1 00:00:00,160 --> 00:00:09,799 Speaker 1: The Nicki Gliser podcastser here's Nikki. 2 00:00:10,360 --> 00:00:12,399 Speaker 2: Hello here, I am welcome to the show. It's the 3 00:00:12,480 --> 00:00:15,720 Speaker 2: Nicky Glazer Podcast. My voice is like low in the 4 00:00:15,760 --> 00:00:19,880 Speaker 2: new Year. It's back baby, Welcome to the show in 5 00:00:19,920 --> 00:00:22,479 Speaker 2: the new Year. It's me Nikki Glazer. I'm at my 6 00:00:22,520 --> 00:00:26,520 Speaker 2: home in Saint Louis. Taylor McGraw's here with us. Hello, Hello, Hello, Hello. 7 00:00:26,720 --> 00:00:29,200 Speaker 2: She's going to be redesigning the podcast studio pretty soon. 8 00:00:29,480 --> 00:00:31,920 Speaker 2: Very excited about that, just to prove some chairs talking 9 00:00:31,920 --> 00:00:32,840 Speaker 2: about a wall. 10 00:00:32,840 --> 00:00:33,839 Speaker 3: Talking about a wall. Things. 11 00:00:33,880 --> 00:00:37,080 Speaker 2: They're going to be different around here, guys. Brian Frangie 12 00:00:37,120 --> 00:00:39,360 Speaker 2: is not here with us today because he is still 13 00:00:39,479 --> 00:00:42,120 Speaker 2: on vacation. I guess I would not call it a vacation, 14 00:00:42,240 --> 00:00:44,960 Speaker 2: but he is doing something he likes to do for vacation, 15 00:00:45,040 --> 00:00:49,440 Speaker 2: which is go to national parks. And he's in Death Valley. 16 00:00:51,120 --> 00:00:54,120 Speaker 2: What did you say, isn't it so ca? What's c 17 00:00:54,600 --> 00:00:58,680 Speaker 2: the name Death Valley? Yeah? I thought you met like 18 00:00:58,720 --> 00:01:01,560 Speaker 2: Brian going, I'm like, whoa, that's fired. But he has 19 00:01:01,600 --> 00:01:03,920 Speaker 2: the name for it. Sally is so cool. They're like, 20 00:01:03,960 --> 00:01:04,880 Speaker 2: what should we call it? 21 00:01:05,000 --> 00:01:08,920 Speaker 4: Yeah, they're like skulls everywhere, rotting flesh. 22 00:01:09,319 --> 00:01:14,039 Speaker 2: How about bone Brook. No, not good enough, boone, mister 23 00:01:14,160 --> 00:01:19,280 Speaker 2: bones there. Yes, he's in Death Valley. He'll be back 24 00:01:19,360 --> 00:01:21,600 Speaker 2: tomorrow on the podcast. So don't you worry about that. 25 00:01:22,640 --> 00:01:27,400 Speaker 2: It's the new year. It's new us. Let's talk resolutions, 26 00:01:27,600 --> 00:01:30,160 Speaker 2: let's talk like looking back on the air on the 27 00:01:30,160 --> 00:01:33,160 Speaker 2: Girls Chat, Anya made like a point of being like, 28 00:01:33,600 --> 00:01:36,240 Speaker 2: let's talk about all the things I loved about this 29 00:01:36,360 --> 00:01:39,120 Speaker 2: last year. It's really hard because you end up just 30 00:01:39,160 --> 00:01:40,880 Speaker 2: saying a bunch of things that happened in the last 31 00:01:40,920 --> 00:01:43,760 Speaker 2: couple months because that's all you can remember. Yeah, you know, 32 00:01:43,840 --> 00:01:45,520 Speaker 2: like I was trying to review my year and I'm like, 33 00:01:46,280 --> 00:01:48,880 Speaker 2: everything was like in the fall and winter, because that's 34 00:01:48,920 --> 00:01:53,240 Speaker 2: just what I remember mostly. But yeah, she went through 35 00:01:53,360 --> 00:01:55,440 Speaker 2: and then people were doing this thing on Instagram where 36 00:01:55,440 --> 00:01:59,200 Speaker 2: they post ten photos from their year, which means two 37 00:01:59,240 --> 00:02:01,880 Speaker 2: months don't get any love. You have to pick two 38 00:02:01,880 --> 00:02:04,560 Speaker 2: months where nothing cool happened, or maybe even more than 39 00:02:04,600 --> 00:02:06,640 Speaker 2: that if you double up on some months. Yeah, but 40 00:02:06,680 --> 00:02:09,160 Speaker 2: I just felt like it's it's just a way to 41 00:02:09,200 --> 00:02:11,320 Speaker 2: brag about your life. I mean, what else is Instagram? 42 00:02:11,360 --> 00:02:13,280 Speaker 2: It's the way to brag about your life. I didn't 43 00:02:13,280 --> 00:02:15,520 Speaker 2: do it because I've just been kind of, you know, 44 00:02:15,600 --> 00:02:18,120 Speaker 2: going through a little dip in my mood lately, and 45 00:02:18,160 --> 00:02:20,240 Speaker 2: I'm just like, I don't want to lie right now 46 00:02:20,280 --> 00:02:22,200 Speaker 2: on Instagram. I don't feel like it. Sometimes I have 47 00:02:22,280 --> 00:02:25,160 Speaker 2: to post a show picture where I'm like looking dazzling, 48 00:02:25,200 --> 00:02:27,560 Speaker 2: but I just didn't feel like going through my year 49 00:02:27,600 --> 00:02:29,560 Speaker 2: and being like, this is all the cool shit I 50 00:02:29,560 --> 00:02:31,120 Speaker 2: get to do, and twenty twenty four is going to 51 00:02:31,160 --> 00:02:33,880 Speaker 2: be even cooler. I wanted to just go through and 52 00:02:33,880 --> 00:02:38,600 Speaker 2: pick the most depressing moments, like screenshots of text messages 53 00:02:38,639 --> 00:02:40,919 Speaker 2: of fights I'm in with, you know, my boyfriend that 54 00:02:40,960 --> 00:02:43,480 Speaker 2: I send my friends. That's not a real thing. I 55 00:02:43,480 --> 00:02:46,280 Speaker 2: don't do that anymore, but just trying to do like 56 00:02:46,639 --> 00:02:49,240 Speaker 2: my depression chart, where I've written down every date that 57 00:02:49,280 --> 00:02:51,600 Speaker 2: I'm depressed in my phone, in my notes in my phone, 58 00:02:52,240 --> 00:02:55,480 Speaker 2: or like just selfies that accidental selfies have taken where 59 00:02:55,480 --> 00:02:58,040 Speaker 2: they have disgusting like I just want them. That's what 60 00:02:58,080 --> 00:03:01,359 Speaker 2: I wanted to see because I don't like I could 61 00:03:01,400 --> 00:03:03,520 Speaker 2: have bragged and then everyone thinks I have such a 62 00:03:03,520 --> 00:03:05,560 Speaker 2: great life and such a great career, in which I 63 00:03:05,639 --> 00:03:09,040 Speaker 2: really do. I mean, by all accounts, very lucky person. 64 00:03:09,440 --> 00:03:11,600 Speaker 2: But I just didn't feel like doing it. Like, there 65 00:03:11,600 --> 00:03:13,680 Speaker 2: are just some days where I just can't get it up. 66 00:03:14,240 --> 00:03:17,200 Speaker 2: It's like having sex. I think, trying to be in 67 00:03:17,240 --> 00:03:21,440 Speaker 2: show business and project that you're killing it. Some people 68 00:03:21,560 --> 00:03:23,680 Speaker 2: like really sometimes they're just in the mood to do 69 00:03:23,720 --> 00:03:25,760 Speaker 2: it and they're like always horny to like put it 70 00:03:25,800 --> 00:03:29,160 Speaker 2: out there and be like moving and shaking. Yeah, most 71 00:03:29,200 --> 00:03:30,200 Speaker 2: people in the business. 72 00:03:30,960 --> 00:03:35,480 Speaker 4: Because your actual best days, yeah, well the same thing 73 00:03:35,520 --> 00:03:38,640 Speaker 4: with your actual best days are just laying in bed. Yes, 74 00:03:38,800 --> 00:03:40,400 Speaker 4: like the day that you hadn't do anything. You're not 75 00:03:40,400 --> 00:03:41,800 Speaker 4: gonna have a picture of that, so it's just. 76 00:03:41,760 --> 00:03:45,240 Speaker 2: A lie imagined you totally. Yeah, you don't have pictures. 77 00:03:45,520 --> 00:03:47,840 Speaker 3: You're like pictures of you're like this show's good. 78 00:03:48,360 --> 00:03:51,560 Speaker 2: That would be a good Christmas card. Just lying with 79 00:03:51,560 --> 00:03:53,720 Speaker 2: a bunch of wrappers around you. Yeah. Oh yeah, like 80 00:03:53,840 --> 00:03:55,000 Speaker 2: biting into a good app. 81 00:03:54,880 --> 00:03:56,960 Speaker 3: The perfect peanut. That's actually my best day. 82 00:03:57,040 --> 00:03:57,760 Speaker 2: Wait, what do you mean? 83 00:03:58,160 --> 00:04:00,160 Speaker 4: Like when I get a bag of peanuts then and 84 00:04:00,200 --> 00:04:01,640 Speaker 4: I get a real good one. 85 00:04:01,440 --> 00:04:03,080 Speaker 2: Like the ones that you have to like crack open, 86 00:04:03,400 --> 00:04:03,920 Speaker 2: like the shell. 87 00:04:04,160 --> 00:04:06,040 Speaker 4: I like it when they're already opened so that they're 88 00:04:06,040 --> 00:04:08,520 Speaker 4: real salty inside, and then you yeah, you open the 89 00:04:08,560 --> 00:04:11,680 Speaker 4: shell and then it's like, but they're already opened, like 90 00:04:11,720 --> 00:04:13,640 Speaker 4: they have a little hole in them. You have there's 91 00:04:13,680 --> 00:04:15,800 Speaker 4: ones with holes in the shell that get you started. Yeah, 92 00:04:15,960 --> 00:04:19,159 Speaker 4: it's a little bit zip block like they have like 93 00:04:19,200 --> 00:04:21,680 Speaker 4: a ding that one in the bag that's already a 94 00:04:21,680 --> 00:04:24,040 Speaker 4: little cracked, so the salt gets in it. 95 00:04:24,320 --> 00:04:27,120 Speaker 2: In it And why why don't they just put salt 96 00:04:27,160 --> 00:04:28,719 Speaker 2: in those anyway? Find a way if this is the 97 00:04:28,720 --> 00:04:29,480 Speaker 2: perfect peanut. 98 00:04:29,720 --> 00:04:32,120 Speaker 3: Remember I used to eat the peanuts and you used 99 00:04:32,160 --> 00:04:32,880 Speaker 3: to eat the shells. 100 00:04:32,960 --> 00:04:35,040 Speaker 2: Yeah, I love those shells. What because they're so salty? 101 00:04:35,160 --> 00:04:40,400 Speaker 2: They're edible? Yeah they yeah, you could, but I mean 102 00:04:40,440 --> 00:04:43,920 Speaker 2: they're not good. I think I had five. Oh yeah, 103 00:04:43,960 --> 00:04:48,000 Speaker 2: I was definitely pikey or whatever. I was definitely craving whatever. 104 00:04:48,240 --> 00:04:51,680 Speaker 2: And I would choke violently because it's like a really 105 00:04:52,320 --> 00:04:54,520 Speaker 2: bad part of a thing to eat. And did you 106 00:04:54,600 --> 00:04:58,280 Speaker 2: know that our teeth have decay? And sorry to talk 107 00:04:58,279 --> 00:05:00,040 Speaker 2: about teeth tailer, but like, do you know that we 108 00:05:00,160 --> 00:05:01,960 Speaker 2: cavities and all this stuff because our food is too 109 00:05:01,960 --> 00:05:05,320 Speaker 2: soft and that our jaws are all like just our 110 00:05:05,400 --> 00:05:07,400 Speaker 2: jaws are mushy now. And we used to have like 111 00:05:07,440 --> 00:05:09,880 Speaker 2: a really really great jaws because we used to eat 112 00:05:09,920 --> 00:05:12,360 Speaker 2: food that actually like was hard to eat, and I 113 00:05:12,400 --> 00:05:14,040 Speaker 2: was reading about it on Reddit or maybe it was 114 00:05:14,080 --> 00:05:16,120 Speaker 2: a Reddit post on Instagram, but it was something about 115 00:05:16,200 --> 00:05:19,360 Speaker 2: I want to find it because there's something about how 116 00:05:19,560 --> 00:05:24,159 Speaker 2: are like. The question was like, why didn't cavemen like 117 00:05:24,320 --> 00:05:27,200 Speaker 2: just die of tooth or they have teeth left? They 118 00:05:27,279 --> 00:05:30,240 Speaker 2: used to have to rip stuff up. Yes, they were 119 00:05:30,240 --> 00:05:32,520 Speaker 2: eating rocks essentially. 120 00:05:32,200 --> 00:05:34,120 Speaker 3: All like like the little shrub. 121 00:05:34,200 --> 00:05:37,680 Speaker 2: Yeah, okay, so it's an explain like I'm five, Subreddit, 122 00:05:37,839 --> 00:05:40,080 Speaker 2: explain like I'm five years old? Why do teeth require 123 00:05:40,120 --> 00:05:42,000 Speaker 2: so much effort to maintain? And then someone said they 124 00:05:42,080 --> 00:05:44,520 Speaker 2: require more effort to maintain because modern diets are filled 125 00:05:44,560 --> 00:05:47,320 Speaker 2: with sugar and are softer than what we'd normally eat 126 00:05:47,320 --> 00:05:50,360 Speaker 2: before the advent of agriculture. Fossils of humans before the 127 00:05:50,400 --> 00:05:53,080 Speaker 2: advent of agriculture didn't have crooked teeth with cavities. They 128 00:05:53,080 --> 00:05:55,520 Speaker 2: didn't have crooked teeth. Now they all had like gleaming, 129 00:05:56,000 --> 00:05:59,279 Speaker 2: no crooked teeth, veneer smiles. These cave men had, like 130 00:05:59,400 --> 00:06:00,159 Speaker 2: Hillary Dye. 131 00:06:00,560 --> 00:06:04,360 Speaker 4: It's crooked teeth are from industrialization, No fucking way. 132 00:06:04,680 --> 00:06:07,400 Speaker 2: Why do you think British people, what do you mean? 133 00:06:07,400 --> 00:06:10,000 Speaker 2: Because it started their industrialzation started. 134 00:06:10,040 --> 00:06:12,880 Speaker 4: They're there, yeah, and they're the oldest, you know, like 135 00:06:13,160 --> 00:06:15,960 Speaker 4: people that have been eating crap for the longest amount. 136 00:06:15,640 --> 00:06:17,640 Speaker 3: Of time, and that's why they have. 137 00:06:17,880 --> 00:06:20,200 Speaker 2: The size of our jaws is dictated by genetics and 138 00:06:20,240 --> 00:06:22,360 Speaker 2: the toughness of the food we eat. Eating softer foods 139 00:06:22,360 --> 00:06:24,640 Speaker 2: means jaws don't grow big enough to accommodate all the 140 00:06:24,680 --> 00:06:27,160 Speaker 2: teeth we have, so they grow crooked and are hard 141 00:06:27,200 --> 00:06:30,239 Speaker 2: to clean. Diets filled with sugar means any leftover sugar 142 00:06:30,279 --> 00:06:32,680 Speaker 2: in our mouths gets converted into acid by bacteria in 143 00:06:32,720 --> 00:06:35,000 Speaker 2: your mouth. And then someone said, wait, so I'd have 144 00:06:35,040 --> 00:06:37,200 Speaker 2: a stronger jaw line if I just ate more carrots 145 00:06:37,240 --> 00:06:39,840 Speaker 2: growing up. And someone said, when people talk about older 146 00:06:39,880 --> 00:06:42,480 Speaker 2: humans having better jaws because they ate harder food, they 147 00:06:42,520 --> 00:06:45,280 Speaker 2: don't mean like carrots. They mean food hard enough that 148 00:06:45,320 --> 00:06:49,360 Speaker 2: modern people would consider it inedible, twigs and peanut shells. 149 00:06:49,360 --> 00:06:52,479 Speaker 4: It's not just your childhood, it's also from years so 150 00:06:52,560 --> 00:06:56,400 Speaker 4: like you also start to also when you're in utero, 151 00:06:56,520 --> 00:06:58,440 Speaker 4: then you're eating everything your parents are. 152 00:06:58,640 --> 00:07:01,640 Speaker 3: You have teeth in your utero, do you know, But your. 153 00:07:01,600 --> 00:07:05,240 Speaker 4: Jaw isn't growing and it's not providing like the you know. 154 00:07:05,320 --> 00:07:09,840 Speaker 2: It's teeth to grow. Yeah, it's so gross that we 155 00:07:09,880 --> 00:07:12,240 Speaker 2: are all just like chopping on yogurt. So we're just 156 00:07:12,320 --> 00:07:19,200 Speaker 2: all bush mouthed bread bread and bean bread beans. 157 00:07:19,200 --> 00:07:22,080 Speaker 4: Because I have fightic acid, which is the thing that 158 00:07:22,120 --> 00:07:23,200 Speaker 4: the bacteria feeds on. 159 00:07:24,800 --> 00:07:27,239 Speaker 2: Whenever I sweat, I always try to get my shirt 160 00:07:27,240 --> 00:07:29,320 Speaker 2: off as quickly as possible because I know the bacteria 161 00:07:29,360 --> 00:07:32,400 Speaker 2: will get to it from my body. And if you 162 00:07:32,400 --> 00:07:34,080 Speaker 2: you okay, so listen. So if you go to the 163 00:07:34,080 --> 00:07:36,280 Speaker 2: gym and you just sweat through your shirt really fast, 164 00:07:36,400 --> 00:07:39,160 Speaker 2: like you end to workout or thirty minute workout like intense, 165 00:07:39,200 --> 00:07:41,400 Speaker 2: and you're stopped with sweat, never happened to take off 166 00:07:41,400 --> 00:07:45,440 Speaker 2: your shirt, hang it up, smell it later. It won't 167 00:07:45,480 --> 00:07:47,559 Speaker 2: stink as much as if you leave it on, because 168 00:07:47,720 --> 00:07:50,560 Speaker 2: what sweat itself doesn't stink. It's the bacteria when they 169 00:07:50,600 --> 00:07:52,720 Speaker 2: go and then they farted. 170 00:07:53,000 --> 00:07:55,160 Speaker 4: So you don't want your I want my shirt to 171 00:07:55,160 --> 00:07:56,920 Speaker 4: stink so that it soaks it off of me. 172 00:07:58,040 --> 00:07:59,800 Speaker 3: Eh, I don't think that's all. 173 00:08:00,360 --> 00:08:02,760 Speaker 2: I think it just means you stink too. I just 174 00:08:02,760 --> 00:08:04,440 Speaker 2: want to prove. I just want to prove to myself. 