1 00:00:00,760 --> 00:00:18,040 Speaker 1: I am all in. Oh, I am all in with 2 00:00:18,120 --> 00:00:22,320 Speaker 1: Scott Patterson and I Heart Radio podcast and we are 3 00:00:22,400 --> 00:00:26,000 Speaker 1: back for another pop culture episode, Season three, episode ten. 4 00:00:26,160 --> 00:00:32,680 Speaker 1: That'll do Pig and Tara s take us away. Well, 5 00:00:32,680 --> 00:00:36,760 Speaker 1: we're going to start with Amy because Amy had something. Okay, 6 00:00:36,800 --> 00:00:40,200 Speaker 1: I didn't get the memos so well, I read all 7 00:00:40,280 --> 00:00:44,920 Speaker 1: the comments to the comments, especially the super mean ones. 8 00:00:46,280 --> 00:00:49,000 Speaker 1: Now I have to excuse myself. I have to go 9 00:00:49,080 --> 00:00:55,480 Speaker 1: to the bathroom by Okay, So we pay attention and 10 00:00:55,520 --> 00:00:57,080 Speaker 1: I just want everyone to know. And for those of 11 00:00:57,080 --> 00:01:00,720 Speaker 1: you that are like, I'm on I want to listen 12 00:01:00,760 --> 00:01:02,760 Speaker 1: to Pump Culture because they all interrupt. But then two 13 00:01:02,760 --> 00:01:05,000 Speaker 1: seconds later there's someone that's like, I love the interrupting. 14 00:01:05,040 --> 00:01:07,920 Speaker 1: So we're trying to make everybody happy. That's our main goal. 15 00:01:07,959 --> 00:01:11,319 Speaker 1: We want everyone to love this. There was a comment 16 00:01:11,800 --> 00:01:15,320 Speaker 1: that I thought was particularly astute. Is that the right 17 00:01:15,360 --> 00:01:18,319 Speaker 1: word like smart? Like and we need to do it. 18 00:01:18,680 --> 00:01:23,680 Speaker 1: So the person basically said, we need to really explain 19 00:01:23,920 --> 00:01:28,080 Speaker 1: or discuss the context. I'll give you an example in 20 00:01:28,120 --> 00:01:33,640 Speaker 1: this episode, Uh, lorea Lie says they're here, and it 21 00:01:33,680 --> 00:01:36,960 Speaker 1: was when they're at lower Lines at our house and 22 00:01:37,480 --> 00:01:39,840 Speaker 1: the Gilmore's and Tricks have come to the door and 23 00:01:39,840 --> 00:01:45,000 Speaker 1: she says they're here, and it's a reference to Poltergeist. 24 00:01:45,360 --> 00:01:47,880 Speaker 1: So in the eighties, the original polter Geist movie came 25 00:01:47,920 --> 00:01:50,600 Speaker 1: out with Craig T. Nelson if you can Love It, 26 00:01:51,080 --> 00:01:55,120 Speaker 1: and the big line from the movie was the little 27 00:01:55,160 --> 00:02:00,480 Speaker 1: girl says they're here, and the reference is about the 28 00:02:00,520 --> 00:02:03,600 Speaker 1: Poulter guys, like the ghosts, the bad guys. We're in 29 00:02:03,640 --> 00:02:06,280 Speaker 1: the TV and they were here, so they want us 30 00:02:06,280 --> 00:02:08,359 Speaker 1: to a little bit do a little more of explaining. 31 00:02:08,400 --> 00:02:11,120 Speaker 1: Like the reason that line is so funny is because 32 00:02:11,160 --> 00:02:14,639 Speaker 1: she's basically saying, the Poulter guys are at the door. 33 00:02:14,919 --> 00:02:17,959 Speaker 1: So take it back to the episode basic. Yes, So 34 00:02:18,400 --> 00:02:21,840 Speaker 1: thank you two whoever wrote that. You make an amazingly 35 00:02:21,880 --> 00:02:25,120 Speaker 1: good point. I'm not I can't promise we won't interrupt 36 00:02:25,120 --> 00:02:29,079 Speaker 1: each other, but we will try to do. It's not possible. 37 00:02:29,280 --> 00:02:33,000 Speaker 1: Interrupting will occur. It's not possible. And how boring would 38 00:02:33,040 --> 00:02:34,880 Speaker 1: it pay if somebody spoke and then there was a 39 00:02:34,919 --> 00:02:37,160 Speaker 1: pause and no, I think you can go ahead and 40 00:02:37,200 --> 00:02:45,080 Speaker 1: speak now. I think though I appreciate that critics criticism, 41 00:02:45,680 --> 00:02:49,160 Speaker 1: it's a really good yeah, that was really valid criticism, 42 00:02:49,360 --> 00:02:51,920 Speaker 1: very very much, so thank you and the person I 43 00:02:51,960 --> 00:02:54,400 Speaker 1: wrote that while I was on vacation, and I sent 44 00:02:54,480 --> 00:02:58,440 Speaker 1: that in That's how