WEBVTT - Skyscrapers: 'Scuse me while I kiss the sky

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<v Speaker 1>Hey, everyone, we're coming to Salt Lake City, Utah and Phoenix,

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<v Speaker 1>Arizona this fall. Yeah, October, we're going to be at

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<v Speaker 1>Salt Lake Cities Grand Theater and then the next night

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<v Speaker 1>October will be in Phoenix. And we added a second

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<v Speaker 1>show to our Melbourne show, right, that's right, a second

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<v Speaker 1>earlier show in Melbourne. So you can get all the

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<v Speaker 1>information for all of these shows at s y s

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<v Speaker 1>K live dot com. Welcome to Stuff you Should Know

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<v Speaker 1>from how Stuff Works dot com. Hey, and welcome to

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<v Speaker 1>the podcast. I'm Josh Clark. There's Charles stef you took

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<v Speaker 1>Bryant almost forgot what I say first smooth the sandpaper,

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<v Speaker 1>and then and there's Jerry right there. So this is

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<v Speaker 1>the old stuff you should know. The triad, Yeah, but

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<v Speaker 1>not that kind. What kind you know, like sexual? I

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<v Speaker 1>don't think they call us triads. Sure, that's that's normally

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<v Speaker 1>like a tryad's like three mafia families getting together something

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<v Speaker 1>like that and having sex. Right, No, I think uh,

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<v Speaker 1>I think a triad very much can can apply to

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<v Speaker 1>a three person couple, romantic couple. I'm sure we will

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<v Speaker 1>hear about that. Yeah, well, well you have. I think

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<v Speaker 1>that's where I learned it. Oh, I got you. We

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<v Speaker 1>should also speaking of sex, we should also give a

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<v Speaker 1>bit of a mia culpa. We use the word prostitute

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<v Speaker 1>and a couple of recent episodes, I think collar bombs

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<v Speaker 1>and drug courts and that is not the okay word

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<v Speaker 1>these days. The words you use as sex worker. And

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<v Speaker 1>I knew that, and I feel bad for saying it.

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<v Speaker 1>I do too, so sorry. It's all the sex workers.

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<v Speaker 1>And we've had sex workers right in before with stories

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<v Speaker 1>and saying, you know, you should do a podcast on

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<v Speaker 1>this because it's not always what you think, right, And

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<v Speaker 1>we will someday. First we're gonna do skyscrapers. Yeah, and

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<v Speaker 1>I gotta say, man, this is um. I prefaced the

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<v Speaker 1>tsunami episode with like core stuff, you should know type stuff.

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<v Speaker 1>I think this one falls in there, and I kept

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<v Speaker 1>maybe it's the little kid in me, with like erector

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<v Speaker 1>sets and lego and stuff like that. But I kept thinking, man,

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<v Speaker 1>skyscrapers are so incredibly simplistic. It's so beautiful, and I

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<v Speaker 1>think some beauty and simplicity is something that really gets me.

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<v Speaker 1>You love Acam's razor, yeah, you love it, But the skyscrapers.

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<v Speaker 1>When I was just reading about how these things are

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<v Speaker 1>constructed and all. I'm just like, it's like a little

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<v Speaker 1>kid designed it. Yeah. I actually looked around him, like,

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<v Speaker 1>am I missing a section or two on this article?

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<v Speaker 1>But it's they're pretty straightforward. Actually, yeah, it's They're all

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<v Speaker 1>just giant penises in the sky, no doubt. Man. Some

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<v Speaker 1>of them don't even try to hide it. They've got

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<v Speaker 1>like dages and stuff and a man's name at the top. Yeah,

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<v Speaker 1>it's crazy. It's like, uh yeah, I I in researching this,

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<v Speaker 1>I was like, oh, okay, I get it. Skyscrapers are

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<v Speaker 1>the jerks of the buildings community. Yeah, well except maybe

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<v Speaker 1>not because they're super efficient at holding people. And sure, sure, okay,

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<v Speaker 1>So that's well put man. I'm glad you said that,

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<v Speaker 1>because it's a there's a bit of a dichotomy going

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<v Speaker 1>on here. You got the good, you got the bad.

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<v Speaker 1>You gotta put them both together, and there you have skyscrapers.

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<v Speaker 1>All right. So this article in House of Work starts

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<v Speaker 1>out very appropriately and talking about the quest for height,

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<v Speaker 1>and this has been going on since ancient times, whether

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<v Speaker 1>it's a church, cathedral or a Tower of Babel, which

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<v Speaker 1>I looked into that little bit because I was trying

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<v Speaker 1>to see how metaphoric that was that Nimrods. Didn't he

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<v Speaker 1>build at you know that Nimrod and think so I

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<v Speaker 1>don't remember, but go ahead, sorry, well, uh forget the

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<v Speaker 1>Tower of Babel. Just ancient buildings, like from the Pyramids

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<v Speaker 1>to the cathedrals. Everyone has always wanted to build things

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<v Speaker 1>tall because it's a striking thing and it probably has

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<v Speaker 1>a lot to do with the ego of the man

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<v Speaker 1>who wanted his name either on it or behind it. Yeah,

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<v Speaker 1>especially if you're part of a civilization that believes in

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<v Speaker 1>God and you tend to think that God is in

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<v Speaker 1>the sky. It's a bit saying like, hey, look at

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<v Speaker 1>look at how close I am here. This building is

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<v Speaker 1>in my name, Look at me, Look upon me and

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<v Speaker 1>my building. It's a giant Pallas. Yeah, to the point

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<v Speaker 1>where there are literal competitions and like I'm gonna add

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<v Speaker 1>one extra story or build the little antenna five ft

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<v Speaker 1>higher just to have that claim. You know, there's something

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<v Speaker 1>very similar in the roller coaster world, which I think

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<v Speaker 1>we talked about. But at least it's a roller coaster,

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<v Speaker 1>you know what I'm saying. It's not just a building.

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<v Speaker 1>This is like I'm going to build the taller roller

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<v Speaker 1>coaster than you and the people who ARRIVEE me, you're

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<v Speaker 1>going to be seven percent more scared than your riders.

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<v Speaker 1>That's that's doing something, if you ask me, you know.

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<v Speaker 1>But yeah, so there is a there's there's a definite

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<v Speaker 1>um benefit to building up and early on, yes, it

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<v Speaker 1>was just basically to glorify a king or a god

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<v Speaker 1>or something like that. Right. But over time, as people

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<v Speaker 1>um started settling together in city centers, uh and wanting

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<v Speaker 1>to be close to the city center, there was a

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<v Speaker 1>good reason to start building upward. Is that space outward

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<v Speaker 1>was either at a premium or people didn't want it.

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<v Speaker 1>They wanted to be in one specific spot. So the

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<v Speaker 1>the only option you have aside from outward is either

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<v Speaker 1>upward or downward. We haven't gotten a subterranean buildings yet,

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<v Speaker 1>I hope to God would never do. So we started

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<v Speaker 1>building upward. And that's where skyscrapers first came up came from.

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<v Speaker 1>And um they came about I think in the late

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<v Speaker 1>eighteen hundreds, the eighteen eighties, and I believe the first

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<v Speaker 1>one was the Home Life building in Chicago ten whopping stories. Yeah,

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<v Speaker 1>that was a skyscraper back then, and I tried to

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<v Speaker 1>found the first person who said that, but I couldn't. Um,

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<v Speaker 1>I found something on it. Oh well, I heard Chicago

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<v Speaker 1>is where it originated the term. Yeah, yes, as far

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<v Speaker 1>as buildings go, but it's been in use for a

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<v Speaker 1>long time before that to describe anything tall, including people.

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<v Speaker 1>What So, like a very tall woman, you could be

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<v Speaker 1>like that, gal's a real skyscraper, ain't for real? Fresh

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<v Speaker 1>It's right, that's exactly how that go down. But yeah,

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<v Speaker 1>you could use it for like a tall sale on

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<v Speaker 1>a boat. I've heard that tall horse. Anything tall would

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<v Speaker 1>be called the skyscraper. So it was just inevitable people

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<v Speaker 1>are going to start referring to tall buildings as skyscrapers.

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<v Speaker 1>All right, Well there you have it. So what you're

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<v Speaker 1>doing with the skyscrapers literally fighting gravity? Um? And you

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<v Speaker 1>know we mentioned pyramids. When you think about uh like

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<v Speaker 1>a cheerleader pyramid, how they how they reference it in

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<v Speaker 1>the article. You need the higher you go, you need

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<v Speaker 1>more uh support underneath, And so with the pyramid you

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<v Speaker 1>just go wider. And in theory, you could build something

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<v Speaker 1>as tall as you want as long as you kept

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<v Speaker 1>going wider and wider with its foundation to support it.

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<v Speaker 1>But like you said, you can't do that because people

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<v Speaker 1>live near one another and these are in city centers.

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<v Speaker 1>So they had to come up with some you know,

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<v Speaker 1>with with the eighteen hundreds skyscrapers that were brick and mortar,

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<v Speaker 1>you could only go so high before it just wasn't

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<v Speaker 1>possible anymore. They'd just be simply too much weight on

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<v Speaker 1>that foundation. So it took advancement, and a very specific

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<v Speaker 1>advancement iron and steel, uh, in order to build these

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<v Speaker 1>things taller, right, and and so look, one of the

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<v Speaker 1>other problems with brick and mortar is that and not

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<v Speaker 1>just supporting the weight. You could add more brick and

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<v Speaker 1>more mortar, but either you're going to start spreading further

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<v Speaker 1>and further out and create a bigger and bigger footprint

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<v Speaker 1>for your building and start running up against your neighbors,

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<v Speaker 1>or you're using up more and more of the space

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<v Speaker 1>and the lower floors, so you have like maybe like

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<v Speaker 1>a little chamber corridor that you can make it through

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<v Speaker 1>and then that's it for your lower floors. So it

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<v Speaker 1>doesn't make any sense. But with the advent of iron

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<v Speaker 1>and steel, you suddenly had relatively um lighter, stronger, and

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<v Speaker 1>thinner basically building materials to work with, so you could

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<v Speaker 1>go way taller and use up way less of a

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<v Speaker 1>footprint on the ground. Yeah. And you know, it started

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<v Speaker 1>with iron, so you could get these super long, sturdy,

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<v Speaker 1>solid beams. Uh. And then of course steel was even

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<v Speaker 1>lighter and stronger than iron. Actually came from iron or

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<v Speaker 1>comes from iron. Yeah, it's like super pure iron. Yeah,

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<v Speaker 1>and that the deal. I looked up that Bessemer process

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<v Speaker 1>a little bit, and then it glazed over a bit.

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<v Speaker 1>They mentioned the Bessemer process, but it was really something

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<v Speaker 1>called the open hearth process from sixty five that really

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<v Speaker 1>like brought steel into mass production. Is that just literally

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<v Speaker 1>removing impurities from iron is how you get steel. From

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<v Speaker 1>what I understand, it's super pure iron um. And I

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<v Speaker 1>mean steel has been around for since I think the

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<v Speaker 1>thirteenth century BC, so thousands of years we've been using steel.

