1 00:00:00,200 --> 00:00:08,560 Speaker 1: Hi, Donald, Holy cow, I did and it's like euphoric 2 00:00:08,680 --> 00:00:11,959 Speaker 1: right now, Oh my god. Good right, it feels good, 3 00:00:12,000 --> 00:00:14,400 Speaker 1: but it's also like scary, like when you put I 4 00:00:14,440 --> 00:00:16,560 Speaker 1: pushed my body. Man, I got my heart rate up 5 00:00:16,600 --> 00:00:19,200 Speaker 1: to one hundred and eighty something, you know what I mean. 6 00:00:21,760 --> 00:00:23,959 Speaker 1: I have the heart rate monitor and I got my 7 00:00:24,000 --> 00:00:26,239 Speaker 1: heart rate up to one hundred and eighty something. And 8 00:00:26,280 --> 00:00:29,760 Speaker 1: I was like, how long can I sustain this? And 9 00:00:29,800 --> 00:00:34,800 Speaker 1: I did it for like two minutes. Good? You feel good? Right? 10 00:00:35,560 --> 00:00:41,279 Speaker 1: Excuse me? My body's making noises, creaking. It's like it's 11 00:00:41,320 --> 00:00:44,239 Speaker 1: not just creaking, like gases coming out of me, Like 12 00:00:44,360 --> 00:00:48,440 Speaker 1: all things are happening with my body. Yeah, because of this, 13 00:00:48,760 --> 00:00:51,760 Speaker 1: because of peloton. So whould you would you use Cody 14 00:00:51,960 --> 00:00:54,720 Speaker 1: or somebody? Who do you think I use Zech? You're 15 00:00:54,800 --> 00:00:58,800 Speaker 1: very loyal to Cody because he knows what he's doing. 16 00:00:59,480 --> 00:01:03,440 Speaker 1: He knows how to get me there. Make me laugh, yea, 17 00:01:03,680 --> 00:01:07,600 Speaker 1: but work really, really, really really hard. I was thinking 18 00:01:07,680 --> 00:01:09,759 Speaker 1: one of the cool things about a trainer that makes 19 00:01:09,800 --> 00:01:15,200 Speaker 1: you laugh is that you forget that you're doing what 20 00:01:15,240 --> 00:01:19,520 Speaker 1: you're doing. No, I know what I'm I know what 21 00:01:19,800 --> 00:01:22,240 Speaker 1: I'm doing. The whole idea of spinning. The whole idea 22 00:01:22,280 --> 00:01:24,720 Speaker 1: of spinning that I like is that you kind of 23 00:01:24,760 --> 00:01:26,400 Speaker 1: it's kind of like dancing. You get lost in the 24 00:01:26,480 --> 00:01:28,360 Speaker 1: music and you're peddling as fast as you can, but 25 00:01:28,400 --> 00:01:31,039 Speaker 1: you can kind of even though sometimes it's really hard, 26 00:01:31,120 --> 00:01:32,480 Speaker 1: you can kind of get lost in a little bit. 27 00:01:32,560 --> 00:01:34,480 Speaker 1: It's like a new idea a way of exerciting for 28 00:01:34,520 --> 00:01:35,880 Speaker 1: me because I'm not like a guy who's doing like 29 00:01:35,920 --> 00:01:39,640 Speaker 1: arobics classes and dance classes to music and then all 30 00:01:39,640 --> 00:01:41,760 Speaker 1: of a sudden, this guy's making me laugh, like literally 31 00:01:41,760 --> 00:01:43,880 Speaker 1: when you when is someone like doing jokes and making 32 00:01:43,920 --> 00:01:45,560 Speaker 1: you laugh on the bike? That's that's like a whole 33 00:01:45,560 --> 00:01:48,639 Speaker 1: new way to exercise. Yeah, because what you look forward 34 00:01:48,680 --> 00:01:51,040 Speaker 1: to it and sometimes and and and Cody, you know 35 00:01:51,160 --> 00:01:53,760 Speaker 1: sometimes he gets really serious on rides and he doesn't 36 00:01:53,800 --> 00:02:01,480 Speaker 1: necessarily uh he doesn't. He doesn't joke around. And you 37 00:02:01,520 --> 00:02:03,840 Speaker 1: sit there. It's like when Eddie Murphy said, you know, 38 00:02:03,840 --> 00:02:05,600 Speaker 1: I did that record where I'm sitting at the piano 39 00:02:05,640 --> 00:02:08,080 Speaker 1: and everybody's like, I wonder when he's gonna fart, And 40 00:02:08,120 --> 00:02:10,320 Speaker 1: I'm like, yeah, well am I gonna fart? You know 41 00:02:10,360 --> 00:02:13,320 Speaker 1: what I mean. It's like you're waiting for Cody to 42 00:02:13,320 --> 00:02:16,880 Speaker 1: tell the joke, and if he doesn't, it's not necessarily 43 00:02:16,880 --> 00:02:20,000 Speaker 1: disappointing because he's a really good motivator. Like I've learned 44 00:02:20,040 --> 00:02:22,240 Speaker 1: that there's a lot of people on this planet that 45 00:02:22,280 --> 00:02:25,959 Speaker 1: can motivate a group of people to do things right. 46 00:02:26,320 --> 00:02:28,440 Speaker 1: Bill Belichick is one of them. He's done it for 47 00:02:28,480 --> 00:02:31,680 Speaker 1: a really long time, you know. Pat Riley is one 48 00:02:31,720 --> 00:02:35,680 Speaker 1: of them. Phil Jackson is one of them. Doc Rivers 49 00:02:35,919 --> 00:02:38,200 Speaker 1: is one of them. There are a bunch of coaches 50 00:02:38,560 --> 00:02:40,240 Speaker 1: that can do that, you know, that can just have 51 00:02:40,320 --> 00:02:43,359 Speaker 1: this ability to make it so that you just want 52 00:02:43,360 --> 00:02:45,400 Speaker 1: to run through walls for them. It's a coach that 53 00:02:45,440 --> 00:02:48,720 Speaker 1: does this. Usually it's the football, basketball, usually in sports, 54 00:02:49,160 --> 00:02:51,640 Speaker 1: when you find a trainer that can do that, because 55 00:02:51,720 --> 00:02:54,440 Speaker 1: usually you're paying the trainer right and you're giving the 56 00:02:54,480 --> 00:02:57,880 Speaker 1: trainer money, and the trainer's like, you know you can 57 00:02:57,960 --> 00:02:59,840 Speaker 1: do this, do this, and you're doing it because you're like, 58 00:02:59,840 --> 00:03:01,919 Speaker 1: I'm paying you, so I need to go as hard 59 00:03:01,919 --> 00:03:04,120 Speaker 1: as I as I possibly can go. Now, if you 60 00:03:04,240 --> 00:03:06,520 Speaker 1: say I'm paying you, but the trainers also getting you 61 00:03:06,560 --> 00:03:09,440 Speaker 1: to go even harder than you want to go, that's 62 00:03:09,440 --> 00:03:11,400 Speaker 1: a great trainer. And Cody does that and I'm gonna 63 00:03:11,400 --> 00:03:13,600 Speaker 1: be honest with you. He doesn't. I'm never I looking 64 00:03:13,639 --> 00:03:15,720 Speaker 1: at my heart rate and seeing it at one eighty five, 65 00:03:16,280 --> 00:03:18,320 Speaker 1: I usually would be like, I quit, fuck it, this 66 00:03:18,360 --> 00:03:21,160 Speaker 1: is too high. I'm scared. I'm afraid. I was like, fucking, 67 00:03:21,200 --> 00:03:23,320 Speaker 1: let's see how far we can go. Let's go. What's 68 00:03:23,320 --> 00:03:25,080 Speaker 1: the worst thing that's gonna happen. You're gonna die on 69 00:03:25,120 --> 00:03:27,799 Speaker 1: the bike. I gotta tell you that. It's like in 70 00:03:27,880 --> 00:03:31,160 Speaker 1: any depressant, the endorphins I'm getting off this bike. I 71 00:03:31,639 --> 00:03:34,200 Speaker 1: like yesterday, I was like kind of skipping around. I 72 00:03:34,240 --> 00:03:36,240 Speaker 1: just had such a pep in my step because I 73 00:03:36,720 --> 00:03:40,480 Speaker 1: because because I've been spinning uh every day this week. Hey, 74 00:03:41,200 --> 00:03:44,720 Speaker 1: welcome to all our listeners. Hi, everybody, we we missed you. 75 00:03:44,840 --> 00:03:50,400 Speaker 1: Donald didn't we miss them? I always missed them. Hi, Joel, Joel, Hi, Daniel, Guys, 76 00:03:50,440 --> 00:03:54,360 Speaker 1: it going, guys spectacular. It's a great Hi, guys, Hie 77 00:03:54,400 --> 00:03:59,520 Speaker 1: too well. Why do you see melancholic? Moving is very stressful, 78 00:03:59,600 --> 00:04:02,800 Speaker 1: and move in two days and I didn't bother to 79 00:04:02,840 --> 00:04:04,760 Speaker 1: take off work because we just got back to work, 80 00:04:04,880 --> 00:04:09,120 Speaker 1: and so everybody needs something. It is there's just a 81 00:04:09,120 --> 00:04:11,280 Speaker 1: lot of things on my plate and I'm just trying 82 00:04:11,280 --> 00:04:13,360 Speaker 1: to keep it all moving in a good trip. You're 83 00:04:13,400 --> 00:04:16,440 Speaker 1: feeling overwhelmed, but can't you just focus on how excited 84 00:04:16,480 --> 00:04:19,000 Speaker 1: you are to move into your new townhouse. I am 85 00:04:19,839 --> 00:04:23,320 Speaker 1: so effing excited, and you're gonna be is it gonna? 86 00:04:23,440 --> 00:04:27,599 Speaker 1: Is it like? Is it like? Is it like? Full house? 87 00:04:28,440 --> 00:04:33,200 Speaker 1: Everywhere you is that full house everywhere you go that 88 00:04:33,240 --> 00:04:37,560 Speaker 1: they lived in the townhouse right San Francisco. Yeah, you 89 00:04:37,880 --> 00:04:41,560 Speaker 1: need you. You're lost out there and you're all alone. 90 00:04:42,160 --> 00:04:48,839 Speaker 1: A light is waiting to carry you home. Realms. You 91 00:04:48,920 --> 00:04:51,599 Speaker 1: just have to focus on how excited you are to 92 00:04:51,680 --> 00:04:56,200 Speaker 1: have a new house. Yes, I couldn't be more excited, 93 00:04:56,240 --> 00:04:59,000 Speaker 1: and I'm trying all that positive energy forward. But you know, 94 00:04:59,560 --> 00:05:01,880 Speaker 1: thanks to gotta get edited and put in the bin 95 00:05:02,040 --> 00:05:04,839 Speaker 1: and sent to people on time, and so, you know, 96 00:05:05,880 --> 00:05:09,400 Speaker 1: feeling a lot of emotions. Donald's still singing to score this. 97 00:05:09,520 --> 00:05:13,520 Speaker 1: I was trying to score your story. By the way, 98 00:05:13,560 --> 00:05:16,080 Speaker 1: I gonna tell you guys and you listeners, I watched 99 00:05:16,240 --> 00:05:19,640 Speaker 1: the best movie I saw this year last night, and 100 00:05:19,680 --> 00:05:21,880 Speaker 1: I think it's not it's not enough on the radar. 101 00:05:21,960 --> 00:05:25,359 Speaker 1: Everybody needs to know about what the movie. You're not 102 00:05:25,400 --> 00:05:28,839 Speaker 1: gonna watch it but these two will and our listeners might. 103 00:05:29,360 --> 00:05:39,440 Speaker 1: It's called Sound of Metal. Oh so good, Riz Ahmed? Right, Joel, 104 00:05:39,560 --> 00:05:44,760 Speaker 1: is it's about without any spoilers because it would be 105 00:05:44,839 --> 00:05:47,800 Speaker 1: in the trailers to do from Star Wars? Right? Yes, 106 00:05:48,960 --> 00:05:53,640 Speaker 1: oh yeah? Donald will know him by his character from 107 00:05:53,680 --> 00:05:58,400 Speaker 1: Star Wars. From Star Wars one body from Star Wars 108 00:05:58,480 --> 00:06:01,680 Speaker 1: is an amazing actor. You probably never saw a night 109 00:06:01,720 --> 00:06:03,240 Speaker 1: of which was like one of them, But of course 110 00:06:03,240 --> 00:06:06,560 Speaker 1: I've seen. I saw him turn from sucker to freaking 111 00:06:06,680 --> 00:06:09,320 Speaker 1: hard ass man. That dude is amazing. Are you anyway? 112 00:06:09,400 --> 00:06:11,760 Speaker 1: He's a wonderful actor and he'll probably I'm sure he'll 113 00:06:11,800 --> 00:06:14,719 Speaker 1: be nominated and maybe win for Best Actor this year. 114 00:06:15,200 --> 00:06:18,120 Speaker 1: I really I can't recommend this movie highly enough everybody. 115 00:06:18,160 --> 00:06:21,760 Speaker 1: It's on Amazon. You can watch it now. They send 116 00:06:21,800 --> 00:06:23,120 Speaker 1: us a screener and we were about to watch the 117 00:06:23,160 --> 00:06:25,320 Speaker 1: screener and then realize it's already out. I don't want 118 00:06:25,320 --> 00:06:29,000 Speaker 1: to root it for you. It's an an endy, it's 119 00:06:29,240 --> 00:06:31,560 Speaker 1: it's it has a slow pace to it, so you 120 00:06:31,560 --> 00:06:34,880 Speaker 1: have to be patient with it. But he and the 121 00:06:35,000 --> 00:06:37,960 Speaker 1: actress who plays his love interest give two of the 122 00:06:37,960 --> 00:06:41,080 Speaker 1: finest performances I've seen. I think her name is Olivia 123 00:06:41,200 --> 00:06:44,920 Speaker 1: Cook and she's a wonderful actress. I gotta tell you, man, 124 00:06:45,080 --> 00:06:48,680 Speaker 1: this Riz Ahmed Donald will know him as Body the Pilot. 125 00:06:48,960 --> 00:06:53,280 Speaker 1: He is an extraordinary actor, dude, He's phenomenal. Look they 126 00:06:53,400 --> 00:07:00,000 Speaker 1: showed when he was auditioning for Rogue one, Gareth Edwards 127 00:07:00,480 --> 00:07:05,680 Speaker 1: recently through Lucasfilm, and they released the auditions and he 128 00:07:05,760 --> 00:07:09,240 Speaker 1: wasn't in town when he auditioned for Body, but so 129 00:07:09,279 --> 00:07:12,640 Speaker 1: he sent in a self tape. And this is probably 130 00:07:12,680 --> 00:07:14,600 Speaker 1: one of the dopest self tapes I've ever seen in 131 00:07:14,640 --> 00:07:17,320 Speaker 1: my life, you know. And the guy does and and 132 00:07:17,360 --> 00:07:23,840 Speaker 1: so Gareth gives Rizz his email, and so once Rizz 133 00:07:23,880 --> 00:07:28,440 Speaker 1: gets the email, he keeps sending him audition after audition 134 00:07:28,600 --> 00:07:32,040 Speaker 1: different ways that his character could be played. Yeah, that 135 00:07:32,120 --> 00:07:35,480 Speaker 1: the character could be played and uh and and and 136 00:07:35,520 --> 00:07:38,040 Speaker 1: then finally Gareth was like, dude, come on, man, all right, fine, 137 00:07:38,040 --> 00:07:42,400 Speaker 1: that's enough. You got the job. It's yours. Well, if 138 00:07:42,400 --> 00:07:45,240 Speaker 1: they give you the email, they're giving you license. If 139 00:07:45,240 --> 00:07:47,400 Speaker 1: they give them up for a part right now that 140 00:07:47,480 --> 00:07:51,600 Speaker 1: I really want, and I know that the writer really 141 00:07:51,640 --> 00:07:53,720 Speaker 1: wants me for it. I feel like I should be 142 00:07:53,760 --> 00:07:57,080 Speaker 1: hot boxing the director with emails. You have the emailed 143 00:07:57,440 --> 00:08:00,440 Speaker 1: for the director. Oh I can get anything, Donald, I'm 144 00:08:00,480 --> 00:08:03,440 Speaker 1: connected up in this bitch. Okay, so you should go yourself. 145 00:08:03,520 --> 00:08:05,080 Speaker 1: I mean, it's one way to do it. Do you 146 00:08:05,080 --> 00:08:07,680 Speaker 1: know the story of empty chairs at empty tables being 147 00:08:07,720 --> 00:08:11,640 Speaker 1: a cappella in the lay Miss movie No, Well, that 148 00:08:11,760 --> 00:08:16,240 Speaker 1: actor any Redmaine doesn't have anyone to play piano, and 149 00:08:16,240 --> 00:08:18,280 Speaker 1: he's on location. He's making a movie somewhere, so he 150 00:08:18,400 --> 00:08:21,840 Speaker 1: just sings acapella empty chairs and empty tables, and the 151 00:08:21,880 --> 00:08:24,080 Speaker 1: director loved it so much that he kept it that 152 00:08:24,120 --> 00:08:27,080 Speaker 1: way in the movie. That's awesome and that was cool. 153 00:08:30,280 --> 00:08:33,200 Speaker 1: He wanted the oscar for that one and the one 154 00:08:33,320 --> 00:08:37,760 Speaker 1: for playing the super dope scientist. Anyway, I'm gonna call 155 00:08:37,760 --> 00:08:41,720 Speaker 1: it right now, kids ready. Zamed is the current front 156 00:08:41,760 --> 00:08:44,800 Speaker 1: runner for Best Actor in a Film. In my mind, 157 00:08:45,000 --> 00:08:47,440 Speaker 1: what I've seen a bunch of movies. So I'm telling 158 00:08:47,480 --> 00:08:50,000 Speaker 1: you get in early on this. When is that? When 159 00:08:50,040 --> 00:08:54,120 Speaker 1: are the Oscars? They usually happened in like April, right, Joel? 160 00:08:54,240 --> 00:09:00,960 Speaker 1: These days the Oscars were February. Let me see, I 161 00:09:01,000 --> 00:09:03,319 Speaker 1: don't know. Yeah. Oh no, you're right, you're bad on 162 00:09:03,480 --> 00:09:07,240 Speaker 1: your superior knowledge. Sundaye. There you go. Okay, still do 163 00:09:07,280 --> 00:09:11,120 Speaker 1: them probably, Like remember when Jimmy Kimmel hosted the what 164 00:09:11,200 --> 00:09:14,200 Speaker 1: was it the last awards show that the Emmys or something, 165 00:09:14,240 --> 00:09:15,880 Speaker 1: he hosted something and they did it in a really 166 00:09:15,920 --> 00:09:18,600 Speaker 1: weird COVID way. I almost em they'll do it that way. 167 00:09:19,520 --> 00:09:23,959 Speaker 1: So this is right, This is right around the time 168 00:09:24,000 --> 00:09:26,000 Speaker 1: when the good movies are going to start coming out. Then, right, 169 00:09:27,160 --> 00:09:30,560 Speaker 1: I think everything for twenty twenties been out already. I mean, 170 00:09:30,600 --> 00:09:32,800 Speaker 1: you'll get some screeners. The weird thing about getting screeners 171 00:09:32,800 --> 00:09:35,880 Speaker 1: a word, screeners this year is that they everything's pretty 172 00:09:35,960 --> 00:09:39,920 Speaker 1: much been on TV. But I always thought the movies 173 00:09:39,960 --> 00:09:41,920 Speaker 1: came out like right around now, Like this is the 174 00:09:41,920 --> 00:09:43,719 Speaker 1: time where you drop your movie if you want it 175 00:09:43,760 --> 00:09:46,240 Speaker 1: to be or you gotta do it. You gotta do 176 00:09:46,280 --> 00:09:50,240 Speaker 1: it in December to qualify. To qualify, I believe you 177 00:09:50,240 --> 00:09:54,240 Speaker 1: have to do a week of theatrical in a theater. Okay, 178 00:09:54,280 --> 00:09:56,400 Speaker 1: so let me ask you a question. Then within the 179 00:09:56,440 --> 00:10:00,200 Speaker 1: within the calendar year. Okay, Well here's here's here. How 180 00:10:00,200 --> 00:10:02,240 Speaker 1: do we do that this year too? Wow? Because they 181 00:10:02,240 --> 00:10:03,880 Speaker 1: were just putting movies out, Like you know, even if 182 00:10:04,200 --> 00:10:06,240 Speaker 1: you dropped your movie, ninety nine percent of people are 183 00:10:06,240 --> 00:10:09,000 Speaker 1: going to see it streaming. You still did one week somewhere. 