WEBVTT - Part Three: John Wayne: A Dude Who Sucked

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<v Speaker 1>What's Johnny my Wayne O? What's destroyed? Yeah? Shattering my pelvis,

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<v Speaker 1>my thirteen pound baby? What's irradiating? My racist movie about

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<v Speaker 1>Genghis Khan starring a white man is Genghis Kan? That

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<v Speaker 1>is the funniest thing in terms of like ways John

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<v Speaker 1>Wayne could have died nuked while playing Genghis Khan in

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<v Speaker 1>a movie is pretty funny. That. That's pretty good? How

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<v Speaker 1>are you doing? Francesca Fiarentini, our guest returning for part

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<v Speaker 1>three of three. I have to find out how this ends,

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<v Speaker 1>you know? Well? I mean it's I feel like he

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<v Speaker 1>becomes even more bad, aastardly towards the end of his life.

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<v Speaker 1>But I'm excited. Yes, actually he becomes Chris Catan. Um, real,

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<v Speaker 1>real curveball for the story. That makes as much sense

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<v Speaker 1>as anything else. Um, Chris Catan, great career not over?

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<v Speaker 1>Is it not? Are we still doing christ? I don't

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<v Speaker 1>have anything against Chris Catan in particular, but are we?

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<v Speaker 1>I mean there could be a Night at the Roxbury reboots,

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<v Speaker 1>So there could be or we could even do like

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<v Speaker 1>a like a like an Avengers in game where a

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<v Speaker 1>Night at the Roxbury meets the Blues Brothers and uh,

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<v Speaker 1>it's another one of those Lord Michael's movies. Uh the Superstar,

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<v Speaker 1>I don't know Superstar. Throw that in there, you know,

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<v Speaker 1>throwing the David Cross one where he plays plays a hillbilly. Um,

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<v Speaker 1>make it all happen, but everyone's jacked. It's it's basically

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<v Speaker 1>everybody exactly get everybody like on it, pumped with H

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<v Speaker 1>G H destroy their hearts. Get him just like David

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<v Speaker 1>Cross has like sixteen inch biceps. Yeah, and then nume

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<v Speaker 1>on set and then we knew them, and then we

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<v Speaker 1>knew them on set. That's right. Finally, that's how we

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<v Speaker 1>that's how we end Lauren Michaels' career with that film.

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<v Speaker 1>Uh shouldn't have brought that Night at the Roxbury so um. Yeah,

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<v Speaker 1>he's like the center of this idea of like white

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<v Speaker 1>conservative masculinity um and and has has been for decades

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<v Speaker 1>at this point. By the time we hit like the

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<v Speaker 1>mid Night to late nineteen sixties. Uh, all of these

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<v Speaker 1>people who are like eighteen nineteen twenty uh and old

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<v Speaker 1>enough to start going over to Vietnam have never known

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<v Speaker 1>a world in which John Wayne wasn't like the biggest

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<v Speaker 1>action star in there. Like he's you know, there's not

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<v Speaker 1>really anyone to compare him to. Now, I guess your

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<v Speaker 1>closest would be someone like The Rock. Um. But even then,

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<v Speaker 1>like we we don't really have. The media is so

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<v Speaker 1>much bigger now, so like you have like a million

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<v Speaker 1>different kinds of action stars for everyone in this period

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<v Speaker 1>of time, John Wayne is like uh it yeah, um. So,

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<v Speaker 1>though not publicly a man of particular religious vigor, he

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<v Speaker 1>embodied what muscular Christianity enthusiasts respected, while also speaking to

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<v Speaker 1>the more secular, arch capitalist right wingers who sought a

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<v Speaker 1>more muscular US willing to throw down for the free market.

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<v Speaker 1>All of this sworld together to make him an irresistible

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<v Speaker 1>frontman for Republican politicians. Christine Cobbs Dumez writes in Night,

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<v Speaker 1>he gave a rousing patriotic address at the Republican National Convention.

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<v Speaker 1>When Nixon wanted to explain his own views on law

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<v Speaker 1>and order, he pointed to Wayne's Chisholm, which is one

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<v Speaker 1>of his movies, as a model, a bloody tale of

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<v Speaker 1>frontier justice in which Wayne achieved order and revenge through

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<v Speaker 1>violence some sixty eight like at the RNC, Nixon is

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<v Speaker 1>specifically pointing to John Wayne movies is like this is

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<v Speaker 1>this is how law and order is supposed to be.

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<v Speaker 1>This this cowboy movie by a draft dodger. You know,

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<v Speaker 1>who could take care of these dirty hippies who want

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<v Speaker 1>to stop seeing their friends slaughtered? The Duke John Wayne,

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<v Speaker 1>these we can't it be more like that? Remember when

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<v Speaker 1>the good guys were good guys and the bad guys

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<v Speaker 1>were the brown people. Let's do that. Let's do that again.

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<v Speaker 1>It is also very funny he spent so much time

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<v Speaker 1>shifting on anti war protesters, a lot of whom are

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<v Speaker 1>veterans who didn't dodge the draft like he did. But whatever, so,

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<v Speaker 1>Wayne himself was flabbergasted at the resistance among many Americans

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<v Speaker 1>towards continuing to escalate the war in Vietnam. I'man's biography

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<v Speaker 1>tells a particularly lurid story about Wayne seeing a one

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<v Speaker 1>armed veteran walking across the campus during a protest, and

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<v Speaker 1>this group of protesters like approaches this veteran. They're heckling

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<v Speaker 1>this brave man who lost his arm in combat, and

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<v Speaker 1>John Wayne has to like walk up and say, now,

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<v Speaker 1>don't you like you can speak your piece, but you're

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<v Speaker 1>not gonna yell at this man, and you don't get

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<v Speaker 1>to say this to a hero and YadA YadA YadA

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<v Speaker 1>together becau actly and then everyone clapped. Yeah. Um, there's

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<v Speaker 1>no evidence this ever happened. Uh, it's there's a lot

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<v Speaker 1>of fake stories about stuff like soldiers getting spit on

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<v Speaker 1>from this period and John Wayne being a liar. I

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<v Speaker 1>don't have any trouble believing made this up. Um, he

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<v Speaker 1>needed one for himself. The spit the spit soldier story

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<v Speaker 1>was getting way too much play. Let me invent one.

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<v Speaker 1>He needed a John Wayne version one. Now I don't

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<v Speaker 1>think that particular story is true, Francesco, but we do

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<v Speaker 1>have audio of John Wayne addressing a group of students.

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<v Speaker 1>I think they're like r OTC kids, cadets at like

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<v Speaker 1>a military academy or something. What matters most is that

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<v Speaker 1>he's obviously fucking hammered. It's so funny. He is, he

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<v Speaker 1>is housed. He is just completely fucking still after all

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<v Speaker 1>these years. It's so funny. Um, here's how he says,

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<v Speaker 1>hello to these kids. My name is what? All right?

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<v Speaker 1>First of all, it's Marryan is married. Suddenly you will

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<v Speaker 1>John is short for William. What am I saying? It's

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<v Speaker 1>so funny? This is unimportant? Oh my God, it does

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<v Speaker 1>not get wildly more coherent from there, but the audience

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<v Speaker 1>is very much on board. And honestly, if I had

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<v Speaker 1>been a college student and a drunk movie star had

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<v Speaker 1>come to give my commits like that would have been

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<v Speaker 1>super funny. I would have been all I think most

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<v Speaker 1>kids would write. Um, the audience, I mean this is

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<v Speaker 1>also a more right wing, militant audience. So they're they're

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<v Speaker 1>on board here. Um. Now I'm gonna play another clip

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<v Speaker 1>and for context. Here he's talking about how different things

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<v Speaker 1>were when He's talking about like protests in college and

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<v Speaker 1>how different things were when he were in he was

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<v Speaker 1>in college. Remember, this is a period where students are

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<v Speaker 1>taking over faculty buildings and whatnot. They're trashing the offices

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<v Speaker 1>of certain professors. Like there's all these protests against the

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<v Speaker 1>war by students. We talked about some of this in

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<v Speaker 1>the Kissinger episodes. So John Wayne is talking about how

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<v Speaker 1>different things were when he was in college. Let me

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<v Speaker 1>explain something to you. And I went there. I went there.

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<v Speaker 1>One that was a fella in troll Over College, I mean,

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<v Speaker 1>I mean, boss many buddy had walked in there, A

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<v Speaker 1>good one got the office and did excrement and his

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<v Speaker 1>power through buddy, you got it. The waste paper basket,

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<v Speaker 1>that's what it is. Had written lewd words on his uh,

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<v Speaker 1>the pictures of his family. We as members of the college,

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<v Speaker 1>would have kicked the god damn hell out of this argiza.

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<v Speaker 1>It's very funny. He's so drunk, does he nod off?

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<v Speaker 1>Because that's where it feels like I feel like he

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<v Speaker 1>might have, like he was sort of he was sort

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<v Speaker 1>of graying out there for a little while. What's the

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<v Speaker 1>having a little brown out, drifting off into the land

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<v Speaker 1>of vodka and fantasies. Classroom, right, the class class I

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<v Speaker 1>never stopped classroom. Just a drunk old man heckling teens.

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<v Speaker 1>So from this point he continues to his main argument,

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<v Speaker 1>which is that he thinks these kids he's talking to

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<v Speaker 1>should beat the hell out of left wing protesters who

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<v Speaker 1>dissent from the view that war is good in the

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<v Speaker 1>US can do no wrong. Well, a lot of the

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<v Speaker 1>speech is very funny. It's mostly very funny. The last

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<v Speaker 1>bit does kind of get a little terrifying because in

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<v Speaker 1>it John Wayne calls for the establishment of the sort

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<v Speaker 1>of violent right wing street organizations that we are currently

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<v Speaker 1>swimming in as a nation. For you guys, you better

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<v Speaker 1>start thinking. It's it's getting to be re god damndiculous.

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<v Speaker 1>If you guys don't start thinking is men, we're gonna

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<v Speaker 1>have a lousy country. Jesus, I'm I have had the

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<v Speaker 1>chance to be you as guys who are with things

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<v Speaker 1>and against things. Christ try as because I try as

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<v Speaker 1>a human being to listen to both sides of everything.

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<v Speaker 1>But there's no both sides anymore. They're just trying to

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<v Speaker 1>wreck our goddamn country. It's time for you younger guys

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<v Speaker 1>to take over. I don't know what they do. Awesome.

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<v Speaker 1>That was brilliant, and you know what, it very much

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<v Speaker 1>is a speech that fits into the year. It does

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<v Speaker 1>it does. That's that's a Giuliani speech right there. That's

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<v Speaker 1>a right down to the drunkenness, right down to the

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<v Speaker 1>fairly being able to stand yes exactly. He was so

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<v Speaker 1>ahead of his time. But it's so he's also it's

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<v Speaker 1>funny because he is also while the hero of every

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<v Speaker 1>single film just kind of like interpersonally and incredibly like

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<v Speaker 1>he's lazy and drunk half the time, like like and

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<v Speaker 1>his only work ethic, Like the hardest thing he did

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<v Speaker 1>was I think, well, I don't know, did he learn

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<v Speaker 1>to lasso or that was the hardest thing, just like

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<v Speaker 1>bringing seven from Mexico. I mean, like he's most people

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<v Speaker 1>will note, and I think this alters a little bit

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<v Speaker 1>at the end of his career. But he's like he's

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<v Speaker 1>generally most people will agree, pretty good on set. He's

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<v Speaker 1>good at like what he does. He's got this kind

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<v Speaker 1>of background in props, so he's he's he knows how

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<v Speaker 1>things should look. He's an active member of like the

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<v Speaker 1>of the crew beyond just sort of like standing and

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<v Speaker 1>hitting his lines. That's generally agreed upon. But you do hear,

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<v Speaker 1>you hear really different stories. So you hear all these

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<v Speaker 1>stories about you know, John Wayne seeing something a directors

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<v Speaker 1>doing and realizing that one look good on camera and

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<v Speaker 1>like fixing the scene and being like very much a

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<v Speaker 1>team player. And then you hear these stories about like, well,

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<v Speaker 1>they couldn't shoot the film before noon because that's when

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<v Speaker 1>he woke up and they had to wait for him

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<v Speaker 1>to take a giant ship first, so they couldn't start

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<v Speaker 1>until he tend like that. I respect that, I definitely respect.

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<v Speaker 1>So I I don't know, like you do hear like

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<v Speaker 1>a lot of rumors on both sides. It's probably fair

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<v Speaker 1>to say he would not have gotten as far as

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<v Speaker 1>he did if he was not really good at certain

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<v Speaker 1>aspects of being a movie star. So I'll give him

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<v Speaker 1>credit for that. Um. But it's also like, John Wayne,

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<v Speaker 1>you were never willing to go do anything for your

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<v Speaker 1>country overseas. Where are you now saying that groups of

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<v Speaker 1>teenagers should beat the ship out of people protesting a

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<v Speaker 1>war that you can't even like you have. No, He's

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<v Speaker 1>there's no elucidation there in that speech and the other

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<v Speaker 1>ones he gives about like why they should be willing

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<v Speaker 1>to do violence on behalf of this war, right, because

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<v Speaker 1>that's not what's important. What's important is something vague about America.

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<v Speaker 1>And that's the thing that seems most familiar where it's like, well,

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<v Speaker 1>you're not really elucidating anything that they should be fighting

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<v Speaker 1>for other than the vague idea of America, and that's

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<v Speaker 1>that's really enough to rile people up for violence. I

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<v Speaker 1>mean again, it's just super fitting. It's like, America isn't

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<v Speaker 1>a country that protests the bludgeoning and killing of civilians

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<v Speaker 1>and the death of like young men uh coming home

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<v Speaker 1>in bodybags their parents. America is the country that does

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<v Speaker 1>those things not a sound without why would you why

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<v Speaker 1>would you make a sound that's just gonna be loud.

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<v Speaker 1>You know you're gonna wake up John Wayne, and he's

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<v Speaker 1>going to be hungover absolutely before noon. Yeah, without the

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<v Speaker 1>yeah kids these days, it's very much just the kids

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<v Speaker 1>these days speech. And then at the end it's fun

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<v Speaker 1>because instead of him being like and that's why I'm

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<v Speaker 1>going to start up blah blah blah or whatever, or

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<v Speaker 1>I'm going to start a militia, which glad he didn't,

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<v Speaker 1>but instead of that, it's just like anyway you figure

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<v Speaker 1>I don't know how to do drunk asked John Wayne.

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<v Speaker 1>Very funny, except great. You know the fact that he

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<v Speaker 1>holds this position in our cultural memory that makes the

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<v Speaker 1>fact that he was a drunken warmonger much more influential.

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<v Speaker 1>But let's continue, So we should talk again about these

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<v Speaker 1>kind of rumors about the Duke that you'll hear because

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<v Speaker 1>you get this like I'm in very much presents this

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<v Speaker 1>picture of him as this incredibly diligent um with quotes

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<v Speaker 1>from people who worked with him, including guys like Ford,

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<v Speaker 1>that he was this he had really, he was really sharp.

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<v Speaker 1>He was always willing to put in the extra effort,

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<v Speaker 1>he'd do multiple jobs, even though he was supposed to

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<v Speaker 1>be the star, just to make sure the film got made.

0:14:12.160 --> 0:14:14.600
<v Speaker 1>And then you'll hear these stories about like his scenes

0:14:14.640 --> 0:14:17.000
<v Speaker 1>needed to be finished shooting before noon every day because

0:14:17.000 --> 0:14:20.240
<v Speaker 1>he was gonna be too drunk after that. Um, but

0:14:20.280 --> 0:14:22.160
<v Speaker 1>he couldn't film in the morning until he'd taken his

0:14:22.200 --> 0:14:24.400
<v Speaker 1>first hungover ship and like, so he's got like half

0:14:24.440 --> 0:14:26.680
<v Speaker 1>an hour, he's got like a good hour in there.

0:14:26.960 --> 0:14:30.480
<v Speaker 1>That's why I those can't be true comprehensively, like they

0:14:30.520 --> 0:14:33.880
<v Speaker 1>may have been true on certain films or in certain times. Right.

0:14:34.120 --> 0:14:36.000
<v Speaker 1>I'm sure there were times and people like, well, you

0:14:36.040 --> 0:14:38.320
<v Speaker 1>can't shoot, you can't you got if you shoot too

0:14:38.360 --> 0:14:40.320
<v Speaker 1>late in the day, he's gonna be drunk, because we

0:14:40.360 --> 0:14:42.960
<v Speaker 1>know he got drunk at and impacted shooting at times.

0:14:43.360 --> 0:14:45.560
<v Speaker 1>But he made way too many movies for them to

0:14:45.640 --> 0:14:47.440
<v Speaker 1>have been for things to have been that ridiculous. You

0:14:47.480 --> 0:14:49.600
<v Speaker 1>can't shoot a movie with an hour a day from

0:14:49.640 --> 0:14:53.040
<v Speaker 1>the star, right, But who knows how the radiation impacted

0:14:53.120 --> 0:14:57.040
<v Speaker 1>his gas row? Intestinal can be and I'm sure the

0:14:57.120 --> 0:14:59.840
<v Speaker 1>older he got to the more it was, like you

0:15:00.240 --> 0:15:02.200
<v Speaker 1>his lifestyle took a toll on him, and that took

0:15:02.680 --> 0:15:06.760
<v Speaker 1>altered the way he was on set. But um, like drinking,

0:15:06.800 --> 0:15:08.640
<v Speaker 1>I mean obviously that's like the sign of an alcoholic,

0:15:08.680 --> 0:15:11.160
<v Speaker 1>but like being like a young kid like on set

0:15:11.280 --> 0:15:13.160
<v Speaker 1>and like drinking and then waking up the next day

0:15:13.200 --> 0:15:15.120
<v Speaker 1>in hell. Yeah, Like obviously we all remember what it

0:15:15.160 --> 0:15:18.160
<v Speaker 1>was like to be nineteen, blessed that moment, but like

0:15:18.360 --> 0:15:25.320
<v Speaker 1>great hangovers in your fifties, hangovers in your fifties as

0:15:25.360 --> 0:15:29.040
<v Speaker 1>a guy who has been just basically inhaling cigarettes and

0:15:29.120 --> 0:15:33.800
<v Speaker 1>nothing else since he was like twelve, Like, um, that's

0:15:33.920 --> 0:15:36.000
<v Speaker 1>I mean, I do want to note, like I'm sure

0:15:36.040 --> 0:15:38.560
<v Speaker 1>aspects of this were true, and I'm also sure aspects

0:15:38.560 --> 0:15:40.600
<v Speaker 1>of what I'm in reports in terms of his like

0:15:40.680 --> 0:15:43.920
<v Speaker 1>diligence on set were really true. Um, it's worth noting

0:15:43.960 --> 0:15:47.000
<v Speaker 1>that two of his very best performances in his career

0:15:47.480 --> 0:15:49.680
<v Speaker 1>were filmed really late in it when he's an old guy,

0:15:49.720 --> 0:15:52.280
<v Speaker 1>the shootest and true grit, true grit being maybe the

0:15:52.320 --> 0:15:55.160
<v Speaker 1>most the one that's most famous today probably that he

0:15:55.240 --> 0:15:58.360
<v Speaker 1>was in you know Rooster Cockburn, great film, really good performance.

