1 00:00:01,720 --> 00:00:05,120 Speaker 1: All Media. 2 00:00:05,280 --> 00:00:07,600 Speaker 2: Welcome to It Could Happen here, the podcast that tells 3 00:00:07,600 --> 00:00:10,080 Speaker 2: you what's going to happen before it's happening. I'm Garrison Davis. 4 00:00:10,200 --> 00:00:14,960 Speaker 2: Joined with me is Mia Wong Glue. So today we're 5 00:00:14,920 --> 00:00:18,400 Speaker 2: gonna be talking about predictive programming, something that I assume 6 00:00:18,560 --> 00:00:21,000 Speaker 2: some conspiracy theorist has accused of the show of doing, 7 00:00:21,160 --> 00:00:25,560 Speaker 2: specifically Robert, But we're not gonna talk about us too much. Instead, 8 00:00:25,680 --> 00:00:28,920 Speaker 2: we're going to talk about the origin of this conspiracy 9 00:00:28,960 --> 00:00:34,240 Speaker 2: theory and some famous use cases throughout history of how 10 00:00:35,640 --> 00:00:38,920 Speaker 2: you might have been affected by predictive programming the listener. 11 00:00:40,640 --> 00:00:43,879 Speaker 2: So let's start by defining our terms here. Predictive programming 12 00:00:43,920 --> 00:00:46,840 Speaker 2: is a conspiracy theory that future events are seeded within 13 00:00:46,920 --> 00:00:50,239 Speaker 2: fictional media like film, TV, video games, and books to 14 00:00:50,400 --> 00:00:54,720 Speaker 2: subliminally influence the public perception of real world events. But 15 00:00:54,920 --> 00:00:58,280 Speaker 2: this isn't simply about movies like just predicting the future. 16 00:00:58,720 --> 00:01:02,680 Speaker 2: It's an intentional method of large scale social conditioning used 17 00:01:02,680 --> 00:01:05,160 Speaker 2: by a conspiracy of deep state government agents and the 18 00:01:05,319 --> 00:01:10,039 Speaker 2: entertainment industry. This term was coined by a conspiracy theorist 19 00:01:10,160 --> 00:01:15,800 Speaker 2: named Alan Watt, different from the like pop Zen writer 20 00:01:15,959 --> 00:01:19,920 Speaker 2: Alan Watts. Different guy. There's a one letter difference. I'm 21 00:01:20,480 --> 00:01:24,280 Speaker 2: sure they share some amount of audience crossover, but they 22 00:01:24,280 --> 00:01:27,160 Speaker 2: are different people. He kind of coined this concept around 23 00:01:27,200 --> 00:01:30,000 Speaker 2: the early two thousands. From what I can tell, he's 24 00:01:30,040 --> 00:01:35,000 Speaker 2: a Scottish Canadian conspiracy theorist. Oddly enough, he's kind of 25 00:01:35,000 --> 00:01:38,479 Speaker 2: one of the least problematic conspiracy theorists that I've run into, 26 00:01:38,720 --> 00:01:42,680 Speaker 2: Like he's openly pushed back on on like anti semitism 27 00:01:42,760 --> 00:01:46,119 Speaker 2: from David Ike and Alex Jones, Like he just seems 28 00:01:46,120 --> 00:01:48,320 Speaker 2: to kind of be a silly guy. He died a 29 00:01:48,320 --> 00:01:51,360 Speaker 2: few years ago. From what I can tell, at least 30 00:01:51,400 --> 00:01:55,600 Speaker 2: on like a cursory search, he's like not the most problematic. 31 00:01:55,640 --> 00:01:58,520 Speaker 2: I mean, obviously still a conspiracy theorist, but like kind 32 00:01:58,600 --> 00:02:02,360 Speaker 2: of like the token good conspiracy theorists. I don't know, 33 00:02:02,720 --> 00:02:06,400 Speaker 2: but he defined predictive programming as the power of suggestion 34 00:02:06,600 --> 00:02:10,280 Speaker 2: using the media of fiction to create a desired outcome. 35 00:02:10,919 --> 00:02:14,400 Speaker 2: A more expansive definition that he gave is quote, predictive 36 00:02:14,440 --> 00:02:17,480 Speaker 2: programming is a subtle form of psychological conditioning provided by 37 00:02:17,480 --> 00:02:21,040 Speaker 2: the media to acquaint the public with planned societal changes 38 00:02:21,160 --> 00:02:24,680 Speaker 2: to implemented by the elites. If and when these changes 39 00:02:24,680 --> 00:02:27,000 Speaker 2: are put through the public will already be familiarized with 40 00:02:27,040 --> 00:02:31,000 Speaker 2: them and will accept them as natural progressions, thus lessening 41 00:02:31,040 --> 00:02:35,440 Speaker 2: any possible public resistance and commotion. Predictive programming, therefore may 42 00:02:35,440 --> 00:02:38,880 Speaker 2: be considered a veiled form of preemptive mass manipulation or 43 00:02:38,919 --> 00:02:43,840 Speaker 2: mind control courtesy of our puppet masters. So that's Alan Watt, 44 00:02:44,520 --> 00:02:46,760 Speaker 2: that is that is his definition. Like I said, he 45 00:02:46,840 --> 00:02:48,320 Speaker 2: kind of came up with this idea in the early 46 00:02:48,360 --> 00:02:52,239 Speaker 2: two thousands, and it spread like wildfire throughout his competitors 47 00:02:52,240 --> 00:02:56,400 Speaker 2: and his contemporaries in the conspiratorial milieu. Yeah, it's really recent. 48 00:02:56,440 --> 00:02:58,840 Speaker 2: I thought it was older than that. Yeah, No, it 49 00:02:58,919 --> 00:02:59,880 Speaker 2: is a new one. 50 00:03:00,040 --> 00:03:00,240 Speaker 3: It is. 51 00:03:00,400 --> 00:03:03,040 Speaker 2: It is a relatively new conspiracy theory. Like it doesn't 52 00:03:03,080 --> 00:03:05,360 Speaker 2: it doesn't go all the way back to like well, 53 00:03:05,720 --> 00:03:08,480 Speaker 2: some of like the rough ideas were kind of used 54 00:03:08,520 --> 00:03:10,080 Speaker 2: by stuff, you know, going all the way back to 55 00:03:10,120 --> 00:03:14,120 Speaker 2: the John Birch Society. But the actual term predictive programming 56 00:03:14,480 --> 00:03:17,480 Speaker 2: and the modern understanding of that term are much more recent. 