WEBVTT - Kel Mitchell

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<v Speaker 1>And I remember one time when they started writing in

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<v Speaker 1>all that scripts and they laugh about this. They wrote

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<v Speaker 1>and then Kill does something physical, Kill goes crazy, and

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<v Speaker 1>they wouldn't even like give the action because they just

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<v Speaker 1>didn't know what I might do. So they go next,

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<v Speaker 1>which was fun. Man, Hey, what's up everybody? This is

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<v Speaker 1>Keil Mitchell, and I love the quote that says, it's

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<v Speaker 1>a great day for a good day.

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<v Speaker 2>Let's go.

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<v Speaker 3>Here we are again, everybody. Yep, you guessed it. This

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<v Speaker 3>is another episode of Off the Beat. I am your host,

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<v Speaker 3>Brian Bomgartner. You might say my guest today is all

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<v Speaker 3>that he's a good guy. Yes, I'm talking about the

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<v Speaker 3>very very funny Kill Mitchell. You've probably known Kel for

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<v Speaker 3>a long time, like since he was just a kid.

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<v Speaker 3>He was on the Nickelodeon Sketch comedy show, all that

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<v Speaker 3>groundbreaking in its time. But you probably didn't even need

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<v Speaker 3>me to say his last name because he's also half

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<v Speaker 3>of the iconic duo Keenan and Kell, the other half,

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<v Speaker 3>of course, being SNL's own Keenan Thompson. The pair were

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<v Speaker 3>also the brains behind another iconic duo, Ed and Dex

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<v Speaker 3>from the hit Sketch Turned movie Good Burger, and you

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<v Speaker 3>can watch the brand new sequel, Good Burger two on

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<v Speaker 3>Paramount Plus right now, breaking records for Paramount Plus twenty

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<v Speaker 3>five years after the original Good Burger. But he doesn't

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<v Speaker 3>just serve burgers. Did you hear that transition? Kell is

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<v Speaker 3>also a voiceover artist. He's worked on cartoons like Clifford,

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<v Speaker 3>the Big Red Dog, The Proud Family, Pink Panther in Friends.

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<v Speaker 3>He's a licensed pastor. He's a musician who not only

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<v Speaker 3>writes and records his own music, but he has appeared

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<v Speaker 3>on tracks with big names like Khalid and Mature and

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<v Speaker 3>Kanye West. So let's just hear what he has to

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<v Speaker 3>say about all this, shall we. Here's the precocious kel

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<v Speaker 3>or kel Mitchell.

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<v Speaker 4>If you must, Bubble and squeak, I love it, Bubble

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<v Speaker 4>and Squeakna.

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<v Speaker 2>Bubble and squeak. I cook get every month left over

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<v Speaker 2>from the ninety before.

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<v Speaker 5>What's up? Kell?

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<v Speaker 2>What's up? Man?

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<v Speaker 5>How are you?

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<v Speaker 2>I'm good? Good to see you.

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<v Speaker 5>Good to see you as well? What's going on? Where

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<v Speaker 5>are you?

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<v Speaker 2>I am in Los Angeles?

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<v Speaker 3>Los Angeles, the city of Angels Now? Is that where

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<v Speaker 3>you live?

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<v Speaker 2>That's where I live?

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<v Speaker 5>Yeah? Right?

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<v Speaker 3>You know I was talking to somebody the other day

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<v Speaker 3>and they were talking about walking the dog and walking

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<v Speaker 3>with their kid, and the kid melted down, and then

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<v Speaker 3>they sent me a picture saying he's fine now he

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<v Speaker 3>got a cookie, and she sent the picture, and I

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<v Speaker 3>wasn't thinking about the cookie or the melting down. I

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<v Speaker 3>was thinking about the fact that the kid had a

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<v Speaker 3>snow cap on and like a gigantic coat and gloves,

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<v Speaker 3>and I'm like, oh, yeah, it's cold other places right now,

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<v Speaker 3>Like I had like forgotten that we're in towards the

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<v Speaker 3>middle of December right now.

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<v Speaker 2>Yeah. Man, off from Chicago originally, So.

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<v Speaker 5>I know that you were born in Chicago.

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<v Speaker 3>Yeah, right, So are you do you consider that your

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<v Speaker 3>home or is Los Angeles your home now?

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<v Speaker 2>I mean I was born and raised in Chicago.

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<v Speaker 1>I'm always gonna love Chicago be in Chicago, and but

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<v Speaker 1>Los Angeles home.

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<v Speaker 5>When did you start performing? How old were you?

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<v Speaker 2>Oh?

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<v Speaker 1>Man, Well that was if you ask my parents, I

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<v Speaker 1>was very young out the womb. My mom not busted

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<v Speaker 1>out smiling when I came. But yeah, man, I was

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<v Speaker 1>always like making people laugh, get in trouble in school,

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<v Speaker 1>and so my parents tried to try everything to get

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<v Speaker 1>me in some type of hobby and we tried everything,

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<v Speaker 1>and the one that stuck was actually doing theater. It

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<v Speaker 1>was a community theater in Chicago that we saw a

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<v Speaker 1>few plays at and they had a summer course. My

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<v Speaker 1>parents were like, yo, just go to the summer course.

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<v Speaker 1>See what you know, We'll see what happens. Just something

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<v Speaker 1>to keep you busy. It wasn't like on TV or anything.

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<v Speaker 1>I just fell in love with the art of acting.

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<v Speaker 1>This was like, oh, this, this is my people. This

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<v Speaker 1>is where I could do all the things I do

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<v Speaker 1>in school and get in trouble. And it went from

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<v Speaker 1>me doing showcases there too, it turned into an actual

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<v Speaker 1>job where I did plays at night with adults and

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<v Speaker 1>had to rehearse and so I wasn't acting up as

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<v Speaker 1>much as I was used to in.

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<v Speaker 2>School because now it's a job. So it was it's

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<v Speaker 2>kind of cool.

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<v Speaker 3>So how old were you here when this starts to

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<v Speaker 3>become like a real thing and you're doing You're doing

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<v Speaker 3>you know, shows with adults and not just sparting around.

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<v Speaker 1>This was I want to say, twelve, okay, twelve and

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<v Speaker 1>to thirteen, yeah, like around that age.

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<v Speaker 3>Yeah, okay, now are you are you taking classes too?

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<v Speaker 5>Is there a class? Okay, yeah, yeah, there were classes.

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<v Speaker 1>So then I started after the summer course, then it

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<v Speaker 1>was classes. I think they were like every Wednesday or

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<v Speaker 1>something like that after school, you know what I mean.

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<v Speaker 1>But we would do these acting classes at the theater.

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<v Speaker 1>So shout out to Runako Jahi who's my drama teacher.

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<v Speaker 1>I recently just talked to him recently about Gerberger too.

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<v Speaker 1>We were, you know, talking back and forth. But but yeah, man,

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<v Speaker 1>I just I loved it, and I went from working

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<v Speaker 1>there to doing stuff at Goodman Theater, Victory Gardens Theater.

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<v Speaker 1>You know, I love the city in Chicago, so they

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<v Speaker 1>have a great theater district.

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<v Speaker 3>So yeah, man, were you doing any comedy? Were you

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<v Speaker 3>doing any stand up or improv at this point or yeah,

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<v Speaker 3>it was.

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<v Speaker 1>It was a lot of comedy, definitely, definitely a lot

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<v Speaker 1>of improv in drama. So I was doing drama plays.

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<v Speaker 1>I started with the drama. But it was such a

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<v Speaker 1>beautiful thing in theater because I learned, you know, the dance.

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<v Speaker 1>We also took dancing. We also you know, took acting

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<v Speaker 1>classes in prov classes like the whole thing. And so

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<v Speaker 1>that's why I'm always into like the rat Pack and

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<v Speaker 1>like that, you know, triple threat type of vibe, you

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<v Speaker 1>know what I mean. And because I do music, a dance,

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<v Speaker 1>tell jokes, comedy, drama, all the entertainment you know, I'm into.

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<v Speaker 3>I want to talk about your music career a little

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<v Speaker 3>bit later, but at this age are you singing at

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<v Speaker 3>this age like within.

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<v Speaker 1>Plays with play as I am? At this time, I

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<v Speaker 1>had a rap group that I was involved in.

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<v Speaker 5>Uh really yeah.

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<v Speaker 1>We got a song on w gc I, which is

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<v Speaker 1>local at this point, right, you know what I mean,

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<v Speaker 1>and doing stuff there in Chicago. And you know, my

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<v Speaker 1>sister worked at Metro Music, which was like a record

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<v Speaker 1>company that a lot of the artists used to go

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<v Speaker 1>to and sign autographs back then. And so like she

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<v Speaker 1>got all the all the tapes you know before before

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<v Speaker 1>they came out, all the samples like l COOJ and another,

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<v Speaker 1>Bacorasan Crisscross, all the dope stuff, you know what I mean.

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<v Speaker 1>So I was, I was into it. I used to

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<v Speaker 1>play the B side with instrumental and just make my records.

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<v Speaker 5>That's awesome, that's awesome. Where your where your folks?

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<v Speaker 3>I mean, I know you said before if they wanted

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<v Speaker 3>you not to get in trouble so much, so they

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<v Speaker 3>were trying to find an activity. Now, I mean, this

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<v Speaker 3>is a lot of running around from place to place.

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<v Speaker 3>Are they supportive at this point? Are they like, yeah,

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<v Speaker 3>you go kel or or what's what's there? What's their feeling?

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<v Speaker 2>They're supportive, man, They're supportive.

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<v Speaker 1>They liked that I was having a positive votlet because

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<v Speaker 1>I had buddies that were on the up and up,

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<v Speaker 1>and then I had buddies that weren't, you know what

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<v Speaker 1>I mean. So it was good that I was doing

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<v Speaker 1>something positives right with that, you know. And they always

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<v Speaker 1>always in everything, you know, as far as like church

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<v Speaker 1>boy scouts we were. They kept us very active. My

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<v Speaker 1>parents were really into education. My dad is a retired

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<v Speaker 1>psychologist and my mom is a retired teacher.

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<v Speaker 2>So like it was very well, yeah, right, and they

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<v Speaker 2>had this kid that's doing you know, class clown stuff.

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<v Speaker 3>And so I like to talk to my guests about

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<v Speaker 3>this because to me, it's interesting. And you kind of

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<v Speaker 3>touched on it a little bit like from a child

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<v Speaker 3>who says like I want to, you know, be a

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<v Speaker 3>professional basketball player, or you know, I want to be

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<v Speaker 3>in the movies or whatever, and then that sort of

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<v Speaker 3>goes away or you're doing activities because you're a kid

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<v Speaker 3>and you need to stay busy and that tea wich

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<v Speaker 3>is you important social lessons and blah blah blah. But

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<v Speaker 3>you know, at what point for you and how old

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<v Speaker 3>when you're like, this is what I want to do,

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<v Speaker 3>Like I want to be an entertainer and also special

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<v Speaker 3>two part question, because you were doing so much in

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<v Speaker 3>the theater, which is which is where I started. Was

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<v Speaker 3>it about doing theater being an actor or did you

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<v Speaker 3>start thinking about other mediums?

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<v Speaker 2>Man?

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<v Speaker 1>I okay, So to as to that, I think as

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<v Speaker 1>a parent because then also being a parent too, I

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<v Speaker 1>think it's very important to kind of lean into those

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<v Speaker 1>things that you see your kids have interest in or

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<v Speaker 1>a desire to do, because that could be one of

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<v Speaker 1>the things that leads to their purpose in life, of

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<v Speaker 1>one of the doors that open and have them experience

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<v Speaker 1>different things that are you know, positive but experiencing different things.

