WEBVTT - Episode 2: Martial Arts with Bryan Frasher

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<v Speaker 1>Hello, this is Christian Bush and welcome to episode two

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<v Speaker 1>of Geeking Out, my new podcast. Every episode is a

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<v Speaker 1>new person talking about what they're obsessed with that has

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<v Speaker 1>nothing to do with their job. The only requirement is

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<v Speaker 1>that they're totally geeking out on it and they want

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<v Speaker 1>to talk about it. From bee keeping the craft beer

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<v Speaker 1>from eighties TV shows to custom printed tennis shoes, from

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<v Speaker 1>remodeling airstream trailers to collecting Game of Thrones bobbleheads. Tell

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<v Speaker 1>me what you love, why you love it, how you

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<v Speaker 1>got into it, and what makes it awesome. Every episode

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<v Speaker 1>is presented in three chapters. Chapter one, my guest and

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<v Speaker 1>I talk about what they're obsessed with. Chapter two is

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<v Speaker 1>a game I call trade jo, where my guest and

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<v Speaker 1>I turn each other on to one thing that we've discovered.

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<v Speaker 1>And Chapter three closes the show with me talking about

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<v Speaker 1>music that I'm currently geeking out on and why I

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<v Speaker 1>believe that curiosity is can tageous and the life is

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<v Speaker 1>better with a soundtrack. So let's go chapter one. Today,

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<v Speaker 1>I visit with Mr Brian Fraser. Brian spent most of

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<v Speaker 1>his life in the music business, first as a musician,

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<v Speaker 1>then as a powerful record company executive and now as

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<v Speaker 1>an artist manager. I recently worked with him when I

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<v Speaker 1>produced one of his artists, Lindsea Yell, who you just heard.

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<v Speaker 1>In working with Brian, I was taken by his personality,

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<v Speaker 1>his knowledge, and his excitement about the entire world around him. Also,

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<v Speaker 1>it should be said that Brian is very tall. He's fit,

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<v Speaker 1>with a full head of blonde hair, and has likely

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<v Speaker 1>had to bend down to hug everyone in his life,

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<v Speaker 1>So I mean with Brian Fraser. Hey, hey, welcome to

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<v Speaker 1>the podcast. So I have to be here. Podcast is

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<v Speaker 1>currently happening in my home in Nashville, which is awesome,

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<v Speaker 1>by the way, would you like to describe it for podcasters.

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<v Speaker 1>I'm on the second floor, right near where the stairs

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<v Speaker 1>come up from the entryway, and I'm looking at a

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<v Speaker 1>wall of vinyl records and I don't think there's one

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<v Speaker 1>up there that came out before h S admin and

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<v Speaker 1>it's probably eight thrillers. What he was explaining to me

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<v Speaker 1>how whoever comes in can rotate out whatever records they

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<v Speaker 1>want to play. They just put new ones up every time.

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<v Speaker 1>I think it's just such a great fun concept and

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<v Speaker 1>just awesome. Thank you. It was a way for me

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<v Speaker 1>to avoid decorating my place. So you you've heard the

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<v Speaker 1>rules of the podcast. You I was briefed on the

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<v Speaker 1>rules by Whitney. Okay, good, Whitney's here actually in the Yeah,

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<v Speaker 1>we love having Whitney around. Um, we want to talk

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<v Speaker 1>about what you are totally geeking out on right now.

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<v Speaker 1>That is not your job. So first of all, you

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<v Speaker 1>might want to just say what your job is so

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<v Speaker 1>people can understand the distance and well, I mean, I

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<v Speaker 1>mean currently in my third career. My first career was

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<v Speaker 1>as a musician. My second one was as a record

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<v Speaker 1>label guy. I was the vice president promotion of B

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<v Speaker 1>and A Records, which was has since become Columbia Records

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<v Speaker 1>Nashville under Sony Music. And I now am at Red

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<v Speaker 1>Light Management and I managed Lindsay l and I co

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<v Speaker 1>managed Craig Morgan. And I do radio promotion and marketing

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<v Speaker 1>for whoever else on the Red Light roster might need

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<v Speaker 1>it in terms of country radio. What are you geeking

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<v Speaker 1>out on right now? Well, I'm geeking out on jiu

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<v Speaker 1>jitsu martial arts in general, Brazilian jiu jitsu currently. Uh.

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<v Speaker 1>But I have studied martial arts since I was twelve

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<v Speaker 1>years old and I'm fifty two. Uh and uh it's

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<v Speaker 1>something my brother and I started when we were kids.

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<v Speaker 1>My father got us into it. I found out later

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<v Speaker 1>his logic, which was incredibly sound for about as much

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<v Speaker 1>of a redneck as you can get in West Virginia. Uh.

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<v Speaker 1>He he told me when we were older, he said,

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<v Speaker 1>I knew if I could get you boys into the

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<v Speaker 1>martial arts, that you would always take care of your

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<v Speaker 1>body and you always maintain a healthy lifestyle. Uh. If

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<v Speaker 1>I could get you into this and you would fall

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<v Speaker 1>in love with it, which both my brother and I

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<v Speaker 1>did fall in love with. My brother actually has a

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<v Speaker 1>school in Columbus, Ohio, and he's a very high ranking

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<v Speaker 1>black belt in the Chuck Norris system, and like literally

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<v Speaker 1>goes to Chuck's ranch and he's hold on the Chuck

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<v Speaker 1>north system. Yeah, it's you found Unifighting Arts Federation of America,

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<v Speaker 1>United Fighting Arts Federation. Chuck Norris's UH system is called

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<v Speaker 1>Chun Cook Dough and it is based on tang Pudo,

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<v Speaker 1>which was a Korean martial art, and it's a it's

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<v Speaker 1>it's kind of like a taekwondo. There's a lot of

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<v Speaker 1>high kicking, a lot of you know, punching, kicking, that

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<v Speaker 1>kind of thing, and it's uh. There originally was a

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<v Speaker 1>big point karate circuit that both my brother and I did. Uh.

