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Speaker 1: Look man, oh I see you. Why look over there?

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Speaker 1: How is that nulture? Yes? Goodness, we dig down last

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Speaker 1: culture rests calling. I'm excited for a variety of reasons.

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Speaker 1: I'm excited for a litany of reason. Another word, variety litany.

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Speaker 1: I am so, so, so so excited for our guests,

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Speaker 1: for our guests into it. You really are. But I

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Speaker 1: was going to say, we also should just say Real

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Speaker 1: Houses of New York is back as of tonight. It

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Speaker 1: won't be, it'll already be out listeners for your time,

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Speaker 1: but we'll have enjoyed it. We'll have enjoyed it. And

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Speaker 1: I hear I mean this is this season is going

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Speaker 1: to have a lot. Lu Ann is now last in

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Speaker 1: the intro credits, which means it's going to be like

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Speaker 1: Lunn's season because it's always been Bethany. She always is

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Speaker 1: the one that closes it out like the Superstar. I

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Speaker 1: always closes out the opening intro with the taglines, and

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Speaker 1: it's lou But what about the arrangement, like the tableau,

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Speaker 1: is Lulu in the middle because it on the out center.

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Speaker 1: She is not in the center. Bethany is in the center.

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Speaker 1: But I think it's a hype thing. And also a

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Speaker 1: salary thing. Well, all right, we all want to get

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Speaker 1: into this season. Okay, great, um, later on if it

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Speaker 1: comes out, if it comes up. Our guest is truly

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Speaker 1: like someone we've been wanting to get on the show

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Speaker 1: for eight and she's one of my favorite people. We

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Speaker 1: actually saw this person perform and we were standing in

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Speaker 1: the back of Agian Hall and Boone hits my arm

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Speaker 1: and goes last Culture a year and a half, just

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Speaker 1: like a long time ago, and I was like, oh yeah,

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Speaker 1: oh my god. Truly one of my favorite people. We

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Speaker 1: just we spend a night a couple of months ago

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Speaker 1: just at Sam Taggard's house played Quip Flash. It was

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Speaker 1: the funnest funny. I want to do that so but

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Speaker 1: we got to do it soon. And that's all I

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Speaker 1: did this weekend in the mountains. Okay, great, I'm sure

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Speaker 1: they played games on television games. Okay, let's go to

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Speaker 1: the credit. Come on, give me the credits. She is

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Speaker 1: the co host of Miss Entry with Marcia and Drey,

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Speaker 1: an amazing podcast. You know Race Any and you know

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Speaker 1: Race Anny Um and oh my god, she she's she's

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Speaker 1: working on so much cool stuff. She's hosting Reductress Live

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Speaker 1: at Carolines on Broadway April. Tickets are on sale now,

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Speaker 1: get those um. And she's also leading this amazing media

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Speaker 1: campaign Headless Women of Hollywood, so check that out. It's

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Speaker 1: it's making this great comeback because she got this started

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Speaker 1: like like a couple of years ago, and it was

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Speaker 1: it's still brilliant, but now to see it research is

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Speaker 1: really really wonderful. And she's taking her hit musical with

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Speaker 1: Melissas Tarkowski handmates Tale the Musical on tour on the

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Speaker 1: road and it's sold out the Bellhouse multiple times. This

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Speaker 1: is a hit and she's taking it's a hit, babe.

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Speaker 1: She's taken it to Philly and other cities. Mama, there's

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Speaker 1: a hit on her hands, a hit on her hands,

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Speaker 1: and her name is Marcia Belski. How do your hands feel?

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Speaker 1: My hands feel so good. They feel tired carrying the

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Speaker 1: head the weight of the hit. It's a hit. I

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Speaker 1: love that. I love how that sounds. Just feels like

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Speaker 1: I have a hit. Swirl it around in my mouth.

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Speaker 1: Yeah you can say it's a hit. It's yeah. Oh

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Speaker 1: my god, I'm gonna put that. I'm gonna put that

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Speaker 1: in my hand. You fucking I heard such amazing things

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Speaker 1: about the show at the Bell House. It was really

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Speaker 1: a dream come true. It was cool. It was you know,

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Speaker 1: Bell House holds like three fifty and it sold out

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Speaker 1: and it was just like incredible because we did two

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Speaker 1: shows at Union Hall and they were great, but we

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Speaker 1: changed the show a lot between the first two that

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Speaker 1: were kind of like workshops and then what we ended

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Speaker 1: up doing at the Bell House, and it was just

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Speaker 1: really really cool. So now we took a little break

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Speaker 1: and then now we're coming back and we have a

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Speaker 1: show May tenth at Caveat and then after that we're

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Speaker 1: doing this little mini tour where we still have to

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Speaker 1: set up our DC show, but we're going to be

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Speaker 1: in Philly at the Philamoca, which is like yeah, um

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Speaker 1: on that is June sixteenth, that's a Saturday at pm.

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Speaker 1: And then we're also going to be at the Bellhouse

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Speaker 1: again at the end of June. Oh my god. So

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Speaker 1: that'll be really cool. I'm excited, just like rattle off

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Speaker 1: those dates off the top of her head. This is

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Speaker 1: a media savvy, media trained, media trained person. Honestly, though,

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Speaker 1: like The Handmaid's Tailed the musical. Okay, so did this

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Speaker 1: come from being a huge fan of the show, it

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Speaker 1: was a lot of things. I mean, for those of

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Speaker 1: you who don't know, I am a guy scale, noted

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Speaker 1: guy scale. Um, I've been telling people I've actually never

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Speaker 1: spoken to another woman in my life, but I'm trying

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Speaker 1: to this year. That's a big push from the year

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Speaker 1: where I make a female friend. But no, but I

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Speaker 1: you know, so feminism has been a part of my act.

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Speaker 1: And I've also you know, was obsessed with musical theater

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Speaker 1: and still am. And so it's always been my dream

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Speaker 1: to write this sort of you know, a comedy musical

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Speaker 1: like I love the Book of Mormon and Avenue Q

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Speaker 1: and I'm such a cheeseball, or just like the funny

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Speaker 1: parts in a serious musical, yes, like whenever King George

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Speaker 1: comes out in Hamilton, I'm the one physical so funny

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Speaker 1: I see when I do see Hamilton's often, I always

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Speaker 1: laugh at the King George part. It just tickles me.

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Speaker 1: She's playing on a Spotify at home and pretending she's

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Speaker 1: seeing it live, and she's like, oh my god, I'm like, Jonathan,

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Speaker 1: be quiet. Yea um, but yeah, so I me and

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Speaker 1: Melissa we're working on this Fiddler on the Roof musical parody,

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Speaker 1: which we're still going to do but it's about um

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Speaker 1: the l shutdown where like Tea like lives in Williamsburg

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Speaker 1: and he's like forced with his family that lives above

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Speaker 1: a Buffalo exchange to move to a Storia. I love hardship. Hardship,

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Speaker 1: it's hard for them. It's not easy. And he wants

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Speaker 1: to be a scientologist. We have like I would be

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Speaker 1: a scientologist like Ramo. I no, I know. Um. So

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Speaker 1: we started writing that, but then they pushed the L

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Speaker 1: train and shut down back. So we were like we

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Speaker 1: really wanted to time it sort of like right when

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Speaker 1: it was happening, but it buys us time, and we

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Speaker 1: wanted to do something, and so we were I read

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Speaker 1: the book Handmad's Tale and we were watching the show

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Speaker 1: together and we have been joking about how everything becomes

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Speaker 1: a musical and how that entertains me, Like I'm sorry,

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Speaker 1: but it will never get old to me. Be like no,

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Speaker 1: like the SpongeBob musical is actually really good, and it's

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Speaker 1: like I'm sure it is, but it's still like, oh

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Speaker 1: my god, I've been telling this story because winter is

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Speaker 1: now in it's like eighth month, and me and my

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Speaker 1: father and my mom saw Groundhogs Day, the musical that

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Speaker 1: my dad was like, my poor dad was so excited.

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Speaker 1: He's like, excellent reviews, it got excellent reviews, It's going

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Speaker 1: to be a great show. So we get there and

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Speaker 1: like it was fun, Like it was really like, you know,

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Speaker 1: it was a good show. But this woman in front

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Speaker 1: of us. My mom leaves since intermission every time, and

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Speaker 1: my dad her at the theater. Someone talks to us.

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Speaker 1: I don't know what it is about me and my

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Speaker 1: dad together. People are like the talk shows here, let's

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Speaker 1: get approachable. Yeah, approachable Jews. So they like this woman

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Speaker 1: in front of us as the Southern woman, and she's like,

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Speaker 1: I am so confused. Yeah, what is like going on?

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Speaker 1: I don't is he? So it's repeating my dad. But

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Speaker 1: I goes, have you seen the movie? And she goes,

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Speaker 1: there's a movie, and so I said twenty years of winter?

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Speaker 1: Twenty years of winter? So she was the actual groundhog.

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Speaker 1: She was the groundhog in that situation, and she doesn't

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Speaker 1: if she doesn't know I Groundhogs Days, we have twenty

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Speaker 1: years of winter. That's like a very interesting question though,

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Speaker 1: is like you'd have to really spell spell out extra

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Speaker 1: that was happening. If you weren't getting it. So it's

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Speaker 1: like for today's audiences, how dumb does ship exactly to

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Speaker 1: be so dumb? That's what's like. And with our show,

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Speaker 1: like some people hadn't seen the show and they saw

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Speaker 1: the musical and they said that they could kind of

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Speaker 1: get it because we parody the plot, but also we

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Speaker 1: make this whole plot because we're parodying musical theater in general,

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Speaker 1: Like Alfred is June and she like moves to New

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Speaker 1: York to become a barista and is pursuing her dreams

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Speaker 1: and all this stuff and then just winds up a

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Speaker 1: handmaid and as you do. And um, but yeah, like

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Speaker 1: these other shows that you see, like I mean, first

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Speaker 1: of all, how many people had to die just so

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Speaker 1: they can make Spider Man? And two people I think

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Speaker 1: died too full human beings died so that some billionaire

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Speaker 1: could be like, we're stuck in with it. We're sticking.

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Speaker 1: It's really insane. And the reviews you hearing of it

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Speaker 1: are just devastating that no one enjoyed it. Spider Man.

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Speaker 1: You know what I did enjoy though, you know off

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Speaker 1: Broadway production that I saw mad at Oh, let's get

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Speaker 1: into this curl intentions the music musical. We saw it

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Speaker 1: because Amanda Shackman, who's been on the show incredible Blade Catherine,

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Speaker 1: which is the Sarah Michelle Geller role and lady she was.

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Speaker 1: She is truly like effortless, like he makes it look

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Speaker 1: so easy while she's getting the most intense notes. Like

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Speaker 1: the songs were insane, like it was the nineties juke

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Speaker 1: back musical, but they took everything up into this musical

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Speaker 1: theater style sort of and just like you know, I'm

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Speaker 1: the only one by they like made it this like

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Speaker 1: moment which is like starts off the show and her

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Speaker 1: character and I'm like, this is fucking good. It was good,

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Speaker 1: and get the whole moment at the end, like just

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Speaker 1: picturing her sing I'm the only one to like this

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Speaker 1: gigantic musical like whatever. Like so it was like kind

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Speaker 1: of like habitrated style but still theater. It was so interesting.

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Speaker 1: So I went with Drew Anderson, our friend. We know,

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Speaker 1: I'm love friend love and we like got group ons.

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Speaker 1: So whenever me and Jew go like Drew go out together,

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Speaker 1: we are like nine year old Jews out of the retirement,

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Speaker 1: just like and Drew more so than me. Like if

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Speaker 1: we ordered take out like in our food is three

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Speaker 1: minutes later and she was like, I'm cooling him, Like

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Speaker 1: I love going out with him because he just like

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Speaker 1: suffers no nonsense and like, so we were there and

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Speaker 1: as soon as we walk in, so we bought bar tickets,

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Speaker 1: so we assume that we're going to get like a

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Speaker 1: stool or whatever, but I don't really care. We walk

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Speaker 1: in Andrews like, you know, if it was standing room,

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Speaker 1: I just think it should have said standing room on

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Speaker 1: the ticket. So we're like standing and that's how I

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Speaker 1: impersonate him to him and he'll say something completely normal.

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Speaker 1: I'll say it back to it, um. But so we're

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Speaker 1: like standing there and first of all, we can't stop

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Speaker 1: talking about the league guys. But oh my god, it's

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Speaker 1: the same. I mean it was like two tree trunks.

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Speaker 1: It was crazy, and it was crazy that was closed

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Speaker 1: to stage. So me and Drew we're just trying to see,

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Speaker 1: like we're just like peeking, like but you couldn't tell.

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Speaker 1: But we're like, he's like so close to the stage,

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Speaker 1: and the people like come out on this um what's

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Speaker 1: it called. It's like a little like like a bomb

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Speaker 1: sort of bomb, like an aisle that's like you know,

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Speaker 1: it's like a raised little platform, you know, like that

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Speaker 1: just into me like brine Spears catwalk, that's what's so

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Speaker 1: they like walk out and it's like so then Drew goes,

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Speaker 1: Drew whispers me. It's like I can't stop staring at

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Speaker 1: that guy's ass, and like I look up and his

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Speaker 1: button it's like right there, and I was like, oh

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Speaker 1: my god, it was a shock. Sorry to object to

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Speaker 1: Fiami's he was. That's what literally the whole thing was about.

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Speaker 1: It's literally about it's this moment just like because in

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Speaker 1: the movie. In the movie there's a reveal of Ryan

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Speaker 1: Philippe's but it is like an iconic part of the

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Speaker 1: Moh my god, I forgot that he like fully got

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Speaker 1: naked on the stage. And so that's what I'm referring

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Speaker 1: to is like, I mean, yes, it was distracting the

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Speaker 1: whole time, and me and Drew had slightly um, we

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Speaker 1: had slightly obscured vision, so we're like ducking around the

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Speaker 1: pole to like I'd see his ask like, but that's

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Speaker 1: what they was. And so then we had this thing

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Speaker 1: happened where intermission, this guy comes up and we've been

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Speaker 1: standing and I guess the seated tickets were like pretty expensive,

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Speaker 1: and me and Drew paid like thirty five dollars on

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Speaker 1: group on, so I get why the bar staff was

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Speaker 1: kind of like they were being nice to us, but

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Speaker 1: we were the only people standing at the bar. I

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Speaker 1: kept feeling like they were like, what's so Finally, like

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Speaker 1: this guy is like, we have two extra seats at

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Speaker 1: our table, you know, just just sit down with us,

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Speaker 1: and we sit down, and then like as soon as

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Speaker 1: Drew sits down, they're like risk my hands, like they're like,

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Speaker 1: you can't sit here. And but this bartender told me

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Speaker 1: a million times like she was like that guy was

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Speaker 1: aggressive towards us and we almost kicked him out. And

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Speaker 1: I was like, okay, well he was really nice to us.

