WEBVTT - Episode 161 w/ DJ Jazzy Jeff

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<v Speaker 1>Today's episode of Drink Champs is brought to you by

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<v Speaker 1>new subscribers only. Offer only available to March. So act now,

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<v Speaker 1>don't hesitate. Let's go and podcasts a legendary Queen's wrapper.

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<v Speaker 1>He's on Miami hippop Pioneer up his dj e FN

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<v Speaker 1>Together they drinking up with some of the biggest players,

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<v Speaker 1>I mean in the most professional unprofessional podcast and your

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<v Speaker 1>number one source for dr New year Z Time for

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<v Speaker 1>drink Champs, drink up for the w A good be

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<v Speaker 1>hopefully with the shipy this your boy and what up

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<v Speaker 1>is d j e F and his motherfuckering drink Champs

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<v Speaker 1>yap Yaur makes up now. When it comes to legends,

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<v Speaker 1>when it comes to legendary DJs, when it comes to

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<v Speaker 1>people who've been down in this game forever and have

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<v Speaker 1>maintained relevance and maintenance consistency, this man picture comes up

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<v Speaker 1>when we googled him Jesus and his picture came out.

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<v Speaker 1>The man is consistent. He's out here, He's still got

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<v Speaker 1>love for the game. You know, so many accolades, so

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<v Speaker 1>many are different things that he's done, and he's still

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<v Speaker 1>out here, still working, still doing. It's still out here,

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<v Speaker 1>still out here with gucci hats on, a nice classes

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<v Speaker 1>through the well, hit through a cameraman and doing what

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<v Speaker 1>you gotta do. In the case you don't know what

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<v Speaker 1>we talked about with motherfucker, let it. I honestly, I

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<v Speaker 1>honestly get stoked when I I speak to people like

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<v Speaker 1>you are people who laid down the legacy for people

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<v Speaker 1>like me A E F n um And when I

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<v Speaker 1>look at you guys, legacy and like did did what?

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<v Speaker 1>What time was? Uh? Let's let's take it from the beginning.

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<v Speaker 1>Let's take it from the beginning. How did how do?

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<v Speaker 1>How did you even? How did you get start? How

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<v Speaker 1>did I get stuck? Um? Who inspired you? Too? Well?

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<v Speaker 1>I had some older DJs in my neighborhood that would

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<v Speaker 1>do do all the block parties, um, and I think

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<v Speaker 1>what it was. I would I would go to these

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<v Speaker 1>block puts. Doesn't feel it and I would go to

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<v Speaker 1>these block parties, and these guys would they would be

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<v Speaker 1>on these enclosed portraits so you would never see what

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<v Speaker 1>they look like. But and they had these massive speakers,

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<v Speaker 1>and I always felt like they were the puppet masters

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<v Speaker 1>because they got you to do whatever they wanted to

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<v Speaker 1>do with the music that you lady. And I wasn't

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<v Speaker 1>the one that was at the parties or at the

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<v Speaker 1>block parties trying to get the girls. I was looking

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<v Speaker 1>at that into a house like trying to figure out

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<v Speaker 1>who the wizard was. But I couldn't see his face

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<v Speaker 1>and how he was pulling these strings and making anybody

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<v Speaker 1>do whatever he wanted with his music. Um, and I

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<v Speaker 1>got to a point that I was like, I want

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<v Speaker 1>to be that guy. I want to I want to

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<v Speaker 1>have that level of control that that he has with

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<v Speaker 1>his music. So you know, it literally started from grabbing man.

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<v Speaker 1>It was it was a DJ named Disco Dock in Philly.

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<v Speaker 1>It was a guy Disco rat Um. And this was

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<v Speaker 1>this was pre hip hop too, so this wasn't you know,

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<v Speaker 1>this was they just playing mass production, grass construction, funk

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<v Speaker 1>and soul records. But it was just you know, they

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<v Speaker 1>had the big yet yet, but they had these big

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<v Speaker 1>giant speakers, and you know, we just get on the

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<v Speaker 1>bike and you would ride to you know, you ride

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<v Speaker 1>twenty blocks because you heard somebody would have a block

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<v Speaker 1>party and you would just go and just you know,

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<v Speaker 1>watch them do their things. You know, a couple of

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<v Speaker 1>hundred people on the street dancing um. And it was

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<v Speaker 1>just kind of like that was something that I liked.

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<v Speaker 1>I liked the effect of him playing this music and

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<v Speaker 1>it had on people. It was like yo, like he

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<v Speaker 1>was the pie Python like he you know, I'm like,

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<v Speaker 1>you could have told to do anything, and we probably

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<v Speaker 1>really did it, depending on how you string these records

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<v Speaker 1>together now describe to us Philly back and back in

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<v Speaker 1>the day, because it had to Pully has to go

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<v Speaker 1>through so many different transitions. So the was because UM

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<v Speaker 1>us in hip hop us in New York. Problem. Uh,

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<v Speaker 1>we knew that it came from the Bronx. Well, it

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<v Speaker 1>was always around it, so was it like that of Philly.

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<v Speaker 1>Wasn't hip hop just everywhere? And we we would get

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<v Speaker 1>tapes from the Bronx of hip hop, Like you know,

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<v Speaker 1>everybody had a cousin that lived in New York. Everybody

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<v Speaker 1>had a cousin that was from the Bronx, which anybody

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<v Speaker 1>probably live cool with Flash or hurt Um, But it

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<v Speaker 1>was just like you would get these tapes that would

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<v Speaker 1>be a hundred generations tapes of t Connection and the Fever,

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<v Speaker 1>and you would basically imagine what these parties were like.

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<v Speaker 1>You know, to me, it was thousands of people in

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<v Speaker 1>these parties and there was massive sound systems and those

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<v Speaker 1>parties could have been in the room like this, but

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<v Speaker 1>it was just what you got and what you imagine.

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<v Speaker 1>But that that was it, you know, we um. I

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<v Speaker 1>feel like the hip hop scene in the Philly was

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<v Speaker 1>created off of what we thought it was in New

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<v Speaker 1>York because there wasn't videos, There wasn't any of that,

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<v Speaker 1>so you didn't really got a lot of Philly that cool.

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<v Speaker 1>See Sandy being um. You know they came up before

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<v Speaker 1>you know there was they was around the same time

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<v Speaker 1>the same time. Wasn't there was a group? Right? Was

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<v Speaker 1>the name of the group? TV? What CB was a group? Like?

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<v Speaker 1>Because we did were like the first rap gagsters like

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<v Speaker 1>technically like I mean we heard in w A and

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<v Speaker 1>all that, but no one either jazz. You know what

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<v Speaker 1>I really started like that was it was school. He

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<v Speaker 1>d school, he did and as he did, got at

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<v Speaker 1>all that he was the first rapp up that was

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<v Speaker 1>actually living in his literally just you know, he was

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<v Speaker 1>talking about his neighborhood and he just described it to

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<v Speaker 1>a t and it was just you know, you know,

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<v Speaker 1>we didn't know that and did that that it's goods

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<v Speaker 1>outside of New York. When we started the hand of that,

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<v Speaker 1>it was like, X, really, motherfucker's by the way, we

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<v Speaker 1>don't know if we know Jazzy Jeff, but this is

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<v Speaker 1>a show where we celebrate our lections. You know what

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<v Speaker 1>I'm saying. We were were we were now the first

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<v Speaker 1>person that we interviewed since we won the award. Let's

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<v Speaker 1>big up. What was the name the National Film and

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<v Speaker 1>televis Television A War? In true drink Chace fashion, we

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<v Speaker 1>seen on one of our friends to pick up the war.

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<v Speaker 1>We don't think we're gonna win, by the way, generous,

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<v Speaker 1>we get a Saturday night last. We don't think were

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<v Speaker 1>gonna win, So we sit on home, Jimmy kimbers against

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<v Speaker 1>and Homie I travel to know and Homie actually goes there.

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<v Speaker 1>It gets the award and in to drink chance fashion,

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<v Speaker 1>he breaks the award getting into a school he took pature.

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<v Speaker 1>I'm wanting to he dropped junk family. I also Bob,

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<v Speaker 1>we had it. You want to pick up to aunerable

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<v Speaker 1>old staff man get a wonderful event yesterday and um,

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<v Speaker 1>they all came together. They was all stressed out. I

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<v Speaker 1>love to see them all stressed out, but I'd love

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<v Speaker 1>to see them all and he took care of everything,

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<v Speaker 1>so I wouldn't want to pick them up. But now

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<v Speaker 1>let's get back to Philly, right because in a lot

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<v Speaker 1>of ways, the biggest artist to date right now is

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<v Speaker 1>meet Mail right for for his triumph. But if it

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<v Speaker 1>wasn't you guys, do you see the director like he's

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<v Speaker 1>like the new Philly King or or you don't see that? Yeah?

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<v Speaker 1>Absolutely absolutely. But I don't think we ever looked at

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<v Speaker 1>ourselves as Um. I don't want to say Philly King's

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<v Speaker 1>because like myself and Will, I think you know, Philly

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<v Speaker 1>was where we were from. Um, it was a little

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<v Speaker 1>weird back then because there was a point in time

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<v Speaker 1>that we didn't feel that we kind of got the

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<v Speaker 1>love that other people got in Philly, Um that people

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<v Speaker 1>got in different states. Um. And I really think looking

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<v Speaker 1>back at contact, it was because a lot of that

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<v Speaker 1>was new you know, anybody was trying to everybody was

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<v Speaker 1>trying to figure out what it is we were doing.

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<v Speaker 1>We don't know how long this is gonna last. Like

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<v Speaker 1>so I don't think it was people just didn't didn't

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<v Speaker 1>show love. You know, radio stations. I think we're a

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<v Speaker 1>little bit afraid because they were kind of like, we

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<v Speaker 1>don't know if it's gonna be here, you know. Yeah,

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<v Speaker 1>so it's like we're not going really lock in to this.

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<v Speaker 1>So I think, you know, Meet coming along now, um and,

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<v Speaker 1>and Philly has always had champions that they really really

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<v Speaker 1>got behind and they wanted to kind of go beyond Philly,

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<v Speaker 1>you know, state property and beans in that whole thing.

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<v Speaker 1>Like everybody was super invested the routes. Um And, I think,

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<v Speaker 1>you know what, like Meet being the new younger generation,

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<v Speaker 1>but also going through what he went through and coming

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<v Speaker 1>through the way that he came through. It's kind of

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<v Speaker 1>like he's not only put himself in a position that

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<v Speaker 1>he's a champion in Philly. I think that's gone way

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<v Speaker 1>beyond too. Yeah. I um, I just feel like the

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<v Speaker 1>hip hop history is so rich and it starts from

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<v Speaker 1>actually history, but actually you guys are originators, like you

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<v Speaker 1>you gotta claim that you have to. We were one

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<v Speaker 1>of them, you know, it was it was you know,

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<v Speaker 1>it was a time, like I said, we didn't know

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<v Speaker 1>what we were doing. We were we were thinking that

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<v Speaker 1>we were imitating New York, you know, and Philly is

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<v Speaker 1>a very DJ heavy city. It was the DJ was first.

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<v Speaker 1>That only happened because we thought the DJ was first

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<v Speaker 1>in New York. We didn't realize that the rapper took

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<v Speaker 1>precedent and then the DJ was the person to back

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<v Speaker 1>him up. We came with like, listen to DJ is first,

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<v Speaker 1>and the rapper tells anybody how great the DJ was.

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<v Speaker 1>That's that was me and Will's dynamic. That was Steady

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<v Speaker 1>be In in his DJ's dynamic. You know, that was that.

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<v Speaker 1>But that was what we thought. We thought. That's how

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<v Speaker 1>it was so not realizing that you kind of created

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<v Speaker 1>your own version, you know, your own spin on it

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<v Speaker 1>that you know, it was kind of okay, you know,

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<v Speaker 1>but because like I said, we didn't have videos and

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<v Speaker 1>all the rest of that to kind of make everything seamless,

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<v Speaker 1>you know, it was just kind of like I gotta tape.

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<v Speaker 1>I don't know what Cowboy looked like, I don't know

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<v Speaker 1>what d mel looked like so, you know, in my head,

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<v Speaker 1>I'm imagining, you know, I remember seeing the first picture

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<v Speaker 1>of you know, Theatore and the fans Plastic five, and

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<v Speaker 1>I'm trying to figure out who was who, Like, you know,

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<v Speaker 1>when I found out the light skin, Dude, ain't they

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<v Speaker 1>you know? So you know it was it was all

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<v Speaker 1>of this is priests? Are you just making it up

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<v Speaker 1>as you go along? Now? How you like? Throughout all

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<v Speaker 1>your years, you never got in trouble, Like, at least

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<v Speaker 1>it's a public guy like, You're not a scandal. It's

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<v Speaker 1>not Google, would you know what man like? Because Instagram

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<v Speaker 1>wasn't a live listen. If it wouldn't be listen, it

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<v Speaker 1>wouldn't be hip hop, would not be hip hop. You know. Um,

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<v Speaker 1>but you know, I think just listen. I in spite

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<v Speaker 1>of how willing the records that we made, none of

0:12:50.000 --> 0:12:53.559
<v Speaker 1>us grew up in the best environment. You know. We

0:12:53.640 --> 0:12:55.760
<v Speaker 1>grew up in inner City, We grew up in Philly.

0:12:56.200 --> 0:12:57.839
<v Speaker 1>You know, we had our share of ship and just

0:12:58.840 --> 0:13:01.199
<v Speaker 1>you know, and and it was what it was. But

0:13:01.360 --> 0:13:04.160
<v Speaker 1>it was kind of like, you know, I think our

0:13:04.200 --> 0:13:06.840
<v Speaker 1>approach was, we're not really telling the story of where

0:13:06.880 --> 0:13:10.960
<v Speaker 1>we grew up but that doesn't hide how we grew up.

0:13:11.080 --> 0:13:14.040
<v Speaker 1>But growing up like that one thing that you developed

0:13:14.480 --> 0:13:16.640
<v Speaker 1>is smart that it's kind of like you don't tell

0:13:16.640 --> 0:13:18.959
<v Speaker 1>your business, you don't put your business out there. And

0:13:19.040 --> 0:13:22.600
<v Speaker 1>I think some of those old school lessons that I got,

0:13:23.320 --> 0:13:25.280
<v Speaker 1>I just kept with me that it's kind of like,

0:13:26.160 --> 0:13:28.760
<v Speaker 1>you know, it's no one is squeaky clean. It just

0:13:28.840 --> 0:13:31.120
<v Speaker 1>depends on who sees your dirt. But you see how

0:13:31.240 --> 0:13:33.880
<v Speaker 1>easy it is nowadays, Like these new kids they're saying

0:13:34.280 --> 0:13:36.040
<v Speaker 1>and then the next day, the next day they're on

0:13:36.240 --> 0:13:39.000
<v Speaker 1>their tomorrow sniff and cocaine off Kimberly. I see, you

0:13:39.040 --> 0:13:42.640
<v Speaker 1>know what we never we never had a twenty four

0:13:42.720 --> 0:13:46.480
<v Speaker 1>hour a day camera on you telling like, you know

0:13:46.559 --> 0:13:48.640
<v Speaker 1>what's messed up about this generation? They put the camera

0:13:48.720 --> 0:13:52.680
<v Speaker 1>on themselves. The people. I was like, let me ask

0:13:52.679 --> 0:13:55.000
<v Speaker 1>you a question. If you got in trouble, would you

0:13:55.120 --> 0:13:57.719
<v Speaker 1>go to Alvy Square Mall in New York in the

0:13:57.800 --> 0:14:01.760
<v Speaker 1>food course that bring out your trouble? And everybody's like no,

0:14:01.920 --> 0:14:05.240
<v Speaker 1>And I was like, that's what you just did. That's

0:14:05.280 --> 0:14:07.920
<v Speaker 1>exactly what you just did. And the people don't understand that.

0:14:08.000 --> 0:14:11.280
<v Speaker 1>It's kind of like you know, you you that's how

0:14:11.320 --> 0:14:13.120
<v Speaker 1>you know I've come from the same I just used

0:14:13.160 --> 0:14:15.320
<v Speaker 1>that same reference the other day about obviously we're going

0:14:15.400 --> 0:14:17.000
<v Speaker 1>to do it to be to the side and said album.

0:14:21.120 --> 0:14:24.240
<v Speaker 1>But yeah, that's the crazy thing is they actually but um,

0:14:25.480 --> 0:14:27.720
<v Speaker 1>but I've seen I seen a documentary one time. We're

0:14:27.720 --> 0:14:29.440
<v Speaker 1>talking about you and Will on tour, and I think

0:14:29.800 --> 0:14:34.240
<v Speaker 1>y'all was on Queen lot Teeth with Chalk and everybody

0:14:34.320 --> 0:14:36.680
<v Speaker 1>was looking at y'all different because y'all had pop records.

0:14:36.720 --> 0:14:39.320
<v Speaker 1>They was considered pop records at the time. And y'all

0:14:39.440 --> 0:14:42.240
<v Speaker 1>was going on every single night and still bosting ass

0:14:42.320 --> 0:14:44.440
<v Speaker 1>on stage because that's that's what it was about. Kid

0:14:44.520 --> 0:14:47.320
<v Speaker 1>with the records, y'all. You know, like when when we

0:14:47.520 --> 0:14:49.880
<v Speaker 1>when we went to New York when we did the

0:14:49.920 --> 0:14:51.640
<v Speaker 1>whole lot of Union Square and all the rest of that.

0:14:51.760 --> 0:14:54.480
<v Speaker 1>We have one record, you know, we're going up did

0:14:54.520 --> 0:14:56.200
<v Speaker 1>to do girls Ain't nothing but trouble. But it's kind

0:14:56.200 --> 0:14:58.720
<v Speaker 1>of like, yo, okay, well we gotta do this freestyle,

0:14:58.800 --> 0:15:00.680
<v Speaker 1>you gotta DJ, we're gonna bring out the beat box,

0:15:00.800 --> 0:15:04.160
<v Speaker 1>like our job is to entertain you. So it's kind

0:15:04.160 --> 0:15:07.200
<v Speaker 1>of like, man, listen, that the least important thing for

0:15:07.400 --> 0:15:10.000
<v Speaker 1>us on the show was the record, like we the

0:15:10.040 --> 0:15:13.000
<v Speaker 1>records are given. Anybody know the record, but we gotta

0:15:13.000 --> 0:15:15.760
<v Speaker 1>get him with all this other stuff. Let me ask

0:15:15.800 --> 0:15:18.400
<v Speaker 1>you something. So you as a DJ, right and when

0:15:18.440 --> 0:15:21.920
<v Speaker 1>people cultique records like that and you're out DJ and like,

0:15:21.920 --> 0:15:25.080
<v Speaker 1>because you know, I assume you and you you know

0:15:25.200 --> 0:15:27.120
<v Speaker 1>the records that that planning. Did you ever like come

0:15:27.160 --> 0:15:29.280
<v Speaker 1>and try to persuade like the group to go a

0:15:29.360 --> 0:15:31.840
<v Speaker 1>different direction? Like you know what I'm saying, OK, Like

0:15:31.960 --> 0:15:34.920
<v Speaker 1>I don't mess with people's creative direction. You know. It's

0:15:34.960 --> 0:15:37.960
<v Speaker 1>kind of like you know this this this is you're

0:15:38.040 --> 0:15:41.200
<v Speaker 1>doing something that's inside of you. And you know, to me,

0:15:41.800 --> 0:15:43.560
<v Speaker 1>is you have the ability to say if you like

0:15:43.680 --> 0:15:45.720
<v Speaker 1>it or you don't. I ain't really got the ability

0:15:45.720 --> 0:15:49.280
<v Speaker 1>to tell nobody change shit, you know, because that's I

0:15:49.280 --> 0:15:51.000
<v Speaker 1>don't want anybody to tell me to do the same thing.

0:15:51.480 --> 0:15:54.560
<v Speaker 1>You know. It's all subjective. You know, every A and

0:15:54.720 --> 0:15:57.280
<v Speaker 1>R that you talked to at every record company was

0:15:57.320 --> 0:16:03.960
<v Speaker 1>giving you their opinion. Nobody's opinion. Law, how did you connect? Um?

0:16:05.960 --> 0:16:09.320
<v Speaker 1>I was really big in the city uh as a DJ,

0:16:10.040 --> 0:16:12.960
<v Speaker 1>and Will was in the crew. Um he was in

0:16:13.000 --> 0:16:15.880
<v Speaker 1>the crew in a sexon city in Windfield and you know,

0:16:16.080 --> 0:16:18.480
<v Speaker 1>you know of people, you know because a lot of

0:16:18.520 --> 0:16:21.240
<v Speaker 1>times we're on the same show. Um. And it was

0:16:21.280 --> 0:16:24.880
<v Speaker 1>crazy because this was pre cell phone, page or any

0:16:24.920 --> 0:16:26.400
<v Speaker 1>of that. So when you had to get a call

0:16:26.440 --> 0:16:27.680
<v Speaker 1>because he was in the house, and I got a

0:16:27.720 --> 0:16:31.080
<v Speaker 1>call like yo, somebody wants to do this house party

0:16:31.200 --> 0:16:33.960
<v Speaker 1>on fifty four from Windwood, and I was like cool,

0:16:34.480 --> 0:16:38.160
<v Speaker 1>and I picked up the phone and you know, picked

0:16:38.240 --> 0:16:40.520
<v Speaker 1>up the phone and called the guy that used to

0:16:40.680 --> 0:16:43.680
<v Speaker 1>MC for me and he went in the house. Couldn't

0:16:43.680 --> 0:16:45.240
<v Speaker 1>page him and nothing. So it was kind of like, listen,

0:16:45.240 --> 0:16:47.760
<v Speaker 1>I'm gonna go do the party. You know, I just

0:16:47.880 --> 0:16:50.280
<v Speaker 1>can't get him. And when I showed up, it was

0:16:50.360 --> 0:16:53.400
<v Speaker 1>two doors down from Will's house, and as soon as

0:16:53.400 --> 0:16:54.920
<v Speaker 1>I was chilled up to set my stuff up, he

0:16:54.960 --> 0:16:56.120
<v Speaker 1>came in the basement and it was kind of like

0:16:56.160 --> 0:16:58.680
<v Speaker 1>we knew each other, dapt each other up. He was like, yo,

0:16:58.760 --> 0:17:00.440
<v Speaker 1>where's your man Ice? And I was like yeah, I

0:17:00.480 --> 0:17:02.640
<v Speaker 1>couldn't find him, and he was like, yo, you mind

0:17:02.640 --> 0:17:05.000
<v Speaker 1>if I rocked? And I was like nah, And it

0:17:05.160 --> 0:17:09.960
<v Speaker 1>was just a natural chemistry that we had that night. Listen,

0:17:10.080 --> 0:17:13.080
<v Speaker 1>I kept saying, if Ice would have picked up that phone,

0:17:13.880 --> 0:17:19.040
<v Speaker 1>I might not be sitting here, you know, that's crazy.

