WEBVTT - How a Flea Circus Works

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<v Speaker 1>uh go to s F Sketch Fest dot com Oakland,

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<v Speaker 1>San Francisco. We will see you soon. Welcome to stuff

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<v Speaker 1>you should know from how Stuff Works dot Com. Hey,

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<v Speaker 1>and welcome to the podcast. I'm Josh Clark, and there's

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<v Speaker 1>Charles W. Chuck Bryant, and there's Jerry Roland and that

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<v Speaker 1>makes this stuff. You should know the podcast. Yeah, who

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<v Speaker 1>would have ever thought that we could do more than

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<v Speaker 1>one podcast on fleas? Had I thought about flea circuses,

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<v Speaker 1>I would have thought that. Yeah, we covered it a

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<v Speaker 1>tiny little bit. I went back and looked just to

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<v Speaker 1>make sure we weren't being too redundant, and uh, we

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<v Speaker 1>just sort of mentioned it briefly. But how delightful to

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<v Speaker 1>dig in even further. Yeah, I mean, like, there's no

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<v Speaker 1>way that we really got into it because it's one

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<v Speaker 1>of like the least documented aspects of popular culture I've

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<v Speaker 1>ever come across, man, And there's so much misinformation, and

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<v Speaker 1>you run across people who act like they know exactly

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<v Speaker 1>what they're talking about, and then you do more research

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<v Speaker 1>and you find out they really are wrong in a

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<v Speaker 1>lot of it. It's it's really it was crazy. It

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<v Speaker 1>was a crazy research. Yeah, and you go to web

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<v Speaker 1>pages that are solid green with white letters punctuation. What's that? Yeah,

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<v Speaker 1>it was a little weird, but yeah, people take us

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<v Speaker 1>to task on the accuracy of this one. Then we'll

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<v Speaker 1>be like you, you go do better. So um, I

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<v Speaker 1>think we kind of gave it away. The cats out

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<v Speaker 1>of the bag, and so are it's fleas. We're doing

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<v Speaker 1>flee circuses. We're talking about flee circuses, and they actually,

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<v Speaker 1>like I think of police circus is fairly old timey,

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<v Speaker 1>but I usually think of him as like the twenties

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<v Speaker 1>or thirties, maybe even the forties from like that old

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<v Speaker 1>tech savery flee circus cartoons or um. But they go

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<v Speaker 1>way further back than that, or even the concept of

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<v Speaker 1>of training fleas in some way, shape or form goes

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<v Speaker 1>even further back than that. Yeah, which will we'll get

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<v Speaker 1>to it. But training them as a bit of a misnomer, Yeah,

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<v Speaker 1>that's a stretch for sure. It's sort of like tying

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<v Speaker 1>and gluing things to fleas and just let them be fleas. Yeah, basically,

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<v Speaker 1>as you will probably come to the same conclusion, flee

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<v Speaker 1>circuses are really mean. Yeah, they're cruel. No matter how

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<v Speaker 1>you feel about flease they are. Yeah, they're cruel, cruel

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<v Speaker 1>acts of barbarity. I think that's how the East to

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<v Speaker 1>buille it. Actually, Yeah, tiny cruel acts of barbarity comes

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<v Speaker 1>see Professor long Hair and his flee circus which torments

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<v Speaker 1>but they're small, so who cares? Right? Uh? So fifteen

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<v Speaker 1>seventies is uh. If this is accurate, we're all gonna

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<v Speaker 1>go all the way back to a man named Mark

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<v Speaker 1>Scalliot who uh did not have a flee circus, but

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<v Speaker 1>he was supposedly in London one of the first people,

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<v Speaker 1>or perhaps the first person to use a flee as

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<v Speaker 1>a prop of some sort. Yeah, to basically show off

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<v Speaker 1>his skills as what as a he was a blacksmith. Yeah,

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<v Speaker 1>it was a smithy. And he made like this really

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<v Speaker 1>really tiny intricate caller that he put around to flee

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<v Speaker 1>and he said, check this out. Yeah, and everyone was.

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<v Speaker 1>I guess because this apparently other people, uh like watchmakers

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<v Speaker 1>and stuff would would make little tiny watches as well

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<v Speaker 1>as gimmicks. But I guess the thing they were trying

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<v Speaker 1>to show is the only thing I can think of

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<v Speaker 1>is if I can make something this tiny that works,

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<v Speaker 1>imagine what a real size human watch would look like.

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<v Speaker 1>It would work even better. But he got kind of

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<v Speaker 1>famous from it from what I understand, and the idea

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<v Speaker 1>of using fleas called on kind of kind of well,

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<v Speaker 1>it took a couple of hundred years. But if if

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<v Speaker 1>you look into fleas and flee circuses, like I just

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<v Speaker 1>took him for granted, I never stopped and thought why fleas,

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<v Speaker 1>But there's actually really good reasons why fleas, and it

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<v Speaker 1>has to do with For one, fleas used to be everywhere,

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<v Speaker 1>Like no matter where you lived in the world, you

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<v Speaker 1>shared your living space with fleas, which must have been

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<v Speaker 1>pretty awful. But apparently it was just a fact of life.

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<v Speaker 1>So that's one thing. They're ubiquitous, they're easy to come by.

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<v Speaker 1>The other one is that fleas are really really good

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<v Speaker 1>at jumping, and that actually makes them, under the right circumstances,

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<v Speaker 1>really good for this flee circus idea. Yeah, and we

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<v Speaker 1>we you know, if you really want to itch yourself, uh,

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<v Speaker 1>go to listen to the fleet episode. Um. But they

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<v Speaker 1>come in a couple of thousand varieties, and the ones,

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<v Speaker 1>apparently for circuses are the little flat, reddish brown ones

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<v Speaker 1>about two point five millimeters in length, and um, they

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<v Speaker 1>can jump though two point five millimeters. They can jump

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<v Speaker 1>sometimes as high as eight nine inches in the air.

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<v Speaker 1>I saw it to ten. Oh, well, where you getting

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<v Speaker 1>that was from? The Royal Air Force experimental station. They

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<v Speaker 1>apparently set up some equipment in the sixties and we're

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<v Speaker 1>photographing fleas jumping. Oh yeah, see here that they said

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<v Speaker 1>that um, at the start of a jump, a flea jump,

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<v Speaker 1>they experienced forces greater than a hundred and forty times

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<v Speaker 1>out of gravity. Yeah, that's crazy. Yeah. They have these

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<v Speaker 1>little um what are called elastic cuticles in their legs

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<v Speaker 1>and they can store a tremendous amount of potential energy,

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<v Speaker 1>and when they release them and they jump, that potential

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<v Speaker 1>energy turns into kinetic energy. And since that it's basically

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<v Speaker 1>this elastic um connector that's really storing the energy, they're

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<v Speaker 1>not having to use up a lot of their own.

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<v Speaker 1>So they can jump like this, like thousands of times

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<v Speaker 1>in an hour. And apparently when they jump. I don't

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<v Speaker 1>I'm sure we said something somewhat contradictory in the actual

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<v Speaker 1>Fleas episode, but the relation of their jumps to their

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<v Speaker 1>body size, um, it compared to humans of like us

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<v Speaker 1>jumping over the Statue of Liberty or something along those lines,

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<v Speaker 1>which is very hard to do, ken harder every day. Man.

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<v Speaker 1>I was kind of thinking about these fleas jumping and

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<v Speaker 1>like evolutionarily speaking why, And I guess they're just so

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<v Speaker 1>small that when a dog goes to scratch or bite

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<v Speaker 1>at it, or whatever animal tried to get the fleet off,

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<v Speaker 1>they can't just be like, well, let me run away

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<v Speaker 1>as fast as I can, because the dog's bite will

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<v Speaker 1>still get it. So they learned, I think, quite literally,

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<v Speaker 1>how to jump and get the heck out of there

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<v Speaker 1>very very quickly in order to survive. And the coolest

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<v Speaker 1>fleas make the Bionic Man sound when they jump if

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<v Speaker 1>you listen really close. All the hipster fleas, right. Uh so,

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<v Speaker 1>I guess we should talk about the main dude though, right,

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<v Speaker 1>who we owe all of us owe a great debt too.

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<v Speaker 1>I'm not saying his name, you know, you've got to

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<v Speaker 1>say his name. This is the eight teen twenties, and

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<v Speaker 1>uh he was an Italian impresario in London named Louis

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<v Speaker 1>Berte Lotto nice. Yes, yeah, there's so many ohs and

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<v Speaker 1>t s. I thought I messed it up. No, I

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<v Speaker 1>know it's a it's an unusual name. Yeah. So he's

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<v Speaker 1>the guy in London who said, uh, I want to

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<v Speaker 1>be really famous one day, and my big idea is

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<v Speaker 1>to take fleas and put them in shows. Yeah, and

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<v Speaker 1>it worked. It did work. I saw somewhere that the

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<v Speaker 1>the origination of flee circuses it was um due largely

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<v Speaker 1>to him. But I didn't really see anybody else sighted

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<v Speaker 1>earlier than him. You know, the watchmaker, the smithy, Um Mark, Mark,

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<v Speaker 1>the blacksmith. He wasn't doing any kind of shows or tricks.

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<v Speaker 1>Louis Berte Lotto Um said, you know what, the fleas

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<v Speaker 1>aren't props. The fleas are going to be the stars

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<v Speaker 1>in my show. That's right, And I think he may

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<v Speaker 1>have been the one who had the the original idea

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<v Speaker 1>to do this. Yeah, I love our own article said

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<v Speaker 1>his show was part action, part humor, part social commentary.

