those comic actors. Was just absolutely brilliant,

1:44:10.560 --> 1:44:12.880
<v Speaker 5>and I had assumed that I knew he was directing it,

1:44:12.960 --> 1:44:16.160
<v Speaker 5>but it was a four million dollar movie. I don't know.

1:44:16.240 --> 1:44:21.280
<v Speaker 5>I'm sure they don't tell you how much an SVU

1:44:21.360 --> 1:44:31.560
<v Speaker 5>episode costs, but wagering it's less than half that I

1:44:32.040 --> 1:44:36.800
<v Speaker 5>did get out was probably half what a SVU episode is.

1:44:37.439 --> 1:44:42.240
<v Speaker 5>And we shot it in twenty days and I loved

1:44:42.760 --> 1:44:44.880
<v Speaker 5>the script. I love the people I got to work with.

1:44:45.000 --> 1:44:47.240
<v Speaker 5>We all wanted it to work for Jordan, but it

1:44:47.320 --> 1:44:52.280
<v Speaker 5>was there was no you know, people are always like, oh,

1:44:52.320 --> 1:44:57.680
<v Speaker 5>you must have known. I'm like, no, I like and

1:44:57.760 --> 1:45:02.920
<v Speaker 5>I remember going to loop it and Jordan was there

1:45:03.720 --> 1:45:08.479
<v Speaker 5>and I said can I see it? And he's like, no, no,

1:45:08.560 --> 1:45:10.640
<v Speaker 5>I want you to. I want you to see it

1:45:10.640 --> 1:45:14.800
<v Speaker 5>with an audience. And I'm like, how is it? And

1:45:14.800 --> 1:45:19.559
<v Speaker 5>he's like and Jordan is the least arrogant person on

1:45:19.600 --> 1:45:24.120
<v Speaker 5>the planet, and he's like, I think it's really really good.

1:45:24.600 --> 1:45:26.880
<v Speaker 5>And I was like, well, I was kidding him. I

1:45:26.880 --> 1:45:28.880
<v Speaker 5>was like, well you have to think that, because you know,

1:45:29.080 --> 1:45:31.479
<v Speaker 5>your name's all over and everything, and he's like, no,

1:45:31.600 --> 1:45:34.360
<v Speaker 5>I think it's really really good. And then Amy and

1:45:34.400 --> 1:45:41.800
<v Speaker 5>I went at Sundance midnight screening, and I have never

1:45:41.840 --> 1:45:45.280
<v Speaker 5>seen a suit fle rise like that. Wow.

1:45:46.320 --> 1:45:49.680
<v Speaker 2>For me, it's one of my favorite movie going experiences

1:45:49.720 --> 1:45:53.000
<v Speaker 2>I've ever had, for sure, Like because I went opening

1:45:53.040 --> 1:45:55.519
<v Speaker 2>weekend and I remember and people were fucking pumped in

1:45:55.600 --> 1:45:58.760
<v Speaker 2>so many surprises and so many twists, like such a

1:45:58.800 --> 1:45:59.280
<v Speaker 2>good end.

1:45:59.439 --> 1:46:01.479
<v Speaker 1>I mean that it was, well, do.

1:46:01.439 --> 1:46:03.760
<v Speaker 5>You know, you know, I do you know about the

1:46:03.840 --> 1:46:05.960
<v Speaker 5>ending of that movie. It's a really interesting thing.

1:46:06.240 --> 1:46:08.719
<v Speaker 2>Yeah, I've read that it was supposed to be sad,

1:46:09.160 --> 1:46:11.559
<v Speaker 2>not good ending what we probably all as an audience

1:46:11.600 --> 1:46:14.840
<v Speaker 2>thought was going to happen, and I'm glad that it wasn't.

1:46:15.840 --> 1:46:20.559
<v Speaker 5>I don't know, Well, what's brilliant about it? You know?

1:46:21.720 --> 1:46:29.120
<v Speaker 5>It ended with Lilrell's character visiting the character of Chris

1:46:28.840 --> 1:46:29.719
<v Speaker 5>in prison.

1:46:30.680 --> 1:46:32.559
<v Speaker 4>Oh I didn't know. I didn't know about this at all.

1:46:32.600 --> 1:46:33.720
<v Speaker 1>Oh, I didn't know about this.

1:46:34.680 --> 1:46:39.280
<v Speaker 5>Yeah, and it was, I mean, it was a brilliant

1:46:39.880 --> 1:46:45.080
<v Speaker 5>He was basically going to him saying, you know, I

1:46:45.160 --> 1:46:49.840
<v Speaker 5>know what happened, we can expose this, and Daniel's character

1:46:49.920 --> 1:46:52.439
<v Speaker 5>going it's okay, we got him, And it was. It

1:46:52.520 --> 1:47:00.840
<v Speaker 5>was a brilliant statement about like mass incarceration and It's

1:47:00.880 --> 1:47:07.439
<v Speaker 5>a very interesting thing to me. The and I don't

1:47:07.520 --> 1:47:11.240
<v Speaker 5>know the nuances. I don't think it was a testing issue,

1:47:11.840 --> 1:47:16.479
<v Speaker 5>but it ended up changing to a moment, you know,

1:47:16.560 --> 1:47:21.840
<v Speaker 5>when Chris is killing the white woman, you know, in

1:47:21.880 --> 1:47:25.200
<v Speaker 5>the driveway and the police car drives, you see the

1:47:25.240 --> 1:47:30.160
<v Speaker 5>red lights and the door opens and you see TSA. Now,

1:47:31.120 --> 1:47:37.240
<v Speaker 5>I don't care what kind of you know, racist, you know, white, cracker,

1:47:37.680 --> 1:47:42.080
<v Speaker 5>lunatic you are. You're going to laugh at that moment.

1:47:42.160 --> 1:47:50.880
<v Speaker 5>And when you're laughing, you're acknowledging the truth that black

1:47:50.920 --> 1:47:55.400
<v Speaker 5>people are not safe, you know, with around cops. If

1:47:55.439 --> 1:47:58.120
<v Speaker 5>you say that, you're not going to get the message

1:47:58.160 --> 1:48:04.040
<v Speaker 5>through to the racist people out there. And that was

1:48:04.360 --> 1:48:08.439
<v Speaker 5>It's always a really interesting you know, because I've done

1:48:08.439 --> 1:48:10.800
<v Speaker 5>a lot of I've ended up being in a lot

1:48:10.840 --> 1:48:15.000
<v Speaker 5>of socially relevant stuff and so that's a really fascinating

1:48:16.800 --> 1:48:18.920
<v Speaker 5>thing to me. And I think the other ending worked well.

1:48:18.960 --> 1:48:21.400
<v Speaker 5>But there's something brilliant about that.

1:48:22.720 --> 1:48:24.440
<v Speaker 4>Yeah.

1:48:24.479 --> 1:48:28.720
<v Speaker 1>Well he seems like a cool director. And in this

1:48:28.800 --> 1:48:33.800
<v Speaker 1>episode of SVU, you're playing sort of this dickhead director, right, Yeah,

1:48:34.439 --> 1:48:37.639
<v Speaker 1>you're playing and I'm like, we got to find out,

1:48:37.760 --> 1:48:39.559
<v Speaker 1>like what are you drawn from? Who? Are you drawn

1:48:39.600 --> 1:48:40.040
<v Speaker 1>from here?

1:48:40.160 --> 1:48:50.680
<v Speaker 5>Oh my god. Well, I have very complicated feelings about directors,

1:48:50.800 --> 1:48:55.559
<v Speaker 5>and I'm more and more vehement about you know, I

1:48:55.640 --> 1:49:02.639
<v Speaker 5>worry for young actors coming up. Navigating directors is tough.

1:49:03.040 --> 1:49:09.000
<v Speaker 5>There's there's basically as one of two atmospheres on a set,

1:49:10.360 --> 1:49:15.719
<v Speaker 5>or one of two atmospheres coming at you as an actor,

1:49:15.960 --> 1:49:20.720
<v Speaker 5>and one is And it's interesting because I've done a

1:49:20.760 --> 1:49:23.800
<v Speaker 5>lot of theater and I'm lucky enough to be able

1:49:23.800 --> 1:49:28.519
<v Speaker 5>to do both. There's always a sense at a reading,

1:49:28.560 --> 1:49:31.840
<v Speaker 5>the first read through of a play of hey, this

1:49:31.920 --> 1:49:35.920
<v Speaker 5>might work as flawed as it may be, but there's

1:49:35.960 --> 1:49:42.240
<v Speaker 5>a kind of optimism about the whole endeavor. Any filmed

1:49:43.000 --> 1:49:48.400
<v Speaker 5>thing I've ever done, often the read through is ironically,

1:49:48.479 --> 1:49:52.360
<v Speaker 5>especially if it's good, there's a fear to it, like

1:49:52.400 --> 1:49:55.000
<v Speaker 5>I hope we don't fuck this up. And I think

1:49:55.040 --> 1:49:59.760
<v Speaker 5>it has to do with just the exposure and the

1:49:59.840 --> 1:50:06.960
<v Speaker 5>mon involved. So directors, and I've directed some, it's incredible pressure.