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<v Speaker 1>Because of that fact doors were like open that I

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<v Speaker 1>was like, oh, okay, this is another part of this

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<v Speaker 1>thing that I enjoy because it's like when I was

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<v Speaker 1>doing theater, then all of a sudden, you know, we

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<v Speaker 1>had this shoot because they came to see some kids

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<v Speaker 1>that had, like you know, hip hop style or whatever,

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<v Speaker 1>and they were just like, hey, we want you guys

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<v Speaker 1>to model for Captain crunch What then, so now we

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<v Speaker 1>take a picture. So I always tell people I was

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<v Speaker 1>a model first. So I booked that and I got

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<v Speaker 1>on the back of the Crunchberry's box. That was from

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<v Speaker 1>me doing theater, you know, Downtown Theater, Vidrick Gardens and Goodman,

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<v Speaker 1>and then that turned to meet an agent, and then

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<v Speaker 1>from me getting that agent, then that turned into going

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<v Speaker 1>on auditions and movies, and so it wasn't a thing

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<v Speaker 1>of like we knew exactly. My parents were like experiencing

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<v Speaker 1>with me along the way and just being very supportive

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<v Speaker 1>and me going, Okay, I want to try this now.

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<v Speaker 1>I want to try this. This door is open, and

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<v Speaker 1>I want to try this now. And so shout out

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<v Speaker 1>to them for being very very supportive doing that process,

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<v Speaker 1>because I know it was a lot to even for

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<v Speaker 1>them to process at that point.

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<v Speaker 5>Right.

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<v Speaker 3>No, absolutely, and I mean it's very different now. But

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<v Speaker 3>I grew up in Atlanta and at the time, I think,

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<v Speaker 3>you know, it had a very solid, you know, stable

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<v Speaker 3>of theaters that you could go and act in and

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<v Speaker 3>so forth. Now it's of course it's totally different. It's

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<v Speaker 3>like the entertainment capital of the world and everything under

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<v Speaker 3>the sun is shot there. But at the time, I

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<v Speaker 3>don't know, like it just it wasn't even like a

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<v Speaker 3>part of my con No one was asking me to

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<v Speaker 3>be on the back of crunch berries. Like there wasn't

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<v Speaker 3>like that modeling stuff or like commercials or at least

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<v Speaker 3>it was just not in my consciousness, Like I never

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<v Speaker 3>even saw that as an opportunity. But it sounds like

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<v Speaker 3>pretty early you start having a diverse experiences. Talk to

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<v Speaker 3>me a little bit, because You're still young at this point.

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<v Speaker 3>I mean, I'm not a great at math, but it

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<v Speaker 3>seems like sixteen ish you end up auditioning for a

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<v Speaker 3>new show called All That Talk. Do me a little

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<v Speaker 3>bit about that experience. How did that audition come about

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<v Speaker 3>and how did you end up getting the job?

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<v Speaker 1>Yeah, that was I feel like I was like fifteen. Okay,

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<v Speaker 1>you're almost right there right in the bah Man So

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<v Speaker 1>similar like what you were saying back then as far

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<v Speaker 1>as the opportunities, because now Chicago they filmed everything there

0:12:20.280 --> 0:12:23.240
<v Speaker 1>now right as well as in Atlanta. But around this

0:12:23.320 --> 0:12:25.920
<v Speaker 1>time it was infomercials, a lot of modeling gigs, things

0:12:25.960 --> 0:12:29.080
<v Speaker 1>of that nature. But then all that came along and

0:12:29.120 --> 0:12:31.000
<v Speaker 1>it was like a sketch comedy for kids, and you

0:12:31.040 --> 0:12:33.560
<v Speaker 1>know that was new too because that hadn't been done.

0:12:33.679 --> 0:12:35.760
<v Speaker 1>I mean because you had SNL yeah, Living Color, but

0:12:35.880 --> 0:12:39.679
<v Speaker 1>an all kids sketch show had not been done. And

0:12:39.800 --> 0:12:43.000
<v Speaker 1>so except for like I want to say, Roundhouse, but

0:12:43.080 --> 0:12:44.400
<v Speaker 1>it still wasn't the same.

0:12:45.040 --> 0:12:46.400
<v Speaker 5>No, I was shown.

0:12:46.440 --> 0:12:49.640
<v Speaker 3>I mean in getting ready to talk to you today,

0:12:49.800 --> 0:12:52.800
<v Speaker 3>you know, I did a deep dive back into all that,

0:12:53.400 --> 0:12:57.040
<v Speaker 3>and you know, I was familiar with your work and

0:12:57.080 --> 0:13:00.480
<v Speaker 3>your sketches and specifically what we'll talk about you and

0:13:00.559 --> 0:13:04.920
<v Speaker 3>Keenan together, but I wasn't aware of this show and

0:13:05.040 --> 0:13:08.880
<v Speaker 3>how groundbreaking it was. What you just said, I don't

0:13:08.920 --> 0:13:14.640
<v Speaker 3>mean to be reductive, but basically SNL but for kids, yeah, literally,

0:13:15.160 --> 0:13:19.400
<v Speaker 3>and the idea of that, it's just like, well, of

0:13:19.559 --> 0:13:23.040
<v Speaker 3>course why would we not have that, But at the time,

0:13:23.200 --> 0:13:26.080
<v Speaker 3>it hadn't been done. So where how do you you

0:13:26.160 --> 0:13:28.000
<v Speaker 3>just get an audition to meet with them?

0:13:28.240 --> 0:13:30.360
<v Speaker 1>Yeah, So how it kicked off was that I was

0:13:30.440 --> 0:13:33.360
<v Speaker 1>already going on auditions out in Chicago. Yeah, and then

0:13:33.640 --> 0:13:36.080
<v Speaker 1>nothing like this had ever came through the pipeline. So

0:13:36.160 --> 0:13:38.400
<v Speaker 1>when that came along, and you know, this is back

0:13:38.400 --> 0:13:41.280
<v Speaker 1>in the day where they didn't have to zoom auditions

0:13:41.320 --> 0:13:43.640
<v Speaker 1>or nothing like that. They were really scouting kids across

0:13:43.640 --> 0:13:47.040
<v Speaker 1>America and they went everywhere. Man, so they came to

0:13:47.120 --> 0:13:50.280
<v Speaker 1>Chicago at this point. You know, I'm a sophomore, like

0:13:50.400 --> 0:13:53.760
<v Speaker 1>in high school. I remember I had finals that day

0:13:54.360 --> 0:13:57.720
<v Speaker 1>and we had this audition. Ended up getting there late

0:13:58.400 --> 0:14:00.800
<v Speaker 1>because it was like way downtown. I lived on the Southside,

0:14:01.040 --> 0:14:03.760
<v Speaker 1>and I remember to get in LA and I did

0:14:03.800 --> 0:14:06.439
<v Speaker 1>the audition with for Brian Robbins. You know, you're talking

0:14:06.480 --> 0:14:08.720
<v Speaker 1>about the head of class. These are shows that I watched,

0:14:08.760 --> 0:14:11.120
<v Speaker 1>you know, and they say, hey, do you want to

0:14:11.160 --> 0:14:14.440
<v Speaker 1>do any personations? And instead of doing people that were

0:14:14.480 --> 0:14:17.440
<v Speaker 1>like famous, I didn't people that were that I grew

0:14:17.520 --> 0:14:18.360
<v Speaker 1>up around.

0:14:18.080 --> 0:14:20.800
<v Speaker 2>Like people saw that I was, you know, on the

0:14:21.000 --> 0:14:21.440
<v Speaker 2>l you.

0:14:21.360 --> 0:14:24.720
<v Speaker 1>Know, riding on the subway, you know, my uncles, all

0:14:24.720 --> 0:14:27.760
<v Speaker 1>these different people, my coach in my high school, and

0:14:27.920 --> 0:14:30.400
<v Speaker 1>ultimately all those characters that I did in the room

0:14:30.720 --> 0:14:33.400
<v Speaker 1>ended up being on the show. But it was deep

0:14:33.440 --> 0:14:37.160
<v Speaker 1>because within this audition process, it took like, I want

0:14:37.160 --> 0:14:39.080
<v Speaker 1>to say, two weeks before they even called back. So

0:14:39.080 --> 0:14:42.520
<v Speaker 1>I'm thinking I didn't get it. And then I remember

0:14:42.520 --> 0:14:44.880
<v Speaker 1>it was a late night phone call at my house

0:14:44.920 --> 0:14:48.000
<v Speaker 1>and my mom was like, hello, huh who whoa thank you?

0:14:48.080 --> 0:14:50.600
<v Speaker 1>Jesus said, we went to La. Then it was like

0:14:50.680 --> 0:14:53.320
<v Speaker 1>when we went to La it was the Avengers. It

0:14:53.400 --> 0:14:56.520
<v Speaker 1>was like every funny kid that they found from all

0:14:56.520 --> 0:15:00.160
<v Speaker 1>these different cities and states battling out. And so at

0:15:00.200 --> 0:15:03.080
<v Speaker 1>the battle about one more time and I got in

0:15:03.160 --> 0:15:06.040
<v Speaker 1>there and made the top top seven for all that.

0:15:06.160 --> 0:15:08.120
<v Speaker 1>But the thing about it is that it was just

0:15:08.160 --> 0:15:11.720
<v Speaker 1>a special. And so because Nickelodeon was they were afraid.

0:15:11.800 --> 0:15:13.480
<v Speaker 1>They were like because I compared it to a living

0:15:13.520 --> 0:15:16.680
<v Speaker 1>color as well, because it was very diverse too as well.

0:15:16.720 --> 0:15:17.440
<v Speaker 2>We had a lot of you.

0:15:17.440 --> 0:15:19.680
<v Speaker 1>Know, the hip hop acts and you know, we're all

0:15:19.680 --> 0:15:22.880
<v Speaker 1>different colors and all these different things. So and so

0:15:23.040 --> 0:15:26.520
<v Speaker 1>for Nickelodeon, they were just like, let's try it. Let's

0:15:26.560 --> 0:15:30.600
<v Speaker 1>see it kicked off. I mean the ratings were through

0:15:30.640 --> 0:15:34.040
<v Speaker 1>the roof. But for us, all of the kids, we thought, hey,

0:15:34.040 --> 0:15:36.000
<v Speaker 1>this is a one off, it's a special. Let's see

0:15:36.000 --> 0:15:37.720
<v Speaker 1>what happened to us. So we all went back home,

0:15:38.200 --> 0:15:39.600
<v Speaker 1>you know, just to see what happened.

0:15:40.040 --> 0:15:40.720
<v Speaker 5>Got it.

0:15:41.520 --> 0:15:44.640
<v Speaker 3>So you thought you were just shooting one. Yeah, Yeah,

0:15:44.800 --> 0:15:48.560
<v Speaker 3>we thought how much later is it that you find

0:15:48.560 --> 0:15:50.640
<v Speaker 3>out like that they want to do more.

0:15:50.720 --> 0:15:52.320
<v Speaker 1>I want to say it was a few months later,

0:15:52.600 --> 0:15:56.840
<v Speaker 1>because when the special went off, the kids were going crazy. Kids,

0:15:56.880 --> 0:15:59.120
<v Speaker 1>We're going crazy. They're like, what is the show all that?

