WEBVTT - Pluribus | Episodes 1 & 2

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<v Speaker 1>Warning. Today's episode contains spoilers for the new Vince Gilligan

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<v Speaker 1>sci fi show on Apple TV, plus Pluribus episodes one

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<v Speaker 1>and two.

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<v Speaker 2>You won't Hello.

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<v Speaker 3>My name is Jason Kntepsion.

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<v Speaker 4>Hello, I'm Rosy night, and welcome back to.

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<v Speaker 1>Extra Vision of the podcast where we dive you but to

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<v Speaker 1>your favorite shows, movies, comics of pop culture.

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<v Speaker 3>Coming to you from My Heart Podcast. We'll bring you

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<v Speaker 3>three episodes a weeks listeners.

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<v Speaker 4>In today's episode, we talked about it with former Rolling

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<v Speaker 4>Stone critic Alan Sepenwall. We tease that a little bit,

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<v Speaker 4>but now we're able to dig fully into the absolutely

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<v Speaker 4>wild Pluribus episodes one and two on Apple TV. Now, guys,

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<v Speaker 4>just before we jump into that super crazy, unexpected pilot,

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<v Speaker 4>a quick production this holiday season, we are going to

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<v Speaker 4>be sharing some short stocking stuff for episodes with you.

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<v Speaker 4>With so many great shows and movies coming out these

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<v Speaker 4>next few months, these episodes will help us cover some

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<v Speaker 4>extra content we wouldn't usually be able to get onto

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<v Speaker 4>on our normal episodes, So stay tuned for our stocking

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<v Speaker 4>stuff as starting the week of Thanksgiving.

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<v Speaker 1>But first, Glory of bus I'm one too. The pilot

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<v Speaker 1>opens with a counter showing that it is some four

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<v Speaker 1>hundred and fifty plus days before the beginning of the

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<v Speaker 1>actual show, so over a year before the events that

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<v Speaker 1>we will see. Scientists discover that there's a message that's

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<v Speaker 1>been beamed in the direction of Earth, and it's been

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<v Speaker 1>going for an unknown amount of time. It's coming from

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<v Speaker 1>six hundred light years away, and it certainly seems intelligent

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<v Speaker 1>in origin, and everybody's very interested in this. When they

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<v Speaker 1>discover it, one thing leads to another. It turns out

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<v Speaker 1>that this message is divided into four parts, and each part,

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<v Speaker 1>a guy figures out, is a representative of one of

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<v Speaker 1>the protein ingredients for DNA, So it turns out to

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<v Speaker 1>be a recipe for like an RNA strand, a strand

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<v Speaker 1>of protein. Fast forward about a year later after this,

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<v Speaker 1>but approximately fifty days or something like that before the

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<v Speaker 1>events of the show. Military doctors at the United States

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<v Speaker 1>Army Military Research Intelligence Division, I think that's correct, you,

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<v Speaker 1>sam Rid, which I know about because of Stephen King's

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<v Speaker 1>the stand have succeeded in creating this recipe which infectious

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<v Speaker 1>diseases to get United States Army Military Research infectious diseases

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<v Speaker 1>something and thank you. Ian super producer ian. So they

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<v Speaker 1>make this protein, which is.

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<v Speaker 3>That a good idea?

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<v Speaker 1>But they make it.

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<v Speaker 4>I feel like it's not a good idea, Like, let's

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<v Speaker 4>be real happen.

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<v Speaker 1>Yeah, they would definitely make it, and they're trying to

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<v Speaker 1>be I guess as safe as possible. They're making it.

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<v Speaker 1>They've been trying it out on animals, but they don't

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<v Speaker 1>see like any.

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<v Speaker 3>Effects at all. Like you.

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<v Speaker 1>They're injecting into different species, but nothing's happening. And they

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<v Speaker 1>have this big bank of like rats, and there's these

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<v Speaker 1>two doctors in there doing the day's tasks with you know,

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<v Speaker 1>injecting this protein and seeing what happens. And they notice

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<v Speaker 1>that one of the rats is dead, and so they

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<v Speaker 1>take it out and they're looking at it and it's

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<v Speaker 1>like the heart is pumping really strong, but it's just

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<v Speaker 1>like stunned. And this doctor takes off their gloves so

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<v Speaker 1>they can feel the pulse of the rat, which I

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<v Speaker 1>feel like, there's got to be a better way to

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<v Speaker 1>do it. But whatever, take off the gloves, I fail.

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<v Speaker 1>Never take off the glove. The rat bites the person

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<v Speaker 1>and the virus has entered the human population. This doctor

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<v Speaker 1>quickly goes about infecting the doctor that she is in

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<v Speaker 1>the lab with and infecting, and they both go about

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<v Speaker 1>infecting people throughout the facility, and very very quickly the

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<v Speaker 1>facility falls like within a night or so easily easily,

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<v Speaker 1>and all the people who have been infected are now

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<v Speaker 1>like working together part of a hive mind, we will discover,

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<v Speaker 1>so sharing a kind of consciousness, and they begin working

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<v Speaker 1>together happily to like box up the samples of this

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<v Speaker 1>protein and begin mailing it to different labs across the

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<v Speaker 1>military labs we will later find out an episode two,

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<v Speaker 1>and also like licking the doughnuts down in the lobby

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<v Speaker 1>so that everybody who comes in and you know, including

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<v Speaker 1>people who were at work today, will eventually become infected.

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<v Speaker 1>And as this is going on, we meet author Carol

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<v Speaker 1>Stirka in the midst of a book tour. She's kind

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<v Speaker 1>of like like a down market Diana Galbadon.

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<v Speaker 4>Yeah, I was gonna say, it's it's big like Apple

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<v Speaker 4>book energy kind of.

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<v Speaker 3>But not the top shelf.

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<v Speaker 4>As no, no, no, this is this is the low

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<v Speaker 4>If you sold out a fourth wing, this is what

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<v Speaker 4>you pick up next.

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<v Speaker 1>Right, she is like below Diana Galbadon below Sarah J.

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<v Speaker 4>Moss. Oh, definitely she's like, you know, like thirtieth on

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<v Speaker 4>the Chops.

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<v Speaker 3>Right, Yeah, So.

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<v Speaker 1>Carol's fans are very ardent, and they're mostly like these

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<v Speaker 1>kind of you know, like white, very romance centric white ladies,

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<v Speaker 1>with a few like very very very dedicated like nerds.

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<v Speaker 1>And Carol's feelings about her work are clearly very complex.

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<v Speaker 1>She doesn't think it's very artful or very like authentic

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<v Speaker 1>to who she is as a creator, as an artist,

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<v Speaker 1>but you know, it's work, and she's successful, and she's

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<v Speaker 1>in a relationship with her manager, Helen, who is on

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<v Speaker 1>tour with her, but also she is keeping that part

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<v Speaker 1>of her life like deeply under wraps in order to

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<v Speaker 1>keep selling books. Like the main romance in the books

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<v Speaker 1>is it's a very it's a hetero romance with this

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<v Speaker 1>kind of sexy figure known as Rabond. All these white

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<v Speaker 1>women Rabon who all these ladies like love RoboN. But

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<v Speaker 1>we're going to find out that originally Carol wanted Rabond

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<v Speaker 1>to be a woman because that would be again more

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<v Speaker 1>authentic to her, but then she decided not to and

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<v Speaker 1>she feels like she's sold.

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<v Speaker 3>Out because of this.

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<v Speaker 1>About a week later, Carolyn Helen are returning from tour,

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<v Speaker 1>Helen clearly has many dwi's on her record. Because she

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<v Speaker 1>needs a breathalyzer to start her car. They stop at

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<v Speaker 1>a bar.