1:50:07.080 --> 1:50:14.400
<v Speaker 5>That they're under incredible pressure, and the a less secure

1:50:14.600 --> 1:50:21.559
<v Speaker 5>director allows their fear to impose, and the message coming

1:50:21.560 --> 1:50:26.760
<v Speaker 5>to the actor is you don't fuck this up. You know,

1:50:27.280 --> 1:50:29.920
<v Speaker 5>I'm afraid you're going to fuck this up. I know

1:50:30.040 --> 1:50:32.960
<v Speaker 5>how you should do it, but as an actor you

1:50:33.000 --> 1:50:36.000
<v Speaker 5>can get this sense of, oh, they you know, they

1:50:36.000 --> 1:50:40.639
<v Speaker 5>don't trust you. The best directors and not just because

1:50:40.680 --> 1:50:46.080
<v Speaker 5>I'm doing this podcast, but Marishko's is intuitively like this.

1:50:46.720 --> 1:50:52.280
<v Speaker 5>But the namiest ones I've ever worked with, Spielberg or Jordan,

1:50:53.640 --> 1:51:00.960
<v Speaker 5>they they create an atmosphere of it's it's it's not

1:51:01.000 --> 1:51:05.479
<v Speaker 5>like school, it's like recess, and they are are and

1:51:05.520 --> 1:51:09.479
<v Speaker 5>it's like good parenting. It's like, you know, it's like

1:51:09.840 --> 1:51:14.400
<v Speaker 5>you owe your kids the possibility of surprising you. And

1:51:15.640 --> 1:51:22.280
<v Speaker 5>good directors leave that space. A good director knows their

1:51:22.360 --> 1:51:26.360
<v Speaker 5>self interest will be served, the story's interest will be served.

1:51:26.880 --> 1:51:31.000
<v Speaker 5>If the actor doesn't think that the director knows how

1:51:31.040 --> 1:51:35.240
<v Speaker 5>the actor should play the scene more than the actor knows.

1:51:35.920 --> 1:51:40.120
<v Speaker 5>There there's a very subtle sort of kind of empowerment thing.

1:51:40.800 --> 1:51:44.960
<v Speaker 5>And basically, and you have to navigate them all the time.

1:51:45.439 --> 1:51:49.000
<v Speaker 5>And I understand the fear and the pressure, believe me

1:51:49.120 --> 1:51:54.519
<v Speaker 5>that they're under, but often you have to. You have

1:51:54.560 --> 1:52:01.360
<v Speaker 5>to navigate these you know, titanically insecure uh directors. And

1:52:01.400 --> 1:52:06.400
<v Speaker 5>there's this it's a very weird, you know, hierarchy on

1:52:06.479 --> 1:52:09.760
<v Speaker 5>a set I always laugh because it's filled with you know,

1:52:09.840 --> 1:52:14.040
<v Speaker 5>people like me, you know, Pinko, lefty, fancy yourself a humanist.

1:52:14.080 --> 1:52:15.600
<v Speaker 5>And then you get on a set and it's like

1:52:15.640 --> 1:52:19.000
<v Speaker 5>a fifteenth century serfdom, you know, it's you know, it's like,

1:52:19.040 --> 1:52:23.760
<v Speaker 5>I'm surprised there aren't like rickshaws. And if I'm in

1:52:23.800 --> 1:52:27.400
<v Speaker 5>the middle of the take, it's totally fine. If I go,

1:52:28.479 --> 1:52:31.240
<v Speaker 5>we got to cut and go where's the prop guy?

1:52:31.600 --> 1:52:35.599
<v Speaker 5>You know, where's my watch? Where's my fucking watch? That's fine.

1:52:36.880 --> 1:52:40.080
<v Speaker 5>If the prop guy goes it's in the fucking trailer

1:52:40.160 --> 1:52:43.960
<v Speaker 5>where I put it for you to put on. He's gone,

1:52:44.400 --> 1:52:46.840
<v Speaker 5>you know what I mean. So there's this and on

1:52:46.880 --> 1:52:53.080
<v Speaker 5>a set, these directors are inevitably in a position of authority,

1:52:53.200 --> 1:52:57.920
<v Speaker 5>and the best ones are secure enough to empower everybody

1:52:57.920 --> 1:53:02.479
<v Speaker 5>on the set around them, including the actors. But for

1:53:02.560 --> 1:53:06.200
<v Speaker 5>young actors coming up, it's you know, it's really scary,

1:53:06.280 --> 1:53:12.360
<v Speaker 5>especially you know. Sbu is a classic example of there's

1:53:12.400 --> 1:53:19.280
<v Speaker 5>nothing harder than a guest shot on an ongoing show.

1:53:19.479 --> 1:53:23.719
<v Speaker 5>There's nothing more challenging because you're coming into a family

1:53:24.560 --> 1:53:32.000
<v Speaker 5>that has been together and you can really tighten up,

1:53:32.920 --> 1:53:39.759
<v Speaker 5>you know, because inevitably. I mean despite everything I'm saying,

1:53:40.160 --> 1:53:43.760
<v Speaker 5>you know, I'm shooting the Diplomat now, and and like

1:53:45.720 --> 1:53:50.560
<v Speaker 5>we've incredible guest actors on that, and like after the

1:53:50.600 --> 1:53:53.160
<v Speaker 5>first take you're like, oh my god, I love that,

1:53:53.800 --> 1:53:56.120
<v Speaker 5>you know, Carrie and I are like, how do they

1:53:56.160 --> 1:53:59.160
<v Speaker 5>find these people? But it means that we're worried that

1:53:59.240 --> 1:54:03.080
<v Speaker 5>they might not, you know what I mean. And that's, uh,

1:54:03.160 --> 1:54:06.960
<v Speaker 5>that's a really hard thing for guest actors to navigate.

1:54:07.040 --> 1:54:10.160
<v Speaker 5>On West Wing, where we would do these walking talks

1:54:10.760 --> 1:54:13.519
<v Speaker 5>that were kind of a signature of the show, and

1:54:15.320 --> 1:54:18.760
<v Speaker 5>you could tell that these guest actors were terrified.

1:54:19.800 --> 1:54:24.400
<v Speaker 1>You made me terrified, Yeah, I got.

1:54:25.800 --> 1:54:29.160
<v Speaker 5>And we even doing them like you know, yeah, the

1:54:29.280 --> 1:54:32.240
<v Speaker 5>end of a walk uh, end of a walk and talk,

1:54:32.840 --> 1:54:37.040
<v Speaker 5>you know, like a really long one where you're like,

1:54:37.520 --> 1:54:40.000
<v Speaker 5>we just called f o G fear of greatness when

1:54:40.040 --> 1:54:42.280
<v Speaker 5>you like fuck up, but you know at the end

1:54:42.360 --> 1:54:44.800
<v Speaker 5>and you'd have to go back. And the thing with

1:54:44.880 --> 1:54:49.040
<v Speaker 5>walking talks that you learn quickly is the first couple

1:54:49.320 --> 1:54:51.880
<v Speaker 5>probably are not going to work unless it's unless it's

1:54:51.880 --> 1:54:54.640
<v Speaker 5>a miracle. Now, if you're a guest actor on there,

1:54:55.840 --> 1:54:59.720
<v Speaker 5>it's the the neurosis of being an actor is until

1:54:59.760 --> 1:55:02.680
<v Speaker 5>something thing works, you don't know if it ever will. Right.

1:55:03.520 --> 1:55:07.520
<v Speaker 5>So I learned on Westling if I was doing if

1:55:07.520 --> 1:55:09.480
<v Speaker 5>I had a guest actor and a walk and talk,

1:55:09.880 --> 1:55:12.720
<v Speaker 5>I would talk to our camera. I tell the camera guy,

1:55:13.640 --> 1:55:15.760
<v Speaker 5>I'm gonna fuck. I'm gonna fuck up the first one.

1:55:15.960 --> 1:55:19.000
<v Speaker 5>I'm gonna like, we'll just go like ten feet and

1:55:19.040 --> 1:55:23.560
<v Speaker 5>I'll oh shit, I went up. Uh because that relaxes everybody.

1:55:24.160 --> 1:55:28.120
<v Speaker 1>Uh Uh, that kind of calms Yeah, because the guest actors, like, well,

1:55:28.160 --> 1:55:30.320
<v Speaker 1>if Bradley Whitford's sucking up a walk and talk, I

1:55:30.360 --> 1:55:32.880
<v Speaker 1>guess I'm okay, I can figure it out. You know

1:55:32.960 --> 1:55:33.560
<v Speaker 1>they won't wat.

1:55:33.600 --> 1:55:36.800
<v Speaker 5>Yeah, yeah, yeah. And your and your fear is that

1:55:37.760 --> 1:55:41.480
<v Speaker 5>you know, it's really being a guest actor landing in

1:55:41.600 --> 1:55:46.080
<v Speaker 5>an alien world whatever it is, you know, Handmaid's SVU anything,

1:55:46.720 --> 1:55:51.600
<v Speaker 5>and making yourself right at home with your blood flowing. Uh.

1:55:52.040 --> 1:55:55.240
<v Speaker 5>You know they should have oscars for that.

1:55:55.480 --> 1:55:58.400
<v Speaker 2>Now that it's on streaming, do you find like a

1:55:58.440 --> 1:56:02.520
<v Speaker 2>different audience has found to the West Wing and find.

