WEBVTT - From the Vault: Tree of Life

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<v Speaker 1>Hey, you welcome to Stuff to Blow Your Mind. My

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<v Speaker 1>name is Robert Lamb and I'm Joe McCormick. And today

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<v Speaker 1>we're venturing into the vault for an episode that originally

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<v Speaker 1>published November. This is an episode you did with Christian. Right,

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<v Speaker 1>this was the last episode I did with Christian, last

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<v Speaker 1>episode Stuff to Blow Your Mind. Yeah, this was his

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<v Speaker 1>his final episode. He got to pick the topic he

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<v Speaker 1>had been wanting to do one on on the Tree

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<v Speaker 1>of Life and the motif of the of the tree

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<v Speaker 1>in in human uh cultures around the world and uh

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<v Speaker 1>and yeah, so it was like his last episode he

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<v Speaker 1>got to choose, and and in doing so he kind

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<v Speaker 1>of accidentally um made us to a Christmas episode because

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<v Speaker 1>we end up talking a little bit about holiday trees

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<v Speaker 1>Christmas trees in this episode as well. Uh, thus are

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<v Speaker 1>rerunning of of this episode during the holiday season. You're

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<v Speaker 1>gonna make people cry all over again for Christians. Farewell,

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<v Speaker 1>welcome cry if you must. But yeah, we were sad

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<v Speaker 1>to see him go. It's your party, all right. Uh,

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<v Speaker 1>so I guess we should get right into the episode.

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<v Speaker 1>We hope you enjoy The Tree of Life. Men call

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<v Speaker 1>the Swatha the Banyan tree. Which hath its bows beneath,

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<v Speaker 1>its roots above the ever holy tree Yea, for its

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<v Speaker 1>leaves are green and waving hymns which whisper truth, who

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<v Speaker 1>knows the Aswatha knows vEDS, and all its branches shoot

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<v Speaker 1>to heaven and sink to earth, even as the deeds

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<v Speaker 1>of men, which take their birth from qualities. Its silver

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<v Speaker 1>sprays and blooms, and all the eager verdure of its

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<v Speaker 1>girth leap to quick life at kiss of sun and air,

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<v Speaker 1>as men's lives quickened to the temptings fair of wooing sense.

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<v Speaker 1>It's hanging Rootlets seek the soil beneath, helping to hold

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<v Speaker 1>it there as actions rought amid this world of men

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<v Speaker 1>buying them by ever tightening bond again. Welcome to stuff

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<v Speaker 1>to blow your mind from How Stuff Works dot com.

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<v Speaker 1>Hey you, welcome to stuff to blow your mind. My

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<v Speaker 1>name is Robert Lamb and my name is Christian Saga.

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<v Speaker 1>And that was a reading from a book I can't

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<v Speaker 1>pronounce the right way, but it's the arnold translation. Chapter fifteen.

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<v Speaker 1>You say it yes, the bag geta, or you know

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<v Speaker 1>you can just call it the geta. I always say

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<v Speaker 1>it wrong, baga geta. Yeah, or just the geta. You know,

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<v Speaker 1>you can be impersonal with it if you like. Okay,

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<v Speaker 1>but yeah, that's the Arnold translation Chapter fifteen, referring to

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<v Speaker 1>one of the many world trees, the sacred trees, the

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<v Speaker 1>trees of life that seemed to crop up from cultures

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<v Speaker 1>and traditions around the world, and the roots of these

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<v Speaker 1>trees seemed to dive down deep into human prehistory. Yeah.

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<v Speaker 1>I have been thinking about this topic for a few

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<v Speaker 1>years now. I've I've had this the back of my

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<v Speaker 1>head when I joined the show. Uh, here's a little

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<v Speaker 1>behind the scenes for you all. We have this huge

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<v Speaker 1>spreadsheet document that has all of our potential topics in it,

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<v Speaker 1>and when I first joined the show, I probably put

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<v Speaker 1>I don't know, like two ideas into it, and this

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<v Speaker 1>was like one of the first ones I put in

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<v Speaker 1>there because I was like, I know what Robert's into,

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<v Speaker 1>I know what the show has covered before. I need

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<v Speaker 1>the answer to this question. And the way I had

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<v Speaker 1>framed it was, why are the Kundalini, ig, DRIs Sill,

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<v Speaker 1>and seff Rof also similar? And these are all basically

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<v Speaker 1>and we're going to get into this. These are all

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<v Speaker 1>representations of tree of life symbology across the world, right.

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<v Speaker 1>And it first struck me when I was reading these

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<v Speaker 1>esoteric books about things like yoga and Norse myths and

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<v Speaker 1>cobbalistic mysticism. And then it occurred to me that these

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<v Speaker 1>cosmological symbols, they're so similar, despite the fact that the

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<v Speaker 1>cultures that they come from are vastly different and very

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<v Speaker 1>far away from one another. But I didn't originally think

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<v Speaker 1>of them as trees per se. And now that we've

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<v Speaker 1>sat down and we've done our homework for this episode,

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<v Speaker 1>it's it's pretty obvious that they're they're all trees. Yeah.

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<v Speaker 1>And if you if you don't know what those those

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<v Speaker 1>three names were, you don't know these particular world trees

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<v Speaker 1>by name. I feel like most people, you're probably connected

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<v Speaker 1>with some culture or another that has a tree symbol

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<v Speaker 1>within it. And even if you're completely like somehow completely

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<v Speaker 1>removed from uh, you know, ancient traditions and spiritual practices

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<v Speaker 1>and religious history, you are still going to encounter the

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<v Speaker 1>symbol of the tree somewhere in your world. And as

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<v Speaker 1>as with all the symbols, symbols come into contact with

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<v Speaker 1>each other, UH and you you really can't interact with

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<v Speaker 1>the symbol of the tree, I feel without um engaging

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<v Speaker 1>with the legacy of that symbol, which we're going to

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<v Speaker 1>discuss here today. Yeah, exactly, and so we're gonna provide

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<v Speaker 1>you with examples too. Well, we'll get into all of those,

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<v Speaker 1>but really our core question here today is why are

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<v Speaker 1>trees so intimately connected with spiritual training and development everywhere

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<v Speaker 1>in the world. And we'll find that this actually goes

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<v Speaker 1>along with scientific development as well, that the tree symbology

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<v Speaker 1>has been applied there too. Now I have to note

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<v Speaker 1>here we could do the whole episodes just on all

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<v Speaker 1>the various world trees and sacred trees in human tradition.

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<v Speaker 1>We could do a whole episode just on tree spirits

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<v Speaker 1>and the idea that the tree is a home for

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<v Speaker 1>the soul of the departed, But obviously we don't have time.

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<v Speaker 1>We're going to try and at least dip our toes

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<v Speaker 1>and and all the appropriate waters, but we're not gonna

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<v Speaker 1>really have time to immerse ourselves. Yeah, this is one

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<v Speaker 1>of those where you could do just like an entire

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<v Speaker 1>podcast called Tree of Life, and it would be just

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<v Speaker 1>every episode would be about a different one. Because the

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<v Speaker 1>further we dug into this, the more obvious. It was.

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<v Speaker 1>It was in every culture everybody has and each one's fascinating.

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<v Speaker 1>Each one has its own particular you know, flourishes. Uh so, yeah,

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<v Speaker 1>you could. You could just have a Tree of the Week,

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<v Speaker 1>but unfortunately I won't be able to join you for

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<v Speaker 1>that Tree of the Week on Stuff to Blow Your

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<v Speaker 1>Mind at least because this is my last episode of

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<v Speaker 1>Stuff to Blow your Mind. I'm actually moving to Portland, Oregon,

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<v Speaker 1>So if any of our listeners are out that way

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<v Speaker 1>and you want to help me get situated as I move,

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<v Speaker 1>I would love your advice. So what we're gonna do

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<v Speaker 1>is at the end of this episode, I will provide

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<v Speaker 1>information on how to get in contact with me where

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<v Speaker 1>you can find me online. But I want to thank

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<v Speaker 1>everybody out there, all of you for accepting me into

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<v Speaker 1>your ears for the last few years. I've learned so

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<v Speaker 1>much working on this show and interacting with its wonderful community,

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<v Speaker 1>and I've made so many friends from being on this show.

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<v Speaker 1>So thank you everybody. And I wanted to choose a

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<v Speaker 1>topic that was something I've really wanted to cover on

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<v Speaker 1>this show, but that's also it's universal, man. Yeah, Well,

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<v Speaker 1>I mean, for for starters, I want to thank you

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<v Speaker 1>for everything you've done for the show and UH and

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<v Speaker 1>you have helped to shape its voice over the past

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<v Speaker 1>a few years here, and I wish you the absolute

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<v Speaker 1>best in Portland's and UH and as we'll get into

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<v Speaker 1>at the end of the show, also your your your

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<v Speaker 1>future podcast endeavors. Yeah, You're gonna remain a friend of

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<v Speaker 1>Stuff to Boil your Mind going forward, and I want

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<v Speaker 1>everyone to to to be clear on that, like, like

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<v Speaker 1>five years from now, I'm going to show up and

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<v Speaker 1>we're gonna do UH an episode on some kind of

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<v Speaker 1>paraphilia and then we'll mix in like the science of

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<v Speaker 1>some kind of psychedelic drug into it. Right on that note,

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<v Speaker 1>I am glad that your final episode doesn't have to

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<v Speaker 1>be the zoophilia episode. That was one of the ones.

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<v Speaker 1>I'm kind of your Stuff to Boil your Mind bucket

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<v Speaker 1>was my hit list. Yeah, yeah, after the necrophilia episode,

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<v Speaker 1>I was like, we gotta do another paraphilia and so

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<v Speaker 1>I'm glad we got that out of the way as

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<v Speaker 1>a as ikey as it made us both feel when

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<v Speaker 1>we did it. You know, one of the other things

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<v Speaker 1>I like here is that your last episode is kind

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<v Speaker 1>of accidentally a Christmas episode, or at least a Christmas

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<v Speaker 1>Tree episode, because I found at least one source referring

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<v Speaker 1>to the Christmas tree as as yet another symbol, as

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<v Speaker 1>yet another echo of this global tradition, which which honestly

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<v Speaker 1>I didn't even really think. I guess it's just because

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<v Speaker 1>the Christmas tree is just so it's kind of so

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<v Speaker 1>overdone in Western tradition, especially because we cut them down right.

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<v Speaker 1>But yeah, I hadn't thought of it either, And it's

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<v Speaker 1>so obvious now that you pointed out. Yeah, and this

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<v Speaker 1>comes out like somewhat at the beginning of December, So

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<v Speaker 1>maybe this will be an appropriate, uh, going into the

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<v Speaker 1>Holidays episode for everybody to listen to and think about trees.

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<v Speaker 1>So some of you out there are probably wondering, what

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<v Speaker 1>are you guys talking about? What is a tree of life? Well,

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<v Speaker 1>a tree of life it's a widespread archetype or motive

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<v Speaker 1>that shows up in many human myths across the world.

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<v Speaker 1>There seemed to be two main forms that show up,

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<v Speaker 1>the world tree and the tree of life. Sometimes it's

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<v Speaker 1>called the cosmic tree or the tree of knowledge in symbology.

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<v Speaker 1>But the first one is a tree that has a

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<v Speaker 1>vertical center that binds together heaven and Earth. And the

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<v Speaker 1>second one is a tree that is the source of

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<v Speaker 1>life at the horizontal so uner of the earth, and

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<v Speaker 1>the concepts that are associated with it include life giving force,

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<v Speaker 1>eternal life, desire for heaven, and fertility. So if we

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<v Speaker 1>look at the world tree one first, this is the

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<v Speaker 1>vertical tradition. The tree extends between earth and heaven and

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<v Speaker 1>is the connection between humans and the gods, and the

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<v Speaker 1>base of the tree is where oracles and profits perform

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<v Speaker 1>their activities. But because the top of this tree reaches

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<v Speaker 1>up into the heavens, it was seen as an entity

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<v Speaker 1>that actually connected the three spheres of what most people

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<v Speaker 1>thought of as existence Heaven, Earth, and then underground, which

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<v Speaker 1>would be the land of the dead in some cultures. Now,

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<v Speaker 1>what I think is interesting about this is that you

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<v Speaker 1>can easily compare it to the Holy Mountain in global traditions.

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<v Speaker 1>But though the mountain is a like a thing, this

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<v Speaker 1>is not geologically speaking, but speaking from like human perspective.