175 00:08:04,480 --> 00:08:07,800 Speaker 2: Sometimes I want to rewar a shirt that I've sweated 176 00:08:07,960 --> 00:08:10,520 Speaker 2: so hardened, and sometimes when I work out at a hotel, 177 00:08:10,840 --> 00:08:13,920 Speaker 2: I don't like packing like my wet clothes, So I'll 178 00:08:13,960 --> 00:08:15,840 Speaker 2: hang it up and then the next day it'll be 179 00:08:15,880 --> 00:08:17,840 Speaker 2: dry and I'll smell it. I'm like, Wow, it doesn't 180 00:08:17,880 --> 00:08:20,160 Speaker 2: smell dirty, even though this thing was sopping wet, because 181 00:08:20,200 --> 00:08:22,880 Speaker 2: I took it off fast enough and it didn't get 182 00:08:22,920 --> 00:08:25,320 Speaker 2: the bacteria didn't get to a feast on it. 183 00:08:25,320 --> 00:08:27,560 Speaker 4: Okay, I'm gonna do that with my Rob Thomas shirt 184 00:08:27,600 --> 00:08:28,880 Speaker 4: that I wear at the gym every day. 185 00:08:29,120 --> 00:08:30,720 Speaker 2: What Rob Thomas shirt? 186 00:08:30,800 --> 00:08:31,880 Speaker 3: I didn't ever tell you that? 187 00:08:31,960 --> 00:08:34,760 Speaker 2: Like, no, that a couple of days after we went 188 00:08:34,840 --> 00:08:38,640 Speaker 2: met Thomas. Yeah, I mean that highlight of twenty twenty 189 00:08:38,679 --> 00:08:39,160 Speaker 2: three for me. 190 00:08:39,240 --> 00:08:44,200 Speaker 4: Oh yeah, the number one Rob Thomas for highs. 191 00:08:44,280 --> 00:08:45,240 Speaker 3: I'm still looking up. 192 00:08:45,320 --> 00:08:48,000 Speaker 2: Wait, dude, there's a new Rob Thomas song. I discovered that. 193 00:08:48,040 --> 00:08:49,840 Speaker 2: I am so obsessed with ways again. Tell me about 194 00:08:49,880 --> 00:08:50,480 Speaker 2: the shirt you found? 195 00:08:50,520 --> 00:08:53,000 Speaker 4: Oh okay, So I found a shirt at the thor 196 00:08:53,040 --> 00:08:56,199 Speaker 4: of Story that was just all the lyrics of a man. 197 00:08:56,320 --> 00:08:57,400 Speaker 3: It's a hot one. 198 00:08:58,760 --> 00:09:06,600 Speaker 2: Sure would have like spit around? Was that real? 199 00:09:07,760 --> 00:09:07,880 Speaker 4: Like? 200 00:09:08,559 --> 00:09:10,440 Speaker 2: What was it? When did we do that? Was that? 201 00:09:10,520 --> 00:09:12,000 Speaker 2: April or may or something. 202 00:09:12,320 --> 00:09:15,600 Speaker 3: It was warm out yeah, so yeah it was hot. 203 00:09:15,640 --> 00:09:17,760 Speaker 2: I think it was a hot warm. 204 00:09:19,520 --> 00:09:20,480 Speaker 3: I think it was June. 205 00:09:21,320 --> 00:09:24,600 Speaker 2: Yeah, it was something like that. It was amazing before that, No, 206 00:09:24,720 --> 00:09:28,480 Speaker 2: it was it was like July. I remember being definitely 207 00:09:29,040 --> 00:09:30,760 Speaker 2: bacteria had a feast that night. I was. 208 00:09:31,120 --> 00:09:33,920 Speaker 3: I was, Yeah, I smelled so bad, soaking wet. 209 00:09:34,160 --> 00:09:37,480 Speaker 4: And I shouldn't have washed that shirt because Rob Thomas 210 00:09:37,559 --> 00:09:38,320 Speaker 4: touched it. 211 00:09:39,520 --> 00:09:41,920 Speaker 3: He touched my side. Oh that was a I was 212 00:09:41,920 --> 00:09:42,880 Speaker 3: wearing a dress. 213 00:09:42,600 --> 00:09:46,679 Speaker 2: Over God, it was so awesome to it. Yeah, we're 214 00:09:46,679 --> 00:09:49,839 Speaker 2: we were friends with him for one night, but you 215 00:09:49,960 --> 00:09:53,000 Speaker 2: remain friends. Yeah, I mean I haven't talked to him 216 00:09:53,000 --> 00:09:54,800 Speaker 2: in a while, but yes, I think that I have 217 00:09:54,880 --> 00:09:56,720 Speaker 2: a craving to go see his band again. I've been 218 00:09:56,760 --> 00:09:59,000 Speaker 2: watching a ton of his music because I'm obsessed with 219 00:09:59,040 --> 00:10:05,600 Speaker 2: the song called uh uh Only you can't help us now? 220 00:10:05,840 --> 00:10:08,079 Speaker 2: Is it his own head or it's just Rob Thomas, 221 00:10:09,559 --> 00:10:11,840 Speaker 2: It's wait, let me just it's it's number one on 222 00:10:11,840 --> 00:10:14,080 Speaker 2: my Spotify. I think it is going to get number 223 00:10:14,120 --> 00:10:16,200 Speaker 2: one played on Spotify route because I listened to it 224 00:10:16,280 --> 00:10:20,400 Speaker 2: yesterday as it can't probably forty yeah, can't help me now? 225 00:10:20,480 --> 00:10:22,920 Speaker 2: I listen to it probably forty five times. Can't help 226 00:10:22,920 --> 00:10:25,280 Speaker 2: me now, Rob Thomas is the song of the year. 227 00:10:25,400 --> 00:10:28,400 Speaker 2: It is so good. Listen. I might be going through 228 00:10:28,440 --> 00:10:31,920 Speaker 2: some things right now. The thing is like, if you 229 00:10:32,040 --> 00:10:34,080 Speaker 2: just listen, if you ever want to know what's going 230 00:10:34,080 --> 00:10:36,160 Speaker 2: on in my life, just if I talk about a 231 00:10:36,160 --> 00:10:39,040 Speaker 2: song I'm obsessed with. It's that I never listen to 232 00:10:39,080 --> 00:10:42,960 Speaker 2: songs that don't match my mood, and almost ever I 233 00:10:42,960 --> 00:10:43,640 Speaker 2: don't like it. 234 00:10:44,040 --> 00:10:46,199 Speaker 4: I would never even if I try to get out 235 00:10:46,240 --> 00:10:47,839 Speaker 4: of a mood it's something comes because I just have 236 00:10:47,920 --> 00:10:49,640 Speaker 4: a shuffle on my iPod in the car. 237 00:10:49,880 --> 00:10:51,079 Speaker 3: I will switch it if it's not. 238 00:10:51,280 --> 00:10:54,559 Speaker 2: Yes, dude, I don't like any I don't like anything 239 00:10:54,640 --> 00:10:57,280 Speaker 2: that's yeah that doesn't match it. Because there are some 240 00:10:57,320 --> 00:10:59,120 Speaker 2: songs that are my favorite songs, but if they're too 241 00:10:59,200 --> 00:11:01,560 Speaker 2: cheery or they're about breakups or something and I'm not 242 00:11:01,600 --> 00:11:04,200 Speaker 2: feeling that way. Sometimes I like to have angst in 243 00:11:04,240 --> 00:11:05,800 Speaker 2: my life and sadness in my life because then I 244 00:11:05,800 --> 00:11:07,640 Speaker 2: get to enjoy songs so much. 245 00:11:07,760 --> 00:11:10,080 Speaker 3: Yeah, you get to you get to wallow in it. 246 00:11:10,240 --> 00:11:12,920 Speaker 2: Yeah. But I've been listening to that song on or repeat. 247 00:11:13,080 --> 00:11:16,000 Speaker 2: It's so good. And I just loved this YouTube comment 248 00:11:16,080 --> 00:11:18,840 Speaker 2: underneath one of his like his video for this song, 249 00:11:18,880 --> 00:11:21,360 Speaker 2: and it said Rob Thomas can't write a bad song, 250 00:11:21,559 --> 00:11:23,880 Speaker 2: and it's just true. He's so fucking good and he's 251 00:11:23,960 --> 00:11:27,719 Speaker 2: he's Taylor Swift levels of emotion. So if you're someone 252 00:11:27,720 --> 00:11:30,080 Speaker 2: who likes Taylor Swift, you're gonna love Rob Thomas. And 253 00:11:30,120 --> 00:11:32,480 Speaker 2: if you don't love Rob Thomas already, what's wrong with you? 254 00:11:32,520 --> 00:11:32,640 Speaker 3: Like? 255 00:11:32,640 --> 00:11:33,640 Speaker 2: How have you missed this? 256 00:11:34,240 --> 00:11:35,280 Speaker 3: Google his face? 257 00:11:36,400 --> 00:11:37,360 Speaker 2: Do you like his music? 258 00:11:37,400 --> 00:11:37,640 Speaker 4: Though? 259 00:11:37,920 --> 00:11:38,240 Speaker 2: Yeah? 260 00:11:38,400 --> 00:11:39,480 Speaker 3: Yeah, I was. 261 00:11:39,600 --> 00:11:41,440 Speaker 4: I was like, when you asked me to go, I 262 00:11:41,440 --> 00:11:42,680 Speaker 4: was like, oh, of course I'm gonna go. That would 263 00:11:42,679 --> 00:11:42,920 Speaker 4: be fun. 264 00:11:42,960 --> 00:11:44,840 Speaker 3: But then I was like, do I really? I was like, 265 00:11:44,840 --> 00:11:46,760 Speaker 3: I get you. I guess I like Matchbox twenty. 266 00:11:47,080 --> 00:11:48,360 Speaker 4: But then when we were there, I was like, oh 267 00:11:48,400 --> 00:11:50,120 Speaker 4: my god, all of these songs are so good and 268 00:11:50,120 --> 00:11:52,320 Speaker 4: I forgot and since then now I love them again. 269 00:11:52,400 --> 00:11:56,040 Speaker 2: Yes it Yeah, I've been into that. I'm trying to 270 00:11:56,040 --> 00:11:59,800 Speaker 2: think of other things I've been super into lately. Well 271 00:11:59,840 --> 00:12:02,080 Speaker 2: the new Year. I really want to start meditating again. 272 00:12:02,160 --> 00:12:04,679 Speaker 2: So I got the Waking Up app. Like, I'm back 273 00:12:04,720 --> 00:12:07,280 Speaker 2: into the Sam Harris Waking Up app. They've actually reached 274 00:12:07,280 --> 00:12:11,960 Speaker 2: out to me to maybe do some promotional stuff for them. Yeah, 275 00:12:11,960 --> 00:12:14,800 Speaker 2: I would, I really And they're like they even mentioned 276 00:12:14,800 --> 00:12:16,640 Speaker 2: maybe I could have a conversation with Sam Harris. I 277 00:12:16,640 --> 00:12:19,480 Speaker 2: don't even want that. I can't handle that. I'm serious, 278 00:12:19,679 --> 00:12:22,640 Speaker 2: I can't. Maybe I can meet Dave Matthews, I can 279 00:12:22,679 --> 00:12:25,600 Speaker 2: meet Taylor Swift. I don't think I can. I don't 280 00:12:25,600 --> 00:12:27,440 Speaker 2: want to waste Sam Harris's time. It's the same way 281 00:12:27,440 --> 00:12:28,480 Speaker 2: I feel about Taylor Swift. 282 00:12:28,480 --> 00:12:30,960 Speaker 3: Actually, but he wants to. He wouldn't be. 283 00:12:31,000 --> 00:12:37,240 Speaker 2: Yet, it wouldn't offered is locked tight. I just can't. 284 00:12:37,640 --> 00:12:39,600 Speaker 2: He's just too smart. I just feel like he would 285 00:12:39,600 --> 00:12:43,440 Speaker 2: just know I'm an idiot right away revealed. And I 286 00:12:43,440 --> 00:12:46,080 Speaker 2: can't imagine. This is what I can't imagine is logging 287 00:12:46,080 --> 00:12:49,839 Speaker 2: onto a Zoom with Sam Harris and like my microphone 288 00:12:49,920 --> 00:12:52,880 Speaker 2: not working, or him having to like deal with technical 289 00:12:52,920 --> 00:12:56,160 Speaker 2: issues with me or like my internet and I'm. 290 00:12:56,040 --> 00:13:01,880 Speaker 5: Like, really, you say me so much good free will 291 00:13:02,559 --> 00:13:05,400 Speaker 5: there's no free like, I just can't, And he'll be like, 292 00:13:05,679 --> 00:13:07,280 Speaker 5: I can't really hear you were having issues. 293 00:13:07,280 --> 00:13:09,680 Speaker 2: He's like looking at his produce like it would just 294 00:13:09,720 --> 00:13:12,160 Speaker 2: stress me out to no end. I did it. Sabethley 295 00:13:12,200 --> 00:13:14,240 Speaker 2: Frankel once when I was on her podcast. I didn't 296 00:13:14,280 --> 00:13:17,840 Speaker 2: like that, like having to wait for me to reset 297 00:13:17,840 --> 00:13:20,200 Speaker 2: my WiFi. No, thank you. I don't want to do 298 00:13:20,240 --> 00:13:23,280 Speaker 2: that to anyone who is more successful than me. 299 00:13:23,320 --> 00:13:24,600 Speaker 3: Pretty well, though I don't know. 300 00:13:25,440 --> 00:13:27,720 Speaker 2: It bailed that day, and she made me feel better, 301 00:13:27,800 --> 00:13:29,440 Speaker 2: she said, I was once on a call with I 302 00:13:29,480 --> 00:13:31,720 Speaker 2: was on a zoom with Michelle Obama and my WiFi 303 00:13:31,840 --> 00:13:33,600 Speaker 2: was going out. So I was like, Okay, this girl 304 00:13:33,679 --> 00:13:35,440 Speaker 2: gets it all right. It made me feel so much 305 00:13:35,440 --> 00:13:37,560 Speaker 2: better because she she got it right away. It's so 306 00:13:37,640 --> 00:13:41,440 Speaker 2: nice when someone just immediately makes you feel at ease 307 00:13:41,480 --> 00:13:43,640 Speaker 2: by giving an example of when this happened to them 308 00:13:43,760 --> 00:13:46,840 Speaker 2: and they just get it. It makes me feel so good. 309 00:13:47,440 --> 00:13:50,880 Speaker 2: But I'm gonna try to start meditating more. I'm leaning 310 00:13:50,880 --> 00:13:54,800 Speaker 2: into self care this year. Stuff and I read that 311 00:13:55,640 --> 00:13:56,960 Speaker 2: or I'm reading that book Let. 312 00:13:56,920 --> 00:13:57,960 Speaker 3: Go kind of self care. 313 00:13:57,960 --> 00:14:00,920 Speaker 2: It's a very broad term. It means like if I 314 00:14:00,960 --> 00:14:02,960 Speaker 2: want to take a nap all day, I'm going to 315 00:14:03,160 --> 00:14:06,040 Speaker 2: I'm going on more walks by myself, listening the more music, 316 00:14:06,080 --> 00:14:08,959 Speaker 2: letting myself, letting myself be. Even though I did see 317 00:14:09,240 --> 00:14:11,600 Speaker 2: nine Taylor Swift concerts this year in person, and then 318 00:14:11,640 --> 00:14:15,000 Speaker 2: I went to Aristor the movie so I literally saw ten, 319 00:14:15,120 --> 00:14:19,960 Speaker 2: which equals to about forty hours of Taylor Swift, and 320 00:14:20,000 --> 00:14:22,440 Speaker 2: that is pretty self carry. I really want to like 321 00:14:22,520 --> 00:14:25,920 Speaker 2: lean into going on walks alone and like getting to 322 00:14:26,040 --> 00:14:28,560 Speaker 2: know my just like being kind of the person that 323 00:14:28,600 --> 00:14:31,120 Speaker 2: I kind of rolled my eyes out of, like writing 324 00:14:31,160 --> 00:14:34,680 Speaker 2: poetry at the park, or like sitting and just sitting 325 00:14:34,680 --> 00:14:38,720 Speaker 2: by alone and just doing things alone, or like I 326 00:14:38,760 --> 00:14:44,200 Speaker 2: don't know what, reading more books and not feeling constantly 327 00:14:44,200 --> 00:14:45,720 Speaker 2: when I'm reading a book like I should be doing 328 00:14:45,800 --> 00:14:46,360 Speaker 2: something else. 329 00:14:46,840 --> 00:14:48,320 Speaker 3: Oh you feel like that when you're reading a book. 330 00:14:48,360 --> 00:14:49,760 Speaker 2: Yeah, because I start reading a book and I go, 331 00:14:49,800 --> 00:14:51,840 Speaker 2: why am I not reading a nonfiction book that's going 332 00:14:51,880 --> 00:14:55,360 Speaker 2: to like actually teach me about myself? Or like I'm 333 00:14:55,360 --> 00:14:57,160 Speaker 2: reading this Letting Go book, and by reading, I mean 334 00:14:57,200 --> 00:14:58,760 Speaker 2: I'm listening to it, so it never feels like I 335 00:14:58,800 --> 00:15:00,840 Speaker 2: could say I'm reading, but I'm listening to the audiobook 336 00:15:00,880 --> 00:15:03,000 Speaker 2: for Letting Go, which my friend Bobby J. Cox, who's 337 00:15:03,040 --> 00:15:05,000 Speaker 2: been on the podcast before, he wrote me and said, 338 00:15:05,280 --> 00:15:07,680 Speaker 2: your recommendation of this book has changed my life, this book, 339 00:15:07,720 --> 00:15:09,280 Speaker 2: And I'm like, I haven't even finished this book, and 340 00:15:09,280 --> 00:15:11,960 Speaker 2: this book has already changed your life. It is so 341 00:15:12,080 --> 00:15:15,680 Speaker 2: good and I have been finding myself trying. So the 342 00:15:15,680 --> 00:15:18,640 Speaker 2: book is pretty much about any feeling you have. You 343 00:15:18,680 --> 00:15:20,680 Speaker 2: can just choose to let go of it. You don't 344 00:15:20,720 --> 00:15:23,000 Speaker 2: have to like process it, you don't have to like 345 00:15:23,400 --> 00:15:27,640 Speaker 2: metabolize the anger. You can truly just like choose to 346 00:15:27,720 --> 00:15:30,120 Speaker 2: not like, not care, not push it down or push 347 00:15:30,160 --> 00:15:32,880 Speaker 2: it away, just like let go. And I don't really 348 00:15:32,920 --> 00:15:34,360 Speaker 2: know how to do it because he doesn't tell you 349 00:15:34,440 --> 00:15:36,000 Speaker 2: how to do it. He just talks about doing it 350 00:15:36,040 --> 00:15:38,000 Speaker 2: so much that you just start to like be like, oh, 351 00:15:38,000 --> 00:15:40,720 Speaker 2: maybe it is that simple. So yesterday, for instance, my 352 00:15:40,800 --> 00:15:45,520 Speaker 2: friend I was in Colorado over the weekend and Denver 353 00:15:45,600 --> 00:15:47,840 Speaker 2: for two shows which so many besties came to thank 354 00:15:47,880 --> 00:15:50,040 Speaker 2: you so much. On the thirtieth and thirty first got 355 00:15:50,040 --> 00:15:51,960 Speaker 2: to meet so many of you, especially the ones who 356 00:15:52,040 --> 00:15:54,040 Speaker 2: cried when they met me. That means so much to me. 357 00:15:54,240 --> 00:15:56,520 Speaker 2: Please take up my time and energy with your tears. 