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<v Speaker 4>I had no idea this was the thing.

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<v Speaker 1>By the way, until the show, it is a thing.

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<v Speaker 1>It's a real thing. I like, it's a real thing.

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<v Speaker 1>So they stop at a bar. They're discussing Carol's career,

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<v Speaker 1>which again she's kind of like dissatisfied with. They notice

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<v Speaker 1>outside that there's these planes flying overhead in perfect like

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<v Speaker 1>parallel lines. Probably I'm guessing military planes that are dropping

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<v Speaker 1>the virus like in aerosol form, like from the air,

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<v Speaker 1>And very soon everybody begins falling sick, just like everybody

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<v Speaker 1>in the Samurid facility.

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<v Speaker 3>They like go into.

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<v Speaker 1>This convulsion and then they come out as part of

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<v Speaker 1>the hot mind. Helen, when she's becoming infected, falls and

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<v Speaker 1>hits her head like really hard. She eventually dies of

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<v Speaker 1>brain bleed. Carol is like trying to get her to

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<v Speaker 1>the hospital, and every time she's trying to get to

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<v Speaker 1>it's like a problem, one problem after another. She can't

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<v Speaker 1>start the car because the breathalyser. She has to take

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<v Speaker 1>another guy's car. She struggles Helen into the pickup truck.

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<v Speaker 1>She gets there at the hospital, everybody's infected. A doctor

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<v Speaker 1>tries to infect her by kissing her and very clearly

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<v Speaker 1>doesn't work. Carol eventually ends up back home and has

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<v Speaker 1>to leave Helen's body outside, and she turns on the

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<v Speaker 1>TV is relieved to see a government emergency broadcast hosted

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<v Speaker 1>by a guy who turns out as the under Secretary

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<v Speaker 1>of Agriculture, like fifteenth down the bay whatever everyone else

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<v Speaker 1>is somewhere else.

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<v Speaker 4>As soon as I saw that, I was like, it's

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<v Speaker 4>giving you know, designated leader or whatever that.

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<v Speaker 1>So she's Carol is relieved that the government appears to

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<v Speaker 1>be going, but then she's disturbed when she notices like

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<v Speaker 1>all the graphics on the screen are addressing her by name,

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<v Speaker 1>Like Caroll just calls everything that's gonna be okay.

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<v Speaker 3>She calls the number.

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<v Speaker 1>This guy, his name is Davis Tafler, the Undersecretary of

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<v Speaker 1>agg and he addresses her like in the broadcast, addresses

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<v Speaker 1>her phone call like he's listening to her, and he's like, listen,

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<v Speaker 1>sorry about everything that's happening, So sorry about Helen, Sorry about.

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<v Speaker 3>Everybody that's died.

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<v Speaker 1>Long story short, like this alien broadcast, you know, was

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<v Speaker 1>a recipe for a virus, and we're all infected with

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<v Speaker 1>the virus and now we're very happy because we're all

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<v Speaker 1>like this unified hive mind. And by the way, anything

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<v Speaker 1>you need like food, medicine, whatever, Like we want this

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<v Speaker 1>to be as comfortable and peacefullow transition transition for you

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<v Speaker 1>as possible, Like don't whatever you want to do, you

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<v Speaker 1>can do, but like we suggest you don't wander around

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<v Speaker 1>too much because we're cleaning up all the dead bodies.

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<v Speaker 4>In the streets.

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<v Speaker 1>And we're so sorry about this, but like everything's gonna

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<v Speaker 1>be fine after this, peace on Earth, the whole thing.

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<v Speaker 3>And where's the president.

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<v Speaker 1>The president unfortunately passed away during the transition, along with

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<v Speaker 1>many other high ranking members of your government. But you

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<v Speaker 1>are immune for some reason. We're studying it, and there's

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<v Speaker 1>twelve other people that are immune just like you, and

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<v Speaker 1>we're going to figure that out.

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<v Speaker 3>Okay.

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<v Speaker 1>And Carol like flips out and hangs up, as Davis

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<v Speaker 1>is like on the TV being like Carol.

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<v Speaker 4>Carol'll pick up.

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<v Speaker 1>We just want to talk to you, Carroll pick up.

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<v Speaker 1>That is a pilot.

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<v Speaker 4>I wassilarly Bunker's pilot so well, mockted. I've had so

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<v Speaker 4>many messages about this pilot.

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<v Speaker 1>Quite intriguing. My wife, who's not a sci fi person,

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<v Speaker 1>was into it. Let's go to a quick break. We'll

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<v Speaker 1>come back recap episode two and then talk about our

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<v Speaker 1>thoughts about this show so much. Pluribus Episode two, The

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<v Speaker 1>Hive and the Body. We open in Tangiers, over in

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<v Speaker 1>the North Africa, and you know, it's the same issue everywhere,

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<v Speaker 1>not going great. You know, stuff's on fire, but the

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<v Speaker 1>Hive Mind people are putting you know, putting out the

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<v Speaker 1>fires and collecting the dead bodies, of which there are

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<v Speaker 1>a lot. We see this woman who we will eventually

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<v Speaker 1>learned his named Zosia, although does that really matter in

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<v Speaker 1>this time when they all have the High Mind.

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<v Speaker 3>Is helping clear corpses.

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<v Speaker 1>And then she hops on a plane to go to Albuquerque,

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<v Speaker 1>where Vince Gillian loves to set all his shows, and

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<v Speaker 1>she goes basically to meet Carol. Carol is at home

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<v Speaker 1>in New Mexico, and she's like burying Helen, trying to bury,

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<v Speaker 1>digging grave, trying to bury Helen in the backyard. Very

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<v Speaker 1>earth is very hard. It's a very difficult go of it.

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<v Speaker 1>And in the middle of all this, Zosha appears cleaned up,

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<v Speaker 1>you know, she having taken a shower at the airport,

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<v Speaker 1>basically saying, hey, I'm from the Hive Mind. How are

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<v Speaker 1>you and do you need any water? We're worried about

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<v Speaker 1>your about your hydration. I am every medical doctor on earth,

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<v Speaker 1>and I can look at you and I can tell

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<v Speaker 1>you're dehydrated.

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<v Speaker 3>Also, you've been watching.

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<v Speaker 1>You from a from a reaper drone high above, high

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<v Speaker 1>above your house, just to make sure if you're okay.

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<v Speaker 1>Carol throws away the water bottle, believing I, you know,

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<v Speaker 1>I get it, believing that perhaps it's poisoned.

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<v Speaker 4>Or never have found.

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<v Speaker 1>She. Carol notices something about Zosha, and that is that

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<v Speaker 1>clearly the Hive Mind selected her because she very much

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<v Speaker 1>resembles She goes inside and gets a copy of her

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<v Speaker 1>latest book from inside, brings it out, holds it up

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<v Speaker 1>to Zosha, and it's very clear that Zosha was selected

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<v Speaker 1>because she looks very much like a female version of Rabond.

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<v Speaker 4>Something only Carol knew.

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<v Speaker 1>Wickero novels right, only Carol, only Helen. Only Carol knows currently.