0:15:59.280 --> 0:16:02.560
<v Speaker 1>Oh my goodness. TLC was our like first guest. They

0:16:02.600 --> 0:16:05.360
<v Speaker 1>sung the theme song, you know what I mean, and

0:16:05.400 --> 0:16:07.280
<v Speaker 1>it was like it really spoke to the time. Now

0:16:07.360 --> 0:16:09.480
<v Speaker 1>we all have the same vibe as kids watching it

0:16:09.520 --> 0:16:12.600
<v Speaker 1>at that point. So they brought us all back and

0:16:12.640 --> 0:16:15.080
<v Speaker 1>life changed right there. Like, you know, my mom was

0:16:15.200 --> 0:16:18.360
<v Speaker 1>pregnant with my younger sister and it just so happened,

0:16:18.680 --> 0:16:20.880
<v Speaker 1>you know that she was on leave for that, and

0:16:21.040 --> 0:16:22.960
<v Speaker 1>so she had time to fly with me to go

0:16:23.240 --> 0:16:25.920
<v Speaker 1>to Florida to film this show, and it just really

0:16:25.960 --> 0:16:27.560
<v Speaker 1>it really kicked off, and you know, to shoot at

0:16:27.640 --> 0:16:31.160
<v Speaker 1>Universal Studios in Florida, you know.

0:16:31.200 --> 0:16:33.840
<v Speaker 2>On the back plot. Yeah, man, it was awesome.

0:16:34.600 --> 0:16:36.840
<v Speaker 5>Yeah. How many episodes did you do?

0:16:37.200 --> 0:16:38.960
<v Speaker 3>Were you there for like a long time or did

0:16:38.960 --> 0:16:40.880
<v Speaker 3>you kind of shoot them back and back and bang them?

0:16:41.080 --> 0:16:41.320
<v Speaker 2>Yeah?

0:16:41.320 --> 0:16:43.560
<v Speaker 1>We shot I want to say season one might have

0:16:43.640 --> 0:16:47.080
<v Speaker 1>been like twelve episodes, I believe. Yeah, and then we

0:16:47.120 --> 0:16:49.160
<v Speaker 1>would do it like a small heatius and then come back.

0:16:49.200 --> 0:16:52.080
<v Speaker 1>And we kept going and we went from season and season.

0:16:52.120 --> 0:16:55.080
<v Speaker 1>Then all of a sudden they stopped me and Keenan,

0:16:55.160 --> 0:16:57.520
<v Speaker 1>and then all of a sudden it was hey, you guys,

0:16:57.600 --> 0:17:01.000
<v Speaker 1>stay back on this next hiatus, next break, you all

0:17:01.080 --> 0:17:03.320
<v Speaker 1>stay here. And we were like why, and they were like, well,

0:17:03.360 --> 0:17:05.600
<v Speaker 1>we want to create a show with you and Keenan,

0:17:05.640 --> 0:17:07.720
<v Speaker 1>and we're like what. They're like, this is going to

0:17:07.800 --> 0:17:10.919
<v Speaker 1>be different. This is going to be like Martin or

0:17:11.440 --> 0:17:13.639
<v Speaker 1>Fresh Prince bel Air, you know that type of show

0:17:14.000 --> 0:17:14.679
<v Speaker 1>family matters.

0:17:14.680 --> 0:17:53.560
<v Speaker 4>I said, whoa Okay.

0:17:36.280 --> 0:17:39.040
<v Speaker 5>Did you and Keenan hit it off pretty quickly?

0:17:39.640 --> 0:17:39.920
<v Speaker 2>Yeah?

0:17:40.080 --> 0:17:42.639
<v Speaker 1>I mean it was such a beautiful thing where it's like,

0:17:42.720 --> 0:17:44.520
<v Speaker 1>of course we size each other up, like okay, okay,

0:17:44.560 --> 0:17:45.040
<v Speaker 1>this kid.

0:17:44.920 --> 0:17:45.520
<v Speaker 2>Is similar to me.

0:17:45.680 --> 0:17:50.280
<v Speaker 1>Okay. And then it was a thing of us both

0:17:50.359 --> 0:17:53.840
<v Speaker 1>killing it and sketches alone. And then what happened was

0:17:54.200 --> 0:17:57.200
<v Speaker 1>there was a sketch called Magas and Clavin's where we

0:17:57.359 --> 0:18:01.280
<v Speaker 1>prayed two old guys. We both saw it in that

0:18:01.480 --> 0:18:04.080
<v Speaker 1>sketch where it was like I would say something, heople

0:18:04.080 --> 0:18:05.280
<v Speaker 1>say something. I knew what he was about to say

0:18:05.320 --> 0:18:07.720
<v Speaker 1>right before he said it. And in that moment, it

0:18:07.760 --> 0:18:10.199
<v Speaker 1>was this magic where it was just like okay, and

0:18:10.240 --> 0:18:13.840
<v Speaker 1>they started putting us in all sketches like together. It

0:18:13.920 --> 0:18:16.440
<v Speaker 1>was great, man, in that moment, and we both remember

0:18:16.480 --> 0:18:17.480
<v Speaker 1>that moment too as well.

0:18:18.040 --> 0:18:21.800
<v Speaker 3>Yeah, so this was the writers who saw that. I mean,

0:18:21.880 --> 0:18:25.000
<v Speaker 3>you guys felt it when. This was the writers who

0:18:25.400 --> 0:18:28.760
<v Speaker 3>in that next hiatus said hey, you guys, you're not

0:18:29.000 --> 0:18:34.160
<v Speaker 3>you're you're not going home. This was from them watching

0:18:34.200 --> 0:18:35.200
<v Speaker 3>you guys work together.

0:18:36.000 --> 0:18:36.240
<v Speaker 2>Yeah.

0:18:36.320 --> 0:18:36.480
<v Speaker 5>Man.

0:18:36.520 --> 0:18:39.119
<v Speaker 1>And then because you know, Brian always says it was

0:18:39.240 --> 0:18:42.359
<v Speaker 1>like he would watch us off camera too, and you know,

0:18:42.400 --> 0:18:45.600
<v Speaker 1>because our life off camera was very hilarious too. And

0:18:45.680 --> 0:18:47.760
<v Speaker 1>so they wanted to create this key and the Kille

0:18:47.800 --> 0:18:50.639
<v Speaker 1>world and it was it was awesome, man. And you

0:18:50.680 --> 0:18:53.159
<v Speaker 1>know they came to us and with the sketch, I

0:18:53.160 --> 0:18:55.440
<v Speaker 1>mean not sketch, but the show idea. And I remember

0:18:55.480 --> 0:18:57.119
<v Speaker 1>it had a bunch of different names. I remember we

0:18:57.160 --> 0:18:59.280
<v Speaker 1>had a dinner and it was like these two guys

0:18:59.359 --> 0:19:02.360
<v Speaker 1>and like the title were just really crazy. Somebody there

0:19:02.520 --> 0:19:05.040
<v Speaker 1>decided to say, hey, just name it after the kids.

0:19:06.440 --> 0:19:09.240
<v Speaker 1>And that was great because I remember Will Smith talking

0:19:09.280 --> 0:19:11.840
<v Speaker 1>about when he decided to have his name be Will

0:19:12.080 --> 0:19:14.280
<v Speaker 1>on the show. He was like, well, you were all

0:19:14.680 --> 0:19:16.080
<v Speaker 1>your fans are going to grow what you would always

0:19:16.119 --> 0:19:19.280
<v Speaker 1>know your name, And I was like genius. I'm glad

0:19:19.280 --> 0:19:21.919
<v Speaker 1>we did that because that was they know us. It's

0:19:22.000 --> 0:19:23.840
<v Speaker 1>Kim to Kel's kimy to Kell. You know, they grow

0:19:23.880 --> 0:19:24.199
<v Speaker 1>with us.

0:19:24.280 --> 0:19:31.639
<v Speaker 3>Yeah, Kenan and Kel launches. It is a big rating success,

0:19:31.800 --> 0:19:35.680
<v Speaker 3>very big deal at the time for a whole new

0:19:35.800 --> 0:19:40.800
<v Speaker 3>generation of young people. Did you feel it at the time,

0:19:41.119 --> 0:19:44.760
<v Speaker 3>like did you were you like, oh, now it's hard

0:19:44.760 --> 0:19:47.679
<v Speaker 3>to go to the grocery store, Like were you feeling it?

0:19:47.760 --> 0:19:49.680
<v Speaker 3>Or were you just like, hey, I'm doing what I love,

0:19:49.760 --> 0:19:52.880
<v Speaker 3>I'm having a great time. You know, how was that

0:19:52.920 --> 0:19:54.480
<v Speaker 3>for you? Did your life change?

0:19:55.119 --> 0:19:57.560
<v Speaker 2>It took it like okay, because I always playing this

0:19:57.680 --> 0:19:58.920
<v Speaker 2>like back in the day.

0:19:58.960 --> 0:20:00.439
<v Speaker 1>It wasn't like how it is now out where they

0:20:00.920 --> 0:20:03.120
<v Speaker 1>put the shows out and it's like instant because it's

0:20:03.119 --> 0:20:03.879
<v Speaker 1>on social media.

0:20:04.359 --> 0:20:05.200
<v Speaker 5>But it was a.

0:20:05.160 --> 0:20:07.800
<v Speaker 1>Slow burn because it was like people had to you know,

0:20:07.880 --> 0:20:11.000
<v Speaker 1>discover the show go crazy over it. So for us,

0:20:11.080 --> 0:20:13.600
<v Speaker 1>we were just like in Florida, it was nuts. We

0:20:13.600 --> 0:20:16.280
<v Speaker 1>couldn't really go anywhere because it was like our audience

0:20:16.359 --> 0:20:19.600
<v Speaker 1>was all high school students that all like frequent around.

0:20:19.400 --> 0:20:21.000
<v Speaker 2>There, so we couldn't really go anywhere.

0:20:21.160 --> 0:20:23.800
<v Speaker 1>But then when the show really started taking off, like

0:20:23.840 --> 0:20:25.800
<v Speaker 1>you know, when Ken Keel came out and then we

0:20:25.800 --> 0:20:27.320
<v Speaker 1>were doing all that in keeny n Kel. At the

0:20:27.320 --> 0:20:30.080
<v Speaker 1>same time, it did get crazy, like we couldn't go

0:20:30.119 --> 0:20:33.159
<v Speaker 1>anywhere where, Like there were kids like you know, like

0:20:33.400 --> 0:20:37.479
<v Speaker 1>chuck E cheese or the mall, the all the movie

0:20:37.680 --> 0:20:39.679
<v Speaker 1>movie theaters, you know, all that tough stuff like that.

0:20:39.760 --> 0:20:41.920
<v Speaker 1>And I remember going back home, I used to try

0:20:41.960 --> 0:20:44.920
<v Speaker 1>to like be real low key, you know about you

0:20:45.000 --> 0:20:47.520
<v Speaker 1>know what I mean, likemar was so people would know.

0:20:47.600 --> 0:20:50.320
<v Speaker 1>But after a while it was just it was crazy,

0:20:50.359 --> 0:20:53.680
<v Speaker 1>like the fans were just going nuts over the show,

0:20:53.760 --> 0:20:55.800
<v Speaker 1>which was which was amazing. I mean we got chased

0:20:55.800 --> 0:20:58.200
<v Speaker 1>a lot and a lot of stuff like that, which

0:20:58.240 --> 0:20:58.600
<v Speaker 1>is cool.

0:20:59.320 --> 0:21:01.880
<v Speaker 3>I mean, you we're still young. I mean you said

0:21:01.920 --> 0:21:04.120
<v Speaker 3>like going to the movies. I mean, maybe you weren't

0:21:04.119 --> 0:21:05.639
<v Speaker 3>going to chuck e cheese so much. You were a

0:21:05.640 --> 0:21:08.159
<v Speaker 3>little old for that, but but yeah, like that's what

0:21:08.200 --> 0:21:10.720
<v Speaker 3>you would do, right, I mean, at least at that time.

0:21:11.640 --> 0:21:13.439
<v Speaker 3>You know, a teenager, you go to the mall, you

0:21:13.440 --> 0:21:16.919
<v Speaker 3>watch the movies, your hold hands or you know, whatever

0:21:16.960 --> 0:21:19.880
<v Speaker 3>you're doing there and you can't. You can't do that.

