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Speaker 1: So I'm in the kitchen, uh, the Plato kitchen, and

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Speaker 1: I'm making.

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Speaker 2: The Plato kitchens.

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Speaker 1: Yes, yes, I'm in the Plato kitchen and I'm making

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Speaker 1: Plato casadias. And uh, it's one of the main things

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Speaker 1: I know how to make. I know how to make

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Speaker 1: two things, really, which is Plato lollipops and Plato casadias.

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Speaker 3: And Plato soda health heavy Plato soda and healthy Plato

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Speaker 3: soda as well.

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Speaker 1: But I so, I'll use make a lollipop and then

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Speaker 1: when the stick falls out, sorry, I'll.

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Speaker 3: Well, I'll flatten out.

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Speaker 1: Yes, I'll flatten out the head of the lollipop, and

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Speaker 1: then I'll fold it over, and now it's casadia. And

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Speaker 1: what I'm finding is as fun as it is to

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Speaker 1: imagine these things are case ideas. What if I really

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Speaker 1: did start eating heaps of them, just piles of pips.

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Speaker 3: Because this is my experience with the case of d is,

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Speaker 3: especially when they're like when they're cut up into little

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Speaker 3: tiny slices, I.

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Speaker 4: Don't even realize how many I've had.

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Speaker 3: Yeah, and it's like, Okay, I can eat like a

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Speaker 3: few of these, but now I'm actually eating like so

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Speaker 3: much cacd is and so you're eating all this and

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Speaker 3: I'm eating all of it.

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Speaker 1: I'm eating more than I even realized, and I'm going

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Speaker 1: this is now at this point more expensive than a

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Speaker 1: meal of case das would.

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Speaker 3: Have been because of how much Plato Plato's you know, in.

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Speaker 4: The amount that I am ingesting it.

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Speaker 3: No, it's not cheap. This is a town where people

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Speaker 3: have big imaginations, okay, and so something that like when

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Speaker 3: you have a visual idea and you need something to

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Speaker 3: like articulate, like like visualize this instantly before it's gone.

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Speaker 2: Uh, yeah, you need to have some Plato.

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Speaker 1: Like I don't sam a writer. I don't say I'm

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Speaker 1: a writer. Yes, I say I am a Plato desier.

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Speaker 3: Okay, I was gonna say a sculptor in the blank

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Speaker 3: page is like my big rock. Yeah, and the blank

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Speaker 3: page I'm chipping away.

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Speaker 4: That's my Plato.

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Speaker 2: Yes.

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Speaker 3: And the words are under there, under the blank page,

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Speaker 3: and I'm chipping, chip chip chip away at this, and

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Speaker 3: I reveal what's just what's underneath waiting to come out.

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Speaker 1: And it is why so many penis Yes, well, I

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Speaker 1: was gonna speaking of penis. So this is why so

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Speaker 1: many like pa are about two are about balls and snakes,

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Speaker 1: because that is ultimately you know a lot of times

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Speaker 1: and flat like pancakey things.

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Speaker 4: Did you hear a noise before?

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Speaker 2: I did hear a really loud noise.

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Speaker 4: I want to say something to Kevin. Can you clarify

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Speaker 4: for me?

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Speaker 3: So I was in.

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Speaker 1: Another zoom for just like a work thing, and we

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Speaker 1: did not have a maintenance square in that zoom.

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Speaker 3: This happened to me too. I was on a zoom jury.

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Speaker 3: I've barely done any of these except for the show.

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Speaker 1: No, I do it for the show and then I

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Speaker 1: really try not to use it. But then I had

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Speaker 1: a separate, uh event. It was a work event. It

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Speaker 1: was I was being honored. Well, I just what it

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Speaker 1: was a prize up for? Is that badesst bitch in

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Speaker 1: La What what?

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Speaker 2: Okay?

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Speaker 3: I'm hearing now here.

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Speaker 1: It's not like actual maintenance like pipes are being operated

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Speaker 1: on or something.

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Speaker 2: Okay, Tom A.

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Speaker 5: Tom, Welcome to Hollywood wood Ham Book.

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Speaker 3: Tom. You're the maintenance man.

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Speaker 5: Oh yeah, yeah, I'm maintenance zoom maintenance.

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Speaker 2: Okay.

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Speaker 1: Well, we were just trying to unpack this because we

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Speaker 1: were saying, you know, like obviously battest Pitch and LA

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Speaker 1: award is a really huge event, and they did not

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Speaker 1: require maintenance, and I didn't get a charge. I didn't

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Speaker 1: get an invoice at the end of the session either

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Speaker 1: of a separate zoom maintenance fee. But we've been getting

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Speaker 1: this throughout the pandemic. Every time we record, there is

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Speaker 1: a maintenance box. So that's been you.

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Speaker 2: You've been this.

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Speaker 3: So the whole time we've been doing this show during

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Speaker 3: the pandemic, you have been in the maintenance box.

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Speaker 5: Yes, yes, I've been. I've been a board, monitoring, fixing, tweaking.

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Speaker 2: You've been doing stuff.

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Speaker 3: You've been working on the show.

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Speaker 5: Oh my god, I am I Look, I take my

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Speaker 5: position very seriously on this show. I'm the third host,

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Speaker 5: third boy.

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Speaker 3: Okay, you've been doing you haven't been doing that at all. Well,

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Speaker 3: I have been hard to get a hold of it

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Speaker 3: that at that capacity. But you've been here for every

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Speaker 3: single episode.

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Speaker 5: Yeah.

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Speaker 3: Well, I mean up to like clean up a mess

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Speaker 3: if it happens.

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Speaker 5: I'm just tracking the the the just all the ship.

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Speaker 5: I'm just tracking all of it.

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Speaker 2: Do you do this for any other shows?

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Speaker 5: Not just you guys.

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Speaker 3: It's fun, it's well, it's nice to see you.

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Speaker 5: I just like, yeah, just hold on, hold on away

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Speaker 5: Hold on a second. Okay, yeah, it looks it looks good,

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Speaker 5: looks good.

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Speaker 3: Okay, what what what? What were you looking at something?

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Speaker 3: Are you looking at us visually?

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Speaker 4: No, looking at some meters, the meters, looking at the meters.

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Speaker 5: You know, we're kind of capping out here. Hold on

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Speaker 5: a second. Yeah, it's better, that's better.

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Speaker 4: What again? This doesn't happen on other zooms?

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Speaker 3: Can I just want to say for keeping track of

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Speaker 3: like the the sound or whatever it is that you're

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Speaker 3: looking at.

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Speaker 5: And you're gonna get on this weinky chair?

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Speaker 2: Yeah, the chairs really laughed.

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Speaker 5: Well, guess what the chair is a part of the job.

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Speaker 2: How could that be true?

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Speaker 5: Because I moved the chair around and then it moves

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Speaker 5: the needle, and then I see where we're at the test? Yes, yes, distressed?

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Speaker 2: He making noise all the time.

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Speaker 5: Yeah, so the chair has to be the chair has

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Speaker 5: to be extra squeak. It was very expensive to actually

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Speaker 5: get his chair extra.

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Speaker 4: Squeak calibrated to maximell yeah levels.

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Speaker 5: At Office Max. They did not like me at Office

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Speaker 5: Max when I was tressing the chairs and I'm just

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Speaker 5: like's not squeaky enough.

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Speaker 3: Did you negotiate this cat? Like, were you involved in

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Speaker 3: this at all, because we just showed it. You know,

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Speaker 3: you have this like you know, like you said it obviously. Yeah, yeah,

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Speaker 3: I was told.

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Speaker 6: From an email. I didn't recognize that this was mandatory,

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Speaker 6: so I just assumed we we had to have this

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Speaker 6: monthly billing, uh for maintenance. I assume you guys okaid this?

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Speaker 5: Yeah, it's forty one dollars a month, forty one plus

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Speaker 5: lunch and plus lunch plus lunch as well.

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Speaker 2: Yes, what's lunch?

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Speaker 1: Oh?

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Speaker 5: Usually just something I can throw in the microwave.

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Speaker 2: I want to get back the cost. Now, what did

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Speaker 2: you eat for a long?

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Speaker 1: Eight dollars for something you throw in the microwave?

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Speaker 3: What are you throwing in there?

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Speaker 5: Like hungry man things? And then the turns that they're

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Speaker 5: made a metal and then the medal microwave I got.

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Speaker 1: We're buying a new microwave a couple of times a week. Yeah,

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Speaker 1: and you're not even getting good food out of it.

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Speaker 3: It's just wasteful.

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Speaker 5: Hungry You ever had a hungry man dinner? Sounds like

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Speaker 5: I have?

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Speaker 2: I have.

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Speaker 1: Actually I lived off hungry man dinners back when I

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Speaker 1: was a hungry man, before I earned my keep.

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Speaker 5: Which hungry man did?

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Speaker 1: Are you before I earned my seat, and I'll fight

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Speaker 1: to the death to keep it here at the table

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Speaker 1: where the decisions get made. I'm in the room where

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Speaker 1: it happens. Lynn Man, Well, now, which hungry Man? Did

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Speaker 1: I have Turkey and chips?

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Speaker 2: Lynn, hungry Man?

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Speaker 5: Well, he did?

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Speaker 2: That is true.

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Speaker 5: Turkey and chips is one of the Hungry Man dinners.

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Speaker 4: So it's one of the main one.

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Speaker 3: Turkey and chips, hot microwaved chips with a zebra cake.

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Speaker 5: The zebra cake is really good when you double zapp it, Mike,

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Speaker 5: the zebra cake kind of just melts over the corn.

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Speaker 2: Mm.

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Speaker 5: I might, God, I might just have to take a

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Speaker 5: break right now and actually get back to the micro.

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Speaker 2: Take what I'm hungry.

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Speaker 3: I'm hungry, all right, Tom, And I want to say

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Speaker 3: again it is really nice to see you. Last time

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Speaker 3: I heard from you, I heard you were moving LA

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Speaker 3: to open up the Tropical eminem store.

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Speaker 5: Yes, it was a bold experiment. And I'm telling you

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Speaker 5: the stats on this thing. We're looking so good. And

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Speaker 5: then this goddamn pandemic. It's a pandemic.

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Speaker 3: It was what I heard, this was happening. This was

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Speaker 3: like June that I heard you were do it like

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Speaker 3: last June. So the pandemic was it was full swing,

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Speaker 3: was absolutely happening at that point. And that's where you

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Speaker 3: were like, tropical, Oh, this would be so refreshing for summer,

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Speaker 3: tropical eminems. And I didn't, you know, I just thought

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Speaker 3: to my you didn't ask me about this. Tell me

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Speaker 3: you wouldn't.

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Speaker 5: Want right now to just reach into a bowl and

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Speaker 5: scoop out a giant handful of mango Eminem's.

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Speaker 3: You said, yeah, vego passion fruit, guava, papaya, y, pied apple,

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Speaker 3: of course, yeah, dragon fruit. I mean they all sund like,

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Speaker 3: like none of them would go great as a like

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Speaker 3: as chocolate. I mean, Eminem's, as far as I know,

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Speaker 3: aren't really flavored at all.

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Speaker 1: No, I think of them just as chocolate. And then

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Speaker 1: the shell always sort of tastes the same.

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Speaker 5: Wait, hold on, wait, hold on a second. Yellow is

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Speaker 5: not flavored like lemon? You can't tell you never had, well,

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Speaker 5: not yet. I mean I kind of from corporate starting

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Speaker 5: new business, the owner is the last one to start

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Speaker 5: getting a piece of the pie. Okay, for the of

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Speaker 5: the Eminem's the eminem Show, Yes.

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Speaker 3: So yeah, that's Mark Cuban, like Mark Cuban just he

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Speaker 3: lived in a ditch when he first started broadcast dot com.

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Speaker 3: You would go if you ever slept, you which he didn't, but.

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Speaker 1: He would have to sleep at the ditch, which, by

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Speaker 1: the way, then he sold the ditch at a loss.

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Speaker 5: And you know what he said. He said, I'll sleep

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Speaker 5: when I'm dead.

