WEBVTT - Ep. 24 — Let's get in Formation.

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<v Speaker 1>I like my baby hair, with baby.

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<v Speaker 2>Hair, with happens, I like whe Negro with something something,

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<v Speaker 2>Jackson's Fast.

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<v Speaker 1>Ah.

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<v Speaker 3>Yes, I've been waiting. I have literally literally been waiting

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<v Speaker 3>all day long to sing that out loud. There's no

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<v Speaker 3>one I can talk to you about this momentous moment

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<v Speaker 3>at work. It's highly frustrating.

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<v Speaker 2>Meanwhile, I'm like on the phone with like my coo

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<v Speaker 2>of the Budgetista and we are like going in like

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<v Speaker 2>yes queens flash, Oh my god.

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<v Speaker 3>So the entire world changed this weekend for an ambition family.

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<v Speaker 3>If you were under a rock or someone knocked you out,

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<v Speaker 3>or you're in a different country something, listen, it's a

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<v Speaker 3>whole new world. It is twenty sixteen, Part two point zero.

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<v Speaker 3>Beyonce has changed lives. She's come out with her She

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<v Speaker 3>came out with her news signal a single on Saturday

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<v Speaker 3>called Formation, not just the single, but the video, the VideA.

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<v Speaker 2>And it was at like four pm, right on Saturday,

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<v Speaker 2>four pm Eastern Standard time to be exact.

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<v Speaker 3>Yes, it was about four pm. I was just mine

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<v Speaker 3>in my own business and then someone just snatched my

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<v Speaker 3>hair off my head and I was like, what was that?

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<v Speaker 3>It was Beyonce dropping a new video. This video, I've

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<v Speaker 3>probably watched it and maybe a dozen times, which is

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<v Speaker 3>probably being conservative. I've watched it because there's just so

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<v Speaker 3>much to pick apart.

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<v Speaker 1>There is so much.

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<v Speaker 3>Maybe it's just because I studied literature in college and

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<v Speaker 3>I was like super nerdy and we would just spend

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<v Speaker 3>an entire month talking about one video. But like, there's

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<v Speaker 3>so many little elements, and there's so many little like

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<v Speaker 3>treasures and Easter eggs in this video, and I've personally

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<v Speaker 3>enjoyed watching the media try to make sense of it.

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<v Speaker 2>Yes, of first of all, you said easter eggs, which

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<v Speaker 2>is freaking hilarou. Did we even introduce ourselves? Do we

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<v Speaker 2>do we ever introduce ourselves anymore?

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<v Speaker 3>I mean they know already this is this Mandy. I

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<v Speaker 3>talked like this.

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<v Speaker 1>This is Ciffany. I talk like this.

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<v Speaker 3>I love it. You know what, like people are like

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<v Speaker 3>red lobster, but like red lobster. What is this about

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<v Speaker 3>the food industry? What is she talking about? But then

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<v Speaker 3>it's like hot sauce, Hot sauce, What illuminati.

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<v Speaker 2>About those white people that we put hot sauce at

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<v Speaker 2>our person?

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<v Speaker 3>She's sitting on top of a cop car, but the

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<v Speaker 3>cop car is drowning, but then she's on top of

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<v Speaker 3>the cop car. But then she's wearing like Victorian Night,

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<v Speaker 3>like eighteen hundreds ensemble, and then Blue Ivy has backup

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<v Speaker 3>dancers like what is But.

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<v Speaker 1>There was so much to digest.

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<v Speaker 2>And then she was slaying all that boobies in the

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<v Speaker 2>hallway and she was like kick kick, shuffle kick, And

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<v Speaker 2>then it was all the black women in the pool

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<v Speaker 2>when they know they said that we can't swim, but

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<v Speaker 2>we can't swim.

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<v Speaker 1>It just was It was a lot.

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<v Speaker 3>I thought there were so many elements, but before we

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<v Speaker 3>and not to mention. So this is the day before

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<v Speaker 3>the Super Bowl, so we already were excited for her

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<v Speaker 3>to show up. But Beyonce's like, no, this is Chris

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<v Speaker 3>Martin cold plays playing. But then let me just destroy

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<v Speaker 3>the internet before the superal even happens. Yes, so she

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<v Speaker 3>drops the video and then we get to see her

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<v Speaker 3>perform it live on yesterday's I mean some football game,

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<v Speaker 3>you know.

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<v Speaker 1>And I heard the football regalia, no less.

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<v Speaker 3>The Black Panther regalia. The fact that it was so

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<v Speaker 3>close to the start of the Black Panther movement, just

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<v Speaker 3>like so many different elements, we must unpack all of

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<v Speaker 3>this Beyonce slayage. But first I wanted to bring we want.

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<v Speaker 3>We wanted to bring a special guest on this week's

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<v Speaker 3>episode because, as you can hear, I'm a little bit biased.

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<v Speaker 3>I've loved Beyonce since Destiny's child. Tiffany loves Beyonce too.

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<v Speaker 3>I feel like every group of friends, though maybe has

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<v Speaker 3>the one friend who just like hates Beyonce and just

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<v Speaker 3>like loves to talk trash about Beyonce.

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<v Speaker 2>Yeah, and if you were part of the agency, we know.

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<v Speaker 2>I just want you to know that please behive, don't

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<v Speaker 2>sting me. I I you know, I understand the Queen.

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<v Speaker 2>I respect the Queen. She's clean, not like my favorite

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<v Speaker 2>all times. But I just want you to know that

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<v Speaker 2>the opinions that will be discussed here, unless it comes

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<v Speaker 2>directly from Tiffany, I want it to be happy.

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<v Speaker 1>I love to sing.

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<v Speaker 3>Well a special guest today. I'm pretty sure she's on

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<v Speaker 3>the most wanted list for the Agency. Oh god, this

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<v Speaker 3>is my really good friend, Jessica O'Neill. Jessica, you trying

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<v Speaker 3>to get her killed out here in the know. Brought

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<v Speaker 3>to you by Mandy Woodruff.

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<v Speaker 4>There you go.

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<v Speaker 3>So I have to have Jess on, because Jess is

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<v Speaker 3>the one who every time Beyonce does something, drops an album,

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<v Speaker 3>drops a single, new videos start. I don't know, just

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<v Speaker 3>Beyonce's in the news, you can count on Jess to

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<v Speaker 3>be the one to be like it ain't that great,

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<v Speaker 3>which I love, splash hate like I was texting so anyway,

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<v Speaker 3>but I want to welcome Jess to the show. First

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<v Speaker 3>and foremost, Jessica, take a bow, Hello, Hello world. I

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<v Speaker 3>might have to go find the the the audio booing track,

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<v Speaker 3>no man.

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<v Speaker 1>No man, no ma'am, no ham, no turkey.

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<v Speaker 3>But I want to have Jessica on because not only

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<v Speaker 3>I mean, you obviously are entitled to your opinion just

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<v Speaker 3>being America, but I thought you have some interesting things

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<v Speaker 3>to say about Beyonce and the video itself, and I

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<v Speaker 3>wanted just to kind of a conversation about it because

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<v Speaker 3>there is so much in this the New Orleans element,

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<v Speaker 3>the black girl power. I mean, the fact that she's

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<v Speaker 3>talking about having no shame about where she comes from,

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<v Speaker 3>who she is, you know, who her daughter is. It's

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<v Speaker 3>an empowering video. And Jess, yes, you want to explain

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<v Speaker 3>why your soul is so black and dark?

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<v Speaker 4>Yes, well it's not that it's black and dark. I

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<v Speaker 4>don't know.

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<v Speaker 5>I just feel like, especially at this interday age, she

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<v Speaker 5>just gets so much press and so much media attention

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<v Speaker 5>that it is just kind of polarizing. So whenever she

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<v Speaker 5>does anything and it could be so par it is

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<v Speaker 5>just like an explosion. And it drives me bonkers because

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<v Speaker 5>there's these people like you who are just in love

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<v Speaker 5>with her and think she's a unicorn, and it's just

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<v Speaker 5>all over my timeline on Facebook. I can't get away

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<v Speaker 5>from it. So since I can't get away from it,

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<v Speaker 5>I always feel a need to comment or just say like,

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<v Speaker 5>y'all chill out or something, but they just can't do

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<v Speaker 5>it because the B agency is strong.

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<v Speaker 3>Yes, just tell me what was your first impression of

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<v Speaker 3>the video and did you even try to be a

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<v Speaker 3>little bit objective with it?

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<v Speaker 5>You know, this is one thing I think particular of

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<v Speaker 5>the years as I became a good adult here, I

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<v Speaker 5>try to try to take in Beyonce and with a

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<v Speaker 5>clear mind, you know, full heart all that Jazz and

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<v Speaker 5>I did watch this video and I was pretty open

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<v Speaker 5>to it because I do appreciate her. Now finally acknowledging

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<v Speaker 5>that we are kind of having a bit of a

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<v Speaker 5>black movement here, and there's a bit and it is

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<v Speaker 5>it's kind of you know, it's it's everywhere, and it's

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<v Speaker 5>very strong, and a lot of her people, particularly her fans,

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<v Speaker 5>really do want to hear from her.

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<v Speaker 3>She hasn't had interviews right in the last couple of

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<v Speaker 3>years and doesn't any interviews.

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<v Speaker 4>Yeah, and they don't listen to her.

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<v Speaker 5>So I was actually kind of a little proud to

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<v Speaker 5>kind of see that she did a video and have

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<v Speaker 5>little themes in it and stuff. But I was looking

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<v Speaker 5>through Yeah, I mean, I don't know, Like I said,

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<v Speaker 5>it's then I started watching it, but I don't sorry,

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<v Speaker 5>I was looking at this video and then I started

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<v Speaker 5>using my whole brain, which sometimes I feel like people

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<v Speaker 5>don't do it.

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<v Speaker 4>Beyonce, Now that's me painting.

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<v Speaker 5>But and then I was listening to the lyrics and

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<v Speaker 5>I was like, hold on, I have a feeling here

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<v Speaker 5>because I just kept hearing I Slay, I slay.

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<v Speaker 4>And then I was like, Okay, now I don't know

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<v Speaker 4>if I like this, and I don't know. Then I

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<v Speaker 4>read the lyrics and she actually just kind of lost

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<v Speaker 4>me after that, unfortunately, because.

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<v Speaker 3>I'm sorry, I'm having a really hard time not introducting.

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<v Speaker 3>I'm trying to be respectful. Continue it's so hard. I'm

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<v Speaker 3>bouncing up.

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<v Speaker 4>I feel it.

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<v Speaker 3>And then I mean, so you took as she with

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<v Speaker 3>the the Michael Jackson line. Was it the Jackson nose?

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<v Speaker 4>You know, the Jackson nose didn't bother me.

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<v Speaker 5>What is bothering me is how just silly the song

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<v Speaker 5>kind of was in terms of the lyrics. I mean,

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<v Speaker 5>when I was looking at it, I guess it had

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<v Speaker 5>some very lovely empowerment lines here and there talking. I mean,

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<v Speaker 5>I can tell she really was trying to exuberate this

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<v Speaker 5>blackness about her, like you know, my daddy Alabama, Mama Louisiana,

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<v Speaker 5>that whole line. And then you know, she talked about

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<v Speaker 5>my negro nose with the nostrils, and she's sensitive about

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<v Speaker 5>her baby's hair because everybody just feels some kind of

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<v Speaker 5>way about blue looking like jay Z.

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<v Speaker 4>So it you know, I.

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<v Speaker 5>Felt all those things. But then I just the lyrics

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<v Speaker 5>got me there. But when you read the other lyrics,

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<v Speaker 5>it's just very It's like what rappers do every other week.

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<v Speaker 4>To me. I just she talks about writers. Go ahead, Okay,

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<v Speaker 4>I guess.

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<v Speaker 2>I feel like I mean, well, one I think that,

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<v Speaker 2>you know, no one thinks that Beyonce is the next

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<v Speaker 2>coming of Tupac.

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<v Speaker 1>You know, she's not Noads.

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<v Speaker 2>So we're not looking for Beyonce, like, you know, to

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<v Speaker 2>come out here and like lyrically destroy our lives. And

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<v Speaker 2>I think sometimes too, I think that I think that

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<v Speaker 2>the song was purposefully simplistic in that, you know, like

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<v Speaker 2>this is a new, you know, frontier kind of for

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<v Speaker 2>Beyonce being like so very.

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<v Speaker 1>Very black, like blackly black black black.

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<v Speaker 2>Like you know, and so that and then too, you

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<v Speaker 2>know it always like, I don't know, I never understand

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<v Speaker 2>why women get mad at Beyonce when she says she slays,

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<v Speaker 2>because I'm like, well, god damn it, she does.

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<v Speaker 4>And guess what, so do I like she's saying so much.

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<v Speaker 5>She tells you in the song that's that's what's getting

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<v Speaker 5>to be, but go ahead, that's just so.

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<v Speaker 2>Crazy, like honestly, So okay, I'll give you an example.

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<v Speaker 2>So I had written this book, like my first book,

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<v Speaker 2>the One Week Budget, and in it, I make a

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<v Speaker 2>joke saying something like, hey, like I don't know. I

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<v Speaker 2>wrote it when I was like twenty something, so I

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<v Speaker 2>thought it was cute and I was just like you

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<v Speaker 2>know something about like welcome to the book and maybe

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<v Speaker 2>you're here because I'm gorgeous. Sight that's unrelated or something

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<v Speaker 2>I said, and a woman went in on me basically said,

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<v Speaker 2>how dare you call yourself gorgeous? And I thought, how

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<v Speaker 2>dare you not call yourself gorgeous?

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<v Speaker 1>Sheh?

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<v Speaker 2>Like it's hard enough being a sister, and like, you know,

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<v Speaker 2>feeling some kind of.

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<v Speaker 1>Way about yourself.

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<v Speaker 2>I don't know why. I feel like, why do women

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<v Speaker 2>get so mad when women say, like, yo, I'm pretty amazing,

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<v Speaker 2>like and say it because so the world tells you

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<v Speaker 2>over and over that you just are not.

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<v Speaker 1>I don't know. That's one point.

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<v Speaker 2>I don't mind when women, well anybody honestly, but especially

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<v Speaker 2>women of color kind of like throw it in your

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<v Speaker 2>face and say no, I am freakingthebomb dot com. And

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<v Speaker 2>you will acknowledge because the world literally tells us otherwise always.

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<v Speaker 2>You are ugly, You are not smart, you are not desirable,

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<v Speaker 2>you are you know, well, your looks weird.

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<v Speaker 3>You know something that Tiffany Alich and Beyonce Knowles have

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<v Speaker 3>in common, which is when they say it's say they

0:10:54.720 --> 0:10:57.800
<v Speaker 3>ain't lying? Where is the lie?

0:10:58.400 --> 0:10:59.000
<v Speaker 1>Look at her?

0:10:59.280 --> 0:10:59.480
<v Speaker 4>No?

0:11:00.960 --> 0:11:03.920
<v Speaker 2>And I just feel like, I'm so glad that Beyonce

0:11:04.000 --> 0:11:06.480
<v Speaker 2>because honestly, like you know, I expect this kind of

0:11:06.559 --> 0:11:08.920
<v Speaker 2>like behavior from like a Salange, because you know, Solan,

0:11:09.120 --> 0:11:10.319
<v Speaker 2>just like what what was that?

0:11:10.559 --> 0:11:11.800
<v Speaker 1>You don't want to see these hands?

0:11:13.280 --> 0:11:16.360
<v Speaker 2>And Beyonce, like from my previous interviews when she used

0:11:16.360 --> 0:11:18.280
<v Speaker 2>to interview a lot, it was very clear that she

0:11:18.400 --> 0:11:23.840
<v Speaker 2>was self conscious and very afraid to acknowledge that she

0:11:23.920 --> 0:11:26.080
<v Speaker 2>thought that she was good. Like that's what I see

0:11:26.080 --> 0:11:28.800
<v Speaker 2>from her early interviews, and finally she's breaking free of

0:11:28.840 --> 0:11:32.160
<v Speaker 2>that and saying, no, what I work really hard, you know,

0:11:32.360 --> 0:11:34.280
<v Speaker 2>like when someone says something to me, I'm like, man,

0:11:34.320 --> 0:11:37.120
<v Speaker 2>I don't think I slay because I just do.

0:11:37.840 --> 0:11:40.200
<v Speaker 5>I think it's definitely a great point. I mean, as

0:11:40.280 --> 0:11:42.679
<v Speaker 5>black women, yes, we do have a lot of oppression.

0:11:42.720 --> 0:11:46.160
<v Speaker 5>We do not have wonderful images of us everywhere. I mean,

0:11:46.320 --> 0:11:49.360
<v Speaker 5>even with saying this about Beyonce, I do feel bad

0:11:49.360 --> 0:11:51.240
<v Speaker 5>because we don't have a lot of black role models.

