1 00:00:00,040 --> 00:00:03,480 Speaker 1: First of all, you don't know me. Were all about 2 00:00:03,480 --> 00:00:06,280 Speaker 1: that high school drama Girl Drama girl, all about them 3 00:00:06,360 --> 00:00:09,479 Speaker 1: high school queens. We'll take you for a ride in 4 00:00:09,560 --> 00:00:15,520 Speaker 1: our comic Girl Cheering for the Right Drama Queen's Girl Fashion, 5 00:00:15,560 --> 00:00:17,759 Speaker 1: but your tough girl, you could sit with us Girl 6 00:00:17,880 --> 00:00:21,640 Speaker 1: Drama Queens, Drama Queen's DRAWNA Queen's Drama Drawn MC Queen's 7 00:00:21,680 --> 00:00:26,720 Speaker 1: Drama Queens. Hey, everybody, We're doing a Q and A 8 00:00:26,800 --> 00:00:30,319 Speaker 1: episode just for you. Are you ready? Are you ready? 9 00:00:30,360 --> 00:00:33,920 Speaker 1: Are you girls ready? Me with some questions? Oh boy 10 00:00:34,080 --> 00:00:37,040 Speaker 1: from Julia. Julie wants to know, when faced with a 11 00:00:37,120 --> 00:00:40,479 Speaker 1: tough day on set, what did you do to unwind? 12 00:00:42,000 --> 00:00:49,279 Speaker 1: Karaoke hiding one of your trailers. I'm down town. I 13 00:00:49,280 --> 00:00:52,640 Speaker 1: would leave set and just walk straight to a bar, 14 00:00:53,080 --> 00:00:55,440 Speaker 1: Like I wouldn't even go home, because I knew i'd 15 00:00:55,440 --> 00:00:58,800 Speaker 1: get there eventually. We were just either Level five or 16 00:00:58,880 --> 00:01:03,360 Speaker 1: Yosake or where else did we go? Deluxe? Oh? Yeah, 17 00:01:03,600 --> 00:01:07,880 Speaker 1: like if we wanted to eat, Yeah, but I'd sit. 18 00:01:08,200 --> 00:01:10,280 Speaker 1: I'd have dinner there and then I'd sit at that bar, 19 00:01:10,440 --> 00:01:14,200 Speaker 1: like with Paul and Hank for so many hours. I 20 00:01:14,319 --> 00:01:17,720 Speaker 1: just sit there until they closed. Oh the French place. 21 00:01:17,760 --> 00:01:21,320 Speaker 1: We used to go to the upstairs French place. Caprice, Yeah, 22 00:01:21,720 --> 00:01:27,120 Speaker 1: Caprice upstairs, Yeah yeah. I mean I don't know that 23 00:01:27,280 --> 00:01:29,959 Speaker 1: there was anything. It's just like I think anybody else 24 00:01:30,040 --> 00:01:31,560 Speaker 1: has a hard day of work and they just go 25 00:01:31,680 --> 00:01:33,520 Speaker 1: they want to go have a drink with a with 26 00:01:33,560 --> 00:01:37,000 Speaker 1: a friend and take a load off, go home, just 27 00:01:37,040 --> 00:01:40,160 Speaker 1: bury yourself in your apartment and watch a movie or something. 28 00:01:40,240 --> 00:01:43,080 Speaker 1: Well joy you would go home in like so beautiful clothes, 29 00:01:43,200 --> 00:01:47,680 Speaker 1: like you you know, like a craft or something that 30 00:01:47,760 --> 00:01:51,720 Speaker 1: I would get into. Also having an animal helps. It 31 00:01:51,800 --> 00:01:53,760 Speaker 1: kind of depends for me. Did I need to shake 32 00:01:53,840 --> 00:01:57,200 Speaker 1: it off by like being alone and you know, taking 33 00:01:57,240 --> 00:02:00,160 Speaker 1: Patch for a walk, or did I did I need 34 00:02:00,160 --> 00:02:02,880 Speaker 1: to shake it off by like going with you guys 35 00:02:02,920 --> 00:02:06,760 Speaker 1: to karaoke and slamming to tequila shots and like swimming, 36 00:02:08,000 --> 00:02:10,640 Speaker 1: Like I don't know. It kind of depends on what 37 00:02:10,720 --> 00:02:12,200 Speaker 1: kind of a day you've had. I don't think there's 38 00:02:12,200 --> 00:02:15,239 Speaker 1: necessarily a standard, but I will say I think it's 39 00:02:15,240 --> 00:02:20,800 Speaker 1: important to