1 00:00:03,640 --> 00:00:09,320 Speaker 1: Who amongst us, like didn't love Little Wayne mixtapes. I 2 00:00:09,360 --> 00:00:12,319 Speaker 1: think no Ceilings was just a metaphor for like, yeah, 3 00:00:12,400 --> 00:00:23,120 Speaker 1: I think billionaire should exists. Just no ceilings on corporate rs. Yeah, 4 00:00:23,480 --> 00:00:29,400 Speaker 1: no cap on the taxt no cap on the corporate text. Yeah, 5 00:00:29,440 --> 00:00:33,040 Speaker 1: he's making music for for Republicans and we are goofy 6 00:00:33,040 --> 00:00:35,760 Speaker 1: ascids are being like, man, I really connect with him. 7 00:00:35,840 --> 00:00:39,120 Speaker 1: He gets me from the streets like, no, it's bit rich. 8 00:00:40,440 --> 00:01:02,400 Speaker 1: You don't give a shit about your racists, money, interning stuff. 9 00:01:03,720 --> 00:01:10,440 Speaker 1: You can't tell me. Yeah, there it is. There it is. 10 00:01:10,640 --> 00:01:15,120 Speaker 1: Ladies and gentlemen, Welcome to another spectacular episode of My 11 00:01:15,240 --> 00:01:19,520 Speaker 1: Mama Told Me, the podcast where we dive deep, deep 12 00:01:19,560 --> 00:01:22,600 Speaker 1: into the world of black conspiracy theories and we finally 13 00:01:22,720 --> 00:01:26,360 Speaker 1: work to prove that a Marie Stoudemeyer is the only 14 00:01:26,480 --> 00:01:31,039 Speaker 1: person who can truly bring it into the Israeli Palestinian conflict. 15 00:01:31,440 --> 00:01:35,400 Speaker 1: The man is going to fix everything for us. That 16 00:01:35,560 --> 00:01:40,160 Speaker 1: giant Jew, that giant black Jew, is going to solve 17 00:01:40,200 --> 00:01:43,320 Speaker 1: the problem. Fuck Jared Kushner. I don't put my faith 18 00:01:43,319 --> 00:01:47,360 Speaker 1: in Jared Kushner. Jared Kushner kent't. Jared Kushner can't dunk 19 00:01:47,400 --> 00:01:50,280 Speaker 1: on a nigga, a Marie Stoudemeyer. Now that's the motherfucker 20 00:01:50,320 --> 00:01:53,920 Speaker 1: that can dunk on on racism, on oppression, on the 21 00:01:53,920 --> 00:01:57,600 Speaker 1: things that separate us as people. I am your host, 22 00:01:57,680 --> 00:02:01,160 Speaker 1: Lanks and Kerman, as always, I'm I'm happy to be here. 23 00:02:01,280 --> 00:02:05,200 Speaker 1: I'm excited. My guests today, Oh man, I guess today 24 00:02:05,280 --> 00:02:08,040 Speaker 1: is somebody I've known since I was a young person, 25 00:02:08,120 --> 00:02:11,760 Speaker 1: a high schooler, and we grew up doing poetry together. 26 00:02:12,080 --> 00:02:16,240 Speaker 1: We competed in poetry in Chicago. And now he's going 27 00:02:16,280 --> 00:02:19,399 Speaker 1: on to become a very successful poet. And I am 28 00:02:19,440 --> 00:02:22,360 Speaker 1: an idiot who claims that a Mari Stademeyer is gonna 29 00:02:22,440 --> 00:02:26,760 Speaker 1: solve big issues out in the world. He's he's hilarious, 30 00:02:26,840 --> 00:02:30,320 Speaker 1: he's smart, he's brilliant. You know his work. He wrote 31 00:02:30,360 --> 00:02:33,080 Speaker 1: a book called Wild Hundreds. That's amazing. He's got a 32 00:02:33,080 --> 00:02:36,640 Speaker 1: new book this year called Finna. He's amazing. You're gonna 33 00:02:36,680 --> 00:02:40,680 Speaker 1: love him. Giving up for my guests, Nate Marshall, everybody, 34 00:02:40,720 --> 00:02:44,560 Speaker 1: Oh what's up? What's up? I feel like I feel 35 00:02:44,600 --> 00:02:46,480 Speaker 1: like you ran out of funny niggas. So I'm very 36 00:02:46,480 --> 00:02:52,560 Speaker 1: happy to know I did not run out of funny niggas. 37 00:02:52,760 --> 00:02:55,840 Speaker 1: But I did feel like, all right, I've been talking 38 00:02:55,880 --> 00:02:58,360 Speaker 1: to a lot of funny people, but most of them 39 00:02:58,400 --> 00:03:00,680 Speaker 1: are idiots. It would be nice to talk to somebody 40 00:03:00,720 --> 00:03:04,040 Speaker 1: who maybe has some perspective out in the world. And 41 00:03:04,080 --> 00:03:06,840 Speaker 1: also it was very funny. Oh dear God, this is 42 00:03:07,040 --> 00:03:12,480 Speaker 1: this could be rough every day. You're an author, man, 43 00:03:12,600 --> 00:03:15,320 Speaker 1: you got you. You gotta know something more than I do. 44 00:03:15,520 --> 00:03:17,840 Speaker 1: You've certainly read your own book, which is more books 45 00:03:17,840 --> 00:03:22,600 Speaker 1: than I've read total. This is a lot, yo, y'all 46 00:03:22,600 --> 00:03:27,880 Speaker 1: don't notice this motherfucker has a master's in poetry. Yeah, 47 00:03:27,960 --> 00:03:30,160 Speaker 1: and you know that that's the scam as well as 48 00:03:30,200 --> 00:03:35,080 Speaker 1: I do. But we're all celebrating. I'm very excited that 49 00:03:35,120 --> 00:03:39,400 Speaker 1: you're here. You came with a conspiracy theory that is 50 00:03:39,480 --> 00:03:42,080 Speaker 1: one that I feel like I had heard as a kid, 51 00:03:42,560 --> 00:03:46,280 Speaker 1: but had not put any real thought into. I think 52 00:03:46,320 --> 00:03:49,080 Speaker 1: in part because I think I just didn't want it 53 00:03:49,120 --> 00:03:51,840 Speaker 1: to be true. But you said, and I want to 54 00:03:51,840 --> 00:03:54,400 Speaker 1: make sure that I get this right, because some of 55 00:03:54,440 --> 00:03:56,800 Speaker 1: it is a wording that I put on it more 56 00:03:56,840 --> 00:03:59,000 Speaker 1: than the wording that you gave me. But you said, 57 00:03:59,080 --> 00:04:03,840 Speaker 1: my mama to old me. Timberland is owned and operated 58 00:04:03,880 --> 00:04:12,040 Speaker 1: by the KKK. Yeah, man, the clan owns Timberland. Facts 59 00:04:12,080 --> 00:04:14,920 Speaker 1: take it to the bank. Yeah, the clan owns Timberland 60 00:04:15,800 --> 00:04:20,840 Speaker 1: and they're using the logo as an emblem of hanging 61 00:04:20,839 --> 00:04:25,040 Speaker 1: people from trees. That's it. Stay woke, stay woke, Tell 62 00:04:25,080 --> 00:04:28,599 Speaker 1: me more, get dig me into this. Okay. So first 63 00:04:28,600 --> 00:04:31,159 Speaker 1: of all, I think as a kid, I wanted this 64 00:04:31,240 --> 00:04:33,760 Speaker 1: to be true because I didn't have no motherfucking money 65 00:04:33,800 --> 00:04:37,960 Speaker 1: and I couldn't actually have and you know, so like 66 00:04:39,880 --> 00:04:44,080 Speaker 1: I was woke before that was the word for it. Yeah, 67 00:04:44,240 --> 00:04:46,719 Speaker 1: Like I remember being in like kindergarten and being like, 68 00:04:46,760 --> 00:04:50,080 Speaker 1: I'm not wearing Nikes because I heard they have sweatshops 69 00:04:50,080 --> 00:04:54,480 Speaker 1: and ship right now, Like all of our stuff more 70 00:04:54,520 --> 00:04:58,919 Speaker 1: or less is like made in sweatshops. Yeah, it's a 71 00:04:59,040 --> 00:05:02,800 Speaker 1: different kind of sweatshot perhaps, but it's all being made 72 00:05:02,839 --> 00:05:05,799 Speaker 1: by somebody who is not being paid the right amount 73 00:05:05,960 --> 00:05:10,000 Speaker 1: for the work that they're doing. Absolutely, and so so 74 00:05:10,080 --> 00:05:12,159 Speaker 1: you know, so like that was me, right, I was 75 00:05:12,200 --> 00:05:15,719 Speaker 1: like I'm not wearing Nikes, which was which I don't 76 00:05:15,720 --> 00:05:17,640 Speaker 1: even know why what made me say that, because like 77 00:05:17,680 --> 00:05:21,000 Speaker 1: we shopped that pay less, so it wasn't like we're 78 00:05:21,040 --> 00:05:26,000 Speaker 1: really on the menu to begin with. But I heard 79 00:05:26,040 --> 00:05:29,240 Speaker 1: this about Tim's and I was like, cool, Yeah, I 80 00:05:29,240 --> 00:05:32,480 Speaker 1: can cross off another thing I can't afford on the list. 81 00:05:33,279 --> 00:05:37,240 Speaker 1: You're like, good, I'll stick with these wolverine boots. I 82 00:05:37,279 --> 00:05:43,160 Speaker 1: don't need. These are perfect for me. These not racist wolverine. Yeah, 83 00:05:43,240 --> 00:05:48,720 Speaker 1: these lugs, Birdman, You've never heard anybody thank you for 84 00:05:48,760 --> 00:05:51,800 Speaker 1: your lugs that you gave me. Right, that's why Little 85 00:05:51,800 --> 00:05:57,159 Speaker 1: Wayne kissed him. Yeah, right, bird Man only gives out kisses. 86 00:05:57,480 --> 00:06:00,360 Speaker 1: He's not a part of the KKK. Okay, me ask 87 00:06:00,400 --> 00:06:03,480 Speaker 1: you this, where did you first hear it? Do you 88 00:06:03,520 --> 00:06:06,760 Speaker 1: remember the place or the person that first offered this 89 00:06:06,839 --> 00:06:11,480 Speaker 1: theory to you? You know, I don't. I don't exactly, 90 00:06:11,520 --> 00:06:15,080 Speaker 1: but I want to say, even if this wasn't the place, 91 00:06:15,440 --> 00:06:18,560 Speaker 1: this is like the energy that it had. I love that. 92 00:06:18,839 --> 00:06:23,279 Speaker 1: My barber when I was a kid, who like I remember, 93 00:06:23,320 --> 00:06:26,919 Speaker 1: he like gave me a Zen Buddhism book that I 94 00:06:26,960 --> 00:06:29,719 Speaker 1: maybe still have somewhere, and he was like, you're probably 95 00:06:29,720 --> 00:06:33,120 Speaker 1: not gonna understand this, but here you he was like, 96 00:06:33,160 --> 00:06:37,440 Speaker 1: this is to what he would just like say incendiary things, 97 00:06:37,480 --> 00:06:40,400 Speaker 1: like one time people almost got into a fight with 98 00:06:40,480 --> 00:06:42,600 Speaker 1: him because he like stepped in the middle of the 99 00:06:42,640 --> 00:06:47,520 Speaker 1: barbershop and was like, yo, fuck god, whoa. He was 100 00:06:47,600 --> 00:06:50,520 Speaker 1: like that dude, right, that's big you know black, That's 101 00:06:50,520 --> 00:06:52,920 Speaker 1: what I'm saying. He was. He was that guy. And 102 00:06:53,000 --> 00:06:55,760 Speaker 1: I remember like there was a point when, like right 103 00:06:55,800 --> 00:06:58,400 Speaker 1: around when I hit puberty, when I transitioned, I had 104 00:06:58,440 --> 00:07:01,719 Speaker 1: had another barber or a year, and I transitioned to 105 00:07:01,839 --> 00:07:05,200 Speaker 1: him being like my main guy, and he was always 106 00:07:05,279 --> 00:07:08,200 Speaker 1: like dropping gems and so it was after it was 107 00:07:08,320 --> 00:07:10,440 Speaker 1: after he said funk guy that you were like, I 108 00:07:10,520 --> 00:07:13,040 Speaker 1: gotta be with this dude more often. He's killing it. 109 00:07:13,640 --> 00:07:16,640 Speaker 1: I like what he's saying. Absolutely, Hey, look I don't know. 110 00:07:18,400 --> 00:07:21,520 Speaker 1: I like he was. He was just committed to chaos 111 00:07:21,720 --> 00:07:25,160 Speaker 1: and I appreciated that. I want to hear more about it. 112 00:07:25,320 --> 00:07:28,800 Speaker 1: So why what was the motivation were you there? And 113 00:07:28,880 --> 00:07:31,920 Speaker 1: like was there a clear like line of thinking or 114 00:07:32,000 --> 00:07:34,120 Speaker 1: was it just like y'all, nigga's in here looking like 115 00:07:34,200 --> 00:07:36,040 Speaker 1: you praying in your heads and I want to sunk 116 00:07:36,120 --> 00:07:40,640 Speaker 1: that up. And no, it's just like Saturday day, like 117 00:07:40,920 --> 00:07:45,880 Speaker 1: barbershop banter, like sole train has gone off, and now 118 00:07:45,920 --> 00:07:49,880 Speaker 1: like niggas was bored, so you