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<v Speaker 1>But Helen knew before she died, of course, that Carol

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<v Speaker 1>wanted Rabond to be a woman and struggled with that

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<v Speaker 1>for a while, and here is you know, the visual

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<v Speaker 1>representation of female rabond Zsha is like, by the way,

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<v Speaker 1>Helen is very happy with us. She was only alive

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<v Speaker 1>for a few moments during the transition, but in those moments,

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<v Speaker 1>and if you recall in the pilot, you see her

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<v Speaker 1>smile in these final as she's passing away, and in

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<v Speaker 1>the moment I read it as she sees Carol and

0:13:21.480 --> 0:13:24.240
<v Speaker 1>is able to pass away peacefully because she's seen the

0:13:24.240 --> 0:13:27.960
<v Speaker 1>person she loves. But what probably happened is she was

0:13:28.040 --> 0:13:30.880
<v Speaker 1>finding peace and satisfaction as a member of the Hive

0:13:30.920 --> 0:13:37.160
<v Speaker 1>Mind collective. And Carol is so mad at this. She

0:13:37.200 --> 0:13:41.199
<v Speaker 1>tells Zoshita fuck off, and she's so angry. And you aliens,

0:13:41.240 --> 0:13:45.319
<v Speaker 1>you motherfucker? Is this that and the other? And her anger,

0:13:45.600 --> 0:13:48.199
<v Speaker 1>we discover in this moment, has the ability to short

0:13:48.200 --> 0:13:51.960
<v Speaker 1>circuit people infected with the virus, and not just like

0:13:52.040 --> 0:13:58.160
<v Speaker 1>one of them, the entire biomass of infected humans on

0:13:58.240 --> 0:14:03.120
<v Speaker 1>the planet, the Hive Mind, that's like four We find

0:14:03.120 --> 0:14:05.640
<v Speaker 1>out that they've about a billion let's round it up

0:14:05.679 --> 0:14:07.520
<v Speaker 1>to a billion people have died, but like eight hundred

0:14:07.559 --> 0:14:10.920
<v Speaker 1>million died in the initial transition. So there's like four

0:14:11.120 --> 0:14:13.880
<v Speaker 1>whatever it is, five billion people like on Earth, and

0:14:13.920 --> 0:14:20.600
<v Speaker 1>they all collapse because Carol's never frozen. Yes, Carol realizes

0:14:20.760 --> 0:14:22.840
<v Speaker 1>that she had some kind of hand in this, and

0:14:22.880 --> 0:14:25.480
<v Speaker 1>as she's driving across town, realizes that like all the

0:14:25.520 --> 0:14:29.360
<v Speaker 1>people that she sees are having this convulsion. She's trying

0:14:29.400 --> 0:14:31.200
<v Speaker 1>to save people's lives. She trying to get a guy

0:14:31.280 --> 0:14:35.320
<v Speaker 1>down from like a cherry picker, and it's just it's

0:14:35.400 --> 0:14:38.800
<v Speaker 1>just stressful and exhausting. But when they come back, it's fine,

0:14:38.840 --> 0:14:41.080
<v Speaker 1>everything's fine. They're not mad at her. They just go

0:14:41.160 --> 0:14:47.040
<v Speaker 1>about their peaceful, weird, hive mind lives. Zosha is gone,

0:14:47.960 --> 0:14:50.880
<v Speaker 1>and Carol, exhausted, calls the numbers she saw on TV,

0:14:51.080 --> 0:14:54.120
<v Speaker 1>which you know, basically gives the High Mind permission for

0:14:54.160 --> 0:14:56.520
<v Speaker 1>them to retrieve her. Zosha comes back and is like, listen,

0:14:56.680 --> 0:15:01.120
<v Speaker 1>you accidentally killed a few a few people, maybe how many,

0:15:01.160 --> 0:15:04.840
<v Speaker 1>I don't know, like a couple of million, millions, Like

0:15:05.200 --> 0:15:07.200
<v Speaker 1>we find out I think the number is eleven. Yeah,

0:15:07.240 --> 0:15:13.240
<v Speaker 1>in this episode, So that's really troubling. That's very disturbing.

0:15:14.360 --> 0:15:17.760
<v Speaker 1>Carol is horrified, but also chastened now kind of realizing

0:15:17.800 --> 0:15:20.120
<v Speaker 1>like I need to get at this is all so

0:15:20.160 --> 0:15:22.480
<v Speaker 1>stressful and traumatic, but I got to get a grip.

0:15:23.400 --> 0:15:26.120
<v Speaker 1>She wants to finish Helen's grave by herself, but Sosha's like,

0:15:26.160 --> 0:15:28.720
<v Speaker 1>let us help you, and she brings in like this

0:15:29.320 --> 0:15:33.440
<v Speaker 1>fucking earth mover to dig up the soil and try

0:15:33.520 --> 0:15:36.359
<v Speaker 1>and like, and they bring in by helicopter. It's incredible.

0:15:37.840 --> 0:15:42.240
<v Speaker 1>All the resources of earth basically are at Carol's disposal

0:15:42.280 --> 0:15:46.240
<v Speaker 1>if she should so want it. That night, Carol is like, well,

0:15:46.600 --> 0:15:49.480
<v Speaker 1>I heard that there's the other uninfected. I would like

0:15:49.520 --> 0:15:53.400
<v Speaker 1>to speak to them, the twelve of them. Zosha flies

0:15:53.680 --> 0:15:57.560
<v Speaker 1>Carol to bill Bao in Spain, and Carol meets four

0:15:57.600 --> 0:16:00.080
<v Speaker 1>of them there, each from a different country, along with

0:16:00.120 --> 0:16:04.000
<v Speaker 1>their families, each traveling with you know, their love. Their

0:16:04.000 --> 0:16:06.040
<v Speaker 1>loved ones are now part of the collective, but like

0:16:06.080 --> 0:16:10.880
<v Speaker 1>they clearly it makes the uninfected happy to have them around.

0:16:11.520 --> 0:16:16.280
<v Speaker 1>And then the fifth survivor shows up, Diabate from Mauritania,

0:16:16.320 --> 0:16:19.760
<v Speaker 1>and mister Diabate, a very elegant French speaking man, comes

0:16:19.880 --> 0:16:22.920
<v Speaker 1>onboard Air Force one and he's late because he was like, well,

0:16:22.920 --> 0:16:24.240
<v Speaker 1>I'm gonna make the trip, but I'm going to make

0:16:24.240 --> 0:16:27.280
<v Speaker 1>the trip in Air Force one and he's there with

0:16:27.320 --> 0:16:30.400
<v Speaker 1>this harem of beautiful women and he's drinking champagne and

0:16:30.400 --> 0:16:32.560
<v Speaker 1>he's very, very happy with the way things have turned.

0:16:32.360 --> 0:16:33.160
<v Speaker 4>Out lately on Earth.

0:16:33.680 --> 0:16:37.840
<v Speaker 1>They have lunch and they basically talk about like what's

0:16:37.920 --> 0:16:44.720
<v Speaker 1>going on. Diabate is like Carol is clearly stridently against

0:16:44.840 --> 0:16:47.000
<v Speaker 1>all of this, and she even says multiple times like

0:16:47.040 --> 0:16:49.320
<v Speaker 1>we've seen this movie right, Invasion of the Body Snatchers,

0:16:49.400 --> 0:16:53.800
<v Speaker 1>like bad, on and on and on, like this can't stand,

0:16:54.040 --> 0:16:58.080
<v Speaker 1>Like this is whatever's going on here, it must be wrong.

0:16:58.800 --> 0:17:02.960
<v Speaker 1>And Diabate is like, I don't know, like Earth at peace,

0:17:03.240 --> 0:17:07.400
<v Speaker 1>no racism, I have Air Force one, I.

0:17:07.280 --> 0:17:10.439
<v Speaker 4>Got horm beautiful, I got a hair all the time.

0:17:11.080 --> 0:17:15.720
<v Speaker 1>Yeah, that love presumably to do whatever it is, like

0:17:15.760 --> 0:17:20.360
<v Speaker 1>I'm asking for creepy, very very creepy. Carol pushes back,

0:17:20.359 --> 0:17:21.320
<v Speaker 1>but it's not going well.