0:11:51.240 --> 0:11:53.480
<v Speaker 5>So I think it's great she has this self confidence

0:11:53.480 --> 0:11:55.960
<v Speaker 5>and she puts it in these songs. This song, but

0:11:56.000 --> 0:11:58.319
<v Speaker 5>she puts it in all her songs. That's what's getting

0:11:58.360 --> 0:12:01.120
<v Speaker 5>me tired, And I don't know, I think it's also

0:12:03.520 --> 0:12:07.200
<v Speaker 5>exactly and then it's also in terms of her personality.

0:12:07.320 --> 0:12:11.000
<v Speaker 5>I feel like this part of that insecurity. Look, maybe

0:12:11.000 --> 0:12:14.120
<v Speaker 5>i'll call it as somebody who was Greek, we had

0:12:14.160 --> 0:12:16.360
<v Speaker 5>to walk, you know, a certain way. As Aks, we

0:12:16.760 --> 0:12:18.720
<v Speaker 5>don't actually have to tell you that we're great. We

0:12:18.800 --> 0:12:20.880
<v Speaker 5>are great, and so I don't know, maybe that's also

0:12:21.000 --> 0:12:23.719
<v Speaker 5>sometimes my mentality with things like this. I don't need

0:12:23.760 --> 0:12:26.800
<v Speaker 5>to always just always say how awesome I am, because

0:12:26.800 --> 0:12:28.560
<v Speaker 5>I'm going to show you in my work. I'm going

0:12:28.640 --> 0:12:30.680
<v Speaker 5>to show you in who I am. And if you

0:12:30.679 --> 0:12:32.760
<v Speaker 5>don't believe that, then I really don't care, you know.

0:12:32.840 --> 0:12:35.440
<v Speaker 5>And so I guess when I hear all this, like

0:12:35.880 --> 0:12:38.040
<v Speaker 5>you know, pumping up my ego and stuff, I just

0:12:38.480 --> 0:12:41.320
<v Speaker 5>I just like, yeah, I think it's great. But I

0:12:41.320 --> 0:12:45.199
<v Speaker 5>also think it's also like it shows out her insecurity

0:12:45.200 --> 0:12:47.959
<v Speaker 5>as well, and she does that so much. I just

0:12:48.040 --> 0:12:50.120
<v Speaker 5>kind of wish you would find something else to talk about.

0:12:50.280 --> 0:12:51.719
<v Speaker 5>But then again, I don't know if she can't talk

0:12:51.720 --> 0:12:52.719
<v Speaker 5>about much Cholks, so.

0:12:53.559 --> 0:12:55.679
<v Speaker 3>That I gotta jump in because I feel like the

0:12:56.320 --> 0:12:59.120
<v Speaker 3>key thing for me with this video is that for

0:12:59.320 --> 0:13:01.280
<v Speaker 3>and you know, beyond, it's not the first time she's

0:13:01.320 --> 0:13:03.840
<v Speaker 3>done a video that makes you think. But like this video.

0:13:04.320 --> 0:13:07.920
<v Speaker 3>For anyone who ever said Beyonce was not woke, did

0:13:07.960 --> 0:13:10.199
<v Speaker 3>not know what's happening in the world, doesn't have anything

0:13:10.240 --> 0:13:12.480
<v Speaker 3>to say. All you have to do is watch this video.

0:13:12.600 --> 0:13:14.600
<v Speaker 3>The images she puts in there. What I like about

0:13:14.600 --> 0:13:16.280
<v Speaker 3>it is, no, she's not sitting there and writing a

0:13:16.320 --> 0:13:20.120
<v Speaker 3>thesis on the Black Lives Matter movement, or women in slavery,

0:13:20.400 --> 0:13:23.920
<v Speaker 3>or you know, hairstyles and the African American culture. She's

0:13:24.000 --> 0:13:26.160
<v Speaker 3>putting all these images out there and leaving in an

0:13:26.240 --> 0:13:29.160
<v Speaker 3>artistic way which leaves it open to the interpretation of

0:13:29.160 --> 0:13:32.040
<v Speaker 3>the viewer, which I think is what art should be.

0:13:32.280 --> 0:13:34.880
<v Speaker 3>She's saying, yes, I see these things. I'm aware of

0:13:34.960 --> 0:13:39.320
<v Speaker 3>all this, and I am interpreting it through my artistic lens,

0:13:39.400 --> 0:13:41.760
<v Speaker 3>and I'm leaving something to be said by you guys.

0:13:41.800 --> 0:13:44.440
<v Speaker 3>You guys still in the gaps, you project your own

0:13:44.480 --> 0:13:46.920
<v Speaker 3>ideas onto this. That's what art should be. The fact

0:13:46.920 --> 0:13:49.319
<v Speaker 3>that we're all sort of talking about, oh, the cop

0:13:49.360 --> 0:13:51.840
<v Speaker 3>car is being drowned in the ninth ward, you know,

0:13:51.960 --> 0:13:54.320
<v Speaker 3>is this a statement about Katrina's it about the cops?

0:13:54.440 --> 0:13:54.640
<v Speaker 1>You know?

0:13:54.679 --> 0:13:56.560
<v Speaker 3>But she's being drawn on top of it too. There's

0:13:56.920 --> 0:14:00.199
<v Speaker 3>all this imagery that I think is so powerful, and

0:14:00.559 --> 0:14:03.440
<v Speaker 3>the fact that this is a video and a song.

0:14:03.480 --> 0:14:05.440
<v Speaker 3>I feel like you could maybe not the song itself,

0:14:05.440 --> 0:14:07.920
<v Speaker 3>with the video itself, that you could really pick apart

0:14:08.120 --> 0:14:10.679
<v Speaker 3>forever and like they may look back on this in

0:14:10.960 --> 0:14:13.160
<v Speaker 3>history books and look at this video. Sorry, Jess, I

0:14:13.200 --> 0:14:16.120
<v Speaker 3>know that sounds like crazy to you, but I'm not

0:14:16.200 --> 0:14:18.920
<v Speaker 3>kidding like I think. And nothing she does is a mistake,

0:14:19.160 --> 0:14:22.320
<v Speaker 3>nothing from the outfits those girls were wearing, her dancers

0:14:22.320 --> 0:14:24.600
<v Speaker 3>were wearing at the super Bowl, which took place in

0:14:24.640 --> 0:14:28.240
<v Speaker 3>Oakland or Santa Clara, which was very close to Oakland, California,

0:14:28.360 --> 0:14:31.920
<v Speaker 3>from the formation pun intended when they were standing in

0:14:31.920 --> 0:14:36.880
<v Speaker 3>the ex formation like Malcolm X to what she was

0:14:36.920 --> 0:14:38.680
<v Speaker 3>wearing at the super Bowl. I know, I've gone from

0:14:38.720 --> 0:14:40.280
<v Speaker 3>the video to the super Bowl, but in the super

0:14:40.320 --> 0:14:43.760
<v Speaker 3>Bowl she's wearing that like militaristic jacket, which harkens back

0:14:43.960 --> 0:14:46.880
<v Speaker 3>is a nod to I think Michael Jackson's nineteen ninety

0:14:46.880 --> 0:14:50.280
<v Speaker 3>three Super Bowl performance where he has like a similar

0:14:50.360 --> 0:14:52.600
<v Speaker 3>sort of like gold X, but also in the ex

0:14:52.640 --> 0:14:55.600
<v Speaker 3>formation on her chest like I think she does. Think

0:14:55.680 --> 0:14:58.560
<v Speaker 3>she's incredibly intelligent, and I think you got to give

0:14:58.600 --> 0:15:01.600
<v Speaker 3>her credit for that. And I don't mind. I don't

0:15:01.640 --> 0:15:03.800
<v Speaker 3>mind an artist who takes their time to come out

0:15:03.880 --> 0:15:05.680
<v Speaker 3>and talk about an issue because they want to think

0:15:05.680 --> 0:15:08.760
<v Speaker 3>about it, internalize it. And I feel like that we

0:15:08.760 --> 0:15:10.760
<v Speaker 3>should leave We should leave them room, like just the

0:15:10.760 --> 0:15:13.720
<v Speaker 3>way we have room to uh to breathe and think

0:15:13.760 --> 0:15:16.280
<v Speaker 3>about importantnesses before we you know, run off the mouth

0:15:16.280 --> 0:15:16.680
<v Speaker 3>about it.

0:15:17.360 --> 0:15:20.520
<v Speaker 5>I think that's also a valid point too in terms

0:15:20.640 --> 0:15:23.840
<v Speaker 5>of artistry. I do strongly believe in that, especially with

0:15:24.120 --> 0:15:25.920
<v Speaker 5>music and even with be honest, I'll give her that

0:15:25.920 --> 0:15:28.320
<v Speaker 5>benefit of the doubt. That being said, I will give

0:15:28.360 --> 0:15:31.440
<v Speaker 5>you this criticism. She never explains her artistry to me,

0:15:31.640 --> 0:15:34.840
<v Speaker 5>like does she has to, that's not the artist, And yeah,

0:15:34.880 --> 0:15:35.560
<v Speaker 5>I think she does.

0:15:35.640 --> 0:15:36.400
<v Speaker 4>I think as an.

0:15:36.360 --> 0:15:39.600
<v Speaker 5>Artist, I think, yes, sure, But she at least Kendrick

0:15:39.640 --> 0:15:42.200
<v Speaker 5>put out the same like type of message last year.

0:15:42.320 --> 0:15:45.640
<v Speaker 4>He can convey his message. I mean, Kanye in his.

0:15:45.800 --> 0:15:49.960
<v Speaker 5>Like egotistical craziness can do the same with his music

0:15:50.000 --> 0:15:54.120
<v Speaker 5>and artistry. She never, to me can explain like, this

0:15:54.160 --> 0:15:55.760
<v Speaker 5>is why I'm doing this, this is what I'm trying

0:15:55.760 --> 0:15:56.160
<v Speaker 5>to convey.

0:15:56.240 --> 0:15:58.680
<v Speaker 4>She leaves it to you. I feel as a pr tactic,

0:15:58.720 --> 0:16:03.240
<v Speaker 4>a lot to do this. You can. I was going

0:16:03.320 --> 0:16:03.840
<v Speaker 4>to say that.

0:16:05.960 --> 0:16:09.400
<v Speaker 5>They don't, but I definitely think more artists, of modern artists,

0:16:09.440 --> 0:16:11.640
<v Speaker 5>particularly when I go to museums. It's just not like

0:16:11.640 --> 0:16:13.840
<v Speaker 5>a blurb there, you know, for a reason. It is

0:16:13.920 --> 0:16:16.600
<v Speaker 5>showing what the artist is trying to convey. I think

0:16:16.800 --> 0:16:18.920
<v Speaker 5>you do owe that to your audience once in a while,

0:16:19.040 --> 0:16:22.280
<v Speaker 5>like especially now, she had a great super Bowl performance.

0:16:22.280 --> 0:16:23.480
<v Speaker 4>I'm never going to take that away from her. I

0:16:23.480 --> 0:16:24.920
<v Speaker 4>think she's a spectacular performer.

0:16:25.240 --> 0:16:27.840
<v Speaker 5>But you know, now you have all these people coming

0:16:27.840 --> 0:16:29.240
<v Speaker 5>out calling this a copp heating song.

0:16:29.360 --> 0:16:31.440
<v Speaker 4>I'm not that ignorant. This is not a copayting song.

0:16:31.560 --> 0:16:32.400
<v Speaker 4>Go kill yourself.

0:16:32.640 --> 0:16:36.800
<v Speaker 3>They're pretty hick. You know what I would her.

0:16:37.000 --> 0:16:38.040
<v Speaker 4>I think it would be to her benefit.

0:16:38.040 --> 0:16:41.600
<v Speaker 5>I'd be quick, like to actually sit there and be like, look,

0:16:41.800 --> 0:16:43.760
<v Speaker 5>this is what I'm trying to convey in this song,

0:16:44.080 --> 0:16:46.080
<v Speaker 5>and I think it would be helpful to come from

0:16:46.080 --> 0:16:48.960
<v Speaker 5>her mouth instead of getting everybody trying to pick it apart,

0:16:49.240 --> 0:16:50.760
<v Speaker 5>and this is what I'm trying to convey. Then you

0:16:50.800 --> 0:16:53.160
<v Speaker 5>can hear what the reader, like, somebody like you, what

0:16:53.240 --> 0:16:55.760
<v Speaker 5>you're getting from this or whatever. But she never does that,

0:16:55.840 --> 0:16:56.360
<v Speaker 5>and that is.

0:16:56.640 --> 0:16:59.000
<v Speaker 2>Honestly, because it's like the onus is on you, because

0:16:59.000 --> 0:17:01.240
<v Speaker 2>you know, there are some artist are just like like I.

0:17:01.440 --> 0:17:03.480
<v Speaker 2>So many of my friends are like, you know, starving artists,

0:17:03.520 --> 0:17:05.160
<v Speaker 2>and I see both schools of thought.

0:17:05.200 --> 0:17:05.560
<v Speaker 1>You're right.

0:17:05.600 --> 0:17:08.359
<v Speaker 2>I have some friends of mine who will write, you know,

0:17:08.720 --> 0:17:11.040
<v Speaker 2>a think piece beside their pieces when I go to

0:17:11.080 --> 0:17:13.199
<v Speaker 2>their galleries to see like what they're doing. And I

0:17:13.240 --> 0:17:15.280
<v Speaker 2>have some friends who will stand in the middle of

0:17:15.280 --> 0:17:18.120
<v Speaker 2>a room and pour milk on their head and there's

0:17:18.160 --> 0:17:20.919
<v Speaker 2>nothing and you're like, oh, okay, while we're watching their

0:17:20.960 --> 0:17:24.280
<v Speaker 2>performance piece and there's never any explanation. And the explanation

0:17:24.400 --> 0:17:26.720
<v Speaker 2>is what do you think you decide? I don't want to,

0:17:27.440 --> 0:17:28.800
<v Speaker 2>and I'm not saying I don't know that.

0:17:28.880 --> 0:17:30.359
<v Speaker 1>Either way is right or wrong.

0:17:30.560 --> 0:17:33.679
<v Speaker 2>I just know that as an artist, you know that

0:17:33.760 --> 0:17:36.720
<v Speaker 2>it's the artist prerogative to decide whether or not they

0:17:36.760 --> 0:17:38.760
<v Speaker 2>feel like they need to explain.

0:17:38.800 --> 0:17:39.760
<v Speaker 1>And maybe that's the point.

0:17:40.480 --> 0:17:43.120
<v Speaker 2>Let everybody go crazy and decide for themselves, because truthfully,

0:17:43.119 --> 0:17:45.639
<v Speaker 2>even if Beyonce explained, people would still say, that's not

0:17:45.680 --> 0:17:46.120
<v Speaker 2>what it means.

0:17:46.160 --> 0:17:46.600
<v Speaker 1>It means this.

0:17:47.240 --> 0:17:52.320
<v Speaker 3>Yeah, there's the reason why how many hundreds of years

0:17:52.359 --> 0:17:55.080
<v Speaker 3>later we still wonder what was Mona Lisa thinking, what

0:17:55.200 --> 0:17:56.199
<v Speaker 3>does smirk about?

0:17:56.560 --> 0:17:56.679
<v Speaker 1>Like?

0:17:56.800 --> 0:18:00.520
<v Speaker 3>That's I love that element. I mean, not just Lee itself,

0:18:00.560 --> 0:18:02.520
<v Speaker 3>to all in types of interpretations. That's why I say

0:18:02.560 --> 0:18:04.800
<v Speaker 3>people will be studying this for you know, years to

0:18:04.840 --> 0:18:07.000
<v Speaker 3>come or in the future. And I'm the same way.

0:18:07.040 --> 0:18:09.760
<v Speaker 3>I like to hear what artists think when they do things,

0:18:09.760 --> 0:18:12.240
<v Speaker 3>but it's nice to hear several years down the line,

0:18:12.280 --> 0:18:15.159
<v Speaker 3>you know, to go back. I think she's just I

0:18:15.200 --> 0:18:16.960
<v Speaker 3>don't know. I think it makes so much sense for

0:18:17.000 --> 0:18:18.919
<v Speaker 3>her to do with in like sort of like a

0:18:19.119 --> 0:18:23.040
<v Speaker 3>not vague but then kind of ambiguous way to leave

0:18:23.080 --> 0:18:25.840
<v Speaker 3>it open to us to have these sorts of discussions.

0:18:25.840 --> 0:18:28.840
<v Speaker 3>And I mean not that Black Lives Matter hasn't been

0:18:28.880 --> 0:18:31.040
<v Speaker 3>in the news, because it always is, but to have

0:18:31.600 --> 0:18:34.480
<v Speaker 3>Beyonce just push it. I mean she has the power

0:18:34.560 --> 0:18:36.639
<v Speaker 3>of voice and listen, yeah, you can't deny that what

0:18:36.640 --> 0:18:38.600
<v Speaker 3>she's doing with her artistry and her voice right now

0:18:38.680 --> 0:18:42.520
<v Speaker 3>is to get us talking about everything, which we are again.

0:18:42.800 --> 0:18:44.400
<v Speaker 2>You know, and also too, I mean just to kind

0:18:44.400 --> 0:18:46.120
<v Speaker 2>of go back to like what we were saying before.