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<v Speaker 1>But for the most part it's just been like some

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<v Speaker 1>some artists in blacksmith who like works with one small

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<v Speaker 1>piece at a time, and the steel that they were

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<v Speaker 1>making was not very good. It was pretty brittle, and

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<v Speaker 1>it was stronger than like you know, your average rock

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<v Speaker 1>or some thing like that, but you couldn't make a

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<v Speaker 1>building out of it. Then once they figured out that

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<v Speaker 1>Bessemer process and then the open hearth process where they

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<v Speaker 1>purified iron and could make large amounts of it at once.

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<v Speaker 1>Now you suddenly have the kind of climate that skyscrapers

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<v Speaker 1>couldn't be built in. Yeah, you know, the old saying

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<v Speaker 1>was you can't make a building from a long sword.

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<v Speaker 1>Now you can't or is it a broadsword either one?

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<v Speaker 1>It depends on what country you're in. Okay, alright, so

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<v Speaker 1>let's talk about my favorite part of this whole thing,

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<v Speaker 1>which is the skeleton and the superstructure. It's just so

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<v Speaker 1>beautifully simplistic. Again, the steel skeleton is the support structure

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<v Speaker 1>of a skyscraper. And these are literally just vertical columns

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<v Speaker 1>made up of metal beams that are riveted together end

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<v Speaker 1>to end right in a big giant box. And then

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<v Speaker 1>at every floor, first floor, a second floor, third floor,

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<v Speaker 1>I'll keep going. You're gonna have obviously horizontal girders and

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<v Speaker 1>those are just I was gonna say strapped. That wouldn't

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<v Speaker 1>be very safe there. Those are just riveted. A good

0:11:11.600 --> 0:11:14.840
<v Speaker 1>ratchet strap will do it right. Strapped with like a

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<v Speaker 1>bit of leather, that's it. That's what holds them together.

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<v Speaker 1>Those are riveted to the columns and that's it on top. Right,

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<v Speaker 1>So yeah, you've got we've got vertical columns going up,

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<v Speaker 1>you have girders going horizontally, and then you'll have like

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<v Speaker 1>diagonal supports that stabilize the girders. Right, came along a

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<v Speaker 1>little later, right. But all of these things put together,

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<v Speaker 1>it forms like like what it's called the skeleton, the

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<v Speaker 1>structure of the building, and it holds up everything because

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<v Speaker 1>everything is connected to those vertical columns, right, which is

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<v Speaker 1>pretty great, but it creates an issue in that all

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<v Speaker 1>the weight is getting transferred straight down through those vertical columns. Yeah,

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<v Speaker 1>that's what it does. So like all the horizontal weight,

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<v Speaker 1>like from the floors, from like the desks you put

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<v Speaker 1>in there, from the dry wall, from everything, it all

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<v Speaker 1>gets transferred to those vertical columns, which means that you

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<v Speaker 1>better have some number one sturdy vertical columns. But you

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<v Speaker 1>can't just build this thing on the sidewalk. You've got

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<v Speaker 1>to You've got to you've got to mount them pretty

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<v Speaker 1>well to the to the earth. And the way you

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<v Speaker 1>do that is there's a sub layer of clay that

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<v Speaker 1>you want to dig down to. Depending on how heavy

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<v Speaker 1>your building is if it's really heavy, you want to

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<v Speaker 1>dig down to the bedrock, which is the actual crust

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<v Speaker 1>of the earth. The rest is, you know, just debris

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<v Speaker 1>and detritus. Yeah. This, this substructure, I think is the

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<v Speaker 1>kind of the coolest thing. I agree. So you remember

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<v Speaker 1>we were talking about how, um, if you build with

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<v Speaker 1>brick and mortar, the taller you build, the thicker the

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<v Speaker 1>walls have to be to where you have like basically

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<v Speaker 1>no room left in the lower levels. They figured out

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<v Speaker 1>how to take that and put it underground and then

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<v Speaker 1>build a superstructure on top of it. And that's they did. Yeah.

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<v Speaker 1>So each little vertical column, and to make it simple,

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<v Speaker 1>let's just think of four corners of a building. Um

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<v Speaker 1>though the structure is much more complicated than that with

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<v Speaker 1>huge buildings obviously, But each one of those vertical columns

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<v Speaker 1>sits on a spread footing, which is basically and if

0:13:15.520 --> 0:13:18.000
<v Speaker 1>you look at the picture on the website article or

0:13:18.040 --> 0:13:22.400
<v Speaker 1>just google it, it's really again beautifully simplistic. It sits

0:13:22.440 --> 0:13:25.600
<v Speaker 1>on a big square cast iron plate, and then that

0:13:25.679 --> 0:13:29.960
<v Speaker 1>sits on what's called grillage, which are just stacks of

0:13:30.800 --> 0:13:33.760
<v Speaker 1>horizontal steel beams and they're just lined up and then

0:13:33.800 --> 0:13:36.480
<v Speaker 1>it's almost like a jinga tower. You'll you'll line them

0:13:36.559 --> 0:13:38.559
<v Speaker 1>up going one way, and then the next layer will

0:13:38.559 --> 0:13:41.439
<v Speaker 1>be lined up going the other way. And they've done

0:13:41.480 --> 0:13:44.480
<v Speaker 1>little math to figure out how many they need. And

0:13:44.720 --> 0:13:49.560
<v Speaker 1>that grillage sits on concrete, this big concrete pad. It's

0:13:49.640 --> 0:13:52.480
<v Speaker 1>on that clay or the bedrock, and then all of

0:13:52.520 --> 0:13:56.480
<v Speaker 1>that stuff is buried in concrete, very good measure, just

0:13:56.520 --> 0:13:59.040
<v Speaker 1>for good measures, and then they coat that. And Butter Scott,

0:14:01.559 --> 0:14:04.160
<v Speaker 1>I know that that's not getting good. So you've, like

0:14:04.200 --> 0:14:08.240
<v Speaker 1>you said, you just got this this pyramid essentially underground

0:14:08.760 --> 0:14:13.200
<v Speaker 1>supporting each column. The toughest pyramid anyone has ever made

0:14:13.200 --> 0:14:15.600
<v Speaker 1>in the history of humanity is one of these these

0:14:15.679 --> 0:14:18.679
<v Speaker 1>um spread footings. Tougher than the one from Bringing On

0:14:18.720 --> 0:14:21.680
<v Speaker 1>the movie. Yes, tougher than that one. This is a

0:14:21.680 --> 0:14:24.760
<v Speaker 1>good movie, by the way, that's what I've heard. Um.

0:14:24.800 --> 0:14:28.360
<v Speaker 1>But that's just under one vertical column. And again, if

0:14:28.400 --> 0:14:31.840
<v Speaker 1>you have just a simple four column structure, you've got

0:14:31.880 --> 0:14:35.160
<v Speaker 1>four of those taking the weight and distributing the force

0:14:35.200 --> 0:14:39.960
<v Speaker 1>of gravity pressing down on every square centimeter of this building.

0:14:40.320 --> 0:14:42.560
<v Speaker 1>It's it's going down to the spread footing and just

0:14:42.640 --> 0:14:46.320
<v Speaker 1>being distributed back into the earth, saying there you go, fellas,

0:14:46.720 --> 0:14:48.680
<v Speaker 1>go on your very way and leave this building. Be

0:14:49.200 --> 0:14:52.920
<v Speaker 1>that's right. I will take your load and spread it thin.

0:14:53.720 --> 0:14:55.680
<v Speaker 1>And before we take a break, we should mention that

0:14:55.880 --> 0:15:00.080
<v Speaker 1>all of this means this, this skeletal structure mean is

0:15:00.120 --> 0:15:03.400
<v Speaker 1>that your outer walls, which are the curtain walls, um,

0:15:03.480 --> 0:15:06.480
<v Speaker 1>they can be wide open. And so that's why you

0:15:06.560 --> 0:15:10.920
<v Speaker 1>see floor to ceiling glass and a lot to most

0:15:10.960 --> 0:15:14.880
<v Speaker 1>of these. Yeah, you don't need it to support anything, no,

0:15:15.200 --> 0:15:17.280
<v Speaker 1>just itself. That's the only thing it has to support.

0:15:17.320 --> 0:15:20.760
<v Speaker 1>So that was like a huge revolution in in construction.

0:15:20.840 --> 0:15:24.680
<v Speaker 1>The idea that you could build with this new material,

0:15:24.960 --> 0:15:28.120
<v Speaker 1>well not new but newly refined material, newly available material

0:15:28.400 --> 0:15:31.680
<v Speaker 1>that could support huge tall building and that you could

0:15:31.680 --> 0:15:34.720
<v Speaker 1>just put an outside wall onto. Well, then now you

0:15:34.760 --> 0:15:36.960
<v Speaker 1>can do whatever you want with these things. It really

0:15:37.040 --> 0:15:39.200
<v Speaker 1>kind of open things up and there was a huge

0:15:39.360 --> 0:15:44.360
<v Speaker 1>change in construction design and skyscrapers pretty quickly after they

0:15:44.360 --> 0:15:47.080
<v Speaker 1>were introduced. You want to take a break before we

0:15:47.120 --> 0:15:50.840
<v Speaker 1>talk about that, Yeah, because the functionality of this, which

0:15:50.880 --> 0:16:02.840
<v Speaker 1>comes next is uh, probably my second favorite thing. Oh boy,

0:16:17.440 --> 0:16:21.760
<v Speaker 1>All right, Chuck. So we're talking functionality, which, as you said,

0:16:22.200 --> 0:16:25.760
<v Speaker 1>is your second favorite thing about skyscrapers, right, Well, yeah,

0:16:25.840 --> 0:16:29.880
<v Speaker 1>because you think of an architect thinking, man, let's just

0:16:29.880 --> 0:16:32.880
<v Speaker 1>build this tall thing. But there's there's a function of

0:16:32.920 --> 0:16:36.680
<v Speaker 1>the building beyond let's make it look cool or impressive,

0:16:36.800 --> 0:16:40.640
<v Speaker 1>which is people live and work and run business out

0:16:40.640 --> 0:16:43.080
<v Speaker 1>of these things. Hey, by the way, I'm sorry man,

0:16:43.120 --> 0:16:46.160
<v Speaker 1>this is so it doesn't even qualifies a tangents so

0:16:46.280 --> 0:16:49.120
<v Speaker 1>off base, but you just said architect. One of our

0:16:49.240 --> 0:16:53.320
<v Speaker 1>architect friends, Adam Puffin and his wife Serena, welcome their

0:16:53.360 --> 0:16:57.520
<v Speaker 1>second son recently. Oh great, So congratulations you guys. And

0:16:57.640 --> 0:16:59.680
<v Speaker 1>I also while I'm at it, I want to give

0:17:00.040 --> 0:17:04.119
<v Speaker 1>out out to my friends Laurel and Branden for their

0:17:04.160 --> 0:17:08.200
<v Speaker 1>second son as well. So everybody's having second sons these days.

