WEBVTT - Timbs for My Hooligans in Broo-Klan (with Nate Marshall)

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<v Speaker 1>Who amongst us, like didn't love Little Wayne mixtapes. I

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<v Speaker 1>think no Ceilings was just a metaphor for like, yeah,

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<v Speaker 1>I think billionaire should exists. Just no ceilings on corporate rs. Yeah,

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<v Speaker 1>no cap on the taxt no cap on the corporate text. Yeah,

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<v Speaker 1>he's making music for for Republicans and we are goofy

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<v Speaker 1>ascids are being like, man, I really connect with him.

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<v Speaker 1>He gets me from the streets like, no, it's bit rich.

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<v Speaker 1>You don't give a shit about your racists, money, interning stuff.

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<v Speaker 1>You can't tell me. Yeah, there it is. There it is.

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<v Speaker 1>Ladies and gentlemen, Welcome to another spectacular episode of My

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<v Speaker 1>Mama Told Me, the podcast where we dive deep, deep

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<v Speaker 1>into the world of black conspiracy theories and we finally

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<v Speaker 1>work to prove that a Marie Stoudemeyer is the only

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<v Speaker 1>person who can truly bring it into the Israeli Palestinian conflict.

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<v Speaker 1>The man is going to fix everything for us. That

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<v Speaker 1>giant Jew, that giant black Jew, is going to solve

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<v Speaker 1>the problem. Fuck Jared Kushner. I don't put my faith

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<v Speaker 1>in Jared Kushner. Jared Kushner kent't. Jared Kushner can't dunk

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<v Speaker 1>on a nigga, a Marie Stoudemeyer. Now that's the motherfucker

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<v Speaker 1>that can dunk on on racism, on oppression, on the

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<v Speaker 1>things that separate us as people. I am your host,

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<v Speaker 1>Lanks and Kerman, as always, I'm I'm happy to be here.

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<v Speaker 1>I'm excited. My guests today, Oh man, I guess today

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<v Speaker 1>is somebody I've known since I was a young person,

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<v Speaker 1>a high schooler, and we grew up doing poetry together.

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<v Speaker 1>We competed in poetry in Chicago. And now he's going

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<v Speaker 1>on to become a very successful poet. And I am

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<v Speaker 1>an idiot who claims that a Mari Stademeyer is gonna

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<v Speaker 1>solve big issues out in the world. He's he's hilarious,

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<v Speaker 1>he's smart, he's brilliant. You know his work. He wrote

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<v Speaker 1>a book called Wild Hundreds. That's amazing. He's got a

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<v Speaker 1>new book this year called Finna. He's amazing. You're gonna

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<v Speaker 1>love him. Giving up for my guests, Nate Marshall, everybody,

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<v Speaker 1>Oh what's up? What's up? I feel like I feel

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<v Speaker 1>like you ran out of funny niggas. So I'm very

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<v Speaker 1>happy to know I did not run out of funny niggas.

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<v Speaker 1>But I did feel like, all right, I've been talking

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<v Speaker 1>to a lot of funny people, but most of them

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<v Speaker 1>are idiots. It would be nice to talk to somebody

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<v Speaker 1>who maybe has some perspective out in the world. And

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<v Speaker 1>also it was very funny. Oh dear God, this is

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<v Speaker 1>this could be rough every day. You're an author, man,

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<v Speaker 1>you got you. You gotta know something more than I do.

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<v Speaker 1>You've certainly read your own book, which is more books

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<v Speaker 1>than I've read total. This is a lot, yo, y'all

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<v Speaker 1>don't notice this motherfucker has a master's in poetry. Yeah,

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<v Speaker 1>and you know that that's the scam as well as

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<v Speaker 1>I do. But we're all celebrating. I'm very excited that

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<v Speaker 1>you're here. You came with a conspiracy theory that is

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<v Speaker 1>one that I feel like I had heard as a kid,

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<v Speaker 1>but had not put any real thought into. I think

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<v Speaker 1>in part because I think I just didn't want it

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<v Speaker 1>to be true. But you said, and I want to

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<v Speaker 1>make sure that I get this right, because some of

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<v Speaker 1>it is a wording that I put on it more

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<v Speaker 1>than the wording that you gave me. But you said,

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<v Speaker 1>my mama to old me. Timberland is owned and operated

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<v Speaker 1>by the KKK. Yeah, man, the clan owns Timberland. Facts

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<v Speaker 1>take it to the bank. Yeah, the clan owns Timberland

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<v Speaker 1>and they're using the logo as an emblem of hanging

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<v Speaker 1>people from trees. That's it. Stay woke, stay woke, Tell

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<v Speaker 1>me more, get dig me into this. Okay. So first

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<v Speaker 1>of all, I think as a kid, I wanted this

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<v Speaker 1>to be true because I didn't have no motherfucking money

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<v Speaker 1>and I couldn't actually have and you know, so like

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<v Speaker 1>I was woke before that was the word for it. Yeah,

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<v Speaker 1>Like I remember being in like kindergarten and being like,

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<v Speaker 1>I'm not wearing Nikes because I heard they have sweatshops

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<v Speaker 1>and ship right now, Like all of our stuff more

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<v Speaker 1>or less is like made in sweatshops. Yeah, it's a

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<v Speaker 1>different kind of sweatshot perhaps, but it's all being made

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<v Speaker 1>by somebody who is not being paid the right amount

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<v Speaker 1>for the work that they're doing. Absolutely, and so so

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<v Speaker 1>you know, so like that was me, right, I was

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<v Speaker 1>like I'm not wearing Nikes, which was which I don't

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<v Speaker 1>even know why what made me say that, because like

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<v Speaker 1>we shopped that pay less, so it wasn't like we're

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<v Speaker 1>really on the menu to begin with. But I heard

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<v Speaker 1>this about Tim's and I was like, cool, Yeah, I

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<v Speaker 1>can cross off another thing I can't afford on the list.

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<v Speaker 1>You're like, good, I'll stick with these wolverine boots. I

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<v Speaker 1>don't need. These are perfect for me. These not racist wolverine. Yeah,

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<v Speaker 1>these lugs, Birdman, You've never heard anybody thank you for

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<v Speaker 1>your lugs that you gave me. Right, that's why Little

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<v Speaker 1>Wayne kissed him. Yeah, right, bird Man only gives out kisses.

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<v Speaker 1>He's not a part of the KKK. Okay, me ask

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<v Speaker 1>you this, where did you first hear it? Do you

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<v Speaker 1>remember the place or the person that first offered this

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<v Speaker 1>theory to you? You know, I don't. I don't exactly,

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<v Speaker 1>but I want to say, even if this wasn't the place,

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<v Speaker 1>this is like the energy that it had. I love that.

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<v Speaker 1>My barber when I was a kid, who like I remember,

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<v Speaker 1>he like gave me a Zen Buddhism book that I

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<v Speaker 1>maybe still have somewhere, and he was like, you're probably

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<v Speaker 1>not gonna understand this, but here you he was like,

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<v Speaker 1>this is to what he would just like say incendiary things,

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<v Speaker 1>like one time people almost got into a fight with

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<v Speaker 1>him because he like stepped in the middle of the

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<v Speaker 1>barbershop and was like, yo, fuck god, whoa. He was

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<v Speaker 1>like that dude, right, that's big you know black, That's

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<v Speaker 1>what I'm saying. He was. He was that guy. And

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<v Speaker 1>I remember like there was a point when, like right

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<v Speaker 1>around when I hit puberty, when I transitioned, I had

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<v Speaker 1>had another barber or a year, and I transitioned to

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<v Speaker 1>him being like my main guy, and he was always

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<v Speaker 1>like dropping gems and so it was after it was

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<v Speaker 1>after he said funk guy that you were like, I

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<v Speaker 1>gotta be with this dude more often. He's killing it.

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<v Speaker 1>I like what he's saying. Absolutely, Hey, look I don't know.

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<v Speaker 1>I like he was. He was just committed to chaos

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<v Speaker 1>and I appreciated that. I want to hear more about it.

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<v Speaker 1>So why what was the motivation were you there? And

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<v Speaker 1>like was there a clear like line of thinking or

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<v Speaker 1>was it just like y'all, nigga's in here looking like

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<v Speaker 1>you praying in your heads and I want to sunk

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<v Speaker 1>that up. And no, it's just like Saturday day, like

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<v Speaker 1>barbershop banter, like sole train has gone off, and now

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<v Speaker 1>like niggas was bored, so you gotta just start a pot. Yeah,

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<v Speaker 1>I get that. You do need a catalyst. You need

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<v Speaker 1>a person who's willing to to start the mess of

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<v Speaker 1>it all, and like, good for him for being willing

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<v Speaker 1>to be that person. And I agree. I think I

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<v Speaker 1>think this Timberland Secret KKK connection has that barber shop

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<v Speaker 1>energy where it's just like, yeah, of course you're gonna

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<v Speaker 1>you're gonna start doing math that ain't math. You're gonna

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<v Speaker 1>make connections that aren't really connections, right or are they?

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<v Speaker 1>Or are they? Thank you for saying that. Honestly, that's

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<v Speaker 1>how they get you, because here I am sitting here

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<v Speaker 1>pretending to have already proven and concluded that they are

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<v Speaker 1>not connected and when in fact, they very well could be.

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<v Speaker 1>Look all I'm saying, is is it that crazy to

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<v Speaker 1>believe that, like evil, white people own a thing, even

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<v Speaker 1>white people own most things. Arguably, this is you know,

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<v Speaker 1>that's just that's just how I live my life. I

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<v Speaker 1>realized that I was talking to my homie the other

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<v Speaker 1>day and I realized, like I have, like the one

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<v Speaker 1>maxim that has never proven me wrong in life is

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<v Speaker 1>that white folks is crazy. Yes, Okay, I listen, I

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<v Speaker 1>hear that that feels true And to to the larger

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<v Speaker 1>or really more specific point in what you're saying is

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<v Speaker 1>that at the end of almost every form of ownership

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<v Speaker 1>is a crazy white person. So whether or not I

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<v Speaker 1>can directly say this is the clue klux Klan is

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<v Speaker 1>a different conversation. But if it I just I don't know,

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<v Speaker 1>it's it's a crazy white person definitely that owns Timberland. Yeah,

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<v Speaker 1>that's it, easy, easy, Like I I I believe that

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<v Speaker 1>with my whole heart. Sure, I believe that like little

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<v Speaker 1>children believe in Santa Claus. This is this is my

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<v Speaker 1>nigga Christmas. I love that. Let me ask you this,

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<v Speaker 1>are you, in any way an owner of a pair

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<v Speaker 1>of Timberland's? Now do you have Tim's? Have you had Tims?

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<v Speaker 1>Since this? Absolutely? They're a great shoe there, I kind

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<v Speaker 1>of look they look so cool man. You See when

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<v Speaker 1>I went to college, I went to college on like

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<v Speaker 1>a bunch of scholarships, and so I was getting fun

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<v Speaker 1>checks and it was the most money I've ever seen

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<v Speaker 1>in my life. And the first thing I did was

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<v Speaker 1>go I bought Tims. I bought these pumas with the

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<v Speaker 1>Chicago skyline on them, and like a bunch of like

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<v Speaker 1>Levi's that just because it was just like, yeah, go crazy,

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<v Speaker 1>that's that's totally fair. And I love that the your

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<v Speaker 1>first you spend your whole childhood being like this thing

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<v Speaker 1>is racist. There's racist and city of ship happening here,

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<v Speaker 1>and you're like, I got to get me some of

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<v Speaker 1>them racist shoes, the racist shoes. They're just built better

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<v Speaker 1>than these regular, old, respectful shoes, shoes that are filled

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<v Speaker 1>with love and decency. Don't nobody wants civil rights boots. No,

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<v Speaker 1>that's fair. That's fair, and I think we don't talk

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<v Speaker 1>about that enough. Martin Luther King didn't want the shoes

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<v Speaker 1>he had. He wanted a better shoe. It was the

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<v Speaker 1>unfair quality of America that kept him from getting that

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<v Speaker 1>better shoe, and that's what he was fighting for. That's true.

