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Speaker 1: Hey, discos, need a little more Disgraceland in your life,

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Speaker 1: just to touch, to get you through. Yeah me too.

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Speaker 1: This is the podcast that comes after the podcast. Welcome

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Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode,

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Speaker 1: a little thing we like to call the after Party.

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Speaker 1: This is the show after the show, the party after

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Speaker 1: the party. The bridge to get you from one full

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Speaker 1: episode of Disgraceland to the other. The backyard to dig

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Speaker 1: into the dirt, our mission to uncover the truth, to

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Speaker 1: confront the myth, to reclaim the story. On this bonus episode,

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Speaker 1: a look at our favorite music history memoirs and rock

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Speaker 1: and roll biographies. A new song you're gonna love, and

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Speaker 1: an old song that you won't be able to stop

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Speaker 1: listening to. We're previewing next week's episode on Patti Smith Plus.

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Speaker 1: We get into your emails, comments, dms, and as always,

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Speaker 1: a whole lot of rosie. This is the podcast for

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Speaker 1: the musically obsessed, the outsiders, the independent thinkers, who knows

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Speaker 1: that the best history is the history that gets buried.

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Speaker 1: Disgrace Lands, where I tell the stories they didn't want told,

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Speaker 1: the kind you'll end up telling someone else.

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Speaker 2: All Right, disc goes. Let's get into it all right,

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Speaker 2: disc goes.

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Speaker 1: I'm back once again, back in the chair, back behind

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Speaker 1: the mic, back in your ears. After some psycho level

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Speaker 1: travel last week, I flew out to Los Angeles from

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Speaker 1: the East Coast, arrived, checked into the hotel, got into

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Speaker 1: an argument with room service over some salmon. Woke up

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Speaker 1: the next day, headed out to a studio at an

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Speaker 1: undisclosed location, filmed an interview that will be live on

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Speaker 1: one of the bigger streamers next week, and then I

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Speaker 1: went straight back to the airport, grabbed the Red Eye,

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Speaker 1: and flew home. Nothing like cross country travel for one night,

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Speaker 1: but it was worth it. I can't wait for you

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Speaker 1: to hear this interview and for you to hear the

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Speaker 1: news that we've got coming to you all next week.

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Speaker 1: The entire way. The whole time I was traveling, I

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Speaker 1: had Dave Grohl's books Storyteller on my lap and in

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Speaker 1: my hands, and was barreling through it in order to

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Speaker 1: keep up with research for the Foo Fighters episode that

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Speaker 1: I'm running this week. The book Storyteller Dave GROLs Storyteller.

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Speaker 1: It's an easy read, feels like it was easy to

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Speaker 1: write as well. If I'm being honest, there's not a

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Speaker 1: lot there. I mean, it's entertaining, don't get me wrong.

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Speaker 1: It's Dave Grohl, and the dude is charisma personified, and

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Speaker 1: he's lived one of, if not the most charmed rock

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Speaker 1: and roll lives that I can think of for a

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Speaker 1: rock star. And not that it hasn't come without a cost,

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Speaker 1: of course, and that cost, at least as it pertains

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Speaker 1: to the loss of Kirk Cobaine, is documented in the book.

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Speaker 1: Of Course. This book was written and released before the

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Speaker 1: death of Taylor Hawkins, so that loss is not detailed

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Speaker 1: in Storyteller, but neither are what I assume are some

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Speaker 1: of the more revealing bits from Dave Grohl's backstory. And

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Speaker 1: so is any sort of narrative thread. It's it's kind

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Speaker 1: it's I don't want to say it's all over the place.

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Speaker 1: It's not, but you kind of have to go into

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Speaker 1: it knowing gave Roll's story to figure out how the

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Speaker 1: whole thing is playing out. Not that it's hard to

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Speaker 1: figure out, it's easy, but it's not hanging on any

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Speaker 1: sort of one theme other than and I don't want

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Speaker 1: to discount this the joy that Dave Grole gets from music,

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Speaker 1: which is important and shouldn't be overlooked. But again, as

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Speaker 1: far as memoirs go, it's it's kind of lacking. But

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Speaker 1: the book does succeed on quick flashes into Dave's incredible life,

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Speaker 1: a hypercharged by jaw dropping experiences. Dave Grole bringing Paul

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Speaker 1: McCartney to meet ac DC, Dave Role performing for President Obama,

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Speaker 1: Dave Groll trying to get into Panteris Strip Club. The

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Speaker 1: book is a ton of fun, because Dave Groll's life

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Speaker 1: is a ton of fun. But the best music history

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Speaker 1: memoirs they reveal something else, not just the darker side,

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Speaker 1: but the vulnerability. And there's some of that here for sure,

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Speaker 1: but not enough. I can't fault them for it. I mean,

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Speaker 1: he's got about ten albums of heart on the sleeve

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Speaker 1: of arena rock anthems, and he's a musician on a memoirs,

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Speaker 1: so you know, it is what it is. They can't

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Speaker 1: all be Patty Smith, which brings me to my point

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Speaker 1: reading Dave Grohl's book on the heels of reading Patty

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Speaker 1: Smith's Just Kids and Mtrain is it's kind of jarring

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Speaker 1: because Just Kids might be one of my favorite memoirs

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Speaker 1: or autobiographies by the way I just learned, like seconds ago,

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Speaker 1: what the difference is between a memoir and an autobiography.

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Speaker 1: I always thought that a memoir was just a pretentious

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Speaker 1: person's version of an autobiography, like the way John Malcovitch

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Speaker 1: pronounces the word memoir and burne after reading my memoir,

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Speaker 1: or how my memoir my memoir. I can't do it.

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Speaker 1: I can't do John Malcovich, forgive me. I almost ran

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Speaker 1: over once. I'm mass Ava and Cambridge. But that's another story.

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Speaker 1: A memoir is about a specific time in the writer's life,

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Speaker 1: and an autobiography is more of a cradle to the

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Speaker 1: grave story. So by that definition, I'm comparing apples to

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Speaker 1: donuts here when I'm comparing Just Kids to Dave Girl's Storyteller.

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Speaker 1: Just Kids is Patti Smith's account mostly of her time

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Speaker 1: in New York City with Robert Maplethorpe in the late

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Speaker 1: sixties and seventies, and Storyteller is kind of Dave story

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Speaker 1: from birth up until the time he wrote it a

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Speaker 1: couple of years ago. But still one is vastly superior

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Speaker 1: to the other and far more of an enjoyable read.

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Speaker 1: And that's the Patty Smith book Just Kids. It's one

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Speaker 1: of the best memoirs I've ever read, really truly, and

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Speaker 1: I know that's the case for a lot of people.

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Speaker 1: A lot of people will tell you that same thing.

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Speaker 1: A lot of people read that book, even non music obsessives,

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Speaker 1: and it resonated with them, and it's understandable. It's incredible,

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Speaker 1: and it forced me to think about Patti Smith in

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Speaker 1: a different way, in a deeper way, and to hear

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Speaker 1: her music differently. And I can't say that Dave Girl's

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Speaker 1: book did that for me. I mean it did on

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Speaker 1: some level. Of course, you're being brought into a part

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Speaker 1: of his life that you haven't really seen before, so

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Speaker 1: of course you're maybe thinking about him in a fuller way,

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Speaker 1: but not really in a different way. You're certainly I'm

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Speaker 1: certainly not listening to his music in a different way.

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Speaker 1: About all this got me thinking and talking to some

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Speaker 1: Double Elevis folks about what the best memoirs and autobiographies

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Speaker 1: from music history are. Spring is now officially here, which

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Speaker 1: means summer is officially right around the corner. So if

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Speaker 1: you're in need of some reading recommendations, I'm going to

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Speaker 1: list some of my favorite music books penned by musicians.

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Speaker 1: Uh here in this after party, and I'm gonna ask

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Speaker 1: you guys to hit me up with your recommendations as well.

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Speaker 1: You are a very well read podcast listening audience, and

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Speaker 1: I know you've read a bunch of music books that

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Speaker 1: I have not read. So I want your inputs six one, seven,

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Speaker 1: nine oh six sixty sixty three eight voicemail and text

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Speaker 1: at Disgrace Lampod on the Socials. Disgrace Lampod at gmail

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Speaker 1: dot com if you want to email me. Aside from

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Speaker 1: Just Kids by Patti Smith, one of my favorite music

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Speaker 1: autobiographies is Get in the Van by Henry Rollins. Now,

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Speaker 1: when I was a kid in a touring band, this

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Speaker 1: was kind of our how to manual. Now, nothing we

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Speaker 1: ever did was as intense as what Henry and Black

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Speaker 1: Flag had to do in the eighties, but we knew

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Speaker 1: in North Star when we saw it, and this was it.

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Speaker 1: Black Flag were like pilgrims as far as punk rock

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Speaker 1: and hardcore music is concerned. They went out and they

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Speaker 1: created They didn't only just tour, They went out and

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Speaker 1: they created a circuit that is still still being used today.

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Speaker 1: I mean, this is in the eighties, which is insane,

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Speaker 1: and this book has it all, it's fantastic. I highly

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Speaker 1: recommend it if you have not read it, even if

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Speaker 1: you could give a shit about punk rock or Black Flag.

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Speaker 1: Henry Ronalds is one of the most entertaining writers that

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Speaker 1: I've ever come across. He's fantastic. Now. Another one one

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Speaker 1: that I was surprised by recently is I Am Brian

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Speaker 1: Wilson by Brian Wilson, a book that I read last

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Speaker 1: year after Brian died and before hurrying out an episode

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Speaker 1: on Brian in a fit of inspiration. This book really

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Speaker 1: blew me away. First of all, I already knew the

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Speaker 1: story like the back of my hand before I read it.

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Speaker 1: Most people do. But the telling of Brian's story by

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Speaker 1: Brian Wilson is about as honest and vulnerable a depiction

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Speaker 1: as you could hope for in an autobiography. And the

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Speaker 1: man's voice, My God, that voice, all the childlike wonder

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Speaker 1: and unpretentious genius of the Beach Boys songs, of the

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Speaker 1: Brian Wilson songs that you love, It's all on full

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Speaker 1: display in every single passage in this book. This book,

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Speaker 1: like the best songs by its author, will make you cry.

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Speaker 1: It's great. I highly recommend it. This next book, however,

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Speaker 1: will make you puke, and that's Marilyn Manson's The Long

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Speaker 1: Hard Road out of Hell. I've read a lot of

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Speaker 1: rockstar autobiographies, and never have I read one like this.

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Speaker 1: The man is practically begging to be hauled off to jail.

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Speaker 1: Marilyn Manson aka Brian Warner is an evil genius, and

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Speaker 1: he really leans into the evil in this book. I

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Speaker 1: took this information about as far as I could in

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Speaker 1: our Marilyn Manson episode without before completely grossing myself out.

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Speaker 1: There's a lot in this book that I didn't get,

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Speaker 1: and you know it's a lot in the episode that's presented.