0:17:08.200 --> 0:17:10.439
<v Speaker 1>In congratulations to all of you guys. That's great. You

0:17:10.480 --> 0:17:14.000
<v Speaker 1>know Adam, Um, I'm actually building my house up and

0:17:14.080 --> 0:17:18.280
<v Speaker 1>putting on a second story. And sent some plans to

0:17:18.359 --> 0:17:21.439
<v Speaker 1>Adam that didn't quite look right. Said, hey, man, you

0:17:21.480 --> 0:17:23.520
<v Speaker 1>know you told me in New York to hit you

0:17:23.600 --> 0:17:26.560
<v Speaker 1>up for a little free consult And he said, here's

0:17:26.560 --> 0:17:29.920
<v Speaker 1>what's wrong. And he went and just sent me back

0:17:29.960 --> 0:17:33.199
<v Speaker 1>a little advice sketch. Oh that was very cool, and

0:17:33.240 --> 0:17:35.040
<v Speaker 1>I was like, he kind of solved it. He's like,

0:17:35.160 --> 0:17:38.920
<v Speaker 1>it was fine. They just head it upside down. Now

0:17:39.000 --> 0:17:41.440
<v Speaker 1>it's fixed, gonna be weird looking. Yeah, that was nice

0:17:41.440 --> 0:17:43.240
<v Speaker 1>of him. Did you send him like a muffin basket

0:17:43.320 --> 0:17:45.280
<v Speaker 1>or something. I didn't, but maybe I'll send him like

0:17:45.640 --> 0:17:48.400
<v Speaker 1>some baby booties. Now, Oh, there you go, because made

0:17:48.400 --> 0:17:54.320
<v Speaker 1>of muffets, baby booties. All right, So these things have

0:17:54.359 --> 0:17:57.280
<v Speaker 1>to be functional because people work in them. Big business

0:17:57.359 --> 0:18:01.639
<v Speaker 1>runs out of these things. Important things happen, and much

0:18:01.760 --> 0:18:05.879
<v Speaker 1>like when we were designing our second floor, it's not

0:18:05.960 --> 0:18:09.560
<v Speaker 1>as easy as just boom, there's a second story. When

0:18:09.560 --> 0:18:12.200
<v Speaker 1>we were working with our local architect, he was like, well,

0:18:12.280 --> 0:18:14.800
<v Speaker 1>you gotta get up there. And that's when it first

0:18:14.880 --> 0:18:17.480
<v Speaker 1>hit me of the problem. What wait, what did he

0:18:17.520 --> 0:18:19.480
<v Speaker 1>mean by that? You have to be able to access

0:18:19.680 --> 0:18:22.760
<v Speaker 1>the second story. So that's when it really hit home

0:18:22.920 --> 0:18:26.239
<v Speaker 1>the problem of stairs. And he was like, no one

0:18:26.280 --> 0:18:28.800
<v Speaker 1>ever thinks about it. And he said that's usually the

0:18:28.840 --> 0:18:32.520
<v Speaker 1>biggest issue when designing, like a second floor build on

0:18:32.600 --> 0:18:36.040
<v Speaker 1>an existing home is that you've got to fit stair somewhere.

0:18:36.440 --> 0:18:41.840
<v Speaker 1>In the case of skyscrapers, those stairs become elevators. Right,

0:18:41.960 --> 0:18:46.040
<v Speaker 1>which you don't think about it at all. And yeah,

0:18:46.280 --> 0:18:49.680
<v Speaker 1>it's you would not have skyscrapers if you didn't have elevators,

0:18:50.000 --> 0:18:52.600
<v Speaker 1>and it just so happens that they coincided at about

0:18:52.640 --> 0:18:55.680
<v Speaker 1>the same time. Yeah, I think in New York a

0:18:55.760 --> 0:19:00.320
<v Speaker 1>department store in eightifty seven was the first passenger evader.

0:19:00.920 --> 0:19:07.040
<v Speaker 1>It was an Otis brand elevator. That's great, was it really? Yeah? Yeah,

0:19:07.160 --> 0:19:10.000
<v Speaker 1>I think built by Elijah Otis himself. I love that.

0:19:10.920 --> 0:19:13.560
<v Speaker 1>I'm pretty sure it's a him. I'd feel really terrible

0:19:13.600 --> 0:19:15.840
<v Speaker 1>if that was, like, like the inventor of the elevator

0:19:15.920 --> 0:19:17.439
<v Speaker 1>was a woman and I didn't know it. You know,

0:19:18.520 --> 0:19:21.600
<v Speaker 1>I agree for shame. I guess the h makes it

0:19:21.640 --> 0:19:24.560
<v Speaker 1>a him. If it was Eliza Otis, then it'd be

0:19:24.600 --> 0:19:27.840
<v Speaker 1>a woman. But Elijah Otis is the man's version of

0:19:27.880 --> 0:19:31.920
<v Speaker 1>that probably so okay, but we'll check on that. Uh

0:19:31.960 --> 0:19:34.600
<v Speaker 1>and if we're wrong, then we will have re recorded

0:19:34.640 --> 0:19:38.159
<v Speaker 1>that and you will never know. But this elevator is

0:19:38.240 --> 0:19:41.200
<v Speaker 1>it points out this article is very plainly like it's

0:19:41.240 --> 0:19:45.000
<v Speaker 1>a balancing act, like you need to get you can't

0:19:45.000 --> 0:19:47.720
<v Speaker 1>have a lobby full of people standing in line for

0:19:47.760 --> 0:19:50.880
<v Speaker 1>fifteen minutes because you don't have enough elevators, but then

0:19:50.920 --> 0:19:53.040
<v Speaker 1>elevator chefts take up a lot of room in the building.

0:19:53.640 --> 0:19:56.040
<v Speaker 1>So you've got to do the math and figure out

0:19:56.160 --> 0:20:00.119
<v Speaker 1>the perfect little balance between how many people can we

0:20:00.160 --> 0:20:03.119
<v Speaker 1>have in this office tower and how many elevators do

0:20:03.160 --> 0:20:05.480
<v Speaker 1>we need to get them there in due time? Right?

0:20:05.560 --> 0:20:08.320
<v Speaker 1>And so first of all, we talked about elevators in

0:20:08.359 --> 0:20:13.000
<v Speaker 1>our elevators episode. Great episode if you remember correctly. Um,

0:20:13.080 --> 0:20:17.679
<v Speaker 1>but when you add elevators, you're taking up valuable real estate, right, Like,

0:20:17.760 --> 0:20:19.720
<v Speaker 1>that's just a place where you can't put in office

0:20:19.800 --> 0:20:22.680
<v Speaker 1>because you've got an elevator shaft going there. So if

0:20:22.680 --> 0:20:24.720
<v Speaker 1>you want to make your money back on the that

0:20:24.800 --> 0:20:27.560
<v Speaker 1>real estate, you got to add more floors. But if

0:20:27.560 --> 0:20:30.119
<v Speaker 1>you have more floors, you have more people. If you

0:20:30.119 --> 0:20:32.159
<v Speaker 1>have more people, you need more elevators. So they're an

0:20:32.240 --> 0:20:36.119
<v Speaker 1>architect to do, right. You just go home for the day.

0:20:36.760 --> 0:20:40.160
<v Speaker 1>Elijah O just by the way, either a magnificently bearded

0:20:40.200 --> 0:20:48.600
<v Speaker 1>woman or an actual man. Good okay, remedia update. Yeah,

0:20:48.800 --> 0:20:51.240
<v Speaker 1>and look at the hair too. He's basically got my haircut,

0:20:51.320 --> 0:20:55.520
<v Speaker 1>except it's a little wavier on the sides. Nice. So

0:20:55.960 --> 0:21:00.639
<v Speaker 1>we couldn't have skyscrapers without elevators. Apparently, think five or

0:21:00.640 --> 0:21:02.840
<v Speaker 1>six floors is about the max you would want to

0:21:02.920 --> 0:21:05.359
<v Speaker 1>not have an elevator in. And this is all before

0:21:05.400 --> 0:21:10.560
<v Speaker 1>the American with Disabilities Act, right, So just just from

0:21:10.600 --> 0:21:13.480
<v Speaker 1>just logistically speaking, you couldn't go more than five or

0:21:13.520 --> 0:21:17.440
<v Speaker 1>six floors, So we've got elevators. There's also another innovation

0:21:17.520 --> 0:21:20.320
<v Speaker 1>that had to happen, and that was with um like

0:21:20.440 --> 0:21:25.080
<v Speaker 1>fire sprinklers, which those came surprisingly late for a lot

0:21:25.080 --> 0:21:27.160
<v Speaker 1>of commercial buildings, like there are a lot of hotel

0:21:27.200 --> 0:21:30.960
<v Speaker 1>fires up until the early nineteen eighties that killed a

0:21:31.000 --> 0:21:34.680
<v Speaker 1>lot of people before they finally mandated that you need

0:21:34.920 --> 0:21:40.320
<v Speaker 1>sprinklers in these things because it's ridiculously dangerous to not

0:21:40.400 --> 0:21:43.920
<v Speaker 1>have fire sprinklers. But with the advent inspired fire sprinklers,

0:21:43.920 --> 0:21:47.959
<v Speaker 1>it made buildings a lot, a lot safer um and

0:21:48.040 --> 0:21:50.000
<v Speaker 1>that was one thing that you want to have in

0:21:50.720 --> 0:21:54.480
<v Speaker 1>a high rise or a skyscraper because it's really it

0:21:54.560 --> 0:21:57.399
<v Speaker 1>takes a while to get downstairs during a fire, so

0:21:57.440 --> 0:21:59.000
<v Speaker 1>you just want the fire to be put out so

0:21:59.040 --> 0:22:01.239
<v Speaker 1>you can get back to work. Yeah, and then the

0:22:01.240 --> 0:22:05.760
<v Speaker 1>final little piece of that puzzle of design is uh too,

0:22:06.440 --> 0:22:08.320
<v Speaker 1>it should be a place people want to be in

0:22:08.359 --> 0:22:12.280
<v Speaker 1>an office they want to work in within reason, so

0:22:12.680 --> 0:22:15.840
<v Speaker 1>the comfort of the occupants is a big deal. Um,

0:22:15.880 --> 0:22:18.199
<v Speaker 1>when they designed the Empire State Building, they wanted to

0:22:18.240 --> 0:22:22.640
<v Speaker 1>make sure that no one would ever be more than

0:22:22.680 --> 0:22:25.840
<v Speaker 1>fifty sorry, thirty feet away from a window, which is

0:22:25.880 --> 0:22:28.800
<v Speaker 1>a nice a nice thing to do. It is because sunlight,

0:22:29.280 --> 0:22:33.520
<v Speaker 1>everyone knows, reaches thirty two ft. So there you get.

0:22:33.840 --> 0:22:36.520
<v Speaker 1>And did you uh did you see? Did you look

0:22:36.560 --> 0:22:41.119
<v Speaker 1>up this commerce bunk in Germany? No? I didn't, I

0:22:41.480 --> 0:22:44.760
<v Speaker 1>did not. It's really lovely. They have all these indoor

0:22:44.800 --> 0:22:48.000
<v Speaker 1>gardens and it's just gorgeous. It's like a place that

0:22:48.040 --> 0:22:50.160
<v Speaker 1>you look at and you think and you know it's

0:22:50.160 --> 0:22:53.520
<v Speaker 1>not they're not silk plants. They're real trees and things.

