WEBVTT - The Coquette Avenged

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<v Speaker 1>Welcome to Noble Blood, a production of iHeartRadio and Grim

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<v Speaker 1>and Mild from Aaron Manky listener Discretion advised, get thee

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<v Speaker 1>to a nunnery, go farewell. These are Hamlet's famous words

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<v Speaker 1>to Ophelia, as the play's titular character begins to succumb

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<v Speaker 1>to madness and paranoia. There are probably plenty of Shakespeare

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<v Speaker 1>podcasts you could listen to for a more in depth analysis,

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<v Speaker 1>and we could spend hours debating whether Hamlet is actually

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<v Speaker 1>mad or just pretending. But on a surface level, the

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<v Speaker 1>meaning of Hamlet's orders to Ophelia is clear. A convent

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<v Speaker 1>is a place where a woman can go to absolve

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<v Speaker 1>her sins to conveniently disappear. Joining a convent by force

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<v Speaker 1>or coercion or choice, is a hand that fate dealt

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<v Speaker 1>many women, both real and fictional, throughout the ages. In

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<v Speaker 1>seven seventeenth century France, most upper class women generally had

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<v Speaker 1>two choices upon coming of age, become a wife or

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<v Speaker 1>become a nun Both would require following rigorous sets of

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<v Speaker 1>social rules and accepting a fundamental lack of freedom. But

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<v Speaker 1>what about the women who defied that choice. Ninon de

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<v Speaker 1>Lanclo was one such woman, and an incredibly unique one

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<v Speaker 1>at that. Ninon, a student of philosophy from a young age,

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<v Speaker 1>saw both marriage and the convent as a loss of

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<v Speaker 1>freedom and resolved to forge a different path for herself.

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<v Speaker 1>She became Paris's most celebrated courtesan, all while sharing her

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<v Speaker 1>radical ideas in the city's intellectual circles. But as we know,

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<v Speaker 1>the consequences of going against the grain are often great

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<v Speaker 1>for women, both then and now. Nenon's lifestyle landed her

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<v Speaker 1>imprisoned in a convent, and the order to quote get

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<v Speaker 1>thee to a nunnery had come from the very top.

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<v Speaker 1>For many women, that would be the end of their story,

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<v Speaker 1>but Neinon was determined to continue on, and unlike the

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<v Speaker 1>story of Ophelia, you'll find that Ninon's life was no tragedy.

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<v Speaker 1>I'm Danish Schwartz and this is noble blood. Anne Delenchloe

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<v Speaker 1>was born in Paris on November tenth, sixteen twenty. Some

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<v Speaker 1>sources proposed that her family were minor nobles, while some

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<v Speaker 1>other historians insist that they had no noble ties. But

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<v Speaker 1>no matter their origin, they were probably not particularly wealthy,

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<v Speaker 1>but they were certainly involved in Parisian high society. The

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<v Speaker 1>nickname Renan, a traditional French diminutive of Anne, was given

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<v Speaker 1>to her by her father, Henri de Lancloux, was an

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<v Speaker 1>accomplished lutist and composer, and he taught his daughter to

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<v Speaker 1>play the lute from a young age. In addition to

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<v Speaker 1>her father's music lessons, Ninon also inherited his philosophical ideas.

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<v Speaker 1>He was a neo Epicurean, taking a brief detour to

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<v Speaker 1>philosophy one oh one before we continue. Epicureanism, derived from

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<v Speaker 1>the teachings of the Greek sage Epicurus, focuses on a

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<v Speaker 1>secular pursuit to maximize pleasure and minimize pain. The term

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<v Speaker 1>neo Epicurean that you'll hear today came about during the

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<v Speaker 1>philosophy's seventeenth century revival. That was Ninon's father's outlook. But

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<v Speaker 1>given how unconventional Ninon's life ended up, what was her

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<v Speaker 1>mother's perspective? While her father had turned to the Greeks

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<v Speaker 1>den d mother was actually a devout Catholic and wished

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<v Speaker 1>to impart the strict moral standards of counter reformational Catholicism

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<v Speaker 1>on her daughter. Some historians believe her mother's greatest goal

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<v Speaker 1>was for her daughter to become a nun, and there

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<v Speaker 1>was even a brief period during which a young Ninon

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<v Speaker 1>was educated in a convent. Her parents' marriage was one

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<v Speaker 1>of convenience, as you might have been able to guess,

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<v Speaker 1>given that husband and wife could not have been more

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<v Speaker 1>opposed ideologically, you can probably guess whom Ninon ultimately took after.

