WEBVTT - Heist Movies

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<v Speaker 1>Warring.

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<v Speaker 2>Today's episode will contain spoilers for some of our favorite

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<v Speaker 2>heist movies, which is a genre that Rosie and I

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<v Speaker 2>will hold close to our hearts, so be warned. Hello,

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<v Speaker 2>my name is jasonceepcio hed on Mersey Night, and welcome

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<v Speaker 2>back to ext Revision of the podcast, where we dive

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<v Speaker 2>deep into your favorite shows, movies, comics, and pop culture.

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<v Speaker 3>Coming to you from my heart.

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<v Speaker 2>We'll bring you three episodes a week, plus.

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<v Speaker 4>News plast news. In today's episode, we are super excited

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<v Speaker 4>to be joined by super producer Ian to discuss what

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<v Speaker 4>makes a great heist movie and then we will pitch

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<v Speaker 4>some of our favorites. So Ian, great to have you here,

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<v Speaker 4>ready to hoist up some great heist recommendations.

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<v Speaker 1>How are you doing great?

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<v Speaker 3>Thanks for having me. As Jason mentioned, you know like

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<v Speaker 3>heist movies, that's one of my favorite genres in film too.

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<v Speaker 3>There's always so many great elements twist and turn, so

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<v Speaker 3>I think there are some of my favorite kinds of

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<v Speaker 3>movies too, for sure.

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<v Speaker 2>What was it that started your heist movie journey? Do

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<v Speaker 2>you do you remember? And what puts you on this

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<v Speaker 2>path where right now you're just like on a heist

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<v Speaker 2>movie vibe.

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<v Speaker 3>I think it was Oceans eleven. I think those Oceans

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<v Speaker 3>films I think started started my love for the movies,

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<v Speaker 3>and then after that, I just like started seeking out

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<v Speaker 3>more and more, and so I think I've watched almost

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<v Speaker 3>all of the major, like prominent ones. But I'm excited

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<v Speaker 3>to hear what some of your guys' favorites are. But yeah,

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<v Speaker 3>I would say the Ocean's movies definitely like kickstarted that

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<v Speaker 3>love for me because those movies are just so well done.

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<v Speaker 3>There's exactly there's so much fun.

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<v Speaker 2>Okay, let's talk about the elements, because I think a

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<v Speaker 2>heist movie contains some very specific elements. Those elements, there's

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<v Speaker 2>a lot of crossover with other genres. For instance, I

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<v Speaker 2>think the spy thriller, most spy thrillers and not most

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<v Speaker 2>many spy thrillers are actually yes, are heist movies on

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<v Speaker 2>some level. But let's talk about these elements and how

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<v Speaker 2>they all play together to create a wonderful, suspenseful hole.

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<v Speaker 2>I here is what I think I think. First, we

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<v Speaker 2>need and assembling the crew moment, right, You need a

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<v Speaker 2>team of heisters that have very specific skill sets. You

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<v Speaker 2>need like the boss mastermind, you need like the technical

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<v Speaker 2>I know how to crack a safe person. You might

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<v Speaker 2>need a driver Wheelman type character. You're gonna need the

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<v Speaker 2>guns person. And then you're gonna need like the con

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<v Speaker 2>the face, the person who's gonna go.

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<v Speaker 4>Yeah.

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<v Speaker 2>And then then occasionally, which I always think is fun

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<v Speaker 2>when this happens, is you need like that the rookie

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<v Speaker 2>I knew it this, I'm just you know, my dad

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<v Speaker 2>used to do this and now I want to do

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<v Speaker 2>it too, And they're kind of the wild card. So

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<v Speaker 2>that's the first element. You need that team two, you

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<v Speaker 2>need the plan. Part of what the wonderful thrill of

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<v Speaker 2>a good heist movie is that the build up and

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<v Speaker 2>the build up is so good because you get the

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<v Speaker 2>assembling of the crew who are always assembled for some reason,

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<v Speaker 2>either someone was wrong or it's one last yeah, whatever

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<v Speaker 2>the case is. And then it's the problem solving. Let's

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<v Speaker 2>case out this joint, and let's plan the how we're

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<v Speaker 2>going to do this, and then of course the heist itself.

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<v Speaker 2>So all of those elements are an act usually of

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<v Speaker 2>the movie and can almost stand on their own as

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<v Speaker 2>in terms of their arcs. Yeah, so, Ian, yes, what

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<v Speaker 2>have you seen before we start recommending heist movies and

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<v Speaker 2>what are some of your favorite ones, and let's talk

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<v Speaker 2>about those.

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<v Speaker 3>Sure Before we get to that, I just want to

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<v Speaker 3>add to that list of like the elements that you listed.

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<v Speaker 3>I think oftentimes there's usually like a betrayal of some

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<v Speaker 3>kind of got to have a betrayal somebody who's you know,

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<v Speaker 3>switched asides or playing both sides. And then I think

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<v Speaker 3>the motivation for the heist is also great because sometimes

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<v Speaker 3>it's like revenge. Sometimes the betrayal spurs that revenge yea,

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<v Speaker 3>or or it's like to prove a point, you know,

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<v Speaker 3>or to like crack the safe that couldn't be cracked.

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<v Speaker 3>They said it couldn't be done kind of thing.

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<v Speaker 4>Now you see me Like that just does me to

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<v Speaker 4>the point that just the point.

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<v Speaker 3>Exactly they're doing it for the flex Yeah. And then

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<v Speaker 3>I love also when there's like a twist, which is

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<v Speaker 3>usually coupled with a montage ll show you like how

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<v Speaker 3>they actually pulled it off is not what you think happened.

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<v Speaker 3>I love I love I love that like that switch up.

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<v Speaker 3>So the movies that I've seen, it's an extensive list,

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<v Speaker 3>but I'll just kind of give it to your rapid Fire,

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<v Speaker 3>all the Oceans movies, including Oceans eight, which I think

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<v Speaker 3>is underrated. Area, Inside Man, Classic the Town, classic inception, Heat, Heat,

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<v Speaker 3>I haven't seen in a long time, so I need

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<v Speaker 3>to rewatch that. It's been many years since I've seen Heat.

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<v Speaker 1>You got to see him talk about the fuck us?

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<v Speaker 2>You got that, she got a fast, you got.

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<v Speaker 1>Your head is all the way up inside.

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<v Speaker 2>The way.

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<v Speaker 1>It's a classic classic click slick?

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<v Speaker 5>Was that?

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<v Speaker 4>Was that?

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<v Speaker 3>What's that mean? One of my favorites, Den of Thieves,

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<v Speaker 3>The first one, Oh my god. The second one not

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<v Speaker 3>as much. The first one is so good, though one pretty.

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<v Speaker 1>Much all filmed in my neighborhood. Sam, It's all Sam, Peter.

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<v Speaker 3>I can't.

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<v Speaker 2>I can't go with you. It's bad, but I appreciate it.