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<v Speaker 1>That's why they were marching. They were they were trying.

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<v Speaker 1>At the point they were like, you see talking, they

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<v Speaker 1>these shoes are talking, and they're becoming worse and worse

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<v Speaker 1>because you're making me march miles and miles from my

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<v Speaker 1>own freedom for the opportunity to buy better shoes. We

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<v Speaker 1>need some like cobblers in the system, Yes, exactly. Okay,

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<v Speaker 1>so you you eventually find your way over to owning

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<v Speaker 1>a pair of tempts to owning a better boot, as

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<v Speaker 1>you put it. And I'm curious to know how much

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<v Speaker 1>of that you still believe to this day, Like how

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<v Speaker 1>much of of the thims KKK relationship Because we're acknowledging

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<v Speaker 1>white people are are sort of at the top of

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<v Speaker 1>all of this ownership chain, but how much of it

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<v Speaker 1>are you, Like I'm saying KKK, y'all are still tied up.

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<v Speaker 1>I must say. You want me to give it like

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<v Speaker 1>a percentage, I'm I'm cool with that. Yeah, I'm gonna

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<v Speaker 1>say like, I'm tapped in. I don't know. Look, yeah,

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<v Speaker 1>I'm tapped in. I'm connect Okay, that's a lot. That's

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<v Speaker 1>a there's very little doubt in your mind. What's the

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<v Speaker 1>two person? Where's what's that coming from? Uh? Maybe jay

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<v Speaker 1>Z has bought it by now, I don't know sure

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<v Speaker 1>that may be somewhere along the line, a person who

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<v Speaker 1>is invested in capitalism bought it more than invested in oppression,

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<v Speaker 1>or at least oppression in the first hand sense. No, no,

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<v Speaker 1>just just specifically the knowles Carter's specifically that specifically jay

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<v Speaker 1>Z bought this and now he owns it, and you

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<v Speaker 1>can judge jay Z as it worked. But that's it.

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<v Speaker 1>That's it. I love it. Okay, So potentially jay Z

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<v Speaker 1>owned some part of Timberland and that makes it less

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<v Speaker 1>of the KKK thing. Does the fact that Timberland and

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<v Speaker 1>the KKK have this deep connection bother you? Are you

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<v Speaker 1>un nerved by this truth that you believe m doesn't

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<v Speaker 1>bother me? I mean no, I don't. You know, I

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<v Speaker 1>don't know why. I feel like if we could get

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<v Speaker 1>all the races committed to making like pretty high quality

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<v Speaker 1>consumer goods, yeah, and I'm like cool with that, Like yeah,

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<v Speaker 1>like I don't know, I just we need to give

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<v Speaker 1>racist a trade. Sure, now you're talking now, I like

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<v Speaker 1>where you're going. Like I had a guy once coming

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<v Speaker 1>like like do my like fix my roof or whatever.

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<v Speaker 1>And I'm pretty sure you probably probably voted for Trump,

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<v Speaker 1>but like my roof this was good after that, Like

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<v Speaker 1>you know what I'm saying. I think I think you're

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<v Speaker 1>saying something really important here that ultimately racists are going

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<v Speaker 1>to exist. It's a fact out in the world, like

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<v Speaker 1>we we can't do anything about it, and we're currently

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<v Speaker 1>you know, recording this in the wake of of an election, right,

0:14:20.280 --> 0:14:22.680
<v Speaker 1>but without the decision on the other end of it,

0:14:22.880 --> 0:14:25.560
<v Speaker 1>and what the election has taught us from the numbers

0:14:25.600 --> 0:14:28.840
<v Speaker 1>that are coming in is racists are still thriving and

0:14:28.880 --> 0:14:31.640
<v Speaker 1>alive and feeling excited to go out and vote and

0:14:31.680 --> 0:14:34.640
<v Speaker 1>do all the things that activate them. And to your point,

0:14:35.120 --> 0:14:37.840
<v Speaker 1>let's give him a job to do, don't. Don't just

0:14:38.160 --> 0:14:41.840
<v Speaker 1>eliminate them from society. Make the motherfucker's put boots together.

0:14:42.320 --> 0:14:46.320
<v Speaker 1>That's what I'm saying. I want like fewer racist policymakers

0:14:46.480 --> 0:14:53.280
<v Speaker 1>and more racist like woodworkers. Hell yeah, I funk with that.

0:14:53.280 --> 0:14:58.360
<v Speaker 1>That's brilliant. I don't want any racist deciding where my

0:14:58.560 --> 0:15:01.520
<v Speaker 1>money is being a lot did, but I would love

0:15:01.640 --> 0:15:05.560
<v Speaker 1>for racists to have to like work for tips on

0:15:05.840 --> 0:15:09.960
<v Speaker 1>the things that I'm doing, you service work, just doing

0:15:10.040 --> 0:15:12.920
<v Speaker 1>the ship that I don't want to do or know

0:15:13.000 --> 0:15:15.560
<v Speaker 1>how to do because my hands are stupid and built

0:15:15.600 --> 0:15:18.400
<v Speaker 1>for podcasts. Right, I just I want to I want

0:15:19.000 --> 0:15:22.520
<v Speaker 1>a racist just taking my order Chipotle. Hell yeah, give

0:15:22.560 --> 0:15:25.120
<v Speaker 1>me some case on Nick, you're not allowed to put

0:15:25.120 --> 0:15:27.400
<v Speaker 1>the meal together. I don't want you spitting in my ship,

0:15:27.480 --> 0:15:31.080
<v Speaker 1>you racist motherfucker. But you can take the order and

0:15:31.200 --> 0:15:34.880
<v Speaker 1>have to talk politely to me afterwards so that I

0:15:34.920 --> 0:15:38.080
<v Speaker 1>tip if you seem like a decent racist. I tip you,

0:15:38.520 --> 0:15:44.000
<v Speaker 1>I'm not unreasonable. Yolo. Yeah, that's what Drake said. That's

0:15:44.000 --> 0:15:47.640
<v Speaker 1>how Drake's gonna start. That's what Drake meant by Yolo

0:15:47.920 --> 0:15:55.000
<v Speaker 1>was get racist people in the service industry, Drake, And

0:15:55.040 --> 0:15:57.640
<v Speaker 1>that's really what this podcast is all about. Drake has

0:15:57.640 --> 0:16:00.720
<v Speaker 1>been doing the real work this whole time, and uh,

0:16:00.760 --> 0:16:06.960
<v Speaker 1>he needs he deserves more credit for it. Honestly, are

0:16:07.000 --> 0:16:11.840
<v Speaker 1>we How do we feel about Drake? I don't know. No,

0:16:12.160 --> 0:16:14.560
<v Speaker 1>let's go into it. Thank you for asking. I think

0:16:14.600 --> 0:16:20.120
<v Speaker 1>that Drake is a toxic, toxic man who makes phenomenal music,

0:16:20.520 --> 0:16:25.320
<v Speaker 1>just unbelievably fun music for everybody to enjoy. And we

0:16:25.400 --> 0:16:29.640
<v Speaker 1>are constantly conflating his toxicity with his fun music and

0:16:29.680 --> 0:16:32.040
<v Speaker 1>I don't know if that's fair, But on the same

0:16:32.120 --> 0:16:34.520
<v Speaker 1>at the same time, we have to do it with

0:16:34.560 --> 0:16:36.640
<v Speaker 1>all these other artists who eventually are going to be

0:16:36.720 --> 0:16:39.240
<v Speaker 1>revealed to be evil and awful, So maybe we should

0:16:39.240 --> 0:16:42.040
<v Speaker 1>do it early with Drake. That's I wish Drake like

0:16:42.320 --> 0:16:45.440
<v Speaker 1>did some ship where he wasn't the star, but like

0:16:45.480 --> 0:16:50.160
<v Speaker 1>if he wrote like Broadway musicals or like music or

0:16:50.200 --> 0:16:52.560
<v Speaker 1>some ship where I could just be like, oh, this

0:16:52.640 --> 0:16:55.280
<v Speaker 1>is catchy, and I didn't have to be confronted with

0:16:55.360 --> 0:17:00.240
<v Speaker 1>like him as a figure. I feel much much better

0:17:00.320 --> 0:17:04.200
<v Speaker 1>about it. Sure, I would love the Broadway musical. Drake

0:17:04.240 --> 0:17:08.080
<v Speaker 1>writes of a dude who, like us, playing mind games

0:17:08.119 --> 0:17:12.040
<v Speaker 1>with a woman for way too long while he cheats. Like, yeah,

0:17:12.160 --> 0:17:16.240
<v Speaker 1>that perfect Drake musical. Just him pretending to be sad

0:17:16.240 --> 0:17:19.280
<v Speaker 1>while he texts other girls in the background. Right, it's

0:17:19.280 --> 0:17:23.480
<v Speaker 1>just like him being engaged for eight years? Yeah, right,

0:17:23.760 --> 0:17:27.240
<v Speaker 1>just Draking. Your your auntie's friend who comes to every

0:17:27.240 --> 0:17:32.080
<v Speaker 1>holiday and just looks at him Southway. Nobody in the

0:17:32.119 --> 0:17:35.240
<v Speaker 1>family likes them, but nobody can quite get rid of him.

0:17:35.960 --> 0:17:42.160
<v Speaker 1>The Drake story. Yeah, I love that. Okay, let's let's

0:17:42.240 --> 0:17:45.639
<v Speaker 1>gear this back to Tims. Do you think that because

0:17:45.640 --> 0:17:49.840
<v Speaker 1>Tim's became really popular largely because of hip hop and

0:17:49.880 --> 0:17:52.199
<v Speaker 1>black culture and like a lot of the sort of

0:17:52.240 --> 0:17:55.479
<v Speaker 1>like artists that popularize them, that made them cool and

0:17:55.520 --> 0:17:58.680
<v Speaker 1>sexy and ship, do you think that they were aware

0:17:58.880 --> 0:18:03.320
<v Speaker 1>of your conspiracy c theory that the KKK was somehow

0:18:03.400 --> 0:18:07.919
<v Speaker 1>involved in the production of Tims. I think hmm. Do

0:18:08.080 --> 0:18:11.520
<v Speaker 1>I think they were aware? Like, do you think nas

0:18:11.680 --> 0:18:15.800
<v Speaker 1>is rapping about Tims and fully aware that like the

0:18:15.880 --> 0:18:20.480
<v Speaker 1>KKK did some ship I think some of them, but

0:18:20.560 --> 0:18:22.600
<v Speaker 1>I don't know if the word got around right, Like

0:18:22.640 --> 0:18:26.080
<v Speaker 1>I think this might be like why for example, like

0:18:27.160 --> 0:18:29.159
<v Speaker 1>I can't remember was all a Wu Tang or just

0:18:29.200 --> 0:18:34.879
<v Speaker 1>like ghost Face, but he basically only wears Wallabies. I

0:18:34.920 --> 0:18:38.040
<v Speaker 1>think that's not just a style choice. It's like it's

0:18:38.119 --> 0:18:41.840
<v Speaker 1>like I'm gonna keep these anti racist shoes on, like

0:18:41.880 --> 0:18:47.159
<v Speaker 1>I can't even which is so interesting, especially because I

0:18:47.160 --> 0:18:50.439
<v Speaker 1>feel like New York dudes, are you know everybody in

0:18:50.480 --> 0:18:52.840
<v Speaker 1>New York has like you like go there and you

0:18:52.920 --> 0:18:56.720
<v Speaker 1>just get two pairs of TEMs. It's just like what happens, right,

0:18:57.920 --> 0:19:01.719
<v Speaker 1>So Wu Tang they had the knowledge. I love the

0:19:01.800 --> 0:19:06.320
<v Speaker 1>idea that ghost Face has just been a responsible consumer

0:19:06.440 --> 0:19:09.320
<v Speaker 1>this whole time, and like, yeah, he's a dude that

0:19:09.359 --> 0:19:12.720
<v Speaker 1>got rich selling crack. But also I'm not I'm not

0:19:12.760 --> 0:19:16.199
<v Speaker 1>gonna support the KKK. What are you talking about? Like,

0:19:16.280 --> 0:19:19.320
<v Speaker 1>that's that's the real five percent. It's it's like the

0:19:19.400 --> 0:19:28.280
<v Speaker 1>five percent of the population that knows KKK everyone else. Sure,

0:19:28.400 --> 0:19:31.600
<v Speaker 1>that's what that whole religion is all about, is uh?

