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Speaker 1: So just.

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Speaker 2: As we you know, before we really get started here, Phoebe,

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Speaker 2: I want to make sure that we that we get

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Speaker 2: the most out of this that we can, and also

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Speaker 2: that you do that you feel good about.

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Speaker 1: Like all your business, it's a two way straight, is

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Speaker 1: it not. And we never want to have it feel like, oh,

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Speaker 1: the show's all about us. We also want to feel

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Speaker 1: like it's all about the guests. And you know, we

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Speaker 1: have to do the show every week.

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Speaker 2: As far as what we have to promote, I want

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Speaker 2: to make sure that we straighten that out up top.

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Speaker 2: We've had some guests come through here that have products

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Speaker 2: or like things that they wanted us to like talk

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Speaker 2: about more or in certain ways, which.

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Speaker 1: We were totally willing to do, but there just was

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Speaker 1: not the communication up top to give us the tools

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Speaker 1: we needed to properly the sort of platform, you know,

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Speaker 1: all of their various wares.

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Speaker 2: Has a it's like it's not it's like mescaline.

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Speaker 1: It's like a mescaline. Yeah, it's like a canned mescalone juice,

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Speaker 1: like apple juice, psychotropic, Like, yeah, that's juice.

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Speaker 3: That sounds healthy.

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Speaker 2: Yeah, that's what she says, She's really healthy. Well, yeah,

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Speaker 2: and it does come in like a juice box like

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Speaker 2: it with a little.

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Speaker 1: And then I feel like I'm just it's going to

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Speaker 1: feel like, oh you said real Perlman night. But Ron

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Speaker 1: Perlman also has a line of the.

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Speaker 2: That's great, but they don't want you to do that.

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Speaker 1: They don't want to be the Pearlmans. But he's but yeah,

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Speaker 1: he has just ether soaked rags that he's selling on

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Speaker 1: like an Etsy page and that we uh, I guess

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Speaker 1: didn't do it right. Yeah, we didn't. We didn't describe

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Speaker 1: it correct. I'm sure I'm doing it wrong. So if

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Speaker 1: there's anything, if there's anything you or said, it doesn't

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Speaker 1: have to be obviously like an old drug. It could

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Speaker 1: be anything.

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Speaker 3: Yeah, yeah, I happy to just talk about my special

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Speaker 3: on my sub second boom, there we.

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Speaker 2: Go, and the special is called.

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Speaker 3: I don't want to work anymore.

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Speaker 2: Well, if you could please just say what the special

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Speaker 2: is called?

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Speaker 1: Come on, I.

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Speaker 3: Don't want to work anymore.

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Speaker 1: And it feels like we're to promote it doesn't it

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Speaker 1: but we have to do it.

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Speaker 3: It does, but it's it's been fun. It's been fun

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Speaker 3: promoting it and it's on YouTube, and you know, it's

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Speaker 3: just I am a reformed workaholic, girl boss, whatever you

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Speaker 3: want to call it, And I just reached a point.

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Speaker 1: Where I want to call it girl boss. Friend, Yeah,

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Speaker 1: I want to call it.

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Speaker 3: Yeah, we call it girl boss. And I texted a

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Speaker 3: best friend a couple of years ago when I was

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Speaker 3: just like, I literally would suck a seventy two year

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Speaker 3: old band stick if I did have to get on

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Speaker 3: this flight and go work. As she as like, maybe

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Speaker 3: that is so old, and I was like, I don't care.

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Speaker 3: I want to get in someone's will, and I just

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Speaker 3: was like, oh, that could be like a funny place

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Speaker 3: to start a special sort of like the theme of

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Speaker 3: it just being like women we're told at being a

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Speaker 3: girl boss was going to like set them free and

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Speaker 3: make their lives like so spectacular, but we're just like

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Speaker 3: burnt out and overworked. And I don't know if that's true.

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Speaker 3: It certainly wasn't true for me in the end.

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Speaker 2: And I have no notes really except for just like

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Speaker 2: certain men might want a little more distance between their

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Speaker 2: age and the age of age of a man's dick

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Speaker 2: so old as to be like comically disgusting. I wonder

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Speaker 2: if we could get that.

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Speaker 1: Up to ninety well, and even just for you in

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Speaker 1: terms of getting into someone's will. I mean, the medical

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Speaker 1: advances that have happened are so profound that like seventy two,

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Speaker 1: I don't yeah, I don't want to be vulgar, but

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Speaker 1: the idea was introduced, you would be sugging that dick

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Speaker 1: for potentially twenty plus years.

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Speaker 3: I probably won't.

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Speaker 1: Yeah. So then in that case, it's like, at that point,

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Speaker 1: I got, let's take the flight, or or let's find

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Speaker 1: a guy who's pushing ninety right, who's got let's get

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Speaker 1: a nine in front of that number I'm getting.

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Speaker 2: I'm just saying I'm getting close to an age where

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Speaker 2: the idea of a seventy two year old man's dick

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Speaker 2: being disgusting is like, I'm laughing less hard at that

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Speaker 2: every second.

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Speaker 1: Just mean, yeah, just because of sort of yeah, where

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Speaker 1: I am in my life years old, you know, sixty

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Speaker 1: eight one year away from being funny.

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Speaker 3: Yes, I you know, I could up the age I

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Speaker 3: was just throwing out seventy two. It could be older.

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Speaker 3: As I talked by this vessel and s get you

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Speaker 3: closer to hospice age is probably ideal.

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Speaker 2: It would be good for me, and it doesn't have

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Speaker 2: to be like one hundred and fifty or something like.

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Speaker 1: No, that's crazy stupid.

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Speaker 2: But like as the technology advances, though, and as as

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Speaker 2: the audience gets older, maybe we do get up there

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Speaker 2: in terms of the aide that we're talking about. But

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Speaker 2: I don't have to tell you right now.

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Speaker 1: I don't, but I like to. I don't like to

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Speaker 1: think of.

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Speaker 2: The special the sub stack. Any Halloween like creatures and

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Speaker 2: stuff you want to invent.

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Speaker 1: There's a sort of scary goblin or anything that you've

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Speaker 1: kind of invented that you want to kind of get

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Speaker 1: out here now because it's close. I mean this will

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Speaker 1: come out yeah, right before Halloween, right, so you developed

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Speaker 1: like anything a scary It could be a man. You know,

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Speaker 1: there's all these man, the candy man, bye by man,

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Speaker 1: you know of course, the empty man. There's all these

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Speaker 1: different yeah, yeah, man.

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Speaker 3: To invent any more men.

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Speaker 1: It could be a woman, could be a woman.

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Speaker 3: Thinking it could be it could be a woman.

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Speaker 2: It could be enough of these bye bloody phoebe enough

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Speaker 2: of these candy men?

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Speaker 1: Right? Yeah?

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Speaker 2: What about a female chef.

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Speaker 1: Who is.

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Speaker 2: Cooking? Like I'm trying to think of that. You have

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Speaker 2: to think like backwards from the costume, right, yeah, so

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Speaker 2: it has to be something that's like easy for any

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Speaker 2: kid to do, like that like bed sheet with a

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Speaker 2: hole in it type thing.

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Speaker 3: M m.

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Speaker 1: Maybe.

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Speaker 2: Oh, and they can carry their pot and it's something

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Speaker 2: that they can put the candy in.

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Speaker 1: Yeah. I'm disturbed a little bit because we're creating this

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Speaker 1: new powerful female horror archetype and you've immediately gone to

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Speaker 1: she's in the kitchen and she's cooking, And I know

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Speaker 1: we're moving away from the girl boss culture. I know,

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Speaker 1: but Hayes, the optics are not.

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Speaker 2: I don't want to defend.

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Speaker 1: Yes, I would like her to be I don't want

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Speaker 1: to get a head fun.

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Speaker 2: Always defending my idea whatever hedge funds, so.

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Speaker 1: She's managing a hedge fund, okay, And not that I'd

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Speaker 1: like to go back to the kitchen. I can't figure

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Speaker 1: out what she would be doing that would make a costume.

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Speaker 2: The costume is tough.

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Speaker 1: The costume. Yeah, and maybe if you have anything that

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Speaker 1: you're scared of, I mean, sometimes that's a great way

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Speaker 1: to start.

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Speaker 2: It's from, Yes, what are our fears? What's your greatest fear?

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Speaker 3: My greatest fear in life?

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Speaker 2: Oh, or in like a scary house, or.

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Speaker 3: Like in this scary house, like I hate haunted houses.

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Speaker 3: I get so I don't like being scared. I think

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Speaker 3: it is so rude to scare people, Like I don't

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Speaker 3: like prank and she don't like it. I'm like, it's

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Speaker 3: not nice and for the Midwest, I want to be

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Speaker 3: sunny and happy. But I guess if I was in

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Speaker 3: a haunted house, you know, anyone jumping out of the dark, like,

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Speaker 3: that's just too.

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Speaker 2: That's one of my things too.

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Speaker 3: I have a crap myself.

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Speaker 2: When you go through when you go to like Universal Halloween, harrn,

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Speaker 2: it's you walk through these houses, it's just like you're

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Speaker 2: just looking at everyone else and being like, are you

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Speaker 2: are you seeing this behavior?

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Speaker 1: Yeah? Totally inappropriate?

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Speaker 2: Are you? Like, is any am I the only person

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Speaker 2: who's like seeing how these people are acting? Are we

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Speaker 2: honestly just gonna let this?

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Speaker 1: Why am I the only one stopping and scolding literally

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Speaker 1: every single person I interact with? Why is everyone else

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Speaker 1: just moving around like it's fine?

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Speaker 2: You have no help? I have absolutely no help at these.

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Speaker 1: And I hate to you know, obviously I'm pushing seventy two,

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Speaker 1: so I hate to make it like a generational thing,

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Speaker 1: but it's just like when I was growing up you

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Speaker 1: wouldn't jump out and scare someone and expect not to

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Speaker 1: get a stern talking to you, especially an adult like me.

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Speaker 2: So this is a it's a COVID thing. Actually, I

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Speaker 2: think it's the erosion of norms after after COVID.