acknowledge what you need, whether it's a moment 40 00:02:20,840 --> 00:02:24,880 Speaker 1: of introversion or a moment of extreme extraversion. You know, 41 00:02:24,960 --> 00:02:27,840 Speaker 1: listen to yourself. That makes so much sense. Give yourself, 42 00:02:27,840 --> 00:02:30,280 Speaker 1: what you need, take care of yourself because doing you 43 00:02:30,320 --> 00:02:33,919 Speaker 1: feel that that juxtaposition makes so much sense. So because 44 00:02:33,960 --> 00:02:36,400 Speaker 1: now that I'm thinking about it, I went out so 45 00:02:36,480 --> 00:02:40,079 Speaker 1: much downtown because I was so moby on the show 46 00:02:40,639 --> 00:02:42,520 Speaker 1: that I felt like I had to be turbo fun 47 00:02:43,000 --> 00:02:48,760 Speaker 1: outside of work. But in subsequent jobs where I have 48 00:02:48,919 --> 00:02:51,200 Speaker 1: to be a ton of fun and kind of loud, 49 00:02:51,560 --> 00:02:53,400 Speaker 1: that's when I want to just go home and be like, 50 00:02:53,680 --> 00:03:02,680 Speaker 1: I'm just going to be a grand Crochet's balance m hm, balance, right? 51 00:03:03,680 --> 00:03:08,040 Speaker 1: Are we still doing those things? If it ain't broke, 52 00:03:08,080 --> 00:03:11,480 Speaker 1: don't fix it. I don't know, you guys. This weekend 53 00:03:12,200 --> 00:03:15,919 Speaker 1: I went we were out visiting friends and we went 54 00:03:15,960 --> 00:03:19,120 Speaker 1: to this like really fun party on Saturday night and 55 00:03:19,160 --> 00:03:21,760 Speaker 1: there was this great DJ and everyone was like, oh 56 00:03:21,800 --> 00:03:24,360 Speaker 1: my god, we're outside and we're dancing and it's great. 57 00:03:24,840 --> 00:03:29,440 Speaker 1: We went to a college book after. I didn't know 58 00:03:29,520 --> 00:03:34,240 Speaker 1: it was a college bar there, no, but we were there. 59 00:03:34,280 --> 00:03:37,000 Speaker 1: There was a cover band playing incredible music. It was 60 00:03:37,040 --> 00:03:40,240 Speaker 1: like me and ten friends who are all our age, 61 00:03:40,520 --> 00:03:44,240 Speaker 1: like like, you know, my friend was a magazine editor 62 00:03:44,320 --> 00:03:47,440 Speaker 1: like grown ask people, and we were in the corner 63 00:03:47,480 --> 00:03:50,280 Speaker 1: of a college bar, just like dying having the time 64 00:03:50,280 --> 00:03:53,040 Speaker 1: of our lives. I got asked out by it a 65 00:03:53,120 --> 00:03:57,640 Speaker 1: kid who could not have and I just was like, 66 00:03:57,760 --> 00:04:04,240 Speaker 1: oh you sweet, you sweet, you sweet sweet boy asked 67 00:04:04,240 --> 00:04:07,200 Speaker 1: me again, ask me again. I just want to hear it. 68 00:04:07,280 --> 00:04:10,840 Speaker 1: But thanks. It was. It was adorable. You have to 69 00:04:10,880 --> 00:04:13,240 Speaker 1: go now. I love so like, I don't know. Are 70 00:04:13,280 --> 00:04:16,640 Speaker 1: we still doing that? Yes? Have I done that in years? No? 71 00:04:17,240 --> 00:04:20,440 Speaker 1: Was it fun? Absolutely? Can we promise to be like 72 00:04:20,600 --> 00:04:25,640 Speaker 1: seventy five year old women still doing that? Absolute? Yeah? Yeah, 73 00:04:26,200 --> 00:04:30,279 Speaker 1: college bar. We're going to be forever. Put that on 74 00:04:30,360 --> 00:04:33,040 Speaker 1: a shirt. We're gonna be fun forever. Alright, We're gonna 75 00:04:33,080 --> 00:04:36,840 Speaker 1: be fun forever. Joy. You got a question? What? What's 76 00:04:36,839 --> 00:04:41,120 Speaker 1: the question she wants to know when filming the costumes 77 00:04:41,120 --> 00:04:43,240 Speaker 1: segment with Chad. Okay, so I