1:56:03.440 --> 1:56:07.400
<v Speaker 5>Because when we yeah, when we you know, when we

1:56:07.560 --> 1:56:11.320
<v Speaker 5>started that show, maybe there would be a rerun in

1:56:11.360 --> 1:56:14.120
<v Speaker 5>the summer. And then if you ever wanted to see

1:56:14.120 --> 1:56:15.920
<v Speaker 5>it again, you'd have to make an appointment at the

1:56:15.960 --> 1:56:19.880
<v Speaker 5>Museum of Broadcasting. And while we're making it, suddenly they

1:56:19.880 --> 1:56:24.400
<v Speaker 5>start putting out these VHS sets of it and then DVDs,

1:56:25.440 --> 1:56:36.400
<v Speaker 5>and you know, now I think you know it's unfortunately, Uh,

1:56:36.440 --> 1:56:41.320
<v Speaker 5>every wave of the erosion of democracy that we go through,

1:56:43.160 --> 1:56:45.200
<v Speaker 5>more people sort of watch it. It's sort of like

1:56:45.320 --> 1:56:48.920
<v Speaker 5>progressive music or progressive porn.

1:56:49.600 --> 1:56:54.800
<v Speaker 4>Well you for the government, you know, fantasy.

1:56:55.760 --> 1:57:00.680
<v Speaker 5>But yeah, it's it's wild to all of us that

1:57:00.800 --> 1:57:05.320
<v Speaker 5>it sort of continues. Uh, you know, you know, to

1:57:05.400 --> 1:57:13.280
<v Speaker 5>have this life and uh, you know, can be an

1:57:13.320 --> 1:57:20.400
<v Speaker 5>object of inspiration and sadness. Uh uh you know, I

1:57:20.400 --> 1:57:24.000
<v Speaker 5>always joked that my career is basically tracking, you know,

1:57:24.080 --> 1:57:25.280
<v Speaker 5>the death of democracy.

1:57:28.560 --> 1:57:30.920
<v Speaker 2>Now I was just gonna ask, are there You've named

1:57:30.920 --> 1:57:33.000
<v Speaker 2>so many cool people, but are there moments you remember

1:57:33.040 --> 1:57:35.920
<v Speaker 2>being starstruck or a little extra nervous or.

1:57:36.720 --> 1:57:41.640
<v Speaker 5>Oh yeah, well, I mean a thrill though She's just

1:57:41.680 --> 1:57:48.480
<v Speaker 5>a delay in easy and uh, Meryl Streep was doing

1:57:48.520 --> 1:57:55.640
<v Speaker 5>it like a take up close with her was uh

1:57:56.360 --> 1:57:59.680
<v Speaker 5>and this is not me being a fan or starfucking

1:57:59.760 --> 1:58:02.240
<v Speaker 5>or any thing. It was just watching her do this

1:58:02.360 --> 1:58:05.680
<v Speaker 5>take you know, like this far away from her and

1:58:06.920 --> 1:58:10.200
<v Speaker 5>totally out of character. In my head, I'm like, oh,

1:58:10.280 --> 1:58:16.760
<v Speaker 5>she's playing like five pianos, like like is a whole

1:58:16.840 --> 1:58:19.280
<v Speaker 5>different the whole different ballgame.

1:58:21.320 --> 1:58:23.560
<v Speaker 1>And what that saying is that a saying did you

1:58:23.600 --> 1:58:24.280
<v Speaker 1>just come up with that?

1:58:24.720 --> 1:58:27.200
<v Speaker 5>I came up with it before when I in my head,

1:58:27.240 --> 1:58:28.480
<v Speaker 5>when I was like, I've.

1:58:29.160 --> 1:58:30.960
<v Speaker 4>A few things you said, do you really have some

1:58:31.120 --> 1:58:32.680
<v Speaker 4>like nice schools?

1:58:32.960 --> 1:58:36.240
<v Speaker 5>The I mean the other ship, Like there's some people

1:58:36.280 --> 1:58:41.600
<v Speaker 5>who work with who who kind of change your idea

1:58:43.520 --> 1:58:50.360
<v Speaker 5>about U about acting. I mean, I mean I Mark Rylance,

1:58:50.400 --> 1:58:52.600
<v Speaker 5>I did a play with for a very long time,

1:58:54.680 --> 1:58:59.680
<v Speaker 5>and that that kind of changed to where I thought

1:58:59.680 --> 1:59:03.000
<v Speaker 5>about it. I mean a lot of it. The biggest

1:59:03.000 --> 1:59:05.040
<v Speaker 5>privilege I have is that I've gotten a lot of

1:59:05.080 --> 1:59:08.640
<v Speaker 5>at bats, like a lot of at bats, and I'm

1:59:08.640 --> 1:59:14.120
<v Speaker 5>really grateful for that. And I needed them because I

1:59:14.160 --> 1:59:17.080
<v Speaker 5>only partially mean this in a self deprecating way. But

1:59:17.280 --> 1:59:20.080
<v Speaker 5>given enough chances, you know, even a chimp will type

1:59:20.120 --> 1:59:24.600
<v Speaker 5>the dictionary. I mean, you do. You do learn the

1:59:24.600 --> 1:59:27.120
<v Speaker 5>more you do it. And there's a lot of anxiety,

1:59:28.680 --> 1:59:32.560
<v Speaker 5>blinding anxiety. Again, I still get in there. I don't

1:59:32.560 --> 1:59:34.120
<v Speaker 5>know if it's seen is going to work until it

1:59:34.160 --> 1:59:38.240
<v Speaker 5>works or and I don't know after I shot it

1:59:38.840 --> 1:59:41.800
<v Speaker 5>if it works. There's a lot like there's a lot

1:59:41.840 --> 1:59:45.160
<v Speaker 5>of you negotiating with yourself how you're going to deal

1:59:45.200 --> 1:59:50.600
<v Speaker 5>with insecurity and fear and one fundamental way you do

1:59:50.680 --> 1:59:55.320
<v Speaker 5>it that those two actors sort of flicked my gyroscope

1:59:55.360 --> 1:59:59.040
<v Speaker 5>about was as a young actor, you're you're trying to

1:59:59.200 --> 2:00:02.760
<v Speaker 5>narrow down you know, what the scene is, what the

2:00:02.880 --> 2:00:07.680
<v Speaker 5>character is, You're trying to define it. And what I

2:00:07.760 --> 2:00:12.760
<v Speaker 5>learned from those extraordinary actors and just in that moment

2:00:12.840 --> 2:00:17.280
<v Speaker 5>with her, she was opening up the aperture she was,

2:00:17.720 --> 2:00:22.240
<v Speaker 5>She wasn't narrowing it. And both of them were not

2:00:22.520 --> 2:00:27.280
<v Speaker 5>executing performances, but their cut of magic Sauce was not

2:00:27.400 --> 2:00:32.600
<v Speaker 5>playing a scene but getting played and that at that

2:00:32.680 --> 2:00:34.520
<v Speaker 5>moment with her just kind of blew my mind. She

2:00:34.560 --> 2:00:40.400
<v Speaker 5>would never think that moment was you know anything, But

2:00:40.720 --> 2:00:45.000
<v Speaker 5>that's really interesting. Interesting to me the older I get

2:00:45.440 --> 2:00:49.200
<v Speaker 5>of uh, you know, you got to deal with all

2:00:49.200 --> 2:00:52.640
<v Speaker 5>this technical stuff. That's the funny thing too, is like

2:00:53.480 --> 2:00:57.440
<v Speaker 5>everybody you know growing up looking at actors, you think

2:00:57.440 --> 2:00:59.920
<v Speaker 5>that you know, film acting is like incredibly you know,

2:01:00.240 --> 2:01:04.320
<v Speaker 5>organic and there's something a little more artificial about theater acting.

2:01:05.840 --> 2:01:10.800
<v Speaker 5>You know, film acting is like doing the golf swing. Yeah, well,

2:01:11.200 --> 2:01:15.000
<v Speaker 5>you know the method actors are more organic. Yeah, you know,

2:01:15.880 --> 2:01:17.880
<v Speaker 5>but it's you know, you like you got to hit

2:01:17.880 --> 2:01:21.440
<v Speaker 5>a mark, you gotta do this. You know, when you

2:01:21.480 --> 2:01:24.760
<v Speaker 5>do a play, you're just like, you know, you don't

2:01:24.760 --> 2:01:27.520
<v Speaker 5>have to gear up emotionally, it's just happening to you.

2:01:29.720 --> 2:01:33.200
<v Speaker 5>But to see those those two people just sort of

2:01:33.400 --> 2:01:37.760
<v Speaker 5>like get played, it was a different way of thinking

2:01:37.760 --> 2:01:38.760
<v Speaker 5>about acting for me.

2:01:39.160 --> 2:01:40.880
<v Speaker 4>What do you think your first credit.

2:01:40.680 --> 2:01:42.839
<v Speaker 5>Is Dead is a doorman?

2:01:43.400 --> 2:01:46.080
<v Speaker 2>There's the Doorman's eighty five, and then you did an

2:01:46.120 --> 2:01:48.040
<v Speaker 2>equalizer one episode.

2:01:47.680 --> 2:01:51.320
<v Speaker 5>Before before Dead is a dormance.

