1 00:00:01,040 --> 00:00:04,800 Speaker 1: Hey guys, welcome to I've never said this before with 2 00:00:04,960 --> 00:00:10,680 Speaker 1: me Tommy Di dario Q, that iconic Jurassic Park theme song, 3 00:00:10,760 --> 00:00:13,840 Speaker 1: one of the most beautiful pieces of music ever made. 4 00:00:14,000 --> 00:00:17,440 Speaker 1: Thanks to John Williams the King, because today my guest 5 00:00:17,640 --> 00:00:21,400 Speaker 1: is taking us to the Land of Dinosaurs. David Aicano 6 00:00:21,480 --> 00:00:24,560 Speaker 1: stars in Jurassic World Rebirth, one of the most highly 7 00:00:24,600 --> 00:00:27,720 Speaker 1: anticipated films of the summer, which is out right now. 8 00:00:28,160 --> 00:00:30,880 Speaker 1: You also know and love David from dead Boy, Detectives, 9 00:00:31,040 --> 00:00:34,280 Speaker 1: Fear Street, prom Queen, and the fan favorite series The 10 00:00:34,360 --> 00:00:36,760 Speaker 1: Summer I Turn Pretty, which is wrapping up its final 11 00:00:36,800 --> 00:00:40,640 Speaker 1: season when it premieres July sixteenth. I am so impressed 12 00:00:40,720 --> 00:00:43,680 Speaker 1: by not only the immense talent that David has, but 13 00:00:43,720 --> 00:00:47,839 Speaker 1: by what a grounded and kind and thoughtful person he is. 14 00:00:48,000 --> 00:00:50,319 Speaker 1: His answer to what he has never said before, it's 15 00:00:50,360 --> 00:00:53,200 Speaker 1: something that we can all apply and really take to heart. 16 00:00:53,640 --> 00:00:56,240 Speaker 1: And in this conversation we really get a behind the 17 00:00:56,240 --> 00:00:59,320 Speaker 1: scenes look into some of his beloved roles and you'll 18 00:00:59,320 --> 00:01:02,400 Speaker 1: find out what happened on that surprise FaceTime with Steven 19 00:01:02,440 --> 00:01:06,199 Speaker 1: Spielberg one night during filming Jurassic World. Oh, and Summer 20 00:01:06,200 --> 00:01:09,400 Speaker 1: I Turn Pretty fans, is he team Conrad or Team Jeremiah. 21 00:01:09,520 --> 00:01:12,080 Speaker 1: So let's see if we can get David to say 22 00:01:12,120 --> 00:01:20,600 Speaker 1: something that he has never said before. David, my friend, 23 00:01:20,640 --> 00:01:21,440 Speaker 1: how you doing today? 24 00:01:22,120 --> 00:01:22,440 Speaker 2: How are you? 25 00:01:22,640 --> 00:01:24,400 Speaker 1: I am fantastic. It's nice to see you in a 26 00:01:24,440 --> 00:01:25,679 Speaker 1: temperature controlled room. 27 00:01:25,880 --> 00:01:28,319 Speaker 2: Oh, we got some comfy chairs in air conditioning. 28 00:01:28,400 --> 00:01:30,400 Speaker 1: There we go. We met obviously at the premiere for 29 00:01:30,520 --> 00:01:33,319 Speaker 1: Jurassic World. We were sweating our butts off, indeed, So 30 00:01:33,360 --> 00:01:35,720 Speaker 1: I'm happy to be here with you and not suffering. 31 00:01:35,800 --> 00:01:37,319 Speaker 2: Dude, mind, my budd is still in Texas. 32 00:01:37,360 --> 00:01:39,240 Speaker 1: Okay, good, happy to know that, Happy to know that. 33 00:01:39,280 --> 00:01:42,400 Speaker 1: Thank you so much. Well, well, welcome. I am super 34 00:01:42,440 --> 00:01:45,040 Speaker 1: psyched for you you have. I mean, what a moment 35 00:01:45,080 --> 00:01:47,280 Speaker 1: it is for you. Man. You were in two of 36 00:01:47,319 --> 00:01:51,320 Speaker 1: the hottest projects of the summer, right, obviously, Jurassic World Rebirth, 37 00:01:51,360 --> 00:01:54,240 Speaker 1: which is out now, and the Summer I Turn Pretty, 38 00:01:54,280 --> 00:01:57,200 Speaker 1: which is coming out. So I mean, have you slept? 39 00:01:57,320 --> 00:01:59,200 Speaker 1: Do you need a vacation? Do you want me to 40 00:01:59,240 --> 00:02:00,919 Speaker 1: like cook you chicken cut? Let's say you can relax 41 00:02:00,960 --> 00:02:02,600 Speaker 1: and enjoy, like, are you okay if. 42 00:02:02,520 --> 00:02:05,440 Speaker 2: You're open to cooking me chicken cut? It's I'm so down? Okay, good, 43 00:02:05,480 --> 00:02:08,200 Speaker 2: let's exchange information like a time and place and I'm 44 00:02:08,200 --> 00:02:11,760 Speaker 2: down Chicken Coultors in a while. Yeah, I'm okay, I'm 45 00:02:11,880 --> 00:02:14,800 Speaker 2: sleeping as much as possible. I'm just trying to keep breathing, 46 00:02:15,120 --> 00:02:17,840 Speaker 2: and I'm trying to be as present as possible and 47 00:02:18,200 --> 00:02:20,000 Speaker 2: like soak it all in for what it is, you know. 48 00:02:20,280 --> 00:02:22,400 Speaker 1: Yeah, yeah, I mean it's a lot right now for you. 49 00:02:23,160 --> 00:02:24,200 Speaker 1: But all good, It's great. 50 00:02:24,280 --> 00:02:26,720 Speaker 2: No, I'm so grateful. Man. It's like, especially Jurassic I 51 00:02:26,800 --> 00:02:30,119 Speaker 2: just feel like I've I don't know, it's just such 52 00:02:30,160 --> 00:02:34,280 Speaker 2: a beautiful, like legacy to have joined, you know what 53 00:02:34,320 --> 00:02:36,880 Speaker 2: I mean. It's like film history. It's it's Bielberg in 54 00:02:36,919 --> 00:02:38,960 Speaker 2: the nineties. Like, yeah, you can't answer anymore. 55 00:02:39,080 --> 00:02:41,119 Speaker 1: So, well, what's cool about you is you're in two 56 00:02:41,200 --> 00:02:44,799 Speaker 1: projects that have these kind of built in fandoms, right, 57 00:02:45,160 --> 00:02:47,679 Speaker 1: obviously Jurassic Park and the summer I Turn Pretty was 58 00:02:47,720 --> 00:02:50,800 Speaker 1: based off a very successful book series. So do you 59 00:02:50,880 --> 00:02:53,079 Speaker 1: just have no fear stepping into work now, like, cause 60 00:02:53,120 --> 00:02:55,880 Speaker 1: you're you're going to these jobs that you know, people 61 00:02:55,919 --> 00:02:58,760 Speaker 1: are very passionate about the medium, and they they have 62 00:02:58,840 --> 00:03:01,679 Speaker 1: opinions already and and here you are now stepping into them. 63 00:03:02,240 --> 00:03:05,519 Speaker 1: Do you just not have any kind of concerns or 64 00:03:05,520 --> 00:03:07,120 Speaker 1: anxieties anymore because you've done it. 65 00:03:07,240 --> 00:03:10,200 Speaker 2: I have all of the anxiety and concerns in the world. 66 00:03:10,400 --> 00:03:13,760 Speaker 2: So it's a good question, though, I feel like, nah, 67 00:03:13,840 --> 00:03:16,600 Speaker 2: that's a great question. I did this movie called Cinnamon 68 00:03:16,720 --> 00:03:18,320 Speaker 2: like a couple of years ago, and that was like 69 00:03:18,360 --> 00:03:20,240 Speaker 2: the first thing in a really long time that didn't 70 00:03:20,280 --> 00:03:23,520 Speaker 2: have a fan base to like step into and for 71 00:03:23,760 --> 00:03:26,400 Speaker 2: you know, a huge audience to feel like I had 72 00:03:26,440 --> 00:03:28,720 Speaker 2: to do justice too and make proud. It's a really 73 00:03:28,720 --> 00:03:31,320 Speaker 2: good question. I think I've taken it for granted a 74 00:03:31,360 --> 00:03:34,680 Speaker 2: little bit, like I don't know. I think with Jurassic 75 00:03:34,720 --> 00:03:36,400 Speaker 2: it didn't feel that way as much as like it 76 00:03:36,440 --> 00:03:39,520 Speaker 2: did for the Summer I Turned Pretty, because the fans 77 00:03:39,520 --> 00:03:41,640 Speaker 2: of the Summer I Turn Pretty are so invested and 78 00:03:41,680 --> 00:03:47,320 Speaker 2: so dedicated to, you know, seeing their expectations come to 79 00:03:47,360 --> 00:03:50,560 Speaker 2: life on screen. But with this new Jurassic World, it 80 00:03:50,720 --> 00:03:55,200 Speaker 2: feels like such a return to form and it's still 81 00:03:55,240 --> 00:03:58,160 Speaker 2: its very own original story and plot, so it felt 82 00:03:58,200 --> 00:04:00,120 Speaker 2: like we had a little more freedom. I didn't feel like, 83 00:04:00,360 --> 00:04:02,480 Speaker 2: you know, nobody knows who Exavier is yet, you know, 84 00:04:03,360 --> 00:04:05,040 Speaker 2: So that's why it felt like I was excited to 85 00:04:05,080 --> 00:04:07,560 Speaker 2: show people who he was as opposed to feeling like 86 00:04:07,560 --> 00:04:11,000 Speaker 2: I had to impress or live up to a certain expectation. 87 00:04:12,120 --> 00:04:14,960 Speaker 2: I am looking forward to doing a project where I 88 00:04:15,000 --> 00:04:19,560 Speaker 2: feel like there is no expectation whatsoever and just kind 89 00:04:19,600 --> 00:04:21,039 Speaker 2: of building it from the ground up. But I felt 90 00:04:21,040 --> 00:04:22,280 Speaker 2: that way for Jurassic. 91 00:04:22,080 --> 00:04:24,400 Speaker 1: Well, yeah, because it is an original character, Yeah, which 92 00:04:24,440 --> 00:04:27,159 Speaker 1: is pretty cool. So for that project, you get this call, 93 00:04:27,200 --> 00:04:30,520 Speaker 1: you have an audition. What is auditioning for a dinosaur 94 00:04:30,600 --> 00:04:32,920 Speaker 1: themed project? Like, do you like fake that there's a 95 00:04:32,920 --> 00:04:34,320 Speaker 1: dinosaur on screen with you? 96 00:04:34,600 --> 00:04:36,320 Speaker 2: Yeah? I had a friend of mine come in and like, 97 00:04:36,440 --> 00:04:40,880 Speaker 2: do like a velocirate? Like it was. I think the 98 00:04:40,960 --> 00:04:44,560 Speaker 2: best thing about Jurassic the Originals and this New One 99 00:04:44,640 --> 00:04:48,320 Speaker 2: Rebirth is that they make you care a lot about 100 00:04:48,360 --> 00:04:51,120 Speaker 2: the people in it and not just the dinosaurs. I 101 00:04:51,160 --> 00:04:54,440 Speaker 2: think that's a really hard task to accomplish, especially because 102 00:04:54,440 --> 00:04:56,480 Speaker 2: you know people are coming for the dinosaurs, but hopefully 103 00:04:56,560 --> 00:04:59,640 Speaker 2: when they leave, they leave come for the dinosaurs, stay 104 00:04:59,640 --> 00:05:03,560 Speaker 2: for the characters and their relationships. So that being said, 105 00:05:03,600 --> 00:05:06,000 Speaker 2: the audition it was just you know, it was it 106 00:05:06,080 --> 00:05:08,760 Speaker 2: was like just a quick scene that I have with 107 00:05:08,839 --> 00:05:11,920 Speaker 2: Manuel's character Rubin, who plays my girlfriend's dad in the movie. 108 00:05:12,680 --> 00:05:15,520 Speaker 2: I think it was that scene. I think both of 109 00:05:15,520 --> 00:05:18,240 Speaker 2: my audition scenes were with his character, and that's the 110 00:05:18,279 --> 00:05:22,240 Speaker 2: meat of who Xavier is and what his arc in 111 00:05:22,279 --> 00:05:25,000 Speaker 2: the movie is. You know, they're definitely running from dinosaurs 112 00:05:25,040 --> 00:05:27,880 Speaker 2: the entire time, and survival is a priority, but at 113 00:05:27,920 --> 00:05:31,719 Speaker 2: the same time, this family is actually dealing with regular, 114 00:05:31,760 --> 00:05:36,480 Speaker 2: regular family stuff, you know, and Xavier is dealing with 115 00:05:36,520 --> 00:05:39,480 Speaker 2: his own insecurity and his relationship with Teresa, and he's 116 00:05:39,520 --> 00:05:42,800 Speaker 2: not really sure why she's with him, and he loves 117 00:05:42,800 --> 00:05:45,800 Speaker 2: her so much. So Yeah, the audition itself was just that. 118 00:05:45,920 --> 00:05:49,000 Speaker 2: It was just, you know, kind of meat and potatoes. 