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Speaker 1: Remitting.

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Speaker 2: Hey, what's so Welcome to Tuesday show. Appreciate everybody being here.

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Speaker 2: All right, more in the studio morning. All right, let's

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Speaker 2: go around the room and check in with everybody. We're

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Speaker 2: trying to convince him to start wearing a tupe, but

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Speaker 2: he thinks it'll look fake and.

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Speaker 3: He says, no way. It's producer Eddie.

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Speaker 2: Okay.

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Speaker 4: So I got a question for you guys that I

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Speaker 4: saw online. I was like, this is interesting. Who is

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Speaker 4: the most underrated country artist in your mind? Like somebody

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Speaker 4: that you really like but never gets a lot of attention.

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Speaker 2: Okay, I would say for the amount of hits that

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Speaker 2: he has, So there's two versions of this, I would

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Speaker 2: say Billy Carrington. So many massive songs and sometimes you

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Speaker 2: don't know that that's him when you start to go

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Speaker 2: what's Billy Carrington's playlist? It's one banger after another banger,

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Speaker 2: Hey girl, watch you nay girl, good turn beans. And

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Speaker 2: I would go Billy Currington for an artist that has

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Speaker 2: massive success that probably isn't considered in that group that

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Speaker 2: sometimes they have less success than him. But part of

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Speaker 2: that too, is it Billy.

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Speaker 3: Just goes away and does his thing, and so.

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Speaker 2: He doesn't want to play the game, and sometimes you

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Speaker 2: gotta play the game a little bit.

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Speaker 3: But I'll go Billy Carrington.

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Speaker 2: And then also I think underrated can mean just not

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Speaker 2: discovered yet, like not hit, And so I would say,

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Speaker 2: like an Ian Munsick. Oh that's a good one, dude.

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Speaker 2: You know, he performed at our Million Dollar Show. I've

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Speaker 2: done an hour long podcast with him. He does his

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Speaker 2: own style and he's from the West. He lived on

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Speaker 2: a ranch. He does whatever he does. He does like

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Speaker 2: those wolf howls and his songs. Yeah, and it's all legit.

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Speaker 2: He dresses like that, he is like that. Yeah, and

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Speaker 2: he's so good. And I think it's taken him a

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Speaker 2: bit of time to start to break through because he's

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Speaker 2: been so different. But then once you break through and

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Speaker 2: you're different, you own it. So I go Ian Munsick

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Speaker 2: as well. The really fascinating thing about Ian is so

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Speaker 2: in and I sat for an hour and talked to

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Speaker 2: Ian has a pretty determined stutter. Oh yeah, and after

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Speaker 2: a while the stutter was a bit less. But when

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Speaker 2: he talks in normal life, he is a stutter. When

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Speaker 2: he sings, no stutter, And we talked about that. That's amazing.

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Speaker 2: How that works. Yeah, it was sing in front of

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Speaker 2: five thousand people, no stutter, but talking.

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Speaker 3: He can't fix it.

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Speaker 2: Yeah, So I would go those two Billy Carrington and

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Speaker 2: Ian munsick.

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Speaker 3: But this can be interpreted so many ways.

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Speaker 5: I feel like, yeah, so many. I wish I'm thinking

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Speaker 5: of more people. I wish we played more up on

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Speaker 5: the radio. Go ahead, Well, like Casey Musgraves, I've just

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Speaker 5: been listening to her new album a lot.

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Speaker 3: Yeah, I'm not the only one that plays her.

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Speaker 4: Yeah that's a good one because yeah, she I mean,

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Speaker 4: she's always say she's rated very highly.

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Speaker 2: Grammy for the Album of the Year.

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Speaker 4: We don't in country radio don't hear a lot from her, though,

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Speaker 4: I do you do that player all time?

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Speaker 2: But just in general, she doesn't really even she doesn't

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Speaker 2: do much stuff here though. It's kind of like Billy Carrington.

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Speaker 2: It's not like she's and for a good reason, and

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Speaker 2: I get it. I wish I could do that and

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Speaker 2: be like screw everybody, but you know, purposefully, she doesn't

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Speaker 2: do a lot of in Nashville stuff. I mean, her

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Speaker 2: whole Golden Hour record wasn't even country really, But I okay,

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Speaker 2: Eddie Parker McCall I just love that dude.

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Speaker 4: And I feel like when you have a list of

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Speaker 4: country artists, he's never really on there.

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Speaker 2: So all the people we named a Casey Parker, Billy

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Speaker 2: through Massive park ourselves out of arenas, you know, amphitheaters.

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Speaker 3: But Parker's young. You only had a few hits because

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Speaker 3: he's so young.

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Speaker 4: He's got jams due every time I hear one of

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Speaker 4: his songs, like gosh, it's gonna the new of the

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Speaker 4: Burn that Burns, It's so so good.

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Speaker 2: Gosh, we need to get this guy going to.

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Speaker 3: Full ray, Sam Hunt and Parker.

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Speaker 4: No, no, no, no, I'm not like that. Oh I'm not

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Speaker 4: gonna start dressing like Parker or anything.

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Speaker 2: Yeah. Again, you can defind it however you want. But

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Speaker 2: I feel like Parker's pretty widely like respected. Hey, we

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Speaker 2: need to get him higher, higher rated. How do we

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Speaker 2: okay rate him higher?

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Speaker 6: Guys, go ahead, lunchbox, Chris Stapleton, excuse me, Chris Stapleton.

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Speaker 3: I mean he's I think everybody.

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Speaker 6: No, no, he's a superstar. But I don't we don't

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Speaker 6: ever play him.

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Speaker 2: Yes, he's had, he's on the radio, like his last

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Speaker 2: three songs about number ones alight.

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Speaker 3: Well, the question is not who do you love?

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Speaker 2: Like? Who do you love? That doesn't get a lot

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Speaker 2: of atten. But how would you say Stapleton's underrated? Like

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Speaker 2: people he wins, He's like everybody knows his best singer.

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Speaker 2: He's considered one of the top ten songwriters in the

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Speaker 2: past fifty years. He's got multiple number one hits, he

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Speaker 2: sells out tours. So how would he be under underrated

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Speaker 2: in your mind? Has he won Entertainer of the Year? Yes, yes,

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Speaker 2: actually two years ago. Yeah, okay, okay, so we'll move

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Speaker 2: on from the underrated part. But what was the question?

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Speaker 2: Why does he love him so much? No, he just

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Speaker 2: does love him so much. Yeah, like he's really good?

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Speaker 2: Was the question that who?

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Speaker 6: Okay, who is under I mean I don't know anybody

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Speaker 6: that's underrated then because I don't really pay attention to.

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Speaker 2: All Right, okay, anybody in your radar knew anybody that

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Speaker 2: they came in the studio and you're like, man, they're

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Speaker 2: really good. Who came in here?

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Speaker 5: There?

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Speaker 2: Recently a lot of people know that the.

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Speaker 6: Legs, the stray guys, just because they gave me a hoodie.

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Speaker 2: The reded so if they give you free stuff, they.

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Speaker 6: Yeah, well, I mean that was the best giveaway. Like

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Speaker 6: most people come in, they don't give you anything. They

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Speaker 6: give you a CD. It's like, oh, I mean they

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Speaker 6: gave us legit like nice hoodies.

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Speaker 2: And I was like, this is perfect. So that's your

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Speaker 2: official answer? Will accept it? Yeah?

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Speaker 3: What's then answer?

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Speaker 6: The straight clays, straight clays, red red, red red stray clays.

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Speaker 2: Almost think of dirt. I mean you've got the words

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Speaker 2: the red dirt, straight red. Oh you said think of.

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Speaker 7: Dirt because red clay on the ground.

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Speaker 2: Yeah, I think of dirt. It's not say dirt. All right,

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Speaker 2: let's get going here. Glad you guys are with us.

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Speaker 2: We got a big show playing for you. Today's Sam

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Speaker 2: Hunt's coming up in just a little bit. He'll be

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Speaker 2: in studio lockerray of Let's open up the mail bags.

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Speaker 8: You friend the name mail and we read it all

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Speaker 8: the air. Its something we call Bobby's mail bag.

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Speaker 2: Yeah, hello, Bobby Bloness. I've always proud of myself on

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Speaker 2: my looks. Take great care to make sure I always

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Speaker 2: look my best. About six months ago, I was in

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Speaker 2: a car accident. It left me with a significant scard

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Speaker 2: in the middle of my forehead. Now I don't want

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Speaker 2: to go out in public, and I can't imagine anyone

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Speaker 2: finding me attractive. It's a few times that I've been

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Speaker 2: out I can tell people are looking at my scar.

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Speaker 2: How can I totally change the way I've always felt

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Speaker 2: about myself? And then my looks is the most important

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Speaker 2: thing about me? Can ever learn to love a less

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Speaker 2: attractive version of myself? Signed Misty and Minnesota. Well, sometimes

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Speaker 2: things are introduced to us in a way that are

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Speaker 2: not pleasurable but are really good for us long term.

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Speaker 2: But we all got to lose our looks anyway. Eventually

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Speaker 2: we're get older, like that's gonna happen, And I get

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Speaker 2: if that was your thing, Like you're the hotty and

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Speaker 2: all of a sudden you can still be high, but

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Speaker 2: with a scar, so don't let don't. People probably aren't

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Speaker 2: even thinking about the scar. If it's just a scar.

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Speaker 2: They may see it because it's there on a forehead.

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Speaker 2: It's kind of hard. It's like if somebody walks in

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Speaker 2: with like part of their hair dyed green. It's like

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Speaker 2: just a little strip. You're probably like, well, that's a shame.

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Speaker 2: We don't think about it any more than that one

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Speaker 2: second where you look at it. But also it's a

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Speaker 2: probably a good lesson per opportunity. Yeah, but I'm assuming

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Speaker 2: if you guys pride of yourself on look, you probably

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Speaker 2: also looked at other people's looks and held them in

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Speaker 2: higher regard because of it. And so but now maybe

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Speaker 2: you're understanding that that isn't really the most important thing.

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Speaker 2: And it's kind of a Again, it's a hard lesson sometimes,

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Speaker 2: but I think macro versus micro it can be a

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Speaker 2: really great lesson. Anybody you'd want to be with anyway

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Speaker 2: is not going to be turned off just if you

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Speaker 2: have a scar on your head. Like if there's somebody

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Speaker 2: that you would have met and you thought you'd have

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Speaker 2: fallen in love and you'd have been so happy together,

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Speaker 2: that's not that kind of person that won't be with

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Speaker 2: you now because of a scar. Is not that person anyway.

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Speaker 2: So that sucks. A lot of stuff sucks in life.

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Speaker 2: You know what you gotta do. Son comes up, You

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Speaker 2: get up with it, and now you get to learn

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Speaker 2: a lesson that a lot of people learn later. And

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Speaker 2: you know what, the lesson's not even gonna be. It's

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Speaker 2: not near as big as you think it is. It's

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Speaker 2: like when we're worried about getting up and embarrassing ourselves

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Speaker 2: in public, or if you have to give a speed

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Speaker 2: or whatever it is. We're like, oh, if I humiliate myself,

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Speaker 2: nobody's thinking about it one second after it's over, because

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Speaker 2: everybody's so self consumed anyway. So good for you. You

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Speaker 2: get to learn and you get to find value in

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Speaker 2: more important things.

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Speaker 3: Yeah, signed ugly geeky Bobby.

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Speaker 2: Yeah.

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Speaker 5: I think it's an opportunity to get to know other

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Speaker 5: parts of you, because you do have more to offer

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Speaker 5: than your looks. So get to know the other things

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Speaker 5: about you that are amazing.

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Speaker 2: And if it's just a scar and you're very good looking,

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Speaker 2: you're still probably pretty good looking. It's true, and.

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Speaker 7: It's a conversation starter.

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Speaker 2: Yeah, scars are cool man.

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Speaker 4: Yeah, there's always a story behind a scar.

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Speaker 3: That story is not good.

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Speaker 2: You can make up a good story. Robin a liquor store.

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Speaker 2: I got a good story.

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Speaker 4: I got bit by a shark. You change it, Yeah,

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Speaker 4: you should change it. And then later you're like, I'm

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Speaker 4: just joking. I was just Robin liquor store.

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Speaker 2: Uh. Yeah, it sucks. I'm sorry that happened to you,

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Speaker 2: but I think you'll get a lot from it. And

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Speaker 2: it also allows you to understand that that's not the

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Speaker 2: most important thing in life. If that was your understanding

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Speaker 2: that that was the most important thing in life. We

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Speaker 2: always we get these lessons of different ways. So yeah, congratulations.

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Speaker 2: Look at it as a as a bit of time

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Speaker 2: to grow and the person you've been happy with forever

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Speaker 2: and a person's not gonna date you now because your scar.

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Speaker 2: That's all all right, close it up.

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Speaker 8: We got your game mail and we laid it on

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Speaker 8: your Now it's time to close.

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Speaker 2: Bobby failed that year. We're gonna play never Gonna Get It,

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Speaker 2: and I'm gonna give you the question. Then we're gonna

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Speaker 2: play the new theme song. About a quarter of Americans

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Speaker 2: have ever had one of these automotive accessories? What are they?

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Speaker 8: About?

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Speaker 2: Twenty five percent Americans have had this automotive accessory? What

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Speaker 2: is it?

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Speaker 3: It's it's difficult. That's why say you're never gonna get it.

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Speaker 2: No, you're not gonna get it. You're never never gonna

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Speaker 2: get it. Corty, he's on the phone right now, Hey, Courtney,

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Speaker 2: how are you this morning?

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Speaker 9: I'm good, Bobby, how are you really good?

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Speaker 2: Thank you for calling the show. And you have three

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Speaker 2: chances here to win a one hundred dollars gift card

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Speaker 2: to Sonic. Now the question is about twenty five percent

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Speaker 2: of Americans I've had one of these automotive accessories? What

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Speaker 2: is it? But only and I can give you another hint.

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Speaker 2: Fourteen percent still due in another like eleven percent say

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Speaker 2: they used to, so half of them have hunted it.

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Speaker 2: And that's a free hint. Oh that's a tough one.

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Speaker 9: I'm gonna take a wild guess here, and I'm gonna

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Speaker 9: say the air freshener. Are you hanging fart in your

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Speaker 9: rear of your mirror?

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Speaker 2: Hey, you'll, you'll tree, you'll pind try yeah, yeah, yeah,

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Speaker 2: great guess, but that's not it. It's hard because you're

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Speaker 2: never gonna get it. You know you're not gonna get it.

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Speaker 2: You're never give me. How do you feel?

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Speaker 7: Fine?

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Speaker 2: Lunchbox? Great, Eddie? I feel good.

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Speaker 4: I have three options that I get to choose from

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Speaker 4: that I came.

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Speaker 3: Up with, Morgan, I feel pretty good.

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Speaker 2: Now I'm gonna give you two, Courtney, you get there's

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Speaker 2: four show members here, but you get to pick two

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Speaker 2: of them and if either one of them get it,

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Speaker 2: you get it. But it's never gonna get it. So Courtney,

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Speaker 2: who are your two players.

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Speaker 9: Okay, I'm gonna pay. I'm gonna go with Amy and lunchbox.

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Speaker 3: Okay, boy, go.

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Speaker 2: Ahead, Eddie. About a quarter of Americans I've ever had

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Speaker 2: one of these, fourteen percent say they still do.

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Speaker 3: About eleven percent say they used to, Eddie.

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Speaker 4: We're talking about the club that you put in your

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Speaker 4: steering wheel so they don't steal it.

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Speaker 2: That's interesting, it's actually good.

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Speaker 10: Morgan, Well, they used to have is a lot when

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Speaker 10: I was in high school.

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Speaker 7: It's the wheel and seat covers, and they can be

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Speaker 7: all different kinds of things. They can be fuzzy.

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Speaker 2: We all like on top of the.

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Speaker 7: Wheel, on the wheel, and then also on the seat.

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Speaker 7: They all match.

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Speaker 6: Oh yeah yeah, lunchbox tassel hanging from the rear view.

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Speaker 2: Like after you graduate high school yep, or college. People

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Speaker 2: did that a lot, mostly high school. Yeah, yeah, people

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Speaker 2: did that. Amy.

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Speaker 5: A vanity plate, also known as like a personalized.

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Speaker 3: License, right one?

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Speaker 2: Amy?

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Speaker 3: Hey Courtney, Yes, Bobby.

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Speaker 2: Of those four answers, which one did you like the best?

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Speaker 2: It doesn't matter, it doesn't. Somebody got it, really, yeah, somebody.

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Speaker 9: Got the club, probably the.

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Speaker 6: Club we all hate.

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Speaker 2: They tricked you into saying the club. I don't think

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Speaker 2: it's definitely not. We all had the club. I never

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Speaker 2: had the club. We use. The club costs more than

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Speaker 2: my cars. Back then.

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Speaker 6: I was just seeing if she would stay loyal to

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Speaker 6: Amy and I.

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Speaker 1: I guess you kept the club.

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Speaker 2: She didn't say there is vanity plates. Amy is the

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Speaker 2: winner and so is Courtney. It Wow, congratulations court.

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Speaker 9: By Buddy Bobby. I'm a really big fan of yours.

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Speaker 9: You've actually one year I called the show on my

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Speaker 9: nineteen firth ame you send me an autograph picture, and

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Speaker 9: I went to your hometown mount in Pine, Arkansas, and

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Speaker 9: I took a picture by the Bobby Batons by the

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Speaker 9: boyhood home by the that says the boy hit home

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Speaker 9: with Bobby Bones. And you like my picture on Instagram.

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Speaker 9: But yeah, I've been a fan of your for years.

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Speaker 2: That's awesome.

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Speaker 9: So it made my day because I called my last

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Speaker 9: birthday but I didn't get to talk to you guys.

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Speaker 9: I'm so happy I got to spend my day with

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Speaker 9: you guys today.

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Speaker 3: That's awesome, And you want one hundred dollars Sonic.

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Speaker 2: Happy birthday, Corney. Let's put you through a little fun

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Speaker 2: bit here, Courtney. So if you listen to the show,

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Speaker 2: what would Amy's vanity plate say, Courtney, if you get

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Speaker 2: to assign one to Amy, what would her vanity plates say?

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Speaker 9: I'd say super Mama because she's a really good mom.

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Speaker 2: S U p R M m A super mama you

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Speaker 2: only have yeah, you know, yeah, okay. What would lunchboxes say?

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Speaker 9: Comic relie if I don't know, c M.

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Speaker 2: C R l F. Come on, that's not really good.

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Speaker 7: She gets to pick it and she says you, that's good.

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Speaker 6: I'm just saying, like, you're not gonna if you're driving,

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Speaker 6: you're not gonna rely understand what that is.

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Speaker 2: I think I would maybe Eddie, what about Eddie? Dad

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Speaker 2: p r you could do the whole word superdad. You

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Speaker 2: can't do the whole word with that, s p R

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Speaker 2: d A D super bad dad. Yeah? What about Morgan?

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Speaker 6: Morgan Batty b A D D D Y I like it?

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Speaker 2: What does that mean? Like? Yeah, what about me?

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Speaker 7: I don't know?

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Speaker 9: What would Bobby's say? You would probably just get a

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Speaker 9: picture of like the uh, the University of Arkansas mascot.

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Speaker 9: Yours wouldn't say anything. You would probably just say the

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Speaker 9: University of Arkansas. Or you would probably put like Caleb's

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Speaker 9: husband on it, because that's probably your favorite title.

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Speaker 2: Yeh c T l n h B sort of yeah

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Speaker 2: or whooping like whooping yeah. Okay, Well, and Corny is

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Speaker 2: a big winner today. Let's put what woulddie say if

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Speaker 2: you had this on it? Baldy and you can spell

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Speaker 2: that b A L D We're one uh d y.

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Speaker 2: We can need you one short though y b A

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Speaker 2: l D y five? Man, you need one more? How

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Speaker 2: would you do it?

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Speaker 6: You need two d's yeah, bald d bald d baldi

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Speaker 6: one baldi one.

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Speaker 7: Eddie's okay with it, like you're.

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Speaker 2: Tags on a license plate, Eddie. What would n boxes say? Idiot?

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Speaker 2: That's not up? I D that's perfect? You need one more?

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Speaker 2: One more? Yeah, idiot one. See I shouldn't just open

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Speaker 2: them up to insold each other. I don't know why?

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Speaker 2: What about dumb it d M b A Alright, Coordney

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Speaker 2: is our winner.

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Speaker 11: It's time for the good news.

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Speaker 5: So shout out to Laurie Pinya, who is a mom

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Speaker 5: of six and her husband. I think that's probably why

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Speaker 5: they were dialed in on the toddler that was walking.

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Speaker 7: On the freeway or near it.

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Speaker 5: Oh my god, and they're like, okay, something's not right

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Speaker 5: with this and if that was one of our kids,

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Speaker 5: we got to stop right now.

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Speaker 7: We got to help this kid out. They ended up contact.