0:15:58.400 --> 0:16:01.040
<v Speaker 1>He was not a bad actor. Um, there were some

0:16:01.160 --> 0:16:03.520
<v Speaker 1>moments I forget which film it was, but like because

0:16:03.560 --> 0:16:06.440
<v Speaker 1>most of his early roles he had not had to act.

0:16:06.840 --> 0:16:09.600
<v Speaker 1>He's in a movie that John Ford sees and Ford

0:16:09.720 --> 0:16:11.600
<v Speaker 1>is like a hell. If I had known he could act,

0:16:11.640 --> 0:16:16.400
<v Speaker 1>I would have Tooked done some stuff differently. Um, but

0:16:16.480 --> 0:16:18.920
<v Speaker 1>he isn't some better performance as The Shootest, which is

0:16:18.960 --> 0:16:21.400
<v Speaker 1>his very last film, is a really good movie in

0:16:21.400 --> 0:16:24.000
<v Speaker 1>a lot of ways. That's that's interesting too, because it's

0:16:24.280 --> 0:16:25.960
<v Speaker 1>we'll talk about The shoot is a little at the end,

0:16:26.000 --> 0:16:29.560
<v Speaker 1>it's kind of it's kind of a strange one for him. Um,

0:16:29.600 --> 0:16:33.080
<v Speaker 1>but I don't think honestly, it's very like it's a

0:16:33.160 --> 0:16:36.880
<v Speaker 1>little bit of his character, like true grit, A drunken

0:16:37.080 --> 0:16:42.040
<v Speaker 1>hard nos Us Marshall and Texas ranger helps a stubborn

0:16:42.120 --> 0:16:45.280
<v Speaker 1>teenager track down her father's murderer. There you go, like

0:16:47.760 --> 0:16:52.040
<v Speaker 1>hard nosed and hard nosed, never served his country. So

0:16:52.160 --> 0:16:54.640
<v Speaker 1>that's allow one. You gotta take it a little bit.

0:16:55.480 --> 0:16:59.200
<v Speaker 1>So it's interesting, um, because it's one of those things.

0:16:59.240 --> 0:17:02.360
<v Speaker 1>I don't think he's as these anti John Wayne anecdotes

0:17:02.360 --> 0:17:03.880
<v Speaker 1>about how drunk he was. I don't think he was

0:17:03.920 --> 0:17:07.560
<v Speaker 1>as unfunctional as those anecdotes imply. But we might have

0:17:07.600 --> 0:17:10.280
<v Speaker 1>been better off if he had been because another movie

0:17:10.320 --> 0:17:12.600
<v Speaker 1>John Wayne cared a lot about making and put a

0:17:12.640 --> 0:17:15.040
<v Speaker 1>lot of work into later in his career was The

0:17:15.080 --> 0:17:17.840
<v Speaker 1>Green Berets. And this is a film that would go

0:17:17.840 --> 0:17:20.960
<v Speaker 1>on to have pretty disastrous consequences for a number of

0:17:21.000 --> 0:17:25.600
<v Speaker 1>members of a generation. So you're not necessarily a bassard

0:17:25.600 --> 0:17:28.320
<v Speaker 1>as an action movie star if your films like reinforce

0:17:28.440 --> 0:17:31.480
<v Speaker 1>attitudes about violence and masculinity that lead young men to

0:17:31.520 --> 0:17:35.760
<v Speaker 1>make some like dumb decisions such as joining the army. Um.

0:17:35.800 --> 0:17:39.199
<v Speaker 1>But John Wayne knew that his films could do that

0:17:39.280 --> 0:17:42.439
<v Speaker 1>and actively sought to use them to convince people to

0:17:42.480 --> 0:17:45.240
<v Speaker 1>go and fight in Vietnam. Right. He understood that he

0:17:45.280 --> 0:17:48.400
<v Speaker 1>had influenced a generation's idea of manhood, and he decided

0:17:48.440 --> 0:17:50.600
<v Speaker 1>to use that influence to try to get more young

0:17:50.600 --> 0:17:54.760
<v Speaker 1>men to volunteer to go fight in Southeast Asia. Um. Now,

0:17:54.760 --> 0:17:56.240
<v Speaker 1>before we get into that a little more, I want

0:17:56.240 --> 0:17:57.960
<v Speaker 1>to read a quote from this right up I found

0:17:57.960 --> 0:18:00.240
<v Speaker 1>in Salon dot com that gives a good overview on

0:18:00.280 --> 0:18:02.199
<v Speaker 1>the broad strokes of kind of what it meant in

0:18:02.280 --> 0:18:04.760
<v Speaker 1>nineteen sixty eight to be what some people called a

0:18:04.920 --> 0:18:09.600
<v Speaker 1>John Wayne man. John Wayne, Yeah, John Wayne stands simply

0:18:09.680 --> 0:18:12.720
<v Speaker 1>is the most persuasive and overwhelming embodiment of our ambivalence

0:18:12.720 --> 0:18:15.800
<v Speaker 1>about American manhood. His persona gathers in one place, the

0:18:15.840 --> 0:18:18.760
<v Speaker 1>allure of violence, the call away from the frontier, the

0:18:18.800 --> 0:18:21.920
<v Speaker 1>tortured ambivalence toward women and the home, the dark pleasure

0:18:21.920 --> 0:18:25.639
<v Speaker 1>of said romanticism, all those things that reside unspoken at

0:18:25.640 --> 0:18:27.320
<v Speaker 1>the center of our sense of what it means to

0:18:27.320 --> 0:18:32.359
<v Speaker 1>be a man in America, dark ambivalent towards the home.

0:18:32.560 --> 0:18:38.560
<v Speaker 1>Just just say, do women like, Yeah, the man who

0:18:38.680 --> 0:18:42.360
<v Speaker 1>strikes his wife, Well, it's this thing that you have

0:18:42.480 --> 0:18:44.639
<v Speaker 1>because you know early in his career. They're like, we

0:18:44.640 --> 0:18:46.359
<v Speaker 1>want him to look like a guy who doesn't have

0:18:46.359 --> 0:18:48.199
<v Speaker 1>a lot of experience with women because he spends all

0:18:48.200 --> 0:18:49.879
<v Speaker 1>of his time in the frontier, so he kind of

0:18:50.000 --> 0:18:54.199
<v Speaker 1>is uncomfortable around women. And that's kind of part of

0:18:54.240 --> 0:18:57.240
<v Speaker 1>I think why that expands to even more of a

0:18:57.280 --> 0:18:59.439
<v Speaker 1>thing in a Hollywood is you have this mix of

0:18:59.800 --> 0:19:02.520
<v Speaker 1>the male lead. Number one has to be very clearly

0:19:02.560 --> 0:19:04.360
<v Speaker 1>not gay. So you've got to show a woman as

0:19:04.359 --> 0:19:09.080
<v Speaker 1>being interested in him, right, Um, which not necessarily a

0:19:09.160 --> 0:19:11.919
<v Speaker 1>sign that they're not gay for sure. Um, but you

0:19:11.960 --> 0:19:15.399
<v Speaker 1>know we're talking nineteen sixties Hollywood logic. You gotta you

0:19:15.400 --> 0:19:18.639
<v Speaker 1>gotta show him with a woman, but also like sex

0:19:18.680 --> 0:19:20.720
<v Speaker 1>and stuff, that's that's going to get you in trouble.

0:19:20.800 --> 0:19:22.360
<v Speaker 1>So you don't you don't ever want him to get

0:19:22.400 --> 0:19:24.920
<v Speaker 1>too close to him necessarily, and so you you wind

0:19:25.000 --> 0:19:26.640
<v Speaker 1>up with a lot of these heroes who are like

0:19:27.240 --> 0:19:31.800
<v Speaker 1>magnetic to women but also kind of pushing them away. Um,

0:19:31.920 --> 0:19:34.440
<v Speaker 1>these these sort of like yeah, it's all and also

0:19:34.520 --> 0:19:36.960
<v Speaker 1>just like these ideas about masculinity. You don't want to

0:19:37.000 --> 0:19:39.760
<v Speaker 1>have a guy who's like vulnerable with a woman. It's

0:19:39.760 --> 0:19:42.919
<v Speaker 1>the kind of James Bond thing right where he's gonna

0:19:43.160 --> 0:19:45.000
<v Speaker 1>you know, he'll sleep with a woman, but he doesn't

0:19:45.000 --> 0:19:47.879
<v Speaker 1>have relationships or whatever. I think that's up in the

0:19:47.920 --> 0:19:52.080
<v Speaker 1>shower unannounced and they'll just start having sex and you're like,

0:19:52.160 --> 0:19:55.720
<v Speaker 1>I guess that was consent, But like John Wyn won't

0:19:55.720 --> 0:19:58.400
<v Speaker 1>even do that, right because because Jim Bond is more

0:19:58.400 --> 0:20:01.720
<v Speaker 1>advanced in his attitudes towards female liberation than John Wayne,

0:20:01.800 --> 0:20:05.840
<v Speaker 1>characters tend to be you know, um, she can carry

0:20:05.840 --> 0:20:10.120
<v Speaker 1>a gun that yeah yeah, um, yeah, yeah, I know that.

0:20:10.119 --> 0:20:14.560
<v Speaker 1>That is really um, it's it explains so much. And

0:20:14.600 --> 0:20:19.040
<v Speaker 1>also to recruit use your film to recruit young American

0:20:19.080 --> 0:20:21.399
<v Speaker 1>men into a war which is already going to give

0:20:21.440 --> 0:20:24.119
<v Speaker 1>him PTSD and then come home and like the the

0:20:24.320 --> 0:20:29.400
<v Speaker 1>manly thing to do. Don't talk about it, don't address it,

0:20:29.880 --> 0:20:33.280
<v Speaker 1>bottle it up. Stoicism. Like, I think there's a stoicism

0:20:33.720 --> 0:20:39.879
<v Speaker 1>that John Wayne really instilled in about American masculinity. Yes, um,

0:20:39.960 --> 0:20:42.320
<v Speaker 1>And and it's like it's also kind of, I think,

0:20:42.359 --> 0:20:44.800
<v Speaker 1>an impotent stoicism. It's not the kind of there's a

0:20:44.840 --> 0:20:48.200
<v Speaker 1>good stoicism where you're not, you know, letting yourself getting

0:20:48.240 --> 0:20:51.239
<v Speaker 1>beaten down by the world. You're not like showing you know,

0:20:51.400 --> 0:20:55.840
<v Speaker 1>your weakness and situations where that's bad. But John Wayne

0:20:55.840 --> 0:20:59.200
<v Speaker 1>stoicism is like, don't show vulnerability and situations where that

0:20:59.280 --> 0:21:02.880
<v Speaker 1>might make you st younger. Uh. But anyway, that's we're

0:21:02.920 --> 0:21:04.880
<v Speaker 1>getting into a little bit of a deeper topic. But so,

0:21:05.200 --> 0:21:09.040
<v Speaker 1>you know, Vietnam nineteen has become like a thing. You know,

0:21:09.920 --> 0:21:13.119
<v Speaker 1>it's clear that it's a real problem, and Americans really

0:21:13.119 --> 0:21:15.600
<v Speaker 1>don't seem to be liking this, this thing that we're doing.

0:21:15.880 --> 0:21:18.439
<v Speaker 1>And so John Wayne decides, I gotta do whatever I

0:21:18.480 --> 0:21:20.960
<v Speaker 1>can to confence more young boys to throw themselves into

0:21:20.960 --> 0:21:22.680
<v Speaker 1>this meat grinder. And he decides the best way to

0:21:22.720 --> 0:21:25.520
<v Speaker 1>do this is by making a movie about the special forces.

0:21:25.960 --> 0:21:29.240
<v Speaker 1>Now at this point, that's a pretty new concept. The

0:21:29.359 --> 0:21:32.600
<v Speaker 1>very first kind of modern special forces teams were in

0:21:32.640 --> 0:21:34.800
<v Speaker 1>World War Two. Some people will say that like the

0:21:34.840 --> 0:21:39.000
<v Speaker 1>German um uh Falstrom Yeager, some of which were like

0:21:39.040 --> 0:21:42.199
<v Speaker 1>their their their paratroopers. They had some units that were

0:21:42.280 --> 0:21:45.560
<v Speaker 1>kind of the first modern spec ops units. UM, and

0:21:45.640 --> 0:21:48.040
<v Speaker 1>you have you know, some some British and some American

0:21:48.160 --> 0:21:50.160
<v Speaker 1>units that are kind of experimenting with some of this ship.

0:21:50.720 --> 0:21:55.040
<v Speaker 1>Vietnam is really where the modern special forces kind of

0:21:55.080 --> 0:21:58.320
<v Speaker 1>comes together as a distinct thing for the first time

0:21:58.359 --> 0:22:00.960
<v Speaker 1>in a modern way. Um, where we get the first

0:22:01.000 --> 0:22:04.400
<v Speaker 1>Green Beret teams. Right, that's kind of the first popular

0:22:04.880 --> 0:22:08.040
<v Speaker 1>concept of special forces comes from these these teams, which

0:22:08.040 --> 0:22:10.760
<v Speaker 1>are initially called A teams, which is why the A

0:22:10.880 --> 0:22:13.440
<v Speaker 1>Team was called the A team that President Kennedy sends

0:22:13.480 --> 0:22:16.240
<v Speaker 1>into Vietnam in nineteen sixty one, and they gradually like,

0:22:16.280 --> 0:22:18.920
<v Speaker 1>that's what becomes the idea of Green Berets, is these

0:22:18.960 --> 0:22:21.440
<v Speaker 1>these A teams become the Green Berets. When's the Mr

0:22:21.440 --> 0:22:24.639
<v Speaker 1>T episode? Huh. Mr T has never done anything wrong,

0:22:24.720 --> 0:22:27.760
<v Speaker 1>so we're not going to be doing that episode. Look,

0:22:27.760 --> 0:22:33.000
<v Speaker 1>he gave up his chains after Hurricane Katrina. Okay what Yeah.

0:22:33.119 --> 0:22:35.040
<v Speaker 1>Mr T gave up because he went to help in

0:22:35.119 --> 0:22:37.840
<v Speaker 1>the relief efforts and he was he was horrified by

0:22:37.960 --> 0:22:40.359
<v Speaker 1>the privation and poverty he saw on the side. It

0:22:40.359 --> 0:22:43.600
<v Speaker 1>would be obscene for him to continue wearing gold. Damn.

0:22:43.800 --> 0:22:48.399
<v Speaker 1>This is a story where we yeah, I got nothing

0:22:48.440 --> 0:22:51.040
<v Speaker 1>to say bad about Mr T. Yeah, and the serial

0:22:51.200 --> 0:22:56.320
<v Speaker 1>was good one. He's also super vocal about like vaccinations.

0:22:56.440 --> 0:22:59.439
<v Speaker 1>He thinks it's good to be vaccinated. Yes, damn it.

0:22:59.520 --> 0:23:02.560
<v Speaker 1>We need strong men likeness. I pity the fool who

0:23:02.600 --> 0:23:08.560
<v Speaker 1>cannot appreciate Mr T. Like legitimately pity the fool. Um.

0:23:08.600 --> 0:23:11.800
<v Speaker 1>So this idea of like specially trained super soldiers that

0:23:11.840 --> 0:23:14.879
<v Speaker 1>you drop behind enemy lines and they fight under incredible odds,

0:23:15.240 --> 0:23:17.679
<v Speaker 1>this is like Hollywood fodder. Like as soon as we

0:23:17.760 --> 0:23:22.200
<v Speaker 1>start having these Special Forces guys in Vietnam, Hollywood's like, oh, ship,

0:23:22.320 --> 0:23:24.920
<v Speaker 1>this is all We're gonna make movies about for forever, right,

0:23:25.080 --> 0:23:27.320
<v Speaker 1>Like this is this is the only thing we want

0:23:27.359 --> 0:23:32.760
<v Speaker 1>to turn into a movie now. Inter Robin Moore Robin

0:23:32.840 --> 0:23:36.080
<v Speaker 1>Moore is a World War Two veteran and a journalist who,

0:23:36.119 --> 0:23:38.080
<v Speaker 1>because of his connections to I think it was Ted

0:23:38.160 --> 0:23:42.080
<v Speaker 1>Kennedy got to go through Special Forces school as a civilian.

0:23:42.200 --> 0:23:43.640
<v Speaker 1>He's I don't know if he's the only, but he's

0:23:43.680 --> 0:23:46.160
<v Speaker 1>the first civilian to ever do this. And he embeds

0:23:46.240 --> 0:23:49.400
<v Speaker 1>with the Green Berets in Vietnam, and he's technically a journalist,

0:23:49.440 --> 0:23:53.560
<v Speaker 1>but he's also like fighting alongside them, which is ethically

0:23:53.680 --> 0:23:57.200
<v Speaker 1>kind of blurring the lines of journalism. He's a real

0:23:57.400 --> 0:24:02.639
<v Speaker 1>interesting character to study, Robin Moore. Being embedded is like

0:24:02.760 --> 0:24:06.600
<v Speaker 1>a little sauce. You're always like, yeah, it compromises objectivity

0:24:06.600 --> 0:24:12.600
<v Speaker 1>anytime you're embedded, but shooting people is a real violation

0:24:12.680 --> 0:24:15.399
<v Speaker 1>of any kind of burned huts. He may have burned

0:24:15.440 --> 0:24:18.960
<v Speaker 1>some huts, a little bit of hut burning um. And

0:24:19.000 --> 0:24:21.000
<v Speaker 1>he's fun because he'll get conned by a dude named

0:24:21.080 --> 0:24:23.520
<v Speaker 1>Jack Adiema during the war in Afghanistan. But that's a

0:24:23.560 --> 0:24:25.200
<v Speaker 1>lot later when he's an old man, so he writes

0:24:25.320 --> 0:24:26.679
<v Speaker 1>he's in the he spends a bunch of time with

0:24:26.680 --> 0:24:29.400
<v Speaker 1>these Green Berets. He writes this book, The Green Berets,

0:24:29.440 --> 0:24:31.400
<v Speaker 1>which is like, it's like on the best seller list

0:24:31.440 --> 0:24:33.960
<v Speaker 1>for more than a year. It's a huge hit. People

0:24:34.160 --> 0:24:36.080
<v Speaker 1>fucking and he has to he has to be in

0:24:36.400 --> 0:24:38.840
<v Speaker 1>during the height of the war, like sixty it's like

0:24:38.880 --> 0:24:41.480
<v Speaker 1>sixty five or six. I think that it published. Yeah,

0:24:41.480 --> 0:24:43.719
<v Speaker 1>it's like, um sometimes I think it must have been

0:24:43.760 --> 0:24:47.040
<v Speaker 1>like sixty five. Um, so pretty early on. Uh. And

0:24:47.080 --> 0:24:50.159
<v Speaker 1>he publishes this book as a fiction book because he

0:24:50.240 --> 0:24:52.560
<v Speaker 1>has to do that in order to pretend he's not

0:24:52.640 --> 0:24:56.960
<v Speaker 1>giving away operational secrets. The government considers prosecuting him because

0:24:57.000 --> 0:24:59.040
<v Speaker 1>he's writing about a bunch of ship he shouldn't be

0:24:59.080 --> 0:25:03.120
<v Speaker 1>writing about. Um, it's a weird call to just let

0:25:03.160 --> 0:25:05.400
<v Speaker 1>this guy hang out with your special forces. But then

0:25:05.400 --> 0:25:07.200
<v Speaker 1>he writes a book that pisses them off a lot.