184 00:10:09,080 --> 00:10:10,840 Speaker 1: It could be in Duluth. It doesn't matter. You just 185 00:10:10,840 --> 00:10:12,360 Speaker 1: have to like be in a theater for a week. 186 00:10:13,360 --> 00:10:15,520 Speaker 1: Got it? Are you gonna watch the movie? I just 187 00:10:15,520 --> 00:10:17,320 Speaker 1: want to know if you're if there's even a cell 188 00:10:17,400 --> 00:10:19,040 Speaker 1: in your What if I told you that he like 189 00:10:19,080 --> 00:10:21,160 Speaker 1: makes a Star Wars reference in the middle of the 190 00:10:21,160 --> 00:10:24,679 Speaker 1: movie one you're lying to me? So that's it was 191 00:10:24,720 --> 00:10:27,160 Speaker 1: a really cool moment, like three quarters of the way 192 00:10:27,240 --> 00:10:29,679 Speaker 1: through the movie where there's like this fantasy sequence where 193 00:10:29,720 --> 00:10:36,400 Speaker 1: they're like pretending they're in Star Wars. I watch it, Joel. 194 00:10:36,520 --> 00:10:38,640 Speaker 1: Is your brother helping you pack? Or is are you 195 00:10:38,679 --> 00:10:41,760 Speaker 1: doing all the hard work? My brother and her roommate 196 00:10:41,800 --> 00:10:45,800 Speaker 1: are very good packers. They are consistently helpful. I have 197 00:10:45,840 --> 00:10:50,560 Speaker 1: a bad back, which means I can't left anything over anything. Yes, 198 00:10:50,840 --> 00:10:57,320 Speaker 1: I really down yesterday that we're throwing out, so I 199 00:10:57,320 --> 00:10:59,800 Speaker 1: would I would be very lost with up. By the way, 200 00:10:59,840 --> 00:11:02,520 Speaker 1: I got to say, Los Angeles gets a lot of shit, 201 00:11:03,400 --> 00:11:07,680 Speaker 1: And granted, even there's more COVID than oxygen molecules currently, 202 00:11:08,160 --> 00:11:10,679 Speaker 1: but today is a beautiful day, and this week it's 203 00:11:10,720 --> 00:11:14,320 Speaker 1: going to be eighty four wow. So you know, for 204 00:11:14,360 --> 00:11:17,120 Speaker 1: all the ship the city gets and we're clearly not 205 00:11:17,240 --> 00:11:19,440 Speaker 1: that well run currently, but I do have to say 206 00:11:19,600 --> 00:11:22,480 Speaker 1: it's a beautiful place to live in In January, it's 207 00:11:22,480 --> 00:11:26,959 Speaker 1: gonna be eighty four and sunny. I'm really I'm I 208 00:11:27,240 --> 00:11:28,480 Speaker 1: don't know what to do. I know I'm going to 209 00:11:28,559 --> 00:11:31,880 Speaker 1: take the kids out this week man. Well, we've been 210 00:11:31,960 --> 00:11:34,160 Speaker 1: doing what we do that anyway. We've been doing that. 211 00:11:34,240 --> 00:11:37,280 Speaker 1: We've been playing basketball like, we've been going out as 212 00:11:37,320 --> 00:11:39,400 Speaker 1: a family. You can swim them at my house, by 213 00:11:39,400 --> 00:11:41,080 Speaker 1: the way, I'm gonna be out of town this weekend 214 00:11:41,120 --> 00:11:42,640 Speaker 1: if you want to. If you want to run them 215 00:11:42,640 --> 00:11:45,800 Speaker 1: at my pool, that would be great. We will take 216 00:11:45,840 --> 00:11:48,000 Speaker 1: you up on that, especially if it's eighty something to great. 217 00:11:48,120 --> 00:11:50,320 Speaker 1: Remind me to turn the pool on or they'll be screaming. 218 00:11:54,360 --> 00:11:56,880 Speaker 1: All right, let's start this fucking show. Donald, Let's get 219 00:11:56,880 --> 00:11:59,880 Speaker 1: into it. Let's talk about the TV show Scrubs. Say 220 00:12:00,080 --> 00:12:10,559 Speaker 1: stories about show. We made a lot of nurses stories. 221 00:12:14,640 --> 00:12:24,640 Speaker 1: Gather around here, Gather around here. You're gonna be so 222 00:12:24,760 --> 00:12:27,600 Speaker 1: upset at me. Why you didn't do it. You didn't 223 00:12:27,600 --> 00:12:30,600 Speaker 1: do a recap? I did I did not do a recap. 224 00:12:31,120 --> 00:12:32,960 Speaker 1: I kind of did a recap? Graph guy? What does 225 00:12:33,000 --> 00:12:35,040 Speaker 1: he do? What does graph guy do? If he doesn't 226 00:12:35,040 --> 00:12:38,480 Speaker 1: have a time, I have like zero, puts a zero 227 00:12:38,520 --> 00:12:40,840 Speaker 1: in there. I have a bit of a recap actually, 228 00:12:41,040 --> 00:12:44,520 Speaker 1: but it's not a recap. It's just like scribbled thoughts 229 00:12:44,800 --> 00:12:46,720 Speaker 1: on the plice. He never got around. You never got 230 00:12:46,760 --> 00:12:49,720 Speaker 1: around to the recap. And huh no, because listen, I 231 00:12:49,760 --> 00:12:53,480 Speaker 1: made lunch today for the kids. You're gonna love this one. 232 00:12:54,040 --> 00:13:01,720 Speaker 1: I made Kanye sada with some Spanish rice and uh, 233 00:13:02,440 --> 00:13:08,480 Speaker 1: the vegetable was a nice spinach m but not to 234 00:13:09,040 --> 00:13:11,120 Speaker 1: slime appreciate it. That sounds like a nice meal. Do 235 00:13:11,120 --> 00:13:15,320 Speaker 1: they appreciate it? We? They ate all of it. It 236 00:13:15,360 --> 00:13:18,280 Speaker 1: was very nice. It was like one of those moments 237 00:13:18,280 --> 00:13:20,320 Speaker 1: in my life where I put the work into it 238 00:13:20,360 --> 00:13:22,080 Speaker 1: and it worked out. So it was one of those 239 00:13:22,080 --> 00:13:25,720 Speaker 1: moments in my life where I enjoyed my kids. You 240 00:13:25,800 --> 00:13:28,080 Speaker 1: know this, It was a great vote. You know, it's 241 00:13:28,160 --> 00:13:30,880 Speaker 1: rare that your kids eat your food. They'll pick at it, 242 00:13:30,920 --> 00:13:32,760 Speaker 1: they'll nibble at it, and you'll sit there and you'll 243 00:13:32,760 --> 00:13:34,960 Speaker 1: be like, you eat that ship and then eventually you 244 00:13:35,000 --> 00:13:37,240 Speaker 1: finally throw it out and give them the damn ice 245 00:13:37,280 --> 00:13:39,880 Speaker 1: cream that they're asking what's the what's what's a non 246 00:13:40,080 --> 00:13:43,080 Speaker 1: What's a meal that they enjoy that's not dessert that 247 00:13:43,120 --> 00:13:49,560 Speaker 1: they'll really devour. Chicken fingers, chicken finger. Chicken fingers used 248 00:13:49,600 --> 00:13:51,439 Speaker 1: to be to jam, but now it's not. Now it's like, 249 00:13:51,480 --> 00:13:54,600 Speaker 1: you know, mac and cheese. However, I did you know, 250 00:13:54,880 --> 00:13:59,840 Speaker 1: uh I did you know a case of dia? Uh? 251 00:14:00,040 --> 00:14:04,360 Speaker 1: That always works? Uh? You know it's what they people 252 00:14:06,000 --> 00:14:10,520 Speaker 1: avocado toast that works out every now and then you know, 253 00:14:12,760 --> 00:14:15,040 Speaker 1: it's it's it's really difficult to get them to eat 254 00:14:15,080 --> 00:14:20,120 Speaker 1: fruit unless it's like a apple or you know, my my, 255 00:14:20,120 --> 00:14:22,800 Speaker 1: my daughter doesn't like oranges, but she likes little cuties, 256 00:14:23,000 --> 00:14:28,480 Speaker 1: you know, right, you know what I mean. It's that's 257 00:14:28,600 --> 00:14:32,000 Speaker 1: that's the It's it's tough, man, because and and you 258 00:14:32,000 --> 00:14:33,880 Speaker 1: don't have and and once you get a lot of it, 259 00:14:34,120 --> 00:14:36,520 Speaker 1: that's when they don't like it anymore. You know, you 260 00:14:36,520 --> 00:14:39,320 Speaker 1: you you purchase so you've noticed, oh shit, they he 261 00:14:40,480 --> 00:14:43,760 Speaker 1: really love the steak tonight. And so the next couple 262 00:14:43,760 --> 00:14:45,440 Speaker 1: of meals, not the next couple of meals, but you like, 263 00:14:45,640 --> 00:14:49,480 Speaker 1: try and introduce steak, you know, maybe four meals later 264 00:14:50,000 --> 00:14:52,040 Speaker 1: and they're like, I don't want that ship and you're like, well, 265 00:14:52,160 --> 00:14:53,440 Speaker 1: you know, he doesn't say I don't want that ship. 266 00:14:53,520 --> 00:14:54,920 Speaker 1: He's like I don't want it, and you're like, well 267 00:14:55,000 --> 00:14:59,640 Speaker 1: you ate it, you know four days ago. M's like, 268 00:14:59,680 --> 00:15:02,040 Speaker 1: that was four days ago. My taste puts have changed. 269 00:15:02,360 --> 00:15:05,360 Speaker 1: Your taste sputs have changed in four days. I don't 270 00:15:05,360 --> 00:15:09,480 Speaker 1: feel a lot of positivity about this whole kid thing. Dude, 271 00:15:09,480 --> 00:15:11,360 Speaker 1: I'm not trying to move into your house. They move 272 00:15:11,400 --> 00:15:15,640 Speaker 1: into your house. It's the conflict you want. It's the 273 00:15:15,680 --> 00:15:19,440 Speaker 1: empire strikes back. It's the conflicts you want. They're so ungrateful, 274 00:15:19,480 --> 00:15:23,440 Speaker 1: they're expensive. It's the conflicts you want but never knew 275 00:15:23,440 --> 00:15:26,000 Speaker 1: you wanted. It's that I'm telling you, man, you love it. 276 00:15:26,280 --> 00:15:27,880 Speaker 1: You just want to say if I just want to 277 00:15:27,920 --> 00:15:31,720 Speaker 1: represent on behalf of the listeners who may be on 278 00:15:31,720 --> 00:15:34,320 Speaker 1: the fence about having children. I don't think that you're 279 00:15:34,360 --> 00:15:37,960 Speaker 1: a walking advertisement for loving it. Nobody wants Stepford or 280 00:15:38,040 --> 00:15:40,120 Speaker 1: children of the corn kids. I'm telling you right now, 281 00:15:40,360 --> 00:15:42,400 Speaker 1: you don't want that. I'm telling you right now you 282 00:15:42,440 --> 00:15:44,640 Speaker 1: want some type of character and your kids. You don't 283 00:15:44,640 --> 00:15:46,840 Speaker 1: want the perfect child that just does whatever you want 284 00:15:46,920 --> 00:15:50,200 Speaker 1: them to do. I know, I'm just I'm just worried 285 00:15:50,280 --> 00:15:52,320 Speaker 1: to be honest, and I'm just gonna I'm this is 286 00:15:52,360 --> 00:15:56,040 Speaker 1: my candid take is that you put all this work 287 00:15:56,120 --> 00:15:59,720 Speaker 1: into it and then once they can talk, they're kind 288 00:15:59,720 --> 00:16:05,040 Speaker 1: of like ungrateful and mean. No, just anger is an 289 00:16:05,040 --> 00:16:08,280 Speaker 1: easy emotion, man, Like you know, I like, then move out. 290 00:16:08,440 --> 00:16:14,560 Speaker 1: I'm sorry. They're kids, man, They're kids. It's the whole premise, Listen, 291 00:16:14,560 --> 00:16:17,280 Speaker 1: it's the whole premise of the dark side of the 292 00:16:17,320 --> 00:16:20,440 Speaker 1: Force is being a kid. You think I'm joking, but like, 293 00:16:20,480 --> 00:16:23,560 Speaker 1: I just wonder if you really can't possibly go without 294 00:16:23,600 --> 00:16:27,480 Speaker 1: thinking about Star Wars, Like, what's the longest you've ever gone? Well, 295 00:16:27,520 --> 00:16:30,600 Speaker 1: you're asking me about why kids get so angry and 296 00:16:30,640 --> 00:16:33,480 Speaker 1: stuff like that. It's an easy emotion for them, and 297 00:16:33,520 --> 00:16:35,560 Speaker 1: they're young and they're not wise and don't know how 298 00:16:35,560 --> 00:16:39,360 Speaker 1: to control their anger. And the best way to explain 299 00:16:39,440 --> 00:16:43,680 Speaker 1: that to you know, uh, for me to expect, for 300 00:16:43,720 --> 00:16:46,920 Speaker 1: me to understand it growing up was Star Wars. The 301 00:16:46,960 --> 00:16:49,720 Speaker 1: reason why it's so easy to go to the dark 302 00:16:49,760 --> 00:16:52,640 Speaker 1: side to become powerful from the dark side, because you're 303 00:16:53,160 --> 00:16:55,880 Speaker 1: deep fueling your anger. That's why I talk about it 304 00:16:55,920 --> 00:16:58,200 Speaker 1: so much part of my life. When you do you're hater. 305 00:16:58,520 --> 00:17:01,920 Speaker 1: You'll be hating sometimes. Man, When do you guys get joel? Joel? 306 00:17:02,000 --> 00:17:04,800 Speaker 1: Hear me hayting sometimes? Keep me one hundred, get involved, Joel. 307 00:17:05,000 --> 00:17:11,280 Speaker 1: He's talking about listening, putting bubble rap. Come on, Jack, 308 00:17:11,480 --> 00:17:16,080 Speaker 1: ain't putting no will was like Joell zoned out. She's 309 00:17:16,080 --> 00:17:20,160 Speaker 1: got her like mic on mute, wrapping shit and bubble rap. 310 00:17:22,640 --> 00:17:28,680 Speaker 1: You're stressed out, all right, Let's get to the let's 311 00:17:28,680 --> 00:17:32,600 Speaker 1: get into the recap. All right. Listen, let's get into 312 00:17:32,600 --> 00:17:35,040 Speaker 1: your non written recap. Are you gonna like a You're 313 00:17:35,040 --> 00:17:37,439 Speaker 1: gonna like free free flow it? When do you call that? 314 00:17:37,480 --> 00:17:39,200 Speaker 1: When you're when you when you're rest out? Are you 315 00:17:39,240 --> 00:17:41,600 Speaker 1: gonna free stout? And I'm gonna do it off the tops? 316 00:17:42,520 --> 00:17:48,640 Speaker 1: Go ahead, go ahead, Ready ahead. Pep up, peep peep. 317 00:17:51,000 --> 00:17:53,760 Speaker 1: Doctor Cox and doctor Kelso are like an old married 318 00:17:53,800 --> 00:17:58,440 Speaker 1: couple tow reads back and she's looking prettier and prettier. 319 00:17:59,480 --> 00:18:01,800 Speaker 1: Let's right, did I say it right? Those eyes are 320 00:18:01,840 --> 00:18:05,600 Speaker 1: so blue. Carlo's freaking out about the wedding. JD wants 321 00:18:05,880 --> 00:18:10,679 Speaker 1: what he can't have. Victory could be snatched from you 322 00:18:10,840 --> 00:18:14,919 Speaker 1: at the last moment. It's very interesting. The grass is 323 00:18:15,040 --> 00:18:19,960 Speaker 1: also always greener on the other side. This was That's 324 00:18:20,000 --> 00:18:23,840 Speaker 1: what this episode was about. This episode was about what's 325 00:18:23,920 --> 00:18:27,359 Speaker 1: on the other side, and everybody has foamo. But when 326 00:18:27,400 --> 00:18:30,120 Speaker 1: you get it finally, at the end of the day, 327 00:18:30,600 --> 00:18:34,680 Speaker 1: the grass isn't greener. If anything, it's maybe a little 328 00:18:34,800 --> 00:18:38,320 Speaker 1: less green or if not worse. Be happy with what 329 00:18:38,400 --> 00:18:42,040 Speaker 1: you got people, you like what you get, what you get, 330 00:18:42,080 --> 00:18:45,080 Speaker 1: and you don't get upset. That's how it goes, all right, Well, 331 00:18:45,080 --> 00:18:47,000 Speaker 1: listen on behalf of all of our listeners. I think 332 00:18:47,000 --> 00:18:49,119 Speaker 1: it's better when you pre write them and plan them 333 00:18:49,119 --> 00:18:51,880 Speaker 1: out a little bit. I had shit to do. I'm 334 00:18:51,920 --> 00:18:55,960 Speaker 1: sorry people, my kids had to eat today. All right, listen, 335 00:18:56,160 --> 00:18:59,000 Speaker 1: I think this is a great conversation for all four 336 00:18:59,000 --> 00:19:02,600 Speaker 1: of us, so Daniel Pitts Jell but Daniel's right, thank you. 337 00:19:03,240 --> 00:19:05,880 Speaker 1: Everybody's focus. But do you know I'm right what I'm 338 00:19:05,920 --> 00:19:08,119 Speaker 1: on the right of this episode? One of the things 339 00:19:08,200 --> 00:19:11,679 Speaker 1: I took from this episode. We're talking about episode what 340 00:19:11,720 --> 00:19:16,560 Speaker 1: are we on here? Joel twenty three? Twenty guys, don't 341 00:19:16,560 --> 00:19:18,159 Speaker 1: mean we're getting to the end of the third season, 342 00:19:18,640 --> 00:19:21,280 Speaker 1: so you know, the ship's going by real quick. We're 343 00:19:21,280 --> 00:19:23,400 Speaker 1: gonna have to find another show. To watch. Maybe I'll 344 00:19:23,400 --> 00:19:27,600 Speaker 1: be the Office. How funny would that be if we 345 00:19:27,640 --> 00:19:30,120 Speaker 1: did an Office rewatch podcast? We should do that ship? 346 00:19:30,320 --> 00:19:34,840 Speaker 1: Oh my god? But anyway, wouldn't it be funny when 347 00:19:34,840 --> 00:19:37,040 Speaker 1: we run out of episodes we switched to the Office Office, 348 00:19:37,800 --> 00:19:39,880 Speaker 1: Because I've actually never seen The Office all the way through, 349 00:19:39,920 --> 00:19:44,240 Speaker 1: I think, or Friends? Right, we pick another popular show 350 00:19:44,440 --> 00:19:47,760 Speaker 1: and we just do a rewatch of that show. Friends 351 00:19:47,840 --> 00:19:51,320 Speaker 1: is hilarious, Dude, I've actually mar no black people on Friends. 352 00:19:51,359 --> 00:19:59,160 Speaker 1: I'd be like and all right, So if you were 353 00:19:59,160 --> 00:20:01,359 Speaker 1: to read do a we watch podcasts of a of 354 00:20:01,400 --> 00:20:06,040 Speaker 1: a very popular sitcom? Would it be Seinfeldt Friends? Or 355 00:20:06,080 --> 00:20:13,040 Speaker 1: The Office? Oh? Donald, it would probably be The Office? Donald, 356 00:20:13,160 --> 00:20:16,160 Speaker 1: you go first. I think we should do the Office. No, no, 357 00:20:16,160 --> 00:20:18,479 Speaker 1: no disrespect. I don't know, man, I don't know. If 358 00:20:18,560 --> 00:20:20,720 Speaker 1: I liked The Office, it was very funny. It's a 359 00:20:20,760 --> 00:20:29,080 Speaker 1: lot of seasons. Also Friends, Yeah, that's true. And in 360 00:20:29,160 --> 00:20:31,600 Speaker 1: terms of in terms of thank you, thank you, Joel, 361 00:20:31,720 --> 00:20:33,760 Speaker 1: that would be a good note. Have you ever watched Martin? 