1 00:00:06,519 --> 00:00:25,480 Speaker 1: Space a final frontier. Welcome to Daily Variety, your daily 2 00:00:25,560 --> 00:00:29,880 Speaker 1: dose of news and analysis for entertainment industry insiders. It's Wednesday, 3 00:00:29,880 --> 00:00:33,720 Speaker 1: March twenty fifth, twenty twenty six. I'm your host, Cynthia Littleton. 4 00:00:34,000 --> 00:00:37,480 Speaker 1: I am co editor in chief of Variety alongside Ramin Setuda. 5 00:00:37,760 --> 00:00:40,400 Speaker 1: I'm in LA He's in New York, and Variety has 6 00:00:40,440 --> 00:00:44,000 Speaker 1: reporters around the world covering the business of entertainment. In 7 00:00:44,040 --> 00:00:48,040 Speaker 1: today's episode, we're talking Star Trek with Variety's Joe Otterson. 8 00:00:48,200 --> 00:00:51,960 Speaker 1: He analyzes the outlook for the Star Trek universe on television. 9 00:00:52,200 --> 00:00:55,240 Speaker 1: That was, of course, the theme of the original NBC 10 00:00:55,400 --> 00:00:58,280 Speaker 1: series that you heard in the cold open. Otterson broke 11 00:00:58,360 --> 00:01:01,000 Speaker 1: the news this week that the latest Star Trek series 12 00:01:01,040 --> 00:01:05,280 Speaker 1: to run on Paramount plus Starfleet Academy will end after 13 00:01:05,480 --> 00:01:08,120 Speaker 1: just two seasons. It's not a good sign for what 14 00:01:08,280 --> 00:01:12,240 Speaker 1: was once one of TV's most durable franchises. Otterson helps 15 00:01:12,240 --> 00:01:14,959 Speaker 1: put it into perspective for us. But before we get 16 00:01:15,000 --> 00:01:17,399 Speaker 1: to that, here are a few headlines just in this 17 00:01:17,520 --> 00:01:20,080 Speaker 1: morning that you need to know. The big story that 18 00:01:20,200 --> 00:01:23,639 Speaker 1: everybody's talking about in showbiz is the demise of Sora 19 00:01:24,440 --> 00:01:27,880 Speaker 1: OpenAI decided to pull the plug on its generative AI 20 00:01:28,040 --> 00:01:31,840 Speaker 1: powered video service. Disney is dropping its plan to invest 21 00:01:31,880 --> 00:01:35,280 Speaker 1: one billion in Open Ai now that Sora won't license 22 00:01:35,319 --> 00:01:38,399 Speaker 1: its characters, and everybody is trying to figure out what 23 00:01:38,560 --> 00:01:42,080 Speaker 1: went wrong. We'll unpack this more in Thursday's episode of 24 00:01:42,160 --> 00:01:46,040 Speaker 1: Daily Variety with Business editor Todd Spangler and Chief Legal 25 00:01:46,040 --> 00:01:49,600 Speaker 1: writer Gene Mattis. The BBC has a new director general. 26 00:01:49,880 --> 00:01:53,200 Speaker 1: Former senior Google executive Matt Britton will take the helm 27 00:01:53,240 --> 00:01:57,560 Speaker 1: of the UK pubcaster on May eighteenth. He replaces Tim Davey, 28 00:01:57,760 --> 00:02:00,400 Speaker 1: the euro TV veteran who was forced out of the 29 00:02:00,440 --> 00:02:03,840 Speaker 1: post last November amid a scandal over the editing of 30 00:02:03,880 --> 00:02:07,760 Speaker 1: Donald Trump's January sixth, twenty twenty one speech for an 31 00:02:07,760 --> 00:02:12,960 Speaker 1: episode of the BBC documentary series Panorama. Holy Gollum. Stephen 32 00:02:13,000 --> 00:02:16,720 Speaker 1: Colbert and his son, screenwriter Peter McGhee have been tapped 33 00:02:16,720 --> 00:02:18,560 Speaker 1: to write a new Lord of the Rings movie for 34 00:02:18,680 --> 00:02:22,680 Speaker 1: Warner Brothers and producer Peter Jackson. Colbert is a long 35 00:02:22,919 --> 00:02:27,160 Speaker 1: established Tolkien superfan. He had a cameo in the twenty 36 00:02:27,200 --> 00:02:30,240 Speaker 1: twelve rendition of The Hobbit that was directed by Jackson, 37 00:02:30,560 --> 00:02:33,679 Speaker 1: then his film festival chief Alberto Barbara is set for 38 00:02:33,760 --> 00:02:37,160 Speaker 1: a cameo in season two of the Studio Seth Rogan's 39 00:02:37,200 --> 00:02:40,560 Speaker 1: Apple TV comedy has been on the Lido in recent weeks, 40 00:02:40,760 --> 00:02:44,600 Speaker 1: lensing my colleague Nick Viverrellian Rome had the scoop. Joe 41 00:02:44,600 --> 00:02:48,040 Speaker 1: Scarborough and Mikah Brazinski are sticking with MS Now. The 42 00:02:48,120 --> 00:02:50,760 Speaker 1: Morning Joe hosts have signed a new deal that keep 43 00:02:50,840 --> 00:02:54,079 Speaker 1: them with the allnews cabler through twenty twenty nine. All 44 00:02:54,120 --> 00:02:56,440 Speaker 1: of these stories and so much more can be found 45 00:02:56,440 --> 00:03:04,000 Speaker 1: on Variety dot com right now and now it's time 46 00:03:04,000 --> 00:03:07,000 Speaker 1: for conversations with Friday journalists about news and trends in 47 00:03:07,040 --> 00:03:11,160 Speaker 1: show business. Joe Otterson, Variety's TV news editor, broke the 48 00:03:11,160 --> 00:03:15,120 Speaker 1: news that Starfleet Academy will shudder after its upcoming second season. 49 00:03:15,440 --> 00:03:18,360 Speaker 1: There's no way to shade it. The Star Trek franchise 50 00:03:18,440 --> 00:03:21,880 Speaker 1: is in a wobbly place. The shields are weak. Joe 51 00:03:21,880 --> 00:03:25,840 Speaker 1: and I have both been Trekkers dedicated to Gene Roddenberry's 52 00:03:25,880 --> 00:03:29,360 Speaker 1: optimistic vision of the future since we were kids, and 53 00:03:29,440 --> 00:03:32,919 Speaker 1: it shows in this conversation. Joe Otterson, thanks for joining 54 00:03:32,960 --> 00:03:33,360 Speaker 1: me today. 55 00:03:33,480 --> 00:03:34,240 Speaker 2: Always a pleasure. 56 00:03:34,880 --> 00:03:37,880 Speaker 1: You broke a big story that landed very big in 57 00:03:37,960 --> 00:03:42,280 Speaker 1: the universe of Star Trek fandom, Starfleet Academy the company's 58 00:03:42,360 --> 00:03:46,640 Speaker 1: hope for a next, next, next generation Star Trek franchise 59 00:03:46,680 --> 00:03:49,600 Speaker 1: and universe of characters. The curtain is going to fall 60 00:03:49,640 --> 00:03:52,360 Speaker 1: on this show after two seasons. This is not a 61 00:03:52,480 --> 00:03:55,920 Speaker 1: success for the studio or for the platform, and it 62 00:03:55,960 --> 00:04:00,080 Speaker 1: really seems indicative of a franchise that does seem to 63 00:04:00,200 --> 00:04:03,600 Speaker 1: be a little bit adrift. It is floating in space. Joe, 64 00:04:03,640 --> 00:04:05,760 Speaker 1: tell us what's going on with Starfleet Academy, and tell 65 00:04:05,840 --> 00:04:08,000 Speaker 1: us what's going on in the bigger picture for Star Trek. 66 00:04:08,120 --> 00:04:11,920 Speaker 2: Paramount was very hopeful for Starfleet Academy because on average 67 00:04:11,960 --> 00:04:14,360 Speaker 2: Star Trek fans tend to be older, and this was 68 00:04:14,400 --> 00:04:17,200 Speaker 2: a really big attempt by them to start bringing in 69 00:04:17,200 --> 00:04:21,720 Speaker 2: a younger audience to get them more involved in the franchise. Unfortunately, 70 00:04:21,760 --> 00:04:24,600 Speaker 2: it did not connect with audiences. It didn't get the 71 00:04:24,640 --> 00:04:28,160 Speaker 2: kind of viewership they needed to justify continuing it. They 72 00:04:28,200 --> 00:04:30,640 Speaker 2: had already renewed it for a second season before the 73 00:04:30,680 --> 00:04:33,880 Speaker 2: first season aired, so that season just finished shooting within 74 00:04:33,920 --> 00:04:36,159 Speaker 