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Speaker 1: Welcome to episode one seventy of the Bobby Cast. These

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Speaker 1: are all hit songs that were accused of plagiarism, and

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Speaker 1: I'm here with video. Producer of the Bobby Bones Show,

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Speaker 1: also part of the Sore Losers podcast, which you can

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Speaker 1: check out just subscribe to The Sore Losers every day.

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Speaker 1: You guys do a sports are right? We do every day?

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Speaker 1: All right? Producer Eddie on the Sore Losers. All right,

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Speaker 1: do you understand this? I am thanks for finally telling

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Speaker 1: me what we're gonna do a podcast on. Well, I'd

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Speaker 1: like to tell you sometimes because I want you to

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Speaker 1: research that I'm excited about this on this episode talking

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Speaker 1: about some of the biggest songs that were accused of plagiarisms.

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Speaker 1: And you also tell me what if you think? Well,

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Speaker 1: we'll kind of play the game and then Mike Deal

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Speaker 1: tell us how it ended. So we have a verdict

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Speaker 1: on all these Yeah, these are they all settled except

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Speaker 1: for one of them. Okay, okay, this is a question.

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Speaker 1: Some of the songs. Well, yeah, down the list. We

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Speaker 1: will start with do you know what this is, Eddie?

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Speaker 1: Come I do. So this is Beatles, come Together, Come Together,

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Speaker 1: and so in the song John Lennon sings, here, come

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Speaker 1: on here, come all flat top. He come grooving up slowly,

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Speaker 1: remember that. Okay, he come old flat top right, And

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Speaker 1: this is Chuck Berry. You can't catch me? Yeah, come

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Speaker 1: on flat top, he up with me. Then come we

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Speaker 1: even good bye, and a little lord to duck Juney.

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Speaker 1: I'll put my put in my team. Okay, so again

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Speaker 1: you have flat Beatles. Yeah, come on flat top, it

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Speaker 1: up with me. Then came we even good bye, and

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Speaker 1: a little lord to duck Juney. I'll put my put

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Speaker 1: in my team up crazy. Yeah. I don't think there

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Speaker 1: was any secret about the Beatles, like using Chuck Berry

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Speaker 1: in this fifties American music as influence. So yeh absolutely

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Speaker 1: right about that, I'm saying straight up. He quoted that

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Speaker 1: from that song in Chuck Better recorded the song you

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Speaker 1: Can't Catch Me for the movie Rock Rock Rock. Lennon

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Speaker 1: said he used the song as inspiration while writing Come

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Speaker 1: Together in nineteen sixty nine for the Abbey Road album

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Speaker 1: Um Lennon was sued by producer Morris Levy, who owned

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Speaker 1: the rights to Yeah, come on Flat Top. He argued,

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Speaker 1: one they're similar in two. Here come out flat top.

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Speaker 1: That's the freaking same thing, the same line. The lawsuit

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Speaker 1: said that Lennon simply slowed down Chuck Berry song. Otherwise

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Speaker 1: it's the same tune that line at least, I don't know.

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Speaker 1: I definitely hear it for sure, Come on Flat Top.

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Speaker 1: I definitely hear the melody sped up, or in the

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Speaker 1: case of the song, I definitely hear it slowed down. Yeah,

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Speaker 1: come on flat Top. And this one ended how mighty.

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Speaker 1: So John Lennon ended up settling by recording three songs

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Speaker 1: and giving the money from that to Levy. No way,

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Speaker 1: he recorded three songs for the other guy with the

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Speaker 1: song is any good? Do we know? It was imagine

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Speaker 1: like a like a rare bootleg thing, So it wasn't

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Speaker 1: any of the big hits. Wow. Lennon and Levy at

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Speaker 1: lawsuits figures afterward, which somehow resulted in Roots a collection

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Speaker 1: of rare Lennon bootlegs. I mean, this was definitely a

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Speaker 1: case of this guy like, all right, let's go after

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Speaker 1: John Lennon. He's a beatle, this is Abbey Road, this

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Speaker 1: is a here. But also they stole the song. It's

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Speaker 1: not just to go after it like I would have.

