WEBVTT - When the Night Comes Falling

0:00:03.200 --> 0:00:05.920
<v Speaker 1>It's such a harrowing account and it's so well written.

0:00:05.920 --> 0:00:08.639
<v Speaker 1>In hearing you speak about it now, I can't imagine

0:00:08.680 --> 0:00:11.480
<v Speaker 1>the level of emotional regulation a human would have to

0:00:11.560 --> 0:00:14.000
<v Speaker 1>have to be in the car with your own parent,

0:00:14.360 --> 0:00:17.040
<v Speaker 1>knowing that the police are looking for you, the world

0:00:17.160 --> 0:00:20.599
<v Speaker 1>is looking for you, and your car has been identified.

0:00:20.760 --> 0:00:23.040
<v Speaker 2>And until the trial, I'd like to think that When

0:00:23.040 --> 0:00:26.440
<v Speaker 2>the Night Comes Falling is the best source of information

0:00:26.520 --> 0:00:27.560
<v Speaker 2>to what really happens.

0:00:33.880 --> 0:00:37.760
<v Speaker 3>This is the Idaho Massacre, a production of KATI Studios

0:00:37.880 --> 0:00:43.800
<v Speaker 3>and iHeartRadio, Season two, episode five, When the Night Comes Falling,

0:00:44.080 --> 0:00:49.320
<v Speaker 3>a requiem for the Idaho student murders. I'm Courtney Armstrong,

0:00:49.400 --> 0:00:53.560
<v Speaker 3>a producer at KATI Studios with Stephanie Leidecker and Gabe Castillo.

0:00:55.560 --> 0:00:58.760
<v Speaker 3>With the gag order firmly in place, reporting in fact

0:00:58.760 --> 0:01:02.920
<v Speaker 3>finding has been difficult and often non traditional, But even

0:01:02.960 --> 0:01:06.160
<v Speaker 3>given those restraints, a pivotal new book is emerged, written

0:01:06.160 --> 0:01:13.120
<v Speaker 3>by Howard Bloom. The Kirkus review says it quote thoughtfully

0:01:13.200 --> 0:01:16.440
<v Speaker 3>probes into the motives of key players in this intriguing

0:01:16.680 --> 0:01:18.600
<v Speaker 3>yet profoundly unsettling story.

0:01:20.600 --> 0:01:23.120
<v Speaker 1>The book shares the months leading up to the murders

0:01:23.160 --> 0:01:26.640
<v Speaker 1>of Xana Kernodle, her boyfriend Ethan Chapin, Madison Mogan, and

0:01:26.720 --> 0:01:28.320
<v Speaker 1>Kaylee Gonzolvez.

0:01:27.959 --> 0:01:32.800
<v Speaker 2>Bone Chilling, Brian Coburger details and merged.

0:01:32.800 --> 0:01:35.760
<v Speaker 4>Did the accused killer of the four University of Idaho

0:01:35.840 --> 0:01:39.080
<v Speaker 4>students have a deadly obsession with one of the victims.

0:01:39.480 --> 0:01:42.600
<v Speaker 4>Chilling revelations about the murders are detailed in When the

0:01:42.720 --> 0:01:43.600
<v Speaker 4>Night Comes Falling.

0:01:44.880 --> 0:01:47.560
<v Speaker 3>Stephanie and I sat down with Howard Bloom to discuss

0:01:47.600 --> 0:01:50.200
<v Speaker 3>his book, which just came out on June twenty fifth.

0:01:50.600 --> 0:01:53.040
<v Speaker 3>We started out by asking him to provide a bit

0:01:53.080 --> 0:01:54.480
<v Speaker 3>of context to his career.

0:01:58.120 --> 0:02:02.080
<v Speaker 2>When I finished graduate school Stamford, I came out worked

0:02:02.080 --> 0:02:05.200
<v Speaker 2>at the Village Voice for a little bit, and then

0:02:05.240 --> 0:02:07.360
<v Speaker 2>I was hired by the New York Times and I

0:02:07.480 --> 0:02:10.120
<v Speaker 2>was there for about twelve years, twelve and a half

0:02:10.240 --> 0:02:14.639
<v Speaker 2>years as an investigative reporter. Was nominated for two pullets

0:02:14.680 --> 0:02:19.040
<v Speaker 2>by the Times and a lot of awards, and then

0:02:19.080 --> 0:02:23.040
<v Speaker 2>I went on and I've done sixteen books, many bestsellers,

0:02:23.520 --> 0:02:26.080
<v Speaker 2>wrote for Vanity Fair for a couple of decades, and

0:02:26.600 --> 0:02:29.520
<v Speaker 2>wrote one magazine awards. And so I've been doing this,

0:02:29.639 --> 0:02:32.640
<v Speaker 2>knocking on doors, trying to put together stories, trying to

0:02:32.680 --> 0:02:36.880
<v Speaker 2>get readers interested in what I hope are compelling, true narratives.

0:02:37.480 --> 0:02:39.360
<v Speaker 3>How did you land on the title? It was an

0:02:39.400 --> 0:02:40.239
<v Speaker 3>intriguing title.

0:02:40.919 --> 0:02:43.079
<v Speaker 2>Well, when the Night Comes Falling. I'm a big Bob

0:02:43.160 --> 0:02:45.880
<v Speaker 2>Dylan fan. When the Night Comes Falling from the sky

0:02:46.520 --> 0:02:48.680
<v Speaker 2>is a Bob Dylan song that always sort of plays

0:02:48.720 --> 0:02:53.480
<v Speaker 2>in my head. And hearing a dark night in Moscow.

0:02:53.560 --> 0:02:57.720
<v Speaker 2>I remember walking the streets of Moscow, walking right down

0:02:57.800 --> 0:03:00.839
<v Speaker 2>King Road, and I sort of struck by that song.

0:03:00.880 --> 0:03:03.480
<v Speaker 2>I could hear that song sort of playing in my head,

0:03:03.760 --> 0:03:06.480
<v Speaker 2>your letters burning in the fireplace, and when the night

0:03:06.520 --> 0:03:08.960
<v Speaker 2>comes falling from the sky, And I thought, well, falling

0:03:09.000 --> 0:03:10.760
<v Speaker 2>from the sky a little too much, so just when

0:03:10.800 --> 0:03:14.320
<v Speaker 2>the night comes falling. I remember being out in front

0:03:14.360 --> 0:03:17.320
<v Speaker 2>of the murder house not long after it happened, and

0:03:17.360 --> 0:03:20.240
<v Speaker 2>they just walled it up, put a plywood wall in

0:03:20.240 --> 0:03:22.760
<v Speaker 2>front of it. I was thinking to myself, what was

0:03:22.800 --> 0:03:25.320
<v Speaker 2>that to keep people from breaking in? Or was that

0:03:25.400 --> 0:03:28.280
<v Speaker 2>to keep the demons inside? To lock it up? And

0:03:28.320 --> 0:03:32.080
<v Speaker 2>then suddenly I'm caught in a cone of light from nowhere.

0:03:32.120 --> 0:03:34.880
<v Speaker 2>It startles me and I figured off with light when

0:03:34.880 --> 0:03:37.840
<v Speaker 2>the night comes falling, And the cone of light was

0:03:37.840 --> 0:03:40.720
<v Speaker 2>from a security car that been parked a caddy corner

0:03:41.080 --> 0:03:44.040
<v Speaker 2>was black and the night was dark to the murder house,

0:03:44.440 --> 0:03:47.600
<v Speaker 2>and they were just checking on me. An officer called out,

0:03:47.800 --> 0:03:51.280
<v Speaker 2>be careful, it's icy out there, and I said, thank you, officer,

0:03:51.400 --> 0:03:53.840
<v Speaker 2>and I went on my way. But that's sort of

0:03:53.840 --> 0:03:57.080
<v Speaker 2>being surprised out there. I could almost imagine what it's

0:03:57.200 --> 0:03:59.560
<v Speaker 2>like to be awoken in from your sleep in that

0:03:59.680 --> 0:04:04.000
<v Speaker 2>house someone say there's someone here, and then you feel

0:04:04.000 --> 0:04:06.200
<v Speaker 2>like the night comes falling from the sky.

0:04:06.880 --> 0:04:09.880
<v Speaker 3>Can you just describe how did you start to follow

0:04:09.920 --> 0:04:13.040
<v Speaker 3>this story and what was your reporting? Like I understand

0:04:13.040 --> 0:04:17.200
<v Speaker 3>there were trips to Idaho, Pennsylvania, hundreds of interviews.

0:04:18.240 --> 0:04:21.840
<v Speaker 2>I first really heard about the story any detail around

0:04:21.839 --> 0:04:25.760
<v Speaker 2>the Thanksgiving table up in Connecticut just days after the murder.

0:04:25.880 --> 0:04:28.640
<v Speaker 2>People started talking about it and I hadn't paid too

0:04:28.680 --> 0:04:31.960
<v Speaker 2>much attention to it, and the more they talked about it,

0:04:32.080 --> 0:04:36.320
<v Speaker 2>I was pretty interesting. It was a murder filled with perplexities,

0:04:36.680 --> 0:04:40.040
<v Speaker 2>nothing was known, and I thought this might be an

0:04:40.080 --> 0:04:44.240
<v Speaker 2>interesting story to investigate. I called up Graydon Carter or

0:04:44.480 --> 0:04:47.919
<v Speaker 2>emailed him, who ran airmail, and I said, Grayden, do

0:04:47.960 --> 0:04:50.359
<v Speaker 2>I've worked for for a while at Vanity Fair, and

0:04:50.720 --> 0:04:53.880
<v Speaker 2>there's an old acquaintance and a wonderful editor. I said,

0:04:54.040 --> 0:04:55.599
<v Speaker 2>you know, I'd like to go out there. What do

0:04:55.640 --> 0:04:59.320
<v Speaker 2>you guys think? And he and Alexander Stanley, who run airmail,

0:04:59.360 --> 0:05:01.920
<v Speaker 2>said sure, going out there. And I said, I don't

0:05:01.960 --> 0:05:04.960
<v Speaker 2>know what I'll find, but go ahead, young, knock on doors.