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Speaker 5: Way yeah, and the toddler was able to communicate that

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Speaker 5: he lived in a house near by and was able

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Speaker 5: to get the officers there.

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Speaker 7: Once the police showed up.

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Speaker 2: Some mature toddler or like the oldest level of toddler four,

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Speaker 2: like a young four yeah, four five? So the five

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Speaker 2: is not toddler. It's not kindergarten's not toddler. Oh okay, right,

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Speaker 2: no way, that's tall. But there are no rules and

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Speaker 2: we're being way too no way, idiots, go ahead.

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Speaker 5: Well, he was left with his six year old brother

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Speaker 5: at home, and they what they determined was when the

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Speaker 5: dad got home shortly thereafter.

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Speaker 7: Who knows what happens.

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Speaker 5: Child Services is looking into this, but there was a

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Speaker 5: safe environment. Everybody seemed to be doing good. So it's

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Speaker 5: probably one of those crazy wild.

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Speaker 2: That happens, right, super accidents happened. This is the actual

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Speaker 2: definition of a toddler. One to two. There's no way

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Speaker 2: that two year old could be that communicative. Okay, uh.

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Speaker 2: Three to five is considered a preschooler. But I didn't

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Speaker 2: know that toddler or preschooler were like the same version.

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Speaker 2: They didn't know either. The internet stupid.

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Speaker 7: Yeah, Tyler can totally before.

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Speaker 2: That's that's a good story. I'm glad they.

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Speaker 7: Found the toddler good so far, we're still looking into it.

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Speaker 2: Yeah, but the kids safe. Good, it's safe. That's what's

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Speaker 2: all about.

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Speaker 3: That was telling me something good on the Bobby Bone Show.

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Speaker 2: Hey, Sam, good to hear it. Good to see you, buddy.

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Speaker 2: The microphone is on your in your chair over there,

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Speaker 2: and you should be able to hear Ray mess up

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Speaker 2: a few times. You get Ray. Yeah, I've got to

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Speaker 2: see real good. I was pumped because I saw your

385
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Speaker 2: tour and we were talking with your old football coach

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Speaker 2: and this this is a whole situation where we're talking

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Speaker 2: to ty Hilton. Yeah. Yeah, so Ryan too, and were

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00:18:05,880 --> 00:18:08,239
Speaker 2: up at wester Kentucky working out with the team. So

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Speaker 2: he's the head coach there now, Yeah, And he said,

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Speaker 2: was he your quarterbacks coach?

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Speaker 3: The offensive coordinator?

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Speaker 2: What was he? Yeah?

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Speaker 11: He was, he was the quarterbacks coach and then also

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Speaker 11: helped out with the offense.

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Speaker 2: So his his dad.

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Speaker 11: It was a long time legendary coach coach there at

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Speaker 11: UB when I was there, and then Tyson his son

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Speaker 11: was it was the quarterback coach. Yeah, so he was,

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Speaker 11: and he was not that much older. He was he

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Speaker 11: was older than us, but he was fairly younger.

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Speaker 2: Yeah. No, yeah, I mean so we're hanging out and

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Speaker 2: he said, he said, hey, you ever talk to Sam?

403
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Speaker 2: I said, yeah, sometime. So Tyson's the Hilltoppers head coach

404
00:18:41,840 --> 00:18:44,360
Speaker 2: now and is he the head coach? Yeah? Oh wow, yeah,

405
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Speaker 2: he's crushing And he said, uh, tell him, I sew

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Speaker 2: what up? And give him my number? And I was like,

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Speaker 2: I don't I don't really know how to handle this

408
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Speaker 2: right now, but he sent along his regards. Would you

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Speaker 2: still I'd like to I'd like to get your get

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Speaker 2: his numbers. Oh we got it in the good this

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Speaker 2: is all, thank goodness. No, no, we can give you

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Speaker 2: a number that.

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Speaker 3: Because I was like, I don't know.

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Speaker 2: I'm told Sam, you want to know you're good? Yeah,

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Speaker 2: absolutely cool, good night. Yeah.

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Speaker 11: We stayed in touch for a long time and then

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Speaker 11: after life got crazy, when you know, several years after

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Speaker 11: moved to Nashville. I just I've not talked to a

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Speaker 11: lot of folks that from my past life.

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Speaker 7: You have to change your number.

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Speaker 2: I have a couple of times, because people like I

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Speaker 2: don't know Stalker's ray, I mean any like people like that. No, No,

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Speaker 2: I don't remember.

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Speaker 11: I changed Actually I had the same number until about

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Speaker 11: five years ago, and I've changed it twice since then.

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Speaker 11: And and it's good. I get overwhelmed a little bit

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Speaker 11: with times. Would you regulate one number to everybody?

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Speaker 2: I just give you his number or give him your.

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Speaker 11: Number, either one. I'll take it. I'll take his number

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Speaker 11: from mere.

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Speaker 7: Talking about how he's like. I just tend to give

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Speaker 7: my number out to anybody, and then I can go from.

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Speaker 11: So I have a tho guilt for unanswered text messages,

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Speaker 11: and I am bad with text messages, and then so

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Speaker 11: that guilt sort of weighs on me.

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Speaker 3: And anyway, give the red dots, like lots of red dots?

437
00:19:59,080 --> 00:19:59,600
Speaker 2: Are you that guy?

438
00:19:59,720 --> 00:20:00,720
Speaker 3: Or do you clear them all off?

439
00:20:01,040 --> 00:20:04,320
Speaker 2: Now they're in there, so you don't even open them.

440
00:20:04,320 --> 00:20:07,000
Speaker 2: So your guilt is not that you open them and

441
00:20:07,040 --> 00:20:09,040
Speaker 2: then don't respond or forget to respond, It's that you

442
00:20:09,080 --> 00:20:10,560
Speaker 2: just never open them. No. I Ope.

443
00:20:10,640 --> 00:20:12,840
Speaker 11: A lot of times it'll be I'll see them while

444
00:20:12,840 --> 00:20:15,560
Speaker 11: I'm driving, or I'll be in the middle of a

445
00:20:15,600 --> 00:20:18,280
Speaker 11: writing session, or I'll be in the studio and I'll

446
00:20:18,280 --> 00:20:20,639
Speaker 11: see the text come in and I look at it

447
00:20:20,640 --> 00:20:22,840
Speaker 11: and I'm like, Okay, I think to myself, you know,

448
00:20:22,880 --> 00:20:24,879
Speaker 11: I'll get back back to yeah, and then it just

449
00:20:24,920 --> 00:20:25,359
Speaker 11: adds up.

450
00:20:25,440 --> 00:20:27,280
Speaker 2: My problem is if people text me at like ten

451
00:20:27,359 --> 00:20:29,639
Speaker 2: thirty PM, even nine thirty, if I'm asleep, because if

452
00:20:29,640 --> 00:20:32,280
Speaker 2: to wake up so early on the weekdays, I'll see

453
00:20:32,280 --> 00:20:33,880
Speaker 2: it at three point thirty and I'm like, I can't

454
00:20:33,920 --> 00:20:36,639
Speaker 2: reply now because I'll wake them up. And then I

455
00:20:36,680 --> 00:20:39,600
Speaker 2: don't even think back about it at eleven because I've

456
00:20:39,600 --> 00:20:40,520
Speaker 2: already moved past it.

457
00:20:40,760 --> 00:20:43,240
Speaker 11: I know, and I'm sort of add So if I'm

458
00:20:43,400 --> 00:20:46,080
Speaker 11: in a frame of mind or in a state of mind,

459
00:20:46,160 --> 00:20:50,119
Speaker 11: I've got some focus going. If I entertain a conversation

460
00:20:50,200 --> 00:20:53,480
Speaker 11: that is about something completely different than whatever I was

461
00:20:53,520 --> 00:20:55,399
Speaker 11: thinking about's gone and now I'm in the world of

462
00:20:55,720 --> 00:20:57,040
Speaker 11: this text message conversation.

463
00:20:57,160 --> 00:20:58,760
Speaker 2: So do you think you can write a song about

464
00:20:58,760 --> 00:21:01,520
Speaker 2: anything and it'd be good? No? No, definitely not.

465
00:21:01,600 --> 00:21:01,720
Speaker 6: I have.

466
00:21:02,240 --> 00:21:03,880
Speaker 11: That's why it's so hard for me to put out music,

467
00:21:03,920 --> 00:21:07,359
Speaker 11: because there's only I feel like, my h the sweet

468
00:21:07,400 --> 00:21:09,720
Speaker 11: spot for what I can write about or what would

469
00:21:09,800 --> 00:21:13,480
Speaker 11: work for me is it's so small that a lot

470
00:21:13,480 --> 00:21:15,600
Speaker 11: of ideas come along that I'll just I'll pass on

471
00:21:15,640 --> 00:21:17,360
Speaker 11: them or think, you know, that's just not a good

472
00:21:17,400 --> 00:21:21,320
Speaker 11: idea for me. But oh, there's probably plenty of guys

473
00:21:21,320 --> 00:21:24,399
Speaker 11: in Nashville who could write those ideas and they end

474
00:21:24,480 --> 00:21:25,360
Speaker 11: up great songs.

475
00:21:25,680 --> 00:21:29,159
Speaker 2: The legacy of Sam Hunt the writer is that you

476
00:21:29,240 --> 00:21:33,720
Speaker 2: are much more of a perfectionist or someone who needs

477
00:21:33,720 --> 00:21:37,320
Speaker 2: to sit with it a lot longer than the average songwriter.

478
00:21:37,359 --> 00:21:38,440
Speaker 3: Would you say there's truth to that?

479
00:21:38,800 --> 00:21:41,439
Speaker 11: Yeah, I think I got that reputation during about a

480
00:21:41,440 --> 00:21:46,480
Speaker 11: three year period where I was probably overthinking and you know,

481
00:21:46,480 --> 00:21:49,440
Speaker 11: I wrote my first album and had some success with it,

482
00:21:50,000 --> 00:21:52,639
Speaker 11: and then I should have been writing while I was

483
00:21:52,640 --> 00:21:54,120
Speaker 11: on the road, but I was touring for two years

484
00:21:54,119 --> 00:21:55,919
Speaker 11: not writing at all. So when I went back in

485
00:21:55,920 --> 00:21:57,960
Speaker 11: to write, I was trying to figure out exactly what

486
00:21:58,040 --> 00:22:02,280
Speaker 11: I had done on the first album that made it successful,

487
00:22:02,320 --> 00:22:04,920
Speaker 11: and so I think I started overthinking that and trying

488
00:22:04,960 --> 00:22:08,400
Speaker 11: to get a little too formulaic and breaking everything down

489
00:22:08,440 --> 00:22:09,440
Speaker 11: into this sort.

490
00:22:09,280 --> 00:22:11,600
Speaker 2: Of math problem. Had a little bit, Yeah, I think,

491
00:22:11,640 --> 00:22:13,400
Speaker 2: so are you still in that spot where you need

492
00:22:13,440 --> 00:22:15,320
Speaker 2: to live with it for days and days and days?

493
00:22:15,400 --> 00:22:18,800
Speaker 11: No, I've stepped back away from that I've I tend

494
00:22:18,840 --> 00:22:22,480
Speaker 11: to just move forward now, which is the approach of

495
00:22:22,560 --> 00:22:25,480
Speaker 11: most songwriters who I write with. It's just just keep

496
00:22:25,520 --> 00:22:28,840
Speaker 11: going and get the song written, and that tends to

497
00:22:28,880 --> 00:22:31,800
Speaker 11: be more productive if you zoom out and look at.

498
00:22:31,760 --> 00:22:34,480
Speaker 2: It long term. Body like a backroad one of those

499
00:22:34,480 --> 00:22:35,920
Speaker 2: who took a long time and kept rewriting.

500
00:22:36,080 --> 00:22:39,880
Speaker 11: Yeah, yeah, it's funny to like the silliest song I have.

501
00:22:40,000 --> 00:22:43,560
Speaker 2: But sure it's silly in that, but still you had

502
00:22:43,560 --> 00:22:45,359
Speaker 2: to find the exactly that song's got to make you

503
00:22:45,400 --> 00:22:47,320
Speaker 2: feel are envisioned certain things.

504
00:22:47,320 --> 00:22:49,000
Speaker 11: That was the problem was there was so many ways

505
00:22:49,000 --> 00:22:50,720
Speaker 11: to miss and then that was one where if I

506
00:22:50,880 --> 00:22:52,760
Speaker 11: missed bine inch, I'd missed by a mile, And so

507
00:22:54,080 --> 00:22:58,240
Speaker 11: it was a delicate tightrope walk and so I had

508
00:22:58,280 --> 00:22:59,360
Speaker 11: to get it just right.

509
00:22:59,400 --> 00:23:01,000
Speaker 2: So like it was just writer or did you go

510
00:23:01,040 --> 00:23:02,840
Speaker 2: I can't hold onto this any longer? A live bit

511
00:23:02,880 --> 00:23:03,200
Speaker 2: of both.

512
00:23:03,280 --> 00:23:07,439
Speaker 11: Yeah, I finally got I just I didn't want to

513
00:23:07,440 --> 00:23:09,840
Speaker 11: have any lines or sections that were that didn't match

514
00:23:09,880 --> 00:23:11,840
Speaker 11: the rest of the song and feel like the same character.

515
00:23:12,160 --> 00:23:14,440
Speaker 11: But I also feel like it just came out, because

516
00:23:14,480 --> 00:23:15,919
Speaker 11: if I wanted to feel like it just came off

517
00:23:15,960 --> 00:23:16,360
Speaker 11: the top of.

518
00:23:16,280 --> 00:23:17,600
Speaker 2: The head, top of my head.

519
00:23:17,640 --> 00:23:20,760
Speaker 11: But it took more thought and effort to get it

520
00:23:20,800 --> 00:23:22,000
Speaker 11: to make it feel like that.

521
00:23:22,359 --> 00:23:23,600
Speaker 2: It kept feeling overwritten.

522
00:23:23,680 --> 00:23:26,399
Speaker 11: Every every line early on was like a reference to

523
00:23:26,440 --> 00:23:29,240
Speaker 11: the back road, and it was like just felt overwritten

524
00:23:29,280 --> 00:23:29,880
Speaker 11: and too cute.

525
00:23:30,000 --> 00:23:33,320
Speaker 2: So I had to find that sweet spot. It took

526
00:23:33,320 --> 00:23:36,240
Speaker 2: a little while. If I especially when I've written books,

527
00:23:36,240 --> 00:23:38,200
Speaker 2: but or even a joke, if I live in it

528
00:23:38,280 --> 00:23:41,280
Speaker 2: so long, I lose whatever I thought was good about it,

529
00:23:41,280 --> 00:23:43,240
Speaker 2: like I can't identify it anymore. Like if I'm writting

530
00:23:43,240 --> 00:23:44,240
Speaker 2: a joke and I'm like, man, I don't even know

531
00:23:44,240 --> 00:23:46,199
Speaker 2: if this is funny, and because I've just been inside

532
00:23:46,200 --> 00:23:47,919
Speaker 2: of it so long, or the book too, I'm like,

533
00:23:48,000 --> 00:23:49,919
Speaker 2: I hate it because I don't do you do that

534
00:23:49,920 --> 00:23:51,440
Speaker 2: with songs where you're in it so much you can't

535
00:23:51,480 --> 00:23:53,879
Speaker 2: even identify what was good to you at first.

536
00:23:53,960 --> 00:23:57,280
Speaker 11: Yeah, And that's the argument against taking too much time

537
00:23:57,359 --> 00:24:02,680
Speaker 11: with something and trying to or we're just overthinking it,

538
00:24:02,840 --> 00:24:05,960
Speaker 11: is that will come a point where you can't see

539
00:24:05,960 --> 00:24:09,600
Speaker 11: it anymore and you just you lose perspective. And so

540
00:24:09,920 --> 00:24:13,400
Speaker 11: that initial burst of inspiration, it's almost better, I think,

541
00:24:13,440 --> 00:24:17,280
Speaker 11: to try to mine that for all you can early

542
00:24:17,320 --> 00:24:19,240
Speaker 11: on while you've got that why you can really see

543
00:24:19,240 --> 00:24:21,360
Speaker 11: it and instead of sleeping on it and coming back

544
00:24:21,359 --> 00:24:22,360
Speaker 11: to it weeks later.

545
00:24:22,320 --> 00:24:24,480
Speaker 2: I locked up tour. You guys get tickets at Sam

546
00:24:24,520 --> 00:24:28,600
Speaker 2: hunt dot com. Russell Dickerson, George Burgh on the Canadian run,

547
00:24:28,640 --> 00:24:30,520
Speaker 2: which we're in a bunch of Canadian places too, shout

548
00:24:30,520 --> 00:24:34,720
Speaker 2: out Dalton Dover kicks off June twenty eighth, and it's

549
00:24:34,760 --> 00:24:36,280
Speaker 2: in you know, a lot of cities. The shows in

550
00:24:36,560 --> 00:24:40,199
Speaker 2: June twenty eighth and Bendor again end up doing that northwest,

551
00:24:40,680 --> 00:24:42,440
Speaker 2: coming all the way through. I guess my question is

552
00:24:42,480 --> 00:24:44,800
Speaker 2: I wouldn't watch John Mayor's acoustic tour, which I'm a

553
00:24:44,800 --> 00:24:47,080
Speaker 2: big John marrafan, Like that's like the first songwriter I

554
00:24:47,119 --> 00:24:49,600
Speaker 2: ever heard speak for me, just to me, but for me,

555
00:24:49,640 --> 00:24:51,719
Speaker 2: I'm like, oh, you see a good comedian. You're like, oh,

556
00:24:51,720 --> 00:24:53,800
Speaker 2: I thought that. I just didn't think of it like that.

557
00:24:53,840 --> 00:24:55,320
Speaker 2: He was the first person that I ever heard write

558
00:24:55,359 --> 00:24:55,600
Speaker 2: a song.

559
00:24:55,680 --> 00:24:57,520
Speaker 3: I was like, oh, I've always thought that, I just

560
00:24:57,520 --> 00:24:58,199
Speaker 3: know how to say it.

561
00:24:58,359 --> 00:25:01,919
Speaker 11: His lyrics are really thoughtful and guys like that or

562
00:25:01,920 --> 00:25:05,000
Speaker 11: who those are the guys that make me overthink lyrics.

563
00:25:05,040 --> 00:25:07,080
Speaker 11: Just there's a bar there that those some of the

564
00:25:07,200 --> 00:25:10,200
Speaker 11: guys like that set and you always feel like you're.

565
00:25:10,040 --> 00:25:12,760
Speaker 2: Not People do that to you too in the same way. Right,

566
00:25:12,760 --> 00:25:14,800
Speaker 2: they're like, well, Sam's the bar because he will spend

567
00:25:14,840 --> 00:25:16,720
Speaker 2: all this time getting it perfect. We all have a bar,

568
00:25:17,000 --> 00:25:19,679
Speaker 2: and we're all somebody else's bar too, and it's just

569
00:25:19,720 --> 00:25:21,280
Speaker 2: not to be driven crazy by the freaking bar.

570
00:25:21,520 --> 00:25:23,960
Speaker 11: Yeah, right, And we all value subjective when we value

571
00:25:24,000 --> 00:25:26,480
Speaker 11: different things some people, some songwriters value they wanted from

572
00:25:26,560 --> 00:25:29,760
Speaker 11: the melody to be fantastic and wanted to feel and flow.

573
00:25:31,119 --> 00:25:33,880
Speaker 11: I've already always been attracted as a lyrics and John

574
00:25:33,920 --> 00:25:35,120
Speaker 11: Mayer has some great lyrics.

575
00:25:35,280 --> 00:25:37,919
Speaker 2: He did the Acoustic Torn It was super cool, and

576
00:25:38,000 --> 00:25:39,960
Speaker 2: I wondered, but I'm a massive fan, like what it

577
00:25:40,000 --> 00:25:41,240
Speaker 2: was going to be like with him just up there

578
00:25:41,240 --> 00:25:42,560
Speaker 2: with a guitar and really nothing else.

579
00:25:43,040 --> 00:25:44,480
Speaker 3: I feel like that kind of show that.

580
00:25:44,480 --> 00:25:46,520
Speaker 2: Would be awesome for you to do. Would you ever

581
00:25:46,560 --> 00:25:48,439
Speaker 2: do that? Just go out and go to me and

582
00:25:48,440 --> 00:25:49,560
Speaker 2: a guitar, let's go.

583
00:25:50,000 --> 00:25:53,960
Speaker 11: Yeah, I've thought about that. He's a fantastic guitar player.

584
00:25:53,960 --> 00:25:55,240
Speaker 11: I don't know if I could carry a show with

585
00:25:55,359 --> 00:25:58,119
Speaker 11: just me, but if I had a couple partners with

586
00:25:58,240 --> 00:26:03,280
Speaker 11: me to play maybe or something that could work potentially.

