WEBVTT - Listener Mail: The Final Conflict

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, the production of

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<v Speaker 1>My Heart Radio. Hey, welcome to Stuff to Blow your Mind.

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<v Speaker 1>My name is Robert Lamb and I'm Joe McCormick. And

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<v Speaker 1>today we're bringing you some of your listener mail. We

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<v Speaker 1>haven't done this in quite a while, so we had

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<v Speaker 1>an enormous mail bag to plow through. Uh And on

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<v Speaker 1>top of that, I have to say, I don't know

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<v Speaker 1>exactly what happened, but I think we have lost a

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<v Speaker 1>significant amount of listener mail that came in in September

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<v Speaker 1>and October. And I don't I don't know exactly why

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<v Speaker 1>that happened, but there's sort of a gap in there. Uh.

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<v Speaker 1>So I apologize if if your message you were hoping

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<v Speaker 1>to hear is among that group. But uh, but we've

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<v Speaker 1>still got a lot of great stuff to get to today. Yeah. Well,

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<v Speaker 1>we'll have to ask Carnie our mail about about this.

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<v Speaker 1>But I don't know. I feel like we all have

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<v Speaker 1>some some missing time from September and October, you know,

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<v Speaker 1>some some some blank spots in our recollection. Where did

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<v Speaker 1>that time go? What happened? It's like the part of

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<v Speaker 1>your your eyespot that you can't see because of the

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<v Speaker 1>optic nerve, but you don't even notice that you can't

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<v Speaker 1>see it. It's the the invisibility is invisible. Yeah. And

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<v Speaker 1>now another thing that that we're going to go ahead

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<v Speaker 1>and mention about this listener Mail is that, in some respects,

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<v Speaker 1>this is the final listener Mail, or at least this

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<v Speaker 1>is probably going to be the final full length listener

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<v Speaker 1>Mail episode that publishes as an episode, a regular episode

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<v Speaker 1>of Stuff to Blow Your Mind on a Tuesday or Thursday.

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<v Speaker 1>That's right, Because we are gradually, as we can, transitioning

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<v Speaker 1>to a more daily publication schedule. We're gonna be putting

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<v Speaker 1>out some shorter episodes that come through on various days.

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<v Speaker 1>But one idea we've been kicking around is basically a

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<v Speaker 1>weekly episode that we've been sort of tentatively calling the

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<v Speaker 1>Flaming Barrel Chats, and these will quite often be listener

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<v Speaker 1>mail focused. Yeah. So yeah, just to reassure everyone, you're

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<v Speaker 1>not going to get six episodes, like six full episodes

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<v Speaker 1>of Stuff to Blow your Mind per week. It's gonna

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<v Speaker 1>be in two core episodes. It's gonna be the Vault episode,

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<v Speaker 1>it's gonna be the Weird House Cinema on Friday, and

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<v Speaker 1>then a couple of small things, so hopefully that won't

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<v Speaker 1>overwhelm anybody. But as always, right in and let you

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<v Speaker 1>let us know what you think as this begins to

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<v Speaker 1>uh to happen, and yeah, well we'll just see how

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<v Speaker 1>it goes. All right, I think we should jump right

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<v Speaker 1>into the bag. All right, let's do it. What do

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<v Speaker 1>we have first, Joe, Well, we got a lot of

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<v Speaker 1>great feedback to our episode. I think it was a

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<v Speaker 1>couple of episodes about nails, fingernails and toenails. We got

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<v Speaker 1>into some surprisingly religious territory, including that one really interesting

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<v Speaker 1>paper that was trying to explain the prevalence of religious

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<v Speaker 1>rituals about the proper disposal of nails, and the explanation

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<v Speaker 1>in this paper appealed to people trying to re enact

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<v Speaker 1>extremely ancient, reconstructed creation myths in which the earth is

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<v Speaker 1>made out of the body parts of a dead primordial god.

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<v Speaker 1>And we we got a number of messages on the

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<v Speaker 1>theme of of nails and religious traditions, and this first

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<v Speaker 1>one comes from Alice. Are you ready, Let's do it,

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<v Speaker 1>Alice says Hi, Joe and Robert, thanks for the two

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<v Speaker 1>part around fingernails. Love. When you guys take a seemingly

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<v Speaker 1>mundane topic and find fascinating tidbits about it from so

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<v Speaker 1>many different angles. I emailed today because when you were

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<v Speaker 1>discussing fingernails in creation myths, when instantly came to mind

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<v Speaker 1>that might not be familiar to American listeners. It's the

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<v Speaker 1>legend from Maori culture about Maui and his grandmother Mahuika,

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<v Speaker 1>the goddess of fire. In the story, Maui wonders where

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<v Speaker 1>fire comes from. He's only ever seen it made from

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<v Speaker 1>existing fire or lightning. So one night, because he's a

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<v Speaker 1>bit of a trickster, he extinguishes all the fires in

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<v Speaker 1>the village. In the morning, when everyone wakes up, he's

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<v Speaker 1>told to go visit his grandmother to get more fire.

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<v Speaker 1>Now here's where we get back to fingernails. His grandmother

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<v Speaker 1>married aahi Roa, a comet, and their children are fingernails

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<v Speaker 1>of fire on Mahuika's hand. There are some gorgeous depictions

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<v Speaker 1>of this and various books, some of which I've included,

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<v Speaker 1>and she did attach some pictures. The story continues with

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<v Speaker 1>Mahuika pulling off one of her fingernails to give to

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<v Speaker 1>Maui to take back to the village because he's a

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<v Speaker 1>trickster Maui extinguishes the fire and goes back again and

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<v Speaker 1>again for more fingernails, until Mahuika is down to her

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<v Speaker 1>last nail. She's furious at this stage and throws the

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<v Speaker 1>last nail into a tree. The legend continues, but long

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<v Speaker 1>story short, this certain tree is known for being an

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<v Speaker 1>easy tree to start a fire with. Anyway, I hope

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<v Speaker 1>that was interesting. It's also referenced in one of the

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<v Speaker 1>songs in Disney's Mohana, which is cool. Thanks for the

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<v Speaker 1>work you guys do. It's been great to have something

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<v Speaker 1>saying to look forward to in this topsy turvy time

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<v Speaker 1>of lockdowns and craziness that we're going through. Alice, well

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<v Speaker 1>thanks Alice. I did not know that. Myth I thought

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<v Speaker 1>was really interesting. Kind of makes me want to watch Moana. Yeah.

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<v Speaker 1>I love the idea of magical fingernails as a as

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<v Speaker 1>a as a limited magical item. So you you know,

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<v Speaker 1>you can literally count on your your your fingers how

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<v Speaker 1>many times you can use this ability. It's uh, it

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<v Speaker 1>makes me wonder why we haven't seen this more in

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<v Speaker 1>in um science fiction or fantasy in general. You know,

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<v Speaker 1>because you could have some sort of like robotic fingernails

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<v Speaker 1>that you launch, you know, and your your hero gets

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<v Speaker 1>down to the last couple of them or something. What's

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<v Speaker 1>your I d k F a code for fingernails infinite

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<v Speaker 1>fingernails Now. We got a couple of messages from listeners

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<v Speaker 1>who were who had ideas about fingernails from various athletic perspectives,

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<v Speaker 1>one about ballet and one about weightlifting, and I thought

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<v Speaker 1>these were really interesting. Rob you want to read one

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<v Speaker 1>of these? Sure? This one comes to us from Hannah, Hi, Robert,

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<v Speaker 1>and Joe. I just finished listening to your pair of

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<v Speaker 1>fingernail episodes and wanted to write in with not one,

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<v Speaker 1>but two examples fingers and toes on nail length hindering

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<v Speaker 1>ability to perform task. I'lbeit in a kind of niche way.

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<v Speaker 1>I'll start with toenails, since I whom it is a

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<v Speaker 1>more unusual example. I'm a professional dancer, and although not

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<v Speaker 1>a ballerina, a lot of my training up through college

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<v Speaker 1>was based in ballet, including work on point. For those

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<v Speaker 1>who don't know uh this this refers to a technique

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<v Speaker 1>of ballerina is dancing on the tips of their toes.

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<v Speaker 1>Ballet terminology is a lot of French anyway, Dancing on

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<v Speaker 1>point is achieved by a combination of strengthening the muscles

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<v Speaker 1>of the feet and legs to be able to support

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<v Speaker 1>the full body's weight on a fully extended foot, with

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<v Speaker 1>additional support from specialized stiff shoes, usually layers of fabric

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<v Speaker 1>with hardened glue with flattened tips to help give a

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<v Speaker 1>wider surface to balance on, distribute weight more evenly across

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<v Speaker 1>the foot, and provide more stability in that extended shape.

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<v Speaker 1>Although apparently a lot of people mistakenly think they are

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<v Speaker 1>balancing on the toe knuckle with the toes curled under,

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<v Speaker 1>it is actually the very tip of the toe that

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<v Speaker 1>is the point of contact. And I know from my

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<v Speaker 1>point I you know, I recognize this because I've I've

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<v Speaker 1>seen Suspiria, so I know what this looks like. Man,

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<v Speaker 1>this is one of those things that I cannot fathom.

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<v Speaker 1>The athleticism of this, the standing on the toes, it

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<v Speaker 1>just seems in superhuman to me. That in the spinning uh.

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<v Speaker 1>I recently did a video yoga thing and from a

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<v Speaker 1>teacher that I hadn't used before, and the teacher asked

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<v Speaker 1>me to ask the hoovers watching the video to spin

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<v Speaker 1>around like five times, and I did, and then I

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<v Speaker 1>had to lay down because I felt like it had

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<v Speaker 1>it had wounded my soul to spin around just five times.

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<v Speaker 1>And of course you see uh, these various spinning athletics

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<v Speaker 1>and in say ballet or in figure skating, and I

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<v Speaker 1>know there are certain tricks to it. Perhaps this is

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<v Speaker 1>something we could come back and discuss in the future, actually,

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<v Speaker 1>because you get into a lot of of interesting biology

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<v Speaker 1>and also cultural practices. Yes, now that I think about it,

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<v Speaker 1>we should do an episode on spinning around in circles

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<v Speaker 1>the centrifugal. Yeah, let's do it. Let's let's let's bookmark it.