358 00:15:56,560 --> 00:15:58,520 Speaker 2: It will never offend me. It always makes me feel 359 00:15:58,560 --> 00:16:01,520 Speaker 2: so good. He loves that, and talk about letting something in. 360 00:16:01,840 --> 00:16:04,080 Speaker 2: I will say in the past when besties have cried 361 00:16:04,120 --> 00:16:06,920 Speaker 2: and stuff, I'm so present and I'm so like there 362 00:16:06,920 --> 00:16:09,040 Speaker 2: for them and like, thank you so much. But I 363 00:16:09,080 --> 00:16:12,160 Speaker 2: don't really let it in because I just feel like 364 00:16:12,280 --> 00:16:15,280 Speaker 2: somehow I've deluded them into thinking I'm something that they 365 00:16:15,320 --> 00:16:18,120 Speaker 2: think i'm not, or that they think that i'm something 366 00:16:18,160 --> 00:16:20,880 Speaker 2: that I'm not. But this weekend I really was like, 367 00:16:21,600 --> 00:16:23,560 Speaker 2: this girl is telling me that I've changed her life 368 00:16:23,600 --> 00:16:24,960 Speaker 2: and that I mean so much to her, and that 369 00:16:25,000 --> 00:16:26,640 Speaker 2: when I'm talking to my younger when I say I'm 370 00:16:26,640 --> 00:16:28,400 Speaker 2: talking to my younger self, that she feels like I'm 371 00:16:28,400 --> 00:16:30,640 Speaker 2: talking to her. And I can just this girl would 372 00:16:30,640 --> 00:16:32,680 Speaker 2: not be crying if I didn't actually make a difference 373 00:16:32,680 --> 00:16:34,680 Speaker 2: in her life. And then I think about if I died, 374 00:16:34,760 --> 00:16:36,440 Speaker 2: this girl would really be affected by it, and I 375 00:16:36,440 --> 00:16:38,520 Speaker 2: don't really even know her. And then that I know 376 00:16:38,600 --> 00:16:40,280 Speaker 2: my family would be sad if I died, and you 377 00:16:40,360 --> 00:16:44,080 Speaker 2: and Noah and Brian might have you know, he might 378 00:16:44,160 --> 00:16:50,920 Speaker 2: frown that day, but for proud, but he might go, 379 00:16:51,080 --> 00:16:54,600 Speaker 2: oh shit and like wistfully look at a hat I 380 00:16:54,600 --> 00:16:59,000 Speaker 2: gave him or something. But is wistful whistful is positive? 381 00:16:59,360 --> 00:16:59,520 Speaker 3: Right? 382 00:17:00,200 --> 00:17:00,480 Speaker 1: Yeah? 383 00:17:00,600 --> 00:17:03,520 Speaker 2: Or is it forlorn? Like I think you can be 384 00:17:03,560 --> 00:17:07,679 Speaker 2: wistful like that at I just want to be more 385 00:17:07,720 --> 00:17:09,920 Speaker 2: correct with my grammar, you know, moving into the new year. 386 00:17:10,000 --> 00:17:13,600 Speaker 2: But I really was letting that in this weekend, and 387 00:17:13,640 --> 00:17:15,359 Speaker 2: I was like, when I was hugging these girls and 388 00:17:15,400 --> 00:17:17,679 Speaker 2: they were like crying and stuff, I was like, man, 389 00:17:18,320 --> 00:17:21,880 Speaker 2: that is really I'm going to let in this love. 390 00:17:22,000 --> 00:17:23,840 Speaker 2: It really felt good. And I haven't read the letters 391 00:17:23,880 --> 00:17:25,800 Speaker 2: that you guys wrote me. I think two girls gave 392 00:17:25,840 --> 00:17:27,320 Speaker 2: me letters and I haven't read them yet, but they 393 00:17:27,359 --> 00:17:30,080 Speaker 2: are in my back guitar bag and I will read 394 00:17:30,119 --> 00:17:32,040 Speaker 2: them at some point. I think someone will have to 395 00:17:32,200 --> 00:17:34,159 Speaker 2: be present with me to read them. It's almost like 396 00:17:34,200 --> 00:17:36,480 Speaker 2: me watching TV. I can't do it alone. But maybe 397 00:17:36,520 --> 00:17:38,359 Speaker 2: in the new year there's new things. I'm going to 398 00:17:38,440 --> 00:17:41,480 Speaker 2: start doing things alone. Like I can't watch TV alone 399 00:17:41,480 --> 00:17:43,760 Speaker 2: for some reason, but why not reading a book? I 400 00:17:43,800 --> 00:17:45,600 Speaker 2: do that alone. But it feels like when you're reading 401 00:17:45,600 --> 00:17:49,040 Speaker 2: a book, you're almost like doing it with the author. Yeah, 402 00:17:49,240 --> 00:17:51,480 Speaker 2: like you have a friend in it, whereas TV. I 403 00:17:51,480 --> 00:17:53,240 Speaker 2: don't feel like I have a friend in it. I 404 00:17:53,240 --> 00:17:56,160 Speaker 2: don't know why. I just need someone to process TV 405 00:17:56,280 --> 00:17:59,320 Speaker 2: with me. And maybe because when I'm reading a book, 406 00:17:59,680 --> 00:18:01,919 Speaker 2: I can be on my phone because I am on 407 00:18:01,960 --> 00:18:04,480 Speaker 2: my phone because I read books on my phone, so 408 00:18:04,560 --> 00:18:07,680 Speaker 2: on TV you have to anyway, So this letting go book. 409 00:18:08,320 --> 00:18:10,560 Speaker 2: I implied it this weekend, applied it this we I 410 00:18:10,560 --> 00:18:11,960 Speaker 2: think you should tell the story, and I'm going to 411 00:18:12,040 --> 00:18:15,119 Speaker 2: apply it right now. Oh okay, I'm gonna let go 412 00:18:15,560 --> 00:18:17,840 Speaker 2: of this story right now and we're gonna return to it. 413 00:18:18,160 --> 00:18:23,400 Speaker 2: Oh we get back, all right, We're back. So this 414 00:18:23,400 --> 00:18:26,120 Speaker 2: this weekend, I was in Colorado. My best friend, one 415 00:18:26,160 --> 00:18:30,400 Speaker 2: of my best friends, girls Chat Catherine, lives there. Yeah. 416 00:18:30,440 --> 00:18:32,000 Speaker 2: So Catherine was supposed to come to my show on 417 00:18:32,680 --> 00:18:35,960 Speaker 2: Saturday night on the thirtieth, but she got really carsick 418 00:18:36,000 --> 00:18:37,600 Speaker 2: on the way home from her parents' house, which is 419 00:18:37,600 --> 00:18:39,399 Speaker 2: like two hours away from Denver. She lives in Denver. 420 00:18:39,480 --> 00:18:42,560 Speaker 2: I met her at University of Colorado, Boulder. We met 421 00:18:42,560 --> 00:18:45,560 Speaker 2: on the first, like first week of school. I had 422 00:18:45,600 --> 00:18:48,199 Speaker 2: no friends. I was antarexick. I looked disgusting. No one 423 00:18:48,240 --> 00:18:49,560 Speaker 2: wanted to be friends with me. But I did get 424 00:18:49,560 --> 00:18:51,080 Speaker 2: to go out with all the girls on my floor 425 00:18:51,280 --> 00:18:53,520 Speaker 2: to go to a frat party. And we were at 426 00:18:53,560 --> 00:18:56,560 Speaker 2: the frat party and we both like looked at each 427 00:18:56,600 --> 00:18:58,240 Speaker 2: other like this is how like we just caught each 428 00:18:58,240 --> 00:19:00,560 Speaker 2: other's eyes, like look like we had we met a 429 00:19:00,560 --> 00:19:03,720 Speaker 2: little bit beforehand, and I had told a story about 430 00:19:03,800 --> 00:19:05,119 Speaker 2: hitting a garbage fan with my car when I was 431 00:19:05,160 --> 00:19:07,200 Speaker 2: in high school, and so there was a little bit 432 00:19:07,200 --> 00:19:09,160 Speaker 2: of interest in being friends with me because I seemed 433 00:19:09,160 --> 00:19:11,399 Speaker 2: to be kind of fun, very desirable for the People 434 00:19:11,440 --> 00:19:13,960 Speaker 2: were like, what is this girl about. No, they liked it. 435 00:19:14,040 --> 00:19:17,600 Speaker 2: Dollar suit be pretty raised to it. People were, yeah, 436 00:19:17,680 --> 00:19:20,320 Speaker 2: you you were there. I know you were there. You 437 00:19:20,400 --> 00:19:22,160 Speaker 2: were there. You were the only one that was there. 438 00:19:22,160 --> 00:19:24,919 Speaker 2: I kind of forgot Jesus Christ. Taylor. Taylor was in 439 00:19:24,960 --> 00:19:27,399 Speaker 2: the car with me when we we hit the garbage man. 440 00:19:27,480 --> 00:19:29,280 Speaker 3: Tayloryeah, it's kind of like we did it. 441 00:19:29,520 --> 00:19:34,479 Speaker 2: Yeah, you were holding the wheel. I testified about it. 442 00:19:34,560 --> 00:19:36,280 Speaker 2: So it's kind of like, yeah, we went to court. 443 00:19:37,359 --> 00:19:41,840 Speaker 2: Taylor had to give a deposition. I dipped deposition. This 444 00:19:41,920 --> 00:19:45,280 Speaker 2: is an add podcast, but and it's not intill it's 445 00:19:45,280 --> 00:19:47,560 Speaker 2: not as actually one, but it is because I have it. 446 00:19:49,000 --> 00:19:51,240 Speaker 2: Speaking of deposition one of the I bet you know 447 00:19:51,320 --> 00:19:53,680 Speaker 2: this too. Remember Conan my favorite joke. 448 00:19:54,520 --> 00:19:55,960 Speaker 3: You already knew That's my. 449 00:19:55,960 --> 00:19:58,439 Speaker 2: Favorite joke all time. Okay, so let's just go to 450 00:19:58,520 --> 00:20:03,720 Speaker 2: Conan nineteen ninety A. Yeah, around the Clinton scandal thing, 451 00:20:04,240 --> 00:20:06,359 Speaker 2: and he used to do this thing where he would 452 00:20:06,520 --> 00:20:09,280 Speaker 2: on his late Night Show. He would have like the 453 00:20:09,320 --> 00:20:11,320 Speaker 2: face of Clinton, but the mouth would be carved out, 454 00:20:11,560 --> 00:20:13,760 Speaker 2: and then Robert Smigel, who does the voice of Triumph, 455 00:20:14,080 --> 00:20:17,800 Speaker 2: would be doing the voice. So it was called clutch 456 00:20:17,840 --> 00:20:20,760 Speaker 2: cargo for some reason. But he would just do the 457 00:20:20,760 --> 00:20:24,679 Speaker 2: lips and Conan was interviewing Bill Clinton, you know, at 458 00:20:24,720 --> 00:20:26,360 Speaker 2: like just the face and then the lips would move 459 00:20:26,680 --> 00:20:29,080 Speaker 2: and he was like, do you want I'll do the question. 460 00:20:29,119 --> 00:20:33,840 Speaker 2: You do the joke. Okay, is it true President that 461 00:20:33,920 --> 00:20:39,399 Speaker 2: you told Monica to lie under deposition. I did not 462 00:20:39,640 --> 00:20:43,400 Speaker 2: tell her to lie under deposition. I told her to 463 00:20:43,480 --> 00:20:45,040 Speaker 2: lie there in deposition. 464 00:20:50,119 --> 00:20:52,200 Speaker 4: Not really good at clip, but all his voices were 465 00:20:52,240 --> 00:20:52,800 Speaker 4: like all. 466 00:20:52,680 --> 00:20:54,880 Speaker 2: Of them were like just triumphing. I told her to 467 00:20:54,920 --> 00:20:58,159 Speaker 2: lie there in that position. And by the way, a 468 00:20:58,200 --> 00:21:01,600 Speaker 2: Triumph clip that killed me and I put my Instagram story. Recently, 469 00:21:02,080 --> 00:21:04,639 Speaker 2: he was just on Conan's podcast, Robert Smigel, and he 470 00:21:04,720 --> 00:21:07,600 Speaker 2: did Triumph's voice, or he did it for the first part, 471 00:21:07,600 --> 00:21:09,199 Speaker 2: you know on Conan. Brian, did I already say this 472 00:21:09,200 --> 00:21:11,640 Speaker 2: on the podcast? I probably did, think so I told 473 00:21:11,720 --> 00:21:14,120 Speaker 2: everyone about it because I'm obsessed with this joke. It's 474 00:21:14,160 --> 00:21:17,840 Speaker 2: just one of my favorite jokes of recent time. And 475 00:21:17,880 --> 00:21:20,040 Speaker 2: he was talking about I think I told you Noah, 476 00:21:20,080 --> 00:21:23,720 Speaker 2: but he was talking about Conan. I'm so glad to 477 00:21:23,800 --> 00:21:27,639 Speaker 2: be here, you know, like, uh, Conan, I've seen you, you know, 478 00:21:28,160 --> 00:21:29,840 Speaker 2: I saw you in the beginning and then now I'm 479 00:21:29,840 --> 00:21:32,480 Speaker 2: seeing you clearly at what is the end? And Conan's 480 00:21:32,520 --> 00:21:36,920 Speaker 2: laughing and he goes, oh serious, Exam Conan. Oh, he goes, 481 00:21:36,960 --> 00:21:43,679 Speaker 2: oh serious. The wave of the past. Of the past 482 00:21:43,760 --> 00:21:48,000 Speaker 2: is so funny. Oh my god. And another great joke 483 00:21:48,040 --> 00:21:49,840 Speaker 2: I heard this weekend. Let's talk about the great jokes, 484 00:21:49,920 --> 00:21:52,080 Speaker 2: was in the movie pop Star, which is the best 485 00:21:52,440 --> 00:21:55,000 Speaker 2: comedy movie going. It is up their top five comedy 486 00:21:55,040 --> 00:21:56,479 Speaker 2: movies of all time. Have you ever seen it? 487 00:21:56,560 --> 00:21:59,800 Speaker 3: I don't know that it is you who's upset. 488 00:22:00,119 --> 00:22:03,239 Speaker 2: Watched it on the Girls Trip. It is poundful one 489 00:22:03,320 --> 00:22:06,440 Speaker 2: hundred per is there is not. Chris and I were 490 00:22:06,480 --> 00:22:08,760 Speaker 2: marveling because we've seen it before, and then I want 491 00:22:08,960 --> 00:22:11,560 Speaker 2: we saw it together. I think, you know, eight years 492 00:22:11,600 --> 00:22:13,879 Speaker 2: ago we were together and then we you know, i'd 493 00:22:13,920 --> 00:22:15,280 Speaker 2: broken up a bunch in the time, and then I 494 00:22:15,280 --> 00:22:16,800 Speaker 2: watched it one time, like on a date with a 495 00:22:16,840 --> 00:22:18,320 Speaker 2: guy and we started making out and then I didn't 496 00:22:18,320 --> 00:22:19,680 Speaker 2: get through it. Most of it, so I've only seen 497 00:22:19,720 --> 00:22:21,560 Speaker 2: it like one and a half times, and then we 498 00:22:21,600 --> 00:22:25,359 Speaker 2: watched it this weekend again. It is so every single 499 00:22:25,440 --> 00:22:27,480 Speaker 2: chance there is to make a joke, they're making a joke. 500 00:22:27,520 --> 00:22:30,520 Speaker 2: It's the funniest movie there is. It's about Andy Samberg. 501 00:22:30,880 --> 00:22:33,320 Speaker 2: Do you know who that is? He's an essan all 502 00:22:33,400 --> 00:22:38,000 Speaker 2: guy from like, you know, mid two thousands, he mid 503 00:22:38,160 --> 00:22:42,000 Speaker 2: Oughts or whatever. He plays like a Justin Bieber character 504 00:22:42,080 --> 00:22:44,240 Speaker 2: called conif Real, and he used to be in a 505 00:22:44,240 --> 00:22:48,560 Speaker 2: band called the I forget what They're called the Style Boys, 506 00:22:49,040 --> 00:22:50,919 Speaker 2: and then they broke up and now he's like a 507 00:22:50,920 --> 00:22:52,919 Speaker 2: solo artist, kind of like a Harry Styles but it's 508 00:22:52,960 --> 00:22:55,359 Speaker 2: it's based on Justin Bieber really, and it's like a 509 00:22:55,359 --> 00:22:58,840 Speaker 2: documentary following following him in his solo career, which his 510 00:22:58,880 --> 00:23:01,480 Speaker 2: first album was huge success and now he's releasing his 511 00:23:01,520 --> 00:23:04,399 Speaker 2: second album and it becomes a huge flop, and it 512 00:23:04,440 --> 00:23:07,760 Speaker 2: just follows them around. But Sarah Silverman is his publicist 513 00:23:08,400 --> 00:23:10,520 Speaker 2: and she's like, you know, and this is just one 514 00:23:10,520 --> 00:23:12,560 Speaker 2: of my favorite jokes. And Chris and I definitely were like, 515 00:23:12,640 --> 00:23:14,560 Speaker 2: Sarah probably wrote that joke. And next time I see her, 516 00:23:14,600 --> 00:23:16,040 Speaker 2: I want to ask her if she wrote it, but 517 00:23:16,119 --> 00:23:18,720 Speaker 2: she was like, you know, Connor's music isn't necessarily for me, 518 00:23:19,280 --> 00:23:22,560 Speaker 2: but it just makes so many people so much money. 519 00:23:23,080 --> 00:23:24,920 Speaker 2: And that was like we were like, oh, that's such 520 00:23:24,920 --> 00:23:27,240 Speaker 2: a good joke, because I just love jokes that obviously. 521 00:23:27,280 --> 00:23:29,159 Speaker 2: I like jokes that just like twist the ending, like 522 00:23:29,160 --> 00:23:32,800 Speaker 2: the wave of the past. M Night Shyamalan It yes, yes. 523 00:23:33,720 --> 00:23:35,800 Speaker 2: I like how you say his name almost like like 524 00:23:36,040 --> 00:23:36,800 Speaker 2: probably the way it's. 525 00:23:36,680 --> 00:23:38,600 Speaker 3: Supposed to be said night Shayamalan. 526 00:23:38,680 --> 00:23:41,040 Speaker 2: I think it's m night sh Everyone says Shamalan, but 527 00:23:41,080 --> 00:23:47,040 Speaker 2: I think it is it's spelled shy Amalan. So this 528 00:23:47,160 --> 00:23:50,640 Speaker 2: weekend Denver, Oh, so Catherine and I saw each other. 529 00:23:50,680 --> 00:23:52,800 Speaker 2: We were at the frat party. I told the story 530 00:23:52,800 --> 00:23:56,080 Speaker 2: about hitting the guy with my car. She was probably interested. 