gotta just start a pot. Yeah, 119 00:07:50,360 --> 00:07:52,720 Speaker 1: I get that. You do need a catalyst. You need 120 00:07:52,760 --> 00:07:56,680 Speaker 1: a person who's willing to to start the mess of 121 00:07:56,680 --> 00:07:59,640 Speaker 1: it all, and like, good for him for being willing 122 00:07:59,680 --> 00:08:02,200 Speaker 1: to be that person. And I agree. I think I 123 00:08:02,200 --> 00:08:08,040 Speaker 1: think this Timberland Secret KKK connection has that barber shop 124 00:08:08,200 --> 00:08:11,520 Speaker 1: energy where it's just like, yeah, of course you're gonna 125 00:08:11,720 --> 00:08:15,360 Speaker 1: you're gonna start doing math that ain't math. You're gonna 126 00:08:15,360 --> 00:08:20,160 Speaker 1: make connections that aren't really connections, right or are they? 127 00:08:20,480 --> 00:08:24,480 Speaker 1: Or are they? Thank you for saying that. Honestly, that's 128 00:08:24,480 --> 00:08:27,240 Speaker 1: how they get you, because here I am sitting here 129 00:08:27,280 --> 00:08:30,720 Speaker 1: pretending to have already proven and concluded that they are 130 00:08:30,800 --> 00:08:33,319 Speaker 1: not connected and when in fact, they very well could be. 131 00:08:33,720 --> 00:08:37,760 Speaker 1: Look all I'm saying, is is it that crazy to 132 00:08:37,880 --> 00:08:41,240 Speaker 1: believe that, like evil, white people own a thing, even 133 00:08:41,280 --> 00:08:45,120 Speaker 1: white people own most things. Arguably, this is you know, 134 00:08:45,240 --> 00:08:47,599 Speaker 1: that's just that's just how I live my life. I 135 00:08:48,360 --> 00:08:50,920 Speaker 1: realized that I was talking to my homie the other 136 00:08:51,000 --> 00:08:54,880 Speaker 1: day and I realized, like I have, like the one 137 00:08:54,960 --> 00:08:58,160 Speaker 1: maxim that has never proven me wrong in life is 138 00:08:58,200 --> 00:09:02,920 Speaker 1: that white folks is crazy. Yes, Okay, I listen, I 139 00:09:03,000 --> 00:09:09,400 Speaker 1: hear that that feels true And to to the larger 140 00:09:09,760 --> 00:09:13,040 Speaker 1: or really more specific point in what you're saying is 141 00:09:13,360 --> 00:09:16,719 Speaker 1: that at the end of almost every form of ownership 142 00:09:17,320 --> 00:09:20,320 Speaker 1: is a crazy white person. So whether or not I 143 00:09:20,360 --> 00:09:23,960 Speaker 1: can directly say this is the clue klux Klan is 144 00:09:23,960 --> 00:09:26,880 Speaker 1: a different conversation. But if it I just I don't know, 145 00:09:27,000 --> 00:09:31,480 Speaker 1: it's it's a crazy white person definitely that owns Timberland. Yeah, 146 00:09:31,520 --> 00:09:35,280 Speaker 1: that's it, easy, easy, Like I I I believe that 147 00:09:35,320 --> 00:09:38,840 Speaker 1: with my whole heart. Sure, I believe that like little 148 00:09:38,920 --> 00:09:43,000 Speaker 1: children believe in Santa Claus. This is this is my 149 00:09:43,160 --> 00:09:48,280 Speaker 1: nigga Christmas. I love that. Let me ask you this, 150 00:09:48,520 --> 00:09:51,080 Speaker 1: are you, in any way an owner of a pair 151 00:09:51,120 --> 00:09:55,920 Speaker 1: of Timberland's? Now do you have Tim's? Have you had Tims? 152 00:09:55,920 --> 00:09:58,920 Speaker 1: Since this? Absolutely? They're a great shoe there, I kind 153 00:09:58,960 --> 00:10:04,320 Speaker 1: of look they look so cool man. You See when 154 00:10:04,360 --> 00:10:06,160 Speaker 1: I went to college, I went to college on like 155 00:10:06,200 --> 00:10:08,760 Speaker 1: a bunch of scholarships, and so I was getting fun 156 00:10:08,880 --> 00:10:11,080 Speaker 1: checks and it was the most money I've ever seen 157 00:10:11,120 --> 00:10:13,560 Speaker 1: in my life. And the first thing I did was 158 00:10:13,600 --> 00:10:17,640 Speaker 1: go I bought Tims. I bought these pumas with the 159 00:10:17,720 --> 00:10:21,839 Speaker 1: Chicago skyline on them, and like a bunch of like 160 00:10:22,559 --> 00:10:27,640 Speaker 1: Levi's that just because it was just like, yeah, go crazy, 161 00:10:27,679 --> 00:10:30,680 Speaker 1: that's that's totally fair. And I love that the your 162 00:10:30,720 --> 00:10:33,839 Speaker 1: first you spend your whole childhood being like this thing 163 00:10:33,960 --> 00:10:37,360 Speaker 1: is racist. There's racist and city of ship happening here, 164 00:10:37,400 --> 00:10:39,160 Speaker 1: and you're like, I got to get me some of 165 00:10:39,200 --> 00:10:43,040 Speaker 1: them racist shoes, the racist shoes. They're just built better 166 00:10:43,080 --> 00:10:47,199 Speaker 1: than these regular, old, respectful shoes, shoes that are filled 167 00:10:47,240 --> 00:10:51,480 Speaker 1: with love and decency. Don't nobody wants civil rights boots. No, 168 00:10:52,280 --> 00:10:55,720 Speaker 1: that's fair. That's fair, and I think we don't talk 169 00:10:55,760 --> 00:10:59,360 Speaker 1: about that enough. Martin Luther King didn't want the shoes 170 00:10:59,400 --> 00:11:03,640 Speaker 1: he had. He wanted a better shoe. It was the 171 00:11:03,800 --> 00:11:07,200 Speaker 1: unfair quality of America that kept him from getting that 172 00:11:07,240 --> 00:11:10,080 Speaker 1: better shoe, and that's what he was fighting for. That's true. 173 00:11:10,120 --> 00:11:12,160 Speaker 1: That's why they were marching. They were they were trying. 174 00:11:12,160 --> 00:11:16,400 Speaker 1: At the point they were like, you see talking, they 175 00:11:17,880 --> 00:11:21,440 Speaker 1: these shoes are talking, and they're becoming worse and worse 176 00:11:21,520 --> 00:11:24,320 Speaker 1: because you're making me march miles and miles from my 177 00:11:24,400 --> 00:11:28,600 Speaker 1: own freedom for the opportunity to buy better shoes. We 178 00:11:28,640 --> 00:11:34,000 Speaker 1: need some like cobblers in the system, Yes, exactly. Okay, 179 00:11:34,040 --> 00:11:38,360 Speaker 1: so you you eventually find your way over to owning 180 00:11:38,400 --> 00:11:40,880 Speaker 1: a pair of tempts to owning a better boot, as 181 00:11:40,920 --> 00:11:45,200 Speaker 1: you put it. And I'm curious to know how much 182 00:11:45,240 --> 00:11:48,520 Speaker 1: of that you still believe to this day, Like how 183 00:11:48,600 --> 00:11:53,480 Speaker 1: much of of the thims KKK relationship Because we're acknowledging 184 00:11:53,520 --> 00:11:55,960 Speaker 1: white people are are sort of at the top of 185 00:11:56,000 --> 00:11:59,040 Speaker 1: all of this ownership chain, but how much of it 186 00:11:59,080 --> 00:12:02,080 Speaker 1: are you, Like I'm saying KKK, y'all are still tied up. 187 00:12:03,240 --> 00:12:05,120 Speaker 1: I must say. You want me to give it like 188 00:12:05,160 --> 00:12:08,680 Speaker 1: a percentage, I'm I'm cool with that. Yeah, I'm gonna 189 00:12:08,679 --> 00:12:15,960 Speaker 1: say like, I'm tapped in. I don't know. Look, yeah, 190 00:12:16,000 --> 00:12:24,200 Speaker 1: I'm tapped in. I'm connect Okay, that's a lot. That's 191 00:12:24,240 --> 00:12:27,320 Speaker 1: a there's very little doubt in your mind. What's the 192 00:12:27,360 --> 00:12:31,240 Speaker 1: two person? Where's what's that coming from? Uh? Maybe jay 193 00:12:31,320 --> 00:12:33,080 Speaker 1: Z has bought it by now, I don't know sure 194 00:12:34,720 --> 00:12:38,400 Speaker 1: that may be somewhere along the line, a person who 195 00:12:38,559 --> 00:12:43,960 Speaker 1: is invested in capitalism bought it more than invested in oppression, 196 00:12:44,440 --> 00:12:47,559 Speaker 1: or at least oppression in the first hand sense. No, no, 197 00:12:47,679 --> 00:12:55,200 Speaker 1: just just specifically the knowles Carter's specifically that specifically jay 198 00:12:55,280 --> 00:12:59,040 Speaker 1: Z bought this and now he owns it, and you 199 00:12:59,080 --> 00:13:02,000 Speaker 1: can judge jay Z as it worked. But that's it. 200 00:13:02,440 --> 00:13:07,040 Speaker 1: That's it. I love it. Okay, So potentially jay Z 201 00:13:07,160 --> 00:13:10,439 Speaker 1: owned some part of Timberland and that makes it less 202 00:13:10,480 --> 00:13:14,480 Speaker 1: of the KKK thing. Does the fact that Timberland and 203 00:13:14,520 --> 00:13:19,000 Speaker 1: the KKK have this deep connection bother you? Are you 204 00:13:19,320 --> 00:13:24,000 Speaker 1: un nerved by this truth that you believe m doesn't 205 00:13:24,080 --> 00:13:27,840 Speaker 1: bother me? I mean no, I don't. You know, I 206 00:13:27,840 --> 00:13:30,720 Speaker 1: don't know why. I feel like if we could get 207 00:13:30,760 --> 00:13:34,559 Speaker 1: all the races committed to making like pretty high quality 208 00:13:34,559 --> 00:13:40,480 Speaker 1: consumer goods, yeah, and I'm like cool with that, Like yeah, 209 00:13:40,880 --> 00:13:42,960 Speaker 1: like I don't know, I just we need to give 210 00:13:43,320 --> 00:13:47,600 Speaker 1: racist a trade. Sure, now you're talking now, I like 211 00:13:47,640 --> 00:13:52,199 Speaker 1: where you're going. Like I had a guy once coming 212 00:13:52,280 --> 00:13:55,199 Speaker 1: like like do my like fix my roof or whatever. 213 00:13:55,280 --> 00:13:58,160 Speaker 1: And I'm pretty sure you probably probably voted for Trump, 214 00:13:58,360 --> 00:14:01,400 Speaker 1: but like my roof this was good after that, Like 215 00:14:02,440 --> 00:14:04,320 Speaker 1: you know what I'm saying. I think I think you're 216 00:14:04,320 --> 00:14:09,160 Speaker 1: saying something really important here that ultimately racists are going 217 00:14:09,200 --> 00:14:12,520 Speaker 1: to exist. It's a fact out in the world, like 218 00:14:12,679 --> 00:14:15,600 Speaker 1: we we can't do anything about it, and we're currently 219 00:14:15,760 --> 00:14:20,160 Speaker 1: you know, recording this in the wake of of an election, right, 220 00:14:20,280 --> 00:14:22,680 Speaker 1: but without the decision on the other end of it, 221 00:14:22,880 --> 00:14:25,560 Speaker 1: and what the election has taught us from the numbers 222 00:14:25,600 --> 00:14:28,840 Speaker 1: that are coming in is racists are still thriving and 223 00:14:28,880 --> 00:14:31,640 Speaker 1: alive and feeling excited to go out and vote and 224 00:14:31,680 --> 00:14:34,640 Speaker 1: do all the things that activate them. And to your point, 225 00:14:35,120 --> 00:14:37,840 Speaker 1: let's give him a job to do, don't. Don't just 226 00:14:38,160 --> 00:14:41,840 Speaker 1: eliminate them from society. Make the motherfucker's put boots together. 