119 00:05:49,440 --> 00:05:51,960 Speaker 2: I'm putting all my attention on my scene partner and 120 00:05:51,960 --> 00:05:54,000 Speaker 2: not worrying about the dinosaurs, and then when I showed up, 121 00:05:54,360 --> 00:05:57,160 Speaker 2: that was a whole other adventure that as an actor, 122 00:05:57,200 --> 00:05:57,800 Speaker 2: I went on. 123 00:05:58,000 --> 00:06:00,120 Speaker 1: Yeah, and did you know what a big part you 124 00:06:00,120 --> 00:06:02,960 Speaker 1: were going to be in this film prior to nailing 125 00:06:03,000 --> 00:06:05,080 Speaker 1: the role or was that kind of a surprise. 126 00:06:05,000 --> 00:06:07,400 Speaker 2: Thank you? I think it was a little bit of 127 00:06:07,400 --> 00:06:13,000 Speaker 2: a surprise. I wanted Exavier to feel like a breath 128 00:06:13,000 --> 00:06:16,040 Speaker 2: of fresh air for people because the stakes are so 129 00:06:16,120 --> 00:06:19,160 Speaker 2: high the whole time. Obviously you're running from this huge, 130 00:06:19,200 --> 00:06:24,599 Speaker 2: majestic imminent threat. And also Scarlet's character and Myhrschel's character, 131 00:06:24,760 --> 00:06:28,880 Speaker 2: and Johnny's character, and even Rupert's character that whole side 132 00:06:28,920 --> 00:06:32,440 Speaker 2: of the movie, they are all dealing with their own 133 00:06:32,520 --> 00:06:36,000 Speaker 2: painful stakes in their own lives respectively, in addition to 134 00:06:36,040 --> 00:06:39,720 Speaker 2: the dinosaurs. I think it's really it's a really interesting 135 00:06:39,880 --> 00:06:43,320 Speaker 2: approach that David Kep had to the characters in this movie, 136 00:06:43,320 --> 00:06:45,440 Speaker 2: where those guys are all kind of at the end 137 00:06:45,520 --> 00:06:48,560 Speaker 2: of their their rope when it comes to their own 138 00:06:48,560 --> 00:06:53,320 Speaker 2: personal lives. Like Johnny's character, Henry Loomis, Scarlet's character says 139 00:06:53,360 --> 00:06:55,520 Speaker 2: it in the movie, He's like specializing in in this 140 00:06:56,400 --> 00:06:58,839 Speaker 2: study that nobody really cares about in this universe anymore. 141 00:06:58,839 --> 00:07:01,480 Speaker 2: People are kind of sick of Diynash at the beginning 142 00:07:01,480 --> 00:07:05,800 Speaker 2: of this movie, and then Scarlet's character has her own 143 00:07:05,960 --> 00:07:09,880 Speaker 2: grievances with her job, and so does Mahershela. So that 144 00:07:09,960 --> 00:07:13,200 Speaker 2: being said, I wanted Xavier to every time he was 145 00:07:13,240 --> 00:07:15,080 Speaker 2: on screen for people to laugh and to feel some 146 00:07:15,240 --> 00:07:19,480 Speaker 2: type of levity, and I think I accomplished that. And 147 00:07:19,560 --> 00:07:23,000 Speaker 2: so while we were on set, I was trying to 148 00:07:23,040 --> 00:07:25,880 Speaker 2: improve as much as possible. Gareth was so open to, like, 149 00:07:26,920 --> 00:07:31,040 Speaker 2: you know, just keeping Exaviers anytime Exavier's on screen to 150 00:07:31,080 --> 00:07:34,600 Speaker 2: make it feel alive and bubbly and sarcastic and witty 151 00:07:34,640 --> 00:07:36,320 Speaker 2: and dry. And he was so open to it. He 152 00:07:36,360 --> 00:07:39,280 Speaker 2: was like, you know, fool around and if it doesn't work, 153 00:07:39,320 --> 00:07:41,400 Speaker 2: we'll cut it. Yeah, and if you're doing too much, 154 00:07:41,440 --> 00:07:45,360 Speaker 2: I'll pull you back. So yeah. So I was happy 155 00:07:45,400 --> 00:07:48,080 Speaker 2: with how how much Gareth trusted me and how much 156 00:07:48,080 --> 00:07:49,720 Speaker 2: of that actually ended up making it in the movie. 157 00:07:49,720 --> 00:07:51,800 Speaker 2: I didn't think it would. Wow, it's a pleasant surprise. 158 00:07:52,000 --> 00:07:54,600 Speaker 1: Yeah, Oh that's awesome. We'll testament to the work you did. Obviously, 159 00:07:54,600 --> 00:07:56,640 Speaker 1: if it was garbage, it'd be like cut you know 160 00:07:56,680 --> 00:07:59,080 Speaker 1: what I mean. So I guess you're pretty good at 161 00:07:59,080 --> 00:08:02,239 Speaker 1: what you do. Well, we'll say that. Do you think 162 00:08:02,400 --> 00:08:06,120 Speaker 1: this installment is the scariest in the entire franchise? How 163 00:08:06,160 --> 00:08:06,960 Speaker 1: would you rank that? 164 00:08:07,160 --> 00:08:10,840 Speaker 2: Oh? Man, I think I don't want to be disrespectful 165 00:08:10,880 --> 00:08:13,320 Speaker 2: to the original because I love it so much and 166 00:08:13,360 --> 00:08:16,880 Speaker 2: it's so beloved and it is so scary. I think 167 00:08:16,960 --> 00:08:20,200 Speaker 2: rebirths I'll say it's just as scary as Jurassic Park one. 168 00:08:20,320 --> 00:08:25,680 Speaker 2: I genuinely believe that I think, especially because the past 169 00:08:25,680 --> 00:08:29,720 Speaker 2: couple Jurassic Worlds kind of focused, they just had a 170 00:08:29,720 --> 00:08:33,280 Speaker 2: different approach to I think dinosaurs in this universe, Yeah, 171 00:08:33,400 --> 00:08:38,040 Speaker 2: you know, they're in captivity. There is a Jurassic World 172 00:08:38,040 --> 00:08:41,000 Speaker 2: that the theme park is successful, whereas in the original 173 00:08:41,280 --> 00:08:43,000 Speaker 2: it wasn't, And now in this one there is no 174 00:08:43,040 --> 00:08:45,920 Speaker 2: theme park. It is just the wild. So I just 175 00:08:46,000 --> 00:08:50,720 Speaker 2: think circumstantially, the stakes and the situations that our characters 176 00:08:50,720 --> 00:08:55,199 Speaker 2: are put in this one are horrifying. And it's fight 177 00:08:55,280 --> 00:08:57,800 Speaker 2: or flight, and that was the case in the original 178 00:08:57,840 --> 00:08:59,920 Speaker 2: as well. And it's a small group of people. It's 179 00:09:00,120 --> 00:09:03,160 Speaker 2: not like you know, you have this, you know in 180 00:09:03,240 --> 00:09:07,439 Speaker 2: the Jurassic World trilogy before this, there's kids running around, 181 00:09:07,520 --> 00:09:10,600 Speaker 2: There's there's nannies running around, there's parents running around. This 182 00:09:10,720 --> 00:09:12,920 Speaker 2: is just a small group of people. And even and 183 00:09:12,960 --> 00:09:16,320 Speaker 2: even within that the Delgado family and Xavier or even 184 00:09:16,320 --> 00:09:18,160 Speaker 2: smaller group of people that are really not supposed to 185 00:09:18,240 --> 00:09:20,239 Speaker 2: be there, yeah, and just end up there by circumstance 186 00:09:20,280 --> 00:09:23,079 Speaker 2: and by coincidence. So because of that, I think the 187 00:09:23,120 --> 00:09:25,920 Speaker 2: stakes are way higher and I think it's genuinely, genuinely 188 00:09:26,240 --> 00:09:28,160 Speaker 2: a terrifying movie. So I'll say it's as scary as 189 00:09:28,200 --> 00:09:28,760 Speaker 2: Jurassic Park. 190 00:09:28,920 --> 00:09:30,880 Speaker 1: It does feel like a return to the original. I 191 00:09:30,920 --> 00:09:33,240 Speaker 1: have to say, out of all of them, I feel like, 192 00:09:33,600 --> 00:09:35,680 Speaker 1: and this is the seventh film, it does feel the 193 00:09:35,720 --> 00:09:36,800 Speaker 1: most like the original. 194 00:09:36,920 --> 00:09:39,800 Speaker 2: Good. I'm glad. Yeah, that was very intentional, and they 195 00:09:39,800 --> 00:09:42,480 Speaker 2: brought David Kep back. Yeah, and Gareth is such like 196 00:09:42,520 --> 00:09:44,599 Speaker 2: a Spielberg fan, I think so. I think he'd be 197 00:09:44,640 --> 00:09:45,679 Speaker 2: very happy to hear you say that. 198 00:09:45,880 --> 00:09:48,640 Speaker 1: So what was the most exciting part for you in 199 00:09:48,720 --> 00:09:51,280 Speaker 1: filming this movie, Like, was there a scene or a 200 00:09:51,320 --> 00:09:53,280 Speaker 1: moment where you kind of shot it and then afterwards 201 00:09:53,320 --> 00:09:55,840 Speaker 1: were like, I cannot believe I'm here doing a Jurassic 202 00:09:55,840 --> 00:09:56,880 Speaker 1: Park film. Yeah. 203 00:09:56,960 --> 00:09:59,720 Speaker 2: Man, I had a couple of those moments. I think 204 00:09:59,720 --> 00:10:02,520 Speaker 2: the one that comes to mind is there's this scene 205 00:10:02,559 --> 00:10:07,080 Speaker 2: in the movie where I'm trapped inside of this cabin 206 00:10:07,200 --> 00:10:10,680 Speaker 2: in the boat and the door won't open, and there's 207 00:10:10,679 --> 00:10:13,400 Speaker 2: a Mozzel sore right around literally right outside of the door, 208 00:10:13,720 --> 00:10:18,040 Speaker 2: and there's spiney saurs. And we really did it practically 209 00:10:18,080 --> 00:10:19,560 Speaker 2: like they threw me in the It was on a 210 00:10:19,600 --> 00:10:21,800 Speaker 2: tank in Malta and it was very secure and safe. 211 00:10:21,840 --> 00:10:24,560 Speaker 2: We had a great stunt team, great marine team with 212 00:10:24,640 --> 00:10:26,599 Speaker 2: us like the whole time, but they really put me 213 00:10:26,640 --> 00:10:30,840 Speaker 2: in the cabin. They had water filling up while I 214 00:10:30,920 --> 00:10:32,560 Speaker 2: was in there, and it was so cluster phobia. It 215 00:10:32,559 --> 00:10:34,679 Speaker 2: was a really small space, and there was all these 216 00:10:34,720 --> 00:10:37,160 Speaker 2: props floating around in there with me, and it was 217 00:10:37,200 --> 00:10:41,880 Speaker 2: just me, the cameraman and a marine or I don't 218 00:10:41,880 --> 00:10:43,800 Speaker 2: know if he's an actual marine, but he had marine training. 