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Speaker 1: I would compare it to modern day, Uh, Jaco in

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Speaker 1: doing Jack and Diane, but going up to Jack, going

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Speaker 1: up to John Cougar Mellencamp and asking, I wouldn't hear

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Speaker 1: that in no way because Jaco went for sure, John Lennon,

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Speaker 1: John Cougar Mellkett made money from Jake's song. Right he

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Speaker 1: reached out to I think John Cogart wrote that song.

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Speaker 1: Whoever wrote the song Jake reached out to right so

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Speaker 1: so because because there is I don't know you listen

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Speaker 1: to this and like he wasn't They weren't trying to

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Speaker 1: hide this. This is a straight rip off. Who says,

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Speaker 1: here come old flat Top, come on fat people, all right,

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Speaker 1: here we go next up? Remember this song of course

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Speaker 1: Bittersweet Symphony by the verb came out in why isn't

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Speaker 1: this under one hit wonders? Right? I believe they had

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Speaker 1: another hit. It is a one hit wonder for what's yeah?

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Speaker 1: It is the one hit one um so the guy

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Speaker 1: who's the singers that. Richard Ashcroft wrote the lyrics, but

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Speaker 1: the instrumental backing was partially sampled from the symphonic version

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Speaker 1: of the Rolling Stone song The last time. The band

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Speaker 1: had originally licensed five notes in exchange for at the royalties.

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Speaker 1: But the Rolling Stones manager Alan Klein clean the verse.

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Speaker 1: I played the verse void of the agreement by using

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Speaker 1: a larger selection. Here you go, this is the orchestras,

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Speaker 1: this is the Rolling Stones version. Get out of here.

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Speaker 1: I don't really hear the music. Don't hear any of this.

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Speaker 1: That guitar riff, it's a chance to change. I do

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Speaker 1: hear their guitar riff. Listen to zones, listen that. I'm

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Speaker 1: struggling to do it, but I can hear. Wow, that's

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Speaker 1: the orchestras. What you definitely do here. But so the

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Speaker 1: Stones use this huh if we're trying that hard to

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Speaker 1: like hear the same thing, I mean, trash it. There's

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Speaker 1: no case there. You don't think so, No, Mike hat

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Speaker 1: this one end. So Keith, Great Stars and Mick Jagger

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Speaker 1: ended up getting all the song rights to the verse.

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Speaker 1: That is crazy. They made all the money, all the money.

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Speaker 1: Am I missing something? I don't even no way, it

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Speaker 1: is not even close. It must be something more missing.

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Speaker 1: Maybe there's like a hidden track under They got all

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Speaker 1: that because it's the orchestra version. Who did it? Of

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Speaker 1: the Rolling Stone song? And then the verb us that

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Speaker 1: orchestra version, and they used too many notes from that version,

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Speaker 1: but it's still a rolling Stone song. First this happened,

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Speaker 1: and this happened. They did a version of the rolling

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Speaker 1: Stone song, and then they stole the derivative of the

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Speaker 1: rodet because if you play that that no, there you

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Speaker 1: have two you have two string versions, right, but this

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Speaker 1: is first, this is second. This I definitely hear, and

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Speaker 1: this is third. So that rooted all back, okay because

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Speaker 1: those two orchestra don't hear those two, but I believe

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Speaker 1: that they probably and who composed the second orchestra clip,

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Speaker 1: they were called the Andrew Older Okay, because that's that

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Speaker 1: that is a straight sample ready, that is yes, but

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Speaker 1: that was only of that song. Okay, here we get interesting.

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Speaker 1: It's a big one that right there is and this

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Speaker 1: is queen, yeah, Queen and David Bowie. So this ices

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Speaker 1: baby and it's um under pressure Queen and David Bowie.

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Speaker 1: And so I remember when this happened. I was so young.