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<v Speaker 1>But I love it. Okay.

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<v Speaker 3>I ronan classic classic Italian job, the two thousand and

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<v Speaker 3>three and one with Mark Wahlberg.

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<v Speaker 2>Okay, not the Michael Kine, Not the Michael Kine.

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<v Speaker 3>The remake Gone in sixty Seconds one of Nick Cage's

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<v Speaker 3>best movies.

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<v Speaker 2>Also Peter, Yes, Juliana Jolie with Dreads, I believe.

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<v Speaker 3>Yes, we love an appropriation moment.

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<v Speaker 4>And uh in Fast and Furious really good Fast five.

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<v Speaker 1>Oh there you are.

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<v Speaker 3>Yep, Baby Driver excellent excellent driving in that movie. It's

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<v Speaker 3>in the name set it off like.

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<v Speaker 1>That movie.

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<v Speaker 3>Triple Frontier is the more recent movie. I think it's

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<v Speaker 3>from twenty nineteen. That's a quite enjoyed you.

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<v Speaker 2>But I rewatched that recently and I really I liked

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<v Speaker 2>it a lot more than with the first time I watched.

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<v Speaker 2>I would urge people who watched it the first time,

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<v Speaker 2>we're like, whatever, give give it another change, given another watch,

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<v Speaker 2>it's very much a you know, money is the root

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<v Speaker 2>of all evil type of thing.

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<v Speaker 3>Yes, yes, and then just to finish up all the

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<v Speaker 3>mission I possible movies. As you were saying, a lot

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<v Speaker 3>of spy thrillers have like heist elements in them. Ambu

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<v Speaker 3>l A and.

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<v Speaker 4>Legendary insane Michael Bay movie from covid.

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<v Speaker 3>Era Now You See Me one and two focus Will Smith,

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<v Speaker 3>Margot Robbie. That's kind of like a sleeper underrated heisty movie.

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<v Speaker 3>But that's one of my favorites. Widows.

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<v Speaker 1>Yes, great way under seeing.

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<v Speaker 3>Another Netflix Banger Red. Notice a lot of people think

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<v Speaker 3>the movie is stupid. I think it's fun. Brian Reynolds,

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<v Speaker 3>The Rock.

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<v Speaker 1>I like this. I like this controversial take there. Okay.

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<v Speaker 4>I also you also had two more left on here

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<v Speaker 4>that I love. One of them is my full time.

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<v Speaker 3>Fave Jackie Brown.

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<v Speaker 2>It's my favorite Tarantino movie.

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<v Speaker 3>And then Wrath of Man was a Jason stat and

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<v Speaker 3>one that's a more recent one too. That's a big

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<v Speaker 3>revenge heist.

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<v Speaker 4>I have a Wrath of Man branded bag that they

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<v Speaker 4>led me that I use for luggage.

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<v Speaker 1>That's a fun movie.

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<v Speaker 4>Okay, those are really good, Ian and I kind of

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<v Speaker 4>love because you also do have I would say, not glaring.

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<v Speaker 1>But as with heist movies, as with any genre, there

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<v Speaker 1>are many great movies. So I think we still have

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<v Speaker 1>some really good.

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<v Speaker 4>Ones to recommend. Ye, Jason, do you want to start

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<v Speaker 4>or do you want me to throw one?

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<v Speaker 2>Sure, let's start. I'll start with my to me it

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<v Speaker 2>is the heist movie that kind of set the template. Okay,

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<v Speaker 2>it's my favorite heist movie. Well, it's one of my

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<v Speaker 2>favorite heist movies, and I think it's a It's got

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<v Speaker 2>a sequence in it that is completely silent. That is,

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<v Speaker 2>I mean, you can see Mission Impossible in it, you

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<v Speaker 2>can see heat in it, you can see a million

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<v Speaker 2>different heist movies in every element of this movie. It

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<v Speaker 2>is nineteen fifty six Refifi by Jules Dasson, Yes, and

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<v Speaker 2>it is, Oh my god, it is so good. It's

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<v Speaker 2>got all of those elements, the assembling, the team, the planning,

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<v Speaker 2>and then the heist itself. It's about this criminal mastermind, Tony,

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<v Speaker 2>who has just been released from prison for a previous

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<v Speaker 2>heist and he gets approached about this job cracking this

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<v Speaker 2>supposedly uncrackable safe in this you know, very fortified jeweled store,

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<v Speaker 2>and it's just wonderful. And the thing I love about

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<v Speaker 2>specifically about international heist movies and specifically French cinema and

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<v Speaker 2>French heist movies. French you know movies like Pickpocket or

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<v Speaker 2>you know these movies that come from that milieu, is

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<v Speaker 2>there's like a there's a note of existent like dread

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<v Speaker 2>that's under these movies. You know, a lot of the

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<v Speaker 2>movies that there that we love that are American heist movies,

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<v Speaker 2>there's like all this style, there's this panache. It's so fun.

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<v Speaker 2>You know, the Ocean's movies. It's fun. They're wearing great

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<v Speaker 2>clothes really like yeahine in Reffifi, there is everybody looks great.

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<v Speaker 2>There's a lot of style, but there's also this feeling

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<v Speaker 2>of nothing good will come of any of this. Everybody,

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<v Speaker 2>the everybody who touches this, this idea, this plan, which

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<v Speaker 2>is the only way really for these characters to try

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<v Speaker 2>and live the life that they dream of. Everybody who

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<v Speaker 2>touches this, no matter how innocent, the rookie, the you know,

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<v Speaker 2>the person who is just tangentially involved, will come to

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<v Speaker 2>a bad end. And that's Forffifi and it's you know,

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<v Speaker 2>the black and white is gorgeous. Paris has never looked better.

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<v Speaker 2>And then the heist itself again is like a twenty

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<v Speaker 2>to thirty minute sequence that is completely silent. Check it out.

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<v Speaker 2>It's got everything, It's got everything. Yeah, Rosie, what about you?

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<v Speaker 1>Okay? I love that you started there.

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<v Speaker 4>I am going to go in a similar One of

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<v Speaker 4>my first ones I was thinking of I'm gonna go

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<v Speaker 4>next is nineteen sixty four by.

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<v Speaker 1>A guy called Jean Luke Goddard. Ever heard of him?

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<v Speaker 3>Oh?

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<v Speaker 2>Hell, ever heard of?

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<v Speaker 3>Maybe you have?

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<v Speaker 1>Maybe you have, maybe happen.

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<v Speaker 4>I don't know.

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<v Speaker 1>He's famous, he's French, but he.

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<v Speaker 4>Made a movie that when I was a kid, was

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<v Speaker 4>like my one of my favorite movies called Band of

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<v Speaker 4>part or band of Outsiders, And.

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<v Speaker 1>It's basically about.