I operate, Ladies and gentlemen. Rather 45 00:02:58,480 --> 00:03:10,000 Speaker 1: than going to the group text, he went to Instagram. Tara, 46 00:03:10,400 --> 00:03:14,200 Speaker 1: all right, well, let's get started with Lorelai and the spider. UM. 47 00:03:14,200 --> 00:03:16,280 Speaker 1: This when Dean comes over and she sees the spider 48 00:03:17,080 --> 00:03:19,680 Speaker 1: is the reference to Annie Hall. Lorelai says, don't kick 49 00:03:19,680 --> 00:03:21,919 Speaker 1: the cup. Dean says the what I have a spider 50 00:03:21,960 --> 00:03:24,840 Speaker 1: whose previous credits include the bathtub scene from Annie Hall 51 00:03:24,919 --> 00:03:28,000 Speaker 1: trapped under that cup. So this is the third time 52 00:03:28,040 --> 00:03:30,800 Speaker 1: that um Annie Hall has been referenced in the show. 53 00:03:31,360 --> 00:03:34,600 Speaker 1: There was one in season two, another one season three earlier, 54 00:03:34,960 --> 00:03:38,520 Speaker 1: episode six UM, but the specific scene was referencing when 55 00:03:38,560 --> 00:03:40,880 Speaker 1: Annie Hall calls alv over at three am to kill 56 00:03:40,920 --> 00:03:43,400 Speaker 1: a big black spider in the bathroom. They had broken 57 00:03:43,440 --> 00:03:49,800 Speaker 1: they had broken up. Oh, just similar to Dean. Annie 58 00:03:49,880 --> 00:03:53,240 Speaker 1: and Woody had broken up and then they were missing 59 00:03:53,280 --> 00:03:55,320 Speaker 1: each other, and she called him, there's spider three. I'm 60 00:03:55,320 --> 00:03:57,520 Speaker 1: just the same. And he looks at it and he 61 00:03:57,560 --> 00:04:00,520 Speaker 1: comes out of the bathroom and he goes, it's the 62 00:04:00,600 --> 00:04:06,200 Speaker 1: size of a buick. Right, It's a funny line. You 63 00:04:06,200 --> 00:04:08,480 Speaker 1: can laugh amongst yourselves. You don't have to just stare 64 00:04:08,520 --> 00:04:15,200 Speaker 1: at me like I'm a freaking Wallpag do me a favor. Interrupt, Okay, 65 00:04:15,240 --> 00:04:17,719 Speaker 1: because you know I almost fell asleep in that introm 66 00:04:17,880 --> 00:04:20,320 Speaker 1: I've never seen any hall. No one cares. Have you 67 00:04:20,440 --> 00:04:23,760 Speaker 1: never seen any hall? No? But I love Diane Keaton 68 00:04:24,000 --> 00:04:29,599 Speaker 1: so much. Oh that's a classic film, Danielle, sorry to 69 00:04:29,680 --> 00:04:32,279 Speaker 1: be distracted. Danielle just wrote everybody a no b RB. 70 00:04:32,520 --> 00:04:34,640 Speaker 1: She probably has to go potty, but go ahead, Tara. 71 00:04:35,440 --> 00:04:39,240 Speaker 1: All right. So the next one is when Tricks unexpectedly 72 00:04:39,360 --> 00:04:44,920 Speaker 1: visits Um Richard's birthday party. Richard says, wonderfully, they're spoiling 73 00:04:44,920 --> 00:04:47,720 Speaker 1: me rotten. Emily even got me the most beautiful humid door. 74 00:04:47,839 --> 00:04:50,920 Speaker 1: It's from nineteen seventeen and was owned by a lieutenant 75 00:04:50,960 --> 00:04:53,240 Speaker 1: in World War One. Trick says, you know, your father 76 00:04:53,320 --> 00:04:57,040 Speaker 1: had a humid humid door that was owned by Victor Hugo, 77 00:04:57,800 --> 00:05:02,760 Speaker 1: and we just referenced this in the last episode UM 78 00:05:02,760 --> 00:05:08,320 Speaker 1: with Hunchback of Notre Dames Quasimodo reference Um and Victor 79 00:05:08,360 --> 00:05:11,320 Speaker 1: Marie Hugo was a French poet, novelist, essays, playwright, and 80 00:05:11,920 --> 00:05:16,919 Speaker 1: dramatists in the Romantic movement and um. Though regarded in 81 00:05:17,040 --> 00:05:19,680 Speaker 1: France as one of the country's greatest poets, he's better 82 00:05:19,720 --> 00:05:24,440 Speaker 1: known abroad for such novels as Notre Dame. Dave Perry 83 00:05:25,400 --> 00:05:30,080 Speaker 1: are the ones I want to interrupt because hunchback and 84 00:05:30,160 --> 00:05:35,520 Speaker 1: Notre Dame let me? Can you say with the accent? 