think she's said with 78 00:04:43,279 --> 00:04:45,920 Speaker 1: the Halloween episode, what was it like? Was it as 79 00:04:45,960 --> 00:04:50,400 Speaker 1: much fun as it looked? And how do montage segments work? 80 00:04:51,040 --> 00:04:54,240 Speaker 1: You want to walcome through a montage? Yeah, Usually they 81 00:04:54,279 --> 00:04:57,320 Speaker 1: just set up the camera on one side and Chad 82 00:04:57,360 --> 00:05:01,240 Speaker 1: would go in the dressing room, come out, uh with 83 00:05:01,279 --> 00:05:03,280 Speaker 1: all his outfits, do fun stuff, and then he would 84 00:05:03,320 --> 00:05:06,400 Speaker 1: go back in and then he would we would he 85 00:05:06,440 --> 00:05:07,760 Speaker 1: would do it again. He would just do it like 86 00:05:07,800 --> 00:05:10,240 Speaker 1: six or seven times until all the costumes were done, 87 00:05:10,600 --> 00:05:13,440 Speaker 1: and then they would turn the camera around, uh and 88 00:05:13,480 --> 00:05:15,960 Speaker 1: put it where Chad was standing and just shoot all 89 00:05:15,960 --> 00:05:18,840 Speaker 1: of my reactions to all of those outfits, and any 90 00:05:18,839 --> 00:05:21,480 Speaker 1: of the outfits that they wanted us to be interacting in. 91 00:05:22,480 --> 00:05:26,719 Speaker 1: They would shoot us. I don't remember which angle it 92 00:05:26,760 --> 00:05:28,560 Speaker 1: was from. They probably just picked one of the angles 93 00:05:28,600 --> 00:05:31,480 Speaker 1: and then they would just shoot our interactions from a 94 00:05:31,520 --> 00:05:34,120 Speaker 1: little bit further back. We pull the camera back like 95 00:05:34,160 --> 00:05:36,720 Speaker 1: a master, right, yeah, it's a master. And then they 96 00:05:36,760 --> 00:05:39,880 Speaker 1: just had all the singles. It does take quite a while. 97 00:05:39,920 --> 00:05:42,400 Speaker 1: I'll have to say it's it's always it goes so fast, 98 00:05:42,480 --> 00:05:45,200 Speaker 1: but it takes a while to set those up. But 99 00:05:45,240 --> 00:05:47,039 Speaker 1: it was fun. Yeah, we had fun that day. I 100 00:05:47,040 --> 00:05:50,960 Speaker 1: remember enjoying that. I was just I didn't have to 101 00:05:51,040 --> 00:05:53,360 Speaker 1: change a million times. It was like, let him do it. 102 00:05:54,080 --> 00:05:55,880 Speaker 1: I'll stand here. It's always funny when you watch a 103 00:05:55,960 --> 00:05:58,479 Speaker 1: montage and you go, god, that looks good. We did 104 00:05:58,480 --> 00:06:01,960 Speaker 1: that for eight hours. Yeah, we made it look great exactly. 105 00:06:02,240 --> 00:06:07,200 Speaker 1: You made it look so spontaneously. That is an iconic scene. 106 00:06:07,960 --> 00:06:10,880 Speaker 1: Let's see Tracy asks, do you see a parallel in 107 00:06:10,920 --> 00:06:15,279 Speaker 1: the relationships between Lucas and Peyton and Brenda and Dylan 108 00:06:15,440 --> 00:06:20,000 Speaker 1: Beverly Hills nao O. I never thought about that. I 109 00:06:20,040 --> 00:06:27,880 Speaker 1: never really watched it wasn't allowed. Well I was, and 110 00:06:27,920 --> 00:06:30,600 Speaker 1: then my parents watched an episode once while I was 111 00:06:30,640 --> 00:06:33,600 Speaker 1: at camp, and I don't know, somebody, somebody had sex 112 00:06:33,640 --> 00:06:35,919 Speaker 1: with somebody behind somebody's back, and then I wasn't allowed 113 00:06:35,920 --> 00:06:39,599 Speaker 1: to watch it anymore. So I don't I have no 114 00:06:39,720 --> 00:06:42,360 Speaker 1: idea because I was banned from NATO two and O 115 00:06:42,680 --> 00:06:45,880 Speaker 1: because I think pretty early on, yeah, we were babies. 