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<v Speaker 1>In addition to embracing her father's libertinism and rejection of religion,

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<v Speaker 1>Ninon became something of a musical prodigy in her youth

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<v Speaker 1>and performed the lute and clavichord for charmed audiences that

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<v Speaker 1>gathered in Parisian salons. At the same time, she also

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<v Speaker 1>mastered Spanish and Italian and became an avid reader. There's

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<v Speaker 1>an anecdotal account about Nenan in her teenage years that

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<v Speaker 1>embodies the way she would challenge convention and authority. As

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<v Speaker 1>the story goes, Nenon informed her friends that since women

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<v Speaker 1>are tasked with frivolities and men are allotted freedoms they

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<v Speaker 1>take for granted. Quote from this moment, I will be

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<v Speaker 1>a man for Nonon. It wasn't a declaration about gender identity.

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<v Speaker 1>It was a statement about the role she wished to

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<v Speaker 1>play in society about her interests and the freedoms she

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<v Speaker 1>intended to preserve for herself. Society was only allowing women

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<v Speaker 1>at the time to occupy an incredibly narrow space, and

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<v Speaker 1>so Nenon would chart a course for herself, attempting to

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<v Speaker 1>live with the freedoms that a man would have. It

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<v Speaker 1>was Nenon's determination to quote live as a man would

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<v Speaker 1>that drove her to find another avenue besides the convent

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<v Speaker 1>or marriage, and it was at this time that she

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<v Speaker 1>began her famed career, taking a third option, a courtizan.

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<v Speaker 1>I find the word courtizan interesting because as a culture

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<v Speaker 1>we have found no shortage of both euphemisms and derogatory

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<v Speaker 1>terms for sex workers. But to me, courtesan conveys something specific.

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<v Speaker 1>There's some sophistication there, in my opinion. A little Glamour

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<v Speaker 1>Miriam Webster describes courtesan as quote a female sex worker

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<v Speaker 1>with a courtly, wealthy or upper class clientele. The word

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<v Speaker 1>first appears in the mid fifteen hundreds, driving from the

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<v Speaker 1>Middle French courtisan, literally meaning woman of the court. Many

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<v Speaker 1>courtesans came from poorer backgrounds and began their careers as

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<v Speaker 1>more lower class prostitutes. While others came from more well

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<v Speaker 1>off backgrounds and became courtesan's too improve their social and

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<v Speaker 1>political currency. Courtesans were expected to be artistically and or

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<v Speaker 1>intellectually engaging. Their primary job was, of course, companionship and

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<v Speaker 1>usually sexual pleasure for their benefactors, but it was nearly

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<v Speaker 1>equally important that they entertained through other avenues. Nenon was

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<v Speaker 1>neither wealthy nor poor, and she likely saw a courtizan

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<v Speaker 1>as a path to both financial and social independence. Her

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<v Speaker 1>personal philosophy also must have contributed to her decision. Unlike

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<v Speaker 1>the vast majority of her contemporaries, Nonon did not see

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<v Speaker 1>sex as an immoral act, as she would later write, quote,

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<v Speaker 1>oh you mortals who rely so much on the power

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<v Speaker 1>of your virtue. No matter how great your strength may be,

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<v Speaker 1>there are moments when the most virtuous person becomes the weakest.

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<v Speaker 1>The reason for this strange fact is that nature is

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<v Speaker 1>always pursuing us. It is always aiming to achieve its ends.

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<v Speaker 1>The desire for love in a woman is a substantial

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<v Speaker 1>part of her natural constitution. Her virtue has only been

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<v Speaker 1>patched on. This outlook goes hand in hand with her

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<v Speaker 1>rejection of the Christian Church's teachings. If desire is not

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<v Speaker 1>inherently sinful, then repentance is not the point of existence.