0:25:07.720 --> 0:25:10.000
<v Speaker 1>And the reason, one of the reasons apparently that they

0:25:10.000 --> 0:25:13.439
<v Speaker 1>don't go through prosecuting him, is that John Wayne buys

0:25:13.520 --> 0:25:16.720
<v Speaker 1>the film rights from Robin Moore, um, in order to

0:25:16.760 --> 0:25:21.280
<v Speaker 1>make a movie. Um. And so yeah he well, now

0:25:21.280 --> 0:25:24.760
<v Speaker 1>that Wayne is attached, Well, what happens is he sends

0:25:24.760 --> 0:25:27.800
<v Speaker 1>a letter to President Lyndon Baynes Johnson to try to

0:25:27.840 --> 0:25:30.240
<v Speaker 1>get his cooperation, because he basically says, I want to

0:25:30.240 --> 0:25:33.200
<v Speaker 1>make the first pro war movie about the Vietnam War.

0:25:33.280 --> 0:25:36.639
<v Speaker 1>To try and build public support for this thing. He writes, quote,

0:25:36.920 --> 0:25:39.240
<v Speaker 1>we want to show such scenes as the little village

0:25:39.240 --> 0:25:41.359
<v Speaker 1>that has erected its own statue of liberty to the

0:25:41.359 --> 0:25:43.560
<v Speaker 1>American people. We want to bring out that if we

0:25:43.600 --> 0:25:45.440
<v Speaker 1>abandon these people, there will be a blood bath of

0:25:45.520 --> 0:25:48.240
<v Speaker 1>over two million souls. We want to show the professional

0:25:48.280 --> 0:25:50.679
<v Speaker 1>soldier carrying out his duty of death, but also his

0:25:50.760 --> 0:25:55.119
<v Speaker 1>extracurricular activities helping small communities, giving them medical supplies, toys

0:25:55.160 --> 0:25:58.919
<v Speaker 1>for their children's and little things like soap. Um. So

0:25:58.920 --> 0:26:03.600
<v Speaker 1>that's the movie. Like John Wayne sends this letter, soap A. K. Hayden, Napalm.

0:26:04.040 --> 0:26:09.000
<v Speaker 1>Napalm cleans things. You know, eventually there's no bacteria in

0:26:09.000 --> 0:26:12.880
<v Speaker 1>the wake of a napalm strike. Absolutely, so you want

0:26:12.920 --> 0:26:18.920
<v Speaker 1>to get rid of napalm knocks it right out, um,

0:26:19.200 --> 0:26:21.720
<v Speaker 1>right up from history Net continues quote. John Wayne took

0:26:21.720 --> 0:26:24.200
<v Speaker 1>his first step towards production of the picture in nineteen

0:26:24.240 --> 0:26:26.480
<v Speaker 1>sixty five, buying the film rights from the author more

0:26:26.680 --> 0:26:28.880
<v Speaker 1>the path was cleared in nearly nineteen sixty six when

0:26:28.880 --> 0:26:32.760
<v Speaker 1>President Johnson's advisor Jack Valinti convinced lb J to give

0:26:32.840 --> 0:26:36.920
<v Speaker 1>Wayne permission to make the film. Valinti observed, Wayne's politics

0:26:36.960 --> 0:26:39.720
<v Speaker 1>are wrong, but insofar as Vietnam is concerned, his views

0:26:39.720 --> 0:26:41.840
<v Speaker 1>are right. If he made the picture, he would be

0:26:41.880 --> 0:26:46.560
<v Speaker 1>saying the things we once said. So I mean he's

0:26:46.560 --> 0:26:48.600
<v Speaker 1>doing he's offering it for free. I mean this is

0:26:48.680 --> 0:26:52.760
<v Speaker 1>before the U. S. Military would bankroll things like black

0:26:52.760 --> 0:26:56.320
<v Speaker 1>Hogdown or like fucking even transformers. They put money behind

0:26:56.359 --> 0:26:58.879
<v Speaker 1>transformers and ship It's fun. You say that, because this

0:26:58.920 --> 0:27:02.040
<v Speaker 1>is how that starts. Oh cute, qute, que cute, Oh

0:27:02.040 --> 0:27:04.119
<v Speaker 1>my god, origin story. But you know what else is

0:27:04.160 --> 0:27:08.600
<v Speaker 1>starting right now, Francesca, what the products and services that

0:27:08.680 --> 0:27:18.480
<v Speaker 1>support this podcast? Their ads are starting right now. Oh

0:27:18.480 --> 0:27:21.359
<v Speaker 1>we're back. Well. I don't know about you, Francesca, but

0:27:21.400 --> 0:27:26.760
<v Speaker 1>those ads convinced me to become a Green Beret. I'm

0:27:26.760 --> 0:27:29.399
<v Speaker 1>gonna go fight in Vietnam. Was it a ZIP recruiter

0:27:29.520 --> 0:27:31.879
<v Speaker 1>at it was? It was, it was, and it has

0:27:31.920 --> 0:27:34.560
<v Speaker 1>convinced me to take up the fight. I keep calling

0:27:34.600 --> 0:27:37.080
<v Speaker 1>the recruiters and they keep saying there's no war in Vietnam.

0:27:37.119 --> 0:27:39.440
<v Speaker 1>You can't just travel to Vietnam and start fighting people

0:27:39.520 --> 0:27:42.640
<v Speaker 1>like you. You'll go to prison forever. But I'm gonna

0:27:42.640 --> 0:27:44.040
<v Speaker 1>do it. I'm gonna give it a shot. Like we

0:27:44.080 --> 0:27:47.679
<v Speaker 1>need a social media manager. You're like green beret, green

0:27:48.080 --> 0:27:52.720
<v Speaker 1>beret that's what I'm gonna do. Um oh my god.

0:27:52.800 --> 0:27:57.600
<v Speaker 1>So really foreshadowing of the the US military funding this.

0:27:57.960 --> 0:28:01.160
<v Speaker 1>Uh huh, well, not funding it. It's not quite there yet,

0:28:01.200 --> 0:28:04.240
<v Speaker 1>but this is this we'll get into it. So Wayne

0:28:04.280 --> 0:28:07.760
<v Speaker 1>John Wayne makes his son Michael the film's producer because nepotism,

0:28:07.800 --> 0:28:10.359
<v Speaker 1>and in February of nineteen sixty six, he hires James

0:28:10.440 --> 0:28:13.720
<v Speaker 1>Lee Barrett, who's a former marine and a screenwriter, to

0:28:13.880 --> 0:28:16.840
<v Speaker 1>draft a screen play. And the screenplay has very little

0:28:16.880 --> 0:28:19.680
<v Speaker 1>to do with Robin Moore's book. That's again some people

0:28:19.680 --> 0:28:21.840
<v Speaker 1>will allege part of the agreement he made with the

0:28:21.880 --> 0:28:24.560
<v Speaker 1>government where like, I'll adapt this into a movie, but

0:28:24.600 --> 0:28:27.679
<v Speaker 1>I won't include anything from the book really because the

0:28:27.680 --> 0:28:29.560
<v Speaker 1>book is full of a bunch of secrets you didn't

0:28:29.600 --> 0:28:33.080
<v Speaker 1>want getting out. And that's part of why the LBJ

0:28:33.160 --> 0:28:35.360
<v Speaker 1>administration is like, well this, this can help us kind

0:28:35.359 --> 0:28:37.520
<v Speaker 1>of launder away some of the ship we didn't want

0:28:37.760 --> 0:28:41.440
<v Speaker 1>people to know that's in that book. Um. So, the

0:28:41.520 --> 0:28:44.959
<v Speaker 1>two Waynes and Barrett visit the Defense Department in Fort Bragg,

0:28:45.640 --> 0:28:48.080
<v Speaker 1>uh in order to like so they get like approval

0:28:48.120 --> 0:28:50.600
<v Speaker 1>from the government to see where special forces trained and

0:28:50.640 --> 0:28:54.320
<v Speaker 1>to do research and whatnot and the production receives. And

0:28:54.360 --> 0:28:56.280
<v Speaker 1>this is one of the first times this has happened.

0:28:57.280 --> 0:29:00.600
<v Speaker 1>A substantial amount of help from the armed forces. Um.

0:29:00.720 --> 0:29:03.640
<v Speaker 1>They did pay fees to use d o D property

0:29:03.720 --> 0:29:06.280
<v Speaker 1>and for some of the equipment least to them, um,

0:29:06.320 --> 0:29:08.239
<v Speaker 1>but a lot of stuff was made free for them

0:29:08.320 --> 0:29:12.920
<v Speaker 1>as props, which did substantially defray costs. Some biographers like

0:29:13.040 --> 0:29:15.680
<v Speaker 1>Jensen dispute this UH and John Wayne would go on

0:29:15.720 --> 0:29:18.280
<v Speaker 1>to claim that they paid for everything. This does not

0:29:18.320 --> 0:29:21.400
<v Speaker 1>seem to have been entirely accurate. It does seem like

0:29:21.400 --> 0:29:24.200
<v Speaker 1>they got a good amount of stuff, at least subsidized,

0:29:24.240 --> 0:29:26.640
<v Speaker 1>that would have cost more or just not been available

0:29:26.880 --> 0:29:29.680
<v Speaker 1>if the d D hadn't played ball. And evidence for

0:29:29.720 --> 0:29:31.640
<v Speaker 1>this can be seen in the fact that the studio

0:29:31.760 --> 0:29:37.000
<v Speaker 1>allowed the Pentagon to retain script control. Right. Wow, So

0:29:37.080 --> 0:29:39.920
<v Speaker 1>you had like forty eight, you had you had something

0:29:39.960 --> 0:29:43.320
<v Speaker 1>kind of like partnerships with Hollywood or not in forty

0:29:43.600 --> 0:29:45.520
<v Speaker 1>In the forties, for like World War Two, you had

0:29:45.560 --> 0:29:48.200
<v Speaker 1>some partnerships with Hollywood and the d O D. This

0:29:48.320 --> 0:29:50.200
<v Speaker 1>is the first time that you have like an independent

0:29:50.240 --> 0:29:52.680
<v Speaker 1>movie that a studio is making on its own that

0:29:52.760 --> 0:29:55.280
<v Speaker 1>they kind of make a deal with the government in

0:29:55.360 --> 0:29:59.080
<v Speaker 1>exchange for stuff to give the Pentagon script control, right,

0:29:59.440 --> 0:30:02.960
<v Speaker 1>and the d D does request extensive rewrites and detailed

0:30:03.040 --> 0:30:06.280
<v Speaker 1>changes to the plot and dialogue, and those changes are made. Uh.

0:30:06.320 --> 0:30:08.440
<v Speaker 1>This is the first modern movie co written by the

0:30:08.440 --> 0:30:11.760
<v Speaker 1>Pentagon in exchange for access to gear in military infrastructure.

0:30:12.120 --> 0:30:14.680
<v Speaker 1>It is not to the same extent that it will

0:30:14.760 --> 0:30:17.160
<v Speaker 1>later be. Right, they're not getting nearly as much ship free.

0:30:17.160 --> 0:30:18.960
<v Speaker 1>They are paying for more ship. But this is the

0:30:19.000 --> 0:30:23.480
<v Speaker 1>start of that process. Yeah. I just think it's incredible

0:30:23.520 --> 0:30:26.400
<v Speaker 1>that at this time you could turn on the television

0:30:26.640 --> 0:30:31.480
<v Speaker 1>and just watch Yeah, kids coming home in body bags. Uh,

0:30:32.000 --> 0:30:36.280
<v Speaker 1>children with napalm burns on them, Like the Meli massacre

0:30:36.440 --> 0:30:41.440
<v Speaker 1>was very much publicized. Don't worry, but just and and

0:30:41.480 --> 0:30:44.080
<v Speaker 1>you're like, well, but this one movie, this is gonna do.

0:30:44.200 --> 0:30:49.000
<v Speaker 1>It's silver bullet like turning around baby. I mean arguably right.

0:30:49.040 --> 0:30:51.520
<v Speaker 1>That was the lesson of Vietnam was like, oh, just

0:30:51.720 --> 0:30:56.480
<v Speaker 1>do the propaganda movies don't show what's actually happening around Well,

0:30:56.480 --> 0:30:59.120
<v Speaker 1>and it is this. You can never do it for everybody,

0:30:59.160 --> 0:31:01.520
<v Speaker 1>but with the right movies at the right time, you

0:31:01.560 --> 0:31:05.080
<v Speaker 1>can change what happens in a war for a select population.

0:31:05.240 --> 0:31:09.000
<v Speaker 1>Like the movie American Sniper for a certain chunk of

0:31:09.120 --> 0:31:13.320
<v Speaker 1>Americans has changed the thing they private like because of

0:31:13.360 --> 0:31:15.840
<v Speaker 1>how big that movie was in certain chunks of the population.

0:31:16.360 --> 0:31:18.200
<v Speaker 1>A lot of people when they think of the Iraq

0:31:18.280 --> 0:31:21.840
<v Speaker 1>War don't think about that we of the government light

0:31:21.920 --> 0:31:24.680
<v Speaker 1>a shipload to get us in there. That are primary.

0:31:24.800 --> 0:31:26.920
<v Speaker 1>Many of our goals were not achieved if there were

0:31:26.920 --> 0:31:30.000
<v Speaker 1>not weapons of mass destruction, that the Iraqi people suffered tremendously,

0:31:30.040 --> 0:31:34.640
<v Speaker 1>that the rebuilding process was corrupted and efficient. They think, big,

0:31:34.680 --> 0:31:38.800
<v Speaker 1>strong guy sniper, he shoot people good, look at him,

0:31:39.000 --> 0:31:41.480
<v Speaker 1>he's American Sniper. I got him on a hat. I'm

0:31:41.480 --> 0:31:44.640
<v Speaker 1>gonna wear it. That's Bradley Cooper, right, Yeah, it's Bradley

0:31:44.640 --> 0:31:47.920
<v Speaker 1>Cooper exactly. That's why when the hurt Locker, I'm like,

0:31:48.040 --> 0:31:50.960
<v Speaker 1>man like, I support women directors, but why does it

0:31:51.000 --> 0:31:53.560
<v Speaker 1>got to be Cavin Bigelow doing the hurt Locker, Like, really,

0:31:53.600 --> 0:31:55.280
<v Speaker 1>that's the story. And then she gets on stage and

0:31:55.320 --> 0:31:59.440
<v Speaker 1>thanks the firefighters. I'm sorry, I'm showing my prejudice against you.

0:31:59.520 --> 0:32:03.200
<v Speaker 1>Can't you you can't actually have a movie about the

0:32:03.240 --> 0:32:06.160
<v Speaker 1>Iraq War, um, because it would be I mean, there's

0:32:06.160 --> 0:32:08.680
<v Speaker 1>issues with the movie Vice but that's an actual movie

0:32:08.720 --> 0:32:11.240
<v Speaker 1>about the Iraq War to an extent, where it's about

0:32:11.320 --> 0:32:14.120
<v Speaker 1>like the the people and kind of the venal and

0:32:14.160 --> 0:32:17.040
<v Speaker 1>corrupt attitudes that lead us in there. You can't have

0:32:17.080 --> 0:32:19.840
<v Speaker 1>a movie about what the Iraq War is actually about,

0:32:19.880 --> 0:32:22.360
<v Speaker 1>but you can make a bunch of movies about likable

0:32:22.440 --> 0:32:25.200
<v Speaker 1>dudes in the Iraq War that will make people feel

0:32:25.520 --> 0:32:29.240
<v Speaker 1>more fondly towards the military and the military industrial complex

0:32:29.280 --> 0:32:32.320
<v Speaker 1>as opposed to just be like, all of these wars

0:32:32.320 --> 0:32:35.320
<v Speaker 1>are disasters and clearly the people running our defense department

0:32:35.320 --> 0:32:38.160
<v Speaker 1>are incompetent because look at how these get handled every time.

0:32:38.200 --> 0:32:41.920
<v Speaker 1>Look at how badly these wars were prosecuted. That's not

0:32:42.400 --> 0:32:46.040
<v Speaker 1>like you're not gonna forbid perspective of an Iraqi either.

0:32:47.160 --> 0:32:48.840
<v Speaker 1>I mean, every now and then, I will say this.

0:32:48.960 --> 0:32:52.520
<v Speaker 1>The movie Mosle, which was um directed by it was Carnahan,

0:32:52.560 --> 0:32:54.760
<v Speaker 1>but it was produced by the Russo brothers. That is

0:32:54.800 --> 0:32:57.120
<v Speaker 1>a really good movie that does it. There's not like

0:32:57.160 --> 0:33:01.240
<v Speaker 1>an American in that movie. Really, it's all like iraqis.

0:33:01.280 --> 0:33:03.800
<v Speaker 1>All of the characters, Uh, they think they're pretty much

0:33:03.800 --> 0:33:05.880
<v Speaker 1>a good a buddy of mine. Sangar was actually like

0:33:05.920 --> 0:33:10.440
<v Speaker 1>the local consultant on the cultural consultant on the film. Um,

0:33:10.480 --> 0:33:12.280
<v Speaker 1>and it does. As someone who was there in Mosle,

0:33:12.320 --> 0:33:14.000
<v Speaker 1>it was a really good job. I know some of

0:33:14.040 --> 0:33:16.160
<v Speaker 1>the dudes it was based on here, so you do

0:33:16.240 --> 0:33:20.000
<v Speaker 1>actually get some really good like it. It doesn't not

0:33:20.120 --> 0:33:24.000
<v Speaker 1>happen right like stuff like this, But most people probably

0:33:24.040 --> 0:33:27.080
<v Speaker 1>haven't seen Mosele. And everybody knows about the movie American Sniper,

0:33:27.240 --> 0:33:31.160
<v Speaker 1>you know, and this doesn't have Bradley. This doesn't have Bradley.

0:33:31.360 --> 0:33:35.360
<v Speaker 1>Um and again like just this is happening in Vietnam too. Um,

0:33:35.480 --> 0:33:38.360
<v Speaker 1>the Green Berets becomes the only I think definitely the

0:33:38.360 --> 0:33:41.520
<v Speaker 1>first and I think the only pro Vietnam movie about

0:33:41.640 --> 0:33:45.720
<v Speaker 1>Vietnam that comes out during the war. Um what's his name?

0:33:45.720 --> 0:33:49.320
<v Speaker 1>Makes Platoon specifically because he hates the Green Berets so

0:33:49.400 --> 0:33:52.560
<v Speaker 1>much like the movie Platoon is a reaction to how

0:33:52.640 --> 0:33:56.600
<v Speaker 1>what a piece of propaganda that Green Berets is? Is

0:33:56.640 --> 0:33:59.320
<v Speaker 1>that Oliver Stone? Or am I I think it's Stone?

0:33:59.440 --> 0:34:02.959
<v Speaker 1>I think it's Stone? Um? And he he gets like

0:34:03.120 --> 0:34:05.920
<v Speaker 1>piste off by what a piece of bullshit this film becomes.