0:17:20.560 --> 0:17:23.040
<v Speaker 1>It was just you know, and then that turned into

0:17:23.119 --> 0:17:25.920
<v Speaker 1>what you're doing? Them are what are you doing next Saturday?

0:17:26.080 --> 0:17:29.040
<v Speaker 1>What are you doing? And it was probably seven months

0:17:29.240 --> 0:17:33.320
<v Speaker 1>later we had a record out. What was the moment

0:17:33.400 --> 0:17:36.280
<v Speaker 1>where you was like I made it was the parents

0:17:36.359 --> 0:17:40.320
<v Speaker 1>just don't understand. There's there's a point in time that

0:17:40.400 --> 0:17:43.720
<v Speaker 1>I still don't think I had that moment. What you have?

0:17:45.200 --> 0:17:49.200
<v Speaker 1>Oh yeah, yeah, you know what I think? Um? When

0:17:49.240 --> 0:17:52.560
<v Speaker 1>we we we when we put out pants, I meant

0:17:52.600 --> 0:17:57.399
<v Speaker 1>we had signed of Rush and UM management and I

0:17:57.480 --> 0:17:59.680
<v Speaker 1>remember when we played them and he's the DJ on

0:17:59.720 --> 0:18:02.119
<v Speaker 1>the rap for hour Russell listened to it and Russell

0:18:02.160 --> 0:18:03.720
<v Speaker 1>said this is going to be gold in four weeks

0:18:03.760 --> 0:18:09.879
<v Speaker 1>and he was just like the US management UM and

0:18:09.960 --> 0:18:12.439
<v Speaker 1>we and we didn't believe him, and and the record

0:18:12.480 --> 0:18:15.879
<v Speaker 1>actually went gold in five weeks. But what it was,

0:18:16.040 --> 0:18:18.879
<v Speaker 1>we were on tour and it was kind of like

0:18:19.080 --> 0:18:22.359
<v Speaker 1>you started to tour off in your the third actor

0:18:22.440 --> 0:18:25.600
<v Speaker 1>going and then a week later you're the fourth factor

0:18:25.680 --> 0:18:27.800
<v Speaker 1>going on, and then a week later you're the fifth

0:18:27.880 --> 0:18:30.160
<v Speaker 1>actor go on, and you're not realizing why they're moving

0:18:30.200 --> 0:18:35.359
<v Speaker 1>you up. And it was we do any shows with

0:18:36.000 --> 0:18:42.600
<v Speaker 1>run DMC and like it was a pack tour. Yeah, yeah,

0:18:43.040 --> 0:18:47.480
<v Speaker 1>And it was kind of like every night, you know,

0:18:47.560 --> 0:18:50.080
<v Speaker 1>will start coming to me. He's like, yo, like is

0:18:50.119 --> 0:18:53.280
<v Speaker 1>it me or is the cheers getting louder? And I'm like,

0:18:53.400 --> 0:18:55.280
<v Speaker 1>I don't know, I can't tell, like you know, it's

0:18:56.280 --> 0:18:59.080
<v Speaker 1>you know. And it was one night he did parents

0:18:59.160 --> 0:19:01.960
<v Speaker 1>just don't Understand and and he said the first verse,

0:19:02.800 --> 0:19:04.360
<v Speaker 1>and he told me that he was gonna try something.

0:19:04.400 --> 0:19:06.560
<v Speaker 1>He said the first verse and then he said in

0:19:06.680 --> 0:19:08.920
<v Speaker 1>between the first and second verse, he was like, listen,

0:19:09.040 --> 0:19:12.840
<v Speaker 1>I'm gonna say the first line and I want everybody

0:19:12.920 --> 0:19:15.560
<v Speaker 1>to say the second line, which was really dangerous because

0:19:15.600 --> 0:19:19.000
<v Speaker 1>if nobody said ship, we would have been And he said,

0:19:19.040 --> 0:19:21.399
<v Speaker 1>I remember one year my mom took me school shopping

0:19:21.720 --> 0:19:25.520
<v Speaker 1>in twenty five thousand people answering, and and that was it.

0:19:25.760 --> 0:19:29.400
<v Speaker 1>That was kind of like because once again, when you're

0:19:29.440 --> 0:19:32.159
<v Speaker 1>on the road, you don't you know, you don't have

0:19:32.400 --> 0:19:35.560
<v Speaker 1>any frame of reference if your record is getting big,

0:19:35.800 --> 0:19:40.120
<v Speaker 1>you know, I know. So it was kind of like, yo,

0:19:40.320 --> 0:19:44.040
<v Speaker 1>like this is crazy, you know. And it was, you know,

0:19:44.119 --> 0:19:45.840
<v Speaker 1>before we end up getting off the tour, we're right

0:19:45.880 --> 0:19:50.520
<v Speaker 1>before run DMC was, was that ever rough between you

0:19:50.600 --> 0:19:54.120
<v Speaker 1>and world? I want nah, nah, you know, I mean

0:19:54.520 --> 0:19:57.080
<v Speaker 1>trust me, you have grown pains, you know, because we

0:19:57.240 --> 0:20:00.879
<v Speaker 1>started off so young. But it was wild because one

0:20:00.920 --> 0:20:03.200
<v Speaker 1>of the first times right after we got together, I

0:20:03.240 --> 0:20:05.600
<v Speaker 1>mean we sat on the steps um and it was

0:20:05.600 --> 0:20:09.200
<v Speaker 1>wild because of me Will the manager, Jail and Charlie

0:20:09.280 --> 0:20:15.199
<v Speaker 1>matt Um and yeah, I saw and Will was like, yo, man,

0:20:15.280 --> 0:20:17.480
<v Speaker 1>I want to do movies. And I was like, I

0:20:17.560 --> 0:20:19.840
<v Speaker 1>want to do music for the movie. So people would

0:20:19.880 --> 0:20:22.320
<v Speaker 1>always be like, didn't get strange, you know, did you

0:20:22.400 --> 0:20:24.280
<v Speaker 1>feel like Will left? He was like, nah, Like this

0:20:24.520 --> 0:20:29.000
<v Speaker 1>was planning from day one. None of this was music.

0:20:29.200 --> 0:20:31.000
<v Speaker 1>You were scoring most of the movies. I was like,

0:20:31.040 --> 0:20:32.560
<v Speaker 1>I did all the music on The Fresh Prince of

0:20:32.600 --> 0:20:45.920
<v Speaker 1>bel Air. The thing still, I'm gonna tell you something,

0:20:46.000 --> 0:20:47.960
<v Speaker 1>you know what. And somebody said this to me not

0:20:48.119 --> 0:20:50.640
<v Speaker 1>too long ago, and and and it freaked me out.

0:20:51.359 --> 0:20:52.600
<v Speaker 1>He came up to me and he said, let me

0:20:52.640 --> 0:20:55.000
<v Speaker 1>ask you a question. What is the biggest hip hop

0:20:55.080 --> 0:20:58.639
<v Speaker 1>record in the world. And I started going down the

0:20:58.720 --> 0:21:01.560
<v Speaker 1>list and like Dr J Snoop Emina, and he was

0:21:01.680 --> 0:21:04.240
<v Speaker 1>like the Fresh Prince of bel Air. He said, that

0:21:04.400 --> 0:21:07.440
<v Speaker 1>is the biggest everybody knows that everybody was in the

0:21:07.560 --> 0:21:11.520
<v Speaker 1>world was an over dred and and I never thought

0:21:11.560 --> 0:21:15.520
<v Speaker 1>of that, you know, especially when you realize you record

0:21:15.560 --> 0:21:17.480
<v Speaker 1>it was. Was that just the theme for the show.

0:21:17.920 --> 0:21:21.240
<v Speaker 1>Did you actually drop a record? Um? The record company

0:21:21.400 --> 0:21:24.680
<v Speaker 1>put something out that I found out that whole show

0:21:25.720 --> 0:21:27.760
<v Speaker 1>was made for the ship. We made it for the show. Wow,

0:21:29.600 --> 0:21:33.359
<v Speaker 1>Uncle Phil passing away, what you had a relationship, very

0:21:33.640 --> 0:21:36.720
<v Speaker 1>very good. Like he was like hip Hop's uncle. He

0:21:37.000 --> 0:21:39.000
<v Speaker 1>you know what, because that was like our family like that,

0:21:39.320 --> 0:21:42.240
<v Speaker 1>like the Fresh Prince was everybody from the project. That's

0:21:42.240 --> 0:21:46.119
<v Speaker 1>what we greamed of doing, Like somebody, We're having a

0:21:46.560 --> 0:21:50.680
<v Speaker 1>rich family somewhere and everything gonna flies out. We're gonna

0:21:50.680 --> 0:21:53.120
<v Speaker 1>live in Bellair and Uncle Phild's gonna be all all good.

0:21:53.520 --> 0:21:56.280
<v Speaker 1>And so I think hip Hop took that one. Yeah,

0:21:56.880 --> 0:21:59.639
<v Speaker 1>like hip Hop Actually, I mean he was. He was.

0:22:00.440 --> 0:22:03.879
<v Speaker 1>He was my vacation dude that because he would, you know,

0:22:03.960 --> 0:22:05.440
<v Speaker 1>in the off season, he would just get in the

0:22:05.520 --> 0:22:08.480
<v Speaker 1>car and him and his friends would drive from cross

0:22:08.520 --> 0:22:10.800
<v Speaker 1>country and they would they he could tell you every

0:22:10.920 --> 0:22:14.640
<v Speaker 1>great restaurant, every great beach, like he they were traveling.

0:22:14.800 --> 0:22:18.359
<v Speaker 1>So you know, I would go to him. He's like, yo,

0:22:18.440 --> 0:22:20.960
<v Speaker 1>if you know, the best beach in the world is

0:22:21.040 --> 0:22:24.480
<v Speaker 1>in kN Kom and the best restaurant is here. Um.

0:22:24.680 --> 0:22:27.040
<v Speaker 1>But he would always pull you aside drop some knowledge.

0:22:27.080 --> 0:22:30.320
<v Speaker 1>He was a huge music and jazz fan, so I

0:22:30.359 --> 0:22:32.639
<v Speaker 1>would always, you know, go in his room and he

0:22:32.680 --> 0:22:35.399
<v Speaker 1>would slide me new CDs and and stuff like that.

0:22:35.480 --> 0:22:37.000
<v Speaker 1>When he was he was he was cool. He was

0:22:37.040 --> 0:22:41.080
<v Speaker 1>really cool. What's what's your favorite ever in hip hop? Nineties?

0:22:41.160 --> 0:22:43.840
<v Speaker 1>On that nineties? Gonna give you ten years or what

0:22:44.040 --> 0:22:48.639
<v Speaker 1>ninety two? I would almost say, no, not necessary. I

0:22:48.680 --> 0:22:54.640
<v Speaker 1>would say probably between eighty eight. Okay, this fucking phenomenal years.

0:22:56.280 --> 0:23:01.600
<v Speaker 1>That's a great decade. So let's let's takes Sea Ansars

0:23:01.640 --> 0:23:07.840
<v Speaker 1>in there. Him is in there there, we'll tang Tang'll

0:23:07.840 --> 0:23:10.760
<v Speaker 1>take him out Nary too, so we'll tang the discovery

0:23:10.840 --> 0:23:15.399
<v Speaker 1>of mutanger. What's something that that that shocked you in

0:23:15.480 --> 0:23:17.359
<v Speaker 1>hip hops? When you sat back, he was like, I

0:23:17.400 --> 0:23:21.480
<v Speaker 1>can't believe hip hop went this far um because you

0:23:21.600 --> 0:23:23.440
<v Speaker 1>come up with the morals, but you know what, you

0:23:23.520 --> 0:23:26.600
<v Speaker 1>know what it is. It's kind of like when you

0:23:26.720 --> 0:23:29.440
<v Speaker 1>come from the Moralds. You saw how it got m more.

0:23:30.359 --> 0:23:32.800
<v Speaker 1>No one gave a shit about hip hop until they

0:23:32.920 --> 0:23:35.840
<v Speaker 1>realized that hip hop was making money. When we boycotted

0:23:35.880 --> 0:23:38.639
<v Speaker 1>the Grammys, it was because you wanted to put it

0:23:38.760 --> 0:23:41.680
<v Speaker 1>on television or you wanted to exploit it on television,

0:23:41.840 --> 0:23:43.720
<v Speaker 1>but you didn't want to show the category. And I'm like,

0:23:43.840 --> 0:23:49.400
<v Speaker 1>wait a minute, hip hop is hip hop. Hip Hop was, arguably,

0:23:49.440 --> 0:23:50.960
<v Speaker 1>and I want to say this might have been eight

0:23:51.320 --> 0:23:57.360
<v Speaker 1>arguably the top three music genre in the world. If

0:23:57.440 --> 0:24:01.720
<v Speaker 1>you got nine country and what ston categories that you're televising,

0:24:02.240 --> 0:24:05.159
<v Speaker 1>then you're gonna televise one of these hip hop categories

0:24:06.040 --> 0:24:09.080
<v Speaker 1>because on the scale, it should be up there every

0:24:09.200 --> 0:24:12.400
<v Speaker 1>hip hop category and should be up there based off

0:24:12.480 --> 0:24:15.240
<v Speaker 1>of the level of the music. And so for them

0:24:15.320 --> 0:24:17.359
<v Speaker 1>to kind of disrespect it, and this was at a

0:24:17.440 --> 0:24:20.480
<v Speaker 1>point in time that you had radio and talk show

0:24:20.560 --> 0:24:24.119
<v Speaker 1>hosts that were blatantly saying hip hop is a faddis.

0:24:25.080 --> 0:24:34.399
<v Speaker 1>So you're together, y'a boycott the after ye we were just,

0:24:34.560 --> 0:24:37.199
<v Speaker 1>you know, we got together, Salt and Pepper, everybody who

0:24:37.240 --> 0:24:39.160
<v Speaker 1>was nominated, and we were just like, we're not going.

0:24:39.520 --> 0:24:42.040
<v Speaker 1>We're gonna go to all of the functions and we're

0:24:42.040 --> 0:24:44.480
<v Speaker 1>gonna talk about why we're not going because they not

0:24:44.600 --> 0:24:46.960
<v Speaker 1>only were we nominated, but they wanted me and Will

0:24:47.040 --> 0:24:50.080
<v Speaker 1>to perform. So we were like NA and understand at

0:24:50.119 --> 0:24:52.320
<v Speaker 1>that time saying no, you don't know if this is

0:24:52.400 --> 0:24:54.159
<v Speaker 1>the kiss of death, Like are you in a position

0:24:54.200 --> 0:24:56.960
<v Speaker 1>to say nothing that they're just gonna say? You know,

0:24:57.119 --> 0:25:01.440
<v Speaker 1>but everybody kind of banded together. Um, and that's why,

0:25:02.359 --> 0:25:05.000
<v Speaker 1>you know, hip hop has kind of for for a

0:25:05.080 --> 0:25:07.359
<v Speaker 1>while kind of gotten to be a staple in the

0:25:07.440 --> 0:25:12.600
<v Speaker 1>grand news. But you also watched when you started when

0:25:12.640 --> 0:25:16.000
<v Speaker 1>people started making real money in hip hop, and they

0:25:16.080 --> 0:25:19.639
<v Speaker 1>started noticing when it got to a point that somebody

0:25:19.720 --> 0:25:25.480
<v Speaker 1>like mc hammer sold twelve million records and now you know,

0:25:25.640 --> 0:25:28.200
<v Speaker 1>through media you're starting to see the fruits of his

0:25:28.359 --> 0:25:31.520
<v Speaker 1>labor more then people. Then you started to realize corporate

0:25:31.560 --> 0:25:34.320
<v Speaker 1>America is going to turn in. It's no different than

0:25:34.720 --> 0:25:37.240
<v Speaker 1>the DJ culture. You know, I'm in DJ and for

0:25:37.560 --> 0:25:41.480
<v Speaker 1>thirty something years, so being inside the bubble before the

0:25:41.560 --> 0:25:45.840
<v Speaker 1>bubble got big, you got DJs into making six hundred

0:25:45.840 --> 0:25:50.960
<v Speaker 1>thousand dollars a night a night, I'm like, yo, But

0:25:51.200 --> 0:25:56.080
<v Speaker 1>all of that happened when corporate America realized. As soon

0:25:56.160 --> 0:25:59.680
<v Speaker 1>as you put Calvin Harris made sixty seven million dollars

0:25:59.760 --> 0:26:03.840
<v Speaker 1>in orbs. Now everybody wants to be a DJ because

0:26:03.880 --> 0:26:07.040
<v Speaker 1>it's now it's big business, so you start, you know,

0:26:07.119 --> 0:26:10.920
<v Speaker 1>I think I think there's a level of hip hop

0:26:11.800 --> 0:26:15.520
<v Speaker 1>that does not belong to hip hop and like sub

0:26:15.600 --> 0:26:18.600
<v Speaker 1>genre type of stuff or just you know what, I

0:26:18.680 --> 0:26:23.760
<v Speaker 1>don't believe that. I don't believe that a lot of

0:26:23.880 --> 0:26:27.840
<v Speaker 1>the commercial hip hop that's on the radio is picked

0:26:27.920 --> 0:26:32.840
<v Speaker 1>by the fans for sure, like something like like trust me,

0:26:33.000 --> 0:26:38.160
<v Speaker 1>They're just like yeah, So it's kind of like it's

0:26:38.200 --> 0:26:41.600
<v Speaker 1>almost like they're never gonna say it, but we we

0:26:41.720 --> 0:26:43.879
<v Speaker 1>let you hear what we want you to hear. Like

0:26:44.000 --> 0:26:47.160
<v Speaker 1>that's why the underground has always been a certain level

0:26:47.280 --> 0:26:50.399
<v Speaker 1>of purity because you can't really control that, Like you

0:26:50.480 --> 0:26:53.240
<v Speaker 1>gotta seek and look for stuff. But the stuff you're saying,

0:26:53.280 --> 0:26:56.680
<v Speaker 1>like a label can pay for the next that it's

0:26:56.680 --> 0:26:58.800
<v Speaker 1>just terrible, you know, but it's just kind of like

0:26:59.119 --> 0:27:01.280
<v Speaker 1>you don't realize that you don't have that level of control.

0:27:01.680 --> 0:27:04.080
<v Speaker 1>But that level of control is only because of the money.

0:27:04.640 --> 0:27:07.879
<v Speaker 1>As a DJ, have you ever as a person ever

0:27:07.960 --> 0:27:09.800
<v Speaker 1>came to you and said, ye'all want to pay you

0:27:10.119 --> 0:27:13.200
<v Speaker 1>to play my records? Every time you spend like no,

0:27:13.560 --> 0:27:18.440
<v Speaker 1>I mean no, and I've been fortunate enough to keep

0:27:18.560 --> 0:27:21.639
<v Speaker 1>myself out of the circle. You know that. It's just

0:27:21.760 --> 0:27:23.840
<v Speaker 1>kind of like, because that's what's the new thing now,

0:27:24.080 --> 0:27:26.800
<v Speaker 1>DJ is kind of big. Artists go to them, pay

0:27:26.840 --> 0:27:29.600
<v Speaker 1>the dji him three grand and the DJ playing him

0:27:29.640 --> 0:27:32.159
<v Speaker 1>and then and he's the only DJ playing up. So

0:27:32.240 --> 0:27:34.199
<v Speaker 1>it's kind of like, you know, you know he got

0:27:34.720 --> 0:27:36.879
<v Speaker 1>because it's like no one else playing, you know what

0:27:36.920 --> 0:27:39.480
<v Speaker 1>I'm saying. So, I mean, I think that lowers the

0:27:39.640 --> 0:27:41.920
<v Speaker 1>integrity of a DJ. How about you here. I know,

0:27:41.960 --> 0:27:45.040
<v Speaker 1>I'm sorry. It happens like said, you know, you use

0:27:45.200 --> 0:27:47.359
<v Speaker 1>DJ in a lot in a couple of times and

0:27:47.560 --> 0:27:49.080
<v Speaker 1>person came up to you. It was like, y'all over

0:27:49.160 --> 0:27:52.680
<v Speaker 1>your described. You don't have to you know, don't please

0:27:53.480 --> 0:27:56.880
<v Speaker 1>give you as okay right now, just my record? Oh wow,

0:27:57.160 --> 0:28:02.560
<v Speaker 1>what I'm saying happen often. It okay, yeah, but you

0:28:02.600 --> 0:28:04.359
<v Speaker 1>know they're doing that now, like I think all this

0:28:04.440 --> 0:28:07.439
<v Speaker 1>we're talking about, Yeah, but it's now it's like social

0:28:07.480 --> 0:28:09.760
<v Speaker 1>media is almost becoming the DJ two. Now they're paying

0:28:09.800 --> 0:28:12.240
<v Speaker 1>people on social media to do something, to record, to

0:28:12.240 --> 0:28:15.560
<v Speaker 1>play a record, like yeah, I heard that, I'm paying

0:28:15.560 --> 0:28:18.080
<v Speaker 1>people to stream records now, so there's like companies in

0:28:18.160 --> 0:28:21.679
<v Speaker 1>Japan and everything he's saying about like how people aren't

0:28:21.680 --> 0:28:24.080
<v Speaker 1>really choosing anything. Algorithms is the same thing, like you

0:28:24.240 --> 0:28:26.639
<v Speaker 1>think you're picking something, but it's being chosen for you.

0:28:27.080 --> 0:28:29.600
<v Speaker 1>But but is it our choice to turn on the

0:28:29.680 --> 0:28:32.000
<v Speaker 1>radio and then know these songs? Because some of these

0:28:32.000 --> 0:28:35.800
<v Speaker 1>songs I hate, but I know every word of that's

0:28:37.119 --> 0:28:39.840
<v Speaker 1>program A programmer told me that they actually have a

0:28:39.920 --> 0:28:43.280
<v Speaker 1>mathematical equation that they know if they play a record

0:28:43.280 --> 0:28:46.440
<v Speaker 1>a certain amount of times and the day it's gonna

0:28:46.480 --> 0:28:52.520
<v Speaker 1>get stuck in your head. Have you been disgusted from

0:28:52.600 --> 0:29:01.680
<v Speaker 1>hip hop yet? Yeah? I wasn't say he kept too positive.