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Speaker 1: But a Elize will be like, he's like, I didn't

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Speaker 1: we didn't take that because he'd be like, there's this

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Speaker 1: dune dune, dune to the dune dune, and ours just

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Speaker 1: done done, Dune to Dune. I totally remember that too, Yeah,

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Speaker 1: because he had like a in there, let's take it,

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Speaker 1: and so it was there. There was a lawsuit here. Yeah,

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Speaker 1: they settled out of court and David Bowie and Queen

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Speaker 1: got songwriting credits with no life, so they probably got

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Speaker 1: a large percentage. No money exchanged hands like you owe

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Speaker 1: me except for the songwriter money. That's obviously maybe one

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Speaker 1: of the most obvious of all time and probably the

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Speaker 1: best scenario out of that, like where you as Queen

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Speaker 1: had a hit with it, and then on top of that,

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Speaker 1: you gotta hip you gotta hip hop. H you got

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Speaker 1: a bunch of mine for one man. Okay, we know

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Speaker 1: this one because this one is remember this blurred lines

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Speaker 1: by Robin Thick two Robin Thick and Farrell rode the

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Speaker 1: dagg and here is gotta give it up Marvin Gay. Yeah,

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Speaker 1: the family of Marvin Gay filed us to the ledging

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Speaker 1: that Robin THICKP song infringed on seven song, which is

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Speaker 1: red here. In addition to Thick, Farrell and t I

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Speaker 1: were named in the suit, both producers of this I guess, uh,

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Speaker 1: I don't know what how t I came into this.

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Speaker 1: I guess I wrapped on wraps on again. Okay, yeah, Mike,

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Speaker 1: what happened on this one? So initially they were gonna

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Speaker 1: have to pay a seven point three million they got

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Speaker 1: it down to five point three million, and of the

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Speaker 1: song's royalties, Wow, where did they come up with that figure?

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Speaker 1: Seven point three? They look at how much it's already made.

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Speaker 1: There must be a precedent already set that makes it.

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Speaker 1: Probably look at consumption, a set precedent based on spins, downloads,

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Speaker 1: any sort of purchases. I would assume. Do you think

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Speaker 1: that's uh? Yeah, I mean I've heard this so many

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Speaker 1: times and I've heard it broken down. Yes, because the

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Speaker 1: base it's it's not the whole song, but it's definitely

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Speaker 1: that base group. Yes, And I think that they had

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Speaker 1: said to I don't know if you heard about this

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Speaker 1: that I think Robin Thick admitted again, I'm just guessing,

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Speaker 1: And I think I heard this somewhere that he was

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Speaker 1: using that as inspiration when he wrote the song. Did

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Speaker 1: you ever read that and see that something like that

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Speaker 1: kind of happened? I felt like he wasn't fighting it

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Speaker 1: very hard. So when that happens, Okay, yeah, to get

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Speaker 1: you guys, all, here's another one Town Fund but Mark

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Speaker 1: Ron's and featuring Bruno Mars Ship. Now. Lawsuit was filed

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Speaker 1: because oops, upside you hit, because the different parts of

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Speaker 1: the song, like when you hear this one, it's not

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Speaker 1: uptown funk. This is not the parts of stolen. No,

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Speaker 1: it's the uptown funk. That's it. Town funk. You up

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Speaker 1: uptown funk. You doing that? You're doing that up town funk.

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Speaker 1: You up uptown funk. You with this town funk, you

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Speaker 1: up up town funk. You up. It's right on up

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Speaker 1: town funk, you up up town funk. You up? Yeah, yeah,

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Speaker 1: I mean it's right on back to Wow radio station.

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Speaker 1: Wait you think about this and Mike, what happened? So

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Speaker 1: all four members of the Gap band and the producer

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Speaker 1: got songwriting credits, and they each got three point three

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Speaker 1: point four percent of the song's royalty. I love it.

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Speaker 1: I love when it's a straight up rip off like that.