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<v Speaker 1>But let let's get back to Hannah here. Oh yes, yes,

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<v Speaker 1>I was reading an email, wasn't I. Let's say, um,

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<v Speaker 1>when wearing these shoes, you are acutely aware of the

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<v Speaker 1>length of your toe nails, and it is extremely important

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<v Speaker 1>to keep them trims short for a number of reasons. First,

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<v Speaker 1>if the toenail extends past the end of the toe,

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<v Speaker 1>it is the body's first point of contact with the floor,

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<v Speaker 1>which is extremely painful and can possibly break, crack, or

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<v Speaker 1>bruise the nail or nail bed. If the nail is

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<v Speaker 1>definitely not strong, enough to support the full weight of

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<v Speaker 1>the body. Also, because the toes are packed tightly together

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<v Speaker 1>in the end of the shoe, you could possibly cut

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<v Speaker 1>a neighboring toe with the offending long toenail. I am,

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<v Speaker 1>I'm shivering. Less directly related, the pain and discomfort of

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<v Speaker 1>a too long toenail pressing into the floor causes the

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<v Speaker 1>dancer to shift their weight back ever so slightly to

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<v Speaker 1>relieve the pressure, throwing them out of proper alignment. The

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<v Speaker 1>technique requires all of the joints toe, ankle, knee, hip

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<v Speaker 1>to be stacked vertically if viewed from the side, all

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<v Speaker 1>though partly an aesthetic preference. Aligning the joints like so

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<v Speaker 1>makes balancing much easier and takes unnecessary uneven pressure off

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<v Speaker 1>of said joints. Shift out of alignment and you add

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<v Speaker 1>pressure and lose balance. The strain on your joints puts

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<v Speaker 1>you at risk for chronic issues like tendonitis and brucitis,

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<v Speaker 1>while the lack of stability increases the chances of an

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<v Speaker 1>acute injury like a sprained ankle. In a field where

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<v Speaker 1>such injuries can be career ending, every bit of prevention

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<v Speaker 1>counts this. This part of this email has been a

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<v Speaker 1>horror movie for me. Yeah, you don't even need the

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<v Speaker 1>rest the Suspiria, right. My second example is a little

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<v Speaker 1>shorter in Quarantine. My partner has been teaching me to

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<v Speaker 1>play guitar, and I noticed I was having trouble playing

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<v Speaker 1>certain chords. I keep my fingernails on the longer side.

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<v Speaker 1>Though nothing extreme, and though they had never hindered me before,

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<v Speaker 1>I found I had trouble pressing the strings down hard

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<v Speaker 1>enough to play the chords without my nail bumping into

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<v Speaker 1>the fret board. He told me I would have to

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<v Speaker 1>wear them shorter to progress, but I didn't want to

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<v Speaker 1>give up my long nails and looked for a different solution.

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<v Speaker 1>Then I thought of Dolly Parton. She has much longer,

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<v Speaker 1>flashier acrylic nails and gets by all right, what does

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<v Speaker 1>she do? After some googling, I found that she seems

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<v Speaker 1>to rely on open tuning. And what does this bar chords?

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<v Speaker 1>You hear the guitar person. Yeah, bar chords are a

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<v Speaker 1>way of So there are open chords that usually play

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<v Speaker 1>with your fingertips near the top of the neck of

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<v Speaker 1>the guitar, and then there are bar chords where you

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<v Speaker 1>use usually one finger, usually your index finger to sort

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<v Speaker 1>of like cap all of the strings and then press

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<v Speaker 1>down some other strings on top of that. Uh So

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<v Speaker 1>bar chords um allow you to sort of like play

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<v Speaker 1>the same chord forms anywhere on the neck of the guitar,

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<v Speaker 1>She continues. The guitar is tuned so that it plays

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<v Speaker 1>a major chord with no strings pressed, and you lay

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<v Speaker 1>one finger across to bar different major chords. This works

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<v Speaker 1>in some situations, but still limits what you can and

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<v Speaker 1>can't play. We'll see how it works for me. Sorry,

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<v Speaker 1>this email ended up ended up a lot little longer

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<v Speaker 1>than I intended. I get super excited to spout off

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<v Speaker 1>about our freaky alien bodies. Side note, would love some

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<v Speaker 1>sort of an episode someday about body specialization in humans,

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<v Speaker 1>especially with athletes. Ever seen a picture of different athletes

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<v Speaker 1>standing next to each other, like gymnasts and a basketball player.

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<v Speaker 1>It's crazy that performance optimization can look so different. I

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<v Speaker 1>love the show so much and hope you're doing well.

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<v Speaker 1>Thank you for what you do. Oh thanks, Hannah, and

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<v Speaker 1>I totally get you at the end here. I'm not

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<v Speaker 1>really into sports. I don't really follow sports at all,

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<v Speaker 1>but there's one thing that always amazes me, which is

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<v Speaker 1>when uh, when the which Olympics it is. It's summer winter,

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<v Speaker 1>but one of the Olympics has gymnastics, and whenever Rachel

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<v Speaker 1>watches that, I'm always kind of entranced, like I can't

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<v Speaker 1>believe gymnasts are real people. What they're doing looks impossible.

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<v Speaker 1>Yeah it is. It is just amazing to be hold.

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<v Speaker 1>All Right, we got another message from our listener Era

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<v Speaker 1>about athletics and fingernails. Aaron says, hey 'all, I've been

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<v Speaker 1>listening to your show through multiple hosts for years. I'm

0:12:06.559 --> 0:12:08.640
<v Speaker 1>super thankful that you've done your best to go deeper

0:12:08.640 --> 0:12:10.880
<v Speaker 1>and deeper as the years go on. You've educated me

0:12:10.920 --> 0:12:12.760
<v Speaker 1>and sent me down some of the oddest corners of

0:12:12.760 --> 0:12:15.400
<v Speaker 1>the Internet in the best way possible. You asked in

0:12:15.559 --> 0:12:19.240
<v Speaker 1>Fingernails Part two if there are any odd uses for fingernails. Well,

0:12:19.360 --> 0:12:22.400
<v Speaker 1>I have one for you. I am a former Olympic

0:12:22.520 --> 0:12:25.720
<v Speaker 1>weightlifter and have had the pleasure to represent the United

0:12:25.760 --> 0:12:29.800
<v Speaker 1>States at multiple junior and senior world championships. Early in

0:12:29.840 --> 0:12:32.720
<v Speaker 1>my career, I met a fellow weightlifter from Greece. I

0:12:32.760 --> 0:12:36.760
<v Speaker 1>noticed how long his thumbnail was, and only his thumbnail.

0:12:37.200 --> 0:12:39.520
<v Speaker 1>I was super curious, so I asked him about it

0:12:39.559 --> 0:12:42.200
<v Speaker 1>as best I could. We hit a standstill, so we

0:12:42.240 --> 0:12:46.080
<v Speaker 1>found a translator. After she translated my question, he laughed.

0:12:46.440 --> 0:12:50.000
<v Speaker 1>It's for weightlifting, he said, and I inquired how well.

0:12:50.240 --> 0:12:52.080
<v Speaker 1>Little known to me at the time, there is a

0:12:52.200 --> 0:12:55.559
<v Speaker 1>rule that you can tape your thumbs as long as

0:12:55.559 --> 0:12:58.480
<v Speaker 1>the tip of the finger can be seen. This might

0:12:58.520 --> 0:13:00.680
<v Speaker 1>not seem like a big deal, but in weightlifting we

0:13:00.800 --> 0:13:03.760
<v Speaker 1>use something called a hook grip, in which the four

0:13:03.800 --> 0:13:07.440
<v Speaker 1>fingers wrap around your thumb, pretty much the opposite of

0:13:07.480 --> 0:13:10.360
<v Speaker 1>how any human grabs an object. This gives you an

0:13:10.400 --> 0:13:13.080
<v Speaker 1>advantage by being able to hold more weight in your

0:13:13.120 --> 0:13:16.040
<v Speaker 1>hand while performing the lift. Now the tape and the

0:13:16.080 --> 0:13:19.160
<v Speaker 1>thumbnail length come in here. My friend explained to me

0:13:19.240 --> 0:13:21.800
<v Speaker 1>that if you let your thumbnail grow out longer, you

0:13:21.840 --> 0:13:26.240
<v Speaker 1>can tape further down your thumb, thus making your thumb longer.

0:13:26.880 --> 0:13:29.839
<v Speaker 1>Looking for any advantage possible, I grew my thumbnail out

0:13:29.840 --> 0:13:32.560
<v Speaker 1>to about an inch past what I normally would. I

0:13:32.640 --> 0:13:35.080
<v Speaker 1>then taped it, and wow, did it help a ton.

0:13:35.559 --> 0:13:38.559
<v Speaker 1>The interesting part for me was I always bite my nails.

0:13:38.679 --> 0:13:40.920
<v Speaker 1>I still do, actually, but I have never bit my

0:13:40.960 --> 0:13:44.800
<v Speaker 1>thumbnail for risk of damaging my advantage. I've stopped lifting

0:13:44.840 --> 0:13:47.800
<v Speaker 1>competitively for about eight years now, and I cannot cut

0:13:47.840 --> 0:13:52.640
<v Speaker 1>my thumbnail still it still feels too foreign and uncomfortable. Anyway,

0:13:52.640 --> 0:13:54.200
<v Speaker 1>Sorry for the long story, but I thought it was

0:13:54.240 --> 0:13:56.480
<v Speaker 1>interesting enough to write in. Thank you again for all

0:13:56.480 --> 0:13:59.000
<v Speaker 1>you do to educate us in the populace. Hope you

0:13:59.040 --> 0:14:01.640
<v Speaker 1>all are staying strong and hopefully plenty of front yard

0:14:01.760 --> 0:14:05.360
<v Speaker 1>lightsaber battles. Well, Aaron, yeah, that is referring to a

0:14:05.400 --> 0:14:09.400
<v Speaker 1>tidbit I shared about having lightsaber battles with my son

0:14:09.480 --> 0:14:11.319
<v Speaker 1>in my front yard and then he would sometimes run

0:14:11.360 --> 0:14:15.280
<v Speaker 1>to the side yard and leave me exposed, um battling

0:14:15.360 --> 0:14:17.400
<v Speaker 1>no one in the front yard when people drive by.

0:14:17.960 --> 0:14:20.680
<v Speaker 1>But this, yeah, this is the anecdote about the weightlifting

0:14:20.680 --> 0:14:22.800
<v Speaker 1>and the growing out of the thumbnails. This is this

0:14:22.840 --> 0:14:25.280
<v Speaker 1>is fabulous. I just had no idea this. This really

0:14:25.520 --> 0:14:28.920
<v Speaker 1>blew me away. Yeah, totally really interesting. Thanks for getting

0:14:28.920 --> 0:14:37.400
<v Speaker 1>in touch. Okay, we got another one about nails and mythology.

0:14:37.640 --> 0:14:40.800
<v Speaker 1>So this comes from Carolina. Carolina says the episode on

0:14:40.880 --> 0:14:43.720
<v Speaker 1>fingernails reminded me of a creation myth from the Mayan

0:14:43.880 --> 0:14:47.440
<v Speaker 1>sacred book The Pope Voo, in which four hundred boys

0:14:47.480 --> 0:14:51.040
<v Speaker 1>attempt to murder the Demi god Zipakna by asking him

0:14:51.080 --> 0:14:53.760
<v Speaker 1>to dig a post hole for them and then burying

0:14:53.840 --> 0:14:57.000
<v Speaker 1>him in it. He overheard their plans and dug a

0:14:57.080 --> 0:15:00.120
<v Speaker 1>side hole to save himself. The four hundred boy as

0:15:00.160 --> 0:15:03.520
<v Speaker 1>conclude Zipacna is really dead when they see ants crawl

0:15:03.640 --> 0:15:07.280
<v Speaker 1>up out of the ground carrying his fingernails. Here is

0:15:07.280 --> 0:15:11.000
<v Speaker 1>an excerpt from a literal translation by Alan J. Christensen

0:15:11.360 --> 0:15:15.200
<v Speaker 1>from Mezo Webb Publications. And so in this translation, I

0:15:15.240 --> 0:15:18.000
<v Speaker 1>just want to say some of the phrasing sounds strange.

0:15:18.040 --> 0:15:20.760
<v Speaker 1>But I looked this up and this is Christensen's translation.

