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Speaker 1: I'm losing it. This is here we go, It's I'm

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Speaker 1: off today, Like this is until I have been off

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Speaker 1: all week, Like we started with a guest instead of

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Speaker 1: the recap. I am just like thrown.

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Speaker 2: Everything has just been slightly off this week. Like I

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Speaker 2: even went to Pilate's this week to my trainer and

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Speaker 2: I'm like ten minutes into the thing, she was like,

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Speaker 2: are you okay your body today? And I was like,

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Speaker 2: oh my god. You notice She's like, oh, yeah, you're

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Speaker 2: not at all. I don't know where you are, but

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Speaker 2: like you're not, Like no, I'm not.

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Speaker 1: Yeah.

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Speaker 2: So anyway, speaking about of body experiences.

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Speaker 3: Oh, I can't wait to hear this story. Jody logged

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Speaker 3: on today was like I can't wait for the pre

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Speaker 3: show chat. I can't wait for the week and then

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Speaker 3: you like told like half of it already.

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Speaker 1: I got so excited, I know.

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Speaker 2: So last night I went to a show at Kirk

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Speaker 2: Douglas Theater in Culver City called Puppet.

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Speaker 1: Up, pup It Up, pup it Up, pup it Up.

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Speaker 1: That's okay, I like that, yeah, puppet Up.

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Speaker 2: And it is a show from the Henson Company brand

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Speaker 2: Henson Company, and.

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Speaker 1: It is a night of.

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Speaker 2: Inappropriate puppet improv not for kids, then, oh god, no, no, no, no,

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Speaker 2: they will nobody under I think sixteen is a lot

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Speaker 2: like it's it's raunchy. Imagine Bob and Dave putting on

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Speaker 2: a puppet show. She imagine what they.

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Speaker 1: Would do with mister Woodchuck.

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Speaker 2: Yeah, yeah no, but it's hilarious, Oh my god. And

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Speaker 2: not only that, so the whole process is also really

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Speaker 2: cool because.

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Speaker 1: You know, the one thing that Brian Henson.

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Speaker 2: Keeps saying is like, look, we're a TV company, a

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Speaker 2: TV and movie we make TV and movies. Like the

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Speaker 2: puppets look like they're actual people. Yeah, so he's like,

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Speaker 2: that's how we do the live show. So it's actually

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Speaker 2: also really cool because they have the camera set up

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Speaker 2: and the like this triangle of where they're inframe and

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Speaker 2: where they're out, but you not only to get to

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Speaker 2: watch the two big screens that are just the puppets

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Speaker 2: doing their thing, but you also get the show of

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Speaker 2: watching these puppeteers are the ones doing the improv. So

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Speaker 2: they're also amazing improv artists. They sing, they're funny, they're

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Speaker 2: like the best like improv troupe you've ever seen. But

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Speaker 2: now they're doing it with puppets and not looking at

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Speaker 2: each other and looking at a monitor, and they've got

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Speaker 2: to do everything in reverse, right, because it's so hard,

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Speaker 2: it's such an art form, and it's so good. I

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Speaker 2: haven't laughed that hard in such a long time. It

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Speaker 2: was it was a two hour show.

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Speaker 1: I could just sat there for another hour and a

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Speaker 1: half the whole audience like we did.

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Speaker 2: The energy did not die at any point because it's

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Speaker 2: also audience participation where you're like yelling out the ridiculous

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Speaker 2: scenario that they're in. Okay, I need a location, I

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Speaker 2: need a job, I need you know.

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Speaker 1: So it's it was such a great show.

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Speaker 2: But I bought the VIP ticket experience. Like the day

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Speaker 2: that I saw it come out, I was thrilled, you're

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Speaker 2: all in online buying tickets at VIP experience meet striking

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Speaker 2: out about it.

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Speaker 1: I was like, what are you so sad? I was like,

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Speaker 1: oh my god, puppets and he was just like, okay,

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Speaker 1: something these are on me. I was like no, but

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Speaker 1: hence and it's changed my life. So the before show.

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Speaker 2: Experience was upstairs at the theater and they had original

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Speaker 2: puppets and monsters from the movies that they had done,

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Speaker 2: and they had oh my gosh, see Perryman and Paul's

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Speaker 2: bring Fog. Can't remember his name, the little blue worm

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Speaker 2: from Labyrinth anyway, Uh yeah, the little but the original one,

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Speaker 2: one of the original Skexies from Dark Crystal, which are

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Speaker 2: like the big weird bird looking things.

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Speaker 1: Oh yeah they were.

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Speaker 2: They were like almost five feet tall. They were life

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Speaker 2: size like huppet truth. They they were amazing, fascinating, the

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Speaker 2: head from a dinosaurs earl. Yeah, because those were Henson muppets.

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Speaker 1: Okay, what else was that?

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Speaker 3: This is like Rich Correll's Heart of Darkness with all

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Speaker 3: the moms.

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Speaker 1: Yes, yes, yes, it says this is hens muppets and monsters. Yeah.

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Speaker 1: Oh it was thrilled.

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Speaker 2: It was just this is It was great. It was

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Speaker 2: my happy place. But anyway, the show was amazing. And

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Speaker 2: in the pre show thing, uh, Brian Henson was there,

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Speaker 2: who is also a genius like his father, and he

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Speaker 2: gave like a like twenty minute like description of the

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Speaker 2: show how it came about, how like just kind of

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Speaker 2: talking about like the Henson Company in general, what his

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Speaker 2: dad started with and all that kind of stuff, and

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Speaker 2: then questions.

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Speaker 1: So I of course shot my hand at first, I

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Speaker 1: was that kid. I was that person, my qu I.

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Speaker 2: Was that person, and I knew. I was like, this

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Speaker 2: is such a lame question because it's I know, we

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Speaker 2: get it's like one of those where you're like, that's

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Speaker 2: what I asked.

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Speaker 1: Of all the things, that's what I asked.

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Speaker 2: I asked, who's your favorite Muppet all because and he

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Speaker 2: was like, well, I can't really, you know, I can't

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Speaker 2: really pick because it's they're like kids.

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Speaker 1: I was like, yeah, I get that. He was like,

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Speaker 1: but obviously, if I.

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Speaker 2: Have to pick one, he said, it's Kermit. He said

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Speaker 2: because Kermit was my dad. So Kermit and Kermit was

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Speaker 2: based on I mean, Jim Henson did Kermit obviously, but

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Speaker 2: it was very him.

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Speaker 1: It was he. Kermit was that. So it was just

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Speaker 1: really neat to hear and talk about that. And then

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Speaker 1: I got so starstruck. This was my like.

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Speaker 3: No kids on the block, right, this is you. This

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Speaker 3: is this is my happy place. You you you never

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Speaker 3: get starstruck. We go to events and things and you

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Speaker 3: are never no.

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Speaker 1: Et for Brian Henson.

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Speaker 2: So so anyway, he's standing over there and like, you know,

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Speaker 2: talking to people, meeting pictures, and I'm Celia went with

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Speaker 2: me which I'll get to why Celia went with me

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Speaker 2: and not our friend Brooke, which was totally my fault,

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Speaker 2: but we'll get there anyway.

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Speaker 1: So Celia's with me and she's like, oh my god,

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Speaker 1: go say hi.

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Speaker 2: I'm like no, no, literally in the corner, like taking

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Speaker 2: a step and then going and then like I walked

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Speaker 2: over there, but he was talking to somebody, so I

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Speaker 2: like turned around and.

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Speaker 1: I was like I don't I don't don't want to bother.

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Speaker 1: I can feel your stress, and she's like, would you

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Speaker 1: just go? I was like I don't want it.

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Speaker 2: So that we're standing there like kind of our backstoom

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Speaker 2: having and she's like, over there.

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Speaker 1: Got a good picture of you. I was like, no,

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Speaker 1: I don't think he's taking pictures. Wanted a picture right now?

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Speaker 1: Is I have? All? The other guy? Just like would

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Speaker 1: you stop it?

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Speaker 2: The whole argument under our breath, right in front of

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Speaker 2: a young woman who's there, who turns out she's like.

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Speaker 1: Did you enjoy the exhibit? And I was like, oh

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Speaker 1: my god. Yes. It was Brian's assistant and the social

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Speaker 1: media director for puppet Up. Oh cool.

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Speaker 2: So she obviously recognized me, and she was like, would

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Speaker 2: you like to meet him?

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Speaker 1: And I was like, oh my, oh my god. Yes,

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Speaker 1: and then I was like, I was just like, you're here,

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Speaker 1: just stand off to the side for a minute, and

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Speaker 1: like when you know, ready kind of clears that you

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Speaker 1: can have a moment. And I was so like, there,

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Speaker 1: Celia got a picture of me meeting.

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Speaker 2: I am like, it looks like I like my firstborn

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Speaker 2: child's just like I am glowing so excited.

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Speaker 1: And I just told him, I was like, you have

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Speaker 1: no idea, and I like started get all chears, like oh,

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Speaker 1: I was like.

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Speaker 2: The Muppets and Jim Henson and and everything that your

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Speaker 2: dad created was like that raised me.

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Speaker 1: It's some of my earliest memories.

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Speaker 2: It like I Dark Crystal and Labyrinth Works taught me

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Speaker 2: so much about creativity and like just.

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Speaker 1: New worlds and all that. I was like, I just

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Speaker 1: I love it so much. It was ridiculous.

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Speaker 2: And yeah, and Puppets made me cry. So anyways, that

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Speaker 2: was my moment. That was my new kid's moment. Was

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Speaker 2: I love that Brian Henson directed a Muppet Christmas Carol?

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Speaker 1: Wow? He oh man, this was yeah, this is like

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Speaker 1: your mecca. This is my yeah, this is my this

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Speaker 1: is my big moment. Like oh and.

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Speaker 2: That was the thing that I was like him, didn't

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Speaker 2: ask me anything about Muppet Christmas Carol, and he told

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Speaker 2: the story about doing that, kind of the behind the

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Speaker 2: scenes stuff of how they got Muppet Christmas Carol made

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Speaker 2: and how you know. Anyway, just a really wonderful night

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Speaker 2: and the god it was I even't laughed a hard

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Speaker 2: and tears street the whole audience doubled over in laughter.

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Speaker 2: Just brilliant, brilliant comedy. And Yeah, it's playing for two

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Speaker 2: weeks at the Kirk Douglas Theater in la in Culver City.

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Speaker 2: I highly recommend people go or if it comes back,

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Speaker 2: definitely go see it.

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Speaker 1: It's worth it. It's it's just ridiculous.

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Speaker 3: I can't bear anything more Jodie Sweeten than Muppets and

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Speaker 3: inappropriate improv.

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Speaker 2: Right, inappropriate Muppet improv like yes please, so yeah, and

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Speaker 2: Brian Henson I basically died.

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Speaker 1: And not only that. Oh, I got a from the

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Speaker 1: VIP package. I got I got a thing you gotta

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Speaker 1: got merch.

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Speaker 2: Oh wait, this is a hot Dog Buppet from the

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Speaker 2: show and there and it's signed by Brian Henson. And

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Speaker 2: there's a several points in the show where a group

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Speaker 2: of hot Dog puppets like these, except they have little

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Speaker 2: mouths dressed as random things that the audience dressed as

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Speaker 2: random things, and then the audience throws out random things

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Speaker 2: that they have to sing about. They make a song,

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Speaker 2: Oh funny as the puppet band, the hot Dog Puppet Band,

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Speaker 2: so away.

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Speaker 1: Yeah, I'm very excited. I have a hot dog puppet.

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Speaker 2: Signed by Brian Henson, and that is definitely going to

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Speaker 2: wind up in some of my comedy shows.

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Speaker 1: I'll tell you that much right now.

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Speaker 2: You just got to take that everywhere you go. Just

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Speaker 2: put it in your person you make. Is that a

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Speaker 2: hot dog puppet in your purse? Don't worry about it?

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Speaker 2: Yeah what if?

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Speaker 1: Yeah? I get it through TSA. I mean I might

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Speaker 1: get some strange looks.

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Speaker 2: But but then oh my god, so so my the

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Speaker 2: Bonehead move like beyond Bonehead Move.

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Speaker 1: Oh no. So Celia wound up going with me's friend.

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Speaker 1: So she is my best friend and she also loves

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Speaker 1: like the you know Henson and all off. But Brooke

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Speaker 1: one of my best friends that you know as well.

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Speaker 2: Oh yeah, but we know and love. Brooke is like beyond.

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Speaker 2: He's like me as far as muppets. Henson Labyrinth, Dark

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Speaker 2: Grit like has had Labyrinth Weekend themed birthday parties where

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Speaker 2: he's dressed like Jared I mean, and he goes all

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Speaker 2: out for his birthday parties. Well, yeah, he goes all

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Speaker 2: out for his birthday parties. But he loves these movies,

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Speaker 2: and so I had invited him to go and I

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Speaker 2: was like, oh my god, it's gonna be amazing. And

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Speaker 2: he lives in San Francisco, so he was like, oh,

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Speaker 2: this actually works out great because I wasn't planning on

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Speaker 2: coming down, but my brother's in town with his two

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Speaker 2: kids and it's the oldest one's birth or the younger

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Speaker 2: one's birthday. So I'll go visit my family in Orange County,

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Speaker 2: but I'll fly out a couple of days early to

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Speaker 2: see this show.

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Speaker 1: Great. So I was like, yes, awesome, great. So yesterday

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Speaker 1: I hadn't heard.

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Speaker 2: From him yet, but he he I see. He calls,

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Speaker 2: so I'm like, how are you. I'm like, what time

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Speaker 2: you think you're going to be up here?

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Speaker 1: Tonight?

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Speaker 2: And he was like tonight, Oh no, oh no. I

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Speaker 2: was like, yeah, yeah, tonight, the month sixteen. And he

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Speaker 2: was like, you said the seventeen. I was like, no,

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Speaker 2: you told it it date. I was like I said,

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Speaker 2: I said, it's the sixteenth. He was like, no, you

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Speaker 2: said the seventeenth. And I was like, hold on, let

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Speaker 2: me double check.

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Speaker 1: And I back up.

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Speaker 2: You said the seventh, seventeenth, and I said it one time,

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Speaker 2: and then we never you never confirmed, We never like

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Speaker 2: reseaid it at any point.

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Speaker 1: It was just like that was it.

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Speaker 2: And originally I was going to buy tickets for the seventeenth, right,

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Speaker 2: but they I couldn't get the VIP thing.

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Speaker 1: So I bought it for the first night.

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Speaker 2: Oh no, like brought to till Brook and so yeah,

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Speaker 2: so he's on his way here right now, on his

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Speaker 2: way here right now. But what I did do I

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Speaker 2: bought him an extra I bought him a ticket.

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Speaker 1: Oh so he can the show.

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Speaker 2: I bought him a ticket the VIP thing beforehand. I'm

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Speaker 2: not sure of what happened, but I got I gave

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Speaker 2: my number an info, exchanged info with the with Brian's

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Speaker 2: assistant and sort of explained the thing.

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Speaker 1: And I was like, I really screwed up for.

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Speaker 2: A friend of mine who is as like equally as

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Speaker 2: in love with it the hens and stuff as I am,

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Speaker 2: So like, is there any way that he can just

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Speaker 2: sneak in? Because it's not like it's a huge you know,

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Speaker 2: it's not right like an we'll see. But other than

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Speaker 2: that stupid move of mine, I mean I would have

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Speaker 2: gone alone. He's going alone tonight. I bought him the

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Speaker 2: last ticket for tonight ticket oh my, and uh but yeah,

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Speaker 2: I was like I would go, Oh he will.

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Speaker 1: He's dedicating.

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Speaker 2: Absolutely, He's like, I'll make friends. I'm like, yeah, you will,

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Speaker 2: But I would go if there were another ticket, I

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Speaker 2: would go by myself on another net, Like I absolutely.

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Speaker 2: It was so funny. And of course it's different every

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Speaker 2: night because it's just improv so.

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Speaker 1: O oh cool, what a cool concept?

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Speaker 2: Is so great and again like it was hilarious, but

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Speaker 2: it was also just watching the talent of like puppeteers

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Speaker 2: and improv artists, you know, really shine.

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Speaker 1: So it was very a really multitask in your brain.

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Speaker 3: Oh yea be able to like all those moving parts

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Speaker 3: and keep it all in your head and know.

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Speaker 2: Yeah, And there's like a wall of like eighty sixty

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Speaker 2: to eighty puppets. So the audience yells out puppet up,

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Speaker 2: and they the whatever puppeteers that they've chosen for that

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Speaker 2: particular thing go over to the wall without knowing what

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Speaker 2: the audience is going to give them first they pick

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Speaker 2: up puppet. So sometimes it would be like the ridiculous combo,

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Speaker 2: you know what I mean, where it's like some big lipped,

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Speaker 2: like weird muppet and it's like you're and wearing a

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Speaker 2: sparkly dressy like you're an anesthesiologist.

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Speaker 1: It's like, okay, you know, amazing, great anyway, I highly

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Speaker 1: recommend I had my fan girl moment. I totally yeah.

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Speaker 3: I know how our fans feel when they made absolutely

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Speaker 3: cry and sometimes they forget what they were going to say.

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Speaker 2: I had this moment with Carol Spinny, but like not

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Speaker 2: quite this big. This was like this was this is

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Speaker 2: the big thing.

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Speaker 1: But yeah.

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Speaker 3: Do you think Brian Henson do you think he felt

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Speaker 3: pressure to take over for his dad like or was

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Speaker 3: this like always his destiny? Do you think he ever

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Speaker 3: was like no, I just want to do my own thing,

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Speaker 3: or do you think he's like, I'm sure.