0:18:46.160 --> 0:18:48.280
<v Speaker 1>I think that I don't know. I feel like there

0:18:48.280 --> 0:18:49.520
<v Speaker 1>always are two schools.

0:18:49.200 --> 0:18:51.080
<v Speaker 2>Of thoughts when it comes to tuting your own horn.

0:18:51.080 --> 0:18:52.159
<v Speaker 2>You know, do you have the people who are like,

0:18:52.280 --> 0:18:54.199
<v Speaker 2>let your work speak for yourself, and then you have

0:18:54.240 --> 0:18:56.240
<v Speaker 2>the people who are like And I'm from the second

0:18:56.280 --> 0:19:00.320
<v Speaker 2>school of sort because honestly, I to the budgetese's f

0:19:00.440 --> 0:19:02.320
<v Speaker 2>horn every chance I get, because you want to know

0:19:02.359 --> 0:19:06.719
<v Speaker 2>why nobody cares. Otherwise there's so many brands who are like,

0:19:06.760 --> 0:19:07.240
<v Speaker 2>I don't care.

0:19:07.280 --> 0:19:08.120
<v Speaker 1>I don't care. I don't care.

0:19:08.280 --> 0:19:11.160
<v Speaker 2>And unless I tell them and shove it down their

0:19:11.160 --> 0:19:15.080
<v Speaker 2>throats to say, look, we save nine point five million dollars. Look,

0:19:15.200 --> 0:19:17.560
<v Speaker 2>there's seventy three thousand people signed up. Look you know

0:19:18.080 --> 0:19:21.200
<v Speaker 2>a fourth of us have signed up for whatever. If

0:19:21.200 --> 0:19:24.359
<v Speaker 2>I unless I say it over and over like it,

0:19:24.920 --> 0:19:28.399
<v Speaker 2>nobody would care or it would be glossed over. And

0:19:28.440 --> 0:19:31.560
<v Speaker 2>so I understand the frustration of like unless and like,

0:19:31.600 --> 0:19:33.600
<v Speaker 2>literally a day doesn't go by that I don't too

0:19:34.080 --> 0:19:37.120
<v Speaker 2>that my business is home, because otherwise I don't get

0:19:37.119 --> 0:19:40.240
<v Speaker 2>the respect even now with me tooting and me killing

0:19:40.320 --> 0:19:42.200
<v Speaker 2>and slaying and all the other stuff. If you see

0:19:42.200 --> 0:19:43.919
<v Speaker 2>some of the offers that people send me, some of

0:19:43.960 --> 0:19:48.280
<v Speaker 2>these larger brands, it's insulting, babysitting money stuff for free.

0:19:48.600 --> 0:19:50.960
<v Speaker 2>And so I understand the frustration of like, no, I'm

0:19:50.960 --> 0:19:53.200
<v Speaker 2>gonna say I slagh because if I don't.

0:19:53.320 --> 0:19:55.520
<v Speaker 1>It's my work is not gonna just speak for itself,

0:19:55.520 --> 0:19:58.080
<v Speaker 1>not as a black woman, because it just doesn't.

0:19:58.160 --> 0:20:01.119
<v Speaker 2>Yes, maybe to my other brown sister it does, but

0:20:01.200 --> 0:20:03.480
<v Speaker 2>to the world that large, no, unless I shove it

0:20:03.480 --> 0:20:05.920
<v Speaker 2>down the world's throat, it doesn't speak for itself because

0:20:05.960 --> 0:20:06.800
<v Speaker 2>people will ignore.

0:20:07.160 --> 0:20:10.000
<v Speaker 1>And so I put I position myself not to be ignored.

0:20:10.200 --> 0:20:12.480
<v Speaker 2>There is a place for humility, and there is also

0:20:12.520 --> 0:20:16.480
<v Speaker 2>a place for demanding acknowledgement.

0:20:16.800 --> 0:20:20.760
<v Speaker 5>You know, Yeah, I'm sorry. I think there's definitely ways

0:20:20.760 --> 0:20:24.080
<v Speaker 5>you can do that. I don't know. I'm like that

0:20:24.160 --> 0:20:26.639
<v Speaker 5>old school media person and I grew up with around

0:20:26.640 --> 0:20:29.159
<v Speaker 5>Oprah Woodfrey that was like on all the time, and

0:20:29.200 --> 0:20:31.520
<v Speaker 5>I just look so much to her, and no, she's

0:20:31.600 --> 0:20:35.000
<v Speaker 5>not done everything perfect either, but I just have felt like, yeah,

0:20:35.040 --> 0:20:37.480
<v Speaker 5>she definitely put her brand on everything. That's why she

0:20:37.520 --> 0:20:40.040
<v Speaker 5>has a magazine with her name on it, and you know,

0:20:40.240 --> 0:20:42.560
<v Speaker 5>she definitely hypes her brand and that is why she

0:20:42.600 --> 0:20:45.120
<v Speaker 5>got successful. I don't know, I just see so much

0:20:45.200 --> 0:20:47.679
<v Speaker 5>more I mean, just a little bit more pause with her.

0:20:47.720 --> 0:20:49.680
<v Speaker 4>I just see a little bit more reverence I just see.

0:20:49.800 --> 0:20:52.639
<v Speaker 5>Her just not having to always say I slay, I slay,

0:20:52.640 --> 0:20:55.240
<v Speaker 5>I slay in every song, or just you know, making sure.

0:20:55.359 --> 0:20:58.000
<v Speaker 5>I mean they're gonna say that anyway about us. I think,

0:20:58.000 --> 0:21:00.959
<v Speaker 5>what Beyonce doesn't really have to do that anymore. And

0:21:01.080 --> 0:21:04.439
<v Speaker 5>I think when you get to that certain level, it's okay.

0:21:04.520 --> 0:21:06.400
<v Speaker 5>At this point, I want her to evolve. I want

0:21:06.400 --> 0:21:07.840
<v Speaker 5>her to be great. I want her to keep being

0:21:07.880 --> 0:21:10.679
<v Speaker 5>this great icon she is. But I don't know. I

0:21:10.720 --> 0:21:13.240
<v Speaker 5>think it's getting a little tired to me sometimes and

0:21:13.880 --> 0:21:16.680
<v Speaker 5>she keeps putting out the same message over and over again.

0:21:16.760 --> 0:21:19.399
<v Speaker 4>I think from Beyonce.

0:21:19.640 --> 0:21:21.720
<v Speaker 3>Yeah, I want to point out one thing real quick.

0:21:22.119 --> 0:21:24.040
<v Speaker 3>Did you guys notice the cameo in this video that

0:21:24.080 --> 0:21:25.800
<v Speaker 3>it was Big Frida? Yes?

0:21:25.960 --> 0:21:26.040
<v Speaker 1>What?

0:21:26.160 --> 0:21:27.639
<v Speaker 2>As soon as the voice came on, I said, I

0:21:27.640 --> 0:21:30.280
<v Speaker 2>know that's not Big Frida. I know that is not

0:21:30.520 --> 0:21:32.840
<v Speaker 2>It was like the most So.

0:21:32.920 --> 0:21:36.040
<v Speaker 5>Yeah, how's familiar do you think Black America is with

0:21:36.080 --> 0:21:36.600
<v Speaker 5>Big Frida?

0:21:36.880 --> 0:21:39.840
<v Speaker 3>Not familiar enough? But I think if you're from New Orleans,

0:21:40.080 --> 0:21:41.720
<v Speaker 3>what you know Big Frida?

0:21:41.800 --> 0:21:43.199
<v Speaker 1>So you know what I like about it.

0:21:43.440 --> 0:21:46.080
<v Speaker 2>It's almost like how she used me mom Nigerian and

0:21:46.080 --> 0:21:47.520
<v Speaker 2>I'm not gonna be able to say her name correctly.

0:21:47.560 --> 0:21:48.120
<v Speaker 1>She Amanda.

0:21:48.800 --> 0:21:51.639
<v Speaker 2>Yeah, you know how like so she didn't she didn't say,

0:21:52.000 --> 0:21:53.919
<v Speaker 2>hey guys, this is she Amanda.

0:21:54.000 --> 0:21:56.680
<v Speaker 1>What I like is that it's like you had to dig.

0:21:56.480 --> 0:21:58.439
<v Speaker 2>And do research because she knew people would and she

0:21:58.480 --> 0:22:00.680
<v Speaker 2>knew people would have got we're gonna on earth who

0:22:00.720 --> 0:22:03.160
<v Speaker 2>this person was? And I felt like, not that I'm

0:22:03.160 --> 0:22:05.280
<v Speaker 2>comparing Big Freeda shee and moan, I mean, but you know,

0:22:05.359 --> 0:22:06.320
<v Speaker 2>but I'm just.

0:22:06.280 --> 0:22:06.919
<v Speaker 1>Saying that.

0:22:08.680 --> 0:22:12.160
<v Speaker 2>It allowed for people to dig and say, who is

0:22:12.240 --> 0:22:12.800
<v Speaker 2>Big Frieda?

0:22:12.840 --> 0:22:13.800
<v Speaker 1>Who's this voice?

0:22:13.840 --> 0:22:16.359
<v Speaker 2>And when as soon as I heard it, I was like, yes,

0:22:16.520 --> 0:22:20.280
<v Speaker 2>because Big Freeda is amazing, Oh my gosh, And so yeah,

0:22:20.320 --> 0:22:23.440
<v Speaker 2>I just love that she she you know, she used

0:22:23.560 --> 0:22:27.320
<v Speaker 2>her voice, you know, and and I don't know, introduced

0:22:27.320 --> 0:22:30.800
<v Speaker 2>her to mainstream, you know, And so I don't know, to.

0:22:30.800 --> 0:22:32.920
<v Speaker 3>Have a to have someone on her single, I think,

0:22:33.000 --> 0:22:35.520
<v Speaker 3>is this the first? I mean, Big Frida is a

0:22:35.560 --> 0:22:37.919
<v Speaker 3>drag queen, right, am I getting that wrong? I don't know,

0:22:39.080 --> 0:22:41.040
<v Speaker 3>She's like, yeah, she's But I wanted to get this

0:22:41.160 --> 0:22:44.280
<v Speaker 3>right because I feel like it's in a hip hop

0:22:44.520 --> 0:22:45.320
<v Speaker 3>arm like whatever you.

0:22:45.240 --> 0:22:45.639
<v Speaker 4>Want to call it.

0:22:45.920 --> 0:22:48.040
<v Speaker 3>I know, Beyonce's pop hip hop. But then this like

0:22:48.240 --> 0:22:52.200
<v Speaker 3>really hard song to have a musician who is from

0:22:52.200 --> 0:22:57.200
<v Speaker 3>the LGBTQA society and from that group of people to

0:22:57.520 --> 0:23:00.280
<v Speaker 3>feature them so prominently on a record that's huge feel

0:23:00.320 --> 0:23:02.440
<v Speaker 3>like in black music. I mean, am I wrong here?

0:23:02.480 --> 0:23:04.919
<v Speaker 3>And not just that, I felt like the super Bowl

0:23:05.119 --> 0:23:07.560
<v Speaker 3>even had like a lot the message of yesterday's super

0:23:07.600 --> 0:23:10.520
<v Speaker 3>Bowl was like, I mean, everything was rainbow and colors,

0:23:10.520 --> 0:23:12.199
<v Speaker 3>and like, if you're going to be like taking at

0:23:12.200 --> 0:23:14.560
<v Speaker 3>face value, it's you know, people were waving rainbow flags.

0:23:14.560 --> 0:23:16.960
<v Speaker 3>It was very much like a you know, accepting of

0:23:17.280 --> 0:23:19.359
<v Speaker 3>gay culture sort of moment. And I don't know, I

0:23:19.760 --> 0:23:21.760
<v Speaker 3>really respect her putting something like that on her album.

0:23:22.400 --> 0:23:25.280
<v Speaker 5>Yeah, I mean I think it's I mean, this is

0:23:25.320 --> 0:23:27.480
<v Speaker 5>me just better help out of it. I'm gonna sound

0:23:27.520 --> 0:23:31.040
<v Speaker 5>like negative Nancy. I just it's twenty sixteen. I don't

0:23:31.040 --> 0:23:32.520
<v Speaker 5>think it's that innovative at this point.

0:23:32.600 --> 0:23:33.359
<v Speaker 4>I'm serious.

0:23:33.440 --> 0:23:36.720
<v Speaker 5>I was gay.

0:23:36.760 --> 0:23:38.560
<v Speaker 3>They don't think the same, Yeah, they don't.

0:23:38.600 --> 0:23:40.760
<v Speaker 4>I guess everything she says. It's so big and loud,

0:23:40.800 --> 0:23:42.560
<v Speaker 4>and she's the first black person to do it. I

0:23:42.560 --> 0:23:44.800
<v Speaker 4>mean it's fine, I get it. It's just you.

0:23:44.760 --> 0:23:48.440
<v Speaker 5>Know, I think it's great, and I think it's awesome. Sure,

0:23:48.560 --> 0:23:50.320
<v Speaker 5>maybe she will put Big Freedo on a map. Maybe

0:23:50.320 --> 0:23:52.800
<v Speaker 5>she won't, but yeah, I don't.

0:23:52.880 --> 0:23:55.440
<v Speaker 4>I don't know. I think it's it's one of those things.

0:23:55.440 --> 0:23:57.600
<v Speaker 5>It's a little overblown to me, But okay, great, you

0:23:57.640 --> 0:23:58.360
<v Speaker 5>know it's awesome.

0:23:59.320 --> 0:24:02.000
<v Speaker 3>Technically, I think she's non conforming. She's I'm a gay male,

0:24:02.640 --> 0:24:04.760
<v Speaker 3>I wear women's hair and carry a purse. You guys

0:24:04.840 --> 0:24:06.200
<v Speaker 3>just got to see her and listen to what she does.

0:24:06.240 --> 0:24:10.159
<v Speaker 3>She has a web a web series on Fusion Okay,

0:24:10.160 --> 0:24:13.040
<v Speaker 3>where is it Fuse? What's it called Fuse or fusion

0:24:13.200 --> 0:24:14.919
<v Speaker 3>dot net? Where she has a web series. I think

0:24:14.920 --> 0:24:16.480
<v Speaker 3>it's in like it's fourth or fifth season.

0:24:16.520 --> 0:24:19.240
<v Speaker 2>I saw she's But she's also on TV, like I've seen,

0:24:19.280 --> 0:24:20.960
<v Speaker 2>like if you go to New York, like you'll see

0:24:21.040 --> 0:24:23.479
<v Speaker 2>like bill big billboards of her. She's I've seen her

0:24:23.520 --> 0:24:26.159
<v Speaker 2>show on I remember when I went to New Orleans,

0:24:26.160 --> 0:24:30.040
<v Speaker 2>I wanted to go to like a bounce like party

0:24:30.240 --> 0:24:33.439
<v Speaker 2>just to see because it's just the music is just like,

0:24:33.880 --> 0:24:36.000
<v Speaker 2>I mean, you can't sit still, and she just has

0:24:36.040 --> 0:24:39.040
<v Speaker 2>like she's just so charismatic, and I don't know, her

0:24:39.080 --> 0:24:41.080
<v Speaker 2>show is just really it just shows her and her

0:24:41.080 --> 0:24:43.600
<v Speaker 2>team kind of traveling the world bringing Bounce to the world.

0:24:44.000 --> 0:24:47.359
<v Speaker 3>But she though she does slay quite honestly, she because

0:24:47.359 --> 0:24:49.119
<v Speaker 3>if she don't slay, you get eliminated.

0:24:49.600 --> 0:24:51.800
<v Speaker 2>No, Yeah, she slays, and she just and I just

0:24:51.880 --> 0:24:54.639
<v Speaker 2>love that she slays unapologetically, cause Big Free is like

0:24:54.720 --> 0:24:55.920
<v Speaker 2>six two sixty four.

0:24:56.240 --> 0:24:58.239
<v Speaker 1>She's a big, big man, you know.

0:24:58.440 --> 0:25:00.679
<v Speaker 2>And so and then you see this big man in

0:25:00.800 --> 0:25:02.800
<v Speaker 2>like a snatched.

0:25:02.320 --> 0:25:03.720
<v Speaker 1>Wig and a beat.

0:25:03.640 --> 0:25:07.640
<v Speaker 2>Face and like yelling into a mike, you know, giving

0:25:07.640 --> 0:25:10.080
<v Speaker 2>people instructions on and how to bounce, and you're like,

0:25:10.119 --> 0:25:11.879
<v Speaker 2>wait a minute, now, I'm not sure what's happening, but

0:25:11.920 --> 0:25:15.399
<v Speaker 2>my booty is moving, you know, And so I don't know.

0:25:15.440 --> 0:25:16.960
<v Speaker 2>I just thought that was dope. But let's talk about

0:25:16.960 --> 0:25:18.560
<v Speaker 2>other elements of the video that we were.

0:25:18.400 --> 0:25:21.360
<v Speaker 3>Like, yes, oh man, I was gonna wrap it up.

0:25:21.760 --> 0:25:23.160
<v Speaker 5>Okay, well I'll be in half an hour.

