1 00:00:04,280 --> 00:00:06,600 Speaker 1: So I mean, this is this is my routine that 2 00:00:06,640 --> 00:00:11,040 Speaker 1: you've like, I'm always looking for what's my routine at 3 00:00:11,039 --> 00:00:12,880 Speaker 1: the top of the day that sets me up. 4 00:00:14,560 --> 00:00:18,960 Speaker 2: I've been struggling because I've had I've had routines that 5 00:00:19,120 --> 00:00:20,520 Speaker 2: work for the afternoon. 6 00:00:22,720 --> 00:00:25,919 Speaker 3: I've had routines that work at night. 7 00:00:27,200 --> 00:00:34,000 Speaker 2: But I know that, brother, Yeah, so am I So 8 00:00:34,159 --> 00:00:38,879 Speaker 2: my sexual escapades are legendary on this show. But the 9 00:00:39,080 --> 00:00:42,640 Speaker 2: issue for me is by the time I get to 10 00:00:42,720 --> 00:00:45,720 Speaker 2: the afternoon and get into this routine that works. 11 00:00:45,720 --> 00:00:49,600 Speaker 1: My day's already it's too late. Yeah, I'm already off killed. 12 00:00:50,520 --> 00:00:53,199 Speaker 1: My ship sucks. This is what So get this. 13 00:00:53,240 --> 00:00:56,640 Speaker 3: Look at what I'm doing right now. This fucking sucks. 14 00:00:57,440 --> 00:01:01,400 Speaker 2: I honestly, my sexual escapades aren't even that legendary, and 15 00:01:01,760 --> 00:01:04,600 Speaker 2: partially it's because my day is always. 16 00:01:04,280 --> 00:01:07,199 Speaker 3: Fucked by the night time. My afternoon routine doesn't work. 17 00:01:07,600 --> 00:01:08,319 Speaker 1: It sucks. 18 00:01:09,080 --> 00:01:11,000 Speaker 2: But you've been trying to get a morning one going. 19 00:01:11,560 --> 00:01:14,360 Speaker 2: If you have any look, please pass it my way. 20 00:01:14,600 --> 00:01:19,360 Speaker 1: So here the watermelon goes on the cutting board, boom. 21 00:01:19,840 --> 00:01:22,600 Speaker 1: Katana goes through it like it, you know, like it 22 00:01:22,640 --> 00:01:23,480 Speaker 1: wasn't even there. 23 00:01:23,400 --> 00:01:24,800 Speaker 3: Like Ninja real life. 24 00:01:25,120 --> 00:01:31,600 Speaker 1: Ninja half goes back in the fridge. Half half gets 25 00:01:31,600 --> 00:01:36,080 Speaker 1: scooped out. That's breakfast now. The half, the other half 26 00:01:36,120 --> 00:01:40,640 Speaker 1: a watermelon rhinds is still intact. That's my that's my 27 00:01:40,760 --> 00:01:45,400 Speaker 1: bowl and my cup for the entire day. Bang. And 28 00:01:45,440 --> 00:01:47,720 Speaker 1: so like you're I'm just moving through the day. 29 00:01:48,920 --> 00:01:54,800 Speaker 3: I have carrying around a half watermelon and drinking out 30 00:01:54,800 --> 00:01:54,960 Speaker 3: of it. 31 00:01:55,000 --> 00:01:56,360 Speaker 1: And you say how do you carry around? Like how 32 00:01:56,400 --> 00:01:59,760 Speaker 1: do you use your hands? Backpack straps over the rhine? 33 00:02:00,160 --> 00:02:02,760 Speaker 1: So it's basically like my turtle shell as well for 34 00:02:02,800 --> 00:02:04,880 Speaker 1: the whole day, right. 35 00:02:04,840 --> 00:02:07,480 Speaker 2: But it's in front, right, it's it's the hangover baby 36 00:02:07,560 --> 00:02:14,200 Speaker 2: Bjorn style. It's baby Bjorn watermelon rine cup, slash bowl. 37 00:02:14,240 --> 00:02:17,840 Speaker 2: He's eating chili out of it. He's drinking straight vodka 38 00:02:17,919 --> 00:02:21,800 Speaker 2: out of it. Nothing can stop this man. And you look, 39 00:02:22,000 --> 00:02:25,880 Speaker 2: can I say, Hayes, absolutely fine. 40 00:02:26,760 --> 00:02:31,640 Speaker 1: It looks okay, it looks okay. Yeah. I guess I 41 00:02:31,760 --> 00:02:36,640 Speaker 1: wasn't anticipating needing it from a body image perspective so 42 00:02:36,919 --> 00:02:42,160 Speaker 1: quickly having it be something that giving myself a new 43 00:02:43,240 --> 00:02:47,920 Speaker 1: physical profile where now I like used to be like okay, 44 00:02:47,919 --> 00:02:49,200 Speaker 1: this is my bowl and cup for the day. Now 45 00:02:49,240 --> 00:02:50,440 Speaker 1: it's like this is my body. 46 00:02:50,600 --> 00:02:52,120 Speaker 3: Yeah, this is my entire. 47 00:02:53,400 --> 00:02:53,880 Speaker 4: Shape. 48 00:02:54,840 --> 00:02:58,880 Speaker 3: We have a we have a guest waiting so politely. 49 00:02:59,440 --> 00:03:01,560 Speaker 3: We have a gentleman in the room with us, and 50 00:03:01,600 --> 00:03:03,560 Speaker 3: he is being so polite. He came. 51 00:03:03,800 --> 00:03:06,080 Speaker 1: I think of that him. There's like a cut up. 52 00:03:06,160 --> 00:03:09,600 Speaker 1: This is sort of Oh, I think a scamp under 53 00:03:09,600 --> 00:03:10,640 Speaker 1: the I think is. 54 00:03:10,639 --> 00:03:15,720 Speaker 2: An incorrigible scamp and yet patiently waiting. 55 00:03:16,240 --> 00:03:18,240 Speaker 4: I think you gets polite as the day is long. 56 00:03:18,320 --> 00:03:20,760 Speaker 4: You guys are basically brothers to me. At this point. 57 00:03:21,040 --> 00:03:22,720 Speaker 3: It doesn't feel that way. 58 00:03:23,000 --> 00:03:26,480 Speaker 4: It does almost immediately, and I will say, change your profile, 59 00:03:26,680 --> 00:03:27,560 Speaker 4: change your life. 60 00:03:27,919 --> 00:03:31,560 Speaker 1: Your physical profile. What pieces are you at, what have 61 00:03:31,639 --> 00:03:33,720 Speaker 1: you been changing? Change your silhouette. 62 00:03:34,080 --> 00:03:39,720 Speaker 4: You know, skin shorter, skin, snacks, skin, Your skin is. 63 00:03:39,640 --> 00:03:45,400 Speaker 1: A your entire skin is so sad. Yeah, you're focusing 64 00:03:45,440 --> 00:03:48,240 Speaker 1: on your face, but like it's it's everything. 65 00:03:48,360 --> 00:03:50,440 Speaker 2: Yeah, I know. I look at your forearms and I 66 00:03:50,440 --> 00:03:52,960 Speaker 2: think his response coming comes shooting out for hit me 67 00:03:53,040 --> 00:03:53,560 Speaker 2: in the face. 68 00:03:53,640 --> 00:03:54,760 Speaker 3: Because the skin is. 69 00:03:55,360 --> 00:03:57,840 Speaker 1: Really I want to see a drum fill on it. 70 00:03:57,960 --> 00:03:58,920 Speaker 1: It's so tight. 71 00:03:59,160 --> 00:04:04,360 Speaker 4: Skin shorteres longer, pressing at the fingertips like they're begging 72 00:04:04,400 --> 00:04:04,760 Speaker 4: to get out. 73 00:04:04,840 --> 00:04:08,920 Speaker 2: Bony nodules are it? And I'm not talking about being 74 00:04:09,120 --> 00:04:12,800 Speaker 2: skeleton skinny. I'm talking about what you're saying, which is, 75 00:04:13,120 --> 00:04:16,720 Speaker 2: I think it's nice to carry around a couple extra pounds, 76 00:04:16,960 --> 00:04:20,760 Speaker 2: you know, God knows I have been, But also to 77 00:04:20,880 --> 00:04:24,080 Speaker 2: have those long bones poking out of that short skin. 78 00:04:24,400 --> 00:04:26,560 Speaker 1: Run the jewels. I say to my doctor, h. 79 00:04:29,120 --> 00:04:31,720 Speaker 4: S true, will they want they in the in the 80 00:04:31,839 --> 00:04:33,479 Speaker 4: question will they pop out of your skin? 81 00:04:33,680 --> 00:04:33,840 Speaker 1: Will? 82 00:04:34,880 --> 00:04:35,000 Speaker 4: Well? 83 00:04:35,040 --> 00:04:37,000 Speaker 2: There, won't they pop out of your skin? And then 84 00:04:37,160 --> 00:04:39,240 Speaker 2: it's the second they pop out of that skin, man, 85 00:04:39,560 --> 00:04:41,279 Speaker 2: it's all. 86 00:04:41,200 --> 00:04:43,240 Speaker 3: Bets are off. They're shooting around the room. 87 00:04:43,400 --> 00:04:46,239 Speaker 4: You know, there's no putting the toothpaste back in the tube. 88 00:04:46,360 --> 00:04:49,200 Speaker 4: Once one comes out, the other bones start looking around, going. 89 00:04:49,440 --> 00:04:51,360 Speaker 3: Or the or putting the tooth back in the mouth. 90 00:04:51,400 --> 00:04:53,680 Speaker 2: Those are bones too, as we talk about the show 91 00:04:53,800 --> 00:04:57,360 Speaker 2: sometimes and they come shooting out. Man, I've got I've 92 00:04:57,400 --> 00:04:59,200 Speaker 2: got my gums all the way up in my nasal 93 00:04:59,279 --> 00:05:11,400 Speaker 2: cavity at this point because I am getting everything shorter, tighter, longer, stronger, better, tighter, tighter, longer, stronger. 94 00:05:12,279 --> 00:05:12,919 Speaker 4: I'm teething. 95 00:05:13,880 --> 00:05:17,480 Speaker 1: So cool, it's so nice to be teething again. 96 00:05:18,360 --> 00:05:22,279 Speaker 3: Let's get lost tonight. I'm still teething. Give me flost tonight. 97 00:05:23,560 --> 00:05:28,240 Speaker 4: Right, run it back one more time, one more time. 98 00:05:28,720 --> 00:05:34,479 Speaker 2: M uh well, it's funny because Hayes was talking about 99 00:05:34,520 --> 00:05:39,640 Speaker 2: this sort of like innovation, life hacking, next frontier, you know, 100 00:05:40,000 --> 00:05:41,520 Speaker 2: watermelon ryne concept. 101 00:05:41,960 --> 00:05:45,520 Speaker 3: But also with you, Casey, we don't have to good 102 00:05:45,560 --> 00:05:48,320 Speaker 3: and everything right away, but we could. What we were 103 00:05:48,480 --> 00:05:50,880 Speaker 3: thinking about doing maybe is like. 104 00:05:52,600 --> 00:05:54,839 Speaker 2: Just a little thing, just a little tiny thing, which 105 00:05:54,960 --> 00:05:58,760 Speaker 2: is uh changing the way the entire world interacts with 106 00:05:58,839 --> 00:06:02,280 Speaker 2: podcasts forever read being the first people to establish a 107 00:06:02,400 --> 00:06:06,400 Speaker 2: whole new, you know, kind of format for this thing 108 00:06:07,120 --> 00:06:11,080 Speaker 2: about information and comedy we're talking about you know. 109 00:06:11,200 --> 00:06:12,680 Speaker 1: Yeah, I mean I said it kind of got stepped 110 00:06:12,680 --> 00:06:15,720 Speaker 1: on a little bit. But Sack, we exploring new frontiers. 111 00:06:16,160 --> 00:06:20,440 Speaker 1: We're talking about doing that with riff Science and this 112 00:06:20,680 --> 00:06:23,120 Speaker 1: is and this is your domain. 113 00:06:23,800 --> 00:06:25,640 Speaker 4: Like it sounds like I'm gonna need a cup of 114 00:06:25,680 --> 00:06:31,120 Speaker 4: coffee if that's because it is a little early for me. 115 00:06:31,440 --> 00:06:35,240 Speaker 3: He's fucking sleepy, man, it's a little early. You smoke cigarettes? 