0:05:05.040 --> 0:05:08.880
<v Speaker 2>I put on my reporters French go out, knock on doors.

0:05:09.120 --> 0:05:10.680
<v Speaker 2>And I was there for a couple of days, and

0:05:10.720 --> 0:05:12.480
<v Speaker 2>I figured I had no idea that I was going

0:05:12.520 --> 0:05:15.640
<v Speaker 2>to write a piece or even certainly not a book,

0:05:15.800 --> 0:05:18.360
<v Speaker 2>but I thought I solved the case. This was when

0:05:18.640 --> 0:05:22.160
<v Speaker 2>no one knew who the suspect was, and I figured

0:05:22.160 --> 0:05:24.880
<v Speaker 2>it out. The house is sort of in this gully

0:05:25.160 --> 0:05:28.200
<v Speaker 2>around it, and most of the fancier houses in the

0:05:28.520 --> 0:05:33.159
<v Speaker 2>nearby that area were members of this local church group,

0:05:33.240 --> 0:05:36.599
<v Speaker 2>the christ Church Kirkass Group, and they had had some

0:05:37.160 --> 0:05:41.640
<v Speaker 2>problems with the community. Their deacon had gone to jail

0:05:42.160 --> 0:05:46.440
<v Speaker 2>or pedophilia. Their members of young women in the group

0:05:46.480 --> 0:05:51.360
<v Speaker 2>had posted videos complaining about sexual harassment, sex crimes, whatever,

0:05:51.680 --> 0:05:54.520
<v Speaker 2>and so I thought, well, maybe someone from this group

0:05:54.680 --> 0:05:58.000
<v Speaker 2>was involved. Maybe it was a sexual nature. So I

0:05:58.080 --> 0:06:01.760
<v Speaker 2>tried to track down the men. Doug Wilson of the group,

0:06:01.960 --> 0:06:05.800
<v Speaker 2>and he's not returning my call. So intrepidly I go

0:06:06.520 --> 0:06:09.520
<v Speaker 2>to the church parking lot and I corner him and

0:06:09.520 --> 0:06:15.240
<v Speaker 2>he's very gracious. He's a very charismatic, a wonderfully articulate man.

0:06:15.520 --> 0:06:17.960
<v Speaker 2>I disagree with everything he says, but he's a very

0:06:18.000 --> 0:06:22.520
<v Speaker 2>impressive figure, and he very graciously invites me into his

0:06:22.600 --> 0:06:26.840
<v Speaker 2>office and he's talking to me. We're sitting almost Caddy

0:06:26.880 --> 0:06:29.640
<v Speaker 2>corner in a room, and he's telling me the problems

0:06:29.680 --> 0:06:32.400
<v Speaker 2>that they're having in the town with the local officials.

0:06:32.440 --> 0:06:35.040
<v Speaker 2>He talks about a war with the police because of

0:06:35.120 --> 0:06:39.240
<v Speaker 2>COVID restrictions, etc. Et cetera. And I suddenly realized, I'm

0:06:39.240 --> 0:06:41.160
<v Speaker 2>trying to solve this case, and I'm in a room

0:06:41.200 --> 0:06:44.520
<v Speaker 2>with this man, as gracious as he is, he hasn't

0:06:44.560 --> 0:06:47.360
<v Speaker 2>been vaccinated. It's the height of the pandemic, and there

0:06:47.360 --> 0:06:50.599
<v Speaker 2>are no windows. And two days later I didn't solve

0:06:50.640 --> 0:06:53.159
<v Speaker 2>the case, but I was stuck in Moscow with COVID.

0:06:53.480 --> 0:06:58.240
<v Speaker 2>So that was my introduction to all this. Then on

0:06:58.279 --> 0:07:01.880
<v Speaker 2>my second trip, though, I began to investigate more and

0:07:01.960 --> 0:07:05.560
<v Speaker 2>trips to Pennsylvania and to Washington State, and I realized

0:07:06.120 --> 0:07:08.680
<v Speaker 2>there was a compelling story here, and I started writing

0:07:08.720 --> 0:07:12.560
<v Speaker 2>the pieces for Airmail. I eventually wrote seven pieces. What

0:07:12.640 --> 0:07:15.520
<v Speaker 2>I thought was, is there a book here? Is there

0:07:15.560 --> 0:07:18.600
<v Speaker 2>a larger story to tell there? You know, everyone realizes

0:07:18.640 --> 0:07:21.160
<v Speaker 2>there hasn't been a trial, but was there a story

0:07:21.200 --> 0:07:23.960
<v Speaker 2>with a beginning, a middle, and an end. I realized

0:07:24.040 --> 0:07:28.680
<v Speaker 2>there was very much the identification, the hunting down, the

0:07:28.720 --> 0:07:32.560
<v Speaker 2>solving of the mystery towards the suspect. Coburger is a

0:07:32.560 --> 0:07:36.560
<v Speaker 2>fascinating story as well as the story of the individuals involved.

0:07:36.840 --> 0:07:40.760
<v Speaker 2>And I found a way I believed to structure the

0:07:40.880 --> 0:07:46.080
<v Speaker 2>narrative and the coherent and compelling, an engrossing way along

0:07:46.480 --> 0:07:51.760
<v Speaker 2>based around the road trip that Coberger takes with his father,

0:07:51.920 --> 0:07:55.280
<v Speaker 2>this trip across country, and my narrative inspiration, you know,

0:07:55.760 --> 0:08:00.560
<v Speaker 2>pretentiously was the Odyssey, you know, this long tenure journey

0:08:00.600 --> 0:08:04.080
<v Speaker 2>by Odysseus. Well, here I have just a five day journey.

0:08:04.280 --> 0:08:07.360
<v Speaker 2>But it was to me rather compelling as Brian and

0:08:07.400 --> 0:08:10.120
<v Speaker 2>his father make this cross country trip, and hanging over

0:08:10.200 --> 0:08:14.360
<v Speaker 2>the entire journey is the father coming to terms in

0:08:14.440 --> 0:08:17.600
<v Speaker 2>his mind with whether or not, oh my gosh, could

0:08:17.600 --> 0:08:20.920
<v Speaker 2>my son be actually involved in the murder of these

0:08:20.960 --> 0:08:23.880
<v Speaker 2>four young people. That to me was a dramatic moment,

0:08:23.960 --> 0:08:26.160
<v Speaker 2>and I use that to go back and forth in

0:08:26.200 --> 0:08:27.320
<v Speaker 2>time to tell this tale.

0:08:28.000 --> 0:08:31.360
<v Speaker 3>Structurally, I think it works beautifully. Thank you on that

0:08:31.440 --> 0:08:34.400
<v Speaker 3>five day drive. Can you talk us through it a

0:08:34.440 --> 0:08:38.760
<v Speaker 3>little bit. I had not realized that the FBI were

0:08:38.840 --> 0:08:42.920
<v Speaker 3>so uncoordinated with the ground officers. Can you just describe

0:08:42.920 --> 0:08:44.680
<v Speaker 3>the details of that.

0:08:45.400 --> 0:08:49.080
<v Speaker 2>What happens is around December eleventh, And this is one

0:08:49.080 --> 0:08:52.480
<v Speaker 2>of the revelations in this book. The FBI, working in

0:08:52.559 --> 0:08:58.720
<v Speaker 2>Quantico has deciphered the genetic genealogy to make Coburger a

0:08:58.800 --> 0:09:02.560
<v Speaker 2>person of interest, built out the family tree, and at

0:09:02.559 --> 0:09:05.920
<v Speaker 2>the end of the father's branch they've found Brian Cooberger.

0:09:06.280 --> 0:09:10.240
<v Speaker 2>They don't share this information with the local Moscow task force.

0:09:10.679 --> 0:09:13.640
<v Speaker 2>Why do they not do this well, the most generous

0:09:13.679 --> 0:09:19.280
<v Speaker 2>explanation would be that they're not sure investigative genetic genealogy

0:09:19.600 --> 0:09:22.520
<v Speaker 2>is not allowed into courts. They don't want to prejudice

0:09:22.520 --> 0:09:24.880
<v Speaker 2>the case. They want to make sure the task force

0:09:24.880 --> 0:09:27.240
<v Speaker 2>connects all the dots. He's just a person of interest.

0:09:27.559 --> 0:09:32.640
<v Speaker 2>That's a generous explanation. A more cynical explanation is that

0:09:32.720 --> 0:09:35.520
<v Speaker 2>the FBI wanted to get all the credit for solving

0:09:35.559 --> 0:09:38.240
<v Speaker 2>the case. They didn't want to share it with the

0:09:38.320 --> 0:09:41.160
<v Speaker 2>local authorities. They wanted to come off as the g

0:09:41.320 --> 0:09:44.160
<v Speaker 2>men who solved this great mystery which the whole nation

0:09:44.320 --> 0:09:48.440
<v Speaker 2>is fixated on whatever reason. When the Coburgers leave, the

0:09:48.520 --> 0:09:51.400
<v Speaker 2>FBI is following them, but they want The FBI wants

0:09:51.400 --> 0:09:54.520
<v Speaker 2>the Coburgers to get out of town first before they

0:09:54.559 --> 0:09:57.320
<v Speaker 2>get directly on their tail. And they don't want the

0:09:57.360 --> 0:10:00.079
<v Speaker 2>Moscow police, you know, And they also don't want on

0:10:00.600 --> 0:10:05.400
<v Speaker 2>the Coburgers to know. Meanwhile, Brian Coburger picks a route,

0:10:05.480 --> 0:10:08.480
<v Speaker 2>and he's not going to the straightest the quickest distance

0:10:08.480 --> 0:10:10.840
<v Speaker 2>between two points is a straight line. He's not going

0:10:10.880 --> 0:10:13.480
<v Speaker 2>that way. He's going down to Colorado. His dad had

0:10:13.520 --> 0:10:16.880
<v Speaker 2>already marked it out, and so he's taking this different

0:10:16.920 --> 0:10:21.040
<v Speaker 2>route because arguably he's trying to evade anyone following him.

