1 00:00:00,120 --> 00:00:05,400 Speaker 1: Now here's a highlight from Coast to Coast AM on iHeartRadio. 2 00:00:04,600 --> 00:00:06,760 Speaker 2: And we are back with Daniel Burke who's joining us 3 00:00:06,760 --> 00:00:10,200 Speaker 2: live from his home base in Dublin, Ireland. He's a poet, author, 4 00:00:10,280 --> 00:00:14,600 Speaker 2: researcher and the brand new book is Telepathic Tales, Precognition 5 00:00:14,680 --> 00:00:18,279 Speaker 2: and Clairvoyance in Legend, Lyric and Lore. Before the break, Daniel, 6 00:00:18,320 --> 00:00:22,440 Speaker 2: I was asking you for a specific example, let's say, 7 00:00:22,480 --> 00:00:25,599 Speaker 2: of an historical figure. In this case, I think you 8 00:00:25,640 --> 00:00:32,160 Speaker 2: were discussing a playwright. It was basically changed forever by 9 00:00:34,320 --> 00:00:37,599 Speaker 2: some sort of a vision or crisis apparition. I think 10 00:00:37,600 --> 00:00:39,680 Speaker 2: this In this case, it was a crisis apparation, wasn't 11 00:00:39,680 --> 00:00:41,479 Speaker 2: it correct? 12 00:00:42,200 --> 00:00:44,720 Speaker 3: And there are so many examples of this through history 13 00:00:44,760 --> 00:00:49,519 Speaker 3: and with Belasco, it was this experience which kind of 14 00:00:49,600 --> 00:00:52,400 Speaker 3: instantiated his belief in ghosts in the first place, his 15 00:00:52,479 --> 00:00:56,040 Speaker 3: belief in an afterlife, and furthermore, he implemented aspects of 16 00:00:56,080 --> 00:00:58,600 Speaker 3: the experience into the play. And this is something that 17 00:00:58,640 --> 00:01:01,360 Speaker 3: we see through history too. With Shaw's Pig Maley and 18 00:01:01,400 --> 00:01:04,880 Speaker 3: another famous play. He had an experience in which he 19 00:01:05,200 --> 00:01:09,080 Speaker 3: claims to have visualized his wife in a dream long 20 00:01:09,120 --> 00:01:12,479 Speaker 3: ahead of their meeting and this is something surprisingly still 21 00:01:12,480 --> 00:01:16,520 Speaker 3: commonly reported today, and some aspect of that experience was 22 00:01:16,560 --> 00:01:21,720 Speaker 3: also implemented into the play. And these are these kinds 23 00:01:21,760 --> 00:01:25,440 Speaker 3: of impacts are kind of culturally relative to some degree, 24 00:01:26,760 --> 00:01:29,680 Speaker 3: because you know, in some cases, such as with the 25 00:01:29,760 --> 00:01:35,480 Speaker 3: Vardoga for example, the reaction is often not necessarily surprise 26 00:01:35,720 --> 00:01:38,520 Speaker 3: in certain cultures where it is expected to be the case. However, 27 00:01:38,560 --> 00:01:41,520 Speaker 3: again in some of these cases in the West, for example, 28 00:01:42,840 --> 00:01:45,800 Speaker 3: with these crisis operations, I think they're one of the 29 00:01:45,880 --> 00:01:49,600 Speaker 3: kind of overlooked areas which may have kind of brought 30 00:01:49,640 --> 00:01:52,400 Speaker 3: about belief in and afterlife in the first place, these 31 00:01:52,480 --> 00:01:54,960 Speaker 3: kinds of experiences, and this is kind of shown through 32 00:01:55,000 --> 00:01:57,400 Speaker 3: the types of accounts that you were asking for, because like, 33 00:01:57,440 --> 00:02:01,360 Speaker 3: for example, in nineteen eighteen, there was a very well 34 00:02:01,400 --> 00:02:06,160 Speaker 3: documented crisis account in which somebody called Missus Pointer received 35 00:02:06,640 --> 