116 00:06:35,920 --> 00:06:36,800 Speaker 4: Do you smelling on me? 117 00:06:37,040 --> 00:06:45,359 Speaker 1: Yeah? What? What gave it away? 118 00:06:46,160 --> 00:06:51,960 Speaker 4: Because I know it wasn't my smile. I did shower, 119 00:06:52,120 --> 00:06:54,040 Speaker 4: but I won't lie to you. I had half of 120 00:06:54,080 --> 00:06:57,760 Speaker 4: one on the way over here it was never want 121 00:06:57,800 --> 00:07:01,040 Speaker 4: you to lie? Yeah, yeah, I don't just want the ship, 122 00:07:01,200 --> 00:07:05,719 Speaker 4: I just want to be so Okay, it's made. 123 00:07:05,800 --> 00:07:08,360 Speaker 1: Okay, so this is so that that's good. That's a 124 00:07:08,440 --> 00:07:12,320 Speaker 1: perfect I think example, a way to utilize this, this 125 00:07:12,480 --> 00:07:14,800 Speaker 1: new technology. Here's the way it's gonna work. We've got 126 00:07:14,840 --> 00:07:17,320 Speaker 1: you gotta do video. Now, all these like you're in 127 00:07:17,400 --> 00:07:17,880 Speaker 1: the clips? 128 00:07:17,960 --> 00:07:21,440 Speaker 3: Did we introduce dude? Do we need to? They can read? 129 00:07:21,680 --> 00:07:23,360 Speaker 3: I mean this is something we could click on too. 130 00:07:24,000 --> 00:07:29,080 Speaker 1: Okay, let's get the what's your biot your own bio 131 00:07:29,280 --> 00:07:31,880 Speaker 1: for your bio? Is it in third person or first? 132 00:07:32,360 --> 00:07:35,120 Speaker 4: It's in uh? I forget which it's in third I 133 00:07:35,160 --> 00:07:39,160 Speaker 4: think it says Casey Rocket born from born from the 134 00:07:39,320 --> 00:07:42,080 Speaker 4: ashes of the speed Freaks that came before him. 135 00:07:42,840 --> 00:07:46,560 Speaker 3: Okay, okay, so but I mean that's cool. So that 136 00:07:46,760 --> 00:07:47,560 Speaker 3: is third person. 137 00:07:47,680 --> 00:07:52,200 Speaker 1: Sure, but it is you. But but you wrote about yourself. 138 00:07:52,280 --> 00:07:52,920 Speaker 3: I did write it. 139 00:07:53,120 --> 00:07:55,320 Speaker 4: And and the way that Ricky Henderson used to talk 140 00:07:55,360 --> 00:07:57,520 Speaker 4: about himself, I too talk about myself. 141 00:07:57,600 --> 00:08:01,600 Speaker 1: Perfect, the way Ricky Henderson did. Okay, so much, so 142 00:08:01,760 --> 00:08:05,480 Speaker 1: much material to work with. This is so good. The 143 00:08:05,640 --> 00:08:10,200 Speaker 1: way we're envisioning this is in the video and in 144 00:08:10,280 --> 00:08:13,240 Speaker 1: the clips as well. Don't worry, don't worry, there will 145 00:08:13,240 --> 00:08:15,200 Speaker 1: be clips. Clips. You will come in. 146 00:08:15,480 --> 00:08:17,240 Speaker 4: Thank god, you're getting clip. 147 00:08:18,320 --> 00:08:20,600 Speaker 3: If you're not going to be in the clip, yeah, 148 00:08:20,680 --> 00:08:21,480 Speaker 3: you'll be in the clip. 149 00:08:22,800 --> 00:08:28,440 Speaker 1: You will have when as you're riffing. When you explore 150 00:08:28,440 --> 00:08:31,960 Speaker 1: a specific, I know you love to like to deal 151 00:08:32,000 --> 00:08:35,400 Speaker 1: in the specific you're talking about, Ricky Henderson, a bubble 152 00:08:36,000 --> 00:08:37,960 Speaker 1: will come out of your mouth. It's like, not for real, 153 00:08:38,480 --> 00:08:41,520 Speaker 1: but like on the video, it will. 154 00:08:41,400 --> 00:08:45,760 Speaker 3: Be an animatronic bubble of a bubble. Yes, it's going 155 00:08:45,840 --> 00:08:46,000 Speaker 3: to be. 156 00:08:46,200 --> 00:08:49,040 Speaker 2: You're thinking like, oh it should it be animated. It's 157 00:08:49,080 --> 00:08:51,040 Speaker 2: like no, it's gonna appear to be sort of a 158 00:08:51,800 --> 00:08:56,920 Speaker 2: sort of retro tech mechanical bubbleblegible bubble. 159 00:08:57,200 --> 00:08:58,440 Speaker 3: Yeah, it's gonna see. 160 00:08:58,520 --> 00:09:01,480 Speaker 1: Yeah, we'll do. We'll be doing being like real real 161 00:09:02,160 --> 00:09:04,199 Speaker 1: visual facts practically. 162 00:09:04,600 --> 00:09:05,199 Speaker 3: No, we're gonna have. 163 00:09:05,280 --> 00:09:12,200 Speaker 2: We're we're building practical sort of back bubble puppets at 164 00:09:12,240 --> 00:09:14,600 Speaker 2: a studio in the valley and we're getting really close. 165 00:09:14,640 --> 00:09:16,040 Speaker 3: Some of the stuff is looking good. Did you see 166 00:09:16,120 --> 00:09:18,080 Speaker 3: did did you see Jacobson over some new ones? 167 00:09:18,120 --> 00:09:21,480 Speaker 1: I couldn't open it. Yeah, it's I couldn't either, But 168 00:09:21,600 --> 00:09:25,840 Speaker 1: he was so excited, he's so many, so onerous, and. 169 00:09:27,320 --> 00:09:28,400 Speaker 3: The files are on wieldy. 170 00:09:28,440 --> 00:09:29,640 Speaker 1: Brother, he's just. 171 00:09:31,360 --> 00:09:31,960 Speaker 3: As an editor. 172 00:09:32,040 --> 00:09:34,680 Speaker 4: You should add as an editor probably hmm. You guys 173 00:09:34,760 --> 00:09:36,440 Speaker 4: got Tom Savini working on this thing or what. 174 00:09:38,720 --> 00:09:38,760 Speaker 5: Like? 175 00:09:39,000 --> 00:09:42,200 Speaker 1: Would be incredible to have Savina. He's a savenus, Honest 176 00:09:42,240 --> 00:09:45,719 Speaker 1: to God, I swear to god, he's no. 177 00:09:45,880 --> 00:09:48,720 Speaker 4: You said it right. I'll probably go back to bed. 178 00:09:48,720 --> 00:09:52,360 Speaker 1: Than that was. That was really nice. That's really nice 179 00:09:52,400 --> 00:09:55,360 Speaker 1: when that happens, when they come for it and then 180 00:09:55,640 --> 00:09:56,840 Speaker 1: credits all. 181 00:09:56,800 --> 00:09:59,640 Speaker 4: You credit where credits did? 182 00:10:00,960 --> 00:10:03,240 Speaker 2: Yeah, man, I was gonna kind of riff off of it, 183 00:10:03,480 --> 00:10:08,520 Speaker 2: but it's like it's done, so I should do that. 184 00:10:08,720 --> 00:10:11,560 Speaker 3: Sometimes the bubble we have no show. 185 00:10:12,160 --> 00:10:15,400 Speaker 1: Oh yeah, the bubble floats out of your mouth kind 186 00:10:15,440 --> 00:10:20,080 Speaker 1: of little burpsund not like a gross purps, like sweet one, 187 00:10:20,400 --> 00:10:25,240 Speaker 1: like laying down a few of these, so like you're 188 00:10:25,240 --> 00:10:26,920 Speaker 1: just like an like a sweet little burp. 189 00:10:28,720 --> 00:10:30,760 Speaker 4: Okay, I mean, so this is mid riff. 190 00:10:31,800 --> 00:10:33,760 Speaker 2: We'll pitch it up, you know what I mean. I 191 00:10:33,880 --> 00:10:36,600 Speaker 2: actually think I've been I don't know. I'm talking to Jacob. 192 00:10:37,000 --> 00:10:39,240 Speaker 1: We're gonna have probably what Paris Hilton said when she 193 00:10:39,400 --> 00:10:44,800 Speaker 1: was debuting her new line of crop tops and so 194 00:10:45,040 --> 00:10:47,800 Speaker 1: that I mean, like that's whatever, like make it yours, 195 00:10:48,280 --> 00:10:50,760 Speaker 1: do something like that. But like you know with the 196 00:10:50,840 --> 00:10:54,079 Speaker 1: Hilton thing or the bubble your version, Well what I 197 00:10:54,200 --> 00:10:57,000 Speaker 1: just did, I think that is great material for a 198 00:10:57,240 --> 00:10:57,840 Speaker 1: for a riff. 199 00:10:58,840 --> 00:11:03,959 Speaker 3: Yeah, there's been a million, like great ones, but like 200 00:11:04,120 --> 00:11:04,320 Speaker 3: you know. 201 00:11:04,320 --> 00:11:05,880 Speaker 1: You don't have used all of that. But I do 202 00:11:06,080 --> 00:11:08,440 Speaker 1: think it is the foundation of something for sure. 203 00:11:08,480 --> 00:11:11,520 Speaker 2: But anyway, but I do want also, like we should 204 00:11:11,559 --> 00:11:14,160 Speaker 2: get into it, but I do want to have a 205 00:11:14,360 --> 00:11:17,079 Speaker 2: three D rendered mouse pop up on the arm of 206 00:11:17,120 --> 00:11:22,680 Speaker 2: the chair with after the belt Town and go excuse you, like. 207 00:11:22,760 --> 00:11:25,360 Speaker 4: Kind of like just departed. Yeah, like the rat from 208 00:11:25,360 --> 00:11:25,880 Speaker 4: the Department. 209 00:11:25,960 --> 00:11:27,599 Speaker 1: Rat from the Department. Oh my god, do we have 210 00:11:27,760 --> 00:11:28,120 Speaker 1: to have this? 211 00:11:28,320 --> 00:11:30,360 Speaker 3: So that would be a bubble question mark, Yes, that 212 00:11:30,400 --> 00:11:30,840 Speaker 3: would be a. 213 00:11:32,880 --> 00:11:33,040 Speaker 1: Back. 214 00:11:33,200 --> 00:11:36,360 Speaker 3: Do you have the list burp and rat from Departed? 215 00:11:36,480 --> 00:11:41,240 Speaker 2: No, actually it was, but that is not something and 216 00:11:41,360 --> 00:11:43,360 Speaker 2: you didn't do a good job it was. So it's 217 00:11:43,480 --> 00:11:46,400 Speaker 2: Ricky Henderson. It's the rat from Departed. 218 00:11:46,880 --> 00:11:47,200 Speaker 1: You didn't. 219 00:11:47,240 --> 00:11:47,959 Speaker 3: It's a song. 220 00:11:50,480 --> 00:11:53,160 Speaker 6: I'd like to pitch it up. I'd like to pitch 221 00:11:53,160 --> 00:11:56,000 Speaker 6: it up. I'd like to slow it down. Okay, we're 222 00:11:56,840 --> 00:12:01,079 Speaker 6: are you're you're happy with it, I uh, compared to 223 00:12:01,160 --> 00:12:03,880 Speaker 6: what we've been getting. Maybe I'm just like I've been 224 00:12:04,160 --> 00:12:07,520 Speaker 6: disappointed for so long that like that. That would really 225 00:12:07,800 --> 00:12:08,520 Speaker 6: not do that. 226 00:12:08,760 --> 00:12:12,079 Speaker 2: You cannot diminish your own worth because you've been mistreated 227 00:12:12,120 --> 00:12:13,079 Speaker 2: by Kevin in the past. 228 00:12:13,679 --> 00:12:16,000 Speaker 3: You can't say, like, oh, this is as good as 229 00:12:16,040 --> 00:12:16,920 Speaker 3: I'm ever gonna get. 230 00:12:17,360 --> 00:12:23,000 Speaker 2: You deserve well pitched up, slowed down burp sound from Kevin, 231 00:12:23,480 --> 00:12:25,240 Speaker 2: and I think we can do a lot of it 232 00:12:25,320 --> 00:12:25,760 Speaker 2: in post. 233 00:12:26,000 --> 00:12:28,600 Speaker 1: So Kevin did fly in the coffee. I wonder if 234 00:12:28,679 --> 00:12:31,600 Speaker 1: if Casey doesn't know what coffee is and has been 235 00:12:31,679 --> 00:12:34,320 Speaker 1: thinking when he said he's been thinking of something else 236 00:12:34,360 --> 00:12:36,760 Speaker 1: and people have been telling him coffee something else because 237 00:12:36,800 --> 00:12:38,559 Speaker 1: he didn't react to it at all. This is not 238 00:12:38,640 --> 00:12:40,640 Speaker 1: what I was expecting. I said. 239 00:12:40,679 --> 00:12:42,559 Speaker 4: I thought it was gonna be a little harder than that. 240 00:12:43,160 --> 00:12:44,640 Speaker 1: Not hard at all. 241 00:12:44,920 --> 00:12:52,360 Speaker 5: Yeah, it's really not now the crazy Yeah, and get 242 00:12:52,400 --> 00:12:56,679 Speaker 5: this coffee some hymns, So Casey. 