587
00:26:03,359 --> 00:26:06,800
Speaker 11: I thought about that, Yeah, like doing theaters, maybe throwing

588
00:26:06,920 --> 00:26:08,640
Speaker 11: some old covers.

589
00:26:09,240 --> 00:26:13,600
Speaker 2: Are people surprised at because if they just have heard

590
00:26:13,600 --> 00:26:15,000
Speaker 2: a few songs on the radio, Let's say they're not

591
00:26:15,000 --> 00:26:16,640
Speaker 2: a massive Sam Hunt fan or even a massive country

592
00:26:16,680 --> 00:26:19,879
Speaker 2: music fan, but they're just a casual of both or either.

593
00:26:20,200 --> 00:26:24,160
Speaker 2: Are they sometimes surprised at like how country you actually are?

594
00:26:24,680 --> 00:26:25,280
Speaker 3: Because you are?

595
00:26:25,320 --> 00:26:27,600
Speaker 2: I mean you're literally like you grew up in it.

596
00:26:27,960 --> 00:26:29,560
Speaker 2: Give you a guitar or you can play it all.

597
00:26:29,960 --> 00:26:32,280
Speaker 2: Do you find people like, oh, you actually are that dude?

598
00:26:32,600 --> 00:26:37,440
Speaker 11: Yeah, I think it comes out I guess, and yeah,

599
00:26:37,440 --> 00:26:41,679
Speaker 11: people are surprised. I think people have preconceived notions. I

600
00:26:41,720 --> 00:26:45,280
Speaker 11: think about it sometimes. I guess I grew up country,

601
00:26:45,960 --> 00:26:50,000
Speaker 11: but I grew up Southern country, and there's so many

602
00:26:50,040 --> 00:26:50,920
Speaker 11: shades of country.

603
00:26:50,920 --> 00:26:52,719
Speaker 2: In the South. It's classic rock, which is a big

604
00:26:52,760 --> 00:26:55,200
Speaker 2: part of country. Yeah, and in the South to hip

605
00:26:55,200 --> 00:26:57,960
Speaker 2: hop's a massive I mean even for me in Arkansas,

606
00:26:58,000 --> 00:27:00,879
Speaker 2: well hits streaming music though right like the generation above us,

607
00:27:01,440 --> 00:27:04,280
Speaker 2: they only could get it at stores and so regionally

608
00:27:04,320 --> 00:27:07,000
Speaker 2: there would only be a dominant amount of whatever was

609
00:27:07,000 --> 00:27:10,320
Speaker 2: big but like you're seeing folks now that are in

610
00:27:10,359 --> 00:27:13,760
Speaker 2: their mid thirties, late thirties, early forties who had the

611
00:27:13,800 --> 00:27:17,239
Speaker 2: opportunity to be influence and affected by everything. Yeah, and

612
00:27:17,280 --> 00:27:19,160
Speaker 2: that's a bit of what I feel like at times

613
00:27:19,160 --> 00:27:20,840
Speaker 2: your music isn't in the greatest way. But I think

614
00:27:20,840 --> 00:27:23,080
Speaker 2: sometimes people are like Sam, like it's really country and

615
00:27:23,080 --> 00:27:23,879
Speaker 2: they're surprised by it.

616
00:27:25,040 --> 00:27:27,800
Speaker 11: I told you, Yeah, I just I never there's so

617
00:27:27,920 --> 00:27:31,639
Speaker 11: many themes that in country that we push really really hard,

618
00:27:32,160 --> 00:27:36,920
Speaker 11: and the country boy lifestyle like that gets pushed really hard,

619
00:27:36,920 --> 00:27:39,720
Speaker 11: and it's it's almost sometimes feels like it's a signal

620
00:27:40,000 --> 00:27:41,840
Speaker 11: to that group to say, hey, I am one of you.

621
00:27:41,880 --> 00:27:43,919
Speaker 2: I am one of you, and it feels pandury and

622
00:27:44,000 --> 00:27:47,960
Speaker 2: like like when they check certain artists, it's very pandury. Yeah,

623
00:27:48,000 --> 00:27:48,840
Speaker 2: there's an element of that.

624
00:27:48,880 --> 00:27:52,040
Speaker 11: So I've always been, I guess, try to avoid that

625
00:27:52,080 --> 00:27:53,800
Speaker 11: and probably going a little too far out of my

626
00:27:53,840 --> 00:27:54,560
Speaker 11: way to avoid it.

627
00:27:55,359 --> 00:27:58,439
Speaker 2: The new EP that just came out, so four songs

628
00:27:58,440 --> 00:28:00,320
Speaker 2: Outskirts is on it, which we're gonna play coming up

629
00:28:00,320 --> 00:28:02,720
Speaker 2: in just a second, but the other three songs locked

630
00:28:02,800 --> 00:28:05,840
Speaker 2: up Yeah, like a really personal song. It's gonna be

631
00:28:05,880 --> 00:28:08,439
Speaker 2: people you really trust. We set that aside for when

632
00:28:08,480 --> 00:28:10,879
Speaker 2: you're gonna be with people like Shane mcinally.

633
00:28:11,080 --> 00:28:15,520
Speaker 11: Yeah, essentially, I love branching out and right when you folks.

634
00:28:15,560 --> 00:28:19,879
Speaker 11: But for the most part, because of that relationships, you

635
00:28:19,920 --> 00:28:23,879
Speaker 11: just can't replace a ten year relationship overnight. So for

636
00:28:23,920 --> 00:28:25,640
Speaker 11: the most part, I still just write with the two

637
00:28:25,680 --> 00:28:28,720
Speaker 11: or two or three folks, and luckily we have that

638
00:28:28,800 --> 00:28:31,240
Speaker 11: long term relationship and we've talked about everything under the sun.

639
00:28:31,520 --> 00:28:33,399
Speaker 2: Yeah, I'd be worried, like to get too personal with

640
00:28:33,440 --> 00:28:35,479
Speaker 2: somebody I don't really know, because like, what are they

641
00:28:35,480 --> 00:28:37,680
Speaker 2: going to take out and tell their buddies? Yeah right,

642
00:28:37,840 --> 00:28:39,440
Speaker 2: Like that's what, right?

643
00:28:39,480 --> 00:28:42,680
Speaker 7: And it just not like hippa, No, there's.

644
00:28:42,520 --> 00:28:45,719
Speaker 2: Not hip and song there should be, absolutely should be.

645
00:28:45,800 --> 00:28:47,120
Speaker 2: We talked about a body like a Backer.

646
00:28:47,120 --> 00:28:48,640
Speaker 11: One of the things I learned from that song is

647
00:28:48,680 --> 00:28:50,240
Speaker 11: that there are people out there that just want to

648
00:28:50,280 --> 00:28:53,880
Speaker 11: hear a lighthearted, easy going song. It's easy to sing too,

649
00:28:53,920 --> 00:28:57,840
Speaker 11: and it puts a smile on their face. So I've

650
00:28:57,920 --> 00:29:00,560
Speaker 11: leaned into that since then, and this is one of

651
00:29:00,600 --> 00:29:04,320
Speaker 11: those songs that that I don't know that fits that

652
00:29:04,480 --> 00:29:05,520
Speaker 11: Bill Funny.

653
00:29:05,520 --> 00:29:07,760
Speaker 2: We talked about John Mayra, but he was in and

654
00:29:07,840 --> 00:29:09,800
Speaker 2: him and I talked for like half an hour and

655
00:29:09,840 --> 00:29:11,720
Speaker 2: we were talking about songs that are like that, and

656
00:29:11,720 --> 00:29:13,600
Speaker 2: he's like, you know, the songs that people mostly connect

657
00:29:13,640 --> 00:29:15,120
Speaker 2: with are not the ones I spent the most time on.

658
00:29:15,280 --> 00:29:16,720
Speaker 2: He was talking about waiting on the World to change.

659
00:29:16,760 --> 00:29:19,560
Speaker 2: He was like, that song feels like I just wrote it,

660
00:29:19,600 --> 00:29:22,480
Speaker 2: and was like generic, yeah, and he goes, but that's

661
00:29:22,520 --> 00:29:24,560
Speaker 2: the one that people most connect with. And at times,

662
00:29:24,600 --> 00:29:26,600
Speaker 2: as he said, sometimes you can get in your head

663
00:29:26,680 --> 00:29:30,120
Speaker 2: so much about creating something that is so revolutionary that

664
00:29:30,160 --> 00:29:32,680
Speaker 2: then nobody relates to exactly. Yeah. Yeah.

665
00:29:32,960 --> 00:29:36,400
Speaker 11: That that desire to validate yourself as an artist, I

666
00:29:36,400 --> 00:29:38,440
Speaker 11: think is in anybody who does anything creative.

667
00:29:38,960 --> 00:29:42,160
Speaker 2: And but that's just that's ego.

668
00:29:42,240 --> 00:29:45,480
Speaker 11: And you once you feel that in a song and

669
00:29:45,520 --> 00:29:48,480
Speaker 11: it feels trying it, it can be you know, it's

670
00:29:48,520 --> 00:29:53,600
Speaker 11: not lost on the listeners. So hopefully, you know, I'm

671
00:29:53,680 --> 00:29:56,000
Speaker 11: capable of writing some of those songs at times when

672
00:29:56,040 --> 00:29:58,480
Speaker 11: they come out and naturally that they can be what

673
00:29:58,520 --> 00:30:01,120
Speaker 11: they're supposed to be. But I think I took for

674
00:30:01,160 --> 00:30:04,680
Speaker 11: granted songs like lighthearted songs that are just that are

675
00:30:05,320 --> 00:30:07,200
Speaker 11: families and you know, I see we have a lot

676
00:30:07,200 --> 00:30:10,040
Speaker 11: of kids at our shows now, which is interesting. And

677
00:30:10,480 --> 00:30:14,520
Speaker 11: there songs like this you know that my brother can

678
00:30:14,560 --> 00:30:16,600
Speaker 11: put on in the car with all his with all

679
00:30:16,640 --> 00:30:18,480
Speaker 11: his kids and they can all sing along to it.

680
00:30:18,520 --> 00:30:22,040
Speaker 2: So there's something to be said for that too. I

681
00:30:22,040 --> 00:30:23,480
Speaker 2: got a song I'm just looking for the right person

682
00:30:23,520 --> 00:30:26,520
Speaker 2: to write it with. It's called rural plural murals. It's

683
00:30:26,560 --> 00:30:29,880
Speaker 2: the hardest thing along ever and uh, nobody really has

684
00:30:29,960 --> 00:30:33,600
Speaker 2: the ability or the They really don't have the guts

685
00:30:33,600 --> 00:30:35,400
Speaker 2: to write it with me, have they, Eddie? That's it

686
00:30:35,520 --> 00:30:37,080
Speaker 2: the guts. So what I wanted to write was the

687
00:30:37,160 --> 00:30:41,520
Speaker 2: hardest ever. It's about driving in the country, real plural murals, murals,

688
00:30:41,640 --> 00:30:44,120
Speaker 2: ploral rural murals, whichever one. But it's like multiple murals

689
00:30:44,160 --> 00:30:45,800
Speaker 2: in a rural city and all of a sudden you're

690
00:30:45,800 --> 00:30:48,320
Speaker 2: just affected. You're like, all right, you singing rural plural

691
00:30:48,440 --> 00:30:51,360
Speaker 2: you know anybody gets so, you know, I don't know

692
00:30:51,400 --> 00:30:53,240
Speaker 2: if that's just think about it, just to keep that

693
00:30:53,280 --> 00:30:55,320
Speaker 2: on the back song for you. Yeah, but I mean,

694
00:30:55,360 --> 00:30:56,880
Speaker 2: but you're you know, you're great song alright've written for

695
00:30:56,920 --> 00:30:58,880
Speaker 2: other people. So if something like comes to you, like

696
00:30:58,920 --> 00:31:02,040
Speaker 2: a good melody for rural plural murals, yeah, I'll think

697
00:31:02,080 --> 00:31:03,680
Speaker 2: on that. Yeah, let me because that's one of those

698
00:31:03,960 --> 00:31:05,480
Speaker 2: you know, that's one of those next level ones. I

699
00:31:05,480 --> 00:31:07,080
Speaker 2: can't tell if it's got a ring to it or

700
00:31:07,320 --> 00:31:09,880
Speaker 2: or the opposite both at the same time. That's it's

701
00:31:09,880 --> 00:31:12,600
Speaker 2: so next level. It's so simple with a ring, but

702
00:31:12,640 --> 00:31:15,200
Speaker 2: no ring at all. Take that out of here. Who

703
00:31:15,760 --> 00:31:18,320
Speaker 2: blew on my mind? You announce a tour? Now? Skirts

704
00:31:18,360 --> 00:31:19,840
Speaker 2: is doing really well. But did you put out the

705
00:31:19,920 --> 00:31:21,520
Speaker 2: music to go, hey, here's some new stuff you can

706
00:31:21,520 --> 00:31:22,800
Speaker 2: see if you come out and you've seen me on

707
00:31:22,800 --> 00:31:26,320
Speaker 2: a hundred times before, sorry when you play those live,

708
00:31:26,400 --> 00:31:27,800
Speaker 2: or do you put out the new music so people

709
00:31:27,840 --> 00:31:29,680
Speaker 2: can go, oh cool, it's put out some new stuff.

710
00:31:29,760 --> 00:31:31,360
Speaker 3: We'll also get to see them to a few new songs.

711
00:31:31,720 --> 00:31:34,880
Speaker 11: Yeah, I mean putting out new music. Try to put

712
00:31:34,880 --> 00:31:35,720
Speaker 11: out as much as I can.

713
00:31:35,760 --> 00:31:37,160
Speaker 2: But are you thinking about plural and your roles? When

714
00:31:37,160 --> 00:31:38,640
Speaker 2: I ask you that question, he was already in it.

715
00:31:38,680 --> 00:31:40,400
Speaker 2: I could see he was trying to write the song

716
00:31:40,440 --> 00:31:41,960
Speaker 2: there in his head. Yeah, yeah, go ahead.

717
00:31:42,280 --> 00:31:45,720
Speaker 11: Uh, well, the biggest thing was putting out I wanted

718
00:31:45,760 --> 00:31:48,320
Speaker 11: to put out a new album, but it probably would

719
00:31:48,480 --> 00:31:50,080
Speaker 11: if I had put out all the songs at once.

720
00:31:50,120 --> 00:31:52,680
Speaker 11: It would be about right now before I had gotten

721
00:31:52,720 --> 00:31:56,000
Speaker 11: them all done and out. So I've been putting this

722
00:31:56,080 --> 00:31:58,479
Speaker 11: album out a little bit at a time, and I

723
00:31:58,520 --> 00:32:03,000
Speaker 11: have the last three songs ready now, So this is

724
00:32:03,040 --> 00:32:05,640
Speaker 11: really me putting out the last bit of what has

725
00:32:05,680 --> 00:32:07,680
Speaker 11: been an album over a year and a half.

726
00:32:08,160 --> 00:32:09,480
Speaker 2: But I didn't want to put out all.

727
00:32:09,400 --> 00:32:12,800
Speaker 11: Those songs as an album because seven of them have

728
00:32:12,880 --> 00:32:16,160
Speaker 11: already come out, and I feel like my my fan

729
00:32:16,200 --> 00:32:18,040
Speaker 11: base is already sort of rolling their eyes that how

730
00:32:18,200 --> 00:32:21,880
Speaker 11: little music I put out, and to put out songs

731
00:32:21,920 --> 00:32:24,960
Speaker 11: as an album that have already been out just didn't

732
00:32:25,040 --> 00:32:27,600
Speaker 11: quite feel like it would land very well.

733
00:32:27,760 --> 00:32:29,280
Speaker 3: What do you think you can max out bench press?

734
00:32:29,280 --> 00:32:33,240
Speaker 2: Because I know what I can. Oh man, we don't

735
00:32:33,320 --> 00:32:33,680
Speaker 2: do that anymore.

736
00:32:33,720 --> 00:32:35,959
Speaker 11: But probably if I tried it, i'd probably my shoulders

737
00:32:35,960 --> 00:32:37,720
Speaker 11: would probably both blow out, But.

738
00:32:38,080 --> 00:32:40,560
Speaker 2: I don't know. So Sam and I have the same trainer.

739
00:32:40,600 --> 00:32:43,040
Speaker 2: We trained a time right by each other. I mean

740
00:32:43,080 --> 00:32:44,920
Speaker 2: we're the same size. On't know we train together because

741
00:32:45,000 --> 00:32:46,880
Speaker 2: we're probably lift the same weights. You know that's true.

742
00:32:46,880 --> 00:32:49,360
Speaker 2: We should yeah, by you know what I thought about it?

743
00:32:49,480 --> 00:32:52,800
Speaker 2: Like two sixty yeah about wow, don't worry about me though.

744
00:32:52,800 --> 00:32:55,120
Speaker 2: It's only on Instagram. Don't worry about me though.

745
00:32:55,120 --> 00:32:56,680
Speaker 7: Is that like one press?

746
00:32:56,760 --> 00:32:59,960
Speaker 3: Yeah, one's like a lot of plates bars bend based.

747
00:33:00,360 --> 00:33:02,400
Speaker 2: Wow, that's like that's two big plates and what like?

748
00:33:03,040 --> 00:33:05,400
Speaker 2: I have so many you can't even count it. Yeah,

749
00:33:05,520 --> 00:33:08,720
Speaker 2: I was counting the murals the plural. Well, at least

750
00:33:08,760 --> 00:33:10,720
Speaker 2: Kluge is doing his job. He's got you up to

751
00:33:10,720 --> 00:33:12,560
Speaker 2: too six. Where you at, Sam? Yeah? Where you at?

752
00:33:13,000 --> 00:33:16,000
Speaker 2: I don't know that's how you know? So mu's really

753
00:33:16,040 --> 00:33:17,680
Speaker 2: strong or really good at what they do. They don't

754
00:33:17,680 --> 00:33:18,840
Speaker 2: even need to say they just like you want to

755
00:33:19,080 --> 00:33:19,480
Speaker 2: feel bad.

756
00:33:19,640 --> 00:33:22,040
Speaker 11: I'm afraid to guess, and then I get in there.

757
00:33:22,600 --> 00:33:25,920
Speaker 11: Always overestimate my strength. I don't know where I would be.

758
00:33:26,200 --> 00:33:30,000
Speaker 2: You have any injuries from playing ball that still hurt?

759
00:33:30,040 --> 00:33:33,680
Speaker 2: Like when it rains? Yeah, I have had two back

760
00:33:33,720 --> 00:33:35,840
Speaker 2: surgeries in college. Still bother you when he gets the

761
00:33:35,840 --> 00:33:37,320
Speaker 2: weather gets a little little funky.

762
00:33:37,360 --> 00:33:39,360
Speaker 11: I mean they kind of bothered me all the time,

763
00:33:39,440 --> 00:33:42,160
Speaker 11: but yeah, certain times a year, I don't know if

764
00:33:42,200 --> 00:33:45,479
Speaker 11: it's the weather or my you know, trying to do

765
00:33:45,480 --> 00:33:49,120
Speaker 11: too much in the gym. But yeah, I've got to

766
00:33:49,360 --> 00:33:50,480
Speaker 11: sort that out at some point.

767
00:33:50,840 --> 00:33:55,080
Speaker 2: Sam a big fan obviously, Thanks for playing our our

768
00:33:55,120 --> 00:33:58,640
Speaker 2: show for Saint Jude, which I was listening. Super cool,

769
00:33:58,680 --> 00:34:00,560
Speaker 2: Thank you said, y'all have me again. Yeah, and then

770
00:34:00,840 --> 00:34:03,160
Speaker 2: the tour Sam Hunt dot com. All the tickets are

771
00:34:03,240 --> 00:34:06,920
Speaker 2: up there and there are a million places that we're

772
00:34:06,960 --> 00:34:08,680
Speaker 2: on that you can hear us. And I would get

773
00:34:08,719 --> 00:34:10,880
Speaker 2: tickets as fast as you can because I I just

774
00:34:10,960 --> 00:34:13,520
Speaker 2: heard there. What's that? Oh, they're almost sold out. They

775
00:34:13,520 --> 00:34:15,799
Speaker 2: got in my ear right now, they're almost what's that?

776
00:34:16,360 --> 00:34:18,279
Speaker 2: Some of them are sold out for Wednesday night? No,

777
00:34:18,280 --> 00:34:21,040
Speaker 2: I don't know. I'm talking about you.

778
00:34:21,920 --> 00:34:22,560
Speaker 7: Already happened?

779
00:34:23,160 --> 00:34:27,960
Speaker 2: What Yeah, yeah, my brother's coming. In reality, it's actually

780
00:34:28,120 --> 00:34:31,719
Speaker 2: we're recording this the day before the show, but we're

781
00:34:31,719 --> 00:34:34,000
Speaker 2: acting like it already. Yeah. Which, by the way, you

782
00:34:34,040 --> 00:34:35,040
Speaker 2: crushed them in you crushed it.