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<v Speaker 1>The mountain is a thing that exists and is solid

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<v Speaker 1>and is unchanging, but the tree is a thing that

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<v Speaker 1>is obviously grown um, which puts it more in keeping

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<v Speaker 1>with for instance, the idea of of a tower of Babbel,

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<v Speaker 1>the idea of power to reach the heavens of false mountain,

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<v Speaker 1>except that the tree is is authentic. And it also

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<v Speaker 1>reminds me, of course, of of space elevators, man made

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<v Speaker 1>thing that has grown or built and used to reach

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<v Speaker 1>the heavenly realm or at least you know, lower orbit. Yeah,

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<v Speaker 1>those are all metaphors that have shown up in other cultures,

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<v Speaker 1>not space elevators yet, but we still have time. We

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<v Speaker 1>can do like the space Elevator of Life movie at

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<v Speaker 1>some point. But you're right, mountains actually are interchangeable with

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<v Speaker 1>trees and some of these symbolic legends. But I think

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<v Speaker 1>that trees are usually the fallback because they grow and

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<v Speaker 1>because of their cycle of fertility. Uh. But let's look

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<v Speaker 1>at the horizontal tradition and see how that I think

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<v Speaker 1>that plays into that further. That's this is again the

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<v Speaker 1>tree of life versus the world tree. So this version

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<v Speaker 1>has the tree plan did at the center of the

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<v Speaker 1>world and usually it's protected by supernatural guardians. The tree

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<v Speaker 1>is the source of fertility and life, and we humans

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<v Speaker 1>are actually descended from the tree. If it's cut down,

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<v Speaker 1>the ability to reproduce in the world would cease to exist,

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<v Speaker 1>and the tree is common in quest myths, so that

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<v Speaker 1>you see a lot of myths where like somebody has

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<v Speaker 1>to go and get something, the trees usually involved. So

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<v Speaker 1>for example Gilgamesh he obtains the elixir of immortality after

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<v Speaker 1>fighting the guards of the Tree of Life, and its

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<v Speaker 1>fruit and sap are thought to bestow both knowledge and enlightenment. Now,

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<v Speaker 1>in some variations this is interesting. I only found this

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<v Speaker 1>in a few. There are goats at the base of

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<v Speaker 1>the tree, and they are also worshiped and seen as

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<v Speaker 1>symbolic of birth and fertility. That's interesting. I was looking

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<v Speaker 1>through um the writings of James Frasier and he made

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<v Speaker 1>some connections there as well, between antlered or horned animals

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<v Speaker 1>and the branches of trees. Well, it seems like the

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<v Speaker 1>goat represents the ibex, which was once worshiped as an

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<v Speaker 1>incarnation of human and herd fertility, so that would make sense,

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<v Speaker 1>and the horn formations connecting together. That also makes sense.

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<v Speaker 1>In other variations, though instead of a goat, it's a

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<v Speaker 1>dragon or a serpent. I guess dragons sometimes have horns,

0:12:20.559 --> 0:12:22.960
<v Speaker 1>but serpents don't. Usually, Yeah, I mean you do see

0:12:23.040 --> 0:12:25.720
<v Speaker 1>dragons with horns or antlers, a lot of traditions. I mean,

0:12:25.760 --> 0:12:28.440
<v Speaker 1>just kind of a reminder that the dragon is essentially

0:12:28.480 --> 0:12:32.000
<v Speaker 1>a chimera. It's a it's a you know, it's a

0:12:32.080 --> 0:12:34.240
<v Speaker 1>it's a creature created out of pieces of all these

0:12:34.280 --> 0:12:38.200
<v Speaker 1>other animals, including, uh, say, a deer or a goat, right,

0:12:38.440 --> 0:12:42.240
<v Speaker 1>and so these seem to symbolize the spirit of the earth.

0:12:42.480 --> 0:12:46.720
<v Speaker 1>But the serpent is also an image for the quicksilvery

0:12:46.840 --> 0:12:49.400
<v Speaker 1>sap that's within the tree as well, because of the

0:12:49.400 --> 0:12:51.560
<v Speaker 1>way it moves, So that's interesting as well. Yeah, I

0:12:51.559 --> 0:12:53.640
<v Speaker 1>had not realized that. Yeah, and obviously we'll get to this,

0:12:53.679 --> 0:12:56.040
<v Speaker 1>but when we go to the Judeo Christian version of this,

0:12:56.120 --> 0:12:58.360
<v Speaker 1>obviously the serpent in the tree in the Garden of Eden,

0:12:58.720 --> 0:13:01.600
<v Speaker 1>that all fits together. Right now, I want to remind

0:13:01.640 --> 0:13:04.640
<v Speaker 1>everybody about archetypes before we get into this, because we're

0:13:04.640 --> 0:13:08.040
<v Speaker 1>gonna definitely throw that term around a lot. Uh. Robert

0:13:08.080 --> 0:13:10.120
<v Speaker 1>and I have covered that in previous episodes. We did

0:13:10.160 --> 0:13:13.040
<v Speaker 1>an episode on just myth in general and taking a

0:13:13.040 --> 0:13:15.679
<v Speaker 1>look at myths across history. We also did an episode

0:13:15.720 --> 0:13:18.280
<v Speaker 1>on the hero myth and we talked about archetypes, and

0:13:18.320 --> 0:13:21.679
<v Speaker 1>we specifically talked about Karl Gustav Young in those episodes,

0:13:22.320 --> 0:13:25.200
<v Speaker 1>but just to give you a primer refresher what have you.

0:13:25.480 --> 0:13:29.079
<v Speaker 1>He was a psychoanalyst whose main theory was that archetypes

0:13:29.280 --> 0:13:34.240
<v Speaker 1>reappear in the collective unconscious that all human societies share.

0:13:34.240 --> 0:13:37.960
<v Speaker 1>And he saw this as a ancient universal mind that

0:13:38.040 --> 0:13:42.000
<v Speaker 1>was common to all humans. It's like an ancestral memory. Uh.

0:13:42.040 --> 0:13:47.240
<v Speaker 1>And explains why we had the same archetypes across different cultures.

0:13:47.240 --> 0:13:49.840
<v Speaker 1>This is his answer to my question, why why is

0:13:49.920 --> 0:13:53.200
<v Speaker 1>this this symbology exactly the same in these cultures all

0:13:53.240 --> 0:13:56.800
<v Speaker 1>around the world. Uh. And for instance, the hero, as

0:13:56.840 --> 0:13:59.040
<v Speaker 1>we talked about in in in that previous episode, was

0:13:59.080 --> 0:14:02.680
<v Speaker 1>one of the most prominent of these archetypes. Young posits

0:14:02.679 --> 0:14:05.640
<v Speaker 1>that there's this deeper unconscious level that's going on that

0:14:05.760 --> 0:14:10.560
<v Speaker 1>manifests itself as dreams or sometimes in more complex forms

0:14:10.600 --> 0:14:14.719
<v Speaker 1>as myths or fairy tales. So this is in his

0:14:15.000 --> 0:14:18.200
<v Speaker 1>you know, worldview. And we'll cover some some more frameworks

0:14:18.240 --> 0:14:21.360
<v Speaker 1>like this later on in the episode why these all

0:14:21.400 --> 0:14:25.680
<v Speaker 1>connect together? So the tree itself has been used since

0:14:25.800 --> 0:14:31.080
<v Speaker 1>prehistoric humanity as a representation for the cosmos, for God,

0:14:31.200 --> 0:14:34.800
<v Speaker 1>for fertility, knowledge, and eternal life. In fact, there are

0:14:34.840 --> 0:14:39.440
<v Speaker 1>representations of it in prehistoric artistic productions. That's pretty interesting.

0:14:39.440 --> 0:14:42.800
<v Speaker 1>I didn't I didn't realize that. Uh. We also find

0:14:43.200 --> 0:14:47.120
<v Speaker 1>the tree in our conceptions of physical matter. So whether

0:14:47.120 --> 0:14:50.840
<v Speaker 1>you're looking at vegetation or rivers or the circulation systems

0:14:50.880 --> 0:14:55.560
<v Speaker 1>of animals, they're all we use terms from trees, like

0:14:55.640 --> 0:14:59.240
<v Speaker 1>branches for instance, right. Uh. And the human brain in

0:14:59.280 --> 0:15:03.080
<v Speaker 1>these network actually resembles the trees crown in the spinal

0:15:03.080 --> 0:15:06.040
<v Speaker 1>cords its trunk, so you can see why human beings

0:15:06.040 --> 0:15:09.760
<v Speaker 1>would automatically gravitate towards this symbol. Yeah, the tree is

0:15:09.800 --> 0:15:13.600
<v Speaker 1>just a like a natural symbol, a natural metaphor for

0:15:13.720 --> 0:15:16.960
<v Speaker 1>all of these other things were encountering, and it's it's complete.

0:15:17.000 --> 0:15:19.160
<v Speaker 1>You can see it as a silhouette on a hill

0:15:19.760 --> 0:15:22.640
<v Speaker 1>and then use it as a model as kind of

0:15:22.640 --> 0:15:26.560
<v Speaker 1>an externalization of cognition to help you understand the rest

0:15:26.600 --> 0:15:30.600
<v Speaker 1>of your world exactly. And they're obviously a symbol for

0:15:30.760 --> 0:15:34.360
<v Speaker 1>the cycle of seasons, right like early humanity to now,

0:15:34.800 --> 0:15:39.320
<v Speaker 1>we all know that trees cycle through seasons, blossom, fruit, decay,

0:15:39.440 --> 0:15:42.560
<v Speaker 1>and then are reborn. This is seen as a reflection

0:15:42.760 --> 0:15:46.720
<v Speaker 1>of the regenerative cycle of the cosmos. Itself and trees. Then,

0:15:46.760 --> 0:15:50.000
<v Speaker 1>because they have a longer lifespan than ours, they seem

0:15:50.040 --> 0:15:52.440
<v Speaker 1>inexhaustible to us. Right, it seems like they have this

0:15:52.760 --> 0:15:55.960
<v Speaker 1>natural vigor that lasts forever. But that's just because they

0:15:55.960 --> 0:15:58.840
<v Speaker 1>live longer than us. It's like uh, ents in a

0:15:58.920 --> 0:16:01.800
<v Speaker 1>Lord of the rinks. There you go, So yet another

0:16:01.840 --> 0:16:04.320
<v Speaker 1>world tree that we we didn't add to the notes

0:16:04.360 --> 0:16:06.600
<v Speaker 1>here today. Yeah yeah, I also don't think we mentioned

0:16:06.800 --> 0:16:08.600
<v Speaker 1>Game of Thrones at all. But of course they have those,

0:16:08.680 --> 0:16:11.120
<v Speaker 1>uh the spirit trees that the at least the people

0:16:11.160 --> 0:16:12.920
<v Speaker 1>of the north use the where would is that what

0:16:13.000 --> 0:16:16.080
<v Speaker 1>it's calla with the faces of the children of the forest.

0:16:16.200 --> 0:16:19.920
<v Speaker 1>Yeah yeah, Now remember too that in this symbology, the

0:16:20.000 --> 0:16:23.720
<v Speaker 1>fruit of these trees bestows both knowledge and eternal life. Right,

0:16:23.760 --> 0:16:27.320
<v Speaker 1>So here's an example. The golden apples of Igdrasill are

0:16:27.400 --> 0:16:31.320
<v Speaker 1>said to be stored in Valhalla to restore the youthfulness

0:16:31.360 --> 0:16:34.960
<v Speaker 1>of the gods. But and this is this pun is intended?

0:16:35.000 --> 0:16:38.960
<v Speaker 1>What if it all stemmed from a psychotropic agent that

0:16:39.080 --> 0:16:44.000
<v Speaker 1>was in trees in the original representation. So actually, ethnobotanists

0:16:44.040 --> 0:16:46.480
<v Speaker 1>have been throwing theories around trying to figure this out

0:16:46.480 --> 0:16:49.160
<v Speaker 1>for a while now and some of the examples that

0:16:49.200 --> 0:16:51.800
<v Speaker 1>they looked at as possibilities where the fly a garrick

0:16:52.240 --> 0:16:55.120
<v Speaker 1>or the Syrian ru trees, But so far they haven't

0:16:55.120 --> 0:16:59.800
<v Speaker 1>been able to find a specific hallucinogenic plant that satisfactorily

0:17:00.360 --> 0:17:03.720
<v Speaker 1>fits with the description of world trees. See, I actually

0:17:03.720 --> 0:17:06.680
<v Speaker 1>found out a way to work in UH psychedelics into

0:17:06.800 --> 0:17:09.520
<v Speaker 1>my last episode. Well, you know, this does make me

0:17:09.760 --> 0:17:12.400
<v Speaker 1>wonder though, it's would it be necessary to be able

0:17:12.440 --> 0:17:15.919
<v Speaker 1>to find like the one the one to one example

0:17:16.000 --> 0:17:18.440
<v Speaker 1>of like here's a tree that produced a psychedelic fruit,

0:17:18.560 --> 0:17:20.280
<v Speaker 1>when it would be seems like it would be just

0:17:20.320 --> 0:17:22.440
<v Speaker 1>as likely that you have the symbol of the tree.

0:17:22.560 --> 0:17:25.760
<v Speaker 1>But then there's this vast knowledge of these other plants

0:17:25.800 --> 0:17:30.120
<v Speaker 1>in your environment that produce various medicinal or psychotropic effects.

0:17:30.200 --> 0:17:33.000
<v Speaker 1>You know, Yeah, I agree. I think that some of

0:17:33.040 --> 0:17:37.320
<v Speaker 1>these researchers, what they're trying to do is pinpoint the

0:17:37.359 --> 0:17:40.680
<v Speaker 1>origin place where the myth first started. And a lot

0:17:40.720 --> 0:17:42.479
<v Speaker 1>of it we'll get into this later, but a lot

0:17:42.520 --> 0:17:44.359
<v Speaker 1>of it seems to point to the Middle East. So

0:17:44.400 --> 0:17:46.639
<v Speaker 1>I think that's why they're looking at those particular trees.