362 00:20:33,960 --> 00:20:37,879 Speaker 1: Have you ever watched Martin? No, dude, no, I remember 363 00:20:37,960 --> 00:20:40,679 Speaker 1: like Gino and I remember him getting in trouble because 364 00:20:40,840 --> 00:20:43,280 Speaker 1: she hated him. That's all I remember, No gin is 365 00:20:43,359 --> 00:20:46,000 Speaker 1: his was his girl? Oh? The actress in real life 366 00:20:46,000 --> 00:20:50,240 Speaker 1: like a hoard him? All right, Joel, I know this, 367 00:20:50,440 --> 00:20:55,280 Speaker 1: but I want that Tea what Ye? She did not 368 00:20:55,400 --> 00:21:01,520 Speaker 1: like him? What she should like? Martin Ta Campbell did 369 00:21:01,560 --> 00:21:03,639 Speaker 1: not like Martin LARTs No, you can google it. They 370 00:21:03,800 --> 00:21:06,760 Speaker 1: she like hated him. Oh, I'm pretty sure, Joel, please 371 00:21:06,760 --> 00:21:16,280 Speaker 1: double chair anyway. So anyway, one of the main themes 372 00:21:16,320 --> 00:21:19,919 Speaker 1: of this episode is j D wanting something he can't have. 373 00:21:20,040 --> 00:21:23,120 Speaker 1: There's a great Groucho Marx quote, I would never want 374 00:21:23,160 --> 00:21:24,800 Speaker 1: to be a part of any club that would have 375 00:21:24,920 --> 00:21:30,280 Speaker 1: me as a member. And I think j D the 376 00:21:30,400 --> 00:21:34,920 Speaker 1: character and many humans we all know and do, all 377 00:21:34,920 --> 00:21:38,320 Speaker 1: of us and to some extent, long for what we 378 00:21:38,400 --> 00:21:40,199 Speaker 1: can't have and then when we get it, or like, 379 00:21:41,480 --> 00:21:43,800 Speaker 1: I don't know that I wanted this. And I wondered 380 00:21:43,840 --> 00:21:46,240 Speaker 1: if you guys had any dating experience in your lives 381 00:21:46,240 --> 00:21:51,800 Speaker 1: where you really, really really lusted or lungs for someone 382 00:21:52,280 --> 00:21:54,639 Speaker 1: and then finally won them over, and then once you 383 00:21:54,720 --> 00:21:59,000 Speaker 1: got them, we're like, oh, I didn't want this as 384 00:21:59,000 --> 00:22:02,320 Speaker 1: bad as I said I did. No, the only person 385 00:22:02,440 --> 00:22:09,960 Speaker 1: I've ever worked really hard for in my life was 386 00:22:10,040 --> 00:22:14,040 Speaker 1: casey cop, like I worked my ass off to get her. 387 00:22:16,560 --> 00:22:20,040 Speaker 1: I met her, and it was that energy. But you 388 00:22:20,080 --> 00:22:22,440 Speaker 1: were prettymature by that I'm talking about. It's kind of 389 00:22:22,440 --> 00:22:25,840 Speaker 1: an immature thing, like you do you have any memories 390 00:22:25,840 --> 00:22:28,240 Speaker 1: when you were younger of like working so hard to 391 00:22:28,240 --> 00:22:30,000 Speaker 1: get a girl and like doing pulling out all the 392 00:22:30,000 --> 00:22:32,800 Speaker 1: stops and then she five things into you and you're like, 393 00:22:36,200 --> 00:22:38,080 Speaker 1: daddle Dwell, have you ever been through that experience? On 394 00:22:38,359 --> 00:22:41,440 Speaker 1: either side of it? I, you know, I have kind 395 00:22:41,440 --> 00:22:45,800 Speaker 1: of a unique dating history because basically, you know, up 396 00:22:45,880 --> 00:22:48,280 Speaker 1: until last year and ten years before, and I wasn't 397 00:22:48,320 --> 00:22:50,159 Speaker 1: dating at all while I was on the road. I 398 00:22:50,200 --> 00:22:52,440 Speaker 1: had pretty much like just decided to skirt that whole 399 00:22:52,440 --> 00:22:56,879 Speaker 1: part of my life to avoid the whole leaving someone 400 00:22:56,920 --> 00:22:59,199 Speaker 1: at home on the road. Were you not hunging up 401 00:22:59,200 --> 00:23:01,920 Speaker 1: with lady even well, I mean there was, of course, 402 00:23:01,960 --> 00:23:03,960 Speaker 1: you know, there was the occasional hook up and stuff 403 00:23:04,000 --> 00:23:05,760 Speaker 1: like that, but I mean in terms of like real 404 00:23:05,840 --> 00:23:08,600 Speaker 1: lasting relationships where you get to know a person enough 405 00:23:08,640 --> 00:23:11,160 Speaker 1: to even have that thought of like, oh, this isn't 406 00:23:11,200 --> 00:23:15,520 Speaker 1: what I wanted. I basically only started, you know, really 407 00:23:15,560 --> 00:23:21,199 Speaker 1: seriously dating like that last year. So I apologize for 408 00:23:21,240 --> 00:23:24,000 Speaker 1: not having a good story for this moment. No, you 409 00:23:24,000 --> 00:23:25,520 Speaker 1: don't have to have a story. I'm more interested in 410 00:23:25,560 --> 00:23:27,280 Speaker 1: the fact that you were celibate for ten years. But 411 00:23:27,480 --> 00:23:31,840 Speaker 1: I well, I thought the sole reason to be a 412 00:23:31,960 --> 00:23:37,680 Speaker 1: DJ was to go to mad big gass body invite 413 00:23:37,680 --> 00:23:42,920 Speaker 1: girls to the DJ boost pour them. I didn't want 414 00:23:42,960 --> 00:23:46,880 Speaker 1: to have a girlfriend waiting at home, so that temptation 415 00:23:47,480 --> 00:23:50,679 Speaker 1: wasn't something I had to avoid. That's a very mature 416 00:23:51,200 --> 00:23:54,080 Speaker 1: way to look at things. I think everybody wants a 417 00:23:54,160 --> 00:23:57,000 Speaker 1: girlfriend at some point. And you know what, Zach, I 418 00:23:57,119 --> 00:23:59,600 Speaker 1: probably did say things that were like, you know, but 419 00:23:59,640 --> 00:24:01,959 Speaker 1: when you look back at it now, compared to the 420 00:24:01,960 --> 00:24:05,439 Speaker 1: things that I did for to get to be with 421 00:24:05,520 --> 00:24:07,840 Speaker 1: Casey Cop, nothing compares to that, you know what I mean. 422 00:24:08,000 --> 00:24:12,280 Speaker 1: I remember I remember young I remember a young gallant 423 00:24:12,560 --> 00:24:17,960 Speaker 1: at Northwestern that I was really into, and I really 424 00:24:18,240 --> 00:24:23,040 Speaker 1: pursued her and and tried to court her, and she 425 00:24:23,200 --> 00:24:28,320 Speaker 1: was not interested, not interested, And then she finally was interested, 426 00:24:28,480 --> 00:24:31,720 Speaker 1: and I remember I think, like JD, I was like, oh, 427 00:24:31,840 --> 00:24:34,080 Speaker 1: now I'm scared. I don't know what it was about. 428 00:24:34,119 --> 00:24:36,800 Speaker 1: It was very immature. I mean, oh, I can't speak 429 00:24:36,840 --> 00:24:39,960 Speaker 1: to that for sure of being like listen. Sometimes you 430 00:24:40,000 --> 00:24:42,359 Speaker 1: think a person is just so like you're like, like 431 00:24:42,440 --> 00:24:44,119 Speaker 1: I tend to follow people where I'm like, what is this. 432 00:24:44,320 --> 00:24:46,639 Speaker 1: I've never seen this like personality type before. It's so 433 00:24:46,720 --> 00:24:49,480 Speaker 1: unique to me. It's so different and interesting, like that's 434 00:24:49,480 --> 00:24:52,879 Speaker 1: what really attracts me. And then sometimes you get up 435 00:24:52,880 --> 00:24:56,199 Speaker 1: close and you're like, oh, that's a sociopath. I'm not 436 00:24:56,280 --> 00:24:59,320 Speaker 1: supposed to be with that person, or you know, or 437 00:24:59,359 --> 00:25:03,240 Speaker 1: you're just like what was initially exciting is like, I 438 00:25:03,240 --> 00:25:05,359 Speaker 1: don't know, this is laborious. I don't want that in 439 00:25:05,400 --> 00:25:07,480 Speaker 1: a relationship. It's like I an't trying to be around 440 00:25:07,480 --> 00:25:09,439 Speaker 1: that person, but not like I want to beat that. 441 00:25:09,800 --> 00:25:11,959 Speaker 1: I think in my case, in hindsight, I was why 442 00:25:12,000 --> 00:25:13,840 Speaker 1: are you raising your hand? I have a question. I 443 00:25:13,840 --> 00:25:16,879 Speaker 1: don't want to interrupt anybody. Oh you're so so sweet. 444 00:25:17,440 --> 00:25:18,639 Speaker 1: Do you want to ask it now? Or do you 445 00:25:18,640 --> 00:25:21,280 Speaker 1: want me to continue my thought? Yeah? What's a sociopath? 446 00:25:21,359 --> 00:25:23,239 Speaker 1: I know what I know. I kind of know what 447 00:25:23,280 --> 00:25:27,359 Speaker 1: it is from no conscience, right someone someone who has 448 00:25:27,400 --> 00:25:32,160 Speaker 1: who has no conscience for their actions right now. Sociopaths 449 00:25:32,240 --> 00:25:36,200 Speaker 1: are usually murderers and stuff like that, aren't they They 450 00:25:36,280 --> 00:25:39,040 Speaker 1: can be, but it's not like it's specifically like all 451 00:25:39,080 --> 00:25:42,800 Speaker 1: sociopaths have the desire to murder. If you have no conscious, 452 00:25:42,840 --> 00:25:45,119 Speaker 1: there's like a good chance that you are comfortable with 453 00:25:45,160 --> 00:25:49,159 Speaker 1: taking a life, but not necessarily you don't die. You 454 00:25:49,160 --> 00:25:51,600 Speaker 1: can do horrible things and it's not keeping you up 455 00:25:51,640 --> 00:25:55,880 Speaker 1: at night. Right, Yeah, that's scar fuck. But I wanted 456 00:25:55,920 --> 00:25:58,080 Speaker 1: to say what I think with hindsight, I look back 457 00:25:58,240 --> 00:26:01,760 Speaker 1: and I was I think I was scared. I never 458 00:26:01,800 --> 00:26:04,679 Speaker 1: thought she would like me, and then she finally began 459 00:26:04,840 --> 00:26:08,240 Speaker 1: to be interested, and I think I young me kind 460 00:26:08,240 --> 00:26:11,879 Speaker 1: of panicked, like I don't even know if I don't know, 461 00:26:11,920 --> 00:26:13,159 Speaker 1: I don't know what the hell was going on. It 462 00:26:13,240 --> 00:26:15,200 Speaker 1: was weird. It was a weird thing. I look back 463 00:26:15,240 --> 00:26:17,000 Speaker 1: on it and go, why did I panic and like 464 00:26:17,160 --> 00:26:19,639 Speaker 1: sprint away? But anyway, it made me think of that 465 00:26:19,680 --> 00:26:23,160 Speaker 1: because that's what Jad's doing. He's clearly in love with Elliott, clearly, 466 00:26:23,560 --> 00:26:27,520 Speaker 1: and he Elliott. Sean has packed up all his things, 467 00:26:27,600 --> 00:26:31,919 Speaker 1: he's moving in with Elliott, and and Jad, you know, 468 00:26:31,960 --> 00:26:33,560 Speaker 1: has a scene that I think a lot of people 469 00:26:34,119 --> 00:26:35,720 Speaker 1: who love the show no, well, where he goes it 470 00:26:35,760 --> 00:26:38,480 Speaker 1: should have been me And she turns around and she 471 00:26:38,520 --> 00:26:41,080 Speaker 1: says what and he goes, Elliott, if I had a 472 00:26:41,160 --> 00:26:43,639 Speaker 1: chance to be with anyone else or just be on 473 00:26:43,760 --> 00:26:46,800 Speaker 1: the couch eating pizza watching a movie with you, I 474 00:26:46,800 --> 00:26:49,960 Speaker 1: would always choose you. And it really gets in her head. 475 00:26:50,040 --> 00:26:52,159 Speaker 1: And Sean comes over and he's packed up his U 476 00:26:52,240 --> 00:26:54,280 Speaker 1: haul and he's got everything and he's ready to move in, 477 00:26:54,320 --> 00:26:56,879 Speaker 1: and she's like, I can't do this. She comes to 478 00:26:56,960 --> 00:27:00,280 Speaker 1: Jad's house, the apartment, and she's got a pizza and 479 00:27:00,359 --> 00:27:03,240 Speaker 1: she falls into his arms and she says, let's do this, 480 00:27:03,440 --> 00:27:07,080 Speaker 1: and j D ends with him, internally screaming and going, 481 00:27:07,400 --> 00:27:09,760 Speaker 1: I can't do this. This is what I was talking 482 00:27:09,800 --> 00:27:12,520 Speaker 1: about a couple of episodes ago when I said this 483 00:27:12,600 --> 00:27:15,800 Speaker 1: is the moment when she has sex with him, that 484 00:27:15,880 --> 00:27:19,479 Speaker 1: Elliott knows I want to be with j D for 485 00:27:19,520 --> 00:27:21,760 Speaker 1: the rest of my life, but it's not time yet. 486 00:27:22,119 --> 00:27:26,119 Speaker 1: He's not ready. I'm not ready. And then so Sean 487 00:27:26,200 --> 00:27:29,119 Speaker 1: shows up and she's back with Sean and she's gonna 488 00:27:29,119 --> 00:27:33,320 Speaker 1: play house with this guy, knowing that this is the endgame, 489 00:27:33,840 --> 00:27:39,879 Speaker 1: but JD throws a monkey wrench in that. JD's like, Okay, 490 00:27:39,880 --> 00:27:41,720 Speaker 1: if I don't give a shit, if that's the end game, 491 00:27:42,280 --> 00:27:45,880 Speaker 1: I know there's something right now I want to explore that, 492 00:27:47,119 --> 00:27:49,479 Speaker 1: and he throws the monkey wrench by saying, you know, 493 00:27:49,720 --> 00:27:53,160 Speaker 1: I feel for you, and that makes her go crazy 494 00:27:53,600 --> 00:27:56,520 Speaker 1: inside and she decides, you know what, maybe he is ready. 495 00:27:56,800 --> 00:28:00,280 Speaker 1: Maybe I was wrong, Maybe I misjudged, Maybe I misjudged this. 496 00:28:00,680 --> 00:28:04,040 Speaker 1: Maybe it's time to break it off with Sean. And 497 00:28:04,119 --> 00:28:09,119 Speaker 1: she does and brow JD's not ready anymore. Yeah, I 498 00:28:09,200 --> 00:28:11,600 Speaker 1: mean they're both playing some pretty fucked up mind games 499 00:28:11,600 --> 00:28:16,160 Speaker 1: with each other, you know. Yeah, but don't you feel 500 00:28:16,240 --> 00:28:18,639 Speaker 1: like they know? Like this isn't a will they won't 501 00:28:18,640 --> 00:28:21,879 Speaker 1: they situation? This is a they're gunna you kind of 502 00:28:21,920 --> 00:28:24,359 Speaker 1: know they are, you know what I mean, Like there's 503 00:28:24,400 --> 00:28:26,520 Speaker 1: gonna be a happy ending. It's funny you say that, 504 00:28:26,600 --> 00:28:29,520 Speaker 1: because there's a really funny moment where the janitor says, 505 00:28:29,800 --> 00:28:31,280 Speaker 1: I mean, come on, it's not like you guys are 506 00:28:31,400 --> 00:28:35,040 Speaker 1: Ross and Rachel Rachel and j D goes who he 507 00:28:35,160 --> 00:28:37,879 Speaker 1: and he goes and he points to two Asian people 508 00:28:37,920 --> 00:28:40,760 Speaker 1: who have the exact hair of Ross and Rachel, and 509 00:28:40,800 --> 00:28:44,280 Speaker 1: he goes, yeah, you know, hold on, I wrote it down, 510 00:28:44,680 --> 00:28:48,239 Speaker 1: you know, uh, doctor Ross, I'm Rachel from Bookkeeping And 511 00:28:48,280 --> 00:28:51,360 Speaker 1: they have the exact same hairstyle as the as Ross 512 00:28:51,400 --> 00:28:54,760 Speaker 1: and Rachel, but they're Asian. That was funny. Yeah, I 513 00:28:54,880 --> 00:28:58,720 Speaker 1: love that. That was the first time scrubs is well, 514 00:28:59,440 --> 00:29:01,720 Speaker 1: other than that's the first time they've ever made in 515 00:29:01,760 --> 00:29:04,320 Speaker 1: a marsh to Prince right. Also, the apartment that Sean 516 00:29:04,360 --> 00:29:07,400 Speaker 1: and Elliott almost move into is the same layout as 517 00:29:07,440 --> 00:29:10,479 Speaker 1: Monica's apartment and Friends. Now, I don't know Monica's apartment 518 00:29:10,520 --> 00:29:12,800 Speaker 1: and Friends, but apparently it's the exact same way out. Yeah, 519 00:29:12,840 --> 00:29:16,000 Speaker 1: did you know that Monica's apartment and Friends is freaking huge? Man? 520 00:29:16,080 --> 00:29:17,960 Speaker 1: There's really I think they mean in the bedroom. I'm 521 00:29:17,960 --> 00:29:21,680 Speaker 1: assuming they me in the bedroom. I don't know. That 522 00:29:21,720 --> 00:29:25,240 Speaker 1: thing is huge. Monica's apartment, by heart, that thing is huge. 523 00:29:25,520 --> 00:29:28,600 Speaker 1: That doesn't maybe they meant that apartment doesn't exist in 524 00:29:28,640 --> 00:29:31,000 Speaker 1: New York. Well it does, but it's probably twenty million dollars, 525 00:29:32,360 --> 00:29:34,200 Speaker 1: didn't they I didn't watch Friends, but they didn't. They 526 00:29:34,240 --> 00:29:36,160 Speaker 1: justify it, like she inherited it or something. They had 527 00:29:36,200 --> 00:29:38,880 Speaker 1: to justify why she had this giant apartment. But then 528 00:29:38,920 --> 00:29:42,240 Speaker 1: how did how did how did her brother's best friend 529 00:29:42,360 --> 00:29:46,480 Speaker 1: from college have the apartment across the hall from her? Though? 530 00:29:46,880 --> 00:29:48,880 Speaker 1: And why was that not? Why did that one not 531 00:29:48,960 --> 00:29:52,400 Speaker 1: have anywhere near the same style as the other one, 532 00:29:52,800 --> 00:29:55,240 Speaker 1: because they were the alley facing apartment in the back. 533 00:29:55,360 --> 00:29:58,120 Speaker 1: This is a street facing apartment with the view. It 534 00:29:58,160 --> 00:30:00,720 Speaker 1: was her grandma's apartment. She had it down so it 535 00:30:00,760 --> 00:30:05,120 Speaker 1: was rank controlled. But then how did Ross that apartment 536 00:30:05,200 --> 00:30:07,680 Speaker 1: is not rank controlled? How did Chandler and Joey? How 537 00:30:07,680 --> 00:30:11,320 Speaker 1: did Chandler and Joey get the apartment next right across 538 00:30:11,360 --> 00:30:13,520 Speaker 1: the hall from them? Then? If that's I think what happened. 539 00:30:13,520 --> 00:30:15,440 Speaker 1: As Grandma had been in the building for a long time, 540 00:30:15,680 --> 00:30:18,200 Speaker 1: Ross and Chandler moved in there, and then when Ross 541 00:30:18,280 --> 00:30:21,200 Speaker 1: moved out later, Joey moved in and took over. We'll 542 00:30:21,240 --> 00:30:26,440 Speaker 1: talk about doing this on our friend Let's say this 543 00:30:26,480 --> 00:30:30,200 Speaker 1: for our friends rewatch podcast. Do I mean that's a 544 00:30:30,240 --> 00:30:33,680 Speaker 1: funny idea? I was, I was day I was daydreaming 545 00:30:33,680 --> 00:30:35,920 Speaker 1: when we get through all nine seasons that we would 546 00:30:35,960 --> 00:30:39,000 Speaker 1: like do movies or pivot to something else. But I 547 00:30:39,040 --> 00:30:44,920 Speaker 1: actually think it's funny. But keep reviewing other shots. The 548 00:30:45,000 --> 00:30:46,959 Speaker 1: office would be the most funny, just because there's an 549 00:30:46,960 --> 00:30:49,520 Speaker 1: office podcast. They'll be done before us, I assume, and 550 00:30:49,560 --> 00:30:52,320 Speaker 1: we'll just following their footsteps. Let's just do it all 551 00:30:52,320 --> 00:30:55,520 Speaker 1: over again. Yeah, well with our with our version of it, right, 552 00:30:55,680 --> 00:30:57,920 Speaker 1: that's all right. We need to take a break, everybody, 553 00:30:57,960 --> 00:30:59,840 Speaker 1: and I have to pee, I have to Yearnate, I 554 00:30:59,840 --> 00:31:04,880 Speaker 1: have to drain, to drain my swamp. That's enough. We'll 555 00:31:04,880 --> 00:31:21,360 Speaker 1: be right back. Edward, Bat, Turk and j D play chess. No, 556 00:31:21,600 --> 00:31:24,040 Speaker 1: we've never played chess before, but that was fucking funny 557 00:31:24,080 --> 00:31:26,760 Speaker 1: as shit. Now, so there's the sequence to remind you 558 00:31:26,800 --> 00:31:29,120 Speaker 1: if you didn't watch it, where it ends with everyone's 559 00:31:29,120 --> 00:31:32,360 Speaker 1: saying everyone another person's name. They're like Turk, j D 560 00:31:32,520 --> 00:31:34,640 Speaker 1: and everyone's kind of calling each other. I read on 561 00:31:34,640 --> 00:31:36,880 Speaker 1: scrubs WICKI that it's an homage to a moment in 562 00:31:36,880 --> 00:31:38,800 Speaker 1: the Rocky Hard Picture Show, but I've never seen the 563 00:31:38,880 --> 00:31:41,920 Speaker 1: Rocky Hard Picture Show, so I don't know. But that 564 00:31:42,000 --> 00:31:43,880 Speaker 1: was funny when everyone's calling to their name, and then 565 00:31:43,880 --> 00:31:48,880 Speaker 1: it climaxes with with Turk saying checkmate and JD screams 566 00:31:48,920 --> 00:31:52,560 Speaker 1: and throws the checks the chessboard. Yeah. Well, there's also 567 00:31:52,600 --> 00:31:57,320 Speaker 1: the Whisper conversation where Danny here's like a bat. Yeah, 568 00:31:57,520 --> 00:32:00,200 Speaker 1: whales and bats because we're talking about who has sonar. Well, 569 00:32:00,200 --> 00:32:02,000 Speaker 1: that's where you that's right after that is where you 570 00:32:02,520 --> 00:32:04,959 Speaker 1: break up the Yeah, bats and whales, bats and whales. 