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Speaker 1: You know, my point of view is not his point

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Speaker 1: of view, especially on him, as you'll hear when you

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Speaker 1: hear the Marri Manson episode if you haven't heard it already,

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Speaker 1: so check that out. The road map, however, for Manson's

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Speaker 1: autobiography is Motley Cruz Dirt by my guy Neil Strauss,

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Speaker 1: which kind of broke the mold for bad boy rock

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Speaker 1: star tell als I didn't grow up a fan of

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Speaker 1: Motley Crue, or of hair Metal or any of that

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Speaker 1: lame mass spandex cliche sunset strip rock and roll rockstar bullshit.

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Speaker 1: I grew up on punk and hardcore, so these guys

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Speaker 1: were the opposite of what I was into or even

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Speaker 1: what I was willing to tolerate as a young man.

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Speaker 1: As a young man, I get it now, and I

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Speaker 1: can take it now objectively. When this book came out, though,

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Speaker 1: like I said, I was still a young man and

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Speaker 1: I was still kind of, you know, in the throes

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Speaker 1: of of punk and hardcore. And I read it anyways,

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Speaker 1: and the only reason I read it was I was

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Speaker 1: staying at my friend Julie Duffy's place in Manhattan. At

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Speaker 1: the time. Julie was tour manager for like some huge artists,

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Speaker 1: like she still is, but at the time I think

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Speaker 1: she was on the road with Justin Timberlake or John Cougar,

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Speaker 1: Mellen Camp something like that. Anyway, she'd be on the

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Speaker 1: road all the time, and she would just let me

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Speaker 1: stay at her place on the Upper west Side, which sorry,

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Speaker 1: Upper east Side, east Side, Yeah, Upper east Side. It

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Speaker 1: was great, super generous, thanks Stuffy, still appreciate it. But

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Speaker 1: I was there one day and I think I had

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Speaker 1: a show that night or a meeting or something, and

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Speaker 1: I had nothing to do, and she had this book

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Speaker 1: in her apartment, and it was one of those things

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Speaker 1: where I just dropped my bag and I opened up

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Speaker 1: the book just to check it out, and I started

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Speaker 1: reading and I just didn't stop until I finished it.

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Speaker 1: I read. I read it all the way through. Just incredible,

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Speaker 1: and I loved it. It is out of control. Okay,

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Speaker 1: forget about the Netflix series, forget about that. Read the

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Speaker 1: book okay, and then read the Manson book if you

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Speaker 1: haven't already, because you know, by Marilyn Manson standards, the

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Speaker 1: Motley Creue autobiography is almost cute by comparison. Okay, these

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Speaker 1: next two. I was trying to get my thoughts together

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Speaker 1: about these next two, and I scribbled down this in

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Speaker 1: my notes today Chuck Berry's Autobiography and Glow by Rick James.

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Speaker 1: I was forced to reckon with a question that I

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Speaker 1: had encounter for the rest of my career. How the

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Speaker 1: hell did these guys admit all of this and get

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Speaker 1: away with it and not end up in jail? I

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Speaker 1: wrote that down too quickly, because obviously, if anybody knows,

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Speaker 1: it's me. They both went to jail. And these the

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Speaker 1: details in these books is the reason why. The more

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Speaker 1: interesting question is how did they end up being sort

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Speaker 1: of accepted back into I don't want to say polite society,

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Speaker 1: I guess with Chuck Berry. I mean, yeah, before Chuck

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Speaker 1: Berry died, there was this massive event for him at

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Speaker 1: the the the John F. Kennedy Memorial Library in Boston.

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Speaker 1: I remember it, and you know, a lot of a

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Speaker 1: lot of you know, Boston women areas anyways, were there,

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Speaker 1: and I remember just thinking that I had a little

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Speaker 1: fomo because I wasn't there, and I probably could have

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Speaker 1: figured out how to finagle my way in at the time,

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Speaker 1: but I just didn't. But on the same at the

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Speaker 1: same time, I was also kind of like, what, yeah,

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Speaker 1: you guys all know what this guy did, right, Like

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Speaker 1: you know, not right, I know, you know you're too

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Speaker 1: smart not to know. You know, we're just ignoring it.

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Speaker 1: It's all in this book. It's crazy. It's crazy. And

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Speaker 1: I know he invented rock and roll. And I know

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Speaker 1: that's a controversial statement. I didn't say it, Flipping Lee.

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Speaker 1: I actually believe that. But yeah, he also did some

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Speaker 1: pretty pretty pretty fucked up stuff and admitted to it

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Speaker 1: and in a lot of cases didn't apologize for it.

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Speaker 1: Rick James never really had it, was never really involved

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Speaker 1: with polite society. I don't think even even in the seventies,

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Speaker 1: I don't know, maybe but not really. And then but still,

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Speaker 1: you know, after all the stuff with the abduction of

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Speaker 1: women and the burning them with crack pipes, and it's

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Speaker 1: still Rick James, bitch, you know what I mean, like

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Speaker 1: it was, He's still kind of a cultural touch point.

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Speaker 1: And when you read this book, in particular Glow by

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Speaker 1: Rick James as opposed to Chuck Berry's autobiography Glow by

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Speaker 1: Rick James, which was finished after he died, if I

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Speaker 1: if I'm remembering correctly, so it's not a pure autobiography,

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Speaker 1: but man, man, oh man, what he admits to in

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Speaker 1: the pages of this book are shocking, shocking, and I

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Speaker 1: needed a break after I read it, that's how shocking

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Speaker 1: it was. So those are a few. There's a ton

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Speaker 1: ton of others, a ton of others. If you're in

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Speaker 1: the mid century New York and mafia history, then Tommy

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Speaker 1: James is me the Mob and music. That's a must read.

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Speaker 1: Rod Stewart's Rod is surprisingly readable and smart. Keith Richards's

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Speaker 1: Life is practically canon at this point. Also, Keith wrote

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Speaker 1: it with author J. R. Moherringer, if that's how you

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Speaker 1: pronounce it. JR. Mohringer also has a memoir called The

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Speaker 1: Tender Bar. It's about his life and it is incredible.

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Speaker 1: Not a music book, but it's incredible. I think I

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Speaker 1: think that's the one that George Clooney and Ben Affleck

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Speaker 1: aflac Affleck, Affleck, Ben Affleck. Why can't I say that

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Speaker 1: all of a sudden turned into a movie The Tender

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Speaker 1: Bar filmed it up in? Where'd they film it? Sean

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Speaker 1: Salem helped me out? Is it Salem? Where they filmed?

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Speaker 1: I think they've didn't sale somewhere up there haverl something

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Speaker 1: like that. Similarly, I believe Henry Rollins ghost wrote David

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Speaker 1: Lee Ross's autobiography, but I'm not sure about that. If

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Speaker 1: anyone wants to track that down and let me know,

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Speaker 1: it'd be super appreciated. And so here's a couple more

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Speaker 1: that I'm just I haven't read, but I'm psyched to read.

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Speaker 1: Kerry Brownstein's Hunger Makes Me a Modern Girl, Richard Hell's

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Speaker 1: I Dreamed I Was a Very Clean Tramp, and Melissa

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Speaker 1: off DeMar's new nineties memoir Even the Good Girls Will Cry.

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Speaker 1: And I'm also related to that because Melissa was in whole.

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Speaker 1: I am stoked. I'm just stoked, very excited to see

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Speaker 1: this Courtney Love documentary when and if it ever comes out,

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Speaker 1: which the rumors are it's coming out this year, let's hope.

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Speaker 1: So all right, But I think if you're asking me

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Speaker 1: what my favorite musician autobiography or memoir is in terms

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Speaker 1: of pure enjoying, it kind of an unconventional choice here,

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Speaker 1: but I think I would have to say Beastie Boys

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Speaker 1: book by Michael Diamond and Adam Horowitz, which is about

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Speaker 1: as inventive as you can get. That said, it's not

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Speaker 1: just an autobiography, yes, it kind of is. It's part memoir.

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Speaker 1: It's also part oral history, with accounts from folks who

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Speaker 1: were there with the Beasti's during their formative and the

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Speaker 1: most impactful moments in their careers. It's also part scrap book,

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Speaker 1: it's part mix tape. It's just incredible, and the band

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Speaker 1: doesn't shy away from their worst moments, specifically the honesty

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Speaker 1: that they bring to the less than noble way in

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Speaker 1: which they treated original drummer Kate Shamanbach, or the embarrassing

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Speaker 1: way in which they handled becoming the dick joke that

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Speaker 1: they were trying to tell with license to ill. All

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Speaker 1: that said, if you're a fan of eighties nineties culture,

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Speaker 1: not just hip hop music, not Beastie Boys fans, whatever,

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Speaker 1: you're just a fan of that history, that time in

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Speaker 1: America and culture, this book's great. It's just great, truly

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Speaker 1: great inventive storytelling, and it is worth a place on

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Speaker 1: your shelf, if not in your beach bag this summer. Again,

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Speaker 1: even if you're not a Beastie Boys fan, I wouldn't

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Speaker 1: bring it to the beach. It's a good book, good

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Speaker 1: like hardcover, you know what I mean. I wouldn't ruin

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Speaker 1: it with all that sand, all that stuff, all right, So,

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Speaker 1: as you guys know, on the subject, still, Seth writes

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Speaker 1: a bunch of stories and disgrace and so there's a

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Speaker 1: whole slew of musician autobiographies that he's read that I haven't,

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Speaker 1: and some real classics like Peter Hook from New Order's

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Speaker 1: book and Robbie and Levon from the band their books.

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Speaker 1: And Zeth is also the man who helms Hollywood Land,

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Speaker 1: so he's read more memoirs and autobiographies from Hollywood than

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Speaker 1: I have. But I don't think he's read aero Flynn's autobiography.

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Speaker 1: I also don't think he's read You'll Never make Love

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Speaker 1: in this Town again like I have. So I'm excited

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Speaker 1: to talk to Zeth about his favorites, including those from

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Speaker 1: La La Land, not just for music, in the exclusive

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Speaker 1: section of this after party coming up shortly. Go to

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Speaker 1: Disgracing on pod dot com to sign up to become

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00:19:07,160 --> 00:19:10,919
Speaker 1: Disgracing and All Access members to unlock exclusive content like

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Speaker 1: this plus ad free listening. All right, looking ahead. As

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Speaker 1: we just announced this week, Rewind episodes are now hitting

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Speaker 1: on Sunday's people. Okay, Sunday, Sunday Sunday. So this Sunday,

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Speaker 1: while you're up, you know, up late in the morning,

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Speaker 1: you know, making your eggs and baky or whatever, cheppening

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Speaker 1: your kids around in the car, chilling in the garden

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Speaker 1: out back, whatever you're doing this Sunday, Fire up your

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Speaker 1: podcast app. Check out a classic episode of disgrace Ind.