116 00:06:49,320 --> 00:06:52,520 Speaker 1: Brenda and I was also banned from watching Dawson's Creek too. 117 00:06:52,640 --> 00:06:55,520 Speaker 1: Like I remember when Dawson's Creep premiered, I had all 118 00:06:55,600 --> 00:06:59,040 Speaker 1: my girlfriends over and it was like we were pumped. 119 00:06:59,080 --> 00:07:02,080 Speaker 1: We were like, we were watch this show together every week. 120 00:07:02,120 --> 00:07:05,720 Speaker 1: It's gonna be so fun. And these like senior boys 121 00:07:05,839 --> 00:07:09,120 Speaker 1: came over to like see us and visit, and we 122 00:07:09,120 --> 00:07:11,920 Speaker 1: were like, oh my god, this is so cool. This 123 00:07:12,160 --> 00:07:14,520 Speaker 1: high school high school is gonna be the best time ever. 124 00:07:15,120 --> 00:07:18,720 Speaker 1: And then Pacy started sleeping with his teacher. My mother 125 00:07:18,960 --> 00:07:22,480 Speaker 1: was like, no, we are not we are not watching 126 00:07:22,520 --> 00:07:26,160 Speaker 1: this show. This is smut and so I grew up 127 00:07:27,000 --> 00:07:32,000 Speaker 1: to make smut. You're like, well, you didn't let me 128 00:07:32,040 --> 00:07:35,880 Speaker 1: watch it, so I'm gonna go. And you know what, parents, 129 00:07:35,920 --> 00:07:38,160 Speaker 1: you you pull the reins in too tight and then 130 00:07:38,160 --> 00:07:39,920 Speaker 1: they just go crazy when you let him go. You 131 00:07:39,920 --> 00:07:47,360 Speaker 1: gotta gotta just be real careful, wild careful. That's true. 132 00:07:48,360 --> 00:07:50,320 Speaker 1: Angelica wants to know if we ever noticed that the 133 00:07:50,360 --> 00:07:53,680 Speaker 1: writers use and I love you for that all the 134 00:07:53,760 --> 00:07:57,760 Speaker 1: time and scenes. I never noticed that. If you haven't, 135 00:07:58,640 --> 00:08:02,360 Speaker 1: if you haven't, now you will. I love you for that. 136 00:08:02,600 --> 00:08:07,560 Speaker 1: But blah blah blah. Yeah, no, I never clopped that. 137 00:08:07,600 --> 00:08:10,440 Speaker 1: When there's a couple that I know that they felt 138 00:08:10,480 --> 00:08:16,360 Speaker 1: real cute about, like well, well this one, wells or hey, 139 00:08:16,440 --> 00:08:19,800 Speaker 1: pretty girl. That was another one that was like mm hm, 140 00:08:20,600 --> 00:08:22,800 Speaker 1: I used a lot. All right, well this one's gonna 141 00:08:22,840 --> 00:08:32,240 Speaker 1: be like a you know, brain worm. We're stopped it now. 142 00:08:33,320 --> 00:08:35,760 Speaker 1: Nia wants to know. I know that Joy and Sophia 143 00:08:35,840 --> 00:08:39,400 Speaker 1: have directed multiple episodes of the show. In your podcast 144 00:08:39,400 --> 00:08:42,400 Speaker 1: with Lindsay mckinn, you discuss how there is eight days 145 00:08:42,400 --> 00:08:45,080 Speaker 1: of prep, eight days of shooting, and eight days of 146 00:08:45,120 --> 00:08:49,440 Speaker 1: post production. How did you as actors manage your schedules 147 00:08:49,480 --> 00:08:53,440 Speaker 1: as actors but also directors, and how did pre production 148 00:08:53,480 --> 00:08:57,160 Speaker 1: and post production work while also shooting the episodes with 149 00:08:57,280 --> 00:09:03,240 Speaker 1: different directors. That's a great question. The will the pre 150 00:09:03,440 --> 00:09:07,160 Speaker 1: pro and post pro work while shooting episodes of different 151 00:09:07,200 --> 00:09:11,200 Speaker 1: directors was easier? I mean for me, it was easier, 152 00:09:11,200 --> 00:09:14,360 Speaker 1: so if you can speak for yourself. But because I 153 00:09:14,440 --> 