85 00:05:35,680 --> 00:05:43,680 Speaker 1: Let me? Let me up? I can't do accents. I 86 00:05:43,680 --> 00:05:52,400 Speaker 1: can't do accents. I can sing back in the saddle again. Okay, 87 00:05:52,600 --> 00:05:56,120 Speaker 1: moving right along, folks. See see we're trying not to 88 00:05:56,200 --> 00:05:59,960 Speaker 1: interrupt each other. But it doesn't that just flatten everything 89 00:06:00,000 --> 00:06:03,600 Speaker 1: hang out, I mean, it's just flat. Come on, man, 90 00:06:03,640 --> 00:06:04,919 Speaker 1: we gotta get in there and mix it up with 91 00:06:04,960 --> 00:06:08,080 Speaker 1: each other. And I felt like a big dork this 92 00:06:08,120 --> 00:06:11,520 Speaker 1: next one. I couldn't pott point well, thank you your 93 00:06:11,520 --> 00:06:14,200 Speaker 1: hair loss. We can interrupt your hair. I like your 94 00:06:14,200 --> 00:06:15,880 Speaker 1: hair like a twist you on one side. I like 95 00:06:15,960 --> 00:06:19,360 Speaker 1: that you can interrupt me. This next one, Amy, because 96 00:06:19,400 --> 00:06:21,480 Speaker 1: I want you to sing, interrupt you. But even before 97 00:06:21,520 --> 00:06:23,440 Speaker 1: you even get it to see, I'm gonna interrupt any 98 00:06:23,560 --> 00:06:26,720 Speaker 1: interrupting you and Danielle's moaning and groaning, We're gonna interrupt 99 00:06:26,760 --> 00:06:29,600 Speaker 1: that to sound like a mess. Go ahead, we never 100 00:06:29,720 --> 00:06:33,640 Speaker 1: do stop it. We're playing jazz. I'm ready, I'm gonna 101 00:06:33,640 --> 00:06:35,320 Speaker 1: try and to sing. Okay. So this next one is 102 00:06:35,320 --> 00:06:39,800 Speaker 1: when Tricks is asking Lorela how her like. It's not 103 00:06:39,880 --> 00:06:45,600 Speaker 1: actual singing, it's trying singing. It's so true accurate. Think 104 00:06:45,600 --> 00:06:47,800 Speaker 1: I'm a good singer, but everyone else is like, you're 105 00:06:47,839 --> 00:06:50,280 Speaker 1: standing managed standing in front of twenty thousand people. Listen 106 00:06:50,839 --> 00:06:56,760 Speaker 1: the next song I'm gonna try to sing last week. 107 00:06:57,279 --> 00:07:00,599 Speaker 1: It shows a real confidence in the artist. I have 108 00:07:00,680 --> 00:07:03,200 Speaker 1: to see what I'm gonna sing. I'm ready, okay. So 109 00:07:03,240 --> 00:07:05,720 Speaker 1: this is Tricks asking Lorelai how her life is going, 110 00:07:05,760 --> 00:07:08,400 Speaker 1: and Lorela says I'm single. Trick says by choice? Or 111 00:07:08,440 --> 00:07:11,480 Speaker 1: do you scare the men from your independence? And she says, 112 00:07:11,520 --> 00:07:14,920 Speaker 1: actually I scared them with my mini pearl impression? Can 113 00:07:15,000 --> 00:07:19,040 Speaker 1: you do the mini pearls? The tag on her hat? 114 00:07:19,280 --> 00:07:22,000 Speaker 1: So I well, let me let me read some fun 115 00:07:21,880 --> 00:07:26,520 Speaker 1: to do it. I can't, Like, I literally watched a 116 00:07:26,560 --> 00:07:28,800 Speaker 1: YouTube video because she says how do you? But says 117 00:07:28,800 --> 00:07:30,040 Speaker 1: it a certain way, and I was like, there's no 118 00:07:30,080 --> 00:07:33,679 Speaker 1: way I can do this. She just had that tag 119 00:07:33,720 --> 00:07:37,440 Speaker 1: on her hat, remember that? Yes, So Sarah Ophelia Coolie 120 00:07:37,520 --> 00:07:41,440 Speaker 1: Cannon professionally asked her stage character Mini Pearl was an 121 00:07:41,440 --> 00:07:44,240 Speaker 1: American comedian who appeared at the Grand Old Opry for 122 00:07:44,280 --> 00:07:47,240 Speaker 1: more than fifty years and on the television show he 123 00:07:47,360 --> 00:07:55,120 Speaker 1: Haw from nine. She was a man hungry woman. She 124 00:07:55,280 --> 00:07:57,600 Speaker 1: was also Danielle's back. Guys, did you go to the party. 