0:10:21.360 --> 0:10:24.839
<v Speaker 2>He's trying to take invasive actions. This change of route

0:10:24.840 --> 0:10:27.839
<v Speaker 2>from what the father had previously planned and mapped out

0:10:27.880 --> 0:10:31.120
<v Speaker 2>before he came out there leads to tensions and Brian

0:10:31.240 --> 0:10:34.920
<v Speaker 2>is extremely followed him and his father realizes he's caught

0:10:34.960 --> 0:10:36.839
<v Speaker 2>his son in a bit of a mood, and he

0:10:37.679 --> 0:10:42.600
<v Speaker 2>seen Brian's moods before, so his usual reaction is WHOA.

0:10:42.720 --> 0:10:45.920
<v Speaker 2>He steps back. He doesn't want to get too close

0:10:45.960 --> 0:10:51.079
<v Speaker 2>to this slimmering volcano. So father is in this car,

0:10:51.520 --> 0:10:55.000
<v Speaker 2>the FBI is following. They have vehicles on the road.

0:10:55.120 --> 0:10:57.880
<v Speaker 2>They have a cessna above like a hawk, waiting to

0:10:57.920 --> 0:11:00.400
<v Speaker 2>swoop down at the right moment when they put the

0:11:00.400 --> 0:11:05.600
<v Speaker 2>pieces together. And meanwhile the father is slowly, slowly putting

0:11:05.600 --> 0:11:09.000
<v Speaker 2>pieces together in his mind. Four people were murdered just

0:11:09.080 --> 0:11:11.440
<v Speaker 2>ten miles from where his son is living. His son

0:11:11.520 --> 0:11:15.120
<v Speaker 2>is in this highly agitated state. The father was concerned

0:11:15.200 --> 0:11:18.199
<v Speaker 2>enough about his son to make the trip out there

0:11:18.360 --> 0:11:21.160
<v Speaker 2>to accompany him, and they just happened to be sitting

0:11:21.240 --> 0:11:24.160
<v Speaker 2>shoulder to shoulder in a white Honde, a Lantra, which

0:11:24.200 --> 0:11:27.840
<v Speaker 2>is the precise car the authorities have announced they're looking

0:11:27.880 --> 0:11:33.080
<v Speaker 2>for in this murder. So the father is of course suspicious. Then,

0:11:33.400 --> 0:11:37.040
<v Speaker 2>as a drive across America, two things start to happen

0:11:37.120 --> 0:11:39.600
<v Speaker 2>quickly and by the second day of the trip. But

0:11:39.720 --> 0:11:42.240
<v Speaker 2>first after the FBI loses them and then finds them again.

0:11:42.760 --> 0:11:45.880
<v Speaker 2>The first thing that happens is there's a shooting right

0:11:45.880 --> 0:11:51.840
<v Speaker 2>near Brian Coburger's university residence. A Army veteran has taken

0:11:52.000 --> 0:11:56.000
<v Speaker 2>two students hostage. He lets the students go, the swat

0:11:56.040 --> 0:11:58.280
<v Speaker 2>team moves in. They can't talk him out of it

0:11:58.400 --> 0:12:02.520
<v Speaker 2>or the swat team acts arguably precipitously, and they shoot

0:12:02.840 --> 0:12:07.040
<v Speaker 2>a veteran dead. And father and the son get an

0:12:07.080 --> 0:12:10.520
<v Speaker 2>alert from the university about this, and this triggers off

0:12:11.040 --> 0:12:15.680
<v Speaker 2>more thoughts in his father's mind about the benevolence of

0:12:15.760 --> 0:12:19.240
<v Speaker 2>the situation. His son is caught up in that there's

0:12:19.280 --> 0:12:22.800
<v Speaker 2>something wrong with being with the West, and his son

0:12:22.840 --> 0:12:25.480
<v Speaker 2>has been trapped in this Oh my gosh. And just

0:12:25.520 --> 0:12:28.600
<v Speaker 2>as these thoughts are taking shape in his mind, they

0:12:28.600 --> 0:12:32.880
<v Speaker 2>see flashing lights and there's a sheriff's deputy car in

0:12:32.880 --> 0:12:36.079
<v Speaker 2>Indiana asking them to pull over. And his father at

0:12:36.080 --> 0:12:39.920
<v Speaker 2>this point realizes, oh my gosh, everything I've been thinking

0:12:39.960 --> 0:12:44.600
<v Speaker 2>about is quite possibly true, and this is some situation

0:12:44.679 --> 0:12:46.719
<v Speaker 2>I'm in. And he doesn't know how to make this realization,

0:12:47.440 --> 0:12:50.720
<v Speaker 2>but turns out, both to the father's relief and to

0:12:50.800 --> 0:12:53.520
<v Speaker 2>the FBI's relief, who's also watching this, they don't understand

0:12:53.559 --> 0:12:57.040
<v Speaker 2>what's happening. This was just a traffic stop. They go off.

0:12:57.520 --> 0:13:01.160
<v Speaker 2>Nine minutes later, the same thing happens once again. There's

0:13:01.200 --> 0:13:03.880
<v Speaker 2>a traffic stop, this time by a state trooper. He

0:13:03.960 --> 0:13:08.120
<v Speaker 2>pulls the car over again. It's a traffic infraction. But

0:13:08.240 --> 0:13:11.520
<v Speaker 2>the father now can't help the feeling all his thoughts

0:13:11.880 --> 0:13:16.400
<v Speaker 2>are becoming true. Everything he feared, every thought he was

0:13:16.400 --> 0:13:20.480
<v Speaker 2>trying to repress, is becoming closer and closer to reality,

0:13:20.880 --> 0:13:24.240
<v Speaker 2>as if he's following footsteps in the snow and getting

0:13:24.280 --> 0:13:27.280
<v Speaker 2>closer and closer to his destination of where they're going

0:13:27.320 --> 0:13:30.640
<v Speaker 2>to lead. And he doesn't like where it's leading one bit.

0:13:31.200 --> 0:13:34.800
<v Speaker 2>And as this journey continues, and as they arrive in Pennsylvania,

0:13:35.200 --> 0:13:38.360
<v Speaker 2>the father is suddenly filled with a sort of dread

0:13:38.600 --> 0:13:41.360
<v Speaker 2>that he can't quite articulate. But at the same moment

0:13:41.480 --> 0:13:42.960
<v Speaker 2>he knows what is happening.

0:13:43.640 --> 0:13:46.360
<v Speaker 1>It's such a harrowing account, and it's so well written.

0:13:46.360 --> 0:13:50.040
<v Speaker 1>In hearing you speak about it now, it's me so queasy.

0:13:50.080 --> 0:13:53.240
<v Speaker 1>I can't imagine the level of emotional regulation a human

0:13:53.280 --> 0:13:55.200
<v Speaker 1>would have to have to be in the car with

0:13:55.280 --> 0:13:58.600
<v Speaker 1>your own parent, knowing that the police are looking for you,

0:13:58.679 --> 0:14:01.839
<v Speaker 1>the world is looking for you. Your car has been identified,

0:14:02.040 --> 0:14:05.840
<v Speaker 1>and you're with somebody who who knows you well, how

0:14:05.880 --> 0:14:08.080
<v Speaker 1>do you keep that together, and we too have often

0:14:08.120 --> 0:14:11.160
<v Speaker 1>speculated about what that car ride must have been. Like,

0:14:11.360 --> 0:14:13.679
<v Speaker 1>you had an interesting point, and we had heard something

0:14:13.760 --> 0:14:18.240
<v Speaker 1>similar to about the early days of Brian moving into

0:14:18.920 --> 0:14:21.840
<v Speaker 1>his apartment when he had actually made the move, and

0:14:21.880 --> 0:14:25.200
<v Speaker 1>that Dad was sort of, you know, trying to how

0:14:25.240 --> 0:14:28.920
<v Speaker 1>we interpreted it, was trying to make him some friends

0:14:29.040 --> 0:14:32.600
<v Speaker 1>in and around the apartment complex. And just like you,

0:14:32.680 --> 0:14:34.640
<v Speaker 1>that always sort of stuck in my head because it

0:14:34.680 --> 0:14:37.640
<v Speaker 1>was two part. Either that means, look, my son's been

0:14:37.680 --> 0:14:40.480
<v Speaker 1>a little bit awkward his whole life and maybe has

0:14:41.040 --> 0:14:45.040
<v Speaker 1>a difficult problem with meeting new friends and social cues,

0:14:45.080 --> 0:14:48.760
<v Speaker 1>et cetera. So Dad's in the habit of trying to

0:14:48.880 --> 0:14:51.720
<v Speaker 1>create comfort for his son, knowing that it's hard for

0:14:51.800 --> 0:14:54.680
<v Speaker 1>him to kind of acclimate. That's sort of touching and

0:14:54.720 --> 0:14:58.000
<v Speaker 1>it kind of hurts to hear. Or does that also

0:14:58.160 --> 0:15:02.360
<v Speaker 1>point to I knew something was really seriously, dreadfully wrong

0:15:02.400 --> 0:15:05.840
<v Speaker 1>with my son, and we're hoping for the best here

0:15:06.440 --> 0:15:09.920
<v Speaker 1>and he's off to the races and I'm going to

0:15:09.960 --> 0:15:11.440
<v Speaker 1>try my best, but he's a grown man.

0:15:11.880 --> 0:15:12.000
<v Speaker 2>You know.

0:15:12.080 --> 0:15:12.880
<v Speaker 3>Where do you put that?

0:15:13.400 --> 0:15:15.360
<v Speaker 2>Yeah, it's sort of a little of both. I mean,

0:15:15.400 --> 0:15:19.000
<v Speaker 2>you're right, on I agree with you very much. I mean,

0:15:19.520 --> 0:15:22.840
<v Speaker 2>the father sixty eight years old. Money is tight in

0:15:22.880 --> 0:15:27.200
<v Speaker 2>the family. He's a janitor. They've gone been bankrupt twice

0:15:27.240 --> 0:15:30.320
<v Speaker 2>over the years. He still makes his cross country trip

0:15:30.360 --> 0:15:33.560
<v Speaker 2>in August with his son to the university for the

0:15:33.600 --> 0:15:36.000
<v Speaker 2>first time. Then he has to turn around and go again.