0:17:22.000 --> 0:17:22.119
<v Speaker 4>Uh.

0:17:22.800 --> 0:17:27.520
<v Speaker 1>Zosia says to Carol, listen, this is not this is

0:17:27.560 --> 0:17:31.359
<v Speaker 1>not a violent It wasn't a violent takeover. It's just

0:17:31.720 --> 0:17:35.840
<v Speaker 1>everybody is following a kind of biological protocol and everybody's

0:17:35.880 --> 0:17:38.920
<v Speaker 1>like very happy the assimilation. We get more information about

0:17:38.920 --> 0:17:41.080
<v Speaker 1>the assimilation. It turns out that the military kind of

0:17:41.119 --> 0:17:44.040
<v Speaker 1>figured out somewhat sometime during the process like what was

0:17:44.119 --> 0:17:46.800
<v Speaker 1>going on, which meant that the hive mind like had

0:17:46.840 --> 0:17:50.840
<v Speaker 1>to escalate and go quickly and make sure that you know,

0:17:50.920 --> 0:17:55.159
<v Speaker 1>the people in bunkers like underground and in space, like

0:17:55.200 --> 0:17:58.160
<v Speaker 1>all those people were infected like in their early phases,

0:17:58.200 --> 0:18:01.400
<v Speaker 1>so they wouldn't have any like wars or anything. And

0:18:02.480 --> 0:18:04.800
<v Speaker 1>we get the number eight hundred and eighty six million

0:18:05.080 --> 0:18:07.560
<v Speaker 1>dead in the transition and an eleven million gone after

0:18:07.640 --> 0:18:12.639
<v Speaker 1>Carol's freaked out the first time, and unfortunately, Carol freaks

0:18:12.640 --> 0:18:19.840
<v Speaker 1>out again because all the survivors are at best just

0:18:19.920 --> 0:18:23.720
<v Speaker 1>kind of like rolling with it, and at worst either

0:18:24.320 --> 0:18:30.440
<v Speaker 1>like diabaatee, like fully on board with it or kind

0:18:30.480 --> 0:18:36.960
<v Speaker 1>of blinding themselves to what really is. And so Carol

0:18:37.080 --> 0:18:39.960
<v Speaker 1>screams in the midst of dinner she's drinking like mad,

0:18:40.000 --> 0:18:42.360
<v Speaker 1>like she needs to get that out very clearly. She's

0:18:42.400 --> 0:18:46.560
<v Speaker 1>an alcoholic, right and this is not helping. But she flipped,

0:18:46.640 --> 0:18:48.879
<v Speaker 1>she falls, and when the hive mind tries to like

0:18:49.080 --> 0:18:51.119
<v Speaker 1>help her, she flips out like get away from me,

0:18:51.200 --> 0:18:54.440
<v Speaker 1>don't touch me, and they all collapse. The entire high

0:18:54.480 --> 0:19:00.000
<v Speaker 1>mind collapses once again, killing untold millions. By morning, it's

0:19:00.520 --> 0:19:07.480
<v Speaker 1>it's only Diabate and Zosha. And Zosha's like, listen with

0:19:07.520 --> 0:19:12.119
<v Speaker 1>your permission. Excuse me, Diabate says to Carol, listen with

0:19:12.200 --> 0:19:14.280
<v Speaker 1>your permission. I would like to take Zosha with me.

0:19:14.840 --> 0:19:16.720
<v Speaker 1>I've been talking to her all night, by the way,

0:19:17.119 --> 0:19:19.760
<v Speaker 1>and I find her to be charming and beautiful, and

0:19:19.760 --> 0:19:21.639
<v Speaker 1>I would love to add her to my harem. You

0:19:21.640 --> 0:19:24.359
<v Speaker 1>don't even know her name. You've been calling her I

0:19:24.400 --> 0:19:26.280
<v Speaker 1>forget what he she was calling her.

0:19:26.200 --> 0:19:28.520
<v Speaker 4>Like she doesn't know what's going on. She's not doing

0:19:28.560 --> 0:19:32.000
<v Speaker 4>like a good job connecting, and she wants to go.

0:19:32.119 --> 0:19:34.160
<v Speaker 1>And then so Carol's like, well, let me talk to Zosha.

0:19:34.200 --> 0:19:37.200
<v Speaker 1>And Zusha comes over and is like yeah, like I'm

0:19:38.119 --> 0:19:41.440
<v Speaker 1>I'm happy to accompany him if you say it's okay,

0:19:41.520 --> 0:19:44.160
<v Speaker 1>I don't want you. And then Carol is like, this

0:19:44.240 --> 0:19:46.159
<v Speaker 1>is a very I thought this was very important. Carol's like,

0:19:46.200 --> 0:19:49.840
<v Speaker 1>you decide. Susha's like, I can't decide because deciding would

0:19:49.840 --> 0:19:52.640
<v Speaker 1>put you to in conflict. I would be disappointing one

0:19:52.680 --> 0:19:55.040
<v Speaker 1>of you. And we learn through this that the hive

0:19:55.119 --> 0:19:59.360
<v Speaker 1>mind really really cannot It's a lot like chat GPT.

0:20:00.000 --> 0:20:05.040
<v Speaker 1>I tell you, it can't tell you like no or

0:20:05.400 --> 0:20:08.040
<v Speaker 1>I don't like that it's always gonna be very It

0:20:08.119 --> 0:20:09.439
<v Speaker 1>wants to please and.

0:20:10.480 --> 0:20:12.920
<v Speaker 4>To use it more and to be more comfortable.

0:20:13.000 --> 0:20:16.960
<v Speaker 1>Yes, So Carol's disgusted with this, and she's like, fly

0:20:17.040 --> 0:20:17.320
<v Speaker 1>me home.

0:20:17.320 --> 0:20:17.800
<v Speaker 3>I'm leaving.

0:20:17.840 --> 0:20:21.520
<v Speaker 1>You can go with him. But she she locks eyes

0:20:21.600 --> 0:20:23.919
<v Speaker 1>like through her plane window, like as she's leaving, she

0:20:23.960 --> 0:20:26.880
<v Speaker 1>sees Zosha like boarding her first one. She locks eyes

0:20:26.920 --> 0:20:32.399
<v Speaker 1>with her and decides, I'm stopping this. She runs in

0:20:32.400 --> 0:20:34.720
<v Speaker 1>front of Air Force one, stops the plane and that's

0:20:34.760 --> 0:20:37.560
<v Speaker 1>the end of episode two. Seek a quick break and

0:20:37.800 --> 0:20:54.280
<v Speaker 1>come back. This fascinating show. Yeah, we're back. I love

0:20:54.320 --> 0:20:57.520
<v Speaker 1>how mysterious Apple TV kept this because.

0:20:57.280 --> 0:20:59.879
<v Speaker 4>They did the right thing. So many people of the

0:21:00.080 --> 0:21:02.679
<v Speaker 4>meled me about this pilot because they had no idea.