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Speaker 1: This weekend, we're headed down the seven mile Road of

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Speaker 1: Excess and Cocaine Anamos with Stevie Nicks and the rest

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Speaker 1: of Fleetwood Mac. You're gonna wanna, You're gonna want to

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Speaker 1: be there with us. You want You're gonna want to

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Speaker 1: come on this trip with us, all right, and next week,

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Speaker 1: next week after that, it is finally here at the

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Speaker 1: launch of our new season, our new episode on Patti Smith,

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Speaker 1: and I cannot wait for you to hear this opus

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Speaker 1: that we've put together. It's about as true crime and

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Speaker 1: rock and roll as you can get. And when you're listening,

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Speaker 1: be thinking about your favorite rock and roll memoirs or

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Speaker 1: music history autobiographies and come back to me with your recommendations,

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Speaker 1: even if they're ones that we've already spoken about. Sometimes

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Speaker 1: getting consensus on a book is critical to getting someone

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Speaker 1: to crack open said book. And I really want to

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Speaker 1: inspire a solid summer reading list here for you guys

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Speaker 1: and myself over the course of this this episode in

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Speaker 1: the next after party. So next week's question of the

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Speaker 1: week is going to be which musician memoir or autobiography

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Speaker 1: would you recommend? Six one seven, nine oh six six

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Speaker 1: sixty three eight voicemail and text at Disgrace lam Pod

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Speaker 1: on Instagram, Facebook and TikTok and sometimes x Disgrace Lampod

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Speaker 1: at gmail dot com on the email machine. I will

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Speaker 1: be back after this with your voicemails and text, dms

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Speaker 1: and more. All right back in the saddle down on

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Speaker 1: the corner out on the street, sitting in the waiting room. Aha,

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Speaker 1: in the phone booth, it's the one across the hall.

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Speaker 1: I'm hanging on the telephone with you guys. Six one seven,

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Speaker 1: nine oh six sixty sixty three eight. Let's check out

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Speaker 1: what Lily has to say in Northern California.

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Speaker 3: This is Lily from Roland, California, just responding to the

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Speaker 3: episode from last week about that's the question about favorite

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Speaker 3: movie soundtrack, And man, I have a couple in mine,

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Speaker 3: but I think insure Land is my favorite. Also, that

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Speaker 3: movie is so underrated, but I mean the soundtrack really

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Speaker 3: just has so many amazing songs, like from the Replacements,

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Speaker 3: all of an Underground Bowie, New York Doll, Big Star,

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Speaker 3: I mean, just incredible. And I just love that movie

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Speaker 3: so much. I discovered it a kind of a formative

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Speaker 3: place in my life and it just has stuck with

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Speaker 3: me ever since. And also it's just such an underrated

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Speaker 3: movie all around, great cast, just great cinematography everything. I

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Speaker 3: love that movie so much. But some of my other

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Speaker 3: picks for best soundtrack were Empire Records Pump Up the

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Speaker 3: Volume Pretty in Pink, Donny Darko, Twenty Century Women, I mean,

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Speaker 3: and of course Almost Famous, which is also one of my.

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Speaker 1: Other favorite movies. Lily, thank you for the message. I

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Speaker 1: think you're intending Zeth to get that message. But since

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Speaker 1: Beeth and I have this soundtrack conversation that is ongoing,

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Speaker 1: I thought I would jump in here because you mentioned

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Speaker 1: Adventureland and I've never seen adventure Land ever, and I

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Speaker 1: love your depiction of the movie in the soundtrack and

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Speaker 1: your passion for it, and I am inspired to watch

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Speaker 1: it now and maybe it will end up being an

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Speaker 1: episode of our video podcast. This film should be played loud.

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Speaker 1: So thanks to the message, I want to talk to Seth.

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Speaker 1: I'm gonna let him know to check it out as well.

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Speaker 1: All right, let's see what the three two three has

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Speaker 1: to say.

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Speaker 4: Jake, there is no britpop without these two bands, Stone

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Speaker 4: Roses and Inspiral Carpets. In fact, Noel Gallagher was the

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Speaker 4: guitar tack for the Inspiral Carpets and wrote many of

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Speaker 4: those Oasis songs while tecking for the Carpets. Also, you

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Speaker 4: need to look into the Happy Mondays, specifically the recording

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Speaker 4: of one of their albums in Barbados. They literally sold

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Speaker 4: furniture from the recording studio to buy crack stories of

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Speaker 4: driving cars to the front of bars. It's fucking wild anyway,

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Speaker 4: love the.

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Speaker 1: Show, all right, three two three, Thank you so much

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Speaker 1: for the message you know in Spiral Carpets. I did

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Speaker 1: mention them. Actually, I don't know if I mentioned them

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Speaker 1: in the Oasis episode. I knew Noel Gallagher guitar TechEd

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Speaker 1: for them, and that that's where the Oasis songs first

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Speaker 1: came together. I might not have even mentioned them, but

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Speaker 1: I did. I do remember reading about them in that research.

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Speaker 1: But yeah, I hear I hear you on the importance

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Speaker 1: of the band given uh, given what they meant for

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Speaker 1: nol An Oasis and in Oasis lore, and I cannot

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Speaker 1: wait to get into this Happy Monday story. You sound stoked.

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Speaker 1: I'm stoked it's gonna be. I think I'm not the

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Speaker 1: next one I research and write, but within the next handful. Okay,

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Speaker 1: So that means it'll be out this year at some point.

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Speaker 1: Thanks for the call. Three two three, all right, guys

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Speaker 1: six one six six, six three eight. You want to

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00:24:56,600 --> 00:24:59,200
Speaker 1: get in touch with me about anything, You can voicemail,

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Speaker 1: you can text, you can call me. You can text me,

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00:25:01,440 --> 00:25:04,720
Speaker 1: you can email me disgracelanmdpod at gmail dot com. Jason

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Speaker 1: for the four one six texts in with hey love

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Speaker 1: the podcast, Happy anniversary. Listening to the latest episode and

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Speaker 1: thinking about the rock and roll books that started it

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Speaker 1: all for me, and it is No One Here Gets

422
00:25:17,280 --> 00:25:20,000
Speaker 1: Out Alive by Danny Sugarman and Jerry Hopkins. I remember

423
00:25:20,040 --> 00:25:22,720
Speaker 1: reading it one summer when I was in my middle

424
00:25:22,800 --> 00:25:25,960
Speaker 1: teenage years, working as an attendant behind a desk in

425
00:25:26,000 --> 00:25:29,280
Speaker 1: the change room of my local pool, handing out towels.

426
00:25:29,520 --> 00:25:31,399
Speaker 1: In fact, I think all the guys that worked at

427
00:25:31,400 --> 00:25:33,480
Speaker 1: the pool read this book because we passed that old

428
00:25:33,520 --> 00:25:37,120
Speaker 1: dog eared paperback around all summer. Since then, I've read

429
00:25:37,280 --> 00:25:40,000
Speaker 1: many rock and roll bios and autobios, so when I

430
00:25:40,040 --> 00:25:42,760
Speaker 1: discovered your podcast, Disgraceland, it was a no brainer for me,

431
00:25:42,800 --> 00:25:45,840
Speaker 1: and I've been listening ever since. Rock and Roller No

432
00:25:45,880 --> 00:25:48,879
Speaker 1: One Here Gets Out a Live one of the seminal

433
00:25:48,920 --> 00:25:52,439
Speaker 1: biographies rock and Roll Biographies by Jim Morrison. I think

434
00:25:52,480 --> 00:25:54,879
Speaker 1: that's the book that Oliver Stone based most of the

435
00:25:54,920 --> 00:25:58,119
Speaker 1: movie on. Anyways, and man, it must have hit you

436
00:25:58,240 --> 00:26:03,440
Speaker 1: four one six at the exact at right time. I

437
00:26:04,000 --> 00:26:08,000
Speaker 1: feel like just teenage boys in the I don't know

438
00:26:08,000 --> 00:26:10,919
Speaker 1: how we'll do R Jason in the sort of eighties nineties.

439
00:26:12,160 --> 00:26:14,240
Speaker 1: That was that was a sweet spot for being turned

440
00:26:14,280 --> 00:26:17,360
Speaker 1: on to Jim Morrison from the Doors. Sounds like that's

441
00:26:17,400 --> 00:26:19,280
Speaker 1: exactly what happened at the pool you're working at too.

442
00:26:20,640 --> 00:26:25,400
Speaker 1: Seven seven four Texan just finished the dead episodes. Good shit,

443
00:26:25,840 --> 00:26:27,840
Speaker 1: I've been ahead my whole life. I grew up a

444
00:26:27,880 --> 00:26:30,919
Speaker 1: hardcore kid in the Worcester area in the nineties. I

445
00:26:30,960 --> 00:26:33,199
Speaker 1: wish cast Irn, I wish cast Iron Hike had one

446
00:26:33,240 --> 00:26:35,159
Speaker 1: more album, would love another reunion. Thanks for all the

447
00:26:35,240 --> 00:26:37,480
Speaker 1: enjoyment Dan Dan in the seven seven four. Thanks brother,

448
00:26:38,080 --> 00:26:41,440
Speaker 1: that ain't happening unfortunately, but uh it's nice to know

449
00:26:41,520 --> 00:26:43,639
Speaker 1: people care. And if you saw if you went to

450
00:26:43,640 --> 00:26:45,679
Speaker 1: see cast Irn night back in the day, thank you

451
00:26:45,880 --> 00:26:49,600
Speaker 1: and happy you're a deadhead. I like how I like

452
00:26:49,720 --> 00:26:54,040
Speaker 1: that trajectory from punk kid to deadhead. It makes sense.

453
00:26:54,320 --> 00:26:56,840
Speaker 1: Doesn't feel like it makes sense, but trust me it does.

454
00:26:58,040 --> 00:27:01,000
Speaker 1: Six four six Good morning, love Foof, but love Nirvana

455
00:27:01,000 --> 00:27:06,440
Speaker 1: way more. Yeah, I guess taste this taste right. You're

456
00:27:06,440 --> 00:27:08,240
Speaker 1: gonna listen to something more than you're going to listen

457
00:27:08,359 --> 00:27:11,120
Speaker 1: to something else based on your taste. The more I've

458
00:27:11,119 --> 00:27:14,200
Speaker 1: been listening to food Fighters and doing this research over

459
00:27:14,200 --> 00:27:18,560
Speaker 1: the last couple of weeks, is the more I come

460
00:27:18,600 --> 00:27:22,040
Speaker 1: to realize, you know, I'm kind of food Fighters first

461
00:27:22,040 --> 00:27:25,320
Speaker 1: two albums, those are the records I like. I've never really,

462
00:27:25,840 --> 00:27:29,360
Speaker 1: I've never sought out food Fighters music on my own

463
00:27:29,400 --> 00:27:33,160
Speaker 1: to listen to after that until probably the last few years,

464
00:27:33,920 --> 00:27:36,239
Speaker 1: and every time I would hear a single, I'd just

465
00:27:36,480 --> 00:27:38,919
Speaker 1: kind of be like the same for me. And what

466
00:27:39,000 --> 00:27:43,480
Speaker 1: I realized is the singles that come, you know, on

467
00:27:43,520 --> 00:27:48,920
Speaker 1: the third, fourth albums and beyond, they weren't necessarily made

468
00:27:49,119 --> 00:27:51,919
Speaker 1: for me. They were made for the world at large,

469
00:27:52,000 --> 00:27:55,640
Speaker 1: and they were made to be delivered on stage in stadiums.