571 00:32:05,880 --> 00:32:09,320 Speaker 1: That was funny. I like the tempo of that, like 572 00:32:09,440 --> 00:32:14,640 Speaker 1: dooooo everyone, very fast, very clever. Tara is really she's 573 00:32:14,760 --> 00:32:17,960 Speaker 1: on point in this episode. Man beautiful, she looks beautiful, 574 00:32:17,960 --> 00:32:22,680 Speaker 1: look beautiful, she looks some point. She's Bush. Is that 575 00:32:22,720 --> 00:32:26,120 Speaker 1: what it is? Well, she's beautiful, but she's also Bucksham. 576 00:32:27,360 --> 00:32:31,080 Speaker 1: Her doing yoga was very funny. My father used to 577 00:32:31,120 --> 00:32:33,240 Speaker 1: take two terms, like if you said beautiful and Bucksham, 578 00:32:33,280 --> 00:32:38,360 Speaker 1: he'd go beautiful and Buxham attorneys at law, and like, 579 00:32:38,480 --> 00:32:41,160 Speaker 1: no matter if anyone says two random words together, he 580 00:32:41,200 --> 00:32:43,880 Speaker 1: would then take those two words and say attorney's law. 581 00:32:43,920 --> 00:32:45,760 Speaker 1: And it was the stupidest dad joke, but I laughed 582 00:32:45,800 --> 00:32:48,760 Speaker 1: every time. I'm gonna steal that rest in peace, Harold. 583 00:32:50,520 --> 00:32:52,920 Speaker 1: My dad would love this podcast. He would be he 584 00:32:52,960 --> 00:32:54,840 Speaker 1: would be one of the one of the people listening 585 00:32:55,880 --> 00:32:57,760 Speaker 1: every week. Do you think he would write into Joel? 586 00:32:58,840 --> 00:33:01,800 Speaker 1: Oh yeah, he would definitely. I'm not sure. I'm not 587 00:33:01,840 --> 00:33:03,240 Speaker 1: sure he'd be able to figure out how to write 588 00:33:03,240 --> 00:33:06,760 Speaker 1: it into Joel, but he would try. My dad used to. 589 00:33:06,880 --> 00:33:08,800 Speaker 1: My dad used to call me like once a month 590 00:33:08,840 --> 00:33:10,640 Speaker 1: and be like, hey, I need more, I need more 591 00:33:10,640 --> 00:33:14,600 Speaker 1: signed head shots, would be like Dad. I'd be like Dad, 592 00:33:14,640 --> 00:33:17,440 Speaker 1: there was no one in New Jersey that does not 593 00:33:17,600 --> 00:33:20,240 Speaker 1: have a signed head shot. I've done the state. The 594 00:33:20,360 --> 00:33:23,400 Speaker 1: state is covered. And he'd be like, no, no, No. 595 00:33:23,440 --> 00:33:25,800 Speaker 1: I met the most loving because he was the most gregarious, 596 00:33:26,080 --> 00:33:28,960 Speaker 1: friendly guy. Big No. I met the most wonderful couple 597 00:33:29,040 --> 00:33:31,800 Speaker 1: at the car Walsh And of course I told them 598 00:33:31,840 --> 00:33:37,720 Speaker 1: and they and I said, I said, Dad, look, I'm 599 00:33:37,760 --> 00:33:40,480 Speaker 1: gonna sign these things, but I'm not gonna write messages 600 00:33:40,680 --> 00:33:42,880 Speaker 1: to them all because like I have, I have like 601 00:33:42,960 --> 00:33:45,480 Speaker 1: other things to do. This is not my full time job, 602 00:33:45,600 --> 00:33:48,160 Speaker 1: is not making sure everyone in New Jersey has a 603 00:33:48,200 --> 00:33:51,120 Speaker 1: signed headshot with a message. And he goes, no, no, 604 00:33:51,160 --> 00:33:52,800 Speaker 1: you have to write the message. I go, Dad, here's 605 00:33:52,800 --> 00:33:56,360 Speaker 1: the thing. I'm gonna sign them, and I'm gonna send 606 00:33:56,360 --> 00:33:59,400 Speaker 1: you the sharpie and you can write whatever message you want. 607 00:34:00,800 --> 00:34:04,160 Speaker 1: I'm not doing that. Well no, I'm not doing it either, Okay, 608 00:34:04,160 --> 00:34:09,560 Speaker 1: send me the sharper. Did you ever hear did you 609 00:34:09,560 --> 00:34:11,759 Speaker 1: ever see what he wrote? Did he God knows what 610 00:34:11,840 --> 00:34:15,640 Speaker 1: he wrote in my name? I knowing my father. They 611 00:34:15,680 --> 00:34:19,120 Speaker 1: were very, very long winded and beautiful. God, if you 612 00:34:19,600 --> 00:34:22,279 Speaker 1: signed photo from Zach's dad. Please write it if you 613 00:34:22,360 --> 00:34:24,759 Speaker 1: haven't signed photo, if you even signed photo from me 614 00:34:24,840 --> 00:34:26,480 Speaker 1: that was given to you by my father. It is 615 00:34:26,520 --> 00:34:30,200 Speaker 1: my signature, but the very long message that's neatly prized 616 00:34:30,480 --> 00:34:36,960 Speaker 1: is probably not for me. All right, what else, Donald, 617 00:34:37,000 --> 00:34:39,080 Speaker 1: Let's talk about some of this funny ship. Richard Kind 618 00:34:39,160 --> 00:34:41,719 Speaker 1: is back. He's hilarious. He's hilarious. He has one of 619 00:34:41,760 --> 00:34:44,640 Speaker 1: the best turns in the history of turns with the curtain. 620 00:34:44,960 --> 00:34:50,359 Speaker 1: The curtain. He's like, I want to know everything about me, 621 00:34:50,640 --> 00:34:54,600 Speaker 1: and there's nothing you can say to make me change 622 00:34:54,640 --> 00:34:57,640 Speaker 1: my mind. Oh, it turns out insurance won't pay for this. 623 00:34:58,200 --> 00:35:02,200 Speaker 1: Good day, sir. He closes the curtain. They must be 624 00:35:02,239 --> 00:35:06,920 Speaker 1: frantically changing him behind the curtain, because when the curtain 625 00:35:07,000 --> 00:35:12,240 Speaker 1: rips open, he's already got his streets. Oh my god, 626 00:35:12,400 --> 00:35:16,680 Speaker 1: there's nothing that man can say that doesn't make me laugh. Dude, 627 00:35:16,719 --> 00:35:19,160 Speaker 1: it was hilarious. Is that Casey wandered into the room 628 00:35:19,200 --> 00:35:21,480 Speaker 1: and that scene happened and she goes, Oh, that guy's 629 00:35:21,520 --> 00:35:24,280 Speaker 1: really funny, and then it's funny. He's one of these people. 630 00:35:24,719 --> 00:35:26,880 Speaker 1: He's one of these people. Like Will Ferrell is another 631 00:35:26,920 --> 00:35:29,359 Speaker 1: example where you just start giggling when you look at them, 632 00:35:29,400 --> 00:35:32,600 Speaker 1: like you know, you know they're gonna say something that's 633 00:35:32,640 --> 00:35:35,640 Speaker 1: gonna make you giggle. I remember I remember seeing the 634 00:35:35,680 --> 00:35:39,279 Speaker 1: Anchorman trailer in a movie theater and Will Farrell came 635 00:35:39,360 --> 00:35:41,880 Speaker 1: up with his look an Anchorman, and the whole audience 636 00:35:41,920 --> 00:35:45,000 Speaker 1: just started laughing. And he hadn't said a word yet. 637 00:35:45,040 --> 00:35:47,239 Speaker 1: I mean, obviously the costume and look was funny, but 638 00:35:47,320 --> 00:35:49,520 Speaker 1: he hadn't said a word yet. Everyone was. And so 639 00:35:49,520 --> 00:35:51,440 Speaker 1: there's certain people that have that Richart Kind has that 640 00:35:51,480 --> 00:35:53,480 Speaker 1: you look at him and you just start You already 641 00:35:53,480 --> 00:36:00,640 Speaker 1: are primed to laugh. So funny. I love that, But 642 00:36:00,680 --> 00:36:02,440 Speaker 1: we really got to have him on. Joel, are you 643 00:36:02,440 --> 00:36:05,120 Speaker 1: working on Richard Kind? I think he's one more episode. 644 00:36:05,200 --> 00:36:08,360 Speaker 1: I'm not sure. Maybe, well, Joel, will you will you? Bill? 645 00:36:08,400 --> 00:36:11,239 Speaker 1: Bill Lawrence probably has a contact for him, but I'd 646 00:36:11,239 --> 00:36:13,560 Speaker 1: love to have him on and talk about lots of things. 647 00:36:14,160 --> 00:36:17,319 Speaker 1: How about definitely how about the kid with the grown 648 00:36:17,360 --> 00:36:20,279 Speaker 1: man voice? Richard Wells. Yeah, we should say that this 649 00:36:20,320 --> 00:36:23,200 Speaker 1: episode is directed by Richard Wells, who was our first 650 00:36:23,239 --> 00:36:26,840 Speaker 1: assistant director. Are one of our best first assistant directors 651 00:36:26,840 --> 00:36:29,200 Speaker 1: in the whole run of the show. Great Man he 652 00:36:29,360 --> 00:36:32,360 Speaker 1: was our first first assistant director. Yes, for those of 653 00:36:32,440 --> 00:36:35,120 Speaker 1: you aren't in the business, the first assistant director is 654 00:36:35,120 --> 00:36:37,480 Speaker 1: the is the crew member who's kind of like a 655 00:36:37,520 --> 00:36:40,960 Speaker 1: stage manager in theater. He's he's calling out okay, you know, 656 00:36:41,360 --> 00:36:44,160 Speaker 1: is the loud voice that's organizing everything and telling everyone 657 00:36:44,160 --> 00:36:46,120 Speaker 1: we gotta go and here we go and you go 658 00:36:46,160 --> 00:36:48,239 Speaker 1: over there. Guy. He also needs to be a bad guy. 659 00:36:48,280 --> 00:36:50,719 Speaker 1: He's the he's a traffic cop, if you will. It's 660 00:36:50,719 --> 00:36:54,279 Speaker 1: a very hard job, a very stressful job. They stereotypically 661 00:36:54,400 --> 00:36:58,799 Speaker 1: die early because of the amount of stress. No I 662 00:36:58,840 --> 00:37:01,640 Speaker 1: know that because they're members of the same guild I'm 663 00:37:01,640 --> 00:37:04,000 Speaker 1: in and the d GA. I don't know. Rumor has 664 00:37:04,000 --> 00:37:06,160 Speaker 1: it we have great insurance because first ads are so 665 00:37:06,239 --> 00:37:09,080 Speaker 1: stressed and they die early. Oh my god, I don't 666 00:37:09,080 --> 00:37:13,120 Speaker 1: know if that's true. Okay, that's true. Anyway, it's a 667 00:37:13,160 --> 00:37:15,759 Speaker 1: very stressful job. And Richard Wells was very good at it. 668 00:37:16,160 --> 00:37:19,720 Speaker 1: And this is his first episode actually directing the show. 669 00:37:20,200 --> 00:37:22,600 Speaker 1: And he is a very deep voice, and so he's 670 00:37:22,640 --> 00:37:25,959 Speaker 1: the voice of the child that has a deep voice 671 00:37:25,960 --> 00:37:29,239 Speaker 1: in this episode. Very funny too. Now, this is one 672 00:37:29,280 --> 00:37:33,960 Speaker 1: of I think the fans favorite flashbacks in nine years. Everybody, 673 00:37:34,360 --> 00:37:38,000 Speaker 1: this is the fantasy where Donald and excuse me, this 674 00:37:38,040 --> 00:37:41,280 Speaker 1: is the fantasy where Turke in JD drive five hours 675 00:37:41,360 --> 00:37:44,239 Speaker 1: to see Michael Jordan play and forget tickets and Turk 676 00:37:44,360 --> 00:37:49,040 Speaker 1: pulls out his hair. Yeah, we went five hundred miles 677 00:37:50,239 --> 00:37:55,000 Speaker 1: because we got the tickey. I was I supposed to 678 00:37:55,040 --> 00:37:58,520 Speaker 1: bring the tickets or the sandwiches. Yeah, and we both 679 00:37:58,520 --> 00:38:01,279 Speaker 1: hold up the sandwich bags and then then I pulled out. 680 00:38:01,520 --> 00:38:04,560 Speaker 1: You scream and pull out your your high top fade, 681 00:38:04,840 --> 00:38:07,480 Speaker 1: and then JD goes to pick up the hair from 682 00:38:07,520 --> 00:38:13,000 Speaker 1: the floor and turks lad. It's so funny, man, it's 683 00:38:13,040 --> 00:38:15,080 Speaker 1: so funny. I love how you're wearing like an off 684 00:38:15,120 --> 00:38:18,400 Speaker 1: brand twenty three jersey because we couldn't license to Michael 685 00:38:18,480 --> 00:38:21,600 Speaker 1: Jordan jersey. But you know exactly what it is when 686 00:38:21,600 --> 00:38:24,520 Speaker 1: it's the number twenty three, I know it's either Michael 687 00:38:24,600 --> 00:38:31,160 Speaker 1: Jordan or who Kobe? No, who else? You only had one? 688 00:38:31,920 --> 00:38:35,040 Speaker 1: I know, I know, I know who I wasn't Magic 689 00:38:35,080 --> 00:38:40,240 Speaker 1: Johnson thirty five? No, man, what was Magic Johnson? Thirty two? 690 00:38:40,880 --> 00:38:47,000 Speaker 1: Thirty something? Magic Johnson was thirty two two? All right, Well, 691 00:38:47,239 --> 00:38:54,759 Speaker 1: Michael Jordan was twenty three. Lebron James is twenty three. 692 00:38:55,080 --> 00:38:59,520 Speaker 1: Kobe Bryant was eight and twenty four. Now, why is 693 00:38:59,600 --> 00:39:02,680 Speaker 1: Lebron on taking Jordan's number? Isn't it? Isn't that it 694 00:39:02,800 --> 00:39:06,080 Speaker 1: was his number since he was a kid. He always 695 00:39:06,120 --> 00:39:08,719 Speaker 1: but he had as a kid because a Jordan, right, 696 00:39:08,760 --> 00:39:11,080 Speaker 1: But he was always the Jordan on the team like 697 00:39:11,320 --> 00:39:13,760 Speaker 1: Lebron James was always the best player on the team. 698 00:39:13,800 --> 00:39:15,400 Speaker 1: Here's something I don't know the answer to, and a 699 00:39:15,400 --> 00:39:18,879 Speaker 1: lot of my non sports loving listeners agree they want 700 00:39:18,880 --> 00:39:20,480 Speaker 1: to know the answer to this question. A lot of 701 00:39:20,480 --> 00:39:22,960 Speaker 1: people want to know it right now. How do you 702 00:39:23,360 --> 00:39:27,759 Speaker 1: get assigned a number as a NBA player? You pick 703 00:39:27,800 --> 00:39:31,920 Speaker 1: a number? You can pick any number. Yeah, yeah, as 704 00:39:31,960 --> 00:39:34,719 Speaker 1: long as it's not taken. You know, some people some yo, 705 00:39:34,920 --> 00:39:38,480 Speaker 1: some people have numbers and you know, Star will come 706 00:39:38,520 --> 00:39:40,960 Speaker 1: to the team and be like, yo, let me get 707 00:39:40,960 --> 00:39:46,399 Speaker 1: that number and and the and the person who has 708 00:39:46,440 --> 00:39:50,200 Speaker 1: the number has the opportunity to say no or play 709 00:39:50,239 --> 00:39:54,120 Speaker 1: me for it or unfor Now do you do you 710 00:39:54,239 --> 00:39:56,560 Speaker 1: if you change teams, does your number come with you? 711 00:39:58,320 --> 00:39:59,880 Speaker 1: That's what I'm saying. If you go to a team, 712 00:40:00,080 --> 00:40:02,719 Speaker 1: like let's say you were on the Lakers and you 713 00:40:02,760 --> 00:40:07,680 Speaker 1: were wearing the number five, and you go to the uh, 714 00:40:08,200 --> 00:40:13,000 Speaker 1: you know, the Miami Heat and you and somebody else 715 00:40:13,120 --> 00:40:15,279 Speaker 1: is wearing the number five, and you're like, yo, that's 716 00:40:15,600 --> 00:40:19,520 Speaker 1: my number, and I'm more famous, I'm the superstar. The 717 00:40:19,719 --> 00:40:21,759 Speaker 1: person has the opportunity to say, get the fuck out 718 00:40:21,800 --> 00:40:24,400 Speaker 1: of here, or play me for it, or you know 719 00:40:24,440 --> 00:40:29,160 Speaker 1: what I mean. You know, if I say, a famous player, 720 00:40:29,200 --> 00:40:33,080 Speaker 1: do you know their number? Maybe go ahead? Isaiah Washington 721 00:40:34,160 --> 00:40:39,840 Speaker 1: Isaiah Washington as an actor, I'm sorry, I didn't. I 722 00:40:39,920 --> 00:40:51,960 Speaker 1: mean Isaiah Thomas, Thomas good To, Kim Bay matumbof Kim 723 00:40:52,000 --> 00:40:56,600 Speaker 1: Bay Matumbo Matumbo, Mike Jiminski. I don't know Mike jiminsk 724 00:40:56,800 --> 00:41:01,480 Speaker 1: Daryl Dawkins, Oh should I should know? This? Forty two? Right? 725 00:41:01,960 --> 00:41:04,600 Speaker 1: Was Dald Jerald Dawkins is number one, thirty four, thirty four, No, 726 00:41:04,719 --> 00:41:07,520 Speaker 1: forty two, something like that, thirty four or forty two 727 00:41:07,520 --> 00:41:11,799 Speaker 1: to thirty four, Charles Barkley, Darylds Dawkins, fifty three, forty 728 00:41:11,840 --> 00:41:17,040 Speaker 1: five and fifty. Wow, I was way off. Muggsy Malone. No, 729 00:41:17,200 --> 00:41:20,480 Speaker 1: Muggsy Bogues, You mean, yeah, Muggsy Bogues. He was the 730 00:41:20,560 --> 00:41:25,400 Speaker 1: little guy, right, wasn't wasn't wasn't he little yeah, I 731 00:41:25,440 --> 00:41:30,560 Speaker 1: think it's zero zero five three. It's either zero or 732 00:41:30,640 --> 00:41:33,840 Speaker 1: one zero? Is he the shortest player to ever be 733 00:41:34,000 --> 00:41:37,120 Speaker 1: that good? It was one or it was zero? Was 734 00:41:37,400 --> 00:41:46,240 Speaker 1: seeing one on the Charlotte team? Yeah? Donald on Charlotte, 735 00:41:46,280 --> 00:41:48,239 Speaker 1: he played with a lins on morning number thirty three. 736 00:41:48,360 --> 00:41:50,719 Speaker 1: I was there ever a player that was that short 737 00:41:50,800 --> 00:41:54,440 Speaker 1: and that good. I think Nate Robinson is might might 738 00:41:54,520 --> 00:41:58,239 Speaker 1: be close to that height. Or he's five three. You 739 00:41:58,360 --> 00:42:01,400 Speaker 1: said no robs five nine? Yeah, no, no, no, I 740 00:42:01,440 --> 00:42:05,319 Speaker 1: don't think so. Spud webs five seven, spud web ten 741 00:42:05,640 --> 00:42:10,120 Speaker 1: no seven seven seven seven seven five seven, all right, 742 00:42:10,480 --> 00:42:14,239 Speaker 1: but it is his number seven four. I'm so way off, 743 00:42:14,640 --> 00:42:17,000 Speaker 1: all right off? Yeah, kids, stay away from the weed? 744 00:42:17,440 --> 00:42:19,440 Speaker 1: Is the is the call her? Really stay away from 745 00:42:19,440 --> 00:42:22,000 Speaker 1: the week, because I don't know what basketball players were 746 00:42:22,040 --> 00:42:26,719 Speaker 1: saying short term, you're fucking special pill you take from memory? 747 00:42:26,760 --> 00:42:31,080 Speaker 1: Ain't working on basketball numbers. This is over twenty years ago, 748 00:42:31,200 --> 00:42:35,160 Speaker 1: Dick face saying penis breath that maybe you should do 749 00:42:35,640 --> 00:42:38,520 Speaker 1: you remember do you remember what you're a history teacher 750 00:42:38,640 --> 00:42:45,359 Speaker 1: taught you? On December uh ninth? Yeah, she famously said, 751 00:42:45,480 --> 00:42:51,600 Speaker 1: Donald Dick. No, she famously said. She famously said, sucking asshole, Zach, Yeah, 752 00:42:51,600 --> 00:42:54,319 Speaker 1: you know, said chug a bag of dicks. All right, 753 00:42:54,400 --> 00:42:56,279 Speaker 1: let's really because that what you said, chuck a bag 754 00:42:56,360 --> 00:42:59,600 Speaker 1: of dicks. I'll never forget missus Wexstein, She said, tell 755 00:42:59,680 --> 00:43:04,400 Speaker 1: Don in the future to chug balls. My science teacher 756 00:43:04,880 --> 00:43:08,640 Speaker 1: told me to stick a stethoscope up your motherfucking ass. 757 00:43:08,760 --> 00:43:15,399 Speaker 1: Yeah right, yeah. A geography teacher said, tell Donald. Well, yeah, 758 00:43:15,520 --> 00:43:19,680 Speaker 1: my geography teacher told me to tell Zach, here's a globe. 