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<v Speaker 1>When we were younger, I fought in tournaments all rather

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<v Speaker 1>than to my mid thirties, I was always training for

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<v Speaker 1>or fighting in some kind of tournament of some sort.

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<v Speaker 1>Norris system coming before the movies or did the movie. Well,

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<v Speaker 1>here's the thing a lot of people don't understand about

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<v Speaker 1>Chuck Norrith. Chuck Norris is the real deal man, I

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<v Speaker 1>mean he is. He he was doing that and then

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<v Speaker 1>got put into the movies because that's what he was.

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<v Speaker 1>A world champion competitive karate uh fighter and and a

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<v Speaker 1>kickboxer and he was for real all the way around.

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<v Speaker 1>And he Bruce Lee picked him to be in the movie.

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<v Speaker 1>I think it's Return of the Dragon that he's in

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<v Speaker 1>and they have this fight in the Colosseum, and Bruce

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<v Speaker 1>Lee had he had written the movie. Uh, and Bruce

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<v Speaker 1>actually hand picked Chuck to play the guy the his

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<v Speaker 1>his opponent. His Chuck is a bad guy in the movie. Huh. Right,

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<v Speaker 1>So so there there's an incredible scene and as a musician,

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<v Speaker 1>you will love it that this is the thing about

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<v Speaker 1>martial arts for me is especially with jiu jitsu, it's

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<v Speaker 1>so so many of the principles applied directly to music

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<v Speaker 1>and your everyday life. And it's the principles and the

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<v Speaker 1>concepts behind the techniques that work that make them work.

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<v Speaker 1>And if you understand the principles of why something works,

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<v Speaker 1>you can apply all across all areas of your life.

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<v Speaker 1>You can apply it in music if you understand why,

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<v Speaker 1>you know, this certain chord works over this harmonic structure

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<v Speaker 1>or vice versa, then you can apply that in any key. Right,

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<v Speaker 1>What's the same thing with a with a martial arts technique,

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<v Speaker 1>if you understand it, you understand the principle of why

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<v Speaker 1>it works, and your practice to a level that you

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<v Speaker 1>can execute it, then you can you just create on

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<v Speaker 1>the spot. It's a whole world of creation and immediacy

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<v Speaker 1>that happens when you're when you're when you're actually doing it,

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<v Speaker 1>you know. So. Uh. But anyway, so back to the

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<v Speaker 1>musician part with Chuck Norris and Bruce Lee. They had

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<v Speaker 1>at the end of returning to the Dragon, there's this this,

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<v Speaker 1>and I believe it's returning to the Dragon. There's uh,

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<v Speaker 1>there's the fight scene, the final climactic fight scene between

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<v Speaker 1>Bruce Lee and Chuck Norris, the characters, and they're in

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<v Speaker 1>the Roman Coliscene during the coliseum room, and you see,

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<v Speaker 1>you can you can see this developed. At first, Bruce

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<v Speaker 1>is his character is trying to fight the Chuck North

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<v Speaker 1>style fight, and the music sounds a certain way. It's

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<v Speaker 1>very stiff. It's very staunch, you know, it's it's very

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<v Speaker 1>very um um. It's predictable. The music is predictable, right,

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<v Speaker 1>and then so Bruce takes a couple of shots and

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<v Speaker 1>then he realizes, I've got to fight my own way.

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<v Speaker 1>You can, if you know the concepts behind it, you

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<v Speaker 1>can see the wheels turning in the movie. Because Bruce

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<v Speaker 1>Lee directed this, he shot the whole thing. And when

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<v Speaker 1>he starts realizing that he needs to fight his way,

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<v Speaker 1>his own and and express himself his own way, the

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<v Speaker 1>music changes to it, and then it's a real improvisational

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<v Speaker 1>kind of like funky jazz, like that early seventies progressive

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<v Speaker 1>jazz kind of sound. It goes the music changes to that,

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<v Speaker 1>and Bruce just starts he's stopping every punch he's hitting it.

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<v Speaker 1>And then you see him defeat Chuck and he's upset

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<v Speaker 1>that he has to kill him in the end because

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<v Speaker 1>this was such a worthy opponent. You know, it's it's

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<v Speaker 1>you know, if you understand the philosophy behind this, it

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<v Speaker 1>is incredible to understand how that that. You you need

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<v Speaker 1>to watch that movie and even if you fast forward

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<v Speaker 1>to the last like ten fifteen minutes to the Colosseum

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<v Speaker 1>stuff and watched that scene understanding the concepts of how

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<v Speaker 1>it was why all I mean the and now that

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<v Speaker 1>was at the time period in Bruce Lee's life when

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<v Speaker 1>he was he had he had just written the kind

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<v Speaker 1>of the philosophy, the Tao of jeep Kundo and jee

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<v Speaker 1>Kundo was his style of martial arts that he developed.