0:34:06.320 --> 0:34:09.160
<v Speaker 1>I've never I need to see Green Berets because I've

0:34:09.640 --> 0:34:12.560
<v Speaker 1>never like I've never seen a positive spin on the

0:34:12.640 --> 0:34:15.239
<v Speaker 1>Vietnam It's pretty fun. I watched it as a kid.

0:34:15.280 --> 0:34:16.840
<v Speaker 1>My parents wanted me to see if they thought it

0:34:16.880 --> 0:34:18.360
<v Speaker 1>was a great movie. One of my uncle's was a

0:34:18.400 --> 0:34:24.799
<v Speaker 1>Green Beret, so like, yeah, and it's think, um, I

0:34:24.840 --> 0:34:29.200
<v Speaker 1>mean he abandoned anyway, we don't need to get into

0:34:29.239 --> 0:34:32.520
<v Speaker 1>my uncle. Um, we don't need to talk about that

0:34:32.600 --> 0:34:35.479
<v Speaker 1>uncle in particular. I never I never knew him super well,

0:34:35.520 --> 0:34:39.600
<v Speaker 1>but like his service was a regular topic of discussion.

0:34:39.600 --> 0:34:41.000
<v Speaker 1>I think that's part of why my mom wanted me

0:34:41.040 --> 0:34:42.480
<v Speaker 1>to see To the Green Berets, is to know that

0:34:42.480 --> 0:34:46.120
<v Speaker 1>what my uncle Jim had done in the Green Berets. Um.

0:34:46.239 --> 0:34:48.840
<v Speaker 1>But this, I don't think this is a particularly accurate

0:34:48.880 --> 0:34:51.520
<v Speaker 1>movie about what the Green Berets did. And it's certainly

0:34:51.520 --> 0:34:55.680
<v Speaker 1>like it's filmed in Fort Bragg. It's very obviously not Vietnam.

0:34:56.040 --> 0:35:04.399
<v Speaker 1>It's like pine tree form. It could not look like Vietnam. Um. So,

0:35:04.480 --> 0:35:06.640
<v Speaker 1>this film, though, would start to prove to be kind

0:35:06.640 --> 0:35:09.160
<v Speaker 1>of the start of what is to date a decades

0:35:09.200 --> 0:35:13.440
<v Speaker 1>long collaboration between Hollywood and the d O d Um.

0:35:13.480 --> 0:35:15.799
<v Speaker 1>You know, it's a it's a proof of concept. The

0:35:15.840 --> 0:35:19.120
<v Speaker 1>film is utterly panned by reviewers, and it actually sparked

0:35:19.160 --> 0:35:22.120
<v Speaker 1>anti war protests in New York, Los Angeles and other

0:35:22.200 --> 0:35:25.719
<v Speaker 1>cities that because they protest, it makes conservatives loves that

0:35:25.800 --> 0:35:28.719
<v Speaker 1>love the film even more, right, Like, sure, do you

0:35:28.800 --> 0:35:31.280
<v Speaker 1>hear there's this there's this movie about our brave soldiers,

0:35:31.280 --> 0:35:33.239
<v Speaker 1>and they're protesting it in l a Like that's not

0:35:33.280 --> 0:35:35.000
<v Speaker 1>going to do anything but make you love it more.

0:35:35.920 --> 0:35:39.839
<v Speaker 1>Absolutely Suddenly it's it's it's become a martyr of the right. Yeah,

0:35:39.920 --> 0:35:42.960
<v Speaker 1>they love that stuff. Roger Ebert called it cowboy and

0:35:43.080 --> 0:35:47.040
<v Speaker 1>Indian idiotic. Renata Adler of The New York Times called

0:35:47.080 --> 0:35:50.440
<v Speaker 1>it vile and insane. Uh, none of this stopped it

0:35:50.520 --> 0:35:54.640
<v Speaker 1>from being a huge commercial success, earning twelve million dollars,

0:35:54.920 --> 0:35:57.440
<v Speaker 1>which is all of the money in the world in

0:35:57.640 --> 0:36:01.440
<v Speaker 1>nine dollars, and giving John un Wayne an excuse to

0:36:01.480 --> 0:36:05.080
<v Speaker 1>call the bad reviews quote ridiculously one sided, blind, stupid

0:36:05.080 --> 0:36:08.360
<v Speaker 1>criticism of our picture that made real people more conscious

0:36:08.360 --> 0:36:13.959
<v Speaker 1>of just how honest we were anti American. They tried

0:36:14.000 --> 0:36:17.960
<v Speaker 1>to cancel us, but can't cancel America. This is like

0:36:17.960 --> 0:36:19.840
<v Speaker 1>what the Daily Wire is going to try to remake.

0:36:19.880 --> 0:36:22.719
<v Speaker 1>They're gonna like remake the Green Berets and Shapiro is

0:36:22.719 --> 0:36:25.960
<v Speaker 1>going to fund it. Now here's the thing. John Wayne

0:36:26.120 --> 0:36:29.799
<v Speaker 1>was talented, so we are I am a little less

0:36:29.800 --> 0:36:33.880
<v Speaker 1>worried about Ben Shapiro because John Wayne had things he

0:36:33.960 --> 0:36:39.800
<v Speaker 1>was good at. There was there's the other Quigly sister,

0:36:40.000 --> 0:36:43.200
<v Speaker 1>it's like Margaret Quickly, and then there's the You've got

0:36:43.440 --> 0:36:47.839
<v Speaker 1>James Woods, James Woods, there's one other washed up right

0:36:47.880 --> 0:36:50.960
<v Speaker 1>wing celebrity, and you've got like Kirk Cameron. Get them

0:36:51.000 --> 0:36:54.799
<v Speaker 1>all together and get your A Team together, do a

0:36:54.800 --> 0:36:58.640
<v Speaker 1>new A Team reboot with just like disgraced conservative actors.

0:37:00.160 --> 0:37:03.000
<v Speaker 1>Oh my god, Oh man, I need to see that.

0:37:03.520 --> 0:37:08.040
<v Speaker 1>Have have the have the have your like Bosley be Uh,

0:37:08.120 --> 0:37:14.840
<v Speaker 1>Kelsey Grammar. Yeah, introducing Kyle Rittenhouse. Turns out that cry

0:37:15.280 --> 0:37:20.000
<v Speaker 1>was fake. Kyle Rittenhouse and James Woods in a fucking

0:37:20.520 --> 0:37:24.879
<v Speaker 1>action shoot him up. Ah yeah, do it? Do it?

0:37:25.560 --> 0:37:28.239
<v Speaker 1>We dare you? We want to see this. But yeah,

0:37:28.239 --> 0:37:31.240
<v Speaker 1>so it's interesting. I do legitimately want to see that movie.

0:37:31.800 --> 0:37:34.000
<v Speaker 1>It'll happen, It will have something like that, will have

0:37:34.200 --> 0:37:36.560
<v Speaker 1>written the House will get cast in an action movie

0:37:37.239 --> 0:37:41.560
<v Speaker 1>within the next couple of years, for sure. It is

0:37:41.600 --> 0:37:44.160
<v Speaker 1>just interesting that, like, even though he was a good actor,

0:37:45.120 --> 0:37:48.680
<v Speaker 1>like this sucked and it was like like sixty nine

0:37:48.680 --> 0:37:51.440
<v Speaker 1>it came out. Well, it's I think it sucked. I

0:37:51.440 --> 0:37:54.160
<v Speaker 1>think you would probably think it sucked. Most reviewers think

0:37:54.160 --> 0:37:56.239
<v Speaker 1>it sucked. A lot of people don't. A lot of

0:37:56.239 --> 0:37:59.160
<v Speaker 1>people like and they're not like when I say it's successful.

0:37:59.239 --> 0:38:01.960
<v Speaker 1>They're not like just blindly buying it to own the libs.

0:38:02.280 --> 0:38:04.520
<v Speaker 1>They enjoy it. It's a movie that's got some cool

0:38:04.560 --> 0:38:08.400
<v Speaker 1>action sequences and ship like it's not a good movie

0:38:08.400 --> 0:38:12.120
<v Speaker 1>about the Vietnam War, but as a movie, it succeeds

0:38:12.160 --> 0:38:18.640
<v Speaker 1>in making the audience happy. So you know, like so

0:38:18.760 --> 0:38:24.120
<v Speaker 1>it it like mission accomplished. Yeah, absolutely accomplished. Um And

0:38:24.120 --> 0:38:26.640
<v Speaker 1>and Wayne makes a big deal in like the the

0:38:26.640 --> 0:38:29.480
<v Speaker 1>ads for this or in the pr campaign for this movie,

0:38:29.560 --> 0:38:32.040
<v Speaker 1>the fact that he visited Vietnam and like spent time

0:38:32.080 --> 0:38:35.080
<v Speaker 1>with soldiers on his own, without handlers. He was like

0:38:35.120 --> 0:38:37.759
<v Speaker 1>adjacent to combat. He's on like chunks of the line

0:38:37.760 --> 0:38:41.360
<v Speaker 1>where there is shooting. Um And he gets really popular

0:38:41.400 --> 0:38:44.479
<v Speaker 1>with a lot of soldiers he meets there because they're like, oh, hey,

0:38:44.520 --> 0:38:46.719
<v Speaker 1>this guy who I saw in movies as a kid,

0:38:46.719 --> 0:38:49.399
<v Speaker 1>who like influenced my conception of manhood is like here

0:38:49.800 --> 0:38:53.839
<v Speaker 1>standing on the line. Uh, that's great. UM. So you know,

0:38:54.000 --> 0:38:56.440
<v Speaker 1>some of them think this is cool. There's obviously a

0:38:56.520 --> 0:39:00.360
<v Speaker 1>lot of Vietnam veterans, perhaps even significantly more of Vietnam

0:39:00.400 --> 0:39:03.479
<v Speaker 1>veterans who have been in combat and see this movie

0:39:03.520 --> 0:39:05.960
<v Speaker 1>and are like, well, this is just rank gross propaganda.

0:39:06.440 --> 0:39:08.480
<v Speaker 1>But it's not like one sided. There are a lot

0:39:08.520 --> 0:39:12.719
<v Speaker 1>of Vietnam veterans who like the fact that he does this. UM.

0:39:12.760 --> 0:39:14.719
<v Speaker 1>But it also must have been like the death of

0:39:14.800 --> 0:39:20.120
<v Speaker 1>a hero for a lot of the kids when they realize, well, yeah,

0:39:20.440 --> 0:39:24.440
<v Speaker 1>who were actually there and saw their friends die and

0:39:24.520 --> 0:39:27.719
<v Speaker 1>got injured and maimed and for what, Like it's kind

0:39:27.760 --> 0:39:29.960
<v Speaker 1>of that moment where you're you're like your hero, you

0:39:30.040 --> 0:39:32.600
<v Speaker 1>realize it's like a vicious right winger. It's this moment

0:39:32.640 --> 0:39:35.799
<v Speaker 1>a lot of people have in UM, A lot of

0:39:36.080 --> 0:39:38.960
<v Speaker 1>British kids have in World War One, when they realized

0:39:39.000 --> 0:39:41.800
<v Speaker 1>that all of these poems they had been told read about,

0:39:41.800 --> 0:39:43.760
<v Speaker 1>like the glory of war and all of these lutrid

0:39:43.840 --> 0:39:47.040
<v Speaker 1>paintings of colonial victories, that like, now here's what it's

0:39:47.080 --> 0:39:49.239
<v Speaker 1>really like to get shot at by a machine gun.

0:39:49.280 --> 0:39:53.759
<v Speaker 1>There's nothing glorious or manly about it. UM, And that

0:39:53.760 --> 0:39:55.440
<v Speaker 1>that there are a bunch of people who have it

0:39:55.480 --> 0:39:57.920
<v Speaker 1>and a bunch of kids who like had joined and

0:39:58.040 --> 0:40:01.200
<v Speaker 1>volunteered for Vietnam in part because of the things that

0:40:01.320 --> 0:40:04.520
<v Speaker 1>John Wayne had led him to believe about masculinity. Um

0:40:04.520 --> 0:40:07.840
<v Speaker 1>in Jesus and John Wayne, Dumez rights as one working

0:40:07.840 --> 0:40:10.799
<v Speaker 1>class Vietnam veteran later recalled he went to Vietnam to

0:40:11.040 --> 0:40:14.360
<v Speaker 1>kill a comie for Jesus Christ and John Wayne. It

0:40:14.480 --> 0:40:17.719
<v Speaker 1>was Sands of Iwajima that inspired ron Kovic to volunteer

0:40:17.760 --> 0:40:20.000
<v Speaker 1>for the Marines during the Vietnam War, a war that

0:40:20.000 --> 0:40:21.879
<v Speaker 1>would cost him the use of his legs and lead

0:40:21.920 --> 0:40:24.160
<v Speaker 1>to a disenchantment with war that he chronicled in his

0:40:24.200 --> 0:40:27.279
<v Speaker 1>memoir Born on the Fourth of July. Off screen, to

0:40:27.760 --> 0:40:30.240
<v Speaker 1>Wayne worked to recruit young men to the war effort,

0:40:30.320 --> 0:40:33.800
<v Speaker 1>ridiculing as soft those who didn't enlist. One critic labeled

0:40:33.800 --> 0:40:36.960
<v Speaker 1>Wayne the most important man in America given the role

0:40:37.040 --> 0:40:40.920
<v Speaker 1>his films played in driving American engagement in Vietnam. Covics

0:40:40.960 --> 0:40:44.040
<v Speaker 1>would later say on his previously John and Wayne inspired

0:40:44.080 --> 0:40:47.120
<v Speaker 1>ideas about war and manhood. I gave my dead dick

0:40:47.239 --> 0:40:52.719
<v Speaker 1>for John Wayne. Oh my God, and he made a

0:40:52.800 --> 0:40:56.520
<v Speaker 1>necklace out of them. Just a bunch of dead American

0:40:57.000 --> 0:40:59.120
<v Speaker 1>John Wayne just a bunch of kids, dicks on his

0:40:59.200 --> 0:41:02.800
<v Speaker 1>neck and kid Dick's adorning him like a head dress

0:41:03.239 --> 0:41:06.480
<v Speaker 1>like this is. He does get a bracelet from the Montignards,

0:41:06.560 --> 0:41:11.160
<v Speaker 1>but yeah, this is still his unfulfilled World War Two.

0:41:12.280 --> 0:41:17.600
<v Speaker 1>Um like whatever fantasy or or shame really that he's like, well,

0:41:17.600 --> 0:41:19.600
<v Speaker 1>I'm going to send other people to die now. That

0:41:19.800 --> 0:41:22.800
<v Speaker 1>is what a lot of people who knew him suggest

0:41:23.000 --> 0:41:25.560
<v Speaker 1>is that he never got over his shame for failing

0:41:25.560 --> 0:41:27.440
<v Speaker 1>to serve in World War Two. So he decided like,

0:41:27.440 --> 0:41:29.359
<v Speaker 1>this is how I'm going to overcome it is by

0:41:29.360 --> 0:41:31.360
<v Speaker 1>getting all these kids to serve in my place in

0:41:31.400 --> 0:41:34.560
<v Speaker 1>this other war. You know, I I didn't come through then,

0:41:34.600 --> 0:41:36.839
<v Speaker 1>but I'm gonna come through now for America by getting

0:41:36.840 --> 0:41:39.960
<v Speaker 1>all these kids to die in a jungle for nothing.

0:41:40.440 --> 0:41:43.279
<v Speaker 1>I mean, what's crazy? Is it? Like today you would

0:41:43.280 --> 0:41:46.000
<v Speaker 1>see John Wayne and this career path and be like, oh,

0:41:46.040 --> 0:41:50.840
<v Speaker 1>he's an OP, like he was created by the c

0:41:51.000 --> 0:41:54.759
<v Speaker 1>I A Like he's been a d O D like

0:41:54.920 --> 0:41:58.480
<v Speaker 1>OP from the beginning. And he's not like he just

0:41:58.880 --> 0:42:02.920
<v Speaker 1>know he did this. They've been sure, but he's he's

0:42:02.960 --> 0:42:07.160
<v Speaker 1>he's motivated by his own shame because he realizes that

0:42:07.280 --> 0:42:10.160
<v Speaker 1>being the guy he is, he should have fucking done

0:42:10.239 --> 0:42:13.399
<v Speaker 1>something in World War two, Um, and he did not.

0:42:13.760 --> 0:42:15.160
<v Speaker 1>What I mean is he just seems like he was

0:42:15.200 --> 0:42:18.160
<v Speaker 1>created in the lab of like all of America's lies,

0:42:18.360 --> 0:42:22.400
<v Speaker 1>just like sewn together in some you know, evil scarecrow.

0:42:22.640 --> 0:42:25.600
<v Speaker 1>He's all of our lies sewn together in a package

0:42:25.640 --> 0:42:29.280
<v Speaker 1>that unfortunately is really good at a specific kind of acting.

0:42:29.360 --> 0:42:32.600
<v Speaker 1>And it allows him to, yeah, just like stand in

0:42:32.600 --> 0:42:34.239
<v Speaker 1>front of me and get them to sign up to

0:42:34.280 --> 0:42:37.200
<v Speaker 1>go fight in Vietnam and ridicule people as soft for

0:42:37.280 --> 0:42:40.680
<v Speaker 1>refusing to do it. If John Wayne slapped someone at

0:42:40.719 --> 0:42:46.200
<v Speaker 1>the Oscars, well we're building that, Francesca. So the Ballot

0:42:46.360 --> 0:42:49.040
<v Speaker 1>or the Green Berets, launched six months after the Tet Offensive,

0:42:49.080 --> 0:42:50.960
<v Speaker 1>put a lie to the idea that the US was

0:42:51.040 --> 0:42:54.319
<v Speaker 1>particularly close to a victory in Vietnam. Within months of

0:42:54.360 --> 0:42:57.440
<v Speaker 1>its release, the first rumors of the Malai massacre had

0:42:57.440 --> 0:43:00.360
<v Speaker 1>begun to percolate out into the culture. So right after

0:43:00.400 --> 0:43:03.080
<v Speaker 1>this movie we find out that American soldiers have killed

0:43:03.200 --> 0:43:07.720
<v Speaker 1>hundreds of civilians brutally um in the sacking of this village.

0:43:08.160 --> 0:43:11.359
<v Speaker 1>So the Green Berets had shown US soldiers spending most

0:43:11.360 --> 0:43:13.880
<v Speaker 1>of their time helping adorable kids and like building up

0:43:13.960 --> 0:43:18.400
<v Speaker 1>villages and infrastructure projects. The reality was that very often

0:43:18.560 --> 0:43:20.960
<v Speaker 1>US troops killed those same kids and blew those villages

0:43:21.000 --> 0:43:24.239
<v Speaker 1>to bits. John Wayne portrayed war crimes as purely the

0:43:24.280 --> 0:43:27.359
<v Speaker 1>purview of the viet Cong, while reality proved him wrong

0:43:27.480 --> 0:43:30.520
<v Speaker 1>over and over again. Large numbers of Conservatives tucked their

0:43:30.520 --> 0:43:33.640
<v Speaker 1>heads into the comforting lie he had offered them. John

0:43:33.680 --> 0:43:37.160
<v Speaker 1>Wayne referred to the Milai massacre as the so called

0:43:37.280 --> 0:43:41.160
<v Speaker 1>Milai Massacre and redirected any questions about it to lurid

0:43:41.239 --> 0:43:45.160
<v Speaker 1>claims about atrocities committed against our people by the viet Cong.