0:17:46.680 --> 0:17:50.000
<v Speaker 1>But you're right, I think that as this UH myth

0:17:50.160 --> 0:17:54.200
<v Speaker 1>spread throughout cultures around the world. Obviously, various trees could

0:17:54.240 --> 0:17:57.520
<v Speaker 1>influence it depending on what locations are in. So let's

0:17:57.520 --> 0:17:59.480
<v Speaker 1>get Christmas e again for a second. M I ran

0:17:59.520 --> 0:18:02.640
<v Speaker 1>across the um. This article in Nature from two thousand

0:18:02.920 --> 0:18:06.960
<v Speaker 1>by ecologist gear hess Mark titled Temptations of the Tree

0:18:07.240 --> 0:18:11.120
<v Speaker 1>a perennial image of life, history and enlightenment and uh

0:18:11.160 --> 0:18:14.000
<v Speaker 1>and he did a wonderful job tying it all into Christmas.

0:18:14.040 --> 0:18:16.560
<v Speaker 1>He says, at this time of year, many people the

0:18:16.560 --> 0:18:18.680
<v Speaker 1>world over bring a Christmas tree into their living room

0:18:18.720 --> 0:18:20.960
<v Speaker 1>to celebrate life. The tree is one of the most

0:18:20.960 --> 0:18:23.720
<v Speaker 1>powerful images in human thought and worship, a feature of

0:18:23.800 --> 0:18:31.520
<v Speaker 1>human environments from tiger to rainforest, and a symbol of persistence, fertility, life, descent, destiny, purification,

0:18:31.600 --> 0:18:34.880
<v Speaker 1>and strength, a vertical link between the earth and the heavens,

0:18:35.080 --> 0:18:38.520
<v Speaker 1>a place to seek knowledge. Yeah, you know what this

0:18:38.600 --> 0:18:41.040
<v Speaker 1>is interesting? Actually, do you do you and your family

0:18:41.200 --> 0:18:43.919
<v Speaker 1>get a Christmas tree every year? We do? Yeah? I

0:18:44.240 --> 0:18:46.960
<v Speaker 1>used to. In fact, my family, like my extended family,

0:18:46.960 --> 0:18:49.320
<v Speaker 1>owned a Christmas tree farm in New England, so it

0:18:49.400 --> 0:18:53.080
<v Speaker 1>was like part of the family like business, you know. Um,

0:18:53.160 --> 0:18:55.520
<v Speaker 1>and it's always sort of been in the back of

0:18:55.560 --> 0:18:57.960
<v Speaker 1>my head that that's why we use Christmas trees. But

0:18:58.280 --> 0:19:00.520
<v Speaker 1>you know what I mean, Like, as you're saying beginning,

0:19:00.880 --> 0:19:04.280
<v Speaker 1>we in American culture at least don't really specifically think

0:19:04.280 --> 0:19:07.040
<v Speaker 1>about the fertility stuff that's connected with it. It's more

0:19:07.080 --> 0:19:09.600
<v Speaker 1>about the I guess, like the holiday itself from the

0:19:09.640 --> 0:19:13.400
<v Speaker 1>commercial Well, you know, I was more inclined to recognize

0:19:13.480 --> 0:19:15.720
<v Speaker 1>the fertility aspects of it because it's like you're bringing

0:19:15.760 --> 0:19:18.800
<v Speaker 1>an average tree, an evergreen tree into your home during

0:19:18.920 --> 0:19:22.360
<v Speaker 1>the winter, and and they're all these various pagan connotations there.

0:19:22.880 --> 0:19:25.000
<v Speaker 1>But for some reason, I never really thought about the

0:19:25.040 --> 0:19:27.480
<v Speaker 1>whole bridge from earth to heaven, despite the fact that

0:19:27.680 --> 0:19:31.320
<v Speaker 1>most in most traditions, you're putting a star or an angel,

0:19:31.480 --> 0:19:34.679
<v Speaker 1>you know, a heavenly being on the very top of

0:19:34.720 --> 0:19:36.680
<v Speaker 1>the tree. Like you couldn't have it. It couldn't be

0:19:36.720 --> 0:19:40.520
<v Speaker 1>anymore clear when you think about it, is tree is

0:19:40.560 --> 0:19:43.960
<v Speaker 1>in your house, reaching up and connecting your house to heaven.

0:19:44.480 --> 0:19:47.240
<v Speaker 1>We actually have a ceramic tree now, we just have

0:19:47.320 --> 0:19:50.240
<v Speaker 1>like a little like one ft tall ceramic tree. So

0:19:50.280 --> 0:19:52.760
<v Speaker 1>maybe that's why I stopped thinking that it doesn't reach

0:19:52.800 --> 0:19:54.280
<v Speaker 1>to the heaven. What does it mean that we put

0:19:54.320 --> 0:19:57.280
<v Speaker 1>gifts under the tree you have really like the root

0:19:57.480 --> 0:20:00.119
<v Speaker 1>system of the tree would be the underworld. Yeah, all

0:20:00.160 --> 0:20:03.840
<v Speaker 1>of our gifts are from Hell. I'll leave that one

0:20:03.880 --> 0:20:06.600
<v Speaker 1>for the listeners to figure out. All right, we should

0:20:06.600 --> 0:20:09.400
<v Speaker 1>probably take a quick break, and when we get back,

0:20:09.560 --> 0:20:14.159
<v Speaker 1>we will jump into some various global examples of the

0:20:14.160 --> 0:20:16.760
<v Speaker 1>sacred Tree, the Tree of life, the Holy Tree, so

0:20:16.800 --> 0:20:22.080
<v Speaker 1>that we can further ground this discussion. Alright, we're back,

0:20:22.400 --> 0:20:24.879
<v Speaker 1>So why don't we start with the example that is

0:20:24.920 --> 0:20:28.800
<v Speaker 1>probably most obvious for many of our listeners, the jude

0:20:28.880 --> 0:20:30.800
<v Speaker 1>and Christian tree. We were already kind of getting into

0:20:30.800 --> 0:20:33.280
<v Speaker 1>it with a Christmas tree, that's right. Yeah. Western audiences

0:20:33.280 --> 0:20:36.080
<v Speaker 1>are likely familiar with the trees of Eden Uh and

0:20:36.160 --> 0:20:38.960
<v Speaker 1>the Fall of Man and the Bible. Humans were denied

0:20:39.160 --> 0:20:41.520
<v Speaker 1>the fruit of the Tree of eternal life, but the

0:20:41.800 --> 0:20:45.840
<v Speaker 1>ate of the Tree of knowledge. Later in Christianity, the

0:20:45.920 --> 0:20:50.160
<v Speaker 1>god incarnate Jesus Christ dies upon an artificial tree of sorts,

0:20:50.280 --> 0:20:53.600
<v Speaker 1>the Cross and Uh. In that essay that I was

0:20:53.840 --> 0:20:58.439
<v Speaker 1>referencing earlier um ecologist gear hess Mark, he quotes a St.

0:20:59.040 --> 0:21:02.840
<v Speaker 1>Justin mar who said that the Lord quote reigned from

0:21:02.840 --> 0:21:06.080
<v Speaker 1>the tree, meaning both the Cross and the Tree of life.

0:21:06.080 --> 0:21:08.639
<v Speaker 1>So two were kind of combined into one symbol. I

0:21:08.680 --> 0:21:10.919
<v Speaker 1>never thought about that before that the cross is a

0:21:10.960 --> 0:21:14.640
<v Speaker 1>tree a dead tree, weird. And the way the crown

0:21:14.680 --> 0:21:17.719
<v Speaker 1>of thorns too, well, yeah, you can definitely make that

0:21:17.840 --> 0:21:21.040
<v Speaker 1>case as well. Huh. Now, outside of just the Christian tradition,

0:21:21.040 --> 0:21:24.520
<v Speaker 1>in Jewish tradition, we have plenty of examples of this

0:21:24.560 --> 0:21:28.199
<v Speaker 1>as well. The minora, for example, symbolizes the expansion and

0:21:28.240 --> 0:21:31.200
<v Speaker 1>illumination of consciousness in the image of the tree. Yeah,

0:21:31.240 --> 0:21:34.320
<v Speaker 1>and obviously, as I mentioned earlier, the tree is represented

0:21:34.359 --> 0:21:39.000
<v Speaker 1>in Christianity by the tree that's in the Garden of Eden. Interestingly,

0:21:39.160 --> 0:21:42.880
<v Speaker 1>the Christian Church interpretation seems to be one of the

0:21:42.920 --> 0:21:46.240
<v Speaker 1>only ones that associates the tree with guilt and sin.

0:21:46.880 --> 0:21:51.240
<v Speaker 1>It became a loathsome quote tree of temptation only in

0:21:51.359 --> 0:21:53.959
<v Speaker 1>Christian Europe, So that's kind of interesting. As we go

0:21:54.000 --> 0:21:56.959
<v Speaker 1>through our other examples here, you don't really see that. Yeah, well,

0:21:56.960 --> 0:21:58.320
<v Speaker 1>I mean, I guess you could make a case that,

0:21:58.520 --> 0:22:02.280
<v Speaker 1>like the Tree of Knowledge and the Tree of of

0:22:02.359 --> 0:22:06.920
<v Speaker 1>life in Christian traditions, like they're they're not really vilified

0:22:07.000 --> 0:22:13.000
<v Speaker 1>so much as like humans were unsuitable consumers of either fruit. Yeah. Yeah,

0:22:13.040 --> 0:22:15.520
<v Speaker 1>that's true. That's true. So this leads us to our

0:22:15.560 --> 0:22:19.720
<v Speaker 1>second example, which is connected to Judaism, which is the

0:22:19.800 --> 0:22:22.320
<v Speaker 1>Jewish mystical doctrine known as Kabbalah. This is one of

0:22:22.359 --> 0:22:25.200
<v Speaker 1>the ones I mentioned at the top. The Seffirof is

0:22:25.240 --> 0:22:28.639
<v Speaker 1>another tree of life within the Kabbala that represents a

0:22:28.760 --> 0:22:33.120
<v Speaker 1>theory of ten creative forces that intervened between the divine

0:22:33.200 --> 0:22:36.199
<v Speaker 1>in our world. Most people probably are familiar with the

0:22:36.280 --> 0:22:39.879
<v Speaker 1>terms Seferrath from Final Fantasy seven. I believe that's the

0:22:39.960 --> 0:22:42.280
<v Speaker 1>end boss. But if if you, if you have so

0:22:42.400 --> 0:22:46.000
<v Speaker 1>much as looked up Kabbala on Wikipedia and even just

0:22:46.040 --> 0:22:48.560
<v Speaker 1>glanced at it, you've probably seen this symbol like this

0:22:48.640 --> 0:22:51.520
<v Speaker 1>is the Probably you could say this is the chief

0:22:51.560 --> 0:22:54.760
<v Speaker 1>symbol of the cab Yeah. The right side of the

0:22:54.800 --> 0:22:59.719
<v Speaker 1>Seffroth represents principles of unity, harmony, and benevolence, and this

0:22:59.840 --> 0:23:03.520
<v Speaker 1>I as associated with masculinity. The left side is a

0:23:03.560 --> 0:23:07.000
<v Speaker 1>side of power and strict justice that is seen as

0:23:07.040 --> 0:23:11.159
<v Speaker 1>the female side, and it represents the fearsome awe of God.

0:23:11.760 --> 0:23:14.640
<v Speaker 1>Now this is not me, this is from the literature.

0:23:14.920 --> 0:23:19.200
<v Speaker 1>When unrestrained, the side, the feminine side, gives rise to evil.

0:23:19.240 --> 0:23:22.200
<v Speaker 1>So it's pretty obvious that there's some sexist and gendered

0:23:22.880 --> 0:23:25.719
<v Speaker 1>systems going on within Cabala, even from the get go.

0:23:25.840 --> 0:23:28.360
<v Speaker 1>But I have to be honest that I don't know

0:23:28.480 --> 0:23:31.120
<v Speaker 1>enough about Cabala other than that basic reading of it

0:23:31.240 --> 0:23:34.159
<v Speaker 1>that I can't comment any further on it. So if

0:23:34.160 --> 0:23:36.720
<v Speaker 1>there's people out there that know it much better, maybe

0:23:36.760 --> 0:23:39.240
<v Speaker 1>maybe it's not sexist. Maybe it makes sense. The way

0:23:39.240 --> 0:23:42.680
<v Speaker 1>that it probably makes sense is because the middle column

0:23:42.920 --> 0:23:46.480
<v Speaker 1>represents an ideal balance between mercy and justice. So it's

0:23:46.480 --> 0:23:53.159
<v Speaker 1>a balancing between gender identities. Yeah, and it recognizes that

0:23:53.200 --> 0:23:56.439
<v Speaker 1>the universe itself could not survive without both of these.