00:09:16,720 Speaker 1: wasn't on set, I was. I was on set working 154 00:09:16,760 --> 00:09:20,040 Speaker 1: on my own stuff, and then I would leave set 155 00:09:20,120 --> 00:09:23,640 Speaker 1: and go do post or that just felt like a 156 00:09:23,679 --> 00:09:26,760 Speaker 1: separate job. So it was any time I wasn't on set, 157 00:09:26,880 --> 00:09:29,600 Speaker 1: I was just in an office doing something that had 158 00:09:29,640 --> 00:09:31,360 Speaker 1: absolutely nothing to do with the acting I was doing 159 00:09:31,360 --> 00:09:33,360 Speaker 1: that day, So that made it a lot easier. I 160 00:09:33,400 --> 00:09:35,760 Speaker 1: did not like being on set as an actor and 161 00:09:35,760 --> 00:09:38,960 Speaker 1: then directing myself at the same time, and having to 162 00:09:39,040 --> 00:09:40,800 Speaker 1: direct the people I was in a scene with, because 163 00:09:40,840 --> 00:09:43,640 Speaker 1: as an actor, I prefer to be in the moment 164 00:09:43,679 --> 00:09:47,319 Speaker 1: in the scene rather than judging someone else's performance, um, 165 00:09:47,360 --> 00:09:49,839 Speaker 1: which you have to do as a director. So it's 166 00:09:49,920 --> 00:09:54,560 Speaker 1: kind of I didn't love that aspect of it. Yeah, 167 00:09:54,600 --> 00:09:57,040 Speaker 1: I understand that. So I think one of the just 168 00:09:57,120 --> 00:10:00,160 Speaker 1: sort of technical things that would probably be helpf to 169 00:10:00,520 --> 00:10:02,800 Speaker 1: fill you guys in on at home. As you know, 170 00:10:02,880 --> 00:10:05,160 Speaker 1: for example, when we would be directing and we would 171 00:10:05,200 --> 00:10:09,560 Speaker 1: be in our pre production time, a director who is 172 00:10:09,600 --> 00:10:12,200 Speaker 1: not acting on the show gets all eight days to prep. 173 00:10:12,679 --> 00:10:16,960 Speaker 1: We did not. They would definitely try. You know, let's 174 00:10:16,960 --> 00:10:20,160 Speaker 1: say I was directing episode eight of the season, they 175 00:10:20,200 --> 00:10:23,520 Speaker 1: would try to block my days in episode seven. So 176 00:10:23,559 --> 00:10:26,520 Speaker 1: they try to cluster your scenes together as much as possible, 177 00:10:27,200 --> 00:10:30,359 Speaker 1: so that you might be act all day on Tuesday, 178 00:10:30,400 --> 00:10:32,880 Speaker 1: but then you could go prep all day on Wednesday, 179 00:10:32,960 --> 00:10:35,400 Speaker 1: while you know, Brooke would be off all Nathan and 180 00:10:35,440 --> 00:10:38,600 Speaker 1: Haley would be having a day at their house or something. Um, 181 00:10:38,640 --> 00:10:42,680 Speaker 1: but you definitely did get less time. I think what 182 00:10:42,920 --> 00:10:45,560 Speaker 1: helps really make up for that is we started directing 183 00:10:45,679 --> 00:10:48,679 Speaker 1: years into being on the show. We knew every location 184 00:10:48,720 --> 00:10:51,800 Speaker 1: like the back of our hands. We we had shorthand 185 00:10:51,840 --> 00:10:54,760 Speaker 1: with the crew. We knew what, you know, the lighting 186 00:10:54,800 --> 00:10:57,720 Speaker 1: looked like at trick for concerts. Yes, there were things 187 00:10:57,760 --> 00:11:01,160 Speaker 1: we were you know, designing and create, but we already 188 00:11:01,280 --> 00:11:07,880 Speaker 1: had ah the deep intimate experience with most of our sets. Um, 189 00:11:07,920 --> 00:11:09,760 Speaker 1: if you had to go find a set, you know, 190 00:11:09,840 --> 00:11:13,480 Speaker 1: specific for your episode, you would location scout on a 191 00:11:13,559 --> 00:11:16,520 Speaker 1: day