0:25:24.680 --> 0:25:28.520
<v Speaker 2>Well obviously, like you know, like just seeing Blue Ivy

0:25:28.560 --> 0:25:30.280
<v Speaker 2>and I just love to see like, okay, yes, and

0:25:30.320 --> 0:25:32.600
<v Speaker 2>her hair still not comb with backup dancer's.

0:25:32.680 --> 0:25:34.679
<v Speaker 3>Blue Ivy had backup dancers.

0:25:34.920 --> 0:25:36.840
<v Speaker 2>People were mad because they were like, how come her

0:25:36.840 --> 0:25:39.040
<v Speaker 2>backup dancers were dark skin? But if they were light skin,

0:25:39.119 --> 0:25:40.840
<v Speaker 2>they would have said, how come her backup dancers are

0:25:40.880 --> 0:25:41.280
<v Speaker 2>light skin?

0:25:42.400 --> 0:25:44.720
<v Speaker 4>Golley, this is the one question I did want to

0:25:44.760 --> 0:25:46.879
<v Speaker 4>ask about. Like the hair. I don't know.

0:25:46.920 --> 0:25:49.520
<v Speaker 5>I do have sometimes these things about black women and

0:25:49.560 --> 0:25:52.040
<v Speaker 5>weave and hair, and I know everybody's really excited about

0:25:52.040 --> 0:25:55.560
<v Speaker 5>the Black Panthers and the Afros, Like Beyonce kind.

0:25:55.320 --> 0:25:58.320
<v Speaker 4>Of still did her wee thing. What do you think

0:25:58.359 --> 0:26:00.400
<v Speaker 4>about that? The way she does like her thing.

0:26:00.440 --> 0:26:00.800
<v Speaker 2>I don't know.

0:26:00.840 --> 0:26:02.159
<v Speaker 4>I would always like to kind.

0:26:02.000 --> 0:26:04.440
<v Speaker 5>Of see her in a lovely wig or something like that,

0:26:04.560 --> 0:26:05.800
<v Speaker 5>in natural hair.

0:26:05.960 --> 0:26:07.680
<v Speaker 4>For some reason, I don't know, I feel like she

0:26:07.760 --> 0:26:11.480
<v Speaker 4>will like they played they I mean, they're playing dress

0:26:11.560 --> 0:26:13.520
<v Speaker 4>up she like you know, she is too. I just

0:26:13.520 --> 0:26:13.840
<v Speaker 4>feel like.

0:26:13.840 --> 0:26:16.639
<v Speaker 5>These are always these things that I'm just always fascinated

0:26:16.640 --> 0:26:20.040
<v Speaker 5>about when it comes to her. Likes very calculated yeah,

0:26:20.119 --> 0:26:23.439
<v Speaker 5>like she's very natural hair, yeah, or just like she

0:26:23.520 --> 0:26:26.080
<v Speaker 5>doesn't do I mean, we are very big into these

0:26:26.119 --> 0:26:28.240
<v Speaker 5>elements of things, and she just kind of pick pockets

0:26:28.280 --> 0:26:31.200
<v Speaker 5>where she wants to or just like you know, it's

0:26:31.720 --> 0:26:33.680
<v Speaker 5>I don't know.

0:26:33.520 --> 0:26:37.240
<v Speaker 3>Kinda yes, I know, yeah, I mean I think it's

0:26:37.240 --> 0:26:39.920
<v Speaker 3>a practical thing she wears. You see her with a

0:26:39.960 --> 0:26:42.199
<v Speaker 3>big blonde hair like you're going to see her in

0:26:42.240 --> 0:26:44.440
<v Speaker 3>that seat of people, She's going to stand out as

0:26:44.440 --> 0:26:46.560
<v Speaker 3>a star. But also I feel like she's I've seen

0:26:46.560 --> 0:26:48.280
<v Speaker 3>her her every which way I've seen her. I've seen

0:26:48.320 --> 0:26:51.680
<v Speaker 3>her with braids or long I mean, she just keeps

0:26:51.720 --> 0:26:52.880
<v Speaker 3>transforming herself, and that's.

0:26:53.119 --> 0:26:56.480
<v Speaker 2>In the video she had the long braids, and I

0:26:56.480 --> 0:26:58.560
<v Speaker 2>don't know, I just feel like, honestly, like I know,

0:26:58.640 --> 0:27:01.320
<v Speaker 2>I kind of picked. I mean, I'm natural, but I

0:27:01.359 --> 0:27:04.760
<v Speaker 2>don't necessarily like I don't. I mean, there's definitely elements

0:27:04.800 --> 0:27:06.560
<v Speaker 2>to me that have some afro centricity, but then I

0:27:06.560 --> 0:27:08.960
<v Speaker 2>also have some ratchetness and then I'm also, you know,

0:27:09.040 --> 0:27:10.000
<v Speaker 2>business owner. I don't know.

0:27:10.040 --> 0:27:12.360
<v Speaker 1>So I just feel like nobody's all one thing.

0:27:12.440 --> 0:27:14.640
<v Speaker 2>And then if she would have went full fred fledged,

0:27:14.640 --> 0:27:17.800
<v Speaker 2>you know, like you know, kinky afro and all the

0:27:17.840 --> 0:27:19.600
<v Speaker 2>other stuff, people would have been mad. I don't know.

0:27:19.640 --> 0:27:21.560
<v Speaker 2>I feel like, you know, it's so crazy. I think

0:27:21.600 --> 0:27:24.720
<v Speaker 2>when I see like someone like Beyonce, I think to myself, sheesh,

0:27:25.080 --> 0:27:27.240
<v Speaker 2>you know, with my little business, sometimes it gets frustrating

0:27:27.280 --> 0:27:29.880
<v Speaker 2>because everyone always has an opinion, and I can only

0:27:29.920 --> 0:27:34.320
<v Speaker 2>imagine at like Beyonce level, like what you know, everyone

0:27:34.400 --> 0:27:36.200
<v Speaker 2>always having an opinion, and maybe that's one of the

0:27:36.240 --> 0:27:39.520
<v Speaker 2>reasons why she reserves from from from sharing her so much,

0:27:39.760 --> 0:27:42.359
<v Speaker 2>is because no matter what she does, Beyonce could literally sneeze.

0:27:42.359 --> 0:27:44.240
<v Speaker 1>If he could be, people would be like, see that's

0:27:44.280 --> 0:27:47.520
<v Speaker 1>the bullshit right there. She always sneeze in it's a

0:27:47.640 --> 0:27:48.919
<v Speaker 1>problem like.

0:27:48.960 --> 0:27:57.200
<v Speaker 3>If I'm Jackson five no true and the country.

0:27:58.400 --> 0:27:59.679
<v Speaker 1>But yeah, I guess we could wrap that up.

0:27:59.680 --> 0:28:02.560
<v Speaker 2>But yes, So all in all, it was definitely a

0:28:02.640 --> 0:28:06.000
<v Speaker 2>Beyonce weekend and either way you love it or hate it,

0:28:06.080 --> 0:28:21.240
<v Speaker 2>but you talked about it.

0:28:21.240 --> 0:28:24.720
<v Speaker 3>It was the Beyonce Bowl featuring some football teams and

0:28:24.760 --> 0:28:25.840
<v Speaker 3>Bruno Mars and Christi.

0:28:25.920 --> 0:28:26.680
<v Speaker 1>They were really good.

0:28:26.800 --> 0:28:30.280
<v Speaker 5>It was called the Broncos. They're great, they're Super Bowl champs.

0:28:30.480 --> 0:28:33.600
<v Speaker 3>That's a good segue actually, because I wanted to briefly

0:28:33.760 --> 0:28:38.800
<v Speaker 3>discuss the controversy around the quarterback for the Carolina Panthers,

0:28:39.400 --> 0:28:45.120
<v Speaker 3>Cam Newton. So apparently after his terrible heartbreaking loss to

0:28:45.280 --> 0:28:48.320
<v Speaker 3>the Broncos and Peyton Manning, Cam was you know how

0:28:48.320 --> 0:28:50.720
<v Speaker 3>they after those horrible interviews after they lose a game

0:28:50.800 --> 0:28:53.520
<v Speaker 3>and tell reporters like what they did wrong and just

0:28:53.520 --> 0:28:55.920
<v Speaker 3>revisit all those wounds which are so fresh and oozing,

0:28:56.600 --> 0:29:01.040
<v Speaker 3>so he was super he was giving like Monosteleba answers.

0:29:01.200 --> 0:29:03.960
<v Speaker 3>He got up and left like two three minutes into

0:29:04.040 --> 0:29:06.479
<v Speaker 3>the interview, and then all of a sudden, there's all

0:29:06.480 --> 0:29:09.840
<v Speaker 3>these think pieces on what an ungrateful brat he is

0:29:09.920 --> 0:29:12.160
<v Speaker 3>and what a teenager he was acting like. And I

0:29:12.200 --> 0:29:14.680
<v Speaker 3>don't know. To me, I feel like he's twenty six

0:29:14.760 --> 0:29:17.840
<v Speaker 3>years old. He's very young. He just lost the biggest

0:29:17.880 --> 0:29:21.440
<v Speaker 3>game of his life and he wants to be upset.

0:29:21.880 --> 0:29:24.800
<v Speaker 3>I mean, if I miss a train, I'm hope and

0:29:24.840 --> 0:29:26.680
<v Speaker 3>I'm like grumbling, like I don't want to do an

0:29:26.680 --> 0:29:28.480
<v Speaker 3>interview for miss a train, so why are.

0:29:28.320 --> 0:29:30.400
<v Speaker 4>We But this is yeah, I think, but it's not

0:29:30.440 --> 0:29:32.960
<v Speaker 4>your job though, to miss that train. This is his job.

0:29:33.120 --> 0:29:36.160
<v Speaker 5>He is making millions of dollars. He is in front

0:29:36.200 --> 0:29:39.520
<v Speaker 5>of press since he has been like now what probably

0:29:39.520 --> 0:29:42.280
<v Speaker 5>eighteen nineteen, since he started on like what when he

0:29:42.360 --> 0:29:46.040
<v Speaker 5>was with us, Like he he knows this deal. He

0:29:46.160 --> 0:29:49.720
<v Speaker 5>kind of was a soort loser yesterday and it's his

0:29:49.960 --> 0:29:52.600
<v Speaker 5>he's I think we've discussed this before, but he That's

0:29:52.640 --> 0:29:55.320
<v Speaker 5>what leadership is in the football world.

0:29:55.480 --> 0:29:57.880
<v Speaker 4>This is important. You are the quarterback of the team.

0:29:58.320 --> 0:30:00.920
<v Speaker 5>They are looking to you for guy, I didn't they

0:30:00.960 --> 0:30:02.960
<v Speaker 5>need you to be the one to hold your head

0:30:03.040 --> 0:30:07.120
<v Speaker 5>up at the press conference ensure this was the press conferences.

0:30:07.200 --> 0:30:09.360
<v Speaker 5>Was kind of colliding with another player. They said, that's

0:30:09.360 --> 0:30:11.080
<v Speaker 5>why he was offended or whatnot.

0:30:11.480 --> 0:30:12.080
<v Speaker 4>I don't care.

0:30:12.480 --> 0:30:16.160
<v Speaker 5>Cam, you know, get it together, breathe answer a few questions.

0:30:16.160 --> 0:30:18.200
<v Speaker 5>You don't have to answer all of them. I mean,

0:30:18.480 --> 0:30:20.800
<v Speaker 5>I think it does say something to be a professional

0:30:21.120 --> 0:30:24.160
<v Speaker 5>in these circumstances. I mean that's why people were kind

0:30:24.160 --> 0:30:26.560
<v Speaker 5>of like I and Steph Curry when he brought his

0:30:26.600 --> 0:30:29.840
<v Speaker 5>little daughter out the press conference. Yeah, a little in professional.

0:30:30.040 --> 0:30:32.880
<v Speaker 5>They're asking stupid questions. Sure, but now do your job,

0:30:32.960 --> 0:30:34.760
<v Speaker 5>go home. You know, it's that's what you do.

0:30:35.000 --> 0:30:35.680
<v Speaker 1>Well, you know, you know.

0:30:35.720 --> 0:30:37.480
<v Speaker 3>I want to bring this in on a personal level,

0:30:37.520 --> 0:30:40.520
<v Speaker 3>like what are some because we've all sort of dealt

0:30:40.560 --> 0:30:43.520
<v Speaker 3>with failures in our career. I'm just assuming. I mean,

0:30:43.560 --> 0:30:45.320
<v Speaker 3>I know I've had some big failures in my career.

0:30:45.360 --> 0:30:46.800
<v Speaker 3>I wonder like if you all want to talk about

0:30:46.800 --> 0:30:49.120
<v Speaker 3>any and how you handled in that moment, whether you're

0:30:49.120 --> 0:30:52.160
<v Speaker 3>proud of it or not. I put you on the

0:30:52.160 --> 0:30:54.600
<v Speaker 3>spots and you want me I can start what's up? Yeah,

0:30:55.080 --> 0:30:57.720
<v Speaker 3>people constantly ask me to relive this moment. So I

0:30:57.760 --> 0:31:00.600
<v Speaker 3>am a reporter, and a lot of what I do

0:31:00.680 --> 0:31:03.960
<v Speaker 3>is talk to people about different story a different like

0:31:04.000 --> 0:31:06.240
<v Speaker 3>personal finance journeys. You know, I paid off this much

0:31:06.280 --> 0:31:08.520
<v Speaker 3>debt and I, you know, paid for this with this

0:31:08.600 --> 0:31:11.800
<v Speaker 3>much money or whatnot. And I love those sorts of stories.

0:31:11.800 --> 0:31:14.120
<v Speaker 3>And about a year ago, someone reached out to me

0:31:14.200 --> 0:31:17.000
<v Speaker 3>and told me he had earned a saved a million

0:31:17.040 --> 0:31:19.840
<v Speaker 3>dollars by age twenty seven, and he had an entire

0:31:19.880 --> 0:31:22.640
<v Speaker 3>website and he had all these graphs and charts showing

0:31:22.680 --> 0:31:24.320
<v Speaker 3>how much he had saved and where it came from,

0:31:24.440 --> 0:31:27.040
<v Speaker 3>and here's how all the math worked out. And I

0:31:27.120 --> 0:31:31.520
<v Speaker 3>was super excited because he you know, he wasn't like

0:31:31.520 --> 0:31:33.920
<v Speaker 3>this overnight success. You know, you hear like people who

0:31:33.960 --> 0:31:35.760
<v Speaker 3>lost one hundred pounds in a week and people who

0:31:35.760 --> 0:31:37.800
<v Speaker 3>saved a million dollars in a month, like he had

0:31:37.800 --> 0:31:40.440
<v Speaker 3>been working since he was a teenager and just told

0:31:40.480 --> 0:31:43.440
<v Speaker 3>me this sob story about his parents dying and they

0:31:43.560 --> 0:31:46.959
<v Speaker 3>didn't teach him anything and blah blah blah. And anyway,

0:31:47.040 --> 0:31:49.640
<v Speaker 3>so I write the story, and like a few it

0:31:49.680 --> 0:31:52.400
<v Speaker 3>becomes one of the biggest stories on the website. And

0:31:52.920 --> 0:31:56.360
<v Speaker 3>like a week later, one of his friends reaches out

0:31:56.360 --> 0:31:59.640
<v Speaker 3>to me and he's like, so this guy has admitted

0:31:59.640 --> 0:32:04.600
<v Speaker 3>to line about everything like a Facebook post, and it

0:32:04.680 --> 0:32:06.800
<v Speaker 3>was just like the it was like my whole entire

0:32:06.880 --> 0:32:09.280
<v Speaker 3>world just like fell out from beneath my feet, and

0:32:09.320 --> 0:32:11.959
<v Speaker 3>it was a huge failure on my part, and I

0:32:12.000 --> 0:32:14.800
<v Speaker 3>think the I'm proud of myself and that the first

0:32:14.840 --> 0:32:17.560
<v Speaker 3>thing I did was email everyone you know in my

0:32:18.040 --> 0:32:20.080
<v Speaker 3>on the editorial team and say, we got to pull this.

0:32:20.200 --> 0:32:22.280
<v Speaker 3>We gotta you know, we have to face this. We

0:32:22.360 --> 0:32:25.520
<v Speaker 3>have to figure out what I'm gonna do. And we

0:32:25.720 --> 0:32:29.840
<v Speaker 3>immediately like wrote this like explanation and retraction and that

0:32:29.920 --> 0:32:35.040
<v Speaker 3>kind of stuff. But that was like a super useful, embarrassing,

0:32:35.440 --> 0:32:38.920
<v Speaker 3>horrible lesson that I learned, and it made me ashamed

0:32:39.000 --> 0:32:42.080
<v Speaker 3>because I have studied to be a journalist. I went

0:32:42.120 --> 0:32:44.800
<v Speaker 3>to a great school, I had great teachers, I've been

0:32:44.880 --> 0:32:46.920
<v Speaker 3>it's not my first day on the job, and it

0:32:47.000 --> 0:32:49.400
<v Speaker 3>was just a reminder that I'm just a susceptible to

0:32:49.520 --> 0:32:52.680
<v Speaker 3>that pressure to turn out the big stories and that

0:32:52.800 --> 0:32:57.160
<v Speaker 3>pressure to turn out stories faster and faster and get

0:32:57.160 --> 0:32:58.080
<v Speaker 3>those clicks.