0:15:21.200 --> 0:15:23.480
<v Speaker 1>I think the odd grammar of it comes from the

0:15:23.480 --> 0:15:26.240
<v Speaker 1>fact that it's kind of a transliteration that looks like

0:15:26.280 --> 0:15:30.320
<v Speaker 1>it's attempting to preserve word order of the original more

0:15:30.360 --> 0:15:32.520
<v Speaker 1>than it's trying to make it sound fluid in English.

0:15:32.640 --> 0:15:37.960
<v Speaker 1>So it goes like this. Then assembled ants, they walk about,

0:15:38.400 --> 0:15:43.040
<v Speaker 1>they swarm. Then they gathered beneath tree everywhere they carry

0:15:43.120 --> 0:15:46.640
<v Speaker 1>with their teeth. Hair they carry with their teeth as

0:15:46.680 --> 0:15:50.600
<v Speaker 1>well as his nails Zipakna. Then they saw, therefore the

0:15:50.640 --> 0:15:55.000
<v Speaker 1>boys he was finished. The demon look at Shirley. Ants

0:15:55.560 --> 0:16:00.000
<v Speaker 1>they gathered hither they assembled hither everywhere, hair they carry

0:16:00.080 --> 0:16:03.160
<v Speaker 1>with their teeth. There are his nails that can be seen.

0:16:03.240 --> 0:16:06.600
<v Speaker 1>Surely we did it at last, they said to each other.

0:16:07.320 --> 0:16:11.600
<v Speaker 1>He therefore the Zeppachna merely alive. He cut off its hair,

0:16:11.760 --> 0:16:15.440
<v Speaker 1>his head merely as well. He gnaws off his nails.

0:16:15.480 --> 0:16:18.920
<v Speaker 1>He gives them away to them, the ants. Thus he died.

0:16:19.320 --> 0:16:23.920
<v Speaker 1>They thought, five eighties boys, and the five eighties that's

0:16:23.920 --> 0:16:28.560
<v Speaker 1>four hundred, not five boys from the nineteen eighties. Uh uh,

0:16:28.600 --> 0:16:32.920
<v Speaker 1>So Carolina continues. Zeebakna kills the four hundred boys by

0:16:32.960 --> 0:16:36.280
<v Speaker 1>collapsing their house on them. They then rose into the sky,

0:16:36.520 --> 0:16:40.680
<v Speaker 1>becoming stars. I read a very similar legend from Micronesia

0:16:40.760 --> 0:16:43.000
<v Speaker 1>and thought it was strange to have such similar myths

0:16:43.040 --> 0:16:45.920
<v Speaker 1>from such far flung places, until one day when I

0:16:45.960 --> 0:16:49.600
<v Speaker 1>was clipping my fingernails outside and saw ants carrying away

0:16:49.640 --> 0:16:53.680
<v Speaker 1>the clippings. I have no idea what ants use fingernails for.

0:16:54.240 --> 0:16:57.040
<v Speaker 1>Maybe they think that they're dead bugs. I can see

0:16:57.040 --> 0:16:59.840
<v Speaker 1>how such a disconcerting image could crop up in creation.

0:17:00.000 --> 0:17:02.440
<v Speaker 1>It surround the world. For most of my life, I

0:17:02.480 --> 0:17:05.439
<v Speaker 1>grew my fingernails long and tapered them to points. I

0:17:05.480 --> 0:17:07.800
<v Speaker 1>liked looking like I had claws and having such a

0:17:07.880 --> 0:17:12.160
<v Speaker 1>visible signifier of nonconformity. I didn't play sports, throw clay,

0:17:12.240 --> 0:17:14.639
<v Speaker 1>or participate in other activities where long nails would be

0:17:14.640 --> 0:17:17.040
<v Speaker 1>a hindrance. I was so used to having them long

0:17:17.080 --> 0:17:19.600
<v Speaker 1>that when I decided to cut them short. After deciding

0:17:19.640 --> 0:17:23.000
<v Speaker 1>long nails no longer reflected my identity, I found some

0:17:23.040 --> 0:17:26.520
<v Speaker 1>things more difficult, such as doing needlework or otherwise grasping

0:17:26.520 --> 0:17:29.160
<v Speaker 1>its small objects. I used to pick up very small

0:17:29.200 --> 0:17:32.160
<v Speaker 1>objects by scooping them up with a nail right after

0:17:32.200 --> 0:17:36.080
<v Speaker 1>cutting my nails. The increased sensation made my fingertips tingle.

0:17:36.680 --> 0:17:40.919
<v Speaker 1>Thanks for such a consistently thought provoking podcast. Best regards, Carolina.

0:17:41.200 --> 0:17:43.679
<v Speaker 1>I'd say, Carolina, this is a very thought provoking email.

0:17:43.760 --> 0:17:46.000
<v Speaker 1>Thank you so much. Yeah, there's a there's a lot

0:17:46.040 --> 0:17:49.440
<v Speaker 1>to comment on here. First of all, I love the

0:17:49.440 --> 0:17:53.679
<v Speaker 1>the story here uh from papal Vu and uh you know,

0:17:53.920 --> 0:17:56.840
<v Speaker 1>of course that instantly makes me think of the German

0:17:57.000 --> 0:18:01.080
<v Speaker 1>music collective pop Vu. Who did um who did the

0:18:01.080 --> 0:18:03.960
<v Speaker 1>soundtrack for a number of Vernon Herzog films, including a

0:18:04.000 --> 0:18:07.320
<v Speaker 1>gear Ay The Wrath of God? Has that the wonderful

0:18:07.480 --> 0:18:10.800
<v Speaker 1>um uh you know South American pipe sound in it?

0:18:11.440 --> 0:18:14.160
<v Speaker 1>Um so certainly somebody have listened to a fair amount

0:18:14.160 --> 0:18:16.120
<v Speaker 1>in the last couple of years. Oh, when you first

0:18:16.160 --> 0:18:18.359
<v Speaker 1>came across them, did you not realize they were named

0:18:18.400 --> 0:18:23.639
<v Speaker 1>after the Mayan story? I made that connection pretty pretty quickly,

0:18:23.680 --> 0:18:25.879
<v Speaker 1>but that they were there. They're probably the first thing

0:18:25.920 --> 0:18:28.920
<v Speaker 1>I think of though when I think of pop them, like, oh, yeah,

0:18:29.000 --> 0:18:31.959
<v Speaker 1>I like them. They're good. They put out some good soundtracks.

0:18:32.160 --> 0:18:35.240
<v Speaker 1>Um uh. The The other thing this is interesting about

0:18:35.240 --> 0:18:37.080
<v Speaker 1>the ants because when it was first brought up, the

0:18:37.080 --> 0:18:39.359
<v Speaker 1>idea of ants carrying off fingernail clippings, that that well,

0:18:39.359 --> 0:18:42.440
<v Speaker 1>clearly that's somebody saw a leaf cutter ants in action,

0:18:42.560 --> 0:18:44.520
<v Speaker 1>and you kind of think, well, what you have? They

0:18:44.520 --> 0:18:49.840
<v Speaker 1>were carrying fingernail clippings instead of vegetation, and that was

0:18:49.880 --> 0:18:52.359
<v Speaker 1>what I was expecting to be like the basic connection there.

0:18:52.400 --> 0:18:54.520
<v Speaker 1>But then the idea that that they have been observed

0:18:54.560 --> 0:18:57.920
<v Speaker 1>to carry off fingernails, that turns that on its head totally.

0:18:57.920 --> 0:18:59.879
<v Speaker 1>That's really interesting. I've never seen that before, but I

0:19:00.040 --> 0:19:08.840
<v Speaker 1>feel like I got to look that up now. Yeah, Okay,

0:19:08.880 --> 0:19:10.760
<v Speaker 1>do we want to finish up nails with one last

0:19:10.800 --> 0:19:19.840
<v Speaker 1>message from Bethany? Sure? This one comes to us from Bethany. Hi.

0:19:20.119 --> 0:19:22.040
<v Speaker 1>Robert and Joe, I've been thinking a lot about your

0:19:22.040 --> 0:19:25.800
<v Speaker 1>episodes on fingernails and have a handful unintended of antidotes

0:19:25.880 --> 0:19:28.840
<v Speaker 1>to share. I started playing violin about a year ago

0:19:29.000 --> 0:19:31.200
<v Speaker 1>after a decade long break, and have noticed that my

0:19:31.320 --> 0:19:33.639
<v Speaker 1>nails are growing much more quickly than they used to.

0:19:34.000 --> 0:19:36.240
<v Speaker 1>I'm left handed, so that, combined with the extra use

0:19:36.240 --> 0:19:38.960
<v Speaker 1>of my left hand fingertips, means that my nails are

0:19:39.000 --> 0:19:41.399
<v Speaker 1>growing at warp speed, which is really a bummer when

0:19:41.440 --> 0:19:43.080
<v Speaker 1>I realized they're too long and I need to trim

0:19:43.119 --> 0:19:47.480
<v Speaker 1>them again. Violin playing requires my nails on the hand

0:19:47.520 --> 0:19:49.520
<v Speaker 1>to be very short, and they can damage the wood

0:19:49.560 --> 0:19:51.800
<v Speaker 1>of the neck of the instrument, or they can get

0:19:51.840 --> 0:19:54.760
<v Speaker 1>caught on the strings and can cause that awful teeth

0:19:55.080 --> 0:19:59.480
<v Speaker 1>twining nails on a chalkboard feeling. My My husband teases

0:19:59.520 --> 0:20:01.600
<v Speaker 1>me every time time I only trim my left hand

0:20:01.640 --> 0:20:04.440
<v Speaker 1>nails and leave the right ones, but honestly, the right

0:20:04.480 --> 0:20:07.280
<v Speaker 1>side doesn't grow that quickly. Now for a couple of

0:20:07.320 --> 0:20:09.960
<v Speaker 1>gross stories. My husband and I moved into a beautiful

0:20:09.960 --> 0:20:12.080
<v Speaker 1>home about two years ago. It had stood empty for

0:20:12.080 --> 0:20:14.399
<v Speaker 1>about three years and was fully ready to move in.

0:20:14.840 --> 0:20:17.639
<v Speaker 1>We had to do some of the standard painting and cleaning,

0:20:17.640 --> 0:20:20.159
<v Speaker 1>but nothing too terrible. I remember the first time I

0:20:20.160 --> 0:20:22.679
<v Speaker 1>went through the drawers of the master bedroom. I cleaned

0:20:22.720 --> 0:20:25.160
<v Speaker 1>out all of the drawers and cabinets with pretty standard

0:20:25.160 --> 0:20:29.240
<v Speaker 1>bathroom debris, some stray hairs, toothpaste, etcetera. Nothing to labor intensive,

0:20:29.280 --> 0:20:31.920
<v Speaker 1>but a tiny bit gross. The last drawer was full

0:20:31.960 --> 0:20:35.239
<v Speaker 1>of the previous owner's fingernail clippings. It was so so

0:20:35.280 --> 0:20:37.360
<v Speaker 1>gross I couldn't touch them. I made my husband take

0:20:37.400 --> 0:20:39.520
<v Speaker 1>care of them. What a great horror movie. This could

0:20:39.600 --> 0:20:42.560
<v Speaker 1>become a beautiful home, except all the drawers are full

0:20:42.560 --> 0:20:45.960
<v Speaker 1>of the previous owner's fingernail clippings. You know, I have

0:20:46.000 --> 0:20:48.560
<v Speaker 1>to say, Joe, this reminds me this is not fingernails.