227 00:14:42,320 --> 00:14:46,320 Speaker 1: That's what I'm saying. I want like fewer racist policymakers 228 00:14:46,480 --> 00:14:53,280 Speaker 1: and more racist like woodworkers. Hell yeah, I funk with that. 229 00:14:53,280 --> 00:14:58,360 Speaker 1: That's brilliant. I don't want any racist deciding where my 230 00:14:58,560 --> 00:15:01,520 Speaker 1: money is being a lot did, but I would love 231 00:15:01,640 --> 00:15:05,560 Speaker 1: for racists to have to like work for tips on 232 00:15:05,840 --> 00:15:09,960 Speaker 1: the things that I'm doing, you service work, just doing 233 00:15:10,040 --> 00:15:12,920 Speaker 1: the ship that I don't want to do or know 234 00:15:13,000 --> 00:15:15,560 Speaker 1: how to do because my hands are stupid and built 235 00:15:15,600 --> 00:15:18,400 Speaker 1: for podcasts. Right, I just I want to I want 236 00:15:19,000 --> 00:15:22,520 Speaker 1: a racist just taking my order Chipotle. Hell yeah, give 237 00:15:22,560 --> 00:15:25,120 Speaker 1: me some case on Nick, you're not allowed to put 238 00:15:25,120 --> 00:15:27,400 Speaker 1: the meal together. I don't want you spitting in my ship, 239 00:15:27,480 --> 00:15:31,080 Speaker 1: you racist motherfucker. But you can take the order and 240 00:15:31,200 --> 00:15:34,880 Speaker 1: have to talk politely to me afterwards so that I 241 00:15:34,920 --> 00:15:38,080 Speaker 1: tip if you seem like a decent racist. I tip you, 242 00:15:38,520 --> 00:15:44,000 Speaker 1: I'm not unreasonable. Yolo. Yeah, that's what Drake said. That's 243 00:15:44,000 --> 00:15:47,640 Speaker 1: how Drake's gonna start. That's what Drake meant by Yolo 244 00:15:47,920 --> 00:15:55,000 Speaker 1: was get racist people in the service industry, Drake, And 245 00:15:55,040 --> 00:15:57,640 Speaker 1: that's really what this podcast is all about. Drake has 246 00:15:57,640 --> 00:16:00,720 Speaker 1: been doing the real work this whole time, and uh, 247 00:16:00,760 --> 00:16:06,960 Speaker 1: he needs he deserves more credit for it. Honestly, are 248 00:16:07,000 --> 00:16:11,840 Speaker 1: we How do we feel about Drake? I don't know. No, 249 00:16:12,160 --> 00:16:14,560 Speaker 1: let's go into it. Thank you for asking. I think 250 00:16:14,600 --> 00:16:20,120 Speaker 1: that Drake is a toxic, toxic man who makes phenomenal music, 251 00:16:20,520 --> 00:16:25,320 Speaker 1: just unbelievably fun music for everybody to enjoy. And we 252 00:16:25,400 --> 00:16:29,640 Speaker 1: are constantly conflating his toxicity with his fun music and 253 00:16:29,680 --> 00:16:32,040 Speaker 1: I don't know if that's fair, But on the same 254 00:16:32,120 --> 00:16:34,520 Speaker 1: at the same time, we have to do it with 255 00:16:34,560 --> 00:16:36,640 Speaker 1: all these other artists who eventually are going to be 256 00:16:36,720 --> 00:16:39,240 Speaker 1: revealed to be evil and awful, So maybe we should 257 00:16:39,240 --> 00:16:42,040 Speaker 1: do it early with Drake. That's I wish Drake like 258 00:16:42,320 --> 00:16:45,440 Speaker 1: did some ship where he wasn't the star, but like 259 00:16:45,480 --> 00:16:50,160 Speaker 1: if he wrote like Broadway musicals or like music or 260 00:16:50,200 --> 00:16:52,560 Speaker 1: some ship where I could just be like, oh, this 261 00:16:52,640 --> 00:16:55,280 Speaker 1: is catchy, and I didn't have to be confronted with 262 00:16:55,360 --> 00:17:00,240 Speaker 1: like him as a figure. I feel much much better 263 00:17:00,320 --> 00:17:04,200 Speaker 1: about it. Sure, I would love the Broadway musical. Drake 264 00:17:04,240 --> 00:17:08,080 Speaker 1: writes of a dude who, like us, playing mind games 265 00:17:08,119 --> 00:17:12,040 Speaker 1: with a woman for way too long while he cheats. Like, yeah, 266 00:17:12,160 --> 00:17:16,240 Speaker 1: that perfect Drake musical. Just him pretending to be sad 267 00:17:16,240 --> 00:17:19,280 Speaker 1: while he texts other girls in the background. Right, it's 268 00:17:19,280 --> 00:17:23,480 Speaker 1: just like him being engaged for eight years? Yeah, right, 269 00:17:23,760 --> 00:17:27,240 Speaker 1: just Draking. Your your auntie's friend who comes to every 270 00:17:27,240 --> 00:17:32,080 Speaker 1: holiday and just looks at him Southway. Nobody in the 271 00:17:32,119 --> 00:17:35,240 Speaker 1: family likes them, but nobody can quite get rid of him. 272 00:17:35,960 --> 00:17:42,160 Speaker 1: The Drake story. Yeah, I love that. Okay, let's let's 273 00:17:42,240 --> 00:17:45,639 Speaker 1: gear this back to Tims. Do you think that because 274 00:17:45,640 --> 00:17:49,840 Speaker 1: Tim's became really popular largely because of hip hop and 275 00:17:49,880 --> 00:17:52,199 Speaker 1: black culture and like a lot of the sort of 276 00:17:52,240 --> 00:17:55,479 Speaker 1: like artists that popularize them, that made them cool and 277 00:17:55,520 --> 00:17:58,680 Speaker 1: sexy and ship, do you think that they were aware 278 00:17:58,880 --> 00:18:03,320 Speaker 1: of your conspiracy c theory that the KKK was somehow 279 00:18:03,400 --> 00:18:07,919 Speaker 1: involved in the production of Tims. I think hmm. Do 280 00:18:08,080 --> 00:18:11,520 Speaker 1: I think they were aware? Like, do you think nas 281 00:18:11,680 --> 00:18:15,800 Speaker 1: is rapping about Tims and fully aware that like the 282 00:18:15,880 --> 00:18:20,480 Speaker 1: KKK did some ship I think some of them, but 283 00:18:20,560 --> 00:18:22,600 Speaker 1: I don't know if the word got around right, Like 284 00:18:22,640 --> 00:18:26,080 Speaker 1: I think this might be like why for example, like 285 00:18:27,160 --> 00:18:29,159 Speaker 1: I can't remember was all a Wu Tang or just 286 00:18:29,200 --> 00:18:34,879 Speaker 1: like ghost Face, but he basically only wears Wallabies. I 287 00:18:34,920 --> 00:18:38,040 Speaker 1: think that's not just a style choice. It's like it's 288 00:18:38,119 --> 00:18:41,840 Speaker 1: like I'm gonna keep these anti racist shoes on, like 289 00:18:41,880 --> 00:18:47,159 Speaker 1: I can't even which is so interesting, especially because I 290 00:18:47,160 --> 00:18:50,439 Speaker 1: feel like New York dudes, are you know everybody in 291 00:18:50,480 --> 00:18:52,840 Speaker 1: New York has like you like go there and you 292 00:18:52,920 --> 00:18:56,720 Speaker 1: just get two pairs of TEMs. It's just like what happens, right, 293 00:18:57,920 --> 00:19:01,719 Speaker 1: So Wu Tang they had the knowledge. I love the 294 00:19:01,800 --> 00:19:06,320 Speaker 1: idea that ghost Face has just been a responsible consumer 295 00:19:06,440 --> 00:19:09,320 Speaker 1: this whole time, and like, yeah, he's a dude that 296 00:19:09,359 --> 00:19:12,720 Speaker 1: got rich selling crack. But also I'm not I'm not 297 00:19:12,760 --> 00:19:16,199 Speaker 1: gonna support the KKK. What are you talking about? Like, 298 00:19:16,280 --> 00:19:19,320 Speaker 1: that's that's the real five percent. It's it's like the 299 00:19:19,400 --> 00:19:28,280 Speaker 1: five percent of the population that knows KKK everyone else. Sure, 300 00:19:28,400 --> 00:19:31,600 Speaker 1: that's what that whole religion is all about, is uh? 301 00:19:31,760 --> 00:19:33,480 Speaker 1: The people who are woken enough to know what the 302 00:19:33,560 --> 00:19:38,040 Speaker 1: KKK did with the teams. I love that. I do 303 00:19:38,160 --> 00:19:40,560 Speaker 1: think one of the things that sort of is coming 304 00:19:40,600 --> 00:19:45,280 Speaker 1: out of this entire election period, this Trump Experience, as 305 00:19:45,280 --> 00:19:50,520 Speaker 1: you will, is hip hop's willingness to invest in quote 306 00:19:50,600 --> 00:19:56,080 Speaker 1: unquote white supremacy or certainly like anti blackness. Um. And 307 00:19:56,480 --> 00:19:58,520 Speaker 1: what we're seeing is a lot of them are real 308 00:19:58,600 --> 00:20:01,560 Speaker 1: down for it, like they don't give a funk enough 309 00:20:01,720 --> 00:20:06,760 Speaker 1: to not buy in. So like mm hmm, yeah, I believe, 310 00:20:06,960 --> 00:20:08,679 Speaker 1: I believe a few of them new and we're like, 311 00:20:08,800 --> 00:20:12,960 Speaker 1: fuck it, Yeah, that's real, that's real. I mean, well, 312 00:20:12,960 --> 00:20:15,240 Speaker 1: first off, I just have to name that. You said 313 00:20:15,240 --> 00:20:19,520 Speaker 1: Trump Experience, which sounds like Disney quest for racist uh, 314 00:20:19,720 --> 00:20:24,600 Speaker 1: and that's fantastic. I would, I honestly would make that. Yeah. 315 00:20:24,960 --> 00:20:29,560 Speaker 1: And the Trump Experience it's just a ride. It's just yeah, 316 00:20:29,680 --> 00:20:32,280 Speaker 1: like right, like there's just arcade games that don't work, 317 00:20:34,840 --> 00:20:36,919 Speaker 1: and then when they don't work, they go, it's your fault. 318 00:20:37,160 --> 00:20:39,800 Speaker 1: You're dumb, poor bitch, you should have had more money 319 00:20:40,000 --> 00:20:47,280 Speaker 1: than it'll work. The Trump Experience, the Trump Experience, baby Yeah. 320 00:20:47,480 --> 00:20:50,560 Speaker 1: I think I think we're seeing so many hip hop 321 00:20:50,640 --> 00:20:56,160 Speaker 1: artists connect themselves with ultimately like super sort of like 322 00:20:56,280 --> 00:20:59,520 Speaker 1: a conservative theory, right, that like, I want to keep 323 00:20:59,520 --> 00:21:03,399 Speaker 1: my money. I want to be protected. You know, I 324 00:21:03,800 --> 00:21:05,760 Speaker 1: earned it, I want to keep it kind of energy 325 00:21:06,160 --> 00:21:09,720 Speaker 1: and so like that's not that far from being like 326 00:21:09,800 --> 00:21:11,920 Speaker 1: I like the shoes, I want to wear them. I 327 00:21:11,960 --> 00:21:14,760 Speaker 1: don't care who made them. Yeah, but I think that's 328 00:21:14,840 --> 00:21:16,760 Speaker 1: kind of like always been I mean, this is like 329 00:21:16,800 --> 00:21:18,879 Speaker 1: one of the hip hop is there's a lot of 330 00:21:18,920 --> 00:21:23,639 Speaker 1: things that hip hop's very complicated cultural space, but that 331 00:21:23,800 --> 00:21:26,440 Speaker 1: strain has always been there, right, Like we've always sort 332 00:21:26,440 --> 00:21:30,520 Speaker 1: of celebrated you know how many references to Donald Trump 333 00:21:30,600 --> 00:21:33,919 Speaker 1: or Warren Buffett or being black, Bill Gates or whatever 334 00:21:33,960 --> 00:21:37,720 Speaker 1: are there in the music over the last you know, 335 00:21:38,520 --> 00:21:42,720 Speaker 1: many decades. Right, that's like, yeah, that's absolutely a thing, 336 00:21:42,760 --> 00:21:46,480 Speaker 1: And I get why, or I get how, like somebody 337 00:21:46,560 --> 00:21:50,320 Speaker 1: liked Trump his kind of he's kind of like I 338 00:21:50,359 --> 00:21:53,440 Speaker 1: don't give a shit about what people if people think 339 00:21:53,440 --> 00:21:56,040 Speaker 1: I'm rude or like how I talk to people, Like 340 00:21:56,560 --> 00:22:01,040 Speaker 1: of course that's that's of like, of of course that 341 00:22:01,080 --> 00:22:04,520 Speaker 1: would be attractive to someone like ice Cube, who's like, look, 342 00:22:04,560 --> 00:22:12,800 Speaker 1: there's women like yeah, it's it's I think to your point, 343 00:22:13,280 --> 00:22:16,800 Speaker 1: their language isn't that different. It's just the way that 344 00:22:16,880 --> 00:22:21,240 Speaker 1: they choose to express themselves is the difference. And people 345 00:22:21,280 --> 00:22:25,919 Speaker 1: were presuming for the longest that black ment liberal or 346 00:22:26,040 --> 00:22:29,240 Speaker 1: black mint hip hop ment like being on the side 347 00:22:29,280 --> 00:22:32,040 Speaker 1: of sort of like the oppressed. Then it doesn't. It 348 00:22:32,160 --> 00:22:35,840 Speaker 1: just means a nigga rapping, and sometimes niggas rap about 349 00:22:36,080 --> 00:22:38,640 Speaker 1: mean awful things and they kind of mean it when 350 00:22:38,640 --> 00:22:41,200 Speaker 1: they do. Yeah, this is another thing