0:29:01.760 --> 0:29:06.640
<v Speaker 1>You don't say no, Yeah. I mean the funny thing is,

0:29:06.800 --> 0:29:10.520
<v Speaker 1>I think I've been just disgusted at some level moment

0:29:10.640 --> 0:29:13.920
<v Speaker 1>from the beginning, Like there's a listen, there's always been

0:29:13.920 --> 0:29:15.600
<v Speaker 1>a good size and a bad side. I said that,

0:29:15.920 --> 0:29:18.880
<v Speaker 1>there's always like I'm like, yo, this didn't just start

0:29:19.480 --> 0:29:21.320
<v Speaker 1>that it was bad hip hop. It was bad hip

0:29:21.320 --> 0:29:25.320
<v Speaker 1>hop in the night, you know, but it's just it's

0:29:25.360 --> 0:29:29.320
<v Speaker 1>so much more good that you gave. Felt like the

0:29:29.960 --> 0:29:33.720
<v Speaker 1>good outweigh the bad. Now that's why I'm a problem

0:29:33.760 --> 0:29:36.200
<v Speaker 1>with saying sub genres in hip hop, I think it

0:29:36.200 --> 0:29:38.280
<v Speaker 1>should just be good hip hop and bad hip hop.

0:29:38.840 --> 0:29:41.160
<v Speaker 1>Can't know because it's been bad. You start making excuses

0:29:41.200 --> 0:29:43.440
<v Speaker 1>for ship, you know, like, oh no, because this is

0:29:43.520 --> 0:29:46.040
<v Speaker 1>I'm this genre of hip hop. You know, I can't

0:29:46.080 --> 0:29:49.800
<v Speaker 1>say good and bad because just because I don't like

0:29:49.880 --> 0:29:53.320
<v Speaker 1>it and subjective. No, I'm saying it subjective. I'm not

0:29:53.400 --> 0:29:56.680
<v Speaker 1>saying that it's automatic whatever you think it's good and bad.

0:29:57.240 --> 0:29:59.280
<v Speaker 1>Oh yeah, I still I don't want to call it

0:29:59.560 --> 0:30:02.200
<v Speaker 1>bad as I don't like it. Like there's certain people,

0:30:02.440 --> 0:30:04.200
<v Speaker 1>there's certain artists that I don't like them, but I

0:30:04.320 --> 0:30:06.800
<v Speaker 1>get why other people like them, you know what I'm saying.

0:30:06.880 --> 0:30:08.920
<v Speaker 1>And it's like, so I don't want I wouldn't want

0:30:08.920 --> 0:30:12.320
<v Speaker 1>to call them back, but I can't. I can never

0:30:12.440 --> 0:30:16.200
<v Speaker 1>criticize somebody that I don't like because I don't eat cheese.

0:30:17.240 --> 0:30:20.520
<v Speaker 1>I don't think people who eat cheese are bad. It's

0:30:20.600 --> 0:30:23.200
<v Speaker 1>just something that I don't do. So it's just kind

0:30:23.240 --> 0:30:25.600
<v Speaker 1>of like, you know, if it's stuff that you don't do,

0:30:25.720 --> 0:30:29.080
<v Speaker 1>now it gets a little interesting. As a DJ, you

0:30:29.240 --> 0:30:34.200
<v Speaker 1>have you gotta figure but you gotta you gotta figure out, yeah,

0:30:34.440 --> 0:30:37.120
<v Speaker 1>you know, and and there's some people that won't draw

0:30:37.240 --> 0:30:40.400
<v Speaker 1>the line, you know, or or draw a hard line

0:30:40.680 --> 0:30:43.760
<v Speaker 1>at curating, and you know, I think it's once again

0:30:43.840 --> 0:30:47.120
<v Speaker 1>it's subjective. It's kind of like, you know, what type

0:30:47.160 --> 0:30:49.920
<v Speaker 1>of DJI are you? But that's why the DJ is

0:30:50.000 --> 0:30:52.400
<v Speaker 1>own entity as an artist, because people buy into what

0:30:52.600 --> 0:30:54.680
<v Speaker 1>your tasted. Yes, you have a DJ, and that somebody

0:30:54.760 --> 0:30:56.400
<v Speaker 1>came with you is like play some to COPSI six

0:30:56.480 --> 0:31:02.440
<v Speaker 1>times now, because once again, if you're smart, you know

0:31:02.600 --> 0:31:05.520
<v Speaker 1>how to navigate yourself that you're not putting yourself and

0:31:05.600 --> 0:31:09.400
<v Speaker 1>I'm situations. I had a Vegas residency for seven years.

0:31:10.080 --> 0:31:13.520
<v Speaker 1>You know, me and DJ A M you know, had

0:31:14.080 --> 0:31:17.840
<v Speaker 1>great times in Vegas because we would pushed out of it.

0:31:18.000 --> 0:31:21.000
<v Speaker 1>It was, you know, like I always had a massive

0:31:21.080 --> 0:31:23.000
<v Speaker 1>level of respect for him. I never forget one of

0:31:23.000 --> 0:31:24.920
<v Speaker 1>the first time that I went to Vegas and he

0:31:25.080 --> 0:31:29.800
<v Speaker 1>was playing and I walked in and it's two thousand people,

0:31:30.000 --> 0:31:32.640
<v Speaker 1>it's one thirty at night, and he was like, yo,

0:31:33.280 --> 0:31:35.440
<v Speaker 1>did you did you hit a new Bob Deep record?

0:31:35.480 --> 0:31:37.000
<v Speaker 1>And I was like no, and he was like y'all

0:31:37.960 --> 0:31:40.040
<v Speaker 1>And I said, what then are you doing? But like

0:31:40.280 --> 0:31:43.080
<v Speaker 1>he just dropped it. But there was a level of

0:31:43.120 --> 0:31:45.479
<v Speaker 1>respect that I had for that, and he's kind of like, Yo,

0:31:46.080 --> 0:31:48.960
<v Speaker 1>I'm the DJ, I'm the train conductor. Everybody's on my train.

0:31:49.040 --> 0:31:52.040
<v Speaker 1>They're gonna go wherever I take him, you know, And

0:31:52.400 --> 0:31:55.400
<v Speaker 1>you respected that. But you also saw throughout the years

0:31:55.840 --> 0:31:59.880
<v Speaker 1>Vegas change. You know, you you they got a list

0:32:00.840 --> 0:32:03.360
<v Speaker 1>this is what we want you to play. Listen, I

0:32:03.480 --> 0:32:06.840
<v Speaker 1>played Vegas, have to play a record that you didn't like,

0:32:06.960 --> 0:32:09.200
<v Speaker 1>but you knew that this was popping for the crowd. Oh,

0:32:09.240 --> 0:32:11.160
<v Speaker 1>I do that all the time. I'll do it. But

0:32:11.440 --> 0:32:15.640
<v Speaker 1>but like I said, it's which is a whole another conversation.

0:32:17.160 --> 0:32:23.720
<v Speaker 1>You gotta understand the definition the the goal of the

0:32:23.880 --> 0:32:27.400
<v Speaker 1>DJ or the job description of the DJs. You are

0:32:27.480 --> 0:32:30.880
<v Speaker 1>a servant of the people. You're not a servant of yourself.

0:32:31.760 --> 0:32:34.520
<v Speaker 1>You're a servant of the people that your job is

0:32:34.600 --> 0:32:37.440
<v Speaker 1>to play what the people like. It depends on how

0:32:37.560 --> 0:32:40.480
<v Speaker 1>much work, depending on how much you want to play

0:32:40.760 --> 0:32:42.600
<v Speaker 1>that the people like. There are some people that draw

0:32:42.680 --> 0:32:46.280
<v Speaker 1>the line. I am completely respectful for the the the

0:32:46.640 --> 0:32:49.239
<v Speaker 1>keep it real DJ and I only played nineties hip

0:32:49.280 --> 0:32:51.880
<v Speaker 1>hop and all of that said that, I'm with that,

0:32:52.240 --> 0:32:54.800
<v Speaker 1>But if there's only one nineties hip hop party of month.

0:32:55.120 --> 0:32:57.200
<v Speaker 1>Then you can't complain about the work you're gonna Like,

0:32:57.320 --> 0:32:59.280
<v Speaker 1>you can't say I want to play nineties music but

0:32:59.320 --> 0:33:01.520
<v Speaker 1>somebody on the book me every night, But you can't.

0:33:01.800 --> 0:33:03.720
<v Speaker 1>You can't have it both ways. But it's kind of

0:33:03.760 --> 0:33:06.400
<v Speaker 1>like you have to decipher how much of a servant

0:33:06.480 --> 0:33:09.480
<v Speaker 1>of the people you're going to be, you know, and

0:33:09.840 --> 0:33:12.840
<v Speaker 1>I may have to play that Takashi six nine record,

0:33:13.280 --> 0:33:15.600
<v Speaker 1>you know, and you know, depending on how you want

0:33:15.600 --> 0:33:19.760
<v Speaker 1>to walk it. All Right, well, I got it. I

0:33:19.840 --> 0:33:26.320
<v Speaker 1>download a little leog album. I'm trying. I'm trying to

0:33:26.360 --> 0:33:41.800
<v Speaker 1>stay you know with the new batteries again at batteries right, yeah, yeah,

0:33:43.720 --> 0:33:59.160
<v Speaker 1>just going on left right out of me. We're ready.

0:34:00.800 --> 0:34:02.840
<v Speaker 1>So didn't you'll have to like be for MC searchs

0:34:02.960 --> 0:34:07.600
<v Speaker 1>or something like that. Man, I don't know, happy for

0:34:07.680 --> 0:34:10.680
<v Speaker 1>some somebody. Gotta we gotta have some for somebody. Happy

0:34:10.840 --> 0:34:16.520
<v Speaker 1>for somebody. You really could get through a hip hop

0:34:16.600 --> 0:34:23.680
<v Speaker 1>like that. Listen, it ain't over. It's that's that's true.

0:34:23.880 --> 0:34:26.680
<v Speaker 1>So like you know, um, you're speaking only when you

0:34:26.800 --> 0:34:34.000
<v Speaker 1>first Matt will right, Um, he is a lee like

0:34:34.239 --> 0:34:37.360
<v Speaker 1>you know, of our people right like this is that

0:34:37.440 --> 0:34:39.759
<v Speaker 1>they probably won't ever be a Will Smith. Did you

0:34:39.880 --> 0:34:43.000
<v Speaker 1>see that from him? Again? All Day? Get All Day,

0:34:44.040 --> 0:34:47.600
<v Speaker 1>All Day, Um, one of the first shows that we did.

0:34:47.840 --> 0:34:49.719
<v Speaker 1>And I used to play all the noise moments in

0:34:49.840 --> 0:34:51.759
<v Speaker 1>love and he would do girls, Ain't that in My

0:34:51.840 --> 0:34:56.680
<v Speaker 1>Trouble over there? And I remember watching three hundred people

0:34:57.760 --> 0:35:01.800
<v Speaker 1>stared at his mouth, hang on every word of a

0:35:01.960 --> 0:35:05.080
<v Speaker 1>story because they're visualizing the story. And I was like,

0:35:05.200 --> 0:35:09.879
<v Speaker 1>that's power when you can communicate like that, that's power. Wow,

0:35:10.880 --> 0:35:13.399
<v Speaker 1>Like all day And you knew he would he would

0:35:13.400 --> 0:35:16.040
<v Speaker 1>be this guy like you know some of the movies

0:35:16.239 --> 0:35:18.359
<v Speaker 1>because at the end of the day, he represents hip hop, right,

0:35:18.440 --> 0:35:21.320
<v Speaker 1>and like I love the fact, like you know, somebody

0:35:21.360 --> 0:35:25.280
<v Speaker 1>I idolized because I wanted to continue to be involved

0:35:25.320 --> 0:35:27.120
<v Speaker 1>with him, popular wanted to do other things. I just

0:35:27.160 --> 0:35:29.279
<v Speaker 1>want to do it my way. So I'm doing it

0:35:29.440 --> 0:35:32.120
<v Speaker 1>my version of you know what I'm saying. But when

0:35:32.160 --> 0:35:35.000
<v Speaker 1>you look at like like some of the movies he did,

0:35:35.080 --> 0:35:40.160
<v Speaker 1>like he's crying on impulse, Like how do you do that? Listen?

0:35:40.840 --> 0:35:42.880
<v Speaker 1>I've seen him do that with his girl back in

0:35:42.920 --> 0:35:49.560
<v Speaker 1>the door. I seen him getting some trouble and you

0:35:49.600 --> 0:35:54.279
<v Speaker 1>could try and I said, how did you trying to

0:35:54.320 --> 0:35:58.759
<v Speaker 1>sque like. I was like, yo, like that's I don't

0:35:58.760 --> 0:36:06.000
<v Speaker 1>know how you even get that look like I spitting

0:36:06.040 --> 0:36:12.759
<v Speaker 1>on like so yeah, like he had it. You see

0:36:12.800 --> 0:36:20.279
<v Speaker 1>that from back then? Yeah, it's pre recorded this hell.

0:36:21.680 --> 0:36:24.520
<v Speaker 1>You know. I was like, you're the best day ever?

0:36:24.640 --> 0:36:28.320
<v Speaker 1>Did it? And that is acting? That is acting, is

0:36:28.360 --> 0:36:32.120
<v Speaker 1>acting on impulse. That that's something I tried to do

0:36:32.239 --> 0:36:34.480
<v Speaker 1>that I can't. I ain't got it. Yeah, that's that's it.

0:36:35.040 --> 0:36:38.759
<v Speaker 1>I ain't Yeah, trying to get man thinking about like that,

0:36:39.160 --> 0:36:41.879
<v Speaker 1>that's like that it wouldn't work for me. That's why

0:36:41.880 --> 0:36:43.400
<v Speaker 1>I know. I ain't got it. Man, I ain't got

0:36:43.560 --> 0:36:45.279
<v Speaker 1>but yet certain people could do that. But I just

0:36:45.760 --> 0:36:48.760
<v Speaker 1>you know, for hip hop him l l ice Cube,

0:36:49.560 --> 0:36:52.120
<v Speaker 1>I like, look at and you know a lot of times,

0:36:52.200 --> 0:36:55.200
<v Speaker 1>you know, people claim them as actors and I been

0:36:55.239 --> 0:36:58.520
<v Speaker 1>wanting to stop them, like like they hip hop first,

0:36:58.760 --> 0:37:00.439
<v Speaker 1>Like you know what I'm saying, Like they hip hop

0:37:00.880 --> 0:37:04.880
<v Speaker 1>and UM to see the to see the position that

0:37:05.600 --> 0:37:08.160
<v Speaker 1>you know, they've took it it to for us to

0:37:08.280 --> 0:37:11.040
<v Speaker 1>continue to go, it's just amazing, man. It was. It

0:37:11.160 --> 0:37:13.600
<v Speaker 1>was hard in the beginning because people people thought that

0:37:14.480 --> 0:37:17.879
<v Speaker 1>they fought well when when when he got the TV show.

0:37:17.920 --> 0:37:20.840
<v Speaker 1>It was a lot of backlash because for some reason,

0:37:21.040 --> 0:37:29.040
<v Speaker 1>just the industry, hip hop industry, you know, UM and TV. Right, No,

0:37:29.280 --> 0:37:31.200
<v Speaker 1>it wasn't even settling out. It was almost like we

0:37:31.640 --> 0:37:33.799
<v Speaker 1>had this weird thing that people thought you can only

0:37:33.880 --> 0:37:36.680
<v Speaker 1>do one thing exactly. It was like your hip hop

0:37:36.760 --> 0:37:39.000
<v Speaker 1>and you're gonna be hip hop until the day that

0:37:39.040 --> 0:37:40.279
<v Speaker 1>you die. It's kind of like, you know, I like

0:37:40.440 --> 0:37:43.360
<v Speaker 1>other stuff, you know, like and all of that stuff

0:37:43.520 --> 0:37:46.520
<v Speaker 1>is super accepted now that I wasn't accepted in the beginning.

0:37:46.960 --> 0:37:50.640
<v Speaker 1>Like people fought and just like you, you're trying to

0:37:50.719 --> 0:37:53.880
<v Speaker 1>act like what are you doing because it was you guys.

0:37:54.040 --> 0:37:56.959
<v Speaker 1>Latifa was doing that too, And I remember like people

0:37:57.080 --> 0:37:59.320
<v Speaker 1>saying like but but they were using like that that

0:37:59.400 --> 0:38:01.600
<v Speaker 1>sound out like they were using us word because but

0:38:01.680 --> 0:38:03.680
<v Speaker 1>you know what, you know what that I mean back

0:38:03.719 --> 0:38:05.080
<v Speaker 1>in the days when they were saying to sell out

0:38:05.080 --> 0:38:08.120
<v Speaker 1>that meant you just get money, Like I know what's about.

0:38:08.120 --> 0:38:10.280
<v Speaker 1>It was like they were hats back in the days,

0:38:10.400 --> 0:38:12.440
<v Speaker 1>like if you was a something that means you was wretched,

0:38:12.520 --> 0:38:17.719
<v Speaker 1>let's make some noise for that. Goddamnity. I'm talking about

0:38:17.719 --> 0:38:20.040
<v Speaker 1>the show. One of my favorite songs of all time,

0:38:20.400 --> 0:38:23.680
<v Speaker 1>the Summertime talk to us about the making. Did you

0:38:23.719 --> 0:38:25.200
<v Speaker 1>guys know that record was gonna be as big as

0:38:25.200 --> 0:38:27.960
<v Speaker 1>if he Can? I remember watching the video for the

0:38:28.000 --> 0:38:30.240
<v Speaker 1>first time on the show. Wouldn't they and their intermation

0:38:30.320 --> 0:38:32.560
<v Speaker 1>or something like, let me tell you something. I judge

0:38:32.600 --> 0:38:37.719
<v Speaker 1>people barbecues, but based on if they play summer Time

0:38:37.840 --> 0:38:40.040
<v Speaker 1>or not. Nigger. If they don't play smer Time about

0:38:40.040 --> 0:38:45.000
<v Speaker 1>your food is tracked. She got not cant doing nothing else, dude.

0:38:45.120 --> 0:38:47.040
<v Speaker 1>But if I don't here Summertime, I own them. At

0:38:47.120 --> 0:38:49.120
<v Speaker 1>least just put your food down. I'm sorry. I throw

0:38:49.160 --> 0:38:50.839
<v Speaker 1>it out there to mean sorry, I got I got

0:38:50.920 --> 0:38:54.840
<v Speaker 1>a little clearer. I mean, you know we um it

0:38:54.960 --> 0:38:56.759
<v Speaker 1>was funny. That was the first year that Will was

0:38:56.840 --> 0:39:01.760
<v Speaker 1>on the show. Um. And you know we east ghost fall,

0:39:02.239 --> 0:39:05.040
<v Speaker 1>leaves turn brown, get a little chilly there. You're jacking

0:39:05.080 --> 0:39:08.200
<v Speaker 1>off winter snow. You got your bomber ski hat. Spring,

0:39:09.239 --> 0:39:11.400
<v Speaker 1>you know, first day of spring and seventy degrees. We

0:39:11.520 --> 0:39:13.640
<v Speaker 1>go overboard and we don'ta throw some shorts on and

0:39:14.120 --> 0:39:16.879
<v Speaker 1>think think think it's hot. But you see the girl

0:39:17.000 --> 0:39:18.640
<v Speaker 1>that you ain't seen all something, and she got a

0:39:18.640 --> 0:39:21.080
<v Speaker 1>little thick. Your man got a new car and he

0:39:21.440 --> 0:39:24.560
<v Speaker 1>he now shining. And what happened was he was in

0:39:24.840 --> 0:39:28.239
<v Speaker 1>l A. So it's ninety in the in the winter.

0:39:28.880 --> 0:39:33.360
<v Speaker 1>So I remember him calling me in the spring, you know,

0:39:33.440 --> 0:39:35.480
<v Speaker 1>the first nice day we had. It was just like yo,

0:39:35.560 --> 0:39:37.080
<v Speaker 1>what's up? And I'm just like yo, So I just

0:39:37.160 --> 0:39:40.480
<v Speaker 1>said she ball, she stocked now and set us just

0:39:40.600 --> 0:39:42.640
<v Speaker 1>got a new car and set us up, you know,

0:39:43.280 --> 0:39:46.520
<v Speaker 1>and he was like, damn, I missed that, Like and

0:39:46.600 --> 0:39:49.359
<v Speaker 1>I never thought about that, Like, Yo, you don't get

0:39:49.400 --> 0:39:52.360
<v Speaker 1>the seasons changing, so you don't have that in nostalgia.

0:39:52.360 --> 0:39:55.719
<v Speaker 1>It's a little bit different, you know. You know, it's

0:39:55.800 --> 0:40:00.400
<v Speaker 1>it's nineties Christmas. So that was the inspire easing that

0:40:00.440 --> 0:40:04.240
<v Speaker 1>it was like, yo, like I'm I missed summertime in Philly.

