1 00:00:00,240 --> 00:00:03,480 Speaker 1: Hey guys, welcome to another episode of Eating While Broke. 2 00:00:03,600 --> 00:00:06,320 Speaker 1: I'm your host, Coleen Witt, and today we have very 3 00:00:06,360 --> 00:00:10,520 Speaker 1: special guest actor Omar Gooding in the building. I'm very 4 00:00:10,520 --> 00:00:11,920 Speaker 1: excited to have you, Thank. 5 00:00:11,800 --> 00:00:12,520 Speaker 2: You, happy to be here. 6 00:00:13,200 --> 00:00:16,000 Speaker 3: I'm not as excited about the dish you're gonna make 7 00:00:16,040 --> 00:00:16,439 Speaker 3: me eat. 8 00:00:16,480 --> 00:00:17,239 Speaker 2: Copy that come. 9 00:00:17,680 --> 00:00:21,400 Speaker 1: Traditionally I ban rahmen across the board unless you're doing 10 00:00:21,400 --> 00:00:25,680 Speaker 1: something crazy with it, but go ahead. You could tell 11 00:00:25,680 --> 00:00:28,600 Speaker 1: our listeners what you're gonna have me eating today. 12 00:00:28,800 --> 00:00:30,480 Speaker 2: Yeah, yeah, no, no, I mean it's it's funny because 13 00:00:30,520 --> 00:00:32,440 Speaker 2: we were talking about the old fashioned cup of noodles, 14 00:00:32,440 --> 00:00:34,440 Speaker 2: how it's in a styrofoam cup, and we weren't even 15 00:00:34,440 --> 00:00:36,320 Speaker 2: supposed to put that in microwave as they say now, 16 00:00:36,600 --> 00:01:02,440 Speaker 2: but we didn't care. We didn't care. You know, back 17 00:01:02,480 --> 00:01:04,200 Speaker 2: in my I used to call it my college years 18 00:01:04,760 --> 00:01:06,040 Speaker 2: when I had a lot of roommates. I never went 19 00:01:06,040 --> 00:01:08,000 Speaker 2: to college, never went to college, but you know, cause 20 00:01:08,000 --> 00:01:09,680 Speaker 2: I was an actor since I was nine years old. 21 00:01:10,160 --> 00:01:11,760 Speaker 2: So when I was like in my twenties, I just 22 00:01:11,800 --> 00:01:13,680 Speaker 2: did a movie called baby Boy. So I had a 23 00:01:13,720 --> 00:01:17,120 Speaker 2: lot of roommates, you know, house full of house full 24 00:01:17,160 --> 00:01:19,360 Speaker 2: of house full of fellas. And I remember I was 25 00:01:19,360 --> 00:01:20,679 Speaker 2: eating a couple of noodles one day and my guy 26 00:01:20,720 --> 00:01:21,800 Speaker 2: was like, yoh man, you don't put the egg in 27 00:01:21,840 --> 00:01:23,680 Speaker 2: the noodles. And I said, what you what you on bumper? 28 00:01:23,920 --> 00:01:25,560 Speaker 2: He said, yeah, man, the cup of noodles. All you 29 00:01:25,560 --> 00:01:27,600 Speaker 2: do is you crack an egg right over the top 30 00:01:27,640 --> 00:01:29,640 Speaker 2: of the cup of noodles after you pour the water in. 31 00:01:29,920 --> 00:01:31,600 Speaker 2: But don't pull the water all the way up to 32 00:01:31,640 --> 00:01:33,520 Speaker 2: where that line is. Just pull it up. Pour it 33 00:01:33,640 --> 00:01:35,920 Speaker 2: up to the top of the noodles right right, can 34 00:01:35,920 --> 00:01:37,800 Speaker 2: you Right when you can see the water, you crack 35 00:01:37,800 --> 00:01:39,720 Speaker 2: a raw egg, set it right on top, throw that 36 00:01:39,720 --> 00:01:42,520 Speaker 2: bad boy in there for three minutes, and watch it cook. Now. 37 00:01:42,520 --> 00:01:43,760 Speaker 2: We did this before we got on air, so I 38 00:01:43,760 --> 00:01:46,440 Speaker 2: remember you were looking at all. Is it gonna be running? 39 00:01:46,880 --> 00:01:48,280 Speaker 2: Is it gonna be cooked? Bro? 40 00:01:48,400 --> 00:01:50,680 Speaker 1: I was watching you like a kid that has never 41 00:01:50,760 --> 00:01:54,040 Speaker 1: seen this project. I literally was like, oh, war like, 42 00:01:54,120 --> 00:01:55,880 Speaker 1: You're gonna have to come over and do this because 43 00:01:56,120 --> 00:02:00,280 Speaker 1: I'm gonna mess this up. But I watched you do 44 00:02:00,400 --> 00:02:02,640 Speaker 1: this and I'm terrified. 45 00:02:02,960 --> 00:02:06,040 Speaker 2: Yeah, yeah, we're taking a look inside. 46 00:02:06,080 --> 00:02:08,200 Speaker 3: So we did it. Omar did it. 47 00:02:08,240 --> 00:02:10,240 Speaker 1: He taught me how to put an egg in a 48 00:02:10,320 --> 00:02:12,200 Speaker 1: cup of noodles. 49 00:02:12,480 --> 00:02:15,480 Speaker 3: I okay, now this egg. 50 00:02:16,360 --> 00:02:18,440 Speaker 1: My biggest concern, and I was kind of annoying you 51 00:02:18,840 --> 00:02:21,200 Speaker 1: with this, was what the texture of this egg is? 52 00:02:21,360 --> 00:02:23,560 Speaker 2: But a cook But look at that. Look at that 53 00:02:23,560 --> 00:02:26,320 Speaker 2: that may got mine is a little running. Now, if 54 00:02:26,320 --> 00:02:27,840 Speaker 2: it's a little running, you just dip it into that 55 00:02:27,880 --> 00:02:32,000 Speaker 2: hot water and then you just steer it up and 56 00:02:32,120 --> 00:02:33,919 Speaker 2: it'll cook. It'll all cook. 57 00:02:34,800 --> 00:02:35,960 Speaker 3: Oh yeah, this looks. 58 00:02:36,320 --> 00:02:39,200 Speaker 2: See the more the more you stir it up, the 59 00:02:39,240 --> 00:02:42,919 Speaker 2: more it'll cook. Now the key ingredient, because you really 60 00:02:42,919 --> 00:02:44,359 Speaker 2: got to let it sit. I think we did. We 61 00:02:44,440 --> 00:02:45,200 Speaker 2: let it sit long enough. 62 00:02:45,280 --> 00:02:48,000 Speaker 3: Yes, yours sat mindset a little bit longer. 63 00:02:48,360 --> 00:02:50,919 Speaker 2: But yeah, usually once you take it out of the microwave, 64 00:02:50,960 --> 00:02:52,520 Speaker 2: you got to start chopping it up and stearing it 65 00:02:52,520 --> 00:02:53,480 Speaker 2: and making that thing happen. 66 00:02:53,760 --> 00:02:55,800 Speaker 3: Okay, so it's supposed to be thoroughly mixed in there. 67 00:02:55,880 --> 00:02:57,400 Speaker 2: Oh yeah, yeah, yeah. You don't just like eat the 68 00:02:57,480 --> 00:02:59,160 Speaker 2: raw egg off the top of the thing, like what 69 00:02:59,240 --> 00:03:01,079 Speaker 2: does that? No? No, no, no, do you have to make 70 00:03:01,080 --> 00:03:02,959 Speaker 2: sure that the egg After. 71 00:03:02,800 --> 00:03:04,640 Speaker 3: You learn this with the noodle, do you make all 72 00:03:04,680 --> 00:03:05,680 Speaker 3: your eggs with a microwave? 73 00:03:05,800 --> 00:03:08,880 Speaker 2: No, not a chance, No, no, no, this is just this 74 00:03:08,120 --> 00:03:11,200 Speaker 2: was this was the back end the day thing. You know, 75 00:03:11,280 --> 00:03:14,080 Speaker 2: when we was lazy, We wasn't cheffing it up, you know, 76 00:03:14,120 --> 00:03:15,840 Speaker 2: and having women cook for us and then figuring out 77 00:03:15,840 --> 00:03:17,440 Speaker 2: how to do it ourselves and so forth and so on. 78 00:03:17,480 --> 00:03:19,200 Speaker 2: We was like, okay, look, we need to eat. We're 79 00:03:19,200 --> 00:03:21,920 Speaker 2: gonna be drinking tonight. Grab me that cup of noodles. 80 00:03:22,240 --> 00:03:24,520 Speaker 2: You know what I'm saying. Get you a get you 81 00:03:24,560 --> 00:03:26,839 Speaker 2: an egg, set it on top. And then the key 82 00:03:26,960 --> 00:03:30,560 Speaker 2: ingredient is the hot to the sizzauce. You gotta have 83 00:03:30,600 --> 00:03:31,519 Speaker 2: hot to the siss ace. 84 00:03:32,120 --> 00:03:33,120 Speaker 3: You're originally from La. 85 00:03:33,360 --> 00:03:35,440 Speaker 2: I'm from La. Yes, born and raised. My parents were 86 00:03:35,440 --> 00:03:40,120 Speaker 2: born in Harlem. My, uh, you ain't gonna do that. Oh, 87 00:03:40,200 --> 00:03:41,920 Speaker 2: you're really risking it down because hot sauce is the 88 00:03:41,960 --> 00:03:44,560 Speaker 2: only reason I said yes to this. You can't do 89 00:03:44,600 --> 00:03:45,120 Speaker 2: hot sauce. 90 00:03:45,360 --> 00:03:47,200 Speaker 3: Well, that's why I said you're from LA, because I 91 00:03:47,200 --> 00:03:48,720 Speaker 3: feel like La is all about the hot. 92 00:03:48,680 --> 00:03:50,600 Speaker 2: It's all about the hot to the sissauce. Yeah, you can. 93 00:03:50,760 --> 00:03:52,680 Speaker 3: I put a drop in there, a drop. 94 00:03:52,520 --> 00:03:54,760 Speaker 2: Okay, all right, don't drop the noodle the egg when 95 00:03:54,800 --> 00:03:57,360 Speaker 2: you can get down right? All right, here we go, 96 00:03:57,520 --> 00:03:58,400 Speaker 2: we go break the diet on. 97 00:04:01,240 --> 00:04:02,240 Speaker 3: He's on a diet guy. 98 00:04:02,600 --> 00:04:04,320 Speaker 2: Yeah, it's a you know, you do the interimnute fast 99 00:04:04,360 --> 00:04:06,280 Speaker 2: and you know that's how it is nowadays. You gotta 100 00:04:06,280 --> 00:04:07,600 Speaker 2: stay right. You never know what that phone call is 101 00:04:07,600 --> 00:04:10,240 Speaker 2: gonna be for the next project. Shirt off. Wait a minute, 102 00:04:10,280 --> 00:04:12,160 Speaker 2: I've been eating a couple of noodles for the last week. 103 00:04:12,640 --> 00:04:14,240 Speaker 2: Now you can do that. You want to booge it up, 104 00:04:14,280 --> 00:04:17,240 Speaker 2: put it in, put it in there. Oh yeah, let's 105 00:04:17,240 --> 00:04:22,800 Speaker 2: make it fancy. Hunh Yeah, noodle, gourmet egg noodle. What's 106 00:04:22,800 --> 00:04:25,640 Speaker 2: a cup of noodle? Now it's bowler noodle? Okay, man, 107 00:04:25,680 --> 00:04:27,040 Speaker 2: you know you mix it up a little bit and 108 00:04:27,040 --> 00:04:28,520 Speaker 2: depending on how many noodles you want. 109 00:04:28,640 --> 00:04:30,240 Speaker 3: I'm trying to try it with the egg peace. 110 00:04:30,480 --> 00:04:32,480 Speaker 2: Yeah, you gotta get a little pee, get adventurous. 111 00:04:32,880 --> 00:04:35,000 Speaker 3: Here we go. I'm gonna try it. 112 00:04:35,279 --> 00:04:38,360 Speaker 2: You're I'm gonna watch you when you dry. You just 113 00:04:38,400 --> 00:04:40,080 Speaker 2: kept straight faced. Okay. We don't know if she's wincing 114 00:04:40,120 --> 00:04:43,360 Speaker 2: because it's hot, or she's horrified. Look at the face. 115 00:04:43,360 --> 00:04:45,160 Speaker 2: Look at the face. You ain't got no chase around 116 00:04:45,240 --> 00:04:46,680 Speaker 2: or you see you got the UHU just in case, 117 00:04:46,880 --> 00:04:48,919 Speaker 2: gonna get you some uh You can't do it. I 118 00:04:48,920 --> 00:04:50,640 Speaker 2: haven't done this in about ten years, so I'm a 119 00:04:50,680 --> 00:04:52,040 Speaker 2: little nervous myself. Let me try it. 120 00:04:54,200 --> 00:04:56,760 Speaker 3: Oh that's what I remember. 121 00:04:56,920 --> 00:04:58,240 Speaker 2: So you didn't put enough hot sauce on it. 122 00:04:59,440 --> 00:05:01,320 Speaker 3: I was sucked on a cough drop before. 123 00:05:02,040 --> 00:05:03,800 Speaker 2: Are you just trying to sabotage my whole meal? 124 00:05:04,560 --> 00:05:06,520 Speaker 1: I do it because all our listeners complain if I 125 00:05:06,520 --> 00:05:09,120 Speaker 1: have a little bit of a cough, They're like, oh. 126 00:05:09,760 --> 00:05:11,960 Speaker 2: But we're close to that pandemic still. 127 00:05:11,760 --> 00:05:14,320 Speaker 3: So it's I'm gonna be honest. Yeah, the egg is 128 00:05:14,360 --> 00:05:14,960 Speaker 3: not is. 129 00:05:14,960 --> 00:05:16,520 Speaker 2: Not doing it for You're not an egg person. 130 00:05:16,839 --> 00:05:18,160 Speaker 3: Not in my noodles. 131 00:05:20,960 --> 00:05:23,880 Speaker 2: Oh man, this is taking me back. I'm about to 132 00:05:23,880 --> 00:05:26,000 Speaker 2: call the homies up and started start a dice game. 133 00:05:27,480 --> 00:05:30,119 Speaker 3: Look, this is a terrible way to come off a diet. 134 00:05:30,640 --> 00:05:32,240 Speaker 2: Yeah no, this is right. This is shocking to here. 135 00:05:32,240 --> 00:05:35,800 Speaker 2: I jog home. I ain't even gonna drive. This is it. 136 00:05:35,880 --> 00:05:36,520 Speaker 2: Let me get one. 137 00:05:36,400 --> 00:05:39,120 Speaker 1: Moment, right, So, yeah, your dish, I wouldn't. I would 138 00:05:39,120 --> 00:05:43,760 Speaker 1: probably never do this in my free time. Again, So broke, I'm. 139 00:05:46,320 --> 00:05:48,360 Speaker 2: You can afford a little bit more than the noodle. 140 00:05:48,960 --> 00:05:50,599 Speaker 2: But see the color in the texture of mind. The 141 00:05:50,640 --> 00:05:52,760 Speaker 2: more you mix it, the better it gets you know what, 142 00:05:53,560 --> 00:05:55,919 Speaker 2: just just look like regular little noodles with without no 143 00:05:55,960 --> 00:05:56,480 Speaker 2: hot talk. 144 00:05:56,400 --> 00:05:59,240 Speaker 3: But it has like an egg flavor to it because 145 00:05:59,279 --> 00:05:59,839 Speaker 3: you just took. 146 00:05:59,839 --> 00:06:01,560 Speaker 2: A straight by to the egg, right into the egg. 147 00:06:01,600 --> 00:06:02,840 Speaker 2: I don't know why you've bit the egg like that. 148 00:06:03,320 --> 00:06:05,080 Speaker 2: Let's all mixed together like you have fried rice. Do 149 00:06:05,120 --> 00:06:06,680 Speaker 2: you fish out the egg or you don't really eat 150 00:06:06,680 --> 00:06:07,600 Speaker 2: fried rice? I love? 151 00:06:10,200 --> 00:06:12,400 Speaker 1: I think it's just me mentally knowing that the egg 152 00:06:12,520 --> 00:06:14,159 Speaker 1: was a little runny is messing with my brain. 153 00:06:14,360 --> 00:06:16,400 Speaker 2: Yeah. See, but if you know, the more you mixed 154 00:06:16,400 --> 00:06:18,920 Speaker 2: that jone up, so you gotta constantly have your hands 155 00:06:18,920 --> 00:06:21,520 Speaker 2: moving at all times because the hand moving keeps mixing 156 00:06:21,520 --> 00:06:23,839 Speaker 2: the flavor. Because there's flavor in there that you have 157 00:06:23,880 --> 00:06:24,720 Speaker 2: to get to see that. 158 00:06:25,400 --> 00:06:28,320 Speaker 3: See how look, Yeah, you can barely see your egg. 159 00:06:28,360 --> 00:06:30,800 Speaker 2: You can't see the egg it's got you know, it's 160 00:06:30,800 --> 00:06:33,600 Speaker 2: in there in the broth. See your broth looks a 161 00:06:33,600 --> 00:06:35,160 Speaker 2: little pale too. I don't know why your broth looks 162 00:06:35,160 --> 00:06:37,240 Speaker 2: so pale. Well, let's seit my broth. Look at that thig. 163 00:06:37,440 --> 00:06:39,120 Speaker 3: That's because you have hot sauce. 164 00:06:39,160 --> 00:06:40,920 Speaker 2: Get your hot sauce in there. That is the point 165 00:06:41,160 --> 00:06:44,240 Speaker 2: for the message hot to the sissauce is the bisaus. 166 00:06:45,600 --> 00:06:46,279 Speaker 2: You understand me. 167 00:06:46,600 --> 00:06:48,240 Speaker 1: Take me back to what was going on in your 168 00:06:48,320 --> 00:06:50,919 Speaker 1: life during this time when you're so. 169 00:06:50,960 --> 00:06:53,160 Speaker 2: This time, you know, it's it's like it's bachelor life. 170 00:06:53,240 --> 00:06:56,760 Speaker 2: It's bachelor life. It's it's quick meals and push ups. 171 00:06:56,839 --> 00:06:58,520 Speaker 2: And you in your twenties, so you ain't got to 172 00:06:58,520 --> 00:07:00,200 Speaker 2: worry about your weight. You know, you don't do none 173 00:07:00,240 --> 00:07:02,040 Speaker 2: of this in your forties with two young kids. This 174 00:07:02,080 --> 00:07:04,320 Speaker 2: is nah, this is two bites and that's about it. 175 00:07:04,360 --> 00:07:06,400 Speaker 2: I can feel my stomach saying what are we doing already, 176 00:07:06,480 --> 00:07:07,720 Speaker 2: I can feel it saying what are we doing? So 177 00:07:07,760 --> 00:07:11,160 Speaker 2: I'm just I think I'm eating enough for the program. Yeah, 178 00:07:11,160 --> 00:07:13,640 Speaker 2: but yeah, it was it's about twenty years ago. Twenty 179 00:07:13,720 --> 00:07:15,520 Speaker 2: years ago. Like I said, I was explaining to you 180 00:07:15,560 --> 00:07:18,120 Speaker 2: now behind my wife makes noodles. When we say, hey, 181 00:07:18,120 --> 00:07:19,880 Speaker 2: you know, let's have some some noodles. With the way 182 00:07:19,880 --> 00:07:22,760 Speaker 2: she does it is we take the ramen, we take 183 00:07:22,800 --> 00:07:27,440 Speaker 2: two packets and no, but yeah, you're two packets of noodles. 184 00:07:27,680 --> 00:07:29,440 Speaker 2: You take the spices out of each one, so you 185 00:07:29,440 --> 00:07:32,200 Speaker 2: have two packets one cup of noodles. Throw it in there, 186 00:07:32,240 --> 00:07:34,320 Speaker 2: you know, boil the water, put the noodles in It's funny. 187 00:07:34,320 --> 00:07:35,600 Speaker 2: I made this the other day. It's crazy you say 188 00:07:35,640 --> 00:07:39,000 Speaker 2: this and then while it's cooking, you only cook it 189 00:07:39,000 --> 00:07:40,680 Speaker 2: for like, I think, two minutes. Same thing like it 190 00:07:40,800 --> 00:07:42,720 Speaker 2: in here. Then you crack the egg, throw it right 191 00:07:42,760 --> 00:07:44,480 Speaker 2: on top, and then you just keep stirring it, keep 192 00:07:44,520 --> 00:07:47,520 Speaker 2: stirring it, and the egg cooks right there in the broth. 193 00:07:47,640 --> 00:07:49,520 Speaker 2: But it's in that chili broth, so I don't have 194 00:07:49,560 --> 00:07:50,960 Speaker 2: to add hot sauce to it, because. 195 00:07:50,720 --> 00:07:53,720 Speaker 3: The chili flavor, the chili. 196 00:07:53,800 --> 00:07:56,000 Speaker 2: Yeah, it's the chili, not just oh any old rama. No, No, 197 00:07:56,040 --> 00:07:57,480 Speaker 2: the chili. That's the only one we use. We use 198 00:07:57,520 --> 00:08:01,280 Speaker 2: two chili packets. And that that that's goodness. That's it, 199 00:08:01,280 --> 00:08:03,240 Speaker 2: doesn't It tastes way better than this I had, And 200 00:08:03,280 --> 00:08:05,120 Speaker 2: the egg is more Cooked're right. It doesn't look like 201 00:08:05,160 --> 00:08:07,280 Speaker 2: the white. You don't see the white fleshy parts of it. 202 00:08:07,320 --> 00:08:09,080 Speaker 2: It looks more like a scrambled egg. 203 00:08:09,280 --> 00:08:13,640 Speaker 1: I think when Tim Chantarrong suit taped with us, I 204 00:08:13,680 --> 00:08:15,280 Speaker 1: want to say he put egg in it, but he 205 00:08:15,320 --> 00:08:18,280 Speaker 1: put peanut butter in it, damn well, And it was 206 00:08:18,360 --> 00:08:21,640 Speaker 1: it was Tim Chantarong suit bless. And the one thing 207 00:08:21,720 --> 00:08:24,160 Speaker 1: that I did like about his was that he chose 208 00:08:24,160 --> 00:08:27,160 Speaker 1: a Thai flavored ramen, which I never think they had, 209 00:08:27,480 --> 00:08:29,320 Speaker 1: and they put like corn and onion. And let me 210 00:08:29,360 --> 00:08:31,240 Speaker 1: tell you something, I went home and try to remake 211 00:08:31,240 --> 00:08:34,800 Speaker 1: it a couple of mons, and I never saw peanut. 212 00:08:34,920 --> 00:08:35,720 Speaker 2: He was eating broke. 213 00:08:36,280 --> 00:08:38,840 Speaker 1: Yeah, but it was like a tie. They got different 214 00:08:38,840 --> 00:08:42,760 Speaker 1: flavored ramins. I never noticed that, but it literally changed 215 00:08:42,760 --> 00:08:43,000 Speaker 1: the game. 216 00:08:43,080 --> 00:08:45,840 Speaker 3: Peanut Butter. I was like, peanut butter, Peanut butter. 