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<v Speaker 1>But I think that was the case. You know, they would, uh,

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<v Speaker 1>well we might as well talk about what these things did.

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<v Speaker 1>They would do everything from high wire x to uh

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<v Speaker 1>sword fighting too, uh. Political and historical re enactments. Yeah.

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<v Speaker 1>They re enacted the Battle of Waterloo dressed dressed in

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<v Speaker 1>like military garb. Yeah. They would play a soccer or football. Uh.

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<v Speaker 1>They would do um, high diving, pretty amazing stuff, the

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<v Speaker 1>little pools of water. They would a little chariots and carriages. Yeah,

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<v Speaker 1>that was one of the first ones. Because you know,

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<v Speaker 1>I think, especially back in the early nineteenth century, people

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<v Speaker 1>didn't know everything there is to know about fleas like

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<v Speaker 1>we do today. So the idea of watching a little, tiny,

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<v Speaker 1>tiny flee, like a three millimeter long flee pulling like

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<v Speaker 1>a hearse or a chariot or a cart um that was,

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<v Speaker 1>you know, hundreds of times its own weight. Any better,

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<v Speaker 1>it's gonna it's gonna impress you, especially if you're a

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<v Speaker 1>five year old Chimney sweet who's owned by the guy

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<v Speaker 1>who bought you from your parents. Yeah. Or I actually

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<v Speaker 1>looked up some flea circuses on YouTube. Uh there were

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<v Speaker 1>just little kids. There was one and I think Denmark

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<v Speaker 1>in the nineteen fifties that I looked at. I saw

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<v Speaker 1>that and like in Telfair, Yeah, people were just delighted.

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<v Speaker 1>Oh yeah, I mean I watched some of the videos too,

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<v Speaker 1>and I noticed that, like my hands were classed together

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<v Speaker 1>beneath my chin. I think it might have been the

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<v Speaker 1>perfect post election uh youtubing that I could have done. Actually, yeah,

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<v Speaker 1>it worked pretty well. Uh so Bert sorry, Bert, his

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<v Speaker 1>uh his act was not small if you think, well,

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<v Speaker 1>sure he did this at some county fairs and sideshows

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<v Speaker 1>uh and then his wife made him stop. Yeah, not

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<v Speaker 1>true at all. He actually got really famous for this.

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<v Speaker 1>I don't know. I mean they likened him to Elvis Presley.

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<v Speaker 1>I don't know if he was that big. I think

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<v Speaker 1>the point the authors making is like that this guy

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<v Speaker 1>wasn't some some like, he wasn't Internet famous, he was

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<v Speaker 1>like famous famous, Like he traveled the world doing this.

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<v Speaker 1>It's good for him, right, Yeah, And he didn't. As

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<v Speaker 1>he traveled the world, people were like, I can do

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<v Speaker 1>that too. Tired of working, I want to do this.

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<v Speaker 1>But it turns out that from what I can tell,

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<v Speaker 1>as far as showbiz goes, running your own flee circus

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<v Speaker 1>has got to be one of the more demanding side

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<v Speaker 1>shows there there are. Well sure, I mean part of

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<v Speaker 1>the problem is your performers. Well, first of all, it

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<v Speaker 1>says in here and this is like again with this research,

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<v Speaker 1>you just sort of have to take some of these

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<v Speaker 1>people at their word. But they say that about one

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<v Speaker 1>in tin fleas can even make the cut, right. Uh.

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<v Speaker 1>Once you find your your champion team of they're they're

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<v Speaker 1>gonna die and there need to be cared for and

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<v Speaker 1>traveling all over the world with your prized fleas is precarious. Well, yeah.

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<v Speaker 1>Especially um, if you're traveling to do shows and colder

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<v Speaker 1>climbs there aren't fleas, and fleas don't do very well there.

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<v Speaker 1>Your whole troop may die the night before a show.

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<v Speaker 1>Can you imagine? But apparently it happened a lot. There

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<v Speaker 1>was a guy I read and I'm not quite sure

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<v Speaker 1>who it was, but they he had a a standing

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<v Speaker 1>gig in I think Switzerland maybe or somewhere somewhat northern Europe,

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<v Speaker 1>and he had to send down No she I'm sorry,

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<v Speaker 1>she had to send down to Majorca to get um

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<v Speaker 1>fresh shipments of fleas like every two weeks because hers

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<v Speaker 1>just kept She couldn't keep them alive any longer than Yes,

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<v Speaker 1>I have offers from all over the world to take

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<v Speaker 1>my show, but you're afraid of one thing when you

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<v Speaker 1>get out of the country, can you at fleas? I

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<v Speaker 1>went to Sweden and I had to send to ma

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<v Speaker 1>Yorka in Spain to get fleas fortnite every fortnight. Who

0:13:06.280 --> 0:13:09.880
<v Speaker 1>was that? It was a woman a sword swallower right? Uh?

0:13:10.040 --> 0:13:13.400
<v Speaker 1>Was that Professor Tomlin? No, I can't remember her name,

0:13:13.440 --> 0:13:18.400
<v Speaker 1>but she's like a legendary sword swallower. Um professor tests No,

0:13:18.480 --> 0:13:22.160
<v Speaker 1>Professor Chester. No, none of the professors, And that was

0:13:22.200 --> 0:13:24.439
<v Speaker 1>another thing I noticed from this too, but I couldn't

0:13:24.440 --> 0:13:27.560
<v Speaker 1>really find the origin. Apparently, if you had a flee

0:13:27.640 --> 0:13:30.480
<v Speaker 1>circuses from from like the nineteenth century to the early

0:13:30.480 --> 0:13:35.280
<v Speaker 1>twentieth century, you the flea master, build yourself as professor

0:13:35.200 --> 0:13:38.760
<v Speaker 1>or whatever. So there's just all these really weird trends.

0:13:38.800 --> 0:13:41.800
<v Speaker 1>But the in the history of flee circuses, it was

0:13:41.840 --> 0:13:44.160
<v Speaker 1>like one person would come up with an idea and

0:13:44.200 --> 0:13:46.600
<v Speaker 1>then they go and show it and for some reason

0:13:46.640 --> 0:13:49.360
<v Speaker 1>it would attract a bunch of other imitators, and that's

0:13:49.440 --> 0:13:51.360
<v Speaker 1>that's basically the history of it. I would have built

0:13:51.440 --> 0:13:55.400
<v Speaker 1>myself as account oh man, you know, that would have

0:13:55.480 --> 0:13:58.080
<v Speaker 1>broken new ground. But they would have to pay money.

0:13:58.120 --> 0:14:01.200
<v Speaker 1>And this says in the nineteen fifties professors still said

0:14:01.320 --> 0:14:03.360
<v Speaker 1>we pay six shillings a dozen, although there have been

0:14:03.400 --> 0:14:05.800
<v Speaker 1>times of shortage when a single flea has cost as

0:14:05.840 --> 0:14:08.679
<v Speaker 1>much as two shillings. Well, you know, also, if you

0:14:08.800 --> 0:14:12.360
<v Speaker 1>look around today, at which I did, I couldn't find

0:14:12.360 --> 0:14:15.880
<v Speaker 1>anywhere to buy fleas. You have to send off for

0:14:16.000 --> 0:14:20.160
<v Speaker 1>um overseas um. But I've thought, surely there's some weirdo

0:14:20.520 --> 0:14:24.640
<v Speaker 1>somewhere who's selling fleas to flee circuses and there are none,

0:14:25.760 --> 0:14:30.160
<v Speaker 1>none whatsoever. Well, there is a flee circus in Germany. Still, yeah,

0:14:30.240 --> 0:14:33.800
<v Speaker 1>at the Munich October Fest. Where else would you have one?

0:14:35.080 --> 0:14:39.480
<v Speaker 1>Oh it's Mimi Gono, that was her name, the flee circus,

0:14:39.560 --> 0:14:42.560
<v Speaker 1>uh woman? Okay, yeah, alright, so you wanna take a

0:14:42.600 --> 0:14:46.040
<v Speaker 1>little break here, Yeah, all right, well let's break. Let's

0:14:46.040 --> 0:14:49.000
<v Speaker 1>go pick the fleas from our own bodies. I know,

0:14:49.080 --> 0:14:51.480
<v Speaker 1>I'm I'm itching or scratching. Then maybe we can train

0:14:51.560 --> 0:15:19.440
<v Speaker 1>them to finish this episode for us. So, Chuck, we

0:15:19.440 --> 0:15:21.760
<v Speaker 1>we kind of made it as far as Bertie Lotto,

0:15:21.960 --> 0:15:24.000
<v Speaker 1>and there's actually a lot of mystery surrounding that guy.