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Speaker 1: No nos how to socialize. So they just sneak around

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Speaker 1: in corners. Do they rattle a chain link fence right

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Speaker 1: up against your head? And it's just like, not to me.

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Speaker 1: The best way to make friends?

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Speaker 2: They have you look in a mirror and then the

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Speaker 2: mirror turns out to be double sided than like someone

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Speaker 2: on the other side scares you. It's like, what are

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Speaker 2: we doing here?

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Speaker 1: Can you talk to me about? I never know when

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Speaker 1: people talk about a mirror being double sided? Yeah, how

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Speaker 1: do you describe this? I think of the mirror as.

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Speaker 2: Being I had time with it, just now like.

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Speaker 1: It's one side. Do you know what I mean? When

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Speaker 1: someone says a double sided mirror, they mean that people

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Speaker 1: can see you through the other side of the mirror. Yeah,

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Speaker 1: but is that double sided?

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Speaker 2: How would you say it? What's the easiest way to

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Speaker 2: say it? To communicate it?

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Speaker 3: It's the easiest way to say it is I don't

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Speaker 3: know double side? And I feel like I think, as

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Speaker 3: a collective in this country, we sort of solve that

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Speaker 3: issue and we're you.

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Speaker 1: Know, you think, okay, okay, so okay, so so whatever.

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Speaker 1: So because it's always been done this way in this country,

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Speaker 1: then we should keep doing it. All right, I'm sure

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Speaker 1: that'll really serve us well. Moving forward, word IMEDI, time

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Speaker 1: to reinvestigate, and let's start with something important like the

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Speaker 1: mirror thing, Okay, and really dig in on It feels

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Speaker 1: to me like a double sided mirror. They would be

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Speaker 1: seeing themselves from the other side, not that they would

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Speaker 1: be able to see me.

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Speaker 3: Yeah, this really feels like a concerned You're white, right,

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Speaker 3: this feels like a concerned white man.

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Speaker 2: Yeah, it's so literally, no one has figured that out.

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Speaker 2: No one.

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Speaker 1: Well and by the way, no one asks, you know

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Speaker 1: what I mean, you're the probably the thing asking thank

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Speaker 1: you for I.

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Speaker 3: Just want to I just want to confirm because sometimes

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Speaker 3: people are biracial you can't tell. But I just feel

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Speaker 3: like this is the concern of a white man when

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Speaker 3: you're like, there's not enough going on for you. It's

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Speaker 3: too hard top of mind.

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Speaker 2: Is it a white man thing that it's too hard

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Speaker 2: to describe?

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Speaker 1: Yes?

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Speaker 2: What?

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Speaker 1: What?

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Speaker 3: How?

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Speaker 2: Like you can see through one side of a me,

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Speaker 2: but they can't see the under set. I do want

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Speaker 2: to point something out if you just for your own

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Speaker 2: this is for your own good, Phoebe. When you drink

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Speaker 2: from that mug, your mug says woke up sexy as

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Speaker 2: hell again. Right, but you have a cozy you're a

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Speaker 2: cozy drinker where you put your other hand around the mug. Yes,

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Speaker 2: I notice things, and you often have your finger positioned

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Speaker 2: so that what we can see on the screen is

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Speaker 2: a mug that says woke up Shell again. And I

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Speaker 2: just want to say, Marcel will come for you.

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Speaker 1: I'm sorry, Marcel any content, Yeah.

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Speaker 3: Yeah, sorry, folks. I just I like to hold a

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Speaker 3: mug with both hands.

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Speaker 2: It feels like it's very it's a very cozy positioning.

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Speaker 2: I just don't want the guy who wants woke up

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Speaker 2: Shell again, the single most litigious Yeah yeah.

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Speaker 1: Uh, sort of film franchise character who yes, who famously

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Speaker 1: says woke up Shell again every morning?

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Speaker 2: Every morning.

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Speaker 3: That is, that's a good way to live. Have a motto,

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Speaker 3: it's good, Phoebe started.

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Speaker 2: Yes, I want to make sure we get the substack too.

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Speaker 2: What's the substack called let's.

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Speaker 3: Call thoughts and prayers with Phoebe Robinson. It's spelled th

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Speaker 3: h o t s, but thoughts thoughts thoughts. Yeah. So

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Speaker 3: it's just I have this thing on social media call

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Speaker 3: it thought Nation, which is I call it thought Nation.

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Speaker 3: It's just sort of like we're all horny and we're

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Speaker 3: all sort of hysterical about the world. So let's talk

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Speaker 3: about what tiss this off and turns us on. And

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Speaker 3: that's sort of the basis of the substack. And it's

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Speaker 3: been a lot of fun.

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Speaker 2: So many of these substacks. I'm reading through these and

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Speaker 2: I'm like, trying to get horny.

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Speaker 1: Can we acknowledge my horny before I have to?

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Speaker 2: No one's talking these other substancs are not talking about

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Speaker 2: my ornings.

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Speaker 1: They're like reviewing movies or something. And I'm like, but first,

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Speaker 1: let's like talk about how we're all get off the real.

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Speaker 3: Issue to miss opportunity And yeah, I swooped, I swooped

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Speaker 3: right in. Yeah.

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Speaker 2: Uh, we also want to talk about so you spoke

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Speaker 2: to Jesse recently, Jesse David. We talked about Jesse David

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Speaker 2: Fox often. We did seven or eight episodes.

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Speaker 1: Seven or eight episodes about his he had a sort

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Speaker 1: of a galaxy brain kind of genius moment where after

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Speaker 1: the most recent super Bowl, or maybe two super Bowls ago,

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Speaker 1: he said that the musical performance during the halftime show

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Speaker 1: should be replaced with a stand up comedian.

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Speaker 2: Which if you want to miss that, if you want

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Speaker 2: to be in the mix for that, Like you didn't

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Speaker 2: miss that because like we were like, because we wouldn't

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Speaker 2: considering you're good on that.

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Speaker 1: You don't want to.

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Speaker 3: Do Yeah, I don't want to do it. I don't.

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Speaker 3: I absolutely don't. It's being in a.

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Speaker 2: Stage your moment, Phoebe.

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Speaker 3: It does not built for stand up. If you have

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Speaker 3: to see Rihanna or you have to see someone tell jokes,

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Speaker 3: you're going to choose Rihanna.

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Speaker 1: Well, actually, Jesse David Fox said the ope, disagree. Yeah,

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Speaker 1: so he So he had a pretty well thought out argument,

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Speaker 1: and we've been trying to support you know, that concept.

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Speaker 2: And I think it was a response. I think it

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Speaker 2: was in response to him just not caring for Rihanna

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Speaker 2: as a performer that he said, what if we got

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Speaker 2: a stand up comedian to do this instead? That's what

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Speaker 2: I think, that's what not to put words in his mouth,

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Speaker 2: but that's what that's exactly what he said.

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Speaker 1: Yeah, uh, man of Scalco to the polls and vote

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Speaker 1: on Man of Scout Code Music.

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Speaker 3: Yeah, he's very funny. I just think to hold the

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Speaker 3: attentions of a stadium stand up is not maybe the

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Speaker 3: most ideal art form. And I I can't believe he

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Speaker 3: was shade Rihanna like that. What more does he want?

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Speaker 3: She was performing pregnant.

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Speaker 1: I was disappointed in him too. I was really disappointed

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Speaker 1: in him too.

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Speaker 2: I know, I sort of wonder if the substack really

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Speaker 2: takes off as a result of this conversation. Could a

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Speaker 2: substack be the super Bowl halftime show?

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Speaker 3: Oh? Yeah, people?

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Speaker 2: Wow, So if it's not, if it's not a stand up, well.

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Speaker 1: They have these jumbo trons, they have these giant screts,

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Speaker 1: you know what I mean. And it's like, we should

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Speaker 1: talk to Jesse about this because he could really platform

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Speaker 1: this concept does what he wanted, which just gets Rihanna

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Speaker 1: the heck out of there, and it also and it

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Speaker 1: also does what we want, which is it it gets Phoebe,

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Speaker 1: you know, exposed to this larger audience, these like football

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Speaker 1: fans and you know, Taylor Swift's there again, Like that

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Speaker 1: could be huge and we get the jumbo trot scrolling

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Speaker 1: pretty slowly, probably across some of your top substack articles.

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Speaker 3: I think I can get rich off.

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Speaker 1: Maybe an AI voice is reading it.

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Speaker 2: And then Animal Planet has a rival halftime show that's

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Speaker 2: a dog, a dog's substack.

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Speaker 3: That don't get more more hits than mine.

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Speaker 2: People, that's my fear too. Yeah, I want to read

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Speaker 2: that substance. Just even describing it now, I'm like dog

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Speaker 2: substance Apparently.

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Speaker 1: Get through the idea before you kind of got lost

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Speaker 1: in imagining what the dog might put on the substack.

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Speaker 2: So you spoke to Jesse, No, no, what do you feel?

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Speaker 1: What do you feel?

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Speaker 3: We always want to say most stand up comics are

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Speaker 3: not more interesting than Rihanna, So I don't understand.

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Speaker 2: Oh you said most, you said most. Let me get

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Speaker 2: your list right here.

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Speaker 1: Let me get the.

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Speaker 2: List right here of stand up comedians that are more

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Speaker 2: interesting than Phoebe Robinson.

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Speaker 1: And this is a post and this is our clip.

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Speaker 1: So it's it's rare that I can feel exactly what

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Speaker 1: the clip is while we're doing it. But Phoebe Robinson's

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Speaker 1: list of the what is it? Four stand ups that

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Speaker 1: are more interesting than.

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Speaker 3: Ria are equal levels interesting?

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Speaker 2: Or as interesting as interesting. And there's a number one

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Speaker 2: on the clip right now, one period?

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Speaker 1: Or is it?

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Speaker 2: Or is it a four?

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Speaker 1: Or? Or is it one? Two, three four? On the screen?

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Speaker 1: And each time she says one, we have to slot

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Speaker 1: it into the appropriate you know how they do that?

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Speaker 1: Sometimes they do that.