0:40:04.320 --> 0:40:07.400
<v Speaker 1>I missed these nuances. And it was crazy because not

0:40:07.640 --> 0:40:11.640
<v Speaker 1>realizing that every place has their own nuance didn't have

0:40:11.760 --> 0:40:14.279
<v Speaker 1>to be what he talked about, Um, yeah, that's a

0:40:14.360 --> 0:40:16.359
<v Speaker 1>universal record. And it was kind of like we put

0:40:16.440 --> 0:40:20.480
<v Speaker 1>the record out and you know, it was everybody loved

0:40:20.520 --> 0:40:24.120
<v Speaker 1>it or something like it. You know. But then what

0:40:24.239 --> 0:40:26.120
<v Speaker 1>happened was the next summer came and you was kind

0:40:26.120 --> 0:40:27.600
<v Speaker 1>of like, okay, that ship is over with and then

0:40:27.600 --> 0:40:30.880
<v Speaker 1>it's kind of like it's here again. And then the

0:40:30.960 --> 0:40:33.080
<v Speaker 1>next summer came and it was it was here again,

0:40:33.200 --> 0:40:36.520
<v Speaker 1>and it was kind of like to me as an artist,

0:40:37.120 --> 0:40:41.360
<v Speaker 1>we dreamed to have something that never dies. Yes, you

0:40:41.520 --> 0:40:46.000
<v Speaker 1>dream to have that legacy record that you know sometimes

0:40:46.000 --> 0:40:48.279
<v Speaker 1>it's gonna be three thousand years old. Yeah, it's gonna

0:40:48.560 --> 0:40:52.120
<v Speaker 1>be and you can't you can't plays. We can go

0:40:52.160 --> 0:40:55.200
<v Speaker 1>to Mars. We can still still here summertimes. All right,

0:40:55.719 --> 0:40:59.320
<v Speaker 1>I'm gonna be honest. I'll tell you that that is

0:40:59.400 --> 0:41:02.880
<v Speaker 1>a unit virtue. Today is a good day, ice Cube,

0:41:03.200 --> 0:41:05.520
<v Speaker 1>That's one of them. Whenever you have a good day, whenever,

0:41:05.640 --> 0:41:07.640
<v Speaker 1>like ship is real, Like you just gotta listen to

0:41:07.719 --> 0:41:12.120
<v Speaker 1>ice Cube. But I was about when you know that

0:41:12.440 --> 0:41:16.840
<v Speaker 1>it's springs, like because it's a certain smell spring is leaving,

0:41:17.520 --> 0:41:21.279
<v Speaker 1>and when you know where summer is coming, and I

0:41:21.440 --> 0:41:27.399
<v Speaker 1>just need to hear that something. Somebody's car. See, I'm

0:41:27.400 --> 0:41:29.440
<v Speaker 1>a barb with you guy me so I got the

0:41:29.520 --> 0:41:31.560
<v Speaker 1>head of the barbercue. I'm gonna going out of there. Man,

0:41:31.560 --> 0:41:37.200
<v Speaker 1>I'll take it personal. So so you guys, uh, you

0:41:37.440 --> 0:41:42.000
<v Speaker 1>you go on tour. Uh he does h the fresh

0:41:42.000 --> 0:41:44.520
<v Speaker 1>Princess that he starts going into into movies. Who was

0:41:44.600 --> 0:41:47.719
<v Speaker 1>the first one Independence Day? Uh? No, he did the Fish.

0:41:47.760 --> 0:41:50.960
<v Speaker 1>First movie was, uh, I want to say this movie

0:41:51.000 --> 0:41:53.200
<v Speaker 1>called Where the Day Takes You, but I think he

0:41:53.239 --> 0:41:55.880
<v Speaker 1>played a homeless man. But it was kind of like

0:41:56.000 --> 0:41:59.040
<v Speaker 1>his first like trying to getting getting into it. And

0:41:59.160 --> 0:42:02.520
<v Speaker 1>then um, he did uh the thing with Nia and

0:42:02.640 --> 0:42:06.440
<v Speaker 1>Ted dancing and Whoopie Goldberg. I forgot the name of that. Um,

0:42:07.880 --> 0:42:10.680
<v Speaker 1>but it was just you know, you started seeing you

0:42:10.719 --> 0:42:14.200
<v Speaker 1>started seeing the roles coming. Um that the first time

0:42:14.320 --> 0:42:18.959
<v Speaker 1>hip hop is actually interim movie world. Yeah, to that level,

0:42:19.760 --> 0:42:23.279
<v Speaker 1>because you know it was funny. Um, you know, there

0:42:23.360 --> 0:42:25.759
<v Speaker 1>was a bunch of people that kind of came up.

0:42:25.880 --> 0:42:31.080
<v Speaker 1>Queen was doing it for the female and yeah you

0:42:31.280 --> 0:42:38.320
<v Speaker 1>do it and wrong new Jack but there's no rapper

0:42:39.960 --> 0:42:43.400
<v Speaker 1>ye okay, okay, but New Jack City came out. I

0:42:43.440 --> 0:42:45.040
<v Speaker 1>mean we went to the screen of New Jack City,

0:42:45.320 --> 0:42:47.759
<v Speaker 1>I want to set the fresh prints. So it was

0:42:47.880 --> 0:42:50.440
<v Speaker 1>kind of like everybody was trying to get their field,

0:42:51.120 --> 0:42:52.880
<v Speaker 1>you know, And then it was I think what it

0:42:53.080 --> 0:42:56.640
<v Speaker 1>was we were also stereotyped as rappers that it's kind

0:42:56.680 --> 0:42:58.920
<v Speaker 1>of like you gotta play the role that he played

0:42:59.360 --> 0:43:02.719
<v Speaker 1>and New Jack's City, UM, and I think, um, you know,

0:43:02.840 --> 0:43:06.160
<v Speaker 1>Will would kind of play this funny guy. And you know,

0:43:06.840 --> 0:43:11.320
<v Speaker 1>I remember when he did that movie, um, six Degrees

0:43:11.360 --> 0:43:16.560
<v Speaker 1>of Separation, UM, and I remember him talking about, like, Yo,

0:43:16.680 --> 0:43:19.279
<v Speaker 1>I'm there's certain you know, black directors and people that

0:43:19.320 --> 0:43:21.360
<v Speaker 1>I want to work with that I can't seem to

0:43:21.400 --> 0:43:25.560
<v Speaker 1>break through. And when he did that movie, that movie

0:43:25.760 --> 0:43:30.880
<v Speaker 1>was so far left and he did such a great

0:43:31.040 --> 0:43:35.239
<v Speaker 1>job that it separated him from everybody else that it

0:43:35.360 --> 0:43:37.160
<v Speaker 1>got to the point that it's kind of like, down,

0:43:37.840 --> 0:43:40.759
<v Speaker 1>I'm getting calls from everybody. But I remember, you know

0:43:40.880 --> 0:43:43.960
<v Speaker 1>when when when he did that was probably one of

0:43:44.040 --> 0:43:49.640
<v Speaker 1>the first times that I realized how in depth being

0:43:49.680 --> 0:43:55.759
<v Speaker 1>an actor is, because like it was crazy because we

0:43:55.880 --> 0:43:58.880
<v Speaker 1>were going through a little bit of a friction, and

0:43:59.640 --> 0:44:02.319
<v Speaker 1>the the mood that he had to get into play

0:44:02.440 --> 0:44:06.600
<v Speaker 1>that role offered a lot of compassion and that kind

0:44:06.640 --> 0:44:10.760
<v Speaker 1>of enabled us to sit down and squash whatever friction

0:44:10.840 --> 0:44:14.000
<v Speaker 1>that we had. But it was wild because he was like, yo,

0:44:14.200 --> 0:44:17.239
<v Speaker 1>you know, like sometimes you go these places and you

0:44:17.880 --> 0:44:20.800
<v Speaker 1>you don't know how to get back, you know, because

0:44:21.400 --> 0:44:23.120
<v Speaker 1>you know, like it's the whole thing that you know,

0:44:23.560 --> 0:44:26.960
<v Speaker 1>like they said, Denzel becomes every character he is. I

0:44:27.120 --> 0:44:30.759
<v Speaker 1>watched that what I watched the entire time that Will

0:44:30.960 --> 0:44:35.520
<v Speaker 1>did alive. He never spoke to me out of Ali's character.

0:44:35.840 --> 0:44:40.400
<v Speaker 1>And it was the weirdest ship in the world. Listen.

0:44:40.800 --> 0:44:42.120
<v Speaker 1>He would talk to me to the point that I

0:44:42.200 --> 0:44:44.560
<v Speaker 1>had to get off the phone because he would talk

0:44:44.600 --> 0:44:49.360
<v Speaker 1>to me as mannerisms and all, you know, And I'm like,

0:44:49.600 --> 0:44:51.239
<v Speaker 1>you know, you laughing off because I'm waiting for you

0:44:51.320 --> 0:44:53.839
<v Speaker 1>to break and he would never break. And I'll call

0:44:53.880 --> 0:44:56.960
<v Speaker 1>you back, you know, but you realize how deep you

0:44:57.000 --> 0:45:01.000
<v Speaker 1>got to get into that. I think it's called us.

0:45:01.400 --> 0:45:02.920
<v Speaker 1>I was on the set with some dude right that

0:45:03.320 --> 0:45:05.960
<v Speaker 1>it's not pretty, it's not that cool because like he

0:45:06.120 --> 0:45:07.400
<v Speaker 1>was a dick in the movie, so he has to

0:45:07.440 --> 0:45:09.120
<v Speaker 1>be a dick like like so that this dude is

0:45:09.200 --> 0:45:14.200
<v Speaker 1>just walking about and your homeboys the last this ship

0:45:14.320 --> 0:45:18.520
<v Speaker 1>is said Colorad. Alright, that's just that's another again, my

0:45:18.680 --> 0:45:21.759
<v Speaker 1>my bad, that's my stuff. But yeah, like the level

0:45:21.880 --> 0:45:24.880
<v Speaker 1>that that he has helped hoping up, like do you

0:45:25.000 --> 0:45:27.840
<v Speaker 1>guys because this, yes, y'all I can see together is

0:45:27.920 --> 0:45:30.880
<v Speaker 1>that like I like, I went to all the party.

0:45:30.960 --> 0:45:33.279
<v Speaker 1>It was a Netflix party that he had. Um that

0:45:34.360 --> 0:45:36.480
<v Speaker 1>the ship that the new movie had just happened, right,

0:45:37.280 --> 0:45:40.160
<v Speaker 1>and it was crazy. And I walked I walked in,

0:45:40.239 --> 0:45:42.279
<v Speaker 1>and I'm talking about there was so many white people.

0:45:42.320 --> 0:45:46.439
<v Speaker 1>God bless, there were so many white people. But I'm

0:45:46.520 --> 0:45:50.600
<v Speaker 1>looking and I'm like, do they know about here? And

0:45:50.680 --> 0:45:53.600
<v Speaker 1>I look and this is also it was real funny

0:45:53.640 --> 0:45:57.000
<v Speaker 1>for me because I said, up nor, I said, I

0:45:58.760 --> 0:46:04.320
<v Speaker 1>you know, I don't even didn't know me, but it

0:46:04.520 --> 0:46:07.600
<v Speaker 1>was hilarious. Man, I ain't gonna lie. I love. I

0:46:07.719 --> 0:46:09.320
<v Speaker 1>love what you guys did for hip hop. You know

0:46:09.360 --> 0:46:11.799
<v Speaker 1>what I mean? Because you guys took chances, you guys

0:46:11.840 --> 0:46:14.839
<v Speaker 1>took risk. You guys make globally music first. You guys

0:46:14.880 --> 0:46:17.759
<v Speaker 1>put it on the front that you know. You know, dog,

0:46:18.320 --> 0:46:21.719
<v Speaker 1>you think what was going on? And wasn't you still

0:46:21.920 --> 0:46:24.439
<v Speaker 1>you still who you guys were to the test of time.

0:46:24.480 --> 0:46:26.720
<v Speaker 1>And look at look at your career, look at your legacy.

0:46:26.760 --> 0:46:29.800
<v Speaker 1>You guys should be saluted every day. Every day you

0:46:29.800 --> 0:46:32.800
<v Speaker 1>should say you sweet Jazzy Jeff motherfucking day. God damn it,

0:46:33.520 --> 0:46:41.239
<v Speaker 1>God damn legacy. And so we're so, why do you

0:46:41.320 --> 0:46:44.360
<v Speaker 1>still DJ? You still love it? You still do? I

0:46:44.480 --> 0:46:47.680
<v Speaker 1>love it? Man, I DJ more now than I ever

0:46:47.840 --> 0:46:49.719
<v Speaker 1>did in my entire I work one now than I

0:46:49.840 --> 0:46:55.879
<v Speaker 1>ever worked in my life ever. And it's because isn't

0:46:55.920 --> 0:46:59.880
<v Speaker 1>the is the feeling that you're addicted to the same thing.

0:47:00.000 --> 0:47:03.120
<v Speaker 1>Don't ask you a question. I'm not talking the music

0:47:03.200 --> 0:47:06.640
<v Speaker 1>business or any of that. Are you smarter than you

0:47:06.760 --> 0:47:09.360
<v Speaker 1>were when you put out your first album? Absolutely? Do

0:47:09.440 --> 0:47:11.440
<v Speaker 1>you think you you you're more lyrical than you are.

0:47:12.120 --> 0:47:14.399
<v Speaker 1>Your vocabulary grown since you put out your first album.

0:47:14.880 --> 0:47:23.839
<v Speaker 1>Probably not. I'm probably a kidn't differ. I'm different vocabulary,

0:47:23.880 --> 0:47:26.879
<v Speaker 1>but everything else I got smart. Yeah, I mean it's

0:47:26.920 --> 0:47:31.440
<v Speaker 1>kind of like you you you know how to navigate

0:47:31.520 --> 0:47:34.080
<v Speaker 1>it exactly. You know, you know, you know how to

0:47:34.239 --> 0:47:36.759
<v Speaker 1>maneuver in it. You know what I mean that, it's

0:47:36.800 --> 0:47:40.040
<v Speaker 1>kind of like see for me, for artists, I got

0:47:40.239 --> 0:47:42.800
<v Speaker 1>I got tired of being on stage. See dj you

0:47:42.960 --> 0:47:45.080
<v Speaker 1>control the stage on the low if you actually think

0:47:45.120 --> 0:47:47.040
<v Speaker 1>what you said when you first said, you said, it's

0:47:47.040 --> 0:47:48.640
<v Speaker 1>a wizard. And that's the best way to kind of

0:47:48.719 --> 0:47:51.320
<v Speaker 1>describe a djail. You guys are in there with your lawns.

0:47:52.320 --> 0:47:55.960
<v Speaker 1>That's your lawn. But see for me to stand there

0:47:55.960 --> 0:47:58.319
<v Speaker 1>and just have to keep entertaining people for a certain

0:47:58.320 --> 0:48:00.160
<v Speaker 1>amount of time, I kind of like I grew that,

0:48:00.600 --> 0:48:02.279
<v Speaker 1>not not in a bad way because I was still

0:48:02.400 --> 0:48:04.319
<v Speaker 1>love the perform I don't ever wanted people to get

0:48:04.360 --> 0:48:07.799
<v Speaker 1>that miss con screwed. But you know it's it's it's

0:48:08.120 --> 0:48:09.960
<v Speaker 1>it gets it gets redundant, you know what I'm saying,

0:48:10.000 --> 0:48:13.040
<v Speaker 1>because where a lot of times like the entertainment, it's

0:48:13.080 --> 0:48:15.000
<v Speaker 1>not no, it's no difference between us and a stripper,

0:48:15.320 --> 0:48:17.440
<v Speaker 1>you know what I'm saying, Like a stripper goals and dances,

0:48:17.560 --> 0:48:19.680
<v Speaker 1>and like I'm just saying, Jake asked, I think it's

0:48:19.719 --> 0:48:24.720
<v Speaker 1>up the stage and hate it. I'm just saying, sometimes

0:48:24.840 --> 0:48:27.719
<v Speaker 1>that's an artist. You you performed. I wnuna tell you

0:48:27.960 --> 0:48:29.560
<v Speaker 1>I said the story before, but I'm gonna tell you

0:48:29.840 --> 0:48:32.440
<v Speaker 1>this is the one time this is I kind of

0:48:32.480 --> 0:48:35.840
<v Speaker 1>stopped performing. I have one of the most pruitiful times

0:48:36.120 --> 0:48:41.280
<v Speaker 1>I've ever had. It hampets and we're sitting there smoking

0:48:41.320 --> 0:48:43.279
<v Speaker 1>and I smoked. This is when I smoked cigarettes. And

0:48:43.360 --> 0:48:45.040
<v Speaker 1>the guy he paid me. Of course he paid me,

0:48:45.120 --> 0:48:47.919
<v Speaker 1>so he says, hey, you ready, let's go as who

0:48:50.400 --> 0:48:53.360
<v Speaker 1>it was. Just how he's he made no harm, he

0:48:53.520 --> 0:48:56.000
<v Speaker 1>made no harm, he made no disrespect. But just just

0:48:56.239 --> 0:48:58.560
<v Speaker 1>just you understand what I'm saying said you're ready, let's go.

0:48:58.880 --> 0:49:03.680
<v Speaker 1>He didn't even make contact with me. I said, yeah,

0:49:04.160 --> 0:49:06.520
<v Speaker 1>I don't work for you. Even though I had this money,

0:49:09.960 --> 0:49:11.839
<v Speaker 1>I wasn't worked for I that day. And that's when

0:49:11.880 --> 0:49:14.400
<v Speaker 1>I stopped slowing down those shows and I slowed two

0:49:14.440 --> 0:49:19.000
<v Speaker 1>more bogies. This makes no noise to me. I couldn't

0:49:19.040 --> 0:49:21.440
<v Speaker 1>never again, I can't do that, said, you're gonna have

0:49:21.480 --> 0:49:23.680
<v Speaker 1>to wait another twenty minutes. Russia didn't do it for you.

0:49:23.760 --> 0:49:28.160
<v Speaker 1>When we went to Russia, Russia, they almost kill us. Yeah,

0:49:28.760 --> 0:49:31.120
<v Speaker 1>kill us Russians. I ain't gonna lie. We was in

0:49:31.160 --> 0:49:33.239
<v Speaker 1>the part of Russia. This is how where we are

0:49:33.280 --> 0:49:36.120
<v Speaker 1>at St. Petersburg. Ever, but at the time, I don't

0:49:36.120 --> 0:49:38.000
<v Speaker 1>know if it changed, but at the time it was

0:49:38.080 --> 0:49:40.520
<v Speaker 1>so racist that the Russians that was with us had

0:49:40.560 --> 0:49:43.560
<v Speaker 1>to wear buttons that said Russians against racism. You know

0:49:43.719 --> 0:49:48.480
<v Speaker 1>you're in a racist We even gonna say we ain't

0:49:48.520 --> 0:49:54.040
<v Speaker 1>doing that was terrible. Yeah, we do some ship man,

0:49:54.120 --> 0:49:59.120
<v Speaker 1>God bless you. Yeah. But as an artist, I kind

0:49:59.160 --> 0:50:00.799
<v Speaker 1>of I kind of feel like, you know, I've seen

0:50:01.400 --> 0:50:03.960
<v Speaker 1>you know, I've seen you know what was I don't

0:50:03.960 --> 0:50:06.400
<v Speaker 1>know what tip trill and you know all of the

0:50:06.440 --> 0:50:08.760
<v Speaker 1>famous strippers. They always come to Miami and people always

0:50:08.800 --> 0:50:11.200
<v Speaker 1>go see it. And I always, you know, every now

0:50:11.280 --> 0:50:14.160
<v Speaker 1>and then I'll go and let's see. You know, I'm married, man,

0:50:14.280 --> 0:50:18.840
<v Speaker 1>let's just watch you know, um, but I'm serious, but

0:50:19.080 --> 0:50:21.399
<v Speaker 1>you know, and then you see these strippers that will

0:50:21.440 --> 0:50:24.880
<v Speaker 1>perform and then the happiest one that someone stolen dollars

0:50:24.920 --> 0:50:27.839
<v Speaker 1>on them and then they turned around and then they

0:50:27.920 --> 0:50:30.440
<v Speaker 1>throw on this ice grill. And it's similar to how

0:50:30.560 --> 0:50:34.160
<v Speaker 1>a person who has to perform performs, you know, because's

0:50:34.160 --> 0:50:36.040
<v Speaker 1>certain people have to like there's certain people who like

0:50:36.160 --> 0:50:38.439
<v Speaker 1>you know, you know, you see them like this nigg

0:50:38.440 --> 0:50:40.759
<v Speaker 1>is this nig you know. But then there's people who

0:50:40.880 --> 0:50:43.320
<v Speaker 1>just they love it. And when you outgrow it, you

0:50:43.360 --> 0:50:45.960
<v Speaker 1>gotta you gotta fall in love back with it. You're

0:50:45.960 --> 0:50:50.040
<v Speaker 1>gonna be the stripper. You're gonna be the stripper that

0:50:50.120 --> 0:50:53.399
<v Speaker 1>walks over and be like, man, man, these niggers keep

0:50:53.440 --> 0:50:57.759
<v Speaker 1>throwing money at me. I'm sorry, man, I don't know

0:50:57.840 --> 0:51:05.160
<v Speaker 1>where about. I don't wait, ship got man, were lady

0:51:05.200 --> 0:51:07.360
<v Speaker 1>to strip us and ship It's crazy. I think the

0:51:07.400 --> 0:51:09.280
<v Speaker 1>difference is what you were saying. It's it's a difference

0:51:09.280 --> 0:51:11.520
<v Speaker 1>between one thing to do it. Yeah, and have to

0:51:11.640 --> 0:51:14.279
<v Speaker 1>do you know, when you when you when you when

0:51:14.280 --> 0:51:16.000
<v Speaker 1>you want to do something, like you were saying, like

0:51:16.200 --> 0:51:18.680
<v Speaker 1>you develop more love for you to develop more skills

0:51:18.719 --> 0:51:24.200
<v Speaker 1>for it, like, um, you know. I remember speaking to

0:51:24.280 --> 0:51:27.120
<v Speaker 1>Buster one time and Buster said to me, he said,

0:51:27.120 --> 0:51:30.480
<v Speaker 1>you don't I don't do no nineties parties. And I

0:51:30.600 --> 0:51:32.680
<v Speaker 1>had to ask him. I said, wow, he said, because

0:51:32.960 --> 0:51:35.799
<v Speaker 1>if I do a nineties parties, that's the way they

0:51:35.880 --> 0:51:38.400
<v Speaker 1>want to keep me at Do you think that's Do

0:51:38.520 --> 0:51:41.040
<v Speaker 1>you think that's all? Like he feels he's gonna be

0:51:41.080 --> 0:51:43.279
<v Speaker 1>pigeon hell to that. I mean Busters case. I'm not

0:51:43.320 --> 0:51:45.080
<v Speaker 1>saying in the Busters case. I'm saying in your case,

0:51:45.200 --> 0:51:48.160
<v Speaker 1>like or and in your case you do whatever, okay,

0:51:48.600 --> 0:51:50.520
<v Speaker 1>Like it's kind of like the the thing about that

0:51:50.640 --> 0:51:52.640
<v Speaker 1>if you do a nineties party, just do your nineties ship.

0:51:53.840 --> 0:51:55.680
<v Speaker 1>You know that you don't have to do that everywhere.

