WEBVTT - Feed the Fish 

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<v Speaker 1>Teething can be a real nightmare for your little ones.

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<v Speaker 1>It is so warm in my neighborhood today that I

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<v Speaker 1>thought I would just get some water in this little

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<v Speaker 1>pond and cool off my feet. In May of nine,

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<v Speaker 1>Mr Rogers Neighborhood has only been on TV for a

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<v Speaker 1>little more than a year. Mr Rogers arrives to his

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<v Speaker 1>house carrying a kiddie pool. Let's now go get the water,

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<v Speaker 1>all right. Of course, it's not a hot summer day.

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<v Speaker 1>Mr Rogers has taped in a sound stage at w

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<v Speaker 1>q e D in Pittsburgh, and the episode aired early

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<v Speaker 1>in May, so it was probably taped somewhere around mid April,

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<v Speaker 1>if not earlier. Some children think that when you grow up,

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<v Speaker 1>you don't really care for cool water on your feet

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<v Speaker 1>on a hot day. And I can tell you, as

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<v Speaker 1>a Pittsburgh native, April in Pittsburgh is not summer, but

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<v Speaker 1>I do. Yeah, So why is Fred so hot? Oh?

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<v Speaker 1>There's Officer Clemmons. High. Officer Clemens, come in mine, won't

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<v Speaker 1>you sit down? Officer Clemens is the friendly neighborhood cop

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<v Speaker 1>who stops by now and again for a visit with

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<v Speaker 1>Mr Rogers, and he's black. Not only is it unusual

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<v Speaker 1>to have a black authority figure on TV in the

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<v Speaker 1>late nineteen sixties, but his role makes Officer Clemens the

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<v Speaker 1>only black recurring character on all of children's television at

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<v Speaker 1>the time. It's so warm, I was just putting some

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<v Speaker 1>water on my feet. Oh it sure is. Would you

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<v Speaker 1>like to join me? It looks awten enjoyable. But I

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<v Speaker 1>don't have a towel or anything. Oh you share mine? Okay? Sure. France,

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<v Speaker 1>while removes his tall military boots, rolls up his pants,

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<v Speaker 1>and Mr Rogers gently soaks Francoise feet with the hose

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<v Speaker 1>that feels better already. A few years before this, in

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<v Speaker 1>a group of black teenagers protested segregation at a Florida motel.

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<v Speaker 1>They didn't do it by picketing or by sitting on

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<v Speaker 1>the lobby floor. They protested by jumping in the motel

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<v Speaker 1>pool for swim who water on a hot day. The

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<v Speaker 1>motel's owner, James Brock, responded by pouring what he said

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<v Speaker 1>was muriatic acid into the pool with the intention of

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<v Speaker 1>burning the protesters. The teens they were later arrested by

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<v Speaker 1>Florida police. Swimming pools remained a hotly contested space throughout

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<v Speaker 1>the so called Civil rights era, and that probably is

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<v Speaker 1>why Fred Rogers was so hot in April in Pittsburgh

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<v Speaker 1>in nineteen sixty nine. Is that enough? Well, I know

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<v Speaker 1>how busy you are, but sometimes just a minute like this,

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<v Speaker 1>we'll really make a difference. That we have great boots

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<v Speaker 1>to fill office with. Clemon, thanks you stopping by, so

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<v Speaker 1>have a good day, bye bye. Great to live in

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<v Speaker 1>a neighborhood with special people like Officer Clements. I'll bet

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<v Speaker 1>you there weren't ten white men in this country who

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<v Speaker 1>would share a towel with a black man. Here in America,

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<v Speaker 1>being black sometimes really presented a problem. And those swimming

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<v Speaker 1>pools people were behaving in a very, very unkind way.

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<v Speaker 1>And I talked to Fred about that, how helpless they

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<v Speaker 1>made me feel, and he said, we'll see, We'll see

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<v Speaker 1>what we can do. Francois, we hear a lot about

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<v Speaker 1>empathy these days. The word is everywhere. Really T shirts

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<v Speaker 1>and toad bags and Instagram accounts, all reminding us that

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<v Speaker 1>we can choose empathy, as if that's all it takes

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<v Speaker 1>to fix a world that so often feels broken. But

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<v Speaker 1>if we want to change the world, then we have

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<v Speaker 1>to take our empathy and do something with it. I'm

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<v Speaker 1>Carvel Wallace and this is Finding Fred, a podcast about

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<v Speaker 1>Fred Rogers from I Heart Media and Fatherly in partnership

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<v Speaker 1>with Transmitter Media. Yeah, the entirety of the episode in

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<v Speaker 1>which Fred silks Francoise feet is incredibly simple, but it's

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<v Speaker 1>also incredibly powerful. Fred was a master of modeling good

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<v Speaker 1>behavior for kids because he knew just how effective modeling

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<v Speaker 1>could be. Here he is in an interview from I

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<v Speaker 1>was at this nursery school and the director had invited

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<v Speaker 1>this man to come and sculpt in front of the children.