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Speaker 2: We'll figure out the order. You just give me the

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Speaker 2: names of the stand up comedians that are more or

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Speaker 2: as interesting than Rihanna, and we will figure out how

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Speaker 2: to put it on the screen. M hm rock okay,

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Speaker 2: number is that number one?

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Speaker 1: We have?

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Speaker 2: I'm putting almost got her. I know it was really close.

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Speaker 3: I listen, listen. You cannot trick you cannot trick me.

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Speaker 1: I'm putting Chris at two. I'm putting Chris at two.

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Speaker 1: I want to have room. I think there's another big

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Speaker 1: one coming. Give me Chris. Chris is a legend, He's iconic.

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Speaker 1: Let's put him at too. Give me Chris it too.

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Speaker 1: I hope I don't regret this.

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Speaker 3: I would say. Wanda Sykes is absolutely phenomenal, so she

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Speaker 3: would crush it.

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Speaker 1: Okay, Okay, I fuck with that. Okay, Wanda, all right,

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Speaker 1: give me Wanda three. I don't think she's bigger than Chris,

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Speaker 1: but she's definitely a legend.

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Speaker 2: I think Sebastian Sebastiannescalco as or more interesting than Rihanna.

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Speaker 2: And so p Robinson former on the book, Okay, Sebastian

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Speaker 2: Manescalco as we're interested in the Rihanna as a performer.

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Speaker 1: By the way, so all that's open is one and four.

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Speaker 3: You slotted in prematurely.

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Speaker 2: I probably all these guys at three just in case

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Speaker 2: someone comes in.

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Speaker 1: Let's be careful, right, So we're gonna move Chris down,

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Speaker 1: Wanda stands pat and then we also have.

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Speaker 2: Sebastco at three. Okay, And who's number four?

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Speaker 3: Say bill Board? Bilburr?

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Speaker 1: Sure, Bill, Bill Bore.

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Speaker 3: Yeah, bill Board. Who is Bill Burr's cousin now, bil

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Speaker 3: Burt Bilbert?

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Speaker 2: Bill Bill number three gotta be. And that was the

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Speaker 2: four stand up comedians that are as or more interesting

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Speaker 2: hen Rihanna as a performer, not as a as as

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Speaker 2: an artist, as a brand.

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Speaker 1: Mm hmmm.

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Speaker 2: Bill's let me just say that about Bill. I love Bill.

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Speaker 2: The skincare products are.

395
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Speaker 1: Not a good.

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00:20:09,640 --> 00:20:11,639
Speaker 3: Yeah, they're not. I feel like you didn't test it

397
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Speaker 3: across all skin types.

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Speaker 2: Yeah you think it was a skin type?

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Speaker 3: Yeah, you know, Yeah, he didn't really cater to the

400
00:20:21,560 --> 00:20:23,679
Speaker 3: you know, combination skin audience, and.

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00:20:23,960 --> 00:20:31,360
Speaker 2: Okay, yeah, because my I have combination skin. Yeah, it's

402
00:20:31,480 --> 00:20:36,440
Speaker 2: combination dirt and sand.

403
00:20:38,640 --> 00:20:40,720
Speaker 3: On you.

404
00:20:41,359 --> 00:20:45,720
Speaker 2: It's just the beach that I live on is like

405
00:20:47,200 --> 00:20:49,359
Speaker 2: it's like one of those beaches that you're like, is

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Speaker 2: this sand?

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Speaker 1: You know what I mean? And it's like there's gotta

408
00:20:55,119 --> 00:20:58,280
Speaker 1: be It's so it's so beach coded, you know what

409
00:20:58,280 --> 00:21:01,680
Speaker 1: I mean. There's water not next to you, but it's close.

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00:21:01,880 --> 00:21:03,800
Speaker 2: And it gets a little in a way that you're

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Speaker 2: just like, this is this is it? Now? This is

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00:21:07,280 --> 00:21:10,880
Speaker 2: this is on my face and anything else is gonna

413
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Speaker 2: have to go on top.

414
00:21:13,280 --> 00:21:17,199
Speaker 3: Okay, you know, I feel like sand is Have you

415
00:21:17,480 --> 00:21:19,640
Speaker 3: thought about like throwing gravel.

416
00:21:19,240 --> 00:21:21,439
Speaker 2: In the mix that's already in there?

417
00:21:22,040 --> 00:21:22,880
Speaker 3: Oh, it's already in there.

418
00:21:22,880 --> 00:21:27,560
Speaker 2: Okay, this is the I'm trying to get gravel out

419
00:21:27,600 --> 00:21:28,080
Speaker 2: of the mid well.

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Speaker 1: It sounds like you need more moisture. I mean I

421
00:21:30,160 --> 00:21:32,879
Speaker 1: have the opposite problem, which my skin is combination, and

422
00:21:32,920 --> 00:21:35,240
Speaker 1: the combination, of course is juice and sauce.

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00:21:38,160 --> 00:21:39,520
Speaker 3: That's a lot of liquid.

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00:21:39,880 --> 00:21:43,320
Speaker 1: Tell me about it. Yeah, yeah, so what I need

425
00:21:43,480 --> 00:21:46,639
Speaker 1: maybe even more than a skincare product. It's just a towel,

426
00:21:46,720 --> 00:21:52,399
Speaker 1: I can trust, you know, And I've and I've yet

427
00:21:52,440 --> 00:21:55,440
Speaker 1: to really find a brand that is doing what I need.

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00:21:56,400 --> 00:22:00,760
Speaker 3: Yeah, so you need it to howels to sort of

429
00:22:00,760 --> 00:22:05,040
Speaker 3: sop of ball the sauce. I feel like, yeah, have

430
00:22:05,200 --> 00:22:08,160
Speaker 3: you try Brooklynen. They make nice I think they make

431
00:22:08,200 --> 00:22:09,919
Speaker 3: towels you can.

432
00:22:11,400 --> 00:22:14,520
Speaker 2: And that and that and Brooks Linen that's Brooks Wheelings.

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Speaker 3: That's his line once.

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Speaker 2: Again, after he did that with these the products of

435
00:22:21,840 --> 00:22:28,760
Speaker 2: these brands, I get. I love him as a comedian.

436
00:22:30,040 --> 00:22:33,520
Speaker 2: The linen is it's like coming off. I don't even

437
00:22:33,600 --> 00:22:37,120
Speaker 2: know how to explain it, but just like it's it's

438
00:22:37,160 --> 00:22:39,920
Speaker 2: like it's coming off and little like the layers are

439
00:22:39,960 --> 00:22:43,560
Speaker 2: like separating in like crazy ways. Big pieces come off,

440
00:22:44,200 --> 00:22:49,359
Speaker 2: big pieces of the linen, linen of Brooks Wheelings.

441
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Speaker 1: Shooting all over the place.

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Speaker 2: That's all over the place. And I'm not I'm a

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Speaker 2: very still sleeper.

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Speaker 1: M hmm.

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Speaker 2: I'm like, once I'm down, I'm not doing jack shit

446
00:23:04,400 --> 00:23:07,120
Speaker 2: like the entire time. I'm just there Like that's my position.

447
00:23:07,600 --> 00:23:10,560
Speaker 1: I'm the anti Berbiglia. I'm the opposite of.

448
00:23:12,200 --> 00:23:12,440
Speaker 2: Wow.

449
00:23:12,520 --> 00:23:15,360
Speaker 3: That's a stance to take. Not many people are anti

450
00:23:16,040 --> 00:23:18,639
Speaker 3: or bigs. You know, he seems to be beloved, but

451
00:23:18,960 --> 00:23:20,720
Speaker 3: you have beef. You want to be the anti.

452
00:23:20,800 --> 00:23:22,359
Speaker 1: I'm just saying I'm the opposite of him in my

453
00:23:22,440 --> 00:23:23,320
Speaker 1: sleeping style.

454
00:23:25,119 --> 00:23:27,280
Speaker 2: Okay, so you're just gonna come at him like that?

455
00:23:27,720 --> 00:23:29,920
Speaker 3: Yeah, yeah, that was pretty aggressive.

456
00:23:30,200 --> 00:23:32,240
Speaker 2: I can't and like, you know, if we host the

457
00:23:32,280 --> 00:23:34,800
Speaker 2: show together, but that doesn't mean that I like claim

458
00:23:34,840 --> 00:23:37,159
Speaker 2: everything that he says, and sometimes I have to like

459
00:23:38,240 --> 00:23:39,080
Speaker 2: get in here and be like.

460
00:23:41,080 --> 00:23:43,520
Speaker 1: Yeah, I well, And I would say to him, like,

461
00:23:43,560 --> 00:23:45,400
Speaker 1: if he wants to go toe to toe in terms

462
00:23:45,440 --> 00:23:47,960
Speaker 1: of whether I do sleep in a more still fashion

463
00:23:48,040 --> 00:23:51,960
Speaker 1: than him, I invite him to come on this show

464
00:23:52,320 --> 00:23:55,480
Speaker 1: and actually discuss it with me, because I'm sick of

465
00:23:55,480 --> 00:23:58,240
Speaker 1: all the passive aggressive Obviously a lot of the clips

466
00:23:58,240 --> 00:24:00,000
Speaker 1: that I see of his show are aimed at us

467
00:24:00,119 --> 00:24:03,879
Speaker 1: in some way. I know that I'm top of mind

468
00:24:04,440 --> 00:24:10,639
Speaker 1: and I'm sick of the sort of passive aggressive approach,

469
00:24:11,080 --> 00:24:12,840
Speaker 1: and I would invite him to come on the show

470
00:24:12,920 --> 00:24:15,680
Speaker 1: and actually confront me about it and we can find out.

471
00:24:16,119 --> 00:24:17,840
Speaker 1: And I'm happy to fall asleep during the show. And

472
00:24:17,840 --> 00:24:19,240
Speaker 1: I've done it before and I'll do it again.

473
00:24:20,480 --> 00:24:24,200
Speaker 3: Wow, falling asleep during a while you're taking a podcast

474
00:24:24,400 --> 00:24:26,760
Speaker 3: is quite a skill. I'm pretty impressed. How are you

475
00:24:26,800 --> 00:24:27,320
Speaker 3: able to do that?