2: the past few weeks, and then they made the decision 75 00:04:36,160 --> 00:04:37,960 Speaker 2: to say, well, you know what, we're going to air 76 00:04:38,000 --> 00:04:40,080 Speaker 2: this season because we've already shot it, but ultimately this 77 00:04:40,200 --> 00:04:43,600 Speaker 2: just isn't a good fit for us anymore. So unfortunately 78 00:04:43,600 --> 00:04:45,480 Speaker 2: it is going to be ending in terms of the 79 00:04:45,560 --> 00:04:49,919 Speaker 2: larger franchise. You know, this definitely doesn't portend well for 80 00:04:50,200 --> 00:04:52,680 Speaker 2: the future of Star Trek on TV and the Alex 81 00:04:52,760 --> 00:04:55,360 Speaker 2: Kurtzman era. Alex Kurtzman has been shepherding the Star Trek 82 00:04:55,360 --> 00:04:57,680 Speaker 2: franchise for about a decade. So there is still this 83 00:04:57,880 --> 00:05:00,000 Speaker 2: last season of Star Trek Starfleet Academy to come out. 84 00:05:00,040 --> 00:05:02,560 Speaker 2: There's two more seasons of Strange New Worlds to come out, 85 00:05:02,560 --> 00:05:05,200 Speaker 2: which I think is also a great Star Trek show. 86 00:05:05,320 --> 00:05:08,160 Speaker 2: But just beyond that, there's been rumors of other things, 87 00:05:08,200 --> 00:05:10,000 Speaker 2: like other kind of spin offs of these shows that 88 00:05:10,000 --> 00:05:11,800 Speaker 2: they would attempt to do. But it just seems like 89 00:05:11,800 --> 00:05:13,680 Speaker 2: this is going to be the end of this current 90 00:05:13,720 --> 00:05:16,800 Speaker 2: iteration of Star Trek on TV. They haven't had the 91 00:05:16,880 --> 00:05:19,360 Speaker 2: kind of success with it. I think they wanted. It's 92 00:05:19,400 --> 00:05:22,440 Speaker 2: a very very valuable piece of ip for Paramount, but 93 00:05:22,520 --> 00:05:24,719 Speaker 2: just ultimately it just had they have not had the 94 00:05:24,760 --> 00:05:27,840 Speaker 2: success they needed to have to justify putting the kind 95 00:05:27,880 --> 00:05:30,040 Speaker 2: of money they've put into these shows. You know, these 96 00:05:30,040 --> 00:05:33,000 Speaker 2: aren't cheap, These are very visual effects heavy productions. Takes 97 00:05:33,000 --> 00:05:35,440 Speaker 2: a long time, you know, for post on shows like this. 98 00:05:35,640 --> 00:05:39,320 Speaker 2: So what is going to happen beyond this final season 99 00:05:39,320 --> 00:05:41,560 Speaker 2: of Starfleet Academy and these last two seasons of Strange 100 00:05:41,560 --> 00:05:44,520 Speaker 2: New Worlds is anybody's guest. But it just very much 101 00:05:44,600 --> 00:05:47,159 Speaker 2: seems like the Alex Kurtzman earrow of Star Trek is 102 00:05:47,200 --> 00:05:47,960 Speaker 2: coming to a close. 103 00:05:48,160 --> 00:05:50,800 Speaker 1: Truly, Star Trek is the og show that proves that 104 00:05:50,920 --> 00:05:54,160 Speaker 1: nothing ever dies in television. It is just dormant waiting 105 00:05:54,200 --> 00:05:56,359 Speaker 1: for somebody to come a lot to reboot it. You 106 00:05:56,400 --> 00:05:59,280 Speaker 1: broke this news, you do say that Kurtzman will remain 107 00:05:59,480 --> 00:06:03,040 Speaker 1: with CB, which still produces a whole lot of dramas, 108 00:06:03,080 --> 00:06:04,920 Speaker 1: procedural drama, genre dramas. 