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<v Speaker 1>She said, I don't want you teaching sculpting. I want

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<v Speaker 1>you simply to sit with the children and do what

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<v Speaker 1>you feel you'd like to do with the clay. Well,

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<v Speaker 1>the kids started using clay that medium in the most

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<v Speaker 1>wonderful ways. And that wouldn't have happened if this gifted

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<v Speaker 1>sculptor hadn't loved clay. Right in front of them. This

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<v Speaker 1>idea of just doing what you love in front of

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<v Speaker 1>people as a way of teaching it, of spreading it.

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<v Speaker 1>Loving the Clay, as Fred would later call it, has

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<v Speaker 1>been sitting with me since I first heard it. It

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<v Speaker 1>echoes ideas I've heard in so many disparate contexts, show

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<v Speaker 1>don't tell attraction rather than promotion. So in that sense,

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<v Speaker 1>it's a timeless, almost interfaith concept, like love that neighbor

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<v Speaker 1>or do oneto others. And the other thing about it

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<v Speaker 1>is that rather than pushing me to become some hero,

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<v Speaker 1>some great leader of men, the idea of loving the

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<v Speaker 1>Clay just calls on me to be the best version

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<v Speaker 1>of myself that I can be, and then to let

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<v Speaker 1>that be seen. My favorite like recurring Mr Rogers moment

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<v Speaker 1>is him feeding his fish. This is my friend Eve

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<v Speaker 1>Ewing Eve as a scholar and a writer and a

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<v Speaker 1>fessor and a poet and a comic book writer. She's

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<v Speaker 1>like everything, you don't just be writing, you know, I

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<v Speaker 1>just write like essays and stuff as well, and about

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<v Speaker 1>those fish. Let's feed the fish. Whenever he feeds the fish,

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<v Speaker 1>there's like this little jazz piano riff that plays. Give

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<v Speaker 1>them a little food mimicking like the actions of the

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<v Speaker 1>fish as they go up and like open and close

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<v Speaker 1>their mouths to get the food. Seeing this adult engage

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<v Speaker 1>in this small moment of caring for another living creature

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<v Speaker 1>that requires just like a pause of patience and quiet

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<v Speaker 1>is just so beautiful to me. He was showing us

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<v Speaker 1>how to be good, not just through saying like be good,

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<v Speaker 1>don't do drugs, don't rob people, or whatever, but actually

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<v Speaker 1>just like doing it, like feeding the fish, or helping

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<v Speaker 1>your neighbor with something, or being nice to somebody that

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<v Speaker 1>you know that other people are maybe not nice to

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<v Speaker 1>all the time. Tell me more about the role that

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<v Speaker 1>Fred Rogers played in your childhood. I know that you're

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<v Speaker 1>calling him Fred for this podcast, but I can't bring

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<v Speaker 1>myself to do that. I haven't begivener he never got

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<v Speaker 1>it and get no permission to call this derive by

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<v Speaker 1>his first name. Well, you know, that's a lot. I

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<v Speaker 1>think he's just you know, somebody that I can say

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<v Speaker 1>that's always been there in my life in the same

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<v Speaker 1>way that Maria and Gordon from Sesame Street have always

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<v Speaker 1>been there. There's a way in which that can sound

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<v Speaker 1>like kind of sad that these TV adults played this

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<v Speaker 1>role in my life, but my mom was working full

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<v Speaker 1>time out of the house and my dad was home

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<v Speaker 1>with me. And he will say quite proudly and candidly

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<v Speaker 1>that his strategy was to basically like, have me watch

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<v Speaker 1>PBS all day, and he will attribute much of my

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<v Speaker 1>success as an adult to this parenting strategy. But I

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<v Speaker 1>think that I think as an adult, I've come to

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<v Speaker 1>realize that that was very intentional, That these were adults

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<v Speaker 1>entering my life that I could view as like trustworthy,

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<v Speaker 1>carrying adults, even if I didn't know them personally. That

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<v Speaker 1>that I see that now in retrospects like a form

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<v Speaker 1>of public intervention or like a public service. That was

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<v Speaker 1>very intentional. M. Fred Rogers was one of the first

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<v Speaker 1>makers of TV You to recognize that it could be

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<v Speaker 1>a constant positive presence for kids who didn't always have

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<v Speaker 1>that at home. He liked to say that attitudes are caught,

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<v Speaker 1>not taught. It's what happens when you watch someone love

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<v Speaker 1>the clay in front of you. And he didn't just

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<v Speaker 1>demonstrate how to work with the clay, or tie your

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<v Speaker 1>shoes or draw with crayons. He actually showed kids that

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<v Speaker 1>doing the right thing can make them feel good. One

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<v Speaker 1>thing I've learned in my forty five years on this

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<v Speaker 1>planet is that doing the right thing does not always

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<v Speaker 1>feel good. Sometimes it can take a lot of effort

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<v Speaker 1>to overcome habit or instinct to do the right thing.

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<v Speaker 1>One of the key ways that Mr Rogers showed us

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<v Speaker 1>how to be good was accepting people, accepting people as

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<v Speaker 1>they are, and that, for me, is one of the

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<v Speaker 1>most difficult lessons from Fred Rogers. It's particularly difficult these

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<v Speaker 1>days with Nazis marching in the streets and conspiracy theorists

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<v Speaker 1>on cable news. If being good means accepting those people

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<v Speaker 1>as they are, well, first, I'm not sure if I

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<v Speaker 1>can do it. But am I supposed to do it?