476
00:24:28,359 --> 00:24:33,640
Speaker 1: The thing for me is, I just I I totally

477
00:24:33,680 --> 00:24:38,640
Speaker 1: forget that there's a podcast going on. Mm hmmmm, Like

478
00:24:38,720 --> 00:24:41,879
Speaker 1: I just the only way I can do the show

479
00:24:42,480 --> 00:24:45,399
Speaker 1: is to just know there is no show.

480
00:24:45,880 --> 00:24:48,239
Speaker 2: And right before he records. I don't know if this

481
00:24:48,320 --> 00:24:50,520
Speaker 2: has anything to do with him falling asleep before the podcast,

482
00:24:50,520 --> 00:24:55,919
Speaker 2: but right before he records, he has a bull. You

483
00:24:55,960 --> 00:24:57,240
Speaker 2: know they ever have these bools?

484
00:24:57,680 --> 00:24:59,439
Speaker 3: A bull? What's that?

485
00:25:00,720 --> 00:25:04,439
Speaker 2: It's like a big bread but like it's not. They

486
00:25:04,520 --> 00:25:08,000
Speaker 2: don't call it bread, right, they call it a bull.

487
00:25:08,680 --> 00:25:11,119
Speaker 1: It's a bull. It's like a special big bread.

488
00:25:12,680 --> 00:25:15,600
Speaker 3: It's just a are you making this up or that

489
00:25:15,600 --> 00:25:16,960
Speaker 3: that is the actual name.

490
00:25:17,119 --> 00:25:18,800
Speaker 2: It's a bull. It's a bull.

491
00:25:19,560 --> 00:25:21,760
Speaker 3: Like you just call a bread bowl.

492
00:25:24,119 --> 00:25:25,080
Speaker 1: That's not a bull.

493
00:25:25,400 --> 00:25:29,840
Speaker 2: Maybe because he doesn't. It's like a bread bowl with

494
00:25:31,000 --> 00:25:35,480
Speaker 2: the with the non bowl part still in it, you

495
00:25:35,560 --> 00:25:37,400
Speaker 2: know what I mean? How you know every bowl has

496
00:25:37,400 --> 00:25:40,640
Speaker 2: a part that like there is no bowl, and that's

497
00:25:40,680 --> 00:25:42,520
Speaker 2: what allows it to be a bowl, you know what

498
00:25:42,560 --> 00:25:42,880
Speaker 2: I mean?

499
00:25:43,680 --> 00:25:45,320
Speaker 1: Well, we talk about obviously.

500
00:25:45,040 --> 00:25:47,639
Speaker 3: On this just like a loaf of this is just

501
00:25:47,640 --> 00:25:48,560
Speaker 3: like a loaf of bread.

502
00:25:48,640 --> 00:25:51,240
Speaker 1: Well, it's a bull. We talk about the pelvic bowl

503
00:25:53,200 --> 00:25:56,879
Speaker 1: so often, and what makes it a pelvic bowl. Yes, well,

504
00:25:57,560 --> 00:26:00,920
Speaker 1: it's the it's the concave shape, it's the up, it's

505
00:26:00,960 --> 00:26:07,600
Speaker 1: the absence of bone within within the center of the

506
00:26:07,600 --> 00:26:12,199
Speaker 1: bull bowl. If it was a public bull, boy wouldn't

507
00:26:12,200 --> 00:26:15,760
Speaker 1: be able to turn at all, would be locked completely

508
00:26:16,440 --> 00:26:19,600
Speaker 1: straightforward all the time. It would be interesting.

509
00:26:20,119 --> 00:26:22,640
Speaker 2: And so he punishes a bull.

510
00:26:22,720 --> 00:26:30,400
Speaker 4: Right before I murdered the bull, I smash, I set

511
00:26:30,440 --> 00:26:33,480
Speaker 4: the bull straight up on its end, and then.

512
00:26:33,400 --> 00:26:37,960
Speaker 1: I just basically collapsed down to the table. I go

513
00:26:38,119 --> 00:26:39,680
Speaker 1: straight down the table.

514
00:26:40,560 --> 00:26:41,720
Speaker 2: Face first into it.

515
00:26:42,520 --> 00:26:46,160
Speaker 1: Yeah, I inhaled a bull. And I think that does

516
00:26:47,000 --> 00:26:49,080
Speaker 1: like for me, it's a ritual at this point, but

517
00:26:49,160 --> 00:26:52,760
Speaker 1: I think it does probably relate to the fact that

518
00:26:52,800 --> 00:26:55,760
Speaker 1: I fall asleep once or twice a podcast episode.

519
00:26:56,400 --> 00:26:57,840
Speaker 3: Well, how do you feel about that?

520
00:26:59,359 --> 00:27:02,080
Speaker 2: It's really where I get my ship off, you know

521
00:27:02,119 --> 00:27:04,000
Speaker 2: what I mean. So I just kind of sit in

522
00:27:04,040 --> 00:27:08,080
Speaker 2: the cut and I wait for It's basically like waiting

523
00:27:08,119 --> 00:27:10,080
Speaker 2: for the night Watchman to go down, you know what

524
00:27:10,119 --> 00:27:13,000
Speaker 2: I mean. You know, when you're doing a heist and

525
00:27:13,040 --> 00:27:16,280
Speaker 2: you're waiting for the night Watchman to at least establish

526
00:27:16,320 --> 00:27:17,480
Speaker 2: a consistent routine.

527
00:27:17,680 --> 00:27:20,520
Speaker 1: Yeah, you've memorized that, so you know that, like once

528
00:27:20,560 --> 00:27:23,239
Speaker 1: you've seen him walk past a particular window that you have,

529
00:27:23,400 --> 00:27:24,000
Speaker 1: whatever it.

530
00:27:24,000 --> 00:27:26,360
Speaker 2: Is, and you can see his vision cone.

531
00:27:26,040 --> 00:27:28,840
Speaker 1: Six and a half minutes before he's back into that

532
00:27:29,160 --> 00:27:32,280
Speaker 1: particular hallway, and then that's exactly how long you've timed

533
00:27:32,280 --> 00:27:35,320
Speaker 1: out each step of your heist. That's me with the pool.

534
00:27:36,080 --> 00:27:39,120
Speaker 1: That's the pool. He knows it because before I've all asleep.

535
00:27:39,640 --> 00:27:41,760
Speaker 1: If Hayes tries to get his ship off, I'm telling

536
00:27:41,840 --> 00:27:45,840
Speaker 1: him to shut the fuck up. I had putting the

537
00:27:45,920 --> 00:27:47,959
Speaker 1: clamps on him.

538
00:27:48,160 --> 00:27:51,640
Speaker 3: Well, I think, guys, that's a contentious relationship. I really

539
00:27:51,680 --> 00:27:52,480
Speaker 3: hope that that.

540
00:27:52,480 --> 00:27:53,720
Speaker 1: Was the podcast.

541
00:27:53,920 --> 00:27:54,640
Speaker 2: That's every party.

542
00:27:54,760 --> 00:27:56,800
Speaker 1: It's not every podcast, right, that was you every you

543
00:27:56,920 --> 00:28:02,040
Speaker 1: hosted Potoms, which I mean, which one were you the

544
00:28:02,080 --> 00:28:03,120
Speaker 1: one who falls asleep.

545
00:28:04,840 --> 00:28:07,480
Speaker 3: I'm very professional, I'm always awake, I'm always with it.

546
00:28:07,560 --> 00:28:08,480
Speaker 3: I'm always with the jokes.

547
00:28:11,160 --> 00:28:14,280
Speaker 1: I say, I'm a Phoebe. That's whatever for a long time.

548
00:28:17,080 --> 00:28:20,600
Speaker 3: Yeah, Now Queen's Jessica and I we we were both

549
00:28:20,680 --> 00:28:22,760
Speaker 3: on it. Nobody had bull beforehand.

550
00:28:22,880 --> 00:28:24,920
Speaker 2: So what was she what was she having? What was

551
00:28:24,960 --> 00:28:27,080
Speaker 2: she eating that would make her fall asleep during the show?

552
00:28:28,160 --> 00:28:34,560
Speaker 3: Oh, mash, I mean maybe some fu or something. Big yeah,

553
00:28:34,760 --> 00:28:35,320
Speaker 3: big fa.

554
00:28:35,320 --> 00:28:40,920
Speaker 2: Ahead, absolutely fascinating right before the show. Yeah that that

555
00:28:41,200 --> 00:28:44,680
Speaker 2: like that, it tricks you because you're like, oh, it's soup,

556
00:28:44,760 --> 00:28:47,320
Speaker 2: it's a drink or whatever. Well, actually there's an entire

557
00:28:48,480 --> 00:28:52,160
Speaker 2: shetty in there. Yeah, there's a whole but steady.

558
00:28:51,880 --> 00:28:55,240
Speaker 1: Dinnery and basically a full side of brisket.

559
00:28:55,880 --> 00:28:59,760
Speaker 2: Yeah. If they're doing it right, if you just had

560
00:28:59,800 --> 00:29:02,680
Speaker 2: all the ingredients outside of the thing, you'd be like,

561
00:29:03,400 --> 00:29:04,120
Speaker 2: that's crazy.

562
00:29:04,480 --> 00:29:06,640
Speaker 1: Yeah, have that. If you looked at it on the counter,

563
00:29:08,080 --> 00:29:09,960
Speaker 1: you'd be like, I can't, I can't have all that.

564
00:29:11,000 --> 00:29:12,440
Speaker 2: Have you done b Biglia's podcast?

565
00:29:14,280 --> 00:29:18,000
Speaker 3: I did it a while though, like years ago, and

566
00:29:18,040 --> 00:29:19,280
Speaker 3: I think I'm gonna do it against it.

567
00:29:19,480 --> 00:29:22,480
Speaker 2: I kind of can't remember if I've done it either. Yeah,

568
00:29:23,040 --> 00:29:23,720
Speaker 2: had I done it?

569
00:29:25,480 --> 00:29:27,560
Speaker 3: Done it? I have done it? You guys have not.