57 00:03:18,160 --> 00:03:21,440 Speaker 2: An Ohio State University article on the topic said, quote, 58 00:03:21,680 --> 00:03:24,280 Speaker 2: Predictive programming, at its core is a tactic to reduce 59 00:03:24,320 --> 00:03:28,600 Speaker 2: resistance by introducing concepts that seem far fetched and continuously 60 00:03:28,840 --> 00:03:32,480 Speaker 2: reintroducing them to make these concepts appear more likely or 61 00:03:32,480 --> 00:03:35,600 Speaker 2: at the very least acceptable. So that's more of like 62 00:03:35,680 --> 00:03:41,680 Speaker 2: an outside in definition from from researchers. So let's let's 63 00:03:41,680 --> 00:03:43,400 Speaker 2: go back to Alan watch a little bit, because he's 64 00:03:43,440 --> 00:03:47,560 Speaker 2: kind of been largely forgotten in the conspiratorial milieu, replaced 65 00:03:47,560 --> 00:03:51,880 Speaker 2: by a whole bunch of more like bombastic and troubling 66 00:03:51,920 --> 00:03:55,920 Speaker 2: figures like Jones and Ike and many many smaller, smaller 67 00:03:55,920 --> 00:03:59,880 Speaker 2: conspiracy theorists. But I listened to what I believe to 68 00:03:59,920 --> 00:04:03,240 Speaker 2: be the first kind of broadcast where where he coined 69 00:04:03,280 --> 00:04:07,360 Speaker 2: this idea as opposed to Alex Jones. Alan Watt is 70 00:04:07,400 --> 00:04:10,800 Speaker 2: like a very like calm speaker, like he's he's actually 71 00:04:10,840 --> 00:04:13,280 Speaker 2: kind of just like pleasant to listen to because he's 72 00:04:13,320 --> 00:04:18,400 Speaker 2: just so like like calm, methodical. He's not like bombastic. 73 00:04:19,080 --> 00:04:22,600 Speaker 2: He just sounds like a regular, like chill guy. His 74 00:04:22,600 --> 00:04:25,599 Speaker 2: his website is amazing. It looks like a nineteen ninety 75 00:04:25,600 --> 00:04:29,080 Speaker 2: five website that has never been updated. It is. It 76 00:04:29,200 --> 00:04:31,640 Speaker 2: is fantastic. I love that the website has stayed up 77 00:04:31,680 --> 00:04:34,480 Speaker 2: after his death because it is just a joy to 78 00:04:34,560 --> 00:04:38,040 Speaker 2: look at. But Alan Watt describes predictive programming as a 79 00:04:38,120 --> 00:04:42,920 Speaker 2: quote unquote ancient science. He thought that quote families of 80 00:04:43,000 --> 00:04:46,640 Speaker 2: actors go back thousands of years. They're a specialized section 81 00:04:46,680 --> 00:04:51,040 Speaker 2: of society that intermarries within their own ranks unquote. So 82 00:04:51,080 --> 00:04:54,000 Speaker 2: like he thinks all actors come from like this one 83 00:04:54,160 --> 00:04:58,480 Speaker 2: large like intergenerational family that have been that have been 84 00:04:58,520 --> 00:05:01,240 Speaker 2: like in the profession of acting, which like is kind 85 00:05:01,240 --> 00:05:04,120 Speaker 2: of true for like the Coppolas, but like, eh, you know, 86 00:05:04,200 --> 00:05:07,440 Speaker 2: it's like, yes, there's a massive like inepotism problem, but 87 00:05:07,520 --> 00:05:11,279 Speaker 2: like no, yeah, actors art like a single family that 88 00:05:11,360 --> 00:05:14,760 Speaker 2: goes back like millennia. But that is that that is 89 00:05:14,800 --> 00:05:19,360 Speaker 2: one of his beliefs he calls he calls producers magicians. 90 00:05:19,760 --> 00:05:22,880 Speaker 2: Quote they know what messages must be imprinted into the 91 00:05:22,920 --> 00:05:26,640 Speaker 2: minds of the audience, they know the techniques, a perfect 92 00:05:26,720 --> 00:05:32,160 Speaker 2: science unquote. He also talks about how Shakespeare was involved 93 00:05:32,200 --> 00:05:36,119 Speaker 2: in predictive programming. Quote Shakespeare was the magician that brought 94 00:05:36,200 --> 00:05:41,839 Speaker 2: the English language into being unquote. So he said, like 95 00:05:41,920 --> 00:05:46,120 Speaker 2: Shakespeare is like the person who developed like the modern 96 00:05:46,440 --> 00:05:49,560 Speaker 2: the modern English language. Like obviously English like pre dates Shakespeare, 97 00:05:49,560 --> 00:05:51,840 Speaker 2: but like he thinks that through Shakespeare's writing, he was 98 00:05:51,880 --> 00:05:54,760 Speaker 2: able to like popularize the modern form of English, which 99 00:05:54,839 --> 00:05:57,440 Speaker 2: just isn't true, but it's a it's a it's a 100 00:05:57,560 --> 00:06:00,440 Speaker 2: funny thing to believe. And he thinks all people are 101 00:06:00,480 --> 00:06:03,039 Speaker 2: like literal magicians, like like wizards, like you know, like 102 00:06:03,040 --> 00:06:06,280 Speaker 2: like wands, pointy hats, like they're all like doing actual 103 00:06:06,279 --> 00:06:09,440 Speaker 2: like magic. This seems like such a roundabout way of 104 00:06:09,480 --> 00:06:13,880 Speaker 2: doing this, like you can just absolutely magic. So so true, 105 00:06:14,040 --> 00:06:19,760 Speaker 2: so true ya. So, Alan Watt talks about that in 106 00:06:19,800 --> 00:06:23,120 Speaker 2: the late sixties there was a big, weeks long international 107 00:06:23,160 --> 00:06:26,400 Speaker 2: meeting to decide that Hollywood would be the place to 108 00:06:26,520 --> 00:06:30,600 Speaker 2: create the culture of the future. He then discusses how 109 00:06:30,640 --> 00:06:36,400 Speaker 2: like Hollywood controls people through like war movies, and how 110 00:06:36,480 --> 00:06:39,799 Speaker 2: like the DoD helps Hollywood with equipment for war movies, 111 00:06:39,800 --> 00:06:42,080 Speaker 2: but they have to approve the messaging, which like that 112 00:06:42,120 --> 00:06:44,400 Speaker 2: has like a little grain of truth in there, Like yes, 113 00:06:44,680 --> 00:06:47,000 Speaker 2: to use military equipment, you do need to get like 114 00:06:47,040 --> 00:06:50,800 Speaker 2: approval from people in the government. And yeah, there is 115 00:06:50,839 --> 00:06:53,640 Speaker 2: a form of Hollywood that is like just war propaganda 116 00:06:53,640 --> 00:06:56,080 Speaker 2: like that there is there's there's a kernel of truth here, 117 00:06:56,400 --> 00:06:58,920 Speaker 2: but not exactly in the way. Alan Watt talks about it. 118 00:06:59,560 --> 00:07:01,560 Speaker 2: Do you know what else has a kernel of truth 119 00:07:02,520 --> 00:07:06,040 Speaker 2: all of these ads, there's one single kernel in all 120 00:07:06,080 --> 00:07:10,360 Speaker 2: of these ads that is revealing a divine truth of existence. 