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Speaker 1: I don't really know. So then they take away our

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Speaker 1: like seats that we had just gone, and me Andrew

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Speaker 1: are bitching so much, like we're like, well I don't

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Speaker 1: see why they had to do that, and I'm like

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Speaker 1: still being nice and everything. So then she gets us

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Speaker 1: these stools and she's like, you know, I talked to

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Speaker 1: my boss and here are some stools, and you know,

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Speaker 1: we feel bad, so go ahead and sit down. We're

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Speaker 1: like I thinks that's really nice. And then Drew moves

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Speaker 1: his school literally an inch because she sat us right

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Speaker 1: behind a pole. He moves his stool an inch to

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Speaker 1: the left, and she's like, sir, sir, we have still

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Speaker 1: only other designated area and if you are going to

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Speaker 1: move the stool, unfortunately, the privilege will be taken away.

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Speaker 1: So serious. But it was like god, but that that

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Speaker 1: was everyone was really nice, like and the show was

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Speaker 1: like great, but it was so funny because just our

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Speaker 1: faces we were just like cat, oh my god. Even honestly,

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Speaker 1: I don't know if a man is going to be

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Speaker 1: on anymore man is swinging in the show, but you

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Speaker 1: should try to go off soon, I know, I know,

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Speaker 1: Well did you go to like just see it? Like

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Speaker 1: did you just wondering? Were you there because of this

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Speaker 1: inspiration of like with with your I love I mean

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Speaker 1: any like musical thing like that, August see it like

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Speaker 1: I love I always love it and if it's bad,

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Speaker 1: I love it too because I love bad theater so much.

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Speaker 1: So like, yeah, Drew, like I have been talking to

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Speaker 1: Drew about how I wanted to go, and then he

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Speaker 1: was like, oh, let's just get a group on and go.

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Speaker 1: And then we just did and then he told me

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Speaker 1: that Amanda was going to be on it and then

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Speaker 1: we saw you there and it was so fun. Have

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Speaker 1: you seen the movie? Attention? I just rewatched it after

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Speaker 1: I saw the musical because I was like, there's so

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Speaker 1: much I didn't remember, Like I'm a moron because I

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Speaker 1: didn't even remember that, like spoiler alert, turn it off

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Speaker 1: if you haven't seen the movie. I didn't even remember

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Speaker 1: that Ride Philippine's character died. So I was like genuinely surprised.

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Speaker 1: I'm like, oh no, it gets hit by a car.

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Speaker 1: And so he was about to get hit by a

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Speaker 1: car and he turned into the light and he goes

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Speaker 1: so good and it's like makes you cry. I love

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Speaker 1: to the like football player and um Ariana Grande's brother

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Speaker 1: and they and they sang Backstreet Boys and in singing

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Speaker 1: and it was like so so that was another that

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Speaker 1: was another one of my musical theater was like, that's

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Speaker 1: so funny. Killed me. What did you think being the

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Speaker 1: Big Ballot? I loved it, Yeah, Jewel got. I liked

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Speaker 1: their choices and song because they did like this good

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Speaker 1: mix between like I mean and rewatching the movie, it's

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Speaker 1: all in the soundtrack, like it's so good, except for

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Speaker 1: they added like the in sync and some stuff like that.

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Speaker 1: But it was like so so like their choices a

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Speaker 1: song because they had like Melissa Etheridge, but then they

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Speaker 1: also have like no doubt and like you know, they

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Speaker 1: got yeah. It was like cool song. It was a

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Speaker 1: hit for me, it was yeah, it was a really

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Speaker 1: good and the hook cast was like really good. I mean,

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Speaker 1: like because I'm looking because it's like if there's one

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Speaker 1: person who can't sing. When I first saw so, my dad,

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Speaker 1: my dad buys like theater tickets, see like watch his reviews.

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Speaker 1: So he bought as Hamilton's tickets like right when the

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Speaker 1: first good reviews came out. So then by the time

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Speaker 1: we saw the original cast and by the time we

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Speaker 1: thought we could have sold our tickets for like a

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Speaker 1: billion dollars, but we went me and my mom and

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Speaker 1: my dad and Lin Manuel wasn't it. And I didn't

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Speaker 1: know anything about the show because I wanted to be surprised.

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Speaker 1: I didn't listen to anything in the soundtrack. I didn't

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Speaker 1: even really read about all the hype and this is

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Speaker 1: so mean, like no, no, I loved it, but I

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Speaker 1: couldn't figure out how Li Manuel had gotten cast. I

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Speaker 1: didn't know. I didn't know that he had written the show,

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Speaker 1: so I was like, I was like why. I mean,

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Speaker 1: he's great, like li Manuel is unbelievably talented, but I

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Speaker 1: was like, why is this guy was so much left

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Speaker 1: like dousers like kids like I couldn't figured out. And

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Speaker 1: then I talk to the fact that he's not like

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Speaker 1: the best vocalist exactly, and that was when I got

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Speaker 1: the idea, Okay, if you're not talented enough to get

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Speaker 1: on Broadway, right yourself into it, say, I wrote myself

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Speaker 1: into Afred. Because also Li Manuel talked about how like

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Speaker 1: he didn't see any roles because I was also would

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Speaker 1: give him ship for you know, always putting himself in

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Speaker 1: his shows, and I like Drew did the joke like

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Speaker 1: you would have been Molanna if you could have, but

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Speaker 1: he would have so. But then like he wrote about

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Speaker 1: how he didn't see any good roles for Latino men,

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Speaker 1: and so he was like, there's nothing interesting or actually

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Speaker 1: with depth that I want to play, so I have

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Speaker 1: to write it. For the most punk rock thing is

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Speaker 1: to be like I'm going to play this person who

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Speaker 1: does not match Yes, exactly. That's why we're doing all

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Speaker 1: male fiddler reboot. Yeah, I'm so excited. It's going to

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Speaker 1: be so fun. Um So are you noticing things as

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Speaker 1: you watch these like musical adaptations where it's like, oh, yeah,

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Speaker 1: like I could do that, like for Handmads, or is

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Speaker 1: it something where it's like I should be doing this, well,

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Speaker 1: I know, I mean Cruel. The thing was that I

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Speaker 1: realized I was like, wow, we made it work on

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Speaker 1: a budget because they're a full musical, they pay their actors,

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Speaker 1: they have a full band, we have a keyboard, like

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Speaker 1: and we still put on this right now. It feels

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Speaker 1: big and also it will get bigger. That's what really

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Speaker 1: Sitting in the audience at Cruel Intentions made me really excited,

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Speaker 1: like geeked out because I envisioned a full band playing

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Speaker 1: for like the show that we wrote or like shows

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Speaker 1: that we'll write in the future. And it was like

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Speaker 1: really exciting because I mean, because our companies wants that

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Speaker 1: we have. We found this amazing woman, Fernanda Douglas, and

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Speaker 1: like I think we're kind of gonna like grow with her,

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Speaker 1: which is like an exciting partnership because she arranged the

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Speaker 1: music and like she's amazing. And then I found out

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Speaker 1: halfway through working our show that she's twenty four years

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Speaker 1: old and what I was like, what like she was?

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Speaker 1: She was incredible though, So it's like we have this

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Speaker 1: great partnership where I'm musically capable but not like that. Yeah.

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Speaker 1: So I'll like sing a tune, maybe pluck out something

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Speaker 1: a little bit like be like that, and then I

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Speaker 1: can't arrange it. Yeah, and but she can make the

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Speaker 1: sound that I'm like trying to like describe to her

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Speaker 1: like a toddler, you know, I'm like thinking, just so,

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Speaker 1: did you like the instruments that you could you do

364
00:19:00,440 --> 00:19:03,920
Speaker 1: play and can play? Like? Did you teach yourself those? Um? Well,

365
00:19:04,040 --> 00:19:07,760
Speaker 1: I played piano growing up and I took lessons. But

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Speaker 1: I feel it's interesting because I learned how to read

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Speaker 1: music and play classical music. But I'm not that like

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Speaker 1: that didn't teach me how to look at a keyboard

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Speaker 1: and know what to do. I'm still struggling with that.

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Speaker 1: I can I can read music to a to a

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Speaker 1: decent extent. I'm not great. I'm not like an accompanist level.

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Speaker 1: One time I tried to accompany my choir and like

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Speaker 1: tenth grade because I was like, yeah, I played piano,

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Speaker 1: and I was just like, oh, I can't do this,

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Speaker 1: and you're like, why did say yes? I mean they

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00:19:34,440 --> 00:19:36,440
Speaker 1: showed me the sheet music and there was like ten

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Speaker 1: notes that I was like, what do I play? I

378
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Speaker 1: was so confused, So I could play like, you know,

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Speaker 1: sort of like moderate um classical piano. But then it's

380
00:19:47,800 --> 00:19:51,560
Speaker 1: been a whole unlearning process of just looking at the

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Speaker 1: keyboard as like a blank slate and and playing things.

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Speaker 1: And I just started learning guitar UM and that's been

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Speaker 1: really fun too, because I had is hang up with

384
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Speaker 1: learning guitar, where when I was like nineteen, I thought

385
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Speaker 1: I was too old to start learning guitar because you

386
00:20:07,240 --> 00:20:09,280
Speaker 1: see all these people have been playing since they're like twelve.

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00:20:09,359 --> 00:20:11,920
Speaker 1: I felt like that since I was like twelve, me too, Yeah. Same.

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Speaker 1: It's like at twelve, I felt like if I wasn't

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Speaker 1: like a savant, like you know, it felt like gymnastic.

390
00:20:16,440 --> 00:20:20,399
Speaker 1: I don't know, too late. If I still can't do

391
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Speaker 1: a backflip, I'm probably not going to the Olympics. But

392
00:20:23,080 --> 00:20:26,600
Speaker 1: so then, um, I forget who I talked to you, honestly,

393
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Speaker 1: and I wish I remember it because I owe them

394
00:20:28,600 --> 00:20:31,879
Speaker 1: a lot of credit because they were like, it's probably

395
00:20:31,960 --> 00:20:35,159
Speaker 1: Dan Smith, um. But I was like, they were like,

396
00:20:35,200 --> 00:20:37,560
Speaker 1: think about like this. When you meet someone who's been

397
00:20:37,560 --> 00:20:39,919
Speaker 1: playing guitar since they were twelve, when they're twenty two,

398
00:20:40,000 --> 00:20:41,920
Speaker 1: you see them as amazing because they've been playing guitar

399
00:20:42,000 --> 00:20:44,760
Speaker 1: for ten years. It's not because they started when they

400
00:20:44,760 --> 00:20:47,360
Speaker 1: were twelve. So if you're twenty eight and you start

401
00:20:47,440 --> 00:20:49,880
Speaker 1: playing guitar now, by the time you're thirty eight, you're

402
00:20:49,880 --> 00:20:52,080
Speaker 1: gonna be just as good as that two year old.

403
00:20:52,440 --> 00:20:53,879
Speaker 1: And that's the only level because all I want to

404
00:20:53,880 --> 00:20:55,639
Speaker 1: do is be able to play rhythm guitar with my

405
00:20:56,119 --> 00:20:59,800
Speaker 1: I have a band, Breathe the Mind. Yes. Um, So

406
00:21:00,359 --> 00:21:02,520
Speaker 1: that's been fun because now I'm like really, and it's

407
00:21:02,680 --> 00:21:04,760
Speaker 1: so much more intuitive than I thought, when I don't

408
00:21:04,800 --> 00:21:08,159
Speaker 1: have these like hang ups of just feeling like now

409
00:21:08,200 --> 00:21:10,240
Speaker 1: I'm just excited to learn it as opposed to like

410
00:21:10,320 --> 00:21:13,040
Speaker 1: feeling like I'm failing because I don't know how to

411
00:21:13,040 --> 00:21:15,440
Speaker 1: just stare at it like because also we're all friends

412
00:21:15,440 --> 00:21:17,800
Speaker 1: with those people too. Like one of my best friends

413
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Speaker 1: from home is this guy John Langdon, and I hate

414
00:21:20,160 --> 00:21:23,280
Speaker 1: him because he can look at an instrument and learn

415
00:21:23,320 --> 00:21:27,879
Speaker 1: how to play two seconds. Cousin, my cousin Michael, like

416
00:21:27,880 --> 00:21:31,520
Speaker 1: we were like like merrily strolling along alongside each other

417
00:21:31,600 --> 00:21:34,159
Speaker 1: in life, like we were the same age, and like

418
00:21:34,320 --> 00:21:36,639
Speaker 1: all of a sudden he could like fucking rip it

419
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Speaker 1: on the guitar, and I was like, how the funk

420
00:21:38,520 --> 00:21:40,080
Speaker 1: did you learn that? We do every we do all

421
00:21:40,119 --> 00:21:42,520
Speaker 1: these things together. I don't I never see you even

422
00:21:42,520 --> 00:21:45,640
Speaker 1: playing everything together? When did we go to the park? Tech?

423
00:21:45,920 --> 00:21:49,439
Speaker 1: We go in the pool together? Cousins, but cousins, how

424
00:21:49,440 --> 00:21:51,000
Speaker 1: did you do this to me? And then he would

425
00:21:51,040 --> 00:21:53,399
Speaker 1: like write songs. He would do like the whole Adam Sandler,

426
00:21:53,560 --> 00:21:58,280
Speaker 1: Like what's when he sings in Um not Hanaka song

427
00:21:58,400 --> 00:22:01,480
Speaker 1: the movie Um with Drew Barry More budding singerdding singer.

428
00:22:03,320 --> 00:22:05,280
Speaker 1: Oh my god, he used to do that and we

429
00:22:05,280 --> 00:22:06,840
Speaker 1: were like we were like ten years old and he

430
00:22:06,880 --> 00:22:09,320
Speaker 1: could just do it. Adam Sandler could do it too.

431
00:22:09,680 --> 00:22:12,719
Speaker 1: It is cool to Addams to credit. You know a

432
00:22:12,720 --> 00:22:15,400
Speaker 1: lot of racism in his recent movies, but he can

433
00:22:15,440 --> 00:22:18,320
Speaker 1: play guitar. Actually a rule of culture number seventeen. It's

434
00:22:18,320 --> 00:22:21,720
Speaker 1: really cool that could do that. Now, Marcia, we're going

435
00:22:21,760 --> 00:22:23,520
Speaker 1: to ask you the question we ask all of our guests,

436
00:22:23,720 --> 00:22:25,720
Speaker 1: which is what was the culture that made you say?

437
00:22:25,960 --> 00:22:29,160
Speaker 1: Cultures for you. What is the culture that made you say,

438
00:22:29,240 --> 00:22:31,359
Speaker 1: that made you want to move into the cultural direction?

439
00:22:31,720 --> 00:22:35,600
Speaker 1: What is the culture like a movie you saw? Oh

440
00:22:35,640 --> 00:22:39,520
Speaker 1: my god, it's something that you experienced in pop culture

441
00:22:39,800 --> 00:22:42,439
Speaker 1: that defined This goes full circle to what we were

442
00:22:42,480 --> 00:22:46,440
Speaker 1: talking about before the podcast, because it's it's truly humiliating.