243 00:12:56,760 --> 00:12:59,319 Speaker 4: It gives me panic attacks. I can't drink it, but 244 00:12:59,559 --> 00:13:01,559 Speaker 4: I can't. I think it was I think it was 245 00:13:02,240 --> 00:13:04,880 Speaker 4: both of them. I think him gives me panic attacks 246 00:13:04,880 --> 00:13:06,760 Speaker 4: because I get so hard I go, when does this kid. 247 00:13:06,840 --> 00:13:07,760 Speaker 1: Stop, that's right. 248 00:13:07,960 --> 00:13:10,360 Speaker 4: I go, dear God, when is this just beginning or 249 00:13:10,400 --> 00:13:10,680 Speaker 4: the end? 250 00:13:10,920 --> 00:13:12,839 Speaker 1: There should be a guy like, there should be some 251 00:13:12,960 --> 00:13:14,760 Speaker 1: kind of guy there. I guess this is what a 252 00:13:14,840 --> 00:13:17,040 Speaker 1: doctor used to do before you just got pills. 253 00:13:17,280 --> 00:13:18,640 Speaker 4: Would watch you take it. 254 00:13:18,840 --> 00:13:20,640 Speaker 1: Watch you take it, and be like this is going 255 00:13:20,720 --> 00:13:23,040 Speaker 1: to be over, like you know, basically put a clock 256 00:13:23,160 --> 00:13:23,400 Speaker 1: on it. 257 00:13:23,720 --> 00:13:27,120 Speaker 3: Well hang out. If he was kind of like every 258 00:13:27,160 --> 00:13:28,240 Speaker 3: once in a while, like. 259 00:13:29,880 --> 00:13:32,199 Speaker 2: Wrapping a little band around it or something, taking some 260 00:13:32,400 --> 00:13:35,679 Speaker 2: kind of like reading that, that would actually not like 261 00:13:36,000 --> 00:13:36,280 Speaker 2: not like. 262 00:13:36,320 --> 00:13:38,400 Speaker 1: A turkey thermometer. I wouldn't want it to actually like 263 00:13:38,520 --> 00:13:40,319 Speaker 1: work that way at all, but I would want to 264 00:13:40,400 --> 00:13:42,160 Speaker 1: know how hot it Isn't there. 265 00:13:42,520 --> 00:13:45,280 Speaker 3: Him checking his watch and like reading some pressure valve. 266 00:13:45,559 --> 00:13:47,200 Speaker 4: Yeah, that would be a fun. 267 00:13:48,240 --> 00:13:50,360 Speaker 1: Okay, oh oh, and. 268 00:13:50,360 --> 00:13:51,360 Speaker 3: I'm going, what's that sound? 269 00:13:51,480 --> 00:13:53,000 Speaker 1: What's that? Yeah? 270 00:13:53,320 --> 00:13:53,920 Speaker 3: What's the oh? 271 00:13:54,160 --> 00:13:54,480 Speaker 1: Doctor? 272 00:13:55,120 --> 00:13:57,959 Speaker 3: And he's going further along than I thought. I'm like, 273 00:13:58,400 --> 00:13:59,680 Speaker 3: is that a lot of problem? 274 00:13:59,760 --> 00:14:01,719 Speaker 4: Is that bad? Tell me what to do, tell me 275 00:14:01,800 --> 00:14:04,559 Speaker 4: what to do, what to do, Tell me what to do, 276 00:14:04,640 --> 00:14:06,679 Speaker 4: and I'll do it so the bubble comes, he'll be 277 00:14:06,760 --> 00:14:07,679 Speaker 4: soft by nightfall. 278 00:14:08,240 --> 00:14:11,520 Speaker 1: Let's get let's get let's get one more that's pitched 279 00:14:11,600 --> 00:14:13,280 Speaker 1: up and slowed down a little bit. 280 00:14:17,200 --> 00:14:20,920 Speaker 2: Well, not that slow, not that slow, slowed down not 281 00:14:21,440 --> 00:14:22,520 Speaker 2: to same length. 282 00:14:24,400 --> 00:14:26,160 Speaker 3: That was like the Road Warriors. 283 00:14:27,320 --> 00:14:29,040 Speaker 4: Song what a Rush? 284 00:14:30,000 --> 00:14:32,200 Speaker 1: So cool, So that's another get that on the list. 285 00:14:32,560 --> 00:14:35,280 Speaker 3: That on the Road Warriors song what a Rush. So 286 00:14:36,400 --> 00:14:38,920 Speaker 3: Bubble comes May it was it I May was up 287 00:14:38,960 --> 00:14:40,560 Speaker 3: the song he sang before I met. 288 00:14:41,520 --> 00:14:42,520 Speaker 4: I don't want to be May. 289 00:14:43,520 --> 00:14:45,840 Speaker 1: Yes, he said, that's right, I want to be May. 290 00:14:46,160 --> 00:14:49,080 Speaker 1: Perfect retention, perfect retention. 291 00:14:49,320 --> 00:14:51,680 Speaker 3: Okay, So this is why you're like the best for 292 00:14:51,840 --> 00:14:53,120 Speaker 3: this test program. 293 00:14:53,280 --> 00:14:58,040 Speaker 1: Yeah, Bubble comes out, Yeah, there's a question mark in it, 294 00:14:58,680 --> 00:15:05,640 Speaker 1: little mouse three D record, excuse you? And then the 295 00:15:05,720 --> 00:15:10,200 Speaker 1: bubble of course is clickable because it has a question 296 00:15:10,280 --> 00:15:14,080 Speaker 1: mark inside for people to be able to engage with 297 00:15:14,160 --> 00:15:17,960 Speaker 1: the show on a deeper level if they if they're curious, 298 00:15:18,280 --> 00:15:20,360 Speaker 1: if they want to learn more about a riff, care 299 00:15:20,440 --> 00:15:23,320 Speaker 1: to know more about this riff or or and it's 300 00:15:23,320 --> 00:15:25,800 Speaker 1: a it's just been free if that one sort of 301 00:15:26,000 --> 00:15:27,400 Speaker 1: got through the fire hole lot. 302 00:15:27,880 --> 00:15:29,480 Speaker 2: Yeah, because it's like you don't want to say And 303 00:15:29,560 --> 00:15:32,000 Speaker 2: that's why just a question mark is so pure, where 304 00:15:32,040 --> 00:15:34,200 Speaker 2: it's just like you know, any form of question, but 305 00:15:34,600 --> 00:15:37,120 Speaker 2: I mean, one of the questions is did the reference 306 00:15:37,200 --> 00:15:42,520 Speaker 2: all over your head, you know, without any implication that 307 00:15:42,720 --> 00:15:50,160 Speaker 2: like our listeners are stupid, dumbest bricks, fucked up morny lane, 308 00:15:50,240 --> 00:15:50,600 Speaker 2: I don't know. 309 00:15:51,600 --> 00:15:57,720 Speaker 3: Yeah, losers, Yeah, bad family, right. 310 00:15:58,160 --> 00:16:00,520 Speaker 1: Or even if they think that the question mark was 311 00:16:00,600 --> 00:16:04,960 Speaker 1: like a soft weenie like one little ball. 312 00:16:05,000 --> 00:16:09,600 Speaker 4: I think I think it's a shaft, that's another question, 313 00:16:10,440 --> 00:16:10,960 Speaker 4: because it's not. 314 00:16:12,520 --> 00:16:14,960 Speaker 3: Is this shaft christ shaft? 315 00:16:15,080 --> 00:16:16,040 Speaker 4: This shaft. 316 00:16:18,600 --> 00:16:22,320 Speaker 1: Looking like bo peepsa, even if they think it's even 317 00:16:22,360 --> 00:16:25,760 Speaker 1: if they think it's a shepherd and there and they 318 00:16:25,920 --> 00:16:28,200 Speaker 1: gravitate to it, they see the shepherd's crook and they 319 00:16:28,280 --> 00:16:31,840 Speaker 1: want to follow the shepherd because like, you know, it's 320 00:16:31,920 --> 00:16:33,960 Speaker 1: time to move to a different part of the pastor 321 00:16:34,080 --> 00:16:39,320 Speaker 1: that's what a lot of our listeners will be drawn to. Followers. 322 00:16:39,640 --> 00:16:40,840 Speaker 3: Shepherd's cook was the wolf. 323 00:16:41,280 --> 00:16:45,840 Speaker 1: So they're clicking on that, and the bubble pops, little 324 00:16:45,920 --> 00:16:49,600 Speaker 1: stink fume comes out just to like make clear its 325 00:16:49,600 --> 00:16:52,880 Speaker 1: stinky in there, like whatever, yeah, yeah, just like nothing 326 00:16:53,240 --> 00:16:57,760 Speaker 1: like not like big green smoke everyonet. 327 00:16:58,960 --> 00:17:02,160 Speaker 3: The sound effect is just like a very light sizzle, yes. 328 00:17:02,800 --> 00:17:11,200 Speaker 1: And so, and then they'll have you introducing like they'll 329 00:17:11,240 --> 00:17:14,760 Speaker 1: they'll they'll go to a new clip. Don't worry, plenty 330 00:17:14,800 --> 00:17:17,400 Speaker 1: of clips and clips inside clips. 331 00:17:17,600 --> 00:17:20,399 Speaker 3: Yes, keep going, Hey, it seems you're curious about the 332 00:17:20,480 --> 00:17:21,040 Speaker 3: riff I did. 333 00:17:21,240 --> 00:17:21,720 Speaker 1: This would be you. 334 00:17:21,840 --> 00:17:23,600 Speaker 3: Hey, it seems you're curious about the riff I did. 335 00:17:25,400 --> 00:17:30,359 Speaker 2: Ricky Henderson, right baseball player for the Oakland Athletics team, 336 00:17:30,520 --> 00:17:32,280 Speaker 2: you know, and then you you know, all time leader 337 00:17:32,320 --> 00:17:34,680 Speaker 2: and stolen bases, And then you say, but but what 338 00:17:34,920 --> 00:17:39,160 Speaker 2: I was referencing was a specific and famous, don't feel bad, 339 00:17:40,600 --> 00:17:43,800 Speaker 2: you know way of speaking that he had around the clubhouse. 340 00:17:44,119 --> 00:17:45,600 Speaker 2: And then it's sort of like you go into his 341 00:17:45,720 --> 00:17:48,280 Speaker 2: third person thing, and I mean, make it yours. Make 342 00:17:48,320 --> 00:17:53,000 Speaker 2: it funny by all means, make it funny, make it yours, 343 00:17:53,800 --> 00:17:57,120 Speaker 2: Make it informative and just and and make it obviously 344 00:17:57,600 --> 00:17:59,920 Speaker 2: quick but really thorough. 345 00:18:00,640 --> 00:18:03,000 Speaker 3: You know a lot of info. And I think what 346 00:18:03,080 --> 00:18:05,920 Speaker 3: we're gonna be able to do is pop up videos 347 00:18:05,920 --> 00:18:06,600 Speaker 3: didn't go far enough. 348 00:18:07,160 --> 00:18:09,719 Speaker 2: Sure they give you, like a fact, but I couldn't 349 00:18:09,760 --> 00:18:12,200 Speaker 2: choose which facts I wanted to see, you know, because 350 00:18:12,200 --> 00:18:15,280 Speaker 2: you might hear Ricky Anderson. I totally get that, and 351 00:18:15,359 --> 00:18:19,359 Speaker 2: then we might get to and Kevin and you're right 352 00:18:19,440 --> 00:18:20,119 Speaker 2: on top of it with the. 353 00:18:21,680 --> 00:18:27,040 Speaker 4: No, no, not that, not no, at least. 