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Speaker 1: Oh yeah, oh yeah, you are now rocking with the best.

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Speaker 1: This is the I Am Rappaport Stereo podcast. And everything

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Speaker 1: is lined up beautifully. Everything is lined up beautifully. It

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Speaker 1: is the Golden State Warriors verse that Cleveland Cavaliers. They

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Speaker 1: are back in business for all eyes to see. There's

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Speaker 1: no more Game sevens. There's no more Eastern Conference Finals,

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Speaker 1: Western Conference Finals. It comes down to two teams with

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Speaker 1: six future Hall of Famers. Rooms up, motherfucker, get your

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Speaker 1: motherfucking brooms ready. The NBA Finals are set. It was

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Speaker 1: Memorial Day weekend and a woman decided to shave her legs, Yes,

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Speaker 1: shave her legs publicly, right there on the side of

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Speaker 1: a public pool. Rudy Giuliani showed up to Yankee Stadium

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Speaker 1: for a seventy fourth birthday. I'll tell you what happened.

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Speaker 1: Plus we have special guests, one of my favorite actresses.

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Speaker 1: I've never worked with her. I never even really met her,

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Speaker 1: the Great Reginal Hall. You've seen her in Girls Trip,

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Speaker 1: You've seen her and you've seen her in the Best Man.

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Speaker 1: You've seen her in Love and Basketball. You probably first

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Speaker 1: saw her in the original Scary Movie. She did the

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Speaker 1: entire franchise she's one of the she's one of my

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Speaker 1: favorite actress. She could do comedy, she could do drama.

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Speaker 1: She talks ship, she keeps her real. She's funny as fuck.

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Speaker 1: Reginal Hall is the special guest on this here I

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Speaker 1: Am Rappaport Stereo podcast. Miles Jordan's let me get something funky.

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Speaker 1: Let's start this off right now, the right way. Oh yeah,

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Speaker 1: oh yeah, you fuck you ah. This is gonna be

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Speaker 1: gorgeous now. G Moody's stuck in Brooklyn with some transmission problems.

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Speaker 1: He may or may not be joining me on this

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Speaker 1: I Am Rappafore Stereo podcast, but who gives you shit?

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Speaker 1: This is my time to shine. For those of you

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Speaker 1: who did not hear the very combustible emergency podcast last

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Speaker 1: night only on the Premium Map, I suggest you hear it.

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Speaker 1: Me and G Moody went at it about Cleveland, about

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Speaker 1: k D versus Lebron, We went at it about Drake

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Speaker 1: versus Push a T. I predicted that Golden State would win,

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Speaker 1: and I predicted that Kevin Durant would score thirty five

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Speaker 1: points or more. In Game seven Low and behold you

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Speaker 1: fuck you. He scored thirty four points. I was one

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Speaker 1: free throw shy of being right on the money, and

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Speaker 1: as you know, I don't do it for the money.

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Speaker 1: I do it for the honey. What a glorious feeling.

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Speaker 1: Here we are with another banger. I am Rappaport Stereo Podcast.

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Speaker 1: The NBA Finals are set. It's what Cleveland wanted, It's

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Speaker 1: what Golden State wanted, It's what NBA fans wanted and

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Speaker 1: knew was inevitable. The two thousand and eighteen NBA Finals

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Speaker 1: will come down to Cleveland and Lebron fucking James versus

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Speaker 1: the Golden State Warriors. And I predict it's going to

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Speaker 1: be ugly, and it's going to be ugly fast. Yes,

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Speaker 1: Houston pushed them to the brink. Yes k D had

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Speaker 1: two bad games. Yes they were a little bit out

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Speaker 1: of sink. I give credit to Houston. They made adjustments

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Speaker 1: on defense. But the Golden State Warriors did the damn thing.

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Speaker 1: They persevered like the champions they are. Who would have

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Speaker 1: thought that both the Eastern and Western Conference Finals would

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Speaker 1: go to seven games, but they did. Good for the NBA,

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Speaker 1: Good for Adam Silver. Keep your ball head clean and shining.

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Speaker 1: You deserve it. I am a pig and ship. The

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Speaker 1: final start on Thursday. On Sunday, we will be performing

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Speaker 1: coincidentally in San Francisco at the Cluster Festival. You can

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Speaker 1: get tickets in San Francisco to see us at Clusterfest

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Speaker 1: dot com me G Moody live from San Francisco. I

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Speaker 1: have to change all my fucking plans now because I'm

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Speaker 1: trying to get tickets to game mother fucking two. I'm hyped,

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Speaker 1: I'm excited, I feel good. Yes, Cleveland is fuck Cleveland.

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Speaker 1: Yes Lebron is great. Yes he's been unbelievable, But it

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Speaker 1: don't mean a thing if you ain't got that ring

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Speaker 1: a shoe bob chewbob shoe bob, shoe bob. Wow. What's

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Speaker 1: the sense of pushing it to the brink. What's the

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Speaker 1: sense of all that brilliance when inevitably it's gonna come

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Speaker 1: down to getting your asses kicked against the Golden State Warriors,

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Speaker 1: And that is what is going to happen. They are lucky.

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Speaker 1: Last year, they didn't get swept in four fucking games.