0:43:45.280 --> 0:43:47.719
<v Speaker 1>It's again, it's like what about is um where It's like, yeah,

0:43:47.719 --> 0:43:49.560
<v Speaker 1>it's a war. You can always find bad things that

0:43:49.600 --> 0:43:52.280
<v Speaker 1>every side has done in a war. But he's pretending

0:43:52.280 --> 0:43:55.200
<v Speaker 1>that like, oh, Americans are just they're handing out clean

0:43:55.200 --> 0:43:58.120
<v Speaker 1>water and these meanal viet Cong or killing them for

0:43:58.160 --> 0:44:04.719
<v Speaker 1>some reason, for no reason at all. Um, Yeah, so

0:44:04.880 --> 0:44:08.280
<v Speaker 1>much so called me lie. There's not even a village.

0:44:08.320 --> 0:44:10.600
<v Speaker 1>He would be like, look, there's so much going on

0:44:10.719 --> 0:44:13.680
<v Speaker 1>in Vietnam that there's no good reason. Quote one little

0:44:13.719 --> 0:44:16.480
<v Speaker 1>incident in the United States Army should make a fuss.

0:44:17.520 --> 0:44:20.880
<v Speaker 1>The reality, the sad reality, I mean a sad reality

0:44:20.920 --> 0:44:23.000
<v Speaker 1>is I feel like there are way more mealies that

0:44:23.080 --> 0:44:25.600
<v Speaker 1>we just don't know about. There's a number we do

0:44:25.680 --> 0:44:29.160
<v Speaker 1>know about. There were quite a few times like that happens. Yeah, yeah, exactly.

0:44:29.239 --> 0:44:32.280
<v Speaker 1>We remember this one, but there were many, many, many others.

0:44:32.320 --> 0:44:35.840
<v Speaker 1>We don't have a the tipre tongue, the images of

0:44:35.880 --> 0:44:39.200
<v Speaker 1>which were not particularly even you know, they weren't captured.

0:44:39.239 --> 0:44:40.880
<v Speaker 1>The journalist wasn't there on the ground at the right

0:44:40.880 --> 0:44:42.919
<v Speaker 1>moment of the right time, or I mean, the reason

0:44:43.040 --> 0:44:45.319
<v Speaker 1>mel becomes what it is is because one of the

0:44:45.360 --> 0:44:48.520
<v Speaker 1>officers who sees it like threatens to machine gun everybody

0:44:48.560 --> 0:44:51.799
<v Speaker 1>if they don't stop, and then reports it landed his

0:44:51.920 --> 0:44:56.239
<v Speaker 1>helicopter in between civilians and was like, fucking stop. A

0:44:56.280 --> 0:45:01.280
<v Speaker 1>cool dude, way a way cooler dude than John Wayne. Yeah,

0:45:01.480 --> 0:45:05.000
<v Speaker 1>so other far right figures rushed into assure John Wayne

0:45:05.040 --> 0:45:07.480
<v Speaker 1>that he was right on the money. Um, and he

0:45:07.600 --> 0:45:10.040
<v Speaker 1>is to you know, still to this day, popular with

0:45:10.080 --> 0:45:12.440
<v Speaker 1>a segment of Vietnam veterans who want to believe that

0:45:12.480 --> 0:45:14.600
<v Speaker 1>they were there for a reason, or that their kids

0:45:14.600 --> 0:45:16.720
<v Speaker 1>were there for a reason fighting a fight that needed

0:45:16.719 --> 0:45:20.320
<v Speaker 1>to be fought. No less a fascist luminary than Douglas

0:45:20.360 --> 0:45:23.719
<v Speaker 1>MacArthur told John Wayne that he represented quote the American

0:45:23.840 --> 0:45:28.200
<v Speaker 1>serviceman better than the American serviceman himself. There. Here's what's

0:45:28.200 --> 0:45:31.719
<v Speaker 1>funny about that is General Douglas MacArthur fired from his

0:45:31.800 --> 0:45:34.840
<v Speaker 1>job prosecuting the Korean War for number one not being

0:45:34.840 --> 0:45:39.520
<v Speaker 1>great at it and number two wanting asking for permission

0:45:39.560 --> 0:45:45.200
<v Speaker 1>to nuke China and Russia. Repeatedly, Um, douglasman, please, please please.

0:45:45.239 --> 0:45:48.399
<v Speaker 1>Douglas MacArthur, famous for his you know, command of US

0:45:48.440 --> 0:45:52.279
<v Speaker 1>forces in the Philippines. Uh. Also the Duke like he's

0:45:52.280 --> 0:45:55.279
<v Speaker 1>saying that John Wayne represents the American service better than

0:45:55.280 --> 0:45:58.680
<v Speaker 1>the American serviceman. During the Bonus Army Marches, which is

0:45:58.719 --> 0:46:00.920
<v Speaker 1>when a bunch of US World or one veterans were

0:46:00.920 --> 0:46:03.080
<v Speaker 1>like marching during the Great Depression to get the money

0:46:03.160 --> 0:46:06.239
<v Speaker 1>that they were promised by the government, Douglas MacArthur led

0:46:06.280 --> 0:46:09.120
<v Speaker 1>the forces that gunned them down with tanks and the

0:46:09.200 --> 0:46:13.799
<v Speaker 1>machine guts DC. So I really want to hear who

0:46:13.880 --> 0:46:17.560
<v Speaker 1>Douglas McCarthy thinks represents the American serviceman best. He seems

0:46:17.600 --> 0:46:20.000
<v Speaker 1>like a good source on that Douglas MacArthur would never

0:46:20.080 --> 0:46:22.319
<v Speaker 1>do the American servicemen wrong by, say, killing many of

0:46:22.360 --> 0:46:25.239
<v Speaker 1>them for protesting because they're not getting paid. I love you,

0:46:25.600 --> 0:46:28.319
<v Speaker 1>fucking Douglas MacArthur. The amount of times I was told

0:46:28.320 --> 0:46:30.200
<v Speaker 1>that piece of ship was a hero as a kid

0:46:30.600 --> 0:46:33.920
<v Speaker 1>makes me want to light some things on fucking fire.

0:46:34.000 --> 0:46:36.319
<v Speaker 1>And by the way, Patton was there with him, so

0:46:36.760 --> 0:46:41.480
<v Speaker 1>fuck them all. Damn well that is I mean, sadly,

0:46:41.680 --> 0:46:45.080
<v Speaker 1>this is this is the American military, and it always

0:46:45.080 --> 0:46:47.680
<v Speaker 1>has been. Right. We like the myth better than the

0:46:47.719 --> 0:46:51.480
<v Speaker 1>actual soldier. Fucked the soldier. Fuck the soldier. We want them,

0:46:51.520 --> 0:46:53.359
<v Speaker 1>we want the John Wayne. I mean, it's the same

0:46:53.360 --> 0:46:55.879
<v Speaker 1>thing soldier getting convenient as hell. A lot of them

0:46:55.880 --> 0:47:00.120
<v Speaker 1>have experiences that are really hard to monetize. I know,

0:47:00.480 --> 0:47:02.040
<v Speaker 1>they're never posing, they don't know what to do with

0:47:02.080 --> 0:47:08.000
<v Speaker 1>the props. Ever. Some of them are sad. They're always

0:47:08.080 --> 0:47:12.000
<v Speaker 1>just attached to home life anyway. But it is this

0:47:12.080 --> 0:47:14.759
<v Speaker 1>sounds like the crassness, and I hate to bring it

0:47:14.800 --> 0:47:17.040
<v Speaker 1>to to now because I'm just like Funk, We've always

0:47:17.080 --> 0:47:19.799
<v Speaker 1>been this way. But you hear that crassness, you know

0:47:19.800 --> 0:47:22.239
<v Speaker 1>I'm not going to defend John McCain but saying that

0:47:22.400 --> 0:47:26.920
<v Speaker 1>like he was like a loser because he was captured.

0:47:27.160 --> 0:47:28.640
<v Speaker 1>You hear that you have and then you've got like

0:47:28.680 --> 0:47:31.400
<v Speaker 1>fucking Trump leaning over you know, World War One and

0:47:31.440 --> 0:47:36.279
<v Speaker 1>two soldiers being like what was this? Why did they die? Losers?

0:47:37.200 --> 0:47:40.240
<v Speaker 1>That is within the context of this episode. At least

0:47:40.360 --> 0:47:43.279
<v Speaker 1>McCain as like a rich kid who didn't have to

0:47:43.719 --> 0:47:47.520
<v Speaker 1>went and got fucked up. Um. I have a lot

0:47:47.560 --> 0:47:50.960
<v Speaker 1>more respect for John Kerry because he wasn't bombing people, um,

0:47:51.000 --> 0:47:54.040
<v Speaker 1>and also got sucked up. But you know, at least

0:47:54.040 --> 0:47:56.560
<v Speaker 1>they both of them, unlike John Wayne put skin in

0:47:56.600 --> 0:47:59.600
<v Speaker 1>the game. You know. Um, John Wayne didn't even have

0:48:00.160 --> 0:48:03.600
<v Speaker 1>like that. Uh. I guess it's one of those things.

0:48:03.840 --> 0:48:07.240
<v Speaker 1>I guess it's morally better to advocate for an unjust

0:48:07.239 --> 0:48:10.040
<v Speaker 1>war and serving it than it is to advocate for

0:48:10.080 --> 0:48:12.920
<v Speaker 1>an unjust war and refused to serving it. I think

0:48:13.719 --> 0:48:16.680
<v Speaker 1>I feel like that that does sound weird, but at

0:48:16.760 --> 0:48:20.160
<v Speaker 1>least at least it's evident. It's like with fucking um

0:48:20.160 --> 0:48:23.520
<v Speaker 1>what's his name the star who like testified, who like

0:48:23.719 --> 0:48:26.160
<v Speaker 1>win against his studio to go like talk at the

0:48:26.200 --> 0:48:29.279
<v Speaker 1>fucking um to name names and ship. At least he

0:48:30.560 --> 0:48:33.879
<v Speaker 1>was putting his skin in the game. I guess it's

0:48:33.880 --> 0:48:36.160
<v Speaker 1>not I don't know better and worse or useless terms

0:48:36.200 --> 0:48:39.000
<v Speaker 1>for this, but at least like it points to the

0:48:39.040 --> 0:48:41.440
<v Speaker 1>fact that, well, this person did believe in the shitty

0:48:41.440 --> 0:48:44.520
<v Speaker 1>thing that we're doing. You're not just a total fucking

0:48:44.600 --> 0:48:48.920
<v Speaker 1>empty hypocrite, right, Yeah, I don't know. It's weird. I

0:48:49.000 --> 0:48:51.160
<v Speaker 1>I don't want to be like trying to mark any

0:48:51.160 --> 0:48:53.520
<v Speaker 1>of this down as moral lessons because it's it's bad

0:48:53.600 --> 0:48:58.799
<v Speaker 1>to bomb people, John don't mark down just at least like,

0:48:58.880 --> 0:49:01.839
<v Speaker 1>I don't know. I'm more there's something more unsettling about

0:49:01.840 --> 0:49:05.839
<v Speaker 1>a person who like is so empty that all of

0:49:05.840 --> 0:49:07.799
<v Speaker 1>these things are just posturing for them. And I don't

0:49:07.800 --> 0:49:09.680
<v Speaker 1>know how much that is true for because some of

0:49:09.719 --> 0:49:12.840
<v Speaker 1>it maybe that John Wayne really did believe he should

0:49:12.840 --> 0:49:14.920
<v Speaker 1>have served in World War Two and kind of hated

0:49:15.000 --> 0:49:17.360
<v Speaker 1>himself and that's what's driving him to do this. I

0:49:17.360 --> 0:49:20.120
<v Speaker 1>don't know. There's a lot of complicated ship going on,

0:49:20.480 --> 0:49:23.759
<v Speaker 1>and that has a lot to say about masculinity. This

0:49:23.800 --> 0:49:25.680
<v Speaker 1>podcast isn't going to say all of it, but it's

0:49:25.680 --> 0:49:29.759
<v Speaker 1>definitely stuff I think about a bunch. Yeah, I don't

0:49:29.880 --> 0:49:34.400
<v Speaker 1>I don't like emotionally unavailable man. That's like your first boyfriend,

0:49:34.440 --> 0:49:36.560
<v Speaker 1>you know what I mean. But then you move on

0:49:37.080 --> 0:49:39.040
<v Speaker 1>and you're like, I mean, I've been that boyfriend for

0:49:39.040 --> 0:49:46.480
<v Speaker 1>a lot of people. But yeah, I wasn't gonna say anything, Robert,

0:49:46.680 --> 0:49:51.480
<v Speaker 1>but you know you just learned, I'll learn to open up. Um.

0:49:51.520 --> 0:49:55.560
<v Speaker 1>So you know, he's he's pretty happy after the Green Berets.

0:49:55.920 --> 0:49:58.680
<v Speaker 1>This really cements him in the right wing as this

0:49:58.800 --> 0:50:02.800
<v Speaker 1>kind of like littant ur con of masculinity. It wipes

0:50:02.840 --> 0:50:05.000
<v Speaker 1>away this sort of shame of his failure to serve

0:50:05.000 --> 0:50:08.080
<v Speaker 1>in World War Two. Um, it gets him. You know,

0:50:08.280 --> 0:50:11.160
<v Speaker 1>he's he's he. It kind of helps him settle into

0:50:11.239 --> 0:50:14.880
<v Speaker 1>his new role as an elder conservative icon. Ronald Reagan

0:50:14.920 --> 0:50:17.279
<v Speaker 1>actually reaches out to him and it's like, hey, bro,

0:50:17.600 --> 0:50:19.080
<v Speaker 1>you know what you ought to do is become governor

0:50:19.080 --> 0:50:21.880
<v Speaker 1>of California. Like we could put your ass in the

0:50:21.920 --> 0:50:25.080
<v Speaker 1>White House one day. And thank god, he says, no,

0:50:25.440 --> 0:50:29.800
<v Speaker 1>he's not in great health. Thank god he because he

0:50:29.960 --> 0:50:33.160
<v Speaker 1>would have won for sure, would have definitely would have won.

0:50:34.680 --> 0:50:37.840
<v Speaker 1>I can't imagine a few I can't imagine a series

0:50:37.840 --> 0:50:40.799
<v Speaker 1>of invention which John Wayne runs for governor of California

0:50:40.800 --> 0:50:44.360
<v Speaker 1>and loses I can't conceive of it. No, we we

0:50:44.440 --> 0:50:47.759
<v Speaker 1>are trash here in this state. We we've I mean,

0:50:48.280 --> 0:50:50.640
<v Speaker 1>look at how many times one And he's a way

0:50:50.680 --> 0:50:54.880
<v Speaker 1>better person than John Wayne. Yeah, No, it's very true.

0:50:55.239 --> 0:50:58.799
<v Speaker 1>Not a good person, but better. Yeah, dude, what does

0:50:58.920 --> 0:51:03.400
<v Speaker 1>Arnold do for American masculinity? I honestly, I think he

0:51:03.440 --> 0:51:07.120
<v Speaker 1>was probably a better I think as I think as

0:51:07.120 --> 0:51:10.320
<v Speaker 1>the fucking Terminator, he was a healthier symbol of American

0:51:10.360 --> 0:51:13.640
<v Speaker 1>masculinity than John Wayne. Because a big thing the Terminator

0:51:13.719 --> 0:51:19.000
<v Speaker 1>stands for is like putting yourself before or putting your

0:51:19.080 --> 0:51:22.160
<v Speaker 1>child before, a kid before yourself, and like making the

0:51:22.280 --> 0:51:25.840
<v Speaker 1>success and happiness of that child the entire like motive

0:51:25.920 --> 0:51:28.879
<v Speaker 1>force of your life. Right, Like, there's actually some nice

0:51:28.920 --> 0:51:33.280
<v Speaker 1>things in that movie, nice dad's stuff in that movie. Back,

0:51:33.520 --> 0:51:35.600
<v Speaker 1>he actually will be back. It's not like John Wayne

0:51:35.680 --> 0:51:37.520
<v Speaker 1>is going to go start another fucking family. No, He's

0:51:37.520 --> 0:51:40.600
<v Speaker 1>gonna be back in some increasingly hard to follow sequels

0:51:40.600 --> 0:51:45.120
<v Speaker 1>that we don't need to talk about, um whatever. Broadly speaking,

0:51:45.440 --> 0:51:49.200
<v Speaker 1>the cyborg Killer Bought from the Future is a better

0:51:49.239 --> 0:51:53.320
<v Speaker 1>symbol of of emotionally available manhood than any John Wayne character.

0:51:53.520 --> 0:52:04.120
<v Speaker 1>Yes that, um so, Yeah, John Wayne chose not to

0:52:04.160 --> 0:52:07.000
<v Speaker 1>get into politics in an electoral capacity, but he did

0:52:07.040 --> 0:52:09.920
<v Speaker 1>spend the rest of his life bloviating about politics readily,

0:52:10.000 --> 0:52:12.160
<v Speaker 1>as this passage from the book Jesus and John Wayne

0:52:12.239 --> 0:52:15.120
<v Speaker 1>makes clear. In the nineteen seventy one interview in Playboy,

0:52:15.160 --> 0:52:18.640
<v Speaker 1>Wayne was particularly harsh in his assessment of the blacks

0:52:19.120 --> 0:52:22.000
<v Speaker 1>or colored or whatever they might want to call themselves.

0:52:22.239 --> 0:52:25.839
<v Speaker 1>They certainly aren't Caucasian. With a lot of blacks, there's

0:52:25.920 --> 0:52:28.120
<v Speaker 1>quite a lot of resentment along with their descent, and

0:52:28.160 --> 0:52:32.359
<v Speaker 1>possibly rightly so, possibly rightly so, but we can't all

0:52:32.360 --> 0:52:34.359
<v Speaker 1>of a sudden get down on our knees and turn

0:52:34.440 --> 0:52:37.240
<v Speaker 1>everything over to the leadership of the blacks. I believe

0:52:37.239 --> 0:52:39.799
<v Speaker 1>in white supremacy until the blacks are educated to a

0:52:39.840 --> 0:52:42.520
<v Speaker 1>point of responsibility. I don't believe in giving authority and

0:52:42.600 --> 0:52:46.000
<v Speaker 1>positions of leadership and judgment to irresponsible people. As far

0:52:46.040 --> 0:52:49.640
<v Speaker 1>as African American representation in his own films, Wayne asserted

0:52:49.680 --> 0:52:52.640
<v Speaker 1>that he'd given the blacks their proper position. He had

0:52:52.719 --> 0:52:55.279
<v Speaker 1>a black slave in the Alamo, and he had a

0:52:55.360 --> 0:52:59.239
<v Speaker 1>correct number of blacks in the Green Berets. His views

0:52:59.280 --> 0:53:01.839
<v Speaker 1>on Native America Rikans were no more enlightened. I don't

0:53:01.840 --> 0:53:04.280
<v Speaker 1>feel we did wrong in taking this great country away

0:53:04.280 --> 0:53:06.759
<v Speaker 1>from the Native Americans are so called stealing of this

0:53:06.800 --> 0:53:09.400
<v Speaker 1>country from them was just a matter of survival. People

0:53:09.440 --> 0:53:12.279
<v Speaker 1>needed land, and the Indians were selfishly trying to keep

0:53:12.320 --> 0:53:20.960
<v Speaker 1>it for themselves. Outstanding ship, John Wayne, incredibly boom bloody.

