WEBVTT - The DeBarge Effect (with Kevin Avery) (RE-RELEASE)

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<v Speaker 1>I would go as far as to say, is more

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<v Speaker 1>than one of them had a cane at any given time,

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<v Speaker 1>because at one point it was just the thing to

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<v Speaker 1>be a dude in an ARMBA group and have a kid.

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<v Speaker 1>I bought one of my brother for Christmas. I was like,

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<v Speaker 1>it was a write of passage for just the young

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<v Speaker 1>black dude at the time. A brother, you know you

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<v Speaker 1>need a king? Can he? He might still have it.

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<v Speaker 1>I just saw him yesterday. I should have answered, I pready, God,

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<v Speaker 1>you kneeled when you handed it off to I want

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<v Speaker 1>that more than anything, because my crown chips in your

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<v Speaker 1>quali mass or racist last money turkey stuff I can't

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<v Speaker 1>tell me. Welcome to another phenomenal episode of My Mama

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<v Speaker 1>Told the podcast where we dive deep, deep into the

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<v Speaker 1>pockets of black conspiracy theories and we finally worked to

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<v Speaker 1>prove that Kyla Pratt did, in fact sacrifice her television

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<v Speaker 1>father flex Alexander's career to the black Illuminati in exchange

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<v Speaker 1>for eternal youth. It sounds right to me, I'll be honest,

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<v Speaker 1>that sounds exactly right. Kyla Pratt has not aged a

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<v Speaker 1>day since nineteen She looks amazing. She looks fantastic and

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<v Speaker 1>something had to have happened. You can't be the same

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<v Speaker 1>girl from loving basketball forever? Where's flats? He was on

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<v Speaker 1>a rocket ship to the moon. I haven't seen him since.

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<v Speaker 1>You know, he was in uh if I'm remembering correctly,

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<v Speaker 1>he was in Snakes on a plane If I'm not mistaken,

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<v Speaker 1>who was briefly in that plane? Briefly? So barometer for success?

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<v Speaker 1>This easily could have been a Flex Alexander hologram. That

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<v Speaker 1>are Watchington, Which one was Washington or Alexander flex Alexander.

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<v Speaker 1>I believe he was Flex Washington on the show one

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<v Speaker 1>on one? Why why do that? Why not to pick

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<v Speaker 1>a full different name if you're gonna be in a

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<v Speaker 1>multi caam on up n Why why why commit so hard?

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<v Speaker 1>I think? But you want the name Flex is what's

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<v Speaker 1>gonna travel, Alexander Washington. It's all very Interchangeablelex is what

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<v Speaker 1>they want us to remember. He said, Alexander is my

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<v Speaker 1>slave name, but Flex, that's Washington is my LESTERR slave name. Washington,

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<v Speaker 1>it's my chosen slave man. If I have to choose

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<v Speaker 1>a slave name, I want the best slave owner. I

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<v Speaker 1>E Washington. No, they had Dentald Washington So that's a

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<v Speaker 1>good family. Yeah, that was a solid family. Solace slave

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<v Speaker 1>on the shout out to the slave own in Washington's

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<v Speaker 1>if you're still out there, Hell yeah, you got it, baby,

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<v Speaker 1>you're the best. What are we one in? All right?

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<v Speaker 1>I'm David Borden and I'm your co host Legs and Carmen.

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<v Speaker 1>We're so happy to be here with you. We're talking

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<v Speaker 1>shit about apparently flex Flex Alexander and and Kyla Pratt

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<v Speaker 1>and George Washington a little bit, but but less so

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<v Speaker 1>him for some reason. But our guest today, I would

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<v Speaker 1>dare to say that that he hasn't owned any slaves,

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<v Speaker 1>nor it would he would he well, I think he'd

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<v Speaker 1>go so far. Okay, maybe maybe he would. He's not certain.

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<v Speaker 1>He's wavering on the subject. But he's such a funny comedian, hysterical.

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<v Speaker 1>You've seen him in so many things. Specifically, he is

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<v Speaker 1>a a writer producer for The Great North on Fox.

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<v Speaker 1>So fucking funny. Please give it up for our guests,

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<v Speaker 1>Mr Kevin A. Ray, how are you? We're excited you're here.

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<v Speaker 1>I'm gonna go no on on the slave owning. Damn,

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<v Speaker 1>I'm gonna make that official. Okay, this feels put it

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<v Speaker 1>on watch. I'm gonna be trying to be on the

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<v Speaker 1>on the right side of things, you know. I feel

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<v Speaker 1>like I feel like slave owning is a dangerous, dangerous

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<v Speaker 1>precedent to start out there now, it would be a

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<v Speaker 1>weird way to start the episode and expect people to

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<v Speaker 1>eventually be on yours and then just d hop back

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<v Speaker 1>to the part where he said he don't slaves. Okay,

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<v Speaker 1>hear me out, I down slaves. But yeah, yeah, okay,

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<v Speaker 1>so I'm good. So noticed slave voting and that's fine.

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<v Speaker 1>To each his own is what I always say. But

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<v Speaker 1>you came to us this week with a conspiracy theory,

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<v Speaker 1>and I'm I say you, but the truth is this

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<v Speaker 1>is a bit of a unique episode because you did not,

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<v Speaker 1>in fact come to us with its conspiracy theory. You

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<v Speaker 1>came to us with an open heart. You said, you said,

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<v Speaker 1>if you fellas have something you want to discuss, I

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<v Speaker 1>am more than open to to taking that on. I'm

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<v Speaker 1>not afraid of what possibly could come down the pipeline.

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<v Speaker 1>And then Bori immediately raised his hand. He could not

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<v Speaker 1>embrace the same faster, Kevin. I want you to know

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<v Speaker 1>how quickly this happened, Unbelievably fast. He raised his hand

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<v Speaker 1>with a conspiracy theory that I would argue is maybe

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<v Speaker 1>the most unfounded thing that we are going to take

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<v Speaker 1>on in this in this conversation. That's crazy. Okay, already

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<v Speaker 1>starting with the look, I'm gonna say this on the

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<v Speaker 1>and you haven't said it yet. This was a theory

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<v Speaker 1>that I I definitely was riding with for a minute.

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<v Speaker 1>Thank you, thank you for a minute, and then I

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<v Speaker 1>really thought about it. But I mean, I just want

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<v Speaker 1>to note that we're five minutes in Lightston is already

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<v Speaker 1>positioned me in the position of the buffoon the wild card. Wow,

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<v Speaker 1>I just want that episode, my god. Okay, So so

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<v Speaker 1>now now there's a hierarchy being formed. I have I

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<v Speaker 1>walked into some unsettled ship that I oh for me personally,

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<v Speaker 1>this coach back to before. Great this, I can't I

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<v Speaker 1>can't wait. I mean this, I will say this to

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<v Speaker 1>about the theory you chose it. Hit me right right here,

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<v Speaker 1>m his heart not. I know that you have skin

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<v Speaker 1>in the game personally, That's why I chose it for you. Yeah, okay,

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<v Speaker 1>I appreciate that. Let us let us not linger any longer,

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<v Speaker 1>let us not leave our audience with bated breath. You

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<v Speaker 1>see the conspiracy theory that was presented. It was my

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<v Speaker 1>mama told me life scanned people are good at R

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<v Speaker 1>and B. HM, let's let's unpack it, fell David, this

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<v Speaker 1>is yours, this is your baby. I'd love for you

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<v Speaker 1>to kick us off. I just have felt throughout and

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<v Speaker 1>I don't listen. First of all, I personally do not

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<v Speaker 1>think that light skinned people are better than dark skinned

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<v Speaker 1>people at R and B. I think that it's even

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<v Speaker 1>Oh wait, I think there's been a lot of I

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<v Speaker 1>think there's been a lot of dark skinned eraser in

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<v Speaker 1>the R and B game in general, just like I think,

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<v Speaker 1>quite honest, there's been a lot of fat eraser in

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<v Speaker 1>the R and B game as well as well. Because

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<v Speaker 1>we all remember Woody from drew Hill, What happened to Jazz?

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<v Speaker 1>What happ jazz? Jazz was the heavier one, last king,

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<v Speaker 1>last of the thick kings. As far as could sing,

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<v Speaker 1>Ruben stuttered. But that was not Ruben stuttered. Wasn't making

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<v Speaker 1>like panty dropping. He tried, well, he had he had

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<v Speaker 1>a small window at a moment. He had a moment

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<v Speaker 1>he did. Yeah, it was I'm sorry for two thousand four.

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<v Speaker 1>That was not yes. I mean, here's what I'll say,

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<v Speaker 1>is that Ruben really uh, he tried a little bit

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<v Speaker 1>of everything that is the formula of R and B.

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<v Speaker 1>He apologized, he uh, he made love and uh he

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<v Speaker 1>walked in the rain, and none of it seemed to

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<v Speaker 1>to satisfy the missing piece, which was us looking at

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<v Speaker 1>Ruben Stutter to being like, yeah, I'll buy that album. Yeah,

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<v Speaker 1>I'll take what you're giving me. Big dog. You beat

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<v Speaker 1>Clay Haakin, big deal. Yeah, I don't even know if

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<v Speaker 1>he did. Did he win? I don't know, Yes, Reuben

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<v Speaker 1>Stutter did. He did win. Clay Agin got second place

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<v Speaker 1>and now is running for governor I believe. I don't

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<v Speaker 1>know what office he's running for. I know he's been

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<v Speaker 1>a politician for for some time now. But back back

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<v Speaker 1>to this, back to back, back back to what really matters,

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<v Speaker 1>the hard hitting stuff. I've just felt like my whole

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<v Speaker 1>life there's always been this like light skin predisposition to

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<v Speaker 1>sexy stuff, and then dark skin we got like I

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<v Speaker 1>didn't want to play offensive line. That might have been

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<v Speaker 1>a thing, yeah, but like all the DBS, light skins

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<v Speaker 1>they remallow I remember him specifically basically white, and I

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<v Speaker 1>will say this, no one's ever asked me to play

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<v Speaker 1>offensive line, and I have to assume that's because of

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<v Speaker 1>the color of my skin crossed their mind, like did

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<v Speaker 1>you play power forward? Ever? Not? No, it wasn't because

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<v Speaker 1>I was smaller than everybody else and had to play

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<v Speaker 1>point guard. I don't think so. I think it's probably

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<v Speaker 1>because I'm light skinned. That makes more sense. Has anybody

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<v Speaker 1>ever come up to you and been like, you seem

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<v Speaker 1>like you could sing? They have it. But but also

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<v Speaker 1>I had my voice the whole time. Kevin, please jump

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<v Speaker 1>in here. I have had I've had a weird thing

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<v Speaker 1>where a couple of times white women have been like,

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<v Speaker 1>I want to hear you saying I bet you could sing,

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<v Speaker 1>and I'm like, who I know. I didn't say I

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<v Speaker 1>could sing. I don't. I didn't. I didn't really put

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<v Speaker 1>that out there. I mean, not back when this was

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<v Speaker 1>happening a lot. But yeah, that's definitely you know. And

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<v Speaker 1>I'll say this, I did play linebacker when I played

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<v Speaker 1>football in junior high. Anybody can be a linebacker, okay, alright,

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<v Speaker 1>fair enough. And also I was the h Yeah, I

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<v Speaker 1>was the only black kid in the in the school

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<v Speaker 1>at the time, aside from my brother. So I mean

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<v Speaker 1>they went with the darkest one for so I guess

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<v Speaker 1>I'm proving your point. I'm saying I tried out for

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<v Speaker 1>a wide receiver and I did not get that. They

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<v Speaker 1>were like, we need about a tough guy position. You. Also,

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<v Speaker 1>I know this about you. You were in and R

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<v Speaker 1>and B Green. I was, oh my gosh, hold on

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<v Speaker 1>a minute, that's how they get That's how they get you.

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<v Speaker 1>This is, if nothing else, helping David towards this point.