0:15:24.920 --> 0:15:27.040
<v Speaker 1>Here's the weird thing. Okay, I'm going to confess something

0:15:27.080 --> 0:15:30.560
<v Speaker 1>to you. When I first read this article, I was like, well,

0:15:30.760 --> 0:15:33.800
<v Speaker 1>here's a stinker. Then I dug in a little further

0:15:33.880 --> 0:15:37.360
<v Speaker 1>and I was like, oh, I'm being tortured with research

0:15:37.440 --> 0:15:39.120
<v Speaker 1>to do a stinker. And then the more I did,

0:15:39.240 --> 0:15:41.120
<v Speaker 1>the more I did, the more I dug in, I'd

0:15:41.120 --> 0:15:43.760
<v Speaker 1>find these weird little things that kept popping up that

0:15:44.360 --> 0:15:49.480
<v Speaker 1>combined create the the the history or the culture of

0:15:49.600 --> 0:15:53.120
<v Speaker 1>flea circuses. And and the more I came upon these

0:15:53.120 --> 0:15:54.880
<v Speaker 1>little things and putting them together more the more. I

0:15:54.920 --> 0:15:57.480
<v Speaker 1>was just totally delighted. But then I think, like you

0:15:57.800 --> 0:16:00.000
<v Speaker 1>when I when I finally hit YouTube and it was like, okay,

0:16:00.040 --> 0:16:01.800
<v Speaker 1>I need to see some of these. Then I was like,

0:16:02.160 --> 0:16:04.920
<v Speaker 1>I love flee circuses. I could sit here and talk

0:16:04.960 --> 0:16:09.160
<v Speaker 1>about him all day. Well, we'll try and keep this

0:16:09.200 --> 0:16:12.640
<v Speaker 1>all day. So I just realized I didn't finish my thought.

0:16:12.920 --> 0:16:15.440
<v Speaker 1>The um the weird little thing that I found out

0:16:15.480 --> 0:16:24.000
<v Speaker 1>about Professor bar Lolo, thanks man Um, he just vanished,

0:16:24.080 --> 0:16:28.120
<v Speaker 1>he disappeared. He was like as famous as as an astronaut,

0:16:28.440 --> 0:16:30.600
<v Speaker 1>and then all of a sudden he's gone. And there's

0:16:30.600 --> 0:16:34.560
<v Speaker 1>a guy um who is uh. I think his name

0:16:34.600 --> 0:16:39.080
<v Speaker 1>is Andy Rich. He's like basically the foremost Flee circus

0:16:39.080 --> 0:16:44.840
<v Speaker 1>researcher working today. And he found Professor Berto Lotto. Apparently

0:16:44.880 --> 0:16:47.160
<v Speaker 1>he moved to Canada and lived out the rest of

0:16:47.160 --> 0:16:50.680
<v Speaker 1>his life and anonymity. Wow, yeah, I have a question.

0:16:51.360 --> 0:16:54.720
<v Speaker 1>Why do you always use asked not as a fame indicator,

0:16:55.320 --> 0:16:59.960
<v Speaker 1>it's uh, it's as Simpsons reference. It's Homer was saying,

0:17:00.000 --> 0:17:03.880
<v Speaker 1>somebody who's richer than an astronat. I was gonna challenge

0:17:03.880 --> 0:17:08.239
<v Speaker 1>you and say, name an astronaut. Oh, dude, Jim Lovell No, no, no,

0:17:08.400 --> 0:17:11.400
<v Speaker 1>name a current astronaut. Oh current astronat We got Mark

0:17:11.480 --> 0:17:16.400
<v Speaker 1>Kelly and Scott Kelly. Okay, alright, t get back off.

0:17:16.520 --> 0:17:19.879
<v Speaker 1>Then her their parents called them Project Jim and I,

0:17:20.560 --> 0:17:22.720
<v Speaker 1>oh that's cute. But they think they not just made

0:17:22.720 --> 0:17:25.919
<v Speaker 1>that up? Oh really? Yeah? Oh man, that would have

0:17:25.960 --> 0:17:29.919
<v Speaker 1>been surely someone as I thought of that. If not,

0:17:30.000 --> 0:17:33.320
<v Speaker 1>I'm gonna trade market. Uh yeah, and then you could

0:17:33.720 --> 0:17:38.960
<v Speaker 1>blackmail them. I feel like you want this nickname. I

0:17:39.000 --> 0:17:43.480
<v Speaker 1>know you're richer than an astro. Alright, So early nineteen hundreds,

0:17:43.520 --> 0:17:45.760
<v Speaker 1>if you're talking imitators over here in the United States,

0:17:45.760 --> 0:17:48.520
<v Speaker 1>we had a man named William Heckler, and he was

0:17:48.560 --> 0:17:50.879
<v Speaker 1>one of the first dudes over here to be a

0:17:50.920 --> 0:17:56.200
<v Speaker 1>successful fleamaster. And uh he did the usual things, made

0:17:56.200 --> 0:17:59.280
<v Speaker 1>them box and race and juggle. And we're gonna tell

0:17:59.320 --> 0:18:00.760
<v Speaker 1>you some of these secret it's by the way. If

0:18:00.760 --> 0:18:04.480
<v Speaker 1>you're wondering how these things are accomplished, just hang in there. Uh.

0:18:04.480 --> 0:18:06.959
<v Speaker 1>And he said at one point he was bringing in

0:18:07.040 --> 0:18:12.240
<v Speaker 1>two hundred and fifty dollars uh day or performance in

0:18:12.320 --> 0:18:15.959
<v Speaker 1>a in a day of performances, a day. Yeah, so

0:18:16.040 --> 0:18:19.639
<v Speaker 1>many many performances. And here's the thing if lee I

0:18:19.720 --> 0:18:21.840
<v Speaker 1>kind of wondered I was, because I didn't find it

0:18:21.920 --> 0:18:24.040
<v Speaker 1>until later in the research, like, well, how do you

0:18:24.080 --> 0:18:26.800
<v Speaker 1>see this stuff? But you wouldn't have very many people

0:18:26.840 --> 0:18:29.560
<v Speaker 1>in there. You'd have like ten or fifteen people crowded

0:18:29.600 --> 0:18:33.200
<v Speaker 1>around a little table for six to ten minutes. You

0:18:33.200 --> 0:18:35.800
<v Speaker 1>would shuffle them out and bring in the next group. Yes,

0:18:36.000 --> 0:18:39.320
<v Speaker 1>I saw somewhere that if you were really dedicated to it.

0:18:39.359 --> 0:18:41.439
<v Speaker 1>I think Cecil Adams wrote it on the on the

0:18:41.480 --> 0:18:44.680
<v Speaker 1>Street dope that if you were like a really dedicated performer,

0:18:44.760 --> 0:18:50.320
<v Speaker 1>you could conceivably do fifty ten minute performances a day.

0:18:50.359 --> 0:18:53.920
<v Speaker 1>So that's basically like ten hours with a ten minute

0:18:53.920 --> 0:18:56.440
<v Speaker 1>break every hour. And if you're not a really dedicated

0:18:56.440 --> 0:18:58.200
<v Speaker 1>flea master, then just get out of my face. What

0:18:58.280 --> 0:19:00.800
<v Speaker 1>do you even bother? Seriously, though, I mean is when

0:19:00.840 --> 0:19:04.280
<v Speaker 1>we talk about how to do this, it will become

0:19:04.359 --> 0:19:08.480
<v Speaker 1>clear just how much work this must be. Yeah, alright,

0:19:08.520 --> 0:19:10.640
<v Speaker 1>well let's talk a little bit about that. Um, every

0:19:10.640 --> 0:19:13.240
<v Speaker 1>flee is different. And like I said, uh, if you

0:19:13.280 --> 0:19:16.160
<v Speaker 1>believe the research, about ten percent of the fleezer fit

0:19:16.440 --> 0:19:19.920
<v Speaker 1>for the job, and it's like we mentioned, you don't

0:19:19.960 --> 0:19:23.320
<v Speaker 1>really train them. What you do is back in the day,

0:19:23.400 --> 0:19:26.960
<v Speaker 1>you would take either some silken thread or some really

0:19:27.000 --> 0:19:30.320
<v Speaker 1>thin gold wire, like hopefully you can't even see it,

0:19:31.000 --> 0:19:34.920
<v Speaker 1>that's sort of the idea, and you tie a little

0:19:34.960 --> 0:19:41.080
<v Speaker 1>tiny noose of sorts around this fleezer neck. And apparently

0:19:41.160 --> 0:19:45.159
<v Speaker 1>that was really hard to do because when a fleet

0:19:45.240 --> 0:19:51.320
<v Speaker 1>eats the blood of their master, which is true, we'll

0:19:51.320 --> 0:19:54.480
<v Speaker 1>get to that again later, but their next well, so

0:19:54.560 --> 0:19:56.879
<v Speaker 1>you can't tie it too tight or else they're gonna

0:19:57.200 --> 0:19:59.640
<v Speaker 1>die and your prize flee could die. Or if it's

0:19:59.640 --> 0:20:03.360
<v Speaker 1>too loose, then the flea goes away and the chariot

0:20:03.400 --> 0:20:06.280
<v Speaker 1>stays behind, and that's no good. And you just hear

0:20:06.280 --> 0:20:11.399
<v Speaker 1>a tiny bionic man sounds right, So um, that's very hard.