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Speaker 1: It's like it's good you cheer for the dudes from

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Speaker 1: the sixties that I like, just out of the broke

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Speaker 1: chilling man hoping for something like this to happen. Okay,

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Speaker 1: here we go. I don't know about this one. Cold

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Speaker 1: plays Viva Lavida, Sweet the Street, sigh, Joe Satriani's if

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Speaker 1: I could fly, it's a guitar player anyway, Melody's gonna

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Speaker 1: a guitar right. I'm assuming Joe sat you on his

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Speaker 1: copywright Frenchman against Cold Playing Capitol Records. They had a

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Speaker 1: deal less than a year later. Um, listen, I absolutely

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Speaker 1: hear it too, but it's called us. I know how

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Speaker 1: this one ended, so I'm going to stay out of

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Speaker 1: it again. I mean from following the pattern or what

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Speaker 1: patterns that? Do you hear it again? If I were

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Speaker 1: the judge, I'd be like, look, man, this is it's similar, yes,

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Speaker 1: but I'm not calling a copyright infringement. It's again just

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Speaker 1: playing the game here. For sure. That sounds like ro

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Speaker 1: the world. Those notes for sure sound like Then it

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Speaker 1: starts to get a little and really it's like how

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Speaker 1: many notes until Yes, So Mike d had this one end.

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Speaker 1: So they went they had a case, but it was

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Speaker 1: dismissed and then they settled out of court. They still settled. Wow,

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Speaker 1: So that's just satriani in or whoever his people just

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Speaker 1: keep going at it. Under the terms of the dismissal,

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Speaker 1: Coldplay does not have to admit to any wrongdoing. I wouldn't.

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Speaker 1: I mean, the reason this really sticks is because of that,

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Speaker 1: and that's it. And then I kind of fade off

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Speaker 1: a bit. I definitely would have to. That's not easy. No,

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Speaker 1: not a fan of that kind of lawsuit. It's just

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Speaker 1: too But if you were Joe Statution and you you

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Speaker 1: wrote this and then you hear be like, oh my god,

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Speaker 1: it's my melody, I guess I'll give it a shot.

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Speaker 1: What they're doing, that's my melody, right, they have me

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Speaker 1: melody the streets. So I got some money, but Coldplay

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Speaker 1: doesn't have to be any wrong. How much money was that, Mike?

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Speaker 1: They don't say. They don't say on this part of

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Speaker 1: the deal. Gonna take a break and talk about this

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Speaker 1: to seventy dan and chase them. No, he got sued

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Speaker 1: by Marvin gay La to get it up. That's good.

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Speaker 1: I don't know. Man TMZ reported was facing a one

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Speaker 1: million dollar lawsuit a leggie. He copied Marvin Gaye. Let's

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Speaker 1: get it on. That's so much money even the edge

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Speaker 1: sheer and that is a ton of money. And what

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Speaker 1: did judge find here? So this one's still pending. They

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Speaker 1: re gets here and try to get out of it

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Speaker 1: in to get the court to dismiss it, and it's

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Speaker 1: still up in the air. You said, there's still similarities

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Speaker 1: between the two. The vocal melody is not the same.

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Speaker 1: But that's not the question here. It's just the So

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Speaker 1: it's the musical. Just let's try just try to listen

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Speaker 1: to music. Baby, man, that's no, that's good. I can't.

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Speaker 1: I can't sue for that. Like to me, I mean,

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Speaker 1: let's break down every song that has the same court progression,

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Speaker 1: same beat. I mean, we'd be here for thing, you

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Speaker 1: know another we should pull up. Um as I go

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Speaker 1: through these, is that Tom Petty Sam Smith because that

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Speaker 1: was a recent one. Yes, it's on here. Remember we're

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Speaker 1: in the car once and I was like, it was

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Speaker 1: when stands we the first started and we were even

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Speaker 1: trying to think what does this sound like? I was like,

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Speaker 1: I don't think it's separre on my wal mic. Yeah,

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Speaker 1: we're listening to the van I think, And you're like

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Speaker 1: I was in the back, you're in the front. You're like,

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Speaker 1: listen to this, what does this sound like to you?