00:02:12,520 Speaker 3: the details of the death of a loved one the 36 00:02:12,520 --> 00:02:14,799 Speaker 3: appearance of an apparition of her brother Leslie at the 37 00:02:14,919 --> 00:02:16,960 Speaker 3: very moment it turned out that he had died at 38 00:02:17,000 --> 00:02:19,440 Speaker 3: a distance. Now her quote is, this is one of 39 00:02:19,480 --> 00:02:21,720 Speaker 3: the things that makes me know there's a second life. 40 00:02:22,280 --> 00:02:24,840 Speaker 3: And that's nineteen eighteen. But like somewhere in the realm 41 00:02:24,840 --> 00:02:27,720 Speaker 3: of one hundred years later, we have the very same 42 00:02:28,360 --> 00:02:33,280 Speaker 3: experiences imparting the same kinds of profound effects. In Melvin 43 00:02:33,320 --> 00:02:36,600 Speaker 3: Morris's work on near death experiences, and after an apariginal 44 00:02:36,680 --> 00:02:39,160 Speaker 3: encounter with her father at the very time of his death, 45 00:02:40,040 --> 00:02:43,520 Speaker 3: she claims that this dream, this Christ's apparition, this vertical 46 00:02:43,560 --> 00:02:46,760 Speaker 3: experience in which her inner world happened to correlate with 47 00:02:46,800 --> 00:02:48,880 Speaker 3: the outer world. And that's the main thing here, that's 48 00:02:48,880 --> 00:02:52,040 Speaker 3: the main surprise, in the main mystery. This is something 49 00:02:52,080 --> 00:02:55,120 Speaker 3: that actually saved her life. And quote unquote, now she 50 00:02:55,280 --> 00:02:59,000 Speaker 3: knows for sure that the soul continues. So these are 51 00:02:59,000 --> 00:03:02,200 Speaker 3: a profound experience, says another one, quote unquote from a 52 00:03:02,200 --> 00:03:05,560 Speaker 3: hospice nurse. All of this has convinced me that there 53 00:03:05,600 --> 00:03:08,160 Speaker 3: has to be something more after this life. So I 54 00:03:08,200 --> 00:03:12,640 Speaker 3: would say, whatever your view is on these experiences, whatever 55 00:03:12,680 --> 00:03:15,200 Speaker 3: your view is on the anecdote in general, or the 56 00:03:15,240 --> 00:03:21,760 Speaker 3: capacity to kind of extract meaningful truth from history, okay, 57 00:03:22,120 --> 00:03:26,080 Speaker 3: these are experiences which are greatly impacting the individual psychologically, 58 00:03:26,080 --> 00:03:30,280 Speaker 3: their entire worldview, and therefore they demand very, very much 59 00:03:30,320 --> 00:03:30,840 Speaker 3: more attention. 60 00:03:32,960 --> 00:03:38,200 Speaker 2: Your previous book was Crisis Apparitions, so you've studied crisis 61 00:03:38,200 --> 00:03:41,960 Speaker 2: apparations extensively before, and now you've included even more in 62 00:03:42,040 --> 00:03:46,600 Speaker 2: this new book, which would lead me to suspect perhaps 63 00:03:47,200 --> 00:03:51,720 Speaker 2: this is personal for you. Have you had experience a 64 00:03:51,840 --> 00:03:55,240 Speaker 2: crisis apparitions. 