too that we 351 00:22:41,280 --> 00:22:43,760 Speaker 1: got to think about with like all these especially like 352 00:22:44,359 --> 00:22:47,760 Speaker 1: the sort of nineties and two thousands all stars that 353 00:22:47,800 --> 00:22:52,040 Speaker 1: Trump like trotted out for his goofy as is like 354 00:22:52,119 --> 00:22:55,359 Speaker 1: all these dudes have been have had money way longer 355 00:22:55,400 --> 00:23:01,080 Speaker 1: than they didn't have money, Yes, yes, And and to 356 00:23:01,240 --> 00:23:05,160 Speaker 1: that point, they have connected and built relationships that are 357 00:23:05,240 --> 00:23:07,840 Speaker 1: so far from the money that they didn't have at 358 00:23:07,840 --> 00:23:11,720 Speaker 1: this point that not having money is an unfamiliar idea 359 00:23:12,119 --> 00:23:15,360 Speaker 1: that like, you literally don't know any broke people, and 360 00:23:15,520 --> 00:23:18,480 Speaker 1: you ain't been broken so long. What the funk do 361 00:23:18,600 --> 00:23:21,080 Speaker 1: I have to talk about with y'all? Right? And and 362 00:23:21,280 --> 00:23:24,400 Speaker 1: like particularly I'm thinking of those two dudes right, like 363 00:23:25,040 --> 00:23:28,320 Speaker 1: they're some of the rare kinds of rappers who actually 364 00:23:28,359 --> 00:23:33,040 Speaker 1: have made enough money in their careers to conceivably like 365 00:23:33,119 --> 00:23:36,080 Speaker 1: pull everyone else around them, who who they care about, 366 00:23:36,200 --> 00:23:39,880 Speaker 1: like their families or whatever, into that same space, right, 367 00:23:40,440 --> 00:23:43,239 Speaker 1: So it's not even necessarily like they go back go 368 00:23:43,320 --> 00:23:46,400 Speaker 1: back to their hood. Like you know, I'm a college professor. 369 00:23:47,080 --> 00:23:50,360 Speaker 1: I'm not rich, but I do. Okay, I'm fine. I 370 00:23:50,400 --> 00:23:53,159 Speaker 1: like own a house, but like, if I want to 371 00:23:53,200 --> 00:23:56,120 Speaker 1: go visit my family, they're still in the same motherfucking 372 00:23:56,160 --> 00:24:01,360 Speaker 1: place I left them. Because you can't fix that, yeah, right, 373 00:24:01,520 --> 00:24:03,800 Speaker 1: you can't do anything for them. And and I think 374 00:24:04,280 --> 00:24:07,120 Speaker 1: that's exactly right. And I think the even scarier part, 375 00:24:07,480 --> 00:24:10,080 Speaker 1: if we're really following that chain of fixing things or 376 00:24:10,160 --> 00:24:13,720 Speaker 1: separating yourself, they also are two examples of people who 377 00:24:13,760 --> 00:24:18,080 Speaker 1: went on to get a white institution's higher education. Right. So, 378 00:24:18,200 --> 00:24:21,680 Speaker 1: like in hip hop, a bunch of rappers pretend not 379 00:24:21,720 --> 00:24:24,120 Speaker 1: to be smarter than they are, but these two dudes 380 00:24:24,280 --> 00:24:28,280 Speaker 1: actually like winning, got fucking like master's degrees and like 381 00:24:28,400 --> 00:24:31,160 Speaker 1: bachelor's degrees and that whole thing. And I think part 382 00:24:31,240 --> 00:24:35,680 Speaker 1: of that is them beginning to separate themselves from their poverty. 383 00:24:36,040 --> 00:24:38,600 Speaker 1: It's them like moving away from all the things that 384 00:24:38,680 --> 00:24:42,400 Speaker 1: connected them from brokenness. And they ain't going back, no 385 00:24:42,440 --> 00:24:45,359 Speaker 1: matter who's in charge of it. No sure, and and 386 00:24:45,400 --> 00:24:47,879 Speaker 1: I don't like, I don't fault someone for not wanting 387 00:24:47,880 --> 00:24:50,680 Speaker 1: to to be broke or not wanting to struggle like that. 388 00:24:51,960 --> 00:24:55,879 Speaker 1: That's a human experience. That's a that's a very human 389 00:24:57,280 --> 00:25:02,800 Speaker 1: But then some cones, I don't know, I don't that's 390 00:25:02,800 --> 00:25:04,800 Speaker 1: not even a joke. I don't even have anything this 391 00:25:04,880 --> 00:25:10,119 Speaker 1: second about it's some coon shit. I look, I love it. 392 00:25:10,240 --> 00:25:12,720 Speaker 1: I think there's no better way to throw doing commercial break. 393 00:25:12,760 --> 00:25:15,320 Speaker 1: We're gonna take a break. We'll be back with more 394 00:25:15,400 --> 00:25:28,280 Speaker 1: Nate Marshall and more, my mama told me. And we 395 00:25:29,000 --> 00:25:37,600 Speaker 1: are back. You got what I need. Yeah, we're back 396 00:25:37,640 --> 00:25:41,000 Speaker 1: here with more name Marshall more. And my mama told me. 397 00:25:41,080 --> 00:25:46,199 Speaker 1: We're still talking about the insidious underbelly of the Timberland 398 00:25:46,680 --> 00:25:50,960 Speaker 1: production and potentially the coons that supported the coons that 399 00:25:51,040 --> 00:25:56,119 Speaker 1: love it, just love coon ship. Listen, Who amongst the 400 00:25:56,160 --> 00:25:59,040 Speaker 1: sunsn't love coon ship once in our life? And I 401 00:25:59,080 --> 00:26:02,119 Speaker 1: think that's a fair our point. Who amongst us hasn't 402 00:26:02,160 --> 00:26:05,080 Speaker 1: been like damn, I don't know. I kind of funk 403 00:26:05,119 --> 00:26:07,920 Speaker 1: with that. And then you have to wrestle with all 404 00:26:07,960 --> 00:26:13,480 Speaker 1: of us love Terry Crews. That's we love Terry, you know, 405 00:26:13,520 --> 00:26:15,800 Speaker 1: what I mean, that's the part that we're like pretending. 406 00:26:15,800 --> 00:26:19,320 Speaker 1: It's like we fucking Terry was in Kendrick videos, Terry 407 00:26:19,440 --> 00:26:23,040 Speaker 1: was in Friday after Next. We loved Terry, and then 408 00:26:23,119 --> 00:26:25,120 Speaker 1: Terry did some coon ship and some of us tried 409 00:26:25,160 --> 00:26:27,160 Speaker 1: to negotiate with it and be like, I don't know, 410 00:26:28,040 --> 00:26:30,640 Speaker 1: he's okay, and then we found out like a damn 411 00:26:30,640 --> 00:26:33,080 Speaker 1: we gotta jump off the Terry train. Remember when he 412 00:26:33,119 --> 00:26:35,879 Speaker 1: made that fucking I wish I could remember what it was. 413 00:26:35,920 --> 00:26:38,520 Speaker 1: He made that, Like it was like an acrostic poem 414 00:26:38,760 --> 00:26:43,399 Speaker 1: on on Twitter day. Remember that of the word coon 415 00:26:43,600 --> 00:26:49,400 Speaker 1: or it was right, that's right, I do remember that. Now. 416 00:26:49,840 --> 00:26:53,280 Speaker 1: It was like jigaboo but written down and he had 417 00:26:53,359 --> 00:26:57,359 Speaker 1: like written all the different Uh. It was like jigaboo 418 00:26:57,440 --> 00:27:03,800 Speaker 1: just means just in tune with show goofy ass out 419 00:27:03,840 --> 00:27:09,159 Speaker 1: of here, Terry unfortunately, best best all. My next My 420 00:27:09,200 --> 00:27:13,040 Speaker 1: next book is strictly gonna be racist across sticks and 421 00:27:13,200 --> 00:27:25,639 Speaker 1: be like Moon Cricket, making our own nation, creating and cool, 422 00:27:28,760 --> 00:27:38,720 Speaker 1: cutting edge cutting with a k cutting edge technology that no, 423 00:27:39,000 --> 00:27:41,439 Speaker 1: I I do think that to your point, there is 424 00:27:41,480 --> 00:27:45,720 Speaker 1: a fair amount of stuff that like retroactively gets labeled 425 00:27:45,760 --> 00:27:49,919 Speaker 1: as like coon shit or like unacceptable things for the 426 00:27:49,960 --> 00:27:53,280 Speaker 1: quote unquote black community. And sometimes this ship was cool 427 00:27:53,359 --> 00:27:55,639 Speaker 1: and then we realized later that it has a product 428 00:27:55,680 --> 00:28:00,639 Speaker 1: problematic nature to it. Absolutely absolute. My mom has a 429 00:28:01,560 --> 00:28:03,600 Speaker 1: her favorite book growing up was a Little Black Sambo. 430 00:28:04,200 --> 00:28:06,840 Speaker 1: She didn't know. She was just like, the book has 431 00:28:06,840 --> 00:28:10,800 Speaker 1: a little black boy and it's cold. Yeah, I like it. 432 00:28:10,800 --> 00:28:14,800 Speaker 1: It makes me feel seen and unfortunately I shouldn't be 433 00:28:14,840 --> 00:28:16,760 Speaker 1: seen this way, but I didn't know that. I was 434 00:28:16,800 --> 00:28:25,960 Speaker 1: a kid. But literal coon ship. Yeah, let's talk Tims. 435 00:28:26,240 --> 00:28:29,800 Speaker 1: Let's let's talk Tims. Okay, here's one of the things 436 00:28:29,840 --> 00:28:33,480 Speaker 1: that I discovered in my research about the this Timberland 437 00:28:33,520 --> 00:28:38,400 Speaker 1: controversy is that Timberland claims to have zero connection to 438 00:28:38,440 --> 00:28:42,360 Speaker 1: the KKK, right, absolutely zero connection to the KKK. And 439 00:28:42,400 --> 00:28:46,480 Speaker 1: it was in fact founded by a dude, uh named 440 00:28:47,000 --> 00:28:52,520 Speaker 1: Nathan Nathan Schwartz in nineteen fifty two. And you guessed it. 441 00:28:52,680 --> 00:28:56,160 Speaker 1: He's a Jewish guy. And so his whole point is, uh, 442 00:28:56,200 --> 00:29:00,440 Speaker 1: what connection would I possibly gain in or would be 443 00:29:00,480 --> 00:29:04,360 Speaker 1: the reasoning and me connecting with the KKK? He said, 444 00:29:04,400 --> 00:29:09,600 Speaker 1: It's a completely absurd suggestion and there's no validity to it. Okay, 445 00:29:09,680 --> 00:29:13,520 Speaker 1: now here's where it gets exciting. The reality is that 446 00:29:13,520 --> 00:29:18,320 Speaker 1: that conspiracy theory actually came from a poem. It's it's 447 00:29:18,360 --> 00:29:21,360 Speaker 1: a miracle if you will that you came to us 448 00:29:21,400 --> 00:29:25,000 Speaker 1: with this, because you are a fantastic poet. But the 449 00:29:25,040 --> 00:29:28,400 Speaker 1: conspiracy itself came from a poem that was being spread 450 00:29:28,440 --> 00:29:32,640 Speaker 1: around in March of all over the internet, and it 451 00:29:32,720 --> 00:29:40,800 Speaker 1: was being attributed to Maya Angelou. There's a poem that 452 00:29:41,000 --> 00:29:45,920 Speaker 1: was going around that Maya Angelou apparently wrote that actually, 453 00:29:46,600 --> 00:29:51,160 Speaker 1: uh makes all kinds of suggestions about like the various 454 00:29:51,200 --> 00:29:54,440 Speaker 1: like communities that are connected. Like it's part of where 455 00:29:54,560 --> 00:29:58,000 Speaker 1: that Tommy Hill figure calling you nigger came from. That 456 00:29:58,120 --> 00:30:00,880 Speaker 1: Like that thing that everybody said was an Preah episode 457 00:30:00,960 --> 00:30:04,560 Speaker 1: was actually from this poem. And there's like things where 458 00:30:04,560 --> 00:30:07,040 Speaker 1: they it gets real problematic. At one point they go, 459 00:30:07,480 --> 00:30:10,920 Speaker 1: you come up in the world wearing versace clothes made 460 00:30:10,920 --> 00:30:14,120 Speaker 1: by a homosexual male. So even when you say you 461 00:30:14,160 --> 00:30:21,200 Speaker 1: are straight, it is very hard to tell. It's a 462 00:30:21,280 --> 00:30:25,440 Speaker 1: wild piece of writing, right, But when we get to 463 00:30:25,520 --> 00:30:29,040 Speaker 1: the Timberland section of it all, it goes, uh, let 464 00:30:29,080 --> 00:30:32,320 Speaker 1: me make sure and for footwear you wear Timberland's even 465 00:30:32,440 --> 00:30:35,520 Speaker 1: under the sun that same tree that's the symbol for 466 00:30:35,640 --> 00:30:38,960 Speaker 1: them could have been the same one your ancestors were 467 00:30:39,040 --> 00:30:44,160 Speaker 1: hung from. Wow. And then it's as many people reclaim 468 00:30:44,200 --> 00:30:47,200 Speaker 1: your status in this world and in your life. Fubou 469 00:30:47,480 --> 00:30:50,080 Speaker 1: in case you didn't know, stands for for us by 470 00:30:50,200 --> 00:30:54,200 Speaker 1: us buying black will someday suffice. Do you know who 471 00:30:54,240 --> 00:30:57,920 Speaker 1: owns Timberland fashion? Well, Timberland is owned by the president 472 00:30:57,960 --> 00:31:02,080 Speaker 1: of the KKK. Surprise, don't be read more books. Black 473 00:31:02,120 --> 00:31:05,160 Speaker 1: people always hope for the best and prepare for the worst. 