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<v Speaker 4>It's about two guys, friends and Arthur, and they basically

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<v Speaker 4>spend their days just like fucking around talking about how

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<v Speaker 4>much they love cinema, and they both have an obsession

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<v Speaker 4>with a girl called Odie and she is kind of

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<v Speaker 4>this inciting incident into these duo becoming a trio. And

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<v Speaker 4>while they kind of spend their life romanticizing Westerns and

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<v Speaker 4>outlaws and running around art galleries, they decide that they.

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<v Speaker 1>Are going to plan a heist.

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<v Speaker 4>And is it a heist because they actually want to

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<v Speaker 4>steal something? Is it a hist because they want to

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<v Speaker 4>go out in a kind of blaze of glory. Is

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<v Speaker 4>it a heist because they don't have anything to do?

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<v Speaker 4>This is just such an effortlessly cool movie. Also has

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<v Speaker 4>that very dark thread of threat and existential crisis and

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<v Speaker 4>kind of the way that enwi and boredom can drive

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<v Speaker 4>you into different places and unexpected spaces. When I was

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<v Speaker 4>a kid, MySpace like header was something like I want

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<v Speaker 4>to run through the louver in two and a half

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<v Speaker 4>minutes or thirteen minutes or whatever it is in this movie.

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<v Speaker 1>So this was a very influential movie on me.

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<v Speaker 4>And I think it really is up there with her

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<v Speaker 4>a few feet as one of the kind.

0:12:54.640 --> 0:12:59.319
<v Speaker 1>Of coolest and also interestingly rule breaking heist movies.

0:12:59.400 --> 0:13:06.040
<v Speaker 4>This one breaks in Hollywood cinema making and heist movies.

0:13:06.120 --> 0:13:09.040
<v Speaker 4>So yeah, another. I like that double bill of kind

0:13:09.080 --> 0:13:11.800
<v Speaker 4>of originals. Jason, what are you pitching next?

0:13:12.120 --> 0:13:14.760
<v Speaker 2>I want to stay French because I just think that

0:13:14.840 --> 0:13:16.920
<v Speaker 2>they do it. I think I love the way they

0:13:16.920 --> 0:13:20.280
<v Speaker 2>do it. I'm gonna go with Bob Laflambour Bob the

0:13:20.320 --> 0:13:24.760
<v Speaker 2>Gambler from nineteen fifty six John Pierre Melville, The Legend

0:13:24.840 --> 0:13:28.640
<v Speaker 2>John Piterre Melville one of my mate, one of my absolute, absolute,

0:13:28.720 --> 0:13:33.880
<v Speaker 2>absolute favorites. It's about a gambler named Bob who lives

0:13:34.040 --> 0:13:39.560
<v Speaker 2>in Paris, and he's this kind of mover and shaker

0:13:39.679 --> 0:13:45.480
<v Speaker 2>in the kind of like underworld community, and he and

0:13:45.600 --> 0:13:51.640
<v Speaker 2>his team like he's kind of the gambler, the cheat

0:13:51.800 --> 0:13:54.880
<v Speaker 2>with the tart of gold like which we love. He

0:13:55.080 --> 0:13:58.600
<v Speaker 2>sees these young people who were kind of edging into

0:13:58.640 --> 0:14:04.640
<v Speaker 2>the underworld and he decides like to be a protector

0:14:04.720 --> 0:14:10.040
<v Speaker 2>of these people. And the heist itself, which is this

0:14:11.679 --> 0:14:17.880
<v Speaker 2>very very complex, convoluted heist of a casino, comes from

0:14:17.920 --> 0:14:23.040
<v Speaker 2>this his desire to, you know, protect this young woman

0:14:23.440 --> 0:14:26.840
<v Speaker 2>named Anne who's kind of like edging into this not

0:14:26.920 --> 0:14:31.200
<v Speaker 2>even edging, is you know, a young beautiful woman who's

0:14:31.440 --> 0:14:35.800
<v Speaker 2>who's poor, who is being taken into this underworld milieu

0:14:35.840 --> 0:14:37.760
<v Speaker 2>of people who are looking to exploit her. And I

0:14:37.760 --> 0:14:40.240
<v Speaker 2>think the thing that I really appreciate about Babla Flambourg

0:14:40.760 --> 0:14:46.160
<v Speaker 2>is it really is a almost a paternal relationship. This

0:14:46.320 --> 0:14:50.120
<v Speaker 2>is not like a I want to fuck this young woman. No,

0:14:50.280 --> 0:14:54.200
<v Speaker 2>It's like he sees her as a daughter and decides, Okay,

0:14:54.240 --> 0:14:57.720
<v Speaker 2>we're going to do this heist in order to kind

0:14:57.720 --> 0:15:01.880
<v Speaker 2>of secure her her future but also make a lot

0:15:01.880 --> 0:15:05.320
<v Speaker 2>of money for me and my team. And in true

0:15:05.360 --> 0:15:09.120
<v Speaker 2>French style, it goes sideways and kind of the worst ways. Yes,

0:15:09.280 --> 0:15:13.960
<v Speaker 2>but it's so stylish and good. Again, Melville is a legend.

0:15:14.200 --> 0:15:17.280
<v Speaker 2>The remake, which stars Nick Nolty, is also very good.

0:15:17.560 --> 0:15:19.520
<v Speaker 2>I think if you wanted to be good, I think

0:15:19.560 --> 0:15:21.760
<v Speaker 2>if you wanted to edge into it that way, I

0:15:21.800 --> 0:15:23.840
<v Speaker 2>would start with the original. But like the Nick Nolty

0:15:23.920 --> 0:15:28.440
<v Speaker 2>version is also very good. So those two raffifi Bubla Flamborgy,

0:15:28.800 --> 0:15:30.200
<v Speaker 2>do you have more, Rosie.

0:15:29.800 --> 0:15:32.880
<v Speaker 4>I've got one more And then I'm going to stay

0:15:32.920 --> 0:15:36.400
<v Speaker 4>in this I'm gonna stay in this space. This is

0:15:36.480 --> 0:15:39.960
<v Speaker 4>a movie called The Burglars from nineteen seventy one, which

0:15:40.000 --> 0:15:44.960
<v Speaker 4>I actually discovered recently thanks to like, you know, syndicated television.

0:15:45.000 --> 0:15:48.480
<v Speaker 4>I believe I saw this on the channel Movie TV

0:15:49.360 --> 0:15:55.680
<v Speaker 4>in nineteen seventies Athens. Omar Sharif and a is a

0:15:57.240 --> 0:16:02.760
<v Speaker 4>detective trying to hunt down a group of professional burglars

0:16:02.800 --> 0:16:07.000
<v Speaker 4>who are planning an emerald tice and it is legit

0:16:07.600 --> 0:16:08.920
<v Speaker 4>one of the coolest.

0:16:09.360 --> 0:16:12.200
<v Speaker 1>I couldn't believe this wasn't a bigger deal of a movie.