0:21:20.000 --> 0:21:22.840
<v Speaker 3>Do you feel isolated or is it just that you

0:21:22.880 --> 0:21:24.160
<v Speaker 3>were happy with what you're doing?

0:21:24.640 --> 0:21:26.560
<v Speaker 1>Man, you know, we were happy with what we were doing.

0:21:26.760 --> 0:21:28.960
<v Speaker 1>Was just an experience, like just like, man, we're just

0:21:29.040 --> 0:21:31.760
<v Speaker 1>we're having a blast with that. I think as we

0:21:31.880 --> 0:21:35.359
<v Speaker 1>started to get to the adulting stage, because there was

0:21:35.400 --> 0:21:38.320
<v Speaker 1>also a point in between this where we are now,

0:21:38.800 --> 0:21:42.040
<v Speaker 1>you know, turning seventeen eighteen, you know what I mean,

0:21:42.760 --> 0:21:46.639
<v Speaker 1>within this process and having this you know, adult within

0:21:46.720 --> 0:21:49.160
<v Speaker 1>the limelight, So that was different things. We're like trying

0:21:49.200 --> 0:21:53.320
<v Speaker 1>to not isolate it, but everybody doesn't really understand the dynamic,

0:21:53.680 --> 0:21:56.879
<v Speaker 1>you know what I mean, having a public opinion and

0:21:57.119 --> 0:21:59.639
<v Speaker 1>being in the public and who can you trust and

0:21:59.720 --> 0:22:01.720
<v Speaker 1>ieople are trying to you know, do certain things wrong,

0:22:01.840 --> 0:22:03.400
<v Speaker 1>like all those different things, you know what I mean.

0:22:03.520 --> 0:22:06.800
<v Speaker 1>So that did happen within the process. You know, there

0:22:06.880 --> 0:22:09.840
<v Speaker 1>was a turn within it, but it was still enjoyable time.

0:22:10.400 --> 0:22:14.879
<v Speaker 3>Yeah, at eighteen, ANDed and Decks finally get to graduate

0:22:14.960 --> 0:22:20.640
<v Speaker 3>from the little screen and go make a movie Good Burger.

0:22:20.920 --> 0:22:22.480
<v Speaker 5>Yeah, tell me about making that movie.

0:22:23.200 --> 0:22:27.560
<v Speaker 3>I mean, you'd been working together and in some ways

0:22:27.560 --> 0:22:32.520
<v Speaker 3>you've been working on these even specific characters for a while.

0:22:33.160 --> 0:22:34.760
<v Speaker 5>Ye did this feel special?

0:22:35.720 --> 0:22:37.520
<v Speaker 2>Yeah? Man, I mean it was.

0:22:37.680 --> 0:22:40.480
<v Speaker 1>It was the same thing again where the producers and

0:22:40.520 --> 0:22:43.720
<v Speaker 1>the writers because we always know they meet us a

0:22:43.720 --> 0:22:46.000
<v Speaker 1>different dresser rope, like hey we got to meet and yeah,

0:22:46.760 --> 0:22:49.679
<v Speaker 1>over and we sat down and they're like, okay, so

0:22:49.800 --> 0:22:51.920
<v Speaker 1>check it out. We want to, you know, have Good

0:22:51.920 --> 0:22:55.760
<v Speaker 1>Burger turn into a movie. Now, Goudburger had already had

0:22:55.800 --> 0:22:59.280
<v Speaker 1>like some success even more because like the musical guests

0:22:59.320 --> 0:23:02.160
<v Speaker 1>always wanted to be in a Good Burger sketch, which

0:23:02.240 --> 0:23:04.960
<v Speaker 1>was cool for me, you know, because I love hip

0:23:04.960 --> 0:23:07.400
<v Speaker 1>hop and music and all that. And so it had

0:23:07.440 --> 0:23:10.879
<v Speaker 1>already put out a single with the top like R

0:23:10.920 --> 0:23:13.840
<v Speaker 1>and B kid group around that time called Immature, and

0:23:13.920 --> 0:23:16.160
<v Speaker 1>so I had already been on the billboard charge soul

0:23:16.240 --> 0:23:19.840
<v Speaker 1>trained as ed you know what I mean, doing all right,

0:23:19.880 --> 0:23:21.840
<v Speaker 1>And then it was a thing where like okay, this

0:23:22.040 --> 0:23:24.119
<v Speaker 1>they were looking at the model, same again with you

0:23:24.119 --> 0:23:27.399
<v Speaker 1>know SNL. But you know, you take a sketch to

0:23:27.480 --> 0:23:29.560
<v Speaker 1>a movie. So it was like, all right, let's take

0:23:29.560 --> 0:23:32.000
<v Speaker 1>this d character and do that. And then the first

0:23:32.040 --> 0:23:36.919
<v Speaker 1>script I remember was about this stick and it.

0:23:37.000 --> 0:23:40.040
<v Speaker 2>Had every character, so all my characters were in there.

0:23:40.760 --> 0:23:43.280
<v Speaker 1>All of Keenan's characters were in there from all that,

0:23:44.040 --> 0:23:46.680
<v Speaker 1>but then they Paramount doubt us down and was like,

0:23:46.760 --> 0:23:49.000
<v Speaker 1>let's just keep it to ed in that world of it.

0:23:49.760 --> 0:23:52.359
<v Speaker 1>And for Keenan, they were trying to create a characters.

0:23:52.440 --> 0:23:55.160
<v Speaker 1>Keenan had already done Mighty Ducks and even before all that,

0:23:55.640 --> 0:23:58.200
<v Speaker 1>so they were trying to create like, does he shitty

0:23:58.240 --> 0:24:00.880
<v Speaker 1>Doe lester Oaks construction worker was a character he did

0:24:00.880 --> 0:24:03.959
<v Speaker 1>on all that? Or make him just the kid this

0:24:04.119 --> 0:24:07.080
<v Speaker 1>goes through these you know this issue And I'm glad

0:24:07.119 --> 0:24:09.600
<v Speaker 1>they did that because his story in Good Burger it

0:24:09.680 --> 0:24:10.040
<v Speaker 1>was just.

0:24:10.119 --> 0:24:10.920
<v Speaker 2>You know, amazing.

0:24:11.359 --> 0:24:14.280
<v Speaker 1>And yeah, man, this was my first film, and you know,

0:24:14.400 --> 0:24:16.240
<v Speaker 1>Keenan had already done one already, so he was giving

0:24:16.240 --> 0:24:18.480
<v Speaker 1>me a lot of you know, advice on the film world.

0:24:18.800 --> 0:24:21.440
<v Speaker 1>But it was great, man, to have this movie come

0:24:21.480 --> 0:24:24.679
<v Speaker 1>out and just be amazing. I remember seeing the billboard

0:24:24.800 --> 0:24:28.840
<v Speaker 1>or sunset boulevard of us surfboarding on a pickle, you

0:24:28.920 --> 0:24:32.840
<v Speaker 1>know what I mean, tomatoes with the mundy, the mustard

0:24:32.920 --> 0:24:33.840
<v Speaker 1>flying and everything.

0:24:33.960 --> 0:24:35.800
<v Speaker 2>So and it took off very well. I mean it.

0:24:36.280 --> 0:24:38.719
<v Speaker 2>Good Burger is the gift that keeps on giving, right.

0:24:39.880 --> 0:24:42.200
<v Speaker 3>Awesome, man, I want to go back for one second,

0:24:42.240 --> 0:24:46.040
<v Speaker 3>because you keep talking about these meetings, these big meetings,

0:24:46.640 --> 0:24:49.280
<v Speaker 3>you get the secret nod like here we go, let's

0:24:49.280 --> 0:24:51.840
<v Speaker 3>go into there, and you know something's going to happen.

0:24:52.160 --> 0:24:54.359
<v Speaker 3>I mean, it's interesting. I know it's got to be

0:24:54.440 --> 0:24:56.920
<v Speaker 3>somewhat different from SNL, But I want to know about

0:24:56.920 --> 0:25:01.840
<v Speaker 3>the collaboration that happens. Because you are kids, you have writers.

0:25:02.160 --> 0:25:05.440
<v Speaker 3>How much say are you giving?

0:25:06.720 --> 0:25:07.040
<v Speaker 5>Again?

0:25:07.119 --> 0:25:09.600
<v Speaker 3>Two parter? I don't even usually do two parters, but

0:25:09.680 --> 0:25:12.679
<v Speaker 3>I don't know. Two part question, how much say do

0:25:12.760 --> 0:25:17.760
<v Speaker 3>you have in the conception or writing direction of scripts?

0:25:17.800 --> 0:25:20.760
<v Speaker 3>And then two my least favorite question of all time

0:25:20.760 --> 0:25:24.480
<v Speaker 3>when people ask me this, but I am curious again

0:25:24.560 --> 0:25:27.000
<v Speaker 3>because you're still so young at this time, how much

0:25:27.000 --> 0:25:30.000
<v Speaker 3>freedom are you given to improvise while you're shooting?

0:25:30.640 --> 0:25:30.920
<v Speaker 2>Man?

0:25:31.080 --> 0:25:34.240
<v Speaker 1>So, with all that, it was a ton which is

0:25:34.359 --> 0:25:39.119
<v Speaker 1>kind of cool because you're talking about like our producers

0:25:39.119 --> 0:25:42.800
<v Speaker 1>on the show were also in the industry as kids too,

0:25:42.880 --> 0:25:46.840
<v Speaker 1>but now they were you know, adults, young adults, and

0:25:46.920 --> 0:25:49.600
<v Speaker 1>so they were this was like their first show, especially

0:25:49.640 --> 0:25:53.160
<v Speaker 1>with all that, and so they were like enjoying this

0:25:53.240 --> 0:25:55.680
<v Speaker 1>process with us, and so a lot of the characters,

0:25:55.800 --> 0:25:58.360
<v Speaker 1>especially from my side. I brought a lot of characters

0:25:58.359 --> 0:26:01.480
<v Speaker 1>in from these voices right had already been doing, and

0:26:01.560 --> 0:26:04.879
<v Speaker 1>so they used to say, hey, do it film it

0:26:05.240 --> 0:26:08.400
<v Speaker 1>twice the way we wrote it, and I was like, okay, cool,

0:26:08.920 --> 0:26:11.480
<v Speaker 1>and then it was go crazy.

0:26:11.440 --> 0:26:11.640
<v Speaker 2>Yeah.

0:26:12.520 --> 0:26:15.280
<v Speaker 1>I remember one time when I did improv and the

0:26:15.800 --> 0:26:19.680
<v Speaker 1>place went crazy, cracking up, laughing, and then they their

0:26:19.960 --> 0:26:21.000
<v Speaker 1>like lights went off, like.

0:26:20.960 --> 0:26:23.000
<v Speaker 2>Okay, hey, kell what else you got? Keep it going,

0:26:23.040 --> 0:26:25.320
<v Speaker 2>keep going, hey, Keenan, what else you got? What you got?

0:26:25.520 --> 0:26:28.000
<v Speaker 1>And then that started to turn into us having these

0:26:28.040 --> 0:26:30.399
<v Speaker 1>fun banters with the writers, but like what if we

0:26:30.440 --> 0:26:32.920
<v Speaker 1>take it there? When you take it there? And this

0:26:33.000 --> 0:26:35.000
<v Speaker 1>is what I mean about a delli Within the process.

0:26:35.080 --> 0:26:37.000
<v Speaker 1>Now you start to understand like, oh wait, I should

0:26:37.000 --> 0:26:38.040
<v Speaker 1>have been being paid as a writer.

0:26:40.960 --> 0:26:41.600
<v Speaker 2>It's all good.