121 00:07:10,400 --> 00:07:26,160 Speaker 2: So watch out and listen for this one kernel of truth. Okay, 122 00:07:26,240 --> 00:07:29,600 Speaker 2: we are back to talk about Alan Watt and his 123 00:07:29,760 --> 00:07:34,600 Speaker 2: predictive programming idea which has spread through the conspiratorial milieu 124 00:07:35,040 --> 00:07:39,760 Speaker 2: like wildfire. So probably the funniest thing he gets to 125 00:07:40,040 --> 00:07:45,360 Speaker 2: on this whole Hollywood as magician's rant is quote, if 126 00:07:45,360 --> 00:07:49,040 Speaker 2: you look at the word Hollywood, it means holy wood, 127 00:07:49,360 --> 00:07:52,600 Speaker 2: which of course is the staff of the magi, the 128 00:07:52,680 --> 00:07:56,560 Speaker 2: grand magus of the occult. He waves a wand and 129 00:07:56,720 --> 00:08:03,880 Speaker 2: everything is changed. He casts the spell. So so he 130 00:08:03,960 --> 00:08:06,880 Speaker 2: thinks that Hollywood literally refers to like a magic wand, 131 00:08:07,000 --> 00:08:13,000 Speaker 2: like a holy a holywood. He then he then also 132 00:08:13,040 --> 00:08:15,800 Speaker 2: talks about Hollywood as like as like a grove, like 133 00:08:15,800 --> 00:08:18,440 Speaker 2: like Hollywood, like the place is is is a grove 134 00:08:18,680 --> 00:08:23,760 Speaker 2: quote similar to Jewish holy groves and folklore. Moses's staff 135 00:08:23,880 --> 00:08:26,160 Speaker 2: was placed in a grove and that was a special 136 00:08:26,240 --> 00:08:30,200 Speaker 2: place for higher magi to meet. Unquote. And I don't 137 00:08:30,240 --> 00:08:32,720 Speaker 2: think he means this anti semitically, It just kind of 138 00:08:32,760 --> 00:08:40,280 Speaker 2: sounds anti Semitic, but he talks about anyway. You can't 139 00:08:40,280 --> 00:08:42,320 Speaker 2: even blame the US of this. So those guy's Canadian 140 00:08:43,840 --> 00:08:49,719 Speaker 2: Scottish Canadian. Yeah, yeah, literally literally me, literally me. I'll 141 00:08:49,760 --> 00:08:52,360 Speaker 2: read one more Alan Watt quote here, which is just 142 00:08:52,360 --> 00:08:57,720 Speaker 2: just a banger. Hollywood is the magician's wand Holy Holly, 143 00:08:58,320 --> 00:09:01,160 Speaker 2: which has been used to hast a spell on the 144 00:09:01,280 --> 00:09:05,000 Speaker 2: unsuspecting public. Things or ideas that would otherwise be seen 145 00:09:05,000 --> 00:09:09,400 Speaker 2: as bizarre, vulgar, undesirable, or impossible are inserted into films 146 00:09:09,440 --> 00:09:13,160 Speaker 2: in the realm of fantasy. When the viewer watches these films, 147 00:09:13,240 --> 00:09:16,000 Speaker 2: his or her mind is left open to suggestion and 148 00:09:16,040 --> 00:09:19,760 Speaker 2: the conditioning process begins. These same movies, which are designed 149 00:09:19,800 --> 00:09:22,839 Speaker 2: to program the average person, can give the discerning viewer 150 00:09:22,920 --> 00:09:26,160 Speaker 2: a better understanding of the workings and the plan of 151 00:09:26,200 --> 00:09:30,240 Speaker 2: the world agenda unquote. So Unlike a lot of modern 152 00:09:30,240 --> 00:09:33,520 Speaker 2: conspiracy theorists who like refuse to watch movies because of 153 00:09:33,559 --> 00:09:37,280 Speaker 2: predicting programming, Alan Watt thinks it's actually useful to watch 154 00:09:37,320 --> 00:09:40,079 Speaker 2: movies because you can get like a future like glimpse 155 00:09:40,120 --> 00:09:42,520 Speaker 2: of what is gonna happen in the world, which is 156 00:09:42,559 --> 00:09:45,160 Speaker 2: like a neat little difference compared to some of his 157 00:09:45,280 --> 00:09:47,680 Speaker 2: modern contemporaries. Yeah you can. You can. You can watch 158 00:09:47,720 --> 00:09:53,319 Speaker 2: Batman realize and occupy Wall Street's happening, yes one year ago, Yeah, totally. 159 00:09:54,040 --> 00:09:57,960 Speaker 2: It's predictive programming in the past, in the past, Yeah, yeah, preemptive. 160 00:09:58,600 --> 00:10:03,200 Speaker 2: So let's talk about some examples of predictive programming. 161 00:10:03,280 --> 00:10:03,439 Speaker 3: Now. 162 00:10:03,480 --> 00:10:06,720 Speaker 2: One thing that people often point to when discussing this 163 00:10:07,000 --> 00:10:11,280 Speaker 2: is the television show The Simpsons. Now. A writer and 164 00:10:11,320 --> 00:10:13,680 Speaker 2: producer of The Simpsons from back in the nineties, Bill Oakley, 165 00:10:13,840 --> 00:10:16,040 Speaker 2: gave a statement to Reuters a few years ago about 166 00:10:16,040 --> 00:10:19,080 Speaker 2: the concept of The Simpsons being able to predict real 167 00:10:19,120 --> 00:10:22,200 Speaker 2: world events. Quote. I would say in general, when people 168 00:10:22,240 --> 00:10:25,000 Speaker 2: say The Simpsons has predicted something, it's that we were 169 00:10:25,120 --> 00:10:28,640 Speaker 2: really just satirizing real life events from years before, and 170 00:10:28,720 --> 00:10:31,840 Speaker 2: because history keeps repeating itself, it just seems like we're 171 00:10:31,840 --> 00:10:34,320 Speaker 2: predicting things unquote. So I think is actually a really 172 00:10:34,360 --> 00:10:38,720 Speaker 2: great observation. The show actually hasn't made very many predictions. 