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<v Speaker 1>Is it supposed to feel good? I have been thinking

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<v Speaker 1>a lot about just how to understand this moment and

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<v Speaker 1>also how to understand where Fred fits into that. And

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<v Speaker 1>one specific question that I've been asking everyone is that

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<v Speaker 1>Fred has this? Uh not now I feel selfconscious calling Fred,

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<v Speaker 1>But Fred has this. I know your parents are not

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<v Speaker 1>raised you to call. We're gonna let that go. We're

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<v Speaker 1>gonna have to edit this im post um. There's this

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<v Speaker 1>thing about I like you the way you are or

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<v Speaker 1>it's you I like, it's you I like, and these

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<v Speaker 1>are these are really and this is a really fascinating

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<v Speaker 1>for me theological concept. I even ask my therapist about this,

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<v Speaker 1>and I was like, what about the bad people? Like?

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<v Speaker 1>What about it doesn't matter? And I wonder how you

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<v Speaker 1>parse that out. The idea that we are not accepting

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<v Speaker 1>and tolerating of certain people's behavior because it does harm

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<v Speaker 1>the least of us. Man, that's so tricky. Um. I'm

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<v Speaker 1>not a theologian, although I've spent a lot of time

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<v Speaker 1>around theologians. So my non theologian reading of that is

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<v Speaker 1>that's the idea of grace. That's what grace is, right,

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<v Speaker 1>the idea that God's love is unconditional, and that you're

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<v Speaker 1>great just the way you are, just just by being you.

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<v Speaker 1>That's enough. Now, I think that there's a subtle difference

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<v Speaker 1>between that idea and saying that everything you do is fine. Right.

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<v Speaker 1>So to me, what I hear when I hear it's

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<v Speaker 1>you I like or the idea of loving people unconditionally

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<v Speaker 1>is that I don't believe in monsters. I really don't.

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<v Speaker 1>I don't believe that the vast majority of people who

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<v Speaker 1>do harm do so because they're inhuman. I I believe

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<v Speaker 1>that people harm others for so many complicated reasons that

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<v Speaker 1>usually have to do with some variation of they themselves

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<v Speaker 1>have been harmed and have never been given any opportunity

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<v Speaker 1>to heal from that harm, or because our society disregards

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<v Speaker 1>others because they're considered marginal. Now that being said, uh,

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<v Speaker 1>you know, as the old saying goes, like Jesus loves you,

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<v Speaker 1>Jesus forgives you. That doesn't mean I have to you know,

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<v Speaker 1>Mr Rogers, ministry doesn't have to be everybody's ministry. So

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<v Speaker 1>Mr Rogers as a person who came out and said,

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<v Speaker 1>I love everybody unconditionally, and that's not something everybody is

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<v Speaker 1>able to do. And that is okay, you know, I

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<v Speaker 1>think that that's fine. Accepting people as they are is

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<v Speaker 1>a lofty goal. Not everyone is able to do that.

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<v Speaker 1>I guess most of us can't always do that, and

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<v Speaker 1>sometimes it's way more complicated than just accepting someone. How

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<v Speaker 1>do you accept someone when the thing that they're doing

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<v Speaker 1>is hurting you or hurting your family or your community.

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<v Speaker 1>We'll be right back. Teething can be a real nightmare

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<v Speaker 1>Fred Rogers was a master of loving the clay of

0:16:51.280 --> 0:16:56.080
<v Speaker 1>demonstrating and modeling the graciousness and neighborliness that he wished

0:16:56.160 --> 0:16:58.960
<v Speaker 1>to see in the world. And he did it on TV,

0:16:59.280 --> 0:17:02.280
<v Speaker 1>where million of children could mimic what Fred was modeling,

0:17:02.560 --> 0:17:04.879
<v Speaker 1>but they could also learn how to love the clay

0:17:04.960 --> 0:17:09.200
<v Speaker 1>in their own way. Even though Mr Rogers neighborhood belonged

0:17:09.280 --> 0:17:13.760
<v Speaker 1>to Mr Rogers, Fred also had dozens and dozens of

0:17:13.800 --> 0:17:17.880
<v Speaker 1>television neighbors, each of whom demonstrated their own gifts and

0:17:18.000 --> 0:17:22.439
<v Speaker 1>talents for the toddler audience. I have never not sang.

0:17:23.280 --> 0:17:25.359
<v Speaker 1>I've always been able to sing a song. It was

0:17:25.359 --> 0:17:27.280
<v Speaker 1>all at first, you know. It's kind of like a trick.