109 00:06:05,040 --> 00:06:07,400 Speaker 2: According to well placed sources, yes, he is currently in 110 00:06:07,480 --> 00:06:09,960 Speaker 2: talks to either sign a new deal extend his deal, 111 00:06:09,960 --> 00:06:11,760 Speaker 2: which runs out at the end of twenty twenty six. 112 00:06:11,960 --> 00:06:15,479 Speaker 2: Whether or not though that deal will have him remaining 113 00:06:15,560 --> 00:06:19,000 Speaker 2: at the helm of Star Trek very much remains to 114 00:06:19,000 --> 00:06:22,640 Speaker 2: be seen. Again, He's had success in television and films, 115 00:06:22,680 --> 00:06:24,920 Speaker 2: you know, beyond Star Trek, so it's certainly on outside 116 00:06:24,920 --> 00:06:27,240 Speaker 2: the remal possibility that he would stay on with CBS 117 00:06:27,279 --> 00:06:30,320 Speaker 2: Studios continue to develop other shows, they're produced things, but 118 00:06:30,760 --> 00:06:34,880 Speaker 2: just given the track record for Star Trek at this point, 119 00:06:35,080 --> 00:06:36,560 Speaker 2: I think that it would be a good time like 120 00:06:36,600 --> 00:06:39,200 Speaker 2: maybe let this one, let this one lie for a 121 00:06:39,240 --> 00:06:41,800 Speaker 2: little bit, and then definitely I think Paramount wants to 122 00:06:41,839 --> 00:06:44,160 Speaker 2: ramp up their ambitions for Star Trek. On the film side, 123 00:06:44,320 --> 00:06:46,680 Speaker 2: there has not been a Star Trek film since I 124 00:06:46,680 --> 00:06:49,640 Speaker 2: believe it was Star Trek beyond more than a decade ago. 125 00:06:49,920 --> 00:06:52,640 Speaker 2: Have other movies and ideas and development. There was talk 126 00:06:52,680 --> 00:06:55,760 Speaker 2: of Quentin Tarantino developing a Star Trek movie at one time, 127 00:06:55,839 --> 00:06:58,559 Speaker 2: which would certainly be a choice, but it just again, 128 00:06:58,720 --> 00:07:01,760 Speaker 2: people the original Star Trek and the Next Generation started 129 00:07:01,800 --> 00:07:04,040 Speaker 2: out on TV and they were able to then move 130 00:07:04,120 --> 00:07:08,880 Speaker 2: that cast into a very successful film series, you know, 131 00:07:08,960 --> 00:07:11,920 Speaker 2: both for the original series and for Next Generation, and 132 00:07:11,960 --> 00:07:14,000 Speaker 2: that's just not something you've seen with any Star Trek 133 00:07:14,040 --> 00:07:16,120 Speaker 2: show since then. None of these shows have broken out 134 00:07:16,120 --> 00:07:18,880 Speaker 2: in a way where you could successfully transition one of 135 00:07:18,920 --> 00:07:20,600 Speaker 2: these series cast to a film project. 136 00:07:20,720 --> 00:07:22,800 Speaker 1: Let me ask you, does it say something about our 137 00:07:22,880 --> 00:07:25,480 Speaker 1: times the world we live in that the Star Trek 138 00:07:25,560 --> 00:07:31,080 Speaker 1: vision of a diverse ensemble, teamwork driven future towards something 139 00:07:31,120 --> 00:07:34,640 Speaker 1: that looks like democracy with the Federation and all of 140 00:07:34,640 --> 00:07:37,120 Speaker 1: that mythos that you and I both know. I mean, 141 00:07:37,120 --> 00:07:39,240 Speaker 1: that feels very sad to me to even think about. 142 00:07:39,240 --> 00:07:40,920 Speaker 1: But genuinely, what do you think. 143 00:07:40,920 --> 00:07:43,240 Speaker 2: Yeah, I mean, there's certainly something to that, because one 144 00:07:43,280 --> 00:07:46,680 Speaker 2: thing that they really dove deeply into and a lot 145 00:07:46,720 --> 00:07:50,240 Speaker 2: of these new shows was, you know, outside of that 146 00:07:50,560 --> 00:07:53,880 Speaker 2: utopian ideal of you saw in the early series, you know, 147 00:07:54,000 --> 00:07:57,520 Speaker 2: the idea of the Federation as this great government and everything. 