783
00:34:35,080 --> 00:34:35,600
Speaker 7: You did great.

784
00:34:35,719 --> 00:34:37,319
Speaker 2: But I don't know why I started flashing that. It

785
00:34:37,360 --> 00:34:39,880
Speaker 2: was weird if you did. Like so she got up

786
00:34:39,920 --> 00:34:43,040
Speaker 2: at the show Wednesday night. All the dudes started flashing

787
00:34:43,080 --> 00:34:44,440
Speaker 2: us and I was like, I've never seen that before. No,

788
00:34:44,520 --> 00:34:50,680
Speaker 2: it's weird. Say it's crazy, man, if sum up?

789
00:34:50,719 --> 00:34:53,800
Speaker 5: But oh boy, Sam show in one word for people

790
00:34:53,840 --> 00:34:55,360
Speaker 5: like if they're going to go see a show, like

791
00:34:55,360 --> 00:34:57,120
Speaker 5: what's to raise one word what's it about.

792
00:34:56,960 --> 00:35:03,440
Speaker 12: Ray uh Old school meets new What about Sam is

793
00:35:03,440 --> 00:35:04,480
Speaker 12: awesome to you?

794
00:35:04,120 --> 00:35:05,279
Speaker 2: Did you bring him up a lot?

795
00:35:05,440 --> 00:35:06,960
Speaker 12: Well, I told you guys back in the day he

796
00:35:07,000 --> 00:35:08,400
Speaker 12: started the baggy shirt movement.

797
00:35:08,560 --> 00:35:09,840
Speaker 2: He was one of the first people to ever do

798
00:35:09,840 --> 00:35:11,480
Speaker 2: it where he wore the shirt down to his knees.

799
00:35:11,920 --> 00:35:13,600
Speaker 12: And so I didn't have any of those shirts, so

800
00:35:13,640 --> 00:35:16,760
Speaker 12: I would wear like cut off shirts underneath my actual

801
00:35:16,800 --> 00:35:19,880
Speaker 12: hang shirt so it'd be even long though, and my wife, eventually,

802
00:35:20,040 --> 00:35:22,600
Speaker 12: the girlfriend back then, just said stop wearing your shirts.

803
00:35:22,600 --> 00:35:24,920
Speaker 2: Like Sam Hunt, all that was because of a long shirt.

804
00:35:25,000 --> 00:35:26,759
Speaker 12: All this, I mean, he's the one that started it

805
00:35:26,800 --> 00:35:29,520
Speaker 12: across America, but it was the sham Hunt and then

806
00:35:29,560 --> 00:35:31,080
Speaker 12: I saw him do it, so I started doing it,

807
00:35:31,160 --> 00:35:33,440
Speaker 12: and then T Babe started doing it upstairs, and then

808
00:35:33,440 --> 00:35:34,120
Speaker 12: it spread.

809
00:35:33,840 --> 00:35:37,040
Speaker 2: Across the country. But I'm saying it's just a shirt.

810
00:35:37,480 --> 00:35:38,960
Speaker 2: It was the shirt. I mean, that was his swag.

811
00:35:39,040 --> 00:35:40,920
Speaker 12: So his clothing and then his music was good as well.

812
00:35:40,920 --> 00:35:43,239
Speaker 12: But he had an aura and you could just feel

813
00:35:43,280 --> 00:35:45,160
Speaker 12: it in his shows. And like I wanted to ask

814
00:35:45,200 --> 00:35:47,040
Speaker 12: you this one quick thing, So do you remember the

815
00:35:47,120 --> 00:35:49,920
Speaker 12: Dave and Buster show, Like back in twenty fourteen in Nashville.

816
00:35:50,520 --> 00:35:52,600
Speaker 12: I mean it was a venue way too small for you.

817
00:35:53,000 --> 00:35:55,360
Speaker 12: And dude, there were cop cars, there was a security

818
00:35:55,360 --> 00:35:58,440
Speaker 12: called in. Dudes were flipping tables. I think that's really

819
00:35:58,440 --> 00:36:00,319
Speaker 12: where you started to feel how big you worthy.

820
00:36:00,320 --> 00:36:02,480
Speaker 2: You were bigger than the venues you were playing in.

821
00:36:02,560 --> 00:36:05,359
Speaker 11: Right, Yeah, that's the first time I'd seen any like

822
00:36:05,560 --> 00:36:08,239
Speaker 11: excitement from people about the music. And it was, uh yeah,

823
00:36:08,280 --> 00:36:12,920
Speaker 11: it was outside the uh the David Busters and uh

824
00:36:13,360 --> 00:36:14,640
Speaker 11: that Yeah, I think you're right.

825
00:36:14,640 --> 00:36:17,080
Speaker 2: That was because I mean, I hang out at that mall.

826
00:36:17,120 --> 00:36:18,719
Speaker 2: I go to that ma all the time, and so I'm.

827
00:36:18,640 --> 00:36:20,719
Speaker 11: Standing there all the time, and then I'm in that

828
00:36:20,920 --> 00:36:23,920
Speaker 11: same environment and then there are barriers and you know,

829
00:36:24,000 --> 00:36:25,839
Speaker 11: lots of people in the parking lot and everybody's singing

830
00:36:25,880 --> 00:36:26,480
Speaker 11: along to the song.

831
00:36:26,600 --> 00:36:29,640
Speaker 2: So it was a wild That was a wild moment, dude.

832
00:36:29,640 --> 00:36:31,319
Speaker 2: That's where I got the first taste. And I was like,

833
00:36:31,400 --> 00:36:33,680
Speaker 2: oh my, don't say you got the first taste. See

834
00:36:33,719 --> 00:36:35,319
Speaker 2: it was all good, Like we felt it. It was

835
00:36:35,360 --> 00:36:38,759
Speaker 2: pretty good, mature. The first taste feels weird first.

836
00:36:39,360 --> 00:36:40,840
Speaker 7: The best part about that.

837
00:36:40,840 --> 00:36:42,480
Speaker 3: But it's right here, does they first taste?

838
00:36:42,600 --> 00:36:46,080
Speaker 5: Yeah, that time in Ray's life is on Instagram, he

839
00:36:46,120 --> 00:36:47,560
Speaker 5: posts this photo of David Busters.

840
00:36:47,800 --> 00:36:48,480
Speaker 7: I was fourteen.

841
00:36:48,520 --> 00:36:51,560
Speaker 5: He's like me and Sam, but it's like Ray in

842
00:36:51,600 --> 00:36:53,120
Speaker 5: the front of the picture and then all these people

843
00:36:53,160 --> 00:36:55,080
Speaker 5: and then Sam is in the very back and he's

844
00:36:55,080 --> 00:36:57,840
Speaker 5: like circling Sam's head and he's like my first photo

845
00:36:57,920 --> 00:36:58,360
Speaker 5: with Sam.

846
00:36:58,760 --> 00:37:01,000
Speaker 2: Yeah. Yeah, that's where it started. Yeah, I never met him.

847
00:37:01,000 --> 00:37:02,840
Speaker 12: And then I went to your show in twenty seventeen

848
00:37:02,880 --> 00:37:05,239
Speaker 12: and Nashal at Ascend and that's when you would run

849
00:37:05,280 --> 00:37:07,520
Speaker 12: through the audience you still do at your show's and

850
00:37:07,560 --> 00:37:09,759
Speaker 12: it was insane. I went reached my hand out, got

851
00:37:09,760 --> 00:37:10,680
Speaker 12: a high five.

852
00:37:10,480 --> 00:37:12,040
Speaker 2: And I mean girls touched him. And during the show.

853
00:37:12,120 --> 00:37:13,680
Speaker 12: Yeah, and because he came right by my road and

854
00:37:13,719 --> 00:37:15,080
Speaker 12: I was with my friends and they're all like, oh

855
00:37:15,080 --> 00:37:17,120
Speaker 12: my gosh, you touched Sam on and girls were ripping

856
00:37:17,120 --> 00:37:18,000
Speaker 12: his shirt and stuff.

857
00:37:18,120 --> 00:37:19,359
Speaker 2: And you still do that to this day.

858
00:37:19,360 --> 00:37:22,520
Speaker 12: You run in the crowd at your wifet show at Bridgetone. Yeah,

859
00:37:22,560 --> 00:37:23,839
Speaker 12: I mean that's a security thing.

860
00:37:24,080 --> 00:37:24,279
Speaker 8: Yeah.

861
00:37:24,520 --> 00:37:27,399
Speaker 2: Yeah, I'm a lot bigger than most of them, most

862
00:37:27,400 --> 00:37:30,719
Speaker 2: of the So the twenty seventeen that was the second taste.

863
00:37:30,840 --> 00:37:31,959
Speaker 2: I don't know, I don't know how many.

864
00:37:31,840 --> 00:37:33,359
Speaker 12: Tastes had to be honest, and then you went away

865
00:37:33,400 --> 00:37:35,040
Speaker 12: a little bit. You had a little Dave Chappelle moment

866
00:37:35,080 --> 00:37:36,320
Speaker 12: where you weren't touring.

867
00:37:37,480 --> 00:37:40,839
Speaker 2: What's your favorite song of all time in your life? Song,

868
00:37:41,120 --> 00:37:44,319
Speaker 2: not just period, all music that's ever been invented for

869
00:37:44,560 --> 00:37:45,959
Speaker 2: I mean it's it's definitely Sam.

870
00:37:46,040 --> 00:37:47,480
Speaker 12: Yeah, which one, Okay, so it is the same, I

871
00:37:47,480 --> 00:37:49,160
Speaker 12: mean the one that made me leave downtown.

872
00:37:49,200 --> 00:37:51,640
Speaker 2: I lived on First Avenue, d Mumbriean and Broadway.

873
00:37:51,640 --> 00:37:54,200
Speaker 12: I moved from Downtown to West because of your song

874
00:37:54,280 --> 00:37:56,600
Speaker 12: Downtown instead, because I was like, I got to get

875
00:37:56,640 --> 00:37:57,760
Speaker 12: out of the city.

876
00:37:58,360 --> 00:38:01,040
Speaker 2: The tour, the Lockedout Tour, starts in June. Tickets to

877
00:38:01,080 --> 00:38:03,960
Speaker 2: Sam hunt dot com. The new EP is locked Up.

878
00:38:04,000 --> 00:38:08,359
Speaker 2: It just came out, and you know, Ray is a

879
00:38:08,360 --> 00:38:11,680
Speaker 2: massive fan. But we're gonna leave that boundary, right Yeah.

880
00:38:11,719 --> 00:38:14,040
Speaker 2: Yeah cool. I mean we chilled in Vegas together, we

881
00:38:14,120 --> 00:38:16,560
Speaker 2: chilled in Nashville together. We're chilling, chilling together. If you

882
00:38:16,560 --> 00:38:18,120
Speaker 2: have to get a pass to go meet him, No, No,

883
00:38:18,160 --> 00:38:19,839
Speaker 2: we were hanging out, dude. Oh I got a question.

884
00:38:19,880 --> 00:38:22,680
Speaker 4: I got a question, Go ahead, Ray, I guess messaged

885
00:38:22,880 --> 00:38:25,320
Speaker 4: Sam on Instagram with like on a snow day or something, did.

886
00:38:25,160 --> 00:38:26,920
Speaker 2: You you remember seeing that, Sam, I did see that.

887
00:38:27,040 --> 00:38:29,319
Speaker 4: Yeah, did you really want him to come over because

888
00:38:29,320 --> 00:38:30,920
Speaker 4: he said he was gonna bring some A six or

889
00:38:30,960 --> 00:38:32,799
Speaker 4: what was it.

890
00:38:31,840 --> 00:38:36,759
Speaker 11: Yeah, yeah, I didn't know if he were take me

891
00:38:36,800 --> 00:38:39,520
Speaker 11: up on it or not, but I didn't think he would.

892
00:38:39,560 --> 00:38:41,719
Speaker 11: But if he's shown up, then yeah, we could have

893
00:38:41,920 --> 00:38:42,919
Speaker 11: made a day of it for sure.

894
00:38:45,080 --> 00:38:46,640
Speaker 3: Oh my god, he will.

895
00:38:46,440 --> 00:38:49,880
Speaker 2: He'll talk about this for six months now. Okay, the

896
00:38:49,960 --> 00:38:53,279
Speaker 2: new EPs locked up, obviously, the tours locked up. Tour uh,

897
00:38:53,320 --> 00:38:55,040
Speaker 2: Sam Hunt and go to Sam hunt dot com to

898
00:38:55,040 --> 00:38:55,920
Speaker 2: get tickets to the show. Sam.

899
00:38:55,960 --> 00:38:57,600
Speaker 3: Appreciate you, buddy, thank you, thank you very much.

900
00:38:58,080 --> 00:39:00,440
Speaker 2: Pretty good. Took a minute for it to come out,

901
00:39:00,440 --> 00:39:02,960
Speaker 2: but you got to tell you so that's dope. Yeah, yeah,

902
00:39:02,960 --> 00:39:04,560
Speaker 2: all right there Samlie everybody that.

903
00:39:06,880 --> 00:39:08,880
Speaker 3: This is Alex from Bakersfield, California.

904
00:39:09,080 --> 00:39:10,960
Speaker 13: I just had a question in regards to your interviews.

905
00:39:10,960 --> 00:39:13,759
Speaker 13: Whenever you have the artist, if you've ever had or

906
00:39:13,800 --> 00:39:18,200
Speaker 13: like encountered a bad artist, meaning like you just wanted

907
00:39:18,200 --> 00:39:20,560
Speaker 13: to end the interview right then and there on the show.

908
00:39:21,200 --> 00:39:24,680
Speaker 2: Yes, yeah, And it's not always that it's a bad

909
00:39:24,760 --> 00:39:27,839
Speaker 2: artist or somebody that's not nice. Sometimes I can tell

910
00:39:27,880 --> 00:39:31,520
Speaker 2: that a they're sick and they and there have been artists.

911
00:39:31,520 --> 00:39:34,000
Speaker 2: I will give an example because I know she won't care.

912
00:39:34,560 --> 00:39:36,200
Speaker 2: Megan and Roney came in. It was sick one time

913
00:39:37,120 --> 00:39:38,920
Speaker 2: and she was champed even come in. I was like,

914
00:39:38,960 --> 00:39:40,360
Speaker 2: you do not have to sing, you do not have

915
00:39:40,400 --> 00:39:42,040
Speaker 2: to sing, Like we're gonna go on there, but you

916
00:39:42,080 --> 00:39:43,479
Speaker 2: don't have to sing, and she was like no, no, no no.

917
00:39:44,280 --> 00:39:45,640
Speaker 3: But I could tell she didn't feel good.

918
00:39:45,680 --> 00:39:48,960
Speaker 2: So I kind of wrapped that a little earlier than

919
00:39:49,000 --> 00:39:52,280
Speaker 2: I would because I know that she was just gutting

920
00:39:52,320 --> 00:39:54,799
Speaker 2: it out. Now, that's the positive side of it. But

921
00:39:54,840 --> 00:39:56,480
Speaker 2: there are also people that have come in. Oh, there

922
00:39:56,480 --> 00:39:57,960
Speaker 2: have been people that have been really nice but really

923
00:39:58,000 --> 00:40:01,120
Speaker 2: bad too, where I I don't want to expose them

924
00:40:01,160 --> 00:40:07,320
Speaker 2: anymore for being a really bad live singer. And I

925
00:40:07,360 --> 00:40:09,879
Speaker 2: wish I wouldn't have asked them to perform live or

926
00:40:09,920 --> 00:40:11,600
Speaker 2: that they said i'll perform live, and I'm like, sure,

927
00:40:11,600 --> 00:40:14,040
Speaker 2: I've never heard you perform like that's happened.

928
00:40:14,719 --> 00:40:16,680
Speaker 4: What about like a conversation where you're just not getting

929
00:40:16,719 --> 00:40:17,680
Speaker 4: much from them?

930
00:40:18,080 --> 00:40:20,319
Speaker 2: You know, I'm okay with that. Sometimes I'm okay with that.

931
00:40:20,360 --> 00:40:25,640
Speaker 2: Would you cut that on short? Yes? If I my key,

932
00:40:25,760 --> 00:40:27,960
Speaker 2: this is a tip for anybody that has any interview

933
00:40:28,040 --> 00:40:30,759
Speaker 2: ever is just sit in silence. Like if you have

934
00:40:31,000 --> 00:40:35,200
Speaker 2: some awkward though, if you have like the patience and

935
00:40:35,239 --> 00:40:39,680
Speaker 2: you have it's hard, you gotta be strong to do it.

936
00:40:39,840 --> 00:40:42,120
Speaker 2: But if somebody's not giving you something and we're on

937
00:40:42,120 --> 00:40:43,920
Speaker 2: the air and I just sit in silence for a second,

938
00:40:44,480 --> 00:40:48,040
Speaker 2: they feel the pressure to talk. So I'll do that

939
00:40:48,160 --> 00:40:49,919
Speaker 2: some and then if they're not, but again, they could

940
00:40:49,960 --> 00:40:51,960
Speaker 2: just be having a bad day. But I could tell

941
00:40:52,000 --> 00:40:55,040
Speaker 2: you rarely anymore does anybody come in here that's a

942
00:40:55,120 --> 00:40:57,759
Speaker 2: jerk Because we kind of know who the jerks are.

943
00:40:57,760 --> 00:40:59,200
Speaker 2: We kind of don't have them on the show anymore.

944
00:41:00,120 --> 00:41:03,759
Speaker 2: So have I ended interviews early because of certain factors. Absolutely.

945
00:41:03,880 --> 00:41:05,600
Speaker 2: Have I gotten into fights with people back in the

946
00:41:05,640 --> 00:41:09,160
Speaker 2: old days, absolutely, But we kind of have it curated

947
00:41:09,200 --> 00:41:13,040
Speaker 2: to like we know who's fun to talk to, is

948
00:41:13,040 --> 00:41:14,640
Speaker 2: fun to be around. And if one of those people

949
00:41:14,640 --> 00:41:16,279
Speaker 2: come in and they're not in a great mood or

950
00:41:16,280 --> 00:41:18,919
Speaker 2: great spirit, they're not feeling well, I'm happy to cut

951
00:41:18,920 --> 00:41:20,920
Speaker 2: it early or I'm happy to say, hey, don't perform.

952
00:41:21,000 --> 00:41:24,200
Speaker 2: I know you're not feeling well. But the days of

953
00:41:24,239 --> 00:41:26,560
Speaker 2: people coming in just being awful are kind of over.

954
00:41:28,239 --> 00:41:29,919
Speaker 2: I only have two or three instances of me kicking

955
00:41:29,920 --> 00:41:30,680
Speaker 2: people out of the studio.

956
00:41:30,960 --> 00:41:33,000
Speaker 4: There are some people where we're like, I wonder we're

957
00:41:33,000 --> 00:41:34,600
Speaker 4: gonna get today, Like we're gonna get this kind of

958
00:41:34,640 --> 00:41:35,800
Speaker 4: because they're all over the field.

959
00:41:37,120 --> 00:41:41,800
Speaker 2: The thing about artists, even to pursue art and music

960
00:41:41,920 --> 00:41:44,080
Speaker 2: or well any art, you got to have a screw loose.

961
00:41:44,360 --> 00:41:46,440
Speaker 2: And usually it's when it's the right screw loose they

962
00:41:46,880 --> 00:41:50,960
Speaker 2: become famous successful. But sometimes that right screw sometimes place

963
00:41:51,000 --> 00:41:52,839
Speaker 2: and they come in and they're a little out out

964
00:41:52,840 --> 00:41:55,320
Speaker 2: of there. Amy's Pile of Stories.

965
00:41:55,640 --> 00:41:58,200
Speaker 5: Three out of four millennial parents think that they are

966
00:41:58,200 --> 00:42:00,799
Speaker 5: currently doing a better job with their than their own

967
00:42:00,840 --> 00:42:02,520
Speaker 5: parents did with them.

968
00:42:02,800 --> 00:42:04,319
Speaker 7: That's seventy five percent of us.

969
00:42:04,400 --> 00:42:07,440
Speaker 2: Basically, I would think we learn more about the past,

970
00:42:07,560 --> 00:42:09,919
Speaker 2: just generally. It could be parenting, it could be being

971
00:42:09,960 --> 00:42:14,799
Speaker 2: a boss, it could be even athletics running. We can

972
00:42:14,920 --> 00:42:18,640
Speaker 2: learn by all the things that were done wrong before

973
00:42:18,719 --> 00:42:20,520
Speaker 2: us and try to get better. And then with parenting,

974
00:42:20,560 --> 00:42:24,200
Speaker 2: I wonder too, I think we're parents in general are

975
00:42:24,320 --> 00:42:29,279
Speaker 2: a little softer now and a little more trying to

976
00:42:29,320 --> 00:42:32,040
Speaker 2: be emotionally available.

977
00:42:32,440 --> 00:42:34,200
Speaker 7: I agree with that, and before.