0:51:55.719 --> 0:51:59.160
<v Speaker 1>I think, you know, it's kind of like, um, you

0:51:59.239 --> 0:52:02.479
<v Speaker 1>know we I pretty much know what I'm going into

0:52:02.920 --> 0:52:06.400
<v Speaker 1>to a certain degree. I know how how deep I

0:52:06.480 --> 0:52:10.560
<v Speaker 1>gotta go. I know how much is it me doing

0:52:10.640 --> 0:52:12.880
<v Speaker 1>what I do and how much is it I have

0:52:13.040 --> 0:52:16.759
<v Speaker 1>to split what I do to what you want, so

0:52:16.920 --> 0:52:18.440
<v Speaker 1>you kind of you kind of know that, so I

0:52:18.840 --> 0:52:22.000
<v Speaker 1>knock on wood. I'm never going into something blind, you know,

0:52:23.280 --> 0:52:26.160
<v Speaker 1>just just completely like listen, I do a hundred and

0:52:26.239 --> 0:52:33.000
<v Speaker 1>sixty hundred and seventy days a year wrestling. That is

0:52:33.160 --> 0:52:37.719
<v Speaker 1>that is wrestling, get a lot of money. But you know,

0:52:37.920 --> 0:52:41.040
<v Speaker 1>it's it's it's you understand, you know, like I know

0:52:41.400 --> 0:52:43.839
<v Speaker 1>what this club is gonna be like to a certain degree,

0:52:43.920 --> 0:52:45.560
<v Speaker 1>Like I got I got a range that it's gonna

0:52:45.560 --> 0:52:47.840
<v Speaker 1>be here and here. You know, I know when I

0:52:47.920 --> 0:52:50.120
<v Speaker 1>go overseas and I do these tours like this is

0:52:50.520 --> 0:52:53.160
<v Speaker 1>this is where I'm at. You know, I know, you know,

0:52:53.239 --> 0:52:55.480
<v Speaker 1>you do the bottle service, your range might have to

0:52:55.520 --> 0:52:57.840
<v Speaker 1>be a little bit shifted to the left. You know,

0:52:57.960 --> 0:52:59.760
<v Speaker 1>I go to Germany, I know my ship is shifted

0:52:59.760 --> 0:53:02.160
<v Speaker 1>to the right, you know, and you just and you

0:53:02.320 --> 0:53:04.600
<v Speaker 1>just kind of know, like that's that's your job is

0:53:04.680 --> 0:53:08.280
<v Speaker 1>to kind of figure out your environment. Let's think about

0:53:08.320 --> 0:53:10.800
<v Speaker 1>being a DJ is y'all think it's our geniuses. You

0:53:10.920 --> 0:53:13.719
<v Speaker 1>could actually go there. Listen, my DJ. I'mna tell you

0:53:13.760 --> 0:53:15.640
<v Speaker 1>what I'm gonna tell you. I'm gonna say no, no,

0:53:15.960 --> 0:53:19.200
<v Speaker 1>never said the story, but Butcher used to always go

0:53:19.400 --> 0:53:21.560
<v Speaker 1>to my show was thirty minutes before and tell me,

0:53:21.719 --> 0:53:24.240
<v Speaker 1>because you know, I got Spanish records, I got fucking

0:53:24.719 --> 0:53:27.920
<v Speaker 1>you know, CNN records, I got NORRY records. So what

0:53:28.120 --> 0:53:30.840
<v Speaker 1>DJ would go and he would study the crown for

0:53:31.000 --> 0:53:34.320
<v Speaker 1>half an hour. But this one time we didn't go.

0:53:36.600 --> 0:53:38.879
<v Speaker 1>We went on time and we were late. So on time,

0:53:38.880 --> 0:53:41.719
<v Speaker 1>it's late, and I kid you not, God bless his soul.

0:53:42.840 --> 0:53:45.480
<v Speaker 1>Prodigy was out there on stage, but he had a

0:53:45.640 --> 0:53:48.600
<v Speaker 1>DAT so he must have came as DJ him in Havings,

0:53:48.960 --> 0:53:52.759
<v Speaker 1>d I think DJ missed the flight so I had

0:53:52.880 --> 0:53:57.840
<v Speaker 1>never a new popcorn fly they do popcorn. I was like,

0:53:58.080 --> 0:54:04.759
<v Speaker 1>I'm not going out there. I said, no way. If

0:54:04.840 --> 0:54:11.560
<v Speaker 1>they don't popcorn on that pee. This is the god

0:54:11.719 --> 0:54:14.879
<v Speaker 1>at the time, my DJ, in my mind, I don't

0:54:14.920 --> 0:54:17.080
<v Speaker 1>think he did it, but in my mind he smacked

0:54:17.120 --> 0:54:21.920
<v Speaker 1>me and said, shut up, you're going out there. It's

0:54:21.960 --> 0:54:24.719
<v Speaker 1>the first time he started with super Dog. Super Dog

0:54:24.840 --> 0:54:28.200
<v Speaker 1>was closerup, what what what? And he was like fun

0:54:29.719 --> 0:54:31.759
<v Speaker 1>and my mind he smacked me. I'm sure he came.

0:54:32.960 --> 0:54:34.800
<v Speaker 1>What was trying? He was like, shut up and just

0:54:35.040 --> 0:54:37.200
<v Speaker 1>and he never gave me the list. We didn't go

0:54:37.360 --> 0:54:39.200
<v Speaker 1>with no records. He just went out there and he

0:54:39.280 --> 0:54:41.759
<v Speaker 1>went to all the number one you know, the ones

0:54:41.840 --> 0:54:44.480
<v Speaker 1>you saved. We went to the Rose, first five, put

0:54:44.520 --> 0:54:47.799
<v Speaker 1>it in the crowd, started all night Loomotive was because

0:54:47.840 --> 0:54:49.120
<v Speaker 1>like it was, it was one us all night. You

0:54:49.200 --> 0:54:52.600
<v Speaker 1>saved the show. Russian guy, I just kept putting his

0:54:52.719 --> 0:54:57.319
<v Speaker 1>hands on my hand in my neck because money go out.

0:54:58.000 --> 0:55:01.399
<v Speaker 1>But that's why, that's why I look like a good

0:55:01.520 --> 0:55:04.600
<v Speaker 1>DJ will sit there and say, y'all, I know exactly

0:55:04.640 --> 0:55:08.040
<v Speaker 1>what you hey. Sometimes one time was in Germany and

0:55:08.120 --> 0:55:10.360
<v Speaker 1>everybody in the crowds from her Duris. I had no

0:55:10.440 --> 0:55:16.200
<v Speaker 1>idea from it made no sense. It made no sense

0:55:16.760 --> 0:55:20.000
<v Speaker 1>from my DJ. My DJ was in the crowd and

0:55:20.080 --> 0:55:22.360
<v Speaker 1>knew that, and he played my Spanish record, So I

0:55:22.520 --> 0:55:28.400
<v Speaker 1>killed the ground. Let's basically geman want the spars. I'm sorry, man,

0:55:28.480 --> 0:55:30.839
<v Speaker 1>go on, think if I'm not wrong, he's that crazy.

0:55:30.880 --> 0:55:37.320
<v Speaker 1>Ain't crack back. Then let's talk time. DJ lat me

0:55:37.640 --> 0:55:40.759
<v Speaker 1>come on at tracks going on. I see you on

0:55:40.840 --> 0:55:44.440
<v Speaker 1>the day. That's right, that's something that's crazy going on.

0:55:44.640 --> 0:55:49.200
<v Speaker 1>Baby man, Real DJ ship Man, Real DJ was gonna

0:55:49.239 --> 0:55:53.439
<v Speaker 1>love Real DJ ship. You know how much I listened

0:55:53.440 --> 0:55:55.160
<v Speaker 1>to every time I see you. I tell y'all listen

0:55:55.200 --> 0:55:59.800
<v Speaker 1>to the Oh listen, you guys got any questions, but

0:56:00.480 --> 0:56:03.680
<v Speaker 1>come on, I know you gotta be inspiration to y'all,

0:56:03.920 --> 0:56:06.799
<v Speaker 1>to me, to y'all. You know, then listen, you don't.

0:56:06.840 --> 0:56:14.960
<v Speaker 1>That's the one. Let's make some ually like on that

0:56:15.120 --> 0:56:18.759
<v Speaker 1>career bad right now, That's what we were saying. The longevity,

0:56:19.440 --> 0:56:21.560
<v Speaker 1>the longest here you could speak into it. Someone you

0:56:21.680 --> 0:56:25.560
<v Speaker 1>give a child, man, I'm sorry, we don't organized eyes.

0:56:25.600 --> 0:56:32.960
<v Speaker 1>Come on, yeah yeah, yeah, yeah, so yeah, this guy's incredible. Man.

0:56:33.000 --> 0:56:35.640
<v Speaker 1>We we we we we we salute our legends over here,

0:56:35.840 --> 0:56:39.239
<v Speaker 1>and then it will be something you know, legends to

0:56:39.360 --> 0:56:46.080
<v Speaker 1>it exactly, exactly, crazy as the Pride of Miami. Yeah, man,

0:56:46.440 --> 0:56:48.520
<v Speaker 1>and listen, I didn't start as young as a track.

0:56:48.800 --> 0:56:53.200
<v Speaker 1>So how young did you start? I started at thirteen?

0:56:53.719 --> 0:56:58.560
<v Speaker 1>Was wait a minute, world champion? Yeah yeah, yeah, pick

0:56:58.640 --> 0:57:02.920
<v Speaker 1>that up? Whoa wait? Wait wait? The world champion of that?

0:57:06.080 --> 0:57:09.600
<v Speaker 1>It was? It was the DMC World Championships. We all

0:57:09.920 --> 0:57:12.200
<v Speaker 1>used to do all these battles. Jeff before us, but

0:57:12.320 --> 0:57:14.360
<v Speaker 1>me and Craz won a bunch of these world titles.

0:57:14.400 --> 0:57:16.480
<v Speaker 1>When how were you to do when I saw you

0:57:16.600 --> 0:57:23.800
<v Speaker 1>that first battle of fifteen. That's the real and DJs

0:57:25.560 --> 0:57:29.960
<v Speaker 1>rappers don't notice. DJs is you're starting out real real,

0:57:30.720 --> 0:57:33.880
<v Speaker 1>like you don't get paid good at first. You gotta

0:57:33.960 --> 0:57:36.640
<v Speaker 1>be good to get paid because there's a lot of locals, Yeah,

0:57:36.840 --> 0:57:41.160
<v Speaker 1>that don't really get paid. Yeah, you know what, shut up.

0:57:41.240 --> 0:57:44.520
<v Speaker 1>Shout out to the DJ's held all down. Yeah yeah,

0:57:44.760 --> 0:57:47.080
<v Speaker 1>big up to all the club dj and the DJs

0:57:47.120 --> 0:57:49.800
<v Speaker 1>that have residencies every week because they hold down their

0:57:49.880 --> 0:57:53.280
<v Speaker 1>market and their their job is actually tougher than ours,

0:57:53.320 --> 0:57:55.520
<v Speaker 1>I think because if they don't, like Jeff was talking

0:57:55.560 --> 0:57:57.760
<v Speaker 1>about being a servant of the crowd, you know, at

0:57:57.840 --> 0:58:00.520
<v Speaker 1>least we have the luxury to have a certain weights

0:58:00.560 --> 0:58:02.160
<v Speaker 1>our name, so when we show up in the venue,

0:58:02.480 --> 0:58:05.080
<v Speaker 1>we can still steer it where we want. But if

0:58:05.160 --> 0:58:07.320
<v Speaker 1>you're the resident DJ at the club and you're not

0:58:07.400 --> 0:58:10.840
<v Speaker 1>playing with the crowd wants, don't just leave. They'll they'll leave,

0:58:10.920 --> 0:58:13.120
<v Speaker 1>they'll leave the dance floor. The manager will take you off.

0:58:13.320 --> 0:58:17.200
<v Speaker 1>Like Actually, those that like their jobs like it's like

0:58:17.240 --> 0:58:20.120
<v Speaker 1>the y'allow the closer DJ's right, So is there a

0:58:20.240 --> 0:58:23.360
<v Speaker 1>rule like the opening DJ comes, this is their records

0:58:23.400 --> 0:58:29.400
<v Speaker 1>that he shouldn't play. It used to be ethics there's no,

0:58:30.440 --> 0:58:32.360
<v Speaker 1>but I'm saying that there should be. But now there's

0:58:32.400 --> 0:58:33.640
<v Speaker 1>if we see a lot of people that don't really

0:58:33.680 --> 0:58:36.040
<v Speaker 1>respect that. So so if the number one record is

0:58:36.080 --> 0:58:38.760
<v Speaker 1>out and the opening DJ he can't play it, and

0:58:38.800 --> 0:58:40.240
<v Speaker 1>you guys won't take it, well, I'm gonna tell you

0:58:40.280 --> 0:58:44.400
<v Speaker 1>what the difference is is, especially these guys, what you

0:58:44.560 --> 0:58:48.440
<v Speaker 1>do is the number one record, Like it's not the record,

0:58:49.120 --> 0:58:51.360
<v Speaker 1>you know what I mean? Like there's a level that

0:58:51.520 --> 0:58:54.400
<v Speaker 1>I'm coming to see Crazy, I'm coming to see a track.

0:58:54.440 --> 0:58:56.600
<v Speaker 1>I'm not necessarily coming to see what Crazy and a

0:58:56.720 --> 0:58:59.880
<v Speaker 1>track are going to play. There the entity of themselves

0:59:00.400 --> 0:59:02.240
<v Speaker 1>that it's kind of like when you get to that level,

0:59:02.680 --> 0:59:04.240
<v Speaker 1>you almost a kind of like I don't given what

0:59:04.360 --> 0:59:07.919
<v Speaker 1>you play instruments people, but I don't care what you play.

0:59:08.040 --> 0:59:10.480
<v Speaker 1>But not just that. It's kind of like I've seen

0:59:10.640 --> 0:59:13.480
<v Speaker 1>both of these guys play numerous of times. There's a

0:59:13.600 --> 0:59:17.400
<v Speaker 1>man fucking records. I'm not gonna be mad because you

0:59:17.520 --> 0:59:20.360
<v Speaker 1>played one of the records And I had that with

0:59:20.520 --> 0:59:25.600
<v Speaker 1>somebody that they had a pre something mapped out set

0:59:26.240 --> 0:59:28.080
<v Speaker 1>and I played a couple of records and it was

0:59:28.160 --> 0:59:30.200
<v Speaker 1>like you freaked out, and I was just like fucking

0:59:30.280 --> 0:59:33.800
<v Speaker 1>to play something like if you would play this, I'm

0:59:33.840 --> 0:59:36.680
<v Speaker 1>gonna play something different. Like you looked at it, you

0:59:36.760 --> 0:59:38.800
<v Speaker 1>know what I mean. Like, it's not like I'm going

0:59:38.920 --> 0:59:42.160
<v Speaker 1>on stage and I'm performing one of jay Z's records.

0:59:42.200 --> 0:59:46.480
<v Speaker 1>Before jay Z. It's like because certain DJ's used to

0:59:47.400 --> 0:59:53.280
<v Speaker 1>facts a list to venues. If you books such and

0:59:53.360 --> 0:59:56.480
<v Speaker 1>such in your city, as like the promoter the or

0:59:56.560 --> 0:59:58.480
<v Speaker 1>the club own or whatever, you would receive a list

0:59:58.560 --> 1:00:00.680
<v Speaker 1>of records to give to your o opener to say,

1:00:01.120 --> 1:00:04.160
<v Speaker 1>do not play the records from this list disrespected the

1:00:04.200 --> 1:00:07.880
<v Speaker 1>opener did play it. But that's also because before Serato

1:00:07.960 --> 1:00:10.600
<v Speaker 1>and all of that, as the DJ would travel to

1:00:10.720 --> 1:00:13.680
<v Speaker 1>your city with whatever, three crates of records and that's

1:00:13.680 --> 1:00:17.000
<v Speaker 1>all he had. So DJ before played a couple of

1:00:17.080 --> 1:00:18.880
<v Speaker 1>those records, you're like, yo, this, I don't have other

1:00:18.960 --> 1:00:21.080
<v Speaker 1>stuff to play. So that's changed with the digital age.

1:00:24.600 --> 1:00:26.640
<v Speaker 1>I have a question for Jeff actually on that topic

1:00:26.680 --> 1:00:28.480
<v Speaker 1>of like playing to the crowd and traveling and everything.

1:00:28.640 --> 1:00:31.000
<v Speaker 1>Like I know one thing that I'm sure we've all

1:00:31.080 --> 1:00:34.520
<v Speaker 1>noticed this, like in the in the last ten plus years,

1:00:34.680 --> 1:00:37.720
<v Speaker 1>once you know, blogs and the Internet and everything really

1:00:37.800 --> 1:00:40.400
<v Speaker 1>connected the whole world and it got to a point where,

1:00:40.840 --> 1:00:45.240
<v Speaker 1>you know, youth culture in North America, Europe, Asia, Latin America,

1:00:45.280 --> 1:00:48.280
<v Speaker 1>after Africa, everyone has been listening to the same records

1:00:48.320 --> 1:00:50.240
<v Speaker 1>at the same time through the internet. Right. But I

1:00:50.320 --> 1:00:53.800
<v Speaker 1>remember early even my early trips to certain parts of

1:00:53.840 --> 1:00:55.800
<v Speaker 1>Asia where I would play, start playing the crowd and

1:00:55.880 --> 1:00:58.880
<v Speaker 1>being like, oh shit, they I don't even know what

1:00:59.040 --> 1:01:01.680
<v Speaker 1>records they know and like here, So like for you,

1:01:01.880 --> 1:01:04.600
<v Speaker 1>Jeff ro was that like going to certain what if

1:01:04.920 --> 1:01:10.120
<v Speaker 1>I I've always had a tunnel vision right, wrong and different.

1:01:10.320 --> 1:01:13.440
<v Speaker 1>It's kind of like I am I am the state

1:01:13.720 --> 1:01:16.680
<v Speaker 1>big potato and salad that you get in the restaurant.

1:01:16.680 --> 1:01:19.520
<v Speaker 1>I'm gonna give you this ship and you're not. If

1:01:19.600 --> 1:01:22.920
<v Speaker 1>you book state big Potato in salad, you're gonna get it.

1:01:23.360 --> 1:01:25.760
<v Speaker 1>And it's kind of like, you know sometimes you know,

1:01:25.880 --> 1:01:29.360
<v Speaker 1>there were times that it didn't. You know, for the

1:01:29.440 --> 1:01:32.240
<v Speaker 1>most part, it's kind of like I believe that you know,

1:01:32.680 --> 1:01:35.880
<v Speaker 1>if people are booking you for you that it's kind

1:01:35.880 --> 1:01:39.600
<v Speaker 1>of like, you know, especially you really gotta stick to

1:01:40.680 --> 1:01:43.520
<v Speaker 1>I'm gonna do me when I don't know what this is.

1:01:44.560 --> 1:01:46.960
<v Speaker 1>When you are unsure, the one thing that you were

1:01:47.000 --> 1:01:49.400
<v Speaker 1>sure of is yourself and it's kind of like I

1:01:49.480 --> 1:01:53.040
<v Speaker 1>don't know what language they're speaking, but I'm gonna play,

1:01:53.080 --> 1:01:58.439
<v Speaker 1>Biggie what you were saying that you guys felt about

1:01:58.440 --> 1:02:00.560
<v Speaker 1>New York. You have this perception, and I'm sure when

1:02:00.560 --> 1:02:02.120
<v Speaker 1>you go to these places in that area, they just

1:02:02.200 --> 1:02:05.040
<v Speaker 1>had a perception. They just wanted Jeff. They're playing. But

1:02:05.560 --> 1:02:08.520
<v Speaker 1>let me tell me, because you guys as DJs as

1:02:08.560 --> 1:02:10.880
<v Speaker 1>this record, I don't know whose sings in. I don't

1:02:10.920 --> 1:02:14.440
<v Speaker 1>know what they're saying. I like it, I just don't know, am,

1:02:14.520 --> 1:02:27.840
<v Speaker 1>I don't point it goes Moe. Is that one of

1:02:27.840 --> 1:02:32.000
<v Speaker 1>the highest records for a year. I don't know what.

1:02:33.160 --> 1:02:41.520
<v Speaker 1>I don't know what. I don't know what who, I

1:02:41.600 --> 1:02:45.439
<v Speaker 1>don't know, I can't under but there is that those

1:02:45.520 --> 1:02:50.040
<v Speaker 1>words may be art and if I'm not mistaken, I

1:02:50.160 --> 1:02:53.480
<v Speaker 1>think the title is after the dude that plays for

1:02:53.560 --> 1:02:58.040
<v Speaker 1>the man, Orlando. That's his man, so he named it

1:02:58.160 --> 1:03:01.160
<v Speaker 1>after his man. Who's the best, Well, who's a wokie? Yeah?

1:03:01.240 --> 1:03:04.200
<v Speaker 1>And then homies like Scheck and Obamba. I think they

1:03:04.200 --> 1:03:06.160
<v Speaker 1>went to school again, that's how their homies or something.

1:03:06.520 --> 1:03:11.120
<v Speaker 1>So and then Check named the record after Now you bet, Kanye,

1:03:11.320 --> 1:03:15.120
<v Speaker 1>but what was your affiliation with Kanye and official tour

1:03:15.240 --> 1:03:18.280
<v Speaker 1>DJ for years. I just did one year. Chris came

1:03:18.280 --> 1:03:21.120
<v Speaker 1>in after Ilia when when I left when I started

1:03:21.160 --> 1:03:24.160
<v Speaker 1>Fool's Gold, and I told, yeah, I'm not just gonna

1:03:24.240 --> 1:03:25.520
<v Speaker 1>leave you high and driving to give you the best

1:03:25.520 --> 1:03:34.160
<v Speaker 1>TJ in the world. Chris Man. Yeah, So now how

1:03:34.360 --> 1:03:36.120
<v Speaker 1>is it? How is both of you guys been on

1:03:36.400 --> 1:03:39.520
<v Speaker 1>tour card for our fans who probably won't know or

1:03:39.600 --> 1:03:41.960
<v Speaker 1>ever get a chance to imagine that. Who's breathing that hard?