0:23:57.040 --> 0:24:00.320
<v Speaker 1>I looked at this paper by m. Dan See that

0:24:00.359 --> 0:24:03.720
<v Speaker 1>came out in twenty eleven called Archetypes and the Spheres

0:24:03.760 --> 0:24:05.399
<v Speaker 1>of the Tree of Life. It was published in the

0:24:05.400 --> 0:24:11.200
<v Speaker 1>Scientific Journal of Humanistic Studies, and Dancy says cobbalists consider

0:24:11.280 --> 0:24:15.359
<v Speaker 1>that by becoming more and more conscious of these archetypical forces,

0:24:15.880 --> 0:24:21.080
<v Speaker 1>life may become a meaningful adventure based on increased consciousness

0:24:21.160 --> 0:24:24.320
<v Speaker 1>and on the knowledge of the divine uh and Dancy

0:24:24.480 --> 0:24:26.960
<v Speaker 1>primarily in this paper is citing a book by Gareth

0:24:27.080 --> 0:24:31.159
<v Speaker 1>Knight that's called A Practical Guide to cobbalistic symbolism, and

0:24:31.200 --> 0:24:34.640
<v Speaker 1>it recommends the idea really of the suffer rath here

0:24:34.680 --> 0:24:38.520
<v Speaker 1>is training the mind through special techniques like meditation, so

0:24:38.560 --> 0:24:42.080
<v Speaker 1>that you can further understand the archetypes that are within

0:24:42.160 --> 0:24:45.359
<v Speaker 1>this tree of life. So these realizations that come from

0:24:45.440 --> 0:24:49.199
<v Speaker 1>meditating on this are important and cobbalistic practice because it

0:24:49.240 --> 0:24:53.639
<v Speaker 1>allows the significance of the ramification of those symbols to

0:24:53.720 --> 0:24:56.720
<v Speaker 1>be better understood. The basic idea here is that by

0:24:56.800 --> 0:24:59.520
<v Speaker 1>understanding the archetypes of the tree of life, we can

0:24:59.560 --> 0:25:03.080
<v Speaker 1>better under stand our own nature and then subsequently become

0:25:03.160 --> 0:25:07.119
<v Speaker 1>better versions of ourselves. That sounds nice. I don't know

0:25:07.200 --> 0:25:11.720
<v Speaker 1>a ton about cobbalism other than you know, the connections

0:25:11.760 --> 0:25:14.199
<v Speaker 1>it has obviously some of the occult things that you

0:25:14.240 --> 0:25:16.600
<v Speaker 1>and I have covered in the past. Uh, there's some

0:25:16.680 --> 0:25:20.200
<v Speaker 1>interesting like overlap there. But also obviously it had like

0:25:20.280 --> 0:25:23.119
<v Speaker 1>kind of a pop culture surge, what would you say,

0:25:23.160 --> 0:25:25.840
<v Speaker 1>in like the mid two thousand's, Yeah, I think so.

0:25:25.920 --> 0:25:28.320
<v Speaker 1>I think that was around the time that I picked

0:25:28.400 --> 0:25:33.679
<v Speaker 1>up a really really well um pageinated Cabbala book. Like

0:25:34.040 --> 0:25:36.360
<v Speaker 1>I I didn't have enough time to really get into it,

0:25:37.000 --> 0:25:40.320
<v Speaker 1>but I was leafing through it and I realized, wow,

0:25:40.359 --> 0:25:42.560
<v Speaker 1>this the layout in this book is just amazing. They

0:25:42.560 --> 0:25:44.040
<v Speaker 1>do such a great job with the symbols and these

0:25:44.040 --> 0:25:47.960
<v Speaker 1>little explanations of everything. But then a friend's birthday came

0:25:48.040 --> 0:25:49.560
<v Speaker 1>up and we're like, oh crap, we need to get

0:25:49.600 --> 0:25:52.760
<v Speaker 1>him something. Let's give them this book, and I haven't really,

0:25:53.080 --> 0:25:56.040
<v Speaker 1>I haven't picked that book back up again from another Well,

0:25:56.080 --> 0:25:58.879
<v Speaker 1>it seems like the celebrity that most people associate with

0:25:58.880 --> 0:26:02.200
<v Speaker 1>this is Madonna. I believe that she was pretty heavily

0:26:02.240 --> 0:26:05.040
<v Speaker 1>involved with with Cobbalism, but that's about the extent of

0:26:05.040 --> 0:26:07.560
<v Speaker 1>my knowledge of it. It seems like, though, when whenever

0:26:07.600 --> 0:26:10.280
<v Speaker 1>I've read over these kind of very basic explanations of

0:26:10.320 --> 0:26:13.720
<v Speaker 1>the symbology, it's very similar to lots of other cultures.

0:26:13.720 --> 0:26:17.600
<v Speaker 1>So it's it's not all that much mystic or occult

0:26:17.680 --> 0:26:19.960
<v Speaker 1>in the sense of that it's different from other things.

0:26:20.240 --> 0:26:23.680
<v Speaker 1>All Right, So we've hit Christian and Jewish tradition. We

0:26:23.720 --> 0:26:27.160
<v Speaker 1>should probably touch in on the Middle East and Islam. Yeah,

0:26:27.160 --> 0:26:31.400
<v Speaker 1>so this example isn't necessarily Islamic in nature, but some

0:26:31.480 --> 0:26:35.240
<v Speaker 1>people believe that the tree of life symbolism actually originated

0:26:35.359 --> 0:26:40.359
<v Speaker 1>in the Middle East, maybe also Egypt, Mesopotamia, and Greece,

0:26:40.400 --> 0:26:43.840
<v Speaker 1>so somewhere in that general area. Now gear offt is

0:26:43.880 --> 0:26:48.520
<v Speaker 1>an almost fourteen thousand square kilometer area that's in southeastern

0:26:48.560 --> 0:26:52.960
<v Speaker 1>Iran and it had great influence on cultural developments of

0:26:53.000 --> 0:26:56.160
<v Speaker 1>the third millennium BC in the Bronze Age, so this

0:26:56.240 --> 0:26:59.120
<v Speaker 1>is seen as a potential area for where this actually

0:26:59.480 --> 0:27:02.600
<v Speaker 1>all star it out today. Giraffe is also the name

0:27:02.640 --> 0:27:05.600
<v Speaker 1>for a city that is in the Kerman Province of Iran,

0:27:06.200 --> 0:27:10.040
<v Speaker 1>and in ancient Iranian religions, there is some evidence that

0:27:10.240 --> 0:27:14.040
<v Speaker 1>cypress trees were considered divine because they were brought from

0:27:14.080 --> 0:27:18.639
<v Speaker 1>heaven by Zarathustra, but the date tree is more commonly

0:27:18.640 --> 0:27:23.480
<v Speaker 1>a symbol of fertility, that is throughout both Egypt and Mesopotamia.

0:27:23.600 --> 0:27:25.879
<v Speaker 1>So some of the first depictions of the Tree of

0:27:25.920 --> 0:27:28.959
<v Speaker 1>Life seemed to be either date trees or palm trees,

0:27:29.040 --> 0:27:32.320
<v Speaker 1>but cypress trees are also associated with it. Uh. These

0:27:32.320 --> 0:27:35.680
<v Speaker 1>are the things that are these trees growing around in Afghanistan,

0:27:35.800 --> 0:27:39.920
<v Speaker 1>so they're associated and this is where that goat Ibec

0:27:40.040 --> 0:27:43.200
<v Speaker 1>symbology seems to come from as well. It's directly related

0:27:43.200 --> 0:27:46.320
<v Speaker 1>to this area of the world. Uh. There's this paper

0:27:46.480 --> 0:27:50.040
<v Speaker 1>by res Garad that came out this year has this

0:27:50.320 --> 0:27:54.200
<v Speaker 1>great overview of symbology and the Journal of History, Culture

0:27:54.280 --> 0:28:00.560
<v Speaker 1>and Art Research, and they use this visual structure, credibility,

0:28:00.720 --> 0:28:04.800
<v Speaker 1>and aesthetics to conduct an analytical and semantic survey of

0:28:04.840 --> 0:28:08.760
<v Speaker 1>how trees and goat symbology is used in artwork from

0:28:08.760 --> 0:28:11.800
<v Speaker 1>this particular region. It's it's pretty interesting. Yeah. This all

0:28:11.920 --> 0:28:15.000
<v Speaker 1>this also reminds me of our Zoophilia episode where we

0:28:15.000 --> 0:28:19.600
<v Speaker 1>talk a little bit about about humanity's closeness to nature

0:28:19.600 --> 0:28:22.320
<v Speaker 1>and closeness to animals through most of its history. So

0:28:22.480 --> 0:28:26.199
<v Speaker 1>it seems natural that you would look to animals and

0:28:26.240 --> 0:28:28.640
<v Speaker 1>as you're thinking about yourself and your world, you use

0:28:28.720 --> 0:28:31.800
<v Speaker 1>them as mirrors, you use them as symbols, and and

0:28:31.880 --> 0:28:34.439
<v Speaker 1>of course you would look to trees as well, in

0:28:34.520 --> 0:28:36.320
<v Speaker 1>much the same way that you know, we would look

0:28:36.359 --> 0:28:39.120
<v Speaker 1>to our the digits of our hands and feet and

0:28:39.240 --> 0:28:42.239
<v Speaker 1>end up basing our number systems on those. So, um,

0:28:42.520 --> 0:28:44.960
<v Speaker 1>I mean, I would imagine this is just I'm just

0:28:45.000 --> 0:28:46.680
<v Speaker 1>going off the cuff here. This is not the notes,

0:28:46.720 --> 0:28:49.640
<v Speaker 1>but they if you're an early civilization, you're going to

0:28:49.720 --> 0:28:53.720
<v Speaker 1>base your community around areas that have a ready water

0:28:53.800 --> 0:28:58.400
<v Speaker 1>source and plenty of trees. You know, for lots of reasons. Um,

0:28:58.440 --> 0:29:00.520
<v Speaker 1>so yeah, it seems a lot are all that the

0:29:00.560 --> 0:29:03.760
<v Speaker 1>tree would be the center of the community. All right,

0:29:03.840 --> 0:29:06.280
<v Speaker 1>let's look at a few other areas of human tradition.

0:29:06.480 --> 0:29:09.120
<v Speaker 1>So the ancient Egyptians, how the acacia tree is sacred,

0:29:09.200 --> 0:29:12.200
<v Speaker 1>the first couple Isis and Osiris are said to have

0:29:12.280 --> 0:29:15.560
<v Speaker 1>emerged from it, and there are there are various traditions

0:29:15.560 --> 0:29:19.240
<v Speaker 1>of holy trees and spirit trees, at least in African traditions.

0:29:19.280 --> 0:29:22.600
<v Speaker 1>This gets into this whole legacy of of of trees

0:29:22.720 --> 0:29:25.280
<v Speaker 1>being a place where the spirits of the dead reside

0:29:25.720 --> 0:29:30.120
<v Speaker 1>the people, people transform into trees and sometimes you know,

0:29:30.120 --> 0:29:33.120
<v Speaker 1>trees transform into people. There's been there being this, this

0:29:33.480 --> 0:29:36.640
<v Speaker 1>this strict link between the two. Now if you get

0:29:36.680 --> 0:29:40.200
<v Speaker 1>into Hinduism that there are some wonderful examples here as well.

0:29:40.240 --> 0:29:43.440
<v Speaker 1>So Hinduism has no singular creation story. It has many

0:29:43.960 --> 0:29:46.920
<v Speaker 1>uh there there's there's no singular creation, but rather periodic

0:29:46.960 --> 0:29:51.760
<v Speaker 1>cycles of creation. And this is just one of innumerable

0:29:51.840 --> 0:29:55.880
<v Speaker 1>universes in this view of the cosmos. So in in

0:29:56.080 --> 0:29:59.080
<v Speaker 1>our reality, the ideas that it all begins in a

0:29:59.160 --> 0:30:03.280
<v Speaker 1>vast ocean, a serpent sleeps on its surface. Vishnus sleeps

0:30:03.320 --> 0:30:06.479
<v Speaker 1>in its coils, and a lotus sprouts from his navel,

0:30:06.800 --> 0:30:09.840
<v Speaker 1>and within it is Brahma, and he's urged to meditate

0:30:09.840 --> 0:30:12.840
<v Speaker 1>on the nature of of his coming creation and finally

0:30:13.120 --> 0:30:15.920
<v Speaker 1>splits the lotus into three forms heaven, sky, and Earth.

0:30:16.000 --> 0:30:18.160
<v Speaker 1>Everything else stems from this. So while it's not a

0:30:18.240 --> 0:30:21.000
<v Speaker 1>tree per se, we still see the growth of a

0:30:21.080 --> 0:30:25.280
<v Speaker 1>plant as the means of explaining cosmic emergence. And then

0:30:25.320 --> 0:30:29.920
<v Speaker 1>also Hinduism holds them the ashvata or the sacred fig

0:30:30.080 --> 0:30:32.960
<v Speaker 1>as holy, which we referenced in the opening reading from

0:30:33.000 --> 0:30:38.440
<v Speaker 1>the Bagavadgita. Speaking of which the that reading referenced the

0:30:38.680 --> 0:30:41.680
<v Speaker 1>Banyan tree. I think that's how you say banyon Banyan.

0:30:42.280 --> 0:30:46.200
<v Speaker 1>That tree is the perfect representation of a sacred tree

0:30:46.240 --> 0:30:50.040
<v Speaker 1>with cosmic principles because it has aerial roots that come

0:30:50.120 --> 0:30:52.800
<v Speaker 1>down from its branches. I've never seen one of these.

0:30:52.800 --> 0:30:55.880
<v Speaker 1>It sounds super cool. It comes the roots, come down

0:30:55.960 --> 0:30:58.040
<v Speaker 1>from the branches and then take root in the ground.