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Speaker 1: I predict the same thing. I predict Golden State beats

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Speaker 1: Cleveland again in five games, beating them easily. I predict

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Speaker 1: Kevin Durant dominating Lebron James just like he did last year.

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Speaker 1: Lebron James cannot guard Kevin Durant. Kevin Durant cannot guard

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Speaker 1: Lebron James, but you know what, he doesn't need to

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Speaker 1: because the Golden State Warriors are a better team. Draymond Green,

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Speaker 1: Steph Curry, and fucking Robot Clay Thompson. It's gonna be fantastic.

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Speaker 1: It's gonna be fast, it's gonna be furious, and it's

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Speaker 1: gonna be ugly. Okay, it's going to be ugly, and

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Speaker 1: I can't wait. This is what Listen. If you're a

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Speaker 1: basketball fan, if you're a fan of greatness, this is

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Speaker 1: this is what it's all about, whether you're a real

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Speaker 1: NBA fan or not. This is what it's all about.

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Speaker 1: The two best teams with five of the best players

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Speaker 1: to ever do it in no particular order. You have

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Speaker 1: five all stars playing Lebron James, Kevin Love. Also six

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Speaker 1: all stars Lebron James, Kevin Love, Kevin Love will be

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Speaker 1: a Hall of Famer, Draymond Green, Clay k d and

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Speaker 1: Steph Curry. Six Hall of famers will be dueling, duking

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Speaker 1: it out in the NBA Finals. That is the way

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Speaker 1: it's supposed to be. Houston. You did your thing, you

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Speaker 1: pushed them to seven games, but it doesn't mean shit. Boston,

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Speaker 1: you did your thing, you pushed them to seven games.

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Speaker 1: But at the end of the day, as gallant of

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Speaker 1: an effort, as the young guns from Boston put up,

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Speaker 1: it don't mean shit. See I am Rappaport Stereo Podcast.

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Speaker 1: As I told you earlier, we got a great interview

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Speaker 1: coming up for Gina Hall. You've seen her in so

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Speaker 1: many movies, starting with Scary Movie. She was in all

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Speaker 1: the Scary movies. It was like Scary Movie Parts one

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Speaker 1: through seven. She was just in a huge monster hit

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Speaker 1: last summer, Girls Trip. It was her, it was Queen Latifa,

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Speaker 1: it was Jada Pinkett, and it was Tiffany Hattish loving basketball,

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Speaker 1: the Best Man and so on and so on and

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Speaker 1: so on. The thing that I love about reginal Hall

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Speaker 1: she's such a versatile actress. She's funny as shit. As

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Speaker 1: you first saw in the Scary Movie franchise. She played

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Speaker 1: a more straight sort of comedic version uh comedic role

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Speaker 1: in Girls Trip. She's just dope. She's been doing it

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Speaker 1: for twenty years. O. G Regina Hall is coming on

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Speaker 1: the Iron Rap or stereo podcast, and it's like actors

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Speaker 1: studio status. We're talking about black Hollywood. We're talking about

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Speaker 1: the greatness of Denzel Washington. We're talking about the greatness

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Speaker 1: of Wood Harris, different films, how she approaches the script,

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Speaker 1: how she approaches this scene. Trust me, if you like

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Speaker 1: movies and television, you do not want to miss my

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Speaker 1: conversation with the great o g Regina Hall coming up

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Speaker 1: later in the Iron Rapp reports stereo podcast. Now, I

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Speaker 1: hope everybody had a safe Memorial Day weekend. Um. I

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Speaker 1: hope everybody enjoyed themselves. I hope everybody was old ticket

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Speaker 1: a little break and decompress. Now, I'm gonna be honest.

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Speaker 1: The NBA playoffs took away from some of my decompression time, okay,

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Speaker 1: but I enjoyed myself. I was in the desert. I

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Speaker 1: was schwitz ing in the the hot, warm air of

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Speaker 1: the desert. Stayed out of the sun. Uh, went to

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Speaker 1: the steam room, was in the jaccuzzi, was in the pool,

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Speaker 1: was drinking Latte's the whole deal. I needed it and

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Speaker 1: had a couple of days off since the beginning of

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Speaker 1: the year's right fucking gringo man Dingo working twenty War

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Speaker 1: seven three sixty five. Yet we don't stop. Yet, we

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Speaker 1: don't stop. I told you yesterday was a combustible right

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Speaker 1: after Game seven Boston versus Cleveland. It was a combustible

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Speaker 1: emergency podcast. Some of you might feel like you were

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Speaker 1: left out. Do not live in fomo. Download the I

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Speaker 1: Am Rappaport app. It's free. Sign up for premium podcasting

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Speaker 1: to nine nine a month. Do not live in fear

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Speaker 1: of missing out a k A fomo to. And I

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Speaker 1: got a little message. A guy on Instagram threatened me.

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Speaker 1: I don't remember your name. I didn't save it. I

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Speaker 1: was polite in your response when you threaten me. And

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Speaker 1: then I thought about it and I said, nah, I

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Speaker 1: don't feel comfortable with what you said. I had some prick.

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Speaker 1: And this guy says he's a Day one listener, said

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Speaker 1: Mike Rap, I'm a Day one listener. But if you

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Speaker 1: mention the app and premium podcasting again, um, I'm out.