148 00:07:57,160 --> 00:08:00,120 Speaker 1: And this United Nations like body, but. 149 00:08:00,040 --> 00:08:02,520 Speaker 2: I think there's probably something too that just where people's 150 00:08:02,560 --> 00:08:04,640 Speaker 2: minds are at now. But at the same time, I mean, 151 00:08:04,840 --> 00:08:06,800 Speaker 2: one of the things that I really enjoyed about Starfleet 152 00:08:06,840 --> 00:08:09,440 Speaker 2: Academy was it did really harken back to that sense 153 00:08:09,440 --> 00:08:11,920 Speaker 2: of optimism. Like I remember watching the pilot for Starfleet 154 00:08:11,960 --> 00:08:14,200 Speaker 2: Academy and being really impressed because not only did they 155 00:08:14,320 --> 00:08:17,920 Speaker 2: really harken back to the sense of optimism you felt 156 00:08:17,960 --> 00:08:20,640 Speaker 2: when watching the original series or Next Generation, but then 157 00:08:20,680 --> 00:08:23,560 Speaker 2: they they literally like pose the question to the students 158 00:08:23,600 --> 00:08:26,080 Speaker 2: at this first class to come back to Starfleet Academy 159 00:08:26,080 --> 00:08:28,800 Speaker 2: in a long time. They're showing them this wall with 160 00:08:28,880 --> 00:08:31,560 Speaker 2: all these names of great Starfleet heroes, you know, like 161 00:08:31,640 --> 00:08:34,800 Speaker 2: Captain Kirk, like Spock, Picard, et cetera. And they just 162 00:08:34,840 --> 00:08:37,280 Speaker 2: as they pose that question, like which of you will 163 00:08:37,320 --> 00:08:40,040 Speaker 2: be the next person on this wall? Which of you 164 00:08:40,120 --> 00:08:43,199 Speaker 2: will be that person who steps up and leads us 165 00:08:43,240 --> 00:08:45,880 Speaker 2: into the future. And that's something that I think that 166 00:08:46,040 --> 00:08:48,600 Speaker 2: Star Trek unfortunately has kind of failed to answer in 167 00:08:48,640 --> 00:08:51,520 Speaker 2: these past ten years. There hasn't been that one thing 168 00:08:51,600 --> 00:08:53,200 Speaker 2: that's broken out to the point where you could say, 169 00:08:53,280 --> 00:08:55,000 Speaker 2: this is the future of the franchise. 170 00:08:55,160 --> 00:08:57,160 Speaker 1: Do you think any of this has to do with 171 00:08:57,240 --> 00:09:00,600 Speaker 1: the larger changes at Paramount and CBS in the last 172 00:09:00,720 --> 00:09:03,560 Speaker 1: year obviously Skydance came in and now they're busy buying 173 00:09:03,600 --> 00:09:05,640 Speaker 1: another studio, Like there's a lot going on there. 174 00:09:05,679 --> 00:09:07,400 Speaker 2: Yes and no. I mean I've seen a lot of 175 00:09:07,440 --> 00:09:10,240 Speaker 2: discussion about that, people saying, oh, with this new regime 176 00:09:10,280 --> 00:09:13,520 Speaker 2: coming in, they didn't want like woke political Star Trek 177 00:09:13,559 --> 00:09:15,120 Speaker 2: to come in. And I love when people talk about 178 00:09:15,160 --> 00:09:17,120 Speaker 2: the idea of like, oh, Star Trek is woke now, 179 00:09:17,120 --> 00:09:19,959 Speaker 2: it's like, so you never watched Star Trek at all. 180 00:09:20,160 --> 00:09:23,760 Speaker 2: But I think ultimately the impact that like this Ellison 181 00:09:23,800 --> 00:09:26,080 Speaker 2: regime would have had is they took a very hard 182 00:09:26,120 --> 00:09:28,800 Speaker 2: look at what was working, what wasn't working, and just 183 00:09:28,880 --> 00:09:31,200 Speaker 2: unfortunately a lot of the stuff hasn't worked and it's 184 00:09:31,240 --> 00:09:34,480 Speaker 2: not cheap to make. Paramount never touted the viewership or 185 00:09:34,480 --> 00:09:35,800 Speaker 2: anything like that for the show. 186 00:09:35,960 --> 00:09:38,920 Speaker 1: Well, to take the temperature, of course, I went to Reddit, 187 00:09:39,040 --> 00:09:41,640 Speaker 1: so I was curious about how your story landed. I 188 