474 00:31:05,440 --> 00:31:07,880 Speaker 1: You may not get what you pay for, but you'll 475 00:31:07,880 --> 00:31:10,760 Speaker 1: surely pay for what you get. I like that because 476 00:31:11,120 --> 00:31:13,320 Speaker 1: earlier it had like the rhyme scheme, and then it 477 00:31:13,440 --> 00:31:18,000 Speaker 1: was like funk that. Yeah, I got knowledge to drop 478 00:31:19,080 --> 00:31:21,320 Speaker 1: this ship too important. I can't be rhyming on its 479 00:31:21,360 --> 00:31:24,920 Speaker 1: naked the all day. I gotta talk that talk. Wow, 480 00:31:24,960 --> 00:31:29,320 Speaker 1: that's wait? Was this? This is absolutely not a mind? 481 00:31:30,960 --> 00:31:37,120 Speaker 1: No know? How dare you sir? How dare you? How 482 00:31:38,040 --> 00:31:41,520 Speaker 1: should hang up this zoom call? Right now? Is this? 483 00:31:43,000 --> 00:31:46,200 Speaker 1: I know it's not. But the world in which this 484 00:31:46,400 --> 00:31:50,440 Speaker 1: is my andrelu poem is it's a world? Yeah. I 485 00:31:50,480 --> 00:31:55,080 Speaker 1: would love for Maya Angeloud to be like just writing 486 00:31:55,080 --> 00:31:58,920 Speaker 1: about Timberland and being super homophobic, like what if, what 487 00:31:58,960 --> 00:32:01,240 Speaker 1: if that was just like the poem she did at 488 00:32:01,240 --> 00:32:05,520 Speaker 1: like the Clinton inauguration. She was just like, if that 489 00:32:05,680 --> 00:32:09,160 Speaker 1: could be the same truth she did that in the 490 00:32:09,160 --> 00:32:14,640 Speaker 1: middle of poetic justice. I love that. It's so Maya 491 00:32:14,680 --> 00:32:17,840 Speaker 1: Angelou did not write this poem, and in fact, her 492 00:32:17,960 --> 00:32:21,600 Speaker 1: representatives when this poem began to circulate as a quote 493 00:32:21,640 --> 00:32:25,800 Speaker 1: unquote Maya Angelou poem, uh immediately jumped on it. And 494 00:32:25,840 --> 00:32:28,960 Speaker 1: their response is so funny because they basically said, look, 495 00:32:29,400 --> 00:32:32,440 Speaker 1: that's clearly not a my Angelou poem, and we are 496 00:32:32,560 --> 00:32:36,720 Speaker 1: offended that you would think writing this terrible would come 497 00:32:36,800 --> 00:32:40,760 Speaker 1: from my Angelo. They weren't even offended by the ideas. 498 00:32:40,800 --> 00:32:43,800 Speaker 1: They're like, this is a bad piece of writing, and 499 00:32:43,840 --> 00:32:46,959 Speaker 1: my girl writes good. This is trash. They were like, 500 00:32:46,960 --> 00:32:53,560 Speaker 1: this ship has no bars. Yeah, well I love that. Damn. 501 00:32:53,600 --> 00:32:56,600 Speaker 1: I hope to one day like get there where people 502 00:32:56,600 --> 00:32:58,560 Speaker 1: are just like putting my name on ship. I did 503 00:32:58,560 --> 00:33:02,440 Speaker 1: not say that's pretty cool. That's like, that's a different level. 504 00:33:02,480 --> 00:33:07,880 Speaker 1: That's like Maya like fucking Mark Twain and Shakespeare. Yeah, 505 00:33:07,960 --> 00:33:10,280 Speaker 1: And so part of the reason that I think that 506 00:33:10,320 --> 00:33:13,600 Speaker 1: it begans circulating that way is because in the year 507 00:33:14,960 --> 00:33:17,720 Speaker 1: when it's sort of is becoming a thing, right, this 508 00:33:17,800 --> 00:33:20,880 Speaker 1: poem that's being posted all over the internet, there aren't 509 00:33:20,880 --> 00:33:24,040 Speaker 1: real ways of tracing things. And it's a poem about 510 00:33:24,120 --> 00:33:28,360 Speaker 1: like black life and black struggle in America, And the 511 00:33:28,440 --> 00:33:32,239 Speaker 1: name most synonymous with black poetry at that time is 512 00:33:32,280 --> 00:33:36,320 Speaker 1: my Angelou. That's that's who you would go to for 513 00:33:36,360 --> 00:33:40,000 Speaker 1: this information. So it became almost like a weird game 514 00:33:40,040 --> 00:33:43,760 Speaker 1: of telephone, if you will. Right, Yeah, I know why 515 00:33:43,800 --> 00:33:49,200 Speaker 1: the cage bird sings because you know, wearing like Berberry, 516 00:33:49,360 --> 00:33:57,680 Speaker 1: like what incredible wild So the so this happens and 517 00:33:57,720 --> 00:34:01,720 Speaker 1: then it starts to kind of uh snowball, right that 518 00:34:01,880 --> 00:34:05,120 Speaker 1: after we start seeing this poem circulating on the internet. 519 00:34:05,160 --> 00:34:08,840 Speaker 1: Then there's this quote that gets attributed to the CEO 520 00:34:09,000 --> 00:34:12,000 Speaker 1: of Timberland. And at this point they're not naming the CEO, 521 00:34:12,080 --> 00:34:16,000 Speaker 1: but they're on this site called NAHA Daily Report a 522 00:34:16,160 --> 00:34:21,080 Speaker 1: posted that basically quote saying Timberland's new appointed CEO lost 523 00:34:21,120 --> 00:34:24,280 Speaker 1: it at its at a earnings press conference and revealed 524 00:34:24,280 --> 00:34:27,120 Speaker 1: that he'd rather not see blacks and Latinos in his 525 00:34:27,200 --> 00:34:30,960 Speaker 1: boots during the summertime, admitting that it's just tacky to 526 00:34:30,960 --> 00:34:34,080 Speaker 1: wear boots in the summer, their work boots. But let's 527 00:34:34,120 --> 00:34:37,400 Speaker 1: be honest, they don't like work is what he was 528 00:34:37,440 --> 00:34:41,480 Speaker 1: supposed to have upset. Wow, Oh my god, I wish 529 00:34:41,520 --> 00:34:46,480 Speaker 1: this was all very true. Well I want this Netflix documentary. 530 00:34:46,560 --> 00:34:52,279 Speaker 1: Goddamn it. Wow. So many New York motherfucker's I know 531 00:34:52,360 --> 00:34:55,719 Speaker 1: would just be deeply hurt and offended by by such 532 00:34:55,719 --> 00:34:59,239 Speaker 1: a statement because all they do is wear boots the right. 533 00:35:00,160 --> 00:35:02,719 Speaker 1: Not only are you telling me I don't work, but 534 00:35:02,840 --> 00:35:07,120 Speaker 1: also you're discrediting my entire fashion, my entire sense of 535 00:35:07,160 --> 00:35:11,200 Speaker 1: self when you say ship like that. So it gets 536 00:35:11,280 --> 00:35:14,840 Speaker 1: it gets even more fascinating because it's site Naha, Daily 537 00:35:14,920 --> 00:35:18,319 Speaker 1: Report Apparently it's no longer a website, or at least 538 00:35:18,400 --> 00:35:21,600 Speaker 1: not a very high functioning one. But not how Daily 539 00:35:21,640 --> 00:35:26,319 Speaker 1: Report was was a predecessor to the onion that it 540 00:35:26,440 --> 00:35:29,600 Speaker 1: was meant to be like a ironic website where they 541 00:35:29,640 --> 00:35:33,640 Speaker 1: make jokes and ship. But as you can clearly see, 542 00:35:33,840 --> 00:35:37,720 Speaker 1: that's not a good fucking joke. That's just a fake 543 00:35:37,840 --> 00:35:41,000 Speaker 1: thing you put on the internet and like cause chaos 544 00:35:41,080 --> 00:35:50,799 Speaker 1: and dissension amongst the community. Damn. Wow again, huh but 545 00:35:51,000 --> 00:35:53,200 Speaker 1: is this is this a joke or is this like 546 00:35:53,640 --> 00:35:58,120 Speaker 1: the joke that's true. M because I'm talking, I'm just 547 00:35:58,160 --> 00:36:02,040 Speaker 1: saying this doesn't still doesn't seem un untrue to me. 548 00:36:02,120 --> 00:36:08,440 Speaker 1: I don't know, Like, yes, yes, okay, the founder was Jewish, 549 00:36:08,440 --> 00:36:13,240 Speaker 1: that's true. But presumably right this founder he had business partners, 550 00:36:13,280 --> 00:36:17,160 Speaker 1: he had other people in the business. They probably weren't 551 00:36:17,840 --> 00:36:22,520 Speaker 1: you know, many black folks, if any any in Puerto 552 00:36:22,680 --> 00:36:26,759 Speaker 1: Ricans and Mexicans, Asian folks. It was a bunch of 553 00:36:26,800 --> 00:36:32,600 Speaker 1: white people, and so it just chances are there was 554 00:36:32,640 --> 00:36:35,799 Speaker 1: somebody in there who was clanning it up. Okay, I'm 555 00:36:35,840 --> 00:36:39,600 Speaker 1: glad you're saying this, because up to this point we've 556 00:36:40,680 --> 00:36:44,000 Speaker 1: at least I thought we were working to uh discredit 557 00:36:44,120 --> 00:36:46,160 Speaker 1: some of this theory. But you're like, nah, funk that. 558 00:36:46,200 --> 00:36:50,080 Speaker 1: I'm still not sold. They're not sold. Double down, my friend, 559 00:36:50,120 --> 00:36:55,799 Speaker 1: because in right, hip hop has started to take over 560 00:36:56,280 --> 00:37:00,920 Speaker 1: their investing big in Timberland, and Timberland is sort of 561 00:37:00,960 --> 00:37:04,920 Speaker 1: becoming a brand of the urban youth. But the Timberland 562 00:37:04,960 --> 00:37:09,640 Speaker 1: executives are not necessarily bought into that yet. Right. So, 563 00:37:10,080 --> 00:37:14,720 Speaker 1: in in a New York Times interview, the then VP 564 00:37:15,040 --> 00:37:19,000 Speaker 1: Jeff Swartz, which is the grandson of the original Swartz, 565 00:37:19,080 --> 00:37:22,080 Speaker 1: Nathan Swartz, who was in charge of this ship, actually 566 00:37:22,120 --> 00:37:25,560 Speaker 1: said in an interview, Timberland is being adopted by a 567 00:37:25,600 --> 00:37:30,040 Speaker 1: consumer that we didn't know existed relative to our target audience, 568 00:37:30,239 --> 00:37:35,960 Speaker 1: which he described as honest, hardworking people. So basically he said, like, 569 00:37:36,880 --> 00:37:39,560 Speaker 1: these niggas grabbing it and we ain't really planned for them. 570 00:37:39,640 --> 00:37:42,440 Speaker 1: And also they're not honest or hardworking the way that 571 00:37:42,480 --> 00:37:46,520 Speaker 1: we were aiming. This is some mother ship that ain't 572 00:37:46,560 --> 00:37:48,600 Speaker 1: honest and hardworking, and we don't know what to do 573 00:37:48,640 --> 00:37:54,040 Speaker 1: with that. Listen, listen, y'all, stay woke. Sounds sounds clan adjacent. 