470
00:27:56,280 --> 00:27:58,240
Speaker 1: And I think what changed for me was I saw

471
00:27:58,440 --> 00:28:01,679
Speaker 1: I've seen food Fighters live and that that had That

472
00:28:01,720 --> 00:28:03,399
Speaker 1: had a lot to do with changing it, because I

473
00:28:03,440 --> 00:28:08,200
Speaker 1: loved those songs that I previously didn't like hearing them live,

474
00:28:08,320 --> 00:28:11,919
Speaker 1: the bigness of them. But even before that, before I

475
00:28:11,920 --> 00:28:16,280
Speaker 1: saw them live, I saw that Wembley Stadium gig that

476
00:28:16,320 --> 00:28:18,919
Speaker 1: they did. I think it was an HBO special or

477
00:28:18,960 --> 00:28:21,919
Speaker 1: something that ran it, and it was incredible. It's just

478
00:28:22,000 --> 00:28:26,800
Speaker 1: amazing and uh it really it really gave me a

479
00:28:26,800 --> 00:28:28,800
Speaker 1: new appreciation for the Foo Fighters and and I kind

480
00:28:28,800 --> 00:28:31,160
Speaker 1: of didn't realize why until now because I'm so deep

481
00:28:31,280 --> 00:28:34,480
Speaker 1: in it in the research. Anyhow, that's my take. I

482
00:28:34,520 --> 00:28:36,920
Speaker 1: love Nirvana as well. I've gone back and I kind

483
00:28:36,920 --> 00:28:39,760
Speaker 1: of I listened to Nevermind for the first time in

484
00:28:39,800 --> 00:28:42,880
Speaker 1: a long long time as an album the other night

485
00:28:42,960 --> 00:28:45,920
Speaker 1: when I was waiting to get on the plane, and

486
00:28:47,280 --> 00:28:51,960
Speaker 1: my god, it's so good. It's explosive. All three of

487
00:28:51,960 --> 00:28:54,960
Speaker 1: the records are incredible for different reasons, and they're all different,

488
00:28:55,520 --> 00:28:57,960
Speaker 1: you know, it's like that they're really those that run

489
00:28:57,960 --> 00:29:01,840
Speaker 1: of records. Man, it's just great. They're not repeating themselves

490
00:29:02,000 --> 00:29:05,840
Speaker 1: in any way. But that one, that one, My goodness.

491
00:29:06,920 --> 00:29:09,480
Speaker 1: Nine one text and Hey, Jake, absolutely love your show.

492
00:29:09,520 --> 00:29:11,440
Speaker 1: Amazing work. I'd really love to hear an episode on

493
00:29:11,520 --> 00:29:14,920
Speaker 1: Shannon Hoon and Blind Melon definitely the most underrated beautiful

494
00:29:14,920 --> 00:29:17,680
Speaker 1: band from the nineties. Thank you, keep up the good work.

495
00:29:17,880 --> 00:29:19,520
Speaker 1: Nine four one you were in luck. We've got a

496
00:29:19,520 --> 00:29:22,400
Speaker 1: Shannon Hoon episode coming your way a couple of months.

497
00:29:23,040 --> 00:29:27,720
Speaker 1: Sammy Sami from the seven six' five text and, HEY

498
00:29:27,840 --> 00:29:30,480
Speaker 1: i know this subject is literally two years too, Late

499
00:29:30,560 --> 00:29:33,760
Speaker 1: BUT i love that in The Mariah carey, episode you

500
00:29:33,840 --> 00:29:37,320
Speaker 1: specifically Mentioned I'm real by J lo And Jah rule

501
00:29:37,400 --> 00:29:39,320
Speaker 1: because the drum beat at the beginning of each segment

502
00:29:39,400 --> 00:29:42,080
Speaker 1: after a break in the bonus episodes always makes me

503
00:29:42,120 --> 00:29:43,840
Speaker 1: think of the drum beat to the beginning Of I'm

504
00:29:43,840 --> 00:29:47,000
Speaker 1: real and then that's stuck in my head for. Eternity Best,

505
00:29:47,280 --> 00:29:50,480
Speaker 1: sammy SAM, I, SAMMY i like the way you spell your. Name,

506
00:29:50,840 --> 00:29:54,239
Speaker 1: uh AND i like That disgraceline got something stuck in your?

507
00:29:54,240 --> 00:29:56,600
Speaker 1: Head makes me think we're doing doing our jobs right

508
00:29:57,640 --> 00:29:59,800
Speaker 1: three h two? Right Sent really no mention Of stone.

509
00:29:59,880 --> 00:30:02,920
Speaker 1: Roll we talked About Stone roses three or two is

510
00:30:02,960 --> 00:30:08,280
Speaker 1: referencing our after party last week on On, britpop and

511
00:30:08,520 --> 00:30:11,240
Speaker 1: uh yeah we Mentioned Stone. ROSES i mentioned.

512
00:30:11,280 --> 00:30:11,800
Speaker 4: THEM i.

513
00:30:11,840 --> 00:30:15,600
Speaker 1: DID i THINK i said they don't belong on the. List,

514
00:30:17,560 --> 00:30:20,360
Speaker 1: sorry BUT i did. THINK i do THINK i said

515
00:30:20,360 --> 00:30:23,800
Speaker 1: THAT i Love Stone, roses but they they, Predate they

516
00:30:23,840 --> 00:30:26,880
Speaker 1: pre date the era we're talking, about and that's that's

517
00:30:27,000 --> 00:30:29,160
Speaker 1: why they got. Mentioned but they weren't on the, list

518
00:30:29,280 --> 00:30:31,400
Speaker 1: you know WHAT i? Mean four one five rites In, Hey,

519
00:30:31,440 --> 00:30:34,920
Speaker 1: JAKE i am late to the Most Badass women In music.

520
00:30:34,960 --> 00:30:37,400
Speaker 1: Party but how can we leave Out Dolly? Parton not

521
00:30:37,520 --> 00:30:39,360
Speaker 1: enough time to list the reasons WHY i love the

522
00:30:39,360 --> 00:30:42,760
Speaker 1: podcast that's in the four oh five we talked About

523
00:30:42,760 --> 00:30:45,120
Speaker 1: Dolly parton SOMEONE i REMEMBER i read a text or

524
00:30:45,120 --> 00:30:49,960
Speaker 1: an email where someone someone called in and, SAID i

525
00:30:49,960 --> 00:30:51,520
Speaker 1: don't remember what they, said but it was About Dolly.

526
00:30:51,560 --> 00:30:54,600
Speaker 1: PARTON i, think or maybe that was just a CONVERSATION

527
00:30:54,640 --> 00:30:57,280
Speaker 1: i had with somebody in. Person it's all blending. Together,

528
00:30:57,880 --> 00:30:59,680
Speaker 1: YEAH i don't know how you talk about badass women

529
00:30:59,680 --> 00:31:02,280
Speaker 1: in music history and Not Dolly. Parton IF i did,

530
00:31:02,320 --> 00:31:06,760
Speaker 1: That i'm forever sorry because that's a, huge huge. Miss

531
00:31:07,200 --> 00:31:09,000
Speaker 1: still trying to figure out How i'm gonna write A

532
00:31:09,000 --> 00:31:12,200
Speaker 1: Dolly parton episode and make it Disgrace. SANDY i THINK

533
00:31:12,240 --> 00:31:13,720
Speaker 1: i have to go to the Porter wagoner. ROUTE i

534
00:31:13,720 --> 00:31:16,080
Speaker 1: don't THINK i can do it just On, dolly because you,

535
00:31:16,120 --> 00:31:19,760
Speaker 1: Know dolly wasn't A dolly didn't do, much you.

536
00:31:19,800 --> 00:31:20,040
Speaker 2: Know WHAT i?

537
00:31:20,080 --> 00:31:22,440
Speaker 1: Mean not a, lot not a lot of bad stuff,

538
00:31:22,480 --> 00:31:24,160
Speaker 1: there not a lot of darkness as far AS i can.

539
00:31:24,200 --> 00:31:28,160
Speaker 1: Tell melissa from the six one, NINE i hear you

540
00:31:28,360 --> 00:31:32,360
Speaker 1: On ann And Nancy Wilson santiago in the two one

541
00:31:32,400 --> 00:31:36,640
Speaker 1: four appreciate your Television wreck For paradise On. Hulu i'm.

542
00:31:36,720 --> 00:31:38,680
Speaker 1: Curious IF i get into, It i'll let you. KNOW

543
00:31:39,960 --> 00:31:42,200
Speaker 1: kb from the eight oh two in response to the

544
00:31:42,280 --> 00:31:45,160
Speaker 1: question of the week the most badass women of rockets

545
00:31:45,160 --> 00:31:47,360
Speaker 1: either Jone jet Or WENDY. O williams MAN a lot of,

546
00:31:47,400 --> 00:31:51,640
Speaker 1: PEOPLE a lot of, PEOPLE a lot of people Mentioning WENDY.

547
00:31:51,680 --> 00:31:55,719
Speaker 1: O williams and Jone jet six one seven nine oh,

548
00:31:55,760 --> 00:31:57,480
Speaker 1: six six sixty three. Eight you guys want to mention

549
00:31:57,640 --> 00:32:00,240
Speaker 1: anything to, me hit me up on, text hit me

550
00:32:00,320 --> 00:32:03,400
Speaker 1: up on. Voicemail you can also email Me Disgrace lampod

551
00:32:03,560 --> 00:32:05,960
Speaker 1: at gmail dot com and you can hit me up

552
00:32:06,000 --> 00:32:10,200
Speaker 1: At Disgrace lampod on The. Socials all, right, guys, Listen

553
00:32:10,400 --> 00:32:13,600
Speaker 1: zeth AND i DOCTOR. Lundi that, is we're gonna be

554
00:32:13,600 --> 00:32:17,640
Speaker 1: doing television and movie. Recommendations some of the music based

555
00:32:17,720 --> 00:32:20,880
Speaker 1: a lot of the music based over in the rap

556
00:32:20,960 --> 00:32:23,520
Speaker 1: parties that are happening in The hollywood land feed every.

557
00:32:23,560 --> 00:32:27,400
Speaker 1: Week AND i have got a. Show, Okay i'm done

558
00:32:27,440 --> 00:32:30,560
Speaker 1: With Love. Story i'm done talking About JOHN. F Kennedy.