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<v Speaker 1>It's called it's a way of the intercepting fist and

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<v Speaker 1>based on based on oh dude, everything, I mean, there's

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<v Speaker 1>been movies made so but it's uh. It's The beautiful

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<v Speaker 1>thing about uh Bruce's art je condo was that he

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<v Speaker 1>he took all of the things that he found practical

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<v Speaker 1>and worked from all the different fighting systems. He took

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<v Speaker 1>a boxing stance before you put your hands in boxing stand.

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<v Speaker 1>He took that from boxing. He took Filipino collie, which

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<v Speaker 1>is a scream a stick fighting and knifefighting, and he

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<v Speaker 1>applied that to empty hands so that you had trapping

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<v Speaker 1>and a lot joint locks that he brought from jiu jitsu,

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<v Speaker 1>and he studied with all the masters of these different

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<v Speaker 1>things that he studied with Wally j who was when

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<v Speaker 1>I first started taking jiu jitsu. Uh it was small

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<v Speaker 1>circle jiu jitsu, which is what Wally j Is was

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<v Speaker 1>famous for. And that small circle means up um using

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<v Speaker 1>the smaller joint locks like finger joint locks, um um,

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<v Speaker 1>you know, wrist locks being able to if you can,

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<v Speaker 1>if I'm gonna lock out a finger, then I would.

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<v Speaker 1>I'm trying to describe it so people can understand what

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<v Speaker 1>the podcast. But if I haven't in your hand, if

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<v Speaker 1>in my hand and I push, I push on the

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<v Speaker 1>top and I pull under the bottom, and I create

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<v Speaker 1>a small circle here, then I get right into the

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<v Speaker 1>joint of it, and it causes pain, causes extreme pain,

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<v Speaker 1>but it didn't break it. It doesn't hurt me. It

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<v Speaker 1>just hurts me for a while. So I can control

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<v Speaker 1>the person. Right, So me have your hand just so,

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<v Speaker 1>and we're gonna take two figures right, so you just

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<v Speaker 1>you can feel it, so you can feel. It just

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<v Speaker 1>filled out my interest today. Okay, you see you feel that.

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<v Speaker 1>You see the push and here's the pool. So I'm

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<v Speaker 1>here and I yeah, I'll do what you can feel.

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<v Speaker 1>You feel the pain, but now you're fine, You're okay,

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<v Speaker 1>not hurting, but you could move my body around. I

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<v Speaker 1>can make you do what I want you to do.

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<v Speaker 1>How many people that you work with on a day

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<v Speaker 1>to day basis even have any idea that this is

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<v Speaker 1>what you do? None? Really, I don't really, I have

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<v Speaker 1>never talked about it. This is the first time I've

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<v Speaker 1>ever talked about it in any kind of form bigger

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<v Speaker 1>than one or two people before we we we sat

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<v Speaker 1>down today. I did the least amount of research I

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<v Speaker 1>could because I wanted you to teach me as well

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<v Speaker 1>you should that's the way, Well, it's it's. It's because

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<v Speaker 1>I want to be just like my listeners, which are

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<v Speaker 1>you know, turned me onto it. And the first thing

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<v Speaker 1>I did is I and the only thing I did

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<v Speaker 1>was pull it up on Wikipedia and jiu jitsu, my

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<v Speaker 1>saying yeah, there's there's it's and it seems like that's

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<v Speaker 1>a it's a family tree. Yes, the branches come off

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<v Speaker 1>and the leaves come off, the branches. That's right. So

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<v Speaker 1>jiu jitsu is originally about combat against someone who is

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<v Speaker 1>in armor and may or may not have a weapon

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<v Speaker 1>and the person who is performing jiu jitsu does not.

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<v Speaker 1>You know, it's close hand combat for people who are armored, yes,

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<v Speaker 1>from someone who is not. Yeah, basically, yeah, that's that

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<v Speaker 1>is correct. It's uh true combat jujitsu. Now, my first

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<v Speaker 1>black belt in jujicsu is in combat jujitsu. I'm a

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<v Speaker 1>fourth degree black belt in combat jujitsu. I'm a fourth

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<v Speaker 1>degree black belt and issuary karate, and I'm currently a

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<v Speaker 1>purple belt in Brazilian jujitsu. Combat jujitsu is really is

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<v Speaker 1>kind of a Japanese style jiujitsu, and it was based

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<v Speaker 1>off of actually goes all the way to India. There

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<v Speaker 1>are wrestling styles in India to thousand years ago that

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<v Speaker 1>migrated into China and then migrated down into Japan, and

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<v Speaker 1>the samurais developed jiu jitsu as you would know it

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<v Speaker 1>as you read about it. They developed it because of

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<v Speaker 1>the armor. So if you are striking somebody and you're

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<v Speaker 1>hitting armor, you're hitting a face mask, You're gonna hurt

0:12:35.200 --> 0:12:37.840
<v Speaker 1>yourself too. You can't strike against this armor. But The

0:12:37.880 --> 0:12:41.840
<v Speaker 1>things that you can control are the joint the joints

0:12:41.840 --> 0:12:45.120
<v Speaker 1>of the risk, the joints of the elbow, shoulder, the knees,

0:12:45.240 --> 0:12:48.720
<v Speaker 1>the ankles, the hips. There's all kinds of different where

0:12:48.760 --> 0:12:52.520
<v Speaker 1>the body is flexible. Um so if somebody has on

0:12:52.800 --> 0:12:56.200
<v Speaker 1>a suit of armor and they're wielding a sword or

0:12:56.280 --> 0:12:58.680
<v Speaker 1>a bow and arrow or whatever, they still have to

0:12:58.720 --> 0:13:00.840
<v Speaker 1>have the mechanics to bend their arms and swing them

0:13:00.840 --> 0:13:03.000
<v Speaker 1>and all that stuff. So the joints are free. So

0:13:03.800 --> 0:13:07.880
<v Speaker 1>that's why they developed the system of joint manipulation. Two.