1:03:42.040 --> 1:03:48.160
<v Speaker 1>You need guys, because now I'm just telling you have

1:03:48.280 --> 1:03:53.360
<v Speaker 1>to pay way too much. I'm sorry. Yeah, I mean

1:03:53.400 --> 1:03:55.360
<v Speaker 1>I just did one year, so like was in and

1:03:55.440 --> 1:03:58.720
<v Speaker 1>out and I couldn't DJ from anymore because I was

1:03:58.760 --> 1:04:01.240
<v Speaker 1>just like I want to beat my yeah, And I

1:04:01.320 --> 1:04:03.400
<v Speaker 1>feel like when when you came in something like the

1:04:03.480 --> 1:04:06.400
<v Speaker 1>staging change. I was lucky because I came in right

1:04:06.520 --> 1:04:08.440
<v Speaker 1>at the start, like when I when I got the

1:04:08.600 --> 1:04:11.560
<v Speaker 1>job college dropout. It just came out and if you

1:04:11.600 --> 1:04:14.640
<v Speaker 1>went to see a show, it was yeah, me and

1:04:14.760 --> 1:04:16.960
<v Speaker 1>John Legend on stage and that was it. I would

1:04:17.000 --> 1:04:19.600
<v Speaker 1>play the tracks, John would you know, play piano on top,

1:04:19.720 --> 1:04:23.240
<v Speaker 1>sing and the show was us. And it was a

1:04:23.280 --> 1:04:26.400
<v Speaker 1>really cool experience because we all kind of grew together,

1:04:26.520 --> 1:04:29.160
<v Speaker 1>and then when he decided to bring in a string section,

1:04:29.560 --> 1:04:31.280
<v Speaker 1>he would have me speak to the string section and

1:04:31.440 --> 1:04:35.840
<v Speaker 1>kind of like help director. Yeah, Orgestra, Yeah, like I

1:04:35.880 --> 1:04:39.160
<v Speaker 1>had to learn how to like talk to hardcast. Yeah,

1:04:39.160 --> 1:04:42.120
<v Speaker 1>this is the part where so the learning process was cool,

1:04:42.200 --> 1:04:44.600
<v Speaker 1>and like we all come from a very you know,

1:04:44.720 --> 1:04:48.520
<v Speaker 1>from like an underground hip hop place where, and I

1:04:48.600 --> 1:04:50.800
<v Speaker 1>think all of us started with battles. Also, So our

1:04:50.880 --> 1:04:54.120
<v Speaker 1>first couple of years we were we were performing to

1:04:54.320 --> 1:04:57.720
<v Speaker 1>an audience that was like sort of in on the jump,

1:04:57.800 --> 1:04:59.800
<v Speaker 1>like an audience that knows everything that we know. They

1:04:59.840 --> 1:05:02.560
<v Speaker 1>know same codes. They had seen other DJs that were

1:05:02.600 --> 1:05:05.320
<v Speaker 1>as technical as us. So we're sort of preaching to

1:05:05.360 --> 1:05:07.880
<v Speaker 1>the choir. Fir, this is the big polo cane right

1:05:08.280 --> 1:05:10.400
<v Speaker 1>right right, So, and I'm saying like even prior to that,

1:05:10.640 --> 1:05:14.080
<v Speaker 1>I was I was performing to crowds that already knew

1:05:14.160 --> 1:05:17.160
<v Speaker 1>what I was doing on stage because you know, turntableism,

1:05:17.160 --> 1:05:19.600
<v Speaker 1>I've gotten pretty technical in advance, but the crowd knew

1:05:19.640 --> 1:05:21.480
<v Speaker 1>that I was doing. What I enjoyed with the Kanye

1:05:21.560 --> 1:05:24.520
<v Speaker 1>experience was I had to perform for crowds that had

1:05:24.560 --> 1:05:27.080
<v Speaker 1>no idea what I was doing and I have to

1:05:27.120 --> 1:05:29.000
<v Speaker 1>figure out to still make it work. So the growth

1:05:29.120 --> 1:05:31.200
<v Speaker 1>with that was cool because I went from you know,

1:05:31.280 --> 1:05:34.040
<v Speaker 1>working in a sort of closed circle, so then that

1:05:34.200 --> 1:05:37.120
<v Speaker 1>box breaking open. You know, you definitely side with all

1:05:37.120 --> 1:05:38.760
<v Speaker 1>the turn with will too when you're in front of

1:05:38.800 --> 1:05:41.880
<v Speaker 1>a crowd that's like, you know, teenage girls that like

1:05:42.040 --> 1:05:45.320
<v Speaker 1>that song from MTV and you and your your m

1:05:45.400 --> 1:05:48.080
<v Speaker 1>C is like, all right, now show them why you're

1:05:48.080 --> 1:05:49.960
<v Speaker 1>the greatest DJ in the world. You've got to convince

1:05:50.000 --> 1:05:52.400
<v Speaker 1>an audience that doesn't even know what you're about to do,

1:05:53.080 --> 1:05:55.480
<v Speaker 1>and that forces you to learn how to adapt your craft.

1:05:56.000 --> 1:05:59.040
<v Speaker 1>So that growth was cool. You think DJs get the

1:05:59.080 --> 1:06:02.120
<v Speaker 1>amount of props to the desserved No, no, no, I

1:06:02.160 --> 1:06:07.000
<v Speaker 1>mean I think I think it's better now as Yeah,

1:06:07.120 --> 1:06:09.120
<v Speaker 1>I mean, but but you know what, and and and

1:06:09.760 --> 1:06:13.640
<v Speaker 1>I didn't. I didn't think bad of the the DJ

1:06:13.920 --> 1:06:17.680
<v Speaker 1>explosion because I think we were in the dark for

1:06:17.800 --> 1:06:20.560
<v Speaker 1>so long that I accepted the explosion that was just

1:06:21.440 --> 1:06:25.240
<v Speaker 1>the counteract. Like, you know, I felt like the DJ

1:06:25.600 --> 1:06:29.400
<v Speaker 1>was cast aside, especially in hip hop. Like I've really

1:06:29.400 --> 1:06:31.400
<v Speaker 1>started to get angry because I'm kind of like every

1:06:31.520 --> 1:06:33.720
<v Speaker 1>rock group in the world has a DJ and every

1:06:33.800 --> 1:06:37.200
<v Speaker 1>hip hop artists and has a death machine, you know,

1:06:37.440 --> 1:06:38.800
<v Speaker 1>and it was just kind of like wow, like this

1:06:39.000 --> 1:06:42.000
<v Speaker 1>is this this all kind of went together. But what

1:06:42.120 --> 1:06:45.360
<v Speaker 1>happened was you cast us deside, and we just kind

1:06:45.360 --> 1:06:48.200
<v Speaker 1>of created a world on our own that's kind of like,

1:06:48.240 --> 1:06:49.760
<v Speaker 1>well ship, if we are the ones that play the

1:06:49.840 --> 1:06:52.840
<v Speaker 1>music for people to dance. Because I really thought that

1:06:53.800 --> 1:06:59.960
<v Speaker 1>Vegas was going to be Bismarcki jay Z, Like I've

1:07:00.040 --> 1:07:02.120
<v Speaker 1>thought like, okay, we got Sammy Davis Jr. All of

1:07:02.240 --> 1:07:05.360
<v Speaker 1>us that I thought that the growth of Vegas was

1:07:05.440 --> 1:07:09.240
<v Speaker 1>going to be the performers in hip hop, not the DJs.

1:07:09.680 --> 1:07:11.600
<v Speaker 1>But it got to the point that it was kind

1:07:11.600 --> 1:07:14.320
<v Speaker 1>of like, well ship, you got one good record, six

1:07:14.440 --> 1:07:17.760
<v Speaker 1>bad records. He can play all good records. I'm gonna

1:07:17.800 --> 1:07:19.800
<v Speaker 1>get him to play it. I don't need to see

1:07:19.840 --> 1:07:23.640
<v Speaker 1>you perform. I can have him play your record, you know.

1:07:23.800 --> 1:07:26.840
<v Speaker 1>And a lot of that was because there was no togetherness.

1:07:26.920 --> 1:07:29.000
<v Speaker 1>We we were pushed to the side. Whether we was

1:07:29.080 --> 1:07:32.160
<v Speaker 1>kind of like yeo, let's start our own networking community,

1:07:32.240 --> 1:07:35.440
<v Speaker 1>and and it just blew up on the side. And

1:07:35.840 --> 1:07:39.920
<v Speaker 1>now everybody who raps wants to be a DJ, you know,

1:07:40.120 --> 1:07:42.040
<v Speaker 1>everybody wants to be a d jack. Now I'm not

1:07:42.120 --> 1:07:46.120
<v Speaker 1>gonna I thought I could DJ for a second. I

1:07:46.240 --> 1:07:49.960
<v Speaker 1>didn't try, I didn't go publicly. And you know what's

1:07:51.680 --> 1:07:55.600
<v Speaker 1>I do not get mad at anybody on earth who

1:07:55.840 --> 1:07:58.400
<v Speaker 1>wants to try to be a DJ. I am not

1:07:58.600 --> 1:08:02.120
<v Speaker 1>mad at You're not mad at J. Let me tell you.

1:08:02.280 --> 1:08:06.680
<v Speaker 1>Let me tell you what it's. It's but what I'm

1:08:06.720 --> 1:08:09.760
<v Speaker 1>not gonna do. I am not gonna not play high

1:08:09.760 --> 1:08:14.440
<v Speaker 1>school ball, college ball. Send me pro and go and

1:08:14.560 --> 1:08:18.360
<v Speaker 1>try it for the sixers. I think that's disrespectful. It's

1:08:18.439 --> 1:08:20.439
<v Speaker 1>disrespectful for all of the people that put in all

1:08:20.479 --> 1:08:23.519
<v Speaker 1>of the time. You can play ball, but there's a

1:08:23.640 --> 1:08:27.320
<v Speaker 1>different level. So I'm kind of like, then you just

1:08:27.560 --> 1:08:30.800
<v Speaker 1>need to be prepared to somebody throw you on the

1:08:30.880 --> 1:08:36.120
<v Speaker 1>floor against the Knicks and you Anthony, and you gotta

1:08:36.160 --> 1:08:48.720
<v Speaker 1>take that happen comes and starts walking off. Somebody who

1:08:48.800 --> 1:08:50.640
<v Speaker 1>gets into it or wants to get into it, or

1:08:50.680 --> 1:08:52.920
<v Speaker 1>cares about getting into it, you know, the more to

1:08:53.000 --> 1:08:56.000
<v Speaker 1>marry it. But it's kind of like I've said on

1:08:56.120 --> 1:09:01.439
<v Speaker 1>occasions that I'm never worried about another DJ more than

1:09:01.479 --> 1:09:06.479
<v Speaker 1>I'm worried about myself. Like it's it's so because the

1:09:06.520 --> 1:09:09.519
<v Speaker 1>person can control the playlist, don't mean controller party. Listen.

1:09:09.680 --> 1:09:13.200
<v Speaker 1>Let me tell you something I've always said, learning to

1:09:13.280 --> 1:09:15.479
<v Speaker 1>be a great DJ is not about the good night.

1:09:15.560 --> 1:09:19.400
<v Speaker 1>This is about how you do the bad. It's about

1:09:19.520 --> 1:09:24.880
<v Speaker 1>how you listen. Because we all know that night that

1:09:25.080 --> 1:09:30.000
<v Speaker 1>I'm like, yo, I'm it's kind of like yo. Like

1:09:30.320 --> 1:09:32.920
<v Speaker 1>I've looked at my watch and I'm like, i gotta

1:09:32.960 --> 1:09:35.880
<v Speaker 1>play two hours and i got an hour and fifty

1:09:36.000 --> 1:09:38.479
<v Speaker 1>five minutes left. Let me tell you something I did.

1:09:38.960 --> 1:09:43.160
<v Speaker 1>This guy in Canada voked me. He was the Soaker

1:09:43.280 --> 1:09:46.439
<v Speaker 1>Prince of Canada. This motherfucker was like, I want you

1:09:46.520 --> 1:09:48.519
<v Speaker 1>to play this POxy Listen. I don't know shit about

1:09:48.600 --> 1:09:50.960
<v Speaker 1>something I'm not said, it don't matter. I want you

1:09:51.080 --> 1:09:53.519
<v Speaker 1>to do you. I stuck to my guns and was

1:09:53.600 --> 1:10:01.400
<v Speaker 1>like no, no, no, no, fucking When I tell you,

1:10:01.680 --> 1:10:05.840
<v Speaker 1>I walked in and never realized that Soca was a

1:10:05.960 --> 1:10:09.599
<v Speaker 1>hundred and ninety vo PPM and it was didn't didn't

1:10:10.640 --> 1:10:14.920
<v Speaker 1>and it was three thousand. Motherfucker's name was Crazy And

1:10:16.920 --> 1:10:20.120
<v Speaker 1>let me tell you, we got me nervous. Right before

1:10:20.200 --> 1:10:24.200
<v Speaker 1>I went on. He walked over. He said, still for

1:10:24.200 --> 1:10:27.720
<v Speaker 1>you to drop a couple of socer records said I

1:10:27.880 --> 1:10:30.920
<v Speaker 1>told you because he was like, you know, if you

1:10:31.280 --> 1:10:34.519
<v Speaker 1>if you want, and I came on and when I

1:10:34.720 --> 1:10:38.400
<v Speaker 1>tell you, I will never in my life forget the

1:10:38.560 --> 1:10:41.680
<v Speaker 1>girl in the front row because I didn't play the

1:10:41.720 --> 1:10:45.200
<v Speaker 1>whole set. I played maybe like thirty minutes, but for

1:10:45.439 --> 1:10:50.040
<v Speaker 1>twenty seven minutes she was like this. She would not

1:10:50.320 --> 1:10:54.800
<v Speaker 1>stop shaking her hand, like Dave was so fu mad

1:10:55.040 --> 1:10:57.599
<v Speaker 1>for me. And then you know, because you go through

1:10:57.640 --> 1:11:03.599
<v Speaker 1>that ego like fuck it, y'all playing Canada, I'm a plow.

1:11:04.400 --> 1:11:09.400
<v Speaker 1>You know. It's Caribbean people with attitudes and it's cold

1:11:09.439 --> 1:11:13.880
<v Speaker 1>and Canada, and but you have everybody has the names

1:11:14.479 --> 1:11:16.920
<v Speaker 1>and I'm like, yo, as a DJ, you learned how

1:11:17.000 --> 1:11:19.800
<v Speaker 1>to get through those nights. Like you know, it's kind

1:11:19.840 --> 1:11:22.519
<v Speaker 1>of like we all kind of know what we want

1:11:22.560 --> 1:11:26.120
<v Speaker 1>to play, but we all have the ability to make

1:11:26.240 --> 1:11:31.120
<v Speaker 1>a motherfucking detour and a heartbeat because you have to

1:11:31.360 --> 1:11:34.519
<v Speaker 1>like listen, I'm not gonna fit that round pig in

1:11:34.560 --> 1:11:37.320
<v Speaker 1>the square holes that's gonna fit. I'm grabbing another pig,

1:11:38.120 --> 1:11:41.080
<v Speaker 1>you know. But you you know, and I'm like a

1:11:41.200 --> 1:11:45.360
<v Speaker 1>lot of these new guys no one way, they don't

1:11:45.880 --> 1:11:48.599
<v Speaker 1>trouble shoot and it's kind of like you can see,

1:11:48.680 --> 1:11:51.519
<v Speaker 1>you can see like you know, we had plenty of

1:11:51.600 --> 1:11:54.960
<v Speaker 1>times standing on stage like yo, he's he's going down

1:11:55.040 --> 1:11:59.040
<v Speaker 1>in the flame. He's going down, Like I feel bad.

1:11:59.479 --> 1:12:02.840
<v Speaker 1>You know that's how you figured out you have a

1:12:02.960 --> 1:12:06.160
<v Speaker 1>you have a tape? Are you a world together? We

1:12:06.479 --> 1:12:09.679
<v Speaker 1>had we had a We never had a bad show.

1:12:10.560 --> 1:12:14.720
<v Speaker 1>But we did the Apollo that you didn't get. No, no,

1:12:15.720 --> 1:12:18.000
<v Speaker 1>I tell you, we were on the edge. It would

1:12:18.040 --> 1:12:23.240
<v Speaker 1>be sa come out. We didn't do that Apolo. We

1:12:23.360 --> 1:12:27.240
<v Speaker 1>did Apollo Theater. But we did the Apollo Theater with

1:12:27.439 --> 1:12:32.880
<v Speaker 1>Guy at the height of guide them and we were headlining,

1:12:33.600 --> 1:12:35.519
<v Speaker 1>and it was kind of like, yo, who the fund

1:12:35.560 --> 1:12:40.479
<v Speaker 1>made us headline with Guy in Now y'all fucking groove

1:12:40.600 --> 1:12:45.120
<v Speaker 1>me and and and I think I which was already

1:12:45.120 --> 1:12:48.960
<v Speaker 1>a little suspect, you know, and I'm a man. That

1:12:49.040 --> 1:12:50.760
<v Speaker 1>ship was hot. But the bad thing is we did

1:12:50.840 --> 1:12:53.479
<v Speaker 1>two shows. We did a matinee show, which we got

1:12:53.640 --> 1:12:55.880
<v Speaker 1>through by the skin of our teeth, and then we

1:12:55.960 --> 1:12:59.160
<v Speaker 1>had to do the nighttime show and both up all yes,

1:12:59.560 --> 1:13:06.080
<v Speaker 1>same and the waiting for that second show hand sweating

1:13:06.320 --> 1:13:11.920
<v Speaker 1>because we like yo, we we can't go him after

1:13:12.080 --> 1:13:16.560
<v Speaker 1>God like you can't go on after Teddy Riley and

1:13:16.720 --> 1:13:20.160
<v Speaker 1>hard Teddy could spit from his crew, do you know?

1:13:22.280 --> 1:13:24.320
<v Speaker 1>And yeah, it was you know, I never want to

1:13:24.360 --> 1:13:26.040
<v Speaker 1>think about them day. So you want to think so

1:13:26.120 --> 1:13:28.240
<v Speaker 1>you would label at your work show not not not

1:13:28.400 --> 1:13:32.080
<v Speaker 1>a bad show, but yo, like you're not so great?

1:13:32.360 --> 1:13:34.320
<v Speaker 1>Yeah that was that was it. I mean, you know

1:13:34.479 --> 1:13:37.880
<v Speaker 1>we we we should. What's your favorite show man? I

1:13:38.000 --> 1:13:40.040
<v Speaker 1>can't because that's that, you know. I don't know if

1:13:40.240 --> 1:13:42.840
<v Speaker 1>I wanted the standouts ones where you you just it

1:13:43.000 --> 1:13:47.160
<v Speaker 1>was like, well, you know, what's crazy? After twenty years,

1:13:47.240 --> 1:13:49.880
<v Speaker 1>Will and I did two shows last year. We did

1:13:49.920 --> 1:13:52.080
<v Speaker 1>a show in Croatia and we did a show on

1:13:52.160 --> 1:13:55.080
<v Speaker 1>Blackpool in the UK, um and it was just us

1:13:55.640 --> 1:14:00.040
<v Speaker 1>and it was like thirty thou people um and and

1:14:00.160 --> 1:14:03.160
<v Speaker 1>it was you know, it was it was. It was

1:14:03.320 --> 1:14:06.320
<v Speaker 1>different because you don't know, you know, it's kind of

1:14:06.400 --> 1:14:10.560
<v Speaker 1>like ship we're doing these shows. I don't know, like

1:14:10.720 --> 1:14:16.519
<v Speaker 1>from that from I have no idea what my old

1:14:16.600 --> 1:14:20.000
<v Speaker 1>Will's relevancy to the world is. You know, you hear it,

1:14:20.880 --> 1:14:27.280
<v Speaker 1>but but I want the legend. But you I almost

1:14:27.360 --> 1:14:30.200
<v Speaker 1>think everybody's lying to you, So you don't know, but

1:14:30.240 --> 1:14:32.640
<v Speaker 1>I understand. I mean, listen, you know you don't know,

1:14:33.600 --> 1:14:35.400
<v Speaker 1>you know, And and to me it's it's safer for

1:14:35.640 --> 1:14:37.559
<v Speaker 1>me not knowing, because you know, I don't know where

1:14:37.560 --> 1:14:41.280
<v Speaker 1>i'd be if if But it's just you know, so

1:14:42.560 --> 1:14:45.479
<v Speaker 1>so going out and you know, somebody selling the show

1:14:45.560 --> 1:14:47.880
<v Speaker 1>with tickets and all the rest of this. You just

1:14:48.000 --> 1:14:50.559
<v Speaker 1>kind of like that is anybody gonna show up? How

1:14:50.640 --> 1:14:53.000
<v Speaker 1>do you know? But to watch people show up and

1:14:53.280 --> 1:14:57.240
<v Speaker 1>with albums and fresh princivallet of jerseys and jackets and

1:14:58.040 --> 1:15:00.920
<v Speaker 1>you know, and it was just um, and it was

1:15:00.960 --> 1:15:05.200
<v Speaker 1>crazy because during the show, Um, I had a monitor

1:15:05.320 --> 1:15:07.240
<v Speaker 1>in Will's air. Then I had a microphone that I

1:15:07.280 --> 1:15:09.439
<v Speaker 1>could talk to him doing the show, and I was like, yo,

1:15:10.240 --> 1:15:13.040
<v Speaker 1>tell everybody to put up their phone and turn their

1:15:13.400 --> 1:15:20.280
<v Speaker 1>flashlights on. And when he when he said it, I

1:15:20.479 --> 1:15:22.920
<v Speaker 1>was so overwhelmed that I couldn't pick my phone up

1:15:22.960 --> 1:15:26.000
<v Speaker 1>and take a picture of it. Like I frozzed because too,

1:15:26.120 --> 1:15:29.760
<v Speaker 1>because it was on a pier and you know, in

1:15:30.000 --> 1:15:33.160
<v Speaker 1>in England, and you couldn't see how far the crowd

1:15:33.240 --> 1:15:35.640
<v Speaker 1>went back. So when everybody put their light on and

1:15:35.760 --> 1:15:39.400
<v Speaker 1>you kind of saw how far thirty thousand people went back.

1:15:40.120 --> 1:15:42.799
<v Speaker 1>I couldn't pick my phone up and take a picture

1:15:43.479 --> 1:15:46.679
<v Speaker 1>because you were just kind of like like and listen,

1:15:46.760 --> 1:15:48.479
<v Speaker 1>we ain't never got to do another show in life.