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Speaker 4: Mm hmmm.

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Speaker 5: That was his big thing, I'll sleep when I'm dead.

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Speaker 5: And then now he likes to yell, and the Ref

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Speaker 5: shakes his fist and gets mad when he goes. Cubans

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Speaker 5: always like Cuban. That was a that was traveling and

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Speaker 5: he's like, you dumb motherfucker when he yells back to Ref,

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00:11:06,080 --> 00:11:09,000
Speaker 5: and then the Ref is like, yeah, say that to

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Speaker 5: my face, and he turns around. He puts his face

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Speaker 5: right up against the guy's ass and he's like, I

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Speaker 5: couldn't tell the difference. And he's like, you're out of here, Cuban.

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Speaker 1: I'd love to see a ref end up on Shark

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Speaker 1: Tank that showed out to see those two in a

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Speaker 1: totally new environment.

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Speaker 4: And the Ref has a business, a solid business that's.

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Speaker 3: Doing good numbers. You know, Damon is faking holding back

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Speaker 3: Mark mm hmmm. Let me out him, let me at him.

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Speaker 4: Mark, Mark calm down, He's not worth it.

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Speaker 3: Robert's like, actually scared, Robert is believing this that Mark,

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Speaker 3: this is I'm getting really nervous.

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Speaker 2: Mark.

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Speaker 3: This is inappropriate for the show.

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Speaker 5: Now, speaking of the show, since I've been here for

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Speaker 5: every episode of the show over the last thirteen.

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Speaker 2: Months, Yeah.

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Speaker 5: You missed that.

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Speaker 3: We missed.

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Speaker 5: Yeah, a few opportunities, what like financially No, No, just

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Speaker 5: as a joke wise joke.

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Speaker 2: Wise joke opportunities.

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Speaker 5: Yeah, I just want to make sure you get every

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Speaker 5: part of the animal.

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Speaker 3: So you have been watching us, and you've been observing,

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Speaker 3: there have been moments and I've had this too. I

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Speaker 3: have this every time I listen to a podcast. I

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Speaker 3: understand this where I'm listening and thinking like.

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Speaker 2: Oh, it'd be so funny.

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Speaker 3: Oh, be so funny if.

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Speaker 2: They say this.

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Speaker 3: I wonder if they say this, and then they sometimes

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Speaker 3: they do, and I'm wow, that was I'm as funny

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Speaker 3: as this.

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Speaker 1: That makes me feel good and sometimes bad because when

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Speaker 1: they don't say it, I get to think, Man, great,

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Speaker 1: loved listening to it.

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Speaker 4: The only thing missing was moah.

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Speaker 5: Yeah, well that's how I've been feeling for the last

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Speaker 5: year plus. Okay, when I hear some of the some

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Speaker 5: of the the idea is just sitting there on the

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Speaker 5: table unused. Wow, the zingers, the lampooning, the gaff.

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Speaker 1: Yeah, Harvard Man never misses a lampoon And that's true.

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Speaker 3: So you've been making about sixteen dollars a month mm

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Speaker 3: sitting there and plus launch.

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Speaker 4: Plus lunch, plus lunch.

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Speaker 2: Yeah.

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Speaker 3: Another Uh, how I can see you.

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Speaker 2: Your microwave is right there, right next to your computer.

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Speaker 3: Yeah, and you're blowing.

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Speaker 2: I saw your hands boob.

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Speaker 5: It's right here. It's right here at the top of

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Speaker 5: the microwaves.

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Speaker 4: I wouldn't want it faced. Why isn't it in the

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Speaker 4: kitchen or something?

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Speaker 3: Is that the kitchet?

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Speaker 5: Well, if it's in the kitchen, I might miss some

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00:14:16,040 --> 00:14:22,240
Speaker 5: of the show. M. Here we go, hungry man time.

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Speaker 5: M I'm gonna let it.

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Speaker 2: Cool, okay.

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Speaker 3: And it didn't sound like that one was very metallic,

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Speaker 3: so that's good. Sounded like that one went pretty smoothly.

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Speaker 4: That saved us a little bit of dough at least.

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Speaker 5: Oh yeah, but it's it's leaking some kind of fluid

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Speaker 5: though this microwave is beat.

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Speaker 2: Did you just.

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Speaker 5: I think it's gasoline or there is there gasoline in

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Speaker 5: a microwave.

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Speaker 3: I'm sorry, I just heard not usually it sounded like

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Speaker 3: a cat.

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Speaker 5: Well, the cat works for me as my assistant.

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Speaker 2: Okay, cat, and.

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Speaker 3: The cat.

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Speaker 2: Name the chef Kevin. His names yeah, shot Kevin.

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Speaker 5: And just like your Kevin, my cat is uh heir

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Speaker 5: to an uh international banking fortune.

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Speaker 2: Wow. The cat is rich.

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00:15:24,120 --> 00:15:28,640
Speaker 5: Because the person who previously had this cat willed everything

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Speaker 5: to the cat, and every everyone's like is that? And outrage?

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Speaker 5: Like the family was like what at the will reading.

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Speaker 2: And sitting there in the chair, and then the.

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Speaker 5: Cat I would That's when I worked for the cat actually,

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Speaker 5: and I had to like lower these sunglasses onto the

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Speaker 5: cat and hold up a thing that said deal with

302
00:15:46,200 --> 00:15:50,680
Speaker 5: it over the cat's head, and the family was so mad.

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00:15:50,760 --> 00:15:52,400
Speaker 5: That's what Knives Out was based on.

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00:15:54,520 --> 00:15:57,200
Speaker 4: Right, I knew it was based on something that happened

305
00:15:57,240 --> 00:15:58,360
Speaker 4: to you. I couldn't remember.

306
00:15:58,440 --> 00:16:01,560
Speaker 5: If you watch the credit, it says from a based.

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00:16:01,200 --> 00:16:01,480
Speaker 2: On a.

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00:16:03,240 --> 00:16:08,160
Speaker 5: Tale t A I L yeahm hmm by Tom Sharpling

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00:16:08,240 --> 00:16:10,800
Speaker 5: and Kevin the cat.

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Speaker 3: Okay, but you you were saying, and do you I mean,

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00:16:15,000 --> 00:16:16,880
Speaker 3: do you have do you want to go through episode

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00:16:16,880 --> 00:16:20,360
Speaker 3: by episode and like say some bits that we didn't

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Speaker 3: do that we should have done.

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Speaker 1: Yeah, I mean we've been doing a lot of zingers, honestly, yeah, i'd.

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Speaker 3: Be so it's possible that we did do them. As

316
00:16:27,960 --> 00:16:30,320
Speaker 3: I'm hearing this and thinking like, maybe we actually did

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00:16:30,400 --> 00:16:32,400
Speaker 3: do it, I don't think I left much on the table.

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00:16:32,520 --> 00:16:35,920
Speaker 5: Yeah, as it left back, Yeah, a few things. Do

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Speaker 5: you have a list of the episodes, Kevin, Yes, sir,

320
00:16:39,480 --> 00:16:41,360
Speaker 5: just give me, give me anyone. I've heard all of them.

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00:16:41,440 --> 00:16:43,760
Speaker 5: I know everything about all of it. I watched everything,

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Speaker 5: saw it all.

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Speaker 6: Sonam session, our Freak Show Friday Friend mm hmm.

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00:16:49,320 --> 00:16:53,600
Speaker 3: Okay, so that's when Sona from Conan O'Brien Needs a

325
00:16:53,640 --> 00:16:56,840
Speaker 3: Friend came on the show and it was Freak Show

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Speaker 3: Friday m m uh.

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Speaker 2: And I don't remember that much else about that one.

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Speaker 3: I remember that.

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Speaker 4: What I remember is we did a lot of.

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Speaker 5: I remember scoring, yeah, quite a So you both scored.

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00:17:09,960 --> 00:17:11,520
Speaker 5: You both scored a bunch on that one. But you

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00:17:11,600 --> 00:17:13,639
Speaker 5: left some of the big themes on the on the

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00:17:13,840 --> 00:17:14,479
Speaker 5: on the table.

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Speaker 2: Okay.

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00:17:15,720 --> 00:17:19,600
Speaker 5: Yeah, that was more of a comedic thematic one where Okay,

336
00:17:20,160 --> 00:17:22,440
Speaker 5: I thought there should have been a whole Coney Island

337
00:17:22,560 --> 00:17:25,640
Speaker 5: aspect to it, where you guys are just like.

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00:17:25,200 --> 00:17:27,119
Speaker 4: Like Conan Island because it was Conan.

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00:17:27,359 --> 00:17:31,199
Speaker 5: Well yeah, so you like you get to said Conan Island,

340
00:17:31,240 --> 00:17:35,679
Speaker 5: Coney Island, freak show, and then you just start doing

341
00:17:35,720 --> 00:17:37,240
Speaker 5: like piercings, like like.

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00:17:38,600 --> 00:17:42,040
Speaker 2: Piercing ourselves doing piercings on the show.

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Speaker 4: Friday. Okay, yeah, okay.

344
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Speaker 3: And so not even like piercing our ears like freak

345
00:17:51,000 --> 00:17:56,520
Speaker 3: show type piercings, which is like, what, like what's an example.

346
00:17:56,080 --> 00:17:59,840
Speaker 5: Of you you you're you're you're ding dong?

347
00:18:01,200 --> 00:18:05,600
Speaker 2: Oh no, we pierce are ding dongs.

348
00:18:06,119 --> 00:18:09,200
Speaker 1: The peers are ding dongs on the show. That's part

349
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Speaker 1: of the show.

350
00:18:10,040 --> 00:18:12,000
Speaker 3: And first of all, I don't really is that a

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00:18:12,040 --> 00:18:14,720
Speaker 3: freak show the carnival freak show thing you go in

352
00:18:14,760 --> 00:18:18,679
Speaker 3: and you see someone with a pierced ding dong. I

353
00:18:18,720 --> 00:18:21,800
Speaker 3: don't think that's part of like a normal freak show.

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00:18:21,800 --> 00:18:25,439
Speaker 1: I thought An Island like some of the most pierced

355
00:18:25,520 --> 00:18:26,680
Speaker 1: ding dongs you've ever.

356
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Speaker 5: When I'm Tony Island, I've seen a few pierced ding dongs.

357
00:18:31,600 --> 00:18:33,880
Speaker 4: I've been there, and I haven't.

358
00:18:34,240 --> 00:18:36,439
Speaker 3: Is this at like the boardwalk or this is like

359
00:18:36,760 --> 00:18:39,360
Speaker 3: residential parts of Nathans.

360
00:18:38,920 --> 00:18:42,040
Speaker 5: Men Men's room men's room, Yeah, the men's room with

361
00:18:42,080 --> 00:18:46,199
Speaker 5: the Nathan's. Okay, you know what I order when I

362
00:18:46,200 --> 00:18:51,760
Speaker 5: go to Nathan's. It's it's kind of surprising. Uh the noodles.

363
00:18:52,840 --> 00:18:54,600
Speaker 4: You get noodles.

364
00:18:56,080 --> 00:18:58,640
Speaker 5: I just go and I just go, uh, hey, noodles,

365
00:18:58,640 --> 00:19:03,480
Speaker 5: some buttered noodles, and they whip that up, maybe a

366
00:19:03,480 --> 00:19:05,120
Speaker 5: couple of dry meatballs on top.

367
00:19:05,960 --> 00:19:07,960
Speaker 3: They and they have meatballs.

368
00:19:09,240 --> 00:19:12,119
Speaker 5: Yeah. Secret, it's the secret.

369
00:19:12,480 --> 00:19:14,520
Speaker 4: I order off menu and Nathan's as well.

370
00:19:16,920 --> 00:19:19,919
Speaker 2: So you're spaghetti with no tomato sauce.

371
00:19:20,600 --> 00:19:23,000
Speaker 5: Yes, and I'll put a butter on it.

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00:19:23,400 --> 00:19:24,520
Speaker 2: What do you get, Sean?

373
00:19:25,320 --> 00:19:26,280
Speaker 4: What? Yeah?

