WEBVTT - Jozzy

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<v Speaker 1>R and B Money.

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<v Speaker 2>Honey, we are.

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<v Speaker 1>Thanks take valotility. We are the authority on all things

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<v Speaker 1>R and B. Ladies and gentleman, My name is Tank.

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<v Speaker 1>This is the R and B Money podcast, authority on

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<v Speaker 1>all things R and B yesterday and today. We are

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<v Speaker 1>a current R and B conglomerate. H we know what's

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<v Speaker 1>going on with the youth, Yes, sir, put that on

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<v Speaker 1>and just know what I'm saying. It works, okay, uh.

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<v Speaker 1>I like to call this person one of the leaders

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<v Speaker 1>of the new school. I agree, Wavy beyond waves. I've

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<v Speaker 1>seen her read work. She's a problem and I like it.

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<v Speaker 1>Ladies and gentlemen in the building, give it up the

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<v Speaker 1>jobs right now, right now, Joz. I want to say this, Wow,

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<v Speaker 1>that was beautiful. It's good to meet you, right and

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<v Speaker 1>let me let me explain that. Not not as in

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<v Speaker 1>meeting you for the first time, but it is good

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<v Speaker 1>to meet you. In meeting you, I was like, oh

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<v Speaker 1>my god, she's so dope.

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<v Speaker 2>Wow. You always say that this is, this is not,

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<v Speaker 2>this is this is always consistent.

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<v Speaker 1>In meeting you, I was like, Wow, now, amazing energy, amazing,

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<v Speaker 1>how you my loved one off top. I wish your

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<v Speaker 1>nigga would about jos Zy, And as you say, consistency,

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<v Speaker 1>that's you. You're You're consistent in your presence, in your

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<v Speaker 1>demean in your work ethic every time, every time. And

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<v Speaker 1>that's why we're talking about you. That's why they're talking

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<v Speaker 1>about you. That's why you you know, that's why you've

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<v Speaker 1>done the things that you've done, and they're doing the

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<v Speaker 1>things that you're going to do. That's why you know,

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<v Speaker 1>I see you first of all, she don't have a

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<v Speaker 1>ship off time. It's I think.

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<v Speaker 2>I think that's what's so good about like being like

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<v Speaker 2>an R and B artist, Like it was. It was

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<v Speaker 2>a fashion too. Everything was just the whole esthetic of

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<v Speaker 2>being an R and B nigga. It was just like

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<v Speaker 2>I love that, like I love when I used to

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<v Speaker 2>see like Carl Thomas and his fur like the like

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<v Speaker 2>you know, I love to see Donnelle Jones and his

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<v Speaker 2>glasses and his black turtle neck like that was just fly.

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<v Speaker 2>Like even with you, I told Tank, Bro, don't wear

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<v Speaker 2>no shirt, Bro, don't come white. This is the show.

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<v Speaker 2>Take the shirt off.

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<v Speaker 3>You know that I'm not coming right there now.

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<v Speaker 4>If you got to look across, okay, I don't see that.

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<v Speaker 1>You know, we be in that place, get to you know,

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<v Speaker 1>after the fool.

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<v Speaker 2>You know, I don't like y'all like that. We don't

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<v Speaker 2>like it like that. I can look at you like

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<v Speaker 2>you look good, but look good I can give you.

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<v Speaker 2>I don't like you like you can look good and

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<v Speaker 2>you know it's nothing like you know what I'm saying that.

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<v Speaker 1>I heard y'all looking waste together and ship Now yeah games,

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<v Speaker 1>you know gangs got us on the program.

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<v Speaker 2>Yeah, not literally, just changing my life around. I love

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<v Speaker 2>going to the gym. I didn't realize that I was

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<v Speaker 2>going to really enjoy seeing I like seeing the aftermath

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<v Speaker 2>and the results. Man, I'm a result person. That's why

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<v Speaker 2>it even took me a minute to come to R

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<v Speaker 2>and B Money because I was like, I don't got

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<v Speaker 2>enough results. I ain't ready, I don't got enough points

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<v Speaker 2>on the board in my eyes to be around you

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<v Speaker 2>all because I really look at you all at a

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<v Speaker 2>high level. So that's why I was afraid to come here.

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<v Speaker 2>But you know, now I'm here.

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<v Speaker 1>You know what I'm saying, Well, you're supposed to be here. Yeah,

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<v Speaker 1>I want you to say that, like like while you're

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<v Speaker 1>in it, even with everything that you've done right at

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<v Speaker 1>a high level, but while you're in it, you know,

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<v Speaker 1>I think it's important for us, you know what I mean.

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<v Speaker 1>It's weird to say elders, but this is crazy.

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<v Speaker 2>You're the eldest.

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<v Speaker 1>Well I mean elder statesman.

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<v Speaker 5>I like you and this shit.

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<v Speaker 1>It's important to shine that light, you know what I'm saying, Like,

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<v Speaker 1>we gotta shine that light on you. If you don't know,

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<v Speaker 1>now you know, you know what I'm saying, because the

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<v Speaker 1>legacy continues with you. You don't see what I'm saying, Like,

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<v Speaker 1>we play our part in our pieces, but listen, we here,

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<v Speaker 1>we're throwing calls on the fire.

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<v Speaker 6>Yeah, that's the reason why we have the platform ultimately,

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<v Speaker 6>I mean, obviously we're going to have you know, legends

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<v Speaker 6>and new legends, and people who have been a part

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<v Speaker 6>of the music business for a long time, and people

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<v Speaker 6>who are starting out and people who are just accomplished.

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<v Speaker 3>But most of the most most importantly for us, it's

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<v Speaker 3>about what we respect, you know what I mean. That's

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<v Speaker 3>why when I ran into you and you said that

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<v Speaker 3>to me, I was like, no, you've been ready, I've

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<v Speaker 3>been loving records, you've done. You know what I'm saying

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<v Speaker 3>that if I can call out your records. That mean

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<v Speaker 3>I respect what you've done, you know what I mean.

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<v Speaker 3>So to us, it doesn't, we don't. We don't look

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<v Speaker 3>at it that way, right, we understand what you're saying.

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<v Speaker 3>We don't look at that way because we know how

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<v Speaker 3>hard it is to get these accomplishments. And you know, like,

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<v Speaker 3>I don't even like, I don't even respect when people

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<v Speaker 3>have those those conversations about one hit wonders, Well.

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<v Speaker 5>That's one more hit than you may ever have in.

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<v Speaker 1>Your life line.

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<v Speaker 2>And I'm so glad I got my big hit out

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<v Speaker 2>the way, so I don't got worried about it.

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<v Speaker 5>Yeah, I early.

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<v Speaker 1>Let's let's let's let's now, let's get to the little

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<v Speaker 1>john Zie. Let's go back to Memphis. Let's go back

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<v Speaker 1>to Memphis where it all began. Give me, give me

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<v Speaker 1>the beginnings, give me the upbringer.

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<v Speaker 2>Yeah. So born and raised in Memphis, Tennescy. Literally, my

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<v Speaker 2>mom was a teacher. But my mom used to be

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<v Speaker 2>in the group. She used to be signed to high

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<v Speaker 2>records with Willie Mitchell. She used to go on to

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<v Speaker 2>it and People's and see Johnson and al Green people.

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<v Speaker 2>So my mom had a group called Jenny and the

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<v Speaker 2>Jay's back in the sixties, they had a song on

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<v Speaker 2>the billboard on the charts like they was doing good.

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<v Speaker 2>They had a song called love what You're Doing in Me?

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<v Speaker 2>And but my mom had to liked she always tell

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<v Speaker 2>me she had to choose either the secular world or

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<v Speaker 2>back in the day, you had to choose a secular

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<v Speaker 2>world or you're gonna go to singing church. And I

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<v Speaker 2>don't know, like Willie Mitchell let her our contract and

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<v Speaker 2>she just starts singing in church and then yeah, I

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<v Speaker 2>was born.

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<v Speaker 1>Uh.

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<v Speaker 2>But my brother who's old, my older brother, he was

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<v Speaker 2>an artist back in Memphis, Like he was in his

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<v Speaker 2>croup called Children the Corn, and he was like it

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<v Speaker 2>was like them Skinny Pimp, Three Sins Mafia, one of

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<v Speaker 2>the first rappers who uh, Like so this is this

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<v Speaker 2>is like my life, this is what I'm around. So

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<v Speaker 2>like always like all the rap guys used to be

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<v Speaker 2>at at my crib like smoked out my mama not there. Uh.

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<v Speaker 2>But then my brother got locked up, and I think

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<v Speaker 2>this was changed my life. This was I was like

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<v Speaker 2>four years old and when he got locked up, I

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<v Speaker 2>went in his room. I remember that. I remember four

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<v Speaker 2>years old. I remember like it was just as I

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<v Speaker 2>went in his room, I took all his CDs and

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<v Speaker 2>cassettes and I snuck him under my bed. And at

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<v Speaker 2>four years old, I had the keys to every every

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<v Speaker 2>access to music that kids don't have access to. So

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<v Speaker 2>like I at at like at a young age, I was.

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<v Speaker 2>I took all my brother's stuff and I just took

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<v Speaker 2>it and I played it on my Fisher Price uh

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<v Speaker 2>they headphones and just listened and I promise you, like

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<v Speaker 2>I just absorbed so much music. But like that's kind

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<v Speaker 2>of like the bulk of where I started. And just

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<v Speaker 2>like my brother, it was locked up for like like

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<v Speaker 2>eight ten years. So like in between that, my whole

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<v Speaker 2>life was dedicated to showing him that I could be Yo,

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<v Speaker 2>I want to show I want to do what you

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<v Speaker 2>couldn't have done because he couldn't. He was about to blow. Yeah,

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<v Speaker 2>you know, he was about to be one of them

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<v Speaker 2>dudes in Memphis. But literally even Project Pet shot my

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<v Speaker 2>brother out in his and mister don't play like he

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<v Speaker 2>shout him. I was like, yeah, that's my brother, Yeah, yeah, yeah,

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<v Speaker 2>mister don't play album. Yeah my brother Lord Tyrek shout

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<v Speaker 2>out to my brother John. But yeah, so like that's

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<v Speaker 2>kind of where it started. So my mom's always supportive

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<v Speaker 2>of me doing music because she wanted to do it,

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<v Speaker 2>and uh, I was just doing a few talent shows.

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<v Speaker 2>I think my first probably when I was eleven years old,

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<v Speaker 2>a wrout my first song. I remember that and falling

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<v Speaker 2>in love. I ain't know none about love. I remember

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<v Speaker 2>that ship too week.

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<v Speaker 1>But you heard love song the week keep was a

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<v Speaker 1>week that was good, you know, something like, yeah, man,

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<v Speaker 1>I've been good for the list.

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<v Speaker 5>My first song was tracked.

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<v Speaker 2>That was listen you but you had confidence. It was

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<v Speaker 2>a heartbreak song, confidence and so like. But that was

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<v Speaker 2>just kind of like my whole git Like I always

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<v Speaker 2>wanted to be a songwriter, even in high school. I

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<v Speaker 2>remember I went to Germantown and the talent show. Like

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<v Speaker 2>I remember my ninth grade year. This girl wanted me

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<v Speaker 2>to she wanted to do the talent show and she

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<v Speaker 2>was like, I was like, I write the song, and

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<v Speaker 2>literally she won the talent show and no. But then

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<v Speaker 2>I kind of I kind of got tired. I was like, yo,

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<v Speaker 2>niggas is she won? Musically inclined? I was like, hold on,

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<v Speaker 2>I was thinking on the year book and I was

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<v Speaker 2>just like, yeah, no, this ain't this on parallel and

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<v Speaker 2>that that was when I realized that being a being

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<v Speaker 2>a service, you probably not gonna have the all the

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<v Speaker 2>love and support service. Yeah, being a service to somebody,

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<v Speaker 2>you may not have all the love that you want,

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<v Speaker 2>the respect that you think you deserve. So but but

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<v Speaker 2>I was still you like honding on my craft, you

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<v Speaker 2>know what I'm saying. But that was like the first

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<v Speaker 2>time I realized high school Germantown that oh yeah, this

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<v Speaker 2>is what that was ugly. Yeah, so you know what

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<v Speaker 2>I'm saying.

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<v Speaker 1>When you get in love in your high school as a.

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<v Speaker 2>Songwriter, mad Love, I was playing tennis actually though I

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<v Speaker 2>was actually playing tennis. Yeah, I got a tennis scholarship

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<v Speaker 2>and everything. I was cold. What Yeah, I played tennis

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<v Speaker 2>in high school.

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<v Speaker 1>Had a pickleball.

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<v Speaker 2>It's something new, right talking about it, right, It's.

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<v Speaker 3>Like it's for like non I always wanted to play. Yeah,

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<v Speaker 3>but it's weird, like floating in the air.

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<v Speaker 1>All sorts of people play pickleball with big can actually

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<v Speaker 1>be too athletic. First of all, there's a lot of

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<v Speaker 1>skill involved, a lot of athletics. Is the involved. This

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<v Speaker 1>ship Okay in court, this big, it's not that big.

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<v Speaker 1>It's a full tennis court. There's only certain areas that

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<v Speaker 1>the ball can go in lies.

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<v Speaker 2>Folks behind you shaking their head. I just at this

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<v Speaker 2>point pickleball.

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<v Speaker 5>Not pickleball. You was playing tennis.

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<v Speaker 2>Cod Yeah, playing tennis. But you know, I still love music,

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<v Speaker 2>like music was always in my in my in my bloodstream.

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<v Speaker 2>Literally when I was in high school, I was working

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<v Speaker 2>with I was working at this studio in Memphis. This

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<v Speaker 2>is where I kind of got my name as JOSSI.

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<v Speaker 1>Uh, what were you doing at the studio.

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<v Speaker 2>I was writing songs for all the chop niggas, paper

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<v Speaker 2>bag Money, you want hooks.

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<v Speaker 1>And you going to the studio was just you saying

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<v Speaker 1>I need to be in here. Yes, I'm not getting

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<v Speaker 1>paid nothing. I was getting paid.

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<v Speaker 2>I was getting paid.

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<v Speaker 1>I'm just saying if you did, if you didn't place nothing,

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<v Speaker 1>you wasn't getting paid.

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<v Speaker 2>No, Like, yeah, I wasn't getting paid. But the thing

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<v Speaker 2>is like, so you know DJ litt Larry, he's Yo.

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<v Speaker 2>Gotti's right here, man. He had this thing called trap

0:12:03.760 --> 0:12:07.120
<v Speaker 2>House and Traphouse, Shoe megas, like everybody was in this studio.

0:12:07.240 --> 0:12:10.360
<v Speaker 2>This just like two thousand and nine to two thousand

0:12:10.480 --> 0:12:14.200
<v Speaker 2>and it got raided twenty eleven and it was the

0:12:14.240 --> 0:12:17.840
<v Speaker 2>Saturday in my life it's over. And like I was

0:12:17.880 --> 0:12:21.440
<v Speaker 2>in school, literally but like I used to get mad,

0:12:21.480 --> 0:12:23.680
<v Speaker 2>but I used to get like a five hundred one

0:12:23.679 --> 0:12:27.800
<v Speaker 2>thousand for all the pimps, all the all the pimps

0:12:28.040 --> 0:12:30.080
<v Speaker 2>who want to turn their life around, be a rapper.

0:12:30.559 --> 0:12:33.320
<v Speaker 2>I would be there. I met young Jockta, I met

0:12:33.520 --> 0:12:37.440
<v Speaker 2>Rock over there, like young Doff used to be there before.

0:12:37.520 --> 0:12:39.280
<v Speaker 2>Dolph was like really, dof you know what I'm saying.

0:12:39.320 --> 0:12:40.680
<v Speaker 2>So he was all just you know, I was just

0:12:40.679 --> 0:12:42.679
<v Speaker 2>a kid in high school around all these folks, you

0:12:42.720 --> 0:12:47.480
<v Speaker 2>know what I'm saying. And literally like one day I

0:12:47.480 --> 0:12:50.560
<v Speaker 2>got a call, I'm bauck to go. They say, do

0:12:50.679 --> 0:12:53.199
<v Speaker 2>not pull up to the studio, bro, this shit is

0:12:53.240 --> 0:12:56.760
<v Speaker 2>getting raided right now. And like I was. It was

0:12:56.760 --> 0:12:58.960
<v Speaker 2>on the news. My mama like what you this? Ain't this?

0:12:59.360 --> 0:12:59.800
<v Speaker 1>This were you?

0:13:00.320 --> 0:13:03.199
<v Speaker 2>Oh? My thought? It was just like it was just crazy.

0:13:03.600 --> 0:13:05.000
<v Speaker 2>I cried, I was. I was sick.

0:13:05.160 --> 0:13:05.400
<v Speaker 1>I was.

0:13:05.440 --> 0:13:07.880
<v Speaker 2>I was really sick because that's all we had in

0:13:07.960 --> 0:13:11.040
<v Speaker 2>Memphis was was the trap House. Like if anybody knows

0:13:11.080 --> 0:13:14.040
<v Speaker 2>about Memphis, and like around that time, from like two

0:13:14.080 --> 0:13:17.679
<v Speaker 2>thousand and eight to two thousand and eleven twelve, like

0:13:17.760 --> 0:13:20.440
<v Speaker 2>that was all we had. That was it, and so

0:13:20.600 --> 0:13:22.800
<v Speaker 2>like I was super depressed, didn't know what I was

0:13:22.800 --> 0:13:26.080
<v Speaker 2>gonna do in my life. I was in school, didn't

0:13:26.080 --> 0:13:28.760
<v Speaker 2>want to be at school in college and uh well

0:13:28.760 --> 0:13:30.079
<v Speaker 2>didn't want to be in high school. I had to

0:13:30.080 --> 0:13:35.520
<v Speaker 2>go to college the next year. I hated it. But god, man, I'm.

0:13:35.440 --> 0:13:37.400
<v Speaker 1>Telling you, did you go in your tennis scholarship?

0:13:37.600 --> 0:13:40.640
<v Speaker 2>I went on a tennis scholarship college you show I

0:13:40.640 --> 0:13:42.360
<v Speaker 2>went to I went to college on my Tennessee on

0:13:42.400 --> 0:13:44.800
<v Speaker 2>my on my scholarship. Man, like I was cold. Stop

0:13:44.840 --> 0:13:45.480
<v Speaker 2>playing with me.