559
00:32:30,600 --> 00:32:32,760
Speaker 1: Jr And Carolyn bassett in The. Night And i'm not

560
00:32:32,800 --> 00:32:35,160
Speaker 1: done talking about the. Nineties But i'm done talking about,

561
00:32:35,160 --> 00:32:38,719
Speaker 1: that that dumb show THAT i loved so, much And

562
00:32:38,960 --> 00:32:42,240
Speaker 1: i'm now very upset it's. Gone BUT i have a

563
00:32:42,240 --> 00:32:46,000
Speaker 1: new show and it's way. Better AND i don't have,

564
00:32:46,080 --> 00:32:48,280
Speaker 1: to you, know tell People i'm watching it in hushed

565
00:32:48,400 --> 00:32:52,760
Speaker 1: tones Because i'm embarrassed by. It not THAT i was

566
00:32:52,760 --> 00:32:55,360
Speaker 1: embarrassed by Watching Love. STORY i don't give fuck what

567
00:32:55,440 --> 00:33:00,000
Speaker 1: people think about WHAT i watch on television and everybod

568
00:33:00,000 --> 00:33:02,480
Speaker 1: but he deserves a good guilty. Pleasure who AM i

569
00:33:02,560 --> 00:33:06,000
Speaker 1: to deny myself of? That but this show That i'm

570
00:33:06,040 --> 00:33:08,720
Speaker 1: watching is awesome AND i meant to watch it years.

571
00:33:08,760 --> 00:33:10,680
Speaker 1: Ago it came out about four or five years, AGO i,

572
00:33:10,680 --> 00:33:13,520
Speaker 1: think AND i just missed. IT i missed, IT i

573
00:33:13,520 --> 00:33:15,760
Speaker 1: think BECAUSE i didn't have My hulu password or. SOMETHING

574
00:33:15,760 --> 00:33:18,400
Speaker 1: i don't know what the reason. Was BUT i haven't

575
00:33:18,440 --> 00:33:21,120
Speaker 1: even Told zeth about this BECAUSE i can't wait for

576
00:33:21,160 --> 00:33:24,160
Speaker 1: his eye. Roll But i'm going to convince him that it's,

577
00:33:24,240 --> 00:33:26,400
Speaker 1: great And i'm going to get him to watch it

578
00:33:26,440 --> 00:33:28,640
Speaker 1: and hopefully get you guys to watch it as. Well

579
00:33:29,240 --> 00:33:31,960
Speaker 1: and there's some good music. Involved, okay that's going to

580
00:33:32,000 --> 00:33:34,560
Speaker 1: be happening over in The Rap party starting next. Week

581
00:33:34,600 --> 00:33:37,960
Speaker 1: we're gonna be doing our recommendations over. There most of our,

582
00:33:37,960 --> 00:33:42,520
Speaker 1: RECOMMENDATIONS i should, say because BEFORE i get to the

583
00:33:42,520 --> 00:33:48,520
Speaker 1: because speaking Of zeth In, Hollywoodland zeth does The Rap.

584
00:33:48,560 --> 00:33:51,880
Speaker 1: Party zeth does the archive episode of Hollywood land on

585
00:33:51,960 --> 00:33:55,760
Speaker 1: that week's, subject like for, instance this week it's It's

586
00:33:55,800 --> 00:33:59,600
Speaker 1: Brandon lee From The. Crow and then he comes in

587
00:33:59,600 --> 00:34:02,800
Speaker 1: with The Rap party bonus episode where he does sort

588
00:34:02,800 --> 00:34:05,520
Speaker 1: of expanded take and talks to you guys and get

589
00:34:05,520 --> 00:34:09,480
Speaker 1: to your feedback on that week's subject Again Brandon. Lee

590
00:34:10,239 --> 00:34:13,680
Speaker 1: and then at the end of the week he does

591
00:34:13,760 --> 00:34:17,799
Speaker 1: what's called the Screening room where he teas up a

592
00:34:17,840 --> 00:34:20,120
Speaker 1: movie that we're all going to be watching that weekend

593
00:34:20,640 --> 00:34:24,280
Speaker 1: and talking about when he comes back the following week

594
00:34:24,440 --> 00:34:26,320
Speaker 1: with the wrap. Party, okay so it's all kind of

595
00:34:26,360 --> 00:34:29,440
Speaker 1: strung together, there and this weekend we're all Watching The

596
00:34:29,520 --> 00:34:32,439
Speaker 1: crow With Brandon. Lee so there you. Go that's what's

597
00:34:32,440 --> 00:34:35,400
Speaker 1: happening over. There get into the Hollywood land feed on

598
00:34:35,440 --> 00:34:39,799
Speaker 1: The iHeart podcast, App apple Podcast. Spot if wherever you're

599
00:34:39,840 --> 00:34:42,799
Speaker 1: listening to, podcasts make sure you subscribe to Hollywood. Land

600
00:34:43,520 --> 00:34:48,200
Speaker 1: the recommendations are in part kind of low. Key the

601
00:34:48,280 --> 00:34:53,520
Speaker 1: THING i love talking, about you, know, music and film

602
00:34:53,560 --> 00:34:56,280
Speaker 1: together is kind of right up there music and crime,

603
00:34:56,440 --> 00:34:58,520
Speaker 1: obviously but rex you know what it's. Like you get,

604
00:34:58,520 --> 00:35:00,239
Speaker 1: out you see your, friends what are you? Watching what

605
00:35:00,239 --> 00:35:00,880
Speaker 1: do you listen? To?

606
00:35:00,880 --> 00:35:01,680
Speaker 2: Do you?

607
00:35:01,719 --> 00:35:04,279
Speaker 1: Know you can't wait to talk about? It And zeth

608
00:35:04,280 --> 00:35:05,480
Speaker 1: AND i are gonna start to do that with more

609
00:35:05,520 --> 00:35:07,480
Speaker 1: frequency over in the wrap, Party so make sure you're

610
00:35:07,520 --> 00:35:08,960
Speaker 1: subscribed To Hollywood.

611
00:35:09,000 --> 00:35:09,200
Speaker 3: Man.

612
00:35:09,280 --> 00:35:11,279
Speaker 1: Okay one of the Things i'm gonna start doing here

613
00:35:11,800 --> 00:35:17,040
Speaker 1: going forward in the after parties are these song. RECOMMENDATIONS

614
00:35:17,760 --> 00:35:21,080
Speaker 1: i have found that in this attention economy that we're living,

615
00:35:21,120 --> 00:35:24,640
Speaker 1: IN i often like it when somebody recommends a song

616
00:35:24,719 --> 00:35:27,359
Speaker 1: to me now rather than a new artist THAT i haven't.

617
00:35:27,400 --> 00:35:31,200
Speaker 1: Heard it's just so, overwhelming like where do you even?

618
00:35:31,320 --> 00:35:34,960
Speaker 1: Start you know WHAT i? Mean and everything's all messed

619
00:35:35,040 --> 00:35:37,160
Speaker 1: up now because if you go To, spotify you're not

620
00:35:37,160 --> 00:35:39,520
Speaker 1: gonna you're not gonna get introduced to an artist the

621
00:35:39,560 --> 00:35:41,680
Speaker 1: way that you got introduced to it as a. Kid you,

622
00:35:41,680 --> 00:35:45,160
Speaker 1: know you're gonna get like their most downloaded, whatever which

623
00:35:45,560 --> 00:35:47,960
Speaker 1: could be just because it was covered by, somebody you

624
00:35:48,000 --> 00:35:50,120
Speaker 1: know What i'm. Saying SO i like it when somebody

625
00:35:50,120 --> 00:35:53,560
Speaker 1: just recommends a song to. Me so that's been spinning

626
00:35:53,600 --> 00:35:56,359
Speaker 1: around in my brain. Lately the other thing that's been

627
00:35:56,400 --> 00:36:00,520
Speaker 1: spinning around in my brain lately is trying try to

628
00:36:00,680 --> 00:36:06,560
Speaker 1: not become a cliche old, guy middle aged, guy, whatever

629
00:36:06,640 --> 00:36:11,520
Speaker 1: guy who's just grumpy about new. Music at the same

630
00:36:11,960 --> 00:36:16,759
Speaker 1: TIME i am grumpy about new. Music you, know one

631
00:36:16,800 --> 00:36:19,359
Speaker 1: of the things about being a man is as you get,

632
00:36:19,400 --> 00:36:23,520
Speaker 1: older you have to fight the urge to sort of

633
00:36:23,840 --> 00:36:30,799
Speaker 1: calcify into this version of yourself that never. Changes you.

634
00:36:30,840 --> 00:36:31,320
Speaker 2: Know it's a.

635
00:36:31,400 --> 00:36:38,239
Speaker 1: Stereotype i'm, generalizing but men kind of they just kind

636
00:36:38,280 --> 00:36:41,120
Speaker 1: of get stuck in their ways more than women. DO

637
00:36:41,360 --> 00:36:45,160
Speaker 1: i have found, Anyways i've certainly found this with. Myself

638
00:36:45,680 --> 00:36:48,120
Speaker 1: it's one of those THINGS i don't like about. Myself you.

639
00:36:48,160 --> 00:36:51,400
Speaker 1: Know we get long, lives short, lives however you look at.

640
00:36:51,480 --> 00:36:53,960
Speaker 1: It we want them to be the best, lives the

641
00:36:53,960 --> 00:36:57,839
Speaker 1: most rich, lives the most robust. LIVES i know there's

642
00:36:57,880 --> 00:37:01,719
Speaker 1: great music being made and being released, constantly BUT i

643
00:37:01,760 --> 00:37:05,719
Speaker 1: do have real serious beef with modern. Music And i've

644
00:37:05,719 --> 00:37:08,880
Speaker 1: realized over the last couple of weeks my beef with

645
00:37:08,920 --> 00:37:13,880
Speaker 1: modern music is more about guitar based modern music rock and.

646
00:37:13,960 --> 00:37:17,000
Speaker 1: Roll first of, ALL i just can't stand the fact

647
00:37:17,040 --> 00:37:19,960
Speaker 1: that rock and, roll guitar based rock and, roll is

648
00:37:19,960 --> 00:37:22,440
Speaker 1: no longer part of popular. Culture it doesn't dominate or

649
00:37:22,520 --> 00:37:25,279
Speaker 1: lead popular culture the way that it did WHEN i

650
00:37:25,320 --> 00:37:27,560
Speaker 1: was growing, up AND i can't do anything about. That

651
00:37:28,480 --> 00:37:33,120
Speaker 1: on the same, Time i've realized that what's happened to

652
00:37:33,560 --> 00:37:37,879
Speaker 1: guitar music in the last two decades is this sort

653
00:37:37,880 --> 00:37:42,200
Speaker 1: of mass movement toward recording in the box and recording

654
00:37:42,239 --> 00:37:44,440
Speaker 1: with digital. Tools AND i don't mean just recording to

655
00:37:44,680 --> 00:37:51,719
Speaker 1: pro tools instead of. TAPE i mean using digital plugins

656
00:37:52,000 --> 00:37:54,840
Speaker 1: and apps as opposed to using outboard. Gear AND i

657
00:37:54,880 --> 00:37:56,360
Speaker 1: don't want to bore you with the technicality of it,

658
00:37:56,400 --> 00:37:59,120
Speaker 1: all BUT i can hear the, difference and it's a bum.