0:20:11.840 --> 0:20:16.159
<v Speaker 1>Number one. Number two the idea that you have to

0:20:16.240 --> 0:20:21.240
<v Speaker 1>do that with new fleas every I would guess probably

0:20:21.320 --> 0:20:25.399
<v Speaker 1>every few weeks if you're on average, because fleas, I

0:20:25.400 --> 0:20:29.600
<v Speaker 1>mean they live maybe a year. Most fleas live about

0:20:29.600 --> 0:20:32.960
<v Speaker 1>three or four months. So you've got like a some

0:20:33.200 --> 0:20:37.080
<v Speaker 1>star performers and they're just they're performing, you know, for

0:20:37.160 --> 0:20:39.400
<v Speaker 1>a few months or whatever. So you're having to basically

0:20:39.480 --> 0:20:44.600
<v Speaker 1>constantly harness fleas all the time, and and again before

0:20:44.640 --> 0:20:46.600
<v Speaker 1>you even harness them, you have to sort them. So

0:20:46.680 --> 0:20:49.560
<v Speaker 1>you have to study and observe the adult fleas see

0:20:49.600 --> 0:20:52.840
<v Speaker 1>which one's like to jump. Um. There's an old legend,

0:20:53.440 --> 0:20:57.240
<v Speaker 1>uh that apparently came from Professor Heckler's son, if not

0:20:57.320 --> 0:21:01.919
<v Speaker 1>Professor Heckler himself, who said, um, you you put a

0:21:01.960 --> 0:21:05.119
<v Speaker 1>lid over a jar, and you can train them not

0:21:05.240 --> 0:21:07.359
<v Speaker 1>to jump too high because they'll hit their head on

0:21:07.400 --> 0:21:09.399
<v Speaker 1>the jar and they don't like to do that. So

0:21:09.440 --> 0:21:12.320
<v Speaker 1>they learned not to jump. Then they've passed their first test.

0:21:13.400 --> 0:21:17.920
<v Speaker 1>It's not clear whether that's actually hocum or not, but um,

0:21:17.960 --> 0:21:21.880
<v Speaker 1>that's for for a very long time, that's been part

0:21:21.880 --> 0:21:24.840
<v Speaker 1>of the lower of training fleets. The problem is, I

0:21:24.840 --> 0:21:27.960
<v Speaker 1>think you said it, please can't actually learn anything. They're

0:21:27.960 --> 0:21:32.119
<v Speaker 1>not really being trained. They're actually being physically restrained in

0:21:32.160 --> 0:21:35.560
<v Speaker 1>lots of ways, including that harness and starting with the harness. Well,

0:21:35.600 --> 0:21:39.560
<v Speaker 1>I don't know, though, Heckler. Professor Heckler that is also said,

0:21:39.880 --> 0:21:42.160
<v Speaker 1>and this was fascinating to me as far as whether

0:21:42.240 --> 0:21:45.199
<v Speaker 1>or not these fleas can learn anything. He said that

0:21:45.240 --> 0:21:46.800
<v Speaker 1>he would to get the best fleas, put them in

0:21:46.840 --> 0:21:50.480
<v Speaker 1>a glass jar. Uh, that's too tall for them to

0:21:50.560 --> 0:21:53.080
<v Speaker 1>jump out. And he said that he would notice the

0:21:53.200 --> 0:21:57.520
<v Speaker 1>really good fleas would jump up on the side, fart

0:21:57.560 --> 0:22:00.880
<v Speaker 1>out a little bit of sticky stuff, whatever that is,

0:22:01.480 --> 0:22:03.679
<v Speaker 1>and then spend the rest of the time trying and

0:22:03.720 --> 0:22:07.200
<v Speaker 1>trying to hit that identical spot again to grab hold

0:22:07.200 --> 0:22:11.040
<v Speaker 1>of the sticky stuff basically a foothold to be close

0:22:11.160 --> 0:22:14.879
<v Speaker 1>enough to the top to leap out. Amazing. I don't know,

0:22:14.880 --> 0:22:17.239
<v Speaker 1>hope I believe it. He well, yeah, I mean he

0:22:17.280 --> 0:22:21.120
<v Speaker 1>was a showman, consummist, showman, Like he didn't just basically

0:22:21.160 --> 0:22:23.639
<v Speaker 1>point and be like, look at the fleas, came your money,

0:22:23.920 --> 0:22:27.880
<v Speaker 1>please leave now, Like you were like carrying the show on, right,

0:22:27.920 --> 0:22:30.560
<v Speaker 1>you had to tell this this this, You had to

0:22:30.600 --> 0:22:33.880
<v Speaker 1>help the performance along, your professor, for god's sake, right,

0:22:34.280 --> 0:22:38.080
<v Speaker 1>when this guy is being interviewed over the years, I

0:22:38.119 --> 0:22:42.320
<v Speaker 1>can't imagine he didn't like ham it up in the interviews.

0:22:42.480 --> 0:22:44.359
<v Speaker 1>So I don't know, like a lot of it's lost

0:22:44.400 --> 0:22:47.840
<v Speaker 1>too to time, what was true and what wasn't as

0:22:47.880 --> 0:22:50.880
<v Speaker 1>far as these these old guys go. Yeah, but he uh,

0:22:50.920 --> 0:22:53.159
<v Speaker 1>Professor Heckler also said when he was picking them out,

0:22:53.200 --> 0:22:56.760
<v Speaker 1>and he said, stodgy wins are broken to the merry

0:22:56.760 --> 0:23:00.640
<v Speaker 1>go round harness flight he fleas make good dancers. Those

0:23:00.680 --> 0:23:05.119
<v Speaker 1>with especially strong legs will become kickers, jugglers and chariot racers. Yes,

0:23:05.920 --> 0:23:09.480
<v Speaker 1>so you've got you've got fleas harness. That's like the

0:23:10.040 --> 0:23:12.359
<v Speaker 1>first initial thing, but there's other things you need to

0:23:12.400 --> 0:23:14.680
<v Speaker 1>do to them. To write. You can take that harness,

0:23:14.680 --> 0:23:17.520
<v Speaker 1>and the most basic thing you could do is take

0:23:17.560 --> 0:23:20.359
<v Speaker 1>that harness and actually hook it up to, like you said,

0:23:20.359 --> 0:23:23.280
<v Speaker 1>a chariot or or or a merry go round or

0:23:23.320 --> 0:23:26.280
<v Speaker 1>something like that. And yeah, people will be like, that's

0:23:26.280 --> 0:23:28.800
<v Speaker 1>pretty neat, that's cool. But before I could do that,

0:23:28.920 --> 0:23:31.320
<v Speaker 1>you know, but you could do other stuff too, and

0:23:31.359 --> 0:23:34.719
<v Speaker 1>a lot of it involves glue unfortunately. So say like

0:23:34.840 --> 0:23:40.320
<v Speaker 1>you take a tiny piece of um of wood or

0:23:40.359 --> 0:23:43.000
<v Speaker 1>a tiny piece of metal and you glue it to

0:23:43.760 --> 0:23:48.160
<v Speaker 1>the flea's arms, right, Yes, and we should say once

0:23:48.200 --> 0:23:52.000
<v Speaker 1>that happens, that's it. That's never that's never coming off

0:23:52.040 --> 0:23:54.920
<v Speaker 1>for the rest of the fleas life. Yeah. I mean,

0:23:55.520 --> 0:24:00.960
<v Speaker 1>do you think they even survived that day? I think so. Yeah.

0:24:01.000 --> 0:24:04.480
<v Speaker 1>I think that they typically survive a few weeks of performing. Okay,

0:24:04.560 --> 0:24:06.159
<v Speaker 1>so even if they had a little sword glued to

0:24:06.200 --> 0:24:11.520
<v Speaker 1>their body. Yeah, I think they live horrible lives. I

0:24:11.520 --> 0:24:14.560
<v Speaker 1>mean basically, we as a species should know more about

0:24:14.600 --> 0:24:16.600
<v Speaker 1>this because if the fleas have a rise up and

0:24:16.640 --> 0:24:19.760
<v Speaker 1>become intelligent, like our backs are against the wall for

0:24:19.880 --> 0:24:22.520
<v Speaker 1>what the flee circus flea masters have done to them

0:24:22.800 --> 0:24:26.040
<v Speaker 1>glued to the wall, they'll be like, oh, guess whose

0:24:26.080 --> 0:24:29.240
<v Speaker 1>turn it is? Alright, so go ahead, Oh so you

0:24:29.240 --> 0:24:31.800
<v Speaker 1>you um, you glue a piece of stick or something

0:24:32.080 --> 0:24:35.280
<v Speaker 1>to their arms, and remember already they're harnessed. And then

0:24:35.320 --> 0:24:37.680
<v Speaker 1>you do the same thing to another flee and then

0:24:37.720 --> 0:24:40.600
<v Speaker 1>you tie their harnesses down and you just kind of

0:24:40.600 --> 0:24:43.760
<v Speaker 1>tickle them or do something to stimulate them, and they

0:24:43.760 --> 0:24:46.680
<v Speaker 1>start waving their arms and it looks like the sword fighting.

0:24:47.680 --> 0:24:51.040
<v Speaker 1>So that's a really good example of a flee circus.

0:24:51.080 --> 0:24:53.680
<v Speaker 1>Like you're you're having them do things, and then the

0:24:54.119 --> 0:24:56.119
<v Speaker 1>flea masters like, well, look at this, this is a

0:24:56.160 --> 0:24:59.240
<v Speaker 1>sword fight, everybody see they're doing or fencing or something

0:24:59.240 --> 0:25:02.520
<v Speaker 1>like that, right, and train them to do so exactly exactly.