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<v Speaker 1>Nenon's first step to begin her new life was to

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<v Speaker 1>acquire her own residence in Paris, which she likely did

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<v Speaker 1>using inheritance from the recent death of her father. She

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<v Speaker 1>settled on a straight in the fashionable quarter of the Marae.

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<v Speaker 1>The neighborhood was the heart of many of Paris's most

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<v Speaker 1>esteemed intellectual circles, where men and women would gather to

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<v Speaker 1>engage with new, often bohemian ideas. Just as Nenon had

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<v Speaker 1>charmed parias society with her lute years earlier, she soon

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<v Speaker 1>captivated its attention. Yet again. She gained a reputation for

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<v Speaker 1>being different from other courtesans at the time because of

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<v Speaker 1>her openly independent nature. As Ninon's French biographer, Roger Duchamp

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<v Speaker 1>put it roughly translated into English, Nana earned her living

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<v Speaker 1>by having sex. Having sex was not her life. She

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<v Speaker 1>was known for her strict boundaries. She would be the

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<v Speaker 1>one to determine when a relationship started and ended. It

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<v Speaker 1>wasn't unusual for a courtesan to gain enough social currency

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<v Speaker 1>that she could afford to exert that control choosing which

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<v Speaker 1>lover she took instead of the other way around. But

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<v Speaker 1>Nenon seems to have reached that point quicker than most,

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<v Speaker 1>As the famed memoirrist San Simon wrote of her quote,

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<v Speaker 1>Neno always had crowds of adorers, but never more than

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<v Speaker 1>one lover at a time, And when she tired of

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<v Speaker 1>the present occu, she said so frankly, and took another.

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<v Speaker 1>Yet such was the authority of this wanton that no

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<v Speaker 1>man dared fall out with his successful rival. He was

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<v Speaker 1>only too happy to be allowed to visit as a

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<v Speaker 1>familiar friend. We don't have a clear timeline of when

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<v Speaker 1>her relationships with her various benefactors started or ended, but

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<v Speaker 1>we do know their names. Her most famous lovers included

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<v Speaker 1>the king's cousin, the General Louis the second de Bourbon,

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<v Speaker 1>otherwise known as Legrand Conde, as well as Francois duc

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<v Speaker 1>de la Roche Fouquet, member of one of the most

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<v Speaker 1>illustrious French noble families and a published writer and frequent

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<v Speaker 1>salon fixture himself. Among her spurned petitioners was Cardinal Richelieu,

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<v Speaker 1>the chief minister to Louis the thirteenth, known for accumulating

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<v Speaker 1>an enormous amount of power and influence in both the

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<v Speaker 1>Catholic Church and French monarchy. His rejection speaks to the

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<v Speaker 1>weight of Nenon's social currency as well as her goals.

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<v Speaker 1>If she simply sought to acquire wealth and power, why

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<v Speaker 1>would she have refused one of France's most powerful figures.

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<v Speaker 1>We don't know her specific reasons for refusing where she

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<v Speaker 1>lose advances, but we can probably imagine that Nenon might

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<v Speaker 1>have taken issue with his censorship of the press and

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<v Speaker 1>his consolidation of power away from the nobility her clientele,

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<v Speaker 1>family and friends. Years into her career, Nenon found herself

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<v Speaker 1>facing a new and different sort of relationship. In sixteen

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<v Speaker 1>fifty two, when she would have been in her early thirties,

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<v Speaker 1>she was pursued by a well known nobleman, Louis de Mornay.

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<v Speaker 1>De Mournay gets a mention in sin Simon's memoirs as well,

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<v Speaker 1>where he's simply described as making quote a lot of

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<v Speaker 1>noise with women. Quote. I'm not sure if that's literal

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<v Speaker 1>or metaphorical, but it's no surprise then that he was

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<v Speaker 1>married when he and Nenon began a relationship. The couple

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<v Speaker 1>actually had a son together Louise, and for three years

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<v Speaker 1>the three of them lived together in the country, where

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<v Speaker 1>Nenon studied and the nobleman hunted while they both cared

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<v Speaker 1>for their son. However, Nenon wasn't suited for the quiet

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<v Speaker 1>country life, and she ultimately wasn't suited for de Mornay,

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<v Speaker 1>a man with ultimately boring, fairly conventional, and low brow interests.