0:21:03.080 --> 0:21:05.520
<v Speaker 1>I think that was the right move because I think

0:21:07.320 --> 0:21:12.600
<v Speaker 1>kind of allah severance. The more you would tell people,

0:21:12.640 --> 0:21:14.960
<v Speaker 1>because there's so many tropes involved in this, right like

0:21:15.440 --> 0:21:19.520
<v Speaker 1>the way that you would log line elevator pitch, this

0:21:19.640 --> 0:21:23.320
<v Speaker 1>would basically reduce it to tropes. You know, there's an

0:21:23.320 --> 0:21:27.439
<v Speaker 1>alien virus and people. Yeah I've mind and but but

0:21:27.720 --> 0:21:30.800
<v Speaker 1>you know there's some people who are immune, and it

0:21:30.840 --> 0:21:33.520
<v Speaker 1>would reduce the show to its parts in a way

0:21:33.520 --> 0:21:37.159
<v Speaker 1>that I think would not do well to sell, like

0:21:37.240 --> 0:21:39.640
<v Speaker 1>how interesting it is, and it really is a fascinating

0:21:39.760 --> 0:21:43.399
<v Speaker 1>I was, I'm all in, what do you think?

0:21:43.680 --> 0:21:46.600
<v Speaker 4>Yeah, I love this idea because something I think is

0:21:46.720 --> 0:21:52.199
<v Speaker 4>so interesting is the essential kind of bass pitch is

0:21:52.280 --> 0:21:56.159
<v Speaker 4>like what if the worst, most angriest person in the

0:21:56.160 --> 0:21:58.760
<v Speaker 4>world had to save everyone from being happy?

0:21:58.920 --> 0:21:59.120
<v Speaker 1>Right?

0:21:59.560 --> 0:22:03.679
<v Speaker 4>But I love one Recijorn. She's a genius, so I

0:22:03.760 --> 0:22:06.159
<v Speaker 4>love that. Vince was like, I'm definitely getting her the Emmy.

0:22:06.600 --> 0:22:09.920
<v Speaker 4>But also there's just so much complexity in these first

0:22:09.960 --> 0:22:13.480
<v Speaker 4>two episodes, this kind of wrinkle that he adds in,

0:22:13.520 --> 0:22:16.560
<v Speaker 4>this insane, bombastic wrinkle of like, well, she can't be

0:22:16.720 --> 0:22:20.040
<v Speaker 4>angry because that will kill people, So then that starts

0:22:20.080 --> 0:22:24.160
<v Speaker 4>to become about her having to immediately change her behaviors.

0:22:24.520 --> 0:22:27.080
<v Speaker 4>I also love something I've thought for a long time

0:22:27.280 --> 0:22:29.359
<v Speaker 4>that had not been done properly in a kind of

0:22:29.480 --> 0:22:33.200
<v Speaker 4>dystopian space is like, you know, we've gotten the comedy

0:22:33.280 --> 0:22:36.200
<v Speaker 4>version of say a zombie land, where it's like I'm

0:22:36.240 --> 0:22:39.480
<v Speaker 4>eating twinkies, I'm driving in a tank. But I've always

0:22:39.480 --> 0:22:42.280
<v Speaker 4>felt like there's gonna be people in a situation like

0:22:42.320 --> 0:22:44.679
<v Speaker 4>that who are flying Air Force one who are taking

0:22:44.760 --> 0:22:47.880
<v Speaker 4>dates to the Eiffel empty Eiffel Tower and stuff like that.

0:22:48.160 --> 0:22:51.320
<v Speaker 4>So I love that Vince and Apple went big enough

0:22:52.160 --> 0:22:55.480
<v Speaker 4>that within the first two episodes you're in multiple countries

0:22:55.560 --> 0:22:57.719
<v Speaker 4>and you feel like, Okay, well, yeah, this is what

0:22:57.760 --> 0:23:00.960
<v Speaker 4>it would be like. You're not a bystander. You are

0:23:01.080 --> 0:23:04.000
<v Speaker 4>essentially now the focus of the hive mind. Because there's

0:23:04.000 --> 0:23:06.960
<v Speaker 4>only eleven of years. So the hive mind's job is

0:23:07.000 --> 0:23:09.720
<v Speaker 4>to make you happy no matter what and make you

0:23:09.800 --> 0:23:12.920
<v Speaker 4>ignore what's going on. AKA. When I was watching this

0:23:12.920 --> 0:23:17.520
<v Speaker 4>this morning, rewatching it, it was I realized how much

0:23:17.520 --> 0:23:20.480
<v Speaker 4>of a statement it obviously is on like social media

0:23:20.520 --> 0:23:23.440
<v Speaker 4>and algorithms and stuff, and this kind of notion of

0:23:23.480 --> 0:23:26.560
<v Speaker 4>like you can always be happy, there's something to distract

0:23:26.680 --> 0:23:29.879
<v Speaker 4>you when even when the most horrific thing, like aside

0:23:29.880 --> 0:23:33.600
<v Speaker 4>from obviously the infection around the world and the Hive mind,

0:23:33.960 --> 0:23:36.680
<v Speaker 4>she lost the woman she loved in that moment, or

0:23:36.720 --> 0:23:38.959
<v Speaker 4>at least the only woman she'd been close to, you know,

0:23:39.400 --> 0:23:42.479
<v Speaker 4>and that to me getting to see her having to

0:23:42.560 --> 0:23:46.600
<v Speaker 4>like deal with that anger and then now that kind

0:23:46.680 --> 0:23:49.320
<v Speaker 4>of moral choice at the end of episode two of

0:23:49.480 --> 0:23:52.439
<v Speaker 4>like I'm not letting them leave like, whatever happens, this

0:23:52.600 --> 0:23:54.439
<v Speaker 4>is going to be my turning point. How do we

0:23:55.680 --> 0:23:57.800
<v Speaker 4>work it out? And obviously it's also because they want,

0:23:58.680 --> 0:24:00.240
<v Speaker 4>you know, the three of them to be together for

0:24:00.280 --> 0:24:02.639
<v Speaker 4>the next episode, which I'm very excited to see because

0:24:02.640 --> 0:24:05.080
<v Speaker 4>this is a great trio. I think one of the

0:24:05.119 --> 0:24:11.240
<v Speaker 4>craziest things about this show is it is very impossible

0:24:11.400 --> 0:24:13.520
<v Speaker 4>to see where it's going next. And I love this

0:24:13.880 --> 0:24:17.680
<v Speaker 4>because that's absolutely what the first two were. Kind of

0:24:18.600 --> 0:24:21.439
<v Speaker 4>the first episodes set you up in that way if

0:24:21.480 --> 0:24:24.200
<v Speaker 4>you're never going to know what's happening. But oftentimes even

0:24:24.200 --> 0:24:27.199
<v Speaker 4>with a surprise drop or a surprise pilot, let you know,

0:24:27.520 --> 0:24:31.000
<v Speaker 4>for example, Yellowjackets, right once they're there, you know they're

0:24:31.000 --> 0:24:33.200
<v Speaker 4>not getting out of the forest. You know something spooky's

0:24:33.200 --> 0:24:35.439
<v Speaker 4>going to happen. Blah blah blah. This show could end

0:24:35.520 --> 0:24:38.800
<v Speaker 4>up in space within like the next episode, and you

0:24:38.840 --> 0:24:43.320
<v Speaker 4>have no idea. I'm so excited to see where else

0:24:43.440 --> 0:24:46.639
<v Speaker 4>Vince goes with this because he's been so you know,

0:24:47.080 --> 0:24:50.960
<v Speaker 4>virulently anti AI as a creative response and to call

0:24:51.000 --> 0:24:53.760
<v Speaker 4>it a plagiarism machine. He's talked a lot about his

0:24:53.760 --> 0:24:56.520
<v Speaker 4>feelings about social media and stuff, so I just feel

0:24:56.560 --> 0:25:00.480
<v Speaker 4>like this is a really interesting take on all of that. Well,

0:25:00.560 --> 0:25:03.920
<v Speaker 4>are you most excited to see going forward.

0:25:05.840 --> 0:25:06.720
<v Speaker 3>Just where it's going to go?