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<v Speaker 1>So please tell us more about this R and B

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<v Speaker 1>group you were a part of. Look, I didn't say

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<v Speaker 1>we were good, but that doesn't matter that we were.

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<v Speaker 1>We were all right, And I'm gonna say we were

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<v Speaker 1>called we were called four now, the four with the

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<v Speaker 1>number four and now, and even though there were six

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<v Speaker 1>of us, it was a gross error. It was an accident,

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<v Speaker 1>a miss We were mistitled miss labeled before a show,

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<v Speaker 1>and that just was the name we stuck with. Yeah,

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<v Speaker 1>we were, but they were like I think they were

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<v Speaker 1>out of the gate. Three dark skin cats and three

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<v Speaker 1>light skin Okay in the group. So when split down,

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<v Speaker 1>split down center. Yeah, But now here's my question. When

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<v Speaker 1>you were performing, I assume your group dances and things

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<v Speaker 1>of that nature. Where were the lights standing in position

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<v Speaker 1>in comparison to the darks. I mean it depended. You know,

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<v Speaker 1>it's a group, you mix it up and stuff. I

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<v Speaker 1>can tell you this. The first performance we did, we

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<v Speaker 1>covered can You Stand the Rain? I was in the middle.

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<v Speaker 1>Not a light skinned man made that song, by the way.

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<v Speaker 1>He was in the middle. By the way I was

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<v Speaker 1>in the middle. Uh, the two dark skinned man wrote

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<v Speaker 1>that song. That's what I'm saying. That's that's a lot

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<v Speaker 1>of a lot of things. That's a song that's almost

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<v Speaker 1>exclusively been performed by dark skinned people. But go ahead,

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<v Speaker 1>written written, is doesn't count. Who sang Who wrote freaking you?

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<v Speaker 1>Nobody knows. I'll say this on that song. The leads

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<v Speaker 1>and this is this is why I'm going against your theory. Now.

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<v Speaker 1>The leads were all the dark skinned dudes and well

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<v Speaker 1>and the in new addition, it's it's trespant Ricky bell

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<v Speaker 1>and and Johnny gill uh in our group. Yeah, it

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<v Speaker 1>was all three of the dark skinned dudes and the

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<v Speaker 1>leads on the park and the rest of us sang

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<v Speaker 1>back up. I told everybody, hey, y'all, let's go get wet.

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<v Speaker 1>And I did. I did that. The middle of the song. Uh,

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<v Speaker 1>and that was and that was it, and then did

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<v Speaker 1>a little bit some choreography and sang the backup. Wait,

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<v Speaker 1>so you stood in the middle and sang backup. How

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<v Speaker 1>that's because remember there are six of us, so it's

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<v Speaker 1>all the whole regular game plan just goes out the window. So, um,

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<v Speaker 1>I can't remember exactly where everyone else was lined up,

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<v Speaker 1>but I think there was a dark skinned dude on

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<v Speaker 1>my on my left. You were flanked by dark skin.

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<v Speaker 1>I think I was flanked by dark skin, almost like

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<v Speaker 1>some type of security detail. Yeah, yeah, but they were

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<v Speaker 1>trying to protect me. It all protect the light skin.

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<v Speaker 1>We gotta keep the money safe, right, But then we

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<v Speaker 1>like it became this very interchangeable thing where we broke

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<v Speaker 1>up and then we came together and there were only

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<v Speaker 1>three of us for a minute, and then there were

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<v Speaker 1>four of us and and you know, so the ratio

0:14:29.440 --> 0:14:33.160
<v Speaker 1>of light skin to dark skin it kept changing. Okay,

0:14:33.520 --> 0:14:37.720
<v Speaker 1>what would you say the ratio was at your most successful? Oh,

0:14:37.880 --> 0:14:41.440
<v Speaker 1>whoa spicy question. He's coming in hot, And I want

0:14:41.480 --> 0:14:43.840
<v Speaker 1>you to be careful when you answered this, because yeah,

0:14:43.920 --> 0:14:47.000
<v Speaker 1>that's such a loaded I mean, the gun couldn't be

0:14:47.080 --> 0:14:52.800
<v Speaker 1>closer to down your throat, what the hell man look?

0:14:52.920 --> 0:14:57.120
<v Speaker 1>Asking the real questions here. We were the hardest interview

0:14:57.120 --> 0:15:00.520
<v Speaker 1>I've ever had to do for this for for Now

0:15:01.320 --> 0:15:06.040
<v Speaker 1>twenty five years later, address the racial disparities from the

0:15:06.240 --> 0:15:10.640
<v Speaker 1>R and B group of twenty years ago. Um, I

0:15:10.680 --> 0:15:15.880
<v Speaker 1>would say, I would say, oh, Ship, you know, no,

0:15:16.040 --> 0:15:19.120
<v Speaker 1>still half and half, still half and half, because because

0:15:19.120 --> 0:15:22.800
<v Speaker 1>they were eventually there, eventually worth four of us, and

0:15:22.800 --> 0:15:25.040
<v Speaker 1>by then we changed the name, but it was still

0:15:25.280 --> 0:15:27.880
<v Speaker 1>too dark skinned dudes and two light skin dudes. And

0:15:27.960 --> 0:15:32.000
<v Speaker 1>how dark are we talking on like a scale of Langston?

0:15:32.120 --> 0:15:34.760
<v Speaker 1>To myself, I mean it was literally the dark skin

0:15:35.120 --> 0:15:40.160
<v Speaker 1>like Ron the other light skin Cat was about Langston's complexion.

0:15:40.600 --> 0:15:44.280
<v Speaker 1>And then, um my, man, Corey, there you go. You

0:15:44.320 --> 0:15:47.560
<v Speaker 1>can't do that. You can't do that. I just I

0:15:47.680 --> 0:15:50.000
<v Speaker 1>just like to hear it. I like you, there's somebody

0:15:50.000 --> 0:15:55.120
<v Speaker 1>else out there doing the baby's Yeah, someone else making

0:15:55.160 --> 0:15:59.280
<v Speaker 1>it happen. Light skin, keep selling the brain. But then

0:15:59.360 --> 0:16:02.520
<v Speaker 1>and then and Corey, yeah, David, he was about it

0:16:02.600 --> 0:16:05.720
<v Speaker 1>was about your complexion, Korey and Patrick. Patrick was a

0:16:05.800 --> 0:16:09.400
<v Speaker 1>little younger or younger, a little lighter than you. People

0:16:09.440 --> 0:16:13.200
<v Speaker 1>do conflate younger and lighter a lot. Sure, you know

0:16:15.000 --> 0:16:22.360
<v Speaker 1>hurt today Kevin Kyla Pratt uh so so, so tell

0:16:22.400 --> 0:16:24.640
<v Speaker 1>me a little bit more. You you start this R

0:16:24.680 --> 0:16:27.480
<v Speaker 1>and B group, is that the goal? Are you guys

0:16:27.480 --> 0:16:29.800
<v Speaker 1>gonna be like R and B superstars or was this

0:16:29.920 --> 0:16:33.160
<v Speaker 1>just like a fun and it was? It was we

0:16:33.160 --> 0:16:37.040
<v Speaker 1>were a dance crew to start trying to remember the

0:16:37.160 --> 0:16:39.760
<v Speaker 1>ratio again that was split down the middle. There were

0:16:39.800 --> 0:16:42.280
<v Speaker 1>there were four of us in a dance crew, and

0:16:42.320 --> 0:16:45.040
<v Speaker 1>then some of us in like sort of the outside

0:16:45.080 --> 0:16:48.880
<v Speaker 1>crew of that joint. We started singing together. But even

0:16:48.880 --> 0:16:52.080
<v Speaker 1>in the dance crew two light skin too, dark skin,

0:16:52.200 --> 0:16:56.320
<v Speaker 1>cats and so, and I would argue that that dance

0:16:56.320 --> 0:16:59.240
<v Speaker 1>crew was black. That's Korean eraser. If you ask me

0:16:59.360 --> 0:17:03.040
<v Speaker 1>those that they just got hit, don't do that. Don't

0:17:03.040 --> 0:17:08.320
<v Speaker 1>do that. Wait, don't do that, don't do that. Korean

0:17:08.440 --> 0:17:12.720
<v Speaker 1>jobs they got, they dance they just got. There wasn't

0:17:13.119 --> 0:17:15.399
<v Speaker 1>there's a bunch now, but I'm not there wasn't a

0:17:15.440 --> 0:17:20.240
<v Speaker 1>bunch of like eight Korean dance cruise right. No. No,

0:17:20.840 --> 0:17:24.920
<v Speaker 1>I would say, I would say, you're looking at I mean,

0:17:24.960 --> 0:17:27.040
<v Speaker 1>I don't know the history of the Korean Dance Cup.

0:17:27.280 --> 0:17:31.320
<v Speaker 1>Yeall me up? Yeah, trapped me up on some ship. No.

0:17:31.520 --> 0:17:34.199
<v Speaker 1>Every week. I finished this being really worried about the

0:17:34.240 --> 0:17:41.000
<v Speaker 1>things I've said. Yeah, not me, That's fine, Linton just

0:17:41.040 --> 0:17:47.440
<v Speaker 1>goes straight to sleep comfortably. But but yeah, I mean, yeah,

0:17:47.600 --> 0:17:49.159
<v Speaker 1>it was we were like this, We were like this

0:17:49.280 --> 0:17:51.359
<v Speaker 1>little dance crew. And then we started hanging out and

0:17:51.359 --> 0:17:53.160
<v Speaker 1>singing again, and we were like, we should really take

0:17:53.200 --> 0:17:57.400
<v Speaker 1>this seriously, and so we started performing together a little bit.

0:17:57.640 --> 0:18:02.080
<v Speaker 1>And uh, and then we we knew a guy who

0:18:02.280 --> 0:18:06.600
<v Speaker 1>had some recording equipment and I wrote music, So I

0:18:06.640 --> 0:18:09.600
<v Speaker 1>started writing some stuff. We started recording. There was another

0:18:09.640 --> 0:18:11.960
<v Speaker 1>guy who kind of would produce some of the other

0:18:12.000 --> 0:18:16.199
<v Speaker 1>stuff that we we sang, and and yeah, we just

0:18:16.240 --> 0:18:18.960
<v Speaker 1>started doing and we yeah, our goal was to kind

0:18:18.960 --> 0:18:21.080
<v Speaker 1>of blow up and do the whole the whole thing,

0:18:21.760 --> 0:18:24.159
<v Speaker 1>but they just sort of fell apart. We were all

0:18:24.160 --> 0:18:26.359
<v Speaker 1>from different parts of the country. We met in the

0:18:26.400 --> 0:18:31.280
<v Speaker 1>South and so yeah, and so it just kind of

0:18:31.320 --> 0:18:34.120
<v Speaker 1>flew apart. And also it was at a time when

0:18:34.320 --> 0:18:38.280
<v Speaker 1>that was kind of it looked like that was about

0:18:38.320 --> 0:18:41.480
<v Speaker 1>to go away, that whole thing, new addition had come

0:18:41.480 --> 0:18:45.159
<v Speaker 1>and gone, and and even Bellby of de Vot was

0:18:45.200 --> 0:18:49.600
<v Speaker 1>like hi bye for you know, like in early nine days. Yeah,

0:18:49.680 --> 0:18:52.040
<v Speaker 1>but they made such a huge splash, but then they

0:18:52.080 --> 0:18:55.040
<v Speaker 1>bounced and then it was a lot of other groups

0:18:55.080 --> 0:18:57.600
<v Speaker 1>that did the thing for a while. But it just

0:18:57.640 --> 0:18:59.840
<v Speaker 1>felt like what we were trying to do when we

0:18:59.840 --> 0:19:02.359
<v Speaker 1>were trying to go for it wasn't kind of, you know,

0:19:02.640 --> 0:19:04.560
<v Speaker 1>go the way we wanted to. Would you have likened

0:19:04.600 --> 0:19:10.280
<v Speaker 1>yourself to like like an oh town, town excuse me town,

0:19:12.400 --> 0:19:16.679
<v Speaker 1>maybe the worst boy band in all the boy bands?