0:16:12.240 --> 0:16:15.600
<v Speaker 1>It's a PG rated movie, but it is so cool.

0:16:15.760 --> 0:16:20.560
<v Speaker 4>The showdown is unbelievable, all practical sets, all shot in

0:16:20.600 --> 0:16:24.040
<v Speaker 4>these weird coastal towns. It's from the seventies, weird coastal

0:16:24.080 --> 0:16:29.120
<v Speaker 4>towns of Athens. It's just such a beautifully shot movie.

0:16:29.200 --> 0:16:33.840
<v Speaker 4>And it is very classic in kind of the American

0:16:34.000 --> 0:16:38.800
<v Speaker 4>tradition of you are rooting for the thieves, like even

0:16:38.800 --> 0:16:41.480
<v Speaker 4>though these guys are really just doing it because they

0:16:41.680 --> 0:16:47.000
<v Speaker 4>want to steal something. It has great car chases, incredible

0:16:47.600 --> 0:16:51.960
<v Speaker 4>thrilling action scenes, and it is in my opinion, deeply

0:16:52.440 --> 0:16:57.080
<v Speaker 4>under scenes so that one for me was a big

0:16:57.280 --> 0:17:01.760
<v Speaker 4>recent discovery by on re venue Jason.

0:17:01.920 --> 0:17:03.480
<v Speaker 1>Third and final, what's yours?

0:17:04.280 --> 0:17:04.960
<v Speaker 2>I have one more?

0:17:05.040 --> 0:17:08.200
<v Speaker 1>Maybe after this too? You have another one week? Okay,

0:17:08.200 --> 0:17:08.600
<v Speaker 1>got it?

0:17:09.119 --> 0:17:13.440
<v Speaker 2>So you have, of course seen The Dark Knight, which

0:17:13.440 --> 0:17:15.400
<v Speaker 2>I think the first twenty minutes of The Dark Knight

0:17:15.440 --> 0:17:18.120
<v Speaker 2>is a wonderful heist picture. You've seen Inside Man, It's

0:17:18.119 --> 0:17:23.560
<v Speaker 2>there on your list. The following movie is a huge

0:17:23.800 --> 0:17:27.600
<v Speaker 2>influence on both the heist opening high sequence of The

0:17:27.680 --> 0:17:31.760
<v Speaker 2>Dark Knight and Inside Man, which basically takes the entire

0:17:32.000 --> 0:17:36.160
<v Speaker 2>height structure of this movie and implants it into Spike

0:17:36.240 --> 0:17:41.400
<v Speaker 2>Lee's New York. The movie is nineteen nineties very underseen

0:17:42.280 --> 0:17:46.479
<v Speaker 2>Quick Change starring Bill Murray, Geena Davis, Randy Quaid, and

0:17:46.600 --> 0:17:52.240
<v Speaker 2>Jason Robards. It's about a Bill Murray who is a

0:17:52.359 --> 0:17:56.480
<v Speaker 2>kind of like down on his luck guy in New

0:17:56.560 --> 0:18:02.280
<v Speaker 2>York who cooks up this Coka Maimie way to make

0:18:02.359 --> 0:18:04.639
<v Speaker 2>money quick and leave town, which is to rob a

0:18:04.680 --> 0:18:12.200
<v Speaker 2>bank dressed as a clown, and the way it unfolds again,

0:18:12.240 --> 0:18:16.919
<v Speaker 2>if you've seen Inside Man, it's the exact heist.

0:18:17.040 --> 0:18:18.760
<v Speaker 1>So yeah, I can't swear it.

0:18:18.720 --> 0:18:23.520
<v Speaker 2>For you, but he uses the clown motif to basically

0:18:23.840 --> 0:18:27.760
<v Speaker 2>distract the police as the clowns exit the bank, and

0:18:27.800 --> 0:18:30.719
<v Speaker 2>then he hides in the bank for like a while

0:18:31.000 --> 0:18:35.480
<v Speaker 2>and then leaves. It's uh and it then turns into

0:18:35.600 --> 0:18:44.199
<v Speaker 2>this like almost hallucinatory like travellg as they try to

0:18:44.600 --> 0:18:49.000
<v Speaker 2>escape from the location of the heist through the weird

0:18:49.200 --> 0:18:52.880
<v Speaker 2>streets of New York and these very strange neighborhoods where

0:18:52.880 --> 0:18:57.920
<v Speaker 2>they're witnessing like you know, people on BMX bikes, jousting

0:18:58.040 --> 0:19:03.200
<v Speaker 2>and this weird evil kind of It gets very very

0:19:03.280 --> 0:19:08.119
<v Speaker 2>strange and it's divisive. Like I recommended this to Chase Rano,

0:19:08.240 --> 0:19:12.040
<v Speaker 2>he hated it. I love this movie and it's again

0:19:12.240 --> 0:19:17.480
<v Speaker 2>very very undersen Check it out. Quick Change nineteen ninety

0:19:17.480 --> 0:19:19.000
<v Speaker 2>directed by Howard Franklin and Bulmer.

0:19:19.320 --> 0:19:21.240
<v Speaker 4>I'm gonna go for a movie that I think was

0:19:21.440 --> 0:19:23.560
<v Speaker 4>a little in the same era, was a little bit

0:19:23.640 --> 0:19:27.080
<v Speaker 4>underrated for a while there, but has been rated correctly

0:19:27.119 --> 0:19:30.680
<v Speaker 4>by the film scene for a long time, and in

0:19:30.760 --> 0:19:33.280
<v Speaker 4>the light of the tragic passing of Robert Redford, I

0:19:33.280 --> 0:19:37.080
<v Speaker 4>feel like is now being recognized, and that is nineteen

0:19:37.160 --> 0:19:42.520
<v Speaker 4>ninety two's Sneakers, which guys Robert Redford, Dan Ackroy, Ben Kingsley,

0:19:42.560 --> 0:19:46.680
<v Speaker 4>Mary McDonald, River Phoenix, Sidney Pointier, David Strahan.

0:19:46.880 --> 0:19:49.040
<v Speaker 3>Wow, Stacked Cast, Stacked.

0:19:48.640 --> 0:19:52.200
<v Speaker 4>Cast, And it's basically about the best way to pitch

0:19:52.240 --> 0:19:56.000
<v Speaker 4>it without ruining it is Robert Redford is a security

0:19:56.080 --> 0:20:00.439
<v Speaker 4>pro and his team are like hackers, and they have

0:20:00.560 --> 0:20:04.639
<v Speaker 4>to come back together to hack a retrievy, like you know,

0:20:05.000 --> 0:20:11.200
<v Speaker 4>retrieve a particularly important and secretive item.

0:20:11.400 --> 0:20:13.919
<v Speaker 1>And it is so good. It's so cool.