0:53:21.160 --> 0:53:24.600
<v Speaker 1>Keep telling yourself that and finish the bottle. That is.

0:53:25.000 --> 0:53:28.759
<v Speaker 1>I just it's it's um Sometimes kind of I feel

0:53:28.760 --> 0:53:31.600
<v Speaker 1>like I'm looking at racism in a terrarium, like it's

0:53:31.600 --> 0:53:36.719
<v Speaker 1>so crystallized and perfect. It like it's I don't hate them,

0:53:36.760 --> 0:53:40.000
<v Speaker 1>They're just you know, second class citizens, and they're not responsible,

0:53:40.040 --> 0:53:43.720
<v Speaker 1>and they're idiots, and it's it's a very specific kind

0:53:43.760 --> 0:53:49.080
<v Speaker 1>of racist, and that I don't think today John Wayne

0:53:49.080 --> 0:53:50.640
<v Speaker 1>would have if he was around to day, he would

0:53:50.680 --> 0:53:53.640
<v Speaker 1>never call himself a white supremacist in an interview. He

0:53:53.640 --> 0:53:55.680
<v Speaker 1>would not to say he wouldn't have believed the same things.

0:53:55.719 --> 0:53:58.360
<v Speaker 1>Admit back then. If you admit said you were, you

0:53:58.360 --> 0:54:01.520
<v Speaker 1>believed in white supremacy. You know, when till they're educator

0:54:01.600 --> 0:54:05.080
<v Speaker 1>or whatever. That's not controversial, that's not a fringe right

0:54:05.120 --> 0:54:07.600
<v Speaker 1>wing thing. That does not identify you as part of

0:54:07.600 --> 0:54:11.200
<v Speaker 1>a dangerous political sect in nineteen one. And part of

0:54:11.239 --> 0:54:13.480
<v Speaker 1>the evidence for that is that, like the only people

0:54:13.480 --> 0:54:16.480
<v Speaker 1>who get angry when he says this are like black publication.

0:54:16.520 --> 0:54:19.719
<v Speaker 1>There's there's there's like no impact on the mainstream because

0:54:19.760 --> 0:54:24.000
<v Speaker 1>John Wayne. Liberals are like, no, he's got a point, Yeah,

0:54:24.080 --> 0:54:27.960
<v Speaker 1>the leaders are crazy, or they're more just like, oh, well,

0:54:28.000 --> 0:54:30.719
<v Speaker 1>you know, that's just that's just John Wayne. You know,

0:54:30.800 --> 0:54:35.040
<v Speaker 1>that's just how certain people think and like it's it's

0:54:35.080 --> 0:54:38.600
<v Speaker 1>not it's not the same as calling yourself a white

0:54:38.600 --> 0:54:41.880
<v Speaker 1>supremacist in two thousand and twenty two would be like,

0:54:42.000 --> 0:54:45.759
<v Speaker 1>he's not, he's not identifying himself with a fringe of

0:54:45.920 --> 0:54:49.120
<v Speaker 1>the political spectrum here. It sort of reminds me of

0:54:50.320 --> 0:54:52.400
<v Speaker 1>oh god, I hate I hate doing the show and

0:54:52.480 --> 0:54:58.480
<v Speaker 1>bringing up like like uh like a present day examples.

0:54:58.600 --> 0:55:01.000
<v Speaker 1>But it reminds me of Joe R. Hio going in

0:55:01.040 --> 0:55:05.279
<v Speaker 1>front of that like fringe spa group. Yes it was,

0:55:05.760 --> 0:55:09.320
<v Speaker 1>and like some people say I'm a racist and everyone's

0:55:09.360 --> 0:55:11.640
<v Speaker 1>like cheering, and he was like, well wait, I was

0:55:11.680 --> 0:55:14.839
<v Speaker 1>supposed to the point was that I'm not Why are

0:55:14.840 --> 0:55:18.960
<v Speaker 1>you cheering? It's not a good thing, and they're like, no,

0:55:19.120 --> 0:55:24.239
<v Speaker 1>we've changed. Yeah. I could see John Wayne getting like

0:55:24.280 --> 0:55:26.839
<v Speaker 1>tricked by something like that, and he probably would have

0:55:26.880 --> 0:55:30.880
<v Speaker 1>liked backpedaled again, not because he's not racist, but because

0:55:31.120 --> 0:55:33.160
<v Speaker 1>he would not be the kind of guy who would

0:55:33.160 --> 0:55:36.400
<v Speaker 1>want to like look bad like he doesn't. John Wayne

0:55:36.400 --> 0:55:39.239
<v Speaker 1>would not have wanted to completely alienate himself from like

0:55:39.360 --> 0:55:42.640
<v Speaker 1>his liberal friends, or from like the academy and ship.

0:55:43.320 --> 0:55:45.560
<v Speaker 1>He was not, it was not He was not that

0:55:45.640 --> 0:55:49.720
<v Speaker 1>kind of political figure, you know, sure Hollywood number one. Yeah, yeah,

0:55:49.840 --> 0:55:51.759
<v Speaker 1>so he would have I think he would have. He

0:55:51.800 --> 0:55:54.120
<v Speaker 1>would have choosed he would have said the same thing

0:55:54.239 --> 0:55:58.320
<v Speaker 1>in different words. If he was interviewed today, you know, um,

0:55:58.560 --> 0:56:00.960
<v Speaker 1>slightly more careful words and less he was really drunk,

0:56:00.960 --> 0:56:02.200
<v Speaker 1>then he would have said the same thing, and it

0:56:02.200 --> 0:56:04.360
<v Speaker 1>would have been a problem for him. Um, but not

0:56:04.480 --> 0:56:07.120
<v Speaker 1>that big a problem. He would have been okay. But

0:56:07.239 --> 0:56:10.400
<v Speaker 1>still even without white supremacy in there, which is yeah, jarring,

0:56:10.600 --> 0:56:13.600
<v Speaker 1>It is a perfect distillation of a lot of white

0:56:13.719 --> 0:56:18.280
<v Speaker 1>American thinking. Yes at the time and sometimes currently. Again,

0:56:18.320 --> 0:56:21.640
<v Speaker 1>he's not like fringe in anyway. This is all very

0:56:21.719 --> 0:56:27.720
<v Speaker 1>mainstream stuff. Um, you know what else is mainstream? What

0:56:27.840 --> 0:56:31.839
<v Speaker 1>the products and services that support this podcast, like racism,

0:56:31.880 --> 0:56:35.800
<v Speaker 1>They're all deeply woven into the fabric of American society.

0:56:37.080 --> 0:56:39.600
<v Speaker 1>How's that, Sophie? Is that good? I think you you

0:56:39.680 --> 0:56:41.600
<v Speaker 1>crushed it? My friend? Is that good? That going to

0:56:41.640 --> 0:56:54.520
<v Speaker 1>make him happy? All right? Beautiful? Uh, we're doing great,

0:56:54.600 --> 0:57:03.080
<v Speaker 1>folks were back. We're happy. Everybody's smiling, everybody laughing. Ending, right,

0:57:03.880 --> 0:57:07.840
<v Speaker 1>it does have an ending, and that ending occurs probably

0:57:07.880 --> 0:57:14.440
<v Speaker 1>in Hollywood. Um so uh John Wayne, well, I think

0:57:14.480 --> 0:57:18.560
<v Speaker 1>he probably would have been more careful today than he

0:57:18.640 --> 0:57:21.080
<v Speaker 1>was in nineteen seventy one. I should note that he

0:57:21.160 --> 0:57:24.840
<v Speaker 1>also blew his cover as a giant racist on several occasions,

0:57:25.160 --> 0:57:27.000
<v Speaker 1>and one of those would have been the nineteen seventy

0:57:27.000 --> 0:57:30.040
<v Speaker 1>three Oscars. This is the most recent reason John Wayne

0:57:30.080 --> 0:57:32.560
<v Speaker 1>went viral in the wake of Will Smith lightly slapping

0:57:32.600 --> 0:57:36.880
<v Speaker 1>a dude and then, let's say moderately slapping a dude.

0:57:37.280 --> 0:57:39.720
<v Speaker 1>I was waiting for the Evans take on this, like

0:57:40.040 --> 0:57:45.080
<v Speaker 1>it's I think it was a really good film slap right,

0:57:45.120 --> 0:57:50.040
<v Speaker 1>like it read on camera really well. Um but yeah,

0:57:50.320 --> 0:57:55.480
<v Speaker 1>so people brought up when I'm frustrated. It's weeks later

0:57:55.520 --> 0:57:57.840
<v Speaker 1>and they still think pieces coming out about this, the

0:57:57.880 --> 0:58:00.680
<v Speaker 1>things people said, I've got a forthcoming one, oh good,

0:58:00.760 --> 0:58:03.080
<v Speaker 1>oh good. There was this, there was this fucking stuff

0:58:03.120 --> 0:58:07.000
<v Speaker 1>about like, uh, you know, Will Smith getting canceled and like,

0:58:07.120 --> 0:58:09.680
<v Speaker 1>but nothing happened to John Wayne when and then they

0:58:09.680 --> 0:58:12.840
<v Speaker 1>would talk about this story that we're about to talk about,

0:58:13.560 --> 0:58:15.919
<v Speaker 1>and you're like, yeah, okay, this is a good one.

0:58:16.280 --> 0:58:20.560
<v Speaker 1>So Marlon Brando right famously not a problematic dude. Uh,

0:58:20.680 --> 0:58:23.080
<v Speaker 1>star of the Isle of Dr Moreau and probably a

0:58:23.080 --> 0:58:26.160
<v Speaker 1>couple of other movies, got nominated for Best Actor for

0:58:26.240 --> 0:58:29.240
<v Speaker 1>his role in the Godfather, which is not nearly as

0:58:29.240 --> 0:58:31.560
<v Speaker 1>good a movie as The Isle of Dr Moreau, but whatever.

0:58:32.040 --> 0:58:34.840
<v Speaker 1>So Brando had struck up what seems to be a

0:58:34.880 --> 0:58:39.360
<v Speaker 1>really legitimate and honest friendship with an Indigenous American activist

0:58:39.480 --> 0:58:43.320
<v Speaker 1>named Sashin Little Feather. She was of Apache and Yaki

0:58:43.400 --> 0:58:46.560
<v Speaker 1>descent and was angry at Hollywood for a white variety

0:58:46.560 --> 0:58:49.840
<v Speaker 1>of understandable reasons. Uh. And Brando agreed with her about

0:58:49.880 --> 0:58:52.440
<v Speaker 1>the things she was angry about. So he decides he's

0:58:52.440 --> 0:58:56.160
<v Speaker 1>going to turn down the Oscar if he wins it. Um.

0:58:56.200 --> 0:58:57.800
<v Speaker 1>So she's hanging out with him the night that he's

0:58:57.800 --> 0:59:00.360
<v Speaker 1>supposed to like go to the Oscars, and he's typing

0:59:00.360 --> 0:59:02.560
<v Speaker 1>out this eight page speech in case he wins. And

0:59:02.560 --> 0:59:05.400
<v Speaker 1>this speech he wanted to use his podium to protest

0:59:05.520 --> 0:59:08.520
<v Speaker 1>the wrongs being that had been done to Native Americans

0:59:08.520 --> 0:59:11.360
<v Speaker 1>by Hollywood. Right, So, the unjust and racist portrayal of

0:59:11.400 --> 0:59:14.520
<v Speaker 1>Indigenous people in decades of cowboy movies, including a bunch

0:59:14.520 --> 0:59:17.560
<v Speaker 1>of John Wayne movies. And he's also specifically, he and

0:59:17.840 --> 0:59:21.360
<v Speaker 1>Little Feather specifically angry about Wounded Knee. So this is

0:59:21.440 --> 0:59:24.440
<v Speaker 1>a battle which is a bunch of just a horrible,

0:59:24.440 --> 0:59:27.200
<v Speaker 1>horrible battle, and at this moment in seventy three, it's

0:59:27.240 --> 0:59:30.280
<v Speaker 1>the site of a standoff between Native activists and the

0:59:30.320 --> 0:59:33.440
<v Speaker 1>Feds over the murder of a Lakoda man. Right, So

0:59:33.760 --> 0:59:37.760
<v Speaker 1>that's going on while the oscars are about to happen. Um.

0:59:38.040 --> 0:59:40.920
<v Speaker 1>And so Brando decides he's gonna turn if he wins

0:59:40.960 --> 0:59:42.600
<v Speaker 1>the best Actor, he's going to turn that into a

0:59:42.600 --> 0:59:45.480
<v Speaker 1>place to talk about them. Um. So Little Feather helps

0:59:45.520 --> 0:59:47.960
<v Speaker 1>him put together this speech, and then kind of at

0:59:47.960 --> 0:59:51.040
<v Speaker 1>the last moment, he's like, well, what if you deliver it? Right,

0:59:51.120 --> 0:59:53.320
<v Speaker 1>I shouldn't deliver it, Like why don't you go don't

0:59:53.320 --> 0:59:55.480
<v Speaker 1>touch don't even touch the oscar, don't take it. Just

0:59:55.520 --> 0:59:58.640
<v Speaker 1>deliver this speech in my stead, right, Um, if you

0:59:58.680 --> 1:00:00.840
<v Speaker 1>want to, And she wants to, so he gives her

1:00:00.840 --> 1:00:03.520
<v Speaker 1>the speech she's written. But when she arrives, the presenters

1:00:03.640 --> 1:00:06.840
<v Speaker 1>number one seed that like, oh ship Brando's sent this

1:00:06.880 --> 1:00:09.760
<v Speaker 1>person here. She wants to give a speech. Um, you

1:00:09.840 --> 1:00:12.360
<v Speaker 1>can't have more than sixty seconds. You can't read that

1:00:12.440 --> 1:00:15.720
<v Speaker 1>eight page thing that Marlon Brando gave you. Um. So

1:00:15.960 --> 1:00:17.640
<v Speaker 1>she has to come up with something kind of on

1:00:17.680 --> 1:00:21.640
<v Speaker 1>the fly, and here's what she comes up with. Hello.

1:00:22.320 --> 1:00:26.120
<v Speaker 1>My name is Sashi Little Feather. I'm APACHE and I'm

1:00:26.240 --> 1:00:31.280
<v Speaker 1>president of the National Native American Affirmative Image Committee. I'm

1:00:31.320 --> 1:00:34.880
<v Speaker 1>representing Marlon Brando this evening, and he has asked me

1:00:35.000 --> 1:00:37.760
<v Speaker 1>to tell you in a very long speech which I

1:00:37.840 --> 1:00:42.280
<v Speaker 1>cannot share with you presently because of time, but I

1:00:42.320 --> 1:00:45.240
<v Speaker 1>will be glad to share with the press afterwards, that

1:00:45.360 --> 1:00:52.280
<v Speaker 1>he very regretfully cannot accept this very generous award. And

1:00:52.320 --> 1:00:56.360
<v Speaker 1>the reasons for this being are the treatment of American

1:00:56.400 --> 1:01:11.320
<v Speaker 1>Indians today by the film industry excuse me, and on

1:01:11.400 --> 1:01:17.080
<v Speaker 1>television and movie reruns, and also with recent happenings that

1:01:17.200 --> 1:01:20.520
<v Speaker 1>wounded me. I beg at this time that I have

1:01:20.720 --> 1:01:25.720
<v Speaker 1>not intruded upon this evening and that we will in

1:01:25.760 --> 1:01:30.560
<v Speaker 1>the future our hearts and our understandings will meet with

1:01:30.720 --> 1:01:35.080
<v Speaker 1>love and generosity. Thank you on behalf of morm and Brando.

1:01:39.800 --> 1:01:44.840
<v Speaker 1>So that's lovely. Yeah, it's like so much more cordial

1:01:44.960 --> 1:01:49.840
<v Speaker 1>than any account. Extremely polite, yes that any account you

1:01:49.880 --> 1:01:53.920
<v Speaker 1>will read of what happened and how it happened. She

1:01:54.160 --> 1:01:59.920
<v Speaker 1>is like insanely soft spoken, but but firm and like apologetic.

1:02:00.040 --> 1:02:01.720
<v Speaker 1>I don't I hope I didn't ruin your night, and

1:02:01.840 --> 1:02:04.760
<v Speaker 1>like were so appreciative of the award, but we just

1:02:04.800 --> 1:02:09.000
<v Speaker 1>can't take it because of like, Yeah, she's very very mild,

1:02:09.560 --> 1:02:12.720
<v Speaker 1>and it's incredible that Hollywood stopped with any kind of

1:02:13.000 --> 1:02:16.560
<v Speaker 1>racist portrayals of Native Americans from that point. Never again happened.

1:02:16.600 --> 1:02:20.160
<v Speaker 1>Never again happened. I'm gonna google Johnny Depp real quick.

1:02:20.440 --> 1:02:24.600
<v Speaker 1>Nobody absolutely no reason why I am doing this, just

1:02:24.720 --> 1:02:30.120
<v Speaker 1>typing it into Google. So, um, yeah, she gets a

1:02:30.120 --> 1:02:32.440
<v Speaker 1>lot of support that night. You hear a lot of clapping,

1:02:32.440 --> 1:02:34.480
<v Speaker 1>a lot of cheers. Um, you do hear some booze,

1:02:34.480 --> 1:02:37.600
<v Speaker 1>though not an insignificant amount. Now I think we both

1:02:37.600 --> 1:02:39.760
<v Speaker 1>are in agreement. You would have to be a crazy

1:02:39.800 --> 1:02:43.880
<v Speaker 1>asshole to take any offense at that whatsoever. Um, it's

1:02:43.880 --> 1:02:51.040
<v Speaker 1>a pretty uh polite and very very mild statement of conviction. Um,

1:02:51.080 --> 1:02:54.240
<v Speaker 1>that is not how John Wayne takes it. And I'm

1:02:54.240 --> 1:02:57.240
<v Speaker 1>going to read another quote from the Guardian here and

1:02:57.280 --> 1:02:59.920
<v Speaker 1>this is Um, this is starts with a Little Feather

1:03:00.000 --> 1:03:02.640
<v Speaker 1>talking she's interviewed for this piece. During my presentation, he

1:03:02.720 --> 1:03:05.080
<v Speaker 1>was coming towards me to forcibly take me off the

1:03:05.120 --> 1:03:07.680
<v Speaker 1>stage and he had to be restrained by six security

1:03:07.680 --> 1:03:11.920
<v Speaker 1>men to prevent him from doing so. Presenting Best Pictures

1:03:11.920 --> 1:03:14.960
<v Speaker 1>soon after, also for The Godfather, Clint Eastwood quipped, I

1:03:14.960 --> 1:03:16.840
<v Speaker 1>don't know if I should present this award on behalf

1:03:16.840 --> 1:03:18.920
<v Speaker 1>of all the cowboys shot and all the john Ford

1:03:18.960 --> 1:03:22.640
<v Speaker 1>westerns over the years. When Little Feather got backstage, she says,

1:03:22.680 --> 1:03:25.720
<v Speaker 1>there were people making stereotypical Native American war cries at

1:03:25.760 --> 1:03:28.640
<v Speaker 1>her and miming chopping with a tomahawk. After talking to

1:03:28.680 --> 1:03:30.880
<v Speaker 1>the press, she went straight back to Brando's house, where

1:03:30.880 --> 1:03:33.160
<v Speaker 1>they sat together and watched the reactions to the event

1:03:33.200 --> 1:03:37.800
<v Speaker 1>on television. Was John Wayne just there, like, get my

1:03:37.960 --> 1:03:41.760
<v Speaker 1>movies out, you fucking mouth? Yeah? He was. He He

1:03:41.760 --> 1:03:43.920
<v Speaker 1>would have hit her probably if he could have. He

1:03:44.000 --> 1:03:48.960
<v Speaker 1>was ready to six men. He's a big guy, six men,

1:03:49.160 --> 1:03:53.040
<v Speaker 1>and she's like tiny doesn't look like a big person.