354 00:18:28,880 --> 00:18:33,000 Speaker 1: I want to Babe may nice, there's that. I'm interested 355 00:18:33,040 --> 00:18:37,440 Speaker 1: in the road Warriors song, the road Warriors song, Yes, 356 00:18:38,000 --> 00:18:43,520 Speaker 1: I'm definitely interested in that one. Yes, thank you, so 357 00:18:43,640 --> 00:18:46,560 Speaker 1: you got it? The road Warrior song what a rush? Now, 358 00:18:46,680 --> 00:18:51,399 Speaker 1: obviously I know that that's totally coherent for me, every 359 00:18:51,480 --> 00:18:56,560 Speaker 1: aspect that's landing. Yes, But for someone who's clicking the 360 00:18:56,640 --> 00:19:01,880 Speaker 1: bubble excuse you, stinky sizzle. 361 00:19:02,280 --> 00:19:06,640 Speaker 2: Yeah, our our audience, unfortunately, is gonna hear the road 362 00:19:06,680 --> 00:19:08,560 Speaker 2: Warrior and they're gonna think it's a reference to like 363 00:19:08,680 --> 00:19:13,879 Speaker 2: a fucking uh Mitch from dough Boys TV show or 364 00:19:13,920 --> 00:19:17,719 Speaker 2: something like. It's just gonna be like something fucking thing. 365 00:19:17,800 --> 00:19:20,240 Speaker 2: They're gonna think, Yeah, that's that's like. 366 00:19:20,280 --> 00:19:22,720 Speaker 3: Oh, the road Warriors. Let me go watch this video 367 00:19:22,840 --> 00:19:23,520 Speaker 3: game TV. 368 00:19:23,680 --> 00:19:27,280 Speaker 1: Goin off to the twisted metal show that Mitch is 369 00:19:27,320 --> 00:19:31,920 Speaker 1: on called The road Warrior r O d E. Because they, frankly, 370 00:19:32,320 --> 00:19:34,439 Speaker 1: Mitch has been road so hard at that show. Almost 371 00:19:34,440 --> 00:19:39,280 Speaker 1: every episode of someone riding Mitch basically into the grave. No, sure, 372 00:19:40,280 --> 00:19:44,560 Speaker 1: one of those road Warriors out in the in the wasteland, 373 00:19:45,240 --> 00:19:50,520 Speaker 1: little coat tail, give me a snack, I mean, come on, 374 00:19:51,720 --> 00:19:53,480 Speaker 1: what whatever, forget it. 375 00:19:54,320 --> 00:19:56,800 Speaker 4: Forget that one, don't don't even write that one. 376 00:19:56,880 --> 00:19:58,560 Speaker 3: Well that that would be one where we just wouldn't 377 00:19:58,560 --> 00:20:01,440 Speaker 3: even have the bubble, you know. No, that's like and 378 00:20:01,560 --> 00:20:03,560 Speaker 3: it's a great way to tell the audience like, hey, 379 00:20:03,600 --> 00:20:04,480 Speaker 3: it's empty, you're good. 380 00:20:04,520 --> 00:20:06,800 Speaker 1: The bubble comes out, it's just empty. There's no there's 381 00:20:06,840 --> 00:20:08,040 Speaker 1: no question mark in there. 382 00:20:09,080 --> 00:20:12,760 Speaker 4: Yeah, care to forget that one? Yeah, question mark. Let's 383 00:20:12,760 --> 00:20:17,119 Speaker 4: talk about something else or god forbid road Warrior. They 384 00:20:17,160 --> 00:20:19,720 Speaker 4: start thinking it's Furio son it's not. 385 00:20:20,119 --> 00:20:29,120 Speaker 1: Yeah, no, it's it's not that at all. So let's 386 00:20:29,119 --> 00:20:31,920 Speaker 1: talk about what it is. This is the clip. Inside 387 00:20:31,960 --> 00:20:37,520 Speaker 1: the clip, click the bubble pop, Yeah, road Warriors. So 388 00:20:38,119 --> 00:20:39,040 Speaker 1: excuse you? 389 00:20:39,520 --> 00:20:42,320 Speaker 3: I clicked it. I want to know and now the road. 390 00:20:42,160 --> 00:20:47,439 Speaker 4: Warrior, Now what a perfect So I explained the song to. 391 00:20:47,560 --> 00:20:48,960 Speaker 3: Make it yours, make it funny. 392 00:20:49,160 --> 00:20:52,960 Speaker 4: But like wondering what that song it seems like you, yeah, 393 00:20:53,320 --> 00:20:55,320 Speaker 4: it seems like you're interested enough to know about that song. 394 00:20:55,840 --> 00:20:57,840 Speaker 4: Well it's a little before my time, but you look 395 00:20:57,840 --> 00:21:01,080 Speaker 4: about the right age for it. So I want to 396 00:21:01,160 --> 00:21:05,040 Speaker 4: have them be seen and they're forty one okay, So 397 00:21:05,080 --> 00:21:06,680 Speaker 4: I go, okay, So you probably have so a little 398 00:21:06,680 --> 00:21:09,399 Speaker 4: bit of memories about this. So that was a crazy, 399 00:21:09,480 --> 00:21:13,920 Speaker 4: crazy song. And then these two guys, spiky guys, would it, 400 00:21:14,080 --> 00:21:16,919 Speaker 4: come on out and they're not hiding. They have friends 401 00:21:17,000 --> 00:21:20,120 Speaker 4: back there, and they're not scared if anyone. Everyone's scared 402 00:21:20,119 --> 00:21:23,399 Speaker 4: of them. If anyone, everyone's scared of them, and everybody 403 00:21:23,560 --> 00:21:23,960 Speaker 4: is running. 404 00:21:25,240 --> 00:21:29,040 Speaker 1: So so Srika, Yeah, I love a lot of I 405 00:21:29,119 --> 00:21:31,159 Speaker 1: love the two guys to the Spiky Guys. 406 00:21:31,560 --> 00:21:34,720 Speaker 3: Spike, the Spiky Guys felt so good to me. 407 00:21:35,040 --> 00:21:36,600 Speaker 2: I wish I wish we could make the whole thing 408 00:21:36,640 --> 00:21:39,720 Speaker 2: out of the Spiky Guys, because it was beyond of 409 00:21:39,760 --> 00:21:41,640 Speaker 2: that feeling. I don't want to talk about them more 410 00:21:41,680 --> 00:21:44,359 Speaker 2: because we didn't really give any clarity on what the 411 00:21:44,480 --> 00:21:49,080 Speaker 2: song was, you know, the song itself. All I found 412 00:21:49,080 --> 00:21:50,720 Speaker 2: out was that a forty one year old might have 413 00:21:51,000 --> 00:21:53,560 Speaker 2: some awareness of it. So I'm kind of putting the 414 00:21:53,560 --> 00:21:54,960 Speaker 2: ball in their court where I. 415 00:21:55,000 --> 00:21:56,159 Speaker 1: Go, you you know it? 416 00:21:56,680 --> 00:21:57,359 Speaker 3: Yeah, you know it? 417 00:21:57,480 --> 00:21:57,760 Speaker 4: I don't. 418 00:21:58,240 --> 00:22:00,440 Speaker 2: So for me, let's say I'm somebody who didn't know 419 00:22:00,520 --> 00:22:02,240 Speaker 2: what the song was, and I'm just letting you know, 420 00:22:02,359 --> 00:22:03,240 Speaker 2: listening to the episode, and. 421 00:22:03,280 --> 00:22:08,280 Speaker 1: I probably it was like less relevant to me in 422 00:22:08,400 --> 00:22:10,760 Speaker 1: terms of knowing what the song was about people being 423 00:22:10,840 --> 00:22:13,200 Speaker 1: scared of them. That's interesting, friends lost me. 424 00:22:13,359 --> 00:22:17,520 Speaker 2: If anyone is scared, they're scared of them. If anyone 425 00:22:17,560 --> 00:22:22,320 Speaker 2: they're scared of them, that that that wasn't about the 426 00:22:22,359 --> 00:22:24,800 Speaker 2: song for me either. Actually, I think that. 427 00:22:26,280 --> 00:22:28,720 Speaker 1: The what a Rush like? Is that part? Is that 428 00:22:28,880 --> 00:22:31,120 Speaker 1: a Is that a line in the song that felt 429 00:22:31,119 --> 00:22:33,960 Speaker 1: like we left it on the table? Casey talking while 430 00:22:34,000 --> 00:22:37,440 Speaker 1: he's listening to the song, like where like where where 431 00:22:37,520 --> 00:22:41,160 Speaker 1: is that fitting in to the puzzle of the writ 432 00:22:41,240 --> 00:22:41,600 Speaker 1: And I'll just. 433 00:22:41,640 --> 00:22:43,000 Speaker 3: Ask you directly, why did you say that? 434 00:22:48,680 --> 00:22:48,840 Speaker 4: You know? 435 00:22:48,880 --> 00:22:49,840 Speaker 3: Because I heard you say it. 436 00:22:50,760 --> 00:22:53,320 Speaker 4: It's not so the what a Rush? I like the 437 00:22:53,440 --> 00:22:55,600 Speaker 4: idea that that would be me listening to the song 438 00:22:55,640 --> 00:22:58,960 Speaker 4: and going that was I knew it was right. 439 00:22:59,040 --> 00:23:01,639 Speaker 3: I knew that you what a rush? 440 00:23:01,760 --> 00:23:04,040 Speaker 4: This thing's great? Yeah, because that's when I say every 441 00:23:04,080 --> 00:23:06,360 Speaker 4: time I hear that song about being messy, I guess 442 00:23:06,359 --> 00:23:09,840 Speaker 4: the song is it goes I'm very messy? 443 00:23:10,280 --> 00:23:14,920 Speaker 1: Okay wow. And it's by The Road Warriors. No different song. 444 00:23:15,080 --> 00:23:17,520 Speaker 4: It's in the film The Road Warriors. Oh No, the 445 00:23:17,680 --> 00:23:19,800 Speaker 4: messy song is different. The messy song is different. It's 446 00:23:19,840 --> 00:23:22,639 Speaker 4: a newer song. This could be a whole separate bubble. 447 00:23:23,320 --> 00:23:23,960 Speaker 4: The message it. 448 00:23:23,960 --> 00:23:24,639 Speaker 1: Would need to be. 449 00:23:25,080 --> 00:23:27,479 Speaker 2: Let's get one bubble right, and then we'll figure out 450 00:23:27,520 --> 00:23:28,760 Speaker 2: what could be a separate bubble. 451 00:23:29,240 --> 00:23:35,040 Speaker 1: Sure, okay, we will have bubbles like absolutely cascading out 452 00:23:35,880 --> 00:23:38,640 Speaker 1: even even within the clips. Oh yeah, we won all 453 00:23:38,800 --> 00:23:41,120 Speaker 1: kinds of because pop up video it didn't go far enough. 454 00:23:41,680 --> 00:23:45,320 Speaker 3: And unfortunately it didn't. By the way, listeners probably don't 455 00:23:45,320 --> 00:23:46,520 Speaker 3: even remember what that was. 456 00:23:46,960 --> 00:23:48,320 Speaker 1: You could try, but when I. 457 00:23:48,480 --> 00:23:50,880 Speaker 3: Say it, what could happen is little question mark. 458 00:23:51,359 --> 00:23:55,480 Speaker 2: Excuse you, Hey, guys, seems like you're shouldn't pop up video. 459 00:23:55,640 --> 00:23:59,280 Speaker 2: So in VH one circa maybe nineteen ninety eight to 460 00:23:59,640 --> 00:24:02,680 Speaker 2: maybe two thousand and two, there was a series of 461 00:24:03,359 --> 00:24:07,600 Speaker 2: music videos that would air with informational factoid bubbles showing 462 00:24:07,680 --> 00:24:10,240 Speaker 2: up during the playing of the video. So it would 463 00:24:10,240 --> 00:24:14,200 Speaker 2: say like this singer was actually friends with a big bird, 464 00:24:14,320 --> 00:24:16,800 Speaker 2: and then it would be like a not big bird 465 00:24:16,840 --> 00:24:19,720 Speaker 2: from Sesame Street. And then it would be like therapist 466 00:24:19,840 --> 00:24:21,480 Speaker 2: Joe says like this guy's. 467 00:24:21,240 --> 00:24:24,240 Speaker 3: Got bomby issues or whatever. Nice that might be blind. 