0:13:47.679 --> 0:13:48.000
<v Speaker 7>Cold.

0:13:48.760 --> 0:13:51.200
<v Speaker 2>I don't know. Somebody got to have some footage.

0:13:50.840 --> 0:13:52.240
<v Speaker 1>Somewhere we got.

0:13:52.520 --> 0:13:54.800
<v Speaker 2>Definitely, my mama didn't come in onto my games. It's

0:13:54.840 --> 0:13:59.440
<v Speaker 2>so bad, you know, mama dude, Like, but so she

0:13:59.480 --> 0:14:05.120
<v Speaker 2>was an English Yeah.

0:14:03.240 --> 0:14:04.880
<v Speaker 3>Yeah, my mom was at work and my daddy thought

0:14:04.920 --> 0:14:05.720
<v Speaker 3>basketball was bullshit.

0:14:05.800 --> 0:14:05.959
<v Speaker 1>Yeah.

0:14:05.960 --> 0:14:08.920
<v Speaker 5>My pop mama usually selling double doing music. That's it.

0:14:09.040 --> 0:14:12.199
<v Speaker 2>Yeah, that's crazyn. So nobody came to my game to recording,

0:14:12.400 --> 0:14:13.720
<v Speaker 2>which is crazy, you know what I'm saying. That was

0:14:13.760 --> 0:14:18.360
<v Speaker 2>just me, but but literally it was a I think,

0:14:18.480 --> 0:14:24.560
<v Speaker 2>Uh thanks to trap House, I got connected with my

0:14:24.640 --> 0:14:27.360
<v Speaker 2>boy Bug and Web but the machine they worked at

0:14:27.400 --> 0:14:29.600
<v Speaker 2>the studio at Trap House and they leave me with

0:14:29.640 --> 0:14:33.560
<v Speaker 2>this producer from VA who was signed to Timberland and

0:14:33.600 --> 0:14:36.760
<v Speaker 2>his name was wiz Dom and Wiz was looking for

0:14:36.800 --> 0:14:40.120
<v Speaker 2>a songwriter. And literally he called me. He met me

0:14:40.160 --> 0:14:44.880
<v Speaker 2>on Twitter. You dealing each other like he was like, yo,

0:14:44.960 --> 0:14:46.920
<v Speaker 2>I heard you. You called and Memphis. You know what

0:14:46.920 --> 0:14:47.800
<v Speaker 2>I'm saying, I need a writer.

0:14:48.360 --> 0:14:50.960
<v Speaker 5>And I was like, yes, you are away at college

0:14:51.040 --> 0:14:52.040
<v Speaker 5>and that I was.

0:14:52.080 --> 0:14:54.680
<v Speaker 2>I was, you know, I came back from h U

0:14:54.760 --> 0:14:58.800
<v Speaker 2>T Chat to come back to UM because some family

0:14:58.880 --> 0:15:01.320
<v Speaker 2>situation happened. I had come back home, so I went

0:15:01.360 --> 0:15:04.320
<v Speaker 2>to school that U M. I went to Memphis. Yeah,

0:15:04.360 --> 0:15:06.800
<v Speaker 2>I went to Chat one year. You know what I'm saying.

0:15:07.120 --> 0:15:09.240
<v Speaker 2>I came back like it was too much stuff going on.

0:15:09.320 --> 0:15:11.760
<v Speaker 2>I had to come back. And like you, if you

0:15:11.760 --> 0:15:14.600
<v Speaker 2>know anything about Chattanooga and Memphis, they do not. We

0:15:14.640 --> 0:15:16.800
<v Speaker 2>won't get along like Chatta. Like at the time when

0:15:16.840 --> 0:15:19.320
<v Speaker 2>you went to ut Chat, everybody wanted to fight. It

0:15:19.400 --> 0:15:23.120
<v Speaker 2>was just bad. Like I had a roommate got ran over.

0:15:23.360 --> 0:15:24.000
<v Speaker 7>It was bad.

0:15:24.080 --> 0:15:25.880
<v Speaker 2>Like it was just like you can't walk off the

0:15:25.880 --> 0:15:28.480
<v Speaker 2>campus because you about to like you can't you gotta

0:15:28.520 --> 0:15:29.440
<v Speaker 2>stay on the campus.

0:15:29.560 --> 0:15:31.000
<v Speaker 5>Just beef between the two schools.

0:15:31.080 --> 0:15:34.920
<v Speaker 2>It's no, not the schools, it's beef between the city.

0:15:35.000 --> 0:15:37.200
<v Speaker 2>Don't like Memphis niggas. They just they just think we

0:15:37.400 --> 0:15:42.160
<v Speaker 2>just boogie up at you know yea yeah, so yeah,

0:15:42.200 --> 0:15:44.120
<v Speaker 2>it was just kind of crazy. I had to get

0:15:44.160 --> 0:15:46.800
<v Speaker 2>up out of ut chat because it was a lot

0:15:46.840 --> 0:15:50.520
<v Speaker 2>of stuff going on. But UH went back home, did

0:15:50.760 --> 0:15:54.840
<v Speaker 2>University Memphis. I'm leaving school. This was twenty twelve. Got

0:15:54.840 --> 0:15:58.680
<v Speaker 2>a call from Wiz and Wiz was like, uh, y'all,

0:15:59.000 --> 0:16:02.040
<v Speaker 2>can you fly to Miami for a week? I need you?

0:16:02.920 --> 0:16:06.960
<v Speaker 2>I went home. I bet my parents. My pap was like, yep,

0:16:07.160 --> 0:16:10.840
<v Speaker 2>you can go. And I went out there and I

0:16:10.920 --> 0:16:12.640
<v Speaker 2>stayed there for six years and that was that was

0:16:12.680 --> 0:16:14.480
<v Speaker 2>That was it. That was the start of like who

0:16:14.560 --> 0:16:17.160
<v Speaker 2>Johnsy was week? I was supposed to be there for

0:16:17.160 --> 0:16:21.760
<v Speaker 2>a week. Yeah, from twenty twelve to twenty eighteen.

0:16:22.000 --> 0:16:27.000
<v Speaker 1>Yeah, how did you fund that? Yeah?

0:16:27.040 --> 0:16:28.080
<v Speaker 5>Let's talk about survival.

0:16:28.160 --> 0:16:28.760
<v Speaker 1>Yeah, survival.

0:16:28.760 --> 0:16:31.240
<v Speaker 2>I ain't go front my pop bless me, my pop,

0:16:31.280 --> 0:16:33.880
<v Speaker 2>bless me. My pop was like, yo, this is what

0:16:33.920 --> 0:16:35.960
<v Speaker 2>he said. He said, Yo. This is like He's like yo,

0:16:36.080 --> 0:16:38.880
<v Speaker 2>since I ain't paying for your college. This is your college.

0:16:39.960 --> 0:16:42.320
<v Speaker 2>He was like, he was like, I'm giving you four

0:16:42.400 --> 0:16:44.160
<v Speaker 2>years to make it. If you're like if you're doing

0:16:44.200 --> 0:16:47.560
<v Speaker 2>four years and all right, we were just what we're

0:16:47.560 --> 0:16:49.800
<v Speaker 2>gonna do, you know what I'm saying. So kind of

0:16:49.840 --> 0:16:52.320
<v Speaker 2>like that was him, that was that was his, that

0:16:52.440 --> 0:16:55.440
<v Speaker 2>was his. My pop John, My papa is cold. My

0:16:55.480 --> 0:16:58.000
<v Speaker 2>papa is super cold. N So my pap was like

0:16:58.560 --> 0:17:00.560
<v Speaker 2>he was and I just think he's just saw like

0:17:01.080 --> 0:17:04.119
<v Speaker 2>he saw it. He knew, he knew who his daughter was.

0:17:04.160 --> 0:17:06.240
<v Speaker 2>And I'm just like him, like I'm cold, like I'm

0:17:06.280 --> 0:17:08.760
<v Speaker 2>just in so many ways. So he was like, you know,

0:17:08.840 --> 0:17:10.159
<v Speaker 2>if this is what you want to do, this is

0:17:10.240 --> 0:17:12.919
<v Speaker 2>this is what you're gonna do now, Like I struggled,

0:17:13.280 --> 0:17:15.520
<v Speaker 2>like he I couldn't live the life that I wanted

0:17:15.520 --> 0:17:18.520
<v Speaker 2>out bro, Like he didn't give me a lot of money.

0:17:20.000 --> 0:17:22.840
<v Speaker 2>No well no no no no no so no no

0:17:22.840 --> 0:17:24.919
<v Speaker 2>no no. He just gave me money for gas and

0:17:24.960 --> 0:17:26.639
<v Speaker 2>good stuff like that. It was good and I was

0:17:26.640 --> 0:17:30.200
<v Speaker 2>blessed for that. But like, so Wiz got a pub

0:17:30.280 --> 0:17:34.000
<v Speaker 2>deal because he did Up Up and Away for Low

0:17:34.040 --> 0:17:36.760
<v Speaker 2>Way and he did a few other songs, and like

0:17:36.760 --> 0:17:39.840
<v Speaker 2>I said, he was with Timbland, So I'm around Timbling Timbling.

0:17:40.440 --> 0:17:42.800
<v Speaker 2>I think they had a house in Opa Loaca and

0:17:42.800 --> 0:17:45.320
<v Speaker 2>they let us stay there. So I'm in Opa Loaca.

0:17:45.320 --> 0:17:46.879
<v Speaker 2>So we was staying there and then we had to

0:17:46.920 --> 0:17:48.800
<v Speaker 2>start paying rent on it. But like for a few months,

0:17:48.840 --> 0:17:51.399
<v Speaker 2>we were just staying there. And so Wiz, like I said,

0:17:51.760 --> 0:17:54.399
<v Speaker 2>he really like he took me under his wings and

0:17:54.440 --> 0:17:56.159
<v Speaker 2>was like yo, he was like my big bro. So

0:17:56.200 --> 0:17:58.640
<v Speaker 2>he was like yo, Boom, like let's just let's just cook.

0:17:58.680 --> 0:18:00.000
<v Speaker 2>Were supposed to be like the new tim in miss

0:18:00.480 --> 0:18:02.640
<v Speaker 2>that was a whole life friend. We're gonna I'm gonna

0:18:02.640 --> 0:18:05.399
<v Speaker 2>write the songs you're gonna produce. And like literally like

0:18:05.480 --> 0:18:07.600
<v Speaker 2>Tim and MISSI just like took us under their wings.

0:18:07.640 --> 0:18:09.960
<v Speaker 2>I met Missy and she was like, yo, come stay

0:18:09.960 --> 0:18:12.040
<v Speaker 2>with me and boom. I stayed with Missy for a

0:18:12.080 --> 0:18:14.800
<v Speaker 2>few for a few weeks, stay you know. So it

0:18:14.880 --> 0:18:16.480
<v Speaker 2>was just kind of like a learning experience.

0:18:17.200 --> 0:18:17.760
<v Speaker 1>Stay with me.

0:18:17.960 --> 0:18:18.200
<v Speaker 6>Yeah.

0:18:18.320 --> 0:18:22.240
<v Speaker 1>Nah, she let me come place. It will make room

0:18:22.240 --> 0:18:23.120
<v Speaker 1>for you, nah bro.

0:18:23.240 --> 0:18:26.119
<v Speaker 2>Like literally, Missy, I remember my twenty first birthday, like

0:18:26.440 --> 0:18:28.800
<v Speaker 2>she got me shit faced. I remember that. But I

0:18:28.880 --> 0:18:32.800
<v Speaker 2>learned so much from Missy being you know, in that situation.

0:18:32.880 --> 0:18:35.720
<v Speaker 2>But as far as having money, nah, bro literally like

0:18:35.760 --> 0:18:37.240
<v Speaker 2>we was faking it till we made it.

0:18:37.280 --> 0:18:37.399
<v Speaker 1>Bro.

0:18:37.480 --> 0:18:40.280
<v Speaker 2>I would pull up, I would take wizards, jeep, take

0:18:40.280 --> 0:18:42.720
<v Speaker 2>it to South Beach, get girls, bring them to the

0:18:42.760 --> 0:18:47.720
<v Speaker 2>studio and we vibing at the studio. It's like Hit Factory.

0:18:47.800 --> 0:18:50.320
<v Speaker 2>I'm talking about Hit Factory in twenty thirteen fourteen. It

0:18:50.400 --> 0:18:53.280
<v Speaker 2>was just a different time. It was like popping. Everybody

0:18:53.480 --> 0:18:56.200
<v Speaker 2>was there, like you had like that's how I met Wayne.

0:18:56.240 --> 0:18:58.720
<v Speaker 2>You had the cash money over there. You would have

0:18:58.880 --> 0:19:01.280
<v Speaker 2>carry Hilson in one room, Polo had done to be

0:19:01.359 --> 0:19:04.399
<v Speaker 2>in the next room. Bibro would be upstairs with like

0:19:05.280 --> 0:19:07.960
<v Speaker 2>it was as what is James Posner. I was a

0:19:08.000 --> 0:19:11.480
<v Speaker 2>huge James Posner. He was an amazing songwriter. And I

0:19:11.520 --> 0:19:14.359
<v Speaker 2>was like James Posts upstairs. No, I was just like

0:19:14.440 --> 0:19:17.119
<v Speaker 2>such a kid and like I just wanted to just

0:19:17.160 --> 0:19:19.680
<v Speaker 2>be around all of this. And literally I didn't make

0:19:20.119 --> 0:19:24.719
<v Speaker 2>no songs, like literally no songs. But we probably I

0:19:24.720 --> 0:19:29.160
<v Speaker 2>mean because like we just was we had to sneak

0:19:29.200 --> 0:19:32.639
<v Speaker 2>studio times. So like think about this is when around

0:19:32.640 --> 0:19:35.720
<v Speaker 2>the time when Simbling was kind of he was I

0:19:35.840 --> 0:19:39.439
<v Speaker 2>was after the promiscuous girl, after the sexy back, so

0:19:39.480 --> 0:19:41.320
<v Speaker 2>he was in it was a weird time for him

0:19:41.480 --> 0:19:44.320
<v Speaker 2>and that that that little Tom, but he was always

0:19:44.320 --> 0:19:47.040
<v Speaker 2>in the studio so like we didn't have to like

0:19:47.080 --> 0:19:49.840
<v Speaker 2>we didn't We only could work when niggas went to sleep,

0:19:50.359 --> 0:19:52.760
<v Speaker 2>right Like so I'm talking about we would be in

0:19:52.800 --> 0:19:55.960
<v Speaker 2>the studio till four in the morning. I'm like, just

0:19:56.320 --> 0:19:58.240
<v Speaker 2>And that was how I became a people, like a

0:19:58.280 --> 0:20:00.760
<v Speaker 2>person that just everybody know, cause I was like, you know,

0:20:00.800 --> 0:20:02.800
<v Speaker 2>if I ain't working, niggas, gonn no, why am Yeah?

0:20:02.840 --> 0:20:06.360
<v Speaker 2>So I started going out. I started like hit in Miami,

0:20:06.480 --> 0:20:10.320
<v Speaker 2>like Super Tomboys stud like the only one in Miami,

0:20:10.359 --> 0:20:11.439
<v Speaker 2>and I'm in all the clubs.

0:20:11.480 --> 0:20:11.800
<v Speaker 1>Niggas.

0:20:11.800 --> 0:20:13.760
<v Speaker 2>It's like, oh the letter in like because I had

0:20:13.760 --> 0:20:18.280
<v Speaker 2>to figure out, like I'm not working, so let me

0:20:18.520 --> 0:20:22.560
<v Speaker 2>go outside and you know, use it in a network,

0:20:22.560 --> 0:20:25.080
<v Speaker 2>you know, build my network. But literally we would come

0:20:25.119 --> 0:20:26.600
<v Speaker 2>back to the I would come back to the studio,

0:20:26.640 --> 0:20:29.680
<v Speaker 2>whiz it's still there, banging on beats. I was like, nigga,

0:20:29.720 --> 0:20:31.600
<v Speaker 2>you have fun with that. I'm not just gonna sit

0:20:31.640 --> 0:20:34.479
<v Speaker 2>here and not work, you know what I'm saying. But

0:20:34.800 --> 0:20:36.320
<v Speaker 2>like we were like five or six in the morning,

0:20:36.320 --> 0:20:38.520
<v Speaker 2>we would get in and work, and that was kind

0:20:38.520 --> 0:20:40.919
<v Speaker 2>of like where I started honeing on my craft. But

0:20:40.960 --> 0:20:43.680
<v Speaker 2>like it was, it was a weird time. Literally we

0:20:43.680 --> 0:20:46.080
<v Speaker 2>would just be in the room just being like flies

0:20:46.119 --> 0:20:48.480
<v Speaker 2>on the wall. When so and so walks in or

0:20:48.520 --> 0:20:50.800
<v Speaker 2>Kugnye walks in, we just there. It's just not being

0:20:50.800 --> 0:20:53.159
<v Speaker 2>were able to work. It was just I hated it.

0:20:53.200 --> 0:20:55.840
<v Speaker 2>I hated that. Like I guess it's it was artists

0:20:55.880 --> 0:20:58.600
<v Speaker 2>development of like going who you are, but boy, I

0:20:58.640 --> 0:21:01.200
<v Speaker 2>hated that shit. Like just sit and they're like, hey,

0:21:01.240 --> 0:21:03.240
<v Speaker 2>I'm the one. You just want to get in cold,

0:21:03.359 --> 0:21:04.240
<v Speaker 2>like you should try me.

0:21:05.400 --> 0:21:06.880
<v Speaker 5>It's tough waiting on your turn.

0:21:07.440 --> 0:21:11.200
<v Speaker 3>That's not people and some people don't have the patience

0:21:11.200 --> 0:21:14.840
<v Speaker 3>for it and fuck up a lot of opportunities jumping

0:21:14.880 --> 0:21:17.200
<v Speaker 3>out there trying to prove that they're do one because

0:21:17.240 --> 0:21:17.880
<v Speaker 3>like you said.