0:32:58.520 --> 0:33:01.880
<v Speaker 5>But luckily I don't actually handled that tell you the truth,

0:33:01.920 --> 0:33:04.200
<v Speaker 5>I thought, very well, because you know you and your staff.

0:33:04.200 --> 0:33:06.160
<v Speaker 5>I think you put out a nice article, like you

0:33:06.240 --> 0:33:09.640
<v Speaker 5>put out a retraction about it, and you apologize for it,

0:33:09.720 --> 0:33:12.960
<v Speaker 5>and yeah, I think you actually handled that with dignity

0:33:13.120 --> 0:33:15.680
<v Speaker 5>and to your best ability. And you're still writing stories,

0:33:16.840 --> 0:33:18.920
<v Speaker 5>you know, and the Yahoo comments can get kind of

0:33:18.920 --> 0:33:19.480
<v Speaker 5>you know, Kronk.

0:33:19.480 --> 0:33:21.960
<v Speaker 4>I've definitely read them, but you know, it's.

0:33:21.800 --> 0:33:24.160
<v Speaker 3>So hard to admit you were wrong, especially when, like

0:33:24.160 --> 0:33:26.280
<v Speaker 3>like literally a day before I found out it was

0:33:26.320 --> 0:33:28.760
<v Speaker 3>all a lie. I had gotten like a standing ovation

0:33:28.800 --> 0:33:32.400
<v Speaker 3>at the morning meeting, like like Nandy's the best, and

0:33:32.480 --> 0:33:34.640
<v Speaker 3>I was like, yes, I am the best. I slay

0:33:35.360 --> 0:33:37.960
<v Speaker 3>and then you fall from that, you know. It was

0:33:38.120 --> 0:33:41.720
<v Speaker 3>it was so humbling, like I am constantly being humbled

0:33:41.720 --> 0:33:45.560
<v Speaker 3>by my own humanity, like you know, but like Beyonce

0:33:46.960 --> 0:33:50.200
<v Speaker 3>yesterday when she almost fell but then didn't fall, I

0:33:50.280 --> 0:33:51.680
<v Speaker 3>must have the strength to carry on.

0:33:52.080 --> 0:33:56.280
<v Speaker 2>Oh god, It's like I'm going to think my biggest well,

0:33:56.320 --> 0:33:58.880
<v Speaker 2>maybe my most embarrassing was like my very first I

0:33:58.880 --> 0:34:02.120
<v Speaker 2>got books from my very speaking engagement. It was like

0:34:02.240 --> 0:34:04.600
<v Speaker 2>for it was a nursing home or something sort of

0:34:04.680 --> 0:34:08.520
<v Speaker 2>like hospital, something to that effect. It's a medical care facility,

0:34:08.760 --> 0:34:10.160
<v Speaker 2>and I don't know how they found me, but they

0:34:10.239 --> 0:34:12.600
<v Speaker 2>wanted to pay me like three hundred bucks to speak

0:34:12.640 --> 0:34:14.799
<v Speaker 2>for an hour. And I mean then I had I

0:34:14.800 --> 0:34:17.520
<v Speaker 2>wasn't even making fifty bucks to speak, so I could

0:34:17.560 --> 0:34:19.480
<v Speaker 2>not believe someone was actually gonna pay me. I was

0:34:19.520 --> 0:34:21.400
<v Speaker 2>so excited. I took it to Twitter, because you know,

0:34:21.480 --> 0:34:22.680
<v Speaker 2>that's what that's what you do.

0:34:23.880 --> 0:34:25.280
<v Speaker 1>I took it to Twitter.

0:34:25.600 --> 0:34:28.480
<v Speaker 2>This is literally like five years ago, and I wrote,

0:34:29.440 --> 0:34:33.839
<v Speaker 2>I quote end quotes, oh my god, I just got

0:34:33.840 --> 0:34:37.160
<v Speaker 2>booked to speak at like said the organization and everything.

0:34:37.200 --> 0:34:38.520
<v Speaker 2>I mean, like, I can't even believe I did this,

0:34:38.800 --> 0:34:42.560
<v Speaker 2>you know whatever x y Z organization in Clifton, New Jersey,

0:34:44.239 --> 0:34:47.239
<v Speaker 2>COMMA and they're paying me doctor rates.

0:34:47.480 --> 0:34:48.040
<v Speaker 1>End quote.

0:34:48.320 --> 0:34:49.000
<v Speaker 2>Oh that's what.

0:34:52.480 --> 0:34:52.640
<v Speaker 4>Yo.

0:34:53.080 --> 0:34:56.320
<v Speaker 2>I And I just was so excited and I wasn't

0:34:56.640 --> 0:34:58.000
<v Speaker 2>I don't know why I wrote. I mean, I know

0:34:58.040 --> 0:35:00.000
<v Speaker 2>I wrote it because I was honestly, I wrote it

0:35:00.120 --> 0:35:01.839
<v Speaker 2>mostly out of shock because I was like, I can't

0:35:01.840 --> 0:35:04.600
<v Speaker 2>believe someone is actually gonna pay me to do this

0:35:04.640 --> 0:35:07.160
<v Speaker 2>thing I just made up. And I just you know,

0:35:07.200 --> 0:35:09.759
<v Speaker 2>and I didn't really understand social media back then, because

0:35:09.760 --> 0:35:11.239
<v Speaker 2>mostly it was just my it was my friends who

0:35:11.280 --> 0:35:14.480
<v Speaker 2>like I literally had like maybe like twenty thirty followers

0:35:14.480 --> 0:35:16.200
<v Speaker 2>and it was just my friends, you know. And so

0:35:16.239 --> 0:35:18.200
<v Speaker 2>my friends were like, yeah, it was basically I thought

0:35:18.200 --> 0:35:20.000
<v Speaker 2>about it like as group text. You know, that's the

0:35:20.040 --> 0:35:21.720
<v Speaker 2>kind of thing that you key key with your friends

0:35:21.719 --> 0:35:23.759
<v Speaker 2>behind the scenes. So I'm like, oh, let me group

0:35:23.800 --> 0:35:24.920
<v Speaker 2>text my friends via Twitter.

0:35:25.200 --> 0:35:27.400
<v Speaker 1>And so they were all like, yes, you got it,

0:35:27.520 --> 0:35:29.040
<v Speaker 1>do it? Do you know what?

0:35:29.200 --> 0:35:33.239
<v Speaker 2>Within I don't even know, maybe a few hours I

0:35:33.280 --> 0:35:36.200
<v Speaker 2>got an email with a screenshot of my tweets.

0:35:37.160 --> 0:35:40.480
<v Speaker 1>Well like, yeah, so what we're not going to do

0:35:40.560 --> 0:35:41.160
<v Speaker 1>is hire you.

0:35:42.080 --> 0:35:45.520
<v Speaker 2>And because like this is a I forget, it was

0:35:45.560 --> 0:35:48.719
<v Speaker 2>a you know, we have private information at this facility,

0:35:48.760 --> 0:35:52.080
<v Speaker 2>and we'd worry that you would not use your best

0:35:52.120 --> 0:35:54.120
<v Speaker 2>judgment and might share things that you might not you know,

0:35:54.200 --> 0:35:56.759
<v Speaker 2>you're not supposed to, you know, if you speak for

0:35:56.840 --> 0:35:59.319
<v Speaker 2>us whatever, Like let's just say a patient asks a

0:35:59.360 --> 0:36:02.680
<v Speaker 2>sensitive question, I might tweet it out or whatever. And

0:36:02.760 --> 0:36:05.399
<v Speaker 2>I couldn't believe it was like such a humbling when

0:36:05.400 --> 0:36:07.480
<v Speaker 2>I say humbling. And then of course the next day

0:36:08.040 --> 0:36:11.160
<v Speaker 2>I was like at a at an event and the

0:36:11.200 --> 0:36:14.239
<v Speaker 2>woman who had hired me was there, and I had

0:36:14.239 --> 0:36:16.400
<v Speaker 2>to humble myself and go up to her, and I

0:36:16.400 --> 0:36:19.880
<v Speaker 2>apologized profusely. I was like young, So she honestly was

0:36:19.960 --> 0:36:22.759
<v Speaker 2>so gracious about it. She said, Honestly, Tiffany, you know

0:36:22.880 --> 0:36:23.720
<v Speaker 2>I've talked to you before.

0:36:23.800 --> 0:36:24.600
<v Speaker 1>I think you're amazing.

0:36:24.680 --> 0:36:26.600
<v Speaker 2>I thought the tweet was funny, you know, because I

0:36:26.640 --> 0:36:29.239
<v Speaker 2>know that you didn't you weren't thinking. She was like,

0:36:29.320 --> 0:36:32.719
<v Speaker 2>doctor Race was hilarious, but you know that you know

0:36:32.800 --> 0:36:34.520
<v Speaker 2>that you have to be careful of what you put

0:36:34.560 --> 0:36:36.000
<v Speaker 2>on social media. And I just told her I was

0:36:36.040 --> 0:36:39.120
<v Speaker 2>just so excited. I wasn't trying to be, you know,

0:36:39.239 --> 0:36:41.960
<v Speaker 2>like arrogant. Honestly, it's my first speaking I never got

0:36:41.960 --> 0:36:43.520
<v Speaker 2>booked before, so I couldn't believe it.

0:36:43.520 --> 0:36:44.280
<v Speaker 1>It was more.

0:36:44.400 --> 0:36:49.000
<v Speaker 2>Shock and awe than arrogance and like bragging, you know.

0:36:49.360 --> 0:36:51.120
<v Speaker 1>It was like I can't believe it? Can you guys

0:36:51.160 --> 0:36:51.560
<v Speaker 1>believe it?

0:36:51.600 --> 0:36:53.719
<v Speaker 2>And she was just she was just so nice about it,

0:36:53.719 --> 0:36:56.319
<v Speaker 2>and she said, I think you're gonna go far, you know,

0:36:56.480 --> 0:36:59.040
<v Speaker 2>but you know, just let that be a lesson. And honestly,

0:36:59.040 --> 0:37:01.000
<v Speaker 2>it was such a valuable and I'm glad I learned

0:37:01.000 --> 0:37:05.000
<v Speaker 2>it early because from then on, whenever anything has happened

0:37:05.000 --> 0:37:07.719
<v Speaker 2>with any brand or anything that I've worked with, I

0:37:07.840 --> 0:37:11.799
<v Speaker 2>always always ask can I share this before I share it?

0:37:11.920 --> 0:37:13.600
<v Speaker 2>And usually I get them kind of like a preview.

0:37:13.600 --> 0:37:15.279
<v Speaker 2>Can I share this and say I'm here doing this?

0:37:15.640 --> 0:37:18.760
<v Speaker 2>That's fine, Tiffany, So yeah, but it was the most

0:37:18.920 --> 0:37:23.759
<v Speaker 2>embarrassing can you imagine right screenshot? She said that they

0:37:23.880 --> 0:37:26.719
<v Speaker 2>screenshotted it and they were faxing it from office to

0:37:26.800 --> 0:37:28.160
<v Speaker 2>office to be like, who is this girl?

0:37:28.320 --> 0:37:30.840
<v Speaker 3>No, I was like cringing that you can't see me,

0:37:30.880 --> 0:37:32.600
<v Speaker 3>but I'm my face is all screwed up, and I

0:37:32.640 --> 0:37:35.799
<v Speaker 3>was telling me that. I'm just like, I mean, you

0:37:35.880 --> 0:37:37.960
<v Speaker 3>never want to be on the wrong side of social media.

0:37:38.200 --> 0:37:42.120
<v Speaker 3>I'm constantly worried, especially now I work someplace people actually

0:37:42.120 --> 0:37:49.160
<v Speaker 3>care what I say. Loud child, Well, he bounce back, Yeah.

0:37:49.320 --> 0:37:52.400
<v Speaker 1>Exactly exactly. You know, like I said, I'm grateful, but

0:37:52.440 --> 0:37:52.960
<v Speaker 1>you said.

0:37:52.880 --> 0:37:55.800
<v Speaker 3>Sorry, which is a huge deal, you know, confronting. I

0:37:55.840 --> 0:37:57.960
<v Speaker 3>think that's what some people do that gets them. Like

0:37:58.000 --> 0:38:00.400
<v Speaker 3>if I had, if you, if you have, or I

0:38:00.440 --> 0:38:01.880
<v Speaker 3>had just like put our heads in the sand and

0:38:01.920 --> 0:38:04.640
<v Speaker 3>then just like you know, legs or tail between our

0:38:04.719 --> 0:38:07.200
<v Speaker 3>legs and just like walked away kind of cowardly, Like

0:38:08.000 --> 0:38:10.480
<v Speaker 3>all that would do is just you would you wouldn't

0:38:10.480 --> 0:38:12.960
<v Speaker 3>forget on the inside, and you would constantly have that shame.

0:38:13.120 --> 0:38:15.040
<v Speaker 3>And I think by facing it head on, by like

0:38:15.040 --> 0:38:17.440
<v Speaker 3>saying sorry in person and just like getting the awkward

0:38:17.480 --> 0:38:18.960
<v Speaker 3>moment over with, that really helps.

0:38:19.960 --> 0:38:22.560
<v Speaker 4>Yeah, that was very good. She actually did that as well.

0:38:22.880 --> 0:38:25.799
<v Speaker 3>Jess, I know you are a special guest. Do you

0:38:25.800 --> 0:38:27.160
<v Speaker 3>want to share your failure with us or do you

0:38:27.160 --> 0:38:28.080
<v Speaker 3>want to special.

0:38:29.080 --> 0:38:30.120
<v Speaker 4>My special failure?

0:38:31.000 --> 0:38:32.719
<v Speaker 5>Well, I will say with my one of my first

0:38:32.760 --> 0:38:34.680
<v Speaker 5>jobs here in New York, I worked at a food

0:38:34.680 --> 0:38:38.120
<v Speaker 5>service company and this just this was just a great lesson.

0:38:38.160 --> 0:38:41.000
<v Speaker 5>I'm like I would say, learning how important even the

0:38:41.000 --> 0:38:41.680
<v Speaker 5>little things that.

0:38:41.680 --> 0:38:42.359
<v Speaker 4>Your job are.

0:38:42.719 --> 0:38:45.520
<v Speaker 5>So one of the first things I got to do

0:38:45.560 --> 0:38:47.799
<v Speaker 5>at this new job at this food service company, we

0:38:47.840 --> 0:38:51.080
<v Speaker 5>worked with schools basically just a little background and the

0:38:51.160 --> 0:38:54.600
<v Speaker 5>goal we'd like served them breakfast, lunch, and dinner. And

0:38:54.719 --> 0:38:57.520
<v Speaker 5>so one of the things that my job was in

0:38:57.560 --> 0:38:59.799
<v Speaker 5>this role was to make sure the scheduling was done.

0:39:00.040 --> 0:39:02.480
<v Speaker 5>It was literally just putting things in the calendar, like

0:39:02.520 --> 0:39:06.160
<v Speaker 5>school calendars when it's closed, when it's open. And I

0:39:06.239 --> 0:39:09.560
<v Speaker 5>was priding myself, like all young morons of how like

0:39:10.040 --> 0:39:12.560
<v Speaker 5>fast I was of putting things in the computer and

0:39:12.680 --> 0:39:14.959
<v Speaker 5>just making sure everything was scheduled and you know, doing

0:39:15.000 --> 0:39:17.480
<v Speaker 5>this and doing that, and just going home at five

0:39:17.480 --> 0:39:21.399
<v Speaker 5>point thirty and just being proud of myself. But you know, then,

0:39:22.280 --> 0:39:24.239
<v Speaker 5>you know, my boss was kind of in and out

0:39:24.320 --> 0:39:27.160
<v Speaker 5>with vacation and meetings and stuff, so I never got

0:39:27.160 --> 0:39:28.520
<v Speaker 5>to see her, and she didn't get a chance to

0:39:28.560 --> 0:39:30.080
<v Speaker 5>look over my work like I thought. But I thought

0:39:30.120 --> 0:39:33.000
<v Speaker 5>I was banging it out doing awesome. So yeah, I

0:39:33.120 --> 0:39:36.160
<v Speaker 5>kind of missed a change in schedule for one of

0:39:36.160 --> 0:39:40.000
<v Speaker 5>my schools. And next thing I know, I got a

0:39:40.040 --> 0:39:43.360
<v Speaker 5>call from home and they're like, hey, these are the

0:39:43.360 --> 0:39:45.960
<v Speaker 5>correct closures, right, And people were relying on me.