443
00:22:46,440 --> 00:22:48,840
Speaker 1: But I'm going to be fully honest. It was Rent. Yes,

444
00:22:50,880 --> 00:22:53,679
Speaker 1: when I was in seventh grade, I discovered Rent, and

445
00:22:53,720 --> 00:22:56,600
Speaker 1: it like truly changed my whole world, and I was like,

446
00:22:56,720 --> 00:23:03,320
Speaker 1: I want to do Heroin now. I want to be

447
00:23:03,359 --> 00:23:07,200
Speaker 1: poor in New York doing Heroin, shunning my white privilege,

448
00:23:07,240 --> 00:23:10,679
Speaker 1: not acknowledging it in any way, and not paying my

449
00:23:10,760 --> 00:23:13,000
Speaker 1: rent for a full year. I like, in the original

450
00:23:13,080 --> 00:23:16,160
Speaker 1: musical they sang last month's rent, which is the only

451
00:23:16,160 --> 00:23:17,960
Speaker 1: thing that could have made sense. And like the original

452
00:23:18,000 --> 00:23:19,760
Speaker 1: because this is how geeked out on Rent. I was

453
00:23:19,760 --> 00:23:23,760
Speaker 1: I like downloaded like illegal soundtracks of like the original

454
00:23:25,040 --> 00:23:28,119
Speaker 1: Workshop or whatever. Like I was such a dork, it

455
00:23:28,240 --> 00:23:30,560
Speaker 1: was crazy. I ordered on in the early days of

456
00:23:30,600 --> 00:23:37,359
Speaker 1: the Internet. I would order VHS bootlegs of Broadway shows

457
00:23:36,280 --> 00:23:41,639
Speaker 1: from like yeah, like chat rooms, like I would like

458
00:23:41,800 --> 00:23:44,720
Speaker 1: I would like send, I would like money wire some

459
00:23:44,840 --> 00:23:46,560
Speaker 1: girl and I hit it off of my parents, I

460
00:23:46,600 --> 00:23:48,520
Speaker 1: like treated it like drugs, Like I was like, didn't

461
00:23:48,520 --> 00:23:52,399
Speaker 1: want them to know that I was ordered that was

462
00:23:52,720 --> 00:23:55,280
Speaker 1: I was ordering bootlegs. They knew I trust me, they

463
00:23:55,320 --> 00:23:58,560
Speaker 1: knew I liked, but they didn't know that I was

464
00:23:58,680 --> 00:24:01,879
Speaker 1: ordering bootlegs on the you know, because how was I

465
00:24:01,960 --> 00:24:04,240
Speaker 1: lived in Oklahoma? How was I going to get New York?

466
00:24:04,800 --> 00:24:07,240
Speaker 1: And then from my boto mitzvah, my dad took me

467
00:24:07,320 --> 00:24:09,800
Speaker 1: to New York to see Broadway shows, which was which

468
00:24:09,840 --> 00:24:13,240
Speaker 1: was nice, and um, oh god what we saw Hair

469
00:24:13,280 --> 00:24:18,640
Speaker 1: Spray the original casts. I love that. Um, I loved that.

470
00:24:18,800 --> 00:24:20,800
Speaker 1: The last number, the way it just kind of roars

471
00:24:20,840 --> 00:24:23,040
Speaker 1: that you you can't stop to beat if you haven't

472
00:24:22,800 --> 00:24:27,760
Speaker 1: stop to it's actually rural culture number three. You can't

473
00:24:27,800 --> 00:24:33,280
Speaker 1: stop the beat. Um. But if if you haven't experienced,

474
00:24:33,359 --> 00:24:36,560
Speaker 1: you can't stop to beat the finale of Hair Spray Live,

475
00:24:36,920 --> 00:24:39,639
Speaker 1: you're missing. You're missing because it's like a wall of

476
00:24:39,680 --> 00:24:43,680
Speaker 1: sound hitting you in a wall of joy and it's incredible.

477
00:24:44,280 --> 00:24:48,000
Speaker 1: It's honestly such a good workout song too. To Run

478
00:24:48,000 --> 00:24:50,360
Speaker 1: to Do. You know, what I'll say is the worst

479
00:24:50,560 --> 00:24:54,080
Speaker 1: ending to any musical that there's two actually that are

480
00:24:54,119 --> 00:24:56,720
Speaker 1: tied for the same reason. So I saw the Queen

481
00:24:56,840 --> 00:24:59,800
Speaker 1: musical We Will Rock You in London. My parents worked

482
00:24:59,800 --> 00:25:00,920
Speaker 1: in in for a little bit when I was in

483
00:25:00,960 --> 00:25:03,919
Speaker 1: high school, so we saw We Will Rock You in London,

484
00:25:04,119 --> 00:25:07,000
Speaker 1: and then I also Mama Mia and what they both did,

485
00:25:07,080 --> 00:25:11,040
Speaker 1: which was insufferable, is that the show has ended and

486
00:25:11,480 --> 00:25:15,920
Speaker 1: they do seven to nine encorees of every single song

487
00:25:15,960 --> 00:25:18,600
Speaker 1: they just played in the show. While you're like standing

488
00:25:18,680 --> 00:25:20,679
Speaker 1: up clapping, You're like, wait, I thought this was the

489
00:25:20,760 --> 00:25:25,760
Speaker 1: goodbye bows, Like they keep going and it was totally insane.

490
00:25:25,760 --> 00:25:27,399
Speaker 1: And my friend I was with my friend at MoMA

491
00:25:27,440 --> 00:25:30,160
Speaker 1: Mia and after the third callback, she was like, they're

492
00:25:30,200 --> 00:25:32,520
Speaker 1: getting a little stage happy. I mean it's crazy to

493
00:25:32,600 --> 00:25:34,760
Speaker 1: like get off the stage. I mean for kids to

494
00:25:34,800 --> 00:25:37,240
Speaker 1: be thinking that, like who are not like totally awestar,

495
00:25:38,200 --> 00:25:40,280
Speaker 1: to be like all right, we're at the Tulsa p

496
00:25:40,359 --> 00:25:43,080
Speaker 1: A C. And we're bored. Um And also I hate

497
00:25:43,080 --> 00:25:46,520
Speaker 1: the musical. This is controvert. I hate um or. I

498
00:25:46,560 --> 00:25:50,199
Speaker 1: don't know if I hated it. I hated cats. Cats

499
00:25:50,240 --> 00:25:55,560
Speaker 1: traumatize me as a child, like when that's his culture. Well,

500
00:25:55,600 --> 00:25:59,320
Speaker 1: I love Tyler Cats, but Tyler no call him Tyler

501
00:25:59,359 --> 00:26:06,959
Speaker 1: cats cat Um Tyler code. I don't think I honestly

502
00:26:07,000 --> 00:26:09,399
Speaker 1: even have a problem with the well I do, but

503
00:26:09,560 --> 00:26:11,879
Speaker 1: I was like watching it and first of all, the

504
00:26:11,920 --> 00:26:16,200
Speaker 1: part where they all speak in synchrony like sync in poem,

505
00:26:16,240 --> 00:26:22,240
Speaker 1: and to me, it's like too weird through it it's

506
00:26:22,280 --> 00:26:25,440
Speaker 1: too weird. Well. Also, I'm sorry, but did you guys

507
00:26:25,480 --> 00:26:27,800
Speaker 1: like you just Christ Superstars? Wait wait, I talked about

508
00:26:27,840 --> 00:26:29,600
Speaker 1: loved it. You're the only person I've talked to you

509
00:26:29,600 --> 00:26:31,600
Speaker 1: who did not like it. I feel like it's because

510
00:26:31,680 --> 00:26:33,760
Speaker 1: I don't know the show. I don't. This is my

511
00:26:33,760 --> 00:26:36,000
Speaker 1: first exposure to the show. No, I I hate like

512
00:26:36,080 --> 00:26:38,879
Speaker 1: Jesus Christ Superstar. I've watched it five times and I

513
00:26:38,960 --> 00:26:41,080
Speaker 1: never have any idea what's going on because I don't

514
00:26:41,119 --> 00:26:43,080
Speaker 1: know the plot of the Bible. All my Christian friends

515
00:26:43,080 --> 00:26:44,800
Speaker 1: are like, I can tell you what's going on. I

516
00:26:44,840 --> 00:26:47,959
Speaker 1: have no idea. I was remembering the plot to the Bible,

517
00:26:48,040 --> 00:26:53,560
Speaker 1: of the plot as it was going on along the

518
00:26:53,560 --> 00:26:56,320
Speaker 1: plot of the Bible. So here's what happened. This is

519
00:26:56,440 --> 00:26:59,600
Speaker 1: like what I from the Old Testament and ended. Everybody, Okay,

520
00:27:00,359 --> 00:27:02,160
Speaker 1: It's like the Hobbit and Lord of the Rings I'll

521
00:27:02,160 --> 00:27:05,560
Speaker 1: just tell you quickly what happened with Jesus. Jesus had

522
00:27:05,600 --> 00:27:10,080
Speaker 1: a whole group of friends that were like very yeah.

523
00:27:10,119 --> 00:27:12,840
Speaker 1: But also with any type group of friends, like there's problems,

524
00:27:12,880 --> 00:27:15,960
Speaker 1: like there's gonna be power structure, and Jesus happened to

525
00:27:16,000 --> 00:27:17,640
Speaker 1: be at the top. Someone's got to do the group

526
00:27:17,720 --> 00:27:20,240
Speaker 1: text of the twelve Disciples, like what that would look like.

527
00:27:20,640 --> 00:27:23,439
Speaker 1: Actually had a sketch. I was writing a sketch about that,

528
00:27:23,480 --> 00:27:25,120
Speaker 1: but then I realized someone had already done it. There's

529
00:27:25,119 --> 00:27:28,560
Speaker 1: a group of somebody, some group of gay people as

530
00:27:28,560 --> 00:27:31,360
Speaker 1: a disciple. Man is actually written a lot of biblical

531
00:27:31,400 --> 00:27:36,240
Speaker 1: material is true. That has this whole Nativity sketch. That's

532
00:27:36,280 --> 00:27:39,840
Speaker 1: so fun. I like biblical humors too. I loved your

533
00:27:39,920 --> 00:27:41,920
Speaker 1: well it's not biblical, but my favorite was you and

534
00:27:42,000 --> 00:27:47,840
Speaker 1: Sudy's Cleopatra that period. I love period. She wrote a

535
00:27:47,840 --> 00:27:50,119
Speaker 1: really good Nativity sketch that was on s and the

536
00:27:50,160 --> 00:27:52,960
Speaker 1: stone was in and the played Mary Bible. She had

537
00:27:53,000 --> 00:27:56,080
Speaker 1: just given birth and Joseph was like, we have guests,

538
00:27:56,080 --> 00:27:59,120
Speaker 1: and she was like okay, I said I didn't. Yeah.

539
00:27:59,240 --> 00:28:01,880
Speaker 1: I always thought places a mess. Oh my god. Three

540
00:28:02,119 --> 00:28:04,159
Speaker 1: men who were like we walked across the desert to

541
00:28:04,200 --> 00:28:09,159
Speaker 1: see you. Yeah, well I didn't invite actually, like I have.

542
00:28:11,400 --> 00:28:14,159
Speaker 1: That's literally, I mean, yeah, you can sum up the

543
00:28:14,160 --> 00:28:18,200
Speaker 1: Bible in one word, it would be anyway. I guess

544
00:28:18,200 --> 00:28:21,720
Speaker 1: what happened then is jealous they got they got all

545
00:28:21,760 --> 00:28:26,159
Speaker 1: into it. Jealousy gets the Bible one word to be jealous.

546
00:28:28,040 --> 00:28:30,400
Speaker 1: Because now I much sitting here thinking I can't remember

547
00:28:30,400 --> 00:28:32,720
Speaker 1: why everyone was why people were mad at Jesus and

548
00:28:32,760 --> 00:28:36,560
Speaker 1: wanted to kill him because he because he was preaching

549
00:28:36,600 --> 00:28:41,320
Speaker 1: things against the Roman Church and the Jews also saw him. Yes,

550
00:28:41,360 --> 00:28:45,160
Speaker 1: people blame the Jews. They because he was a false messiah.

551
00:28:45,440 --> 00:28:48,000
Speaker 1: Yeah okay, well you know so like a passion of

552
00:28:48,000 --> 00:28:50,560
Speaker 1: the Christ, like mel Gibson wanted to like vilify these

553
00:28:50,640 --> 00:28:52,680
Speaker 1: Jewish people up there, some of us some of us

554
00:28:52,720 --> 00:28:59,400
Speaker 1: don't blame him. But wait, so Jesus Christ superstar, though

555
00:28:59,480 --> 00:29:03,920
Speaker 1: I realized, is that they have really Oh my god,

556
00:29:03,960 --> 00:29:06,520
Speaker 1: everyone I thought was I honestly, in terms of the

557
00:29:06,560 --> 00:29:08,480
Speaker 1: live shows, thought it was the best one I've ever seen.

558
00:29:08,520 --> 00:29:11,880
Speaker 1: And John Legend was the only famous person they have

559
00:29:12,000 --> 00:29:14,120
Speaker 1: cast in those that. I was like, you could be

560
00:29:14,160 --> 00:29:16,760
Speaker 1: on Broadway without any name to you. You are talented

561
00:29:16,880 --> 00:29:19,520
Speaker 1: enough that he could be in a show. But um,

562
00:29:19,720 --> 00:29:23,040
Speaker 1: I only realized how inappropriate was recently because I used

563
00:29:23,040 --> 00:29:25,960
Speaker 1: to sing as an audition song that I don't know

564
00:29:26,000 --> 00:29:28,440
Speaker 1: how and there's this one part where she's like and

565
00:29:28,480 --> 00:29:36,440
Speaker 1: I've had so many men before, in very many, many ways.

566
00:29:37,200 --> 00:29:40,040
Speaker 1: And I was like fourteen singing that at auditions and

567
00:29:40,080 --> 00:29:41,800
Speaker 1: like I'm just like and I'm like, all right, I'm

568
00:29:41,840 --> 00:29:44,880
Speaker 1: a whore. I'm a whore, and I'm getting into the character,

569
00:29:45,240 --> 00:29:54,480
Speaker 1: like this feels wronging. One time summer camp, there was

570
00:29:54,520 --> 00:29:56,719
Speaker 1: this twelve year old girl. We were auditioning for Greece

571
00:29:57,240 --> 00:30:00,520
Speaker 1: and she did dance ten looks three. So she's like

572
00:30:01,320 --> 00:30:04,560
Speaker 1: she's like tits and asked, and the counselor I'll never

573
00:30:04,600 --> 00:30:06,840
Speaker 1: forget this woman's face. She was like, um, like she

574
00:30:06,960 --> 00:30:09,239
Speaker 1: was she thought about she was going to jail. She's like,

575
00:30:10,360 --> 00:30:19,280
Speaker 1: I'm getting arrested and orchestra a balcony and I used

576
00:30:19,280 --> 00:30:21,520
Speaker 1: to then I did that audition song to it, like sixteen.

577
00:30:21,560 --> 00:30:23,280
Speaker 1: I was like, now I'm old enough, Marsha would be

578
00:30:23,320 --> 00:30:25,640
Speaker 1: a great rizzo. You would be good. Oh my god,

579
00:30:25,680 --> 00:30:28,160
Speaker 1: I got cast a jan which I didn't realize because

580
00:30:28,160 --> 00:30:29,640
Speaker 1: I've all I seen the movie. The Jan was the

581
00:30:29,680 --> 00:30:32,440
Speaker 1: fat character because in all the shows that Jan is

582
00:30:32,480 --> 00:30:37,640
Speaker 1: like eating twinkies, literally the intention, and that was my

583
00:30:37,680 --> 00:30:39,920
Speaker 1: big part because also it should be noted this was

584
00:30:39,960 --> 00:30:43,360
Speaker 1: at my Jewish summer camp, not known for its musical theater,

585
00:30:43,400 --> 00:30:47,520
Speaker 1: and we cut Grease down to thirty minutes. What was cut?

