1 00:00:01,040 --> 00:00:05,240 Speaker 1: It's time for the Bobby Bones post show. Here's your host, 2 00:00:05,760 --> 00:00:14,800 Speaker 1: Bobby Bones. A lot of the life in the studio 3 00:00:14,880 --> 00:00:19,079 Speaker 1: in between segments is Eddie or myself singing a song 4 00:00:19,120 --> 00:00:21,400 Speaker 1: to ourself. We heard some of random just going and 5 00:00:21,440 --> 00:00:23,560 Speaker 1: they've been going. Is that barracouta man? We do that 6 00:00:23,600 --> 00:00:28,240 Speaker 1: every day. Because you didn't did do the thing again? Yeah, 7 00:00:28,280 --> 00:00:31,840 Speaker 1: that might be. I thought it was barraca What song 8 00:00:31,960 --> 00:00:37,879 Speaker 1: is that though? Aussie? Yeah? Right, we we played oh, 9 00:00:38,120 --> 00:00:42,360 Speaker 1: zep Zeppelin, that's what it was. Well, you played Baracuta though, 10 00:00:51,280 --> 00:00:56,040 Speaker 1: that's Barracuda. Sounds so similar. Different man, m that's crazy though, 11 00:00:56,080 --> 00:00:57,960 Speaker 1: I was singing Zeppelin, but I didn't know what that. 12 00:00:58,160 --> 00:01:05,160 Speaker 1: Why did you Bobby Barracuda? Okay, we do immigrants song 13 00:01:05,200 --> 00:01:07,960 Speaker 1: about led Zeppelin and how how was it your just going? 14 00:01:08,480 --> 00:01:13,560 Speaker 1: Gent Wait? Man, now I hear Arracuda? Uh hold it 15 00:01:14,640 --> 00:01:17,160 Speaker 1: is that the wh you were doing? Yeah? Oh yeah, 16 00:01:19,800 --> 00:01:21,240 Speaker 1: thanks man. Wait, I don't think I know what I 17 00:01:21,280 --> 00:01:24,399 Speaker 1: was doing that. I'm good, but I knew it from 18 00:01:24,440 --> 00:01:26,120 Speaker 1: you singing it as far as I got it. Is 19 00:01:26,160 --> 00:01:30,319 Speaker 1: there music in your head? Always, always a song. There's 20 00:01:30,319 --> 00:01:34,000 Speaker 1: always a soundtrack in my head. Yep, weird because all 21 00:01:34,040 --> 00:01:36,560 Speaker 1: of to be singing something or something's playing in the background. Dude, 22 00:01:36,560 --> 00:01:38,360 Speaker 1: I'm talking the second I wake up and I'm in 23 00:01:38,360 --> 00:01:40,000 Speaker 1: the shower, there's something in my head, and I'm like, 24 00:01:40,040 --> 00:01:41,720 Speaker 1: how is that song even in my head? Lunch bugs? 25 00:01:41,760 --> 00:01:44,240 Speaker 1: There always a song in your head, never very rare, 26 00:01:44,680 --> 00:01:47,600 Speaker 1: very rare. Yeah, there's always a song in my head 27 00:01:48,440 --> 00:01:53,520 Speaker 1: or a looping thought, meaning my mind never rests. Man, 28 00:01:53,840 --> 00:01:56,080 Speaker 1: that's tough. That's what I don't sleep very well. Yeah, 29 00:01:56,120 --> 00:01:57,920 Speaker 1: that's terrible. Yeah. I mean if I hear a song 30 00:01:58,000 --> 00:01:59,480 Speaker 1: over and over and over again, that's in my head, 31 00:01:59,520 --> 00:02:01,280 Speaker 1: Like what are you You get stuck in your head? 32 00:02:01,280 --> 00:02:03,400 Speaker 1: But that's only time music in my head? What about 33 00:02:03,400 --> 00:02:07,680 Speaker 1: a looping thide? Ah? No, I mean like, oh I 34 00:02:07,680 --> 00:02:09,800 Speaker 1: gotta get gas, or oh I gotta do this, or 35 00:02:09,800 --> 00:02:11,520 Speaker 1: I gotta get pick up lunch or one time I 36 00:02:11,560 --> 00:02:13,840 Speaker 1: gonna take a nap. Those are my thoughts. Hey, what 37 00:02:13,880 --> 00:02:18,120 Speaker 1: about you? It's awesome? What do he has that? What 38 00:02:18,240 --> 00:02:20,760 Speaker 1: kind of thoughts were? What are you amy thinking something 39 00:02:20,800 --> 00:02:22,560 Speaker 1: right now? Yeah? I was like, I don't asked what 40 00:02:22,560 --> 00:02:24,280 Speaker 1: about you? You just stared at me because I was 41 00:02:24,320 --> 00:02:26,560 Speaker 1: thinking about how he doesn't have loops in his head, 42 00:02:26,639 --> 00:02:28,679 Speaker 1: like my head starts looping. How he doesn't really, I 43 00:02:28,680 --> 00:02:30,440 Speaker 1: don't think he worries about much. And I'm like, oh 44 00:02:30,440 --> 00:02:32,040 Speaker 1: my gosh, my brain loops all the time, and I 45 00:02:32,040 --> 00:02:33,800 Speaker 1: get stuck on a loop and it goes over and like, 46 00:02:33,800 --> 00:02:36,320 Speaker 1: what do you loop about? Though? That's just figuring stuff 47 00:02:36,320 --> 00:02:39,080 Speaker 1: out all kinds of things people not liking me. Oh no, 48 00:02:39,120 --> 00:02:45,280 Speaker 1: mine's like calendar figure goodness. Yeah, mine's not about I 49 00:02:45,320 --> 00:02:47,720 Speaker 1: say that that was so stupid or oh I wish 50 00:02:47,800 --> 00:02:49,560 Speaker 1: I would have said it differently, Like, so, do you 51 00:02:49,560 --> 00:02:51,160 Speaker 1: think what you just said was so stupid? Or are 52 00:02:51,160 --> 00:02:53,480 Speaker 1: you talking like something like what do you mean? No? Not, 53 00:02:53,639 --> 00:02:55,440 Speaker 1: I mean it could be in any conversation. It could 54 00:02:55,440 --> 00:02:57,040 Speaker 1: be in a meeting, it could be on a phone call. 55 00:02:57,120 --> 00:02:58,760 Speaker 1: It could be something I said on the show one 56 00:02:58,840 --> 00:03:01,399 Speaker 1: day or five days ago. But it's still looping. That's 57 00:03:01,440 --> 00:03:03,400 Speaker 1: interesting that. That's because I think our minds all go 58 00:03:03,480 --> 00:03:06,880 Speaker 1: to different places. Yeah, yours goes what did I do 59 00:03:06,919 --> 00:03:10,040 Speaker 1: and how do people like it? Mind goes what am 60 00:03:10,040 --> 00:03:12,280 Speaker 1: I about to do and how can I get it 61 00:03:12,320 --> 00:03:16,079 Speaker 1: done effectively? So people like it? And Eddie yours is on? 62 00:03:21,680 --> 00:03:28,480 Speaker 1: And then lunchboxes down. Now it's like birds whistling. No, no, yeah, yeah, yeah, 63 00:03:28,560 --> 00:03:32,280 Speaker 1: yeah yeah. There's always something going on. Okay, let's see 64 00:03:32,320 --> 00:03:34,280 Speaker 1: where do we start. What's it gonna start on that? 65 00:03:34,920 --> 00:03:37,720 Speaker 1: There's also the thing where I go this is and 66 00:03:37,920 --> 00:03:39,840 Speaker 1: that starts us a whole hour of Eddie. I going 67 00:03:40,000 --> 00:03:43,160 Speaker 1: this this story of a girl NonStop. You know. But 68 00:03:43,200 --> 00:03:45,600 Speaker 1: that song I know, crowd and drown the whole world, 69 00:03:46,920 --> 00:03:53,200 Speaker 1: got it? And the paragraph photograph. Let's nickelback start with 70 00:03:53,320 --> 00:03:56,480 Speaker 1: this is. This is a story of a girl crowd 71 00:03:56,680 --> 00:04:00,480 Speaker 1: drown the whole world. Yeah, you're righting so off, he's going, bunch, 72 00:04:00,840 --> 00:04:02,600 Speaker 1: you do it one more time with the melody, right, 73 00:04:02,600 --> 00:04:05,480 Speaker 1: can you pull that up? They