WEBVTT - Deepfake hoaxes, Meta-averse and Jason punk’d

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<v Speaker 1>Now, Really Dan Dan, Dan Dan, I love our theme song.

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<v Speaker 1>Can I just say that I love the song ruining it?

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<v Speaker 1>You're singing, Wow, I may be ruining it, but I

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<v Speaker 1>love it. So Hello and welcome everybody to another episode

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<v Speaker 1>of Really No Really. I am internationally below Comedy Superstar

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<v Speaker 1>and Television from Hope for the Ladies, Hopeful Jason An

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<v Speaker 1>Hope for the laugh. How dare you with me today

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<v Speaker 1>as my partner and friend or my friend and partner,

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<v Speaker 1>or just maybe just my partner? Peter Tilden say hello, Peter,

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<v Speaker 1>you Hi. Good to see that was That was exciting.

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<v Speaker 1>That was a real greeting. Can I just tell the

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<v Speaker 1>audience that I'm looking at you, I'm looking at you

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<v Speaker 1>on a camera, and you basically look like you took

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<v Speaker 1>beats and ate a bowl of beats and rubbed them

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<v Speaker 1>onto your face. I think you have one hundred and

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<v Speaker 1>six degree fever today. You you looked terrible, and I

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<v Speaker 1>mean that in a good way. How do you feel?

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<v Speaker 1>I feel like if you don't start this and we

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<v Speaker 1>move it on because I feel terrible, I'm gonna get

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<v Speaker 1>in my car as sick as I feel, drive to

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<v Speaker 1>your house and strong with my bare red hands, and

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<v Speaker 1>that's why you're my partner. And maybe I don't know

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<v Speaker 1>what it is, but you don't look good, So you

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<v Speaker 1>know what, we'll fake it. And that is a segue

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<v Speaker 1>to what we're talking about today. And I'm going to

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<v Speaker 1>tell you, Carte Blanche, our topic today freaks me the

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<v Speaker 1>hell out, and I think it's only going to get worse.

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<v Speaker 1>I don't think I'm going to feel better about this

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<v Speaker 1>by the end of the episode, because today we are

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<v Speaker 1>talking about the new world and technology of deep fakes. Now,

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<v Speaker 1>the first time I saw this, I don't know about

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<v Speaker 1>your Peter. The first time I saw it, there was

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<v Speaker 1>a Tom Cruise video online. When I saw it, I said, really, no,

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<v Speaker 1>really that stuff. So it turns out, of course it's

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<v Speaker 1>not Tom Cruise. And then the one that kind of

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<v Speaker 1>made me crazy, and you sent it to me, and

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<v Speaker 1>I hadn't known this was out there. You know the

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<v Speaker 1>scene in Pulp Fiction where John Travolta and Samuel Jackson,

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<v Speaker 1>you know, they go into the house and they're gonna

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<v Speaker 1>blow these guys away, and one guy's hiding out in

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<v Speaker 1>the bathroom and comes out and shoots at them and

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<v Speaker 1>misses everything. And that's why Samuel Jackson thinks there's been

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<v Speaker 1>a miracle. They they made the actor in the bathroom

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<v Speaker 1>Jerry Seinfeld, and they did a soundtrack as if it's

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<v Speaker 1>an episode of Seinfeld with what that damp bam bam

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<v Speaker 1>bamp bland. It didn't think that, you know, but it's

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<v Speaker 1>like it is, it's Jerry Seinfeld, and I'm going, what

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<v Speaker 1>the hell is happening? What is going on? So it

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<v Speaker 1>freaks me out because immediately immediately I go to, oh,

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<v Speaker 1>who's playing around with my face? What are they making

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<v Speaker 1>me do? What are they making me say? What? Because

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<v Speaker 1>you know, it's not like I it's it's not like

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<v Speaker 1>you have to go deep deep dive to find me

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<v Speaker 1>doing ridiculous things in front of a camera. But and

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<v Speaker 1>by the way, so if they did it at the

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<v Speaker 1>company for their sales meeting, or they did it, or

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<v Speaker 1>kid did it and put it out there on YouTube,

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<v Speaker 1>how are you gonna what are you gonna do? You're

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<v Speaker 1>gonna go after him? But me while it's out there

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<v Speaker 1>and you could get a million only the technology is

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<v Speaker 1>becoming more and more available and is getting better and better.

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<v Speaker 1>Can they just start making anyone do anything? Okay? Yeah, yes, yes, Jase,

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<v Speaker 1>they can and then they'll take the fake a little

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<v Speaker 1>Jason and put him in a fake world like the

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<v Speaker 1>metaverse that the Mark Zuckerberg is trying to create. He's

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<v Speaker 1>struggling with it, but it'll happen, but from somebody. And

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<v Speaker 1>because those places sell real estate and they have comedy

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<v Speaker 1>clubs and they have strip clubs. Say what now? Say what? Yeah,

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<v Speaker 1>we'll get to it. And how do you make it

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<v Speaker 1>rain in the metaverse? I don't know that. Well, we'll

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<v Speaker 1>find we'll find out later. By Jason, let's answer all

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<v Speaker 1>of your questions, especially the big really no, really, can

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<v Speaker 1>anybody make a deep fake? Now? Is that technology exists

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<v Speaker 1>where you can make a deep fake at home of

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<v Speaker 1>somebody and it's undetectable. This guy is the top guy

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<v Speaker 1>when it comes to deep fakes. He's considered the father

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<v Speaker 1>of digital forensics. Jason. Let's meet him and talk to him. Now,

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<v Speaker 1>let's welcome to really No, Really, Professor Honey for Reid,

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<v Speaker 1>who is the dean and how do you see Berkeley

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<v Speaker 1>School of Information And, as I said, considered the father

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<v Speaker 1>of digital forensics. Who better to ask about deep facts

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<v Speaker 1>impacting is now and in the future when we're trying

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<v Speaker 1>to figure out what's truth and what's reality? So go

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<v Speaker 1>for Jay. So we're here with what is your what's

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<v Speaker 1>your favorite title? Honey? Is it? Professor? It is it?

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<v Speaker 1>Sir captain? Is it? One of the great things about

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<v Speaker 1>being an academic is you hold many titles. Professor is

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<v Speaker 1>just fine, Honey is just fine? Um. You know, one

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<v Speaker 1>of the one of the great things about being an

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<v Speaker 1>academic is we get to educate the next generation of

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<v Speaker 1>young minds, which is always inspiring being on campus with

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<v Speaker 1>all these very bright kids, but also really pushing the

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<v Speaker 1>forefront in my case, of where technology is intersecting and

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<v Speaker 1>sometimes colliding with societies and with democracies, and that's that's

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<v Speaker 1>really exciting being on a campus and trying to think

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<v Speaker 1>through some of these issues without the corporate treasurers of

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<v Speaker 1>profits and so on and so forth. You know, what

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<v Speaker 1>all I had, all I asked him is what he

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<v Speaker 1>wanted to be called. And already we're in over my head. Dude,

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<v Speaker 1>I'm a professor, I'm talking about academics, and I just

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<v Speaker 1>wanted to know, is it? Honey? Is a doctor? Far? Well,

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<v Speaker 1>how do you? How do you press your last name? Honey?

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<v Speaker 1>Honnie red and Honi is fine? All right, That's all

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<v Speaker 1>I wanted to know. Don't get ahead of me, honey,

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<v Speaker 1>makes me look stupid based on that leading as a

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<v Speaker 1>as a professor, treat this as a remedial class that

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<v Speaker 1>you're talking about. Yeah, somehow we got in, somehow we

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<v Speaker 1>registered three class, but we're slow. I'm just a theater major,

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<v Speaker 1>so really slow it down for me. So, just for

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<v Speaker 1>remedial purposes for the audience, would you, in your own

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<v Speaker 1>way tell us what is a deep fake? What are

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<v Speaker 1>we talking about? So what you should understand about deep

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<v Speaker 1>fakes is that it's an umbrella term for many, many

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<v Speaker 1>different things. Um At its core, what it's getting at

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<v Speaker 1>is automatically synthesized media that can be audio, can be images,

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<v Speaker 1>or can be video. And by automatically synthesize, I mean

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<v Speaker 1>think about historically how we have manipulated audio, images and videos.

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<v Speaker 1>You make a recording, you cut and you splice, you

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<v Speaker 1>add words, you subtract words with images, put into photoshop,

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<v Speaker 1>manipulate an image, take one person's head off, put another

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<v Speaker 1>person's head on. And essentially what deep face have done

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<v Speaker 1>is automate that process using advances in machine learning and

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<v Speaker 1>artificial intelligence. And the reason why that's interesting and important

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<v Speaker 1>is because when you automate something, you democratize access to

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<v Speaker 1>what has historically been state sponsored actors Hollywood studios who

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<v Speaker 1>could do very sophisticated editing, and you've now put it

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<v Speaker 1>in the hands of the every person who can alter audio,

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<v Speaker 1>alter images, alter video, and of course now distribute that

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<v Speaker 1>to the world instantaneously through social media. So think of

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<v Speaker 1>deep fakes is just an automatic way of manipulating media.

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<v Speaker 1>So immediately what I think is this isn't good. This

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<v Speaker 1>is not a good thing. Is it a good thing?

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<v Speaker 1>I mean, it's let's take away, it's nefarious used for

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<v Speaker 1>a beginning, but is it Is it something that people

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<v Speaker 1>really need to do? Does it have a real purpose

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<v Speaker 1>that's meaningful. Yeah, that's the right question to ask. So

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<v Speaker 1>the people developing these technologies are not, in fact nefarious.

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<v Speaker 1>Most of them are on campuses like where I am,

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<v Speaker 1>around the world, and they have been working on these

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<v Speaker 1>technologies in fact for decades in various forms in the

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<v Speaker 1>fields of computer graphics and then the fields of computer vision,

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<v Speaker 1>with the primary purpose of Hollywood studios and special effects.