586
00:30:48,960 --> 00:30:51,320
Speaker 1: I don't know how they cut it down, but it

587
00:30:51,400 --> 00:30:52,920
Speaker 1: was like they were like, we have thirty misses to

588
00:30:53,000 --> 00:30:55,520
Speaker 1: the show, and that's what we did with all of

589
00:30:55,560 --> 00:30:57,640
Speaker 1: our shows. We did Bye Bye Birdie in thirty minutes.

590
00:30:57,720 --> 00:31:00,640
Speaker 1: We did a Little Mermaid. I was of the Daughters

591
00:31:00,640 --> 00:31:04,520
Speaker 1: of Triton. I propose a challenge to you and that

592
00:31:04,600 --> 00:31:07,840
Speaker 1: you you and Melissa like like fucking little down handmates,

593
00:31:07,840 --> 00:31:10,120
Speaker 1: tell the musical to thirty minutes. Oh my god, we try.

594
00:31:10,160 --> 00:31:13,120
Speaker 1: I mean it was our first show. We were like,

595
00:31:13,120 --> 00:31:14,280
Speaker 1: all right, we're going to try and make it an

596
00:31:14,320 --> 00:31:15,800
Speaker 1: hour and ten and we're like, how long was that?

597
00:31:15,920 --> 00:31:20,560
Speaker 1: Someone was like an hour and fifty minutes. But we

598
00:31:20,560 --> 00:31:22,440
Speaker 1: did an intermission for the first one. The second one

599
00:31:22,480 --> 00:31:24,600
Speaker 1: we tried to cut it down but didn't have an intermission,

600
00:31:24,680 --> 00:31:27,520
Speaker 1: and people were like, you gotta have an intermission, Like

601
00:31:27,520 --> 00:31:30,160
Speaker 1: we're Diana out here. So then um and that was

602
00:31:30,200 --> 00:31:32,440
Speaker 1: a late show too, and we were like after David

603
00:31:32,480 --> 00:31:34,960
Speaker 1: Cross it was like so stressed out and there was

604
00:31:35,000 --> 00:31:37,040
Speaker 1: a DJ coming in after our show. So in the

605
00:31:37,160 --> 00:31:40,600
Speaker 1: last twenty minutes of our show, this dude comes in,

606
00:31:40,680 --> 00:31:42,120
Speaker 1: like you know the type of bros that hang out

607
00:31:42,160 --> 00:31:44,920
Speaker 1: at Union Hall. It's like six ft ten monster like

608
00:31:44,960 --> 00:31:48,320
Speaker 1: walks in the back is screams what's going on down here?

609
00:31:51,200 --> 00:31:56,280
Speaker 1: And everyone in the back is like stop and he's like,

610
00:31:56,360 --> 00:32:02,480
Speaker 1: what is I'll come back. It is a weird. It's

611
00:32:02,520 --> 00:32:05,640
Speaker 1: a very weird upstairs downstairs. I mean it's down nabby levels,

612
00:32:05,680 --> 00:32:11,160
Speaker 1: it's and this is fucked up. But when the upstairs

613
00:32:11,200 --> 00:32:13,760
Speaker 1: like had that fire and it was closed for a

614
00:32:13,800 --> 00:32:17,160
Speaker 1: month and a half, I loved it. I felt bad

615
00:32:17,240 --> 00:32:19,480
Speaker 1: because I was like, I didn't wish poorly on the business.

616
00:32:19,560 --> 00:32:21,920
Speaker 1: I I love Union Hall and the people who worked there,

617
00:32:21,960 --> 00:32:24,160
Speaker 1: but I was every time I went to a show there,

618
00:32:24,160 --> 00:32:26,120
Speaker 1: I realized I wasn't dreading it, and I was like,

619
00:32:26,160 --> 00:32:28,600
Speaker 1: why because I don't have to walk through the upstairs.

620
00:32:28,840 --> 00:32:31,000
Speaker 1: It's not just it's you have to walk through the

621
00:32:31,040 --> 00:32:34,080
Speaker 1: whole upstairs past. I sound like such a match. I'm

622
00:32:34,120 --> 00:32:36,280
Speaker 1: like what. I had my birthday there one time, and

623
00:32:36,320 --> 00:32:38,400
Speaker 1: it was it was a week day and it was

624
00:32:38,440 --> 00:32:40,320
Speaker 1: so amazing because it was a little bit empty and

625
00:32:40,360 --> 00:32:41,960
Speaker 1: like it was a great vibe. But I had it

626
00:32:42,040 --> 00:32:44,000
Speaker 1: on a week end and at night one time, and

627
00:32:44,080 --> 00:32:49,800
Speaker 1: it was like, how it's because park slow people on

628
00:32:49,800 --> 00:32:51,840
Speaker 1: week days are like chill, because those aren't the like

629
00:32:52,040 --> 00:32:54,479
Speaker 1: finance bros that live out there that are going out whatever.

630
00:32:54,880 --> 00:32:57,800
Speaker 1: Any time you're looking to use games to replace your

631
00:32:57,840 --> 00:33:02,560
Speaker 1: personality on a Saturday night, it's not gonna work unless

632
00:33:02,680 --> 00:33:05,040
Speaker 1: it's a nice date, right, No. I mean, of course,

633
00:33:05,080 --> 00:33:07,840
Speaker 1: we all, all of us with interesting personalities of place

634
00:33:07,960 --> 00:33:11,440
Speaker 1: occasionally play games, yes, but there are people who you

635
00:33:11,480 --> 00:33:13,000
Speaker 1: can tell where it's like if they don't have that

636
00:33:13,080 --> 00:33:16,520
Speaker 1: botchy ball, they're not having a conversation, or if they

637
00:33:16,560 --> 00:33:19,160
Speaker 1: don't have that pool table, you know, what are they

638
00:33:19,160 --> 00:33:23,360
Speaker 1: going to talk to about? With Jerry Golfer mini golf.

639
00:33:23,720 --> 00:33:26,000
Speaker 1: I used to be obsessed with mini golf, and I've

640
00:33:26,040 --> 00:33:28,560
Speaker 1: always wanted to go in the city and they have

641
00:33:28,640 --> 00:33:33,560
Speaker 1: these like Undertime Square, like weird minig like neon lights

642
00:33:33,640 --> 00:33:37,440
Speaker 1: or whatever. Purple. That's the thing is. I remember I

643
00:33:37,480 --> 00:33:38,800
Speaker 1: first moved, I was like let's do it. And it's

644
00:33:38,840 --> 00:33:40,960
Speaker 1: like nine thousand dollars, Like I can't even buy a

645
00:33:40,960 --> 00:33:44,200
Speaker 1: metro pass. Man, I've been to this one, this pirate

646
00:33:44,240 --> 00:33:47,480
Speaker 1: themed one, and Red Hook. It's so fun and it's cheap.

647
00:33:47,560 --> 00:33:50,160
Speaker 1: Red Hook is so fun. I need to go out there.

648
00:33:52,280 --> 00:33:54,200
Speaker 1: I gotta go. But I don't know if the I

649
00:33:54,200 --> 00:33:56,080
Speaker 1: don't know if that golf course is like the best.

650
00:33:56,080 --> 00:33:58,760
Speaker 1: It's not the best. It's fun, it's I missed the

651
00:33:58,760 --> 00:34:03,480
Speaker 1: ones that the they were able to be very big.

652
00:34:03,760 --> 00:34:05,760
Speaker 1: Those who are yeah, the ones in Florida to like

653
00:34:05,800 --> 00:34:08,919
Speaker 1: the theme park sized ones. Hell yeah. The ones around

654
00:34:08,960 --> 00:34:11,040
Speaker 1: Disney World that are like, we got to compete with Disney.

655
00:34:11,520 --> 00:34:17,200
Speaker 1: You gotta be big. We need a big skull. There's

656
00:34:15,600 --> 00:34:19,640
Speaker 1: a competing with Disney. It was like working with Disney

657
00:34:19,640 --> 00:34:23,759
Speaker 1: out of business. There's three things down in Orlando, Universal Studios, Well,

658
00:34:23,880 --> 00:34:26,719
Speaker 1: Disney World and that one mini golf course and King

659
00:34:26,800 --> 00:34:33,880
Speaker 1: Kong Put Kong Technology one time, Marsha and no speaking

660
00:34:33,880 --> 00:34:37,399
Speaker 1: of Melissastic House. Yeah, the three of us you see

661
00:34:37,480 --> 00:34:39,920
Speaker 1: Erica together. It's one of the best days of my life.

662
00:34:39,960 --> 00:34:42,759
Speaker 1: That was so funny. It was at the Meadows. We

663
00:34:42,760 --> 00:34:47,120
Speaker 1: saw Ericabat do at like for free at like four pm.

664
00:34:47,200 --> 00:34:49,359
Speaker 1: It was amazing. And then me and Melissa stayed and

665
00:34:49,400 --> 00:34:52,560
Speaker 1: saw m I A, which was so funny because she's

666
00:34:52,640 --> 00:34:55,000
Speaker 1: kind of a hit or miss performer is what I've heard,

667
00:34:55,040 --> 00:34:56,959
Speaker 1: and like there were parts that were like really cool,

668
00:34:57,080 --> 00:35:00,800
Speaker 1: but there's this one part where she scaled huge wall

669
00:35:00,880 --> 00:35:03,000
Speaker 1: like she'd like scale it like a spider monkey. Like

670
00:35:03,080 --> 00:35:06,040
Speaker 1: she like got like I don't know how, levied up there,

671
00:35:06,080 --> 00:35:07,759
Speaker 1: climbed a ladder on the back. All of a sudden,

672
00:35:07,800 --> 00:35:10,120
Speaker 1: she's on top of this wall, but then like her

673
00:35:10,160 --> 00:35:12,880
Speaker 1: sound starts messing up, so she like won't start her songs.

674
00:35:12,880 --> 00:35:17,520
Speaker 1: So she's like straddling this wall literally being like yeah yeah,

675
00:35:17,600 --> 00:35:20,799
Speaker 1: not turning up yeah, no, down down yeah, Like and

676
00:35:20,880 --> 00:35:23,440
Speaker 1: she like didn't show up for her sound check. She's

677
00:35:23,480 --> 00:35:25,680
Speaker 1: absolutely one of those people who does not chop. She

678
00:35:25,800 --> 00:35:28,000
Speaker 1: was way late to her time. I saw the coolest.

679
00:35:28,360 --> 00:35:30,319
Speaker 1: There's this lady who kind of reminds me of M

680
00:35:30,320 --> 00:35:33,120
Speaker 1: I A. Who is this Spanish rapper named Mala Rodriguez.

681
00:35:33,840 --> 00:35:36,960
Speaker 1: I think she's called La Mala Rodriguez, like the bad Rodriguez.

682
00:35:37,080 --> 00:35:40,719
Speaker 1: And um, we went and saw her where there was

683
00:35:40,800 --> 00:35:43,480
Speaker 1: this thing it was like lolla Palooza Chili. It was

684
00:35:43,520 --> 00:35:47,240
Speaker 1: in South America, and she like, they have an hour

685
00:35:47,360 --> 00:35:50,360
Speaker 1: slot very strictly, and she showed up forty five minutes

686
00:35:50,440 --> 00:35:52,960
Speaker 1: late and then fifteen minutes later they cut her Mike

687
00:35:53,000 --> 00:35:56,200
Speaker 1: like festivals are brutal. They called Lauren Hills Mica afro punk.

688
00:35:56,239 --> 00:36:00,680
Speaker 1: When I saw when I saw you're right, oh my god,

689
00:36:00,800 --> 00:36:03,399
Speaker 1: I did, I was like, what the funk that is? Erica?

690
00:36:04,480 --> 00:36:06,160
Speaker 1: I feel I know this is the problem too. Is

691
00:36:06,160 --> 00:36:07,719
Speaker 1: like when they do it to a man, I'm like, oh,

692
00:36:07,760 --> 00:36:09,239
Speaker 1: they just do it to everybody, And they do it

693
00:36:09,280 --> 00:36:10,719
Speaker 1: to a woman. I'm like, are they doing it because

694
00:36:10,719 --> 00:36:13,600
Speaker 1: she's a woman? Probably out to Kanye Like you know,

695
00:36:13,800 --> 00:36:15,600
Speaker 1: you said that to me when it happened, and I

696
00:36:15,640 --> 00:36:17,080
Speaker 1: was like, oh my god, because it was a little

697
00:36:17,080 --> 00:36:19,080
Speaker 1: stone and I was like, oh my god, Marcia's what

698
00:36:19,239 --> 00:36:20,680
Speaker 1: they do it. But they probably would do it to

699
00:36:20,719 --> 00:36:22,320
Speaker 1: Kanye and he'd fully flip out and it would be

700
00:36:22,320 --> 00:36:24,960
Speaker 1: on the internet the next day. Was just like she

701
00:36:25,040 --> 00:36:28,400
Speaker 1: was like fine, like she was probably women are just

702
00:36:28,480 --> 00:36:31,439
Speaker 1: more like they just give Lauren Hill went and did

703
00:36:31,520 --> 00:36:34,600
Speaker 1: two full she it was doop. She's in the middle

704
00:36:34,640 --> 00:36:36,960
Speaker 1: of her biggest song that she was closing on, they

705
00:36:37,000 --> 00:36:40,400
Speaker 1: cut the mic and then she's like keeps doing the

706
00:36:40,440 --> 00:36:42,400
Speaker 1: song for like two full minutes in the crowd is

707
00:36:42,400 --> 00:36:44,080
Speaker 1: trying to just like sing it so we can all

708
00:36:44,120 --> 00:36:47,120
Speaker 1: hear it. And then eventually security like walks her like

709
00:36:47,320 --> 00:36:50,160
Speaker 1: off the stage. And it really was crazy too because

710
00:36:50,200 --> 00:36:53,240
Speaker 1: so Grace Jones was playing after her, so we were like, okay, well,

711
00:36:53,400 --> 00:36:55,840
Speaker 1: you know, you got to clear the stage for Grace Jones. No,

712
00:36:56,360 --> 00:36:59,120
Speaker 1: there was an hour and fifteen minute gap between Grace

713
00:36:59,200 --> 00:37:02,040
Speaker 1: Jones and Lauren Hill where a DJ played. I was like,

714
00:37:02,080 --> 00:37:05,600
Speaker 1: you did not clear this stage for of Lauren Hill

715
00:37:06,000 --> 00:37:09,439
Speaker 1: for a DJ, for a fucking DJ. It's like, yeah,

716
00:37:09,520 --> 00:37:11,880
Speaker 1: Lauren Hill was thirty minutes later a show. She doesn't

717
00:37:11,880 --> 00:37:15,120
Speaker 1: exist in this layer of time that we all functioned by,

718
00:37:15,200 --> 00:37:17,719
Speaker 1: Like Lauren Hills not checking her watch to see if

719
00:37:17,760 --> 00:37:19,600
Speaker 1: it's time to call the cab. I feel like that's

720
00:37:19,640 --> 00:37:23,479
Speaker 1: just not how she operates, like damn. And it's also

721
00:37:23,600 --> 00:37:25,600
Speaker 1: like I don't know if it was Connie, I don't

722
00:37:25,600 --> 00:37:27,719
Speaker 1: know if the security guards would have come to, like,

723
00:37:27,800 --> 00:37:30,160
Speaker 1: you know what, take or as soon as they did

724
00:37:30,200 --> 00:37:33,400
Speaker 1: with fucking Lauren. Ye. Anyway, here's the question. Here's the

725
00:37:33,480 --> 00:37:36,680
Speaker 1: question you are in the festival with the Handmaid's Tell

726
00:37:37,719 --> 00:37:40,879
Speaker 1: the la Hill is scheduled before you and it's late,

727
00:37:42,239 --> 00:37:46,879
Speaker 1: and say, can you start it? Oh, j it's Lauren Hill.