374
00:19:26,359 --> 00:19:27,240
Speaker 3: At Nathan's.

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00:19:27,720 --> 00:19:32,440
Speaker 1: Yeah, Well, I say give me first, I go, give

376
00:19:32,480 --> 00:19:33,920
Speaker 1: me two buns.

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00:19:35,720 --> 00:19:36,400
Speaker 4: Straight up.

378
00:19:37,560 --> 00:19:41,000
Speaker 1: And then I say, and I'm gonna chase that with

379
00:19:41,160 --> 00:19:48,119
Speaker 1: the coldest dakery you've ever seen. So what I what

380
00:19:48,200 --> 00:19:52,720
Speaker 1: I'll do is I'll slam the buns down so basically

381
00:19:52,760 --> 00:19:55,800
Speaker 1: so that I'm choking on them, and then I need

382
00:19:55,840 --> 00:19:57,760
Speaker 1: the dakery to force them the rest of the way

383
00:19:57,800 --> 00:20:00,800
Speaker 1: down my esophagus. And it is a little bit of

384
00:20:00,840 --> 00:20:04,639
Speaker 1: a freak show for people to enjoy, and it really

385
00:20:04,760 --> 00:20:06,760
Speaker 1: gets me in the spirit of Coney Island.

386
00:20:08,600 --> 00:20:10,840
Speaker 5: I actually will be a part of the Nathan's Hot

387
00:20:10,880 --> 00:20:14,960
Speaker 5: Dog Bun Eating Contest, which is happening this uh this

388
00:20:15,040 --> 00:20:19,199
Speaker 5: fourth of July in the Nathan's Men's Room, Uh, not

389
00:20:19,320 --> 00:20:23,159
Speaker 5: the main stage. That's where Joey Chestnut and company do

390
00:20:23,280 --> 00:20:24,360
Speaker 5: their business.

391
00:20:24,200 --> 00:20:26,800
Speaker 3: At the same time, cybultaneously.

392
00:20:27,119 --> 00:20:27,399
Speaker 5: Yeah.

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00:20:27,520 --> 00:20:31,440
Speaker 3: Yeah wow. And that's honestly a pretty big opportunity because

394
00:20:31,440 --> 00:20:35,840
Speaker 3: you know, Joey chestnut Is is gonna be there pretty soon. Yeah,

395
00:20:35,920 --> 00:20:36,600
Speaker 3: and so like.

396
00:20:37,520 --> 00:20:39,679
Speaker 5: He comes running in. That's why we got a hurry.

397
00:20:40,520 --> 00:20:44,400
Speaker 5: He comes running in. It's the contest, So you don't

398
00:20:44,400 --> 00:20:45,680
Speaker 5: have to hurry quickly.

399
00:20:45,960 --> 00:20:47,200
Speaker 2: There's no speed.

400
00:20:46,880 --> 00:20:49,600
Speaker 3: Element to the competition. You just have to hurry because

401
00:20:49,680 --> 00:20:53,120
Speaker 3: Joey chestnut is is about to need the space.

402
00:20:53,560 --> 00:20:56,680
Speaker 5: Yes, he's and you just when you hear just like

403
00:20:56,800 --> 00:20:59,800
Speaker 5: Chestnut coming through, Chestnut coming through get other way. You

404
00:20:59,880 --> 00:21:02,400
Speaker 5: just no, it's like we better wrap this hot dog

405
00:21:02,440 --> 00:21:03,800
Speaker 5: bunny and contest up.

406
00:21:04,440 --> 00:21:05,400
Speaker 3: Are you dipping them?

407
00:21:06,320 --> 00:21:06,600
Speaker 5: Yeah?

408
00:21:07,680 --> 00:21:08,760
Speaker 3: You dip them in green tea?

409
00:21:08,920 --> 00:21:09,440
Speaker 2: Is that right?

410
00:21:10,080 --> 00:21:10,280
Speaker 3: Yeah?

411
00:21:10,359 --> 00:21:16,360
Speaker 5: Green tea, Macha tea. Yeah, yeah, yeah, just it's it's

412
00:21:16,440 --> 00:21:19,040
Speaker 5: it's it's like a it's like a lubricant.

413
00:21:19,840 --> 00:21:20,199
Speaker 2: Wow.

414
00:21:20,800 --> 00:21:25,320
Speaker 1: The tannin's actually loosen up the bun consistency and it's

415
00:21:25,400 --> 00:21:29,520
Speaker 1: it's really ingenious. But yeah, I've seen you dip those

416
00:21:29,520 --> 00:21:32,199
Speaker 1: buns in green tea. I washed my buns down with

417
00:21:32,240 --> 00:21:34,320
Speaker 1: a cold daker. Then I'll usually get a chicken cord

418
00:21:34,320 --> 00:21:35,000
Speaker 1: on blue.

419
00:21:35,560 --> 00:21:35,760
Speaker 3: You know.

420
00:21:37,119 --> 00:21:42,880
Speaker 1: For me, Nathan's is you know, it's like jazz. It's

421
00:21:42,920 --> 00:21:46,480
Speaker 1: about what they don't offer. Chicken cord on blue.

422
00:21:46,880 --> 00:21:50,800
Speaker 3: Yeah, not chicken cord on blue.

423
00:21:50,800 --> 00:21:54,080
Speaker 2: It's not a vampire okay, yeah blue.

424
00:21:54,920 --> 00:21:56,200
Speaker 4: Yeah, chicken cord on blue.

425
00:21:57,400 --> 00:21:58,600
Speaker 5: Chicken cord on blue.

426
00:22:00,080 --> 00:22:00,520
Speaker 2: I'll tell you.

427
00:22:00,560 --> 00:22:04,080
Speaker 1: Okay, you get there on the weekend, they got their

428
00:22:04,119 --> 00:22:06,160
Speaker 1: b team in there, and it could be a little

429
00:22:06,280 --> 00:22:09,239
Speaker 1: chicken cord on blay m hm.

430
00:22:09,720 --> 00:22:12,720
Speaker 3: The weekend. It's worse on the weekend. Yeah, it's better

431
00:22:12,800 --> 00:22:13,760
Speaker 3: on a weekday.

432
00:22:14,160 --> 00:22:15,399
Speaker 4: The best Nathan's.

433
00:22:15,480 --> 00:22:17,800
Speaker 1: The best Nathan's food is gonna be when they have

434
00:22:17,840 --> 00:22:20,760
Speaker 1: their all star chef who gets to pick his shifts. Okay,

435
00:22:20,960 --> 00:22:24,199
Speaker 1: you're gonna want to go in there. Probably on a

436
00:22:24,280 --> 00:22:28,679
Speaker 1: Tuesday morning around eight am. That's when you get the

437
00:22:28,800 --> 00:22:30,080
Speaker 1: chicken cord on blue.

438
00:22:30,720 --> 00:22:38,960
Speaker 3: Oh okay, Kevin, what's another.

439
00:22:36,880 --> 00:22:40,360
Speaker 6: Guest, Yeah, Haley Joel Osmond, our new business partner.

440
00:22:40,600 --> 00:22:46,240
Speaker 3: Wow, he did the show. That's right, that's awesome, that's cool.

441
00:22:46,359 --> 00:22:50,720
Speaker 3: That was great for us. I remember we talked about wine.

442
00:22:50,800 --> 00:22:54,320
Speaker 3: It was something with Kevin helped me. It was something

443
00:22:54,400 --> 00:22:55,000
Speaker 3: related to.

444
00:22:55,040 --> 00:22:59,280
Speaker 1: Like Olive Oil company or Keven help me, Kevin help me.

445
00:23:00,040 --> 00:23:04,440
Speaker 3: Haley Joel Olive, Haley Joel olives. Yes, we're making Haley

446
00:23:04,520 --> 00:23:06,560
Speaker 3: Joel olives. And it was something with like he was

447
00:23:06,600 --> 00:23:07,440
Speaker 3: making olive oil.

448
00:23:08,080 --> 00:23:09,720
Speaker 2: I don't know why. I think it was about wine,

449
00:23:11,200 --> 00:23:11,680
Speaker 2: but both.

450
00:23:11,960 --> 00:23:14,919
Speaker 3: I remember scoring a huge number of times in that episode.

451
00:23:15,560 --> 00:23:16,360
Speaker 2: I remember just.

452
00:23:16,320 --> 00:23:21,280
Speaker 3: Putting uh many many points on the board. It is

453
00:23:21,720 --> 00:23:23,960
Speaker 3: a little hard for me to believe.

454
00:23:24,119 --> 00:23:26,879
Speaker 5: Oh, you scored, you scored, but it was just it

455
00:23:26,960 --> 00:23:30,840
Speaker 5: was just, uh, you were like Pete Maravich, You're putting

456
00:23:30,920 --> 00:23:32,960
Speaker 5: up sixty and you lost by thirty.

457
00:23:33,600 --> 00:23:34,800
Speaker 2: Okay, I accept that.

458
00:23:34,960 --> 00:23:38,640
Speaker 1: I like, I remember I may not have been as

459
00:23:38,680 --> 00:23:41,840
Speaker 1: funny because we don't know Haley Joel all that well.

460
00:23:41,960 --> 00:23:44,280
Speaker 1: And I spent a lot of time making him really

461
00:23:44,359 --> 00:23:48,359
Speaker 1: comfortable doing the show, HM, which is part of being

462
00:23:48,400 --> 00:23:51,760
Speaker 1: a host. And I remember kind of holding his hand

463
00:23:51,760 --> 00:23:54,560
Speaker 1: and making sure that he felt safe and protected and

464
00:23:54,640 --> 00:23:56,119
Speaker 1: like the show was a positive.

465
00:23:55,720 --> 00:23:56,480
Speaker 2: Experience for him.

466
00:23:56,520 --> 00:23:58,199
Speaker 1: And I remember scoring a ton of points and being

467
00:23:58,240 --> 00:24:00,800
Speaker 1: funny is all fucking get out and.

468
00:24:00,680 --> 00:24:04,600
Speaker 3: That's the Shane Battier role. Sure, yes, I I you know,

469
00:24:04,640 --> 00:24:10,560
Speaker 3: I'll put up uh fifty to seventy empty points and

470
00:24:10,640 --> 00:24:12,680
Speaker 3: SHAWNA Shane Batty. He didn't need to touch the ball

471
00:24:15,600 --> 00:24:18,199
Speaker 3: court on what's happening. Yeah, it doesn't even need to

472
00:24:18,200 --> 00:24:21,919
Speaker 3: be on the court. But it's like running around on

473
00:24:22,000 --> 00:24:25,680
Speaker 3: the sidelines in a way that's like making everyone on

474
00:24:25,840 --> 00:24:31,160
Speaker 3: his team very comfortable and also putting up and really

475
00:24:31,320 --> 00:24:32,600
Speaker 3: high podcast IQ.

476
00:24:33,359 --> 00:24:36,320
Speaker 5: Yeah, oh no, I see that. I see the game

477
00:24:36,840 --> 00:24:39,320
Speaker 5: within the game, but with the helly Joel Osmond one,

478
00:24:40,359 --> 00:24:43,080
Speaker 5: you missed a key opportunity. You should have been like,

479
00:24:43,160 --> 00:24:47,760
Speaker 5: I see dead people beating their meat, right, and just

480
00:24:47,800 --> 00:24:49,639
Speaker 5: on the whole thing about how you see dead people

481
00:24:49,920 --> 00:24:50,560
Speaker 5: but they're like.

482
00:24:52,200 --> 00:24:54,040
Speaker 4: The dead people are beating their meat.

483
00:24:54,119 --> 00:24:56,840
Speaker 3: How are we setting that up in your mind? Like

484
00:24:57,200 --> 00:24:59,679
Speaker 3: or is that like I'm just trying to figure out, like,

485
00:25:01,320 --> 00:25:03,600
Speaker 3: is there is there a path to that?

486
00:25:03,840 --> 00:25:07,760
Speaker 5: Like sure, Kevin, Kevin, pretend you're Haley Joel Osment with

487
00:25:07,880 --> 00:25:08,440
Speaker 5: the guys.