called nine days melody 74 00:04:05,520 --> 00:04:08,080 Speaker 1: would be if I'm giving you the melody to Twinkle Twinkle, 75 00:04:08,160 --> 00:04:12,760 Speaker 1: Little Star, here we go. Don dundun dun dun, dunt duh. 76 00:04:12,760 --> 00:04:16,040 Speaker 1: It's kind of how the music sounds even. This is 77 00:04:16,040 --> 00:04:17,880 Speaker 1: the story of a girl. One more time. I'm starting 78 00:04:17,920 --> 00:04:20,560 Speaker 1: around you go ahead. This is the story of a 79 00:04:20,600 --> 00:04:23,320 Speaker 1: girl who cried a lot of tears and drown the 80 00:04:23,320 --> 00:04:29,480 Speaker 1: whole world. Okay, I'm giving her photographs sixty five. That's nickelback. Now. 81 00:04:29,839 --> 00:04:32,160 Speaker 1: It goes on like that, it does, but I guess 82 00:04:32,200 --> 00:04:34,640 Speaker 1: I'm not hearing the melody, so I would go, this 83 00:04:34,800 --> 00:04:37,400 Speaker 1: is the story of a girl who cried a word 84 00:04:37,680 --> 00:04:39,839 Speaker 1: and drown the whole world a river and drown the 85 00:04:39,880 --> 00:04:43,440 Speaker 1: whole world. And now she looks so sad and photographs 86 00:04:43,480 --> 00:04:45,400 Speaker 1: and so I guess I didn't catch it because the 87 00:04:45,440 --> 00:04:47,680 Speaker 1: melody was off. Yeah, I thought you were doing nickelback too. 88 00:04:47,760 --> 00:04:51,760 Speaker 1: I never really, but yeah, we do it against this 89 00:04:52,240 --> 00:04:57,599 Speaker 1: is Oh yeah, when she's that's a jam. I'm putting 90 00:04:57,600 --> 00:04:59,560 Speaker 1: that on my phone right now. Will you listen to 91 00:04:59,560 --> 00:05:01,240 Speaker 1: it one more time? And trying to get it back. 92 00:05:02,080 --> 00:05:05,080 Speaker 1: This is the story of a girl the Credit River 93 00:05:05,200 --> 00:05:09,400 Speaker 1: and trawler Hole. Okay and go. This is the story 94 00:05:09,440 --> 00:05:12,680 Speaker 1: of a girl who cried a million tears and drowned 95 00:05:12,680 --> 00:05:16,400 Speaker 1: the whole world. Yeah, and it's all a photographs. You're 96 00:05:16,400 --> 00:05:18,760 Speaker 1: actually a lot better at that time. Just played the 97 00:05:18,760 --> 00:05:20,480 Speaker 1: first half of that. Let's have him repeat it again. 98 00:05:20,760 --> 00:05:23,800 Speaker 1: This is the story of a girl the Credit River 99 00:05:23,880 --> 00:05:28,400 Speaker 1: and trawler Hole. This is the story of a girl 100 00:05:28,960 --> 00:05:33,240 Speaker 1: who cried the river and drowned the whole world. I mean, 101 00:05:33,279 --> 00:05:35,960 Speaker 1: that's just our brains working differently. Yeah, he's not able. 102 00:05:36,000 --> 00:05:38,120 Speaker 1: Did I get better because I but I can't hit. 103 00:05:38,440 --> 00:05:41,640 Speaker 1: I have friends against sing really well. How many times 104 00:05:41,640 --> 00:05:43,920 Speaker 1: I try, I just can't hit certain things. I'm not 105 00:05:43,960 --> 00:05:45,599 Speaker 1: a good singer. I can sing good enough to be 106 00:05:45,640 --> 00:05:49,120 Speaker 1: funny and not have my funny be distracted by not 107 00:05:49,160 --> 00:05:51,680 Speaker 1: being a good singer. I'm not a good singer. And 108 00:05:51,720 --> 00:05:53,760 Speaker 1: they'll sing and they'll go do this, oh, and I'm like, 109 00:05:55,400 --> 00:05:57,240 Speaker 1: and I can't do it. It doesn't matter my brain, 110 00:05:57,320 --> 00:05:59,479 Speaker 1: my vocal cords, they don't match them not but the 111 00:05:59,520 --> 00:06:02,520 Speaker 1: same thing, the melody with you you can't quite hit it. 112 00:06:02,800 --> 00:06:04,760 Speaker 1: Oh yeah, if that's what you call the melody, Yes, 113 00:06:05,000 --> 00:06:07,359 Speaker 1: do it to me. This is the story of a girl. 114 00:06:07,640 --> 00:06:10,240 Speaker 1: This is the story of a copy what he's doing. 115 00:06:10,360 --> 00:06:14,080 Speaker 1: I just did no, no, no. This is the story 116 00:06:14,120 --> 00:06:18,800 Speaker 1: of again. This is the story of a girl. Focus no, no, 117 00:06:19,040 --> 00:06:21,480 Speaker 1: just focus on you know they I'm focused. I no, no, 118 00:06:21,520 --> 00:06:25,440 Speaker 1: But you're like talking and doing stuff. Ready ready, this 119 00:06:25,640 --> 00:06:31,920 Speaker 1: is this is, this is close, this is this is almost, 120 00:06:32,400 --> 00:06:36,280 Speaker 1: this is this is this is But just said that 121 00:06:36,520 --> 00:06:39,640 Speaker 1: you're not. I guess I'm wondering if he's that's what 122 00:06:39,640 --> 00:06:42,960 Speaker 1: he's because because I can't hit, people will be like, 123 00:06:43,000 --> 00:06:46,480 Speaker 1: do this, and I can't do it, and I'm like, 124 00:06:46,600 --> 00:06:48,680 Speaker 1: I'm trying as hard as I can and they're like, no, 125 00:06:48,720 --> 00:06:50,560 Speaker 1: it's easy, you can get there. You're just not doing it. 126 00:06:50,600 --> 00:06:52,839 Speaker 1: And I'm like, I don't understand, but it's the same. 127 00:06:53,000 --> 00:06:54,480 Speaker 1: I wonder if he can do the dough RAI me, 128 00:06:54,800 --> 00:06:59,800 Speaker 1: hold on, this is? This is? This is? Did I 129 00:06:59,839 --> 00:07:03,200 Speaker 1: go up? I need to go more out? Okay, here 130 00:07:03,240 --> 00:07:06,080 Speaker 1: we go. This is a story of a girl. This 131 00:07:06,240 --> 00:07:09,680 Speaker 1: is the story of a girl. I now see what 132 00:07:09,680 --> 00:07:11,400 Speaker 1: people seeing me when I can't do it. Yeah, you 133 00:07:11,400 --> 00:07:13,960 Speaker 1: don't think I'm like I'm not hitting it. No, don't 134 00:07:13,960 --> 00:07:17,720 Speaker 1: compare yourself to I am, because I can't, not at all. 135 00:07:17,920 --> 00:07:19,680 Speaker 1: But it's like when you've done it before with him, 136 00:07:19,680 --> 00:07:23,480 Speaker 1: where you're like, yeah, you can't, but that different things. Well, 137 00:07:23,520 --> 00:07:25,200 Speaker 1: but he doesn't. I don't think he hears it the 138 00:07:25,200 --> 00:07:28,160 Speaker 1: same way because it's like like you would know and 139 00:07:28,160 --> 00:07:30,040 Speaker 1: then he wouldn't be able to repeat that back to you. 140 00:07:30,320 --> 00:07:32,480 Speaker 1: This is a story of a girl. This is the 141 00:07:32,520 --> 00:07:37,480 Speaker 1: story of a girl. I mean terrible, because I promise 142 00:07:37,520 --> 00:07:39,400 Speaker 1: you if you're listening to this, this is not a joke. Oh, 143 00:07:40,000 --> 00:07:42,160 Speaker 1: this is not a bit. This is not something he's 144 00:07:42,160 --> 00:07:45,880 Speaker 1: doing to be funny or fake. This is a story 145 00:07:45,920 --> 00:07:48,239 Speaker 1: of a girl. This is the story of a girl. 146 00:07:48,560 --> 00:07:50,240 Speaker 1: That's the best one you've done. And that was still off. 147 00:07:50,240 --> 00:07:52,560 Speaker 1: That's pretty good that this is the best one. Just dude, 148 00:07:52,560 --> 00:07:54,840 Speaker 1: this is right here we go, okay, just all you're 149 00:07:54,880 --> 00:07:56,920 Speaker 1: doing is repeating. I am repeating it word for word. 150 00:07:57,200 --> 00:07:59,600 Speaker 1: No, no no, not the word, the melody. That's a good point. 