0:17:28.160 --> 0:17:31.080
<v Speaker 1>My aunts and uncles and cousins would ask me to sing,

0:17:31.480 --> 0:17:35.600
<v Speaker 1>and Mr Rogers neighborhood Francois Clemens played the police officer,

0:17:36.160 --> 0:17:39.840
<v Speaker 1>the singing police officer. My nickname was Buttercup, and the

0:17:39.840 --> 0:17:42.119
<v Speaker 1>older I get, the more I love that name, a

0:17:42.160 --> 0:17:45.359
<v Speaker 1>little Buttercup. And they used to say, Buttercup, come over here,

0:17:45.440 --> 0:17:48.560
<v Speaker 1>child and sing this song for me, and I would

0:17:48.560 --> 0:17:51.119
<v Speaker 1>come over. I sing for my aunt Clara, my and Hattie,

0:17:51.200 --> 0:17:54.600
<v Speaker 1>my aunt Emma Clemens is something of a phenomen a.

0:17:54.680 --> 0:17:57.480
<v Speaker 1>Grammy winning singer of opera and jazz. He founded the

0:17:57.520 --> 0:18:03.200
<v Speaker 1>Harlem Spiritual Ensemble, which preserves and performs traditional American Negro spirituals.

0:18:03.400 --> 0:18:05.880
<v Speaker 1>Francois was part of Mr. Rogers neighborhood for more than

0:18:05.920 --> 0:18:10.480
<v Speaker 1>twenty years, but that footbath episode in nine made him

0:18:10.520 --> 0:18:14.040
<v Speaker 1>an icon. I had no idea that scene would have

0:18:14.160 --> 0:18:19.600
<v Speaker 1>that kind of an effect. Everywhere I went, people wanted

0:18:19.640 --> 0:18:24.600
<v Speaker 1>to tell me their private story about that scene, somewhere

0:18:24.640 --> 0:18:29.000
<v Speaker 1>having discussions in their homes and that scene came on,

0:18:29.080 --> 0:18:32.199
<v Speaker 1>they said, Mom, look, mom, Dad, look dad, there's Francois

0:18:32.400 --> 0:18:35.119
<v Speaker 1>and Mr. Rogers with their feet in the same pool.

0:18:36.119 --> 0:18:42.480
<v Speaker 1>One's black and one's white. Yes they are, aren't They

0:18:42.840 --> 0:18:48.320
<v Speaker 1>and their friends. But long before he met fred Francois

0:18:48.440 --> 0:18:50.160
<v Speaker 1>was like a lot of the kids who would eventually

0:18:50.160 --> 0:18:54.920
<v Speaker 1>grow up watching Mr. Rogers, He was lonely. Francois told

0:18:54.920 --> 0:18:57.840
<v Speaker 1>me that his parents were clinically depressed. So we learned

0:18:57.920 --> 0:19:02.080
<v Speaker 1>to look to other people for affection and care. Some

0:19:02.119 --> 0:19:03.919
<v Speaker 1>of the things people say, Oh, there's nothing like a

0:19:04.000 --> 0:19:08.600
<v Speaker 1>mother's love, Oh there's nothing like family. I questioned that

0:19:09.280 --> 0:19:14.040
<v Speaker 1>from a very very young age, when my parents did

0:19:14.040 --> 0:19:17.560
<v Speaker 1>not act right in the sense of trust and love

0:19:17.800 --> 0:19:22.960
<v Speaker 1>and nurturing. I turned to a teacher, or to a

0:19:23.000 --> 0:19:27.000
<v Speaker 1>social worker, or to a parent of one of my peers.

0:19:27.720 --> 0:19:30.440
<v Speaker 1>They responded to me in a way that I thought

0:19:30.480 --> 0:19:33.600
<v Speaker 1>my parents should have. But some of that care was

0:19:33.640 --> 0:19:37.480
<v Speaker 1>a little bit more like charity than love, and growing

0:19:37.560 --> 0:19:40.000
<v Speaker 1>up in America in the eighteen fifties meant that help

0:19:40.160 --> 0:19:44.040
<v Speaker 1>was sometimes suffused with racism. The truth is the simple

0:19:44.080 --> 0:19:48.439
<v Speaker 1>answer is I was two people in one and that

0:19:48.600 --> 0:19:52.119
<v Speaker 1>was the one that was very sad. And to know

0:19:52.240 --> 0:19:54.879
<v Speaker 1>that there are people who disliked me, who pushed me

0:19:54.920 --> 0:19:58.639
<v Speaker 1>away simply because of my color, I could not deny it.

0:19:58.680 --> 0:20:01.120
<v Speaker 1>I didn't try to deny it. But then there were

0:20:01.119 --> 0:20:05.000
<v Speaker 1>those who said, oh, you need a new suit. Come

0:20:05.080 --> 0:20:07.040
<v Speaker 1>come with us. We're gonna go buy you a new suit.