where you were not acting in the episode. That 192 00:11:16,600 --> 00:11:21,199 Speaker 1: was filming before yours and then post to Joy's point, 193 00:11:21,600 --> 00:11:23,680 Speaker 1: you know, you'd run in if you had a scene off, 194 00:11:23,720 --> 00:11:25,840 Speaker 1: you'd run into the office and jump back in the edit. 195 00:11:26,240 --> 00:11:30,199 Speaker 1: But with directors, UM, you do not get final cut. 196 00:11:30,760 --> 00:11:34,680 Speaker 1: You know, the producers and creator of the show get 197 00:11:34,720 --> 00:11:37,560 Speaker 1: the director's cut. Then they make whatever edits they make 198 00:11:38,200 --> 00:11:41,200 Speaker 1: because they do an edit on every single episode, which 199 00:11:41,440 --> 00:11:45,880 Speaker 1: really creates a cohesion, um with the story. And sometimes 200 00:11:45,960 --> 00:11:47,320 Speaker 1: they don't have a lot of notes for you, and 201 00:11:47,400 --> 00:11:54,680 Speaker 1: sometimes you know they disagree. UM. Never do you really 202 00:11:54,720 --> 00:12:00,040 Speaker 1: think something is amazing us know what opinions we've I 203 00:12:00,160 --> 00:12:04,959 Speaker 1: know what those are, UM, But I yeah, I definitely 204 00:12:05,120 --> 00:12:09,600 Speaker 1: enjoyed um juggling all those things for me, you know, 205 00:12:09,679 --> 00:12:14,319 Speaker 1: being so many years into our show directing in ways, 206 00:12:14,840 --> 00:12:17,240 Speaker 1: you know, when let's be honest, you do every you 207 00:12:17,320 --> 00:12:18,839 Speaker 1: do the same thing every day for years, you get 208 00:12:18,840 --> 00:12:21,319 Speaker 1: a little bored. It's not a bad thing, it's just human. 209 00:12:22,120 --> 00:12:25,760 Speaker 1: And as a director, I fell in love with our 210 00:12:25,800 --> 00:12:28,520 Speaker 1: show all over again, over and over again every year, 211 00:12:28,679 --> 00:12:36,440 Speaker 1: and I really cherished that experience. Um. Nicole says, is 212 00:12:36,480 --> 00:12:39,200 Speaker 1: there a reason why Bevin and Antoine have the same 213 00:12:39,320 --> 00:12:45,040 Speaker 1: names as the actors that is it laziness with the answer, 214 00:12:47,040 --> 00:12:48,800 Speaker 1: I feel like it is. I feel like they were 215 00:12:48,840 --> 00:12:52,000 Speaker 1: just like, let's not worry about tracking too many people, 216 00:12:52,320 --> 00:12:54,280 Speaker 1: Like I don't want to have to deal with like 217 00:12:54,360 --> 00:12:57,960 Speaker 1: a new remembering new character's name cast in the history 218 00:12:57,960 --> 00:13:00,920 Speaker 1: of television, there's eight billion people on this show. Just 219 00:13:01,000 --> 00:13:04,760 Speaker 1: call them by their real name. It's fine. Yeah, I 220 00:13:04,760 --> 00:13:08,160 Speaker 1: think that. Well, you know what happened. I remember when 221 00:13:08,280 --> 00:13:10,320 Speaker 1: Bevin came on the show. She was saying that there 222 00:13:10,360 --> 00:13:13,520 Speaker 1: was an episode where, you know, long before she'd ever 223 00:13:13,600 --> 00:13:18,680 Speaker 1: actually been cast to speak as an actor, where she 224 00:13:18,800 --> 00:13:21,320 Speaker 1: was just a featured extra, you know, being one of 225 00:13:21,320 --> 00:13:27,080 Speaker 1: our cheerleaders they had when we were doing cheer practice. Um, yes, 226 00:13:27,160 --> 00:13:29,680 Speaker 1: to make it easier, they had us, you know, me 227 00:13:29,760 --> 00:13:32,920 Speaker 1: and Hillary calling all of the girls who were our 228 00:13:33,000 --> 00:13:36,559 Speaker 1: cheerleaders by their real names m