0:26:41.680 --> 0:26:43.720
<v Speaker 1>It was like what I've learned, what I learned through

0:26:43.760 --> 0:26:48.680
<v Speaker 1>that process was amazing, man. And we have amazing writing staff.

0:26:49.119 --> 0:26:51.320
<v Speaker 1>Not to jump too far ahead, but you know Kevin

0:26:51.400 --> 0:26:54.520
<v Speaker 1>Heath who also paying Good Burger too, and they pinned

0:26:54.520 --> 0:26:57.200
<v Speaker 1>the first one. These are people that have known us

0:26:57.240 --> 0:27:01.480
<v Speaker 1>for for years, so you know that in that machine

0:27:01.520 --> 0:27:04.520
<v Speaker 1>of what we have worked so well. And I remember

0:27:04.560 --> 0:27:07.240
<v Speaker 1>one time when they started writing in all that scripts

0:27:07.840 --> 0:27:10.640
<v Speaker 1>and they laugh about this they wrote, and then Kill

0:27:10.840 --> 0:27:16.000
<v Speaker 1>does something physical, Kill goes crazy and they wouldn't even

0:27:16.080 --> 0:27:17.800
<v Speaker 1>like give the action because they just didn't know what

0:27:17.840 --> 0:27:18.320
<v Speaker 1>I might do.

0:27:18.359 --> 0:27:22.680
<v Speaker 2>So they were just like go nuts, which was fun. Man.

0:27:23.200 --> 0:27:27.560
<v Speaker 3>Yeah, an iconic movie for its time. Now you're going

0:27:27.680 --> 0:27:32.159
<v Speaker 3>back twenty five years later. What made you want to

0:27:32.200 --> 0:27:36.080
<v Speaker 3>do it? Besides the obvious reasons like did someone approach you?

0:27:36.400 --> 0:27:38.920
<v Speaker 3>Were you pushing for it? Like how did it come

0:27:38.960 --> 0:27:41.240
<v Speaker 3>about to get you guys together again?

0:27:42.160 --> 0:27:44.200
<v Speaker 2>Well, I remember the first time it spoke about.

0:27:44.200 --> 0:27:47.040
<v Speaker 1>I was doing a show back on Nickelodeon you called

0:27:47.200 --> 0:27:47.960
<v Speaker 1>Game Shakers.

0:27:48.640 --> 0:27:51.480
<v Speaker 2>I was playing this wild hip hop mungul.

0:27:51.400 --> 0:27:55.119
<v Speaker 1>That owned a company with these young teenage girls that

0:27:55.200 --> 0:27:58.399
<v Speaker 1>were coders, right, and it was a fun, fun show.

0:27:58.680 --> 0:28:02.280
<v Speaker 1>And I remember at that time Jimmy Fallon hit us

0:28:02.359 --> 0:28:06.040
<v Speaker 1>up and said, hey, I would love to do this

0:28:06.320 --> 0:28:11.080
<v Speaker 1>Keenan and kel reunion of Good Burger and on his.

0:28:11.080 --> 0:28:14.280
<v Speaker 3>Show, on his show. Yeah, just watched that this morning,

0:28:14.359 --> 0:28:16.960
<v Speaker 3>So okay, So now all right, so go ahead. I

0:28:17.000 --> 0:28:19.680
<v Speaker 3>didn't know that's where it started. Okay, go ahead, Yeah,

0:28:19.720 --> 0:28:23.119
<v Speaker 3>so Jay, Jimmy's part of it. So if behind you

0:28:23.160 --> 0:28:23.879
<v Speaker 3>know the scenes.

0:28:23.920 --> 0:28:26.760
<v Speaker 1>We had already a lot of whispers about, oh, we

0:28:26.800 --> 0:28:28.040
<v Speaker 1>need to do good Burger too, we need a good

0:28:28.040 --> 0:28:30.000
<v Speaker 1>burger too, and we were trying to get all the

0:28:30.080 --> 0:28:32.480
<v Speaker 1>minds together from you know, the beginning of all of

0:28:32.520 --> 0:28:35.159
<v Speaker 1>this and all that, to come together and try to

0:28:35.200 --> 0:28:38.560
<v Speaker 1>put this together. We had done a few ideas, had

0:28:38.600 --> 0:28:41.480
<v Speaker 1>the meetings about where it could go. But when it

0:28:41.520 --> 0:28:46.360
<v Speaker 1>got real was when Jimmy did that and if the

0:28:46.400 --> 0:28:50.440
<v Speaker 1>internet went crazy, even Keenan and I both and we talked,

0:28:50.520 --> 0:28:52.680
<v Speaker 1>you know, we talked about this where I remember we

0:28:52.680 --> 0:28:55.200
<v Speaker 1>were behind the curtain and we were like, man, yo,

0:28:55.360 --> 0:28:58.760
<v Speaker 1>we've done people like a disservice, Like you know what

0:28:58.800 --> 0:29:01.320
<v Speaker 1>I mean, We should have done this way back, you

0:29:01.360 --> 0:29:03.520
<v Speaker 1>know what I mean. But this is awesome. You know

0:29:03.600 --> 0:29:06.800
<v Speaker 1>it's God's timing. Let's do this again. We need to

0:29:06.800 --> 0:29:09.080
<v Speaker 1>figure this out, you know what I mean of you

0:29:09.120 --> 0:29:11.840
<v Speaker 1>know this kend the kale world of good Burger or

0:29:11.840 --> 0:29:14.160
<v Speaker 1>where we want to take it. Then the conversations I

0:29:14.320 --> 0:29:17.960
<v Speaker 1>get more real. We started having you know, real script conversations.

0:29:18.600 --> 0:29:21.400
<v Speaker 1>Some of it was like where they were taking the story,

0:29:21.400 --> 0:29:23.680
<v Speaker 1>it was something would and then some of it was good.

0:29:23.680 --> 0:29:27.280
<v Speaker 1>And then we finally found the right story for a

0:29:27.320 --> 0:29:29.960
<v Speaker 1>dexter in for it because you know, now they're adults

0:29:30.280 --> 0:29:31.360
<v Speaker 1>and where are they now?

0:29:31.720 --> 0:29:35.080
<v Speaker 2>They have kids? What's happening? And it's the fun story.

0:29:35.080 --> 0:29:37.400
<v Speaker 1>And we wanted, well, it was very important us to

0:29:37.440 --> 0:29:39.360
<v Speaker 1>have Good Burger to stand on its own where that

0:29:39.720 --> 0:29:41.920
<v Speaker 1>it can be its own movie, like you could see

0:29:41.920 --> 0:29:44.480
<v Speaker 1>two and it'll be okay you need if you didn't

0:29:44.520 --> 0:29:46.680
<v Speaker 1>see one, you know, And so that was very important

0:29:46.680 --> 0:29:49.280
<v Speaker 1>to us. And then then I'm also making us producers

0:29:49.280 --> 0:29:51.640
<v Speaker 1>on the project too as well, because that was a

0:29:51.680 --> 0:29:52.320
<v Speaker 1>beautiful thing too.

0:29:52.360 --> 0:29:54.200
<v Speaker 2>For a shot out to Paramount. Shout to Nickelodeon for

0:29:54.280 --> 0:29:54.640
<v Speaker 2>doing that.

0:29:54.880 --> 0:29:58.320
<v Speaker 1>Just so that Ed wouldn't turn into something that the

0:29:58.440 --> 0:30:00.560
<v Speaker 1>nineties kids would be like Edwin.

0:30:00.920 --> 0:30:01.480
<v Speaker 2>You know what I mean.

0:30:02.120 --> 0:30:03.960
<v Speaker 1>So I had to make sure that the characters stayed

0:30:03.960 --> 0:30:07.480
<v Speaker 1>to true to who he is. Yeah wow, yeah man.

0:30:07.640 --> 0:30:11.360
<v Speaker 3>You know, so such a long period of time passes

0:30:11.480 --> 0:30:14.680
<v Speaker 3>in between the two movies. How much communication did you

0:30:14.760 --> 0:30:18.320
<v Speaker 3>and Keenan have during this really long period of time?

0:30:19.040 --> 0:30:21.160
<v Speaker 2>Yeah? Man, so it was like on and off, you

0:30:21.240 --> 0:30:21.840
<v Speaker 2>know what I mean.

0:30:21.960 --> 0:30:25.000
<v Speaker 1>But then I think because people, you know, people see us,

0:30:25.040 --> 0:30:26.400
<v Speaker 1>you know, they still look at us as kids.

0:30:27.400 --> 0:30:31.240
<v Speaker 2>They don't realize, like, you know, we have lives.

0:30:30.920 --> 0:30:31.480
<v Speaker 5>You know what I mean.

0:30:31.520 --> 0:30:35.120
<v Speaker 1>We experience different things, you know, but it's so beautiful,

0:30:35.160 --> 0:30:36.880
<v Speaker 1>like because he was on the he's on the East

0:30:36.920 --> 0:30:39.680
<v Speaker 1>Coast and I was in Los Angeles, and you know,

0:30:39.760 --> 0:30:40.800
<v Speaker 1>different worlds.

0:30:40.480 --> 0:30:41.200
<v Speaker 2>You know what I mean.

0:30:41.600 --> 0:30:45.000
<v Speaker 1>But we try to stay in contact. Always explain it like,

0:30:45.360 --> 0:30:47.400
<v Speaker 1>you know, it's a friend you had in high school

0:30:47.760 --> 0:30:50.120
<v Speaker 1>and then you all go off to college to different places,

0:30:50.480 --> 0:30:52.680
<v Speaker 1>all these different things and try to stay in contact.

0:30:53.080 --> 0:30:55.680
<v Speaker 1>But I remember us having a real conversation on the

0:30:55.720 --> 0:30:58.680
<v Speaker 1>phone one time, and that was around the Gameshacker time,

0:30:58.720 --> 0:31:01.320
<v Speaker 1>in the talent time, and we were like, look, man,

0:31:01.880 --> 0:31:03.800
<v Speaker 1>let's stay in contact, you know, because it was a

0:31:03.840 --> 0:31:08.520
<v Speaker 1>lot within that conversation where it was like, okay, you know,

0:31:08.600 --> 0:31:11.960
<v Speaker 1>let's talk about life and what went on back in

0:31:12.040 --> 0:31:14.200
<v Speaker 1>the day and the crazy things people were telling us

0:31:14.240 --> 0:31:15.360
<v Speaker 1>and all this stuff.

0:31:15.880 --> 0:31:18.200
<v Speaker 2>And it was cool to.

0:31:17.680 --> 0:31:20.880
<v Speaker 1>Be able to experience each other's as adults now, which

0:31:20.880 --> 0:31:23.280
<v Speaker 1>is great, and to have this friendship from when we

0:31:23.280 --> 0:31:26.239
<v Speaker 1>were you know, man, eiighteen years old, you know, all

0:31:26.280 --> 0:31:27.920
<v Speaker 1>the way down you know, forty five.

0:31:28.040 --> 0:31:28.680
<v Speaker 2>That's awesome.

0:31:29.600 --> 0:31:31.240
<v Speaker 5>That's so crazy.

0:31:31.960 --> 0:31:35.840
<v Speaker 3>I mean I was thinking about it today watching some

0:31:36.000 --> 0:31:39.600
<v Speaker 3>of your old stuff and thinking about your relationship. And

0:31:39.640 --> 0:31:42.800
<v Speaker 3>I was thinking about the first time when I was

0:31:42.840 --> 0:31:45.480
<v Speaker 3>working on NBC and he was working on NBC, And

0:31:45.520 --> 0:31:48.840
<v Speaker 3>I mean, I can't exactly put it together, but it's

0:31:48.880 --> 0:31:52.360
<v Speaker 3>got to be like early on for him, but like

0:31:52.680 --> 0:31:56.560
<v Speaker 3>two thousand and five, two thousand and six somewhere in there,

0:31:57.440 --> 0:31:59.880
<v Speaker 3>and I read that he started doing US and now

0:32:00.040 --> 0:32:02.520
<v Speaker 3>two thousand and three, So you guys were done a

0:32:02.560 --> 0:32:07.920
<v Speaker 3>couple of years before that, and it feels like so

0:32:08.320 --> 0:32:09.200
<v Speaker 3>long ago.