468 00:24:24,000 --> 00:24:29,200 Speaker 1: Big Bubbah links to the products that we advertised find 469 00:24:30,359 --> 00:24:30,680 Speaker 1: or whatever. 470 00:24:30,920 --> 00:24:34,640 Speaker 4: Well, no, we know nothing with them, not but any 471 00:24:34,720 --> 00:24:35,120 Speaker 4: other one. 472 00:24:35,520 --> 00:24:37,120 Speaker 1: But what does it mean that it that it goes 473 00:24:37,200 --> 00:24:40,080 Speaker 1: too far? How can a TV show not go far enough? 474 00:24:40,160 --> 00:24:41,800 Speaker 1: What does it mean that it doesn't go far enough 475 00:24:41,960 --> 00:24:44,840 Speaker 1: a TV show? You couldn't push on the bubbles. You 476 00:24:44,920 --> 00:24:47,720 Speaker 1: could try, But even if you went all the way 477 00:24:47,720 --> 00:24:50,199 Speaker 1: into the other room and smaan at them and pushed 478 00:24:50,240 --> 00:24:52,560 Speaker 1: on them with your whole body as hard as you 479 00:24:52,600 --> 00:24:55,680 Speaker 1: could ske if you're lucky, they wouldn't pop, even though 480 00:24:55,720 --> 00:24:57,240 Speaker 1: pop was in the name of the show. 481 00:24:58,440 --> 00:25:02,040 Speaker 4: Didn't make a dempt And while it did, it did 482 00:25:02,160 --> 00:25:02,399 Speaker 4: make it. 483 00:25:02,760 --> 00:25:04,840 Speaker 3: It made a d to run at it, and a 484 00:25:04,920 --> 00:25:07,359 Speaker 3: smudge if you're lucky, but a dent more likely in 485 00:25:07,400 --> 00:25:08,840 Speaker 3: a crack as well, in. 486 00:25:08,880 --> 00:25:11,960 Speaker 1: Your belly crack to your belly straight. 487 00:25:11,640 --> 00:25:14,359 Speaker 4: Out busted like a watermelon. But that would be a callback. 488 00:25:14,400 --> 00:25:18,560 Speaker 4: There should be a separate different color for bubble. 489 00:25:18,600 --> 00:25:21,200 Speaker 1: There should be a way different color bubble to manually 490 00:25:21,400 --> 00:25:22,600 Speaker 1: just do callbacks. 491 00:25:22,800 --> 00:25:25,200 Speaker 4: So I flip it on like a like a vacancy sign. 492 00:25:25,359 --> 00:25:28,080 Speaker 1: Yes, that's right, yes, and then you can hit that 493 00:25:28,160 --> 00:25:31,000 Speaker 1: if you want the callback. People mostly don't, you know, 494 00:25:31,359 --> 00:25:34,480 Speaker 1: like people they heard that already, like they don't need that. 495 00:25:34,600 --> 00:25:37,560 Speaker 4: Again, that's self service. That's self service. It's selfish. 496 00:25:38,320 --> 00:25:41,600 Speaker 3: Some people are impressed by it. Yes, sometimes people are 497 00:25:41,640 --> 00:25:42,320 Speaker 3: impressed by it. 498 00:25:43,720 --> 00:25:47,560 Speaker 2: Hey they impressed they remembered Well they don't. Yeah, it's 499 00:25:47,600 --> 00:25:50,639 Speaker 2: not funny to them, but but they like to just 500 00:25:50,720 --> 00:25:52,879 Speaker 2: feels good. Hey, they remembered something, and they go, I 501 00:25:53,040 --> 00:25:55,800 Speaker 2: kind of remember something, and it can be sort of affirming. 502 00:25:55,840 --> 00:25:58,440 Speaker 1: They're proud. They feel proud of the host sure or 503 00:25:58,560 --> 00:26:00,359 Speaker 1: the guest as as it. Maybe. 504 00:26:00,680 --> 00:26:03,680 Speaker 3: Yeah, so service is what I do after I take him's. 505 00:26:03,640 --> 00:26:08,640 Speaker 1: Callback, So he takes and he wants us to talk 506 00:26:08,680 --> 00:26:11,680 Speaker 1: about this more and in our ads that like you 507 00:26:11,800 --> 00:26:13,040 Speaker 1: can take them to jerk Off. 508 00:26:13,520 --> 00:26:17,680 Speaker 2: Like that's been a big talking point that Kevin's tried 509 00:26:17,720 --> 00:26:19,840 Speaker 2: to get into the formal ad copy for all. 510 00:26:19,800 --> 00:26:23,400 Speaker 4: The hosts, not just this, not just this one. 511 00:26:23,480 --> 00:26:25,320 Speaker 3: Mm hm, well he does like fifteen shows. 512 00:26:25,400 --> 00:26:27,840 Speaker 1: He has a show with Rachel Bilson. Then he's like, hey, guys, 513 00:26:27,960 --> 00:26:32,200 Speaker 1: great episode, just just a couple little notes, not a 514 00:26:32,240 --> 00:26:34,760 Speaker 1: big deal. You can take him to jerk Off. 515 00:26:35,160 --> 00:26:39,680 Speaker 3: People do that, Yeah, Razel, you interrupted the guest a lot. 516 00:26:39,720 --> 00:26:43,440 Speaker 3: And also you can take hymns to jerk Off, which 517 00:26:43,560 --> 00:26:46,040 Speaker 3: I feel like is kind of you know. 518 00:26:47,040 --> 00:26:49,680 Speaker 1: It's like I don't know if you didn't know that, Like, yeah, 519 00:26:50,200 --> 00:26:51,600 Speaker 1: if you did, that's insane. 520 00:26:52,160 --> 00:26:54,560 Speaker 3: You guys were at one point talking about stuff all 521 00:26:54,640 --> 00:26:58,120 Speaker 3: around the area, Like I think you were like remembering 522 00:26:58,200 --> 00:27:00,200 Speaker 3: a TV show you liked, and it's like, well, who 523 00:27:00,200 --> 00:27:02,720 Speaker 3: doesn't jerk off the TV shows? And then in that case, 524 00:27:02,720 --> 00:27:05,240 Speaker 3: who doesn't take hymns first? You know, put on the 525 00:27:05,280 --> 00:27:08,639 Speaker 3: boob tube? Hold on, I gotta pop right now. 526 00:27:09,320 --> 00:27:15,159 Speaker 2: Whoop fucking boobs tubes, boobs and tubes. Oops, Well I 527 00:27:15,280 --> 00:27:17,440 Speaker 2: got a tube and it's thinking about boobs. Here's a 528 00:27:17,520 --> 00:27:20,760 Speaker 2: hymns and I am going to blast it. And so 529 00:27:21,040 --> 00:27:25,160 Speaker 2: like I think that, you know, that would be something 530 00:27:25,200 --> 00:27:28,320 Speaker 2: that Kevin would like to hear, and maybe you could 531 00:27:28,359 --> 00:27:29,119 Speaker 2: even talk about it. 532 00:27:30,160 --> 00:27:31,640 Speaker 1: Maybe did we figure out? 533 00:27:31,680 --> 00:27:34,560 Speaker 4: So I shouldn't talk about it, right, I shouldn't talk 534 00:27:34,560 --> 00:27:34,919 Speaker 4: about And. 535 00:27:34,960 --> 00:27:38,280 Speaker 1: So The Road Warriors is a band that's the two 536 00:27:38,400 --> 00:27:40,320 Speaker 1: guys the road Forces hike. 537 00:27:40,359 --> 00:27:45,440 Speaker 4: You guys are wrestlers, and how we get to the 538 00:27:45,520 --> 00:27:46,240 Speaker 4: root of the issue. 539 00:27:46,280 --> 00:27:50,720 Speaker 3: Here their song when they're coming, it's their like intro music. 540 00:27:51,520 --> 00:27:53,840 Speaker 4: Oh you were you guys were totally lost, and so 541 00:27:54,000 --> 00:27:58,160 Speaker 4: that waits the listeners were you guys are right on track? 542 00:27:58,200 --> 00:27:59,439 Speaker 4: You're right on pace, and so. 543 00:27:59,560 --> 00:28:02,600 Speaker 1: They're the two guys who they're coming out. 544 00:28:02,720 --> 00:28:06,040 Speaker 3: Wow, now them having friends back there is even more confusing. 545 00:28:06,119 --> 00:28:11,960 Speaker 4: Yeah, okay, we're really in the weeds with the friends thing. 546 00:28:12,160 --> 00:28:14,919 Speaker 1: Well, this is what the technology is all about. 547 00:28:15,119 --> 00:28:17,480 Speaker 4: So it goes Okay, I see you're confused about the 548 00:28:17,520 --> 00:28:19,920 Speaker 4: friend's part. So now there's a lot there's a lot 549 00:28:20,000 --> 00:28:23,120 Speaker 4: of tags up there. Okay, So then it would go, well, 550 00:28:23,400 --> 00:28:25,920 Speaker 4: you know, being a wrestler not to break k fabe. 551 00:28:26,320 --> 00:28:29,280 Speaker 4: So then there would be a side bubble, a little 552 00:28:29,320 --> 00:28:31,000 Speaker 4: mechanism where it goes k fabe. 553 00:28:31,080 --> 00:28:32,920 Speaker 1: Want to learn more, Tell me a little more about 554 00:28:32,920 --> 00:28:35,520 Speaker 1: the mechanism. Was that sound a door opening up in 555 00:28:36,000 --> 00:28:36,800 Speaker 1: the bubble. 556 00:28:36,520 --> 00:28:39,200 Speaker 4: A small door, almost like a cuckoo clock door where 557 00:28:39,400 --> 00:28:43,560 Speaker 4: something falls like a chain and like pitt and pendulum 558 00:28:44,040 --> 00:28:45,840 Speaker 4: and then it cuts. It's sort of like a roof 559 00:28:45,920 --> 00:28:48,600 Speaker 4: gold too. Yeah, it's like a roof Goldberg. So then 560 00:28:48,680 --> 00:28:50,600 Speaker 4: that let's go a ping pong ball where if you 561 00:28:50,760 --> 00:28:54,320 Speaker 4: open that it's breakable. Yeah, it's basically like an uncrustable 562 00:28:55,920 --> 00:28:58,000 Speaker 4: but instead of peanut butter, there's words inside like a 563 00:28:58,080 --> 00:28:58,760 Speaker 4: fortune cookie. 564 00:28:58,960 --> 00:29:02,120 Speaker 1: Okay, and those are unf furling. Yeah, and that's and 565 00:29:02,240 --> 00:29:09,520 Speaker 1: that's captioning the video, right, Yes, there's nothing playful about 566 00:29:09,520 --> 00:29:14,240 Speaker 1: these captions or whatever. It's just like just like yeah, 567 00:29:15,120 --> 00:29:19,240 Speaker 1: here you go. You're like two birds carrying like a 568 00:29:19,400 --> 00:29:21,000 Speaker 1: scarf with the words on it. 569 00:29:21,400 --> 00:29:24,680 Speaker 2: You know, when they would show like some sort of 570 00:29:25,080 --> 00:29:28,680 Speaker 2: representation of like a bad meal, like maybe someone's at 571 00:29:28,760 --> 00:29:29,680 Speaker 2: like a camp or. 572 00:29:29,680 --> 00:29:32,600 Speaker 3: A prison where they're being mistreated, and and there's just 573 00:29:32,680 --> 00:29:35,960 Speaker 3: a bowl and it's just a slorp, just a splot 574 00:29:36,080 --> 00:29:36,880 Speaker 3: of slough. 