1:03:53.080 --> 1:03:58.880
<v Speaker 1>No um of course sandwich by Oh god, just John

1:03:58.920 --> 1:04:02.560
<v Speaker 1>Wayne and Clint there's still like Clinty's would still mad

1:04:02.600 --> 1:04:05.360
<v Speaker 1>about that. I would have What would have been amazing

1:04:06.000 --> 1:04:09.040
<v Speaker 1>is if Brando had done it and the security guards

1:04:09.040 --> 1:04:11.160
<v Speaker 1>hadn't been there, and we've gotten to see a fist

1:04:11.200 --> 1:04:16.840
<v Speaker 1>fight between fat aging Marlon Brando and fat aging, drunken

1:04:16.920 --> 1:04:19.200
<v Speaker 1>John Wayne at the Oscar. That would have been amazing.

1:04:19.320 --> 1:04:22.520
<v Speaker 1>That would have been incredible. Oh my god, what a

1:04:22.600 --> 1:04:26.840
<v Speaker 1>moment that would have been. I do feel like dad.

1:04:26.920 --> 1:04:30.120
<v Speaker 1>I mean, look, the ratings were good this last Oscars,

1:04:30.160 --> 1:04:33.000
<v Speaker 1>and I do think that we should have old drunk,

1:04:33.320 --> 1:04:38.560
<v Speaker 1>washed up actors like wrestling each other on stage. I

1:04:38.600 --> 1:04:42.640
<v Speaker 1>want to see Brando bottle John Wayne with some fucking wine,

1:04:42.840 --> 1:04:46.000
<v Speaker 1>just like nail him in the skull. Yeah, I mean,

1:04:46.200 --> 1:04:48.440
<v Speaker 1>you know. Orson Wells also has like one of the

1:04:48.480 --> 1:04:51.840
<v Speaker 1>most memorable on screen drunk moments where he's trying to

1:04:51.880 --> 1:04:59.200
<v Speaker 1>do the ad for that wine. Yeah. The French there,

1:04:59.600 --> 1:05:05.480
<v Speaker 1>yeah them all fuck it? So uh Sashen is the

1:05:05.520 --> 1:05:08.840
<v Speaker 1>primary source we have on this um, but I don't

1:05:08.840 --> 1:05:11.840
<v Speaker 1>have any particular trouble believing it. John Wayne had a

1:05:11.920 --> 1:05:14.880
<v Speaker 1>history of hitting women, sometimes in public. Um, and to

1:05:14.960 --> 1:05:17.200
<v Speaker 1>reinforce that we should talk a bit here about how

1:05:17.240 --> 1:05:21.600
<v Speaker 1>his marriage to his second wife, Chata ended. Yeah, well

1:05:21.600 --> 1:05:24.320
<v Speaker 1>this is actually happens back in ninety six. I'm sorry

1:05:24.320 --> 1:05:26.360
<v Speaker 1>for jumping around. This just seemed like the natural place

1:05:26.400 --> 1:05:29.600
<v Speaker 1>to put this so soon. Here's but yeah, it's right,

1:05:29.720 --> 1:05:32.800
<v Speaker 1>they are not together long. Um. Here's BuzzFeed summing up

1:05:32.800 --> 1:05:35.920
<v Speaker 1>the details. The problem was that the current Latin American

1:05:35.960 --> 1:05:38.360
<v Speaker 1>wife wasn't fulfilling her domestic duties, which is why they

1:05:38.400 --> 1:05:41.320
<v Speaker 1>were divorcing and why Chata, infuriated and bitter, was alleging

1:05:41.400 --> 1:05:43.920
<v Speaker 1>horrible things about the duke in court that he'd blackened

1:05:43.920 --> 1:05:45.720
<v Speaker 1>her eye, pulled her from bed, and beat her, given

1:05:45.720 --> 1:05:48.560
<v Speaker 1>her multiple bruises, called her obscene names, and was man

1:05:48.600 --> 1:05:51.560
<v Speaker 1>handling her in front of guests. He went someplace where

1:05:51.600 --> 1:05:54.240
<v Speaker 1>there were strip teasers, called girls, prostitutes, or whatever you

1:05:54.280 --> 1:05:56.600
<v Speaker 1>want to call them, she testified. He came home the

1:05:56.600 --> 1:05:58.840
<v Speaker 1>next morning, very drunken, with a big black bite on

1:05:58.880 --> 1:06:02.040
<v Speaker 1>his neck. This was a human being bite. Wayne's lawyer

1:06:02.120 --> 1:06:04.160
<v Speaker 1>countered that Chatta was a drunk who stayed out all

1:06:04.240 --> 1:06:06.760
<v Speaker 1>night and returned with grass stains. On her clothes and

1:06:06.840 --> 1:06:09.680
<v Speaker 1>during their estrangement, entertained a male guest at their residence

1:06:09.680 --> 1:06:12.320
<v Speaker 1>while Wayne was on set. The divorce drama threatened to

1:06:12.360 --> 1:06:14.880
<v Speaker 1>become a huge scandal, but Wayne forked over a substantial

1:06:14.920 --> 1:06:18.400
<v Speaker 1>amount of alimony, The two settled, and his image remained unscathed,

1:06:18.680 --> 1:06:21.880
<v Speaker 1>in part because allegations of domestic abuse weren't yet taken seriously,

1:06:22.160 --> 1:06:24.680
<v Speaker 1>but also because Wayne's alleged actions were not out of

1:06:24.720 --> 1:06:27.120
<v Speaker 1>line with his on screen image, which had him regularly

1:06:27.240 --> 1:06:29.880
<v Speaker 1>verbally abusing women and if not giving them black eyes,

1:06:29.920 --> 1:06:33.040
<v Speaker 1>then man handling, throwing them over shoulders, and generally putting

1:06:33.040 --> 1:06:39.400
<v Speaker 1>them in their place when necessary. So you know, Johnny, Wayne,

1:06:39.880 --> 1:06:42.400
<v Speaker 1>I really I just was so invested in this one.

1:06:42.440 --> 1:06:43.960
<v Speaker 1>I felt like, you know, it was going to be

1:06:44.000 --> 1:06:47.960
<v Speaker 1>the one. I like him. That quote was allegend horrible

1:06:48.000 --> 1:06:54.120
<v Speaker 1>things about the Duke, all right, Marian The Duke married

1:06:54.160 --> 1:06:58.320
<v Speaker 1>his third wife in nineteen fifty four. The two did

1:06:58.360 --> 1:07:02.000
<v Speaker 1>originally did eventually divorce. Worse um, they stayed in each

1:07:02.000 --> 1:07:04.840
<v Speaker 1>other's lives to some extent. She's interviewed after his death

1:07:04.840 --> 1:07:08.680
<v Speaker 1>and still speaks very highly of him. So again, these

1:07:08.720 --> 1:07:12.080
<v Speaker 1>are not to the extent that he was abusive. Everyone

1:07:12.160 --> 1:07:14.800
<v Speaker 1>he was with in the past doesn't speak negatively of him.

1:07:14.800 --> 1:07:17.520
<v Speaker 1>His kids all seem to speak positively of him. They

1:07:17.520 --> 1:07:21.600
<v Speaker 1>claim publicly he was a good father. Um. He was

1:07:21.640 --> 1:07:24.240
<v Speaker 1>in general a charming man and a good friend to

1:07:24.320 --> 1:07:27.040
<v Speaker 1>a number of people. More than that, he seems to

1:07:27.040 --> 1:07:29.920
<v Speaker 1>have just been kind of a magnetically charismatic person. And

1:07:30.000 --> 1:07:32.680
<v Speaker 1>it's easy to forgive certain things of people like that.

1:07:32.960 --> 1:07:36.880
<v Speaker 1>We do it as a society pretty much constantly. Also,

1:07:37.000 --> 1:07:42.080
<v Speaker 1>tall can we privilege does not hurt Um. In nineteen

1:07:42.160 --> 1:07:44.720
<v Speaker 1>seventy seven, when he turned seventy, an article in the

1:07:44.800 --> 1:07:47.520
<v Speaker 1>right wing journal Human Events tried to explain Wayne's a

1:07:47.600 --> 1:07:51.000
<v Speaker 1>lure as the fact that he represented a basic American breed,

1:07:51.440 --> 1:07:55.400
<v Speaker 1>the tall celt of pioneer Scott's Irish and English descent.

1:07:55.960 --> 1:07:59.200
<v Speaker 1>The book Jesus and John Wayne continues all of Wayne's

1:07:59.200 --> 1:08:02.000
<v Speaker 1>greatest hits and of valiant white men battling and usually

1:08:02.040 --> 1:08:06.200
<v Speaker 1>subduing non white populations, the Japanese, Native Americans or Mexicans

1:08:06.240 --> 1:08:10.080
<v Speaker 1>Like Teddy Roosevelt. Wayne's rugged masculinity was realized through violence,

1:08:10.120 --> 1:08:14.200
<v Speaker 1>and it was a distinctly white male ideal. Yeah, yep,

1:08:15.600 --> 1:08:20.880
<v Speaker 1>I feel like like groups today like those sort of yeah,

1:08:20.960 --> 1:08:24.519
<v Speaker 1>just like neo Nazi groups full of you know, sort

1:08:24.560 --> 1:08:28.960
<v Speaker 1>of virgins, Like they probably all get together and watch

1:08:28.960 --> 1:08:31.880
<v Speaker 1>old John Wayne movies and he was like a ha,

1:08:32.520 --> 1:08:35.880
<v Speaker 1>like on ironically some of the love that stuff. It's

1:08:35.880 --> 1:08:38.599
<v Speaker 1>more than just put his face on things, because modern

1:08:38.640 --> 1:08:40.719
<v Speaker 1>action movies are a lot better at keeping your attention.

1:08:41.000 --> 1:08:42.720
<v Speaker 1>And if you were to watch his latest movie, like

1:08:42.960 --> 1:08:45.160
<v Speaker 1>What's Funny the last movie he does, the Shootest, Like

1:08:45.240 --> 1:08:47.240
<v Speaker 1>the basic plot of The Shootest is there's this old

1:08:47.320 --> 1:08:50.200
<v Speaker 1>gunfighter who's dying of cancer like Wayne was kind of

1:08:50.240 --> 1:08:53.200
<v Speaker 1>at the time, uh, and he wants to engineer a

1:08:53.320 --> 1:08:56.280
<v Speaker 1>last gunfight to kill himself. Um. So he wants to

1:08:56.360 --> 1:08:58.519
<v Speaker 1>set up a situation whereby he can have a last

1:08:58.560 --> 1:09:01.720
<v Speaker 1>gunfight and die um because he otherwise cancer is going

1:09:01.760 --> 1:09:03.519
<v Speaker 1>to get him. And instead he gets shot in the

1:09:03.520 --> 1:09:07.400
<v Speaker 1>back and killed. Um. Which is like a weirdly show

1:09:07.600 --> 1:09:10.960
<v Speaker 1>like suggests a weird amount of self knowledge for John Wayne.

1:09:11.000 --> 1:09:13.160
<v Speaker 1>That like that's how that's the movie. He goes out

1:09:13.200 --> 1:09:17.559
<v Speaker 1>in this movie about uh uh this like manly ARCon

1:09:17.720 --> 1:09:21.080
<v Speaker 1>of like badass nous in his aging years, who's trying

1:09:21.120 --> 1:09:23.160
<v Speaker 1>to get in Like who's trying to set up one

1:09:23.240 --> 1:09:25.519
<v Speaker 1>last fight so he can die with dignity and get

1:09:25.560 --> 1:09:28.800
<v Speaker 1>shot in the back instead. It's interesting that he the

1:09:28.880 --> 1:09:32.880
<v Speaker 1>last thing he does. Yeah, right, because cancer, you know

1:09:33.880 --> 1:09:37.400
<v Speaker 1>it just like it's not a great way to go out. No,

1:09:37.560 --> 1:09:40.800
<v Speaker 1>it's it's a pretty shitty way to go out. Um

1:09:40.840 --> 1:09:44.000
<v Speaker 1>so Yeah. In his declining years, when he filmed again

1:09:44.080 --> 1:09:46.320
<v Speaker 1>some of his best movies, Wayne upped the anti on

1:09:46.400 --> 1:09:49.439
<v Speaker 1>his conservative rhetoric, screeching at cowards who spit in the

1:09:49.479 --> 1:09:54.400
<v Speaker 1>faces of the police and judicial sob sisters. Human Events

1:09:54.400 --> 1:09:56.719
<v Speaker 1>wrote that as a man, he has loathed and demeaned

1:09:56.720 --> 1:09:59.200
<v Speaker 1>by sanctimonious liberals and a whole mess of bug out

1:09:59.280 --> 1:10:02.320
<v Speaker 1>on America hip crits. But Wayne was top shelf with

1:10:02.400 --> 1:10:07.120
<v Speaker 1>freedom fans who thrilled to the big guy's charge. John Wayne.

1:10:07.240 --> 1:10:10.280
<v Speaker 1>Judicial system, What's what is that? A reference to people

1:10:10.320 --> 1:10:12.879
<v Speaker 1>who are angry that the criminal justice system in prisons

1:10:12.880 --> 1:10:19.479
<v Speaker 1>and murders innocent people. Oh, it's just like those pumpkin lilies. Yeah,

1:10:19.479 --> 1:10:25.120
<v Speaker 1>pumkin lilies. That's right, exactly, judicial pumpkin lily. So John

1:10:25.160 --> 1:10:29.040
<v Speaker 1>Wayne dies on June eleventh, nineteen seventy nine, of ask cancer.

1:10:29.280 --> 1:10:31.559
<v Speaker 1>He never lived to see the entirety of the world

1:10:31.560 --> 1:10:34.519
<v Speaker 1>he built come to fruition, But by nineteen seventy nine

1:10:34.560 --> 1:10:37.479
<v Speaker 1>the electoral power of the left had been solidly broken.

1:10:37.880 --> 1:10:41.400
<v Speaker 1>Not long after his death, Ronald Reagan, his old buddy,

1:10:41.439 --> 1:10:44.960
<v Speaker 1>would be elected president. He would be followed by George H. W. Bush,

1:10:45.120 --> 1:10:47.519
<v Speaker 1>and then the next Liberal president to follow would be

1:10:47.560 --> 1:10:50.599
<v Speaker 1>considerably further right than most Democrats had been in John

1:10:50.640 --> 1:10:54.519
<v Speaker 1>Wayne's day. There are numerous reasons for these shifts, which

1:10:54.560 --> 1:10:58.360
<v Speaker 1>we've discussed in many podcasts, but the seductive, intoxicating vision

1:10:58.400 --> 1:11:00.920
<v Speaker 1>of manhood which stuck in the heads of millions of

1:11:00.920 --> 1:11:03.600
<v Speaker 1>men who are still alive and voting today, played a

1:11:03.600 --> 1:11:07.679
<v Speaker 1>strong role. As Kristin Cobbs Dumez writes, John Wayne become

1:11:07.680 --> 1:11:10.479
<v Speaker 1>an icon, became an icon of rugged American manhood for

1:11:10.520 --> 1:11:14.679
<v Speaker 1>generations of Conservatives. Pat Buchanan perrotive Wayne in his presidential bid.

1:11:14.880 --> 1:11:18.840
<v Speaker 1>Newt Gingridge called Wayne's Sands of Iwajima the formative movie

1:11:18.880 --> 1:11:21.880
<v Speaker 1>of my life, and Oliver North echoed slogans from that

1:11:21.920 --> 1:11:25.559
<v Speaker 1>film in his nineteen Senate campaign. In time, Wayne would

1:11:25.600 --> 1:11:29.559
<v Speaker 1>also emerge as an icon of Christian masculinity. Evangelicals admired

1:11:29.600 --> 1:11:32.040
<v Speaker 1>and still admire him for his toughness and his swagger.

1:11:32.280 --> 1:11:34.360
<v Speaker 1>He protected the week, and he wouldn't let anything get

1:11:34.400 --> 1:11:36.400
<v Speaker 1>in the way of his pursuit of justice and order.

1:11:36.680 --> 1:11:39.559
<v Speaker 1>Wayne was not an evangelical Christian, despite rumors to this

1:11:39.600 --> 1:11:43.720
<v Speaker 1>effect regularly circulated by evangelicals themselves. He did not live

1:11:43.760 --> 1:11:46.479
<v Speaker 1>a moral life by the standards of traditional Christian virtue.

1:11:46.760 --> 1:11:49.640
<v Speaker 1>Yet for many evangelicals, Wayne would come to symbolize a

1:11:49.680 --> 1:11:52.879
<v Speaker 1>different set of virtues, a nostalgic yearning for a mythical

1:11:53.000 --> 1:11:56.519
<v Speaker 1>Christian America, a return to traditional gender roles, and the

1:11:56.560 --> 1:12:05.680
<v Speaker 1>reassertion of white patriarchal authority. Yes, so just back on

1:12:05.800 --> 1:12:12.200
<v Speaker 1>the ranch. None of these just sissy jobs, jobs, punkin lily,

1:12:12.360 --> 1:12:20.360
<v Speaker 1>content creators, TikTok dancers, casting pods and their basements can

1:12:20.520 --> 1:12:25.760
<v Speaker 1>weak ship? Where when can we conquer some ship? Let's

1:12:25.960 --> 1:12:30.760
<v Speaker 1>deconquer so we can reconquer the West. That's what I say,

1:12:31.320 --> 1:12:39.360
<v Speaker 1>decolonized to recolonize. Who's with me? America? Recolonized England? I

1:12:39.520 --> 1:12:43.880
<v Speaker 1>just we need Like this is why, um the show

1:12:43.920 --> 1:12:47.400
<v Speaker 1>that I don't watch Westworld, But that's why I like

1:12:47.800 --> 1:12:50.760
<v Speaker 1>that made sense because you're like, you need a simulation

1:12:51.640 --> 1:12:56.360
<v Speaker 1>for men who feel inferior to get their rocks off

1:12:56.439 --> 1:12:59.479
<v Speaker 1>in a safe place. Obviously, then the robots are sent ship.