217 00:08:46,200 --> 00:08:47,719 Speaker 2: I won't even pretend to act like I'm gonna try 218 00:08:47,720 --> 00:08:49,520 Speaker 2: that ship. I don't really like peanut butter that much, 219 00:08:50,400 --> 00:08:52,600 Speaker 2: for one, and my kid has a slight allergy to it, 220 00:08:52,640 --> 00:08:54,160 Speaker 2: so I think that's probably just in my brain now 221 00:08:54,440 --> 00:08:56,760 Speaker 2: Reese's maybe, But then Halloween try to mess up here 222 00:08:56,800 --> 00:08:59,280 Speaker 2: about all that with the Reese's cups and if I'm. 223 00:08:59,480 --> 00:09:01,560 Speaker 3: Alright, no, no, no, it's sad. 224 00:09:01,679 --> 00:09:05,080 Speaker 2: It was it was recalling all type of candy, finding 225 00:09:05,080 --> 00:09:07,360 Speaker 2: stuff in and poison and little bugs and that, and 226 00:09:07,480 --> 00:09:09,400 Speaker 2: oh yeah, they said, dude, the recism. It's too like. 227 00:09:09,440 --> 00:09:11,720 Speaker 2: Now when you're watching this, hopefully you ain't still eating 228 00:09:11,720 --> 00:09:14,240 Speaker 2: that candy from Halloween. Throw it out, throw it out. 229 00:09:14,920 --> 00:09:15,520 Speaker 2: It gets worse. 230 00:09:16,520 --> 00:09:17,400 Speaker 3: So in your twenties. 231 00:09:17,440 --> 00:09:20,520 Speaker 1: You're with all these roommates, but you were acting, yes, ma'am, 232 00:09:20,559 --> 00:09:21,880 Speaker 1: But you didn't have a day job. 233 00:09:22,880 --> 00:09:24,880 Speaker 2: No that what what do you mean a day job 234 00:09:24,920 --> 00:09:27,600 Speaker 2: with acting? Yeah, that's not a successful actor. I've been 235 00:09:27,640 --> 00:09:31,080 Speaker 2: working since I was nine. Yeah. So yeah, No, when 236 00:09:31,120 --> 00:09:32,600 Speaker 2: you get paid, you ain't have to do shit on 237 00:09:32,640 --> 00:09:34,400 Speaker 2: the day. During the day, you sleep in, you know 238 00:09:34,440 --> 00:09:37,400 Speaker 2: what I mean. Acting pays well enough to where, uh 239 00:09:37,480 --> 00:09:39,760 Speaker 2: you can eat noodles and go to Vegas and then 240 00:09:39,880 --> 00:09:42,079 Speaker 2: uh be back to work on Monday. You know what 241 00:09:42,120 --> 00:09:42,560 Speaker 2: I'm saying. 242 00:09:42,720 --> 00:09:45,400 Speaker 3: But at the time you said you had roommates. 243 00:09:45,559 --> 00:09:48,600 Speaker 2: Yes, I did have roommates, but I they they some 244 00:09:48,640 --> 00:09:49,240 Speaker 2: of them were broke. 245 00:09:51,160 --> 00:09:52,680 Speaker 3: So you were like the wealthy roomate. 246 00:09:52,760 --> 00:09:54,880 Speaker 2: Yeah, exactly exactly. I was. There was just come live 247 00:09:54,920 --> 00:09:56,719 Speaker 2: with me. I got it. The house is big enough. 248 00:09:56,720 --> 00:09:58,680 Speaker 2: There's plenty of rooms. I don't need all these extra rooms. 249 00:09:58,720 --> 00:10:01,160 Speaker 2: You know. We had animals, pets, and you know, women 250 00:10:01,200 --> 00:10:02,760 Speaker 2: walking in and out of the doors every five minutes. 251 00:10:02,800 --> 00:10:04,400 Speaker 2: You know. It was single fun life. That's what it 252 00:10:04,400 --> 00:10:06,720 Speaker 2: was felt like my college years. But I was paying all. 253 00:10:06,600 --> 00:10:08,760 Speaker 3: The bills, but you were paying all the bills, yes, ma'am. 254 00:10:08,960 --> 00:10:12,560 Speaker 1: All right, well, kind of tell me your story starting 255 00:10:12,559 --> 00:10:14,079 Speaker 1: from I guess we'll take it all the way back 256 00:10:14,120 --> 00:10:15,120 Speaker 1: to when you're nine. 257 00:10:15,320 --> 00:10:17,360 Speaker 2: Yeah, so when I was nine years old, then we 258 00:10:17,360 --> 00:10:19,600 Speaker 2: were actually broke. That was, you know, because it actually 259 00:10:19,600 --> 00:10:21,560 Speaker 2: my story starts back a little further. So my father 260 00:10:21,679 --> 00:10:24,080 Speaker 2: was a singer with a group called the main Ingredient. 261 00:10:24,240 --> 00:10:26,360 Speaker 2: He's singing hits like everybody plays the food. Just don't 262 00:10:26,360 --> 00:10:29,080 Speaker 2: want to be like everybody plays the food. Yeah. So 263 00:10:29,160 --> 00:10:31,000 Speaker 2: that was my father and my mother was also a 264 00:10:31,040 --> 00:10:34,600 Speaker 2: singer and they were from Harlem, raised in the Bronx. 265 00:10:34,760 --> 00:10:38,520 Speaker 2: They had two kids, my oldest sister and then my brother, 266 00:10:38,640 --> 00:10:41,320 Speaker 2: Cuba Gooding Junior, one year apart to the day, so 267 00:10:41,320 --> 00:10:44,560 Speaker 2: they shared a birthday. Then they moved to La I 268 00:10:44,679 --> 00:10:48,080 Speaker 2: was born five years later, and that makes my brother 269 00:10:48,120 --> 00:10:51,160 Speaker 2: and I our gap is nine years, my sister ten years. 270 00:10:52,120 --> 00:10:54,640 Speaker 2: And then a funny thing happened, not that funny. My 271 00:10:54,679 --> 00:10:58,240 Speaker 2: father went to Africa during apartheid and it was a 272 00:10:58,280 --> 00:11:00,720 Speaker 2: big no no for the act in the US to 273 00:11:00,760 --> 00:11:02,400 Speaker 2: perform out there for them. They were telling him, don't 274 00:11:02,440 --> 00:11:04,160 Speaker 2: go out there, don't support this and that whatnot. My 275 00:11:04,200 --> 00:11:05,720 Speaker 2: father was like, shit, I'm gonna go wherever I want. 276 00:11:05,880 --> 00:11:07,920 Speaker 2: So when he came back, he got blacklisted. They pulled 277 00:11:07,920 --> 00:11:10,920 Speaker 2: his records off the Yeah, he pulled pulled his records down. 278 00:11:10,920 --> 00:11:12,760 Speaker 2: He had to start pretty much start over from scratch. 279 00:11:13,360 --> 00:11:16,680 Speaker 2: So be it that we were in Los Angeles. He 280 00:11:16,960 --> 00:11:19,719 Speaker 2: went on the road, you know, touring, and basically he's 281 00:11:19,720 --> 00:11:22,360 Speaker 2: from New York. He he basically was in New York 282 00:11:22,480 --> 00:11:23,960 Speaker 2: for most time, and he would we would see him 283 00:11:23,960 --> 00:11:25,320 Speaker 2: when would see him type of thing. So I wouldn't 284 00:11:25,320 --> 00:11:27,280 Speaker 2: really see my father. A whole lot going up, and 285 00:11:27,880 --> 00:11:30,920 Speaker 2: you know, we parents they were still together. They actually 286 00:11:30,920 --> 00:11:34,800 Speaker 2: did divorce when I was around twelve years old, and 287 00:11:34,800 --> 00:11:38,360 Speaker 2: then they remarried when I was eighteen years old. My 288 00:11:38,360 --> 00:11:41,240 Speaker 2: father's deceased, so but yeah, no, but they did. They 289 00:11:41,240 --> 00:11:42,920 Speaker 2: did remarry. Like I said, they remarried and they were 290 00:11:42,920 --> 00:11:46,320 Speaker 2: together until till he passed. But yeah, so that time 291 00:11:46,360 --> 00:11:48,200 Speaker 2: in between, my brother had an idea. He said, I 292 00:11:48,200 --> 00:11:51,360 Speaker 2: want to become an actor. So we were living. We 293 00:11:51,400 --> 00:11:54,920 Speaker 2: actually lost the houses that we were in and moved 294 00:11:54,920 --> 00:11:57,960 Speaker 2: back in with my my mother's parents, my grandparents that 295 00:11:58,000 --> 00:12:00,040 Speaker 2: lived in Victorville, So we stayed with them for a 296 00:12:00,080 --> 00:12:01,839 Speaker 2: couple of years until my grandfather said, nah, you got 297 00:12:01,840 --> 00:12:03,840 Speaker 2: to find a way, all right. So we loaded up 298 00:12:03,880 --> 00:12:07,320 Speaker 2: in a Bobcat station wagon, the four of us and 299 00:12:07,400 --> 00:12:09,719 Speaker 2: a great name. It was a great name by the 300 00:12:09,720 --> 00:12:11,400 Speaker 2: side of you, yes exactly. So we had one of 301 00:12:11,440 --> 00:12:13,920 Speaker 2: them in the car with us, and we sat out 302 00:12:13,920 --> 00:12:17,000 Speaker 2: on the road and we traveled from the High Desert 303 00:12:17,280 --> 00:12:21,840 Speaker 2: through Orange County and finally settled in to Luca Lake, California. 304 00:12:22,160 --> 00:12:25,760 Speaker 2: We had our first apartment, and that's when it got 305 00:12:25,800 --> 00:12:28,400 Speaker 2: a little better. You know. My brother kept booking small 306 00:12:28,440 --> 00:12:31,640 Speaker 2: stuff and whatnot. And then when I was nine years old, 307 00:12:32,040 --> 00:12:34,680 Speaker 2: I actually went in to pick up a script for 308 00:12:34,800 --> 00:12:37,280 Speaker 2: him from his agent. She saw me and said, wow, 309 00:12:37,280 --> 00:12:38,960 Speaker 2: you speak very clearly for a nine year old, and 310 00:12:38,960 --> 00:12:41,400 Speaker 2: you got a nice bright smile, no braces. Let me 311 00:12:41,440 --> 00:12:43,040 Speaker 2: send you out on some auditions and see how you do. 312 00:12:43,120 --> 00:12:44,800 Speaker 2: I begged my mom. She said, all right, fine, we 313 00:12:44,840 --> 00:12:47,079 Speaker 2: can try it. Why not, what's to lose? And I 314 00:12:47,120 --> 00:12:49,680 Speaker 2: went on on two auditions and my first try and 315 00:12:49,679 --> 00:12:51,880 Speaker 2: I booked the second one. Wow. Yeah, So and it 316 00:12:51,920 --> 00:12:53,960 Speaker 2: was for a McGruff. The Crime Dog was an industrial 317 00:12:53,960 --> 00:12:56,840 Speaker 2: film that gets played in the schools, right, so I 318 00:12:56,920 --> 00:12:58,680 Speaker 2: kind of stayed at it. Stayed at it. I booked 319 00:12:58,679 --> 00:13:01,480 Speaker 2: a movie called gold Dad. About a year later, with 320 00:13:01,600 --> 00:13:04,640 Speaker 2: starring Bill Cosby, I was on a show called Webster, 321 00:13:04,679 --> 00:13:06,920 Speaker 2: which was like my first speaking robe prior to the 322 00:13:06,960 --> 00:13:09,360 Speaker 2: Cosby And then when I turned twelve years old, I 323 00:13:09,440 --> 00:13:12,560 Speaker 2: landed a regular series role on a show called Wild 324 00:13:12,600 --> 00:13:14,800 Speaker 2: and Crazy Kids for Nickelodeon. And at that time, my 325 00:13:14,800 --> 00:13:16,960 Speaker 2: mother was able to quit her job and become my manager. 326 00:13:17,320 --> 00:13:19,360 Speaker 2: Right at the same time, my brother's still doing his thing, 327 00:13:19,400 --> 00:13:22,480 Speaker 2: and he's you know, he's getting parts like saying elsewhere 328 00:13:22,520 --> 00:13:24,560 Speaker 2: and two to seven, and you know he's doing this. 329 00:13:24,600 --> 00:13:27,040 Speaker 1: Did this bring your guys relationship really close? Because you 330 00:13:27,040 --> 00:13:28,439 Speaker 1: were both in acting? You and your brother? 331 00:13:28,840 --> 00:13:31,920 Speaker 2: Uh No, not at all. And I said, like that 332 00:13:32,040 --> 00:13:33,679 Speaker 2: kind of to be funny, but that's the thing. You know, 333 00:13:33,720 --> 00:13:35,880 Speaker 2: a lot of people that realized that we're actors saying 334 00:13:35,920 --> 00:13:37,480 Speaker 2: why I didn't I I mean, when they realize that 335 00:13:37,520 --> 00:13:39,360 Speaker 2: we're brothers, say, man, I didn't know you guys were brothers. 336 00:13:39,520 --> 00:13:41,680 Speaker 2: It's not that we're not close, but it's really more 337 00:13:41,840 --> 00:13:45,000 Speaker 2: like a father son relationship. As far as the gap, 338 00:13:45,480 --> 00:13:47,079 Speaker 2: you know that nine years, that's like, you know, it's 339 00:13:47,120 --> 00:13:48,600 Speaker 2: ten years, a whole decade, you know what I mean. 340 00:13:48,679 --> 00:13:51,280 Speaker 2: He's breakdancing and I'm rapping like it's it's just two 341 00:13:51,320 --> 00:13:53,480 Speaker 2: different almost cultures in a way, you know. But his 342 00:13:53,600 --> 00:13:55,439 Speaker 2: friends weren't my friends. Yeah, you know what I mean. 343 00:13:55,480 --> 00:13:58,000 Speaker 2: It was more like, you know, go get your own friends, 344 00:13:58,800 --> 00:14:01,040 Speaker 2: big brother type of thing. He was real, you know. 345 00:14:01,120 --> 00:14:03,240 Speaker 2: So it's like when he he left the house at eighteen, 346 00:14:04,160 --> 00:14:06,480 Speaker 2: you know, so he moved out and to pursue his career. 347 00:14:06,600 --> 00:14:08,920 Speaker 2: Now I'm just ten years old, eleven years old, and 348 00:14:08,960 --> 00:14:10,600 Speaker 2: I'm like the man at the house because my father's 349 00:14:10,760 --> 00:14:12,559 Speaker 2: out on the road, so he's never there type of thing, 350 00:14:12,840 --> 00:14:14,240 Speaker 2: you know. So I just kind of grew into my 351 00:14:14,280 --> 00:14:16,800 Speaker 2: own at a young age. 352 00:14:17,040 --> 00:14:19,280 Speaker 1: So when you're booking these young acting roles, did it 353 00:14:19,360 --> 00:14:21,720 Speaker 1: they have the things where like when you're young, your money. 354 00:14:21,560 --> 00:14:22,400 Speaker 3: Gets put in a trust. 355 00:14:22,440 --> 00:14:24,560 Speaker 1: Absolutely, So how was your mom able to quit her 356 00:14:24,600 --> 00:14:26,480 Speaker 1: job and manage you if your money was in a trust? 357 00:14:26,600 --> 00:14:27,520 Speaker 2: Not all of it, just half? 358 00:14:27,800 --> 00:14:28,280 Speaker 3: Oh only hah. 359 00:14:28,400 --> 00:14:29,960 Speaker 2: Yeah. Yeah, they don't put the entire money and there 360 00:14:29,960 --> 00:14:31,800 Speaker 2: you got to you gotta live off something. So you know, 361 00:14:31,840 --> 00:14:33,880 Speaker 2: it paid well enough. That's how good acting pace, you 362 00:14:33,920 --> 00:14:36,600 Speaker 2: know what I mean. So at half of it, I didn't. 363 00:14:36,680 --> 00:14:38,760 Speaker 2: I wasn't able to touch until I was eighteen. The 364 00:14:38,800 --> 00:14:41,480 Speaker 2: first half I was able to, you know, have bills 365 00:14:41,480 --> 00:14:45,600 Speaker 2: in my name, you know what I mean. So you know, 366 00:14:45,680 --> 00:14:47,200 Speaker 2: so it was you know, it was fun life, you know, 367 00:14:47,280 --> 00:14:49,800 Speaker 2: and I just it just went NonStop for me. You know. 368 00:14:49,840 --> 00:14:52,600 Speaker 2: So when I booked this series Wild and Crazy Kids, 369 00:14:52,600 --> 00:14:55,000 Speaker 2: it ran for three years. Right when it ended, now 370 00:14:55,000 --> 00:14:57,160 Speaker 2: I'm around fifteen years old. I booked a show called 371 00:14:57,160 --> 00:14:59,600 Speaker 2: Hang with Mister Cooper that was on Channel seven that 372 00:14:59,680 --> 00:15:02,800 Speaker 2: ran five years, took me through high school, and then 373 00:15:02,880 --> 00:15:05,280 Speaker 2: right when that ended, I booked a series called hang 374 00:15:05,320 --> 00:15:07,680 Speaker 2: with I mean I'm sorry, called smart Guy. Smart Guy 375 00:15:07,760 --> 00:15:10,480 Speaker 2: ran for another three years. Now I'm twenty four years old. Yeah, right, 376 00:15:10,600 --> 00:15:11,800 Speaker 2: so it's oh, you didn't go to college and then 377 00:15:11,880 --> 00:15:12,960 Speaker 2: went in high school. I was like, I got a 378 00:15:12,960 --> 00:15:14,480 Speaker 2: full time job, you know what I mean. It pays well, 379 00:15:14,480 --> 00:15:15,640 Speaker 2: I got and I'm good, you know what I mean. 380 00:15:15,680 --> 00:15:18,560 Speaker 2: So then when I was twenty four, I got a 381 00:15:18,560 --> 00:15:20,920 Speaker 2: call from the late great John Singleton who called my 382 00:15:20,960 --> 00:15:24,160 Speaker 2: mother because she was my manager, and he specifically told her, 383 00:15:24,840 --> 00:15:26,840 Speaker 2: I made one of your sons a movie star. I'd 384 00:15:26,840 --> 00:15:28,640 Speaker 2: like to make your other son a movie star as well. 385 00:15:28,760 --> 00:15:31,160 Speaker 2: I have this script called Baby Boy that I want 386 00:15:31,200 --> 00:15:33,000 Speaker 2: you to read. And then I read that, and it, 387 00:15:33,080 --> 00:15:35,880 Speaker 2: you know, blew my mind because you know, my friends 388 00:15:35,920 --> 00:15:38,800 Speaker 2: at the time, which are still my close friends that 389 00:15:38,800 --> 00:15:40,640 Speaker 2: I that I kick it was still you know, we 390 00:15:40,680 --> 00:15:44,440 Speaker 2: stay as touch as much as we can. We're real cats, 391 00:15:44,520 --> 00:15:45,640 Speaker 2: you know what I mean. And I say that like 392 00:15:45,640 --> 00:15:47,760 Speaker 2: people say, hell, you grow up in the industry, So 393 00:15:48,200 --> 00:15:49,760 Speaker 2: did you hang out? Do you know this? And you 394 00:15:49,760 --> 00:15:51,720 Speaker 2: know this person? You know that person? I'm like, not really, 395 00:15:51,960 --> 00:15:53,640 Speaker 2: I work with them and then that's that. But I 396 00:15:53,640 --> 00:15:54,880 Speaker 2: don't know, I don't want them to have my back 397 00:15:54,880 --> 00:15:56,440 Speaker 2: and we're out in the streets. I don't know if 398 00:15:56,440 --> 00:15:58,480 Speaker 2: beon Ardo DiCaprio can fight, and I don't want to 399 00:15:58,480 --> 00:15:59,760 Speaker 2: find out if he got hands. And I you know, 400 00:15:59,800 --> 00:16:01,200 Speaker 2: I got got real cats behind me that you know 401 00:16:01,240 --> 00:16:04,080 Speaker 2: what I mean, that I'm rolling with. So when I 402 00:16:04,120 --> 00:16:06,880 Speaker 2: read the script for Baby Boy, it touched home because 403 00:16:06,960 --> 00:16:11,360 Speaker 2: it wasn't my personality obviously, but I was able to 404 00:16:11,480 --> 00:16:13,520 Speaker 2: draw from people that I grew up with, you know 405 00:16:13,560 --> 00:16:16,600 Speaker 2: what I mean for that role. I had some similar experiences, 406 00:16:16,720 --> 00:16:18,480 Speaker 2: believe it or not, you know, just being out and 407 00:16:19,080 --> 00:16:21,960 Speaker 2: God was good. I escaped, you know, a few situations 408 00:16:22,160 --> 00:16:23,880 Speaker 2: I used to carry guns. I got caught with that 409 00:16:23,920 --> 00:16:26,320 Speaker 2: one time. It almost cost me my whole career. You know. 410 00:16:26,360 --> 00:16:28,800 Speaker 2: I had one day where they said, you know, it 411 00:16:28,880 --> 00:16:31,240 Speaker 2: was like twenty four hours of hell. It was like 412 00:16:31,520 --> 00:16:34,000 Speaker 2: hanging with Cooper star, hanging in jail. And then I 413 00:16:34,040 --> 00:16:35,920 Speaker 2: had to go, you know, show up at Warner Brothers 414 00:16:35,920 --> 00:16:39,520 Speaker 2: studios and apologize everybody. And thank God through the tutelage 415 00:16:39,600 --> 00:16:41,680 Speaker 2: of Mark Curry, who suggested that over the weekend he 416 00:16:41,720 --> 00:16:43,000 Speaker 2: called me, said, yeah, I heard about what's going on 417 00:16:43,080 --> 00:16:46,120 Speaker 2: with you. I think you should first day when you 418 00:16:46,160 --> 00:16:48,680 Speaker 2: show up, you need to show these people that that's 419 00:16:48,720 --> 00:16:51,440 Speaker 2: not you. You need to apologize. You know, bended me 420 00:16:51,600 --> 00:16:53,520 Speaker 2: and you know, really really let them know how someonce 421 00:16:53,520 --> 00:16:56,840 Speaker 2: here you are. And I did that, and it really 422 00:16:57,120 --> 00:16:59,040 Speaker 2: it saved me. It really did. And you know, I 423 00:16:59,080 --> 00:17:01,760 Speaker 2: appreciate him forever of that for that a little bit knowledge, 424 00:17:01,760 --> 00:17:03,560 Speaker 2: because you know, if he didn't call me in tim 425 00:17:03,600 --> 00:17:04,959 Speaker 2: but I probably just showed up at work and just 426 00:17:05,000 --> 00:17:06,560 Speaker 2: tried to do my job and then all of a sudden, 427 00:17:06,560 --> 00:17:08,239 Speaker 2: I've probably got a phone call saying you ain't got 428 00:17:08,240 --> 00:17:11,080 Speaker 2: to show up no more, you know, But yeah, man, 429 00:17:11,119 --> 00:17:12,960 Speaker 2: so you know, it's just been It's been NonStop for me, 430 00:17:12,960 --> 00:17:13,680 Speaker 2: and God has been good. 431 00:17:13,680 --> 00:17:13,840 Speaker 3: You know. 432 00:17:13,840 --> 00:17:16,639 Speaker 2: I've I've had a long career, especially in television. 