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<v Speaker 1>That's mostly where this technology is coming from. Is I

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<v Speaker 1>want to film one performer and I want to make

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<v Speaker 1>them look younger or older. So instead of doing the

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<v Speaker 1>makeup and the special effects, you can do this all

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<v Speaker 1>in post with some deep fake technology. Or I want

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<v Speaker 1>to swap out one face for another space to make

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<v Speaker 1>it a different person. Imagine customized movies or customized TV

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<v Speaker 1>shows where you can mix and match your personalities that

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<v Speaker 1>you have attached to each of the characters. There are

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<v Speaker 1>some technologies that are primarily being developed from nefarious purposes,

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<v Speaker 1>to commit fraud, to commit crimes. That's not this. It's

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<v Speaker 1>just that once you peel away those Hollywood special effect applications,

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<v Speaker 1>what's left is some pretty scary things. And I assume

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<v Speaker 1>we're gonna be talking a little bit about that little

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<v Speaker 1>film trivia from my career. If you want to see

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<v Speaker 1>a great example of it, it's very quick. It's in

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<v Speaker 1>the movie I did, The Adventures, and I know this

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<v Speaker 1>is going to create a rush to get this. On

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<v Speaker 1>the Adventures of Rocky and Bullwinkle where I played Bars

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<v Speaker 1>batten Off, and there's a scene where I am perched

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<v Speaker 1>on a water tower and they never told me I

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<v Speaker 1>was going to be perched on a water tower. And

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<v Speaker 1>I have a tremendous fear of heights, and I'm now

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<v Speaker 1>eighty feet off the ground, shackled to the water tower.

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<v Speaker 1>I can't fall, but the stunt coordinator is about to

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<v Speaker 1>leave me there I can get a shot, and he

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<v Speaker 1>says to me, Hey, yeah okay, and I went no,

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<v Speaker 1>I'm not I'm truly not okay. And if you walk away,

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<v Speaker 1>there's going to be an incident. There's going to be

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<v Speaker 1>at least wet pants if nothing else. So this is

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<v Speaker 1>not going to work. And I actually couldn't do. I

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<v Speaker 1>couldn't I guess if I didn't have to act, I

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<v Speaker 1>probably gonna sat there and screamed like a like a

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<v Speaker 1>like a you know, a baby. But I couldn't act,

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<v Speaker 1>so my stunt double went up and they had to

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<v Speaker 1>put my face in the film. They had to put

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<v Speaker 1>my face on my stunt double, so I was deep

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<v Speaker 1>faked onto another guy. Yeah, honey, let me ask you this.

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<v Speaker 1>If it's I started the premise of our really no realers,

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<v Speaker 1>I can't believe where we are, that the defas are

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<v Speaker 1>so good, they were possibly at the point of no return.

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<v Speaker 1>And then you just made me feel better because if

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<v Speaker 1>they couldn't do, DeNiro and the irishman were it looked real.

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<v Speaker 1>Are we still behind the curve? You look at Denier

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<v Speaker 1>and you go, what's wrong with his face? It was not.

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<v Speaker 1>It was not like boy, a young DeNiro. How'd they

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<v Speaker 1>do that? And that was a Hollywood studio. They didn't

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<v Speaker 1>do it very good job. So here's what I can

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<v Speaker 1>tell you. When you're thinking about these technologies, you always

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<v Speaker 1>have to have to look at the rate of change.

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<v Speaker 1>How are things evolving and how quickly are they evolving?

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<v Speaker 1>And I can tell you, and now the twenty some

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<v Speaker 1>odd years that I've been working in this space, I've

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<v Speaker 1>never seen a technology developed so quickly. I mean really

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<v Speaker 1>every three to four months. You see rapid advances in

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<v Speaker 1>the quality and the sophistication. I think there was a

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<v Speaker 1>seventeen year old in Rhode Island who ran a candidate.

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<v Speaker 1>Right there was a day fake and he ran the

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<v Speaker 1>candidate and it registered. So now what happened? Really the

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<v Speaker 1>election is coming close. Hold on, let's tell let's tell

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<v Speaker 1>that story. This is a great story. This is the

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<v Speaker 1>kid is in Florida. He's a high school student. Everything's

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<v Speaker 1>story like this is from Florida. So this is a

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<v Speaker 1>high school kid board on his Christmas break creates a

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<v Speaker 1>fake profile on LinkedIn of a candidate for US Congress

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<v Speaker 1>in Rhode Island, gets that person the blue check mark

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<v Speaker 1>on Twitter, so the register you know, authenticated, and gets

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<v Speaker 1>the Board of Elections approving him as a candidate. The

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<v Speaker 1>whole thing is fiction. Anybody out there would be out

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<v Speaker 1>of their mind not to hire this kid. I mean,

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<v Speaker 1>this kid is awesome. But here's the real threat of

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<v Speaker 1>deep faiths when you enter this world where any audio recording,

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<v Speaker 1>any image of recording, any video recording can be faith

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<v Speaker 1>whether nothing has to be real and not only is

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<v Speaker 1>this technology advancing too quickly from my taste, seventeen year

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<v Speaker 1>old kids are advancing too quickly from my taste. Seventeen

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<v Speaker 1>year old kid on a school break decides to create

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<v Speaker 1>a deep faith candidate for a congressional seaton Rhode Island.

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<v Speaker 1>I was setting bonfires in the backyard with a magnifying glass.

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<v Speaker 1>That was my big thrill. My mother, by the way,

0:11:48.480 --> 0:11:50.480
<v Speaker 1>was still clipping my gloves to my jacket so I

0:11:50.480 --> 0:11:54.439
<v Speaker 1>wouldn't lose him in the snow. Right, Yeah, seventeen year

0:11:54.440 --> 0:11:58.120
<v Speaker 1>old's creating congressional candidates for good saying that by the way,

0:11:58.120 --> 0:12:00.640
<v Speaker 1>the kid said that he did it in about twenty twenty.

0:12:00.800 --> 0:12:03.600
<v Speaker 1>He was boored doing break and did it twenty minutes.

0:12:03.800 --> 0:12:05.360
<v Speaker 1>Opened it to it because he wanted to see that

0:12:05.400 --> 0:12:08.720
<v Speaker 1>they validated, because we don't want phonies. Since you're the

0:12:08.800 --> 0:12:12.120
<v Speaker 1>guy when it comes to deface, anybody ever come to

0:12:12.160 --> 0:12:14.480
<v Speaker 1>you for help to determine whether it's a deep facing him.

0:12:14.920 --> 0:12:18.360
<v Speaker 1>On the weekly basis, I get an email from somebody,

0:12:18.440 --> 0:12:21.200
<v Speaker 1>many of them are politicians around the world, who have

0:12:21.440 --> 0:12:24.559
<v Speaker 1>typically something around a sex tape, and they're saying it's

0:12:24.600 --> 0:12:27.320
<v Speaker 1>not me, it's a deep fake, prove it, and I'm like,

0:12:27.600 --> 0:12:31.000
<v Speaker 1>I'm pretty sure it's probably you. By the way, I

0:12:31.040 --> 0:12:33.040
<v Speaker 1>love that you said pretty typically a sex tape. What

0:12:33.040 --> 0:12:38.040
<v Speaker 1>you're saying is they're all sex tapestically. You mean like

0:12:40.400 --> 0:12:43.760
<v Speaker 1>professor hurried, you know, because somebody made him say boopy,

0:12:43.960 --> 0:12:47.040
<v Speaker 1>you know, here's a kiss a guy wrestling and gristly.

0:12:47.080 --> 0:12:51.440
<v Speaker 1>This could end his career. I don't think so. I

0:12:51.559 --> 0:12:55.960
<v Speaker 1>love how you said that relatively most relatively most yeah wow,

0:12:56.120 --> 0:12:58.920
<v Speaker 1>but this is so. This is the holled liars dip

0:12:59.040 --> 0:13:03.839
<v Speaker 1>end that when the world can be manipulated, well, then

0:13:03.840 --> 0:13:06.320
<v Speaker 1>everybody can just decide on their own set of facts.

0:13:06.640 --> 0:13:08.559
<v Speaker 1>What was this. When I was growing up, I always

0:13:08.559 --> 0:13:11.280
<v Speaker 1>got smacked. My parents could always detect the slacked me.

0:13:11.480 --> 0:13:13.440
<v Speaker 1>I mean only I wish I could beat a liars?

0:13:13.480 --> 0:13:17.440
<v Speaker 1>Did mom liars dividend? It wasn't me? Did your mother

0:13:17.520 --> 0:13:20.080
<v Speaker 1>do the thing? Look? Look look at me in the face,

0:13:20.640 --> 0:13:22.760
<v Speaker 1>Look me in the face, especially grab my face. She

0:13:22.800 --> 0:13:26.160
<v Speaker 1>would make me look, look, grab my face. Professor, I

0:13:26.200 --> 0:13:28.720
<v Speaker 1>gotta ask you, even when people find out they've been

0:13:28.760 --> 0:13:32.079
<v Speaker 1>deep fake, it's stunning. And tell Jason to me, it's

0:13:32.120 --> 0:13:35.280
<v Speaker 1>not necessarily really good news. Right, many many years ago,

0:13:35.320 --> 0:13:38.320
<v Speaker 1>when Carrie was running for president, before deep face was

0:13:38.360 --> 0:13:42.320
<v Speaker 1>even on our radar screen, but we were seeing photoshop manipulation.

0:13:42.840 --> 0:13:46.320
<v Speaker 1>Somebody had created a fake image of Carrie standing next

0:13:46.320 --> 0:13:49.160
<v Speaker 1>to Jane Fonda and nanti war rally and it was

0:13:49.200 --> 0:13:51.760
<v Speaker 1>a fake image. It was probably one of the first

0:13:52.400 --> 0:13:57.440
<v Speaker 1>widely distributed fake images on the Internet. And NTR was

0:13:57.480 --> 0:14:00.560
<v Speaker 1>interviewing somebody after the election. They in this guy said

0:14:01.000 --> 0:14:02.920
<v Speaker 1>would you vote for I couldn't vote for John Kerry?