173 00:10:39,040 --> 00:10:41,800 Speaker 2: It is often just satirizing actual events from around the 174 00:10:41,800 --> 00:10:44,640 Speaker 2: time of the show's production, and lots of those events 175 00:10:44,679 --> 00:10:47,520 Speaker 2: we've just now forgotten in the present, and similar events 176 00:10:47,720 --> 00:10:50,800 Speaker 2: keep happening in the present, like viruses or Donald Trump 177 00:10:50,880 --> 00:10:53,000 Speaker 2: running for president just like he did in the two thousands. 178 00:10:53,400 --> 00:10:56,880 Speaker 2: So it's easy to kind of see these things as 179 00:10:56,920 --> 00:10:59,360 Speaker 2: predictions when in fact we've just forgotten the events that 180 00:10:59,360 --> 00:11:02,439 Speaker 2: they were a rich satirizing. Now, many of the kind 181 00:11:02,480 --> 00:11:05,800 Speaker 2: of vigral quote unquote predictions you see online associated with 182 00:11:05,800 --> 00:11:09,400 Speaker 2: The Simpsons actually just have a vastly different context within 183 00:11:09,520 --> 00:11:13,480 Speaker 2: the show, and in many cases are actually just altered 184 00:11:13,520 --> 00:11:18,280 Speaker 2: images fan art, photoshops or memes with mislabeled timestamps, or 185 00:11:18,480 --> 00:11:23,200 Speaker 2: genuine images satirizing current events, making it appear as if 186 00:11:23,200 --> 00:11:26,000 Speaker 2: the Simpsons version happened beforehand, when really it was like 187 00:11:26,120 --> 00:11:29,920 Speaker 2: something satirizing an event a month ago, made to look 188 00:11:29,960 --> 00:11:31,520 Speaker 2: like it was actually produced in like two thousand and 189 00:11:31,559 --> 00:11:33,840 Speaker 2: seven or something, Right, So it's just a whole bunch 190 00:11:33,840 --> 00:11:38,000 Speaker 2: of manipulated media. One instance of something that appears to 191 00:11:38,040 --> 00:11:40,400 Speaker 2: be an impressive prediction but is actually just showing how 192 00:11:40,400 --> 00:11:42,720 Speaker 2: the creators of the show pay attention to politics is 193 00:11:42,760 --> 00:11:46,080 Speaker 2: the purple suit that President Lisa wears, bearing similarity to 194 00:11:46,160 --> 00:11:49,920 Speaker 2: Kamala Harris's get up on an inauguration day, but purple 195 00:11:50,240 --> 00:11:53,720 Speaker 2: was also worn by Michelle Obama and Hillary Clinton during 196 00:11:53,760 --> 00:11:56,440 Speaker 2: previous inauguration days. It's the color of the Suffagette movement, 197 00:11:56,760 --> 00:11:59,360 Speaker 2: and it tends to symbolize unity between red and blue states. 198 00:11:59,200 --> 00:12:04,000 Speaker 2: It's a very common thing that women wear at inauguration day, 199 00:12:04,080 --> 00:12:07,240 Speaker 2: so like it's just a good guess. So there's a 200 00:12:07,240 --> 00:12:10,560 Speaker 2: lot of stuff like that. Now, probably the most famous 201 00:12:10,559 --> 00:12:13,880 Speaker 2: example of the Simpsons predictive power is probably the nine 202 00:12:13,920 --> 00:12:16,839 Speaker 2: to eleven poster from the New York episode. Now, there 203 00:12:16,920 --> 00:12:20,040 Speaker 2: is a wealth of eerie nine to eleven imagery from 204 00:12:20,120 --> 00:12:23,040 Speaker 2: years before the attack, either associated with the date itself, 205 00:12:23,280 --> 00:12:25,160 Speaker 2: destruction of the Twin Towers, or in the case of 206 00:12:25,200 --> 00:12:29,360 Speaker 2: the Simpsons, both Now as for the others, nine to 207 00:12:29,400 --> 00:12:31,360 Speaker 2: one one is just a common number in the US, 208 00:12:31,400 --> 00:12:32,880 Speaker 2: so you see a pop up in a lot of stuff. 209 00:12:33,280 --> 00:12:35,680 Speaker 2: And the Twin Towers, as well as the Statue of Liberty, 210 00:12:35,720 --> 00:12:38,720 Speaker 2: the Empire State, and the Chrysler Building are all often 211 00:12:38,840 --> 00:12:43,360 Speaker 2: used in like post apocalyptic or like societal collapse destructive artwork. 212 00:12:44,000 --> 00:12:45,760 Speaker 2: Of course, there was the bombing at the World Trade 213 00:12:45,760 --> 00:12:50,560 Speaker 2: Center like a decade prior, and it's really easy now 214 00:12:50,640 --> 00:12:54,079 Speaker 2: just to focus on instances of art depicting the Twin Towers. Right, 215 00:12:54,200 --> 00:12:56,560 Speaker 2: we have Michael Keaton's The Squeeze from nineteen eighty seven, 216 00:12:56,600 --> 00:12:59,520 Speaker 2: Cookie Monster eating the Twin Towers in nineteen seventy six, 217 00:13:00,000 --> 00:13:02,560 Speaker 2: The Towers disintegrating in the nineteen ninety three Mario movie, 218 00:13:02,840 --> 00:13:06,880 Speaker 2: The Infamous Illuminati Card Game, The Coup's Party music album cover, 219 00:13:07,160 --> 00:13:11,320 Speaker 2: and my personal favorite instance, the pilot episode of the 220 00:13:11,520 --> 00:13:14,920 Speaker 2: X Files of spinoff show The Lone Gunmen, in which 221 00:13:15,400 --> 00:13:18,480 Speaker 2: members of the US government deep State remotely hijack a 222 00:13:18,520 --> 00:13:21,960 Speaker 2: commercial airliner to crash it into the world tranessetter, to 223 00:13:22,000 --> 00:13:24,440 Speaker 2: blame it on terrorists and start a new war in 224 00:13:24,480 --> 00:13:28,040 Speaker 2: the Middle East. This episode aired six months before nine 225 00:13:28,080 --> 00:13:31,920 Speaker 2: to eleven. It is the funniest thing. It's wild, it's 226 00:13:31,960 --> 00:13:34,440 Speaker 2: like specifically being like an X Files a spin off. 227 00:13:34,480 --> 00:13:40,959 Speaker 2: It's just gold hilarious stuff. And obviously for another