0:21:17.680 --> 0:21:19.359
<v Speaker 5>You already knew who you were and you knew what

0:21:19.400 --> 0:21:21.440
<v Speaker 5>you will become, and you knew, like.

0:21:21.440 --> 0:21:28.399
<v Speaker 3>I can compete by your time and meaning that place

0:21:28.520 --> 0:21:31.280
<v Speaker 3>wasn't your time neither, because that that ship wasn't booked

0:21:31.320 --> 0:21:33.400
<v Speaker 3>for you, you know what I mean. Like, but that's

0:21:33.440 --> 0:21:40.680
<v Speaker 3>the thing people don't understand, uh, industry etiquette, right, I've

0:21:40.720 --> 0:21:44.160
<v Speaker 3>had plenty of you know who may be dope writers

0:21:44.600 --> 0:21:47.880
<v Speaker 3>come in there that came with somebody else that keep trying.

0:21:47.720 --> 0:21:49.520
<v Speaker 5>To throw words in pop.

0:21:49.680 --> 0:21:52.320
<v Speaker 2>If you don't get here, I tell you, and I

0:21:52.359 --> 0:21:54.720
<v Speaker 2>tell I tell one of my boys, you gotta get

0:21:54.760 --> 0:21:57.360
<v Speaker 2>them out of there. Bro, like you're doing a lot.

0:21:57.760 --> 0:21:59.879
<v Speaker 2>I'm quick to be like, bro, come on, bro, like

0:22:00.280 --> 0:22:01.359
<v Speaker 2>I'm not like, I hate that.

0:22:01.440 --> 0:22:02.520
<v Speaker 5>But they don't understand that though.

0:22:02.600 --> 0:22:05.440
<v Speaker 3>It's it's just ignorance to it more so than it's

0:22:05.440 --> 0:22:06.680
<v Speaker 3>about them being disrespectful.

0:22:06.920 --> 0:22:10.600
<v Speaker 5>They just don't even know. They thinking, oh, I'm here now, shit,

0:22:10.680 --> 0:22:11.679
<v Speaker 5>let me show my talent.

0:22:12.160 --> 0:22:16.000
<v Speaker 2>I remember one session, you know, Jim Beans. Jim Beans

0:22:16.119 --> 0:22:18.680
<v Speaker 2>was Jim Beans is a He did a lot of

0:22:18.800 --> 0:22:21.720
<v Speaker 2>vocal production for like he did like the Promiscutor, He

0:22:21.760 --> 0:22:25.160
<v Speaker 2>did all of that shit, and he did also the Empire.

0:22:25.359 --> 0:22:28.040
<v Speaker 2>But Jim Beans is one of the first people who

0:22:28.040 --> 0:22:30.359
<v Speaker 2>made me feel comfortable in the studio. Like literally, I

0:22:30.400 --> 0:22:33.359
<v Speaker 2>walked in the first day off the plane actually coming

0:22:33.400 --> 0:22:36.480
<v Speaker 2>to Miami. I walked into this session he was working

0:22:36.520 --> 0:22:39.159
<v Speaker 2>on and he was like, you want to write? And

0:22:39.200 --> 0:22:41.800
<v Speaker 2>I just sat there. I was quiet. I just sat

0:22:41.840 --> 0:22:44.640
<v Speaker 2>and paid attention. I wasn't trying to like overstep boundaries,

0:22:44.640 --> 0:22:45.879
<v Speaker 2>and he just looked at me and was like, you

0:22:45.920 --> 0:22:48.280
<v Speaker 2>want to help me, right? I was like, wow, yes, yes,

0:22:48.920 --> 0:22:51.360
<v Speaker 2>And I just thought that moment was so dope because

0:22:51.760 --> 0:22:54.679
<v Speaker 2>he like let me into his world because I'm like,

0:22:54.720 --> 0:22:57.520
<v Speaker 2>this is jim Beans like he did carry I know,

0:22:57.600 --> 0:23:01.199
<v Speaker 2>I know everybody. I'm a super friends for I know

0:23:01.320 --> 0:23:04.160
<v Speaker 2>every thing about Timbling and MISSI static if you ask

0:23:04.240 --> 0:23:07.639
<v Speaker 2>me any questions about how they started. I know everything

0:23:07.680 --> 0:23:10.480
<v Speaker 2>about these guys. I studied Missy, I studied till I

0:23:10.480 --> 0:23:13.639
<v Speaker 2>study Magou. I love these niggas like so it was

0:23:13.720 --> 0:23:17.439
<v Speaker 2>almost like I was just I knew who Jim Ban's was.

0:23:17.480 --> 0:23:19.639
<v Speaker 2>So it was just like oh my god. And h

0:23:19.880 --> 0:23:22.040
<v Speaker 2>just those moments where just people just want to like

0:23:22.640 --> 0:23:25.040
<v Speaker 2>include you, those are the times that I just cause

0:23:25.040 --> 0:23:39.640
<v Speaker 2>I wasn't gonna include myself. When I went to Missy's house,

0:23:40.400 --> 0:23:43.000
<v Speaker 2>she she had a studio in my house. So now

0:23:43.080 --> 0:23:45.840
<v Speaker 2>I can just wake up in the morning at work too. Yeah,

0:23:45.880 --> 0:23:49.960
<v Speaker 2>And the thing about Missy ain't nobody coming in our house.

0:23:50.160 --> 0:23:52.560
<v Speaker 2>So you have to teach yourself how to record. So

0:23:52.600 --> 0:23:55.719
<v Speaker 2>I had to learn pro tools and I'm so glad,

0:23:55.920 --> 0:23:58.120
<v Speaker 2>like she'd like, I learned how to record myself thanks

0:23:58.119 --> 0:24:01.200
<v Speaker 2>to Missy. She taught me a valuable thing because working

0:24:01.240 --> 0:24:03.360
<v Speaker 2>with Wiz. I didn't know. I was just I thought

0:24:03.359 --> 0:24:04.680
<v Speaker 2>I had to write to all his beats because he's

0:24:04.680 --> 0:24:07.439
<v Speaker 2>my producer, even if I didn't like it. I was like,

0:24:07.720 --> 0:24:10.119
<v Speaker 2>I can't stand his beat, but I'm gonna write to

0:24:10.200 --> 0:24:12.040
<v Speaker 2>it because it's my partner. You know what I'm saying.

0:24:12.119 --> 0:24:14.119
<v Speaker 2>She was she was chewing them now, like Nigga, this

0:24:14.160 --> 0:24:16.520
<v Speaker 2>ain't it. Nigga, this ain't good. She's like, nah, she

0:24:16.680 --> 0:24:19.119
<v Speaker 2>was eating whizz up because she was trying to Like.

0:24:19.480 --> 0:24:20.919
<v Speaker 2>She was like, this what I do to timbling? Like

0:24:20.920 --> 0:24:22.840
<v Speaker 2>you know how many times I told timbling? Nah, Nigga,

0:24:22.880 --> 0:24:25.359
<v Speaker 2>this ain't it. She's like Jozzi. She was like, you

0:24:25.400 --> 0:24:28.760
<v Speaker 2>don't got to write to every every song, every every beat,

0:24:28.800 --> 0:24:31.360
<v Speaker 2>because it's in your face. Like if a producer gives

0:24:31.359 --> 0:24:33.920
<v Speaker 2>you one beat and you don't like it, be like, YO,

0:24:33.960 --> 0:24:36.159
<v Speaker 2>play some more beats. You don't have to write. And

0:24:36.720 --> 0:24:38.840
<v Speaker 2>I was like word like I didn't know that. I

0:24:38.880 --> 0:24:41.159
<v Speaker 2>thought that, oh this is the beat, Oh this is

0:24:41.200 --> 0:24:43.760
<v Speaker 2>so and so this is a big producer, so he knows.

0:24:44.000 --> 0:24:47.040
<v Speaker 2>But no, like sometimes you may have to challenge your

0:24:47.080 --> 0:24:49.560
<v Speaker 2>producer and be like, Nah, this ain't it. What else

0:24:49.600 --> 0:24:51.560
<v Speaker 2>you got? It ain't it for me, you know what

0:24:51.600 --> 0:24:54.400
<v Speaker 2>I'm saying. So Missy taught me that like and after

0:24:54.480 --> 0:24:56.520
<v Speaker 2>that I was quick to telling Nigga, let me play

0:24:56.560 --> 0:24:57.000
<v Speaker 2>another one.

0:24:57.080 --> 0:24:59.760
<v Speaker 1>But I think I think your reverence for the craft

0:25:00.320 --> 0:25:04.080
<v Speaker 1>in the beginning, you know, had you developing something that

0:25:04.160 --> 0:25:08.080
<v Speaker 1>you probably weren't realizing you were developing, just being ready

0:25:08.280 --> 0:25:10.879
<v Speaker 1>whatever it is right, Like I don't like to be

0:25:11.040 --> 0:25:11.560
<v Speaker 1>but I.

0:25:11.760 --> 0:25:13.639
<v Speaker 5>Want to because it's two sides to that.

0:25:13.800 --> 0:25:15.840
<v Speaker 3>It's two sides to that, because I mean, the reps

0:25:15.840 --> 0:25:18.960
<v Speaker 3>in itself gives you an opportunity to better yourself and

0:25:19.200 --> 0:25:20.879
<v Speaker 3>better you know what I mean, Like for when that

0:25:20.960 --> 0:25:25.480
<v Speaker 3>right record does come and the truth matters. As many

0:25:25.480 --> 0:25:28.600
<v Speaker 3>people say they know in this ship, no one really, no,

0:25:28.840 --> 0:25:31.600
<v Speaker 3>I don't know, we don't know. It could be something

0:25:31.600 --> 0:25:33.040
<v Speaker 3>that we could play in the car every day and

0:25:33.080 --> 0:25:35.800
<v Speaker 3>think is the greatest song in the world and nobody

0:25:35.800 --> 0:25:37.840
<v Speaker 3>gives a fuck. And being on the flip side, it

0:25:37.840 --> 0:25:41.800
<v Speaker 3>could be that throwaway record, throw away and Nigga be like,

0:25:42.480 --> 0:25:43.360
<v Speaker 3>the world loves it.

0:25:43.520 --> 0:25:46.240
<v Speaker 2>Did you have a throw away joint that people like you.

0:25:51.240 --> 0:25:54.439
<v Speaker 1>Lying that wasn't four or five artists passed on it,

0:25:55.000 --> 0:25:57.919
<v Speaker 1>just sitting there. I had one more day left in

0:25:57.960 --> 0:26:00.520
<v Speaker 1>the studio that was paid for, and I was like,

0:26:01.119 --> 0:26:02.480
<v Speaker 1>I was like, I was like, I record all the

0:26:02.480 --> 0:26:04.240
<v Speaker 1>songs I wanted to record. They was like, well, you

0:26:04.320 --> 0:26:05.639
<v Speaker 1>got one more day, so whatever you want to do.

0:26:05.680 --> 0:26:08.160
<v Speaker 1>I was like, I was like, got this one beat

0:26:08.520 --> 0:26:11.480
<v Speaker 1>and I'm gonna record this one right here, record that song.

0:26:11.560 --> 0:26:13.200
<v Speaker 1>When Nigga Lane comes to what you're working on that,

0:26:13.320 --> 0:26:15.240
<v Speaker 1>I'm like, this this bullshit you want to do? Want

0:26:15.280 --> 0:26:17.000
<v Speaker 1>to do the bridge? He dow the Bridge. I'm like,

0:26:17.040 --> 0:26:20.200
<v Speaker 1>all right, I'm just niggas call me. Two days later

0:26:20.200 --> 0:26:22.240
<v Speaker 1>the nigga you did it? I was like, what you want?

0:26:22.320 --> 0:26:22.600
<v Speaker 2>Nigga?

0:26:22.760 --> 0:26:27.320
<v Speaker 1>I started naming all sorts of records. No this, please

0:26:27.320 --> 0:26:32.959
<v Speaker 1>don't go. I said, what yo? I'm sure? Sure? Are

0:26:33.000 --> 0:26:36.399
<v Speaker 1>you sure? Guys? How'd you? I wrote and produced the

0:26:36.440 --> 0:26:38.639
<v Speaker 1>whole thing, but I was still like this kind of

0:26:38.760 --> 0:26:39.720
<v Speaker 1>trush you sure?

0:26:40.280 --> 0:26:41.040
<v Speaker 2>That's crazy?

0:26:41.160 --> 0:26:43.560
<v Speaker 1>I watched that. I watched that song go from three

0:26:43.600 --> 0:26:47.040
<v Speaker 1>spins to three thousand spins to six thousand. I was

0:26:47.040 --> 0:26:49.280
<v Speaker 1>in the office every day, like what's going on there?

0:26:49.280 --> 0:26:51.720
<v Speaker 1>Like you are it's happening. You got a hit record,

0:26:51.800 --> 0:26:54.440
<v Speaker 1>You have a hit record. I watched us come out

0:26:54.480 --> 0:26:56.280
<v Speaker 1>and sell more records than everybody.

0:26:56.440 --> 0:26:58.000
<v Speaker 2>What you thought was the hit on that joint?

0:26:59.400 --> 0:27:00.480
<v Speaker 1>On sex, Left and Pain?

0:27:00.880 --> 0:27:01.919
<v Speaker 2>Which one would you go with?

0:27:02.040 --> 0:27:03.400
<v Speaker 1>Everything was crazy.

0:27:03.119 --> 0:27:04.359
<v Speaker 2>Now, but which one was you gonna go with?

0:27:04.520 --> 0:27:04.680
<v Speaker 1>Over?

0:27:05.119 --> 0:27:05.720
<v Speaker 2>Please don't go?

0:27:06.119 --> 0:27:08.399
<v Speaker 1>I was just curious, Like, I mean, we had a

0:27:08.440 --> 0:27:11.480
<v Speaker 1>wedding song on there, it would have been crazy, and

0:27:11.680 --> 0:27:14.520
<v Speaker 1>we eventually went with Heartbreaker, But Heartbreaker was on there.

0:27:14.960 --> 0:27:17.280
<v Speaker 1>I was kind of into my tempo bag, so I

0:27:17.320 --> 0:27:20.280
<v Speaker 1>was thinking maybe the Coldest would have some play, you

0:27:20.320 --> 0:27:21.560
<v Speaker 1>know what I'm saying. I was like, we put out

0:27:21.560 --> 0:27:23.639
<v Speaker 1>this Coldest thing, I would be dancing a little bit.

0:27:23.720 --> 0:27:26.680
<v Speaker 1>I'd already you know, fucked up a video dancing and ship,

0:27:26.720 --> 0:27:29.520
<v Speaker 1>but I was I was willing to try another one.

0:27:34.320 --> 0:27:37.000
<v Speaker 2>Hilarious, that's crazy.

0:27:37.040 --> 0:27:41.159
<v Speaker 1>It was my body like through so many joints. The

0:27:41.280 --> 0:27:44.520
<v Speaker 1>label was like, nah, trust me, this is it.

0:27:44.600 --> 0:27:46.879
<v Speaker 2>And then Motherfuckers was shout out to the an O

0:27:47.200 --> 0:27:49.520
<v Speaker 2>because I wish like, there's no an R. I don't

0:27:49.600 --> 0:27:52.040
<v Speaker 2>it's scary. A and R is a some there's a

0:27:52.080 --> 0:27:54.480
<v Speaker 2>few dopees, but like shout out to that an R.

0:27:54.840 --> 0:27:59.359
<v Speaker 1>Well, thing from those days, like your executive was the

0:27:59.359 --> 0:28:03.520
<v Speaker 1>fucking an ore those days. Nigga Barry Hankerson knew music

0:28:05.359 --> 0:28:09.040
<v Speaker 1>like he wasn't no, he wasn't no lawyer or no.

0:28:09.160 --> 0:28:12.639
<v Speaker 1>You know what I'm saying. He knew music, you know

0:28:12.680 --> 0:28:15.760
<v Speaker 1>what I'm saying. He was with the Whinings. He wished

0:28:15.880 --> 0:28:18.480
<v Speaker 1>Gladys Knight. You know what I'm saying. Him R Kelly

0:28:18.640 --> 0:28:22.640
<v Speaker 1>Oliah like this, nigga knew music when when we put

0:28:22.680 --> 0:28:25.400
<v Speaker 1>out Freaky as my first single, don't look that up

0:28:27.640 --> 0:28:31.399
<v Speaker 1>and ship went bad? He said. He he listened to

0:28:31.440 --> 0:28:35.280
<v Speaker 1>the project, listen to all the songs, and he called

0:28:35.320 --> 0:28:37.280
<v Speaker 1>me in the office. He said, don't worry about it.

0:28:37.800 --> 0:28:40.600
<v Speaker 1>I'm gonna take control from here. We're gonna change your life.

0:28:41.360 --> 0:28:42.560
<v Speaker 1>I was like, I don't know what that means, but

0:28:42.600 --> 0:28:44.160
<v Speaker 1>do what you do. He said, this is the.

0:28:44.160 --> 0:28:51.200
<v Speaker 7>Song I deserve and here that's his history.

0:28:53.480 --> 0:29:00.640
<v Speaker 1>So we we missed those executives who understand music because

0:29:00.680 --> 0:29:05.520
<v Speaker 1>now it's numbers. Now, it's analytics. Now, it's chasing after fact.

0:29:05.440 --> 0:29:08.959
<v Speaker 3>It's baseball all yeah, you know what I mean, it's

0:29:09.120 --> 0:29:14.440
<v Speaker 3>absolutely an analytic game. And that ain't no, there's no uh,

0:29:14.960 --> 0:29:17.480
<v Speaker 3>there's no heart in analytics.

0:29:17.880 --> 0:29:19.840
<v Speaker 5>It's just numbers, you know what I mean.

0:29:19.880 --> 0:29:23.400
<v Speaker 3>So if if you don't feel it, because that's all

0:29:23.440 --> 0:29:26.480
<v Speaker 3>this ship is. I'm not replaying a song I did

0:29:26.520 --> 0:29:30.400
<v Speaker 3>not feel. I'm the fuck what nobody else tell me?

0:29:30.920 --> 0:29:33.479
<v Speaker 3>I didn't feel it personally, it's just me my feeling.