0:25:06.760 --> 0:25:12.439
<v Speaker 1>To your point, I don't. I've of course, I like

0:25:13.040 --> 0:25:16.639
<v Speaker 1>empathize with Carol's desire to like end all this, I think,

0:25:16.760 --> 0:25:20.760
<v Speaker 1>And I think on just kind of a base level,

0:25:21.280 --> 0:25:26.679
<v Speaker 1>she's right, like this you keep you can't suddenly have

0:25:26.760 --> 0:25:31.920
<v Speaker 1>a harem and think exactly fine, right, And I don't

0:25:31.960 --> 0:25:34.680
<v Speaker 1>care what the hive mind says like this is. And

0:25:35.520 --> 0:25:38.920
<v Speaker 1>I think Carol makes a good point when I didn't

0:25:38.920 --> 0:25:43.760
<v Speaker 1>catch the woman's name who who she was mainly kind

0:25:43.760 --> 0:25:46.720
<v Speaker 1>of arguing with the woman who is there with her

0:25:46.920 --> 0:25:47.800
<v Speaker 1>mom and her.

0:25:47.680 --> 0:25:50.240
<v Speaker 4>Son, who were actually in the hive mind, right, which

0:25:50.280 --> 0:25:50.920
<v Speaker 4>is really.

0:25:51.840 --> 0:25:55.880
<v Speaker 1>And and the woman was like, this is my son,

0:25:55.960 --> 0:25:58.080
<v Speaker 1>this is my son. This is my son. And she's like, oh, yeah,

0:25:58.119 --> 0:26:00.520
<v Speaker 1>it's your son. And she begins asking him. I'm like, oh,

0:26:00.560 --> 0:26:03.680
<v Speaker 1>how would you do a pelvic exam, like as a gynecologist,

0:26:04.040 --> 0:26:07.760
<v Speaker 1>since you're every gnecologist that was alive. And he begins

0:26:07.840 --> 0:26:11.840
<v Speaker 1>answering these questions and it really disturbs this woman. And

0:26:12.840 --> 0:26:16.320
<v Speaker 1>you know, when you it's clear that there's something beyond

0:26:16.640 --> 0:26:21.600
<v Speaker 1>just like human morality going on, Like at some point,

0:26:21.680 --> 0:26:24.400
<v Speaker 1>like that compass has to kick in, It still must

0:26:24.480 --> 0:26:25.680
<v Speaker 1>kick in despite what this.

0:26:29.400 --> 0:26:33.239
<v Speaker 4>Is the hive mind? How do you exist when you

0:26:33.280 --> 0:26:35.359
<v Speaker 4>are part of the hive mind? Is are we going

0:26:35.400 --> 0:26:37.800
<v Speaker 4>to get a glimpse of the kind of existential terra

0:26:38.040 --> 0:26:39.720
<v Speaker 4>of being controlled by them?

0:26:40.200 --> 0:26:45.480
<v Speaker 1>And I'm left wondering again, I think that I get

0:26:45.680 --> 0:26:49.840
<v Speaker 1>Carol's mission to like stop this or cure everybody. I

0:26:49.880 --> 0:26:52.360
<v Speaker 1>have no idea how it's possible that she could do it,

0:26:52.560 --> 0:26:56.160
<v Speaker 1>like if that's where the show goes eventually, however many

0:26:56.160 --> 0:27:00.159
<v Speaker 1>seasons downlined it she she cures it. I can't even

0:27:00.240 --> 0:27:02.600
<v Speaker 1>imagine right now how it would be possible.

0:27:02.880 --> 0:27:03.520
<v Speaker 3>To do that.

0:27:04.440 --> 0:27:09.399
<v Speaker 1>And I think that there's also like a lot of

0:27:09.480 --> 0:27:14.440
<v Speaker 1>really fascinating like different threads to pull out, so I

0:27:14.520 --> 0:27:17.200
<v Speaker 1>can I can't wait to see where this shows. For instance,

0:27:17.320 --> 0:27:20.600
<v Speaker 1>you know, if you if you're one of these, if

0:27:20.600 --> 0:27:26.000
<v Speaker 1>you're this guy from Mauritania and Diavante, Like why can't

0:27:26.000 --> 0:27:28.439
<v Speaker 1>we have fun with it? Like what is exactly the problem?

0:27:28.480 --> 0:27:28.600
<v Speaker 4>Now?

0:27:28.640 --> 0:27:30.480
<v Speaker 1>I'm not making excuses.

0:27:30.000 --> 0:27:32.879
<v Speaker 4>For him, no, but that like be mindsets like that,

0:27:33.040 --> 0:27:35.560
<v Speaker 4>especially if you were already somebody who had a lot

0:27:35.600 --> 0:27:37.720
<v Speaker 4>of access to stuff. You're like, well, now there's no

0:27:37.720 --> 0:27:41.320
<v Speaker 4>one else. Essentially, I was living eleven survivors.

0:27:42.119 --> 0:27:44.720
<v Speaker 1>You would love to put things back the way it

0:27:44.840 --> 0:27:51.720
<v Speaker 1>was because you were, you know, one of the privileged drivative. Yeah,

0:27:51.800 --> 0:27:54.000
<v Speaker 1>in the in the in the days before this, but

0:27:54.080 --> 0:27:55.720
<v Speaker 1>now you know, like I would like to enjoy this.

0:27:55.760 --> 0:27:58.040
<v Speaker 1>So you get where he's coming from. I'm I just

0:27:58.200 --> 0:28:02.120
<v Speaker 1>can't imagine to your point, I can't imagine where this is.

0:28:02.160 --> 0:28:03.920
<v Speaker 1>That's why I think is so amazing.

0:28:04.000 --> 0:28:05.879
<v Speaker 4>And also, guys, I'm just gonna tell you this. I

0:28:05.920 --> 0:28:08.960
<v Speaker 4>know this is crazy. Jason mentioned his wife not a

0:28:09.000 --> 0:28:11.560
<v Speaker 4>fan of sci fi. This is if you were given

0:28:11.600 --> 0:28:14.280
<v Speaker 4>the chance to go back and watch Breaking Bad when

0:28:14.280 --> 0:28:16.520
<v Speaker 4>it first debuted on AMC, would you want to be

0:28:16.560 --> 0:28:19.240
<v Speaker 4>in from the beginning, Yes, you would. This is your

0:28:19.359 --> 0:28:21.720
<v Speaker 4>chance to be in on that next show. Like Apple

0:28:21.840 --> 0:28:23.919
<v Speaker 4>is going to commit to this. This is an incredible

0:28:23.960 --> 0:28:27.159
<v Speaker 4>looking show, such a high concept idea, and Vince is

0:28:27.160 --> 0:28:31.440
<v Speaker 4>obviously like a killer TV maker, So yeah, very fun.

0:28:31.480 --> 0:28:33.159
<v Speaker 4>It's going to be really great to keep extening.