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<v Speaker 1>Nenon returned to Paris in sixteen fifty five, and her

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<v Speaker 1>son seems to have stayed at court. We don't know

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<v Speaker 1>for sure what kind of relationship Neinon had with him

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<v Speaker 1>throughout the rest of her life. Returning to her previous career,

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<v Speaker 1>as it turned out, wouldn't be as smooth as she

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<v Speaker 1>might have hoped. Was used to ending relationships on her terms,

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<v Speaker 1>but de Mournay appears not to have gotten that message

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<v Speaker 1>when she refused to return to him despite his pleas

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<v Speaker 1>he fell into a fever. To console his distress, she

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<v Speaker 1>cut off her hair and sent the curled locks to

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<v Speaker 1>his bedside. It didn't do much to appease her scorned

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<v Speaker 1>ex lover, but it did evidently start a trend. Women

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<v Speaker 1>across Paris began to sport bobbed hair. A la Neinont. Eventually,

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<v Speaker 1>like all of her other former lovers, de Mournay forgave

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<v Speaker 1>Nenon and they settled into a friendship. It wasn't just

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<v Speaker 1>hairstyles that were changing in Paris the Frond. The two

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<v Speaker 1>short wars between the French nobility and Louis the Fourteenth's

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<v Speaker 1>regency government further asserted the power of the monarchy, and

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<v Speaker 1>Cardinal Mazarin Young Louise Minister and Richilieu's successor. With this

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<v Speaker 1>assertion came a wave of conservatism, and conservatives famously don't

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<v Speaker 1>favor openly atheist courtesans. It was only a year after

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<v Speaker 1>Ninon's return to the city in sixteen fifty six that

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<v Speaker 1>the Queen Mother of France, Anne of Austria, was petitioned

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<v Speaker 1>by a group of Ninon's detractors aka those who might

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<v Speaker 1>have been jealous of her status, wary of her philosophy,

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<v Speaker 1>or both to silence her. The petition ultimately led to

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<v Speaker 1>Nenon's imprisonment in a convent home to many quote wayward

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<v Speaker 1>women of the seventeenth century. While there were those who

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<v Speaker 1>joined the convent voluntarily, the French convent primarily functioned as

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<v Speaker 1>an alternative to prison for rebellious women. Minon had designed

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<v Speaker 1>a life for herself, specifically to circumvent the choice between

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<v Speaker 1>marriage or convent, but in the end she was still

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<v Speaker 1>sentenced to the latter. The writing of Ninons that has

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<v Speaker 1>survived is philosophical, not diaristic, so we're left to imagine

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<v Speaker 1>how she must have felt confined to those walls. As

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<v Speaker 1>we know, Ninana was not faded to stay at the

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<v Speaker 1>convent for long. The story goes that her savior was

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<v Speaker 1>actually not, as you might have been expecting, one of

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<v Speaker 1>her many powerful lovers, but a kindred spirit, Christina, the

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<v Speaker 1>exiled Queen of Sweden, who we actually discussed in the

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<v Speaker 1>early podcast episode Queen Christina removed her own crown. You

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<v Speaker 1>can see why the monarch who described herself as having

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<v Speaker 1>quote an insurmountable distaste for marriage as well as quote

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<v Speaker 1>for all the things that females talked about and did,

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<v Speaker 1>would be impressed by ninon convictions. Christina often woren't masculine clothing,

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<v Speaker 1>she barely combed her hair, and cared far more about

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<v Speaker 1>her studies than she did running a country. She was

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<v Speaker 1>just a reminder at been a while since the episode.

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<v Speaker 1>Ultimately forced to abdicate her throne for her refusal to

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<v Speaker 1>marry and intend to convert to Catholicism. Christina was only

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<v Speaker 1>in her twenties when she abdicated, and so much of

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<v Speaker 1>her life after the throne was spent traveling Europe. During

0:16:29.600 --> 0:16:33.720
<v Speaker 1>her time in Parisian society, she likely heard much about

0:16:33.800 --> 0:16:37.680
<v Speaker 1>Nina's rise and fall and decided to visit her in

0:16:37.760 --> 0:16:42.320
<v Speaker 1>the convent. Their conversation must have made an impact and