0:13:08.440 --> 0:13:10.800
<v Speaker 1>That's that's when I say lock, I mean I'm locking

0:13:10.840 --> 0:13:12.720
<v Speaker 1>your wrist out in a certain way that it causes

0:13:12.760 --> 0:13:15.760
<v Speaker 1>you pain. And it it either it over extends the

0:13:15.800 --> 0:13:19.440
<v Speaker 1>tendons or it's the card elage of stuff separates it

0:13:19.440 --> 0:13:21.880
<v Speaker 1>in the joint. It terms that your elbow or your

0:13:21.880 --> 0:13:24.040
<v Speaker 1>wrist away that it's not supposed to go and it

0:13:24.080 --> 0:13:26.600
<v Speaker 1>causes the pain. Now you can break that if you

0:13:26.640 --> 0:13:29.000
<v Speaker 1>move very fast. I can decide I want to go

0:13:29.360 --> 0:13:32.280
<v Speaker 1>really fast, hit that really quick and break it, pop

0:13:32.280 --> 0:13:35.600
<v Speaker 1>it because of the force, the momentum and the angles

0:13:35.800 --> 0:13:38.840
<v Speaker 1>on the wrist. Or I can choose to hold that

0:13:39.640 --> 0:13:41.600
<v Speaker 1>right at that point where it hurts really really bad,

0:13:41.720 --> 0:13:43.120
<v Speaker 1>and you will stop do them. You know, I can

0:13:43.200 --> 0:13:45.320
<v Speaker 1>kind of control what you do. I love this because

0:13:45.320 --> 0:13:47.240
<v Speaker 1>you're one of the kindest men I know. And I

0:13:47.280 --> 0:13:51.760
<v Speaker 1>just had no idea I had that. So what did

0:13:51.800 --> 0:13:54.880
<v Speaker 1>it feel like to grow up knowing how to fight

0:13:55.240 --> 0:13:58.360
<v Speaker 1>and really never having you have you had to fight

0:13:58.440 --> 0:14:01.439
<v Speaker 1>outside the Oh yeah, outside? Yeah, I mean it never

0:14:01.559 --> 0:14:05.800
<v Speaker 1>was competition. I mean, here's the thing, man, after fighting

0:14:05.880 --> 0:14:08.720
<v Speaker 1>so many tournaments in my early thirties and stuff, when

0:14:08.720 --> 0:14:13.920
<v Speaker 1>I was competing against trained people, and then you know,

0:14:14.040 --> 0:14:16.679
<v Speaker 1>just you know, little altercations and ship that happens when

0:14:16.720 --> 0:14:19.680
<v Speaker 1>you're you know, in your mid twenties and you're drunk

0:14:19.720 --> 0:14:22.520
<v Speaker 1>in a bar and somebody doesn't something ugly to a

0:14:22.520 --> 0:14:25.960
<v Speaker 1>friend of yours. Um. Those After you've done a few

0:14:25.960 --> 0:14:28.880
<v Speaker 1>of those, you realize that you're you just feel like, man,

0:14:28.920 --> 0:14:32.760
<v Speaker 1>you just feel like a freaking panther walking among gazelles.

0:14:34.240 --> 0:14:37.600
<v Speaker 1>You're just allowing it to happen, just let it, just

0:14:37.680 --> 0:14:42.320
<v Speaker 1>letting that behavior cool man. So But but but what

0:14:42.360 --> 0:14:46.080
<v Speaker 1>it does, and it is it makes me I don't

0:14:46.200 --> 0:14:49.720
<v Speaker 1>get freaked out and I don't help. It's helped me

0:14:49.720 --> 0:14:53.320
<v Speaker 1>in business so much because I can stay calm. I'm not.

0:14:53.480 --> 0:14:55.800
<v Speaker 1>I don't. It doesn't I don't get too worked up

0:14:55.800 --> 0:14:58.880
<v Speaker 1>over anything, you know, in in pressure situations, because you're

0:14:58.880 --> 0:15:03.200
<v Speaker 1>always in pressure situation issues. Um, and it's beautiful in

0:15:04.360 --> 0:15:07.920
<v Speaker 1>and when you're training, Like if I'm stressed about something

0:15:08.400 --> 0:15:11.760
<v Speaker 1>and I go to work out and I'm rolling with

0:15:11.800 --> 0:15:14.360
<v Speaker 1>a guy that is probably gonna put me to sleep,

0:15:14.440 --> 0:15:16.760
<v Speaker 1>or is like, really, you know, these guys are so

0:15:16.840 --> 0:15:18.560
<v Speaker 1>much better than me these days, and they're young, they're

0:15:18.560 --> 0:15:21.600
<v Speaker 1>twenty years younger. And if I'm not focused on what's

0:15:21.640 --> 0:15:24.240
<v Speaker 1>happening in the moment, then I don't. It's not gonna

0:15:24.480 --> 0:15:26.880
<v Speaker 1>nothing's gonna last very long, and they're gonna kill me, right,

0:15:26.920 --> 0:15:28.800
<v Speaker 1>So I have to. I have to pay attention. Or

0:15:28.840 --> 0:15:30.400
<v Speaker 1>what it does is it forces me to let go

0:15:30.440 --> 0:15:33.840
<v Speaker 1>of everything else has bothered me. So I spend an

0:15:33.840 --> 0:15:37.640
<v Speaker 1>hour hour and a half training hard, working on technique,

0:15:37.800 --> 0:15:41.200
<v Speaker 1>sparring and in. The beautiful thing about Brazilian jiu jitsu.