978
00:42:34,520 --> 00:42:37,600
Speaker 2: Because we learn, not because our parents did anything wrong.

979
00:42:37,680 --> 00:42:41,200
Speaker 2: They did the best to their knowledge, that maybe hitting

980
00:42:41,560 --> 00:42:43,359
Speaker 2: and making me go pick a switch, whooping the craft

981
00:42:43,360 --> 00:42:45,040
Speaker 2: out of me. Sorry, guys, I'm going to the one right,

982
00:42:45,440 --> 00:42:48,600
Speaker 2: I have a little trauma. Sorry, sorry, But would you

983
00:42:48,640 --> 00:42:49,640
Speaker 2: say that there's something to do that?

984
00:42:49,760 --> 00:42:51,400
Speaker 7: Yeah, I mean for me, I learned in therapy.

985
00:42:51,440 --> 00:42:54,239
Speaker 5: I didn't even know emotional the neglect was a thing

986
00:42:54,880 --> 00:42:57,040
Speaker 5: because I felt like I had felt like I had

987
00:42:57,040 --> 00:42:59,280
Speaker 5: good parents. I mean, yeah, they got divorced and whatnot,

988
00:42:59,280 --> 00:43:02,759
Speaker 5: but they both are good parents to me, like I

989
00:43:02,800 --> 00:43:06,560
Speaker 5: don't have any crazy possible right right, But I did

990
00:43:06,560 --> 00:43:09,839
Speaker 5: not realize how emotionally shut off both of them were,

991
00:43:10,080 --> 00:43:13,720
Speaker 5: Like they just were not available to me in that way.

992
00:43:14,200 --> 00:43:16,840
Speaker 2: And I bet you they didn't know as compared to

993
00:43:16,880 --> 00:43:18,920
Speaker 2: their parents they were emotionally shut off because I bet

994
00:43:18,920 --> 00:43:21,080
Speaker 2: their parents were even more exactly.

995
00:43:20,719 --> 00:43:22,759
Speaker 5: Yeah, like they were already doing better than yeah with

996
00:43:22,840 --> 00:43:23,799
Speaker 5: their parents offered them.

997
00:43:23,960 --> 00:43:26,640
Speaker 2: Well, I would think, as being you know, not a

998
00:43:26,680 --> 00:43:30,080
Speaker 2: parent knowing everything about parenting, that if you just try

999
00:43:30,560 --> 00:43:33,239
Speaker 2: your winning, don't give up. I don't know, I just

1000
00:43:33,239 --> 00:43:34,200
Speaker 2: say I don't know about parents.

1001
00:43:34,239 --> 00:43:38,720
Speaker 5: I guess there are four parenting strategies that were using

1002
00:43:38,800 --> 00:43:41,439
Speaker 5: that our parents didn't, and I'll quickly run through them

1003
00:43:41,680 --> 00:43:43,480
Speaker 5: gentle parenting, which is sort.

1004
00:43:43,320 --> 00:43:44,960
Speaker 7: Of what you were time to get loose to general

1005
00:43:45,000 --> 00:43:46,200
Speaker 7: though exactly. I think that.

1006
00:43:46,239 --> 00:43:48,480
Speaker 2: There's there's no there's no right line, though you can't

1007
00:43:48,520 --> 00:43:49,719
Speaker 2: walk that line exactly right.

1008
00:43:49,800 --> 00:43:52,960
Speaker 5: And then we're open to getting advice, we're open about

1009
00:43:53,040 --> 00:43:55,960
Speaker 5: mental health, and we are more present with our kids.

1010
00:43:56,040 --> 00:43:57,480
Speaker 2: Oh yeah, yeah. I think we try to be a

1011
00:43:57,480 --> 00:44:00,680
Speaker 2: little more present everywhere because we're not at all because

1012
00:44:00,680 --> 00:44:03,320
Speaker 2: of all the things that were all the social media, phone,

1013
00:44:03,680 --> 00:44:06,920
Speaker 2: but like my dad was never home, like physically present. Yeah,

1014
00:44:06,960 --> 00:44:07,879
Speaker 2: I'm always.

1015
00:44:07,520 --> 00:44:09,960
Speaker 5: Home and when my dad was around me, he was

1016
00:44:10,040 --> 00:44:11,440
Speaker 5: always on his cell.

1017
00:44:11,320 --> 00:44:12,480
Speaker 3: Phone, different jobs.

1018
00:44:14,160 --> 00:44:15,840
Speaker 2: Okay, go ahead, Okay.

1019
00:44:15,600 --> 00:44:19,160
Speaker 5: So if you're afraid to declutter your home, you're not alone.

1020
00:44:19,400 --> 00:44:22,200
Speaker 5: It's an overwhelming task, and like forty percent of people

1021
00:44:22,200 --> 00:44:24,120
Speaker 5: that were surveyed about it were like, yeah.

1022
00:44:24,040 --> 00:44:25,680
Speaker 7: No, I'm I'm too scared. I'm just not going to

1023
00:44:25,719 --> 00:44:26,799
Speaker 7: do it. I'm just gonna live this way.

1024
00:44:26,880 --> 00:44:32,560
Speaker 2: I went to a like an antique warehouse two days ago.

1025
00:44:32,920 --> 00:44:34,319
Speaker 2: A wife was like, hey, we should go to this place,

1026
00:44:34,640 --> 00:44:36,239
Speaker 2: and I was like, yeah, sure, whatever, and we go,

1027
00:44:36,320 --> 00:44:39,640
Speaker 2: and I'm disinterested in antiques. But antiques is not what

1028
00:44:39,680 --> 00:44:42,480
Speaker 2: I think of antiques nowadays. I think antique is like

1029
00:44:42,560 --> 00:44:47,120
Speaker 2: just old tables from nineteen forty that look, there's some

1030
00:44:47,239 --> 00:44:51,359
Speaker 2: awesome stuff there. Like people just have like shirts, like

1031
00:44:51,840 --> 00:44:55,719
Speaker 2: shirts and records. That's cool. They had like I bought

1032
00:44:55,719 --> 00:44:57,040
Speaker 2: an Edison bust.

1033
00:44:57,080 --> 00:44:57,759
Speaker 3: You know what a bust is.

1034
00:44:58,640 --> 00:45:00,440
Speaker 2: I would hold it ahead yea, yeah, I bought it

1035
00:45:00,440 --> 00:45:02,080
Speaker 2: because I love busting now like paying him to be

1036
00:45:02,120 --> 00:45:05,359
Speaker 2: like razorback people. So I bought an Edison. We walked

1037
00:45:05,360 --> 00:45:07,320
Speaker 2: around this thing and my wife's like, I think we shoot,

1038
00:45:07,360 --> 00:45:08,880
Speaker 2: we can go now, And I'm like, are you kidding me?

1039
00:45:09,280 --> 00:45:11,239
Speaker 2: This is the greatest like flea market. That's what I

1040
00:45:11,280 --> 00:45:13,360
Speaker 2: would call. It's like a flea market that I've.

1041
00:45:13,239 --> 00:45:13,719
Speaker 3: Ever been to.

1042
00:45:14,040 --> 00:45:15,600
Speaker 2: And so the problem is now we got to declutter

1043
00:45:15,640 --> 00:45:18,239
Speaker 2: all the crap that I wanted exactly. I would say

1044
00:45:18,239 --> 00:45:21,680
Speaker 2: this with decluttering in general, say it Amy, say it

1045
00:45:21,760 --> 00:45:22,399
Speaker 2: the elephant thing.

1046
00:45:22,600 --> 00:45:25,520
Speaker 7: Oh oh, how do you eat an elephant? One bide

1047
00:45:25,520 --> 00:45:26,280
Speaker 7: at a time.

1048
00:45:26,440 --> 00:45:29,120
Speaker 2: To declutter your whole house, to look at it like that,

1049
00:45:29,160 --> 00:45:32,080
Speaker 2: It's like trying to run a marathon. You can't do

1050
00:45:32,160 --> 00:45:35,120
Speaker 2: it all in a day. You gotta slowly do a

1051
00:45:35,160 --> 00:45:38,400
Speaker 2: little bit here, Okay, finish the bedroom. Canta do a

1052
00:45:38,400 --> 00:45:40,440
Speaker 2: little bit here, Come go to the bathroom today. Problem

1053
00:45:40,480 --> 00:45:42,120
Speaker 2: is you cut up the bedroom again while you're in

1054
00:45:42,160 --> 00:45:44,080
Speaker 2: the bathroom. You gotta make sure you don't do that. Yeah,

1055
00:45:44,120 --> 00:45:45,640
Speaker 2: as long as you do it and you kind of

1056
00:45:45,680 --> 00:45:47,319
Speaker 2: section it off, you can accomplish anything.

1057
00:45:47,320 --> 00:45:48,360
Speaker 3: It's like when I used to run. I used to

1058
00:45:48,400 --> 00:45:49,000
Speaker 3: run tree to tree.

1059
00:45:49,040 --> 00:45:51,719
Speaker 2: I couldn't run ten miles at a time running doing

1060
00:45:51,719 --> 00:45:52,240
Speaker 2: a triathlon.

1061
00:45:52,800 --> 00:45:54,000
Speaker 3: If I did that, I was like, I gotta run

1062
00:45:54,040 --> 00:45:55,000
Speaker 3: ten miles today dead.

1063
00:45:55,239 --> 00:45:56,520
Speaker 2: But if I go out and run to that tree,

1064
00:45:56,560 --> 00:45:58,680
Speaker 2: only good, then I quit.

1065
00:45:58,719 --> 00:45:59,320
Speaker 3: That's tree.

1066
00:46:00,160 --> 00:46:00,680
Speaker 2: That's it.

1067
00:46:00,840 --> 00:46:04,040
Speaker 5: Real Simple magazine, that's Martha Stewart's she put out a

1068
00:46:04,040 --> 00:46:04,759
Speaker 5: whole thing like that.

1069
00:46:04,840 --> 00:46:07,440
Speaker 2: You can do it called Real Simple. Yeah, our magazine

1070
00:46:07,480 --> 00:46:09,640
Speaker 2: is still a thing at the store.

1071
00:46:09,719 --> 00:46:11,200
Speaker 7: You can follow them on social too.

1072
00:46:11,200 --> 00:46:12,359
Speaker 2: But I feel like those are just one. Those are

1073
00:46:12,360 --> 00:46:13,960
Speaker 2: like the antique store, the only one.

1074
00:46:14,120 --> 00:46:15,359
Speaker 7: Yeah, well, that's their whole thing.

1075
00:46:15,400 --> 00:46:17,239
Speaker 5: You can declutter in a month to just tackle it

1076
00:46:17,280 --> 00:46:20,600
Speaker 5: one week, do living room week two, kitchen week three, bedrooms.

1077
00:46:21,440 --> 00:46:22,920
Speaker 2: Move it from one room to the other. I'm like,

1078
00:46:22,920 --> 00:46:24,960
Speaker 2: I'm going to declutter the kitchen and then we move

1079
00:46:24,960 --> 00:46:25,600
Speaker 2: into another.

1080
00:46:25,400 --> 00:46:27,120
Speaker 3: Room like, oh god, I'm cluttered.

1081
00:46:28,320 --> 00:46:30,200
Speaker 2: Oh is terrible right now?

1082
00:46:30,200 --> 00:46:33,840
Speaker 5: Honestly, so, I saw a funny thing from back in

1083
00:46:33,880 --> 00:46:34,160
Speaker 5: the day.

1084
00:46:34,200 --> 00:46:35,919
Speaker 7: This is a throwback from nineteen ninety one when.

1085
00:46:35,800 --> 00:46:38,960
Speaker 5: The Highwaymen were being interviewed and the reporter said, hey, like,

1086
00:46:39,000 --> 00:46:41,360
Speaker 5: are y'all all teamed up together for this? Because you

1087
00:46:41,400 --> 00:46:43,920
Speaker 5: can't sell tickets individually.

1088
00:46:43,280 --> 00:46:43,840
Speaker 7: To your shows?

1089
00:46:43,880 --> 00:46:47,000
Speaker 1: You know, the Highwaymen are by the way, name Whalon Jennings.

1090
00:46:47,920 --> 00:46:58,040
Speaker 1: How about this, oh Lily, I know hello, hello prison yah.

1091
00:46:59,520 --> 00:46:59,680
Speaker 2: Good?

1092
00:47:00,120 --> 00:47:03,400
Speaker 7: This that my name is Chris, Chris Chosopherson.

1093
00:47:03,480 --> 00:47:06,040
Speaker 2: Okay, okay, good. What's the clip here?

1094
00:47:06,520 --> 00:47:10,799
Speaker 5: This is Wayland James, answering the reporter's question about whether

1095
00:47:10,880 --> 00:47:13,319
Speaker 5: or not they're just on tour because they can't sell

1096
00:47:13,360 --> 00:47:14,360
Speaker 5: tickets individually.

1097
00:47:14,880 --> 00:47:18,160
Speaker 2: One critic, at least one critic, probably more critics have suced.

1098
00:47:18,280 --> 00:47:20,080
Speaker 2: It's because none of you can now fill the holes

1099
00:47:20,120 --> 00:47:22,120
Speaker 2: anymore on your own that it takes four of you.

1100
00:47:22,440 --> 00:47:23,560
Speaker 3: How do you answer critics?

1101
00:47:23,920 --> 00:47:28,359
Speaker 2: Kind of you to point that I might point out

1102
00:47:28,400 --> 00:47:30,240
Speaker 2: that I sell out smaller venues.

1103
00:47:31,840 --> 00:47:34,759
Speaker 4: I tell you one more point too, that if you

1104
00:47:34,800 --> 00:47:36,799
Speaker 4: ask another question like that, we'll burn your home.

1105
00:47:37,920 --> 00:47:41,720
Speaker 2: And they really would they would outlaws burn that outlaws'

1106
00:47:41,880 --> 00:47:44,359
Speaker 2: Chris Christopherson. That's a pretty god impression. That's really good.

1107
00:47:45,320 --> 00:47:48,759
Speaker 5: Could you imagine a little Brett like that today? I mean,

1108
00:47:48,760 --> 00:47:49,720
Speaker 5: obviously he's joking.

1109
00:47:50,200 --> 00:47:51,560
Speaker 3: You know, they parent a different back then.

1110
00:47:51,600 --> 00:47:52,480
Speaker 2: To reporters.

1111
00:47:53,880 --> 00:47:54,879
Speaker 7: I made, that's my file.

1112
00:47:55,760 --> 00:47:58,920
Speaker 2: That was Amy's pile of stories. It's time for the

1113
00:47:59,000 --> 00:48:06,440
Speaker 2: good news lunchbox. They always ask what can FedEx do

1114
00:48:06,640 --> 00:48:06,880
Speaker 2: for you?

1115
00:48:07,680 --> 00:48:11,440
Speaker 6: April Chacone is a driver for FedEx and Horizon City, Texas.

1116
00:48:12,000 --> 00:48:14,960
Speaker 2: What can the Brown do for you? It is a brown,

1117
00:48:15,200 --> 00:48:17,879
Speaker 2: a whole different company. Whatever, Just go with it, guy.

1118
00:48:18,040 --> 00:48:19,960
Speaker 2: Well no, I still didn't wonder if I was crazy.

1119
00:48:20,360 --> 00:48:22,120
Speaker 7: It's what can the Brown do for you?

1120
00:48:22,320 --> 00:48:22,600
Speaker 2: Okay?

1121
00:48:22,960 --> 00:48:26,359
Speaker 6: Anyway, anyway, April Chacon is driving for FedEx and she's

1122
00:48:26,440 --> 00:48:28,680
Speaker 6: driving a regular route dropping packages.

1123
00:48:28,760 --> 00:48:30,560
Speaker 2: Here you go, here's this, here's.

1124
00:48:30,360 --> 00:48:32,920
Speaker 6: That, And all of a sudden she sees someone house

1125
00:48:33,640 --> 00:48:36,680
Speaker 6: on fire, and so what does she do. She gets

1126
00:48:36,719 --> 00:48:38,960
Speaker 6: on the phone, calls nine one one and says, hey,

1127
00:48:39,000 --> 00:48:41,960
Speaker 6: there's a fire, we need you. And she doesn't stop there.

1128
00:48:42,360 --> 00:48:45,080
Speaker 6: She goes and knocks on the door. It tells them.

1129
00:48:45,480 --> 00:48:48,280
Speaker 2: Then she gets the neighbors garden knows and she starts

1130
00:48:48,280 --> 00:48:52,520
Speaker 2: shooting it with water. That's crazy. Now she didn't completely

1131
00:48:52,640 --> 00:48:56,920
Speaker 2: extinguish the fire. A lot of thumb pushing, Yeah, they

1132
00:48:57,040 --> 00:49:01,759
Speaker 2: said her actions limited the damage. That's good, I mean,

1133
00:49:01,800 --> 00:49:03,560
Speaker 2: so that's all I mean. And risky. You gotta go

1134
00:49:03,600 --> 00:49:05,680
Speaker 2: grab a hope this fire happening. Yeah, and your thumb

1135
00:49:05,719 --> 00:49:08,160
Speaker 2: probably so for pushing the water roll hard, making that flat.

1136
00:49:08,800 --> 00:49:10,920
Speaker 2: And now she's probably gonna be delayed on the delivery road.

1137
00:49:11,640 --> 00:49:15,160
Speaker 2: And by the way, it's where now, Where now meets next?

1138
00:49:15,480 --> 00:49:19,680
Speaker 2: And the world on time? That's FedEx. What the Brown

1139
00:49:19,760 --> 00:49:22,840
Speaker 2: can do. That's not the same company at all. It

1140
00:49:22,880 --> 00:49:25,840
Speaker 2: doesn't matter, though, doesn't matter. Let's not get lost in

1141
00:49:25,960 --> 00:49:28,160
Speaker 2: what the you said, what they said? Yeah, here are

1142
00:49:28,160 --> 00:49:29,719
Speaker 2: you right? We're just gonna get corrected. I'm the one

1143
00:49:29,800 --> 00:49:31,520
Speaker 2: that gets corrected when we mess up. And that's fine.

1144
00:49:31,960 --> 00:49:33,000
Speaker 2: I just want anybody know I.

1145
00:49:33,040 --> 00:49:34,719
Speaker 7: Knew, now, I knew.

1146
00:49:34,880 --> 00:49:36,280
Speaker 2: Yeah, thank you, thank you, hey.

1147
00:49:36,120 --> 00:49:38,800
Speaker 6: Thank you April for chra com for delivering packages and

1148
00:49:38,960 --> 00:49:41,560
Speaker 6: saving house fires boom or stopping house fire.

1149
00:49:41,600 --> 00:49:44,160
Speaker 3: Saving fire. The World's on time or something like that.

1150
00:49:44,280 --> 00:49:45,800
Speaker 2: All right, there you go. That's what it's all about.

1151
00:49:46,320 --> 00:49:47,799
Speaker 2: That was telling me something good.

1152
00:49:49,760 --> 00:49:51,400
Speaker 3: Here's voicemail. We got go ahead.

1153
00:49:52,040 --> 00:49:55,920
Speaker 8: So I've seen a posts about this lady who was

1154
00:49:55,960 --> 00:49:59,640
Speaker 8: a teacher they got fired for using her sick days

1155
00:49:59,680 --> 00:50:02,400
Speaker 8: and going to a concert in Nashville. I'm just wondering

1156
00:50:02,400 --> 00:50:04,000
Speaker 8: if it was the same one that you talked about

1157
00:50:04,000 --> 00:50:04,479
Speaker 8: on the show.

1158
00:50:05,040 --> 00:50:08,000
Speaker 2: Let me know. Yeah, I saw that too. No, it's not.

1159
00:50:08,680 --> 00:50:09,800
Speaker 2: I was like, did we do this?

1160
00:50:10,080 --> 00:50:11,600
Speaker 3: So was I and I was like, oh no.

1161
00:50:12,160 --> 00:50:13,279
Speaker 2: I thought I was gonna have to like call the

1162
00:50:13,360 --> 00:50:18,400
Speaker 2: superintendent beg for a job back. Yeah, different lady. This

1163
00:50:18,600 --> 00:50:22,080
Speaker 2: lady went to Drake. Oh the Drake show. I'm not

1164
00:50:22,200 --> 00:50:25,040
Speaker 2: going to be calling a superintendent for Drake. Drake might

1165
00:50:25,719 --> 00:50:28,200
Speaker 2: he's been giving people money his shows. But I also

1166
00:50:28,239 --> 00:50:30,479
Speaker 2: thought because of the lady that called us and said

1167
00:50:30,520 --> 00:50:34,279
Speaker 2: the same thing that had been so funny slash terrible though,

1168
00:50:34,400 --> 00:50:36,919
Speaker 2: that's a crazy story though, huh Yeah, that they find

1169
00:50:36,960 --> 00:50:38,600
Speaker 2: out and then it makes the news. Like a lot

1170
00:50:38,640 --> 00:50:40,200
Speaker 2: of things have to happen. I mean, this is such

1171
00:50:40,200 --> 00:50:41,960
Speaker 2: a dumb story to make the news, but it's all

1172
00:50:42,040 --> 00:50:44,160
Speaker 2: over the place. Let's get over to The Morning Corny.