0:14:02.960 --> 0:14:05.360
<v Speaker 1>Why not? I couldn't get that picture of him and

0:14:05.480 --> 0:14:07.760
<v Speaker 1>Jane found out of my head. The interviewer said, you

0:14:07.760 --> 0:14:10.120
<v Speaker 1>know the photo is fake? And he said, I know

0:14:10.720 --> 0:14:13.840
<v Speaker 1>but I couldn't get it out of my head. And

0:14:13.960 --> 0:14:16.800
<v Speaker 1>that tells you something about the power of visual imagery

0:14:17.080 --> 0:14:20.920
<v Speaker 1>is that even if you can debunk it, it doesn't

0:14:21.000 --> 0:14:23.800
<v Speaker 1>It's very hard for people to undo those things. And

0:14:23.800 --> 0:14:26.000
<v Speaker 1>by the way, there's evidence in the literature and the

0:14:26.040 --> 0:14:29.080
<v Speaker 1>academic literature that when you try to undo effect, it

0:14:29.120 --> 0:14:31.640
<v Speaker 1>actually makes it worse. It's called the boomerang effect. So

0:14:31.680 --> 0:14:34.400
<v Speaker 1>when you try to correct the record, people remember that

0:14:34.440 --> 0:14:36.800
<v Speaker 1>there's a controversy, but they don't remember the sign of

0:14:36.840 --> 0:14:41.080
<v Speaker 1>the controversy, and it ends up reinforcing the false narrative

0:14:41.080 --> 0:14:44.720
<v Speaker 1>in the first place. So setting the record straight online

0:14:44.960 --> 0:14:49.400
<v Speaker 1>is virtually impossible. WHOA wow, honey, thank you so much.

0:14:53.120 --> 0:14:56.160
<v Speaker 1>Oh my god, this is horrifying. I want to be

0:14:56.280 --> 0:14:59.760
<v Speaker 1>light about this, but this is an extremely concerning It

0:14:59.840 --> 0:15:01.880
<v Speaker 1>is concerning. So okay, I'll make it lighter they I'll

0:15:01.880 --> 0:15:03.160
<v Speaker 1>take you to a lighter place. Now, I got a

0:15:03.240 --> 0:15:06.800
<v Speaker 1>quiz for you. So here are things, and you won't

0:15:06.840 --> 0:15:08.880
<v Speaker 1>know what's true or false. Here are things that you

0:15:08.920 --> 0:15:10.880
<v Speaker 1>think are true your whole life that may not be true,

0:15:10.880 --> 0:15:12.800
<v Speaker 1>that will rock your road. You're ready, okay, but some

0:15:12.840 --> 0:15:14.800
<v Speaker 1>of them are TREI is what you're telling me. It

0:15:14.840 --> 0:15:16.320
<v Speaker 1>can be true. They can be false. Some of them

0:15:16.320 --> 0:15:18.520
<v Speaker 1>may be true. Tell you, I want to leg up. Oh,

0:15:18.560 --> 0:15:20.880
<v Speaker 1>you're a really good listener. You know that I like

0:15:20.920 --> 0:15:22.680
<v Speaker 1>about you. You're a listener. You're from the listeners. And

0:15:22.760 --> 0:15:27.560
<v Speaker 1>my mother would say, here we go. What shaved hair

0:15:27.640 --> 0:15:30.080
<v Speaker 1>grows back thicker? True or false? You've heard that forever.

0:15:30.640 --> 0:15:35.480
<v Speaker 1>Let me tell you first of all, you listen, just

0:15:35.560 --> 0:15:38.480
<v Speaker 1>stomp on my heart going into the quiz. It is false.

0:15:38.640 --> 0:15:41.000
<v Speaker 1>You can share until you can shave, until the cows

0:15:41.000 --> 0:15:42.800
<v Speaker 1>come home. And by the way, that's false. Cows don't

0:15:42.840 --> 0:15:46.440
<v Speaker 1>come home. But no, it does not make it all right.

0:15:46.480 --> 0:15:50.600
<v Speaker 1>The Great Wall of China's visible from space. Everything's visible

0:15:50.640 --> 0:15:52.720
<v Speaker 1>from space. They can see they can see the head

0:15:52.760 --> 0:15:54.760
<v Speaker 1>of a pin with these satellites. No, but not with

0:15:54.960 --> 0:15:58.880
<v Speaker 1>not with amplification. I always say, you can see see

0:15:58.920 --> 0:16:01.240
<v Speaker 1>me if I was standing on this International Space Station,

0:16:01.280 --> 0:16:03.360
<v Speaker 1>can you see the Great waters? Be able to see

0:16:03.400 --> 0:16:06.560
<v Speaker 1>the Great Wall of China? I would, but I have

0:16:06.760 --> 0:16:09.720
<v Speaker 1>very good eyesight. Tell me I'm wrong. Go ahead, tell

0:16:09.720 --> 0:16:12.440
<v Speaker 1>me I'm wrong. You're wrong, you can't see. No, you're wrong,

0:16:12.960 --> 0:16:16.640
<v Speaker 1>don't tell me out and we're out International Station and

0:16:16.680 --> 0:16:18.760
<v Speaker 1>we'll look out the window, and you see who's right

0:16:18.840 --> 0:16:21.400
<v Speaker 1>deep faking me. There. You go. Swimming after eating will

0:16:21.400 --> 0:16:24.320
<v Speaker 1>give you major cramps. It depends what you've eaten, according

0:16:24.360 --> 0:16:28.960
<v Speaker 1>to Billy Crystal. Billy Crystal said his aunt used to

0:16:29.000 --> 0:16:31.000
<v Speaker 1>be or somebody his uncle used to be the arbiter

0:16:31.400 --> 0:16:33.080
<v Speaker 1>of you know, based on what you ate, how long

0:16:33.120 --> 0:16:34.800
<v Speaker 1>you had to wait if you had what did you have?

0:16:34.840 --> 0:16:36.760
<v Speaker 1>I had a tuna fish sandwich twenty minutes? What did

0:16:36.760 --> 0:16:38.880
<v Speaker 1>you have? Spaghetti meat balls? One hour? What did you

0:16:38.960 --> 0:16:43.400
<v Speaker 1>have cheecake tomorrow? Yeah, you're never swimming again. And by

0:16:43.440 --> 0:16:45.840
<v Speaker 1>the way, think about this. My mother used to do that.

0:16:45.920 --> 0:16:47.280
<v Speaker 1>My family would do that. You can't go in right

0:16:47.320 --> 0:16:50.120
<v Speaker 1>away because you're you're you'll get cramps. You ever have

0:16:50.240 --> 0:16:54.080
<v Speaker 1>you ever look up death by cramps in a swimming pool?

0:16:54.400 --> 0:16:56.360
<v Speaker 1>First of all, there're eight thousand people standing next to you.

0:16:56.360 --> 0:16:58.720
<v Speaker 1>It's three feet deep. How are you going You're going down?

0:16:58.880 --> 0:17:01.720
<v Speaker 1>And what what's happening? Just lying there? Nobody's saying anything.

0:17:02.000 --> 0:17:04.560
<v Speaker 1>You're cramping up so bad? Yeah, I mean old people

0:17:04.560 --> 0:17:07.359
<v Speaker 1>would be dead dropping dead in Florida every twenty minutes

0:17:07.400 --> 0:17:11.840
<v Speaker 1>because but they're the cramp. It's like, wow, eighty people

0:17:11.880 --> 0:17:14.040
<v Speaker 1>in the pool and I didn't see Sylvesta lying next

0:17:14.080 --> 0:17:17.000
<v Speaker 1>to me for an hour. And here it's impossible. It's impossible,

0:17:17.240 --> 0:17:19.840
<v Speaker 1>all right, Um, a penny dropped from the top of

0:17:19.840 --> 0:17:25.840
<v Speaker 1>the Empire State Building will kill you, uh it? Yeah?

0:17:25.880 --> 0:17:28.880
<v Speaker 1>I think the terminal velocity is pretty Yeah, it could.

0:17:29.320 --> 0:17:32.119
<v Speaker 1>Can't penetrate concrete or ausphalt. It won't even cause serious

0:17:32.160 --> 0:17:34.320
<v Speaker 1>damage to a person, and even to the speed of sound,

0:17:34.840 --> 0:17:37.199
<v Speaker 1>still not damage flesh. It most sting a little. How

0:17:37.200 --> 0:17:39.679
<v Speaker 1>about that is news? That's a really no, really, I

0:17:39.720 --> 0:17:41.760
<v Speaker 1>did not know. There you go, you've heard because you've

0:17:41.760 --> 0:17:44.000
<v Speaker 1>heard it your entire life. Yeah, hair and finger nails

0:17:44.040 --> 0:17:47.520
<v Speaker 1>continue to grow after you're dead. In fact, the skin recedes.

0:17:47.560 --> 0:17:51.239
<v Speaker 1>And that's why it looks like, oh, yes, all right,

0:17:51.320 --> 0:17:55.439
<v Speaker 1>true or false? Deep fakes are interviewing for remote jobs.

0:17:58.040 --> 0:18:02.640
<v Speaker 1>Deep fakes are interviewing forte. Could the technology be that

0:18:02.720 --> 0:18:06.919
<v Speaker 1>good already? I would say there's probably truth in that

0:18:07.160 --> 0:18:10.240
<v Speaker 1>in that perhaps they are not using video deep fakes

0:18:10.280 --> 0:18:12.880
<v Speaker 1>but audio deep face video or video deep fax video

0:18:12.880 --> 0:18:15.640
<v Speaker 1>actually interviewing for jobs. And you know what they're doing.

0:18:16.040 --> 0:18:18.439
<v Speaker 1>They're trying to get okays and be hired so they

0:18:18.440 --> 0:18:22.520
<v Speaker 1>can get into it companies, etc. And have access in passwords, etcetera.

0:18:22.600 --> 0:18:25.520
<v Speaker 1>So the FBI is saying, be careful for deep fake interviews.

0:18:25.520 --> 0:18:27.200
<v Speaker 1>How about that? Let me ask you a question. When

0:18:27.200 --> 0:18:30.720
<v Speaker 1>I turn on the beautifi filter on my Zoom, does

0:18:30.760 --> 0:18:33.000
<v Speaker 1>that qualify as a deep fake? Because I don't look

0:18:33.040 --> 0:18:34.639
<v Speaker 1>that good? I was gonna say, if they've seen the

0:18:34.640 --> 0:18:38.440
<v Speaker 1>real you? Oh yeah, oh yeah, yeah, I'm the cabinet

0:18:38.480 --> 0:18:40.680
<v Speaker 1>of doctor Kilgari. For guess you got an h in

0:18:40.680 --> 0:18:42.040
<v Speaker 1>the middle of your head? It looks like a third eye.

0:18:42.040 --> 0:18:49.760
<v Speaker 1>Of course, absolutely. Oh look it's producer David Guggenheim aka Googleheim.

0:18:49.800 --> 0:18:54.440
<v Speaker 1>With either a clarification, a correction, or an explanation Googleheim

0:18:54.680 --> 0:18:59.119
<v Speaker 1>pronounced Caligari. The Cabinet of Doctor Kalighari refers to a

0:18:59.280 --> 0:19:03.200
<v Speaker 1>silent horror film from nineteen twenty considered to be a

0:19:03.240 --> 0:19:07.000
<v Speaker 1>classic of expressionist cinema in post World War One Germany.