0:22:54.160 --> 0:22:57.960
<v Speaker 1>Oh yeah, it is beautiful. I love that, Like, I

0:22:58.040 --> 0:23:02.159
<v Speaker 1>just love that about buildings that have like indoor straight

0:23:02.240 --> 0:23:07.800
<v Speaker 1>up like gardens. You know, there's, um, there's one I

0:23:07.840 --> 0:23:10.080
<v Speaker 1>can't remember where it is, somewhere in Dunwoody that has

0:23:10.119 --> 0:23:13.440
<v Speaker 1>like waterfalls and stuff like that and trees going in there.

0:23:14.040 --> 0:23:17.800
<v Speaker 1>Like I always appreciated embassy suites because they usually I

0:23:17.880 --> 0:23:19.560
<v Speaker 1>don't think they do anymore, but they used to have

0:23:19.640 --> 0:23:22.400
<v Speaker 1>like whole like gardens and stuff in the in the

0:23:22.440 --> 0:23:26.600
<v Speaker 1>lobby and everything. There's just something about a garden inside

0:23:26.720 --> 0:23:30.800
<v Speaker 1>a house or a building that says like we own

0:23:30.840 --> 0:23:35.919
<v Speaker 1>you nature, you know, wonderfully oppressive thing. Maybe that's what

0:23:36.000 --> 0:23:38.439
<v Speaker 1>I appreciate about it. What's the one in Atlanta with

0:23:38.440 --> 0:23:45.840
<v Speaker 1>the great interior atrium. I don't know, Oh, the Marriott Marquis. Yeah,

0:23:46.000 --> 0:23:49.440
<v Speaker 1>the one with the elevators. Yeah, yeah, yeah, the Marquis. Yeah.

0:23:49.480 --> 0:23:51.639
<v Speaker 1>I mean it's still I can't remember. It is a

0:23:51.640 --> 0:23:56.360
<v Speaker 1>pretty famous architect and designer who I think passed away

0:23:56.400 --> 0:23:59.879
<v Speaker 1>within the last year or so. Yeah, and that's one

0:23:59.880 --> 0:24:01.399
<v Speaker 1>of the great And there are a lot of good

0:24:01.400 --> 0:24:02.960
<v Speaker 1>plants in there too, But that's one of the great

0:24:03.520 --> 0:24:07.840
<v Speaker 1>sort of retro interior atriums that I've seen. Yeah, it's

0:24:07.880 --> 0:24:12.000
<v Speaker 1>got that great like mod feel to it. Um. It's

0:24:12.080 --> 0:24:15.040
<v Speaker 1>just it's a good, good building. I wonder who did it.

0:24:15.560 --> 0:24:18.160
<v Speaker 1>I can't remember. Um. I remember though, being in when

0:24:18.160 --> 0:24:20.920
<v Speaker 1>I was a I believe a senior in high school.

0:24:20.960 --> 0:24:22.680
<v Speaker 1>That was where the party was on New Year's Eve

0:24:23.480 --> 0:24:26.480
<v Speaker 1>and they, you know, somehow rented rooms to a bunch

0:24:26.520 --> 0:24:31.040
<v Speaker 1>of seventeen year olds throughout the building. Yeah, that's dangerous

0:24:31.160 --> 0:24:35.000
<v Speaker 1>and it was dangerous like for real, Like I remember,

0:24:35.600 --> 0:24:38.880
<v Speaker 1>I remember hugging the only covered part was the very

0:24:38.880 --> 0:24:41.000
<v Speaker 1>like you had to kind of hug the wall and

0:24:41.080 --> 0:24:43.080
<v Speaker 1>you had a at a lip that you could walk under,

0:24:43.800 --> 0:24:47.720
<v Speaker 1>and I remember walking under there and seeing televisions and

0:24:47.800 --> 0:24:52.120
<v Speaker 1>potted plants like smashing on the on the floor from

0:24:52.440 --> 0:24:58.080
<v Speaker 1>idiot children off the balconies. That is so dangerous. Oh

0:24:58.119 --> 0:25:00.920
<v Speaker 1>my god. They changed. That was like the last year.

0:25:00.960 --> 0:25:03.600
<v Speaker 1>They had a big policy shift after that. That's like

0:25:03.640 --> 0:25:06.119
<v Speaker 1>the Lord of the Flies. It was, I mean, my

0:25:06.160 --> 0:25:08.080
<v Speaker 1>friends and I we were I mean I didn't drink

0:25:08.119 --> 0:25:10.280
<v Speaker 1>in high school, but all my friends were. But we

0:25:10.280 --> 0:25:12.159
<v Speaker 1>were all like, man, we're getting out of here. This

0:25:12.200 --> 0:25:18.400
<v Speaker 1>is bad news. So we were good kids. Good for you, buddy.

0:25:18.960 --> 0:25:21.960
<v Speaker 1>By the way, it was John C. Portman Jr. Who

0:25:22.080 --> 0:25:26.159
<v Speaker 1>was the architect. Nice work, all right, Chuck. Now we

0:25:26.280 --> 0:25:30.399
<v Speaker 1>come to it might be my favorite, if not second

0:25:30.440 --> 0:25:34.080
<v Speaker 1>favorite part, which is what wind does to a skyscraper

0:25:34.240 --> 0:25:37.879
<v Speaker 1>take it away? So when does some crazy stuff to

0:25:37.920 --> 0:25:44.359
<v Speaker 1>a skyscraper the end it blows on it. Yeah, actually

0:25:44.400 --> 0:25:47.720
<v Speaker 1>it does crazy stuff. So like the when when when

0:25:47.760 --> 0:25:52.960
<v Speaker 1>wind encounters a skyscraper, a skyscraper will sway. Okay, that's

0:25:53.000 --> 0:25:58.760
<v Speaker 1>actually Okay, they have designed skyscrapers taking into account really

0:25:58.840 --> 0:26:03.119
<v Speaker 1>heavy gusts of wind, and the building is almost certainly

0:26:03.160 --> 0:26:06.480
<v Speaker 1>not going to fall down. There's actually this really great

0:26:06.520 --> 0:26:11.200
<v Speaker 1>New Yorker story from the nineties about a it's called

0:26:11.240 --> 0:26:14.359
<v Speaker 1>the fifty nine Story Crisis, and it's about the City

0:26:14.359 --> 0:26:18.679
<v Speaker 1>Corps Center, which in eight opened and after it opened,

0:26:19.760 --> 0:26:23.560
<v Speaker 1>basically the architect or the engineer realized he like didn't

0:26:23.600 --> 0:26:26.560
<v Speaker 1>carry a one or something like that, and that the

0:26:26.600 --> 0:26:30.119
<v Speaker 1>whole building was in danger of collapsing fully occupied now,

0:26:30.520 --> 0:26:33.760
<v Speaker 1>and that there were there were hurricanes headed toward New

0:26:33.880 --> 0:26:37.160
<v Speaker 1>York that had just the kind of wind that could

0:26:37.320 --> 0:26:40.080
<v Speaker 1>knock this building down. So they did like this emergency

0:26:40.240 --> 0:26:47.399
<v Speaker 1>retro like um like support structure addition, like they carved

0:26:47.400 --> 0:26:50.040
<v Speaker 1>out the interior walls and just started working on it,

0:26:50.200 --> 0:26:54.960
<v Speaker 1>and they managed to save the building for so the

0:26:55.000 --> 0:26:58.640
<v Speaker 1>dampers different. This was like they added like basically extra rivets.

0:26:58.880 --> 0:27:01.520
<v Speaker 1>He went cheap on the river, It's or something like that. Well,

0:27:01.680 --> 0:27:03.440
<v Speaker 1>I did think it was funny. In the article it said,

0:27:03.480 --> 0:27:05.159
<v Speaker 1>you know one thing you can do is just simply

0:27:05.600 --> 0:27:08.640
<v Speaker 1>tighten up the rivets and things. Right, I'm like, when

0:27:08.720 --> 0:27:11.920
<v Speaker 1>do you go? May I feel like it's tight enough. Well,

0:27:12.200 --> 0:27:16.960
<v Speaker 1>so I think, right, more than perfectly tight. Right. I

0:27:17.320 --> 0:27:20.160
<v Speaker 1>think they're saying, if you add more rivets and more places,

0:27:20.160 --> 0:27:26.040
<v Speaker 1>it'll it'll make the building stronger, and and um, it won't.

0:27:26.640 --> 0:27:32.359
<v Speaker 1>It won't um strain underneath the wind. The problem is

0:27:32.359 --> 0:27:34.440
<v Speaker 1>is what you've just done is create like a very

0:27:34.600 --> 0:27:38.400
<v Speaker 1>solid pole, and just with any kind of pole, when

0:27:38.440 --> 0:27:41.399
<v Speaker 1>it sways, the end of it, like a fishing pole,

0:27:41.480 --> 0:27:44.440
<v Speaker 1>is the part that bobbles the most. Right, same thing

0:27:44.520 --> 0:27:48.040
<v Speaker 1>with the skyscraper. So the upper floors are really and

0:27:48.280 --> 0:27:52.360
<v Speaker 1>they they're subject to sway from the wind. Again, they

0:27:52.720 --> 0:27:57.120
<v Speaker 1>usually except for this city Corp thing, they usually account

0:27:57.119 --> 0:28:00.240
<v Speaker 1>for this stuff and then something. But the problem is

0:28:00.880 --> 0:28:05.320
<v Speaker 1>humans get really freaked out, and not just like psychologically,

0:28:05.359 --> 0:28:08.960
<v Speaker 1>like on a primal level, get really freaked out when

0:28:08.960 --> 0:28:11.800
<v Speaker 1>we're high up and we start moving and we're not

0:28:11.880 --> 0:28:15.520
<v Speaker 1>we're not under it's not under our control. So like

0:28:16.280 --> 0:28:18.840
<v Speaker 1>the building might be sound, but if word gets out

0:28:18.880 --> 0:28:22.200
<v Speaker 1>from people that that it sways, people will think it's

0:28:22.240 --> 0:28:26.440
<v Speaker 1>not sound, and so you'll never sell the upper floors,

0:28:26.440 --> 0:28:28.200
<v Speaker 1>you'll never run out the upper floors, and maybe the

0:28:28.200 --> 0:28:30.720
<v Speaker 1>whole building will be stayed away from because people will

0:28:30.720 --> 0:28:33.600
<v Speaker 1>think it's going to collapse at any moment. So because

0:28:33.640 --> 0:28:37.359
<v Speaker 1>of this rumor, mill engineers actually designed for the most

0:28:37.400 --> 0:28:41.480
<v Speaker 1>sensitive people, um, who I think can sent something like

0:28:42.200 --> 0:28:45.800
<v Speaker 1>fifteen milli ges. So a G is like a force

0:28:45.840 --> 0:28:49.280
<v Speaker 1>of acceleration, which is actually what you're sensing when you're

0:28:49.320 --> 0:28:52.120
<v Speaker 1>swaying somewhere, like in the top of a building. This

0:28:52.160 --> 0:28:56.400
<v Speaker 1>is fifteen thousands of one G. Right when you're on

0:28:56.440 --> 0:28:59.640
<v Speaker 1>a roller coaster, you're experiencing like three four five g's

0:29:00.160 --> 0:29:04.200
<v Speaker 1>is fifteen thousands of one G. And that's what they

0:29:04.280 --> 0:29:07.440
<v Speaker 1>designed for. Because beyond that, they found people will start