2:01:51.320 --> 2:01:53.120
<v Speaker 1>Well there, I don't see Dead as a dormant. It

2:01:53.160 --> 2:01:53.839
<v Speaker 1>just as dormant.

2:01:53.960 --> 2:01:56.600
<v Speaker 5>Oh that was That was the original title that shortened.

2:01:57.880 --> 2:02:01.480
<v Speaker 5>It was directed by Henny Youngman's son. Yeah. I did

2:02:01.480 --> 2:02:05.080
<v Speaker 5>an anti smoking skit in sixth grade. You know how

2:02:05.120 --> 2:02:09.160
<v Speaker 5>old I am. I really believe that I smoked a

2:02:09.200 --> 2:02:15.600
<v Speaker 5>cigarette during the anti smoking. I love this very method,

2:02:16.040 --> 2:02:19.000
<v Speaker 5>very method. Amy and I just had this little experience

2:02:19.040 --> 2:02:19.920
<v Speaker 5>making her movie.

2:02:20.040 --> 2:02:21.320
<v Speaker 4>Yeah for worse.

2:02:21.320 --> 2:02:25.280
<v Speaker 5>That that is coming out. Have you seen it?

2:02:25.800 --> 2:02:29.680
<v Speaker 1>I we've been helping to promo it to our listeners

2:02:29.800 --> 2:02:33.800
<v Speaker 1>because it features not only Amy but podcast favorite Missy

2:02:33.840 --> 2:02:37.880
<v Speaker 1>Pyle and now and Now podcast favorite Bradley Whitford. So

2:02:37.920 --> 2:02:39.600
<v Speaker 1>we will be continuing to push it. Butway, I have

2:02:39.640 --> 2:02:42.440
<v Speaker 1>not seen it yet, but there's more sview people. Paul

2:02:42.560 --> 2:02:43.879
<v Speaker 1>Edelstein's in a couple.

2:02:43.760 --> 2:02:48.320
<v Speaker 5>Of Yeah, Paul Edelstein's in it. Yeah, it. But here's

2:02:48.360 --> 2:02:52.160
<v Speaker 5>the thing that you know, at one point, you know,

2:02:52.840 --> 2:02:55.960
<v Speaker 5>we had producers. I don't know how much he told you, like,

2:02:56.120 --> 2:03:02.800
<v Speaker 5>you know, we had I think like four million, you

2:03:02.800 --> 2:03:06.080
<v Speaker 5>know that, you know, to make an independent movie, which

2:03:06.120 --> 2:03:12.640
<v Speaker 5>is a lot, and you know for the totally independent

2:03:12.640 --> 2:03:17.000
<v Speaker 5>movie we were gonna make, and then I forget what

2:03:17.040 --> 2:03:20.160
<v Speaker 5>happened to COVID happened. Then the strike happened, and then

2:03:21.520 --> 2:03:23.680
<v Speaker 5>at one point they were gonna do it for two million,

2:03:23.720 --> 2:03:26.360
<v Speaker 5>which is really cutting it close. And then they said

2:03:26.360 --> 2:03:28.120
<v Speaker 5>they couldn't do it, and we went back to them

2:03:28.160 --> 2:03:30.400
<v Speaker 5>and said, can you do it for a million? And

2:03:30.440 --> 2:03:33.800
<v Speaker 5>they were like no. They hired like a line producer

2:03:33.880 --> 2:03:36.720
<v Speaker 5>who said you cannot make this for a million, and

2:03:36.800 --> 2:03:40.879
<v Speaker 5>we made it for less than five hundred thousand dollars

2:03:41.120 --> 2:03:47.160
<v Speaker 5>and you'll see it's you know, Amy, in the same

2:03:47.200 --> 2:03:53.240
<v Speaker 5>way that Jordan. One of the problems with storytelling in

2:03:53.240 --> 2:03:57.120
<v Speaker 5>Hollywood is the high percentage of it is a bunch

2:03:57.120 --> 2:04:01.040
<v Speaker 5>of people walking around telling it joke that they don't

2:04:01.080 --> 2:04:04.520
<v Speaker 5>personally think is funny. They're just trying to sell it.

2:04:05.200 --> 2:04:09.240
<v Speaker 5>And you can smell that, like from a mile away.

2:04:10.760 --> 2:04:16.520
<v Speaker 5>Jordan has no condescension about the horror genre. Loves it,

2:04:16.560 --> 2:04:19.640
<v Speaker 5>loves every second of it, loves the mechanisms of it,

2:04:19.680 --> 2:04:23.160
<v Speaker 5>is fascinated by it. That's why that movie worked. Amy

2:04:23.720 --> 2:04:28.000
<v Speaker 5>loves rom coms. She loves playing around, you know, with

2:04:28.080 --> 2:04:33.520
<v Speaker 5>that puzzle. And I'm telling you less than five hundred

2:04:33.560 --> 2:04:36.240
<v Speaker 5>thousand dollars and we shot it in eleven days.

2:04:36.640 --> 2:04:39.040
<v Speaker 1>I'm looking at this trailer and it looks so good.

2:04:39.920 --> 2:04:43.040
<v Speaker 5>All these actors showed up, all these people showed up,

2:04:43.640 --> 2:04:48.680
<v Speaker 5>and you don't it truly made me. You know, we

2:04:48.760 --> 2:04:54.120
<v Speaker 5>didn't have playback, and Amy's in every frame, and it

2:04:54.280 --> 2:04:58.760
<v Speaker 5>just made me weep because like it's her voice, it's

2:04:59.240 --> 2:05:04.320
<v Speaker 5>you know, it's it's funny, uh and it's true, you

2:05:04.360 --> 2:05:11.560
<v Speaker 5>know it's and that's the stuff that all the people

2:05:11.720 --> 2:05:15.600
<v Speaker 5>running around, you know, kind of kind in Hollywood tend

2:05:15.640 --> 2:05:17.680
<v Speaker 5>to forget passion.

2:05:18.240 --> 2:05:19.720
<v Speaker 1>I'm gonna see it. I'm going I want to see

2:05:19.720 --> 2:05:22.160
<v Speaker 1>it when it's in La. I'm excited. We should let

2:05:22.240 --> 2:05:25.200
<v Speaker 1>you go. But do you have any other last like

2:05:26.080 --> 2:05:28.680
<v Speaker 1>little funny stories from the set. Did you and Iced

2:05:28.720 --> 2:05:29.920
<v Speaker 1>Tea have a moment together?

2:05:30.360 --> 2:05:37.480
<v Speaker 5>Uh? We cuddled, Uh you know, we napped together. I

2:05:37.560 --> 2:05:39.800
<v Speaker 5>was told it was a requirement.

2:05:39.560 --> 2:05:41.000
<v Speaker 4>Wearing my sweatshirt.

2:05:41.400 --> 2:05:44.560
<v Speaker 5>Uh not. I wish I'd had stuff with I didn't

2:05:44.560 --> 2:05:46.600
<v Speaker 5>have stuff with him in this. No, it was just

2:05:47.320 --> 2:05:52.960
<v Speaker 5>like I was just excited for Burrishka. I remember, like,

2:05:53.040 --> 2:05:57.760
<v Speaker 5>you know, the show shoots, the show shoots really fast,

2:05:58.280 --> 2:06:02.720
<v Speaker 5>and you know you're doing all this sort of sad

2:06:02.840 --> 2:06:05.960
<v Speaker 5>stuff all day. And it was just like really long day.

2:06:05.960 --> 2:06:09.640
<v Speaker 5>And I realized that like I, uh, I think I

2:06:09.680 --> 2:06:11.960
<v Speaker 5>took a nap at lunch, I hadn't eaten anything. And

2:06:12.720 --> 2:06:15.120
<v Speaker 5>I was in my little at one point, I'm in

2:06:15.280 --> 2:06:22.920
<v Speaker 5>like hospital, uh you know, humiliation gown. Uh. And I

2:06:22.960 --> 2:06:26.560
<v Speaker 5>remember realizing like, oh, I haven't eaten anything, and there

2:06:26.600 --> 2:06:30.160
<v Speaker 5>were and there was soup and I got into line

2:06:30.800 --> 2:06:35.280
<v Speaker 5>with the with the crew at Craft Services, and I

2:06:35.360 --> 2:06:40.160
<v Speaker 5>was I was really sleepy, but and I realized that.

2:06:40.200 --> 2:06:41.840
<v Speaker 5>I like, I hadn't eaten and I got up there

2:06:41.880 --> 2:06:44.960
<v Speaker 5>for the soup with the craft services guy was like, uh,

2:06:45.400 --> 2:06:51.040
<v Speaker 5>no background, no background. I was like, no, I'm I'm

2:06:51.160 --> 2:06:53.800
<v Speaker 5>I'm a guest actor. Uh.

2:06:54.080 --> 2:06:55.320
<v Speaker 4>He didn't want to give you the soup.

2:06:56.120 --> 2:06:57.760
<v Speaker 5>He didn't want to give me this. I'm like, please

2:06:57.840 --> 2:06:58.960
<v Speaker 5>just give me the fucking suit.

2:06:59.240 --> 2:07:01.400
<v Speaker 2>Well, I was just thinking, I bet that West Wing's

2:07:01.440 --> 2:07:02.560
<v Speaker 2>schedule was wild.