433 00:17:16,680 --> 00:17:16,800 Speaker 4: You know. 434 00:17:16,840 --> 00:17:19,359 Speaker 2: I finished a series called Family Time. We did ninety 435 00:17:19,359 --> 00:17:22,240 Speaker 2: one episodes of that for Bouncing Network. I just signed 436 00:17:22,240 --> 00:17:24,359 Speaker 2: a deal with Disney I got a show called Saturdays 437 00:17:24,359 --> 00:17:27,320 Speaker 2: that's on Disney Plus right now. We did one season 438 00:17:27,320 --> 00:17:28,600 Speaker 2: of that and then that strike hit, so I don't 439 00:17:28,600 --> 00:17:30,240 Speaker 2: know about the season two, but the season one is 440 00:17:30,240 --> 00:17:35,439 Speaker 2: still going. Season one is still airing on on Disney Plus. 441 00:17:35,440 --> 00:17:37,240 Speaker 2: You can live stream that. And that's a cool show 442 00:17:37,240 --> 00:17:40,520 Speaker 2: man because it's about the roller skating culture in Chicago, 443 00:17:40,640 --> 00:17:41,919 Speaker 2: so I had to learn how to roller skate. I 444 00:17:41,960 --> 00:17:44,840 Speaker 2: was out of Chicago for about six months in the summer, 445 00:17:44,920 --> 00:17:46,280 Speaker 2: so I didn't freeze my butt off. 446 00:17:46,440 --> 00:17:47,840 Speaker 3: Chicago in the summer is amazing. 447 00:17:47,920 --> 00:17:50,200 Speaker 2: Yeah, no, it's it was. It was amazing. It was real. 448 00:17:50,440 --> 00:17:52,400 Speaker 2: Chicago's a real town. It's a real town. I mean, 449 00:17:52,520 --> 00:17:55,560 Speaker 2: you know, it's everything that that that they tell you about, 450 00:17:55,600 --> 00:17:58,080 Speaker 2: from the pizza, the food, the culture, the people, u 451 00:17:58,359 --> 00:18:00,760 Speaker 2: the danger you know. I was seeing. I mean I 452 00:18:00,840 --> 00:18:03,439 Speaker 2: literally came out of my apartment one day and walked 453 00:18:03,440 --> 00:18:06,080 Speaker 2: to the store and everything was roped off and the 454 00:18:06,080 --> 00:18:07,680 Speaker 2: cop said, oh man, you look familiar. Man, you out 455 00:18:07,680 --> 00:18:08,800 Speaker 2: of here doing the movie? I said, yeah, so what's 456 00:18:08,800 --> 00:18:11,120 Speaker 2: going on over here? Somebody just jumped off the building. Yeah, 457 00:18:11,119 --> 00:18:14,720 Speaker 2: they died, But listen, can I get autographic sensitized? Like 458 00:18:14,800 --> 00:18:17,000 Speaker 2: he didn't bother him. I was just like, I'm getting 459 00:18:17,000 --> 00:18:19,320 Speaker 2: the buck back inside. But it was, you know, it 460 00:18:19,320 --> 00:18:21,399 Speaker 2: was a beautiful town other than that, you know, and 461 00:18:21,400 --> 00:18:23,800 Speaker 2: it was fun. And then, you know, during the pandemic, 462 00:18:23,840 --> 00:18:26,720 Speaker 2: I kind of spun into stand up comedy, which is 463 00:18:26,760 --> 00:18:30,120 Speaker 2: interesting because I've always been funny and I've always done sitcoms. 464 00:18:30,680 --> 00:18:34,200 Speaker 2: So I hosted a room before the pandemic actually hit 465 00:18:35,600 --> 00:18:39,199 Speaker 2: in Hollywood, and it started off as, why don't you 466 00:18:39,280 --> 00:18:41,480 Speaker 2: just put your name on this comedy show and we'll 467 00:18:41,480 --> 00:18:44,800 Speaker 2: do the rest. So it's all mar Gooting presents such and. 468 00:18:44,760 --> 00:18:45,800 Speaker 3: Such, and you're just hosting. 469 00:18:46,000 --> 00:18:48,359 Speaker 2: And I'm not even hosting. I'm just presenting. So I 470 00:18:48,359 --> 00:18:51,240 Speaker 2: would just show up at the beginning, welcome everybody, crack 471 00:18:51,280 --> 00:18:52,679 Speaker 2: a few like, hey, how's it going all? Look at 472 00:18:52,680 --> 00:18:54,120 Speaker 2: this dude over here? Things for coming right? Here comes 473 00:18:54,160 --> 00:18:55,840 Speaker 2: your host, and then I just sit back and collect 474 00:18:55,880 --> 00:18:57,960 Speaker 2: the job, you know what I mean so that just 475 00:18:58,000 --> 00:18:59,600 Speaker 2: evolved because once you put a mic in front of me, 476 00:18:59,720 --> 00:19:01,680 Speaker 2: I can't just you know, do nothing, you know what 477 00:19:01,720 --> 00:19:04,520 Speaker 2: I mean. I remember one time before that happened. I 478 00:19:04,520 --> 00:19:05,920 Speaker 2: actually think it was during while I was doing that show. 479 00:19:06,000 --> 00:19:07,159 Speaker 2: I said, hey, man, once you come down on my 480 00:19:07,200 --> 00:19:09,080 Speaker 2: comedy show. I said sure, and he said, I'll send 481 00:19:09,119 --> 00:19:10,680 Speaker 2: a limo for you. That's all right, fine. He sends 482 00:19:10,680 --> 00:19:12,520 Speaker 2: the limos out in Redlands. So it's a long drive, 483 00:19:13,080 --> 00:19:15,560 Speaker 2: and you know, he's got champagne and liquor in the limos, 484 00:19:15,560 --> 00:19:17,280 Speaker 2: so you know, I'm drinking and whatnot. And we get 485 00:19:17,320 --> 00:19:18,920 Speaker 2: there and we're watching the show and the show's great, 486 00:19:18,920 --> 00:19:20,359 Speaker 2: and I'm like, oh man, it's a good show. And 487 00:19:20,400 --> 00:19:22,040 Speaker 2: then the owner comes over. He says, you mind getting 488 00:19:22,040 --> 00:19:23,560 Speaker 2: on stage, maybe just saying hi to everybody, you know, 489 00:19:23,640 --> 00:19:25,280 Speaker 2: just just let him know you here. I was like, 490 00:19:25,359 --> 00:19:26,879 Speaker 2: a little weird. I don't think I've ever seen that 491 00:19:26,880 --> 00:19:28,240 Speaker 2: in the middle of a comedy show, but sure, I 492 00:19:28,240 --> 00:19:31,240 Speaker 2: don't care. So we're watching, you know, another maybe fifteen 493 00:19:31,280 --> 00:19:33,959 Speaker 2: twenty minutes goes by, and then I hear the whole say, 494 00:19:34,160 --> 00:19:35,679 Speaker 2: coming to the stage, you got a very very very 495 00:19:35,680 --> 00:19:38,280 Speaker 2: funny comedian. You guys are gonna love him. Oh, he 496 00:19:38,400 --> 00:19:41,480 Speaker 2: is just outstanding. You've seen him, you know. He just 497 00:19:41,480 --> 00:19:43,159 Speaker 2: happened to be in the building. So he's gonna come 498 00:19:43,200 --> 00:19:44,880 Speaker 2: up here and give y'all a little taste. Man, he's really 499 00:19:44,920 --> 00:19:46,480 Speaker 2: really funny. Are y'all ready for that? And I started 500 00:19:46,480 --> 00:19:48,000 Speaker 2: looking around, like, man, I can't wait to see what 501 00:19:48,000 --> 00:19:50,680 Speaker 2: this is. You know, I like surprises. You know. He's 502 00:19:50,680 --> 00:19:52,359 Speaker 2: like I've seen him in Hanging with Mister Cooper. You've 503 00:19:52,359 --> 00:19:54,880 Speaker 2: seen him in Smart Guy, You've seen him in Baby Boy. 504 00:19:54,960 --> 00:19:56,320 Speaker 2: I was like, I must know him. He's been in 505 00:19:56,359 --> 00:19:58,120 Speaker 2: half the stuff I've been in. Who is this dude? 506 00:19:58,280 --> 00:19:58,639 Speaker 2: He's been? 507 00:20:00,119 --> 00:20:01,119 Speaker 3: Was your wife with you? 508 00:20:01,200 --> 00:20:05,600 Speaker 1: Was she looking at b This was before that, before 509 00:20:05,600 --> 00:20:06,240 Speaker 1: I even got married. 510 00:20:06,240 --> 00:20:07,360 Speaker 2: That's so long ago. It was and it was fun 511 00:20:07,359 --> 00:20:09,119 Speaker 2: and then she he called me up. And when I 512 00:20:09,119 --> 00:20:11,159 Speaker 2: got on stage, you know, I just it was a 513 00:20:11,160 --> 00:20:13,400 Speaker 2: ham So I just I just started talking about stuff. 514 00:20:13,400 --> 00:20:14,760 Speaker 2: The light was bright. I was like, damn, it's right 515 00:20:14,840 --> 00:20:16,960 Speaker 2: up here. What is an interrogation? You know? People start laughing. 516 00:20:17,000 --> 00:20:19,280 Speaker 2: And then I got on a roll and I'm feeling 517 00:20:19,280 --> 00:20:20,960 Speaker 2: good and they kept laughing. And then I hit that 518 00:20:21,040 --> 00:20:22,960 Speaker 2: wall because I said, man, I'm surprised y'all to laugh 519 00:20:22,960 --> 00:20:24,399 Speaker 2: with all these hicks in here. I adn't think nobody 520 00:20:24,480 --> 00:20:27,040 Speaker 2: be laughing. And it looked like and it got quiet 521 00:20:27,080 --> 00:20:28,760 Speaker 2: like that, and I was like, anybody see baby boy? 522 00:20:28,800 --> 00:20:30,680 Speaker 2: And it was like, yeah, we started cheering. I jumped 523 00:20:30,680 --> 00:20:31,119 Speaker 2: off stage. 524 00:20:31,280 --> 00:20:33,720 Speaker 3: Okay, so nice, say nice, you know what I'm saying. 525 00:20:33,760 --> 00:20:35,480 Speaker 2: So everyone's like, why'd you get off? I was like, 526 00:20:35,520 --> 00:20:37,040 Speaker 2: that's not what I do. I just you know, I 527 00:20:37,119 --> 00:20:40,119 Speaker 2: just tried it. But now it's it's evolved, you know. 528 00:20:40,160 --> 00:20:42,199 Speaker 2: I would when I do stand up or when I 529 00:20:42,240 --> 00:20:45,000 Speaker 2: do regular comedy, like I mentioned I did a family 530 00:20:45,080 --> 00:20:49,880 Speaker 2: time uh for Wolf ninety one episodes, I would bring 531 00:20:49,960 --> 00:20:52,960 Speaker 2: up punch up writers who were stand up comedians because 532 00:20:53,119 --> 00:20:55,639 Speaker 2: we would film without a live audience, and when you 533 00:20:55,640 --> 00:20:58,120 Speaker 2: don't have a live audience, you you still need that energy, yeah, 534 00:20:58,160 --> 00:20:59,800 Speaker 2: because you don't want to tell a joke and then 535 00:20:59,840 --> 00:21:02,040 Speaker 2: me go to the next joke. You need to like 536 00:21:02,160 --> 00:21:05,120 Speaker 2: you need to leave room for the laugh tracks, right, 537 00:21:05,359 --> 00:21:08,160 Speaker 2: So I like, I would have comedians help me come 538 00:21:08,240 --> 00:21:11,520 Speaker 2: up with new punchlines for every joke, you know what 539 00:21:11,560 --> 00:21:12,920 Speaker 2: I mean? So if we did we do a scene 540 00:21:12,960 --> 00:21:14,359 Speaker 2: we're talking about noodles in this and that boom when 541 00:21:14,359 --> 00:21:16,440 Speaker 2: I say something Tommy's noodles a nasty and everybody laughs. 542 00:21:16,440 --> 00:21:17,880 Speaker 2: All right, we're gonna do it again. When I say 543 00:21:17,880 --> 00:21:20,080 Speaker 2: noodles would laugh nasty. No one's gonna laugh because they 544 00:21:20,080 --> 00:21:21,879 Speaker 2: just heard that. So I need something fresh for the 545 00:21:21,880 --> 00:21:23,959 Speaker 2: next joke, for the next take round and we do 546 00:21:24,000 --> 00:21:25,680 Speaker 2: take after take after takes. So anyway, so I got 547 00:21:25,720 --> 00:21:28,080 Speaker 2: used to writing jokes and writing new punchlines and so 548 00:21:28,160 --> 00:21:28,760 Speaker 2: forth and song. 549 00:21:29,000 --> 00:21:30,840 Speaker 3: But so you weren't just acting, you were writing too. 550 00:21:30,960 --> 00:21:32,359 Speaker 2: I was writing. So I was a producer and a 551 00:21:32,359 --> 00:21:35,000 Speaker 2: writer on that show. Yeah, exactly. So so that was 552 00:21:34,880 --> 00:21:38,080 Speaker 2: a that was that was my first voya into producing. 553 00:21:38,720 --> 00:21:42,080 Speaker 2: And uh so what happened is I would always I 554 00:21:42,119 --> 00:21:44,680 Speaker 2: wouldn't really practice my jokes. I would just save them 555 00:21:44,720 --> 00:21:46,800 Speaker 2: and then spring them on everybody so that they were fresh. 556 00:21:46,880 --> 00:21:50,159 Speaker 2: So as I transitioned into stand up, I realized that 557 00:21:50,240 --> 00:21:52,240 Speaker 2: you need a team. I always think about Kevin Hart 558 00:21:52,280 --> 00:21:54,920 Speaker 2: and the Red Cup Boys, how he has his group 559 00:21:54,960 --> 00:21:57,840 Speaker 2: of guys and I'm sure they run jokes past each 560 00:21:57,840 --> 00:21:59,240 Speaker 2: other and that you know, he has a team that 561 00:21:59,240 --> 00:22:02,199 Speaker 2: helps them. The last time that I saw Kevin Hart 562 00:22:02,480 --> 00:22:05,280 Speaker 2: was before he really really took off and he was 563 00:22:05,320 --> 00:22:08,119 Speaker 2: at I believe it was the comedy store, and I 564 00:22:08,119 --> 00:22:09,480 Speaker 2: saw him out the lobby and we were talking with 565 00:22:09,600 --> 00:22:11,560 Speaker 2: just me and a couple of fellas, and we're all laughing, 566 00:22:11,560 --> 00:22:14,760 Speaker 2: and he's getting ready to go on, and he just 567 00:22:14,760 --> 00:22:16,720 Speaker 2: starts talking about things and bringing up certain things, and 568 00:22:16,760 --> 00:22:18,320 Speaker 2: everything you're saying was just funny. We were all just 569 00:22:18,400 --> 00:22:19,760 Speaker 2: laughing at it. That out he's all right, man, I'm 570 00:22:19,760 --> 00:22:21,360 Speaker 2: about to get on stage. It's all right, man, good luck. 571 00:22:21,640 --> 00:22:24,959 Speaker 2: And then twenty minutes later he gets up and everything 572 00:22:25,000 --> 00:22:26,439 Speaker 2: he said on stage was all of the stuff that 573 00:22:26,440 --> 00:22:28,160 Speaker 2: he was practicing with us before he got on. 574 00:22:28,280 --> 00:22:28,600 Speaker 1: Wow. 575 00:22:28,640 --> 00:22:31,119 Speaker 2: So he was rehearsing his jokes and running them by 576 00:22:31,160 --> 00:22:32,520 Speaker 2: us to see if they were funny and if it 577 00:22:32,560 --> 00:22:33,320 Speaker 2: don't work, and then. 578 00:22:33,440 --> 00:22:35,920 Speaker 3: In a regular conversation, in a regular. 579 00:22:35,640 --> 00:22:37,520 Speaker 2: Convers and I said, Oh, that's how you do it. 580 00:22:37,880 --> 00:22:40,480 Speaker 3: So that's different. I never heard a comedian doing that. 581 00:22:40,720 --> 00:22:42,199 Speaker 2: Yeah, but I mean, you trust me, they do it 582 00:22:42,240 --> 00:22:43,719 Speaker 2: and you don't know. So if you see a comedian 583 00:22:43,760 --> 00:22:45,240 Speaker 2: before he's about to go on and he's just shooting 584 00:22:45,240 --> 00:22:46,679 Speaker 2: the breeze with you and talking and stuff, and he's 585 00:22:46,720 --> 00:22:48,359 Speaker 2: gonna be funny, he's a comedian, you know. Plus he's 586 00:22:48,359 --> 00:22:51,280 Speaker 2: getting ready to go on stage, so he's working out stuff. 587 00:22:51,520 --> 00:22:53,359 Speaker 2: He's working jokes out on you, and I'm like, oh, 588 00:22:53,400 --> 00:22:56,840 Speaker 2: that is brilliant. So my sister, who shout out to 589 00:22:56,880 --> 00:22:59,960 Speaker 2: April Gooding this was about, oh goodness, is probably about 590 00:23:00,160 --> 00:23:02,879 Speaker 2: seven years ago, she tells us. Because she wasn't in 591 00:23:02,920 --> 00:23:04,919 Speaker 2: the business, she kind of did like a role here 592 00:23:05,000 --> 00:23:06,920 Speaker 2: or there. I think she everybody hates Chris and a 593 00:23:06,960 --> 00:23:09,840 Speaker 2: couple other little sitcoms whatever, And she said, I'm gonna 594 00:23:09,840 --> 00:23:11,919 Speaker 2: start doing stand up and me and my brother were terrified, 595 00:23:11,920 --> 00:23:13,880 Speaker 2: like are you kidding me? Like you're funny, but don't 596 00:23:13,920 --> 00:23:15,679 Speaker 2: just jump in the stand up. She's like, no, trust me, 597 00:23:15,720 --> 00:23:18,680 Speaker 2: come support me. I have a show at the Improv. 598 00:23:18,720 --> 00:23:20,399 Speaker 2: And we're like, oh my god. So we were just 599 00:23:20,400 --> 00:23:23,160 Speaker 2: nervous as hell, and we sat there the whole show 600 00:23:23,240 --> 00:23:26,040 Speaker 2: and everybody that got up was okay. And then she 601 00:23:26,200 --> 00:23:28,480 Speaker 2: got up and she killed it. We were like, oh, 602 00:23:28,480 --> 00:23:30,520 Speaker 2: thank god. And she was so funny. And then after 603 00:23:30,600 --> 00:23:32,760 Speaker 2: she got off, the next person up with Seinfeld. I 604 00:23:32,800 --> 00:23:34,920 Speaker 2: was like, girl, you opened up for Seinfeld on your 605 00:23:34,960 --> 00:23:36,880 Speaker 2: first time, Like, how the hell did you do that? 606 00:23:37,200 --> 00:23:38,960 Speaker 2: And she told me. She took a class and in 607 00:23:39,000 --> 00:23:41,240 Speaker 2: this class they showed her how to build her set, 608 00:23:41,480 --> 00:23:42,440 Speaker 2: her comedy set. 609 00:23:42,520 --> 00:23:42,760 Speaker 4: Wow. 610 00:23:43,080 --> 00:23:45,000 Speaker 2: So like the first week of the class, she would 611 00:23:45,000 --> 00:23:46,800 Speaker 2: come up with five jokes. I got a joke about 612 00:23:46,840 --> 00:23:48,479 Speaker 2: rom and I got joke about sage a noodle, something 613 00:23:48,520 --> 00:23:51,400 Speaker 2: about eggs. You try every joke. The ones that work 614 00:23:51,480 --> 00:23:53,840 Speaker 2: you keep, and then the next week you start with 615 00:23:53,880 --> 00:23:56,240 Speaker 2: some new ones. Okay, right, you try those new ones, 616 00:23:56,280 --> 00:23:59,080 Speaker 2: and it's just process of elimination until you build yourself 617 00:23:59,080 --> 00:24:01,439 Speaker 2: a whole set. So you know, that's what I've been 618 00:24:01,480 --> 00:24:03,919 Speaker 2: doing over this last during the strike, which is funny. 