0:19:16.800 --> 0:19:19.400
<v Speaker 1>Would you say you were you were just fucking awful?

0:19:20.880 --> 0:19:22.879
<v Speaker 1>That was That was my fault. That was it was,

0:19:23.200 --> 0:19:25.199
<v Speaker 1>that was It took me. I had to reload. That

0:19:25.280 --> 0:19:28.280
<v Speaker 1>was bad. That was bad, That was really bad. I

0:19:28.320 --> 0:19:31.280
<v Speaker 1>would say we were and I don't mean to, but

0:19:31.960 --> 0:19:35.119
<v Speaker 1>we were very new Addition esque when they were the

0:19:35.160 --> 0:19:39.280
<v Speaker 1>sixth of us and then because then like when the

0:19:39.359 --> 0:19:42.639
<v Speaker 1>group was reduced, we had a much more bell be

0:19:42.840 --> 0:19:47.200
<v Speaker 1>devot ish sort of angle. I mean, there were genuine

0:19:47.280 --> 0:19:50.199
<v Speaker 1>hip hop heads in the group. So I feel like,

0:19:50.320 --> 0:19:54.280
<v Speaker 1>not no shade against Bellbot's vote, but like the hip

0:19:54.320 --> 0:19:57.480
<v Speaker 1>hop we were doing was we were trying to probably

0:19:57.480 --> 0:20:00.520
<v Speaker 1>to our detriment, we were probably trying to be too,

0:20:00.880 --> 0:20:05.439
<v Speaker 1>were trying to wrap around it sounded it didn't. It

0:20:05.480 --> 0:20:07.800
<v Speaker 1>didn't work. So you were so you were you were

0:20:07.840 --> 0:20:12.800
<v Speaker 1>past new Jack Swing. You were like, yeah, yeah, it

0:20:12.840 --> 0:20:14.719
<v Speaker 1>was I mean, but we played around with some of that.

0:20:14.760 --> 0:20:16.160
<v Speaker 1>I mean, we didn't know what we were doing. Man,

0:20:16.200 --> 0:20:18.679
<v Speaker 1>I go, I have some of the demo tapes that

0:20:18.720 --> 0:20:20.239
<v Speaker 1>we did, and I listened to that. I'm just like,

0:20:20.280 --> 0:20:23.399
<v Speaker 1>who the hell let us? We had no friends. No

0:20:23.440 --> 0:20:27.960
<v Speaker 1>one said, hey, y'all, come here, come come here, let

0:20:27.960 --> 0:20:31.199
<v Speaker 1>me gather all six of you brothers around. You might

0:20:31.200 --> 0:20:35.720
<v Speaker 1>get a mistake here, fellas you know, some of us something.

0:20:35.720 --> 0:20:37.399
<v Speaker 1>It was good, but a lot of it was like

0:20:37.520 --> 0:20:40.879
<v Speaker 1>what the hell were we think? Can you give? Can

0:20:40.920 --> 0:20:44.520
<v Speaker 1>you drop a couple of song titles just so we Yeah,

0:20:44.600 --> 0:20:47.960
<v Speaker 1>we had something called and we're a group that took

0:20:47.960 --> 0:20:52.000
<v Speaker 1>ourselves and everything at the moment too seriously. One time

0:20:52.040 --> 0:20:54.680
<v Speaker 1>we did was called the Experiment, and it was literally

0:20:54.720 --> 0:20:56.480
<v Speaker 1>just us trying. It was that thing I was talking about,

0:20:56.520 --> 0:20:58.919
<v Speaker 1>we gonna we're gonna have like a sort of like

0:20:58.960 --> 0:21:01.920
<v Speaker 1>a house or a club section, and then we're gonna

0:21:01.960 --> 0:21:03.920
<v Speaker 1>have like a straight hip hop section, and then we're

0:21:03.920 --> 0:21:07.240
<v Speaker 1>gonna know it doesn't music doesn't work that. Music doesn't

0:21:07.240 --> 0:21:10.280
<v Speaker 1>do that. It just doesn't do that. We had another

0:21:10.280 --> 0:21:18.520
<v Speaker 1>song called It's a Black Thing, because we had a

0:21:18.560 --> 0:21:22.119
<v Speaker 1>song called know what was the black Thing? It was

0:21:22.240 --> 0:21:24.480
<v Speaker 1>literally it was just what it's a black thing? It was.

0:21:25.080 --> 0:21:28.679
<v Speaker 1>That was the phrase of the moment, y'all, David, if

0:21:28.680 --> 0:21:33.600
<v Speaker 1>you gotta ask, you'll never know. Buddy. I'm trying to

0:21:33.600 --> 0:21:36.119
<v Speaker 1>remember my first the first line of mine, because that

0:21:36.200 --> 0:21:40.200
<v Speaker 1>was just that was that was a that was hip hop,

0:21:40.240 --> 0:21:42.640
<v Speaker 1>but with like, um see this is what I'm talking about.

0:21:42.640 --> 0:21:45.400
<v Speaker 1>And it had kind of like a an up tempo

0:21:46.760 --> 0:21:51.720
<v Speaker 1>almost house beat, but we were wrapping over it and

0:21:51.760 --> 0:21:54.840
<v Speaker 1>then it had uh we were singing the hook. There's

0:21:54.880 --> 0:21:57.120
<v Speaker 1>a lot of qualifiers here. There was a whole thing.

0:21:57.160 --> 0:21:59.040
<v Speaker 1>But I think I'm trying to remember. I think that

0:21:59.119 --> 0:22:04.280
<v Speaker 1>it was like bo knows this, Boe knows that, but

0:22:04.400 --> 0:22:07.280
<v Speaker 1>bo don't know a damn thing about the lyrics that

0:22:07.320 --> 0:22:09.960
<v Speaker 1>a brother bring. I can't remember the rest of the

0:22:10.000 --> 0:22:15.440
<v Speaker 1>goddamn song because inside out it's wicked, wicked. What how

0:22:15.440 --> 0:22:20.600
<v Speaker 1>do you know you bought? You bought our album? What was?

0:22:20.880 --> 0:22:23.840
<v Speaker 1>I can't damn I can't. I wish I could remember

0:22:23.840 --> 0:22:26.840
<v Speaker 1>the rest of it. It was is the really ridiculous

0:22:26.960 --> 0:22:29.879
<v Speaker 1>let me before we go to break. I have to ask,

0:22:29.960 --> 0:22:33.400
<v Speaker 1>because you started this this episode off by saying that

0:22:33.480 --> 0:22:37.840
<v Speaker 1>you did, at one point believe in the conspiracy theory

0:22:37.880 --> 0:22:40.800
<v Speaker 1>that that boy is laying down, And I have to

0:22:40.880 --> 0:22:44.320
<v Speaker 1>know how that came to be what you believed in.

0:22:44.480 --> 0:22:48.200
<v Speaker 1>What has changed since? Because I did look into it,

0:22:48.920 --> 0:22:52.520
<v Speaker 1>and you know, and there and I saw a couple

0:22:52.560 --> 0:22:58.119
<v Speaker 1>of articles about like, hey, why are about colorism in music?

0:22:58.960 --> 0:23:04.520
<v Speaker 1>And and specifically why light skin performers do better? And

0:23:04.600 --> 0:23:09.200
<v Speaker 1>the list was like Beyonce, Marian Carey, you know. Uh,

0:23:09.520 --> 0:23:12.159
<v Speaker 1>I was thinking of Chris Brown at one point, you know,

0:23:12.200 --> 0:23:19.280
<v Speaker 1>he popped why some of those they blew her up?

0:23:19.320 --> 0:23:22.560
<v Speaker 1>Some of those videos? Um, and then and then the

0:23:22.600 --> 0:23:29.240
<v Speaker 1>woman I'm thinking, I'm forgetting Alicia Keys, But then I

0:23:29.240 --> 0:23:31.240
<v Speaker 1>I don't. Then I started thinking about all the other

0:23:31.400 --> 0:23:37.040
<v Speaker 1>artists that, I mean, new addition is mostly dark skinned,

0:23:38.119 --> 0:23:40.720
<v Speaker 1>and and the light skin brothers are in the background,

0:23:40.800 --> 0:23:43.160
<v Speaker 1>you know, like I was. I was a Ronney Devote.

0:23:43.480 --> 0:23:45.840
<v Speaker 1>I was a Michael Bivens, you know what I mean,

0:23:45.920 --> 0:23:48.240
<v Speaker 1>like kind of hanging on the back, do the harm

0:23:48.280 --> 0:23:51.760
<v Speaker 1>and age. I just wanted to play ball, you know, Yeah,

0:23:52.000 --> 0:23:56.520
<v Speaker 1>But like I neo a con I think there's so

0:23:56.600 --> 0:24:01.840
<v Speaker 1>many more dark skinned sitting boys to men are a

0:24:01.960 --> 0:24:09.320
<v Speaker 1>dark skinned group after seven? Yes, yeah, I mean here's

0:24:09.320 --> 0:24:12.679
<v Speaker 1>what I think. I think what the light skinned folks

0:24:12.720 --> 0:24:17.080
<v Speaker 1>have or what they do, is they find a way

0:24:17.119 --> 0:24:20.679
<v Speaker 1>to rise above. I mean, there are more people in

0:24:20.760 --> 0:24:25.000
<v Speaker 1>Destiny's Child, four people in Destiny's Child. Somehow Beyonce just

0:24:25.400 --> 0:24:27.440
<v Speaker 1>went all the way, you know what I mean, cannibalized

0:24:27.480 --> 0:24:34.440
<v Speaker 1>the whole ship. Yeah, yeah, uh devote. Look, every new

0:24:34.600 --> 0:24:38.680
<v Speaker 1>Edition fan, male or female will tell you the coolest

0:24:38.720 --> 0:24:41.560
<v Speaker 1>cat in that group is Ronnie de Vot. I mean,

0:24:41.680 --> 0:24:46.920
<v Speaker 1>Ralph is a close second. I'm a Ralph man myself,

0:24:46.920 --> 0:24:50.280
<v Speaker 1>but I'm a body guy. But I understand why that's

0:24:50.520 --> 0:24:55.080
<v Speaker 1>for everybody. But okay, but there again, Bobby Brown, dark

0:24:55.119 --> 0:24:59.040
<v Speaker 1>skinned dude left new addition, new addition, and then just

0:24:59.680 --> 0:25:04.359
<v Speaker 1>went far beyond what they were right there, you know. Yeah,

0:25:04.520 --> 0:25:09.000
<v Speaker 1>And so I think dark skinned folks have been, you know,

0:25:09.160 --> 0:25:12.080
<v Speaker 1>putting it down in R and B for a while now.

0:25:12.240 --> 0:25:14.399
<v Speaker 1>But the light skin folks do find a way to

0:25:14.480 --> 0:25:18.240
<v Speaker 1>peek through there and and you know, steal sometimes steal

0:25:18.280 --> 0:25:21.600
<v Speaker 1>the shine. And what would that talent be? What would

0:25:21.600 --> 0:25:32.399
<v Speaker 1>you call that skill? Again? Be careful what about that

0:25:32.400 --> 0:25:37.680
<v Speaker 1>break where we going on a fellas. I don't think

0:25:37.680 --> 0:25:39.760
<v Speaker 1>you have to answer it. I'm happy to throw the brain.

0:25:39.880 --> 0:25:42.359
<v Speaker 1>I'm thirsty, I'm about let me take a go ahead.