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Speaker 2: He's proud of now well, I mean he was talking

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Speaker 2: about how he like grew up on the set of

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Speaker 2: you know, in the Monster Muppet Warehouse sort of, so

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Speaker 2: it was just kind of always a creative part of

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Speaker 2: his life. But he and he does you know, do

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Speaker 2: some of the puppeteering stuff, but he directs a lot

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Speaker 2: of it too, so.

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Speaker 1: But yeah, oh he was great. He did several puppets

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Speaker 1: last night too, which were really fun. So I'm so

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Speaker 1: glad you got to meet him. I am so glad

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Speaker 1: that assistant.

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Speaker 3: I'm glad Celia was there to push you, and I'm

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Speaker 3: glad the assistant overheard.

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Speaker 1: Right that I was like melting down six feet away,

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Speaker 1: like what do I do? Yeah? Ridiculous.

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Speaker 2: And it was funny too because I was like I

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Speaker 2: was on a TV show. He's like, yeah, no, I know,

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Speaker 2: you were like this big and I was.

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Speaker 1: Like, oh cute.

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Speaker 2: He did you know that he is married to Sloan

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Speaker 2: from Ferris Bueller's Day Off.

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Speaker 1: No, are you Mia? Sarah? Uh? Not Pharaoh but sorrow

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Speaker 1: Sarah Morrow.

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Speaker 2: I don't know, Sarah. I don't know anyway. That's yeah,

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Speaker 2: Sloan from Ferris.

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Speaker 1: Bueller's So cool. What a great night. I am so

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Speaker 1: amazing for you.

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Speaker 3: That just sounds ideal, yep, correct fit for you and

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Speaker 3: dream come true.

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Speaker 1: It really was this. Now you've had new kids, I've

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Speaker 1: had puppets. This has been a successful month.

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Speaker 2: This has been really it's been a barren Yeah, it's

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Speaker 2: which means it's all gonna be.

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Speaker 1: Terrible for me.

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Speaker 3: That means that great peaked. Yeah, we peaked. So now

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Speaker 3: we're gonna go hibernate for a month and talk.

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Speaker 1: I wish well.

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Speaker 2: Speaking of speaking of peaking, shall we do? No, it

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Speaker 2: has nothing to do with that.

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Speaker 1: That's something to do with this. Shall we do? Uh?

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Speaker 1: Season five, Episode five? Let's se Yeah? Season five, episode five,

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Speaker 1: Welcome back to Howard Dannertos.

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Speaker 3: I'm Andrea Barber and I'm Jody Sweeten, and today we

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Speaker 3: are discussing season five, episode five, The King and I

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Speaker 3: no relation to the musical that I was.

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Speaker 1: In You started, Yeah Yeah.

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Speaker 3: It originally aired October fifteenth, nineteen ninety one, and it

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Speaker 3: goes a little something like this, Jesse is on the

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Speaker 3: verge of a record deal again.

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Speaker 2: I was just, wait, haven't we didn't we get didn't

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Speaker 2: he get one? Did he get one and lose it

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Speaker 2: and then get on again and then lose it?

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Speaker 1: Or we did he never quite get the second one?

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Speaker 1: This was my question the whole twenty two minutes too.

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Speaker 1: I was like, wait, why do I have deja vu?

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Speaker 1: Didn't you just want to walk war? Yeah? Without a

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Speaker 1: record deal, don't.

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Speaker 3: I don't get this, but yeah, this is Jesse's having

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Speaker 3: career angst again.

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Speaker 2: Yes, so he dishes a shame after building that five

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Speaker 2: hundred thousand dollars studio in the basement.

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Speaker 1: Really like, it doesn't get better than this, dude, you

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Speaker 1: are set for success, right? Yeah? God, if only I

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Speaker 1: had my own studio and a band that just showed

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Speaker 1: up at will right eight hundred piece span.

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Speaker 3: Uh So, anyways, Jesse ditches the annual Tanner Family picnic

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Speaker 3: to write a hit song, but struggling to find inspiration,

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Speaker 3: help might be coming from an unlikely source.

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Speaker 1: Mm hmmm, I wonder what could happen.

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Speaker 3: Yes, it was directed by Joels Wick. It was written

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Speaker 3: by David Pollock and Elias Davis.

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Speaker 1: Who are those people? I've never heard of them before.

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Speaker 1: Do you remember these writers?

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Speaker 4: No?

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Speaker 1: Uh, David Pollack does sound familiar?

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Speaker 2: I feel like there he wrote a book, or at

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00:18:55,800 --> 00:18:57,800
Speaker 2: least was named on a couple other things, but or

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Speaker 2: just vaguely sounds familiar or familiar. I could be imagining it.

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00:19:01,520 --> 00:19:04,400
Speaker 2: That's also possible, Okay, But yeah, no, I didn't.

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Speaker 1: I didn't know. We remember we had a writer named

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00:19:06,440 --> 00:19:09,560
Speaker 1: Elias No, I didn't either. I was like, what who Okay,

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00:19:10,000 --> 00:19:11,040
Speaker 1: I thought it was Elias.

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00:19:11,160 --> 00:19:16,080
Speaker 2: Yeah, no relation to that Elias Harder, just like the

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Speaker 2: other Michael Campion, right.

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00:19:19,080 --> 00:19:24,360
Speaker 1: Odds like that still blows. Okay. So we have one

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Speaker 1: guest star and he's fabulous, Pete Wilcox as Man in

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Speaker 1: Diner Man.

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Speaker 3: And he has done so much work as an Elvis impersonator.

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00:19:35,200 --> 00:19:39,120
Speaker 3: He has appeared on dozens of network television shows like Cheers,

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Speaker 3: Alf Designing Women Again.

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Speaker 1: I Love I Know You and your puppets. So yeah,

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Speaker 1: he's appeared on everything.

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Speaker 3: He has performed his Elvis tribute act in Vegas at

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Speaker 3: Caesar's Palace and the Sahara, and he was the voice

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Speaker 3: of Elvis on the Happy Days episode when Phonsie hits

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Speaker 3: the Jukepox and Elvis, that's actually juke pox jukex.

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Speaker 2: That's the kind of that's the one that you don't

399
00:20:04,640 --> 00:20:06,080
Speaker 2: want to Yeah, you don't want to put a quarter

400
00:20:06,119 --> 00:20:06,600
Speaker 2: in that one.

401
00:20:07,040 --> 00:20:10,280
Speaker 1: You can, you'll get it communicable to it. Yeah, yeah,

402
00:20:10,320 --> 00:20:15,840
Speaker 1: you'll start the next pandemic. Jukebox a jukebox, right, Yeah,

403
00:20:15,880 --> 00:20:19,760
Speaker 1: you have like do I listen to a do the

404
00:20:19,880 --> 00:20:22,320
Speaker 1: small have a small box?

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00:20:25,560 --> 00:20:29,959
Speaker 2: All the newest hits COVID nineteen. Sorry, I'm sorry, it's

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00:20:30,000 --> 00:20:32,000
Speaker 2: not funny. I mean it's not fun Well.

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00:20:31,920 --> 00:20:35,920
Speaker 1: That was funny, so it's not. Yeah, oh no, Broganria,

408
00:20:37,480 --> 00:20:42,160
Speaker 1: you're in the silent laugh zone. You like, you pick

409
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Speaker 1: your own, pick your own. You know.

410
00:20:45,040 --> 00:20:46,720
Speaker 2: It's like those little things when you see him on

411
00:20:46,760 --> 00:20:48,720
Speaker 2: the counter at diners and you drop the quarter in

412
00:20:48,760 --> 00:20:49,800
Speaker 2: and you push the little button.

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00:20:49,880 --> 00:20:54,199
Speaker 1: Yeah, you're scrolling A two and then I'm gonna follow

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00:20:54,240 --> 00:20:58,920
Speaker 1: that up with you know, C seven, right and a

415
00:20:59,280 --> 00:21:02,320
Speaker 1: yeah that I'm still recovering from my COVID a few

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00:21:02,320 --> 00:21:05,160
Speaker 1: weeks ago, So that's why I came out as jukebox

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00:21:05,400 --> 00:21:07,840
Speaker 1: instead of right this Scordian slip.

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Speaker 2: Yeah, all right, well stay this day.

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Speaker 1: Okay, Well that's all the time we have for today.

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Speaker 1: For joining us. Shortest streetcap ever. This is Gavin Newsom.

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Speaker 4: Being a television showrunner is almost like being a governor.

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00:21:34,600 --> 00:21:34,760
Speaker 4: You know.

423
00:21:35,760 --> 00:21:38,400
Speaker 1: It's the same thing from Gleed and Nip Tuck.

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00:21:38,680 --> 00:21:41,280
Speaker 4: The days of civil discourse are over. The thing that

425
00:21:41,320 --> 00:21:45,640
Speaker 4: I was not prepared for was the Kennedy firestorm.

426
00:21:45,119 --> 00:21:48,119
Speaker 1: Monsters, the Lyle and Eric Menendez story.

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00:21:48,200 --> 00:21:50,480
Speaker 4: And I haven't really spoken about this. One of my

428
00:21:50,800 --> 00:21:53,080
Speaker 4: good friends. Who's the star of one of my shows

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Speaker 4: coming up? Kim Kardashian.

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Speaker 1: You may have heard of her, one of the most

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00:21:56,280 --> 00:22:00,560
Speaker 1: prolific writers, producers, and directors in Hollywood today.

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00:22:00,800 --> 00:22:03,200
Speaker 4: Are monsters made or are they born?

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Speaker 1: This is Ryan Murphy.

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Speaker 4: Hollywood used to be Hollywood.

435
00:22:07,520 --> 00:22:09,960
Speaker 1: How about the pressure you put on yourself. You're competing

436
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Speaker 1: against this guy, Ryan Murphy.

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00:22:11,720 --> 00:22:13,960
Speaker 4: Well, that's the secret of my career. To the opposite

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00:22:13,960 --> 00:22:14,760
Speaker 4: of what you just did.

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Speaker 1: Get another twenty years of this in you.

440
00:22:18,119 --> 00:22:18,879
Speaker 4: That's interesting.

441
00:22:20,080 --> 00:22:23,440
Speaker 3: Listen to This is Gavin Newsome on the iHeartRadio app,

442
00:22:23,560 --> 00:22:26,119
Speaker 3: Apple Podcasts or wherever you get your podcasts.

443
00:22:27,680 --> 00:22:29,600
Speaker 1: Okay, so let's get into the show.

444
00:22:29,920 --> 00:22:32,560
Speaker 3: There's no teaser because there are more important things to

445
00:22:32,600 --> 00:22:33,400
Speaker 3: watch right now.

446
00:22:33,440 --> 00:22:37,399
Speaker 1: People did the new credits are finally? Oh I was

447
00:22:37,440 --> 00:22:41,160
Speaker 1: so excited for this and I'm finally in them. Oh

448
00:22:41,320 --> 00:22:44,840
Speaker 1: my goodness've made it. You're in I feel her professionally,

449
00:22:44,840 --> 00:22:47,320
Speaker 1: feel of fish right, I feel like I've earned my

450
00:22:47,440 --> 00:22:47,920
Speaker 1: seat here.

451
00:22:48,000 --> 00:22:51,560
Speaker 3: Yep on how Red Tannerto's finally this is great? All

452
00:22:51,560 --> 00:22:54,880
Speaker 3: the kids get new opening credits. Cannas is in her

453
00:22:54,920 --> 00:22:58,479
Speaker 3: new room typing up the computer. You're in the kitchen,

454
00:22:58,600 --> 00:23:01,200
Speaker 3: giving Commet a treat, or throwing a frisbee or something

455
00:23:01,280 --> 00:23:01,800
Speaker 3: with the dog.

456
00:23:03,040 --> 00:23:03,640
Speaker 1: The Olsens.

457
00:23:03,680 --> 00:23:06,680
Speaker 3: One of the Olsens is in the basement playing the drums,

458
00:23:07,080 --> 00:23:09,359
Speaker 3: and then there's me. I come in the back door

459
00:23:09,400 --> 00:23:12,119
Speaker 3: and I peek around and I smile at the camera

460
00:23:12,240 --> 00:23:15,679
Speaker 3: that Gibbler smile. And I'm wearing the same outfit I

461
00:23:15,760 --> 00:23:17,159
Speaker 3: wore in last week's episode.

462
00:23:17,200 --> 00:23:19,679
Speaker 2: So we did record these, Yeah, we did record this

463
00:23:19,880 --> 00:23:22,320
Speaker 2: week the previous week, and you looked super cute.

464
00:23:22,680 --> 00:23:23,320
Speaker 1: I loved it.

465
00:23:23,560 --> 00:23:25,720
Speaker 3: Oh yes, I did. I mean it was b a

466
00:23:25,760 --> 00:23:29,960
Speaker 3: bright outfit, but not this was great not greatness. So yeah, yeah,

467
00:23:31,160 --> 00:23:32,280
Speaker 3: is so weird.

468
00:23:34,040 --> 00:23:41,679
Speaker 2: On sitcoms how the people look at the camera in

469
00:23:41,760 --> 00:23:47,960
Speaker 2: the titles, but yet when we're watching the show, they're

470
00:23:48,000 --> 00:23:50,280
Speaker 2: just living their lives, right, they don't know there's a

471
00:23:50,359 --> 00:23:51,320
Speaker 2: camera there.

472
00:23:51,760 --> 00:23:58,800
Speaker 3: So very like Truman, right. Yeah, Well, it's become a

473
00:23:58,840 --> 00:24:01,400
Speaker 3: bit like people do this and.

474
00:24:01,320 --> 00:24:03,679
Speaker 2: I love the stupid bit of it, but I just

475
00:24:03,800 --> 00:24:06,159
Speaker 2: when you think about it, you're like, well, it's not

476
00:24:06,240 --> 00:24:07,160
Speaker 2: like the Office where.

477
00:24:06,960 --> 00:24:07,600
Speaker 1: They look at the camera.

478
00:24:07,640 --> 00:24:09,919
Speaker 2: You're like, oh, they're You're like, no that we you

479
00:24:09,960 --> 00:24:12,280
Speaker 2: look at the camera, and then we go about pretending

480
00:24:12,359 --> 00:24:13,480
Speaker 2: that we're not here.

481
00:24:15,720 --> 00:24:17,320
Speaker 1: Anyway. I don't know who came up with that, but

482
00:24:17,600 --> 00:24:20,080
Speaker 1: I am here for it. I love probably Bob, Yet

483
00:24:20,359 --> 00:24:21,800
Speaker 1: I've always.

484
00:24:21,480 --> 00:24:23,600
Speaker 3: Wondered because I love how and whoever, I don't know

485
00:24:23,600 --> 00:24:25,000
Speaker 3: if it was Jeff or whoever came up with this

486
00:24:25,040 --> 00:24:29,080
Speaker 3: idea to see the kids grow. So you see picture

487
00:24:29,160 --> 00:24:30,879
Speaker 3: of like, you know, Canvas as a little kid, and

488
00:24:30,920 --> 00:24:34,119
Speaker 3: then yeah, that was current day. I love that, but

489
00:24:34,160 --> 00:24:36,040
Speaker 3: I was I was always like, why don't they do

490
00:24:36,080 --> 00:24:38,760
Speaker 3: that for the adults, Like why are they singling out

491
00:24:38,800 --> 00:24:41,119
Speaker 3: the kids? And then my mom had to explain to

492
00:24:41,160 --> 00:24:43,960
Speaker 3: me because the adults don't change as fast as.

493
00:24:44,280 --> 00:24:46,399
Speaker 2: Well, and also you don't want to point out the

494
00:24:46,440 --> 00:24:48,800
Speaker 2: slight aging, you know what I mean, Like, yeah, he's

495
00:24:48,920 --> 00:24:51,200
Speaker 2: like I want to look older and that, and you're like, yeah,

496
00:24:51,280 --> 00:24:53,680
Speaker 2: well that'll last till you're maybe thirty.

497
00:24:54,000 --> 00:24:55,360
Speaker 1: So yeah, hey, you're right.

498
00:24:55,400 --> 00:24:57,160
Speaker 3: I didn't get it as a kid, but I get

499
00:24:57,200 --> 00:24:59,719
Speaker 3: it now and I do love it.

500
00:25:00,000 --> 00:25:02,200
Speaker 1: I'm so happy that the new credits are.

501
00:25:02,080 --> 00:25:06,760
Speaker 2: Finally although with the change in hairstyles, you're not wrong.

502
00:25:06,640 --> 00:25:09,240
Speaker 3: Oh John alone with the mullet, the no mullet and

503
00:25:09,160 --> 00:25:14,840
Speaker 3: the half a mullet. Yeah, he's hairstyles Chane drastically. So

504
00:25:14,880 --> 00:25:17,520
Speaker 3: we start in the kitchen. Becky is sitting down to

505
00:25:17,560 --> 00:25:21,679
Speaker 3: eat while Joey is at the table fervently reading a newspaper.

506
00:25:22,440 --> 00:25:25,879
Speaker 3: He points out an interesting article that reads genius Pigeon

507
00:25:25,960 --> 00:25:29,760
Speaker 3: graduates college. Becky rolls her eyes, how can you read

508
00:25:29,800 --> 00:25:32,560
Speaker 3: that junk? And then she does a double take in gasps,

509
00:25:32,600 --> 00:25:34,920
Speaker 3: Oh my god, he went to the same school I did.