00:09:41,679 --> 00:09:43,640 Speaker 1: took one look at it and affirmed that it was 189 00:09:43,679 --> 00:09:47,400 Speaker 1: picked up by everybody. So kudos. Now, granted, read it 190 00:09:47,600 --> 00:09:49,600 Speaker 1: is a little bit like talk radio, where you're going 191 00:09:49,640 --> 00:09:52,280 Speaker 1: to have more angry people calling than happy people. But 192 00:09:52,800 --> 00:09:55,400 Speaker 1: let's just say there is concern expressed about there's been 193 00:09:55,840 --> 00:09:59,400 Speaker 1: a lot of seemingly fairly forgettable shows. But yeah, on 194 00:09:59,440 --> 00:10:01,520 Speaker 1: the reddits, I think the vote there is that it 195 00:10:01,640 --> 00:10:04,400 Speaker 1: is time to hand the tricorder to somebody else in 196 00:10:04,480 --> 00:10:07,480 Speaker 1: terms of television, in terms of movies. I know that 197 00:10:07,559 --> 00:10:09,880 Speaker 1: this is true because I read it in Variety. So 198 00:10:09,960 --> 00:10:12,439 Speaker 1: the latest that Variety has reported back in November by 199 00:10:12,480 --> 00:10:16,079 Speaker 1: our dear colleague Brent Lang, is that screenwriting duo Jonathan 200 00:10:16,120 --> 00:10:20,000 Speaker 1: Goldstein and John Francis Daley, who wrote Dungeons and Dragons, 201 00:10:20,040 --> 00:10:23,760 Speaker 1: Honor among Thieves and Spider Man Homecoming, are working on 202 00:10:23,800 --> 00:10:27,560 Speaker 1: a new film that will be utterly unconnected to anything 203 00:10:27,600 --> 00:10:31,400 Speaker 1: else previous in the Star Trek universe film or TV. 204 00:10:31,840 --> 00:10:33,400 Speaker 1: Does that sound like a good approach to you? 205 00:10:33,679 --> 00:10:36,360 Speaker 2: Yeah, I think so, because I think you're seeing not 206 00:10:36,520 --> 00:10:38,880 Speaker 2: that you should look to copy what everyone else is doing, 207 00:10:38,920 --> 00:10:41,360 Speaker 2: but I think you've seen great success with that lately, 208 00:10:41,360 --> 00:10:45,439 Speaker 2: where people are taking these very big, epic, well established franchises, 209 00:10:45,480 --> 00:10:48,480 Speaker 2: and instead of continuing down that path, you're telling kind 210 00:10:48,480 --> 00:10:52,960 Speaker 2: of smaller, more personal stories, kind of scaled back the big, 211 00:10:53,040 --> 00:10:57,000 Speaker 2: crazy set pieces and really focus in on characters and 212 00:10:57,120 --> 00:11:00,240 Speaker 2: just tyke backstorytelling. People love that stuff. Numen. You look 213 00:11:00,240 --> 00:11:02,079 Speaker 2: at things like Nine of the Seven Kingdoms, I think 214 00:11:02,160 --> 00:11:04,760 Speaker 2: is a great example of that. The Mandalorian is not 215 00:11:04,800 --> 00:11:06,400 Speaker 2: a small show by any means, but I'm just saying 216 00:11:06,440 --> 00:11:10,040 Speaker 2: in the sense that it's not necessarily about the Skywalkers 217 00:11:10,160 --> 00:11:13,040 Speaker 2: or Hans Solo or Princess Leiah. It's about a completely 218 00:11:13,080 --> 00:11:16,840 Speaker 2: separate character that exists within this universe. But it's something 219 00:11:16,920 --> 00:11:20,120 Speaker 2: completely different we haven't seen before, and people really enjoy 220 00:11:20,160 --> 00:11:22,200 Speaker 2: stuff like that now. So if you can do it 221 00:11:22,240 --> 00:11:25,719 Speaker 2: in a way that you know, the bones still feel 222 00:11:25,800 --> 00:11:27,679 Speaker 2: like Star Trek like, it still has kind of like 223 00:11:27,800 --> 00:11:29,400 Speaker 2: some sort of a star Trek Corge with But you're 224 00:11:29,400 --> 00:11:31,920 Speaker 2: telling different stories