2:07:03.000 --> 2:07:08.960
<v Speaker 5>Yeah, that it was insane crazy. I've said this, I've

2:07:09.000 --> 2:07:14.840
<v Speaker 5>said this, it was crazy, and I don't know what

2:07:15.080 --> 2:07:18.640
<v Speaker 5>was going on back then. I think they didn't want

2:07:19.160 --> 2:07:24.320
<v Speaker 5>to admit how long, how many episodes. They didn't want

2:07:24.360 --> 2:07:30.360
<v Speaker 5>to break the eight days, the pretense that you could

2:07:30.360 --> 2:07:33.960
<v Speaker 5>make that show in eight days, right, the level of

2:07:34.200 --> 2:07:38.520
<v Speaker 5>first of all, what Aaron did on that show. I

2:07:38.600 --> 2:07:43.360
<v Speaker 5>wrote two episodes a year apart. I thought my brain

2:07:43.440 --> 2:07:48.480
<v Speaker 5>was going to fucking break. He wrote twenty two for

2:07:48.600 --> 2:07:54.320
<v Speaker 5>four years. That is the equivalent. You know, The Sopranos

2:07:54.360 --> 2:07:57.400
<v Speaker 5>is as good as any mob movie. The West Wing,

2:07:57.480 --> 2:08:00.200
<v Speaker 5>I would I don't think it's arrogant to say was

2:08:00.240 --> 2:08:03.120
<v Speaker 5>attempting to be as good as any political movie. So

2:08:03.160 --> 2:08:09.960
<v Speaker 5>you're making the equivalent of eleven feature films in nine months,

2:08:10.560 --> 2:08:12.760
<v Speaker 5>and they would pretend that they could do it in

2:08:12.880 --> 2:08:20.120
<v Speaker 5>eight days because they if they broke that rule, other

2:08:20.240 --> 2:08:24.919
<v Speaker 5>shows would want more time as well. So a short

2:08:25.040 --> 2:08:30.240
<v Speaker 5>day for us was fifteen hours, and it was far

2:08:30.280 --> 2:08:34.600
<v Speaker 5>more brutal for the crew and people. If you're doing

2:08:34.680 --> 2:08:38.640
<v Speaker 5>a feature, it's a sprint and you can do six weeks,

2:08:39.600 --> 2:08:42.480
<v Speaker 5>you know, if you're doing a series. And again, especially

2:08:42.560 --> 2:08:46.120
<v Speaker 5>for the crew, people started to like go nuts, and

2:08:46.960 --> 2:08:51.320
<v Speaker 5>I mean eventually, you know, it was like I remember

2:08:52.400 --> 2:08:56.520
<v Speaker 5>braying at somebody, like, you know, the invisible carnage of

2:08:56.840 --> 2:09:01.560
<v Speaker 5>the unfucked wives and the children not being read to

2:09:01.880 --> 2:09:07.280
<v Speaker 5>is just like wafting out into the future. And that's

2:09:07.280 --> 2:09:08.400
<v Speaker 5>a good name for a band.

2:09:08.560 --> 2:09:12.240
<v Speaker 1>By the way, the invisible Carnage of the Unfucked Wives

2:09:12.280 --> 2:09:13.000
<v Speaker 1>even more hard.

2:09:13.920 --> 2:09:19.400
<v Speaker 5>That's that's their first album. That was their day. Yeah,

2:09:19.520 --> 2:09:21.800
<v Speaker 5>but yeah, I know, I know it was insane.

2:09:22.080 --> 2:09:25.800
<v Speaker 1>I just saw Janelle and uh, she's done an sv

2:09:26.280 --> 2:09:29.560
<v Speaker 1>Janelle Maloney from She's on an SVU. She's the doctor

2:09:29.880 --> 2:09:31.840
<v Speaker 1>we were trying to get for that episode.

2:09:31.720 --> 2:09:35.680
<v Speaker 5>Yeah, And I had agreed, I was, she lives in

2:09:35.720 --> 2:09:40.680
<v Speaker 5>Brooklyn and we haven't you know, and Allison and I

2:09:40.760 --> 2:09:45.840
<v Speaker 5>talk about this. I mean we it was brutal, but

2:09:47.480 --> 2:09:52.400
<v Speaker 5>we are all. Even Richard Schiff is grateful. I mean,

2:09:53.800 --> 2:10:00.280
<v Speaker 5>which is a miracle, uh for him to experience that emotion. Uh,

2:10:00.760 --> 2:10:07.200
<v Speaker 5>but you know, it was such a crushing level of

2:10:07.680 --> 2:10:11.520
<v Speaker 5>it was familial. You know, you were you will be

2:10:11.680 --> 2:10:15.280
<v Speaker 5>revealed in your good days, your bad days, you're tired,

2:10:16.040 --> 2:10:19.240
<v Speaker 5>you know, you're happy. Uh, it was. It was a

2:10:19.320 --> 2:10:22.240
<v Speaker 5>very intense thing. And now only on a show like

2:10:22.400 --> 2:10:27.360
<v Speaker 5>s for you do you get that, uh you know

2:10:27.600 --> 2:10:32.240
<v Speaker 5>in like intensity. You know, on Handmaids you do, you know,

2:10:32.720 --> 2:10:35.960
<v Speaker 5>or Diplomat you do eight or ten every couple of years,

2:10:37.280 --> 2:10:46.520
<v Speaker 5>which is saner and the wives get fucked. But uh

2:10:46.560 --> 2:10:47.960
<v Speaker 5>but it's a different different kinds.

2:10:48.160 --> 2:10:51.160
<v Speaker 1>First, you know, I miss I miss some of these

2:10:51.200 --> 2:10:52.760
<v Speaker 1>twenty two episodes.

2:10:53.120 --> 2:10:56.000
<v Speaker 5>Yeah yeah, yeah, yeah no, And like I think the

2:10:56.040 --> 2:10:58.680
<v Speaker 5>pit is kind of a sweet spot. What are they fifteen?

2:10:58.840 --> 2:11:03.560
<v Speaker 1>Yeah, they do fifteen the pet It's good, yeah, because

2:11:03.600 --> 2:11:09.120
<v Speaker 1>it's the full shift. Your episode of your this episode

2:11:09.120 --> 2:11:13.200
<v Speaker 1>where you're the Woody Allen type is the the episode

2:11:13.280 --> 2:11:15.720
<v Speaker 1>right after it is another West Wing Josh Molina, It's

2:11:15.840 --> 2:11:20.880
<v Speaker 1>episode thought criminal lawyer. He his episode is creepy. He's

2:11:20.920 --> 2:11:22.120
<v Speaker 1>a guy who builds a.

2:11:22.120 --> 2:11:25.160
<v Speaker 5>F Are you aware of my thing with John?

2:11:26.320 --> 2:11:33.040
<v Speaker 1>Oh? We need to cut this, we could do off No, no, I.

2:11:32.960 --> 2:11:40.000
<v Speaker 5>Want it on the record. Josh is uh the very

2:11:40.640 --> 2:11:43.360
<v Speaker 5>I met Aaron Sorkin because I was in a Few

2:11:43.360 --> 2:11:47.120
<v Speaker 5>Good Men on Broadway and my first night on a

2:11:47.160 --> 2:11:51.080
<v Speaker 5>Broadway stage, which is in an Aaron Sorkin piece, It's

2:11:51.120 --> 2:11:59.760
<v Speaker 5>like jumping on a moving train. It's terrifying, terrifying, and uh,

2:11:59.800 --> 2:12:02.120
<v Speaker 5>I get halfway through and then there's a big trial.

2:12:02.280 --> 2:12:06.640
<v Speaker 5>Initially I was playing the Kevin Bacon part then, and

2:12:06.680 --> 2:12:09.720
<v Speaker 5>I was understudying the lead, and then I took over

2:12:09.800 --> 2:12:15.000
<v Speaker 5>the lead, which is why I got west Way. Basically,

2:12:16.160 --> 2:12:20.720
<v Speaker 5>Aaron gave me like a big break. But I'm going

2:12:20.760 --> 2:12:25.640
<v Speaker 5>into a Broadway play. I am. You're basically watching the

2:12:25.680 --> 2:12:29.320
<v Speaker 5>play and rehearsing with a stage manager, and then you

2:12:29.360 --> 2:12:33.640
<v Speaker 5>do one put in and then you're on and it's terrifying.

2:12:34.160 --> 2:12:36.520
<v Speaker 5>And I'm halfway through and I have the big court

2:12:36.600 --> 2:12:39.800
<v Speaker 5>scene and I come down and we're facing the audience

2:12:40.160 --> 2:12:45.320
<v Speaker 5>and I open up my briefcase and it is plastered

2:12:46.840 --> 2:12:52.400
<v Speaker 5>with pornography that haunts me to this day that Josh

2:12:52.440 --> 2:12:55.640
<v Speaker 5>Molina put in there my first night. And it turns

2:12:55.640 --> 2:12:59.000
<v Speaker 5>out that Josh is a how do I put it,

2:12:59.160 --> 2:13:06.600
<v Speaker 5>malignant practical joker, like dangerous, not funny. And Josh he

2:13:06.640 --> 2:13:11.280
<v Speaker 5>almost got fired because he put itching powder in one

2:13:11.280 --> 2:13:16.200
<v Speaker 5>of the marines costumes, which is technically actually kind of

2:13:16.240 --> 2:13:19.040
<v Speaker 5>a poison. So you have a marine up on a thing,

2:13:19.160 --> 2:13:20.600
<v Speaker 5>like you know, like like going like this.