0:20:14.520 --> 0:20:17.120
<v Speaker 4>It feels very both ahead of its time but also

0:20:17.200 --> 0:20:19.040
<v Speaker 4>feels like if it was in black and white, you'd

0:20:19.040 --> 0:20:21.360
<v Speaker 4>believe it was like a seventies movie, So it kind

0:20:21.359 --> 0:20:23.400
<v Speaker 4>of has this great duality.

0:20:23.880 --> 0:20:25.720
<v Speaker 1>And yeah, that cast is crazy.

0:20:25.400 --> 0:20:28.600
<v Speaker 4>And it is also there's more people in it too,

0:20:29.040 --> 0:20:34.440
<v Speaker 4>and also there is some really interesting early nineties hacker

0:20:34.600 --> 0:20:37.719
<v Speaker 4>law and technology that then goes on to kind of

0:20:37.800 --> 0:20:41.800
<v Speaker 4>influence other hacker movies of this style.

0:20:41.920 --> 0:20:43.920
<v Speaker 1>So that's definitely a great one. I like The Way

0:20:43.960 --> 0:20:44.240
<v Speaker 1>Into the.

0:20:44.280 --> 0:20:48.080
<v Speaker 2>Night, Absolutely love that. It's one of my absolute favorite

0:20:48.080 --> 0:20:50.719
<v Speaker 2>movies and it holds up. And the thing about that

0:20:50.760 --> 0:20:53.119
<v Speaker 2>movie Ian too, is it's got one of my favorite themes,

0:20:53.160 --> 0:20:56.439
<v Speaker 2>which is this kind of like the post boomer you know,

0:20:56.520 --> 0:20:59.800
<v Speaker 2>like they were they were, you know, activists, and the

0:21:00.000 --> 0:21:07.640
<v Speaker 2>sixties and how do they then translate that early and

0:21:08.080 --> 0:21:11.399
<v Speaker 2>formative part of their life to the eighties and nineties.

0:21:12.280 --> 0:21:15.760
<v Speaker 2>This is one of those movies that like takes two

0:21:16.000 --> 0:21:19.920
<v Speaker 2>very divergent paths to figuring that out and sets these

0:21:20.359 --> 0:21:23.160
<v Speaker 2>characters who take that path on on a collision coat movies.

0:21:23.240 --> 0:21:24.920
<v Speaker 3>Okay, definitely, we'll check that out.

0:21:24.960 --> 0:21:26.359
<v Speaker 1>That's a really good one.

0:21:26.480 --> 0:21:28.399
<v Speaker 2>And then here's my final one. So I think with

0:21:28.600 --> 0:21:32.760
<v Speaker 2>heist movies, there's two ways to do it. And the

0:21:32.800 --> 0:21:36.840
<v Speaker 2>two ways are I love the robbers, like I wanna.

0:21:37.359 --> 0:21:39.720
<v Speaker 2>It's wish fulfilment, Like I wish I was a smart

0:21:39.960 --> 0:21:43.880
<v Speaker 2>I wish I had this, much like Guts, I wish

0:21:44.000 --> 0:21:51.320
<v Speaker 2>that I had the wherewithal and the courage to come off, Yeah,

0:21:51.440 --> 0:21:57.359
<v Speaker 2>to rip off a casino corporation, some organized crime.

0:21:59.080 --> 0:22:01.880
<v Speaker 3>They deserved.

0:22:02.400 --> 0:22:05.199
<v Speaker 2>Yeah, we live in a corrupt world and I wanna

0:22:05.359 --> 0:22:07.840
<v Speaker 2>and I wish somebody would do something about it, and

0:22:07.880 --> 0:22:09.520
<v Speaker 2>I wish it was me. And that's one way to

0:22:09.560 --> 0:22:12.119
<v Speaker 2>approach a heist movie. And I think I've pitched all

0:22:12.160 --> 0:22:14.119
<v Speaker 2>the movies I've pitched thus far have been that version

0:22:14.160 --> 0:22:17.000
<v Speaker 2>of it, right, And then there's the other version, which

0:22:17.040 --> 0:22:20.000
<v Speaker 2>raffifi kind of touches on towards the end of the movie,

0:22:20.080 --> 0:22:23.960
<v Speaker 2>which is you're a thief. These people are thieves. Forget

0:22:24.000 --> 0:22:29.240
<v Speaker 2>who they're robbing from, They're criminals. And if you when

0:22:29.280 --> 0:22:32.720
<v Speaker 2>you touch that life, you better be ready for it

0:22:33.240 --> 0:22:38.879
<v Speaker 2>because the consequences, the tragedy, the violence that it's going

0:22:38.960 --> 0:22:43.800
<v Speaker 2>to visit upon you are tragic on it, you know,

0:22:43.840 --> 0:22:46.719
<v Speaker 2>and often on a Shakespeare level. And so this movie

0:22:46.760 --> 0:22:50.760
<v Speaker 2>is that version of that. It's I think Sidney Lumett's

0:22:50.800 --> 0:22:53.120
<v Speaker 2>last movie two thousand and seven's Before the Devil Knows

0:22:53.160 --> 0:22:57.919
<v Speaker 2>You're Dead, starring Ethan Hawk and the wonderful Philip Seymour

0:22:58.080 --> 0:23:02.520
<v Speaker 2>Hoffman and Mrs to May in a wonderful turn role.

0:23:02.800 --> 0:23:05.600
<v Speaker 2>It's about two brothers, and what I love about this

0:23:05.680 --> 0:23:08.480
<v Speaker 2>movie is it plays against type, like there's the weak

0:23:08.520 --> 0:23:11.480
<v Speaker 2>brother and the strong brother, and like, just in your mind,

0:23:11.520 --> 0:23:15.040
<v Speaker 2>you're thinking strong brother Ethan Hawk, weak brother, Philip Seymour Hoffman.

0:23:14.760 --> 0:23:15.399
<v Speaker 3>It's her first.

0:23:15.720 --> 0:23:24.160
<v Speaker 2>Oh, Phillip Seymour Hoffman is so manipulative and greedy and evil,

0:23:24.400 --> 0:23:28.440
<v Speaker 2>and Ethan Hawk is just like wants to please him,

0:23:28.680 --> 0:23:31.439
<v Speaker 2>is so weak that it's you can't take your eyes

0:23:31.480 --> 0:23:35.639
<v Speaker 2>off what's going on on the screen and Philip Seymour

0:23:35.680 --> 0:23:41.120
<v Speaker 2>Hoffman's idea is let's rob our parents jewelry store and

0:23:41.240 --> 0:23:45.879
<v Speaker 2>what happens from Mary, It's what happens from there is

0:23:46.160 --> 0:23:53.520
<v Speaker 2>truly like Shakespearean tragedy. Incredible movie and just like and

0:23:54.400 --> 0:23:58.800
<v Speaker 2>every performer is like on a ten great movie and

0:23:58.920 --> 0:23:59.879
<v Speaker 2>one that's kind of forgot.