predictive 228 00:13:40,960 --> 00:13:44,040 Speaker 2: programming type thing. In the wake of COVID nineteen, many 229 00:13:44,080 --> 00:13:46,960 Speaker 2: have pointed out that movies like Contagion or even zombie 230 00:13:46,960 --> 00:13:50,480 Speaker 2: media are instances of predictive programming to get the public 231 00:13:50,520 --> 00:13:53,680 Speaker 2: to accept a massive global pandemic, when in most cases 232 00:13:53,720 --> 00:13:56,760 Speaker 2: it's actually just like scientists being like, hey, a pandemic 233 00:13:56,920 --> 00:13:59,880 Speaker 2: could probably be a big problem, and then screenwriters being like, oh, 234 00:14:00,040 --> 00:14:02,720 Speaker 2: let's write a movie about a pandemic, right, very easy. 235 00:14:03,080 --> 00:14:06,800 Speaker 2: Do you know what else contains very important subliminal messaging? 236 00:14:06,840 --> 00:14:11,640 Speaker 2: Maya cars two? Well, the products and services that support 237 00:14:11,640 --> 00:14:13,880 Speaker 2: this podcast. Listen to these to get a glimpse into 238 00:14:13,920 --> 00:14:27,880 Speaker 2: the future. All right, we are back and we are 239 00:14:28,000 --> 00:14:30,800 Speaker 2: joined by Robert Evans to give his thoughts on the 240 00:14:30,840 --> 00:14:32,520 Speaker 2: predictive power of the Simpsons. 241 00:14:32,680 --> 00:14:36,160 Speaker 3: Hello Robert, Hey, you know Garrison. Once upon a time 242 00:14:36,240 --> 00:14:39,360 Speaker 3: I watched the Simpsons episode where Homer decides not to 243 00:14:39,400 --> 00:14:43,720 Speaker 3: go to church instead to stay asleep on Sunday all day, 244 00:14:44,280 --> 00:14:46,960 Speaker 3: and that really kind of predicted me sleeping in this 245 00:14:47,080 --> 00:14:50,080 Speaker 3: morning after getting in on a late night flight last 246 00:14:50,160 --> 00:14:53,120 Speaker 3: night and missing the start of this recording. So the 247 00:14:53,160 --> 00:14:56,600 Speaker 3: power of predictive programming simply cannot be denied. Because there's 248 00:14:56,600 --> 00:14:59,240 Speaker 3: a scene in that where Homer like closes his eyes 249 00:14:59,240 --> 00:15:02,400 Speaker 3: and curls his to and pulls his cover cepo for 250 00:15:02,480 --> 00:15:07,160 Speaker 3: himself when he's avoiding church. That really predicted me at 251 00:15:07,160 --> 00:15:08,880 Speaker 3: about eleven am this morning. 252 00:15:10,240 --> 00:15:12,960 Speaker 2: Well that's great. Do you know who else is good 253 00:15:12,960 --> 00:15:18,440 Speaker 2: at predictive programming? Batman? Okay, so we've already talked a 254 00:15:18,480 --> 00:15:22,120 Speaker 2: little bit about some of the predictive programming conspiracies based 255 00:15:22,160 --> 00:15:24,720 Speaker 2: on The Dark Knight Rises. In the first segment of 256 00:15:24,720 --> 00:15:27,480 Speaker 2: our Occupy Gotham City episode, you know how the Aurora 257 00:15:27,960 --> 00:15:31,480 Speaker 2: Colorado shooter was a modern MK Ultra victim program to 258 00:15:31,520 --> 00:15:34,600 Speaker 2: distract from the software leaks that'll expose the corrupt elites 259 00:15:34,640 --> 00:15:37,920 Speaker 2: because his father worked on predictive algorithms for the financial sector, 260 00:15:38,440 --> 00:15:41,440 Speaker 2: just like the plot of The Dark Knight Rises. It's 261 00:15:41,520 --> 00:15:44,560 Speaker 2: not the plot of the Darkness, not at all. But 262 00:15:44,880 --> 00:15:47,360 Speaker 2: let's not forget that the movie also conditioned us to 263 00:15:47,400 --> 00:15:50,800 Speaker 2: accept a major attack on a big sporting event, something 264 00:15:50,800 --> 00:15:54,640 Speaker 2: which has also not really happened. So I'll actually be 265 00:15:54,680 --> 00:15:57,240 Speaker 2: seeing Clyde Lewis again next week, so I will try 266 00:15:57,240 --> 00:16:00,600 Speaker 2: to get his thoughts on his Dark Nights it Rises 267 00:16:00,680 --> 00:16:03,600 Speaker 2: failed predictions. We'll see, We'll see how. We'll see how 268 00:16:03,640 --> 00:16:05,880 Speaker 2: that goes for me. But those are not the only 269 00:16:06,040 --> 00:16:09,120 Speaker 2: conspiracy theories around this movie. For the next one, we 270 00:16:09,160 --> 00:16:11,600 Speaker 2: will turn to the King of the Lizard People, David 271 00:16:11,640 --> 00:16:16,600 Speaker 2: ike Ah, there we go. He claims that when the 272 00:16:16,640 --> 00:16:19,560 Speaker 2: GCPD are trying to track down the location of Bain's 273 00:16:19,640 --> 00:16:23,320 Speaker 2: nuclear reactor, there's a shot of a map on which 274 00:16:23,480 --> 00:16:27,480 Speaker 2: there is a location marked as Sandy Hook. And you'll 275 00:16:27,520 --> 00:16:31,480 Speaker 2: never guess what happened after the Dark came out. God 276 00:16:32,240 --> 00:16:40,600 Speaker 2: yeah yeah so then so yeah, now I've I've I've 277 00:16:40,640 --> 00:16:42,680 Speaker 2: looked into this a decent bit, because yes, there is 278 00:16:42,720 --> 00:16:44,560 Speaker 2: there is a location on the map of Gotham City 279 00:16:44,640 --> 00:16:48,760 Speaker 2: marked Sandy Hook. Now this is probably named after Sandy Hook, 280 00:16:48,840 --> 00:16:52,800 Speaker 2: New Jersey, just south of New York City, as on 281 00:16:52,840 --> 00:16:56,400 Speaker 2: the Batman map it is, uh, it is an island 282 00:16:56,560 --> 00:16:59,480 Speaker 2: that is just south of Gotham City. In the comics, 283 00:17:00,040 --> 00:17:02,840 Speaker 2: it's called Tri Corner Island for like, the specific map 284 00:17:02,880 --> 00:17:05,040 Speaker 2: of Gotham they used is from like the nineteen nineties, 285 00:17:05,280 --> 00:17:07,840 Speaker 2: and it's called Tri Corner Island. I think they renamed 286 00:17:07,840 --> 00:17:11,560 Speaker 2: it to Sandy Hook in The Dark Knet rises. So 287 00:17:12,080 --> 00:17:14,480 Speaker 2: a similar map in the movie was used for marketing 288 00:17:14,480 --> 00:17:17,320 Speaker 2: materials that labeled Sandy Hook as a neighborhood in Gotham, 289 00:17:17,800 --> 00:17:21,359 Speaker 2: and this map also contained a neighborhood called the Narrows, 290 00:17:21,560 --> 00:17:25,959 Speaker 2: a common Gotham borough in Batman lore. The Sandy Hook shooting. 