574 00:37:54,280 --> 00:37:57,040 Speaker 1: And that's from the New York Times. That's not even no, 575 00:37:57,360 --> 00:38:00,600 Speaker 1: that's a real article from the New York Times. And 576 00:38:00,600 --> 00:38:04,080 Speaker 1: and he goes on to basically explain that, like, it 577 00:38:04,400 --> 00:38:07,440 Speaker 1: just wasn't the demographic that they were aiming for, right, 578 00:38:07,480 --> 00:38:09,560 Speaker 1: that when they created Timberland, it was meant to be 579 00:38:09,640 --> 00:38:13,520 Speaker 1: a work boot for working people and the working people 580 00:38:13,600 --> 00:38:16,799 Speaker 1: that he was imagining. And he doesn't quite say this, 581 00:38:16,880 --> 00:38:20,640 Speaker 1: but it's all implied in the undertext. Is is white 582 00:38:20,719 --> 00:38:26,719 Speaker 1: working class people and white working class once again, Yeah, exactly, 583 00:38:26,800 --> 00:38:29,239 Speaker 1: And he's completely ignoring the fact that many of the 584 00:38:29,280 --> 00:38:32,759 Speaker 1: black people that are wearing tims are working class people too, 585 00:38:33,200 --> 00:38:37,040 Speaker 1: who just happened to spend their money differently. Absolutely, this 586 00:38:37,120 --> 00:38:39,920 Speaker 1: is what I'm saying, Martin Luther King that niggas was 587 00:38:39,960 --> 00:38:45,759 Speaker 1: marching two shoes. I don't think you're wrong. And it's 588 00:38:45,800 --> 00:38:49,520 Speaker 1: so he catches a lot of flak for that, right, Like, 589 00:38:49,600 --> 00:38:52,640 Speaker 1: people get pretty upset at the idea of this guy 590 00:38:52,680 --> 00:38:55,920 Speaker 1: basically saying like I, in essence, I don't want niggas 591 00:38:55,920 --> 00:38:57,919 Speaker 1: wearing my boots, or at least that wasn't the plan. 592 00:38:58,480 --> 00:39:01,680 Speaker 1: And so Timberland then has to do a lot of 593 00:39:01,800 --> 00:39:05,960 Speaker 1: fixing and re evaluating in terms of their relationship with 594 00:39:06,000 --> 00:39:08,879 Speaker 1: the black community. And it's not until like the late 595 00:39:09,000 --> 00:39:15,080 Speaker 1: nineties that Timberland starts to really like invest in black advertisement, 596 00:39:15,160 --> 00:39:18,000 Speaker 1: that they start to really like put the TAMS ads 597 00:39:18,040 --> 00:39:22,600 Speaker 1: in the Vibe magazines and start to reassociate themselves with 598 00:39:22,640 --> 00:39:25,319 Speaker 1: the hip hop artists intentionally and not just like on 599 00:39:25,520 --> 00:39:29,840 Speaker 1: accident with Nas rapping about it or Biggie rapping about it. Listen, 600 00:39:30,360 --> 00:39:34,320 Speaker 1: I'm telling you, man, ghost Face Killer is the fucking 601 00:39:34,719 --> 00:39:38,200 Speaker 1: civil rights leader of our time. No one's gonna convince 602 00:39:38,200 --> 00:39:44,240 Speaker 1: me otherwise, nobody convinced me foot ghost face foot ghost 603 00:39:44,320 --> 00:39:47,640 Speaker 1: face on the monument because that he's it. That's all 604 00:39:47,640 --> 00:39:49,560 Speaker 1: we need is I want one of them, one of them, 605 00:39:49,640 --> 00:39:51,800 Speaker 1: like posters that you buy on the side of the 606 00:39:51,920 --> 00:39:54,399 Speaker 1: road where someone's also something shade butter and black soap. 607 00:39:54,960 --> 00:39:58,520 Speaker 1: We're like Martin Luther King and Malcolm X like playing 608 00:39:58,600 --> 00:40:02,600 Speaker 1: pool with Obama and I want ghost Face. They're like 609 00:40:02,640 --> 00:40:05,880 Speaker 1: shooting dice in the corner. Yeah, I love that. I 610 00:40:05,920 --> 00:40:09,719 Speaker 1: want one of those Tyrese paintings. Tyrese made that beautiful 611 00:40:09,760 --> 00:40:13,239 Speaker 1: painting where it was wait wait wait wait, wait wait 612 00:40:13,360 --> 00:40:18,240 Speaker 1: wait about this nigga. No, okay, well we'll wake up. Brother. 613 00:40:19,360 --> 00:40:22,719 Speaker 1: There's other artists out here other than Picasso. There's other 614 00:40:22,800 --> 00:40:26,359 Speaker 1: artists out here. Then then then your Bosskiyats a brother 615 00:40:26,440 --> 00:40:34,719 Speaker 1: named Tyrese Gibson of Fast and Furious fame, made a 616 00:40:34,760 --> 00:40:40,360 Speaker 1: beautiful painting in which Malcolm X is baptizing Tupac in 617 00:40:40,400 --> 00:40:44,160 Speaker 1: a river. As I believe Martin Luther King looks on, 618 00:40:44,560 --> 00:40:49,320 Speaker 1: I've seen Tyrese made that. That's a Tyrese Gibson original. 619 00:40:49,800 --> 00:40:54,480 Speaker 1: Put that up in your home. Oh my god, you 620 00:40:54,520 --> 00:40:56,960 Speaker 1: should be so lucky to get the original of that 621 00:40:57,040 --> 00:41:01,919 Speaker 1: Wow Baby Boy. Yeah, No, he did that, and he's 622 00:41:01,920 --> 00:41:04,359 Speaker 1: continuing to do the work, and we don't give him 623 00:41:04,440 --> 00:41:07,280 Speaker 1: enough credit. It should be ghost Face and Tyrese Gibson 624 00:41:07,400 --> 00:41:10,560 Speaker 1: as the the greatest civil rights leaders we have and 625 00:41:10,600 --> 00:41:13,439 Speaker 1: Shannon Sharp. For some reason, I think Shannon Sharp does 626 00:41:13,480 --> 00:41:15,880 Speaker 1: a lot of does a lot of good work for 627 00:41:15,920 --> 00:41:18,840 Speaker 1: the black community. Uh, he's just mush mouth, so we 628 00:41:18,880 --> 00:41:22,560 Speaker 1: can never tell what he's saying. I love Shannon Sharp. 629 00:41:23,440 --> 00:41:27,240 Speaker 1: The excellent memes. There's some excellent meme work, great names, 630 00:41:27,600 --> 00:41:34,760 Speaker 1: the bug eyed sweaty Man. I love that he deserves 631 00:41:34,880 --> 00:41:38,120 Speaker 1: he works, he works hard. Okay, So this is where 632 00:41:38,280 --> 00:41:41,720 Speaker 1: I think it gets even more interesting. So the quote 633 00:41:41,840 --> 00:41:45,000 Speaker 1: that we were talking about goes on in the conversation. 634 00:41:45,400 --> 00:41:47,359 Speaker 1: He went on to say, if you hear that hip 635 00:41:47,360 --> 00:41:50,360 Speaker 1: hop kids are wearing Timberland boots and women are wearing 636 00:41:50,360 --> 00:41:53,960 Speaker 1: Timberland boots with sun dresses at a Donna Karen fashion show, 637 00:41:54,239 --> 00:41:56,640 Speaker 1: that's a coin in current dollars. But how in the 638 00:41:56,680 --> 00:42:01,040 Speaker 1: world is that sustainable? So he's basically asking the question 639 00:42:01,480 --> 00:42:05,520 Speaker 1: how long is hip hop gonna last? And so in retrospect, 640 00:42:05,560 --> 00:42:08,120 Speaker 1: he now knows hip hop is going to become the 641 00:42:08,239 --> 00:42:11,680 Speaker 1: biggest industry in all of music and like the most 642 00:42:11,719 --> 00:42:15,120 Speaker 1: profitable of all of like the music forms, and so 643 00:42:15,320 --> 00:42:19,040 Speaker 1: Timberland then has to realize that and fix that. And 644 00:42:19,080 --> 00:42:22,520 Speaker 1: so in the late nineties is when they start introducing 645 00:42:22,560 --> 00:42:25,759 Speaker 1: all the TEMs with like the custom colors and like 646 00:42:25,840 --> 00:42:29,520 Speaker 1: the weird designs and ship. And it's because they started 647 00:42:29,840 --> 00:42:32,960 Speaker 1: fully being aware that, like, oh, ship, hip hop is 648 00:42:33,000 --> 00:42:36,480 Speaker 1: not going anywhere, and we can't just keep servicing a 649 00:42:36,520 --> 00:42:39,160 Speaker 1: bunch of dudes who are only gonna buy work boots 650 00:42:39,200 --> 00:42:42,160 Speaker 1: every five years, right, I mean that's the thing is, 651 00:42:42,239 --> 00:42:45,640 Speaker 1: like if you're like fashionable, you'll you'll buy a new 652 00:42:45,680 --> 00:42:49,840 Speaker 1: shoe every season or more. But yeah, if you're like 653 00:42:49,920 --> 00:42:53,400 Speaker 1: actually using temps to like go to work, right, you 654 00:42:53,480 --> 00:42:56,040 Speaker 1: buy them ship and then you don't buy something until 655 00:42:56,080 --> 00:42:58,959 Speaker 1: the next decade. Yeah, I'm not gonna keep buying more 656 00:42:59,080 --> 00:43:02,160 Speaker 1: every but like dude who's really into thims and wants 657 00:43:02,160 --> 00:43:04,759 Speaker 1: to look fly by a new pair every month, and 658 00:43:04,840 --> 00:43:08,240 Speaker 1: like that's that's real money that you could be gaining. 659 00:43:08,280 --> 00:43:10,239 Speaker 1: And so they I think they figured out that, like 660 00:43:10,360 --> 00:43:12,480 Speaker 1: this is the brand we need to invest in and 661 00:43:12,600 --> 00:43:17,200 Speaker 1: stop playing like this is a hard working man's boot. Yeah, 662 00:43:17,239 --> 00:43:20,480 Speaker 1: you know. Unfortunately, maybe the most expensive show I ever 663 00:43:20,520 --> 00:43:26,920 Speaker 1: bought in my life was like a Timberland streetwear mashup short, 664 00:43:27,120 --> 00:43:33,040 Speaker 1: one of them supreme type energies of life. They were 665 00:43:33,080 --> 00:43:36,440 Speaker 1: like very high and they had this like they were 666 00:43:36,480 --> 00:43:47,080 Speaker 1: like Grace Swaye. Yeah, felt like walking on babysuits. But damn, wow, 667 00:43:47,120 --> 00:43:51,520 Speaker 1: that's you really you really like actually researched. Yeah, I 668 00:43:51,640 --> 00:43:56,320 Speaker 1: take my time with it. Here's here. So Timberland, after this, uh, 669 00:43:56,360 --> 00:44:00,200 Speaker 1: this debacle, if you will, this issue with offending the 670 00:44:00,239 --> 00:44:03,359 Speaker 1: black community or offending the hip hop community, then sort 671 00:44:03,360 --> 00:44:06,920 Speaker 1: of like tries to rebrand itself as like a cool 672 00:44:07,600 --> 00:44:11,960 Speaker 1: brand that deals in in respectable politics and doesn't you know, 673 00:44:12,239 --> 00:44:14,520 Speaker 1: looks out for the community even though they're a billion 674 00:44:14,560 --> 00:44:19,600 Speaker 1: dollar industry and probably do horrible things and and whatever. 675 00:44:19,920 --> 00:44:23,400 Speaker 1: But in two thousand and ten, Timberland once again gets 676 00:44:23,400 --> 00:44:26,360 Speaker 1: in trouble, not with the black community this time, but 677 00:44:26,560 --> 00:44:30,200 Speaker 1: Greenpeace comes after them because they claimed that Timberland has 678 00:44:30,239 --> 00:44:34,359 Speaker 1: a bunch of connections with deforestation in Brazil, that like, 679 00:44:34,880 --> 00:44:39,640 Speaker 1: they are responsible for farmers who are cutting down massive 680 00:44:39,680 --> 00:44:43,239 Speaker 1: amounts of the rainforests so that they can basically set 681 00:44:43,280 --> 00:44:47,200 Speaker 1: up cattle farms and then sell Timberland back the cow hide. 682 00:44:47,640 --> 00:44:51,759 Speaker 1: Damn you know what I'm gonna quick. Okay, hold on, 683 00:44:51,760 --> 00:44:53,560 Speaker 1: you're about to talk that talk because I'll let you 684 00:44:53,600 --> 00:44:56,959 Speaker 1: talk that talk. Yes, let me talk that Okay, Nate, 685 00:44:57,280 --> 00:44:59,600 Speaker 1: it is beautiful. I'm excited. I'm gonna give you thirty 686 00:44:59,600 --> 00:45:03,839 Speaker 1: seconds whenever you're ready talk that talk. All right. So 687 00:45:03,920 --> 00:45:09,760 Speaker 1: you said that Timberland is responsible for deforestation in Brazil. Word, 688 00:45:10,320 --> 00:45:13,040 Speaker 1: that makes sense to me. We know what else was 689 00:45:13,080 --> 00:45:17,080 Speaker 1: in Brazil. The majority of the slaves in the Transatlantic 690 00:45:17,120 --> 00:45:23,600 Speaker 1: slave trade. Listen, right, Brazil black is Bresils, some nigga ship. 691 00:45:24,040 --> 00:45:25,920 Speaker 1: They don't want you to know that, right, but you 692 00:45:25,960 --> 00:45:29,040 Speaker 1: gotta stay