570
00:29:28,560 --> 00:29:31,280
Speaker 2: No, Actually, I can't remember did we do it? Yeah,

571
00:29:31,800 --> 00:29:33,640
Speaker 2: it's not that I haven't, it's that I actually am

572
00:29:33,720 --> 00:29:34,280
Speaker 2: not sure if I.

573
00:29:34,320 --> 00:29:36,080
Speaker 1: Did it or not. I don't know if I did it.

574
00:29:37,880 --> 00:29:38,120
Speaker 3: Yeah.

575
00:29:38,600 --> 00:29:41,000
Speaker 1: Oh, isn't it crazy how it all blends? Together. I mean,

576
00:29:41,040 --> 00:29:42,840
Speaker 1: we all been in the game for the same amount

577
00:29:42,880 --> 00:29:45,480
Speaker 1: of time. God, you remember was we had that sort

578
00:29:45,520 --> 00:29:48,760
Speaker 1: of quiet competition. We were on these lists.

579
00:29:48,840 --> 00:29:49,480
Speaker 2: I can't remember.

580
00:29:49,560 --> 00:29:51,400
Speaker 1: One of us is number one, one of us number two.

581
00:29:51,640 --> 00:29:54,000
Speaker 1: You know, they'd put out these best comedy podcasts and

582
00:29:54,120 --> 00:29:56,880
Speaker 1: it's and I don't know who was witch or who

583
00:29:56,920 --> 00:29:59,840
Speaker 1: did for Biglia's podcast or what like, I can't even remember.

584
00:30:00,360 --> 00:30:04,880
Speaker 3: I feel like you remember it all. Actually, yeah, but.

585
00:30:04,960 --> 00:30:08,320
Speaker 1: It's all you know, it's it's all this crazy, it's

586
00:30:08,440 --> 00:30:10,640
Speaker 1: it's fuzz what it is. It's all mixed together in

587
00:30:10,720 --> 00:30:13,480
Speaker 1: this big bowl. There's all these ingredients. There's the sort

588
00:30:13,520 --> 00:30:16,840
Speaker 1: of briskets, it's the list, and there's the pischetti and

589
00:30:16,920 --> 00:30:19,160
Speaker 1: that's Biglia's podcast. And when you put it all in

590
00:30:19,240 --> 00:30:21,120
Speaker 1: the soup, you don't know what's what you know? And

591
00:30:21,280 --> 00:30:23,040
Speaker 1: so yeah, here we are.

592
00:30:23,880 --> 00:30:26,760
Speaker 3: Yeah, and now we're all together. There's there's no together

593
00:30:27,880 --> 00:30:31,480
Speaker 3: in the same exactly. Yeah.

594
00:30:31,760 --> 00:30:34,560
Speaker 1: Yeah, you got a special, you got a sub stack.

595
00:30:34,720 --> 00:30:38,160
Speaker 1: You're doing these other promotional things and we're we're still

596
00:30:38,240 --> 00:30:42,680
Speaker 1: doing the same show to a slightly smaller audience. You

597
00:30:42,760 --> 00:30:43,040
Speaker 1: can do.

598
00:30:43,200 --> 00:30:45,640
Speaker 3: I believe in you. You guys got this. Hey, it

599
00:30:45,720 --> 00:30:48,400
Speaker 3: looks like Dom Hall Gleason. That counts for something.

600
00:30:48,640 --> 00:30:50,880
Speaker 1: It's been happening, that's been coming up.

601
00:30:51,000 --> 00:30:57,440
Speaker 2: Well, someone at least tell me if, of course it's good. Okay,

602
00:30:58,040 --> 00:31:01,400
Speaker 2: of course it's good. Will someone tell me that in

603
00:31:01,560 --> 00:31:04,480
Speaker 2: a slightly lower register.

604
00:31:07,200 --> 00:31:10,120
Speaker 3: I did not say it in a high register. He says,

605
00:31:10,160 --> 00:31:10,880
Speaker 3: you look like the guy.

606
00:31:11,240 --> 00:31:15,560
Speaker 2: That's true. But people say it's good. People say it's good,

607
00:31:15,600 --> 00:31:16,840
Speaker 2: and a very high register.

608
00:31:19,000 --> 00:31:20,120
Speaker 1: I just said, of course it's good.

609
00:31:20,680 --> 00:31:23,240
Speaker 2: And also I'm zagging. I don't know if anyone has noticed.

610
00:31:24,040 --> 00:31:26,520
Speaker 2: I've had to get off his corner a little bit

611
00:31:26,600 --> 00:31:27,440
Speaker 2: with the mustache.

612
00:31:29,120 --> 00:31:31,600
Speaker 1: I have to do this, and we're all talking about

613
00:31:31,640 --> 00:31:34,440
Speaker 1: he mustache, and we're calling him sexy Flanders.

614
00:31:36,040 --> 00:31:39,080
Speaker 2: And now it's another. Everywhere I go, someone is there.

615
00:31:39,160 --> 00:31:40,920
Speaker 1: He's got to look like someone else. Why can't he

616
00:31:41,040 --> 00:31:43,720
Speaker 1: just be himself? Why has everybody got to look like

617
00:31:43,800 --> 00:31:45,960
Speaker 1: someone else? There's some man running for some sort of

618
00:31:46,080 --> 00:31:48,760
Speaker 1: political office right now that apparently looks like a combination

619
00:31:48,880 --> 00:31:52,640
Speaker 1: of the two of us, and boy, it's who's that.

620
00:31:54,240 --> 00:31:56,040
Speaker 1: I can find it.

621
00:31:56,760 --> 00:32:00,640
Speaker 2: I can find it because his name is Graham Platner. Yes,

622
00:32:01,480 --> 00:32:04,120
Speaker 2: and he's probably gonna win. When just gonna cause all kinds.

623
00:32:03,920 --> 00:32:07,240
Speaker 1: Of that's gonna be a long.

624
00:32:07,160 --> 00:32:09,640
Speaker 2: Running He looks like us mushed together.

625
00:32:09,720 --> 00:32:11,760
Speaker 1: Apparently, he looks like, yeah, if there was like a

626
00:32:12,040 --> 00:32:13,160
Speaker 1: mash up between us.

627
00:32:13,680 --> 00:32:14,400
Speaker 3: I'm gonna look.

628
00:32:16,080 --> 00:32:21,000
Speaker 2: Yeah, grand Platiner. He's a manor he's cool. He's because

629
00:32:21,160 --> 00:32:24,040
Speaker 2: he seems he's way stronger than us for someone who's,

630
00:32:24,080 --> 00:32:27,000
Speaker 2: by the way, running for senate.

631
00:32:27,320 --> 00:32:29,240
Speaker 3: No, he doesn't look like either of you.

632
00:32:29,560 --> 00:32:32,240
Speaker 2: Okay, well now I'm I'm I'm hurt.

633
00:32:32,360 --> 00:32:34,880
Speaker 3: No matter what you say, you're saying, this guy looks

634
00:32:34,960 --> 00:32:35,800
Speaker 3: like you guys.

635
00:32:36,240 --> 00:32:39,480
Speaker 2: That's what they're if you combined, that's what they're saying.

636
00:32:40,400 --> 00:32:41,800
Speaker 1: That's what's happening online.

637
00:32:42,600 --> 00:32:45,720
Speaker 3: Just three men. That's it. You are three men on

638
00:32:45,920 --> 00:32:49,080
Speaker 3: this planet. That is what I would group you guys as.

639
00:32:49,520 --> 00:32:51,200
Speaker 1: Yeah, because I guess if you said that you look

640
00:32:51,280 --> 00:32:53,760
Speaker 1: like a combination of us and Kevin, I wouldn't disagree

641
00:32:53,800 --> 00:32:56,320
Speaker 1: with that either. Which we are three men, you know,

642
00:32:56,520 --> 00:32:58,480
Speaker 1: we are three men of the planet at the end

643
00:32:58,520 --> 00:32:58,960
Speaker 1: of the day.

644
00:33:00,160 --> 00:33:02,840
Speaker 2: Speaking of another brand on this planet, Jesse David.

645
00:33:02,680 --> 00:33:06,480
Speaker 3: Fox, were, I feel like we're talking more about him

646
00:33:06,520 --> 00:33:08,200
Speaker 3: than we are my work. But you know, I just

647
00:33:08,240 --> 00:33:09,160
Speaker 3: want to throw that out there.

648
00:33:09,360 --> 00:33:10,719
Speaker 1: But but talking about him?

649
00:33:10,840 --> 00:33:11,240
Speaker 2: Is the work?

650
00:33:12,640 --> 00:33:12,880
Speaker 3: Yeah?

651
00:33:13,280 --> 00:33:13,960
Speaker 2: Isn't that the work?

652
00:33:14,800 --> 00:33:15,680
Speaker 1: That's the work we do.

653
00:33:15,960 --> 00:33:18,600
Speaker 2: And I do just want to point out that you

654
00:33:18,680 --> 00:33:20,600
Speaker 2: said you don't want to talk about your work anymore.

655
00:33:21,640 --> 00:33:24,880
Speaker 3: No, I said, that's the name my secialists. I don't

656
00:33:25,280 --> 00:33:26,560
Speaker 3: want to work anymore.

657
00:33:26,640 --> 00:33:28,400
Speaker 2: But I'm happy, but you want to talk about it.

658
00:33:29,240 --> 00:33:30,920
Speaker 3: I'm happy to talk about it since I'm here.

659
00:33:31,200 --> 00:33:33,120
Speaker 2: Here's my question for you. You have a pillow that's

660
00:33:33,160 --> 00:33:37,760
Speaker 2: this boss lady behind you, it's part of this. Are

661
00:33:37,800 --> 00:33:40,240
Speaker 2: you going to throw it out the window at some point?

662
00:33:43,520 --> 00:33:45,040
Speaker 2: Like glass breaking?

663
00:33:45,160 --> 00:33:48,400
Speaker 1: And I'm shoot it with a bone, arrow, shoot a bone.

664
00:33:49,160 --> 00:33:51,560
Speaker 3: I got it during I think I ordered off a

665
00:33:51,640 --> 00:33:56,280
Speaker 3: shop off during COVID. It's a nice little fun visual thing.