which is such a 229 00:13:36,600 --> 00:13:39,000 Speaker 1: weird thing because you know, the writers are like, oh, well, 230 00:13:39,040 --> 00:13:40,680 Speaker 1: you know, these are featured extras, Like, we don't know 231 00:13:40,679 --> 00:13:42,719 Speaker 1: if these girls are going to stick around, like call 232 00:13:42,800 --> 00:13:44,640 Speaker 1: them by their real names, you know, you know some 233 00:13:44,720 --> 00:13:48,199 Speaker 1: guy don't say who said in the room, Like, well, 234 00:13:48,240 --> 00:13:50,040 Speaker 1: it's not like they're ever going to talk. And then 235 00:13:50,080 --> 00:13:52,040 Speaker 1: like Bevin became a star on our show, and they 236 00:13:52,040 --> 00:13:55,720 Speaker 1: were like, well, well she has her own name already, 237 00:13:55,840 --> 00:13:59,120 Speaker 1: so that ship is sailed. I don't know how it 238 00:13:59,160 --> 00:14:02,440 Speaker 1: happened with Antoine though. How confusing for the fan base though, 239 00:14:02,679 --> 00:14:05,280 Speaker 1: like to like see her out in the wild and 240 00:14:05,320 --> 00:14:11,400 Speaker 1: be like Bethan, I know, talking about blurred lines, so weird, 241 00:14:11,720 --> 00:14:13,600 Speaker 1: but our show. That was kind of the magic of 242 00:14:13,640 --> 00:14:15,400 Speaker 1: our show is that no one ever knew what was 243 00:14:15,480 --> 00:14:18,439 Speaker 1: real and what was it turns out a couple of 244 00:14:18,480 --> 00:14:23,360 Speaker 1: things are real. Hillary, what is your best personal life 245 00:14:23,400 --> 00:14:29,800 Speaker 1: hack tip? Farming advice, keeping cooking, makeup because you're the 246 00:14:29,920 --> 00:14:32,600 Speaker 1: you're the farmer. Yeah, let me. You know what I 247 00:14:32,600 --> 00:14:35,440 Speaker 1: should do is I should just start doling out makeup 248 00:14:35,480 --> 00:14:39,240 Speaker 1: and fashion advice because we know I'm so gifted at that. 249 00:14:40,240 --> 00:14:43,120 Speaker 1: That question is from Alicia. By the way, Alicia, this 250 00:14:43,200 --> 00:14:45,920 Speaker 1: is a vague question. I don't have a problem with vague, 251 00:14:46,040 --> 00:14:51,960 Speaker 1: but um my life hack tip. Okay, find the fun 252 00:14:52,040 --> 00:14:57,160 Speaker 1: and failure. Like we we can laugh about it after 253 00:14:57,200 --> 00:14:59,280 Speaker 1: the fact, like we can go back and watch episodes 254 00:14:59,280 --> 00:15:01,600 Speaker 1: of the show and be like, oh oh that was 255 00:15:01,640 --> 00:15:06,640 Speaker 1: a look yuh or that was a choice. But it's 256 00:15:06,720 --> 00:15:11,480 Speaker 1: hard to find the funny in your failures, like in 257 00:15:11,560 --> 00:15:16,280 Speaker 1: the moment, in the present, that's true. Mm hmm. This 258 00:15:16,360 --> 00:15:18,880 Speaker 1: is a great question. I wish I had a great answer, 259 00:15:18,920 --> 00:15:22,480 Speaker 1: because I feel like there are things that I do 260 00:15:22,600 --> 00:15:27,120 Speaker 1: on a daily basis that are unusual and help, but 261 00:15:27,200 --> 00:15:29,880 Speaker 1: I don't know what they are unless I have somebody 262 00:15:29,880 --> 00:15:31,520 Speaker 1: who's hanging out with me for the day and they're like, 263 00:15:31,560 --> 00:15:33,760 Speaker 1: what are you doing? And then I am like, I'm 264 00:15:33,800 --> 00:15:35,880 Speaker 1: doing this, and then they go, oh, my god, that's genius, 265 00:15:35,880 --> 00:15:38,120 Speaker 1: and then I'm like, I know, but I don't like 266 00:15:38,160 --> 00:15:40,520 Speaker 1: write things down. No. Sophia and I felt that way 