0:20:07.960 --> 0:20:11.000
<v Speaker 1>Or they said, look at that boy's shoes. Come on,

0:20:11.000 --> 0:20:12.960
<v Speaker 1>we're gonna we're gonna take you downtown and buy you

0:20:13.000 --> 0:20:18.240
<v Speaker 1>a pair of shoes. It would have confused the average kid,

0:20:18.280 --> 0:20:20.720
<v Speaker 1>but since my parents weren't doing it, and I knew

0:20:20.760 --> 0:20:23.840
<v Speaker 1>that I needed a new suit, I had a sense

0:20:23.880 --> 0:20:29.199
<v Speaker 1>of wanting to dress decently and be clean. So in

0:20:29.280 --> 0:20:32.359
<v Speaker 1>my mind I said, I have to wait and see

0:20:32.400 --> 0:20:35.560
<v Speaker 1>what they're gonna do. Who these people? Are they gonna

0:20:35.600 --> 0:20:38.320
<v Speaker 1>push me away? Are they gonna see to it that

0:20:38.400 --> 0:20:42.359
<v Speaker 1>I have a winter coat. Francois was singing at a

0:20:42.440 --> 0:20:46.120
<v Speaker 1>church the first time he encountered Fred. When he invited

0:20:46.160 --> 0:20:50.359
<v Speaker 1>me to come onto the program and to have a

0:20:50.440 --> 0:20:54.560
<v Speaker 1>regular singing part. I said, Fred, I will be very

0:20:54.640 --> 0:20:58.560
<v Speaker 1>happy to be on your program as long as it

0:20:58.600 --> 0:21:04.840
<v Speaker 1>doesn't interfere with my singing. And he looked at me

0:21:04.920 --> 0:21:08.879
<v Speaker 1>and he told me, lady, He said, Francois, that is

0:21:08.920 --> 0:21:14.480
<v Speaker 1>the moment that I loved you, because you were not

0:21:14.560 --> 0:21:18.320
<v Speaker 1>gonna kiss my ass, and that's what everybody else was doing.

0:21:19.720 --> 0:21:22.960
<v Speaker 1>Those are his words. Officer Clemens first appeared in the

0:21:22.960 --> 0:21:26.720
<v Speaker 1>neighborhood in August of nine. He says it took a

0:21:26.760 --> 0:21:29.400
<v Speaker 1>while for him to get used to working with Fred Rogers.

0:21:30.280 --> 0:21:36.120
<v Speaker 1>He was a very unusual positive energy. It was not negative,

0:21:36.320 --> 0:21:39.399
<v Speaker 1>but it was just so damn unusual. And by that

0:21:39.520 --> 0:21:44.840
<v Speaker 1>I mean those puppets caused me a lot of hours

0:21:44.920 --> 0:21:49.879
<v Speaker 1>of thinking, what on earth was a grown man doing

0:21:49.960 --> 0:21:52.800
<v Speaker 1>plan with those puppets. I'm a ghetto boy, that was

0:21:52.960 --> 0:21:56.199
<v Speaker 1>I knew some black men who well halfway trying to

0:21:56.240 --> 0:21:59.680
<v Speaker 1>act right, but I never knew none who could play

0:21:59.720 --> 0:22:03.119
<v Speaker 1>with no puppets, you know, so I could. I just

0:22:03.119 --> 0:22:05.639
<v Speaker 1>couldn't wrap my head around it. And so I was

0:22:05.680 --> 0:22:09.040
<v Speaker 1>looking at him. I was looking at him carefully. But

0:22:09.160 --> 0:22:13.560
<v Speaker 1>ultimately Francois found in Fred a kindred spirit, a willing,

0:22:13.680 --> 0:22:17.040
<v Speaker 1>creative collaborator, and a true friend who loved him in

0:22:17.040 --> 0:22:21.800
<v Speaker 1>a way that Francois hadn't quite experienced before. Fred raw

0:22:21.960 --> 0:22:27.199
<v Speaker 1>just recognized something in me before I did. When I

0:22:27.240 --> 0:22:30.000
<v Speaker 1>got with Fred and he began to do these little

0:22:30.080 --> 0:22:34.919
<v Speaker 1>extra things, that was over and beyond the call of Judy.

0:22:35.040 --> 0:22:38.640
<v Speaker 1>I I was confused by that. Why is this white

0:22:38.640 --> 0:22:42.520
<v Speaker 1>guy sticking with me? Why is he so persistently wonderful?

0:22:43.640 --> 0:22:48.200
<v Speaker 1>So when he said, you're special, and you know how

0:22:49.560 --> 0:22:57.240
<v Speaker 1>just by being you and I like you, whow just

0:22:57.480 --> 0:23:01.439
<v Speaker 1>the way you are, and you make every day a

0:23:01.560 --> 0:23:07.320
<v Speaker 1>special day. One instance in particular stands out to Francois.

0:23:07.400 --> 0:23:10.679
<v Speaker 1>Many years later. Mr Rogers was rapping the show the

0:23:10.680 --> 0:23:13.640
<v Speaker 1>way he always rapped the show, changing his shoes, removing

0:23:13.680 --> 0:23:16.159
<v Speaker 1>a sweater. You've made it a special day for me,

0:23:17.440 --> 0:23:23.960
<v Speaker 1>you know how, by just your being yourself. Yeah, there's

0:23:24.000 --> 0:23:27.960
<v Speaker 1>only one person in the whole world like you, and

0:23:28.080 --> 0:23:31.639
<v Speaker 1>I like you just the way you are. See you,

0:23:31.680 --> 0:23:33.639
<v Speaker 1>Tom I. I don't even know how to explain it,

0:23:33.680 --> 0:23:36.840
<v Speaker 1>except we had locked eyes all the way across this

0:23:36.960 --> 0:23:41.080
<v Speaker 1>big studio, and I dared to say to myself, he's

0:23:41.119 --> 0:23:45.520
<v Speaker 1>talking to me, But he talks. He says that every day,

0:23:45.640 --> 0:23:48.200
<v Speaker 1>every time I come to a show that he's filming,

0:23:48.440 --> 0:23:52.040
<v Speaker 1>he's saying that. Why was he saying that to me today?