510
00:25:36,720 --> 00:25:38,960
Speaker 1: You always get sucked into those headlines, you know, it's

511
00:25:38,960 --> 00:25:42,760
Speaker 1: like what bat Boy? Don't even get me started. I

512
00:25:42,800 --> 00:25:45,200
Speaker 1: can picture in my head.

513
00:25:45,560 --> 00:25:48,879
Speaker 3: Yeah, we've talked about bat Boy before.

514
00:25:49,280 --> 00:25:51,240
Speaker 1: Did we talk about bat Boy the musical? Or did it?

515
00:25:51,280 --> 00:25:53,119
Speaker 3: I think was that a fan that told me about

516
00:25:53,720 --> 00:25:56,240
Speaker 3: back bat Boy the music? And now I don't know

517
00:25:56,240 --> 00:25:58,119
Speaker 3: either way. We need to see it when we need to,

518
00:25:58,880 --> 00:26:03,240
Speaker 3: absolutely so. Then Danny bursts through the door, barking orders

519
00:26:03,280 --> 00:26:06,240
Speaker 3: into a megaphone. Attention, all family members report to the

520
00:26:06,320 --> 00:26:09,680
Speaker 3: kitchen immediately. Training camp is about to begin. Don't try

521
00:26:09,680 --> 00:26:11,160
Speaker 3: to make a run for it. I've got the house

522
00:26:11,200 --> 00:26:14,600
Speaker 3: completely surrounded. Move it, move it, move it, Let's go.

523
00:26:15,920 --> 00:26:18,679
Speaker 3: I'm exhausted, in exhaust just reading that.

524
00:26:19,080 --> 00:26:20,760
Speaker 1: I had to perform that how many times?

525
00:26:21,920 --> 00:26:24,320
Speaker 3: So the girls come running into the kitchen and Stephanie

526
00:26:24,400 --> 00:26:28,320
Speaker 3: asks what's wrong, and Danny shouts back, attention as you were.

527
00:26:29,119 --> 00:26:31,679
Speaker 3: He drops the megaphone and admits, God, I love the

528
00:26:31,720 --> 00:26:34,400
Speaker 3: sound of my own voice.

529
00:26:34,480 --> 00:26:37,080
Speaker 1: Which we would always laugh at because that was we

530
00:26:37,080 --> 00:26:41,520
Speaker 1: were like, that's Bob, that's that's Bob.

531
00:26:41,600 --> 00:26:43,880
Speaker 2: Art imitates life, right, And you can see him kind

532
00:26:43,920 --> 00:26:45,880
Speaker 2: of laugh at it too, because you know that, Yeah,

533
00:26:46,000 --> 00:26:46,600
Speaker 2: the day.

534
00:26:46,560 --> 00:26:51,640
Speaker 1: Was like, yeah, nobody loves Bob's voice more than Bob. Yes, amazing.

535
00:26:53,280 --> 00:26:55,320
Speaker 1: So then he launches into his announcement.

536
00:26:55,680 --> 00:27:00,159
Speaker 3: This weekend is the annual Tanner Family Picnic games, he

537
00:27:00,200 --> 00:27:01,440
Speaker 3: reminds his family.

538
00:27:01,119 --> 00:27:02,040
Speaker 1: Before their arrival.

539
00:27:02,240 --> 00:27:04,800
Speaker 3: First, we're gonna hug him, then we're gonna kiss him,

540
00:27:05,080 --> 00:27:07,119
Speaker 3: and then once those picnic games begin, we are going

541
00:27:07,200 --> 00:27:11,320
Speaker 3: to kick some Tanner behind. First up, he assigns Michelle

542
00:27:11,320 --> 00:27:15,159
Speaker 3: and Jesse to the balloon relay race. Michelle repeats her

543
00:27:15,240 --> 00:27:20,200
Speaker 3: dad's words, all right, we're gonna kick some Tanner behind. Next,

544
00:27:20,440 --> 00:27:23,000
Speaker 3: DJ and Stuff will be doing the three legged race together,

545
00:27:23,480 --> 00:27:26,360
Speaker 3: and stuph reminds DJ, we got a practice. From now

546
00:27:26,440 --> 00:27:31,159
Speaker 3: until the picnic will spend day and night tied together. Joy,

547
00:27:31,359 --> 00:27:34,040
Speaker 3: you're very motivated. Are you motivated to win? Are you

548
00:27:34,119 --> 00:27:35,280
Speaker 3: just being competitive?

549
00:27:35,560 --> 00:27:38,960
Speaker 1: Yeah? We are going to win this. Yeah. Plus she's

550
00:27:39,000 --> 00:27:41,399
Speaker 1: just thrilled to be tied to her big sister for

551
00:27:41,400 --> 00:27:46,199
Speaker 1: a few days. Right, DJ's force for exactly exactly. So

552
00:27:46,320 --> 00:27:47,359
Speaker 1: DJ rolls her eyes.

553
00:27:47,480 --> 00:27:51,360
Speaker 3: Oh, sounds like a dream come true, and stuff retorts

554
00:27:51,640 --> 00:27:56,240
Speaker 3: someone needs to work on her team's spirit. Excellent delivery

555
00:27:56,280 --> 00:27:59,960
Speaker 3: of that. And I'm curious about Canvas's outfit in the

556
00:28:00,280 --> 00:28:03,080
Speaker 3: with like the pleated the cream colored outfit with the

557
00:28:03,119 --> 00:28:05,600
Speaker 3: pleated pants, and that was down of those.

558
00:28:05,480 --> 00:28:08,720
Speaker 2: Things where I was like, isn't this the outfit she

559
00:28:08,760 --> 00:28:11,040
Speaker 2: wore where they were like, you're dressed exactly like the teacher.

560
00:28:12,200 --> 00:28:15,120
Speaker 1: I thought that too. I was like, it was buttoned

561
00:28:15,160 --> 00:28:17,800
Speaker 1: all the way to the top. It was I don't know,

562
00:28:17,920 --> 00:28:22,199
Speaker 1: it was just wasn't a western shirt and just had

563
00:28:22,280 --> 00:28:26,200
Speaker 1: letters on it. It was on the shirt. I don't know,

564
00:28:26,480 --> 00:28:28,520
Speaker 1: I don't know. I had like the letter H and

565
00:28:28,600 --> 00:28:31,119
Speaker 1: like what does that stand? I didn't see that. Yeah,

566
00:28:31,200 --> 00:28:33,000
Speaker 1: I don't. I don't know. It was you know it

567
00:28:33,040 --> 00:28:36,760
Speaker 1: was it was It made her look forty seven years old?

568
00:28:37,880 --> 00:28:41,640
Speaker 3: Did It was just very curious because Candice is way

569
00:28:41,680 --> 00:28:45,120
Speaker 3: more fashionable than that. So I'm like, who who decided

570
00:28:45,120 --> 00:28:46,040
Speaker 3: that this was a good look?

571
00:28:46,160 --> 00:28:48,200
Speaker 1: I don't know, I don't know, but you know what,

572
00:28:48,240 --> 00:28:50,760
Speaker 1: those weird, stupid pleated pants were kind of popular, you know,

573
00:28:50,880 --> 00:28:53,080
Speaker 1: we're Yeah, they kind of were. But they didn't do

574
00:28:53,120 --> 00:29:00,400
Speaker 1: anything for your thea. You know, it's just safe on

575
00:29:01,280 --> 00:29:05,680
Speaker 1: how else? I didn't spell it out, kiss it out.

576
00:29:07,520 --> 00:29:09,760
Speaker 1: I bet they know. I bet they Well, if they know,

577
00:29:09,880 --> 00:29:13,120
Speaker 1: then I'm not blowing up. I say, you know, so

578
00:29:13,320 --> 00:29:16,400
Speaker 1: google it don't. Yeah, the pleats don't do anything for

579
00:29:16,480 --> 00:29:20,560
Speaker 1: there's more flattering under belt area, right, No, it was

580
00:29:20,600 --> 00:29:24,040
Speaker 1: just an odd choice for a fifteen year old. Thank

581
00:29:24,080 --> 00:29:26,840
Speaker 1: she's fifteen. Yeah, it was just odd. It was very distracting,

582
00:29:26,840 --> 00:29:29,560
Speaker 1: as you can tell. I'm very distracted. Yeah, even doing

583
00:29:29,560 --> 00:29:35,120
Speaker 1: this recap. So moving, always, always so.

584
00:29:35,160 --> 00:29:38,760
Speaker 3: Then Danny turns on his megaphone once again to shout Joey,

585
00:29:39,320 --> 00:29:40,840
Speaker 3: and Joey nervously.

586
00:29:40,360 --> 00:29:41,920
Speaker 1: Spits out his coffee. In response.

587
00:29:42,720 --> 00:29:45,640
Speaker 3: Danny applies some pressure, telling him that they expect another

588
00:29:45,720 --> 00:29:49,320
Speaker 3: win in the pie eating contest this year. So Joey

589
00:29:49,400 --> 00:29:52,000
Speaker 3: puffs up his chest and deepens his voice. I am

590
00:29:52,040 --> 00:29:55,600
Speaker 3: the world's greatest pie eater. Nobody can touch me, Aunt Phyllis.

591
00:29:55,800 --> 00:29:58,720
Speaker 3: You're out there doing your needle point. Know this, I

592
00:29:58,800 --> 00:30:00,000
Speaker 3: will destroy you.

593
00:30:00,960 --> 00:30:04,880
Speaker 2: I would pay money to hear you do a macho

594
00:30:05,440 --> 00:30:10,400
Speaker 2: man Randy Savage voice for the rest of this podcast.

595
00:30:13,280 --> 00:30:16,080
Speaker 1: Sorry, it would be changing the channel immediately.

596
00:30:17,200 --> 00:30:19,560
Speaker 3: So Danny grabs two pies and places them in front

597
00:30:19,560 --> 00:30:23,160
Speaker 3: of Joey for a nice little warm up. Joey boasts,

598
00:30:23,200 --> 00:30:26,160
Speaker 3: all right, who wants to spar with the champ I

599
00:30:26,240 --> 00:30:29,880
Speaker 3: need a little competition here. Becky eyes the pies and

600
00:30:29,920 --> 00:30:34,160
Speaker 3: casually notes, oh, blueberry, I'll try. The two get into

601
00:30:34,160 --> 00:30:37,240
Speaker 3: their pie eating positions with their hands tied behind their backs,

602
00:30:37,480 --> 00:30:40,720
Speaker 3: and then Danny gives them the go ahead. The entire

603
00:30:40,760 --> 00:30:43,640
Speaker 3: family rallies around Joey, but Becky seems to be eating

604
00:30:43,680 --> 00:30:48,000
Speaker 3: at the same pace as him. Blueberry pie is getting all.

605
00:30:47,840 --> 00:30:51,680
Speaker 1: Over their faces, just like something Danny would have freaked

606
00:30:51,680 --> 00:30:54,320
Speaker 1: out about. Though, blueberry pie, It's gonna stain everything, gonna

607
00:30:54,360 --> 00:30:55,520
Speaker 1: stain everything.

608
00:30:56,000 --> 00:30:59,640
Speaker 3: This was an ambitious scene, you know, seems to be

609
00:30:59,720 --> 00:31:03,320
Speaker 3: a like a trash bag laid down like you're carving

610
00:31:03,360 --> 00:31:04,160
Speaker 3: a pumpkin or something.

611
00:31:04,240 --> 00:31:06,840
Speaker 1: Right, right, get one of those bibs they give.

612
00:31:06,720 --> 00:31:10,040
Speaker 3: You at the lobster or restaurants. Yeah, this was messy.

613
00:31:11,920 --> 00:31:15,600
Speaker 3: Just then, Jesse strolls in to witness the action. He wonders,

614
00:31:15,840 --> 00:31:19,000
Speaker 3: did we run out of forks? Becky pops up and

615
00:31:19,080 --> 00:31:21,880
Speaker 3: kisses him before diving back into her pie, and as

616
00:31:21,920 --> 00:31:25,120
Speaker 3: a result, she gets blueberry jam all over Jesse's cheeks.

617
00:31:26,240 --> 00:31:28,120
Speaker 3: You know, the makeup artists were just hating this scene.

618
00:31:28,160 --> 00:31:31,600
Speaker 2: They're like, right, sit ways us blueberry pie for pie

619
00:31:31,600 --> 00:31:36,200
Speaker 2: eating scenes because it's the most it stands out the most.

620
00:31:36,360 --> 00:31:39,400
Speaker 1: Yeah, you can tell exactly. It does stay in your face.

621
00:31:39,560 --> 00:31:43,680
Speaker 3: So yeah, man, this is a big ask. This is

622
00:31:43,720 --> 00:31:48,040
Speaker 3: a big ask for everybody involved. So shortly after this,

623
00:31:48,160 --> 00:31:52,479
Speaker 3: Becky announces finished. Danny examines her plate and declares, we

624
00:31:52,640 --> 00:31:57,160
Speaker 3: have a new champion. Joey tries to protest, no fair,

625
00:31:57,360 --> 00:32:00,520
Speaker 3: she's having twins, she's eating for three. I think I

626
00:32:00,520 --> 00:32:04,200
Speaker 3: had a blueberry up my nose. Jesse decides it's time

627
00:32:04,200 --> 00:32:06,760
Speaker 3: to switch gears because he has some very exciting news

628
00:32:06,800 --> 00:32:08,880
Speaker 3: to share, and he has to pull focus once again

629
00:32:08,880 --> 00:32:12,960
Speaker 3: from the group back to himself. Apparently he just met

630
00:32:13,000 --> 00:32:16,479
Speaker 3: with a record company and they loved his music. Another

631
00:32:16,520 --> 00:32:21,400
Speaker 3: record company, another record company, another song, another I don't know,

632
00:32:21,600 --> 00:32:24,600
Speaker 3: I don't know is anyone taking notes on Jesse's career,

633
00:32:24,680 --> 00:32:27,040
Speaker 3: because it's it's very repetitive.

634
00:32:28,480 --> 00:32:28,600
Speaker 2: Uh.

635
00:32:28,680 --> 00:32:30,560
Speaker 3: They said they'll give him a record deal if he

636
00:32:30,640 --> 00:32:34,840
Speaker 3: can come up with one big hit. Michelle chimes in

637
00:32:34,880 --> 00:32:37,560
Speaker 3: with what she believes is equally good news. You're my

638
00:32:37,600 --> 00:32:41,720
Speaker 3: partner in the balloon race. Jesse looks disinterested. Oh that's right,

639
00:32:41,920 --> 00:32:46,600
Speaker 3: the picnic. She nods, let's practice right now, Jesse insists,

640
00:32:46,640 --> 00:32:48,520
Speaker 3: I will. I promise, but right now I have to

641
00:32:48,560 --> 00:32:51,240
Speaker 3: go downstairs and write the greatest song ever written.

642
00:32:51,440 --> 00:32:52,280
Speaker 1: Just give me ten minutes.

643
00:32:53,160 --> 00:32:56,200
Speaker 3: Danny jokes that is the kind of groundless confidence we

644
00:32:56,240 --> 00:32:59,720
Speaker 3: need to win that Tanner family trophy because, and he

645
00:32:59,720 --> 00:33:02,080
Speaker 3: picks up the megaphone Againage outs, we are the Bay

646
00:33:02,120 --> 00:33:05,840
Speaker 3: Area Tanners and we are gonna win, all right. Michelle

647
00:33:05,840 --> 00:33:08,160
Speaker 3: flex is just like Joey did and says in the

648
00:33:08,200 --> 00:33:09,640
Speaker 3: menacing voice at.

649
00:33:09,440 --> 00:33:14,920
Speaker 1: Phyllis, you are dead mate. So this what I started

650
00:33:14,920 --> 00:33:20,680
Speaker 1: thinking about, though, was this implies that there are other Tanners, Yes,

651
00:33:21,160 --> 00:33:24,760
Speaker 1: in the northern California area. Well, we know that Grandma

652
00:33:25,160 --> 00:33:28,200
Speaker 1: before she was Doris Roberts, lives in the Seattle.

653
00:33:27,920 --> 00:33:29,880
Speaker 3: I mean when she was the other lady. Yeah, the

654
00:33:29,920 --> 00:33:33,640
Speaker 3: blonde the got it. Can't remember her name, but.

655
00:33:33,600 --> 00:33:36,640
Speaker 1: Yeah, there's at least one Tanner that we've met. Wendy.

656
00:33:37,200 --> 00:33:41,360
Speaker 3: Uh, it's coming at some point with the Monkey, we're.

657
00:33:41,280 --> 00:33:44,280
Speaker 1: Just in it. We just we just tried Arlene h

658
00:33:44,680 --> 00:33:46,320
Speaker 1: last week, a couple of weeks ago. That's right, we

659
00:33:46,320 --> 00:33:50,120
Speaker 1: have monkey. So that's two Tanners. I don't know. I

660
00:33:50,120 --> 00:33:52,760
Speaker 1: don't know, we're Wendy. There's obviously enough for a picnic

661
00:33:52,800 --> 00:33:57,240
Speaker 1: in teams, so big a lot of Tanners. Yeah, I'm saying,

662
00:33:58,000 --> 00:33:59,000
Speaker 1: but he's getting the whole.

663
00:33:59,040 --> 00:34:02,440
Speaker 3: He's getting Jesse and Becky involved, Like, it doesn't matter

664
00:34:02,480 --> 00:34:04,480
Speaker 3: if you don't have the last name Tanner, you're gonna

665
00:34:04,480 --> 00:34:06,080
Speaker 3: be You're gonna be on the Tanner team.