1:12:59.600 --> 1:13:01.599
<v Speaker 1>That's bad. They don't want them to say, I only

1:13:01.600 --> 1:13:03.360
<v Speaker 1>watched the first season of that, which I did like,

1:13:03.560 --> 1:13:07.640
<v Speaker 1>but I'm not I understand it goes some places apparently,

1:13:08.200 --> 1:13:12.480
<v Speaker 1>you know, it's fine, but yeah, like you need Disneyland

1:13:12.479 --> 1:13:18.320
<v Speaker 1>for adults, yeah, yeah, and that John Wayne is a big,

1:13:18.360 --> 1:13:20.519
<v Speaker 1>a big help. He does a lot of work to

1:13:20.560 --> 1:13:25.280
<v Speaker 1>create this cultural Disneyland that's like mental vacation space we

1:13:25.320 --> 1:13:27.439
<v Speaker 1>have for white men. To imagine that there was a

1:13:27.439 --> 1:13:29.640
<v Speaker 1>time in which if I only been born, then I

1:13:29.640 --> 1:13:31.759
<v Speaker 1>would have been a real big man on the range.

1:13:31.880 --> 1:13:35.320
<v Speaker 1>You know, I would have been carving out a new America,

1:13:35.400 --> 1:13:37.519
<v Speaker 1>and I would have had a woman who loved me

1:13:37.560 --> 1:13:39.559
<v Speaker 1>and didn't have a career of her own, and everything

1:13:39.600 --> 1:13:43.560
<v Speaker 1>would have been perfect. Absolutely, And then but it was

1:13:43.600 --> 1:13:45.599
<v Speaker 1>just a few more years before, like you know, grunge

1:13:45.640 --> 1:13:50.000
<v Speaker 1>came around. It's thank god, Yeah, that did wonders for

1:13:50.200 --> 1:13:54.559
<v Speaker 1>angsty white men. Hell yeah. And then you know, suddenly,

1:13:54.560 --> 1:14:01.600
<v Speaker 1>well that's not cool anymore now. Masculinity's just it's so

1:14:01.840 --> 1:14:06.160
<v Speaker 1>willie Nilly, and we've got you know, Disney groomers or

1:14:06.200 --> 1:14:12.200
<v Speaker 1>whatever we're doing. Yeah, everything's gotten dumber since um um,

1:14:12.240 --> 1:14:16.439
<v Speaker 1>I yeah, it's I'm fascinating by that because I don't like,

1:14:16.520 --> 1:14:19.759
<v Speaker 1>I don't respond. I'm trying to think of like action

1:14:19.840 --> 1:14:22.240
<v Speaker 1>heroes that like I respond to, like where I get

1:14:22.280 --> 1:14:25.000
<v Speaker 1>like ting, where like spidy, like hell, I want to

1:14:25.040 --> 1:14:29.280
<v Speaker 1>be that. I don't have that, Like, was that Jean

1:14:29.360 --> 1:14:33.360
<v Speaker 1>claud for you? Was it so Stallone? Is it Schwartzenegger?

1:14:33.720 --> 1:14:36.559
<v Speaker 1>Who's the For me? It was? It was Bruce Willis

1:14:36.600 --> 1:14:38.679
<v Speaker 1>and die Hard? Right, that was the movie I saw

1:14:38.720 --> 1:14:40.599
<v Speaker 1>as a kid that was like, well and and actually

1:14:40.640 --> 1:14:43.320
<v Speaker 1>I'm honestly like much more than that. It was Indiana Jones, right,

1:14:43.479 --> 1:14:45.040
<v Speaker 1>I think for a lot of men in mind, like

1:14:45.120 --> 1:14:47.479
<v Speaker 1>that was the Harrison Ford of his peak that it's

1:14:47.479 --> 1:14:51.320
<v Speaker 1>a leading man right there, totally And he's but he's

1:14:51.360 --> 1:14:54.679
<v Speaker 1>kind of funny, right, He's got a little he's Yeah,

1:14:55.080 --> 1:14:58.439
<v Speaker 1>he's he's incredibly charming, cheeky. That's what he keeps getting

1:14:58.840 --> 1:15:01.280
<v Speaker 1>jail every time he crashed a plane into a golf course.

1:15:01.520 --> 1:15:04.759
<v Speaker 1>Nobody can get angry. Nobody can stay angry at Harrison Ford.

1:15:07.560 --> 1:15:13.520
<v Speaker 1>No exactly. Yeah, yeah, yeah, that makes sense. Ford makes sense. Um,

1:15:13.720 --> 1:15:17.559
<v Speaker 1>also old, also kind of older. Yeah, for a lot

1:15:17.560 --> 1:15:20.439
<v Speaker 1>of his movies, he's got I mean, you know, he's pretty,

1:15:20.439 --> 1:15:23.439
<v Speaker 1>he's pretty young and swollen them Indiana Jones movies, but

1:15:23.920 --> 1:15:26.920
<v Speaker 1>not the most recent one. He was for the It's

1:15:27.040 --> 1:15:29.479
<v Speaker 1>very funny because if you watch the behind the scenes

1:15:29.479 --> 1:15:31.759
<v Speaker 1>for the second Indiana Jones movie, there's a ton about

1:15:31.800 --> 1:15:34.800
<v Speaker 1>like how intense his workout schedule was to get him

1:15:34.840 --> 1:15:37.559
<v Speaker 1>that jacked. And he's like he's like, he's like, he's

1:15:37.600 --> 1:15:39.839
<v Speaker 1>like the guy you would cast as like a skinny

1:15:39.880 --> 1:15:42.519
<v Speaker 1>office worker in a modern movie. But yeah, we didn't

1:15:42.560 --> 1:15:44.519
<v Speaker 1>know how to get people jacked back then. We weren't

1:15:44.520 --> 1:15:49.200
<v Speaker 1>as good at it. Modern Jack's technology just didn't exist. No,

1:15:49.760 --> 1:15:52.240
<v Speaker 1>that h g H just wasn't for We didn't know.

1:15:52.240 --> 1:15:54.519
<v Speaker 1>We didn't have as much h H we were gonna have.

1:15:55.880 --> 1:16:00.439
<v Speaker 1>I wonder what what what were we talking about? John Wayne?

1:16:00.439 --> 1:16:03.880
<v Speaker 1>And John Wayne would think about that, Bruce Wayne, Oh lord,

1:16:04.120 --> 1:16:06.240
<v Speaker 1>I mean, but you also did have this period because

1:16:06.280 --> 1:16:09.400
<v Speaker 1>like Indiana Jones is kind of like right before you

1:16:09.439 --> 1:16:12.599
<v Speaker 1>start to have this like all of these super jacked

1:16:12.600 --> 1:16:16.680
<v Speaker 1>action stars, that's when like Arnold and Stallone and and

1:16:16.920 --> 1:16:20.920
<v Speaker 1>damn uh and then they all give way to Bruce

1:16:20.960 --> 1:16:24.080
<v Speaker 1>Willis and Die Hard where it's like, now we're going

1:16:24.120 --> 1:16:28.040
<v Speaker 1>to have like the everyman badass, and then nine eleven happens. Uh,

1:16:28.080 --> 1:16:30.080
<v Speaker 1>and right now we have the Soldier bad and now

1:16:30.280 --> 1:16:34.320
<v Speaker 1>and now they're super jacked again. Yeah. Who got people

1:16:34.360 --> 1:16:38.679
<v Speaker 1>through the eighties that was like the Stallone's and the shorts. Yeah,

1:16:39.360 --> 1:16:42.880
<v Speaker 1>but well later okay, okay, yeah, alright, alright, late seventies,

1:16:43.160 --> 1:16:47.000
<v Speaker 1>late seventies, late seventies. You've got your Indiana Jones, and

1:16:47.040 --> 1:16:49.680
<v Speaker 1>you've got Dirty Harry. Right, you've got Clint Eastwood is

1:16:49.680 --> 1:16:52.479
<v Speaker 1>Dirty Harry where he's kind of like a skinny, wiry

1:16:52.600 --> 1:16:57.920
<v Speaker 1>due right, Clint count out. Can't clan out Clint Eastwood. Yeah, No,

1:16:58.360 --> 1:17:01.960
<v Speaker 1>there's plenty of chairs that a stern talking to look.

1:17:02.120 --> 1:17:09.120
<v Speaker 1>Masculinity is complex, is it? No? Not not really, not honestly,

1:17:09.200 --> 1:17:12.040
<v Speaker 1>not not very much at all. That's why it's so

1:17:12.080 --> 1:17:15.160
<v Speaker 1>easy for Hollywood to market too. Now, Robert, when you

1:17:15.200 --> 1:17:17.920
<v Speaker 1>watch like John Wayne movies, or is there part of

1:17:17.960 --> 1:17:21.000
<v Speaker 1>you that's like I get it, you know, You're like

1:17:21.439 --> 1:17:23.519
<v Speaker 1>I could see how this would be appealing. I think

1:17:23.520 --> 1:17:26.240
<v Speaker 1>some of his movies are really good, Um, like fucking

1:17:26.280 --> 1:17:29.639
<v Speaker 1>True Grits. A solid, solid film in a lot of ways.

1:17:30.120 --> 1:17:33.879
<v Speaker 1>I do. I do really like actually Um the remake

1:17:34.000 --> 1:17:37.679
<v Speaker 1>with Um the dude in it. But you know, yeah,

1:17:37.760 --> 1:17:39.519
<v Speaker 1>like as a kid, I watched a bunch of John

1:17:39.520 --> 1:17:43.240
<v Speaker 1>Wayne movies, like they're they're really well shot. I I've

1:17:43.280 --> 1:17:46.800
<v Speaker 1>always preferred more about the old Westerns. The way they're shot,

1:17:46.880 --> 1:17:49.479
<v Speaker 1>the way the music is directed, kind of like the

1:17:49.560 --> 1:17:52.439
<v Speaker 1>sense of rather than any of the specific dialogue or characters,

1:17:52.560 --> 1:17:55.479
<v Speaker 1>is like the kind of tone that they have. Yeah,

1:17:55.800 --> 1:17:58.639
<v Speaker 1>there's there's vibes that are very appealing in those movies,

1:17:58.640 --> 1:18:00.760
<v Speaker 1>in part because just a lot of really talented people

1:18:00.800 --> 1:18:07.000
<v Speaker 1>were making some very beautifully shot Western's beautifully shot propaganda.

1:18:07.120 --> 1:18:10.400
<v Speaker 1>But hey, but still share all artists propagandas or we

1:18:10.560 --> 1:18:14.599
<v Speaker 1>would would tell us, did he have fifty pounds of

1:18:14.640 --> 1:18:20.639
<v Speaker 1>meat in his intestine upon death? I don't know, Probably

1:18:20.880 --> 1:18:22.880
<v Speaker 1>I don't. I don't think there's any evidence of that.

1:18:23.400 --> 1:18:30.120
<v Speaker 1>But god damn, maybe you know maybe that let the

1:18:30.160 --> 1:18:33.799
<v Speaker 1>meat and zoom the body, but let the meat stuck

1:18:33.840 --> 1:18:37.720
<v Speaker 1>in John Wayne's corpse be the Santa clause of your

1:18:38.200 --> 1:18:43.000
<v Speaker 1>beliefs about karma. I don't really know what the message

1:18:43.000 --> 1:18:44.400
<v Speaker 1>would be if there is a lot of me. Be

1:18:44.479 --> 1:18:47.679
<v Speaker 1>the Gerbil in Richard Gear's asshole. Yeah, be the Gerbil

1:18:47.680 --> 1:18:50.000
<v Speaker 1>and Richard Gear's asshole. That's all. I think that's a

1:18:50.000 --> 1:18:53.160
<v Speaker 1>good line to end on. Everyone. Go out there, be

1:18:53.280 --> 1:18:56.000
<v Speaker 1>the Gerbil you want to see in Richard Gear's asshole.

1:18:56.280 --> 1:19:01.360
<v Speaker 1>You know. God, that's an that's an that's an old

1:19:01.479 --> 1:19:04.759
<v Speaker 1>Hollywood rumor, like a four people are going to remember

1:19:04.800 --> 1:19:07.720
<v Speaker 1>that such an old rumor. I think the lesson is

1:19:08.680 --> 1:19:14.479
<v Speaker 1>what is the You don't need um to subjugate people

1:19:14.720 --> 1:19:19.960
<v Speaker 1>of color or Japanese or Native Americans. Um. In order

1:19:20.000 --> 1:19:25.320
<v Speaker 1>to feel masculine and strong and powerful. Um, you might

1:19:25.360 --> 1:19:29.599
<v Speaker 1>need to serve your country. That might help. I don't

1:19:29.600 --> 1:19:32.080
<v Speaker 1>know if it's the one war where that's a good idea,

1:19:32.360 --> 1:19:36.200
<v Speaker 1>if it's the one war where it's good yeah, and

1:19:36.360 --> 1:19:38.720
<v Speaker 1>uh and and yeah. And also like I feel like

1:19:38.720 --> 1:19:41.599
<v Speaker 1>this all ended in Brokeback Mountain, Like Brokeback Mountain really

1:19:41.760 --> 1:19:43.519
<v Speaker 1>just that was it. It was like, oh, yeah, we

1:19:43.560 --> 1:19:48.360
<v Speaker 1>can't be stoic anymore because because Ennis, I don't know,

1:19:48.400 --> 1:19:50.920
<v Speaker 1>I think that's very stoic. That's a stoic gas movie.

1:19:51.320 --> 1:19:53.960
<v Speaker 1>It is a stoic aas movie. But I'm saying like,

1:19:53.960 --> 1:19:56.880
<v Speaker 1>like the the sort of the idea that you're like

1:19:57.040 --> 1:20:00.000
<v Speaker 1>that bottled up emotionally, you're like, man, I think maybe

1:20:00.280 --> 1:20:03.599
<v Speaker 1>you know, maybe maybe there's more going on here, Maybe

1:20:03.640 --> 1:20:07.240
<v Speaker 1>you're not fishing by the rivernity can be. This is

1:20:07.280 --> 1:20:10.400
<v Speaker 1>why I'm so excited about Pedro Pascal as a as

1:20:10.439 --> 1:20:12.960
<v Speaker 1>a male lead. A lot of exciting new visions of

1:20:13.000 --> 1:20:16.200
<v Speaker 1>manhood that Pedro Pascal is it is neat. I think

1:20:16.240 --> 1:20:18.120
<v Speaker 1>actually there is something to be said about the fact

1:20:18.160 --> 1:20:21.200
<v Speaker 1>that and you can say this probably maybe does start

1:20:21.240 --> 1:20:23.720
<v Speaker 1>with some of James Cameron's early stuff where you're you're

1:20:23.760 --> 1:20:26.840
<v Speaker 1>kind of idolizing a slightly more nurturing attitude towards a

1:20:26.880 --> 1:20:28.880
<v Speaker 1>male action star. I think that's one of the things

1:20:28.920 --> 1:20:31.559
<v Speaker 1>that's interesting about The Mandalorian, which has been a big hit,

1:20:32.000 --> 1:20:34.120
<v Speaker 1>is there is like that is a big emphasis. You've

1:20:34.120 --> 1:20:37.240
<v Speaker 1>got this like badass gun slinger, but who's also defined

1:20:37.280 --> 1:20:40.519
<v Speaker 1>in large part due to his like desire to nurture

1:20:40.560 --> 1:20:43.559
<v Speaker 1>a child um which is not a negative not a

1:20:43.640 --> 1:20:49.080
<v Speaker 1>negative change. And and yeah, there's an emotional journey and

1:20:49.120 --> 1:20:51.880
<v Speaker 1>that is a space Western. So right, that's pretty fun space.

1:20:52.080 --> 1:20:54.559
<v Speaker 1>I enjoy that series quite a lot. I guess when

1:20:54.560 --> 1:20:56.880
<v Speaker 1>I when I really think John Wayne's legacy died is

1:20:56.920 --> 1:21:01.960
<v Speaker 1>probably Little nos X, old town Road, m assless chaps,

1:21:03.120 --> 1:21:07.360
<v Speaker 1>openly gay, proud as hell, and crushing it. Hell yeah,

1:21:07.640 --> 1:21:13.120
<v Speaker 1>well yeah, so until next time, dig up the corpse

1:21:13.200 --> 1:21:16.240
<v Speaker 1>of John Wayne and mail his bones to Little nos X.

1:21:17.000 --> 1:21:20.880
<v Speaker 1>That's I love this. This is a good project. And

1:21:21.720 --> 1:21:24.360
<v Speaker 1>I again Little nos X loves a trigger the right,

1:21:24.400 --> 1:21:26.720
<v Speaker 1>so I bet he will remake one of these films

1:21:27.720 --> 1:21:30.679
<v Speaker 1>dressed in the bones of John Wayne, wearing his rib

1:21:30.800 --> 1:21:36.639
<v Speaker 1>cage like a corset fante. So you have any plugs

1:21:36.680 --> 1:21:40.400
<v Speaker 1>for us at the end here after that, it's amazing. Um,

1:21:40.439 --> 1:21:42.920
<v Speaker 1>oh my god. Everyone check out the Bituation Room podcast.

1:21:42.960 --> 1:21:47.480
<v Speaker 1>It's a weekly podcast with comedians and myself and activist experts.

1:21:47.560 --> 1:21:54.519
<v Speaker 1>It's a good time. And yeah listen, yeah, all right again,

1:21:54.960 --> 1:22:00.200
<v Speaker 1>go defile the grave of John Wayne. Where is that grave? Oh,

1:22:00.200 --> 1:22:06.120
<v Speaker 1>that's a great question. Where is John Wayne's I want

1:22:06.160 --> 1:22:13.040
<v Speaker 1>the address Pacific View Memorial Park in Newport Beach. Ah,

1:22:13.080 --> 1:22:17.880
<v Speaker 1>that's on brand? Are you about to say? Of course

1:22:17.920 --> 1:22:23.320
<v Speaker 1>it's Newport. It's definitely Newport Beach. Well, yeah, a little

1:22:23.360 --> 1:22:27.160
<v Speaker 1>slice of red over in this southern California blue I guess.

1:22:28.160 --> 1:22:31.880
<v Speaker 1>Oh my goodness. Yeah, I'm sure we are not the

1:22:31.960 --> 1:22:37.000
<v Speaker 1>only ones to have located where he is buried us

1:22:37.240 --> 1:22:39.360
<v Speaker 1>in order to steal his bones and give them to

1:22:39.439 --> 1:22:42.559
<v Speaker 1>little Nozax so he can turn them into a corset. Yes,

1:22:45.680 --> 1:22:50.920
<v Speaker 1>I like that he's dead. Yeah, um, good riddens. May

1:22:50.960 --> 1:22:54.840
<v Speaker 1>we never have someone who plagues the American consciousness so

1:22:54.920 --> 1:22:58.600
<v Speaker 1>horribly um, to the point where we're still we're just

1:22:58.680 --> 1:23:03.840
<v Speaker 1>waiting for the John Wayne generations to die off. Thank God, well,

1:23:05.920 --> 1:23:10.880
<v Speaker 1>thank you. This is great. H m hmm.