659
00:37:59,239 --> 00:38:01,640
Speaker 1: Out you, know WHEN i listen to Led, zeppelin that

660
00:38:01,640 --> 00:38:05,399
Speaker 1: shit fucking blasts comes to. LIFE i was talking about

661
00:38:05,400 --> 00:38:07,239
Speaker 1: this couple weeks, ago you, guys if a kid wanted

662
00:38:07,239 --> 00:38:09,840
Speaker 1: to hear the beg's and Like Stan alive came on

663
00:38:09,880 --> 00:38:12,080
Speaker 1: AND i was just, like oh my, god this is.

664
00:38:12,200 --> 00:38:15,920
Speaker 1: Glorious not to mention the fact that everything is compressed

665
00:38:16,320 --> 00:38:18,760
Speaker 1: by the time we hear, it you, know into ones

666
00:38:18,800 --> 00:38:23,120
Speaker 1: and zeros On spotify Or apple or wherever we're streaming our,

667
00:38:23,200 --> 00:38:26,400
Speaker 1: music even on the, radio which has always been. Compressed but,

668
00:38:27,040 --> 00:38:32,640
Speaker 1: anyhow modern rock music suffers the most from, this and

669
00:38:32,719 --> 00:38:36,320
Speaker 1: everybody's doing it basically barely anyone records to tape anymore

670
00:38:36,880 --> 00:38:40,040
Speaker 1: except huge artists because it's super, expensive And god bless

671
00:38:40,600 --> 00:38:42,279
Speaker 1: up and coming new. Artists what are they gonna. Do

672
00:38:42,280 --> 00:38:43,799
Speaker 1: they gotta find a way to get their music out.

673
00:38:43,840 --> 00:38:46,040
Speaker 1: There and that's just the economy we live. In that's

674
00:38:46,080 --> 00:38:50,040
Speaker 1: just how things are done, now that's where we're. At but,

675
00:38:50,120 --> 00:38:54,440
Speaker 1: again rock music suffers the most because we're used to

676
00:38:54,480 --> 00:38:59,839
Speaker 1: hearing rock music be, huge, punk, hardcore classic, rock all.

677
00:39:00,080 --> 00:39:02,840
Speaker 1: Shit we grew up. Loving you, know if that's what

678
00:39:02,880 --> 00:39:06,280
Speaker 1: you're trying to get at as a as a guitar

679
00:39:06,400 --> 00:39:10,439
Speaker 1: based band now and you're recording in the, box you're

680
00:39:10,520 --> 00:39:14,760
Speaker 1: kind of. Fucked you're never gonna get that. Bigness it's really,

681
00:39:14,800 --> 00:39:18,160
Speaker 1: difficult AND i don't like. It If i'm being, HONEST

682
00:39:18,239 --> 00:39:20,040
Speaker 1: i can hear it in a, SECOND i can spot

683
00:39:20,120 --> 00:39:23,240
Speaker 1: it a mile, away AND i don't like it Because

684
00:39:23,280 --> 00:39:25,160
Speaker 1: i'm Just i'm just just not What i'm used to.

685
00:39:25,239 --> 00:39:28,279
Speaker 1: Now on the other, hand when it comes to electronic,

686
00:39:28,360 --> 00:39:32,399
Speaker 1: music electronic based, music electronic based produced. MUSIC i don't

687
00:39:32,400 --> 00:39:34,920
Speaker 1: mean like you, know E. EDM i don't mean like craft,

688
00:39:34,920 --> 00:39:38,480
Speaker 1: work you, KNOW i mean LIKE r AND b hip

689
00:39:38,520 --> 00:39:42,440
Speaker 1: hop pop, music which for the last beyond two, decades

690
00:39:42,480 --> 00:39:46,160
Speaker 1: the last four, decades they've been using drum. Machines for

691
00:39:46,320 --> 00:39:47,920
Speaker 1: all the pop MUSIC i grew up with in the

692
00:39:47,960 --> 00:39:50,799
Speaker 1: eighties and nineties THAT i Love, madonna you, know all

693
00:39:50,880 --> 00:39:54,560
Speaker 1: that stuff was not reliant on big, guitars big sounding

694
00:39:54,600 --> 00:39:57,600
Speaker 1: guitars and big sounding. Drums and if there were big sounding,

695
00:39:57,680 --> 00:40:02,520
Speaker 1: drums again it was it was created. Artificial SO i

696
00:40:02,600 --> 00:40:06,360
Speaker 1: find myself now walking through the, world walking into a

697
00:40:06,440 --> 00:40:09,160
Speaker 1: restaurant or just walking down the street and hearing a

698
00:40:09,200 --> 00:40:12,600
Speaker 1: car drive by with the windows rolled. Down and more

699
00:40:12,600 --> 00:40:14,400
Speaker 1: often than, not WHEN i hear things now AND i, go,

700
00:40:14,400 --> 00:40:18,000
Speaker 1: oh what's that that's, interesting it's often always pop, music

701
00:40:18,400 --> 00:40:22,680
Speaker 1: top forty, music and it's not guitar. Based And i'm,

702
00:40:22,719 --> 00:40:26,040
Speaker 1: finally for the first time in a long, time allowing

703
00:40:26,080 --> 00:40:30,000
Speaker 1: myself to be curious about this and, go wait a,

704
00:40:30,000 --> 00:40:32,440
Speaker 1: minute wait a, minute wait a, minute, wait what is?

705
00:40:32,480 --> 00:40:36,560
Speaker 1: THIS i kind of like? This why DO i like?

706
00:40:36,600 --> 00:40:36,759
Speaker 3: This?

707
00:40:36,920 --> 00:40:39,840
Speaker 1: OH i like this because this is fucking. Awesome it

708
00:40:39,880 --> 00:40:41,799
Speaker 1: doesn't matter that they made it a year ago or

709
00:40:41,840 --> 00:40:44,560
Speaker 1: two months ago or three years or. Whatever it doesn't

710
00:40:44,600 --> 00:40:47,680
Speaker 1: matter that it's pop. Music it doesn't matter that IT'S

711
00:40:48,200 --> 00:40:50,480
Speaker 1: r AND. B it doesn't matter to me because in

712
00:40:50,520 --> 00:40:52,160
Speaker 1: the SEVENTIES i love The Beach, boys because in the

713
00:40:52,239 --> 00:40:54,480
Speaker 1: EIGHTIES i Love. Madonna because in the NINETIES i loved

714
00:40:54,760 --> 00:40:58,040
Speaker 1: En vogue And shade And. SEAL i didn't KNOW i

715
00:40:58,080 --> 00:41:00,120
Speaker 1: Love seal until, recently BUT i love you know WHAT i.

716
00:40:59,880 --> 00:41:03,360
Speaker 1: MEAN i loved that. STUFF i wasn't actively seeking it.

717
00:41:03,400 --> 00:41:05,680
Speaker 1: Out it was just, there and now WHEN i hear,

718
00:41:05,719 --> 00:41:08,920
Speaker 1: IT i love. It So i'm not going to deprive

719
00:41:08,960 --> 00:41:12,840
Speaker 1: myself of modern music just because modern guitar music is

720
00:41:12,840 --> 00:41:14,640
Speaker 1: in a rut right. Now, now the good news, IS

721
00:41:14,680 --> 00:41:17,480
Speaker 1: i think modern guitar music is going to come. BACK

722
00:41:17,600 --> 00:41:20,240
Speaker 1: i really truly. DO i think the way it's recorded

723
00:41:20,360 --> 00:41:23,520
Speaker 1: is going to. Change you. Can't you, know when you

724
00:41:23,560 --> 00:41:26,360
Speaker 1: record with all of these you, know, electronic LIKE i,

725
00:41:26,360 --> 00:41:30,279
Speaker 1: said outboard gear and plugins and everything is in the,

726
00:41:30,360 --> 00:41:34,480
Speaker 1: box everything sounds the. Same and musicians are going to

727
00:41:34,560 --> 00:41:37,359
Speaker 1: get wise to that because listeners are going to get

728
00:41:37,400 --> 00:41:39,680
Speaker 1: wise to, that and they're going to stop. Listening and

729
00:41:39,760 --> 00:41:41,960
Speaker 1: then we're going to go back to this sort of

730
00:41:42,000 --> 00:41:46,000
Speaker 1: one hundred and eighty degrees back to recording in big

731
00:41:46,160 --> 00:41:48,000
Speaker 1: rooms in big. Studios how we're going to do, THAT

732
00:41:48,080 --> 00:41:51,439
Speaker 1: i don't, know but it'll, happen trust. Me so all

733
00:41:51,680 --> 00:41:55,040
Speaker 1: of that is a long way to say That i'm

734
00:41:55,080 --> 00:41:57,000
Speaker 1: gonna start. Recommending i'm gonna do this thing with you

735
00:41:57,080 --> 00:41:59,319
Speaker 1: guys every week called new, song old. Song, Okay i'm

736
00:41:59,320 --> 00:42:01,600
Speaker 1: gonna recommend one new song That i'm, into and you

737
00:42:01,640 --> 00:42:03,320
Speaker 1: can tell me If i'm crazy for liking, it or

738
00:42:03,360 --> 00:42:04,719
Speaker 1: you can tell me if you love, it and you

739
00:42:04,760 --> 00:42:07,960
Speaker 1: can recommend whatever new song or old song you wanna recommend.

740
00:42:08,000 --> 00:42:10,080
Speaker 1: Me i'm gonna recommend one old song okay as. Well,

741
00:42:10,160 --> 00:42:12,759
Speaker 1: okay the old songs are. Easy there's a gazillion of,

742
00:42:12,800 --> 00:42:15,680
Speaker 1: them and These i'm trying to pick songs Where i'm

743
00:42:15,680 --> 00:42:17,880
Speaker 1: trying to maintain this, vibe the spirit of like you

744
00:42:18,000 --> 00:42:20,920
Speaker 1: hear a song for the first time that day and

745
00:42:21,040 --> 00:42:23,160
Speaker 1: it just not only owns your, day it owns your.