0:15:41.360 --> 0:15:43.480
<v Speaker 1>One of the reasons that it makes you so effective

0:15:43.520 --> 0:15:45.920
<v Speaker 1>is that you can train at almost full speed all

0:15:45.960 --> 0:15:49.920
<v Speaker 1>the time and not get hurt because it's wrestling, it's

0:15:49.960 --> 0:15:54.160
<v Speaker 1>it's grappling, it's your your your your body positioning, You're

0:15:54.360 --> 0:15:56.480
<v Speaker 1>you're trying to work three and four moves ahead to

0:15:56.520 --> 0:15:58.360
<v Speaker 1>get this guy to give you something you know you

0:15:58.400 --> 0:16:00.280
<v Speaker 1>want three or four music. It's like chess, and it's

0:16:00.320 --> 0:16:03.360
<v Speaker 1>like it's like human chess, you know. So it's so

0:16:04.160 --> 0:16:07.800
<v Speaker 1>intellectual and it's so physical at the same time. I've

0:16:07.800 --> 0:16:11.800
<v Speaker 1>never found anything that is it's equal in terms of

0:16:11.800 --> 0:16:15.760
<v Speaker 1>being intellectual and physical at the same time with such intensity.

0:16:15.840 --> 0:16:18.560
<v Speaker 1>So when you're done and you're just wasted and you're

0:16:18.600 --> 0:16:20.680
<v Speaker 1>just you're sitting there and your ass feels about like

0:16:20.760 --> 0:16:23.120
<v Speaker 1>thirty pounds that che bubble gum and you're just sitting

0:16:23.120 --> 0:16:26.080
<v Speaker 1>there and you're like, oh my god, uh and you're

0:16:26.120 --> 0:16:29.080
<v Speaker 1>kind of shaking because you've worked so hard. You're just

0:16:29.200 --> 0:16:33.080
<v Speaker 1>completely relaxed. And I just I really believe that people need.

0:16:33.520 --> 0:16:35.560
<v Speaker 1>They need things that are hard in their life. There

0:16:35.640 --> 0:16:38.440
<v Speaker 1>need things that don't that they have to struggle to

0:16:38.480 --> 0:16:44.240
<v Speaker 1>achieve in order to really to really know what that

0:16:44.800 --> 0:16:47.800
<v Speaker 1>is and what how it can relate to other parts.

0:16:47.880 --> 0:16:49.400
<v Speaker 1>It will make them better in every part of their life.

0:16:49.760 --> 0:16:52.160
<v Speaker 1>I mean, man, you know, I've been struggling to learn

0:16:52.200 --> 0:16:55.360
<v Speaker 1>Brazilian jiu jitsu on top of I mean I've studied

0:16:55.440 --> 0:16:57.880
<v Speaker 1>marshal arts for years, but Brazilian jiu jitsu is a

0:16:58.000 --> 0:17:00.880
<v Speaker 1>freaking mystery to me still. It's just baffling to me.

0:17:00.920 --> 0:17:03.160
<v Speaker 1>And I've been doing it now for eight almost nine years,

0:17:03.680 --> 0:17:06.520
<v Speaker 1>and and at this age, you know, and and it's

0:17:06.560 --> 0:17:08.760
<v Speaker 1>one of those things that my body has to learn

0:17:08.800 --> 0:17:11.280
<v Speaker 1>it I had. My sensitivity has to be developed to

0:17:11.440 --> 0:17:14.480
<v Speaker 1>feel this move here and to think three moves ahead,

0:17:14.480 --> 0:17:16.080
<v Speaker 1>and to to be able to do that, and it

0:17:16.280 --> 0:17:18.840
<v Speaker 1>that requires time on the mat, and I, you know,

0:17:18.880 --> 0:17:20.400
<v Speaker 1>if I don't get the time on the mat, then

0:17:20.480 --> 0:17:22.440
<v Speaker 1>I fall back and I have to start over it

0:17:22.520 --> 0:17:26.480
<v Speaker 1>kind of have to rebuild again. But it's it's that

0:17:26.720 --> 0:17:30.360
<v Speaker 1>struggle of learning it that is so fulfilling because then

0:17:30.400 --> 0:17:33.800
<v Speaker 1>when you start you start seeing results. It's like, man,

0:17:33.880 --> 0:17:38.600
<v Speaker 1>you know I did that, Because in especially in Brazilian jujitsu,

0:17:39.400 --> 0:17:42.320
<v Speaker 1>it either works or it doesn't, and nobody gives you anything.

0:17:43.119 --> 0:17:46.320
<v Speaker 1>You are either respected on the map because you work

0:17:46.359 --> 0:17:48.160
<v Speaker 1>hard and you try hard. You don't need to win,

0:17:48.720 --> 0:17:50.119
<v Speaker 1>but you need to work hard and you need to

0:17:50.160 --> 0:17:54.080
<v Speaker 1>try hard. And if you um, if you are are

0:17:54.080 --> 0:17:57.560
<v Speaker 1>putting in the time and you're working hard, everybody there

0:17:57.680 --> 0:18:01.359
<v Speaker 1>will support you. And the have your back at every

0:18:01.400 --> 0:18:04.960
<v Speaker 1>turn no matter what, because they know you're trying. You know,

0:18:05.080 --> 0:18:07.200
<v Speaker 1>if you don't try, you don't stick around them. It's

0:18:07.200 --> 0:18:12.000
<v Speaker 1>a really pure, true thing that you cannot um can't

0:18:12.040 --> 0:18:14.400
<v Speaker 1>argue your way. You can't argue your way. You can't

0:18:14.400 --> 0:18:15.720
<v Speaker 1>say I would have done this or I would have

0:18:15.760 --> 0:18:17.560
<v Speaker 1>done that. It's all bullshit and everybody knows it too.