0:20:48.840 --> 0:20:55.040
<v Speaker 1>But have you ever encountered an old um bathroom mirror

0:20:55.119 --> 0:20:58.760
<v Speaker 1>medicine cabinet that has the slot in the back of

0:20:58.800 --> 0:21:02.840
<v Speaker 1>it where you deposit razor blades? Oh yeah, yeah, I

0:21:02.880 --> 0:21:04.399
<v Speaker 1>know exactly what you're talking about. I thought you were

0:21:04.400 --> 0:21:06.680
<v Speaker 1>gonna say, have you ever opened like an old bathroom

0:21:06.720 --> 0:21:09.639
<v Speaker 1>cabinet that had somebody else's hair in it? Which? Yes,

0:21:09.760 --> 0:21:11.399
<v Speaker 1>but no, I know what you're talking about with the

0:21:11.440 --> 0:21:14.399
<v Speaker 1>razor blades. Never anywhere I've lived, but I've seen that before.

0:21:14.880 --> 0:21:17.639
<v Speaker 1>I've only encountered it like once, but I mean clearly

0:21:17.640 --> 0:21:21.600
<v Speaker 1>it was a mass manufactured thing. And like there was

0:21:21.640 --> 0:21:23.320
<v Speaker 1>an idea at one point where it's like, yeah, as

0:21:23.320 --> 0:21:26.400
<v Speaker 1>you use up your razor blades instead of throwing them away,

0:21:26.800 --> 0:21:29.359
<v Speaker 1>what if they went through a hole in your wall

0:21:29.920 --> 0:21:33.119
<v Speaker 1>and then fell down into either the crawl space or

0:21:33.200 --> 0:21:35.639
<v Speaker 1>just sort of in between the walls of your house

0:21:36.000 --> 0:21:40.680
<v Speaker 1>and accumulated there. Like that is just so strange and

0:21:40.680 --> 0:21:43.439
<v Speaker 1>and weirdly mysterious, and it reminds me of some of

0:21:43.440 --> 0:21:47.240
<v Speaker 1>these traditions I've read about before about depositing hair and

0:21:47.320 --> 0:21:50.280
<v Speaker 1>fingernails within the walls of the house because that would

0:21:50.280 --> 0:21:52.719
<v Speaker 1>be a safer place for them to be, so that,

0:21:52.800 --> 0:21:55.639
<v Speaker 1>you know, evil things cannot acquire them. Yeah, it's kind

0:21:55.680 --> 0:21:58.920
<v Speaker 1>of like the ossuary churches, the buildings that are built

0:21:58.920 --> 0:22:01.879
<v Speaker 1>with the bones in the wall les. Yeah. So if

0:22:01.920 --> 0:22:04.040
<v Speaker 1>anyone out there, if you've ever you're involved in like

0:22:04.320 --> 0:22:07.520
<v Speaker 1>demo or reconstruction, remodeling at all, I'd love to know

0:22:07.800 --> 0:22:11.080
<v Speaker 1>what happens when you you open up that wall behind

0:22:11.200 --> 0:22:14.879
<v Speaker 1>that one of these these these medicine cabinets, Like what

0:22:14.960 --> 0:22:17.399
<v Speaker 1>is it, Like, what's back there. Is it just full

0:22:17.440 --> 0:22:21.240
<v Speaker 1>of razor blades, rusty old razor blades, haunted razor blades?

0:22:21.280 --> 0:22:25.359
<v Speaker 1>I I have to know anyway, Bethany continues. Finally, there's

0:22:25.400 --> 0:22:28.400
<v Speaker 1>something about other people's nails and teeth that just grosses

0:22:28.440 --> 0:22:30.440
<v Speaker 1>me out so much. My husband and I have been

0:22:30.600 --> 0:22:33.240
<v Speaker 1>hosting a foster kiddo for about a month and he's

0:22:33.440 --> 0:22:36.320
<v Speaker 1>lost three teeth. They're all in an envelope and will

0:22:36.359 --> 0:22:39.440
<v Speaker 1>be shipped to his forever home. Similarly, I've been dealing

0:22:39.480 --> 0:22:41.720
<v Speaker 1>with my nine year old stepsons teeth and nails for

0:22:41.840 --> 0:22:45.120
<v Speaker 1>years now. Dealing with disembodied teeth in an invisible pixie

0:22:45.119 --> 0:22:47.800
<v Speaker 1>that steals them from the under a pillow while he's

0:22:47.840 --> 0:22:50.959
<v Speaker 1>sleeping is bad enough, but walking into my child chewing

0:22:51.040 --> 0:22:54.040
<v Speaker 1>on his toe nails and he's watching TV definitely makes

0:22:54.040 --> 0:22:56.400
<v Speaker 1>me question where I've gone wrong as a parent. Queue

0:22:56.480 --> 0:22:59.359
<v Speaker 1>some horrified laughter. I've seen a lot of fingernail biting.

0:22:59.359 --> 0:23:01.880
<v Speaker 1>I've never seen toenail biting, but that seems much more

0:23:01.920 --> 0:23:04.960
<v Speaker 1>doable for a kid who's more flexible. I guess, oh yeah,

0:23:05.119 --> 0:23:09.000
<v Speaker 1>these kids are crazy flexible. Um, the the the loose

0:23:09.040 --> 0:23:12.399
<v Speaker 1>teeth thing is certainly can be a little wiggy because

0:23:12.400 --> 0:23:13.760
<v Speaker 1>they have. They'll come up to you and there's like

0:23:13.760 --> 0:23:16.960
<v Speaker 1>a tooth flapping. They're like, they're like, help me rip

0:23:17.000 --> 0:23:19.720
<v Speaker 1>this out, you know, because there's this they want the

0:23:19.760 --> 0:23:22.120
<v Speaker 1>teeth gone. They they there's something about like they want

0:23:22.280 --> 0:23:24.840
<v Speaker 1>you know, there's the tooth fairy idea on one hand

0:23:24.840 --> 0:23:26.240
<v Speaker 1>that you know they'll they'll be able to trade this

0:23:26.280 --> 0:23:28.720
<v Speaker 1>for money with some sort of other worldly spirit, but

0:23:28.920 --> 0:23:31.399
<v Speaker 1>also just the idea of of like other kids are

0:23:31.400 --> 0:23:32.840
<v Speaker 1>losing their teeth, I want to lose some of my

0:23:32.880 --> 0:23:35.280
<v Speaker 1>teeth too. And you tell them, like, we don't mess

0:23:35.320 --> 0:23:36.840
<v Speaker 1>with it. It It will come out on its own. It's

0:23:37.000 --> 0:23:40.040
<v Speaker 1>it's leaving your head. You don't need to accentuate it

0:23:40.240 --> 0:23:42.280
<v Speaker 1>because you're just gonna get blood everywhere. And of course

0:23:42.400 --> 0:23:44.040
<v Speaker 1>they end up wiggling and until it comes out and

0:23:44.040 --> 0:23:49.040
<v Speaker 1>there's blood and it's a whole scene anyway. But Bettany continues,

0:23:49.920 --> 0:23:51.760
<v Speaker 1>I would be interested to know if there's some connection

0:23:51.800 --> 0:23:53.840
<v Speaker 1>between nails and teeth. I know that when my nails

0:23:53.840 --> 0:23:56.560
<v Speaker 1>get snagged or scraped or something like a violin string

0:23:56.680 --> 0:24:00.280
<v Speaker 1>or rigged rigid hard surface like concrete, or would my

0:24:00.359 --> 0:24:03.320
<v Speaker 1>teeth almost hurt compounded with my reaction to the kid's

0:24:03.359 --> 0:24:07.000
<v Speaker 1>teeth and nails. Just something else to think about. Anyway,

0:24:07.160 --> 0:24:09.600
<v Speaker 1>I'm sure that's enough fingernail talk for you. Thanks for

0:24:09.640 --> 0:24:12.239
<v Speaker 1>your podcast that keeps me occupied, whether I'm sitting at

0:24:12.240 --> 0:24:15.160
<v Speaker 1>my desk at work at a public library that's currently open,

0:24:15.440 --> 0:24:18.080
<v Speaker 1>or doing laundry at home. I've been inspired to start

0:24:18.119 --> 0:24:21.000
<v Speaker 1>a Lord of the Rings reread rewatch this fall, and

0:24:21.040 --> 0:24:24.040
<v Speaker 1>to rekindle my love of Queen by listening to I'm

0:24:24.080 --> 0:24:27.160
<v Speaker 1>in Love with My Car on repeat after your Vault episode.

0:24:27.200 --> 0:24:30.560
<v Speaker 1>Our cars, our bodies, our minds, keep up the great conversations.

0:24:30.840 --> 0:24:32.439
<v Speaker 1>I'm in Love with My Car is one of my

0:24:32.600 --> 0:24:37.679
<v Speaker 1>favorite just absolutely stupid rock anthems. It is one of

0:24:37.680 --> 0:24:42.320
<v Speaker 1>the dumbest songs ever written, and it's really good. Gotta

0:24:42.440 --> 0:24:47.800
<v Speaker 1>feel from my automobile. All right, Uh, I guess we're

0:24:47.800 --> 0:24:50.040
<v Speaker 1>done with nails for now. So this next message came

0:24:50.080 --> 0:24:52.960
<v Speaker 1>to us in response to our episode on Lins and

0:24:53.040 --> 0:25:01.720
<v Speaker 1>this is from Sophia. So Fia says, Hi, Robert and Joe.

0:25:02.200 --> 0:25:04.199
<v Speaker 1>I believe this is my third time writing to you.

0:25:04.359 --> 0:25:06.840
<v Speaker 1>I'm an evolutionary biologist and I'd just like to point

0:25:06.880 --> 0:25:10.240
<v Speaker 1>out an inspiring thought related to the kinds of symbiosis

0:25:10.280 --> 0:25:15.720
<v Speaker 1>that we observe in Likens. Everything on Earth that photosynthesizes,

0:25:15.920 --> 0:25:20.920
<v Speaker 1>except for cyanobacteria, is a product of symbiosis. There is

0:25:20.960 --> 0:25:25.399
<v Speaker 1>always a photosynthetic component and a non photosynthetic component. This

0:25:25.480 --> 0:25:28.080
<v Speaker 1>appears to be such a go to strategy for many

0:25:28.200 --> 0:25:30.960
<v Speaker 1>organisms that I don't think we can even estimate how

0:25:30.960 --> 0:25:34.520
<v Speaker 1>many times this happened. All plants are a product of

0:25:34.560 --> 0:25:39.800
<v Speaker 1>ancient indosymbiosis. Um. That's mean intern like a symbiosis in

0:25:39.840 --> 0:25:43.280
<v Speaker 1>which one organism sort of swallows another or takes another inside.