666
00:33:56,520 --> 00:33:59,680
Speaker 3: And hey, yeah, but I'm not gonna I'm gonna keep

667
00:33:59,720 --> 00:34:02,760
Speaker 3: it like all my pillows. What lady doesn't like her pillows?

668
00:34:03,200 --> 00:34:06,720
Speaker 2: You know there's one, there's one, two.

669
00:34:06,640 --> 00:34:08,080
Speaker 3: Three, like there's five?

670
00:34:08,400 --> 00:34:10,200
Speaker 1: Yeah, were you gonna say there's one lady who doesn't

671
00:34:10,239 --> 00:34:11,040
Speaker 1: like her pillows? Yep?

672
00:34:12,080 --> 00:34:15,239
Speaker 3: Who's that lady? Who is it?

673
00:34:16,080 --> 00:34:16,680
Speaker 2: Glenn Close?

674
00:34:16,800 --> 00:34:16,920
Speaker 3: Well?

675
00:34:17,040 --> 00:34:22,680
Speaker 2: Yeah, no, scope first guess you got it Glen Glo

676
00:34:23,280 --> 00:34:27,640
Speaker 2: in that movie where she seems normal and then she's.

677
00:34:27,520 --> 00:34:30,480
Speaker 1: Like, there's something beneath the surface, isn't there? Yeah?

678
00:34:32,200 --> 00:34:36,600
Speaker 2: Uh yeah, I like that movie and she was Corilla Deville.

679
00:34:36,640 --> 00:34:38,600
Speaker 2: Maybe she wanted to turn those dogs into a pillow.

680
00:34:41,960 --> 00:34:44,080
Speaker 2: All those dogs and one huge pillow. I mean, you

681
00:34:44,239 --> 00:34:47,799
Speaker 2: have to admit I don't agree with like the way

682
00:34:47,880 --> 00:34:50,040
Speaker 2: you get there. But if you turn one hundred and

683
00:34:50,239 --> 00:34:54,920
Speaker 2: one dogs into like a pillow that's like basically the

684
00:34:55,000 --> 00:34:58,880
Speaker 2: size of a whole room, you're telling me you wouldn't

685
00:34:59,200 --> 00:35:02,520
Speaker 2: try to climb up that pillow and have like lie

686
00:35:02,600 --> 00:35:08,680
Speaker 2: down and see how it feels. It probably feels nice, Yeah,

687
00:35:08,760 --> 00:35:11,280
Speaker 2: it would feel good. We shouldn't do that. We shouldn't

688
00:35:11,400 --> 00:35:13,360
Speaker 2: like kill all that we should.

689
00:35:13,200 --> 00:35:16,520
Speaker 1: Kill one hundred plus dogs in excess of one hundred

690
00:35:16,560 --> 00:35:17,640
Speaker 1: dogs just to make a pillow.

691
00:35:17,800 --> 00:35:20,560
Speaker 2: But if someone did it, if if it's already been done,

692
00:35:20,920 --> 00:35:21,600
Speaker 2: or are we supposed to.

693
00:35:21,560 --> 00:35:23,480
Speaker 1: Do there was no way for me to stop it.

694
00:35:23,600 --> 00:35:27,000
Speaker 1: The pillow exists already. I'm gonna not lie down on it,

695
00:35:28,880 --> 00:35:32,160
Speaker 1: deny myself the exquisite pleasure of lying on a hundred

696
00:35:32,200 --> 00:35:32,760
Speaker 1: dog pillow.

697
00:35:35,000 --> 00:35:35,200
Speaker 3: Do it.

698
00:35:37,000 --> 00:35:39,000
Speaker 1: The moral policing has gone too far.

699
00:35:39,800 --> 00:35:42,320
Speaker 2: And if if a dog, by the way, saw a

700
00:35:42,400 --> 00:35:46,040
Speaker 2: pillow that was made of me and another one hundred

701
00:35:46,080 --> 00:35:49,239
Speaker 2: men on this planet. I would not forbid them to

702
00:35:49,320 --> 00:35:53,279
Speaker 2: lie down, and they would in a second. They would

703
00:35:53,360 --> 00:35:56,760
Speaker 2: immediately like, no question the part that's me, no question.

704
00:35:58,760 --> 00:36:00,719
Speaker 2: So I'm not supposed to why down on it?

705
00:36:00,920 --> 00:36:03,160
Speaker 1: Now I'm being held to a higher standard than this dog.

706
00:36:04,760 --> 00:36:07,160
Speaker 3: But you guys make great points. I can't disagree with you.

707
00:36:08,880 --> 00:36:12,360
Speaker 2: Many have tried, Yeah, and they failed.

708
00:36:12,600 --> 00:36:13,759
Speaker 3: Absolutely, ye have done.

709
00:36:13,880 --> 00:36:16,120
Speaker 1: It did not go well for the disagree or not

710
00:36:16,320 --> 00:36:18,839
Speaker 1: on this show out on the internet. After the show

711
00:36:18,960 --> 00:36:20,080
Speaker 1: comes out, it goes pretty well.

712
00:36:21,719 --> 00:36:24,880
Speaker 2: My reaction. I'm curious if this has happened to you, Phoebe.

713
00:36:24,960 --> 00:36:28,080
Speaker 2: When I say I don't want to work anymore, people

714
00:36:28,239 --> 00:36:34,799
Speaker 2: say what what were you? What were you doing? Yeah?

715
00:36:34,960 --> 00:36:39,319
Speaker 2: That's what they asked me as well, right yeah, yeah,

716
00:36:39,680 --> 00:36:43,240
Speaker 2: And I kind of wanted them to say no, please,

717
00:36:43,480 --> 00:36:43,800
Speaker 2: come on.

718
00:36:45,400 --> 00:36:45,640
Speaker 1: Wait.

719
00:36:47,160 --> 00:36:49,759
Speaker 3: I would have the same I would ask the same

720
00:36:50,120 --> 00:36:51,839
Speaker 3: same questions what we were.

721
00:36:51,800 --> 00:36:54,520
Speaker 2: Doing, what we were doing before of what we were doing.

722
00:36:55,000 --> 00:36:57,440
Speaker 2: The point is that we don't want to yeah, not

723
00:36:57,640 --> 00:37:02,560
Speaker 2: what it was. Yeah. Now yeah, people aren't asking you

724
00:37:02,640 --> 00:37:04,520
Speaker 2: that why because they like, know what you were doing?

725
00:37:04,840 --> 00:37:06,760
Speaker 2: It was kind of famous.

726
00:37:06,960 --> 00:37:10,120
Speaker 3: Yeah, people are pretty aware that I've just been kind

727
00:37:10,120 --> 00:37:12,000
Speaker 3: of grinding enjoying it.

728
00:37:12,640 --> 00:37:15,080
Speaker 2: Yeah, and so some of them do say no, some

729
00:37:15,200 --> 00:37:18,760
Speaker 2: of them cry, say I don't want to work anymore,

730
00:37:18,800 --> 00:37:24,080
Speaker 2: and the entire special because your audiences needs comforting.

731
00:37:24,360 --> 00:37:24,839
Speaker 1: Mm hm.

732
00:37:26,840 --> 00:37:29,840
Speaker 3: No. They they're like, we get it, we will, we

733
00:37:29,960 --> 00:37:32,279
Speaker 3: will start to go fund me and will support you

734
00:37:32,480 --> 00:37:32,960
Speaker 3: not working.

735
00:37:33,760 --> 00:37:36,160
Speaker 2: So it's really I don't want to work anymore for this.

736
00:37:37,440 --> 00:37:39,480
Speaker 3: Yeah, yeah, just give me a gofund me.

737
00:37:40,160 --> 00:37:45,040
Speaker 1: Yeah, what was the venue where we were going to?

738
00:37:45,080 --> 00:37:45,520
Speaker 1: A venue?

739
00:37:45,560 --> 00:37:46,640
Speaker 2: What was the venue of the show?

740
00:37:47,440 --> 00:37:50,799
Speaker 3: I take this special Dynasty Typewriter, which is super fun.

741
00:37:50,840 --> 00:37:53,840
Speaker 3: I love performing at that space. It was great in

742
00:37:54,080 --> 00:37:56,359
Speaker 3: La I should say for people who aren't where where

743
00:37:56,360 --> 00:37:56,600
Speaker 3: it is.

744
00:37:56,680 --> 00:37:59,720
Speaker 1: But yeah, anybody listening to this know its Dynasty Typewriter.

745
00:38:00,520 --> 00:38:00,799
Speaker 3: We did.

746
00:38:01,880 --> 00:38:07,800
Speaker 1: We did a series of diminishing return shows there, so there's.

747
00:38:08,400 --> 00:38:10,480
Speaker 3: You could always turn around. You can turn it around.

748
00:38:10,960 --> 00:38:13,759
Speaker 1: I'm not sure we can now. I love.

749
00:38:14,200 --> 00:38:17,800
Speaker 3: I love that you believe in us, always believe.

750
00:38:19,080 --> 00:38:21,400
Speaker 2: That's a tough thing to hear for me, that it

751
00:38:21,440 --> 00:38:27,240
Speaker 2: was Dynasty Typewriter, because it's just another variable, another explanatory

752
00:38:27,360 --> 00:38:31,920
Speaker 2: variable off the board. Then you know what I mean?

753
00:38:32,280 --> 00:38:35,800
Speaker 1: So it wasn't It wasn't that we chose the wrong venue.

754
00:38:37,320 --> 00:38:43,000
Speaker 2: Yeah, I really really relying on that one too. That

755
00:38:43,160 --> 00:38:45,200
Speaker 2: was a load bearing variable.

756
00:38:45,760 --> 00:38:47,640
Speaker 1: Yeah. If you were going to say the venue and

757
00:38:47,719 --> 00:38:50,719
Speaker 1: we were both going to be so relieved and go okay,

758
00:38:51,080 --> 00:38:53,759
Speaker 1: we had to do that, then people would know that

759
00:38:53,840 --> 00:38:57,279
Speaker 1: we were working or like I should do that, Oh

760
00:38:57,400 --> 00:39:00,239
Speaker 1: we should do that, Oh Largo. Was it a night show?