1173
00:50:47,360 --> 00:50:49,480
Speaker 2: The Morning Corny, what's.

1174
00:50:49,360 --> 00:50:50,919
Speaker 7: Mama Bear's favorite baseball team?

1175
00:50:51,680 --> 00:50:54,480
Speaker 2: Couz looks.

1176
00:50:58,680 --> 00:50:59,360
Speaker 1: That was the.

1177
00:51:00,960 --> 00:51:01,560
Speaker 8: That was easy.

1178
00:51:01,719 --> 00:51:03,560
Speaker 2: Well, my tone was me wondering, there's got to be

1179
00:51:03,640 --> 00:51:03,960
Speaker 2: more to this.

1180
00:51:04,040 --> 00:51:04,319
Speaker 3: Than just.

1181
00:51:05,840 --> 00:51:08,280
Speaker 7: That should have been a level one investigative corny.

1182
00:51:08,560 --> 00:51:11,400
Speaker 2: My bad? Do wait? Do you tear the investigative corny?

1183
00:51:11,560 --> 00:51:14,960
Speaker 7: Of course I normally start with level five, so hoping

1184
00:51:15,080 --> 00:51:16,719
Speaker 7: you'll do Oh, so.

1185
00:51:16,760 --> 00:51:18,560
Speaker 2: You do what the opposite will interesting?

1186
00:51:19,000 --> 00:51:20,400
Speaker 3: And then if we get to the end, they're easier

1187
00:51:20,400 --> 00:51:22,120
Speaker 3: because she has no one left. Okay, I like that

1188
00:51:22,200 --> 00:51:23,960
Speaker 3: better than her like setting us up.

1189
00:51:24,080 --> 00:51:27,160
Speaker 5: The days you run through like five or six of them, I'm.

1190
00:51:27,040 --> 00:51:28,960
Speaker 7: Like, well, there goes my jokes for the week.

1191
00:51:29,040 --> 00:51:31,480
Speaker 2: Now that's smart. We take our whole homeless of material.

1192
00:51:33,320 --> 00:51:36,319
Speaker 2: Yesterday launch Box said we have until Thursday to admit

1193
00:51:36,400 --> 00:51:38,440
Speaker 2: something on the air or you're gonna put us on blast,

1194
00:51:38,680 --> 00:51:40,560
Speaker 2: which I guess. My thinking is, why would you admit

1195
00:51:40,640 --> 00:51:42,720
Speaker 2: it if it's gonna be put on blast anyway? Because

1196
00:51:42,719 --> 00:51:44,839
Speaker 2: if you admit it and then it wasn't that, then

1197
00:51:44,880 --> 00:51:47,359
Speaker 2: you lose two. So what can you give us as

1198
00:51:47,440 --> 00:51:50,319
Speaker 2: kind of a gift. If we admit it, you will

1199
00:51:50,360 --> 00:51:52,840
Speaker 2: feel better in your heart. I don't care. Oh okay,

1200
00:51:53,200 --> 00:51:55,120
Speaker 2: what if we admit it to you privately? Then I

1201
00:51:55,160 --> 00:51:56,640
Speaker 2: won't say and it will just disappear.

1202
00:51:57,000 --> 00:51:59,240
Speaker 3: That's not true, disappear.

1203
00:51:59,280 --> 00:52:01,680
Speaker 2: I don't trust him when he says that. So you're saying,

1204
00:52:02,120 --> 00:52:04,960
Speaker 2: if we admit to you something and it happens to

1205
00:52:05,040 --> 00:52:06,959
Speaker 2: be what you're gonna put on blast on Thursday show,

1206
00:52:07,239 --> 00:52:11,239
Speaker 2: you will not put it on blast? Correct? Do you

1207
00:52:11,320 --> 00:52:15,480
Speaker 2: believe him? Nope? Zero percent chance. What is this audio

1208
00:52:15,560 --> 00:52:16,480
Speaker 2: clip you have? Uh?

1209
00:52:16,560 --> 00:52:20,040
Speaker 6: Yeah, there is a police officer that lives in my neighborhood.

1210
00:52:20,040 --> 00:52:22,399
Speaker 6: I see a patrol car parked out front all the time.

1211
00:52:23,040 --> 00:52:26,000
Speaker 6: So I went to get his opinion on the situation

1212
00:52:26,200 --> 00:52:28,440
Speaker 6: and you told him though, but it's yeah, I didn't

1213
00:52:28,440 --> 00:52:31,120
Speaker 6: tell him before I recorded. I told him what it was,

1214
00:52:31,120 --> 00:52:33,399
Speaker 6: and I said, is okay if we record, but don't

1215
00:52:33,440 --> 00:52:34,080
Speaker 6: say what it is?

1216
00:52:34,160 --> 00:52:36,160
Speaker 2: Got it? Okay? Here we go, all right, what are

1217
00:52:36,200 --> 00:52:39,200
Speaker 2: your credentials? So I've been a police officer for nine years?

1218
00:52:40,000 --> 00:52:43,920
Speaker 6: Okay? So I told you what it is before we

1219
00:52:44,000 --> 00:52:48,160
Speaker 6: started recording. As a man of the law, the protector

1220
00:52:48,239 --> 00:52:51,480
Speaker 6: of our city. If you saw what I told you,

1221
00:52:51,680 --> 00:52:52,560
Speaker 6: tell me what would happen?

1222
00:52:53,680 --> 00:52:56,520
Speaker 8: Absolutely, So I would approach the person to get their

1223
00:52:56,600 --> 00:53:00,359
Speaker 8: idea out, and just out of respect for everyone else world,

1224
00:53:00,760 --> 00:53:02,200
Speaker 8: you could give him a take or take the jail.

1225
00:53:02,640 --> 00:53:05,759
Speaker 6: So when you see someone in society doing this, what

1226
00:53:06,000 --> 00:53:09,080
Speaker 6: do you think is a police officer like of that person,

1227
00:53:09,640 --> 00:53:10,720
Speaker 6: world's better without.

1228
00:53:10,600 --> 00:53:14,120
Speaker 2: Him, the world's better without of them.

1229
00:53:14,200 --> 00:53:16,640
Speaker 7: What could it mean?

1230
00:53:17,280 --> 00:53:20,680
Speaker 2: Do you think he told him the true thing? Or

1231
00:53:22,440 --> 00:53:23,880
Speaker 2: did you tell him the true thing? Told him the

1232
00:53:23,920 --> 00:53:28,320
Speaker 2: true thing? And if we admit this in an email

1233
00:53:28,440 --> 00:53:30,719
Speaker 2: to you privately, you will not put it on blast. Nope,

1234
00:53:30,760 --> 00:53:34,600
Speaker 2: it'll disappear or go in the deleted folder. Or what

1235
00:53:34,760 --> 00:53:37,880
Speaker 2: you could do is you could say what it is,

1236
00:53:37,960 --> 00:53:40,960
Speaker 2: but not say who it is trouble so our listeners

1237
00:53:41,000 --> 00:53:42,800
Speaker 2: aren't shifted. Gosh.

1238
00:53:44,239 --> 00:53:46,160
Speaker 4: I mean the cops said he could either give you

1239
00:53:46,200 --> 00:53:47,479
Speaker 4: a ticket or ticket to jail.

1240
00:53:47,600 --> 00:53:49,680
Speaker 7: I know it could be anything, and the world would

1241
00:53:49,680 --> 00:53:50,800
Speaker 7: be better off without you.

1242
00:53:51,000 --> 00:53:53,560
Speaker 2: It's like insider trading. And then somebody goes to jail

1243
00:53:53,640 --> 00:53:57,799
Speaker 2: from this bit. So nobody has anything. Do they want

1244
00:53:57,840 --> 00:54:00,799
Speaker 2: to email to lunchbox? The thing is, I don't trust

1245
00:54:00,920 --> 00:54:04,640
Speaker 2: touch of the email. Check my email and box.

1246
00:54:06,800 --> 00:54:07,640
Speaker 3: No, not nothing.

1247
00:54:07,840 --> 00:54:09,160
Speaker 7: It seems as though you'd want to write it on

1248
00:54:09,239 --> 00:54:10,560
Speaker 7: a piece of paper and then chew.

1249
00:54:10,440 --> 00:54:12,759
Speaker 6: It up and oh I got a new one. It

1250
00:54:12,800 --> 00:54:15,800
Speaker 6: says alert notification. Oh, no, it says, I haven't completed

1251
00:54:15,840 --> 00:54:18,400
Speaker 6: some action I'm supposed to do work.

1252
00:54:18,360 --> 00:54:19,480
Speaker 2: Morgan anything.

1253
00:54:21,320 --> 00:54:23,640
Speaker 7: Unless he like saw me do what?

1254
00:54:24,440 --> 00:54:26,719
Speaker 2: Yeah? Do what? Yeah? What did I see you? Do?

1255
00:54:27,360 --> 00:54:29,600
Speaker 7: You always wanting about me driving?

1256
00:54:30,000 --> 00:54:30,560
Speaker 2: You know what I mean?

1257
00:54:30,640 --> 00:54:32,360
Speaker 7: So like, I don't know if he's on me driving.

1258
00:54:32,160 --> 00:54:33,919
Speaker 4: And that's something, but cop would take you to jail.

1259
00:54:34,239 --> 00:54:36,600
Speaker 4: I don't know it would be better without you driving.

1260
00:54:36,560 --> 00:54:42,760
Speaker 2: That's all I I mean, yeah, maybe, Okay, So nobody's

1261
00:54:42,800 --> 00:54:44,279
Speaker 2: gonna come out right now, but you do have the

1262
00:54:44,320 --> 00:54:46,320
Speaker 2: opportunity to email him, so do I. I don't know

1263
00:54:46,400 --> 00:54:50,439
Speaker 2: that it's not me. Still, my email box is open

1264
00:54:50,520 --> 00:54:53,480
Speaker 2: right now, open for business. And if he doesn't get

1265
00:54:53,480 --> 00:54:55,800
Speaker 2: it by Thursday, so this is what I think it'll be,

1266
00:54:55,840 --> 00:54:57,719
Speaker 2: he'll say, still say what it is, but he won't

1267
00:54:57,719 --> 00:54:58,279
Speaker 2: say who it is.

1268
00:54:59,480 --> 00:55:03,480
Speaker 3: But it's your chance to get it out there. Everybody good,

1269
00:55:03,840 --> 00:55:04,600
Speaker 3: yeah or good?

1270
00:55:06,040 --> 00:55:09,359
Speaker 2: Everybody's got that uneasy feeling their stomach right now. I don't.

1271
00:55:09,440 --> 00:55:11,239
Speaker 3: I just am confused as to what it could be

1272
00:55:12,800 --> 00:55:13,920
Speaker 3: because I don't think it's me.

1273
00:55:15,120 --> 00:55:17,880
Speaker 7: Is it something you can go to jail for? In retros?

1274
00:55:17,960 --> 00:55:18,480
Speaker 2: Were you hurt?

1275
00:55:19,000 --> 00:55:19,040
Speaker 6: No?

1276
00:55:19,160 --> 00:55:21,880
Speaker 3: No, he said, and what like Statue limitations.

1277
00:55:21,440 --> 00:55:21,600
Speaker 2: Is it.

1278
00:55:23,239 --> 00:55:25,359
Speaker 7: Admit to it? Could they come arrest us now?

1279
00:55:25,600 --> 00:55:26,799
Speaker 3: Or is it happy email?

1280
00:55:27,120 --> 00:55:30,759
Speaker 2: What is it from Ray? So screw you got him?

1281
00:55:33,840 --> 00:55:36,200
Speaker 10: Does it involve can I can I ask like, does

1282
00:55:36,280 --> 00:55:38,480
Speaker 10: it involve like obviously somebody on the show, But does

1283
00:55:38,520 --> 00:55:40,759
Speaker 10: it involve somebody else on the show or is it

1284
00:55:41,000 --> 00:55:41,760
Speaker 10: just that one person?

1285
00:55:42,600 --> 00:55:43,040
Speaker 2: You tell me?

1286
00:55:44,800 --> 00:55:47,120
Speaker 3: What do you what do you want to admit to Exactly?

1287
00:55:48,480 --> 00:55:51,239
Speaker 10: There is something that I am aware of and that

1288
00:55:51,360 --> 00:55:53,160
Speaker 10: I guess it could be into this, But it's not

1289
00:55:53,239 --> 00:55:53,560
Speaker 10: about you.

1290
00:55:53,840 --> 00:55:54,440
Speaker 2: It's not about me.

1291
00:55:54,560 --> 00:55:55,400
Speaker 3: It doesn't have anything to do.

1292
00:55:55,440 --> 00:55:57,920
Speaker 2: With my two people on the show being involved.

1293
00:55:58,680 --> 00:56:00,600
Speaker 3: Yeah, well, he wouldn't do it on I wouldn't. I

1294
00:56:00,640 --> 00:56:01,680
Speaker 3: wouldn't spray, I wouldn't.

1295
00:56:01,680 --> 00:56:07,760
Speaker 7: I'm not going to. But what it is ticketable offense.

1296
00:56:07,880 --> 00:56:12,720
Speaker 10: Potentially, yeah, but like I don't if it is something

1297
00:56:12,840 --> 00:56:16,319
Speaker 10: he's aware of, I don't want to tell anybody yet, right, So.

1298
00:56:16,480 --> 00:56:19,799
Speaker 2: After the bit, I'll say this is what it was. Okayybody,

1299
00:56:19,800 --> 00:56:22,560
Speaker 2: you have your you have your time. Okay, two days

1300
00:56:22,560 --> 00:56:25,800
Speaker 2: from now he's gonna put it on blast hour? Is

1301
00:56:25,800 --> 00:56:28,960
Speaker 2: that is that countdown on the website? It is, yep,

1302
00:56:29,719 --> 00:56:33,000
Speaker 2: let's go. That's all. We got nothing else everybody. No,

1303
00:56:35,600 --> 00:56:39,840
Speaker 2: the draft is the most soothing sounds. We spun the

1304
00:56:39,840 --> 00:56:43,520
Speaker 2: wheel before Amy gets the first overall, pick Amy, most

1305
00:56:43,640 --> 00:56:45,799
Speaker 2: soothing sounds draft? What do you got?

1306
00:56:46,239 --> 00:56:47,240
Speaker 7: Waves crashing?

1307
00:56:47,719 --> 00:56:49,520
Speaker 2: Oh, that's definitely number one.

1308
00:56:49,719 --> 00:56:51,200
Speaker 3: That's so good too, because.

1309
00:56:52,440 --> 00:56:54,880
Speaker 2: Like there are sounds that play waves crashing to actually

1310
00:56:54,920 --> 00:56:59,360
Speaker 2: put you to sleep, right, got it? Good waves? Okay,

1311
00:56:59,640 --> 00:57:01,640
Speaker 2: going to a lunchbox. Lunchbox soothing sounds?

1312
00:57:02,040 --> 00:57:04,040
Speaker 6: Oh yeah, you ever sat on the back porch in

1313
00:57:04,080 --> 00:57:07,400
Speaker 6: the morning, right when the birds start chirping?

1314
00:57:07,719 --> 00:57:09,600
Speaker 2: Birds chirping? Have you?

1315
00:57:10,680 --> 00:57:10,879
Speaker 8: Yeah?

1316
00:57:11,160 --> 00:57:16,000
Speaker 2: Okay, kids are up early on the weekends, man, birds chirping, Eddie.

1317
00:57:17,000 --> 00:57:19,720
Speaker 4: I'm gonna do same with the water, but I'm gonna

1318
00:57:19,720 --> 00:57:23,880
Speaker 4: do a river flow in Okay. Definitely a difference in

1319
00:57:23,920 --> 00:57:25,000
Speaker 4: wage crashing river fall.

1320
00:57:25,120 --> 00:57:30,000
Speaker 2: No, that sound that's good? All right, more get over

1321
00:57:30,040 --> 00:57:30,160
Speaker 2: to you.

1322
00:57:30,320 --> 00:57:31,080
Speaker 3: Soothing sounds.

1323
00:57:31,400 --> 00:57:33,120
Speaker 7: Yeah, I cannot believe it made it all the way

1324
00:57:33,160 --> 00:57:33,320
Speaker 7: to me.

1325
00:57:33,480 --> 00:57:35,680
Speaker 10: Also in water, but I'm going rainfall.

1326
00:57:35,880 --> 00:57:36,800
Speaker 7: This seems the rain.

1327
00:57:37,160 --> 00:57:38,160
Speaker 3: That's really good rainfall.

1328
00:57:38,200 --> 00:57:41,280
Speaker 2: Okay, yeah, yeah, I didn't have that one, Morgan. I'm

1329
00:57:41,320 --> 00:57:43,080
Speaker 2: gonna wake and I don't think anybody's gonna take mine

1330
00:57:43,960 --> 00:57:47,440
Speaker 2: a main one, So I'm gonna hold off and take

1331
00:57:47,480 --> 00:57:50,720
Speaker 2: another strong one and maybe get mine in round three.

1332
00:57:51,800 --> 00:57:54,560
Speaker 2: Unless someone gets it, I'm gonna go with and the

1333
00:57:54,680 --> 00:57:59,520
Speaker 2: soothing sounds draft, I'm gonna do it. I'm not gonna

1334
00:57:59,600 --> 00:58:01,640
Speaker 2: let it slip. I'm gonna do And it's a it's

1335
00:58:01,640 --> 00:58:03,520
Speaker 2: a bit more specific than Morgan's. But rain on a

1336
00:58:03,560 --> 00:58:08,560
Speaker 2: tin roof, that's good. I have that on a summer night. Yeah,

1337
00:58:09,160 --> 00:58:12,720
Speaker 2: we change it rain on a tin roof as mine.

1338
00:58:12,840 --> 00:58:14,840
Speaker 2: I most think I lived in a camper for about

1339
00:58:14,880 --> 00:58:16,800
Speaker 2: two years, and I always like to want to rain. Because,

1340
00:58:18,480 --> 00:58:21,640
Speaker 2: all right, that's round one. Amy had waves, once had

1341
00:58:21,640 --> 00:58:24,400
Speaker 2: birds chirping, Eddie had river, Morgan had rainfall and had

1342
00:58:24,440 --> 00:58:26,680
Speaker 2: rain on a tin roof. All right, so I'll go

1343
00:58:26,800 --> 00:58:30,080
Speaker 2: first in the second round. Now, I could pander a bit,

1344
00:58:30,960 --> 00:58:32,480
Speaker 2: which I know is a great sound to everybody else

1345
00:58:32,520 --> 00:58:36,840
Speaker 2: but not me, And that would be pandering, like trying

1346
00:58:36,880 --> 00:58:38,440
Speaker 2: to present something that I know people like.

1347
00:58:39,640 --> 00:58:41,760
Speaker 4: Yeah, do it, though, I mean, I'm sure we can

1348
00:58:41,800 --> 00:58:46,400
Speaker 4: all agree on something that sounds soothing, like unless you do,

1349
00:58:46,440 --> 00:58:47,320
Speaker 4: like nails on a chalk.

1350
00:58:47,640 --> 00:58:50,880
Speaker 2: I don't know, man, it's so pandery. I'm not gonna

1351
00:58:50,920 --> 00:58:53,200
Speaker 2: do it. I'll tell you what it was later. I

1352
00:58:53,240 --> 00:58:58,560
Speaker 2: don't want to pander, so I'm gonna go with soothing sounds.

1353
00:58:58,880 --> 00:59:03,120
Speaker 2: Sizzling faheat as a bacon. Dang, that's a good sound.

1354
00:59:04,680 --> 00:59:10,040
Speaker 3: Okay, let's go over to Morgan all right.

1355
00:59:10,200 --> 00:59:12,440
Speaker 7: You know it's like really cold out and you always

1356
00:59:12,480 --> 00:59:15,080
Speaker 7: put one of these on. It's the crackling fireplace.

1357
00:59:15,320 --> 00:59:15,720
Speaker 3: That's good.

1358
00:59:15,840 --> 00:59:21,400
Speaker 2: You got me. I want to I might pander when

1359
00:59:21,400 --> 00:59:24,080
Speaker 2: it comes back to me, I might need a pander.

1360
00:59:25,680 --> 00:59:29,000
Speaker 2: Call anaudible, she took mine, Eddie.

1361
00:59:31,440 --> 00:59:32,080
Speaker 3: Oh there's another.

1362
00:59:32,920 --> 00:59:36,320
Speaker 4: Okay, okay, okay. For my number two pick, I'm going

1363
00:59:36,440 --> 00:59:40,000
Speaker 4: with thunder on the horizon.