0:25:43.400 --> 0:25:46.959
<v Speaker 1>We're gonna take a break. We'll be back with laughing too,

0:25:47.040 --> 0:25:59.720
<v Speaker 1>damn hard and more, my mama told me. And we

0:26:00.680 --> 0:26:18.280
<v Speaker 1>are back. Stop stop, oh stop, Yeah, we're back here.

0:26:18.320 --> 0:26:20.919
<v Speaker 1>We're back with more Kevin Avery more. My mama told me.

0:26:21.000 --> 0:26:23.840
<v Speaker 1>We're still talking about the possibility that light skinned people

0:26:23.880 --> 0:26:28.960
<v Speaker 1>are are inherently naturally God given good at R and

0:26:29.000 --> 0:26:32.119
<v Speaker 1>b uh. That drop came to us from a listener

0:26:32.200 --> 0:26:35.119
<v Speaker 1>named Gary. Gary sent us that dropping, and it seemed

0:26:35.200 --> 0:26:40.360
<v Speaker 1>very apt to play today given the conversation. M hmm. Indeed,

0:26:40.760 --> 0:26:42.840
<v Speaker 1>something just occurred to me. Something just occurred to me. Uh,

0:26:43.480 --> 0:26:48.960
<v Speaker 1>I wonder if there we've seen a turn and that

0:26:49.359 --> 0:26:52.240
<v Speaker 1>back in the day, the birth of these groups, all

0:26:52.359 --> 0:26:56.240
<v Speaker 1>the motown groups and stuff, if that's when the light

0:26:56.280 --> 0:26:59.960
<v Speaker 1>skinned singers really had their day. Michael, are we're talking

0:27:00.200 --> 0:27:04.399
<v Speaker 1>Smokey Robinson? I think I keep thinking about Smokey. I

0:27:04.480 --> 0:27:07.320
<v Speaker 1>don't I mean, I don't know those groups. I don't

0:27:07.359 --> 0:27:09.560
<v Speaker 1>know the lineup of those groups that well, I don't

0:27:09.600 --> 0:27:12.679
<v Speaker 1>you know, but with a temptation. Who were the light

0:27:12.720 --> 0:27:18.359
<v Speaker 1>skin cats and like the temptations, Michael was dark. He

0:27:18.440 --> 0:27:21.640
<v Speaker 1>made a choice that don't count. Yeah, Michael slipped into

0:27:21.760 --> 0:27:24.919
<v Speaker 1>light skinis um. Yeah, that was he learned he was.

0:27:24.960 --> 0:27:27.080
<v Speaker 1>He learned it late in life. There were no darks,

0:27:27.080 --> 0:27:29.920
<v Speaker 1>there were no light skin temptations. I don't think no,

0:27:30.240 --> 0:27:32.040
<v Speaker 1>you know what, I don't remember a light skin pip.

0:27:32.600 --> 0:27:34.680
<v Speaker 1>I don't think there was a light skin pip. I

0:27:34.760 --> 0:27:37.600
<v Speaker 1>think it was smoky. Smokey is the best example I

0:27:37.640 --> 0:27:40.000
<v Speaker 1>think anybody can come up with. And he he had

0:27:40.080 --> 0:27:42.199
<v Speaker 1>light eyes. So I feel like that's a that's a

0:27:42.320 --> 0:27:46.120
<v Speaker 1>whole different type of person, you know what I mean? Yes,

0:27:46.280 --> 0:27:51.359
<v Speaker 1>this is I'm not qualified to speak on that lights.

0:27:51.400 --> 0:27:54.040
<v Speaker 1>Being with light eyes feels like a different game than

0:27:54.080 --> 0:27:56.560
<v Speaker 1>what I'm playing, do you know what I mean? Michael

0:27:56.560 --> 0:28:00.359
<v Speaker 1>Eally and Boris Kojoe are not putting the same same

0:28:00.480 --> 0:28:03.760
<v Speaker 1>energy out in I think that's reason. I think it's

0:28:03.800 --> 0:28:07.040
<v Speaker 1>just I think that's how I feel about like very

0:28:07.040 --> 0:28:10.960
<v Speaker 1>physically fit, dark skinned men and myself. Yeah, exactly. It's

0:28:10.960 --> 0:28:15.040
<v Speaker 1>like you see Jiman Hansu without a shirt on. That's

0:28:15.080 --> 0:28:18.320
<v Speaker 1>not that's not Those aren't the worlds I'm going for. No,

0:28:18.600 --> 0:28:21.000
<v Speaker 1>we we didn't have the same opportunities laid in front

0:28:21.040 --> 0:28:25.440
<v Speaker 1>of us in the theater. I see Michael Eally around

0:28:25.480 --> 0:28:30.480
<v Speaker 1>my neighborhood semi regularly, and I just seemed suddenly it's

0:28:30.520 --> 0:28:33.439
<v Speaker 1>just I feel like he's my nemesis for all the

0:28:33.480 --> 0:28:35.400
<v Speaker 1>brother has never done anything to me, but I see

0:28:35.440 --> 0:28:40.000
<v Speaker 1>him and I'm just like the eyes they are piercing. Yeah,

0:28:40.240 --> 0:28:42.080
<v Speaker 1>and let me let me break this down. I think

0:28:42.080 --> 0:28:44.600
<v Speaker 1>a lot of this work came from this is actually

0:28:45.000 --> 0:28:48.160
<v Speaker 1>this is this is good for my my personal story.

0:28:48.200 --> 0:28:51.720
<v Speaker 1>I'm getting this right now. I have a play cousin

0:28:52.240 --> 0:28:55.280
<v Speaker 1>who is six years older than me, who is light

0:28:55.360 --> 0:29:02.000
<v Speaker 1>skinned with green eyes and sang on and being danced

0:29:02.000 --> 0:29:05.560
<v Speaker 1>and all that time, and we would go to the

0:29:05.640 --> 0:29:08.560
<v Speaker 1>mall and ship and people would ask if he could

0:29:08.560 --> 0:29:10.960
<v Speaker 1>sing and ship like that. So I think that this

0:29:11.040 --> 0:29:14.840
<v Speaker 1>may be, this may be, this may be about light

0:29:14.880 --> 0:29:17.719
<v Speaker 1>skinned people with green eyes. From me there we also

0:29:17.800 --> 0:29:20.480
<v Speaker 1>had we also had another girl that was around us

0:29:20.520 --> 0:29:23.760
<v Speaker 1>all the time, and she had blue eyes, but she

0:29:23.920 --> 0:29:25.960
<v Speaker 1>was not as light skinned as he was. And I'm

0:29:26.000 --> 0:29:28.760
<v Speaker 1>so happy. I guess they hear you saying this, because

0:29:28.800 --> 0:29:32.040
<v Speaker 1>it does feel like, now we're getting to the root

0:29:32.280 --> 0:29:36.360
<v Speaker 1>of where some of this this feeling is coming from.

0:29:36.360 --> 0:29:39.800
<v Speaker 1>That that, while I'm sure there's plenty of evidence, Kevin,

0:29:39.840 --> 0:29:42.760
<v Speaker 1>as you pointed out there are some light skinned singers

0:29:42.800 --> 0:29:47.280
<v Speaker 1>and performers that that that populate the the sort of

0:29:47.400 --> 0:29:50.719
<v Speaker 1>charts as they were, there seems to me to be

0:29:50.800 --> 0:29:55.800
<v Speaker 1>a pretty a pretty substantial, if not heavier leaning ratio

0:29:56.120 --> 0:29:59.760
<v Speaker 1>towards dark skinned people. Now I'm gonna say, I don't

0:29:59.760 --> 0:30:01.880
<v Speaker 1>know why, I don't trust what you're saying right now,

0:30:03.400 --> 0:30:06.880
<v Speaker 1>but I feel heavily on the defensive for some reason.

0:30:07.280 --> 0:30:10.600
<v Speaker 1>I took the time to look up you know, the list,

0:30:11.000 --> 0:30:13.160
<v Speaker 1>and I do think your point about Whitney Houston and

0:30:13.200 --> 0:30:15.400
<v Speaker 1>the right lighting. They probably did a bunch of stuff

0:30:15.680 --> 0:30:20.000
<v Speaker 1>to make Whitney look darker or rather lighter than she

0:30:20.120 --> 0:30:23.040
<v Speaker 1>actually was. Oh, they blew up a lot of people.

0:30:23.120 --> 0:30:27.400
<v Speaker 1>I mean, I think Jojo or Casey from Casey and

0:30:27.440 --> 0:30:32.160
<v Speaker 1>Jojo Freaking he's blasted with like all those videos. He

0:30:32.240 --> 0:30:36.240
<v Speaker 1>looks like almost light skin. Now I'll say this about Joda.

0:30:36.320 --> 0:30:40.400
<v Speaker 1>See Davante was light skinned, right, Yeah, he's light skin

0:30:40.560 --> 0:30:43.320
<v Speaker 1>and he was the King of jodas he was the Yeah,

0:30:43.360 --> 0:30:47.040
<v Speaker 1>he was the brains behind the operation. Yeah, but fellas,

0:30:47.080 --> 0:30:49.480
<v Speaker 1>how did that workout for him? I didn't do That's

0:30:49.480 --> 0:30:52.880
<v Speaker 1>that's true. That's true. Had a run. Don't do that.

0:30:53.280 --> 0:30:56.520
<v Speaker 1>Don't do that, don't do not have this moment. Let's

0:30:56.520 --> 0:31:00.320
<v Speaker 1>not see here. They put his name in the middle

0:31:00.360 --> 0:31:01.960
<v Speaker 1>and then they kicked him out. What do you want?

0:31:02.080 --> 0:31:05.240
<v Speaker 1>What do you want? Him like? I don't think. Well.

0:31:05.720 --> 0:31:08.000
<v Speaker 1>A couple of fun facts about Jody. See there's a

0:31:08.040 --> 0:31:13.320
<v Speaker 1>fifth member, oh is fat I don't I've never seen him,

0:31:13.360 --> 0:31:16.760
<v Speaker 1>but he's a guy. I can't remember his name, but

0:31:16.880 --> 0:31:21.640
<v Speaker 1>he was on the original the original demos of the

0:31:21.680 --> 0:31:23.959
<v Speaker 1>songs that they recorded that they took to Andre Horrell

0:31:24.480 --> 0:31:26.080
<v Speaker 1>when they were all going to go up to New York.

0:31:26.200 --> 0:31:29.240
<v Speaker 1>He was he was gonna go with them, and he

0:31:29.520 --> 0:31:32.600
<v Speaker 1>his girlfriend got pregnant, and they were like, well, hangback, bro,

0:31:33.280 --> 0:31:35.720
<v Speaker 1>we're gonna go up there. Take care of this business.

0:31:36.080 --> 0:31:38.520
<v Speaker 1>I don't know if he if he, I think, let's

0:31:38.640 --> 0:31:40.800
<v Speaker 1>to be fair, I think he was like, I need

0:31:40.840 --> 0:31:43.200
<v Speaker 1>to stay with my girl. They were like, cool, we'll

0:31:43.240 --> 0:31:45.960
<v Speaker 1>go handle this. It will send for you when it's

0:31:46.080 --> 0:31:49.800
<v Speaker 1>when it's all about to go down. But Andre Horrell

0:31:49.960 --> 0:31:53.400
<v Speaker 1>was like, I like this this two sets of brothers thing.