0:29:07.480 --> 0:29:10.320
<v Speaker 1>complaining and then word might get out to the buildings unsound,

0:29:10.600 --> 0:29:13.200
<v Speaker 1>like bring more in here. He's a real whimp. Yeah,

0:29:13.200 --> 0:29:17.560
<v Speaker 1>exactly what do you think more? Oh right, Okay, tighten

0:29:17.600 --> 0:29:21.120
<v Speaker 1>it up, everybody. But tight tightening it up only goes

0:29:21.200 --> 0:29:25.160
<v Speaker 1>so far, right, Um, If the taller you get, tightening

0:29:25.200 --> 0:29:27.520
<v Speaker 1>doesn't help. So you've got to add other stuff. They

0:29:27.640 --> 0:29:30.320
<v Speaker 1>come up with some pretty ingenious stuff for that. Yeah,

0:29:30.360 --> 0:29:32.480
<v Speaker 1>Like in the sort of I guess what I would

0:29:32.520 --> 0:29:35.719
<v Speaker 1>call the Middle period, like empire state building period, they

0:29:35.760 --> 0:29:38.959
<v Speaker 1>started just around that elevator shaft in the middle just

0:29:39.160 --> 0:29:43.080
<v Speaker 1>trusting that up with more beams, diagonal beams, and then

0:29:43.120 --> 0:29:47.760
<v Speaker 1>more recently they've just built these huge concrete cores right

0:29:47.760 --> 0:29:50.880
<v Speaker 1>in the center of the building. But that's not the

0:29:50.920 --> 0:29:53.920
<v Speaker 1>coolest part, is it. No, the dampers the coolest part,

0:29:54.040 --> 0:29:57.760
<v Speaker 1>or the mass tune damper. I think, yeah, you're tuned

0:29:57.840 --> 0:30:00.640
<v Speaker 1>mass damper. I'm sorry, and I think we' talked about this.

0:30:00.720 --> 0:30:03.880
<v Speaker 1>It must have been in the nine eleven memorial. Yeah,

0:30:03.960 --> 0:30:05.760
<v Speaker 1>I think so. But this is one of those things

0:30:05.760 --> 0:30:08.400
<v Speaker 1>that again it seems like, whoa, they're getting really complex

0:30:09.040 --> 0:30:13.240
<v Speaker 1>because they're using computers and things now, but at its root,

0:30:13.920 --> 0:30:19.800
<v Speaker 1>tuned massd amper system is also super rudimentary, don't you think, Yeah,

0:30:19.800 --> 0:30:22.360
<v Speaker 1>it really is. So like if the building swaying one way,

0:30:22.440 --> 0:30:26.200
<v Speaker 1>they'll put like a huge like concrete disc on top

0:30:26.240 --> 0:30:29.000
<v Speaker 1>of some oil or something so it can slide, and

0:30:29.040 --> 0:30:32.560
<v Speaker 1>they'll move that the opposite way. So it's like, you know,

0:30:32.600 --> 0:30:34.520
<v Speaker 1>how like if you're walking a tight rope or on

0:30:34.640 --> 0:30:37.040
<v Speaker 1>like a train track or something like that, and you

0:30:37.080 --> 0:30:39.680
<v Speaker 1>start to sway one way like you're gonna fall off,

0:30:39.920 --> 0:30:42.600
<v Speaker 1>you shift your body's weight the other way and you

0:30:42.680 --> 0:30:45.800
<v Speaker 1>managed to stay upright. This is the same thing but

0:30:45.920 --> 0:30:48.640
<v Speaker 1>with the building going one way, the concrete disc goes

0:30:48.720 --> 0:30:51.920
<v Speaker 1>the other way, and the building sway is kept within

0:30:51.960 --> 0:30:54.840
<v Speaker 1>an acceptable limit. Yeah, I mean, it's it's amazing that

0:30:54.960 --> 0:30:57.760
<v Speaker 1>someone just said, what if we what if we swung

0:30:57.760 --> 0:31:01.320
<v Speaker 1>a big weight up there to interact this way? And

0:31:01.360 --> 0:31:03.320
<v Speaker 1>you know, it gets a little with you know, hydraulics,

0:31:03.320 --> 0:31:07.520
<v Speaker 1>and the computer is actually is what's what's monitoring the

0:31:07.560 --> 0:31:10.000
<v Speaker 1>wind and operating this thing. So that's where it gets

0:31:10.000 --> 0:31:13.160
<v Speaker 1>a little complicated. But at its root, it's just like

0:31:13.160 --> 0:31:15.280
<v Speaker 1>like again like a kid said, well, why don't you

0:31:15.320 --> 0:31:18.320
<v Speaker 1>just do this right? And so so there's some that

0:31:18.480 --> 0:31:21.840
<v Speaker 1>use like the huge concrete weight. Some will use enormous

0:31:22.080 --> 0:31:25.880
<v Speaker 1>gallon like um vats of water to slash back and

0:31:25.920 --> 0:31:31.080
<v Speaker 1>forth against this way. Um there's this stuff called magnet

0:31:31.120 --> 0:31:36.000
<v Speaker 1>or heological fluid, which changes from a solid It's normally

0:31:36.040 --> 0:31:37.760
<v Speaker 1>in a solid state, and then when you pass a

0:31:37.760 --> 0:31:40.920
<v Speaker 1>magnetic field over it, it just instantly turns to fluid.

0:31:41.720 --> 0:31:45.160
<v Speaker 1>So they have some dampers and some buildings. I don't

0:31:45.160 --> 0:31:46.920
<v Speaker 1>know if it's actually in use or not, or if

0:31:46.960 --> 0:31:50.000
<v Speaker 1>it's still proposed, but on each floor towards the center

0:31:50.000 --> 0:31:52.160
<v Speaker 1>of the building, you'll have a damper made of this

0:31:52.280 --> 0:31:56.440
<v Speaker 1>stuff in like a vat, and then when like say,

0:31:56.560 --> 0:31:59.840
<v Speaker 1>an earthquake is detected or some sort of seismic ac

0:32:00.000 --> 0:32:03.520
<v Speaker 1>ativity is detected, it'll trip a magnet that runs a

0:32:03.520 --> 0:32:05.400
<v Speaker 1>magnetic field over these things, and all of a sudden

0:32:05.440 --> 0:32:09.000
<v Speaker 1>they turn into liquid and they start slashing the opposite

0:32:09.000 --> 0:32:12.920
<v Speaker 1>way and keep the building from swaying too far too

0:32:13.160 --> 0:32:16.360
<v Speaker 1>All right, well, that's not rudimentary. No, it's not. That's magic,

0:32:16.440 --> 0:32:19.480
<v Speaker 1>that's voodoo. It is pretty pretty much. Should we take

0:32:19.480 --> 0:32:22.320
<v Speaker 1>a break, I think? I think so, man, all right,

0:32:22.360 --> 0:32:50.200
<v Speaker 1>well we'll talk a little bit about design right after this. Okay, chuck,

0:32:50.280 --> 0:32:53.800
<v Speaker 1>So we're on the design now, by the way. Yeah,

0:32:54.640 --> 0:32:57.360
<v Speaker 1>And the earliest ones were basically like, look at the

0:32:57.400 --> 0:32:59.840
<v Speaker 1>size of this building I built, and everyone said, well,

0:33:00.280 --> 0:33:04.280
<v Speaker 1>it's ugly as sin, And the architect and an engineer

0:33:04.320 --> 0:33:06.800
<v Speaker 1>and the builder and the owner would say, it doesn't matter.

0:33:06.920 --> 0:33:10.040
<v Speaker 1>It's taller than any of your buildings. And everyone would say,

0:33:10.080 --> 0:33:13.320
<v Speaker 1>that's that's true. But as as billings got taller and taller,

0:33:13.360 --> 0:33:15.800
<v Speaker 1>and like a new one went up every few months

0:33:15.880 --> 0:33:17.960
<v Speaker 1>or a few you know, every year, and some of

0:33:18.000 --> 0:33:22.320
<v Speaker 1>the city's um around the world, like New York London

0:33:23.640 --> 0:33:30.560
<v Speaker 1>those two, Um, like, it became a lot more um

0:33:30.600 --> 0:33:34.200
<v Speaker 1>important what the building looked like. Yeah. So, I mean

0:33:34.240 --> 0:33:37.080
<v Speaker 1>in the twenties and thirties into the forties with what

0:33:37.440 --> 0:33:40.760
<v Speaker 1>one of my favorite movements, the Art Deco movement. Love it.

0:33:41.200 --> 0:33:44.560
<v Speaker 1>You get my favorite building, which is the Chrysler Building, uh,

0:33:44.600 --> 0:33:47.560
<v Speaker 1>and the Empire State Building, which is still just gorgeous

0:33:47.560 --> 0:33:50.840
<v Speaker 1>to look at. You know. So when we're in New Zealand,

0:33:50.840 --> 0:33:53.320
<v Speaker 1>if you have time, there's a town there called Napier

0:33:54.400 --> 0:33:58.600
<v Speaker 1>and it got leveled by an earthquake in n and

0:33:58.680 --> 0:34:01.760
<v Speaker 1>they said, well, we're gonna rebuild the town. What's like

0:34:01.800 --> 0:34:07.040
<v Speaker 1>the current um trend in architecture. Oh, it's Art Deco.

0:34:07.280 --> 0:34:12.080
<v Speaker 1>So it's an Art Deco town. The town is it's gorgeous. Man,

0:34:12.560 --> 0:34:15.120
<v Speaker 1>it's all in like pastels and everything is just a

0:34:15.160 --> 0:34:18.680
<v Speaker 1>beautiful town from the nineteen thirties that they just rebuild

0:34:18.719 --> 0:34:24.239
<v Speaker 1>all all Art deco. Um. So you know that was

0:34:25.040 --> 0:34:28.239
<v Speaker 1>that rang true for a while, but then eventually you know, like, um,

0:34:28.280 --> 0:34:30.640
<v Speaker 1>you know, architecture goes and trends, and we had a

0:34:30.719 --> 0:34:34.320
<v Speaker 1>bad trend in the nineteen sixties. And in Atlanta certainly

0:34:34.320 --> 0:34:37.480
<v Speaker 1>has its share of international style buildings that is what

0:34:37.520 --> 0:34:41.000
<v Speaker 1>it's called, which I don't know why, but for some reason,

0:34:41.520 --> 0:34:47.000
<v Speaker 1>they sort of just reverted back to these monoliths. Uh

0:34:47.040 --> 0:34:49.320
<v Speaker 1>and and a lot of them were torn down Atlanta,

0:34:49.400 --> 0:34:51.319
<v Speaker 1>but some of them are still here and they're just

0:34:51.960 --> 0:34:54.560
<v Speaker 1>they're the ugliest buildings in the city. I like some

0:34:54.640 --> 0:34:57.239
<v Speaker 1>of them, like not necessarily the ones in Atlanta, but

0:34:57.520 --> 0:35:00.840
<v Speaker 1>like the Sears Tower, the Willis Tower is is an

0:35:00.880 --> 0:35:06.800
<v Speaker 1>international style. Yeah, the un interesting at least because it's staggered, right, Okay,

0:35:06.800 --> 0:35:10.759
<v Speaker 1>that's still technically international style. UN Headquarters in New York

0:35:11.120 --> 0:35:14.600
<v Speaker 1>International style. Some of them can have a retro style, now, right,

0:35:14.960 --> 0:35:16.879
<v Speaker 1>I think that's what I appreciate about something. But yeah,

0:35:16.880 --> 0:35:18.640
<v Speaker 1>you're right, and some of them are also just like that.