151 00:07:59,680 --> 00:08:04,119 Speaker 1: Listen when he singing, that's a good This is this 152 00:08:04,320 --> 00:08:10,280 Speaker 1: is oh almost boom, this is this is yes, you 153 00:08:10,280 --> 00:08:15,120 Speaker 1: don't stick with it, come on, this is this is Listen. 154 00:08:15,400 --> 00:08:18,040 Speaker 1: Listen to what he's singing again. Oh boy, ready, all right. 155 00:08:18,760 --> 00:08:21,600 Speaker 1: This is a story of a girl. This is a 156 00:08:21,680 --> 00:08:24,200 Speaker 1: star man. You lost it because your focus on the end. Yeah, 157 00:08:24,200 --> 00:08:26,160 Speaker 1: I gotta get it. When you add more words, you 158 00:08:26,200 --> 00:08:29,440 Speaker 1: gotta stay on beat. This is a story of a girl. 159 00:08:29,560 --> 00:08:33,439 Speaker 1: This is the story of a girl. Ish close better? 160 00:08:33,480 --> 00:08:37,880 Speaker 1: That's wild. H Do you think if my vocal lessons 161 00:08:37,880 --> 00:08:40,720 Speaker 1: that'd help me? I don't think that you're singing? Oh, 162 00:08:40,760 --> 00:08:42,800 Speaker 1: I mean no, what is it the way his brain? 163 00:08:42,880 --> 00:08:46,360 Speaker 1: I don't know everything. This is amazing to me because 164 00:08:46,360 --> 00:08:47,960 Speaker 1: I can finally see what people seeing me when I 165 00:08:47,960 --> 00:08:51,000 Speaker 1: can't hit certain things, and they're like, you're you have 166 00:08:51,040 --> 00:08:53,160 Speaker 1: the capability because you're doing other things this way, but 167 00:08:53,200 --> 00:08:54,920 Speaker 1: you can't. And I'm like, I don't hear it. Man. 168 00:08:54,960 --> 00:08:56,320 Speaker 1: Imagine if I would have tried it out for like 169 00:08:56,480 --> 00:08:59,120 Speaker 1: choir or man, when I was in quick, I would 170 00:08:59,160 --> 00:09:02,680 Speaker 1: I would have been failing. Great. This is a story 171 00:09:02,760 --> 00:09:06,000 Speaker 1: of a girl. This is the story of a girl. Yeah, 172 00:09:06,080 --> 00:09:11,000 Speaker 1: we're gonna move on. But I got better. You were there, Yeah, 173 00:09:11,040 --> 00:09:13,400 Speaker 1: you visited for a second, all right, you visited the 174 00:09:13,480 --> 00:09:15,880 Speaker 1: rural area, the surrounding area, and then you left again 175 00:09:15,880 --> 00:09:18,719 Speaker 1: and then you were like gotta go. Yeah, this is 176 00:09:18,880 --> 00:09:20,719 Speaker 1: story of a girl. This is a story of a 177 00:09:20,760 --> 00:09:23,640 Speaker 1: girl getting worse. Okay, So I'm trying to do it. 178 00:09:23,720 --> 00:09:26,240 Speaker 1: So Jessica and Virginia left a voicemail We're gonna play 179 00:09:26,240 --> 00:09:28,120 Speaker 1: this here here you're going. I was calling because I 180 00:09:28,120 --> 00:09:30,480 Speaker 1: know you guys are always talking about lunchbox and how 181 00:09:30,480 --> 00:09:33,960 Speaker 1: he calls nine one and when it's okay for him 182 00:09:33,960 --> 00:09:36,479 Speaker 1: to call nine one, or when it's a little extreme. 183 00:09:37,040 --> 00:09:40,120 Speaker 1: So I wanted to get you guys's opinion. My husband 184 00:09:40,160 --> 00:09:43,199 Speaker 1: I called nine one one day because this motorcycle was 185 00:09:43,280 --> 00:09:45,720 Speaker 1: driving on the road next to us and popping wheelies 186 00:09:45,840 --> 00:09:47,920 Speaker 1: all the way down the road for like a mile 187 00:09:48,200 --> 00:09:51,320 Speaker 1: and swerving in and out of traffic. So we called 188 00:09:51,400 --> 00:09:53,200 Speaker 1: nine one. We called the cops on him, and the 189 00:09:53,240 --> 00:09:55,559 Speaker 1: cops ended up chasing him. So I just want to 190 00:09:55,559 --> 00:09:58,160 Speaker 1: get everybody on the show's opinion on whether they would 191 00:09:58,200 --> 00:10:00,520 Speaker 1: have called nine one one to the situation. Lunchbox will 192 00:10:00,520 --> 00:10:03,120 Speaker 1: start with, you're the expert. We're doing wheelies. I don't 193 00:10:03,120 --> 00:10:04,640 Speaker 1: think it's road that. I don't think it's nine one 194 00:10:04,720 --> 00:10:06,840 Speaker 1: one worthy. That's the one who calls nine one one 195 00:10:06,880 --> 00:10:09,600 Speaker 1: for anything dangerous. Yeah, but I've seen people do wheelies. 196 00:10:09,600 --> 00:10:11,040 Speaker 1: I'm like, oh, it's pretty cool. Do you only call 197 00:10:11,200 --> 00:10:13,040 Speaker 1: nine one based on what you think is cool? Like, 198 00:10:13,040 --> 00:10:14,960 Speaker 1: I mean, because you think that's cool popping a wheelie, 199 00:10:14,920 --> 00:10:16,800 Speaker 1: so you wouldn't call nine one one. Yeah, I mean 200 00:10:17,000 --> 00:10:19,600 Speaker 1: not necessarily cool, but like sometimes I'm thinking, oh, that's 201 00:10:19,600 --> 00:10:21,560 Speaker 1: life threatening, so I call nine to one. But yeah, 202 00:10:21,760 --> 00:10:25,560 Speaker 1: popping a wheelie, not that nine one one worthy eddie. Man. 203 00:10:25,600 --> 00:10:27,400 Speaker 1: I feel like I would roll my window down and 204 00:10:27,400 --> 00:10:29,880 Speaker 1: be like stop that, stop popping wheelies, And if he 205 00:10:30,000 --> 00:10:32,480 Speaker 1: speeds up, I'll speed up try to cut them off 206 00:10:32,600 --> 00:10:34,839 Speaker 1: later in traffic and be like whoa wait, you try 207 00:10:34,880 --> 00:10:36,840 Speaker 1: to cut off some lights. Yeah, that's wrong with you. 208 00:10:37,240 --> 00:10:39,280 Speaker 1: You're a road rage. It's not road rage. You're a 209 00:10:39,320 --> 00:10:41,840 Speaker 1: reaction and a car. You're not reaction. Right anywhere else, 210 00:10:41,880 --> 00:10:44,040 Speaker 1: I feel like I could do something before the cops 211 00:10:44,080 --> 00:10:46,360 Speaker 1: could get there. Oh, why, it's not your job. Can't 212 00:10:46,400 --> 00:10:48,120 Speaker 1: let him do? What's wrong with him? Doing a wheelie? 