0:24:00.400 --> 0:24:02.800
<v Speaker 4>Yeah, I'm going to go for one that is a

0:24:02.920 --> 0:24:07.120
<v Speaker 4>very popular, beloved eighties classic. But does does it get

0:24:07.119 --> 0:24:09.760
<v Speaker 4>counted as a heist movie when it should? I also

0:24:09.760 --> 0:24:12.880
<v Speaker 4>feel like it has some really great layers of Shakespearean

0:24:12.960 --> 0:24:16.679
<v Speaker 4>tragedy because this has the duality of, well, they're robbing

0:24:16.720 --> 0:24:20.200
<v Speaker 4>people in a Robin Hood style way for the better,

0:24:20.400 --> 0:24:24.000
<v Speaker 4>but it still ends up in a tragic situation because

0:24:24.040 --> 0:24:26.840
<v Speaker 4>of the nature of the way they're doing it, the recklessness,

0:24:26.880 --> 0:24:31.400
<v Speaker 4>and also the ego of the leader body played by

0:24:31.560 --> 0:24:34.280
<v Speaker 4>Patrick swayzee I am recommending point Break Ian.

0:24:36.480 --> 0:24:36.920
<v Speaker 1>Iconogy.

0:24:38.520 --> 0:24:39.400
<v Speaker 3>Okay, good Break.

0:24:39.480 --> 0:24:42.439
<v Speaker 4>I'm putting it out there for the fans. I'm putting

0:24:42.440 --> 0:24:46.920
<v Speaker 4>it out there for the listeners. Incredible movie, surprisingly subversive,

0:24:47.119 --> 0:24:50.959
<v Speaker 4>directed by Catherine Bigelow, starring Keanu Reeves Patrick Swayzey in

0:24:50.960 --> 0:24:57.520
<v Speaker 4>one of the best homo erotic relationships cinema. Also, guys,

0:24:57.560 --> 0:25:00.119
<v Speaker 4>if you've never seen this movie, watch this movie and

0:25:00.000 --> 0:25:03.080
<v Speaker 4>and watch the first Fast and Furious movie, because Fast

0:25:03.119 --> 0:25:07.400
<v Speaker 4>and Furious is Point Break just changed from surf bank

0:25:07.480 --> 0:25:10.159
<v Speaker 4>rubbers to tar sets.

0:25:10.640 --> 0:25:12.320
<v Speaker 1>And it's kind of incredible.

0:25:11.840 --> 0:25:13.840
<v Speaker 4>Because every beat for beat is the same and that

0:25:13.960 --> 0:25:19.800
<v Speaker 4>is why Bin Diesel and his you know, homo erotic

0:25:19.920 --> 0:25:23.960
<v Speaker 4>best friend Paul Walker in those movies are so intrinsically

0:25:24.040 --> 0:25:26.840
<v Speaker 4>connected and love each other so much because of the

0:25:26.880 --> 0:25:29.320
<v Speaker 4>fact that it is based on Point Break. But yeah,

0:25:29.359 --> 0:25:33.320
<v Speaker 4>Point Break incredibly somehow a movie that will both break

0:25:33.320 --> 0:25:35.200
<v Speaker 4>your heart but also inspire you.

0:25:35.359 --> 0:25:36.920
<v Speaker 1>It's a movie about male friendship.

0:25:36.960 --> 0:25:39.080
<v Speaker 4>We don't get a lot of those, and it does

0:25:39.119 --> 0:25:42.240
<v Speaker 4>include some very iconic bank robbery scenes.

0:25:42.440 --> 0:25:44.800
<v Speaker 3>Yes, it's just like peak nineties peaks.

0:25:44.880 --> 0:25:48.160
<v Speaker 4>Yeah, peak late eighties, early nineties. It's everything you could

0:25:48.200 --> 0:25:50.440
<v Speaker 4>want in a movie. It even has a crazy term

0:25:50.480 --> 0:25:54.480
<v Speaker 4>by Gary Busey. So yeah, another great unexpected heist movie.

0:25:54.520 --> 0:25:55.800
<v Speaker 4>This was such a great combo.

0:25:55.840 --> 0:25:56.119
<v Speaker 3>Guys.

0:25:56.160 --> 0:25:57.840
<v Speaker 1>I just love talking about movies with you.

0:25:57.880 --> 0:26:00.199
<v Speaker 4>Guys, like, we got to do more more specif of it,

0:26:00.280 --> 0:26:01.960
<v Speaker 4>John Rex, because this is so fun.

0:26:02.200 --> 0:26:05.159
<v Speaker 3>Let's take a quick ad break and then and then

0:26:05.200 --> 0:26:06.600
<v Speaker 3>I'll wrap it up with just like some of my

0:26:06.600 --> 0:26:09.720
<v Speaker 3>favorite moments, and then love that a few like heist

0:26:09.800 --> 0:26:12.520
<v Speaker 3>films that aren't traditional ones but that I would like

0:26:12.560 --> 0:26:14.560
<v Speaker 3>throw into the mix, and then Okay, let's.

0:26:14.440 --> 0:26:14.760
<v Speaker 4>See that.

0:26:26.000 --> 0:26:29.919
<v Speaker 2>And we're back. Okay, let's talk about heist movies that

0:26:31.359 --> 0:26:35.120
<v Speaker 2>are not considered heist movies. What are some of There

0:26:35.119 --> 0:26:37.239
<v Speaker 2>are some really fun ones that we have here. You

0:26:37.240 --> 0:26:41.280
<v Speaker 2>have written down die Hard, which is absolutely a heist movie,

0:26:41.280 --> 0:26:43.680
<v Speaker 2>but not considered a heist movie. In fact, I think

0:26:43.760 --> 0:26:47.160
<v Speaker 2>all all the all the die Hards on some levels

0:26:47.359 --> 0:26:51.400
<v Speaker 2>and some kind of sure definitely for sure, but it's

0:26:51.400 --> 0:26:54.680
<v Speaker 2>all it's often a heist from the other side, like there's.

0:26:54.520 --> 0:26:55.840
<v Speaker 1>A gang inside.

0:26:56.280 --> 0:26:58.840
<v Speaker 2>The gang has very specific roles in the way you

0:26:58.880 --> 0:27:01.840
<v Speaker 2>love the mastermind, save cracker guy, the gun guy, like

0:27:01.960 --> 0:27:05.040
<v Speaker 2>et cetera. But unfortunately you're on the other side. You're

0:27:09.640 --> 0:27:16.920
<v Speaker 2>Infinity War, which absolutely has one of the fun.

0:27:15.880 --> 0:27:18.120
<v Speaker 3>Is basically a giant height the entire.

0:27:18.240 --> 0:27:18.960
<v Speaker 1>Love that one.

0:27:19.040 --> 0:27:24.199
<v Speaker 2>It's awesome. And then Aladdin, which yes, perfect absolutely.