0:25:43.960 --> 0:25:49.399
<v Speaker 1>Picking up between a prokaryotic photosynthetic organism now chloroplasts and

0:25:49.520 --> 0:25:54.040
<v Speaker 1>other plastids, and a proto you carry out. Moreover, some

0:25:54.160 --> 0:25:57.720
<v Speaker 1>kinds of algae have chloroplasts with one or two additional

0:25:57.760 --> 0:26:02.560
<v Speaker 1>membranes surrounding the existing two brains of primary plastids. These

0:26:02.560 --> 0:26:08.040
<v Speaker 1>extra membranes likely formed to due to secondary endosymbiosis. Roughly speaking,

0:26:08.160 --> 0:26:12.200
<v Speaker 1>a cell engulfed another cell, after which at some point

0:26:12.320 --> 0:26:16.359
<v Speaker 1>it was itself engulfed by another cell, et cetera, and

0:26:16.400 --> 0:26:21.760
<v Speaker 1>in some cases probably even tertiary endosymbioses. Likens seem to

0:26:21.760 --> 0:26:25.280
<v Speaker 1>be a more recent example of an In some ways

0:26:25.320 --> 0:26:29.640
<v Speaker 1>similar evolutionary strategy, but the components still maintain a high

0:26:29.720 --> 0:26:33.240
<v Speaker 1>level of independence. Now, if we look at the animal kingdom,

0:26:33.480 --> 0:26:37.119
<v Speaker 1>we also find something similar. In corals, there's a primary

0:26:37.240 --> 0:26:42.600
<v Speaker 1>animal component which strongly depends on its photosynthetic algal symbions.

0:26:42.760 --> 0:26:45.360
<v Speaker 1>If they're lost for an extended period of time due

0:26:45.400 --> 0:26:50.480
<v Speaker 1>to increased water temperatures coral bleaching, the corals die. So

0:26:50.520 --> 0:26:53.200
<v Speaker 1>in this case, at least, the animal already went far

0:26:53.320 --> 0:26:56.800
<v Speaker 1>enough down the evolutionary path in the direction of obligate

0:26:56.840 --> 0:27:01.440
<v Speaker 1>symbiosis being tied to this algal organism necessary to survive.

0:27:02.320 --> 0:27:06.159
<v Speaker 1>I find it fascinating imagining what some photosynthetic life on

0:27:06.200 --> 0:27:09.400
<v Speaker 1>Earth might look like in millions of years. There might

0:27:09.560 --> 0:27:13.520
<v Speaker 1>very well be many different kinds of obligate symbiotic organisms

0:27:13.560 --> 0:27:16.760
<v Speaker 1>that would in many ways look and behave like modern plants,

0:27:17.160 --> 0:27:20.160
<v Speaker 1>but having very different life histories. Some of them may

0:27:20.200 --> 0:27:25.719
<v Speaker 1>have animal and algal origins, others fungal and bacterial or algal, etcetera.

0:27:26.640 --> 0:27:29.479
<v Speaker 1>As always, thanks for the great show. Can't wait for

0:27:29.480 --> 0:27:33.680
<v Speaker 1>more inspiring episodes, Sophia. Yeah, that is all really interesting,

0:27:33.760 --> 0:27:36.520
<v Speaker 1>so thank you for getting in touch, Sophia and I

0:27:37.960 --> 0:27:42.520
<v Speaker 1>I do love thinking about how the the I don't know,

0:27:42.760 --> 0:27:45.800
<v Speaker 1>the tree of life that we often imagine is not

0:27:45.920 --> 0:27:48.359
<v Speaker 1>just sort of like branches split off and then all

0:27:48.400 --> 0:27:51.000
<v Speaker 1>go their own way. There's there's actually a fair bit

0:27:51.040 --> 0:28:03.280
<v Speaker 1>of sort of re growing together of branches. And that's inspiring. Alright,

0:28:03.520 --> 0:28:05.399
<v Speaker 1>here's another one. This comes to us from John. This

0:28:05.480 --> 0:28:07.239
<v Speaker 1>also has to do with lin and and this this

0:28:07.320 --> 0:28:09.320
<v Speaker 1>is I really love this one. This is a great

0:28:09.359 --> 0:28:12.160
<v Speaker 1>little bit of listener mail. Hi, Robert and Joe. I've

0:28:12.160 --> 0:28:14.520
<v Speaker 1>been listening to stuff to Believe your Mind for years,

0:28:14.800 --> 0:28:16.720
<v Speaker 1>but have never felt I had a good reason to

0:28:16.760 --> 0:28:20.080
<v Speaker 1>write in until your most recent episode about LINS when

0:28:20.080 --> 0:28:23.560
<v Speaker 1>you mentioned the Lins of the Arctic article by James

0:28:23.600 --> 0:28:26.680
<v Speaker 1>Walton UM and this, by the way, this was published

0:28:27.119 --> 0:28:30.760
<v Speaker 1>UM on the National Park Service website. Lins of the

0:28:30.840 --> 0:28:36.400
<v Speaker 1>Arctic by James Walton, National Park Service. Anyway, John continues here,

0:28:37.800 --> 0:28:39.680
<v Speaker 1>I did a double take at the time. I've been

0:28:39.720 --> 0:28:42.880
<v Speaker 1>fortunate enough to do vegetation monitoring work with James at

0:28:42.880 --> 0:28:46.360
<v Speaker 1>the boreal forest of Lake Clark National Park in southwestern

0:28:46.400 --> 0:28:49.920
<v Speaker 1>Alaska and can tell you that he really knows his flora.

0:28:50.200 --> 0:28:54.120
<v Speaker 1>When he walked along thirty transsects of moss undergrowth and

0:28:54.200 --> 0:28:58.040
<v Speaker 1>spruce trees. James would instantly an accurately idea the organisms

0:28:58.080 --> 0:29:02.600
<v Speaker 1>that we passed, including the numerous mosses and lins. Anyway,

0:29:02.640 --> 0:29:04.640
<v Speaker 1>it was fun to hear you mentioned him in the podcast.

0:29:05.080 --> 0:29:08.560
<v Speaker 1>If you're looking for episode ideas, how about one on

0:29:08.640 --> 0:29:11.280
<v Speaker 1>the salmon runs of the North Pacific. The early salmon

0:29:11.360 --> 0:29:14.400
<v Speaker 1>run is an important event for bears, commercial fisheries, and

0:29:14.560 --> 0:29:18.480
<v Speaker 1>um and anglers alike. It has unique economic, cultural, and

0:29:18.520 --> 0:29:21.720
<v Speaker 1>ecological significance for communities across the North Pacific, and is

0:29:21.720 --> 0:29:25.160
<v Speaker 1>threatened by climate change, poor fisheries management, and damn building.

0:29:25.440 --> 0:29:28.520
<v Speaker 1>Worth a look best, John, Oh, that is a great

0:29:28.560 --> 0:29:32.120
<v Speaker 1>idea for an episode. Yeah, yeah, yeah, they're I mean

0:29:32.240 --> 0:29:34.520
<v Speaker 1>it's it's certainly come up in research before. I don't

0:29:34.560 --> 0:29:36.840
<v Speaker 1>know if we've really mentioned it much on the show before,

0:29:36.840 --> 0:29:39.920
<v Speaker 1>but yeah, it's like a fact. There's a fascinating biological

0:29:39.960 --> 0:29:43.040
<v Speaker 1>story there. There's a story of humans interfering with it,

0:29:43.280 --> 0:29:46.360
<v Speaker 1>and then also some innovations that have been at least proposed,

0:29:46.400 --> 0:29:49.480
<v Speaker 1>if not implemented, to uh to help them out. Like

0:29:49.520 --> 0:29:53.000
<v Speaker 1>I think there has been a salmon canon cannon, salmon

0:29:53.240 --> 0:29:55.760
<v Speaker 1>cannon that has been suggested at times to sort of

0:29:55.800 --> 0:30:00.360
<v Speaker 1>like launch them upward over dams and whatnot? Did first

0:30:00.360 --> 0:30:06.240
<v Speaker 1>say camon salmon, like out there camon salmon, salmon jam

0:30:06.240 --> 0:30:10.280
<v Speaker 1>and salmon cannon. Yes, um, so that that would make

0:30:10.280 --> 0:30:12.760
<v Speaker 1>for an interesting episode. And and and again I just

0:30:12.760 --> 0:30:14.520
<v Speaker 1>love the idea that you know, we this is just

0:30:14.560 --> 0:30:16.680
<v Speaker 1>a source I came across, and it's neat to hear

0:30:16.840 --> 0:30:21.440
<v Speaker 1>some of the human story behind the individual responsible for it. Yeah, wonderful.

0:30:21.920 --> 0:30:24.920
<v Speaker 1>So thanks for getting in touch. Okay, we got a

0:30:25.040 --> 0:30:28.920
<v Speaker 1>lot of responses to our episodes about mushroom foraging. Again, sorry,

0:30:28.920 --> 0:30:30.800
<v Speaker 1>we can't get to them all. We're picking out a

0:30:30.840 --> 0:30:38.360
<v Speaker 1>few here. One I just wanted to mention briefly was

0:30:38.640 --> 0:30:42.280
<v Speaker 1>Thomas got in touch because in the mushroom foraging episodes

0:30:43.200 --> 0:30:45.320
<v Speaker 1>we ended up talking about whether it was safe to

0:30:45.440 --> 0:30:48.360
<v Speaker 1>drink milk produced by a goat who had who had

0:30:48.360 --> 0:30:51.720
<v Speaker 1>eaten a bunch of poison ivy, and Tom got in

0:30:51.760 --> 0:30:54.080
<v Speaker 1>touch to share an article by a North Carolina State

0:30:54.080 --> 0:30:58.280
<v Speaker 1>professor of Crop and Soil sciences named J. M. Lugan Boule,

0:30:59.040 --> 0:31:02.360
<v Speaker 1>and he writes this article that research shows that toxic

0:31:02.400 --> 0:31:05.920
<v Speaker 1>compounds from poison oak ivy and sumac are not passed

0:31:05.960 --> 0:31:08.840
<v Speaker 1>onto the milk of goats, so it should be safe.

0:31:09.320 --> 0:31:11.880
<v Speaker 1>I guess that's potentially good news, but I'd still say,

0:31:11.880 --> 0:31:14.560
<v Speaker 1>I guess, please nobody go drink, you know, poison oak

0:31:14.680 --> 0:31:16.920
<v Speaker 1>goat milk because you heard it here. Do your own

0:31:16.960 --> 0:31:19.920
<v Speaker 1>research first, check it out. Yeah, And so this was

0:31:20.000 --> 0:31:22.400
<v Speaker 1>me that said that that threw that end really quickly,

0:31:22.720 --> 0:31:24.680
<v Speaker 1>just cut of an offhand, because I think I had

0:31:24.720 --> 0:31:27.480
<v Speaker 1>heard that at some point. I I researched it after

0:31:27.640 --> 0:31:31.239
<v Speaker 1>we received this email. And yeah, it does seem that

0:31:31.240 --> 0:31:33.760
<v Speaker 1>that it does right across a couple of studies, or

0:31:33.760 --> 0:31:36.520
<v Speaker 1>at least two studies referring to the same thing here,

0:31:37.000 --> 0:31:40.640
<v Speaker 1>that that you don't have to worry about poison um

0:31:40.840 --> 0:31:44.520
<v Speaker 1>ivy or poison oak, et cetera passing through to the milk.