0:29:33.800 --> 0:29:35.400
<v Speaker 1>Oh it's gonna be the biggest that's cool.

0:29:36.200 --> 0:29:38.239
<v Speaker 3>It's cool, and y'all push whatever button you think you're

0:29:38.240 --> 0:29:41.920
<v Speaker 3>gonna push it, and it may work. I'm willing to

0:29:42.120 --> 0:29:46.440
<v Speaker 3>stand behind and stand in front of what feels good

0:29:46.480 --> 0:29:46.680
<v Speaker 3>to me.

0:29:47.600 --> 0:29:51.160
<v Speaker 2>That was, and that was one thing talking about Missy.

0:29:51.680 --> 0:29:54.760
<v Speaker 2>I didn't have structure in my songs. My songs, I

0:29:54.880 --> 0:29:57.160
<v Speaker 2>really didn't know. You know, that's one thing I love

0:29:57.200 --> 0:29:59.520
<v Speaker 2>about Max Martin. It's some Max Martin structure. You know,

0:29:59.520 --> 0:30:01.440
<v Speaker 2>you're going to get the AA, You're gonna get the A,

0:30:01.560 --> 0:30:03.360
<v Speaker 2>B A, you know what I'm saying. You're gonna get

0:30:03.440 --> 0:30:06.240
<v Speaker 2>a pop structure. You're gonna get the hook, big hook

0:30:06.360 --> 0:30:09.240
<v Speaker 2>off on the bot on the down beat. I ain't

0:30:09.320 --> 0:30:12.960
<v Speaker 2>none of that, So I was. It was just melodies

0:30:13.160 --> 0:30:15.719
<v Speaker 2>and feeling and she was just like loving it and

0:30:15.760 --> 0:30:19.160
<v Speaker 2>I was, and she she never really told me how

0:30:19.200 --> 0:30:19.840
<v Speaker 2>to structure a.

0:30:19.920 --> 0:30:23.080
<v Speaker 1>Song because she didn't want to put those those barriers

0:30:23.160 --> 0:30:23.600
<v Speaker 1>she did.

0:30:24.280 --> 0:30:27.640
<v Speaker 2>She didn't, Bro, she didn't, And like that's one thing

0:30:27.680 --> 0:30:30.280
<v Speaker 2>I learned, I know, like about like what helped me.

0:30:30.720 --> 0:30:32.400
<v Speaker 2>She she was like, yo, she wanted me to keep

0:30:32.440 --> 0:30:35.280
<v Speaker 2>that feeling. She wanted me to keep that substance and

0:30:35.600 --> 0:30:38.160
<v Speaker 2>just And I'm really a student, bro, I love to learn,

0:30:38.280 --> 0:30:39.880
<v Speaker 2>Like I still love to learn. If you can't teach

0:30:39.920 --> 0:30:42.040
<v Speaker 2>me nothing in the room, I be like, I'm I'm

0:30:42.240 --> 0:30:44.400
<v Speaker 2>all right to go to the club. And she if

0:30:44.400 --> 0:30:46.840
<v Speaker 2>I don't learn nothing, like I want to learn everything

0:30:46.920 --> 0:30:49.680
<v Speaker 2>and soak up. So just being around Missy she taught

0:30:49.720 --> 0:30:52.239
<v Speaker 2>me that. She she she taught me without telling me,

0:30:52.720 --> 0:30:54.640
<v Speaker 2>like nah, this is where the hooks supposed to go.

0:30:54.960 --> 0:30:58.720
<v Speaker 2>This that I learned that just really just just being

0:30:58.760 --> 0:31:01.280
<v Speaker 2>around just great, just being in the rooms and being

0:31:01.280 --> 0:31:03.920
<v Speaker 2>in flying the wall. Like nobody really just taught me

0:31:03.920 --> 0:31:08.200
<v Speaker 2>how to write a song. I had to just learn from. Oh,

0:31:08.240 --> 0:31:10.760
<v Speaker 2>ship Shun Garrett is in with timbling. Let me see

0:31:10.760 --> 0:31:13.400
<v Speaker 2>what he's doing. Oh he's very pop like with his ship.

0:31:13.520 --> 0:31:18.040
<v Speaker 2>So I'm okay, Oh that's where he goes. Oh so

0:31:18.040 --> 0:31:20.000
<v Speaker 2>the hook is higher than the pre hook. So I

0:31:20.000 --> 0:31:21.920
<v Speaker 2>got to go higher on the pre hug on the

0:31:21.920 --> 0:31:25.000
<v Speaker 2>hook than the pre you know what I'm saying. I was, Yeah,

0:31:25.240 --> 0:31:28.120
<v Speaker 2>I didn't know the build up, like I didn't know,

0:31:28.560 --> 0:31:31.800
<v Speaker 2>you know, It's just everything felt good. So like my

0:31:31.880 --> 0:31:35.880
<v Speaker 2>whole life was just literally learning. I was like just

0:31:36.040 --> 0:31:40.480
<v Speaker 2>in school of like learning this ship. I didn't get

0:31:40.520 --> 0:31:46.440
<v Speaker 2>paid until well I got Yeah, I got paid.

0:31:47.080 --> 0:31:49.240
<v Speaker 5>That's not forget that money.

0:31:49.080 --> 0:31:52.880
<v Speaker 2>Was gone when I got to Miami. That ship was done.

0:31:53.240 --> 0:31:54.440
<v Speaker 2>Because I thought I was gonna get.

0:31:54.280 --> 0:31:59.320
<v Speaker 1>Some say that because it's more on the I thought

0:31:59.320 --> 0:32:00.000
<v Speaker 1>I was gonna be more.

0:32:00.560 --> 0:32:03.320
<v Speaker 2>I was on the way to the studio. Who need

0:32:03.320 --> 0:32:05.600
<v Speaker 2>a right now?

0:32:05.680 --> 0:32:07.840
<v Speaker 1>Okay, I know from him that's the that's the thousand

0:32:09.600 --> 0:32:12.360
<v Speaker 1>ju ju. I know he promised me four thousand of

0:32:12.360 --> 0:32:15.400
<v Speaker 1>other night because he means what it was, Bro, you

0:32:15.480 --> 0:32:19.760
<v Speaker 1>can spend this, but you had a you had a

0:32:19.760 --> 0:32:23.960
<v Speaker 1>different kind of hunger for this ship in order to

0:32:25.000 --> 0:32:31.600
<v Speaker 1>in order to in order to digest that information, like

0:32:31.680 --> 0:32:33.040
<v Speaker 1>you have to have a hunger for that.

0:32:33.080 --> 0:32:34.000
<v Speaker 5>Everybody's not willing.

0:32:34.400 --> 0:32:38.320
<v Speaker 1>Everybody's not and everybody can't sit in those sessions or

0:32:38.360 --> 0:32:42.120
<v Speaker 1>sit in those places and figure out what they're doing

0:32:42.160 --> 0:32:45.760
<v Speaker 1>there if they're not working they'll be sitting at anybody.

0:32:46.520 --> 0:32:50.960
<v Speaker 1>This ain't correct. No, hung, I'm out. But to be

0:32:50.960 --> 0:32:53.880
<v Speaker 1>able to sit there and say you might have said

0:32:53.880 --> 0:32:56.960
<v Speaker 1>to the whole session like this. It wasn't until the

0:32:57.040 --> 0:33:00.840
<v Speaker 1>transition out of the second verse into the second hook

0:33:01.000 --> 0:33:04.240
<v Speaker 1>you said what the fuck was that? Yeah, and that's

0:33:04.280 --> 0:33:07.320
<v Speaker 1>what you needed to go to that next place that

0:33:07.360 --> 0:33:09.240
<v Speaker 1>you're gonna go to. Yes because creative.

0:33:09.360 --> 0:33:11.560
<v Speaker 2>No agree, bro, because I'm telling you. At the time

0:33:11.560 --> 0:33:15.200
<v Speaker 2>when I was around Timbling, he was doing real pop songs.

0:33:15.280 --> 0:33:19.360
<v Speaker 2>And I remember the day like it was yesterday. Uh,

0:33:19.400 --> 0:33:21.640
<v Speaker 2>they brought Bryson Tilla in the studio. This is before

0:33:21.720 --> 0:33:24.160
<v Speaker 2>Bryson dropped Chop Soul. They was like, Yo, you need

0:33:24.200 --> 0:33:25.000
<v Speaker 2>to sign this dude.

0:33:25.640 --> 0:33:26.200
<v Speaker 7>Tim was like.

0:33:26.280 --> 0:33:30.200
<v Speaker 2>Nah, And I looked at I was looking at Wiz

0:33:30.240 --> 0:33:34.960
<v Speaker 2>and I was like that nigga is cold like Bryce Tiller.

0:33:35.160 --> 0:33:36.960
<v Speaker 2>So he was playing all the shit that he was

0:33:36.960 --> 0:33:40.160
<v Speaker 2>about to drop, like the don't He was playing it

0:33:40.240 --> 0:33:43.120
<v Speaker 2>all and I was just like, oh, this shit is

0:33:43.200 --> 0:33:45.720
<v Speaker 2>so cold. So me and w said, Yo, we're FINSA

0:33:45.720 --> 0:33:47.960
<v Speaker 2>started ship called twenty nineties R and B. So the

0:33:48.000 --> 0:33:50.400
<v Speaker 2>twenty in the nineties, the two thousands, you know what

0:33:50.440 --> 0:33:52.240
<v Speaker 2>I'm saying. And then the nineties of the R and B,

0:33:52.360 --> 0:33:54.640
<v Speaker 2>so we was like, Yo, we're going to just do

0:33:54.920 --> 0:33:57.680
<v Speaker 2>R and B like the way we like it. And

0:33:57.800 --> 0:34:03.360
<v Speaker 2>literally we started making songs that sounded like classic Aliyah,

0:34:03.640 --> 0:34:09.319
<v Speaker 2>classic total all that shit. And then twenty fourteen that

0:34:09.440 --> 0:34:11.840
<v Speaker 2>Nigga Bites until the jop chopped so and we was

0:34:11.880 --> 0:34:16.919
<v Speaker 2>like it begins like we knew, like, oh man, this

0:34:16.960 --> 0:34:19.759
<v Speaker 2>is the sound, like this is what we here. The

0:34:19.800 --> 0:34:21.839
<v Speaker 2>sound was a little darker because you know, but it

0:34:21.880 --> 0:34:24.200
<v Speaker 2>was the chop soul, but it was R and B

0:34:24.480 --> 0:34:27.239
<v Speaker 2>and we was just like, damn, I didn't have a

0:34:27.320 --> 0:34:29.120
<v Speaker 2>voice on tip to timbling to be like, yo, bro,

0:34:29.320 --> 0:34:30.080
<v Speaker 2>you're crazy.

0:34:30.120 --> 0:34:32.960
<v Speaker 5>This is crazy kicked the student.

0:34:34.480 --> 0:34:36.200
<v Speaker 2>And we didn't just talk like that, you know what

0:34:36.239 --> 0:34:39.080
<v Speaker 2>I'm saying. So so I didn't want to like say that,

0:34:39.160 --> 0:34:41.919
<v Speaker 2>but I was just like, this is yo, this song

0:34:42.000 --> 0:34:44.360
<v Speaker 2>is gonna go. Yeah. I heard it, and so I

0:34:44.360 --> 0:34:46.320
<v Speaker 2>remember when we went back to Missy house and we

0:34:46.360 --> 0:34:48.480
<v Speaker 2>went to Jersey, they were Missy and I was like, Missy,

0:34:48.719 --> 0:34:51.000
<v Speaker 2>I'm working on my album and she was just like

0:34:51.880 --> 0:34:53.480
<v Speaker 2>you need to let you need to let him hear

0:34:53.520 --> 0:34:57.200
<v Speaker 2>this because she was like, I think this will help

0:34:57.239 --> 0:35:00.400
<v Speaker 2>Timbling get his stride back with like with that's with

0:35:00.560 --> 0:35:02.920
<v Speaker 2>R and B. She she heard something in it. So

0:35:02.960 --> 0:35:05.440
<v Speaker 2>I played a few songs for Timberland and that was

0:35:05.480 --> 0:35:08.120
<v Speaker 2>when he started working on twenty twenty Vision with Justin Timberlake.

0:35:08.719 --> 0:35:11.759
<v Speaker 2>And like, I really do feel like I helped influence

0:35:11.840 --> 0:35:16.080
<v Speaker 2>We helped influence Timbling to do some R and B

0:35:16.360 --> 0:35:19.120
<v Speaker 2>on that twenty twenty Vision because like I remember, he

0:35:19.200 --> 0:35:21.759
<v Speaker 2>was just like, Yo, this is crazy. He flew up

0:35:21.800 --> 0:35:24.520
<v Speaker 2>to La to work and we just we had a room.

0:35:24.719 --> 0:35:28.600
<v Speaker 2>He gave us a room that was beautiful. I was like, yeah,

0:35:28.840 --> 0:35:29.759
<v Speaker 2>nobody came in there.

0:35:31.239 --> 0:35:31.920
<v Speaker 5>We had a room.

0:35:32.400 --> 0:35:34.439
<v Speaker 2>I remember I saw James punl Roy for the first

0:35:34.440 --> 0:35:36.640
<v Speaker 2>song was like since I always called him since, and

0:35:36.680 --> 0:35:38.719
<v Speaker 2>he came in and showed love. But like we had

0:35:38.719 --> 0:35:40.680
<v Speaker 2>a room in the back and we were just like, oh,

0:35:40.719 --> 0:35:43.360
<v Speaker 2>we're here, like we we got our room. Tiana Taylor

0:35:43.520 --> 0:35:46.040
<v Speaker 2>that was the first artist I worked with. That was

0:35:46.080 --> 0:35:48.560
<v Speaker 2>my first artist I actually worked with was Tiana and

0:35:48.960 --> 0:35:52.120
<v Speaker 2>we did a song man Monster Bro and I felt

0:35:52.120 --> 0:35:55.640
<v Speaker 2>like Tiana, she was underrated, you know what I'm saying.

0:35:56.440 --> 0:35:58.480
<v Speaker 2>So yeah, we got in with her and we did

0:35:58.480 --> 0:36:00.960
<v Speaker 2>a few songs and I was like, Yo, this is it,

0:36:01.120 --> 0:36:03.160
<v Speaker 2>and yeah, it was just one of those moments. Was

0:36:03.200 --> 0:36:05.560
<v Speaker 2>just like I was around all of these people, like

0:36:05.719 --> 0:36:07.640
<v Speaker 2>justin Timber, like in the studio when he's doing twenty

0:36:07.680 --> 0:36:09.920
<v Speaker 2>twenty vision, I'm just like in the room if I

0:36:09.960 --> 0:36:12.000
<v Speaker 2>felt like little Michael like what is that?

0:36:12.080 --> 0:36:12.520
<v Speaker 5>What do you do?

0:36:12.719 --> 0:36:12.799
<v Speaker 1>Like?

0:36:12.840 --> 0:36:15.280
<v Speaker 2>It was really it was really one of those moments

0:36:15.280 --> 0:36:17.440
<v Speaker 2>where I was just like, I'm ready put me in.

0:36:17.520 --> 0:36:19.240
<v Speaker 2>I wish one of these nigga would be like Jozzie,

0:36:19.239 --> 0:36:23.200
<v Speaker 2>what you got? Nobody? Nobody was like. I was just

0:36:23.200 --> 0:36:27.239
<v Speaker 2>like yo, y'all hello. It was the weirdest I remember

0:36:27.280 --> 0:36:31.239
<v Speaker 2>a few times. I probably like definitely like cry, you

0:36:31.239 --> 0:36:33.960
<v Speaker 2>know what I'm saying because I was just like, what

0:36:34.120 --> 0:36:39.440
<v Speaker 2>is like nobody's calling my name? And Polo to done.

0:36:39.840 --> 0:36:42.240
<v Speaker 2>He hit me up because I was kind of getting

0:36:42.239 --> 0:36:44.680
<v Speaker 2>fed up over the temper. But I was like, yeah,

0:36:44.760 --> 0:36:46.840
<v Speaker 2>niggas ain't y'all. Don't y'all ain't pouring into me like

0:36:46.880 --> 0:36:50.839
<v Speaker 2>I think y'all should. And Polo was like, yo, He's

0:36:50.880 --> 0:36:53.760
<v Speaker 2>like yo, con Orlando, he got a Johnny Right studio

0:36:54.120 --> 0:36:58.839
<v Speaker 2>that big comp him and Polo saw it. Polo was like, yo,

0:36:58.920 --> 0:37:04.360
<v Speaker 2>let me manage you. And I did Monica's whole first album,

0:37:05.120 --> 0:37:07.719
<v Speaker 2>I mean my first album, whole last album co read.

0:37:08.000 --> 0:37:10.879
<v Speaker 2>I wrote that entire album. Damn. I had like six

0:37:10.920 --> 0:37:14.160
<v Speaker 2>songs on the album and I did. I did her single.

0:37:14.760 --> 0:37:21.720
<v Speaker 1>I can hear Polo right now. She wrote like fifteen

0:37:21.719 --> 0:37:22.160
<v Speaker 1>songs an.

0:37:22.120 --> 0:37:31.879
<v Speaker 3>Hour could But Polo Polo, he identifies talent and has

0:37:32.000 --> 0:37:33.680
<v Speaker 3>been doing that for years.

0:37:33.800 --> 0:37:36.759
<v Speaker 1>Polo got Polo has that gift. They don't give him

0:37:36.800 --> 0:37:38.720
<v Speaker 1>credit for his his mind.

0:37:38.840 --> 0:37:42.719
<v Speaker 5>Absolutely not Jones. That niggas call and he's been.

0:37:43.120 --> 0:37:47.560
<v Speaker 1>He knows that ship. He knows ship, and he knows

0:37:47.600 --> 0:37:51.800
<v Speaker 1>he knows back country and everybody.

0:37:51.880 --> 0:37:54.279
<v Speaker 5>You know what I mean, niggas diving in over there.

0:37:55.120 --> 0:37:56.920
<v Speaker 1>I remember that they call me nigga.