0:31:54.280 --> 0:31:57.280
<v Speaker 1>It's just gonna be y'all. And that was that whoa,

0:31:57.640 --> 0:32:03.080
<v Speaker 1>that's heartbreaking. Yeah. And the other thing is that DeVante

0:32:03.160 --> 0:32:06.680
<v Speaker 1>I believe at one point he was dating I just

0:32:06.720 --> 0:32:09.240
<v Speaker 1>thought this was the weirdest thing. He was dating the

0:32:09.360 --> 0:32:12.400
<v Speaker 1>daughter of a you know, hardcore evangelist, one of the

0:32:12.440 --> 0:32:16.479
<v Speaker 1>popular ones. I think it was Jim and Tammy Faye Baker. No,

0:32:17.960 --> 0:32:24.320
<v Speaker 1>their daughter, Yo, that guy that's like forever cements him

0:32:24.360 --> 0:32:27.040
<v Speaker 1>being a legend. To me, that's the most amazing thing

0:32:27.800 --> 0:32:31.920
<v Speaker 1>I've never heard that. I don't know. I mean, they're

0:32:31.920 --> 0:32:35.160
<v Speaker 1>both they were both from like Tentecostal churches, so they

0:32:35.160 --> 0:32:38.880
<v Speaker 1>were you know, before you celebrate too much, I will

0:32:38.920 --> 0:32:41.880
<v Speaker 1>say that that is technically the formula to making a

0:32:42.000 --> 0:32:46.680
<v Speaker 1>light skin R and B singer is Davante mushing into

0:32:47.120 --> 0:32:52.400
<v Speaker 1>Jim and Tammy Faye Bakers. Which is another song that

0:32:52.440 --> 0:32:57.000
<v Speaker 1>I think was on Kevin's demo, mushing in Big. That

0:32:57.080 --> 0:32:59.280
<v Speaker 1>was one of my big that was That was an

0:32:59.280 --> 0:33:05.920
<v Speaker 1>alepside lipsies after It's a Black Thing. When you're putting

0:33:05.920 --> 0:33:09.560
<v Speaker 1>the album order together, you gotta go it's a black things.

0:33:10.080 --> 0:33:14.000
<v Speaker 1>Mushing in. I'm trying to remember some of the other

0:33:14.040 --> 0:33:18.200
<v Speaker 1>titles that I can't. There was a song called Stalking.

0:33:19.400 --> 0:33:22.920
<v Speaker 1>It was not about Nope, not about that. I didn't

0:33:22.920 --> 0:33:25.680
<v Speaker 1>want to say it, but it was. It was about

0:33:25.760 --> 0:33:28.280
<v Speaker 1>It was like about It was a very militant pro

0:33:28.400 --> 0:33:31.840
<v Speaker 1>black song. Yeah, it was not about the other thing.

0:33:32.320 --> 0:33:34.200
<v Speaker 1>There was something called the Same. I wrote a lot

0:33:34.240 --> 0:33:38.480
<v Speaker 1>of a lot of like romantic love ballads. I was

0:33:38.560 --> 0:33:41.840
<v Speaker 1>that dude just kind of floating around in the you know,

0:33:41.920 --> 0:33:45.200
<v Speaker 1>there are two kinds of R and B cruise. There

0:33:45.200 --> 0:33:50.680
<v Speaker 1>are sexy there's the sexy boys and the sad boys.

0:33:51.360 --> 0:33:53.600
<v Speaker 1>And I felt kind of in between the you know

0:33:53.640 --> 0:33:56.480
<v Speaker 1>what I mean, like because like you have boys two men.

0:33:56.880 --> 0:34:02.240
<v Speaker 1>You were more boys, Yes, you were musician. We I

0:34:02.320 --> 0:34:06.920
<v Speaker 1>was a sad boy. Yeah. I mean like, this is

0:34:06.920 --> 0:34:09.800
<v Speaker 1>the thing that fascinates me about the boys to men's

0:34:09.840 --> 0:34:13.839
<v Speaker 1>trajectory is that they came out at the same year

0:34:13.840 --> 0:34:16.280
<v Speaker 1>as Jody See. They were before Joe to See, I believe,

0:34:17.280 --> 0:34:20.360
<v Speaker 1>and they were they hit their stride and then Jody

0:34:20.440 --> 0:34:23.479
<v Speaker 1>See stepped out and just them overalls and nothing else

0:34:23.520 --> 0:34:26.680
<v Speaker 1>and doing the whole thing, and everyone was like who

0:34:26.680 --> 0:34:29.680
<v Speaker 1>are they? And boys the men were still on bended

0:34:29.760 --> 0:34:34.200
<v Speaker 1>knee like, hey, hello, you like just to watch the

0:34:34.239 --> 0:34:36.719
<v Speaker 1>audience leave Boys to Men and go to Joe to see.

0:34:36.760 --> 0:34:39.000
<v Speaker 1>It was a very interesting well, I will say I

0:34:39.000 --> 0:34:41.200
<v Speaker 1>think Boys the Men played it right in that, like

0:34:41.280 --> 0:34:43.560
<v Speaker 1>Joda see took their shirts off, and then boys the

0:34:43.640 --> 0:34:49.279
<v Speaker 1>Men were like, we'll put more sweaters on scruly where

0:34:49.400 --> 0:34:53.080
<v Speaker 1>cardigans on top of cardigans? Yeah, we're not gonna play

0:34:53.120 --> 0:34:59.919
<v Speaker 1>this game with you little tiny buff boys and Joda

0:35:00.000 --> 0:35:05.120
<v Speaker 1>you can't tie a bow tie? They were all like,

0:35:05.239 --> 0:35:08.400
<v Speaker 1>skinny ass dudes. I think it. I don't think if

0:35:08.440 --> 0:35:11.279
<v Speaker 1>it came down to it physically, Boys to Men would

0:35:11.280 --> 0:35:15.359
<v Speaker 1>give Joe to See the word. I don't know about that.

0:35:16.000 --> 0:35:19.880
<v Speaker 1>That stick? Are you serious? They didn't have this. Michael

0:35:19.920 --> 0:35:23.960
<v Speaker 1>had this stick because he needed it because he was

0:35:24.000 --> 0:35:31.800
<v Speaker 1>in crippling pain walking around trying to sing. Yeah, he

0:35:31.880 --> 0:35:34.960
<v Speaker 1>had some he had like some physical disease that like

0:35:35.080 --> 0:35:36.960
<v Speaker 1>made it so that he needed the cane and then

0:35:36.960 --> 0:35:41.319
<v Speaker 1>tried to be sick. So one of the things I

0:35:41.360 --> 0:35:44.279
<v Speaker 1>did think to research in relation to this topic, and

0:35:44.320 --> 0:35:46.000
<v Speaker 1>there isn't a lot that I felt like I could

0:35:46.040 --> 0:35:50.880
<v Speaker 1>really unpack this this new territory. Yes, the one of

0:35:50.920 --> 0:35:53.399
<v Speaker 1>the things that I found is that research does show

0:35:53.440 --> 0:35:58.319
<v Speaker 1>that in terms of anatomical representations, representations and textbooks, one

0:35:58.400 --> 0:36:01.359
<v Speaker 1>point one percent of the diet rams represented our dark

0:36:01.400 --> 0:36:06.279
<v Speaker 1>skin tones, while eighty three point five percent represented light

0:36:06.360 --> 0:36:11.680
<v Speaker 1>skin tones. Us. Your talent, your talent. Yeah, I seen

0:36:11.760 --> 0:36:13.920
<v Speaker 1>one guy who looked like me on TV. It was me.

0:36:18.480 --> 0:36:21.320
<v Speaker 1>You were the first in your entire life that you

0:36:21.480 --> 0:36:23.920
<v Speaker 1>saw on that looked like I mean, it was big

0:36:24.000 --> 0:36:27.840
<v Speaker 1>on that episode of Martin it was rock towards the

0:36:27.960 --> 0:36:32.960
<v Speaker 1>end when he got thicker. Ah, what's about it? Damn?

0:36:33.640 --> 0:36:36.040
<v Speaker 1>This is how you're talking about a big dude and

0:36:36.200 --> 0:36:40.680
<v Speaker 1>dark skin dudes, big dark Yeah. Man, you face on love,

0:36:41.120 --> 0:36:46.359
<v Speaker 1>face on Love, had a big farenthood Gary Anthony Williams. Yes, yes,

0:36:46.760 --> 0:36:52.040
<v Speaker 1>on his big I think his big thing was his

0:36:52.120 --> 0:36:55.000
<v Speaker 1>big start was Malcolm in the middle, you know. Yeah,

0:36:55.560 --> 0:36:59.440
<v Speaker 1>but yeah, you're right. Not a lot of no what's

0:36:59.480 --> 0:37:04.560
<v Speaker 1>his face family? The dad on family matters, Carl Winslow,

0:37:07.520 --> 0:37:13.520
<v Speaker 1>it's it's something uh something vein, Yes, thank you, Reginald Beljohn.

0:37:13.640 --> 0:37:16.600
<v Speaker 1>That's it. There you go, But there's not. I think

0:37:16.719 --> 0:37:19.560
<v Speaker 1>That's where I'm coming from. Also, it's that there's just

0:37:19.640 --> 0:37:23.320
<v Speaker 1>not a lot of representation, so you sweep it all together.

0:37:23.520 --> 0:37:26.560
<v Speaker 1>You know what I mean, And to that, researchers note

0:37:26.640 --> 0:37:29.600
<v Speaker 1>in relation to this textbook there you're not necessarily to

0:37:29.800 --> 0:37:32.040
<v Speaker 1>to what you're speaking to. But I imagine it has

0:37:33.640 --> 0:37:37.560
<v Speaker 1>painting me in the corner. I think there's some correlation

0:37:37.640 --> 0:37:40.239
<v Speaker 1>that you could create. The researchers note that such skin

0:37:40.360 --> 0:37:43.960
<v Speaker 1>color bias has a negative impact on the health outcomes

0:37:44.000 --> 0:37:47.040
<v Speaker 1>of people with dark skinned tones, who may avoid or

0:37:47.160 --> 0:37:51.800
<v Speaker 1>delay sexual education opportunities or clinical care if they do

0:37:52.000 --> 0:37:56.319
<v Speaker 1>not see themselves represented in the recommended resources. I wanted

0:37:56.400 --> 0:38:01.719
<v Speaker 1>on WAX. I learned about sex early, but the other things.

0:38:03.760 --> 0:38:06.840
<v Speaker 1>But that's crazy that that if you don't see yourself,

0:38:07.080 --> 0:38:12.520
<v Speaker 1>you don't then learn to your see yourself in sex textbooks.

0:38:12.600 --> 0:38:16.839
<v Speaker 1>You then will will opt not towards like sexual health

0:38:16.920 --> 0:38:20.000
<v Speaker 1>and responsibility, at least based on the research and to

0:38:20.160 --> 0:38:24.880
<v Speaker 1>the larger concern, if you're not seeing yourself be sexy

0:38:25.080 --> 0:38:28.320
<v Speaker 1>on TV, you will then not know the language or

0:38:28.360 --> 0:38:31.920
<v Speaker 1>how to apply the language of sexy in your your

0:38:32.000 --> 0:38:34.800
<v Speaker 1>other everyday ship. That's facts. Though I had to go

0:38:34.880 --> 0:38:37.040
<v Speaker 1>out and get it myself. You do have to like,

0:38:37.360 --> 0:38:40.800
<v Speaker 1>like like to that end. Like it was like until

0:38:41.760 --> 0:38:45.319
<v Speaker 1>I had been sexually active for a bit I had

0:38:45.440 --> 0:38:48.200
<v Speaker 1>always viewed my skin as a detriment because that's the

0:38:48.280 --> 0:38:51.520
<v Speaker 1>only way it had ever been. Like like, not just

0:38:51.680 --> 0:38:54.080
<v Speaker 1>the lack of dark skinned people on television, but then

0:38:54.120 --> 0:38:57.480
<v Speaker 1>to go to the lack of like like seeing a

0:38:57.680 --> 0:39:00.840
<v Speaker 1>super dark dude get a girl on on TV is

0:39:00.920 --> 0:39:03.719
<v Speaker 1>like seen an Asian dude get a girl on TV.