0:18:18.320 --> 0:18:21.000
<v Speaker 1>It's either you either can do it or you can't.

0:18:21.119 --> 0:18:23.960
<v Speaker 1>And if you can't do it, then you need to

0:18:24.000 --> 0:18:26.920
<v Speaker 1>be working towards the ability to do it the right

0:18:26.960 --> 0:18:29.400
<v Speaker 1>way or to to find the truth in what you're doing.

0:18:29.760 --> 0:18:31.959
<v Speaker 1>And I think that that has so much to do

0:18:32.040 --> 0:18:35.879
<v Speaker 1>with life that that's what I love about. It's just

0:18:35.920 --> 0:18:37.920
<v Speaker 1>a beautiful thing to have. I mean, there's still a

0:18:37.920 --> 0:18:39.399
<v Speaker 1>few things in this world that we can count on

0:18:39.760 --> 0:18:44.600
<v Speaker 1>that are absolutely true, Like I know, black and white truth.

0:18:45.000 --> 0:18:56.399
<v Speaker 1>When that stuff works, and when it does Chapter two.

0:18:56.800 --> 0:18:59.439
<v Speaker 1>In every episode of Geeking Out, I see if I

0:18:59.440 --> 0:19:02.640
<v Speaker 1>can trade one thing I've discovered with one thing that

0:19:02.680 --> 0:19:06.479
<v Speaker 1>my guest has discovered, a friendly exchange. I call it

0:19:06.520 --> 0:19:09.879
<v Speaker 1>trade you. I'm gonna trade you one thing that I've discovered.

0:19:10.000 --> 0:19:12.640
<v Speaker 1>It just so happens. I discovered it this past week. Um,

0:19:12.680 --> 0:19:17.560
<v Speaker 1>I came across pillows that are cold. Oh yeah, day

0:19:18.160 --> 0:19:21.440
<v Speaker 1>pillows have you I have been dreaming. Let me tell

0:19:21.480 --> 0:19:24.800
<v Speaker 1>you something, dude. I for like three years ago I

0:19:24.840 --> 0:19:28.320
<v Speaker 1>went to a showcase during CRS that big machine put

0:19:28.359 --> 0:19:32.399
<v Speaker 1>on and the parting gift was this giant stakehold like

0:19:32.480 --> 0:19:35.160
<v Speaker 1>pillow but memory phone, but it's cold on one side pillow.

0:19:35.520 --> 0:19:38.240
<v Speaker 1>To this day, I thought, my wife, that's my pillow.

0:19:38.320 --> 0:19:41.280
<v Speaker 1>I've got something for you. They have. The technology has

0:19:41.320 --> 0:19:44.199
<v Speaker 1>gone one step further. So it's no longer the the

0:19:44.280 --> 0:19:49.160
<v Speaker 1>gel pillow or the stay phoned the NASA pillow. It's

0:19:49.200 --> 0:19:51.639
<v Speaker 1>now here's this one here, I'm trady picture of it.

0:19:51.640 --> 0:19:54.880
<v Speaker 1>It's called a hydrolux air and it is a straight

0:19:54.960 --> 0:20:01.440
<v Speaker 1>up feather pillow, right, and it stays hold And I

0:20:01.520 --> 0:20:03.960
<v Speaker 1>don't know how it does it, but it has to

0:20:03.960 --> 0:20:08.040
<v Speaker 1>do with pressure, right. It really works like you put

0:20:08.119 --> 0:20:09.919
<v Speaker 1>your head on it, and I do you have to

0:20:09.960 --> 0:20:12.639
<v Speaker 1>do anything to prep it first? Nothing? Just to fill up? No,

0:20:12.800 --> 0:20:14.760
<v Speaker 1>I'm like in my mind, you you know, like remember

0:20:14.760 --> 0:20:16.240
<v Speaker 1>how we used to have to put the rice things

0:20:16.240 --> 0:20:19.920
<v Speaker 1>in the microwaves or maybe the cold packs when you

0:20:20.000 --> 0:20:23.720
<v Speaker 1>hurt yourself while you're jiu jitsuing? Right? Is that? Because

0:20:23.720 --> 0:20:26.840
<v Speaker 1>it's a verb and um, you would crack it and

0:20:26.880 --> 0:20:29.440
<v Speaker 1>put it on your shoulder. This stuff you literally lay

0:20:29.480 --> 0:20:32.120
<v Speaker 1>on it and it gets cold. It is so important

0:20:32.160 --> 0:20:35.200
<v Speaker 1>to me now that I'm thinking of replacing more than

0:20:35.280 --> 0:20:36.919
<v Speaker 1>just one. You let us send me a link to

0:20:36.960 --> 0:20:39.400
<v Speaker 1>that so I can I can get one. It's amazing.

0:20:39.480 --> 0:20:41.760
<v Speaker 1>Hydro lux air is what it is. The one I tried.