0:37:56.960 --> 0:38:01.919
<v Speaker 2>Got one came around, Nigga came for sure around the world. Yeah,

0:38:02.000 --> 0:38:05.160
<v Speaker 2>that's a show, the show for show Like that was

0:38:05.200 --> 0:38:06.839
<v Speaker 2>the That was when I got my money, like I

0:38:06.840 --> 0:38:08.680
<v Speaker 2>got my like that was when I kind of, you

0:38:08.680 --> 0:38:09.360
<v Speaker 2>know what I'm saying.

0:38:09.239 --> 0:38:11.960
<v Speaker 1>Got your real opportunity, my opportunity.

0:38:12.239 --> 0:38:13.960
<v Speaker 2>You know what I'm saying. The horrible pub deal. We

0:38:14.000 --> 0:38:16.359
<v Speaker 2>didn't talk about that Marble pub.

0:38:16.400 --> 0:38:18.360
<v Speaker 5>I mean, why not why not talk about it?

0:38:18.360 --> 0:38:19.160
<v Speaker 1>We've all been there.

0:38:21.200 --> 0:38:22.560
<v Speaker 5>But you know what I'm saying, did you get more

0:38:22.600 --> 0:38:23.200
<v Speaker 5>than seventy five?

0:38:23.239 --> 0:38:24.920
<v Speaker 2>I got? You know I did? I did get more

0:38:24.960 --> 0:38:29.600
<v Speaker 2>than that, but like and I guess I'm no, you did?

0:38:29.760 --> 0:38:29.920
<v Speaker 1>Right?

0:38:30.200 --> 0:38:33.319
<v Speaker 2>I wish I would have the pub did what?

0:38:33.480 --> 0:38:34.360
<v Speaker 1>Did you have an nbr C?

0:38:34.680 --> 0:38:38.680
<v Speaker 2>Yes, what the pub deal was? Oh and it's still

0:38:38.840 --> 0:38:41.520
<v Speaker 2>Oh my god, so the ship is y'all you're ready

0:38:41.560 --> 0:38:41.960
<v Speaker 2>for this show?

0:38:42.120 --> 0:38:42.920
<v Speaker 1>Yeah? All right?

0:38:43.200 --> 0:38:47.320
<v Speaker 2>Got the PUB deal in twenty fifteen? When did Kanye

0:38:47.400 --> 0:38:47.799
<v Speaker 2>come out with?

0:38:47.920 --> 0:38:48.320
<v Speaker 7>Uh?

0:38:49.320 --> 0:38:52.920
<v Speaker 2>The album when the couple just didn't have no joints

0:38:52.960 --> 0:38:53.640
<v Speaker 2>on it?

0:38:53.640 --> 0:38:54.160
<v Speaker 1>It was blank?

0:38:54.239 --> 0:38:55.399
<v Speaker 2>What was that? What album?

0:38:55.520 --> 0:38:55.640
<v Speaker 1>Was this?

0:38:55.840 --> 0:38:56.600
<v Speaker 7>A couple of years ago?

0:38:56.800 --> 0:38:57.600
<v Speaker 2>That was like twenty what?

0:38:58.760 --> 0:38:58.960
<v Speaker 1>Yeah?

0:38:59.000 --> 0:38:59.279
<v Speaker 5>He's this?

0:38:59.480 --> 0:39:04.359
<v Speaker 2>When dropped bro? Twenty sixteen? All right, cool boom, all right?

0:39:05.120 --> 0:39:08.239
<v Speaker 2>I got the contract twenty fifteen twenty Like towards the

0:39:08.320 --> 0:39:10.360
<v Speaker 2>end of twenty sixteen, Kanye is and genius because he

0:39:10.440 --> 0:39:12.919
<v Speaker 2>already knew that album's albums were about to be done.

0:39:13.080 --> 0:39:15.760
<v Speaker 2>He knew that the streaming world was about to come crazy.

0:39:15.960 --> 0:39:19.480
<v Speaker 2>The MD the deal I was in said that no songs,

0:39:19.520 --> 0:39:22.520
<v Speaker 2>only one song counted, but they all had to be

0:39:23.040 --> 0:39:27.120
<v Speaker 2>on a CD. On album albums are extinct they're about

0:39:27.160 --> 0:39:30.320
<v Speaker 2>to be extinct in twenty sixteen, bro, So that means

0:39:30.800 --> 0:39:33.160
<v Speaker 2>anything that I did that was just going to go

0:39:33.239 --> 0:39:36.239
<v Speaker 2>on streaming platforms was not going to be counting. So

0:39:36.280 --> 0:39:38.600
<v Speaker 2>I was gonna be in this bitch forever my whole life.

0:39:38.920 --> 0:39:40.319
<v Speaker 1>How many songs though, bro?

0:39:40.440 --> 0:39:46.520
<v Speaker 2>It was like seven songs full song, yes, bro, like bro.

0:39:46.760 --> 0:39:50.960
<v Speaker 3>I fourteen off the top top if you write the whole,

0:39:51.000 --> 0:39:53.160
<v Speaker 3>if you co write the top line. Now, ever'y talking

0:39:53.160 --> 0:39:55.520
<v Speaker 3>about twenty one twenty eight.

0:39:55.600 --> 0:39:59.160
<v Speaker 1>Sounded cool because you only heard seven and then no.

0:39:59.239 --> 0:40:03.600
<v Speaker 2>And not only that, I didn't know if the album, but.

0:40:02.719 --> 0:40:04.120
<v Speaker 1>You figured you could get it all done and one.

0:40:04.320 --> 0:40:06.759
<v Speaker 2>Not only that though, yeah, but not only that. It

0:40:06.880 --> 0:40:09.600
<v Speaker 2>was a lot of ship going on with the lawyer.

0:40:09.719 --> 0:40:11.759
<v Speaker 2>It was bad. It was I got I got a

0:40:11.800 --> 0:40:15.040
<v Speaker 2>swindled bad. But that's when I learned. I learned a

0:40:15.040 --> 0:40:16.919
<v Speaker 2>lot of shit from that. So you know what I'm saying.

0:40:17.000 --> 0:40:20.000
<v Speaker 2>We ain't gonna go too crazy, but I learned a lot.

0:40:20.239 --> 0:40:23.360
<v Speaker 1>So you feel like you're a lawyer. Wasn't my lawyer?

0:40:23.480 --> 0:40:25.840
<v Speaker 2>Was wasn't my lawyer. My lawyer was given to me

0:40:25.880 --> 0:40:28.480
<v Speaker 2>by somebody else. That wasn't that. That wasn't my lawyer.

0:40:29.239 --> 0:40:31.479
<v Speaker 2>So let's just say that you know your best interest,

0:40:31.560 --> 0:40:33.040
<v Speaker 2>they have my best interest, you know what I'm saying.

0:40:33.080 --> 0:40:36.200
<v Speaker 2>But at the end of the day, like I worked

0:40:36.200 --> 0:40:38.640
<v Speaker 2>so hard, I was like, that's cool. But but that's

0:40:38.680 --> 0:40:40.000
<v Speaker 2>the thing I thought it was gonna be on. I

0:40:40.000 --> 0:40:42.440
<v Speaker 2>didn't know the album part, Like I didn't know that.

0:40:43.440 --> 0:40:46.440
<v Speaker 1>You couldn't have known that because that's in the future, right,

0:40:46.480 --> 0:40:48.560
<v Speaker 1>And nobody knew that the future was going to be

0:40:48.840 --> 0:40:53.600
<v Speaker 1>that crazy except for the people on the other side.

0:40:54.640 --> 0:40:58.200
<v Speaker 1>So we saw iTunes and we're like, okay, iTunes now

0:40:58.200 --> 0:41:02.400
<v Speaker 1>were separating songs. Now you can get a song without getting.

0:41:03.120 --> 0:41:07.120
<v Speaker 3>Honestly, none of this ship is a surprise accident design.

0:41:07.320 --> 0:41:11.640
<v Speaker 1>But the people writing the contracts you couldn't what I'm

0:41:11.640 --> 0:41:12.640
<v Speaker 1>saying that you couldn't have.

0:41:13.320 --> 0:41:17.200
<v Speaker 2>And nobody told me, she's this is a great contract

0:41:17.239 --> 0:41:20.960
<v Speaker 2>you should do, you know what I'm saying. So I'm like, okay, cool,

0:41:21.120 --> 0:41:24.200
<v Speaker 2>I need this and I needed some money. When you're desperate,

0:41:24.360 --> 0:41:26.799
<v Speaker 2>that's what happens when you're desperate. And just why you

0:41:26.840 --> 0:41:29.920
<v Speaker 2>never be desperate for money. Just sit down and just

0:41:29.920 --> 0:41:31.880
<v Speaker 2>just don't go out. Just sit you ass down and

0:41:31.920 --> 0:41:32.400
<v Speaker 2>eat some.

0:41:32.560 --> 0:41:34.520
<v Speaker 1>More, or you figure out your way to work for

0:41:34.640 --> 0:41:39.320
<v Speaker 1>the desperation, right exactly, because if you if you are desperate,

0:41:40.120 --> 0:41:46.480
<v Speaker 1>if you do need that money, then sometimes there's a

0:41:46.520 --> 0:41:48.520
<v Speaker 1>bullet that you just have to bite in the beginning

0:41:50.400 --> 0:41:54.080
<v Speaker 1>and you say, I'm going to be patient and work

0:41:54.160 --> 0:41:56.719
<v Speaker 1>through this and I'm just going to do bigger and

0:41:56.760 --> 0:41:57.759
<v Speaker 1>better on the other side.

0:41:57.840 --> 0:41:58.040
<v Speaker 6>True.

0:41:58.160 --> 0:41:59.160
<v Speaker 2>Yeah, that's true.

0:41:59.160 --> 0:42:02.839
<v Speaker 3>Because most people that complain about the bad deal never

0:42:02.880 --> 0:42:07.759
<v Speaker 3>did nothing beyond that deal, right Like, honestly, like you're

0:42:07.800 --> 0:42:09.520
<v Speaker 3>not complaining about that deal, You're just like it was

0:42:09.560 --> 0:42:10.120
<v Speaker 3>fucked up.

0:42:10.600 --> 0:42:11.480
<v Speaker 5>I made it through it.

0:42:11.800 --> 0:42:14.480
<v Speaker 3>Most of the people that be jumping and hollering about

0:42:14.520 --> 0:42:16.759
<v Speaker 3>these man they fucked me over. And I would never

0:42:17.040 --> 0:42:21.399
<v Speaker 3>because they never did anything else, honestly, because the more

0:42:21.440 --> 0:42:24.640
<v Speaker 3>you do, the unless you think about the sacrifices that

0:42:24.680 --> 0:42:26.200
<v Speaker 3>you had to make to get to the spot that

0:42:26.239 --> 0:42:27.000
<v Speaker 3>you're talking about it.

0:42:27.000 --> 0:42:31.759
<v Speaker 2>And some people really get Jaden really mentally. I know

0:42:31.760 --> 0:42:35.960
<v Speaker 2>people who really have lost their minds, like I've lost

0:42:35.960 --> 0:42:38.920
<v Speaker 2>their minds because because played with their money. You know

0:42:39.000 --> 0:42:42.160
<v Speaker 2>what I'm saying, Well, essence is playing with the which

0:42:42.200 --> 0:42:43.000
<v Speaker 2>is playing with their life.

0:42:43.000 --> 0:42:45.400
<v Speaker 3>On God, I tell people all the time though, whenever

0:42:45.440 --> 0:42:47.080
<v Speaker 3>you know because I've had those conversations with a lot

0:42:47.080 --> 0:42:49.359
<v Speaker 3>of those same type people, maybe the same people, where

0:42:49.560 --> 0:42:53.160
<v Speaker 3>I tell them, I said, don't ever get it confused.

0:42:53.640 --> 0:42:56.080
<v Speaker 3>That contract will not outlast your talent.

0:42:58.200 --> 0:43:03.360
<v Speaker 5>That sound good, but it's true, it's really the truth.

0:43:03.920 --> 0:43:06.200
<v Speaker 3>Honestly, You're gonna go through the ship, and yes it's

0:43:06.200 --> 0:43:09.560
<v Speaker 3>gonna it's gonna get tough. But if you really got it,

0:43:09.800 --> 0:43:14.120
<v Speaker 3>if you really got it that ship, and especially as

0:43:14.160 --> 0:43:17.719
<v Speaker 3>you start putting up numbers, then there's this thing called

0:43:17.760 --> 0:43:20.040
<v Speaker 3>renegotiation and.

0:43:20.040 --> 0:43:23.279
<v Speaker 1>Reversion, you know what I mean. All the reds, all

0:43:23.320 --> 0:43:24.120
<v Speaker 1>the reds.

0:43:25.480 --> 0:43:29.760
<v Speaker 3>Like that is really what this business is about. Because

0:43:30.080 --> 0:43:35.240
<v Speaker 3>think about all the deals that people have done with artists,

0:43:35.239 --> 0:43:39.200
<v Speaker 3>with writers, with producers that never materialize and they never

0:43:39.239 --> 0:43:40.120
<v Speaker 3>got that money back.

0:43:40.520 --> 0:43:42.839
<v Speaker 5>Imagine being on that side of the business. Because I've

0:43:42.840 --> 0:43:44.040
<v Speaker 5>been on that side of the business.

0:43:44.320 --> 0:43:52.120
<v Speaker 1>Spend I just believed then nothing, nothing ever came back

0:43:52.280 --> 0:43:55.960
<v Speaker 1>and been accused of not being.

0:43:55.760 --> 0:43:59.080
<v Speaker 5>Supportive when the bag was spent, you know what I mean.

0:43:59.120 --> 0:44:00.760
<v Speaker 2>So there's two ways.

0:44:00.880 --> 0:44:03.520
<v Speaker 5>Yeah, this R and B money thing, we give you

0:44:03.560 --> 0:44:04.200
<v Speaker 5>both sides.

0:44:04.040 --> 0:44:08.840
<v Speaker 2>Of publishing, and I understand, like there's two s.

0:44:09.920 --> 0:44:10.200
<v Speaker 5>I have.

0:44:10.320 --> 0:44:15.319
<v Speaker 1>I have three albums, one two, three six uh fors

0:44:15.400 --> 0:44:19.160
<v Speaker 1>of nature one man pain. Ask me how many statements

0:44:19.239 --> 0:44:21.160
<v Speaker 1>I've seen already?

0:44:21.200 --> 0:44:27.080
<v Speaker 2>Know how many STI I bet you like one? Two, none, one.

0:44:28.680 --> 0:44:31.280
<v Speaker 1>I can believe that though one to how many artists

0:44:31.320 --> 0:44:35.200
<v Speaker 1>royalties I've ever received from those three albums.

0:44:35.239 --> 0:44:40.000
<v Speaker 2>Not that that's crazy, that's crazy for.

0:44:40.000 --> 0:44:45.200
<v Speaker 1>The course, when if I if I wallow in that,

0:44:45.719 --> 0:44:47.719
<v Speaker 1>if I lay in that and let that be the

0:44:47.800 --> 0:44:49.640
<v Speaker 1>end of me, we never get to know but one

0:44:49.680 --> 0:44:50.200
<v Speaker 1>hundred percent.

0:44:50.239 --> 0:44:54.880
<v Speaker 2>But I'm sorry, bro, the industry is that's sick. I

0:44:54.960 --> 0:44:58.440
<v Speaker 2>just think people deserve like things should be fair. I

0:44:58.440 --> 0:45:00.680
<v Speaker 2>think it should be some type of la Let me.

0:45:00.560 --> 0:45:01.840
<v Speaker 1>Tell you what the problem is, and we don't have

0:45:01.840 --> 0:45:05.200
<v Speaker 1>to go too far into it. But artists don't have unions.

0:45:05.840 --> 0:45:08.920
<v Speaker 1>I know, we don't have a governing or protective body

0:45:09.239 --> 0:45:15.279
<v Speaker 1>over us. It's designed to take advantage of us. The

0:45:15.400 --> 0:45:18.440
<v Speaker 1>entire business. I don't care if you're black, white, whatever

0:45:18.480 --> 0:45:22.880
<v Speaker 1>you are. This entire business is designed to to to

0:45:22.880 --> 0:45:25.480
<v Speaker 1>to take advantage of you until you know better to

0:45:25.560 --> 0:45:28.399
<v Speaker 1>do better. Now, what is great about it is that

0:45:29.040 --> 0:45:33.480
<v Speaker 1>one moment can change every motherfucking thing, right one.

0:45:33.280 --> 0:45:39.279
<v Speaker 3>Record record, imagine being able to imagine, able to be

0:45:39.320 --> 0:45:41.360
<v Speaker 3>able to live your life and make money off of

0:45:41.440 --> 0:45:47.040
<v Speaker 3>one game winner. That one game win, nigga got lucky

0:45:47.120 --> 0:45:51.560
<v Speaker 3>here one Now you dancing and saying this motherfucker all

0:45:51.560 --> 0:45:53.040
<v Speaker 3>over the world for the rest of your life, for.

0:45:53.080 --> 0:45:54.319
<v Speaker 7>The rest of your life.

0:45:55.320 --> 0:45:58.000
<v Speaker 2>That's that's the thing about this music.

0:45:58.120 --> 0:46:01.480
<v Speaker 3>Maybe you can hit the lottery any day you wake

0:46:01.600 --> 0:46:02.120
<v Speaker 3>up and this ship.

0:46:02.280 --> 0:46:06.040
<v Speaker 5>Yeah, it's just what it is. You get the lottery.

0:46:07.120 --> 0:46:12.840
<v Speaker 2>Not that true. I've definitely hit the lottery because because

0:46:12.880 --> 0:46:15.799
<v Speaker 2>first let's let's go to get to what's your first

0:46:15.840 --> 0:46:18.680
<v Speaker 2>placement and what's your first was it Demonica' stuff? My

0:46:18.719 --> 0:46:22.719
<v Speaker 2>first placement was Monica Baby, Baby Baby just right for

0:46:22.840 --> 0:46:26.680
<v Speaker 2>me with Little Wayne. I wrote that, and uh, I

0:46:26.719 --> 0:46:32.040
<v Speaker 2>did Fergie Milk Money Ship, I wrote, I wrote that

0:46:32.040 --> 0:46:34.000
<v Speaker 2>that was like, uh, that was like one of my

0:46:34.040 --> 0:46:37.640
<v Speaker 2>first big placements I did with Polo, So yeah, that

0:46:37.800 --> 0:46:41.799
<v Speaker 2>was that was it. And then literally I get a

0:46:41.840 --> 0:46:45.080
<v Speaker 2>call for my boy, business Boy. It was one of

0:46:45.120 --> 0:46:45.920
<v Speaker 2>my favorite producers.