0:23:52.680 --> 0:23:56.440
<v Speaker 1>There was something in his voice, something in his eyes.

0:23:56.840 --> 0:24:00.240
<v Speaker 1>It was important to me to ask him, Fred, h

0:24:01.600 --> 0:24:06.919
<v Speaker 1>were you talking to me? I had never had somebody

0:24:07.000 --> 0:24:10.480
<v Speaker 1>say that to me in my whole life. Oh Lord,

0:24:10.560 --> 0:24:14.360
<v Speaker 1>I can't tell you. When he said, yes, yes, I've

0:24:14.400 --> 0:24:18.600
<v Speaker 1>been talking to you for two years and you heard

0:24:18.760 --> 0:24:27.960
<v Speaker 1>me today. That was such a divine explosion. I can't

0:24:28.000 --> 0:24:31.280
<v Speaker 1>explain it any other way. It was inside of me,

0:24:31.320 --> 0:24:33.359
<v Speaker 1>it was outside of me, it was in him, it

0:24:33.480 --> 0:24:37.880
<v Speaker 1>was in our eyes. I saw divinity. That's the only

0:24:37.880 --> 0:24:41.640
<v Speaker 1>thing I can tell people. I have never experienced anything

0:24:41.680 --> 0:24:46.159
<v Speaker 1>like it since. And I just collapsed in his in

0:24:46.240 --> 0:24:58.280
<v Speaker 1>his arms. For Francois, the prospect of being accepted fully

0:24:58.480 --> 0:25:03.399
<v Speaker 1>and completely was a near religious experience, but it was

0:25:03.440 --> 0:25:08.560
<v Speaker 1>also a complicated one because Francois had a secret, a

0:25:08.680 --> 0:25:11.840
<v Speaker 1>big secret that he had been keeping from almost everyone.

0:25:12.840 --> 0:25:16.120
<v Speaker 1>Would Fred accept him even if he knew that secret too?

0:25:16.920 --> 0:25:20.080
<v Speaker 1>Would Fred truly like him just the way that he was.

0:25:24.000 --> 0:25:26.359
<v Speaker 1>I remember calling Fred on the telephone. I said I've

0:25:26.400 --> 0:25:30.800
<v Speaker 1>got to tell you something and he said yes, And

0:25:31.000 --> 0:25:34.680
<v Speaker 1>that's when I really said to him, I'm gay. Fred.

0:25:38.920 --> 0:25:42.680
<v Speaker 1>He said to me, I will always love you, Francois.

0:25:44.840 --> 0:25:49.320
<v Speaker 1>So that's not what we're discussing. What we are discussing

0:25:50.280 --> 0:25:52.240
<v Speaker 1>is the role that you will be able to play

0:25:52.880 --> 0:25:58.640
<v Speaker 1>on Mr rogers neighborhood and what does it mean if

0:25:58.680 --> 0:26:02.800
<v Speaker 1>you choose to come out. Fred Rogers loved and accepted

0:26:02.840 --> 0:26:06.359
<v Speaker 1>Francois Clements and in ninety nine it was a radical

0:26:06.400 --> 0:26:08.320
<v Speaker 1>act to show a black man and a white man

0:26:08.440 --> 0:26:12.320
<v Speaker 1>sharing a footpath, but having an openly gay man performing

0:26:12.320 --> 0:26:16.359
<v Speaker 1>on a children's show that felt to Fred even riskier.

0:26:17.080 --> 0:26:22.480
<v Speaker 1>And the thing that he impressed upon me was the advertisers.

0:26:23.240 --> 0:26:28.400
<v Speaker 1>There would be enormous pressure on them from certain corners

0:26:28.440 --> 0:26:33.240
<v Speaker 1>in our society that condemn homosexuality. And the thing he

0:26:33.280 --> 0:26:36.800
<v Speaker 1>said to me, Fransoile, They're going to say terrible things

0:26:36.880 --> 0:26:46.439
<v Speaker 1>about you and about me and about our program, and

0:26:46.520 --> 0:26:51.720
<v Speaker 1>he said, all of our work, all of our valuable

0:26:51.760 --> 0:26:58.119
<v Speaker 1>work and research will be lost. Is that what you want?