759 00:43:20,040 --> 00:43:23,920 Speaker 1: Put it up his ass. Here's a globe. All right, 760 00:43:24,719 --> 00:43:29,080 Speaker 1: here's a globe. My geography teacher faces. He said, here's 761 00:43:29,120 --> 00:43:32,360 Speaker 1: a globe. All right, call him in. We'll go to 762 00:43:32,560 --> 00:43:52,920 Speaker 1: break break. You've got the two dudes from the Muppets 763 00:43:53,000 --> 00:43:54,719 Speaker 1: on your wall. Do you know their name? Donald? Do 764 00:43:54,760 --> 00:44:01,040 Speaker 1: you know their names? The old guys in the balcony? Wait? Wait, listeners, 765 00:44:01,280 --> 00:44:03,840 Speaker 1: if you're listening, you probably know the names of the 766 00:44:03,960 --> 00:44:06,600 Speaker 1: two What are the names men in the bottom? You 767 00:44:06,680 --> 00:44:09,279 Speaker 1: know exact, what are the names? But it's something like 768 00:44:09,520 --> 00:44:13,480 Speaker 1: Steinway and Mortimer or something. You're close, but you got 769 00:44:13,560 --> 00:44:17,640 Speaker 1: it wrong, you know, Come on, come down. We have 770 00:44:17,719 --> 00:44:20,719 Speaker 1: a fucking guest here. Asshole Craig. I don't know, but 771 00:44:20,800 --> 00:44:25,160 Speaker 1: I know it's something like Mortimer and Steinberg. It's Statler 772 00:44:25,200 --> 00:44:28,880 Speaker 1: and Waldorf. Oh, Statler and Waldorf. Close. Don't worry, they're 773 00:44:28,880 --> 00:44:30,719 Speaker 1: only judging me, don't you guys? Do whatever you gotta 774 00:44:30,760 --> 00:44:34,919 Speaker 1: do now, are you. That's an awesome photograph, you guys. 775 00:44:34,960 --> 00:44:37,600 Speaker 1: He has like a giant Statler and Waldorf photograph on 776 00:44:37,680 --> 00:44:41,319 Speaker 1: his wall. It looks like they're like your long lost relatives. Yes, 777 00:44:42,280 --> 00:44:44,160 Speaker 1: where did you get that? That's that's cool. I've never 778 00:44:44,200 --> 00:44:47,239 Speaker 1: seen that. I actually I had it made for I 779 00:44:47,400 --> 00:44:49,359 Speaker 1: used to own a live music run. You had set 780 00:44:49,360 --> 00:44:51,960 Speaker 1: a barber for twenty years and uh, and the idea 781 00:44:52,080 --> 00:44:54,000 Speaker 1: was to have them. The original idea was could build 782 00:44:54,000 --> 00:44:56,000 Speaker 1: out their platform and have the actual muppets sitting there 783 00:44:56,040 --> 00:44:58,440 Speaker 1: looking down the stage. That's awesome, but you'd be shocked 784 00:44:58,480 --> 00:45:00,520 Speaker 1: how hard it is to get those up. It's made 785 00:45:00,600 --> 00:45:03,359 Speaker 1: so passed on that found this picture, blew it up 786 00:45:03,360 --> 00:45:05,120 Speaker 1: and hung it up literally right where they would be 787 00:45:05,160 --> 00:45:08,520 Speaker 1: sitting looking down on everything. That's cool. That's great, that's cool. 788 00:45:08,719 --> 00:45:10,680 Speaker 1: That's a clever idea. But yet to have like Muppets 789 00:45:10,719 --> 00:45:14,440 Speaker 1: recreated was probably a steep price. Yes, it wasn't as 790 00:45:14,640 --> 00:45:16,560 Speaker 1: affordable as I would have hoped. Yeah, were you gonna 791 00:45:16,600 --> 00:45:19,120 Speaker 1: were they gonna be like actual people holding, you know, 792 00:45:19,239 --> 00:45:21,840 Speaker 1: with their hands up the muppets asses talking for the muppets. 793 00:45:21,840 --> 00:45:23,520 Speaker 1: Oh no, no, no no, I'm just gonna put them 794 00:45:23,560 --> 00:45:27,280 Speaker 1: like press there. Yeah, that's very interesting. That's very interesting 795 00:45:27,360 --> 00:45:29,040 Speaker 1: theater if you did do that, though, you know what, 796 00:45:29,080 --> 00:45:31,560 Speaker 1: I have some guy whose only job it is is 797 00:45:31,600 --> 00:45:34,959 Speaker 1: to work the puppets and makes it nice. That's it, right, Yeah, 798 00:45:35,560 --> 00:45:38,040 Speaker 1: would be good, gig cool'd be cool. All right? Are 799 00:45:38,080 --> 00:45:41,239 Speaker 1: you calling from Santa Barbara? I actually in Duelton, which 800 00:45:41,280 --> 00:45:43,680 Speaker 1: is just up one on one from Santa Barbara. But yeah, 801 00:45:43,680 --> 00:45:45,960 Speaker 1: I've lived in Santa bar from twenty five years. That's 802 00:45:46,000 --> 00:45:48,759 Speaker 1: a beautiful place to live, just up the freeway from 803 00:45:48,760 --> 00:45:51,160 Speaker 1: you guys. I know, I know, but you don't have 804 00:45:51,280 --> 00:45:53,680 Speaker 1: any of this Hollywood Michigas. All you have is the 805 00:45:53,760 --> 00:45:57,520 Speaker 1: beach and beautiful weather and happy people. Take it. I 806 00:45:57,600 --> 00:46:03,560 Speaker 1: will take it. So it's so beautiful there. It's so far. 807 00:46:03,680 --> 00:46:06,320 Speaker 1: It's far away from from my store, like an hour's 808 00:46:06,360 --> 00:46:08,719 Speaker 1: an hour and a half. Right, Yeah, there's really no 809 00:46:08,840 --> 00:46:11,080 Speaker 1: traffic these days, so come on, not that far. You 810 00:46:11,160 --> 00:46:13,680 Speaker 1: have a great zoo. The zoo is amazing and it's 811 00:46:13,880 --> 00:46:16,640 Speaker 1: really interesting that. I mean, some people don't like zoos. 812 00:46:16,680 --> 00:46:20,239 Speaker 1: I guess I shouldn't. I think, I think you can. 813 00:46:20,280 --> 00:46:22,000 Speaker 1: I realized I just stepped in. I stepped in some 814 00:46:22,080 --> 00:46:25,600 Speaker 1: doodo when I said that no zoo. There's there's a 815 00:46:25,640 --> 00:46:27,800 Speaker 1: fraction of the audience and be like, fuck Donald and 816 00:46:27,840 --> 00:46:30,680 Speaker 1: his zoos. But they're not going to turn off the podcast. 817 00:46:33,120 --> 00:46:35,720 Speaker 1: But there's zoo is amazing. And you know these animals 818 00:46:35,800 --> 00:46:39,759 Speaker 1: are you know people are They donate a lot of 819 00:46:39,840 --> 00:46:42,800 Speaker 1: money to the animals and stuff to keep them healthy. 820 00:46:43,160 --> 00:46:46,319 Speaker 1: How did the animals store the money? Well, they keep 821 00:46:46,360 --> 00:46:54,239 Speaker 1: it in a little vault. They donate money to the animals. Yeah. 822 00:46:54,280 --> 00:46:58,040 Speaker 1: The problems it's a big vault. They swim, They swim 823 00:46:58,120 --> 00:47:01,120 Speaker 1: in it. Actually, the only problem is getting the lions out. 824 00:47:01,200 --> 00:47:02,960 Speaker 1: One of the problems for the Santa Robber Zoo is 825 00:47:03,120 --> 00:47:05,200 Speaker 1: how to store all of the money that the animals 826 00:47:05,280 --> 00:47:09,879 Speaker 1: have saved. Craig, what do you do in Santa Barbara? Uh? Well, 827 00:47:09,920 --> 00:47:12,680 Speaker 1: as of late, not much right. I was part of 828 00:47:12,760 --> 00:47:14,920 Speaker 1: the one of the industries that got hit, which was 829 00:47:15,000 --> 00:47:18,360 Speaker 1: the I was a touring sound engineer and tour manager 830 00:47:18,400 --> 00:47:20,680 Speaker 1: for a lot of bands that went around the globe, 831 00:47:20,719 --> 00:47:22,960 Speaker 1: and of course that industry has been come to a 832 00:47:23,000 --> 00:47:25,560 Speaker 1: screen bands that we would know about that we could say, wow, 833 00:47:26,480 --> 00:47:29,160 Speaker 1: he's cool. Maybe I don't know. I don't know. I mean, 834 00:47:29,160 --> 00:47:30,560 Speaker 1: I know the kind of music you guys listened to, 835 00:47:30,719 --> 00:47:35,560 Speaker 1: and I'm not really sure exactly just complete the gangster Well, 836 00:47:35,560 --> 00:47:37,160 Speaker 1: we had a lot of actually gangster rap guys come 837 00:47:37,200 --> 00:47:39,360 Speaker 1: from the club that I had in Santa Barbara, Like 838 00:47:39,400 --> 00:47:41,839 Speaker 1: we had most of Wu Chang Klan coming individually, Too 839 00:47:41,920 --> 00:47:43,920 Speaker 1: Short and all those guys. It was just great. We've 840 00:47:43,960 --> 00:47:45,920 Speaker 1: kind of launched me into going out and touring with 841 00:47:46,000 --> 00:47:50,440 Speaker 1: bands like Flogging Molly and Frank Turner and Rise Against 842 00:47:50,480 --> 00:47:53,239 Speaker 1: and stuff like that, Luceerro bands all in those nature. 843 00:47:54,120 --> 00:47:56,040 Speaker 1: Do you like life on the road as a as 844 00:47:56,080 --> 00:47:58,520 Speaker 1: a tour manager? It must be fin I love it. 845 00:47:58,680 --> 00:48:00,359 Speaker 1: You just wake up in a different city every day 846 00:48:00,400 --> 00:48:02,880 Speaker 1: and you just kind of put the especially sound engineering 847 00:48:02,920 --> 00:48:04,200 Speaker 1: where you just kind of get to put the puzzle 848 00:48:04,239 --> 00:48:07,160 Speaker 1: together and uh and uh and and for all to 849 00:48:07,280 --> 00:48:09,200 Speaker 1: enjoy and it's uh. I remember it was one of 850 00:48:09,239 --> 00:48:11,480 Speaker 1: those things about about tourmating, because like there's a study 851 00:48:11,520 --> 00:48:13,520 Speaker 1: that was done that said the short of the distance 852 00:48:13,960 --> 00:48:16,600 Speaker 1: between what you do and the results of what you do, 853 00:48:17,239 --> 00:48:19,560 Speaker 1: the happier you tend to be for people tend to 854 00:48:19,600 --> 00:48:22,000 Speaker 1: be in general. And it definitely held true for me 855 00:48:22,160 --> 00:48:24,560 Speaker 1: for for sound engineering and doing that kind of stuff 856 00:48:24,560 --> 00:48:26,000 Speaker 1: because you, I mean, you do it, you see and 857 00:48:26,000 --> 00:48:28,319 Speaker 1: I'm sure for you guys acting and performing, you get 858 00:48:28,360 --> 00:48:30,680 Speaker 1: immediate feedback. You know, well, we only get immediate feedback. 859 00:48:30,719 --> 00:48:33,480 Speaker 1: We're doing a play. When you said that you should think, 860 00:48:33,520 --> 00:48:35,640 Speaker 1: it made me think. And Donald can I'm sure a 861 00:48:35,760 --> 00:48:39,200 Speaker 1: test because he's done theater two to that experience where 862 00:48:39,280 --> 00:48:42,000 Speaker 1: it is so gratifying when when people like the play, 863 00:48:42,200 --> 00:48:44,960 Speaker 1: whereas when we do a film, for example, it's a 864 00:48:45,040 --> 00:48:47,120 Speaker 1: year before we know if anyone loves or hates it. 865 00:48:47,760 --> 00:48:50,520 Speaker 1: Right now, do you have do you have kids? You 866 00:48:50,560 --> 00:48:53,200 Speaker 1: don't have kids? No? No, no kids. It's a hard life. 867 00:48:53,640 --> 00:48:56,920 Speaker 1: I was about to say, no kids. It's it's it's 868 00:48:56,920 --> 00:48:58,440 Speaker 1: really difficult. For a lot of my friends that do it, 869 00:48:58,480 --> 00:49:00,439 Speaker 1: they have families. It just tears them apart being away 870 00:49:00,440 --> 00:49:02,320 Speaker 1: from their family. Now, when you get into a new venue, 871 00:49:04,200 --> 00:49:07,120 Speaker 1: I've never asked the sound engineer this. The mixing board 872 00:49:07,160 --> 00:49:09,560 Speaker 1: and each venue is different, right, So you have to 873 00:49:09,719 --> 00:49:13,920 Speaker 1: know a wide array of of mixing boards. Well, yes 874 00:49:14,040 --> 00:49:17,359 Speaker 1: and no. The basic principles of mixing. I'm sure Dane 875 00:49:17,760 --> 00:49:19,719 Speaker 1: can test this, and they're all basically the same. But 876 00:49:19,800 --> 00:49:21,719 Speaker 1: what happened was I was fortunate enough to learn sound 877 00:49:21,760 --> 00:49:24,200 Speaker 1: engineering on an analog board, and then when it all 878 00:49:24,200 --> 00:49:27,160 Speaker 1: went to digital, what happened was you were able to 879 00:49:27,200 --> 00:49:29,080 Speaker 1: save your files and then you can show up so 880 00:49:29,160 --> 00:49:30,759 Speaker 1: if they have like the Midas boarding, you can plug 881 00:49:30,800 --> 00:49:32,800 Speaker 1: it in, your show pops right up. It's kind of 882 00:49:32,880 --> 00:49:37,319 Speaker 1: cheating in my opinion, and amazing. Sorry, slowdown, because there's 883 00:49:37,320 --> 00:49:39,560 Speaker 1: a lot of people that listening that don't have anything 884 00:49:39,560 --> 00:49:43,600 Speaker 1: to do with entertainment business and they I just want 885 00:49:43,640 --> 00:49:45,200 Speaker 1: them to know that you're What you're saying is that 886 00:49:45,360 --> 00:49:47,960 Speaker 1: the mixing boards of these venues have are are often 887 00:49:48,719 --> 00:49:51,440 Speaker 1: one of a few brands. You can show up and 888 00:49:51,520 --> 00:49:54,400 Speaker 1: just put your file in and all your show pops up. 889 00:49:54,640 --> 00:49:57,520 Speaker 1: If you've been on that board in the past, it 890 00:49:57,600 --> 00:49:59,560 Speaker 1: will recognize that file and we'll bring it up in 891 00:49:59,560 --> 00:50:01,000 Speaker 1: your china. This will be there. We'll save you a 892 00:50:01,080 --> 00:50:04,040 Speaker 1: ton of time for sound check and uh and just 893 00:50:04,120 --> 00:50:06,040 Speaker 1: get the show going a lot faster. But you're right, 894 00:50:06,120 --> 00:50:08,560 Speaker 1: there are different boards and all the different venues. That's 895 00:50:08,600 --> 00:50:10,800 Speaker 1: why you your tour manager. As courmator, you would advance 896 00:50:10,840 --> 00:50:12,800 Speaker 1: the show, figure out what you're walking into, so you know, 897 00:50:12,880 --> 00:50:16,120 Speaker 1: if you have to to get all of this, you'd 898 00:50:16,160 --> 00:50:18,000 Speaker 1: have to know and advance what you're walking into. There's 899 00:50:18,000 --> 00:50:20,160 Speaker 1: no way you could just yell, I show up to 900 00:50:20,200 --> 00:50:22,200 Speaker 1: every venue, assuming I'm going to build it from scratch. 901 00:50:22,239 --> 00:50:25,479 Speaker 1: If it's sportunate enough where they already have a board 902 00:50:25,480 --> 00:50:27,000 Speaker 1: I've been on, then I'm just like, I'm just save 903 00:50:27,080 --> 00:50:29,200 Speaker 1: myself three hours plug that thing, Edward, But don't you 904 00:50:29,440 --> 00:50:33,040 Speaker 1: don't you know ahead of time this venue has this board, Yes, absolutely, 905 00:50:33,480 --> 00:50:35,680 Speaker 1: and the size venues we were doing, which is like 906 00:50:35,719 --> 00:50:37,440 Speaker 1: a lot of the like in England, a lot of 907 00:50:37,480 --> 00:50:39,560 Speaker 1: the O two academies are all built a lot very 908 00:50:39,760 --> 00:50:41,719 Speaker 1: much the same. Uh, and so you can just go 909 00:50:41,840 --> 00:50:43,360 Speaker 1: from one academy the next and you're good to go. 910 00:50:43,840 --> 00:50:45,680 Speaker 1: I think that would be a really fun job mixing, 911 00:50:45,920 --> 00:50:48,560 Speaker 1: mixing live acts. I think I love it. I wouldn't 912 00:50:48,600 --> 00:50:51,440 Speaker 1: trade it for anything. It's uh, listen, it's like it's 913 00:50:51,480 --> 00:50:52,880 Speaker 1: it's been a long time so I've been able to 914 00:50:53,160 --> 00:50:55,680 Speaker 1: get behind one. What happens when you hate the band? Yeah, 915 00:50:55,800 --> 00:50:59,480 Speaker 1: about to say you ever leave quickly because I couldn't 916 00:50:59,520 --> 00:51:01,640 Speaker 1: do it. I couldn't do it no matter what the check. 917 00:51:01,840 --> 00:51:04,120 Speaker 1: I mean, obviously, if you have responsibilities, you take the check. 918 00:51:04,160 --> 00:51:06,839 Speaker 1: But I'm saying I would imagine be a nightmare if 919 00:51:06,840 --> 00:51:09,279 Speaker 1: you hated the music. Yes, Well, I was lucky enough 920 00:51:09,360 --> 00:51:11,000 Speaker 1: to kind of pick and choose the bands that I 921 00:51:11,200 --> 00:51:12,680 Speaker 1: wanted to work with, and I met a lot of 922 00:51:12,760 --> 00:51:15,520 Speaker 1: them having come through my club, and uh, you know 923 00:51:15,640 --> 00:51:17,759 Speaker 1: so then I, after hearing their center and enjoined their 924 00:51:17,840 --> 00:51:19,880 Speaker 1: music or not enjoined their music. Even more importantly for me, 925 00:51:20,000 --> 00:51:23,799 Speaker 1: it joined them as people would would be a big 926 00:51:23,840 --> 00:51:26,360 Speaker 1: indicator whether or not I would agree to tour with 927 00:51:26,400 --> 00:51:29,120 Speaker 1: these guys. Daniel, you look like you have a question. 928 00:51:29,200 --> 00:51:31,279 Speaker 1: I called you, Craig. What's the name of your club? 929 00:51:32,040 --> 00:51:34,439 Speaker 1: I was called It was actually named after a Eddie 930 00:51:34,480 --> 00:51:37,120 Speaker 1: Murphy character. We could share a fondness for everything that 931 00:51:37,200 --> 00:51:40,080 Speaker 1: guy did on Saray Live, and it was called Velvet Jones. Na, 932 00:51:40,400 --> 00:51:45,080 Speaker 1: I'm Velvet Jones. Velvet to be at home exactly, And 933 00:51:45,239 --> 00:51:47,560 Speaker 1: so through that we did that and we had to 934 00:51:47,600 --> 00:51:50,880 Speaker 1: close our day. When I knew I had been kicked 935 00:51:50,960 --> 00:51:54,560 Speaker 1: in the butt by love exactly. I knew you guys 936 00:51:54,600 --> 00:51:56,640 Speaker 1: would be right up there, would piece that one together 937 00:51:56,760 --> 00:51:59,440 Speaker 1: quick when we love Eddie and we love Eddie O 938 00:51:59,640 --> 00:52:03,080 Speaker 1: SNL and all those great characters. Wasn't only on that 939 00:52:03,120 --> 00:52:05,480 Speaker 1: show for like a season and a half? Is that 940 00:52:05,560 --> 00:52:08,759 Speaker 1: how long it was? That it was real show you 941 00:52:08,840 --> 00:52:10,920 Speaker 1: can watch if you're listening and you haven't seen it. 942 00:52:11,040 --> 00:52:13,759 Speaker 1: They have Eddie Murphy's greatest hits on us. Yeah, but 943 00:52:13,840 --> 00:52:16,120 Speaker 1: it changed, man. The first one was the best one 944 00:52:16,200 --> 00:52:19,279 Speaker 1: when it originally came out. It was a certain set 945 00:52:19,360 --> 00:52:21,520 Speaker 1: of skits and it was the best one. And then 946 00:52:21,600 --> 00:52:24,040 Speaker 1: the best of Eddie Murphy said in that live changed 947 00:52:24,080 --> 00:52:26,040 Speaker 1: a bit. But the first one I'm talking about one 948 00:52:26,040 --> 00:52:28,960 Speaker 1: I watched like when you were a kid. Yeah, right, 949 00:52:29,040 --> 00:52:33,120 Speaker 1: when you were a kid. That's the one. Yeah, don't 950 00:52:33,120 --> 00:52:35,080 Speaker 1: get the one that came out after that isn't the 951 00:52:35,160 --> 00:52:38,760 Speaker 1: same thing. And you can't find the original one anymore 952 00:52:38,880 --> 00:52:41,360 Speaker 1: with all of those sketches. Yeah, you can't find that 953 00:52:41,480 --> 00:52:43,879 Speaker 1: one anymore. If you could, you could try to. I've 954 00:52:43,880 --> 00:52:48,080 Speaker 1: had a arg on for four years, dude. See, we 955 00:52:48,160 --> 00:52:51,440 Speaker 1: weren't we weren't old enough to be watching SNL. No 956 00:52:51,600 --> 00:52:53,759 Speaker 1: I knew, I knew who Eddie Murphy was at a 957 00:52:53,880 --> 00:52:57,960 Speaker 1: very young age. But you were watching Eddie Live on SNL. 958 00:52:58,040 --> 00:53:00,399 Speaker 1: I wasn't no, but my parents, my parents, at least 959 00:53:00,719 --> 00:53:04,439 Speaker 1: my parents loved Eddie Murphy so much. People were talking, dude. 960 00:53:04,480 --> 00:53:06,399 Speaker 1: It was New York. I grew up in New York City, 961 00:53:06,680 --> 00:53:10,799 Speaker 1: forty third ninth Avenue. I was very close to uh, 962 00:53:11,200 --> 00:53:16,239 Speaker 1: thirty Rock, right, that's what it is, thirty Rockfeller Center. 