666
00:34:06,160 --> 00:34:10,680
Speaker 1: It's true. Yeah, bay Area Tanner's. Uh okay.

667
00:34:10,719 --> 00:34:13,440
Speaker 3: So now we're in the living room. Stephanie marches up

668
00:34:13,480 --> 00:34:16,800
Speaker 3: to DJ with determination, come on, we have to practice

669
00:34:16,800 --> 00:34:20,120
Speaker 3: for the three legged race. DJ hardly glances at her

670
00:34:20,200 --> 00:34:23,440
Speaker 3: while continuing to file her nails. Can't you see that

671
00:34:23,480 --> 00:34:27,280
Speaker 3: I'm busy. Steph decides to take the tattle tale approach instead,

672
00:34:27,400 --> 00:34:30,520
Speaker 3: yelling Dad, DJ's not showing any team spirit.

673
00:34:31,200 --> 00:34:34,359
Speaker 1: That sounds about right. Sure enough.

674
00:34:34,480 --> 00:34:37,200
Speaker 3: That gets DJ's attention. She hops up from the couch

675
00:34:37,239 --> 00:34:40,319
Speaker 3: and sighs, let's get this over with. They tie their

676
00:34:40,360 --> 00:34:43,400
Speaker 3: legs together, as Steph reminds her, we have to practice

677
00:34:43,480 --> 00:34:45,560
Speaker 3: day and night, night and day until we have it

678
00:34:45,600 --> 00:34:49,080
Speaker 3: perfect so we can win. When their legs are secured,

679
00:34:49,120 --> 00:34:52,560
Speaker 3: they attempt to walk and immediately collapse onto the couch.

680
00:34:53,840 --> 00:34:55,839
Speaker 3: Just then the phone rings and DJ lights up.

681
00:34:56,120 --> 00:34:59,960
Speaker 1: That's my phone. I bet it's Ben Andrews. He's unbelievably hot.

682
00:35:00,800 --> 00:35:03,239
Speaker 3: She fumbles to untie the scarf that's holding their legs together,

683
00:35:03,320 --> 00:35:06,080
Speaker 3: but the knot is too tight. She shouts toward the

684
00:35:06,080 --> 00:35:09,919
Speaker 3: phone with desperation. Ben, don't hang up. And it took

685
00:35:09,960 --> 00:35:12,759
Speaker 3: me a second to remember DJ has her own line.

686
00:35:13,840 --> 00:35:16,560
Speaker 3: I'm like, why the phone's right there, Why.

687
00:35:16,120 --> 00:35:21,440
Speaker 2: It's the Yeah, it's the it's the early cell phone

688
00:35:21,640 --> 00:35:25,239
Speaker 2: idea of the nineties when yeah, yes, the old your

689
00:35:25,239 --> 00:35:26,439
Speaker 2: own line was the thing.

690
00:35:26,880 --> 00:35:29,600
Speaker 3: You could not have this bit if cell phones existed,

691
00:35:29,719 --> 00:35:33,560
Speaker 3: Like Noah, got to get up to your own line. So,

692
00:35:33,719 --> 00:35:37,640
Speaker 3: despite Stephanie's wishes to keep practicing, DJ drags her upstairs,

693
00:35:37,680 --> 00:35:40,399
Speaker 3: directly to the phone. She insists that they'll practice going

694
00:35:40,480 --> 00:35:43,400
Speaker 3: up the stairs, and she chants inside outside inside, outside,

695
00:35:43,760 --> 00:35:45,440
Speaker 3: As they shuffle up to her room.

696
00:35:45,760 --> 00:35:46,600
Speaker 1: They finally make it.

697
00:35:46,560 --> 00:35:48,920
Speaker 3: To DJ's bed and the phone is still ringing. She

698
00:35:49,000 --> 00:35:53,960
Speaker 3: catches her breath before casually answering hello. Her face immediately drops.

699
00:35:54,120 --> 00:35:56,839
Speaker 3: She hands the phone to Stephanie with the scowl. It's

700
00:35:56,880 --> 00:35:59,719
Speaker 3: for you, Steph Grin's Oh thanks, I gave out your

701
00:35:59,800 --> 00:36:05,759
Speaker 3: number her for emergencies. It's such a little sisters. Yeah, such,

702
00:36:05,800 --> 00:36:08,680
Speaker 3: and then it's a boy that you're talking to. Yeah, yeah, yeah,

703
00:36:08,719 --> 00:36:12,799
Speaker 3: it's got game, you know, Steph's got Yeah, it's just

704
00:36:13,080 --> 00:36:14,760
Speaker 3: nine years old and just rackless.

705
00:36:15,160 --> 00:36:15,760
Speaker 1: Yeah, exactly.

706
00:36:17,360 --> 00:36:20,719
Speaker 3: Down in the basement, Jesse's at the piano workshopping his

707
00:36:20,760 --> 00:36:25,320
Speaker 3: new song. He attempts, I'm looking at three day old crust.

708
00:36:25,719 --> 00:36:26,600
Speaker 3: I'll give it to Joey.

709
00:36:26,640 --> 00:36:27,400
Speaker 1: He'll eat anything.

710
00:36:28,680 --> 00:36:31,440
Speaker 3: Just then, Michelle enters with the balloon in hand and says,

711
00:36:31,760 --> 00:36:34,759
Speaker 3: guess what time it is, and Jesse huffs time for

712
00:36:34,800 --> 00:36:37,920
Speaker 3: me to write a decent song. She shakes her head, Nope,

713
00:36:38,040 --> 00:36:40,640
Speaker 3: it's time to practice. You need to walk like this,

714
00:36:41,120 --> 00:36:43,160
Speaker 3: and she puts the balloon between her legs and starts

715
00:36:43,160 --> 00:36:44,000
Speaker 3: walking around the room.

716
00:36:44,160 --> 00:36:47,520
Speaker 1: Wattle wattle, wattle, wattle, wattle. He gives her a fake smile.

717
00:36:47,680 --> 00:36:48,120
Speaker 1: Thank you.

718
00:36:48,320 --> 00:36:51,640
Speaker 3: Now let me get back to my tune. Here, Michelle frowns,

719
00:36:52,080 --> 00:36:55,160
Speaker 3: you gotta practice too, partner. He sighs in defeat and

720
00:36:55,200 --> 00:36:57,800
Speaker 3: takes the balloon from her, speed walking a few steps

721
00:36:57,840 --> 00:37:00,560
Speaker 3: while saying, wattle, wattle, wattle wattle. There, now take off.

722
00:37:00,560 --> 00:37:03,520
Speaker 3: I gotta get back to my music. She asks, can

723
00:37:03,560 --> 00:37:06,080
Speaker 3: I hear it? And he admits, oh, it's not really

724
00:37:06,160 --> 00:37:08,960
Speaker 3: finished yet, but it starts like this. He plays a

725
00:37:08,960 --> 00:37:11,560
Speaker 3: couple of notes on the piano before saying, then I

726
00:37:11,600 --> 00:37:13,480
Speaker 3: do like a verse and then a chorus, and a

727
00:37:13,520 --> 00:37:16,040
Speaker 3: really nice bridge and a chorus, and it ends like this,

728
00:37:16,320 --> 00:37:19,880
Speaker 3: and he plays the same couple of notes again. He wonders,

729
00:37:19,920 --> 00:37:23,360
Speaker 3: what do you think, and she flatly states you got nothing.

730
00:37:24,920 --> 00:37:26,560
Speaker 1: So she suggests he do a song.

731
00:37:26,520 --> 00:37:29,920
Speaker 3: Like five Little Speckled Frogs, and she sings the nursery

732
00:37:30,000 --> 00:37:32,480
Speaker 3: rhyme for him, complete with a couple of little dance

733
00:37:32,520 --> 00:37:35,920
Speaker 3: moves to really drive her point home. I remember that song.

734
00:37:36,160 --> 00:37:38,960
Speaker 3: Oh yes, kids saying that on loop you know, Oh

735
00:37:39,080 --> 00:37:40,279
Speaker 3: I got a little speckled go.

736
00:37:42,280 --> 00:37:45,800
Speaker 1: Yeah. He tries to interrupt her, but Michelle keeps on singing.

737
00:37:46,320 --> 00:37:48,560
Speaker 1: Then Joey walks in and recognizes the song and he

738
00:37:48,719 --> 00:37:52,080
Speaker 1: sings along with her. Of course he does, yes, Joey's

739
00:37:52,120 --> 00:38:01,200
Speaker 1: just like, yeah, this is just At.

740
00:37:57,160 --> 00:38:00,960
Speaker 3: This point, Jesse is fed up enough. Joey, I hope

741
00:38:01,000 --> 00:38:03,840
Speaker 3: you have a good reason for interrupting me. Joey nods,

742
00:38:03,960 --> 00:38:07,000
Speaker 3: I sure do, and he opens his newspaper. Check this

743
00:38:07,080 --> 00:38:10,160
Speaker 3: out another Elvis sighting, This time they spotted him in

744
00:38:10,200 --> 00:38:14,680
Speaker 3: Portland playing miniature golf with Bigfoot. Jesse groans and bangs

745
00:38:14,680 --> 00:38:17,799
Speaker 3: his forehead on the piano keys. Then Becky walks in

746
00:38:17,840 --> 00:38:20,439
Speaker 3: holding a tray of food. She asks her husband, how's

747
00:38:20,480 --> 00:38:25,360
Speaker 3: the song going. Jesse lies, Oh, great, terrific, but Michelle

748
00:38:25,400 --> 00:38:30,040
Speaker 3: chimes in with the truth he gots nothing. Jesse explains,

749
00:38:30,080 --> 00:38:32,319
Speaker 3: I got nothing because I got no privacy in here.

750
00:38:32,560 --> 00:38:37,080
Speaker 3: Can you people just please leave me alone? Joey responds, okay,

751
00:38:37,120 --> 00:38:41,680
Speaker 3: mister cranky pants before he makes his way upstairs, but

752
00:38:41,719 --> 00:38:44,680
Speaker 3: Becky stays. But Jesse narrows his eyes at her, and

753
00:38:44,719 --> 00:38:47,759
Speaker 3: she questions, oh, you don't want me to leave too.

754
00:38:48,000 --> 00:38:52,120
Speaker 3: Jesse grins, uh huh. She gasps after I waddled down

755
00:38:52,120 --> 00:38:55,319
Speaker 3: here to bring you this snack, and he nods mm hmm.

756
00:38:56,239 --> 00:38:57,760
Speaker 3: She narrows her eyes right.

757
00:38:57,600 --> 00:38:58,160
Speaker 1: Back at him.

758
00:38:58,480 --> 00:39:01,120
Speaker 3: Well, honey, don't take this the wrong way. But and

759
00:39:01,200 --> 00:39:04,319
Speaker 3: she blows a raspberry in his face and waddles out.

760
00:39:05,280 --> 00:39:07,880
Speaker 3: Through all of this, Michelle is still hanging around.

761
00:39:08,320 --> 00:39:11,200
Speaker 1: Yep, she's waiting to practice races.

762
00:39:12,280 --> 00:39:15,759
Speaker 3: Yeah, she says, uncle Jesse, I have an idea. You

763
00:39:15,760 --> 00:39:17,799
Speaker 3: should write a song about a turtle and a duck.

764
00:39:18,760 --> 00:39:22,240
Speaker 3: Jesse responds, thank you. Michelle, run along, and he gently

765
00:39:22,400 --> 00:39:25,399
Speaker 3: scoots her out of the basement. Once he's alone again,

766
00:39:25,520 --> 00:39:28,359
Speaker 3: he turns back to the piano and tries, oh, there

767
00:39:28,440 --> 00:39:31,120
Speaker 3: was a turtle and a duck. And he quickly puts

768
00:39:31,160 --> 00:39:35,239
Speaker 3: an end to that idea and sighs with frustration. And

769
00:39:35,320 --> 00:39:37,040
Speaker 3: my question is, why didn't he just turn on that

770
00:39:37,040 --> 00:39:39,319
Speaker 3: red light that he spent so much time installing a

771
00:39:39,360 --> 00:39:40,080
Speaker 3: couple of episodes.

772
00:39:40,120 --> 00:39:43,200
Speaker 1: That's an excellent point. He's not recording. But my other

773
00:39:43,280 --> 00:39:47,560
Speaker 1: question is how did he even meet with this record

774
00:39:47,600 --> 00:39:50,920
Speaker 1: company if he doesn't have a song. Is that how

775
00:39:50,960 --> 00:39:51,360
Speaker 1: it goes?

776
00:39:51,360 --> 00:39:51,440
Speaker 3: Like?

777
00:39:51,640 --> 00:39:53,920
Speaker 1: I'm not I don't know much about the music world.

778
00:39:54,000 --> 00:39:56,560
Speaker 2: So yeah, they're not gonna be like, I'll give you

779
00:39:56,640 --> 00:39:58,520
Speaker 2: a record deal if you can give me a hit song.

780
00:39:58,640 --> 00:40:01,320
Speaker 1: No, no, no, you have the hit song. Long written

781
00:40:01,360 --> 00:40:04,560
Speaker 1: and you bring something to right, right, you have to

782
00:40:04,560 --> 00:40:06,719
Speaker 1: what are you pitching? If you're right, what are they

783
00:40:06,760 --> 00:40:07,200
Speaker 1: going to give you?

784
00:40:07,239 --> 00:40:10,239
Speaker 2: The deal on some But maybe it was on some

785
00:40:10,719 --> 00:40:13,280
Speaker 2: it was on some previous Jesse and the Rippers stuff.

786
00:40:14,040 --> 00:40:15,800
Speaker 1: Maybe they're so that's a little old.

787
00:40:16,480 --> 00:40:20,439
Speaker 2: We need something new, something from your last record deal

788
00:40:20,560 --> 00:40:21,719
Speaker 2: or the record deal before. Then.

789
00:40:22,239 --> 00:40:25,240
Speaker 1: You want something new. They want fresh rippers.

790
00:40:25,320 --> 00:40:33,120
Speaker 3: Yeah, fresh, yes, and uh the Jesse's feeling the pressure, okay, yeah. Next,

791
00:40:33,160 --> 00:40:35,520
Speaker 3: in the living room, Danny has all the picnic gear

792
00:40:35,680 --> 00:40:39,040
Speaker 3: spread out and Michelle grabs the megaphone and shouts, let's go, people,

793
00:40:39,160 --> 00:40:42,040
Speaker 3: it's picnic time. Move it, move it, Move it. DJ

794
00:40:42,160 --> 00:40:46,760
Speaker 3: and Steph march in together, totally in sync. Danny beams, Oh,

795
00:40:46,880 --> 00:40:49,520
Speaker 3: I'm so proud of you girls. You've mastered the three

796
00:40:49,600 --> 00:40:52,160
Speaker 3: legged walks so well. It's as if you're not even

797
00:40:52,160 --> 00:40:56,080
Speaker 3: tied together, and the girls respond in perfect unison, We're

798
00:40:56,120 --> 00:41:01,640
Speaker 3: not stop talking when I talk. Joey and Becky's stroll in. Next,

799
00:41:01,960 --> 00:41:04,560
Speaker 3: Joey tells her he's entering the pie eating contest as

800
00:41:04,600 --> 00:41:09,200
Speaker 3: a wild card contestant. She laughs, Joey, you don't stand

801
00:41:09,239 --> 00:41:11,360
Speaker 3: a chance, he fires back.

802
00:41:11,280 --> 00:41:11,960
Speaker 1: Of course I do.

803
00:41:12,320 --> 00:41:15,840
Speaker 3: I've switched to the Tasmanian devil technique. And he turns

804
00:41:15,840 --> 00:41:18,399
Speaker 3: on his impression and pretends to shovel a pie into

805
00:41:18,440 --> 00:41:21,920
Speaker 3: his face and caps it all off with a burp. H.

806
00:41:22,640 --> 00:41:25,680
Speaker 3: Then Kimmy bursts through the front door and happily greets everyone.

807
00:41:26,200 --> 00:41:29,200
Speaker 3: Oh lah, fellow picnickers. My bag's in the van and

808
00:41:29,239 --> 00:41:33,600
Speaker 3: I'm ready for action, coach, and my perm has also arrived.

809
00:41:33,680 --> 00:41:37,839
Speaker 1: By Curly Hair era, Yes, curly hair, don't care, it's here.

810
00:41:38,040 --> 00:41:39,719
Speaker 1: I didn't love it back then, but I really like

811
00:41:39,760 --> 00:41:42,560
Speaker 1: it now. It's Oh, it's cute. It looks really cute. Yeah,

812
00:41:42,640 --> 00:41:44,600
Speaker 1: it's a good style for Kimmy. I liked it.

813
00:41:44,880 --> 00:41:47,359
Speaker 3: Anything is better than the season one or season two

814
00:41:47,480 --> 00:41:48,680
Speaker 3: hair with the mullet.

815
00:41:48,800 --> 00:41:52,879
Speaker 1: Oh my god, remember those? Remember your wighead? The wig head?

816
00:41:52,880 --> 00:41:56,040
Speaker 1: The wighead was so bad. Yeah, so I'm here for this.

817
00:41:56,040 --> 00:41:59,759
Speaker 1: It was gigantic. Yeah, God, I forgot about that. We've improved.

818
00:42:00,320 --> 00:42:03,560
Speaker 3: The sure Workdrobe is getting a little worse, but the

819
00:42:03,640 --> 00:42:09,839
Speaker 3: hairstyles are improving. So right, Danny steps in, Kimmy. As

820
00:42:09,920 --> 00:42:11,920
Speaker 3: much as we'd love to have you along on this trip,

821
00:42:12,040 --> 00:42:14,520
Speaker 3: there's just no room in the van and besides, you

822
00:42:14,640 --> 00:42:17,560
Speaker 3: got to be a member of the Tanner family, kim

823
00:42:17,680 --> 00:42:19,360
Speaker 3: I mean not really.