531 00:23:56,119 --> 00:23:57,680 Speaker 2: She was probably like that girl's cool. I want to 532 00:23:57,680 --> 00:24:00,119 Speaker 2: hang out with her. And Catherine had eating disorder she 533 00:24:00,320 --> 00:24:01,960 Speaker 2: too in the past, so I think she probably didn't 534 00:24:02,000 --> 00:24:05,160 Speaker 2: judge mine as much. But she wasn't like rough looking 535 00:24:05,200 --> 00:24:07,800 Speaker 2: at the time we met, but I certainly was. But 536 00:24:07,880 --> 00:24:09,720 Speaker 2: we made eyes at the strap party. I remember the 537 00:24:09,760 --> 00:24:12,320 Speaker 2: hallway where I was just like looking for you know, 538 00:24:12,359 --> 00:24:14,239 Speaker 2: when you're at college, you have no one, you have 539 00:24:14,320 --> 00:24:17,800 Speaker 2: no friends, nothing familiar, You're completely alone. And so I 540 00:24:17,880 --> 00:24:19,440 Speaker 2: was just caught her eye and we both were like 541 00:24:20,080 --> 00:24:21,920 Speaker 2: and we were kind of like rolling our eyes at 542 00:24:21,920 --> 00:24:23,480 Speaker 2: one of those one of the girls we were with 543 00:24:23,520 --> 00:24:26,800 Speaker 2: that was like the cuss person to this day that 544 00:24:26,800 --> 00:24:29,120 Speaker 2: I've ever met my life. So I can't say her name, 545 00:24:29,240 --> 00:24:33,679 Speaker 2: but Pillage. Yeah, it was pretty much Killage. And so 546 00:24:33,760 --> 00:24:37,199 Speaker 2: we left and we started we were we were. I 547 00:24:37,240 --> 00:24:38,320 Speaker 2: came up to her and was like, do you want 548 00:24:38,359 --> 00:24:40,560 Speaker 2: to get out of here? And then we were walking 549 00:24:40,840 --> 00:24:42,800 Speaker 2: away from the party and we were like two blocks 550 00:24:42,800 --> 00:24:44,359 Speaker 2: away and we were just start talking a little bit, 551 00:24:44,359 --> 00:24:48,000 Speaker 2: and I was like, I think, like our kids are 552 00:24:48,000 --> 00:24:49,359 Speaker 2: going to know each other. Like that's how good of 553 00:24:49,359 --> 00:24:51,560 Speaker 2: friends are going to be, and like that was that's 554 00:24:51,600 --> 00:24:53,760 Speaker 2: I predicted. I was like, I know we're going to 555 00:24:53,800 --> 00:24:56,520 Speaker 2: be best friends. So she's been my best friend, you know, 556 00:24:56,640 --> 00:24:59,399 Speaker 2: on the top shelf with you guys since that moment. 557 00:25:00,840 --> 00:25:03,320 Speaker 2: But every time I go to Denver, it's like, that's 558 00:25:03,359 --> 00:25:05,280 Speaker 2: my exciting time to see Catherine. But I did it, 559 00:25:05,320 --> 00:25:07,840 Speaker 2: and she goes on girls trips too. But I this weekend, 560 00:25:07,880 --> 00:25:09,360 Speaker 2: she couldn't make it to my show, which I don't 561 00:25:09,359 --> 00:25:11,720 Speaker 2: really care because she's seen me a million times and 562 00:25:11,760 --> 00:25:14,120 Speaker 2: the show I have like so many people. Yeah, there's 563 00:25:14,160 --> 00:25:15,600 Speaker 2: not a lot of time to hang. And she has 564 00:25:15,680 --> 00:25:17,439 Speaker 2: kids in a family, so she would have to leave 565 00:25:17,480 --> 00:25:19,280 Speaker 2: after the show anyway. So it's like she would just 566 00:25:19,359 --> 00:25:21,600 Speaker 2: go to watch my act and it's like, who cares. So, 567 00:25:21,800 --> 00:25:24,719 Speaker 2: I mean it's great, but she's you know, so she 568 00:25:24,760 --> 00:25:28,600 Speaker 2: was sick so she couldn't go, and then she couldn't 569 00:25:28,600 --> 00:25:31,119 Speaker 2: go Saturday or Sunday either, and she was like, you know, 570 00:25:31,560 --> 00:25:34,240 Speaker 2: she wrote me on Sunday, She's like, hey, any chance 571 00:25:34,240 --> 00:25:36,800 Speaker 2: you can hang Monday before you leave? And my flight 572 00:25:36,840 --> 00:25:39,000 Speaker 2: was at eleven fifteen. The airport's forty five minutes away. 573 00:25:39,000 --> 00:25:41,399 Speaker 2: We got to return the rental car. And I was like, yeah, 574 00:25:41,440 --> 00:25:43,520 Speaker 2: but we'd have to You used to come downtown. She 575 00:25:43,560 --> 00:25:45,119 Speaker 2: lives twenty minutes away from where I was staying. I 576 00:25:45,119 --> 00:25:46,919 Speaker 2: was like, you have to be here like seven thirty 577 00:25:47,119 --> 00:25:48,720 Speaker 2: so we could get We need at least an hour 578 00:25:48,760 --> 00:25:50,199 Speaker 2: to catch up. We have a lot to catch up 579 00:25:50,200 --> 00:25:54,120 Speaker 2: on and so she was like I'm down. I'm like, fuck, yeah, 580 00:25:54,160 --> 00:25:56,480 Speaker 2: let's do it. Let's do an early morning thing. So 581 00:25:56,560 --> 00:25:59,560 Speaker 2: I wake up at like six thirty to finish packing, 582 00:26:00,000 --> 00:26:02,080 Speaker 2: so I can just go and then Catherine could drop 583 00:26:02,080 --> 00:26:03,600 Speaker 2: me off and I can just pick up my bags 584 00:26:03,600 --> 00:26:07,400 Speaker 2: and we can go to the airport. And I am 585 00:26:07,760 --> 00:26:11,639 Speaker 2: brushing my teeth. I text her like, hey, meet me. Actually, 586 00:26:11,760 --> 00:26:13,720 Speaker 2: don't don't park here. We're gonna park and then walk 587 00:26:13,720 --> 00:26:14,879 Speaker 2: and I go just pick me up because all the 588 00:26:14,880 --> 00:26:16,399 Speaker 2: Starbucks were closed. It was New Year's Day, so we 589 00:26:16,400 --> 00:26:18,639 Speaker 2: had to go somewhere else, to a different Starbucks. And 590 00:26:18,720 --> 00:26:24,639 Speaker 2: so she writes me at seven twenty nine, I'm just 591 00:26:24,680 --> 00:26:29,520 Speaker 2: about to leave, and I was like, what, Like, I 592 00:26:29,560 --> 00:26:31,639 Speaker 2: don't if you know me, you know I don't like 593 00:26:31,760 --> 00:26:34,360 Speaker 2: any time, Like I have nothing. There's everything's already done 594 00:26:34,400 --> 00:26:35,800 Speaker 2: for me to git ready to go, Like what am 595 00:26:35,840 --> 00:26:39,640 Speaker 2: I gonna do now? Like meditate? I'm not medaging until today. 596 00:26:40,119 --> 00:26:43,000 Speaker 2: That's when that started. And so I was just like 597 00:26:44,080 --> 00:26:45,440 Speaker 2: I have had to admit I'm sorry. If you're listening 598 00:26:45,480 --> 00:26:47,359 Speaker 2: to Catherine, I was like filled with rage, and she 599 00:26:47,400 --> 00:26:50,159 Speaker 2: could probably kind of not rage, but just like I 600 00:26:50,760 --> 00:26:54,000 Speaker 2: just don't and they can't tell just tell me you're 601 00:26:54,000 --> 00:26:56,280 Speaker 2: gonna be lately? How did you just know you were 602 00:26:56,320 --> 00:27:02,159 Speaker 2: leaving your house? Twenty twenty five minutes late only now, Like, 603 00:27:02,240 --> 00:27:04,359 Speaker 2: couldn't you have predicted twenty five minutes ago when you 604 00:27:04,359 --> 00:27:06,040 Speaker 2: were supposed to leave that you were gonna be at 605 00:27:06,119 --> 00:27:09,439 Speaker 2: least five minutes late than ten, then fifteen? Like I 606 00:27:09,440 --> 00:27:12,040 Speaker 2: guess maybe I would like to hear from some besties 607 00:27:12,080 --> 00:27:14,320 Speaker 2: about why people are late. 608 00:27:14,640 --> 00:27:15,720 Speaker 3: I can never understand. 609 00:27:15,760 --> 00:27:17,760 Speaker 2: But here's the thing about people who are late. And 610 00:27:17,800 --> 00:27:19,639 Speaker 2: I'm gonna get to what letting go in a second, 611 00:27:19,680 --> 00:27:21,439 Speaker 2: But let's me just bitch about people who are late 612 00:27:21,440 --> 00:27:25,119 Speaker 2: a little bit more. My sister is late two to everything, 613 00:27:25,800 --> 00:27:29,040 Speaker 2: but not everything because I've asked her, because I don't. 614 00:27:29,240 --> 00:27:30,960 Speaker 2: I don't complain about it with my sister because she's 615 00:27:31,000 --> 00:27:32,520 Speaker 2: got three kids, it's hard to get out of the house, 616 00:27:32,560 --> 00:27:36,239 Speaker 2: everything like that. But every single time we hang out 617 00:27:36,280 --> 00:27:38,520 Speaker 2: as a family, she's at least a half hour late, 618 00:27:38,520 --> 00:27:41,119 Speaker 2: her and her husband, no matter what. And it's just, 619 00:27:41,280 --> 00:27:42,960 Speaker 2: you know, we've tried to change the time, so we 620 00:27:43,000 --> 00:27:45,040 Speaker 2: tell them at different time. She somehow figures it out 621 00:27:45,080 --> 00:27:46,800 Speaker 2: and it will still show up a half hour late. 622 00:27:47,160 --> 00:27:50,639 Speaker 2: She everyone knows late people. They you can't, you can't 623 00:27:50,680 --> 00:27:51,240 Speaker 2: do this with that. 624 00:27:51,400 --> 00:27:53,719 Speaker 3: They're just figured apple and not late people. 625 00:27:54,080 --> 00:27:56,760 Speaker 2: But then I said to her, how I go have 626 00:27:56,840 --> 00:28:00,000 Speaker 2: you I wasn't trying listen, I was trying to get 627 00:28:00,080 --> 00:28:03,119 Speaker 2: information I wanted. But how do you how do you 628 00:28:03,160 --> 00:28:06,760 Speaker 2: not be passive? Aggressive or like when you want? My thoughts? Was? 629 00:28:08,040 --> 00:28:12,600 Speaker 2: My question is how do you have a job if 630 00:28:12,680 --> 00:28:14,960 Speaker 2: you're always this late? That's what I wanted to ask, 631 00:28:15,119 --> 00:28:16,840 Speaker 2: because I wanted to say, like, I've noticed you're late 632 00:28:16,840 --> 00:28:18,680 Speaker 2: all the time, which I don't I don't complain about 633 00:28:18,680 --> 00:28:20,560 Speaker 2: to her, So, but I've noticed this, right, So I'm 634 00:28:20,680 --> 00:28:24,080 Speaker 2: I'm I have all this accruing, all this data that 635 00:28:24,119 --> 00:28:26,399 Speaker 2: I have not let her know I've accrued right that 636 00:28:26,480 --> 00:28:29,879 Speaker 2: I've noticed she's late all the time. How do I 637 00:28:30,040 --> 00:28:34,199 Speaker 2: ask her without revealing that I've accrued this data? Like, 638 00:28:34,640 --> 00:28:37,280 Speaker 2: so I I don't like being passive though, you know, 639 00:28:37,359 --> 00:28:39,080 Speaker 2: like I would like to say, I've noticed you're late 640 00:28:39,120 --> 00:28:41,480 Speaker 2: all the time. No judgment, but are you not? 641 00:28:41,600 --> 00:28:42,640 Speaker 3: Like but you are judging? 642 00:28:42,680 --> 00:28:44,920 Speaker 2: But I am judging? Just say I don't understand. How 643 00:28:46,520 --> 00:28:49,000 Speaker 2: can I say no judgment? Like so much judgment? Like, hey, listen, 644 00:28:49,080 --> 00:28:53,160 Speaker 2: I'm just wondering so much judgment, Like why are you 645 00:28:53,480 --> 00:28:55,800 Speaker 2: but I go I said to her, tons and tons 646 00:28:55,840 --> 00:28:57,760 Speaker 2: of judgment? Are you ever late for school because I 647 00:28:57,760 --> 00:28:59,680 Speaker 2: know she's not because she would not have a job right. 648 00:28:59,760 --> 00:29:02,560 Speaker 2: She a first hour class. Class starts at seven fifty 649 00:29:02,560 --> 00:29:05,720 Speaker 2: at Kirkwood High School. So I said, are you ever 650 00:29:05,840 --> 00:29:08,560 Speaker 2: like late to class like our teachers? I just said 651 00:29:08,600 --> 00:29:10,840 Speaker 2: it in a general way. Are teachers? What do teachers do? 652 00:29:10,880 --> 00:29:12,920 Speaker 2: I don't remember my teachers ever not being there for 653 00:29:12,960 --> 00:29:15,360 Speaker 2: first hour or people are late all the time, you know. 654 00:29:15,520 --> 00:29:17,239 Speaker 2: So I was like, what do you do if you're 655 00:29:17,320 --> 00:29:19,760 Speaker 2: running late? And she was like, I think maybe I've been, 656 00:29:19,880 --> 00:29:23,400 Speaker 2: like you know, I've I've had other teacher. There's always 657 00:29:23,400 --> 00:29:25,600 Speaker 2: like a student teacher that can like step in for 658 00:29:25,640 --> 00:29:27,400 Speaker 2: you or something. But she was like, no, I've never 659 00:29:27,440 --> 00:29:30,600 Speaker 2: been late to first hour. And I'm like, this is 660 00:29:30,760 --> 00:29:34,960 Speaker 2: interesting to me. So you're never late for there? You 661 00:29:35,000 --> 00:29:36,600 Speaker 2: can be someone who's always on time. 662 00:29:37,240 --> 00:29:38,800 Speaker 3: Interesting, that's the same thing every day. 663 00:29:38,840 --> 00:29:40,920 Speaker 4: And she already has the babysitter or takes them to 664 00:29:40,960 --> 00:29:42,479 Speaker 4: daycare or whatever takes them to school. 665 00:29:43,360 --> 00:29:45,480 Speaker 2: At the same time, she probably alized. 666 00:29:45,040 --> 00:29:47,400 Speaker 1: That her family will be forgiving and she'll get out. 667 00:29:47,480 --> 00:29:49,480 Speaker 1: She won't get fired from being your sister. 668 00:29:49,360 --> 00:29:52,479 Speaker 2: There's not a level of respect for it's a respect 669 00:29:52,520 --> 00:29:54,920 Speaker 2: thing and that's fine, but it is about respect. And 670 00:29:54,960 --> 00:29:57,520 Speaker 2: it's the same way that like, you know, working on 671 00:29:57,520 --> 00:29:59,959 Speaker 2: the special with Chris, when he asked me to do 672 00:30:00,040 --> 00:30:03,000 Speaker 2: a zoom meeting about the lighting or something, and I 673 00:30:03,040 --> 00:30:04,760 Speaker 2: go no, I don't want to do that. I can 674 00:30:04,800 --> 00:30:06,680 Speaker 2: say it with that tone as opposed to if he 675 00:30:06,720 --> 00:30:08,640 Speaker 2: were a producer that I had just hired, I would 676 00:30:08,640 --> 00:30:11,520 Speaker 2: go no, actually today doesn't work for me. But instead 677 00:30:11,560 --> 00:30:14,040 Speaker 2: I can just say no because he loves me and 678 00:30:14,080 --> 00:30:16,240 Speaker 2: I don't respect him. No, that's not it, but I 679 00:30:17,160 --> 00:30:20,520 Speaker 2: know because there, but that is a level of disrespect 680 00:30:21,600 --> 00:30:23,720 Speaker 2: that I have to work on the next time we 681 00:30:23,760 --> 00:30:26,760 Speaker 2: work together, because I do want to have more respect 682 00:30:26,760 --> 00:30:29,320 Speaker 2: for the people that I should respect more than strangers 683 00:30:29,800 --> 00:30:31,000 Speaker 2: being late itself. 684 00:30:31,320 --> 00:30:33,600 Speaker 3: I mean, if you if you're analytical. 685 00:30:33,080 --> 00:30:35,680 Speaker 2: About it, the capital society, when money is on the line, 686 00:30:35,840 --> 00:30:38,480 Speaker 2: we're more respectful. And it's all about money. It's not 687 00:30:38,520 --> 00:30:41,959 Speaker 2: about actual love, because if we wouldn't be late for 688 00:30:42,040 --> 00:30:44,640 Speaker 2: lunches with the people for love, if we valued love 689 00:30:44,680 --> 00:30:45,240 Speaker 2: more than money. 690 00:30:45,840 --> 00:30:48,960 Speaker 1: About job security, I don't think it's about like money money, 691 00:30:48,960 --> 00:30:49,560 Speaker 1: which is money. 692 00:30:50,560 --> 00:30:55,560 Speaker 2: Job security is money. And also if there was not money, 693 00:30:56,200 --> 00:30:57,040 Speaker 2: there isn't money in it. 694 00:30:57,120 --> 00:31:00,840 Speaker 4: So job security, he would you but in front of 695 00:31:00,840 --> 00:31:03,320 Speaker 4: your students, but no one would have jobs. 696 00:31:03,040 --> 00:31:05,560 Speaker 2: If there weren't. It wasn't money. So it is about 697 00:31:05,640 --> 00:31:07,520 Speaker 2: money in the end. It is like we are on 698 00:31:07,600 --> 00:31:12,320 Speaker 2: time when there's money on the line, our our safety 699 00:31:12,360 --> 00:31:16,120 Speaker 2: net for you know. But when there when I just 700 00:31:17,280 --> 00:31:19,680 Speaker 2: I'm here's a Newsy's resolution I want to give to 701 00:31:19,760 --> 00:31:22,480 Speaker 2: late people because I do understand it is a thing 702 00:31:22,520 --> 00:31:24,880 Speaker 2: that you can't help, you truly can't. These are all 703 00:31:24,880 --> 00:31:27,240 Speaker 2: people in my life who I love so much. If 704 00:31:27,240 --> 00:31:29,600 Speaker 2: you're a chronically late person, and I am too, by 705 00:31:29,640 --> 00:31:32,920 Speaker 2: the way, but I'm chronically late seven to eight minutes late, 706 00:31:33,800 --> 00:31:38,200 Speaker 2: it's somewhere that we do. Just text when you're going 707 00:31:38,280 --> 00:31:38,720 Speaker 2: to be there. 708 00:31:39,480 --> 00:31:40,360 Speaker 3: Yeah, I don't. 709 00:31:40,240 --> 00:31:43,040 Speaker 2: Before you're late. Don't text at eight o'clock. If you're 710 00:31:43,040 --> 00:31:44,600 Speaker 2: going to be there at eight o'clock that I'm five 711 00:31:44,600 --> 00:31:47,560 Speaker 2: minutes late, text it eight or ten till eight that 712 00:31:47,600 --> 00:31:50,280 Speaker 2: you're going to be five minutes late. Try to be 713 00:31:50,400 --> 00:31:53,520 Speaker 2: on time with texting about being your lateness. Yes, that's 714 00:31:53,560 --> 00:31:55,600 Speaker 2: a great, Yeah, that's that's all you have to do. 715 00:31:55,640 --> 00:31:59,600 Speaker 2: Because as someone who has suffered from people's lateness, all 716 00:31:59,640 --> 00:32:02,560 Speaker 2: we want is to know the time, so I know, 717 00:32:03,440 --> 00:32:07,480 Speaker 2: like I am, I can start a crossword puzzle, or 718 00:32:07,680 --> 00:32:10,800 Speaker 2: I can get this email done, Like I know the 719 00:32:10,840 --> 00:32:12,920 Speaker 2: amount of time I have till she shows up, and 720 00:32:13,000 --> 00:32:15,160 Speaker 2: I can devote something to it. You know, I can 721 00:32:15,160 --> 00:32:17,680 Speaker 2: listen to my JFK podcast from reading in a second. 