1:15:49.120 --> 1:15:53.560
<v Speaker 1>I'm good, you know. Goddam Let's make some noise for

1:15:53.600 --> 1:15:59.640
<v Speaker 1>that guy. Where was this a real crazy show? He

1:15:59.760 --> 1:16:04.400
<v Speaker 1>just he just jumped in the Grand Canyon bungee jump

1:16:05.560 --> 1:16:07.880
<v Speaker 1>the Grand can I was scared the depth the whole

1:16:07.920 --> 1:16:11.280
<v Speaker 1>time on Instagram looking at that. Were you there? I

1:16:11.439 --> 1:16:15.160
<v Speaker 1>wasn't going to that, But did you watch it? Oh? Yeah,

1:16:15.160 --> 1:16:19.519
<v Speaker 1>I watched it. There's nobody nobody close to him like that,

1:16:20.920 --> 1:16:24.200
<v Speaker 1>nobody like Charlie Curson on that you know, Charlie cursonal

1:16:24.280 --> 1:16:27.400
<v Speaker 1>Live TV. Because he you know, he was uncomfortable. We

1:16:27.520 --> 1:16:32.120
<v Speaker 1>all were uncomfortable because I might did that. No, is

1:16:32.200 --> 1:16:34.400
<v Speaker 1>that comfortable? Is having too much money? You just want

1:16:34.439 --> 1:16:38.920
<v Speaker 1>to do whatever you want, he said, I've just asked

1:16:38.960 --> 1:16:42.200
<v Speaker 1>to be an interress. Will couldn't swim And I watched

1:16:42.280 --> 1:16:45.160
<v Speaker 1>Will cliffdove in Jamaica. He paid a guy to be

1:16:45.280 --> 1:16:47.519
<v Speaker 1>in the water at the bottom and he cliff over

1:16:47.800 --> 1:16:52.560
<v Speaker 1>in Jamaica in the water and he couldn't swim. So

1:16:52.800 --> 1:16:58.439
<v Speaker 1>understand his thing. Yeah, listen, his thing has always been

1:16:59.080 --> 1:17:02.080
<v Speaker 1>if I'm afraid of it, I'm running to it. I

1:17:02.120 --> 1:17:04.640
<v Speaker 1>ain't got that needed, I ain't got none of that

1:17:05.120 --> 1:17:08.240
<v Speaker 1>big man. Listen. But that's always been his name. Listen.

1:17:08.320 --> 1:17:12.120
<v Speaker 1>He was terrifying of that jumping what he jumped in

1:17:12.200 --> 1:17:15.560
<v Speaker 1>the Grand Grand Can. There ain't no there ain't no

1:17:15.600 --> 1:17:17.840
<v Speaker 1>black people. Ship. I'm starting out there. It ain't some

1:17:17.840 --> 1:17:21.320
<v Speaker 1>black people. I'm wiping and ship. It's so I'm rich

1:17:21.400 --> 1:17:23.320
<v Speaker 1>and I'm just it's I don't think it's a color

1:17:23.400 --> 1:17:28.760
<v Speaker 1>at all. This has no color. I'm rich and I

1:17:28.880 --> 1:17:30.960
<v Speaker 1>have I'm just gonna live my best life for real,

1:17:31.439 --> 1:17:34.800
<v Speaker 1>for real like that, because that's getting high, like that's

1:17:34.840 --> 1:17:36.760
<v Speaker 1>getting hot, like you know with these kids are these

1:17:36.760 --> 1:17:40.519
<v Speaker 1>percosects and it's lean. That's not hot. Rush from that.

1:17:40.600 --> 1:17:42.639
<v Speaker 1>It's crazy, but you could it could be the old

1:17:42.680 --> 1:17:46.840
<v Speaker 1>One and the Grand Canyon. I'm good. Do you got

1:17:46.880 --> 1:17:52.000
<v Speaker 1>you have a had a bad show? A god, I'm

1:17:52.000 --> 1:17:54.680
<v Speaker 1>one of those DJs that sticks to his guns. And

1:17:55.120 --> 1:17:58.320
<v Speaker 1>that's a bad. It's more of like I just wanted

1:17:58.560 --> 1:18:00.200
<v Speaker 1>I want it to me. So you're in there playing

1:18:00.280 --> 1:18:04.479
<v Speaker 1>chief keeping wonta bregage? Though one Danny set a hip

1:18:04.520 --> 1:18:07.160
<v Speaker 1>hop playing I'm playing druming bass at a hip hop

1:18:07.200 --> 1:18:10.120
<v Speaker 1>clup back when like that show was not et M

1:18:10.160 --> 1:18:14.360
<v Speaker 1>and hip hop or not, I think, wow, early early

1:18:14.400 --> 1:18:16.800
<v Speaker 1>two thousands. So yeah, I was just going to be like,

1:18:16.880 --> 1:18:18.400
<v Speaker 1>this is what I like on my and you would

1:18:18.400 --> 1:18:20.200
<v Speaker 1>stick with it and stick with it, and is it

1:18:20.280 --> 1:18:23.000
<v Speaker 1>a sign that you're sucking up? Like he said, the

1:18:23.120 --> 1:18:26.519
<v Speaker 1>girl was looking at the crowd starts apart. He started

1:18:26.560 --> 1:18:29.240
<v Speaker 1>to seeing everybody to tell, but I would usually do

1:18:29.320 --> 1:18:30.880
<v Speaker 1>it at the end of the night, though, so I

1:18:31.040 --> 1:18:32.920
<v Speaker 1>make sure I give them what they wanted, you know,

1:18:33.040 --> 1:18:35.280
<v Speaker 1>come seeing you do my thing and I'm playing, You're like,

1:18:35.360 --> 1:18:37.720
<v Speaker 1>and then I bes like I teennis you know for

1:18:37.840 --> 1:18:41.599
<v Speaker 1>me do my thing you Yeah, definitely, I think every

1:18:41.680 --> 1:18:44.719
<v Speaker 1>DJ has had that show was one of your moments.

1:18:46.320 --> 1:18:48.080
<v Speaker 1>To me. A bad shows also if you show up

1:18:48.120 --> 1:18:51.840
<v Speaker 1>in some city and there's like no one there, yeah,

1:18:51.840 --> 1:18:53.120
<v Speaker 1>I mean you show up and you're like, I some

1:18:53.200 --> 1:19:04.200
<v Speaker 1>of my best shows with like people that these things.

1:19:07.479 --> 1:19:12.240
<v Speaker 1>I'm but as DJ's, we gotta figure out a vibe,

1:19:12.240 --> 1:19:14.280
<v Speaker 1>even though you know, sometimes that bad show could also

1:19:14.320 --> 1:19:18.040
<v Speaker 1>be a full room, but you could like we gotta

1:19:18.120 --> 1:19:20.479
<v Speaker 1>like read the crowd, right, so we're looking. I remember

1:19:21.120 --> 1:19:22.400
<v Speaker 1>like one show where I was looking and be like,

1:19:22.439 --> 1:19:26.400
<v Speaker 1>all right, this area wants like house music, in this

1:19:26.600 --> 1:19:29.840
<v Speaker 1>area wants new hip hop, this area wants old hip hop.

1:19:29.920 --> 1:19:32.680
<v Speaker 1>In this area wants like E. D M. Trap kind

1:19:32.720 --> 1:19:35.360
<v Speaker 1>of stuff. And I gotta like figure out a flow

1:19:35.479 --> 1:19:39.080
<v Speaker 1>that makes everyone happy. And sometimes you just can't. That's

1:19:39.120 --> 1:19:41.000
<v Speaker 1>like you gotta crack a code. Sometimes you just don't

1:19:41.000 --> 1:19:42.840
<v Speaker 1>crack the code. At night, You're like I try my best,

1:19:43.160 --> 1:19:50.920
<v Speaker 1>Like yesterday lose at dawn dsces a bit um and

1:19:51.280 --> 1:19:56.040
<v Speaker 1>that crowd was a little different, you know what I'm

1:19:56.040 --> 1:19:58.080
<v Speaker 1>trying to say. It's just all different types of people.

1:19:58.160 --> 1:20:02.280
<v Speaker 1>You've got multiple industry people in the and how by

1:20:02.320 --> 1:20:04.760
<v Speaker 1>the way, it was like a like a like an

1:20:04.800 --> 1:20:07.120
<v Speaker 1>open bar kind of event, so that draws all kinds

1:20:07.120 --> 1:20:11.400
<v Speaker 1>of people like free alcohol. Now think about it, how

1:20:11.439 --> 1:20:14.280
<v Speaker 1>do you attack like that? Like? I mean that one

1:20:14.360 --> 1:20:16.880
<v Speaker 1>to me was for me was also kind of casual

1:20:16.920 --> 1:20:19.800
<v Speaker 1>because it was my friends product launch. I wasn't I

1:20:20.000 --> 1:20:21.680
<v Speaker 1>wasn't even looking at it that much on something like

1:20:21.720 --> 1:20:23.040
<v Speaker 1>ye know, I got to rock the crowd. I was

1:20:23.120 --> 1:20:25.880
<v Speaker 1>just thinking, here's a bunch of like influencer types that

1:20:25.960 --> 1:20:29.400
<v Speaker 1>came to support you. Know an event, let me just

1:20:29.479 --> 1:20:32.200
<v Speaker 1>play some records that they probably didn't expect to hear,

1:20:32.280 --> 1:20:34.200
<v Speaker 1>but that they that they still like. Because a lot

1:20:34.240 --> 1:20:36.360
<v Speaker 1>of times, like I'll go into a party and think,

1:20:36.720 --> 1:20:38.280
<v Speaker 1>I don't want to just make the crowd happy. I

1:20:38.320 --> 1:20:40.280
<v Speaker 1>want to leave a lasting impression and for them to

1:20:40.320 --> 1:20:41.880
<v Speaker 1>go home and tell their friends and be like, yo,

1:20:42.200 --> 1:20:44.559
<v Speaker 1>a track played this record last night. I never expected

1:20:44.600 --> 1:20:46.680
<v Speaker 1>to hear that, but it worked. Like, I want to

1:20:46.720 --> 1:20:49.840
<v Speaker 1>surprise people. That's a big difference between djaying and being

1:20:49.840 --> 1:20:51.639
<v Speaker 1>an m C. Whereas and m C. You're doing your songs,

1:20:51.640 --> 1:20:55.000
<v Speaker 1>but we could play any of the bazillion songs. It's

1:20:55.040 --> 1:20:57.160
<v Speaker 1>upt us to choose stuff that will work, but hopefully

1:20:57.200 --> 1:20:59.400
<v Speaker 1>the surprises people. So the thing like that, Like last night,

1:20:59.439 --> 1:21:02.479
<v Speaker 1>I'm just thinking, like, all right, these this crowd probably

1:21:02.600 --> 1:21:05.439
<v Speaker 1>has been hearing the same ten songs three times a

1:21:05.560 --> 1:21:09.120
<v Speaker 1>night because whole week during Basil, I mean, and let

1:21:09.200 --> 1:21:11.479
<v Speaker 1>me play a few different things to leave an impression.

1:21:11.640 --> 1:21:16.080
<v Speaker 1>You guys prefer doing tables sets or playing full sets.

1:21:16.680 --> 1:21:19.040
<v Speaker 1>I'm gonna be honest, as the person is not a DJ.

1:21:19.200 --> 1:21:24.360
<v Speaker 1>I don't know what the funk you just said our instruments.

1:21:24.400 --> 1:21:26.320
<v Speaker 1>What I'm saying these guys could do amazing things on

1:21:26.360 --> 1:21:28.120
<v Speaker 1>the turntable and they could just do that and it

1:21:28.120 --> 1:21:30.280
<v Speaker 1>would be like a show or do they want to

1:21:30.320 --> 1:21:32.439
<v Speaker 1>play like? You know, just like But I think the

1:21:32.840 --> 1:21:35.040
<v Speaker 1>ultimate goal is to find to figure out to set

1:21:35.080 --> 1:21:37.160
<v Speaker 1>that merges all of that, and that's I looked up

1:21:37.200 --> 1:21:40.760
<v Speaker 1>to Jeff from way early on on that tip when

1:21:40.800 --> 1:21:42.400
<v Speaker 1>I would go see him spin, even back when I

1:21:42.439 --> 1:21:44.120
<v Speaker 1>lived in Montreal, and I'd be like, Yo, this is

1:21:44.200 --> 1:21:46.840
<v Speaker 1>so ill because he's rocking the crowd, but he's also

1:21:46.960 --> 1:21:49.280
<v Speaker 1>doing tricks that would normally make the crowd sort of

1:21:49.520 --> 1:21:52.439
<v Speaker 1>stop and watch. They're still going with it and like

1:21:52.520 --> 1:21:56.000
<v Speaker 1>finding that balance that's like the holy grail for technical

1:22:00.920 --> 1:22:03.320
<v Speaker 1>So so, so what's your what's your favorite part of

1:22:03.400 --> 1:22:11.000
<v Speaker 1>the UM? You know what I think? I think UM

1:22:12.240 --> 1:22:14.680
<v Speaker 1>and and and crazy and Atrack can attest to this

1:22:15.560 --> 1:22:18.439
<v Speaker 1>as a DJ. There's a point when you know you

1:22:18.560 --> 1:22:25.840
<v Speaker 1>got and I say, sometimes you got them. Sometimes you

1:22:26.000 --> 1:22:29.160
<v Speaker 1>can have them as soon as you walk on you

1:22:29.240 --> 1:22:31.760
<v Speaker 1>ain't gotta play ship. It's like, yeah, this is and

1:22:31.800 --> 1:22:33.680
<v Speaker 1>then sometimes it's like, oh, you're gonna fight me a

1:22:33.760 --> 1:22:39.880
<v Speaker 1>little bit minutes to get you. I think what I

1:22:40.120 --> 1:22:44.719
<v Speaker 1>like is knowing that I know what's about to happen

1:22:44.800 --> 1:22:48.479
<v Speaker 1>three records from now, and you don't, like, I'm like, okay,

1:22:48.680 --> 1:22:50.600
<v Speaker 1>keep that stone, like, especially when you get to do

1:22:50.840 --> 1:22:52.479
<v Speaker 1>that's in the front. You want to be in the front,

1:22:52.520 --> 1:22:55.160
<v Speaker 1>but you want to have a stone face and I'm not, Oh,

1:22:55.439 --> 1:23:00.360
<v Speaker 1>I'm listen, you're gonna nod your head like I'm betting

1:23:00.400 --> 1:23:03.040
<v Speaker 1>money that my goal is kind of like because you

1:23:03.120 --> 1:23:05.240
<v Speaker 1>don't know, and I'm watching me. I'm watching this smile

1:23:05.360 --> 1:23:07.639
<v Speaker 1>come on and go off. I'm watching ice cream. I'm

1:23:07.680 --> 1:23:10.240
<v Speaker 1>washing your hands loosen up to the point that at

1:23:10.280 --> 1:23:11.640
<v Speaker 1>the end of the night you can't take it and

1:23:11.680 --> 1:23:13.080
<v Speaker 1>you just say, fucking I'm gonna go to the back.

1:23:13.800 --> 1:23:15.920
<v Speaker 1>I got it, got to let go. But I think

1:23:16.520 --> 1:23:20.080
<v Speaker 1>knowing that you know something that everybody else does it.

1:23:20.520 --> 1:23:23.920
<v Speaker 1>But I know what this is gonna end, and I

1:23:24.000 --> 1:23:26.479
<v Speaker 1>know where you're gonna be when this ends, But you

1:23:26.600 --> 1:23:29.840
<v Speaker 1>don't know how do you deal with like, Like one

1:23:29.880 --> 1:23:32.519
<v Speaker 1>of my worst shows I've had was a guy was

1:23:32.600 --> 1:23:39.080
<v Speaker 1>in a performing the Guys in the Front. Best it

1:23:39.200 --> 1:23:44.040
<v Speaker 1>was your dude that seven songs like Relax. How do

1:23:44.120 --> 1:23:45.920
<v Speaker 1>you deal with drunk people who just come out of you?

1:23:46.160 --> 1:23:49.439
<v Speaker 1>I don't just request, but I am. I am the

1:23:49.760 --> 1:23:56.680
<v Speaker 1>master already. I listen, I've had this pounds in my

1:23:56.880 --> 1:24:00.599
<v Speaker 1>face and I'm like this, but I want to see,

1:24:00.640 --> 1:24:03.960
<v Speaker 1>you know, because you'll get the guy. It's kind of like, yo,

1:24:04.200 --> 1:24:07.040
<v Speaker 1>you know, you know, somebody just want I gotta come

1:24:07.120 --> 1:24:09.560
<v Speaker 1>up and shake my hand, and especially now like my

1:24:09.640 --> 1:24:11.960
<v Speaker 1>man got the cell phone, so get me, get getting

1:24:11.960 --> 1:24:18.280
<v Speaker 1>your getting jets, like I'm right in the middle of something,

1:24:18.400 --> 1:24:20.600
<v Speaker 1>like tell me what part of this did you Like?

1:24:20.800 --> 1:24:23.400
<v Speaker 1>I saw the video that kid could pre did and

1:24:23.439 --> 1:24:25.080
<v Speaker 1>I would never do it, but I gave him so

1:24:25.240 --> 1:24:29.519
<v Speaker 1>much problems that the girl kept asking him to play

1:24:29.640 --> 1:24:36.439
<v Speaker 1>something and he stopped the music completely and was like, okay,

1:24:36.960 --> 1:24:39.760
<v Speaker 1>since you want to funk up everybody's good time for

1:24:39.920 --> 1:24:41.800
<v Speaker 1>what you want to hear. I want you to tell

1:24:41.840 --> 1:24:49.080
<v Speaker 1>everybody what you want and listen. She started crying. She stopped.

1:24:49.360 --> 1:24:54.640
<v Speaker 1>But it's kind of like, yo, like you kind of

1:24:54.760 --> 1:24:59.439
<v Speaker 1>got you know, so it's you know, you just gotta

1:24:59.560 --> 1:25:03.080
<v Speaker 1>know m that. I mean, I've seen that. I've seen

1:25:03.120 --> 1:25:05.840
<v Speaker 1>that a couple of times, so you just know that's

1:25:05.920 --> 1:25:10.280
<v Speaker 1>that's that's listen everybody, everybody, you know, I mean, which

1:25:10.360 --> 1:25:12.000
<v Speaker 1>is a whole another issue. But it's kind of like

1:25:12.120 --> 1:25:14.400
<v Speaker 1>you wake up to the ten songs, you go to

1:25:14.479 --> 1:25:16.439
<v Speaker 1>work to the ten songs, You listen to ten songs

1:25:16.479 --> 1:25:18.360
<v Speaker 1>and your lunch break, listen to him on the way home,

1:25:18.680 --> 1:25:20.200
<v Speaker 1>and you go to the club and you fucking want

1:25:20.240 --> 1:25:22.560
<v Speaker 1>to ask me to play the ten song, Like just

1:25:22.640 --> 1:25:25.760
<v Speaker 1>get in the car and listen to the radio. You

1:25:25.840 --> 1:25:28.920
<v Speaker 1>know what I mean? Like you you you have like

1:25:29.040 --> 1:25:31.360
<v Speaker 1>I believe that especially as these as you have to

1:25:31.479 --> 1:25:33.639
<v Speaker 1>kind of you have to kind of stand your ground.

1:25:33.720 --> 1:25:35.640
<v Speaker 1>Like there's a level of me that I feel like

1:25:35.680 --> 1:25:38.400
<v Speaker 1>I'm standing on my ground to protect the culture because

1:25:38.800 --> 1:25:42.320
<v Speaker 1>one of my biggest fears is is I was like,

1:25:42.439 --> 1:25:45.000
<v Speaker 1>I never I never want to feel like you can

1:25:45.120 --> 1:25:47.719
<v Speaker 1>walk into a club and the DJ booth being closed

1:25:48.000 --> 1:25:50.920
<v Speaker 1>and somebody's playing a mix and you don't know m

1:25:52.040 --> 1:25:55.400
<v Speaker 1>let it like, let me, I'll stopped for one second.

1:25:55.479 --> 1:26:00.880
<v Speaker 1>I was watching something earlier. It was like Robots killed HBO. Right,

1:26:01.840 --> 1:26:06.720
<v Speaker 1>it's basically, um, I'm I'm describing this very long, but

1:26:06.720 --> 1:26:09.400
<v Speaker 1>it basically they're showing you how like in a couple

1:26:09.479 --> 1:26:12.240
<v Speaker 1>of years, you might not even need to bar Like

1:26:12.360 --> 1:26:17.040
<v Speaker 1>they're gonna have something. Yeah, that's just your gold it's

1:26:17.080 --> 1:26:19.640
<v Speaker 1>gonna be all that. Do you think they canna ever

1:26:19.680 --> 1:26:23.719
<v Speaker 1>do that with a DJ? No, they can't know because

1:26:23.720 --> 1:26:27.120
<v Speaker 1>they got robots right now listen, Because you know, people

1:26:27.160 --> 1:26:30.560
<v Speaker 1>talk about equipment that can put things in key and

1:26:30.680 --> 1:26:34.280
<v Speaker 1>put things in mix. What you can never do is

1:26:34.400 --> 1:26:36.960
<v Speaker 1>find an algorithm that I can look in your eyes

1:26:37.000 --> 1:26:39.200
<v Speaker 1>and tell that you about you really want to fucking

1:26:39.280 --> 1:26:44.280
<v Speaker 1>hear this mob deep record exactly like they when they

1:26:44.479 --> 1:26:48.360
<v Speaker 1>developed that. Then I'll get a little nervous, But at

1:26:48.400 --> 1:26:50.320
<v Speaker 1>the you know, at the end of the day, I

1:26:50.439 --> 1:26:52.920
<v Speaker 1>also feel like one skin not trying to be conspiracy.

1:26:52.960 --> 1:26:56.559
<v Speaker 1>There's I also feel like the reason why they're dumbing

1:26:56.640 --> 1:27:00.240
<v Speaker 1>the music down is to make it to the that

1:27:00.360 --> 1:27:02.800
<v Speaker 1>you can do something like that to make it serviceable. Yeah.

1:27:02.920 --> 1:27:06.480
<v Speaker 1>So I'm like, yo, like I appreciate, I'm mad, appreciate

1:27:06.880 --> 1:27:10.680
<v Speaker 1>a track and craze because when you see them, they

1:27:10.840 --> 1:27:14.880
<v Speaker 1>do something that no machine in this world could ever do.

1:27:15.360 --> 1:27:17.360
<v Speaker 1>And I think you have to show that. I get

1:27:17.479 --> 1:27:19.960
<v Speaker 1>mad at DJs with skills and get up there and

1:27:20.040 --> 1:27:23.320
<v Speaker 1>just play records and never show announce of their skills.