728
00:37:47,080 --> 00:37:50,879
Speaker 1: We have to let her go. And you you think,

729
00:37:50,880 --> 00:37:52,960
Speaker 1: I wait at me the bit she's like my hemmates

730
00:37:53,000 --> 00:37:56,279
Speaker 1: tell is too important for Lauren Helen. I'd be like,

731
00:37:56,320 --> 00:37:57,920
Speaker 1: I'm gonna be watching the show. Just let me know

732
00:37:57,960 --> 00:38:02,319
Speaker 1: when we're on, like would have been. But after you

733
00:38:02,440 --> 00:38:05,280
Speaker 1: is Grace Jones and she has to start on time.

734
00:38:05,840 --> 00:38:07,399
Speaker 1: Then I go to the back and I say, Lissa,

735
00:38:07,440 --> 00:38:10,960
Speaker 1: we really do got to cut the show. We gotta

736
00:38:11,000 --> 00:38:13,120
Speaker 1: cut it. But I get it. I mean I get it.

737
00:38:13,239 --> 00:38:15,520
Speaker 1: But um, I honestly think it's really weird to compare

738
00:38:15,600 --> 00:38:18,200
Speaker 1: my art to a DJ okay, I guess you just

739
00:38:18,239 --> 00:38:21,520
Speaker 1: did that. We're actually is comparing your art and right,

740
00:38:21,600 --> 00:38:25,400
Speaker 1: of course my contemporaries. UM. I like Lauren Hill because

741
00:38:25,400 --> 00:38:27,640
Speaker 1: she hates white people fairly, but she has a soft

742
00:38:27,640 --> 00:38:29,319
Speaker 1: spot for the Jews. So I think I could get

743
00:38:29,320 --> 00:38:30,799
Speaker 1: in there. I think I could get in there. I

744
00:38:30,800 --> 00:38:34,040
Speaker 1: think Lauren's like I think Lauren is very accepting of

745
00:38:34,080 --> 00:38:37,040
Speaker 1: Asians too. Probably I don't know for real, but I

746
00:38:37,080 --> 00:38:38,640
Speaker 1: feel like she has. I feel like, together, we have

747
00:38:38,680 --> 00:38:42,120
Speaker 1: to find this out now. Sorry, Matt, we'll figure it out.

748
00:38:43,239 --> 00:38:45,960
Speaker 1: It's your guys job. Thank you. Sorry you were saying

749
00:38:45,960 --> 00:38:51,600
Speaker 1: about the Bible. Oh yeah, anyway, I didn't watch the

750
00:38:51,640 --> 00:38:53,680
Speaker 1: whole thing, but I did love because I do get

751
00:38:53,719 --> 00:38:56,600
Speaker 1: so genuinely confused. But I liked the sort of futuristic

752
00:38:56,719 --> 00:39:00,600
Speaker 1: costumes that they did with Jesus Christ Superstar Alive. But

753
00:39:00,640 --> 00:39:03,040
Speaker 1: I loved Laughing too because it's so dramatic. What's the

754
00:39:03,120 --> 00:39:06,120
Speaker 1: buzz telling men what's happening? And what's the what is

755
00:39:06,160 --> 00:39:09,920
Speaker 1: the ending of the Bible revelations relations? But what happens

756
00:39:10,120 --> 00:39:13,560
Speaker 1: an exciting and it's cathology. It's like the world. It's

757
00:39:13,560 --> 00:39:16,640
Speaker 1: like how the world ends. Yeah, that's like apocalyptic stuff. Yeah,

758
00:39:16,680 --> 00:39:18,320
Speaker 1: that's why Christians all think that they're going to be

759
00:39:18,360 --> 00:39:20,080
Speaker 1: the special ones who see the world. And it's like,

760
00:39:20,320 --> 00:39:23,879
Speaker 1: keep bushing, babe, keep bushing. I was gonna say, Oh,

761
00:39:23,960 --> 00:39:27,080
Speaker 1: and then one more thing about Erica bad everyone. This

762
00:39:27,200 --> 00:39:29,640
Speaker 1: is required viewing. You know. Pitchfork does those over and

763
00:39:29,719 --> 00:39:31,440
Speaker 1: under videos where they interview people and then they give

764
00:39:31,440 --> 00:39:32,759
Speaker 1: them a random topic and they have to say if

765
00:39:32,800 --> 00:39:38,239
Speaker 1: it's overrated or underrated and describe why Eric right right right? Um,

766
00:39:38,960 --> 00:39:41,920
Speaker 1: Erica has one and every single answer she gives is

767
00:39:42,160 --> 00:39:44,839
Speaker 1: so fucking funny. I think she's stone. It's so funny.

768
00:39:44,880 --> 00:39:49,719
Speaker 1: And she says everything is underrated. She's she's supportive of underrated.

769
00:39:49,880 --> 00:39:52,560
Speaker 1: She doesn't need that bitterness. Listening to our music is

770
00:39:52,640 --> 00:39:56,480
Speaker 1: so therapeutic because like she is truly on this different

771
00:39:56,560 --> 00:39:59,759
Speaker 1: level where she like completely accepts herself and in that

772
00:40:00,160 --> 00:40:03,239
Speaker 1: she's not suffering bullshit, Like she's like, why waste your

773
00:40:03,239 --> 00:40:05,640
Speaker 1: time not being happy? Like this is why I have

774
00:40:05,760 --> 00:40:08,800
Speaker 1: my diet. Like whenever, um, I want to feel crazy

775
00:40:08,920 --> 00:40:11,200
Speaker 1: and lean into it, I listened to Erica Badoo. And

776
00:40:11,520 --> 00:40:13,440
Speaker 1: whenever I want to feel crazy and fight it but

777
00:40:13,520 --> 00:40:16,280
Speaker 1: make it profound, I listen to Lauren Hill. That's funny,

778
00:40:16,440 --> 00:40:19,200
Speaker 1: Like Lauren Hill's first album for a breakup, It's like

779
00:40:19,200 --> 00:40:21,560
Speaker 1: there's I just remember this dude broke my heart in Portland.

780
00:40:21,600 --> 00:40:24,680
Speaker 1: I'm like driving around like you just last one, just

781
00:40:26,040 --> 00:40:28,279
Speaker 1: screaming like no, it's good, it's good. It was like

782
00:40:28,680 --> 00:40:30,759
Speaker 1: you know it's a healing thing because you're like, well,

783
00:40:30,800 --> 00:40:33,200
Speaker 1: she became Lauren Hill after Who's the loser who broke

784
00:40:33,239 --> 00:40:35,320
Speaker 1: her heart? Exactly. The Miss Education of Lauren Hill is

785
00:40:35,360 --> 00:40:37,640
Speaker 1: like such a good break. Yeah, it's so good. Never

786
00:40:37,719 --> 00:40:40,680
Speaker 1: date the boy in the band, Never date the boy.

787
00:40:41,200 --> 00:40:43,040
Speaker 1: What do you guys listen to before you go to bed?

788
00:40:43,680 --> 00:40:46,560
Speaker 1: Good question? Lately and listening to Casey mus Grave. She's

789
00:40:46,560 --> 00:40:48,440
Speaker 1: got a new album now, Oh yeah, you guys have

790
00:40:48,680 --> 00:40:51,720
Speaker 1: now I have to. I have to check her out.

791
00:40:52,400 --> 00:40:54,560
Speaker 1: And she like her old stuff is very very twing

792
00:40:54,560 --> 00:40:58,080
Speaker 1: and very like banjo plucky and pedal steely, but love

793
00:40:58,120 --> 00:41:00,680
Speaker 1: that she like her whole claim to when you first

794
00:41:00,760 --> 00:41:03,360
Speaker 1: came out and came out of the scene was that

795
00:41:03,400 --> 00:41:06,840
Speaker 1: she was like quote unquote progressive. She's a country singer,

796
00:41:06,880 --> 00:41:10,280
Speaker 1: like a country girl who's acknowledged gay people, like sings

797
00:41:10,320 --> 00:41:12,680
Speaker 1: about gay people and like a lot of her much

798
00:41:12,760 --> 00:41:15,319
Speaker 1: only been the Dixie Chicks, right Yeah, And even that

799
00:41:15,400 --> 00:41:19,680
Speaker 1: was very indirect until true, until they had until they

800
00:41:19,680 --> 00:41:21,719
Speaker 1: had already gotten their CDs burned, They're like, might as

801
00:41:21,719 --> 00:41:24,680
Speaker 1: well lean it, and she and then Casey also like

802
00:41:24,760 --> 00:41:26,759
Speaker 1: sings about weed all the time. And it's like, I

803
00:41:26,760 --> 00:41:30,040
Speaker 1: love that. I like country music, like I like old country.

804
00:41:30,440 --> 00:41:32,600
Speaker 1: I used I love listening like what do you Got? Three?

805
00:41:32,600 --> 00:41:34,920
Speaker 1: And Hank Williams and stuff like that. That one kid

806
00:41:34,920 --> 00:41:37,400
Speaker 1: who went viral was so funny, the guy on the

807
00:41:37,440 --> 00:41:45,000
Speaker 1: walt in the walmart, the little boy honestly gorgeous than music.

808
00:41:46,880 --> 00:41:49,240
Speaker 1: It's what we need right now country music. Well you

809
00:41:49,000 --> 00:41:53,959
Speaker 1: know what I mean, American idol back, we need country music.

810
00:41:54,000 --> 00:41:55,800
Speaker 1: We need Garth Brooks and Trisia Year would and you

811
00:41:55,880 --> 00:41:58,880
Speaker 1: gotta get black country into the main stad country because

812
00:41:58,920 --> 00:42:01,239
Speaker 1: like you remember how crazy it was when Beyonce played

813
00:42:01,280 --> 00:42:02,960
Speaker 1: with the Dixie Chicks, and you think about it, like

814
00:42:03,440 --> 00:42:05,880
Speaker 1: Beyonce it in her latest album, like she did this

815
00:42:06,080 --> 00:42:09,919
Speaker 1: country song and like yeah, and it's like so it's

816
00:42:09,960 --> 00:42:13,000
Speaker 1: like there's so much that, like you know, because the

817
00:42:13,120 --> 00:42:15,640
Speaker 1: black people have been taken out of the South narrative

818
00:42:15,920 --> 00:42:19,520
Speaker 1: that I wonder what the progressive country movement if you

819
00:42:19,560 --> 00:42:21,799
Speaker 1: could have, Like I mean, right now you have like

820
00:42:21,880 --> 00:42:24,680
Speaker 1: teachers striking in Oklahoma where I'm from and ship so

821
00:42:24,719 --> 00:42:27,280
Speaker 1: it's like and you have some of these places being

822
00:42:27,320 --> 00:42:31,400
Speaker 1: turned like that you would never think would vote anything

823
00:42:31,440 --> 00:42:34,800
Speaker 1: but like crazy Republican. So why not country musing? So

824
00:42:34,880 --> 00:42:39,120
Speaker 1: why not country musing? Mickey Guyton is this amazing country singer.

825
00:42:39,280 --> 00:42:42,399
Speaker 1: She's um and she's black and she's so oh yeah, yeah,

826
00:42:42,440 --> 00:42:46,560
Speaker 1: I've listened to her. She's good. There's a couple of

827
00:42:47,480 --> 00:42:49,239
Speaker 1: there's a couple of girls that have been on the

828
00:42:49,320 --> 00:42:51,520
Speaker 1: Voice too, that have been black that I've been like,

829
00:42:52,800 --> 00:42:54,520
Speaker 1: that have been like, my thing is country, like this

830
00:42:54,560 --> 00:42:57,160
Speaker 1: is what I want and they've been good. Yeah, like

831
00:42:57,960 --> 00:43:01,560
Speaker 1: another but they like but it's comes from a gospel place.

832
00:43:02,200 --> 00:43:04,920
Speaker 1: So there's but that is part of the South to

833
00:43:06,440 --> 00:43:08,680
Speaker 1: they're missing such a market. I mean, that's what's so stupid,

834
00:43:08,800 --> 00:43:11,960
Speaker 1: is like because they know that no mainstream country record

835
00:43:12,640 --> 00:43:16,200
Speaker 1: is going to uncontroversially like it's crazy because these are

836
00:43:16,239 --> 00:43:18,840
Speaker 1: the same people that say racism doesn't exist anymore. And

837
00:43:18,880 --> 00:43:21,880
Speaker 1: then it's like, but what kind of like Nashville Records

838
00:43:21,960 --> 00:43:24,080
Speaker 1: is going to sign a bunch of black artists with

839
00:43:24,200 --> 00:43:26,839
Speaker 1: the same label as the white country artists. They might

840
00:43:26,880 --> 00:43:30,640
Speaker 1: have their own label for hip hop or black country

841
00:43:30,800 --> 00:43:34,359
Speaker 1: or whatever, but they keep it separate, you know, two

842
00:43:34,360 --> 00:43:38,879
Speaker 1: different genres. Pop country is implicitly white. Yeah, of course. Yeah.

843
00:43:38,920 --> 00:43:41,239
Speaker 1: If you say pop country and it all looks the

844
00:43:41,239 --> 00:43:44,359
Speaker 1: same same thing. The women look the same the men

845
00:43:45,239 --> 00:43:50,240
Speaker 1: that do you know the singer Raylan and God Made Girls,

846
00:43:51,440 --> 00:43:57,800
Speaker 1: God Made Girls, Iraq Your world like God made girls

847
00:43:57,840 --> 00:44:00,480
Speaker 1: because boys needed it was like that you got to

848
00:44:00,480 --> 00:44:02,680
Speaker 1: tell him how to flirirt Like it's just like you

849
00:44:02,719 --> 00:44:05,040
Speaker 1: need to listen to this song. It's sick of Yeah,

850
00:44:05,120 --> 00:44:07,359
Speaker 1: that's how all of them are. They're like they're like,

851
00:44:07,680 --> 00:44:09,759
Speaker 1: it's it's so bad. That's the title of that God

852
00:44:09,800 --> 00:44:13,160
Speaker 1: Made Girls. Not imagine me as like a little Jewish

853
00:44:13,239 --> 00:44:17,680
Speaker 1: high schooler in Tulsa, Oklahoma and like fucking Brianna pulling

854
00:44:17,760 --> 00:44:20,680
Speaker 1: up in her huge gass pickup truck like blasting like

855
00:44:21,160 --> 00:44:25,239
Speaker 1: thanks my tracked or sex, like I hate this place.