0:28:33.240 --> 0:28:36.359
<v Speaker 1>What I think is cool is like Vince mining his

0:28:36.720 --> 0:28:39.600
<v Speaker 1>X Files experience, you know, like it was a big

0:28:39.640 --> 0:28:43.320
<v Speaker 1>time writer, producer, on The X Files. Yeah, responsible for

0:28:43.680 --> 0:28:47.320
<v Speaker 1>many episodes, and the thing that for me, at least

0:28:47.320 --> 0:28:50.440
<v Speaker 1>his work on Breaking Bad and Better Call Saul. The

0:28:50.480 --> 0:28:57.800
<v Speaker 1>thing that is to me his kind of stylistic signature

0:28:58.360 --> 0:29:01.360
<v Speaker 1>is putting characters into situations where they have to make

0:29:01.440 --> 0:29:03.800
<v Speaker 1>some insane painting them into a corner and they have

0:29:03.880 --> 0:29:06.320
<v Speaker 1>to make some insane choice that you can't even imagine

0:29:06.480 --> 0:29:08.960
<v Speaker 1>how they got out of it Breaking Bad. What I

0:29:09.000 --> 0:29:12.720
<v Speaker 1>loved about it was Walt was in that corner, painted

0:29:12.720 --> 0:29:15.520
<v Speaker 1>in time and time and time and time again, and

0:29:15.720 --> 0:29:19.800
<v Speaker 1>all the ways he got out of it never, not

0:29:20.000 --> 0:29:22.760
<v Speaker 1>a single one of them ever felt like disx makna.

0:29:22.960 --> 0:29:25.600
<v Speaker 1>It always felt like he earned his way out of it.

0:29:25.640 --> 0:29:30.000
<v Speaker 1>And it was a surprise. If Gilligan can like recapture

0:29:30.120 --> 0:29:34.520
<v Speaker 1>that kind of thing in this show, I can't I

0:29:34.560 --> 0:29:38.080
<v Speaker 1>can't wait to see me Like I what are you? Do?

0:29:38.120 --> 0:29:39.840
<v Speaker 1>You have anybody I have? Like?

0:29:40.120 --> 0:29:42.800
<v Speaker 4>You know me? I'm a theory guy. But I think

0:29:43.000 --> 0:29:45.000
<v Speaker 4>the way that they pitched this show, the way they

0:29:45.040 --> 0:29:48.560
<v Speaker 4>market it, and the surprise of what it's truly about,

0:29:49.320 --> 0:29:51.520
<v Speaker 4>makes me think like he's not just this is not

0:29:51.560 --> 0:29:53.920
<v Speaker 4>going to be predictable. Also, this is something he's been

0:29:53.960 --> 0:29:56.160
<v Speaker 4>working on for ten years, and I just want to

0:29:56.160 --> 0:29:58.960
<v Speaker 4>say as well, Ari Breaking Bad, Right, I was watching

0:29:59.000 --> 0:30:01.560
<v Speaker 4>an episode of it last night randomly on the AMC

0:30:02.160 --> 0:30:04.520
<v Speaker 4>like kind of Stories channel, which is like a fast

0:30:04.600 --> 0:30:07.440
<v Speaker 4>channel they have now, and they randomly were showing at

0:30:07.480 --> 0:30:10.880
<v Speaker 4>season two episode thirteen, Right, dude, I was watching that,

0:30:10.960 --> 0:30:14.560
<v Speaker 4>and I was just thinking, like, Skyla was so young

0:30:14.840 --> 0:30:17.960
<v Speaker 4>and so beautiful in that show. When you're our age

0:30:18.000 --> 0:30:20.200
<v Speaker 4>and you watch it now, you're like, oh my god,

0:30:20.320 --> 0:30:23.480
<v Speaker 4>she was like incredible and he didn't understand. And it's

0:30:23.480 --> 0:30:25.840
<v Speaker 4>so funny because so much of the conversation of that

0:30:25.880 --> 0:30:29.480
<v Speaker 4>show was like, oh, Skylar was such a bomb, she's

0:30:29.520 --> 0:30:32.720
<v Speaker 4>such a downer, Like let him just like do his thing, man.

0:30:33.240 --> 0:30:36.000
<v Speaker 4>And I feel like Vince has always had this much

0:30:36.400 --> 0:30:41.640
<v Speaker 4>more complicated insight into the human kind of condition that

0:30:41.800 --> 0:30:45.240
<v Speaker 4>even at the time, maybe people weren't taking from Breaking Bad,

0:30:45.400 --> 0:30:46.640
<v Speaker 4>you know, when it was kind of seen as a

0:30:46.640 --> 0:30:49.479
<v Speaker 4>badass kind of indie movie show. But by the end,

0:30:49.600 --> 0:30:51.840
<v Speaker 4>then when you get that reveal with you know, I

0:30:51.880 --> 0:30:54.760
<v Speaker 4>am the one who knocks and everything, then you realize, like,

0:30:54.800 --> 0:30:56.360
<v Speaker 4>oh no, if you were picking up on the fact

0:30:56.360 --> 0:30:59.120
<v Speaker 4>that Skyla was right, she was right, like at every point,

0:30:59.160 --> 0:31:01.320
<v Speaker 4>and that's why I'm most excited to see is like

0:31:02.080 --> 0:31:06.720
<v Speaker 4>what happens with Carol? What is she right about? What

0:31:06.880 --> 0:31:11.200
<v Speaker 4>is wrong about? How does this happen? Because also as well,

0:31:11.240 --> 0:31:14.000
<v Speaker 4>I love that this is Vince going very comic Bookie

0:31:14.040 --> 0:31:17.360
<v Speaker 4>in its own way, because like the eleven immune Individuals

0:31:17.400 --> 0:31:22.720
<v Speaker 4>is very umbrella academy. No. Nine kids born all around

0:31:22.760 --> 0:31:24.640
<v Speaker 4>the world at the same time, and this kind of

0:31:24.720 --> 0:31:27.800
<v Speaker 4>how do these people connect, what do they do? My

0:31:27.960 --> 0:31:30.320
<v Speaker 4>most thing I'm most excited about probably is meeting the

0:31:30.480 --> 0:31:33.000
<v Speaker 4>other survivors who don't speak English.

0:31:33.600 --> 0:31:37.920
<v Speaker 1>What I'm excited by is Gillian has painted himself into

0:31:37.960 --> 0:31:40.040
<v Speaker 1>a corner in this show in an interesting way in

0:31:40.080 --> 0:31:44.800
<v Speaker 1>that like listen Breaking Down and saw incredible suspense thrillers.

0:31:44.920 --> 0:31:46.680
<v Speaker 3>That leaned heavily on.

0:31:48.760 --> 0:31:54.480
<v Speaker 1>The feeling like an like a violent explosion was coming.

0:31:54.640 --> 0:31:58.240
<v Speaker 1>This conflict, whether it's a conflict between you know, great

0:31:58.240 --> 0:32:03.320
<v Speaker 1>Way Alamarca and and Walter or you know whoever and Walter,

0:32:03.480 --> 0:32:08.680
<v Speaker 1>like you could feel like trains. It was so towards

0:32:08.680 --> 0:32:11.640
<v Speaker 1>each other at old times in this show. The hive

0:32:11.720 --> 0:32:16.680
<v Speaker 1>mind cannot be violent towards you could like Diabat could

0:32:16.680 --> 0:32:18.440
<v Speaker 1>not be like you know what Carol's going to be

0:32:18.440 --> 0:32:21.280
<v Speaker 1>a problem. Go hey, Hive Mind, kill her. They won't

0:32:21.280 --> 0:32:24.360
<v Speaker 1>do it. They will only do things that are peaceful.

0:32:24.560 --> 0:32:27.360
<v Speaker 1>In fact, they go so far as to not want

0:32:27.400 --> 0:32:30.200
<v Speaker 1>to disappoint anyone, even like hurt their feelings.

0:32:31.240 --> 0:32:31.920
<v Speaker 3>How do.

0:32:34.360 --> 0:32:34.440
<v Speaker 4>So?

0:32:34.520 --> 0:32:38.400
<v Speaker 1>How will conflict happen? And how can that be resolved?

0:32:38.520 --> 0:32:40.120
<v Speaker 1>If not violently?

0:32:40.920 --> 0:32:42.320
<v Speaker 3>What are the other workarounds?