0:46:46.040 --> 0:46:49.279
<v Speaker 7>Yeah, he linked me with business Boys from the mill.

0:46:49.640 --> 0:46:53.439
<v Speaker 2>Yeah, shout out to my next single. He's incredible. Shout

0:46:53.480 --> 0:46:55.640
<v Speaker 2>out to biz But literally that's my brother and like

0:46:56.239 --> 0:46:59.400
<v Speaker 2>he hit me. He gave this guy my number. Andy

0:46:59.400 --> 0:47:04.520
<v Speaker 2>Steinway who became my manager. He came for the publishing

0:47:04.520 --> 0:47:06.719
<v Speaker 2>world and he was He called me. He was like, yo,

0:47:07.320 --> 0:47:09.400
<v Speaker 2>I know you're in Miami. I can't do nothing with

0:47:09.480 --> 0:47:11.920
<v Speaker 2>I can't really help do nothing for you in Miami.

0:47:11.960 --> 0:47:13.319
<v Speaker 5>But you in Miami.

0:47:13.880 --> 0:47:16.200
<v Speaker 2>He was like, if you come to l A like

0:47:16.239 --> 0:47:21.320
<v Speaker 2>we can work. I was like, I got so many sessions.

0:47:21.320 --> 0:47:23.439
<v Speaker 2>I started working with a whole bunch of like rap

0:47:23.640 --> 0:47:27.040
<v Speaker 2>Like this was around the time extentation was popping, Like

0:47:27.280 --> 0:47:31.600
<v Speaker 2>the whole Miami was lit. Like I'm talking about all

0:47:31.640 --> 0:47:34.279
<v Speaker 2>the all those artists was at my Boys studio. We

0:47:34.320 --> 0:47:37.080
<v Speaker 2>was in Brickle at the top. It was like twenty

0:47:37.120 --> 0:47:41.440
<v Speaker 2>guns on the table. Yeah, but in Miami, you know

0:47:41.440 --> 0:47:44.560
<v Speaker 2>what I'm saying. But yeah, so like I'm talking about

0:47:44.920 --> 0:47:48.000
<v Speaker 2>Jimmy Duvall, who was amazing, but he didn't look at

0:47:48.040 --> 0:47:51.360
<v Speaker 2>me for triple for excentation. So like we all like

0:47:51.480 --> 0:47:54.120
<v Speaker 2>this was our whole crew. Like we was there and

0:47:54.400 --> 0:48:06.200
<v Speaker 2>I was just getting money. I get a call. This

0:48:06.360 --> 0:48:09.480
<v Speaker 2>was actually I'm a little sick, and I think there

0:48:09.480 --> 0:48:11.560
<v Speaker 2>was COVID before we knew what COVID was. Bro I

0:48:11.600 --> 0:48:14.920
<v Speaker 2>was sick as a dog. I'm laying in bed. My

0:48:15.000 --> 0:48:16.680
<v Speaker 2>manager hit me up, was like, Yo, you want to

0:48:16.719 --> 0:48:19.920
<v Speaker 2>work with this new artist Lelana's X. And I'm like

0:48:23.120 --> 0:48:24.680
<v Speaker 2>and he was like, Billy Ray Sorrus, I was like,

0:48:24.800 --> 0:48:28.480
<v Speaker 2>hell yeah, let's go. And I was like he was like,

0:48:29.239 --> 0:48:30.960
<v Speaker 2>they want you to work on this song. And I

0:48:31.000 --> 0:48:34.400
<v Speaker 2>was like, fuck yeah, I'm sick. But when tomorrow, I'm like,

0:48:34.640 --> 0:48:37.400
<v Speaker 2>fuck I'm sick. But I was like, fuck it, I'm

0:48:37.400 --> 0:48:39.400
<v Speaker 2>gonna going to this session. Like some just was like,

0:48:40.160 --> 0:48:43.160
<v Speaker 2>you gotta do this session. And so literally I go

0:48:43.200 --> 0:48:47.000
<v Speaker 2>to the session and they tell me the story about

0:48:47.000 --> 0:48:50.000
<v Speaker 2>this song, how this is how they do Black people

0:48:50.040 --> 0:48:53.839
<v Speaker 2>were so so fucked up. They took Lana's song X song,

0:48:53.840 --> 0:48:56.359
<v Speaker 2>which is old Time Road off the country charts because

0:48:56.360 --> 0:48:59.120
<v Speaker 2>they said it wasn't country, but it's because he was black.

0:48:59.360 --> 0:49:01.880
<v Speaker 2>You are we all know, well it really really what

0:49:01.920 --> 0:49:05.799
<v Speaker 2>it really was, right, So they did this. So now

0:49:05.920 --> 0:49:08.200
<v Speaker 2>Billy Ray's telling me the whole story about what happened

0:49:08.200 --> 0:49:11.040
<v Speaker 2>with Aki Breaky Heart. I didn't know about Achy breaking Heart.

0:49:11.160 --> 0:49:15.280
<v Speaker 2>I just know Billy Ray, Syris from and Molly Cyrus.

0:49:15.320 --> 0:49:17.880
<v Speaker 2>I used to love Hannah Montena and my mama, you know,

0:49:17.960 --> 0:49:19.480
<v Speaker 2>she thinks he a good looking white guy. Used to

0:49:19.480 --> 0:49:21.040
<v Speaker 2>always hear that he's good looking. You know what I'm saying,

0:49:21.080 --> 0:49:24.240
<v Speaker 2>that's just one of the things in the house. So boom.

0:49:24.320 --> 0:49:28.080
<v Speaker 2>So he's telling me, you know that the song actually

0:49:28.320 --> 0:49:32.000
<v Speaker 2>was number two. They would not let Achy Breaky Heart

0:49:32.160 --> 0:49:33.880
<v Speaker 2>go to number one, and they took it out the

0:49:33.880 --> 0:49:36.359
<v Speaker 2>country shots too. They did the boy dirty. They did

0:49:36.440 --> 0:49:40.480
<v Speaker 2>them dirty too. So he was like, I felt so bad.

0:49:40.560 --> 0:49:42.840
<v Speaker 2>I was like, damn, bro, the game is so crazy.

0:49:42.840 --> 0:49:45.359
<v Speaker 2>So I was just like, it's just like we're like underdogs.

0:49:45.800 --> 0:49:48.560
<v Speaker 2>It was like the underdogs of this shit. And so

0:49:48.680 --> 0:49:51.200
<v Speaker 2>literally I got an opportunity to be a part of

0:49:51.239 --> 0:49:53.399
<v Speaker 2>one of the biggest songs in the world and ever

0:49:54.400 --> 0:49:59.880
<v Speaker 2>bro ever, and then after that, shit just started going

0:50:00.120 --> 0:50:02.920
<v Speaker 2>like it was just I was on them. I was

0:50:02.920 --> 0:50:03.279
<v Speaker 2>on them.

0:50:03.200 --> 0:50:06.600
<v Speaker 5>Before you go to that. What are the numbers on

0:50:06.600 --> 0:50:08.120
<v Speaker 5>that record at this point? Do you even know?

0:50:08.280 --> 0:50:12.800
<v Speaker 2>God, I don't even know. You see what be the numbers?

0:50:15.120 --> 0:50:16.800
<v Speaker 2>Look at the numbers.

0:50:16.920 --> 0:50:21.960
<v Speaker 5>Numbers absolutely passed. Look at the numbers for me, absolutely pastmad.

0:50:22.120 --> 0:50:26.359
<v Speaker 2>Oh no, it's like fifteen times, sixteen times, it's fifteen times.

0:50:26.480 --> 0:50:32.279
<v Speaker 2>It's like fifteen, eighteen or eighteen million. It's crazy. It's

0:50:32.360 --> 0:50:32.840
<v Speaker 2>just crazy.

0:50:32.880 --> 0:50:32.960
<v Speaker 4>Bro.

0:50:34.160 --> 0:50:38.680
<v Speaker 2>That's it's crazy, bro, and like uh Airbnb, just like

0:50:38.719 --> 0:50:42.080
<v Speaker 2>we're constantly getting sinks on it. It's that that that

0:50:42.080 --> 0:50:44.799
<v Speaker 2>that just and I remember I was at Coachella when

0:50:44.800 --> 0:50:47.040
<v Speaker 2>it hit number one, and that ship was when I

0:50:47.040 --> 0:50:48.759
<v Speaker 2>felt like that, when I felt like that nigga, I

0:50:48.760 --> 0:50:54.000
<v Speaker 2>feel like that nigga that I was. It was crazy.

0:50:54.960 --> 0:50:57.520
<v Speaker 2>It was so crazy coach Schello with a number one,

0:50:58.280 --> 0:51:03.520
<v Speaker 2>like everybody niggas is on your ass. I never felt

0:51:03.520 --> 0:51:05.120
<v Speaker 2>that shit, and I didn't like it. After a minute,

0:51:05.120 --> 0:51:07.560
<v Speaker 2>I was like, all right, not these niggas. It was crazy.

0:51:07.719 --> 0:51:10.720
<v Speaker 1>It's just what it is, just what I tell people

0:51:11.000 --> 0:51:14.600
<v Speaker 1>when you hot, bro, enjoy being hot.

0:51:14.719 --> 0:51:18.600
<v Speaker 2>Bro. I realized, see, Bro, I don't really check. I'm

0:51:18.600 --> 0:51:20.960
<v Speaker 2>not a chart checker. I don't care about the charts.

0:51:21.680 --> 0:51:24.280
<v Speaker 2>But now that when I had all time I wrote,

0:51:25.120 --> 0:51:28.439
<v Speaker 2>I realized, like songs really only last like one week

0:51:28.480 --> 0:51:31.600
<v Speaker 2>on number one, and you don't bro, that shit was

0:51:31.680 --> 0:51:35.160
<v Speaker 2>nineteen weeks number one, So like after the third week,

0:51:35.440 --> 0:51:38.160
<v Speaker 2>you're just you're not taking it in. I wasn't processing

0:51:38.200 --> 0:51:40.879
<v Speaker 2>it like it just I like, I wish I could

0:51:40.880 --> 0:51:43.120
<v Speaker 2>have bottled that feeling in because like after the sixteenth

0:51:43.440 --> 0:51:45.799
<v Speaker 2>was like what the fuck is going Like we was

0:51:45.920 --> 0:51:50.120
<v Speaker 2>number one for nineteen weeks. That was the craziest shit

0:51:50.239 --> 0:51:55.280
<v Speaker 2>in the world, and like it made me realize, like, damn,

0:51:55.360 --> 0:51:59.520
<v Speaker 2>pop world is different. The pop world is just a

0:51:59.600 --> 0:52:02.160
<v Speaker 2>different beast. But I was also scared of the pop

0:52:02.239 --> 0:52:05.479
<v Speaker 2>world because I didn't want to be that. I knew

0:52:05.480 --> 0:52:07.839
<v Speaker 2>that I was so much more than that. I didn't

0:52:07.840 --> 0:52:11.560
<v Speaker 2>want to be caught up into Yeah, I didn't want

0:52:11.560 --> 0:52:13.840
<v Speaker 2>that what you said, the one hit Wonder. I was

0:52:13.880 --> 0:52:15.680
<v Speaker 2>scared of being the one wonder. That song was too

0:52:15.680 --> 0:52:20.440
<v Speaker 2>big and for some people, a song can be bigger

0:52:20.480 --> 0:52:24.879
<v Speaker 2>than the person and the artist is like, can't come

0:52:24.920 --> 0:52:27.640
<v Speaker 2>back from it, you know what I'm saying. So and

0:52:27.680 --> 0:52:35.359
<v Speaker 2>then Lemonade came with Don Tollivan Nafy. Yeah, that song

0:52:35.440 --> 0:52:39.480
<v Speaker 2>came and it brought and yeah, yeah, yeah yeah I

0:52:39.480 --> 0:52:44.200
<v Speaker 2>wrote that and literally that hit top ten Billboard charts.

0:52:44.239 --> 0:52:46.799
<v Speaker 2>So it was like hit number two, number five, number five,

0:52:46.880 --> 0:52:47.560
<v Speaker 2>number two, I think.

0:52:47.600 --> 0:52:50.160
<v Speaker 3>And it's funny when you mentioned that song, I hear you,

0:52:52.040 --> 0:52:52.440
<v Speaker 3>I hear you.

0:52:52.920 --> 0:52:55.400
<v Speaker 5>I damn it feel like you freestyled that man. It

0:52:55.440 --> 0:52:56.320
<v Speaker 5>was it was life.

0:52:56.800 --> 0:52:59.000
<v Speaker 1>Because the way you sing, I just know the way

0:52:59.040 --> 0:53:03.080
<v Speaker 1>you sing, like you just like not having those barriers,

0:53:03.320 --> 0:53:07.319
<v Speaker 1>no barriers with how you right and how you flow melodically.

0:53:07.360 --> 0:53:10.560
<v Speaker 2>I just be like, yes, bro, no barriers, No what

0:53:10.640 --> 0:53:15.880
<v Speaker 2>you never had, can't bag my bitch, can't miss what

0:53:15.960 --> 0:53:21.239
<v Speaker 2>you never had? Like yeah, but literally that was that

0:53:21.320 --> 0:53:25.200
<v Speaker 2>and then Boom missed the Right Now COVID hit, and

0:53:25.800 --> 0:53:27.400
<v Speaker 2>I thought I was gonna have a hit with with

0:53:27.760 --> 0:53:30.319
<v Speaker 2>twenty one Savage and Drake and I missed the Right

0:53:30.320 --> 0:53:33.200
<v Speaker 2>Now with Metro booming Me and my boy tape Ko

0:53:33.280 --> 0:53:35.640
<v Speaker 2>Bang did that, and I was like, this is gonna

0:53:35.680 --> 0:53:38.520
<v Speaker 2>be the biggest song. And then COVID hit and it

0:53:38.560 --> 0:53:40.680
<v Speaker 2>didn't do what it was supposed to do, but culturally

0:53:40.680 --> 0:53:43.319
<v Speaker 2>it was a big song, like that should have been

0:53:43.320 --> 0:53:44.960
<v Speaker 2>on the charts, Like I know that, Like if it

0:53:45.040 --> 0:53:47.319
<v Speaker 2>was no COVID, if Niggas is outside, missed the Right

0:53:47.320 --> 0:53:50.480
<v Speaker 2>Now would have been that joint. And after that everything

0:53:50.560 --> 0:53:55.800
<v Speaker 2>just started going. Then Summer Walker Body, and then then

0:53:56.680 --> 0:53:57.800
<v Speaker 2>it just started going crazy.

0:53:58.120 --> 0:54:00.759
<v Speaker 5>That record, that record, Oh my.

0:54:00.680 --> 0:54:03.920
<v Speaker 2>Gosh, it's so good. Special that jack Quee you, that

0:54:04.040 --> 0:54:04.440
<v Speaker 2>was one of my.

0:54:04.440 --> 0:54:08.239
<v Speaker 5>Favorite Should we go into this story? Should we go

0:54:08.280 --> 0:54:08.920
<v Speaker 5>into this story?

0:54:09.000 --> 0:54:09.960
<v Speaker 2>What story? What talking?

0:54:10.000 --> 0:54:10.040
<v Speaker 1>No?

0:54:10.120 --> 0:54:13.560
<v Speaker 5>No, no, you don't even know this story. Oh so Jack

0:54:13.600 --> 0:54:14.400
<v Speaker 5>Quees pulls.

0:54:14.239 --> 0:54:15.080
<v Speaker 2>Up on us.

0:54:15.080 --> 0:54:19.200
<v Speaker 3>Word, oh, like just you know, just pull up, just

0:54:19.320 --> 0:54:22.680
<v Speaker 3>came kicked it one time, right, and you know niggas,

0:54:23.320 --> 0:54:25.160
<v Speaker 3>you know, studio ship and.

0:54:25.200 --> 0:54:27.160
<v Speaker 1>You're like, can I play this record for y'all?

0:54:28.400 --> 0:54:32.320
<v Speaker 3>He's like, nigga, yeah, Nick passing the ox. He plays

0:54:32.360 --> 0:54:34.520
<v Speaker 3>that record and the studio stops.

0:54:35.880 --> 0:54:40.200
<v Speaker 5>He plays you. The studio stops, and niggas was.

0:54:40.160 --> 0:54:41.719
<v Speaker 1>Like, what the fuck is this?

0:54:42.960 --> 0:54:45.040
<v Speaker 5>You're like, yeah, you know, you know, we've been thinking about.

0:54:45.000 --> 0:54:48.960
<v Speaker 1>I said, thinking, we let that nigga hap it. This

0:54:49.080 --> 0:54:53.360
<v Speaker 1>record smash for you smash. So you call bird Man

0:54:54.200 --> 0:54:58.799
<v Speaker 1>and you tell him this is the single, this is

0:54:58.840 --> 0:55:04.440
<v Speaker 1>the video, nigga. This is your foot in the door, right, nigga,

0:55:04.520 --> 0:55:10.440
<v Speaker 1>this is planet nigga. Nigga, you are here. That record crazy,

0:55:10.440 --> 0:55:15.920
<v Speaker 1>cold bloody incredible. I write records like I rate records,

0:55:15.920 --> 0:55:19.320
<v Speaker 1>like if I'm mad, if I'm mad that I don't

0:55:19.320 --> 0:55:22.719
<v Speaker 1>have the record, if I'm mad that I that I

0:55:22.760 --> 0:55:23.680
<v Speaker 1>didn't produce it.

0:55:23.840 --> 0:55:26.719
<v Speaker 2>I heard that record, I was like, I really went

0:55:26.760 --> 0:55:30.560
<v Speaker 2>through that. That happened to me. Like I wrote that

0:55:30.640 --> 0:55:33.640
<v Speaker 2>song in Miami with London on the ruck and shot.