65 00:03:56,040 --> 00:04:01,400 Speaker 3: It's very interesting because I will say this, when I 66 00:04:01,560 --> 00:04:05,600 Speaker 3: began research for this book, none of my conscious impetus 67 00:04:05,800 --> 00:04:08,440 Speaker 3: was an experience of that kind. I myself at the 68 00:04:08,480 --> 00:04:12,040 Speaker 3: time wouldn't have considered myself necessary, or at least I 69 00:04:12,160 --> 00:04:14,440 Speaker 3: wasn't thinking about the fact of myself having had an 70 00:04:14,440 --> 00:04:20,000 Speaker 3: experience of that kind. However, those kinds of experiences have 71 00:04:20,320 --> 00:04:26,760 Speaker 3: been throughout my family for many years, and like my grandmother, 72 00:04:27,160 --> 00:04:31,000 Speaker 3: for example, would very like, very kind of, very solemnly 73 00:04:31,040 --> 00:04:35,120 Speaker 3: tell us of her experience, which was that when she 74 00:04:35,200 --> 00:04:39,040 Speaker 3: was lying on her bed at night watching television, relaxing, 75 00:04:39,640 --> 00:04:43,560 Speaker 3: her dead brother William walked into the room very simply, 76 00:04:43,960 --> 00:04:46,960 Speaker 3: very somberly. And that's something about these experiences is that 77 00:04:47,000 --> 00:04:50,599 Speaker 3: they're very much unembellished. They're not the chain clanking ghosts 78 00:04:50,640 --> 00:04:53,320 Speaker 3: of literature. Okay, they're not the kind of contrived ghost 79 00:04:53,360 --> 00:04:57,599 Speaker 3: stories that skeptics like to think that people have fun 80 00:04:57,680 --> 00:05:00,640 Speaker 3: making up. Okay, these are total and serious his tones 81 00:05:00,720 --> 00:05:05,520 Speaker 3: to people that are trusted, and he took his hat off, 82 00:05:05,839 --> 00:05:08,080 Speaker 3: made the very simple gesture of a bow and said 83 00:05:08,440 --> 00:05:11,440 Speaker 3: the very simple words Mary, which is my grandmother's name, 84 00:05:11,520 --> 00:05:14,159 Speaker 3: and then the simple words it's Holly, which was her 85 00:05:14,240 --> 00:05:17,400 Speaker 3: daughter's name. Okay, a few moments later, the phone call 86 00:05:17,480 --> 00:05:20,279 Speaker 3: came that my grandmother's daughter had been killed in a 87 00:05:20,320 --> 00:05:25,640 Speaker 3: car crush. Oh damn. Yeah, and that is something that 88 00:05:25,800 --> 00:05:28,360 Speaker 3: I hadn't thought of. This is what's interesting in relation 89 00:05:28,440 --> 00:05:31,719 Speaker 3: to your question. I hadn't thought of that experience until 90 00:05:31,760 --> 00:05:33,720 Speaker 3: maybe a year into the research for the book that 91 00:05:34,279 --> 00:05:38,200 Speaker 3: actually recalled that experience. And yeah, so there are other 92 00:05:38,680 --> 00:05:41,200 Speaker 3: experiences in my family, but I won't go through them 93 00:05:41,240 --> 00:05:42,880 Speaker 3: all unless you want to hear another one. I would 94 00:05:42,960 --> 00:05:44,120 Speaker 3: be happy to relate at least one more. 95 00:05:44,200 --> 00:05:47,400 Speaker 2: I would love to, But I'd love to hear another one, 96 00:05:47,440 --> 00:05:50,320 Speaker 2: and another one and another one. But before that, you 97 00:05:50,480 --> 00:05:54,360 Speaker 2: just said something that's very interesting. Well, everything you're saying 98 00:05:54,400 --> 00:05:58,400 Speaker 2: is interesting, but you hadn't something at it was in 99 00:05:58,440 --> 00:06:01,400 Speaker 2: the family. You knew the story, and that you even 100 00:06:01,400 --> 00:06:03,360 Speaker 2: though you're writing a book about it, you hadn't thought 101 00:06:03,400 --> 00:06:07,560 Speaker 2: about it. Something triggered that memory, and it's you know, 102 00:06:07,720 --> 00:06:11,159 Speaker 2: if something was in the family like that, you would 103 00:06:11,240 --> 00:06:15,440 Speaker 2: think it would be like the topic of every conversation, 104 00:06:15,960 --> 00:06:18,480 Speaker 2: you know, every time a family gathered. Remember, you know 105 00:06:18,600 --> 00:06:21,000 Speaker 2: what happened to Grandma and so forth. Well, something happened 106 00:06:21,040 --> 00:06:24,320 Speaker 2: to me like that. This was just I think I've 107 00:06:24,320 --> 00:06:26,760 Speaker 2: told the story before. Well, it was not a crisis apparition. 