2:13:21.920 --> 2:13:24.280
<v Speaker 1>Josh is a little porn in the briefcase, I can

2:13:24.320 --> 2:13:26.960
<v Speaker 1>get behind, but you can't give people like a rash.

2:13:27.440 --> 2:13:32.840
<v Speaker 5>Josh one director west Wing would destroy directors. They would

2:13:32.880 --> 2:13:35.680
<v Speaker 5>come in cocky, you know, and like, you know, maybe

2:13:35.680 --> 2:13:37.440
<v Speaker 5>I'll get nominated for an Emmy and you would find

2:13:37.440 --> 2:13:42.880
<v Speaker 5>them weeping behind flats. And Friday night you shoot until

2:13:42.920 --> 2:13:47.120
<v Speaker 5>like you know, two three in the morning, and this

2:13:47.240 --> 2:13:52.360
<v Speaker 5>poor guy is like staggering out the door and Warner

2:13:52.360 --> 2:13:55.800
<v Speaker 5>Brothers and just wants to go home and sleep for

2:13:55.840 --> 2:14:02.440
<v Speaker 5>a short weekend. Josh has gotten the guy's keys from

2:14:02.480 --> 2:14:07.640
<v Speaker 5>Transpo and put a bunch of stuff from the set

2:14:07.800 --> 2:14:11.720
<v Speaker 5>like Teddy Roosevelt's snowbel prize in some computers in the

2:14:11.760 --> 2:14:17.800
<v Speaker 5>back of the guy's car and calls security when we

2:14:17.840 --> 2:14:23.280
<v Speaker 5>wrap at three in the morning. And basically, long story,

2:14:23.280 --> 2:14:27.920
<v Speaker 5>short the directors, basically getting arrested by the Burbank police

2:14:28.800 --> 2:14:32.000
<v Speaker 5>for stealing stuff. That's his idea of a hahaha.

2:14:32.240 --> 2:14:33.200
<v Speaker 1>How did everyone get out of it?

2:14:33.320 --> 2:14:41.520
<v Speaker 5>So he did something to me which is too long,

2:14:41.760 --> 2:14:46.280
<v Speaker 5>too long to go into. So I I had to

2:14:46.440 --> 2:14:50.360
<v Speaker 5>I have made the mistake of engaging in this with him,

2:14:51.320 --> 2:14:59.160
<v Speaker 5>and I got him. I got hold of the memoriam

2:14:59.320 --> 2:15:04.360
<v Speaker 5>editor for the SAG Awards to get him cut into

2:15:04.400 --> 2:15:08.640
<v Speaker 5>the memory will and I had a check written for

2:15:08.720 --> 2:15:12.760
<v Speaker 5>several thousand dollars and the guy chickened out, which is

2:15:12.840 --> 2:15:17.200
<v Speaker 5>lucky because it would have been the greatest thing ever,

2:15:17.680 --> 2:15:21.160
<v Speaker 5>but horribly disrespectful to the people who died that year.

2:15:21.480 --> 2:15:25.600
<v Speaker 5>But he would have been declared dead to all of

2:15:25.640 --> 2:15:33.879
<v Speaker 5>show business. And when I got to write The West Wings,

2:15:36.960 --> 2:15:44.440
<v Speaker 5>the second one, all I knew was I wanted to

2:15:44.720 --> 2:15:51.520
<v Speaker 5>get to a moment where Josh had to humiliate himself

2:15:51.520 --> 2:15:55.320
<v Speaker 5>on national television. So this was after John Spencer died.

2:15:56.240 --> 2:16:00.160
<v Speaker 5>And I keep it on my phone because it's I'm

2:16:00.200 --> 2:16:05.000
<v Speaker 5>more proud of it than uh anything I've ever done creatively.

2:16:06.280 --> 2:16:11.560
<v Speaker 5>The Allison is now the Press Secretary, Josh is the

2:16:11.560 --> 2:16:16.120
<v Speaker 5>Press Secretary. Alison is now the chief of staff, and

2:16:16.320 --> 2:16:22.560
<v Speaker 5>Alison brings Josh into the office and says, the president's

2:16:22.560 --> 2:16:30.640
<v Speaker 5>son in law is having an affair and uh, he

2:16:30.760 --> 2:16:36.800
<v Speaker 5>says why he's like he was running for Congress and

2:16:36.800 --> 2:16:39.840
<v Speaker 5>and and Josh is playing the press secretary. And he goes,

2:16:39.879 --> 2:16:44.240
<v Speaker 5>why didn't you tell me that? And she she's because

2:16:44.360 --> 2:16:46.760
<v Speaker 5>you're the press secretary. You have to you have to

2:16:47.160 --> 2:16:49.160
<v Speaker 5>deal with the deal with the press, and he and

2:16:49.200 --> 2:16:53.560
<v Speaker 5>he goes, uh, uh, yeah, exactly, I deal with the press.

2:16:53.600 --> 2:16:56.760
<v Speaker 5>I should be the least informed person in the room.

2:16:57.320 --> 2:17:00.640
<v Speaker 5>You taught me that. And she goes, suck it up,

2:17:01.200 --> 2:17:06.480
<v Speaker 5>and he goes, I can't act. I am a terrible actor.

2:17:07.600 --> 2:17:12.840
<v Speaker 5>I don't like to pretend. And I got it into

2:17:12.879 --> 2:17:15.360
<v Speaker 5>an episode and I keep it on my phone to

2:17:15.440 --> 2:17:20.039
<v Speaker 5>want me to play it for you. I do my

2:17:20.040 --> 2:17:22.160
<v Speaker 5>bensport when I'm the least informed person in the room.

2:17:22.200 --> 2:17:22.800
<v Speaker 5>You taught me that.

2:17:22.920 --> 2:17:23.360
<v Speaker 1>Suck it up.

2:17:23.400 --> 2:17:25.320
<v Speaker 5>I can't act.

2:17:25.320 --> 2:17:30.680
<v Speaker 1>You were up to protect during the podcast. The truth

2:17:30.720 --> 2:17:33.440
<v Speaker 1>of it is, I love Josh oh Good. At first,

2:17:33.480 --> 2:17:35.360
<v Speaker 1>I was like, oh, have I brought up some deep

2:17:35.400 --> 2:17:37.520
<v Speaker 1>seated West wing feud that I didn't know about.

2:17:37.760 --> 2:17:39.800
<v Speaker 4>Thank you for giving us so much time and so

2:17:39.840 --> 2:17:41.039
<v Speaker 4>many great.

2:17:41.000 --> 2:17:45.200
<v Speaker 5>Really funny. Tell everybody to go see Tell everybody to

2:17:45.240 --> 2:17:46.199
<v Speaker 5>go see.

2:17:46.160 --> 2:17:48.879
<v Speaker 4>For worse or worse. Thank you so much, Bradley. This

2:17:49.040 --> 2:17:55.560
<v Speaker 4>was awesome. This was one of the best moments of

2:17:55.600 --> 2:17:55.959
<v Speaker 4>my life.

2:17:55.959 --> 2:17:58.400
<v Speaker 1>I would say, I mean, I think we talked to

2:17:58.480 --> 2:18:01.000
<v Speaker 1>him for was that was that like our longest interview.

2:18:01.040 --> 2:18:02.160
<v Speaker 1>I think we talked to him for like an hour

2:18:02.160 --> 2:18:02.560
<v Speaker 1>and a half.

2:18:02.800 --> 2:18:06.800
<v Speaker 2>I just truly feel like I really laughed for my innercore.

2:18:08.520 --> 2:18:10.680
<v Speaker 2>And oh, I'm trying to find the quotes. I really

2:18:10.720 --> 2:18:12.640
<v Speaker 2>liked his quotes. I was talking about getting the crew's

2:18:12.920 --> 2:18:14.199
<v Speaker 2>like wives fucked.

2:18:13.920 --> 2:18:16.879
<v Speaker 1>For weeks, like after we talked to him, Wait what

2:18:17.520 --> 2:18:18.880
<v Speaker 1>when he was like, we need to get the crew

2:18:18.920 --> 2:18:19.920
<v Speaker 1>home to fuck their wives.

2:18:20.360 --> 2:18:24.840
<v Speaker 4>Oh yes, it's like the best.

2:18:25.120 --> 2:18:25.600
<v Speaker 1>And I like that.

2:18:25.640 --> 2:18:28.160
<v Speaker 2>He said like set should feel like recess, not like school.

2:18:28.440 --> 2:18:32.000
<v Speaker 2>That it's like, yeah, like practice of submission is what

2:18:32.080 --> 2:18:32.760
<v Speaker 2>acting is.

2:18:32.920 --> 2:18:33.000
<v Speaker 1>Like.