0:19:31.760 --> 0:19:33.480
<v Speaker 1>The people who are woken enough to know what the

0:19:33.560 --> 0:19:38.040
<v Speaker 1>KKK did with the teams. I love that. I do

0:19:38.160 --> 0:19:40.560
<v Speaker 1>think one of the things that sort of is coming

0:19:40.600 --> 0:19:45.280
<v Speaker 1>out of this entire election period, this Trump Experience, as

0:19:45.280 --> 0:19:50.520
<v Speaker 1>you will, is hip hop's willingness to invest in quote

0:19:50.600 --> 0:19:56.080
<v Speaker 1>unquote white supremacy or certainly like anti blackness. Um. And

0:19:56.480 --> 0:19:58.520
<v Speaker 1>what we're seeing is a lot of them are real

0:19:58.600 --> 0:20:01.560
<v Speaker 1>down for it, like they don't give a funk enough

0:20:01.720 --> 0:20:06.760
<v Speaker 1>to not buy in. So like mm hmm, yeah, I believe,

0:20:06.960 --> 0:20:08.679
<v Speaker 1>I believe a few of them new and we're like,

0:20:08.800 --> 0:20:12.960
<v Speaker 1>fuck it, Yeah, that's real, that's real. I mean, well,

0:20:12.960 --> 0:20:15.240
<v Speaker 1>first off, I just have to name that. You said

0:20:15.240 --> 0:20:19.520
<v Speaker 1>Trump Experience, which sounds like Disney quest for racist uh,

0:20:19.720 --> 0:20:24.600
<v Speaker 1>and that's fantastic. I would, I honestly would make that. Yeah.

0:20:24.960 --> 0:20:29.560
<v Speaker 1>And the Trump Experience it's just a ride. It's just yeah,

0:20:29.680 --> 0:20:32.280
<v Speaker 1>like right, like there's just arcade games that don't work,

0:20:34.840 --> 0:20:36.919
<v Speaker 1>and then when they don't work, they go, it's your fault.

0:20:37.160 --> 0:20:39.800
<v Speaker 1>You're dumb, poor bitch, you should have had more money

0:20:40.000 --> 0:20:47.280
<v Speaker 1>than it'll work. The Trump Experience, the Trump Experience, baby Yeah.

0:20:47.480 --> 0:20:50.560
<v Speaker 1>I think I think we're seeing so many hip hop

0:20:50.640 --> 0:20:56.160
<v Speaker 1>artists connect themselves with ultimately like super sort of like

0:20:56.280 --> 0:20:59.520
<v Speaker 1>a conservative theory, right, that like, I want to keep

0:20:59.520 --> 0:21:03.399
<v Speaker 1>my money. I want to be protected. You know, I

0:21:03.800 --> 0:21:05.760
<v Speaker 1>earned it, I want to keep it kind of energy

0:21:06.160 --> 0:21:09.720
<v Speaker 1>and so like that's not that far from being like

0:21:09.800 --> 0:21:11.920
<v Speaker 1>I like the shoes, I want to wear them. I

0:21:11.960 --> 0:21:14.760
<v Speaker 1>don't care who made them. Yeah, but I think that's

0:21:14.840 --> 0:21:16.760
<v Speaker 1>kind of like always been I mean, this is like

0:21:16.800 --> 0:21:18.879
<v Speaker 1>one of the hip hop is there's a lot of

0:21:18.920 --> 0:21:23.639
<v Speaker 1>things that hip hop's very complicated cultural space, but that

0:21:23.800 --> 0:21:26.440
<v Speaker 1>strain has always been there, right, Like we've always sort

0:21:26.440 --> 0:21:30.520
<v Speaker 1>of celebrated you know how many references to Donald Trump

0:21:30.600 --> 0:21:33.919
<v Speaker 1>or Warren Buffett or being black, Bill Gates or whatever

0:21:33.960 --> 0:21:37.720
<v Speaker 1>are there in the music over the last you know,

0:21:38.520 --> 0:21:42.720
<v Speaker 1>many decades. Right, that's like, yeah, that's absolutely a thing,

0:21:42.760 --> 0:21:46.480
<v Speaker 1>And I get why, or I get how, like somebody

0:21:46.560 --> 0:21:50.320
<v Speaker 1>liked Trump his kind of he's kind of like I

0:21:50.359 --> 0:21:53.440
<v Speaker 1>don't give a shit about what people if people think

0:21:53.440 --> 0:21:56.040
<v Speaker 1>I'm rude or like how I talk to people, Like

0:21:56.560 --> 0:22:01.040
<v Speaker 1>of course that's that's of like, of of course that

0:22:01.080 --> 0:22:04.520
<v Speaker 1>would be attractive to someone like ice Cube, who's like, look,

0:22:04.560 --> 0:22:12.800
<v Speaker 1>there's women like yeah, it's it's I think to your point,

0:22:13.280 --> 0:22:16.800
<v Speaker 1>their language isn't that different. It's just the way that

0:22:16.880 --> 0:22:21.240
<v Speaker 1>they choose to express themselves is the difference. And people

0:22:21.280 --> 0:22:25.919
<v Speaker 1>were presuming for the longest that black ment liberal or

0:22:26.040 --> 0:22:29.240
<v Speaker 1>black mint hip hop ment like being on the side

0:22:29.280 --> 0:22:32.040
<v Speaker 1>of sort of like the oppressed. Then it doesn't. It

0:22:32.160 --> 0:22:35.840
<v Speaker 1>just means a nigga rapping, and sometimes niggas rap about

0:22:36.080 --> 0:22:38.640
<v Speaker 1>mean awful things and they kind of mean it when

0:22:38.640 --> 0:22:41.200
<v Speaker 1>they do. Yeah, this is another thing too that we

0:22:41.280 --> 0:22:43.760
<v Speaker 1>got to think about with like all these especially like

0:22:44.359 --> 0:22:47.760
<v Speaker 1>the sort of nineties and two thousands all stars that

0:22:47.800 --> 0:22:52.040
<v Speaker 1>Trump like trotted out for his goofy as is like

0:22:52.119 --> 0:22:55.359
<v Speaker 1>all these dudes have been have had money way longer

0:22:55.400 --> 0:23:01.080
<v Speaker 1>than they didn't have money, Yes, yes, And and to

0:23:01.240 --> 0:23:05.160
<v Speaker 1>that point, they have connected and built relationships that are

0:23:05.240 --> 0:23:07.840
<v Speaker 1>so far from the money that they didn't have at

0:23:07.840 --> 0:23:11.720
<v Speaker 1>this point that not having money is an unfamiliar idea

0:23:12.119 --> 0:23:15.360
<v Speaker 1>that like, you literally don't know any broke people, and

0:23:15.520 --> 0:23:18.480
<v Speaker 1>you ain't been broken so long. What the funk do

0:23:18.600 --> 0:23:21.080
<v Speaker 1>I have to talk about with y'all? Right? And and

0:23:21.280 --> 0:23:24.400
<v Speaker 1>like particularly I'm thinking of those two dudes right, like

0:23:25.040 --> 0:23:28.320
<v Speaker 1>they're some of the rare kinds of rappers who actually

0:23:28.359 --> 0:23:33.040
<v Speaker 1>have made enough money in their careers to conceivably like

0:23:33.119 --> 0:23:36.080
<v Speaker 1>pull everyone else around them, who who they care about,

0:23:36.200 --> 0:23:39.880
<v Speaker 1>like their families or whatever, into that same space, right,

0:23:40.440 --> 0:23:43.239
<v Speaker 1>So it's not even necessarily like they go back go

0:23:43.320 --> 0:23:46.400
<v Speaker 1>back to their hood. Like you know, I'm a college professor.

0:23:47.080 --> 0:23:50.360
<v Speaker 1>I'm not rich, but I do. Okay, I'm fine. I

0:23:50.400 --> 0:23:53.159
<v Speaker 1>like own a house, but like, if I want to

0:23:53.200 --> 0:23:56.120
<v Speaker 1>go visit my family, they're still in the same motherfucking

0:23:56.160 --> 0:24:01.360
<v Speaker 1>place I left them. Because you can't fix that, yeah, right,

0:24:01.520 --> 0:24:03.800
<v Speaker 1>you can't do anything for them. And and I think

0:24:04.280 --> 0:24:07.120
<v Speaker 1>that's exactly right. And I think the even scarier part,

0:24:07.480 --> 0:24:10.080
<v Speaker 1>if we're really following that chain of fixing things or

0:24:10.160 --> 0:24:13.720
<v Speaker 1>separating yourself, they also are two examples of people who

0:24:13.760 --> 0:24:18.080
<v Speaker 1>went on to get a white institution's higher education. Right. So,

0:24:18.200 --> 0:24:21.680
<v Speaker 1>like in hip hop, a bunch of rappers pretend not

0:24:21.720 --> 0:24:24.120
<v Speaker 1>to be smarter than they are, but these two dudes

0:24:24.280 --> 0:24:28.280
<v Speaker 1>actually like winning, got fucking like master's degrees and like

0:24:28.400 --> 0:24:31.160
<v Speaker 1>bachelor's degrees and that whole thing. And I think part

0:24:31.240 --> 0:24:35.680
<v Speaker 1>of that is them beginning to separate themselves from their poverty.

0:24:36.040 --> 0:24:38.600
<v Speaker 1>It's them like moving away from all the things that

0:24:38.680 --> 0:24:42.400
<v Speaker 1>connected them from brokenness. And they ain't going back, no

0:24:42.440 --> 0:24:45.359
<v Speaker 1>matter who's in charge of it. No sure, and and

0:24:45.400 --> 0:24:47.879
<v Speaker 1>I don't like, I don't fault someone for not wanting

0:24:47.880 --> 0:24:50.680
<v Speaker 1>to to be broke or not wanting to struggle like that.

0:24:51.960 --> 0:24:55.879
<v Speaker 1>That's a human experience. That's a that's a very human

0:24:57.280 --> 0:25:02.800
<v Speaker 1>But then some cones, I don't know, I don't that's

0:25:02.800 --> 0:25:04.800
<v Speaker 1>not even a joke. I don't even have anything this

0:25:04.880 --> 0:25:10.119
<v Speaker 1>second about it's some coon shit. I look, I love it.

0:25:10.240 --> 0:25:12.720
<v Speaker 1>I think there's no better way to throw doing commercial break.

0:25:12.760 --> 0:25:15.320
<v Speaker 1>We're gonna take a break. We'll be back with more

0:25:15.400 --> 0:25:28.280
<v Speaker 1>Nate Marshall and more, my mama told me. And we

0:25:29.000 --> 0:25:37.600
<v Speaker 1>are back. You got what I need. Yeah, we're back

0:25:37.640 --> 0:25:41.000
<v Speaker 1>here with more name Marshall more. And my mama told me.

0:25:41.080 --> 0:25:46.199
<v Speaker 1>We're still talking about the insidious underbelly of the Timberland

0:25:46.680 --> 0:25:50.960
<v Speaker 1>production and potentially the coons that supported the coons that

0:25:51.040 --> 0:25:56.119
<v Speaker 1>love it, just love coon ship. Listen, Who amongst the

0:25:56.160 --> 0:25:59.040
<v Speaker 1>sunsn't love coon ship once in our life? And I

0:25:59.080 --> 0:26:02.119
<v Speaker 1>think that's a fair our point. Who amongst us hasn't

0:26:02.160 --> 0:26:05.080
<v Speaker 1>been like damn, I don't know. I kind of funk

0:26:05.119 --> 0:26:07.920
<v Speaker 1>with that. And then you have to wrestle with all

0:26:07.960 --> 0:26:13.480
<v Speaker 1>of us love Terry Crews. That's we love Terry, you know,

0:26:13.520 --> 0:26:15.800
<v Speaker 1>what I mean, that's the part that we're like pretending.