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Speaker 1: Well listen to me. Fucko. You listen to me. Fucko.

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Speaker 1: I don't negotiate with terrorists. You understand me. Fucko. I

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Speaker 1: don't negotiate with fucking terrorists. That's a threat. If I

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Speaker 1: mentioned the I Am Wrappaport stereo podcast app on the

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Speaker 1: I Am Wrapp Reports stereo podcast. You're out. We'll get

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Speaker 1: the funk outta here. Get the funk out of here.

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Speaker 1: Don't listen again. Take a fucking walk. Beat it. I

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Speaker 1: mentioned it, I'm mentioned it again. Premium podcasting to a month.

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Speaker 1: You get emergency episode? Do you get emergency short films?

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Speaker 1: You get all access to all the previous episodes only

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Speaker 1: for two ninety nine a month. You can't even buy

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Speaker 1: a slice of fucking pizza for anymore, but you get

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Speaker 1: all the podcasting, all the emergency episodes, all the special

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Speaker 1: ship that we have on there, for two ninety nine

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Speaker 1: a month. Now you've got a problem with me mentioning

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Speaker 1: the Iron Rappers stereo podcast app. Fuck oh huh. If

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Speaker 1: you left, let me know because I'm gonna blow you

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Speaker 1: up and put you on the shame game with me

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Speaker 1: and Dean Collins, a K. The Young Shooter, threatening me,

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Speaker 1: telling me what I should talk about and what I

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Speaker 1: shouldn't talk about on the fucking Iron Rapports stereo podcast.

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Speaker 1: I are you, fuck you and the Greno man Dingo

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Speaker 1: I and the Jake LaMotta of podcasting. I give you

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Speaker 1: fifteen rounds of hard body karate, blood, sweat and tears

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Speaker 1: every single time I pick up the fucking microphone. Same

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Speaker 1: with g Moody, same with the Dust Brothers. Fucking animal

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Speaker 1: and the reason why I even started talking about safety

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Speaker 1: during Memorial Day weekend because some guy and guess what

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Speaker 1: gets Guess which one of the fifty states Florida. Now,

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Speaker 1: I'm not gonna make light of this, okay, because someone

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Speaker 1: did die, but somebody walked into a Little Caesar's Pizza

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Speaker 1: Polor wearing a scary ghoul mask and somebody got killed. Listen,

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Speaker 1: you don't want to walk into a Little Caesar's Pizza

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Speaker 1: Polor after hours with a fucking mask on. Okay, things

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Speaker 1: might not end well for you, and they didn't end

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Speaker 1: well for this asshole creeping into the Little Caesar's Pizza

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Speaker 1: place late night, scaring the ship out of people. Know

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Speaker 1: it's Florida. There's been shootings all over the country. Let's

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Speaker 1: not forget that just a few months ago, somebody came

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Speaker 1: into a waffle house and killed people. You'll walk into

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Speaker 1: Pizza Polor's three four, two am in the morning with

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Speaker 1: a mask on. The person who killed him shot him,

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Speaker 1: had a permit for the weapon, no charges, no nothing,

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Speaker 1: scared the ship out of the guy seemed like he

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Speaker 1: was gonna rob the place, had a pointy mask with

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Speaker 1: pointy years and sinisterized. Sorry, asshole, I don't know what

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Speaker 1: the funk you think this is, but this ain't the

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Speaker 1: day and age should be doing that type of ship,

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Speaker 1: especially on the late night creep. I'm gonna rattle off

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Speaker 1: a couple of other things that happened over the weekend

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Speaker 1: that we're that we're just outrageous and already did a

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Speaker 1: video for this. It's on my Instagram. But some woman

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Speaker 1: was at a pool with her kids and she videotaped

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Speaker 1: another woman in a public pool, not a private pool,

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Speaker 1: not the privacy of her own home, a public pool,

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Speaker 1: go to the ledge of the pool with several kids

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Speaker 1: in the pool. This is a heavy set woman. I

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Speaker 1: don't care that she's heavy set. I'm gonna refer to

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Speaker 1: her as an animal because of what she did, not

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Speaker 1: because she's heavy set. Okay, there's no crowds around me

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Speaker 1: when I walk around shirtless. I don't insult people's looks

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Speaker 1: unless they insult mine. You insult my looks, I insult

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Speaker 1: your looks. You know my personal policy But the reason

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Speaker 1: why I'm calling this woman a beast a savage is

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Speaker 1: because she went to the edge of the pool and

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Speaker 1: started shaving her legs. Public shaving of her legs in

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Speaker 1: a public pool. Disgusting, disgusting, you filthy will the beast pig?

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Speaker 1: You you savage. She was shaving her legs. And you know,

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Speaker 1: when you're shaving, whether you're shaving your beard or your legs,

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Speaker 1: when the razor gets full of hair and you need

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Speaker 1: to clean it and dab it, usually dab it in

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Speaker 1: the sink or dab it in the shower like of

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Speaker 1: the other people in the world. This pig, this animal,

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Speaker 1: dabbed her her her razor in the pool. That's how

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Speaker 1: she was cleaning. And continue to shave and bathe in

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Speaker 1: a public pool. Unacceptable. And the kids, they're they're not

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Speaker 1: paying attention. They don't know what this world of beast

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Speaker 1: is doing. The adults are sitting there dumbfounded. No one

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Speaker 1: said anything. I saw the video, of course I had

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Speaker 1: to ylawer. I don't know how you react to this

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Speaker 1: ship in this day and age. If you do that,

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Speaker 1: am I being mean? Is it? Is it? Are you harassing?