219 00:10:44,280 --> 00:10:45,920 Speaker 2: And I was in there and it was filling, feeling filling, 220 00:10:45,920 --> 00:10:47,240 Speaker 2: and then it filled all the way to the top 221 00:10:47,520 --> 00:10:49,760 Speaker 2: and I was underwater and I literally had to move 222 00:10:49,800 --> 00:10:51,880 Speaker 2: over to the door and kick my way out. 223 00:10:52,800 --> 00:10:54,720 Speaker 1: I have such anxiety hearing you talk about that. 224 00:10:54,920 --> 00:10:57,720 Speaker 2: It was terrifying, but it was so I was like, 225 00:10:57,800 --> 00:11:00,880 Speaker 2: I can't believe that I actually feel safe right now, 226 00:11:00,920 --> 00:11:03,120 Speaker 2: Like I'm on a set where they have so much 227 00:11:03,160 --> 00:11:07,040 Speaker 2: money and they have so much effort being poured into 228 00:11:07,040 --> 00:11:11,360 Speaker 2: every single detail that I actually feel okay. My heart 229 00:11:11,400 --> 00:11:13,680 Speaker 2: was racing for the sake of the scene, and you know, 230 00:11:13,720 --> 00:11:15,760 Speaker 2: I knew that if anything went wrong, I had this 231 00:11:15,800 --> 00:11:17,559 Speaker 2: scuba diver right next to me, and I could take 232 00:11:17,720 --> 00:11:20,200 Speaker 2: his scuba tank and breathe underwater if I had to. 233 00:11:20,720 --> 00:11:22,679 Speaker 2: But it was in that moment where I just felt like, 234 00:11:22,720 --> 00:11:28,000 Speaker 2: I can't believe I have the luxury of practically almost drowning, right, 235 00:11:28,880 --> 00:11:32,160 Speaker 2: And I think in the movie you feel that sense 236 00:11:32,200 --> 00:11:35,839 Speaker 2: of claustrophobia. So that was probably the first moment where 237 00:11:35,880 --> 00:11:38,600 Speaker 2: I was like, Wow, man, I'm really I'm really here 238 00:11:38,679 --> 00:11:39,080 Speaker 2: right now. 239 00:11:39,679 --> 00:11:43,000 Speaker 1: My god, you just describe my worst nightmare. I am 240 00:11:43,040 --> 00:11:44,880 Speaker 1: so claustrophobic. I don't know how you do it, but 241 00:11:44,920 --> 00:11:46,880 Speaker 1: I guess it helps the scene, too, right. I mean, 242 00:11:46,920 --> 00:11:49,040 Speaker 1: it's obviously your acting, but it doesn't hurt to be 243 00:11:49,080 --> 00:11:52,760 Speaker 1: in these high circumstances where you really have to sink 244 00:11:52,840 --> 00:11:53,199 Speaker 1: or swim. 245 00:11:53,280 --> 00:11:55,280 Speaker 2: No, I mean really, yeah, that's what I'm just That's 246 00:11:55,320 --> 00:11:57,440 Speaker 2: what I'm saying. It was like such a luxury to 247 00:11:57,559 --> 00:12:00,600 Speaker 2: just be able to focus on, like this work, as 248 00:12:00,600 --> 00:12:03,120 Speaker 2: opposed to being like, Okay, I'm drowning. Let me imagine 249 00:12:03,120 --> 00:12:05,800 Speaker 2: that I'm drowning. How would I feel because you're pouring 250 00:12:05,880 --> 00:12:07,440 Speaker 2: water into this cabin while I was there. 251 00:12:07,640 --> 00:12:12,880 Speaker 1: That's wild. That's wild is filming with dinosaurs in whatever 252 00:12:13,000 --> 00:12:17,200 Speaker 1: form that they are in, as you're filming as weird 253 00:12:17,360 --> 00:12:20,480 Speaker 1: and wild as I may think it seems because they're 254 00:12:20,480 --> 00:12:22,719 Speaker 1: not there obviously, unless there's a secret you want to 255 00:12:22,720 --> 00:12:26,520 Speaker 1: share today. But you know, I would assume, what is it? 256 00:12:26,559 --> 00:12:28,360 Speaker 1: Like a stick with tennis balls or. 257 00:12:30,160 --> 00:12:30,480 Speaker 2: On it? 258 00:12:30,840 --> 00:12:32,360 Speaker 1: And you just have to seem terrified. 259 00:12:32,600 --> 00:12:33,520 Speaker 2: Yeah, I don't know. 260 00:12:34,960 --> 00:12:36,280 Speaker 1: So what do you think of when you're looking at 261 00:12:36,320 --> 00:12:37,600 Speaker 1: two tennis balls on a stick? 262 00:12:37,920 --> 00:12:41,040 Speaker 2: I mean, I guess I felt like it's funny you ask. 263 00:12:41,160 --> 00:12:44,480 Speaker 2: I remember being very jarred by that at first, because 264 00:12:44,800 --> 00:12:47,080 Speaker 2: my first day, I don't know it was my first 265 00:12:47,080 --> 00:12:48,600 Speaker 2: scene or my second scene. Was my first day on 266 00:12:48,640 --> 00:12:51,680 Speaker 2: the job, I had to interact with a mutadon, which 267 00:12:51,720 --> 00:12:56,480 Speaker 2: is like this hybrid gross cross breed of a velociraptor 268 00:12:56,679 --> 00:13:00,360 Speaker 2: and a pterodactyl, and it was not there. It was 269 00:13:00,440 --> 00:13:02,000 Speaker 2: a tennis ball on a stick. And I was very 270 00:13:02,040 --> 00:13:06,440 Speaker 2: thrown thrown by just it seemed like such a difficult task. 271 00:13:07,920 --> 00:13:11,560 Speaker 2: But in the moment, my saving grace was that I 272 00:13:11,640 --> 00:13:15,319 Speaker 2: used to have this dream where I was swimming in 273 00:13:15,360 --> 00:13:18,640 Speaker 2: the water in like a lake somewhere and snakes and 274 00:13:18,679 --> 00:13:21,600 Speaker 2: eels were like pulling at my feet recurring nightmare I had. 275 00:13:21,760 --> 00:13:23,280 Speaker 2: And I also had this other dream where I was 276 00:13:23,320 --> 00:13:26,520 Speaker 2: like locked in a cage with a tiger, and so 277 00:13:26,600 --> 00:13:30,360 Speaker 2: I literally I tried to just tap into that feeling 278 00:13:30,600 --> 00:13:34,240 Speaker 2: that innate. I think it's a very human feeling. It's 279 00:13:34,280 --> 00:13:36,600 Speaker 2: a very fight or flight feeling of being trapped in 280 00:13:36,640 --> 00:13:40,440 Speaker 2: a corner and your instincts kick in. So I just 281 00:13:40,440 --> 00:13:42,240 Speaker 2: tried to tap into that, you know. I tried to 282 00:13:42,240 --> 00:13:44,400 Speaker 2: tap into these like crazy nightmares that I would have 283 00:13:44,880 --> 00:13:49,320 Speaker 2: about animals. And yeah, I also think it's a lot 284 00:13:49,360 --> 00:13:52,960 Speaker 2: about like breath work. Like I feel like, once you 285 00:13:53,000 --> 00:13:55,040 Speaker 2: really get the lungs going in those moments, it kind 286 00:13:55,080 --> 00:13:58,520 Speaker 2: of triggers that same fight or flight feeling, and the 287 00:13:58,600 --> 00:14:01,240 Speaker 2: rest is just up to the camera work, you know. 288 00:14:01,440 --> 00:14:05,960 Speaker 2: And and the writing really served me very well. But yeah, 289 00:14:06,000 --> 00:14:07,760 Speaker 2: at the end of the day, it is just a 290 00:14:07,800 --> 00:14:10,920 Speaker 2: tennis ball and a stick. And if somebody, like if 291 00:14:10,920 --> 00:14:13,960 Speaker 2: an alien came then didn't know what acting was or 292 00:14:14,000 --> 00:14:16,720 Speaker 2: what films were, they'd be like, yo, what are you? Like? 293 00:14:16,720 --> 00:14:21,440 Speaker 2: Are you okay? That is a ball? See that's probably 294 00:14:21,480 --> 00:14:23,280 Speaker 2: a site for sore eyes. But I loved it. 295 00:14:23,520 --> 00:14:26,360 Speaker 1: That's incredible. That's incredible. One of my favorite things up 296 00:14:26,360 --> 00:14:27,920 Speaker 1: to this point of this interview, by the way, is 297 00:14:27,920 --> 00:14:30,440 Speaker 1: hearing you say every single dinosaur name and how you 298 00:14:30,480 --> 00:14:32,360 Speaker 1: pronounce it, Like, how in the world you nailed that. 299 00:14:32,440 --> 00:14:34,640 Speaker 1: If I was given all these names, I'd be a mess. 300 00:14:34,720 --> 00:14:36,320 Speaker 1: I can barely say my own name. How do you 301 00:14:36,360 --> 00:14:36,680 Speaker 1: do that? 302 00:14:36,760 --> 00:14:38,720 Speaker 2: I take a lot of pride hit the. 303 00:14:38,760 --> 00:14:42,000 Speaker 1: Chlorosaurus, like all the things you're saying, Oh, that's not 304 00:14:42,000 --> 00:14:45,120 Speaker 1: one I tried. I tried. Did it take a while 305 00:14:45,200 --> 00:14:46,400 Speaker 1: for you to learn all of that? 306 00:14:46,960 --> 00:14:47,160 Speaker 2: Yeah? 307 00:14:47,400 --> 00:14:48,760 Speaker 1: You just hear it once you're like, got it? 308 00:14:48,800 --> 00:14:53,160 Speaker 2: Bro Definitely not, definitely not. I read the script more 309 00:14:53,200 --> 00:14:57,120 Speaker 2: than once, and I think I really wanted to familiarize 310 00:14:57,120 --> 00:14:59,160 Speaker 2: myself with that as much as possible, because that's that's 311 00:14:59,200 --> 00:15:00,440 Speaker 2: the bread and butter of the movie. We obviously that 312 00:15:00,520 --> 00:15:03,280 Speaker 2: people are coming to see the dinosaurs, and I don't know, 313 00:15:03,320 --> 00:15:04,640 Speaker 2: I feel like when I was a kid, like I 314 00:15:04,680 --> 00:15:06,640 Speaker 2: loved I feel like we all loved Dinaosta when we 315 00:15:06,720 --> 00:15:09,560 Speaker 2: were younger. But I don't know. I'm kind of a 316 00:15:09,680 --> 00:15:12,680 Speaker 2: know it all in in in my every day so 317 00:15:12,960 --> 00:15:15,040 Speaker 2: I feel like it's important to me to get them 318 00:15:15,120 --> 00:15:18,800 Speaker 2: right or my pride and ego will be bruised. And 319 00:15:18,800 --> 00:15:20,640 Speaker 2: also I'm reading the book right now, and I think 320 00:15:20,640 --> 00:15:23,240 Speaker 2: that's also like something that's have you read it? 321 00:15:23,480 --> 00:15:25,720 Speaker 1: It's like off and on. I need to like really 322 00:15:25,760 --> 00:15:27,200 Speaker 1: debt a kid to it. I mean it's a big, 323 00:15:27,240 --> 00:15:28,080 Speaker 1: fat but yeah. 324 00:15:28,000 --> 00:15:31,080 Speaker 2: Dude, no, totally. It is intense. It's it's gritty and 325 00:15:31,120 --> 00:15:35,200 Speaker 2: it's horrific, even compared to the original, which is gritty, 326 00:15:35,200 --> 00:15:37,920 Speaker 2: and but yeah, seeing it on the page is like 327 00:15:37,960 --> 00:15:39,920 Speaker 2: way easier to like get it in my brain. 328 00:15:47,840 --> 00:15:49,520 Speaker 1: Did you get to meet Spielberg? 329 00:15:50,520 --> 00:15:53,640 Speaker 2: Not in person, but there was there was one night 330 00:15:53,680 --> 00:15:55,680 Speaker 2: where we were in Thailand, which is our first location 331 00:15:55,720 --> 00:15:57,920 Speaker 2: that we were filming in. Uh, it was a long 332 00:15:58,000 --> 00:16:00,520 Speaker 2: night shoot. We were all exhausted. We were on this 333 00:16:00,680 --> 00:16:04,840 Speaker 2: doc like right at the edge of this jungle and 334 00:16:04,880 --> 00:16:06,640 Speaker 2: it had to be maybe three four in the morning. 335 00:16:07,040 --> 00:16:09,400 Speaker 2: And Frank Marshall, who's an executive producer on the movie, 336 00:16:09,440 --> 00:16:12,680 Speaker 2: and he's worked with Spielberg like pretty much since I 337 00:16:12,680 --> 00:16:14,800 Speaker 2: feel like the eighties or the seventies, on like almost 338 00:16:14,800 --> 00:16:17,440 Speaker 2: every movie he's worked on. Frank was the best. He 339 00:16:17,520 --> 00:16:19,800 Speaker 2: was on set every day with us. Spielberg's obviously a 340 00:16:19,840 --> 00:16:21,920 Speaker 2: producer on the movie, but I you know, you know, 341 00:16:21,920 --> 00:16:23,240 Speaker 2: he's got a bunch of his ow stuff going on. 342 00:16:23,320 --> 00:16:27,480 Speaker 2: He felt very involved and Garrett's choices felt very inspired 343 00:16:27,480 --> 00:16:29,400 Speaker 2: by him. But I never met him in person until 344 00:16:29,440 --> 00:16:31,640 Speaker 2: this one night we were all exhausted, and Frank just 345 00:16:31,680 --> 00:16:33,040 Speaker 2: came up out of nowhere. I think he could kind 346 00:16:33,040 --> 00:16:36,000 Speaker 2: of tell that, like the vibes were really lethargic and 347 00:16:36,160 --> 00:16:39,160 Speaker 2: like just kind of trudging along. And so he's like, Hey, 348 00:16:39,200 --> 00:16:40,520 Speaker 2: I have somebody that wants to say hi to you. 349 00:16:40,520 --> 00:16:42,520 Speaker 2: And then it's Stephen on the phone and FaceTime, like 350 00:16:42,600 --> 00:16:44,080 Speaker 2: right in my face, and I was like, oh, I 351 00:16:44,120 --> 00:16:46,160 Speaker 2: felt like naked. I was like, hey, how are you. 352 00:16:46,360 --> 00:16:48,760 Speaker 2: What's up man? And he was like, I saw your 353 00:16:49,040 --> 00:16:51,200 Speaker 2: I saw your audition, I saw your test. Great job. 354 00:16:51,360 --> 00:16:53,240 Speaker 2: And I was like, I don't know why I didn't 355 00:16:53,240 --> 00:16:55,840 Speaker 2: put two and two together. He's just like this legend. 