575 00:29:37,600 --> 00:29:41,240 Speaker 2: Just that is what the captions are, right, it's just splat, 576 00:29:41,560 --> 00:29:43,800 Speaker 2: like here you go, eat up. 577 00:29:43,920 --> 00:29:46,320 Speaker 1: And it's like what if I had two beautiful birds 578 00:29:46,600 --> 00:29:50,480 Speaker 1: or like a stock a twenty stock guy reading the 579 00:29:50,560 --> 00:29:53,400 Speaker 1: tickers it's coming out and he's ringing. He's getting more 580 00:29:53,480 --> 00:29:56,920 Speaker 1: and more horrified by the captions that he's reading. 581 00:29:57,840 --> 00:30:03,240 Speaker 2: Window Black Monday boxing glove on a spring punches the 582 00:30:03,320 --> 00:30:04,480 Speaker 2: words into the screen. 583 00:30:04,640 --> 00:30:08,720 Speaker 3: You know what I mean? Could there be anything more 584 00:30:08,760 --> 00:30:09,600 Speaker 3: whimsical than that? 585 00:30:10,000 --> 00:30:12,840 Speaker 1: So these guys, we do need to learn more about 586 00:30:12,840 --> 00:30:13,240 Speaker 1: the friends. 587 00:30:13,280 --> 00:30:15,280 Speaker 4: They are not friends. So he goes want to learn 588 00:30:15,360 --> 00:30:17,680 Speaker 4: what's k fabe? So k fabe It would make you 589 00:30:17,720 --> 00:30:20,680 Speaker 4: think that all wrestlers are enemies that's not the case. Okay, 590 00:30:21,040 --> 00:30:23,640 Speaker 4: being on the road sometimes three hundred and fifty days 591 00:30:23,640 --> 00:30:26,880 Speaker 4: a year, do the math. They're hardly home. These guys 592 00:30:26,920 --> 00:30:28,720 Speaker 4: are thickest thieves. They're more than friends. 593 00:30:28,760 --> 00:30:30,280 Speaker 1: That's the brothers, brothers. 594 00:30:31,480 --> 00:30:34,479 Speaker 4: Their family is a little bigger than mine and yours too, hopefully. 595 00:30:34,760 --> 00:30:38,240 Speaker 1: So you are concerned that the road Warriors when they 596 00:30:38,520 --> 00:30:40,920 Speaker 1: walk out, that people will be worried, like the guys 597 00:30:40,960 --> 00:30:43,360 Speaker 1: want that they're spiky. People will be worried that they 598 00:30:43,400 --> 00:30:47,720 Speaker 1: don't have friends back there. So you're explaining that actually 599 00:30:47,800 --> 00:30:49,440 Speaker 1: they do. They did have friends. 600 00:30:49,640 --> 00:30:52,040 Speaker 3: You explained that before you explained that it was wrestling. 601 00:30:52,320 --> 00:30:56,280 Speaker 1: That's right, what the song was. 602 00:30:56,400 --> 00:30:58,360 Speaker 4: There's a lot of emphasis on the friends part. 603 00:30:58,480 --> 00:30:59,160 Speaker 1: I get that now. 604 00:31:00,280 --> 00:31:01,600 Speaker 3: What I'm learning is you're an mpath. 605 00:31:02,600 --> 00:31:06,680 Speaker 1: I know, I feel, I feel, and I feel I feel, 606 00:31:06,880 --> 00:31:09,800 Speaker 1: I feel and a good measure I do a little 607 00:31:09,840 --> 00:31:13,640 Speaker 1: feeling as well feeling. Okay, what are the what are 608 00:31:13,880 --> 00:31:14,800 Speaker 1: the road Warriors? 609 00:31:14,840 --> 00:31:15,400 Speaker 3: Two names? 610 00:31:16,080 --> 00:31:19,640 Speaker 4: Yeah, there's hawk and animal. There's road Warrior Hall and 611 00:31:19,800 --> 00:31:20,760 Speaker 4: road Warrior Animal. 612 00:31:20,840 --> 00:31:22,880 Speaker 2: I want together that a hawk was an animal when 613 00:31:22,920 --> 00:31:27,160 Speaker 2: they did that, that was probably new back then. This 614 00:31:27,320 --> 00:31:29,360 Speaker 2: was you gotta be I hate I hate to be 615 00:31:29,440 --> 00:31:31,160 Speaker 2: in that meeting and the one guy going like, do 616 00:31:31,480 --> 00:31:32,400 Speaker 2: do I bring it up? 617 00:31:32,760 --> 00:31:36,520 Speaker 4: And they're they're huge guys. Their meetings, you know, have 618 00:31:36,600 --> 00:31:37,000 Speaker 4: no offense. 619 00:31:37,040 --> 00:31:40,400 Speaker 3: They probably know that probably yeah do you. No one 620 00:31:40,520 --> 00:31:41,960 Speaker 3: says it, We don't really. 621 00:31:42,200 --> 00:31:45,120 Speaker 1: I mean, and this is gonna like be busting our 622 00:31:45,160 --> 00:31:48,480 Speaker 1: bubble budget. But the fact that hawk two uh went 623 00:31:48,600 --> 00:31:53,040 Speaker 1: with that spelling h a w K spelling when like, 624 00:31:53,200 --> 00:31:56,960 Speaker 1: to me, it's the ham ho, it's hawk Ali Yeah, 625 00:31:57,480 --> 00:32:02,600 Speaker 1: like like hawking Alugi is spelled like like a jam 626 00:32:03,160 --> 00:32:06,480 Speaker 1: kay And what is it that? Like, you know, and 627 00:32:06,600 --> 00:32:08,920 Speaker 1: that's this is not our territory. This is like that. 628 00:32:09,120 --> 00:32:12,880 Speaker 1: That's the other guys. Maybe something for them to explore. 629 00:32:12,920 --> 00:32:14,840 Speaker 1: I don't know if they actually do have a podcast 630 00:32:14,920 --> 00:32:17,080 Speaker 1: or if it's just clips. I mean, like you just 631 00:32:17,120 --> 00:32:19,480 Speaker 1: saying you did it, but like the idea of they 632 00:32:19,520 --> 00:32:21,960 Speaker 1: wouldn't say, but I did do They did do part 633 00:32:22,000 --> 00:32:24,440 Speaker 1: of it, and so he just did part of it, 634 00:32:24,560 --> 00:32:27,720 Speaker 1: so it might just be clips. They said, hey, can 635 00:32:27,760 --> 00:32:30,440 Speaker 1: you come in and do part of this? We would 636 00:32:30,480 --> 00:32:32,000 Speaker 1: love to have you and do part of this. 637 00:32:32,600 --> 00:32:34,680 Speaker 4: Well, the part would kind of connotate that there's a 638 00:32:34,720 --> 00:32:37,120 Speaker 4: bigger mechanism at work and they said, you'll see that 639 00:32:37,280 --> 00:32:39,160 Speaker 4: in due time. They said, you're not going to see that. 640 00:32:39,680 --> 00:32:42,920 Speaker 1: There's a bigger mechanism at work. There's bigger things like 641 00:32:43,080 --> 00:32:45,880 Speaker 1: that door, the little door that opened. 642 00:32:48,640 --> 00:32:49,640 Speaker 3: The pendulum comes out. 643 00:32:49,720 --> 00:32:51,560 Speaker 1: We're gonna eat a bubble for that one. Well, do 644 00:32:51,600 --> 00:32:53,320 Speaker 1: you want to do you want to hit Pitt in 645 00:32:53,360 --> 00:32:54,280 Speaker 1: the pendulum real quick? 646 00:32:56,160 --> 00:32:58,240 Speaker 4: Pitt in the pendulum? Yeah, thanks for asking. 647 00:32:58,680 --> 00:32:59,760 Speaker 1: Nice. That's good. 648 00:33:00,360 --> 00:33:04,440 Speaker 2: That's so much better than the bad one you did before. 649 00:33:04,480 --> 00:33:06,040 Speaker 2: We can talk about it now. The other one was 650 00:33:06,120 --> 00:33:06,680 Speaker 2: really bad. 651 00:33:07,200 --> 00:33:09,640 Speaker 4: Now that we're past that, I feel okay, kind of going. 652 00:33:09,800 --> 00:33:13,560 Speaker 4: Maybe I wasn't ready and maybe that's okay, Ben pendulum, 653 00:33:13,560 --> 00:33:16,240 Speaker 4: glad you asked, Ed Grollan, Poe wrote this great little story, 654 00:33:16,920 --> 00:33:17,400 Speaker 4: Ed and. 655 00:33:17,440 --> 00:33:20,080 Speaker 1: Poe clean just you said, you said, growling. 656 00:33:21,800 --> 00:33:25,160 Speaker 4: The pendulum, glad you asked, ed Growland. Poe was actually 657 00:33:25,240 --> 00:33:27,680 Speaker 4: a really good guy. A lot of people don't know that. 658 00:33:28,240 --> 00:33:29,880 Speaker 4: And so I guys started talking about Poe. 659 00:33:31,000 --> 00:33:33,520 Speaker 1: Maybe more stories like thirteen year old cousin. 660 00:33:33,640 --> 00:33:35,960 Speaker 4: Yeah, and then she died. I think so some of 661 00:33:36,000 --> 00:33:38,640 Speaker 4: this stuff I don't even know, which is kind of cool. 662 00:33:38,800 --> 00:33:40,920 Speaker 4: So like some of the stuff like I don't even have, 663 00:33:41,160 --> 00:33:42,760 Speaker 4: like the facts in front of me. I guess. 664 00:33:45,400 --> 00:33:46,200 Speaker 1: I think she died. 665 00:33:46,360 --> 00:33:47,640 Speaker 3: I'm a little busy, and then. 666 00:33:47,520 --> 00:33:49,040 Speaker 2: I hear I am feeling like shit that I had 667 00:33:49,080 --> 00:33:51,000 Speaker 2: to click on the bubble. But meanwhile the bubble guy 668 00:33:51,120 --> 00:33:53,160 Speaker 2: is like, you know what the talk about it either, Yeah, 669 00:33:53,320 --> 00:33:56,720 Speaker 2: we're all yeah, yeah, that's a real sense of community, 670 00:33:57,040 --> 00:33:59,400 Speaker 2: feeling a kinship with the bubble guy for sure. 671 00:34:00,240 --> 00:34:01,960 Speaker 4: Yeah, you can kind of relate. You go, Okay, it's 672 00:34:02,000 --> 00:34:02,440 Speaker 4: not perfect. 673 00:34:02,520 --> 00:34:04,840 Speaker 1: Can we find out if she died, because like, we're 674 00:34:04,880 --> 00:34:08,200 Speaker 1: gonna wanna I think she did. 675 00:34:08,280 --> 00:34:09,000 Speaker 4: He wrote a poem. 676 00:34:09,160 --> 00:34:11,480 Speaker 1: Maybe we can. When you don't know something, we can 677 00:34:11,640 --> 00:34:16,160 Speaker 1: have you a bubble fly like comes up for you. Well, 678 00:34:16,480 --> 00:34:18,200 Speaker 1: you push it with your finger. 679 00:34:18,960 --> 00:34:20,759 Speaker 4: Sorry, let me look up a little bit more about this. 680 00:34:20,920 --> 00:34:25,359 Speaker 1: That's right. Yeah, so you're enjoying the technology as well. Yeah, 681 00:34:25,440 --> 00:34:27,680 Speaker 1: and then Kevin chows up in the bubble like sort 682 00:34:27,680 --> 00:34:30,120 Speaker 1: of a mix of practical and three D rendered. 683 00:34:30,200 --> 00:34:32,720 Speaker 3: Kevin died at twenty four from tuberculosis. 684 00:34:33,160 --> 00:34:41,320 Speaker 1: So there you go to break upbreak cis, maybe you 685 00:34:41,320 --> 00:34:45,440 Speaker 1: shouldn't have been doing so much tuberculosis. You know what 686 00:34:45,480 --> 00:34:48,480 Speaker 1: I mean? You can be doing so much tuberculo exists, 687 00:34:52,440 --> 00:34:54,640 Speaker 1: so are we getting are we get are we are? 688 00:34:54,719 --> 00:34:58,200 Speaker 1: We feeling kind of a rhythm for for how it's 689 00:34:58,239 --> 00:35:01,520 Speaker 1: all working and making Terry obviously like don't bring it. 690 00:35:01,560 --> 00:35:03,800 Speaker 1: Of course you're going to go running back to do 691 00:35:03,960 --> 00:35:04,439 Speaker 1: your crew. 692 00:35:04,640 --> 00:35:07,160 Speaker 3: I know you do other shows. Yeah, and when I 693 00:35:07,280 --> 00:35:09,520 Speaker 3: even think about that, but yeah. 694 00:35:09,719 --> 00:35:12,680 Speaker 4: It sounds like something I'd be willing to put into practice. 