856
00:44:25,520 --> 00:44:28,799
Speaker 1: I saw him in concert, kill me. Yeah, my dad

857
00:44:28,840 --> 00:44:33,799
Speaker 1: liked him a lot. He was pretty good. Oh my gosh. Hey,

858
00:44:33,880 --> 00:44:36,000
Speaker 1: you know what a lot of people have like told

859
00:44:36,000 --> 00:44:39,200
Speaker 1: me confessionally that they are attracted to those Wait, you

860
00:44:39,280 --> 00:44:41,759
Speaker 1: posted this the Daniel Tosh that you think Daniel Tosh

861
00:44:44,280 --> 00:44:49,000
Speaker 1: a little bit in the subway, there was a room

862
00:44:49,040 --> 00:44:50,960
Speaker 1: in the subway that was like, he does not look good.

863
00:44:52,239 --> 00:44:54,640
Speaker 1: I don't know, I liked. I don't know. Guys, I

864
00:44:54,760 --> 00:44:56,200
Speaker 1: really want to you want to be in bed, Like

865
00:44:56,239 --> 00:45:00,800
Speaker 1: I got a video you should is gonna like to

866
00:45:01,239 --> 00:45:03,200
Speaker 1: He's gonna like say that you should. You deserve to

867
00:45:03,200 --> 00:45:08,000
Speaker 1: get raped. Yeah, man, he had some breakdown where some

868
00:45:08,120 --> 00:45:11,239
Speaker 1: woman was heckling him and then he yelled and he

869
00:45:11,360 --> 00:45:13,160
Speaker 1: was like get ripped. And it's almost like to me,

870
00:45:13,239 --> 00:45:16,000
Speaker 1: it's like, just write a better joke, even like I

871
00:45:16,080 --> 00:45:21,280
Speaker 1: think it's like when people are offended over like jokes

872
00:45:21,280 --> 00:45:25,280
Speaker 1: and poor taste. It's about taste. It's not about liked.

873
00:45:25,440 --> 00:45:28,040
Speaker 1: But actually I'm disappointed in you for not coming up

874
00:45:28,040 --> 00:45:30,600
Speaker 1: with a better for all comedians that we disagree with

875
00:45:30,719 --> 00:45:33,359
Speaker 1: that we like because they're actually funny, like and they're

876
00:45:33,400 --> 00:45:35,440
Speaker 1: and they're clever from the point of like that's the thing.

877
00:45:35,520 --> 00:45:38,120
Speaker 1: It's like when your ship's hacked, Like they go up

878
00:45:38,120 --> 00:45:41,600
Speaker 1: there and they're like, I'm being censored. It's like, actually,

879
00:45:41,960 --> 00:45:45,520
Speaker 1: all that's happening is you're doing You're doing the same thing,

880
00:45:45,680 --> 00:45:49,160
Speaker 1: and when your ship bombs, you blame PC culture. And

881
00:45:49,280 --> 00:45:52,800
Speaker 1: imagine if me if I had ever on a singular

882
00:45:52,920 --> 00:45:55,759
Speaker 1: joke blamed the fact that I was a woman, I

883
00:45:55,760 --> 00:45:58,600
Speaker 1: would be eating alive. Oh you didn't laugh at that

884
00:45:58,600 --> 00:46:00,680
Speaker 1: because I'm a woman. They'll say that on stage you

885
00:46:00,719 --> 00:46:04,040
Speaker 1: didn't laugh. Oh, PC culture. It's like your joke just bombed, dude,

886
00:46:04,080 --> 00:46:07,040
Speaker 1: And they'll tell some jokes and now there are enough

887
00:46:07,120 --> 00:46:10,000
Speaker 1: people or women who feel comfortable being like, Hey, that

888
00:46:10,120 --> 00:46:12,399
Speaker 1: joke made me think that you're an asshole. That's all

889
00:46:12,440 --> 00:46:15,040
Speaker 1: we're saying. All they're doing is saying something, and we're

890
00:46:15,080 --> 00:46:17,440
Speaker 1: not censoring you. We're just calling you an asshole. But

891
00:46:17,560 --> 00:46:20,960
Speaker 1: to you, that's completely unacceptable and the same thing as censorship.

892
00:46:21,160 --> 00:46:23,560
Speaker 1: Like fucking Ricky your vase. Oh my god, I don't

893
00:46:23,560 --> 00:46:26,680
Speaker 1: think so, honey, Ricky your vase because like his whole

894
00:46:26,760 --> 00:46:30,680
Speaker 1: latest special humanity, he's talking about this trans joke that

895
00:46:30,680 --> 00:46:33,080
Speaker 1: he made about Caitlyn Jenner, and literally at one point

896
00:46:33,160 --> 00:46:35,440
Speaker 1: he's like sitting on his stool, going, now, let me

897
00:46:35,520 --> 00:46:38,280
Speaker 1: tell you why that's funny. It's like, if you're telling

898
00:46:38,400 --> 00:46:40,839
Speaker 1: us it's funny, it's like crossing us up. Now, let

899
00:46:40,920 --> 00:46:44,239
Speaker 1: me describe to you why that is funny. It's like

900
00:46:44,600 --> 00:46:48,680
Speaker 1: it's not. It's ever since he got skinny, it's not funny,

901
00:46:47,600 --> 00:46:52,600
Speaker 1: say for being he thinks he's hot. Now had one

902
00:46:52,719 --> 00:46:56,239
Speaker 1: great moment in the office and like and then like that,

903
00:46:56,480 --> 00:46:57,880
Speaker 1: like that is actually you go back and watch them,

904
00:46:57,880 --> 00:47:01,560
Speaker 1: it's still extra extra. But I didn't even like that.

905
00:47:01,680 --> 00:47:04,200
Speaker 1: The next one with Warick Davis, I didn't like the

906
00:47:04,200 --> 00:47:06,920
Speaker 1: next shows that they did. Really, I just yeah, ever

907
00:47:06,960 --> 00:47:08,520
Speaker 1: since he lost the weight and he's been funny. Did

908
00:47:08,520 --> 00:47:10,560
Speaker 1: you guys like my British accent? I thought it was

909
00:47:10,719 --> 00:47:14,400
Speaker 1: really good. I've been telling the accents. You are Meryl Streeps,

910
00:47:14,480 --> 00:47:17,360
Speaker 1: MARYL Streeps my favorite accent. I just did that. Sam

911
00:47:17,360 --> 00:47:20,480
Speaker 1: Taggart loves, which I love that love. I have one

912
00:47:20,560 --> 00:47:23,680
Speaker 1: character is called the Australian Bachelor and it's so it's

913
00:47:23,760 --> 00:47:27,080
Speaker 1: the Bachelor if he were Australian. Go on. He says, hello,

914
00:47:27,160 --> 00:47:33,040
Speaker 1: my name's Meach and on the beach Bachelor Marcia. These

915
00:47:33,080 --> 00:47:37,600
Speaker 1: accents have a talent. You are Meryl Streeps, Caryl Streep's

916
00:47:37,600 --> 00:47:41,399
Speaker 1: pretty fun being the bach I think, and that's just

917
00:47:41,480 --> 00:47:46,160
Speaker 1: all his personality steps. Meryl Streeps, Sheryl Streepryl Streeps. Guys

918
00:47:46,280 --> 00:47:49,320
Speaker 1: were We've come to the second installment of our newest

919
00:47:49,320 --> 00:47:55,759
Speaker 1: segment called Voice. So fan favorites are going to leave

920
00:47:55,800 --> 00:47:58,879
Speaker 1: voicemail voice memos for us to play and we will

921
00:47:58,920 --> 00:48:01,320
Speaker 1: react in real time. That to the fact and our

922
00:48:01,480 --> 00:48:05,960
Speaker 1: our voice memo you Bitch today is from Pat Regan.

923
00:48:07,080 --> 00:48:09,279
Speaker 1: He'll he'll introduced himself right now. Great, here we go.

924
00:48:10,960 --> 00:48:15,920
Speaker 1: The bitch is back. Pick your jaws up off the floor. Girls,

925
00:48:16,440 --> 00:48:19,680
Speaker 1: you look like you just heard a goat. Marcia, you

926
00:48:19,719 --> 00:48:24,360
Speaker 1: look fucking amazing tonight. Oh my god, you look gorgeous

927
00:48:24,400 --> 00:48:27,000
Speaker 1: and stunning. It's insane. Can you turn around so you

928
00:48:27,040 --> 00:48:30,839
Speaker 1: can see the bag? My god, the bag? That would

929
00:48:30,880 --> 00:48:35,440
Speaker 1: be beautiful. I love the love. Um. I want to

930
00:48:35,440 --> 00:48:37,719
Speaker 1: talk about joelk and Booster and kind of concer his

931
00:48:37,800 --> 00:48:40,279
Speaker 1: assertion that he is the first two time guests on

932
00:48:40,360 --> 00:48:43,400
Speaker 1: Lost Culture stuff because we wanted that I was the

933
00:48:43,520 --> 00:48:48,000
Speaker 1: packtime guest on Lost Cultures. Does lost episode counts and

934
00:48:48,200 --> 00:48:51,440
Speaker 1: very much so. A podcast is born when it is performed,

935
00:48:51,560 --> 00:48:54,400
Speaker 1: not when it is recorded or airs, and what we

936
00:48:54,520 --> 00:48:58,279
Speaker 1: created that day was very much a podcast episode. And

937
00:48:58,360 --> 00:49:01,279
Speaker 1: in everyone's heart they know at And so I don't

938
00:49:01,320 --> 00:49:04,320
Speaker 1: know what Joles deal is and I have to wonder

939
00:49:04,400 --> 00:49:06,920
Speaker 1: if he is. And I hate to use this word,

940
00:49:07,040 --> 00:49:13,880
Speaker 1: but jealous launched me followed last Culture says on Twitter,

941
00:49:14,760 --> 00:49:18,880
Speaker 1: and I couldn't help but notice that she wasn't acknowledging

942
00:49:18,880 --> 00:49:22,040
Speaker 1: me on the platform. And so I sent a text

943
00:49:22,080 --> 00:49:24,840
Speaker 1: to Matt and Bow and said, you know, Pat, my

944
00:49:25,000 --> 00:49:30,760
Speaker 1: needs to acknowledge me. I treat it out, I said, Podma,

945
00:49:30,800 --> 00:49:34,160
Speaker 1: I'm a frequent guest on this pod, please acknowledge me

946
00:49:34,239 --> 00:49:45,120
Speaker 1: right now. And she only faved didn't treat back, didn't okay, Podna,

947
00:49:46,360 --> 00:49:49,279
Speaker 1: because that wasn't really an acknowledge. And so I have

948
00:49:49,440 --> 00:49:52,799
Speaker 1: to think when I do get famous, Um, when I

949
00:49:52,880 --> 00:49:55,520
Speaker 1: go around to all the late night shows to promote

950
00:49:55,560 --> 00:49:59,400
Speaker 1: my latest project, UM, my kind of anecdote story that

951
00:49:59,440 --> 00:50:02,280
Speaker 1: I will tell kind of belly up to Fallon's desk

952
00:50:02,719 --> 00:50:06,200
Speaker 1: to see that, you know, padmaash me didn't acknowledge me

953
00:50:06,520 --> 00:50:09,600
Speaker 1: before I was famous, and we'll laugh about it, but

954
00:50:10,200 --> 00:50:14,000
Speaker 1: it'll be really real. Anyways, Padma, if you're listening, if

955
00:50:14,000 --> 00:50:17,400
Speaker 1: you could hear this, we can absolutely start over. Um.

956
00:50:17,440 --> 00:50:19,640
Speaker 1: I would love to just like get dinner and do

957
00:50:19,719 --> 00:50:22,560
Speaker 1: this in earnest, you know, like let's be friends. I

958
00:50:22,560 --> 00:50:25,520
Speaker 1: would love to pick your brain about Casey from top

959
00:50:25,520 --> 00:50:28,360
Speaker 1: Shop season three, who was in fact important to me

960
00:50:28,480 --> 00:50:32,040
Speaker 1: during my formative years. Um, all is not lost. We

961
00:50:32,080 --> 00:50:34,520
Speaker 1: can absolutely hit the reset button then get off on

962
00:50:34,560 --> 00:50:37,040
Speaker 1: the right foot. I would love that and just get

963
00:50:37,120 --> 00:50:42,320
Speaker 1: rid of this toxicity. Um. Anyways, I saw Love Simon.

964
00:50:42,480 --> 00:50:46,520
Speaker 1: I loved it. Unfortunately, so sorry. I think it's such

965
00:50:46,560 --> 00:50:49,960
Speaker 1: an important story to be told for my culture of

966
00:50:50,120 --> 00:50:55,400
Speaker 1: right day, and that's all I had to say for

967
00:50:55,600 --> 00:50:59,760
Speaker 1: right now. UM, I want everyone to have a really

968
00:51:00,040 --> 00:51:04,640
Speaker 1: I speak. I wish everyone peace, love, andvite. I'm in

969
00:51:04,680 --> 00:51:08,920
Speaker 1: a really positive place right now and it's a truly

970
00:51:08,960 --> 00:51:13,320
Speaker 1: a new beginning. UM. I have so many amazing projects

971
00:51:13,480 --> 00:51:16,280
Speaker 1: right now that I have to run off to expect

972
00:51:16,400 --> 00:51:19,720
Speaker 1: really big things coming from you soon. I'm so excited

973
00:51:19,760 --> 00:51:24,359
Speaker 1: for what I'm gonna put out next. Gonna like it

974
00:51:24,400 --> 00:51:28,200
Speaker 1: and be surprised by it. Actually been Pat Regan this

975
00:51:28,320 --> 00:51:34,240
Speaker 1: whole entire time. God bless you anyone listening. Okay, goodbye, Marsha,

976
00:51:34,360 --> 00:51:43,640
Speaker 1: you look fucking gorgeous. Injects Pat is that you're a

977
00:51:43,680 --> 00:51:47,120
Speaker 1: tiny tim like Pat is the best. He's like, my God,

978
00:51:47,120 --> 00:51:52,600
Speaker 1: bless everyone, thought Simon. I just thought, okay, I obviously

979
00:51:52,680 --> 00:51:55,480
Speaker 1: had a bit of a skewed perspective from Salmon Bowen's

980
00:51:55,480 --> 00:51:58,239
Speaker 1: Instagram reactions. But I loved it, and I loved you

981
00:51:58,320 --> 00:52:01,600
Speaker 1: guys article about it. So but I I the parts

982
00:52:01,600 --> 00:52:03,840
Speaker 1: that were like, there were parts that were genuinely funny

983
00:52:03,880 --> 00:52:06,919
Speaker 1: that were written to be funny, that were like so good.

984
00:52:07,680 --> 00:52:12,719
Speaker 1: But there were some parts that were absolutely insane. Oh

985
00:52:12,800 --> 00:52:14,600
Speaker 1: my god, I'm trying to think of it because there

986
00:52:14,600 --> 00:52:17,120
Speaker 1: were so many. First of all, the woman from Insecure

987
00:52:17,200 --> 00:52:22,480
Speaker 1: was so funny and it was so funny, um and

988
00:52:22,560 --> 00:52:25,520
Speaker 1: like but it was like, I mean, first of all,

989
00:52:25,800 --> 00:52:29,279
Speaker 1: the lead the lead guy is like yeah, like he's

990
00:52:29,360 --> 00:52:32,959
Speaker 1: like cute, Like, but I I predicted it right because

991
00:52:33,000 --> 00:52:35,680
Speaker 1: I was like, I think I predicted who it was.