213 00:10:48,360 --> 00:10:49,959 Speaker 1: Sometimes when I'm on the road, I feel like it's 214 00:10:50,000 --> 00:10:52,000 Speaker 1: my job to stop. We know what you think that, 215 00:10:52,080 --> 00:10:53,480 Speaker 1: but we're telling you. It's our job to tell you. 216 00:10:53,520 --> 00:10:55,880 Speaker 1: That's not your job. Hey, Mike, we look up if 217 00:10:55,920 --> 00:11:00,720 Speaker 1: wheelies are illegal bathing in and out, But I see 218 00:11:00,720 --> 00:11:02,840 Speaker 1: people like motorcycles drive through cars all the time, and 219 00:11:02,880 --> 00:11:07,280 Speaker 1: that's legal. It is through the lanes. No weave at 220 00:11:07,320 --> 00:11:10,800 Speaker 1: your own risk. Because every state may not have laws 221 00:11:10,880 --> 00:11:15,680 Speaker 1: explicitly outlawing wheelies, but police officers generally have authority to 222 00:11:15,760 --> 00:11:19,400 Speaker 1: use personal discretion when issuing citations or conducting arrest for 223 00:11:19,440 --> 00:11:22,439 Speaker 1: reckless and or dangerous driving. Aby, would you have called 224 00:11:22,480 --> 00:11:25,640 Speaker 1: nine one? I mean I probably wouldn't, but I would 225 00:11:25,720 --> 00:11:29,319 Speaker 1: feel unsafe for him and others that might if he's 226 00:11:29,320 --> 00:11:31,120 Speaker 1: weaving in and out. But I'm probably not gonna call 227 00:11:31,240 --> 00:11:32,880 Speaker 1: nine one. But I don't think they're bad for doing it. 228 00:11:32,920 --> 00:11:34,400 Speaker 1: I think that it was okay they did it. I'm 229 00:11:34,400 --> 00:11:36,520 Speaker 1: gonna say, no, I wouldn't call, and I'd be like, dang, 230 00:11:36,600 --> 00:11:40,160 Speaker 1: that's awesome, really really yeah. That's if it were in 231 00:11:40,160 --> 00:11:41,880 Speaker 1: a school zone, or if there were if it wasn't 232 00:11:41,880 --> 00:11:44,400 Speaker 1: a place that was super like dangerous for other people. 233 00:11:45,720 --> 00:11:48,679 Speaker 1: But him, weavings, that's him. Yeah, he hurt himself, right, 234 00:11:48,679 --> 00:11:50,160 Speaker 1: he's not gonna hurt a car gonna called nine I 235 00:11:50,160 --> 00:11:51,760 Speaker 1: don't I know, I'm not calling nine one, But also, 236 00:11:51,800 --> 00:11:53,520 Speaker 1: don't think you were wrong in doing it. I'm not 237 00:11:53,559 --> 00:11:56,160 Speaker 1: gonna say, like lunchbox when he calls nine one one, 238 00:11:56,200 --> 00:11:59,560 Speaker 1: something's on fire. Oh that's a barbecue restaurant. My bad. 239 00:12:00,440 --> 00:12:04,760 Speaker 1: There's a difference in that and that. So I'm cool. 240 00:12:04,800 --> 00:12:06,319 Speaker 1: What do you call a NI one one? There? I 241 00:12:06,640 --> 00:12:09,000 Speaker 1: just get nervous when I call nine one oh, automatically. 242 00:12:09,000 --> 00:12:11,559 Speaker 1: It's just like I'm watching somebody gets stabbed right in 243 00:12:11,640 --> 00:12:12,800 Speaker 1: front of me and they're dying, and I'm like, I 244 00:12:12,840 --> 00:12:14,120 Speaker 1: don't know if I should call. I don't want to 245 00:12:14,120 --> 00:12:16,560 Speaker 1: get in trouble myself. That's how even when you're calling 246 00:12:16,600 --> 00:12:19,360 Speaker 1: for the biggest, craziest thing. You're like, I don't know 247 00:12:19,400 --> 00:12:22,720 Speaker 1: if I should do this unless you're lunchbox. It's easy. 248 00:12:22,760 --> 00:12:26,320 Speaker 1: And that's just he has it on one other things, 249 00:12:27,800 --> 00:12:31,120 Speaker 1: A man has filed a class action lawsuit against Texas 250 00:12:31,200 --> 00:12:34,760 Speaker 1: Hot Texas Pete's hot sauce. It's all this after he 251 00:12:34,840 --> 00:12:36,880 Speaker 1: learned it was made in North Carolina, not Texas. It's 252 00:12:36,880 --> 00:12:39,520 Speaker 1: called Texas Pets. Yeah, so, but I wonder if Texas 253 00:12:39,520 --> 00:12:41,360 Speaker 1: Pete is his nickname, Like he grew up in Texas, 254 00:12:41,440 --> 00:12:43,240 Speaker 1: but now he lives in North Carolina and you can 255 00:12:43,280 --> 00:12:45,600 Speaker 1: be called Texas Pete. It doesn't matter. It's just the 256 00:12:45,679 --> 00:12:48,560 Speaker 1: name of the hot sauce. It's Texas Peak. And he's like, yeah, no, no, 257 00:12:48,600 --> 00:12:52,520 Speaker 1: I know what I'm saying. I'm justifying that Texas Pete 258 00:12:52,520 --> 00:12:55,520 Speaker 1: could be somebody that lives in another state. Yeah, let's 259 00:12:55,520 --> 00:12:59,200 Speaker 1: remove the hot sauce altogether, because it's like Texas Pete 260 00:12:59,360 --> 00:13:02,080 Speaker 1: hot Sauce. Texas Peak can be making that hot sauce. 261 00:13:02,080 --> 00:13:04,640 Speaker 1: It's still made by Texas Peat, who's probably born I 262 00:13:04,640 --> 00:13:06,880 Speaker 1: don't even know taxa piece the real person. It's probably 263 00:13:06,880 --> 00:13:10,000 Speaker 1: not right. Well, legend has it well. Sam Garner and 264 00:13:10,000 --> 00:13:12,440 Speaker 1: his three sons, Thad Ralph and Harold were trying to 265 00:13:12,440 --> 00:13:14,280 Speaker 1: come up with a brand name for his spicy new 266 00:13:14,320 --> 00:13:17,839 Speaker 1: sauce they had created. A marketing advisor suggested the name 267 00:13:17,920 --> 00:13:24,000 Speaker 1: Mexican Joe too. No, well, why Mexican Joe. Mexican Jose 268 00:13:24,440 --> 00:13:28,679 Speaker 1: and the guy sounds good. The patriot Patria Patria of 269 00:13:28,720 --> 00:13:31,880 Speaker 1: the family said nope, it needs an American name. So 270 00:13:31,920 --> 00:13:33,880 Speaker 1: they crossed the border to Texas and that's how they 271 00:13:33,880 --> 00:13:35,720 Speaker 1: came up with Texas. Pete, I have no problem with 272 00:13:35,720 --> 00:13:38,240 Speaker 1: it because it's a simple Google search away and he 273 00:13:38,360 --> 00:13:41,079 Speaker 1: is lunchbox saying they lived in Mexico. No, no no, they 274 00:13:41,120 --> 00:13:44,000 Speaker 1: lived in North Carolina, but they a crossed the border. Well, 275 00:13:44,080 --> 00:13:46,480 Speaker 1: the marketing advisor said, in Mexico. And then they crossed 276 00:13:46,520 --> 00:13:52,200 Speaker 1: the border with Oka and patriarch I think is the 277 00:13:51,320 --> 00:13:54,720 Speaker 1: word they created in nineteen twenty nine. And patriarch is 278 00:13:54,720 --> 00:14:01,160 Speaker 1: the father side, Okay, patriarch side. Oh, look at these guys, 279 00:14:01,160 --> 00:14:02,920 Speaker 1: they look like that's how you remember it? Yeah? How 280 00:14:02,920 --> 00:14:06,280 Speaker 1: about slag tight slut slagmtes tights they hold on tight 281 00:14:06,320 --> 00:14:08,880 Speaker 1: to the top or the top tight top mites come up? 282 00:14:09,320 --> 00:14:13,079 Speaker 1: I just remember tight top tight like tight difference And 283 00:14:13,120 --> 00:14:16,120 Speaker 1: how do you remember the compass and where everything is lunchbox? Like, 284 00:14:16,160 --> 00:14:18,360 Speaker 1: if you look at a map, how do you remember north? 285 00:14:18,679 --> 00:14:22,760 Speaker 1: Never eat slimy worms? Boom? Really we talked about that, 286 00:14:23,120 --> 00:14:26,160 Speaker 1: but who didn't know that? Didn't I still don't know that, 287 00:14:26,720 --> 00:14:30,760 Speaker 1: never eat slimy worms. Yeah, how about north? South east west? 288 00:14:31,120 --> 00:14:32,880 Speaker 1: But you just did your hand all weird and wrong. No, 289 00:14:32,960 --> 00:14:35,920 Speaker 1: it's right. No, if I'm looking at the map to 290 00:14:35,920 --> 00:14:38,560 Speaker 1: the right, you always go boom boom boom around the 291 00:14:38,720 --> 00:14:40,280 Speaker 1: You can do that. But this is something I learned 292 00:14:40,280 --> 00:14:43,120 Speaker 1: in like first grade when you were learning the compass. 