0:19:07.320 --> 0:19:10.760
<v Speaker 1>The theme, which is about the abusive authority, features an

0:19:10.800 --> 0:19:16.160
<v Speaker 1>insane hypnotist who uses a somnombulist or a sleepwalker for burger.

0:19:16.800 --> 0:19:20.679
<v Speaker 1>Spoiler alert, all of the flashbacks are actually delusions of

0:19:20.760 --> 0:19:25.520
<v Speaker 1>inmates of the asylum, where Calaghari is the director. Much

0:19:25.560 --> 0:19:35.040
<v Speaker 1>thanks google him. Now go away. So Jason, we're hearing

0:19:35.080 --> 0:19:37.520
<v Speaker 1>about Bruce willis giving a deep fake company the rights

0:19:37.560 --> 0:19:39.800
<v Speaker 1>to his image, which, by the way, isn't it wasn't true.

0:19:39.880 --> 0:19:42.760
<v Speaker 1>Not true, James L. Jones signing, He's not true, James W.

0:19:42.920 --> 0:19:45.400
<v Speaker 1>Jones signing his voice or the rights to his voiceover

0:19:45.920 --> 0:19:48.040
<v Speaker 1>not true. He just gave the rights to the Darth

0:19:48.160 --> 0:19:51.400
<v Speaker 1>Vader voice to Lucasfilm, so when he's gone, he's ninety one,

0:19:51.600 --> 0:19:54.000
<v Speaker 1>they can continue to do Darth Vader. You know, this

0:19:54.040 --> 0:19:55.560
<v Speaker 1>is the area I'll tell you where I first became

0:19:55.600 --> 0:19:58.200
<v Speaker 1>aware of this. Peter, you may remember this. There was

0:19:58.240 --> 0:20:02.840
<v Speaker 1>an ad I think for a vacuum cleaner that repurposed

0:20:02.920 --> 0:20:05.680
<v Speaker 1>fred As Stair's movie where he's dancing on the ceiling

0:20:05.720 --> 0:20:08.720
<v Speaker 1>of the room and all that stuff, and put him

0:20:08.760 --> 0:20:12.040
<v Speaker 1>in the commercial dancing with this vacuum cleaner. And I

0:20:12.320 --> 0:20:15.040
<v Speaker 1>the first thing that came into my head was would

0:20:15.040 --> 0:20:18.640
<v Speaker 1>he have acquiesced to this ad? And does he profit

0:20:18.760 --> 0:20:20.800
<v Speaker 1>from his image being used in this? Yeah, he doesn't

0:20:20.800 --> 0:20:23.320
<v Speaker 1>have to acquiesce because he's dead, just like you're going

0:20:23.359 --> 0:20:25.080
<v Speaker 1>to be one day, and your grandchildren gonna run on

0:20:25.160 --> 0:20:27.000
<v Speaker 1>the money. And if we may, Will you take a

0:20:27.000 --> 0:20:28.520
<v Speaker 1>short trip with me into They're not so dis in

0:20:28.560 --> 0:20:32.720
<v Speaker 1>the future. This is a time when all of the

0:20:32.760 --> 0:20:34.520
<v Speaker 1>grandchildren of all the stars of the show have run

0:20:34.560 --> 0:20:37.560
<v Speaker 1>through their money, so they're able to do that Siginfeld reunion.

0:20:37.600 --> 0:20:40.119
<v Speaker 1>And why not your grandkids have already sold your image

0:20:40.160 --> 0:20:44.600
<v Speaker 1>to check cashing, bail bonds, failed crypto hair growth, laxatives,

0:20:44.640 --> 0:20:49.600
<v Speaker 1>standing bathtubs, snoring cures, and comprobrationlets. This is a this

0:20:49.680 --> 0:20:51.879
<v Speaker 1>is an easy cell and for a lot of money.

0:20:52.320 --> 0:20:59.439
<v Speaker 1>And in this episode, in the first episode of the

0:20:59.640 --> 0:21:03.320
<v Speaker 1>new actual Seinfeld's, because the airs have folded, you're sitting

0:21:03.400 --> 0:21:07.800
<v Speaker 1>in most entirely incased in a leather s and m outfit,

0:21:08.280 --> 0:21:10.159
<v Speaker 1>talking to the others. Or maybe you're a sure goo.

0:21:10.400 --> 0:21:13.000
<v Speaker 1>It actually doesn't matter because your airs don't care if

0:21:13.000 --> 0:21:15.600
<v Speaker 1>they got a check, which is why there's also a movie.

0:21:15.960 --> 0:21:19.320
<v Speaker 1>Sorry morning, going to show a ride at Universal. You

0:21:19.359 --> 0:21:24.480
<v Speaker 1>maybe should something here, will. I have so many problems

0:21:24.840 --> 0:21:28.280
<v Speaker 1>with your premise. First of all, you're a man of research.

0:21:28.400 --> 0:21:31.159
<v Speaker 1>You're a man that really does a deep dive on things.

0:21:31.720 --> 0:21:37.359
<v Speaker 1>It's Monk's Cafe, monkh Mo. I think most cafe is

0:21:37.400 --> 0:21:41.960
<v Speaker 1>the Simpsons. It's most cafe that's number one. Number two,

0:21:42.200 --> 0:21:45.800
<v Speaker 1>number two, Jay, there's no number forget number two. Your

0:21:45.800 --> 0:21:48.200
<v Speaker 1>grandkids are selling some moot moot point. They're selling you

0:21:48.280 --> 0:21:50.199
<v Speaker 1>because it's easy and you don't have to actually yes,

0:21:50.280 --> 0:21:52.360
<v Speaker 1>but bigger than that, you know it burns my buns. Though,

0:21:52.440 --> 0:21:54.920
<v Speaker 1>honestly that I had to buy a fake Seinfeld jingle.

0:21:55.119 --> 0:21:57.360
<v Speaker 1>They can make a deep fake Jerry no reprogardition. That's

0:21:57.400 --> 0:21:59.480
<v Speaker 1>that's fine, and maybe make them do horrible things. But

0:21:59.640 --> 0:22:03.760
<v Speaker 1>have heaven forbid I used they are coming, They're coming

0:22:03.840 --> 0:22:06.960
<v Speaker 1>after me? Right? Why can't you use the sideways theme?

0:22:07.040 --> 0:22:09.119
<v Speaker 1>You're absolutely right? If he If we use the actual

0:22:09.119 --> 0:22:11.440
<v Speaker 1>side belt theme, we're gonna bay some money. But fred

0:22:11.480 --> 0:22:13.760
<v Speaker 1>Astair probably danced with the vacuum cleaner and nobody made

0:22:13.800 --> 0:22:17.719
<v Speaker 1>a dime. Oh look, Googleheim's back, Jay, eybody's gonna address

0:22:17.720 --> 0:22:20.720
<v Speaker 1>the Fredistair no money saying yes, Googleheim, don't let me done.

0:22:21.680 --> 0:22:27.399
<v Speaker 1>Fred Astaire born Frederick Oustrelitz was an actor, singer and choreographer,

0:22:27.600 --> 0:22:30.399
<v Speaker 1>considered by many to be the best dancer ever to

0:22:30.480 --> 0:22:33.920
<v Speaker 1>appear in film. Upon his death at age eighty eight,

0:22:34.160 --> 0:22:37.639
<v Speaker 1>he left his wife, Robin, forty six years his junior,

0:22:37.720 --> 0:22:41.040
<v Speaker 1>and a retired jockey with over two hundred and forty

0:22:41.080 --> 0:22:44.600
<v Speaker 1>seven wins to her name. The guardianship of his image

0:22:44.640 --> 0:22:48.359
<v Speaker 1>and the amount paid for the Dirt devil Ads was

0:22:48.480 --> 0:22:52.800
<v Speaker 1>never revealed. Other stars used in Necro marketing, among others,

0:22:52.880 --> 0:22:57.960
<v Speaker 1>are John Wayne for Coors Beer, Bruce Lee for Johnny Walker,

0:22:58.359 --> 0:23:05.240
<v Speaker 1>and Kurt Cobain for ore Doc Martins. So, Jay, I

0:23:05.280 --> 0:23:08.600
<v Speaker 1>get that you're really worried about the deep fakes because

0:23:09.000 --> 0:23:10.639
<v Speaker 1>probably because they're going to do you and not me.

0:23:10.960 --> 0:23:12.959
<v Speaker 1>And I get the issue too. It's the blurring of

0:23:13.160 --> 0:23:16.200
<v Speaker 1>reality and what's real, what's fake, what's truth. But what's

0:23:16.240 --> 0:23:18.480
<v Speaker 1>the bigger issue for me would be a fake world,

0:23:18.480 --> 0:23:20.480
<v Speaker 1>an entire fake world that you're immersed in with an

0:23:20.520 --> 0:23:23.560
<v Speaker 1>ocular headset for hours a day, that someone else has

0:23:23.600 --> 0:23:27.840
<v Speaker 1>created just for their monetization, and yet we're not in

0:23:27.920 --> 0:23:30.520
<v Speaker 1>reality or is that our reality? And how close are

0:23:30.520 --> 0:23:33.560
<v Speaker 1>they making that something so attractive that we're going to

0:23:33.640 --> 0:23:36.320
<v Speaker 1>spend time there and maybe more time than we do here.

0:23:36.400 --> 0:23:40.359
<v Speaker 1>So that's my bigger concern is the fake worlds that

0:23:40.359 --> 0:23:42.760
<v Speaker 1>people are trying to create them, you know, like the metaverse, Well,

0:23:42.760 --> 0:23:45.840
<v Speaker 1>I know, Doctor Strange is that's the multiverse multiverse, And

0:23:46.000 --> 0:23:48.240
<v Speaker 1>I get the metaverse and the multiverse. Confused. Yeah, they

0:23:48.280 --> 0:23:50.560
<v Speaker 1>gives me a headache. What is the difference? What do

0:23:50.560 --> 0:23:53.639
<v Speaker 1>you understand the difference between the metaverse? Kind of but

0:23:53.720 --> 0:23:55.560
<v Speaker 1>we'll talk about that in a moment. No, I don't.