125 00:07:57,640 --> 00:08:00,880 Speaker 1: We didn't know. I a messenger came to pick up something, 126 00:08:01,040 --> 00:08:03,440 Speaker 1: so I just had to give it to sounds fancy. Sorry, 127 00:08:04,200 --> 00:08:06,360 Speaker 1: Scott loves he Haw. I did not love he Haw 128 00:08:06,480 --> 00:08:11,160 Speaker 1: as much as Scott. Come on, what a show. All 129 00:08:11,200 --> 00:08:16,920 Speaker 1: that straw. That's great. I love that show. My sister 130 00:08:17,040 --> 00:08:21,040 Speaker 1: in law, dude, get you like a car. Something's wrong 131 00:08:21,080 --> 00:08:23,120 Speaker 1: with her car because she said a hay barrel came 132 00:08:23,120 --> 00:08:27,280 Speaker 1: out of nowhere, and we're like, hey, bail whatever, Hey, 133 00:08:27,720 --> 00:08:29,800 Speaker 1: not a barrel, not a barrel of hay, it's a 134 00:08:29,840 --> 00:08:35,320 Speaker 1: bale of hay. He really, yeah, I've always said barrel, 135 00:08:35,679 --> 00:08:40,240 Speaker 1: a barrel of hay, barrel of true. Hey, it doesn't 136 00:08:40,240 --> 00:08:44,880 Speaker 1: come in barrels, it comes in bales bail. So like 137 00:08:44,920 --> 00:08:47,280 Speaker 1: when you go to like a hooting nanny, you're sitting 138 00:08:47,280 --> 00:08:49,679 Speaker 1: on a hay bale. You're not sitting on a barrel 139 00:08:50,000 --> 00:08:55,000 Speaker 1: at You're right, I've just always said barrel me too, obviously, 140 00:08:55,160 --> 00:08:57,320 Speaker 1: I just said it. So at the Fall Festival they 141 00:08:57,360 --> 00:09:01,079 Speaker 1: sit on hay bales. Yea much as a hay bale 142 00:09:03,720 --> 00:09:11,320 Speaker 1: square inch, how much we don't know? Nice seating at 143 00:09:11,320 --> 00:09:13,760 Speaker 1: a party. To take it back to the episode, the 144 00:09:13,800 --> 00:09:18,720 Speaker 1: reason why this, um, thank you. The reason that this 145 00:09:18,760 --> 00:09:21,679 Speaker 1: was said is because Mini Pearl was very man hungry 146 00:09:22,160 --> 00:09:26,000 Speaker 1: and um she was um you know for her, like 147 00:09:26,040 --> 00:09:30,200 Speaker 1: her chatter about catching a feller, catching a feller, that's 148 00:09:30,240 --> 00:09:39,080 Speaker 1: great catching. This one is my favorite line from the show, 149 00:09:39,120 --> 00:09:42,160 Speaker 1: actually my favorite pop culture moment. This is when Tricks 150 00:09:42,200 --> 00:09:45,320 Speaker 1: talks about renting her house and her in Hartford and 151 00:09:45,360 --> 00:09:47,120 Speaker 1: she says a rock and roll group of some sort 152 00:09:47,200 --> 00:09:50,520 Speaker 1: I believe they call themselves Corn, and loyal Loyalize says, 153 00:09:50,800 --> 00:09:54,560 Speaker 1: you rented your house to Corn. So Corn is an 154 00:09:54,559 --> 00:09:59,079 Speaker 1: American new metal band from Bakersfield, California formed and the 155 00:09:59,120 --> 00:10:01,880 Speaker 1: band is notable for pioneering the new metal genre and 156 00:10:01,920 --> 00:10:05,360 Speaker 1: bringing it to the mainstream. And in Corn they spell 157 00:10:05,400 --> 00:10:08,400 Speaker 1: at ko r n the rs backwards and it actually 158 00:10:08,480 --> 00:10:13,000 Speaker 1: comes from the Toy Toys r US logo UM logo 159 00:10:13,320 --> 00:10:15,640 Speaker 1: because many of the band members worked at Toys r S. 160 00:10:16,360 --> 00:10:21,600 Speaker 1: That's so cute, right. I also would love to mention 161 00:10:21,640 --> 00:10:24,160 Speaker 1: that I think Tricks was like, oh, there's you know, 162 00:10:24,280 --> 00:10:27,120 Speaker 1: like Corn, you know whatever, Like as if Tricks would 163 00:10:27,160 --> 00:10:30,160 Speaker 1: know who Corn is, Like they do not run in 164 00:10:30,240 --> 00:10:34,240 Speaker 1: the same circles at all. No, you know what, Yeah, 165 00:10:34,280 --> 00:10:36,360 Speaker 1: I'll bet you she's enough of a psycho where she 166 00:10:36,440 --> 00:10:41,319 Speaker 1: listens to Corn at eight years old, she's just rocking out. 167 00:10:41,720 --> 00:10:43,880 Speaker 1: She's just like, you know, that's what they played at 168 00:10:43,880 --> 00:10:48,120 Speaker 1: her in the asylum to calm her down, all right, 169 00:10:48,120 --> 00:10:50,040 Speaker 1: And then the last a little fun fact about that, 170 00:10:50,120 --> 00:10:54,360 Speaker 1: which is really even more bizarre that um she referenced Corn. 171 00:10:54,600 --> 00:10:59,080 Speaker 1: The founding member Jonathan Davis, went to morticians school. When 172 00:10:59,080 --> 00:11:01,600 Speaker 1: he was sixteen, he began working at a local Corners 173 00:11:01,640 --> 00:11:06,040 Speaker 1: office helping out with the cadavers, and then he worked 174 00:11:06,040 --> 00:11:10,120 Speaker 1: on human remains until he joined the band. Wow. Yeah, 175 00:11:10,160 --> 00:11:14,839 Speaker 1: it's a beautiful story. So we're moving on to Rory 176 00:11:14,880 --> 00:11:19,800 Speaker 1: threatening Francy in the bathroom. Yeah, and Rory says, what 177 00:11:19,960 --> 00:11:22,120 Speaker 1: is wrong with you? So what if Paris as a boyfriend, 178 00:11:22,160 --> 00:11:25,000 Speaker 1: you don't think that, You don't think that as hard 179 00:11:25,040 --> 00:11:27,600 Speaker 1: as Paris works in school or for on the Franklin 180 00:11:27,720 --> 00:11:29,520 Speaker 1: or on the school council. You don't think that she 181 00:11:29,559 --> 00:11:33,400 Speaker 1: deserves having a boyfriend and to enjoy it. Francis says, hey, 182 00:11:33,480 --> 00:11:36,640 Speaker 1: no one is nine Gidget a chance to snag Moondoggie. 183 00:11:37,200 --> 00:11:39,920 Speaker 1: That was funny for the clam bake, but the rest 184 00:11:39,960 --> 00:11:42,360 Speaker 1: of us have things to accomplish. I didn't get this one, 185 00:11:42,440 --> 00:11:48,440 Speaker 1: but I also to get it. Sie frank was at 186 00:11:48,440 --> 00:11:53,839 Speaker 1: Frankie avalon and Sally Moondoggie was her boyfriend and Moondoggie 187 00:11:54,600 --> 00:11:57,360 Speaker 1: And then there's a quick reference there too for Marlowe 188 00:11:57,400 --> 00:12:00,640 Speaker 1: Thomas versus Tina Louise, And I assumed the Tina Louise 189 00:12:00,760 --> 00:12:03,640 Speaker 1: was who was ginger. This is the next one. Should 190 00:12:03,640 --> 00:12:07,440 Speaker 1: we just move right alonger? Alrighty? So that's when Francie says, 191 00:12:07,679 --> 00:12:10,480 Speaker 1: you did not want to be my enemy Marlo Thomas, 192 00:12:10,600 --> 00:12:13,319 Speaker 1: and then Rory says, I think I do Tina Louise. 193 00:12:14,200 --> 00:12:17,319 Speaker 1: That was the line, Marl. Why were they referencing Marlo? 194 00:12:17,679 --> 00:12:20,040 Speaker 1: I didn't get because it would have been the person 195 00:12:20,120 --> 00:12:26,679 Speaker 1: that played h Marlo. Marlo Thomas was that girl? So actually, yeah, 196 00:12:26,720 --> 00:12:30,120 Speaker 1: that girl right? She had her own shows with Thomas. 197 00:12:30,120 --> 00:12:33,560 Speaker 1: She was Danny Thomas's daughter, right right, seems to have 198 00:12:33,600 --> 00:12:35,880 Speaker 1: the answer. Yeah. Shout out to Hannah, our producer, who 199 00:12:35,880 --> 00:12:38,679 Speaker 1: actually put some notes because I wouldn't have known. But 200 00:12:38,800 --> 00:12:42,240 Speaker 1: Marlo Thomas had long, dark hair like Rory and played 201 00:12:42,400 --> 00:12:45,320 Speaker 1: roles whole like the wholesome girl next door. And then 202 00:12:45,320 --> 00:12:48,360 Speaker 1: Tina Louise is an actress best known for um playing 203 00:12:48,800 --> 00:12:53,040 Speaker 1: Ginger Grant, and she had red hair like Francy on 204 00:12:53,080 --> 00:12:57,000 Speaker 1: Gilligan's Island. On Gilligan's Island, Yes, she was. She She 205 00:12:57,080 --> 00:13:01,240 Speaker 1: was the bombshell on She was the Hollywood starlet, whereas 206 00:13:01,280 --> 00:13:06,319 Speaker 1: most people had a crush on Mary Anne, the wholesome girl. 207 00:13:06,400 --> 00:13:10,120 Speaker 1: It was that was the old like Monica Rachel or Phoebe. 208 00:13:10,200 --> 00:13:12,200 Speaker 1: It would be like, do you like Marianne? I mean, 209 00:13:12,280 --> 00:13:16,240 Speaker 1: you know, Tina Louise was not approachable as the starlett, 210 00:13:16,280 --> 00:13:20,960 Speaker 1: but Marianne was the friendly one. Yeah, neither is Francy. 