0:15:36.120 --> 0:15:39.080
<v Speaker 2>And why does he do this Because he's worried about

0:15:39.080 --> 0:15:41.360
<v Speaker 2>what's going to happen to his son. How is his

0:15:41.440 --> 0:15:44.240
<v Speaker 2>son going to fit in? He knows Brian is a

0:15:44.280 --> 0:15:48.160
<v Speaker 2>square peg in every roundhole he's been in life, and

0:15:48.280 --> 0:15:51.320
<v Speaker 2>he just doesn't know. And remember, you know, this is

0:15:51.360 --> 0:15:53.720
<v Speaker 2>not a father driving a young kid off to college

0:15:53.800 --> 0:15:56.680
<v Speaker 2>like maybe we did at one point. Brian is twenty

0:15:56.720 --> 0:15:59.840
<v Speaker 2>eight years old, he's going to be teaching young kids,

0:16:00.080 --> 0:16:02.640
<v Speaker 2>teaching assistant, he's going for his doctorate. And still the

0:16:02.680 --> 0:16:05.920
<v Speaker 2>father feels he has to accompany him. And when he

0:16:06.000 --> 0:16:09.720
<v Speaker 2>gets to Washington State University, one of the first things

0:16:09.720 --> 0:16:12.360
<v Speaker 2>the father takes it upon himself to do. They saw

0:16:12.400 --> 0:16:17.480
<v Speaker 2>a neighbor in the elevator. I think it was Christopher Martine,

0:16:17.680 --> 0:16:20.080
<v Speaker 2>so one of the guys, and he says, you know,

0:16:20.120 --> 0:16:22.800
<v Speaker 2>we watch out for my son. He's a hard time

0:16:22.840 --> 0:16:26.560
<v Speaker 2>making friends. Anything you can do, I appreciate it. And

0:16:26.760 --> 0:16:29.880
<v Speaker 2>Martinez is a generous soul. And two days later he

0:16:29.920 --> 0:16:34.040
<v Speaker 2>invites Coburger to a pool party, and this is Coburger's

0:16:34.120 --> 0:16:37.600
<v Speaker 2>first entrance into the pool part takes place in Moscow

0:16:37.800 --> 0:16:41.520
<v Speaker 2>at a complex called I Think the Grove in Moscow,

0:16:41.880 --> 0:16:44.920
<v Speaker 2>and Brian goes to this school party and what happens

0:16:44.920 --> 0:16:46.880
<v Speaker 2>at the pool party. I interviewed many of the people

0:16:47.960 --> 0:16:50.200
<v Speaker 2>at the pool party. It's also sort of interesting, and

0:16:50.320 --> 0:16:53.080
<v Speaker 2>this is sort of news that hasn't been reported to

0:16:53.520 --> 0:16:56.840
<v Speaker 2>such a scene for part of who Brian is and

0:16:56.880 --> 0:17:00.480
<v Speaker 2>why a book like this can come out now before trial,

0:17:00.760 --> 0:17:02.800
<v Speaker 2>because I'd like to think I'm giving you the reader's

0:17:02.880 --> 0:17:06.240
<v Speaker 2>insight into the characters in this story. Brian goes to

0:17:06.280 --> 0:17:08.879
<v Speaker 2>this party. He's sitting on the edge of the pool

0:17:09.040 --> 0:17:12.440
<v Speaker 2>talking to one of the guys, and he sees these

0:17:12.440 --> 0:17:16.080
<v Speaker 2>two young women, attractive women there in black two piece

0:17:16.200 --> 0:17:18.399
<v Speaker 2>bathing suits, and he goes up to one of them

0:17:18.440 --> 0:17:20.159
<v Speaker 2>and just picks himself up without saying a word to

0:17:20.200 --> 0:17:22.879
<v Speaker 2>the guy he's talking to, goes up and asks for

0:17:22.920 --> 0:17:27.359
<v Speaker 2>her phone number and he gets it. Then, without almost

0:17:27.440 --> 0:17:30.280
<v Speaker 2>breaking stride, he goes to her friend and asks her

0:17:30.520 --> 0:17:33.400
<v Speaker 2>this is for her phone number, and he gets it too,

0:17:33.800 --> 0:17:36.040
<v Speaker 2>and the guy who's watching him says, what, this guy's

0:17:36.080 --> 0:17:40.200
<v Speaker 2>a player. He's pretty cool, dude. And Brian comes back

0:17:40.400 --> 0:17:43.360
<v Speaker 2>and just leaves the party. I spoke with the two

0:17:43.359 --> 0:17:47.960
<v Speaker 2>women involved. He never calls them. However, after his arrest,

0:17:48.160 --> 0:17:51.600
<v Speaker 2>they began to rethink the events, and they realized they

0:17:51.640 --> 0:17:53.840
<v Speaker 2>were getting a lot of hang up calls in the

0:17:53.880 --> 0:17:57.480
<v Speaker 2>weeks following their giving their phone number to Brian at

0:17:57.480 --> 0:18:01.480
<v Speaker 2>the party, and they apothe size that perhaps this was

0:18:01.520 --> 0:18:04.720
<v Speaker 2>Brian calling them but not having the nerve to initiate

0:18:04.760 --> 0:18:08.280
<v Speaker 2>the conversation. And that's sort of the metaphor for the

0:18:08.320 --> 0:18:11.200
<v Speaker 2>state he was in. He had taken himself so far.

0:18:11.640 --> 0:18:16.600
<v Speaker 2>He made this journey from this kid from a heartscrabble

0:18:16.640 --> 0:18:21.919
<v Speaker 2>Pennsylvania community, from an overweight heroin addict to becoming a

0:18:22.000 --> 0:18:27.359
<v Speaker 2>doctoral candidate at a very prestigious university. And he had

0:18:27.400 --> 0:18:31.680
<v Speaker 2>turned his body into a fortress. He'd reached his hair,

0:18:32.119 --> 0:18:35.320
<v Speaker 2>he was looking good, he was in shape, hanging out

0:18:35.320 --> 0:18:38.439
<v Speaker 2>at the pool, and yet he couldn't go to the

0:18:38.480 --> 0:18:42.199
<v Speaker 2>next step of integrating his life to that of a

0:18:42.280 --> 0:18:46.520
<v Speaker 2>normal twenty eight year old, a normal guy who wanted

0:18:46.560 --> 0:18:49.320
<v Speaker 2>to just meet people and have friends and have a

0:18:49.440 --> 0:18:53.600
<v Speaker 2>social life. It was just an impossibility for him, almost.

0:18:53.320 --> 0:18:57.040
<v Speaker 1>As though he mustered the courage and then couldn't follow through,

0:18:57.160 --> 0:19:00.560
<v Speaker 1>so it took everything he had potentially. I've always sort

0:19:00.560 --> 0:19:03.280
<v Speaker 1>of drawn a connection in my head, this is again

0:19:03.400 --> 0:19:06.720
<v Speaker 1>only in my head, between Brian and his sisters, and

0:19:07.560 --> 0:19:11.560
<v Speaker 1>just this relationship he has with women is interesting given

0:19:11.600 --> 0:19:13.760
<v Speaker 1>he grew up as the baby of women and was

0:19:13.840 --> 0:19:16.199
<v Speaker 1>raised by older sisters, and by all accounts we hear

0:19:16.240 --> 0:19:18.679
<v Speaker 1>they're lovely and all of the above, and I was

0:19:18.720 --> 0:19:20.879
<v Speaker 1>curious if you just had an opinion on that. I

0:19:20.960 --> 0:19:23.200
<v Speaker 1>know the dad is a primary focus.

0:19:23.640 --> 0:19:27.000
<v Speaker 2>One of his sisters, who's a family psychologist, plays an

0:19:27.000 --> 0:19:30.440
<v Speaker 2>interesting role in all this. After they get back to Pennsylvania,

0:19:30.600 --> 0:19:34.639
<v Speaker 2>so Christmas Holidays, the whole family is there, and I

0:19:34.760 --> 0:19:38.600
<v Speaker 2>describe as the sister the psychologist sees a couple of

0:19:38.600 --> 0:19:42.120
<v Speaker 2>things that give her pause. She sees Brian cleaning out

0:19:42.480 --> 0:19:46.080
<v Speaker 2>his car meticulously the same sort of white Hondai a

0:19:46.160 --> 0:19:48.719
<v Speaker 2>Lantra that the police just happened to be looking for

0:19:48.960 --> 0:19:52.359
<v Speaker 2>that was involved in a quadruple murder. Then she sees

0:19:52.440 --> 0:19:57.120
<v Speaker 2>Brian sorting in his garbage, his personal garbage into plastic

0:19:57.960 --> 0:20:01.240
<v Speaker 2>zimp lock bags, walking out of the house, going down

0:20:01.240 --> 0:20:04.240
<v Speaker 2>the hill not to the family's garbage pails, but to

0:20:04.320 --> 0:20:07.639
<v Speaker 2>the neighbor's garbage pails and putting them in. And you know,

0:20:08.400 --> 0:20:13.000
<v Speaker 2>these set her mind wandering, and she realizes there's something

0:20:13.119 --> 0:20:18.760
<v Speaker 2>seriously wrong and what seems impossible might very likely be true.

0:20:19.000 --> 0:20:22.679
<v Speaker 2>My brother might be involved in these four murders. And

0:20:22.760 --> 0:20:25.600
<v Speaker 2>she goes to confront the father and she says that

0:20:26.200 --> 0:20:28.000
<v Speaker 2>I think we have to face up to something. I

0:20:28.040 --> 0:20:30.920
<v Speaker 2>think we might have a problem. And the father, who's

0:20:30.960 --> 0:20:33.560
<v Speaker 2>been having all these thoughts all the way across America,

0:20:33.880 --> 0:20:36.679
<v Speaker 2>when he hears this, what does he do? He turns

0:20:36.720 --> 0:20:40.040
<v Speaker 2>around and just leaves the room because it's it's too impossible.

0:20:40.240 --> 0:20:43.840
<v Speaker 2>It means thinking the unthinkable. And yet, as I point

0:20:43.880 --> 0:20:46.600
<v Speaker 2>out in my book, there's sort of an irony that

0:20:46.840 --> 0:20:50.280
<v Speaker 2>as if the next scene comes from a Greek drama.