2:18:33.120 --> 2:18:36.000
<v Speaker 2>He's just fun, but I think he takes his work seriously,

2:18:36.080 --> 2:18:38.760
<v Speaker 2>but he doesn't take himself seriously or like the business

2:18:38.879 --> 2:18:43.279
<v Speaker 2>in that way and still is feels really like excited

2:18:43.320 --> 2:18:46.280
<v Speaker 2>to work and likes all these people he's met.

2:18:46.440 --> 2:18:49.359
<v Speaker 4>I'm just I'm in I was like very taken.

2:18:49.120 --> 2:18:52.160
<v Speaker 1>By yes, I love him. I love his work. Who's

2:18:52.200 --> 2:18:54.640
<v Speaker 1>the guy in Chicago that I love him? And Amy?

2:18:54.840 --> 2:18:58.120
<v Speaker 1>Dennis Weber? You're out? What was the guy's name that

2:18:58.160 --> 2:18:59.880
<v Speaker 1>I loved from we loved him so much? We don't

2:18:59.879 --> 2:19:02.720
<v Speaker 1>know his name? Steve Weber? See it was years ago.

2:19:02.879 --> 2:19:06.800
<v Speaker 2>Come on, I know, I remember when we interviewed him

2:19:06.800 --> 2:19:09.360
<v Speaker 2>because we were in the Carolinas and we were in

2:19:09.360 --> 2:19:11.959
<v Speaker 2>a weird hotel, so like we were at a hotel.

2:19:13.360 --> 2:19:17.720
<v Speaker 1>But yeah, Steve Weber's out. Bradley Whitford in I mean

2:19:18.560 --> 2:19:22.240
<v Speaker 1>of my heart. Yeah, but I love him so much.

2:19:22.280 --> 2:19:24.760
<v Speaker 1>I love his relationship with Amy Landaker. I love them

2:19:25.240 --> 2:19:30.000
<v Speaker 1>finding love after love. You know, there's also something so

2:19:30.080 --> 2:19:32.600
<v Speaker 1>comforting about him to me. Like I said, I did

2:19:32.680 --> 2:19:35.640
<v Speaker 1>quit The Handmaid's Tale after like two or three seasons

2:19:35.680 --> 2:19:37.640
<v Speaker 1>because it got too real and then I started having kids.

2:19:37.680 --> 2:19:40.440
<v Speaker 1>But his character just being kind of one of the

2:19:40.560 --> 2:19:43.280
<v Speaker 1>like good guys, was like, he's comforting to me in

2:19:43.280 --> 2:19:43.560
<v Speaker 1>that way.

2:19:43.600 --> 2:19:46.080
<v Speaker 4>Also because I got to watch West Wing.

2:19:46.160 --> 2:19:48.280
<v Speaker 1>I never was a West Winger, but like I had

2:19:48.280 --> 2:19:50.560
<v Speaker 1>a friend come over recently who's like, oh, I watched

2:19:50.560 --> 2:19:52.160
<v Speaker 1>the West Wing like once a year, and I was like,

2:19:52.160 --> 2:19:54.760
<v Speaker 1>we just interviewed Bradley on our podcast, and she was like, what,

2:19:54.959 --> 2:19:56.760
<v Speaker 1>like people are obsessed, like they.

2:19:56.879 --> 2:19:59.080
<v Speaker 2>I want to watch West Wing. I pulled it up

2:19:59.160 --> 2:20:02.240
<v Speaker 2>on a tab, but I still haven't watched any TV

2:20:02.320 --> 2:20:05.920
<v Speaker 2>shows since. But I haven't watched it a Rivalry either.

2:20:05.920 --> 2:20:08.240
<v Speaker 2>I've put myself on like buz, yeah yeah.

2:20:08.400 --> 2:20:11.000
<v Speaker 1>Like yeah, get into drag Race. I'm liking this season.

2:20:11.040 --> 2:20:12.560
<v Speaker 1>I like, I will.

2:20:12.600 --> 2:20:15.759
<v Speaker 4>I just truly am like reading or doing my Russian homework.

2:20:15.440 --> 2:20:17.800
<v Speaker 1>Or like ow. I mean, I'm not sitting here trying

2:20:17.800 --> 2:20:20.279
<v Speaker 1>to beg you to get on a twelve hour show binge.

2:20:20.400 --> 2:20:22.520
<v Speaker 1>I don't want that. I like what you're doing. I

2:20:22.640 --> 2:20:22.840
<v Speaker 1>like that.

2:20:23.240 --> 2:20:25.160
<v Speaker 2>It's been fine. I have been getting blacked out. That

2:20:25.360 --> 2:20:29.000
<v Speaker 2>is a reality as well. But I you know, it's fine.

2:20:29.480 --> 2:20:32.480
<v Speaker 2>You live in New York, you're young, you're having fun.

2:20:33.840 --> 2:20:38.880
<v Speaker 2>Come on, I'm giving you permission anyway, so reasonable doubt.

2:20:38.879 --> 2:20:42.320
<v Speaker 1>Oh yeah, we'll talk every one. Everyone's a molester, everyone

2:20:42.760 --> 2:20:44.840
<v Speaker 1>is a I mean. The sad part to me is that, Like,

2:20:45.080 --> 2:20:47.840
<v Speaker 1>the sad part to me is that like Roman Polanski's victim,

2:20:47.959 --> 2:20:51.480
<v Speaker 1>just like felt I think so, I don't know, I'm

2:20:51.480 --> 2:20:53.600
<v Speaker 1>not going to speak for her, but like that you

2:20:53.600 --> 2:20:56.760
<v Speaker 1>would go after the person, toe the person get some

2:20:57.120 --> 2:20:59.640
<v Speaker 1>bit of justice, and then publicly be like it was

2:20:59.640 --> 2:21:01.960
<v Speaker 1>always it's fine. It's like even if that is how

2:21:01.959 --> 2:21:03.680
<v Speaker 1>you feel, because I'm not going to tell anybody how

2:21:03.720 --> 2:21:07.240
<v Speaker 1>to feel. Like, why are we sending that message that

2:21:07.320 --> 2:21:08.800
<v Speaker 1>it is okay for a man to have sex with

2:21:08.840 --> 2:21:10.360
<v Speaker 1>a thirteen year old while they're on kailud.

2:21:10.360 --> 2:21:12.800
<v Speaker 4>It's like, I don't know, like that's not that's we.

2:21:13.160 --> 2:21:15.160
<v Speaker 2>Even with the Michael Jackson where it's like they were

2:21:15.200 --> 2:21:17.800
<v Speaker 2>just napping and it's like, okay, but why are they napping?

2:21:18.080 --> 2:21:18.240
<v Speaker 1>Yeah?

2:21:18.320 --> 2:21:20.240
<v Speaker 4>Yeah, yeah, yeah, Like what are you talking?

2:21:20.440 --> 2:21:22.160
<v Speaker 1>I think we just need to say that going forward,

2:21:22.160 --> 2:21:25.360
<v Speaker 1>this isn't okay. So I think it's okay for her

2:21:25.360 --> 2:21:27.640
<v Speaker 1>to come out and say I'm through this, like I've

2:21:27.680 --> 2:21:29.800
<v Speaker 1>moved on, like but not to be like it was

2:21:29.920 --> 2:21:33.520
<v Speaker 1>never a problem is so strange. But also, who knows

2:21:33.600 --> 2:21:36.879
<v Speaker 1>what being under media scrutiny since you were thirteen for

2:21:36.920 --> 2:21:40.400
<v Speaker 1>this one specific extremely famous case has done to your

2:21:40.600 --> 2:21:41.560
<v Speaker 1>youth psychologically.

2:21:41.640 --> 2:21:46.920
<v Speaker 4>But this episode, I don't know, there's just.

2:21:47.080 --> 2:21:50.560
<v Speaker 2>Really okay things in such a week. It's so weird

2:21:50.720 --> 2:21:55.440
<v Speaker 2>what people don't want to deal it. I don't know

2:21:55.560 --> 2:21:59.880
<v Speaker 2>it's it's really strange, like I would never be friends

2:21:59.879 --> 2:22:03.959
<v Speaker 2>with someone that married their daughter in any capacity, like

2:22:04.160 --> 2:22:07.800
<v Speaker 2>not a step, not a twice removed, not like a

2:22:08.640 --> 2:22:11.800
<v Speaker 2>fake situation where it's like just your friend's kid, like

2:22:12.720 --> 2:22:16.080
<v Speaker 2>I yeah, even though it's just like I don't understand

2:22:16.120 --> 2:22:22.360
<v Speaker 2>the leniency with which people I don't know bring people

2:22:22.400 --> 2:22:26.640
<v Speaker 2>into their lives. Yeah, yeah, to make a movie.

2:22:27.879 --> 2:22:32.720
<v Speaker 4>I mean, people are hungry for fame, you know, but

2:22:33.920 --> 2:22:34.720
<v Speaker 4>don't I know it.

2:22:35.320 --> 2:22:41.320
<v Speaker 1>Yeah, anyway, let's let's get onto what would sister Peg do?

2:22:41.680 --> 2:22:45.000
<v Speaker 2>This week, Chris Fleming was on Caleb's podcast and he

2:22:45.080 --> 2:22:45.360
<v Speaker 2>was talking.

2:22:45.400 --> 2:22:46.960
<v Speaker 4>He's like, of course I want to be mega famous.