woken. And this is the thing about it. 693 00:45:29,400 --> 00:45:32,560 Speaker 1: They deforced. And what are they doing with trees hanging 694 00:45:32,640 --> 00:45:43,120 Speaker 1: niggas ship? Cool? Motherfucking talk that talk, Nate. Okay, I 695 00:45:43,239 --> 00:45:46,440 Speaker 1: see what you're doing. It's connecting, it's starting. The math 696 00:45:46,600 --> 00:45:49,720 Speaker 1: is starting the math. We're talking about deforestation. The trees 697 00:45:49,840 --> 00:45:53,080 Speaker 1: is still the emphasis. It is a homage to the 698 00:45:53,200 --> 00:45:56,920 Speaker 1: history that they've built of hanging niggas from trees. And 699 00:45:56,960 --> 00:46:00,200 Speaker 1: they go to the most niggery place they can find mine, 700 00:46:00,480 --> 00:46:05,320 Speaker 1: which is Brazil in this scenario. Listen, ain't look, there's 701 00:46:05,320 --> 00:46:12,799 Speaker 1: no no more niggery place in the Western hemisphere. That 702 00:46:12,920 --> 00:46:17,799 Speaker 1: might be true. Honestly, I listen that. Look, I don't 703 00:46:17,840 --> 00:46:20,240 Speaker 1: have the mask, but I think that might actually be true. 704 00:46:20,320 --> 00:46:23,400 Speaker 1: It's between that and in the South side of Chicago 705 00:46:23,640 --> 00:46:26,480 Speaker 1: is one of those. It's one. It's one of Look 706 00:46:26,520 --> 00:46:29,680 Speaker 1: you ever seen capa niggas are doing martial arts and 707 00:46:29,760 --> 00:46:32,839 Speaker 1: dancing that that that is the most nigger ship because 708 00:46:32,880 --> 00:46:36,759 Speaker 1: niggas loved Bruce Lee movies and motherfucking funk records. Right, 709 00:46:36,800 --> 00:46:40,319 Speaker 1: everybody's fighting like the Black Power Rangers. So yeah, that 710 00:46:40,400 --> 00:46:45,200 Speaker 1: makes sense to me. That makes perfect sense to me. 711 00:46:45,520 --> 00:46:49,480 Speaker 1: Now it is worth noting and uh your talk. That 712 00:46:49,520 --> 00:46:52,640 Speaker 1: talk was exceptional, but it is worth noting that Timberland 713 00:46:52,719 --> 00:46:55,719 Speaker 1: actually said that only seven percent of their cattle comes 714 00:46:55,719 --> 00:46:59,040 Speaker 1: from Brazil, and then immediately after it was like, we'll stop, 715 00:46:59,080 --> 00:47:01,759 Speaker 1: We'll just stop that. Y'all don't have to claim that 716 00:47:01,800 --> 00:47:05,279 Speaker 1: we did that anymore. And they have also like gone 717 00:47:05,320 --> 00:47:08,239 Speaker 1: out of their way to be anti racist. When like 718 00:47:08,320 --> 00:47:12,759 Speaker 1: a French fashion label, a pc UH, their CEO came 719 00:47:12,800 --> 00:47:17,320 Speaker 1: out in the middle of a big conference and basically 720 00:47:17,360 --> 00:47:19,920 Speaker 1: like went on stage and said, uh, I want to 721 00:47:19,920 --> 00:47:23,520 Speaker 1: make sure I have this right. He says, uh, I 722 00:47:23,560 --> 00:47:26,840 Speaker 1: call this one. Look last Niggas in Paris. This is 723 00:47:26,840 --> 00:47:29,919 Speaker 1: a white man. Why because it's the sweet spot when 724 00:47:29,920 --> 00:47:34,600 Speaker 1: the Hood, the Hood meets berta Locheese movie Last Tango 725 00:47:34,640 --> 00:47:37,560 Speaker 1: in Paris. So that's last Niggas in Paris and last 726 00:47:37,640 --> 00:47:41,600 Speaker 1: Niggas in Paris. After an awkward pause, and then he goes, oh, 727 00:47:41,719 --> 00:47:44,480 Speaker 1: I'm glad some people laughed at me. Yes, I mean, 728 00:47:44,719 --> 00:47:48,120 Speaker 1: it's nice to play with the strong signifiers. The Timberland 729 00:47:48,160 --> 00:47:51,760 Speaker 1: here is a very strong ghetto signifier. In the ghetto. 730 00:47:52,160 --> 00:47:55,000 Speaker 1: It is all the Timberland's all the big chain, not 731 00:47:55,160 --> 00:47:57,799 Speaker 1: all the same time. Never, it's bad taste. So we 732 00:47:57,920 --> 00:48:07,600 Speaker 1: designed Timberland's the Timberland. It's bad bad. I love that 733 00:48:07,719 --> 00:48:09,960 Speaker 1: because now I'm just imagining like a thug that bigging 734 00:48:10,040 --> 00:48:13,960 Speaker 1: like imagine like two chains, like like like putting on 735 00:48:14,080 --> 00:48:18,200 Speaker 1: his his chains and like about to like put like 736 00:48:18,280 --> 00:48:23,080 Speaker 1: the third chain on. It's bad, that's bad taste. Put 737 00:48:23,120 --> 00:48:25,880 Speaker 1: that ship back. I got on my tempts and three chains. 738 00:48:25,920 --> 00:48:29,240 Speaker 1: Get the funk out of here. Not unreasonable, that's bad taste. 739 00:48:31,560 --> 00:48:35,400 Speaker 1: So Timberland Timberland. Here's this guy go on this weird 740 00:48:35,520 --> 00:48:39,319 Speaker 1: fucking French rant and uh then they like, hey, we 741 00:48:39,360 --> 00:48:42,080 Speaker 1: can't work with you anymore, and they were celebrated as 742 00:48:42,120 --> 00:48:48,560 Speaker 1: heroes for cutting that relationship. Damn ghetto signifier is the 743 00:48:48,640 --> 00:48:53,480 Speaker 1: name of my next rapout? Now, Well, honestly, I love like, 744 00:48:54,120 --> 00:48:57,960 Speaker 1: I know that was a racist like little thing that 745 00:48:58,000 --> 00:49:02,560 Speaker 1: he just said, and I I agree, but wow, it 746 00:49:02,719 --> 00:49:06,359 Speaker 1: was just so good. Yeah. No, he was spitting, and 747 00:49:06,520 --> 00:49:09,320 Speaker 1: uh I didn't like what he was spitting. But bars 748 00:49:09,400 --> 00:49:11,160 Speaker 1: is bars you know what I mean, Like, you gotta 749 00:49:11,360 --> 00:49:14,120 Speaker 1: talk that talk. Yeah, let him shine, let him finish 750 00:49:14,160 --> 00:49:19,000 Speaker 1: your sentence, then you deal with the emotional uh feelings afterwards. 751 00:49:19,040 --> 00:49:22,160 Speaker 1: But no, funk that let him go off? I think, Damn, 752 00:49:22,239 --> 00:49:25,000 Speaker 1: is this this is how like Takashi six nine fans 753 00:49:25,080 --> 00:49:30,719 Speaker 1: must feel. Yes, it's just them being like, I don't know, bro, 754 00:49:30,960 --> 00:49:34,879 Speaker 1: he going off. I don't agree with it, but go crazy. Yeah, ship, 755 00:49:35,360 --> 00:49:39,120 Speaker 1: Look the world Look, life is yolo, yolo. Thank you Drizzy. 756 00:49:39,480 --> 00:49:41,439 Speaker 1: We're gonna take my more break and we'll be back 757 00:49:41,440 --> 00:49:43,879 Speaker 1: with more name Marshall and more. My mama told me, 758 00:49:54,480 --> 00:50:02,000 Speaker 1: And we are back. If you want to reach those 759 00:50:02,080 --> 00:50:04,279 Speaker 1: kids on the Street. Then you gotta do a rep, 760 00:50:04,360 --> 00:50:09,520 Speaker 1: do a hip hop beat urban kick. My rhymes are flying, 761 00:50:10,160 --> 00:50:12,800 Speaker 1: are just sick. My crew is big and it keeps 762 00:50:12,840 --> 00:50:18,200 Speaker 1: getting bigger because Jesus Christ. Yeah, we're back here with 763 00:50:18,400 --> 00:50:22,200 Speaker 1: more Nate Marshall. We're celebrating Jesus Christ. I nigga Jesus 764 00:50:22,320 --> 00:50:27,040 Speaker 1: Christ and all he does for us. Have you heard 765 00:50:27,080 --> 00:50:29,319 Speaker 1: that before? You know that song? He's the son of 766 00:50:29,320 --> 00:50:32,520 Speaker 1: the original ge You got damn right. I know that 767 00:50:31,200 --> 00:50:35,480 Speaker 1: so that I played that the other week from my 768 00:50:35,560 --> 00:50:38,040 Speaker 1: girlfriend because she was like, I was like, babe, have 769 00:50:38,120 --> 00:50:40,480 Speaker 1: you never heard that? And she was like, what are 770 00:50:40,480 --> 00:50:45,400 Speaker 1: you talking about? Have you ever you've never heard this masterpiece? 771 00:50:45,640 --> 00:50:48,720 Speaker 1: This should is like this should is like purple haze 772 00:50:48,800 --> 00:50:53,160 Speaker 1: to me, I don't know. That's my amatic. I love that. 773 00:50:53,400 --> 00:50:55,640 Speaker 1: Y'all can have Jimmy Hendricks if you want to. I 774 00:50:55,680 --> 00:50:58,120 Speaker 1: want that old dude in a backwards hat in a 775 00:50:58,160 --> 00:51:01,120 Speaker 1: suit jacket for some reason. This is this is that's 776 00:51:01,160 --> 00:51:05,680 Speaker 1: my songs in the Key of Life. I have a 777 00:51:05,760 --> 00:51:08,720 Speaker 1: fun game for us to play, and it's a game 778 00:51:08,800 --> 00:51:15,760 Speaker 1: called make that Brand Racist. It's a very fun game 779 00:51:16,040 --> 00:51:19,799 Speaker 1: where I will introduce to you much in the way 780 00:51:19,840 --> 00:51:23,280 Speaker 1: that we are unpacking the Timberland logo and potentially connecting 781 00:51:23,320 --> 00:51:27,319 Speaker 1: it to the KKK and hanging people from trees. I 782 00:51:27,320 --> 00:51:30,560 Speaker 1: am going to introduce to you other logos that potentially 783 00:51:30,640 --> 00:51:33,640 Speaker 1: might have something insidious in their imagery, and what I 784 00:51:33,640 --> 00:51:35,719 Speaker 1: would love for you to do is just unpack it. 785 00:51:35,840 --> 00:51:39,440 Speaker 1: Help me find the racist elements of whatever this is 786 00:51:39,960 --> 00:51:43,200 Speaker 1: that worked for you. Love finding the racism. Love finding 787 00:51:43,200 --> 00:51:46,440 Speaker 1: the racism. Great. So the first logo, and I'm gonna 788 00:51:46,440 --> 00:51:48,360 Speaker 1: describe them all. I'm not even gonna show them to you. 789 00:51:48,440 --> 00:51:51,480 Speaker 1: They're all ones that you're familiar with, I'm sure, and 790 00:51:51,520 --> 00:51:53,640 Speaker 1: if you need to look them up, you absolutely can. 791 00:51:53,960 --> 00:51:57,640 Speaker 1: But the first logo is the polo logo. The man 792 00:51:57,719 --> 00:52:02,720 Speaker 1: on the horse swinging the pole low stick, the polo logo. 793 00:52:03,239 --> 00:52:07,480 Speaker 1: What's racist in there? Okay? All right? So I was 794 00:52:07,480 --> 00:52:11,279 Speaker 1: watching The Godfather the other day, right, Um, you know, 795 00:52:11,280 --> 00:52:14,919 Speaker 1: and the guyfather the like big movie executive. He has 796 00:52:15,080 --> 00:52:18,000 Speaker 1: his beautiful horse that he loves. There's a point where 797 00:52:18,520 --> 00:52:21,799 Speaker 1: the horse gets up like fucking killed the head. The 798 00:52:21,840 --> 00:52:23,759 Speaker 1: head is chopped off and left and the dude's best 799 00:52:23,800 --> 00:52:26,160 Speaker 1: it's like a threat. But you know who was taking 800 00:52:26,160 --> 00:52:31,200 Speaker 1: care of the horses niggas. That's the only black father. 801 00:52:31,760 --> 00:52:39,640 Speaker 1: It's the Moses, the only one. So okay, yeah it's 802 00:52:39,800 --> 00:52:45,600 Speaker 1: racist because niggas took care of the horses but couldn't 803 00:52:45,680 --> 00:52:49,400 Speaker 1: couldn't ride the horses. Also, did you know, and this 804 00:52:49,520 --> 00:52:52,239 Speaker 1: is actually a true fact, A bunch of the motherfucker's 805 00:52:52,239 --> 00:52:54,600 Speaker 1: and who used to win the Kentucky Derby were black 806 00:52:54,719 --> 00:52:58,440 Speaker 1: and black people were so much they had the band Niggas. 