695 00:35:12,840 --> 00:35:15,439 Speaker 4: And it sounds good that people would know that I'm 696 00:35:15,480 --> 00:35:17,640 Speaker 4: not perfect either. I don't have all the answer. 697 00:35:17,360 --> 00:35:20,399 Speaker 1: Because people are people are starting to like, you're you're 698 00:35:20,440 --> 00:35:24,640 Speaker 1: developing this pedestal beneath you, right. 699 00:35:24,760 --> 00:35:27,560 Speaker 3: Where everyone like rocket, isn't it true? 700 00:35:27,680 --> 00:35:30,600 Speaker 1: And they think unachievable perfection. 701 00:35:30,760 --> 00:35:36,920 Speaker 2: Everything fine, but you've become this sort of superman and 702 00:35:38,120 --> 00:35:41,239 Speaker 2: and I'm concerned that it's going to isolate you in 703 00:35:41,320 --> 00:35:41,600 Speaker 2: a way. 704 00:35:42,200 --> 00:35:48,359 Speaker 3: And we all saw, you know, uh, melaniey right, how 705 00:35:48,600 --> 00:35:48,920 Speaker 3: he was. 706 00:35:49,000 --> 00:35:52,279 Speaker 1: Up on this sort of liked liability and. 707 00:35:52,360 --> 00:35:54,359 Speaker 2: All of this, and it was a prison for him 708 00:35:54,800 --> 00:35:56,320 Speaker 2: and he ended up being trapped and he felt like 709 00:35:56,360 --> 00:35:59,320 Speaker 2: he could make no mistakes and he had to just 710 00:35:59,480 --> 00:36:00,600 Speaker 2: come complet deletely clean. 711 00:36:00,680 --> 00:36:02,200 Speaker 3: It all came tumbling down. 712 00:36:02,800 --> 00:36:02,960 Speaker 2: You know. 713 00:36:03,120 --> 00:36:04,759 Speaker 3: And now and now he's got a show and he's 714 00:36:04,840 --> 00:36:07,120 Speaker 3: doing okay. Not that that's a bad outcome for you, 715 00:36:07,360 --> 00:36:10,000 Speaker 3: but like I don't have to go through the bumpy part. 716 00:36:10,520 --> 00:36:13,160 Speaker 4: Sure, well, if it could all be avoided, maybe I 717 00:36:13,160 --> 00:36:14,840 Speaker 4: should have a little more edge to me. Maybe I 718 00:36:14,840 --> 00:36:16,640 Speaker 4: should have a little more edge that says like, I'll 719 00:36:16,680 --> 00:36:18,040 Speaker 4: be your friend, but i'll bite you too. 720 00:36:18,640 --> 00:36:21,520 Speaker 1: Edge is a bubble comes out a wrestler as well? 721 00:36:22,160 --> 00:36:25,520 Speaker 4: Yeah, Christian too, So I would say Christian, not just 722 00:36:25,600 --> 00:36:29,160 Speaker 4: the nationality not then I would I would would be 723 00:36:29,840 --> 00:36:31,000 Speaker 4: a bubble. 724 00:36:31,440 --> 00:36:32,719 Speaker 3: Huge bubble comes out of that. 725 00:36:33,640 --> 00:36:37,759 Speaker 2: The bubble has a question mark and then like when 726 00:36:37,840 --> 00:36:40,879 Speaker 2: you click it, it's like a question mark faces the bubble. 727 00:36:42,200 --> 00:36:44,239 Speaker 3: And it's like, yeah, I don't know either. 728 00:36:52,120 --> 00:36:54,640 Speaker 1: And your shirt is is burping as well. So like 729 00:36:55,000 --> 00:36:57,439 Speaker 1: that picture of Tim Robbins on your shirt, both both 730 00:36:57,480 --> 00:36:59,719 Speaker 1: of them those are burping. Also, do you want to 731 00:36:59,800 --> 00:37:02,920 Speaker 1: get I had a like a shirt explained her bubble 732 00:37:03,000 --> 00:37:03,399 Speaker 1: real quick. 733 00:37:04,040 --> 00:37:07,440 Speaker 4: Sure, oh hi, thanks for looking at my stuff. 734 00:37:07,560 --> 00:37:09,960 Speaker 1: Why do you say sure? Before you said oh, oh, 735 00:37:10,480 --> 00:37:12,359 Speaker 1: like before you understood what you're like? Sure. 736 00:37:12,600 --> 00:37:17,279 Speaker 4: Oh, sometimes I'll just go ahead and just throw out there. 737 00:37:17,800 --> 00:37:21,440 Speaker 4: I'll throw a blanket shirt just in case I do 738 00:37:21,640 --> 00:37:23,320 Speaker 4: end up agreeing with it, and I want you to 739 00:37:23,480 --> 00:37:24,759 Speaker 4: know I was on board. 740 00:37:25,080 --> 00:37:27,160 Speaker 2: I know the words haven't gotten to my brain yet, 741 00:37:27,719 --> 00:37:31,000 Speaker 2: but when they do, I'm gonna be ready. Let me 742 00:37:31,080 --> 00:37:34,320 Speaker 2: just give you a sure and then I will process, process, process, 743 00:37:35,040 --> 00:37:36,320 Speaker 2: and now oh. 744 00:37:38,280 --> 00:37:41,080 Speaker 4: Oh I get it. Now that feels good. So the 745 00:37:41,160 --> 00:37:43,960 Speaker 4: thought feels good to get it. Oh yeah, oh Hi, 746 00:37:44,120 --> 00:37:46,520 Speaker 4: thanks for looking at my stuff. So this is one 747 00:37:46,520 --> 00:37:48,880 Speaker 4: of the cool one of my cool stuff. This is 748 00:37:48,920 --> 00:37:52,439 Speaker 4: one of my best stuff. It's kind of like a kid. 749 00:37:53,200 --> 00:37:55,320 Speaker 4: It's kind of like a kid showing you as treasures. 750 00:38:00,360 --> 00:38:01,520 Speaker 1: Thanks for looking at my stuff. 751 00:38:01,600 --> 00:38:05,320 Speaker 3: This is one of my best stuff. It's a cool stuff. 752 00:38:06,200 --> 00:38:08,520 Speaker 3: It's so cool, and I get to keep it. So 753 00:38:09,000 --> 00:38:09,640 Speaker 3: I get to keep this. 754 00:38:09,680 --> 00:38:11,960 Speaker 4: I don't share it with anybody. This is one of 755 00:38:12,080 --> 00:38:14,760 Speaker 4: my best best things. So I still haven't quite gotten 756 00:38:14,840 --> 00:38:16,920 Speaker 4: to the movie yet, which is good. You want to 757 00:38:16,960 --> 00:38:18,600 Speaker 4: buy some time again so I can think. 758 00:38:18,440 --> 00:38:21,480 Speaker 3: About what it was. So he looks pretty scared, and 759 00:38:21,560 --> 00:38:22,400 Speaker 3: he really was. 760 00:38:22,600 --> 00:38:24,239 Speaker 4: This is one of the worst he said, one of 761 00:38:24,280 --> 00:38:26,000 Speaker 4: the worst days of his life was making this. 762 00:38:27,400 --> 00:38:31,680 Speaker 1: Wow. I mean, that's all you really need to tell 763 00:38:31,760 --> 00:38:34,600 Speaker 1: about the movie. Like if you're asking more at that point, 764 00:38:34,760 --> 00:38:37,880 Speaker 1: and now it's personal. The bigger you didn't say who 765 00:38:37,960 --> 00:38:39,280 Speaker 1: it was. It's Tim Robbins. 766 00:38:39,440 --> 00:38:42,160 Speaker 3: But Tim Robbins, one of the worst days of his life, 767 00:38:42,440 --> 00:38:42,640 Speaker 3: one of. 768 00:38:42,640 --> 00:38:45,239 Speaker 1: The worst days of his life personally, and also one 769 00:38:45,280 --> 00:38:47,840 Speaker 1: of the worst days of that guy's life is in 770 00:38:48,000 --> 00:38:52,760 Speaker 1: the horrible day, really bad. 771 00:38:52,840 --> 00:38:55,960 Speaker 4: It was no good, rotten day if there ever was one. 772 00:38:56,680 --> 00:38:58,719 Speaker 1: And it's from and it is a podcast that I 773 00:38:58,719 --> 00:39:00,120 Speaker 1: don't think you said the name of the movie be. 774 00:39:00,200 --> 00:39:03,400 Speaker 1: It is Jacob's Ladder Ladder. So just as you're thinking 775 00:39:03,480 --> 00:39:06,440 Speaker 1: back here, like, oh yeah, Tim Robinson, Jacob's Ladder. It's 776 00:39:06,520 --> 00:39:08,920 Speaker 1: funny to describe that as being a very bad day, 777 00:39:09,000 --> 00:39:10,520 Speaker 1: but you do have to go back and think about 778 00:39:10,520 --> 00:39:12,440 Speaker 1: it now, because if you were just listening to the podcast, 779 00:39:12,560 --> 00:39:14,320 Speaker 1: you didn't know what the movie was. 780 00:39:14,560 --> 00:39:17,040 Speaker 3: But the listeners at home are who the person was. 781 00:39:18,360 --> 00:39:21,040 Speaker 2: The listeners at home are going right now, they're going sure, 782 00:39:21,960 --> 00:39:24,040 Speaker 2: and then in a little while they'll start thinking about 783 00:39:24,080 --> 00:39:24,640 Speaker 2: what we've said. 784 00:39:24,800 --> 00:39:29,680 Speaker 1: That's that is a movie. That is fus okay movie. Yes, 785 00:39:30,160 --> 00:39:32,000 Speaker 1: didn't even know at the big ending that the shirt 786 00:39:32,080 --> 00:39:32,879 Speaker 1: was about a movie. 787 00:39:33,160 --> 00:39:35,680 Speaker 3: Just no, just this is what Well, he didn't say shirt, 788 00:39:35,719 --> 00:39:37,080 Speaker 3: he said thanks for looking at my stuff. 789 00:39:37,600 --> 00:39:39,799 Speaker 2: He didn't say thanks for looking at my shirts, you said, shirt, 790 00:39:40,200 --> 00:39:41,200 Speaker 2: thanks for looking at my stuff. 791 00:39:41,360 --> 00:39:43,279 Speaker 1: This is one of my best was just one of 792 00:39:43,360 --> 00:39:44,920 Speaker 1: my best stuff. I get to keep it. 793 00:39:45,080 --> 00:39:46,479 Speaker 3: I don't share it with everyone else. 794 00:39:47,120 --> 00:39:47,759 Speaker 4: Like all of this. 795 00:39:47,920 --> 00:39:49,400 Speaker 1: They said, this is one of the worst days that 796 00:39:49,520 --> 00:39:52,800 Speaker 1: he ever had and yeah, was making this that was 797 00:39:52,880 --> 00:39:56,000 Speaker 1: the most specific that we got that someone associated with 798 00:39:56,360 --> 00:39:57,840 Speaker 1: the shirt is a So. 799 00:39:57,920 --> 00:39:59,600 Speaker 2: I guess there's an image on the shirt that is 800 00:39:59,640 --> 00:40:02,200 Speaker 2: from us specific scene in the movie. Because because the 801 00:40:02,280 --> 00:40:06,080 Speaker 2: movie wasn't just one day to make it say, yeah, 802 00:40:06,160 --> 00:40:09,400 Speaker 2: it was multiple days, but this particular day of filming 803 00:40:09,920 --> 00:40:10,480 Speaker 2: was the worst for me. 804 00:40:10,680 --> 00:40:11,239 Speaker 1: That was the worst. 805 00:40:11,320 --> 00:40:12,839 Speaker 3: And I don't know if that was before or after 806 00:40:12,960 --> 00:40:15,480 Speaker 3: he got divorced from sud seranded, but I imagine there 807 00:40:15,520 --> 00:40:17,000 Speaker 3: were some tricky days there as well. 808 00:40:17,840 --> 00:40:18,000 Speaker 1: There. 