488
00:25:08,600 --> 00:25:11,679
Speaker 1: Hey guys, Hey, what's up, Haley Joel, thank you so

489
00:25:11,760 --> 00:25:12,560
Speaker 1: much for joining.

490
00:25:12,840 --> 00:25:15,680
Speaker 5: Uh hey it's me Hayes. I see dead people beat

491
00:25:15,720 --> 00:25:18,640
Speaker 5: their meat.

492
00:25:17,840 --> 00:25:22,600
Speaker 1: Right, Wow, like that this is interesting because I and

493
00:25:22,680 --> 00:25:23,359
Speaker 1: he's loving it.

494
00:25:23,680 --> 00:25:25,840
Speaker 3: He said wow when he heard that.

495
00:25:25,920 --> 00:25:30,199
Speaker 1: Yeah, okay, all right, I I actually do remember that.

496
00:25:30,359 --> 00:25:34,879
Speaker 1: I believe the maintenance bill that I got from this

497
00:25:35,000 --> 00:25:39,960
Speaker 1: episode had like a little note beneath it that said

498
00:25:40,000 --> 00:25:44,720
Speaker 1: something about the seventh sense is beating your meat or.

499
00:25:44,760 --> 00:25:48,920
Speaker 5: It was that was me I was trying to and.

500
00:25:48,840 --> 00:25:51,159
Speaker 1: I thought that was odd to put on a on

501
00:25:51,280 --> 00:25:53,000
Speaker 1: a maintenance and voice.

502
00:25:53,080 --> 00:25:54,640
Speaker 4: But I also, you.

503
00:25:54,600 --> 00:25:57,840
Speaker 1: Know, I didn't really have any way to interact, like

504
00:25:57,880 --> 00:26:01,159
Speaker 1: I went, you know, if iply, I just get like

505
00:26:01,200 --> 00:26:04,160
Speaker 1: a you know, do not reply to this email kind

506
00:26:04,160 --> 00:26:05,160
Speaker 1: of yeah, yeah.

507
00:26:05,000 --> 00:26:06,639
Speaker 5: No, but I was trying to get the message in

508
00:26:06,680 --> 00:26:08,120
Speaker 5: there without stepping on toes.

509
00:26:10,800 --> 00:26:15,199
Speaker 3: Yeah. I mean I remember like not talking about the

510
00:26:15,240 --> 00:26:19,159
Speaker 3: movie at all. Yeah, making a conscious choice to be like, okay,

511
00:26:19,200 --> 00:26:21,960
Speaker 3: well he's probably like probably done talking about he loves

512
00:26:22,040 --> 00:26:25,840
Speaker 3: talking about it. Okay, he's great in it, he's great

513
00:26:25,840 --> 00:26:26,399
Speaker 3: in the movie.

514
00:26:26,800 --> 00:26:31,359
Speaker 5: He's not. But if you talk he was, he knows

515
00:26:31,400 --> 00:26:33,639
Speaker 5: he kind of sucks in the movie. He kind of

516
00:26:33,680 --> 00:26:37,119
Speaker 5: he knows he kind of sucked in the movie. You

517
00:26:37,119 --> 00:26:38,720
Speaker 5: should have talked to him also about it. You should

518
00:26:38,720 --> 00:26:41,760
Speaker 5: have leaned into the the Kevin Spacey pay It Forward

519
00:26:41,920 --> 00:26:43,399
Speaker 5: stuff too, just right.

520
00:26:43,600 --> 00:26:45,240
Speaker 2: Just really gotten into that way.

521
00:26:45,240 --> 00:26:48,120
Speaker 1: And I remembering now it said p it forward underneath

522
00:26:48,160 --> 00:26:53,840
Speaker 1: the seventh sense thing and and I really didn't even

523
00:26:53,840 --> 00:26:56,040
Speaker 1: think about that at all. I just assumed it was

524
00:26:56,080 --> 00:26:59,040
Speaker 1: a typo. But now, yeah, p it forward, This.

525
00:26:59,800 --> 00:27:02,080
Speaker 5: Is how that should have gone, Kevin. You be Haley

526
00:27:02,160 --> 00:27:04,560
Speaker 5: Joel Osmond, and I'll be I'll be Sewan this time.

527
00:27:06,560 --> 00:27:08,919
Speaker 6: Hey, thanks for having me.

528
00:27:09,000 --> 00:27:11,960
Speaker 2: Hey, Haley Joel, thank you so much for doing.

529
00:27:11,760 --> 00:27:14,960
Speaker 5: Hey, so, Kevin space that guy is a sick fuck.

530
00:27:14,840 --> 00:27:19,600
Speaker 3: Right, yeah what hey say?

531
00:27:19,640 --> 00:27:20,200
Speaker 2: What about it?

532
00:27:20,280 --> 00:27:27,440
Speaker 5: Sehn sick? He's sick in the head. Why didn't you

533
00:27:27,520 --> 00:27:27,960
Speaker 5: kill him?

534
00:27:28,960 --> 00:27:29,480
Speaker 6: Wow?

535
00:27:30,520 --> 00:27:38,640
Speaker 5: You were so close you could evacuated him?

536
00:27:39,040 --> 00:27:41,840
Speaker 3: So your suggested it forward? It's not even in that

537
00:27:41,840 --> 00:27:45,160
Speaker 3: that's that didn't even come up years suggesting that Haley

538
00:27:45,200 --> 00:27:49,159
Speaker 3: Joel Osmond should have set off a bomb on on

539
00:27:49,240 --> 00:27:52,320
Speaker 3: the set of Paying Forward to kill Kevin Spacey.

540
00:27:52,760 --> 00:27:56,920
Speaker 5: Yeah.

541
00:27:56,960 --> 00:27:58,920
Speaker 2: Wow. And this.

542
00:28:00,480 --> 00:28:03,480
Speaker 3: I guess this is after I've said I see dead

543
00:28:03,520 --> 00:28:04,640
Speaker 3: people beating their.

544
00:28:04,520 --> 00:28:09,240
Speaker 5: Meat, which would have gotten them to lose, and.

545
00:28:10,160 --> 00:28:14,359
Speaker 3: We're into his over and I guess confess why he

546
00:28:14,480 --> 00:28:15,960
Speaker 3: didn't How do.

547
00:28:15,920 --> 00:28:22,040
Speaker 1: You say this word uh uber uber. We're already into

548
00:28:22,040 --> 00:28:23,040
Speaker 1: his uber at that point.

549
00:28:23,560 --> 00:28:26,720
Speaker 5: Yeah, you couldn't start with the pay It Forward stuff.

550
00:28:26,760 --> 00:28:29,600
Speaker 5: That would have been too much to you warm them

551
00:28:29,680 --> 00:28:32,080
Speaker 5: up with a couple of laughs and the beat your

552
00:28:32,119 --> 00:28:32,760
Speaker 5: meat thing.

553
00:28:33,320 --> 00:28:35,439
Speaker 3: And we're trying to get him to confess why he

554
00:28:35,520 --> 00:28:40,240
Speaker 3: didn't blow up Kevin Spacey on.

555
00:28:39,040 --> 00:28:41,800
Speaker 1: The set of Pay It Forward, which could have really

556
00:28:41,880 --> 00:28:43,320
Speaker 1: hurt some other people too.

557
00:28:44,120 --> 00:28:49,840
Speaker 2: Yeah, maybe that was there was there.

558
00:28:50,640 --> 00:28:55,520
Speaker 3: Wow, these are like, I honestly like, yeah, we didn't

559
00:28:55,560 --> 00:28:56,200
Speaker 3: do this stuff.

560
00:28:56,480 --> 00:28:58,600
Speaker 5: You know, these are look at you guys have been.

561
00:28:58,800 --> 00:29:03,040
Speaker 1: I guess Bogus like us. That is that Gerard dep Bardue.

562
00:29:04,200 --> 00:29:06,280
Speaker 1: He turned out to be kind of a bad guy too, huh.

563
00:29:06,320 --> 00:29:09,640
Speaker 3: He like he avoided his taxes or something. I guess

564
00:29:09,760 --> 00:29:12,080
Speaker 3: do you think that Hailey jo Osman should have killed him?

565
00:29:12,120 --> 00:29:14,840
Speaker 4: Should he have blown him up on the set of Bogus?

566
00:29:16,240 --> 00:29:23,440
Speaker 5: He probably should have just taken him in just general principles,

567
00:29:23,520 --> 00:29:25,480
Speaker 5: just arrest him and let him sort it out down

568
00:29:25,520 --> 00:29:26,040
Speaker 5: at the station.

569
00:29:26,400 --> 00:29:28,680
Speaker 1: To this day, I see Dick Cheney out in the streets.

570
00:29:28,680 --> 00:29:32,560
Speaker 1: Say he's eating at a diner. Citizens arrest. Yeah, I

571
00:29:32,600 --> 00:29:33,800
Speaker 1: see Dick Cheney at the diner.

572
00:29:33,880 --> 00:29:39,000
Speaker 4: Citizens arrest for shooting his red space. That's it, cuffs.

573
00:29:40,240 --> 00:29:41,880
Speaker 5: What's another one, Kevin.

574
00:29:42,440 --> 00:29:46,440
Speaker 6: Tim Heideker our Tim x M friend m hmm.

575
00:29:46,480 --> 00:29:48,840
Speaker 3: Okay, so that was the second time Tim had done

576
00:29:48,840 --> 00:29:54,200
Speaker 3: the show. God, I remember that one being awesome. First

577
00:29:54,440 --> 00:29:59,080
Speaker 3: fun little shaky funny, a little scary. Second time, I

578
00:29:59,160 --> 00:30:02,280
Speaker 3: remember it just wicked, felt way better.

579
00:30:02,680 --> 00:30:04,200
Speaker 5: Yeah, I was fully.

580
00:30:03,880 --> 00:30:04,560
Speaker 2: In my bag.

581
00:30:04,720 --> 00:30:09,320
Speaker 1: I scored over and over in the comedy Bang Bang

582
00:30:09,440 --> 00:30:11,840
Speaker 1: sense that that fan base says that about things they

583
00:30:11,960 --> 00:30:12,560
Speaker 1: like or whatever.

584
00:30:12,680 --> 00:30:15,400
Speaker 3: Yeah, yeah, that's like you you you so you like

585
00:30:15,480 --> 00:30:16,400
Speaker 3: that Joan You're.

586
00:30:17,440 --> 00:30:20,920
Speaker 5: Now you should have with that you you really left

587
00:30:21,600 --> 00:30:24,840
Speaker 5: some big swings on it, like yeah, you were you were,

588
00:30:24,880 --> 00:30:27,280
Speaker 5: you were hitting singles. You could have, but where was

589
00:30:27,320 --> 00:30:28,240
Speaker 5: the Grand Slam?

590
00:30:29,480 --> 00:30:29,960
Speaker 2: Okay?

591
00:30:30,920 --> 00:30:33,000
Speaker 4: What would the Grand Slam have been? With Tim?

592
00:30:33,360 --> 00:30:33,880
Speaker 2: Oh? With Tim?

593
00:30:33,920 --> 00:30:36,320
Speaker 5: You got you guys should have created a character named

594
00:30:36,360 --> 00:30:41,560
Speaker 5: Tim middle initial N Eric right, and they say, just

595
00:30:41,640 --> 00:30:46,720
Speaker 5: like here comes Tim and and Eric and then just

596
00:30:48,320 --> 00:30:49,640
Speaker 5: then you do that character.

597
00:30:50,360 --> 00:30:53,240
Speaker 1: Okay, So we've been doing some play acting. So Kevin,

598
00:30:53,280 --> 00:30:55,560
Speaker 1: why don't you beat Tim and then maybe Tom can

599
00:30:55,600 --> 00:30:56,760
Speaker 1: show me what this would say?

600
00:30:56,760 --> 00:31:00,200
Speaker 3: What Tim and Eric sounds like. We've so we've ever

601
00:31:01,720 --> 00:31:04,520
Speaker 3: done characters in this way on the show.

602
00:31:04,760 --> 00:31:09,600
Speaker 2: Really. Yeah, I know, but that's okay.