211 00:13:22,000 --> 00:13:26,960 Speaker 1: I don't think she's either. Come on, alright. The next 212 00:13:27,000 --> 00:13:29,720 Speaker 1: one is dean sister Clara asking Rory to go to 213 00:13:29,720 --> 00:13:32,680 Speaker 1: the carnival with her. Indean Clara says, Rory just said, 214 00:13:32,679 --> 00:13:34,760 Speaker 1: you had things to do. Jess says, hey, tattoo, just 215 00:13:34,800 --> 00:13:38,760 Speaker 1: look at the plane. Will you? Tattoo was a character 216 00:13:38,760 --> 00:13:42,280 Speaker 1: from Fantasy Islands. It was like a little inappropriate. He 217 00:13:42,440 --> 00:13:46,640 Speaker 1: was so mean to that girl, wasn't he was? He 218 00:13:46,720 --> 00:13:49,040 Speaker 1: had a little tricksy vibe about him, didn't he He 219 00:13:49,160 --> 00:13:51,880 Speaker 1: just hated everybody. Yeah, there was a lot of mean 220 00:13:52,040 --> 00:13:54,680 Speaker 1: people and it was Yeah, Jess was being just mean. 221 00:13:54,800 --> 00:13:58,200 Speaker 1: He just he just he was in over his head, right, 222 00:13:58,559 --> 00:14:00,520 Speaker 1: the guy was in over his head. He couldn't handle it, 223 00:14:00,920 --> 00:14:05,040 Speaker 1: all those feelings churning inside him. Ah, I just needed 224 00:14:05,040 --> 00:14:10,440 Speaker 1: a hug from his uncle, slow it down, down. And 225 00:14:10,480 --> 00:14:13,560 Speaker 1: with that line on Fantasy Island, Tattoo is in a 226 00:14:13,600 --> 00:14:16,720 Speaker 1: watch tower screaming the plane, the plane, and ringing a bell. 227 00:14:16,960 --> 00:14:24,920 Speaker 1: So that's where that reference goes back to. Al Right, 228 00:14:24,960 --> 00:14:27,280 Speaker 1: so this is Clara is still annoying Jess at the carnival. 229 00:14:27,400 --> 00:14:30,240 Speaker 1: Clara says, you missed every time. Jess says, I can't 230 00:14:30,240 --> 00:14:33,760 Speaker 1: concentrate with your alloying, annoying voice, yammering on it all. 231 00:14:33,880 --> 00:14:38,800 Speaker 1: You can't say that WHOA was in the script? Yeah. 232 00:14:38,920 --> 00:14:42,080 Speaker 1: I when I listened to that, I literally was like, oh, 233 00:14:42,160 --> 00:14:43,920 Speaker 1: you can't say that. Yeah, No, I noticed that too, 234 00:14:44,000 --> 00:14:46,800 Speaker 1: And then reading about she's just reading sorry, I'm reading 235 00:14:46,840 --> 00:14:50,040 Speaker 1: the script, but I did notice. Yeah, you cannot, that 236 00:14:50,160 --> 00:14:55,920 Speaker 1: is it's not an acceptable word. Yeah, no, no, But 237 00:14:56,040 --> 00:14:59,000 Speaker 1: then he continues and says, it's like having Stewart little 238 00:14:59,080 --> 00:15:04,000 Speaker 1: shoved in my ear. Oh, I mean funny that parts 239 00:15:04,280 --> 00:15:09,280 Speaker 1: that parts funny. But yeah it didn't it didn't. Um. Well, yeah, 240 00:15:09,400 --> 00:15:14,480 Speaker 1: I want to know how Milo the actor didn't we no, 241 00:15:14,600 --> 00:15:17,640 Speaker 1: Milo the statue, Milo the actor didn't crack up laughing. 242 00:15:19,000 --> 00:15:23,000 Speaker 1: Maybe that's a question I need to ask him. She 243 00:15:23,120 --> 00:15:27,920 Speaker 1: was hysterical. H that's actually really how do you keep 244 00:15:27,960 --> 00:15:35,520 Speaker 1: a strange face? True? Her comedic timing Janius and her 245 00:15:36,560 --> 00:15:41,080 Speaker 1: that hers is obvious, right, Yeah, we like her. So 246 00:15:41,200 --> 00:15:44,400 Speaker 1: this one, Amy, um, this next one. Amy, you asked, 247 00:15:44,440 --> 00:15:47,520 Speaker 1: what is the title of the episode from Do you 248 00:15:47,560 --> 00:15:50,800 Speaker 1: guys want to take a guess? I did my guess. 249 00:15:50,960 --> 00:15:55,000 Speaker 1: I gave my guess. I don't even a movie about 250 00:15:55,040 --> 00:15:59,760 Speaker 1: a baby. There you go that I'll do. Pig is 251 00:15:59,800 --> 00:16:03,840 Speaker 1: a ppular catchphrase adopted from the legendary film Babe, in 252 00:16:03,880 --> 00:16:08,600 Speaker 1: which the protagonist is a pig acting as a shepherd dog. Okay, 253 00:16:09,440 --> 00:16:12,880 Speaker 1: so basically just a reference to the Babe. I think 254 00:16:12,920 --> 00:16:14,840 Speaker 1: I think we all saw that one night in an 255 00:16:14,880 --> 00:16:20,040 Speaker 1: altered state of consciousness, and nobody remembers it. And this 256 00:16:20,120 --> 00:16:22,320 Speaker 1: is the second babe reference in the show. We also 257 00:16:22,360 --> 00:16:26,280 Speaker 1: had one in season two. All right, and this is 258 00:16:26,320 --> 00:16:30,000 