0:27:23.680 --> 0:27:27.560
<v Speaker 4>Right blows my mind. In any other kinds of movies

0:27:27.640 --> 0:27:30.160
<v Speaker 4>like this that you immediately think of that you would say, Hey,

0:27:30.359 --> 0:27:33.359
<v Speaker 4>if I'm coming to the heist movie Sleepover, I'm bringing

0:27:33.359 --> 0:27:36.160
<v Speaker 4>something that's gonna throw you off. Aladdin is a great

0:27:36.240 --> 0:27:40.280
<v Speaker 4>call back because I think everyone just goes, oh yeah,

0:27:40.480 --> 0:27:42.800
<v Speaker 4>like absolutely, he's the lamp.

0:27:43.520 --> 0:27:46.520
<v Speaker 3>Hmmm. I would say those are the biggest ones, but

0:27:46.640 --> 0:27:49.200
<v Speaker 3>I think one other one that comes to mind, Well,

0:27:49.280 --> 0:27:51.320
<v Speaker 3>this kind of like ties into my next point, or

0:27:51.359 --> 0:27:54.600
<v Speaker 3>some like some of my favorite moments or twists from

0:27:54.720 --> 0:27:58.600
<v Speaker 3>from some of these movies. I'll say the Kremlin sequence

0:27:58.640 --> 0:28:03.600
<v Speaker 3>from Mission Possible, Ghosts Protocol. I think that's like peak heist,

0:28:03.880 --> 0:28:08.120
<v Speaker 3>like the disguises, the costumes, the technology. I love that

0:28:08.200 --> 0:28:11.320
<v Speaker 3>moment specifically from that movie. So I would say I

0:28:11.320 --> 0:28:13.680
<v Speaker 3>would throw that in the Ring as a movie that's

0:28:13.720 --> 0:28:15.399
<v Speaker 3>not really a heist movie, but it has a lot

0:28:15.440 --> 0:28:17.920
<v Speaker 3>of heisty elements, so I would throw ghost Protocol in there.

0:28:18.840 --> 0:28:22.080
<v Speaker 3>And then some of my other favorite moments are twists.

0:28:22.080 --> 0:28:25.440
<v Speaker 3>I know you're not a fan, Jason, but Den of Thieves,

0:28:25.560 --> 0:28:27.639
<v Speaker 3>I think the and this is going to be a

0:28:27.640 --> 0:28:29.160
<v Speaker 3>little bit of a spoiler if you haven't seen a movie,

0:28:29.200 --> 0:28:30.560
<v Speaker 3>I'm sorry on.

0:28:30.640 --> 0:28:34.960
<v Speaker 4>If you do don't want spoilers for the Gerard Butler movie.

0:28:35.400 --> 0:28:37.840
<v Speaker 3>The twist or reveal at the end that Donnie was

0:28:37.880 --> 0:28:40.040
<v Speaker 3>actually the mastermind. I love that. I thought that was

0:28:41.120 --> 0:28:42.600
<v Speaker 3>and the first time I saw it, I didn't see

0:28:42.640 --> 0:28:44.760
<v Speaker 3>that coming, so they got me. I love that.

0:28:45.040 --> 0:28:51.600
<v Speaker 4>Okay, wait, you have just inspired me to pick to

0:28:51.960 --> 0:29:00.080
<v Speaker 4>recommend another movie and it is an Edward Norton movie. Okay,

0:29:00.160 --> 0:29:02.600
<v Speaker 4>Oh my gosh, I'm trying so hard to rake my braids.

0:29:02.760 --> 0:29:04.400
<v Speaker 1>The for the name of this.

0:29:04.320 --> 0:29:07.720
<v Speaker 4>Movie, but the it's oh, it's called the It's called

0:29:07.760 --> 0:29:11.959
<v Speaker 4>The Score, and it is about it's Angela Bassett, Marlon

0:29:11.960 --> 0:29:17.040
<v Speaker 4>Brando and Edward Norton and it basically is like a

0:29:17.120 --> 0:29:21.040
<v Speaker 4>one last heist movie, but it has a really fantastic

0:29:21.160 --> 0:29:23.560
<v Speaker 4>twist at the end. And it's directed by Frank cars.

0:29:23.920 --> 0:29:25.840
<v Speaker 4>That's one of those movies where I was like.

0:29:26.640 --> 0:29:29.080
<v Speaker 1>Oh, good job.

0:29:29.560 --> 0:29:31.880
<v Speaker 4>Actually kind of funny too, because Edward Noran has played

0:29:32.120 --> 0:29:34.960
<v Speaker 4>this kind of twist before multiple times. But yeah, The

0:29:35.000 --> 0:29:39.720
<v Speaker 4>Score is another really fun heist movie Underscene, not necessarily.

0:29:39.240 --> 0:29:41.720
<v Speaker 1>As classic as some of the ones we're talking about.

0:29:41.600 --> 0:29:45.960
<v Speaker 4>But in that kind of fun, enjoyable nineties era with

0:29:45.960 --> 0:29:50.640
<v Speaker 4>with a big twist. Anymore classic heist movie twists ian

0:29:50.760 --> 0:29:52.080
<v Speaker 4>that you think people should check out.

0:29:52.960 --> 0:29:55.880
<v Speaker 3>I mean, if you haven't seen the Oceans movies at

0:29:55.880 --> 0:29:57.800
<v Speaker 3>this point, what are you doing? But like all those

0:29:57.840 --> 0:30:01.400
<v Speaker 3>movies have like the like third act is always predicated

0:30:01.400 --> 0:30:03.400
<v Speaker 3>on like a big twist or the way they pulled

0:30:03.440 --> 0:30:06.200
<v Speaker 3>off the heist is not what actually happened or not

0:30:06.240 --> 0:30:09.240
<v Speaker 3>what you thought. So I think those are always great widows.

0:30:09.320 --> 0:30:11.400
<v Speaker 3>I think has a really nice twist at the end.

0:30:11.800 --> 0:30:13.480
<v Speaker 3>I won't spoil it because it's a big part of

0:30:13.480 --> 0:30:16.720
<v Speaker 3>the movie. The cast is incredible, it's just a great movie.

0:30:16.800 --> 0:30:19.600
<v Speaker 3>The twist at the end was really great. The betrayal

0:30:19.640 --> 0:30:22.400
<v Speaker 3>there is wrapped up in the twists, so that's really

0:30:22.480 --> 0:30:25.440
<v Speaker 3>good if you haven't seen and then, I mean it's

0:30:25.440 --> 0:30:28.040
<v Speaker 3>hard to talk about some of these twists without spoiling

0:30:28.560 --> 0:30:29.160
<v Speaker 3>you haven't seen that.