1:27:23.400 --> 1:27:26.000
<v Speaker 1>I'm like, yo, you were you were putting yourself in

1:27:26.080 --> 1:27:29.400
<v Speaker 1>this category that they're going to enclose the DJ booth

1:27:29.680 --> 1:27:32.559
<v Speaker 1>and play your fucking mixed team. You better make sure

1:27:33.000 --> 1:27:36.440
<v Speaker 1>that there's not a machine on earth that can duplicate

1:27:36.520 --> 1:27:39.719
<v Speaker 1>what you can do, like and that's saving the culture.

1:27:48.560 --> 1:27:51.400
<v Speaker 1>Because it made me think of that because because actually

1:27:51.400 --> 1:27:53.920
<v Speaker 1>I was I was watching it, I was getting a haircut,

1:27:53.960 --> 1:27:59.639
<v Speaker 1>and I just looked at my ball you becoming late

1:28:02.120 --> 1:28:07.840
<v Speaker 1>the probably change the channel, and it made me think

1:28:07.840 --> 1:28:09.960
<v Speaker 1>of that just now. But that what you just said

1:28:10.160 --> 1:28:14.080
<v Speaker 1>makes DJs are DJs are curators, and so even aside

1:28:14.120 --> 1:28:18.479
<v Speaker 1>from the skill aspect, you know, to have a human

1:28:18.560 --> 1:28:21.840
<v Speaker 1>being making choices, you know, you can't replace that because

1:28:21.880 --> 1:28:24.360
<v Speaker 1>you think about it, like when Spotify first came out

1:28:24.960 --> 1:28:27.479
<v Speaker 1>and it was like all the music in the world available,

1:28:27.520 --> 1:28:29.720
<v Speaker 1>a lot of people will send up in caviar or

1:28:29.760 --> 1:28:31.920
<v Speaker 1>something like that before that, because what I was getting

1:28:31.920 --> 1:28:35.160
<v Speaker 1>at is they had to start doing playlists to recommend

1:28:35.280 --> 1:28:38.800
<v Speaker 1>certain records two people. Because at first when you had

1:28:39.200 --> 1:28:43.360
<v Speaker 1>that things originally made by DJs, or that the Spotify

1:28:43.760 --> 1:28:47.840
<v Speaker 1>like playlists come from like the iPods era when iTunes.

1:28:48.080 --> 1:28:51.439
<v Speaker 1>And the last thing is when all the music in

1:28:51.479 --> 1:28:53.920
<v Speaker 1>the world is like you go to Spotify. Now you

1:28:54.000 --> 1:28:55.759
<v Speaker 1>can go to a playlist. Yes, you go to title,

1:28:56.240 --> 1:28:59.800
<v Speaker 1>go to the place's curated by certain individuals, But was

1:29:00.000 --> 1:29:03.160
<v Speaker 1>that I'm literally like a DJ set. That's when the

1:29:03.200 --> 1:29:06.880
<v Speaker 1>playlist is. Yeah, I think it's a way it's it's

1:29:06.880 --> 1:29:11.080
<v Speaker 1>sort of it's it's it's a DJ similar to my DJ. Yeah,

1:29:11.080 --> 1:29:13.080
<v Speaker 1>because part of DJing is not just the song as

1:29:13.120 --> 1:29:15.120
<v Speaker 1>you play, is the energy that you bring. The crazy

1:29:15.200 --> 1:29:17.840
<v Speaker 1>thing with certain DJs is you could be out hearing

1:29:17.960 --> 1:29:20.880
<v Speaker 1>a DJ said someone played one record and you'll be like, man,

1:29:20.960 --> 1:29:22.600
<v Speaker 1>this is dope. What is that? You find out what

1:29:22.680 --> 1:29:24.760
<v Speaker 1>the record is, you go back home, listen to it,

1:29:24.880 --> 1:29:26.960
<v Speaker 1>and it doesn't hit you the same way because certain

1:29:27.040 --> 1:29:28.720
<v Speaker 1>DJ is the way they bring the record, in the

1:29:28.800 --> 1:29:31.439
<v Speaker 1>way they read the orgy. Yeah, and just there's something

1:29:31.479 --> 1:29:35.840
<v Speaker 1>about that energy control. It's like you know magicians, where

1:29:36.520 --> 1:29:39.000
<v Speaker 1>the record by itself isn't the same thing. So playlist

1:29:39.120 --> 1:29:42.679
<v Speaker 1>doesn't have the flow and the energy of a DJ set. Yeah.

1:29:43.680 --> 1:29:51.880
<v Speaker 1>So I just realized I'm surrounded by DJ M gonna

1:29:51.880 --> 1:29:55.720
<v Speaker 1>do a crazy show for DJ but yeah, I mean,

1:29:55.800 --> 1:30:02.559
<v Speaker 1>I ain't gonna lie. I'm loving the because as an artist, uh,

1:30:03.400 --> 1:30:07.200
<v Speaker 1>I've never done a show without a DJ um and

1:30:07.320 --> 1:30:09.439
<v Speaker 1>I know that that controls the thing, so it is

1:30:09.439 --> 1:30:12.519
<v Speaker 1>in case anybody's ever you know, we know that you

1:30:12.640 --> 1:30:14.479
<v Speaker 1>guys run the show. We know that you guys were

1:30:14.520 --> 1:30:16.519
<v Speaker 1>in the world, and we appreciate that. You know, from

1:30:16.560 --> 1:30:19.320
<v Speaker 1>every artist in the world to you know, every fucking

1:30:19.520 --> 1:30:22.400
<v Speaker 1>fans and everybody who has a hair who listens to

1:30:23.200 --> 1:30:28.800
<v Speaker 1>great music, we want to say thank you. You know

1:30:28.920 --> 1:30:31.360
<v Speaker 1>that DJs were in the world, and also big up

1:30:31.400 --> 1:30:34.200
<v Speaker 1>to DJ Enough and DJ Commiller was supposed to stop by,

1:30:34.560 --> 1:30:36.000
<v Speaker 1>and that would have been dope to have all your

1:30:36.120 --> 1:30:39.880
<v Speaker 1>DJ and thereuld have been not been enough records. So

1:30:40.520 --> 1:30:42.559
<v Speaker 1>so let me just ask you something before we get

1:30:42.600 --> 1:30:51.519
<v Speaker 1>about here, the transition from vinyl to fully digital. Is

1:30:51.600 --> 1:30:54.880
<v Speaker 1>it a good thing? Because the one thing I will

1:30:54.960 --> 1:30:58.559
<v Speaker 1>tell you was paying your dues is a DJ kind

1:30:58.600 --> 1:31:02.920
<v Speaker 1>of felt like carrying rates? Where would it can we

1:31:03.080 --> 1:31:05.519
<v Speaker 1>replace Carrie and creates for a book bag with your

1:31:05.560 --> 1:31:13.000
<v Speaker 1>laptop rating it? Because I always felt like that was

1:31:13.040 --> 1:31:15.599
<v Speaker 1>paying your dudes. Is a DJ like like like actually,

1:31:15.720 --> 1:31:17.519
<v Speaker 1>you know, me being from New York City and me

1:31:17.600 --> 1:31:20.200
<v Speaker 1>being like, you know, going to the tunnel, that would

1:31:20.200 --> 1:31:22.200
<v Speaker 1>be my thing. I would try to get there earlier

1:31:22.280 --> 1:31:24.360
<v Speaker 1>to see a DJ come out there with their crates

1:31:24.600 --> 1:31:27.040
<v Speaker 1>and be like, you know, forgetting them where their gloves

1:31:27.360 --> 1:31:29.439
<v Speaker 1>and be freezing. I'll be looking like that's a good

1:31:29.479 --> 1:31:32.000
<v Speaker 1>ole DJ, right, you know what I'm saying. But now

1:31:32.280 --> 1:31:36.720
<v Speaker 1>these guys they don't freeze at all, you know. But

1:31:36.920 --> 1:31:40.800
<v Speaker 1>but um, what is what is the transition from you know,

1:31:41.000 --> 1:31:45.920
<v Speaker 1>like seriously, from crates to is it a plus? Or

1:31:46.120 --> 1:31:49.800
<v Speaker 1>is it? It? Is? It? It was a huge change,

1:31:49.840 --> 1:31:55.000
<v Speaker 1>by the way, because like you know, it's almost people

1:31:55.160 --> 1:31:58.720
<v Speaker 1>forget that before the digital was even an option. When

1:31:58.760 --> 1:32:00.400
<v Speaker 1>you made a record and you want to to play it,

1:32:00.479 --> 1:32:02.400
<v Speaker 1>you have to go get a dub plate press to

1:32:02.520 --> 1:32:06.000
<v Speaker 1>get an act press, or if you uh, you know,

1:32:06.200 --> 1:32:08.439
<v Speaker 1>if the airline lost your luggage, you couldn't play that

1:32:08.600 --> 1:32:11.080
<v Speaker 1>night off. I don't miss any of the final stuff.

1:32:11.080 --> 1:32:13.120
<v Speaker 1>It's funny because world stress TJ. So people come up

1:32:13.120 --> 1:32:14.920
<v Speaker 1>to us and it's like, yeah, final. I'm like, oh,

1:32:15.160 --> 1:32:18.240
<v Speaker 1>it's final, really breaking my back having airlines losten. I

1:32:18.280 --> 1:32:20.519
<v Speaker 1>don't miss any of that. So if you lose your computer,

1:32:20.800 --> 1:32:24.000
<v Speaker 1>just mean they're gonna lose your computer. It's you back.

1:32:24.360 --> 1:32:29.080
<v Speaker 1>But you would check in multiple crates in the that

1:32:29.240 --> 1:32:32.080
<v Speaker 1>was that's a nightmare. You don't hold your breath every

1:32:32.120 --> 1:32:34.360
<v Speaker 1>time the luggage coming. Yeah, because it's kind of like

1:32:34.479 --> 1:32:38.080
<v Speaker 1>there's one, there's another. I got to London one time

1:32:38.160 --> 1:32:40.760
<v Speaker 1>and the tops of my crates came the tops of

1:32:40.840 --> 1:32:43.080
<v Speaker 1>my boxes just because there was a bunch of DJs

1:32:43.120 --> 1:32:45.719
<v Speaker 1>that worked in the airport. And then you, oh, London

1:32:45.800 --> 1:32:49.160
<v Speaker 1>was gangster back in the day, coming and you're just

1:32:49.280 --> 1:32:50.840
<v Speaker 1>would come and it would be the tops, and you'll

1:32:50.880 --> 1:32:53.160
<v Speaker 1>be waiting for the bottoms because first of all, you

1:32:53.240 --> 1:32:55.000
<v Speaker 1>don't if the bottoms, if the tops, and you know,

1:32:55.080 --> 1:32:57.320
<v Speaker 1>on the records all over the players, and it would

1:32:57.360 --> 1:33:00.040
<v Speaker 1>never come because someone would take that off, put a

1:33:00.160 --> 1:33:03.599
<v Speaker 1>top on and there was somebody rocking in London. Wow,

1:33:03.920 --> 1:33:07.360
<v Speaker 1>So the record we're saying, this is great, this is great.

1:33:07.960 --> 1:33:12.080
<v Speaker 1>The whole the digital thing makes every song available to you.

1:33:12.760 --> 1:33:15.519
<v Speaker 1>And I think that's really cool too, because that ended

1:33:15.600 --> 1:33:18.080
<v Speaker 1>up helping break down some of the barriers between genres

1:33:18.120 --> 1:33:20.720
<v Speaker 1>and everything. It just it helped music involved. In the

1:33:20.840 --> 1:33:24.320
<v Speaker 1>last ten years, DJ's really played a big role in

1:33:24.600 --> 1:33:27.599
<v Speaker 1>in steering the direction of music in general. A lot

1:33:27.680 --> 1:33:29.599
<v Speaker 1>of artists started going to dj C being like, yeah,

1:33:29.640 --> 1:33:32.560
<v Speaker 1>what's the next sound? And I think that digital transition

1:33:32.880 --> 1:33:35.800
<v Speaker 1>helped in that because it brought everything together. And at

1:33:35.800 --> 1:33:38.439
<v Speaker 1>the end of the day, even if it's kind of

1:33:38.479 --> 1:33:41.639
<v Speaker 1>wild to think that every DJ that plays on every stage,

1:33:41.720 --> 1:33:44.360
<v Speaker 1>every club has access to all the same records, but

1:33:44.439 --> 1:33:47.559
<v Speaker 1>it's kind of cool because then it puts the force

1:33:47.600 --> 1:33:51.759
<v Speaker 1>bag like it's it's each DJ's own taste and style.

1:33:52.320 --> 1:33:54.400
<v Speaker 1>They'll make a difference whether they're good or not. Like

1:33:54.520 --> 1:33:56.439
<v Speaker 1>that we all have access to the same records, we

1:33:56.479 --> 1:33:59.240
<v Speaker 1>have the same I was like, you know, we have

1:33:59.320 --> 1:34:01.640
<v Speaker 1>a backyard. I did, but I have a party. You

1:34:01.720 --> 1:34:03.640
<v Speaker 1>guys all have the same records, but it would be

1:34:03.760 --> 1:34:08.439
<v Speaker 1>all three different energies, completely completely different. Yeah, that that's awesome.

1:34:09.080 --> 1:34:11.360
<v Speaker 1>That's do you guys get mad? Like when you hear

1:34:11.479 --> 1:34:14.320
<v Speaker 1>artists that sounded the same. They're DJs that do the

1:34:14.400 --> 1:34:18.479
<v Speaker 1>same thing as another DJ. Oh yeah, absolutely damn you

1:34:18.600 --> 1:34:26.920
<v Speaker 1>got you got designers and like those you know what

1:34:26.960 --> 1:34:34.519
<v Speaker 1>I'm saying, but got that. But you know what again?

1:34:34.600 --> 1:34:37.320
<v Speaker 1>Once again, man, thank you for hanging out. Jazzy jeff Man,

1:34:37.360 --> 1:34:44.760
<v Speaker 1>I wanted to self to I was talking about the

1:34:44.840 --> 1:34:47.640
<v Speaker 1>whole transition in and the fresh princhion belt an um.

1:34:47.960 --> 1:34:51.800
<v Speaker 1>I have to salute you for the transition into a

1:34:51.920 --> 1:34:54.640
<v Speaker 1>different arena. I think that it is very important to

1:34:54.800 --> 1:34:58.960
<v Speaker 1>kind of show the hip hop generation, and especially because

1:34:58.960 --> 1:35:01.759
<v Speaker 1>you know, we still we have some legendary stubborn brothers

1:35:03.200 --> 1:35:05.720
<v Speaker 1>doing the one thing that there are a lot of

1:35:05.800 --> 1:35:09.000
<v Speaker 1>people that are talented and more than just what anybody know,

1:35:09.400 --> 1:35:11.920
<v Speaker 1>knowing for what, and you're never too old to take

1:35:12.000 --> 1:35:15.720
<v Speaker 1>that jump into something else. So trust me. Like for

1:35:15.840 --> 1:35:20.560
<v Speaker 1>me to be sitting on here talking to you in

1:35:20.640 --> 1:35:22.960
<v Speaker 1>a completely different light than when I know you from

1:35:23.439 --> 1:35:32.360
<v Speaker 1>the game, it's that that's the I can't believe that

1:35:32.439 --> 1:35:34.439
<v Speaker 1>all the time. Is that's who I took it from.

1:35:34.520 --> 1:35:37.439
<v Speaker 1>It's like seeing your brothers take those opportunities to take

1:35:37.479 --> 1:35:40.639
<v Speaker 1>those chances, like you the ol owls to create my teeth.

1:35:40.680 --> 1:35:43.400
<v Speaker 1>But it was just like you know um, and I

1:35:43.520 --> 1:35:45.080
<v Speaker 1>was like, yo, you know what, if I can do

1:35:45.200 --> 1:35:49.120
<v Speaker 1>it on my way, then then then why not you

1:35:49.160 --> 1:35:50.680
<v Speaker 1>know what I'm saying, Like why not? Like I love

1:35:50.800 --> 1:35:53.000
<v Speaker 1>to I love to talk hip hop. I think a

1:35:53.080 --> 1:35:55.760
<v Speaker 1>hip hop we this should be our first take we

1:35:55.800 --> 1:35:59.600
<v Speaker 1>should have. I believe I get out of here, but

1:36:00.400 --> 1:36:03.200
<v Speaker 1>I believe that you shouldn't go to no other place

1:36:03.840 --> 1:36:05.760
<v Speaker 1>for anything in life, Meaning if you want to go

1:36:06.040 --> 1:36:08.240
<v Speaker 1>to a yelp. I'm making the hip hop you up

1:36:08.360 --> 1:36:11.280
<v Speaker 1>right now right, So I'm making the ship that nor

1:36:11.400 --> 1:36:13.519
<v Speaker 1>Re recommends where I want the fun you eat. And

1:36:13.560 --> 1:36:15.400
<v Speaker 1>I'm gonna tell you look, if you want to get shot,

1:36:15.520 --> 1:36:19.280
<v Speaker 1>this is where they go. They got the best friend

1:36:19.360 --> 1:36:21.680
<v Speaker 1>chicken though in the world, it might be worth it,

1:36:22.120 --> 1:36:23.439
<v Speaker 1>you know what I'm saying. If you want to go,

1:36:25.520 --> 1:36:27.760
<v Speaker 1>you wanna get some fried oreoles over, yeah, I got

1:36:28.000 --> 1:36:31.040
<v Speaker 1>like I'm not giving people like And if you want

1:36:31.040 --> 1:36:32.720
<v Speaker 1>to go to the news, I believe that you go

1:36:32.800 --> 1:36:34.519
<v Speaker 1>to the news. I believe Jim Jones should be the

1:36:34.560 --> 1:36:38.920
<v Speaker 1>weather forecaster. I believe, you know, I believe it's Jim Jones.

1:36:39.400 --> 1:36:41.720
<v Speaker 1>See what I'm saying. I believe if you want to

1:36:41.760 --> 1:36:44.280
<v Speaker 1>go sneakers shopping, I believe it's Fat Joe should be

1:36:44.280 --> 1:36:46.400
<v Speaker 1>guiding you through your sneakers and saying, listen, this is

1:36:46.479 --> 1:36:48.760
<v Speaker 1>like I believe you should get every bit of information

1:36:48.880 --> 1:36:52.000
<v Speaker 1>that we have in hip hop through hip hop. You

1:36:52.040 --> 1:36:53.920
<v Speaker 1>know what I'm saying, Through hip hop, I don't believe.

1:36:54.120 --> 1:36:56.400
<v Speaker 1>I believe everything should come from us. And because I

1:36:56.520 --> 1:36:59.679
<v Speaker 1>don't believe hip hop is even a color, I believe

1:36:59.800 --> 1:37:03.840
<v Speaker 1>hip pop is as his own race. We all race.

1:37:03.960 --> 1:37:05.479
<v Speaker 1>You know what I'm saying, like you, what are you?

1:37:05.560 --> 1:37:10.719
<v Speaker 1>I'm hip hop kid, but staff exactly what it because

1:37:10.800 --> 1:37:14.320
<v Speaker 1>it's our bonn our bonn like, like it doesn't matter

1:37:14.400 --> 1:37:17.080
<v Speaker 1>what color a person is easy hip hop. If you

1:37:17.240 --> 1:37:19.519
<v Speaker 1>hip hop to me, I funk with you, like I

1:37:19.560 --> 1:37:22.120
<v Speaker 1>don't give a funk where your background coming from. And

1:37:22.240 --> 1:37:25.360
<v Speaker 1>that's it's hip hop is a language, is it's it's uh,

1:37:25.479 --> 1:37:28.560
<v Speaker 1>it's it's two things at the universal it's food and

1:37:28.680 --> 1:37:32.240
<v Speaker 1>motherfucking music. Like no matter where you go. I remember

1:37:32.320 --> 1:37:34.560
<v Speaker 1>I was at some airport and these people are just

1:37:34.640 --> 1:37:36.800
<v Speaker 1>playing music and you're just seeing people just walking by.

1:37:37.000 --> 1:37:39.240
<v Speaker 1>Everybody had a little box to them. I'm saying, this

1:37:39.400 --> 1:37:43.280
<v Speaker 1>ship everybody, even the ones off beat ship. This guy's okay,

1:37:43.520 --> 1:37:47.120
<v Speaker 1>he's anybody love music, so anybody doesn't. It looks like food.

1:37:47.400 --> 1:37:49.080
<v Speaker 1>And I think we gotta keep spreading this. But I

1:37:49.080 --> 1:37:51.120
<v Speaker 1>think we gotta keep spreading love. We gotta keep continue

1:37:51.439 --> 1:37:54.120
<v Speaker 1>to you know, to I love that these two you

1:37:54.160 --> 1:37:56.760
<v Speaker 1>know dj these hot DJs, they came and they paid

1:37:56.840 --> 1:38:00.360
<v Speaker 1>comments immediately, and that's beautiful. But we need more of that.

1:38:00.760 --> 1:38:04.040
<v Speaker 1>We need more of people of our legends continue to

1:38:04.080 --> 1:38:06.040
<v Speaker 1>feel like legends and continue to be out there and

1:38:06.120 --> 1:38:08.040
<v Speaker 1>making money, continue to be out there and making our

1:38:08.080 --> 1:38:10.240
<v Speaker 1>culture look good. Because if we ain't gonna bag each

1:38:10.280 --> 1:38:13.000
<v Speaker 1>other up, ain't nobody gonna big us up. Bro. And

1:38:13.120 --> 1:38:15.000
<v Speaker 1>guess what, we need a little bit of big enough.

1:38:15.120 --> 1:38:17.880
<v Speaker 1>Sometimes you need that pattern of your shoulder. I ain't

1:38:17.880 --> 1:38:19.800
<v Speaker 1>gonna lie to you. That's why, you know, that's why

1:38:19.920 --> 1:38:22.200
<v Speaker 1>marathon runners to be having them people on the side

1:38:22.600 --> 1:38:24.920
<v Speaker 1>like yo, mother, you can get me going right, Yeah

1:38:25.640 --> 1:38:34.960
<v Speaker 1>that's twenty six. I can't. I can't thank you man.

1:38:35.360 --> 1:38:38.560
<v Speaker 1>Thank you think it if you'll get drops, thank you,

1:38:38.680 --> 1:38:43.000
<v Speaker 1>thank you? Yes, yes, you know. I like to picture