0:35:18.719 --> 0:35:23.359
<v Speaker 1>It's just fuggle. Yeah you know. Uh and this year's

0:35:23.360 --> 0:35:25.440
<v Speaker 1>are Willis Tower. We still call it this Year's tower.

0:35:25.560 --> 0:35:29.400
<v Speaker 1>Let's be honest. Um, that one is unique in that

0:35:29.719 --> 0:35:35.359
<v Speaker 1>it is uh it's it's tubes, right, yeah, and they're

0:35:35.360 --> 0:35:38.040
<v Speaker 1>staggered in height. So they kind of played with this

0:35:38.120 --> 0:35:41.640
<v Speaker 1>new thing for um. I think I don't know if

0:35:41.680 --> 0:35:44.080
<v Speaker 1>it was for the skeleton or what, but they built

0:35:44.120 --> 0:35:47.279
<v Speaker 1>like steel tubes and then fill them with concrete, so

0:35:47.320 --> 0:35:50.600
<v Speaker 1>that provided the structure. But they they they staggered them,

0:35:50.680 --> 0:35:54.640
<v Speaker 1>so it created this cool look to the building that

0:35:54.760 --> 0:35:58.080
<v Speaker 1>it's known for. Yeah. I did the Architectural River tour

0:35:58.120 --> 0:36:01.040
<v Speaker 1>in Chicago when I was there last summer, and the

0:36:01.440 --> 0:36:03.160
<v Speaker 1>lady we had was great and she told us the story.

0:36:03.200 --> 0:36:06.640
<v Speaker 1>I just couldn't remember it quite right. Yeah, it is

0:36:06.680 --> 0:36:10.759
<v Speaker 1>the Series Tower. I feel bad for Mr Willis, but

0:36:11.280 --> 0:36:16.919
<v Speaker 1>it's it's just the Series Tower. Um. And then you've

0:36:16.960 --> 0:36:21.759
<v Speaker 1>got now kind of like like whatever, whatever you want

0:36:21.800 --> 0:36:24.640
<v Speaker 1>to do, that's that's what we want. Like in some

0:36:24.640 --> 0:36:28.080
<v Speaker 1>some are great, some are not so great. But I

0:36:28.120 --> 0:36:30.839
<v Speaker 1>think that's always been the way with skyscrapers. Some are great,

0:36:30.960 --> 0:36:33.200
<v Speaker 1>some are not so great. But either way, you've got

0:36:33.200 --> 0:36:36.120
<v Speaker 1>a big old sky scraper in your city now, whether

0:36:36.200 --> 0:36:38.359
<v Speaker 1>you like it how it looks or not. Yeah, they're

0:36:38.360 --> 0:36:41.040
<v Speaker 1>getting kind of funky, like in a place like New

0:36:41.120 --> 0:36:45.719
<v Speaker 1>York where it's um like even one uh is it

0:36:45.840 --> 0:36:50.759
<v Speaker 1>one World Trade Center now of the Freedom Tower? Oh right,

0:36:50.880 --> 0:36:54.439
<v Speaker 1>but I believe they call it one WTC still as well,

0:36:54.520 --> 0:36:56.879
<v Speaker 1>now is it? I don't know, Well, it's just called

0:36:56.880 --> 0:36:59.840
<v Speaker 1>the Freedom Tower. We'll call it one World Trade Center.

0:36:59.840 --> 0:37:04.520
<v Speaker 1>You're right, um that one fits in even though it

0:37:04.560 --> 0:37:07.360
<v Speaker 1>has a newish look, but it fits into the landscape

0:37:07.760 --> 0:37:09.839
<v Speaker 1>because it's there's a lot of tall buildings in New York.

0:37:09.840 --> 0:37:12.560
<v Speaker 1>When you see like sometimes in the Middle East, like

0:37:12.600 --> 0:37:15.520
<v Speaker 1>in Um although Dubai has got a lot of tall

0:37:15.520 --> 0:37:18.840
<v Speaker 1>ones now or Malaysia, there will be so much taller

0:37:19.160 --> 0:37:22.760
<v Speaker 1>than the surrounding buildings that it's just sort of odd

0:37:22.800 --> 0:37:27.160
<v Speaker 1>looking to me. Well. Plus also, you know, you you

0:37:27.400 --> 0:37:30.040
<v Speaker 1>hope that the architect is going to design the thing

0:37:30.400 --> 0:37:34.359
<v Speaker 1>to fit the surroundings rather than really stand out. And

0:37:35.080 --> 0:37:37.560
<v Speaker 1>but regardless, I mean, these are not public buildings. These

0:37:37.560 --> 0:37:41.719
<v Speaker 1>are privately owned buildings almost across the board, and you,

0:37:42.040 --> 0:37:44.600
<v Speaker 1>the city dweller who lives there and has to look

0:37:44.600 --> 0:37:47.240
<v Speaker 1>at this thing every day, are totally at the mercy

0:37:47.320 --> 0:37:50.919
<v Speaker 1>of the person designing it. Like that's that's whatever gets

0:37:50.920 --> 0:37:53.560
<v Speaker 1>put up gets put up, and you had no say whatsoever.

0:37:53.640 --> 0:37:56.760
<v Speaker 1>And um, which can be good in a lot of cases,

0:37:56.800 --> 0:38:01.239
<v Speaker 1>it can also be bad. Um, but there are it

0:38:01.320 --> 0:38:03.719
<v Speaker 1>seems like more often than not, the stuff that they're

0:38:03.719 --> 0:38:06.799
<v Speaker 1>putting up these days is pretty pretty interesting to look at.

0:38:07.320 --> 0:38:11.439
<v Speaker 1>Like there's um zahahidid who I think when the prints

0:38:11.520 --> 0:38:13.239
<v Speaker 1>cure prize a couple of years ago, and I think

0:38:13.360 --> 0:38:17.600
<v Speaker 1>she died. Recently, she put up this um building. I

0:38:17.600 --> 0:38:19.759
<v Speaker 1>don't know if it's done yet or not, but it's

0:38:19.800 --> 0:38:24.480
<v Speaker 1>called one thousand Museum Tower in Miami, and it is gorgeous.

0:38:25.160 --> 0:38:29.520
<v Speaker 1>It's super Miami, like the exterior skeleton actually twists and

0:38:29.600 --> 0:38:33.600
<v Speaker 1>curves and they snakes around the outside of the curtain

0:38:33.640 --> 0:38:37.440
<v Speaker 1>wall even in some points. But it fits like it

0:38:37.520 --> 0:38:39.880
<v Speaker 1>fits Miami. Like you just look at this building, You're like,

0:38:40.280 --> 0:38:42.359
<v Speaker 1>I can't imagine that building anywhere else in the world,

0:38:42.880 --> 0:38:45.240
<v Speaker 1>or more at home anywhere else in the world that Miami.

0:38:46.120 --> 0:38:48.919
<v Speaker 1>So it's good. Like it's neat, it's interesting, it's it's

0:38:48.960 --> 0:38:52.799
<v Speaker 1>cool to look at, but it also fits the surroundings, Yeah,

0:38:52.840 --> 0:38:55.200
<v Speaker 1>for sure. And you know that one. I just looked

0:38:55.239 --> 0:38:57.759
<v Speaker 1>at it. It's that's pretty cool looking. It looks uh

0:38:58.120 --> 0:39:00.680
<v Speaker 1>some of them are looking very futuristic. Now me, that

0:39:00.760 --> 0:39:05.040
<v Speaker 1>looks very futuristic. Yes, yeah, which is uh, you know,

0:39:05.120 --> 0:39:07.520
<v Speaker 1>it's fine. I'm kind of I like the throwback style,

0:39:07.600 --> 0:39:10.960
<v Speaker 1>but uh, I don't mind a little future every now

0:39:10.960 --> 0:39:15.239
<v Speaker 1>and then. The question of how high can you go

0:39:15.440 --> 0:39:19.680
<v Speaker 1>is very hotly debated. Some designers and architects say, if

0:39:19.680 --> 0:39:22.920
<v Speaker 1>you had enough money, you could go a mile high.

0:39:23.600 --> 0:39:27.560
<v Speaker 1>Other people say, no, you probably couldn't. Um, it's not

0:39:27.680 --> 0:39:31.360
<v Speaker 1>very feasible, at least not now. Yeah, but in the future,

0:39:32.160 --> 0:39:34.080
<v Speaker 1>you know, And they say this is an efficient way

0:39:34.080 --> 0:39:39.799
<v Speaker 1>to builds up and environmentally friendly is to go up, right,

0:39:40.640 --> 0:39:43.960
<v Speaker 1>it is? It depends, It depends. Did you read that

0:39:43.960 --> 0:39:48.000
<v Speaker 1>one article about glass. Yeah, so that's that's pretty hotly

0:39:48.040 --> 0:39:51.920
<v Speaker 1>debated right now in the architectural community. Huh yeah. I

0:39:51.960 --> 0:39:53.600
<v Speaker 1>don't know if they're trying to start it up or

0:39:53.640 --> 0:39:56.600
<v Speaker 1>if it is actually already a thing of debate. But

0:39:56.640 --> 0:39:59.520
<v Speaker 1>there are some architects, some pretty prominent ones too, who

0:39:59.600 --> 0:40:04.920
<v Speaker 1>said we should stop like building glass towers. They're kind

0:40:04.960 --> 0:40:08.239
<v Speaker 1>of cold, they're unfeeling, they just don't create a sense

0:40:08.280 --> 0:40:12.799
<v Speaker 1>of community. Plus they're super wasteful, like they're really expensive

0:40:12.840 --> 0:40:16.319
<v Speaker 1>and consume a lot of energy to um heat and

0:40:16.400 --> 0:40:19.640
<v Speaker 1>cool because there's a lot of um loss of heat

0:40:19.760 --> 0:40:23.040
<v Speaker 1>and a lot of heat creeping in depending on the

0:40:23.080 --> 0:40:26.960
<v Speaker 1>time of the year, and they're just kind of wasteful actually,

0:40:27.600 --> 0:40:31.560
<v Speaker 1>And that coupled with the idea that there's now this

0:40:31.680 --> 0:40:37.120
<v Speaker 1>trend moving toward tearing down taller and taller buildings and

0:40:37.160 --> 0:40:41.239
<v Speaker 1>replacing them with even taller new skyscrapers, especially when there's

0:40:41.440 --> 0:40:44.040
<v Speaker 1>really nothing wrong with that skyscraper in the first place.

0:40:44.360 --> 0:40:48.600
<v Speaker 1>But say, like in in Chicago, if the Willis family

0:40:48.640 --> 0:40:52.399
<v Speaker 1>had known that they were their their tower was still

0:40:52.400 --> 0:40:54.359
<v Speaker 1>going to be known as the Sears Tower, no matter what.