619 00:24:04,920 --> 00:24:08,439 Speaker 2: I had started, Uh you heard about the Montgomery brawl. Yeah, right, 620 00:24:08,440 --> 00:24:09,760 Speaker 2: that happened with the dude with the hat. He threw 621 00:24:09,760 --> 00:24:11,080 Speaker 2: the hat in the air and everybody came fighting and 622 00:24:11,160 --> 00:24:14,680 Speaker 2: jumped in the water and all that. Oh my god, 623 00:24:14,680 --> 00:24:16,800 Speaker 2: it was brilliant. You gotta you guys haven't seen it. 624 00:24:16,960 --> 00:24:18,440 Speaker 2: I don't know where you've been living, but you gotta 625 00:24:18,480 --> 00:24:43,760 Speaker 2: go google the Montgomery I s. Yeah, yeah, So I 626 00:24:43,800 --> 00:24:45,600 Speaker 2: did this bit where I walked him. Remember he had 627 00:24:45,640 --> 00:24:48,000 Speaker 2: on a white shirt and on some black shorts and 628 00:24:48,000 --> 00:24:50,040 Speaker 2: and and and a hat. So I did a bit 629 00:24:50,119 --> 00:24:52,640 Speaker 2: where we started our scene where we started our show. 630 00:24:52,920 --> 00:24:55,399 Speaker 2: We had a white guy. First, white guy opens up 631 00:24:55,400 --> 00:24:57,159 Speaker 2: and he does his set and he's great and he 632 00:24:57,200 --> 00:24:59,159 Speaker 2: finishes all you guys, makes no noise for omar goodding, 633 00:24:59,320 --> 00:25:00,920 Speaker 2: and okay, hey, all right, I have ever seen me do 634 00:25:00,960 --> 00:25:03,000 Speaker 2: standard hords that they're curious And I walk out and 635 00:25:03,000 --> 00:25:04,240 Speaker 2: I whisper and I tell him you got to go 636 00:25:04,240 --> 00:25:05,280 Speaker 2: that way, and he goes, no, I want to walk 637 00:25:05,280 --> 00:25:06,960 Speaker 2: this way. No, no, no, bro, you got to you 638 00:25:06,960 --> 00:25:08,800 Speaker 2: gotta walk on that way. He says, no, I want 639 00:25:08,800 --> 00:25:09,879 Speaker 2: to go this way. I said, cut the music, and 640 00:25:09,880 --> 00:25:11,200 Speaker 2: I take my hat and I throw it in the air. 641 00:25:11,480 --> 00:25:13,440 Speaker 2: So when I threw it and everybody fell out laugh 642 00:25:13,520 --> 00:25:15,359 Speaker 2: and he walks off the stage. And then I start 643 00:25:15,400 --> 00:25:16,920 Speaker 2: my routine. So once you know, hit him in the 644 00:25:17,000 --> 00:25:18,800 Speaker 2: mouth off jump, it was easy. And then I talked 645 00:25:18,800 --> 00:25:21,760 Speaker 2: about the narrator in the video and so forth and 646 00:25:21,800 --> 00:25:24,879 Speaker 2: so on and all that stuff. So that was the 647 00:25:24,920 --> 00:25:26,800 Speaker 2: beginning of my set, you know what I mean. And 648 00:25:26,800 --> 00:25:29,000 Speaker 2: then I also have a show. So I do a 649 00:25:29,040 --> 00:25:34,359 Speaker 2: show every other Wednesday called Funny AF Comedy Show. So 650 00:25:34,520 --> 00:25:37,600 Speaker 2: right now it's at the Culture Lounge in downtown La. Yeah, 651 00:25:37,640 --> 00:25:40,880 Speaker 2: so it's every second Wednesday of the month, So today, 652 00:25:40,920 --> 00:25:42,080 Speaker 2: the twenty ninth, I on the win this air or 653 00:25:42,080 --> 00:25:43,399 Speaker 2: if they're watching it live or whatever the case is. 654 00:25:43,440 --> 00:25:45,879 Speaker 2: But yeah, come on down and check it out and 655 00:25:45,880 --> 00:25:48,680 Speaker 2: you'll see now it's evolved too. I have my host 656 00:25:48,760 --> 00:25:50,360 Speaker 2: do his whole thing. We run through the whole show, 657 00:25:50,400 --> 00:25:51,960 Speaker 2: and then I just close it like a headliner. So 658 00:25:52,000 --> 00:25:53,919 Speaker 2: I'll do like ten fifteen minutes at the end, and 659 00:25:53,960 --> 00:25:57,159 Speaker 2: I'll just you know, I'll spend the night picking off jokes, 660 00:25:57,240 --> 00:25:59,680 Speaker 2: you know, doing the old Kevin Hart getting getting some material, 661 00:26:00,040 --> 00:26:01,720 Speaker 2: you know what I mean saying, some live, fresh material, 662 00:26:01,720 --> 00:26:04,080 Speaker 2: because I'm also good at improv. And that's where's at. 663 00:26:04,080 --> 00:26:06,720 Speaker 2: And I also have a tour that I'm doing called 664 00:26:06,760 --> 00:26:09,920 Speaker 2: the We out Here Comedy Event, which started in San Antonio. 665 00:26:09,960 --> 00:26:11,040 Speaker 2: That's the one that I told you about where I 666 00:26:11,040 --> 00:26:13,360 Speaker 2: did the hed of Here. We did four shows out there. 667 00:26:13,359 --> 00:26:16,080 Speaker 2: We did another four shows in Atlanta. I just came 668 00:26:16,119 --> 00:26:19,240 Speaker 2: back from Arkansas. We did some shows on the ninth. 669 00:26:19,440 --> 00:26:23,080 Speaker 2: We will be in Come on, brain, don't fail me now. 670 00:26:23,440 --> 00:26:26,200 Speaker 2: Not Midland is in Midland, Texas well. Anyway, if you 671 00:26:26,200 --> 00:26:28,360 Speaker 2: follow me online Omar Gooding, you can check the link 672 00:26:28,359 --> 00:26:30,119 Speaker 2: in my bio and I have all my show dates 673 00:26:30,320 --> 00:26:30,880 Speaker 2: and now how. 674 00:26:30,800 --> 00:26:33,520 Speaker 3: Are you juggling your comedy with your acting? 675 00:26:34,080 --> 00:26:35,920 Speaker 2: Yeah, I'm just I'm scatter brained. 676 00:26:35,960 --> 00:26:36,439 Speaker 4: I need it. 677 00:26:36,520 --> 00:26:39,200 Speaker 2: I'm adhd. I'm just it's you know, also do music. 678 00:26:39,200 --> 00:26:41,560 Speaker 2: I dropped the album, I be writing, you know, I'm 679 00:26:41,600 --> 00:26:44,240 Speaker 2: producing a new film that we're filming out in Atlanta. 680 00:26:44,960 --> 00:26:46,439 Speaker 2: I'm gonna be one of the leads in that. So 681 00:26:46,440 --> 00:26:48,480 Speaker 2: it's just a schedule. It's just, you know, I just 682 00:26:48,520 --> 00:26:50,199 Speaker 2: put it on my calendar and try not to forget it. 683 00:26:50,359 --> 00:26:52,720 Speaker 2: I'll do this, we'll finish this interview, I'll get a 684 00:26:52,760 --> 00:26:54,800 Speaker 2: power nap, and then I'll get ready for my show tonight. 685 00:26:55,640 --> 00:26:58,520 Speaker 2: Over the weekend, I got a one day gig and 686 00:26:58,800 --> 00:27:00,600 Speaker 2: what is this? I think we're going to be in Glendale. 687 00:27:01,520 --> 00:27:02,840 Speaker 2: And it's just, you know, it's just one thing after 688 00:27:02,840 --> 00:27:04,960 Speaker 2: another for me. I've been doing my whole life forty 689 00:27:05,000 --> 00:27:07,200 Speaker 2: seven years old, started at nine, So it's not it's 690 00:27:07,240 --> 00:27:09,800 Speaker 2: not difficult to try to figure out with that whole journey. 691 00:27:09,840 --> 00:27:13,199 Speaker 1: Was there every any points where there was dips like 692 00:27:13,320 --> 00:27:14,320 Speaker 1: dips or struggles? 693 00:27:14,359 --> 00:27:17,800 Speaker 2: Definitely, And there was definitely struggles, just the lulls, and 694 00:27:17,840 --> 00:27:20,160 Speaker 2: it one just staying relevant. You know a lot of people, 695 00:27:20,240 --> 00:27:22,080 Speaker 2: especially if you start off as a child actor nine 696 00:27:22,119 --> 00:27:23,720 Speaker 2: years old. You show a picture of me nine, people 697 00:27:23,720 --> 00:27:25,800 Speaker 2: always say you don't age. Yeah, right, show up picture 698 00:27:25,800 --> 00:27:27,600 Speaker 2: of me at nine, side by side with me at 699 00:27:27,600 --> 00:27:29,080 Speaker 2: forty seven with a couple of gray hairs. Pop up. 700 00:27:29,160 --> 00:27:30,879 Speaker 2: I may a shaved and I look young or youthful 701 00:27:30,960 --> 00:27:36,359 Speaker 2: or whatever. But just reinventing yourself, staying current without pushing 702 00:27:36,440 --> 00:27:38,239 Speaker 2: it or looking like you're trying to just keep up 703 00:27:38,240 --> 00:27:40,320 Speaker 2: with everybody, you know what I mean. So I found 704 00:27:40,359 --> 00:27:42,480 Speaker 2: a way to just kind of stand my lane, you 705 00:27:42,560 --> 00:27:44,320 Speaker 2: know what I mean. Like a lot of actors feel 706 00:27:44,320 --> 00:27:47,480 Speaker 2: like they have to do certain roles. They have to, 707 00:27:48,280 --> 00:27:50,160 Speaker 2: for lack of a better example, put on the dress, 708 00:27:50,200 --> 00:27:51,879 Speaker 2: so to speak, you know what I mean. So like 709 00:27:51,960 --> 00:27:53,800 Speaker 2: with me, is I know which roles I can do. 710 00:27:53,880 --> 00:27:56,359 Speaker 2: I know which lanes I can stay And people said, well, 711 00:27:56,400 --> 00:27:57,680 Speaker 2: damn me, like you do havey You played the thug, 712 00:27:57,720 --> 00:27:59,400 Speaker 2: I played a doctor, I played a dad. I played 713 00:27:59,400 --> 00:28:02,320 Speaker 2: the sun. Like you can do just about anything, just 714 00:28:02,359 --> 00:28:05,040 Speaker 2: about you want to know what an actor is? My 715 00:28:05,160 --> 00:28:07,920 Speaker 2: brother Cuba Gooding Jr. Now that man can play any 716 00:28:07,960 --> 00:28:09,720 Speaker 2: damn thing. That's why you can see him in snow 717 00:28:09,720 --> 00:28:13,320 Speaker 2: Dog's Boat Trip, Radio Men of Honor, you'd I mean, 718 00:28:13,359 --> 00:28:16,720 Speaker 2: that'll be five different things. I've tried just about everything. 719 00:28:16,880 --> 00:28:18,640 Speaker 2: Just about that, I said, oh, you know, like something 720 00:28:18,640 --> 00:28:21,920 Speaker 2: like radio mentally challenging. I tried it, but it wasn't 721 00:28:21,920 --> 00:28:24,679 Speaker 2: in my wheelhouse. When I left the audition room, they 722 00:28:24,680 --> 00:28:27,959 Speaker 2: were laughing. I'm like, this wasn't a comedy. Why are 723 00:28:28,000 --> 00:28:30,359 Speaker 2: they giggling? You know? And I knew to stay off 724 00:28:30,400 --> 00:28:33,280 Speaker 2: that path, you know, so I pretty much just no 725 00:28:34,160 --> 00:28:34,560 Speaker 2: my land. 726 00:28:34,600 --> 00:28:37,280 Speaker 1: Someone told me recently at a party this past weekend 727 00:28:37,280 --> 00:28:40,320 Speaker 1: that acting requires like so if it's like a comedic 728 00:28:41,120 --> 00:28:43,840 Speaker 1: rom com, it's a certain style acting. And if it's 729 00:28:43,880 --> 00:28:47,840 Speaker 1: there's like certain styles of acting within each genre. 730 00:28:48,080 --> 00:28:51,800 Speaker 2: Sure, sure yeah. I mean you know it's funny too 731 00:28:51,800 --> 00:28:54,400 Speaker 2: when you say that, because when I started, I did 732 00:28:54,480 --> 00:28:57,480 Speaker 2: sitcoms in the nineties and it was more like vaudeville. 733 00:28:57,480 --> 00:28:59,560 Speaker 2: It was more animated. Everything was super funny and doing 734 00:28:59,560 --> 00:29:02,000 Speaker 2: these facials hold on this, no, no, no, blah. But then 735 00:29:02,320 --> 00:29:05,800 Speaker 2: as it evolved, you know, I always give my hats 736 00:29:05,800 --> 00:29:08,560 Speaker 2: off to John Singleton because he helped me turn the 737 00:29:08,560 --> 00:29:11,080 Speaker 2: corner in that regard. There was you know, we were 738 00:29:11,080 --> 00:29:14,080 Speaker 2: talking about struggles initially in your question, And I always 739 00:29:14,160 --> 00:29:16,040 Speaker 2: wanted to do movies. I always wanted to be taken 740 00:29:16,080 --> 00:29:19,400 Speaker 2: serious and serious roles. But even though if I auditioned 741 00:29:19,440 --> 00:29:22,880 Speaker 2: and I did well in the audition, they would look 742 00:29:22,920 --> 00:29:24,719 Speaker 2: at my credits and my name, what I'm known for, 743 00:29:24,800 --> 00:29:26,960 Speaker 2: and the producers would go, now we'll go with somebody that's, 744 00:29:27,240 --> 00:29:29,800 Speaker 2: you know, already known for drama. So once I did 745 00:29:29,880 --> 00:29:33,480 Speaker 2: Baby Boy, excuse me, I was then taken serious for 746 00:29:33,840 --> 00:29:35,840 Speaker 2: serious roles. For lack of a better word, you know, 747 00:29:36,360 --> 00:29:40,440 Speaker 2: so comedy, my comedy has evolved into just being more natural, 748 00:29:40,840 --> 00:29:42,320 Speaker 2: you know what I mean. So back in the day, 749 00:29:42,360 --> 00:29:44,640 Speaker 2: it was, like I said, it was more animated and 750 00:29:44,720 --> 00:29:47,240 Speaker 2: comedic and you know and arkle and that type of thing. Yea, 751 00:29:47,400 --> 00:29:49,720 Speaker 2: And now it's just just natural comedy. And you say 752 00:29:49,720 --> 00:29:51,240 Speaker 2: something and then you laugh as opposed to here comes 753 00:29:51,280 --> 00:29:51,560 Speaker 2: a joke. 754 00:29:51,720 --> 00:29:52,560 Speaker 3: Yeah. 755 00:29:52,680 --> 00:29:54,920 Speaker 2: So you know, there is that. There's the sitcom actor. 756 00:29:55,000 --> 00:29:58,480 Speaker 2: There's plays, you know, dramatic where you have to project 757 00:29:58,600 --> 00:30:01,760 Speaker 2: and acting you kind of you ham it up just 758 00:30:01,800 --> 00:30:03,880 Speaker 2: a little bit more. But you also want to be natural, 759 00:30:03,960 --> 00:30:06,160 Speaker 2: you know what I mean. There's dramas I did a 760 00:30:06,920 --> 00:30:08,960 Speaker 2: during the I bring up the pandemic a lot, because 761 00:30:08,960 --> 00:30:11,680 Speaker 2: I mean, you know, it's a big deal recently obviously 762 00:30:11,840 --> 00:30:15,520 Speaker 2: changed everyone's lives. But during the pandemic, right before it started, 763 00:30:15,800 --> 00:30:19,120 Speaker 2: I negotiated to do a film called Am Radio Right 764 00:30:19,200 --> 00:30:22,760 Speaker 2: And when every time I posted about it, people thought 765 00:30:22,800 --> 00:30:24,680 Speaker 2: I had like an AM radio talk show and I 766 00:30:24,720 --> 00:30:28,440 Speaker 2: was like, no, it's a movie about a recluse that 767 00:30:28,640 --> 00:30:32,120 Speaker 2: started in FM radio and he had a meltdown and 768 00:30:32,160 --> 00:30:34,880 Speaker 2: then you know, was given a second chance on AM radio. 769 00:30:34,960 --> 00:30:38,400 Speaker 2: So it deals with mental health, being alone, feeling alone, 770 00:30:38,640 --> 00:30:42,520 Speaker 2: and it's also a love story and I really got 771 00:30:42,520 --> 00:30:45,880 Speaker 2: to hone in on my serious acting, you know what 772 00:30:45,880 --> 00:30:47,560 Speaker 2: I mean. So it's a drama for sure, but it's 773 00:30:47,560 --> 00:30:49,360 Speaker 2: also funny because I can't do anything without making a 774 00:30:49,400 --> 00:30:53,360 Speaker 2: joke here there. And we scaled down the budget all 775 00:30:53,440 --> 00:30:55,000 Speaker 2: the way so that we can just film it with 776 00:30:55,000 --> 00:30:58,560 Speaker 2: a skeleton crew. A shout out to Ricky Burschell, who's 777 00:30:58,560 --> 00:31:02,680 Speaker 2: a film director out of Tennessee who is phenomenal. And 778 00:31:02,720 --> 00:31:05,360 Speaker 2: he came up with the script that he had actually 779 00:31:05,360 --> 00:31:07,480 Speaker 2: wrote for another actor. But during the pandemic, this and 780 00:31:07,600 --> 00:31:09,120 Speaker 2: that happened, the guy couldn't do it, and I said, 781 00:31:09,160 --> 00:31:10,480 Speaker 2: I'll do it. I'm ready to get out the house 782 00:31:10,520 --> 00:31:12,520 Speaker 2: been too much. So we went out. I flew out 783 00:31:12,520 --> 00:31:15,040 Speaker 2: to Tennessee and we filmed it in like two weeks 784 00:31:15,400 --> 00:31:17,280 Speaker 2: and it was brilliant. Man. You know, if you ever 785 00:31:17,280 --> 00:31:19,600 Speaker 2: get a chance to watch it, check out AM radio. 786 00:31:20,520 --> 00:31:21,400 Speaker 3: Can we get it? 787 00:31:21,480 --> 00:31:23,600 Speaker 2: You can see it on I'm sure it's on two B, 788 00:31:23,720 --> 00:31:28,080 Speaker 2: It's on Amazon Prime, it's pretty much everywhere streaming is. Now. 789 00:31:28,120 --> 00:31:31,120 Speaker 3: Were you you were also producing on it or just act. 790 00:31:31,120 --> 00:31:33,480 Speaker 2: I'm a producer as well on there. I helped with 791 00:31:33,480 --> 00:31:34,760 Speaker 2: the editing, you know, it was it. 792 00:31:34,680 --> 00:31:36,720 Speaker 3: Was it was fun being helped with the editing. 793 00:31:36,760 --> 00:31:37,200 Speaker 2: The editing. 794 00:31:37,280 --> 00:31:38,960 Speaker 3: I mean, they said, you were actually editing. 795 00:31:39,000 --> 00:31:41,360 Speaker 2: I didn't like push the button. I gave my input 796 00:31:41,880 --> 00:31:44,480 Speaker 2: put it that way. So they sent me like they 797 00:31:44,520 --> 00:31:45,920 Speaker 2: would send me the first raft and I said, can 798 00:31:45,920 --> 00:31:48,480 Speaker 2: we change this? And we moved this scene? Maybe you can, 799 00:31:48,680 --> 00:31:50,479 Speaker 2: you know, because there was something in there that I 800 00:31:50,520 --> 00:31:51,960 Speaker 2: just I felt like it was just going to make 801 00:31:52,720 --> 00:31:54,400 Speaker 2: people think about the movie in the wrong way. And 802 00:31:54,440 --> 00:31:57,840 Speaker 2: we actually edited it out and replaced it with like 803 00:31:57,880 --> 00:32:00,080 Speaker 2: a flashback. And it was fun. It was fun, and 804 00:32:00,080 --> 00:32:01,280 Speaker 2: it was it was just fun to be on that 805 00:32:01,320 --> 00:32:03,120 Speaker 2: side of it and giving my input after being in 806 00:32:03,120 --> 00:32:05,280 Speaker 2: the business for so long, and that's what started me saying, 807 00:32:05,320 --> 00:32:07,600 Speaker 2: you know, I have to be on the produce the 808 00:32:07,920 --> 00:32:11,280 Speaker 2: production side of every film that I'm in because sometimes, 809 00:32:11,280 --> 00:32:12,680 Speaker 2: and this will happen a lot too. People call me 810 00:32:12,720 --> 00:32:15,560 Speaker 2: the King of two B right now because people will 811 00:32:15,560 --> 00:32:17,560 Speaker 2: call me and say, yo, how much what's your day rate? 812 00:32:17,600 --> 00:32:18,960 Speaker 2: All can I get you for a day in my 813 00:32:18,960 --> 00:32:20,680 Speaker 2: film out here? And blah blah blah, Like h sounds 814 00:32:20,680 --> 00:32:22,600 Speaker 2: like an easy job. You fly out of town, you know, 815 00:32:22,720 --> 00:32:25,720 Speaker 2: first class accommodations, They give you what you want, pay wise, 816 00:32:26,080 --> 00:32:27,760 Speaker 2: your film for one day and then you're done. But 817 00:32:27,760 --> 00:32:29,680 Speaker 2: then when people go on to B they say starring 818 00:32:29,680 --> 00:32:31,680 Speaker 2: Omar Goode and they think I'm all through the film 819 00:32:31,720 --> 00:32:33,160 Speaker 2: and it's like one or two scenes that they shot 820 00:32:33,160 --> 00:32:34,760 Speaker 2: in that one day. And then I look at the 821 00:32:34,800 --> 00:32:36,360 Speaker 2: film and the quality of the film and I'm like, man, 822 00:32:36,400 --> 00:32:38,400 Speaker 2: I should have pushed to be a producer on the 823 00:32:38,400 --> 00:32:40,160 Speaker 2: film so that I can give my input. Let me 824 00:32:40,200 --> 00:32:42,920 Speaker 2: see the final product before this thing is released to 825 00:32:42,960 --> 00:32:45,200 Speaker 2: the world, so that I can help you out, you know, 826 00:32:45,600 --> 00:32:48,960 Speaker 2: you know, just just just the transitioning, maybe the music, 827 00:32:49,040 --> 00:32:51,440 Speaker 2: scoring a little bit everythingcause there's so many things that 828 00:32:51,560 --> 00:32:53,880 Speaker 2: go into to making a successful film. 829 00:32:54,480 --> 00:32:54,800 Speaker 3: Wow. 830 00:32:55,600 --> 00:32:59,160 Speaker 1: Wow. So where do you see yourself comedy wise now 831 00:32:59,200 --> 00:33:02,160 Speaker 1: that you're entering Well, you've been in the comedy arena, 832 00:33:02,200 --> 00:33:04,360 Speaker 1: But like most comics, I think it takes like an 833 00:33:04,360 --> 00:33:07,080 Speaker 1: average of like ten years before they're really where they. 834 00:33:07,600 --> 00:33:09,720 Speaker 2: Yeah, I mean, you know, it's funny. It's kind of 835 00:33:09,760 --> 00:33:13,480 Speaker 2: like it depends on where it goes opportunity wise, because 836 00:33:13,480 --> 00:33:15,000 Speaker 2: there's so many things that you can do. I mean, 837 00:33:15,040 --> 00:33:16,880 Speaker 2: I think the top everyone I was, Oh, you want 838 00:33:16,880 --> 00:33:19,280 Speaker 2: your special. You know you're a one hour special on Netflix. 