963 00:53:16,440 --> 00:53:18,640 Speaker 1: I was very close to it. Eddie Murphy was a 964 00:53:18,760 --> 00:53:22,359 Speaker 1: big thing when he hit Saturday Night Live. Everybody knew 965 00:53:22,400 --> 00:53:25,360 Speaker 1: who he was. I remember from this town. I remember, 966 00:53:25,400 --> 00:53:27,719 Speaker 1: I remember Pete. I remember being like the black guy 967 00:53:27,840 --> 00:53:30,680 Speaker 1: on Saturday Night Live. It's the funniest motherfucker in the 968 00:53:31,000 --> 00:53:32,920 Speaker 1: you know what I mean? And not ever even seeing 969 00:53:32,960 --> 00:53:35,200 Speaker 1: Saturday Night Live and my parents one night being like, yo, 970 00:53:35,280 --> 00:53:38,160 Speaker 1: you want to stay up and watch it? Yeah, and 971 00:53:38,280 --> 00:53:41,760 Speaker 1: getting to see him do mister Robinson, it's a beautiful 972 00:53:41,840 --> 00:53:43,839 Speaker 1: day in the name dude. I couldn't believe it, man, 973 00:53:44,000 --> 00:53:47,440 Speaker 1: I couldn't believe it was Can you spell sucket? Do 974 00:53:47,600 --> 00:53:52,759 Speaker 1: you know when it's scumbuckets? I bet you do. He 975 00:53:53,800 --> 00:53:55,120 Speaker 1: do the thing where he goes this is how you 976 00:53:55,160 --> 00:53:57,040 Speaker 1: answered the door. My neighbor. This is how you answered 977 00:53:57,400 --> 00:53:59,759 Speaker 1: This is how you answered the door in my neighborhood. 978 00:53:59,760 --> 00:54:08,520 Speaker 1: Boy and girls? Is it? Oh? Man? I want to 979 00:54:08,560 --> 00:54:13,200 Speaker 1: be friends with Eddie? Oh dude. I would hang out 980 00:54:13,239 --> 00:54:15,440 Speaker 1: with him, man, you know what? Man? There were times 981 00:54:15,480 --> 00:54:18,719 Speaker 1: where I felt like maybe I should say something like yo, ed, 982 00:54:19,280 --> 00:54:22,840 Speaker 1: can we hang out? But I was always gonna I 983 00:54:23,320 --> 00:54:24,719 Speaker 1: And there have been times where I've hung out where 984 00:54:24,719 --> 00:54:26,399 Speaker 1: I've been around him and I could have said things 985 00:54:26,480 --> 00:54:28,520 Speaker 1: like that, and I was just so afraid because he 986 00:54:28,680 --> 00:54:31,160 Speaker 1: is Eddie Murphy and the last thing I wanted to 987 00:54:31,200 --> 00:54:32,919 Speaker 1: be a stand. I don't want to be a stand 988 00:54:33,000 --> 00:54:34,719 Speaker 1: to Eddie Murphy, but I really want to be a 989 00:54:34,760 --> 00:54:38,360 Speaker 1: stand because all of the comedy that I freaking do 990 00:54:38,680 --> 00:54:43,440 Speaker 1: now really comes it stems from him, Him and Richard Pryor. 991 00:54:43,520 --> 00:54:46,719 Speaker 1: When I was you know what I mean, It's like, yeah, delirious. 992 00:54:47,080 --> 00:54:52,080 Speaker 1: It's never seen delirious, not just a delirious. Delirious was 993 00:54:52,160 --> 00:54:54,560 Speaker 1: the jam. You could say raw because it's not PC anymore, 994 00:54:54,640 --> 00:54:59,640 Speaker 1: but Raw was freaking delirious. When I saw delirious, I 995 00:54:59,640 --> 00:55:01,320 Speaker 1: don't know what year I was able to see it, 996 00:55:01,360 --> 00:55:04,279 Speaker 1: it was. I definitely was young, and I knew I 997 00:55:04,280 --> 00:55:06,919 Speaker 1: shouldn't be watching it because it was so r rated, 998 00:55:07,600 --> 00:55:09,440 Speaker 1: but I thought it was the funniest thing I've ever 999 00:55:09,480 --> 00:55:11,480 Speaker 1: seen in my life. Raw is one of them. Fu 1000 00:55:11,640 --> 00:55:16,239 Speaker 1: fou half of that half I want half. I want 1001 00:55:16,280 --> 00:55:18,239 Speaker 1: what's coming to me. That shit is one of the 1002 00:55:18,280 --> 00:55:20,520 Speaker 1: funniest thing. I don't know. Last week he was butt 1003 00:55:20,600 --> 00:55:22,560 Speaker 1: nicking on a zebra. That shit is one of the 1004 00:55:22,640 --> 00:55:25,319 Speaker 1: funniest thing, dude. I'm give what you say, man, Raw 1005 00:55:26,040 --> 00:55:29,880 Speaker 1: is one of the funniest. Oh my gosh, man, Eddie Eddie, 1006 00:55:32,160 --> 00:55:35,160 Speaker 1: Oh my god, let's focus African people that are like 1007 00:55:35,360 --> 00:55:41,480 Speaker 1: fuck Eddie Murphy, Man Eddie, suck mynd dick Eddie. Let's 1008 00:55:41,520 --> 00:55:44,040 Speaker 1: focus Craig. What's your question for us? I have a 1009 00:55:44,080 --> 00:55:46,000 Speaker 1: couple of questions, and I also have some if we 1010 00:55:46,080 --> 00:55:49,560 Speaker 1: have times, some trivia for you guys. All right, but yeah, 1011 00:55:49,560 --> 00:55:51,720 Speaker 1: I'd like to start out just like you know, throughout 1012 00:55:51,760 --> 00:55:54,000 Speaker 1: this podcast and to got you guys know, I've been 1013 00:55:54,040 --> 00:55:56,160 Speaker 1: trying to binge listen to this. I'm only halfway through 1014 00:55:56,200 --> 00:55:58,360 Speaker 1: season two of the podcast, so if the question has 1015 00:55:58,360 --> 00:56:01,160 Speaker 1: already been asked, forgive me. But I would keep having 1016 00:56:01,239 --> 00:56:03,080 Speaker 1: questions while I was listening, and you guys later ask 1017 00:56:03,160 --> 00:56:04,920 Speaker 1: them where they be said that they wouldn't be no 1018 00:56:05,000 --> 00:56:07,520 Speaker 1: longer possible and when do you guys first came out 1019 00:56:07,520 --> 00:56:09,040 Speaker 1: of the jingle, I thought, how great, First of all, 1020 00:56:09,120 --> 00:56:11,279 Speaker 1: outstanding jingle. It you know, puts a pep in my 1021 00:56:11,320 --> 00:56:13,239 Speaker 1: step after on my heart, but I thought how great 1022 00:56:13,239 --> 00:56:14,920 Speaker 1: it would be to have maybe Sam Lloyd's band do 1023 00:56:15,000 --> 00:56:17,560 Speaker 1: a cup a version of it. And then, of course, 1024 00:56:17,680 --> 00:56:20,560 Speaker 1: unfortunately he passed away like okay, well maybe they could 1025 00:56:20,600 --> 00:56:25,960 Speaker 1: do one without Sam as a as an all right, yeah, 1026 00:56:26,200 --> 00:56:28,239 Speaker 1: but and then moving on to them after that, week 1027 00:56:28,280 --> 00:56:31,799 Speaker 1: after week, uh, you know, Donald will be given Zach 1028 00:56:31,960 --> 00:56:33,560 Speaker 1: given you such a hard time about having never seen 1029 00:56:33,600 --> 00:56:35,960 Speaker 1: remember the Titans. And so through my debt work of 1030 00:56:36,000 --> 00:56:37,960 Speaker 1: crew friends, I was trying to quarterback getting word of 1031 00:56:38,000 --> 00:56:40,399 Speaker 1: Denzel's camp to send you like a cameo style video 1032 00:56:40,960 --> 00:56:43,839 Speaker 1: like asked begging you to watch the movie. I don't think. 1033 00:56:44,080 --> 00:56:46,560 Speaker 1: I don't think Denzel does cameo. No, he's not on camp. 1034 00:56:46,600 --> 00:56:47,920 Speaker 1: Well no, I mean through the people that I work 1035 00:56:47,960 --> 00:56:50,160 Speaker 1: with to get to him, just to benze the video. 1036 00:56:50,280 --> 00:56:55,960 Speaker 1: But but my question is, is uh for Zach is 1037 00:56:56,160 --> 00:56:59,080 Speaker 1: a it's a butterfly effect question? Do you think that 1038 00:56:59,200 --> 00:57:01,799 Speaker 1: had you seen remember the Titans before you had cast 1039 00:57:01,800 --> 00:57:06,560 Speaker 1: starting state you would have given Donald the role. No, 1040 00:57:06,880 --> 00:57:11,680 Speaker 1: because I think Donald's hilarious, But I think I was 1041 00:57:12,680 --> 00:57:14,080 Speaker 1: howd to two if you were trying to be as 1042 00:57:14,160 --> 00:57:16,720 Speaker 1: far away from Scrubs as I was. I was. I, 1043 00:57:16,880 --> 00:57:19,560 Speaker 1: of course I was, with my first big opportunity to 1044 00:57:19,920 --> 00:57:24,320 Speaker 1: act slash directing something. I you know, I didn't want 1045 00:57:24,360 --> 00:57:26,880 Speaker 1: to be pigeonholed in Scrubs and only be thought of 1046 00:57:26,960 --> 00:57:28,720 Speaker 1: as the guy from Scrubs. So when I got my 1047 00:57:29,120 --> 00:57:32,160 Speaker 1: my first big gig separate from Scrubs, I didn't then 1048 00:57:32,240 --> 00:57:34,880 Speaker 1: want to cast my best friend as as though as 1049 00:57:34,920 --> 00:57:36,240 Speaker 1: the guy in the movie, because I was trying to 1050 00:57:36,320 --> 00:57:42,600 Speaker 1: separate the two. And you know, I also pictured that 1051 00:57:42,720 --> 00:57:46,000 Speaker 1: character that method Man played just you know, different from Donald, like, 1052 00:57:46,120 --> 00:57:51,920 Speaker 1: you know, more of a hard fucking you break my heart. 1053 00:57:52,280 --> 00:57:54,640 Speaker 1: I know you can play. I'm an actor. Here's the thing, 1054 00:57:54,760 --> 00:57:56,840 Speaker 1: here's the thing. You know what, this this has followed 1055 00:57:56,880 --> 00:57:59,560 Speaker 1: me my whole career, and it's it's funny that this 1056 00:58:00,080 --> 00:58:02,000 Speaker 1: is the reason why Zach did it. When I was 1057 00:58:02,080 --> 00:58:04,360 Speaker 1: a kid, I was up for Bronxtail or Bronxtail, right, 1058 00:58:05,520 --> 00:58:10,480 Speaker 1: And I remember de Niro had me do the table read. 1059 00:58:11,400 --> 00:58:14,560 Speaker 1: I got to meet everybody from the freaking from from 1060 00:58:14,600 --> 00:58:16,919 Speaker 1: Goodfellas pretty much was there. I was like, holy shit, 1061 00:58:17,000 --> 00:58:19,920 Speaker 1: it's the cash from Goodfellas here, you know pretty much. 1062 00:58:20,200 --> 00:58:23,360 Speaker 1: I did the table read and then we're auditioning people 1063 00:58:23,520 --> 00:58:31,280 Speaker 1: for Collogio and I freaking, uh, you know, do the 1064 00:58:31,360 --> 00:58:33,760 Speaker 1: readings with these kids and I'm thinking I'm a shoeing 1065 00:58:33,840 --> 00:58:35,960 Speaker 1: for the part. Do you know what fucking de Niro's 1066 00:58:36,000 --> 00:58:38,320 Speaker 1: note was and why I didn't get the role. He 1067 00:58:38,480 --> 00:58:41,040 Speaker 1: was like, he's too much of a Cosby kid, meaning 1068 00:58:41,120 --> 00:58:43,320 Speaker 1: I was too much like one of the Lugstables. I 1069 00:58:43,440 --> 00:58:45,600 Speaker 1: was too much like one of the Huxtables. So when 1070 00:58:45,800 --> 00:58:48,760 Speaker 1: this is something that has followed me my whole career. 1071 00:58:49,200 --> 00:58:51,160 Speaker 1: This is why I probably don't do a lot of 1072 00:58:51,240 --> 00:58:54,320 Speaker 1: action movies. This is probably why I don't, you know, 1073 00:58:54,760 --> 00:58:57,600 Speaker 1: because I'm too much of a nice guy and I'm 1074 00:58:57,680 --> 00:59:01,439 Speaker 1: not hard enough. Just like I said, So you know what, Zach, 1075 00:59:01,720 --> 00:59:04,800 Speaker 1: fuck you man, fuck you and fuck anybody who thinks 1076 00:59:04,880 --> 00:59:07,880 Speaker 1: like you man, buck all, y'all, fuck you, fuck you 1077 00:59:08,080 --> 00:59:15,160 Speaker 1: and fuck you all right, god bless, thanks thanks a lot, Crais, 1078 00:59:16,680 --> 00:59:21,120 Speaker 1: Oh no, we'll be back. Uh. He probably has to 1079 00:59:21,280 --> 00:59:24,960 Speaker 1: take a hit of weed about that. That was not 1080 00:59:25,080 --> 00:59:34,960 Speaker 1: my intention to look I was going for. I couldn't 1081 00:59:35,000 --> 00:59:39,680 Speaker 1: stay away, Okay, I want to say that the same 1082 00:59:39,800 --> 00:59:43,960 Speaker 1: goes for myself. I there's roles I wouldn't care. I'm 1083 00:59:43,960 --> 00:59:46,200 Speaker 1: not gonna if I was making a movie with with 1084 00:59:46,840 --> 00:59:49,320 Speaker 1: a mob's boss, I'm not gonna cast myself as the 1085 00:59:49,400 --> 00:59:54,240 Speaker 1: mob boss. Donald. You have decades of being a likable 1086 00:59:54,520 --> 00:59:58,200 Speaker 1: guy that people love, who's comedic. Of course you could 1087 00:59:58,240 --> 01:00:00,320 Speaker 1: play hard, of course you could play a tough guy. 1088 01:00:00,840 --> 01:00:04,280 Speaker 1: But there's so many other actors that that comes as 1089 01:00:04,400 --> 01:00:07,320 Speaker 1: naturally to them as you being lovable and likable is 1090 01:00:08,200 --> 01:00:11,640 Speaker 1: I don't know why I wouldn't hire them, or I 1091 01:00:11,680 --> 01:00:14,720 Speaker 1: don't know why someone who was casting. But don't you 1092 01:00:14,760 --> 01:00:16,480 Speaker 1: think the same thing goes for me? No one's gonna 1093 01:00:16,520 --> 01:00:19,200 Speaker 1: cast me is the fucking assassin. You don't know that 1094 01:00:19,400 --> 01:00:21,920 Speaker 1: you've never put yourself in those shoes. You've never ever 1095 01:00:22,120 --> 01:00:26,240 Speaker 1: fucking walked that walked to to see if you could 1096 01:00:26,280 --> 01:00:28,680 Speaker 1: play that, So you don't know what the fuck you 1097 01:00:28,720 --> 01:00:30,800 Speaker 1: know what I mean, You've never been given that opportunity. 1098 01:00:31,120 --> 01:00:34,480 Speaker 1: If somebody, if you had the opportunity and you failed, miserably. 1099 01:00:34,880 --> 01:00:37,480 Speaker 1: Then I could totally understand. I totally. I feel like 1100 01:00:37,520 --> 01:00:40,320 Speaker 1: if I got the audition to play like a tough 1101 01:00:40,400 --> 01:00:44,200 Speaker 1: Italian gangster, I would say this isn't no. But that's 1102 01:00:44,280 --> 01:00:46,840 Speaker 1: bullshit because there's no work. There's not a lot of 1103 01:00:46,880 --> 01:00:50,920 Speaker 1: work when it comes to the audition part the audition 1104 01:00:51,080 --> 01:00:53,120 Speaker 1: for it. Yeah, you're gonna go and you're gonna give 1105 01:00:53,160 --> 01:00:55,800 Speaker 1: the best version of that that you possibly can. But 1106 01:00:55,880 --> 01:01:00,680 Speaker 1: you're not freaking opening up the book on the character. 1107 01:01:00,800 --> 01:01:03,760 Speaker 1: You're not creating something, you're not diving in. You're not 1108 01:01:03,880 --> 01:01:05,760 Speaker 1: doing what you did when you you know, when you 1109 01:01:05,880 --> 01:01:08,720 Speaker 1: worked with de Niro, You're not doing that stuff. You're 1110 01:01:09,040 --> 01:01:11,200 Speaker 1: for an audition. You never know what it is that 1111 01:01:11,240 --> 01:01:13,840 Speaker 1: you're gonna that you're able to reach until you've given 1112 01:01:13,880 --> 01:01:17,000 Speaker 1: the opportunity. So how would you how would you know how? 1113 01:01:17,400 --> 01:01:20,040 Speaker 1: That's the that's the that's the freaking judging a book 1114 01:01:20,080 --> 01:01:22,760 Speaker 1: by its cover shit that a lot of Hollywood does. 1115 01:01:22,800 --> 01:01:25,160 Speaker 1: And there's the reason why a lot of actors are 1116 01:01:25,240 --> 01:01:27,520 Speaker 1: pigeonholed because people are like, you know what, he can 1117 01:01:27,560 --> 01:01:29,600 Speaker 1: only play this character, but you don't know that. You 1118 01:01:29,680 --> 01:01:32,160 Speaker 1: haven't given the person another I think the blessing, and 1119 01:01:32,280 --> 01:01:34,960 Speaker 1: the curse that goes with the blessing of being on 1120 01:01:35,080 --> 01:01:37,720 Speaker 1: a show for a decade is that you do get 1121 01:01:37,800 --> 01:01:40,840 Speaker 1: pigeonholed a bit for better for worse. It's true, It's honest. 1122 01:01:41,040 --> 01:01:46,000 Speaker 1: It's people do go, oh my god, that's the funny, gregarious, charming, 1123 01:01:46,080 --> 01:01:50,200 Speaker 1: lovable guy. I'm not saying people can't break at it 1124 01:01:50,240 --> 01:01:52,080 Speaker 1: out of course they do. Look at Brian Cranston. He 1125 01:01:52,280 --> 01:01:55,440 Speaker 1: was the lovable dad on Malcolm in the Middle. But 1126 01:01:56,240 --> 01:02:00,840 Speaker 1: but it's a challenge, and I'm i'm I'm sorry if no, 1127 01:02:00,960 --> 01:02:03,040 Speaker 1: I'm not, I'm being I'm being facetious when i'm I'm 1128 01:02:03,120 --> 01:02:07,160 Speaker 1: I'm being funny because obviously because I've actually something that's upset, 1129 01:02:07,520 --> 01:02:10,200 Speaker 1: but I've actually no, but I've actually been given opportunities 1130 01:02:10,280 --> 01:02:12,160 Speaker 1: to do things like that, and I think I've done 1131 01:02:12,160 --> 01:02:15,400 Speaker 1: a pretty good job or I've had a good time 1132 01:02:15,680 --> 01:02:19,520 Speaker 1: creating whatever character it was that I did when making 1133 01:02:19,680 --> 01:02:25,600 Speaker 1: set opportunities. But uh my, my, my, My point is 1134 01:02:25,880 --> 01:02:28,960 Speaker 1: is that thinking like that isn't going to get anybody, 1135 01:02:29,000 --> 01:02:30,760 Speaker 1: and it's not gonna get you anywhere. So to say 1136 01:02:30,840 --> 01:02:32,840 Speaker 1: you can't play that, you don't think anybody would ever 1137 01:02:32,960 --> 01:02:36,400 Speaker 1: hire you that you. It's like there, if you were 1138 01:02:36,560 --> 01:02:38,640 Speaker 1: if you were casting a movie. You're directing a movie 1139 01:02:38,920 --> 01:02:43,040 Speaker 1: right right, and the role is for a forty five 1140 01:02:43,160 --> 01:02:46,360 Speaker 1: year old hard ass. He's maybe maybe he's connected to 1141 01:02:46,400 --> 01:02:49,000 Speaker 1: the mafia in some way. He's fucking he needs to 1142 01:02:49,040 --> 01:02:51,600 Speaker 1: be intimidating. You need let me just finish my thought. 