0:30:58.320 --> 0:31:02.280
<v Speaker 1>So the appearance suggests the tree is actually rooted in

0:31:02.360 --> 0:31:05.400
<v Speaker 1>the heavens. That seems really interesting. And then I think

0:31:05.400 --> 0:31:08.240
<v Speaker 1>that this is connected to Buddhism, right, yeah, Yeah, it's

0:31:08.240 --> 0:31:12.560
<v Speaker 1>said that Siddharta Gattama experience enlightenment under the Banyan or

0:31:12.680 --> 0:31:15.720
<v Speaker 1>sometimes it's referred to as the Bodhi tree, and thus

0:31:15.760 --> 0:31:20.960
<v Speaker 1>became the Shakyamuni Buddha, the often just referred to as Buddha.

0:31:21.400 --> 0:31:23.600
<v Speaker 1>And you see this depicted in a lot of Buddhist

0:31:23.920 --> 0:31:29.840
<v Speaker 1>iconography and uh and and sometimes just happenstance to. For instance,

0:31:29.840 --> 0:31:32.400
<v Speaker 1>if you've anyone who's ever been to Thailand, if you

0:31:32.440 --> 0:31:35.720
<v Speaker 1>go to the Ruins of Youth, ya, there's this iconic

0:31:36.840 --> 0:31:42.239
<v Speaker 1>Buddha head, a statue head that has been overtaken by

0:31:42.240 --> 0:31:45.480
<v Speaker 1>the roots of a tree. Yeah, and that's interesting. So

0:31:45.760 --> 0:31:47.760
<v Speaker 1>tons of photos have been taken. I was gonna say,

0:31:47.840 --> 0:31:51.920
<v Speaker 1>lots of symbolic connections there. Yeah. Now, we've talked a

0:31:51.920 --> 0:31:55.440
<v Speaker 1>bit in the past about sacred plants in Chinese mythology,

0:31:55.720 --> 0:31:59.520
<v Speaker 1>Chinese traditional medicine, folk traditions. We've also touched on Chinese

0:31:59.600 --> 0:32:02.360
<v Speaker 1>cosma oology and how there are a few different cosmic

0:32:02.400 --> 0:32:06.480
<v Speaker 1>origin stories. But the Chinese definitely have a world tree

0:32:06.560 --> 0:32:10.680
<v Speaker 1>or two. They have actually have quite a few sacred trees.

0:32:11.280 --> 0:32:14.640
<v Speaker 1>So I was reading about this in A Burial's Chinese Mythology,

0:32:14.680 --> 0:32:18.080
<v Speaker 1>which again i've referenced this this text on the show before.

0:32:18.080 --> 0:32:22.360
<v Speaker 1>It's just a wonderful book on Chinese mythology, and she

0:32:22.360 --> 0:32:26.600
<v Speaker 1>she references uh the Chien MoU sky ladder uh, and

0:32:26.880 --> 0:32:30.719
<v Speaker 1>she says that China MoU literally means building tree. At

0:32:30.720 --> 0:32:33.280
<v Speaker 1>any rate, it's situated at the center of the world,

0:32:33.760 --> 0:32:37.560
<v Speaker 1>so centered that it produces neither shadow nor echo. It

0:32:37.640 --> 0:32:40.240
<v Speaker 1>was created by the Yellow Emperor, and it grew into

0:32:40.240 --> 0:32:44.080
<v Speaker 1>the sky, and having reached the impenetrable barrier of the heavens,

0:32:44.320 --> 0:32:48.680
<v Speaker 1>it spreads across its expanse and quote likewise above the

0:32:48.720 --> 0:32:52.480
<v Speaker 1>barrier of the ends of the earth, creating gigantic coils

0:32:52.480 --> 0:32:55.280
<v Speaker 1>and the sky and huge root tangles in the earth.

0:32:55.760 --> 0:32:59.000
<v Speaker 1>Then the gods used this sky ladder to ascend and descend.

0:32:59.480 --> 0:33:02.040
<v Speaker 1>And it's pnk is purple, it's blossoms black, and its

0:33:02.040 --> 0:33:05.280
<v Speaker 1>fruit is yellow. Okay, So this is definitely a world tree.

0:33:05.320 --> 0:33:08.720
<v Speaker 1>It's that vertical tradition of going up to the heavens exactly.

0:33:08.800 --> 0:33:11.800
<v Speaker 1>Now you have other cosmic trees and Chinese tradition, including

0:33:11.840 --> 0:33:16.520
<v Speaker 1>the Trinity mulberry, the search tree, the accord tree. There's

0:33:16.560 --> 0:33:19.680
<v Speaker 1>the leaning mulberry tree. And this is where the ten

0:33:19.840 --> 0:33:23.880
<v Speaker 1>sons roosted in ancient times before the hero you the

0:33:24.000 --> 0:33:28.680
<v Speaker 1>Archer shot the nine surplus sons down. That's one of them. Sorry,

0:33:28.720 --> 0:33:30.200
<v Speaker 1>remind me of this because we talked about it in

0:33:30.200 --> 0:33:33.280
<v Speaker 1>a previous episode. Isn't you the Archer one of those

0:33:33.400 --> 0:33:37.440
<v Speaker 1>uh like mythological iterations of the hero symbol? Yeah? Yeah,

0:33:37.560 --> 0:33:39.560
<v Speaker 1>so that The idea here with this story is that

0:33:39.600 --> 0:33:41.200
<v Speaker 1>there was a time when there were ten sons and

0:33:41.200 --> 0:33:43.160
<v Speaker 1>it was just burning the earth up. You know, we

0:33:43.160 --> 0:33:46.320
<v Speaker 1>couldn't have the crops wouldn't grow. And then the heroic

0:33:46.400 --> 0:33:49.640
<v Speaker 1>Archer comes forth and he's able to shoot the nine

0:33:49.680 --> 0:33:52.800
<v Speaker 1>surplus sons out of the sky, leaving just one son

0:33:52.880 --> 0:33:55.680
<v Speaker 1>to to light and warm the world. Oh wow, he

0:33:55.720 --> 0:33:58.440
<v Speaker 1>would be perfect for the end of our Uninhabitable Earth

0:33:58.440 --> 0:34:01.360
<v Speaker 1>episode that we just recorded. Once the earth the sun

0:34:01.400 --> 0:34:03.240
<v Speaker 1>starts turning into a red giant, he can just shoot

0:34:03.240 --> 0:34:04.440
<v Speaker 1>it down. That's right. As long as he has one

0:34:04.480 --> 0:34:07.120
<v Speaker 1>arrow left in the quiver, we're good, right. Uh. In

0:34:07.240 --> 0:34:11.080
<v Speaker 1>Chinese tradition, there's also the giant peach tree, which also

0:34:11.200 --> 0:34:15.319
<v Speaker 1>tangles against the barrier of heaven. Uh. The peaches here,

0:34:15.480 --> 0:34:19.000
<v Speaker 1>they provide immortality to those who consume it, and it

0:34:19.040 --> 0:34:22.080
<v Speaker 1>also serves as a bridge between realms. I have a

0:34:22.160 --> 0:34:26.120
<v Speaker 1>quote here that Beryl provides in her book Uh and

0:34:26.200 --> 0:34:29.600
<v Speaker 1>this is This is from an older Chinese text in

0:34:29.719 --> 0:34:32.960
<v Speaker 1>Sane See there is two show mountain. On its summit

0:34:33.239 --> 0:34:36.560
<v Speaker 1>is a huge peach tree. It twists and turns over

0:34:36.680 --> 0:34:40.840
<v Speaker 1>three thousand leagues among its branches. On the northeast side

0:34:41.239 --> 0:34:44.240
<v Speaker 1>or what is called goblin gates, through which a myriad

0:34:44.320 --> 0:34:47.960
<v Speaker 1>goblin's pass. On top. There two gods. One is called

0:34:48.000 --> 0:34:52.160
<v Speaker 1>Holy Shoe, the other is called Yulu. These lords supervise

0:34:52.239 --> 0:34:56.120
<v Speaker 1>and control the myriad goblins. Whenever a goblin does evil,

0:34:56.200 --> 0:34:59.000
<v Speaker 1>they bind him with a reed rope and feed him

0:34:59.040 --> 0:35:02.560
<v Speaker 1>to tigers. Then the Yellow Emperor devised a ritual ceremony

0:35:02.719 --> 0:35:05.520
<v Speaker 1>so that they could expel the evildo or in due season,

0:35:05.920 --> 0:35:09.440
<v Speaker 1>they set up a large peachwood figurines and painted images

0:35:09.480 --> 0:35:13.080
<v Speaker 1>of Holy Shoe and Yulu and a tiger on gates

0:35:13.080 --> 0:35:15.719
<v Speaker 1>and doors, and hung reed ropes from them so as

0:35:15.800 --> 0:35:19.000
<v Speaker 1>to harness the evil. So some of you probably sat

0:35:19.080 --> 0:35:20.719
<v Speaker 1>up while you're listening to this and went, wait a minute,

0:35:20.760 --> 0:35:26.040
<v Speaker 1>goblin's Yeah, but it actually makes sense across cultures. So

0:35:26.200 --> 0:35:29.040
<v Speaker 1>this is here's one of the amazing connections we're gonna make,

0:35:29.040 --> 0:35:32.040
<v Speaker 1>all right, So let's go from Chinese mythology to that

0:35:32.160 --> 0:35:34.600
<v Speaker 1>section that Robert just read to us, right, sounds a

0:35:34.600 --> 0:35:37.360
<v Speaker 1>little Lord of the Rings e right, Yeah, yeah, Goblin gates,

0:35:37.360 --> 0:35:40.320
<v Speaker 1>Goblin spelling out of the into out of other realms

0:35:40.360 --> 0:35:43.200
<v Speaker 1>onto our ours, crawling down the world tree. Yeah, and

0:35:43.239 --> 0:35:47.160
<v Speaker 1>then you take that, imagine the little Indiana Jones dotted line,

0:35:47.200 --> 0:35:52.720
<v Speaker 1>and you're traveling across the world to Norris culture. And

0:35:52.719 --> 0:35:54.880
<v Speaker 1>then we get the egg DRIs Cill tree that I

0:35:54.920 --> 0:35:57.840
<v Speaker 1>mentioned at the top. And this is very Lord of

0:35:57.840 --> 0:35:59.800
<v Speaker 1>the Rings. In fact, I would imagine that it probably

0:35:59.840 --> 0:36:04.440
<v Speaker 1>in aspired a lot of Tolkien's mythos, right. But the

0:36:04.520 --> 0:36:10.320
<v Speaker 1>idea here is in the twelfth century Icelandic scholar, poet, historian,

0:36:10.400 --> 0:36:16.720
<v Speaker 1>and politician Snorri Sturlinson wrote about Igdrasill in his epic

0:36:16.800 --> 0:36:21.520
<v Speaker 1>poem The Ada and Igdrasill. A lot of you are

0:36:21.560 --> 0:36:25.640
<v Speaker 1>probably familiar with this, like myself, mainly from Thor and

0:36:25.760 --> 0:36:28.759
<v Speaker 1>Marvel comics. So the Thor movies are pretty big right now.

0:36:28.920 --> 0:36:31.759
<v Speaker 1>And then in the comic books, really Stanley and Jack

0:36:31.800 --> 0:36:33.400
<v Speaker 1>Kirby were just kind of like, hey, let's take this

0:36:33.600 --> 0:36:37.360
<v Speaker 1>entire entire cultures mythology, and we'll just bastardize it and

0:36:37.400 --> 0:36:40.600
<v Speaker 1>turn these into superheroes, uh and make them talk like

0:36:40.640 --> 0:36:43.719
<v Speaker 1>they're in a Shakespearean play. Well, that's that's that's kind

0:36:43.760 --> 0:36:46.240
<v Speaker 1>of that's sal mythology works. Yeah, take what came before

0:36:46.320 --> 0:36:49.320
<v Speaker 1>and then you you repackage it for the current audience.

0:36:49.520 --> 0:36:54.200
<v Speaker 1>Exactly in the original Norris mythology, Igdrasill is also a

0:36:54.239 --> 0:36:57.360
<v Speaker 1>bridge between all of the great realms of existence. In

0:36:57.400 --> 0:37:02.480
<v Speaker 1>its middle is Asgard, but also reaches the realms of frost,

0:37:02.719 --> 0:37:05.759
<v Speaker 1>giants and Niflheim. I think is how you say it,

0:37:05.960 --> 0:37:08.000
<v Speaker 1>which is the underworld or the realm of the dead?

0:37:08.280 --> 0:37:12.160
<v Speaker 1>Going off of my Marvel knowledge, not of the research

0:37:12.200 --> 0:37:15.960
<v Speaker 1>into Norris mythology, I think there's also places where their

0:37:16.080 --> 0:37:19.440
<v Speaker 1>dwarves there's like a dark elf place, like there are

0:37:19.480 --> 0:37:22.160
<v Speaker 1>different the nine realms that they reference that are connected

0:37:22.200 --> 0:37:25.120
<v Speaker 1>to Igdrasill have like different sort of D and d

0:37:25.320 --> 0:37:29.319
<v Speaker 1>Lord of the Ring species that exist in each one. Now,

0:37:29.320 --> 0:37:32.399
<v Speaker 1>there are three sacred springs that are supposed to be

0:37:32.400 --> 0:37:36.400
<v Speaker 1>beneath Igdrasil. The first is the Spring of Wisdom and Knowledge.