0:20:42.720 --> 0:20:45.600
<v Speaker 1>This sounds silly, there's no such thing. Well it makes

0:20:45.640 --> 0:20:48.840
<v Speaker 1>I don't know. Do you ever spend any time on Pinterest?

0:20:49.800 --> 0:20:53.919
<v Speaker 1>You know what? Um? I when Pinterest first started, I tried,

0:20:54.280 --> 0:20:56.880
<v Speaker 1>and I do. I love it. I swear to god,

0:20:56.920 --> 0:20:59.399
<v Speaker 1>I love Pinterest. There's so much cool guy stuff on there.

0:20:59.480 --> 0:21:02.399
<v Speaker 1>There's like rate motorcycles and just and I will go

0:21:02.480 --> 0:21:05.919
<v Speaker 1>down the rabbit hole if I'm really just kind of

0:21:05.920 --> 0:21:07.600
<v Speaker 1>want to veg out and I just want to kind

0:21:07.600 --> 0:21:10.080
<v Speaker 1>of just I just want to kind of do dumb stuff.

0:21:10.240 --> 0:21:12.600
<v Speaker 1>You know, what are your searches? Like? I mean, I

0:21:12.640 --> 0:21:14.880
<v Speaker 1>would tell you what, but here's the thing. It's weird

0:21:15.119 --> 0:21:18.520
<v Speaker 1>because it's an intuitive website and and I know Pinterest

0:21:18.600 --> 0:21:20.200
<v Speaker 1>is a thing that people know about it. I don't

0:21:20.200 --> 0:21:23.120
<v Speaker 1>know but for me, I've only in the last month

0:21:23.240 --> 0:21:25.240
<v Speaker 1>or two become just enamored with it. But it's a

0:21:26.640 --> 0:21:30.280
<v Speaker 1>you it after you've searched so many different things, it

0:21:30.359 --> 0:21:32.760
<v Speaker 1>picks stuff for you and it just feeds you the

0:21:32.840 --> 0:21:35.600
<v Speaker 1>things that you it thinks that you will like, and

0:21:35.600 --> 0:21:39.359
<v Speaker 1>and it's usually so right. It is so right with me.

0:21:39.440 --> 0:21:41.359
<v Speaker 1>I'm like, and I'm looking at it and I'm like,

0:21:41.359 --> 0:21:45.600
<v Speaker 1>oh my god, if somebody saw my pinter stage, what

0:21:45.720 --> 0:21:47.920
<v Speaker 1>kind of person would they think I am? Because there's

0:21:47.960 --> 0:21:50.280
<v Speaker 1>just all kinds. There's like survival gear on there, there's

0:21:50.359 --> 0:21:54.560
<v Speaker 1>jeep stuff, there's motorcycles or tattoos. That's the one thing

0:21:54.560 --> 0:21:58.760
<v Speaker 1>I do because I've started working on this tattoo I've

0:21:58.760 --> 0:22:01.679
<v Speaker 1>got going on here this sleeve. I have three lions

0:22:01.720 --> 0:22:05.000
<v Speaker 1>on my arm and it's uh, my myself, my wife

0:22:05.040 --> 0:22:07.600
<v Speaker 1>and my son, and it's just about the connection between

0:22:07.680 --> 0:22:09.640
<v Speaker 1>three of us. And then there it's the religious thing

0:22:09.640 --> 0:22:13.159
<v Speaker 1>with the trinity. And it just come from pintris No.

0:22:13.640 --> 0:22:16.160
<v Speaker 1>But I got the idea of putting the red overlay

0:22:16.280 --> 0:22:19.520
<v Speaker 1>on the black from Pinchers. I found it. It's called

0:22:19.800 --> 0:22:24.399
<v Speaker 1>it's called trash. Polka art style was started in Germany

0:22:24.760 --> 0:22:27.160
<v Speaker 1>and if you look that up on Pinters. There are

0:22:27.200 --> 0:22:32.040
<v Speaker 1>the coolest tattoos. Trash trash polka, t R A s H.

0:22:32.280 --> 0:22:35.320
<v Speaker 1>I love the O l K A trash polka and

0:22:35.400 --> 0:22:37.520
<v Speaker 1>you look that up on Pinter's and there's just the

0:22:37.560 --> 0:22:40.760
<v Speaker 1>coolest stuff. I accept your trade because I'm That's what

0:22:40.840 --> 0:22:42.639
<v Speaker 1>I use Pinterest for us to look for tattoos. We'll

0:22:42.640 --> 0:22:44.200
<v Speaker 1>look up trash polka and you will see some of

0:22:44.240 --> 0:22:46.680
<v Speaker 1>the coolest freaking tattoos you've ever seen in your life. Well,

0:22:46.680 --> 0:22:49.160
<v Speaker 1>thank you for being here, man. I think I love

0:22:49.240 --> 0:22:51.520
<v Speaker 1>hearing about your life and I now know a lot

0:22:51.560 --> 0:22:53.920
<v Speaker 1>more about jiu jitsu, and I will keep you near

0:22:53.920 --> 0:23:01.760
<v Speaker 1>me in a bar. YEA sounds good. Chapter three The Clavinet.

0:23:03.920 --> 0:23:06.280
<v Speaker 1>Because Brian Fraser was our guest today, I thought it

0:23:06.280 --> 0:23:09.439
<v Speaker 1>would be appropriate to talk about a track from his artist,

0:23:09.560 --> 0:23:14.320
<v Speaker 1>Lindsay L's album that I Love. I produced Lindsay's album

0:23:14.440 --> 0:23:17.720
<v Speaker 1>The Project, and I actually have the individual tracks here

0:23:17.800 --> 0:23:20.480
<v Speaker 1>to her song Mint, and I'd like to use them

0:23:20.480 --> 0:23:23.520
<v Speaker 1>to tell you about one of my favorite instruments, the clabnet.