0:32:42.360 --> 0:32:45.600
<v Speaker 1>Like? You know, listen, here's there's a world in which

0:32:45.960 --> 0:32:48.400
<v Speaker 1>if Carol wanted to take out Diabate And I don't

0:32:48.400 --> 0:32:50.160
<v Speaker 1>think this is gonna happen. This is to you, this

0:32:50.240 --> 0:32:53.400
<v Speaker 1>is I'm not a Vince Gilligan. Is Vince Gilligan a genie?

0:32:53.560 --> 0:32:53.880
<v Speaker 3>Okay?

0:32:54.200 --> 0:32:57.200
<v Speaker 1>But you know, Diabate gets on our first one. He

0:32:57.240 --> 0:33:00.520
<v Speaker 1>flies away, and Carol decides, okay, now let me go

0:33:00.520 --> 0:33:03.160
<v Speaker 1>scream at Zosha. She fritzes out the Hive Mind and

0:33:03.160 --> 0:33:08.520
<v Speaker 1>his plane crashes exactly But how because I must? I

0:33:08.600 --> 0:33:13.040
<v Speaker 1>feel like there will be conflict within the survivors. There

0:33:13.040 --> 0:33:16.720
<v Speaker 1>has to be. How do you resolve it without them

0:33:16.760 --> 0:33:20.840
<v Speaker 1>being able to even really yell at each other? It's

0:33:20.880 --> 0:33:23.120
<v Speaker 1>gonna be interesting. That part of it is going to

0:33:23.160 --> 0:33:25.520
<v Speaker 1>be real. I can't wait to see how that happens.

0:33:25.600 --> 0:33:28.240
<v Speaker 1>Because that's kind of I mean, talk about putting yourself

0:33:28.240 --> 0:33:28.920
<v Speaker 1>in handcuffs.

0:33:29.000 --> 0:33:32.120
<v Speaker 4>That is like, I got wait, it's gonna be so

0:33:32.280 --> 0:33:35.840
<v Speaker 4>interesting to see how he navigates that exact.

0:33:35.480 --> 0:33:39.280
<v Speaker 1>Thing, and as ian Is is saying in the group chat,

0:33:39.600 --> 0:33:46.120
<v Speaker 1>season two already greenlit, and yeah, I can't wait like it.

0:33:46.600 --> 0:33:51.000
<v Speaker 1>It just brings up a lot of interesting questions about

0:33:51.080 --> 0:33:54.640
<v Speaker 1>free will, like is this free will? They the hive

0:33:54.680 --> 0:33:58.040
<v Speaker 1>mind will tell you that it's doing everything that it

0:33:58.080 --> 0:34:00.880
<v Speaker 1>wants to do. At the same time, as Carol points out,

0:34:00.960 --> 0:34:05.640
<v Speaker 1>they didn't ask permission to infect everybody. They just did it.

0:34:05.760 --> 0:34:08.759
<v Speaker 4>They didn't come down and pose it. You know what's that?

0:34:08.800 --> 0:34:13.440
<v Speaker 4>It's like, you know, extinction hive mind is just extinction

0:34:13.520 --> 0:34:16.680
<v Speaker 4>with better pr or something. You know, no consent kind

0:34:16.680 --> 0:34:19.040
<v Speaker 4>of peace without consent is a hive mind with better

0:34:19.080 --> 0:34:19.560
<v Speaker 4>pr like.

0:34:19.760 --> 0:34:22.160
<v Speaker 1>And so one wonders, and one wonders also like what

0:34:22.280 --> 0:34:24.319
<v Speaker 1>is the why do this? Like what That's what I

0:34:24.360 --> 0:34:28.359
<v Speaker 1>want to is the point? Like why did whoever? Why

0:34:28.400 --> 0:34:34.400
<v Speaker 1>did the beings beings that built the signal and built

0:34:34.400 --> 0:34:36.040
<v Speaker 1>the infrastructure to send the signal?

0:34:36.080 --> 0:34:37.520
<v Speaker 3>Why did they do it?

0:34:37.880 --> 0:34:40.120
<v Speaker 4>And why did they do it this way where it's

0:34:40.200 --> 0:34:43.719
<v Speaker 4>making everyone happy instead of making everyone just like kill themselves.

0:34:43.880 --> 0:34:46.840
<v Speaker 4>My guess is, like you need workers. That's kind of

0:34:46.880 --> 0:34:48.719
<v Speaker 4>you need some if you have a hive mind. The

0:34:48.760 --> 0:34:52.399
<v Speaker 4>implication is there's usually some kind of worker situation. Now,

0:34:52.960 --> 0:34:54.799
<v Speaker 4>I'm going to put out a crazy theory. I do

0:34:54.840 --> 0:34:56.719
<v Speaker 4>not think this is it, but I'm just saying we're

0:34:56.719 --> 0:34:59.880
<v Speaker 4>talking about hive mind. The entire show is like colored.

0:35:00.440 --> 0:35:04.879
<v Speaker 4>It's yellow coded. Maybe there's some kind of be analogy

0:35:05.040 --> 0:35:07.439
<v Speaker 4>or some kind of alien hive that's a bit more

0:35:07.480 --> 0:35:10.120
<v Speaker 4>like textual, but I don't know, and that is rare

0:35:10.160 --> 0:35:12.279
<v Speaker 4>for us. So Vince Gilligan, thank you for giving us

0:35:12.280 --> 0:35:13.600
<v Speaker 4>a show that we don't know what's gonna happen.

0:35:13.719 --> 0:35:18.279
<v Speaker 1>Yeah, we don't know where it's gonna go. Can't wait

0:35:18.320 --> 0:35:21.319
<v Speaker 1>to keep following this show, and it's gonna be a

0:35:21.320 --> 0:35:23.359
<v Speaker 1>fun one. On the next episode of Xtra Vision, we're

0:35:23.400 --> 0:35:25.640
<v Speaker 1>diving into Stranger Things to get you ready for the

0:35:25.719 --> 0:35:29.240
<v Speaker 1>final season of Stranger Things. Whether you've seen every episode

0:35:29.320 --> 0:35:32.440
<v Speaker 1>or just need a refresher, you've never seen a single episode,

0:35:32.440 --> 0:35:34.920
<v Speaker 1>We're gonna get you to the point where you're ready

0:35:34.960 --> 0:35:36.000
<v Speaker 1>for this final season.

0:35:36.680 --> 0:35:45.400
<v Speaker 3>That's it for this episode. Thanks for listening. By X

0:35:45.480 --> 0:35:46.600
<v Speaker 3>ray Vision is hosted by.

0:35:46.560 --> 0:35:49.120
<v Speaker 1>Jason Concepcion and Rosie Night and is a production of

0:35:49.160 --> 0:35:50.080
<v Speaker 1>iHeart Podcast.

0:35:50.440 --> 0:35:54.040
<v Speaker 4>Our executive producers are Joel Monique and Aaron Korfman.

0:35:54.280 --> 0:35:56.319
<v Speaker 3>Our supervising producer is Abusafar.

0:35:56.719 --> 0:36:00.720
<v Speaker 4>Our producers are Common Laurent Dian Jonathan A Bee Wag.

0:36:00.760 --> 0:36:03.560
<v Speaker 1>A theme song is by Brian Vasquez, with alternate theme

0:36:03.600 --> 0:36:04.880
<v Speaker 1>songs by Aaron Kaufman.

0:36:05.040 --> 0:36:08.400
<v Speaker 4>Special thanks to Soul Rubin, Chris Lord, Kenny Goodman and

0:36:08.520 --> 0:36:10.280
<v Speaker 4>Heidi our discord moderator.