293 00:14:43,200 --> 00:14:45,680 Speaker 1: Did you guys ever do the right left? Well, that's 294 00:14:45,720 --> 00:14:48,960 Speaker 1: tough for you, Like what hand? Hell? With my hand left? 295 00:14:49,080 --> 00:14:50,880 Speaker 1: I don't understand what you're saying the right hand, Like, 296 00:14:50,880 --> 00:14:52,880 Speaker 1: what's turn to your right? Oh? What right hand do 297 00:14:52,880 --> 00:14:55,000 Speaker 1: I write with? Oh? It's that way wild left handed, 298 00:14:55,120 --> 00:14:56,280 Speaker 1: That's what I'm saying. It's gonna be tough for you. 299 00:14:56,320 --> 00:14:57,880 Speaker 1: Don't understand what you're saying. Am I the only left 300 00:14:57,880 --> 00:14:59,880 Speaker 1: handed one of the show? Because really just wanted to. 301 00:15:00,080 --> 00:15:03,360 Speaker 1: I think I was born to be. But okay, I 302 00:15:03,520 --> 00:15:07,480 Speaker 1: really too. Anyone else left handed? It wasn't nurtured. No, 303 00:15:07,520 --> 00:15:10,480 Speaker 1: always left handed? No, sister, is it sucks a lot 304 00:15:10,520 --> 00:15:14,480 Speaker 1: of times to find scissors and stuff every life, ball gloves, um, 305 00:15:14,480 --> 00:15:16,400 Speaker 1: markers on your hands all the time, Like because I 306 00:15:16,480 --> 00:15:17,920 Speaker 1: use this marker and I go across it with my 307 00:15:17,960 --> 00:15:19,800 Speaker 1: hand because I right like this, and your hand goes across. 308 00:15:19,960 --> 00:15:23,920 Speaker 1: Think about my whole life here, um finding a golf glove, 309 00:15:23,960 --> 00:15:26,760 Speaker 1: batting gloves, golf clubs, anything athletic. Left handed. The desks 310 00:15:26,760 --> 00:15:29,040 Speaker 1: are always made for right people, scissors, eating next to people. 311 00:15:29,240 --> 00:15:31,320 Speaker 1: The only thing that was good about being left handed 312 00:15:31,560 --> 00:15:34,200 Speaker 1: was if I was right handed, I probably would have 313 00:15:34,280 --> 00:15:39,360 Speaker 1: never pitched in junior higher high school. But an average 314 00:15:39,480 --> 00:15:43,040 Speaker 1: left hander is worth that of a slightly above average 315 00:15:43,080 --> 00:15:45,440 Speaker 1: right hander because there's a left handed pitchers. So I 316 00:15:45,440 --> 00:15:49,040 Speaker 1: got to pitch a decent amount, and so I was 317 00:15:49,040 --> 00:15:50,480 Speaker 1: like it was cool, not even, but I'm not even 318 00:15:50,480 --> 00:15:51,840 Speaker 1: better than him. He's right handed. But they put a 319 00:15:51,880 --> 00:15:53,840 Speaker 1: lefty up there burn a couple of innings, and so 320 00:15:53,880 --> 00:15:55,240 Speaker 1: that that's the only the only good thing about being 321 00:15:55,280 --> 00:15:57,280 Speaker 1: left handed. I don't even think about them. That's why 322 00:15:57,320 --> 00:15:59,520 Speaker 1: your markers all over your desk, It's because it gets 323 00:15:59,520 --> 00:16:01,160 Speaker 1: in your hands and then your hand gets it all 324 00:16:01,160 --> 00:16:03,600 Speaker 1: over the desk. It sucks. Yeah, be left handed is difficult, 325 00:16:03,880 --> 00:16:05,960 Speaker 1: and I think that I should be rewarded in some way. 326 00:16:06,800 --> 00:16:10,880 Speaker 1: So I think you've been rewarded me. You are with 327 00:16:11,000 --> 00:16:13,960 Speaker 1: creative left hand I don't believe that. I don't think 328 00:16:14,120 --> 00:16:16,680 Speaker 1: the handed that you are actually affects your creativity. But 329 00:16:16,760 --> 00:16:19,680 Speaker 1: I think it's because you're using different when you're writing, 330 00:16:19,760 --> 00:16:22,320 Speaker 1: you're exercising that part. I don't think that's the thing either, 331 00:16:22,360 --> 00:16:24,240 Speaker 1: Because a lot of creative people are right handed, they 332 00:16:24,320 --> 00:16:26,520 Speaker 1: find the occasional left handed when I go there, you go, 333 00:16:26,640 --> 00:16:28,640 Speaker 1: I'm like, no, But most of the other ones you 334 00:16:28,640 --> 00:16:30,760 Speaker 1: just mentioned are all right handed. I agree. One of 335 00:16:30,760 --> 00:16:34,000 Speaker 1: my boys, he's left handed. He's not creative at all. Yet. Yeah, 336 00:16:34,120 --> 00:16:41,240 Speaker 1: you won't be creative, Okay. Columbia, Maryland is the safest 337 00:16:41,240 --> 00:16:46,000 Speaker 1: city in America. The least safe at Saint Louis. I 338 00:16:46,040 --> 00:16:47,680 Speaker 1: didn't tell you. That's a different Saint Louis. And I've 339 00:16:47,680 --> 00:16:49,160 Speaker 1: been too. Yeah, I always thought it was safe when 340 00:16:49,200 --> 00:16:51,800 Speaker 1: we go to Saint Louis. I just I've always heard 341 00:16:51,840 --> 00:16:54,920 Speaker 1: it wasn't. But every time I always feel fine. Same 342 00:16:54,920 --> 00:16:57,640 Speaker 1: with Memphis. People say at mccar broken ut. Well, I 343 00:16:57,720 --> 00:16:59,480 Speaker 1: know you've said three times but every time I go 344 00:16:59,560 --> 00:17:01,280 Speaker 1: to Memphis, I'm like, I feel pretty safe around here. 345 00:17:02,200 --> 00:17:03,640 Speaker 1: Not many. Three times. I guess I've just been had 346 00:17:03,680 --> 00:17:05,119 Speaker 1: my car broken into so many times I just go, 347 00:17:05,440 --> 00:17:09,680 Speaker 1: I'm a Memphis not gonna stopcase wonder Olive Garden twice 348 00:17:09,720 --> 00:17:12,200 Speaker 1: I think I got a car broken into. Man at 349 00:17:12,240 --> 00:17:14,440 Speaker 1: the og? What are they think I go for? Little 350 00:17:14,440 --> 00:17:18,040 Speaker 1: superswear broken into? What are you gonna say? H Saint Louis. 