291 00:17:26,320 --> 00:17:30,160 Speaker 2: This led schools in Narrows, Virginia to delay their returnive 292 00:17:30,200 --> 00:17:34,679 Speaker 2: students for winter break to install additional security precautions, and 293 00:17:34,720 --> 00:17:37,760 Speaker 2: this was all based on a conspiracy article titled is 294 00:17:37,920 --> 00:17:42,240 Speaker 2: Narrows the site of the next school massacred? Of course 295 00:17:42,280 --> 00:17:44,400 Speaker 2: it wasn't, but clear, folks. 296 00:17:44,320 --> 00:17:50,360 Speaker 3: There are Sandy hooks towns named Sandy Hooks in Connecticut, Indiana, Kentucky, Maryland, Mississippi, 297 00:17:50,400 --> 00:17:55,040 Speaker 3: and Missouri, Yes, Virginia, Wisconsin. Like it's it's there's a 298 00:17:55,040 --> 00:17:56,560 Speaker 3: lot of them. We've made a lot of them. There's 299 00:17:56,560 --> 00:17:58,159 Speaker 3: a lot of places that are sandy and look like 300 00:17:58,200 --> 00:17:58,560 Speaker 3: a hook. 301 00:17:59,640 --> 00:18:01,520 Speaker 2: And the secondary problem with this is that we have 302 00:18:01,560 --> 00:18:03,639 Speaker 2: school shootings in so many places that if you just 303 00:18:03,680 --> 00:18:05,600 Speaker 2: have a map in any movie, there's like a one 304 00:18:05,640 --> 00:18:08,280 Speaker 2: in twelve chance that there's going to be a shooting there. Now, 305 00:18:08,720 --> 00:18:11,040 Speaker 2: so great, great society we've built. 306 00:18:11,480 --> 00:18:13,640 Speaker 3: I do kind of wonder is this something that we've 307 00:18:13,680 --> 00:18:17,280 Speaker 3: like inoculated ourselves against by having so many school shootings, 308 00:18:17,359 --> 00:18:19,959 Speaker 3: like because you could never Sandy Hook got so much 309 00:18:20,000 --> 00:18:22,760 Speaker 3: attention because like we didn't have as many shootings back 310 00:18:22,800 --> 00:18:25,640 Speaker 3: then and it was so terrible, and like maybe now 311 00:18:25,720 --> 00:18:28,639 Speaker 3: we move on to because it's like what you're talking 312 00:18:28,680 --> 00:18:32,640 Speaker 3: about elements of this, but like people obsessed are still 313 00:18:32,680 --> 00:18:35,160 Speaker 3: obsessed over the Sandy Hook shooting today in a way 314 00:18:35,200 --> 00:18:38,760 Speaker 3: that like, I don't think most mass shooting victims have 315 00:18:38,840 --> 00:18:41,119 Speaker 3: to deal with, like it becoming the center of this 316 00:18:41,280 --> 00:18:43,359 Speaker 3: national mania campaign. 317 00:18:43,640 --> 00:18:49,520 Speaker 2: Yeah, and many pointed out that this, this Batman conspiracy 318 00:18:49,520 --> 00:18:52,840 Speaker 2: theory is kind of incongruent with other Sandy Hook conspiracy theories, 319 00:18:53,520 --> 00:18:55,639 Speaker 2: being like it's supposed to be a big shocking incident 320 00:18:55,640 --> 00:18:58,360 Speaker 2: to get people to start to start like wanting gun 321 00:18:58,400 --> 00:19:01,399 Speaker 2: control versus why would they try to warn us about it, 322 00:19:01,680 --> 00:19:04,639 Speaker 2: about it happening, if it was, if the point of 323 00:19:04,640 --> 00:19:07,160 Speaker 2: it is to be shocking, like, it doesn't quite make 324 00:19:07,200 --> 00:19:11,400 Speaker 2: sense as most conspiracy theories do. But David Ike said, 325 00:19:11,440 --> 00:19:15,280 Speaker 2: quote the Dark Knight rises is classic Saturn symbolism, and 326 00:19:15,359 --> 00:19:22,159 Speaker 2: Satanists worship Saturn. So there you go. Now, curiously, do 327 00:19:22,200 --> 00:19:26,159 Speaker 2: you know who else lives in Sandy Hook? Suzanne Collins, 328 00:19:26,240 --> 00:19:29,600 Speaker 2: the author of The Hunger Games, which leads us to 329 00:19:29,640 --> 00:19:34,399 Speaker 2: our next topic, the Hunger Games. I found this amazing 330 00:19:34,480 --> 00:19:38,920 Speaker 2: blog called Through Ancient Eyes by this British guy named Neil, 331 00:19:39,000 --> 00:19:41,600 Speaker 2: who's obsessed with the occult and is like a David 332 00:19:41,640 --> 00:19:48,439 Speaker 2: Ike fanboy. This this blog is glorious, So I will 333 00:19:49,480 --> 00:19:53,040 Speaker 2: I'll start by by by reading the The opening opening 334 00:19:53,080 --> 00:19:56,240 Speaker 2: paragraph from this blog quote, don't think for a minute 335 00:19:56,240 --> 00:19:59,359 Speaker 2: that the script for the Hunger Games books is purely fiction. 336 00:20:00,080 --> 00:20:02,840 Speaker 2: Here we have predictive programming at its finest. What I 337 00:20:02,960 --> 00:20:05,600 Speaker 2: saw was the second part of a three part narrative 338 00:20:05,640 --> 00:20:09,879 Speaker 2: that clearly plants ideas of acceptance, sacrifice, and revolution in 339 00:20:09,960 --> 00:20:13,640 Speaker 2: the minds of youth. The books are awash with symbols 340 00:20:13,640 --> 00:20:16,760 Speaker 2: and archetypes that seem to be classic programming devices, and 341 00:20:16,840 --> 00:20:20,000 Speaker 2: more alarmingly, the books seem to project a very viable 342 00:20:20,040 --> 00:20:22,439 Speaker 2: future for not only America, but for the world. 