0:23:55.800 --> 0:23:58.120
<v Speaker 1>So we're going to talk with this writer, Like I said,

0:23:58.280 --> 0:24:02.879
<v Speaker 1>who immersed yourself in the metaverse. Joeyna Stearns happens to

0:24:02.920 --> 0:24:05.000
<v Speaker 1>be a journalist at the Wall Spree Journal. She's amazing.

0:24:05.520 --> 0:24:08.800
<v Speaker 1>She specializes in tech. She was a reviewer and editor

0:24:08.920 --> 0:24:11.840
<v Speaker 1>at the Verge way way back, so she knows tech.

0:24:11.920 --> 0:24:14.760
<v Speaker 1>She does amazing videos, hilarious. She takes phones and puts

0:24:14.800 --> 0:24:17.520
<v Speaker 1>them underwater. She takes she doesn't want a snorkel underwater.

0:24:17.840 --> 0:24:20.920
<v Speaker 1>She interviews that the titans of the industry, and an elevator.

0:24:21.240 --> 0:24:23.960
<v Speaker 1>Wait a minute, Wait a minute, start a step. What

0:24:24.000 --> 0:24:26.480
<v Speaker 1>do you mean she takes I haven't seen this video.

0:24:27.119 --> 0:24:29.320
<v Speaker 1>She takes the phone and takes it underwater. Some set

0:24:29.359 --> 0:24:34.199
<v Speaker 1>it's water. Joeanna will will test it, under test. You

0:24:34.280 --> 0:24:38.480
<v Speaker 1>made it sound like she's, you know, holding Transatlantic meetings

0:24:38.480 --> 0:24:41.640
<v Speaker 1>at fifteen feet. That is the video. The video is great.

0:24:41.720 --> 0:24:44.000
<v Speaker 1>And her an elevator. She started doing this elevator stuff

0:24:44.000 --> 0:24:45.080
<v Speaker 1>because I think what happened when she was in the

0:24:45.119 --> 0:24:47.600
<v Speaker 1>elevator of the Tech Titan one day and had a

0:24:47.640 --> 0:24:49.720
<v Speaker 1>certain amount of time to ask him questions. So the

0:24:49.760 --> 0:24:53.640
<v Speaker 1>Wall Street Journal started out here do interviews and elevators,

0:24:53.640 --> 0:24:55.240
<v Speaker 1>which is very funny, and I know this is going

0:24:55.320 --> 0:24:58.679
<v Speaker 1>to be triggering. She's also an Emmy Award winner for

0:24:58.720 --> 0:25:04.240
<v Speaker 1>her documentary God egg Shell. For God's sake, they've given

0:25:04.280 --> 0:25:07.679
<v Speaker 1>him out like chicklets. I mean, everybody has an Emmy.

0:25:08.040 --> 0:25:11.080
<v Speaker 1>Do you have an Emmy? Sure you do. Don't even

0:25:11.119 --> 0:25:16.480
<v Speaker 1>lie to me. Yeah, calm down. It was an honor

0:25:16.600 --> 0:25:22.240
<v Speaker 1>to just be now. Yeah, yeah, yeah, I'm vibrating with honor.

0:25:23.119 --> 0:25:25.720
<v Speaker 1>So without further ado, No, she want an Emmy. What

0:25:25.720 --> 0:25:27.760
<v Speaker 1>does she want an Emmy for? For her documentary on

0:25:27.880 --> 0:25:34.960
<v Speaker 1>death and technology? Jesus God, clearly I was going down

0:25:35.000 --> 0:25:38.880
<v Speaker 1>the wrong path. I was trying to I was trying

0:25:38.880 --> 0:25:41.440
<v Speaker 1>to make people chuckle. If I knew to go death

0:25:41.440 --> 0:25:45.240
<v Speaker 1>and you know, death and technology, it'd be swimming in metal.

0:25:45.520 --> 0:25:47.280
<v Speaker 1>What would be really sad? And I just flashed on,

0:25:47.320 --> 0:25:50.200
<v Speaker 1>this is down the road that scenario that I proposed

0:25:50.200 --> 0:25:54.440
<v Speaker 1>of them doing a siginfold with a deep fake Jason, Yeah,

0:25:54.560 --> 0:26:04.440
<v Speaker 1>if I know how you am. Let's go to jo

0:26:04.720 --> 0:26:06.800
<v Speaker 1>It's a fake Emmy on top of everything else, on

0:26:06.920 --> 0:26:10.440
<v Speaker 1>top of that. Oh boy, get over it and don't

0:26:10.480 --> 0:26:14.200
<v Speaker 1>be don't be bitter. Say why did Joanna? Will you? Hey, Joanna,

0:26:14.240 --> 0:26:18.240
<v Speaker 1>it's Jason nice, thanks for being here, and so please,

0:26:18.280 --> 0:26:22.840
<v Speaker 1>I'm a moron. Please explain the metaverse in the simplest

0:26:22.880 --> 0:26:26.040
<v Speaker 1>way possible to someone who has never been there, has

0:26:26.080 --> 0:26:29.800
<v Speaker 1>no experience or frame of reference for comparison, I e. Me.

0:26:30.720 --> 0:26:35.040
<v Speaker 1>The metaverse is a virtual world where you, or a

0:26:35.160 --> 0:26:37.800
<v Speaker 1>version of you, which is likely an avatar to talk

0:26:37.840 --> 0:26:42.199
<v Speaker 1>about that later, is living in this virtual space. And

0:26:42.240 --> 0:26:46.680
<v Speaker 1>you're doing everyday things in this virtual space. So you're working,

0:26:47.160 --> 0:26:51.200
<v Speaker 1>you're hanging out, eating, we can talk about it. That's

0:26:51.240 --> 0:26:54.800
<v Speaker 1>a little bit more complicated. But you are doing things

0:26:55.080 --> 0:26:59.720
<v Speaker 1>in this virtual space, which consists of all different types

0:26:59.760 --> 0:27:03.920
<v Speaker 1>of spaces. Okay, And by the way, Jason, there's night there. Supposedly,

0:27:03.920 --> 0:27:06.560
<v Speaker 1>there's nightclubs, there's comedy clubs, there's all kinds of stuff there.

0:27:06.600 --> 0:27:09.280
<v Speaker 1>So you're absolutely right. And and I think it was

0:27:09.320 --> 0:27:12.280
<v Speaker 1>Bill Gates said that in two or three years, the

0:27:12.320 --> 0:27:15.080
<v Speaker 1>majority of meetings are going to happen in the metaverse

0:27:15.440 --> 0:27:17.679
<v Speaker 1>and and Johnna, what do what do you think is that?

0:27:18.040 --> 0:27:21.280
<v Speaker 1>Is that going to happen? Okay, so I think we

0:27:21.400 --> 0:27:24.600
<v Speaker 1>have to ask ourselves again back to what is the metaverse?

0:27:25.119 --> 0:27:29.600
<v Speaker 1>And how I answered it is this vision that really

0:27:29.640 --> 0:27:32.639
<v Speaker 1>has been popularized now by Mark Zuckerberg, who is running

0:27:32.720 --> 0:27:36.400
<v Speaker 1>a company called Meta formerly known as Facebook. And in

0:27:36.440 --> 0:27:39.840
<v Speaker 1>the metaverse. In this vision, we put on our virtual

0:27:39.880 --> 0:27:43.879
<v Speaker 1>reality headsets or augmented reality headsets, and we are an avatar.

0:27:44.000 --> 0:27:48.040
<v Speaker 1>So we have customized that cartoonish looking thing, and we

0:27:48.119 --> 0:27:51.359
<v Speaker 1>go to various places. We go to a comedy club,

0:27:51.600 --> 0:27:54.360
<v Speaker 1>we go to the office to meet with people, we

0:27:54.440 --> 0:27:58.800
<v Speaker 1>go to a movie, we go to play games, crazy

0:27:58.880 --> 0:28:02.040
<v Speaker 1>games right where we can swat at things and everything

0:28:02.080 --> 0:28:05.800
<v Speaker 1>feels really real to us. Metaverse meetings is the idea

0:28:05.800 --> 0:28:08.960
<v Speaker 1>that we put on these headsets and this we meet

0:28:08.960 --> 0:28:12.080
<v Speaker 1>with other avatars, and this could get really super cool

0:28:12.119 --> 0:28:15.639
<v Speaker 1>in the future. Holograms. You put on your headset and

0:28:15.720 --> 0:28:18.600
<v Speaker 1>sitting across from you at your desk and your real office.

0:28:18.720 --> 0:28:21.320
<v Speaker 1>Right now, Peter, I'm You're in your office. You put

0:28:21.320 --> 0:28:24.880
<v Speaker 1>on your headset and Jason pops up as a hologram.

0:28:24.920 --> 0:28:27.879
<v Speaker 1>He's got digital It really looks like him, but you

0:28:27.920 --> 0:28:32.280
<v Speaker 1>know it's not really him, and so that sounds really cool.

0:28:32.760 --> 0:28:36.600
<v Speaker 1>But the technology is not there yet at all. I mean,

0:28:36.720 --> 0:28:38.920
<v Speaker 1>if we were doing this meeting right now in the metaverse,

0:28:38.960 --> 0:28:41.120
<v Speaker 1>I would say that it would probably take you, no offense,

0:28:41.240 --> 0:28:45.240
<v Speaker 1>probably forty five minutes to get there, like just to

0:28:45.360 --> 0:28:48.360
<v Speaker 1>sign into things and get the headset on and get

0:28:48.400 --> 0:28:51.680
<v Speaker 1>the accounts ready. It's not I think you're being coined

0:28:51.720 --> 0:28:53.800
<v Speaker 1>with Jason to meet and may take much. Look I

0:28:53.840 --> 0:28:56.240
<v Speaker 1>was gonna say it takes me forty five minutes. Now

0:29:00.080 --> 0:29:04.080
<v Speaker 1>all we need help bringing the I crew. So what

0:29:04.200 --> 0:29:06.760
<v Speaker 1>was your I gotta know what was your experience, both

0:29:06.800 --> 0:29:09.920
<v Speaker 1>physically and emotionally to spending twenty four hours in the metaverse.