2:22:47.000 --> 2:22:49.160
<v Speaker 2>He's like, I am pissed that I'm not, and Caleb's like, no,

2:22:49.240 --> 2:22:51.200
<v Speaker 2>you're like too weird, Like no way, he goes, No,

2:22:51.320 --> 2:22:52.440
<v Speaker 2>I want to be Regis filming.

2:22:52.560 --> 2:22:58.160
<v Speaker 1>That's my icon. And I know he's being so sincere,

2:22:58.240 --> 2:22:59.560
<v Speaker 1>but like, and I get it.

2:22:59.600 --> 2:23:01.640
<v Speaker 2>To have a Day Times show for decades on air

2:23:01.760 --> 2:23:04.279
<v Speaker 2>is like incredible, but like, yeah, I guess, yeah, reaches

2:23:05.080 --> 2:23:07.440
<v Speaker 2>I used to I like Barbara Walters, Like I get it,

2:23:07.480 --> 2:23:08.119
<v Speaker 2>but it's just.

2:23:08.040 --> 2:23:10.480
<v Speaker 1>Like it tickled me. It tickled me, And he had

2:23:10.520 --> 2:23:14.760
<v Speaker 1>a great analysis of feter rivalry Chris Fleming. Catch him

2:23:14.760 --> 2:23:17.080
<v Speaker 1>on Caleb's podcast. He's so fucking funny and get his

2:23:17.200 --> 2:23:17.920
<v Speaker 1>watch a special.

2:23:18.440 --> 2:23:20.360
<v Speaker 4>I haven't watched him watch I love him.

2:23:20.480 --> 2:23:21.000
<v Speaker 1>I just do that.

2:23:21.640 --> 2:23:23.360
<v Speaker 2>But I get kind of jealous because I feel like

2:23:23.400 --> 2:23:25.200
<v Speaker 2>Caleb and I really connect on his pot and I

2:23:25.200 --> 2:23:27.000
<v Speaker 2>don't like the way he laughs with Chris Fleming.

2:23:27.480 --> 2:23:30.920
<v Speaker 1>Ah, but he laughs with so many people. Yeah, but

2:23:31.000 --> 2:23:31.440
<v Speaker 1>I know that.

2:23:31.879 --> 2:23:34.039
<v Speaker 2>I know mine is different, but when I see it

2:23:34.080 --> 2:23:35.120
<v Speaker 2>with Chris, I get pissed.

2:23:35.440 --> 2:23:36.320
<v Speaker 1>But that's how I feel.

2:23:36.160 --> 2:23:37.720
<v Speaker 2>When I sit at my coffee shop, when I see

2:23:37.720 --> 2:23:39.280
<v Speaker 2>them being nice to other regulars, I'm like, who the

2:23:39.320 --> 2:23:39.760
<v Speaker 2>fuck is that?

2:23:40.000 --> 2:23:41.560
<v Speaker 1>Excuse me, excuse me?

2:23:41.600 --> 2:23:41.720
<v Speaker 5>What?

2:23:42.360 --> 2:23:45.400
<v Speaker 1>Get out of here. I like, take your macha, take

2:23:45.400 --> 2:23:47.640
<v Speaker 1>your macha and move on. You're talking to my friends.

2:23:47.800 --> 2:23:49.879
<v Speaker 1>They would never serve much at my coffee shop. They

2:23:49.920 --> 2:23:53.000
<v Speaker 1>don't have DJs, well latte. You know, I don't even

2:23:53.040 --> 2:23:55.280
<v Speaker 1>drink coffee. I'm throwing the terms out like I don't

2:23:55.280 --> 2:23:59.480
<v Speaker 1>even know what I'm talking about. Okay, So throwing the

2:23:59.600 --> 2:24:03.240
<v Speaker 1>terms I don't know, like flat white, like I don't

2:24:03.240 --> 2:24:07.000
<v Speaker 1>even know what things are. Okay. So let's get into

2:24:07.040 --> 2:24:09.360
<v Speaker 1>what would sister peg do our weekly segment where we

2:24:09.760 --> 2:24:13.440
<v Speaker 1>direct you guys to an organization a blog post.

2:24:13.520 --> 2:24:15.000
<v Speaker 4>I always say, blog post, it's so stupid.

2:24:15.040 --> 2:24:19.400
<v Speaker 1>We barely ever do a blog post, an article, a documentary,

2:24:19.440 --> 2:24:23.440
<v Speaker 1>something to give you more info about the case we covered,

2:24:23.600 --> 2:24:26.320
<v Speaker 1>or the you know, the topics we touched on. And

2:24:26.360 --> 2:24:28.320
<v Speaker 1>this week we wanted to point you towards the Hollywood

2:24:28.360 --> 2:24:30.879
<v Speaker 1>Reporter article from ten years ago that Ronan Pharaoh wrote

2:24:30.879 --> 2:24:33.440
<v Speaker 1>about his dad, called my father, Woody Allan and the

2:24:33.520 --> 2:24:36.800
<v Speaker 1>danger of questions unasked. This is one of the early

2:24:36.879 --> 2:24:38.720
<v Speaker 1>articles that put Ronan Pharaoh on the map. You guys

2:24:38.720 --> 2:24:40.960
<v Speaker 1>all know I talked about this awesome Ronan Pharaoh piece

2:24:41.000 --> 2:24:44.280
<v Speaker 1>that I read last year. This article is really critical

2:24:44.280 --> 2:24:46.200
<v Speaker 1>of the media and the way it handled Woody Allen

2:24:46.320 --> 2:24:48.640
<v Speaker 1>and other well known sexual predators. And we all know

2:24:49.160 --> 2:24:51.680
<v Speaker 1>this is pre Harvey Weinstein, me too. We all know

2:24:51.760 --> 2:24:55.359
<v Speaker 1>Ronan Pharaoh was very instrumental in bringing that entire movement

2:24:55.520 --> 2:24:58.440
<v Speaker 1>to light. And there are a lot of lessons in

2:24:58.480 --> 2:25:01.879
<v Speaker 1>this article that the media could still so to read it,

2:25:01.920 --> 2:25:04.400
<v Speaker 1>head over to the Hollywood Reporter and we will have

2:25:04.480 --> 2:25:07.440
<v Speaker 1>that linked in our show notes and in a story

2:25:08.200 --> 2:25:10.840
<v Speaker 1>that we post in our stories on Instagram at That's

2:25:10.879 --> 2:25:14.039
<v Speaker 1>Messed Up Pod that come out to day this episode airs,

2:25:14.240 --> 2:25:16.959
<v Speaker 1>and we always save those in our WWSPD highlight on

2:25:17.000 --> 2:25:18.560
<v Speaker 1>our Instagram page, So get on over there if you

2:25:18.640 --> 2:25:21.480
<v Speaker 1>ever want to say, what was that organization that they mentioned?

2:25:21.560 --> 2:25:25.680
<v Speaker 4>It's there and that's that, and that is that.

2:25:26.080 --> 2:25:30.160
<v Speaker 2>And next week we'll be doing Great Expectations Season eighteen,

2:25:30.520 --> 2:25:31.800
<v Speaker 2>episode eleven.

2:25:34.160 --> 2:25:35.720
<v Speaker 4>Bye, everybody, see you next week.

2:25:44.200 --> 2:25:46.400
<v Speaker 2>That's Messed Up as an exactly right production.

2:25:46.800 --> 2:25:48.879
<v Speaker 1>If you have compliments you'd like to give us or

2:25:48.959 --> 2:25:51.199
<v Speaker 1>episodes you'd like us to cover, shoot us an email

2:25:51.240 --> 2:25:54.560
<v Speaker 1>it That's Messed uppod at gmail dot com. Listen to

2:25:54.600 --> 2:25:57.520
<v Speaker 1>That's Messed Up on the iHeartRadio app, Apple Podcasts, or

2:25:57.560 --> 2:25:58.960
<v Speaker 1>wherever you get your podcasts.

2:25:59.160 --> 2:26:02.320
<v Speaker 2>Follow the podcast on Instagram at That's Messed Up Pod,

2:26:02.560 --> 2:26:06.240
<v Speaker 2>and follow us personally at Kara Klank and at Glitter Cheese.

2:26:06.640 --> 2:26:09.360
<v Speaker 1>As always, please see our show notes for sources and

2:26:09.400 --> 2:26:10.039
<v Speaker 1>more information.

2:26:10.480 --> 2:26:13.480
<v Speaker 2>Thank you so much to our senior producer Casey O'Brien

2:26:13.640 --> 2:26:16.800
<v Speaker 2>and our associate producer Christina Chamberlain, and to.

2:26:16.760 --> 2:26:19.920
<v Speaker 1>Our mixer John Bradley and our guest booker Patrick Cottner,

2:26:20.120 --> 2:26:22.800
<v Speaker 1>and to Henry Kaperski for our theme song and Carly

2:26:22.920 --> 2:26:26.640
<v Speaker 1>Geen Andrews for our artwork. Thank you to our executive producers,

2:26:26.640 --> 2:26:30.680
<v Speaker 1>Georgia Hardstart, Karen Kilgarriff, Daniel Kramer and everybody at Exactly

2:26:30.720 --> 2:26:31.200
<v Speaker 1>Right Media.

2:26:32.120 --> 2:26:33.000
<v Speaker 5>Dun Dun,