0:25:02.640 --> 0:25:06.720
<v Speaker 1>So there's there's these things were Really it's the interaction

0:25:06.800 --> 0:25:11.359
<v Speaker 1>between a restrained flee, usually with the prop glued to it,

0:25:12.600 --> 0:25:16.920
<v Speaker 1>defending itself or responding to some sort of noxious or

0:25:16.960 --> 0:25:20.160
<v Speaker 1>threatening stimuli and then the flea master coming in and saying, oh,

0:25:20.200 --> 0:25:23.800
<v Speaker 1>they're they're fencing, or they're walking the high wire something

0:25:23.960 --> 0:25:28.040
<v Speaker 1>or there. This is Napoleon at the Battle of Waterloo. Yeah,

0:25:28.080 --> 0:25:29.960
<v Speaker 1>they would play soccer. Like I said, So, what they

0:25:29.960 --> 0:25:31.440
<v Speaker 1>would do there is they would get a little piece

0:25:31.440 --> 0:25:34.240
<v Speaker 1>of cotton wool. Uh, they would soak it in something

0:25:34.359 --> 0:25:38.760
<v Speaker 1>that the fleet doesn't like, some odorous, malodorous thing. Yeah,

0:25:38.760 --> 0:25:41.680
<v Speaker 1>I looked that up. Like lavender works really well, citranilla,

0:25:41.800 --> 0:25:45.600
<v Speaker 1>cedar oil, those are all lovely. That's the shame. But

0:25:45.760 --> 0:25:48.520
<v Speaker 1>come to think of it, when you see natural flee sprays,

0:25:48.600 --> 0:25:51.680
<v Speaker 1>that's what's in natural flee spray exactly. So they would

0:25:51.680 --> 0:25:53.919
<v Speaker 1>soak it in that stuff and then uh, just the

0:25:53.960 --> 0:25:55.720
<v Speaker 1>flee would literally just kick at it to get it

0:25:55.720 --> 0:25:59.480
<v Speaker 1>away like a little soccer ball. Right, they're either kicking

0:25:59.520 --> 0:26:01.320
<v Speaker 1>at it to get it away or because they were

0:26:01.320 --> 0:26:05.679
<v Speaker 1>restrained and when they kick, instead of it propelling the

0:26:05.760 --> 0:26:08.679
<v Speaker 1>flea away, it's repelling the ball away from them. So

0:26:09.040 --> 0:26:11.680
<v Speaker 1>if you have them this kind of do that back

0:26:11.720 --> 0:26:15.440
<v Speaker 1>and forth, then yeah, they're playing soccer. What about juggling, Josh,

0:26:15.840 --> 0:26:19.359
<v Speaker 1>love it what you do there is he would glue

0:26:19.359 --> 0:26:23.720
<v Speaker 1>a flee to its on its back basically and then

0:26:23.840 --> 0:26:27.560
<v Speaker 1>put another little tiny piece of cotton and their legs

0:26:27.960 --> 0:26:29.520
<v Speaker 1>and they would kick at it trying to get it off,

0:26:29.520 --> 0:26:31.840
<v Speaker 1>and it apparently would just kind of go up and

0:26:31.880 --> 0:26:36.560
<v Speaker 1>down and spin around like it was juggling. Amazing. Yeah,

0:26:36.640 --> 0:26:39.400
<v Speaker 1>and like this is this is uh thanks to Heckler

0:26:39.440 --> 0:26:43.040
<v Speaker 1>in particular in the United States. Um, he really started

0:26:43.119 --> 0:26:48.320
<v Speaker 1>hitting the county fairs and um, the the the carnivals,

0:26:48.840 --> 0:26:51.919
<v Speaker 1>so it became basically part and parcel with the with

0:26:52.080 --> 0:26:55.280
<v Speaker 1>sideshows the circus. Like basically, anytime you went to a

0:26:55.320 --> 0:26:58.359
<v Speaker 1>decent carnival, there's a flea circus there. Yeah. And I

0:26:58.359 --> 0:27:02.919
<v Speaker 1>get the feeling that these professors would try and they

0:27:02.960 --> 0:27:04.600
<v Speaker 1>would try and innovate, They would try and come up

0:27:04.600 --> 0:27:08.320
<v Speaker 1>with new tricks and new things that would delight people,

0:27:08.359 --> 0:27:11.520
<v Speaker 1>because you want to keep people coming back, you know, right,

0:27:11.840 --> 0:27:13.720
<v Speaker 1>So that's where you come up with things like the

0:27:13.720 --> 0:27:17.840
<v Speaker 1>the hype Howire act and the flea walls when it

0:27:17.840 --> 0:27:20.439
<v Speaker 1>would appear as if a fleet orchestra was playing and

0:27:20.480 --> 0:27:23.600
<v Speaker 1>fleas were dancing. Yeah, because there's there's other things that

0:27:23.640 --> 0:27:28.280
<v Speaker 1>fleas respond to. Two besides um citronella. They respond very

0:27:28.280 --> 0:27:30.880
<v Speaker 1>well the heat. They can sense heat very well, and

0:27:31.040 --> 0:27:32.760
<v Speaker 1>if it gets too hot, they want to get out

0:27:32.800 --> 0:27:35.919
<v Speaker 1>of there. So if you apply heat from beneath on

0:27:36.080 --> 0:27:38.960
<v Speaker 1>say like uh just um, I don't know, a drumhead

0:27:39.040 --> 0:27:41.679
<v Speaker 1>or something like that, they'll all start hopping around. But

0:27:41.760 --> 0:27:44.280
<v Speaker 1>if they if they can't get away, if they're harnessed in,

0:27:44.560 --> 0:27:46.800
<v Speaker 1>then it looks like they're dancing. If you put a

0:27:46.800 --> 0:27:49.919
<v Speaker 1>little flea orchestra to the side with instruments glued to

0:27:49.960 --> 0:27:53.719
<v Speaker 1>their their arms at a nice backbeat exactly, then you

0:27:53.800 --> 0:27:57.760
<v Speaker 1>have fleas playing music and fleas dancing to it. A

0:27:57.840 --> 0:28:01.880
<v Speaker 1>fleet ball. Uh. So this all is delightful and well

0:28:01.920 --> 0:28:05.720
<v Speaker 1>and good. Um, but what fun is a naked little

0:28:05.720 --> 0:28:07.840
<v Speaker 1>flee doing these things? If you could have a flee

0:28:08.440 --> 0:28:12.400
<v Speaker 1>dressed up as Napoleon, right, And that's what they did.

0:28:12.680 --> 0:28:19.120
<v Speaker 1>They apparently historical figures were lampooned. Uh. They would supposedly

0:28:19.160 --> 0:28:25.199
<v Speaker 1>get Mexican nuns who had quote nimble fingers tired and

0:28:25.359 --> 0:28:28.720
<v Speaker 1>eyes deteriorated. I don't see how that makes any sense.

0:28:29.080 --> 0:28:32.840
<v Speaker 1>So they're these they they're nimble fingers grew tired in

0:28:32.880 --> 0:28:36.080
<v Speaker 1>their eyes deteriorated as we're making these things. Okay, I

0:28:36.080 --> 0:28:38.600
<v Speaker 1>thought that was that was a good quality they look

0:28:38.640 --> 0:28:43.280
<v Speaker 1>for in a Mexican nun. Seems stress. How are your

0:28:43.360 --> 0:28:46.680
<v Speaker 1>nimble fingers feeling? That's kind of tired. They're tired. That's sad.

0:28:46.760 --> 0:28:50.400
<v Speaker 1>Actually then, so they would get apparently these Mexican nuns

0:28:50.400 --> 0:28:55.680
<v Speaker 1>to make these tiny little costumes, and um, they're still

0:28:55.720 --> 0:28:59.240
<v Speaker 1>on display today if you go to uh, how do

0:28:59.240 --> 0:29:02.640
<v Speaker 1>you pronounce that name? England? Mispronounced everything in England. It's

0:29:02.640 --> 0:29:08.720
<v Speaker 1>spelled Hertfordshire show Cambridge, all right, Cambridge, England. I think

0:29:08.720 --> 0:29:13.120
<v Speaker 1>it's where at the Rothschild Zoological Museum there are two

0:29:13.120 --> 0:29:17.160
<v Speaker 1>fleas dressed as Mexican fleas on display, and right in

0:29:17.200 --> 0:29:20.600
<v Speaker 1>our lovely Edinburgh, Scotland that we adored so much. Had

0:29:20.640 --> 0:29:22.880
<v Speaker 1>I sped at home, had I known that there was

0:29:22.920 --> 0:29:27.360
<v Speaker 1>a museum of childhood there with a flea wedding party

0:29:27.440 --> 0:29:30.200
<v Speaker 1>dressed up on display, I would have gone in a second.

0:29:32.080 --> 0:29:33.960
<v Speaker 1>But yeah, it was a thing. I think it was

0:29:34.000 --> 0:29:38.800
<v Speaker 1>already a thing in Mexico, and the flea circus masters

0:29:38.800 --> 0:29:42.760
<v Speaker 1>said hey, I need to get some of those, so chuck,

0:29:42.880 --> 0:29:46.560
<v Speaker 1>if you have a bunch of fleas and they're making

0:29:46.600 --> 0:29:50.440
<v Speaker 1>you money. You want to keep them alive, right, how

0:29:50.440 --> 0:29:54.080
<v Speaker 1>would you do that? Well, as we all know, fleas

0:29:53.880 --> 0:29:58.120
<v Speaker 1>or parasitic blood suckers. Uh. And so they would just

0:29:58.160 --> 0:29:59.720
<v Speaker 1>go down to the blog bank and get a bag

0:29:59.760 --> 0:30:02.320
<v Speaker 1>of blood right right, and let the fleece swim around

0:30:02.360 --> 0:30:04.959
<v Speaker 1>in it. Yeah, and they loved it. Know what they

0:30:04.960 --> 0:30:07.360
<v Speaker 1>would do is and this is like, it gives me

0:30:07.440 --> 0:30:10.200
<v Speaker 1>chills thinking about it. They would roll up their sleeves

0:30:10.280 --> 0:30:12.960
<v Speaker 1>and stick their arm down there and let the fleas

0:30:13.160 --> 0:30:16.280
<v Speaker 1>feed on their bodies. Yeah, a couple of times a day.