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Speaker 1: Are you judging? I am gonna be honest, I am

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Speaker 1: judging you're a slob. You're shaving your legs in a

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Speaker 1: public pool. Uh, that's judgment, I know it, and I

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Speaker 1: have no problem with that is what is actually in

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Speaker 1: my heart. Imagine your kids are in that pool. There

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Speaker 1: is swimming around with the hair and the shaving cream

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Speaker 1: and all the germs from this. This this hyena who's

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Speaker 1: deciding to shave her legs and her body in public.

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Speaker 1: Rue Giuliani and his weird teeth. I don't know if

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Speaker 1: he's got veneers or he's got like a whole fake

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Speaker 1: set of teeth. He went to a Yankee game, you know,

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Speaker 1: he's a big time Yankee fan, for his seventy four birthday,

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Speaker 1: just the same day as Memorial Day, and he got

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Speaker 1: booed in the Bronx in New York by New Yorker's

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Speaker 1: New York stand up. Okay, Donald Trump has not been

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Speaker 1: to a Yankee game. Donald Trump hasn't been to a

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Speaker 1: Nick game. Donald Trump hasn't been to a public appearance

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Speaker 1: in New York since he got elected, because he knows

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Speaker 1: what time it is he'll get booed in his own city.

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Speaker 1: Unprecedented behavior. Rudy, you're whacked out of your fucking tree.

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Speaker 1: He showed up to a Yankees game on your birthday.

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Speaker 1: You shot you thought ship was sweet and you got

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Speaker 1: booed publicly, and that ain't fake nudes. Look at the

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Speaker 1: multiple tapes. No one she it. No one likes Rudy

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Speaker 1: g crooked Rudy. As you know, I am a star

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Speaker 1: on Instagram. Okay, I spend way too much time on

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Speaker 1: my phone, way too much time on social media, but

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Speaker 1: I am a star. I'm a start in real life, starring, podcasting,

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Speaker 1: the star social media. I'm gonna warn you this phone behavior.

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Speaker 1: Too much phone. They got a thing called technic It's

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Speaker 1: a real thing. Chiropractors business is booming. People are coming

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Speaker 1: in there in droves. My neck hurts, my neck hurts,

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Speaker 1: my neck hurts, and they are literally calling it tech neck.

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Speaker 1: I know I have it. Look down at your phone,

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Speaker 1: spending too much time on your phone and you're always

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Speaker 1: perched down the evolution of man. We're gonna turn back

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Speaker 1: into gorillas if you don't straighten up. One of the

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Speaker 1: things I'm getting sick and tired of doing, sick and

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Speaker 1: tired of seeing on Instagram is the fucking the fake

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Speaker 1: motivational speakers, the fake positivity, the fake gurus of hope

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Speaker 1: and light. Listen, if I'm if, if if I'm down and

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Speaker 1: I'm looking for a way out, I'm not gonna go

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Speaker 1: to some uh you know, stripper, Oh, who's got a

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Speaker 1: broken heart, who's kicking things with Like about love, like

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Speaker 1: be with someone who feels like home. Also be with

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Speaker 1: someone that feels like home to those who love you. Listen,

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Speaker 1: if you were so smart in the first place, sweetheart,

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Speaker 1: sugar tits, Okay, if you had an all figured out

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Speaker 1: with love and life, you'd be tweeting pictures of your

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Speaker 1: beautiful husband or your beautiful wife and your beautiful kids. Okay,

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Speaker 1: obviously you're suffering from a broken heart. But I'm not

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Speaker 1: gonna turn to you from some fucking for some advice.

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Speaker 1: You're the last fucking person. You're alone on your phone.

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Speaker 1: No disrespect to being alone on your phone. I'm alone

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Speaker 1: on my phone all the time. But I'm not trying

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Speaker 1: to tell people, Uh, this is what you need to do.

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Speaker 1: You know, it's Monday. Get out there and do the

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Speaker 1: damn thing. Stay positive, people, stay stay focused people, focus

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Speaker 1: your energy people, And on Thursday, if you haven't done

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Speaker 1: shit with Tuesday, and Wednesday. Still stay focused because it's

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Speaker 1: the weekend, and you know what the weekend is for

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Speaker 1: the weekend is for going fucking nuts, taking some k too,

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Speaker 1: and you can make it up next month. All this

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Speaker 1: fake positivity from fake gurus and and love doctors, I

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Speaker 1: don't want to hear it. If I want some love advice,

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Speaker 1: I'll call Dr Phil or Dr Drew or one of

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Speaker 1: these other scam artists. No disrespect to Dr Joe, no

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Speaker 1: disrespect to Dr Drew. But you know what I'm saying

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Speaker 1: now on this year, I am Rapport Stereo podcast. We

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Speaker 1: are not doing an official Sick funk Are the week segment,

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Speaker 1: but this is another thing that happened over Memorial Day

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Speaker 1: weekend in Portland, Oregon. Two police are foresaw a guy

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Speaker 1: named Timothy John Wilson. And if anybody looks like a

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Speaker 1: sick funck, Timothy John Wilson of Portland, Oregon looks like

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Speaker 1: a sick fuck seven three sixty five. He looks whacked

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Speaker 1: out of his treat. Two police officers or in a

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Speaker 1: public bathroom, they heard some sounds under the toilet stall

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Speaker 1: low and behold this sick fuck. Timothy John Wilson was

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Speaker 1: in the stall choking his chicken. Police officers, what the

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Speaker 1: funk are you doing? They gained a view of the

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Speaker 1: guy so he had his loaf in hand, arrested him. YadA, YadA, YadA.