0:16:42.600 --> 0:16:46.960
<v Speaker 1>sounds like an off Broadway play waiting to happen. Christina

0:16:47.080 --> 0:16:52.760
<v Speaker 1>swiftly intervened and Ninon was set free. In sixteen fifty nine,

0:16:52.800 --> 0:16:57.520
<v Speaker 1>a pamphlet began to circulate around Paris, wonderfully entitled The

0:16:57.640 --> 0:17:01.680
<v Speaker 1>Coquette Avenged. It was a short work, but it boldly

0:17:01.840 --> 0:17:06.440
<v Speaker 1>described the possibility of living a good, fulfilling life outside

0:17:06.480 --> 0:17:10.800
<v Speaker 1>the constraints of religion. While it's not a certainty, the

0:17:10.880 --> 0:17:15.160
<v Speaker 1>work has long been attributed to Nenan, and it's believed

0:17:15.160 --> 0:17:17.920
<v Speaker 1>to have been written during her time in the convent,

0:17:18.480 --> 0:17:26.200
<v Speaker 1>proving that her imprisonment only further cemented her beliefs and convictions.

0:17:26.800 --> 0:17:30.119
<v Speaker 1>After her brief stay with the nuns, Nenon returned to

0:17:30.240 --> 0:17:33.800
<v Speaker 1>being a courtesan, but in the sixteen sixties, she would

0:17:33.880 --> 0:17:36.800
<v Speaker 1>ultimately say goodbye to that part of her life and

0:17:37.040 --> 0:17:41.600
<v Speaker 1>dedicate herself to her literary circle. While Nonon had attended

0:17:41.640 --> 0:17:46.280
<v Speaker 1>and hosted numerous salons in her time, in sixteen sixty

0:17:46.359 --> 0:17:50.399
<v Speaker 1>seven she established her regular salon at the Hotel de

0:17:50.520 --> 0:17:53.959
<v Speaker 1>Sagon in Paris, which would continue to meet for the

0:17:54.000 --> 0:17:57.040
<v Speaker 1>rest of her life. Her guests were some of the

0:17:57.080 --> 0:18:02.480
<v Speaker 1>city's most prominent intellectuals, artists, and political thinkers. The most

0:18:02.560 --> 0:18:06.480
<v Speaker 1>famous names among her friends include Saint Simon, the memoirist

0:18:06.520 --> 0:18:11.040
<v Speaker 1>we've quoted several times now, Mollieri, the iconic playwright, and

0:18:11.040 --> 0:18:15.360
<v Speaker 1>the woman known as Madame Scarone, who actually secretly married

0:18:15.480 --> 0:18:19.440
<v Speaker 1>Louis the fourteenth following the death of Queen Maria. Theresa.

0:18:20.280 --> 0:18:24.919
<v Speaker 1>Nenan's surviving philosophical work comes from her letters to another

0:18:25.000 --> 0:18:28.879
<v Speaker 1>attendee of her salons, a man named Charles de Sevigner,

0:18:29.240 --> 0:18:33.280
<v Speaker 1>an aristocrat and the son of Madame de Sevigner, who's

0:18:33.359 --> 0:18:37.120
<v Speaker 1>remembered to this day as a seventeenth century literary icon.

0:18:37.240 --> 0:18:42.440
<v Speaker 1>For her own letter writing, Nenon appears to have taken Charles,

0:18:42.760 --> 0:18:46.720
<v Speaker 1>twenty eight years her junior, under her wing, or, in

0:18:46.800 --> 0:18:49.600
<v Speaker 1>her own words, quote you ought to be aware of

0:18:49.640 --> 0:18:52.679
<v Speaker 1>the fact that when a woman has lost the freshness

0:18:52.720 --> 0:18:55.639
<v Speaker 1>of her first youth and takes a special interest in

0:18:55.680 --> 0:18:59.320
<v Speaker 1>a young man, everybody says she desires to make a

0:18:59.400 --> 0:19:03.399
<v Speaker 1>worldling of him. You know the malignity of this expression.

0:19:03.920 --> 0:19:07.200
<v Speaker 1>I do not care to expose myself to its application.