356 00:16:55,920 --> 00:16:59,120 Speaker 2: He's like this myth of a filmmaker. So I dip beforehand. 357 00:16:59,160 --> 00:17:02,440 Speaker 2: I didn't feel like he actually saw me or like 358 00:17:02,480 --> 00:17:04,600 Speaker 2: had to say yes to me. So in that moment, 359 00:17:04,640 --> 00:17:06,280 Speaker 2: I was like, Wow, I got the stamp of approval 360 00:17:06,280 --> 00:17:08,359 Speaker 2: from spielwork and he just said it to me in 361 00:17:08,480 --> 00:17:11,719 Speaker 2: my face. And that's a moment. I in the moment, 362 00:17:12,320 --> 00:17:14,480 Speaker 2: it happened so fast and I was like, oh, yeah, 363 00:17:14,480 --> 00:17:16,560 Speaker 2: it's just Stephen. But the next day I was like, 364 00:17:17,200 --> 00:17:19,000 Speaker 2: did that was that a dream? Did that really happen? 365 00:17:19,160 --> 00:17:23,080 Speaker 2: And it did, and he seems so lovely and involved. Yeah, 366 00:17:23,119 --> 00:17:23,639 Speaker 2: there's nuts. 367 00:17:23,760 --> 00:17:26,480 Speaker 1: Did the theme song to Jurassic Park just start playing 368 00:17:26,520 --> 00:17:27,879 Speaker 1: in your head? Like, did you feel like it was 369 00:17:27,880 --> 00:17:30,720 Speaker 1: surrounding you? John Williams just popped up and you heard 370 00:17:30,720 --> 00:17:31,680 Speaker 1: this the orchestra? 371 00:17:31,880 --> 00:17:35,919 Speaker 2: Yeah. I thinks Silberg kind of just plays it with 372 00:17:35,960 --> 00:17:37,520 Speaker 2: him wherever he goes, Like I think he keeps a 373 00:17:37,520 --> 00:17:39,680 Speaker 2: speaker in his pocket and naturally like letting it run. 374 00:17:39,720 --> 00:17:41,720 Speaker 2: So I don't know if it was real or fake, 375 00:17:41,880 --> 00:17:43,040 Speaker 2: but it totally did. 376 00:17:43,359 --> 00:17:47,040 Speaker 1: That's amazing. That's amazing. I love hearing that. And you're right, 377 00:17:47,080 --> 00:17:50,560 Speaker 1: he chose you, like Steven Spielberg chose you. Let that 378 00:17:50,600 --> 00:17:51,920 Speaker 1: sink in for the rest of your life. 379 00:17:52,000 --> 00:17:54,040 Speaker 2: Yeah, right, true, it will never make sense to me. 380 00:17:55,000 --> 00:17:57,639 Speaker 1: That's so Badass's bass, that's so bad ass. Well, the 381 00:17:57,680 --> 00:17:59,080 Speaker 1: movie is out and I assume a lot of people 382 00:17:59,119 --> 00:18:02,320 Speaker 1: listening have seen the movie. So my last question around 383 00:18:02,400 --> 00:18:06,719 Speaker 1: Jurassic World Rebirth, which is out now, is what for 384 00:18:06,880 --> 00:18:10,480 Speaker 1: you is one of your favorite scenes of yours or 385 00:18:10,520 --> 00:18:12,800 Speaker 1: not yours in the entire movie? That might be a spoiler. 386 00:18:13,160 --> 00:18:16,840 Speaker 2: Yeah, I mean, I don't want to give a good 387 00:18:16,840 --> 00:18:18,760 Speaker 2: answer because I know a lot of people are anticipating 388 00:18:19,320 --> 00:18:22,000 Speaker 2: the t Rex River ref scene because that was in 389 00:18:22,000 --> 00:18:24,119 Speaker 2: the original book, and people are very excited about it. 390 00:18:24,760 --> 00:18:26,600 Speaker 2: That's probably one of my favorite scenes in the movie. 391 00:18:26,640 --> 00:18:29,679 Speaker 2: But I want to say something better. There's a moment 392 00:18:31,000 --> 00:18:36,399 Speaker 2: where there's a moment on the boat where like the 393 00:18:36,440 --> 00:18:39,080 Speaker 2: Special Ops team, like Scarlett, Johnny, Oursal, all of them, 394 00:18:39,359 --> 00:18:41,440 Speaker 2: they pick us up, they rescue us from being attacked 395 00:18:41,440 --> 00:18:44,760 Speaker 2: by mosesar on our sailboat. We're all on the boat together, 396 00:18:45,000 --> 00:18:47,840 Speaker 2: and then the boat gets attacked again by Malssor and 397 00:18:48,960 --> 00:18:49,800 Speaker 2: I can spoil it right. 398 00:18:49,720 --> 00:18:52,080 Speaker 1: It's yeah, yeah, spoiler alert everybody. 399 00:18:51,680 --> 00:18:53,920 Speaker 2: Spoiler alert please, It's like my favorite part of the movie. 400 00:18:53,920 --> 00:18:56,600 Speaker 2: But my girlfriend played by Luna Blaze, her name is 401 00:18:56,640 --> 00:19:01,119 Speaker 2: Teresa in the movie, she falls overboard and my character 402 00:19:01,240 --> 00:19:03,760 Speaker 2: actually gets to like jump off the boat after her, 403 00:19:03,800 --> 00:19:07,040 Speaker 2: and it's the first up until that point, you're not 404 00:19:07,080 --> 00:19:10,800 Speaker 2: really sure about this guy. He's very annoying and like sarcastic, 405 00:19:10,920 --> 00:19:13,240 Speaker 2: and her father doesn't get along with him at all, 406 00:19:14,080 --> 00:19:16,320 Speaker 2: and he's funny, but you're not really sure about his intentions. 407 00:19:16,320 --> 00:19:17,960 Speaker 2: And I feel like a lot of people are probably like, 408 00:19:17,960 --> 00:19:19,639 Speaker 2: this is the dude that's gonna get eat first, like, 409 00:19:19,720 --> 00:19:24,159 Speaker 2: for sure, right, But I think Xavier exceeds a lot 410 00:19:24,200 --> 00:19:27,200 Speaker 2: of people's expectations. He exceeded my expectations, he exceeds Reuben's 411 00:19:27,200 --> 00:19:30,480 Speaker 2: expectations in the movie, and he jumps off after And 412 00:19:30,680 --> 00:19:33,480 Speaker 2: I remember reading it in the script because, like I said, 413 00:19:33,480 --> 00:19:36,000 Speaker 2: Exavier's character is so chatty and so mouthy for a 414 00:19:36,000 --> 00:19:39,040 Speaker 2: majority of his time on screen. But I remember reading 415 00:19:39,080 --> 00:19:40,600 Speaker 2: that moment in script and I wanted him to say 416 00:19:40,640 --> 00:19:43,199 Speaker 2: nothing because I think originally he just yells like Teresa 417 00:19:43,280 --> 00:19:45,440 Speaker 2: and then jumps off after her. But I wanted this 418 00:19:45,520 --> 00:19:47,960 Speaker 2: moment in the movie to be the only movie or 419 00:19:48,000 --> 00:19:52,159 Speaker 2: the only moment where he doesn't say anything because it 420 00:19:52,200 --> 00:19:54,560 Speaker 2: felt so special and she's so important to him, and 421 00:19:54,600 --> 00:19:57,679 Speaker 2: this is the first it's almost his most vulnerable moment 422 00:19:57,840 --> 00:20:00,159 Speaker 2: because this person that he cares about, maybe more then 423 00:20:00,160 --> 00:20:02,960 Speaker 2: he cares about himself, is in danger. So it's a 424 00:20:03,040 --> 00:20:05,240 Speaker 2: it's a split second decision. He's like, no question, I'm 425 00:20:05,280 --> 00:20:08,240 Speaker 2: jumping in after her. And that's why I just felt 426 00:20:08,240 --> 00:20:11,000 Speaker 2: like a heroic moment and I love that stuff. And 427 00:20:11,040 --> 00:20:12,879 Speaker 2: it got a really big cheer when we watched it 428 00:20:12,920 --> 00:20:17,000 Speaker 2: in New York in London. Uh, I just think you know, 429 00:20:17,040 --> 00:20:19,240 Speaker 2: the Brits are a little more timid and reserve right 430 00:20:19,400 --> 00:20:21,960 Speaker 2: to Larry ecss, But in New York they cheered so 431 00:20:22,119 --> 00:20:25,080 Speaker 2: loud when he when my character dives off, and it 432 00:20:25,200 --> 00:20:28,840 Speaker 2: was so rewarding and like cathartic, and I dreamed about 433 00:20:28,840 --> 00:20:30,239 Speaker 2: having moments like that when I was a kid. 434 00:20:30,400 --> 00:20:33,040 Speaker 1: Your big hero moment. Yeah, your big hero moment. 435 00:20:33,880 --> 00:20:34,320 Speaker 2: Look at that. 436 00:20:34,440 --> 00:20:37,000 Speaker 1: That's that's amazing. Well, you are killing it in one 437 00:20:37,040 --> 00:20:40,199 Speaker 1: of the hottest blockbusters of the entire summer, which is 438 00:20:40,280 --> 00:20:42,480 Speaker 1: just so damn cool, and people have been waiting for 439 00:20:42,520 --> 00:20:44,560 Speaker 1: this movie to come out. They're also waiting for the summer. 440 00:20:44,600 --> 00:20:48,800 Speaker 1: I turned pretty final season was that weird wrapping up 441 00:20:48,800 --> 00:20:51,040 Speaker 1: a part of your life that's that's just been there 442 00:20:51,080 --> 00:20:53,679 Speaker 1: for so long. Like, do you grieve when something like 443 00:20:53,720 --> 00:20:55,879 Speaker 1: that ends, Stuart? Do you just kind of move on? 444 00:20:56,240 --> 00:20:59,639 Speaker 2: That was an interesting experience for me because, you know, 445 00:20:59,760 --> 00:21:04,480 Speaker 2: Can as a character resonated with so many people in 446 00:21:04,520 --> 00:21:06,800 Speaker 2: a way that surprised me, And I think that surprised 447 00:21:06,920 --> 00:21:10,480 Speaker 2: Jenny Hahn, the creator of the show. I wasn't even 448 00:21:10,520 --> 00:21:13,639 Speaker 2: really meant. I don't think initially she intended me to 449 00:21:13,680 --> 00:21:16,399 Speaker 2: be even in the second season, because in the books. 450 00:21:16,400 --> 00:21:18,640 Speaker 2: My character's only in the first book, and then he's 451 00:21:18,640 --> 00:21:20,600 Speaker 2: like mentioned in the second book, and like not at 452 00:21:20,600 --> 00:21:22,879 Speaker 2: all in the third book. So I fa thought I 453 00:21:22,920 --> 00:21:26,960 Speaker 2: was even in season two felt like a bonus experience, 454 00:21:27,000 --> 00:21:29,040 Speaker 2: Like it almost felt like I wasn't supposed to be 455 00:21:29,119 --> 00:21:31,800 Speaker 2: but because everyone loved him so much, I was happy 456 00:21:31,840 --> 00:21:34,480 Speaker 2: to be there. So it didn't really feel like grief, 457 00:21:34,520 --> 00:21:38,240 Speaker 2: to be honest with you, I felt like maybe I 458 00:21:38,600 --> 00:21:43,040 Speaker 2: grief the experience. I grieve the experience, and I made 459 00:21:43,080 --> 00:21:46,600 Speaker 2: like the best friends that some of the best friends 460 00:21:46,640 --> 00:21:48,520 Speaker 2: that I have right now are because of that show. 461 00:21:48,840 --> 00:21:51,480 Speaker 2: My roommate is because of that show. I went to 462 00:21:51,560 --> 00:21:54,159 Speaker 2: high school with some people in that show, and you know, 463 00:21:54,400 --> 00:21:56,400 Speaker 2: it just felt like really serendipitous. So if there's any 464 00:21:57,320 --> 00:22:01,000 Speaker 2: grief involved, it is that of just not being able 465 00:22:01,000 --> 00:22:03,160 Speaker 2: to go to set with those guys every day. Yeah, 466 00:22:03,200 --> 00:22:04,800 Speaker 2: God willing I do it again with them on a 467 00:22:04,800 --> 00:22:07,440 Speaker 2: different project. But it's just such a special time capsule 468 00:22:07,480 --> 00:22:08,000 Speaker 2: in my life. 469 00:22:08,080 --> 00:22:11,040 Speaker 1: It's so cool that you're also tight, right, And yeah, 470 00:22:11,040 --> 00:22:11,879 Speaker 1: you went to high school with. 471 00:22:11,920 --> 00:22:14,480 Speaker 2: Lola and Sean as well, who plays her brother. Oh 472 00:22:14,520 --> 00:22:16,560 Speaker 2: no way, Yeah, he was two years older than us. 473 00:22:16,600 --> 00:22:19,440 Speaker 2: In New York Gardia, okay, which is right across the 474 00:22:19,440 --> 00:22:21,119 Speaker 2: street from Lincoln Center, which is where we work for 475 00:22:21,119 --> 00:22:22,320 Speaker 2: the Jurassic premiere the other day. 476 00:22:22,359 --> 00:22:23,119 Speaker 1: That's so cool. 477 00:22:23,359 --> 00:22:24,639 Speaker 2: Such a full circle. 