0:30:16.720 --> 0:30:20.440
<v Speaker 1>But apparently apparently though it was part of every single

0:30:20.520 --> 0:30:22.800
<v Speaker 1>show that you would end the show with. And now,

0:30:23.240 --> 0:30:26.080
<v Speaker 1>since these fleet performers have done so great, I shall

0:30:26.160 --> 0:30:28.920
<v Speaker 1>let them least on my blood, and the crowd would

0:30:28.920 --> 0:30:32.840
<v Speaker 1>be like you gross? That makes sense. Yeah, it was

0:30:32.920 --> 0:30:36.600
<v Speaker 1>part of stage pattern, but apparently at least Heckler, but

0:30:36.680 --> 0:30:41.680
<v Speaker 1>I'm sure others actually did let the fleece feed on them. Uh. Yeah.

0:30:41.880 --> 0:30:45.440
<v Speaker 1>I mean, what's a good flea master to do? Well,

0:30:45.600 --> 0:30:48.720
<v Speaker 1>feed your fleas blood Either that or have like again,

0:30:48.800 --> 0:30:51.400
<v Speaker 1>a chimney sweep that you bought from a chimney sweeper

0:30:52.040 --> 0:30:54.760
<v Speaker 1>to let the Fleece feed on. I hope that the

0:30:54.880 --> 0:30:58.880
<v Speaker 1>episode has come out, but it's going to be really confused. Yeah,

0:30:59.120 --> 0:31:01.600
<v Speaker 1>or it'll be really delightful when it does come out

0:31:01.600 --> 0:31:05.920
<v Speaker 1>and they'll be like, oh that makes sense now. Hey,

0:31:05.960 --> 0:31:09.760
<v Speaker 1>one more thing about Heckler. So there was a Heckler Sr.

0:31:10.240 --> 0:31:14.560
<v Speaker 1>And Junior, and apparently Junior kept it going in Times

0:31:14.560 --> 0:31:18.760
<v Speaker 1>Square until like the late fifties had a flee circus going,

0:31:19.000 --> 0:31:21.840
<v Speaker 1>and Heckler's flee Circus shows up in a scene an

0:31:21.840 --> 0:31:25.600
<v Speaker 1>Easy Rider. No way. Yeah, I couldn't figure out what's scene.

0:31:25.600 --> 0:31:28.560
<v Speaker 1>I didn't have time to go check, but there's a

0:31:28.640 --> 0:31:31.440
<v Speaker 1>scene an Easy Rider where in the background there's Heckler's

0:31:31.440 --> 0:31:33.680
<v Speaker 1>flee Circus. And then they were pushed out of Times

0:31:33.680 --> 0:31:37.360
<v Speaker 1>Square by peep shows, and then the peep shows were

0:31:37.440 --> 0:31:42.520
<v Speaker 1>pushed out by Walt Disney and Giuliani. Yeah, Heckler tried

0:31:42.720 --> 0:31:46.920
<v Speaker 1>at first to do pants less flee circus, but it

0:31:46.960 --> 0:31:49.959
<v Speaker 1>didn't work very well. Yeah, no one wants and finally

0:31:50.000 --> 0:31:51.959
<v Speaker 1>just packed it up. All right, Well, let's take one

0:31:52.000 --> 0:31:54.760
<v Speaker 1>final break here and we will talk about another kind

0:31:54.800 --> 0:32:22.120
<v Speaker 1>of flee circus right after this. So check one thing

0:32:22.160 --> 0:32:24.640
<v Speaker 1>that I found. I'm pretty sure you found it too,

0:32:25.320 --> 0:32:29.120
<v Speaker 1>was that when you start looking into flee circuses, some

0:32:29.200 --> 0:32:32.280
<v Speaker 1>people think that there is never such a thing as

0:32:32.600 --> 0:32:35.600
<v Speaker 1>flee circuses that used real fleas. Yeah, I thought you

0:32:35.640 --> 0:32:37.720
<v Speaker 1>were going to say, when you start looking into flee circuses,

0:32:38.440 --> 0:32:40.840
<v Speaker 1>there's no going back, you'll never be the same again.

0:32:41.040 --> 0:32:45.680
<v Speaker 1>That's definitely your like, unchanged forever. Yeah. I always thought

0:32:45.680 --> 0:32:49.040
<v Speaker 1>that flee circuses were a complete ruse and that there

0:32:49.080 --> 0:32:53.640
<v Speaker 1>were never any real fleas performing, right, Apparently, No, that's

0:32:53.680 --> 0:32:57.160
<v Speaker 1>not the case. There have been, and indeed, ours recently

0:32:57.200 --> 0:32:59.880
<v Speaker 1>as the nineties, there have been flee circuses that you

0:33:00.520 --> 0:33:04.920
<v Speaker 1>real fleas following these traditions that we just mentioned. But

0:33:05.760 --> 0:33:08.320
<v Speaker 1>if you believe that there are plenty of flee circuses

0:33:08.360 --> 0:33:11.880
<v Speaker 1>out there that don't use any fleas whatsoever, you're right too,

0:33:12.560 --> 0:33:16.280
<v Speaker 1>because there's both. Yes, there's the type of flee circus

0:33:16.400 --> 0:33:19.520
<v Speaker 1>that doesn't use fleas is called a humbug flee circus.

0:33:20.320 --> 0:33:23.880
<v Speaker 1>It's all it's all stage magic, it's all illusion, and

0:33:24.080 --> 0:33:29.040
<v Speaker 1>it's pretty pretty awesome. Actually. Yeah. There was a man,

0:33:29.160 --> 0:33:33.400
<v Speaker 1>a magician named George Tollerton in the nineteen thirties, and

0:33:33.440 --> 0:33:38.840
<v Speaker 1>he wrote a booklet actually um outlining fake flee circuses

0:33:38.880 --> 0:33:42.560
<v Speaker 1>and skits that you can do wherein you're sort of

0:33:42.600 --> 0:33:46.360
<v Speaker 1>the I mean, while the carnival barking was going on

0:33:46.400 --> 0:33:49.760
<v Speaker 1>in the real flee circuses. Um, you you really want

0:33:49.760 --> 0:33:51.520
<v Speaker 1>to take center stage if you have a fake flee

0:33:51.560 --> 0:33:56.440
<v Speaker 1>circus as then not only introducing the death defying feats,

0:33:56.480 --> 0:34:00.000
<v Speaker 1>but then you are are following these fleas, jumping around

0:34:00.040 --> 0:34:03.880
<v Speaker 1>on with mimicking it with your eyes and following it around,

0:34:04.360 --> 0:34:07.160
<v Speaker 1>you know, by moving your head around as if the

0:34:07.200 --> 0:34:12.040
<v Speaker 1>audience is looking at some invisible thing, which they are, right, right,

0:34:12.120 --> 0:34:15.279
<v Speaker 1>they are, and you're basically just using your powers of

0:34:15.360 --> 0:34:20.080
<v Speaker 1>suggestion to get them to think they're seeing what you're saying. Right, Yeah,

0:34:20.320 --> 0:34:26.279
<v Speaker 1>that's the most like basic humbug flee circus there are, right,

0:34:26.880 --> 0:34:29.239
<v Speaker 1>But there's one in that that started like that. I

0:34:29.280 --> 0:34:36.400
<v Speaker 1>guess the genuine stagecraft stage magic um humbug flee circus

0:34:36.680 --> 0:34:41.960
<v Speaker 1>came about from Michael Benteen, who was a goon actually, right,

0:34:42.960 --> 0:34:46.640
<v Speaker 1>remember that explain that the goons showed up in the

0:34:46.680 --> 0:34:50.840
<v Speaker 1>Monty Python episode. They were the direct predecessor of Monty Python,

0:34:51.960 --> 0:34:54.839
<v Speaker 1>Spike Milligan and his goons. Yes, he wasn't a hockey

0:34:54.880 --> 0:34:58.279
<v Speaker 1>playing goon. That's a different thing. Or a goon on

0:34:58.320 --> 0:35:04.439
<v Speaker 1>Scooby Doo or a goony, right, just a regular old goon. Yeah,

0:35:04.480 --> 0:35:07.320
<v Speaker 1>Michael Benty and he was a British performer and entertainer

0:35:07.360 --> 0:35:12.239
<v Speaker 1>and he uh in nineteen fifty performed that the UH

0:35:12.719 --> 0:35:15.239
<v Speaker 1>called the Royal Variety Show. I guess I think so.

0:35:15.880 --> 0:35:19.880
<v Speaker 1>And it was a little, you know, fake flee circus

0:35:19.960 --> 0:35:23.720
<v Speaker 1>apparently pretty elaborate one, yeah, because rather than just using

0:35:23.760 --> 0:35:27.600
<v Speaker 1>like his um power of suggestion, he was using things

0:35:27.600 --> 0:35:33.400
<v Speaker 1>like magnets and remote control pumps and mechanical devices to

0:35:34.000 --> 0:35:37.960
<v Speaker 1>really kind of do this exaggerated simulation of a flee

0:35:38.120 --> 0:35:42.359
<v Speaker 1>doing stuff going through the circuit of his flee circus. Right.