343 00:20:23,119 --> 00:20:27,560 Speaker 3: I mean, look, he's not entirely wrong. Because of all 344 00:20:27,640 --> 00:20:31,679 Speaker 3: of the pieces of revolutionary literature and nonfiction of that 345 00:20:31,720 --> 00:20:33,959 Speaker 3: have come out during our lifetimes, the Hunger Games has 346 00:20:34,000 --> 00:20:35,720 Speaker 3: inspired a lot more revolutions. 347 00:20:35,800 --> 00:20:41,800 Speaker 4: Absolutely else, Absolutely, That's why this one is so fun. 348 00:20:41,840 --> 00:20:45,000 Speaker 4: It's because, no, like twenty twenty was, like, a not 349 00:20:45,080 --> 00:20:47,720 Speaker 4: insignificant part of twenty twenty was due to a whole 350 00:20:47,720 --> 00:20:49,919 Speaker 4: bunch of kids growing up with The Hunger Games. 351 00:20:50,240 --> 00:20:53,080 Speaker 3: No, No, I know people who are still fighting in 352 00:20:53,119 --> 00:20:56,000 Speaker 3: the jungle. So in part because of that book. 353 00:20:55,880 --> 00:20:59,080 Speaker 2: Yes, exactly, So we will get into that in a 354 00:20:59,119 --> 00:21:04,000 Speaker 2: bit now. Neil believes that the country of PanAm is 355 00:21:04,080 --> 00:21:07,160 Speaker 2: quote clearly a reference to both Arcadia and the Greek 356 00:21:07,240 --> 00:21:08,920 Speaker 2: god Pan unquote. 357 00:21:09,600 --> 00:21:12,040 Speaker 3: It's an author who was up late at night looking 358 00:21:12,080 --> 00:21:14,800 Speaker 3: for country names and remember it in an old airline 359 00:21:15,160 --> 00:21:15,800 Speaker 3: like that's. 360 00:21:15,960 --> 00:21:18,680 Speaker 2: What was going on. The region of Arcadia was home 361 00:21:18,760 --> 00:21:21,600 Speaker 2: to pan and characterized by a vast wilderness with its 362 00:21:21,680 --> 00:21:25,160 Speaker 2: lavish parties for the god of the wild and his nymphs. Quote. 363 00:21:25,320 --> 00:21:28,560 Speaker 2: The Hunger Game's capital is an urban forest of the gods. 364 00:21:28,840 --> 00:21:32,240 Speaker 2: In its classic symbolic reversal of the true meaning, it 365 00:21:32,320 --> 00:21:34,879 Speaker 2: becomes a city dedicated to all that would be the 366 00:21:34,920 --> 00:21:39,639 Speaker 2: opposite of true freedom unquote. Now Neil loves symbolic reversal. 367 00:21:40,080 --> 00:21:43,520 Speaker 2: How you will see something depicted that is like, you know, 368 00:21:43,640 --> 00:21:49,800 Speaker 2: like being against tautalitarian governments. This is actually symbolic reversal 369 00:21:50,000 --> 00:21:54,600 Speaker 2: where it's actually pro authoritarian governments. Because this is this 370 00:21:54,640 --> 00:21:56,680 Speaker 2: is how he talks about the entire the entirety of 371 00:21:57,440 --> 00:22:00,440 Speaker 2: the movie and how it's actually trying to like seed 372 00:22:00,520 --> 00:22:04,440 Speaker 2: acceptance for a one world order, a military police estate 373 00:22:05,040 --> 00:22:09,000 Speaker 2: similar to David Ike. Neil also notes the Saturnian symbolism 374 00:22:09,359 --> 00:22:12,959 Speaker 2: with the goat imagery of the astral signed Capricorn, linking 375 00:22:13,000 --> 00:22:16,040 Speaker 2: to pan as well as the composite representation of the 376 00:22:16,040 --> 00:22:21,120 Speaker 2: devil image Baphomet. Now I'm not a planetary magic guy 377 00:22:21,280 --> 00:22:28,000 Speaker 2: in general, but Saturn is often linked to like the harvest, destruction, chaos. 378 00:22:27,320 --> 00:22:31,520 Speaker 2: It's it's a whole thing. But Neil says, quote both 379 00:22:31,560 --> 00:22:34,879 Speaker 2: Capricorn and Aquarius are ruled by Saturn and it's hidden 380 00:22:35,000 --> 00:22:40,680 Speaker 2: vibrationality effect on the powers that be banking, law, education. Therefore, 381 00:22:40,760 --> 00:22:44,439 Speaker 2: PanAm is the ultimate Saturn city of the future. PanAm 382 00:22:44,520 --> 00:22:47,639 Speaker 2: is very much the typical totalitarian future, not Sea Lake City. 383 00:22:48,400 --> 00:22:51,240 Speaker 2: It is also where that links to pandemonium in the 384 00:22:51,280 --> 00:22:54,679 Speaker 2: form of a pandemic. Is the Hunger Games preparing the 385 00:22:54,720 --> 00:22:57,360 Speaker 2: youth of today for some kind of tyrannical future born 386 00:22:57,359 --> 00:22:59,080 Speaker 2: out of the events of the next decade that will 387 00:22:59,160 --> 00:23:05,200 Speaker 2: lead to global pandemonium, which is unfortunately a pretty good 388 00:23:05,240 --> 00:23:12,280 Speaker 2: prediction coming from like coming from like the early twenty tens. Yeah, 389 00:23:12,320 --> 00:23:14,800 Speaker 2: they kind of were talking about a pandemic that leads 390 00:23:14,800 --> 00:23:20,320 Speaker 2: to global unrest repelling against a tyrannical future. So pretty 391 00:23:20,400 --> 00:23:23,639 Speaker 2: pretty good analysis by Neil there. Now, Neil also notes, 392 00:23:23,680 --> 00:23:27,120 Speaker 2: you know, curious linkages between the segregated twelve districts of PanAm, 393 00:23:27,440 --> 00:23:29,840 Speaker 2: just as our perception of time is governed by twelve 394 00:23:29,920 --> 00:23:36,159 Speaker 2: hours and months. Oh my god. He breaks down PanAm 395 00:23:36,400 --> 00:23:38,960 Speaker 2: even further, claiming that the letter E and the letter 396 00:23:39,119 --> 00:23:42,680 Speaker 2: M are like numerology references, the E linking to the 397 00:23:42,720 --> 00:23:48,080 Speaker 2: intel and Saturn like explorer logos, and Neil says quote 398 00:23:48,359 --> 00:23:51,199 Speaker 2: according to some researchers, which is a great way to 399 00:23:51,200 --> 00:23:54,080 Speaker 2: start a sentence. According to some researchers, the letter E 400 00:23:54,160 --> 00:23:57,199 Speaker 2: is a very important letter number because it represents the 401 00:23:57,240 --> 00:24:02,560 Speaker 