478 00:22:24,680 --> 00:22:27,000 Speaker 1: And your roommates with Chris No, no, Sean, Oh, with Sean. 479 00:22:27,320 --> 00:22:31,200 Speaker 2: I don't know if I should say that. Nobody's gonna like. 480 00:22:31,560 --> 00:22:34,320 Speaker 1: No, we don't know where. It's fine, It's fine. That's 481 00:22:34,320 --> 00:22:36,040 Speaker 1: really cool. I love hearing that because when you see 482 00:22:36,040 --> 00:22:38,280 Speaker 1: such a tight knit group on screen, you hope that 483 00:22:38,280 --> 00:22:40,439 Speaker 1: that translates to off screen, and it doesn't always, as 484 00:22:40,520 --> 00:22:42,200 Speaker 1: you know, and as I know, you know, it's work 485 00:22:42,280 --> 00:22:44,600 Speaker 1: and you hope that you are cool with your colleagues. 486 00:22:44,640 --> 00:22:47,800 Speaker 1: But when you really have that bond, I imagine it 487 00:22:47,880 --> 00:22:51,040 Speaker 1: just makes the process so much better totally, especially working 488 00:22:51,080 --> 00:22:52,600 Speaker 1: long hours and doing all of that. 489 00:22:52,640 --> 00:22:55,760 Speaker 2: Absolutely Yeah, being able to like goofle off in between 490 00:22:55,760 --> 00:22:58,159 Speaker 2: takes and or even not talk to each other in 491 00:22:58,200 --> 00:23:01,399 Speaker 2: between takes. Like I know, person sometimes I feel like, I, 492 00:23:01,760 --> 00:23:03,880 Speaker 2: you know, if I'm if I'm at work and we're 493 00:23:03,920 --> 00:23:06,359 Speaker 2: in between setups or something, I need to like still 494 00:23:06,359 --> 00:23:09,040 Speaker 2: be entertaining, Yeah, still be on. But it's really nice 495 00:23:09,080 --> 00:23:10,640 Speaker 2: when you're close with people to know that you don't 496 00:23:10,680 --> 00:23:12,760 Speaker 2: have to and they don't care. Yeah, and I don't 497 00:23:12,760 --> 00:23:14,520 Speaker 2: care and we can just chill on the best Yeah, 498 00:23:14,560 --> 00:23:15,480 Speaker 2: I mean just be on our phone. 499 00:23:15,480 --> 00:23:17,280 Speaker 1: So that's a sign of a true friendship. So yeah, 500 00:23:17,280 --> 00:23:18,840 Speaker 1: when you don't have to be on totally. 501 00:23:18,920 --> 00:23:21,359 Speaker 2: Yeah, Like moments of silence are not awkward with any. 502 00:23:21,240 --> 00:23:22,840 Speaker 1: Of those Yeah. So oh, I love that. 503 00:23:23,040 --> 00:23:23,200 Speaker 2: Well. 504 00:23:23,240 --> 00:23:26,080 Speaker 1: Cam is a fan favorite. He's you know, he's he's 505 00:23:26,320 --> 00:23:29,160 Speaker 1: sweet and endearing and just a good guy. Like he's 506 00:23:29,160 --> 00:23:31,959 Speaker 1: just a good guy. Right, So from season one to now, 507 00:23:32,080 --> 00:23:35,120 Speaker 1: what would you say you learned about yourself through playing Cam. 508 00:23:35,640 --> 00:23:38,640 Speaker 2: It's a great question. I've always said that I admire 509 00:23:38,720 --> 00:23:42,000 Speaker 2: even from the first season. He's kind of like a 510 00:23:42,119 --> 00:23:44,720 Speaker 2: character in that show that I think is an anchor 511 00:23:44,920 --> 00:23:47,639 Speaker 2: for a lot of people. He's he goes through changes, 512 00:23:47,640 --> 00:23:49,840 Speaker 2: of course, but I think he's the most constant out 513 00:23:49,880 --> 00:23:54,040 Speaker 2: of anybody in the show. And so he's always been 514 00:23:54,080 --> 00:23:57,720 Speaker 2: even in season one when he was like seventeen sixteen seventeen, 515 00:23:57,800 --> 00:24:02,280 Speaker 2: he was confident in his works and his awkward nature 516 00:24:02,400 --> 00:24:07,399 Speaker 2: and his his mess ups, and I think that's why 517 00:24:07,480 --> 00:24:09,119 Speaker 2: people kind of fell in love with him. I think 518 00:24:09,520 --> 00:24:13,119 Speaker 2: he's very relatable to a lot of fans, and if anything, 519 00:24:13,160 --> 00:24:14,960 Speaker 2: I feel as if that's taught me to be the 520 00:24:14,960 --> 00:24:17,479 Speaker 2: same way. You know, I'm a very heavy person. I'm 521 00:24:17,560 --> 00:24:19,920 Speaker 2: very in my head a lot, and he is too, 522 00:24:19,960 --> 00:24:22,040 Speaker 2: but he's proud of it and he uses it to 523 00:24:22,119 --> 00:24:24,119 Speaker 2: his advantage. And I think it's why Belly takes a 524 00:24:24,160 --> 00:24:26,480 Speaker 2: liking to him in the first season and he sticks 525 00:24:26,480 --> 00:24:28,680 Speaker 2: around in the second season and hangs out with everybody 526 00:24:28,680 --> 00:24:32,399 Speaker 2: still because he's just relatable. So yeah, I think, if anything, 527 00:24:32,720 --> 00:24:36,320 Speaker 2: just to let your freak flag fly and be proud 528 00:24:36,320 --> 00:24:36,560 Speaker 2: of it. 529 00:24:36,600 --> 00:24:39,040 Speaker 1: You know, do you know people still there? There is 530 00:24:39,080 --> 00:24:40,919 Speaker 1: a group of people who still were hoping you and 531 00:24:40,960 --> 00:24:43,320 Speaker 1: Belly would have worked out, like they exist, Like, yeah, 532 00:24:43,440 --> 00:24:45,520 Speaker 1: people are Team Jeremiah and so you can comrade, but 533 00:24:45,560 --> 00:24:47,520 Speaker 1: there are people who are, like, oh, Team Cam would 534 00:24:47,520 --> 00:24:50,200 Speaker 1: have been great, right, That must feel cool? 535 00:24:50,320 --> 00:24:52,359 Speaker 2: Feels great? Man, I don't know if I like what 536 00:24:52,440 --> 00:24:53,960 Speaker 2: people root for characters that I play. 537 00:24:54,240 --> 00:24:57,040 Speaker 1: Yeah, that's great. Well, that begs the question Team Jeremiah 538 00:24:57,080 --> 00:24:59,199 Speaker 1: or a Team Conrad. Man, you're trying to get me 539 00:24:59,359 --> 00:25:01,760 Speaker 1: in some terrible I don't know what's say. 540 00:25:01,960 --> 00:25:06,440 Speaker 2: I'll say team Cama. It has to be Team Camp. 541 00:25:06,520 --> 00:25:08,320 Speaker 2: I will never jump off of that boat. I love 542 00:25:08,359 --> 00:25:10,760 Speaker 2: both of those guys so much. They're both like such 543 00:25:10,760 --> 00:25:12,359 Speaker 2: good friends of mine. They would both be very upset 544 00:25:12,400 --> 00:25:13,399 Speaker 2: with me if I said want it not. 545 00:25:13,800 --> 00:25:16,400 Speaker 1: So you're saying season three, the plot twist is it's 546 00:25:16,440 --> 00:25:16,920 Speaker 1: team Cam. 547 00:25:17,080 --> 00:25:20,440 Speaker 2: It's team Cam Cam Mary's belly. They ride off into 548 00:25:20,520 --> 00:25:21,480 Speaker 2: the sunset on a horse. 549 00:25:21,520 --> 00:25:23,919 Speaker 1: Can you imagine it? Can you imagine that build up? 550 00:25:23,920 --> 00:25:24,600 Speaker 1: And then that happens. 551 00:25:24,640 --> 00:25:28,320 Speaker 2: Yeah, he's so many, I think, very small people that 552 00:25:28,359 --> 00:25:31,320 Speaker 2: were like yes, and then ninety percent of the orders 553 00:25:31,320 --> 00:25:33,240 Speaker 2: to be like are we serious? Is that really ending? 554 00:25:34,240 --> 00:25:37,080 Speaker 1: Yeah? All right, well, stranger things have happened. We'll see 555 00:25:37,480 --> 00:25:39,399 Speaker 1: never say never. So what are you most excited for 556 00:25:39,440 --> 00:25:41,040 Speaker 1: people to see regarding your character? 557 00:25:42,200 --> 00:25:43,560 Speaker 2: I don't know, man, I don't want to. I don't 558 00:25:43,560 --> 00:25:45,080 Speaker 2: I really don't want to give too much away. Okay, 559 00:25:45,080 --> 00:25:49,359 Speaker 2: all right, it's it's people will be excited nonetheless, And 560 00:25:49,400 --> 00:25:51,399 Speaker 2: I think Jenny did a really good job of like 561 00:25:51,480 --> 00:25:52,520 Speaker 2: putting a bowl on everything. 562 00:25:52,560 --> 00:25:54,520 Speaker 1: Well that's what I was gonna say without saying anything. 563 00:25:55,080 --> 00:25:58,440 Speaker 1: Do you think people will be happy with how it ends? 564 00:25:59,119 --> 00:25:59,480 Speaker 2: I think so? 565 00:25:59,680 --> 00:25:59,960 Speaker 1: Okay. 566 00:26:00,119 --> 00:26:04,679 Speaker 2: I think I think everybody on that show treats it 567 00:26:04,720 --> 00:26:07,520 Speaker 2: with like a lot of respect, and they care about 568 00:26:07,560 --> 00:26:11,119 Speaker 2: their characters, and Jenny cares like this shows her baby, 569 00:26:11,280 --> 00:26:14,560 Speaker 2: you know, she cares so much about it. So regardless 570 00:26:14,600 --> 00:26:16,880 Speaker 2: of like what team anybody is on or anything like that, 571 00:26:17,160 --> 00:26:19,879 Speaker 2: I think everyone will be very satisfied where each character 572 00:26:19,960 --> 00:26:20,880 Speaker 2: ends up for sure. 573 00:26:21,480 --> 00:26:23,960 Speaker 1: Would you say this project is the one that kind 574 00:26:24,040 --> 00:26:25,960 Speaker 1: of changed your life the most? 575 00:26:26,080 --> 00:26:26,480 Speaker 2: Totally? 576 00:26:26,600 --> 00:26:26,919 Speaker 1: Yeah? 577 00:26:26,960 --> 00:26:30,480 Speaker 2: Absolutely. I mean I owe so much to that show. 578 00:26:30,600 --> 00:26:32,639 Speaker 2: Like I just told you, I have so many you 579 00:26:32,680 --> 00:26:37,359 Speaker 2: know what I feel like, are lifelong friends from it. 580 00:26:37,359 --> 00:26:40,520 Speaker 2: It gave me like a really really wonderful following and 581 00:26:40,760 --> 00:26:42,359 Speaker 2: so nice to be like walking down the street and 582 00:26:42,359 --> 00:26:44,560 Speaker 2: for people to be like, hey, man, what's up. I 583 00:26:44,560 --> 00:26:47,040 Speaker 2: love your work? You know that? That is so you know, 584 00:26:47,119 --> 00:26:51,359 Speaker 2: as an actor, it's it's great to get validation like that, 585 00:26:51,440 --> 00:26:53,920 Speaker 2: you know. It's I think it's most important to feel 586 00:26:53,920 --> 00:26:57,080 Speaker 2: confident in your own work and feel validated, you know, 587 00:26:57,480 --> 00:27:00,280 Speaker 2: by yourself. But it's definitely a plus to be it's 588 00:27:00,280 --> 00:27:02,040 Speaker 2: my home, it's my home city, it's my hometown. To 589 00:27:02,080 --> 00:27:04,440 Speaker 2: be just walking down the street and people, I really, 590 00:27:04,520 --> 00:27:06,800 Speaker 2: I really what you did really resonate with me. That's 591 00:27:06,840 --> 00:27:11,320 Speaker 2: all that matters. So yeah, I mean it put me 592 00:27:11,359 --> 00:27:13,480 Speaker 2: on the map, I think, and I learned a lot. Yeah, 593 00:27:13,520 --> 00:27:14,680 Speaker 2: I love that show and other of those people. 