Speaker 1: the last one for this episode. Um Rory says, there's 259 00:16:30,000 --> 00:16:32,080 Speaker 1: a snow cone in the freezer for you. Lorlai says, 260 00:16:32,120 --> 00:16:34,200 Speaker 1: how did it find? How did it finally end with 261 00:16:34,280 --> 00:16:38,000 Speaker 1: Cheech and Chong? Although I don't think they're cheaching Cheong, 262 00:16:39,280 --> 00:16:42,480 Speaker 1: they seem Cheech and Sean got along. I was gonna 263 00:16:42,520 --> 00:16:45,640 Speaker 1: say I never watched Cheech and Chong, but I was like, 264 00:16:45,680 --> 00:16:51,800 Speaker 1: I don't think that makes sense. Tonight, cancel all your 265 00:16:51,800 --> 00:16:58,040 Speaker 1: plans and download Up in Smoke. These guys are like 266 00:16:58,160 --> 00:17:05,840 Speaker 1: stoner gods. They made an entire van. They're still going strong. 267 00:17:05,920 --> 00:17:08,840 Speaker 1: Their van that they cruising in. That movie is made 268 00:17:09,240 --> 00:17:15,879 Speaker 1: out of pot. It's one of It's one of the 269 00:17:15,880 --> 00:17:20,680 Speaker 1: funniest movies you'll ever see. Were genius um under my 270 00:17:21,000 --> 00:17:23,639 Speaker 1: fun facts, it says. In a Yahoo interview, Cheech and 271 00:17:23,720 --> 00:17:26,520 Speaker 1: Chong said they weren't actually under the influence while filming 272 00:17:26,600 --> 00:17:31,840 Speaker 1: Up in Smoke. Well you couldn't be. To a film 273 00:17:32,200 --> 00:17:35,480 Speaker 1: that's true, well done. We went off the rails a 274 00:17:35,480 --> 00:17:37,800 Speaker 1: little bit there in the beginning middle, But I feel 275 00:17:37,840 --> 00:17:41,359 Speaker 1: like we did good here. A little, a little, you know, 276 00:17:41,600 --> 00:17:44,640 Speaker 1: banter back and forth never hurts anyone. We're back in 277 00:17:44,720 --> 00:17:52,159 Speaker 1: the saddle. Oh my god. Eventually game, you're gonna do 278 00:17:52,200 --> 00:17:57,120 Speaker 1: the eehaw. I don't even know how that's like the dukes. 279 00:17:57,200 --> 00:18:00,439 Speaker 1: It's like no, She goes like, I Google looks it 280 00:18:00,480 --> 00:18:01,879 Speaker 1: up on YouTube because I had no idea how to 281 00:18:01,880 --> 00:18:07,280 Speaker 1: do it. You can do it like that. Oh yeah, yeah, 282 00:18:09,920 --> 00:18:13,280 Speaker 1: wasn't that bad? That was pretty good. I wasn't expecting 283 00:18:13,320 --> 00:18:15,240 Speaker 1: that to come out. You hit that note. I mean, 284 00:18:15,240 --> 00:18:17,760 Speaker 1: you opened that golden throat, and now now it came 285 00:18:17,920 --> 00:18:22,800 Speaker 1: for the Duke's a hazard that when they practicing, I 286 00:18:22,920 --> 00:18:27,800 Speaker 1: was like, oh my god, for a dog. She's looking 287 00:18:27,840 --> 00:18:32,600 Speaker 1: at me like, what is happening over there? That's good? Well, 288 00:18:32,920 --> 00:18:35,480 Speaker 1: I think we're good. Right, see you all next week. Wait, 289 00:18:35,560 --> 00:18:41,800 Speaker 1: what's next week? Next week? It is? It is, I 290 00:18:41,880 --> 00:18:48,679 Speaker 1: solemnly swear Episode eleven, season three. All right, everybody ready. 291 00:18:49,080 --> 00:18:53,800 Speaker 1: I enjoyed interrupting everybody multiple times. I appreciate your interruptions. 292 00:18:55,000 --> 00:18:58,400 Speaker 1: Don't ever pause again on the show. People can't handle it. 293 00:18:59,000 --> 00:19:03,639 Speaker 1: Bye bye. We're going to interrupt the crap out of 294 00:19:03,680 --> 00:19:08,680 Speaker 1: each other every chance we get. Because we're not in 295 00:19:08,800 --> 00:19:12,919 Speaker 1: high school marching band. We're playing jazz with the big boys. Okay, 296 00:19:13,119 --> 00:19:16,200 Speaker 1: do you wash your hair? Of course? Do you wash 297 00:19:16,240 --> 00:19:18,840 Speaker 1: your hair? Or you take a lunch? Do you do you? 298 00:19:19,280 --> 00:19:22,159 Speaker 1: Do you walk to work or take a lunch? Is 299 00:19:22,200 --> 00:19:23,960 Speaker 1: it hot in the summer isn't? Or in the city? 300 00:19:26,200 --> 00:19:30,800 Speaker 1: Is it hot in the summer in the city? Did? Okay? God, 301 00:19:31,440 --> 00:19:33,320 Speaker 1: but answer the question. I mean, do you walk to 302 00:19:33,400 --> 00:19:37,720 Speaker 1: work or take a lunch? I don't have an office 303 00:19:37,760 --> 00:19:47,480 Speaker 1: anymore or eat lunch, So I'm sorry your question is irrelevant. 