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Speaker 1: This sick funck is saying that the police officers violated

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Speaker 1: his privacy and his civil rights. Sorry, asshole, Sorry, The

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Speaker 1: toilet stalls are for taking a leak or dropping a deuce,

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Speaker 1: not for choking your chicken. You're lucky. I don't have

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Speaker 1: a six funking a week segment going right now, You're lucky. Unacceptable,

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Speaker 1: Unacceptable on a holiday weekend, unacceptable on a regular weekend,

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Speaker 1: unacceptable any day of the week. Just the type of

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Speaker 1: ship that's gonna be going on more often in Starbucks

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Speaker 1: public bathrooms. I was in a Starbucks the other day.

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Speaker 1: Guy had no drink on his table, sleeping at the table.

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Speaker 1: Knocked out, white dude sleeping at the table, kind of

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Speaker 1: clean cut looking dude, laid up on his table like

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Speaker 1: he was in the back of a seventh grade science class.

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Speaker 1: Remember that, when you be in the back of a

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Speaker 1: seventh grade science class, you catch a little a little schluff.

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Speaker 1: You know what a schluff is. Schluff is Yiddish for

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Speaker 1: a little a little nap. This guy was in Starbucks.

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Speaker 1: He just went there to take a fucking app I

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Speaker 1: was in Palm Springs about a hundred and one degrees.

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Speaker 1: He he, he went there. He's like, fucking I'm not

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Speaker 1: getting a drink. I'm not doing anything. This is a

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Speaker 1: place to chill and to hang out and to nap.

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Speaker 1: Nobody said a word to this fucking guy. Ridiculous. You're

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Speaker 1: gonna have guys in there napping. You're gonna have guys

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Speaker 1: in the bathroom choking their chickens going forward in Starbucks.

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Speaker 1: And I'm a fan of Starbucks, ice vanilla, soy latte

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Speaker 1: or ice vanilla. I'm in milk latte every day. I

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Speaker 1: don't know what to do. I'm torn, I'm scared, I'm nervous.

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Speaker 1: There's gonna be Shenanigans. There's gonna be altercations. There's gonna

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Speaker 1: be all kinds of ship happening in Starbucks. Mark my words.

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Speaker 1: Like I said, Starbucks, you you you you want to

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Speaker 1: make public bathrooms, make homeless shelters, Make homeless shelters all

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Speaker 1: across the country as frequently as you make Starbucks. End

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Speaker 1: of the end of the problem. In the homeless shelter

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Speaker 1: you'll solve. You should give him free start buy bucks.

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Speaker 1: You should have public bathrooms and give them free coffee.

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Speaker 1: And and and I'm not making light of homelessness. It

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Speaker 1: breaks my heart, but one does not have to do

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Speaker 1: with the other. And A and A and a coffee

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Speaker 1: shop is not a homeless shelter. And that's what they're

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Speaker 1: turning into. And that's not me being disrespectful at all

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Speaker 1: about the homeless, because it's a serious problem. It's a

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Speaker 1: it's a real problem. And it's not just adults that

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Speaker 1: we see, it's little kids. YadA YadA, YadA, blah blah blah.

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Speaker 1: I'm very aware of that. But making Starbucks public bathrooms

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Speaker 1: for anybody and everybody, whether you pay or not, isn't

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Speaker 1: the way to resolve the problem that happened in Philadelphia,

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Speaker 1: I believe. Earlier in the show I mentioned K too. Well,

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Speaker 1: there's a bad batch of K two going uh around

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Speaker 1: throughout the five boroughs of New York City. There's been

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Speaker 1: forty nine plus over oases in Manhattan because of that

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Speaker 1: synthetic that Ui, that that MAUI wowie, those gray skies

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Speaker 1: of that K. To listen in this day and age.

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Speaker 1: You want to get fucked up, get yourself some weed.

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Speaker 1: You want to get sucked up, drink a couple of beers.