0:23:24.600 --> 0:23:27.600
<v Speaker 1>What is it, Well, it's a keyboard. It's a vintage

0:23:27.680 --> 0:23:31.440
<v Speaker 1>keyboard that makes a unique sound. You probably know what

0:23:31.480 --> 0:23:34.119
<v Speaker 1>it is because you've heard it play in your whole life.

0:23:34.119 --> 0:23:46.240
<v Speaker 1>At the beginning of Stevie Wonders superstition, the clavinet or clave.

0:23:46.600 --> 0:23:48.960
<v Speaker 1>While it looks and plays like a keyboard with white

0:23:48.960 --> 0:23:51.320
<v Speaker 1>and black keys, the sound that comes from it is

0:23:51.520 --> 0:23:55.880
<v Speaker 1>actually exactly like an electric guitar. That's because it actually

0:23:55.960 --> 0:23:59.040
<v Speaker 1>has guitar strings in it, and it gets plucked, and

0:23:59.119 --> 0:24:02.840
<v Speaker 1>every time the keystroke comes down, there's a pick up there,

0:24:02.880 --> 0:24:05.800
<v Speaker 1>just like an electric guitar, so it can distort and

0:24:05.920 --> 0:24:08.520
<v Speaker 1>feedback and do all the amazing tricks that a guitar

0:24:08.520 --> 0:24:12.280
<v Speaker 1>player does. Why you ask, would you put a clavinet

0:24:12.760 --> 0:24:15.360
<v Speaker 1>or in this case many clavinet's on a song where

0:24:15.400 --> 0:24:18.159
<v Speaker 1>the artist is such an amazing guitar player. Well, the

0:24:18.200 --> 0:24:22.879
<v Speaker 1>answer is because it sounds so cool, also because it

0:24:22.960 --> 0:24:25.520
<v Speaker 1>might make you dance. Here, let me pull up the tracks,

0:24:25.600 --> 0:24:30.680
<v Speaker 1>let's listen. The idea was it was so groovy that

0:24:31.160 --> 0:24:35.240
<v Speaker 1>we just had to have brand and play clavinet kind

0:24:35.240 --> 0:24:40.760
<v Speaker 1>of in the Stevie Wonders style. There it is and

0:24:40.840 --> 0:24:45.400
<v Speaker 1>your left ear, and then that's a guitar, and you're

0:24:45.480 --> 0:24:50.480
<v Speaker 1>right here, and there's Lindsay in the middle playing lead.

0:24:53.520 --> 0:25:03.159
<v Speaker 1>And then the whole band comes in. See how they

0:25:03.160 --> 0:25:18.359
<v Speaker 1>all bounce off each other and make you kind of dance. There,

0:25:18.640 --> 0:25:21.560
<v Speaker 1>you see why we use a clavinet. Go out and

0:25:21.640 --> 0:25:26.040
<v Speaker 1>pick up Lindsay L's album The Project downloaded, stream it,

0:25:26.280 --> 0:25:29.360
<v Speaker 1>buy it, give it to your friends. It makes great gifts.

0:25:29.920 --> 0:25:37.560
<v Speaker 1>Also thank me later because this lady is incredible. Black

0:25:37.720 --> 0:25:42.960
<v Speaker 1>Crisman Man Fresh Up Baby with All Black a clap song.

0:25:43.480 --> 0:25:52.240
<v Speaker 1>It's hell, we may scratch, we may win. Condition of love,

0:25:52.320 --> 0:25:56.879
<v Speaker 1>It's one condition to it. I hope you enjoyed this

0:25:56.920 --> 0:25:59.600
<v Speaker 1>episode of Geeking Out and we are already hard at

0:25:59.600 --> 0:26:02.360
<v Speaker 1>work on the next one. Are you obsessed with something amazing?

0:26:02.520 --> 0:26:04.640
<v Speaker 1>I want to tell us about it? Right to us

0:26:04.840 --> 0:26:08.399
<v Speaker 1>at geeking Out with KB at gmail dot com and

0:26:08.520 --> 0:26:11.240
<v Speaker 1>you might be a guest on an upcoming episode. Come

0:26:11.280 --> 0:26:14.320
<v Speaker 1>find out more about me and this podcast at Christian

0:26:14.400 --> 0:26:18.440
<v Speaker 1>Bush dot com, Christian with the k People, follow me

0:26:18.560 --> 0:26:22.040
<v Speaker 1>at Christian Bush on Twitter, Christian Bush on Instagram, Christian

0:26:22.040 --> 0:26:26.080
<v Speaker 1>Bush on Facebook, and Christian M. Bush on Snapchat. Thanks

0:26:26.119 --> 0:26:28.800
<v Speaker 1>to Bobby Bones for the opportunity to make this podcast,

0:26:28.960 --> 0:26:31.800
<v Speaker 1>Brian and Bush for making the soundtrack and assembling the pieces,

0:26:32.040 --> 0:26:35.160
<v Speaker 1>Tom Tapley for audio wizardry and Whitney Pastrick for being

0:26:35.200 --> 0:26:38.080
<v Speaker 1>a great producer and making this whole thing possible. This

0:26:38.160 --> 0:26:41.119
<v Speaker 1>is Christian Bush geeking out. Thank you for listening.