0:37:36.880 --> 0:37:39.640
<v Speaker 1>The second is the Well of Destiny, that's guarded by

0:37:39.680 --> 0:37:42.880
<v Speaker 1>the norns, who are the sisters of fate. Uh And

0:37:43.120 --> 0:37:45.879
<v Speaker 1>the last is the river of life that carries the

0:37:45.920 --> 0:37:49.520
<v Speaker 1>souls of the dead back to be reborn into their

0:37:49.560 --> 0:37:53.040
<v Speaker 1>next incarnations. So you can see Idrisilla is both a

0:37:53.120 --> 0:37:56.919
<v Speaker 1>world tree and a tree of life. It's pretty interesting. Now,

0:37:57.040 --> 0:37:59.720
<v Speaker 1>Idrisill is one of those trees that has a serpent.

0:38:00.000 --> 0:38:01.919
<v Speaker 1>Remember we were talking about how sometimes there's goats, sometimes

0:38:01.920 --> 0:38:05.120
<v Speaker 1>there's dragons, sometimes there's serpents. If you just sill serpent

0:38:05.360 --> 0:38:08.840
<v Speaker 1>is nid hog and this is a serpent that gnaws

0:38:08.880 --> 0:38:11.919
<v Speaker 1>away at its roots. But this serpent is kept at

0:38:11.960 --> 0:38:15.800
<v Speaker 1>bay by an eagle that lives in its upper branches,

0:38:15.840 --> 0:38:18.359
<v Speaker 1>and the eagle will come down occasionally and fight off

0:38:18.400 --> 0:38:21.080
<v Speaker 1>the fight off the serpent. The eagle itself is a

0:38:21.120 --> 0:38:23.719
<v Speaker 1>symbol of the sun. Again, coming right back to this

0:38:23.840 --> 0:38:26.520
<v Speaker 1>Chinese mythology. So it's kind of fascinating to see. This

0:38:26.560 --> 0:38:28.960
<v Speaker 1>is a perfect example of how far away these cultures

0:38:28.960 --> 0:38:32.680
<v Speaker 1>are from one another, and yet how similar their archetypes are. Yeah,

0:38:32.920 --> 0:38:35.000
<v Speaker 1>I mean it would be uh it would be it

0:38:35.000 --> 0:38:37.840
<v Speaker 1>would be unsettling if we didn't have all these additional

0:38:37.880 --> 0:38:43.759
<v Speaker 1>reads and uh um and and analyses to go off on. Yeah, so, uh,

0:38:43.880 --> 0:38:45.719
<v Speaker 1>similar to this, and this is what I wish we

0:38:45.760 --> 0:38:48.239
<v Speaker 1>had more time to get into, but unfortunately, you know,

0:38:48.320 --> 0:38:52.920
<v Speaker 1>we're just we've got too many trees. Uh. There's the

0:38:53.160 --> 0:38:57.319
<v Speaker 1>Yacht's tree in the meso American World tree culture. It's

0:38:57.440 --> 0:39:00.239
<v Speaker 1>very similar to others we've mentioned, especially these lad Us

0:39:00.239 --> 0:39:03.560
<v Speaker 1>two and it's represented in these cultures as the seabaw

0:39:03.600 --> 0:39:06.520
<v Speaker 1>tree and its access connects the earth in the sky

0:39:06.680 --> 0:39:11.040
<v Speaker 1>and its roots go into the underworld. Zebulba. Now the

0:39:11.160 --> 0:39:14.000
<v Speaker 1>Zebulba thing. This is going to be our segue. We'll

0:39:14.040 --> 0:39:17.239
<v Speaker 1>just talk real briefly about some pop culture examples. The

0:39:17.280 --> 0:39:20.239
<v Speaker 1>one that immediately came to mind for me after Thor

0:39:20.960 --> 0:39:24.280
<v Speaker 1>is Darren Aronofsky is The Fountain, which is about trees

0:39:24.320 --> 0:39:27.520
<v Speaker 1>of life and and they use the terminology for the

0:39:27.560 --> 0:39:30.480
<v Speaker 1>meso American tree a lot in that. And don't forget Avatar,

0:39:31.200 --> 0:39:34.279
<v Speaker 1>that's right central world tree at the heart of that

0:39:34.360 --> 0:39:36.440
<v Speaker 1>movie as well. You also see it in things like

0:39:36.480 --> 0:39:40.879
<v Speaker 1>American Gods, obviously because that's based on myths. But I've

0:39:40.920 --> 0:39:43.920
<v Speaker 1>mentioned World of Warcraft on the show before. I remember

0:39:44.040 --> 0:39:46.880
<v Speaker 1>there's a tree called nord Dressill in World of Warcraft

0:39:46.920 --> 0:39:49.239
<v Speaker 1>that's like literally like a tree that you you go

0:39:49.360 --> 0:39:51.919
<v Speaker 1>to and it has its own you know, video game

0:39:51.960 --> 0:39:56.200
<v Speaker 1>mythology surrounding it. Also, remember you were talking about space

0:39:56.239 --> 0:39:58.840
<v Speaker 1>elevators at the beginning. I hadn't thought of this before.

0:39:59.200 --> 0:40:02.000
<v Speaker 1>The Dark Tower by Stephen King. The Dark Tower is

0:40:02.040 --> 0:40:04.520
<v Speaker 1>a world tree. It's just a variation on it. He

0:40:04.640 --> 0:40:07.400
<v Speaker 1>kind of takes the the idea of a false tree

0:40:07.440 --> 0:40:10.719
<v Speaker 1>and makes it true again in a weird way. Yeah,

0:40:10.840 --> 0:40:13.600
<v Speaker 1>and then of course we see the iterations of the

0:40:13.640 --> 0:40:16.480
<v Speaker 1>Trio life and a lot of pop culture. Obviously, Uh,

0:40:16.680 --> 0:40:19.200
<v Speaker 1>we can trace this back to Joseph Campbell, who we've

0:40:19.239 --> 0:40:22.880
<v Speaker 1>talked about in our myth episodes before, because it is

0:40:22.880 --> 0:40:25.400
<v Speaker 1>a common archetype that he mentions in his book The

0:40:25.440 --> 0:40:28.120
<v Speaker 1>Hero with a Thousand Faces, which is this book that

0:40:28.239 --> 0:40:31.200
<v Speaker 1>just like every screenwriter under the sun since probably like

0:40:31.239 --> 0:40:34.399
<v Speaker 1>the late sixties has been referencing. Alright, well, on that note,

0:40:34.480 --> 0:40:36.399
<v Speaker 1>let's take one more break, and when we get back,

0:40:36.920 --> 0:40:40.560
<v Speaker 1>we'll we'll start teasing a part the psychology and even

0:40:40.560 --> 0:40:45.480
<v Speaker 1>the science of this fascination, this obsession with tree symbolism.

0:40:45.920 --> 0:40:49.759
<v Speaker 1>Thank thank Alright, we're back, So we've done a pretty

0:40:49.800 --> 0:40:53.239
<v Speaker 1>good job. I think of showing just a lot of examples,

0:40:53.280 --> 0:40:55.800
<v Speaker 1>like putting the evidence on the table. Look, there are

0:40:55.960 --> 0:40:58.520
<v Speaker 1>all these world trees, they're very similar, they're all over

0:40:58.520 --> 0:41:01.600
<v Speaker 1>the world. But what we haven't answered yet is why,

0:41:01.600 --> 0:41:07.239
<v Speaker 1>why how is it that this happened? Well, one uh,

0:41:07.480 --> 0:41:09.400
<v Speaker 1>explanation that comes to mind, and I've kind of been

0:41:09.440 --> 0:41:12.640
<v Speaker 1>alluding to this a lot already. It has to do

0:41:12.719 --> 0:41:16.520
<v Speaker 1>with the biophilia hypothesis, which listeners to the show you

0:41:16.520 --> 0:41:18.759
<v Speaker 1>may remember that Joe and I did an episode on

0:41:18.880 --> 0:41:24.400
<v Speaker 1>biophilia hypothesis recently. It's a fascinating take on humanity's attachment

0:41:24.440 --> 0:41:28.440
<v Speaker 1>to nature. It's the work of of acclaimed American biologist

0:41:28.560 --> 0:41:31.920
<v Speaker 1>Edward O. Wilson, a highly accomplished scientist and author of

0:41:32.040 --> 0:41:37.160
<v Speaker 1>numerous books wonderful author, including N four's Biophilia The Human

0:41:37.200 --> 0:41:41.319
<v Speaker 1>Bond with Other Species, in which he defined biophilia as

0:41:41.400 --> 0:41:45.000
<v Speaker 1>humanity's innate tendency to focus on living things as opposed

0:41:45.040 --> 0:41:48.640
<v Speaker 1>to inanimate things any in an in effect, he argued

0:41:48.680 --> 0:41:51.680
<v Speaker 1>for an innate love of nature. He said, quote, the

0:41:51.719 --> 0:41:54.440
<v Speaker 1>object of my reflection can be summarized by a single

0:41:54.480 --> 0:41:57.440
<v Speaker 1>world biophilia, which I will be so bold as to

0:41:57.520 --> 0:42:00.760
<v Speaker 1>define as the innate tendency to folk us on life

0:42:00.760 --> 0:42:03.880
<v Speaker 1>and lifelike processes. Okay, so you can definitely see a

0:42:03.920 --> 0:42:07.799
<v Speaker 1>connection here where again, like all of these cultures are

0:42:07.800 --> 0:42:10.799
<v Speaker 1>focusing on the lifelike processes that are around them and

0:42:11.000 --> 0:42:15.920
<v Speaker 1>using this terminology to define both the immaterial and in

0:42:15.920 --> 0:42:18.839
<v Speaker 1>the material things that are around them right right now.

0:42:18.920 --> 0:42:21.200
<v Speaker 1>When it comes to evidence for this hypothesis and and

0:42:21.239 --> 0:42:25.920
<v Speaker 1>it remains a hypothesis there, there's various evidence that's presented,

0:42:26.239 --> 0:42:30.400
<v Speaker 1>including the universal appreciation for nature among human cultures, the

0:42:30.440 --> 0:42:34.960
<v Speaker 1>symbolic use of nature in language. So you know, think

0:42:35.000 --> 0:42:36.520
<v Speaker 1>of all the times just during the course of your

0:42:36.600 --> 0:42:40.320
<v Speaker 1>day that you compare your own behaviors and motivations or

0:42:40.360 --> 0:42:44.440
<v Speaker 1>those around you to the actions of animals or plants. Yes, yeah,

0:42:44.520 --> 0:42:47.960
<v Speaker 1>a lot. Yeah, Like if you actually stopped yourself throughout

0:42:47.960 --> 0:42:50.120
<v Speaker 1>the day, or at least in my case, if I

0:42:50.120 --> 0:42:52.520
<v Speaker 1>stop myself throughout the day and realized how many times

0:42:52.560 --> 0:42:56.759
<v Speaker 1>I use UH similes or metaphors just in my my

0:42:56.880 --> 0:43:00.200
<v Speaker 1>general conversation that are alluding to animal activities or or

0:43:00.360 --> 0:43:04.759
<v Speaker 1>natural activities. And then also another bit of of of

0:43:04.880 --> 0:43:09.640
<v Speaker 1>supporting evidence is the spiritual reverence for nature across culture.

0:43:09.760 --> 0:43:15.680
<v Speaker 1>So animust, God's sacred environmental places and sacred trees. So

0:43:15.719 --> 0:43:17.920
<v Speaker 1>the idea here is that our attraction to the natural

0:43:18.000 --> 0:43:20.800
<v Speaker 1>world is just hardwired into us, and so of course

0:43:20.880 --> 0:43:24.160
<v Speaker 1>we build it into our metaphoric and symbolic understanding of

0:43:24.200 --> 0:43:28.640
<v Speaker 1>the world. Is pointed out by Robert Sommer in Trees

0:43:28.680 --> 0:43:31.799
<v Speaker 1>and Human identity, and this is collected in identity and

0:43:31.880 --> 0:43:36.040
<v Speaker 1>the natural environment the psychological significance of nature. Belief in

0:43:36.120 --> 0:43:39.160
<v Speaker 1>sacred trees and tree spirits is of very ancient things

0:43:39.200 --> 0:43:42.080
<v Speaker 1>and entailing both the creation of people from trees, the

0:43:42.080 --> 0:43:47.720
<v Speaker 1>transformation of people into trees and UH. James G. Frasier

0:43:48.000 --> 0:43:50.560
<v Speaker 1>he discusses numerous examples of this in his work as well,

0:43:50.719 --> 0:43:54.120
<v Speaker 1>including uh uh the I believe it is the Diary

0:43:54.239 --> 0:43:57.520
<v Speaker 1>tribe of South Australia who regarded certain trees as their

0:43:57.560 --> 0:44:02.360
<v Speaker 1>fathers transformed. Some Philippine Islanders also believe the souls of

0:44:02.360 --> 0:44:06.040
<v Speaker 1>their forefathers reside in trees. These just to name a few,

0:44:06.800 --> 0:44:09.800
<v Speaker 1>we see. We see this legacy continue today even in

0:44:09.840 --> 0:44:12.719
<v Speaker 1>the form of memory trees, you know, planting planting a

0:44:12.760 --> 0:44:17.040
<v Speaker 1>tree in in remembrance of somebody who has died and

0:44:17.160 --> 0:44:21.560
<v Speaker 1>uh and some of the psychological uh, factors that are

0:44:21.600 --> 0:44:25.440
<v Speaker 1>involved there. So I had one example, and I didn't

0:44:25.440 --> 0:44:27.799
<v Speaker 1>know where to place this. This is the best spot

0:44:27.840 --> 0:44:32.080
<v Speaker 1>I could find. Maybe it's a biophilia related example. Uh.