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Speaker 1: The K too is not the way. That's synthetic is

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Speaker 1: never the way. And if you're in the Five Burrows,

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Speaker 1: this happened right there in Brooklyn on bus Shook Avenue,

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Speaker 1: not too far away from g. Moody last name rhymes

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Speaker 1: with duty, where he grew up in the Brownsville section

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Speaker 1: of Brooklyn. People are dropping like fucking flies. The heat

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Speaker 1: is coming and people are still working with that k too,

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Speaker 1: that mauie wowie. Get off that k too. There's a

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Speaker 1: bad batch going around the Five Burrows. I know some

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Speaker 1: iron rapports stereo podcast fans like to dip their toes

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Speaker 1: in those gray skies. I'm not judging you. I'm here

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Speaker 1: to support you. I don't reckommen ended. Get yourself some

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00:26:02,119 --> 00:26:07,600
Speaker 1: of that brown, get yourself some weed. Don't funk with

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Speaker 1: that synthetic. It doesn't work out. Public drinking. Public smoking

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Speaker 1: usually doesn't work out on an American Airlines flight. We've

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Speaker 1: been talking about this all of two thousand eighteen. Last

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Speaker 1: year with sexual assaults on farm animals. This year, the

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Speaker 1: unfriendly skies have taken over the other day, a guy

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Speaker 1: who was clearly drunk on a short flight I'm not

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Speaker 1: fact checking. I don't know where it was from, but

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Speaker 1: it wasn't across country flight. It was like from Nevada

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Speaker 1: to Ohio, I think, started talking ship to the steward

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Speaker 1: the flight attendant. The guy was like, I'm not giving

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Speaker 1: you any more beers. You're fucked up. Guys started talking

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Speaker 1: greasy to the flight attendant. The flight attendant was being nice.

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Speaker 1: Next thing you know, in the next part of the video,

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Speaker 1: the guy who was drunk with his sunglasses on who

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Speaker 1: they refused to give beer to the flight attendant. He

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Speaker 1: said to the flight attendant at one point, what are

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Speaker 1: you my bartender? He said on the flight Yes, I

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Speaker 1: am your bartender. No more beer. Few cut him off

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Speaker 1: eighty six this fuck. Fifteen seconds later, another video tape,

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Speaker 1: this guy's in a brawl in the air and the

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Speaker 1: friendlies guys with his friend to think. I mean his

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00:27:22,720 --> 00:27:27,080
Speaker 1: friend got into it. Now, this asshole twenty years in jail.

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00:27:27,520 --> 00:27:29,720
Speaker 1: He faces twenty years in jail. Now. I don't think

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00:27:29,720 --> 00:27:32,639
Speaker 1: he should do twenty years in jail, but people think

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00:27:33,040 --> 00:27:35,199
Speaker 1: that when you're on a plane. It's like being in

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00:27:35,240 --> 00:27:38,919
Speaker 1: a park. It's not. There's different rules and regulations. You're

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00:27:39,000 --> 00:27:43,280
Speaker 1: up there, fighting dudes, scaring passengers. Anything could happen, anything

406
00:27:43,320 --> 00:27:47,400
Speaker 1: could happen. Sit your fucking ass down. This is why

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00:27:47,400 --> 00:27:50,439
Speaker 1: I have no problem with the flight attendant and the

408
00:27:50,480 --> 00:27:53,280
Speaker 1: marshalls duct taping your ass while the flight is in air.

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00:27:53,720 --> 00:27:56,960
Speaker 1: If you're acting crazy and you don't comply, duct tape

410
00:27:57,000 --> 00:28:00,480
Speaker 1: these fox. Obviously there there has to be order. You

411
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Speaker 1: can't just go around duct taping anybody. But if someone's

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Speaker 1: being belligerent and they're getting into a fight, we're not.

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Speaker 1: We're not landing the flight. I have a meeting. I

414
00:28:07,920 --> 00:28:09,840
Speaker 1: need to make it to my meeting. We're duck taping

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Speaker 1: you to the chair. You're the last one off the plane.

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Speaker 1: I'm gonna get to my meeting on time. And then

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Speaker 1: we're sending your ask to prison and let the judge

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Speaker 1: figure it out. That's how I see things. This asshole

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Speaker 1: is now facing twenty years in jail for everything that

420
00:28:23,240 --> 00:28:27,119
Speaker 1: went down on that flight. All right, As I mentioned

421
00:28:27,160 --> 00:28:30,320
Speaker 1: over and over and over, the finals are starting Thursday.

422
00:28:30,600 --> 00:28:34,560
Speaker 1: Before the Finals, Thursday evening before game one, I am

423
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Speaker 1: hosting a question and answer NBA Finals trivia game where

424
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Speaker 1: you can win cash from your couch. It's easy. I've

425
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Speaker 1: played it before, That's why I got involved. This app

426
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427
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Speaker 1: now and be ready to play with me Thursday, eight

428
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429
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430
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431
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432
00:29:14,000 --> 00:29:17,280
Speaker 1: you're at home, I'm asking the questions. The winner walks

433
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434
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435
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436
00:29:27,520 --> 00:29:30,720
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437
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Speaker 1: You can keep playing for swag Bucks even if you're

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444
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445
00:29:57,200 --> 00:30:00,800
Speaker 1: doing all NBA Thursday before Game on eight p m

446
00:30:00,880 --> 00:30:04,680
Speaker 1: Eastern swag i Q airs eight pm Eastern, five pm

447
00:30:04,720 --> 00:30:11,040
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448
00:30:11,160 --> 00:30:14,600
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449
00:30:14,720 --> 00:30:18,480
Speaker 1: swag i q app today and play I Will see You.

450
00:30:18,600 --> 00:30:22,680
Speaker 1: I will be hosting it this Thursday before Game one.

451
00:30:24,040 --> 00:30:28,320
Speaker 1: I love the Pusher T record. I love the production.