603
00:31:09,600 --> 00:31:12,000
Speaker 4: It sounds like you're frustrated that that's an issue.

604
00:31:12,400 --> 00:31:14,840
Speaker 5: Be a little I am. Okay, Okay, I'm trying to

605
00:31:14,880 --> 00:31:17,880
Speaker 5: be positive, but I have to say you're not. There's

606
00:31:17,920 --> 00:31:20,800
Speaker 5: a fair amount of running right below the surface with

607
00:31:20,880 --> 00:31:21,200
Speaker 5: the things.

608
00:31:21,520 --> 00:31:23,560
Speaker 2: You're just upset. Okay, got it?

609
00:31:24,040 --> 00:31:29,320
Speaker 5: Yes, because I know you guys could be great.

610
00:31:29,640 --> 00:31:30,720
Speaker 4: We've got the potential.

611
00:31:31,320 --> 00:31:31,880
Speaker 5: I see it.

612
00:31:31,880 --> 00:31:34,600
Speaker 4: We got to create Tim and Eric.

613
00:31:35,040 --> 00:31:38,400
Speaker 1: Yeah, the character who talks to Tim Heineger at somehow

614
00:31:38,520 --> 00:31:43,320
Speaker 1: makes the episode better. Yes, okay, Kevin, you be Tim Heideger.

615
00:31:44,240 --> 00:31:45,720
Speaker 6: Hey, guys, thanks for having me.

616
00:31:46,240 --> 00:31:47,320
Speaker 4: Thanks so much for doing the show.

617
00:31:48,480 --> 00:31:52,520
Speaker 5: It's me Tim and Eric. What's your credit card number?

618
00:31:54,160 --> 00:31:54,760
Speaker 6: Excuse me?

619
00:31:55,720 --> 00:31:57,640
Speaker 5: Give me the old not just the number, the three

620
00:31:57,680 --> 00:31:59,000
Speaker 5: digits too. I need that.

621
00:31:59,040 --> 00:32:01,840
Speaker 3: Too, Okay.

622
00:32:02,360 --> 00:32:03,600
Speaker 6: And the expiration date.

623
00:32:04,680 --> 00:32:09,080
Speaker 2: Yeah, he's giving Tim and his credit card number.

624
00:32:11,120 --> 00:32:13,000
Speaker 5: For microwave.

625
00:32:14,400 --> 00:32:20,040
Speaker 2: Okay, four three one. The beg gig of his credit

626
00:32:20,120 --> 00:32:21,600
Speaker 2: card is only three numbers.

627
00:32:21,680 --> 00:32:24,000
Speaker 5: Yeah, it's a weird way to read a credit card.

628
00:32:24,000 --> 00:32:26,760
Speaker 3: Also, just read the four numbers.

629
00:32:27,000 --> 00:32:28,320
Speaker 4: Yeah, that's how they're broken up.

630
00:32:28,360 --> 00:32:29,000
Speaker 6: I only read.

631
00:32:30,600 --> 00:32:33,200
Speaker 1: Although Tim does a lot of this sort of out

632
00:32:33,240 --> 00:32:36,520
Speaker 1: there weirdo comedy, and he might read a credit card

633
00:32:36,640 --> 00:32:38,840
Speaker 1: number at a different but it would feel funny when he

634
00:32:38,920 --> 00:32:39,280
Speaker 1: did it.

635
00:32:39,680 --> 00:32:43,560
Speaker 3: I feel a little concerned about the way the character

636
00:32:43,600 --> 00:32:46,520
Speaker 3: was introduced. You just said, Hey, this is Tim and Eric,

637
00:32:46,600 --> 00:32:48,880
Speaker 3: and I don't think you would understand the middle initial

638
00:32:48,960 --> 00:32:53,200
Speaker 3: concept from how from how that actually played out on

639
00:32:53,280 --> 00:32:53,640
Speaker 3: the show.

640
00:32:53,760 --> 00:32:57,120
Speaker 5: Now that one might be on me then yeah, you're right, Hey,

641
00:32:57,160 --> 00:32:58,479
Speaker 5: we're none of us are perfect.

642
00:32:58,560 --> 00:33:03,080
Speaker 3: Huh You so you think that's you agree, that's a

643
00:33:03,080 --> 00:33:06,280
Speaker 3: big issue that none of us are perfect.

644
00:33:06,680 --> 00:33:08,760
Speaker 2: No, that just like the middle initial thing. Really, the

645
00:33:08,840 --> 00:33:09,240
Speaker 2: way the.

646
00:33:09,240 --> 00:33:12,080
Speaker 1: Character comes in, we would somehow need it would be

647
00:33:12,080 --> 00:33:16,760
Speaker 1: better in writing perhaps than on an audio show.

648
00:33:17,080 --> 00:33:21,440
Speaker 3: And it's not connected to anything related to his show

649
00:33:21,480 --> 00:33:23,520
Speaker 3: to Tim and Air, which, like I imagine, is also

650
00:33:23,600 --> 00:33:25,680
Speaker 3: something for him. He's doing so much stuff now, I

651
00:33:25,720 --> 00:33:27,760
Speaker 3: don't know if that's something that he really wants to.

652
00:33:29,040 --> 00:33:32,280
Speaker 1: And something you seem to find that I was suspicious

653
00:33:32,320 --> 00:33:33,160
Speaker 1: about is that.

654
00:33:33,080 --> 00:33:36,880
Speaker 4: It beyond the name. It really gave you absolutely nowhere

655
00:33:36,920 --> 00:33:37,240
Speaker 4: to go.

656
00:33:37,880 --> 00:33:39,960
Speaker 5: Look. Maybe it's a hat. It might be a hat

657
00:33:40,000 --> 00:33:41,440
Speaker 5: on a hat. Okay, that's fair.

658
00:33:42,360 --> 00:33:45,960
Speaker 3: I don't think that's what that hat on a hat.

659
00:33:49,440 --> 00:33:52,320
Speaker 1: No, I appreciate you backing off it, but I would

660
00:33:52,360 --> 00:33:54,200
Speaker 1: like to be on the same page about why.

661
00:33:55,120 --> 00:33:58,040
Speaker 5: And look, we can all agree it's a hat on

662
00:33:58,080 --> 00:33:58,400
Speaker 5: a hat.

663
00:33:58,480 --> 00:34:05,840
Speaker 1: It's I overthought it, Yeah, overthought it doesn't I don't know.

664
00:34:06,120 --> 00:34:08,520
Speaker 2: I think it's just the brim of one hat.

665
00:34:08,680 --> 00:34:11,120
Speaker 4: Yeah, it seems like it's not a full hat at all.

666
00:34:13,680 --> 00:34:17,239
Speaker 5: Okay, whatever to look, we'll hang on. Well, we'll put

667
00:34:17,239 --> 00:34:17,799
Speaker 5: a pin in it.

668
00:34:17,840 --> 00:34:26,239
Speaker 1: Then at best it's a hat on a head, which

669
00:34:26,480 --> 00:34:35,839
Speaker 1: by which I mean not something to be remarked upon normally.

670
00:34:36,920 --> 00:34:40,000
Speaker 3: Okay, Kevin, I, I mean, we've done so many episodes.

671
00:34:40,120 --> 00:34:42,439
Speaker 3: I guess we're gonna do all of them. I mean,

672
00:34:42,719 --> 00:34:44,879
Speaker 3: but like, what, like, what's another one?

673
00:34:45,680 --> 00:34:48,680
Speaker 6: Iowa, Deborairee, our interesting topics, friend.

674
00:34:49,080 --> 00:34:53,239
Speaker 3: Awesome episode killers. We talked about so many interesting topics.

675
00:34:53,719 --> 00:34:56,719
Speaker 3: Episode was smart and also, of course, insanely funny. I

676
00:34:56,760 --> 00:35:03,360
Speaker 3: scored uh, Scott. I remember, like almost everything I said

677
00:35:03,640 --> 00:35:04,960
Speaker 3: just was hit, which was.

678
00:35:04,920 --> 00:35:07,200
Speaker 4: Incredible because I was the MVP of the episode.

679
00:35:07,360 --> 00:35:10,399
Speaker 1: Yeah, and we had we had an amazing guest, and

680
00:35:10,480 --> 00:35:15,520
Speaker 1: yet I was the one uh in the clutch sinking

681
00:35:15,520 --> 00:35:20,280
Speaker 1: shot after shot. I was unconscious the entire time shooting

682
00:35:20,320 --> 00:35:23,319
Speaker 1: the lights out, and I was so funny, and you

683
00:35:23,400 --> 00:35:27,160
Speaker 1: were scoring like like a madman, like a like a

684
00:35:27,280 --> 00:35:28,239
Speaker 1: man possessed.

685
00:35:28,280 --> 00:35:29,239
Speaker 3: It was demonic.

686
00:35:30,440 --> 00:35:30,560
Speaker 2: Uh.

687
00:35:30,719 --> 00:35:32,360
Speaker 3: But you think we missed something, Tom?

688
00:35:32,800 --> 00:35:35,240
Speaker 5: Yeah, I think you missed a lot of small moments.

689
00:35:34,800 --> 00:35:37,879
Speaker 2: In that one, Like small moments like.

690
00:35:37,800 --> 00:35:41,160
Speaker 5: The reactions need to be more like there needs to

691
00:35:41,200 --> 00:35:48,160
Speaker 5: be more like classic comedy reactions, sort of like like

692
00:35:48,160 --> 00:35:54,400
Speaker 5: like we're horny, just like an a Costello, like.

693
00:35:54,000 --> 00:35:57,320
Speaker 4: Like where he I'm encountering Frankenstein.

694
00:35:56,719 --> 00:35:59,680
Speaker 2: Or Costello see something but Abbott doesn't.

695
00:36:00,960 --> 00:36:03,360
Speaker 1: Yes, and I can't quite get out the words to

696
00:36:03,480 --> 00:36:08,360
Speaker 1: tell my buddy Abbit or in that case that the

697
00:36:08,400 --> 00:36:12,400
Speaker 1: wolf made behind him. Yeah, do you want to change?

698
00:36:12,600 --> 00:36:12,960
Speaker 2: Sorry?

699
00:36:13,000 --> 00:36:15,600
Speaker 3: Tom, just your name being maintenance the whole time is

700
00:36:15,680 --> 00:36:17,520
Speaker 3: like very do you want to just like change it?

701
00:36:17,880 --> 00:36:19,640
Speaker 3: I mean, I don't know if you need to keep that.

702
00:36:19,800 --> 00:36:23,239
Speaker 3: I ideally you would not still be doing this in

703
00:36:23,360 --> 00:36:26,200
Speaker 3: future episodes, so like maybe I don't know, maybe you

704
00:36:26,200 --> 00:36:29,520
Speaker 3: can change that to something else. So I so Sean,

705
00:36:29,719 --> 00:36:33,959
Speaker 3: like I'm doing the show and Sean is seeing something.

706
00:36:33,800 --> 00:36:39,799
Speaker 5: Scary, yeah, or or a were wolf. If we can't

707
00:36:39,800 --> 00:36:44,960
Speaker 5: get clearance, if we can't get the rights of universal monsters.

708
00:36:44,760 --> 00:36:50,839
Speaker 3: To the actual wolf man, the the were woman. Yeah, yeah,

709
00:36:51,800 --> 00:36:53,839
Speaker 3: it's the werewolf lope.

710
00:36:54,120 --> 00:36:55,080
Speaker 2: Yeah.

711
00:36:55,160 --> 00:36:56,640
Speaker 5: And it should have been just kind of like a

712
00:36:59,560 --> 00:37:01,000
Speaker 5: like like that, like.

713
00:37:01,600 --> 00:37:03,680
Speaker 3: Well, let's let's play it out, let's do it again.

714
00:37:03,719 --> 00:37:09,480
Speaker 3: And so Sean, yeah, so Kevin u b I oh please, Okay.

715
00:37:10,840 --> 00:37:12,400
Speaker 6: Hey guys, thanks for having me back.