807 00:52:58,640 --> 00:53:05,839 Speaker 1: Band Niggas in like the WHOA because they get you. 808 00:53:06,280 --> 00:53:08,919 Speaker 1: The ship was it was like the fucking NBA. It's 809 00:53:08,960 --> 00:53:12,400 Speaker 1: just everybody was black. Swear to god, WHOA. I didn't 810 00:53:12,400 --> 00:53:15,400 Speaker 1: know that. Okay, there's a few things to unpack in 811 00:53:15,440 --> 00:53:19,560 Speaker 1: that statement, because number one, I love the fact that that, yes, 812 00:53:19,719 --> 00:53:21,760 Speaker 1: the black people who took care of that horse should 813 00:53:21,800 --> 00:53:24,120 Speaker 1: be in the logo as well. They should be like 814 00:53:24,200 --> 00:53:27,799 Speaker 1: posing next to the horse, like posted up and they're like, yeah, 815 00:53:27,880 --> 00:53:30,359 Speaker 1: that's my horse. I brushed his tail, I made him 816 00:53:30,360 --> 00:53:33,240 Speaker 1: look fly. And it's not just the dude who's swinging 817 00:53:33,239 --> 00:53:36,000 Speaker 1: the polo mallet that gets to be celebrated. It's some 818 00:53:36,080 --> 00:53:39,040 Speaker 1: niggas that worked hard on it. But then, holy sh it, 819 00:53:39,120 --> 00:53:41,439 Speaker 1: I had no idea that black people were banned from 820 00:53:41,480 --> 00:53:46,680 Speaker 1: horse racing. That's nuts, rue, man. I learned something new 821 00:53:46,719 --> 00:53:49,200 Speaker 1: on this podcast every day, and some of it's made up, 822 00:53:49,239 --> 00:53:55,120 Speaker 1: and I still celebrate it. Stay next logo, Okay, the 823 00:53:55,200 --> 00:53:58,640 Speaker 1: next logo. This is exciting. Look cost you know that 824 00:53:58,719 --> 00:54:02,240 Speaker 1: alligator with his mouth open. He's got a red tongue 825 00:54:02,560 --> 00:54:05,920 Speaker 1: and his mouth is opened the La cost logo. What's 826 00:54:06,160 --> 00:54:10,200 Speaker 1: racist than the La Costs logo? Oh, Dan, this is 827 00:54:10,360 --> 00:54:14,600 Speaker 1: actually a very easy one. This is very easy. You 828 00:54:14,680 --> 00:54:18,720 Speaker 1: ever heard the term gator bait? I have not, so, 829 00:54:18,719 --> 00:54:20,560 Speaker 1: so this is this thing I think. I don't know 830 00:54:20,600 --> 00:54:22,680 Speaker 1: if it was true or if it's like a sort 831 00:54:22,680 --> 00:54:26,960 Speaker 1: of urban legend, but they say that like enslavery times, 832 00:54:27,000 --> 00:54:29,400 Speaker 1: like in Florida, in like the sort of southern swampland, 833 00:54:30,200 --> 00:54:35,480 Speaker 1: like white people would use black babies like black enslaved 834 00:54:35,600 --> 00:54:41,400 Speaker 1: baby and feed them motherfucker's two alligators. And actually the 835 00:54:41,480 --> 00:54:44,359 Speaker 1: University of Florida, I think, who are the Gators right there? 836 00:54:44,400 --> 00:54:47,239 Speaker 1: That's like their football team. All that they have, like 837 00:54:47,280 --> 00:54:50,960 Speaker 1: they do like the chomp thing whatever. I think they 838 00:54:51,000 --> 00:54:53,800 Speaker 1: have like a gator bait song or chant or something, 839 00:54:53,880 --> 00:54:57,440 Speaker 1: and they like, you know, you know, this summer like 840 00:54:57,480 --> 00:54:59,799 Speaker 1: the George Floyd stuff, all that stuff, Brianna Taylor, all 841 00:54:59,800 --> 00:55:03,320 Speaker 1: that like happened, and people were like, you know, we're 842 00:55:03,960 --> 00:55:07,440 Speaker 1: the Washington football team now or whatever. The fun racism 843 00:55:07,600 --> 00:55:10,840 Speaker 1: and they were like, we're gonna stop there. You know, 844 00:55:10,880 --> 00:55:14,520 Speaker 1: a racist song. We're saying we ain't got that. Sorry, sorry, 845 00:55:15,640 --> 00:55:21,040 Speaker 1: but sweater God, he's whoa babies, man, you're killing it 846 00:55:21,120 --> 00:55:23,640 Speaker 1: right now. I didn't know. That's another fucking thing. I 847 00:55:23,680 --> 00:55:27,680 Speaker 1: didn't know Gator Bay they were feeding, or at least imagining, 848 00:55:27,800 --> 00:55:32,879 Speaker 1: feeding black slave children to alligators. That's just me. There's 849 00:55:32,880 --> 00:55:35,760 Speaker 1: not even a reasoning for it. That you're losing money, 850 00:55:35,840 --> 00:55:38,160 Speaker 1: don't you sucking up your own A little black baby 851 00:55:38,200 --> 00:55:41,319 Speaker 1: could have grown up to be a useful tool, a 852 00:55:41,440 --> 00:55:45,160 Speaker 1: nice uh a nice. He could have been a cobbler, 853 00:55:45,960 --> 00:55:49,400 Speaker 1: and then we could have better quality black shoes in 854 00:55:49,440 --> 00:55:56,320 Speaker 1: the community. King wouldn't have had the ship. So you're saying, 855 00:55:56,840 --> 00:56:01,799 Speaker 1: you're saying, they're stealing our potential leaders and best from 856 00:56:01,920 --> 00:56:06,600 Speaker 1: us by feeding them to alligators for their own entertainment. 857 00:56:06,880 --> 00:56:10,080 Speaker 1: And even worse now, they put that alligator that they 858 00:56:10,200 --> 00:56:13,640 Speaker 1: used to murder those black babies on a polo shirt 859 00:56:13,880 --> 00:56:17,960 Speaker 1: that they sell for for seventy dollars and put a 860 00:56:18,040 --> 00:56:20,440 Speaker 1: pastel color on it and make it seem like it's 861 00:56:20,440 --> 00:56:26,480 Speaker 1: an expensive, uh illustrious brand. This is wild, la cost. 862 00:56:26,560 --> 00:56:29,320 Speaker 1: Shame on you for that thing that we just created 863 00:56:29,360 --> 00:56:33,319 Speaker 1: as a fictional thing that you did. They're just taught us. Man, 864 00:56:33,680 --> 00:56:36,319 Speaker 1: here's another fun one, and maybe this will be our 865 00:56:36,400 --> 00:56:38,640 Speaker 1: last one. This is a fun one, and I'm very 866 00:56:38,640 --> 00:56:43,440 Speaker 1: excited for this one. Chanel. The label Chanelle, which is 867 00:56:43,480 --> 00:56:46,880 Speaker 1: those two sees that are inter linked, that are not 868 00:56:46,960 --> 00:56:49,160 Speaker 1: facing each other, but are still linked in the middle. 869 00:56:49,360 --> 00:56:54,120 Speaker 1: What's racist about Chanelle? Damn? Oh, this is this is interesting, 870 00:56:54,320 --> 00:56:57,000 Speaker 1: you know you. I realized also that now I'm gonna 871 00:56:57,040 --> 00:56:59,719 Speaker 1: just be playing this game constantly with myself. So fun. 872 00:56:59,840 --> 00:57:02,359 Speaker 1: It's a fun game. I'm so happy I came up 873 00:57:02,400 --> 00:57:10,359 Speaker 1: with him. Damn. Okay, Chanelle, Chanelle, Oh all right, got it. 874 00:57:11,360 --> 00:57:12,879 Speaker 1: I don't know if you remember. There was a guy 875 00:57:13,239 --> 00:57:17,120 Speaker 1: I think his name was reverend, like Joseph Lowry or something. 876 00:57:17,520 --> 00:57:22,560 Speaker 1: He gave the benediction at Obama's first inauguration. But there 877 00:57:22,600 --> 00:57:25,520 Speaker 1: was a point where he was like where he started 878 00:57:25,520 --> 00:57:28,200 Speaker 1: saying this sort of little chance was like, you know, 879 00:57:28,320 --> 00:57:31,400 Speaker 1: if you brown stick around, if you black, stay back. 880 00:57:31,800 --> 00:57:33,920 Speaker 1: If you white, you all right? All right? He was 881 00:57:33,960 --> 00:57:36,000 Speaker 1: like the days of that are gone. That was kind 882 00:57:36,000 --> 00:57:40,040 Speaker 1: of his his like moment, right he was where motherfucker's 883 00:57:40,040 --> 00:57:43,600 Speaker 1: were like, oh that nigga spit. But um, I think 884 00:57:43,800 --> 00:57:48,400 Speaker 1: that the Chanel logo is a visual metaphor for if 885 00:57:48,440 --> 00:57:53,000 Speaker 1: you black, get back, because it's like the sea, which 886 00:57:53,000 --> 00:57:58,160 Speaker 1: stands for colored, like walking towards you, but then there's 887 00:57:58,200 --> 00:58:02,919 Speaker 1: another shoe that's like, nah, you gotta go back. He's 888 00:58:02,960 --> 00:58:06,080 Speaker 1: being turned around. It's like a mirror image. It's like 889 00:58:06,160 --> 00:58:09,360 Speaker 1: the person being redirected in the direction that they were 890 00:58:09,360 --> 00:58:12,920 Speaker 1: supposed to be in their mind. Right, Like the first 891 00:58:12,920 --> 00:58:14,720 Speaker 1: sea is like I would like to eat at the 892 00:58:14,800 --> 00:58:18,160 Speaker 1: lunch counter, and the second sea was like they said, 893 00:58:18,200 --> 00:58:23,080 Speaker 1: I can't come in, you can't get the sandwich. Man. 894 00:58:23,280 --> 00:58:25,680 Speaker 1: You fucking nailed it. The only thing I could come 895 00:58:25,760 --> 00:58:33,880 Speaker 1: up with was caucasion. See for call and see for casi. Wow, occasion, Well, 896 00:58:33,960 --> 00:58:38,560 Speaker 1: I only damn, I'm only calling white people casion. Occasionally, 897 00:58:38,640 --> 00:58:44,600 Speaker 1: these occasions over here, that's some casion activity. Yeah, these 898 00:58:44,600 --> 00:58:48,560 Speaker 1: occasions acting up. This was fun. This is a great time. Nate. 899 00:58:48,640 --> 00:58:50,840 Speaker 1: Can you tell the people at home where they can 900 00:58:50,920 --> 00:58:52,960 Speaker 1: find you any cool ship you have going on to 901 00:58:53,040 --> 00:58:56,480 Speaker 1: look out for? Uh? What what do y'all need to know? 902 00:58:56,640 --> 00:58:59,880 Speaker 1: I don't know. I'm on Twitter, I tweet about poems 903 00:59:00,120 --> 00:59:04,360 Speaker 1: and ship that makes me laugh and uh, I'm at 904 00:59:04,480 --> 00:59:08,160 Speaker 1: illuminate Mike's m I cs all one word on there. 905 00:59:09,080 --> 00:59:11,360 Speaker 1: I don't know. Just google me. I write poems by 906 00:59:11,440 --> 00:59:15,400 Speaker 1: my book whatever God and God bless you, but by 907 00:59:15,440 --> 00:59:19,520 Speaker 1: his goddamn book before I get upset? Idiots, what are 908 00:59:19,560 --> 00:59:21,360 Speaker 1: you listening to this? Or if you're not gonna buy 909 00:59:21,440 --> 00:59:25,560 Speaker 1: his book, dummy? In the next book I'm putting, I'm 910 00:59:25,600 --> 00:59:28,240 Speaker 1: putting this my Angeloo poem, So get ready for that one. 911 00:59:29,240 --> 00:59:31,320 Speaker 1: That's just gonna be the whole cover is the Maya 912 00:59:31,360 --> 00:59:35,000 Speaker 1: Angelo poem. And then you open up for Nate's work. Yeah, 913 00:59:35,080 --> 00:59:38,880 Speaker 1: preorder that book. It's what's it's gonna be called The 914 00:59:39,000 --> 00:59:48,160 Speaker 1: Last Niggers and Parents beautiful, beautiful, beautiful piece. And as always, 915 00:59:48,280 --> 00:59:51,800 Speaker 1: you can find me at Lenkston Kerman. And please, if 916 00:59:51,840 --> 00:59:54,920 Speaker 1: you have any drops, if you have any conspiracy theories, 917 00:59:55,000 --> 00:59:57,080 Speaker 1: if you have any cool stuff that you think that 918 00:59:57,240 --> 00:59:59,400 Speaker 1: I should be aware of, or you want to hear 919 00:59:59,520 --> 01:00:02,880 Speaker 1: on the podcast, please send that to my Mama pod 920 01:00:03,040 --> 01:00:05,520 Speaker 1: at gmail dot com. I would love to hear from you, 921 01:00:05,960 --> 01:00:09,080 Speaker 1: like and subscribe to the podcast. I love when people 922 01:00:09,200 --> 01:00:12,919 Speaker 1: say mean things, so go crazy on that. Otherwise by