722 00:32:19,400 --> 00:32:22,160 Speaker 2: So these are all just things. So anyway, Catherine was late, 723 00:32:22,440 --> 00:32:25,680 Speaker 2: and what I wrote back first was I woke up 724 00:32:25,680 --> 00:32:29,680 Speaker 2: early for this. Not nice. But she was like I 725 00:32:29,800 --> 00:32:31,680 Speaker 2: realized because she had just left her house, She's gonna 726 00:32:31,680 --> 00:32:33,800 Speaker 2: be twenty five minutes late and we only have an 727 00:32:33,840 --> 00:32:36,000 Speaker 2: hour ten minutes to hang out. So I'm just like, 728 00:32:36,280 --> 00:32:38,960 Speaker 2: I'm just My anger was that I don't get to 729 00:32:39,120 --> 00:32:42,200 Speaker 2: hang out with my friend. It wasn't really about this 730 00:32:42,280 --> 00:32:44,280 Speaker 2: waste of my time. It was like, man, this is cutting. 731 00:32:44,400 --> 00:32:44,640 Speaker 4: It was. 732 00:32:44,720 --> 00:32:46,600 Speaker 2: It was a little bit of both, baby, But I 733 00:32:46,600 --> 00:32:49,240 Speaker 2: wrote back, I woke up early for this, and I 734 00:32:49,320 --> 00:32:53,479 Speaker 2: go And then I said, it's fine, I'll see you 735 00:32:53,560 --> 00:32:57,000 Speaker 2: soon or whatever. And and then I was like, then 736 00:32:57,040 --> 00:32:58,800 Speaker 2: I go, I'll just walk to the Starbucks we were 737 00:32:58,800 --> 00:33:00,440 Speaker 2: going to walk to. It's far away that I'll be like, 738 00:33:00,440 --> 00:33:02,000 Speaker 2: what I spend doing that twenty minutes doing? 739 00:33:02,080 --> 00:33:02,240 Speaker 3: Right? 740 00:33:02,280 --> 00:33:04,600 Speaker 2: So I walk there, and on my walk there, I 741 00:33:04,640 --> 00:33:06,880 Speaker 2: was like, now it's gonna be weird when she sees you, 742 00:33:06,920 --> 00:33:08,920 Speaker 2: because she's now scared of you, because she's scared that 743 00:33:08,960 --> 00:33:10,760 Speaker 2: you're gonna she's gonna get there and you're gonna be 744 00:33:10,920 --> 00:33:15,520 Speaker 2: mad at her, which from all like, all the evidence 745 00:33:15,520 --> 00:33:17,240 Speaker 2: shows that I am mad, because I wrote back, I 746 00:33:17,240 --> 00:33:18,280 Speaker 2: got up early for this. 747 00:33:18,400 --> 00:33:22,600 Speaker 3: You're not that scary, though, not to me. 748 00:33:23,040 --> 00:33:25,160 Speaker 2: I'm so glad to hear you say that, because everyone 749 00:33:25,160 --> 00:33:27,560 Speaker 2: else in my life has kind of told me that 750 00:33:27,560 --> 00:33:28,400 Speaker 2: they are terrified. 751 00:33:28,520 --> 00:33:31,240 Speaker 4: I know, I don't like to disappoint you, but I 752 00:33:31,240 --> 00:33:32,480 Speaker 4: wouldn't be like, oh no. 753 00:33:33,200 --> 00:33:37,600 Speaker 2: I was just like I forgive you. Yeah, I forget you. People. 754 00:33:37,640 --> 00:33:39,400 Speaker 3: You give people so many chances. 755 00:33:39,640 --> 00:33:41,760 Speaker 2: I might get a little mad at you and be like, 756 00:33:42,000 --> 00:33:44,400 Speaker 2: this sucks that you did this, and this is why 757 00:33:44,440 --> 00:33:47,880 Speaker 2: it sucks. But I will always forgive, especially if you 758 00:33:48,560 --> 00:33:52,240 Speaker 2: forgive yourself and like apologize. That's what apologizing is, is 759 00:33:52,320 --> 00:33:54,680 Speaker 2: kind of forgiving yourself and letting me know that you did. 760 00:33:55,360 --> 00:33:59,640 Speaker 2: I kind of feel so. But on my walk, I 761 00:33:59,720 --> 00:34:02,280 Speaker 2: was like, I was reminded of letting go, and I 762 00:34:02,320 --> 00:34:04,640 Speaker 2: was like, what if you just let go of the 763 00:34:04,720 --> 00:34:07,200 Speaker 2: disappointment that you don't get to hang with your friend, 764 00:34:07,640 --> 00:34:10,640 Speaker 2: the anger you feel that she's not respectful of your time, 765 00:34:10,920 --> 00:34:14,680 Speaker 2: which is you know, precious and all that stuff. And 766 00:34:14,719 --> 00:34:16,400 Speaker 2: I just like was I remember I was opening the 767 00:34:16,440 --> 00:34:18,560 Speaker 2: door to Starbucks, and I was just like just act 768 00:34:18,640 --> 00:34:20,840 Speaker 2: like it, didn't act like just let it who gives 769 00:34:20,840 --> 00:34:22,400 Speaker 2: a fuck? And I was able to let it go. 770 00:34:22,480 --> 00:34:24,520 Speaker 2: And when I saw her, I should have said to 771 00:34:24,560 --> 00:34:26,680 Speaker 2: her like, I'm sorry for my tone. I should have apologized, 772 00:34:26,719 --> 00:34:28,120 Speaker 2: but I think I was a little too embarrassed at 773 00:34:28,120 --> 00:34:30,600 Speaker 2: how I had written. So I just like instantly was 774 00:34:30,640 --> 00:34:33,359 Speaker 2: like waved at her car, like excited, like the way 775 00:34:33,400 --> 00:34:34,799 Speaker 2: I would have been if she showed up on time. 776 00:34:34,880 --> 00:34:37,439 Speaker 2: So there is something to this like letting go thing. 777 00:34:37,800 --> 00:34:43,000 Speaker 2: But then sometimes someone says something and you cannot let 778 00:34:43,000 --> 00:34:44,839 Speaker 2: it go because it keeps coming up in your head, 779 00:34:44,840 --> 00:34:46,200 Speaker 2: And what the fuck do you do about that? 780 00:34:47,120 --> 00:34:47,319 Speaker 3: Then? 781 00:34:48,040 --> 00:34:49,800 Speaker 4: I mean, that's the whole point of the book. Probably 782 00:34:50,840 --> 00:34:52,120 Speaker 4: what do you mean to try to find a way 783 00:34:52,160 --> 00:34:55,040 Speaker 4: to not ruminate? I know, but you have disturb with me. 784 00:34:55,120 --> 00:34:57,000 Speaker 2: You can't help your thoughts, no free will, Like I 785 00:34:57,040 --> 00:34:59,279 Speaker 2: can't help that this thing keeps coming up in my 786 00:34:59,360 --> 00:35:02,280 Speaker 2: mind of like just let it go over and over. Yeah, 787 00:35:02,400 --> 00:35:03,000 Speaker 2: what about that? 788 00:35:03,040 --> 00:35:04,400 Speaker 3: Every time it comes up? Let it? 789 00:35:04,520 --> 00:35:07,880 Speaker 2: Just then my anger starts to build. I have so 790 00:35:08,000 --> 00:35:11,760 Speaker 2: much anger in me, it's crazy. Like I think anger 791 00:35:11,840 --> 00:35:14,759 Speaker 2: is a thing that we are so not in touch with. 792 00:35:14,960 --> 00:35:17,200 Speaker 2: I mean, I know that's a fact. Everything is anger, 793 00:35:17,239 --> 00:35:19,920 Speaker 2: like your back pain. You're fucking not your back pain, 794 00:35:20,000 --> 00:35:25,239 Speaker 2: but like everything is just repressed anger. And I want 795 00:35:25,239 --> 00:35:27,120 Speaker 2: a journal more this year. I want to read more 796 00:35:27,160 --> 00:35:30,160 Speaker 2: books to understand myself and other humans and have more empathy. 797 00:35:30,160 --> 00:35:32,560 Speaker 2: Because reading more books, especially fiction, gives you a lot 798 00:35:32,600 --> 00:35:36,520 Speaker 2: of empathy for other people's experiences. No, you have lots. 799 00:35:36,560 --> 00:35:39,439 Speaker 2: I think you have a lot of empathy. And then 800 00:35:39,560 --> 00:35:43,400 Speaker 2: I want to let go of more things. I want 801 00:35:43,440 --> 00:35:46,840 Speaker 2: to keep doing pilates because it feels good. I want 802 00:35:46,880 --> 00:35:50,440 Speaker 2: to keep singing because it feels good. I want to 803 00:35:50,520 --> 00:35:54,920 Speaker 2: take more naps. And I want to declutter my life. 804 00:35:56,120 --> 00:36:02,520 Speaker 2: Does that mean just get rid of stuff and like 805 00:36:02,600 --> 00:36:06,160 Speaker 2: stop holding onto things. I mean that's a good point too, 806 00:36:06,239 --> 00:36:09,560 Speaker 2: people too, Like I'm I'm really tired of hearing about 807 00:36:09,560 --> 00:36:12,560 Speaker 2: people in my friends' lives who I'm like, get rid 808 00:36:12,880 --> 00:36:16,680 Speaker 2: by this person. I can't I almost can't handle you 809 00:36:16,719 --> 00:36:19,359 Speaker 2: anymore because you. I hear about this person so much. 810 00:36:19,560 --> 00:36:21,160 Speaker 3: That's why my that's when my anger came. 811 00:36:21,200 --> 00:36:22,960 Speaker 2: And when I start sounding like that kind of person 812 00:36:23,000 --> 00:36:27,440 Speaker 2: to myself with people, I like, when I start sounding 813 00:36:27,480 --> 00:36:30,680 Speaker 2: like a person that like is holding onto things like 814 00:36:30,800 --> 00:36:32,960 Speaker 2: because when you listen to your friends complain aboutuff, you're 815 00:36:33,040 --> 00:36:35,880 Speaker 2: just like, just get that, just quit that job, just 816 00:36:36,000 --> 00:36:39,960 Speaker 2: leave that person. It's easy, and yourself it's so much harder. 817 00:36:39,960 --> 00:36:42,920 Speaker 2: But yeah, that that's another thing, letting, letting people go 818 00:36:43,520 --> 00:36:48,799 Speaker 2: too and stop people pleasing so much. But I wish 819 00:36:48,840 --> 00:36:51,120 Speaker 2: i'd people to let go because I feel like I could. 820 00:36:51,200 --> 00:36:52,440 Speaker 3: But I don't even know anybody else. 821 00:36:52,440 --> 00:36:54,880 Speaker 2: Oh that's great that you probably have let go of everyone. 822 00:36:55,160 --> 00:36:56,919 Speaker 2: I went to your Christmas party and there was some 823 00:36:57,239 --> 00:37:00,479 Speaker 2: gems there. You think, yeah that I love that girl 824 00:37:00,480 --> 00:37:02,000 Speaker 2: that used to be a vet. I talked about it 825 00:37:02,040 --> 00:37:06,000 Speaker 2: on the pod Regina. Yeah. Yeah, she was really cool and 826 00:37:06,000 --> 00:37:09,320 Speaker 2: then her boyfriend, who was a therapist, was really cool. 827 00:37:09,680 --> 00:37:13,520 Speaker 2: They were just like just interesting and Greg was like, 828 00:37:14,280 --> 00:37:17,759 Speaker 2: thank you for talking about everything. He was like, he 829 00:37:17,800 --> 00:37:19,880 Speaker 2: doesn't know my work. He was just like at the party, 830 00:37:19,880 --> 00:37:22,120 Speaker 2: he was like, thank you for being so vulnerable, And 831 00:37:22,120 --> 00:37:23,319 Speaker 2: I was like, what did I say. I was like, 832 00:37:23,360 --> 00:37:25,319 Speaker 2: I think I had said like, oh I think about 833 00:37:25,360 --> 00:37:29,440 Speaker 2: killing myself a lot, or I said something just you know, conversationally, 834 00:37:29,640 --> 00:37:33,279 Speaker 2: just Christmas chatter, and he made a point to be 835 00:37:33,360 --> 00:37:35,440 Speaker 2: like that was really vulnerable what you just did. And 836 00:37:35,440 --> 00:37:39,080 Speaker 2: it made me feel so special. So well, he was 837 00:37:39,120 --> 00:37:41,080 Speaker 2: like I could tell he was impressed with my candor, 838 00:37:41,520 --> 00:37:43,920 Speaker 2: and I liked, he's he really likes you and Chris, 839 00:37:43,920 --> 00:37:47,520 Speaker 2: Oh that's so nice. Yay Julie. What do they think 840 00:37:47,560 --> 00:37:48,760 Speaker 2: of party animal Julie? 841 00:37:48,840 --> 00:37:50,120 Speaker 3: Oh everybody loves Julie. 842 00:37:50,200 --> 00:37:51,480 Speaker 2: No, one doesn't love Julie. 843 00:37:51,520 --> 00:37:53,520 Speaker 4: It's she's a crowd. I was like, my mom was 844 00:37:53,560 --> 00:37:56,279 Speaker 4: there too. Everyone's like, Julie need to was like, but my. 845 00:37:57,000 --> 00:37:59,879 Speaker 2: Mo, my mom's just holding Anya's dad's book, like, oh, 846 00:38:00,000 --> 00:38:05,359 Speaker 2: oh my god, he wrote this. Anya's dad wrote this. Well, 847 00:38:05,360 --> 00:38:06,080 Speaker 2: who's Cross? 848 00:38:06,120 --> 00:38:06,319 Speaker 4: Then? 849 00:38:06,680 --> 00:38:10,200 Speaker 2: Who's Jerry Cross? That's not Anya's name? Why is her name? Marina? 850 00:38:10,320 --> 00:38:14,160 Speaker 2: Like just so many questions. She is just a hoot 851 00:38:14,200 --> 00:38:17,640 Speaker 2: and a half hoot and holler. She's so fun. She's 852 00:38:17,800 --> 00:38:20,080 Speaker 2: like that's another goal this year is to spend more 853 00:38:20,080 --> 00:38:20,759 Speaker 2: time with my mom. 854 00:38:21,080 --> 00:38:24,080 Speaker 3: Yeah, and that's my goal, to spend more time with Julie. 855 00:38:24,000 --> 00:38:26,440 Speaker 2: Yeah, you should go thrifting with us, because I just 856 00:38:26,560 --> 00:38:29,279 Speaker 2: I'm my mom doesn't invite me thrifting, but I have 857 00:38:29,360 --> 00:38:31,319 Speaker 2: her on find my friends, and so I just am 858 00:38:31,360 --> 00:38:34,160 Speaker 2: going to go start finding her around the Saint Louis 859 00:38:34,200 --> 00:38:34,799 Speaker 2: metro area. 860 00:38:34,880 --> 00:38:36,719 Speaker 3: I'll take her at all the She needs to go 861 00:38:36,719 --> 00:38:37,600 Speaker 3: to the bens with me. 862 00:38:38,120 --> 00:38:39,880 Speaker 2: She knows where the bens are. She's in a bin 863 00:38:40,040 --> 00:38:42,360 Speaker 2: right now. She's knee deep in a bin right now. 864 00:38:43,000 --> 00:38:45,319 Speaker 3: I know, I've never seen that bitch of the bens. 865 00:38:45,680 --> 00:38:46,000 Speaker 2: Really. 866 00:38:46,320 --> 00:38:49,439 Speaker 4: No, Oh well, maybe we go in different days, maybe 867 00:38:49,440 --> 00:38:50,239 Speaker 4: different skeedgies. 868 00:38:50,640 --> 00:38:53,520 Speaker 2: Maybe she's twenty minutes late. No, she's on time for 869 00:38:53,520 --> 00:38:57,480 Speaker 2: those bins. She she has like nemeses at these places. 870 00:38:57,560 --> 00:38:59,400 Speaker 3: Oh, me too, See, we need to go together. 871 00:38:59,520 --> 00:38:59,680 Speaker 4: Yeah. 872 00:38:59,680 --> 00:39:01,400 Speaker 2: They up at the same time, and they're all just 873 00:39:01,520 --> 00:39:04,400 Speaker 2: rooting around for new stuff, you know, like the racks. 874 00:39:04,719 --> 00:39:07,759 Speaker 2: The racks come out. Yeah, and she sees the same 875 00:39:07,800 --> 00:39:10,600 Speaker 2: people all the time. She's God damn it, she's always 876 00:39:10,600 --> 00:39:13,520 Speaker 2: at that rack before me. It's just annoying. Nick, And 877 00:39:13,560 --> 00:39:15,839 Speaker 2: I go, well, you're there too. So funny when people 878 00:39:15,880 --> 00:39:18,480 Speaker 2: complain about crowds and it's like, well, you're part of it. 879 00:39:18,760 --> 00:39:21,160 Speaker 2: Why is everyone at the airport today, Well, why are 880 00:39:21,160 --> 00:39:23,120 Speaker 2: you and you're part of you're the part of the 881 00:39:23,120 --> 00:39:28,719 Speaker 2: problem as well. Yeah, I'm listening to the JFK podcast 882 00:39:29,480 --> 00:39:32,400 Speaker 2: Who Killed JFK? And it's with a question mark, but 883 00:39:32,400 --> 00:39:34,480 Speaker 2: they keep saying it like it's called who killed You, 884 00:39:34,520 --> 00:39:36,239 Speaker 2: like they're gonna tell you because they are. 885 00:39:37,440 --> 00:39:38,960 Speaker 3: Well, I know who it is, so we'll see. 886 00:39:39,120 --> 00:39:41,840 Speaker 2: Yeah, everyone needs to listen to this podcast. This is 887 00:39:41,960 --> 00:39:47,840 Speaker 2: a gift to Americans from Rob Reiner, the filmmaker, writer, 888 00:39:48,280 --> 00:39:50,960 Speaker 2: actor producer Rob Reiner, who gave us such things as 889 00:39:50,960 --> 00:39:54,680 Speaker 2: when Harry met Sally spinal tap, stand by me. This 890 00:39:54,800 --> 00:39:58,880 Speaker 2: guy has taken upon himself because he forget the origin 891 00:39:58,960 --> 00:40:02,000 Speaker 2: story of it. But he obviously he was like fifteen 892 00:40:02,160 --> 00:40:08,400 Speaker 2: when JFK was assassinated, murdered, and he you know, lived 893 00:40:08,480 --> 00:40:11,200 Speaker 2: through that. But then he met someone through some film 894 00:40:11,239 --> 00:40:15,439 Speaker 2: he was doing, who enlightened him to the fact that 895 00:40:16,600 --> 00:40:19,560 Speaker 2: JFK was murdered and it was a conspiracy and it 896 00:40:19,600 --> 00:40:21,880 Speaker 2: was one hundred percent that and it uh, you know, 897 00:40:22,239 --> 00:40:24,840 Speaker 2: Lee Harvey Oswald did not act alone. And he pretty 898 00:40:24,880 --> 00:40:27,760 Speaker 2: much sets this up. And then the podcast is gonna 899 00:40:27,760 --> 00:40:32,279 Speaker 2: tell you who like it's created. There's not like a 900 00:40:32,280 --> 00:40:34,960 Speaker 2: shadow of a Doubt anymore. Like it's it was created 901 00:40:35,000 --> 00:40:36,799 Speaker 2: this year. It just came out. I think they're still 902 00:40:36,840 --> 00:40:39,239 Speaker 2: releasing new episodes, so it's an episodic that comes out 903 00:40:39,239 --> 00:40:41,800 Speaker 2: every week. But now there's like nine episodes to Binge. 