0:55:33.760 --> 0:55:37.480
<v Speaker 2>I was talking to this girl and Shotty was hell bro,

0:55:37.800 --> 0:55:40.520
<v Speaker 2>and she hit my keys. She hit my keys. So

0:55:40.640 --> 0:55:42.200
<v Speaker 2>like when I say it was two thirty in the morning,

0:55:42.200 --> 0:55:43.680
<v Speaker 2>I got a car, it was literally two thirty in

0:55:43.719 --> 0:55:47.400
<v Speaker 2>the morning. Like London, we work late. In Miami, hit

0:55:47.600 --> 0:55:49.840
<v Speaker 2>hit factory. Niggas work late. He's like, Y'll pull up

0:55:49.880 --> 0:55:52.520
<v Speaker 2>to the studio and I can't find my keys. She

0:55:52.520 --> 0:55:54.480
<v Speaker 2>didn't want me to leave. I'm trying to get up

0:55:54.480 --> 0:55:57.239
<v Speaker 2>out of there, and like she just made it so

0:55:57.360 --> 0:55:59.320
<v Speaker 2>hard for me to go to that session. I was like,

0:55:59.360 --> 0:56:02.520
<v Speaker 2>show that you like fucking my whole vibe. Wrote that

0:56:02.640 --> 0:56:05.440
<v Speaker 2>song because I'd rather be with you and all your bullshit,

0:56:05.560 --> 0:56:08.560
<v Speaker 2>like I'm still with you, like I as soon as

0:56:08.600 --> 0:56:11.719
<v Speaker 2>I got back home col up. So it was just

0:56:11.760 --> 0:56:13.920
<v Speaker 2>like you know what I'm saying. So that song was

0:56:13.960 --> 0:56:15.839
<v Speaker 2>really about shot Is you know who it is? Every

0:56:15.840 --> 0:56:18.759
<v Speaker 2>time you hear she like this my song, like you crazy?

0:56:19.000 --> 0:56:22.040
<v Speaker 2>Are you happy? You happy that you brought me hell

0:56:22.040 --> 0:56:22.960
<v Speaker 2>all that day?

0:56:23.640 --> 0:56:26.960
<v Speaker 3>Everything about that song is right now to me, Like

0:56:27.880 --> 0:56:29.600
<v Speaker 3>and I've told you this every time I see you,

0:56:29.640 --> 0:56:31.040
<v Speaker 3>how much I love your work.

0:56:31.160 --> 0:56:31.520
<v Speaker 2>Thank you.

0:56:31.800 --> 0:56:33.879
<v Speaker 5>That's my favorite song you've written that I've heard.

0:56:33.920 --> 0:56:34.439
<v Speaker 2>Thank you.

0:56:34.640 --> 0:56:35.680
<v Speaker 1>That means to this day.

0:56:35.960 --> 0:56:39.080
<v Speaker 5>That means a lot of I love that today Alone

0:56:39.160 --> 0:56:41.200
<v Speaker 5>is close. Alone is close.

0:56:41.320 --> 0:56:41.920
<v Speaker 2>Thank you, bro.

0:56:42.520 --> 0:56:44.279
<v Speaker 3>So you know I looked at I looked at my

0:56:45.080 --> 0:56:47.680
<v Speaker 3>what the ship that they send you of, like.

0:56:47.680 --> 0:56:50.520
<v Speaker 2>Oh, the Spotify rapper, Yeah, yeah, your wrap ups.

0:56:50.760 --> 0:56:52.440
<v Speaker 3>You know everybody you know you have it for all

0:56:52.480 --> 0:56:55.880
<v Speaker 3>your Yeah, the platforms that you listen to. That record

0:56:56.040 --> 0:56:57.359
<v Speaker 3>was at the top.

0:56:58.440 --> 0:56:59.360
<v Speaker 1>I love alone.

0:56:59.719 --> 0:57:00.680
<v Speaker 2>I love to hear that.

0:57:00.680 --> 0:57:04.000
<v Speaker 5>I love that record for you. That's my ship you.

0:57:04.239 --> 0:57:07.600
<v Speaker 2>Yeah, I think everybody goes through that little moment and

0:57:07.680 --> 0:57:09.800
<v Speaker 2>that's what I love. I love writing songs that are personal,

0:57:09.880 --> 0:57:14.560
<v Speaker 2>like personal like you. I just feel like even when

0:57:14.560 --> 0:57:16.600
<v Speaker 2>I write songs for C B, like I love when

0:57:17.080 --> 0:57:19.520
<v Speaker 2>he sings when he's vulnerable.

0:57:20.520 --> 0:57:23.800
<v Speaker 1>I don't he's untouchable, but R and B I want

0:57:23.880 --> 0:57:25.920
<v Speaker 1>him to be. Yeah, I want you to when he singing,

0:57:26.000 --> 0:57:30.600
<v Speaker 1>when he's singing in a vulnerable Paris at the at

0:57:30.600 --> 0:57:33.240
<v Speaker 1>the at the at the show in Paris, and he's

0:57:33.320 --> 0:57:37.360
<v Speaker 1>saying when he sang please don't judge me, and I'm

0:57:37.400 --> 0:57:41.680
<v Speaker 1>sitting there like, am I about to cry? I gotta

0:57:41.760 --> 0:57:49.000
<v Speaker 1>relax because when he's in that space, it's over. And

0:57:49.040 --> 0:57:55.480
<v Speaker 1>I'm watching the entire crowd, like that's my son on stage.

0:57:55.520 --> 0:57:58.960
<v Speaker 7>He's just it's hard as good, as hard as good

0:57:58.960 --> 0:57:59.680
<v Speaker 7>as you know.

0:58:00.560 --> 0:58:02.760
<v Speaker 2>No really talk. And that's why, like John Cuez was

0:58:02.800 --> 0:58:04.400
<v Speaker 2>it was such a perfect song film because it's like

0:58:04.960 --> 0:58:07.440
<v Speaker 2>you're you're being vulnerable, bro, like you're not trying to

0:58:07.480 --> 0:58:09.120
<v Speaker 2>say fuck these holes, none of this.

0:58:09.160 --> 0:58:11.760
<v Speaker 1>It's just like literally to me, that song established him

0:58:11.800 --> 0:58:13.880
<v Speaker 1>as a true R and B artist. Thank you. That

0:58:13.920 --> 0:58:17.880
<v Speaker 1>means a lot, like and it's everything I think, you know,

0:58:17.960 --> 0:58:21.320
<v Speaker 1>it's those things where everything happens at the right time,

0:58:21.520 --> 0:58:23.800
<v Speaker 1>you writing the melody is all these things. But then

0:58:23.880 --> 0:58:28.800
<v Speaker 1>his delivery. He sounds impeccable on that record. He sounds

0:58:28.840 --> 0:58:32.480
<v Speaker 1>amazing on that record. I said, yeah, you're you're you're

0:58:32.480 --> 0:58:35.479
<v Speaker 1>exactly who you think you are. Damn Now he's torn

0:58:35.520 --> 0:58:37.440
<v Speaker 1>all over the place. And for me, I feel like

0:58:37.520 --> 0:58:42.439
<v Speaker 1>the foundation is that record. Foundation is that record because

0:58:42.480 --> 0:58:45.280
<v Speaker 1>because late at night, okay, where you are what you're

0:58:45.320 --> 0:58:47.080
<v Speaker 1>doing that one right there?

0:58:47.840 --> 0:58:51.240
<v Speaker 2>You know, it'd be so crazy to me. Like that's

0:58:51.240 --> 0:58:53.280
<v Speaker 2>why I feel like it's sometimes we need to have

0:58:53.360 --> 0:58:56.640
<v Speaker 2>like oh cheese or like people around us who talk

0:58:56.840 --> 0:58:58.200
<v Speaker 2>to be like, yo, you need to get back in

0:58:58.240 --> 0:59:00.520
<v Speaker 2>the studio. With John Zy you and we need to

0:59:00.520 --> 0:59:04.440
<v Speaker 2>get back you know, somebody who's in our ears to

0:59:04.600 --> 0:59:07.520
<v Speaker 2>make that situation happen, because there was no way that

0:59:07.920 --> 0:59:10.080
<v Speaker 2>we just did you just do one, We just do one.

0:59:10.200 --> 0:59:12.400
<v Speaker 2>And I always say that to him. I'm like, there's

0:59:12.440 --> 0:59:14.600
<v Speaker 2>no way you could have used me anytime you want.

0:59:14.640 --> 0:59:17.560
<v Speaker 2>I'm here. I've always extended myself to them, and like, yo,

0:59:18.680 --> 0:59:21.640
<v Speaker 2>use me, just don't misuse me. Use me though, I'm

0:59:21.640 --> 0:59:23.560
<v Speaker 2>here to be used, like you know what I'm saying,

0:59:23.720 --> 0:59:27.040
<v Speaker 2>And like it's just so crazy because like that's what

0:59:27.080 --> 0:59:30.280
<v Speaker 2>this industry is. It's a it's a service industry where

0:59:30.280 --> 0:59:33.040
<v Speaker 2>we work, you make the hits. And the fact that

0:59:33.080 --> 0:59:35.480
<v Speaker 2>we only caught lightning one time and that was the

0:59:35.520 --> 0:59:38.200
<v Speaker 2>only time you work, it is so crazy that we

0:59:38.200 --> 0:59:39.640
<v Speaker 2>should have definitely.

0:59:39.560 --> 0:59:45.760
<v Speaker 1>Definitely got to give definitely come on, two, three more,

0:59:46.080 --> 0:59:48.960
<v Speaker 1>come on, man, you gotta do it. He sent me

0:59:49.000 --> 0:59:50.760
<v Speaker 1>something to get on that I'm about to get on,

0:59:50.840 --> 0:59:53.720
<v Speaker 1>and when I send it back, I'm saying, also, JOSSI

0:59:53.840 --> 0:59:58.560
<v Speaker 1>said we gotta get back in, and we said catch

0:59:58.640 --> 0:59:59.200
<v Speaker 1>lightning again.

1:00:00.160 --> 1:00:00.800
<v Speaker 2>God.

1:00:01.000 --> 1:00:12.520
<v Speaker 1>Sure, that's when you're really really good when you just

1:00:12.600 --> 1:00:16.520
<v Speaker 1>make shoot they do a hook and sound good. Like,

1:00:16.640 --> 1:00:20.600
<v Speaker 1>now you just cheating. Now you now you're being disrespectful.

1:00:20.600 --> 1:00:23.320
<v Speaker 1>You trying to get sucked up because everybody can't do that.

1:00:24.640 --> 1:00:33.520
<v Speaker 2>Everybody can't do it, all right, what the people have

1:00:33.520 --> 1:00:34.120
<v Speaker 2>been waiting for?

1:00:34.280 --> 1:00:45.040
<v Speaker 1>People have been waiting for. In your journeys, you're studying

1:00:45.040 --> 1:00:57.000
<v Speaker 1>this music thing. I know you've come across to some

1:00:57.200 --> 1:01:05.400
<v Speaker 1>artists that have influenced you in a way. They become

1:01:05.440 --> 1:01:20.919
<v Speaker 1>your top five, your top five mm hm, top five? Hey,

1:01:21.840 --> 1:01:22.680
<v Speaker 1>your top five?

1:01:23.520 --> 1:01:32.840
<v Speaker 4>Ay he singer already be song I know you're young,

1:01:33.360 --> 1:01:36.880
<v Speaker 4>but I know you know because I know your show

1:01:37.400 --> 1:01:39.360
<v Speaker 4>and your god and tell us ya.

1:01:43.160 --> 1:01:51.480
<v Speaker 1>Yes, rapp.

1:01:52.480 --> 1:01:55.919
<v Speaker 2>Man, it's crazy.

1:01:56.200 --> 1:02:04.280
<v Speaker 7>Josey's tip. Fuck, I agree.

1:02:09.120 --> 1:02:11.960
<v Speaker 1>We got to get this nigga better, piano man ship,

1:02:12.040 --> 1:02:13.640
<v Speaker 1>don't change this, don't.

1:02:13.480 --> 1:02:16.080
<v Speaker 2>Change for nobody that nigga should have clapped in the back.

1:02:16.160 --> 1:02:29.360
<v Speaker 1>And my god, sexual chocolate, Josie. Your top five R

1:02:29.440 --> 1:02:32.120
<v Speaker 1>and B singers, That is tough.

1:02:32.960 --> 1:02:37.880
<v Speaker 2>That is tough. I thought you're gonna ask me the songwriters.

1:02:38.000 --> 1:02:39.400
<v Speaker 1>Yeah, no, I'm just no, we'll get that.

1:02:41.640 --> 1:02:48.920
<v Speaker 2>Alright. One twelve, I'm Carl Thomas. I'm sorry. Carl Thomas

1:02:49.000 --> 1:02:53.200
<v Speaker 2>is my that's know, Carl Thomas is I should get

1:02:53.240 --> 1:02:55.200
<v Speaker 2>himatted somewhere on me. I have like a thing of

1:02:55.320 --> 1:02:57.280
<v Speaker 2>like all of my favorite and I really would love

1:02:57.320 --> 1:02:59.919
<v Speaker 2>to get Carl Thomas tatted on me somewhere because he's

1:03:00.560 --> 1:03:01.720
<v Speaker 2>he's one of my favorite.

1:03:01.760 --> 1:03:04.840
<v Speaker 1>That's my god. I'm gonna go ah.

1:03:06.120 --> 1:03:08.280
<v Speaker 2>His voice just cuts through too good, and I just

1:03:08.400 --> 1:03:13.720
<v Speaker 2>love that her tonality. And I mean, what you was doing,

1:03:15.160 --> 1:03:15.959
<v Speaker 2>she's so bad.

1:03:17.480 --> 1:03:18.960
<v Speaker 5>I'm not gonna look at the nigga.

1:03:18.760 --> 1:03:22.120
<v Speaker 1>I was with Jamie Fox. I was with Jamie Fox

1:03:22.320 --> 1:03:24.680
<v Speaker 1>as a background singers.

1:03:24.720 --> 1:03:29.680
<v Speaker 3>Afterwards, the background and that list, I'm saying, if I'm

1:03:29.720 --> 1:03:33.320
<v Speaker 3>talking to shout a little bank, ain't no bank.

1:03:33.360 --> 1:03:37.000
<v Speaker 1>I was broke. He wasn't. I don't have the right words.

1:03:37.120 --> 1:03:43.920
<v Speaker 1>He wasn't money with Jamie Fox was in there the

1:03:44.000 --> 1:03:46.400
<v Speaker 1>Oscar Winner. He soaked up the room.

1:03:46.520 --> 1:03:47.080
<v Speaker 5>That's even more.

1:03:48.000 --> 1:03:51.200
<v Speaker 3>I knocked shot forgot that the conversation, right, yeah, you

1:03:51.320 --> 1:03:53.320
<v Speaker 3>know he was at this little thing, right, I knocked shot.

1:03:54.160 --> 1:03:57.120
<v Speaker 1>Jamie was there too. He tried and I knocked it,

1:03:57.200 --> 1:04:00.920
<v Speaker 1>and I was well, I was at know what to say,

1:04:01.200 --> 1:04:03.360
<v Speaker 1>but I said, Hi, he's supposed to be from the

1:04:03.400 --> 1:04:05.520
<v Speaker 1>mid West. Listen, man, how was.

1:04:05.520 --> 1:04:06.440
<v Speaker 2>The energy when you said that?

1:04:07.840 --> 1:04:11.360
<v Speaker 1>She floated in Marvin gay you Better do it and

1:04:11.640 --> 1:04:12.720
<v Speaker 1>only you better do it.

1:04:12.840 --> 1:04:15.280
<v Speaker 2>I hate to yeah, not Marvin gay Bro, like I

1:04:15.320 --> 1:04:18.120
<v Speaker 2>don't here. My Dear is my favorite album of Marvin

1:04:18.160 --> 1:04:21.640
<v Speaker 2>Gaye's and only because I loved like my pop used

1:04:21.680 --> 1:04:23.080
<v Speaker 2>to always tell me the story.

1:04:22.960 --> 1:04:23.840
<v Speaker 5>The story behind it.

1:04:24.080 --> 1:04:25.920
<v Speaker 2>Yes, I'm just gonna have to go with what I

1:04:26.040 --> 1:04:30.880
<v Speaker 2>listened to all the time, and it's Stevie Wonder. I'm sorry, Bro,

1:04:31.240 --> 1:04:35.000
<v Speaker 2>I'm sorry no, but only because because because like I know,

1:04:35.040 --> 1:04:37.720
<v Speaker 2>people probably expect me to say something else like, but.

1:04:38.680 --> 1:04:40.280
<v Speaker 1>Yeah, if they know you, they get it.

1:04:40.520 --> 1:04:41.200
<v Speaker 2>Stevie Bro.

1:04:41.720 --> 1:04:46.760
<v Speaker 1>Your Top five R and B songs, M.

1:04:48.400 --> 1:04:53.040
<v Speaker 2>God, damn oh ain't supposed to be easy. Top five

1:04:53.200 --> 1:04:56.480
<v Speaker 2>R and B song Number five Curtis may Feel Sweet Exorcists,

1:04:59.560 --> 1:05:02.600
<v Speaker 2>I think has to be what I'm the only one

1:05:02.760 --> 1:05:06.200
<v Speaker 2>you need. Oh you have to mean you had me?

1:05:07.160 --> 1:05:07.760
<v Speaker 7>Uh uh?

1:05:08.200 --> 1:05:08.520
<v Speaker 1>Mary J.

1:05:08.640 --> 1:05:12.240
<v Speaker 2>Blige, I gave you my hunt to you. I love

1:05:12.320 --> 1:05:19.240
<v Speaker 2>that song. Number five, Number three Carl Thomas, I wish Sorry,

1:05:19.280 --> 1:05:23.360
<v Speaker 2>I gotta go there. Number two Stevie Wonder. Rocket Love

1:05:24.080 --> 1:05:30.000
<v Speaker 2>mm hmm, sorry that rocket love is crazy. It's between

1:05:30.120 --> 1:05:35.600
<v Speaker 2>rocket love or visions. Visions is cold. I love Visions

1:05:35.640 --> 1:05:40.480
<v Speaker 2>two though, but and my number one song, Damn don'g

1:05:42.400 --> 1:05:48.240
<v Speaker 2>I yo, my number one song. This is tough because

1:05:48.280 --> 1:05:51.120
<v Speaker 2>you can't. I feel like I'm disrespecting my people that

1:05:51.240 --> 1:05:53.960
<v Speaker 2>I love because I have so many grace like songs.