0:26:15.800 --> 0:26:19.320
<v Speaker 1>It's like we fucking Terry was in Kendrick videos, Terry

0:26:19.440 --> 0:26:23.040
<v Speaker 1>was in Friday after Next. We loved Terry, and then

0:26:23.119 --> 0:26:25.120
<v Speaker 1>Terry did some coon ship and some of us tried

0:26:25.160 --> 0:26:27.160
<v Speaker 1>to negotiate with it and be like, I don't know,

0:26:28.040 --> 0:26:30.640
<v Speaker 1>he's okay, and then we found out like a damn

0:26:30.640 --> 0:26:33.080
<v Speaker 1>we gotta jump off the Terry train. Remember when he

0:26:33.119 --> 0:26:35.879
<v Speaker 1>made that fucking I wish I could remember what it was.

0:26:35.920 --> 0:26:38.520
<v Speaker 1>He made that, Like it was like an acrostic poem

0:26:38.760 --> 0:26:43.399
<v Speaker 1>on on Twitter day. Remember that of the word coon

0:26:43.600 --> 0:26:49.400
<v Speaker 1>or it was right, that's right, I do remember that. Now.

0:26:49.840 --> 0:26:53.280
<v Speaker 1>It was like jigaboo but written down and he had

0:26:53.359 --> 0:26:57.359
<v Speaker 1>like written all the different Uh. It was like jigaboo

0:26:57.440 --> 0:27:03.800
<v Speaker 1>just means just in tune with show goofy ass out

0:27:03.840 --> 0:27:09.159
<v Speaker 1>of here, Terry unfortunately, best best all. My next My

0:27:09.200 --> 0:27:13.040
<v Speaker 1>next book is strictly gonna be racist across sticks and

0:27:13.200 --> 0:27:25.639
<v Speaker 1>be like Moon Cricket, making our own nation, creating and cool,

0:27:28.760 --> 0:27:38.720
<v Speaker 1>cutting edge cutting with a k cutting edge technology that no,

0:27:39.000 --> 0:27:41.439
<v Speaker 1>I I do think that to your point, there is

0:27:41.480 --> 0:27:45.720
<v Speaker 1>a fair amount of stuff that like retroactively gets labeled

0:27:45.760 --> 0:27:49.919
<v Speaker 1>as like coon shit or like unacceptable things for the

0:27:49.960 --> 0:27:53.280
<v Speaker 1>quote unquote black community. And sometimes this ship was cool

0:27:53.359 --> 0:27:55.639
<v Speaker 1>and then we realized later that it has a product

0:27:55.680 --> 0:28:00.639
<v Speaker 1>problematic nature to it. Absolutely absolute. My mom has a

0:28:01.560 --> 0:28:03.600
<v Speaker 1>her favorite book growing up was a Little Black Sambo.

0:28:04.200 --> 0:28:06.840
<v Speaker 1>She didn't know. She was just like, the book has

0:28:06.840 --> 0:28:10.800
<v Speaker 1>a little black boy and it's cold. Yeah, I like it.

0:28:10.800 --> 0:28:14.800
<v Speaker 1>It makes me feel seen and unfortunately I shouldn't be

0:28:14.840 --> 0:28:16.760
<v Speaker 1>seen this way, but I didn't know that. I was

0:28:16.800 --> 0:28:25.960
<v Speaker 1>a kid. But literal coon ship. Yeah, let's talk Tims.

0:28:26.240 --> 0:28:29.800
<v Speaker 1>Let's let's talk Tims. Okay, here's one of the things

0:28:29.840 --> 0:28:33.480
<v Speaker 1>that I discovered in my research about the this Timberland

0:28:33.520 --> 0:28:38.400
<v Speaker 1>controversy is that Timberland claims to have zero connection to

0:28:38.440 --> 0:28:42.360
<v Speaker 1>the KKK, right, absolutely zero connection to the KKK. And

0:28:42.400 --> 0:28:46.480
<v Speaker 1>it was in fact founded by a dude, uh named

0:28:47.000 --> 0:28:52.520
<v Speaker 1>Nathan Nathan Schwartz in nineteen fifty two. And you guessed it.

0:28:52.680 --> 0:28:56.160
<v Speaker 1>He's a Jewish guy. And so his whole point is, uh,

0:28:56.200 --> 0:29:00.440
<v Speaker 1>what connection would I possibly gain in or would be

0:29:00.480 --> 0:29:04.360
<v Speaker 1>the reasoning and me connecting with the KKK? He said,

0:29:04.400 --> 0:29:09.600
<v Speaker 1>It's a completely absurd suggestion and there's no validity to it. Okay,

0:29:09.680 --> 0:29:13.520
<v Speaker 1>now here's where it gets exciting. The reality is that

0:29:13.520 --> 0:29:18.320
<v Speaker 1>that conspiracy theory actually came from a poem. It's it's

0:29:18.360 --> 0:29:21.360
<v Speaker 1>a miracle if you will that you came to us

0:29:21.400 --> 0:29:25.000
<v Speaker 1>with this, because you are a fantastic poet. But the

0:29:25.040 --> 0:29:28.400
<v Speaker 1>conspiracy itself came from a poem that was being spread

0:29:28.440 --> 0:29:32.640
<v Speaker 1>around in March of all over the internet, and it

0:29:32.720 --> 0:29:40.800
<v Speaker 1>was being attributed to Maya Angelou. There's a poem that

0:29:41.000 --> 0:29:45.920
<v Speaker 1>was going around that Maya Angelou apparently wrote that actually,

0:29:46.600 --> 0:29:51.160
<v Speaker 1>uh makes all kinds of suggestions about like the various

0:29:51.200 --> 0:29:54.440
<v Speaker 1>like communities that are connected. Like it's part of where

0:29:54.560 --> 0:29:58.000
<v Speaker 1>that Tommy Hill figure calling you nigger came from. That

0:29:58.120 --> 0:30:00.880
<v Speaker 1>Like that thing that everybody said was an Preah episode

0:30:00.960 --> 0:30:04.560
<v Speaker 1>was actually from this poem. And there's like things where

0:30:04.560 --> 0:30:07.040
<v Speaker 1>they it gets real problematic. At one point they go,

0:30:07.480 --> 0:30:10.920
<v Speaker 1>you come up in the world wearing versace clothes made

0:30:10.920 --> 0:30:14.120
<v Speaker 1>by a homosexual male. So even when you say you

0:30:14.160 --> 0:30:21.200
<v Speaker 1>are straight, it is very hard to tell. It's a

0:30:21.280 --> 0:30:25.440
<v Speaker 1>wild piece of writing, right, But when we get to

0:30:25.520 --> 0:30:29.040
<v Speaker 1>the Timberland section of it all, it goes, uh, let

0:30:29.080 --> 0:30:32.320
<v Speaker 1>me make sure and for footwear you wear Timberland's even

0:30:32.440 --> 0:30:35.520
<v Speaker 1>under the sun that same tree that's the symbol for

0:30:35.640 --> 0:30:38.960
<v Speaker 1>them could have been the same one your ancestors were

0:30:39.040 --> 0:30:44.160
<v Speaker 1>hung from. Wow. And then it's as many people reclaim

0:30:44.200 --> 0:30:47.200
<v Speaker 1>your status in this world and in your life. Fubou

0:30:47.480 --> 0:30:50.080
<v Speaker 1>in case you didn't know, stands for for us by

0:30:50.200 --> 0:30:54.200
<v Speaker 1>us buying black will someday suffice. Do you know who

0:30:54.240 --> 0:30:57.920
<v Speaker 1>owns Timberland fashion? Well, Timberland is owned by the president

0:30:57.960 --> 0:31:02.080
<v Speaker 1>of the KKK. Surprise, don't be read more books. Black

0:31:02.120 --> 0:31:05.160
<v Speaker 1>people always hope for the best and prepare for the worst.

0:31:05.440 --> 0:31:07.880
<v Speaker 1>You may not get what you pay for, but you'll

0:31:07.880 --> 0:31:10.760
<v Speaker 1>surely pay for what you get. I like that because

0:31:11.120 --> 0:31:13.320
<v Speaker 1>earlier it had like the rhyme scheme, and then it

0:31:13.440 --> 0:31:18.000
<v Speaker 1>was like funk that. Yeah, I got knowledge to drop

0:31:19.080 --> 0:31:21.320
<v Speaker 1>this ship too important. I can't be rhyming on its

0:31:21.360 --> 0:31:24.920
<v Speaker 1>naked the all day. I gotta talk that talk. Wow,

0:31:24.960 --> 0:31:29.320
<v Speaker 1>that's wait? Was this? This is absolutely not a mind?

0:31:30.960 --> 0:31:37.120
<v Speaker 1>No know? How dare you sir? How dare you? How

0:31:38.040 --> 0:31:41.520
<v Speaker 1>should hang up this zoom call? Right now? Is this?

0:31:43.000 --> 0:31:46.200
<v Speaker 1>I know it's not. But the world in which this

0:31:46.400 --> 0:31:50.440
<v Speaker 1>is my andrelu poem is it's a world? Yeah. I

0:31:50.480 --> 0:31:55.080
<v Speaker 1>would love for Maya Angeloud to be like just writing

0:31:55.080 --> 0:31:58.920
<v Speaker 1>about Timberland and being super homophobic, like what if, what

0:31:58.960 --> 0:32:01.240
<v Speaker 1>if that was just like the poem she did at

0:32:01.240 --> 0:32:05.520
<v Speaker 1>like the Clinton inauguration. She was just like, if that

0:32:05.680 --> 0:32:09.160
<v Speaker 1>could be the same truth she did that in the

0:32:09.160 --> 0:32:14.640
<v Speaker 1>middle of poetic justice. I love that. It's so Maya

0:32:14.680 --> 0:32:17.840
<v Speaker 1>Angelou did not write this poem, and in fact, her

0:32:17.960 --> 0:32:21.600
<v Speaker 1>representatives when this poem began to circulate as a quote

0:32:21.640 --> 0:32:25.800
<v Speaker 1>unquote Maya Angelou poem, uh immediately jumped on it. And

0:32:25.840 --> 0:32:28.960
<v Speaker 1>their response is so funny because they basically said, look,

0:32:29.400 --> 0:32:32.440
<v Speaker 1>that's clearly not a my Angelou poem, and we are

0:32:32.560 --> 0:32:36.720
<v Speaker 1>offended that you would think writing this terrible would come

0:32:36.800 --> 0:32:40.760
<v Speaker 1>from my Angelo. They weren't even offended by the ideas.

0:32:40.800 --> 0:32:43.800
<v Speaker 1>They're like, this is a bad piece of writing, and

0:32:43.840 --> 0:32:46.959
<v Speaker 1>my girl writes good. This is trash. They were like,

0:32:46.960 --> 0:32:53.560
<v Speaker 1>this ship has no bars. Yeah, well I love that. Damn.

0:32:53.600 --> 0:32:56.600
<v Speaker 1>I hope to one day like get there where people

0:32:56.600 --> 0:32:58.560
<v Speaker 1>are just like putting my name on ship. I did

0:32:58.560 --> 0:33:02.440
<v Speaker 1>not say that's pretty cool. That's like, that's a different level.