0:27:01.359 --> 0:27:06.280
<v Speaker 1>And I, of course no, of course not. Then he said,

0:27:06.320 --> 0:27:10.760
<v Speaker 1>you you cannot come out. You come out, They will

0:27:10.760 --> 0:27:14.960
<v Speaker 1>not tolerate, they will not tolerate a gay person. And

0:27:15.240 --> 0:27:19.320
<v Speaker 1>especially on a children's television program. It sevenly could not

0:27:19.359 --> 0:27:31.359
<v Speaker 1>be done. How did that make you feel? It was

0:27:31.400 --> 0:27:37.159
<v Speaker 1>one of the lowest, one of the lowest moments of

0:27:37.200 --> 0:27:42.120
<v Speaker 1>my life. Realizing that, I think that was the moment

0:27:42.119 --> 0:27:44.560
<v Speaker 1>I decided to go back into the closet and stay.

0:27:46.720 --> 0:27:50.280
<v Speaker 1>Francois had spent years learning to love and accept himself,

0:27:51.119 --> 0:27:53.760
<v Speaker 1>and here he was presenting a crucial part of that

0:27:53.800 --> 0:27:57.600
<v Speaker 1>self to Fred. And though Fred reiterated his unconditional love

0:27:57.800 --> 0:28:00.920
<v Speaker 1>for Francois, he still didn't be leieve that the wider

0:28:01.000 --> 0:28:05.199
<v Speaker 1>world was ready to accept Francois just the way he was.

0:28:06.800 --> 0:28:09.080
<v Speaker 1>Fred was faced with the question of weighing the needs

0:28:09.160 --> 0:28:13.320
<v Speaker 1>of his friend with the preservation of his own larger mission,

0:28:13.920 --> 0:28:17.679
<v Speaker 1>reaching as many children as possible. There were those in

0:28:17.720 --> 0:28:21.119
<v Speaker 1>the black community, Oh, my goodness, who said to me,

0:28:21.359 --> 0:28:25.080
<v Speaker 1>how important it is that there's a black face on

0:28:25.240 --> 0:28:31.360
<v Speaker 1>that children's show appearing fairly regularly. Francois, the Ghetto kid

0:28:31.800 --> 0:28:34.159
<v Speaker 1>needs to know that they two can go from the

0:28:34.160 --> 0:28:39.360
<v Speaker 1>ghetto to Mr. Rogers Neighborhood. They they really impressed upon

0:28:39.480 --> 0:28:45.040
<v Speaker 1>me how important it was that there would be no scandal,

0:28:45.360 --> 0:28:50.640
<v Speaker 1>no disgrace to the race. Boy did I I zipped

0:28:50.640 --> 0:28:54.560
<v Speaker 1>it up then, So even though there were things going

0:28:54.600 --> 0:28:58.760
<v Speaker 1>on a stone wall, I absolutely did not have the

0:28:58.840 --> 0:29:03.560
<v Speaker 1>luxury of coming out if I were going to be

0:29:04.920 --> 0:29:09.040
<v Speaker 1>continue on Mr. Rogers Neighborhood. And I've said this too

0:29:09.040 --> 0:29:13.200
<v Speaker 1>many people who tried to say, well, he rejected you,

0:29:13.520 --> 0:29:15.440
<v Speaker 1>and he would didn't want you on the program, and

0:29:15.440 --> 0:29:17.640
<v Speaker 1>this is that blah blah. I can't tell you how

0:29:17.720 --> 0:29:23.160
<v Speaker 1>much I thought about that. I say that was that

0:29:23.240 --> 0:29:25.440
<v Speaker 1>was a period of time with me when it was obsessive.

0:29:26.320 --> 0:29:29.080
<v Speaker 1>I can't be myself, I can't have a normal life.

0:29:29.280 --> 0:29:37.960
<v Speaker 1>What a sacrifice. Francois Clemens made an enormous sacrifice. In

0:29:38.000 --> 0:29:41.000
<v Speaker 1>a very real sense. That sacrifice may have been responsible

0:29:41.040 --> 0:29:44.680
<v Speaker 1>for thirty years worth of Mr. Rogers Neighborhood, because who's

0:29:44.720 --> 0:29:46.920
<v Speaker 1>to say how long a show with a gay black

0:29:46.960 --> 0:29:48.880
<v Speaker 1>man would have even stayed on the air In the

0:29:48.960 --> 0:29:53.200
<v Speaker 1>late nineteen sixties. And there's another irony that, for all

0:29:53.240 --> 0:29:56.960
<v Speaker 1>of Fred's stated commitment to commercial free television for kids,

0:29:57.520 --> 0:30:01.320
<v Speaker 1>he still felt worried about protecting adver tizers from the

0:30:01.360 --> 0:30:06.880
<v Speaker 1>pressure of Francois coming out. So where did that leave Francois.