0:39:46.000 --> 0:39:48.040
<v Speaker 4>We're a small company, and I was like, yeah, this

0:39:48.120 --> 0:39:50.799
<v Speaker 4>is all good. We're fine. So next thing I know,

0:39:51.600 --> 0:39:54.080
<v Speaker 4>when I got into work, they're like, Jessica, the school

0:39:54.120 --> 0:39:57.600
<v Speaker 4>was open. And this sounds really kind of like hump.

0:39:57.719 --> 0:40:00.880
<v Speaker 5>But so because I did not put one thing in

0:40:00.920 --> 0:40:03.279
<v Speaker 5>the calendar, and because I was just banging it out

0:40:03.280 --> 0:40:05.320
<v Speaker 5>and not really looking over my work, not really putting

0:40:05.320 --> 0:40:07.480
<v Speaker 5>so much care in it, so about this whole school

0:40:07.520 --> 0:40:11.319
<v Speaker 5>probably missed breakfast. So these are like and I had

0:40:11.360 --> 0:40:13.040
<v Speaker 5>to really kind of think about my job in a

0:40:13.040 --> 0:40:16.760
<v Speaker 5>way and really put in perspective. Because we serve healthy

0:40:16.800 --> 0:40:19.480
<v Speaker 5>food for these kids, because we give them free and

0:40:19.520 --> 0:40:22.919
<v Speaker 5>reduced lunch, this might be one of the very few

0:40:22.920 --> 0:40:23.560
<v Speaker 5>meals these.

0:40:23.440 --> 0:40:24.279
<v Speaker 4>Kids get all day.

0:40:24.520 --> 0:40:27.759
<v Speaker 5>This was a kid in the Scout South Bronx and

0:40:28.640 --> 0:40:32.200
<v Speaker 5>this kid this sounds so ridiculous, but it is actually

0:40:32.239 --> 0:40:34.400
<v Speaker 5>a very true story. They might have not gotten dinner

0:40:34.400 --> 0:40:39.319
<v Speaker 5>that night and was expecting that breakfast. And because I

0:40:39.440 --> 0:40:42.120
<v Speaker 5>was just kind of thinking so willy nilly about her

0:40:42.120 --> 0:40:43.840
<v Speaker 5>and just thinking, this is just a little blimp just

0:40:43.840 --> 0:40:48.320
<v Speaker 5>putting in something into my computer. It's not anything that's thinking,

0:40:48.480 --> 0:40:50.760
<v Speaker 5>that's something you should just, you know, really look twice

0:40:50.800 --> 0:40:54.839
<v Speaker 5>at girl. I think I cried for two weeks. I

0:40:54.880 --> 0:40:57.920
<v Speaker 5>apologized to that school and I just felt so terrible

0:40:57.960 --> 0:41:00.279
<v Speaker 5>because it was just I was just looking over you

0:41:00.320 --> 0:41:03.480
<v Speaker 5>best believe. After that, I just looked at every schedule

0:41:03.560 --> 0:41:06.000
<v Speaker 5>was so much care and love. Like I looked at

0:41:06.040 --> 0:41:08.360
<v Speaker 5>these schedules three or four times a day, and you know,

0:41:08.960 --> 0:41:12.120
<v Speaker 5>and I think, what other thing that happened. I had

0:41:12.120 --> 0:41:14.200
<v Speaker 5>a wonderful director of operations at the time. You had

0:41:14.239 --> 0:41:16.080
<v Speaker 5>to pull me back and like actually had to say

0:41:16.120 --> 0:41:18.640
<v Speaker 5>that you know, this is I know. It felt really bad.

0:41:18.680 --> 0:41:20.240
<v Speaker 5>But you know, you got to look at these schools

0:41:20.280 --> 0:41:22.000
<v Speaker 5>and what we do as a service.

0:41:21.640 --> 0:41:24.960
<v Speaker 4>And just you know, take more. You have pride in

0:41:25.000 --> 0:41:27.880
<v Speaker 4>your job, but really take pride in your work.

0:41:28.560 --> 0:41:32.359
<v Speaker 5>And now again, like some people think I'm a bit

0:41:32.400 --> 0:41:34.560
<v Speaker 5>of a hard ass at my current job, but no,

0:41:34.960 --> 0:41:37.759
<v Speaker 5>I even saying in terms of making sure something is

0:41:37.760 --> 0:41:40.959
<v Speaker 5>properly dated, making sure all your data is correct, making

0:41:41.000 --> 0:41:43.680
<v Speaker 5>sure you're giving me your correct client records, things like that,

0:41:43.800 --> 0:41:46.680
<v Speaker 5>I do look for it to be well done because

0:41:46.920 --> 0:41:50.840
<v Speaker 5>people do depend on you, and you know, yeah, and

0:41:51.160 --> 0:41:53.720
<v Speaker 5>I think that is probably one of those biggest failures.

0:41:53.719 --> 0:41:55.359
<v Speaker 5>And I was able to kind of bounce back from

0:41:55.360 --> 0:41:57.319
<v Speaker 5>it and think about it and really kind of look

0:41:57.360 --> 0:42:00.640
<v Speaker 5>at it holistically, and that was pretty well day for me.

0:42:01.160 --> 0:42:04.160
<v Speaker 4>But so yeah, that's if I could share that with

0:42:04.200 --> 0:42:04.520
<v Speaker 4>the world.

0:42:05.040 --> 0:42:06.919
<v Speaker 3>Thanks for sharing that. I know that must be hard.

0:42:06.960 --> 0:42:09.319
<v Speaker 3>It's hard to look back at the stuff you did wrong.

0:42:09.360 --> 0:42:10.680
<v Speaker 3>But I don't know, I feel kind of good about

0:42:10.680 --> 0:42:14.200
<v Speaker 3>this talking about what we learned from it. It sounds

0:42:14.239 --> 0:42:16.319
<v Speaker 3>like each of us in that situation had someone like

0:42:16.400 --> 0:42:20.040
<v Speaker 3>I had an editor who didn't fire me. I had Tiffany.

0:42:20.080 --> 0:42:22.400
<v Speaker 3>You talk to the person who you know you know,

0:42:22.480 --> 0:42:25.160
<v Speaker 3>let you go from a gig right afterwards, who gave

0:42:25.200 --> 0:42:27.120
<v Speaker 3>you a you know, told you what is okay, You're

0:42:27.120 --> 0:42:29.560
<v Speaker 3>going to survive and then Jess you had your director

0:42:29.719 --> 0:42:31.960
<v Speaker 3>sort of you know, give you a break too. I

0:42:32.000 --> 0:42:35.440
<v Speaker 3>just feel like, yeah, I feel like you need someone

0:42:35.520 --> 0:42:37.600
<v Speaker 3>who knows that you will make a human error, like

0:42:37.840 --> 0:42:39.960
<v Speaker 3>a boss or someone higher than you, a mentor or

0:42:39.960 --> 0:42:42.840
<v Speaker 3>some kind too, to give you that break and remind

0:42:42.880 --> 0:42:45.600
<v Speaker 3>you not to be so hard on yourself. Sometimes we

0:42:45.640 --> 0:42:46.719
<v Speaker 3>all make mistakes.

0:42:47.160 --> 0:42:48.640
<v Speaker 5>Yeah, so that's why I want Cam to kind of

0:42:48.680 --> 0:42:49.960
<v Speaker 5>man up and just take.

0:42:50.280 --> 0:42:51.160
<v Speaker 3>Bringing it back to football.

0:42:51.160 --> 0:42:53.640
<v Speaker 4>I guess yes, No, I mean, I know it feels.

0:42:53.760 --> 0:42:56.160
<v Speaker 5>I know people are really like, we were really rooted

0:42:56.200 --> 0:42:57.719
<v Speaker 5>for Cam, you know, black quarterback.

0:42:57.760 --> 0:42:59.960
<v Speaker 4>You know, yes, he's kind of hip hop. He's getting criticiz.

0:43:00.160 --> 0:43:02.880
<v Speaker 4>We wanted to do good and he and he failed yesterday,

0:43:02.880 --> 0:43:03.960
<v Speaker 4>he totally failed.

0:43:04.000 --> 0:43:07.120
<v Speaker 5>But I do think it says a lot about leadership

0:43:07.600 --> 0:43:09.920
<v Speaker 5>to really kind of step it up, especially with our

0:43:09.960 --> 0:43:10.960
<v Speaker 5>young black males today.

0:43:11.160 --> 0:43:13.200
<v Speaker 4>You know, we're gonna make mistakes. We are human.

0:43:13.280 --> 0:43:15.440
<v Speaker 5>Beyonce made a mistake, but that doesn't mean she's not

0:43:15.480 --> 0:43:17.279
<v Speaker 5>a great performer. That doesn't mean Cam it's not going

0:43:17.360 --> 0:43:18.359
<v Speaker 5>to win another Super Bowl.

0:43:18.680 --> 0:43:20.960
<v Speaker 3>But you know mistake. I mean, you know, if you

0:43:20.960 --> 0:43:23.359
<v Speaker 3>look at the footage of her almost falling, you could

0:43:23.400 --> 0:43:27.799
<v Speaker 3>almost say it was choreography. I can just you know exactly. Oh,

0:43:27.880 --> 0:43:31.960
<v Speaker 3>I'm pretty sure you know she needs to clap like

0:43:32.040 --> 0:43:35.400
<v Speaker 3>that's some those are strong legs. Likes that much body

0:43:35.400 --> 0:43:38.319
<v Speaker 3>strength to make yourself not fall like that. Come on,

0:43:38.640 --> 0:43:42.560
<v Speaker 3>that is just like the gluteus maximus at full force.

0:43:43.400 --> 0:43:44.239
<v Speaker 4>I totally see that.

0:43:44.440 --> 0:43:44.920
<v Speaker 1>I do.

0:43:45.239 --> 0:43:48.240
<v Speaker 3>Yes, they well, Jess, thank you so much for joining

0:43:48.320 --> 0:43:50.480
<v Speaker 3>us on our special Beyonce edition of Brown Ambition.

0:43:51.480 --> 0:43:53.080
<v Speaker 4>Oh, thank you all for inviting me.

0:43:53.400 --> 0:43:54.960
<v Speaker 1>Yes, Jess, you are welcome.

0:43:55.200 --> 0:43:57.239
<v Speaker 3>Its one eye open my so basic.

0:43:57.640 --> 0:44:01.640
<v Speaker 1>You can find Jess at Just stop it, guy, I'm

0:44:01.680 --> 0:44:02.200
<v Speaker 1>actually good.

0:44:02.719 --> 0:44:04.680
<v Speaker 4>Please remember that. You know, if you want to attack me.

0:44:04.960 --> 0:44:07.200
<v Speaker 3>After that story, no one's gonna attack you. You're a

0:44:07.239 --> 0:44:18.719
<v Speaker 3>good human, all right, Yes, all right, guys. We'll hope

0:44:18.719 --> 0:44:21.839
<v Speaker 3>you enjoyed our special Beyonce themed episode. If you want

0:44:21.840 --> 0:44:24.160
<v Speaker 3>to send any hate mail or love mail to us,

0:44:24.200 --> 0:44:27.200
<v Speaker 3>you can email us at Brown Ambition Podcast at gmail

0:44:27.320 --> 0:44:28.000
<v Speaker 3>dot com.

0:44:28.120 --> 0:44:30.319
<v Speaker 1>We can tweet us at the BA Podcast.

0:44:30.880 --> 0:44:33.120
<v Speaker 3>We love it. So let's just jump We took so

0:44:33.239 --> 0:44:36.320
<v Speaker 3>much time talking about Beyonce rightfully, So let's jump into

0:44:36.560 --> 0:44:37.640
<v Speaker 3>a brown break real quick.

0:44:38.280 --> 0:44:42.520
<v Speaker 2>Okay, some more brown break is pretty I mean it's

0:44:42.560 --> 0:44:45.080
<v Speaker 2>kind of related slightly to this whole beyond thing. I

0:44:45.120 --> 0:44:47.040
<v Speaker 2>don't know, I'm kind of taking a brown break from

0:44:47.080 --> 0:44:50.720
<v Speaker 2>fake deepness. Well I don't know if it's fake deepness,

0:44:50.719 --> 0:44:52.880
<v Speaker 2>but you know, there's just been so many think pieces,

0:44:52.960 --> 0:44:57.440
<v Speaker 2>so many like, you know, like so much stuff as

0:44:57.440 --> 0:45:01.120
<v Speaker 2>it relates to Beyonce, Like well, the two girls who

0:45:01.160 --> 0:45:06.160
<v Speaker 2>are behind Blue Ivy are dark skinned? Why and then

0:45:06.200 --> 0:45:08.160
<v Speaker 2>if they weren't dark skin then it would be an issue?

0:45:08.360 --> 0:45:10.399
<v Speaker 2>Or like how come, like you know, like we talked

0:45:10.400 --> 0:45:13.800
<v Speaker 2>about earlier, how come Beyonce's didn't have the black curly

0:45:14.040 --> 0:45:14.920
<v Speaker 2>afro wig on?

0:45:15.160 --> 0:45:16.160
<v Speaker 1>Or I don't know.

0:45:16.360 --> 0:45:20.280
<v Speaker 2>Sometimes I'm just like, ugh, and as the world turns,

0:45:20.320 --> 0:45:22.000
<v Speaker 2>you know, like I'm kind of over.

0:45:22.160 --> 0:45:22.759
<v Speaker 1>I mean, I get it.

0:45:22.800 --> 0:45:25.040
<v Speaker 2>I mean, obviously Beyonce did this whole It's a very

0:45:25.040 --> 0:45:27.759
<v Speaker 2>strategic move to get us talking about race, which I appreciate.

0:45:28.239 --> 0:45:30.560
<v Speaker 2>But there's just been so much that I think some

0:45:30.640 --> 0:45:32.720
<v Speaker 2>things are being analyzed that I'm.

0:45:32.520 --> 0:45:35.319
<v Speaker 1>Like, is it thing a thing to be analyzed? This

0:45:35.400 --> 0:45:36.040
<v Speaker 1>thing right here?

0:45:36.600 --> 0:45:38.759
<v Speaker 2>Like, you know, people were talking about, oh, the Black

0:45:38.800 --> 0:45:41.759
<v Speaker 2>Panthers weren't about over sexualization. How come you know they

0:45:41.760 --> 0:45:43.600
<v Speaker 2>were wearing like the bathing suit things. And I'm like,

0:45:43.640 --> 0:45:47.239
<v Speaker 2>I mean, I guess I get it, but sometimes I'm

0:45:47.280 --> 0:45:49.600
<v Speaker 2>just like, ugh, it's just too much, all of this

0:45:49.880 --> 0:45:55.120
<v Speaker 2>over deep Facebook Facebook rant posting about you know, like

0:45:55.239 --> 0:45:57.440
<v Speaker 2>what you thought, like you know, the world has shifted

0:45:57.480 --> 0:45:59.600
<v Speaker 2>now that Beyonce has a new video out and how

0:45:59.760 --> 0:46:01.880
<v Speaker 2>you know she is good or bad for the culture.

0:46:02.160 --> 0:46:03.839
<v Speaker 1>I'm a little bit slightly over it.

0:46:03.880 --> 0:46:06.040
<v Speaker 2>Although I get it, I'm just going to take a

0:46:06.040 --> 0:46:09.280
<v Speaker 2>brown break from all that all that pieces, yes, think pieces,

0:46:09.280 --> 0:46:11.239
<v Speaker 2>and all the Facebook pontifications.

0:46:11.719 --> 0:46:14.920
<v Speaker 3>I respect that because it distracts from the larger like

0:46:14.960 --> 0:46:17.080
<v Speaker 3>looking at the minutia, it just like distracts from the

0:46:17.160 --> 0:46:20.120
<v Speaker 3>larger messages. Sometime I'm like her intention was on to

0:46:20.160 --> 0:46:23.440
<v Speaker 3>guess talking about wigs and like Blue Ivy and her

0:46:23.440 --> 0:46:26.759
<v Speaker 3>backup dancers again, yes you know, yes, did I mention

0:46:26.840 --> 0:46:28.800
<v Speaker 3>she had backup dancers? I'm sorry?

0:46:29.480 --> 0:46:29.800
<v Speaker 1>Sorry?

0:46:29.840 --> 0:46:30.360
<v Speaker 2>How old is she?

0:46:30.480 --> 0:46:30.799
<v Speaker 1>Like four?

0:46:31.960 --> 0:46:32.319
<v Speaker 4>All right?

0:46:34.360 --> 0:46:36.160
<v Speaker 3>I loved it. She is going to be the future

0:46:36.200 --> 0:46:39.000
<v Speaker 3>queen of America if she's not a first Lady or

0:46:39.080 --> 0:46:41.400
<v Speaker 3>not the first lady first, you know, the first African

0:46:41.440 --> 0:46:44.480
<v Speaker 3>American president, female president. Then I don't know what's happening

0:46:44.480 --> 0:46:44.920
<v Speaker 3>in the world.

0:46:45.880 --> 0:46:48.680
<v Speaker 1>Now, lady had lost it. So what's your brown break?