839 00:33:19,280 --> 00:33:20,720 Speaker 2: You know you say an hour and I go, damn 840 00:33:20,720 --> 00:33:22,600 Speaker 2: an hour. You know, a long five minutes is of 841 00:33:22,640 --> 00:33:24,520 Speaker 2: stand up comedy. That's a lot, you know. When I 842 00:33:24,560 --> 00:33:27,280 Speaker 2: went on stage, and it's funny because what I would 843 00:33:27,320 --> 00:33:31,080 Speaker 2: always do. I started off as a presenter, right, which 844 00:33:31,120 --> 00:33:33,120 Speaker 2: was like something that I invented. I felt like because 845 00:33:33,160 --> 00:33:37,040 Speaker 2: I just I walk out. I think about Russell Simmons 846 00:33:37,120 --> 00:33:38,280 Speaker 2: when he would just come on at the end of 847 00:33:38,320 --> 00:33:39,880 Speaker 2: Death Comedy gen and say thank you will come and 848 00:33:39,920 --> 00:33:41,920 Speaker 2: God blessed good night. Right, So that was gonna be 849 00:33:41,960 --> 00:33:44,280 Speaker 2: my role. But I started at the beginning of the 850 00:33:44,320 --> 00:33:46,400 Speaker 2: show rather than at the end. Now, if anybody knows 851 00:33:46,400 --> 00:33:49,120 Speaker 2: anything about stand up comedy, the hardest part is the beginning. Yeah, 852 00:33:49,120 --> 00:33:51,200 Speaker 2: because people just getting there ain't nobody full of liquor. 853 00:33:51,480 --> 00:33:53,120 Speaker 2: You know, they want to laugh, but they're just say, man, 854 00:33:53,160 --> 00:33:55,160 Speaker 2: I'd be warmed up just yet. So to get a 855 00:33:55,160 --> 00:33:57,760 Speaker 2: crowd ready to laugh, there's a tough spot, you know. 856 00:33:58,040 --> 00:34:00,480 Speaker 2: That takes a special skill in itself. I was just 857 00:34:00,560 --> 00:34:04,880 Speaker 2: jumping out trying that at first, and then I transitioned 858 00:34:04,920 --> 00:34:06,960 Speaker 2: into hosting, which was also fun because it's the same 859 00:34:07,000 --> 00:34:08,799 Speaker 2: idea where you welcome people there. He told them what's 860 00:34:08,800 --> 00:34:11,839 Speaker 2: going to go on a joke over here and there. 861 00:34:11,880 --> 00:34:13,719 Speaker 2: But it's easy. You kind of have a safety net 862 00:34:13,800 --> 00:34:15,680 Speaker 2: because if you run out of material or if you 863 00:34:15,719 --> 00:34:17,200 Speaker 2: feel a little stale, you just say, all right, let 864 00:34:17,239 --> 00:34:18,680 Speaker 2: me bring your first comic cup. Yeah, and then you 865 00:34:18,719 --> 00:34:20,920 Speaker 2: jump off stage. Yeah, you know, and then in between 866 00:34:21,200 --> 00:34:22,799 Speaker 2: comics it's the same type of thing. How you guys 867 00:34:22,840 --> 00:34:24,680 Speaker 2: feeling that guy was funny? Right? Do you talk about this? Yeah? 868 00:34:24,680 --> 00:34:26,600 Speaker 2: That is crazy? All right, let's bring your next comic cup? 869 00:34:26,920 --> 00:34:29,920 Speaker 2: You know. So I did that in San Antonio. I'm 870 00:34:29,920 --> 00:34:31,600 Speaker 2: a man, Charles Allen. I got a shout out, you 871 00:34:31,600 --> 00:34:33,799 Speaker 2: got to shout out Charles allen Man because he's He's 872 00:34:33,800 --> 00:34:36,600 Speaker 2: really the reason why I do stand up now. He said, 873 00:34:36,640 --> 00:34:38,120 Speaker 2: why don't you try just doing a set at the 874 00:34:38,160 --> 00:34:40,200 Speaker 2: end of the show. And my initial response was hell no, 875 00:34:40,600 --> 00:34:41,040 Speaker 2: Like that's. 876 00:34:40,880 --> 00:34:42,680 Speaker 3: A lot of pressure and how long was the set 877 00:34:42,719 --> 00:34:43,359 Speaker 3: that he was saying? 878 00:34:43,760 --> 00:34:46,360 Speaker 2: So he said, do do a set? You know, because 879 00:34:46,680 --> 00:34:48,480 Speaker 2: when we did the when I did the hosting the 880 00:34:48,480 --> 00:34:50,279 Speaker 2: first night, I did the hosting, so I was up 881 00:34:50,320 --> 00:34:52,759 Speaker 2: for maybe six minutes at the beginning, and then I 882 00:34:52,880 --> 00:34:55,520 Speaker 2: do maybe a minute and a half in between tween 883 00:34:55,560 --> 00:34:57,680 Speaker 2: each person. But it was new material, you know. I 884 00:34:57,719 --> 00:34:59,319 Speaker 2: would come up and I'd look at my jokes that 885 00:34:59,320 --> 00:35:00,680 Speaker 2: I wrote, and I said, I'm try this one. I 886 00:35:00,760 --> 00:35:02,440 Speaker 2: come on, hey, what's up over anybody married? I do 887 00:35:02,480 --> 00:35:04,680 Speaker 2: a marriage Joe? Oh, that pandemic was crazy, right, you 888 00:35:04,680 --> 00:35:06,560 Speaker 2: couldn't call froun nobody el yet. But I'm gonna try that. Joe, 889 00:35:06,600 --> 00:35:08,360 Speaker 2: try that joke. And he said, just put them all 890 00:35:08,400 --> 00:35:10,360 Speaker 2: together and do a set. So I said, I'll try it, 891 00:35:10,600 --> 00:35:12,560 Speaker 2: and boy, it was nerve wracking. I've been nervous in 892 00:35:12,600 --> 00:35:15,439 Speaker 2: about thirty years. But I got up there and I 893 00:35:15,480 --> 00:35:17,600 Speaker 2: felt like it went fast, and I got off. I said, man, 894 00:35:17,640 --> 00:35:18,920 Speaker 2: I only did ten minutes. He said, bro, you was 895 00:35:18,960 --> 00:35:21,200 Speaker 2: up there for eighteen minutes. I was like eighteen minutes. 896 00:35:21,239 --> 00:35:22,799 Speaker 2: He said, yeah, I got the footage, watch it back. 897 00:35:23,160 --> 00:35:25,319 Speaker 2: And then when I watched it back, I realized I 898 00:35:25,440 --> 00:35:27,359 Speaker 2: was speaking fat. I was talking real quick. I said, 899 00:35:27,360 --> 00:35:28,640 Speaker 2: a bunch of line and go right to the next one, 900 00:35:28,719 --> 00:35:29,960 Speaker 2: you know. And he's like, man, if you learn to 901 00:35:30,000 --> 00:35:32,560 Speaker 2: breathe and calm down and space out your jokes in 902 00:35:32,600 --> 00:35:35,320 Speaker 2: between you, you probably got thirty forty minutes of material. 903 00:35:36,040 --> 00:35:38,719 Speaker 2: And I did, so moving forward, that's what I did. 904 00:35:38,800 --> 00:35:41,000 Speaker 2: So we also, like I said, we were on tour now. 905 00:35:41,640 --> 00:35:43,200 Speaker 2: So I have a couple of show dates coming up 906 00:35:43,600 --> 00:35:46,120 Speaker 2: and I'm doing the headline thing now, so I'll come 907 00:35:46,160 --> 00:35:47,840 Speaker 2: at the Deana. I got like four shows in Indiana 908 00:35:47,880 --> 00:35:51,120 Speaker 2: coming up, which is also fun because I do adult comedy. 909 00:35:51,440 --> 00:35:54,040 Speaker 2: But they said, can you do a clean show for us, 910 00:35:54,080 --> 00:35:57,040 Speaker 2: no cursing? And I was like, ooh, I'll try, you know. 911 00:35:57,360 --> 00:36:00,480 Speaker 2: So I've been working on that, and you know, I 912 00:36:00,560 --> 00:36:02,680 Speaker 2: have to march to uh to kind of perfect my set. 913 00:36:02,840 --> 00:36:04,479 Speaker 2: Like I said, I've got my show every two weeks, 914 00:36:04,520 --> 00:36:06,279 Speaker 2: so I just work out new stuff and then just 915 00:36:06,360 --> 00:36:08,400 Speaker 2: keep building and building for comics. 916 00:36:08,440 --> 00:36:10,399 Speaker 1: I feel like there's a lot of pressure right now 917 00:36:10,440 --> 00:36:15,759 Speaker 1: because there's cancel culture, and I have a very my 918 00:36:16,040 --> 00:36:18,920 Speaker 1: positioning on it is that comics need to not be 919 00:36:19,000 --> 00:36:23,400 Speaker 1: afraid of cancel culture, because you know, comedy is laughing 920 00:36:23,400 --> 00:36:27,160 Speaker 1: at real life, right and different perspectives on it. But 921 00:36:27,239 --> 00:36:29,920 Speaker 1: once these comics start to get more filtered, I mean, 922 00:36:30,000 --> 00:36:31,800 Speaker 1: can you really be funny. I've seen a couple of 923 00:36:31,840 --> 00:36:34,920 Speaker 1: specials that dropped that I thought were like, okay at best. 924 00:36:34,960 --> 00:36:37,680 Speaker 1: I mean, you know, obviously we have the icons like 925 00:36:37,719 --> 00:36:40,840 Speaker 1: Martin Lawrence and Eddie Murphy, and we have you know, 926 00:36:40,880 --> 00:36:42,919 Speaker 1: we have so many good icons where you can watch 927 00:36:42,920 --> 00:36:46,239 Speaker 1: that same tape one hundred times and be like, this 928 00:36:46,400 --> 00:36:48,640 Speaker 1: is amazing, But then the news. 929 00:36:49,000 --> 00:36:51,520 Speaker 2: To watch it now, I feel like an old I 930 00:36:51,600 --> 00:36:53,960 Speaker 2: still think they're funny. I mean, during this cancel culture, 931 00:36:54,040 --> 00:36:57,840 Speaker 2: we would people if you if they released any of 932 00:36:57,840 --> 00:37:00,319 Speaker 2: that old stuff now, people would be like, oh my god, 933 00:37:00,360 --> 00:37:03,040 Speaker 2: they'd be outraged. Oh it is. It is a challenge. 934 00:37:03,080 --> 00:37:06,400 Speaker 2: I remember I was on I was on set a 935 00:37:06,440 --> 00:37:09,680 Speaker 2: Harmless Mistake. We were trying to rehearse our lines and 936 00:37:09,760 --> 00:37:12,040 Speaker 2: there was a that's funny. I've never told a story 937 00:37:12,040 --> 00:37:16,080 Speaker 2: on filming because this happened who about six months ago 938 00:37:16,640 --> 00:37:21,720 Speaker 2: and there was a person female gender that was Sam. 939 00:37:21,719 --> 00:37:23,160 Speaker 2: So I'm still trying to figure out how to say this. 940 00:37:23,719 --> 00:37:27,799 Speaker 2: She was the DP, which means she was setting up 941 00:37:27,840 --> 00:37:30,040 Speaker 2: the shots and trying to figure out how to film us. 942 00:37:30,080 --> 00:37:32,200 Speaker 2: But we were going over our scene. So we're going 943 00:37:32,239 --> 00:37:35,000 Speaker 2: when when when actors, when when the director says and 944 00:37:35,320 --> 00:37:37,640 Speaker 2: action and we start our lines, it needs to be 945 00:37:37,760 --> 00:37:40,839 Speaker 2: this quiet. If we hear anything going on, it'll throw 946 00:37:40,920 --> 00:37:42,640 Speaker 2: us off. And we're guys, we gotta be you guys 947 00:37:42,719 --> 00:37:44,439 Speaker 2: be quiet on set, please, because we're trying to rehearse 948 00:37:44,480 --> 00:37:45,960 Speaker 2: and we shouldn't have to say that. That should be 949 00:37:46,000 --> 00:37:48,320 Speaker 2: an ad saying quiet. You guys got to be quiet. 950 00:37:48,320 --> 00:37:49,960 Speaker 2: My actors are trying to rehearse their lines. It's hard 951 00:37:50,040 --> 00:37:51,920 Speaker 2: enough to do this job and remember all their lines, 952 00:37:51,920 --> 00:37:54,160 Speaker 2: and they're blocking and their placement and the lighting and 953 00:37:54,160 --> 00:37:55,759 Speaker 2: all this and that other. They got enough on their minds. 954 00:37:55,800 --> 00:37:58,120 Speaker 2: Please just be quiet while they're rehearsing. Right, So anyway, 955 00:37:58,160 --> 00:37:59,920 Speaker 2: so we're going over our scene and that's what was 956 00:37:59,920 --> 00:38:02,440 Speaker 2: just keep out of years and I was just like 957 00:38:02,480 --> 00:38:04,560 Speaker 2: I couldn't stand it. I said listen, you guys gotta 958 00:38:04,600 --> 00:38:06,799 Speaker 2: be quiet when we're rehearsing our lines. I know this 959 00:38:06,840 --> 00:38:09,640 Speaker 2: isn't the most professional production, but it's good enough to 960 00:38:09,680 --> 00:38:11,600 Speaker 2: where you guys need to respect your actors. And they said, well, 961 00:38:12,640 --> 00:38:15,480 Speaker 2: you want to look good, then you need to let 962 00:38:15,560 --> 00:38:17,560 Speaker 2: us talk this out. And I'm like, listen, I've been 963 00:38:17,600 --> 00:38:19,560 Speaker 2: in this business for thirty years and I've never been 964 00:38:20,440 --> 00:38:22,400 Speaker 2: told that I need to be quiet or that I 965 00:38:22,400 --> 00:38:24,160 Speaker 2: need to ignore you when I'm trying to do my 966 00:38:24,239 --> 00:38:25,520 Speaker 2: you know. And they wound up going into it back 967 00:38:25,560 --> 00:38:29,359 Speaker 2: and forth, and then another person joined in and said, well, 968 00:38:29,360 --> 00:38:30,759 Speaker 2: you need to let her do da da da da da. 969 00:38:30,880 --> 00:38:32,600 Speaker 2: Let them do blah blah blah. And then a friend 970 00:38:32,600 --> 00:38:34,439 Speaker 2: of mine said, hey, hey, young lady, listen, we're trying 971 00:38:34,440 --> 00:38:36,719 Speaker 2: to put and she said, oh my god, that's not 972 00:38:36,800 --> 00:38:43,680 Speaker 2: even the right pronoun you know. And then I said, oh, damn, okay, hmm. 973 00:38:44,200 --> 00:38:46,759 Speaker 2: I mean it's respectful as for him to say, young 974 00:38:46,840 --> 00:38:49,520 Speaker 2: lady that in our generation, all right, that's about the 975 00:38:49,960 --> 00:38:53,520 Speaker 2: nicest thing you can say to a female, you know. 976 00:38:53,719 --> 00:38:56,080 Speaker 2: And not to know that I had to go the 977 00:38:56,160 --> 00:38:58,760 Speaker 2: right pronoun or I should have looked at this person 978 00:38:58,840 --> 00:39:01,759 Speaker 2: and known that they didn't want to be referred to 979 00:39:02,080 --> 00:39:04,360 Speaker 2: as a young lady, a woman, or her or she 980 00:39:04,560 --> 00:39:07,040 Speaker 2: at all. Like I have to filter all that in 981 00:39:07,040 --> 00:39:09,359 Speaker 2: in an instant while trying to do my job here, 982 00:39:09,360 --> 00:39:11,320 Speaker 2: and I was just like, wow, we're we're on a 983 00:39:11,360 --> 00:39:14,960 Speaker 2: slippery slope. And you know, in comedy, I kind of 984 00:39:14,960 --> 00:39:17,680 Speaker 2: feel like if you lead with that, you may be okay, 985 00:39:17,800 --> 00:39:18,080 Speaker 2: you know. 986 00:39:18,800 --> 00:39:20,239 Speaker 3: Lead with what the disclaimers. 987 00:39:20,520 --> 00:39:23,600 Speaker 2: Yeah, it's like, you know, for one, I think I 988 00:39:23,640 --> 00:39:26,839 Speaker 2: think if you're gonna get canceled or if you're going 989 00:39:26,920 --> 00:39:30,960 Speaker 2: to get upset with something someone says, then it should 990 00:39:30,960 --> 00:39:34,440 Speaker 2: be a someone that you believe should know better. So 991 00:39:34,560 --> 00:39:36,959 Speaker 2: if you're in I don't know, your twenties and under, 992 00:39:37,000 --> 00:39:39,000 Speaker 2: that's about the end of the No better is in 993 00:39:39,040 --> 00:39:42,000 Speaker 2: my opinion, maybe thirty. But if you're forty fifty years old, Like, 994 00:39:42,000 --> 00:39:43,520 Speaker 2: if my mom walks in the room and says something 995 00:39:43,520 --> 00:39:46,000 Speaker 2: crazy about somebody, everybody's gonna be like, it's okay, she's 996 00:39:46,200 --> 00:39:47,960 Speaker 2: you know what, she's seventy eight, Yeah, you know what 997 00:39:47,960 --> 00:39:49,920 Speaker 2: I mean, she's sixty says, They're like, all right, like 998 00:39:50,160 --> 00:39:51,600 Speaker 2: you know what she means. She didn't mean it like that, 999 00:39:51,719 --> 00:39:53,799 Speaker 2: or maybe she did in her age, and you you know, 1000 00:39:53,840 --> 00:39:56,360 Speaker 2: you'd be fine. Well, there's got to be some latitudes 1001 00:39:56,440 --> 00:39:58,440 Speaker 2: given to people that are that grew up in a 1002 00:39:58,480 --> 00:40:00,000 Speaker 2: certain era. I mean, I was in trouble for saying 1003 00:40:00,080 --> 00:40:04,759 Speaker 2: and the F word and not the U because I 1004 00:40:04,880 --> 00:40:07,080 Speaker 2: was but I was referring to a man who had 1005 00:40:07,120 --> 00:40:09,120 Speaker 2: two women with him and I was just angry in Vegas. 1006 00:40:09,680 --> 00:40:11,560 Speaker 2: So I didn't mean him to be a homosexual in 1007 00:40:11,600 --> 00:40:13,799 Speaker 2: any way. Yeah, yeah, I was just using that word 1008 00:40:13,840 --> 00:40:15,400 Speaker 2: because I was angry. We were liquored up and I 1009 00:40:15,440 --> 00:40:17,440 Speaker 2: wanted him to try to do something, you know. And 1010 00:40:17,480 --> 00:40:20,200 Speaker 2: then the next morning I had to my Bubba. Sis 1011 00:40:20,200 --> 00:40:21,759 Speaker 2: was like, hey, you're gonna have to apologize if people 1012 00:40:21,760 --> 00:40:23,960 Speaker 2: are outraised dat dad down. And it's like, what I 1013 00:40:24,000 --> 00:40:26,799 Speaker 2: can see if I was talking to a person that 1014 00:40:26,960 --> 00:40:29,399 Speaker 2: was gay, yeah, you know, and I tried to slander them, 1015 00:40:29,440 --> 00:40:32,400 Speaker 2: that would be one thing. But then again, like I said, slippery, So. 1016 00:40:32,600 --> 00:40:34,920 Speaker 3: We're definitely a sensitive world. 1017 00:40:34,960 --> 00:40:38,319 Speaker 1: It just sucks because a lot of these actors, comics 1018 00:40:38,400 --> 00:40:40,640 Speaker 1: or people in front of the camera already have It's 1019 00:40:40,719 --> 00:40:43,080 Speaker 1: already such a hard gig as it is to get 1020 00:40:43,120 --> 00:40:46,439 Speaker 1: in and to stabilize, and then you have to now 1021 00:40:47,000 --> 00:40:50,439 Speaker 1: walk on eggshells because of society. I don't know where 1022 00:40:50,480 --> 00:40:54,160 Speaker 1: the pronouns meets disrespect. Like you know, if I see, 1023 00:40:55,200 --> 00:40:58,239 Speaker 1: you know, someone and they look like a woman, I'm 1024 00:40:58,280 --> 00:41:02,839 Speaker 1: gonna say female, But then like now off camera will 1025 00:41:02,880 --> 00:41:05,920 Speaker 1: be like, whoa am I supposed to say female? 1026 00:41:06,120 --> 00:41:09,399 Speaker 3: Like what you know, which is it's a weird. It's weird. 