0:30:08.720 --> 0:30:11.520
<v Speaker 1>He had to swallow his pain, and he had to

0:30:11.560 --> 0:30:15.160
<v Speaker 1>carry it. He had to accept this denial of honesty

0:30:15.200 --> 0:30:17.560
<v Speaker 1>as the price of being a part of a work

0:30:17.600 --> 0:30:20.920
<v Speaker 1>like Mr. Rogers Neighborhood that did do so much good

0:30:20.960 --> 0:30:25.720
<v Speaker 1>for so many people. Fred Rogers Love meant liberation for

0:30:25.760 --> 0:30:30.840
<v Speaker 1>Francois Clemens, but not complete liberation. That would be for

0:30:30.920 --> 0:30:35.640
<v Speaker 1>Francois to find on his own. But he did learn

0:30:35.760 --> 0:30:39.360
<v Speaker 1>from Fred. For nearly three decades, he watched Fred Love

0:30:39.440 --> 0:30:43.080
<v Speaker 1>the Clay demonstrate practical care and real goodness, and he

0:30:43.160 --> 0:30:45.840
<v Speaker 1>saw how the transmission of that care through millions of

0:30:45.840 --> 0:30:49.280
<v Speaker 1>TV screens could have a domino effect, and he decided

0:30:49.480 --> 0:30:55.400
<v Speaker 1>that that result was too good to endanger. Would I

0:30:55.440 --> 0:30:59.880
<v Speaker 1>have made the same kind of personal sacrifice? Would you?

0:31:00.040 --> 0:31:11.440
<v Speaker 1>Ka Frenchoise professional singing career took more and more of

0:31:11.480 --> 0:31:13.960
<v Speaker 1>his time. His final scene on the show was in

0:31:15.120 --> 0:31:17.320
<v Speaker 1>and he hadn't appeared dressed as a police officer in

0:31:17.360 --> 0:31:20.920
<v Speaker 1>almost a decade. But in that last episode, he showed

0:31:21.000 --> 0:31:24.280
<v Speaker 1>up at Mr Rogers Porch just as Fred was starting

0:31:25.080 --> 0:31:34.400
<v Speaker 1>to soak his feet. You know, I've been sitting here

0:31:34.520 --> 0:31:38.360
<v Speaker 1>thinking about different ways people have of showing love to

0:31:38.480 --> 0:31:42.959
<v Speaker 1>each other and to themselves. I like to think of

0:31:43.040 --> 0:31:49.560
<v Speaker 1>things like that, Hey, Fred French, well clemens, Hi, welcome,

0:31:49.880 --> 0:31:52.080
<v Speaker 1>thank you, How you doing fine? How are you today?

0:31:52.920 --> 0:31:55.240
<v Speaker 1>My feet were tired, so I thought I'd just soaked

0:31:55.280 --> 0:31:57.520
<v Speaker 1>them for a while in this water. Does it make

0:31:57.600 --> 0:32:00.560
<v Speaker 1>him feel better? It does? Would you like to try? Sure?

0:32:06.520 --> 0:32:11.920
<v Speaker 1>Does feel good? I was thinking about many different ways

0:32:12.000 --> 0:32:16.520
<v Speaker 1>of saying I love you. Singing is one of my

0:32:16.560 --> 0:32:18.640
<v Speaker 1>ways of saying I love you. Oh I know that.

0:32:19.480 --> 0:32:22.360
<v Speaker 1>Do you have time to to give a song to

0:32:23.120 --> 0:32:26.760
<v Speaker 1>my friend and me? I sure do. There are many

0:32:26.800 --> 0:32:32.959
<v Speaker 1>ways to say I love you. There are many ways

0:32:33.000 --> 0:32:40.000
<v Speaker 1>to say I care about any ways, So any ways

0:32:40.480 --> 0:32:46.719
<v Speaker 1>anyways too, sad. I've sung it a million times and

0:32:46.800 --> 0:32:51.200
<v Speaker 1>I still love it. There's the singing way, too, Sad,

0:32:50.880 --> 0:32:56.200
<v Speaker 1>I love you. I get such a dose a Fred love,

0:32:56.320 --> 0:33:00.680
<v Speaker 1>That's what I call it. I'm so blessed. I'm very grateful.

0:33:00.960 --> 0:33:13.080
<v Speaker 1>Many worse to sa I love you. I'm so proud

0:33:13.120 --> 0:33:21.600
<v Speaker 1>of you. Friends. Oh thank your Fred. Next time they

0:33:21.640 --> 0:33:25.960
<v Speaker 1>called it Fred time. He slowed the pace down and

0:33:26.200 --> 0:33:30.080
<v Speaker 1>that gave him the opportunity to express his love and

0:33:30.120 --> 0:33:33.040
<v Speaker 1>care for other people and reach out and touch our

0:33:33.120 --> 0:33:37.480
<v Speaker 1>hearts as well. Finding Fred is produced by Transmitter Media.

0:33:37.920 --> 0:33:41.320
<v Speaker 1>The team is Dan O'Donnell, Jordan Bailey, and Mattie Foley.

0:33:41.560 --> 0:33:45.120
<v Speaker 1>Our editor is Sarah Nick's editorial help from Michael Garoffalo.

0:33:45.880 --> 0:33:49.720
<v Speaker 1>The executive producer for Transmitter Media is Gretta Cone. Executive

0:33:49.720 --> 0:33:53.600
<v Speaker 1>producers at Fatherly are Simon Isaac's and Andrew Berman. Music

0:33:53.640 --> 0:33:57.240
<v Speaker 1>by Blue Dot Sessions and Alison Layton Brown. And thanks

0:33:57.280 --> 0:34:00.320
<v Speaker 1>to the team at I Heart I'm Carvelo wall Us,

0:34:00.320 --> 0:34:07.320
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