452
00:30:29,000 --> 00:30:33,200
Speaker 1: Of course, Kanye West produced the record. I like Push

453
00:30:33,240 --> 00:30:37,800
Speaker 1: It T. It's very very It's just grimy, grimy production.

454
00:30:37,920 --> 00:30:42,920
Speaker 1: Seven songs, uh twenty one minutes, which I was complaining

455
00:30:42,920 --> 00:30:47,080
Speaker 1: about it first. Um and apparently seven songs twenty one

456
00:30:47,120 --> 00:30:50,800
Speaker 1: minutes is enough to be considered an album and to

457
00:30:50,840 --> 00:30:53,479
Speaker 1: be nominated for a Grammy, although I think uh, in

458
00:30:53,560 --> 00:30:56,640
Speaker 1: my days we call that a fucking maxi single or

459
00:30:56,680 --> 00:31:01,520
Speaker 1: a mixtape. Nonetheless, the record is dope, the production is

460
00:31:01,600 --> 00:31:06,360
Speaker 1: dope by Kanye. Me and G Moody disagreed on the

461
00:31:06,400 --> 00:31:11,600
Speaker 1: outcome of the Drake Push a T quote unquote beef

462
00:31:13,360 --> 00:31:20,240
Speaker 1: on yesterday's Very Hot and Heavy argumentative Iron Rapp reports

463
00:31:20,240 --> 00:31:24,120
Speaker 1: Stereo podcast. But you should check out the record, uh

464
00:31:24,160 --> 00:31:27,640
Speaker 1: if you're a fan of hip hop and UH, it's

465
00:31:27,640 --> 00:31:31,520
Speaker 1: gonna be interesting because so many people are response to

466
00:31:31,560 --> 00:31:35,400
Speaker 1: the record. UH was in regards to Kanye's production and

467
00:31:35,520 --> 00:31:37,280
Speaker 1: has nothing to do with whether they like it or not.

468
00:31:37,360 --> 00:31:39,640
Speaker 1: It has to do with him. And if he does

469
00:31:39,680 --> 00:31:42,280
Speaker 1: in fact release a NASA record, like I said before,

470
00:31:42,280 --> 00:31:46,520
Speaker 1: I said this before, I hope it doesn't interfere uh

471
00:31:46,520 --> 00:31:50,640
Speaker 1: with NASS sales because people are not happy with Kanye West.

472
00:31:51,120 --> 00:31:55,320
Speaker 1: Uh and all as bullshit as a recent um people

473
00:31:55,320 --> 00:32:00,120
Speaker 1: still talking about the Patriots. Listen. I don't like Boston sports,

474
00:32:00,440 --> 00:32:03,600
Speaker 1: never have, never will. Yes, I did rent the Boston

475
00:32:03,640 --> 00:32:08,520
Speaker 1: Celtics for two weeks. Yes, I did not sleep the

476
00:32:08,640 --> 00:32:12,760
Speaker 1: night they lost to Cleveland in Game seven in Boston.

477
00:32:13,000 --> 00:32:16,520
Speaker 1: I was hurt. Yes, I love Jayson Tatum. Yes I

478
00:32:16,560 --> 00:32:20,000
Speaker 1: love Jalen Brown, Yes, Kyrie Irving the whole deal, my

479
00:32:20,040 --> 00:32:22,720
Speaker 1: man SCALABRINNI. But I'm not a real Boston Celtics fan.

480
00:32:23,480 --> 00:32:27,320
Speaker 1: I wanted them to beat the ship out of Cleveland. Okay,

481
00:32:28,280 --> 00:32:30,520
Speaker 1: I don't know why. The off season, every single off

482
00:32:30,560 --> 00:32:36,440
Speaker 1: season of the NFL, there's more bullshit about the Patriots. Now,

483
00:32:36,680 --> 00:32:38,840
Speaker 1: I am a big football fan. I'm not the biggest

484
00:32:38,840 --> 00:32:44,160
Speaker 1: football fan. But former New England Patriots defensive end Cassius

485
00:32:44,240 --> 00:32:49,680
Speaker 1: Marsh who's good. I've seen him play, you know, hall

486
00:32:49,760 --> 00:32:52,400
Speaker 1: of famer, you know, all pro. He came out talking

487
00:32:52,720 --> 00:32:56,360
Speaker 1: about the Patriots. He's he got traded or dropped or cut,

488
00:32:56,560 --> 00:32:59,760
Speaker 1: cut and traded. Uh, he's now with the forty Niners

489
00:33:02,680 --> 00:33:05,200
Speaker 1: talking about the Patriots, saying they don't have fun there.

490
00:33:05,240 --> 00:33:07,520
Speaker 1: There's nothing about it that's fun. There's nothing about it

491
00:33:07,800 --> 00:33:10,240
Speaker 1: that's happy. I didn't enjoy any of my time there.

492
00:33:10,280 --> 00:33:12,440
Speaker 1: You know what I'm saying. It made me, for the

493
00:33:12,480 --> 00:33:15,400
Speaker 1: first time think about not playing football because I hated

494
00:33:15,560 --> 00:33:18,040
Speaker 1: playing there so much. Then you're not about that life, duke.