904 00:40:41,920 --> 00:40:44,440 Speaker 2: I'm through episode three because it is pretty dense in 905 00:40:44,520 --> 00:40:46,799 Speaker 2: terms of they really walk you hold your hand through it. 906 00:40:46,840 --> 00:40:48,880 Speaker 2: Like a real dummy can listen to this and understand it. 907 00:40:48,920 --> 00:40:51,480 Speaker 2: But I you know, you're distracted on your phone, you're 908 00:40:51,520 --> 00:40:54,160 Speaker 2: watching you know, you're on an airplane. Someone asked you 909 00:40:54,160 --> 00:40:56,359 Speaker 2: a question, and you've got to hear every little day 910 00:40:56,680 --> 00:40:57,520 Speaker 2: that comes through. 911 00:40:57,640 --> 00:40:59,759 Speaker 4: But you can just read Jerry Cross's book because of 912 00:40:59,800 --> 00:41:02,120 Speaker 4: course he has told us who did it already. 913 00:41:02,680 --> 00:41:04,520 Speaker 2: Yeah, I don't know who did it yet because I'm 914 00:41:04,560 --> 00:41:07,440 Speaker 2: only on episode three, but I'm guessing the CIA because 915 00:41:07,680 --> 00:41:11,040 Speaker 2: the Bay of Pigs disaster and and JFK wanted to 916 00:41:11,080 --> 00:41:16,719 Speaker 2: dismantle the CIA was very, very document well documented that 917 00:41:17,080 --> 00:41:22,600 Speaker 2: JFK was hated the CIA. The CIA was war hungry. 918 00:41:22,840 --> 00:41:26,640 Speaker 2: JFK wanted peace. They did not like that. They wanted war, 919 00:41:27,120 --> 00:41:29,480 Speaker 2: and he was going to split the CIA into a 920 00:41:29,520 --> 00:41:33,120 Speaker 2: thousand pieces and totally dismantle it, And I wonder if 921 00:41:33,160 --> 00:41:35,160 Speaker 2: he even thought this was a possibility that they could 922 00:41:35,200 --> 00:41:35,800 Speaker 2: kill him. 923 00:41:36,080 --> 00:41:36,839 Speaker 3: No, I don't think so. 924 00:41:37,560 --> 00:41:40,360 Speaker 4: Why because he was not you know, you know, he 925 00:41:40,560 --> 00:41:42,120 Speaker 4: had he had a disease. 926 00:41:42,160 --> 00:41:45,880 Speaker 3: That's why he was orange orange. 927 00:41:45,920 --> 00:41:47,239 Speaker 2: He wasn't using versus Bob. 928 00:41:48,400 --> 00:41:50,600 Speaker 3: Yeah, he's very orange, like he's very tan looking. 929 00:41:51,080 --> 00:41:54,560 Speaker 4: He had some he had some like serious health problems, 930 00:41:54,600 --> 00:41:56,799 Speaker 4: really bad health problems. That's why his head was kind 931 00:41:56,800 --> 00:41:59,000 Speaker 4: of like round, moon shaped and the orange. 932 00:41:59,640 --> 00:42:02,080 Speaker 2: Its just how we liked use a little cridashat we 933 00:42:02,160 --> 00:42:06,680 Speaker 2: learned about a congenial disease in high school? Why were 934 00:42:06,680 --> 00:42:08,839 Speaker 2: they teaching this? They didn't teach us about safe sex 935 00:42:08,840 --> 00:42:09,839 Speaker 2: in high school, but they taught us. 936 00:42:09,800 --> 00:42:11,759 Speaker 3: About Oh they taught to safe sex. 937 00:42:11,800 --> 00:42:15,160 Speaker 2: You don't remember, not really with pH Balance. We had 938 00:42:15,160 --> 00:42:17,839 Speaker 2: that class, a guy named Paul Holleran who we called 939 00:42:17,880 --> 00:42:18,479 Speaker 2: pH Balance. 940 00:42:18,520 --> 00:42:21,640 Speaker 4: When they showed us just zoomed and pictures of like 941 00:42:21,760 --> 00:42:25,759 Speaker 4: genitals with hearpies and stuff kinds MS Rice's class, and 942 00:42:25,960 --> 00:42:27,840 Speaker 4: she would point and be like, now tell me where 943 00:42:28,560 --> 00:42:29,839 Speaker 4: where the p would come out. 944 00:42:29,880 --> 00:42:31,839 Speaker 3: We're like, we know, because I still don't know. 945 00:42:32,000 --> 00:42:34,760 Speaker 2: It's like a calliflower, you know, it's a Jesus statue crying. 946 00:42:34,760 --> 00:42:37,280 Speaker 2: It just soaks out of the marble at some place. 947 00:42:38,080 --> 00:42:42,920 Speaker 2: Wait a second, hold on, wait we why did we 948 00:42:43,000 --> 00:42:46,160 Speaker 2: learn about congenial diseases though, like cry dohat, which is 949 00:42:46,160 --> 00:42:48,279 Speaker 2: a disease you can get if you have a you know, 950 00:42:48,960 --> 00:42:53,120 Speaker 2: you get a genetic mutation, and they called it. I 951 00:42:53,120 --> 00:42:54,879 Speaker 2: don't mean to laugh at people with cridershat. I don't 952 00:42:54,880 --> 00:42:57,319 Speaker 2: even think they survived very long, so we can laugh. 953 00:42:57,440 --> 00:43:00,719 Speaker 2: But yeah, so they're all dead. Maybe they're the but 954 00:43:00,719 --> 00:43:03,879 Speaker 2: it could be too soon. Cry do shat babies they 955 00:43:03,920 --> 00:43:05,719 Speaker 2: called them that. And this is too funny to tell 956 00:43:05,760 --> 00:43:10,560 Speaker 2: high schoolers. They they sounded. They would cry like a cat, 957 00:43:10,880 --> 00:43:14,040 Speaker 2: and it was in France and the cry of the 958 00:43:14,120 --> 00:43:18,000 Speaker 2: cat cry shat. It would be like, it's so sad 959 00:43:18,120 --> 00:43:19,719 Speaker 2: we had a big moon and they would have a 960 00:43:19,760 --> 00:43:21,120 Speaker 2: moon shaped hat like JFK. 961 00:43:21,280 --> 00:43:22,600 Speaker 3: So maybe he's cryo shat? 962 00:43:22,680 --> 00:43:25,120 Speaker 2: Okay, does is it a crescent moon? Like that older 963 00:43:25,360 --> 00:43:27,000 Speaker 2: scot for dominance. 964 00:43:27,280 --> 00:43:31,400 Speaker 4: Where I found we made there was a kid that 965 00:43:31,480 --> 00:43:34,479 Speaker 4: we thought was a crydo shat because of his head shake. 966 00:43:34,520 --> 00:43:38,000 Speaker 2: Okay, God damn it. We just got to bully people 967 00:43:38,040 --> 00:43:40,400 Speaker 2: to their moon faces at all. It was just in 968 00:43:40,520 --> 00:43:41,879 Speaker 2: notes that we would pass to each other. 969 00:43:41,960 --> 00:43:44,600 Speaker 4: Oh you know what I thought of yesterday? What song 970 00:43:44,880 --> 00:43:47,600 Speaker 4: Starry Starry Night came on? 971 00:43:47,840 --> 00:43:49,719 Speaker 2: Okay, so that's oh yeah, I remember that. 972 00:43:50,200 --> 00:43:52,960 Speaker 4: Don McLean And one time we were talking about somebody 973 00:43:53,000 --> 00:43:56,640 Speaker 4: that had acne scars or something and he said, scary 974 00:43:56,760 --> 00:43:57,640 Speaker 4: scary face. 975 00:44:01,320 --> 00:44:02,920 Speaker 3: It was we We. 976 00:44:02,920 --> 00:44:04,920 Speaker 2: Would bully people would notes. There's no question if a 977 00:44:05,000 --> 00:44:07,319 Speaker 2: note would be found, it would be very hurtful. But 978 00:44:07,440 --> 00:44:10,719 Speaker 2: we not to their faces. That's the difference. It's not 979 00:44:10,800 --> 00:44:12,879 Speaker 2: good that we did this. We just had self esteem 980 00:44:12,920 --> 00:44:15,200 Speaker 2: issues and we projected it correct, which I still do 981 00:44:15,320 --> 00:44:17,640 Speaker 2: in my own mind. But okay, we have to wrap 982 00:44:17,680 --> 00:44:19,839 Speaker 2: in this segment and go to a break. But we're 983 00:44:19,840 --> 00:44:21,160 Speaker 2: going to come back and we're going to talk more 984 00:44:21,200 --> 00:44:25,200 Speaker 2: about the JFK stuff. And we already covered Crider Shat. Okay, yeah, 985 00:44:25,200 --> 00:44:31,000 Speaker 2: we'll be back. So we it. JFK had like a 986 00:44:31,160 --> 00:44:33,920 Speaker 2: disease and that made him a stupid problem. No, he 987 00:44:34,040 --> 00:44:37,680 Speaker 2: just wasn't able to like particular kill him. That's one 988 00:44:37,680 --> 00:44:39,040 Speaker 2: of the side effects of this disease. 989 00:44:39,160 --> 00:44:42,239 Speaker 4: He also was you know, uh, you know, banging a 990 00:44:42,280 --> 00:44:44,879 Speaker 4: lot of chicks like Garl Monroe and stuff. They were 991 00:44:44,960 --> 00:44:47,120 Speaker 4: killed trying to kill Marilyman where they killed her? 992 00:44:47,600 --> 00:44:50,120 Speaker 2: They killed her? Yeah, why what'd she know? 993 00:44:50,280 --> 00:44:52,879 Speaker 4: Because she because she had an affair with uh, with 994 00:44:53,000 --> 00:44:53,840 Speaker 4: Bobby and. 995 00:44:54,120 --> 00:44:55,640 Speaker 2: With but why kill her? Who cares? 996 00:44:55,640 --> 00:44:58,640 Speaker 3: Because she was going to tell because she was borderline, 997 00:44:58,800 --> 00:44:59,520 Speaker 3: She's going to tell. 998 00:45:00,080 --> 00:45:03,399 Speaker 2: So they killed her. She didn't commit suicide, oh dear. 999 00:45:04,600 --> 00:45:06,520 Speaker 4: But anyway, he had a lot of health issues. But 1000 00:45:06,560 --> 00:45:09,440 Speaker 4: also you know, the CIA, that was just one of 1001 00:45:09,480 --> 00:45:12,440 Speaker 4: the things. But maybe the CIA killed him, maybe not, 1002 00:45:12,680 --> 00:45:15,479 Speaker 4: but they had some things to do with it, for sure. 1003 00:45:15,560 --> 00:45:16,879 Speaker 2: There was a lot of people. He was also trying 1004 00:45:16,920 --> 00:45:18,120 Speaker 2: to get rid of the mafia, so a lot of 1005 00:45:18,160 --> 00:45:20,400 Speaker 2: people think the organized crime and that's why Jack Ruby 1006 00:45:20,520 --> 00:45:23,920 Speaker 2: was a mafia guy, you know. And he said that 1007 00:45:24,000 --> 00:45:27,480 Speaker 2: he killed Lee Harvey Oswald because Jack Ruby killed Lee 1008 00:45:27,480 --> 00:45:28,479 Speaker 2: Harvey Oswald the day. 1009 00:45:28,400 --> 00:45:32,320 Speaker 4: After right, and then Jack Ruby immediately became totally fucking 1010 00:45:32,320 --> 00:45:34,600 Speaker 4: insane and couldn't speak or do anything. 1011 00:45:34,840 --> 00:45:39,840 Speaker 2: And then MK Ultra, Yes, okay, whoa. 1012 00:45:39,600 --> 00:45:42,040 Speaker 3: There's someone also more important than that sort. 1013 00:45:41,880 --> 00:45:42,600 Speaker 2: Of I can't wait. 1014 00:45:43,120 --> 00:45:43,319 Speaker 5: Well. 1015 00:45:43,480 --> 00:45:46,719 Speaker 2: I loved the part of this podcast where they're talking 1016 00:45:46,719 --> 00:45:50,560 Speaker 2: about the Zapruder film, which I did not know the 1017 00:45:50,600 --> 00:45:53,920 Speaker 2: world did not see the Zapruder film for until the seventies. 1018 00:45:54,440 --> 00:45:59,000 Speaker 2: They gave the Zapruder film to the CIA, and then 1019 00:45:59,080 --> 00:46:01,680 Speaker 2: one copy was made by the guy who was making 1020 00:46:01,920 --> 00:46:04,239 Speaker 2: the digital copy, not digital copies, but they were like 1021 00:46:04,280 --> 00:46:07,319 Speaker 2: converting it from five millimeter to thirty five millimeter, and 1022 00:46:07,360 --> 00:46:09,960 Speaker 2: that guy who was working in the Kodak lab was like, 1023 00:46:10,000 --> 00:46:12,279 Speaker 2: I'm gonna make one copy, and he was the one 1024 00:46:12,280 --> 00:46:16,520 Speaker 2: that brought it on Heraldo Rivera's show and with Dick 1025 00:46:16,560 --> 00:46:19,000 Speaker 2: Gregory comedian, which by the way, Dick Gregory was the 1026 00:46:19,000 --> 00:46:22,640 Speaker 2: one who blew this case wide open by going on 1027 00:46:22,680 --> 00:46:27,120 Speaker 2: Heroldo Rivera's show called like Tonight Tomorrow or something like 1028 00:46:27,120 --> 00:46:31,640 Speaker 2: that or like this week tonight, and Dick Gregory, a 1029 00:46:31,719 --> 00:46:33,680 Speaker 2: stand up comedian, was the one that was like, this 1030 00:46:33,719 --> 00:46:36,520 Speaker 2: is a conspiracy. The press needs to look into this. 1031 00:46:36,760 --> 00:46:39,040 Speaker 2: Why are we the ones that are bringing you this information? 1032 00:46:39,080 --> 00:46:40,839 Speaker 2: Because he was he was a part of all these 1033 00:46:40,840 --> 00:46:42,680 Speaker 2: groups that would meet up, these societies that would meet 1034 00:46:42,760 --> 00:46:45,200 Speaker 2: up to discuss the JFK assassination because it was worn. 1035 00:46:45,600 --> 00:46:48,000 Speaker 2: It was so cool. So I just love that because 1036 00:46:48,360 --> 00:46:51,480 Speaker 2: if you you know, Hannibal Burris was the one who 1037 00:46:51,560 --> 00:46:53,600 Speaker 2: like made a joke about Bill Cosby and then all 1038 00:46:53,600 --> 00:46:56,040 Speaker 2: of a sudden that all okay, Like that wouldn't have 1039 00:46:56,040 --> 00:46:58,440 Speaker 2: happened without Hannibal Burris just making a joke on stage 1040 00:46:58,440 --> 00:47:00,719 Speaker 2: one night and someone filming it being like, look it 1041 00:47:00,800 --> 00:47:03,319 Speaker 2: up type in Bill Cosby rape and see what happened yet, 1042 00:47:03,440 --> 00:47:05,799 Speaker 2: which was already well documented, but no one was looking 1043 00:47:05,880 --> 00:47:06,160 Speaker 2: at it. 1044 00:47:06,200 --> 00:47:06,960 Speaker 3: I did not know that. 1045 00:47:07,160 --> 00:47:10,439 Speaker 2: Yeah, and there's another. There's one other example I can't 1046 00:47:10,480 --> 00:47:12,800 Speaker 2: remember right now, just a comedian saying something and everyone 1047 00:47:12,840 --> 00:47:14,480 Speaker 2: going like, wait, let's look closer at this. 1048 00:47:14,680 --> 00:47:17,320 Speaker 4: Me talking about John Pinday on this podcast every single 1049 00:47:17,360 --> 00:47:18,120 Speaker 4: time I'm on it. 1050 00:47:18,200 --> 00:47:19,839 Speaker 2: Well, I saw did you see the girl's chest? 1051 00:47:20,239 --> 00:47:20,319 Speaker 3: No? 1052 00:47:20,600 --> 00:47:23,759 Speaker 2: I went to her house. What I saw her house 1053 00:47:23,760 --> 00:47:25,799 Speaker 2: this weekend? And I did a drive by picture when 1054 00:47:25,840 --> 00:47:28,040 Speaker 2: you're on the girl's chest. Did you take a picture? Yes? 1055 00:47:28,200 --> 00:47:31,120 Speaker 2: And I sent it to the girls? It to me no, 1056 00:47:31,160 --> 00:47:33,120 Speaker 2: but I said, you know what that means? What does 1057 00:47:33,160 --> 00:47:33,440 Speaker 2: it mean? 1058 00:47:33,480 --> 00:47:36,239 Speaker 4: But I have to become more obsessed so that you remember, wait, 1059 00:47:36,280 --> 00:47:38,640 Speaker 4: look at it. I am the one that should receive 1060 00:47:38,680 --> 00:47:39,680 Speaker 4: a picture of. 1061 00:47:39,680 --> 00:47:43,280 Speaker 2: Well, I thought everyone would like it. It's the next three. 1062 00:47:43,560 --> 00:47:47,520 Speaker 2: Have you ever been there? No? Why? Because I haven't 1063 00:47:47,920 --> 00:47:51,359 Speaker 2: been a boulder seems like you would make a pilgrimage there. 1064 00:47:51,400 --> 00:47:53,160 Speaker 2: So I didn't get to go to and I wanted 1065 00:47:53,160 --> 00:47:55,160 Speaker 2: to go. I didn't get to go to Columbine on 1066 00:47:55,160 --> 00:47:56,799 Speaker 2: the trip, but I did see the John Bay House 1067 00:47:57,200 --> 00:47:59,560 Speaker 2: and I was surprised it was not torn down, because 1068 00:47:59,600 --> 00:48:01,840 Speaker 2: they did. Did you know they tore down the Idaho 1069 00:48:01,880 --> 00:48:05,919 Speaker 2: murders place? Yes, it was the house. They don't. 1070 00:48:05,960 --> 00:48:07,480 Speaker 4: This house just sold. You can see on Zillow and 1071 00:48:07,520 --> 00:48:10,240 Speaker 4: I know there's a whole tour of the It's nuts crazy. 