746
00:42:23,239 --> 00:42:26,040
Speaker 1: Week you're, like, fuck, yeah, man where's that? Song you

747
00:42:26,080 --> 00:42:28,040
Speaker 1: grab your? FOOT i gotta hear that, song you know

748
00:42:28,080 --> 00:42:30,680
Speaker 1: WHAT i. Mean that's What i'm going for. Here so

749
00:42:30,880 --> 00:42:33,359
Speaker 1: we're gonna do the new song, first because that's gonna

750
00:42:33,360 --> 00:42:35,160
Speaker 1: be harder for. Me and then we're gonna do the old,

751
00:42:35,160 --> 00:42:36,600
Speaker 1: song because that's gonna be easier for. Me you're gonna

752
00:42:36,600 --> 00:42:39,040
Speaker 1: do the hard things first in. Life new. Song ever

753
00:42:39,160 --> 00:42:42,560
Speaker 1: since you left, ME i went Deaf French. MONTANA i

754
00:42:42,600 --> 00:42:44,759
Speaker 1: didn't know this about myself until ABOUT i don't, know

755
00:42:45,440 --> 00:42:48,880
Speaker 1: two days. AGO i kind of Love French. MONTANA i

756
00:42:48,920 --> 00:42:51,080
Speaker 1: think there might even be a Disgrace land episode there

757
00:42:51,440 --> 00:42:53,480
Speaker 1: WHICH i might even be excited to. WRITE i don't,

758
00:42:53,520 --> 00:42:57,040
Speaker 1: know BUT i love this fucking. Song it is. Fantastic

759
00:42:57,680 --> 00:42:59,640
Speaker 1: it's based on the riff that's the WAY i like

760
00:42:59,719 --> 00:43:03,840
Speaker 1: It casey in The Sunshine. Band it's, nasty it's, Dirty

761
00:43:04,120 --> 00:43:05,799
Speaker 1: it's gonna make. You it's gonna do what a great

762
00:43:05,920 --> 00:43:08,719
Speaker 1: song on a summer day is supposed to. Do it's

763
00:43:08,719 --> 00:43:10,800
Speaker 1: gonna make you want to drive fast and, drink not

764
00:43:10,920 --> 00:43:14,120
Speaker 1: necessarily in that, order or hopefully not in the reverse,

765
00:43:14,239 --> 00:43:16,239
Speaker 1: order but you know What i'm getting at. Right it's

766
00:43:16,280 --> 00:43:19,080
Speaker 1: a fucking. Banger ever since you left, ME i went

767
00:43:19,239 --> 00:43:23,319
Speaker 1: deaf By French montana and someone Called max by WHO

768
00:43:23,400 --> 00:43:26,400
Speaker 1: i don't know. Who that is released in this year

769
00:43:26,480 --> 00:43:29,560
Speaker 1: twenty twenty, six a couple months Ago, january from an

770
00:43:29,560 --> 00:43:34,839
Speaker 1: album Called Coke wave three point Five. NARCOS i don't

771
00:43:34,880 --> 00:43:36,840
Speaker 1: know what the fuck that's, about but it sounds pretty

772
00:43:36,920 --> 00:43:39,480
Speaker 1: rock and roll to. Me so that's the new. Song

773
00:43:39,800 --> 00:43:44,880
Speaker 1: the old, song completely, different totally. Different what is That

774
00:43:44,960 --> 00:43:46,719
Speaker 1: Food fighters? Song this isn't the. Song what is That

775
00:43:46,760 --> 00:43:50,319
Speaker 1: Food fighter song that goes ah on The New day?

776
00:43:50,560 --> 00:43:54,759
Speaker 1: Risin that song's. Okay WHEN i first heard that, SONG i, went,

777
00:43:54,880 --> 00:43:57,600
Speaker 1: oh he's he Got New Day rising From Bob. MOLD

778
00:43:57,680 --> 00:44:01,080
Speaker 1: i guarantee that that phrase New Day rising is rolling

779
00:44:01,080 --> 00:44:04,040
Speaker 1: around In Dave girl's head because Of whoscerdo And Bob

780
00:44:04,120 --> 00:44:07,680
Speaker 1: mold And New Day. Rising just a great song and

781
00:44:07,800 --> 00:44:10,840
Speaker 1: a great. Album not What i'm, recommending BUT i am

782
00:44:10,880 --> 00:44:14,200
Speaker 1: going to recommend something. RELATED i am researching foods As

783
00:44:14,200 --> 00:44:16,239
Speaker 1: i've been talking, about AND i watched that documentary and

784
00:44:16,280 --> 00:44:20,120
Speaker 1: there's this part in like twenty sixteen, Ish Dave grol,

785
00:44:21,360 --> 00:44:23,400
Speaker 1: turns you, know part of his house into a recording

786
00:44:23,440 --> 00:44:27,479
Speaker 1: studio and they do that Album Wasted light with, rope

787
00:44:27,640 --> 00:44:31,239
Speaker 1: great song that songs great rope By Foo fighters And

788
00:44:31,360 --> 00:44:34,560
Speaker 1: lo and behold There's Bob mould In Dave girl's house

789
00:44:35,640 --> 00:44:39,160
Speaker 1: recording with him and it's. Awesome it's. Great it's great

790
00:44:39,200 --> 00:44:42,640
Speaker 1: to See Bob mold behind the mic singing his ass

791
00:44:42,719 --> 00:44:44,839
Speaker 1: off in that way that Only Bob mold can. Sing

792
00:44:44,960 --> 00:44:47,640
Speaker 1: what a. Voice BUT i went back AND i looked

793
00:44:47,680 --> 00:44:51,720
Speaker 1: At New Day rising the album BECAUSE i just can't

794
00:44:51,760 --> 00:44:56,320
Speaker 1: listen to this record. Enough it is, NonStop no. Skips. Great,

795
00:44:56,560 --> 00:44:59,880
Speaker 1: however the, song the one Song i'm pulling from this

796
00:45:00,000 --> 00:45:02,560
Speaker 1: this album to recommend to, you my old song recommendation

797
00:45:02,800 --> 00:45:07,640
Speaker 1: Is Celebrated summer By whoskerdoo On New Day. Rising, now

798
00:45:07,640 --> 00:45:09,960
Speaker 1: if you haven't heard that, SONG i invite you to

799
00:45:10,280 --> 00:45:14,759
Speaker 1: throw that on the old stereo and turn it up

800
00:45:15,040 --> 00:45:17,839
Speaker 1: and roll your windows. Down so there you, go new.

801
00:45:17,920 --> 00:45:19,759
Speaker 1: Song ever since you left, ME i went deaf By

802
00:45:19,800 --> 00:45:23,560
Speaker 1: French montana and some dude Named MAX. B forgive, Me MAX.

803
00:45:23,600 --> 00:45:25,520
Speaker 1: B i know not who you. Are maybe SOMEDAY i

804
00:45:25,560 --> 00:45:29,560
Speaker 1: will learn And New day excuse me Celebrated. Summer bye

805
00:45:29,640 --> 00:45:32,920
Speaker 1: Bye Whosker. Doo all, right check those, out disgrace my

806
00:45:33,080 --> 00:45:35,520
Speaker 1: pod at gmail dot. Com you want to email me

807
00:45:35,719 --> 00:45:39,480
Speaker 1: any song, recommendations any recommendations at, all go for. It

808
00:45:40,239 --> 00:45:43,280
Speaker 1: got an email from an old listener, Here john McNeely

809
00:45:43,400 --> 00:45:46,200
Speaker 1: Aka Johnny, vinyl who, Says, Hey i've been out of

810
00:45:46,239 --> 00:45:48,320
Speaker 1: the loop for a bit on social media and podcast,

811
00:45:48,400 --> 00:45:51,480
Speaker 1: listening but catching up with the less than handful of

812
00:45:51,560 --> 00:45:55,040
Speaker 1: PODS i listened, to which Includes disgraceland, TODAY i was

813
00:45:55,120 --> 00:45:58,080
Speaker 1: thrilled to see that you did wind up covering me

814
00:45:58,120 --> 00:46:00,320
Speaker 1: as a pod us someone i'd suggested a couple of

815
00:46:00,400 --> 00:46:01,759
Speaker 1: years ago and he said it would be a tall.

816
00:46:01,920 --> 00:46:04,719
Speaker 1: Order well you did her in The Gifts. Justice my

817
00:46:04,920 --> 00:46:08,000
Speaker 1: eyes even welled. Up only a few episodes had ever

818
00:46:08,120 --> 00:46:10,719
Speaker 1: affected me like that WHEN i got home from work

819
00:46:10,800 --> 00:46:13,279
Speaker 1: after having finished the. Episode on my ride, HOME i

820
00:46:13,400 --> 00:46:16,880
Speaker 1: had to put On frenching The. Bully don't know if you,

821
00:46:16,920 --> 00:46:19,120
Speaker 1: agree But i've always Heard Bad brains and the riffs

822
00:46:19,160 --> 00:46:21,960
Speaker 1: and breakdowns of the songs, absent and here's to your.

823
00:46:22,040 --> 00:46:24,000
Speaker 1: Fuck i've been a fan of both bands for, decades

824
00:46:24,000 --> 00:46:25,719
Speaker 1: AND i know you're a Huge Bad brains. Fan i'm

825
00:46:25,880 --> 00:46:28,719
Speaker 1: stoked for The Patti smith episode as she's one of

826
00:46:28,800 --> 00:46:31,560
Speaker 1: my favorite people on the, planet and The foods. EPISODE

827
00:46:32,000 --> 00:46:34,239
Speaker 1: i was a Big Dave grohl fan and have made

828
00:46:34,360 --> 00:46:38,560
Speaker 1: a complete one hundred and eighty degree turn on those

829
00:46:38,880 --> 00:46:41,759
Speaker 1: feelings for various. Reasons but that's what makes me look

830
00:46:41,840 --> 00:46:44,040
Speaker 1: forward to the. Episode on a final, note my girlfriend

831
00:46:44,080 --> 00:46:47,319
Speaker 1: AND i started a YouTube channel Called Spinning flames where

832
00:46:47,360 --> 00:46:50,919
Speaker 1: we break down an artist and album while trying out hot.

833
00:46:51,000 --> 00:46:54,480
Speaker 1: Sauces that sounds, Awesome. Johnny johnny goes on to, say

834
00:46:54,480 --> 00:46:57,760
Speaker 1: congrats on the tune and had seventy. Episodes Thanks, johnny appreciate,

835
00:46:57,840 --> 00:47:02,360
Speaker 1: you AND i appreciate the words about our Miyaz apata.

836
00:47:02,760 --> 00:47:07,000
Speaker 1: Episode all praise needs to go To Zeth lundy for that.

837
00:47:07,080 --> 00:47:08,719
Speaker 1: One he wrote that, one he wrote the shit out of.

838
00:47:08,760 --> 00:47:13,279
Speaker 1: It and as far as The Foo fighters in your

839
00:47:13,320 --> 00:47:17,760
Speaker 1: one hundred and eighty degree turn On Dave, grohl, yeah,

840
00:47:18,680 --> 00:47:23,160
Speaker 1: yeah that's What i'll. Say, yeah you'll hear. It a

841
00:47:23,239 --> 00:47:28,960
Speaker 1: couple of weeks coming at. You Ty gilpin On instagram right, saying,

842
00:47:29,000 --> 00:47:31,160
Speaker 1: HEY i think the most Seminal british band of the modern,

843
00:47:31,200 --> 00:47:34,320
Speaker 1: era one that changed everything and one that truly launched

844
00:47:34,680 --> 00:47:37,600
Speaker 1: what would later become britpop has to be The Stone.