with different characters. I think that's really 225 00:11:31,960 --> 00:11:34,760 Speaker 2: important because you can't just keep rehashing the same thing 226 00:11:34,800 --> 00:11:36,719 Speaker 2: over and over again, Like how many more times can 227 00:11:36,760 --> 00:11:39,480 Speaker 2: we see a different actor play Captain Kirk or something 228 00:11:39,520 --> 00:11:40,880 Speaker 2: like that? You know, I mean, you have to mix 229 00:11:40,920 --> 00:11:42,440 Speaker 2: things up a little bit from time to time. 230 00:11:43,080 --> 00:11:46,800 Speaker 1: Joe Otterson, thank you so much for reporting so thoroughly 231 00:11:46,880 --> 00:11:49,280 Speaker 1: on this world. I love seeing your great work and 232 00:11:49,360 --> 00:11:50,560 Speaker 1: variety picked up everywhere. 233 00:11:50,679 --> 00:11:52,640 Speaker 2: Thank you, and has always lived long and prosper. 234 00:12:02,280 --> 00:12:04,840 Speaker 1: As we close out today's episode, here's a few things 235 00:12:04,840 --> 00:12:08,199 Speaker 1: we're watching for. Don't miss my colleague Chris Willman's coverage 236 00:12:08,200 --> 00:12:13,040 Speaker 1: of NCIS's astounding five hundredth episode Milestone. There were a 237 00:12:13,080 --> 00:12:15,720 Speaker 1: lot of surprises and some big changes for the squad 238 00:12:15,760 --> 00:12:19,000 Speaker 1: on last night's episode. Wilman has all the details on 239 00:12:19,040 --> 00:12:21,839 Speaker 1: a show that he has covered for decades. Tip of 240 00:12:21,880 --> 00:12:25,480 Speaker 1: the hat to CBS and Team Jag. Wonder Project and 241 00:12:25,600 --> 00:12:28,680 Speaker 1: Amazon Prime Video will unveil season two of House of 242 00:12:28,760 --> 00:12:31,960 Speaker 1: David on March twenty seventh, just in time for Passover, 243 00:12:32,120 --> 00:12:36,240 Speaker 1: Good Friday and Easter. My colleagues Elsa Caslassi and Alish 244 00:12:36,240 --> 00:12:38,600 Speaker 1: Schaeffer are getting ready to wrap their coverage of the 245 00:12:38,720 --> 00:12:42,480 Speaker 1: series Mania TV Festival in Lil, France this weekend. The 246 00:12:42,480 --> 00:12:45,360 Speaker 1: fest has produced a number of headlines already about new 247 00:12:45,400 --> 00:12:48,480 Speaker 1: shows and buzzy talent, so keep watch on Variety dot 248 00:12:48,520 --> 00:12:51,040 Speaker 1: com this weekend for the latest. We love to hear 249 00:12:51,080 --> 00:12:53,959 Speaker 1: from our listeners, so please send thought, scripes and other 250 00:12:54,000 --> 00:12:58,400 Speaker 1: feedback about Daily Variety two podcasts at Variety dot com. 251 00:12:58,600 --> 00:13:02,200 Speaker 1: Before we go, Congrats to Adam Cunningham. He's been promoted 252 00:13:02,240 --> 00:13:05,920 Speaker 1: to Global CEO of Allied Global Marketing. He's been with 253 00:13:06,040 --> 00:13:10,120 Speaker 1: the company since twenty eleven. Cunningham had been Chief Strategy 254 00:13:10,160 --> 00:13:13,800 Speaker 1: Officer of Allied Global since twenty twenty. Thanks for listening. 255 00:13:14,120 --> 00:13:17,240 Speaker 1: This episode was written and reported by me Cynthia Littleton, 256 00:13:17,520 --> 00:13:22,000 Speaker 1: with contributions from Joe Otterson Stick Snicks Hick Picks. Please 257 00:13:22,080 --> 00:13:24,880 Speaker 1: leave us a review at the podcast platform of your choice, 258 00:13:25,000 --> 00:13:27,920 Speaker 1: and please tune in tomorrow for another episode of Daily 259 00:13:28,040 --> 00:13:31,199 Speaker 1: Variety Star Trek the Paper Chase. We'll send them all 260 00:13:31,200 --> 00:13:34,319 Speaker 1: to law school, Intergalactic law schools, Ice Lawyers