0:40:54.840 --> 0:40:56.920
<v Speaker 1>They may have torn that thing down and built something

0:40:56.960 --> 0:40:59.560
<v Speaker 1>else in its place, right, And that seems to be

0:40:59.600 --> 0:41:02.239
<v Speaker 1>the trend. It's like, oh, that'll always be known as

0:41:02.320 --> 0:41:04.399
<v Speaker 1>you know this, this this building. I want to tear

0:41:04.440 --> 0:41:07.000
<v Speaker 1>it down and put up my own building that is

0:41:07.080 --> 0:41:11.040
<v Speaker 1>super duper wasteful. And there's those are two big criticisms

0:41:11.080 --> 0:41:14.440
<v Speaker 1>as far as skyscrapers are going right now, um in

0:41:14.480 --> 0:41:16.719
<v Speaker 1>the world from what I can understand. Yeah, that one

0:41:16.800 --> 0:41:19.600
<v Speaker 1>article you since said that to seventy Park in New

0:41:19.680 --> 0:41:22.879
<v Speaker 1>York will be the first building taller than two hundreds

0:41:22.920 --> 0:41:27.759
<v Speaker 1>to be demolished, and that the average lifespan. There was

0:41:28.320 --> 0:41:31.759
<v Speaker 1>a study from the the Council on Tall Buildings and

0:41:31.920 --> 0:41:35.080
<v Speaker 1>Urban Habitat that found the average lifespan of the one

0:41:35.200 --> 0:41:39.359
<v Speaker 1>hundred tallest demolished buildings is forty one years. That is,

0:41:40.120 --> 0:41:43.360
<v Speaker 1>that is not long enough for the amount of expense

0:41:43.440 --> 0:41:46.840
<v Speaker 1>that goes into them, the amount of materials and energy

0:41:47.960 --> 0:41:50.239
<v Speaker 1>you like, I think that same article says like these

0:41:50.239 --> 0:41:52.640
<v Speaker 1>things should be built for a hundred to two hundred years.

0:41:52.680 --> 0:41:56.840
<v Speaker 1>I mean, what is it a football stadium? Basically, Yeah,

0:41:56.960 --> 0:41:58.719
<v Speaker 1>they don't even have forty one years. You could me

0:42:00.440 --> 0:42:02.799
<v Speaker 1>fourteen fifteen years now, Yeah, I think about it. Man.

0:42:02.840 --> 0:42:06.440
<v Speaker 1>So like the with the Brave Stadium, the ted was

0:42:06.520 --> 0:42:10.960
<v Speaker 1>like built nine for the Olympics and it's it was

0:42:11.080 --> 0:42:14.440
<v Speaker 1>abandoned two years ago and two so it made it

0:42:14.600 --> 0:42:18.520
<v Speaker 1>um twenty years, twenty years and it's being used now.

0:42:18.560 --> 0:42:21.400
<v Speaker 1>Georgia State took it over. But it was a perfectly

0:42:21.400 --> 0:42:24.719
<v Speaker 1>good baseball stadium fifteen minutes from my house. And then

0:42:24.920 --> 0:42:29.040
<v Speaker 1>with the Falcons Stadium, that one there was nothing wrong

0:42:29.040 --> 0:42:32.680
<v Speaker 1>with that one. Was there the Georgia Dome Yeah uh no.

0:42:32.840 --> 0:42:35.520
<v Speaker 1>But I gotta say, man, that new Mercedes Been Stadium

0:42:35.560 --> 0:42:38.480
<v Speaker 1>is it nice? Man, it's awesome. I haven't been in

0:42:38.480 --> 0:42:40.400
<v Speaker 1>it yet. It's very cool. It feels like you're at

0:42:40.400 --> 0:42:44.080
<v Speaker 1>an outdoor game, even with the roof closed. Oh cool.

0:42:44.320 --> 0:42:46.359
<v Speaker 1>The way they built it, it's just you should check

0:42:46.360 --> 0:42:48.320
<v Speaker 1>it out at some point. I mean, it is beautiful,

0:42:48.400 --> 0:42:50.279
<v Speaker 1>Like I get that it's not lost on me. I'm

0:42:50.320 --> 0:42:52.759
<v Speaker 1>not just such a like a a grump or a

0:42:52.800 --> 0:42:55.680
<v Speaker 1>critic that I'm just like, no, it doesn't matter, Like

0:42:56.200 --> 0:42:59.080
<v Speaker 1>I get that. There's also a lot of like civic pride,

0:42:59.160 --> 0:43:02.319
<v Speaker 1>especially that goes into a building like that. Yeah, but

0:43:02.400 --> 0:43:05.359
<v Speaker 1>it's also super wasteful. We'll just tear something down while

0:43:05.360 --> 0:43:08.040
<v Speaker 1>it's still totally fine rather than renovating it. And of

0:43:08.040 --> 0:43:11.680
<v Speaker 1>course all the controversy for especially for sports stadiums, around

0:43:12.440 --> 0:43:15.759
<v Speaker 1>tax dollars paying for them, even though it's usually a

0:43:15.760 --> 0:43:18.160
<v Speaker 1>hotel tax, so they can say like it's not on you,

0:43:18.239 --> 0:43:20.400
<v Speaker 1>it's on the people that come to Atlanta. Yeah. I

0:43:20.440 --> 0:43:21.960
<v Speaker 1>don't know if they did that in Cobb County. I

0:43:22.000 --> 0:43:24.759
<v Speaker 1>think it was a straight up like citizens tax. I

0:43:24.800 --> 0:43:28.560
<v Speaker 1>think so for the baseball one. Um. You also send

0:43:28.560 --> 0:43:33.279
<v Speaker 1>a cool article though about wood skyscrapers and how this

0:43:33.360 --> 0:43:38.560
<v Speaker 1>is a new trend and apparently ahead of schedule. Brock

0:43:38.719 --> 0:43:43.279
<v Speaker 1>commons a student Uh, like, I guess it's a dormitory

0:43:43.760 --> 0:43:46.480
<v Speaker 1>at University of British Columbia is now the tallest as

0:43:46.480 --> 0:43:51.840
<v Speaker 1>of now the tallest wooden uh structure at eighteen stories. Yeah,

0:43:52.320 --> 0:43:54.560
<v Speaker 1>and you think, like, well, would that's not good? We

0:43:54.560 --> 0:43:57.080
<v Speaker 1>don't want to start using wood for sky screen is good.

0:43:57.400 --> 0:44:00.279
<v Speaker 1>Apparently it is good that it that it can it

0:44:00.320 --> 0:44:05.759
<v Speaker 1>can be sustainably sourced UM and that it can actually uh,

0:44:05.840 --> 0:44:11.520
<v Speaker 1>it uses like in some cases less UM energy than

0:44:12.040 --> 0:44:17.640
<v Speaker 1>creating a skyscraper using concrete and steel UM. And that's

0:44:17.680 --> 0:44:21.839
<v Speaker 1>not including like transport costs or transport emissions as well.

0:44:22.040 --> 0:44:26.160
<v Speaker 1>That's strictly in production UM. And that the stuff they're

0:44:26.200 --> 0:44:30.560
<v Speaker 1>making or using that's called cross laminated timber, which supposedly

0:44:30.600 --> 0:44:33.359
<v Speaker 1>is as strong as steel. The big drawback to it

0:44:33.400 --> 0:44:35.920
<v Speaker 1>is like twice the price, right now. Yeah, it's just

0:44:36.120 --> 0:44:39.959
<v Speaker 1>a it's it's like what you get with like press board.

0:44:39.960 --> 0:44:43.560
<v Speaker 1>It's it's sheets of wood glued together and compressed together.

0:44:44.239 --> 0:44:46.120
<v Speaker 1>And when you look at this brock Commons, it just

0:44:46.280 --> 0:44:49.080
<v Speaker 1>you know, looks like a ordinary building. And there's another

0:44:49.120 --> 0:44:51.560
<v Speaker 1>building going up somewhere in Japan I couldn't find where.

0:44:51.560 --> 0:44:54.879
<v Speaker 1>It's called the W three fifty building, which I guess

0:44:54.880 --> 0:44:59.560
<v Speaker 1>stands for wood and it's tall, which is that's a

0:44:59.680 --> 0:45:03.200
<v Speaker 1>that's like a thirty five story skyscraper made of wood

0:45:03.680 --> 0:45:05.880
<v Speaker 1>and I think ten percent steel, but the rest is

0:45:05.920 --> 0:45:10.040
<v Speaker 1>would UM. And that's going to be really something and

0:45:10.160 --> 0:45:12.960
<v Speaker 1>I imagine a pretty big proving ground for you know,

0:45:13.560 --> 0:45:16.319
<v Speaker 1>this this new material. Yeah, and you mentioned that it

0:45:16.400 --> 0:45:19.600
<v Speaker 1>is can be sustainable and uh, because the first thing

0:45:19.600 --> 0:45:21.040
<v Speaker 1>I thought of, of course, is like, now we're going

0:45:21.120 --> 0:45:23.480
<v Speaker 1>to tear it on the forest to build buildings. But

0:45:23.800 --> 0:45:26.280
<v Speaker 1>they say that less than one percent of the world's

0:45:26.320 --> 0:45:30.759
<v Speaker 1>forests are harvested each year. Um. It sounds like a

0:45:30.800 --> 0:45:33.680
<v Speaker 1>hornets nest to me. It does. But you know, they

0:45:33.719 --> 0:45:35.719
<v Speaker 1>did this in Canada and they said it was a

0:45:35.760 --> 0:45:38.759
<v Speaker 1>super green project and like the way forward. And I

0:45:38.800 --> 0:45:42.839
<v Speaker 1>trust the Canadians on that stuff, me too, man. Um,

0:45:42.960 --> 0:45:46.400
<v Speaker 1>So like we just would be the worst human beings

0:45:46.400 --> 0:45:49.160
<v Speaker 1>alive if we didn't talk about the tallest buildings in

0:45:49.200 --> 0:45:51.799
<v Speaker 1>the world and the competition for it. Yeah. And also

0:45:51.880 --> 0:45:53.840
<v Speaker 1>real quick, you mentioned the glass didn't what didn't they

0:45:53.880 --> 0:45:57.160
<v Speaker 1>have that one building in London that like melted a car? Yeah,

0:45:57.239 --> 0:45:59.920
<v Speaker 1>the walkie talkie building. Yeah, that was one of the

0:46:00.040 --> 0:46:03.040
<v Speaker 1>problems with glasses. Um. Do you remember And when we

0:46:03.040 --> 0:46:06.399
<v Speaker 1>were in Buckhead, the sovereign building next door. Yes, if

0:46:06.440 --> 0:46:08.719
<v Speaker 1>did you ever walk past it and through the beam

0:46:08.760 --> 0:46:12.040
<v Speaker 1>of light it was blinding. It was really hot too.