0:46:49.080 --> 0:46:51.120
<v Speaker 3>My brown break? I don't know if this is funny

0:46:51.239 --> 0:46:54.000
<v Speaker 3>or serious, but you brought up something, you said something earlier,

0:46:54.040 --> 0:46:55.480
<v Speaker 3>and it reminded me. I've been meaning to take a

0:46:55.480 --> 0:46:58.239
<v Speaker 3>brown break on this for a while. And it's the

0:46:58.320 --> 0:47:02.239
<v Speaker 3>expression beat face, like getting your face beat and a

0:47:02.280 --> 0:47:02.840
<v Speaker 3>beat face.

0:47:03.520 --> 0:47:04.600
<v Speaker 1>Oh God, I use that.

0:47:05.560 --> 0:47:07.520
<v Speaker 3>I know you do. I know when so many women do,

0:47:07.640 --> 0:47:10.560
<v Speaker 3>and like I have work with. I have the privilege

0:47:10.600 --> 0:47:13.279
<v Speaker 3>of working with some really really great makeup artists here

0:47:13.840 --> 0:47:18.080
<v Speaker 3>at my my work and through my job, and they

0:47:18.200 --> 0:47:20.200
<v Speaker 3>say it sometimes and they'll put it on Twitter and

0:47:20.239 --> 0:47:22.840
<v Speaker 3>it's like a hashtag. I don't see how it's a

0:47:22.880 --> 0:47:26.759
<v Speaker 3>good thing. It's it makes me think of domestic violence.

0:47:26.920 --> 0:47:29.440
<v Speaker 3>And I come from a family who's you know, women

0:47:29.480 --> 0:47:31.920
<v Speaker 3>whose faces were beat but not with makeup, with like

0:47:32.000 --> 0:47:34.360
<v Speaker 3>fists and stuff like that. I could see that, and

0:47:34.400 --> 0:47:36.520
<v Speaker 3>it's just like the expression just makes me cringe. I

0:47:36.560 --> 0:47:38.080
<v Speaker 3>don't know, I just don't like it. And I think

0:47:38.120 --> 0:47:40.320
<v Speaker 3>I Rihanna used it one time and I'm like thinking

0:47:40.320 --> 0:47:43.160
<v Speaker 3>about her and her you know, you know, a woman's

0:47:43.200 --> 0:47:44.840
<v Speaker 3>free to use whatever she wants, like whatever phrase she

0:47:44.880 --> 0:47:46.840
<v Speaker 3>wants to use. But for me, it just makes me cringe,

0:47:46.920 --> 0:47:48.960
<v Speaker 3>makes me feel like I don't want to beat face

0:47:49.520 --> 0:47:51.640
<v Speaker 3>pretty face, like can you pretify my face?

0:47:51.680 --> 0:47:55.360
<v Speaker 2>But no, I know just and honestly, I think it

0:47:55.360 --> 0:47:58.359
<v Speaker 2>it comes from gay culture like most cool slang does,

0:47:59.360 --> 0:48:02.640
<v Speaker 2>and black culture in particular, and like you know, like

0:48:02.800 --> 0:48:04.719
<v Speaker 2>just the light be and that's what I'm thinking. For

0:48:04.719 --> 0:48:06.399
<v Speaker 2>those of you who know are in the no, please

0:48:06.480 --> 0:48:09.200
<v Speaker 2>let me know. But I think that's where it comes from.

0:48:09.280 --> 0:48:13.240
<v Speaker 2>And I'm not certain where the beat came from.

0:48:13.320 --> 0:48:15.200
<v Speaker 1>But I don't know. I'm not gonna lie. I kind

0:48:15.200 --> 0:48:16.640
<v Speaker 1>of like it just the light be.

0:48:17.160 --> 0:48:17.880
<v Speaker 3>It just sounds.

0:48:20.600 --> 0:48:21.920
<v Speaker 2>It just makes me feel like I'm in the know,

0:48:22.000 --> 0:48:23.920
<v Speaker 2>because anybody who knows me knows how you slag from

0:48:23.960 --> 0:48:24.520
<v Speaker 2>nineteen eighty.

0:48:24.560 --> 0:48:27.359
<v Speaker 3>I'm like, dope, dope is back.

0:48:27.880 --> 0:48:28.959
<v Speaker 1>I know dope is back.

0:48:29.040 --> 0:48:30.719
<v Speaker 3>But you know, there's a question like why is it?

0:48:30.760 --> 0:48:32.600
<v Speaker 3>Why do I not like beat face? But I can

0:48:32.640 --> 0:48:35.520
<v Speaker 3>say sleigh and things like that. You know, I don't

0:48:35.560 --> 0:48:38.239
<v Speaker 3>know what else I don't know. There's just little things

0:48:38.280 --> 0:48:40.040
<v Speaker 3>get to people different ways exactly.

0:48:40.120 --> 0:48:42.040
<v Speaker 1>You are allowed to break from whatever you want to

0:48:42.080 --> 0:48:42.480
<v Speaker 1>break from.

0:48:42.560 --> 0:48:44.560
<v Speaker 2>That's one thing I have to say that I don't

0:48:44.560 --> 0:48:48.040
<v Speaker 2>know these days when I'm as I get older, I'm like, man,

0:48:49.000 --> 0:48:51.279
<v Speaker 2>you could feel one way about something else, and like

0:48:51.360 --> 0:48:54.279
<v Speaker 2>I could feel totally black power about my hair and

0:48:54.320 --> 0:48:56.440
<v Speaker 2>then not feel that way about something else. I mean,

0:48:56.719 --> 0:48:58.640
<v Speaker 2>it's your prerogative to feel how you want to feel,

0:48:58.640 --> 0:49:00.840
<v Speaker 2>to think how you want to think. But I always

0:49:00.840 --> 0:49:04.560
<v Speaker 2>say this that you can feel, think and say whatever

0:49:04.600 --> 0:49:07.399
<v Speaker 2>you want. But you have to know that so can

0:49:07.440 --> 0:49:10.560
<v Speaker 2>everybody else, you know, because that's the part that people forget.

0:49:10.600 --> 0:49:12.040
<v Speaker 2>They love the part where they're like, I could do

0:49:12.080 --> 0:49:12.560
<v Speaker 2>what I want.

0:49:13.000 --> 0:49:15.880
<v Speaker 1>Guess what, though everybody else can do what they want to,

0:49:16.320 --> 0:49:16.640
<v Speaker 1>you can.

0:49:17.080 --> 0:49:19.120
<v Speaker 2>You know, you can try your best to impose whatever

0:49:19.160 --> 0:49:21.960
<v Speaker 2>you feel, think or say on someone else, but ultimately

0:49:22.320 --> 0:49:23.799
<v Speaker 2>you know that's just the how the world works.

0:49:23.800 --> 0:49:26.239
<v Speaker 1>That's not how any of this works. And so as

0:49:26.239 --> 0:49:28.800
<v Speaker 1>long as you acknowledge that, feel free, beat your face,

0:49:28.960 --> 0:49:32.360
<v Speaker 1>do what you want, slay, hate Beyonce, love Beyonce, whatever,

0:49:32.840 --> 0:49:35.800
<v Speaker 1>But ultimately you know, the world turns.

0:49:36.200 --> 0:49:40.120
<v Speaker 3>And different opinions are what makes things interesting exactly.

0:49:40.280 --> 0:49:43.680
<v Speaker 2>That's how my my friend, my my sister's husband, well,

0:49:43.760 --> 0:49:45.680
<v Speaker 2>we're all Nigerians, but he was like born and raised

0:49:45.680 --> 0:49:47.600
<v Speaker 2>in Nigeria. And I just love when he says that

0:49:47.680 --> 0:49:49.800
<v Speaker 2>because it's like his you know, everybody has like their phrase,

0:49:49.840 --> 0:49:50.239
<v Speaker 2>like I know.

0:49:50.280 --> 0:49:51.759
<v Speaker 1>I always say you know, you know.

0:49:53.320 --> 0:49:55.200
<v Speaker 3>I know because I edit them ount sometimes.

0:49:56.400 --> 0:49:58.480
<v Speaker 2>Jara always tells me that Superman always tells me you

0:49:58.480 --> 0:50:00.000
<v Speaker 2>know you always say you know, you know what I mean.

0:50:01.840 --> 0:50:03.960
<v Speaker 1>I didn't even know what he told me. I was

0:50:04.000 --> 0:50:04.520
<v Speaker 1>like I do.

0:50:04.800 --> 0:50:07.200
<v Speaker 2>He's like, yes, he said, it drives me crazy because

0:50:07.239 --> 0:50:08.120
<v Speaker 2>they don't know what you mean.

0:50:08.160 --> 0:50:13.200
<v Speaker 3>Tiffany, nobody had, like I'm getting an intimate look into

0:50:13.360 --> 0:50:16.360
<v Speaker 3>the like the speaking patterns of Tiffany elli ch.

0:50:17.120 --> 0:50:20.800
<v Speaker 2>Exactly, and so he always says. My sister's husband always

0:50:20.800 --> 0:50:24.160
<v Speaker 2>says is Zoch not exactly but exactly.

0:50:23.680 --> 0:50:25.520
<v Speaker 1>Because he has a nice nick Nitrian accent.

0:50:25.640 --> 0:50:27.759
<v Speaker 2>So I just love saying that to him and he

0:50:27.800 --> 0:50:30.200
<v Speaker 2>never realizes that I'm like saying it back because he'll

0:50:30.200 --> 0:50:31.600
<v Speaker 2>be like, yeah, so what do you think, I'm like

0:50:31.760 --> 0:50:36.600
<v Speaker 2>exactly exacly, So just exactly. You can say what you want,

0:50:36.680 --> 0:50:38.239
<v Speaker 2>feel what you want, do what you want, beat your

0:50:38.239 --> 0:50:38.959
<v Speaker 2>face if you want.

0:50:39.239 --> 0:50:39.600
<v Speaker 1>No.

0:50:39.960 --> 0:50:42.040
<v Speaker 3>Oh, I hate it. I hate it. I'm just gonna

0:50:42.360 --> 0:50:44.080
<v Speaker 3>I know it's easier to say, but I'm just going

0:50:44.160 --> 0:50:48.560
<v Speaker 3>to be like, I put some makeup on. I got

0:50:48.600 --> 0:50:49.720
<v Speaker 3>some incup put on my face.

0:50:50.480 --> 0:51:01.040
<v Speaker 2>Okay, so that's it for for we have a really

0:51:01.080 --> 0:51:03.440
<v Speaker 2>late You know, we have we gotten any brown breaks.

0:51:03.480 --> 0:51:05.480
<v Speaker 1>I want to hear where people want to get breaks from.

0:51:05.840 --> 0:51:09.080
<v Speaker 2>Please send your brown breaks to us via email, Tweet

0:51:09.160 --> 0:51:11.200
<v Speaker 2>us your brown breaks. I'd love, love, love to share

0:51:11.200 --> 0:51:12.759
<v Speaker 2>some of your brown breaks. See what you guys are

0:51:12.760 --> 0:51:14.600
<v Speaker 2>going through, see what you're totally over.

0:51:15.200 --> 0:51:17.279
<v Speaker 3>We'd have gotten a lot of questions and we're not

0:51:17.320 --> 0:51:19.360
<v Speaker 3>going to do a question this week because we have

0:51:19.440 --> 0:51:20.799
<v Speaker 3>run out of time and we want to get to

0:51:20.840 --> 0:51:23.640
<v Speaker 3>some wins real quick. But we are keeping all your

0:51:23.719 --> 0:51:25.919
<v Speaker 3>questions and we love getting them, so keep sending them

0:51:25.960 --> 0:51:29.280
<v Speaker 3>to Bronambition Podcast at gmail dot com and we promise

0:51:29.320 --> 0:51:31.479
<v Speaker 3>we'll get to them eventually. Let's do two next week.

0:51:31.840 --> 0:51:32.759
<v Speaker 1>Yes, I like that.

0:51:33.200 --> 0:51:35.960
<v Speaker 3>Yes, all right, So moving on to wins real quick.

0:51:36.000 --> 0:51:38.080
<v Speaker 3>Some extra good news for the end of the show.

0:51:38.440 --> 0:51:40.319
<v Speaker 1>Okay, so Wins, I know you had a really great win.

0:51:40.320 --> 0:51:42.080
<v Speaker 1>I saw this fun on the internet.

0:51:42.080 --> 0:51:44.640
<v Speaker 3>So I actually realized I have two. But I so

0:51:44.760 --> 0:51:46.880
<v Speaker 3>real quick. So I don't know if you heard, but

0:51:47.120 --> 0:51:50.040
<v Speaker 3>it's February and it's Black History Month, which is kind

0:51:50.040 --> 0:51:52.120
<v Speaker 3>of a big deal, and so I got the chance

0:51:52.160 --> 0:51:54.480
<v Speaker 3>to do a story that I'm really happy with. It

0:51:54.560 --> 0:51:56.440
<v Speaker 3>was the five I wanted to take a look at

0:51:56.520 --> 0:51:59.520
<v Speaker 3>since I worked for a huge tech company and I've

0:51:59.520 --> 0:52:02.520
<v Speaker 3>written about the lack of diversity in Silicon Valley like

0:52:02.560 --> 0:52:05.760
<v Speaker 3>many people have, and just the fact that there aren't

0:52:05.800 --> 0:52:09.319
<v Speaker 3>very many minorities or women represented, especially in leadership roles.

0:52:09.360 --> 0:52:11.560
<v Speaker 3>So for a Black History Month, I know it's about

0:52:11.560 --> 0:52:13.560
<v Speaker 3>history and looking backwards, but I thought I would do

0:52:13.640 --> 0:52:17.320
<v Speaker 3>something looking forward and kind of calling out some people

0:52:17.360 --> 0:52:22.160
<v Speaker 3>I thought were exciting or interesting in Silicon Valley today

0:52:22.200 --> 0:52:24.920
<v Speaker 3>who just also happened to be black. Okay, So my

0:52:25.000 --> 0:52:29.120
<v Speaker 3>story was five ground five ground breaking black business leaders

0:52:29.160 --> 0:52:31.680
<v Speaker 3>who were changing the face Silicon Valley. I'll just run

0:52:31.719 --> 0:52:33.399
<v Speaker 3>through a few of them I have, and these aren't

0:52:33.480 --> 0:52:36.040
<v Speaker 3>names that you probably know in your household, which is

0:52:36.080 --> 0:52:38.000
<v Speaker 3>why I wanted to like lift them up, because they're

0:52:38.000 --> 0:52:41.520
<v Speaker 3>really changing the literally the face of Silicon Valley. Got

0:52:42.000 --> 0:52:45.480
<v Speaker 3>Stacy Brown Philpott. She's the COEO of Task Rabbit. You

0:52:45.480 --> 0:52:48.160
<v Speaker 3>know that freelancing site. She is just incredible.

0:52:48.200 --> 0:52:48.360
<v Speaker 5>You know.

0:52:48.360 --> 0:52:50.000
<v Speaker 3>One of the best things about her if you read

0:52:50.000 --> 0:52:52.120
<v Speaker 3>my story on Yahoo Finance. One of the best things

0:52:52.160 --> 0:52:54.680
<v Speaker 3>I got to talk to her about was when she

0:52:54.760 --> 0:52:57.600
<v Speaker 3>was working for Google before task Grabbit, where she was

0:52:57.640 --> 0:53:00.160
<v Speaker 3>mentored by Cheryl Sandberg for a while before Cheryl went

0:53:00.160 --> 0:53:03.320
<v Speaker 3>onto Facebook. She had the opportunity to move to India

0:53:04.480 --> 0:53:06.960
<v Speaker 3>and in order to do that, to run Google sales

0:53:07.000 --> 0:53:09.719
<v Speaker 3>operations over theres. In order to do that, she decided

0:53:09.760 --> 0:53:13.760
<v Speaker 3>to leave her husband behind in America. And she talks

0:53:13.760 --> 0:53:16.320
<v Speaker 3>about how her family and friends really just like dogged

0:53:16.320 --> 0:53:18.640
<v Speaker 3>her about that decision and made it seem like she

0:53:18.719 --> 0:53:23.000
<v Speaker 3>was choosing her career over her family. And she said,

0:53:23.160 --> 0:53:25.480
<v Speaker 3>she told me, and she said this before. She said,

0:53:25.640 --> 0:53:27.600
<v Speaker 3>when I moved to India, I knew that I was

0:53:27.680 --> 0:53:29.920
<v Speaker 3>making I knew that I was choosing my career, but

0:53:29.960 --> 0:53:32.319
<v Speaker 3>it was only for a finite period of time, and

0:53:32.360 --> 0:53:34.840
<v Speaker 3>my husband and I had agreed. The key takeaway for

0:53:34.920 --> 0:53:36.920
<v Speaker 3>me was don't be afraid to ask her what you

0:53:37.040 --> 0:53:40.560
<v Speaker 3>need both back home and at work. And it was.