0:31:44.720 --> 0:31:48.000
<v Speaker 1>But I also ran across an article that I can't

0:31:48.000 --> 0:31:50.560
<v Speaker 1>completely vouch for yet that I need to return to

0:31:51.080 --> 0:31:56.320
<v Speaker 1>about the idea of psychedelic goat milk, about psychedelic compounds

0:31:56.360 --> 0:32:00.840
<v Speaker 1>surviving and becoming part of goat milk. And perhaps I

0:32:00.880 --> 0:32:03.320
<v Speaker 1>think the author was arguing it could have played into

0:32:03.600 --> 0:32:06.800
<v Speaker 1>various traditions in the past. I don't know. Uh, don't

0:32:06.840 --> 0:32:09.320
<v Speaker 1>take my word on that one either. Uh, that one

0:32:09.360 --> 0:32:13.120
<v Speaker 1>requires more research. But I love the idea of magical

0:32:13.160 --> 0:32:17.560
<v Speaker 1>goats passing on their magical milk to early humans. It's

0:32:17.560 --> 0:32:22.240
<v Speaker 1>an insight from dairy farmer Farmer McKenna. He had some

0:32:22.360 --> 0:32:24.760
<v Speaker 1>great things to share on the subject. No, we should

0:32:24.800 --> 0:32:26.960
<v Speaker 1>come back to that. I want to learn more. Yeah,

0:32:31.080 --> 0:32:34.920
<v Speaker 1>thank so, let's see we We definitely have some more

0:32:35.040 --> 0:32:38.080
<v Speaker 1>mushroom um mail here. Like you said, we got a

0:32:38.080 --> 0:32:39.800
<v Speaker 1>lot of it. We had to sort through it because

0:32:39.840 --> 0:32:44.000
<v Speaker 1>the thing about mushroom emails is that you know, some

0:32:44.040 --> 0:32:46.680
<v Speaker 1>of them look fine until you start reading them, and

0:32:46.720 --> 0:32:49.760
<v Speaker 1>then you know suddenly you can have a really dire

0:32:49.800 --> 0:32:52.560
<v Speaker 1>reaction to them. So you've gotta be choosy. Uh. Sometimes

0:32:52.560 --> 0:32:55.080
<v Speaker 1>the good emails and the bad emails look remarkably alike.

0:33:00.600 --> 0:33:03.040
<v Speaker 1>So here's one of the good ones from Joseph. A

0:33:03.080 --> 0:33:05.760
<v Speaker 1>few thoughts on mushrooms. I couldn't believe you didn't bring

0:33:05.840 --> 0:33:08.640
<v Speaker 1>up Hobbits and the Hobbit metabolism episode, since they are

0:33:08.680 --> 0:33:12.720
<v Speaker 1>particularly fond of mushrooms. It is true Hobbits love mushrooms.

0:33:12.920 --> 0:33:18.080
<v Speaker 1>Microphilick shy are yeah more doors microphobic? I would say,

0:33:18.200 --> 0:33:21.240
<v Speaker 1>do you think so? Yeah? I think so. Yeah. I

0:33:21.800 --> 0:33:24.680
<v Speaker 1>guess it's hard to imagine mushrooms really thriving there. Yeah,

0:33:24.800 --> 0:33:27.760
<v Speaker 1>all right, Joseph continues, I have not been foraging, but

0:33:27.800 --> 0:33:30.080
<v Speaker 1>I have been attempting to grow mushrooms in a closet

0:33:30.080 --> 0:33:32.640
<v Speaker 1>at home for the last few months. No luck yet,

0:33:32.640 --> 0:33:35.479
<v Speaker 1>but I will keep trying. As to toxicity, when I

0:33:35.520 --> 0:33:37.800
<v Speaker 1>was in high school, I played in a band. Some

0:33:37.840 --> 0:33:40.160
<v Speaker 1>people assume since I was a guitar player, I must

0:33:40.200 --> 0:33:43.120
<v Speaker 1>have been into illicit drugs. I was approached by some

0:33:43.160 --> 0:33:46.160
<v Speaker 1>fellow students and invited to go shroom hunting. I made

0:33:46.200 --> 0:33:48.000
<v Speaker 1>up an excuse not to go and forgot about it.

0:33:48.040 --> 0:33:49.800
<v Speaker 1>A few days later I found out they were in

0:33:49.840 --> 0:33:53.640
<v Speaker 1>the ICU because they had picked the wrong type. Lastly,

0:33:53.720 --> 0:33:56.440
<v Speaker 1>mushrooms might be the first food eaten just because they

0:33:56.480 --> 0:34:00.400
<v Speaker 1>taste good and not because of calaric or nutritional value.

0:34:00.600 --> 0:34:03.320
<v Speaker 1>The nutritional value is really low compared to other foods.

0:34:03.560 --> 0:34:06.880
<v Speaker 1>There are over seven times the calories in venison as

0:34:06.920 --> 0:34:09.840
<v Speaker 1>in mushrooms. Salmon has nearly ten times as many calories

0:34:09.920 --> 0:34:13.240
<v Speaker 1>for an equivalent weight of mushrooms. Sure, there's some vitamins

0:34:13.239 --> 0:34:15.960
<v Speaker 1>and mineral, some fiber, and some species have a little protein,

0:34:16.120 --> 0:34:18.279
<v Speaker 1>but not nearly as much as plants. And animals. I

0:34:18.320 --> 0:34:21.120
<v Speaker 1>believe hunter gathers ate them when they were there was

0:34:21.160 --> 0:34:23.920
<v Speaker 1>nothing else, but also continued to eat them when denser

0:34:24.000 --> 0:34:28.799
<v Speaker 1>nutrition options were available, simply because they were tasty. Um.

0:34:28.840 --> 0:34:32.080
<v Speaker 1>And then uh yeah, so that's the fully meo. Interesting. Yeah,

0:34:32.239 --> 0:34:34.279
<v Speaker 1>this got me thinking about other foods that we eat

0:34:34.320 --> 0:34:37.560
<v Speaker 1>that have a pretty low caloric density. I mean, for example,

0:34:37.640 --> 0:34:41.920
<v Speaker 1>low starch vegetables, vegetables like celery or like leafy greens.

0:34:42.239 --> 0:34:45.800
<v Speaker 1>You would kind of have to eat a disgusting amount

0:34:45.840 --> 0:34:48.120
<v Speaker 1>of these foods in order to get a day's worth

0:34:48.160 --> 0:34:50.279
<v Speaker 1>of calories. So it seems like we do eat them,

0:34:50.280 --> 0:34:53.000
<v Speaker 1>but we eat them for a reason other than, you know,

0:34:53.080 --> 0:34:55.840
<v Speaker 1>filling up and getting energy from them. I don't know

0:34:55.840 --> 0:34:57.719
<v Speaker 1>if there's a disgusting amount of spinach, though, I can.

0:34:57.800 --> 0:35:00.400
<v Speaker 1>I can eat spinach all day, No, I I love spinach,

0:35:00.480 --> 0:35:02.480
<v Speaker 1>and sometimes I do eat it all day. You know,

0:35:02.600 --> 0:35:05.080
<v Speaker 1>you have it in your smoothie in the morning, then

0:35:05.120 --> 0:35:06.560
<v Speaker 1>you have it in like a case of d or

0:35:06.600 --> 0:35:08.560
<v Speaker 1>something at lunch, and then it factors into whatever you

0:35:08.560 --> 0:35:11.279
<v Speaker 1>having for dinner as well. Actually, one pasta dish I

0:35:11.320 --> 0:35:14.560
<v Speaker 1>really like to make has uh it has roasted mushrooms,

0:35:14.600 --> 0:35:16.680
<v Speaker 1>and I used to make it with roasted mushrooms and

0:35:16.719 --> 0:35:20.480
<v Speaker 1>spinach and like like a peccorino cheese. But I've recently

0:35:20.480 --> 0:35:22.960
<v Speaker 1>discovered that actually, I think kale holds up better than

0:35:23.000 --> 0:35:25.400
<v Speaker 1>spinach in the dish because the spinach wilts just a

0:35:25.480 --> 0:35:28.120
<v Speaker 1>little too easily. The kale is a little bit heartier.

0:35:28.400 --> 0:35:30.000
<v Speaker 1>You've ever been to a pizza place where they don't

0:35:30.040 --> 0:35:33.879
<v Speaker 1>have spinach? Is a topping? Oh? I don't usually look

0:35:33.920 --> 0:35:36.520
<v Speaker 1>for it, but I'd be into it. It should be there,

0:35:36.520 --> 0:35:44.680
<v Speaker 1>it should be offered, at least my opinion. Well, speaking

0:35:44.719 --> 0:35:48.120
<v Speaker 1>of pizza, let's go to our next email about mushroom foraging.

0:35:48.719 --> 0:35:51.120
<v Speaker 1>I think there's some translation issues on this one, but

0:35:51.160 --> 0:35:55.160
<v Speaker 1>I'll do my best. This is from Jacob. Jacob says welcome.

0:35:55.360 --> 0:35:58.800
<v Speaker 1>It starts with a quote welcome beings from an afterlife,

0:35:59.239 --> 0:36:02.840
<v Speaker 1>and then Akaba explains that this is the Polish greeting

0:36:02.880 --> 0:36:07.200
<v Speaker 1>and voyager one. It seems like someone confused cosmology with

0:36:07.239 --> 0:36:11.640
<v Speaker 1>ghosts when they were doing the translation there. Um, but

0:36:12.040 --> 0:36:14.680
<v Speaker 1>Jacob says, being Polish, it was really great to hear

0:36:14.760 --> 0:36:18.240
<v Speaker 1>someone to hear that anyone in the Western world quotes

0:36:18.320 --> 0:36:21.279
<v Speaker 1>pantadas that I had to read in high school as

0:36:21.320 --> 0:36:25.840
<v Speaker 1>a mandatory book in a context other than PhD study

0:36:25.880 --> 0:36:29.839
<v Speaker 1>on Slavic poetry. I cannot imagine the process that led

0:36:29.920 --> 0:36:34.640
<v Speaker 1>you to quote this poem, you know. I think that

0:36:34.719 --> 0:36:36.759
<v Speaker 1>happens a lot. On our show. We often hear from

0:36:36.800 --> 0:36:38.919
<v Speaker 1>people who say, I have no idea how you ended

0:36:39.000 --> 0:36:42.160
<v Speaker 1>up reading X Y or z well. I research is

0:36:42.200 --> 0:36:45.319
<v Speaker 1>often like the idea of someone following a trail through

0:36:45.320 --> 0:36:47.520
<v Speaker 1>the woods, and then you see something off to the side,

0:36:47.680 --> 0:36:50.000
<v Speaker 1>maybe a fairy ring or some mushrooms, and you go

0:36:50.040 --> 0:36:52.800
<v Speaker 1>out to look at it. And sometimes we get a

0:36:52.840 --> 0:36:55.319
<v Speaker 1>little bit lost in the woods, but we but in

0:36:55.360 --> 0:36:59.000
<v Speaker 1>doing so we find sometimes some of them very remarkable things. Totally.