992
00:52:35,760 --> 00:52:39,080
Speaker 1: I think, yeah, I thought I knew, but you know,

993
00:52:39,160 --> 00:52:41,040
Speaker 1: it did take me on some twists and turns. Um.

994
00:52:41,600 --> 00:52:43,600
Speaker 1: But yeah, I'm trying to think about the parts that

995
00:52:43,640 --> 00:52:48,120
Speaker 1: were like really crazy, which one the one that the

996
00:52:48,160 --> 00:52:53,600
Speaker 1: ice coffee was crazy because like the beginning takes itself

997
00:52:53,640 --> 00:52:56,120
Speaker 1: so seriously and it is true. He's like everything about

998
00:52:56,120 --> 00:53:02,080
Speaker 1: me is normal for one see, and he's like, yeah,

999
00:53:02,120 --> 00:53:06,320
Speaker 1: it's like, but it is important, ball, it is important.

1000
00:53:06,440 --> 00:53:11,040
Speaker 1: It's sure. The fucking the fucking like dance sequence in

1001
00:53:11,120 --> 00:53:15,360
Speaker 1: the dorm and like literally the set dressing, well, it

1002
00:53:15,440 --> 00:53:17,759
Speaker 1: was like they were outside on the squad. But then

1003
00:53:17,800 --> 00:53:21,920
Speaker 1: like the art like it's supposed to be super overwhelmingly

1004
00:53:22,040 --> 00:53:24,719
Speaker 1: gay like visual, but like they're wearing right aid T

1005
00:53:24,800 --> 00:53:28,759
Speaker 1: shirts and and the fucking and and on the exterior,

1006
00:53:28,840 --> 00:53:31,640
Speaker 1: like the fucking art direction whatever, whoever in the art

1007
00:53:31,640 --> 00:53:35,160
Speaker 1: department just hungue the smallest little pride flag on this

1008
00:53:35,440 --> 00:53:38,360
Speaker 1: giant stone building, as if that was like supposed to

1009
00:53:38,600 --> 00:53:41,040
Speaker 1: know it should have been. It should have been like

1010
00:53:41,760 --> 00:53:44,759
Speaker 1: everyone that they can't show. It's like he's actually like

1011
00:53:44,800 --> 00:53:49,600
Speaker 1: in a leather bar. Like he says at the end,

1012
00:53:49,600 --> 00:53:51,600
Speaker 1: maybe not this gay. What he meant was maybe not

1013
00:53:51,680 --> 00:53:55,320
Speaker 1: this type of gay. Maybe off to a dungeon. Maybe

1014
00:53:55,400 --> 00:53:57,840
Speaker 1: he'll go and be a submissive. But you know, you

1015
00:53:57,920 --> 00:54:00,439
Speaker 1: ever know. But I'm glad you liked it. I mean,

1016
00:54:00,480 --> 00:54:05,040
Speaker 1: but some parts of it were like cringe worthy. Was

1017
00:54:05,120 --> 00:54:08,320
Speaker 1: when like basically like he's been out into the whole school,

1018
00:54:08,320 --> 00:54:11,800
Speaker 1: like everyone knows that. And then and then he pulls

1019
00:54:11,840 --> 00:54:13,520
Speaker 1: up to pick his friends up and his friends are like,

1020
00:54:13,680 --> 00:54:16,960
Speaker 1: fuck you, I didn't understand that. How could you do

1021
00:54:17,000 --> 00:54:19,840
Speaker 1: these You tried to ruin our lives. And he was like,

1022
00:54:20,200 --> 00:54:23,080
Speaker 1: I'm sorry, you know, like stay away from us. Because

1023
00:54:23,080 --> 00:54:26,239
Speaker 1: he's treating his friend is like a pond though he

1024
00:54:26,280 --> 00:54:29,399
Speaker 1: really is. He's like, well maybe, And also, I mean,

1025
00:54:29,600 --> 00:54:32,280
Speaker 1: the guy who's supposed to be annoying sometimes the annoying

1026
00:54:32,360 --> 00:54:34,560
Speaker 1: character is cast too well, and I'm like, I think

1027
00:54:34,560 --> 00:54:36,600
Speaker 1: if that actor in her life, I'm a punch of

1028
00:54:36,719 --> 00:54:40,640
Speaker 1: he wasn't he? But it was? You know, actually, now

1029
00:54:40,680 --> 00:54:43,000
Speaker 1: that I'm thinking back on it, it was good. Actually

1030
00:54:43,120 --> 00:54:45,759
Speaker 1: it was a good movie. And that's the thing is

1031
00:54:45,760 --> 00:54:49,680
Speaker 1: that it's not but um, anyway, do you think it

1032
00:54:49,719 --> 00:54:53,319
Speaker 1: was an amazing movie? You had to follow you when

1033
00:54:53,480 --> 00:54:55,440
Speaker 1: I thought that, No, if have didn't follow me, I

1034
00:54:55,480 --> 00:54:59,000
Speaker 1: would notice, I would love But congratulations. I was going

1035
00:54:59,040 --> 00:55:01,040
Speaker 1: to say that, by the way, gratulations on the Padma

1036
00:55:01,040 --> 00:55:04,799
Speaker 1: fallout if you're listening, definitely, no pressure, no pressure. You know,

1037
00:55:04,880 --> 00:55:07,759
Speaker 1: I might be too a man hating She seems very nice. No,

1038
00:55:08,280 --> 00:55:11,839
Speaker 1: she has rough critiques on drag Race. She is not

1039
00:55:12,239 --> 00:55:19,560
Speaker 1: miss nice guy. I know. No, I love her shew like. So,

1040
00:55:20,200 --> 00:55:22,920
Speaker 1: in addition to all that other crap, I'm also fighting

1041
00:55:22,960 --> 00:55:27,000
Speaker 1: this like weird battle with Facebook every day. Everybody's in

1042
00:55:27,040 --> 00:55:29,600
Speaker 1: war with Facebook. But Facebook has banned me a bunch

1043
00:55:29,640 --> 00:55:32,000
Speaker 1: of times for these like crazy like one time it

1044
00:55:32,080 --> 00:55:33,839
Speaker 1: was for this like photo of me as a six

1045
00:55:33,920 --> 00:55:39,320
Speaker 1: year old saying kill all men. Adorable and um. But

1046
00:55:39,719 --> 00:55:43,239
Speaker 1: so now, like what happened was basically we had this

1047
00:55:43,280 --> 00:55:47,879
Speaker 1: friend Nicole. She posted two and something photos of her

1048
00:55:47,960 --> 00:55:52,040
Speaker 1: being harassed because during me Too, she posted this list

1049
00:55:52,080 --> 00:55:58,719
Speaker 1: that was like laughably innocuous. It's like basic things. Talk

1050
00:55:58,760 --> 00:56:00,960
Speaker 1: to your creepy friend, and if you have multiple women

1051
00:56:01,000 --> 00:56:03,160
Speaker 1: who say is still being creepy, don't bring around to

1052
00:56:03,200 --> 00:56:05,400
Speaker 1: the bar anymore, like, you know, really simple stuff. And

1053
00:56:05,480 --> 00:56:08,680
Speaker 1: dudes were like, I will kill you. And this one

1054
00:56:08,680 --> 00:56:12,040
Speaker 1: guy posted this is why men don't trust women. It's like, oh,

1055
00:56:12,080 --> 00:56:16,360
Speaker 1: this is why that's so I posted as a comment

1056
00:56:16,640 --> 00:56:21,400
Speaker 1: underneath that specific post men are scum and then I

1057
00:56:21,520 --> 00:56:23,399
Speaker 1: even replied to that like l O L I guess

1058
00:56:23,440 --> 00:56:25,759
Speaker 1: I lost that guy's trust, you know, blah blah blah.

1059
00:56:26,040 --> 00:56:29,240
Speaker 1: So then I got banned from Facebook for thirty days

1060
00:56:29,320 --> 00:56:31,560
Speaker 1: for that comment, and it turned into this whole saga

1061
00:56:31,560 --> 00:56:34,160
Speaker 1: where now I'm like talking to other people because when

1062
00:56:34,239 --> 00:56:37,080
Speaker 1: you look into it, they have humans deciding what gets removed.

1063
00:56:37,120 --> 00:56:41,440
Speaker 1: It's a twentysomething you're asshole. And it's outsourced. I just

1064
00:56:41,560 --> 00:56:44,360
Speaker 1: found out it's actually like quadru it's it's not always

1065
00:56:44,400 --> 00:56:47,280
Speaker 1: to a foreign place, but it's quadruple outsourced, where basically

1066
00:56:47,640 --> 00:56:50,000
Speaker 1: they hire somebody who hires somebody who hires somebody who

1067
00:56:50,040 --> 00:56:52,880
Speaker 1: hires a freelance company who hires the moderators. And it's

1068
00:56:52,920 --> 00:56:56,520
Speaker 1: wild but so but now because that happened, all of

1069
00:56:56,600 --> 00:56:59,240
Speaker 1: the press that's been written about it, this is literally

1070
00:56:59,280 --> 00:57:02,200
Speaker 1: the line that I'm even it's Marsha Belski is a

1071
00:57:02,280 --> 00:57:06,040
Speaker 1: comedian who calls men scum on the internet. That's literally

1072
00:57:06,120 --> 00:57:09,400
Speaker 1: just what they say. And I'm like, but that's not true.

1073
00:57:10,600 --> 00:57:12,120
Speaker 1: I'm like, I'm a little more clever than that because

1074
00:57:12,120 --> 00:57:14,239
Speaker 1: I've actually come up with the full matriarchy where men

1075
00:57:14,320 --> 00:57:16,600
Speaker 1: are in prison by our system. So please just don't

1076
00:57:17,200 --> 00:57:20,840
Speaker 1: reduce it to men are scum because that the militia

1077
00:57:20,880 --> 00:57:26,720
Speaker 1: has too hard like banned me for training a militia

1078
00:57:26,720 --> 00:57:29,720
Speaker 1: of women in the woods. Sure, but men are scum,

1079
00:57:29,880 --> 00:57:32,880
Speaker 1: I mean, come on, but um. So yeah, So now

1080
00:57:32,960 --> 00:57:35,840
Speaker 1: I'm always worried when like people don't know me like

1081
00:57:36,240 --> 00:57:38,040
Speaker 1: that are like going to come to my page like

1082
00:57:38,160 --> 00:57:40,720
Speaker 1: because they're just like what kind of a monster just

1083
00:57:40,880 --> 00:57:43,760
Speaker 1: goes around calling people scum for no reason. It's like

1084
00:57:44,480 --> 00:57:46,840
Speaker 1: whatever they can deal, they can deal. And also I

1085
00:57:46,960 --> 00:57:49,040
Speaker 1: think I feel like, I mean, I've been on Facebook

1086
00:57:49,040 --> 00:57:51,120
Speaker 1: for a few weeks. I want to get off so bad.

1087
00:57:53,560 --> 00:57:55,400
Speaker 1: That's what I feel like, is that because it started

1088
00:57:55,440 --> 00:57:57,920
Speaker 1: with people like reporting me, I have this honree like

1089
00:57:58,080 --> 00:58:02,280
Speaker 1: stubbornness where I'm like, I'm not going to get off,

1090
00:58:02,480 --> 00:58:04,440
Speaker 1: but like, but then I'm not ever going to get

1091
00:58:04,480 --> 00:58:05,800
Speaker 1: off for the rest of my life. I'm not going

1092
00:58:05,840 --> 00:58:09,600
Speaker 1: to come. But then, like I it's hard because like

1093
00:58:09,640 --> 00:58:11,160
Speaker 1: I do want to get off Facebook. But I told

1094
00:58:11,240 --> 00:58:13,920
Speaker 1: my manager, like my one of my career goals is

1095
00:58:14,000 --> 00:58:17,200
Speaker 1: to like not need Facebook because like when I was banned,

1096
00:58:17,880 --> 00:58:20,480
Speaker 1: I lost a fifty dollar gig because I couldn't reach

1097
00:58:20,600 --> 00:58:22,160
Speaker 1: the guy any other way and they needed a fill

1098
00:58:22,240 --> 00:58:24,520
Speaker 1: in that night, and I like, fifty bugs is not,

1099
00:58:24,760 --> 00:58:26,480
Speaker 1: you know, nothing for a show. So I'm like a

1100
00:58:27,400 --> 00:58:29,080
Speaker 1: couple of meals right there. You know, I get to

1101
00:58:29,120 --> 00:58:34,280
Speaker 1: self a weekly meto plus you know that's another one

1102
00:58:34,440 --> 00:58:37,880
Speaker 1: that's my inner monologue. Um. But but yeah, so it's like,

1103
00:58:38,040 --> 00:58:39,760
Speaker 1: you know, well, you're you're not very far from not

1104
00:58:39,840 --> 00:58:43,720
Speaker 1: needing Facebook. But then I missed to like someone like, oh,

1105
00:58:43,760 --> 00:58:45,440
Speaker 1: why don't you come to my birthday party? Like you

1106
00:58:45,480 --> 00:58:47,800
Speaker 1: didn't text me, like you know, like nobody I like that.

1107
00:58:47,920 --> 00:58:51,080
Speaker 1: Now people do birthday invites on email, which I like, Yah,

1108
00:58:51,680 --> 00:58:57,960
Speaker 1: that's the best where business should happen. Emails that happened

1109
00:58:58,960 --> 00:59:01,040
Speaker 1: move on to I don't think so honey, let's let's

1110
00:59:01,040 --> 00:59:02,800
Speaker 1: wrap this all up and do and I don't think so, honey.

1111
00:59:03,400 --> 00:59:05,520
Speaker 1: Of course we have a real champion over here. This

1112
00:59:05,640 --> 00:59:08,520
Speaker 1: is a cult war participants. Yes, she was team Matt.

1113
00:59:08,680 --> 00:59:11,640
Speaker 1: She was team Mata. You know what's sad because so

1114
00:59:11,760 --> 00:59:15,000
Speaker 1: I was debating between doing this one or the one

1115
00:59:15,040 --> 00:59:17,160
Speaker 1: I ended up doing, which was Mark Zuckerberg, because I

1116
00:59:17,280 --> 00:59:18,800
Speaker 1: was just going, you know, I was right when the

1117
00:59:18,840 --> 00:59:22,640
Speaker 1: facebooks have happened. But then I knew like Tyler and Joel,

1118
00:59:22,800 --> 00:59:24,800
Speaker 1: they like knew the whole story. So as soon as

1119
00:59:24,840 --> 00:59:26,640
Speaker 1: I got there, I was like, I should have done

1120
00:59:26,680 --> 00:59:29,320
Speaker 1: the other one. So now I get my like, I

1121
00:59:29,400 --> 00:59:31,960
Speaker 1: get to do that I should have done. Do you

1122
00:59:32,000 --> 00:59:34,960
Speaker 1: want to go first? Okay, because you have one ready,

1123
00:59:35,160 --> 00:59:36,800
Speaker 1: this is Matt Rodgers as I don't think so, honey,

1124
00:59:36,840 --> 00:59:39,040
Speaker 1: his time starts now. I don't think so, honey. When

1125
00:59:39,120 --> 00:59:44,480
Speaker 1: reality shows cannot choose finalists and so there's four, which no,

1126
00:59:44,920 --> 00:59:48,080
Speaker 1: there is a top two on reality shows. And if

1127
00:59:48,120 --> 00:59:50,920
Speaker 1: you cannot decide who needs to go home, guess what,

1128
00:59:51,120 --> 00:59:52,960
Speaker 1: you are not good at your job, because a good

1129
00:59:53,120 --> 00:59:57,520
Speaker 1: producer would get in there and have a decision get made.