108 00:06:26,880 --> 00:06:30,000 Speaker 2: But after the day my father was buried a few 109 00:06:30,040 --> 00:06:32,680 Speaker 2: years or a few days into nineteen eighty seven, he 110 00:06:32,720 --> 00:06:35,360 Speaker 2: died New Year's Eve, nineteen eighty six, and I saw 111 00:06:35,400 --> 00:06:43,440 Speaker 2: my doppelganger hovering above me. And then years later when 112 00:06:43,440 --> 00:06:45,719 Speaker 2: I started to get into you know, this arena and 113 00:06:45,800 --> 00:06:48,920 Speaker 2: talking about the paranormal and stuff, and people would say, well, 114 00:06:49,000 --> 00:06:52,840 Speaker 2: is anything ever happened to you? You know, and I said, no, nothing, nothing. 115 00:06:53,160 --> 00:06:55,960 Speaker 2: I had completely blocked it out. And then I had 116 00:06:55,960 --> 00:06:58,800 Speaker 2: to think. And then one day I realized, you know, 117 00:06:59,120 --> 00:07:02,160 Speaker 2: like slap my fore ahead, what am I thinking? I mean, 118 00:07:02,200 --> 00:07:06,000 Speaker 2: that was at the time, it was, it was life altering. 119 00:07:06,520 --> 00:07:10,560 Speaker 2: I saw my doppelganger hovering above me. How, I mean, 120 00:07:10,600 --> 00:07:13,000 Speaker 2: how do we how do we shut those things out? 121 00:07:13,000 --> 00:07:13,800 Speaker 2: Why do we do that? 122 00:07:15,320 --> 00:07:19,880 Speaker 3: Yeah, that's an extraordinary experience, I mean, and you're it's 123 00:07:19,960 --> 00:07:22,320 Speaker 3: so interesting, isn't it, Because you're saying, like, really, this 124 00:07:22,400 --> 00:07:25,400 Speaker 3: is something that's like you've you saw your own doppelganger, Like, 125 00:07:25,440 --> 00:07:29,120 Speaker 3: how how could that not retain a place of importance 126 00:07:29,120 --> 00:07:30,960 Speaker 3: in my mind like such that I would keep speaking 127 00:07:30,960 --> 00:07:33,280 Speaker 3: about it, et cetera. It's so interesting how that's the case. 128 00:07:33,680 --> 00:07:37,000 Speaker 3: And then with my experience too, like how is it 129 00:07:37,080 --> 00:07:40,160 Speaker 3: that that's not something that I that came to mind, 130 00:07:40,440 --> 00:07:43,440 Speaker 3: either to inform the research or earlier on in the research. 131 00:07:43,520 --> 00:07:47,680 Speaker 3: It's so interesting? And yes, again, how is how are 132 00:07:47,720 --> 00:07:51,080 Speaker 3: these not topics of conversation around the kind of you know, 133 00:07:51,160 --> 00:07:54,040 Speaker 3: did the dinner table, et cetera. I mean, maybe to 134 00:07:54,080 --> 00:07:57,040 Speaker 3: some extent more superfluous kind of soup, if I can 135 00:07:57,160 --> 00:07:59,520 Speaker 3: use that term here, not to belittle anyone's experience, but 136 00:07:59,640 --> 00:08:03,760 Speaker 3: more kind of culturally accepted ghost stories may be told 137 00:08:03,800 --> 00:08:05,880 Speaker 3: in that regard, you know, like hunters or I saw 138 00:08:05,920 --> 00:08:08,200 Speaker 3: something in a window here or there. But yeah, these 