1:05:54.920 --> 1:05:57.720
<v Speaker 2>But I have to go. Can I can I do

1:05:57.880 --> 1:05:59.840
<v Speaker 2>like a one? Like a one a at one point?

1:06:00.560 --> 1:06:01.280
<v Speaker 1>Will let you do that?

1:06:01.880 --> 1:06:02.160
<v Speaker 7>All right?

1:06:02.480 --> 1:06:03.400
<v Speaker 1>Let your top.

1:06:05.240 --> 1:06:07.840
<v Speaker 2>Oestly brothers. Let me down easy? It's one of my

1:06:08.240 --> 1:06:12.520
<v Speaker 2>favorite R and B songs. Let Me down Easy? Is

1:06:13.760 --> 1:06:16.480
<v Speaker 2>I play that ship like on my my wrap up.

1:06:16.560 --> 1:06:20.040
<v Speaker 2>I was laughing like because it plays in the background.

1:06:20.040 --> 1:06:26.280
<v Speaker 2>I was like, damn oh that nigga dollars like that

1:06:26.360 --> 1:06:29.960
<v Speaker 2>ship was funny thog. But like, I just love old school.

1:06:30.000 --> 1:06:33.560
<v Speaker 2>I love some music like that. So let me down easy?

1:06:34.640 --> 1:06:37.680
<v Speaker 2>And probably can I say R Kelly?

1:06:38.040 --> 1:06:41.400
<v Speaker 7>You can say whatever you want to say, yeah, podcast.

1:06:41.120 --> 1:06:47.040
<v Speaker 2>Yeah, yeah, r r R Kelly. I can't breathe.

1:06:53.000 --> 1:06:59.840
<v Speaker 1>What else? You got? What you got for? Mm hmm.

1:07:00.480 --> 1:07:03.200
<v Speaker 1>I ain't saying no neggs. Hey, ain't saying no names.

1:07:03.560 --> 1:07:04.680
<v Speaker 1>A saying no names?

1:07:08.080 --> 1:07:08.360
<v Speaker 6>Weird?

1:07:09.160 --> 1:07:09.919
<v Speaker 2>What you did?

1:07:10.640 --> 1:07:15.360
<v Speaker 1>Don't say? I ain't saying no names.

1:07:16.960 --> 1:07:21.880
<v Speaker 2>Hey, I got too many stories?

1:07:21.960 --> 1:07:25.280
<v Speaker 5>Hey, come on come on, come on. Yeah, yeah, so listen,

1:07:25.440 --> 1:07:26.160
<v Speaker 5>so listen, listen.

1:07:26.200 --> 1:07:29.880
<v Speaker 3>You here you are at the R and B Money podcast,

1:07:30.720 --> 1:07:33.480
<v Speaker 3>and we are at that section, were at that segment

1:07:33.680 --> 1:07:38.240
<v Speaker 3>of the show, so obviously you know you watched it.

1:07:38.400 --> 1:07:39.480
<v Speaker 5>You watched the podcast.

1:07:39.600 --> 1:07:42.960
<v Speaker 2>Definitely, no no, this is saying no names.

1:07:43.760 --> 1:07:46.480
<v Speaker 3>Segment of the show. Will you tell us your story

1:07:47.280 --> 1:07:51.560
<v Speaker 3>funny or fucked up? Are funny and fucked up? In

1:07:51.680 --> 1:07:54.680
<v Speaker 3>the Travels in the Journey of Jossey.

1:07:55.240 --> 1:07:55.760
<v Speaker 2>No names.

1:07:56.040 --> 1:07:58.160
<v Speaker 5>That's the only rules of the game, and no other

1:07:58.240 --> 1:07:59.960
<v Speaker 5>rules of the game. Just don't say no names.

1:08:00.720 --> 1:08:02.520
<v Speaker 2>Boy, I got so many stories.

1:08:02.960 --> 1:08:05.400
<v Speaker 5>What a couple of niggas told us two or three.

1:08:06.120 --> 1:08:07.800
<v Speaker 2>I'ma give you one. I gotta give you the best way.

1:08:07.880 --> 1:08:07.960
<v Speaker 6>Now.

1:08:08.800 --> 1:08:10.040
<v Speaker 2>I don't know why they think of this. When I

1:08:10.160 --> 1:08:20.840
<v Speaker 2>was driving, like, uh so I want to tell this story.

1:08:21.000 --> 1:08:23.800
<v Speaker 2>Fuck it so literally. It was this producer. I was

1:08:23.840 --> 1:08:28.799
<v Speaker 2>working with, a big producer. Uh he was in Miami

1:08:29.000 --> 1:08:31.960
<v Speaker 2>and I don't know why he had. We was working

1:08:32.120 --> 1:08:36.240
<v Speaker 2>and he he just felt obligated to tell me that

1:08:37.080 --> 1:08:43.160
<v Speaker 2>he didn't like his girl messing with girls. And he

1:08:43.320 --> 1:08:47.519
<v Speaker 2>was like, I don't like. He was like, I don't like,

1:08:49.400 --> 1:08:53.240
<v Speaker 2>I don't like gay girls around my girl and ship like.

1:08:54.920 --> 1:08:58.000
<v Speaker 1>I was like, who all right?

1:08:58.160 --> 1:09:01.160
<v Speaker 2>So now I'm this is my first time meeting this nigga,

1:09:01.840 --> 1:09:04.120
<v Speaker 2>like working with him. So I'm like, now I'm scared

1:09:04.400 --> 1:09:07.400
<v Speaker 2>because I'm like gay girl. I'm like, yo, not not

1:09:07.560 --> 1:09:09.160
<v Speaker 2>scared in the sist like he gonna but I'm like,

1:09:09.720 --> 1:09:12.479
<v Speaker 2>I'm like, I don't want him to feel like I

1:09:12.479 --> 1:09:13.960
<v Speaker 2>don't even want this nigga to feel like I'm trying

1:09:14.000 --> 1:09:17.360
<v Speaker 2>to talk to his girl. Shit boom, here we go.

1:09:17.520 --> 1:09:18.479
<v Speaker 5>Okay, So.

1:09:20.760 --> 1:09:22.240
<v Speaker 2>I walked out, get in the studio. We walk in

1:09:22.280 --> 1:09:24.280
<v Speaker 2>the room and we outside like playing ball, and he's

1:09:24.360 --> 1:09:26.240
<v Speaker 2>telling me this shit, and like, you know what I'm saying.

1:09:26.439 --> 1:09:29.200
<v Speaker 2>I think he's preparing me for when his girl comes.

1:09:29.240 --> 1:09:30.800
<v Speaker 2>I don't know what he's doing, but I'm like, this

1:09:31.000 --> 1:09:34.759
<v Speaker 2>is so weird. This is a weird conversation. So getting

1:09:34.800 --> 1:09:38.720
<v Speaker 2>the studio and his girl come in girl bad. I

1:09:38.840 --> 1:09:42.040
<v Speaker 2>remember this shit, and I was just trying to stay

1:09:42.320 --> 1:09:45.160
<v Speaker 2>far away from her because the whole time I'm in

1:09:45.280 --> 1:09:48.000
<v Speaker 2>my head, I heard this nigga say, yeah, like I

1:09:48.160 --> 1:09:51.080
<v Speaker 2>just don't like my girl when she like that's he's

1:09:51.200 --> 1:09:53.439
<v Speaker 2>kind of gifsty, And you know most niggas is really

1:09:53.479 --> 1:09:55.679
<v Speaker 2>cool with like girls on girls and all that shit.

1:09:56.040 --> 1:09:58.120
<v Speaker 2>But I don't. I just think he just he just

1:09:58.240 --> 1:10:00.799
<v Speaker 2>let me know right there his insecurity. It was crazy,

1:10:01.280 --> 1:10:06.479
<v Speaker 2>so cool. I'm like, literally, I'm on the other side

1:10:06.479 --> 1:10:08.920
<v Speaker 2>of the tap for some reason, this girl is just

1:10:09.240 --> 1:10:12.080
<v Speaker 2>wants to talk to me. No I'm talking about, wants

1:10:12.160 --> 1:10:15.280
<v Speaker 2>to have a conversation. And I'm like yeah, yeah, uh huh.

1:10:15.760 --> 1:10:20.160
<v Speaker 2>And like I'm back in my phone and like she's

1:10:20.280 --> 1:10:22.559
<v Speaker 2>like he's making the beat and I can just tell

1:10:22.600 --> 1:10:30.400
<v Speaker 2>he's paying attention, like side, and I'm just so scared.

1:10:30.520 --> 1:10:32.519
<v Speaker 2>She's like come here. It's like I'm over there, so

1:10:32.600 --> 1:10:38.479
<v Speaker 2>I sit. But like that moment, she was trying it,

1:10:38.680 --> 1:10:40.679
<v Speaker 2>and I was just thinking of myself, Yo, this girl

1:10:40.800 --> 1:10:43.519
<v Speaker 2>either this girl is not his girl, and he's just

1:10:43.640 --> 1:10:47.000
<v Speaker 2>like yo, I'm trying to get her, so don't touch her.

1:10:48.160 --> 1:10:48.760
<v Speaker 2>You know what I'm saying.

1:10:48.880 --> 1:10:51.760
<v Speaker 1>We already know what she I already know what she's own.

1:10:52.120 --> 1:10:54.720
<v Speaker 2>So bro, the whole session. Bro, I'm telling you, I've

1:10:54.800 --> 1:10:59.200
<v Speaker 2>never been so and that was like my first like

1:10:59.360 --> 1:11:04.800
<v Speaker 2>that was like a crazy yeah bro, yeah, So it was. Yeah,

1:11:04.920 --> 1:11:08.960
<v Speaker 2>that was a crazy moment and literally the yeah, I

1:11:09.000 --> 1:11:11.479
<v Speaker 2>ain't gonna talk about what else happened, But yeah, that was.

1:11:12.960 --> 1:11:13.160
<v Speaker 1>Nothing.

1:11:13.240 --> 1:11:13.880
<v Speaker 2>It was just the girl.

1:11:14.040 --> 1:11:14.760
<v Speaker 5>She was on it.

1:11:15.160 --> 1:11:16.840
<v Speaker 2>She was on it, bro, And so now I get it,

1:11:16.920 --> 1:11:19.280
<v Speaker 2>but like I don't. He didn't say anything, but I remember,

1:11:19.320 --> 1:11:21.040
<v Speaker 2>it's just that moment, and if I told you the

1:11:21.080 --> 1:11:22.960
<v Speaker 2>producer was it, you'd be like, oh word, it was

1:11:23.000 --> 1:11:24.519
<v Speaker 2>just crazy, Like mm hm.

1:11:25.360 --> 1:11:26.920
<v Speaker 1>The question you don't have to answer. But I'm just

1:11:26.920 --> 1:11:28.280
<v Speaker 1>saying that I'm not gonna did she.

1:11:29.760 --> 1:11:33.479
<v Speaker 2>Yeah, she definitely did. Yeah, Nah, she definitely. I didn't

1:11:33.479 --> 1:11:35.280
<v Speaker 2>do nothing with it. No, No, not at all. No,

1:11:35.600 --> 1:11:37.640
<v Speaker 2>Like definitely. I don't mess with niggas girls. Oh, I

1:11:37.680 --> 1:11:41.360
<v Speaker 2>don't give a fuck if I see you with her. Nah.

1:11:41.560 --> 1:11:44.160
<v Speaker 1>And that was just a moral judgment calling your partner.

1:11:44.200 --> 1:11:46.839
<v Speaker 2>Yeah, I'm not about to no, because like this industry

1:11:46.920 --> 1:11:49.000
<v Speaker 2>is so small and niggas do that, and niggas really

1:11:49.080 --> 1:11:53.360
<v Speaker 2>love that ship. I on the other hand, I'm very

1:11:53.479 --> 1:11:57.920
<v Speaker 2>big on like I respect whatever that ship whatever. Yeah,

1:11:58.240 --> 1:11:59.960
<v Speaker 2>And then to her it may not be that serial,

1:12:00.160 --> 1:12:03.439
<v Speaker 2>but to him it's serious or to her it's serious,

1:12:03.479 --> 1:12:04.880
<v Speaker 2>and to him it's not that serious. You know what

1:12:04.880 --> 1:12:06.920
<v Speaker 2>I'm saying. So I don't play with that. But I

1:12:07.120 --> 1:12:09.080
<v Speaker 2>just now I get, like I was like, oh, Shoty

1:12:09.240 --> 1:12:12.120
<v Speaker 2>was like choosing up and he just but no, I didn't.

1:12:12.160 --> 1:12:20.120
<v Speaker 2>I didn't know there's too many that's crazy. No, it

1:12:20.280 --> 1:12:26.920
<v Speaker 2>was it was like I don't want I don't want

1:12:26.960 --> 1:12:28.639
<v Speaker 2>to like, don't even want to sit. I don't even

1:12:28.640 --> 1:12:32.120
<v Speaker 2>want to talk to you for a long time. But

1:12:32.240 --> 1:12:34.360
<v Speaker 2>you know what I told myself, No nigga ever made

1:12:34.360 --> 1:12:36.080
<v Speaker 2>me feel like that again in a session, Like I

1:12:36.240 --> 1:12:39.679
<v Speaker 2>learned from that, like if you insecure, nigga, that show problem.

1:12:40.040 --> 1:12:42.599
<v Speaker 2>But you're not gonna give me out of my zone

1:12:42.920 --> 1:12:45.519
<v Speaker 2>to talk to nobody in the room because I'm not

1:12:45.840 --> 1:12:48.960
<v Speaker 2>I'm not coming with no ill intentions, Like I wasn't

1:12:49.000 --> 1:12:51.160
<v Speaker 2>coming on. But I was really scared to even talk

1:12:51.200 --> 1:12:53.160
<v Speaker 2>to the girl. But but that's that just show you

1:12:53.200 --> 1:12:56.200
<v Speaker 2>I was young and I was green to like the energies,

1:12:56.240 --> 1:12:58.320
<v Speaker 2>you know what I'm saying, But like like now I'm

1:12:58.400 --> 1:13:01.240
<v Speaker 2>like walking to my truth and then and you just

1:13:01.280 --> 1:13:03.320
<v Speaker 2>got to understand I ain't on that tight time, you

1:13:03.360 --> 1:13:05.720
<v Speaker 2>know what I'm saying. But yeah, that was crazy, bro.

1:13:05.880 --> 1:13:08.479
<v Speaker 2>That ship was such a I was sweating, like, Yo,

1:13:08.600 --> 1:13:10.200
<v Speaker 2>this nigga gonna really not fun with me.

1:13:10.720 --> 1:13:11.880
<v Speaker 1>Came out the gate with it.

1:13:12.680 --> 1:13:14.800
<v Speaker 2>Yeah, out the gate like he was like he was

1:13:14.840 --> 1:13:16.679
<v Speaker 2>warming me upon.

1:13:17.280 --> 1:13:17.479
<v Speaker 7>Wow.

1:13:18.800 --> 1:13:19.160
<v Speaker 3>Was no.

1:13:19.400 --> 1:13:21.679
<v Speaker 2>It was so crazy, like the insecurity of this dude.

1:13:21.840 --> 1:13:23.200
<v Speaker 2>And I'll be seeing him to this day and I

1:13:23.320 --> 1:13:24.479
<v Speaker 2>always remember that session.

1:13:24.840 --> 1:13:29.800
<v Speaker 1>My girl gonna see her and go crazy. I gotta

1:13:30.200 --> 1:13:35.800
<v Speaker 1>this in the bud early, Yo. That's sad because he

1:13:35.920 --> 1:13:36.880
<v Speaker 1>knew you had it on you.

1:13:38.520 --> 1:13:40.880
<v Speaker 2>It was crazy and I wasn't even like that then.

1:13:41.160 --> 1:13:42.320
<v Speaker 7>That was crazy.

1:13:42.920 --> 1:13:47.040
<v Speaker 1>But Jose listen, man, man, I heard that heard we

1:13:47.360 --> 1:13:53.160
<v Speaker 1>we we love you up here. Yeah, sure, we love

1:13:53.200 --> 1:13:59.720
<v Speaker 1>you man. You you have, you have access, Thank you free,

1:14:00.439 --> 1:14:03.559
<v Speaker 1>thank you, you have support, you got brothers, you got

1:14:03.640 --> 1:14:04.240
<v Speaker 1>whatever you need.

1:14:04.400 --> 1:14:07.040
<v Speaker 2>Thank you. I appreciate it. Thank you, thank you for sharing.

1:14:09.040 --> 1:14:14.120
<v Speaker 1>The only rule is you must keep going. See that

1:14:14.880 --> 1:14:18.240
<v Speaker 1>us keep going. You know what I'm saying.

1:14:18.560 --> 1:14:25.240
<v Speaker 2>Capable hands, Yeah, thank you, come on ye, thank you

1:14:25.360 --> 1:14:26.200
<v Speaker 2>to thank you.

1:14:27.200 --> 1:14:30.760
<v Speaker 1>Name take And this is the rby Money podcast, the

1:14:30.880 --> 1:14:38.759
<v Speaker 1>authority on all things R and B, hits swag Leader,

1:14:38.840 --> 1:14:48.439
<v Speaker 1>the New School. You give us a Jobby R Money.

1:14:49.600 --> 1:14:51.360
<v Speaker 3>R and B Money is a production of the Black

1:14:51.400 --> 1:14:56.000
<v Speaker 3>Effect podcast Network. For more podcasts from iHeart Radio, visit

1:14:56.120 --> 1:14:59.840
<v Speaker 3>the iHeartRadio app, Apple Podcasts, or wherever you listen to

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1:15:03.320 --> 1:15:05.600
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1:15:05.720 --> 1:15:09.200
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