0:32:09.160 --> 0:32:13.800
<v Speaker 5>And yet you all have a lifetime before that. Like

0:32:13.840 --> 0:32:14.880
<v Speaker 5>it's crazy.

0:32:15.920 --> 0:32:18.400
<v Speaker 3>I mean, it goes to the staying power of you

0:32:19.040 --> 0:32:23.000
<v Speaker 3>and him and the two of you together that after

0:32:23.280 --> 0:32:28.200
<v Speaker 3>so many years and so much success, that you've birthed

0:32:28.240 --> 0:32:31.320
<v Speaker 3>this thing again. I just think it's so awesome.

0:32:31.920 --> 0:32:34.120
<v Speaker 2>Yeah, it's a it's a it's a blessing man.

0:32:34.160 --> 0:32:36.760
<v Speaker 1>And I mean too, when we got the call that

0:32:37.200 --> 0:32:41.600
<v Speaker 1>Good Burger was number one, you know, most streamed doing

0:32:41.640 --> 0:32:45.280
<v Speaker 1>Paramount blessed us it launched, that was emotional time for

0:32:45.360 --> 0:32:47.280
<v Speaker 1>us just to you know, because that many years you know,

0:32:47.320 --> 0:32:50.400
<v Speaker 1>as an actor, sure as an actor, to go back

0:32:50.440 --> 0:32:53.200
<v Speaker 1>to a character whereas you know it's been that long.

0:32:53.600 --> 0:32:56.080
<v Speaker 1>That's that's awesome, man. And then to to open it

0:32:56.160 --> 0:32:59.240
<v Speaker 1>up to another generation. There's kids that are five or

0:32:59.240 --> 0:33:03.560
<v Speaker 1>six years old and good Burger birthday parties and actually

0:33:03.800 --> 0:33:07.160
<v Speaker 1>Keenan and Keale and you know, all these shows cool

0:33:07.280 --> 0:33:09.120
<v Speaker 1>and experiencely with my kids like my you know, my

0:33:09.520 --> 0:33:12.880
<v Speaker 1>two youngest, Honor and Wisdom are in the movie.

0:33:13.000 --> 0:33:16.440
<v Speaker 2>You know what I mean as kids. So that's just awesome.

0:33:16.840 --> 0:33:19.280
<v Speaker 3>Did you have any hesitance going back to it after

0:33:19.320 --> 0:33:19.800
<v Speaker 3>so long?

0:33:20.160 --> 0:33:21.680
<v Speaker 2>To ed? No?

0:33:22.000 --> 0:33:22.280
<v Speaker 5>I did.

0:33:22.880 --> 0:33:26.040
<v Speaker 1>In twenty nineteen, we launched the Return of All That

0:33:26.400 --> 0:33:28.040
<v Speaker 1>and so we brought it, brought it back, and so

0:33:28.120 --> 0:33:30.160
<v Speaker 1>I jumped on there with the kids. Even though I

0:33:30.160 --> 0:33:32.760
<v Speaker 1>was producing. I did some of the characters like Coach

0:33:32.800 --> 0:33:34.880
<v Speaker 1>Creeden and it and brought them back. So I was

0:33:34.960 --> 0:33:37.719
<v Speaker 1>kind of in the shoes of it again already, so

0:33:37.760 --> 0:33:40.000
<v Speaker 1>it didn't feel too crazy a few years later to

0:33:40.160 --> 0:33:42.600
<v Speaker 1>be doing it again. It didn't really kick in until

0:33:42.600 --> 0:33:44.520
<v Speaker 1>I want to say, the week before it came out

0:33:44.680 --> 0:33:48.280
<v Speaker 1>like it was. It was kind of like, okay, we

0:33:48.360 --> 0:33:52.400
<v Speaker 1>are how was they going to respond to this? And

0:33:52.440 --> 0:33:55.560
<v Speaker 1>that's what it kicked in. But man, thank god, everybody

0:33:55.560 --> 0:33:57.360
<v Speaker 1>loves it. Man, And they're digging and.

0:33:57.560 --> 0:33:59.200
<v Speaker 2>They're on this journey with us, and I think that's

0:33:59.240 --> 0:33:59.720
<v Speaker 2>what's cool.

0:34:00.040 --> 0:34:03.080
<v Speaker 1>I kind of compare it to like New Addition, you know,

0:34:03.200 --> 0:34:06.600
<v Speaker 1>for me, like I grew up with New Addition, you know,

0:34:06.600 --> 0:34:10.040
<v Speaker 1>I followed them along the journey since they were kids too,

0:34:10.200 --> 0:34:12.080
<v Speaker 1>So it's kind of like that where people kind of

0:34:12.080 --> 0:34:12.839
<v Speaker 1>grew up with us here.

0:34:31.440 --> 0:34:38.320
<v Speaker 3>You've done a lot of voiceover and animation work, you Clifford,

0:34:38.320 --> 0:34:43.280
<v Speaker 3>the Big Red Dog of Note for sure, Pink Panther

0:34:43.360 --> 0:34:44.600
<v Speaker 3>and Pals, Wild Gardeners.

0:34:45.360 --> 0:34:47.879
<v Speaker 5>Do you enjoy it the voiceover work? Dude?

0:34:48.120 --> 0:34:52.000
<v Speaker 2>I love the voiceover world. It's so great. I mean,

0:34:52.040 --> 0:34:53.520
<v Speaker 2>you know you can you can go do it in

0:34:53.520 --> 0:34:54.600
<v Speaker 2>your pajamas if you wanted to.

0:34:56.200 --> 0:34:58.200
<v Speaker 5>I just I just did this morning.

0:34:58.440 --> 0:35:03.200
<v Speaker 1>Yes, I know, it's great man, and and but it's

0:35:03.320 --> 0:35:06.040
<v Speaker 1>because it takes some real, some real work and comedy

0:35:06.080 --> 0:35:06.520
<v Speaker 1>work too.

0:35:06.680 --> 0:35:06.880
<v Speaker 5>You know.

0:35:07.520 --> 0:35:10.960
<v Speaker 1>I was blessed to be on a show with Chrese Summers,

0:35:11.440 --> 0:35:14.480
<v Speaker 1>which is like, I mean, she's like amazing legend legend

0:35:14.560 --> 0:35:16.560
<v Speaker 1>in the voiceover world, and so she was able to

0:35:16.560 --> 0:35:18.879
<v Speaker 1>give me a lot of advice. And you know, you're,

0:35:19.120 --> 0:35:21.880
<v Speaker 1>you know, really going all out with these voices. You know,

0:35:22.160 --> 0:35:25.040
<v Speaker 1>with your voice can still you know, so I I

0:35:25.160 --> 0:35:27.799
<v Speaker 1>enjoyed doing it. Man, it's fun, especially doing character work.

0:35:27.840 --> 0:35:28.640
<v Speaker 1>It's a bleast.

0:35:30.400 --> 0:35:34.719
<v Speaker 3>Yeah, there's a freedom that you have, you know, I

0:35:34.719 --> 0:35:36.919
<v Speaker 3>haven't done a sketch show like you're as where you're

0:35:36.960 --> 0:35:39.880
<v Speaker 3>you're you're able to play a variety of characters within

0:35:40.120 --> 0:35:43.880
<v Speaker 3>you know, one show. But having that freedom of just

0:35:44.000 --> 0:35:47.680
<v Speaker 3>using your voice and creating characters, I find truly like

0:35:48.160 --> 0:35:48.800
<v Speaker 3>really fun.

0:35:49.200 --> 0:35:50.799
<v Speaker 5>I just love doing it.

0:35:51.160 --> 0:35:52.000
<v Speaker 2>Yeah, I love it.

0:35:52.040 --> 0:35:54.359
<v Speaker 1>And then I'm in the animation too, because you know,

0:35:54.520 --> 0:35:58.040
<v Speaker 1>I go to the comic cons and I love you know,

0:35:58.680 --> 0:36:01.239
<v Speaker 1>all the all the animation in animated cartoons. You know

0:36:01.280 --> 0:36:04.040
<v Speaker 1>that helped with my comedy too as well. So, and

0:36:04.040 --> 0:36:06.680
<v Speaker 1>I love the Muppets that's not animation but voice.

0:36:07.120 --> 0:36:10.280
<v Speaker 5>Well, that's true.

0:36:11.719 --> 0:36:18.160
<v Speaker 3>How is it for you being so hugely associated with

0:36:18.320 --> 0:36:23.000
<v Speaker 3>children's programming, Like do you love that? Do you wish

0:36:23.480 --> 0:36:27.440
<v Speaker 3>that you had more opportunities I don't know for an

0:36:27.520 --> 0:36:30.480
<v Speaker 3>older audience? And do does the fact that you have kids?

0:36:30.520 --> 0:36:33.319
<v Speaker 3>Does that influence for you any of the types of

0:36:33.360 --> 0:36:34.919
<v Speaker 3>projects that you're interested in doing.

0:36:35.400 --> 0:36:39.400
<v Speaker 1>Yeah, man, it's really what I feel, you know when

0:36:39.440 --> 0:36:42.160
<v Speaker 1>I'm reading the script, because I have done adult stuff.

0:36:42.160 --> 0:36:45.400
<v Speaker 2>I've done a very deep period period.

0:36:45.120 --> 0:36:48.239
<v Speaker 1>Piece with John Sales of course all honey dripper, But

0:36:48.280 --> 0:36:51.680
<v Speaker 1>it's something about I love family entertainment, you know what

0:36:51.680 --> 0:36:54.879
<v Speaker 1>I mean, just in general, because the whole family can

0:36:54.960 --> 0:36:57.239
<v Speaker 1>enjoy it together. So it is really cool for me

0:36:57.360 --> 0:36:59.919
<v Speaker 1>to put a smile on, you know, my kids face

0:37:00.200 --> 0:37:04.160
<v Speaker 1>and then also other kids' faces. And I think too

0:37:04.560 --> 0:37:07.200
<v Speaker 1>when you do that. What I started to notice was

0:37:07.400 --> 0:37:09.960
<v Speaker 1>working a family and chairman for so long. You grew

0:37:10.080 --> 0:37:13.880
<v Speaker 1>up with the parents, and then your kids grow up

0:37:13.920 --> 0:37:17.480
<v Speaker 1>with you too. Yeah, so you kind of you stay

0:37:18.239 --> 0:37:21.000
<v Speaker 1>you know where. It's like you have these new fan

0:37:21.080 --> 0:37:24.920
<v Speaker 1>base every time because you're being introduced over and over again.

0:37:25.200 --> 0:37:27.040
<v Speaker 1>And I see that family timan not so not so

0:37:27.120 --> 0:37:29.719
<v Speaker 1>much in the adult space as much as I do

0:37:29.960 --> 0:37:32.040
<v Speaker 1>in the family space, which is which is cool.

0:37:32.080 --> 0:37:33.719
<v Speaker 2>It keeps you timeless, you know.