716
00:37:13,280 --> 00:37:17,080
Speaker 3: I oh uh, we're so excited to have you. You kick ass.

717
00:37:17,320 --> 00:37:21,160
Speaker 3: Let's get ready to have a really fun episode. Tom,

718
00:37:21,200 --> 00:37:23,920
Speaker 3: I'm trying to do the episode right now. Don't distract me.

719
00:37:24,040 --> 00:37:28,960
Speaker 3: I'm what I'm showing. Oh yeah, that is all right.

720
00:37:30,400 --> 00:37:32,640
Speaker 5: See, this is the kind of thinking that's stopping these.

721
00:37:34,200 --> 00:37:37,480
Speaker 3: I'm just seeing maintenance. Comma, let me see what you

722
00:37:37,600 --> 00:37:38,320
Speaker 3: actually changing.

723
00:37:39,280 --> 00:37:41,440
Speaker 4: Man, I'm a maintenance.

724
00:37:42,640 --> 00:37:44,600
Speaker 2: Gets it. I just I get it. I just couldn't

725
00:37:44,600 --> 00:37:44,960
Speaker 2: see it.

726
00:37:45,000 --> 00:37:47,600
Speaker 5: Now you gotta get it. You got to stop listening

727
00:37:47,640 --> 00:37:51,000
Speaker 5: to this stuff and listen to some contemporary hip hop.

728
00:37:51,280 --> 00:37:55,480
Speaker 4: Okay, I'm just trying.

729
00:37:55,760 --> 00:37:57,080
Speaker 2: Do you want to do it, Sean?

730
00:37:58,080 --> 00:38:00,840
Speaker 1: I was curious if I could do it.

731
00:38:01,000 --> 00:38:02,640
Speaker 5: I want to give you a shot at it. Sean.

732
00:38:02,800 --> 00:38:04,240
Speaker 2: Let's get a chance.

733
00:38:04,520 --> 00:38:05,600
Speaker 3: Do you want to be Hayes then?

734
00:38:05,680 --> 00:38:05,919
Speaker 2: Tom?

735
00:38:06,200 --> 00:38:08,240
Speaker 5: No, No, I'm gonna sit back and judge this one.

736
00:38:08,600 --> 00:38:09,239
Speaker 2: Okay.

737
00:38:10,480 --> 00:38:12,560
Speaker 3: I oh, I'm so excited to do a kick ass

738
00:38:12,560 --> 00:38:15,799
Speaker 3: episode with you. You have absolutely been falling out on

739
00:38:15,920 --> 00:38:18,920
Speaker 3: bikes mouth Sean. I'm trying to do the show right now.

740
00:38:19,880 --> 00:38:25,640
Speaker 3: We have a brilliant what you need some you need

741
00:38:25,719 --> 00:38:26,640
Speaker 3: some water.

742
00:38:28,360 --> 00:38:28,600
Speaker 2: Man?

743
00:38:30,160 --> 00:38:32,799
Speaker 3: Okay, we can't. We can't say the wolf Man. We're

744
00:38:32,840 --> 00:38:38,960
Speaker 3: saying to were Wolf, the fox Man, the fox the

745
00:38:39,000 --> 00:38:42,440
Speaker 3: fox Man. Who who are you talking about? Peter Griffin?

746
00:38:47,200 --> 00:38:55,680
Speaker 3: It's I oh, it's the guy, Peter Griffin. Brian.

747
00:38:58,680 --> 00:39:00,080
Speaker 2: Okay, so this very.

748
00:39:00,400 --> 00:39:05,200
Speaker 3: It was the fox Man, but now it's the Brian Man.

749
00:39:05,880 --> 00:39:11,080
Speaker 3: We can dosh Brian as a man and you're scared

750
00:39:11,120 --> 00:39:11,399
Speaker 3: of that.

751
00:39:12,680 --> 00:39:14,640
Speaker 5: Yeah, that was outstanding.

752
00:39:15,719 --> 00:39:18,640
Speaker 2: You thought that was really felt good here, April.

753
00:39:18,719 --> 00:39:20,759
Speaker 5: That would have made that episode in a plus.

754
00:39:21,160 --> 00:39:21,839
Speaker 2: Felt good here.

755
00:39:21,840 --> 00:39:23,880
Speaker 1: And I could imagine Io getting in there with some

756
00:39:23,880 --> 00:39:25,680
Speaker 1: funny stuff to getting her licks in.

757
00:39:26,000 --> 00:39:28,480
Speaker 5: And maybe Kevin can add in some sound effects almost

758
00:39:28,480 --> 00:39:32,600
Speaker 5: like a like a thinking thinks if you're tapping, you're tapping, haze,

759
00:39:33,160 --> 00:39:37,759
Speaker 5: do you think think think not? Now? Yeah? And then

760
00:39:37,800 --> 00:39:39,120
Speaker 5: maybe and when.

761
00:39:39,000 --> 00:39:47,359
Speaker 2: You're when and when you see the fox Man, your

762
00:39:47,760 --> 00:39:53,040
Speaker 2: your eyes are blinking. It's like what m hm, you

763
00:39:53,160 --> 00:39:53,560
Speaker 2: rub him?

764
00:39:55,440 --> 00:39:58,800
Speaker 5: That's yeah, this is this is the stuff for next time. Wow,

765
00:40:00,200 --> 00:40:02,399
Speaker 5: I missed the opportunity once you got to get it back.

766
00:40:03,160 --> 00:40:05,920
Speaker 4: Yeah, that I feel like I could. It's sort of evergreen.

767
00:40:06,000 --> 00:40:06,840
Speaker 4: I could see.

768
00:40:07,960 --> 00:40:11,560
Speaker 1: Brian the dog from Family Guy, uh, you know, combined

769
00:40:11,600 --> 00:40:14,400
Speaker 1: with a man to be some sort of menacing creature

770
00:40:14,600 --> 00:40:17,960
Speaker 1: dog man creature that I mean. I guess if the

771
00:40:18,000 --> 00:40:22,360
Speaker 1: wolfman issue is an ip thing, this may be even worse.

772
00:40:23,480 --> 00:40:25,439
Speaker 1: But at this point we're locked into it, and I'm

773
00:40:25,440 --> 00:40:26,840
Speaker 1: willing to pay whatever the price is.

774
00:40:27,000 --> 00:40:29,759
Speaker 2: This is this seems like it would be significantly worse than.

775
00:40:30,560 --> 00:40:31,120
Speaker 3: More at once.

776
00:40:33,080 --> 00:40:36,640
Speaker 5: What if we don't play that game Wolfman wear Wolf

777
00:40:37,000 --> 00:40:41,239
Speaker 5: and we swap it out for like Tom size More.

778
00:40:42,960 --> 00:40:47,200
Speaker 3: Okay, it's the actor Tom size More. It's a man

779
00:40:47,320 --> 00:40:51,319
Speaker 3: that has like changed partially into Tom size more.

780
00:40:51,680 --> 00:40:54,640
Speaker 5: It's half Tom size more, half uh Brian.

781
00:40:56,280 --> 00:41:01,040
Speaker 3: Okay, well we still have that's the main we were

782
00:41:01,080 --> 00:41:03,360
Speaker 3: getting away from. No, but it'll be but we know

783
00:41:03,960 --> 00:41:06,440
Speaker 3: you took away the concept of just a man, which

784
00:41:06,520 --> 00:41:08,719
Speaker 3: we we have that we know.

785
00:41:08,880 --> 00:41:12,279
Speaker 5: It's Brian, and then when the Fox people come after

786
00:41:12,440 --> 00:41:15,280
Speaker 5: us for that, we say no, it's Snoopy. We're doing Snoopy.

787
00:41:15,320 --> 00:41:18,760
Speaker 5: And then when when the Snoopy people come in, MetLife

788
00:41:18,840 --> 00:41:21,920
Speaker 5: comes after you go, no, it's Brian from you just

789
00:41:22,080 --> 00:41:25,320
Speaker 5: kind of you just keep spinning those I feel like all.

790
00:41:25,200 --> 00:41:28,880
Speaker 3: These dogs, yeah, are so excuse me, I have to

791
00:41:28,960 --> 00:41:31,719
Speaker 3: go into this this other meeting, and you're like frantically

792
00:41:31,800 --> 00:41:33,799
Speaker 3: put on your it's Snoopy hat.

793
00:41:36,160 --> 00:41:38,960
Speaker 4: If it's half Tom size Moore and half Michael Madsen,

794
00:41:39,080 --> 00:41:39,960
Speaker 4: that could be interesting.

795
00:41:40,920 --> 00:41:44,600
Speaker 5: That's good. That's good. See now you've got the spirit

796
00:41:44,719 --> 00:41:48,640
Speaker 5: and you're running with it. Okay, this is what the

797
00:41:48,760 --> 00:41:50,600
Speaker 5: last year has been missing on the show.

798
00:41:51,600 --> 00:41:56,239
Speaker 1: Okay, year, I'm always open to trying to make the

799
00:41:56,360 --> 00:42:01,880
Speaker 1: show better. I don't know we were missing necessarily like

800
00:42:01,960 --> 00:42:07,080
Speaker 1: a Snoopy Brian Michael Manton, Tom size more hybrid creature

801
00:42:07,840 --> 00:42:10,320
Speaker 1: appearing behind Hayes that he can't see and I'm grabbing,

802
00:42:10,480 --> 00:42:11,439
Speaker 1: especially over zoom.

803
00:42:11,560 --> 00:42:16,759
Speaker 4: You know, the limitations are significant because I know.

804
00:42:16,880 --> 00:42:21,080
Speaker 3: Well, my wife has actually been like asking for ways

805
00:42:21,120 --> 00:42:25,360
Speaker 3: to get involved in the show, and so I you know,

806
00:42:25,560 --> 00:42:28,600
Speaker 3: I think are a costume to have her dress up

807
00:42:28,640 --> 00:42:33,000
Speaker 3: as Snoopy, But like I don't know, like if it's

808
00:42:33,040 --> 00:42:34,160
Speaker 3: half Tom size more.

809
00:42:34,239 --> 00:42:35,600
Speaker 2: I don't know. It just has like a lot of

810
00:42:35,800 --> 00:42:38,000
Speaker 2: chest hair or something. I don't really know what the.

811
00:42:40,920 --> 00:42:42,600
Speaker 3: Like. I don't even know if that's something you would

812
00:42:42,600 --> 00:42:45,320
Speaker 3: associate with him. I don't know what that would look like.

813
00:42:45,680 --> 00:42:48,239
Speaker 3: And I'm like, but you know, I think we could

814
00:42:48,239 --> 00:42:50,400
Speaker 3: probably figure out a way to like my wife dresses

815
00:42:50,480 --> 00:42:54,320
Speaker 3: up as that and then sneaks in and like, Sean

816
00:42:54,480 --> 00:42:58,920
Speaker 3: is scared, and I get like, how does it like,

817
00:42:59,080 --> 00:42:59,839
Speaker 3: how does it kill?

818
00:43:00,120 --> 00:43:04,960
Speaker 5: Like you'll hayes. You'll eventually go, so, so it's a

819
00:43:05,120 --> 00:43:07,839
Speaker 5: it's a monster, huh huh, Sean, And then Sean will

820
00:43:07,880 --> 00:43:11,840
Speaker 5: go like ya, and then you'll go, he's right behind me,

821
00:43:12,040 --> 00:43:12,360
Speaker 5: isn't he?

822
00:43:12,960 --> 00:43:15,640
Speaker 2: Okay? And then I turn around and what like it

823
00:43:15,840 --> 00:43:17,320
Speaker 2: kills me? No?

824
00:43:17,440 --> 00:43:20,920
Speaker 5: Then you then you go like blink on the teeth, think.

825
00:43:23,280 --> 00:43:25,479
Speaker 1: I'm sorry, Tom. I have to give you a note

826
00:43:25,560 --> 00:43:28,239
Speaker 1: on your note. If you're gonna say he's standing right

827
00:43:28,320 --> 00:43:30,800
Speaker 1: behind me, isn't he you have to start with a

828
00:43:30,920 --> 00:43:35,520
Speaker 1: list of unattractive qualities. You say, well, better not beat

829
00:43:35,600 --> 00:43:41,160
Speaker 1: Tom size more. He's stinky, he's ugly, he's unprofessional, and

830
00:43:41,320 --> 00:43:43,880
Speaker 1: he's standing right behind.