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Speaker 1: And we're like, sounds like something, what is it different?

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Speaker 1: This is not the song. That's a different song. So um,

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Speaker 1: Sam Smith, won't you stay? So won't you stay with me?

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Speaker 1: Is it? When back down? Because Smith was singing stay

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Speaker 1: with me, and I'm going that's not the words other

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Speaker 1: times I've heard this song, but again, melody in the vocal,

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Speaker 1: melody in that one, like yes, sing the Tom Petty

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Speaker 1: to this me to me, that's not here, it's right here, Noah,

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Speaker 1: back that to me? Where you? Was this a lawsuit

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Speaker 1: to d Yeah? And I felt so proud of myself.

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Speaker 1: I heard it so early, like I said, the first time,

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Speaker 1: the song that was organic. I was like, this, this

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Speaker 1: is not him. It's the car. You told me you

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Speaker 1: shouldn't be singing it like I sued him and got

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Speaker 1: no money for me. I sued him for just Tom.

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Speaker 1: We were like somewhere in California, this song is a car, Hey,

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Speaker 1: your honor. I like to sue for Tom Petty. He's

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Speaker 1: not hearing. He does nothing about this. It's not fair.

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Speaker 1: Rest in peace out of court. But Tom Petty is

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Speaker 1: now a songwriter on that Oh yeah, so it's a songwriter.

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Speaker 1: I mean, bag, come on, m hm. So Tom Petty

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Speaker 1: and Jeff Lynn who wrote won't beig down our songwriters

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Speaker 1: now and stay with me? So I'm fact Jeff Lynn

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Speaker 1: is always the fourth guy that we're always like, who's

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Speaker 1: in the Traveling Wilbury's It's Tom Petty Petty Dylan, Bob Dylan.

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Speaker 1: And who's George Harrison? No, no, he is, isn't hege

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Speaker 1: har Uh? Jeff Tweedy? Uh yeah, the dude the sunglasses

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Speaker 1: in the beard. I can't believe we forgot George Harrison.

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Speaker 1: I know that's the most famous one. Uh yeah, there

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Speaker 1: you go. I like that. What do you There's more? Yeah,

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Speaker 1: I got like one or two more. Are you gonna say?

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Speaker 1: What do you think about all this? Like? It's hard? Um,

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Speaker 1: I'm very happy these laws exist. I I hope that

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Speaker 1: the people that are making the decisions on these laws

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Speaker 1: are well versed and either surrounded themselves with people that

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Speaker 1: that can help them. Just it's tough. It's tough. You're

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Speaker 1: you're dictating art. That's the hard part. But because there's

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Speaker 1: financial ramifications, you have to have somebody do this. So

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Speaker 1: I'm glad. It's just hard. Like chord progression, like if

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Speaker 1: you you have a guitar, this son, like we can

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Speaker 1: we can give you an example here just kind of

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Speaker 1: playing this is something Eddie and I do Oh my god,

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Speaker 1: we do this for fun. We do this because we're

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Speaker 1: such nerds, like do Luke Hombs, like do that whole

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Speaker 1: thing where you know what song would that mean? So

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Speaker 1: she broke my heart's start. She out the best of me,

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Speaker 1: she broke what's it up? And ching hit a different one.

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Speaker 1: There you go. Well she're all with her hair in

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Speaker 1: the messing. I might be with that warning keep going,

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Speaker 1: I'll do one that's not the coms ready, talladega. I

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Speaker 1: mean it was a song for there's just there's so

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Speaker 1: much similarity. I mean, you're talking about moving a finger

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Speaker 1: and you're talking about there's so many of arts. I

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Speaker 1: wish I had a guitar. There's so many like the

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Speaker 1: dumb songs that we write. That's I mean, I use

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Speaker 1: like six chords. Well, there are only so many chord progressions.