824
00:42:19,280 --> 00:42:22,960
Speaker 1: Really, Yeah, I'm stop glad. I was expecting Kimmy to

825
00:42:23,000 --> 00:42:27,440
Speaker 1: be like, what about Gladstone and cutsable? Yeah, that would have.

826
00:42:27,360 --> 00:42:29,719
Speaker 3: Been a much better comeback, I think than the one

827
00:42:29,719 --> 00:42:32,960
Speaker 3: that's written here, which is she Uh, Kimmy says, I

828
00:42:33,000 --> 00:42:34,600
Speaker 3: am a member of the Tanner family.

829
00:42:34,960 --> 00:42:36,759
Speaker 1: At least that's what my parents keep telling me.

830
00:42:38,080 --> 00:42:38,400
Speaker 4: Ah.

831
00:42:38,400 --> 00:42:42,080
Speaker 3: So the insight into Kimmy's abusive family home life right right, Yeah,

832
00:42:42,080 --> 00:42:44,360
Speaker 3: they're like, we don't love you, go next shore.

833
00:42:44,280 --> 00:42:46,279
Speaker 1: Right, and then the people here like we hate you too.

834
00:42:46,640 --> 00:42:52,719
Speaker 3: Yeah, They're they're laying the groundwork here for Kimmy's Kimmy's

835
00:42:52,760 --> 00:42:53,840
Speaker 3: sad home life.

836
00:42:53,880 --> 00:42:55,640
Speaker 1: Like this just gets so sad.

837
00:42:57,200 --> 00:42:59,400
Speaker 3: So Jesse walks in with a five o'clock shadow and

838
00:42:59,440 --> 00:43:02,640
Speaker 3: a depressed demeanor, saying he needs to talk to everybody.

839
00:43:03,239 --> 00:43:06,200
Speaker 3: Michelle spots him and cheers into the megaphone, Hey, uncle

840
00:43:06,280 --> 00:43:09,840
Speaker 3: Jesse's here. Danny gently takes the device from her and says,

841
00:43:09,880 --> 00:43:12,240
Speaker 3: I think we've had enough of the bullhorn for today,

842
00:43:13,120 --> 00:43:14,800
Speaker 3: and immediately after he shouts into.

843
00:43:14,680 --> 00:43:17,080
Speaker 1: The bullhorn, all right, everybody into the van, move it

844
00:43:17,120 --> 00:43:18,680
Speaker 1: move It, Move It.

845
00:43:18,760 --> 00:43:21,560
Speaker 3: Stephanie hand's Jesse a T shirt that reads Bay Area

846
00:43:21,640 --> 00:43:24,440
Speaker 3: Tanner's and she whispers it's a poly blend.

847
00:43:24,760 --> 00:43:27,320
Speaker 1: Dad said it wouldn't shrink, but I think it's just cheaper.

848
00:43:28,880 --> 00:43:31,520
Speaker 3: Stuff's very smart, like she's looked into all of this,

849
00:43:31,640 --> 00:43:33,200
Speaker 3: the materials.

850
00:43:32,560 --> 00:43:32,839
Speaker 2: The thing.

851
00:43:32,960 --> 00:43:37,440
Speaker 1: Yeah, you're very thorough. Jesse finally breaks the news.

852
00:43:37,600 --> 00:43:40,480
Speaker 3: After four days, he still hasn't come up with a

853
00:43:40,480 --> 00:43:42,920
Speaker 3: decent song, so he's going to pass on the picnic

854
00:43:43,080 --> 00:43:46,879
Speaker 3: to stay home and work. Kimmy perks, right up, look

855
00:43:46,920 --> 00:43:48,759
Speaker 3: on the bright side, Janners. Now there's room in the

856
00:43:48,840 --> 00:43:52,919
Speaker 3: van for me. Danny pleads, Jess, we need you now

857
00:43:52,960 --> 00:43:56,920
Speaker 3: more than ever. Everyone else chimes in asking him to reconsider.

858
00:43:57,520 --> 00:43:59,759
Speaker 3: Joey tries to convince him that the picnic will help

859
00:43:59,800 --> 00:44:03,040
Speaker 3: take his mind off of work, but Jesse pushes back,

860
00:44:03,280 --> 00:44:05,839
Speaker 3: I want to keep my mind on my work. Don't

861
00:44:05,880 --> 00:44:08,680
Speaker 3: you guys understand it's my one shot at a record deal.

862
00:44:09,480 --> 00:44:13,400
Speaker 1: It's not your one shot, Jesse. Right, So it's my

863
00:44:13,440 --> 00:44:15,719
Speaker 1: one third shot at a record deal. It's my one

864
00:44:15,719 --> 00:44:19,120
Speaker 1: shot for this week, right right, It shot for this

865
00:44:19,239 --> 00:44:22,000
Speaker 1: season at a record deal. Not even though it's I

866
00:44:22,000 --> 00:44:24,480
Speaker 1: feel like we already had another one. We started off

867
00:44:24,480 --> 00:44:27,839
Speaker 1: with Yeah, yeah, no, it's this is this is again?

868
00:44:27,960 --> 00:44:28,680
Speaker 1: Deja vous?

869
00:44:28,880 --> 00:44:32,759
Speaker 3: Right, Michelle starts pouting, But you're my partner in the

870
00:44:32,800 --> 00:44:37,600
Speaker 3: balloon race. Jesse demands, well, get another partner, and she whins,

871
00:44:37,680 --> 00:44:41,080
Speaker 3: But you promised, He shakes his head. Michelle, I can't,

872
00:44:41,640 --> 00:44:45,759
Speaker 3: She repeats, but you promised, and he snaps, Well, then

873
00:44:45,760 --> 00:44:47,960
Speaker 3: I'm going to break my promise. I'm not going to

874
00:44:48,000 --> 00:44:52,040
Speaker 3: the stupid picnic, so leave me alone, and he storms out.

875
00:44:53,640 --> 00:44:56,760
Speaker 1: But he doesn't like picnics. No, he's cranky. He's cranky.

876
00:44:56,840 --> 00:44:59,400
Speaker 1: He's been up for four nights straight, and he's you know,

877
00:44:59,600 --> 00:45:01,880
Speaker 1: he's Jesse's he's not happy.

878
00:45:02,440 --> 00:45:05,480
Speaker 3: When Jesse's not happy, the whole house, whole house isn't happen, right.

879
00:45:07,360 --> 00:45:10,799
Speaker 1: So Michelle is shocked, Uncle Jesse. Someone told her no, right,

880
00:45:10,920 --> 00:45:16,279
Speaker 1: someone told her no. She's not used to that. She's like, wait, what,

881
00:45:16,880 --> 00:45:19,520
Speaker 1: You're not dropping your job for me? Right?

882
00:45:20,640 --> 00:45:23,799
Speaker 3: Uncle Jesse yelled at me. Danny tries to comfort her.

883
00:45:24,000 --> 00:45:26,520
Speaker 3: I bet he didn't mean anything by it. Oh, come on,

884
00:45:26,600 --> 00:45:29,319
Speaker 3: We're still gonna have fun at the family picnic. But

885
00:45:29,400 --> 00:45:30,400
Speaker 3: Michelle is hurt.

886
00:45:31,000 --> 00:45:36,480
Speaker 1: She decides Uncle Jesse's not nice anymore. Oh no, he's

887
00:45:36,480 --> 00:45:39,160
Speaker 1: gonna lose this therapist. He's gonna writ I know this

888
00:45:39,239 --> 00:45:41,719
Speaker 1: is a bad this is a bad little breakup. Yeah,

889
00:45:41,800 --> 00:45:43,680
Speaker 1: you turn on her. Who are you going to talk to?

890
00:45:43,800 --> 00:45:45,040
Speaker 1: Who's going to give you your advice?

891
00:45:45,680 --> 00:45:45,799
Speaker 2: Thing?

892
00:45:45,920 --> 00:45:48,439
Speaker 1: Yes, I mean they're kind of I mean, Michelle's four

893
00:45:48,560 --> 00:45:50,200
Speaker 1: or five, so I give her a pass. But they're

894
00:45:50,239 --> 00:45:52,880
Speaker 1: kind of both wrong. Like she needs to know she

895
00:45:52,960 --> 00:45:56,239
Speaker 1: sometimes sometimes have to adult, right, So Jesse's work out.

896
00:45:56,400 --> 00:45:59,200
Speaker 1: Jesse needs to come, she told the trigger on one

897
00:45:59,200 --> 00:46:01,120
Speaker 1: of these damn records deals and get it over with.

898
00:46:02,440 --> 00:46:05,360
Speaker 3: Right, But you know that we have to have conflict.

899
00:46:05,440 --> 00:46:09,759
Speaker 3: So here we go in the basement. Jesse's back at

900
00:46:09,800 --> 00:46:12,880
Speaker 3: the piano. He thinks he has something, until suddenly his

901
00:46:12,960 --> 00:46:16,759
Speaker 3: melody morphs into the Brady Bunch theme. He mutters, well,

902
00:46:16,800 --> 00:46:19,480
Speaker 3: maybe no one will remember. He taps out a few

903
00:46:19,480 --> 00:46:21,960
Speaker 3: more keys, trying to salvage it, but he gives up

904
00:46:21,960 --> 00:46:32,879
Speaker 3: again with utter frustration. Next we are in the van

905
00:46:33,560 --> 00:46:35,640
Speaker 3: in the fakest driving scene ever.

906
00:46:36,480 --> 00:46:40,040
Speaker 1: So great. It's the lights from the floor up are

907
00:46:40,080 --> 00:46:42,520
Speaker 1: always so But you know what, though, I will say,

908
00:46:42,560 --> 00:46:48,160
Speaker 1: even sometimes in like big movies or TV shows, like,

909
00:46:48,200 --> 00:46:50,000
Speaker 1: you know, it's all like you look at it and

910
00:46:50,000 --> 00:46:53,360
Speaker 1: you're like, there's why are they so from the bottom.

911
00:46:53,719 --> 00:46:58,040
Speaker 1: It's otherwise you one get horrible shadows that make you

912
00:46:58,040 --> 00:47:01,720
Speaker 1: look atrocious and you can't see. But yeah, this was pretty.

913
00:47:02,440 --> 00:47:04,480
Speaker 1: I always feel bad for the lighting guys whenever there's

914
00:47:04,480 --> 00:47:05,080
Speaker 1: a car site.

915
00:47:05,800 --> 00:47:07,480
Speaker 2: We were gonna all be Yeah, we're gonna fit eight

916
00:47:07,520 --> 00:47:08,279
Speaker 2: people in a van.

917
00:47:08,360 --> 00:47:12,120
Speaker 1: Can you make them all lit? Well, yes, these poor guys, and.

918
00:47:12,080 --> 00:47:15,600
Speaker 3: They have to jerry rig this whatever the lighting system

919
00:47:15,719 --> 00:47:19,400
Speaker 3: in what's essentially a real car, but it's deconstructed onto

920
00:47:19,440 --> 00:47:20,200
Speaker 3: the sound stage.

921
00:47:20,880 --> 00:47:22,399
Speaker 1: It's just difficult for everyone, But.

922
00:47:22,440 --> 00:47:26,240
Speaker 3: I guess less difficult than leaving the studio and going.

923
00:47:26,080 --> 00:47:30,239
Speaker 1: On card right, yeaco the stage. Yeah, this is the

924
00:47:30,239 --> 00:47:30,800
Speaker 1: better option.

925
00:47:32,120 --> 00:47:35,279
Speaker 3: So every single family member and Kimmy is belting out

926
00:47:35,360 --> 00:47:38,240
Speaker 3: coming round the mountain. As they continue their road trip,

927
00:47:38,680 --> 00:47:41,560
Speaker 3: Danny tries to kick off another verse, but everyone groans

928
00:47:41,920 --> 00:47:45,200
Speaker 3: ready for this sing along to be over. Then Michelle

929
00:47:45,239 --> 00:47:48,839
Speaker 3: asks are we there yet? And Danny answers no, we're

930
00:47:48,840 --> 00:47:52,040
Speaker 3: not at the motel yet, so she tries again, when

931
00:47:52,120 --> 00:47:55,640
Speaker 3: will we be there? And everyone chimes in together when

932
00:47:55,760 --> 00:47:59,160
Speaker 3: we get there? Michelle defends herself. I was just asking,

933
00:47:59,360 --> 00:48:01,560
Speaker 3: don't have a how for.

934
00:48:01,520 --> 00:48:06,600
Speaker 1: The seventy eight times? Yes, my kids used to be

935
00:48:07,400 --> 00:48:10,160
Speaker 1: Are we there yet? Are there? We're in the fast

936
00:48:10,280 --> 00:48:14,200
Speaker 1: lane on the five freeway. Do you think we're there?

937
00:48:13,960 --> 00:48:16,640
Speaker 1: We're going with the flow of traffic. There's right, yeah,

938
00:48:17,400 --> 00:48:20,040
Speaker 1: to get doesn't it look like we're in the mountains.

939
00:48:21,640 --> 00:48:24,359
Speaker 3: So Joey chimes in, I think what Michelle is trying

940
00:48:24,400 --> 00:48:26,320
Speaker 3: to say is she has to go to the bathroom.

941
00:48:27,000 --> 00:48:30,319
Speaker 3: Michelle frowns, No, he don't, so Joey confesses, all right,

942
00:48:30,400 --> 00:48:35,160
Speaker 3: I do, please, Danny, I'm dying. Danny scolds, didn't I

943
00:48:35,239 --> 00:48:37,480
Speaker 3: say to not drink that thermos of tang?

944
00:48:37,960 --> 00:48:39,640
Speaker 1: Oh tang?

945
00:48:40,520 --> 00:48:44,239
Speaker 3: Yes, that's oh man, My mouth is tingling, just king

946
00:48:44,280 --> 00:48:44,960
Speaker 3: about tang.

947
00:48:45,160 --> 00:48:46,239
Speaker 1: Yeah.

948
00:48:46,719 --> 00:48:51,320
Speaker 3: Then Stephanie shouts, Dad, Jimmy's looking at me and Kimmy,

949
00:48:51,360 --> 00:48:54,759
Speaker 3: who is staring directly at her and says, no, I'm not.

950
00:48:56,560 --> 00:49:00,880
Speaker 3: Danny says Kimmy, stop looking at Stephanieuddenly, Michelle.

951
00:49:00,600 --> 00:49:01,400
Speaker 1: Wrinkles her nose.

952
00:49:01,640 --> 00:49:05,680
Speaker 3: Something stinks. Becky admits, well, we're in the woods. It's

953
00:49:05,680 --> 00:49:09,440
Speaker 3: probably a skunk. But then DJ chimes in, I know

954
00:49:09,640 --> 00:49:12,960
Speaker 3: that smell. Kimmy, put your shoes back on, and the

955
00:49:13,000 --> 00:49:15,160
Speaker 3: whole car groans with disgust.

956
00:49:15,880 --> 00:49:20,759
Speaker 1: I'm sorry. I know it's not just I'm sorry. That's it.

957
00:49:20,800 --> 00:49:23,480
Speaker 1: At least it's funny like this situation. Okay, the situation

958
00:49:24,200 --> 00:49:26,840
Speaker 1: anybody takes their shoes off in a car. You're like, bro, no,

959
00:49:27,239 --> 00:49:29,040
Speaker 1: don't yet. That yeah joke, the joke.

960
00:49:29,080 --> 00:49:31,680
Speaker 3: It's not the joke itself, it's the amount of time

961
00:49:31,800 --> 00:49:34,640
Speaker 3: joke was repeated that I take issue with. But this

962
00:49:34,760 --> 00:49:36,760
Speaker 3: is We're only on the second mention of the second

963
00:49:36,880 --> 00:49:39,200
Speaker 3: of the stinky feet, so I'll allow it this time.

964
00:49:39,200 --> 00:49:39,480
Speaker 1: Okay.

965
00:49:41,360 --> 00:49:44,320
Speaker 3: Next, we are in a diner, a dimly lit diner.

966
00:49:44,360 --> 00:49:47,720
Speaker 3: We had very dark sets this week for some reason.

967
00:49:48,600 --> 00:49:51,560
Speaker 3: Jesse walks in, looking haggard. He tells the waiter a

968
00:49:51,640 --> 00:49:54,920
Speaker 3: cup of black coffee and keep it coming, takes a

969
00:49:54,960 --> 00:49:57,759
Speaker 3: seat at the bar, starts tapping his spoon against the

970
00:49:57,800 --> 00:50:02,680
Speaker 3: counter very fast, nervously. The man sitting next to him,

971
00:50:02,760 --> 00:50:05,799
Speaker 3: who looks a lot like Elvis, isn't having it.

972
00:50:06,400 --> 00:50:09,600
Speaker 1: He says, switch to decaff, will your son. You're jangling

973
00:50:09,680 --> 00:50:13,120
Speaker 1: my nerves in mind too. Isn't that annoying when people

974
00:50:13,160 --> 00:50:16,880
Speaker 1: are doing like doing something like that, like you're clicking

975
00:50:16,920 --> 00:50:17,239
Speaker 1: a pen.

976
00:50:17,680 --> 00:50:22,520
Speaker 2: Yes, yeah, like it makes me well, me and iophonia.