0:29:10.040 --> 0:29:12.560
<v Speaker 1>So when you try it, and I can't wait for

0:29:12.600 --> 0:29:15.040
<v Speaker 1>you to try it, you're gonna be kind of blown

0:29:15.080 --> 0:29:18.520
<v Speaker 1>away at how real it can feel. And I mean

0:29:18.560 --> 0:29:20.920
<v Speaker 1>that in the sense that everything looks like a cartoon,

0:29:21.040 --> 0:29:24.000
<v Speaker 1>so that doesn't feel real, but the presence of people

0:29:24.400 --> 0:29:30.040
<v Speaker 1>in your space feels real. So right now we're talking remotely, right,

0:29:30.080 --> 0:29:32.120
<v Speaker 1>I don't feel like you're in my house. I don't

0:29:32.120 --> 0:29:34.240
<v Speaker 1>feel like you're sitting across from me. And so we

0:29:34.280 --> 0:29:38.479
<v Speaker 1>have different body language, and we are communicating differently. When

0:29:38.520 --> 0:29:42.120
<v Speaker 1>you put this on, you have these physical, really virtual

0:29:42.200 --> 0:29:44.520
<v Speaker 1>objects that are in your space, right because this is

0:29:44.560 --> 0:29:47.200
<v Speaker 1>a three D environment, You're wearing that headset, so you

0:29:47.280 --> 0:29:50.480
<v Speaker 1>kind of feel like somebody's there, Like you remember the

0:29:50.520 --> 0:29:53.680
<v Speaker 1>Seinfeld episode of Close Talkers, Like you don't want someone

0:29:54.040 --> 0:29:55.920
<v Speaker 1>being so close to you, and you feel that when

0:29:55.920 --> 0:29:59.240
<v Speaker 1>you're avatars, You're like, whoaa, you know you're an avatar,

0:29:59.400 --> 0:30:01.480
<v Speaker 1>Like you're avatars will come in a little too close

0:30:01.520 --> 0:30:04.360
<v Speaker 1>to me and invading my space. And I think one

0:30:04.360 --> 0:30:06.160
<v Speaker 1>of the funniest things about the twenty four Hours in

0:30:06.200 --> 0:30:08.840
<v Speaker 1>the app, in the metaverse piece was I went to

0:30:08.960 --> 0:30:12.400
<v Speaker 1>a comedy club. Okay, there's an app called ault Space,

0:30:12.440 --> 0:30:14.440
<v Speaker 1>and people can build different spaces. So I went to

0:30:14.520 --> 0:30:18.000
<v Speaker 1>a comedy club in alt space, and I don't know

0:30:18.080 --> 0:30:20.800
<v Speaker 1>my avatar. I've customized it. I got nice brown hair.

0:30:20.960 --> 0:30:23.480
<v Speaker 1>I put on a shirt at an app. I don't know.

0:30:23.520 --> 0:30:25.080
<v Speaker 1>It's like a red shirt. I don't know. I don't

0:30:25.160 --> 0:30:27.920
<v Speaker 1>I don't think I look much of anything. But I'm

0:30:27.960 --> 0:30:31.280
<v Speaker 1>standing in the front row, I guess of this virtual club,

0:30:31.600 --> 0:30:35.440
<v Speaker 1>and the comedian on stage starts to kind of hit

0:30:35.480 --> 0:30:38.920
<v Speaker 1>on me right and say like whoa, Like I'm trying

0:30:38.960 --> 0:30:42.440
<v Speaker 1>to impress the lady in the front, and I'm thinking, wait,

0:30:42.520 --> 0:30:45.560
<v Speaker 1>that's me, and I start feeling like nervous. So but

0:30:45.680 --> 0:30:48.360
<v Speaker 1>like if you were at a real show and so

0:30:48.680 --> 0:30:51.080
<v Speaker 1>this is where I'm talking about it, it it can feel

0:30:51.160 --> 0:30:54.880
<v Speaker 1>real as weird as this is this world of cartoons

0:30:54.960 --> 0:31:00.560
<v Speaker 1>and cartoons, stages and avatars, you kind of start feeling like, wait,

0:31:00.840 --> 0:31:04.200
<v Speaker 1>am I really in this space? Isn't it amazing? What

0:31:04.320 --> 0:31:06.239
<v Speaker 1>the great part of that you just said to me

0:31:06.400 --> 0:31:08.720
<v Speaker 1>is that even in the metaverse, people can be close

0:31:08.760 --> 0:31:10.680
<v Speaker 1>to you and annoying you. That's what I love, annoyance

0:31:10.680 --> 0:31:13.440
<v Speaker 1>in the middle and with my luck, the avatar in

0:31:13.440 --> 0:31:17.600
<v Speaker 1>front of me has bad breath. By the way, we

0:31:17.640 --> 0:31:19.720
<v Speaker 1>should figure out how to do smelling. That should be

0:31:19.760 --> 0:31:22.400
<v Speaker 1>what we should we should do? Were so jo want to?

0:31:22.480 --> 0:31:25.000
<v Speaker 1>You said that the best part of being in the

0:31:25.000 --> 0:31:30.760
<v Speaker 1>metaverse was working out. Really really, I think working out

0:31:30.840 --> 0:31:35.840
<v Speaker 1>is going to be a huge driving point of virtual reality,

0:31:36.120 --> 0:31:38.160
<v Speaker 1>and that is is that people get bored when they're

0:31:38.160 --> 0:31:41.360
<v Speaker 1>working out at home. You're staring at your clouded space.

0:31:41.440 --> 0:31:44.720
<v Speaker 1>You've got your home gym, You've put on the Peloton app,

0:31:44.760 --> 0:31:47.200
<v Speaker 1>but you're you're kind of you're stuck in this space,

0:31:47.320 --> 0:31:49.280
<v Speaker 1>right And maybe this was a little bit of an

0:31:49.280 --> 0:31:53.120
<v Speaker 1>outgrowth of COVID, But why not do a workout class

0:31:53.160 --> 0:31:56.520
<v Speaker 1>with an instructor on Machu Picchu, which is what you

0:31:56.520 --> 0:31:59.600
<v Speaker 1>can do in VR right now? And it's actually great. Wow,

0:32:00.400 --> 0:32:02.920
<v Speaker 1>somehow I feel like my avatar. No matter how hard

0:32:02.960 --> 0:32:04.640
<v Speaker 1>my avatar works out, it's still going to have love

0:32:04.640 --> 0:32:06.920
<v Speaker 1>handles and man booms. But let me ask you, does

0:32:06.960 --> 0:32:09.120
<v Speaker 1>it really when you're doing it? Do you really feel

0:32:09.160 --> 0:32:12.640
<v Speaker 1>like you are on Machu Pichu visually? Yes, Like you know,

0:32:12.680 --> 0:32:14.480
<v Speaker 1>there are certain things like my dog comes and like

0:32:14.560 --> 0:32:16.320
<v Speaker 1>licks my leg and I'm like, oh yeah, right, not

0:32:16.440 --> 0:32:18.920
<v Speaker 1>in Machu Pichu unless I brought the dog with me.

0:32:19.440 --> 0:32:21.880
<v Speaker 1>Aside from Machu Pichu, I got to know after spending

0:32:21.880 --> 0:32:25.240
<v Speaker 1>twenty four hours, there is there any long lasting impact

0:32:25.400 --> 0:32:27.880
<v Speaker 1>in virtual reality that you still carry with you Over

0:32:27.920 --> 0:32:31.200
<v Speaker 1>the next couple days. After that, I had some just

0:32:31.640 --> 0:32:35.400
<v Speaker 1>sort of my eye eyes and headache issues because I

0:32:35.440 --> 0:32:40.400
<v Speaker 1>had been staring at that screen or in the headset

0:32:40.440 --> 0:32:45.200
<v Speaker 1>for so long. So there there were some short term effects.

0:32:45.200 --> 0:32:47.600
<v Speaker 1>And I do not suggest that anyone do this at home.

0:32:47.720 --> 0:32:50.560
<v Speaker 1>Or at your local hotel. I do not suggest it.

0:32:50.760 --> 0:32:53.120
<v Speaker 1>I totally get that because you know on the a

0:32:53.160 --> 0:32:57.320
<v Speaker 1>couple of times that I've done virtual reality games, after

0:32:57.320 --> 0:33:00.520
<v Speaker 1>about twenty minutes in the headset, I'm a little nauseous.

0:33:00.880 --> 0:33:05.400
<v Speaker 1>You know it. It's a false depth of field. It's

0:33:05.440 --> 0:33:09.200
<v Speaker 1>just there's something very jarring to your system about it.

0:33:09.320 --> 0:33:12.280
<v Speaker 1>No doubt we are going to involve, evolve into people

0:33:12.320 --> 0:33:15.600
<v Speaker 1>that handle it perfectly, but it is it is disruptive

0:33:15.640 --> 0:33:18.040
<v Speaker 1>to at least my system. So what I say is,

0:33:18.320 --> 0:33:20.080
<v Speaker 1>it's hard enough to get people to the gym to

0:33:20.120 --> 0:33:23.240
<v Speaker 1>work out. Now you want me to buy a headset.

0:33:23.640 --> 0:33:25.440
<v Speaker 1>You want me to pay to be in the metaverse.

0:33:25.520 --> 0:33:27.040
<v Speaker 1>You want me and I'm going to match your peatre.

0:33:27.160 --> 0:33:29.840
<v Speaker 1>There's no way. And the thing is on my head.

0:33:30.440 --> 0:33:32.000
<v Speaker 1>I can't wear a hat when I work out because

0:33:32.000 --> 0:33:33.840
<v Speaker 1>they sweat like a pig. I'm going to work out

0:33:33.840 --> 0:33:36.360
<v Speaker 1>with an oculist headset in the gym, jumping up and

0:33:36.360 --> 0:33:38.840
<v Speaker 1>down like I'm with a close darker in the gym.

0:33:38.920 --> 0:33:40.960
<v Speaker 1>I don't think. I don't think people are signed sign

0:33:41.080 --> 0:33:43.200
<v Speaker 1>enough right away. Right well, let me ask a question,

0:33:43.240 --> 0:33:45.440
<v Speaker 1>what if the workout and I'm serious about this because

0:33:45.440 --> 0:33:48.480
<v Speaker 1>I know they have it. I mean even like we

0:33:48.920 --> 0:33:51.320
<v Speaker 1>has it where you're playing again, you're playing ping pong,

0:33:51.320 --> 0:33:55.680
<v Speaker 1>you're playing tennis. If that were your workout or like

0:33:55.720 --> 0:33:58.800
<v Speaker 1>a boxing workout. Right at this point in my life,

0:33:58.800 --> 0:34:01.040
<v Speaker 1>I'm not going to a boxing gym and hitting a

0:34:01.040 --> 0:34:04.160
<v Speaker 1>bag and sparring, right. But if I'm if I'm boxing

0:34:04.160 --> 0:34:07.360
<v Speaker 1>with an avatar and there's no impact and I can't

0:34:07.360 --> 0:34:10.560
<v Speaker 1>get hit, would I do it? Would it be intriguing?