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Speaker 1: And Tom Petty is the king of using very like

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Speaker 1: play free Falling, it's it's it's three chords and it's

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Speaker 1: a D. It's D, G and D. That's it. And

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Speaker 1: I played those courses a different different tempo. I went

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Speaker 1: yesterday to see my mom and story yesterday. I mean,

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Speaker 1: we just took free Falling and turned it into it's difficult,

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Speaker 1: and it's a judge having to take a decision. And

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Speaker 1: that's why I feel like on some of these where

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Speaker 1: they're like, oh, that's the same court progression like edge shearing,

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Speaker 1: and think it's got to be more than corporate, which

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Speaker 1: is still depending is just like melody is a big

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Speaker 1: melody or musical melody, the joke's actually anyone, which is like,

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Speaker 1: you know, I used to ruin and it's so tricky,

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Speaker 1: and I guess we just want everyone to be honest,

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Speaker 1: like these songwriters, like you're creating a song, try your best,

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Speaker 1: and you think that everyone's just being honest and it's

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Speaker 1: an accident. I don't know. Um And most time listen

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Speaker 1: and I've had friends that have been involved in these

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Speaker 1: lawsuits and they're like, I swear to god, I must

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Speaker 1: have been listening right. But but again, to be totally transparent.

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Speaker 1: As someone who writes jokes, sometimes I have probably heard

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Speaker 1: people tell a joke but that's super funny. It's sat

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Speaker 1: of my subconscious A similar circumstance happened around me that

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Speaker 1: joke was about. Yeah, I was like, oh, I have

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Speaker 1: an idea. You steal my jokes all the time. Shot

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Speaker 1: up and one day you will see me in court. Buddy.

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Speaker 1: Can you imagine the side, dude? Yeah, it's tough. Um

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Speaker 1: what else it got? Oh? Yes, this is a good one.

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Speaker 1: Johnny Cash Falsome Prinson Blues. When I played this one

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Speaker 1: from my eleven year old the other day and he

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Speaker 1: was even like whoa. After this was released, this guy

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Speaker 1: named Gordon Jenkins, I was like, wait, that sounds like

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Speaker 1: my song, and he wrote he wrote for another artist,

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Speaker 1: Beverly Mayor mar Johnny Cashaidy wrote the song after seeing

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Speaker 1: the movie Inside the Walls of Falsome Prison while he

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Speaker 1: was in the Air Force. He took the melody and

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Speaker 1: many lyrics from a song called Crescent City Blues. He

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Speaker 1: didn't change the crap, although he didn't City, but I mean,

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Speaker 1: just take the blues out of it and maybe it'll

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Speaker 1: help you out Here you go here the train its

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Speaker 1: the same freaking first line around the bin and I

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Speaker 1: ain't been kissed loads like three words. I never heard

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Speaker 1: that other. Have you heard my other song? Mr? Cash?

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00:23:25,080 --> 00:23:27,240
Speaker 1: Mr Cash? Ring of Fire was also not your song

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Speaker 1: because that song was June Carter Cash's sister right yes.

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Speaker 1: After the live version of this song in Jinkin suit

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Speaker 1: cash and they set up for sent about thousand dollars,

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Speaker 1: which is different money at that time, a lot more money. Um,

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Speaker 1: and that one's deserved bonus, Like those are the tin

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Speaker 1: but here's a bonus. Yeah, this one never went to court,

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Speaker 1: it was never settled. But it's just one that I thought.

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Speaker 1: It gets called out a lot green day, I said,

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Speaker 1: a song called warning. Yuh, I don't know what you're

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Speaker 1: gonna confer this to the Kinks. This is called picture book. Okay, Yeah,

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Speaker 1: now here's the here's the thing that's it's kind of

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Speaker 1: itchy about this. That's a scale. It's it's a it's

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Speaker 1: a regular scale. It's like when you play guitar, you

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Speaker 1: can play a scale, pentatonic scale or something. I don't

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Speaker 1: know what, let's just call it. Um. All sounds are

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Speaker 1: in a box, and that's one box that you can

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Speaker 1: play that kind of runs you all the way up

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Speaker 1: and down the box. So is that why they just