1072 00:48:10,400 --> 00:48:13,120 Speaker 2: What did itself for? Like four point three seven million, 1073 00:48:13,320 --> 00:48:16,359 Speaker 2: seven million Jesus, that's what it was for sale for. Yeah, 1074 00:48:16,360 --> 00:48:19,040 Speaker 2: And that's what someone goes, why didn't they Why didn't 1075 00:48:19,040 --> 00:48:20,920 Speaker 2: they tear down the Zambiney House? And I go, and 1076 00:48:20,960 --> 00:48:22,440 Speaker 2: why did they tear up don the Idaho thing? And 1077 00:48:22,480 --> 00:48:26,040 Speaker 2: I go, because you look at the prices. It's it's 1078 00:48:26,080 --> 00:48:29,480 Speaker 2: a shed. It's like a campus shed. 1079 00:48:29,760 --> 00:48:31,040 Speaker 3: Is the most ugly. 1080 00:48:31,320 --> 00:48:33,040 Speaker 4: If I wouldn't ever live in there, because I'd be like, 1081 00:48:33,040 --> 00:48:34,440 Speaker 4: I will definitely get murdered. 1082 00:48:34,120 --> 00:48:35,600 Speaker 2: Here in the Idaho one. Yeah. 1083 00:48:35,760 --> 00:48:38,359 Speaker 3: Oh really just so so ugly, Like. 1084 00:48:38,560 --> 00:48:40,600 Speaker 2: They should have known when they have been on a 1085 00:48:40,640 --> 00:48:45,439 Speaker 2: tour of it. Yeah, so When is that gonna When 1086 00:48:45,520 --> 00:48:47,239 Speaker 2: is all that the Idaho stuff going to start? 1087 00:48:47,280 --> 00:48:49,320 Speaker 3: Twenty twenty four? Is the trial starts? 1088 00:48:49,640 --> 00:48:51,720 Speaker 2: Oh that's this year. I know we're here already. 1089 00:48:51,760 --> 00:48:52,040 Speaker 1: Baby. 1090 00:48:52,520 --> 00:48:56,760 Speaker 2: What about what about like you're the murder girl expert, 1091 00:48:57,040 --> 00:49:01,279 Speaker 2: what about the Delphi DELFI is, when is that gonna start? 1092 00:49:01,320 --> 00:49:04,360 Speaker 4: That's not gonna start to at least wait late in 1093 00:49:04,400 --> 00:49:06,880 Speaker 4: twenty twenty four October twenty twenty four, which is insane 1094 00:49:06,880 --> 00:49:08,920 Speaker 4: because they're gonna kill him for it. They're trying to 1095 00:49:09,000 --> 00:49:12,560 Speaker 4: kill that guy. Why because he didn't do it at all? 1096 00:49:13,360 --> 00:49:15,719 Speaker 2: Who? And oh, because you think it's cops. 1097 00:49:15,719 --> 00:49:18,520 Speaker 4: I think it's cops or someone that's really high up, 1098 00:49:18,800 --> 00:49:21,839 Speaker 4: or else there wouldn't be all this ridiculous conspiracy. 1099 00:49:21,280 --> 00:49:23,200 Speaker 2: That you want to look into. A crazy murder. I've 1100 00:49:23,200 --> 00:49:25,640 Speaker 2: talked about on the podcast before, but the Delphi murders 1101 00:49:25,680 --> 00:49:27,879 Speaker 2: in Indiana are insane. And I read a book called 1102 00:49:27,920 --> 00:49:31,240 Speaker 2: Down the Hill and it's so good and so creepy, 1103 00:49:31,440 --> 00:49:34,120 Speaker 2: and it's just it's the worst thing because if you're 1104 00:49:34,239 --> 00:49:36,600 Speaker 2: like a little if you're a girl like me who 1105 00:49:36,719 --> 00:49:38,480 Speaker 2: used to like walk through the woods with their friends, 1106 00:49:39,040 --> 00:49:41,080 Speaker 2: you just see yourself so much in this because you 1107 00:49:41,120 --> 00:49:41,839 Speaker 2: could have been murdered. 1108 00:49:42,400 --> 00:49:43,399 Speaker 3: Yeah, it's going on a walk. 1109 00:49:43,440 --> 00:49:45,200 Speaker 2: They were just on a walk on a day off 1110 00:49:45,239 --> 00:49:47,640 Speaker 2: school where that it was like they had extra snow 1111 00:49:47,680 --> 00:49:49,480 Speaker 2: days to get rid of. So the school like was 1112 00:49:49,520 --> 00:49:51,560 Speaker 2: just like, we'll take his day off, and the little 1113 00:49:51,560 --> 00:49:53,840 Speaker 2: girls just went to the park and they got Hainousley 1114 00:49:53,920 --> 00:49:57,240 Speaker 2: murdered by possibly a police officer. 1115 00:49:58,320 --> 00:50:01,200 Speaker 4: Because they have elect five seconds of this to you, yes, 1116 00:50:01,320 --> 00:50:05,120 Speaker 4: at least, and we only know one second of it. 1117 00:50:05,400 --> 00:50:08,400 Speaker 4: If they have a whole video of someone, why wouldn't 1118 00:50:08,440 --> 00:50:09,719 Speaker 4: they release that. 1119 00:50:10,480 --> 00:50:12,400 Speaker 3: Because if the guy's already. 1120 00:50:12,040 --> 00:50:14,439 Speaker 2: In, if they have him, yeah, because usually they don't 1121 00:50:14,440 --> 00:50:16,000 Speaker 2: release stuff because they don't want that guy to live 1122 00:50:16,120 --> 00:50:16,640 Speaker 2: rodden hard. 1123 00:50:16,719 --> 00:50:19,399 Speaker 3: And it doesn't look anything like that. It's definitely not him. 1124 00:50:19,920 --> 00:50:21,239 Speaker 2: I think it does look like that guy. 1125 00:50:21,680 --> 00:50:25,919 Speaker 3: No, it looks much more like another guy that other 1126 00:50:26,000 --> 00:50:26,760 Speaker 3: people think. 1127 00:50:26,680 --> 00:50:33,520 Speaker 2: Is Well, let's talk about another conspiracy. The movie may December. 1128 00:50:34,360 --> 00:50:37,920 Speaker 2: So I went on a rant last time the podcast 1129 00:50:38,280 --> 00:50:40,640 Speaker 2: happened in twenty twenty three about the movie made December 1130 00:50:40,640 --> 00:50:42,600 Speaker 2: and how shitty it was and how I can't believe 1131 00:50:42,640 --> 00:50:44,560 Speaker 2: that people are talking about it for Oscar nominations and 1132 00:50:44,560 --> 00:50:47,640 Speaker 2: all this stuff. And then a bestie wrote me about 1133 00:50:48,120 --> 00:50:49,680 Speaker 2: she felt the same way about it, but then she 1134 00:50:49,719 --> 00:50:52,600 Speaker 2: went on Reddit threads and read about how all the 1135 00:50:52,600 --> 00:50:54,520 Speaker 2: things I hated about the movie and that we both 1136 00:50:54,600 --> 00:50:58,000 Speaker 2: hated about the movie were actually reasons why it was good. 1137 00:50:58,560 --> 00:51:03,280 Speaker 2: So yes, so the music sting throughout it are supposed 1138 00:51:03,320 --> 00:51:06,840 Speaker 2: to be okay. So the movie is about Natalie Portman, 1139 00:51:06,840 --> 00:51:10,200 Speaker 2: who's an actress who goes to visit this woman who 1140 00:51:10,280 --> 00:51:13,080 Speaker 2: is like a Mary Kay Laturno situation. She slept with 1141 00:51:13,080 --> 00:51:15,480 Speaker 2: her student or not student, but she slept with like 1142 00:51:15,520 --> 00:51:17,719 Speaker 2: a seventh grader when she was in her thirties. And 1143 00:51:17,760 --> 00:51:21,360 Speaker 2: now it's you know, thirty twenty five years later, and 1144 00:51:21,400 --> 00:51:23,120 Speaker 2: they're grown up and they have a family and kids 1145 00:51:23,120 --> 00:51:24,520 Speaker 2: of their own that are going to college, and this 1146 00:51:24,640 --> 00:51:29,560 Speaker 2: kid is now thirty three, she's fifty something, and Natalie 1147 00:51:29,600 --> 00:51:31,400 Speaker 2: Portman goes to study the family because she's going to 1148 00:51:31,440 --> 00:51:34,439 Speaker 2: play this woman in a movie. And the whole movie 1149 00:51:34,480 --> 00:51:36,840 Speaker 2: you're thinking, Natalie Portman is probably like a Natalie Portman 1150 00:51:36,880 --> 00:51:40,319 Speaker 2: type actress, right, like she's doing this amazing role. And 1151 00:51:40,360 --> 00:51:42,440 Speaker 2: you get little hints here and there that maybe that 1152 00:51:42,560 --> 00:51:44,600 Speaker 2: isn't the case, but you don't really think about it, 1153 00:51:45,719 --> 00:51:49,479 Speaker 2: and then in the very final scene, which I said 1154 00:51:49,480 --> 00:51:51,440 Speaker 2: the final scene was the graduation scene, that wasn't the 1155 00:51:51,440 --> 00:51:53,600 Speaker 2: final scene. The final scene was her shooting a scene 1156 00:51:53,600 --> 00:51:55,680 Speaker 2: in the movie. So you're cutting to the movie and 1157 00:51:55,719 --> 00:51:58,920 Speaker 2: the movie is shit. It's like a lifetime movie. It's 1158 00:51:59,040 --> 00:52:03,440 Speaker 2: terrible looking, the acting's bad, the set's bad. But I 1159 00:52:03,480 --> 00:52:06,480 Speaker 2: watched We're supposed to We're supposed to whole time think like, 1160 00:52:06,840 --> 00:52:09,360 Speaker 2: oh my god, this whole movie was meant to be campy. 1161 00:52:09,480 --> 00:52:12,720 Speaker 2: It was meant to be not the reasons I hated 1162 00:52:12,760 --> 00:52:15,480 Speaker 2: it were it was trying to be bad. The music 1163 00:52:15,520 --> 00:52:18,840 Speaker 2: sting throughout that was like bang bong bing that I hated. 1164 00:52:19,160 --> 00:52:21,520 Speaker 2: That was supposed to be hinting at us, to us 1165 00:52:21,560 --> 00:52:24,000 Speaker 2: that this movie, that's the type of movie this woman 1166 00:52:24,160 --> 00:52:26,800 Speaker 2: was making. And then the fact that her list started 1167 00:52:26,800 --> 00:52:31,239 Speaker 2: halfway through the film was intentional, and because the list 1168 00:52:31,320 --> 00:52:34,319 Speaker 2: started halfway through the film, because we were supposed to 1169 00:52:34,320 --> 00:52:36,600 Speaker 2: notice that she only used the lisp when she was 1170 00:52:36,640 --> 00:52:40,080 Speaker 2: trying to seem vulnerable and get something from the guy, 1171 00:52:40,239 --> 00:52:42,400 Speaker 2: like this the woman that seduced the kid, and so 1172 00:52:42,440 --> 00:52:45,719 Speaker 2: she would used the list to like infantilize herself. But 1173 00:52:45,760 --> 00:52:48,279 Speaker 2: I still don't know why they didn't start debuting it 1174 00:52:48,360 --> 00:52:51,839 Speaker 2: a little bit before halfway through the movie. And then 1175 00:52:52,719 --> 00:52:55,120 Speaker 2: so the reason that the music stings I hated, the 1176 00:52:55,160 --> 00:52:57,200 Speaker 2: lisp I hated, or the choice of the list halfway 1177 00:52:57,200 --> 00:53:01,640 Speaker 2: through I hated, and the ending which he is at 1178 00:53:01,920 --> 00:53:05,239 Speaker 2: his kid's graduation and he's crying. The father is the 1179 00:53:05,280 --> 00:53:07,600 Speaker 2: father who's now thirty three, what was a child? He's 1180 00:53:07,680 --> 00:53:09,840 Speaker 2: crying because he missed out on his childhood. And the 1181 00:53:09,880 --> 00:53:13,480 Speaker 2: whole movie, he's also working with butterflies, and I learned 1182 00:53:13,520 --> 00:53:16,160 Speaker 2: that the fact that he was trying to keep these butterflies, 1183 00:53:17,120 --> 00:53:19,279 Speaker 2: he like makes sure that they mature all the way 1184 00:53:19,320 --> 00:53:23,400 Speaker 2: before they fly, And obviously that is like a metaphor 1185 00:53:23,480 --> 00:53:25,920 Speaker 2: for he wishes someone would have protected him before he 1186 00:53:25,960 --> 00:53:30,680 Speaker 2: flew away. And then there is a whacked out scene 1187 00:53:31,280 --> 00:53:34,719 Speaker 2: that I cannot believe this is real. I sent it 1188 00:53:34,719 --> 00:53:36,720 Speaker 2: to Chris last night. It is a do you remember 1189 00:53:36,719 --> 00:53:41,040 Speaker 2: Mary Kaylaturno and this guy her love her just because 1190 00:53:41,080 --> 00:53:46,000 Speaker 2: she's crazy. Yeah, this is a interview they did final thought. 1191 00:53:46,400 --> 00:53:50,480 Speaker 2: Hold your fucking horses for this interview. Okay, it's a 1192 00:53:50,120 --> 00:53:53,560 Speaker 2: minute five long? Okay, is everyone ready for this? I 1193 00:53:53,600 --> 00:53:56,320 Speaker 2: cannot believe this is so awkward This is Mary Kayla 1194 00:53:56,360 --> 00:54:02,200 Speaker 2: Turno and her husband, who is the boy who by 1195 00:54:02,239 --> 00:54:04,240 Speaker 2: the way, when she got out of she was sentenced 1196 00:54:04,280 --> 00:54:07,799 Speaker 2: when they got caught rolling around in the head and 1197 00:54:07,840 --> 00:54:09,759 Speaker 2: this is me just kind of paraphrasing, but it was 1198 00:54:10,120 --> 00:54:14,120 Speaker 2: something like this. She was sentenced to like two years 1199 00:54:14,160 --> 00:54:16,640 Speaker 2: or something three years and she only served nine months 1200 00:54:16,640 --> 00:54:19,000 Speaker 2: and then she got out within a week or so. 1201 00:54:19,120 --> 00:54:21,480 Speaker 2: She's caught rolling around with him again. She goes back 1202 00:54:21,480 --> 00:54:23,720 Speaker 2: to prison for ten more years. She could have gotten 1203 00:54:23,719 --> 00:54:26,080 Speaker 2: out after nine months, but she went back again. She 1204 00:54:26,120 --> 00:54:29,120 Speaker 2: gets out after seven for that or something. They get married, 1205 00:54:29,200 --> 00:54:31,360 Speaker 2: have kids. Oh, they have Oh, by the way, she 1206 00:54:31,360 --> 00:54:35,879 Speaker 2: gets pregnant. She gets pregnant. I think she's pregnant during 1207 00:54:35,920 --> 00:54:37,879 Speaker 2: her first nine months, and then she gets pregnant again. 1208 00:54:37,920 --> 00:54:40,160 Speaker 2: She gives birth in prison and gets pregnant again on 1209 00:54:40,200 --> 00:54:42,359 Speaker 2: the second. I could be mixing that up, but she 1210 00:54:42,400 --> 00:54:46,279 Speaker 2: got pregnant. I mean, this lady was nuts. This is 1211 00:54:46,320 --> 00:54:48,799 Speaker 2: them doing an interview with some like Australian reporter and 1212 00:54:48,800 --> 00:54:51,040 Speaker 2: this is a minute five seconds And this is this 1213 00:54:51,080 --> 00:54:55,080 Speaker 2: is from Louis Lewis Petsman. He's a hilarious guy. On Instagram. 1214 00:54:55,440 --> 00:54:58,400 Speaker 2: He tweeted this out so many contemporary movies and shows 1215 00:54:58,400 --> 00:55:01,799 Speaker 2: based on real life, real events, traffic and imitation with 1216 00:55:01,960 --> 00:55:05,360 Speaker 2: uncanny impressions seen as the highest achievement. What May December 1217 00:55:05,400 --> 00:55:09,280 Speaker 2: does to incorporate this moment is one thousand times more interesting. 1218 00:55:09,280 --> 00:55:12,400 Speaker 2: So I guess in the movie May December there is 1219 00:55:12,440 --> 00:55:15,360 Speaker 2: a scene where she goes, who's the boss? Who's the boss? 1220 00:55:15,400 --> 00:55:18,600 Speaker 2: And you'll see what that comes from this interview. You 1221 00:55:18,680 --> 00:55:23,000 Speaker 2: can say that I am Wait, hold on, with the adults, 1222 00:55:23,920 --> 00:55:26,799 Speaker 2: you can say that I am saying that I was 1223 00:55:26,840 --> 00:55:27,520 Speaker 2: by age. 1224 00:55:28,160 --> 00:55:29,640 Speaker 3: I was by age. 1225 00:55:29,280 --> 00:55:33,480 Speaker 2: And by maturity. Maybe you were a taint, you Mary. 1226 00:55:33,520 --> 00:55:36,520 Speaker 2: You can't say I was immature. You don't know him, no, 1227 00:55:36,640 --> 00:55:38,560 Speaker 2: but I don't need to know him in this discussion. 1228 00:55:38,600 --> 00:55:40,880 Speaker 2: He's the child who I'm talking about? 1229 00:55:40,920 --> 00:55:41,000 Speaker 4: You? 1230 00:55:41,600 --> 00:55:43,560 Speaker 2: Who is the boss? She's saying it to the boy 1231 00:55:43,920 --> 00:55:46,279 Speaker 2: who is the boss? Who is the boss? 1232 00:55:46,960 --> 00:55:48,239 Speaker 3: Was being pursuing you? 1233 00:55:48,320 --> 00:55:49,160 Speaker 2: Who is the boss? 1234 00:55:49,200 --> 00:55:49,600 Speaker 1: Back then? 1235 00:55:51,200 --> 00:55:51,600 Speaker 4: Dulous? 1236 00:55:51,680 --> 00:55:54,080 Speaker 2: Now who was to say? 1237 00:55:55,960 --> 00:55:59,479 Speaker 3: Who is the boss? And who is the best? 1238 00:56:00,120 --> 00:56:09,880 Speaker 2: Tony Danzel, I'm pursuing the relationship. 1239 00:56:11,320 --> 00:56:11,759 Speaker 1: Who is. 1240 00:56:16,200 --> 00:56:21,000 Speaker 2: Well, I was the pursuer? Yes, this, now come on, 1241 00:56:21,080 --> 00:56:28,279 Speaker 2: he was? It doesn't matter. She goes, will flaw me? 1242 00:56:28,920 --> 00:56:31,279 Speaker 2: What does that even blaw me. She gives who's the 1243 00:56:31,320 --> 00:56:33,759 Speaker 2: boss to him so many times seven and it's so 1244 00:56:33,920 --> 00:56:36,920 Speaker 2: clear that she's like, if you don't say that, I 1245 00:56:36,960 --> 00:56:41,239 Speaker 2: mean it's it's just the definition of being someone being uh, 1246 00:56:41,920 --> 00:56:44,880 Speaker 2: the person in power telling someone who's the boss? Who's 1247 00:56:44,880 --> 00:56:47,839 Speaker 2: the boss? Like say it? You are clearly because you're 1248 00:56:47,880 --> 00:56:49,640 Speaker 2: telling me that I have to say who's the boss? 1249 00:56:49,760 --> 00:56:52,640 Speaker 2: He looks so frightened. It's so fucked up. 1250 00:56:52,680 --> 00:56:52,879 Speaker 1: Man. 1251 00:56:53,560 --> 00:56:55,560 Speaker 2: And now I'm starting to like the movie because I've 1252 00:56:55,560 --> 00:56:57,680 Speaker 2: read all this stuff. This is what I'm talking about. 