1027 00:41:09,400 --> 00:41:12,080 Speaker 1: But we're definitely from a different air, you know, we're 1028 00:41:12,120 --> 00:41:14,600 Speaker 1: from the era of you know, tomato is a tomato? 1029 00:41:14,760 --> 00:41:15,520 Speaker 3: Yeah? 1030 00:41:15,600 --> 00:41:19,160 Speaker 2: Yeah, I mean, it's it's it's it's definitely tricky. I mean, 1031 00:41:19,200 --> 00:41:21,879 Speaker 2: it's like talking about the N word and who can 1032 00:41:21,920 --> 00:41:24,200 Speaker 2: say it? When you said and how are you supposed 1033 00:41:24,200 --> 00:41:26,640 Speaker 2: to say it? The B word? Same thing two women 1034 00:41:28,680 --> 00:41:31,839 Speaker 2: like yeah that oh ship, Now I'm in trouble, you know. Yeah, 1035 00:41:32,200 --> 00:41:34,600 Speaker 2: so it's it's tough. I don't I don't think it's 1036 00:41:34,719 --> 00:41:39,120 Speaker 2: it's you know, I think personally, I think comics would 1037 00:41:39,120 --> 00:41:41,320 Speaker 2: have it it easier in the sense of like, okay, 1038 00:41:41,360 --> 00:41:44,239 Speaker 2: obviously he's just making a joke, so he might get 1039 00:41:44,320 --> 00:41:47,600 Speaker 2: let off the hook, you know, but other people doing 1040 00:41:47,640 --> 00:41:49,440 Speaker 2: interviews and you know, talk show hosts and people and 1041 00:41:49,480 --> 00:41:51,160 Speaker 2: you know, in your job, you know, it's you know, 1042 00:41:51,160 --> 00:41:53,600 Speaker 2: good luck, good luck to do a podcast. No, I 1043 00:41:53,600 --> 00:41:54,919 Speaker 2: shouldn't know. 1044 00:41:55,200 --> 00:41:56,520 Speaker 3: Oh, I say things on here. 1045 00:41:56,560 --> 00:41:59,200 Speaker 1: I get calls from uh one of my cousins shout 1046 00:41:59,200 --> 00:42:01,160 Speaker 1: outs to Heather, she listen to my podcast, and I 1047 00:42:01,239 --> 00:42:04,120 Speaker 1: get a text pretty often from her like I can't 1048 00:42:04,120 --> 00:42:06,080 Speaker 1: believe you said this on your show, And I'm like, 1049 00:42:06,160 --> 00:42:08,040 Speaker 1: I still can't believe you listened. 1050 00:42:07,800 --> 00:42:08,480 Speaker 3: To this show. 1051 00:42:09,520 --> 00:42:10,320 Speaker 2: Thank you for the comment. 1052 00:42:10,560 --> 00:42:13,520 Speaker 1: Yeah, thanks, But yeah, I've said stuff on here. I 1053 00:42:13,520 --> 00:42:15,080 Speaker 1: don't care about being canceled at all. 1054 00:42:15,320 --> 00:42:15,680 Speaker 3: I like. 1055 00:42:15,880 --> 00:42:18,399 Speaker 1: I like the hate attention. I don't know why I 1056 00:42:18,480 --> 00:42:19,960 Speaker 1: like it. I like it more than I like the 1057 00:42:20,080 --> 00:42:20,720 Speaker 1: nice attention. 1058 00:42:21,040 --> 00:42:23,360 Speaker 2: I know, I remember you said something about that. I'm 1059 00:42:23,440 --> 00:42:26,360 Speaker 2: sensitive in that regard, but I'm easy. I'm quick with 1060 00:42:26,400 --> 00:42:29,359 Speaker 2: the block button. Yeah, oh yeah, yeah. If you call 1061 00:42:29,440 --> 00:42:31,360 Speaker 2: me too much, text me too much, you'll be blocked. 1062 00:42:31,960 --> 00:42:34,440 Speaker 2: If you're online and you say something crazy, you know. 1063 00:42:34,440 --> 00:42:36,879 Speaker 2: I'll let that first comment go. But if I feed 1064 00:42:36,920 --> 00:42:39,120 Speaker 2: into it and start giving this person block, that block 1065 00:42:39,160 --> 00:42:42,960 Speaker 2: button is awesome hat oh yeah, and they'll be like, oh, 1066 00:42:43,080 --> 00:42:45,440 Speaker 2: leave those comments on there. That's how people know you're authentic. Authentic, 1067 00:42:45,440 --> 00:42:47,320 Speaker 2: my ass. I don't want to read that block block 1068 00:42:47,360 --> 00:42:50,120 Speaker 2: block block. I won't report them, but I'll block them 1069 00:42:50,160 --> 00:42:52,880 Speaker 2: and they'll be like, I can't find this dudecause you're blocked. 1070 00:42:53,040 --> 00:42:55,000 Speaker 2: I block friends all about my mama once. 1071 00:42:55,200 --> 00:42:58,279 Speaker 1: Okay, well I did block one fan from our show 1072 00:42:58,440 --> 00:43:01,959 Speaker 1: because he was disrespecting one of the guests on my show. 1073 00:43:02,080 --> 00:43:05,759 Speaker 1: He was like in my DMS in the in the 1074 00:43:05,840 --> 00:43:09,200 Speaker 1: eating while broke DMS on, like, are YouTube like any 1075 00:43:09,280 --> 00:43:14,560 Speaker 1: form of contact to me? And he was like talking 1076 00:43:14,800 --> 00:43:17,200 Speaker 1: so derogatory about this guest and I was like, had 1077 00:43:17,200 --> 00:43:19,279 Speaker 1: he actually listened to full episode, he actually would have 1078 00:43:19,360 --> 00:43:22,719 Speaker 1: had more respect for her. But like, you know, for 1079 00:43:22,760 --> 00:43:25,040 Speaker 1: whatever reason, but he was like stalker level and I 1080 00:43:25,160 --> 00:43:29,160 Speaker 1: ended up reaching out to the guest and was like, yo, 1081 00:43:29,280 --> 00:43:31,279 Speaker 1: I think there's something unsafe here, you know, And she 1082 00:43:31,400 --> 00:43:33,719 Speaker 1: was like, oh yeah, I put a restraining order on him. 1083 00:43:33,719 --> 00:43:35,120 Speaker 3: Could you keep all those records? 1084 00:43:35,880 --> 00:43:38,080 Speaker 1: I was like he knew like everyone in her camp, 1085 00:43:38,200 --> 00:43:41,400 Speaker 1: and I was like, he's like after Charlemagne, And I 1086 00:43:41,520 --> 00:43:43,719 Speaker 1: was like, yo, so I let the black effect know, 1087 00:43:43,920 --> 00:43:49,560 Speaker 1: like you know what there is there's a problem, the 1088 00:43:49,640 --> 00:43:53,880 Speaker 1: mental health issue, because they'd be really invested. You'd be like, dude, 1089 00:43:54,320 --> 00:43:55,400 Speaker 1: they don't. 1090 00:43:55,239 --> 00:43:57,600 Speaker 3: Really know you. You don't know that you know you're 1091 00:43:57,640 --> 00:43:59,040 Speaker 3: really losing sleep over here. 1092 00:43:59,040 --> 00:44:01,560 Speaker 2: It's funny too, you know, and I work with the 1093 00:44:01,600 --> 00:44:04,600 Speaker 2: comedian shout out to damn, can I shout him out. 1094 00:44:04,600 --> 00:44:05,439 Speaker 2: I'm about to get this story. 1095 00:44:05,480 --> 00:44:24,360 Speaker 4: I won't, but he's he was being heckled by this person. 1096 00:44:24,360 --> 00:44:26,800 Speaker 2: It's funny. Everyone at the show and it's funny. It 1097 00:44:26,800 --> 00:44:29,160 Speaker 2: was an all black room. You know, do mostly these 1098 00:44:29,160 --> 00:44:31,200 Speaker 2: black shows and U but there was you know, I 1099 00:44:31,200 --> 00:44:33,080 Speaker 2: have white fans and a couple of you know, a 1100 00:44:33,080 --> 00:44:34,799 Speaker 2: couple of white fans showed up and they were just 1101 00:44:35,000 --> 00:44:37,839 Speaker 2: just completely drunk, like he was just three sheeted away 1102 00:44:37,840 --> 00:44:39,520 Speaker 2: and he was completely a mess. And every time he 1103 00:44:39,520 --> 00:44:42,960 Speaker 2: said yeah, homeorko, it's come up, he and he's like 1104 00:44:43,080 --> 00:44:45,640 Speaker 2: right up front. So every comic was kind of being 1105 00:44:45,680 --> 00:44:48,520 Speaker 2: bothered by him, but the more seasoned comics knew to 1106 00:44:48,600 --> 00:44:51,399 Speaker 2: just ignore him, maybe give him an okay guy all right, 1107 00:44:51,480 --> 00:44:53,919 Speaker 2: and then relax. But this one comic got up there 1108 00:44:54,000 --> 00:44:56,719 Speaker 2: and he was like, you know, close to our headliner, 1109 00:44:57,160 --> 00:44:59,800 Speaker 2: and he has a whole routine and it's a rhythm 1110 00:44:59,800 --> 00:45:01,200 Speaker 2: and a it's all about you know, the first joke, 1111 00:45:01,239 --> 00:45:02,799 Speaker 2: and it all kind of snowballs from there, and this 1112 00:45:02,840 --> 00:45:05,080 Speaker 2: guy started yelling and he just started engaging with the guy. 1113 00:45:05,480 --> 00:45:07,520 Speaker 2: Now it just ruined his whole set because he's going 1114 00:45:07,560 --> 00:45:09,680 Speaker 2: back and forth. And then somebody else came to his defense, 1115 00:45:09,800 --> 00:45:11,759 Speaker 2: actually believe it or not, and was like, heah, he's 1116 00:45:11,760 --> 00:45:12,920 Speaker 2: not the only white guy here, so who you mean 1117 00:45:12,960 --> 00:45:14,640 Speaker 2: by white people? And he's like, oh my god, somebody 1118 00:45:14,640 --> 00:45:16,000 Speaker 2: did it. And then he was just going back and 1119 00:45:16,080 --> 00:45:18,319 Speaker 2: forth with these people. I had to yell at him like, bro, 1120 00:45:18,719 --> 00:45:21,200 Speaker 2: finish your set, we love you, ignore them, you know. 1121 00:45:21,280 --> 00:45:22,719 Speaker 2: And then when he got off out to tell us, well, 1122 00:45:22,719 --> 00:45:24,880 Speaker 2: you can't engage with them, you know. And it's sounded 1123 00:45:24,880 --> 00:45:26,480 Speaker 2: the same thing with these trolls online. As soon as 1124 00:45:26,520 --> 00:45:28,040 Speaker 2: you give him a little life now, they're like, I 1125 00:45:28,120 --> 00:45:30,040 Speaker 2: got it. They're just seeking attention. That's all they want 1126 00:45:30,120 --> 00:45:32,439 Speaker 2: they need. And then you see, I've seen I've made 1127 00:45:32,480 --> 00:45:34,760 Speaker 2: a comment or I've made a post, and then somebody 1128 00:45:34,760 --> 00:45:38,960 Speaker 2: will comment positive, and then someone will comment negative, and 1129 00:45:39,000 --> 00:45:41,200 Speaker 2: now these two people are going at it on my post, 1130 00:45:41,360 --> 00:45:42,959 Speaker 2: and I'm like, I got to block both of these people, 1131 00:45:43,000 --> 00:45:44,680 Speaker 2: like I don't hear any of this conversation. Can y'all 1132 00:45:44,680 --> 00:45:46,200 Speaker 2: take that somewhere else or go to her page or 1133 00:45:46,200 --> 00:45:49,439 Speaker 2: his page, whatever the case is Yeah, it gets great. 1134 00:45:49,520 --> 00:45:53,400 Speaker 1: I am curious before we close out your situation with April, 1135 00:45:53,719 --> 00:45:57,799 Speaker 1: your sisters. She started going on our comedy journey, where like, 1136 00:45:57,880 --> 00:46:01,000 Speaker 1: what does your relationship with her look like in regards 1137 00:46:01,000 --> 00:46:02,400 Speaker 1: to you now joining comedy. 1138 00:46:02,520 --> 00:46:05,160 Speaker 2: Yeah, it's awesome. I mean she's kind of taking a 1139 00:46:05,200 --> 00:46:08,759 Speaker 2: step back to because she had she had a day job, 1140 00:46:08,840 --> 00:46:10,399 Speaker 2: you know, a day job because she wasn't a full 1141 00:46:10,440 --> 00:46:12,239 Speaker 2: time actress. She do it here and there, and she 1142 00:46:12,360 --> 00:46:15,040 Speaker 2: worked actually at an airline, and then there was an 1143 00:46:15,120 --> 00:46:18,480 Speaker 2: incident towards the end that was very traumatic for she 1144 00:46:18,560 --> 00:46:24,120 Speaker 2: was actually attacked leaving the airport and she's never like 1145 00:46:24,160 --> 00:46:26,719 Speaker 2: fully recovered from that. So it's like, you know, with 1146 00:46:26,760 --> 00:46:29,240 Speaker 2: the pandemic and then kind of being pushbom. So she's 1147 00:46:29,360 --> 00:46:32,319 Speaker 2: taking a step all the way back. I actually threw 1148 00:46:32,400 --> 00:46:35,560 Speaker 2: which actually got me really jump started my stand up 1149 00:46:35,560 --> 00:46:39,200 Speaker 2: comedy career, is that I threw her a party at 1150 00:46:39,239 --> 00:46:40,960 Speaker 2: the beginning of the year because she said she wanted 1151 00:46:41,000 --> 00:46:42,959 Speaker 2: to just be around it again and she just wanted 1152 00:46:42,960 --> 00:46:44,360 Speaker 2: to laugh. So are you gonna go up? She's like, 1153 00:46:44,360 --> 00:46:47,319 Speaker 2: oh no, I'm not ready for that yet, but I'll 1154 00:46:47,440 --> 00:46:49,040 Speaker 2: come and have a good time. And I brought five 1155 00:46:49,080 --> 00:46:50,880 Speaker 2: or six comics out shout out to comedian Warren V 1156 00:46:51,400 --> 00:46:54,000 Speaker 2: and a couple of his friends, and we had a 1157 00:46:54,239 --> 00:46:56,840 Speaker 2: terrific show because her birthday is January second, and so 1158 00:46:57,000 --> 00:46:57,880 Speaker 2: is my brothers because. 1159 00:46:57,840 --> 00:46:59,760 Speaker 3: They're born Yeah, same day exactly. 1160 00:46:59,760 --> 00:47:02,680 Speaker 2: Part so you know, it was funny. I always throw 1161 00:47:02,680 --> 00:47:03,759 Speaker 2: a party for it and be like, yeah, keep a 1162 00:47:03,760 --> 00:47:06,360 Speaker 2: good a junior's coming back. Yeah, you know, and he's like, 1163 00:47:06,360 --> 00:47:09,279 Speaker 2: I don't go to parties. But anyway, So, so she 1164 00:47:09,280 --> 00:47:11,319 Speaker 2: still hasn't got back all. You know, she hasn't got 1165 00:47:11,320 --> 00:47:13,279 Speaker 2: back off the sale, and I keep trying to eat 1166 00:47:13,560 --> 00:47:16,759 Speaker 2: so edger on, but she's very supportive. I'll come and say, 1167 00:47:16,760 --> 00:47:18,600 Speaker 2: you know, she's come to everyone, well not everyone, she 1168 00:47:18,640 --> 00:47:20,120 Speaker 2: comes to a bunch of my shows, and then we'll 1169 00:47:20,120 --> 00:47:21,080 Speaker 2: talk about it afterwards. 1170 00:47:21,080 --> 00:47:24,279 Speaker 1: Now, all three of you siblings are very close, I 1171 00:47:24,280 --> 00:47:28,000 Speaker 1: would assume, right, And then when have any of you 1172 00:47:28,040 --> 00:47:29,920 Speaker 1: guys hit a low pocket and then you had to 1173 00:47:29,960 --> 00:47:30,879 Speaker 1: pull one out? 1174 00:47:31,560 --> 00:47:34,680 Speaker 3: Yeah, obviously your sister went through that one. 1175 00:47:34,880 --> 00:47:39,040 Speaker 2: Yeah that happened my brother. My brother's more guarded, you know, 1176 00:47:39,160 --> 00:47:41,120 Speaker 2: so all the things that happened with him, he kind 1177 00:47:41,120 --> 00:47:42,799 Speaker 2: of you know, we're like, are you good? I'm good man, 1178 00:47:42,800 --> 00:47:44,640 Speaker 2: I'll be all right, all right. I was like, bro, 1179 00:47:44,760 --> 00:47:47,080 Speaker 2: I'm telling you we upset here. We were ready to 1180 00:47:47,640 --> 00:47:49,799 Speaker 2: you know, rush in know, go Craze. He's like, nah, nah, 1181 00:47:49,880 --> 00:47:52,160 Speaker 2: can everybody be cool. I'm gonna trust the system. And 1182 00:47:52,200 --> 00:47:55,160 Speaker 2: I said, a man, you know, and he's a different 1183 00:47:55,160 --> 00:47:57,160 Speaker 2: breed than me. I'll tell you right now, they've been it. 1184 00:47:57,200 --> 00:47:59,359 Speaker 2: Don't come after omar because if I got anybody had call, 1185 00:47:59,400 --> 00:48:02,200 Speaker 2: I would be like, yeah, you want to do something, Yes, yes, yes, 1186 00:48:02,600 --> 00:48:05,160 Speaker 2: I'm outside, Yes, help, I need help. I'm not doing 1187 00:48:05,200 --> 00:48:05,960 Speaker 2: do this by myself. 1188 00:48:06,120 --> 00:48:06,959 Speaker 3: I'm more like your brother. 1189 00:48:07,000 --> 00:48:13,200 Speaker 1: I'm like, let's wait until the last, last final moment 1190 00:48:13,200 --> 00:48:14,319 Speaker 1: before I push that red button. 1191 00:48:14,360 --> 00:48:17,160 Speaker 2: Yeah no, I'm quick, like I told you a block 1192 00:48:17,400 --> 00:48:19,360 Speaker 2: of you need something? Yes, yes, me over here. I'm outside. 1193 00:48:19,400 --> 00:48:22,600 Speaker 2: The address is two two five note seven. Yeah no, 1194 00:48:22,640 --> 00:48:25,360 Speaker 2: but that's happened. I mean, I've had emotional times and 1195 00:48:25,400 --> 00:48:26,839 Speaker 2: I had to call him both and we all showed 1196 00:48:26,920 --> 00:48:28,600 Speaker 2: up and then when hung out and been like, yeah, man, 1197 00:48:28,760 --> 00:48:30,719 Speaker 2: is this going on? And that going on? And you know, 1198 00:48:30,760 --> 00:48:33,080 Speaker 2: and especially since I started having kids late in life. 1199 00:48:33,080 --> 00:48:35,040 Speaker 2: You know, I started at forty. My brother had already 1200 00:48:35,040 --> 00:48:37,160 Speaker 2: had two or three kids. So I'd love to call 1201 00:48:37,239 --> 00:48:39,520 Speaker 2: him up just pick his brain about women and children 1202 00:48:39,560 --> 00:48:42,560 Speaker 2: and kids and just being that family man type of thing. So, 1203 00:48:42,640 --> 00:48:44,839 Speaker 2: you know, I've kind of I've had my father who 1204 00:48:44,840 --> 00:48:47,040 Speaker 2: wasn't around and my brother who traveled a whole lot 1205 00:48:47,040 --> 00:48:48,880 Speaker 2: because he was so successful when he had his kids. 1206 00:48:49,040 --> 00:48:51,239 Speaker 2: So then I took that as like what not to do, 1207 00:48:51,440 --> 00:48:55,239 Speaker 2: but also how to stay engaged and then still try 1208 00:48:55,280 --> 00:48:57,319 Speaker 2: to stay relevant. So it's tough to juggle at all, 1209 00:48:57,640 --> 00:49:00,200 Speaker 2: but you know, there's there's opportunities that I've definitely kind 1210 00:49:00,200 --> 00:49:01,839 Speaker 2: of said, nah, I don't want to do that because 1211 00:49:01,840 --> 00:49:04,360 Speaker 2: I had to keep me await form my kids for 1212 00:49:04,440 --> 00:49:05,719 Speaker 2: too long. Like when I had to do this thing 1213 00:49:05,719 --> 00:49:08,359 Speaker 2: in Chicago was brutal, and I brought my kids out 1214 00:49:08,360 --> 00:49:10,520 Speaker 2: for like a month, and one of them got really 1215 00:49:10,560 --> 00:49:12,040 Speaker 2: sick and we had to go in hospital, and it 1216 00:49:12,080 --> 00:49:14,720 Speaker 2: was it was just a lot. It was so much. 1217 00:49:14,760 --> 00:49:17,239 Speaker 2: So you know, the strike was, you know, it was 1218 00:49:17,280 --> 00:49:19,560 Speaker 2: important because there's a lot of things that needed to 1219 00:49:19,560 --> 00:49:22,400 Speaker 2: be addressed. I mean, I know we're closing, but I 1220 00:49:22,400 --> 00:49:23,719 Speaker 2: can go on and on about that strike. It's in 1221 00:49:23,760 --> 00:49:25,960 Speaker 2: my comedy set. So I'll wait and I'll wait and 1222 00:49:25,960 --> 00:49:28,920 Speaker 2: talk about it. Then but you know, if if if 1223 00:49:28,920 --> 00:49:30,880 Speaker 2: the Chicago, if we don't get a season two, I'll 1224 00:49:30,920 --> 00:49:32,640 Speaker 2: be fine with that because it was a lot. It 1225 00:49:32,719 --> 00:49:34,000 Speaker 2: was a lot. But I did love the culture and 1226 00:49:34,040 --> 00:49:35,279 Speaker 2: I did love being out there. But you know, my 1227 00:49:35,320 --> 00:49:36,520 Speaker 2: kids are too young. They need daddy. 1228 00:49:36,760 --> 00:49:39,680 Speaker 1: And then what did you do to avoid the plague 1229 00:49:39,719 --> 00:49:41,480 Speaker 1: that happens with young talent? 