761
00:39:00,280 --> 00:39:03,600
Speaker 3: There? It is that time? Yeah?

762
00:39:03,920 --> 00:39:06,200
Speaker 1: Okay, son of a bit shit fuck me?

763
00:39:06,480 --> 00:39:09,359
Speaker 3: Yeah, sorry, sorry, guys.

764
00:39:09,560 --> 00:39:10,560
Speaker 1: That's fucking brutal.

765
00:39:11,320 --> 00:39:14,360
Speaker 2: Did they even bother to like take the piano and

766
00:39:14,480 --> 00:39:17,760
Speaker 2: the rug and stuff off off the stage the stage,

767
00:39:17,840 --> 00:39:20,120
Speaker 2: or did they just leave a mess up there?

768
00:39:21,040 --> 00:39:25,000
Speaker 3: They did. The director char Devani, who's directed episodes of

769
00:39:25,040 --> 00:39:28,560
Speaker 3: Saint Dennis Medical, have elementary in the my show Everything's

770
00:39:28,600 --> 00:39:30,319
Speaker 3: Trash that I used to have on free for him.

771
00:39:30,760 --> 00:39:34,600
Speaker 3: She came up with the idea for this backdrop and

772
00:39:34,719 --> 00:39:35,920
Speaker 3: worked with a designer to get it.

773
00:39:36,040 --> 00:39:38,040
Speaker 2: So it's what it was.

774
00:39:38,760 --> 00:39:43,200
Speaker 1: Yeah, okay, yes, if we had had the designer, Yes.

775
00:39:43,160 --> 00:39:46,319
Speaker 2: The designer instead of Everything's trash is what I say.

776
00:39:46,520 --> 00:39:48,000
Speaker 2: You couldn't see us stage?

777
00:39:48,280 --> 00:39:50,760
Speaker 1: Yeah, no, it was all trash up there on stage

778
00:39:50,840 --> 00:39:52,680
Speaker 1: piano and stuff. I think people couldn't see us, so

779
00:39:52,760 --> 00:39:55,200
Speaker 1: they didn't know we were working. Because then we say

780
00:39:55,200 --> 00:39:56,680
Speaker 1: we don't want to work anymore. They would have been like, no,

781
00:39:56,840 --> 00:39:58,799
Speaker 1: please get back up there. We saw you up there.

782
00:39:59,120 --> 00:40:01,200
Speaker 2: You know what is your backdrop?

783
00:40:01,280 --> 00:40:03,120
Speaker 1: And maybe we do that. Yeah, we can use that.

784
00:40:03,520 --> 00:40:05,239
Speaker 1: Are you using what's behind you?

785
00:40:05,440 --> 00:40:05,800
Speaker 3: I'm not.

786
00:40:06,120 --> 00:40:09,920
Speaker 1: I will uh you know what, I will ship it

787
00:40:09,960 --> 00:40:11,400
Speaker 1: to you guys, forward us the backdrop.

788
00:40:11,480 --> 00:40:14,800
Speaker 2: Yeah, ship you guys up, You'll ship the whole backdrop.

789
00:40:15,320 --> 00:40:17,440
Speaker 1: Yeah, but what does it look like? So I can

790
00:40:17,680 --> 00:40:18,480
Speaker 1: sort of dress them.

791
00:40:18,600 --> 00:40:21,400
Speaker 2: It's not like arrows pointing at me and saying something

792
00:40:21,840 --> 00:40:24,040
Speaker 2: it's not okay, I can.

793
00:40:24,000 --> 00:40:27,040
Speaker 3: Pull up on my phone. It is a very beautiful

794
00:40:27,080 --> 00:40:31,200
Speaker 3: backdrop that you guys saw because you watched a special.

795
00:40:31,239 --> 00:40:33,880
Speaker 3: I know you did. You just forget what it looks like, which.

796
00:40:33,760 --> 00:40:37,040
Speaker 1: Is not a lot on YouTube, right, So I've been

797
00:40:37,120 --> 00:40:43,080
Speaker 1: locked out of YouTube. Apparently if you search for enough

798
00:40:43,120 --> 00:40:47,080
Speaker 1: things that aren't on there, they just say no, they

799
00:40:47,280 --> 00:40:48,319
Speaker 1: just no more.

800
00:40:48,880 --> 00:40:49,919
Speaker 2: You need something else.

801
00:40:51,320 --> 00:40:52,600
Speaker 3: But this is the backdrop.

802
00:40:53,239 --> 00:40:59,480
Speaker 2: Wow, that's pretty pretty flowers.

803
00:40:59,560 --> 00:41:01,919
Speaker 3: So pretty very stunny. And I have like my little

804
00:41:01,960 --> 00:41:04,000
Speaker 3: power seat on. So it was a really good uh,

805
00:41:04,880 --> 00:41:07,480
Speaker 3: good companytion masculine, feminine.

806
00:41:08,440 --> 00:41:12,319
Speaker 2: I worry for me if that backdrop is up there,

807
00:41:14,000 --> 00:41:17,480
Speaker 2: I am am probably trying to coat myself in the

808
00:41:17,560 --> 00:41:23,960
Speaker 2: pollen so that I can then go to one of

809
00:41:24,040 --> 00:41:28,719
Speaker 2: the other flowers and and pollinate it and kind of

810
00:41:28,800 --> 00:41:31,400
Speaker 2: spread my around, you know what I mean.

811
00:41:33,520 --> 00:41:33,920
Speaker 3: To do that.

812
00:41:34,280 --> 00:41:36,560
Speaker 2: I was, Okay, that's why you're facing the other way.

813
00:41:36,840 --> 00:41:39,080
Speaker 2: That's why you're facing toward the audience, so you don't

814
00:41:39,120 --> 00:41:39,920
Speaker 2: even get tempted.

815
00:41:40,680 --> 00:41:47,160
Speaker 1: Yeah. My my concern, of course, is with the sort

816
00:41:47,200 --> 00:41:48,520
Speaker 1: of Angetty's photographs.

817
00:41:49,160 --> 00:41:50,520
Speaker 2: Mm hmmmm hmm.

818
00:41:51,160 --> 00:41:52,919
Speaker 1: A little baby inside the flower.

819
00:41:54,000 --> 00:41:55,360
Speaker 2: That it starts, that's cute.

820
00:41:55,960 --> 00:41:59,759
Speaker 1: I worry that I was going to be that she's

821
00:41:59,800 --> 00:42:01,759
Speaker 1: my stylist. Now, I was going to be dressed like

822
00:42:01,800 --> 00:42:04,399
Speaker 1: a baby inside a flower, and that I will once

823
00:42:04,440 --> 00:42:09,080
Speaker 1: again just blend into the image behind me and people

824
00:42:09,080 --> 00:42:11,320
Speaker 1: won't realize that I am up there on stage working

825
00:42:12,440 --> 00:42:15,480
Speaker 1: and I don't want to change my clothes for the

826
00:42:15,600 --> 00:42:17,040
Speaker 1: show because I paid a lot.

827
00:42:19,160 --> 00:42:22,359
Speaker 2: She did him for the met gala, and she had

828
00:42:22,400 --> 00:42:25,719
Speaker 2: this really beautiful it was like half an egg, like

829
00:42:25,800 --> 00:42:30,840
Speaker 2: a broken egg, and it's like very like beautiful yellow,

830
00:42:31,600 --> 00:42:33,800
Speaker 2: sort of feathery, downy.

831
00:42:34,480 --> 00:42:38,000
Speaker 1: Sort of yoke like, yeah, kind of covering over my head.

832
00:42:38,440 --> 00:42:42,600
Speaker 2: Couldn't had to be moved around by like putting the

833
00:42:42,719 --> 00:42:47,439
Speaker 2: whole kind of situation on a towel and then having

834
00:42:47,520 --> 00:42:51,759
Speaker 2: his date me, uh, just pull the.

835
00:42:51,880 --> 00:42:55,120
Speaker 1: Towel, drag the towel which also was the stars, and

836
00:42:55,280 --> 00:42:58,480
Speaker 1: hit the back of my head every time we started

837
00:42:58,520 --> 00:43:02,000
Speaker 1: from a stop. Again, it was fine once we got going.

838
00:43:02,080 --> 00:43:05,239
Speaker 3: Sorry, I'm still stuck on how you were invited to

839
00:43:05,280 --> 00:43:07,000
Speaker 3: the met Gala, trying and figure that out.

840
00:43:09,760 --> 00:43:12,920
Speaker 2: It turns out basically, if you kind of present yourself

841
00:43:14,160 --> 00:43:20,719
Speaker 2: as having a lot of issues, they won't make you leave, yeah,

842
00:43:23,120 --> 00:43:25,640
Speaker 2: because it would be too much of a It'd be

843
00:43:26,080 --> 00:43:29,399
Speaker 2: somehow the new somehow more of a problem for them

844
00:43:29,440 --> 00:43:30,680
Speaker 2: to make you go.

845
00:43:31,280 --> 00:43:33,680
Speaker 1: The new cycle of having them get rid of you

846
00:43:34,120 --> 00:43:37,880
Speaker 1: has to be more damaging than the new cycle of

847
00:43:37,960 --> 00:43:39,720
Speaker 1: you kind of just being around.

848
00:43:39,520 --> 00:43:43,080
Speaker 2: Which is very damaging. It turned out to be very damaging,

849
00:43:43,160 --> 00:43:45,000
Speaker 2: but not as damaging as it would have been.

850
00:43:45,600 --> 00:43:47,759
Speaker 1: The scene that would have been made if if I

851
00:43:47,880 --> 00:43:51,600
Speaker 1: got removed would have been a lot worse, and frankly

852
00:43:51,719 --> 00:43:53,239
Speaker 1: it probably would have been better for us.

853
00:43:53,520 --> 00:43:55,440
Speaker 2: But they had they did have as sign a lot

854
00:43:55,480 --> 00:43:59,799
Speaker 2: of like liability forms of like things that could happen

855
00:43:59,880 --> 00:44:02,719
Speaker 2: they would not be liable for. And they are hard

856
00:44:02,760 --> 00:44:05,480
Speaker 2: to do that because literally every single one happened.