594 00:27:14,800 --> 00:27:16,640 Speaker 1: Well, and what's so cool is, and I was kind 595 00:27:16,640 --> 00:27:19,240 Speaker 1: of alluding to this earlier, is you're you stepped into 596 00:27:19,400 --> 00:27:22,440 Speaker 1: a very popular franchise that has it built in fandom, 597 00:27:22,520 --> 00:27:24,800 Speaker 1: and you brought this character to life in a way 598 00:27:24,800 --> 00:27:28,120 Speaker 1: that makes those original fans and an entire new fan 599 00:27:28,160 --> 00:27:30,959 Speaker 1: base love your work, which isn't always easy to do, 600 00:27:31,160 --> 00:27:33,000 Speaker 1: Like when people have an idea of what a character 601 00:27:33,080 --> 00:27:35,159 Speaker 1: should be or who they are, it could be a 602 00:27:35,160 --> 00:27:37,520 Speaker 1: lot of pressure, right, and and I feel like everyone 603 00:27:37,560 --> 00:27:39,679 Speaker 1: in this cast has really kind of rose to that 604 00:27:39,720 --> 00:27:42,800 Speaker 1: occasion and created something that everybody's so happy with. Yeah 605 00:27:42,960 --> 00:27:43,960 Speaker 1: it's not easy. 606 00:27:43,800 --> 00:27:45,720 Speaker 2: No, no, it's not. And I think it's just a 607 00:27:45,800 --> 00:27:50,480 Speaker 2: testament to you know, Jenny's like love for the show 608 00:27:50,560 --> 00:27:53,080 Speaker 2: and also also the every actor and it loves their 609 00:27:53,160 --> 00:27:56,080 Speaker 2: character so much. It's definitely something to be proud of. 610 00:27:56,280 --> 00:27:58,399 Speaker 2: And it feels kind of like, I don't know, like 611 00:27:59,440 --> 00:28:01,560 Speaker 2: I remember like Alson's Creek was on TV, or like 612 00:28:01,600 --> 00:28:04,040 Speaker 2: Gossip Girl, like you know what I mean. I feel 613 00:28:04,080 --> 00:28:06,040 Speaker 2: like you were too young for those absolutely too young 614 00:28:06,080 --> 00:28:08,280 Speaker 2: for those I did not watch them. But that being said, 615 00:28:08,280 --> 00:28:10,359 Speaker 2: that's kind of what I'm alluding to now. I feel like, 616 00:28:10,400 --> 00:28:12,560 Speaker 2: looking back on them, there's such classics, and yeah, I 617 00:28:12,560 --> 00:28:14,840 Speaker 2: don't want to you know, toot the show's own horn 618 00:28:14,920 --> 00:28:17,240 Speaker 2: too much, but I feel like, you know, in that space, 619 00:28:17,280 --> 00:28:21,480 Speaker 2: it's definitely a very beautiful addition to that genre. And 620 00:28:21,480 --> 00:28:23,800 Speaker 2: I think in years from now, it'll be really nice 621 00:28:23,840 --> 00:28:25,560 Speaker 2: to see people like looking back fondly on it. 622 00:28:25,680 --> 00:28:28,120 Speaker 1: Oh hundred percent. I mean people are literally heartbroken there's 623 00:28:28,160 --> 00:28:30,720 Speaker 1: no season for it. I Like I'm already seeing comments 624 00:28:30,760 --> 00:28:33,600 Speaker 1: all over social media like maybe just maybe there's a way, 625 00:28:33,720 --> 00:28:35,600 Speaker 1: and I'm like, I think the story is kind of 626 00:28:36,040 --> 00:28:37,720 Speaker 1: wrapped up in the three seasons. 627 00:28:37,840 --> 00:28:42,320 Speaker 2: Yeah, I think there's something really respectable too about you know, 628 00:28:42,680 --> 00:28:47,640 Speaker 2: not doing anymore than is necessary and like just serving 629 00:28:47,720 --> 00:28:51,400 Speaker 2: the characters in this story in a you know, respectful way. 630 00:28:51,480 --> 00:28:54,880 Speaker 2: I crazy reference right now, but I liked that they 631 00:28:54,880 --> 00:28:56,320 Speaker 2: did that with Breaking Bad, Like that's one of my 632 00:28:56,320 --> 00:28:59,400 Speaker 2: favorite time and like when they ended it, they didn't 633 00:28:59,440 --> 00:29:01,959 Speaker 2: have to, but it felt really right for the story. 634 00:29:02,040 --> 00:29:04,280 Speaker 2: And as an artist, I think that is a very 635 00:29:05,400 --> 00:29:09,280 Speaker 2: just humble and grounded way of approaching concluding a series. 636 00:29:10,080 --> 00:29:12,720 Speaker 1: Have you had an epic wrap party. Yet with the cast, 637 00:29:12,760 --> 00:29:13,719 Speaker 1: have you all celebrated? 638 00:29:14,720 --> 00:29:17,600 Speaker 2: We see each other a lot, Yeah, like we just 639 00:29:17,680 --> 00:29:19,120 Speaker 2: hang there was I don't think there was any like 640 00:29:19,120 --> 00:29:22,160 Speaker 2: specific time where we all did that, but we hang 641 00:29:22,200 --> 00:29:22,680 Speaker 2: out a lot. 642 00:29:22,880 --> 00:29:24,680 Speaker 1: That must be a really fun group chat. 643 00:29:25,000 --> 00:29:25,760 Speaker 2: It's a cool group. 644 00:29:26,680 --> 00:29:28,520 Speaker 1: I'm not big on group chats myself, but that must 645 00:29:28,560 --> 00:29:29,680 Speaker 1: be a fun one fun with. 646 00:29:29,600 --> 00:29:32,320 Speaker 2: They're all idiots, like everybody just says the dumbest thing. 647 00:29:32,240 --> 00:29:34,280 Speaker 1: Is do you have to hit the mute button sometimes? 648 00:29:34,320 --> 00:29:37,760 Speaker 2: Absolutely each other by being stupid? 649 00:29:38,120 --> 00:29:41,480 Speaker 1: Oh that's amazing. Season three is out July sixteenth, Yes, 650 00:29:41,520 --> 00:29:45,600 Speaker 1: sorry July sixteenth. Man, Like I said, busy and book? 651 00:29:45,640 --> 00:29:48,479 Speaker 1: Do you ever just stop sometimes and think that, like 652 00:29:48,960 --> 00:29:52,040 Speaker 1: my god, I've accomplished so much at such a young age, 653 00:29:52,160 --> 00:29:54,080 Speaker 1: Like where do I go next? Like have you ever 654 00:29:54,160 --> 00:29:56,040 Speaker 1: dreamed you'd be right here in this moment in time? 655 00:29:57,440 --> 00:30:00,920 Speaker 2: I mean, I think it'd be arrogant to say, yes, 656 00:30:01,160 --> 00:30:04,120 Speaker 2: I do think that. You know, this is all I 657 00:30:04,160 --> 00:30:09,480 Speaker 2: ever saw myself doing. I never, really, you know, never 658 00:30:09,520 --> 00:30:11,320 Speaker 2: wanted to be like a lawyer or a doctor or 659 00:30:11,360 --> 00:30:15,560 Speaker 2: anything like that, far more respectable jobs than what I do. 660 00:30:15,600 --> 00:30:18,640 Speaker 2: But now I never saw myself doing anything else. So 661 00:30:18,800 --> 00:30:22,200 Speaker 2: the fact that it's happening, it feels right. You know, 662 00:30:22,560 --> 00:30:25,440 Speaker 2: I'm happy to have arrived here so quickly, Like you know, 663 00:30:25,440 --> 00:30:26,800 Speaker 2: I've been working for a long time, but I'm twenty 664 00:30:26,800 --> 00:30:29,600 Speaker 2: three years old, so you know, I hopefully God willn't 665 00:30:29,600 --> 00:30:32,600 Speaker 2: have a long career ahead of me. But there's definitely 666 00:30:32,600 --> 00:30:34,600 Speaker 2: a lot of pinch me moments, man, and the pinching 667 00:30:34,640 --> 00:30:39,960 Speaker 2: never works. I never wake up, which is a welcome surprise, 668 00:30:40,040 --> 00:30:43,280 Speaker 2: and especially with your esset coming out, like just to 669 00:30:43,560 --> 00:30:45,120 Speaker 2: like I said earlier, be a part of something that 670 00:30:45,120 --> 00:30:49,240 Speaker 2: has left such a lasting impression on film lovers and 671 00:30:49,360 --> 00:30:52,560 Speaker 2: movie watchers and just even not sentophiles. It's such a 672 00:30:52,640 --> 00:30:54,480 Speaker 2: like it could even just be a casual movie watcher. 673 00:30:54,520 --> 00:30:58,760 Speaker 2: Everybody loves Jurassic Pork. So the fact that in this 674 00:30:59,440 --> 00:31:03,040 Speaker 2: timeline I am a part of that franchise, it doesn't 675 00:31:03,040 --> 00:31:06,040 Speaker 2: make any sense to me, but I'm endlessly grateful. 676 00:31:06,560 --> 00:31:09,920 Speaker 1: Well that gratitude will carry you through an entire you know, 677 00:31:10,440 --> 00:31:12,920 Speaker 1: four more decades of doing this right, like it really will. 678 00:31:12,960 --> 00:31:15,120 Speaker 1: And you're great at what you do, and it's awesome 679 00:31:15,160 --> 00:31:18,719 Speaker 1: that you're building such a name for yourself in ways 680 00:31:18,760 --> 00:31:22,120 Speaker 1: that people dream of man, I mean, people dream about it, 681 00:31:22,120 --> 00:31:24,760 Speaker 1: so it's awesome. Do you think there's room for another 682 00:31:24,840 --> 00:31:29,440 Speaker 1: Jurassic movie? I? Oh, man, ude, have you heard any rumblings? 683 00:31:29,600 --> 00:31:32,840 Speaker 2: I know, like not really. I mean they don't, you know, 684 00:31:33,000 --> 00:31:34,760 Speaker 2: I don't think. I'm not sure if they know. To 685 00:31:34,800 --> 00:31:36,760 Speaker 2: be honest with you, I mean, I'm sure somebody knows. 686 00:31:36,800 --> 00:31:39,880 Speaker 2: But I spoke to David Kept, the writer at the 687 00:31:39,920 --> 00:31:44,200 Speaker 2: premiere the other night, and he's just really really happy 688 00:31:44,200 --> 00:31:47,920 Speaker 2: to be back working for this franchise specifically. He didn't 689 00:31:47,960 --> 00:31:51,200 Speaker 2: say anything about, you know, any potential movies, but it 690 00:31:51,240 --> 00:31:53,720 Speaker 2: does seem like he's very, very happy to be home 691 00:31:54,080 --> 00:31:55,720 Speaker 2: because he was so young when he wrote the first 692 00:31:55,720 --> 00:31:58,240 Speaker 2: one and then it took all for him. So I 693 00:31:58,480 --> 00:32:00,640 Speaker 2: can only imagine how he feels like coming back to 694 00:32:00,720 --> 00:32:05,280 Speaker 2: this place that you know, launch padded his career into stardom. 695 00:32:05,400 --> 00:32:10,680 Speaker 2: So if that's any you know, representation of where it 696 00:32:10,720 --> 00:32:13,240 Speaker 2: could go, I think he's excited. I'm put me in 697 00:32:13,440 --> 00:32:15,240 Speaker 2: four more of these, Dude. I had so much fun, 698 00:32:15,800 --> 00:32:16,760 Speaker 2: so I would love to. 699 00:32:16,960 --> 00:32:19,520 Speaker 1: All Right, anything can happen, right, Yeah, anything can happen. 700 00:32:26,880 --> 00:32:29,440 Speaker 1: What also strikes me at your point in your career 701 00:32:29,680 --> 00:32:31,760 Speaker 1: and where you are in life? Is that? Like I said, 702 00:32:31,800 --> 00:32:34,120 Speaker 1: I joked earlier when we sat down, like are you okay? 703 00:32:34,160 --> 00:32:37,640 Speaker 1: But genuinely, because it's a lot, right, and you're balancing 704 00:32:38,200 --> 00:32:42,520 Speaker 1: such a heavy work cycle and career and life right 705 00:32:42,560 --> 00:32:44,800 Speaker 1: and friendship and all the things that come with being 706 00:32:44,800 --> 00:32:48,440 Speaker 1: a human being, how do you kind of protect your piece? 