1230 00:49:42,400 --> 00:49:43,359 Speaker 2: Yeah? That one. 1231 00:49:44,400 --> 00:49:45,719 Speaker 3: Or do you think your mom played a role? 1232 00:49:45,880 --> 00:49:48,000 Speaker 2: My mom definitely played a huge role. I mean, I 1233 00:49:48,000 --> 00:49:50,279 Speaker 2: have a praying mama. You know, I watched her pray 1234 00:49:50,280 --> 00:49:53,040 Speaker 2: things in New Existence, from poverty, from a better job 1235 00:49:53,080 --> 00:49:55,360 Speaker 2: for herself to an apartment for us, from living in 1236 00:49:55,400 --> 00:49:57,640 Speaker 2: a car to living in an apartment. She prayed me, 1237 00:49:57,640 --> 00:49:59,560 Speaker 2: you're going to get a series. One day that happened, 1238 00:49:59,560 --> 00:50:00,880 Speaker 2: you know. Not when I say pray, she need to 1239 00:50:00,880 --> 00:50:02,600 Speaker 2: say one prayer and then oh it just happened. No, 1240 00:50:03,040 --> 00:50:07,200 Speaker 2: every single day it was a mantra. She would pray goodbye, this, hello, this, 1241 00:50:07,280 --> 00:50:09,200 Speaker 2: and we would sing it driving in the car over 1242 00:50:09,200 --> 00:50:10,920 Speaker 2: and over again till these things happened. And it was 1243 00:50:11,120 --> 00:50:12,960 Speaker 2: just you know, I know that God is real and 1244 00:50:13,000 --> 00:50:16,240 Speaker 2: I've seen his power work. So it's it's it's faith 1245 00:50:16,719 --> 00:50:21,080 Speaker 2: first and foremost, and then having people around you that 1246 00:50:21,200 --> 00:50:23,560 Speaker 2: want the best for you as opposed to that are 1247 00:50:23,600 --> 00:50:26,279 Speaker 2: just leeching off you, or just happy that you're paying 1248 00:50:26,280 --> 00:50:27,520 Speaker 2: the rent, you know what I mean. And I had 1249 00:50:27,600 --> 00:50:29,520 Speaker 2: gentlemine people saying, nah, bro, we don't need to do that. 1250 00:50:29,760 --> 00:50:31,880 Speaker 2: I'm like, what are you sure? Yeah? You know I 1251 00:50:32,080 --> 00:50:34,200 Speaker 2: I do music too, And I have a line where 1252 00:50:34,200 --> 00:50:37,960 Speaker 2: I say I'm tired of watching peers raising peers, you know, 1253 00:50:38,120 --> 00:50:39,000 Speaker 2: but that happens. 1254 00:50:39,320 --> 00:50:41,840 Speaker 3: Wow, that's such a deep statement. Raising peers. 1255 00:50:41,880 --> 00:50:44,879 Speaker 2: Yeah, I mean it is. It hadn't happens all the time, 1256 00:50:44,960 --> 00:50:46,560 Speaker 2: you know. And I remember my father. I loved him 1257 00:50:46,600 --> 00:50:48,640 Speaker 2: to death, but he would he said something to me, 1258 00:50:48,640 --> 00:50:50,600 Speaker 2: and most of the time I'd be like, yes, absolutely, 1259 00:50:50,680 --> 00:50:52,279 Speaker 2: But you know, I got in trouble and talked about 1260 00:50:52,320 --> 00:50:54,520 Speaker 2: having guns and whatnot. And remember he's like, yeah, you 1261 00:50:54,560 --> 00:50:56,000 Speaker 2: got one of those. You gotta give me that gun, bro, 1262 00:50:56,040 --> 00:50:57,560 Speaker 2: And I was like, not a chance. If anything, I'll 1263 00:50:57,560 --> 00:50:58,879 Speaker 2: get rid of it, but that's not going to happen. 1264 00:50:58,880 --> 00:51:00,719 Speaker 2: And my friend was there and always said not give 1265 00:51:00,719 --> 00:51:03,160 Speaker 2: it to him. And that was when I went seriously, 1266 00:51:03,560 --> 00:51:05,200 Speaker 2: all right, cool, and I gave it to him. And 1267 00:51:05,239 --> 00:51:08,200 Speaker 2: it's like I'm not a follower by any means. I've 1268 00:51:08,360 --> 00:51:11,160 Speaker 2: always been a leader in every aspect of my life. 1269 00:51:11,680 --> 00:51:13,279 Speaker 2: And that was the one time that I remember, not 1270 00:51:13,360 --> 00:51:15,600 Speaker 2: too clearly to this day. I remember my friend said it, 1271 00:51:15,640 --> 00:51:17,360 Speaker 2: and I went, huh, all right, fine, and then he 1272 00:51:17,400 --> 00:51:18,719 Speaker 2: kind was like, yeah, man, we can get another one. 1273 00:51:19,000 --> 00:51:21,359 Speaker 2: You know, I don't know how deep it was, but 1274 00:51:21,400 --> 00:51:24,640 Speaker 2: it's still okay. Near dad, you know, he was like, yeah, okay, 1275 00:51:24,719 --> 00:51:26,319 Speaker 2: and my son's listening. But I was like, yeah, it's 1276 00:51:26,320 --> 00:51:28,440 Speaker 2: only because my friend said it, because initially I was 1277 00:51:28,440 --> 00:51:29,839 Speaker 2: just gonna fight him on it and be like, yo, man, 1278 00:51:29,840 --> 00:51:31,759 Speaker 2: I got this. I'll figure it out on my own, 1279 00:51:31,960 --> 00:51:35,719 Speaker 2: you know. And it's tough, you know, especially raising kids now. 1280 00:51:35,719 --> 00:51:38,960 Speaker 2: And I remember had a conversation with my friend with 1281 00:51:39,040 --> 00:51:40,399 Speaker 2: a guy that I just met when I was out 1282 00:51:40,440 --> 00:51:43,239 Speaker 2: in Chicago, and he said how his son is very 1283 00:51:43,280 --> 00:51:47,399 Speaker 2: successful as a very successful athlete, gifted athlete, but he's 1284 00:51:47,440 --> 00:51:50,880 Speaker 2: having problems following the rules. You know, he loves girls 1285 00:51:50,880 --> 00:51:52,920 Speaker 2: too much and he's getting trouble this, in trouble with that, 1286 00:51:53,400 --> 00:51:56,440 Speaker 2: and he's trying to tell his son things. But what 1287 00:51:56,520 --> 00:52:01,680 Speaker 2: he does is he appeals to his son's friends and 1288 00:52:01,719 --> 00:52:04,160 Speaker 2: he takes them all out here, treats him to this, 1289 00:52:04,400 --> 00:52:07,440 Speaker 2: talks to them directly because he knows they'll have a 1290 00:52:07,440 --> 00:52:08,880 Speaker 2: bigger influence. 1291 00:52:08,560 --> 00:52:10,200 Speaker 3: On Okay, you know what I mean. 1292 00:52:10,400 --> 00:52:13,040 Speaker 2: So he has a real good relationship with his son's 1293 00:52:13,040 --> 00:52:15,439 Speaker 2: friends and they're helping him stay on the right path. 1294 00:52:15,440 --> 00:52:16,359 Speaker 2: And I thought that was very deep. 1295 00:52:16,600 --> 00:52:17,839 Speaker 3: Someone once told me that too. 1296 00:52:17,880 --> 00:52:21,799 Speaker 1: They said, uh, you know, part of raising a kid 1297 00:52:22,000 --> 00:52:24,480 Speaker 1: is who their friends are, like being mindful of who 1298 00:52:24,520 --> 00:52:26,279 Speaker 1: their friends are. I know, growing up, my mom used 1299 00:52:26,280 --> 00:52:28,200 Speaker 1: to always be like, show me your friends and I'll 1300 00:52:28,200 --> 00:52:29,040 Speaker 1: tell you who you are. 1301 00:52:29,600 --> 00:52:29,719 Speaker 2: That. 1302 00:52:29,680 --> 00:52:33,440 Speaker 1: It was her basic like every time she was around us, like, 1303 00:52:33,520 --> 00:52:35,040 Speaker 1: let me see what your friends are looking like. 1304 00:52:35,080 --> 00:52:37,400 Speaker 2: That's it was funny my mom. We always said to 1305 00:52:37,440 --> 00:52:39,760 Speaker 2: where'd you learn that from? Who taught you that? Where'd 1306 00:52:39,760 --> 00:52:41,360 Speaker 2: you get that from? And I'd be like, what, nobody, 1307 00:52:41,360 --> 00:52:42,719 Speaker 2: I probably saw it on this and that. I always 1308 00:52:42,760 --> 00:52:44,799 Speaker 2: would get offended, you know, as like a young man 1309 00:52:44,920 --> 00:52:47,360 Speaker 2: like I don't follow nobody. Everybody says, oh, Mark, what 1310 00:52:47,400 --> 00:52:49,000 Speaker 2: are we doing today or where we're going or what's 1311 00:52:49,000 --> 00:52:51,320 Speaker 2: the next move? They come to me, I don't follow nobody, 1312 00:52:51,680 --> 00:52:53,759 Speaker 2: you know. But now that I have sons, like a 1313 00:52:53,880 --> 00:52:56,560 Speaker 2: young boys, I see when son comes on with and oh, 1314 00:52:56,600 --> 00:52:57,960 Speaker 2: I want to hear this song. Where's you hear that? 1315 00:52:58,000 --> 00:53:00,719 Speaker 2: Oh Bobby said this? He was get it all day. 1316 00:53:00,920 --> 00:53:03,200 Speaker 2: Oh Bobby does it? Who the heck is Bobby. It 1317 00:53:03,280 --> 00:53:04,520 Speaker 2: was like, now I got to talk to their parents 1318 00:53:04,520 --> 00:53:06,480 Speaker 2: because they're now raising my son because he's coming up 1319 00:53:06,480 --> 00:53:08,000 Speaker 2: with new stuff and new things. You know, he meets 1320 00:53:08,000 --> 00:53:10,359 Speaker 2: his cousin and he teaches him how to armpit fart 1321 00:53:10,440 --> 00:53:12,120 Speaker 2: or something like that. You know, now he's doing this 1322 00:53:12,160 --> 00:53:13,719 Speaker 2: at the table. I'm like, look, boy, you have to 1323 00:53:13,719 --> 00:53:15,480 Speaker 2: find out, you know what I mean. So I'm like, 1324 00:53:15,520 --> 00:53:17,640 Speaker 2: who is this? And always cousin taught him that. Now 1325 00:53:17,640 --> 00:53:19,359 Speaker 2: I want to talk to their parents, like yo, for real. 1326 00:53:19,760 --> 00:53:21,480 Speaker 2: So they're like, oh, let's all have a play date 1327 00:53:21,480 --> 00:53:23,120 Speaker 2: and I'm like, I don't know about this play date stuff. 1328 00:53:23,600 --> 00:53:25,000 Speaker 2: You know, it's cool when you want to go hang 1329 00:53:25,040 --> 00:53:27,200 Speaker 2: out or whatever or meet some people and you know 1330 00:53:27,239 --> 00:53:28,520 Speaker 2: they see him at school and want to hang out, 1331 00:53:28,520 --> 00:53:30,680 Speaker 2: but you got to be involved. You can't. You definitely 1332 00:53:30,680 --> 00:53:32,239 Speaker 2: can't leave in the front of no iPad. 1333 00:53:32,000 --> 00:53:33,799 Speaker 3: No more, no, no, that's over. 1334 00:53:33,840 --> 00:53:35,480 Speaker 2: Well that's I thought it was cute when they can 1335 00:53:35,560 --> 00:53:37,200 Speaker 2: just as soon as they learn how to scroll on 1336 00:53:37,239 --> 00:53:38,719 Speaker 2: their own. It's like, all right, okay, let me see 1337 00:53:38,760 --> 00:53:42,000 Speaker 2: what we're watching. No headphones, no, no, I'm listening in 1338 00:53:42,040 --> 00:53:44,200 Speaker 2: and what is that now? Oh? Ad came on? Because 1339 00:53:44,200 --> 00:53:46,719 Speaker 2: they're real sneaky with these ads. I'm watching that one. 1340 00:53:46,719 --> 00:53:48,239 Speaker 2: I'm scrolling all of a sudden, How did I get 1341 00:53:48,280 --> 00:53:50,160 Speaker 2: down this rabbit hole. I'm not following none of these people, 1342 00:53:50,200 --> 00:53:52,360 Speaker 2: but I've seen all these reels of stuff that I 1343 00:53:52,400 --> 00:53:55,279 Speaker 2: didn't really necessarily want to know about. Now then've found 1344 00:53:55,280 --> 00:53:57,080 Speaker 2: out about all type of things going on. I'm depressed, 1345 00:53:57,080 --> 00:53:58,839 Speaker 2: I'm nervous. I'm scared about all type of shit because 1346 00:53:58,840 --> 00:53:59,400 Speaker 2: I don't. 1347 00:54:00,320 --> 00:54:02,719 Speaker 3: I try hard to stay off the socials as much 1348 00:54:02,760 --> 00:54:06,279 Speaker 3: as possible. It is terrible. I wish we could go 1349 00:54:06,360 --> 00:54:08,839 Speaker 3: back to like my era where we just had aim. 1350 00:54:09,400 --> 00:54:14,480 Speaker 2: Yes, right, no business. It's been there. My wife be like, 1351 00:54:14,520 --> 00:54:16,960 Speaker 2: am you on the phone, Like no, you're you're scrolling 1352 00:54:17,000 --> 00:54:18,839 Speaker 2: memes and then sending me something that you found out 1353 00:54:18,840 --> 00:54:20,960 Speaker 2: about the spoons and the forks and all this craziness 1354 00:54:20,960 --> 00:54:23,160 Speaker 2: that you can't No, no, no, I'm actually it's business. 1355 00:54:23,200 --> 00:54:25,000 Speaker 2: Every time I post, then I go on my DM 1356 00:54:25,040 --> 00:54:29,359 Speaker 2: it's new job opportunity, so I have I'm talking every time, like, 1357 00:54:29,400 --> 00:54:31,960 Speaker 2: oh man, you look at good. So how much is you? Hey? 1358 00:54:32,120 --> 00:54:33,560 Speaker 2: Can I get you on that? I said, yeap, call 1359 00:54:33,600 --> 00:54:36,319 Speaker 2: my agent Neil set it up every I'm talking every 1360 00:54:36,320 --> 00:54:38,200 Speaker 2: single time, so I have to check on it. Wow, 1361 00:54:38,239 --> 00:54:39,600 Speaker 2: you know what I mean? That's be blocking. 1362 00:54:39,600 --> 00:54:40,840 Speaker 3: I needn't get my MS popping. 1363 00:54:41,080 --> 00:54:41,319 Speaker 2: I know. 1364 00:54:41,400 --> 00:54:45,720 Speaker 3: We have a we have a but we get a lot. 1365 00:54:45,560 --> 00:54:49,120 Speaker 1: Of requests for talent from people trying to pitch talent 1366 00:54:49,160 --> 00:54:52,080 Speaker 1: on the show. But we I use application so I 1367 00:54:52,120 --> 00:54:53,720 Speaker 1: don't have to do it manually. 1368 00:54:53,360 --> 00:54:56,760 Speaker 3: From my phone. Like literally, it's like a calendar. 1369 00:54:56,760 --> 00:54:59,720 Speaker 1: It's called later and we just put all our socials 1370 00:54:59,760 --> 00:55:02,720 Speaker 1: in a calendar and it drops it like in advance, 1371 00:55:02,760 --> 00:55:05,200 Speaker 1: so like whether I touch my phone or not, something's 1372 00:55:05,239 --> 00:55:09,000 Speaker 1: gonna drop today. So it looks like and it's all scheduled, 1373 00:55:09,000 --> 00:55:11,360 Speaker 1: and then they'll like set parameters like best time of 1374 00:55:11,440 --> 00:55:14,240 Speaker 1: day to post or whatever. Between that and chat GPT, 1375 00:55:15,040 --> 00:55:18,360 Speaker 1: we do the whole caption and drop or whatever, and 1376 00:55:18,360 --> 00:55:20,920 Speaker 1: then we have a clip team that just generates clips. 1377 00:55:22,040 --> 00:55:24,280 Speaker 2: So yeah, so does that happen if you're on TikTok? 1378 00:55:24,880 --> 00:55:25,360 Speaker 3: Yeah? 1379 00:55:25,280 --> 00:55:27,520 Speaker 2: When you went there yet I tried it, I said, Wow, 1380 00:55:27,600 --> 00:55:30,160 Speaker 2: this is a lot you have to be engaged constantly, 1381 00:55:30,280 --> 00:55:32,439 Speaker 2: but you get way more traffic than Instagram. But I'll 1382 00:55:32,440 --> 00:55:34,440 Speaker 2: go live on Instagram to be like one hundred people. 1383 00:55:34,560 --> 00:55:38,120 Speaker 2: I go live on ig with like I got about 1384 00:55:38,120 --> 00:55:40,920 Speaker 2: three hundred thousand on Instagram. I go on TikTok, I 1385 00:55:40,960 --> 00:55:44,000 Speaker 2: got maybe fifteen hundred. But then I go live and 1386 00:55:44,040 --> 00:55:46,120 Speaker 2: it's like fifteen hundred people are watching you right now. 1387 00:55:46,080 --> 00:55:47,960 Speaker 3: I don't even know TikTok had a live feature. 1388 00:55:48,000 --> 00:55:50,480 Speaker 1: You have a lot, But I will say that TikTok 1389 00:55:50,600 --> 00:55:54,240 Speaker 1: does give a good interaction, Like I'll go on TikTok 1390 00:55:54,280 --> 00:55:57,319 Speaker 1: and it'll be like, compared to Instagram, a video will 1391 00:55:57,320 --> 00:56:01,360 Speaker 1: probably get like one hundred thousand or eighty thousand years. 1392 00:56:01,440 --> 00:56:02,719 Speaker 2: I thought it was a joke. I was like, what 1393 00:56:02,760 --> 00:56:03,279 Speaker 2: are you talking about? 1394 00:56:03,320 --> 00:56:05,600 Speaker 3: I want to I'm. 1395 00:56:04,840 --> 00:56:06,440 Speaker 2: Telling you I went on live a couple of times. 1396 00:56:06,480 --> 00:56:07,959 Speaker 2: And then when you're on live, they'll put the little 1397 00:56:07,960 --> 00:56:09,640 Speaker 2: hat on you and the glasses while you're talking and 1398 00:56:09,840 --> 00:56:11,239 Speaker 2: like what is this? And then it's over. It's like 1399 00:56:11,239 --> 00:56:12,840 Speaker 2: you've made fifty dollars. I'm like, what do you mean? 1400 00:56:12,880 --> 00:56:15,319 Speaker 2: I made fifty dollars? I look on every time they 1401 00:56:15,400 --> 00:56:17,400 Speaker 2: put one of those hats they buy it. It's called 1402 00:56:17,400 --> 00:56:19,800 Speaker 2: a badge. I believe, no, buy a badge? Who I 1403 00:56:19,800 --> 00:56:21,120 Speaker 2: want to interact with him? I thought, hat and I'll 1404 00:56:21,120 --> 00:56:22,600 Speaker 2: be like, oh, thanks for the hat, such and such 1405 00:56:22,680 --> 00:56:27,000 Speaker 2: dot whatever whatever, and TikTok on TikTok your life. 1406 00:56:27,160 --> 00:56:28,000 Speaker 3: I'm just try and do that. 1407 00:56:28,040 --> 00:56:29,680 Speaker 2: I'm telling you it's crazy. I'm like, look a, where 1408 00:56:29,680 --> 00:56:31,640 Speaker 2: does the little fifty dollars come from? People just keep 1409 00:56:31,760 --> 00:56:33,880 Speaker 2: tacking on a dollar here. Dollar. There's crazy. It ads up. 1410 00:56:33,920 --> 00:56:35,319 Speaker 2: I said, well, that's smart. I don't know if people 1411 00:56:35,320 --> 00:56:35,839 Speaker 2: know about that. 1412 00:56:36,000 --> 00:56:40,879 Speaker 1: What would be your main piece of advice for the 1413 00:56:40,880 --> 00:56:44,200 Speaker 1: longevity you've had in your career, in addition to the 1414 00:56:44,200 --> 00:56:46,920 Speaker 1: pivots to people trying to get into your position. 1415 00:56:47,200 --> 00:56:52,960 Speaker 2: Yeah, the longevity part for me is it's it's it's 1416 00:56:52,960 --> 00:56:56,200 Speaker 2: about it's called compromise, not compromising. Don't feeling that you 1417 00:56:56,280 --> 00:56:59,319 Speaker 2: have one shot and you have to compromise either your 1418 00:56:59,320 --> 00:57:03,720 Speaker 2: beliefs or your sexuality or your you know, your religion 1419 00:57:03,800 --> 00:57:06,319 Speaker 2: or whatever the case is, and and go all in 1420 00:57:06,400 --> 00:57:09,120 Speaker 2: on like one role. Because I've seen people take the 1421 00:57:09,160 --> 00:57:11,000 Speaker 2: wrong role and then you never hear from him again. 