809 00:40:18,280 --> 00:40:21,480 Speaker 4: I had to be up there. I met his son, 810 00:40:22,880 --> 00:40:23,480 Speaker 4: I met his son. 811 00:40:23,520 --> 00:40:27,080 Speaker 1: People are doing that in the mix. 812 00:40:27,440 --> 00:40:29,640 Speaker 4: I met his son and get it, and I talked 813 00:40:29,680 --> 00:40:31,200 Speaker 4: to him, and then I went to the bathroom and 814 00:40:31,280 --> 00:40:32,960 Speaker 4: his son was outside the bathroom and he said, I 815 00:40:33,120 --> 00:40:35,160 Speaker 4: just met Casey Rockett and he's actually really nice. 816 00:40:36,360 --> 00:40:39,440 Speaker 1: You heard him heard him say that. Yeah, And again this. 817 00:40:39,520 --> 00:40:42,360 Speaker 2: Is you couldn't torture that story out of me. You 818 00:40:42,480 --> 00:40:44,440 Speaker 2: couldn't torture that fucking story out of me. 819 00:40:45,040 --> 00:40:49,360 Speaker 3: This guy just volunteers it. But he was really cruel. 820 00:40:49,920 --> 00:40:52,600 Speaker 2: It was such a thin connection. He was a really 821 00:40:52,960 --> 00:40:58,560 Speaker 2: little bubble comes out of my head now that he 822 00:40:58,680 --> 00:41:00,800 Speaker 2: was really cool with an era bang in it. 823 00:41:01,239 --> 00:41:05,440 Speaker 1: But you see what he's reacting to. Is this persona 824 00:41:05,560 --> 00:41:11,840 Speaker 1: that you've cultivated of being out of perfect in every No, 825 00:41:12,040 --> 00:41:15,960 Speaker 1: not no, not mister nice guy. Sorry, I really thought 826 00:41:16,000 --> 00:41:16,359 Speaker 1: we were. 827 00:41:16,440 --> 00:41:18,000 Speaker 3: A mister perfect another wrestler. 828 00:41:18,200 --> 00:41:18,800 Speaker 1: In fact. 829 00:41:20,120 --> 00:41:23,840 Speaker 3: He was if you was he Christian? Was he of 830 00:41:23,920 --> 00:41:24,839 Speaker 3: that nationality? 831 00:41:25,560 --> 00:41:28,440 Speaker 4: I'd say if you. 832 00:41:28,920 --> 00:41:35,239 Speaker 1: Had cultivated the mister nice guy, then young Robbins is 833 00:41:35,320 --> 00:41:39,879 Speaker 1: not saying actually really nothing, he's actually really nice. That's true. 834 00:41:39,960 --> 00:41:41,080 Speaker 1: You see what I'm saying. 835 00:41:41,239 --> 00:41:44,200 Speaker 3: That does put forth saying he was really nice as expected. 836 00:41:44,320 --> 00:41:48,279 Speaker 3: It's not keeping with the persona we all associate. He's 837 00:41:48,360 --> 00:41:49,080 Speaker 3: really nice. 838 00:41:50,040 --> 00:41:54,480 Speaker 1: He's about in the bathroom. Hey here like to report 839 00:41:54,600 --> 00:41:57,360 Speaker 1: interesting news, which is that you are actually really nice. 840 00:41:57,400 --> 00:42:00,400 Speaker 4: I met this really nice guy, and everyone else has 841 00:42:00,440 --> 00:42:01,600 Speaker 4: also thought that about him. 842 00:42:01,840 --> 00:42:05,520 Speaker 3: They're saying, mister nice is nice. That's all. 843 00:42:06,200 --> 00:42:08,000 Speaker 4: Mister nice is nice, fine by me, and I can 844 00:42:08,080 --> 00:42:08,480 Speaker 4: live with that. 845 00:42:09,480 --> 00:42:11,520 Speaker 3: Well, you're not living with it. You're doing something else. 846 00:42:12,080 --> 00:42:17,640 Speaker 3: You what you've done, oh, is you've cultivated this oops, 847 00:42:18,120 --> 00:42:23,279 Speaker 3: this image of there's oops, not a noose. But let's 848 00:42:23,280 --> 00:42:24,160 Speaker 3: just get on the same page. 849 00:42:24,280 --> 00:42:24,840 Speaker 1: Some oops. 850 00:42:25,200 --> 00:42:27,480 Speaker 3: You've cultivated this image of you know. 851 00:42:27,960 --> 00:42:35,160 Speaker 2: Uh, living, breathing perfections, untouchable, Yes, mister sinister right, impervious 852 00:42:36,120 --> 00:42:41,919 Speaker 2: to all attacks. Mm hmmm mm hmm, short outamantium skin. Yes, 853 00:42:43,560 --> 00:42:47,359 Speaker 2: nothing can nothing can hurt you. And you're and you're 854 00:42:47,840 --> 00:42:52,640 Speaker 2: you know, this berserker, just your comedy attacks, just raining 855 00:42:52,880 --> 00:42:55,920 Speaker 2: down on anyone who draws your ire. 856 00:42:56,239 --> 00:42:58,000 Speaker 3: And then would be we They go, oh, he's actually 857 00:42:58,080 --> 00:43:00,280 Speaker 3: really nice, which, by the way, I think the same thing. 858 00:43:00,680 --> 00:43:02,279 Speaker 3: Oh good, you know what I mean. I think the 859 00:43:02,360 --> 00:43:04,120 Speaker 3: same thing. He's actually really nice. 860 00:43:04,200 --> 00:43:04,359 Speaker 4: Good. 861 00:43:05,719 --> 00:43:09,360 Speaker 2: I'm in agreement. Me and Tim Robbins Child are on 862 00:43:09,440 --> 00:43:10,720 Speaker 2: the same page again. 863 00:43:12,640 --> 00:43:16,320 Speaker 1: What's his name? Mm hmm. Do you want to collab? 864 00:43:16,719 --> 00:43:20,120 Speaker 4: He's Max I got going to collab. He didn't ask 865 00:43:20,200 --> 00:43:22,960 Speaker 4: to collab. He didn't ask to collab. And I wish 866 00:43:23,000 --> 00:43:26,000 Speaker 4: you weren't that now that I blew it spot up, 867 00:43:26,040 --> 00:43:27,120 Speaker 4: he's probably not going to. 868 00:43:27,719 --> 00:43:29,640 Speaker 2: Well, he probably thinks you wouldn't want to because you're 869 00:43:29,680 --> 00:43:32,359 Speaker 2: mister perfect, and he goes, oh, this guy's not gonna 870 00:43:32,360 --> 00:43:33,200 Speaker 2: want to collab with me. 871 00:43:33,480 --> 00:43:36,879 Speaker 4: I gotta make myself appear a little more flawed or approachable. Yeah, 872 00:43:37,120 --> 00:43:40,279 Speaker 4: where I go, I'm human too. This bubble it's a prototype. 873 00:43:40,520 --> 00:43:41,600 Speaker 4: I won't have it all the time. 874 00:43:42,400 --> 00:43:45,319 Speaker 3: And maybe maybe also when we talk about our shirt, 875 00:43:45,440 --> 00:43:48,120 Speaker 3: we go, anyone could have this shirt. 876 00:43:48,800 --> 00:43:50,200 Speaker 4: You can use my stuff, just. 877 00:43:52,960 --> 00:43:53,440 Speaker 3: Don't share it. 878 00:43:53,680 --> 00:43:56,120 Speaker 1: I mean I'm opposed to anyone can have this shirt. 879 00:43:56,160 --> 00:43:57,440 Speaker 1: You can clar I mean you should be able to 880 00:43:57,480 --> 00:44:00,600 Speaker 1: click all his clothes and then you buy it and 881 00:44:01,400 --> 00:44:02,000 Speaker 1: it comes off. 882 00:44:02,760 --> 00:44:05,160 Speaker 3: Yeah, like I mean when I buy the when I 883 00:44:05,200 --> 00:44:07,080 Speaker 3: buy the disappear off your butt. 884 00:44:07,320 --> 00:44:10,239 Speaker 4: H Okay, how else did you get it? 885 00:44:10,360 --> 00:44:13,480 Speaker 1: Except so we'll just get every version of every clip, 886 00:44:14,320 --> 00:44:18,680 Speaker 1: with every combination of every state of undress quo, yeah, 887 00:44:18,880 --> 00:44:20,040 Speaker 1: quotes on and off. 888 00:44:20,239 --> 00:44:22,640 Speaker 3: Yeah, So piece by piece will do each state of 889 00:44:22,760 --> 00:44:24,040 Speaker 3: undress and we'll do every. 890 00:44:24,120 --> 00:44:25,680 Speaker 1: So I think most of it is going to be 891 00:44:25,760 --> 00:44:27,920 Speaker 1: like I'm liking all this. I think all this is 892 00:44:27,960 --> 00:44:30,000 Speaker 1: going to go pretty fast, except the hat. So I 893 00:44:30,080 --> 00:44:33,080 Speaker 1: think most of the footage forgetting is going to be 894 00:44:33,160 --> 00:44:38,799 Speaker 1: you and in a hat Sol solo just top. 895 00:44:39,920 --> 00:44:40,839 Speaker 4: Sure, just the hat. 896 00:44:41,800 --> 00:44:41,960 Speaker 3: I go. 897 00:44:42,040 --> 00:44:44,600 Speaker 4: The hat's not for sale. Thanks for asking. That's one 898 00:44:44,600 --> 00:44:46,840 Speaker 4: of my most important stuff and I've had it for 899 00:44:46,880 --> 00:44:49,279 Speaker 4: a really long time. You could get your own, so. 900 00:44:49,400 --> 00:44:53,000 Speaker 1: That should you'd be saying that fully nude, because like 901 00:44:53,120 --> 00:44:54,840 Speaker 1: we don't need that in this version, will get it 902 00:44:54,960 --> 00:44:58,480 Speaker 1: fully nude because everything else at that point they will 903 00:44:58,520 --> 00:45:00,320 Speaker 1: have tried to be like, okay, guess me get the 904 00:45:00,320 --> 00:45:01,560 Speaker 1: hat to and then you can say it's not. 905 00:45:01,920 --> 00:45:03,920 Speaker 3: It's really only it should only go if people are 906 00:45:03,960 --> 00:45:05,160 Speaker 3: trying to click on the hat. 907 00:45:05,719 --> 00:45:08,960 Speaker 1: Right, Yeah, that's when I'm saying everything else will. 908 00:45:08,760 --> 00:45:10,439 Speaker 3: Have been anything else will be gone. 909 00:45:10,480 --> 00:45:12,759 Speaker 1: But if they're going for the hat, everything else is 910 00:45:12,960 --> 00:45:13,520 Speaker 1: that means they've. 911 00:45:13,360 --> 00:45:15,600 Speaker 4: Gotten the touch the hat, it'll go, hey, don't touch that. 912 00:45:17,040 --> 00:45:20,000 Speaker 3: Maybe the hat goes, oh that's part of me. 913 00:45:20,920 --> 00:45:23,560 Speaker 4: Hey, thanks for touching that. No I go go, don't 914 00:45:23,600 --> 00:45:27,440 Speaker 4: touch that. But thanks for being here, So I go 915 00:45:27,680 --> 00:45:30,800 Speaker 4: some touch that. Thanks for coming, Thanks for coming to 916 00:45:30,840 --> 00:45:34,040 Speaker 4: the show, even if it's not a show, it's okay, no. 917 00:45:34,120 --> 00:45:36,120 Speaker 1: It's thanks for coming to the show. I think this 918 00:45:36,239 --> 00:45:38,600 Speaker 1: is what shows are now. Yeah, you know it's like 919 00:45:38,880 --> 00:45:42,120 Speaker 1: this is we watching a clip, is coming to a show. 920 00:45:41,960 --> 00:45:43,800 Speaker 3: Why am I so distracted by the numbers on the 921 00:45:43,840 --> 00:45:44,399 Speaker 3: clock today? 922 00:45:44,480 --> 00:45:46,759 Speaker 4: It's all content and I can't stop and looking at it. 923 00:45:46,920 --> 00:45:47,279 Speaker 1: I can't. 924 00:45:47,280 --> 00:45:50,040 Speaker 4: I've been looking at it in oppenheimus by