0:20:50.440 --> 0:20:54.480
<v Speaker 2>And yet when they identify the DNA on the button

0:20:54.560 --> 0:20:58.359
<v Speaker 2>of the knife sheath, they don't identify it to Brian Coberger.

0:20:58.680 --> 0:21:03.080
<v Speaker 2>They identify it Michael Kolberger. And then they realized that

0:21:03.920 --> 0:21:07.520
<v Speaker 2>his son's DNA. The son of Michael Koberger's DNA is

0:21:07.560 --> 0:21:10.480
<v Speaker 2>on that night. She's so in many ways like a

0:21:10.560 --> 0:21:13.159
<v Speaker 2>Greek drama. The hero of the Greek drama or the

0:21:13.200 --> 0:21:16.280
<v Speaker 2>victim of the Greek drama always tries to escape his fate,

0:21:16.600 --> 0:21:18.679
<v Speaker 2>but he can never can He's always pulled back in.

0:21:19.160 --> 0:21:22.600
<v Speaker 2>So is Michael Kolberger. He's pulled back in. His fate

0:21:22.720 --> 0:21:25.359
<v Speaker 2>is to no matter how much he tries not to

0:21:26.400 --> 0:21:28.520
<v Speaker 2>be his reason for his son's downfall.

0:21:29.040 --> 0:21:32.560
<v Speaker 1>I hadn't heard that account of his one sister and

0:21:32.560 --> 0:21:34.440
<v Speaker 1>then the other sister, the middle sister.

0:21:35.040 --> 0:21:36.160
<v Speaker 3>She was an actress.

0:21:36.200 --> 0:21:37.840
<v Speaker 1>And as you know, much has been made about this

0:21:38.000 --> 0:21:41.840
<v Speaker 1>in a slasher movie back many many years ago. But

0:21:41.920 --> 0:21:46.320
<v Speaker 1>the plotline of that particular murder is that nine co

0:21:46.520 --> 0:21:49.080
<v Speaker 1>eds go out into the woods and only seven come back.

0:21:49.160 --> 0:21:53.639
<v Speaker 1>And again, is that a direct connection. No, of course not.

0:21:54.119 --> 0:21:55.920
<v Speaker 1>And I was just curious if you had heard any

0:21:55.960 --> 0:21:57.160
<v Speaker 1>rumblings about that.

0:21:58.320 --> 0:22:02.959
<v Speaker 2>I've heard the rumblings. Tried to connect the dots, and

0:22:03.720 --> 0:22:06.959
<v Speaker 2>I couldn't take it far. I tried to stick to

0:22:07.000 --> 0:22:11.640
<v Speaker 2>what I could substantiate. I didn't want to hypothesize more

0:22:11.720 --> 0:22:14.960
<v Speaker 2>than was necessary about the course of events. I think

0:22:15.280 --> 0:22:18.320
<v Speaker 2>because of the gag order What this case needs is

0:22:18.359 --> 0:22:21.400
<v Speaker 2>an injection of facts. You know, there's such a vacuum

0:22:21.560 --> 0:22:24.880
<v Speaker 2>of people being able to find out what really happened,

0:22:25.160 --> 0:22:27.639
<v Speaker 2>and I wanted to try to fill that vacuum with

0:22:27.800 --> 0:22:34.920
<v Speaker 2>not fatuous speculation or even vicious character assassinations, but I've

0:22:34.960 --> 0:22:39.040
<v Speaker 2>wanted to tell what happened. That gag order is particularly

0:22:39.119 --> 0:22:42.360
<v Speaker 2>pernicious because the trial keeps on getting delayed and delayed

0:22:42.400 --> 0:22:47.000
<v Speaker 2>and delayed. We have a town that's sort of victimized

0:22:47.000 --> 0:22:51.000
<v Speaker 2>by this. There's a lack of understanding, there's a lack

0:22:51.040 --> 0:22:53.960
<v Speaker 2>of ability to move on. They can, you know, bulldoze

0:22:54.359 --> 0:22:57.040
<v Speaker 2>the murder house, the university can take it down, but

0:22:57.640 --> 0:23:01.200
<v Speaker 2>that really is silly. You're not going to get rid

0:23:01.800 --> 0:23:04.919
<v Speaker 2>of what happened that way. What you need is a

0:23:04.960 --> 0:23:08.760
<v Speaker 2>sense of justice, a sense of a clear butt ending,

0:23:08.920 --> 0:23:11.679
<v Speaker 2>and that perhaps can only be resolved in a trial.

0:23:12.119 --> 0:23:15.040
<v Speaker 2>And until the trial, I'd like to think that When

0:23:15.040 --> 0:23:19.000
<v Speaker 2>the Night Comes Falling is the best source of information

0:23:19.080 --> 0:23:20.119
<v Speaker 2>to what really happened.

0:23:23.200 --> 0:23:25.760
<v Speaker 3>Let's stop here for a break. We'll be back in

0:23:25.800 --> 0:23:37.040
<v Speaker 3>a moment. Stephanie and I continue our conversation with Howard Bloom,

0:23:37.640 --> 0:23:40.560
<v Speaker 3>author of When the Night Comes Falling, requiem for the

0:23:40.560 --> 0:23:45.040
<v Speaker 3>Idaho student murders. I asked him about Doug Wilson, the

0:23:45.080 --> 0:23:47.400
<v Speaker 3>head of the christ Church in town, who had been

0:23:47.400 --> 0:23:50.480
<v Speaker 3>feuding with local law enforcement and alleging for his own

0:23:50.520 --> 0:23:55.159
<v Speaker 3>reasons that people shouldn't believe the police. To me, it

0:23:55.200 --> 0:23:57.840
<v Speaker 3>seems like it would behoove the prosecution to also be

0:23:57.880 --> 0:24:00.080
<v Speaker 3>in favor of a change of venue.

0:24:00.400 --> 0:24:03.720
<v Speaker 2>I think the defense is shooting themselves in the foot

0:24:04.119 --> 0:24:06.360
<v Speaker 2>if they try to move the trial out of Moscow

0:24:06.600 --> 0:24:09.040
<v Speaker 2>because of Doug Wilson. I mean, I sat in a

0:24:09.080 --> 0:24:11.880
<v Speaker 2>room with him, and he told me, I will tell

0:24:12.000 --> 0:24:15.879
<v Speaker 2>my parishioners anytime a Moscow police officer guests on the stand,

0:24:16.200 --> 0:24:19.240
<v Speaker 2>you have every reason to be skeptical because he's lied

0:24:19.280 --> 0:24:21.720
<v Speaker 2>about us in the courtroom, so there's no reason to

0:24:21.760 --> 0:24:27.040
<v Speaker 2>believe that he won't lie about Brian Colberger. So you

0:24:27.119 --> 0:24:29.320
<v Speaker 2>have to realize who the jury pool is going to be.

0:24:29.600 --> 0:24:32.680
<v Speaker 2>A lot of people associated with the university will be

0:24:32.880 --> 0:24:36.040
<v Speaker 2>just eliminated. There are people who have too much knowledge

0:24:36.119 --> 0:24:39.359
<v Speaker 2>or preconceived notions about the case. And then that leaves

0:24:39.520 --> 0:24:43.440
<v Speaker 2>the members of Doug Wilson's church, two thousand people. Every

0:24:43.520 --> 0:24:47.679
<v Speaker 2>one of them will be skeptical about anything the prosecution says.

0:24:47.960 --> 0:24:52.760
<v Speaker 2>So I think it's really odd that the prosecution is

0:24:52.840 --> 0:24:57.520
<v Speaker 2>fighting the move from Leyta County of the case. And

0:24:57.560 --> 0:25:00.320
<v Speaker 2>I think it's even honor as the defense is trying

0:25:00.320 --> 0:25:02.200
<v Speaker 2>to move it. And the only reason I can think

0:25:02.240 --> 0:25:04.199
<v Speaker 2>that the defense is trying to go along with this

0:25:04.720 --> 0:25:08.760
<v Speaker 2>is because it's part of the strategy that's undermined everything

0:25:08.800 --> 0:25:12.080
<v Speaker 2>they've done since the beginning, and that strategy is one

0:25:12.119 --> 0:25:16.720
<v Speaker 2>of delay, delay, and more delay. You know, lawyers have

0:25:16.840 --> 0:25:20.520
<v Speaker 2>a wisdom. They say, when you have the facts, you

0:25:20.600 --> 0:25:23.320
<v Speaker 2>pound the facts. When you don't have the facts, you

0:25:23.400 --> 0:25:25.800
<v Speaker 2>pound the table. And there's sure has been a lot

0:25:25.800 --> 0:25:28.560
<v Speaker 2>of table pounding by the defense. There's been a rat

0:25:28.680 --> 0:25:31.920
<v Speaker 2>tat tat of motion after motion after motion, just really

0:25:31.960 --> 0:25:34.600
<v Speaker 2>to buy time. I mean, look what they've come up.

0:25:34.600 --> 0:25:37.440
<v Speaker 2>It's been nearly two years and they finally have released

0:25:37.680 --> 0:25:41.240
<v Speaker 2>their expanded alibi. The alibi was it turned out to be,

0:25:41.280 --> 0:25:43.359
<v Speaker 2>as the all no well, at four in the morning

0:25:43.600 --> 0:25:46.640
<v Speaker 2>on a freezing night, Brian Colbert, who was out by

0:25:46.680 --> 0:25:49.960
<v Speaker 2>himself in this wilderness park or there were no witnesses

0:25:50.000 --> 0:25:53.840
<v Speaker 2>of course, except the animals, no cell towers, and he

0:25:53.960 --> 0:25:56.760
<v Speaker 2>was staring on this frosty night at the stars in

0:25:56.800 --> 0:26:00.560
<v Speaker 2>the freezing cold just happened when the murders occurred, and

0:26:01.000 --> 0:26:02.720
<v Speaker 2>we had a way two years to hear that without

0:26:02.720 --> 0:26:06.959
<v Speaker 2>any substantiating information, a properative evidence, and yet this has

0:26:07.000 --> 0:26:09.239
<v Speaker 2>been dragging on and on. So I think this is

0:26:09.280 --> 0:26:14.199
<v Speaker 2>a sort of a specious argument the defense is giving.