1130
00:59:57,680 --> 00:59:59,520
Speaker 1: Because that is why we were watching we watch a

1131
00:59:59,560 --> 01:00:02,720
Speaker 1: reality show to see elimination at the end of the

1132
01:00:02,800 --> 01:00:06,439
Speaker 1: fucking episode. Also, I'm sorry, but they are not all

1133
01:00:06,600 --> 01:00:09,560
Speaker 1: that good. What is with this? They know they sign

1134
01:00:09,720 --> 01:00:14,000
Speaker 1: up to be cut potentially, so fucking cut them. America's

1135
01:00:14,080 --> 01:00:16,560
Speaker 1: Next Top Model there has been a true final four

1136
01:00:17,000 --> 01:00:20,280
Speaker 1: for three weeks now because they can't cut people. They

1137
01:00:20,400 --> 01:00:23,400
Speaker 1: just keep Look, bitch, we get it. We've already seen

1138
01:00:23,440 --> 01:00:25,920
Speaker 1: a little edited package about their difficulty with their mother.

1139
01:00:26,080 --> 01:00:27,960
Speaker 1: We don't need to see it again. Get them off

1140
01:00:28,000 --> 01:00:30,560
Speaker 1: the show so we can have a good winner versus

1141
01:00:30,640 --> 01:00:33,280
Speaker 1: loser narrative. I want to top two Ruple's drag race.

1142
01:00:33,360 --> 01:00:35,040
Speaker 1: I'm looking at you. Do not do this on season

1143
01:00:35,120 --> 01:00:37,240
Speaker 1: town like you didn't see the nine. I don't think so, honey.

1144
01:00:40,280 --> 01:00:42,440
Speaker 1: I feel very passionately about this. I don't want to

1145
01:00:42,480 --> 01:00:46,400
Speaker 1: see five people in fashion week on Project Run. You

1146
01:00:46,480 --> 01:00:48,680
Speaker 1: should be three. But that was one of your more

1147
01:00:49,160 --> 01:00:53,680
Speaker 1: like informationally dense. I don't thinking to pass out sideways

1148
01:00:53,720 --> 01:00:56,160
Speaker 1: like a child who locked their knees in choir. Honestly,

1149
01:00:56,240 --> 01:00:58,520
Speaker 1: I feel very strongly about that one, because, like with

1150
01:00:58,600 --> 01:01:00,960
Speaker 1: America's Next Top Model, there's four finalists. We're like, oh

1151
01:01:01,080 --> 01:01:03,280
Speaker 1: my god, these two girls are not gonna win. Moving on,

1152
01:01:04,320 --> 01:01:05,960
Speaker 1: I just thought of another grade. I don't think so

1153
01:01:06,040 --> 01:01:07,480
Speaker 1: honey too. But I guess I have to save that

1154
01:01:07,560 --> 01:01:09,280
Speaker 1: for the next, for the next one. It's for the

1155
01:01:09,360 --> 01:01:11,439
Speaker 1: next one, for the next. All right, I'll do it again. Listen,

1156
01:01:11,640 --> 01:01:14,640
Speaker 1: there's always chances, Von Yanks, I don't think so honey.

1157
01:01:14,680 --> 01:01:16,960
Speaker 1: As time starts now, I don't think so honey. Ethical

1158
01:01:17,160 --> 01:01:20,560
Speaker 1: consumption because guess what, bitch. Yesterday at the airport, I

1159
01:01:20,840 --> 01:01:25,640
Speaker 1: ate Chick fil A self loving gay man who was

1160
01:01:25,720 --> 01:01:31,480
Speaker 1: gonna contribute to this horrible bullshit fried chicken place. But look,

1161
01:01:31,600 --> 01:01:33,640
Speaker 1: it's so good. And I had the spicy chicken sandwich.

1162
01:01:33,680 --> 01:01:36,440
Speaker 1: It was delicious. But everyone in line in front of me,

1163
01:01:36,480 --> 01:01:38,200
Speaker 1: and I could live with I could live with this.

1164
01:01:38,320 --> 01:01:40,040
Speaker 1: Everyone in line in front of me was clearly like

1165
01:01:40,120 --> 01:01:43,160
Speaker 1: a Trump voting cookie cutter person. But I was like,

1166
01:01:43,280 --> 01:01:45,439
Speaker 1: it's fine. I will If this is what it takes

1167
01:01:45,480 --> 01:01:49,040
Speaker 1: for me to be among new people, then fine, I'm

1168
01:01:49,200 --> 01:01:52,560
Speaker 1: happy to share this common ground. Ethical consumption. Look, you

1169
01:01:52,640 --> 01:01:54,840
Speaker 1: can't make us feel guilty about everything that we touch.

1170
01:01:55,080 --> 01:01:56,760
Speaker 1: Everything that we touch is gonna be made by some

1171
01:01:57,240 --> 01:02:02,440
Speaker 1: horrible Haliburton person. It's okay, it's fine. Guys. So go

1172
01:02:02,600 --> 01:02:05,840
Speaker 1: to your Starbucks, don't buy local, don't eat local, go

1173
01:02:06,000 --> 01:02:08,760
Speaker 1: to your evil corporations, because at the end of the day,

1174
01:02:09,280 --> 01:02:12,280
Speaker 1: we're all we're all going to suffer in the end

1175
01:02:12,400 --> 01:02:15,520
Speaker 1: for whatever reason. So go down happy. I don't think so, honey,

1176
01:02:15,560 --> 01:02:20,760
Speaker 1: we're going to And that's one minute. Yes, I agree

1177
01:02:20,800 --> 01:02:23,760
Speaker 1: with you. I never ethically consume. There you go, Thank you, man.

1178
01:02:24,000 --> 01:02:26,080
Speaker 1: I know. I mean, I love to, like folk cry

1179
01:02:26,160 --> 01:02:29,600
Speaker 1: for a boycott just that companies feel shame. But you know,

1180
01:02:29,840 --> 01:02:31,800
Speaker 1: sometimes that's all it takes. That's all it takes. Still

1181
01:02:31,880 --> 01:02:34,920
Speaker 1: buy pay them. I was traveling yesterday back from Virginia

1182
01:02:34,960 --> 01:02:36,240
Speaker 1: in the car until we had to stop it like

1183
01:02:36,280 --> 01:02:37,560
Speaker 1: a restop to go to the bathroom, and I was

1184
01:02:37,560 --> 01:02:39,440
Speaker 1: going to go to the Burger king and they closed

1185
01:02:39,440 --> 01:02:41,520
Speaker 1: it up. And I turned around to my friend and

1186
01:02:41,560 --> 01:02:44,040
Speaker 1: I was like, they're closed. It's fine. Like I saw

1187
01:02:44,200 --> 01:02:45,720
Speaker 1: myself do it later and I was like, wow, I

1188
01:02:45,840 --> 01:02:49,760
Speaker 1: was like two upset that burger they're closed. It's fine.

1189
01:02:50,120 --> 01:02:52,520
Speaker 1: Any time my plan doesn't go my way, I'm pretty

1190
01:02:52,600 --> 01:02:55,960
Speaker 1: much full level of set. There's no in between for me.

1191
01:02:56,120 --> 01:02:59,040
Speaker 1: It's like either I'm really happy or like I tripped

1192
01:02:59,080 --> 01:03:02,680
Speaker 1: in my days rough and no, not that being closed.

1193
01:03:03,360 --> 01:03:09,120
Speaker 1: That's unacceptable. It was also nine pm. Um, this is unbelievable.

1194
01:03:09,560 --> 01:03:13,400
Speaker 1: This is one of Marcia bell skis indelible. I don't

1195
01:03:13,400 --> 01:03:17,000
Speaker 1: think so, honey, Marcia, you ready, Mark, I don't think so, Hony.

1196
01:03:17,040 --> 01:03:19,640
Speaker 1: Her time starts. I don't think so, honey. Straight men

1197
01:03:19,760 --> 01:03:24,680
Speaker 1: in theater, don't you have enough? Don't you have enough?

1198
01:03:25,360 --> 01:03:28,720
Speaker 1: I mean, first of all, you get to just dominate

1199
01:03:28,840 --> 01:03:31,160
Speaker 1: in every other area, and then you come into theater

1200
01:03:31,440 --> 01:03:33,880
Speaker 1: and you have nine million more parts than us, but

1201
01:03:34,400 --> 01:03:37,919
Speaker 1: one per every like actress. And when you're straight in theater,

1202
01:03:38,040 --> 01:03:41,360
Speaker 1: you get laid so much. There is there is too

1203
01:03:41,480 --> 01:03:43,920
Speaker 1: much there is, There is too much sex. And the

1204
01:03:44,040 --> 01:03:45,840
Speaker 1: thing is is that when you get so much of

1205
01:03:45,880 --> 01:03:48,479
Speaker 1: an ego, it's like they're rock stars before they even

1206
01:03:48,680 --> 01:03:50,640
Speaker 1: get out of the community theater. I mean. The thing

1207
01:03:50,760 --> 01:03:52,880
Speaker 1: is what's nice about these guys though, is that if

1208
01:03:52,960 --> 01:03:55,160
Speaker 1: you if you're the one to enlighten them that they're

1209
01:03:55,240 --> 01:03:57,800
Speaker 1: not interesting, they get really obsessed with you. So that's

1210
01:03:57,840 --> 01:04:00,960
Speaker 1: like really fun. And some of course, you know, if

1211
01:04:01,000 --> 01:04:02,840
Speaker 1: you're out there and you're a straight guy in theater thinking,

1212
01:04:02,920 --> 01:04:07,600
Speaker 1: you know, that's not like me, it is and unfortunately

1213
01:04:07,800 --> 01:04:09,960
Speaker 1: just leave theater to us because we don't have a lot.

1214
01:04:10,720 --> 01:04:16,840
Speaker 1: Oh and bye, that's what. Oh my god. Several of

1215
01:04:16,880 --> 01:04:18,840
Speaker 1: them and they are more successful than the gay man

1216
01:04:18,920 --> 01:04:21,360
Speaker 1: in theater and it gets frustrating. Well that and also

1217
01:04:21,680 --> 01:04:25,520
Speaker 1: I mean it's like they get fucked. It's crazy, like

1218
01:04:25,840 --> 01:04:28,480
Speaker 1: every time they leave the bro I remember I saw

1219
01:04:28,560 --> 01:04:31,720
Speaker 1: this interview with the guy from Glee, the douche Teacher.

1220
01:04:31,760 --> 01:04:35,760
Speaker 1: I saw him in here a spray and I was

1221
01:04:35,840 --> 01:04:38,720
Speaker 1: like he was like he was like, yeah, like pretty

1222
01:04:38,760 --> 01:04:41,400
Speaker 1: sure I'm not gay, because when you're straight, like you

1223
01:04:41,480 --> 01:04:43,440
Speaker 1: actually get laid a whole lot in theater. So I've

1224
01:04:43,480 --> 01:04:46,640
Speaker 1: never had a problem with women. And it wasn't as

1225
01:04:46,720 --> 01:04:48,440
Speaker 1: homophobic as all that, I don't think, but he was

1226
01:04:48,520 --> 01:04:53,320
Speaker 1: basically just like saying, how like yeah, he was just like,

1227
01:04:53,960 --> 01:04:56,520
Speaker 1: trust me, when you're straight in theater, you know, it's

1228
01:04:56,560 --> 01:04:58,360
Speaker 1: and that's the thing. I remember being in these shows

1229
01:04:58,400 --> 01:05:00,640
Speaker 1: and there's like the one hot straight guy and every

1230
01:05:00,720 --> 01:05:02,520
Speaker 1: girl in the cast is trying to suck him, like

1231
01:05:03,120 --> 01:05:05,000
Speaker 1: and then I'm the one who was just like, I'll

1232
01:05:05,040 --> 01:05:09,960
Speaker 1: be like, you're fun like fat friends, I mean, deep

1233
01:05:10,040 --> 01:05:12,640
Speaker 1: down that's all of us. Oh my god, this has

1234
01:05:12,680 --> 01:05:16,520
Speaker 1: been such a great episode with Marcia Belski. I mean,

1235
01:05:16,720 --> 01:05:19,000
Speaker 1: come on and I can go check out our stuff Reductress.

1236
01:05:19,000 --> 01:05:22,440
Speaker 1: It's going to be a very busy and fruitful beginning

1237
01:05:22,520 --> 01:05:26,680
Speaker 1: of spring there and she springing to the summer. We're

1238
01:05:26,720 --> 01:05:29,000
Speaker 1: in bloom right now. Check out Reductress live at Carolines

1239
01:05:29,000 --> 01:05:32,440
Speaker 1: on Broadway April, Ms, Andreuth, Marcia and right. Listen to

1240
01:05:32,520 --> 01:05:38,160
Speaker 1: that podcast. Shout out Mills to Tikowski for hands handmates

1241
01:05:38,240 --> 01:05:41,160
Speaker 1: till the musical. Shout out my mother, Shout out my mother,

1242
01:05:41,920 --> 01:05:44,280
Speaker 1: Shout out to the man himself, the Lord Jesus Christ,

1243
01:05:44,320 --> 01:05:46,560
Speaker 1: and shout out shout out to Matt's Lord Jesus Christ

1244
01:05:46,760 --> 01:05:50,920
Speaker 1: for Jesus Christ and John Legend Legend. He's never going

1245
01:05:50,960 --> 01:05:53,120
Speaker 1: to recover from that part. I could tell he was thinking,

1246
01:05:53,160 --> 01:05:55,000
Speaker 1: how am I going to stop being his voice? His

1247
01:05:55,120 --> 01:05:57,840
Speaker 1: voice is absolutely ruined. Shout out to Christie Teagan for

1248
01:05:57,920 --> 01:06:04,560
Speaker 1: the tweets. Tweets. Shout out you Pa, thank you, Padma, Okay, bye,

1249
01:06:09,480 --> 01:06:22,960
Speaker 1: are you too? Are you pad that's pad malash Me singing.

1250
01:06:23,440 --> 01:06:26,960
Speaker 1: That was Padma lash Me singing, who are you Patlosh?

1251
01:06:27,160 --> 01:06:35,200
Speaker 1: Thank you Padma, goodnight. This has been a forever Dog production.

1252
01:06:35,680 --> 01:06:39,840
Speaker 1: Executive produced by Brett Bohum, Joe Silio, and Alex Ramsey.

1253
01:06:40,520 --> 01:06:44,720
Speaker 1: For more original podcasts, please visit Forever Dog Podcasts dot

1254
01:06:44,840 --> 01:06:49,080
Speaker 1: com and subscribe to our shows on Apple Podcasts, Spotify,

1255
01:06:49,560 --> 01:06:51,920
Speaker 1: or wherever you get your podcasts. Keep up with the

1256
01:06:52,040 --> 01:06:55,240
Speaker 1: latest Forever Dog news by following us on Twitter and

1257
01:06:55,360 --> 01:07:00,520
Speaker 1: Instagram at Forever Dog Team, and liking our page on Facebook.