0:34:10.680 --> 0:34:12.760
<v Speaker 1>I don't know. I think we'll work. Just like joining

0:34:12.760 --> 0:34:15.400
<v Speaker 1>a gym, you put the money down, you do it

0:34:15.440 --> 0:34:17.440
<v Speaker 1>for five days, you tell people how great it. This

0:34:17.520 --> 0:34:19.000
<v Speaker 1>second week, you do it for two days, and you're

0:34:19.000 --> 0:34:20.680
<v Speaker 1>a little bit busy. By the fifth week, you're going

0:34:21.160 --> 0:34:25.360
<v Speaker 1>anybody see my ALCOA headset? A word about Marco headset.

0:34:25.520 --> 0:34:28.840
<v Speaker 1>So yeah, yeah, I'm meeting an avatar pizza before we

0:34:28.880 --> 0:34:30.160
<v Speaker 1>let you to go. I know she has a question

0:34:30.200 --> 0:34:33.360
<v Speaker 1>for you, Jason. Oh, I'm sorry this is a George question,

0:34:33.480 --> 0:34:37.920
<v Speaker 1>but it's really adjacent question. How big is your wallet?

0:34:39.000 --> 0:34:42.000
<v Speaker 1>And have you put all of these things into your phone?

0:34:42.200 --> 0:34:45.880
<v Speaker 1>I'm assuming you have an iPhone. Do you use the

0:34:45.960 --> 0:34:49.480
<v Speaker 1>Apple wallet? And is your Apple wallet as big now

0:34:49.800 --> 0:34:57.040
<v Speaker 1>as George's wallet. I have never had a George wallet.

0:34:57.080 --> 0:34:59.160
<v Speaker 1>And for those of you who who are not necessarily

0:34:59.160 --> 0:35:05.160
<v Speaker 1>steinfeld Sianados, George had a wallet that was comically overstuffed

0:35:05.200 --> 0:35:07.719
<v Speaker 1>and to the point where in trying to close it

0:35:07.840 --> 0:35:12.640
<v Speaker 1>one time, it basically exploded. It spontaneously combusted. I am

0:35:12.719 --> 0:35:16.920
<v Speaker 1>of the belief that if it's electronically stored, it's electronically

0:35:17.000 --> 0:35:20.560
<v Speaker 1>accessed by somebody other than me, So I don't I

0:35:20.600 --> 0:35:24.319
<v Speaker 1>don't tend to put that kind of information into my

0:35:24.520 --> 0:35:28.200
<v Speaker 1>phone ever. Well, okay, so so before we give it

0:35:28.239 --> 0:35:31.359
<v Speaker 1>our conclusion on what you think, I think handy for Reid,

0:35:31.440 --> 0:35:34.680
<v Speaker 1>who we talked to earlier, who's the erofessor or professor

0:35:35.560 --> 0:35:39.200
<v Speaker 1>determined that listen to his take. I thought before we

0:35:39.239 --> 0:35:41.200
<v Speaker 1>do our conclusions, it'd be good to hear an expert

0:35:41.320 --> 0:35:45.440
<v Speaker 1>de fake experts, take sure on the metaverse, and remember

0:35:45.960 --> 0:35:49.759
<v Speaker 1>Facebook is now meta because they're heavily influenced by this thing,

0:35:50.320 --> 0:35:55.440
<v Speaker 1>doctor professor, sir, honey, take it away. Here's my on

0:35:55.520 --> 0:35:59.959
<v Speaker 1>a bad day, here's my impression of Markus Zuckerberg. Let's

0:36:00.200 --> 0:36:04.000
<v Speaker 1>destroy society and democracy and then get everybody to strap

0:36:04.160 --> 0:36:06.799
<v Speaker 1>a virtual reality headset to their face. Eighteen hours a

0:36:06.880 --> 0:36:10.520
<v Speaker 1>day and monetize every aspect of human behavior. Well, when

0:36:10.560 --> 0:36:15.000
<v Speaker 1>you say it that way, it doesn't. Jeez, he's all in.

0:36:23.080 --> 0:36:26.680
<v Speaker 1>So Jay, aside from a fake universe in the deep fakes,

0:36:27.239 --> 0:36:30.120
<v Speaker 1>you've grown up. We've grown up with fakes our lives

0:36:30.239 --> 0:36:32.439
<v Speaker 1>like fake news. Right. Fake news has been around since

0:36:32.440 --> 0:36:35.760
<v Speaker 1>the beginning of time. My mom bought counterfeit stuff, fake items.

0:36:36.080 --> 0:36:39.279
<v Speaker 1>There's fake art. Great documentary about that called Made You

0:36:39.360 --> 0:36:43.600
<v Speaker 1>Look a True Story pharmaceutical fraud like Farnos. And then

0:36:43.840 --> 0:36:46.680
<v Speaker 1>you got dating bots, so you don't know if you're

0:36:46.680 --> 0:36:49.640
<v Speaker 1>on a dating site what you're talking to. In my world,

0:36:49.800 --> 0:36:52.160
<v Speaker 1>when I did radio, we used to do radio stunts

0:36:52.160 --> 0:36:55.399
<v Speaker 1>which were faking hold on, hold on. Producer Laurie Crime

0:36:55.600 --> 0:36:58.040
<v Speaker 1>is waving flapping her hands around, which could mean only

0:36:58.040 --> 0:37:00.600
<v Speaker 1>one thing. We have a surprise is what mystery is

0:37:01.239 --> 0:37:04.760
<v Speaker 1>the list? We guess? Ready? Yeah for me, Okay, good morning,

0:37:04.760 --> 0:37:07.880
<v Speaker 1>say hi to Jason. Good afternoon, Hello Jason, how are

0:37:07.920 --> 0:37:13.320
<v Speaker 1>you doing very well? Thank you. I'm trying to place

0:37:13.400 --> 0:37:15.640
<v Speaker 1>the voice so far this is going to set the

0:37:15.680 --> 0:37:21.440
<v Speaker 1>world on fire. It's the former governorsh my god, really

0:37:21.560 --> 0:37:24.759
<v Speaker 1>no really now wait wait wait, wait, really that's a

0:37:24.840 --> 0:37:26.880
<v Speaker 1>good name for the show. Yes, really, no, really it

0:37:27.000 --> 0:37:30.439
<v Speaker 1>is me. Well I if it is really no, really, you, sir,

0:37:30.560 --> 0:37:33.719
<v Speaker 1>I am delighted to be chatting with you. Have you

0:37:33.719 --> 0:37:37.239
<v Speaker 1>watched Seinfeld a Governor, Yes, I have. It's the greatest show.

0:37:37.280 --> 0:37:40.839
<v Speaker 1>What ever it is now screaming a watchful at the time. Well,

0:37:41.120 --> 0:37:43.880
<v Speaker 1>I'm delighted, thank you, thank you. And I you know,

0:37:43.960 --> 0:37:47.120
<v Speaker 1>I had a beautiful vantage point into your backyard not

0:37:47.200 --> 0:37:49.200
<v Speaker 1>long ago. I know somebody who lives above you on

0:37:49.239 --> 0:37:52.520
<v Speaker 1>the hill, and I saw I think the goat, right,

0:37:52.560 --> 0:37:56.560
<v Speaker 1>there's a goat. Maybe, yes, we are cutting livestock. I

0:37:56.600 --> 0:37:59.200
<v Speaker 1>think I need to put the glasshouse India for people

0:37:59.200 --> 0:38:05.440
<v Speaker 1>to look at you reality. Call it North Class House.

0:38:06.440 --> 0:38:09.520
<v Speaker 1>I like it, so, governor, Governor, it's so thank you.

0:38:09.560 --> 0:38:11.719
<v Speaker 1>I'm sorry we had so much technical problem, but thank

0:38:11.760 --> 0:38:14.239
<v Speaker 1>you for holding it being patient. Nothing problem. I just

0:38:14.320 --> 0:38:18.359
<v Speaker 1>know that I do not have Google crow. Yeah, well

0:38:18.480 --> 0:38:23.000
<v Speaker 1>listen not to get any of the fabulous technology. Jason,

0:38:28.320 --> 0:38:31.319
<v Speaker 1>Oh my god, Governor. Thank you, by the way, Jason. Yeah,

0:38:31.320 --> 0:38:33.600
<v Speaker 1>this is how easy it is to do a deep fake.

0:38:33.680 --> 0:38:36.280
<v Speaker 1>This is my buddy Phil Hayes, who was a voiceover talent.

0:38:36.960 --> 0:38:39.960
<v Speaker 1>Really and Phil filed really no really, so wait, so

0:38:40.000 --> 0:38:42.520
<v Speaker 1>what happened Phil? Are you there? Yeah? Yeah? How you

0:38:42.520 --> 0:38:44.799
<v Speaker 1>guys doing all right? Phil? So Phil does the best

0:38:44.840 --> 0:38:48.680
<v Speaker 1>conversational Schwarzenegger ever. And we heard that. And in two

0:38:48.719 --> 0:38:51.279
<v Speaker 1>thousand and three, when Gray Davis was being recalled, I

0:38:51.320 --> 0:38:53.840
<v Speaker 1>said to Phil, call and seeven, get him on the

0:38:53.840 --> 0:38:56.480
<v Speaker 1>phone and punk him hahaha. And Phil gets him in

0:38:56.480 --> 0:39:01.520
<v Speaker 1>the limo. Gray Davis thinks it's really archenegger calling to

0:39:01.640 --> 0:39:05.040
<v Speaker 1>avert the recall. And I said to philm just go

0:39:05.120 --> 0:39:06.719
<v Speaker 1>a minute or two and then reveal you who you are.