0:35:42.400 --> 0:35:44.000
<v Speaker 1>So he would say, have a magnet or a piece

0:35:44.040 --> 0:35:46.480
<v Speaker 1>of string of something or something pushing a ball or

0:35:46.719 --> 0:35:49.719
<v Speaker 1>rather pulling a ball up a hill an incline, and

0:35:49.760 --> 0:35:52.520
<v Speaker 1>he would say that this is the uh, the flee

0:35:52.800 --> 0:35:55.799
<v Speaker 1>sysiphus and he's pushing this ball up a hill, right

0:35:56.440 --> 0:35:59.080
<v Speaker 1>or um, this is this is my favorite. This gets

0:35:59.080 --> 0:36:01.439
<v Speaker 1>me every time a flee going up on the high

0:36:01.520 --> 0:36:04.920
<v Speaker 1>dive board and then so as he's going up there,

0:36:05.080 --> 0:36:08.560
<v Speaker 1>the wrongs of the ladder, each one gets depressed right,

0:36:08.640 --> 0:36:10.920
<v Speaker 1>so you can see the fleece progress up. The ladder

0:36:11.160 --> 0:36:13.200
<v Speaker 1>gets up to the end of the board, jumps a

0:36:13.200 --> 0:36:15.719
<v Speaker 1>couple of times, so the springboard goes up and down,

0:36:15.960 --> 0:36:18.240
<v Speaker 1>and then it makes a springing sound as he jumps

0:36:18.280 --> 0:36:22.360
<v Speaker 1>off right exactly dives into the water, and there's like

0:36:22.400 --> 0:36:25.600
<v Speaker 1>this huge splash, which a fleet could never make a

0:36:25.640 --> 0:36:29.080
<v Speaker 1>splash to begin with, but a huge one. It's just hilarious.

0:36:29.960 --> 0:36:33.279
<v Speaker 1>Or I like the one the sand table. They would

0:36:33.280 --> 0:36:35.399
<v Speaker 1>have a little sandbox in the fleet with the fake

0:36:35.480 --> 0:36:38.840
<v Speaker 1>fleet would invisibly jump around, but it would create a

0:36:38.840 --> 0:36:41.600
<v Speaker 1>little splash of sand everywhere. He dropped all over the

0:36:41.600 --> 0:36:45.840
<v Speaker 1>place and again, all with magnets, all fake ery. Yeah,

0:36:45.920 --> 0:36:48.840
<v Speaker 1>but really really clever. I get the impression. He was

0:36:48.920 --> 0:36:52.040
<v Speaker 1>not um, not terribly old at the time when he

0:36:52.080 --> 0:36:56.160
<v Speaker 1>first debuted on tv UM, And in the grand tradition

0:36:56.200 --> 0:36:59.319
<v Speaker 1>of flee circuses, some other people saw it and said,

0:36:59.400 --> 0:37:02.000
<v Speaker 1>I want to do it too, So the Humbug flee

0:37:02.080 --> 0:37:06.040
<v Speaker 1>circus took off and became pretty popular, and like the

0:37:06.040 --> 0:37:09.520
<v Speaker 1>second half of the twentieth century, I should say popular

0:37:09.560 --> 0:37:12.719
<v Speaker 1>as far as flee circuses go, which is to say,

0:37:12.800 --> 0:37:17.160
<v Speaker 1>not very popular, right, popular among weirdos. Yeah, I'm really

0:37:17.239 --> 0:37:20.479
<v Speaker 1>kind of wondering about this burta Lotto and his fame,

0:37:22.600 --> 0:37:24.560
<v Speaker 1>like he might not have been I don't know. I

0:37:24.560 --> 0:37:26.759
<v Speaker 1>mean just because you travel the world. I mean, he

0:37:26.760 --> 0:37:28.799
<v Speaker 1>could have been traveling the world performing in front of

0:37:28.840 --> 0:37:32.120
<v Speaker 1>you know, sixty people a day. That's not exactly Elvis.

0:37:33.640 --> 0:37:36.840
<v Speaker 1>It's true. This whole thing is under a cloud of suspicion,

0:37:37.400 --> 0:37:41.000
<v Speaker 1>is yeah. Man, it's really tough to figure out the

0:37:41.640 --> 0:37:44.360
<v Speaker 1>what's from the who's, and the winds and the why

0:37:44.480 --> 0:37:48.319
<v Speaker 1>and the fleas from the magnets. Yeah. Yeah, because once

0:37:48.360 --> 0:37:53.240
<v Speaker 1>you introduced that humbug ury into it, everything comes into question.

0:37:54.400 --> 0:37:56.600
<v Speaker 1>There was, actually, though, there was a book that I

0:37:56.640 --> 0:38:00.000
<v Speaker 1>want to get. It's a it's a pamphlet basically turned

0:38:00.040 --> 0:38:04.040
<v Speaker 1>into a book from that a guy named Tom Palmer wrote.

0:38:04.280 --> 0:38:07.120
<v Speaker 1>It's called the Famous Flee Act, and it teaches you

0:38:07.239 --> 0:38:12.000
<v Speaker 1>everything you need to know to do a humbug flee circus.

0:38:12.760 --> 0:38:15.680
<v Speaker 1>I just want to read it just for funzies. You know,

0:38:15.760 --> 0:38:20.160
<v Speaker 1>Christmas is coming up. I bet you someone out there

0:38:20.160 --> 0:38:22.800
<v Speaker 1>I'll send that to you. I was talking to you.

0:38:23.040 --> 0:38:27.640
<v Speaker 1>That's just someone else out there. Well okay, uh my

0:38:27.840 --> 0:38:30.759
<v Speaker 1>call to you. The public listening stuff you should know

0:38:30.800 --> 0:38:34.000
<v Speaker 1>public is Ano. They're doing this in October Fest. But

0:38:34.680 --> 0:38:37.879
<v Speaker 1>somebody needs to bring this back in a big way. Well,

0:38:37.880 --> 0:38:41.799
<v Speaker 1>a woman did in the nineties, but it didn't take

0:38:41.880 --> 0:38:43.920
<v Speaker 1>for very long. But I mean it was pretty big

0:38:43.960 --> 0:38:48.160
<v Speaker 1>in the nineties. Um. Her name was h what is it, Chuck,

0:38:48.280 --> 0:38:52.640
<v Speaker 1>Maria Fernanda Cardoso. Okay, did you read about her? No,

0:38:53.200 --> 0:38:54.960
<v Speaker 1>you should check out her act. You didn't see the

0:38:55.040 --> 0:38:58.480
<v Speaker 1>video of it. No, there's like a seven eight minute

0:38:58.600 --> 0:39:02.200
<v Speaker 1>vimeo of her and apparently it's just the highlights, So

0:39:02.320 --> 0:39:05.320
<v Speaker 1>I guess their act was longer, and she's a performance artist,

0:39:05.960 --> 0:39:10.280
<v Speaker 1>so um it was. She did it at like different places,

0:39:10.280 --> 0:39:12.440
<v Speaker 1>like she did at the New Museum in New York

0:39:12.600 --> 0:39:16.080
<v Speaker 1>and um, San Francisco and just kind of some some

0:39:16.120 --> 0:39:18.640
<v Speaker 1>pretty neat places places you wouldn't expect to see a

0:39:18.640 --> 0:39:21.080
<v Speaker 1>flee circus, is what I'm saying. I guess. But she

0:39:21.320 --> 0:39:26.520
<v Speaker 1>used live fleece in the grand tradition of flee circuses

0:39:26.920 --> 0:39:31.040
<v Speaker 1>and uh made a very beautiful, neat almost circutus, so

0:39:31.160 --> 0:39:35.920
<v Speaker 1>laish flee circus in the nineties. Yeah, but there's a

0:39:36.040 --> 0:39:38.279
<v Speaker 1>video of it, or there's plenty of videos. I'm sure

0:39:38.320 --> 0:39:41.160
<v Speaker 1>of it out there. Um, just flick her up and

0:39:42.080 --> 0:39:45.360
<v Speaker 1>look for the flee circus video with with our thumbs

0:39:45.440 --> 0:39:47.400
<v Speaker 1>up on it. Yeah, and you know, we kind of

0:39:47.480 --> 0:39:50.759
<v Speaker 1>joked about this being cruel it. Um, it's easy to

0:39:51.080 --> 0:39:53.839
<v Speaker 1>say this is a fleece and who cares. But I'm

0:39:53.880 --> 0:39:55.839
<v Speaker 1>sure there are people that get up in arms about

0:39:55.880 --> 0:39:59.759
<v Speaker 1>using any sort of you know, mistreating and animal for

0:40:00.480 --> 0:40:07.359
<v Speaker 1>any kind of or insects, animals. Let's just say for

0:40:07.440 --> 0:40:10.600
<v Speaker 1>this argument, for sure, for the entertainment of humans. You know,

0:40:10.640 --> 0:40:13.160
<v Speaker 1>there's probably at least one person out there that thinks

0:40:13.160 --> 0:40:15.239
<v Speaker 1>this is a very cruel thing to do. Know, there's uh,

0:40:15.280 --> 0:40:19.800
<v Speaker 1>there's apparently um societies that are dedicated to preventing cruelty

0:40:19.880 --> 0:40:24.560
<v Speaker 1>to insects in particular, and they have called specifically for

0:40:24.880 --> 0:40:27.759
<v Speaker 1>flea circuses to be banned outright. And they make a

0:40:27.800 --> 0:40:31.680
<v Speaker 1>pretty convincing case, especially if you don't allow yourself to

0:40:31.719 --> 0:40:34.520
<v Speaker 1>stop and remind yourself that these are fleas we're talking about.