0:26:14.480 --> 0:26:17.639
<v Speaker 2>Ann Taylor is a smart attorney. She's doing what she

0:26:17.760 --> 0:26:20.679
<v Speaker 2>has to do with the cards she's been dealt. But

0:26:21.320 --> 0:26:24.600
<v Speaker 2>I think it's a mistake to move out of Moscow,

0:26:24.640 --> 0:26:27.119
<v Speaker 2>and maybe she thinks she's just buying time again and

0:26:27.160 --> 0:26:30.400
<v Speaker 2>that moved the change of venue will never be improved.

0:26:30.440 --> 0:26:32.320
<v Speaker 2>And then so breathe a sigh of relief.

0:26:32.920 --> 0:26:35.280
<v Speaker 3>So what I was actually going to ask you about,

0:26:35.320 --> 0:26:38.000
<v Speaker 3>and this is going back to your saying, you know

0:26:38.119 --> 0:26:40.400
<v Speaker 3>how because of the gag order, there has been kind

0:26:40.440 --> 0:26:44.600
<v Speaker 3>of a dearth of facts where otherwise there would be,

0:26:44.640 --> 0:26:48.040
<v Speaker 3>and there has been so much conjecture. So in your

0:26:48.080 --> 0:26:52.280
<v Speaker 3>book was something that we have been just wondering about,

0:26:52.280 --> 0:26:56.000
<v Speaker 3>which is sort of placement in the house, and specifically

0:26:56.160 --> 0:27:01.640
<v Speaker 3>that the dog was in the other bedroom of Maddie

0:27:01.720 --> 0:27:04.720
<v Speaker 3>and Kaylee. Either I missed it or we couldn't find

0:27:04.720 --> 0:27:07.480
<v Speaker 3>it in the AFFI David, So I'm just curious, how

0:27:07.480 --> 0:27:09.880
<v Speaker 3>did those facts come to clarity if you can share.

0:27:10.400 --> 0:27:13.000
<v Speaker 2>According to law enforcement, I think it's been pretty well

0:27:13.080 --> 0:27:17.560
<v Speaker 2>established that the dog Murphy, he was in Kaylee's bedroom

0:27:17.800 --> 0:27:21.280
<v Speaker 2>and Kelly was with Mattie and that's why they left

0:27:21.760 --> 0:27:25.520
<v Speaker 2>in there. And the dog is howling ferociously. I mean,

0:27:25.760 --> 0:27:28.840
<v Speaker 2>it's as if he can smell the blood, and he's

0:27:28.920 --> 0:27:30.760
<v Speaker 2>in a state. You can hear on some of the

0:27:30.800 --> 0:27:35.080
<v Speaker 2>surveillance tapes the dog just you know, barking wildly. It's

0:27:36.000 --> 0:27:39.240
<v Speaker 2>it's horrific to listen to. You know, all these moments

0:27:39.280 --> 0:27:43.679
<v Speaker 2>are extremely dramatic, and I try to do justice to

0:27:43.760 --> 0:27:47.439
<v Speaker 2>them without exploiting them in the book. And it's a

0:27:47.600 --> 0:27:52.960
<v Speaker 2>delicate balance because the scenes are so gripping and yet

0:27:53.119 --> 0:27:57.280
<v Speaker 2>so sad, and while there is a TV series going

0:27:57.320 --> 0:27:59.280
<v Speaker 2>to be made for my book, you don't want to

0:27:59.320 --> 0:28:02.560
<v Speaker 2>exploit it. You don't want to exploit the drama, but

0:28:02.640 --> 0:28:05.000
<v Speaker 2>you want to do it in a factual way that

0:28:05.040 --> 0:28:08.159
<v Speaker 2>conveys to people the horror of it. So it's a

0:28:08.200 --> 0:28:11.639
<v Speaker 2>thin line of a delicate balance and a challenge for

0:28:11.800 --> 0:28:12.920
<v Speaker 2>writer and a reporter.

0:28:13.320 --> 0:28:16.040
<v Speaker 1>I thought it was so well executed in that regard,

0:28:16.359 --> 0:28:19.960
<v Speaker 1>and to Courtney's point, always imagined for ourselves like what

0:28:20.119 --> 0:28:23.000
<v Speaker 1>was the order that night, and who was happening upon

0:28:23.080 --> 0:28:26.200
<v Speaker 1>whom and why? And you know, were they eating takeout?

0:28:26.320 --> 0:28:28.960
<v Speaker 1>And you know how dogs get around takeout, They get

0:28:29.040 --> 0:28:31.360
<v Speaker 1>kind of vorocious and they want food, so you put

0:28:31.400 --> 0:28:32.120
<v Speaker 1>them in the other room.

0:28:32.359 --> 0:28:33.680
<v Speaker 3>Or was the dog in the room.

0:28:33.640 --> 0:28:37.480
<v Speaker 1>You know, Maddie Mogan working out the restaurants. We had

0:28:37.480 --> 0:28:39.640
<v Speaker 1>sort of always heard that and thought that that was

0:28:39.640 --> 0:28:42.480
<v Speaker 1>a potential connection. And obviously, as you know, Zana worked

0:28:42.480 --> 0:28:44.560
<v Speaker 1>there as well, at the Mad Greek, and.

0:28:44.520 --> 0:28:46.640
<v Speaker 3>Then we were never able to substantiate that.

0:28:46.880 --> 0:28:48.880
<v Speaker 1>So is that the connective tissue.

0:28:48.920 --> 0:28:50.200
<v Speaker 3>That's a pretty big bombshell.

0:28:51.000 --> 0:28:54.080
<v Speaker 2>Yeah, as I've been able to put it together. Coburger

0:28:54.480 --> 0:28:57.680
<v Speaker 2>go to the Mad Greek, he saw Maddie there. There's

0:28:57.760 --> 0:29:00.400
<v Speaker 2>no evidence none, I want to emphasize it that he

0:29:00.440 --> 0:29:03.400
<v Speaker 2>ever even spoke a word to Maddie. But for whatever reason,

0:29:03.880 --> 0:29:08.120
<v Speaker 2>her beauty, her exuberance, or vitality, just her blonde good

0:29:08.160 --> 0:29:12.400
<v Speaker 2>looks somehow fixated. He fixated on that. And he was

0:29:12.480 --> 0:29:15.680
<v Speaker 2>a man, as I've said, who's prone to obsessions. He

0:29:16.280 --> 0:29:19.640
<v Speaker 2>measured out his life in obsessions, whether it was heroin

0:29:19.800 --> 0:29:22.800
<v Speaker 2>or kicking heroin, whether it was game, losing one hundred

0:29:22.800 --> 0:29:25.239
<v Speaker 2>and twenty five pounds, in building his body back up,

0:29:25.480 --> 0:29:30.000
<v Speaker 2>becoming from this mediocre student to becoming a graduate teaching

0:29:30.000 --> 0:29:34.200
<v Speaker 2>assistant at a great university. He had all these large

0:29:34.680 --> 0:29:39.080
<v Speaker 2>arcs in his life, and for some reason, Maddie became

0:29:39.320 --> 0:29:42.720
<v Speaker 2>his fixation, and just like the girls of the pool party,

0:29:42.960 --> 0:29:44.920
<v Speaker 2>he could fixate on it, but he could not take

0:29:44.960 --> 0:29:49.560
<v Speaker 2>the next step. He could not involve himself in any realistic,

0:29:49.840 --> 0:29:53.600
<v Speaker 2>communical way in her life. And then her presence became

0:29:54.240 --> 0:29:58.480
<v Speaker 2>not something that was an astonishment to him, but rather

0:29:58.520 --> 0:30:01.960
<v Speaker 2>a rebuke. And this buke gnawed and gnawed at him

0:30:02.200 --> 0:30:05.280
<v Speaker 2>until he tried to felt that the demons that were

0:30:05.280 --> 0:30:07.960
<v Speaker 2>pursuing in the only way he could live in this world.

0:30:08.040 --> 0:30:12.280
<v Speaker 2>And here I'm hypothesizing was to get rid of Maddie,

0:30:12.320 --> 0:30:15.560
<v Speaker 2>to get rid of what was causing him such distress.

0:30:15.840 --> 0:30:19.360
<v Speaker 2>The pain was so hard, and yet he still tries

0:30:19.400 --> 0:30:21.600
<v Speaker 2>to fight it. As I said earlier, when he goes

0:30:21.640 --> 0:30:24.040
<v Speaker 2>to the house of three times, each one of those

0:30:24.040 --> 0:30:27.240
<v Speaker 2>three trips is an attempt first to go to the

0:30:27.240 --> 0:30:29.880
<v Speaker 2>house and then to get away, until he finally crosses

0:30:29.920 --> 0:30:33.800
<v Speaker 2>the line that's dividing the idea and the reality, and

0:30:33.840 --> 0:30:36.600
<v Speaker 2>he comes to the demons inside him, and he becomes

0:30:36.600 --> 0:30:40.080
<v Speaker 2>to the monster. I believe that he was fated to be.

0:30:40.760 --> 0:30:44.120
<v Speaker 3>He could really feel that tension as it's described of

0:30:44.160 --> 0:30:47.400
<v Speaker 3>the Do I go there? Do I pull back? I

0:30:47.440 --> 0:30:51.440
<v Speaker 3>had a follow up question on that, and do we

0:30:51.760 --> 0:30:55.960
<v Speaker 3>know that Coburger or you know, he's presumed innocent, of course,

0:30:56.000 --> 0:30:58.920
<v Speaker 3>as is anyone until they go to trial. Do we

0:30:59.120 --> 0:31:03.360
<v Speaker 3>know that Maddie and Kaylee's room was visited first by

0:31:03.840 --> 0:31:04.640
<v Speaker 3>the murderer.