304 00:19:48,520 --> 00:19:52,439 Speaker 1: All right? Kids? Uh, you know us, you kind of 305 00:19:52,480 --> 00:20:01,840 Speaker 1: like us sometimes other times so much about Wow, what 306 00:20:01,880 --> 00:20:06,000 Speaker 1: are you smoking? What's going on? Cheech? Did you did 307 00:20:06,000 --> 00:20:08,440 Speaker 1: you just take a hit off? Like I think it's 308 00:20:08,480 --> 00:20:14,160 Speaker 1: times and you just realized it was my plantat right? Yeah? 309 00:20:14,240 --> 00:20:21,000 Speaker 1: That's great, Tara. I love that poster that you have. 310 00:20:21,280 --> 00:20:30,640 Speaker 1: Oh that's my poster. It's like what posters. Brilliant guys, brilliant. 311 00:20:31,040 --> 00:20:33,520 Speaker 1: No don't no, no, no no, you gotta twist twist 312 00:20:33,520 --> 00:20:35,439 Speaker 1: the hair again. You gotta keep twisting. I gotta go 313 00:20:35,440 --> 00:20:38,800 Speaker 1: blow dry this message. What this is? What it does 314 00:20:38,880 --> 00:20:40,479 Speaker 1: my I don't brush it. I'm gonna go brush it 315 00:20:40,480 --> 00:20:46,800 Speaker 1: all right, Okay, guys, Uh, everybody wonderful. Thanks everybody for downloading. 316 00:20:46,880 --> 00:20:51,280 Speaker 1: And kay Father's Day. Oh well, thank you so much. 317 00:20:52,000 --> 00:20:58,080 Speaker 1: Thank you father on our whole show. Yeah, well I 318 00:20:58,160 --> 00:21:06,399 Speaker 1: hope so the wise we got some splaining to do. Um, 319 00:21:06,560 --> 00:21:10,200 Speaker 1: can we talk about let me see personal appearances? Yeah, 320 00:21:10,240 --> 00:21:14,600 Speaker 1: of course you can Mount Pleasant, South Carolina. Oh, pretty, 321 00:21:14,600 --> 00:21:24,159 Speaker 1: Friday August nine and the twenty first, so that's Friday, Saturday, Sunday. 322 00:21:24,200 --> 00:21:26,760 Speaker 1: And let me tell you something. We are doing a 323 00:21:26,840 --> 00:21:29,719 Speaker 1: photo op with all of the Gilmore guys, just like 324 00:21:29,800 --> 00:21:34,359 Speaker 1: six of us there, that is right, Yeah, I can 325 00:21:34,440 --> 00:21:40,840 Speaker 1: name them all. It's Zukary, Mr Huntsberger. I don't know 326 00:21:40,840 --> 00:21:47,160 Speaker 1: his real life name, Sean uh, John Cabrera. You named 327 00:21:47,200 --> 00:21:51,679 Speaker 1: them all? Most forgot you. It's a big deal. So anyway, 328 00:21:51,720 --> 00:21:57,120 Speaker 1: go to go to um epicns dot ticket leap dot com. 329 00:21:57,320 --> 00:21:59,400 Speaker 1: We're going to put that on our Instagram because that 330 00:21:59,720 --> 00:22:02,080 Speaker 1: is really hard to memorize. Right now, let me say 331 00:22:02,080 --> 00:22:07,040 Speaker 1: it again, epic cons dot ticket leap dot com, slash 332 00:22:07,280 --> 00:22:14,160 Speaker 1: epics chill right now, we'll put on the Instagram. Thank you, 333 00:22:14,320 --> 00:22:16,440 Speaker 1: Thank you for that. Anyway, all right, that's it. Let's 334 00:22:16,480 --> 00:22:19,520 Speaker 1: wrap it up. Guys. Uh, Daniel Romo, a mis Sugarman, 335 00:22:19,760 --> 00:22:23,880 Speaker 1: Tara s. Great episode. Thanks everybody, we'll see you next time. 336 00:22:23,880 --> 00:22:56,159 Speaker 1: Stay safe, hey everybody, and don't forget follow us on 337 00:22:56,200 --> 00:23:00,520 Speaker 1: Instagram at I Am all In podcast and emai Alice 338 00:23:00,680 --> 00:23:04,840 Speaker 1: at Gilmore at I heart radio dot com. Oh you 339 00:23:04,920 --> 00:23:06,760 Speaker 1: Gilmore fans. If you're looking for the best cup of 340 00:23:06,800 --> 00:23:10,040 Speaker 1: coffee in the world, go to my website for my company, 341 00:23:10,359 --> 00:23:12,720 Speaker 1: scott EP dot com, s C O T T y 342 00:23:12,840 --> 00:23:16,679 Speaker 1: P dot com, scott ep dot com Grade one Specialty 343 00:23:16,920 --> 00:23:26,879 Speaker 1: Coffee Cup. Yeah.