0:44:32.120 --> 0:44:35.920
<v Speaker 1>It is actually thought that the world tree tree of

0:44:36.000 --> 0:44:40.160
<v Speaker 1>life symbology is why you find in graveyards and cemeteries

0:44:40.680 --> 0:44:44.200
<v Speaker 1>ancient trees that are often used, and they're often planted

0:44:44.280 --> 0:44:47.000
<v Speaker 1>next to springs of water. So I wonder if that's

0:44:47.040 --> 0:44:51.319
<v Speaker 1>related to this the idea of the spirits belonging to

0:44:51.360 --> 0:44:53.880
<v Speaker 1>the trees. Well, you know, if you think of a

0:44:54.000 --> 0:44:57.879
<v Speaker 1>large tree growing in a cemetery graveyard, yeah, I mean

0:44:57.920 --> 0:45:00.719
<v Speaker 1>it makes perfect sense. Right, the underworld the place where

0:45:00.760 --> 0:45:03.560
<v Speaker 1>the dead go, that is where the bodies are are

0:45:03.760 --> 0:45:07.279
<v Speaker 1>literally laid to rest. It's providing sustenance to the tree. Yeah.

0:45:07.360 --> 0:45:09.120
<v Speaker 1>And then and then you have the tree growing up

0:45:09.120 --> 0:45:12.120
<v Speaker 1>into into the sky, and then it makes it makes

0:45:12.120 --> 0:45:18.520
<v Speaker 1>perfect sense. Now, there are various additional ways to tackle

0:45:19.560 --> 0:45:22.759
<v Speaker 1>the symbol of the tree, and UH. I found a

0:45:23.760 --> 0:45:25.839
<v Speaker 1>number of different examples here. We're going to roll through

0:45:25.840 --> 0:45:29.040
<v Speaker 1>these and discuss these. Uh. And at least some of

0:45:29.040 --> 0:45:31.959
<v Speaker 1>these are pointed out by by Richard Summer and again

0:45:31.960 --> 0:45:35.560
<v Speaker 1>in that work trees and human identity, which I highly recommend. So,

0:45:35.680 --> 0:45:38.680
<v Speaker 1>first of all, there's the Darwinian take on everything. The

0:45:38.760 --> 0:45:42.960
<v Speaker 1>roll of trees in a natural selection influence latent and

0:45:43.000 --> 0:45:48.319
<v Speaker 1>manifest preferences people as trees past and present. Uh, preferences

0:45:48.440 --> 0:45:51.480
<v Speaker 1>merged with self image. I am what I like, I

0:45:51.560 --> 0:45:54.919
<v Speaker 1>like what I am. And also Darwin was a fan

0:45:54.960 --> 0:45:58.560
<v Speaker 1>of trees as symbols of evolutionary process he said in

0:45:59.200 --> 0:46:01.680
<v Speaker 1>fifty nine The Orde and of Species. I believe this

0:46:01.800 --> 0:46:05.839
<v Speaker 1>similarly largely speaks the truth. So when when if you've

0:46:05.840 --> 0:46:09.319
<v Speaker 1>ever looked into a natural selection, you've probably or even

0:46:09.320 --> 0:46:11.640
<v Speaker 1>just to you know, flipped around and say a book

0:46:11.640 --> 0:46:15.960
<v Speaker 1>on dinosaurs, you've probably encountered these these trees, these essentially

0:46:16.000 --> 0:46:20.400
<v Speaker 1>family trees of of how we think different species emerged

0:46:20.440 --> 0:46:23.560
<v Speaker 1>from each other. And these are known as phylogenetic trees.

0:46:24.000 --> 0:46:26.920
<v Speaker 1>And we're so we're still using the tree as a

0:46:26.920 --> 0:46:30.640
<v Speaker 1>way to understand who we are in the world. Yeah,

0:46:30.680 --> 0:46:33.000
<v Speaker 1>this was the science angle that I was mentioning at

0:46:33.000 --> 0:46:36.439
<v Speaker 1>the top of the episode. The phylogenetic tree. Uh. It's

0:46:36.520 --> 0:46:40.880
<v Speaker 1>used in the sciences as a representation of evolutionary relationships

0:46:40.920 --> 0:46:43.960
<v Speaker 1>between all species on Earth, and one paper I downloaded.

0:46:43.960 --> 0:46:47.480
<v Speaker 1>Actually was all about this software that's being built, these

0:46:47.560 --> 0:46:52.160
<v Speaker 1>various tools to explore that representation that connects eight hundred

0:46:52.160 --> 0:46:56.080
<v Speaker 1>thousand to two point two million species together. The idea

0:46:56.200 --> 0:47:01.400
<v Speaker 1>being that you're reproducing the phylogenetic classification scheme that describes

0:47:01.480 --> 0:47:05.480
<v Speaker 1>evolutionary relationships, but you're using a tree as a map. Yeah. Yeah,

0:47:05.760 --> 0:47:08.919
<v Speaker 1>now that that piece that I referenced earlier by gear

0:47:08.960 --> 0:47:11.680
<v Speaker 1>hest Mark Temptations of the tree. Uh. Now he he

0:47:11.760 --> 0:47:15.160
<v Speaker 1>made an interesting argument here. He said that phylogenetic trees

0:47:15.239 --> 0:47:19.200
<v Speaker 1>have a rhetorical power that's hard to shake. Yeah. He

0:47:19.280 --> 0:47:22.840
<v Speaker 1>reminds readers that ultimately these are only sketches of historical

0:47:22.920 --> 0:47:28.120
<v Speaker 1>hypothesis constructed from imperfect historical evidence. So they're not they're

0:47:28.160 --> 0:47:31.280
<v Speaker 1>not set in stone or set in would rather uh

0:47:31.480 --> 0:47:33.680
<v Speaker 1>like the living physical trees. There's almost kind of a

0:47:34.200 --> 0:47:37.640
<v Speaker 1>trap in referencing, uh, something that has a sort of

0:47:37.680 --> 0:47:42.600
<v Speaker 1>symbolic potency to it like that. That's interesting, Yeah, especially

0:47:42.640 --> 0:47:45.719
<v Speaker 1>like from my rhetorical background, Like I could totally see

0:47:45.760 --> 0:47:49.319
<v Speaker 1>somebody writing like two dissertation trying to pull that all

0:47:49.360 --> 0:47:53.840
<v Speaker 1>apart and how it's used. That's very interesting, And I

0:47:53.880 --> 0:47:58.200
<v Speaker 1>wonder if you could trace how tree symbology is used

0:47:58.239 --> 0:48:02.359
<v Speaker 1>in political rhetoric as well, bringing it into a sort

0:48:02.360 --> 0:48:05.080
<v Speaker 1>of a more contemporary cultural point of view, because it's

0:48:05.120 --> 0:48:08.120
<v Speaker 1>interesting to think of what the tree is doing, you know,

0:48:08.200 --> 0:48:11.080
<v Speaker 1>because from a human perspective, at any given moment, a

0:48:11.120 --> 0:48:15.080
<v Speaker 1>tree is is a solid thing reaching from earth into

0:48:15.160 --> 0:48:17.640
<v Speaker 1>the sky. And yet at the same time it is

0:48:17.880 --> 0:48:20.279
<v Speaker 1>it is, it is growing, it is reaching in a

0:48:20.320 --> 0:48:23.399
<v Speaker 1>way that that a mountain is not. And when we're

0:48:23.400 --> 0:48:25.360
<v Speaker 1>aware of it, like we know that a tree starts

0:48:25.360 --> 0:48:28.640
<v Speaker 1>how small, and grows larger, but it takes takes place

0:48:28.680 --> 0:48:33.000
<v Speaker 1>over the course of a lifetime or multiple lifetimes. Well,

0:48:33.120 --> 0:48:34.880
<v Speaker 1>and then on top of that, it's vulnerable to a

0:48:34.960 --> 0:48:38.319
<v Speaker 1>tree maybe chopped down, a tree maybe blown down by

0:48:38.320 --> 0:48:42.520
<v Speaker 1>the wind, whereas a mountain would not. Hopefully, no, I

0:48:42.520 --> 0:48:45.799
<v Speaker 1>mean the mountain over time. But I don't even know

0:48:45.840 --> 0:48:49.160
<v Speaker 1>to what extent that was. Uh, that that's what That's

0:48:49.160 --> 0:48:51.399
<v Speaker 1>not something I've looked at in the research. But I'm

0:48:51.400 --> 0:48:54.759
<v Speaker 1>not sure to what extent ancient people's were aware of

0:48:55.040 --> 0:49:00.280
<v Speaker 1>erosions the mountains. Yeah, well, all of this could would

0:49:00.360 --> 0:49:04.800
<v Speaker 1>potentially be explained by another aspect that we've already mentioned

0:49:04.840 --> 0:49:09.160
<v Speaker 1>here today. This is young Ian depth psychology. So the

0:49:09.440 --> 0:49:13.160
<v Speaker 1>idea here of the archetypes and human collective subconscious that

0:49:13.200 --> 0:49:16.839
<v Speaker 1>I mentioned earlier. There are some people that argue the

0:49:16.880 --> 0:49:21.920
<v Speaker 1>world tree itself actually has evolutionary origins, not phylogenetically, but

0:49:22.040 --> 0:49:24.879
<v Speaker 1>as part of our collective unconscious, that it's like all

0:49:24.960 --> 0:49:28.160
<v Speaker 1>of us have this kind of programmed into our minds.

0:49:28.560 --> 0:49:31.360
<v Speaker 1>Were thinking about numbers with their fingers and thinking about

0:49:31.680 --> 0:49:34.799
<v Speaker 1>other aspects of the world with treats. Yeah, outside of

0:49:34.880 --> 0:49:39.000
<v Speaker 1>Young's perspective, almost all world tree traditions seem to have

0:49:39.160 --> 0:49:41.399
<v Speaker 1>levels to them, and I didn't really mention this too much,

0:49:41.440 --> 0:49:43.920
<v Speaker 1>but some of the examples that I provided, so for instance,

0:49:43.920 --> 0:49:46.160
<v Speaker 1>like the suffer Rath and Idris Sill, they have variations

0:49:46.200 --> 0:49:50.600
<v Speaker 1>of levels. These range between eight and twenty two throughout cultures,

0:49:50.680 --> 0:49:55.279
<v Speaker 1>and they seem to represent specific states of consciousness. So

0:49:55.400 --> 0:49:58.759
<v Speaker 1>Idrisill is the example I'll use here. It's composed of

0:49:58.800 --> 0:50:01.040
<v Speaker 1>the nine worlds I meant and some of these earliers.

0:50:01.239 --> 0:50:05.120
<v Speaker 1>When it's mapped out, mid Guard, which is Earth's representation,

0:50:05.239 --> 0:50:07.919
<v Speaker 1>is at the center of the trunk the world that's

0:50:07.960 --> 0:50:11.080
<v Speaker 1>where we live. The arrangement of all the other worlds

0:50:11.160 --> 0:50:15.040
<v Speaker 1>around it are North south east and west on the tree,

0:50:15.320 --> 0:50:18.960
<v Speaker 1>and those represent awareness and perception. But then there's worlds

0:50:18.960 --> 0:50:22.759
<v Speaker 1>that are above midguard and those represent higher levels of consciousness,

0:50:23.200 --> 0:50:26.920
<v Speaker 1>and worlds below midguard that represent the unconscious mind. Now,

0:50:26.960 --> 0:50:31.400
<v Speaker 1>just going off script here for a second, that immediately

0:50:31.440 --> 0:50:35.640
<v Speaker 1>calls to mind Freudian psychology. Right, so did ego super

0:50:35.680 --> 0:50:39.239
<v Speaker 1>ego That seems like Igors was representing all of that,

0:50:39.320 --> 0:50:43.279
<v Speaker 1>like thousands of years before Freud even put that to paper. Now,

0:50:43.320 --> 0:50:47.480
<v Speaker 1>another take on all of this is the phenomenological approach.

0:50:47.719 --> 0:50:49.720
<v Speaker 1>This is the idea, and we've been talking about this already,

0:50:49.760 --> 0:50:53.080
<v Speaker 1>is that you have metaphors between the natural and the

0:50:53.160 --> 0:50:56.160
<v Speaker 1>human world. Here we have, you know, the roots, trunk,

0:50:56.200 --> 0:50:58.200
<v Speaker 1>and the canopy of a tree, and these are mirroring

0:50:58.320 --> 0:51:01.360
<v Speaker 1>the infernal or such anian world, the earthly world, and

0:51:01.440 --> 0:51:05.320
<v Speaker 1>the heavenly world. And uh. On top of that, people

0:51:05.360 --> 0:51:07.920
<v Speaker 1>in society are covered by fruits or flowers that are

0:51:07.960 --> 0:51:10.759
<v Speaker 1>growing within the tree. A tree provides a first hand

0:51:10.880 --> 0:51:14.440
<v Speaker 1>encounter with the world and our our place in it.