0:39:07.239 --> 0:39:11.640
<v Speaker 1>They're twenty minutes in. They're planning dinner, the couple's getting together, exercising,

0:39:11.680 --> 0:39:13.560
<v Speaker 1>and they hang up after like thirty minutes. And I

0:39:13.560 --> 0:39:15.880
<v Speaker 1>called Phil and say, what did you do? He's and

0:39:15.880 --> 0:39:17.480
<v Speaker 1>he goes, I got caught up in it. I got

0:39:17.560 --> 0:39:20.840
<v Speaker 1>caught up. So I then had to call ACT. I

0:39:20.880 --> 0:39:23.719
<v Speaker 1>had to call Governor Gray Davis back, and he ate

0:39:23.760 --> 0:39:25.960
<v Speaker 1>me and knew, you know what? Up one side down,

0:39:26.040 --> 0:39:28.279
<v Speaker 1>one side, and I said, I ended with so I'm

0:39:28.320 --> 0:39:32.680
<v Speaker 1>assuming I can't use on the air before you go,

0:39:32.960 --> 0:39:35.840
<v Speaker 1>just say goodbye Schwarzenegger. To show everybody what a great

0:39:36.000 --> 0:39:39.040
<v Speaker 1>conversation or Schwarzenegger, you do sign off and say goodbye,

0:39:39.040 --> 0:39:40.919
<v Speaker 1>and then I'll give your credits. I'd like to thank

0:39:40.920 --> 0:39:43.520
<v Speaker 1>you so much for Peter and Allied Jason there for

0:39:43.640 --> 0:39:46.319
<v Speaker 1>being so so good at this play show. Ever on

0:39:46.400 --> 0:39:50.239
<v Speaker 1>the on the iPod, you know what figure out we're

0:39:50.320 --> 0:39:54.040
<v Speaker 1>using that as a collection. He is, by the way,

0:39:54.080 --> 0:39:57.440
<v Speaker 1>he's Batman and tweeting it to Investor and Sonic the Hedgehog.

0:39:57.640 --> 0:39:59.440
<v Speaker 1>But the best is he was in true justice with

0:39:59.520 --> 0:40:01.799
<v Speaker 1>Stevens Goal. I got to ask him about that one day,

0:40:01.920 --> 0:40:04.080
<v Speaker 1>unbelieving in your face. I'm watching your face. Let me

0:40:04.120 --> 0:40:07.520
<v Speaker 1>tell you. I mean, you know, I'm right on that

0:40:07.880 --> 0:40:10.000
<v Speaker 1>tight rope of going okay, I know what our subject

0:40:10.080 --> 0:40:13.319
<v Speaker 1>matter is today, but I also know that we do

0:40:13.480 --> 0:40:16.239
<v Speaker 1>know people that have a relationship with Schwartzenegger. And I thought,

0:40:16.280 --> 0:40:18.879
<v Speaker 1>did you pull in something? And then I'm thinking, how

0:40:18.920 --> 0:40:21.480
<v Speaker 1>does he how does he relate to this topic? But

0:40:22.640 --> 0:40:24.759
<v Speaker 1>I have to tell you, I hedge the bet too.

0:40:24.920 --> 0:40:27.040
<v Speaker 1>Let's go with it. And I saw your face. You

0:40:27.080 --> 0:40:30.239
<v Speaker 1>were starting to go, starting to be impressed, much like

0:40:30.360 --> 0:40:32.839
<v Speaker 1>Governor brought me back to great day. And that is

0:40:32.880 --> 0:40:37.560
<v Speaker 1>the thing, how believable and how willing we are to

0:40:37.600 --> 0:40:40.560
<v Speaker 1>accept these things as possibilities. I remember, I wonder how

0:40:40.600 --> 0:40:42.640
<v Speaker 1>many times you've been deep faked? Google him? Do you

0:40:42.680 --> 0:40:44.239
<v Speaker 1>know how many times they done a Jason or George

0:40:44.280 --> 0:40:46.880
<v Speaker 1>Coustanza defaid? Do we know that? I don't have an

0:40:46.880 --> 0:40:49.400
<v Speaker 1>answer on that. I did? They did deep fake the

0:40:49.440 --> 0:40:55.520
<v Speaker 1>Seinfeld cast onto the opening montage of Friends? Oh come on,

0:40:56.120 --> 0:40:58.960
<v Speaker 1>so so here's the question. Jason, who do you think?

0:40:59.239 --> 0:41:02.960
<v Speaker 1>Who's boy? Did they deep fake your face onto of

0:41:03.160 --> 0:41:06.320
<v Speaker 1>the Friends cast? David, don't be stupid, I'm Jennifer Anniston.

0:41:06.440 --> 0:41:09.680
<v Speaker 1>Come on? Who else would I be? No? You know

0:41:09.719 --> 0:41:11.600
<v Speaker 1>who they would make me if if they if they

0:41:11.680 --> 0:41:14.840
<v Speaker 1>kept it gender specific, they probably made me Matt Perry.

0:41:14.960 --> 0:41:17.760
<v Speaker 1>That would be my guess, Matt Perry, or maybe Swimmer,

0:41:17.800 --> 0:41:22.120
<v Speaker 1>but Schwimmer would be an easier scrammer. No, Matt LeBlanc,

0:41:22.800 --> 0:41:26.680
<v Speaker 1>I'm LeBlanc. You're LeBlanc? How you doing? Can you guess

0:41:26.680 --> 0:41:31.480
<v Speaker 1>who got onto Jennifer Aniston's face, the coveted Jennifer Aniston's face. Well,

0:41:31.520 --> 0:41:35.480
<v Speaker 1>if it's if it's not Julia, is it Julia? Should

0:41:35.520 --> 0:41:38.040
<v Speaker 1>I go there first? No? No? She went She went

0:41:38.080 --> 0:41:40.600
<v Speaker 1>on on Monica, She got kind and it has to

0:41:40.640 --> 0:41:48.000
<v Speaker 1>be Stell, Harris, You're You're not far off. Stell actually

0:41:48.040 --> 0:41:53.680
<v Speaker 1>made it onto Phoebe Wayne Night was on, Uh sure

0:41:53.800 --> 0:41:58.640
<v Speaker 1>it was on Jennifer. Why wouldn't she be Hello Newman? Hey, hey,

0:41:58.719 --> 0:42:02.040
<v Speaker 1>before we get your uption, which I know up to

0:42:02.160 --> 0:42:04.480
<v Speaker 1>now has been very, very negative. You actually said in

0:42:04.520 --> 0:42:06.799
<v Speaker 1>the beginning of the show that you had a real

0:42:06.840 --> 0:42:10.600
<v Speaker 1>concern and that it freaks you out, and it's only

0:42:10.880 --> 0:42:13.440
<v Speaker 1>it's only going to get worse here. So keeping that

0:42:13.560 --> 0:42:15.719
<v Speaker 1>in mind, let's take a look at the Let's take

0:42:15.880 --> 0:42:21.200
<v Speaker 1>let's take a look at the cliff. We just took

0:42:21.200 --> 0:42:25.080
<v Speaker 1>a second through the magic of pausing, and we all

0:42:25.160 --> 0:42:32.520
<v Speaker 1>just watched the sign folk characters onto the Friends, The Friends, right,

0:42:32.960 --> 0:42:36.960
<v Speaker 1>I look so good. I knew you got so much hair.

0:42:37.120 --> 0:42:41.839
<v Speaker 1>I am so pretty as matt LeBlanc. I you know what,

0:42:42.520 --> 0:42:48.560
<v Speaker 1>I'm into this technology and we're out. Good night everybody.

0:42:48.680 --> 0:42:54.560
<v Speaker 1>That's all it took. I'm a convert. I'm a believer.

0:42:55.200 --> 0:42:59.000
<v Speaker 1>I couldn't believe me if I tried. It was. We

0:42:59.040 --> 0:43:02.520
<v Speaker 1>did a whole segment on the potential for disaster, how

0:43:02.640 --> 0:43:05.920
<v Speaker 1>nefarious it is. Well, I figured, much like of everything

0:43:05.960 --> 0:43:08.799
<v Speaker 1>else in my life, people would use my Image to

0:43:08.840 --> 0:43:11.520
<v Speaker 1>create havoc. I didn't know they were going to create

0:43:11.640 --> 0:43:21.359
<v Speaker 1>beauty on Enhanced me. Absolutely, I'm so glad we got

0:43:21.360 --> 0:43:32.400
<v Speaker 1>an I'm making you happy now really now, really everybody,

0:43:32.400 --> 0:43:35.520
<v Speaker 1>we want to thank Digital forensics expert Professor honey Free.

0:43:35.600 --> 0:43:38.400
<v Speaker 1>Honey Fred is also a senior advisor to the Counter

0:43:38.560 --> 0:43:42.600
<v Speaker 1>Extremism Project, which is a fascinating software tool that allows

0:43:42.640 --> 0:43:46.120
<v Speaker 1>companies to quickly find and eliminate extremist content from more

0:43:46.120 --> 0:43:49.760
<v Speaker 1>information go to counter Extremism dot com. Also Wall Street

0:43:49.800 --> 0:43:54.400
<v Speaker 1>Journal tech columnist and Emmy winner Really Really Everybody wins

0:43:54.400 --> 0:43:57.520
<v Speaker 1>an Emmy. Everybody but Me Emmy Winner Joanna st win

0:43:57.560 --> 0:44:00.799
<v Speaker 1>A Starns on Instagram and Twitter at Ennis Spurn and

0:44:00.800 --> 0:44:05.000
<v Speaker 1>of course Phill Hayes our Deep Faked Schwarzenegger. He's an actor,

0:44:05.160 --> 0:44:08.160
<v Speaker 1>a voiceover artist to stand up comic. He's got hundreds

0:44:08.160 --> 0:44:10.359
<v Speaker 1>of TV shows and movies to his credits. You can

0:44:10.440 --> 0:44:13.560
<v Speaker 1>check him out at IMDb and of course you can

0:44:13.600 --> 0:44:16.680
<v Speaker 1>follow Really No Really on Instagram and TikTok at Really

0:44:16.719 --> 0:44:19.920
<v Speaker 1>No Really podcast. For questions, you can message us on

0:44:20.000 --> 0:44:22.920
<v Speaker 1>Instagram and Really No Really podcasts. Really No Really is

0:44:22.960 --> 0:44:26.520
<v Speaker 1>a production of iHeartRadio and Blaise Entertainment, and most of all,

0:44:26.560 --> 0:44:29.760
<v Speaker 1>thank you for listening. We release new episodes every Tuesday,

0:44:30.000 --> 0:44:33.279
<v Speaker 1>so follow us on the iHeartRadio app, Apple Podcasts, or

0:44:34.040 --> 0:44:35.799
<v Speaker 1>wherever you get your podcasts.