1253 00:56:57,880 --> 00:56:59,960 Speaker 2: I can be convinced to like things I hate if 1254 00:57:00,120 --> 00:57:03,439 Speaker 2: you explain to me what I miss me too, I'm 1255 00:57:03,440 --> 00:57:06,520 Speaker 2: a summer like, if you prove it, then I'll like it. Yeah, 1256 00:57:06,640 --> 00:57:08,640 Speaker 2: Chris and I were talking about my set design at 1257 00:57:08,640 --> 00:57:11,239 Speaker 2: one point and I was like, I just need I 1258 00:57:11,280 --> 00:57:13,680 Speaker 2: don't know set design. So if I'm just told that 1259 00:57:13,760 --> 00:57:16,840 Speaker 2: these curtains are cool because maybe I don't like them 1260 00:57:17,120 --> 00:57:21,120 Speaker 2: upon first look or whatever it is aesthetically, if I'm 1261 00:57:21,160 --> 00:57:22,840 Speaker 2: just like I don't like it or like it's a 1262 00:57:22,880 --> 00:57:24,840 Speaker 2: little weird to me, if you explain to me why 1263 00:57:24,880 --> 00:57:27,560 Speaker 2: it's cool from an artistic perspective, that you have as 1264 00:57:27,600 --> 00:57:29,800 Speaker 2: an expert, I'll be like, oh, yeah, that is cool. 1265 00:57:30,240 --> 00:57:32,280 Speaker 2: Maybe that means I'm a pushover and that I don't 1266 00:57:32,320 --> 00:57:34,440 Speaker 2: have a backbone for what I think is cool and 1267 00:57:34,480 --> 00:57:38,920 Speaker 2: not cool. But I think things. I like things based 1268 00:57:38,960 --> 00:57:44,480 Speaker 2: on you know, uh, I guess I'm more what's it's. 1269 00:57:44,680 --> 00:57:46,480 Speaker 2: I don't just judge a book by its cover, like 1270 00:57:46,520 --> 00:57:48,480 Speaker 2: you got you can tell me what a cover if 1271 00:57:48,520 --> 00:57:50,200 Speaker 2: a cover's good, well. 1272 00:57:51,600 --> 00:57:53,800 Speaker 1: Understands that there are people who might know more than 1273 00:57:53,840 --> 00:57:55,800 Speaker 1: you in the field that they're experts on. 1274 00:57:57,480 --> 00:57:59,760 Speaker 2: Yeah, and like, if you tell me so. If I 1275 00:57:59,800 --> 00:58:03,000 Speaker 2: don't like the way a song sounds, if you tell 1276 00:58:03,040 --> 00:58:05,840 Speaker 2: me why that song is actually like so interesting, I 1277 00:58:05,880 --> 00:58:08,200 Speaker 2: can start to maybe like the song even though I 1278 00:58:08,240 --> 00:58:11,280 Speaker 2: fucking hated it at first. Does I think there's something 1279 00:58:11,280 --> 00:58:13,600 Speaker 2: about that that makes me a little bit of people 1280 00:58:13,640 --> 00:58:14,600 Speaker 2: please or push over? 1281 00:58:14,840 --> 00:58:17,080 Speaker 3: No? No, I think it's more like but. 1282 00:58:17,040 --> 00:58:18,880 Speaker 2: I can't help that I actually will start to like it. 1283 00:58:18,960 --> 00:58:21,480 Speaker 2: Or an outfit that I think is hideous, know it's 1284 00:58:21,520 --> 00:58:22,720 Speaker 2: cool because those boots. 1285 00:58:22,440 --> 00:58:25,320 Speaker 4: Actually, Yeah, you're open end that you would even give 1286 00:58:25,360 --> 00:58:27,880 Speaker 4: it a chance and take the time to let someone 1287 00:58:28,000 --> 00:58:30,240 Speaker 4: play something for you again or whatever. And I would 1288 00:58:30,240 --> 00:58:31,720 Speaker 4: just be like no, I don't want to listen to. 1289 00:58:31,680 --> 00:58:33,440 Speaker 2: It because I think I like May December. Now I 1290 00:58:33,480 --> 00:58:35,280 Speaker 2: think I'm gonna go back and watch it again, and 1291 00:58:35,320 --> 00:58:38,880 Speaker 2: with all of these context clues. But Chris made the point. 1292 00:58:38,880 --> 00:58:40,760 Speaker 2: He was like, well, then they miss the mark. If 1293 00:58:40,760 --> 00:58:43,240 Speaker 2: we're too intelligent people and we couldn't understand that they 1294 00:58:43,240 --> 00:58:45,720 Speaker 2: were trying to show us that this was actually shitty, 1295 00:58:45,800 --> 00:58:48,120 Speaker 2: like or like it was the movie that she was 1296 00:58:48,160 --> 00:58:52,800 Speaker 2: gonna make was shitty, then then they failed because would they. 1297 00:58:52,760 --> 00:58:55,240 Speaker 4: Just make it the exact story if they're going to 1298 00:58:55,280 --> 00:58:57,520 Speaker 4: even use the interview, it seems like they could have 1299 00:58:57,520 --> 00:58:59,360 Speaker 4: done a better job because the real story is. 1300 00:58:59,440 --> 00:59:00,640 Speaker 3: Very interesting and crazy. 1301 00:59:00,840 --> 00:59:02,760 Speaker 4: But if you were bored throughout this movie, then they 1302 00:59:02,800 --> 00:59:04,040 Speaker 4: didn't do a good job. 1303 00:59:04,240 --> 00:59:06,760 Speaker 2: But maybe it is good because I'm so obsessed with 1304 00:59:06,800 --> 00:59:09,400 Speaker 2: talking about it, Like sometimes things are so bad that 1305 00:59:09,480 --> 00:59:10,960 Speaker 2: you talk about them a lot, and I'm like, well, 1306 00:59:10,960 --> 00:59:14,040 Speaker 2: maybe I think it's good because I like Taylor Swift 1307 00:59:14,080 --> 00:59:15,800 Speaker 2: because of all the hitden messaging, the things that you 1308 00:59:15,840 --> 00:59:17,360 Speaker 2: don't get on the surface, the stuff that if you 1309 00:59:17,360 --> 00:59:18,600 Speaker 2: listen to it a couple of times, you go, oh 1310 00:59:18,680 --> 00:59:21,040 Speaker 2: my god, she's referencing that moment, like I'm obsessed with 1311 00:59:21,040 --> 00:59:24,200 Speaker 2: this clip of Taylor Swift where she's dancing. She's at 1312 00:59:24,240 --> 00:59:28,840 Speaker 2: Aristur and she's dancing too. We never go out of Style, 1313 00:59:29,600 --> 00:59:31,920 Speaker 2: which is clearly about Harry Styles. It's called Style. It 1314 00:59:31,960 --> 00:59:33,920 Speaker 2: was written on nineteen eighty nine. Nineteen eighty nine is 1315 00:59:33,960 --> 00:59:36,600 Speaker 2: an old album pretty much about Harry Styles. Everyone knows that. 1316 00:59:36,640 --> 00:59:39,160 Speaker 2: She's never, never explicitly said it, but she did a 1317 00:59:39,160 --> 00:59:41,560 Speaker 2: British accent in one of the songs when she was 1318 00:59:41,600 --> 00:59:44,440 Speaker 2: performing at the Grammys to nod at dating him. It's 1319 00:59:44,480 --> 00:59:46,360 Speaker 2: like it is about him. They were in a snowbobile 1320 00:59:46,400 --> 00:59:48,680 Speaker 2: accident she references in all the songs d She's never 1321 00:59:48,720 --> 00:59:50,320 Speaker 2: explicitly said it, but we just get it from all 1322 00:59:50,320 --> 00:59:53,880 Speaker 2: these fucking clues she's giving. But in airstour, she does 1323 00:59:53,960 --> 00:59:56,440 Speaker 2: a moment where she dances like Harry Styles. You should 1324 00:59:56,440 --> 00:59:58,400 Speaker 2: google it and look at it. I'm so obsessed with it. 1325 00:59:59,640 --> 01:00:01,640 Speaker 2: And it's not part of the choreography. She's just going 1326 01:00:01,720 --> 01:00:04,320 Speaker 2: like this and she does like a little and she 1327 01:00:04,360 --> 01:00:06,680 Speaker 2: does two seconds of it. But it's enough to just 1328 01:00:06,760 --> 01:00:09,320 Speaker 2: nod at us and go, I know who this is about. 1329 01:00:09,400 --> 01:00:11,120 Speaker 2: You know who this is about. I could always have 1330 01:00:11,200 --> 01:00:15,240 Speaker 2: reasonable deniability that or like whatever that word is that 1331 01:00:15,240 --> 01:00:17,320 Speaker 2: that maybe I just danced like that and it's just 1332 01:00:17,400 --> 01:00:19,920 Speaker 2: a coincidence, but it's not. And I love stuff like that. 1333 01:00:20,040 --> 01:00:23,160 Speaker 2: So maybe I just missed the mark on this movie 1334 01:00:23,160 --> 01:00:26,800 Speaker 2: and that when they're like or she actually puts it 1335 01:00:26,800 --> 01:00:27,320 Speaker 2: in the movie. 1336 01:00:27,360 --> 01:00:30,880 Speaker 1: From what it sounds like, people on Reddit created that 1337 01:00:30,960 --> 01:00:33,520 Speaker 1: meaning and it made sense, like they're just making sense 1338 01:00:33,520 --> 01:00:36,280 Speaker 1: of something bad. 1339 01:00:36,800 --> 01:00:40,240 Speaker 2: Yeah, but we are also making sense of this thing. 1340 01:00:41,680 --> 01:00:44,200 Speaker 2: But I do think they're right, Like I almost know 1341 01:00:44,240 --> 01:00:46,920 Speaker 2: they're right because it is so over the top. This 1342 01:00:47,200 --> 01:00:50,840 Speaker 2: miss musical sting is so stupid that I do think 1343 01:00:50,880 --> 01:00:54,439 Speaker 2: the director who when I'm looking at So I went 1344 01:00:54,640 --> 01:00:56,480 Speaker 2: on my own Reddit search and read all about it, 1345 01:00:56,520 --> 01:00:59,320 Speaker 2: and I'm like, oh shit, I'm an idiot. I kind 1346 01:00:59,320 --> 01:01:01,479 Speaker 2: of missed all of the things. And I can admit 1347 01:01:01,520 --> 01:01:05,080 Speaker 2: onm Aneneys don't like sometimes I'm it's so embarrassing when 1348 01:01:05,120 --> 01:01:07,080 Speaker 2: you think something's lame and you go, wait, that's what 1349 01:01:07,160 --> 01:01:10,400 Speaker 2: they meant it to be lame. Do you ever? Does 1350 01:01:10,400 --> 01:01:11,680 Speaker 2: that ever happen to you where you make fun of 1351 01:01:11,720 --> 01:01:14,120 Speaker 2: something and people go, no, that's the joke and you're like, 1352 01:01:14,160 --> 01:01:17,560 Speaker 2: oh yeah, like this weekend time, this weekend we were 1353 01:01:17,560 --> 01:01:20,280 Speaker 2: at a karaoke bar for New Year's Eve and Chris 1354 01:01:20,360 --> 01:01:24,320 Speaker 2: had a friend of his, a frind of his sister 1355 01:01:24,560 --> 01:01:27,640 Speaker 2: showed up and she was so funny. But I didn't 1356 01:01:27,640 --> 01:01:29,200 Speaker 2: expect her to be this funny, and it was a 1357 01:01:29,200 --> 01:01:30,960 Speaker 2: really loud bar, so I wasn't like hearing what she 1358 01:01:31,000 --> 01:01:33,360 Speaker 2: was saying exactly, and she was like being very sarcastic 1359 01:01:33,400 --> 01:01:35,840 Speaker 2: and like but truly funny. And Any showed up a 1360 01:01:35,840 --> 01:01:37,880 Speaker 2: bit later after I already established this girl is like 1361 01:01:37,920 --> 01:01:39,960 Speaker 2: next level funny. She's like cursed in level is funny. 1362 01:01:39,960 --> 01:01:42,840 Speaker 2: I could just tell, damn she and she was like 1363 01:01:43,280 --> 01:01:45,600 Speaker 2: at one point she put on this like Happy New 1364 01:01:45,680 --> 01:01:47,920 Speaker 2: Year zeve like crown, and she was talking about online 1365 01:01:47,960 --> 01:01:50,000 Speaker 2: dating and how horrible it is and how she just 1366 01:01:50,280 --> 01:01:52,000 Speaker 2: went out with someone who had a roommate and she 1367 01:01:52,040 --> 01:01:54,240 Speaker 2: was like, I'm thirty nine, Like I can't be like, hey, 1368 01:01:54,240 --> 01:01:56,440 Speaker 2: can I use the bathroom? There's your roommate gonna be 1369 01:01:56,480 --> 01:01:58,000 Speaker 2: out there, Like she was just like talking about it 1370 01:01:58,000 --> 01:02:00,880 Speaker 2: to me prior to Onya getting there. So Anya's across 1371 01:02:00,920 --> 01:02:03,040 Speaker 2: the table and then all of a sudden she starts 1372 01:02:03,080 --> 01:02:07,240 Speaker 2: doing like selfie is like like but like if you 1373 01:02:07,280 --> 01:02:09,680 Speaker 2: don't know her. She just looks like a twat doing 1374 01:02:09,720 --> 01:02:12,440 Speaker 2: like horrible like do you're seeing selfie is like styling 1375 01:02:12,440 --> 01:02:14,720 Speaker 2: her hair like you know, like most girls like pepping 1376 01:02:14,720 --> 01:02:17,080 Speaker 2: out her like doing duck face, you know. And then 1377 01:02:17,120 --> 01:02:19,440 Speaker 2: she goes she says to Anya, or she says to 1378 01:02:19,560 --> 01:02:22,240 Speaker 2: like the table, I'm just taking pictures for my bumble profile. 1379 01:02:22,440 --> 01:02:25,880 Speaker 2: And then she starts going like like thinking like the 1380 01:02:25,920 --> 01:02:30,200 Speaker 2: weirdest face. And Annie's looking at me like what is this? 1381 01:02:30,280 --> 01:02:33,080 Speaker 2: Like this girl is so over the top lame right now. 1382 01:02:33,240 --> 01:02:35,080 Speaker 2: And I go to Anya, I go, no, she's doing 1383 01:02:35,120 --> 01:02:37,160 Speaker 2: a joke. And I'm was like oh, and then it's 1384 01:02:37,200 --> 01:02:39,880 Speaker 2: like the funniest thing. But like watching my friend think 1385 01:02:39,920 --> 01:02:42,200 Speaker 2: this girl is lame was such a weird moment for 1386 01:02:42,240 --> 01:02:43,760 Speaker 2: me that I was like, no, no, no, she knows what 1387 01:02:43,840 --> 01:02:46,720 Speaker 2: she's doing. And I think that's what my December was 1388 01:02:46,720 --> 01:02:49,880 Speaker 2: for me. So thank you to the bestie for enlightening 1389 01:02:49,920 --> 01:02:51,400 Speaker 2: me on it. So many besties were it to me 1390 01:02:51,440 --> 01:02:54,120 Speaker 2: saying you hated May December two. Maybe maybe it deserves 1391 01:02:54,120 --> 01:02:59,360 Speaker 2: a second look. Who knows, but everyone does need to 1392 01:02:59,360 --> 01:03:03,560 Speaker 2: see Natalie Portman actively humping the air in the sworge 1393 01:03:03,560 --> 01:03:07,000 Speaker 2: closet of a pet shop having simulated sex with a 1394 01:03:07,040 --> 01:03:11,360 Speaker 2: teenager in the closet of a pet shop. That is 1395 01:03:11,400 --> 01:03:13,160 Speaker 2: a scene you need to see. It looks a lot 1396 01:03:13,240 --> 01:03:18,360 Speaker 2: like this, her humping the air because she's getting ready 1397 01:03:18,360 --> 01:03:20,840 Speaker 2: for the role. She goes to the pet shop where 1398 01:03:20,880 --> 01:03:23,600 Speaker 2: this woman and this boy had their first encounter, because 1399 01:03:23,600 --> 01:03:25,640 Speaker 2: she's in the small town where they met. And she 1400 01:03:25,680 --> 01:03:27,400 Speaker 2: goes to the pet shop owner. She's like, can I 1401 01:03:27,440 --> 01:03:29,600 Speaker 2: take a look at the back, and then he brings 1402 01:03:29,640 --> 01:03:32,160 Speaker 2: her back and leaves her alone, which I've already discussed 1403 01:03:32,160 --> 01:03:34,800 Speaker 2: is so weird in movies, where like people just let 1404 01:03:35,280 --> 01:03:38,480 Speaker 2: anyone rolled around in places they shouldn't by themselves. But 1405 01:03:38,600 --> 01:03:41,680 Speaker 2: the screen writer didn't want to write an extra character 1406 01:03:41,880 --> 01:03:44,200 Speaker 2: into the scene, and he needed her to hump the 1407 01:03:44,200 --> 01:03:46,040 Speaker 2: air alone, So he's got to get that old man 1408 01:03:46,080 --> 01:03:48,520 Speaker 2: in the back of the front and so yeah, and 1409 01:03:48,560 --> 01:03:50,320 Speaker 2: then she just goes and she humps the air. It's 1410 01:03:50,320 --> 01:03:53,720 Speaker 2: pretty good. And that's how do we know your everyone. 1411 01:03:54,520 --> 01:03:58,360 Speaker 2: That's where we leave you, Taylor. Thanks for being here. 1412 01:03:59,040 --> 01:04:00,880 Speaker 2: My mom is going to be here tomorrow. You guys 1413 01:04:01,000 --> 01:04:03,560 Speaker 2: gear up for that. Brian Franzie will be back tomorrow. Taylor. 1414 01:04:03,600 --> 01:04:07,080 Speaker 2: We'll bay see you next week. Thank you. For listening 1415 01:04:07,080 --> 01:04:08,880 Speaker 2: to you guys, and thanks for coming to my shows. 1416 01:04:08,920 --> 01:04:11,680 Speaker 2: I have shows coming up in Florida in two weekends, 1417 01:04:12,000 --> 01:04:13,920 Speaker 2: so see me at that, and you can watch me 1418 01:04:14,640 --> 01:04:17,520 Speaker 2: all presenting at the Creative Arts Emmys on f f 1419 01:04:17,800 --> 01:04:21,920 Speaker 2: fxx I think on January ninth it airs, and I'll 1420 01:04:21,960 --> 01:04:23,800 Speaker 2: be doing that this week. I'm going to LA this weekend. 1421 01:04:23,800 --> 01:04:26,120 Speaker 2: That'll be fun. But thank you for all your sport 1422 01:04:26,240 --> 01:04:28,080 Speaker 2: in the past year and this new year. It's going 1423 01:04:28,120 --> 01:04:29,640 Speaker 2: to be so great. On the pod, we love you 1424 01:04:29,880 --> 01:04:33,400 Speaker 2: and don't be kiss and dig. Just listen to the 1425 01:04:33,520 --> 01:04:36,320 Speaker 2: JFK podcast. I'm gonna be talking about it a lot. 1426 01:04:36,640 --> 01:04:38,640 Speaker 2: What else do I have to see is good