0:39:03.840 --> 0:39:08.319
<v Speaker 1>It doesn't happen very right, But then do you think

0:39:08.440 --> 0:39:12.640
<v Speaker 1>that's potentially why? And this is a reach, Like there

0:39:12.680 --> 0:39:17.960
<v Speaker 1>are so many dark skinned singers who I at some point,

0:39:18.040 --> 0:39:20.480
<v Speaker 1>let's just say, from the Joe to see point on

0:39:21.640 --> 0:39:26.680
<v Speaker 1>just leaned into the sexualization of themselves and their music

0:39:27.280 --> 0:39:29.279
<v Speaker 1>because it was something that might not necessarily have been

0:39:29.320 --> 0:39:32.480
<v Speaker 1>out there for a while, are you? I mean, I

0:39:32.800 --> 0:39:35.200
<v Speaker 1>can just I can just remember a time when I

0:39:35.400 --> 0:39:39.120
<v Speaker 1>to listen to two R and B singers and being like, hey,

0:39:39.200 --> 0:39:41.440
<v Speaker 1>y'all need to calm the hell that we are not

0:39:41.600 --> 0:39:45.560
<v Speaker 1>doing that, you know what I'm saying. But because they

0:39:45.560 --> 0:39:47.920
<v Speaker 1>were all doing every one of them was like, let

0:39:47.960 --> 0:39:49.480
<v Speaker 1>me tell you what, I'm a dudey, you know, it's

0:39:49.480 --> 0:39:51.799
<v Speaker 1>like hey, hey, hey, hey, hey, I'm nineteen, Like wait

0:39:51.840 --> 0:39:56.440
<v Speaker 1>a minute, child, you know, Yeah, I wonder that's a

0:39:56.520 --> 0:39:59.719
<v Speaker 1>good question. I mean there's always been hyper sexualized black

0:39:59.760 --> 0:40:02.360
<v Speaker 1>sing result. You take it back to right, Teddy Pendergrass

0:40:02.360 --> 0:40:06.000
<v Speaker 1>when we did concerts for women for a while. Right, Oh,

0:40:06.080 --> 0:40:08.880
<v Speaker 1>that's right, right, So that was a rule he made that,

0:40:09.080 --> 0:40:11.200
<v Speaker 1>like you couldn't come to his concert if you want

0:40:11.239 --> 0:40:14.400
<v Speaker 1>a woman. Well that was his manager's Chef Gordon being like,

0:40:14.680 --> 0:40:17.200
<v Speaker 1>I believe it was Chef Gordon. Somebody can quote me

0:40:17.239 --> 0:40:19.080
<v Speaker 1>if I'm wrong, but that was his manager being like,

0:40:19.200 --> 0:40:24.560
<v Speaker 1>that's what we lean into a dent. Wow. Yeah, I

0:40:24.640 --> 0:40:26.879
<v Speaker 1>think it was like an invite thing, like if you're

0:40:26.880 --> 0:40:30.680
<v Speaker 1>a man, you could come, but you yeah, do you

0:40:30.840 --> 0:40:33.520
<v Speaker 1>what do you think you? Yeah, Teddy p ain't talking

0:40:33.560 --> 0:40:36.840
<v Speaker 1>to use like yeah, one brother back their arms folded,

0:40:36.960 --> 0:40:41.000
<v Speaker 1>like all right, all right, okay, you warned me fair enough.

0:40:50.000 --> 0:40:52.920
<v Speaker 1>So so I guess the question that I sort of

0:40:53.080 --> 0:40:56.640
<v Speaker 1>have BORI uh, and I'm directing this one at you,

0:40:56.880 --> 0:40:58.879
<v Speaker 1>But Kevin, I'd love to hear your thoughts as well.

0:40:59.640 --> 0:41:03.080
<v Speaker 1>Is given given what we know now, are you starting

0:41:03.160 --> 0:41:07.440
<v Speaker 1>to at least reconsider statistically the difference, what consider the

0:41:07.480 --> 0:41:11.320
<v Speaker 1>possibility that this is more about treatment inside of it

0:41:11.920 --> 0:41:15.160
<v Speaker 1>than it is about the actual statistics of light skinned

0:41:15.160 --> 0:41:20.920
<v Speaker 1>people being naturally inclined for R and B. I mean,

0:41:21.040 --> 0:41:23.799
<v Speaker 1>my whole life is a journey of learning. I'm open

0:41:23.920 --> 0:41:25.839
<v Speaker 1>to that, you know what I mean. I'm not gonna

0:41:25.880 --> 0:41:28.200
<v Speaker 1>sit here. I think that I think that a lot

0:41:28.280 --> 0:41:31.960
<v Speaker 1>of these things about representation, though, I think it lends

0:41:32.040 --> 0:41:36.360
<v Speaker 1>people to telling young people which direction to move in

0:41:37.200 --> 0:41:41.040
<v Speaker 1>because of representation, where it's like, if you're more inclined,

0:41:41.400 --> 0:41:45.480
<v Speaker 1>maybe the visibility is there, but you're still more inclined

0:41:45.520 --> 0:41:47.279
<v Speaker 1>to think that this is this type of thing for

0:41:47.400 --> 0:41:49.880
<v Speaker 1>this type of person. I think that that is the

0:41:49.960 --> 0:41:54.520
<v Speaker 1>type of thing that children internalize a lot exactly what

0:41:54.880 --> 0:41:58.120
<v Speaker 1>I mean. I think. I think definitely that is the case. Absolutely.

0:41:58.520 --> 0:42:01.480
<v Speaker 1>I mean, look, the whole reason I'm in a singing

0:42:01.520 --> 0:42:05.200
<v Speaker 1>group is because when I was a kid, my mom

0:42:06.320 --> 0:42:08.239
<v Speaker 1>I saw a new addition on TV and was like,

0:42:08.320 --> 0:42:12.080
<v Speaker 1>look at these little kids singing, and I was like, oh,

0:42:12.160 --> 0:42:16.080
<v Speaker 1>so little kids can do this. I mean, that's exactly

0:42:16.160 --> 0:42:18.840
<v Speaker 1>how it happened. That's the only reason I was. I

0:42:18.960 --> 0:42:23.359
<v Speaker 1>got excited about someday doing that. So yeah, I think,

0:42:23.880 --> 0:42:28.400
<v Speaker 1>but my I just I just wonder because yeah, I

0:42:28.520 --> 0:42:31.680
<v Speaker 1>don't believe. I think it's the opposite. I think, you know,

0:42:32.280 --> 0:42:36.600
<v Speaker 1>clearly it seems like they're more dark skinned singers popular

0:42:37.000 --> 0:42:39.600
<v Speaker 1>dark skinned singers than there are light skinned and I

0:42:39.800 --> 0:42:42.719
<v Speaker 1>just wonder, and that was the whole reason I brought

0:42:42.800 --> 0:42:45.399
<v Speaker 1>this up. You're not trapped in here with me. I'm

0:42:45.400 --> 0:42:50.040
<v Speaker 1>trapped here with you. You want to be the way

0:42:50.080 --> 0:42:59.160
<v Speaker 1>around I'm the victim. I do. Then, I do think

0:42:59.200 --> 0:43:03.040
<v Speaker 1>to that larger point, there is a weird association even

0:43:03.160 --> 0:43:05.720
<v Speaker 1>as a light skinned person, now that we are clearly

0:43:05.800 --> 0:43:09.400
<v Speaker 1>the victim in this story, as a life skanned person,

0:43:10.040 --> 0:43:12.239
<v Speaker 1>it is that weird thing of people being like light

0:43:12.360 --> 0:43:15.719
<v Speaker 1>scanned R and B singing motherfucker, and it's like, dog,

0:43:15.880 --> 0:43:18.319
<v Speaker 1>it's only like three of us, and one of them

0:43:18.440 --> 0:43:22.000
<v Speaker 1>is I'll be sure, like it's not. We're not hitting

0:43:22.080 --> 0:43:25.960
<v Speaker 1>great numbers here. Truly, John B was a white man.

0:43:26.320 --> 0:43:29.680
<v Speaker 1>He scammed you all, like, yeah, he's not even be

0:43:29.840 --> 0:43:35.279
<v Speaker 1>not black. You just have a lineup that Yellow Dog

0:43:37.160 --> 0:43:41.040
<v Speaker 1>all for one, that song, that's that group all for one.

0:43:41.440 --> 0:43:46.000
<v Speaker 1>Those were white guys. They weren't. Those weren't black. Even better,

0:43:46.680 --> 0:43:51.759
<v Speaker 1>they were Asians. I think I they'll call me on it,

0:43:51.840 --> 0:43:53.759
<v Speaker 1>but I think they were Asians. I at one point

0:43:53.840 --> 0:43:56.480
<v Speaker 1>thought New Kids on the Block was black because I

0:43:56.600 --> 0:43:59.680
<v Speaker 1>heard that. I heard the first that please don't go girl,

0:44:00.160 --> 0:44:02.800
<v Speaker 1>and a little Joey McIntyre singing that fall out. I

0:44:02.920 --> 0:44:06.160
<v Speaker 1>just assumed black. First of all, there were no white kids.

0:44:06.680 --> 0:44:08.560
<v Speaker 1>There are no white guys out there doing that at

0:44:08.600 --> 0:44:11.760
<v Speaker 1>the time, so I just like another group black kids.

0:44:12.040 --> 0:44:13.320
<v Speaker 1>And then I saw him, and I was like, what

0:44:13.640 --> 0:44:16.000
<v Speaker 1>is happened? Yeah, not at all. In fact, one of them,

0:44:16.239 --> 0:44:19.400
<v Speaker 1>uh is at least the brother to a deeply racist

0:44:19.480 --> 0:44:23.560
<v Speaker 1>man who's now become a lovely uh I guess actor

0:44:23.680 --> 0:44:28.920
<v Speaker 1>and household names. Yeah, it's word on the street. But

0:44:29.080 --> 0:44:31.480
<v Speaker 1>the point is, I think that some of this is

0:44:31.520 --> 0:44:35.120
<v Speaker 1>a little bit coming from from our expectations of each

0:44:35.160 --> 0:44:38.680
<v Speaker 1>other more than it is our actual like knowledge of

0:44:38.800 --> 0:44:44.640
<v Speaker 1>each other. Right. But but to go even beyond that,

0:44:45.040 --> 0:44:48.439
<v Speaker 1>there is a weird thing where I mean, look going

0:44:48.520 --> 0:44:52.239
<v Speaker 1>back to the days of the Cotton Club, where in

0:44:52.440 --> 0:44:56.400
<v Speaker 1>entertainment the light skin folks were put out front and

0:44:56.840 --> 0:44:59.640
<v Speaker 1>and so I think it's hard to sort of shake that,

0:44:59.760 --> 0:45:04.879
<v Speaker 1>even if in the it's weird like TV TV light

0:45:04.960 --> 0:45:09.279
<v Speaker 1>skin music back in the day, you know, uh, light skin.