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Speaker 1: kind of got away with it? Is you rip off

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Speaker 1: a scale? Isn't that the questions? He tried to sue them,

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Speaker 1: and they were like, we didn't steal that from you,

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00:25:04,600 --> 00:25:08,240
Speaker 1: Like I learned that great. It's almost like a public

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Speaker 1: domain in my mind, a public domain type situation. I've

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00:25:11,320 --> 00:25:14,479
Speaker 1: been around forever. You can't you can't still roll road

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00:25:14,560 --> 00:25:17,760
Speaker 1: road your boat because it's public domain. Yeah, Like that's

385
00:25:17,840 --> 00:25:19,920
Speaker 1: got It's like I don't own it, but you don't

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00:25:19,920 --> 00:25:22,280
Speaker 1: own it, so good luck. Like if I were to

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00:25:22,320 --> 00:25:26,159
Speaker 1: record uh Mary had a littlelamb, Mary had a little

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00:25:26,240 --> 00:25:29,399
Speaker 1: lamb little, but you'd also recorded me a little lamb. Okay,

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Speaker 1: assuming you didn't own it then either. Even if you

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00:25:32,280 --> 00:25:35,840
Speaker 1: think you wrote it, it it existed far before. So yeah,

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Speaker 1: that's fine. Interesting huh And that's a kid. But I mean,

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Speaker 1: at the same time, come on, guys, you all wrote

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Speaker 1: a song with a scale that was fun. Man. Yeah?

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Speaker 1: Am I doing a spot already? Do it? All right?

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Speaker 1: I didn't. I didn't remember that I did earlier. I

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Speaker 1: thought I know about another one. Or Eddie, thank you

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00:26:01,920 --> 00:26:04,560
Speaker 1: very much talking music with you. Check out Eddie on

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Speaker 1: the Sore Losers podcast. It's sports show. They do like

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00:26:07,400 --> 00:26:09,200
Speaker 1: four or five times a week. Uh that we try

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00:26:09,240 --> 00:26:11,439
Speaker 1: to do one every single day. Yeah, so if you're

401
00:26:11,440 --> 00:26:14,040
Speaker 1: into sports, check out The Sore Losers where they claim

402
00:26:14,080 --> 00:26:16,320
Speaker 1: to be experts and everything but we're not. But you

403
00:26:16,400 --> 00:26:19,040
Speaker 1: know who knows? Uh there you go. Thank you for

404
00:26:19,080 --> 00:26:21,480
Speaker 1: hanging out with us. That's a good one. And uh,

405
00:26:21,680 --> 00:26:23,679
Speaker 1: check out one of the past episodes. Oh, by the way,

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Speaker 1: Caroline Hobby will be up listen. When you hear this,

407
00:26:26,480 --> 00:26:28,320
Speaker 1: you may already be up. Check out Caroline hobbies new

408
00:26:28,359 --> 00:26:31,480
Speaker 1: podcast called Get Real with Caroline Hobby where she talked

409
00:26:31,480 --> 00:26:33,760
Speaker 1: to a lot of the wives of country stars. It

410
00:26:34,760 --> 00:26:36,840
Speaker 1: really is so because you know the country stars and

411
00:26:36,880 --> 00:26:39,919
Speaker 1: you just wonder, like, who who's the wife, how did

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00:26:39,960 --> 00:26:41,919
Speaker 1: they meet? Like how does she help him do what

413
00:26:42,000 --> 00:26:44,960
Speaker 1: he does or she or whatever? Like checking out Caroline

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00:26:45,040 --> 00:26:47,119
Speaker 1: Brian Luke, Bryan's wife and she just doing up with

415
00:26:47,200 --> 00:26:49,800
Speaker 1: Jane Kramer, And so it's good. It's called Get Real

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00:26:49,880 --> 00:26:52,040
Speaker 1: with Caroline Hobby. Check it out. We'll see you next time. Thanks.

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00:26:52,080 --> 00:26:56,240
Speaker 1: Listen to Bobby. Guys, everybody