0:33:02.480 --> 0:33:07.880
<v Speaker 1>That's like Maya like fucking Mark Twain and Shakespeare. Yeah,

0:33:07.960 --> 0:33:10.280
<v Speaker 1>And so part of the reason that I think that

0:33:10.320 --> 0:33:13.600
<v Speaker 1>it begans circulating that way is because in the year

0:33:14.960 --> 0:33:17.720
<v Speaker 1>when it's sort of is becoming a thing, right, this

0:33:17.800 --> 0:33:20.880
<v Speaker 1>poem that's being posted all over the internet, there aren't

0:33:20.880 --> 0:33:24.040
<v Speaker 1>real ways of tracing things. And it's a poem about

0:33:24.120 --> 0:33:28.360
<v Speaker 1>like black life and black struggle in America, And the

0:33:28.440 --> 0:33:32.239
<v Speaker 1>name most synonymous with black poetry at that time is

0:33:32.280 --> 0:33:36.320
<v Speaker 1>my Angelou. That's that's who you would go to for

0:33:36.360 --> 0:33:40.000
<v Speaker 1>this information. So it became almost like a weird game

0:33:40.040 --> 0:33:43.760
<v Speaker 1>of telephone, if you will. Right, Yeah, I know why

0:33:43.800 --> 0:33:49.200
<v Speaker 1>the cage bird sings because you know, wearing like Berberry,

0:33:49.360 --> 0:33:57.680
<v Speaker 1>like what incredible wild So the so this happens and

0:33:57.720 --> 0:34:01.720
<v Speaker 1>then it starts to kind of uh snowball, right that

0:34:01.880 --> 0:34:05.120
<v Speaker 1>after we start seeing this poem circulating on the internet.

0:34:05.160 --> 0:34:08.840
<v Speaker 1>Then there's this quote that gets attributed to the CEO

0:34:09.000 --> 0:34:12.000
<v Speaker 1>of Timberland. And at this point they're not naming the CEO,

0:34:12.080 --> 0:34:16.000
<v Speaker 1>but they're on this site called NAHA Daily Report a

0:34:16.160 --> 0:34:21.080
<v Speaker 1>posted that basically quote saying Timberland's new appointed CEO lost

0:34:21.120 --> 0:34:24.280
<v Speaker 1>it at its at a earnings press conference and revealed

0:34:24.280 --> 0:34:27.120
<v Speaker 1>that he'd rather not see blacks and Latinos in his

0:34:27.200 --> 0:34:30.960
<v Speaker 1>boots during the summertime, admitting that it's just tacky to

0:34:30.960 --> 0:34:34.080
<v Speaker 1>wear boots in the summer, their work boots. But let's

0:34:34.120 --> 0:34:37.400
<v Speaker 1>be honest, they don't like work is what he was

0:34:37.440 --> 0:34:41.480
<v Speaker 1>supposed to have upset. Wow, Oh my god, I wish

0:34:41.520 --> 0:34:46.480
<v Speaker 1>this was all very true. Well I want this Netflix documentary.

0:34:46.560 --> 0:34:52.279
<v Speaker 1>Goddamn it. Wow. So many New York motherfucker's I know

0:34:52.360 --> 0:34:55.719
<v Speaker 1>would just be deeply hurt and offended by by such

0:34:55.719 --> 0:34:59.239
<v Speaker 1>a statement because all they do is wear boots the right.

0:35:00.160 --> 0:35:02.719
<v Speaker 1>Not only are you telling me I don't work, but

0:35:02.840 --> 0:35:07.120
<v Speaker 1>also you're discrediting my entire fashion, my entire sense of

0:35:07.160 --> 0:35:11.200
<v Speaker 1>self when you say ship like that. So it gets

0:35:11.280 --> 0:35:14.840
<v Speaker 1>it gets even more fascinating because it's site Naha, Daily

0:35:14.920 --> 0:35:18.319
<v Speaker 1>Report Apparently it's no longer a website, or at least

0:35:18.400 --> 0:35:21.600
<v Speaker 1>not a very high functioning one. But not how Daily

0:35:21.640 --> 0:35:26.319
<v Speaker 1>Report was was a predecessor to the onion that it

0:35:26.440 --> 0:35:29.600
<v Speaker 1>was meant to be like a ironic website where they

0:35:29.640 --> 0:35:33.640
<v Speaker 1>make jokes and ship. But as you can clearly see,

0:35:33.840 --> 0:35:37.720
<v Speaker 1>that's not a good fucking joke. That's just a fake

0:35:37.840 --> 0:35:41.000
<v Speaker 1>thing you put on the internet and like cause chaos

0:35:41.080 --> 0:35:50.799
<v Speaker 1>and dissension amongst the community. Damn. Wow again, huh but

0:35:51.000 --> 0:35:53.200
<v Speaker 1>is this is this a joke or is this like

0:35:53.640 --> 0:35:58.120
<v Speaker 1>the joke that's true. M because I'm talking, I'm just

0:35:58.160 --> 0:36:02.040
<v Speaker 1>saying this doesn't still doesn't seem un untrue to me.

0:36:02.120 --> 0:36:08.440
<v Speaker 1>I don't know, Like, yes, yes, okay, the founder was Jewish,

0:36:08.440 --> 0:36:13.240
<v Speaker 1>that's true. But presumably right this founder he had business partners,

0:36:13.280 --> 0:36:17.160
<v Speaker 1>he had other people in the business. They probably weren't

0:36:17.840 --> 0:36:22.520
<v Speaker 1>you know, many black folks, if any any in Puerto

0:36:22.680 --> 0:36:26.759
<v Speaker 1>Ricans and Mexicans, Asian folks. It was a bunch of

0:36:26.800 --> 0:36:32.600
<v Speaker 1>white people, and so it just chances are there was

0:36:32.640 --> 0:36:35.799
<v Speaker 1>somebody in there who was clanning it up. Okay, I'm

0:36:35.840 --> 0:36:39.600
<v Speaker 1>glad you're saying this, because up to this point we've

0:36:40.680 --> 0:36:44.000
<v Speaker 1>at least I thought we were working to uh discredit

0:36:44.120 --> 0:36:46.160
<v Speaker 1>some of this theory. But you're like, nah, funk that.

0:36:46.200 --> 0:36:50.080
<v Speaker 1>I'm still not sold. They're not sold. Double down, my friend,

0:36:50.120 --> 0:36:55.799
<v Speaker 1>because in right, hip hop has started to take over

0:36:56.280 --> 0:37:00.920
<v Speaker 1>their investing big in Timberland, and Timberland is sort of

0:37:00.960 --> 0:37:04.920
<v Speaker 1>becoming a brand of the urban youth. But the Timberland

0:37:04.960 --> 0:37:09.640
<v Speaker 1>executives are not necessarily bought into that yet. Right. So,

0:37:10.080 --> 0:37:14.720
<v Speaker 1>in in a New York Times interview, the then VP

0:37:15.040 --> 0:37:19.000
<v Speaker 1>Jeff Swartz, which is the grandson of the original Swartz,

0:37:19.080 --> 0:37:22.080
<v Speaker 1>Nathan Swartz, who was in charge of this ship, actually

0:37:22.120 --> 0:37:25.560
<v Speaker 1>said in an interview, Timberland is being adopted by a

0:37:25.600 --> 0:37:30.040
<v Speaker 1>consumer that we didn't know existed relative to our target audience,

0:37:30.239 --> 0:37:35.960
<v Speaker 1>which he described as honest, hardworking people. So basically he said, like,

0:37:36.880 --> 0:37:39.560
<v Speaker 1>these niggas grabbing it and we ain't really planned for them.

0:37:39.640 --> 0:37:42.440
<v Speaker 1>And also they're not honest or hardworking the way that

0:37:42.480 --> 0:37:46.520
<v Speaker 1>we were aiming. This is some mother ship that ain't

0:37:46.560 --> 0:37:48.600
<v Speaker 1>honest and hardworking, and we don't know what to do

0:37:48.640 --> 0:37:54.040
<v Speaker 1>with that. Listen, listen, y'all, stay woke. Sounds sounds clan adjacent.

0:37:54.280 --> 0:37:57.040
<v Speaker 1>And that's from the New York Times. That's not even no,

0:37:57.360 --> 0:38:00.600
<v Speaker 1>that's a real article from the New York Times. And

0:38:00.600 --> 0:38:04.080
<v Speaker 1>and he goes on to basically explain that, like, it

0:38:04.400 --> 0:38:07.440
<v Speaker 1>just wasn't the demographic that they were aiming for, right,

0:38:07.480 --> 0:38:09.560
<v Speaker 1>that when they created Timberland, it was meant to be

0:38:09.640 --> 0:38:13.520
<v Speaker 1>a work boot for working people and the working people

0:38:13.600 --> 0:38:16.799
<v Speaker 1>that he was imagining. And he doesn't quite say this,

0:38:16.880 --> 0:38:20.640
<v Speaker 1>but it's all implied in the undertext. Is is white

0:38:20.719 --> 0:38:26.719
<v Speaker 1>working class people and white working class once again, Yeah, exactly,

0:38:26.800 --> 0:38:29.239
<v Speaker 1>And he's completely ignoring the fact that many of the

0:38:29.280 --> 0:38:32.759
<v Speaker 1>black people that are wearing tims are working class people too,

0:38:33.200 --> 0:38:37.040
<v Speaker 1>who just happened to spend their money differently. Absolutely, this

0:38:37.120 --> 0:38:39.920
<v Speaker 1>is what I'm saying, Martin Luther King that niggas was

0:38:39.960 --> 0:38:45.759
<v Speaker 1>marching two shoes. I don't think you're wrong. And it's

0:38:45.800 --> 0:38:49.520
<v Speaker 1>so he catches a lot of flak for that, right, Like,

0:38:49.600 --> 0:38:52.640
<v Speaker 1>people get pretty upset at the idea of this guy

0:38:52.680 --> 0:38:55.920
<v Speaker 1>basically saying like I, in essence, I don't want niggas

0:38:55.920 --> 0:38:57.919
<v Speaker 1>wearing my boots, or at least that wasn't the plan.

0:38:58.480 --> 0:39:01.680
<v Speaker 1>And so Timberland then has to do a lot of

0:39:01.800 --> 0:39:05.960
<v Speaker 1>fixing and re evaluating in terms of their relationship with

0:39:06.000 --> 0:39:08.879
<v Speaker 1>the black community. And it's not until like the late

0:39:09.000 --> 0:39:15.080
<v Speaker 1>nineties that Timberland starts to really like invest in black advertisement,

0:39:15.160 --> 0:39:18.000
<v Speaker 1>that they start to really like put the TAMS ads

0:39:18.040 --> 0:39:22.600
<v Speaker 1>in the Vibe magazines and start to reassociate themselves with

0:39:22.640 --> 0:39:25.319
<v Speaker 1>the hip hop artists intentionally and not just like on

0:39:25.520 --> 0:39:29.840
<v Speaker 1>accident with Nas rapping about it or Biggie rapping about it. Listen,

0:39:30.360 --> 0:39:34.320
<v Speaker 1>I'm telling you, man, ghost Face Killer is the fucking

0:39:34.719 --> 0:39:38.200
<v Speaker 1>civil rights leader of our time. No one's gonna convince

0:39:38.200 --> 0:39:44.240
<v Speaker 1>me otherwise, nobody convinced me foot ghost face foot ghost

0:39:44.320 --> 0:39:47.640
<v Speaker 1>face on the monument because that he's it. That's all

0:39:47.640 --> 0:39:49.560
<v Speaker 1>we need is I want one of them, one of them,

0:39:49.640 --> 0:39:51.800
<v Speaker 1>like posters that you buy on the side of the

0:39:51.920 --> 0:39:54.399
<v Speaker 1>road where someone's also something shade butter and black soap.

0:39:54.960 --> 0:39:58.520
<v Speaker 1>We're like Martin Luther King and Malcolm X like playing

0:39:58.600 --> 0:40:02.600
<v Speaker 1>pool with Obama and I want ghost Face. They're like

0:40:02.640 --> 0:40:05.880
<v Speaker 1>shooting dice in the corner. Yeah, I love that. I

0:40:05.920 --> 0:40:09.719
<v Speaker 1>want one of those Tyrese paintings. Tyrese made that beautiful

0:40:09.760 --> 0:40:13.239
<v Speaker 1>painting where it was wait wait wait wait, wait wait

0:40:13.360 --> 0:40:18.240
<v Speaker 1>wait about this nigga. No, okay, well we'll wake up. Brother.