0:53:40.880 --> 0:53:42.840
<v Speaker 3>And she had other school stuff to say about how

0:53:43.040 --> 0:53:46.040
<v Speaker 3>she doesn't like the idea of living on a balance

0:53:46.040 --> 0:53:47.960
<v Speaker 3>beam and trying to find work life balance, and she

0:53:47.960 --> 0:53:50.960
<v Speaker 3>said it's too stressful trying to figure out what's to

0:53:50.960 --> 0:53:54.440
<v Speaker 3>prioritize and have the perfect balance. She says that she

0:53:54.680 --> 0:53:57.359
<v Speaker 3>just takes life where it leads her, and she prioritizes

0:53:57.400 --> 0:54:00.520
<v Speaker 3>one thing at a time given the situation. So that's

0:54:00.560 --> 0:54:03.279
<v Speaker 3>just one incredible, one incredible woman. And you know what,

0:54:03.320 --> 0:54:05.440
<v Speaker 3>I didn't set out to do this, but four out

0:54:05.440 --> 0:54:08.400
<v Speaker 3>of the five business leaders I featured were women, and

0:54:08.719 --> 0:54:13.399
<v Speaker 3>the fifth was a transm was a transgender. I believe

0:54:13.440 --> 0:54:17.360
<v Speaker 3>he's non conforming person. So I was really excited for

0:54:17.400 --> 0:54:18.920
<v Speaker 3>this story. And if you want to check it out

0:54:18.960 --> 0:54:22.720
<v Speaker 3>other people real quick. Morgan Debon she founded blavity dot com.

0:54:23.200 --> 0:54:24.359
<v Speaker 1>I love her.

0:54:24.920 --> 0:54:27.640
<v Speaker 3>She's really cool and she said she'd be on the

0:54:27.680 --> 0:54:31.920
<v Speaker 3>podcast soon. So love Blavity Blavity. If you don't know,

0:54:32.080 --> 0:54:34.400
<v Speaker 3>the whole concept behind blavity is that it's a mashup

0:54:34.440 --> 0:54:37.360
<v Speaker 3>of the word black at gravity. And she was inspired

0:54:37.480 --> 0:54:40.280
<v Speaker 3>during in college going to like a mostly white college

0:54:40.320 --> 0:54:43.720
<v Speaker 3>where like anyone you know, any lunch room cross America

0:54:43.760 --> 0:54:45.879
<v Speaker 3>in high school, like all the black kids gravitate toward

0:54:45.880 --> 0:54:48.759
<v Speaker 3>one another. So that's blavity. So it was really dope

0:54:48.800 --> 0:54:50.919
<v Speaker 3>listening to her talk about, you know, her very first

0:54:50.960 --> 0:54:54.040
<v Speaker 3>business selling sugar kool aid and the cafeteria and stuff

0:54:54.080 --> 0:54:58.200
<v Speaker 3>like that. And the another one was Courtney Ryan Siegler.

0:54:58.200 --> 0:55:03.399
<v Speaker 3>He started this hackathon a nonprofit called trans hack, which

0:55:03.440 --> 0:55:06.560
<v Speaker 3>is a nonprofit that hosts hackathons and meet ups among

0:55:06.640 --> 0:55:09.920
<v Speaker 3>people in the transgender nonconforming community in Silicon Valley and

0:55:09.960 --> 0:55:13.799
<v Speaker 3>across the country. And I mean, it's really cool what

0:55:13.840 --> 0:55:16.120
<v Speaker 3>he's doing. He's not in the tech world. He's actually

0:55:16.920 --> 0:55:18.840
<v Speaker 3>in the media and entertainment side of things. But he

0:55:18.920 --> 0:55:22.920
<v Speaker 3>talked about wanting to give trans people, trans workers in

0:55:22.960 --> 0:55:25.000
<v Speaker 3>Silicon Valley just a place to get together and like

0:55:25.040 --> 0:55:28.239
<v Speaker 3>feel supported because it can be lonely out there.

0:55:28.400 --> 0:55:29.320
<v Speaker 1>Yeah, I can imagine.

0:55:29.400 --> 0:55:31.680
<v Speaker 2>I like that. That's a great article. I can't wait

0:55:31.719 --> 0:55:33.759
<v Speaker 2>to weeak. I'm I'm honestly like I'm. One of the

0:55:33.760 --> 0:55:36.800
<v Speaker 2>things I'm addicted to is I love watching or reading

0:55:37.440 --> 0:55:38.440
<v Speaker 2>stories of.

0:55:38.520 --> 0:55:42.080
<v Speaker 1>People who are different versions of successful.

0:55:42.120 --> 0:55:43.879
<v Speaker 2>So you know, not like always like oh, the multi

0:55:43.920 --> 0:55:47.040
<v Speaker 2>millionaire successful, but just whatever that looks like, maybe starting

0:55:47.080 --> 0:55:48.600
<v Speaker 2>something new, going after their dream.

0:55:49.880 --> 0:55:52.239
<v Speaker 1>And so just was it two days ago?

0:55:52.280 --> 0:55:54.320
<v Speaker 2>I think it was a day before yesterday, I was

0:55:54.360 --> 0:55:58.600
<v Speaker 2>watching They had this documentary about Michael Jackson from when

0:55:58.640 --> 0:56:00.920
<v Speaker 2>he started as the Jackson I think it was called

0:56:01.200 --> 0:56:02.960
<v Speaker 2>From the Jackson five to Off the Wall.

0:56:03.280 --> 0:56:04.000
<v Speaker 1>Off the Wall was his.

0:56:04.080 --> 0:56:06.680
<v Speaker 2>Very first album, and so they kind of chronicled his

0:56:06.719 --> 0:56:10.839
<v Speaker 2>life from jack Ers Yes to It was so.

0:56:11.000 --> 0:56:16.080
<v Speaker 1>Honestly, Mandy, it was so just motivating.

0:56:16.160 --> 0:56:18.080
<v Speaker 2>I mean, you know, of course, you know about Michael Jackson,

0:56:18.120 --> 0:56:19.839
<v Speaker 2>you know how hard he worked, you know all these things,

0:56:19.880 --> 0:56:23.360
<v Speaker 2>but to see it through one They did a lot

0:56:23.520 --> 0:56:25.680
<v Speaker 2>of They had a lot of video of him as

0:56:25.680 --> 0:56:27.640
<v Speaker 2>a young man speaking and you don't see that much

0:56:27.800 --> 0:56:31.440
<v Speaker 2>meaning like him and his teens talking about like what

0:56:31.520 --> 0:56:33.960
<v Speaker 2>he wanted his future to be. It was very reminiscent

0:56:33.960 --> 0:56:36.600
<v Speaker 2>of a Steve job just so sure that he wanted

0:56:36.640 --> 0:56:38.560
<v Speaker 2>greatness and how he was going to go after it

0:56:38.640 --> 0:56:41.600
<v Speaker 2>at like seventeen eighteen nineteen, just to see him speak,

0:56:41.800 --> 0:56:44.960
<v Speaker 2>and then they interviewed all these really famous people about him,

0:56:45.000 --> 0:56:48.960
<v Speaker 2>and they just the consistency of what people said about

0:56:48.960 --> 0:56:52.640
<v Speaker 2>Michael that he was always watching, always sitting, always listening,

0:56:52.680 --> 0:56:56.080
<v Speaker 2>always asking questions at six seven eight years old, Like

0:56:56.120 --> 0:56:59.360
<v Speaker 2>Sammy Davis Junior is sitting there saying Michael used to

0:56:59.400 --> 0:57:01.359
<v Speaker 2>watch me on and ask me these questions, how did

0:57:01.360 --> 0:57:01.759
<v Speaker 2>you do that?

0:57:01.880 --> 0:57:03.160
<v Speaker 1>Why did you do it like that? Why did you

0:57:03.200 --> 0:57:05.240
<v Speaker 1>not do it like this at like eight years old?

0:57:06.080 --> 0:57:09.799
<v Speaker 3>And just it was so just watch is it on

0:57:09.840 --> 0:57:10.880
<v Speaker 3>like Netflix or something?

0:57:11.000 --> 0:57:11.920
<v Speaker 1>It was on Showtime.

0:57:12.239 --> 0:57:13.200
<v Speaker 3>It was checking out.

0:57:13.320 --> 0:57:15.120
<v Speaker 2>Yes, I think you'll love it, first of all, and

0:57:15.120 --> 0:57:17.760
<v Speaker 2>then like they so what happens is they they chronicle

0:57:17.840 --> 0:57:19.360
<v Speaker 2>his life. You kind of see like how he made

0:57:19.400 --> 0:57:21.680
<v Speaker 2>the moves that he made, and then how he was

0:57:21.800 --> 0:57:26.440
<v Speaker 2>unapologetic about his success and his clear trajectory towards this

0:57:26.480 --> 0:57:27.720
<v Speaker 2>is what I want and this is what I'm willing

0:57:27.760 --> 0:57:29.520
<v Speaker 2>to do for it. And then they broke down like

0:57:29.600 --> 0:57:31.760
<v Speaker 2>all the songs on the album, and I was literally

0:57:31.800 --> 0:57:32.880
<v Speaker 2>it was like three o'clock in the morning.

0:57:32.880 --> 0:57:33.760
<v Speaker 1>I could not.

0:57:33.840 --> 0:57:37.600
<v Speaker 2>Stop help but dance because it was so like the

0:57:37.680 --> 0:57:41.080
<v Speaker 2>music was still so amazing. And yeah, it's just honestly,

0:57:41.320 --> 0:57:43.960
<v Speaker 2>And I encourage anyone who's kind of chasing their dreams

0:57:44.000 --> 0:57:45.840
<v Speaker 2>to just watch and read things like what Mandy the

0:57:45.920 --> 0:57:49.240
<v Speaker 2>article that Mandy has just written and this this this

0:57:49.320 --> 0:57:52.840
<v Speaker 2>piece about Michael Jackson. I'm always reading and watching things

0:57:52.880 --> 0:57:55.080
<v Speaker 2>like that because it helps mon it helps to set

0:57:55.120 --> 0:57:57.000
<v Speaker 2>the tone for what you're doing because a lot of

0:57:57.040 --> 0:57:59.320
<v Speaker 2>people will think you're crazy if you're going after your dreams.

0:57:59.760 --> 0:58:01.720
<v Speaker 2>And it helps you to see other people who are

0:58:01.880 --> 0:58:05.320
<v Speaker 2>quote unquote crazy and how they've dealt with it, and

0:58:05.400 --> 0:58:09.160
<v Speaker 2>it just helps to see that success looks different for

0:58:09.200 --> 0:58:11.800
<v Speaker 2>different people in different ways. But then there are also

0:58:11.880 --> 0:58:14.000
<v Speaker 2>some things that are that are kind of baseline and

0:58:14.080 --> 0:58:17.280
<v Speaker 2>the same, which is you you make a conscious choice,

0:58:17.400 --> 0:58:19.880
<v Speaker 2>you put in the work, and you decide how you

0:58:19.920 --> 0:58:23.040
<v Speaker 2>want your life to live unapologetically. So yeah, maybe that's

0:58:23.080 --> 0:58:27.320
<v Speaker 2>my win that that that documentary. It was just so good, honestly,

0:58:27.400 --> 0:58:29.280
<v Speaker 2>like I had, I hadn't.

0:58:29.000 --> 0:58:31.240
<v Speaker 3>Wait to watch them. Oh god, I love Michael Jackson.

0:58:31.320 --> 0:58:33.160
<v Speaker 2>What Mandy I'm telling you're gonna be like, oh my god.

0:58:33.280 --> 0:58:36.320
<v Speaker 2>First of all, like I was sitting laughing, crying, dancing.

0:58:36.400 --> 0:58:37.240
<v Speaker 1>I mean they it.

0:58:37.200 --> 0:58:39.240
<v Speaker 2>Pulled me in every way. And Spike Lee directed it

0:58:39.320 --> 0:58:39.720
<v Speaker 2>of course.

0:58:39.960 --> 0:58:42.760
<v Speaker 3>Oh did he have heard about this? Okay, thank you,

0:58:42.760 --> 0:58:44.840
<v Speaker 3>you're right checking it out. I actually I got my

0:58:44.920 --> 0:58:48.920
<v Speaker 3>dad's dish flog in. I'm gonna check it out very

0:58:48.960 --> 0:58:52.040
<v Speaker 3>much of these stuff. Mmm, little hipster cable. Well that

0:58:52.120 --> 0:58:54.160
<v Speaker 3>reminded me real quick. I've been we haven't talked about

0:58:54.200 --> 0:58:56.600
<v Speaker 3>this yet, but the fact that they wanted that they're

0:58:56.640 --> 0:58:59.760
<v Speaker 3>making this movie in the UK where they're having Michael

0:58:59.800 --> 0:59:02.160
<v Speaker 3>Jags and played by a white actor. Did you hear

0:59:02.200 --> 0:59:02.600
<v Speaker 3>about that?

0:59:02.960 --> 0:59:03.160
<v Speaker 4>Yes?

0:59:03.720 --> 0:59:05.200
<v Speaker 1>I don't even It has.

0:59:05.080 --> 0:59:06.920
<v Speaker 3>Spent a lot of time, but it's just like insane.

0:59:07.000 --> 0:59:09.360
<v Speaker 3>I hope you changed your minds, like why why why

0:59:09.360 --> 0:59:12.120
<v Speaker 3>can't we have one? Couldn't you find one black actor

0:59:12.120 --> 0:59:12.560
<v Speaker 3>to play him?

0:59:13.320 --> 0:59:14.760
<v Speaker 2>I mean, it's it's supposed to be like a comedy

0:59:14.800 --> 0:59:17.240
<v Speaker 2>and it's like a it's like a yeah, it just

0:59:17.280 --> 0:59:18.200
<v Speaker 2>seems very strange, but.

0:59:18.240 --> 0:59:20.840
<v Speaker 1>Yeah, you're right, whatever, it's tired.

0:59:22.200 --> 0:59:24.919
<v Speaker 3>We're too tired to take on racism in Hollywood right now.

0:59:25.120 --> 0:59:27.840
<v Speaker 2>Right now, Beyonce has just slayd. It is making people

0:59:27.840 --> 0:59:30.000
<v Speaker 2>angry across the world, which is kind of giggly. So

0:59:30.040 --> 0:59:31.120
<v Speaker 2>I'm just like, whatever, take that.

0:59:31.200 --> 0:59:32.520
<v Speaker 1>Take that. I just ugh.

0:59:32.760 --> 0:59:35.320
<v Speaker 3>Yes, tomorrow the presale begins. I hope you guys all

0:59:35.320 --> 0:59:37.680
<v Speaker 3>know if you have mxes that pre sale for Beyonce

0:59:37.760 --> 0:59:40.480
<v Speaker 3>begins at ten a m. You can go like, are

0:59:40.520 --> 0:59:42.880
<v Speaker 3>you gonna go? Yeah, I'm going you want to come?

0:59:43.240 --> 0:59:43.640
<v Speaker 1>I do?

0:59:43.800 --> 0:59:44.480
<v Speaker 3>Cityfield?

0:59:44.760 --> 0:59:44.960
<v Speaker 1>Oh.

0:59:45.000 --> 0:59:47.040
<v Speaker 3>So the ticket price has arranged from forty five dollars

0:59:47.120 --> 0:59:49.160
<v Speaker 3>to three hundred and fifty dollars three hundred and fifty

0:59:49.200 --> 0:59:52.520
<v Speaker 3>five dollars, which is quite high, but you know, it

0:59:52.560 --> 0:59:54.280
<v Speaker 3>depends on what you want to spend. Yeah, it's good.

0:59:54.320 --> 0:59:56.080
<v Speaker 3>But at the Stadium show in New York City is

0:59:56.080 --> 0:59:58.400
<v Speaker 3>going to be in City Field, so like go check

0:59:58.440 --> 0:59:58.800
<v Speaker 3>it out.

0:59:59.000 --> 1:00:00.440
<v Speaker 2>Yeah no, let me know, honest, I think I do

1:00:00.480 --> 1:00:02.200
<v Speaker 2>want to go. I've never been to a Beyonce concert.

1:00:02.360 --> 1:00:04.760
<v Speaker 3>Oh really, yeah, I'm excited. The last one I went

1:00:04.800 --> 1:00:08.760
<v Speaker 3>to was for the After the Visual album After Beyonce.

1:00:09.360 --> 1:00:11.520
<v Speaker 1>So we hope that you enjoyed this.

1:00:11.520 --> 1:00:14.240
<v Speaker 2>This uh, this episode was brought to you by B

1:00:14.240 --> 1:00:19.360
<v Speaker 2>B for Beyonces, for Slagh and C for see Elater

1:00:19.920 --> 1:00:21.960
<v Speaker 2>and Bagency. Please please please me and Mandy we're on

1:00:22.000 --> 1:00:25.120
<v Speaker 2>your side. Don't bring in here and be have we are.

1:00:25.160 --> 1:00:28.640
<v Speaker 2>We apologize for some of the some of the the

1:00:28.720 --> 1:00:30.880
<v Speaker 2>comments markus. I loved Jess and I thought she had

1:00:30.920 --> 1:00:32.760
<v Speaker 2>great insight, but I don't want to be stunge.

1:00:33.360 --> 1:00:35.520
<v Speaker 1>I love my life. And with that we sign off

1:00:36.160 --> 1:00:50.480
<v Speaker 3>Like I see you next week