845
00:47:37,719 --> 00:47:41,480
Speaker 1: Roses what a behemoth and the GEN x landscape For

846
00:47:41,600 --> 00:47:47,560
Speaker 1: britain can't argue with. That turnstile recently COVERED i want

847
00:47:47,600 --> 00:47:51,279
Speaker 1: to be adored By Stone. Roses it's pret damn. Good

848
00:47:52,160 --> 00:47:54,239
Speaker 1: my Old bambadega girls used to cover that song as.

849
00:47:54,280 --> 00:47:55,320
Speaker 1: WELL i loved playing it.

850
00:47:55,360 --> 00:47:56,080
Speaker 2: Live it was so.

851
00:47:56,320 --> 00:47:59,920
Speaker 1: Fun what a great, band AND i can't. Wait we'll

852
00:47:59,920 --> 00:48:02,399
Speaker 1: do an episode On Stone roses at some. Point, guys

853
00:48:03,200 --> 00:48:04,719
Speaker 1: if you're digging the, show you want to support the,

854
00:48:04,760 --> 00:48:06,840
Speaker 1: show a couple of ways you can do. It go

855
00:48:06,920 --> 00:48:10,120
Speaker 1: to disgrace simpod dot, com sign, up become an All access,

856
00:48:10,200 --> 00:48:12,840
Speaker 1: member or if you want, to you can go On

857
00:48:12,920 --> 00:48:17,239
Speaker 1: Apple podcasts Or spotify and leave a. Review IF i

858
00:48:17,320 --> 00:48:19,160
Speaker 1: read your review here on the show and you hear

859
00:48:19,239 --> 00:48:20,880
Speaker 1: it and you hit me up six one seven nine

860
00:48:20,920 --> 00:48:23,800
Speaker 1: oh six sixty six three, EIGHT i will send you some.

861
00:48:23,960 --> 00:48:26,960
Speaker 1: Merch gotta be, patient, though but the merch it will.

862
00:48:27,040 --> 00:48:31,600
Speaker 1: Come as they say x main eleven On apple podcast Wheights,

863
00:48:31,640 --> 00:48:35,360
Speaker 1: hey outstanding, production audio quality and. Research this is some

864
00:48:35,440 --> 00:48:38,240
Speaker 1: of the best free journalism on legendary rockstars and modern

865
00:48:38,320 --> 00:48:40,560
Speaker 1: artists that you'll, find and you can listen to. It

866
00:48:40,960 --> 00:48:43,680
Speaker 1: it can feel formulaics, sometimes but after, all it's a.

867
00:48:43,800 --> 00:48:47,000
Speaker 1: Show can't be too mad about. That some episodes are

868
00:48:47,040 --> 00:48:49,360
Speaker 1: a slice of life on a given, artist and some span,

869
00:48:49,760 --> 00:48:53,759
Speaker 1: decades AND i mean the formulaic, Park come, on that's on.

870
00:48:53,840 --> 00:48:57,160
Speaker 1: Purpose sounds like you know that we try to give

871
00:48:57,200 --> 00:49:00,560
Speaker 1: you you know what you, want what you can expect every,

872
00:49:00,600 --> 00:49:03,040
Speaker 1: week the same. Thing and, YEAH i like how you

873
00:49:03,080 --> 00:49:05,239
Speaker 1: said some episodes are a slice of life on a

874
00:49:05,280 --> 00:49:07,960
Speaker 1: given artist in some span. Decades given our conversation on M,

875
00:49:07,960 --> 00:49:14,759
Speaker 1: WIRs M WIRs memoirs and, autobiographies this review feels particularly

876
00:49:15,239 --> 00:49:17,600
Speaker 1: on point six, one, seven nine oh, six sixty six three,

877
00:49:17,680 --> 00:49:21,200
Speaker 1: Eight get at me x main eleven And i'll get

878
00:49:21,200 --> 00:49:22,839
Speaker 1: you something in the. Mail you, guys want to leave

879
00:49:22,880 --> 00:49:24,480
Speaker 1: a review For disgrace and you can do so On

880
00:49:24,680 --> 00:49:28,359
Speaker 1: Apple podcasts And. Spotify all, Right i'll be back after,

881
00:49:28,440 --> 00:49:48,560
Speaker 1: this all right. Again All access members you get access

882
00:49:48,640 --> 00:49:51,719
Speaker 1: to exclusive content like the conversation That zeth AND i

883
00:49:51,840 --> 00:49:55,320
Speaker 1: are going to continue having right now on, memoirs some

884
00:49:55,680 --> 00:49:58,239
Speaker 1: From Hollywood, land and some of them are pretty damn,

885
00:49:58,360 --> 00:50:01,000
Speaker 1: juicy And i'm excited to talk To. Zeth go To

886
00:50:01,080 --> 00:50:03,719
Speaker 1: disgrace iPod dot com to sign up to become An

887
00:50:03,719 --> 00:50:18,080
Speaker 1: All access member if you're not. Already all, right, guys

888
00:50:18,120 --> 00:50:21,200
Speaker 1: we are, back and as you, know two hundred and

889
00:50:21,280 --> 00:50:24,760
Speaker 1: sixty plus episodes A disgrace. Slam that's a huge. Archive Marilyn,

890
00:50:24,800 --> 00:50:27,240
Speaker 1: Manson Beastie, Boys Brian wilson were some of the artists

891
00:50:27,280 --> 00:50:31,000
Speaker 1: we mentioned in this. Episode, matt excuse, Me, sean who's

892
00:50:31,040 --> 00:50:34,000
Speaker 1: mixing this one is going to have the show notes excuse,

893
00:50:34,000 --> 00:50:37,719
Speaker 1: me the episode information for those stories in the show notes,

894
00:50:37,800 --> 00:50:40,400
Speaker 1: here and you'll be an easy way for you to

895
00:50:40,880 --> 00:50:43,560
Speaker 1: find them if you're. Interested if you get questions on

896
00:50:43,680 --> 00:50:45,400
Speaker 1: anything in our, archive hit me. Up i'll try to

897
00:50:45,400 --> 00:50:48,320
Speaker 1: get answers to. You let's, recap shall? We number one this,

898
00:50:48,440 --> 00:50:52,200
Speaker 1: week our special new season preview is available for you

899
00:50:52,320 --> 00:50:54,080
Speaker 1: to check out right. Now you're going To you're gonna

900
00:50:54,080 --> 00:50:56,399
Speaker 1: get a look into all of the stories that we're

901
00:50:56,440 --> 00:50:59,080
Speaker 1: doing in the next couple of. Months a little bit

902
00:50:59,120 --> 00:51:01,040
Speaker 1: of history on how to disgrace saying came to. Be

903
00:51:01,440 --> 00:51:03,480
Speaker 1: you're not gonna want to miss. That our rewind episode

904
00:51:03,520 --> 00:51:06,360
Speaker 1: this is number. Two our rewind episode this week Is Fleetwood.

905
00:51:06,400 --> 00:51:08,359
Speaker 1: Mac it's a two part Of Fleetwood Mac part one

906
00:51:08,440 --> 00:51:10,960
Speaker 1: and two next. Week, yeah that's, Right Patti, Smith Miss

907
00:51:11,040 --> 00:51:13,880
Speaker 1: Patti smith's coming your way AND i can't. WAIT i

908
00:51:13,960 --> 00:51:15,360
Speaker 1: can't wait for you to hear. This number four Is

909
00:51:15,400 --> 00:51:17,719
Speaker 1: ess giving you Those hollywood and crime vibes over In.

910
00:51:17,760 --> 00:51:20,839
Speaker 1: Hollywood lands and make sure you are. Subscribed number, Five

911
00:51:21,000 --> 00:51:22,680
Speaker 1: this film should be played. LOUD i don't e THINK

912
00:51:22,719 --> 00:51:24,719
Speaker 1: i mentioned. That that's our video podcast and we got

913
00:51:24,760 --> 00:51:26,839
Speaker 1: a new one On Big lebowski that's available for Our

914
00:51:26,840 --> 00:51:29,680
Speaker 1: patreon listeners right. Now become An All access member to

915
00:51:29,760 --> 00:51:31,680
Speaker 1: check that. Out number six six one seven nine oh

916
00:51:31,800 --> 00:51:34,279
Speaker 1: six six six three. Eight your voice keeps us digging

917
00:51:34,280 --> 00:51:36,440
Speaker 1: into the dark corners of music, History so keep, calling

918
00:51:36,560 --> 00:51:38,880
Speaker 1: texting with your answers to this week's question of the

919
00:51:38,920 --> 00:51:40,600
Speaker 1: week or whatever else you guys want to talk. About

920
00:51:40,719 --> 00:51:42,920
Speaker 1: and number, seven don't forget this. Goes this isn't just.

921
00:51:43,040 --> 00:51:46,160
Speaker 1: Content it's a, community a community of the, obsessed and

922
00:51:46,280 --> 00:51:49,280
Speaker 1: no one cares about, music, books records and the crime

923
00:51:49,600 --> 00:51:51,640
Speaker 1: grime that ties them all together like you. Do and

924
00:51:51,840 --> 00:51:56,000
Speaker 1: that is a, disgrace all. Right which date to? Choose

925
00:51:57,040 --> 00:51:59,239
Speaker 1: it's a hard one this week because we did that

926
00:51:59,320 --> 00:52:03,080
Speaker 1: little discrace same history in this week's special. Episode So

927
00:52:03,360 --> 00:52:07,600
Speaker 1: i'm looking back to the. Day disgracelam launched On february,

928
00:52:07,680 --> 00:52:13,040
Speaker 1: thirteenth twenty, eighteen and here is What america was listening

929
00:52:13,120 --> 00:52:17,960
Speaker 1: to on that, day according to The Billboard. Charts number,

930
00:52:18,000 --> 00:52:24,080
Speaker 1: One God's Plan drake last week not applicable peak position

931
00:52:24,600 --> 00:52:30,320
Speaker 1: one weeks on chart one number two Perfect Ed sheeran

932
00:52:30,920 --> 00:52:34,800
Speaker 1: last week two peak Position savage one last week weeks

933
00:52:34,840 --> 00:52:38,840
Speaker 1: on chart twenty two weeks on number three's On Havana

934
00:52:39,360 --> 00:52:43,920
Speaker 1: Camila cabello Feature Young God's plan for Last drake last

935
00:52:43,960 --> 00:52:48,040
Speaker 1: peak position last week weeks on chart one peak physictioneeks

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00:52:48,080 --> 00:52:52,600
Speaker 1: on chart number four Rock i post malone twenty, One

937
00:52:52,680 --> 00:52:56,040
Speaker 1: savage last last week's all three peak position peak position

938
00:52:56,400 --> 00:53:02,000
Speaker 1: fo weeks week's On charts, nineteen number Five An Finesse

939
00:53:02,600 --> 00:53:10,480
Speaker 1: Do No, MOMS Cosb, basketball quit talking and start mixing

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00:53:10,920 --> 00:53:11,160
Speaker 1: could