1422 00:57:11,239 --> 00:57:13,560 Speaker 2: I've seen people be you know, their career was going 1423 00:57:13,600 --> 00:57:15,360 Speaker 2: pretty well, and they said, you know, I gotta do this, 1424 00:57:15,480 --> 00:57:17,520 Speaker 2: and then that was it for them, or they got 1425 00:57:17,520 --> 00:57:21,760 Speaker 2: discouraged because of the backlash they took for that role. 1426 00:57:21,840 --> 00:57:23,720 Speaker 2: You know, you gotta be careful too, you know, you 1427 00:57:23,760 --> 00:57:26,280 Speaker 2: don't don't feel that you have to do something and 1428 00:57:26,320 --> 00:57:28,040 Speaker 2: then don't do something that you're not going to be 1429 00:57:28,080 --> 00:57:30,840 Speaker 2: able to live with. Like I'll you know, I always 1430 00:57:30,840 --> 00:57:33,400 Speaker 2: take I'll be honest, I'll take like the hero role 1431 00:57:33,520 --> 00:57:34,840 Speaker 2: or the macho role of the role that I know. 1432 00:57:34,880 --> 00:57:36,440 Speaker 2: I'm gonna be at the bar and someone gonna say, hey, man, 1433 00:57:36,480 --> 00:57:38,280 Speaker 2: you that dude that I saw in this such and 1434 00:57:38,280 --> 00:57:40,120 Speaker 2: such role. I said, yeah, I was. I was that one. 1435 00:57:40,240 --> 00:57:41,960 Speaker 2: And if it's something negative that I'm not gonna be 1436 00:57:41,960 --> 00:57:43,760 Speaker 2: able to respond to, and I'm not taking that role. 1437 00:57:44,120 --> 00:57:45,880 Speaker 2: You know, I have a fan base, you know, and 1438 00:57:45,880 --> 00:57:47,800 Speaker 2: they're always proud of what I do. And then they said, well, 1439 00:57:47,960 --> 00:57:50,440 Speaker 2: every actor does this, and every actor eventually blah blah blah. 1440 00:57:50,520 --> 00:57:52,920 Speaker 2: Denzel Washington is my favorite actor of all time, next 1441 00:57:52,960 --> 00:57:54,840 Speaker 2: to my brother. And I've never seen him letting me 1442 00:57:54,920 --> 00:57:58,160 Speaker 2: down once. I haven't seen him come up anything. I said, Damn, Danzel, 1443 00:57:58,400 --> 00:58:00,440 Speaker 2: you see his name, You're gonna enjoy yourself. That's you 1444 00:58:00,520 --> 00:58:00,960 Speaker 2: know what I mean. 1445 00:58:01,520 --> 00:58:03,360 Speaker 3: I didn't think Fences was that great. 1446 00:58:03,840 --> 00:58:05,600 Speaker 2: I you know what, I thought it was a lot 1447 00:58:06,200 --> 00:58:09,120 Speaker 2: I was, but I was it was impressive. I was 1448 00:58:09,280 --> 00:58:12,640 Speaker 2: you memorized all that, like that ship was impressive to me. 1449 00:58:12,680 --> 00:58:14,040 Speaker 2: That's all I was doing as an actor. I was 1450 00:58:14,080 --> 00:58:15,720 Speaker 2: just watching him, going, look at this man. I said, 1451 00:58:15,720 --> 00:58:18,000 Speaker 2: he didn't take a breath, they didn't cut nowhere. I 1452 00:58:18,000 --> 00:58:20,080 Speaker 2: could tell he memorized all that, And I'm sorry that 1453 00:58:20,160 --> 00:58:21,920 Speaker 2: him self, to me is a lot. That's a big 1454 00:58:21,960 --> 00:58:24,520 Speaker 2: deal for me. Then the acting, you know, you kind 1455 00:58:24,520 --> 00:58:26,800 Speaker 2: of get you know what you're gonna get. He's already 1456 00:58:26,880 --> 00:58:29,120 Speaker 2: done everything, so it's just one of those like, well 1457 00:58:29,160 --> 00:58:30,480 Speaker 2: it's gonna be what to be. But I'm just talking 1458 00:58:30,480 --> 00:58:33,920 Speaker 2: about the choices. There's nothing that's like, maybe go I 1459 00:58:33,920 --> 00:58:35,400 Speaker 2: can't look at him if again, I don't I don't 1460 00:58:35,440 --> 00:58:37,320 Speaker 2: like him. Yeah, you know what I mean, nothing nothing, 1461 00:58:37,360 --> 00:58:38,280 Speaker 2: nothing is wrong anyway. 1462 00:58:38,320 --> 00:58:41,240 Speaker 1: So that's how I feel about Diddy right now. I 1463 00:58:41,280 --> 00:58:43,240 Speaker 1: mean I used to, let me just tell you something. 1464 00:58:43,240 --> 00:58:44,240 Speaker 3: I used to look up to Diddy. 1465 00:58:44,320 --> 00:58:46,720 Speaker 1: I was like when I was in high school, you know, 1466 00:58:46,880 --> 00:58:49,120 Speaker 1: but then as I got into the industry, I would 1467 00:58:49,120 --> 00:58:52,680 Speaker 1: hear so many bad rumors about him. But now it's 1468 00:58:52,760 --> 00:58:56,640 Speaker 1: just like, I can't even believe how much as a 1469 00:58:56,680 --> 00:58:58,840 Speaker 1: young person I looked up to this dude and to 1470 00:58:58,920 --> 00:59:01,800 Speaker 1: hear like and I one hundred percent believe everything. 1471 00:59:01,880 --> 00:59:04,000 Speaker 3: I'm sorry all. 1472 00:59:03,920 --> 00:59:06,280 Speaker 2: The Will Smith stuff that's pouring out now, and we've 1473 00:59:06,320 --> 00:59:07,520 Speaker 2: heard about that for years. 1474 00:59:07,640 --> 00:59:10,400 Speaker 1: Let me tell that I believe Will Smith stuff, so 1475 00:59:11,040 --> 00:59:11,440 Speaker 1: I don't. 1476 00:59:13,040 --> 00:59:13,320 Speaker 2: Look. 1477 00:59:13,920 --> 00:59:17,000 Speaker 1: What I've learned is some with every story, there is 1478 00:59:17,080 --> 00:59:21,240 Speaker 1: a true underline, especially in the entertainment business. 1479 00:59:21,800 --> 00:59:26,120 Speaker 2: Just it's just how far will those believing it take you? 1480 00:59:26,680 --> 00:59:29,960 Speaker 2: As far as are you still gonna watch the movies? Like, Okay, 1481 00:59:30,400 --> 00:59:32,840 Speaker 2: this movie comes on? Now, you're not gonna watch it again? Yeah? Right? 1482 00:59:33,200 --> 00:59:35,000 Speaker 2: This song is on, gonna tell him turn it off? 1483 00:59:35,160 --> 00:59:35,200 Speaker 4: No? 1484 00:59:35,400 --> 00:59:37,840 Speaker 2: I mean, you know, I'm sure they'll stop playing R Kelly. 1485 00:59:37,880 --> 00:59:39,920 Speaker 2: But if I'm out somewhere and it comes on, I'm 1486 00:59:39,920 --> 00:59:41,680 Speaker 2: gonna still nod my head. I'm not gonna be like 1487 00:59:42,160 --> 00:59:42,720 Speaker 2: I'm out here. 1488 00:59:42,840 --> 00:59:45,800 Speaker 1: R Kelly's situation is kind of very It sounds terrible 1489 00:59:45,800 --> 00:59:46,600 Speaker 1: what I'm about to say. 1490 00:59:46,720 --> 00:59:50,960 Speaker 3: Jesus, I get a call later about this, But R. 1491 00:59:51,040 --> 00:59:54,400 Speaker 1: Kelly, I feel like is a is a two edged 1492 00:59:54,480 --> 00:59:57,440 Speaker 1: sword because he came from abuse. He came from a 1493 00:59:57,440 --> 01:00:01,800 Speaker 1: lot of you know, abuse, like sexual abuse. So I 1494 01:00:01,840 --> 01:00:04,400 Speaker 1: definitely feel terrible for the victims, but I also feel 1495 01:00:04,400 --> 01:00:06,440 Speaker 1: like that is definitely. 1496 01:00:06,160 --> 01:00:09,160 Speaker 3: A a like that. 1497 01:00:11,280 --> 01:00:13,960 Speaker 1: It was both both victims, you know what I'm saying, 1498 01:00:14,000 --> 01:00:16,640 Speaker 1: Like R Kelly, you know, everyone's a victim of that kid. 1499 01:00:16,520 --> 01:00:19,040 Speaker 2: Is But it's like a matter of knowing right from wrong. 1500 01:00:19,240 --> 01:00:23,000 Speaker 3: Well, the people around you, No, no, no, he definitely 1501 01:00:23,040 --> 01:00:23,600 Speaker 3: knew what was wrong. 1502 01:00:23,680 --> 01:00:27,160 Speaker 1: But like when you have mentally normal people and they're 1503 01:00:27,240 --> 01:00:33,000 Speaker 1: like co siding, coldning and playing a role, then it's like, yo, no, 1504 01:00:33,040 --> 01:00:34,640 Speaker 1: I don't care how much someone pays you. 1505 01:00:34,640 --> 01:00:36,280 Speaker 3: You know it's wrong, right. 1506 01:00:36,400 --> 01:00:39,080 Speaker 1: And so there was a person, a person like that 1507 01:00:39,240 --> 01:00:41,600 Speaker 1: definitely had a room full of people that were looking 1508 01:00:41,600 --> 01:00:44,160 Speaker 1: the other way. But I'm not I don't give I 1509 01:00:44,200 --> 01:00:46,680 Speaker 1: don't give nobody a past though I don't mine. 1510 01:00:46,800 --> 01:00:50,160 Speaker 2: I'd probably get backlash for saying the fact that it's 1511 01:00:50,480 --> 01:00:53,640 Speaker 2: I just don't think it was necessary for a man 1512 01:00:53,960 --> 01:00:56,280 Speaker 2: that could get pretty much any woman. You can get 1513 01:00:56,320 --> 01:00:59,120 Speaker 2: a woman that looks young, go to Thailand. They got 1514 01:00:59,160 --> 01:01:03,240 Speaker 2: the little kid, they look like girls to actually go there. 1515 01:01:03,560 --> 01:01:06,800 Speaker 2: You know, when it wasn't necessary. That's that's where I 1516 01:01:06,840 --> 01:01:08,440 Speaker 2: have an issue with. I got two sons. I can 1517 01:01:08,440 --> 01:01:10,000 Speaker 2: imagine I had a daughter, I'd probably be trying to 1518 01:01:10,000 --> 01:01:11,400 Speaker 2: go to jail. Just be next to them for a 1519 01:01:11,400 --> 01:01:12,600 Speaker 2: minute and get well. 1520 01:01:12,640 --> 01:01:15,160 Speaker 1: There's a lot of parents that play a role in 1521 01:01:15,320 --> 01:01:17,240 Speaker 1: a lot of the kids to minds. Like people approach 1522 01:01:17,320 --> 01:01:20,200 Speaker 1: me all the time about my daughter getting into entertainment, 1523 01:01:20,200 --> 01:01:23,840 Speaker 1: and I'm absolutely against it. And my main reason is 1524 01:01:23,840 --> 01:01:27,480 Speaker 1: is the industry doesn't necessarily always support those parents that 1525 01:01:27,520 --> 01:01:29,760 Speaker 1: are guard dogs, like you know, like some of those 1526 01:01:29,800 --> 01:01:32,720 Speaker 1: parents that are guard dogs get blacklisted for being guard. 1527 01:01:32,840 --> 01:01:34,880 Speaker 2: Allowed to say about that. And I talk to women, 1528 01:01:35,120 --> 01:01:37,160 Speaker 2: especially in the industry, and I think it's it's a 1529 01:01:37,200 --> 01:01:40,680 Speaker 2: matter of common sense and your upbringing. It's some people 1530 01:01:40,760 --> 01:01:44,120 Speaker 2: are far more susceptible to peer pressure than others. I mean, 1531 01:01:44,160 --> 01:01:46,320 Speaker 2: I guess that goes without saying. For me, it always 1532 01:01:46,360 --> 01:01:49,520 Speaker 2: seemed obvious, it seemed easy. I'm in these rooms and 1533 01:01:49,520 --> 01:01:51,400 Speaker 2: they're passing around the coke and they're doing this, and 1534 01:01:51,440 --> 01:01:53,439 Speaker 2: they're doing that, and I'm like, look, I'll smoke some weed, 1535 01:01:53,720 --> 01:01:55,640 Speaker 2: I'll drink some drink, and I'll wake up the next 1536 01:01:55,720 --> 01:01:57,560 Speaker 2: day and have black spots like I don't remember what 1537 01:01:57,560 --> 01:01:59,120 Speaker 2: happened the rest of the night. I don't need to 1538 01:01:59,160 --> 01:02:01,560 Speaker 2: do anything the hell out When they're passing it around, 1539 01:02:01,800 --> 01:02:03,360 Speaker 2: I'd be like, no, I'm good. They're not gonna be like, 1540 01:02:03,400 --> 01:02:06,440 Speaker 2: get out. You know what I mean. For young females, 1541 01:02:06,760 --> 01:02:10,080 Speaker 2: they invite you where they invite you to the hotel. 1542 01:02:10,480 --> 01:02:13,160 Speaker 2: All right, go to the lobby, but don't go up 1543 01:02:13,160 --> 01:02:15,880 Speaker 2: to the hotel room. There's a there's a there's a 1544 01:02:15,880 --> 01:02:18,280 Speaker 2: point where you know that don't but don't go up 1545 01:02:18,320 --> 01:02:19,840 Speaker 2: to the room and then tell me something crazy happen. 1546 01:02:19,880 --> 01:02:21,480 Speaker 2: You didn't know something crazy have in a room. 1547 01:02:21,800 --> 01:02:24,360 Speaker 1: I will I agree with you, but I will say 1548 01:02:24,360 --> 01:02:26,440 Speaker 1: when I first moved here from New York, there was 1549 01:02:26,480 --> 01:02:29,800 Speaker 1: a couple incidents where I and my sister both put 1550 01:02:29,840 --> 01:02:34,080 Speaker 1: ourselves in positions where I mean, had us not had 1551 01:02:34,440 --> 01:02:37,400 Speaker 1: really solid good streets smarts, I would say we would 1552 01:02:37,440 --> 01:02:41,960 Speaker 1: have definitely been compromised. But yeah, there was some dudes, 1553 01:02:42,000 --> 01:02:44,040 Speaker 1: and it's usually to be honest, for my experience, it 1554 01:02:44,080 --> 01:02:46,320 Speaker 1: wasn't dudes that were actually in the industry. They were 1555 01:02:46,320 --> 01:02:50,800 Speaker 1: like the fake industry dudes like that house skirt dudes 1556 01:02:50,920 --> 01:02:51,400 Speaker 1: walk up to you. 1557 01:02:51,360 --> 01:02:52,400 Speaker 3: In the mall and they're like be a. 1558 01:02:52,400 --> 01:02:56,080 Speaker 1: Model and like no, no, they you know those ones 1559 01:02:56,080 --> 01:02:58,280 Speaker 1: that are like come be me here. But I will say, 1560 01:02:58,360 --> 01:03:00,800 Speaker 1: like even in the open, like I've seen dudes with 1561 01:03:01,000 --> 01:03:03,320 Speaker 1: power that were in the industry across the line where 1562 01:03:03,400 --> 01:03:05,600 Speaker 1: I remember I was as. 1563 01:03:05,560 --> 01:03:06,440 Speaker 3: Good as done. 1564 01:03:06,640 --> 01:03:09,480 Speaker 1: I went to my uncle like I'm I'm good, like 1565 01:03:09,600 --> 01:03:13,240 Speaker 1: I'm good, like this dude touched my leg and was married, 1566 01:03:13,360 --> 01:03:16,640 Speaker 1: and I just remember being scared death, you know, like 1567 01:03:16,720 --> 01:03:19,520 Speaker 1: oh my god, like this is this is terrible, and 1568 01:03:19,640 --> 01:03:21,880 Speaker 1: I started making rules. But even with men in general, 1569 01:03:21,920 --> 01:03:24,760 Speaker 1: I don't I personally don't do dinner dates. I only 1570 01:03:24,800 --> 01:03:28,120 Speaker 1: do breakfast and lunch dates. I don't want to hear no, and. 1571 01:03:28,120 --> 01:03:30,360 Speaker 3: Guys will literally like if they hear breakfast and lunch, 1572 01:03:30,400 --> 01:03:32,440 Speaker 3: will be like I'm good, and I'll be like, no, 1573 01:03:33,040 --> 01:03:34,840 Speaker 3: that's cool. You know what I'm saying. 1574 01:03:35,080 --> 01:03:37,560 Speaker 2: We both on the same page, you know what I'm saying. 1575 01:03:38,360 --> 01:03:41,200 Speaker 1: But I'm not trying to walk into no setup or 1576 01:03:41,680 --> 01:03:44,720 Speaker 1: manipulation or any misconfusion or whatever. 1577 01:03:45,880 --> 01:03:48,240 Speaker 3: But we will. We're on a clock. 1578 01:03:48,400 --> 01:03:52,960 Speaker 1: So anyways, how can your fans, our fans keep up 1579 01:03:53,000 --> 01:03:53,280 Speaker 1: with you? 1580 01:03:53,400 --> 01:03:55,640 Speaker 2: Omar keep up with me? The easiest way to find 1581 01:03:55,640 --> 01:04:00,440 Speaker 2: me is Instagram at Omar Gooding period. I don't hide it, TikTok. 1582 01:04:00,520 --> 01:04:03,520 Speaker 2: I threw my middle name in there, Omar Miles Gooding. Yes, 1583 01:04:03,560 --> 01:04:06,520 Speaker 2: my initials are O MG. And that's the easiest way 1584 01:04:06,520 --> 01:04:10,280 Speaker 2: to find me. Many what I would I Yes, Yes, 1585 01:04:10,400 --> 01:04:13,960 Speaker 2: I named my oldest son Omar Junior, because, believe it 1586 01:04:14,040 --> 01:04:15,400 Speaker 2: or not, when I'm out and people say, oh, keep 1587 01:04:15,480 --> 01:04:19,680 Speaker 2: Gooding Junior's brother. Yeah, so his name is Omar Gooding Jr. No, 1588 01:04:19,800 --> 01:04:22,760 Speaker 2: that's not how it works. That's not how juniors work. People. 1589 01:04:23,800 --> 01:04:26,120 Speaker 2: The Omar Gooding Junior is my son and he's seven. 1590 01:04:26,480 --> 01:04:29,200 Speaker 2: Uh well he will be seven. And then my my 1591 01:04:29,200 --> 01:04:31,280 Speaker 2: my youngest son is named Miles. So I give, I 1592 01:04:31,280 --> 01:04:33,000 Speaker 2: give myself, like, oh you just hold on a name. Listen. 1593 01:04:33,040 --> 01:04:34,800 Speaker 2: My wife's name is Mia, and I was trying to 1594 01:04:34,800 --> 01:04:37,520 Speaker 2: think of names for a boy. We went Michael, Miles, 1595 01:04:39,120 --> 01:04:40,880 Speaker 2: I have two boys. I have two boys. Yeah, yeah, 1596 01:04:40,880 --> 01:04:43,360 Speaker 2: that's right, you know. It's uh, that's that's where we're 1597 01:04:43,360 --> 01:04:44,840 Speaker 2: at with it, you know. And then it's this culture. 1598 01:04:44,840 --> 01:04:48,000 Speaker 2: I don't know that that's that's it's tough. You want 1599 01:04:48,040 --> 01:04:50,240 Speaker 2: him just to be boys and be you know, and 1600 01:04:50,320 --> 01:04:52,439 Speaker 2: I'm a manly man for man, I got to look, 1601 01:04:52,440 --> 01:04:53,960 Speaker 2: I gotta I'm gonna start a culture, like, can I 1602 01:04:54,000 --> 01:04:55,600 Speaker 2: be a man? Please? Is it okay for me to 1603 01:04:55,680 --> 01:04:58,000 Speaker 2: just be a man? I'm not, you know, hating on 1604 01:04:58,080 --> 01:05:00,320 Speaker 2: any other gender or race or or cumul unity or 1605 01:05:00,360 --> 01:05:01,920 Speaker 2: whatever the case. I'm just saying I'm a man and 1606 01:05:01,960 --> 01:05:04,840 Speaker 2: I'm raising men. So that's that. Now, something happens down 1607 01:05:04,880 --> 01:05:06,640 Speaker 2: the line that I have no control over, and you know, 1608 01:05:06,640 --> 01:05:08,880 Speaker 2: we'll have that conversation and we'll cross that road when 1609 01:05:08,880 --> 01:05:10,760 Speaker 2: we need to. But as far as what I'm raising, 1610 01:05:10,800 --> 01:05:12,760 Speaker 2: I know how I was raised. So you know, if 1611 01:05:12,800 --> 01:05:14,680 Speaker 2: that's what's in me, that's how I figured that should 1612 01:05:14,720 --> 01:05:16,760 Speaker 2: be in them. And we'll go from there. For it's 1613 01:05:16,760 --> 01:05:18,840 Speaker 2: my young my OLDESTKI cries a lot. It's it's still 1614 01:05:18,960 --> 01:05:22,560 Speaker 2: he's very sensitive. It's very sensidive. And my father said 1615 01:05:22,560 --> 01:05:23,600 Speaker 2: that to my wife. He said, you know, I was 1616 01:05:23,640 --> 01:05:25,440 Speaker 2: worried about him when he was younger. But you're all 1617 01:05:25,560 --> 01:05:27,160 Speaker 2: man now, I said, all right, he pulled out of that, 1618 01:05:27,240 --> 01:05:30,320 Speaker 2: he pulled, he pulled up quick. But uh but yeah, no, 1619 01:05:30,440 --> 01:05:32,000 Speaker 2: but that's that's where you can find me. You know, 1620 01:05:32,040 --> 01:05:33,880 Speaker 2: I got a lot on the plate. You know, I 1621 01:05:33,880 --> 01:05:35,880 Speaker 2: got music, I got comedy shows, I got some movies 1622 01:05:35,920 --> 01:05:37,680 Speaker 2: I'm doing. I even signed on to do a play 1623 01:05:37,680 --> 01:05:38,000 Speaker 2: in May. 1624 01:05:38,360 --> 01:05:41,680 Speaker 1: Well, we'll be keep it up with you on your socials, 1625 01:05:41,760 --> 01:05:44,040 Speaker 1: and I will retire this dish. 1626 01:05:44,160 --> 01:05:46,320 Speaker 2: Yeah, please don't here. Yeah please don't nobody try this 1627 01:05:46,360 --> 01:05:48,000 Speaker 2: at home, because first of all, we shouldn't even have 1628 01:05:48,000 --> 01:05:49,680 Speaker 2: the style phone and the microwave as we led with 1629 01:05:50,080 --> 01:05:50,960 Speaker 2: you try to put it in tap. 1630 01:05:52,160 --> 01:05:52,720 Speaker 3: I'm gonna let you. 1631 01:05:52,720 --> 01:05:56,720 Speaker 1: I'm a save y'all fans from yourself. Okay, don't in 1632 01:05:56,800 --> 01:05:59,840 Speaker 1: the cup of noodles cup unless you're apps. 1633 01:06:00,000 --> 01:06:03,480 Speaker 2: Absolutely, It's good for a cleanse because I feel like 1634 01:06:03,520 --> 01:06:05,120 Speaker 2: I'm not doing nothing for next week. 1635 01:06:05,720 --> 01:06:28,000 Speaker 3: All right, Peace out, guys. Peace for more eating while 1636 01:06:28,080 --> 01:06:32,040 Speaker 3: broke from iHeartRadio and The Black Effect, visit the iHeartRadio app, 1637 01:06:32,160 --> 01:06:35,200 Speaker 3: Apple Podcasts, or wherever you listen to your favorite shows.