267 00:15:40,560 --> 00:15:42,520 Speaker 1: when we hung out by the bar in your kitchen 268 00:15:42,600 --> 00:15:45,240 Speaker 1: and you just started like making the lick sers and 269 00:15:45,240 --> 00:15:50,720 Speaker 1: and we were like, We're like, what's going on? Yeah? Mine? 270 00:15:50,920 --> 00:15:55,320 Speaker 1: I wish mine were cooler and involved cocktails. But something 271 00:15:55,360 --> 00:16:00,240 Speaker 1: that I have found really helpful in minimizing chaos is 272 00:16:00,320 --> 00:16:05,200 Speaker 1: just setting a couple of rules. Like any time I 273 00:16:05,240 --> 00:16:08,480 Speaker 1: walk in my house, I put my keys in the 274 00:16:08,560 --> 00:16:12,120 Speaker 1: little key drawer in the little console table next to 275 00:16:12,160 --> 00:16:16,240 Speaker 1: the front door. And if I don't, then the next 276 00:16:16,280 --> 00:16:18,280 Speaker 1: day I can't leave my house for an hour because 277 00:16:18,280 --> 00:16:20,760 Speaker 1: I'm running around looking for my keys. So it's like 278 00:16:21,560 --> 00:16:23,720 Speaker 1: that's I know. I'm sure that sounds silly, but there's 279 00:16:23,760 --> 00:16:28,280 Speaker 1: like some things that if you can just take care 280 00:16:28,320 --> 00:16:33,400 Speaker 1: of it right away, it'll reduce the time that it 281 00:16:33,440 --> 00:16:36,720 Speaker 1: takes you to fix it later. And that has been 282 00:16:36,760 --> 00:16:41,280 Speaker 1: a good adult life hack to learn. Those key gremlins 283 00:16:41,320 --> 00:16:46,160 Speaker 1: are the worst. Take them all. Oh, I have one, 284 00:16:46,240 --> 00:16:49,160 Speaker 1: you know. Here's it's a skin hack. Um. I have 285 00:16:49,400 --> 00:16:51,560 Speaker 1: been the first thing when I wake up in the morning, 286 00:16:51,560 --> 00:16:53,280 Speaker 1: I put water on my face, and I don't dry 287 00:16:53,320 --> 00:16:55,160 Speaker 1: my face. I just splash water on it and let 288 00:16:55,280 --> 00:16:59,800 Speaker 1: my skin absorb the water, and then I put on 289 00:17:00,160 --> 00:17:04,480 Speaker 1: a really thin layer of vitamin E oil and often 290 00:17:04,760 --> 00:17:08,000 Speaker 1: that's all I'll do. Um there, especially if I'm traveling 291 00:17:08,040 --> 00:17:11,359 Speaker 1: and stuff. UM. So, I don't know. I have a 292 00:17:11,520 --> 00:17:14,879 Speaker 1: sort of a Mediterranean mixed skin type. So I don't 293 00:17:14,920 --> 00:17:17,080 Speaker 1: think that would work for everyone. I can't imagine every 294 00:17:17,200 --> 00:17:20,159 Speaker 1: nobody's not everyone's skin is the same. But if you 295 00:17:20,240 --> 00:17:25,639 Speaker 1: have sort of all of them that Mediterranean like uh normal, 296 00:17:25,680 --> 00:17:29,280 Speaker 1: I guess medium skin type, Um, you might you might 297 00:17:29,280 --> 00:17:32,359 Speaker 1: try that. My skin has never looked like dowier and 298 00:17:32,400 --> 00:17:35,480 Speaker 1: glowier and had less problems than when I'm just using 299 00:17:35,480 --> 00:17:45,280 Speaker 1: water and vitamin e oil done. I love you guys too. 300 00:17:46,000 --> 00:17:51,080 Speaker 1: Thanks for your questions everyone. Next time, Hey, thanks for listening. 301 00:17:51,200 --> 00:17:53,440 Speaker 1: Don't forget to leave us a review. You can also 302 00:17:53,480 --> 00:17:56,639 Speaker 1: follow us on Instagram at Drama Queens O. T H. 303 00:17:57,160 --> 00:18:01,040 Speaker 1: Or email us at Drama Queens at IHR radio dot com. 304 00:18:01,560 --> 00:18:05,400 Speaker 1: See you next time. 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