0:19:07.880 --> 0:19:10.640
<v Speaker 1>All the service I am willing to render you is

0:19:10.680 --> 0:19:14.040
<v Speaker 1>to become your confidante. You will tell me your troubles,

0:19:14.080 --> 0:19:16.119
<v Speaker 1>and I will tell you what is in my mind.

0:19:16.600 --> 0:19:19.479
<v Speaker 1>Likewise aid you to know your own heart and that

0:19:19.560 --> 0:19:24.040
<v Speaker 1>of a woman. End quote. Charles, in his youthful ignorance,

0:19:24.160 --> 0:19:27.320
<v Speaker 1>had found himself struggling to find a woman that returned

0:19:27.359 --> 0:19:32.600
<v Speaker 1>his affections. Ninon became something of his dating guru. As

0:19:32.640 --> 0:19:35.359
<v Speaker 1>you can probably guess, her advice to him wasn't the

0:19:35.600 --> 0:19:38.480
<v Speaker 1>kind of sound bites you can hear on TikTok from

0:19:38.600 --> 0:19:43.040
<v Speaker 1>dating experts, but rather a reflection of her philosophical beliefs

0:19:43.080 --> 0:19:47.879
<v Speaker 1>regarding sex, gender, and the nature of humans themselves. In

0:19:47.920 --> 0:19:51.399
<v Speaker 1>one letter, she writes, quote, it is not because you,

0:19:51.720 --> 0:19:55.960
<v Speaker 1>referring to both Charles and men at large quote, possess

0:19:56.119 --> 0:19:59.679
<v Speaker 1>superior qualities that you are an agreeable companion to be

0:19:59.760 --> 0:20:03.400
<v Speaker 1>in I raced with outstretched arms. You must be sympathetic,

0:20:03.640 --> 0:20:07.679
<v Speaker 1>amusing important to the pleasure of others. I warn you

0:20:07.720 --> 0:20:11.600
<v Speaker 1>that you cannot succeed in any other manner, especially with women.

0:20:12.200 --> 0:20:14.840
<v Speaker 1>Now tell me what would you like me to do

0:20:14.920 --> 0:20:18.560
<v Speaker 1>with your learning, with the geometry of your mind, and

0:20:18.640 --> 0:20:22.280
<v Speaker 1>with the exactitude of your memory, Dear marquise, if you

0:20:22.400 --> 0:20:26.199
<v Speaker 1>have such advantages, if you have no personal charm to

0:20:26.320 --> 0:20:30.639
<v Speaker 1>balance your austerity, you will not please women. I can

0:20:30.720 --> 0:20:34.040
<v Speaker 1>vouch for that, far from pleasing them, you will seem

0:20:34.080 --> 0:20:38.560
<v Speaker 1>to them like an intimidating critic. You will so constrain

0:20:38.720 --> 0:20:41.480
<v Speaker 1>them that any pleasure they might have enjoyed in your

0:20:41.520 --> 0:20:46.600
<v Speaker 1>presence will be banished. In other words, don't be all

0:20:46.800 --> 0:20:52.920
<v Speaker 1>head and no heart. While this is surely a bit

0:20:52.960 --> 0:20:57.040
<v Speaker 1>of tough love, it's also a blatant disavowal of conventional

0:20:57.200 --> 0:21:01.760
<v Speaker 1>gender roles. Relationships, then, On argue, cannot work when a

0:21:01.840 --> 0:21:04.959
<v Speaker 1>man is expected to only be the head and the

0:21:05.000 --> 0:21:10.480
<v Speaker 1>woman only the heart. What is love without reciprocity. While

0:21:10.600 --> 0:21:14.520
<v Speaker 1>Nanon encouraged men to work on their charm, she began

0:21:14.600 --> 0:21:18.520
<v Speaker 1>to further encourage fellow women to work on their minds.

0:21:19.080 --> 0:21:23.160
<v Speaker 1>Her Salon began hosting lectures, and at each one men

0:21:23.320 --> 0:21:27.320
<v Speaker 1>paid a fee, while women were admitted for free the

0:21:27.400 --> 0:21:31.240
<v Speaker 1>original Ladies Night. By this point in her life, Nenon

0:21:31.400 --> 0:21:34.800
<v Speaker 1>was approaching her eighties. I am of your opinion, she

0:21:34.880 --> 0:21:39.159
<v Speaker 1>wrote in a letter that wrinkles are a mark of wisdom.