0:37:34.280 --> 0:37:39.760
<v Speaker 3>Yeah, you are the recipient of truly a huge award,

0:37:40.000 --> 0:37:45.880
<v Speaker 3>a Kid's Choice Award also a kbe Ace Award. But

0:37:46.520 --> 0:37:50.160
<v Speaker 3>those Kid Choice Awards are so much fun and it's

0:37:50.160 --> 0:37:54.600
<v Speaker 3>a significant and noteworthy honor. Is that something you're very

0:37:54.680 --> 0:37:55.840
<v Speaker 3>proud of?

0:37:55.840 --> 0:37:57.680
<v Speaker 2>Of course? Man? Yeah, you know.

0:37:59.360 --> 0:38:01.880
<v Speaker 1>When that happen and you know it was it was awesome.

0:38:02.080 --> 0:38:05.359
<v Speaker 1>You know, to be in a category with so many

0:38:05.400 --> 0:38:08.480
<v Speaker 1>great other comedians, and every time if there's an award

0:38:08.560 --> 0:38:11.520
<v Speaker 1>that happens, it's always a humbler feeling and an awesome feeling,

0:38:12.080 --> 0:38:14.640
<v Speaker 1>you know, to get that award, you know, he be nominated.

0:38:14.800 --> 0:38:17.399
<v Speaker 1>You know, even through all those different things, it's been great.

0:38:17.760 --> 0:38:26.799
<v Speaker 3>Yeah, it's funny. Adults can fake laugh. Kids don't fake laugh, right, Like,

0:38:26.800 --> 0:38:31.080
<v Speaker 3>like you have to really make them laugh and make

0:38:31.160 --> 0:38:35.440
<v Speaker 3>them make them love you because they're not going to pretend.

0:38:35.640 --> 0:38:38.279
<v Speaker 3>Now I'm witnessed to it every day when I think

0:38:38.320 --> 0:38:42.359
<v Speaker 3>I'm hilarious and a dead stare comes back at you.

0:38:43.000 --> 0:38:47.640
<v Speaker 5>So it'll a way you have. You have conquered the

0:38:48.440 --> 0:38:50.400
<v Speaker 5>greatest critics in the world.

0:38:50.920 --> 0:38:53.560
<v Speaker 2>Oh yeah, man, yeah, man. Kids keep it real. They

0:38:53.640 --> 0:38:55.759
<v Speaker 2>keep it all the way one hundred and that's what

0:38:55.800 --> 0:38:57.879
<v Speaker 2>I do. Man. Like even here, like I tell a joke,

0:38:58.080 --> 0:38:59.359
<v Speaker 2>see my kids the crack up.

0:39:00.200 --> 0:39:03.600
<v Speaker 3>Yeah exactly, I'm like, oh yeah, that'll work. That'll that'll

0:39:03.680 --> 0:39:07.359
<v Speaker 3>that'll work, that'll work. You're an accomplished musician. I did

0:39:07.440 --> 0:39:10.000
<v Speaker 3>want to ask you about your time on all that.

0:39:10.280 --> 0:39:14.840
<v Speaker 3>I mean, much like the structure of SNL a music group.

0:39:14.880 --> 0:39:19.040
<v Speaker 3>You mentioned it before every week. Did you learn anything

0:39:19.280 --> 0:39:22.720
<v Speaker 3>from them or was there anything about your experience working

0:39:22.760 --> 0:39:25.680
<v Speaker 3>with them? And as you mentioned, so many of them

0:39:25.719 --> 0:39:28.480
<v Speaker 3>wanting to be in in the Good Burger sketch at

0:39:28.480 --> 0:39:30.680
<v Speaker 3>the time. Getting to know them, how do you think

0:39:30.719 --> 0:39:35.920
<v Speaker 3>that that affected and potentially help your music career?

0:39:36.440 --> 0:39:36.680
<v Speaker 2>Man?

0:39:36.840 --> 0:39:41.520
<v Speaker 1>Seeing these performances, the type of team that they had

0:39:41.600 --> 0:39:45.640
<v Speaker 1>that they came along with, the preparation before they perform,

0:39:45.760 --> 0:39:48.640
<v Speaker 1>you know, the artists that were laid, the artists that

0:39:48.680 --> 0:39:51.120
<v Speaker 1>were on time, the artists that you know, practice their

0:39:51.200 --> 0:39:54.440
<v Speaker 1>dance moves on the stage, practice with us, the ones

0:39:54.480 --> 0:39:56.920
<v Speaker 1>that were talkative and cool, and the ones that weren't,

0:39:57.120 --> 0:39:58.880
<v Speaker 1>you know what I mean, Like you just got to

0:39:59.040 --> 0:40:01.719
<v Speaker 1>It really prepared me for what I wanted to do

0:40:01.880 --> 0:40:04.200
<v Speaker 1>as far as like in entertainment, how I wanted to

0:40:04.200 --> 0:40:08.240
<v Speaker 1>be perceived. Those moments of you know, dance battling against

0:40:08.280 --> 0:40:13.919
<v Speaker 1>Cisco or dance battle against Usher TLC, hanging out with

0:40:14.000 --> 0:40:16.120
<v Speaker 1>me and my siblings and you know all this and

0:40:16.160 --> 0:40:19.359
<v Speaker 1>we're still all in contact now, Like this is awesome, man,

0:40:19.400 --> 0:40:23.640
<v Speaker 1>Like you're talking about walking through Chicago streets on my walkman,

0:40:23.719 --> 0:40:27.000
<v Speaker 1>listening to these people, and then like a few months later,

0:40:27.200 --> 0:40:29.520
<v Speaker 1>I'm kicking it with them, hanging with them, have their

0:40:29.560 --> 0:40:31.920
<v Speaker 1>phone numbers. That's crazy.

0:40:31.840 --> 0:40:36.240
<v Speaker 3>Yeah, you have a new single out fairly recently, go time.

0:40:37.000 --> 0:40:40.080
<v Speaker 3>You've been writing making music for a long long time,

0:40:40.120 --> 0:40:43.279
<v Speaker 3>and in fact, you did the theme song to Good

0:40:43.320 --> 0:40:48.000
<v Speaker 3>Burger We're All Dudes Now? Did you have that in mind?

0:40:48.280 --> 0:40:50.200
<v Speaker 3>Was there a secret room where you got the nod

0:40:50.239 --> 0:40:53.480
<v Speaker 3>and pulled in and someone told you to do the song?

0:40:53.600 --> 0:40:55.760
<v Speaker 5>Like how did that come about?

0:40:56.160 --> 0:40:59.400
<v Speaker 1>So it was like, you know, when all that sketches

0:40:59.520 --> 0:41:02.920
<v Speaker 1>was start, there's a bit of like the camera would

0:41:02.920 --> 0:41:06.560
<v Speaker 1>pan in on for d so it was a moment

0:41:06.560 --> 0:41:09.040
<v Speaker 1>of dead air. So I used to say, like, okay,

0:41:09.080 --> 0:41:10.680
<v Speaker 1>what is it doing at that moment? You know how

0:41:10.719 --> 0:41:14.640
<v Speaker 1>sitcoms people walk in and have this ridiculous improv conversation.

0:41:14.239 --> 0:41:15.920
<v Speaker 2>Like you just dat an orange?

0:41:16.200 --> 0:41:19.760
<v Speaker 1>So I did this little ditty like m dude, he's

0:41:19.800 --> 0:41:22.160
<v Speaker 1>a dude, and I was bang on the register and

0:41:22.480 --> 0:41:27.200
<v Speaker 1>it became part of the sketch that little Diddy needed

0:41:27.239 --> 0:41:28.640
<v Speaker 1>to turn into a song, you know.

0:41:28.719 --> 0:41:30.240
<v Speaker 2>And so it had already had.

0:41:30.040 --> 0:41:32.320
<v Speaker 1>Success with doing the immature song and all this stuff

0:41:32.320 --> 0:41:34.200
<v Speaker 1>like that, and then when we did the movie, it

0:41:34.280 --> 0:41:37.120
<v Speaker 1>was like, let's make I'm a dude, a song, an actual,

0:41:37.239 --> 0:41:40.880
<v Speaker 1>like for real song. And I remember Brian because his

0:41:40.920 --> 0:41:43.040
<v Speaker 1>mind is just like he's ready, like right then and there,

0:41:43.080 --> 0:41:45.919
<v Speaker 1>he's like, kill write the song. After you write the song,

0:41:45.960 --> 0:41:49.520
<v Speaker 1>we're having a meeting at Paramount for Capitol Records what

0:41:50.239 --> 0:41:53.279
<v Speaker 1>so like, I wrote it, literally wrote it versus to

0:41:53.480 --> 0:41:56.759
<v Speaker 1>this hook that was already you know, all the kids knew,

0:41:57.360 --> 0:42:00.400
<v Speaker 1>and I wrote the hook. I drove over there. I

0:42:00.440 --> 0:42:03.680
<v Speaker 1>had not sung the song out loud. I remember we

0:42:03.680 --> 0:42:07.360
<v Speaker 1>were all out dinner at the Bataramount lunch and he

0:42:07.480 --> 0:42:11.439
<v Speaker 1>said sing it, and Solar had to singing in front

0:42:11.480 --> 0:42:13.719
<v Speaker 1>of everybody, and they loved it. They said, oh, this

0:42:13.800 --> 0:42:14.360
<v Speaker 1>is awesome.

0:42:14.480 --> 0:42:16.720
<v Speaker 5>And Brian hadn't he hadn't heard it yet.

0:42:16.960 --> 0:42:19.200
<v Speaker 2>He hadn't heard it.

0:42:19.280 --> 0:42:21.000
<v Speaker 5>Well that's confidence right there.

0:42:21.160 --> 0:42:24.760
<v Speaker 1>Yeah, he had trusted me because yeah, I was in music.

0:42:25.080 --> 0:42:27.960
<v Speaker 1>Shout out to Bryant. I rocked it within there. I

0:42:28.040 --> 0:42:30.120
<v Speaker 1>knew how important this was. You know, he's like a

0:42:30.120 --> 0:42:31.839
<v Speaker 1>big brother to me. So I was like, okay, let's

0:42:31.840 --> 0:42:34.560
<v Speaker 1>do it. And then after that it was less than

0:42:34.640 --> 0:42:37.520
<v Speaker 1>Jake was on Capitol Records, and so at that time

0:42:37.960 --> 0:42:40.560
<v Speaker 1>they were a sky band and next thing I know,

0:42:40.719 --> 0:42:43.319
<v Speaker 1>I'm flying to Florida because I was in La at that.

0:42:43.280 --> 0:42:46.600
<v Speaker 2>Point, to to Florida, did the song with them, and

0:42:46.640 --> 0:42:50.279
<v Speaker 2>it just took off. Man, that's inredible. It took up. Man.

0:42:50.600 --> 0:42:55.080
<v Speaker 3>Yeah, you have another career outside of entertainment. You're a pastor.

0:42:55.560 --> 0:42:56.200
<v Speaker 2>Yeah.

0:42:56.600 --> 0:43:00.839
<v Speaker 5>Does music play a big role for you in your ministry? Yeah?

0:43:00.920 --> 0:43:04.560
<v Speaker 1>Man, I you know, being how I played before with

0:43:04.640 --> 0:43:07.080
<v Speaker 1>the whole Brat pack, and I'm into all of that

0:43:07.360 --> 0:43:10.920
<v Speaker 1>and also within my faith everything that I'm involved in

0:43:10.960 --> 0:43:12.960
<v Speaker 1>the same thing, because just like you said, with the teens,

0:43:13.360 --> 0:43:15.719
<v Speaker 1>you know, it's like they're very very real with.

0:43:15.719 --> 0:43:16.440
<v Speaker 2>You, you know what I mean.