0:45:09.840 --> 0:45:12.400
<v Speaker 1>But in between there's been this space in between that

0:45:12.560 --> 0:45:14.680
<v Speaker 1>where it's been occupied by a lot of dark at

0:45:14.719 --> 0:45:16.719
<v Speaker 1>least music in the music world, it's been occupied by

0:45:16.719 --> 0:45:18.840
<v Speaker 1>a lot of dark skinned folks, and I think that's

0:45:19.120 --> 0:45:21.959
<v Speaker 1>that's a hundred percent fair And something that we can't

0:45:22.360 --> 0:45:25.759
<v Speaker 1>we can't skip past, right, is that there is a

0:45:26.640 --> 0:45:30.960
<v Speaker 1>a priority placed on light skin performers in a lot

0:45:31.040 --> 0:45:35.760
<v Speaker 1>of different spaces, and especially more visual spaces, right, Yeah, exactly,

0:45:35.840 --> 0:45:39.200
<v Speaker 1>especially especially back in the day music was a lot

0:45:39.280 --> 0:45:42.200
<v Speaker 1>less visual, you know what I mean, you didn't necessarily

0:45:42.320 --> 0:45:45.440
<v Speaker 1>know what Casey looks like, but you didn't know what

0:45:47.000 --> 0:45:51.680
<v Speaker 1>exactly there. There's a very intentional choosing of who will

0:45:51.800 --> 0:45:55.160
<v Speaker 1>become our representation, and then it would be unfair to

0:45:55.320 --> 0:45:59.839
<v Speaker 1>not acknowledge that. But statistically, Luther Van draws, Baby, that's

0:45:59.880 --> 0:46:04.520
<v Speaker 1>the best that ever did it darker than that? Yeah,

0:46:05.280 --> 0:46:07.880
<v Speaker 1>but you know, I mean, I think also there's a

0:46:08.400 --> 0:46:11.880
<v Speaker 1>component of a threat is more threatening when it's visual

0:46:12.360 --> 0:46:15.640
<v Speaker 1>and so on, you're gonna see more light skin you know,

0:46:15.719 --> 0:46:19.719
<v Speaker 1>quote unquote non threatening folks on TV. They you know,

0:46:20.960 --> 0:46:23.880
<v Speaker 1>I think White America was able to look the other

0:46:23.920 --> 0:46:25.239
<v Speaker 1>way and we're not worried about what these R and

0:46:25.280 --> 0:46:27.920
<v Speaker 1>B singers are doing. They're doing that thing and and

0:46:28.160 --> 0:46:31.359
<v Speaker 1>so and especially you know, music being as segregated as

0:46:31.360 --> 0:46:34.000
<v Speaker 1>it was for a long time, it was like, sure,

0:46:34.000 --> 0:46:36.120
<v Speaker 1>we ain't worried about it. And so you saw a

0:46:36.200 --> 0:46:40.480
<v Speaker 1>lot of dark skinned artists breaking through and really not

0:46:40.640 --> 0:46:45.480
<v Speaker 1>taken over, but just you know, they we're everywhere the

0:46:45.800 --> 0:46:48.759
<v Speaker 1>you know, dark skinned artists like you said, I don't

0:46:48.800 --> 0:46:51.279
<v Speaker 1>remember lights can do them, the Temptations or you know,

0:46:51.440 --> 0:46:56.000
<v Speaker 1>or or whatever. And so it almost is like there

0:46:56.120 --> 0:46:59.440
<v Speaker 1>was a time when the you know, the Dude and

0:46:59.480 --> 0:47:01.680
<v Speaker 1>the Sky's Scraper was like, let's just leave them to

0:47:01.719 --> 0:47:06.080
<v Speaker 1>their own devices. Yeah, in a in a yuckier way.

0:47:06.120 --> 0:47:10.279
<v Speaker 1>It also then reminds me the transformation it makes, because

0:47:10.280 --> 0:47:12.560
<v Speaker 1>I think you're absolutely right. There was a period where

0:47:12.560 --> 0:47:16.799
<v Speaker 1>they were just like the Four Tops, the Delfonics, the Temptations,

0:47:16.840 --> 0:47:18.600
<v Speaker 1>that I'll be dark, we don't give a ship that's

0:47:18.600 --> 0:47:21.480
<v Speaker 1>there there stuff, And then at some point it became

0:47:22.040 --> 0:47:24.319
<v Speaker 1>a and RS figuring out a way to sell this thing,

0:47:24.400 --> 0:47:27.520
<v Speaker 1>package this thing. And it doesn't feel dissimilar to like

0:47:28.000 --> 0:47:33.080
<v Speaker 1>the white rapper conversation, right there are not more white rappers,

0:47:33.480 --> 0:47:36.520
<v Speaker 1>but the white rappers that make it get elevated in

0:47:36.600 --> 0:47:39.759
<v Speaker 1>a way that makes you feel like, yo, what the

0:47:39.960 --> 0:47:43.880
<v Speaker 1>fuck is happening. That makes it so that they that,

0:47:44.800 --> 0:47:48.680
<v Speaker 1>whether he's talented or not, there's no reason this individual

0:47:49.160 --> 0:47:52.840
<v Speaker 1>should be so far ahead of everybody else at his

0:47:53.000 --> 0:47:57.239
<v Speaker 1>same level caliber whatever. That's exactly it. Yeah, I mean

0:47:57.440 --> 0:48:01.360
<v Speaker 1>it's similarly, you know, and I'm not familiar with these groups,

0:48:01.440 --> 0:48:04.680
<v Speaker 1>but I you know, I've heard about this, the idea

0:48:04.800 --> 0:48:08.360
<v Speaker 1>that in the fifties or sixties, there would be the

0:48:09.080 --> 0:48:13.319
<v Speaker 1>you know, whoever out there, you know, insert whatever black

0:48:13.400 --> 0:48:16.839
<v Speaker 1>scene group out there doing their thing, and then they

0:48:16.880 --> 0:48:22.520
<v Speaker 1>would find a white yeah sort of mirror what they did. Yeah, exactly,

0:48:22.760 --> 0:48:29.080
<v Speaker 1>and so right, yeah, yeah, so I mean I think

0:48:30.400 --> 0:48:34.120
<v Speaker 1>I think, yeah, you know, the business side of music

0:48:34.200 --> 0:48:36.680
<v Speaker 1>has always figured out a way to go, all right,

0:48:36.760 --> 0:48:39.240
<v Speaker 1>let's let them do their thing, and we're gonna elevate

0:48:39.719 --> 0:48:42.920
<v Speaker 1>our people, and you know, and sort of it's what

0:48:43.239 --> 0:48:48.480
<v Speaker 1>literally happened with singing groups. It's what literally happened with

0:48:48.800 --> 0:48:51.239
<v Speaker 1>I mean, there was no such thing as a boy

0:48:51.320 --> 0:48:57.799
<v Speaker 1>band before, just it wasn't a thing. And then new

0:48:57.880 --> 0:49:00.279
<v Speaker 1>kids in the block showed up, and white people never

0:49:00.400 --> 0:49:02.600
<v Speaker 1>really heard of this, what what what is it? There

0:49:02.680 --> 0:49:05.040
<v Speaker 1>was like boys and it's a boy band, I guess, right,

0:49:05.080 --> 0:49:07.960
<v Speaker 1>And now everybody who was in a singing group is

0:49:08.000 --> 0:49:11.160
<v Speaker 1>a boy band, right, because the nobody was calling the

0:49:11.280 --> 0:49:15.239
<v Speaker 1>Beatles a boy band. But it's the same formula of

0:49:15.480 --> 0:49:19.800
<v Speaker 1>four handsome guys and yeah, handsome for that time period

0:49:20.000 --> 0:49:23.200
<v Speaker 1>there uggoes to me and and always will be, but

0:49:23.360 --> 0:49:27.640
<v Speaker 1>handsome for that time period got together and had women

0:49:27.760 --> 0:49:31.640
<v Speaker 1>swooning over their their popular music. It's not like a

0:49:31.800 --> 0:49:35.960
<v Speaker 1>foreign concept. So so what I'm if I'm here, if

0:49:36.000 --> 0:49:39.960
<v Speaker 1>I'm hearing you fellas correctly, I think what we need

0:49:40.920 --> 0:49:46.520
<v Speaker 1>today is like an R and B group of like

0:49:47.400 --> 0:49:53.560
<v Speaker 1>for ugly ass light skin dudes. I like this, rights,

0:49:54.280 --> 0:49:56.719
<v Speaker 1>that's what we need to change the narrative. We need

0:49:56.960 --> 0:50:02.560
<v Speaker 1>four Maybe old kind of hushed it down, like yeah,

0:50:02.719 --> 0:50:08.560
<v Speaker 1>because they needed boys to men body, boys to men bodies. Uh.

0:50:09.280 --> 0:50:12.279
<v Speaker 1>I want them to have a C section, scars under

0:50:12.320 --> 0:50:16.040
<v Speaker 1>their eyes. I wanted to be real bad. One's got

0:50:16.120 --> 0:50:20.880
<v Speaker 1>acne like adult acne, and then one's got a dolte races. Yeah.

0:50:21.719 --> 0:50:24.480
<v Speaker 1>They they've got to look like all the stages of

0:50:24.560 --> 0:50:30.320
<v Speaker 1>Little Wayne, uh, spread out across for four men, maybe

0:50:30.440 --> 0:50:34.400
<v Speaker 1>just you know, uh, just for for shipping giggles. One

0:50:34.400 --> 0:50:37.279
<v Speaker 1>of them has a bluetooth in their ear at all, yeah,

0:50:38.320 --> 0:50:43.160
<v Speaker 1>that both. Maybe one of those belts. You remember those belts.

0:50:43.200 --> 0:50:45.560
<v Speaker 1>He would wear that light up and they they say,

0:50:45.960 --> 0:50:50.319
<v Speaker 1>with the name plate that says your name across. That's right,

0:50:50.400 --> 0:50:52.839
<v Speaker 1>going back to a light Skentuckstan. Now, come on, brother,

0:50:53.000 --> 0:51:00.640
<v Speaker 1>we all I did not have a name one Okay, okay,

0:51:00.680 --> 0:51:02.120
<v Speaker 1>I didn't have one. Though I did not have one.

0:51:02.160 --> 0:51:04.080
<v Speaker 1>I did not have one. I didn't I didn't either.

0:51:04.320 --> 0:51:07.400
<v Speaker 1>I thought about what I would program. Hey, none of us,

0:51:07.680 --> 0:51:09.839
<v Speaker 1>none of us have done horrible things in our lives.

0:51:09.960 --> 0:51:12.919
<v Speaker 1>We all, we all made the perfect choice. No, that's

0:51:12.960 --> 0:51:14.879
<v Speaker 1>not you can't do that to me because I didn't

0:51:14.920 --> 0:51:17.160
<v Speaker 1>have a nameplate belt. I think that's not I think

0:51:18.280 --> 0:51:20.680
<v Speaker 1>in the middle of in the middle of my civil

0:51:20.800 --> 0:51:24.120
<v Speaker 1>rights speech, you went, well, I don't agree with that part.

0:51:26.920 --> 0:51:29.640
<v Speaker 1>I didn't have a digital nameplate belt. You can't vaulte

0:51:29.680 --> 0:51:32.680
<v Speaker 1>me for that. Man. I got it. I understood the look.

0:51:32.920 --> 0:51:35.160
<v Speaker 1>You get a long sleep white tea with like a

0:51:35.400 --> 0:51:39.360
<v Speaker 1>rapper on it. You do a French French right, But

0:51:39.480 --> 0:51:43.000
<v Speaker 1>don't you dare call it a French stuck. Don't you go, hey, fellas,

0:51:43.080 --> 0:51:45.719
<v Speaker 1>here's a French stuck. No, you can't tell people it's

0:51:45.719 --> 0:51:49.240
<v Speaker 1>the French too. But you know, I know I didn't

0:51:49.239 --> 0:51:51.040
<v Speaker 1>know what you were talking about, and yet I knew

0:51:51.120 --> 0:51:54.200
<v Speaker 1>exactly what you meant. Yeah, man, I googled French tuck

0:51:54.320 --> 0:51:57.960
<v Speaker 1>not seven days ago. I learned it from Tan french

0:51:58.200 --> 0:52:04.560
<v Speaker 1>On unclear. I somehow just knew it. I don't think

0:52:04.600 --> 0:52:10.160
<v Speaker 1>that's good. It's inherent. Oh boy, it's inherent. Another French stuck.

0:52:10.239 --> 0:52:12.520
<v Speaker 1>It's inherent for light skinned people to do R and B.

0:52:13.080 --> 0:52:16.080
<v Speaker 1>It's there are in certain things that are just God made,

0:52:16.320 --> 0:52:19.239
<v Speaker 1>you know. I mean, look, I'm living proof I did it.