0:40:35.480 --> 0:40:38.680
<v Speaker 1>But they you know, they're held in captivity their whole lives.

0:40:38.719 --> 0:40:43.040
<v Speaker 1>They're held um, they're connected by a harness that keeps

0:40:43.040 --> 0:40:47.000
<v Speaker 1>them held down their entire lives. The tricks that they're

0:40:47.000 --> 0:40:53.120
<v Speaker 1>performing are actually like stress behaviors. Um, and uh, they

0:40:53.160 --> 0:40:58.360
<v Speaker 1>die probably prematurely. Yeah, well as what went off on

0:40:58.440 --> 0:41:01.160
<v Speaker 1>fleas in the fleet episode, So I can't really say

0:41:01.160 --> 0:41:06.319
<v Speaker 1>anything about that. Sure, I've had bad infestations and I've

0:41:06.320 --> 0:41:09.480
<v Speaker 1>had no problem grabbing them between my hands and holding

0:41:09.520 --> 0:41:13.360
<v Speaker 1>them underwater until they slowly drowned. Right, They're like, please

0:41:13.400 --> 0:41:16.400
<v Speaker 1>just crush me, and you say, never drown. You can't

0:41:16.400 --> 0:41:19.439
<v Speaker 1>crush them. You can crush a flee if you get

0:41:19.560 --> 0:41:22.640
<v Speaker 1>it's hardy fingernails, that's your problem. You butt your fingernails

0:41:22.640 --> 0:41:24.520
<v Speaker 1>too much. Yeah, but you try to smash a flee

0:41:24.520 --> 0:41:30.919
<v Speaker 1>and he just goes dying. Do do do do? Yeah?

0:41:30.920 --> 0:41:36.319
<v Speaker 1>Anything else? Um, you can buy flee circuses, ready made

0:41:36.320 --> 0:41:39.319
<v Speaker 1>flea circuses if you want. Well that's fun. Yeah, um,

0:41:39.560 --> 0:41:43.600
<v Speaker 1>like an ant form. Good luck finding fleas is the thing, right,

0:41:44.040 --> 0:41:47.919
<v Speaker 1>and I think that's it. Man, that's a flea circuses.

0:41:48.600 --> 0:41:51.560
<v Speaker 1>Just go watch some flee circus videos on TV or

0:41:51.600 --> 0:41:54.520
<v Speaker 1>on the computer TV. You're gonna love it. Yeah, it's

0:41:54.520 --> 0:41:57.799
<v Speaker 1>a good way to just dumb it down and check out. Yeah,

0:41:58.080 --> 0:42:02.120
<v Speaker 1>it's delightful though too. Uh, since I said it's delightful

0:42:02.680 --> 0:42:05.200
<v Speaker 1>if you want to know, that's right, I got all order.

0:42:05.239 --> 0:42:07.719
<v Speaker 1>I was thinking about Flee circuses. Yeah, if you want

0:42:07.719 --> 0:42:09.319
<v Speaker 1>to know more about Flee Circus, it's do what I

0:42:09.360 --> 0:42:11.160
<v Speaker 1>just said, and you can also type those words in

0:42:11.200 --> 0:42:13.399
<v Speaker 1>the search part. How stuff works. And since I said

0:42:13.840 --> 0:42:19.200
<v Speaker 1>it's delightful, before it's time for a listener mail, I'm

0:42:19.200 --> 0:42:21.960
<v Speaker 1>gonna call this what the writer called it, which is

0:42:22.320 --> 0:42:26.040
<v Speaker 1>pick me for listener mail. Thanks from a teacher. Okay,

0:42:26.080 --> 0:42:29.400
<v Speaker 1>it's hard to resist. Josh, Chuck and Jerry, and finally

0:42:29.400 --> 0:42:31.080
<v Speaker 1>writing do you all. I've been listening stuff you should

0:42:31.080 --> 0:42:34.200
<v Speaker 1>know for years. I think I've listened to nearly every episode,

0:42:34.200 --> 0:42:36.480
<v Speaker 1>even the ones from the Dark Days when the discussion

0:42:36.560 --> 0:42:39.200
<v Speaker 1>lasted fewer than ten minutes and Josh was still looking

0:42:39.200 --> 0:42:42.880
<v Speaker 1>for his perfect podcasting partner. My sister introduced me to you.

0:42:42.960 --> 0:42:45.400
<v Speaker 1>So if you pick this for listener mail, please do

0:42:45.800 --> 0:42:48.040
<v Speaker 1>be extremely cool. If you give my sister Laura a

0:42:48.120 --> 0:42:51.719
<v Speaker 1>shout wow, that is really nice. If you, Chuck, is

0:42:52.080 --> 0:42:55.680
<v Speaker 1>you're feeling very generous regardless, I've been meaning to email

0:42:55.719 --> 0:42:57.160
<v Speaker 1>my thanks and praise for your work. I was at

0:42:57.200 --> 0:43:01.880
<v Speaker 1>high school english teacher in Illinois, but reesely relocated Chattanooga, Tennessee,

0:43:02.160 --> 0:43:04.640
<v Speaker 1>where I've been moved on where I've moved on to

0:43:04.640 --> 0:43:08.360
<v Speaker 1>become a community college professor. Uh. A professor. Maybe she

0:43:08.400 --> 0:43:11.480
<v Speaker 1>could train police. Uh. Your podcast has been a great

0:43:11.480 --> 0:43:13.680
<v Speaker 1>supplemental teaching tool, not to mention, a guaranteed way to

0:43:13.760 --> 0:43:16.640
<v Speaker 1>keep my mind occupied during long road trips to and

0:43:16.640 --> 0:43:20.120
<v Speaker 1>from undergraduate and graduate school or while running with my dog.

0:43:20.640 --> 0:43:23.120
<v Speaker 1>Us the episode on book banning several times while teaching

0:43:23.120 --> 0:43:26.359
<v Speaker 1>to Kill a Mockingbird or informing students about Banned book Week.

0:43:26.600 --> 0:43:29.880
<v Speaker 1>I've also used the episode about police interrogation during a

0:43:29.960 --> 0:43:33.799
<v Speaker 1>unit featuring Walter dean Myer's novel Monster, about a boy

0:43:33.800 --> 0:43:35.839
<v Speaker 1>who was on trial for a crime he may not

0:43:35.920 --> 0:43:39.280
<v Speaker 1>have committed. That sounds good, it does, uh. And more recently,

0:43:39.280 --> 0:43:41.680
<v Speaker 1>I use a listener mail about the benefits of hunting

0:43:42.320 --> 0:43:46.640
<v Speaker 1>as an example of how to structure an argument. Let's

0:43:46.640 --> 0:43:50.800
<v Speaker 1>hear that. I want to hear that argument. We'll schefs

0:43:50.840 --> 0:43:53.239
<v Speaker 1>are right back in. Uh. The students got a laugh

0:43:53.239 --> 0:43:55.200
<v Speaker 1>out of Josh's comments about waiting for the deer to

0:43:55.239 --> 0:43:58.040
<v Speaker 1>fall over and collecting the dead bodies instead of actually

0:43:58.120 --> 0:44:01.080
<v Speaker 1>killing the animal. Anyway. Really enjoyed the show. Look forward

0:44:01.120 --> 0:44:03.080
<v Speaker 1>to new episodes every week. If teaching doesn't work out

0:44:03.080 --> 0:44:05.760
<v Speaker 1>for some reason, I think podcasting would be a pretty

0:44:05.800 --> 0:44:10.960
<v Speaker 1>great career. Uh. And that is from Sarah Amato, Professor Amato,

0:44:11.480 --> 0:44:16.560
<v Speaker 1>and uh shout out to Laura yep, her sister, Laura

0:44:16.600 --> 0:44:21.040
<v Speaker 1>Amato or whatever her name is. Shout out not presuming

0:44:21.040 --> 0:44:25.160
<v Speaker 1>they have the same last name. My modern guy you

0:44:25.200 --> 0:44:28.680
<v Speaker 1>are anyway, you have a beard. Thanks for teaching and

0:44:28.920 --> 0:44:31.880
<v Speaker 1>uh doing what you do, Professor. Yeah, and thanks for

0:44:31.960 --> 0:44:36.799
<v Speaker 1>writing in Smart Thinking with the subject line. If you

0:44:36.800 --> 0:44:39.280
<v Speaker 1>want to get in touch with us, you can tweet

0:44:39.320 --> 0:44:43.000
<v Speaker 1>to us. I'm at josh um Clark at Twitter, and

0:44:43.080 --> 0:44:45.640
<v Speaker 1>you can also follow the official s Y s K

0:44:45.840 --> 0:44:48.960
<v Speaker 1>podcast on Twitter, Getting Out with Chuck at Charles W.

0:44:49.200 --> 0:44:52.680
<v Speaker 1>Chuck Bryant on Facebook or Facebook dot com slash Stuff

0:44:52.680 --> 0:44:54.640
<v Speaker 1>you Should Know. You can send us an email to

0:44:54.800 --> 0:44:57.480
<v Speaker 1>stuff podcast how Stuff Works dot com and has always

0:44:57.560 --> 0:44:59.560
<v Speaker 1>joined us at our home on the web, Stuff you

0:44:59.560 --> 0:45:08.960
<v Speaker 1>Should Know dot com. For more on this and thousands

0:45:08.960 --> 0:45:19.720
<v Speaker 1>of other topics, visit how Stuff Works dot com. MHM