351 00:17:18,240 --> 00:17:20,840 Speaker 1: Are there neighborhoods though, that we just don't go to 352 00:17:21,760 --> 00:17:24,160 Speaker 1: in every town though? Right? Yeah? I think every city 353 00:17:24,240 --> 00:17:26,760 Speaker 1: they're placed there. But here you go the safest cities, 354 00:17:27,040 --> 00:17:33,920 Speaker 1: they're all smaller ish and the safest of course. Columbia, Maryland, Noshowa, 355 00:17:34,240 --> 00:17:40,080 Speaker 1: New Hampshire. That Laredo, Texas. Uh no, that's number three. Okay. 356 00:17:40,119 --> 00:17:42,560 Speaker 1: Can I pitch this at you though, Yes, because been 357 00:17:42,640 --> 00:17:45,760 Speaker 1: to El Passo a bunch. I love El pass Not 358 00:17:45,880 --> 00:17:48,919 Speaker 1: that safe? Well, they say it's the safest because they 359 00:17:48,960 --> 00:17:50,280 Speaker 1: don't want to cross the because you can see the 360 00:17:50,280 --> 00:17:51,760 Speaker 1: border in El Passo. You go up, you can see 361 00:17:51,760 --> 00:17:53,760 Speaker 1: in the Mexico. Literally, they say they don't want to 362 00:17:53,800 --> 00:17:57,600 Speaker 1: cross the bordering and do have any crime in America 363 00:17:58,320 --> 00:18:02,760 Speaker 1: because that will then affect us going and shutting down 364 00:18:02,920 --> 00:18:05,720 Speaker 1: that part of Mexico. Have you ever heard that before? Yeah, 365 00:18:05,720 --> 00:18:07,240 Speaker 1: I've heard that. Did I hear that right or not? No, 366 00:18:07,320 --> 00:18:09,160 Speaker 1: that's right. But I just feel like Cartel's they don't 367 00:18:09,359 --> 00:18:11,119 Speaker 1: care about that. Cartel aren't trying to get in trouble, 368 00:18:11,119 --> 00:18:13,280 Speaker 1: are they? No? But I mean they're still kidnap but 369 00:18:13,320 --> 00:18:15,800 Speaker 1: aren't they only doing that basically in Mexico. Mike, you'd 370 00:18:15,800 --> 00:18:17,200 Speaker 1: talk on this too, because your guys both are from 371 00:18:17,560 --> 00:18:19,760 Speaker 1: Southfish to your parents are from Mexico. Yeah, and I 372 00:18:19,840 --> 00:18:22,800 Speaker 1: think the borders actually pretty safe. Why. I mean, no 373 00:18:22,840 --> 00:18:25,360 Speaker 1: one's trying to do anything illegal there to get arrested. 374 00:18:25,400 --> 00:18:27,200 Speaker 1: That's not where you're gonna do your illegal activity. It's 375 00:18:27,200 --> 00:18:30,399 Speaker 1: all like more the heart of Mexico, so miles in 376 00:18:30,600 --> 00:18:32,520 Speaker 1: once you get in. Yeah, when you guys would go 377 00:18:32,560 --> 00:18:38,160 Speaker 1: to Mexico, would you feel safe into Mexico? Not really, Parker, 378 00:18:38,280 --> 00:18:41,040 Speaker 1: the whole time. Basically the whole time. It's a long drive. 379 00:18:41,080 --> 00:18:43,080 Speaker 1: We would drive eight hours in, but we would try 380 00:18:43,119 --> 00:18:44,560 Speaker 1: to time it out to where we would cross the 381 00:18:44,600 --> 00:18:46,879 Speaker 1: border in the morning, so we're driving during the daytime 382 00:18:46,920 --> 00:18:49,359 Speaker 1: in Mexico, so we'd avoid that Mike cousin just got 383 00:18:49,400 --> 00:18:54,879 Speaker 1: back recently. They got stopped by cartel what they bribe 384 00:18:55,040 --> 00:18:57,480 Speaker 1: because they took a They kind of they messed up. 385 00:18:57,480 --> 00:18:59,720 Speaker 1: They crossed the border pretty late at night, like one am, 386 00:19:00,160 --> 00:19:03,160 Speaker 1: and they got pulled over. And then luckily they saw 387 00:19:03,280 --> 00:19:05,720 Speaker 1: they had like their entire family and they're like, you 388 00:19:05,800 --> 00:19:08,720 Speaker 1: know what, just go. They left them because kids in 389 00:19:08,760 --> 00:19:10,160 Speaker 1: the back. So I'm saying, you guys want to mess 390 00:19:10,200 --> 00:19:12,800 Speaker 1: with that, and that's like, that's Laredo's got that. That's 391 00:19:12,840 --> 00:19:15,960 Speaker 1: an into Mexico. Laredo's an American town. I know, I know, 392 00:19:16,040 --> 00:19:18,240 Speaker 1: I know. I'm from McCallen. It was literally across the border. 393 00:19:18,520 --> 00:19:19,919 Speaker 1: That's why I asked you and you said, no, it's 394 00:19:20,040 --> 00:19:23,120 Speaker 1: very unsafe. I felt like it was. I mean, dude, 395 00:19:23,160 --> 00:19:25,040 Speaker 1: it's crazy. Growing up, it was easier and I never 396 00:19:25,359 --> 00:19:27,200 Speaker 1: did this, but it was easier for my friends to 397 00:19:27,280 --> 00:19:29,400 Speaker 1: get you know, like drugs, than it was to get 398 00:19:29,440 --> 00:19:32,480 Speaker 1: beer because being a border town, all the drugs are 399 00:19:32,560 --> 00:19:35,359 Speaker 1: right there. But wasn't it because their drugs are all 400 00:19:35,400 --> 00:19:40,359 Speaker 1: illegal everywhere, and so beer is regulated. You actually can't 401 00:19:40,480 --> 00:19:43,040 Speaker 1: get it unless you're of age or have and so 402 00:19:43,240 --> 00:19:45,320 Speaker 1: there is no regulation on drugs so it's kind of 403 00:19:45,480 --> 00:19:47,800 Speaker 1: free if you can find it. Yeah, beer, you're only 404 00:19:47,800 --> 00:19:49,399 Speaker 1: pretty much gonna find it if you get it from 405 00:19:49,440 --> 00:19:51,400 Speaker 1: a store or somebody has to get it from a store. Yeah, 406 00:19:51,400 --> 00:19:52,680 Speaker 1: it could be it. And I guess that's the same 407 00:19:53,000 --> 00:19:55,880 Speaker 1: anywhere in the US. But well, Number three safe cities Larreto, 408 00:19:55,920 --> 00:20:01,760 Speaker 1: Texas based on Okay statistics, Portland, Maine, Erwick, Rhode Island. Well, 409 00:20:01,800 --> 00:20:04,639 Speaker 1: if all those Laredo, Texas doesn't fit, that's what I'm saying. 410 00:20:04,920 --> 00:20:15,720 Speaker 1: Weird least safe cities here you go, Memphis, Yeah, Detroit, Rick, Yes, 411 00:20:15,880 --> 00:20:21,600 Speaker 1: he went to Detroit. He was from Michigan. Yeah, Um, Oakland, California. 412 00:20:22,440 --> 00:20:28,320 Speaker 1: M Oklahoma City. Oh, in Saint Louis, Oklahoma City. Is 413 00:20:28,320 --> 00:20:30,120 Speaker 1: surprising to me. Yea not a lot of time over there. 414 00:20:30,400 --> 00:20:33,200 Speaker 1: Never got my car broken into an olive garden iphis 415 00:20:33,240 --> 00:20:37,120 Speaker 1: twice twice. Maybe it's one person to stalk in olive garden. Yeah, 416 00:20:37,200 --> 00:20:40,280 Speaker 1: maybe being like, all right, who's vulnerable, Who's getting a 417 00:20:40,280 --> 00:20:43,640 Speaker 1: super salot to me the olive garden? Robert. Let's see here. 418 00:20:44,800 --> 00:20:47,640 Speaker 1: There was a story about the San Jose Fire Department 419 00:20:47,800 --> 00:20:50,560 Speaker 1: and they pulled up out strip club and I saw 420 00:20:50,680 --> 00:20:53,840 Speaker 1: this a couple a few days ago. Okay, I saw 421 00:20:53,920 --> 00:20:55,680 Speaker 1: still picture, but there's a girl that gets out in 422 00:20:55,720 --> 00:20:58,200 Speaker 1: a bikinian walks from the fire truck into the strip club. Yeah. 423 00:20:58,359 --> 00:20:59,919 Speaker 1: I never even looked back at it, but now it's 424 00:21:00,000 --> 00:21:01,480 Speaker 1: to come in more national story. What do you know 425 00:21:01,520 --> 00:21:03,840 Speaker 1: about this that I think the mayor said, heads need 426 00:21:03,920 --> 00:21:05,800 Speaker 1: to roll, like, we can't be having this, can't they 427 00:21:05,840 --> 00:21:08,439 Speaker 1: expect happened? I think they're gonna fire. The firefighters are 428 00:21:08,480 --> 00:21:11,359 Speaker 1: in that truck. Can't be having a lady dancer in 429 00:21:11,359 --> 00:21:14,520 Speaker 1: the fire truck. That's what they thought happened. Yeah, got it. 430 00:21:15,119 --> 00:21:17,960 Speaker 1: So they thought that they were doing some sort of 431 00:21:18,000 --> 00:21:20,720 Speaker 1: bachelor party at the fire truck. I guess so, because 432 00:21:21,080 --> 00:21:23,960 Speaker 1: I mean she goes, she gets out in her little 433 00:21:24,200 --> 00:21:26,920 Speaker 1: I saw KENI or whatever and falls on the sidewalk 434 00:21:27,000 --> 00:21:29,920 Speaker 1: and goes into the and they're like, huh, that's not 435 00:21:30,080 --> 00:21:32,760 Speaker 1: appropriate for firefighters to be doing that. Yeah, you gotta 436 00:21:32,760 --> 00:21:34,399 Speaker 1: come in the back door. B Yeah, you gotta go 437 00:21:34,440 --> 00:21:36,120 Speaker 1: around the back. I can't just pull up out front. 