0:36:59.040 --> 0:37:01.440
<v Speaker 1>I mean, I loved our segment on pantadays I I

0:37:01.480 --> 0:37:05.000
<v Speaker 1>don't regret it at all. But but Yaka continues, says,

0:37:05.320 --> 0:37:07.960
<v Speaker 1>if you like such stories, I recommend a more modern book,

0:37:08.080 --> 0:37:13.560
<v Speaker 1>The Wedding by Stanislav Vespianski. Mushroom foraging is indeed part

0:37:13.600 --> 0:37:16.319
<v Speaker 1>of our culture, and visiting other countries and continents, it

0:37:16.400 --> 0:37:18.600
<v Speaker 1>was hard for me to understand why people there do

0:37:18.680 --> 0:37:21.520
<v Speaker 1>not like to wander the woods to do it. Being

0:37:21.600 --> 0:37:24.280
<v Speaker 1>raised at the end of communism in Poland, it seemed

0:37:24.400 --> 0:37:27.759
<v Speaker 1>mushroom foraging was part of every holiday anywhere close to

0:37:27.840 --> 0:37:31.680
<v Speaker 1>the woods. Referring to poisoning with mushrooms, I honestly do

0:37:31.760 --> 0:37:34.320
<v Speaker 1>not know how much vodka you need to drink to

0:37:34.400 --> 0:37:40.279
<v Speaker 1>confuse macro lepiota pro sera with Amanita virosa or Amanita ploides.

0:37:40.719 --> 0:37:43.880
<v Speaker 1>These mushrooms do not look, smell, or feel the same,

0:37:44.040 --> 0:37:47.480
<v Speaker 1>but unfortunately some people die every year because of that.

0:37:48.000 --> 0:37:50.239
<v Speaker 1>If you like consuming mushrooms, I have a good hint.

0:37:50.640 --> 0:37:54.080
<v Speaker 1>Try our Malaria malia. Unfortunately, you will have a hard

0:37:54.080 --> 0:37:57.320
<v Speaker 1>time to find it in North America. As a pizza topping.

0:37:57.760 --> 0:37:59.759
<v Speaker 1>I send you a picture when I make one. It

0:37:59.800 --> 0:38:02.560
<v Speaker 1>go is very well with a glass of primativo. As

0:38:02.600 --> 0:38:05.160
<v Speaker 1>I do not eat animal products, I tried most widely

0:38:05.200 --> 0:38:08.279
<v Speaker 1>available mushrooms as pizza toppings and this one wins the

0:38:08.280 --> 0:38:13.800
<v Speaker 1>contest for me. However, our Millaria melia does it as well,

0:38:13.920 --> 0:38:17.759
<v Speaker 1>quite good. By the way, I remember the episode about biophilia,

0:38:17.840 --> 0:38:20.480
<v Speaker 1>but do not remember one about aquaphilia. By that, I

0:38:20.480 --> 0:38:23.480
<v Speaker 1>mean a phenomenon that people like to spend time by

0:38:23.520 --> 0:38:27.799
<v Speaker 1>the water. Longtime listener, first time emailing Jacob, Oh Wow,

0:38:27.840 --> 0:38:29.560
<v Speaker 1>there's a lot of good stuff in that at that email.

0:38:29.600 --> 0:38:33.440
<v Speaker 1>For sure. Surely you love mushrooms on pizza, right on me,

0:38:34.080 --> 0:38:36.680
<v Speaker 1>of course? Yeah, I mean I love mushrooms and pretty

0:38:36.760 --> 0:38:39.040
<v Speaker 1>much anything. Well not the smoothie. I guess we're not putting.

0:38:39.040 --> 0:38:41.920
<v Speaker 1>We don't put them in the morning smoothie. I'll have them.

0:38:41.960 --> 0:38:44.040
<v Speaker 1>I'll have them on an omelet or something in the morning. Yeah,

0:38:44.080 --> 0:38:51.000
<v Speaker 1>that sounds great. All right. Here's another one. This one

0:38:51.040 --> 0:38:54.680
<v Speaker 1>comes to us from Nancy regarding eggs. They're right. My

0:38:54.760 --> 0:38:58.240
<v Speaker 1>neighbor turned me onto podcast and I'm hooked. I chanced

0:38:58.320 --> 0:39:00.719
<v Speaker 1>upon your show and have enjoyed each episode and look

0:39:00.719 --> 0:39:03.439
<v Speaker 1>forward to listening to more. I've also told about five

0:39:03.480 --> 0:39:06.960
<v Speaker 1>people I know about podcasts and recommend your show. I

0:39:07.040 --> 0:39:09.479
<v Speaker 1>have to react to your podcast about the exploding egg.

0:39:09.680 --> 0:39:12.799
<v Speaker 1>I taught commercial food service to high school students aged

0:39:12.800 --> 0:39:16.480
<v Speaker 1>students at a career center in Cadillac, Michigan, a small town.

0:39:16.760 --> 0:39:19.640
<v Speaker 1>In the scheme of things, we had a large commercial

0:39:19.719 --> 0:39:21.640
<v Speaker 1>kitchen and a dining room that could see a hundred

0:39:21.840 --> 0:39:24.120
<v Speaker 1>We serve lunch four days a week for about two

0:39:24.160 --> 0:39:27.240
<v Speaker 1>thirds of the year. One day, during lunch, a student

0:39:27.280 --> 0:39:30.240
<v Speaker 1>waited on a gentleman who wanted two hard boiled eggs

0:39:30.239 --> 0:39:33.560
<v Speaker 1>with toast, which wasn't on our menu, but she took

0:39:33.560 --> 0:39:35.959
<v Speaker 1>the order and brought it to the kitchen. Because hard

0:39:35.960 --> 0:39:38.360
<v Speaker 1>cooked eggs take a relatively long time to cook for

0:39:38.400 --> 0:39:42.120
<v Speaker 1>a restaurant order, the student cook decided to improvise. She

0:39:42.160 --> 0:39:44.360
<v Speaker 1>grabbed two hard cooked eggs out of a large bucket

0:39:44.360 --> 0:39:47.640
<v Speaker 1>of hard cooked eggs which are available through commercial food providers.

0:39:48.080 --> 0:39:50.840
<v Speaker 1>These eggs are processed and sit in a liquid bath.

0:39:50.880 --> 0:39:53.520
<v Speaker 1>I'm not sure the composition of the solution, but it

0:39:53.640 --> 0:39:56.440
<v Speaker 1>must contain some ingredients to keep the eggs usable for

0:39:56.520 --> 0:40:00.000
<v Speaker 1>at least two weeks. She microwaved these eggs and prepare

0:40:00.040 --> 0:40:03.560
<v Speaker 1>aired the plate for takeout. I was in the dining

0:40:03.640 --> 0:40:05.839
<v Speaker 1>room when the students served the eggs, not aware of

0:40:05.880 --> 0:40:08.439
<v Speaker 1>what had happened in the kitchen. There were about six

0:40:08.440 --> 0:40:10.799
<v Speaker 1>tables with customers in the dining room at the time.

0:40:11.160 --> 0:40:13.400
<v Speaker 1>I happened to be facing the gentleman when he pierced

0:40:13.440 --> 0:40:16.759
<v Speaker 1>the egg with his fork. Boom, the egg exploded and

0:40:16.800 --> 0:40:19.280
<v Speaker 1>sprayed a ten foot circle of tiny pieces of cooked

0:40:19.320 --> 0:40:21.680
<v Speaker 1>egg on the guy and around the table and floor.

0:40:21.719 --> 0:40:23.960
<v Speaker 1>Of course, everyone's eyes turned to see what had happened.

0:40:24.239 --> 0:40:26.359
<v Speaker 1>It was a mess, and the guy had egg all

0:40:26.400 --> 0:40:28.800
<v Speaker 1>over him. Luckily, he was very nice about it. The

0:40:28.840 --> 0:40:31.399
<v Speaker 1>egg brushed off his clothing easily and we were able

0:40:31.440 --> 0:40:34.640
<v Speaker 1>to move him and prepare something else. These commercial eggs

0:40:34.680 --> 0:40:38.320
<v Speaker 1>are available to prep hard cooked eggs for salad, stuffed eggs,

0:40:38.320 --> 0:40:41.239
<v Speaker 1>et cetera, but not to microwave. Buckets of eggs come

0:40:41.239 --> 0:40:43.920
<v Speaker 1>in various sizes that depending on the restaurant's needs. It

0:40:43.960 --> 0:40:46.200
<v Speaker 1>was a real learning experience and the students loved the

0:40:46.239 --> 0:40:49.399
<v Speaker 1>teachable moment. Looking back, it was hilarious and it worked

0:40:49.400 --> 0:40:51.760
<v Speaker 1>out well for all of us. I said this because

0:40:52.040 --> 0:40:54.600
<v Speaker 1>I did not hear this particular reason for the exploding edge,

0:40:54.640 --> 0:40:57.040
<v Speaker 1>which was which was not a freshly cooked egg at

0:40:57.080 --> 0:40:59.400
<v Speaker 1>least that's what I'm assuming, like the ones used in

0:40:59.400 --> 0:41:02.760
<v Speaker 1>your experiments. Is there a searchable list of topics? Although

0:41:02.800 --> 0:41:04.919
<v Speaker 1>I enjoy all that, I have heard friends ask about

0:41:04.920 --> 0:41:07.480
<v Speaker 1>particular subjects, such as animals, and it would be nice

0:41:07.520 --> 0:41:10.400
<v Speaker 1>to start them there to pique their interests. I also

0:41:10.440 --> 0:41:13.760
<v Speaker 1>would like to look up particular topics. I'm truly impressed

0:41:13.760 --> 0:41:16.400
<v Speaker 1>by the depth of research and documentation you do for

0:41:16.440 --> 0:41:19.160
<v Speaker 1>your podcasts. I look forward to listening to more of

0:41:19.160 --> 0:41:22.120
<v Speaker 1>your work. Thank you, Nancy Well Nancy, I would say

0:41:22.200 --> 0:41:24.560
<v Speaker 1>to start with the least fun part of your email.

0:41:25.239 --> 0:41:28.840
<v Speaker 1>I would say, Unfortunately, our podcast has become less searchable

0:41:28.920 --> 0:41:33.640
<v Speaker 1>in recent times. That's not due to decisions on our part. Yeah,

0:41:33.960 --> 0:41:37.360
<v Speaker 1>I would say, whatever, however you're getting the podcast, or

0:41:37.400 --> 0:41:40.799
<v Speaker 1>however you're your friends might be getting the podcast, the

0:41:40.840 --> 0:41:43.920
<v Speaker 1>best bet is to try and search within that framework.

0:41:43.960 --> 0:41:46.840
<v Speaker 1>So if you're listening to a show at at on

0:41:46.960 --> 0:41:50.600
<v Speaker 1>iHeart radio, um you know is, then you can search there,

0:41:50.719 --> 0:41:52.920
<v Speaker 1>Or if you're in iTunes, try searching there, like doing

0:41:52.920 --> 0:41:55.400
<v Speaker 1>the search for stuff to blow your mind, plus animals,

0:41:55.400 --> 0:41:58.960
<v Speaker 1>because we've certainly recorded a number of episodes about animals

0:41:58.960 --> 0:42:02.560
<v Speaker 1>over the years. If our website is ever brought back

0:42:02.600 --> 0:42:06.759
<v Speaker 1>from the Internet dead by digital necromancy, we will immediately

0:42:06.840 --> 0:42:08.839
<v Speaker 1>let everyone know and that that will be the best

0:42:08.840 --> 0:42:13.399
<v Speaker 1>way to search for things once again. Yeah, but yeah, oh,

0:42:13.440 --> 0:42:15.400
<v Speaker 1>I love this story. So of course, in the Eggs episode,

0:42:15.440 --> 0:42:18.200
<v Speaker 1>we talked about the phenomenon of exploding hard boiled eggs.