0:43:16.600 --> 0:43:18.600
<v Speaker 1>So if you want to reach them, you got to,

0:43:18.640 --> 0:43:21.400
<v Speaker 1>you know, reach them and let them know, Hey, you know,

0:43:21.440 --> 0:43:23.600
<v Speaker 1>I've been through the same things you've been through. I know,

0:43:23.719 --> 0:43:25.520
<v Speaker 1>understanding type of music you listen to and all these

0:43:25.560 --> 0:43:28.319
<v Speaker 1>different things, and introduce faith to them in that way too,

0:43:28.360 --> 0:43:30.680
<v Speaker 1>because they're bombarded with so much, you know, as far

0:43:30.719 --> 0:43:33.600
<v Speaker 1>as the social media, and so within my music, within

0:43:33.600 --> 0:43:37.080
<v Speaker 1>my summons, within all that I do, it's relatable to them,

0:43:37.320 --> 0:43:40.439
<v Speaker 1>but then also leads them to their faith and knowing

0:43:40.480 --> 0:43:42.319
<v Speaker 1>that they're beautifully and wonderfully made by God.

0:43:42.400 --> 0:43:42.560
<v Speaker 5>Man.

0:43:42.600 --> 0:43:44.880
<v Speaker 1>So I've been I've been doing that for years, you

0:43:44.920 --> 0:43:47.880
<v Speaker 1>know what I mean behind the scenes as well, be

0:43:47.960 --> 0:43:50.200
<v Speaker 1>doing that for years, and you know, people started to

0:43:50.239 --> 0:43:52.480
<v Speaker 1>get a wind of it, you know at my church,

0:43:52.520 --> 0:43:55.400
<v Speaker 1>which is has been awesome man, and I love doing it.

0:43:55.480 --> 0:43:57.640
<v Speaker 1>You know a lot of my teams now they've graduated,

0:43:57.880 --> 0:44:00.439
<v Speaker 1>they're in college now, and you know, it's it's cool

0:44:00.480 --> 0:44:01.920
<v Speaker 1>to see them, you know, hit me up, send me

0:44:02.040 --> 0:44:04.000
<v Speaker 1>letters and go, hey, man, thank you Pastor Kale for

0:44:04.040 --> 0:44:05.600
<v Speaker 1>the things you told me years ago.

0:44:05.680 --> 0:44:08.160
<v Speaker 2>I'm still utilizing it today. So it's been awesome, man.

0:44:08.880 --> 0:44:10.080
<v Speaker 5>Yeah, that's awesome.

0:44:10.400 --> 0:44:10.960
<v Speaker 2>Yeah.

0:44:11.120 --> 0:44:12.720
<v Speaker 5>Is there gonna be a good Burger three?

0:44:13.239 --> 0:44:13.479
<v Speaker 4>Hey?

0:44:14.040 --> 0:44:16.680
<v Speaker 1>Okay, So I say it at the end because Keenan

0:44:16.680 --> 0:44:18.920
<v Speaker 1>and I are like, yo, look, let's been Diesel, this

0:44:18.960 --> 0:44:25.279
<v Speaker 1>thing bro gid Burger in space fast Burger's like whatever, man,

0:44:25.440 --> 0:44:28.120
<v Speaker 1>So people want it. I mean, if they want it,

0:44:28.280 --> 0:44:29.799
<v Speaker 1>let's let's give it to them. We're not gonna make

0:44:29.840 --> 0:44:32.319
<v Speaker 1>them wait another twenty six years though, but that might

0:44:32.360 --> 0:44:32.800
<v Speaker 1>be funny.

0:44:35.040 --> 0:44:38.839
<v Speaker 3>At a certain point, it's gonna be really difficult. It's

0:44:38.880 --> 0:44:42.960
<v Speaker 3>gonna be really difficult. Maybe not in twenty six years,

0:44:43.000 --> 0:44:46.680
<v Speaker 3>but in fifty two years, it's gonna start getting tough

0:44:47.600 --> 0:44:50.480
<v Speaker 3>for the physical comedy for sure, as good as you

0:44:50.600 --> 0:44:54.920
<v Speaker 3>are at a certain point. Yeah, it's gonna it's gonna

0:44:54.920 --> 0:44:58.480
<v Speaker 3>be tough for you know, it's so funny about this genre.

0:44:59.000 --> 0:45:02.680
<v Speaker 3>I have an eight year old and she is watching

0:45:02.920 --> 0:45:06.359
<v Speaker 3>in Living color, no joke, after what I have been

0:45:06.400 --> 0:45:09.600
<v Speaker 3>watching and reminding myself again over the next twenty four hours,

0:45:09.600 --> 0:45:12.840
<v Speaker 3>I'm gonna show her Keenan and Kel because it's probably

0:45:12.840 --> 0:45:18.839
<v Speaker 3>even better. But there's something so incredible and fun and

0:45:19.200 --> 0:45:22.959
<v Speaker 3>spirited about the physical comedy that you and and really

0:45:23.000 --> 0:45:28.239
<v Speaker 3>everybody was doing. And my daughter loves it watching it

0:45:28.360 --> 0:45:29.400
<v Speaker 3>in living color.

0:45:29.480 --> 0:45:30.160
<v Speaker 5>Jim Carrey and.

0:45:30.160 --> 0:45:34.879
<v Speaker 3>All those guys just going nuts. It's just funny, right,

0:45:34.960 --> 0:45:41.799
<v Speaker 3>I mean, like they're used to fully produced digital streaming entertainment,

0:45:42.160 --> 0:45:44.640
<v Speaker 3>you know, with what you know back in the day

0:45:44.680 --> 0:45:48.439
<v Speaker 3>would have been twenty five million dollar budgets, and yet

0:45:48.480 --> 0:45:54.040
<v Speaker 3>she's sitting there on YouTube watching these old, kind of grainy,

0:45:55.719 --> 0:46:00.319
<v Speaker 3>rusted out clips from in Living Color and just has

0:46:00.520 --> 0:46:05.680
<v Speaker 3>marized by just the theatricality of it. I mean, I

0:46:05.719 --> 0:46:11.240
<v Speaker 3>feel like in entertainment we've lost that sort of boldness

0:46:11.640 --> 0:46:16.880
<v Speaker 3>of performance, you know, having that I'm excited now to

0:46:17.000 --> 0:46:21.399
<v Speaker 3>show her can she watch Good Burger too. Yeah, yeah,

0:46:21.480 --> 0:46:26.480
<v Speaker 3>of course, yeah, okay, yes, total it's okay, it's okay.

0:46:26.640 --> 0:46:30.239
<v Speaker 2>Yeah, yeah, it's PG. So she'd be good, she'd be good.

0:46:31.160 --> 0:46:33.720
<v Speaker 1>Yeah, it's funny, man. But yeah, this is the legends

0:46:33.760 --> 0:46:36.720
<v Speaker 1>I tell comedians outsid go back and and then watch

0:46:36.800 --> 0:46:39.719
<v Speaker 1>them because those guys are like legendary, you know what

0:46:39.800 --> 0:46:42.719
<v Speaker 1>I mean, and show you so much. You know, I

0:46:42.760 --> 0:46:46.520
<v Speaker 1>was inspired by Living Color and SNL and all the

0:46:46.520 --> 0:46:49.279
<v Speaker 1>physical comedy and you know, Tommy Davis and Jami five,

0:46:49.360 --> 0:46:50.040
<v Speaker 1>all these guys.

0:46:50.080 --> 0:46:50.239
<v Speaker 2>Man.

0:46:50.320 --> 0:46:54.240
<v Speaker 3>So yeah, man, were you watching in Living Color? Yes,

0:46:54.880 --> 0:46:57.400
<v Speaker 3>while you were doing this, you were watching it.

0:46:57.400 --> 0:46:58.200
<v Speaker 2>When I was a kid.

0:46:58.360 --> 0:47:00.759
<v Speaker 1>Oh yeah, because the Living Color was before I even

0:47:00.840 --> 0:47:03.360
<v Speaker 1>got on all that, and I was like a staple

0:47:03.440 --> 0:47:07.640
<v Speaker 1>in my household. And so Jim Carrey, you know, Tommy Davison,

0:47:08.040 --> 0:47:10.400
<v Speaker 1>Keenan Avy, Waynms and then to now you know know

0:47:10.480 --> 0:47:12.920
<v Speaker 1>the Waynes hang out with them, you know, it's awesome,

0:47:12.960 --> 0:47:15.520
<v Speaker 1>and we were doing Keenan mc keil. They were doing

0:47:15.560 --> 0:47:18.880
<v Speaker 1>the Waynes Brothers show around the same time. So it's awesome.

0:47:19.400 --> 0:47:20.720
<v Speaker 5>Awesome, dude.

0:47:20.880 --> 0:47:26.360
<v Speaker 3>Congratulations, I appreciate you coming and talking to all of us,

0:47:26.440 --> 0:47:36.160
<v Speaker 3>and good luck with Good Burger two, three, four, five, six,

0:47:36.360 --> 0:47:39.439
<v Speaker 3>How many Fast and Furious but seven? I think there's

0:47:39.480 --> 0:47:45.080
<v Speaker 3>at least nine Good Burgers. I wish you all the best, congratulations,

0:47:45.120 --> 0:47:47.680
<v Speaker 3>good luck, and yeah, I'm not giving you lip service here.

0:47:47.960 --> 0:47:52.399
<v Speaker 3>My eight year old is gonna be watching Good Burger well,

0:47:52.480 --> 0:47:54.359
<v Speaker 3>I mean it's a school day, but by the end

0:47:54.400 --> 0:47:57.480
<v Speaker 3>of the weekend she'll be watching it, so you'll have

0:47:57.520 --> 0:47:58.160
<v Speaker 3>another viewer.

0:47:58.239 --> 0:48:00.960
<v Speaker 5>Thanks so much, Kel, Thank you brother, thanks for having

0:48:00.960 --> 0:48:01.200
<v Speaker 5>me on.

0:48:01.360 --> 0:48:03.280
<v Speaker 2>Man cheers.

0:48:15.440 --> 0:48:18.239
<v Speaker 3>Kel, Thank you so much for coming on. It was

0:48:18.400 --> 0:48:21.759
<v Speaker 3>great getting to know you a little bit. And yes,

0:48:22.160 --> 0:48:26.560
<v Speaker 3>congratulations on all your recent success. Listeners, if you want

0:48:26.560 --> 0:48:30.160
<v Speaker 3>a little nineties nostalgia or well just a good laugh

0:48:30.520 --> 0:48:34.319
<v Speaker 3>with you and maybe your kids, watch Good Burger two

0:48:34.680 --> 0:48:35.840
<v Speaker 3>on Paramount Plus.

0:48:36.000 --> 0:48:36.880
<v Speaker 5>Thanks for listening.

0:48:37.040 --> 0:48:40.120
<v Speaker 3>I'm going to be back next week with another episode

0:48:40.239 --> 0:48:42.479
<v Speaker 3>of Off the Beat. I'm going to have a great

0:48:42.520 --> 0:48:48.280
<v Speaker 3>week this week, I can tell. I hope you do too.

0:48:54.480 --> 0:48:57.440
<v Speaker 3>Off the Beat is hosted and executive produced by me

0:48:57.800 --> 0:49:02.280
<v Speaker 3>Brian Baumgartner, alongside are executive producer lingg Lee. Our senior

0:49:02.320 --> 0:49:06.960
<v Speaker 3>producer is Diego Tapia. Our producers are Liz Hayes, Hannah Harris,

0:49:07.000 --> 0:49:11.240
<v Speaker 3>and Emily carr Our talent producer is Ryan Papa Zachary

0:49:11.520 --> 0:49:15.279
<v Speaker 3>and our intern is Ali Amir Sahed. Our theme song

0:49:15.440 --> 0:49:19.400
<v Speaker 3>Bubble and Squeak performed by the one and only Creed

0:49:19.480 --> 0:49:19.920
<v Speaker 3>Bratton