0:51:14.760 --> 0:51:17.640
<v Speaker 1>This made me think back to my last visit to

0:51:18.040 --> 0:51:23.920
<v Speaker 1>Zoo Atlanta. Yeah, all the time, they know you, they

0:51:24.000 --> 0:51:26.440
<v Speaker 1>know you probably at the gates, right, Yeah, well they

0:51:26.440 --> 0:51:29.520
<v Speaker 1>have they have this one aviary section and they have

0:51:29.560 --> 0:51:31.640
<v Speaker 1>a ton of birds in there from different parts of

0:51:31.640 --> 0:51:33.920
<v Speaker 1>the world, and there's a large tree in there, and

0:51:33.960 --> 0:51:36.359
<v Speaker 1>the birds make their homes in different parts of the tree.

0:51:36.480 --> 0:51:41.319
<v Speaker 1>Like there's I think it's a scarlet um ibis that

0:51:42.520 --> 0:51:44.360
<v Speaker 1>it only stays at the very top. It's like some

0:51:44.600 --> 0:51:46.719
<v Speaker 1>it's like like like a heavenly bird. If we're thinking

0:51:46.719 --> 0:51:49.239
<v Speaker 1>of this as a world tree, and others make their

0:51:49.320 --> 0:51:51.960
<v Speaker 1>home and other portions of the tree. I believe those

0:51:52.280 --> 0:51:57.400
<v Speaker 1>ibises are natural to Trinidad and Tobago because when I

0:51:57.520 --> 0:52:00.680
<v Speaker 1>visited there, she's almost fifteen years ago, they were all

0:52:00.719 --> 0:52:03.319
<v Speaker 1>around naturally and they did the same thing. Yeah, it's

0:52:03.320 --> 0:52:06.120
<v Speaker 1>a beautiful bird. So you can imagine what how how

0:52:06.440 --> 0:52:09.160
<v Speaker 1>seeing things like that in nature would then also affect

0:52:09.239 --> 0:52:11.640
<v Speaker 1>your interpretation of the tree and your use of the

0:52:11.680 --> 0:52:14.800
<v Speaker 1>tree as a metaphor. Then, according to Summer, there's also

0:52:15.239 --> 0:52:19.680
<v Speaker 1>the realm of ecopsychology, which I I think sounds an

0:52:19.680 --> 0:52:22.239
<v Speaker 1>awful lot like biophilia, And maybe there's a there's more

0:52:22.239 --> 0:52:24.880
<v Speaker 1>connection there that I'm not aware of. He says, quote,

0:52:25.000 --> 0:52:27.719
<v Speaker 1>beyond the individual self, there is an ecological self that

0:52:27.840 --> 0:52:32.040
<v Speaker 1>is nurtured through contact with and concern for the natural environment.

0:52:32.320 --> 0:52:34.919
<v Speaker 1>A person should feel at one with nature, and if

0:52:34.920 --> 0:52:38.640
<v Speaker 1>these feelings are absent or distorted, a healing process is needed.

0:52:38.800 --> 0:52:43.600
<v Speaker 1>So the tree kind of becomes a way to engage

0:52:43.680 --> 0:52:46.920
<v Speaker 1>in that reconnection. Like even even if you're in the

0:52:46.920 --> 0:52:50.160
<v Speaker 1>middle of a city and uh and and and maybe

0:52:50.160 --> 0:52:52.520
<v Speaker 1>there's not a nearby park, just the symbol of the

0:52:52.560 --> 0:52:55.239
<v Speaker 1>tree can sort of get in touch with that ecological

0:52:55.760 --> 0:52:59.960
<v Speaker 1>biophilic legacy. All of this, the last two, especially phenomenal

0:53:00.000 --> 0:53:04.480
<v Speaker 1>logical approaches and ecopsychological approaches, make me think of Cormac

0:53:04.560 --> 0:53:08.960
<v Speaker 1>McCarthy's The Road, because the idea I believe behind that

0:53:09.000 --> 0:53:12.880
<v Speaker 1>book is that it's thematically about our ecosystem and the

0:53:13.000 --> 0:53:16.719
<v Speaker 1>basically like our mistreatment of the ecosystem. Right, And it's

0:53:16.719 --> 0:53:19.520
<v Speaker 1>been a while since I've read that book. It's super depressing,

0:53:19.840 --> 0:53:25.120
<v Speaker 1>but basically I remember a lot of descriptions of dead trees. Yeah, yeah,

0:53:25.160 --> 0:53:28.359
<v Speaker 1>that's that is a great book, a pretty bleak book.

0:53:28.400 --> 0:53:32.279
<v Speaker 1>I've yet to read it as a father, um, and

0:53:32.400 --> 0:53:34.360
<v Speaker 1>I don't think I'm quite ready to do that. I

0:53:34.400 --> 0:53:38.880
<v Speaker 1>can imagine that would be real tough, um, but certainly

0:53:38.880 --> 0:53:41.759
<v Speaker 1>I yeah, now that now that you mentioned Court McCarthy

0:53:41.800 --> 0:53:45.719
<v Speaker 1>and the world tree, I wonder he trees come up.

0:53:45.760 --> 0:53:48.640
<v Speaker 1>I mean, trees come up in every work of fiction. Really.

0:53:48.680 --> 0:53:51.200
<v Speaker 1>I mean it's it's in the same It's kind of

0:53:51.200 --> 0:53:53.279
<v Speaker 1>the core argument here is that trees are such a

0:53:53.280 --> 0:53:56.480
<v Speaker 1>part of our world that they have become an inseparable

0:53:56.560 --> 0:54:00.480
<v Speaker 1>part of our our symbolic understanding of our elves in

0:54:00.520 --> 0:54:04.399
<v Speaker 1>the universe and cosmology, that it becomes this thing upon

0:54:04.480 --> 0:54:09.040
<v Speaker 1>which we build our our boldest fantasies and our our

0:54:09.160 --> 0:54:12.560
<v Speaker 1>darkest hors. So it's it's one of those things where

0:54:12.560 --> 0:54:14.479
<v Speaker 1>I feel like you could probably tease apart any work

0:54:14.520 --> 0:54:17.960
<v Speaker 1>of literature and say, okay, here's my you know, three

0:54:17.960 --> 0:54:22.240
<v Speaker 1>ball volume study of trees and Cornan McCarthy or trees

0:54:22.280 --> 0:54:24.160
<v Speaker 1>in the work of Shakespeare. I'm sure I'm sure someone

0:54:24.360 --> 0:54:27.719
<v Speaker 1>has done. Yes. Yeah, Well, I think that's part of

0:54:27.719 --> 0:54:30.480
<v Speaker 1>the reason why I wanted to end with this topic,

0:54:30.640 --> 0:54:33.799
<v Speaker 1>because it seems like it's so universal. We're heading into

0:54:33.880 --> 0:54:37.920
<v Speaker 1>Christmas season and it seems like we've found uh no,

0:54:37.920 --> 0:54:41.680
<v Speaker 1>no pun intended a route for the origin of the

0:54:41.760 --> 0:54:45.480
<v Speaker 1>Christmas tree, right, but that it's just this thing that

0:54:45.600 --> 0:54:48.759
<v Speaker 1>connects us all together no matter what our religion or

0:54:48.800 --> 0:54:54.480
<v Speaker 1>ethnicity or creeds, whatever trees are important to us. Indeed, alright, Christian,

0:54:54.480 --> 0:54:57.120
<v Speaker 1>well well this was it, then, this was this was

0:54:57.160 --> 0:54:59.040
<v Speaker 1>your your final episode of Stuff to Blow Your Mind.

0:54:59.640 --> 0:55:01.400
<v Speaker 1>So again I want to thank you for all that

0:55:01.440 --> 0:55:04.680
<v Speaker 1>you've done on this show, with this show, helping to

0:55:04.719 --> 0:55:08.080
<v Speaker 1>grow this show over the past few years. Oh I,

0:55:08.560 --> 0:55:10.719
<v Speaker 1>we look forward to keeping in touch with you in

0:55:10.760 --> 0:55:13.600
<v Speaker 1>the future. Can you tell our listeners where they can

0:55:13.640 --> 0:55:17.200
<v Speaker 1>continue to uh, to listen to you, to read your

0:55:17.200 --> 0:55:20.879
<v Speaker 1>work over the years ahead. Yeah, thank you, and thanks

0:55:20.880 --> 0:55:22.680
<v Speaker 1>again for having me on the show the last couple

0:55:22.719 --> 0:55:25.520
<v Speaker 1>of years. Everyone out there, and and this is Robert

0:55:25.520 --> 0:55:27.560
<v Speaker 1>and Joe included. You can all reach me on Twitter

0:55:27.719 --> 0:55:30.960
<v Speaker 1>at Christian Sager, or if you want to email me,

0:55:31.360 --> 0:55:35.120
<v Speaker 1>for instance about this episode, uh, you can email me

0:55:35.160 --> 0:55:38.719
<v Speaker 1>at Christian dot Seger at gmail dot com. I will

0:55:38.800 --> 0:55:41.319
<v Speaker 1>also continue to be hanging out in our Stuff to

0:55:41.320 --> 0:55:44.000
<v Speaker 1>Blow Your Mind discussion module on Facebook, so you're not

0:55:44.000 --> 0:55:46.560
<v Speaker 1>getting rid of me that easily. I'll be interacting with

0:55:46.640 --> 0:55:49.560
<v Speaker 1>the awesome community that we have over there. I may

0:55:49.560 --> 0:55:51.879
<v Speaker 1>not be here on the show anymore, but I'm still

0:55:51.920 --> 0:55:55.759
<v Speaker 1>going to be actively writing and podcasting online, and as

0:55:55.880 --> 0:55:59.280
<v Speaker 1>Robert alluded to, I'm continuing to do my creator own podcast,

0:55:59.400 --> 0:56:01.640
<v Speaker 1>Super cont Text. Some of you are familiar with this,

0:56:01.680 --> 0:56:04.880
<v Speaker 1>but if you've never heard it before, it's a podcast

0:56:04.920 --> 0:56:07.840
<v Speaker 1>autopsy of media, how we consume it and how it

0:56:07.880 --> 0:56:11.400
<v Speaker 1>informs our everyday culture. In each episode, we try to

0:56:11.480 --> 0:56:16.320
<v Speaker 1>understand the entertainment world we all live in, whether it's film, television, prose, music,

0:56:16.400 --> 0:56:19.279
<v Speaker 1>or comic books. You can find it wherever you get podcasts,

0:56:19.400 --> 0:56:22.480
<v Speaker 1>or you can get it at super Context dot Libson

0:56:22.600 --> 0:56:26.440
<v Speaker 1>dot com. I'll also be publishing a goodbye post to

0:56:26.600 --> 0:56:29.240
<v Speaker 1>stuff to Blow your Mind dot com that will also

0:56:29.360 --> 0:56:31.640
<v Speaker 1>cover all of this stuff. Is where you can find

0:56:31.640 --> 0:56:34.440
<v Speaker 1>me and uh, I imagine that we'll have like cross

0:56:34.520 --> 0:56:38.600
<v Speaker 1>links between the podcast page and that blog page referencing

0:56:38.640 --> 0:56:41.040
<v Speaker 1>back to both one another. That's right, And yeah, I

0:56:41.040 --> 0:56:44.359
<v Speaker 1>recommend everyone check out super Context, even if you if

0:56:44.360 --> 0:56:46.520
<v Speaker 1>you don't have time to listen to it when it

0:56:46.560 --> 0:56:49.720
<v Speaker 1>comes out. Check out the artwork. The artwork is always

0:56:49.719 --> 0:56:53.080
<v Speaker 1>amusing because you you do custom artwork for each episode.

0:56:53.120 --> 0:56:56.320
<v Speaker 1>I do, yeah, I hand draw, well, it's there digitally,

0:56:56.360 --> 0:56:59.200
<v Speaker 1>but I draw the artwork for every episode, and they're

0:56:59.239 --> 0:57:01.400
<v Speaker 1>like weird little car tunes that are related to whatever

0:57:01.400 --> 0:57:05.880
<v Speaker 1>the topic is. Yeah, awesome, all right, well thanks again,

0:57:06.400 --> 0:57:09.680
<v Speaker 1>so that this is thanks, this is goodbye, and hey,

0:57:10.160 --> 0:57:11.799
<v Speaker 1>the rest of you, you want to keep up with

0:57:11.880 --> 0:57:14.520
<v Speaker 1>the Stuff to Blow your Mind, make sure you follow us.

0:57:14.520 --> 0:57:16.760
<v Speaker 1>It's stuff to Blow your Mind dot com. That's where

0:57:16.760 --> 0:57:20.240
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0:57:20.280 --> 0:57:23.760
<v Speaker 1>platforms that we have, including Facebook, including the discussion module

0:57:23.760 --> 0:57:26.120
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0:57:26.120 --> 0:57:28.280
<v Speaker 1>in touch with us the old fashioned way, you of

0:57:28.320 --> 0:57:31.160
<v Speaker 1>course can email us at blow the Mind at how

0:57:31.200 --> 0:57:34.480
<v Speaker 1>stuff Works dot com. And yes, if if you have

0:57:34.720 --> 0:57:37.040
<v Speaker 1>something that is Christian specific that you send to us,

0:57:37.360 --> 0:57:40.439
<v Speaker 1>we will try and forward that to him as well.

0:57:40.600 --> 0:57:52.880
<v Speaker 1>Awesome and I will do my best to reply. For

0:57:53.040 --> 0:57:55.360
<v Speaker 1>more on this and thousands of other topics. Does it

0:57:55.440 --> 0:58:12.120
<v Speaker 1>how stuff Works dot com? The next any believes four

0:58:12.240 --> 0:58:15.240
<v Speaker 1>Start f