0:31:05.280 --> 0:31:08.680
<v Speaker 2>Yes, that's what the authorities believe. And you know, he

0:31:08.680 --> 0:31:10.600
<v Speaker 2>doesn't go into the room with the dogs. He goes

0:31:10.760 --> 0:31:14.960
<v Speaker 2>right into Maddie's room, and then he's surprised, I believe,

0:31:15.160 --> 0:31:19.200
<v Speaker 2>to find Kelly there too. And this is also it's

0:31:19.240 --> 0:31:22.320
<v Speaker 2>been said that's been reported that the wounds that Kelly

0:31:22.480 --> 0:31:25.800
<v Speaker 2>receives are much more ferocious. And I think the reason

0:31:25.840 --> 0:31:29.200
<v Speaker 2>for this is not just that she fights back. He's

0:31:29.240 --> 0:31:32.680
<v Speaker 2>surprised to see her and he sees his carefully imagined

0:31:32.760 --> 0:31:36.400
<v Speaker 2>plan is now going to ride, and he's slashing out

0:31:36.280 --> 0:31:40.080
<v Speaker 2>in anger at her, at himself, and his plan falling apart,

0:31:40.400 --> 0:31:45.000
<v Speaker 2>and in this state of intense mental and physical activity.

0:31:45.440 --> 0:31:48.600
<v Speaker 2>He just leaves the knife sheet behind and it's carefully

0:31:48.880 --> 0:31:53.000
<v Speaker 2>laid out. Plan is already undone in the first moments.

0:31:53.280 --> 0:31:56.480
<v Speaker 2>And I think, as I said after the murder of Maddie,

0:31:56.720 --> 0:32:00.120
<v Speaker 2>the three of the murders that follow are grim with

0:32:00.280 --> 0:32:02.120
<v Speaker 2>a collateral damage.

0:32:02.480 --> 0:32:06.520
<v Speaker 3>You mentioned something that had escaped me, which was the

0:32:06.560 --> 0:32:10.160
<v Speaker 3>way the coroner described the different wounds on the different people.

0:32:10.720 --> 0:32:13.200
<v Speaker 3>It was interesting, Is there anything you wanted to say

0:32:13.280 --> 0:32:16.560
<v Speaker 3>about They're not discrepancies, they're different words, but they're very

0:32:16.560 --> 0:32:17.680
<v Speaker 3>different words that are used.

0:32:18.920 --> 0:32:21.320
<v Speaker 2>There are very different words. And that that points out

0:32:21.360 --> 0:32:24.880
<v Speaker 2>two things. I think the level of sophistication or lack

0:32:24.920 --> 0:32:28.560
<v Speaker 2>of sophistication of the coroner. She rather has now given

0:32:28.640 --> 0:32:32.760
<v Speaker 2>ammunition that will be used by the defense to raise doubts.

0:32:32.920 --> 0:32:35.320
<v Speaker 2>I mean, all the defense has to do is raise

0:32:35.400 --> 0:32:39.040
<v Speaker 2>doubts with the jury. And the second, how hard it's

0:32:39.080 --> 0:32:43.240
<v Speaker 2>going to be. Two. While I believe Coberger is guilty,

0:32:43.600 --> 0:32:45.760
<v Speaker 2>how hard it will be to make the case. There's

0:32:46.080 --> 0:32:49.720
<v Speaker 2>the dialectics of a courtroom. It's basically every expert you

0:32:49.920 --> 0:32:52.240
<v Speaker 2>bring in, you can bring in a counter expert, so

0:32:52.320 --> 0:32:54.960
<v Speaker 2>you can have someone say touch DNA as the gold

0:32:55.000 --> 0:32:58.239
<v Speaker 2>standard that never fails. You can find someone else will

0:32:58.280 --> 0:33:01.680
<v Speaker 2>point out, well, that's not so fast touch. DNA is

0:33:01.720 --> 0:33:04.440
<v Speaker 2>really not that great. I think case law after case

0:33:04.520 --> 0:33:06.800
<v Speaker 2>law at the case law we've had to impune it,

0:33:07.040 --> 0:33:10.040
<v Speaker 2>and on and on and on. And this foreigner's report

0:33:10.400 --> 0:33:14.480
<v Speaker 2>is going to raise war questions. I think they're legitimate answers,

0:33:14.680 --> 0:33:18.080
<v Speaker 2>but it's up to a skilled attorney to praise the

0:33:18.160 --> 0:33:20.840
<v Speaker 2>questions in a way that they will resonate in the

0:33:20.920 --> 0:33:23.640
<v Speaker 2>jurist mind. And I think they've handed them when they

0:33:23.720 --> 0:33:25.400
<v Speaker 2>can knock out of the park Grohunds.

0:33:26.080 --> 0:33:29.920
<v Speaker 3>You bring up the level of sophistication of the small town,

0:33:30.080 --> 0:33:33.960
<v Speaker 3>which it was really interesting how when you had laid

0:33:34.000 --> 0:33:37.720
<v Speaker 3>it out that Moscow Police, the entire department had thirty

0:33:37.760 --> 0:33:42.440
<v Speaker 3>seven members, and yet the quote backup of the FBI

0:33:43.040 --> 0:33:44.560
<v Speaker 3>were forty members.

0:33:44.760 --> 0:33:47.520
<v Speaker 2>And the FBI brought in their separate their own trailer,

0:33:47.560 --> 0:33:49.720
<v Speaker 2>they had their own sort of offices to keep them

0:33:49.960 --> 0:33:53.080
<v Speaker 2>separate from the Moscow cops in the parking lot of

0:33:53.160 --> 0:33:57.120
<v Speaker 2>the police headquarters building. Interestingly, about the police headquarters building,

0:33:57.520 --> 0:34:00.320
<v Speaker 2>it's not one hundred yards from where the Brian Berger

0:34:00.400 --> 0:34:02.680
<v Speaker 2>was at the pool party, it's right at the bottom

0:34:02.720 --> 0:34:04.120
<v Speaker 2>of that hill that you go up to get to

0:34:04.160 --> 0:34:07.240
<v Speaker 2>the grove. You know, when he drove by that first night,

0:34:07.320 --> 0:34:10.560
<v Speaker 2>he was literally driving by the police headquarters and chief

0:34:10.560 --> 0:34:11.280
<v Speaker 2>Prize window.

0:34:12.120 --> 0:34:14.560
<v Speaker 3>Just the way things intersect such as that, such as

0:34:14.560 --> 0:34:17.080
<v Speaker 3>the pool party. And I won't give away how you

0:34:17.120 --> 0:34:19.120
<v Speaker 3>bring in sort of the pool party in the end,

0:34:19.200 --> 0:34:23.280
<v Speaker 3>unless you want to speak about the potential other leads.

0:34:24.680 --> 0:34:27.840
<v Speaker 2>I don't want to give away too much of the book.

0:34:28.200 --> 0:34:30.440
<v Speaker 2>One of the things I tried to construct was a

0:34:30.480 --> 0:34:35.000
<v Speaker 2>pretty suspenseful, almost mystery story, and I don't want to

0:34:35.080 --> 0:34:37.439
<v Speaker 2>ruin the mystery for readers. I like to be able

0:34:37.440 --> 0:34:40.880
<v Speaker 2>to sit down. It's not a long book. It seemed

0:34:40.880 --> 0:34:44.000
<v Speaker 2>to take forever to write, and I think I'd like

0:34:44.040 --> 0:34:46.719
<v Speaker 2>people to get it quite up in the experience of

0:34:46.760 --> 0:34:50.080
<v Speaker 2>reading it and follow the mystery along with me as

0:34:50.080 --> 0:34:50.799
<v Speaker 2>I was writing it.

0:34:53.960 --> 0:34:56.840
<v Speaker 3>Let's stop here for another break. We'll be back in

0:34:56.840 --> 0:35:06.840
<v Speaker 3>a moment. Stephanie and I continue our conversation with Politzer

0:35:06.880 --> 0:35:11.240
<v Speaker 3>Prize nominated author Howard Bloom, whose in depth reporting prompted

0:35:11.320 --> 0:35:13.760
<v Speaker 3>him to write the book. When the Night Comes Falling,

0:35:14.120 --> 0:35:19.839
<v Speaker 3>a Requiem for the Idaho Student Murders, not to.

0:35:19.760 --> 0:35:21.840
<v Speaker 1>Put words in your mouth. But you know, all of

0:35:21.880 --> 0:35:24.880
<v Speaker 1>our hearts are with the friends and families, obviously of

0:35:24.960 --> 0:35:29.000
<v Speaker 1>the beautiful victims, and obviously the town is kind of

0:35:29.400 --> 0:35:32.600
<v Speaker 1>trying to heal. I would imagine was there any takeaway

0:35:32.760 --> 0:35:35.200
<v Speaker 1>just from being there and sort of being in that

0:35:35.280 --> 0:35:37.280
<v Speaker 1>beehive during this critical time.

0:35:38.000 --> 0:35:42.320
<v Speaker 2>Yes, I think healing is impossible for the town until

0:35:42.360 --> 0:35:44.440
<v Speaker 2>there is a trial, until there is a verdict. And

0:35:44.520 --> 0:35:47.080
<v Speaker 2>I think the town will always be suspicious. I think

0:35:47.120 --> 0:35:50.960
<v Speaker 2>you can knock down, bulldoze all the murder houses that

0:35:51.040 --> 0:35:54.120
<v Speaker 2>you want, and yet the demons will still be unleashed.

0:35:54.360 --> 0:35:58.240
<v Speaker 2>And that also is a history of babbagery in that town.