0:52:19.560 --> 0:52:23.680
<v Speaker 1>We all are living one finger in my ear, the

0:52:23.760 --> 0:52:27.719
<v Speaker 1>whole the whole deal. You did that. Langston had a

0:52:27.840 --> 0:52:31.040
<v Speaker 1>nameplate belt and I played offensive line. There's a lot

0:52:31.120 --> 0:52:33.000
<v Speaker 1>of us whore just we're just we're just living the

0:52:33.080 --> 0:52:35.360
<v Speaker 1>lives that we would. We're trying to We're trying to

0:52:35.440 --> 0:52:37.560
<v Speaker 1>get break out of our boxes. You know. Yeah, this

0:52:37.760 --> 0:52:40.080
<v Speaker 1>is it does feel like those those Choose your on

0:52:40.120 --> 0:52:43.239
<v Speaker 1>adventure books where you're always gonna die, you know what

0:52:43.320 --> 0:52:45.160
<v Speaker 1>I mean, You're never gonna make it to the end

0:52:45.239 --> 0:52:51.080
<v Speaker 1>and get in the rocket ship. Something bad was gonna happen. Well, Kevin,

0:52:51.200 --> 0:52:53.440
<v Speaker 1>before we before we wrap this thing up and I

0:52:53.560 --> 0:52:56.040
<v Speaker 1>think I think we nailed this episode. But I think

0:52:56.080 --> 0:52:58.759
<v Speaker 1>we got it. Oh, I think so. I think there

0:52:58.800 --> 0:53:01.360
<v Speaker 1>should be a textbook and on that. They should just

0:53:01.440 --> 0:53:05.480
<v Speaker 1>transcribe this. Oh yeah, put it in a museum somewhere. Look,

0:53:05.680 --> 0:53:08.800
<v Speaker 1>let me ask you this question, because it sounds like,

0:53:09.080 --> 0:53:10.960
<v Speaker 1>was your brother apart of the group as well? Was that?

0:53:11.400 --> 0:53:15.640
<v Speaker 1>Were you guys in this together? No? He um no,

0:53:15.760 --> 0:53:18.520
<v Speaker 1>but he did a weird thing. We're like. He then

0:53:18.800 --> 0:53:21.080
<v Speaker 1>told me he had joined some group and I never

0:53:21.200 --> 0:53:23.600
<v Speaker 1>got to the bottom of it, got to the bottom

0:53:23.600 --> 0:53:27.160
<v Speaker 1>of it. I just remember he one I came home

0:53:27.280 --> 0:53:30.239
<v Speaker 1>for like the holidays, and he was like, he was

0:53:30.320 --> 0:53:32.520
<v Speaker 1>in college and he was like, yeah, they called me

0:53:32.600 --> 0:53:37.600
<v Speaker 1>sexual chocolate And I was like, whoa, Okay, You're like

0:53:37.719 --> 0:53:41.960
<v Speaker 1>college is crazy, bro, That's what he was like. He

0:53:42.120 --> 0:53:44.400
<v Speaker 1>was very excited about that, and I didn't want to

0:53:44.440 --> 0:53:48.000
<v Speaker 1>hear it, and uh, but there we were stuck in

0:53:48.040 --> 0:53:50.880
<v Speaker 1>that moment together. So he I think he did it

0:53:51.239 --> 0:53:54.520
<v Speaker 1>briefly and then it was it was not a He

0:53:54.640 --> 0:53:56.960
<v Speaker 1>definitely took on the R and B character, if not

0:53:57.320 --> 0:54:02.080
<v Speaker 1>the the actual R and B singing that you did yourself. Yeah,

0:54:02.160 --> 0:54:03.840
<v Speaker 1>I think he went through a lot of that stuff

0:54:03.920 --> 0:54:06.120
<v Speaker 1>like he just sort of He's like, I'm gonna try this,

0:54:06.200 --> 0:54:07.799
<v Speaker 1>and I'm gonna try this, and and then he went

0:54:07.920 --> 0:54:13.319
<v Speaker 1>and like immediately after college, got a real job and uh,

0:54:13.760 --> 0:54:16.359
<v Speaker 1>you know, about a house, and got married and did

0:54:16.400 --> 0:54:19.840
<v Speaker 1>all the things. I guess the larger question comedy. But

0:54:19.920 --> 0:54:21.480
<v Speaker 1>I mean that's because he got to live out his

0:54:21.600 --> 0:54:25.840
<v Speaker 1>fantasy and sexual chocolate. Yeah yeah. If I if I

0:54:25.880 --> 0:54:28.120
<v Speaker 1>wouldn't dumb old Langston Carman and I got to be

0:54:28.239 --> 0:54:32.200
<v Speaker 1>sexual chocolate, I'd probably out of landed a little differently

0:54:32.280 --> 0:54:34.360
<v Speaker 1>as well. Oh are you kidding me? Bro, I'd be

0:54:34.480 --> 0:54:36.560
<v Speaker 1>like I'd be one of the top regional sellers of

0:54:36.680 --> 0:54:41.280
<v Speaker 1>gard insurance, right, I'd be so you see, my sexual

0:54:41.400 --> 0:54:43.799
<v Speaker 1>chocolate would be on your name tag though, yeah yeah, yeah,

0:54:43.840 --> 0:54:45.600
<v Speaker 1>yeah yeah, Or that would be on the plaque that

0:54:45.640 --> 0:54:48.319
<v Speaker 1>they give you for making your numbers. It would also

0:54:48.440 --> 0:54:52.279
<v Speaker 1>be on on my digital digital readout. Yeah, there you go.

0:54:53.880 --> 0:54:56.200
<v Speaker 1>I guess the big question that I want to ask

0:54:56.400 --> 0:54:59.080
<v Speaker 1>is any regrets about the R and B group? Where

0:54:59.080 --> 0:55:01.960
<v Speaker 1>are you at in turn of the full circle? You're

0:55:01.960 --> 0:55:04.960
<v Speaker 1>a grown man. You've you've moved on, you make great comedy.

0:55:05.080 --> 0:55:08.040
<v Speaker 1>Now you do all the things that are opposite of

0:55:08.120 --> 0:55:10.640
<v Speaker 1>what this is. Is there any part of you that's

0:55:10.680 --> 0:55:15.560
<v Speaker 1>like this, This shouldn't have been part of the German Yeah,

0:55:15.719 --> 0:55:20.080
<v Speaker 1>I mean I think about what I wanted then, and

0:55:20.200 --> 0:55:23.120
<v Speaker 1>I go, well, i'd be done by now, I think.

0:55:23.320 --> 0:55:26.520
<v Speaker 1>I mean, you know, I saw a new addition in

0:55:26.640 --> 0:55:29.680
<v Speaker 1>concert like a month or two ago. They are one

0:55:29.719 --> 0:55:32.360
<v Speaker 1>of the few groups that's still just out there doing it.

0:55:33.239 --> 0:55:36.560
<v Speaker 1>But I, you know, I if our group had become successful,

0:55:36.600 --> 0:55:39.080
<v Speaker 1>I think we might have had a moment and then

0:55:39.160 --> 0:55:41.280
<v Speaker 1>we would have been gone, like a lot of groups

0:55:41.760 --> 0:55:43.600
<v Speaker 1>where and then I don't know what i'd be doing.

0:55:44.040 --> 0:55:46.719
<v Speaker 1>Maybe i'd still be doing stand up maybe, I you know,

0:55:46.840 --> 0:55:52.279
<v Speaker 1>but I think I try not to regret the trajectory,

0:55:52.360 --> 0:55:55.000
<v Speaker 1>even though I overthink it a lot. I think that's

0:55:55.040 --> 0:55:57.520
<v Speaker 1>part of being in this business, being an artist. Why

0:55:57.600 --> 0:55:59.400
<v Speaker 1>maybe I should have done this, you know whatever. But

0:56:00.200 --> 0:56:04.239
<v Speaker 1>but I'm glad I that was I got to live

0:56:04.280 --> 0:56:08.919
<v Speaker 1>a dream for a minute, and now I'm onto doing

0:56:09.000 --> 0:56:11.640
<v Speaker 1>other things to live in other dreams. So that's a beautiful,

0:56:11.920 --> 0:56:14.160
<v Speaker 1>that's a beautiful that's a nice way for us to

0:56:14.239 --> 0:56:17.080
<v Speaker 1>wrap this thing up. And look, if all else fails,

0:56:17.239 --> 0:56:27.960
<v Speaker 1>I'm still light skin y'all. That's what I needed to

0:56:29.000 --> 0:56:35.160
<v Speaker 1>and I think we did it, y'all. Kevin, could you

0:56:35.280 --> 0:56:37.480
<v Speaker 1>tell the people at home where they can find you

0:56:37.600 --> 0:56:40.399
<v Speaker 1>on what cool ships you have going on? Uh? Yeah

0:56:40.680 --> 0:56:43.800
<v Speaker 1>you can. I'm I'm one of those people who's on Twitter,

0:56:43.920 --> 0:56:47.000
<v Speaker 1>but some for some reason doesn't tweet. But I'm at

0:56:47.080 --> 0:56:50.240
<v Speaker 1>Kevin Avery on Twitter if you want to follow nothingness. Otherwise,

0:56:50.239 --> 0:56:53.520
<v Speaker 1>you can find me on Instagram at Kevin Avery Comedy

0:56:54.080 --> 0:56:57.000
<v Speaker 1>and The Great North is on Sundays at Fox at

0:56:57.040 --> 0:56:59.680
<v Speaker 1>eight thirty. I think we're on hytus now, but all

0:56:59.680 --> 0:57:02.279
<v Speaker 1>are up so drawn Hulu, so go there and check

0:57:02.320 --> 0:57:04.440
<v Speaker 1>out the show. And I'm even on the show from

0:57:04.480 --> 0:57:08.640
<v Speaker 1>time to time. Look for my buddy Jarvis Dufrayne and

0:57:09.040 --> 0:57:15.320
<v Speaker 1>uh yeah, that's that's it. The streets, hit the streets.

0:57:15.600 --> 0:57:19.800
<v Speaker 1>Follow Kevin, uh and obviously watch The Great North? And

0:57:19.920 --> 0:57:22.360
<v Speaker 1>then David, where can they find you? What you got

0:57:22.440 --> 0:57:25.120
<v Speaker 1>going on? Ah? You know? Follow me on Instagram and

0:57:25.160 --> 0:57:28.320
<v Speaker 1>cool Guy Jokes CD seven. I sometimes post, you know,

0:57:28.520 --> 0:57:34.760
<v Speaker 1>things I've been grilling, places I go stand up dates. July.

0:57:36.440 --> 0:57:39.560
<v Speaker 1>I'm gonna be at the DC improv. I don't know

0:57:39.600 --> 0:57:41.920
<v Speaker 1>when this comes out, but I assume around man and

0:57:42.240 --> 0:57:44.800
<v Speaker 1>other than that, you know, just hug your people. Have

0:57:45.080 --> 0:57:47.720
<v Speaker 1>a good summer. Hell yeah, have a good summer. Hug

0:57:47.760 --> 0:57:50.960
<v Speaker 1>your people. Go see David performed live. And as always,

0:57:51.000 --> 0:57:53.560
<v Speaker 1>you can follow me in like Stinkerman on all platforms.

0:57:53.840 --> 0:57:55.560
<v Speaker 1>And if you want to send us your drops, your

0:57:55.600 --> 0:57:59.920
<v Speaker 1>conspiracy theories, your degrading opinions about the work that we're doing,

0:58:00.040 --> 0:58:03.000
<v Speaker 1>you can send it to my Mama pod at gmail

0:58:03.120 --> 0:58:05.720
<v Speaker 1>dot com. We would love to hear from you. All right,

0:58:06.040 --> 0:58:14.280
<v Speaker 1>we did it by bitch, because of growing babies. My

0:58:14.440 --> 0:58:19.360
<v Speaker 1>crop chips in your bails O. Koala bears are racist.

0:58:22.000 --> 0:58:29.040
<v Speaker 1>The host players lost money, many attorney stuff I can't

0:58:29.080 --> 0:58:29.440
<v Speaker 1>tell me.