2: fifth essence or element, the power of trends. No as 402 00:24:02,600 --> 00:24:08,880 Speaker 2: the Jermatria stortage. Oh yeah, absolutely absolutely. He goes all 403 00:24:08,960 --> 00:24:11,800 Speaker 2: out on the letter M. The letter m's a very 404 00:24:11,800 --> 00:24:15,520 Speaker 2: important letter in the mystery schools of antiquity, uh huh, 405 00:24:15,640 --> 00:24:19,280 Speaker 2: being the numerology equivalent of thirteen. This of course relates 406 00:24:19,280 --> 00:24:21,720 Speaker 2: to the thirteen original districts, or the twelve secretors around 407 00:24:21,720 --> 00:24:24,879 Speaker 2: the one capitol. Oh yeah, sure, there are of course 408 00:24:25,200 --> 00:24:29,480 Speaker 2: twelve jurors and one judge. The M or the thirteenth letter, 409 00:24:29,760 --> 00:24:33,560 Speaker 2: is the master with twelve disciples, and esoterically speaking, thirteen 410 00:24:33,680 --> 00:24:36,359 Speaker 2: is the experiencer of the twelve signs of the zodiac. 411 00:24:36,640 --> 00:24:39,320 Speaker 2: There are twelve months in the Gregorian sun calendar and 412 00:24:39,400 --> 00:24:42,840 Speaker 2: thirteen months in the lunar calendar. There were thirteen districts, 413 00:24:42,960 --> 00:24:47,240 Speaker 2: but now only twelve remains. There were thirteen colonies. The 414 00:24:47,359 --> 00:24:50,040 Speaker 2: US is Satanism, So true, so true. Mia. 415 00:24:50,200 --> 00:24:52,880 Speaker 3: There's a lot of talk about how like kids can't 416 00:24:52,880 --> 00:24:55,720 Speaker 3: read anymore because how we fucked up like reading education, 417 00:24:56,119 --> 00:24:58,880 Speaker 3: you know, around like the early aughts and shit, and 418 00:24:58,920 --> 00:25:01,800 Speaker 3: like some the damage that that's done. But this is 419 00:25:01,840 --> 00:25:03,760 Speaker 3: showing that, Like you've got a bunch of boomers who 420 00:25:03,800 --> 00:25:06,360 Speaker 3: are going through these books, who are reading them very carefully, 421 00:25:06,359 --> 00:25:08,719 Speaker 3: who are googling every word in them to see if 422 00:25:08,720 --> 00:25:11,399 Speaker 3: there's different things. Yeah, and they catch all of this, 423 00:25:11,600 --> 00:25:14,800 Speaker 3: like put all this weird maniaction together, But they don't 424 00:25:14,840 --> 00:25:16,879 Speaker 3: just get that, like, yeah, if you tell kids a 425 00:25:16,920 --> 00:25:20,920 Speaker 3: simple story about another young person overthrowing a tyrannical government, 426 00:25:21,200 --> 00:25:26,480 Speaker 3: maybe they'll burn down their capital building. Absolutely, it's happened before, 427 00:25:26,520 --> 00:25:27,560 Speaker 3: and it'll happen again. 428 00:25:28,960 --> 00:25:31,840 Speaker 2: Neil gets obsessed with all these little, tiny, tiny rabbit 429 00:25:31,880 --> 00:25:34,480 Speaker 2: holes that are ultimately meaningless, and like misses the very 430 00:25:34,520 --> 00:25:39,120 Speaker 2: glaring obvious thing right before his eyes. He says, numbers 431 00:25:39,119 --> 00:25:43,239 Speaker 2: and letters are vibrational codes that affect the subconscious. The 432 00:25:43,240 --> 00:25:46,000 Speaker 2: more I look at Saturn symbolism, the more I see 433 00:25:46,040 --> 00:25:50,360 Speaker 2: a thought form, waveform, or a vibrational pattern that permeates 434 00:25:50,400 --> 00:25:52,000 Speaker 2: the collective thinking of humanity. 435 00:25:52,240 --> 00:25:56,320 Speaker 3: Now you miss the obvious and more like there's all 436 00:25:56,359 --> 00:26:00,199 Speaker 3: this obsession with like numerology, and it's like, well, no, 437 00:26:00,240 --> 00:26:02,639 Speaker 3: A big part of why the Hunger Games caught on 438 00:26:02,720 --> 00:26:04,879 Speaker 3: to people and was like so easy to like meme 439 00:26:05,000 --> 00:26:07,479 Speaker 3: and spread as part of these revolutionary actions is they 440 00:26:07,520 --> 00:26:09,560 Speaker 3: had like a thing, a hand thing that you did. 441 00:26:09,560 --> 00:26:12,000 Speaker 3: They had a little salute and like kids could do 442 00:26:12,080 --> 00:26:12,800 Speaker 3: it to each other. 443 00:26:12,800 --> 00:26:16,120 Speaker 2: It's the Neil is not a fan of the salute, 444 00:26:16,119 --> 00:26:17,800 Speaker 2: by the way, Well that's good. 445 00:26:17,840 --> 00:26:20,480 Speaker 3: I'm sure he's got some fascinating opinions on that shit. 446 00:26:20,720 --> 00:26:25,639 Speaker 2: Oh he sure does, and we will hear his extremely 447 00:26:25,760 --> 00:26:29,280 Speaker 2: fascinating opinions on the three finger salute, as well as 448 00:26:29,440 --> 00:26:35,000 Speaker 2: other Hunger Games conspiracies and new upcoming predictive programming conspiracies 449 00:26:35,200 --> 00:26:39,520 Speaker 2: based around the Civil War movie in the next episode. 450 00:26:39,680 --> 00:26:43,800 Speaker 2: So stay tuned tomorrow for even more exciting news on 451 00:26:43,840 --> 00:26:46,800 Speaker 2: how you can predict the future by watching movies. 452 00:26:47,440 --> 00:26:55,520 Speaker 1: See tomorrow, It could happen here as a production of 453 00:26:55,560 --> 00:26:56,600 Speaker 1: cool Zone Media. 454 00:26:56,680 --> 00:26:58,440 Speaker 2: For more podcasts from cool Zone. 455 00:26:58,200 --> 00:27:01,199 Speaker 1: Media, visit our website, cool Zone Media, or check us 456 00:27:01,200 --> 00:27:04,040 Speaker 1: out on the iHeartRadio app, Apple Podcasts, or wherever you 457 00:27:04,119 --> 00:27:06,680 Speaker 1: listen to podcasts, you can find sources for It could 458 00:27:06,720 --> 00:27:10,800 Speaker 1: happen here, updated monthly at coolzonemedia dot com slash sources. 459 00:27:10,840 --> 00:27:11,680 Speaker 1: Thanks for listening.