707 00:32:48,800 --> 00:32:52,120 Speaker 1: Like how do you really recenter and tune out noise? 708 00:32:52,240 --> 00:32:55,200 Speaker 2: Yes, it's really really good question. I'm still trying to 709 00:32:55,200 --> 00:32:59,360 Speaker 2: figure it out. I think what I have learned is 710 00:32:59,400 --> 00:33:02,480 Speaker 2: that I think for a while getting kind of vulnerable here. 711 00:33:02,480 --> 00:33:06,840 Speaker 2: But for a while, I my family just growing up 712 00:33:06,920 --> 00:33:09,400 Speaker 2: was so important to me, Like that's and they still are. 713 00:33:09,720 --> 00:33:11,840 Speaker 2: But for a while, like when I was a teenager, 714 00:33:12,040 --> 00:33:15,200 Speaker 2: in a very kind of teen angsty way, you feel like, 715 00:33:15,760 --> 00:33:17,320 Speaker 2: because they're such a big part of who you are, 716 00:33:17,400 --> 00:33:20,480 Speaker 2: you need to like escape that a little bit, and 717 00:33:20,600 --> 00:33:23,120 Speaker 2: you feel like you can't, or at least I felt 718 00:33:23,160 --> 00:33:26,840 Speaker 2: like I couldn't be who I wanted to be or 719 00:33:26,880 --> 00:33:29,960 Speaker 2: who I was because they were such a big part 720 00:33:30,000 --> 00:33:34,600 Speaker 2: of me. And as I you know, do this huge 721 00:33:34,640 --> 00:33:36,400 Speaker 2: big project in the summer, I turn pretty and everything 722 00:33:36,440 --> 00:33:41,000 Speaker 2: that I've worked on, I have stumbled upon the realization 723 00:33:41,120 --> 00:33:44,280 Speaker 2: that you are I am who I am because of them, 724 00:33:44,320 --> 00:33:47,320 Speaker 2: I can still absolutely be my own individual person. You know, 725 00:33:47,440 --> 00:33:51,000 Speaker 2: a plant doesn't need to look like the seed, you 726 00:33:51,080 --> 00:33:54,520 Speaker 2: know what I mean. So yeah, So that being said, 727 00:33:54,560 --> 00:33:58,120 Speaker 2: I lean on them a lot. I love I try 728 00:33:58,440 --> 00:34:00,920 Speaker 2: and make as much time as possible them, And they 729 00:34:01,000 --> 00:34:02,880 Speaker 2: all live in New York, so it's not too hard. 730 00:34:03,360 --> 00:34:05,880 Speaker 2: But just to be able to like hang out and 731 00:34:05,880 --> 00:34:08,000 Speaker 2: go eat with them and just turn my brain off 732 00:34:08,840 --> 00:34:11,799 Speaker 2: it is such a like cleansing cleansing feeling. So I'd 733 00:34:11,800 --> 00:34:16,200 Speaker 2: say family is really important to me. Exercise, of course, 734 00:34:16,360 --> 00:34:18,320 Speaker 2: it's like kind of a boring answer, but and I 735 00:34:18,600 --> 00:34:20,560 Speaker 2: don't be in the gym, but I love like playing 736 00:34:20,560 --> 00:34:23,120 Speaker 2: sports and playing basketball with my friends, and you know, 737 00:34:23,200 --> 00:34:25,040 Speaker 2: riding my bike as much as I possibly can. Again, 738 00:34:25,160 --> 00:34:28,560 Speaker 2: just anything that like feels like a cleanse and takes 739 00:34:28,600 --> 00:34:30,480 Speaker 2: me out of my head and puts me in my body, 740 00:34:31,640 --> 00:34:34,200 Speaker 2: that is I think that is really valuable and important. 741 00:34:34,840 --> 00:34:36,960 Speaker 2: I'm trying to start meditating to a good friend of mine, 742 00:34:37,000 --> 00:34:40,160 Speaker 2: Brian Ultimus, who's also an actor. Him and his girlfriend Gabsafa, 743 00:34:40,360 --> 00:34:44,200 Speaker 2: they just started like leading these meditations every every week. 744 00:34:44,360 --> 00:34:46,200 Speaker 2: Go check them out. By the way, they're so good 745 00:34:46,200 --> 00:34:49,040 Speaker 2: at their job. You can find them on Instagram. So 746 00:34:49,360 --> 00:34:51,480 Speaker 2: I'm definitely like interested in starting to work with them 747 00:34:51,480 --> 00:34:53,240 Speaker 2: a little bit. They're just good friends of mine. But yeah, 748 00:34:53,400 --> 00:34:55,960 Speaker 2: meditation I think is something very interested in as well. 749 00:34:56,239 --> 00:34:59,719 Speaker 1: That's cool that you're really prioritizing your health and your 750 00:34:59,719 --> 00:35:01,680 Speaker 1: mental health and your well being, right, because I think 751 00:35:01,719 --> 00:35:03,600 Speaker 1: we all have to do that, and it's easy to 752 00:35:03,640 --> 00:35:05,799 Speaker 1: lose sight of that. Yeah, especially with these Right, I'm 753 00:35:05,840 --> 00:35:08,279 Speaker 1: grabbing my phone, Like, to just not be suctioned to 754 00:35:08,320 --> 00:35:11,360 Speaker 1: your phone all the time is a taily battle. It's like, 755 00:35:11,360 --> 00:35:13,360 Speaker 1: all right, time to put it down. I'm watching a 756 00:35:13,400 --> 00:35:14,799 Speaker 1: show and i don't need to look at my phone 757 00:35:14,840 --> 00:35:17,399 Speaker 1: and I'm watching a show like enough, right, And it's 758 00:35:17,480 --> 00:35:19,960 Speaker 1: just like we're so programmed to do that. So just 759 00:35:20,000 --> 00:35:22,200 Speaker 1: being in your body is so important. 760 00:35:21,880 --> 00:35:25,200 Speaker 2: Absolutely, Yeah, and other I think mental stimulants hope as well. 761 00:35:25,239 --> 00:35:27,200 Speaker 2: Like I'm reading, like I said, I'm reading the Jurassic 762 00:35:27,200 --> 00:35:31,279 Speaker 2: port Book right now, and that alone, just reading, I 763 00:35:31,280 --> 00:35:33,480 Speaker 2: think is also something that just to keep me like 764 00:35:33,520 --> 00:35:36,879 Speaker 2: intellectually stimulated and like keep my attention span from being 765 00:35:36,960 --> 00:35:39,279 Speaker 2: you know, the scroll and kills me. Yeah, it kills me. 766 00:35:39,360 --> 00:35:42,520 Speaker 2: So yeah, I totally agree. Keeping Sometimes I try and 767 00:35:42,600 --> 00:35:44,839 Speaker 2: leave the house without it and it's like it's hard, 768 00:35:44,920 --> 00:35:47,520 Speaker 2: but it feels really rewarding by the end of the day. 769 00:35:47,600 --> 00:35:49,239 Speaker 1: Yeah. Yeah, well I like that you're reading too. I 770 00:35:49,320 --> 00:35:51,080 Speaker 1: try to do that. Do you'd like a hard copy 771 00:35:51,120 --> 00:35:51,840 Speaker 1: book or a kindle? 772 00:35:51,960 --> 00:35:53,800 Speaker 2: I do? I love a hard copy. 773 00:35:53,840 --> 00:35:54,920 Speaker 1: I know nothing bevizza, you. 774 00:35:54,920 --> 00:35:56,520 Speaker 2: Know what I mean. I totally get the appeal of 775 00:35:56,520 --> 00:35:58,480 Speaker 2: a kindle. Yeah, it's easier to carry around. 776 00:35:58,280 --> 00:35:59,200 Speaker 1: It has it's time and place. 777 00:35:59,280 --> 00:35:59,440 Speaker 2: Yeah. 778 00:35:59,440 --> 00:36:03,279 Speaker 1: Absolutely, I love a good hard book. I know it's 779 00:36:03,280 --> 00:36:06,680 Speaker 1: the best. It's the best. It's the best. Well, David, 780 00:36:06,680 --> 00:36:08,759 Speaker 1: we are at that portion of the interview where I 781 00:36:08,800 --> 00:36:11,719 Speaker 1: wrap up the show with the same question that I 782 00:36:11,719 --> 00:36:13,960 Speaker 1: ask everybody, and it's based off the title of the show, 783 00:36:13,960 --> 00:36:16,000 Speaker 1: which is called I've Never said this before, And I 784 00:36:16,080 --> 00:36:20,240 Speaker 1: created this show name because, as you remember from the premiere, 785 00:36:20,520 --> 00:36:23,600 Speaker 1: when I'm doing red carpets or junkets, you get three minutes, 786 00:36:23,680 --> 00:36:26,879 Speaker 1: four minutes, five minutes with somebody if you're lucky, and 787 00:36:26,920 --> 00:36:31,799 Speaker 1: it just leaves a very little room for genuine real conversation, right, 788 00:36:31,840 --> 00:36:33,440 Speaker 1: Like we're trying to get in your bites about the movie, 789 00:36:33,480 --> 00:36:34,960 Speaker 1: and we're and it's a lot of the same questions 790 00:36:35,000 --> 00:36:38,040 Speaker 1: every outlet wants, right, So I like to bring us 791 00:36:38,080 --> 00:36:40,399 Speaker 1: on who feel like they can share something they don't 792 00:36:40,400 --> 00:36:42,680 Speaker 1: always get to say whatever that means to you. So, 793 00:36:42,800 --> 00:36:44,560 Speaker 1: is there anything you can think of today that you've 794 00:36:44,560 --> 00:36:46,960 Speaker 1: never said before that you want to shout out? 795 00:36:47,120 --> 00:36:50,040 Speaker 2: Yeah? For sure, Man. I feel like it's a little 796 00:36:50,040 --> 00:36:54,240 Speaker 2: bit cliche, but I feel like I've never really said 797 00:36:54,320 --> 00:36:56,160 Speaker 2: publicly that I'm proud of my work. 798 00:36:56,680 --> 00:36:57,239 Speaker 1: I love that. 799 00:36:57,440 --> 00:37:01,600 Speaker 2: I mean, I feel like in retrospect when I look 800 00:37:01,640 --> 00:37:03,560 Speaker 2: back on stuff like this Somewhere I Turn Pretty and 801 00:37:03,840 --> 00:37:06,680 Speaker 2: Dead Boy Detectives and all the other stuff that I've done, 802 00:37:07,360 --> 00:37:09,959 Speaker 2: I feel proud looking back on it. But it's really 803 00:37:09,960 --> 00:37:13,000 Speaker 2: really difficult for me. I struggle with anxiety and OCD, 804 00:37:13,120 --> 00:37:16,040 Speaker 2: so it's really hard for me to I probably never 805 00:37:16,040 --> 00:37:18,160 Speaker 2: said that before either, I struggle with anxiety and OCD. 806 00:37:19,160 --> 00:37:23,120 Speaker 2: But it's really hard for me to stay as present 807 00:37:23,160 --> 00:37:28,399 Speaker 2: as possible and really like appreciate the work that I'm 808 00:37:28,400 --> 00:37:30,680 Speaker 2: doing while it's coming out and while it's being perceived. 809 00:37:30,680 --> 00:37:33,479 Speaker 2: Because I think as an actor in an industry where 810 00:37:34,080 --> 00:37:36,839 Speaker 2: so much of what you do is based upon how 811 00:37:36,840 --> 00:37:40,799 Speaker 2: it's received by others, and the validation that others give you. 812 00:37:41,520 --> 00:37:43,759 Speaker 2: It can be really hard to not be wired that 813 00:37:43,800 --> 00:37:50,560 Speaker 2: way and like to behave and act for the perception 814 00:37:50,680 --> 00:37:55,360 Speaker 2: of others and for the approval of others. So I'm trying. 815 00:37:55,360 --> 00:37:57,600 Speaker 2: I'm working on it lately, especially with Tressa coming out. 816 00:37:57,640 --> 00:38:02,360 Speaker 2: I'm really really trying to not not lean on others 817 00:38:02,480 --> 00:38:05,760 Speaker 2: approval of my work so much and and and seek 818 00:38:05,880 --> 00:38:09,680 Speaker 2: validation from the audience. It feels nice, and it's it's 819 00:38:09,680 --> 00:38:11,560 Speaker 2: a like I said earlier, it's a bonus and it's 820 00:38:11,560 --> 00:38:14,520 Speaker 2: a plus. But I think a lot of actors deal 821 00:38:14,560 --> 00:38:15,960 Speaker 2: with this. I don't think it's a It's a very 822 00:38:16,040 --> 00:38:19,480 Speaker 2: uncommon experience because of the way the industry is built. 