0:40:19.360 --> 0:40:22.719
<v Speaker 1>There's other artists out here other than Picasso. There's other

0:40:22.800 --> 0:40:26.359
<v Speaker 1>artists out here. Then then then your Bosskiyats a brother

0:40:26.440 --> 0:40:34.719
<v Speaker 1>named Tyrese Gibson of Fast and Furious fame, made a

0:40:34.760 --> 0:40:40.360
<v Speaker 1>beautiful painting in which Malcolm X is baptizing Tupac in

0:40:40.400 --> 0:40:44.160
<v Speaker 1>a river. As I believe Martin Luther King looks on,

0:40:44.560 --> 0:40:49.320
<v Speaker 1>I've seen Tyrese made that. That's a Tyrese Gibson original.

0:40:49.800 --> 0:40:54.480
<v Speaker 1>Put that up in your home. Oh my god, you

0:40:54.520 --> 0:40:56.960
<v Speaker 1>should be so lucky to get the original of that

0:40:57.040 --> 0:41:01.919
<v Speaker 1>Wow Baby Boy. Yeah, No, he did that, and he's

0:41:01.920 --> 0:41:04.359
<v Speaker 1>continuing to do the work, and we don't give him

0:41:04.440 --> 0:41:07.280
<v Speaker 1>enough credit. It should be ghost Face and Tyrese Gibson

0:41:07.400 --> 0:41:10.560
<v Speaker 1>as the the greatest civil rights leaders we have and

0:41:10.600 --> 0:41:13.439
<v Speaker 1>Shannon Sharp. For some reason, I think Shannon Sharp does

0:41:13.480 --> 0:41:15.880
<v Speaker 1>a lot of does a lot of good work for

0:41:15.920 --> 0:41:18.840
<v Speaker 1>the black community. Uh, he's just mush mouth, so we

0:41:18.880 --> 0:41:22.560
<v Speaker 1>can never tell what he's saying. I love Shannon Sharp.

0:41:23.440 --> 0:41:27.240
<v Speaker 1>The excellent memes. There's some excellent meme work, great names,

0:41:27.600 --> 0:41:34.760
<v Speaker 1>the bug eyed sweaty Man. I love that he deserves

0:41:34.880 --> 0:41:38.120
<v Speaker 1>he works, he works hard. Okay, So this is where

0:41:38.280 --> 0:41:41.720
<v Speaker 1>I think it gets even more interesting. So the quote

0:41:41.840 --> 0:41:45.000
<v Speaker 1>that we were talking about goes on in the conversation.

0:41:45.400 --> 0:41:47.359
<v Speaker 1>He went on to say, if you hear that hip

0:41:47.360 --> 0:41:50.360
<v Speaker 1>hop kids are wearing Timberland boots and women are wearing

0:41:50.360 --> 0:41:53.960
<v Speaker 1>Timberland boots with sun dresses at a Donna Karen fashion show,

0:41:54.239 --> 0:41:56.640
<v Speaker 1>that's a coin in current dollars. But how in the

0:41:56.680 --> 0:42:01.040
<v Speaker 1>world is that sustainable? So he's basically asking the question

0:42:01.480 --> 0:42:05.520
<v Speaker 1>how long is hip hop gonna last? And so in retrospect,

0:42:05.560 --> 0:42:08.120
<v Speaker 1>he now knows hip hop is going to become the

0:42:08.239 --> 0:42:11.680
<v Speaker 1>biggest industry in all of music and like the most

0:42:11.719 --> 0:42:15.120
<v Speaker 1>profitable of all of like the music forms, and so

0:42:15.320 --> 0:42:19.040
<v Speaker 1>Timberland then has to realize that and fix that. And

0:42:19.080 --> 0:42:22.520
<v Speaker 1>so in the late nineties is when they start introducing

0:42:22.560 --> 0:42:25.759
<v Speaker 1>all the TEMs with like the custom colors and like

0:42:25.840 --> 0:42:29.520
<v Speaker 1>the weird designs and ship. And it's because they started

0:42:29.840 --> 0:42:32.960
<v Speaker 1>fully being aware that, like, oh, ship, hip hop is

0:42:33.000 --> 0:42:36.480
<v Speaker 1>not going anywhere, and we can't just keep servicing a

0:42:36.520 --> 0:42:39.160
<v Speaker 1>bunch of dudes who are only gonna buy work boots

0:42:39.200 --> 0:42:42.160
<v Speaker 1>every five years, right, I mean that's the thing is,

0:42:42.239 --> 0:42:45.640
<v Speaker 1>like if you're like fashionable, you'll you'll buy a new

0:42:45.680 --> 0:42:49.840
<v Speaker 1>shoe every season or more. But yeah, if you're like

0:42:49.920 --> 0:42:53.400
<v Speaker 1>actually using temps to like go to work, right, you

0:42:53.480 --> 0:42:56.040
<v Speaker 1>buy them ship and then you don't buy something until

0:42:56.080 --> 0:42:58.959
<v Speaker 1>the next decade. Yeah, I'm not gonna keep buying more

0:42:59.080 --> 0:43:02.160
<v Speaker 1>every but like dude who's really into thims and wants

0:43:02.160 --> 0:43:04.759
<v Speaker 1>to look fly by a new pair every month, and

0:43:04.840 --> 0:43:08.240
<v Speaker 1>like that's that's real money that you could be gaining.

0:43:08.280 --> 0:43:10.239
<v Speaker 1>And so they I think they figured out that, like

0:43:10.360 --> 0:43:12.480
<v Speaker 1>this is the brand we need to invest in and

0:43:12.600 --> 0:43:17.200
<v Speaker 1>stop playing like this is a hard working man's boot. Yeah,

0:43:17.239 --> 0:43:20.480
<v Speaker 1>you know. Unfortunately, maybe the most expensive show I ever

0:43:20.520 --> 0:43:26.920
<v Speaker 1>bought in my life was like a Timberland streetwear mashup short,

0:43:27.120 --> 0:43:33.040
<v Speaker 1>one of them supreme type energies of life. They were

0:43:33.080 --> 0:43:36.440
<v Speaker 1>like very high and they had this like they were

0:43:36.480 --> 0:43:47.080
<v Speaker 1>like Grace Swaye. Yeah, felt like walking on babysuits. But damn, wow,

0:43:47.120 --> 0:43:51.520
<v Speaker 1>that's you really you really like actually researched. Yeah, I

0:43:51.640 --> 0:43:56.320
<v Speaker 1>take my time with it. Here's here. So Timberland, after this, uh,

0:43:56.360 --> 0:44:00.200
<v Speaker 1>this debacle, if you will, this issue with offending the

0:44:00.239 --> 0:44:03.359
<v Speaker 1>black community or offending the hip hop community, then sort

0:44:03.360 --> 0:44:06.920
<v Speaker 1>of like tries to rebrand itself as like a cool

0:44:07.600 --> 0:44:11.960
<v Speaker 1>brand that deals in in respectable politics and doesn't you know,

0:44:12.239 --> 0:44:14.520
<v Speaker 1>looks out for the community even though they're a billion

0:44:14.560 --> 0:44:19.600
<v Speaker 1>dollar industry and probably do horrible things and and whatever.

0:44:19.920 --> 0:44:23.400
<v Speaker 1>But in two thousand and ten, Timberland once again gets

0:44:23.400 --> 0:44:26.360
<v Speaker 1>in trouble, not with the black community this time, but

0:44:26.560 --> 0:44:30.200
<v Speaker 1>Greenpeace comes after them because they claimed that Timberland has

0:44:30.239 --> 0:44:34.359
<v Speaker 1>a bunch of connections with deforestation in Brazil, that like,

0:44:34.880 --> 0:44:39.640
<v Speaker 1>they are responsible for farmers who are cutting down massive

0:44:39.680 --> 0:44:43.239
<v Speaker 1>amounts of the rainforests so that they can basically set

0:44:43.280 --> 0:44:47.200
<v Speaker 1>up cattle farms and then sell Timberland back the cow hide.

0:44:47.640 --> 0:44:51.759
<v Speaker 1>Damn you know what I'm gonna quick. Okay, hold on,

0:44:51.760 --> 0:44:53.560
<v Speaker 1>you're about to talk that talk because I'll let you

0:44:53.600 --> 0:44:56.959
<v Speaker 1>talk that talk. Yes, let me talk that Okay, Nate,

0:44:57.280 --> 0:44:59.600
<v Speaker 1>it is beautiful. I'm excited. I'm gonna give you thirty

0:44:59.600 --> 0:45:03.839
<v Speaker 1>seconds whenever you're ready talk that talk. All right. So

0:45:03.920 --> 0:45:09.760
<v Speaker 1>you said that Timberland is responsible for deforestation in Brazil. Word,

0:45:10.320 --> 0:45:13.040
<v Speaker 1>that makes sense to me. We know what else was

0:45:13.080 --> 0:45:17.080
<v Speaker 1>in Brazil. The majority of the slaves in the Transatlantic

0:45:17.120 --> 0:45:23.600
<v Speaker 1>slave trade. Listen, right, Brazil black is Bresils, some nigga ship.

0:45:24.040 --> 0:45:25.920
<v Speaker 1>They don't want you to know that, right, but you

0:45:25.960 --> 0:45:29.040
<v Speaker 1>gotta stay woken. And this is the thing about it.

0:45:29.400 --> 0:45:32.560
<v Speaker 1>They deforced. And what are they doing with trees hanging

0:45:32.640 --> 0:45:43.120
<v Speaker 1>niggas ship? Cool? Motherfucking talk that talk, Nate. Okay, I

0:45:43.239 --> 0:45:46.440
<v Speaker 1>see what you're doing. It's connecting, it's starting. The math

0:45:46.600 --> 0:45:49.720
<v Speaker 1>is starting the math. We're talking about deforestation. The trees

0:45:49.840 --> 0:45:53.080
<v Speaker 1>is still the emphasis. It is a homage to the

0:45:53.200 --> 0:45:56.920
<v Speaker 1>history that they've built of hanging niggas from trees. And

0:45:56.960 --> 0:46:00.200
<v Speaker 1>they go to the most niggery place they can find mine,

0:46:00.480 --> 0:46:05.320
<v Speaker 1>which is Brazil in this scenario. Listen, ain't look, there's

0:46:05.320 --> 0:46:12.799
<v Speaker 1>no no more niggery place in the Western hemisphere. That

0:46:12.920 --> 0:46:17.799
<v Speaker 1>might be true. Honestly, I listen that. Look, I don't

0:46:17.840 --> 0:46:20.240
<v Speaker 1>have the mask, but I think that might actually be true.

0:46:20.320 --> 0:46:23.400
<v Speaker 1>It's between that and in the South side of Chicago

0:46:23.640 --> 0:46:26.480
<v Speaker 1>is one of those. It's one. It's one of Look

0:46:26.520 --> 0:46:29.680
<v Speaker 1>you ever seen capa niggas are doing martial arts and

0:46:29.760 --> 0:46:32.839
<v Speaker 1>dancing that that that is the most nigger ship because

0:46:32.880 --> 0:46:36.759
<v Speaker 1>niggas loved Bruce Lee movies and motherfucking funk records. Right,

0:46:36.800 --> 0:46:40.319
<v Speaker 1>everybody's fighting like the Black Power Rangers. So yeah, that

0:46:40.400 --> 0:46:45.200
<v Speaker 1>makes sense to me. That makes perfect sense to me.