977
00:50:22,600 --> 00:50:24,319
Speaker 2: I'm like, I will stand you in the eye with

978
00:50:24,400 --> 00:50:24,759
Speaker 2: that pen.

979
00:50:24,920 --> 00:50:30,240
Speaker 3: Yeah, I didn't know you had uh yeah, we'll knuckle

980
00:50:30,280 --> 00:50:31,360
Speaker 3: cracking makes me.

981
00:50:31,480 --> 00:50:33,799
Speaker 1: Yes, my mind, I didn't know that because I do that.

982
00:50:33,840 --> 00:50:37,520
Speaker 1: I do that. It like it? Yeah. Anyway, do I

983
00:50:37,560 --> 00:50:39,720
Speaker 1: get like very angry at the sound of people chewing

984
00:50:39,880 --> 00:50:43,440
Speaker 1: or typing on a keyboard? Oh, the sound of a

985
00:50:43,480 --> 00:50:47,359
Speaker 1: remote clicking? Wow? Yeah, well, I have a fairly long

986
00:50:47,360 --> 00:50:49,200
Speaker 1: list of things that set me off.

987
00:50:49,880 --> 00:50:51,719
Speaker 3: Well to talk about this with Wan Pablo, because he

988
00:50:51,800 --> 00:50:53,880
Speaker 3: too has very bad mesophonia.

989
00:50:54,000 --> 00:50:55,879
Speaker 1: Yes, and he used to wear earplugs on the set

990
00:50:55,880 --> 00:50:58,400
Speaker 1: of Fuller. Yeah, well in the hair makeup room, especially

991
00:50:58,440 --> 00:51:00,560
Speaker 1: because it's loud in there and everyone's talking and hair

992
00:51:00,600 --> 00:51:05,600
Speaker 1: driers are going yeah, ohyway, it's overwhelming. Yes, and I

993
00:51:05,640 --> 00:51:08,520
Speaker 1: don't know where I was. Jesse just lost his mind.

994
00:51:08,640 --> 00:51:10,880
Speaker 1: Jesse lost his mind and he was annoying.

995
00:51:10,920 --> 00:51:14,759
Speaker 3: Elvis next, Yes, yeah, yeah, Jesse apologizes, I'm sorry, I

996
00:51:15,080 --> 00:51:17,359
Speaker 3: have a lot on my mind. And then Jesse looks

997
00:51:17,440 --> 00:51:21,040
Speaker 3: up and does a double take. Elvis turns to the

998
00:51:21,080 --> 00:51:24,360
Speaker 3: kitchen and calls out sprout salad, low coal dressing on

999
00:51:24,400 --> 00:51:24,840
Speaker 3: the side.

1000
00:51:25,640 --> 00:51:27,600
Speaker 1: Yeah, sounds terrible.

1001
00:51:27,840 --> 00:51:31,080
Speaker 3: Then the Elvis man boasts to Jesse, I lost seventy

1002
00:51:31,120 --> 00:51:34,160
Speaker 3: two pounds on this diet. Man, I got sprouts coming

1003
00:51:34,239 --> 00:51:38,600
Speaker 3: out my side burns. Jesse stammers, you know you look

1004
00:51:38,640 --> 00:51:42,440
Speaker 3: exactly like, well, no, you're gone. I mean you're not gone,

1005
00:51:42,640 --> 00:51:45,799
Speaker 3: you're here. But never mind me. I'm having a bad day.

1006
00:51:46,040 --> 00:51:48,440
Speaker 3: Go ahead, finish your salad. You don't want to hear

1007
00:51:48,440 --> 00:51:53,560
Speaker 3: about my problems. Elvis agrees, probably not. Yeah, it's probably not.

1008
00:51:54,280 --> 00:51:57,400
Speaker 1: But Jesse takes us as an invitation to tell him everything.

1009
00:51:58,680 --> 00:52:03,480
Speaker 3: You know, Michelle's pissed it in, so somebody right, Elvis

1010
00:52:03,520 --> 00:52:05,839
Speaker 3: is now the makeshift therapist for.

1011
00:52:05,840 --> 00:52:10,200
Speaker 1: The day, which we're gonna get to. Okay, it's.

1012
00:52:12,320 --> 00:52:16,440
Speaker 3: Jesse continues. My problem is my family. They're driving me nuts,

1013
00:52:16,680 --> 00:52:19,080
Speaker 3: so I blew up at them. You see, I finally

1014
00:52:19,080 --> 00:52:22,839
Speaker 3: got a shot at a record deal for the third time,

1015
00:52:23,040 --> 00:52:25,520
Speaker 3: but I got to come up with one really great song,

1016
00:52:25,960 --> 00:52:28,120
Speaker 3: and now they're all mad because I'm not going to

1017
00:52:28,360 --> 00:52:29,640
Speaker 3: some stupid picnic.

1018
00:52:30,560 --> 00:52:33,960
Speaker 1: Elvis suddenly becomes interested. Picnic. Are they going to have

1019
00:52:33,960 --> 00:52:37,680
Speaker 1: barbecue there? Jesse shrugs. I guess so, but I don't

1020
00:52:37,719 --> 00:52:39,640
Speaker 1: have time for that you know, my whole career is

1021
00:52:39,680 --> 00:52:43,279
Speaker 1: on the line. Yeah, I mean what you what if

1022
00:52:43,320 --> 00:52:45,480
Speaker 1: you have to go back to being an ad exec

1023
00:52:45,719 --> 00:52:51,279
Speaker 1: or or an exterminator or any number of things that

1024
00:52:51,320 --> 00:52:52,759
Speaker 1: you've probably he's been through.

1025
00:52:52,800 --> 00:52:55,080
Speaker 3: This is We're on season five, this is about his

1026
00:52:55,160 --> 00:52:58,000
Speaker 3: fifth career. I think, Yes, just keeps trying new things

1027
00:52:58,000 --> 00:53:01,960
Speaker 3: all the time. So Elvis presses him, then, why are

1028
00:53:02,040 --> 00:53:06,840
Speaker 3: you home working on this record? Jesse counters, I'm practically finished.

1029
00:53:07,000 --> 00:53:09,360
Speaker 3: I just came out for a cup of coffee. But

1030
00:53:09,440 --> 00:53:11,840
Speaker 3: the man sees right through this. You got nothing, do you?

1031
00:53:12,760 --> 00:53:15,520
Speaker 3: Jesse sighs, Well, I wrote a song about a turtle

1032
00:53:15,520 --> 00:53:18,799
Speaker 3: and a duck. Not really top forty though, But you

1033
00:53:18,840 --> 00:53:22,440
Speaker 3: want to know what my real problem is?

1034
00:53:23,080 --> 00:53:23,160
Speaker 4: Like?

1035
00:53:23,360 --> 00:53:26,040
Speaker 1: No, but I have a feeling you're gonna tell me anyway.

1036
00:53:26,320 --> 00:53:27,600
Speaker 1: He already said no once.

1037
00:53:29,640 --> 00:53:33,000
Speaker 3: And for a penny, in for a pound, So Elvis says,

1038
00:53:33,080 --> 00:53:36,200
Speaker 3: lay it on me. So Jesse opens up. I got

1039
00:53:36,239 --> 00:53:38,799
Speaker 3: twins coming. I want them to be proud of their

1040
00:53:38,800 --> 00:53:39,279
Speaker 3: old man.

1041
00:53:39,840 --> 00:53:42,040
Speaker 1: I want to be a success. It's why I've been

1042
00:53:42,080 --> 00:53:44,799
Speaker 1: working so hard. I want them to look up and

1043
00:53:44,840 --> 00:53:48,160
Speaker 1: see platinum records on the wall of the attic that

1044
00:53:48,200 --> 00:53:52,080
Speaker 1: I live in right, you know what I mean? Like,

1045
00:53:52,480 --> 00:53:55,320
Speaker 1: I don't know, bro, you want to start somewhere maybe

1046
00:53:55,400 --> 00:53:59,040
Speaker 1: just gets Rod apart it. You want your gizz to

1047
00:53:59,040 --> 00:54:00,560
Speaker 1: be proud of you know what I mean? But more

1048
00:54:00,600 --> 00:54:03,360
Speaker 1: than thirty feet away from Michelle. Like, well that's this

1049
00:54:03,480 --> 00:54:04,680
Speaker 1: is the farthest he's ever been.

1050
00:54:05,040 --> 00:54:09,040
Speaker 3: Yeah, there's a lot of things that Jesse should be

1051
00:54:09,040 --> 00:54:12,600
Speaker 3: focused on right now, So Elvis, he shakes his head.

1052
00:54:13,239 --> 00:54:16,520
Speaker 3: Babies don't care about platinum records. All they care about

1053
00:54:16,560 --> 00:54:19,160
Speaker 3: is if their daddy loves them, if he's there to

1054
00:54:19,239 --> 00:54:22,080
Speaker 3: hug and kiss them. Shame on you for snapping at

1055
00:54:22,120 --> 00:54:26,960
Speaker 3: your family over a picnic, Jesse shamefully adds, I also

1056
00:54:27,000 --> 00:54:29,719
Speaker 3: broke a promise to my four year old niece and

1057
00:54:29,760 --> 00:54:32,439
Speaker 3: the man wins his I wish you hadn't told me that.

1058
00:54:32,760 --> 00:54:36,479
Speaker 1: Ooh oh oh damn. It's getting spicy in this right,

1059
00:54:36,560 --> 00:54:38,240
Speaker 1: and I'm like, no, I'm gonna have to take you outside.

1060
00:54:38,440 --> 00:54:40,080
Speaker 1: I don't have to take you out back, right.

1061
00:54:41,160 --> 00:54:43,840
Speaker 3: You're so busy chasing your pot of gold, You're forgetting

1062
00:54:43,840 --> 00:54:46,800
Speaker 3: what's really important. If you want to be a success,

1063
00:54:47,239 --> 00:54:50,279
Speaker 3: then you be a good father, a good husband, a

1064
00:54:50,320 --> 00:54:54,560
Speaker 3: good friend. After that, it's all gravy, and then he pauses,

1065
00:54:54,840 --> 00:54:57,520
Speaker 3: ooh that sounds good. Hey, Sonny, throw some gravy on

1066
00:54:57,560 --> 00:54:58,560
Speaker 3: that salad, will you?

1067
00:55:00,160 --> 00:55:00,600
Speaker 1: He laughs.

1068
00:55:00,880 --> 00:55:02,520
Speaker 3: I don't know why I dumped all this on you.

1069
00:55:02,800 --> 00:55:05,160
Speaker 3: I feel like they know you or something. Let me

1070
00:55:05,200 --> 00:55:08,919
Speaker 3: buy your meal. Elvis smiles, Thank you, Thank you very much.

1071
00:55:10,120 --> 00:55:13,000
Speaker 3: Jesse shakes his head and disbelieve. I swear the way

1072
00:55:13,000 --> 00:55:16,400
Speaker 3: you said that, you remind me so much of Elvis

1073
00:55:16,400 --> 00:55:21,200
Speaker 3: cuts him off. I know, Wayne Newton. Jesse laughs and

1074
00:55:21,239 --> 00:55:24,360
Speaker 3: walks towards the door, but Elvis stops him. It's a

1075
00:55:24,440 --> 00:55:27,240
Speaker 3: chilly night, so he takes off his scarf and slings

1076
00:55:27,280 --> 00:55:31,480
Speaker 3: it around Jesse's neck. I love this scene this like

1077
00:55:32,080 --> 00:55:35,000
Speaker 3: I mean, of course it's wacky, right. This was just

1078
00:55:35,040 --> 00:55:38,360
Speaker 3: as a great message for Jesse. It was so ridiculous,

1079
00:55:38,400 --> 00:55:39,600
Speaker 3: but I was kind of in it.

1080
00:55:40,000 --> 00:55:41,640
Speaker 1: I was totally here for it.

1081
00:55:42,239 --> 00:55:44,839
Speaker 3: But I was like, oh, now we have Elvis, because well,

1082
00:55:45,160 --> 00:55:48,560
Speaker 3: I'm not going to listen to anyone except no, not

1083
00:55:48,600 --> 00:55:50,360
Speaker 3: even Michelle, so the only person he.

1084
00:55:50,440 --> 00:55:52,360
Speaker 1: Was the only persons.

1085
00:55:52,680 --> 00:55:56,000
Speaker 3: This was actually brilliant, true bring in the king to

1086
00:55:56,000 --> 00:55:59,000
Speaker 3: give him some solid advice. Yeah about check your ego

1087
00:55:59,080 --> 00:56:02,480
Speaker 3: at the door, and there for your family, you know, yeah,

1088
00:56:02,640 --> 00:56:03,680
Speaker 3: wise words.

1089
00:56:03,719 --> 00:56:05,640
Speaker 1: Elvis is probably like I'm speaking from experience.

1090
00:56:06,000 --> 00:56:09,600
Speaker 3: Yes, yeah, he's been there once or twice, so yep.

1091
00:56:11,360 --> 00:56:14,480
Speaker 3: Next we're on the side of the road, another dark set.

1092
00:56:14,800 --> 00:56:17,000
Speaker 3: The girls are leaned up against the parked car and

1093
00:56:17,080 --> 00:56:22,000
Speaker 3: DJ size I hope they can fix the van. Stephanie panics,

1094
00:56:22,239 --> 00:56:25,880
Speaker 3: what if we're stuck here forever? And Kimmy doesn't sugarcoat it.

1095
00:56:26,239 --> 00:56:28,240
Speaker 3: In that case, we're bear snacks.

1096
00:56:28,960 --> 00:56:29,680
Speaker 1: I always forget.

1097
00:56:29,719 --> 00:56:31,359
Speaker 2: I'm like, how are they in the I'm like, oh, wait,

1098
00:56:31,680 --> 00:56:33,840
Speaker 2: they're in San Francisco, so it's like a couple hours

1099
00:56:33,880 --> 00:56:36,200
Speaker 2: drive to the eastern Sierras. I'm like, how do they

1100
00:56:36,239 --> 00:56:38,160
Speaker 2: get to the mountains?

1101
00:56:38,160 --> 00:56:40,360
Speaker 3: And yeah, yes, they're like, oh yeah, we're in a

1102
00:56:40,400 --> 00:56:42,080
Speaker 3: different part of California.

1103
00:56:42,680 --> 00:56:44,560
Speaker 1: Then Joey hops out of the car. I think I

1104
00:56:44,600 --> 00:56:45,000
Speaker 1: got it.

1105
00:56:45,400 --> 00:56:48,640
Speaker 3: Danny, give it a try. Danny gasps, we did it.

1106
00:56:49,160 --> 00:56:52,520
Speaker 3: We got the hood open. He grabs his flashlight and

1107
00:56:52,600 --> 00:56:55,600
Speaker 3: takes a look at the engine. Danny groans, no, wonder

1108
00:56:55,640 --> 00:56:59,480
Speaker 3: we broke down. It's filthy under here. DJ admits we're

1109
00:56:59,480 --> 00:57:04,759
Speaker 3: a big rubble. Suddenly, Stephanie yells someone's coming. Michelle lights up.

1110
00:57:04,920 --> 00:57:06,520
Speaker 3: I hope it's the ice cream man.

1111
00:57:07,560 --> 00:57:10,879
Speaker 1: We see that it's Jesse rolling up in his motorcycle.

1112
00:57:11,040 --> 00:57:11,920
Speaker 1: What a coincidence?

1113
00:57:13,360 --> 00:57:16,160
Speaker 3: Becky asks what are you doing here, and he explains

1114
00:57:16,400 --> 00:57:18,040
Speaker 3: I was gonna meet you guys at the picnic.

1115
00:57:18,360 --> 00:57:21,320
Speaker 1: Is something wrong with the van? Danny waves him over.

1116
00:57:21,640 --> 00:57:23,680
Speaker 1: The engine is filthy? Take a look.

1117
00:57:24,440 --> 00:57:26,840
Speaker 3: Jesse gives it a quick look over and tells Joey

1118
00:57:26,880 --> 00:57:30,240
Speaker 3: to start the car up. He easily fixes something within

1119
00:57:30,320 --> 00:57:34,400
Speaker 3: seconds and tells everyone it was just a loose distributor cap.

1120
00:57:35,360 --> 00:57:38,280
Speaker 3: Joey tries to outman him by pointing out which you

1121
00:57:38,360 --> 00:57:40,480
Speaker 3: never would have found if I hadn't gotten the hood,

1122
00:57:40,680 --> 00:57:44,680
Speaker 3: hadn't got the hood open. Yeah, I mean that's important too,

1123
00:57:45,080 --> 00:57:48,960
Speaker 3: It's very important. Jesse changes the subject back to himself again.

1124
00:57:49,120 --> 00:57:52,320
Speaker 3: Gotta pull focus right right. You know, I met this

1125
00:57:52,400 --> 00:57:56,000
Speaker 3: guy at a diner who looked exactly like Wayne Newton,

1126
00:57:56,920 --> 00:57:59,600
Speaker 3: and then he gets serious. I just want to say

1127
00:57:59,760 --> 00:58:02,880
Speaker 3: I'm sorry for snapping at everyone. I got so wrapped

1128
00:58:02,960 --> 00:58:05,480
Speaker 3: up in this record deal riding around on my high

1129
00:58:05,560 --> 00:58:09,040
Speaker 3: horse that I forgot about what's really important, and that's

1130
00:58:09,080 --> 00:58:12,200
Speaker 3: the people. I love you, guys, so I hope you

1131
00:58:12,240 --> 00:58:16,240
Speaker 3: can forgive me Kimmy doesn't waste a second. She rushes

1132
00:58:16,280 --> 00:58:18,720
Speaker 3: in for a hug. Of course, I can forgive you.