857
00:44:05,920 --> 00:44:09,640
Speaker 1: You know why the forms are called that no forms

858
00:44:09,680 --> 00:44:13,920
Speaker 1: have the ability to lie. I mean, that's what I've

859
00:44:13,960 --> 00:44:17,160
Speaker 1: found out, which is they make all kinds of promises.

860
00:44:18,080 --> 00:44:22,719
Speaker 1: You know that they're protecting you, but they're protecting the

861
00:44:22,840 --> 00:44:28,080
Speaker 1: met Gala. And that's what I learned. And I've had

862
00:44:28,440 --> 00:44:30,480
Speaker 1: a heck of a time getting back a lot of

863
00:44:30,560 --> 00:44:33,560
Speaker 1: my stuff that fell out of the yolk suit, which

864
00:44:33,640 --> 00:44:36,120
Speaker 1: they're just keeping. And by the way, you go in

865
00:44:36,200 --> 00:44:39,440
Speaker 1: and ask them if there's a loss and found, get

866
00:44:39,560 --> 00:44:41,640
Speaker 1: on the Merry go round. They're going to send you

867
00:44:41,680 --> 00:44:44,600
Speaker 1: to this office, to that office upstairs downstairs, forget it,

868
00:44:45,440 --> 00:44:49,520
Speaker 1: and you're better off. I mean, at that point, you're

869
00:44:49,600 --> 00:44:53,440
Speaker 1: better off just rebuying all the candies and stuff that

870
00:44:53,520 --> 00:44:53,839
Speaker 1: you had.

871
00:44:54,760 --> 00:44:55,160
Speaker 3: But like.

872
00:44:57,640 --> 00:45:00,520
Speaker 1: You know, I'm determined, right, I'm dogging. We've been doing

873
00:45:00,560 --> 00:45:02,719
Speaker 1: the show for a long time. Like I'm just a guy.

874
00:45:03,360 --> 00:45:04,400
Speaker 1: There's no quit in me.

875
00:45:07,400 --> 00:45:08,239
Speaker 3: You don't want to give up.

876
00:45:08,400 --> 00:45:10,719
Speaker 2: You want to give up in him, and she believes him.

877
00:45:10,880 --> 00:45:16,600
Speaker 2: She said that. Here's my last question, Phoebe. Okay, do

878
00:45:16,719 --> 00:45:22,839
Speaker 2: we want to encourage some all to Googles other than

879
00:45:23,040 --> 00:45:25,440
Speaker 2: just like typing I don't want to work anymore into Google.

880
00:45:25,520 --> 00:45:30,560
Speaker 2: And then when you apply for benefits or something like that,

881
00:45:31,160 --> 00:45:33,399
Speaker 2: people are like, well, you just google that you don't

882
00:45:33,400 --> 00:45:35,880
Speaker 2: want to work anymore. Yeah, and so.

883
00:45:38,520 --> 00:45:40,719
Speaker 1: So wait, what's the question the question is?

884
00:45:41,000 --> 00:45:44,040
Speaker 2: And I think it's pretty obvious the questions the questions

885
00:45:44,520 --> 00:45:46,920
Speaker 2: plain is day if you type I don't want to

886
00:45:46,960 --> 00:45:49,800
Speaker 2: work anymore into Google.

887
00:45:49,560 --> 00:45:51,080
Speaker 1: I'm afraid that all your fans are going to be

888
00:45:51,120 --> 00:45:52,879
Speaker 1: put on some kind of list that could be used

889
00:45:52,920 --> 00:45:56,520
Speaker 1: against you. Yes, right, they're going to get filter it

890
00:45:56,560 --> 00:45:59,439
Speaker 1: into a bucket for when you apply for a job.

891
00:46:01,080 --> 00:46:04,000
Speaker 3: That is true. I probably shouldn't name my special that

892
00:46:04,040 --> 00:46:06,040
Speaker 3: because it's really gonna hurt when it comes to casting

893
00:46:06,120 --> 00:46:07,040
Speaker 3: for movies.

894
00:46:07,160 --> 00:46:09,759
Speaker 2: For you, and that's just for you, But for what

895
00:46:09,880 --> 00:46:11,759
Speaker 2: if that's just for you? And what if and when

896
00:46:12,200 --> 00:46:15,600
Speaker 2: when people google it, they're not gonna be casting movies either,

897
00:46:15,640 --> 00:46:19,360
Speaker 2: because the casting directory now gets your head shot, your CV,

898
00:46:19,719 --> 00:46:24,440
Speaker 2: and all your Googles from your whole life. I didn't

899
00:46:24,440 --> 00:46:27,880
Speaker 2: think so what should But well there must be other

900
00:46:27,960 --> 00:46:30,520
Speaker 2: things that think Google that will probably get them there.

901
00:46:30,640 --> 00:46:33,560
Speaker 1: What will do, I think is apply some unique tags

902
00:46:34,000 --> 00:46:36,160
Speaker 1: to the bottom of the special so that people can

903
00:46:36,320 --> 00:46:37,680
Speaker 1: arrive at it in a different way.

904
00:46:38,960 --> 00:46:42,480
Speaker 2: Great, how about this, I'm trying it right now, Phoebe

905
00:46:44,680 --> 00:46:51,560
Speaker 2: New Special, I do want to work so much everymore

906
00:46:52,200 --> 00:46:52,919
Speaker 2: or ever more?

907
00:46:53,480 --> 00:46:57,600
Speaker 1: Ever more? Yeah, I do want to work evermore.

908
00:46:59,239 --> 00:47:04,280
Speaker 2: This query appears to be a misremembered line from comedian

909
00:47:04,320 --> 00:47:07,600
Speaker 2: Phoebe Robinson's twenty twenty three Netflix special titled I'd like

910
00:47:07,719 --> 00:47:14,320
Speaker 2: to apologize to my fucking parents. Hmmm, so you said that,

911
00:47:14,560 --> 00:47:16,759
Speaker 2: you said, Phoebe New Special, I do want to work

912
00:47:16,880 --> 00:47:20,600
Speaker 2: so much more in that, in that previous one, in

913
00:47:20,680 --> 00:47:26,719
Speaker 2: that previous hour walking it back. Yeah, you know, this.

914
00:47:26,840 --> 00:47:31,480
Speaker 3: Special is a little a little, a little raunchy, So

915
00:47:31,719 --> 00:47:34,359
Speaker 3: I apologize to my parents for that part.

916
00:47:36,440 --> 00:47:41,000
Speaker 2: What's the raunchiest? Uh Oh, I mean.

917
00:47:41,360 --> 00:47:43,799
Speaker 3: There's a lot of like sex jokes, you know, which

918
00:47:43,920 --> 00:47:45,680
Speaker 3: Do they need to hear me funny about sex?

919
00:47:45,760 --> 00:47:45,920
Speaker 2: To me?

920
00:47:46,840 --> 00:47:49,479
Speaker 3: No, it's a very serious, serious matter.

921
00:47:49,880 --> 00:47:53,200
Speaker 1: Yeah, that's what I Yeah, that's when I say I

922
00:47:53,200 --> 00:47:54,200
Speaker 1: don't want to work anymore.

923
00:47:54,920 --> 00:48:01,000
Speaker 3: Yeah. I'm sure your sexual partners love that. They're thrilled.

924
00:48:01,400 --> 00:48:08,319
Speaker 1: I really appreciate you at the end of it. That's

925
00:48:08,360 --> 00:48:12,640
Speaker 1: the first time anyone's ever assumed there's been more than one. Yeah, but.

926
00:48:14,200 --> 00:48:15,759
Speaker 2: Sometimes thoughts and prayers subs.

927
00:48:17,360 --> 00:48:21,680
Speaker 1: I don't want to work anymore, Phoebe, Phoebe closing thoughts,

928
00:48:22,760 --> 00:48:27,160
Speaker 1: advice to our fans, advice to us, uh, kind of thoughts.

929
00:48:27,280 --> 00:48:30,480
Speaker 1: A lead for Kevin on yeah, a lead for Kevin

930
00:48:30,560 --> 00:48:32,319
Speaker 1: on another opportunity for him maybe.

931
00:48:33,719 --> 00:48:37,320
Speaker 3: Oh, it's a lot of final thoughts. I want everyone

932
00:48:37,800 --> 00:48:42,640
Speaker 3: to stay positive, e protein, lift weights. I gotta give

933
00:48:42,880 --> 00:48:44,560
Speaker 3: Kevin advice on something.

934
00:48:45,160 --> 00:48:48,320
Speaker 1: New opportunity, just set them up. Obviously, this isn't gonna be.

935
00:48:48,520 --> 00:48:51,719
Speaker 3: I have the thought of posting like feet picks on

936
00:48:51,840 --> 00:48:55,279
Speaker 3: only fans. I think people are interested in men's feet

937
00:48:55,320 --> 00:48:59,479
Speaker 3: as well, and I think that's an under on top market. Yeah, yes,

938
00:48:59,640 --> 00:49:02,680
Speaker 3: I think look into that, keV. And then what was

939
00:49:02,719 --> 00:49:04,440
Speaker 3: the third thing? I have to provide.

940
00:49:06,080 --> 00:49:10,920
Speaker 2: Your veils for the next recording. Oh, oh, gosh, gosh,

941
00:49:11,000 --> 00:49:14,799
Speaker 2: I have this Sunday at six for your Sunday at six.

942
00:49:15,000 --> 00:49:16,279
Speaker 2: We've got Sunday at six six.

943
00:49:16,360 --> 00:49:18,200
Speaker 1: I think I can do. I'm just taking a look

944
00:49:18,239 --> 00:49:20,879
Speaker 1: at my calendar and that's Sunday at.

945
00:49:22,840 --> 00:49:24,600
Speaker 2: London sixth London, time.

946
00:49:25,239 --> 00:49:30,560
Speaker 3: My publicist will get back to you. Awesome yea yeah,

947
00:49:30,719 --> 00:49:31,759
Speaker 3: so hit her up.