0:35:58.600 --> 0:36:00.680
<v Speaker 2>I mean, I found that a book that was written

0:36:00.719 --> 0:36:03.760
<v Speaker 2>in nineteen forty five by a woman by Carol Ryan,

0:36:04.040 --> 0:36:07.319
<v Speaker 2>whose grandfather was a town doctor and he was just

0:36:07.640 --> 0:36:11.520
<v Speaker 2>shot in cold blood, and she writes about the savage

0:36:11.560 --> 0:36:13.959
<v Speaker 2>forces that are at bay in this town. It's still

0:36:13.960 --> 0:36:18.000
<v Speaker 2>a wild western place. Every police officer now has an emblem,

0:36:18.320 --> 0:36:22.120
<v Speaker 2>a shoulder patch on his police uniform and it shows

0:36:22.160 --> 0:36:25.240
<v Speaker 2>the clock tower in town. The clock tower is set

0:36:25.440 --> 0:36:28.440
<v Speaker 2>for one forty nine, I think it is, And that

0:36:28.560 --> 0:36:31.120
<v Speaker 2>was the hour of the day where Lee Nubill, who

0:36:31.160 --> 0:36:34.160
<v Speaker 2>was a police officer there, was shot and killed by

0:36:34.239 --> 0:36:38.640
<v Speaker 2>deranged gunman who also killed a church deacon. There's been

0:36:39.480 --> 0:36:44.160
<v Speaker 2>very many unexplained outbursts of violence in the town. There

0:36:44.200 --> 0:36:48.160
<v Speaker 2>is a task force have been looking into child pornography

0:36:48.280 --> 0:36:51.760
<v Speaker 2>in the town. There's large drug use. It's a pretty place,

0:36:52.120 --> 0:36:56.560
<v Speaker 2>there's a deceptive place, and it's a town almost unverged,

0:36:56.560 --> 0:36:58.600
<v Speaker 2>as one of the lawyers in town told me, of

0:36:58.640 --> 0:37:01.200
<v Speaker 2>a civil war, because on one side you have this

0:37:01.719 --> 0:37:04.759
<v Speaker 2>right wing church group that wants to create what they

0:37:04.880 --> 0:37:08.600
<v Speaker 2>called a theocracy where Moscow is the capital of the

0:37:08.680 --> 0:37:13.520
<v Speaker 2>American Withoubt Redoubt is a conservative nation. And on the

0:37:13.560 --> 0:37:16.720
<v Speaker 2>other side you have one of the most liberal universities

0:37:17.000 --> 0:37:20.880
<v Speaker 2>in the state, a party school, the first ranked party

0:37:20.880 --> 0:37:25.440
<v Speaker 2>school in oh of Idaho. So these two cultures, these

0:37:25.480 --> 0:37:27.759
<v Speaker 2>two values clash, and you can see it when you

0:37:27.800 --> 0:37:30.080
<v Speaker 2>walk down Main Street. On one side of Main Street

0:37:30.239 --> 0:37:33.680
<v Speaker 2>are the old businesses that are owned by the christ

0:37:33.760 --> 0:37:36.880
<v Speaker 2>Church kirkers. On the other side of the free willing

0:37:36.960 --> 0:37:40.040
<v Speaker 2>bars and places where kids hang out. And there's also

0:37:40.080 --> 0:37:45.440
<v Speaker 2>a really good Italian restaurant. A specificatures, really.

0:37:45.160 --> 0:37:49.520
<v Speaker 3>Good dichotomous nature really does come to life. I have

0:37:49.560 --> 0:37:54.080
<v Speaker 3>a specific question. You mentioned that Kayley's father was going

0:37:54.120 --> 0:37:57.799
<v Speaker 3>through Kayley's phone in an effort to understandably get to

0:37:57.800 --> 0:38:00.800
<v Speaker 3>the bottom of what happened with his daughter. Why didn't

0:38:00.840 --> 0:38:03.600
<v Speaker 3>authorities have her phone?

0:38:03.960 --> 0:38:08.240
<v Speaker 2>Well, Cayley's father is an interesting character in this whole story.

0:38:08.600 --> 0:38:11.359
<v Speaker 2>I never interviewed him, but I spoke to a lot

0:38:11.400 --> 0:38:13.759
<v Speaker 2>of people who spoke with him. He's made lots of

0:38:13.800 --> 0:38:17.120
<v Speaker 2>public statements, and to my mind, he's in many ways

0:38:17.160 --> 0:38:21.279
<v Speaker 2>a hero. I mean, he's someone who refuses, refuses to

0:38:21.840 --> 0:38:25.160
<v Speaker 2>let his daughter's death become a cold case. He refuses

0:38:25.200 --> 0:38:28.440
<v Speaker 2>to accept things its face value, and he wants to

0:38:28.480 --> 0:38:32.560
<v Speaker 2>get to the bottom of things. And there's something very valiant,

0:38:33.000 --> 0:38:37.080
<v Speaker 2>very heroic. He's like a figure from Shakespeare who just

0:38:37.200 --> 0:38:40.960
<v Speaker 2>wants to keep ongoing and find out what's happening. At

0:38:41.000 --> 0:38:44.480
<v Speaker 2>the same time, while he's doing this, he's also in

0:38:44.560 --> 0:38:48.520
<v Speaker 2>many ways destroying his ability to get over these events.

0:38:48.640 --> 0:38:52.160
<v Speaker 2>He's caught up in it. He's now I think angry

0:38:52.200 --> 0:38:55.120
<v Speaker 2>that my book, I'm not quite sure why, actually breaks

0:38:55.160 --> 0:38:58.799
<v Speaker 2>my heart. The last person I would want to do

0:38:59.719 --> 0:39:05.000
<v Speaker 2>is insult him. How can you impugne any action taken

0:39:05.520 --> 0:39:08.440
<v Speaker 2>by a man who lost his daughter as a father

0:39:08.480 --> 0:39:10.319
<v Speaker 2>of three, you know, my heart goes out to him.

0:39:10.520 --> 0:39:13.440
<v Speaker 2>A man who has to say to the reporters, you

0:39:13.560 --> 0:39:15.879
<v Speaker 2>send your girl off to college and she comes back

0:39:15.920 --> 0:39:19.080
<v Speaker 2>to you and earn that kind of statement is heartbreaking.

0:39:19.360 --> 0:39:21.680
<v Speaker 2>And a man who stares into the camera when he's

0:39:21.680 --> 0:39:25.759
<v Speaker 2>being interviewed and says to the killer who's out there,

0:39:26.200 --> 0:39:28.520
<v Speaker 2>I am coming for you. He's making a promise to

0:39:28.560 --> 0:39:31.279
<v Speaker 2>the killer and a promise to himself. So in that way,

0:39:31.600 --> 0:39:36.000
<v Speaker 2>I think he's a hero and his actions are heroic,

0:39:36.280 --> 0:39:39.839
<v Speaker 2>and I'm just sorry he's not happy about the way

0:39:39.880 --> 0:39:42.839
<v Speaker 2>he's portrayed. I tried to, I think, to it respectfully

0:39:43.080 --> 0:39:46.080
<v Speaker 2>and with dignity. And I thought I treated his daughter

0:39:46.200 --> 0:39:49.240
<v Speaker 2>with dignity too, And that was if I didn't certainly

0:39:49.239 --> 0:39:53.640
<v Speaker 2>apologize for that. Because these kids were just wonderful young

0:39:53.719 --> 0:39:57.000
<v Speaker 2>people and to not have the chance to live out

0:39:57.000 --> 0:39:59.560
<v Speaker 2>their lives and to be what they were going to be,

0:40:00.200 --> 0:40:03.560
<v Speaker 2>it's just unfair, you know. The heavens were just not

0:40:03.680 --> 0:40:04.279
<v Speaker 2>fair to them.

0:40:05.040 --> 0:40:08.400
<v Speaker 1>I've seen so much footage of mister Gonzalvez, and I

0:40:08.440 --> 0:40:11.720
<v Speaker 1>think I speak on behalf of anyone who's been following

0:40:11.719 --> 0:40:15.680
<v Speaker 1>this case. We are rallying for every parent and every

0:40:15.680 --> 0:40:18.440
<v Speaker 1>family member to get justice. And it's true when he

0:40:18.480 --> 0:40:21.319
<v Speaker 1>does speak into the camera, you feel it like a

0:40:21.400 --> 0:40:22.600
<v Speaker 1>dagger in your own heart.

0:40:22.920 --> 0:40:25.680
<v Speaker 3>So yeah, you know, collectively.

0:40:25.160 --> 0:40:27.920
<v Speaker 1>I think we can all agree that for every parent

0:40:28.040 --> 0:40:30.440
<v Speaker 1>who's gone through a nightmare like this, and then to

0:40:30.480 --> 0:40:32.640
<v Speaker 1>them specifically, there's no words.

0:40:32.680 --> 0:40:37.480
<v Speaker 2>Really, I appreciate your giving the time and that I

0:40:37.480 --> 0:40:41.479
<v Speaker 2>hope people will read the book on two levels, One

0:40:42.080 --> 0:40:47.000
<v Speaker 2>as this suspense story that's a police drama, and secondly

0:40:47.400 --> 0:40:53.160
<v Speaker 2>as a character study of some ways two fathers who

0:40:53.200 --> 0:40:57.680
<v Speaker 2>become victims of this whole drama of Michael Hoberger Steve

0:40:57.760 --> 0:41:00.799
<v Speaker 2>don Clovis, both of them caught up events that are

0:41:00.880 --> 0:41:05.960
<v Speaker 2>just unimaginable, larger than live and are impossible to deal with,

0:41:06.080 --> 0:41:10.279
<v Speaker 2>and yet they have to deal with the impossible. There's

0:41:10.280 --> 0:41:13.759
<v Speaker 2>attention in this entire book, and even as I go

0:41:14.000 --> 0:41:17.759
<v Speaker 2>around talking about it, talking about things that don't make

0:41:17.840 --> 0:41:19.560
<v Speaker 2>sense and yet happened.

0:41:24.280 --> 0:41:28.600
<v Speaker 3>More on that next time. For more information on the

0:41:28.640 --> 0:41:32.560
<v Speaker 3>case and relevant photos, follow us on Instagram at Kat

0:41:33.080 --> 0:41:37.360
<v Speaker 3>Underscore Studios. The Idaho Masker is produced by Stephanie Leideger,

0:41:37.680 --> 0:41:42.240
<v Speaker 3>Gabriel Castillo, and me Courtney Armstrong. Editing and sound design

0:41:42.440 --> 0:41:46.600
<v Speaker 3>by Jeff Toois, music by Jared Aston. The Idaho Masker

0:41:46.640 --> 0:41:50.239
<v Speaker 3>is a production of Kat Studios and iHeartRadio. For more

0:41:50.239 --> 0:41:54.200
<v Speaker 3>podcasts like this, visit the iHeartRadio app, Apple Podcasts, or

0:41:54.200 --> 0:42:13.680
<v Speaker 3>wherever you listen to your favorite shows.