139 00:08:08,240 --> 00:08:10,600 Speaker 3: are these experiences, as as we can see from some 140 00:08:10,640 --> 00:08:12,720 Speaker 3: of those quotes that I mentioned, like, these really are 141 00:08:13,320 --> 00:08:16,680 Speaker 3: and they can be very they can very much reorient 142 00:08:16,800 --> 00:08:19,960 Speaker 3: the individual's entire sense of their place in the cosmos 143 00:08:20,320 --> 00:08:22,360 Speaker 3: and what the nature of that cosmos is, and what 144 00:08:22,480 --> 00:08:25,520 Speaker 3: is the relationship between me and that and death and life, 145 00:08:26,040 --> 00:08:28,840 Speaker 3: and like what does this mean? So to some extent, 146 00:08:29,360 --> 00:08:31,520 Speaker 3: it's hard enough to talk about those questions to each other. 147 00:08:31,640 --> 00:08:35,240 Speaker 3: So if the experience is so strongly tied to those 148 00:08:35,320 --> 00:08:38,240 Speaker 3: kinds of existential questions which can bring on ease to 149 00:08:38,240 --> 00:08:41,560 Speaker 3: some extent, I can see why they aren't necessarily spoken about, 150 00:08:41,720 --> 00:08:44,480 Speaker 3: if only from that perspective, But certainly, of course one 151 00:08:44,520 --> 00:08:48,400 Speaker 3: of the main reasons would be, you know, the unwillingness 152 00:08:48,400 --> 00:08:52,320 Speaker 3: to share something so outside the realms of accepted daily reality, 153 00:08:52,760 --> 00:08:56,480 Speaker 3: and the unwillingness to kind of take the flack of 154 00:08:56,720 --> 00:08:59,719 Speaker 3: the you know, criticism of others, including loved ones. And 155 00:08:59,800 --> 00:09:02,560 Speaker 3: this actually, this actually is something that comes out in 156 00:09:02,600 --> 00:09:05,480 Speaker 3: the anthropology and ethnology too, because you will often see 157 00:09:05,480 --> 00:09:08,640 Speaker 3: these accounts kind of hidden away in the note sections, 158 00:09:09,280 --> 00:09:13,000 Speaker 3: or if I could find the reference. I mean, there 159 00:09:13,080 --> 00:09:16,280 Speaker 3: was one kind of anthropologists who's not only did he 160 00:09:16,400 --> 00:09:19,840 Speaker 3: kind of hide an experience he had the experience for example, 161 00:09:19,920 --> 00:09:22,520 Speaker 3: when he was going to meet an African tribe of 162 00:09:22,800 --> 00:09:24,560 Speaker 3: when he met them, when he met one of the 163 00:09:24,559 --> 00:09:27,240 Speaker 3: individuals there, the leader, he realized in that moment, oh, 164 00:09:27,640 --> 00:09:29,480 Speaker 3: this is the same person that I saw in a 165 00:09:29,559 --> 00:09:32,960 Speaker 3: dream like two nights ago. How interesting now he hid 166 00:09:32,960 --> 00:09:35,640 Speaker 3: that account away in the back of them in the 167 00:09:35,679 --> 00:09:38,440 Speaker 3: note section of his book, even though it was very 168 00:09:38,440 --> 00:09:41,760 Speaker 3: clearly an interesting and relevant anomaly to his work. And 169 00:09:42,000 --> 00:09:43,679 Speaker 3: it's not just that he hit it there. He actually 170 00:09:43,760 --> 00:09:46,360 Speaker 3: specified that the reason I hid it there is because 171 00:09:46,360 --> 00:09:48,880 Speaker 3: I didn't want to kind of incur the wrath of 172 00:09:48,920 --> 00:09:52,240 Speaker 3: my colleagues. And I think that really sums up why 173 00:09:52,240 --> 00:09:55,480 Speaker 3: these things are kind of less spoken about and kind 174 00:09:55,480 --> 00:09:57,520 Speaker 3: of special to the individual. 