0:46:12.280 --> 0:46:15.560
<v Speaker 1>You could imagine like under certain circumstances, it could like

0:46:15.640 --> 0:46:18.120
<v Speaker 1>burn you. Well, there's a building in London that they

0:46:18.120 --> 0:46:20.680
<v Speaker 1>had to share it even further because it melted a

0:46:20.719 --> 0:46:24.160
<v Speaker 1>car that was parked in that beam of melted a car. Yeah,

0:46:24.760 --> 0:46:30.239
<v Speaker 1>loy alright. So the tallest, I mean it's I think

0:46:30.280 --> 0:46:34.160
<v Speaker 1>they said there's something like twenty buildings under construction that

0:46:34.200 --> 0:46:39.560
<v Speaker 1>will eclipse the Birge Khalifa. Oh is that right? Wow?

0:46:39.800 --> 0:46:43.920
<v Speaker 1>And is I think that's currently number one undisputed. But

0:46:44.040 --> 0:46:47.120
<v Speaker 1>the the Jettah Tower j E D D A H

0:46:47.280 --> 0:46:51.360
<v Speaker 1>in Saudi Arabia will be three thousand, two d and

0:46:51.400 --> 0:46:53.399
<v Speaker 1>eight feet high and that will be done in just

0:46:53.440 --> 0:46:57.319
<v Speaker 1>a couple of years. Yeah, that's that's over. It's a

0:46:57.400 --> 0:46:59.440
<v Speaker 1>thousand meters I think on the nose if I'm not

0:46:59.520 --> 0:47:02.160
<v Speaker 1>mistake it. And this is one sticks out like a

0:47:02.200 --> 0:47:05.399
<v Speaker 1>sore thumb too, It definitely does. Um. And then there's

0:47:05.440 --> 0:47:09.440
<v Speaker 1>also one that might be the tallest for a brief

0:47:09.480 --> 0:47:12.759
<v Speaker 1>time because I think it's going to be uh completed

0:47:12.800 --> 0:47:15.839
<v Speaker 1>before the Jetta Tower. But it's in Dubai and it's

0:47:15.880 --> 0:47:19.239
<v Speaker 1>called the Tower, and it'll be nine eight meters or

0:47:19.280 --> 0:47:22.640
<v Speaker 1>three thousand and forty five ft. That's that's I mean,

0:47:22.640 --> 0:47:25.240
<v Speaker 1>I know they say it's good to go up, but

0:47:25.280 --> 0:47:27.600
<v Speaker 1>I don't know. That stuff makes me nervous. There's a

0:47:27.640 --> 0:47:31.880
<v Speaker 1>picture of the Jetta Tower to where a substantial portion

0:47:31.920 --> 0:47:35.480
<v Speaker 1>of it, maybe the top third, is above the cloud lines,

0:47:37.320 --> 0:47:39.920
<v Speaker 1>and it's like, yeah, it's it wouldn't necessarily be like

0:47:39.920 --> 0:47:43.920
<v Speaker 1>that every day, but theoretically, if that's even possible, I

0:47:43.960 --> 0:47:47.280
<v Speaker 1>can't imagine how much like those upper floor pent houses

0:47:47.320 --> 0:47:51.040
<v Speaker 1>are going to go for. It's just nuts, man, but

0:47:51.239 --> 0:47:54.200
<v Speaker 1>they're building them that. I think the tower in Dubai

0:47:54.280 --> 0:47:56.960
<v Speaker 1>is expected to cost a billion dollars, which I'm like,

0:47:57.400 --> 0:48:00.760
<v Speaker 1>that seems kind of inexpensive to me for a thousand

0:48:00.760 --> 0:48:03.520
<v Speaker 1>meter building. Well, I know one person who wouldn't live

0:48:03.560 --> 0:48:05.880
<v Speaker 1>at the top of that thing, and he's sitting across

0:48:05.880 --> 0:48:08.960
<v Speaker 1>from me. Yeah, I'd just like to see pictures of

0:48:09.000 --> 0:48:11.440
<v Speaker 1>it and get woozy down here at sea level. I

0:48:11.480 --> 0:48:13.000
<v Speaker 1>don't even have a high thing, and that it makes

0:48:13.000 --> 0:48:17.399
<v Speaker 1>me nervous. Yeah, I'm with you, So I guess it's

0:48:17.440 --> 0:48:20.560
<v Speaker 1>about it. There's well, one more thing. There's a lot

0:48:20.560 --> 0:48:24.360
<v Speaker 1>of debate over what constitutes the world's tallest building, and

0:48:24.440 --> 0:48:26.759
<v Speaker 1>the Council on Tall Buildings and Urban habitat that you

0:48:26.800 --> 0:48:31.200
<v Speaker 1>mentioned before. They said that there's actually no real definition

0:48:31.200 --> 0:48:37.000
<v Speaker 1>of a skyscraper, but there are some types subcategories. I

0:48:37.000 --> 0:48:40.719
<v Speaker 1>guess where there are definitions. There's a super tall which

0:48:40.719 --> 0:48:44.839
<v Speaker 1>is three or more, Mega tall which is six or more,

0:48:45.960 --> 0:48:50.400
<v Speaker 1>and then a tall building is is up to three.

0:48:51.480 --> 0:48:54.520
<v Speaker 1>But I get it doesn't there's no starting basis for it.

0:48:55.800 --> 0:48:58.480
<v Speaker 1>But there you go. Skyscraper can be anything tall, just

0:48:58.520 --> 0:49:01.560
<v Speaker 1>like in the old days of it. If you want

0:49:01.560 --> 0:49:04.839
<v Speaker 1>to know more about skyscrapers, uh, just start looking around.

0:49:04.880 --> 0:49:07.600
<v Speaker 1>They're everywhere and you can also read about them on

0:49:07.640 --> 0:49:10.120
<v Speaker 1>how stuff works by typing skyscraper in the search bar.

0:49:10.160 --> 0:49:12.160
<v Speaker 1>And said, so, I said, that's time for listener mail.

0:49:13.800 --> 0:49:19.000
<v Speaker 1>I'm gonna call this very smart lady emailed us Camilla

0:49:19.200 --> 0:49:24.200
<v Speaker 1>size or c's s I s E about Akham's razor,

0:49:24.480 --> 0:49:27.040
<v Speaker 1>and it's very nice about it too. Yeah, did you

0:49:27.040 --> 0:49:29.360
<v Speaker 1>read this one? She said? I thought i'd give a

0:49:29.360 --> 0:49:33.200
<v Speaker 1>small clarification uh slash correction. I'd give you some insight

0:49:33.320 --> 0:49:36.840
<v Speaker 1>on the alleged subjectivity of it. Uh. You explained that

0:49:36.920 --> 0:49:41.720
<v Speaker 1>principle was, when confronted with competing explanations, one should select

0:49:41.960 --> 0:49:45.440
<v Speaker 1>the simplest one. She said, this very common misconception. It

0:49:45.520 --> 0:49:50.640
<v Speaker 1>should be the most parsimonious. How about that word explanation

0:49:50.800 --> 0:49:53.960
<v Speaker 1>is more likely to be true? She said. It seems nitpicky,

0:49:54.480 --> 0:49:57.239
<v Speaker 1>but eliminates a lot of the subjectivity you complained about

0:49:57.239 --> 0:50:01.000
<v Speaker 1>in the episode. The most parsimonious means most economic in

0:50:01.040 --> 0:50:03.759
<v Speaker 1>the sense that it makes the least amount of assumptions.

0:50:04.560 --> 0:50:08.080
<v Speaker 1>That makes total sense, because each additional assumption you're making

0:50:08.680 --> 0:50:11.680
<v Speaker 1>is an additional chance of being wrong. For example, the

0:50:11.719 --> 0:50:14.960
<v Speaker 1>ghost and the photo makes the assumption that ghosts exists

0:50:16.000 --> 0:50:19.520
<v Speaker 1>exists something that has not been proven, whereas the naturalistic

0:50:19.600 --> 0:50:24.000
<v Speaker 1>explanation doesn't need to assume the existence of any light

0:50:24.040 --> 0:50:27.239
<v Speaker 1>phenomena you used to explain that picture because those all

0:50:27.360 --> 0:50:31.640
<v Speaker 1>have been proven to exists around that. So I feel

0:50:31.640 --> 0:50:33.520
<v Speaker 1>like we did talk about that a little bit, but

0:50:33.600 --> 0:50:36.600
<v Speaker 1>we weren't very explicit, and I think we kind of

0:50:36.640 --> 0:50:38.600
<v Speaker 1>walked past the idea that that's the basis of the

0:50:38.640 --> 0:50:41.000
<v Speaker 1>whole thing. Yeah, she said, as you explained very well,

0:50:41.080 --> 0:50:44.480
<v Speaker 1>it doesn't disprove the ghost hypothesis, it just makes it

0:50:44.560 --> 0:50:47.040
<v Speaker 1>less likely to be true. Most of science is not

0:50:47.080 --> 0:50:50.600
<v Speaker 1>about proving things anyway, It's about inferring the most likely

0:50:50.680 --> 0:50:54.480
<v Speaker 1>explanations to phenomena. I hope that helps keep up the

0:50:54.480 --> 0:50:57.400
<v Speaker 1>great work that is Camilla size and that is that

0:50:57.560 --> 0:50:59.640
<v Speaker 1>is a good email. Yeah, thanks a lot, Camilla and

0:50:59.680 --> 0:51:02.160
<v Speaker 1>well but appreciate that. And a few people wrote in

0:51:02.239 --> 0:51:04.760
<v Speaker 1>kind of saying something similar, but she definitely put it best.

0:51:06.040 --> 0:51:08.279
<v Speaker 1>If you want to set us straight, you can hang

0:51:08.320 --> 0:51:12.840
<v Speaker 1>out with us on Twitter. I'm at Josh Underscore, UM Underscore, Clark,

0:51:13.719 --> 0:51:16.719
<v Speaker 1>Chuck's at movie Crush Pod, and we're both at s

0:51:16.840 --> 0:51:20.120
<v Speaker 1>Y s K Podcast on Twitter. Chuck's on Facebook dot

0:51:20.120 --> 0:51:23.200
<v Speaker 1>com Slash movie Crush Pod. I actually spend a lot

0:51:23.239 --> 0:51:26.160
<v Speaker 1>of time on the movie Crush Facebook page. Okay, so

0:51:26.200 --> 0:51:28.000
<v Speaker 1>if you want to hang out with Chuck on Facebook,

0:51:28.040 --> 0:51:31.520
<v Speaker 1>go to Facebook dot com Slash movie Crush. Uh. He's

0:51:31.560 --> 0:51:34.880
<v Speaker 1>also on Facebook dot com slash Charles W. Chuck Bryant

0:51:34.880 --> 0:51:37.759
<v Speaker 1>and slash s Y s K or No Stuff you

0:51:37.760 --> 0:51:41.040
<v Speaker 1>Should Know. I mean you're all over Facebook, aren't you. Uh.

0:51:41.080 --> 0:51:43.640
<v Speaker 1>If you want to send us all including Jerry and email,

0:51:43.760 --> 0:51:46.160
<v Speaker 1>you can send it to Stuff Podcast at how Stuff

0:51:46.160 --> 0:51:49.000
<v Speaker 1>Works dot com and as always, join us at our

0:51:49.040 --> 0:51:55.560
<v Speaker 1>home on the web, Stuff you Should Know dot com

0:51:55.600 --> 0:51:58.000
<v Speaker 1>for more on this and thousands of other topics. Is

0:51:58.040 --> 0:52:09.759
<v Speaker 1>it how stuff works? Dot com