831
00:43:43,600 --> 00:43:44,160
Speaker 2: Me, isn't he?

832
00:43:45,440 --> 00:43:47,440
Speaker 5: Sean? I just want to give you the keys to

833
00:43:47,520 --> 00:43:50,680
Speaker 5: the chalcolate factory. That was the test.

834
00:43:51,760 --> 00:43:54,840
Speaker 2: Okay, you got son, you got it.

835
00:43:56,480 --> 00:43:59,040
Speaker 3: And is there a separate like a is there like

836
00:43:59,120 --> 00:44:01,719
Speaker 3: a separate tropical fruit flavoring?

837
00:44:02,320 --> 00:44:05,560
Speaker 5: Well, the open Lumps are really focusing on trying to

838
00:44:05,600 --> 00:44:10,959
Speaker 5: get as much guava into these Eminems as possible. There's

839
00:44:11,120 --> 00:44:14,919
Speaker 5: real guava in there, real Yeah, no chocolate in these things.

840
00:44:14,920 --> 00:44:17,640
Speaker 5: And that's another bit here at Gualava. No chocolate.

841
00:44:19,480 --> 00:44:20,080
Speaker 3: Okay, it's just.

842
00:44:20,160 --> 00:44:22,719
Speaker 1: Finally got rid of the thing everyone hated about em

843
00:44:22,800 --> 00:44:24,000
Speaker 1: and M's chocolate.

844
00:44:24,960 --> 00:44:30,839
Speaker 2: We heard you. We we're listening, and we will try

845
00:44:30,920 --> 00:44:31,560
Speaker 2: to do better.

846
00:44:31,840 --> 00:44:34,239
Speaker 5: That's it. The people at Eminem's were just like, we've

847
00:44:34,280 --> 00:44:36,839
Speaker 5: done a lot of talking over the years, and it's

848
00:44:36,880 --> 00:44:40,320
Speaker 5: time we did some listening. You guys don't like chocolate,

849
00:44:40,880 --> 00:44:47,520
Speaker 5: but you like mango. We'd like to have a discussion.

850
00:44:48,840 --> 00:44:52,760
Speaker 3: It's like it's like black and white footage of a march.

851
00:44:57,760 --> 00:45:04,200
Speaker 3: They just misunderstood. Something went really wrong. Okay, Kevin, what

852
00:45:04,440 --> 00:45:07,920
Speaker 3: happened next? In us doing the show? We also do

853
00:45:08,120 --> 00:45:10,239
Speaker 3: one more we've done all the rest.

854
00:45:10,880 --> 00:45:12,000
Speaker 6: Kenny the jet Smith.

855
00:45:13,000 --> 00:45:19,320
Speaker 3: Wow, Yeah, really exciting episode, incredible. I I scored not

856
00:45:19,480 --> 00:45:22,200
Speaker 3: that many times, but also the episode was very short,

857
00:45:22,719 --> 00:45:25,919
Speaker 3: and I think under the circumstances, that's the absolute best

858
00:45:26,000 --> 00:45:28,800
Speaker 3: I could have done. I have I probably had my

859
00:45:28,920 --> 00:45:29,719
Speaker 3: best game.

860
00:45:31,160 --> 00:45:36,279
Speaker 1: In terms of like per minute perspective, like yes, and

861
00:45:37,400 --> 00:45:39,479
Speaker 1: I knew I had to get my licks in while

862
00:45:39,840 --> 00:45:43,000
Speaker 1: you know, while I had the time, and so like, yeah,

863
00:45:43,080 --> 00:45:44,200
Speaker 1: I only had a couple of minutes.

864
00:45:44,239 --> 00:45:47,040
Speaker 4: I made him count. And I don't see anywhere I

865
00:45:47,080 --> 00:45:49,640
Speaker 4: could have possibly improved that episode.

866
00:45:49,680 --> 00:45:50,000
Speaker 3: I don't know.

867
00:45:50,080 --> 00:45:52,840
Speaker 5: I probably would have leaned into how he was a

868
00:45:53,120 --> 00:45:55,040
Speaker 5: he was a veteran point guard at that point and

869
00:45:55,239 --> 00:45:57,480
Speaker 5: got shown the door by Sam Cassell.

870
00:45:58,719 --> 00:46:03,080
Speaker 3: You would have leaned into that by yeah, by what

871
00:46:03,320 --> 00:46:05,640
Speaker 3: point you say, he's a veteran port guard point guard?

872
00:46:05,680 --> 00:46:06,600
Speaker 2: By that point.

873
00:46:07,960 --> 00:46:12,120
Speaker 5: When they want win those rings? What's it like to

874
00:46:12,200 --> 00:46:14,960
Speaker 5: have had a rookie show up and just clean your clock.

875
00:46:16,280 --> 00:46:17,520
Speaker 3: When they want the rings?

876
00:46:18,560 --> 00:46:19,399
Speaker 2: Is that even really?

877
00:46:19,560 --> 00:46:22,200
Speaker 3: Like in ninety four, like he was he played a

878
00:46:22,480 --> 00:46:25,520
Speaker 3: pretty significant role on that team, Right.

879
00:46:25,920 --> 00:46:27,520
Speaker 5: You just say, what's it like to have a rookie

880
00:46:27,560 --> 00:46:30,560
Speaker 5: clean your clock? He'll know what you mean, Yeah, he'll know.

881
00:46:31,560 --> 00:46:33,640
Speaker 4: So that's a joke we missed out on.

882
00:46:34,239 --> 00:46:39,440
Speaker 3: Yeah, Yeah, and the whole rookie, make him say what

883
00:46:39,600 --> 00:46:42,279
Speaker 3: it's like to have Sam Cassell show up and clean

884
00:46:42,400 --> 00:46:42,920
Speaker 3: his clock?

885
00:46:43,040 --> 00:46:45,160
Speaker 5: Yeah? And then you have Kevin arranged to have a

886
00:46:45,280 --> 00:46:49,520
Speaker 5: box there for Kenny to open on the show, and

887
00:46:49,680 --> 00:46:53,319
Speaker 5: inside of it is a dirty clock, like a dirty clock,

888
00:46:53,360 --> 00:46:54,920
Speaker 5: and you say, no, clean that clock?

889
00:46:56,160 --> 00:46:59,080
Speaker 4: Okay, right, but isn't it didn't he get his clock

890
00:46:59,160 --> 00:47:00,600
Speaker 4: cleaned by for him?

891
00:47:00,800 --> 00:47:04,520
Speaker 2: Should fuck be clean? And you say, like the compliments

892
00:47:04,520 --> 00:47:05,360
Speaker 2: of Sam Cassell?

893
00:47:05,960 --> 00:47:08,759
Speaker 1: Yeah, or it's dirty and you say, sorry, this was

894
00:47:08,760 --> 00:47:10,800
Speaker 1: supposed to go to Sam Cassell so we could clean it.

895
00:47:10,880 --> 00:47:13,000
Speaker 4: Then it was supposed to go to you, but it

896
00:47:13,120 --> 00:47:13,959
Speaker 4: is yours.

897
00:47:13,880 --> 00:47:15,279
Speaker 2: Hayes, thank you.

898
00:47:15,560 --> 00:47:17,800
Speaker 5: Here's another set of keys to the chocolate factory.

899
00:47:17,960 --> 00:47:20,640
Speaker 1: Oh wow, ye multiple, you did it so makes mine

900
00:47:20,640 --> 00:47:21,840
Speaker 1: a little less meaningful.

901
00:47:22,560 --> 00:47:23,640
Speaker 2: Did you're just giving out?

902
00:47:25,760 --> 00:47:27,160
Speaker 3: Can we go at the same time?

903
00:47:27,320 --> 00:47:27,520
Speaker 2: Yeah?

904
00:47:27,640 --> 00:47:29,920
Speaker 5: Okay, there's only two keys and there's two entrances. You

905
00:47:30,000 --> 00:47:31,560
Speaker 5: guys never have to see each other. You'd be like

906
00:47:31,600 --> 00:47:32,680
Speaker 5: those twigs guys.

907
00:47:32,600 --> 00:47:33,400
Speaker 4: That's important to me.

908
00:47:34,239 --> 00:47:38,359
Speaker 2: The right and left twist. Yeah, what it's up? What's

909
00:47:38,440 --> 00:47:39,600
Speaker 2: up with the right and left?

910
00:47:39,680 --> 00:47:42,840
Speaker 3: Tropical e it ebbs because they're only what they don't like,

911
00:47:43,080 --> 00:47:43,919
Speaker 3: sort that way.

912
00:47:45,000 --> 00:47:47,239
Speaker 4: Traditionally, No, there's one.

913
00:47:47,760 --> 00:47:49,440
Speaker 5: It's one of the hurdles. It's one of the hurdles.

914
00:47:49,480 --> 00:47:52,880
Speaker 5: And we were so close to cracking the code on

915
00:47:53,000 --> 00:47:58,279
Speaker 5: that and then this god damn pandemic just really not this.

916
00:47:59,480 --> 00:48:02,239
Speaker 3: This was introduced like for what I heard in the

917
00:48:02,320 --> 00:48:06,040
Speaker 3: press releases you've been sending out like like three weeks ago.

918
00:48:07,440 --> 00:48:09,520
Speaker 4: Yeah, we had been deep into the pandemic.

919
00:48:09,640 --> 00:48:14,200
Speaker 1: Then this was a regrouping and it was you know,

920
00:48:14,840 --> 00:48:17,280
Speaker 1: it was like, forget everything you thought you knew about

921
00:48:17,360 --> 00:48:22,240
Speaker 1: Eminem's no sod, forget everything you thought you knew about tropical.

922
00:48:24,719 --> 00:48:30,120
Speaker 4: Yeah, we're about to turn this bitch on its head.

923
00:48:31,960 --> 00:48:32,360
Speaker 3: How's this?

924
00:48:32,520 --> 00:48:36,480
Speaker 4: Grab you? Right and left tropical eminems.

925
00:48:38,239 --> 00:48:42,640
Speaker 1: With real guava inside an artificial guava shell.

926
00:48:43,080 --> 00:48:47,880
Speaker 5: And best yet, no chocolate.

927
00:48:49,400 --> 00:48:53,000
Speaker 4: Yes, yeah, that's right.

928
00:48:53,160 --> 00:48:55,520
Speaker 3: I just don't know that at that point. I remember,

929
00:48:55,719 --> 00:48:58,600
Speaker 3: I remember associating that announcement with feeling like we were

930
00:48:58,680 --> 00:49:00,400
Speaker 3: really coming out of this pandemic.

931
00:49:00,560 --> 00:49:03,040
Speaker 2: Wise, yeah, I don't really.

932
00:49:02,880 --> 00:49:05,480
Speaker 3: See how the pandemic is responsible for the failure of

933
00:49:06,600 --> 00:49:08,560
Speaker 3: the right and left tropical eminence.

934
00:49:09,280 --> 00:49:11,600
Speaker 4: And it was there was some charity element where it

935
00:49:11,719 --> 00:49:15,440
Speaker 4: was like for every eminem, I buy one left eminem

936
00:49:15,719 --> 00:49:17,880
Speaker 4: will be given.

937
00:49:17,719 --> 00:49:18,279
Speaker 1: To like a.

938
00:49:19,840 --> 00:49:21,080
Speaker 3: Somebody Swiss.

939
00:49:21,360 --> 00:49:24,120
Speaker 4: I couldn't fall I really couldn't understand, like because they've

940
00:49:24,200 --> 00:49:25,480
Speaker 4: had too much chocolate.

941
00:49:26,160 --> 00:49:30,480
Speaker 3: Yeah, it really didn't track for me.

942
00:49:30,480 --> 00:49:32,120
Speaker 1: I mean I've seen this kind of thing where like

943
00:49:32,239 --> 00:49:34,239
Speaker 1: Tom's will give a pair of shoes to it, but.