438 00:21:36,280 --> 00:21:38,000 Speaker 1: Who are the guests in the ray? Do you know? No? 439 00:21:38,119 --> 00:21:40,240 Speaker 1: I do not. They look very important. They're very tall. 440 00:21:40,960 --> 00:21:43,480 Speaker 1: Bones is wondering who the guests are telling them like 441 00:21:43,600 --> 00:21:46,200 Speaker 1: very very important and very tall. Tell them that she's Gina. 442 00:21:46,400 --> 00:21:48,840 Speaker 1: She's our affiliated over in data. Ohid, I knew her 443 00:21:48,880 --> 00:21:50,959 Speaker 1: from back in the Secrets days. Oh really, that's headphones 444 00:21:50,960 --> 00:21:53,520 Speaker 1: on her? Here you go? Oh headphones? Yeah right there, 445 00:21:54,000 --> 00:21:59,200 Speaker 1: it's very yeah right all right? Or those here you go? 446 00:21:59,359 --> 00:22:04,520 Speaker 1: Those ones takes my phones? Gina, how are you good? 447 00:22:04,520 --> 00:22:06,000 Speaker 1: Came up to the microphone. I mean I wanted you. 448 00:22:06,080 --> 00:22:07,240 Speaker 1: You have to listen. I just wanted to talk to 449 00:22:07,280 --> 00:22:09,280 Speaker 1: you for a second. Can you imagine that we make 450 00:22:09,320 --> 00:22:12,560 Speaker 1: her listen to this garbage? Oh it's my favorite show. Hey, Gina, 451 00:22:12,600 --> 00:22:14,200 Speaker 1: will you move to this to your right just a 452 00:22:14,240 --> 00:22:16,239 Speaker 1: little bit so I can see you perfect? Hi? How 453 00:22:16,240 --> 00:22:17,840 Speaker 1: are you? I'm good? How are you good? I see 454 00:22:17,880 --> 00:22:20,399 Speaker 1: you in a Brett Eldrin shirt. That's right, you big brettan. 455 00:22:20,480 --> 00:22:22,880 Speaker 1: He's my favorite. Really yeah? And have you ever seen 456 00:22:22,960 --> 00:22:26,160 Speaker 1: him live? I have pretty good amazing yeah. Yeah, he's 457 00:22:26,200 --> 00:22:30,160 Speaker 1: a really nice guy. You seem quite tall. Are you tall? Um? Well, 458 00:22:30,200 --> 00:22:32,879 Speaker 1: he's six four for adage, I'm about five eight. Are 459 00:22:32,920 --> 00:22:36,000 Speaker 1: you in tall shoes? No? Just tennis shoes? Well like 460 00:22:36,119 --> 00:22:39,359 Speaker 1: an inch about an inch? What does he does he have? Ex? 461 00:22:39,440 --> 00:22:42,080 Speaker 1: Football players? Something? This. Are you an ex football player, babe? 462 00:22:43,080 --> 00:22:45,760 Speaker 1: He said basketball? Yeah, And you guys are from Ohio yep. 463 00:22:45,960 --> 00:22:47,720 Speaker 1: And you work for the station there, that's right, and 464 00:22:47,840 --> 00:22:50,520 Speaker 1: you're our guy. So this is kind of cool. That wow, 465 00:22:50,560 --> 00:22:52,159 Speaker 1: that is cool. I know. I always say, you know, 466 00:22:52,640 --> 00:22:54,680 Speaker 1: Dayton's New Country one or three nine, home of Bobby 467 00:22:54,720 --> 00:22:56,600 Speaker 1: Bones in the morning. What do you What shift do 468 00:22:56,640 --> 00:22:58,399 Speaker 1: you do? I do mid days? So you're on right 469 00:22:58,440 --> 00:23:00,919 Speaker 1: before me. Oh cool? And how long have you been 470 00:23:01,080 --> 00:23:05,479 Speaker 1: on that station newly May? Actually? Are you from Ohio? 471 00:23:05,720 --> 00:23:07,879 Speaker 1: I am? And so what were you doing before you 472 00:23:07,960 --> 00:23:10,440 Speaker 1: went on Middays in May? So? I was actually on 473 00:23:10,560 --> 00:23:13,399 Speaker 1: Warm ninety eight five on a down in Cincinnati for 474 00:23:13,480 --> 00:23:15,600 Speaker 1: a few years, all through the pandemic, which is cool. 475 00:23:15,880 --> 00:23:18,160 Speaker 1: Where did you live in Cincinnati? No, I lived in Dayton, 476 00:23:18,280 --> 00:23:19,960 Speaker 1: so I had to commute, but we worked from home 477 00:23:20,000 --> 00:23:22,000 Speaker 1: for so long, so I never moved down to Cincinnati, 478 00:23:22,080 --> 00:23:24,600 Speaker 1: which was cool. That's a cool Warm one can be 479 00:23:24,680 --> 00:23:28,000 Speaker 1: any station though, that's cool. You could use a warm Yeah, 480 00:23:28,480 --> 00:23:30,719 Speaker 1: she's a cool voice. Oh it's the greatest. Like if 481 00:23:30,720 --> 00:23:32,639 Speaker 1: I was with that voice, I would never have been funny. 482 00:23:32,840 --> 00:23:34,840 Speaker 1: I would just use a great voice. I said, I 483 00:23:35,080 --> 00:23:38,720 Speaker 1: I have to be peculiar and weird. And so you 484 00:23:38,840 --> 00:23:42,600 Speaker 1: started doing radio two thousand and three and so in 485 00:23:42,880 --> 00:23:44,800 Speaker 1: Ohio if you all in Ohio, No, I went to 486 00:23:44,920 --> 00:23:47,680 Speaker 1: Chicago for six years. I was over there for a 487 00:23:47,720 --> 00:23:50,680 Speaker 1: while doing radio and radio where Yeah, I was on 488 00:23:50,840 --> 00:23:54,119 Speaker 1: US ninety nine five Country. That was my first country 489 00:23:54,280 --> 00:23:56,639 Speaker 1: before we got they killed our station over there. That 490 00:23:56,720 --> 00:24:00,280 Speaker 1: was our our arrival, was it? I think? So we 491 00:24:00,359 --> 00:24:04,520 Speaker 1: were there, We're gonna put you on congratulations. It's like 492 00:24:04,640 --> 00:24:08,000 Speaker 1: SpongeBob three hours late to we're flipping the station. What 493 00:24:08,160 --> 00:24:10,800 Speaker 1: the So how much Chicago for you? It was great. 