1143 01:02:54,240 --> 01:02:57,000 Speaker 1: You're not gonna call me. You shouldn't call me. If 1144 01:02:57,040 --> 01:02:59,120 Speaker 1: you called me, I'd be like, dude, what are you doing? 1145 01:03:00,120 --> 01:03:08,640 Speaker 1: Hire fucking Bobby CONNIVALI what are you doing? Go? I'm 1146 01:03:09,120 --> 01:03:12,400 Speaker 1: sorry for you, man. Then if no, I don't know, man, 1147 01:03:12,440 --> 01:03:14,560 Speaker 1: I disagree with that. I think I think you. I 1148 01:03:14,640 --> 01:03:17,840 Speaker 1: think you have the potential to play anything if you tap, 1149 01:03:17,960 --> 01:03:23,880 Speaker 1: if you are willing to stretch out with you know, uh, 1150 01:03:24,880 --> 01:03:26,680 Speaker 1: I want to say your feelings, but then you're gonna say, 1151 01:03:26,680 --> 01:03:28,720 Speaker 1: I'm talking about Star Wars. I want to you know 1152 01:03:28,760 --> 01:03:30,760 Speaker 1: what I mean? If you're willing to put the work 1153 01:03:30,840 --> 01:03:34,560 Speaker 1: in and stuff like that, you know it's there. Anything's obtainable, 1154 01:03:34,920 --> 01:03:37,200 Speaker 1: especially in this this is a craft. It's not you 1155 01:03:37,240 --> 01:03:40,120 Speaker 1: know what I mean. People work really really really really 1156 01:03:40,360 --> 01:03:44,000 Speaker 1: really really really really really hard once they're in the door, 1157 01:03:44,200 --> 01:03:47,120 Speaker 1: and it sometimes pays off. You know what I mean, 1158 01:03:47,360 --> 01:03:50,760 Speaker 1: you're in the door. If somebody gave you an opportunity 1159 01:03:50,960 --> 01:03:53,760 Speaker 1: like that and it was a sick ass role, I 1160 01:03:53,800 --> 01:03:56,520 Speaker 1: don't see why you wouldn't say, fuck it, I'll go 1161 01:03:56,640 --> 01:03:59,400 Speaker 1: for it and try your best instead of coming at 1162 01:03:59,440 --> 01:04:02,880 Speaker 1: it as you picking me me, really me, you think 1163 01:04:02,920 --> 01:04:06,240 Speaker 1: I could do that? Fuck that shit, man, I'll you 1164 01:04:06,320 --> 01:04:09,320 Speaker 1: know that's that's held me back so many times in 1165 01:04:09,880 --> 01:04:13,160 Speaker 1: my career. Dude. You know, you get auditions and you 1166 01:04:13,200 --> 01:04:14,400 Speaker 1: look at and you're like, I don't know if I 1167 01:04:14,480 --> 01:04:16,640 Speaker 1: can do that, and all of a sudden that makes it. 1168 01:04:16,920 --> 01:04:20,320 Speaker 1: You've already lost the You've already lost the part you know. 1169 01:04:21,120 --> 01:04:23,320 Speaker 1: Fuck that shit, man, go at it as you can 1170 01:04:23,440 --> 01:04:25,560 Speaker 1: do anything. I don't know. Man, I know I sound 1171 01:04:25,600 --> 01:04:28,280 Speaker 1: like I'm listen. I love you, bro, and I think 1172 01:04:28,320 --> 01:04:31,000 Speaker 1: and I think, I think. I think we are all 1173 01:04:31,120 --> 01:04:35,640 Speaker 1: capable of incredible things. And because of that, I really 1174 01:04:36,480 --> 01:04:40,720 Speaker 1: believe that you're capable of doing you know, things that 1175 01:04:40,840 --> 01:04:42,520 Speaker 1: you say you don't believe you can do, but only 1176 01:04:42,720 --> 01:04:45,480 Speaker 1: you believe. I hope to play the hard ass soon. 1177 01:04:46,160 --> 01:04:48,680 Speaker 1: Do you question that us into a fight? Yes, I 1178 01:04:48,760 --> 01:04:52,600 Speaker 1: apologize for that. I guess I've got a question for 1179 01:04:52,680 --> 01:04:58,400 Speaker 1: both uh Danelle and Joel, as well as Daniel Daniel 1180 01:04:59,680 --> 01:05:02,880 Speaker 1: it's a name that doesn't exist. It's because of people 1181 01:05:02,960 --> 01:05:05,720 Speaker 1: misreading his email. That's why we call him down. Gotcha? Well, 1182 01:05:05,920 --> 01:05:07,840 Speaker 1: should I start with him or start with it? Okay, 1183 01:05:07,880 --> 01:05:10,720 Speaker 1: we'll start with that. That's our friends. You know, being 1184 01:05:11,400 --> 01:05:12,960 Speaker 1: on the producing side of a lot of shows, like 1185 01:05:13,000 --> 01:05:15,480 Speaker 1: I was talking about, it's always interesting for me to 1186 01:05:15,640 --> 01:05:18,040 Speaker 1: meet the people or to figure out the past people 1187 01:05:18,080 --> 01:05:20,200 Speaker 1: have taken on production side that got them to land 1188 01:05:20,640 --> 01:05:22,000 Speaker 1: to where they are now. And I know when you 1189 01:05:22,080 --> 01:05:23,680 Speaker 1: guys have your guests off for the first time, you 1190 01:05:23,720 --> 01:05:25,600 Speaker 1: always kind of ask them that question. I was kind 1191 01:05:25,640 --> 01:05:29,200 Speaker 1: of curious about the two of you, well, like how 1192 01:05:29,280 --> 01:05:32,560 Speaker 1: we got to being produced. Well know, as far as 1193 01:05:32,760 --> 01:05:35,040 Speaker 1: is doing the engineering or producing shows, Like what shows 1194 01:05:35,080 --> 01:05:36,640 Speaker 1: did you work on which led you to another show 1195 01:05:36,640 --> 01:05:39,560 Speaker 1: which led you to this? Or Oh yeah, I could 1196 01:05:39,600 --> 01:05:43,600 Speaker 1: do that real quick. I was working at after Buzz 1197 01:05:43,720 --> 01:05:47,360 Speaker 1: TV doing five after shows at night, which led me 1198 01:05:47,520 --> 01:05:51,360 Speaker 1: to Collider doing a lot of their Jedi Council. Things 1199 01:05:52,200 --> 01:05:55,600 Speaker 1: you worked on Jedi Council, like VI did I make 1200 01:05:55,680 --> 01:05:59,600 Speaker 1: guest appearances there? And I did the showdown as a 1201 01:05:59,680 --> 01:06:03,200 Speaker 1: Night's Sister so it's like very on brand. And then 1202 01:06:03,280 --> 01:06:05,760 Speaker 1: my good friend Danny Fernandez, who worked it I hired. 1203 01:06:05,800 --> 01:06:07,320 Speaker 1: It was like, Yo, you should come to the script 1204 01:06:07,360 --> 01:06:11,560 Speaker 1: notes for my show. It's Daniel was doing the engineering 1205 01:06:11,640 --> 01:06:14,959 Speaker 1: and editing for And then Daniel was like, hey, Jack, 1206 01:06:15,080 --> 01:06:17,360 Speaker 1: who was our boss? Who should hire this girl to produce? 1207 01:06:17,520 --> 01:06:21,320 Speaker 1: And that's how I ended up here. Awesome we are 1208 01:06:21,520 --> 01:06:23,920 Speaker 1: And Daniel, were you always doing produced injuring like this 1209 01:06:24,120 --> 01:06:26,240 Speaker 1: or did you ever do studio for live music or 1210 01:06:26,280 --> 01:06:28,400 Speaker 1: anything like that? That's so funny that you asked yes, 1211 01:06:28,480 --> 01:06:31,040 Speaker 1: Craig before. The reason I asked about your venue is 1212 01:06:31,040 --> 01:06:32,600 Speaker 1: because I was wondering if I had played there. Used 1213 01:06:32,640 --> 01:06:35,600 Speaker 1: to be part of a DJ producer duo called Gladiator, 1214 01:06:35,640 --> 01:06:37,800 Speaker 1: and we toured the world for the last like ten years. 1215 01:06:38,360 --> 01:06:41,720 Speaker 1: After that stopped being super profitable, I started looking for 1216 01:06:42,800 --> 01:06:45,600 Speaker 1: work in places that also used the skills of audio 1217 01:06:45,760 --> 01:06:48,160 Speaker 1: editing and everything that I had been doing and cutting audio. 1218 01:06:49,040 --> 01:06:51,080 Speaker 1: I taught at a couple of different DJ schools around 1219 01:06:51,120 --> 01:06:55,760 Speaker 1: Los Angeles. There was a posting about openings at iHeart 1220 01:06:56,480 --> 01:06:58,280 Speaker 1: or at the time it was how Stuff Works. They 1221 01:06:58,320 --> 01:07:00,800 Speaker 1: were opening their new LA office and they were starting 1222 01:07:00,840 --> 01:07:04,880 Speaker 1: a new comedy branch. So I submitted, I interviewed, and yeah, 1223 01:07:05,240 --> 01:07:08,640 Speaker 1: and now I'm here and started started just working on 1224 01:07:08,760 --> 01:07:12,360 Speaker 1: one show to editing three shows, to editing and engineering 1225 01:07:12,440 --> 01:07:16,800 Speaker 1: four shows, to producing a show, to getting asked to 1226 01:07:16,880 --> 01:07:19,200 Speaker 1: drop off some equipment at Zach and Donald's place, and 1227 01:07:19,360 --> 01:07:22,800 Speaker 1: now here we are. It's really interesting. You know, I 1228 01:07:22,840 --> 01:07:24,680 Speaker 1: don't think either one of them thought that this was 1229 01:07:24,720 --> 01:07:26,440 Speaker 1: going to be their job, you know what I mean? 1230 01:07:26,600 --> 01:07:29,160 Speaker 1: Like I know and and and what's crazy is that 1231 01:07:29,200 --> 01:07:31,320 Speaker 1: they were both on a show together at one point 1232 01:07:31,440 --> 01:07:35,960 Speaker 1: before this, doing something similar, talking about a subject that 1233 01:07:36,040 --> 01:07:38,840 Speaker 1: they were very interested in? Am I correct? Like you 1234 01:07:38,920 --> 01:07:43,120 Speaker 1: guys were you guys were both personalities on the on 1235 01:07:43,240 --> 01:07:47,000 Speaker 1: the air right? That show never got released? But oh yeah, 1236 01:07:47,040 --> 01:07:49,840 Speaker 1: well Joel Joel was the show that we did together 1237 01:07:50,040 --> 01:07:52,400 Speaker 1: had not been released yet. I guess you were cheating 1238 01:07:52,400 --> 01:07:54,880 Speaker 1: on because you were doing the video game recaps and 1239 01:07:55,400 --> 01:07:59,360 Speaker 1: are awesome sound board this show man talk about that show. 1240 01:08:01,480 --> 01:08:03,280 Speaker 1: So now you guys got your little inside jokes and 1241 01:08:03,320 --> 01:08:09,240 Speaker 1: I'm not really feeling it. Let's get out, Okay, Well 1242 01:08:09,560 --> 01:08:11,360 Speaker 1: you make a note that the correction. I'm gonna be 1243 01:08:11,400 --> 01:08:13,640 Speaker 1: honest with you. Yeah, could I get very divisive? Man, 1244 01:08:13,720 --> 01:08:16,640 Speaker 1: you are a devisive You can just jot down a 1245 01:08:16,720 --> 01:08:19,719 Speaker 1: note that all the guests need to ask solely about 1246 01:08:19,800 --> 01:08:22,479 Speaker 1: Donald and I. Please. That's it. No more, no more 1247 01:08:22,520 --> 01:08:24,439 Speaker 1: of this, none of this tell us about you, guys. 1248 01:08:24,720 --> 01:08:28,479 Speaker 1: You are a divisive caller, all right. Want to fix 1249 01:08:28,560 --> 01:08:41,000 Speaker 1: your life even though you've ruined ours ready on account 1250 01:08:41,000 --> 01:08:50,880 Speaker 1: of three it's time to fix you. Yes, keep the 1251 01:08:50,920 --> 01:08:55,000 Speaker 1: disredo from last week. Donald raw rah rah raw raw 1252 01:08:55,240 --> 01:08:58,760 Speaker 1: raw raw familiar with this segment. Oh it hasn't come. 1253 01:08:58,840 --> 01:09:01,320 Speaker 1: Oh my gosh, that's right, it has. It hasn't aired yet, 1254 01:09:01,479 --> 01:09:04,639 Speaker 1: But that's so funny. We had a did The reason 1255 01:09:04,720 --> 01:09:07,880 Speaker 1: I chose Craig was because he had trivia questions and 1256 01:09:07,960 --> 01:09:11,400 Speaker 1: we talked forever ago about doing potentially more trivia, and 1257 01:09:11,439 --> 01:09:13,479 Speaker 1: one it was like, and I really liked the trivia questions. 1258 01:09:13,800 --> 01:09:18,200 Speaker 1: We're doing trivia. We don't have a trivia theme song. 1259 01:09:18,680 --> 01:09:27,240 Speaker 1: Let's get into it. It's scrub us still with still 1260 01:09:27,240 --> 01:09:31,960 Speaker 1: would roll. Now. I feel like I'm missing out on 1261 01:09:32,200 --> 01:09:34,320 Speaker 1: on fixing my life. But that's all all right, yeah, 1262 01:09:34,920 --> 01:09:41,599 Speaker 1: whatever that big problem was, alright, trivia go. I've got 1263 01:09:41,640 --> 01:09:44,240 Speaker 1: two questions for you, guys. The first one is who 1264 01:09:44,360 --> 01:09:47,080 Speaker 1: was the only actor that had a story arc in 1265 01:09:47,160 --> 01:09:55,840 Speaker 1: both Scrubs and House. First of all, I've never watched 1266 01:09:55,880 --> 01:09:58,160 Speaker 1: an episode of House. I didn't think that. I didn't 1267 01:09:58,160 --> 01:09:59,720 Speaker 1: think you was gonna have this one. I thought Zach 1268 01:09:59,800 --> 01:10:04,800 Speaker 1: might have a trying to think of Heather Graham. Wait no, wait, 1269 01:10:04,880 --> 01:10:09,360 Speaker 1: wait wait, I got it. Michael Weston, that's right, well 1270 01:10:09,680 --> 01:10:12,880 Speaker 1: go oh my god, that was a deep pull. Michael 1271 01:10:12,920 --> 01:10:16,320 Speaker 1: Weston played private dancer on our show if you recall, 1272 01:10:16,400 --> 01:10:19,479 Speaker 1: and he also did a big arc on House. Also 1273 01:10:19,520 --> 01:10:23,519 Speaker 1: did a really scary fucking career making arc on Six 1274 01:10:23,600 --> 01:10:27,320 Speaker 1: Feet Under if you remember that show. He was a 1275 01:10:27,520 --> 01:10:30,840 Speaker 1: very very very scary character that encountered Michael C. Hall. 1276 01:10:31,600 --> 01:10:34,639 Speaker 1: All right, go ahead, I'm winning. Okay, you are winning. 1277 01:10:35,160 --> 01:10:39,800 Speaker 1: The next one is besides Donald and Rerun, what other 1278 01:10:39,880 --> 01:10:42,519 Speaker 1: guests are that appeared on Scrubs? Was also the inspiration 1279 01:10:42,600 --> 01:10:49,360 Speaker 1: for a dance craze. Besides Donald and Rerun, what character 1280 01:10:49,439 --> 01:10:55,360 Speaker 1: appear on Scrubs inspired a dance craze? Hold on, now, 1281 01:10:55,439 --> 01:10:59,120 Speaker 1: my money's on you. Donald, I gotta get it because 1282 01:10:59,160 --> 01:11:07,280 Speaker 1: I gotta get this. Is it Billy d dance Craze? 1283 01:11:07,320 --> 01:11:09,280 Speaker 1: I don't, I can't know, I don't know who is it, 1284 01:11:10,400 --> 01:11:13,360 Speaker 1: it would be Courteney Cox as the inspiration for the 1285 01:11:13,439 --> 01:11:18,120 Speaker 1: club O. The Bruce Springsteen. She inspired the Carlton. She 1286 01:11:18,280 --> 01:11:21,000 Speaker 1: inspired the Carlton that we all love so much in 1287 01:11:21,080 --> 01:11:26,880 Speaker 1: the Springsteen mean the white people dance, yes, no, But 1288 01:11:27,000 --> 01:11:30,599 Speaker 1: in that Bruce Springsteen video he put on stage, Well, 1289 01:11:30,880 --> 01:11:34,639 Speaker 1: let's is that before Molly Ringwalden the Breakfast Club because 1290 01:11:34,680 --> 01:11:37,880 Speaker 1: she does the same dance in the Breakfast Clubs. You're 1291 01:11:37,920 --> 01:11:40,519 Speaker 1: saying that all white chicks dance the same, Donalds, I'm 1292 01:11:40,560 --> 01:11:42,720 Speaker 1: saying all white people did that dance first, and that's 1293 01:11:42,760 --> 01:11:44,960 Speaker 1: why Carlton was doing it, because Carlton was supposed to 1294 01:11:44,960 --> 01:11:49,360 Speaker 1: be the white black guy on the right. Oh well, wow, 1295 01:11:49,439 --> 01:11:53,160 Speaker 1: good trivia. Do you have another one as far as trivia? 1296 01:11:53,760 --> 01:11:56,600 Speaker 1: That was it for trivia. But a quick question was, 1297 01:11:56,720 --> 01:11:59,160 Speaker 1: and it's always kind of bothered me about I hope 1298 01:11:59,200 --> 01:12:01,040 Speaker 1: this is another device a question, but it was when 1299 01:12:01,080 --> 01:12:04,599 Speaker 1: you guys figured out the name of the Jandler as 1300 01:12:04,680 --> 01:12:07,000 Speaker 1: Glenn Matthews. That kind of threw me as a curveball 1301 01:12:07,120 --> 01:12:10,439 Speaker 1: because the episode where you saw him in The Fugitive 1302 01:12:10,800 --> 01:12:12,400 Speaker 1: and you kind of flipped out of Michael. Why didn't 1303 01:12:12,400 --> 01:12:15,160 Speaker 1: you just watch the credits well, Bill has an answer 1304 01:12:15,200 --> 01:12:18,680 Speaker 1: for this that he this was I think we were 1305 01:12:18,880 --> 01:12:21,600 Speaker 1: We didn't. We never shot it though, I just know 1306 01:12:21,760 --> 01:12:24,360 Speaker 1: that I think Bill said on the our podcast, didn't 1307 01:12:24,400 --> 01:12:27,760 Speaker 1: he say that Glenn Matthews was lying when he was 1308 01:12:28,160 --> 01:12:30,400 Speaker 1: in the Fugitive and came up with a fake name 1309 01:12:30,479 --> 01:12:34,040 Speaker 1: Neil Flynn. Oh, I see, because he's always lying about 1310 01:12:34,040 --> 01:12:36,320 Speaker 1: what his name is, but his real name is by Matthews. 