944
00:49:35,840 --> 00:49:37,080
Speaker 3: It didn't this one.

945
00:49:37,120 --> 00:49:39,360
Speaker 4: I couldn't quite follow the logic of it.

946
00:49:40,600 --> 00:49:41,560
Speaker 3: Can you walk me through it?

947
00:49:42,160 --> 00:49:46,560
Speaker 5: Yeah, it's pretty simple. Eminem's have always been and thanks

948
00:49:46,600 --> 00:49:51,680
Speaker 5: to the new tropical menu we do, they classify as

949
00:49:51,760 --> 00:49:54,440
Speaker 5: fruit and they will be They will be in the

950
00:49:54,520 --> 00:49:57,400
Speaker 5: produce section of this of the grocery store.

951
00:49:59,520 --> 00:49:59,800
Speaker 3: Section.

952
00:50:01,880 --> 00:50:07,239
Speaker 5: Look, you've never seen a menu that has candy on it.

953
00:50:08,000 --> 00:50:12,720
Speaker 3: Your store works like a restaurant. It has a little

954
00:50:12,800 --> 00:50:15,040
Speaker 3: down and order, ey have off a menu.

955
00:50:15,480 --> 00:50:18,320
Speaker 5: You've never eaten dinner at a grocery store.

956
00:50:18,920 --> 00:50:22,080
Speaker 3: Okay, I guess, I guess have you never want? I

957
00:50:22,120 --> 00:50:24,560
Speaker 3: guess I've never eaten dinner at a grocery store. Yeah,

958
00:50:26,239 --> 00:50:27,360
Speaker 3: they say, don't go hungry.

959
00:50:27,600 --> 00:50:29,160
Speaker 5: What do you think that room is for?

960
00:50:29,360 --> 00:50:30,160
Speaker 2: In the back.

961
00:50:31,560 --> 00:50:34,239
Speaker 3: That room Okay, Yeah, there's a door there, and so

962
00:50:34,360 --> 00:50:37,120
Speaker 3: that leads into a place where you, like a dining room,

963
00:50:37,560 --> 00:50:39,120
Speaker 3: you can eat the food for dinner.

964
00:50:39,680 --> 00:50:43,239
Speaker 5: Yeah, you pick out what you want, you take it

965
00:50:43,360 --> 00:50:46,480
Speaker 5: back there, you eat, and then you just bring the

966
00:50:46,560 --> 00:50:47,839
Speaker 5: wrappers up front and pay.

967
00:50:49,920 --> 00:50:51,440
Speaker 2: Okay, where's the menu come in?

968
00:50:52,320 --> 00:50:55,400
Speaker 3: Yeah that the waiter brings it to you.

969
00:50:56,040 --> 00:50:58,920
Speaker 2: But you just picked everything that oh you okay? All right?

970
00:50:59,560 --> 00:51:01,400
Speaker 5: In the parking lot, there's a waiter.

971
00:51:01,880 --> 00:51:06,200
Speaker 1: Okay, okay, I thought, yeah, maybe sometimes I see a

972
00:51:06,239 --> 00:51:07,839
Speaker 1: guy like collecting carts or whatever.

973
00:51:08,000 --> 00:51:08,880
Speaker 2: Maybe he's the waiter.

974
00:51:09,320 --> 00:51:12,240
Speaker 5: He is not the waiter, he's the guy who collects

975
00:51:12,320 --> 00:51:12,880
Speaker 5: the carts.

976
00:51:14,040 --> 00:51:17,239
Speaker 1: So is there also can you confirm a rumor that

977
00:51:17,280 --> 00:51:22,319
Speaker 1: I've heard about the the tropical eminem set up, which

978
00:51:22,400 --> 00:51:26,240
Speaker 1: is that there is also a menu of Swiss women

979
00:51:26,480 --> 00:51:29,080
Speaker 1: and you select which one is going to be assigned

980
00:51:29,920 --> 00:51:36,200
Speaker 1: the free Left eminem Because to me, it's it's it

981
00:51:36,360 --> 00:51:39,120
Speaker 1: raises some questions that it starts to feel a little unsavory.

982
00:51:39,600 --> 00:51:41,319
Speaker 4: I don't know what criteria.

983
00:51:40,800 --> 00:51:43,880
Speaker 1: People are using to pick, like who gets one, or

984
00:51:44,000 --> 00:51:48,080
Speaker 1: whether they were even voluntarily photographed. They're all candids.

985
00:51:48,600 --> 00:51:49,200
Speaker 2: I'm wondering.

986
00:51:49,280 --> 00:51:52,120
Speaker 3: And this is me trying to help as well, that

987
00:51:52,400 --> 00:51:57,880
Speaker 3: you if you feel like removing the chocolate from the

988
00:51:58,000 --> 00:52:01,239
Speaker 3: eminem is somehow negatively impacting.

989
00:52:02,760 --> 00:52:05,400
Speaker 4: Swiss Swiss community or sweet yeah.

990
00:52:06,040 --> 00:52:07,799
Speaker 2: Hot chocolate that you think is like.

991
00:52:09,280 --> 00:52:12,960
Speaker 3: Some like and some of you need to compensate Swiss women.

992
00:52:13,800 --> 00:52:18,200
Speaker 1: Because a Swiss miss normally would have had her chocolate

993
00:52:18,640 --> 00:52:20,640
Speaker 1: cooled down to go inside.

994
00:52:20,239 --> 00:52:25,720
Speaker 2: The M and M. Yeah, so that's it, that's it, Okay.

995
00:52:26,640 --> 00:52:29,320
Speaker 1: I do like the logo Marshall Mathers and board shorts.

996
00:52:30,920 --> 00:52:35,279
Speaker 1: I think that that is like actually really clever. And

997
00:52:35,800 --> 00:52:38,400
Speaker 1: I can't believe you got him for this. I mean

998
00:52:38,440 --> 00:52:42,439
Speaker 1: he's a huge celebrity, so like that just to give

999
00:52:42,520 --> 00:52:45,000
Speaker 1: you a positive to go out, I feel we kind

1000
00:52:45,000 --> 00:52:46,600
Speaker 1: of picked apart your business a little yit.

1001
00:52:47,000 --> 00:52:51,400
Speaker 2: Marshall Mallers in Roxy brand board shorts.

1002
00:52:52,960 --> 00:52:55,200
Speaker 5: He's cool. He had so many great stories.

1003
00:52:56,160 --> 00:52:59,080
Speaker 2: He told you story at the photo shoot. Mm hmmm,

1004
00:52:59,719 --> 00:53:01,600
Speaker 2: like what what's one.

1005
00:53:01,520 --> 00:53:05,960
Speaker 3: Story that that Marshall Mathers told you working with Appatow.

1006
00:53:06,680 --> 00:53:08,800
Speaker 3: He talked about working with jud appet out.

1007
00:53:08,960 --> 00:53:15,480
Speaker 5: Right, no mod no, of course, Judd. Hey, he talked

1008
00:53:15,480 --> 00:53:19,800
Speaker 5: about working with Judd. What he like, what he he

1009
00:53:19,960 --> 00:53:22,719
Speaker 5: just lets him go, He just lets him go. He

1010
00:53:22,960 --> 00:53:24,960
Speaker 5: was ready to just read what was on the page.

1011
00:53:25,000 --> 00:53:27,000
Speaker 5: And then Judge took the page and crumpled it up

1012
00:53:27,080 --> 00:53:28,600
Speaker 5: right in his face. He said, you just do what

1013
00:53:28,719 --> 00:53:31,560
Speaker 5: you want to do, and he let him film for

1014
00:53:31,640 --> 00:53:32,880
Speaker 5: eleven hours.

1015
00:53:34,080 --> 00:53:34,640
Speaker 4: On film.

1016
00:53:34,760 --> 00:53:37,479
Speaker 5: Huh no film, Yeah, they do shoot on film.

1017
00:53:37,760 --> 00:53:38,879
Speaker 4: That's why it looks so good.

1018
00:53:40,440 --> 00:53:44,520
Speaker 3: Well, I'm reading this MTV headline from two thousand and

1019
00:53:44,600 --> 00:53:49,000
Speaker 3: nine that says Eminem's funny people scene kills Jud Appatow

1020
00:53:49,120 --> 00:53:54,360
Speaker 3: says he was really funny, willing to say anything. Director

1021
00:53:54,440 --> 00:53:57,960
Speaker 3: recalls of rappers cameo, Okay.

1022
00:53:57,840 --> 00:54:01,800
Speaker 5: Yeah, it was just pretty shocking that Eminem would say anything. Yeah, pretty,

1023
00:54:01,800 --> 00:54:04,759
Speaker 5: I know. Jud was pretty shocked that that Eminem would

1024
00:54:04,800 --> 00:54:05,480
Speaker 5: be outrageous.

1025
00:54:06,160 --> 00:54:09,120
Speaker 3: He was a fantastic actor and the best moments ever

1026
00:54:09,239 --> 00:54:11,399
Speaker 3: in my career were pitching him new jokes to say

1027
00:54:11,440 --> 00:54:13,040
Speaker 3: and making him laugh really hard.

1028
00:54:13,480 --> 00:54:16,840
Speaker 5: Apatah said, And when you see Eminem laugh, his face

1029
00:54:17,000 --> 00:54:19,160
Speaker 5: just lights up and it just it just makes you

1030
00:54:19,239 --> 00:54:22,759
Speaker 5: feel like a child again on Christmas morning. Just the

1031
00:54:22,960 --> 00:54:26,560
Speaker 5: joy of Eminem just laughing and having a good way.

1032
00:54:26,760 --> 00:54:29,640
Speaker 5: He laughs, his face just lights up.

1033
00:54:30,160 --> 00:54:33,680
Speaker 1: He was an amazing actor and he laughed at all

1034
00:54:33,800 --> 00:54:39,320
Speaker 1: my shit. I was being funny and he's a good actor.

1035
00:54:43,200 --> 00:54:47,000
Speaker 3: Beggs for asking, Okay, are you gonna like, what's the

1036
00:54:47,120 --> 00:54:49,279
Speaker 3: future of this time? Are you gonna like, are you

1037
00:54:49,400 --> 00:54:52,120
Speaker 3: gonna still be around or are you going off to

1038
00:54:52,200 --> 00:54:53,040
Speaker 3: do other things?

1039
00:54:53,120 --> 00:54:55,400
Speaker 2: Like what's what? What can we expect from this?

1040
00:54:55,800 --> 00:54:58,960
Speaker 5: I'm probably gonna need to get some sort of garbage

1041
00:54:59,000 --> 00:55:02,319
Speaker 5: removal service role these microwaves to start with, the really

1042
00:55:02,400 --> 00:55:03,080
Speaker 5: start hanging.

1043
00:55:02,880 --> 00:55:06,360
Speaker 3: On to the destroyed microwaves and they're possibly going to

1044
00:55:06,440 --> 00:55:07,880
Speaker 3: tip over on you and kill you.

1045
00:55:08,520 --> 00:55:12,680
Speaker 5: Yes, okay, so I could use a little bit of money.

1046
00:55:13,120 --> 00:55:14,040
Speaker 2: You need more money?

1047
00:55:14,080 --> 00:55:17,719
Speaker 3: Okay, yes, right, okay please, Okay, that's not good, Okay bye. Yes.

1048
00:55:21,080 --> 00:55:24,360
Speaker 6: This week on the Patreon carlin Asan discuss weddings, the

1049
00:55:24,480 --> 00:55:27,719
Speaker 6: Boys do a teaser freezer for the space between, and

1050
00:55:27,800 --> 00:55:32,160
Speaker 6: the Flicker Ones are mostly talking all things basketball. Check

1051
00:55:32,200 --> 00:55:36,120
Speaker 6: out these bonus podcasts and videos of the full episodes,

1052
00:55:36,440 --> 00:55:40,680
Speaker 6: including today's with Tom Sharpling at patreon dot com, Slash

1053
00:55:40,760 --> 00:55:43,640
Speaker 6: the flagro Ones, Hambog