1133
00:58:19,840 --> 00:58:23,120
Speaker 3: Danny chuckles. You can let go now, Kimmy. Jess, don't

1134
00:58:23,120 --> 00:58:25,160
Speaker 3: be so hard on yourself. We know what kind of

1135
00:58:25,160 --> 00:58:30,760
Speaker 3: pressure you've been under. Michelle disagrees, no, we don't. Jesse sighs,

1136
00:58:30,880 --> 00:58:33,160
Speaker 3: and he asks his little niece, will.

1137
00:58:33,000 --> 00:58:34,360
Speaker 1: You forgive your uncle? Jesse?

1138
00:58:35,440 --> 00:58:39,880
Speaker 3: She declares, your name is uncle Meanie, and he realizes

1139
00:58:39,960 --> 00:58:41,000
Speaker 3: you're still mad at me.

1140
00:58:41,160 --> 00:58:45,760
Speaker 1: Huh. She rolls her eyes. Duh, this that was actually

1141
00:58:45,840 --> 00:58:46,640
Speaker 1: very funny. Yeah.

1142
00:58:46,880 --> 00:58:50,640
Speaker 3: Oh the audience loved it too. They laughed for a while. Uh,

1143
00:58:50,840 --> 00:58:52,160
Speaker 3: she's just she's got this grudge.

1144
00:58:52,200 --> 00:58:52,360
Speaker 1: You know.

1145
00:58:52,480 --> 00:58:55,240
Speaker 3: She's not letting go as easily as everyone else has

1146
00:58:55,320 --> 00:58:58,400
Speaker 3: n to be. In front of Jesse, She's gonna hold

1147
00:58:58,440 --> 00:59:02,360
Speaker 3: him to this for another minute. Jesse laughs, Well, I

1148
00:59:02,440 --> 00:59:05,360
Speaker 3: deserve a Uh I'm sorry I let you down, kid,

1149
00:59:06,360 --> 00:59:09,760
Speaker 3: and Michelle goes on, you yelled and you broke a promise.

1150
00:59:10,960 --> 00:59:13,560
Speaker 3: Jesse admits, if it makes you feel better, I felt

1151
00:59:13,720 --> 00:59:19,360
Speaker 3: terrible all day. Michelle soffins that helps a little. Jesse suggests,

1152
00:59:19,400 --> 00:59:22,800
Speaker 3: how about this, we'll enter that balloon race together. We'll win,

1153
00:59:23,200 --> 00:59:25,680
Speaker 3: and we'll have the most fun we've ever had in

1154
00:59:25,720 --> 00:59:26,960
Speaker 3: our whole lives.

1155
00:59:27,560 --> 00:59:29,439
Speaker 1: Michelle lights up. That helps a lot.

1156
00:59:30,280 --> 00:59:32,240
Speaker 3: He picks her up. All right, come on, give me

1157
00:59:32,280 --> 00:59:34,920
Speaker 3: a little love. She gives him a big kiss on

1158
00:59:34,960 --> 00:59:37,880
Speaker 3: the cheek before Danny walks over with the flashlight. He

1159
00:59:37,960 --> 00:59:40,280
Speaker 3: shines the light in their faces and jokes, excuse me,

1160
00:59:40,440 --> 00:59:44,720
Speaker 3: everything okay over here, and we're out of that scene,

1161
00:59:45,160 --> 00:59:47,640
Speaker 3: and we're out of the woods, and we're out. A

1162
00:59:47,680 --> 00:59:49,520
Speaker 3: few hours later, we're in the kitchen.

1163
00:59:49,600 --> 00:59:52,720
Speaker 1: We were kids in the wood chit's with the Z

1164
00:59:53,320 --> 00:59:57,000
Speaker 1: in the woods, Zee in the woods singular yes uh.

1165
00:59:57,160 --> 01:00:01,400
Speaker 3: In the kitchen, Danny is happily polishing a small gold trophy.

1166
01:00:01,480 --> 01:00:05,120
Speaker 3: When dj walks over, she wonders, haven't you polished that

1167
01:00:05,200 --> 01:00:08,880
Speaker 3: long enough? You're starting to wear off the inscription. He

1168
01:00:08,920 --> 01:00:12,040
Speaker 3: admits he's just so proud of his family. Apparently they

1169
01:00:12,120 --> 01:00:15,800
Speaker 3: almost had a clean sweep this year, except for the

1170
01:00:15,800 --> 01:00:20,600
Speaker 3: pie eating contest. Becky sighs, Danny, We're really sorry we

1171
01:00:20,760 --> 01:00:24,320
Speaker 3: let you down. Joey chimes in, Hey, who would have

1172
01:00:24,360 --> 01:00:26,880
Speaker 3: known that when that when Aunt Phyllis took out her

1173
01:00:26,960 --> 01:00:30,520
Speaker 3: dentures like that, she could gum down a pie that fast.

1174
01:00:33,200 --> 01:00:37,240
Speaker 1: The use of the word gum gum down a high. Yeah,

1175
01:00:37,960 --> 01:00:41,160
Speaker 1: it's what a visual man. You'd think that wouldn't be

1176
01:00:41,280 --> 01:00:44,160
Speaker 1: as much of a Yeah. That would actually not work

1177
01:00:44,160 --> 01:00:47,160
Speaker 1: out as well, because how are you gonna chow? You

1178
01:00:47,160 --> 01:00:51,120
Speaker 1: can't chew teeth. That's why blueberry pie is soft.

1179
01:00:51,160 --> 01:00:53,840
Speaker 3: I guess they Well, they figure it out, like Holly,

1180
01:00:54,040 --> 01:00:55,560
Speaker 3: who has lost half her time.

1181
01:00:55,680 --> 01:00:58,040
Speaker 2: Let's let's ask Holly's opinion on this. Like Holly, if

1182
01:00:58,040 --> 01:01:00,720
Speaker 2: you were to enter a pie eating contest that you

1183
01:01:00,840 --> 01:01:03,440
Speaker 2: have no teeth, would you approach it?

1184
01:01:03,680 --> 01:01:09,080
Speaker 3: Yeah, crazier and first into the plate and eats right

1185
01:01:09,120 --> 01:01:11,160
Speaker 3: off the plate without using her hands. She does it

1186
01:01:11,160 --> 01:01:13,480
Speaker 3: the exact same way as Becky and Joey.

1187
01:01:14,480 --> 01:01:17,360
Speaker 2: Well, yes, if Ally sat down and started using her

1188
01:01:17,400 --> 01:01:21,440
Speaker 2: hands to eat, that would be almost more concerning than

1189
01:01:21,440 --> 01:01:22,919
Speaker 2: the fact that she can't see her here.

1190
01:01:25,880 --> 01:01:32,160
Speaker 1: So I don't know, Okay, I hope she does. She'll

1191
01:01:32,240 --> 01:01:35,480
Speaker 1: just say it. We'll take her advice in other areas,

1192
01:01:35,480 --> 01:01:40,240
Speaker 1: not gummy gumming down food. Right, So Jesse runs up

1193
01:01:40,240 --> 01:01:40,800
Speaker 1: the stairs.

1194
01:01:40,880 --> 01:01:43,520
Speaker 3: He announces, Hey, everybody, I want you to come down

1195
01:01:43,560 --> 01:01:47,320
Speaker 3: to the studio and check out my new tune. So

1196
01:01:47,800 --> 01:01:51,320
Speaker 3: in the basement. Sure enough, Jesse has a there is

1197
01:01:51,360 --> 01:01:52,240
Speaker 3: a full concert.

1198
01:01:52,360 --> 01:01:55,040
Speaker 1: Jess is a full band and eight hundred backup singers

1199
01:01:55,080 --> 01:02:05,120
Speaker 1: filling up the entire studio and mullet go. Everybody was there. Everybody.

1200
01:02:05,160 --> 01:02:09,480
Speaker 1: Everybody was there, every people we've never seen sun horns. Yeah,

1201
01:02:09,640 --> 01:02:11,480
Speaker 1: there's like a it's a full Although I will I'm

1202
01:02:11,560 --> 01:02:14,120
Speaker 1: gonna I'm gonna say I actually like this song. It

1203
01:02:14,160 --> 01:02:17,080
Speaker 1: was clearly oh see, I had the AudioSet reaction. I

1204
01:02:17,120 --> 01:02:19,640
Speaker 1: did not. I was like, this is like an intro

1205
01:02:19,760 --> 01:02:21,240
Speaker 1: song to a movie of the week, or like, I

1206
01:02:21,280 --> 01:02:23,840
Speaker 1: don't know, I just didn't love it. I don't know why.

1207
01:02:23,960 --> 01:02:26,320
Speaker 2: I'm not saying I want to buy the album or go,

1208
01:02:26,800 --> 01:02:30,840
Speaker 2: you know, follow them on tour. But it was it

1209
01:02:30,920 --> 01:02:34,600
Speaker 2: was it felt a little more like like it just.

1210
01:02:34,560 --> 01:02:36,040
Speaker 1: I don't know, it had a little bop to it,

1211
01:02:36,120 --> 01:02:39,960
Speaker 1: you know. It was. It wasn't like Forever something that

1212
01:02:40,040 --> 01:02:43,280
Speaker 1: felt overly you know, it was.

1213
01:02:43,240 --> 01:02:47,120
Speaker 3: Fun, overly overly emotional. Okay, well, I see, I preferred Forever.

1214
01:02:47,920 --> 01:02:49,720
Speaker 3: This one was just mid. It was like, as the

1215
01:02:49,800 --> 01:02:51,920
Speaker 3: kids say, this one was just mid for me.

1216
01:02:52,400 --> 01:02:55,160
Speaker 1: I actually think I'm interesting. I like this one. I

1217
01:02:55,240 --> 01:02:56,800
Speaker 1: like this little song of the more you did.

1218
01:02:57,320 --> 01:03:00,400
Speaker 3: Okay, Well that's okay. We're allowed to disagree. And uh,

1219
01:03:01,000 --> 01:03:02,800
Speaker 3: I'm going to force you to listen to that song

1220
01:03:03,080 --> 01:03:04,400
Speaker 3: every night, but I didn't.

1221
01:03:04,640 --> 01:03:07,800
Speaker 1: That's settled there. Yeah.

1222
01:03:07,880 --> 01:03:10,800
Speaker 3: So Jesse reminds his family that it's the world premiere

1223
01:03:11,200 --> 01:03:13,320
Speaker 3: of this song and he doesn't know if the record

1224
01:03:13,360 --> 01:03:16,080
Speaker 3: company's gonna like it, but he's very proud of it.

1225
01:03:16,560 --> 01:03:19,160
Speaker 1: And he says he couldn't have done it without them. Well,

1226
01:03:19,480 --> 01:03:22,360
Speaker 1: I mean, really, you were trying to do it without

1227
01:03:22,360 --> 01:03:24,720
Speaker 1: them the whole time. That's the whole premise of this

1228
01:03:24,800 --> 01:03:27,080
Speaker 1: twenty two minutes. He was trying to get rid of it, right,

1229
01:03:27,760 --> 01:03:30,160
Speaker 1: So that line didn't even make sense.

1230
01:03:30,320 --> 01:03:32,600
Speaker 2: Well, he couldn't have done it without them emotionally, but

1231
01:03:32,760 --> 01:03:35,600
Speaker 2: just not physically present. Yeah, I need your emotional presence,

1232
01:03:35,600 --> 01:03:37,120
Speaker 2: but physically get the hell out of here.

1233
01:03:37,680 --> 01:03:38,640
Speaker 1: This is true, Okay.

1234
01:03:40,040 --> 01:03:42,200
Speaker 3: Jesse begins to sing the song and it starts off

1235
01:03:42,240 --> 01:03:43,520
Speaker 3: slow and meaningful.

1236
01:03:43,800 --> 01:03:47,120
Speaker 2: See, I thought you'd like that part.

1237
01:03:47,280 --> 01:03:50,280
Speaker 1: No, that's that's the part I liked the least to us.

1238
01:03:50,320 --> 01:03:51,400
Speaker 1: I did. Yeah, that was I didn't.

1239
01:03:51,480 --> 01:03:53,479
Speaker 2: I was like, oh, here we go again, And that's

1240
01:03:53,640 --> 01:03:55,400
Speaker 2: maybe that's what it was. Is I really thought.

1241
01:03:55,240 --> 01:03:57,760
Speaker 1: We were going down that road as like you thought

1242
01:03:57,040 --> 01:04:00,400
Speaker 1: it a little and I was like, okay, okay, this is.

1243
01:04:00,800 --> 01:04:02,840
Speaker 3: The pickup was a little bit better. But I was

1244
01:04:03,000 --> 01:04:04,880
Speaker 3: this is not a top forty song. It's not a

1245
01:04:04,920 --> 01:04:05,400
Speaker 3: top ten.

1246
01:04:06,520 --> 01:04:12,880
Speaker 1: Well, but I've ever been uh I will say though,

1247
01:04:13,080 --> 01:04:18,280
Speaker 1: uh I My The only focus was the man without

1248
01:04:18,320 --> 01:04:21,520
Speaker 1: a shirt playing the saxophone, with the vest in the background,

1249
01:04:22,920 --> 01:04:26,240
Speaker 1: with the hair. That was it. I was like, is

1250
01:04:26,280 --> 01:04:28,000
Speaker 1: he wearing a shirt?

1251
01:04:28,720 --> 01:04:33,320
Speaker 2: He's just wearing this yeah, fashion literally like the opposite

1252
01:04:33,360 --> 01:04:34,200
Speaker 2: of a three piece suit.

1253
01:04:36,080 --> 01:04:41,360
Speaker 1: Just just that's it. It was. Yeah.

1254
01:04:41,800 --> 01:04:45,000
Speaker 2: I mean, first, so much happening in this c so

1255
01:04:45,280 --> 01:04:50,360
Speaker 2: much whoever the blonde guy was with uncle Gary. Uh

1256
01:04:50,720 --> 01:04:53,560
Speaker 2: Gary Gibbler Yo gibbler. Yeah, who now has a beard.

1257
01:04:53,600 --> 01:04:56,280
Speaker 1: By the way, he's trying count anything totally changed.

1258
01:04:57,080 --> 01:05:01,640
Speaker 2: The blonde guy next to him talk about wig hair.

1259
01:05:01,920 --> 01:05:04,400
Speaker 2: So I don't know your name. I'm not trying. This

1260
01:05:04,440 --> 01:05:07,200
Speaker 2: is nothing personal. If you're my friend, I would also

1261
01:05:07,240 --> 01:05:10,640
Speaker 2: make fun of you. But damn, that look.

1262
01:05:10,800 --> 01:05:14,760
Speaker 1: It was. It was bad, like its own little movement

1263
01:05:14,800 --> 01:05:18,320
Speaker 1: on top of the thing. You know. This was and

1264
01:05:18,360 --> 01:05:20,560
Speaker 1: then there was then there was We had worn players

1265
01:05:20,600 --> 01:05:24,840
Speaker 1: with mullets, we had a bongos, bongos like they had.

1266
01:05:25,080 --> 01:05:30,960
Speaker 1: We had bongos, many instrument section, we had two background singers.

1267
01:05:31,080 --> 01:05:33,760
Speaker 1: It's it just didn't stop. It just kept going like, oh,

1268
01:05:33,800 --> 01:05:38,400
Speaker 1: there's more people, there's more people. Oh, there's more Yeah.

1269
01:05:38,440 --> 01:05:40,800
Speaker 1: And one of them wasn't wearing a shirt and thing

1270
01:05:41,080 --> 01:05:44,880
Speaker 1: at the front. Just have to say it, like, why

1271
01:05:45,400 --> 01:05:47,520
Speaker 1: was that a thing in nineteen ninety one? It was

1272
01:05:47,760 --> 01:05:50,240
Speaker 1: wearing no shirt but just the vest. Oh god, yes,

1273
01:05:50,560 --> 01:05:55,320
Speaker 1: I seem to remember many a photo of like Richard

1274
01:05:55,440 --> 01:05:59,560
Speaker 1: Grico and and Johnny Depp from twenty one Jump Street

1275
01:05:59,680 --> 01:06:03,160
Speaker 1: with like the hair and their eye and the very

1276
01:06:03,240 --> 01:06:06,680
Speaker 1: drumatical shirt under a vest with like some chains hanging.

1277
01:06:06,840 --> 01:06:09,920
Speaker 2: Yeah, I'm pretty sure John actually wears that in the

1278
01:06:09,960 --> 01:06:10,680
Speaker 2: Forever video.

1279
01:06:11,040 --> 01:06:13,560
Speaker 3: Oh yeah, he's got is he shirtless or he's have

1280
01:06:13,640 --> 01:06:16,080
Speaker 3: the vest on? You're right, there's something in appropriate. He's

1281
01:06:16,120 --> 01:06:18,439
Speaker 3: shirtless with the vests with the babies, with.

1282
01:06:18,360 --> 01:06:22,520
Speaker 1: The shirtless babies in their dis goes away completely. Yeah,

1283
01:06:22,520 --> 01:06:26,040
Speaker 1: it's weird, man. All I'm saying is it was the

1284
01:06:26,120 --> 01:06:30,080
Speaker 1: nineties and vests without shirts for a thing, and I'm

1285
01:06:30,120 --> 01:06:33,240
Speaker 1: just disappointed that this new generation has decided to leave

1286
01:06:33,240 --> 01:06:35,560
Speaker 1: that out of the nineties nostalgia Wardrobe five.