823 00:38:20,000 --> 00:38:23,760 Speaker 2: So uh yeah, I'm really working on just being proud 824 00:38:23,760 --> 00:38:28,680 Speaker 2: of myself for myself, and you know, not relying so 825 00:38:28,840 --> 00:38:32,719 Speaker 2: heavily and equating my own value to how others are 826 00:38:32,840 --> 00:38:34,520 Speaker 2: valuing me as an actor. 827 00:38:34,760 --> 00:38:37,960 Speaker 1: It's hard to do, right, I mean, especially those little 828 00:38:38,719 --> 00:38:40,880 Speaker 1: I can say it's my show. There's little bitches anxiety 829 00:38:40,880 --> 00:38:43,440 Speaker 1: and OCD when they want to creep in. I mean, 830 00:38:43,480 --> 00:38:45,560 Speaker 1: it just tells you a completely different story than what's 831 00:38:45,600 --> 00:38:47,880 Speaker 1: actually real, right, I Mean, how do you kind of 832 00:38:47,920 --> 00:38:50,959 Speaker 1: push through that and not let that just cripple you. Yeah. 833 00:38:51,080 --> 00:38:54,440 Speaker 2: I think for a while I was trying so hard 834 00:38:54,480 --> 00:38:58,680 Speaker 2: to ignore it and run away from it and do 835 00:38:58,800 --> 00:39:02,440 Speaker 2: things that would just wrack myself from it. But you know, 836 00:39:02,800 --> 00:39:06,680 Speaker 2: through therapy and and through just experience, I've learned that 837 00:39:07,320 --> 00:39:10,719 Speaker 2: the more kind of healthy way to approach that is 838 00:39:10,800 --> 00:39:14,279 Speaker 2: just sitting with it. And you know, so what if 839 00:39:14,320 --> 00:39:16,080 Speaker 2: it's true? You know, so what if these lies that 840 00:39:16,120 --> 00:39:18,919 Speaker 2: I'm telling myself for true? So what if I if 841 00:39:18,960 --> 00:39:22,760 Speaker 2: I'm telling myself that I'm nothing without people's and audience 842 00:39:22,760 --> 00:39:24,759 Speaker 2: watching me. Okay, so what if that's true? Then what 843 00:39:25,040 --> 00:39:27,719 Speaker 2: And you sit with it? And I think that makes 844 00:39:27,760 --> 00:39:31,240 Speaker 2: it way less scary of a monster to tackle, because 845 00:39:31,320 --> 00:39:33,560 Speaker 2: eventually your brain's just gonna get bored of it and 846 00:39:33,600 --> 00:39:35,920 Speaker 2: be like, Okay, foe, this isn't working, you know what 847 00:39:36,000 --> 00:39:38,240 Speaker 2: I mean, he's not believing it or he is believing 848 00:39:38,239 --> 00:39:40,799 Speaker 2: it and and and nothing's happening. So let's move on. 849 00:39:41,120 --> 00:39:43,319 Speaker 2: You know. I think that's a that's just a way 850 00:39:43,360 --> 00:39:46,040 Speaker 2: that I have. It's hard, Don't get me wrong, I 851 00:39:46,320 --> 00:39:49,279 Speaker 2: don't do it well every day. But that's another thing 852 00:39:49,280 --> 00:39:50,960 Speaker 2: I think I've learned is that it's it's not. It 853 00:39:50,960 --> 00:39:53,560 Speaker 2: doesn't have to be linear, right, every day can be 854 00:39:53,560 --> 00:39:56,440 Speaker 2: different and that's okay. You don't have to be on 855 00:39:56,800 --> 00:40:01,040 Speaker 2: all the time and and uh breaking with that all 856 00:40:01,080 --> 00:40:03,960 Speaker 2: the time, and that's okay. So yeah, just being able 857 00:40:03,960 --> 00:40:05,600 Speaker 2: to sit with it and knowing that it's a shared 858 00:40:05,640 --> 00:40:07,839 Speaker 2: experience and being able to talk to you about it, 859 00:40:07,880 --> 00:40:11,480 Speaker 2: I think makes me feel really good. And I think 860 00:40:11,560 --> 00:40:13,080 Speaker 2: I have felt good in the past because I've heard 861 00:40:13,120 --> 00:40:15,680 Speaker 2: other people talk about it. So I think just being 862 00:40:15,719 --> 00:40:19,040 Speaker 2: as open as possible and vulnerable and the whole, you know, 863 00:40:19,160 --> 00:40:21,279 Speaker 2: crux of your show, I think is really respectable and 864 00:40:21,320 --> 00:40:23,520 Speaker 2: I think it's you know, I think it's important. 865 00:40:23,640 --> 00:40:27,360 Speaker 1: So thank you, man, I appreciate it. It's truly. I believe 866 00:40:27,360 --> 00:40:29,759 Speaker 1: we have so much more in common than we let on, 867 00:40:30,440 --> 00:40:32,000 Speaker 1: and I think a lot of that is due to 868 00:40:32,040 --> 00:40:34,239 Speaker 1: social media. I love me some social media, but like 869 00:40:34,320 --> 00:40:36,480 Speaker 1: we all put up the highlight reels, right, and we 870 00:40:36,520 --> 00:40:39,319 Speaker 1: all go through a lot more than just that. So 871 00:40:39,400 --> 00:40:41,960 Speaker 1: I like bringing people on who whatever that question means 872 00:40:41,960 --> 00:40:43,600 Speaker 1: to them, they can share something that they feel like 873 00:40:43,840 --> 00:40:46,000 Speaker 1: they've never said, or they want to help or pay 874 00:40:46,000 --> 00:40:48,520 Speaker 1: it forward or whatever. So I think that's back to you, 875 00:40:48,560 --> 00:40:50,640 Speaker 1: a very respectable thing for you to bring up and share, 876 00:40:50,719 --> 00:40:52,400 Speaker 1: because I know a lot of people listening are going 877 00:40:52,480 --> 00:40:54,200 Speaker 1: to say, oh my god, I go through that And 878 00:40:54,480 --> 00:40:56,799 Speaker 1: look at David. He looks like he's the king of 879 00:40:56,800 --> 00:40:59,200 Speaker 1: the world right now, but he also goes through this shit. 880 00:40:59,400 --> 00:41:02,719 Speaker 1: So that's I think one of the most human, beautiful 881 00:41:02,719 --> 00:41:05,080 Speaker 1: things that we can talk about. So I really love that. 882 00:41:05,320 --> 00:41:07,000 Speaker 1: And the last thing I'll say about that, too is 883 00:41:07,080 --> 00:41:08,960 Speaker 1: I think a lot of us struggle with saying we're 884 00:41:08,960 --> 00:41:10,840 Speaker 1: proud of the work we do. I guarantee everyone in 885 00:41:10,840 --> 00:41:13,800 Speaker 1: this room has had moments of that what I started 886 00:41:13,840 --> 00:41:16,200 Speaker 1: doing not too long ago. With certain friends who are 887 00:41:16,200 --> 00:41:18,120 Speaker 1: maybe like a little more woo wooy like I am. 888 00:41:18,719 --> 00:41:21,280 Speaker 1: We'll just like randomly text each other throughout the course 889 00:41:21,320 --> 00:41:23,200 Speaker 1: of the year and be like, you know what, I'm 890 00:41:23,239 --> 00:41:25,080 Speaker 1: really proud of myself because of X, Y and Z, 891 00:41:25,200 --> 00:41:26,600 Speaker 1: and I just want to text you telling you that 892 00:41:26,680 --> 00:41:28,839 Speaker 1: I am so proud of myself and it really makes 893 00:41:28,840 --> 00:41:30,480 Speaker 1: you feel good. And then like I'll get that from 894 00:41:30,480 --> 00:41:33,040 Speaker 1: a friend three months later and it's just like, oh Okay, 895 00:41:33,080 --> 00:41:36,400 Speaker 1: it's like a good reminder to stop and take notice 896 00:41:36,480 --> 00:41:39,000 Speaker 1: and give yourself props and not rely on other people 897 00:41:39,000 --> 00:41:40,520 Speaker 1: all the time, right, totally. 898 00:41:40,600 --> 00:41:42,600 Speaker 2: No. I love that. I thought you were gonna say, 899 00:41:42,680 --> 00:41:44,080 Speaker 2: which is also valid. But I thought you were going 900 00:41:44,160 --> 00:41:45,600 Speaker 2: to say, you guys text each other, how proud of 901 00:41:45,640 --> 00:41:47,680 Speaker 2: each other you are, which again that's so important to 902 00:41:47,719 --> 00:41:51,040 Speaker 2: like have it. Yeah, that too, but it doesn't do 903 00:41:51,080 --> 00:41:53,239 Speaker 2: it for me. Yeah, because in my brain, I'm like, 904 00:41:53,239 --> 00:41:55,120 Speaker 2: they're lying, you know what I mean? Yeaheah, you know, 905 00:41:55,200 --> 00:41:57,480 Speaker 2: so I really really I'm gonna start doing that. 906 00:41:57,440 --> 00:41:59,240 Speaker 1: Start doing it. Yeah, And even if you don't fully 907 00:41:59,280 --> 00:42:00,680 Speaker 1: believe it, just put it out there and then you'll 908 00:42:00,680 --> 00:42:02,680 Speaker 1: trick yourself and believe it, you know. Like it's like 909 00:42:02,680 --> 00:42:04,680 Speaker 1: you said, you kind of just quiet that voice, which 910 00:42:04,800 --> 00:42:07,560 Speaker 1: I think is so cool. Oh man, I don't want 911 00:42:07,560 --> 00:42:10,920 Speaker 1: this to end. This is too much fun. This is 912 00:42:10,920 --> 00:42:13,560 Speaker 1: too much fun. I will say it again. I feel 913 00:42:13,600 --> 00:42:15,600 Speaker 1: like we just met. But I love seeing, you know, 914 00:42:15,680 --> 00:42:18,040 Speaker 1: artists like yourself who are at the top of their game, 915 00:42:18,400 --> 00:42:21,799 Speaker 1: just crushing it and not only doing great work that 916 00:42:21,880 --> 00:42:23,920 Speaker 1: I know people love and respond to, but who have 917 00:42:24,000 --> 00:42:26,400 Speaker 1: such a good head on their shoulders, and you know, 918 00:42:26,440 --> 00:42:27,680 Speaker 1: to see you at this point of your life and 919 00:42:27,719 --> 00:42:31,000 Speaker 1: your career with that mentality and mindset makes me know 920 00:42:31,160 --> 00:42:34,320 Speaker 1: for sure that you will literally have decades and decades 921 00:42:34,360 --> 00:42:36,120 Speaker 1: and decades of work ahead of you in this business. 922 00:42:36,200 --> 00:42:37,319 Speaker 2: I appreciate that more than you. 923 00:42:37,600 --> 00:42:39,759 Speaker 1: Yeah, I mean it, so thank you for hanging out. 924 00:42:39,960 --> 00:42:42,520 Speaker 1: Of course, little bumdy to bring a dinosaur today, but 925 00:42:42,640 --> 00:42:43,680 Speaker 1: we'll talk about that later. 926 00:42:43,760 --> 00:42:46,200 Speaker 2: They're too late. Actually, is there one in Rockefeller Center? 927 00:42:46,400 --> 00:42:49,760 Speaker 1: There is? Yeah, there's a massive one. That's true. That's true. 928 00:42:50,200 --> 00:42:51,920 Speaker 2: All right, cool, we'll do take a line easy, we 929 00:42:52,200 --> 00:42:53,160 Speaker 2: work together really well. 930 00:42:53,080 --> 00:42:56,000 Speaker 1: Yn't wait, I'll go see later. Jurassic World Rebirth out 931 00:42:56,040 --> 00:42:59,080 Speaker 1: now the summer. I turn pretty out July sixteenth until 932 00:42:59,080 --> 00:43:00,320 Speaker 1: we meet again, my man, Thank. 933 00:43:00,160 --> 00:43:00,840 Speaker 2: You so much. 934 00:43:01,480 --> 00:43:05,520 Speaker 1: I've Never said this Before is hosted by Me Tommy Dedario. 935 00:43:05,719 --> 00:43:09,960 Speaker 1: This podcast is executive produced by Andrew Puglisi at iHeartRadio 936 00:43:10,080 --> 00:43:14,399 Speaker 1: and by Me Tommy, with editing by Joshua Colaudney. I've 937 00:43:14,440 --> 00:43:16,800 Speaker 1: Never Said This Before is part of the Elvis Duran 938 00:43:16,920 --> 00:43:21,160 Speaker 1: podcast network on iHeart Podcasts. For more, rate review and 939 00:43:21,280 --> 00:43:24,200 Speaker 1: subscribe to our show and if you liked this episode, 940 00:43:24,360 --> 00:43:27,760 Speaker 1: tell your friends. Until next time. I'm Tommy de Dario