494 00:24:10,880 --> 00:24:12,480 Speaker 1: I loved it. I did a lot of TV and 495 00:24:12,520 --> 00:24:14,679 Speaker 1: stuff there too, so that was kind of cool. Um 496 00:24:15,040 --> 00:24:17,720 Speaker 1: came back to do Mix one oh seven seven, So 497 00:24:17,840 --> 00:24:20,439 Speaker 1: then I got back into you know, AC left country, 498 00:24:20,600 --> 00:24:23,720 Speaker 1: but but now I'm back, so it's pretty much all 499 00:24:23,760 --> 00:24:26,200 Speaker 1: the same anyway. Yeah, it kind of is. We a 500 00:24:26,240 --> 00:24:28,639 Speaker 1: lot of crossover. So yeah, that's awesome. But I love 501 00:24:28,720 --> 00:24:31,360 Speaker 1: I love the vibe of country music. And I always say, 502 00:24:31,920 --> 00:24:34,159 Speaker 1: really listened to the lyrics because it's the kind of 503 00:24:34,240 --> 00:24:37,800 Speaker 1: music that touches your soul. So we love it. So 504 00:24:38,280 --> 00:24:41,920 Speaker 1: in this the guy you call babe, Yeah, what how 505 00:24:42,160 --> 00:24:45,920 Speaker 1: deep is I mean, what's the babe relationship like cousin 506 00:24:46,320 --> 00:24:49,760 Speaker 1: your boyfriend. It's the boyfriend. Yeah, it is the boyfriend 507 00:24:49,920 --> 00:24:51,960 Speaker 1: and we believe it or not. We met on Facebook 508 00:24:52,040 --> 00:24:57,040 Speaker 1: dating app in like nineteen seventy three years No, just 509 00:24:57,480 --> 00:24:59,760 Speaker 1: two and a half years ago, right before the pandemic 510 00:25:00,119 --> 00:25:03,120 Speaker 1: and so did you guys pandemic? As in you're like, okay, 511 00:25:03,160 --> 00:25:04,960 Speaker 1: we've been dating a little bit, so now it's a pandemic, 512 00:25:05,000 --> 00:25:06,600 Speaker 1: we might as well just spend time together and then 513 00:25:06,640 --> 00:25:08,760 Speaker 1: it ends up more. Actually it was kind of wild 514 00:25:08,880 --> 00:25:13,959 Speaker 1: because we were really vibing and then the lockdown happened. 515 00:25:14,119 --> 00:25:16,240 Speaker 1: Is in Ohio, everything shut down and we were kind 516 00:25:16,240 --> 00:25:19,119 Speaker 1: of like, well, if we don't stay together, well we 517 00:25:19,160 --> 00:25:21,639 Speaker 1: will never see each other. So we decided to do 518 00:25:21,760 --> 00:25:25,119 Speaker 1: that after three weeks of dating. It was really stupid, 519 00:25:25,240 --> 00:25:27,520 Speaker 1: but it worked out, so we were like, thank god, 520 00:25:27,800 --> 00:25:30,840 Speaker 1: we ended up liking each other a lot, so, um, yeah, 521 00:25:30,880 --> 00:25:32,520 Speaker 1: here we still are and what are you doing in town? 522 00:25:33,080 --> 00:25:36,879 Speaker 1: So we had a wedding yesterday, not ours, um, just 523 00:25:37,119 --> 00:25:39,600 Speaker 1: boyfriend and had a wedding on a Monday, Yeah, on 524 00:25:39,680 --> 00:25:41,879 Speaker 1: a Monday, because I guess the price was like a 525 00:25:42,000 --> 00:25:44,560 Speaker 1: third instead of doing it on the weekend, so that's 526 00:25:44,600 --> 00:25:46,440 Speaker 1: why they went with a Monday. And the wedding was good. 527 00:25:46,680 --> 00:25:48,879 Speaker 1: It was good. Yeah, it was at the venue at Birchwood. 528 00:25:49,440 --> 00:25:53,199 Speaker 1: Have you ever married anybody? No, it's like what they 529 00:25:53,240 --> 00:25:57,680 Speaker 1: called that eddy, I don't think yea, yeah. Yeah. The 530 00:25:57,840 --> 00:26:00,480 Speaker 1: woman that did do the wedding though, got ordained just 531 00:26:00,600 --> 00:26:02,760 Speaker 1: to do this wedding. So I think that's a pretty 532 00:26:03,119 --> 00:26:06,000 Speaker 1: popular thing to do. But now have you No, I 533 00:26:06,080 --> 00:26:09,000 Speaker 1: got ordained a couple of times followed through. I feel 534 00:26:09,000 --> 00:26:13,600 Speaker 1: like that could be a money making avenue. Fort ordained 535 00:26:13,640 --> 00:26:15,200 Speaker 1: for a couple of friends. And then that one of 536 00:26:15,200 --> 00:26:17,280 Speaker 1: the friends that didn't get me here. It's a whole situation. Okay, 537 00:26:17,359 --> 00:26:19,320 Speaker 1: one of them died, Thanks for bringing that up, but 538 00:26:23,160 --> 00:26:25,440 Speaker 1: that didn't happen. Um. Okay, So we're running out of 539 00:26:25,520 --> 00:26:28,600 Speaker 1: time here. But so have you been in Nashville before? 540 00:26:29,200 --> 00:26:32,000 Speaker 1: I have, yes, So you come quite often? Well, in 541 00:26:32,080 --> 00:26:34,320 Speaker 1: twenty eighteen was the last time I was here. My 542 00:26:34,640 --> 00:26:36,840 Speaker 1: uncle actually used to live here and he worked twenty 543 00:26:36,920 --> 00:26:41,240 Speaker 1: years at Gibson Guitar buffing the guitars. So he's still here. No, 544 00:26:41,440 --> 00:26:43,159 Speaker 1: he's in Ohio now, but we used to come to 545 00:26:43,280 --> 00:26:45,359 Speaker 1: visit him. Like when I was a kid. So I 546 00:26:45,440 --> 00:26:48,880 Speaker 1: have been here, you know, in the past. A Bengals fan, 547 00:26:49,840 --> 00:26:55,000 Speaker 1: I'm not. No, I was a Washington whatever they're called 548 00:26:55,080 --> 00:26:59,000 Speaker 1: now Manders. Yes, yeah, but I don't what are you? 549 00:26:59,200 --> 00:27:02,440 Speaker 1: Are you he's a Cowboys fan? No, No, here's I'm not. 550 00:27:02,640 --> 00:27:04,480 Speaker 1: I bought the Cowboys in the league. I'm in he's 551 00:27:04,520 --> 00:27:06,879 Speaker 1: a Cowboys fan this season. I'm a pretty big Cowboys fan, 552 00:27:06,920 --> 00:27:08,960 Speaker 1: but I've never been a Cowboys fan until now. Okay, 553 00:27:09,080 --> 00:27:11,520 Speaker 1: all right, okay, Well I appreciate you talking with us. Hey, 554 00:27:11,640 --> 00:27:14,040 Speaker 1: thanks for having me. It's really nice to meet you. Awesome. 555 00:27:14,080 --> 00:27:17,040 Speaker 1: Yeh would give a crazy good voice. It's just bright 556 00:27:17,080 --> 00:27:19,400 Speaker 1: and sunny. I know it's called like sonny or warm 557 00:27:19,520 --> 00:27:22,560 Speaker 1: or love. It's like perfect for it. And how do 558 00:27:22,640 --> 00:27:25,560 Speaker 1: you know Rod? You know Rod Um? Well? Rod, I 559 00:27:25,600 --> 00:27:27,640 Speaker 1: don't know. Just working at iHeart for so many years. 560 00:27:27,840 --> 00:27:30,160 Speaker 1: I'd we'd crossed paths before, and then I was like, hey, 561 00:27:30,200 --> 00:27:32,199 Speaker 1: I'm in Nashville. He goes, Oh, you want to come 562 00:27:32,240 --> 00:27:34,239 Speaker 1: meet Bobby Bones. I didn't think I was getting get 563 00:27:34,280 --> 00:27:38,720 Speaker 1: what he's selling tickets? How much did that cost? Yeah, okay, 564 00:27:38,760 --> 00:27:40,560 Speaker 1: well here's what we're about. I would love to meet 565 00:27:40,560 --> 00:27:41,879 Speaker 1: you're about to do an interview in a second, but 566 00:27:41,880 --> 00:27:43,240 Speaker 1: if you guys hang out for a few minutes, I'd 567 00:27:43,240 --> 00:27:45,040 Speaker 1: love to meet you. Yeah, if I don't know, if 568 00:27:45,040 --> 00:27:46,200 Speaker 1: you have what you have to do, you have to 569 00:27:46,240 --> 00:27:48,359 Speaker 1: go do some voiceovers or oh yeah, I've got a 570 00:27:48,600 --> 00:27:53,520 Speaker 1: ton of voiceovers. Do you have a rectile dysfunction? That's 571 00:27:53,720 --> 00:27:55,920 Speaker 1: how was it? Yeah? Okay, so you guys hang out 572 00:27:55,960 --> 00:27:57,919 Speaker 1: all right? Love meet you in a minute. Yeah, everybody 573 00:27:57,920 --> 00:28:00,320 Speaker 1: on the post show, we will everybody. Good. By the way, 574 00:28:00,359 --> 00:28:03,240 Speaker 1: we gotta jump off in great Yeah. Yeah, okay, we'll 575 00:28:03,240 --> 00:28:06,360 Speaker 1: see you tomorrow. That's all for now. Goodbye, everybody.