1364
00:59:41,280 --> 00:59:46,920
Speaker 2: All right, Garth, thunder Rose, thunder on the horizon, okay,

1365
00:59:47,640 --> 00:59:49,880
Speaker 2: because you don't want to ride over you because that's scary.

1366
00:59:49,960 --> 00:59:52,360
Speaker 2: That's not soothing. You want the horizon.

1367
00:59:52,480 --> 00:59:56,080
Speaker 3: And as the words thunder on the horizon just sounds

1368
00:59:56,120 --> 00:59:56,600
Speaker 3: soothing too.

1369
00:59:56,760 --> 01:00:01,560
Speaker 2: Just the word's beautiful. Man, lunchbox, were drafting the soothing sounds,

1370
01:00:01,680 --> 01:00:04,800
Speaker 2: Go ahead, yeah, guys, soothing sounds.

1371
01:00:04,840 --> 01:00:06,880
Speaker 6: You want something that'll make you relax and put a

1372
01:00:06,960 --> 01:00:08,919
Speaker 6: smile on your face, make you feel at ease.

1373
01:00:09,640 --> 01:00:10,840
Speaker 2: Is that what you're looking for here?

1374
01:00:11,760 --> 01:00:15,200
Speaker 3: Because it's baby giggles, a baby giggling.

1375
01:00:15,880 --> 01:00:22,080
Speaker 2: Okay, okay, sweet is sweet? Is this lunchbox talking? It's

1376
01:00:22,160 --> 01:00:25,200
Speaker 2: a I lunchbox like two weeks ago, the real one.

1377
01:00:25,600 --> 01:00:28,560
Speaker 2: We cut them, got this on for half rice Amy?

1378
01:00:29,120 --> 01:00:38,520
Speaker 7: A cat purring? Mm, there's nothing. No, there's nothing sweeter

1379
01:00:38,640 --> 01:00:39,320
Speaker 7: than a cat.

1380
01:00:39,200 --> 01:00:43,160
Speaker 3: Perk I Amy, you have wage crashing and a cat purring.

1381
01:00:43,920 --> 01:00:45,440
Speaker 2: We start with you now in the third round, the

1382
01:00:45,440 --> 01:00:48,440
Speaker 2: final round drafting soothing sounds Go ahead?

1383
01:00:50,440 --> 01:00:55,720
Speaker 7: Yeah, I feel like I'm sort of stuck here.

1384
01:00:55,640 --> 01:00:57,520
Speaker 3: For a second because you have so many, because I

1385
01:00:57,520 --> 01:00:58,120
Speaker 3: have so many.

1386
01:00:58,360 --> 01:00:59,640
Speaker 7: Oh no, I have like none.

1387
01:01:00,000 --> 01:01:01,360
Speaker 2: I'm out. I'm dry.

1388
01:01:01,800 --> 01:01:04,560
Speaker 7: I mean crackling fire in that like forty.

1389
01:01:04,920 --> 01:01:06,800
Speaker 2: I'm trying to pump the well. Nothing's coming out.

1390
01:01:07,040 --> 01:01:07,800
Speaker 7: How your girl up?

1391
01:01:08,520 --> 01:01:09,840
Speaker 2: Wait? No, it doesn't work like that.

1392
01:01:10,080 --> 01:01:12,680
Speaker 3: Yeah does Who says there are no rules?

1393
01:01:12,880 --> 01:01:13,280
Speaker 2: He said?

1394
01:01:14,120 --> 01:01:17,040
Speaker 7: Okay, I don't go with this lunchbox parting.

1395
01:01:17,880 --> 01:01:18,520
Speaker 2: That's a good one.

1396
01:01:20,800 --> 01:01:23,760
Speaker 7: It's soothing to him, a lunchbogs whispering.

1397
01:01:24,040 --> 01:01:26,280
Speaker 3: Okay, is that your answer that you love him so much?

1398
01:01:28,040 --> 01:01:30,360
Speaker 2: When do you hear there are theories behind the scenes

1399
01:01:30,400 --> 01:01:32,800
Speaker 2: of these two what is not romantic theory?

1400
01:01:32,880 --> 01:01:32,920
Speaker 6: Not?

1401
01:01:33,240 --> 01:01:34,480
Speaker 7: But there's nothing.

1402
01:01:34,600 --> 01:01:38,640
Speaker 5: We don't there's nothing. Oh my gosh, okay, let's go

1403
01:01:38,880 --> 01:01:43,760
Speaker 5: with hm hmm. I think just any whisper whisper a whisper?

1404
01:01:44,920 --> 01:01:47,640
Speaker 2: Okay, I'm not good? All right?

1405
01:01:47,760 --> 01:01:48,920
Speaker 7: What you're saying rocking?

1406
01:01:49,080 --> 01:01:49,280
Speaker 2: When?

1407
01:01:49,920 --> 01:01:51,200
Speaker 7: But I got waves crashing?

1408
01:01:51,360 --> 01:01:53,400
Speaker 2: I know sometimes people only vote in the first round.

1409
01:01:53,400 --> 01:01:57,400
Speaker 2: I hear you, lunchbox. Oh do you want a noise

1410
01:01:58,040 --> 01:01:59,080
Speaker 2: that makes you feel good?

1411
01:02:00,880 --> 01:02:02,040
Speaker 3: I see the call map right now.

1412
01:02:02,360 --> 01:02:04,520
Speaker 2: Go ahead. What's a smile on your face?

1413
01:02:05,680 --> 01:02:10,840
Speaker 6: It's that crunching of snow cru snow crunching in your

1414
01:02:10,880 --> 01:02:11,800
Speaker 6: mouth or feet.

1415
01:02:12,160 --> 01:02:14,560
Speaker 2: Oh, feet, when you're walking on that snow. It's got it.

1416
01:02:15,440 --> 01:02:18,600
Speaker 3: I'm not going to He's a loss than way better

1417
01:02:18,640 --> 01:02:19,040
Speaker 3: than whisper.

1418
01:02:19,360 --> 01:02:23,960
Speaker 2: What whispers crunching? Snow crunching can't be. I'm not saying

1419
01:02:24,000 --> 01:02:25,920
Speaker 2: it's great, but snow crunching can't be creepy.

1420
01:02:26,200 --> 01:02:27,440
Speaker 7: People love a s m R.

1421
01:02:27,560 --> 01:02:29,680
Speaker 3: Whispering can or a mess r or whatever.

1422
01:02:29,960 --> 01:02:33,520
Speaker 4: Eddie oh man, all right, I was pretty dry. The

1423
01:02:33,560 --> 01:02:35,760
Speaker 4: well was dry, but I got something. Go ahead, I'm

1424
01:02:35,800 --> 01:02:40,000
Speaker 4: gonna go with wind chimes. Oh that's annoying.

1425
01:02:40,160 --> 01:02:41,040
Speaker 2: What are you talking about?

1426
01:02:42,360 --> 01:02:42,400
Speaker 6: You?

1427
01:02:46,040 --> 01:02:48,840
Speaker 2: I want to just slam them. You don't like wind chimes?

1428
01:02:49,600 --> 01:02:51,840
Speaker 2: But that was actually good, dude. I gotta be honest

1429
01:02:51,880 --> 01:02:52,000
Speaker 2: with you.

1430
01:02:52,760 --> 01:02:55,360
Speaker 7: It doesn't matter, doesn't matter what we like ranch in Texas.

1431
01:02:56,680 --> 01:02:59,080
Speaker 3: That's wind. You could have just that you could have had,

1432
01:02:59,080 --> 01:02:59,680
Speaker 3: like a large guest.

1433
01:03:00,880 --> 01:03:04,200
Speaker 2: You didn't wait for the time. Manad my back, all right, Morgan,

1434
01:03:04,280 --> 01:03:06,600
Speaker 2: you have rainfall in a crackling fireplace.

1435
01:03:07,080 --> 01:03:10,800
Speaker 10: Yeah, and I'm designing between two that are Yeah, I

1436
01:03:10,840 --> 01:03:11,760
Speaker 10: don't know if you will.

1437
01:03:11,680 --> 01:03:15,960
Speaker 3: Get one of them soothing sounds. It's a draft soothing sounds.

1438
01:03:15,960 --> 01:03:16,320
Speaker 2: Go ahead.

1439
01:03:17,600 --> 01:03:19,040
Speaker 10: I think I'm gonna go with this because, like if

1440
01:03:19,080 --> 01:03:20,720
Speaker 10: you ever go and get a massage, or you go

1441
01:03:20,760 --> 01:03:23,280
Speaker 10: get your nails done, or even just kind of hanging

1442
01:03:23,320 --> 01:03:25,040
Speaker 10: out in a lobbyist where this is what you're hearing

1443
01:03:25,080 --> 01:03:26,120
Speaker 10: and it kind of calms you down.

1444
01:03:26,200 --> 01:03:29,360
Speaker 3: It's soft jazz music, soft jazz music.

1445
01:03:33,000 --> 01:03:37,040
Speaker 2: Okay, So I'm the last one, so I can go

1446
01:03:37,080 --> 01:03:39,400
Speaker 2: through a bunch of mine since nobody can steal it.

1447
01:03:39,800 --> 01:03:41,560
Speaker 2: I'm a couple of mine that I like, and some

1448
01:03:41,640 --> 01:03:43,440
Speaker 2: of them are specific to just me. But I like

1449
01:03:44,760 --> 01:03:48,120
Speaker 2: a basketball swishing through the net, nothing but net. That's

1450
01:03:48,120 --> 01:03:50,440
Speaker 2: a comfortablee. I like the opening rep of the national anthem.

1451
01:03:50,600 --> 01:03:55,040
Speaker 2: It's a soothing sound done, Okay. I like a golf

1452
01:03:55,120 --> 01:04:00,280
Speaker 2: ball going into a hope. Oh that's nice. I like, well,

1453
01:04:00,320 --> 01:04:02,240
Speaker 2: I like my Stanley's asleep, But that's snoring. My wife

1454
01:04:02,240 --> 01:04:05,440
Speaker 2: would not agree. She hates that sounds loud loud. The

1455
01:04:05,560 --> 01:04:07,160
Speaker 2: one that I was going to pander with is the

1456
01:04:08,320 --> 01:04:10,240
Speaker 2: it's cracking a cold one. Oh.

1457
01:04:10,800 --> 01:04:13,280
Speaker 4: But see that's okay though, because even though you don't drink,

1458
01:04:13,560 --> 01:04:16,000
Speaker 4: hearing somebody go it's pretty.

1459
01:04:15,760 --> 01:04:17,400
Speaker 3: Soothing, especially if it's you though doing it.

1460
01:04:17,600 --> 01:04:20,520
Speaker 2: It's the best Man Friday night, or coffee pouring into

1461
01:04:20,560 --> 01:04:23,400
Speaker 2: a cup that sound. I can't do my mouth the

1462
01:04:23,520 --> 01:04:27,040
Speaker 2: liquid hitting. That's pandery because you hate coffee. But at

1463
01:04:27,120 --> 01:04:27,760
Speaker 2: least I've had it.

1464
01:04:28,240 --> 01:04:30,320
Speaker 7: Should have done heavy rain never popped.

1465
01:04:30,480 --> 01:04:33,760
Speaker 2: Well, we have two rain ones. Anyways, she does heavy

1466
01:04:33,840 --> 01:04:35,439
Speaker 2: rain on a not ten roof.

1467
01:04:37,080 --> 01:04:37,360
Speaker 7: I have.

1468
01:04:39,000 --> 01:04:41,960
Speaker 2: The bell at the end of class, nice, like you said,

1469
01:04:41,960 --> 01:04:42,800
Speaker 2: because class is over.

1470
01:04:44,000 --> 01:04:45,400
Speaker 3: I have silence.

1471
01:04:46,720 --> 01:04:49,840
Speaker 2: That is soothing, especially when you have four kids. Silence

1472
01:04:49,960 --> 01:04:53,520
Speaker 2: is a strong one. I have Chris Stapleton's voice.

1473
01:04:56,520 --> 01:04:58,800
Speaker 7: Okay, oh that is soothing.

1474
01:05:01,920 --> 01:05:02,760
Speaker 2: It's not very soothing.

1475
01:05:03,280 --> 01:05:04,640
Speaker 3: And none of those I'm not going to do any

1476
01:05:04,640 --> 01:05:04,920
Speaker 3: of those.

1477
01:05:04,920 --> 01:05:05,480
Speaker 2: I'm gonna do.

1478
01:05:07,720 --> 01:05:09,320
Speaker 3: Crickets at night in the summer.

1479
01:05:09,560 --> 01:05:13,520
Speaker 2: Yeah, that's that's awesome. What do you mean crickets the

1480
01:05:13,600 --> 01:05:15,760
Speaker 2: sound of summer night Just because you said whisper and

1481
01:05:15,800 --> 01:05:18,240
Speaker 2: we all laughed, don't take it out on me. You

1482
01:05:18,320 --> 01:05:21,480
Speaker 2: don't like the sound of nighttime out side, nighttime, summer

1483
01:05:21,520 --> 01:05:24,080
Speaker 2: outside crickets like that is awesome.

1484
01:05:24,200 --> 01:05:26,520
Speaker 7: Basically their form of whispering.

1485
01:05:26,560 --> 01:05:27,520
Speaker 3: Eah, the crickets are whispering.

1486
01:05:27,600 --> 01:05:30,120
Speaker 2: That's what you're hearing. So it's like a double Okay,

1487
01:05:30,200 --> 01:05:33,320
Speaker 2: So those are our teams. Go vote to Bobbybones dot com.

1488
01:05:33,360 --> 01:05:34,760
Speaker 2: We'll have a winner after you guys vote, but we

1489
01:05:34,800 --> 01:05:37,080
Speaker 2: will not attach our names to them. If you listen

1490
01:05:37,200 --> 01:05:39,680
Speaker 2: to this, you know basically who they are. But we

1491
01:05:39,720 --> 01:05:41,439
Speaker 2: don't want you to go vote based on the first

1492
01:05:41,520 --> 01:05:44,480
Speaker 2: round or the person you like the most. But Amy has.

1493
01:05:44,440 --> 01:05:47,080
Speaker 7: Waves crashing, waves crashing, We.

1494
01:05:47,160 --> 01:05:51,040
Speaker 2: Have cat purring, and somebody in a white man whispering

1495
01:05:51,080 --> 01:05:55,560
Speaker 2: to a kid. It's very soothing, exactly what we said.

1496
01:05:56,880 --> 01:06:00,640
Speaker 2: Luck Bulks has birds chirping, he has baby giggling, and

1497
01:06:00,720 --> 01:06:04,360
Speaker 2: he has snow crunching. Who is this guy? Eddie has

1498
01:06:05,600 --> 01:06:11,000
Speaker 2: river roaring, rushing under on the horizon of wind chimes.

1499
01:06:11,640 --> 01:06:17,120
Speaker 2: Morgan has rainfall crackling fireplace and soft jazz. So good.

1500
01:06:17,880 --> 01:06:21,680
Speaker 2: Morgan sounds like she wants a man over into the house.

1501
01:06:21,960 --> 01:06:23,880
Speaker 7: All right, all of them do.

1502
01:06:24,120 --> 01:06:26,480
Speaker 2: There's jazz with a fireplace.

1503
01:06:27,760 --> 01:06:29,080
Speaker 3: Morgan is like a fantasy.

1504
01:06:29,400 --> 01:06:32,840
Speaker 2: Yeah, yeah, yeah, gosh, A deep voice telling you to

1505
01:06:32,920 --> 01:06:37,080
Speaker 2: come a little closer, and then me, I have rained

1506
01:06:37,120 --> 01:06:40,200
Speaker 2: on a tin roof, sizzling fajitas or bacon or crickets

1507
01:06:40,200 --> 01:06:43,120
Speaker 2: at night in the summertime. Vote on the Soothing Sound

1508
01:06:43,160 --> 01:06:44,120
Speaker 2: team you like the best.

1509
01:06:44,600 --> 01:06:47,160
Speaker 3: Good job everybody, Thank you.

1510
01:06:47,400 --> 01:06:51,439
Speaker 2: I don't know how I feel about my team. Thanks. Yeah.

1511
01:06:51,760 --> 01:06:54,040
Speaker 2: I may have blown it with that wind chime. Yeah.

1512
01:06:54,080 --> 01:06:56,920
Speaker 2: We all hit on hit on apes.

1513
01:06:56,920 --> 01:06:57,240
Speaker 3: Whisper.

1514
01:06:57,440 --> 01:06:59,440
Speaker 2: Oh yeah, a lot of people have wind chimes. Oh

1515
01:06:59,560 --> 01:07:01,520
Speaker 2: that's true. I mean a lot of people are annoying

1516
01:07:01,520 --> 01:07:05,520
Speaker 2: because if they're too close to somebody else. We are

1517
01:07:05,640 --> 01:07:09,480
Speaker 2: here to announce the nominations for the ACS of the

1518
01:07:09,600 --> 01:07:12,200
Speaker 2: Year of twenty twenty four. I am in my tuxedo

1519
01:07:12,520 --> 01:07:13,800
Speaker 2: because this is very serious.

1520
01:07:15,440 --> 01:07:16,360
Speaker 7: Is that by the accent?

1521
01:07:16,640 --> 01:07:18,160
Speaker 2: I don't know why the British accent is coming out

1522
01:07:18,240 --> 01:07:21,400
Speaker 2: like that one. Yeah. So the Academy of Country Music Awards.

1523
01:07:23,120 --> 01:07:32,520
Speaker 2: The first category, they're sealed. Oo. The nominees for Single

1524
01:07:32,640 --> 01:07:39,520
Speaker 2: of the Year are Parker McCollum, Burn It Down, Luke

1525
01:07:39,600 --> 01:07:44,440
Speaker 2: Comb's Fast Car, Morgan Wallen, Last Night, Jelly Roll, Need

1526
01:07:44,520 --> 01:07:50,040
Speaker 2: a favor, Jordan Davis. Next thing you know? Next category?

1527
01:07:51,880 --> 01:07:52,720
Speaker 2: What's that category?

1528
01:07:53,080 --> 01:07:54,120
Speaker 7: Group of the Year of.

1529
01:08:00,000 --> 01:08:08,480
Speaker 2: Domedies are flat Land, Cavalry, Lady, A Little Big Town,

1530
01:08:09,440 --> 01:08:16,080
Speaker 2: Old Dominion and Zach Brown Band. Congratulations of the Year nominees.

1531
01:08:16,200 --> 01:08:19,600
Speaker 2: Great nominees. Wow, tough category. Wow. I never knew so

1532
01:08:19,680 --> 01:08:22,360
Speaker 2: many groups. I don't know what that means. I don't

1533
01:08:22,400 --> 01:08:22,679
Speaker 2: know either.

1534
01:08:22,840 --> 01:08:26,840
Speaker 3: Okay, next category of the Year of the.

1535
01:08:33,360 --> 01:08:37,000
Speaker 2: Idiots. Here we go, up for Duo of the Year,

1536
01:08:39,840 --> 01:08:48,760
Speaker 2: Brooks and Dunn, Brothers Osbourne, Dan and Shay, Maddie and

1537
01:08:48,880 --> 01:08:58,200
Speaker 2: Tay and the Warren Treaty. There we go. Okay, I'm moving,

1538
01:08:58,280 --> 01:08:59,160
Speaker 2: We're moving, We're moving.

1539
01:09:00,560 --> 01:09:02,479
Speaker 7: Album of the Year, Album of the Year.

1540
01:09:08,640 --> 01:09:10,680
Speaker 2: My next time, I have bow ties choking the crap

1541
01:09:10,720 --> 01:09:12,240
Speaker 2: out of you. I think that's why I was talking

1542
01:09:12,280 --> 01:09:14,800
Speaker 2: without the British accent. More than anything, now that I

1543
01:09:14,840 --> 01:09:17,519
Speaker 2: think about it, I get dressed up for this stuff.

1544
01:09:17,520 --> 01:09:21,759
Speaker 3: You know this is serious. ACMs. Your nominees for Album

1545
01:09:21,880 --> 01:09:24,839
Speaker 3: of the Year, Getting Old.

1546
01:09:24,720 --> 01:09:34,360
Speaker 2: Luke combs Hire, Chris Stapleton, Leather Cody Johnson, One Thing

1547
01:09:34,439 --> 01:09:38,920
Speaker 2: at a Time, Morgan Wallen, Rolling up the Welcome, Matt

1548
01:09:39,000 --> 01:09:42,360
Speaker 2: Kelsey Ballerini. Those are your nominees for Album of the Year.

1549
01:09:42,600 --> 01:09:47,960
Speaker 2: Woa wow, Okay we have wow. Four categories left.

1550
01:09:50,720 --> 01:09:52,200
Speaker 7: Female Artist of the Year.

1551
01:09:53,120 --> 01:09:55,080
Speaker 6: I love this category, my favorite category.

1552
01:09:55,360 --> 01:10:00,680
Speaker 2: What love the ladies? Your email are of the Year.