0:42:18.239 --> 0:42:21.040
<v Speaker 1>This is something that apparently happens pretty frequently when you

0:42:21.080 --> 0:42:24.480
<v Speaker 1>microwave a previously hard boiled egg and it we don't

0:42:24.520 --> 0:42:26.279
<v Speaker 1>know for sure why it happens, but it seems like

0:42:26.320 --> 0:42:29.200
<v Speaker 1>a good candidate. Explanation is that there are little pockets

0:42:29.280 --> 0:42:32.120
<v Speaker 1>of water in the yolk that get trapped by the

0:42:32.160 --> 0:42:36.479
<v Speaker 1>matrix of proteins there and get superheated, and then when

0:42:36.480 --> 0:42:39.640
<v Speaker 1>they get exposed to lower pressure by cutting open the egg,

0:42:39.719 --> 0:42:42.839
<v Speaker 1>they suddenly rapidly expand and just pop and blow all

0:42:42.840 --> 0:42:45.719
<v Speaker 1>over the place. I'm sure it would be terrifying to

0:42:45.760 --> 0:42:47.520
<v Speaker 1>have this happened to you if you didn't know it

0:42:47.560 --> 0:42:50.080
<v Speaker 1>was possibility. All right, Well, thanks thanks for writing in.

0:42:50.120 --> 0:42:52.080
<v Speaker 1>We appreciate that, and it's always great to hear from

0:42:52.120 --> 0:42:54.480
<v Speaker 1>from new listeners who discover, you know, what we've what

0:42:54.719 --> 0:42:56.319
<v Speaker 1>we're putting out, what we've put out in the past,

0:42:56.400 --> 0:42:58.279
<v Speaker 1>and what we're going to continue to put out here

0:42:58.280 --> 0:43:01.200
<v Speaker 1>in the future. Totally. Uh Now, we a lot of

0:43:01.280 --> 0:43:04.520
<v Speaker 1>listeners got in touch about episodes that we did this October,

0:43:04.560 --> 0:43:07.840
<v Speaker 1>our standard October episodes like Anthology of Horror, The Leshy,

0:43:08.000 --> 0:43:10.719
<v Speaker 1>the Minotaur. I think we're probably gonna come back and

0:43:10.760 --> 0:43:15.520
<v Speaker 1>read some of those messages in our first Flaming Barrel

0:43:15.600 --> 0:43:17.720
<v Speaker 1>Chat or whatever we end up calling it our weekly

0:43:17.800 --> 0:43:20.960
<v Speaker 1>listener mail related offering. But just to wrap up today,

0:43:21.000 --> 0:43:22.600
<v Speaker 1>I did want to say that a bunch of listeners

0:43:22.640 --> 0:43:25.320
<v Speaker 1>got in touch to say nice things about Weird House Cinema,

0:43:25.400 --> 0:43:27.400
<v Speaker 1>So we we really appreciate all of the love and

0:43:27.440 --> 0:43:30.880
<v Speaker 1>feedback about that. Are our new episodes that are about

0:43:31.160 --> 0:43:33.320
<v Speaker 1>are you probably know by now that we have a

0:43:33.360 --> 0:43:37.200
<v Speaker 1>passion for strange b movies, uh, you know, odd films

0:43:37.239 --> 0:43:39.560
<v Speaker 1>that aren't going to make it onto any mainstream lists,

0:43:40.120 --> 0:43:42.160
<v Speaker 1>and so we've been looking at those in these recent

0:43:42.200 --> 0:43:44.359
<v Speaker 1>Weird House episodes. Those have been a lot of fun.

0:43:44.400 --> 0:43:46.480
<v Speaker 1>It seems like you've mostly been enjoying them. I think

0:43:46.520 --> 0:43:49.480
<v Speaker 1>we heard from one person who wasn't really complaining. We

0:43:49.640 --> 0:43:51.839
<v Speaker 1>just said, yeah, not really for me, but otherwise all

0:43:51.840 --> 0:43:55.040
<v Speaker 1>the feedback has been wonderful and it's it's been really encouraging.

0:43:55.360 --> 0:44:04.279
<v Speaker 1>But Robert, do you want to read this message from Scott? Oh? Yes,

0:44:04.560 --> 0:44:07.120
<v Speaker 1>Scott writes, dear stuff to blow your mind. Weird How

0:44:07.200 --> 0:44:09.520
<v Speaker 1>Cinema is an absolute delight. Thank you for sharing the

0:44:09.600 --> 0:44:12.920
<v Speaker 1>joy of flock movies with the masses. I've noticed Robert

0:44:12.960 --> 0:44:15.520
<v Speaker 1>Lamb introduces himself as Rob in both episodes of Weird

0:44:15.600 --> 0:44:18.319
<v Speaker 1>How Cinema released so far. Is this a signal that

0:44:18.360 --> 0:44:20.640
<v Speaker 1>he's really letting his hair down to discuss the likes

0:44:20.920 --> 0:44:25.000
<v Speaker 1>of without warning con troll to best Scott. Uh yeah,

0:44:25.080 --> 0:44:26.960
<v Speaker 1>I I would, I guess. So you know it's this

0:44:27.040 --> 0:44:30.120
<v Speaker 1>is like the like the part in Mr. Rogers Neighborhood

0:44:30.160 --> 0:44:33.560
<v Speaker 1>where he changes sweaters. You know, it comes in from

0:44:33.600 --> 0:44:37.160
<v Speaker 1>the outside, uh and uh and is going to share

0:44:37.480 --> 0:44:39.920
<v Speaker 1>you know some some stories go to the neighborhood and

0:44:39.960 --> 0:44:42.480
<v Speaker 1>make believe that's that's kind of what weird how cinema

0:44:42.640 --> 0:44:45.000
<v Speaker 1>is to me. Well, I'm sorry, I've been sort of

0:44:45.200 --> 0:44:48.120
<v Speaker 1>cross contaminating because I realized I've been calling you Rob

0:44:48.200 --> 0:44:50.399
<v Speaker 1>on regular stuff to blow your mind episode, So I

0:44:50.400 --> 0:44:53.240
<v Speaker 1>I apologizeified. I mean trying to jam the sweater onto

0:44:53.239 --> 0:44:56.840
<v Speaker 1>you while you're not. It's not that uh that fiercely

0:44:56.840 --> 0:45:01.400
<v Speaker 1>thought out a concept. So I'm I'm I'm Robert. Robert

0:45:01.400 --> 0:45:06.280
<v Speaker 1>in most situations put the sweater on. But has anyone

0:45:06.280 --> 0:45:08.360
<v Speaker 1>ever called you Bert? I don't know if I've been

0:45:08.400 --> 0:45:10.719
<v Speaker 1>a bird before. I've been just about everything else, uh,

0:45:11.239 --> 0:45:15.000
<v Speaker 1>Robbie as a kid, I think my my great grandmother

0:45:15.040 --> 0:45:17.759
<v Speaker 1>called me Robin. So yeah, I mean every there's so

0:45:17.800 --> 0:45:19.920
<v Speaker 1>many variations on it, and I think I've been all

0:45:19.920 --> 0:45:23.239
<v Speaker 1>of them before. Do you know are some Bert's Roberts

0:45:23.360 --> 0:45:26.600
<v Speaker 1>or all Berts like Burton's or whatever. I don't know.

0:45:26.719 --> 0:45:28.680
<v Speaker 1>We'll have to ask some birds birds of the world.

0:45:28.760 --> 0:45:31.879
<v Speaker 1>Bert listeners, let us know. We'd love to hear from you.

0:45:32.120 --> 0:45:33.879
<v Speaker 1>We're gonna go ahead and close out the listener mail

0:45:34.000 --> 0:45:38.799
<v Speaker 1>mail bag for today, but obviously a again, we we

0:45:38.840 --> 0:45:41.080
<v Speaker 1>didn't have time to get into everything here. Uh B.

0:45:41.440 --> 0:45:43.919
<v Speaker 1>We're gonna come back and we're gonna do listener mail

0:45:44.400 --> 0:45:47.759
<v Speaker 1>on a more regular basis, So stay tuned and then

0:45:47.880 --> 0:45:50.840
<v Speaker 1>see yeah right in, let us know. Is your name Bert?

0:45:51.120 --> 0:45:53.320
<v Speaker 1>Have you ever watched an egg explode? Ever seen a

0:45:53.360 --> 0:45:56.360
<v Speaker 1>bad movie that all these things are on the table?

0:45:56.560 --> 0:45:59.239
<v Speaker 1>Tell us about the Bert life? Yeah, tell the Birt life.

0:45:59.239 --> 0:46:00.719
<v Speaker 1>How do you? How do you of it? What's it like?

0:46:01.320 --> 0:46:02.680
<v Speaker 1>In the meantime, if you want to listen to other

0:46:02.680 --> 0:46:04.279
<v Speaker 1>episodes of Stuff to Blow your Mind, you can find

0:46:04.320 --> 0:46:06.200
<v Speaker 1>us wherever you get your podcast and wherever that happens

0:46:06.200 --> 0:46:08.759
<v Speaker 1>to be. We just ask you rate, review, and subscribe.

0:46:08.960 --> 0:46:10.360
<v Speaker 1>You can also find us about going to stuff to

0:46:10.360 --> 0:46:12.000
<v Speaker 1>Blow your Mind dot com that will shoot you over

0:46:12.040 --> 0:46:14.040
<v Speaker 1>to the I heart listing for our show. And on

0:46:14.040 --> 0:46:16.440
<v Speaker 1>that page there's a button. It's called shop or store

0:46:16.680 --> 0:46:18.920
<v Speaker 1>I don't remember you click on that, it'll take you

0:46:18.960 --> 0:46:20.239
<v Speaker 1>to a place where you can buy a T shirt

0:46:20.320 --> 0:46:21.960
<v Speaker 1>or a sticker or a toebag or what have you

0:46:22.120 --> 0:46:24.200
<v Speaker 1>that has our logo on it or a monster design.

0:46:24.400 --> 0:46:26.960
<v Speaker 1>There's some cool new ones. There's one with Pandora on it.

0:46:27.000 --> 0:46:30.080
<v Speaker 1>Go check it out. Uh see them for yourself. Huge

0:46:30.120 --> 0:46:33.680
<v Speaker 1>thanks as always to our excellent audio producer Seth Nicholas Johnson.

0:46:34.000 --> 0:46:35.400
<v Speaker 1>If you would like to get in touch with us

0:46:35.440 --> 0:46:37.720
<v Speaker 1>with feedback on this episode or any other, to suggest

0:46:37.760 --> 0:46:39.800
<v Speaker 1>a topic for the future, to tell us about the

0:46:39.840 --> 0:46:42.520
<v Speaker 1>bird experience, or just to say hello, you can email

0:46:42.600 --> 0:46:45.120
<v Speaker 1>us at contact that Stuff to Blow your Mind dot

0:46:45.160 --> 0:46:54.920
<v Speaker 1>Com Stuff to Blow your Mind. It's production of I

0:46:55.040 --> 0:46:58.000
<v Speaker 1>Heart Radio. For more podcasts for my heart radios, the

0:46:58.040 --> 0:47:00.920
<v Speaker 1>iHeart Radio app, Apple podcast, or wherever you listening to

0:47:01.000 --> 0:47:13.520
<v Speaker 1>your favorite shows,