0:30:29.320 --> 0:30:34.080
<v Speaker 2>Well, let's move on to heist movies that aren't really

0:30:34.120 --> 0:30:36.440
<v Speaker 2>thought of as heist movies. I've got one with a

0:30:36.480 --> 0:30:40.720
<v Speaker 2>great twist that I think you must see by the

0:30:40.760 --> 0:30:44.880
<v Speaker 2>director Carl Franklin, who is kind of a legendary indie

0:30:46.600 --> 0:30:50.520
<v Speaker 2>tour And it's one false move from nineteen ninety two

0:30:50.640 --> 0:30:53.640
<v Speaker 2>and Independent crimes Er And it's really kind of like

0:30:53.920 --> 0:30:56.920
<v Speaker 2>after the heist is over, the criminals are escaping, they're

0:30:57.000 --> 0:31:02.400
<v Speaker 2>driving through you know, I believe it's like Arkansas or

0:31:02.400 --> 0:31:05.920
<v Speaker 2>something like that, somewhere in the kind of like the South,

0:31:06.560 --> 0:31:12.240
<v Speaker 2>and they're pulled over and it stars Bill Patston, Young Billy,

0:31:12.280 --> 0:31:17.320
<v Speaker 2>Bob Thornton, Yeah, Cinda Williams, and I won't there's a

0:31:17.440 --> 0:31:22.080
<v Speaker 2>twist that is incredible and I won't spoil it, but

0:31:22.400 --> 0:31:30.080
<v Speaker 2>don't wikipedia this because there is a secret that is

0:31:30.200 --> 0:31:39.680
<v Speaker 2>simmering under these characters and a relationship that comes to

0:31:39.760 --> 0:31:43.720
<v Speaker 2>the surface in a surprising way. And it's got a

0:31:43.760 --> 0:31:46.760
<v Speaker 2>lot of the elements of that kind of secondary category

0:31:46.800 --> 0:31:48.360
<v Speaker 2>I was talking about in heist movies, where it's like

0:31:48.480 --> 0:31:51.120
<v Speaker 2>tragedy and the life of crime and the bad things

0:31:51.160 --> 0:31:55.440
<v Speaker 2>that can happen, but it it arrives with this a

0:31:55.600 --> 0:32:01.800
<v Speaker 2>crude sense of drama from the view of this secret

0:32:01.920 --> 0:32:04.880
<v Speaker 2>that seems to like like a like a bubble coming

0:32:04.920 --> 0:32:06.840
<v Speaker 2>from the bottom of the ocean. Like it's almost like

0:32:06.880 --> 0:32:09.200
<v Speaker 2>you can see it coming, you can feel it coming,

0:32:09.240 --> 0:32:14.000
<v Speaker 2>and then when it emerges, it's incredible. One false move,

0:32:14.240 --> 0:32:17.760
<v Speaker 2>just see it. It's it's it's the movie that made

0:32:17.800 --> 0:32:21.080
<v Speaker 2>me aware that there was a thing called independent movies,

0:32:21.240 --> 0:32:21.800
<v Speaker 2>you know what I mean.

0:32:22.000 --> 0:32:24.640
<v Speaker 4>It's also I will say, like this is like a

0:32:24.880 --> 0:32:28.280
<v Speaker 4>legitimately just fucking brutal movie.

0:32:28.360 --> 0:32:30.280
<v Speaker 1>So take brute, take your time.

0:32:30.840 --> 0:32:33.080
<v Speaker 4>Watch it when you're into watching the kind of movie

0:32:33.080 --> 0:32:35.600
<v Speaker 4>that you won't be able to stop thinking about. But yeah,

0:32:35.640 --> 0:32:39.520
<v Speaker 4>I watched this one when I was on a crime tear,

0:32:40.520 --> 0:32:44.320
<v Speaker 4>probably during lockdown, and I remember just being totally blown

0:32:44.360 --> 0:32:46.680
<v Speaker 4>away and yeah, this is this is That's a great

0:32:46.720 --> 0:32:47.440
<v Speaker 4>poll Jason.

0:32:47.720 --> 0:32:50.840
<v Speaker 1>Also, guys, this will this list.

0:32:50.960 --> 0:32:54.080
<v Speaker 4>You will be able to find it on Yes, the box,

0:32:54.200 --> 0:32:55.320
<v Speaker 4>which does exist.

0:32:55.760 --> 0:32:57.800
<v Speaker 1>I just need to do a bad job of updating it.

0:32:58.040 --> 0:32:58.840
<v Speaker 1>Don't google it.

0:32:59.120 --> 0:33:01.600
<v Speaker 2>If anybody here wants to watch one False Move nineteen

0:33:01.640 --> 0:33:03.800
<v Speaker 2>ninety two is one false Move Bye by the legendary

0:33:03.840 --> 0:33:07.960
<v Speaker 2>Cirl Franklin. Do not google it, because google it reveal

0:33:08.080 --> 0:33:08.560
<v Speaker 2>is amazing.

0:33:08.640 --> 0:33:13.320
<v Speaker 3>Yes, yeah, well this was so fun. I love so much.

0:33:13.360 --> 0:33:17.320
<v Speaker 4>Guys, appreciate you joining us Ian and inspiring this super

0:33:17.400 --> 0:33:18.440
<v Speaker 4>fun combo.

0:33:18.520 --> 0:33:20.840
<v Speaker 1>What are your favorite heist movies? Make sure you join

0:33:20.880 --> 0:33:23.240
<v Speaker 1>our discord to tell us or hit us up on.

0:33:23.200 --> 0:33:26.640
<v Speaker 4>Social and recommend the movies that you think we should

0:33:26.680 --> 0:33:27.120
<v Speaker 4>be watching.

0:33:28.080 --> 0:33:30.440
<v Speaker 2>On the next episode of Extra Vision, we're diving into stuff.

0:33:30.680 --> 0:33:32.400
<v Speaker 2>That's it for this episode. Thanks for listening.

0:33:32.520 --> 0:33:41.200
<v Speaker 5>Bye bye, x Ray Vision is hosted by Jason SEPs

0:33:41.200 --> 0:33:44.080
<v Speaker 5>Young and Rosie Night and is a production of iHeart Podcast.

0:33:44.440 --> 0:33:48.000
<v Speaker 4>Our executive producers are Joel Monique and Aaron Kaufman.

0:33:48.240 --> 0:33:50.280
<v Speaker 2>Our supervising producer is Abusafar.

0:33:50.680 --> 0:33:54.680
<v Speaker 1>Our producers are Common Laurent, Dean Johnson and Bay wag.

0:33:54.760 --> 0:33:57.520
<v Speaker 2>Our theme song is by Brian Vasquez, with alternate theme

0:33:57.600 --> 0:33:58.840
<v Speaker 2>songs by Aaron Kaufman.

0:33:59.040 --> 0:34:02.360
<v Speaker 4>Special thanks to so Reuben, Chris Lord, Kenny Goodman and

0:34:02.480 --> 0:34:04.280
<v Speaker 4>Heidi Are Discord moderator

0:34:12.920 --> 0:34:12.960
<v Speaker 2>M