1311 01:12:38,040 --> 01:12:41,479 Speaker 1: There you go. Donald Joel tells us Sorry. Daniel tells 1312 01:12:41,560 --> 01:12:43,800 Speaker 1: us that Dancing in the Dark came out one year 1313 01:12:43,960 --> 01:12:46,360 Speaker 1: before The Breakfast Club. So Molly Ringwold got her moves 1314 01:12:46,400 --> 01:12:52,240 Speaker 1: from Courtney coxs Wowet. So Courtney really said a dance 1315 01:12:52,280 --> 01:12:55,320 Speaker 1: trend that reverberated for many decades. You want to hang 1316 01:12:55,320 --> 01:12:57,000 Speaker 1: around while we keep talking about the show? You can 1317 01:12:57,640 --> 01:13:00,360 Speaker 1: no sure? I mean, I guess, uh yeah, imagine. I 1318 01:13:00,640 --> 01:13:02,800 Speaker 1: can't wait for the guests. That's like, you know what 1319 01:13:03,080 --> 01:13:08,120 Speaker 1: I'm gonna get out of it? Was there was there 1320 01:13:08,120 --> 01:13:11,160 Speaker 1: any guests or special guests that you guys really wanted 1321 01:13:11,200 --> 01:13:12,599 Speaker 1: to get on the show that weren't able to you guys. 1322 01:13:12,640 --> 01:13:16,160 Speaker 1: It's such a great job. I knew Spike Lee was 1323 01:13:16,200 --> 01:13:17,960 Speaker 1: a fan of the show and I really wanted him 1324 01:13:18,000 --> 01:13:20,040 Speaker 1: to direct the show. I wanted him to direct it 1325 01:13:20,320 --> 01:13:23,479 Speaker 1: so bad and it never worked out. That was that was. 1326 01:13:23,800 --> 01:13:26,080 Speaker 1: And then Jamie Fox also. I wanted somehow to get 1327 01:13:26,160 --> 01:13:28,720 Speaker 1: Jamie Fox on the show also. I remember saying it 1328 01:13:28,760 --> 01:13:30,120 Speaker 1: to him and he was like, yeah, I'd be down, 1329 01:13:30,840 --> 01:13:32,960 Speaker 1: but it never worked out. And do Ley Hill as well. 1330 01:13:33,000 --> 01:13:34,840 Speaker 1: I wanted to do lay on the show. And Holly 1331 01:13:34,920 --> 01:13:36,920 Speaker 1: Berry that was the other one. I really wanted Holly 1332 01:13:36,960 --> 01:13:38,920 Speaker 1: Berry on the show more than anything. I wanted Holly 1333 01:13:38,960 --> 01:13:45,720 Speaker 1: Berry on the show. Zach, anyone for you? I don't 1334 01:13:45,720 --> 01:13:47,919 Speaker 1: I can't remember. I don't think so. I think everybody, 1335 01:13:48,080 --> 01:13:50,479 Speaker 1: everybody I could think of. I mean, the guests you 1336 01:13:50,520 --> 01:13:52,760 Speaker 1: got were incredible. You covered it almost every all my 1337 01:13:52,840 --> 01:13:56,000 Speaker 1: favorite shows growing up. You know, you've represented one way 1338 01:13:56,080 --> 01:13:59,280 Speaker 1: or another. It was incredible. In fact, Scrubs I think 1339 01:13:59,320 --> 01:14:02,120 Speaker 1: was the last show. But I remember watching like on 1340 01:14:02,240 --> 01:14:04,280 Speaker 1: a schedule, like you know, now you can just binge 1341 01:14:04,360 --> 01:14:06,479 Speaker 1: watch everything, but that was one of those it's Thursday, 1342 01:14:06,880 --> 01:14:09,840 Speaker 1: you know, I gotta, you know, playing my schedule around 1343 01:14:09,880 --> 01:14:11,880 Speaker 1: it to watch that week by week. But whereas now 1344 01:14:11,920 --> 01:14:13,439 Speaker 1: you can just burn through the whole thing, and you 1345 01:14:13,479 --> 01:14:16,040 Speaker 1: know a few days and just RiPP through the whole series. 1346 01:14:16,120 --> 01:14:18,400 Speaker 1: But all right, we're gonna finish watching about this show 1347 01:14:18,520 --> 01:14:20,880 Speaker 1: because and you're allowed to hang out because thank you. 1348 01:14:21,320 --> 01:14:25,800 Speaker 1: You seem like a nice person. Okay, is a boob man? 1349 01:14:26,200 --> 01:14:29,080 Speaker 1: This is for real, for real, because he's watching his 1350 01:14:29,240 --> 01:14:32,200 Speaker 1: wife breathe in and out and looking at them boobs. Yeah, 1351 01:14:32,920 --> 01:14:35,040 Speaker 1: and he should best be nice to my cousin. Who's 1352 01:14:35,080 --> 01:14:38,439 Speaker 1: the cousin's name, I don't remember, FEMA something like that, 1353 01:14:38,640 --> 01:14:41,000 Speaker 1: You best be nice to my cousin from FEMA. Yeah. 1354 01:14:44,680 --> 01:14:50,080 Speaker 1: Now she turns into a sort of a bride zilla. Yeah, 1355 01:14:50,200 --> 01:14:53,240 Speaker 1: kind of sort of. Uh she well, she goes crazy 1356 01:14:53,320 --> 01:14:56,880 Speaker 1: over this wedding. She's yeah, she turk in trouble KC 1357 01:14:57,120 --> 01:15:01,400 Speaker 1: did your wedding which was thrown magically in my backyard? Did? 1358 01:15:01,560 --> 01:15:04,080 Speaker 1: Did the last couple of weeks? Did Casey turn into 1359 01:15:04,120 --> 01:15:08,240 Speaker 1: a bridezilla? No, she never really turned into a bridezilla. 1360 01:15:08,280 --> 01:15:11,080 Speaker 1: We had a wedding planner who helped out with everything, 1361 01:15:11,840 --> 01:15:18,639 Speaker 1: and so stress levels were really low in our wedding 1362 01:15:19,160 --> 01:15:23,480 Speaker 1: planning and planning our wedding like, uh, but yeah, I've 1363 01:15:23,560 --> 01:15:28,200 Speaker 1: seen Casey's not that type of person. Also, mm, well, 1364 01:15:28,280 --> 01:15:31,280 Speaker 1: I'm sure a lot of listeners can relate to their 1365 01:15:31,360 --> 01:15:33,880 Speaker 1: partner going a little batty before the wedding. It's a 1366 01:15:33,920 --> 01:15:37,080 Speaker 1: lot of pressure. Yeah, but I don't get that. I 1367 01:15:37,120 --> 01:15:38,880 Speaker 1: don't get I get that it's supposed to be this 1368 01:15:39,000 --> 01:15:40,720 Speaker 1: party that you only get once today, But why do 1369 01:15:40,840 --> 01:15:42,800 Speaker 1: people go crazy like that? Like, why does it got 1370 01:15:42,880 --> 01:15:46,080 Speaker 1: to be Joel? Go ahead, Joel? Everyone's raising their hands today. Yes, 1371 01:15:46,200 --> 01:15:49,639 Speaker 1: I call on Joel. Thank you Zach. For many years, 1372 01:15:49,720 --> 01:15:51,720 Speaker 1: this was the only day women could look forward to. 1373 01:15:51,840 --> 01:15:53,519 Speaker 1: The only thing you're allowed to do in life is 1374 01:15:53,680 --> 01:15:55,800 Speaker 1: get married. If you were lucky, you had some say 1375 01:15:56,160 --> 01:15:59,479 Speaker 1: in your partner. But everybody knows that's the bride's day. 1376 01:15:59,560 --> 01:16:01,200 Speaker 1: So if you'd get to choose your partner, at least 1377 01:16:01,200 --> 01:16:04,200 Speaker 1: you got to choose the party, like the whole dream 1378 01:16:04,320 --> 01:16:06,519 Speaker 1: dress thing. So like, I think the closer it gets 1379 01:16:06,560 --> 01:16:08,360 Speaker 1: to the day, a lot of women are like, well, 1380 01:16:08,360 --> 01:16:10,479 Speaker 1: it's got to be my perfect magical day that I 1381 01:16:10,640 --> 01:16:14,200 Speaker 1: thought about for twenty two to sixty five years. I 1382 01:16:14,280 --> 01:16:15,760 Speaker 1: want to get it right. And I think it's just 1383 01:16:16,000 --> 01:16:18,519 Speaker 1: the pressure and stress of it that makes some ladies 1384 01:16:18,960 --> 01:16:21,280 Speaker 1: and you know, guys, to go a little a little 1385 01:16:21,360 --> 01:16:24,439 Speaker 1: over the top. Do you have a wedding journal, Joel already. 1386 01:16:24,840 --> 01:16:31,400 Speaker 1: Oh god, No, that's the weirdest thing I've ever heard 1387 01:16:31,439 --> 01:16:33,040 Speaker 1: of in my life. It's like a wedding journal. Well, 1388 01:16:33,040 --> 01:16:35,200 Speaker 1: how long have you had your wedding journal for? Since 1389 01:16:35,240 --> 01:16:37,760 Speaker 1: I was eight? It's like, get the fuck out of here. Really, 1390 01:16:38,160 --> 01:16:40,080 Speaker 1: you've been thinking about getting married since you were eight 1391 01:16:40,200 --> 01:16:45,960 Speaker 1: years old something. Women women grow up with these princess 1392 01:16:46,479 --> 01:16:50,280 Speaker 1: you know, fantasy tales, and they and they they long 1393 01:16:50,439 --> 01:16:53,280 Speaker 1: for their princess moment where they are in the gown 1394 01:16:53,360 --> 01:16:56,880 Speaker 1: and everyone's looking at how beautiful they are, and they 1395 01:16:56,960 --> 01:17:01,080 Speaker 1: get to perfectly curate this one day, and I guess 1396 01:17:01,120 --> 01:17:02,799 Speaker 1: there's a lot of pressure for it to be perfect. 1397 01:17:03,520 --> 01:17:08,080 Speaker 1: But since you were eight, yes, and younger, Donald, it 1398 01:17:08,200 --> 01:17:11,960 Speaker 1: starts at Barbie has a dream wedding gown like every year. Like, 1399 01:17:13,439 --> 01:17:15,599 Speaker 1: I wonder if my daughter's thinking like that right now. 1400 01:17:15,600 --> 01:17:17,720 Speaker 1: I wonder if my five year old daughters, I can 1401 01:17:17,800 --> 01:17:21,080 Speaker 1: went out, let's ask her, ask her, get out of here, man. 1402 01:17:21,160 --> 01:17:23,200 Speaker 1: I don't want to find out. I don't want to 1403 01:17:23,320 --> 01:17:26,000 Speaker 1: know if she's sticking that ship. Get out of here, man. Right, 1404 01:17:27,320 --> 01:17:30,280 Speaker 1: I just thought we could do a survey of you 1405 01:17:30,320 --> 01:17:32,920 Speaker 1: want to find out, Let's find out she just got 1406 01:17:33,000 --> 01:17:35,080 Speaker 1: out of school. Let's find all right, let's ask her. 1407 01:17:36,120 --> 01:17:38,320 Speaker 1: You know, we try and always go to the experts 1408 01:17:38,360 --> 01:17:42,040 Speaker 1: in every different area. Why not go to a young 1409 01:17:42,160 --> 01:17:44,559 Speaker 1: girl and ask her if she's thought at all about 1410 01:17:44,600 --> 01:17:47,439 Speaker 1: her wedding? I really want to know. I feel like 1411 01:17:47,439 --> 01:17:49,439 Speaker 1: I would have had very clear ideas about how I 1412 01:17:49,479 --> 01:17:51,000 Speaker 1: wanted to be married at five, because what else did 1413 01:17:51,000 --> 01:17:53,559 Speaker 1: I have time to think about? You know? Right? Well, 1414 01:17:53,600 --> 01:17:56,280 Speaker 1: Barbie helps put it in your mind, right, Barbie, that 1415 01:17:56,360 --> 01:18:00,160 Speaker 1: whole doll world and the dresses, and absolutely I don 1416 01:18:00,320 --> 01:18:03,000 Speaker 1: look good for ken every rom come I watch with 1417 01:18:03,120 --> 01:18:07,720 Speaker 1: my mom. Brothers really did a number? Okay, be a 1418 01:18:07,760 --> 01:18:10,240 Speaker 1: big girl and listen. Okay, Hi, darry Lynn, how are 1419 01:18:10,240 --> 01:18:14,360 Speaker 1: you doing? Hi? Wilder, Daddy's gonna ask you a question. 1420 01:18:14,439 --> 01:18:17,680 Speaker 1: Go ahead, daddy, he can't hear you, Welder, do you 1421 01:18:17,720 --> 01:18:20,479 Speaker 1: ever think about like your wedding? Get close to Mike 1422 01:18:20,560 --> 01:18:25,919 Speaker 1: so they can hear you. M okay, asked Zach Wilder. 1423 01:18:26,479 --> 01:18:29,920 Speaker 1: We're wondering if little kids ever think about their weddings. 1424 01:18:30,040 --> 01:18:32,760 Speaker 1: Have you ever thought yet about when you're older and 1425 01:18:32,880 --> 01:18:38,360 Speaker 1: you get married, have you ever thought about the wedding? No, girl, 1426 01:18:40,200 --> 01:18:42,439 Speaker 1: do you ever think about the dress that you might 1427 01:18:42,520 --> 01:18:46,840 Speaker 1: wear one day at your wedding. Yes, okay, tell me 1428 01:18:46,920 --> 01:18:48,479 Speaker 1: to tell us about the dress that you might wear 1429 01:18:48,560 --> 01:18:55,479 Speaker 1: your wedding. M what does it look like? It's why? Okay, Yes, 1430 01:18:57,240 --> 01:18:58,880 Speaker 1: you don't know what you think your wedding dress is 1431 01:18:58,880 --> 01:19:01,040 Speaker 1: gonna be white? Wise, your wedding that's gonna be white, sweetie. 1432 01:19:01,880 --> 01:19:05,880 Speaker 1: It's because I found for a mommy dress. Yeah, because 1433 01:19:05,960 --> 01:19:08,879 Speaker 1: mommy's dress was white. Do you want to wear mommy's 1434 01:19:08,920 --> 01:19:14,560 Speaker 1: dress the same dress? Yes? Oh that's so sweet. No, 1435 01:19:14,680 --> 01:19:21,479 Speaker 1: that's so sweet. As wilder Wilder sorry, all right, Wilder, 1436 01:19:21,600 --> 01:19:26,040 Speaker 1: thanks successfully Wilder than tell daddy to give you five dollars. 1437 01:19:30,280 --> 01:19:31,800 Speaker 1: I got to give her a payment for being on 1438 01:19:31,840 --> 01:19:40,240 Speaker 1: the part. Get ten dollars. All right, good negotiating, negotiating, 1439 01:19:40,560 --> 01:19:52,120 Speaker 1: it's killing me. You've that girl ten hundred dollars? Give it? No, okay, 1440 01:19:52,240 --> 01:19:56,840 Speaker 1: Finn whatever, I love you. No, you're done. No, No, 1441 01:19:56,960 --> 01:20:03,200 Speaker 1: you can't walk? All right? So there you have it. 1442 01:20:03,320 --> 01:20:05,240 Speaker 1: Little girls, do you think about their weddings? Don't She's 1443 01:20:05,240 --> 01:20:07,600 Speaker 1: already noticed she's gonna wear a Casey's dress. No, she 1444 01:20:07,720 --> 01:20:10,439 Speaker 1: only said that because you freaking coaxed her into saying 1445 01:20:10,520 --> 01:20:13,160 Speaker 1: I didn't I asked, very, I didn't lead the questions 1446 01:20:13,200 --> 01:20:15,160 Speaker 1: as they said did. You asked her do you think 1447 01:20:15,200 --> 01:20:17,240 Speaker 1: about your wedding? And she said no. Then he said 1448 01:20:17,280 --> 01:20:18,920 Speaker 1: do you think about your dress? And she was like, 1449 01:20:19,000 --> 01:20:20,559 Speaker 1: it's gonna be white. Do you know what color you're 1450 01:20:20,600 --> 01:20:22,240 Speaker 1: dressing me? She said, it's gonna be white. And then 1451 01:20:22,240 --> 01:20:24,800 Speaker 1: you asked her why she because my mommy's dress was white. 1452 01:20:25,000 --> 01:20:27,479 Speaker 1: That all that's not that's not her thinking about her wedding. 1453 01:20:27,720 --> 01:20:30,120 Speaker 1: That's her just remembering, oh my mom has a white dress. 1454 01:20:30,479 --> 01:20:33,559 Speaker 1: So you're saying that I was leading the witness. There's 1455 01:20:33,600 --> 01:20:35,840 Speaker 1: no way that she knows what she wants to get 1456 01:20:36,000 --> 01:20:40,080 Speaker 1: married in or anything like that man's white fucking dress. 1457 01:20:40,240 --> 01:20:45,639 Speaker 1: Asked because her mom wore one dick face. I don't 1458 01:20:45,680 --> 01:20:48,160 Speaker 1: like you anymore. You know your face is shaped like 1459 01:20:48,200 --> 01:20:50,920 Speaker 1: a dick. Okay, you know your lips are shaped like 1460 01:20:51,400 --> 01:20:57,000 Speaker 1: two anuses exploded? Oh really? Oh really? Oh really? Oh really? 1461 01:20:57,439 --> 01:20:59,560 Speaker 1: You know you did this to us, Craig, I know, 1462 01:20:59,800 --> 01:21:04,439 Speaker 1: I so Todd getting kicked out of the r Did 1463 01:21:04,479 --> 01:21:06,639 Speaker 1: you laugh? Yeah, that was funny, but I also laughed 1464 01:21:06,680 --> 01:21:13,160 Speaker 1: at me calling Seawan a full lipt fast because the 1465 01:21:13,240 --> 01:21:15,240 Speaker 1: janitor said something like you can't compete with that guy. 1466 01:21:15,320 --> 01:21:17,280 Speaker 1: Look at his full lips and when he comes over 1467 01:21:17,400 --> 01:21:22,759 Speaker 1: like a full lift fast. You don't want Scott Fooley 1468 01:21:22,880 --> 01:21:25,839 Speaker 1: being the other man in your relation and your love triangle. 1469 01:21:26,479 --> 01:21:28,519 Speaker 1: This also made me laugh, Why are you still here? 1470 01:21:28,640 --> 01:21:33,160 Speaker 1: The hospital doesn't sell cigarettes? What about when j D 1471 01:21:33,240 --> 01:21:36,280 Speaker 1: and says it, Danny like, don't have sex and she's like, fine, right, 1472 01:21:36,760 --> 01:21:40,200 Speaker 1: don't talk. They hate each other. They hate each other. 1473 01:21:40,560 --> 01:21:42,880 Speaker 1: What's great is that she she nails it though JD 1474 01:21:43,120 --> 01:21:46,280 Speaker 1: wants what he can't have. That's always been a stay 1475 01:21:46,320 --> 01:21:49,280 Speaker 1: I know. But it's so evil that fucking Elliott changes 1476 01:21:49,320 --> 01:21:50,920 Speaker 1: her whole life for him. And she gets there and 1477 01:21:51,040 --> 01:21:53,080 Speaker 1: like cuddles up to him and he's like, oh no, 1478 01:21:53,840 --> 01:21:56,479 Speaker 1: what have I done? What have I done? Does the 1479 01:21:56,560 --> 01:21:58,800 Speaker 1: relationship end once again by the end of the season, 1480 01:21:58,800 --> 01:22:00,400 Speaker 1: And I think so it must. There must be a 1481 01:22:00,439 --> 01:22:03,519 Speaker 1: big fallout at your wedding coming up like that. I 1482 01:22:03,560 --> 01:22:06,519 Speaker 1: don't know I did it. Yeah, it's an hour and 1483 01:22:06,560 --> 01:22:08,240 Speaker 1: a half. We've given you an hour and a half 1484 01:22:08,320 --> 01:22:12,479 Speaker 1: of arguing and hopefully a few laughs. We love you all. 1485 01:22:13,240 --> 01:22:16,439 Speaker 1: We want to thank Craig Jenkins for coming on the show. 1486 01:22:17,080 --> 01:22:19,800 Speaker 1: On the show, thank you guys so much for putting 1487 01:22:19,840 --> 01:22:22,240 Speaker 1: this together. It's been such a ray of sunshine during 1488 01:22:22,240 --> 01:22:25,120 Speaker 1: a time when we all really need it. Thank you, Craig. 1489 01:22:26,560 --> 01:22:29,280 Speaker 1: We love hearing that. We love to attempt to take 1490 01:22:29,320 --> 01:22:32,040 Speaker 1: people's minds off things for for ninety minutes or so. 1491 01:22:33,320 --> 01:22:37,600 Speaker 1: Follow Joel on the social media's Joel tell him your handle. Hi, 1492 01:22:37,600 --> 01:22:39,519 Speaker 1: I'm Joel Monique. You can find me all over the 1493 01:22:39,600 --> 01:22:42,720 Speaker 1: internet at Joel Monique. That's Joe l e Emlyn i 1494 01:22:42,840 --> 01:22:45,840 Speaker 1: q E and Danel. I love the rhythm of that. 1495 01:22:45,920 --> 01:22:47,760 Speaker 1: You can follow me on Twitter and at Twitch at 1496 01:22:47,880 --> 01:22:50,960 Speaker 1: DJ underscore Daniel d A m L. And follow Donald 1497 01:22:51,000 --> 01:22:54,479 Speaker 1: Fazon because he still wants more followers. Dude, this is ridiculous. Man, 1498 01:22:54,800 --> 01:22:57,280 Speaker 1: y'all said, y'all had in my back and guess what. 1499 01:22:57,560 --> 01:22:59,800 Speaker 1: I know some of you did, but some of you don't. 1500 01:23:00,280 --> 01:23:04,240 Speaker 1: Some of you are hating. Don't hate now motive. It's 1501 01:23:04,280 --> 01:23:06,760 Speaker 1: easy to remember Donald's handle because it's Donald Fazon, but 1502 01:23:06,840 --> 01:23:09,280 Speaker 1: instead of the F he was drunk, So it's an 1503 01:23:09,439 --> 01:23:14,679 Speaker 1: underscore Donald Right. Yourr Instagram handles not a life sentence. 1504 01:23:14,720 --> 01:23:17,360 Speaker 1: You can You're never gonna change, Nah, I did it? 1505 01:23:17,600 --> 01:23:20,400 Speaker 1: Listen to you? If you if you're having If you're 1506 01:23:20,479 --> 01:23:23,479 Speaker 1: having trouble finding Donald Fazon, the f has been replaced 1507 01:23:23,520 --> 01:23:26,040 Speaker 1: by underscore because he was drunk when he made it. 1508 01:23:26,760 --> 01:23:29,280 Speaker 1: And that's you get what you get and you don't 1509 01:23:29,320 --> 01:23:33,880 Speaker 1: get upset. Five, six, seven, eight. Stories about sure we 1510 01:23:34,240 --> 01:23:42,519 Speaker 1: made about a bunch of dons and nurses. Stories never 1511 01:23:45,560 --> 01:23:53,960 Speaker 1: gat around here, Yato around here, m