1553
01:10:03,439 --> 01:10:16,440
Speaker 2: Your nominees are Megan Maroney, Ashley McBride, Kelsey Vallerini, Casey Musgraves,

1554
01:10:18,120 --> 01:10:24,000
Speaker 2: Laney Wilson. You're Female Artist of the nominees A lot

1555
01:10:24,080 --> 01:10:24,639
Speaker 2: to choose from.

1556
01:10:24,840 --> 01:10:29,120
Speaker 5: Male Artist of the Year, Like the voiceover person, We're

1557
01:10:29,120 --> 01:10:30,400
Speaker 5: getting it down, male.

1558
01:10:30,280 --> 01:10:35,840
Speaker 7: Artist, I'll be the voice of God, which that's what

1559
01:10:35,920 --> 01:10:36,720
Speaker 7: it's called, right.

1560
01:10:36,800 --> 01:10:38,200
Speaker 2: I knew you get back out. I knowed you back

1561
01:10:38,240 --> 01:10:41,680
Speaker 2: off from that one, like what I was like, I

1562
01:10:41,760 --> 01:10:42,599
Speaker 2: am not touching that one.

1563
01:10:43,160 --> 01:10:45,800
Speaker 7: They called it thank you. I just clarifyed it.

1564
01:10:45,960 --> 01:10:48,360
Speaker 2: But you just called it yourself.

1565
01:10:48,479 --> 01:10:50,640
Speaker 9: No no, no, no no.

1566
01:10:51,040 --> 01:10:53,519
Speaker 2: And now for the Male Artist of the Year, your

1567
01:10:53,560 --> 01:11:04,560
Speaker 2: nominees are Luke Combs, Jelly Roll, Cody Johnson, Chris Stapleton,

1568
01:11:06,160 --> 01:11:13,600
Speaker 2: Morgan Wallend, Male Artist of the Year, Ralier, Song of

1569
01:11:13,680 --> 01:11:23,200
Speaker 2: the Year, Song of the Year, Fast Car, Luke con

1570
01:11:23,720 --> 01:11:26,200
Speaker 2: heart like a truck, Landy Wilson, next thing you know,

1571
01:11:26,400 --> 01:11:31,599
Speaker 2: Jordan Davis, the Painter, Cody Johnson, Tennessee Orange, Megan Maroney.

1572
01:11:31,960 --> 01:11:34,639
Speaker 7: Finally, Entertainer of the Year.

1573
01:11:35,240 --> 01:11:47,080
Speaker 2: This is a big one on Your nominees for Entertainer

1574
01:11:47,160 --> 01:11:57,679
Speaker 2: of the Year are Caine Brown, Luke Combs, Jelly Roll,

1575
01:12:01,200 --> 01:12:10,280
Speaker 2: Cody Johnson, Chris Stapleton, Morgan Wallen, and Laney Wilson. Those

1576
01:12:10,280 --> 01:12:15,400
Speaker 2: are your nominees. By the way, I like saying Jelly

1577
01:12:15,479 --> 01:12:18,720
Speaker 2: Roll's name, like us two names jelly Roll like his

1578
01:12:18,840 --> 01:12:21,080
Speaker 2: last name is mister Roll. So I left that.

1579
01:12:21,320 --> 01:12:24,439
Speaker 3: I'm so one, two three, seven people nominated for Entertainer

1580
01:12:24,439 --> 01:12:24,720
Speaker 3: of the Year.

1581
01:12:24,840 --> 01:12:27,640
Speaker 2: Nice job. The fifty ninth ACM Awards streaming live on

1582
01:12:27,680 --> 01:12:30,920
Speaker 2: Amazon Prime Video Thursday, May sixteenth and eight seven Central.

1583
01:12:31,240 --> 01:12:35,960
Speaker 2: Those are your nominees. Nice jobs. Okay, we have them

1584
01:12:36,000 --> 01:12:38,200
Speaker 2: all announced. There's some others that the ACMs will put out.

1585
01:12:38,960 --> 01:12:41,400
Speaker 2: But if we have to pick somebody who doesn't belong,

1586
01:12:41,400 --> 01:12:45,479
Speaker 2: who would it be. Oh, I'm just kicking Congratulations everybody nominated.

1587
01:12:45,920 --> 01:12:48,040
Speaker 2: And I've got to get this tie off, my bow

1588
01:12:48,120 --> 01:12:50,559
Speaker 2: tie off my neck because my heads are more purple.

1589
01:12:50,600 --> 01:12:54,040
Speaker 2: As the segment's gone on, Amy, good job. Thank you

1590
01:12:54,280 --> 01:12:56,080
Speaker 2: as just being the voiceover person. That's all I want

1591
01:12:56,120 --> 01:12:59,120
Speaker 2: to call you. Yeah, I know, male vocalist of the Year.

1592
01:13:00,120 --> 01:13:02,120
Speaker 2: I'm voice in her head.

1593
01:13:02,840 --> 01:13:04,800
Speaker 7: Gosh, explain why it's called that.

1594
01:13:05,000 --> 01:13:07,280
Speaker 2: I never heard of that before, don't you have? I

1595
01:13:07,320 --> 01:13:08,519
Speaker 2: think you just signed that to yourself.

1596
01:13:08,640 --> 01:13:12,640
Speaker 5: No, I didn't, all right, like Angie Taylor does it

1597
01:13:12,720 --> 01:13:14,360
Speaker 5: for iHeart Festival.

1598
01:13:16,439 --> 01:13:18,760
Speaker 2: Brought in this. It used to be Ellen k don't

1599
01:13:18,800 --> 01:13:22,080
Speaker 2: bring Ellen and Ellen did nothing to deserve you. All

1600
01:13:22,080 --> 01:13:26,360
Speaker 2: of a sudden, you think you're going okay, No, it's

1601
01:13:26,360 --> 01:13:29,760
Speaker 2: called the voice of guy. It's a person overhead. That's congratulations,

1602
01:13:31,240 --> 01:13:34,080
Speaker 2: Bobby Bones show Sorry today.

1603
01:13:34,720 --> 01:13:39,360
Speaker 6: This story comes from Morganton, North Carolina. Nine one one

1604
01:13:39,479 --> 01:13:41,639
Speaker 6: got a call about a house fire, so they send

1605
01:13:41,720 --> 01:13:44,559
Speaker 6: the fire department and there's already a guy there fighting

1606
01:13:44,600 --> 01:13:45,000
Speaker 6: the fire.

1607
01:13:45,439 --> 01:13:47,680
Speaker 2: It's a local neighbor. He's got his FD and y

1608
01:13:47,880 --> 01:13:51,000
Speaker 2: gear on got a f D and Y yeah he

1609
01:13:51,120 --> 01:13:54,960
Speaker 2: had York Yeah yeah, okay, I no, no, I was

1610
01:13:54,960 --> 01:13:57,200
Speaker 2: just saying, he's in North Carolina. Yah, he's in North Carolina.

1611
01:13:59,439 --> 01:14:02,400
Speaker 2: Ahead and he had his garden hose. And he refused.

1612
01:14:02,439 --> 01:14:04,519
Speaker 6: He was like, no, no, guys, I got this I'm

1613
01:14:04,520 --> 01:14:07,360
Speaker 6: a firefighter. They're like, no, no, no, we have real hoses.

1614
01:14:07,400 --> 01:14:08,400
Speaker 2: We need you to like back.

1615
01:14:08,560 --> 01:14:09,479
Speaker 3: But he had ay and Lyon.

1616
01:14:09,840 --> 01:14:11,639
Speaker 6: Yeah, he had bought it off the internet and he's

1617
01:14:11,640 --> 01:14:13,640
Speaker 6: always wanted to be a firefighter, and so he was

1618
01:14:14,120 --> 01:14:14,840
Speaker 6: wouldn't leave.

1619
01:14:14,920 --> 01:14:17,280
Speaker 2: So they had to arrest him for they should just

1620
01:14:17,280 --> 01:14:21,200
Speaker 2: spray him with the hose. Oh yeah, like I have

1621
01:14:21,280 --> 01:14:24,280
Speaker 2: to do my dog. Sometimes. You put your thumb over

1622
01:14:24,320 --> 01:14:26,160
Speaker 2: the top of it. With one of those fire hoses,

1623
01:14:26,160 --> 01:14:27,280
Speaker 2: you just pull that little lever back.

1624
01:14:27,360 --> 01:14:29,760
Speaker 3: Oh yeah, that would be so they arrested him.

1625
01:14:29,800 --> 01:14:30,000
Speaker 2: Yeah.

1626
01:14:30,040 --> 01:14:31,880
Speaker 6: But what I I do realize now, like I used

1627
01:14:31,880 --> 01:14:33,439
Speaker 6: to think that also is like why don't people just

1628
01:14:33,479 --> 01:14:34,679
Speaker 6: put it out with a garden hose?

1629
01:14:35,040 --> 01:14:36,800
Speaker 2: Because TV it makes it like the fire is not

1630
01:14:36,880 --> 01:14:38,320
Speaker 2: that big. It's like, oh it can we put out

1631
01:14:38,360 --> 01:14:41,760
Speaker 2: real easily? Does TV do that? And now I realize that, man,

1632
01:14:42,880 --> 01:14:45,000
Speaker 2: I feel like it's quite And also the hose only

1633
01:14:45,040 --> 01:14:46,720
Speaker 2: goes so far and has so much strength, and you

1634
01:14:46,760 --> 01:14:48,840
Speaker 2: can only push so hard with your thumb to get

1635
01:14:48,880 --> 01:14:50,840
Speaker 2: that extra I've seen people try to put out fires

1636
01:14:50,880 --> 01:14:55,160
Speaker 2: with the hose. It does nothing. Small fires maybe not really, man,

1637
01:14:56,000 --> 01:14:58,519
Speaker 2: I know I'm much Rocks that's your bonehead story of

1638
01:14:58,520 --> 01:15:01,519
Speaker 2: the day. I got a lot of nicknames, one of

1639
01:15:01,560 --> 01:15:05,400
Speaker 2: them mister mocktail, and never heard that one I call myself.

1640
01:15:05,439 --> 01:15:07,559
Speaker 2: That we go into a place, I'm like, look, mister

1641
01:15:07,600 --> 01:15:09,280
Speaker 2: mocktail is going to tell you what mocktail to order,

1642
01:15:09,640 --> 01:15:11,160
Speaker 2: and it's gonna be a little awkward when they come

1643
01:15:11,200 --> 01:15:12,760
Speaker 2: and give us them menu. Here's all your wines, And

1644
01:15:12,800 --> 01:15:15,040
Speaker 2: I'm like, what do you have any mocktails? But mister

1645
01:15:15,120 --> 01:15:18,439
Speaker 2: Mocktail's here for you. For example, Jaco and really good

1646
01:15:18,439 --> 01:15:20,760
Speaker 2: friend of mine saw drinking has it, you know? And

1647
01:15:20,960 --> 01:15:23,960
Speaker 2: so he's now drinking mocktails And I'm like, what do

1648
01:15:24,040 --> 01:15:25,240
Speaker 2: you call the wine person.

1649
01:15:25,439 --> 01:15:26,559
Speaker 7: A solemn Yemona?

1650
01:15:31,640 --> 01:15:32,120
Speaker 8: How do you say?

1651
01:15:32,400 --> 01:15:35,800
Speaker 2: I don't know, I don't I thought it was the

1652
01:15:35,800 --> 01:15:38,920
Speaker 2: country where like Sally Strauthers will be like, donate money. Yeah,

1653
01:15:38,920 --> 01:15:44,479
Speaker 2: that's Somalia, got it? So that person, I'm that person

1654
01:15:44,520 --> 01:15:47,000
Speaker 2: for mocktails and I can be like, what you want?

1655
01:15:47,040 --> 01:15:49,479
Speaker 2: You want to just a little bit of his ginger

1656
01:15:49,600 --> 01:15:52,720
Speaker 2: beer not beer? Oh yeah, I didn't think it was

1657
01:15:52,800 --> 01:15:54,920
Speaker 2: real beer. I did for a long time. Is that good?

1658
01:15:54,960 --> 01:15:56,960
Speaker 2: Have you had that? Yeah? It gives a little burn.

1659
01:15:57,760 --> 01:15:59,880
Speaker 7: What's in a Moscow mule no idea.

1660
01:16:00,120 --> 01:16:04,920
Speaker 2: However, I've never been carted for a mocktail, because who

1661
01:16:05,000 --> 01:16:07,519
Speaker 2: gets carded for a mocktail? It's mock Amy had carded

1662
01:16:07,560 --> 01:16:08,960
Speaker 2: for a mocktail? What Yeah?

1663
01:16:10,040 --> 01:16:12,160
Speaker 7: And actually Caitlin she ordered one too.

1664
01:16:12,240 --> 01:16:12,760
Speaker 6: I was with her.

1665
01:16:12,880 --> 01:16:14,680
Speaker 5: She got carted another girl and we were all like

1666
01:16:14,840 --> 01:16:18,560
Speaker 5: so confused and like what this is from the the

1667
01:16:19,080 --> 01:16:21,080
Speaker 5: mocktail part, but it said it was made with zero

1668
01:16:21,240 --> 01:16:24,519
Speaker 5: proof alcohol, so it tastes as if it's got the alcohol.

1669
01:16:24,760 --> 01:16:26,479
Speaker 2: Okay, I would get that a bit then.

1670
01:16:26,640 --> 01:16:29,800
Speaker 5: And then also the way when we asked the server

1671
01:16:30,000 --> 01:16:32,640
Speaker 5: about it, she made it seem as like, also, if

1672
01:16:32,720 --> 01:16:35,040
Speaker 5: it looks like we're handing you alcohol, we just like

1673
01:16:35,120 --> 01:16:37,080
Speaker 5: to cover our bases of like that.

1674
01:16:37,200 --> 01:16:38,920
Speaker 7: We were carting everybody no matter what.

1675
01:16:39,240 --> 01:16:41,439
Speaker 2: Maybe it's the Luke Brian, the lu Brian Barr thing

1676
01:16:41,439 --> 01:16:44,720
Speaker 2: where the kid disappeared. Turns out the bar was not

1677
01:16:45,640 --> 01:16:48,680
Speaker 2: a big factor of it. But maybe everyone now is

1678
01:16:48,720 --> 01:16:51,640
Speaker 2: a little tighter because of how vigilant they have to be.

1679
01:16:51,880 --> 01:16:53,760
Speaker 5: Yeah, they kind of gave us like a just go

1680
01:16:53,920 --> 01:16:56,680
Speaker 5: with a wink wink show with your ID. But what

1681
01:16:56,960 --> 01:17:00,480
Speaker 5: was weird is that Bobby like has never had us alcohol,

1682
01:17:00,520 --> 01:17:02,639
Speaker 5: and they said that there is like point zero zeros

1683
01:17:02,680 --> 01:17:05,040
Speaker 5: or zerzero one whatever of alcohol in there. So I'm like, well,

1684
01:17:05,040 --> 01:17:06,840
Speaker 5: what if you order a mocktail that has zero proof?

1685
01:17:06,920 --> 01:17:07,880
Speaker 3: But I've had kombucha.

1686
01:17:08,400 --> 01:17:12,360
Speaker 2: Okay, there are things that have alcohol in it that's

1687
01:17:12,439 --> 01:17:15,439
Speaker 2: not enough to be what alcohol is used for. Vanilla extracts, yeah,

1688
01:17:15,520 --> 01:17:18,560
Speaker 2: vanilla extract iso pearl. You ever had rum cake? A

1689
01:17:18,560 --> 01:17:21,200
Speaker 2: little shot of that little ie pearl rub and alcohol?

1690
01:17:22,960 --> 01:17:26,599
Speaker 2: That's not good, dude, rum cake? I'm not sure because

1691
01:17:26,600 --> 01:17:27,920
Speaker 2: I don't know what cakes are anymore. If you told

1692
01:17:27,920 --> 01:17:30,519
Speaker 2: me coffee cakes is not flavored like coffee, do you

1693
01:17:30,680 --> 01:17:31,880
Speaker 2: take do you eat the cake with rum?

1694
01:17:32,080 --> 01:17:32,120
Speaker 6: Or?

1695
01:17:32,160 --> 01:17:34,640
Speaker 2: Does it taste like rum? No? I don't know.

1696
01:17:34,920 --> 01:17:36,559
Speaker 7: Coffee cake just goes with coffe.

1697
01:17:36,640 --> 01:17:38,240
Speaker 2: No, I know, I've learned that the dumbest thing you

1698
01:17:38,280 --> 01:17:39,680
Speaker 2: ever heard. I thought it was flavored like coffee, so

1699
01:17:39,680 --> 01:17:41,840
Speaker 2: I'd never even try to taste it because I don't

1700
01:17:41,920 --> 01:17:44,519
Speaker 2: like coffee. So does rum cake taste like rum? Or?

1701
01:17:44,520 --> 01:17:45,800
Speaker 3: Do you eat that cake while you drink rum?

1702
01:17:45,880 --> 01:17:47,760
Speaker 2: I think they use rum to make that cake. Then

1703
01:17:47,800 --> 01:17:49,360
Speaker 2: that'll be fine. You can cook stuff like yeah, and

1704
01:17:49,400 --> 01:17:51,519
Speaker 2: it evaporates the alcohol. It's like when there's a steak

1705
01:17:51,640 --> 01:17:53,600
Speaker 2: like a Jack Daniel stay. At first, I was like,

1706
01:17:53,640 --> 01:17:54,920
Speaker 2: I don't want to get drunk on meat. I never

1707
01:17:55,040 --> 01:17:58,240
Speaker 2: had alcohol. It turns out they cook it that goes.

1708
01:17:58,640 --> 01:18:01,400
Speaker 2: But having zero poof alcohol to me is like having

1709
01:18:01,479 --> 01:18:03,960
Speaker 2: boxing gloves made of paper. What's the use?

1710
01:18:04,160 --> 01:18:04,200
Speaker 7: What?

1711
01:18:04,720 --> 01:18:04,840
Speaker 9: Oh?

1712
01:18:04,960 --> 01:18:06,920
Speaker 5: Well, some people really like the taste in the flavor

1713
01:18:06,960 --> 01:18:09,000
Speaker 5: if they're used to it, like the zero proof beers

1714
01:18:09,120 --> 01:18:09,880
Speaker 5: or whatever beers.

1715
01:18:09,920 --> 01:18:13,040
Speaker 2: I get, okay, But if it's just alcohol, like a vodka,

1716
01:18:13,080 --> 01:18:14,920
Speaker 2: that doesn't even you don't taste that, do you? No?

1717
01:18:15,120 --> 01:18:17,160
Speaker 4: But say you want like a margarita that has tequila

1718
01:18:17,200 --> 01:18:19,519
Speaker 4: in it, but you don't want the alcohol of tequila,

1719
01:18:19,600 --> 01:18:23,320
Speaker 4: but you want the taste of that margarita exactly, and

1720
01:18:23,439 --> 01:18:25,519
Speaker 4: you're I think Amy's right. It's for someone that probably

1721
01:18:25,600 --> 01:18:28,720
Speaker 4: wants that alcohol taste, but they quit drinking because like,

1722
01:18:28,800 --> 01:18:32,160
Speaker 4: if I've never had alcohol, I don't want to tequila margarita.

1723
01:18:32,320 --> 01:18:33,920
Speaker 5: Yeah, you're not gonna start just be like, oh, I

1724
01:18:33,960 --> 01:18:35,439
Speaker 5: can't wait to try zero proof beer.

1725
01:18:35,560 --> 01:18:37,599
Speaker 2: Yeah yeah, that's not good. That doesn't taste beer smells

1726
01:18:37,640 --> 01:18:40,280
Speaker 2: like pee. I like, there's no, I don't see there's

1727
01:18:40,280 --> 01:18:42,240
Speaker 2: any way I would drink that once or even twice,

1728
01:18:42,320 --> 01:18:44,080
Speaker 2: be like this tastes good. I feel like it'd be

1729
01:18:44,120 --> 01:18:47,040
Speaker 2: an a quiet taste, kind of like olives are to me. Yeah, okay,

1730
01:18:47,320 --> 01:18:48,080
Speaker 2: I hated olives.

1731
01:18:48,400 --> 01:18:49,280
Speaker 3: I eat them all day now.

1732
01:18:49,360 --> 01:18:50,760
Speaker 2: Yeah, because once you have a couple of beers, do

1733
01:18:50,840 --> 01:18:52,680
Speaker 2: they're like, it's like an olive. I like to go

1734
01:18:52,880 --> 01:18:55,280
Speaker 2: mo of the yard and need some olives after a

1735
01:18:55,400 --> 01:18:58,280
Speaker 2: nice cold All I know what you say about my beer. Yeah, man,

1736
01:18:58,600 --> 01:19:01,000
Speaker 2: we're out. Thank you guys. We'll see you tomorrow.

1737
01:19:01,360 --> 01:19:03,439
Speaker 3: By everybody, come on Bobby Bong's show.