0:46:45.520 --> 0:46:49.480
<v Speaker 1>Now it is worth noting and uh your talk. That

0:46:49.520 --> 0:46:52.640
<v Speaker 1>talk was exceptional, but it is worth noting that Timberland

0:46:52.719 --> 0:46:55.719
<v Speaker 1>actually said that only seven percent of their cattle comes

0:46:55.719 --> 0:46:59.040
<v Speaker 1>from Brazil, and then immediately after it was like, we'll stop,

0:46:59.080 --> 0:47:01.759
<v Speaker 1>We'll just stop that. Y'all don't have to claim that

0:47:01.800 --> 0:47:05.279
<v Speaker 1>we did that anymore. And they have also like gone

0:47:05.320 --> 0:47:08.239
<v Speaker 1>out of their way to be anti racist. When like

0:47:08.320 --> 0:47:12.759
<v Speaker 1>a French fashion label, a pc UH, their CEO came

0:47:12.800 --> 0:47:17.320
<v Speaker 1>out in the middle of a big conference and basically

0:47:17.360 --> 0:47:19.920
<v Speaker 1>like went on stage and said, uh, I want to

0:47:19.920 --> 0:47:23.520
<v Speaker 1>make sure I have this right. He says, uh, I

0:47:23.560 --> 0:47:26.840
<v Speaker 1>call this one. Look last Niggas in Paris. This is

0:47:26.840 --> 0:47:29.919
<v Speaker 1>a white man. Why because it's the sweet spot when

0:47:29.920 --> 0:47:34.600
<v Speaker 1>the Hood, the Hood meets berta Locheese movie Last Tango

0:47:34.640 --> 0:47:37.560
<v Speaker 1>in Paris. So that's last Niggas in Paris and last

0:47:37.640 --> 0:47:41.600
<v Speaker 1>Niggas in Paris. After an awkward pause, and then he goes, oh,

0:47:41.719 --> 0:47:44.480
<v Speaker 1>I'm glad some people laughed at me. Yes, I mean,

0:47:44.719 --> 0:47:48.120
<v Speaker 1>it's nice to play with the strong signifiers. The Timberland

0:47:48.160 --> 0:47:51.760
<v Speaker 1>here is a very strong ghetto signifier. In the ghetto.

0:47:52.160 --> 0:47:55.000
<v Speaker 1>It is all the Timberland's all the big chain, not

0:47:55.160 --> 0:47:57.799
<v Speaker 1>all the same time. Never, it's bad taste. So we

0:47:57.920 --> 0:48:07.600
<v Speaker 1>designed Timberland's the Timberland. It's bad bad. I love that

0:48:07.719 --> 0:48:09.960
<v Speaker 1>because now I'm just imagining like a thug that bigging

0:48:10.040 --> 0:48:13.960
<v Speaker 1>like imagine like two chains, like like like putting on

0:48:14.080 --> 0:48:18.200
<v Speaker 1>his his chains and like about to like put like

0:48:18.280 --> 0:48:23.080
<v Speaker 1>the third chain on. It's bad, that's bad taste. Put

0:48:23.120 --> 0:48:25.880
<v Speaker 1>that ship back. I got on my tempts and three chains.

0:48:25.920 --> 0:48:29.240
<v Speaker 1>Get the funk out of here. Not unreasonable, that's bad taste.

0:48:31.560 --> 0:48:35.400
<v Speaker 1>So Timberland Timberland. Here's this guy go on this weird

0:48:35.520 --> 0:48:39.319
<v Speaker 1>fucking French rant and uh then they like, hey, we

0:48:39.360 --> 0:48:42.080
<v Speaker 1>can't work with you anymore, and they were celebrated as

0:48:42.120 --> 0:48:48.560
<v Speaker 1>heroes for cutting that relationship. Damn ghetto signifier is the

0:48:48.640 --> 0:48:53.480
<v Speaker 1>name of my next rapout? Now, Well, honestly, I love like,

0:48:54.120 --> 0:48:57.960
<v Speaker 1>I know that was a racist like little thing that

0:48:58.000 --> 0:49:02.560
<v Speaker 1>he just said, and I I agree, but wow, it

0:49:02.719 --> 0:49:06.359
<v Speaker 1>was just so good. Yeah. No, he was spitting, and

0:49:06.520 --> 0:49:09.320
<v Speaker 1>uh I didn't like what he was spitting. But bars

0:49:09.400 --> 0:49:11.160
<v Speaker 1>is bars you know what I mean, Like, you gotta

0:49:11.360 --> 0:49:14.120
<v Speaker 1>talk that talk. Yeah, let him shine, let him finish

0:49:14.160 --> 0:49:19.000
<v Speaker 1>your sentence, then you deal with the emotional uh feelings afterwards.

0:49:19.040 --> 0:49:22.160
<v Speaker 1>But no, funk that let him go off? I think, Damn,

0:49:22.239 --> 0:49:25.000
<v Speaker 1>is this this is how like Takashi six nine fans

0:49:25.080 --> 0:49:30.719
<v Speaker 1>must feel. Yes, it's just them being like, I don't know, bro,

0:49:30.960 --> 0:49:34.879
<v Speaker 1>he going off. I don't agree with it, but go crazy. Yeah, ship,

0:49:35.360 --> 0:49:39.120
<v Speaker 1>Look the world Look, life is yolo, yolo. Thank you Drizzy.

0:49:39.480 --> 0:49:41.439
<v Speaker 1>We're gonna take my more break and we'll be back

0:49:41.440 --> 0:49:43.879
<v Speaker 1>with more name Marshall and more. My mama told me,

0:49:54.480 --> 0:50:02.000
<v Speaker 1>And we are back. If you want to reach those

0:50:02.080 --> 0:50:04.279
<v Speaker 1>kids on the Street. Then you gotta do a rep,

0:50:04.360 --> 0:50:09.520
<v Speaker 1>do a hip hop beat urban kick. My rhymes are flying,

0:50:10.160 --> 0:50:12.800
<v Speaker 1>are just sick. My crew is big and it keeps

0:50:12.840 --> 0:50:18.200
<v Speaker 1>getting bigger because Jesus Christ. Yeah, we're back here with

0:50:18.400 --> 0:50:22.200
<v Speaker 1>more Nate Marshall. We're celebrating Jesus Christ. I nigga Jesus

0:50:22.320 --> 0:50:27.040
<v Speaker 1>Christ and all he does for us. Have you heard

0:50:27.080 --> 0:50:29.319
<v Speaker 1>that before? You know that song? He's the son of

0:50:29.320 --> 0:50:32.520
<v Speaker 1>the original ge You got damn right. I know that

0:50:31.200 --> 0:50:35.480
<v Speaker 1>so that I played that the other week from my

0:50:35.560 --> 0:50:38.040
<v Speaker 1>girlfriend because she was like, I was like, babe, have

0:50:38.120 --> 0:50:40.480
<v Speaker 1>you never heard that? And she was like, what are

0:50:40.480 --> 0:50:45.400
<v Speaker 1>you talking about? Have you ever you've never heard this masterpiece?

0:50:45.640 --> 0:50:48.720
<v Speaker 1>This should is like this should is like purple haze

0:50:48.800 --> 0:50:53.160
<v Speaker 1>to me, I don't know. That's my amatic. I love that.

0:50:53.400 --> 0:50:55.640
<v Speaker 1>Y'all can have Jimmy Hendricks if you want to. I

0:50:55.680 --> 0:50:58.120
<v Speaker 1>want that old dude in a backwards hat in a

0:50:58.160 --> 0:51:01.120
<v Speaker 1>suit jacket for some reason. This is this is that's

0:51:01.160 --> 0:51:05.680
<v Speaker 1>my songs in the Key of Life. I have a

0:51:05.760 --> 0:51:08.720
<v Speaker 1>fun game for us to play, and it's a game

0:51:08.800 --> 0:51:15.760
<v Speaker 1>called make that Brand Racist. It's a very fun game

0:51:16.040 --> 0:51:19.799
<v Speaker 1>where I will introduce to you much in the way

0:51:19.840 --> 0:51:23.280
<v Speaker 1>that we are unpacking the Timberland logo and potentially connecting

0:51:23.320 --> 0:51:27.319
<v Speaker 1>it to the KKK and hanging people from trees. I

0:51:27.320 --> 0:51:30.560
<v Speaker 1>am going to introduce to you other logos that potentially

0:51:30.640 --> 0:51:33.640
<v Speaker 1>might have something insidious in their imagery, and what I

0:51:33.640 --> 0:51:35.719
<v Speaker 1>would love for you to do is just unpack it.

0:51:35.840 --> 0:51:39.440
<v Speaker 1>Help me find the racist elements of whatever this is

0:51:39.960 --> 0:51:43.200
<v Speaker 1>that worked for you. Love finding the racism. Love finding

0:51:43.200 --> 0:51:46.440
<v Speaker 1>the racism. Great. So the first logo, and I'm gonna

0:51:46.440 --> 0:51:48.360
<v Speaker 1>describe them all. I'm not even gonna show them to you.

0:51:48.440 --> 0:51:51.480
<v Speaker 1>They're all ones that you're familiar with, I'm sure, and

0:51:51.520 --> 0:51:53.640
<v Speaker 1>if you need to look them up, you absolutely can.

0:51:53.960 --> 0:51:57.640
<v Speaker 1>But the first logo is the polo logo. The man

0:51:57.719 --> 0:52:02.720
<v Speaker 1>on the horse swinging the pole low stick, the polo logo.

0:52:03.239 --> 0:52:07.480
<v Speaker 1>What's racist in there? Okay? All right? So I was

0:52:07.480 --> 0:52:11.279
<v Speaker 1>watching The Godfather the other day, right, Um, you know,

0:52:11.280 --> 0:52:14.919
<v Speaker 1>and the guyfather the like big movie executive. He has

0:52:15.080 --> 0:52:18.000
<v Speaker 1>his beautiful horse that he loves. There's a point where

0:52:18.520 --> 0:52:21.799
<v Speaker 1>the horse gets up like fucking killed the head. The

0:52:21.840 --> 0:52:23.759
<v Speaker 1>head is chopped off and left and the dude's best

0:52:23.800 --> 0:52:26.160
<v Speaker 1>it's like a threat. But you know who was taking

0:52:26.160 --> 0:52:31.200
<v Speaker 1>care of the horses niggas. That's the only black father.

0:52:31.760 --> 0:52:39.640
<v Speaker 1>It's the Moses, the only one. So okay, yeah it's

0:52:39.800 --> 0:52:45.600
<v Speaker 1>racist because niggas took care of the horses but couldn't

0:52:45.680 --> 0:52:49.400
<v Speaker 1>couldn't ride the horses. Also, did you know, and this

0:52:49.520 --> 0:52:52.239
<v Speaker 1>is actually a true fact, A bunch of the motherfucker's

0:52:52.239 --> 0:52:54.600
<v Speaker 1>and who used to win the Kentucky Derby were black

0:52:54.719 --> 0:52:58.440
<v Speaker 1>and black people were so much they had the band Niggas.

0:52:58.640 --> 0:53:05.839
<v Speaker 1>Band Niggas in like the WHOA because they get you.