175 00:09:58,520 --> 00:10:01,079 Speaker 2: Well, it's one thing too decide you're not going to 176 00:10:01,120 --> 00:10:05,040 Speaker 2: speak about it, and I didn't except for a few 177 00:10:05,200 --> 00:10:08,400 Speaker 2: family members. I told them what had happened. But it's 178 00:10:08,440 --> 00:10:12,199 Speaker 2: another thing to completely shut it out of your own mind, 179 00:10:13,160 --> 00:10:15,520 Speaker 2: which is what happened to me for many, many years. 180 00:10:16,120 --> 00:10:19,160 Speaker 2: And I'm wondering maybe it's I don't know, self preservation, 181 00:10:19,360 --> 00:10:23,719 Speaker 2: a defense mechanism. Maybe I, deep down I didn't believe it. 182 00:10:25,240 --> 00:10:25,959 Speaker 2: Do you think you. 183 00:10:26,640 --> 00:10:29,240 Speaker 3: Yeah, literally, do you consciously shut it out or did 184 00:10:29,280 --> 00:10:32,920 Speaker 3: you kind of realize years later that maybe I'm surprised 185 00:10:32,920 --> 00:10:34,520 Speaker 3: that I haven't thought about this as much as I 186 00:10:34,559 --> 00:10:34,960 Speaker 3: should have. 187 00:10:35,640 --> 00:10:39,800 Speaker 2: It's the latter I was surprised. Had I mean, I 188 00:10:39,840 --> 00:10:42,840 Speaker 2: remember at the time it had totally rocked my world, 189 00:10:42,880 --> 00:10:48,920 Speaker 2: and why wouldn't it? And then through the passage of time, 190 00:10:49,040 --> 00:10:51,920 Speaker 2: I just forgot about it. How do you forget something 191 00:10:52,080 --> 00:10:54,959 Speaker 2: like that? I don't know, But now I think about it, 192 00:10:55,240 --> 00:10:58,000 Speaker 2: you know, probably a couple of times a month and 193 00:10:58,040 --> 00:11:01,200 Speaker 2: then and since then, I've had other experiences. I won't 194 00:11:01,240 --> 00:11:03,480 Speaker 2: go into now because I'm more interested in what you 195 00:11:03,559 --> 00:11:08,520 Speaker 2: have to say. But okay, so tell me more about 196 00:11:08,559 --> 00:11:11,960 Speaker 2: some of these. You know, in the family crisis apparitions 197 00:11:12,320 --> 00:11:14,199 Speaker 2: you shared the one about your grandmother. What else have 198 00:11:14,280 --> 00:11:16,280 Speaker 2: you got? I absolutely will. 199 00:11:16,320 --> 00:11:17,800 Speaker 3: Do you mind if I speak a little more to 200 00:11:17,840 --> 00:11:20,400 Speaker 3: that point too, very quickly, first, if that's okay, please 201 00:11:20,600 --> 00:11:23,559 Speaker 3: about your experience, because I think it's very interesting. One 202 00:11:23,600 --> 00:11:27,240 Speaker 3: of the main reasons possibly at these experiences such as yours, 203 00:11:27,360 --> 00:11:30,120 Speaker 3: when you realize you think back years later and say, wow, 204 00:11:30,160 --> 00:11:31,680 Speaker 3: why haven't I thought of that for so long? It's 205 00:11:32,240 --> 00:11:34,559 Speaker 3: the problem is that, at least for a lot of 206 00:11:34,679 --> 00:11:37,760 Speaker 3: us in the Western world, there really isn't a framework 207 00:11:37,800 --> 00:11:40,240 Speaker 3: within which to kind of place it. There's nowhere to 208 00:11:40,440 --> 00:11:44,240 Speaker 3: very easily contextualize it. There's no cosmology to easily kind 209 00:11:44,240 --> 00:11:47,760 Speaker 3: of appeal to in order to just kind of casually 210 00:11:47,920 --> 00:11:50,840 Speaker 3: put this experience away like every other experience that we 211 00:11:50,880 --> 00:11:54,240 Speaker 3: may casually put away, like a dream, for example. But 212 00:11:54,320 --> 00:11:56,040 Speaker 3: this isn't the case all over the world. And that's 213 00:11:56,160 --> 00:12:00,920 Speaker 3: again speaking interestingly to these kind of relative reactions. Just 214 00:12:00,960 --> 00:12:03,000 Speaker 3: as a very quick example for our return to your regression, 215 00:12:03,000 --> 00:12:06,840 Speaker 3: a very quick example would be, like these experiences, it's 216 00:12:07,120 --> 00:12:10,120 Speaker 3: that I mentioned of dejah reve the individual may not 217 00:12:10,160 --> 00:12:12,200 Speaker 3: only dream a person ahead of time, but a place. 218 00:12:12,559 --> 00:12:15,800 Speaker 3: For example, one may come upon a place and this 219 00:12:15,880 --> 00:12:18,160 Speaker 3: isn't again, this isn't deja vu, This isn't oh I 220 00:12:18,200 --> 00:12:20,200 Speaker 3: feel like I've been here before. This is somebody who 221 00:12:20,520 --> 00:12:23,920 Speaker 3: very specifically knows they dreamed of this place before, or 222 00:12:24,040 --> 00:12:27,040 Speaker 3: envision before, and in some cases actually recorded this in 223 00:12:27,080 --> 00:12:29,760 Speaker 3: their journal before having arrived there. Now, my point is 224 00:12:31,000 --> 00:12:32,920 Speaker 3: that excuse me that it can be very challenging for 225 00:12:33,000 --> 00:12:35,880 Speaker 3: us to easily place that kind of in any kind 226 00:12:35,920 --> 00:12:38,400 Speaker 3: of reasonable context where we can understand it. So we 227 00:12:38,440 --> 00:12:39,920 Speaker 3: place it kind of in the back of our minds. 228 00:12:40,120 --> 00:12:43,200 Speaker 3: But for somewhere, for example, in South Indonesia, among the 229 00:12:43,200 --> 00:12:47,240 Speaker 3: Tarajian tribe, for example, Okay, they have true dreams called tindo, 230 00:12:47,480 --> 00:12:50,199 Speaker 3: and those are considered real experiences in which the actual 231 00:12:50,280 --> 00:12:53,280 Speaker 3: spirit or mind of the individual may attain accurate and 232 00:12:53,360 --> 00:12:58,760 Speaker 3: legitimate information. Why because it's it's simply understood that many 233 00:12:58,760 --> 00:13:02,120 Speaker 3: of the individual's life be foreshadows and dreams. Why because 234 00:13:02,280 --> 00:13:04,960 Speaker 3: the spirit can leave the body. Okay, it will do 235 00:13:05,080 --> 00:13:08,600 Speaker 3: so at night. And therefore when you see somewhere that 236 00:13:08,640 --> 00:13:10,760 Speaker 3: you have never been before and recognize it, the simple 237 00:13:10,800 --> 00:13:14,040 Speaker 3: explanation for them is, oh, my spirit was here before. 238 00:13:14,320 --> 00:13:16,560 Speaker 3: Very simple. For us, we don't have that. And that 239 00:13:16,640 --> 00:13:18,000 Speaker 3: was just a little point I wanted to make because 240 00:13:18,000 --> 00:13:20,880 Speaker 3: it can be quite interesting to see those different cultural reactions. 241 00:13:21,880 --> 00:13:29,520 Speaker 4: Right, yeah, right, okay, yeah, back to your family. So 242 00:13:29,600 --> 00:13:32,600 Speaker 4: to be honest, yeah, there are multiple experiences here like 243 00:13:32,679 --> 00:13:36,320 Speaker 4: for instance, and in Ireland, actually in my home country. 