0:21:39.440 --> 0:21:42.280
<v Speaker 1>That series of letters, the last written works we have

0:21:42.440 --> 0:21:46.440
<v Speaker 1>of Ninon's, add a new face to her philosophy, which

0:21:46.520 --> 0:21:50.880
<v Speaker 1>is her thoughts on aging and mortality. While she complained

0:21:50.960 --> 0:21:55.520
<v Speaker 1>of physical discomforts and transformations, she was not dismayed by

0:21:55.600 --> 0:21:59.800
<v Speaker 1>changes in her appearance. The soul and the mind, she believed,

0:22:00.240 --> 0:22:05.119
<v Speaker 1>shown far brighter than beauty. Ninon de L'encloude died of

0:22:05.200 --> 0:22:09.040
<v Speaker 1>natural causes in Paris in seventeen o five, at eighty

0:22:09.119 --> 0:22:12.280
<v Speaker 1>four years old. In a letter to a friend written

0:22:12.320 --> 0:22:15.680
<v Speaker 1>not long before her death, she wrote, quote, your life

0:22:15.760 --> 0:22:18.040
<v Speaker 1>has been too illustrious not to be lived in the

0:22:18.080 --> 0:22:21.760
<v Speaker 1>same manner until the end. Do not permit hell to

0:22:21.840 --> 0:22:26.480
<v Speaker 1>frighten you. Pronounce the word love boldly, and that of

0:22:26.640 --> 0:22:32.240
<v Speaker 1>old age will never pass your lips. That's the story

0:22:32.280 --> 0:22:35.359
<v Speaker 1>of the life of Ninon de l'ancloux. But keep listening.

0:22:35.440 --> 0:22:38.120
<v Speaker 1>After a brief sponsor break to hear a little bit

0:22:38.119 --> 0:22:50.679
<v Speaker 1>more about her lasting literary legacy. Nenon's legacy in the

0:22:50.720 --> 0:22:53.960
<v Speaker 1>literary world might have been far greater than she would

0:22:54.040 --> 0:22:57.480
<v Speaker 1>ever be able to know. After her death, she still

0:22:57.560 --> 0:23:01.040
<v Speaker 1>sought to encourage education, and she gave some money in

0:23:01.080 --> 0:23:04.520
<v Speaker 1>her will to the promising nine year old godson of

0:23:04.560 --> 0:23:08.879
<v Speaker 1>a friend. The boy seemed like he had potential. Maybe

0:23:08.880 --> 0:23:12.480
<v Speaker 1>he had something dazzling about him, or maybe Nanon was

0:23:12.600 --> 0:23:15.639
<v Speaker 1>just trying to be nice. The boy, whose name was

0:23:15.680 --> 0:23:18.959
<v Speaker 1>Francois Marie ar Away, would use the money to buy books.

0:23:19.240 --> 0:23:23.080
<v Speaker 1>If that name doesn't sound familiar, it's probably because he's

0:23:23.200 --> 0:23:36.080
<v Speaker 1>far better known today by his pen name Voltaire. Nobel

0:23:36.119 --> 0:23:40.080
<v Speaker 1>Blood is a production of iHeartRadio and Grim and Mild

0:23:40.119 --> 0:23:44.400
<v Speaker 1>from Aaron Mankey. Noble Blood is hosted by me Dana Schwartz,

0:23:44.800 --> 0:23:49.760
<v Speaker 1>with additional writing and research by Hannah Johnston, Hannahswick, Courtney Sender,

0:23:50.000 --> 0:23:53.760
<v Speaker 1>Amy Hit and Julia Milani. The show is edited and

0:23:53.920 --> 0:23:59.120
<v Speaker 1>produced by Jesse Funk, with supervising producer rima il Kaali

0:23:59.560 --> 0:24:03.680
<v Speaker 1>and Exis executive producers Aaron Manke, Trevor Young, and Matt Frederick.

0:24:04.200 --> 0:24:09.800
<v Speaker 1>For more podcasts from iHeartRadio, visit the iHeartRadio, app, Apple podcasts,

0:24:10.080 --> 0:24:12.159
<v Speaker 1>or wherever you listen to your favorite shows.