0:53:06.280 --> 0:53:08.919
<v Speaker 1>The ship was it was like the fucking NBA. It's

0:53:08.960 --> 0:53:12.400
<v Speaker 1>just everybody was black. Swear to god, WHOA. I didn't

0:53:12.400 --> 0:53:15.400
<v Speaker 1>know that. Okay, there's a few things to unpack in

0:53:15.440 --> 0:53:19.560
<v Speaker 1>that statement, because number one, I love the fact that that, yes,

0:53:19.719 --> 0:53:21.760
<v Speaker 1>the black people who took care of that horse should

0:53:21.800 --> 0:53:24.120
<v Speaker 1>be in the logo as well. They should be like

0:53:24.200 --> 0:53:27.799
<v Speaker 1>posing next to the horse, like posted up and they're like, yeah,

0:53:27.880 --> 0:53:30.359
<v Speaker 1>that's my horse. I brushed his tail, I made him

0:53:30.360 --> 0:53:33.240
<v Speaker 1>look fly. And it's not just the dude who's swinging

0:53:33.239 --> 0:53:36.000
<v Speaker 1>the polo mallet that gets to be celebrated. It's some

0:53:36.080 --> 0:53:39.040
<v Speaker 1>niggas that worked hard on it. But then, holy sh it,

0:53:39.120 --> 0:53:41.439
<v Speaker 1>I had no idea that black people were banned from

0:53:41.480 --> 0:53:46.680
<v Speaker 1>horse racing. That's nuts, rue, man. I learned something new

0:53:46.719 --> 0:53:49.200
<v Speaker 1>on this podcast every day, and some of it's made up,

0:53:49.239 --> 0:53:55.120
<v Speaker 1>and I still celebrate it. Stay next logo, Okay, the

0:53:55.200 --> 0:53:58.640
<v Speaker 1>next logo. This is exciting. Look cost you know that

0:53:58.719 --> 0:54:02.240
<v Speaker 1>alligator with his mouth open. He's got a red tongue

0:54:02.560 --> 0:54:05.920
<v Speaker 1>and his mouth is opened the La cost logo. What's

0:54:06.160 --> 0:54:10.200
<v Speaker 1>racist than the La Costs logo? Oh, Dan, this is

0:54:10.360 --> 0:54:14.600
<v Speaker 1>actually a very easy one. This is very easy. You

0:54:14.680 --> 0:54:18.720
<v Speaker 1>ever heard the term gator bait? I have not, so,

0:54:18.719 --> 0:54:20.560
<v Speaker 1>so this is this thing I think. I don't know

0:54:20.600 --> 0:54:22.680
<v Speaker 1>if it was true or if it's like a sort

0:54:22.680 --> 0:54:26.960
<v Speaker 1>of urban legend, but they say that like enslavery times,

0:54:27.000 --> 0:54:29.400
<v Speaker 1>like in Florida, in like the sort of southern swampland,

0:54:30.200 --> 0:54:35.480
<v Speaker 1>like white people would use black babies like black enslaved

0:54:35.600 --> 0:54:41.400
<v Speaker 1>baby and feed them motherfucker's two alligators. And actually the

0:54:41.480 --> 0:54:44.359
<v Speaker 1>University of Florida, I think, who are the Gators right there?

0:54:44.400 --> 0:54:47.239
<v Speaker 1>That's like their football team. All that they have, like

0:54:47.280 --> 0:54:50.960
<v Speaker 1>they do like the chomp thing whatever. I think they

0:54:51.000 --> 0:54:53.800
<v Speaker 1>have like a gator bait song or chant or something,

0:54:53.880 --> 0:54:57.440
<v Speaker 1>and they like, you know, you know, this summer like

0:54:57.480 --> 0:54:59.799
<v Speaker 1>the George Floyd stuff, all that stuff, Brianna Taylor, all

0:54:59.800 --> 0:55:03.320
<v Speaker 1>that like happened, and people were like, you know, we're

0:55:03.960 --> 0:55:07.440
<v Speaker 1>the Washington football team now or whatever. The fun racism

0:55:07.600 --> 0:55:10.840
<v Speaker 1>and they were like, we're gonna stop there. You know,

0:55:10.880 --> 0:55:14.520
<v Speaker 1>a racist song. We're saying we ain't got that. Sorry, sorry,

0:55:15.640 --> 0:55:21.040
<v Speaker 1>but sweater God, he's whoa babies, man, you're killing it

0:55:21.120 --> 0:55:23.640
<v Speaker 1>right now. I didn't know. That's another fucking thing. I

0:55:23.680 --> 0:55:27.680
<v Speaker 1>didn't know Gator Bay they were feeding, or at least imagining,

0:55:27.800 --> 0:55:32.879
<v Speaker 1>feeding black slave children to alligators. That's just me. There's

0:55:32.880 --> 0:55:35.760
<v Speaker 1>not even a reasoning for it. That you're losing money,

0:55:35.840 --> 0:55:38.160
<v Speaker 1>don't you sucking up your own A little black baby

0:55:38.200 --> 0:55:41.319
<v Speaker 1>could have grown up to be a useful tool, a

0:55:41.440 --> 0:55:45.160
<v Speaker 1>nice uh a nice. He could have been a cobbler,

0:55:45.960 --> 0:55:49.400
<v Speaker 1>and then we could have better quality black shoes in

0:55:49.440 --> 0:55:56.320
<v Speaker 1>the community. King wouldn't have had the ship. So you're saying,

0:55:56.840 --> 0:56:01.799
<v Speaker 1>you're saying, they're stealing our potential leaders and best from

0:56:01.920 --> 0:56:06.600
<v Speaker 1>us by feeding them to alligators for their own entertainment.

0:56:06.880 --> 0:56:10.080
<v Speaker 1>And even worse now, they put that alligator that they

0:56:10.200 --> 0:56:13.640
<v Speaker 1>used to murder those black babies on a polo shirt

0:56:13.880 --> 0:56:17.960
<v Speaker 1>that they sell for for seventy dollars and put a

0:56:18.040 --> 0:56:20.440
<v Speaker 1>pastel color on it and make it seem like it's

0:56:20.440 --> 0:56:26.480
<v Speaker 1>an expensive, uh illustrious brand. This is wild, la cost.

0:56:26.560 --> 0:56:29.320
<v Speaker 1>Shame on you for that thing that we just created

0:56:29.360 --> 0:56:33.319
<v Speaker 1>as a fictional thing that you did. They're just taught us. Man,

0:56:33.680 --> 0:56:36.319
<v Speaker 1>here's another fun one, and maybe this will be our

0:56:36.400 --> 0:56:38.640
<v Speaker 1>last one. This is a fun one, and I'm very

0:56:38.640 --> 0:56:43.440
<v Speaker 1>excited for this one. Chanel. The label Chanelle, which is

0:56:43.480 --> 0:56:46.880
<v Speaker 1>those two sees that are inter linked, that are not

0:56:46.960 --> 0:56:49.160
<v Speaker 1>facing each other, but are still linked in the middle.

0:56:49.360 --> 0:56:54.120
<v Speaker 1>What's racist about Chanelle? Damn? Oh, this is this is interesting,

0:56:54.320 --> 0:56:57.000
<v Speaker 1>you know you. I realized also that now I'm gonna

0:56:57.040 --> 0:56:59.719
<v Speaker 1>just be playing this game constantly with myself. So fun.

0:56:59.840 --> 0:57:02.359
<v Speaker 1>It's a fun game. I'm so happy I came up

0:57:02.400 --> 0:57:10.359
<v Speaker 1>with him. Damn. Okay, Chanelle, Chanelle, Oh all right, got it.

0:57:11.360 --> 0:57:12.879
<v Speaker 1>I don't know if you remember. There was a guy

0:57:13.239 --> 0:57:17.120
<v Speaker 1>I think his name was reverend, like Joseph Lowry or something.

0:57:17.520 --> 0:57:22.560
<v Speaker 1>He gave the benediction at Obama's first inauguration. But there

0:57:22.600 --> 0:57:25.520
<v Speaker 1>was a point where he was like where he started

0:57:25.520 --> 0:57:28.200
<v Speaker 1>saying this sort of little chance was like, you know,

0:57:28.320 --> 0:57:31.400
<v Speaker 1>if you brown stick around, if you black, stay back.

0:57:31.800 --> 0:57:33.920
<v Speaker 1>If you white, you all right? All right? He was

0:57:33.960 --> 0:57:36.000
<v Speaker 1>like the days of that are gone. That was kind

0:57:36.000 --> 0:57:40.040
<v Speaker 1>of his his like moment, right he was where motherfucker's

0:57:40.040 --> 0:57:43.600
<v Speaker 1>were like, oh that nigga spit. But um, I think

0:57:43.800 --> 0:57:48.400
<v Speaker 1>that the Chanel logo is a visual metaphor for if

0:57:48.440 --> 0:57:53.000
<v Speaker 1>you black, get back, because it's like the sea, which

0:57:53.000 --> 0:57:58.160
<v Speaker 1>stands for colored, like walking towards you, but then there's

0:57:58.200 --> 0:58:02.919
<v Speaker 1>another shoe that's like, nah, you gotta go back. He's

0:58:02.960 --> 0:58:06.080
<v Speaker 1>being turned around. It's like a mirror image. It's like

0:58:06.160 --> 0:58:09.360
<v Speaker 1>the person being redirected in the direction that they were

0:58:09.360 --> 0:58:12.920
<v Speaker 1>supposed to be in their mind. Right, Like the first

0:58:12.920 --> 0:58:14.720
<v Speaker 1>sea is like I would like to eat at the

0:58:14.800 --> 0:58:18.160
<v Speaker 1>lunch counter, and the second sea was like they said,

0:58:18.200 --> 0:58:23.080
<v Speaker 1>I can't come in, you can't get the sandwich. Man.

0:58:23.280 --> 0:58:25.680
<v Speaker 1>You fucking nailed it. The only thing I could come

0:58:25.760 --> 0:58:33.880
<v Speaker 1>up with was caucasion. See for call and see for casi. Wow, occasion, Well,

0:58:33.960 --> 0:58:38.560
<v Speaker 1>I only damn, I'm only calling white people casion. Occasionally,

0:58:38.640 --> 0:58:44.600
<v Speaker 1>these occasions over here, that's some casion activity. Yeah, these

0:58:44.600 --> 0:58:48.560
<v Speaker 1>occasions acting up. This was fun. This is a great time. Nate.

0:58:48.640 --> 0:58:50.840
<v Speaker 1>Can you tell the people at home where they can

0:58:50.920 --> 0:58:52.960
<v Speaker 1>find you any cool ship you have going on to

0:58:53.040 --> 0:58:56.480
<v Speaker 1>look out for? Uh? What what do y'all need to know?

0:58:56.640 --> 0:58:59.880
<v Speaker 1>I don't know. I'm on Twitter, I tweet about poems

0:59:00.120 --> 0:59:04.360
<v Speaker 1>and ship that makes me laugh and uh, I'm at

0:59:04.480 --> 0:59:08.160
<v Speaker 1>illuminate Mike's m I cs all one word on there.

0:59:09.080 --> 0:59:11.360
<v Speaker 1>I don't know. Just google me. I write poems by

0:59:11.440 --> 0:59:15.400
<v Speaker 1>my book whatever God and God bless you, but by

0:59:15.440 --> 0:59:19.520
<v Speaker 1>his goddamn book before I get upset? Idiots, what are

0:59:19.560 --> 0:59:21.360
<v Speaker 1>you listening to this? Or if you're not gonna buy

0:59:21.440 --> 0:59:25.560
<v Speaker 1>his book, dummy? In the next book I'm putting, I'm

0:59:25.600 --> 0:59:28.240
<v Speaker 1>putting this my Angeloo poem, So get ready for that one.

0:59:29.240 --> 0:59:31.320
<v Speaker 1>That's just gonna be the whole cover is the Maya

0:59:31.360 --> 0:59:35.000
<v Speaker 1>Angelo poem. And then you open up for Nate's work. Yeah,

0:59:35.080 --> 0:59:38.880
<v Speaker 1>preorder that book. It's what's it's gonna be called The

0:59:39.000 --> 0:59:48.160
<v Speaker 1>Last Niggers and Parents beautiful, beautiful, beautiful piece. And as always,

0:59:48.280 --> 0:59:51.800
<v Speaker 1>you can find me at Lenkston Kerman. And please, if

0:59:51.840 --> 0:59:54.920
<v Speaker 1>you have any drops, if you have any conspiracy theories,

0:59:55.000 --> 0:59:57.080
<v Speaker 1>if you have any cool stuff that you think that

0:59:57.240 --> 0:59:59.400
<v Speaker 1>I should be aware of, or you want to hear

0:59:59.520 --> 1:00:02.880
<v Speaker 1>on the podcast, please send that to my Mama pod

1:00:03.040 --> 1:00:05.520
<v Speaker 1>at gmail dot com. I would love to hear from you,

1:00:05.960 --> 1:00:09.080
<v Speaker 1>like and subscribe to the podcast. I love when people

1:00:09.200 --> 1:00:12.919
<v Speaker 1>say mean things, so go crazy on that. Otherwise by