244 00:13:36,400 --> 00:13:39,800 Speaker 4: These experiences do have something of a pedigree. Now, they 245 00:13:39,800 --> 00:13:44,079 Speaker 4: haven't been given great treatment overall, they haven't been really 246 00:13:44,120 --> 00:13:46,280 Speaker 4: paid enough attention to, but they do have a pedigree 247 00:13:46,320 --> 00:13:48,520 Speaker 4: and they do have a name. For example, here we 248 00:13:48,600 --> 00:13:52,320 Speaker 4: may call them, we may call it the fetch. These 249 00:13:52,360 --> 00:13:54,719 Speaker 4: are the these experiences of the fetch, which is kind 250 00:13:54,720 --> 00:13:57,439 Speaker 4: of the soul or spirit or double of the individual 251 00:13:57,480 --> 00:13:59,319 Speaker 4: which may turn up at death in order to kind 252 00:13:59,320 --> 00:14:03,280 Speaker 4: of let the individual no of its fate. Now regarding 253 00:14:03,320 --> 00:14:08,760 Speaker 4: my family again, like I my brother, for example, he 254 00:14:10,640 --> 00:14:11,400 Speaker 4: was on the bus. 255 00:14:11,640 --> 00:14:13,920 Speaker 3: This is many years ago now, and he was on 256 00:14:13,960 --> 00:14:18,040 Speaker 3: the way to school and he just very simply saw 257 00:14:18,080 --> 00:14:21,920 Speaker 3: one of our classmates walking his dog. And I wasn't 258 00:14:22,360 --> 00:14:25,080 Speaker 3: in school that day, and Norton, I was with my cousin, 259 00:14:25,640 --> 00:14:30,800 Speaker 3: and we knew something that he didn't know. And so 260 00:14:30,840 --> 00:14:33,240 Speaker 3: when he came back and just kind of told us, oh, 261 00:14:33,280 --> 00:14:36,160 Speaker 3: I saw such and such walking his dog today, Well, 262 00:14:36,200 --> 00:14:40,000 Speaker 3: we informed him that that person had actually died earlier, 263 00:14:40,280 --> 00:14:44,160 Speaker 3: sorry not early, that the previous day, and he had 264 00:14:44,200 --> 00:14:46,200 Speaker 3: no idea that that was the case. So we were 265 00:14:46,520 --> 00:14:48,800 Speaker 3: quite shocked to discover that he had seen that person. 266 00:14:49,760 --> 00:14:52,840 Speaker 3: And this is this before I move on to another camp, 267 00:14:52,920 --> 00:14:54,760 Speaker 3: this brings out something interesting. Like in the book, I 268 00:14:54,760 --> 00:14:59,040 Speaker 3: have a chapter called Revenance Rates and Disinterested Shades, And 269 00:14:59,040 --> 00:15:00,920 Speaker 3: that's something I really want to focus in on, is 270 00:15:00,920 --> 00:15:05,320 Speaker 3: that in these experiences, in these crisis operations, often it's 271 00:15:05,320 --> 00:15:08,400 Speaker 3: that simple. It's seeing somebody walking a dog, it's seeing 272 00:15:08,440 --> 00:15:13,000 Speaker 3: somebody going about their daily life. It isn't this vast 273 00:15:13,080 --> 00:15:16,840 Speaker 3: kind of psychologically complex, kind of embellished, culturally kind of 274 00:15:17,200 --> 00:15:22,560 Speaker 3: effaced message or meaningful, seemingly meaningful thing. It's just a 275 00:15:22,640 --> 00:15:26,000 Speaker 3: site of visual a sighting and then later some sort 276 00:15:26,040 --> 00:15:27,720 Speaker 3: of correlation with the external world. 277 00:15:28,120 --> 00:15:31,360 Speaker 1: Listen to more Coast to Coast AM every weeknight at 278 00:15:31,400 --> 00:15:34,640 Speaker 1: one am Eastern, and go to Coast to coastam dot 279 00:15:34,680 --> 00:15:35,480 Speaker 1: com for more