1287
01:06:35,920 --> 01:06:38,840
Speaker 3: They're like, we're not bringing that bah, thank you very much.

1288
01:06:39,000 --> 01:06:41,000
Speaker 3: You go full or go home.

1289
01:06:41,200 --> 01:06:41,800
Speaker 1: You know what I mean.

1290
01:06:42,640 --> 01:06:45,000
Speaker 2: I don't see a mullet and a vestless or a

1291
01:06:45,160 --> 01:06:47,360
Speaker 2: shirtless vest wearing saxophone player.

1292
01:06:48,600 --> 01:06:49,600
Speaker 1: Generation has failed.

1293
01:06:50,080 --> 01:06:53,440
Speaker 3: We spent our whole budget on backup singers and band members,

1294
01:06:53,440 --> 01:06:54,720
Speaker 3: so we didn't have enough money.

1295
01:06:54,520 --> 01:06:57,680
Speaker 1: For shirts for the entire right, right, So yeah, do

1296
01:06:57,720 --> 01:06:59,720
Speaker 1: you want a shirt? Or he wants a saxophone? Yes,

1297
01:06:59,800 --> 01:07:03,320
Speaker 1: I want the saxophone. This is so.

1298
01:07:03,440 --> 01:07:08,280
Speaker 3: Crazy, So, uh where am I? The beat kicks in?

1299
01:07:08,360 --> 01:07:10,920
Speaker 3: Finally we're out of the slow bit. The beat kicks in,

1300
01:07:11,000 --> 01:07:13,000
Speaker 3: and the entire band joins in.

1301
01:07:13,520 --> 01:07:17,120
Speaker 1: All seventeen thousand of them, seventeen million.

1302
01:07:18,560 --> 01:07:21,800
Speaker 3: The lyrics outline Jesse's behavior towards his family and how

1303
01:07:21,840 --> 01:07:25,040
Speaker 3: they opened his eyes to what's most important in life.

1304
01:07:25,680 --> 01:07:27,200
Speaker 1: Love Oh.

1305
01:07:27,320 --> 01:07:29,960
Speaker 3: The song continues and Jesse even shows off some of

1306
01:07:29,960 --> 01:07:31,520
Speaker 3: his bongo skills.

1307
01:07:32,880 --> 01:07:34,840
Speaker 1: I mean it was impressive. John is a great John

1308
01:07:34,920 --> 01:07:38,400
Speaker 1: is a great, you know, percussion instrument player? Yeah, he is.

1309
01:07:38,720 --> 01:07:40,479
Speaker 1: I feel like he added this. I feel like John

1310
01:07:40,560 --> 01:07:41,840
Speaker 1: was like, you know what we need in this scene?

1311
01:07:41,880 --> 01:07:42,720
Speaker 1: We need bongos.

1312
01:07:42,760 --> 01:07:48,080
Speaker 3: And so so the.

1313
01:07:46,760 --> 01:07:49,240
Speaker 2: Recording that they did of it, I'm sure because the

1314
01:07:49,280 --> 01:07:52,200
Speaker 2: other guy's playing bongos too, so there's like two layered

1315
01:07:52,240 --> 01:07:53,160
Speaker 2: sort of bongo parts.

1316
01:07:53,200 --> 01:07:55,280
Speaker 1: They're like, well, John is probably you can't play both

1317
01:07:55,280 --> 01:07:58,680
Speaker 1: of them. Yeah, that's actually one. Yeah, I gotta do it,

1318
01:07:59,160 --> 01:08:03,640
Speaker 1: can't resist. So the entire family dances along to the song.

1319
01:08:04,000 --> 01:08:10,960
Speaker 1: Dave is in this soundproof booth. I thought this was no.

1320
01:08:11,040 --> 01:08:11,400
Speaker 1: That was not.

1321
01:08:12,480 --> 01:08:15,400
Speaker 2: That was Dave going in and doing the weird little

1322
01:08:15,520 --> 01:08:18,599
Speaker 2: dance thing that him and Bob would do and doing

1323
01:08:18,640 --> 01:08:22,680
Speaker 2: that whole weird little noise, just being idiots. And they

1324
01:08:22,760 --> 01:08:24,800
Speaker 2: actually cut to it and used it in the show

1325
01:08:25,320 --> 01:08:28,160
Speaker 2: because Dave wouldn't stop doing it during the whole scene.

1326
01:08:28,240 --> 01:08:29,720
Speaker 1: And I'm sure Joel was like, I don't even care,

1327
01:08:29,880 --> 01:08:31,920
Speaker 1: just moved on, like right, we gotta we gotta move on.

1328
01:08:31,920 --> 01:08:35,640
Speaker 1: We're gonna lose the losing ten, right, So I just

1329
01:08:35,760 --> 01:08:38,120
Speaker 1: laughed the whole time. I'm like the second he like,

1330
01:08:38,400 --> 01:08:40,680
Speaker 1: I was like, oh no, yeah, it's one of those

1331
01:08:40,680 --> 01:08:42,280
Speaker 1: moments where you Dave can't be controlled.

1332
01:08:42,360 --> 01:08:44,240
Speaker 3: He's gonna go in there. It doesn't matter if you

1333
01:08:44,280 --> 01:08:46,080
Speaker 3: tell him get out, No, He's gonna swing in there.

1334
01:08:46,120 --> 01:08:49,840
Speaker 2: And akin to the panel that we did where he

1335
01:08:49,880 --> 01:08:54,080
Speaker 2: went behind the the screen and was doing shadow puppets

1336
01:08:54,160 --> 01:08:55,320
Speaker 2: and then out into the audience.

1337
01:08:55,439 --> 01:08:58,880
Speaker 1: Yeah, it was like that were you. He's just don't

1338
01:08:58,880 --> 01:09:01,400
Speaker 1: worry about him, just keep going. When he's on a roll,

1339
01:09:01,520 --> 01:09:03,679
Speaker 1: he can't be stopped. You just let him, just let

1340
01:09:03,680 --> 01:09:06,559
Speaker 1: you know. Bob was like, how can I tell you

1341
01:09:06,600 --> 01:09:09,000
Speaker 1: like just wanted to compete, wanted to be in it,

1342
01:09:09,080 --> 01:09:11,280
Speaker 1: wanted to do it, and couldn't. Well, that's when you

1343
01:09:11,360 --> 01:09:14,559
Speaker 1: lose control of the entire set. Actually one boy, and

1344
01:09:14,560 --> 01:09:15,000
Speaker 1: then I'm.

1345
01:09:14,880 --> 01:09:16,519
Speaker 2: Sure probably they got yelled at and we're like, just

1346
01:09:16,600 --> 01:09:19,360
Speaker 2: can we just finish this without YouTube being idiots?

1347
01:09:19,800 --> 01:09:21,720
Speaker 1: Focus, you guys. Focus.

1348
01:09:22,680 --> 01:09:26,400
Speaker 2: Meanwhile, everybody's paying attention to the shirtless best man.

1349
01:09:26,640 --> 01:09:30,160
Speaker 3: Yeah, he's he's pulling focus over there. There's so much

1350
01:09:30,200 --> 01:09:34,280
Speaker 3: going on. Uh, the family's dancing. They all burst into applause.

1351
01:09:34,600 --> 01:09:37,559
Speaker 3: The song concludes, and that is our show, Es and gentlemen.

1352
01:09:39,520 --> 01:09:41,320
Speaker 3: What twenty two minutes?

1353
01:09:41,400 --> 01:09:44,920
Speaker 1: This was packed, packed full of I don't know if

1354
01:09:44,920 --> 01:09:49,400
Speaker 1: this was a hallucination or I mean, I was like,

1355
01:09:49,439 --> 01:09:52,800
Speaker 1: so what do we are? We? And I guess it's

1356
01:09:52,840 --> 01:09:55,760
Speaker 1: the tie in is like Joey in his stupid newspaper,

1357
01:09:55,880 --> 01:09:57,760
Speaker 1: right that, like, oh, there's van an Elvis sighting. That

1358
01:09:57,840 --> 01:10:00,960
Speaker 1: kind of sets it up. It sets like okay, yeah,

1359
01:10:01,040 --> 01:10:02,840
Speaker 1: so that we're like buying into it, but yeah, I

1360
01:10:02,880 --> 01:10:06,080
Speaker 1: don't know. I like is I also feel like I

1361
01:10:06,160 --> 01:10:10,240
Speaker 1: remembered doesn't he turn around?

1362
01:10:10,320 --> 01:10:12,519
Speaker 2: And wasn't it like then just the glasses or something

1363
01:10:12,600 --> 01:10:15,559
Speaker 2: sitting on the counter. I feel like I remember that

1364
01:10:17,040 --> 01:10:19,559
Speaker 2: from something, from something, probably a different show.

1365
01:10:20,479 --> 01:10:24,600
Speaker 3: We have this mythical quality in a storyline back in

1366
01:10:24,960 --> 01:10:26,320
Speaker 3: our very first Christmas.

1367
01:10:26,000 --> 01:10:28,920
Speaker 1: Show with boss Hog, how they were like.

1368
01:10:29,000 --> 01:10:31,960
Speaker 3: Insinuating that he might actually be Santa disguised as a

1369
01:10:32,040 --> 01:10:33,080
Speaker 3: as a curmudgeony guy.

1370
01:10:33,720 --> 01:10:35,120
Speaker 1: So I feel like this was the same thing. That's

1371
01:10:35,160 --> 01:10:37,320
Speaker 1: what Okay, that's what I like, And maybe that's what

1372
01:10:37,360 --> 01:10:39,800
Speaker 1: it was. I think there's something like popped at the

1373
01:10:39,920 --> 01:10:41,479
Speaker 1: end of that episode or something that.

1374
01:10:41,439 --> 01:10:44,720
Speaker 3: He would Yeah, well definitely the scarf was a signature

1375
01:10:44,920 --> 01:10:45,960
Speaker 3: Elvis thing.

1376
01:10:47,560 --> 01:10:49,720
Speaker 1: So I think it's left up. I think it's intentionally

1377
01:10:49,800 --> 01:10:52,599
Speaker 1: left up to the audience. You decide depending on if

1378
01:10:52,640 --> 01:10:55,040
Speaker 1: you believe that Elvis is dead or not. Do you

1379
01:10:55,040 --> 01:10:57,080
Speaker 1: believe in do you believe in Elvis or do you

1380
01:10:57,120 --> 01:11:01,040
Speaker 1: believe ye, So yeah, I kind of like that. And

1381
01:11:01,200 --> 01:11:03,920
Speaker 1: it's a sitcom. It's super serious, so I'm okay with this,

1382
01:11:04,080 --> 01:11:07,160
Speaker 1: not knowing is it real or not. It's just nothing's

1383
01:11:07,200 --> 01:11:09,400
Speaker 1: real on this show. Probably Jesse talking to him. So

1384
01:11:09,560 --> 01:11:12,479
Speaker 1: they've got seventeen band members in a basement in there,

1385
01:11:13,600 --> 01:11:17,160
Speaker 1: five hundred thousand dollars studio. Nothing's real. It's as real

1386
01:11:17,200 --> 01:11:20,439
Speaker 1: as Elvis. Nothing is real. Yeah. Yeah, oh man, this

1387
01:11:20,600 --> 01:11:22,840
Speaker 1: was a This was you know, it was a cute one.

1388
01:11:22,920 --> 01:11:23,200
Speaker 1: It was.

1389
01:11:23,240 --> 01:11:25,639
Speaker 3: It was cute, solid, not my favorite, not the worst,

1390
01:11:25,880 --> 01:11:28,280
Speaker 3: not the worst time, but it was a you know,

1391
01:11:28,720 --> 01:11:30,040
Speaker 3: it was fine, it was fine.

1392
01:11:30,120 --> 01:11:31,960
Speaker 1: I just again it felt like we've I was like,

1393
01:11:31,960 --> 01:11:34,400
Speaker 1: I feel like we've done this. Jesse's just out about

1394
01:11:34,400 --> 01:11:38,920
Speaker 1: his career and fought five episodes or five seasons, twenty

1395
01:11:38,960 --> 01:11:42,000
Speaker 1: four to twenty six episodes. You revisit things. You're gonna

1396
01:11:42,040 --> 01:11:45,080
Speaker 1: revisit things, and Jesse takes a while to grow up,

1397
01:11:45,120 --> 01:11:45,959
Speaker 1: so it's.

1398
01:11:46,000 --> 01:11:48,760
Speaker 2: Not going to happen overnight, and there's a unless he's

1399
01:11:48,840 --> 01:11:50,760
Speaker 2: unless it's a record contract in which he's going to

1400
01:11:50,840 --> 01:11:52,160
Speaker 2: get three of them repeatedly.

1401
01:11:52,400 --> 01:11:55,280
Speaker 1: But he just gets amnesia. Yeah, like every month he's like, oh,

1402
01:11:55,439 --> 01:11:58,479
Speaker 1: I forgot about the last record, dude. Yeah, yeah, oh yeah,

1403
01:11:58,720 --> 01:11:59,240
Speaker 1: there you go.

1404
01:11:59,479 --> 01:12:02,400
Speaker 3: So, but it's a great message about putting your family

1405
01:12:02,439 --> 01:12:05,640
Speaker 3: first instead of work. Don't get so absorbed, you know,

1406
01:12:05,720 --> 01:12:08,040
Speaker 3: absorbed in your work that you forget what's really important.

1407
01:12:08,520 --> 01:12:11,240
Speaker 3: Babies don't care about hit records. They care about their dad.

1408
01:12:11,560 --> 01:12:13,320
Speaker 1: No, and if they do, those aren't the kind of

1409
01:12:13,320 --> 01:12:16,400
Speaker 1: babies you want to hang out with. Yeah, exactly, exactly.

1410
01:12:16,680 --> 01:12:19,800
Speaker 1: Being all those superficial type babies, we're find about the

1411
01:12:19,840 --> 01:12:22,559
Speaker 1: babies who love you unconditionally, see exactly.

1412
01:12:22,960 --> 01:12:25,519
Speaker 3: Yes, So yeah, this was an Okay, I give this,

1413
01:12:25,640 --> 01:12:28,240
Speaker 3: I give this like a six out of Yeah.

1414
01:12:28,240 --> 01:12:31,400
Speaker 1: I'd say it's somewhere in the mid range, five to six. Yeah, cute,

1415
01:12:31,400 --> 01:12:33,519
Speaker 1: definitely mid range. So it's good.

1416
01:12:34,600 --> 01:12:38,519
Speaker 2: Yeah, all right, Well, another fabulous episode of Full House

1417
01:12:38,560 --> 01:12:40,439
Speaker 2: and Howard Tanato's.

1418
01:12:39,960 --> 01:12:43,559
Speaker 3: We got We're five down in season five, right and

1419
01:12:43,840 --> 01:12:44,759
Speaker 3: moving right along.

1420
01:12:46,600 --> 01:12:49,479
Speaker 2: Well, thank you fan Rito's for joining us today. We

1421
01:12:49,560 --> 01:12:52,080
Speaker 2: always love that you guys are enjoying the show and listening,

1422
01:12:52,160 --> 01:12:54,799
Speaker 2: so make sure you're following us on Instagram at Howard

1423
01:12:54,840 --> 01:12:58,720
Speaker 2: Podcast or you're sending us emails at Howard Tantos at

1424
01:12:58,720 --> 01:13:01,479
Speaker 2: gmail dot com. Always the second show that gets me,

1425
01:13:01,520 --> 01:13:05,639
Speaker 2: I suddenly forget. That's okay, Howard Tannato's at gmail dot com.

1426
01:13:05,720 --> 01:13:09,240
Speaker 2: Send us suggestions, questions, your thoughts on Elvis.

1427
01:13:09,320 --> 01:13:12,080
Speaker 1: I don't know whatever, but yeah, we'd.

1428
01:13:11,920 --> 01:13:14,080
Speaker 2: Love to hear from you, and we do fan question

1429
01:13:14,160 --> 01:13:15,000
Speaker 2: episodes sometimes two.

1430
01:13:15,080 --> 01:13:17,640
Speaker 1: So if you've got a burning desire, please share it

1431
01:13:17,680 --> 01:13:19,160
Speaker 1: with us. Let us know what you want to know.

1432
01:13:20,040 --> 01:13:21,880
Speaker 1: And yeah, make sure you check out our our merch

1433
01:13:21,920 --> 01:13:26,800
Speaker 1: store at howarudemerch dot com. And uh, that's it. So yeah,

1434
01:13:26,880 --> 01:13:29,479
Speaker 1: thank you guys for joining us for another week of

1435
01:13:29,560 --> 01:13:34,920
Speaker 1: Howard Tannerrito's. And remember everyone, the world is small, but

1436
01:13:35,000 --> 01:13:40,040
Speaker 1: the house is full of Elvis. It's full of Elvis.

1437
01:13:39,960 --> 01:13:44,320
Speaker 3: Elvis everywhere, and rippers, rippers and Elvis and rippers.

1438
01:13:43,880 --> 01:13:46,880
Speaker 1: And it's not shirts.

1439
01:13:47,000 --> 01:13:52,639
Speaker 3: Shirts greatly lacking in shirts, more shirts, less band members

1440
01:13:52,920 --> 01:13:54,480
Speaker 3: or fewer band members.

1441
01:13:54,600 --> 01:13:56,840
Speaker 1: That's what we mean. Yeah, you get do. Yeah, I'd

1442
01:13:56,880 --> 01:14:00,160
Speaker 1: agree with that. Yeah, more shirts, fewer band members. It's

1443
01:14:00,240 --> 01:14:11,320
Speaker 1: just cool. I love it. M hm