495
00:33:20,400 --> 00:33:23,880
Speaker 1: You have the privilege of playing professional football for the

496
00:33:23,920 --> 00:33:27,520
Speaker 1: best team in the world. I can't stand these motherfucker's.

497
00:33:27,520 --> 00:33:30,200
Speaker 1: You're complaining and talking ship. You're lucky to be in

498
00:33:30,200 --> 00:33:34,800
Speaker 1: the NFL. Maybe maybe you don't have the grit. Yeah,

499
00:33:34,800 --> 00:33:36,440
Speaker 1: they say that Belichick is a pain in the as.

500
00:33:36,520 --> 00:33:40,000
Speaker 1: Yeah they say that Gronkowski, UH can't stand him. And

501
00:33:40,120 --> 00:33:42,360
Speaker 1: Tom Brady might be fed up, but you know, you

502
00:33:42,400 --> 00:33:45,960
Speaker 1: don't hear them. Actually say these are all rumors. Again.

503
00:33:46,000 --> 00:33:51,760
Speaker 1: I can't stand the fucking Patriots, but I respect them.

504
00:33:51,880 --> 00:33:56,920
Speaker 1: Cassus Marsh, maybe you were never about that life, Danny.

505
00:33:57,160 --> 00:33:59,600
Speaker 1: Danny am and Dola's popp and ship saying, be free,

506
00:33:59,640 --> 00:34:04,600
Speaker 1: b happy. They got the best of you, They got

507
00:34:04,600 --> 00:34:06,760
Speaker 1: the best of you. You you, You'll never do what

508
00:34:06,800 --> 00:34:10,080
Speaker 1: you did with the Patriots on any other team, Danny

509
00:34:10,120 --> 00:34:12,160
Speaker 1: am Am and Dola and I like you, I fox

510
00:34:12,239 --> 00:34:18,520
Speaker 1: with you. This guy's talking shit like you know, they

511
00:34:18,520 --> 00:34:21,920
Speaker 1: were in some sort of a slave camp. So what

512
00:34:22,040 --> 00:34:25,120
Speaker 1: it's not funny games? You're winning, right, Shut the funk up?

513
00:34:25,200 --> 00:34:30,239
Speaker 1: Listen well more? Can I say I told you this

514
00:34:30,320 --> 00:34:33,760
Speaker 1: was gonna be a dope ass interview? Okay, I promise

515
00:34:33,840 --> 00:34:36,560
Speaker 1: you this is gonna be a dope asking and coming up.

516
00:34:37,040 --> 00:34:41,320
Speaker 1: If you don't know her name, you know her face? Okay,

517
00:34:41,560 --> 00:34:44,400
Speaker 1: you're gonna wanna listen. It's all acting everything. This is

518
00:34:44,440 --> 00:34:46,719
Speaker 1: about the inner workings of what it's like to be

519
00:34:46,760 --> 00:34:49,799
Speaker 1: an actor, the process of being an an actor. This

520
00:34:49,920 --> 00:34:54,240
Speaker 1: is fun conversation, the greatness of other actors, the highs

521
00:34:54,239 --> 00:34:57,319
Speaker 1: and lows of being even a successful actor. Someone like

522
00:34:57,320 --> 00:35:01,040
Speaker 1: reginal She's been in Mega Mega Mega hits scary movie.

523
00:35:01,080 --> 00:35:03,799
Speaker 1: These movies made millions and millions of dollar. Girls Trip

524
00:35:04,440 --> 00:35:08,040
Speaker 1: biggest blockbuster of last summer. She's breaking down the highs,

525
00:35:08,080 --> 00:35:11,480
Speaker 1: the lows, the reality of everything in her career that

526
00:35:11,520 --> 00:35:16,600
Speaker 1: I could squeeze out a one. Iron Wrap Reports Stereo podcast.

527
00:35:16,680 --> 00:35:21,040
Speaker 1: Coming up next. I'm so excited about having her on

528
00:35:21,080 --> 00:35:22,839
Speaker 1: the show. I've been a fan. We never even met

529
00:35:22,880 --> 00:35:26,600
Speaker 1: in real life. Coming up next. Let's get something nice,

530
00:35:26,680 --> 00:35:29,200
Speaker 1: Let's get something pretty, Let's get something funny. Let me

531
00:35:29,239 --> 00:35:33,400
Speaker 1: get something some smooth for O. G Regina Hall on

532
00:35:33,440 --> 00:35:40,440
Speaker 1: the Iron Rapport Stereo podcast. All right, give me test

533
00:35:41,480 --> 00:35:48,000
Speaker 1: test test tests, test test tests, Regina Hall, O. G.

534
00:35:49,640 --> 00:35:52,719
Speaker 1: Now you're O. G. It's true. You're a fucking O.

535
00:35:52,840 --> 00:35:57,640
Speaker 1: G Regina Hall, thank you for coming on the Iron

536
00:35:57,680 --> 00:36:00,240
Speaker 1: Wrap for Stereo podcast. I don't think we've ever met.

537
00:36:01,520 --> 00:36:03,840
Speaker 1: I don't we have met. But when did we? I

538
00:36:03,840 --> 00:36:08,520
Speaker 1: don't In passing, In passing, if you remember, well, I

539
00:36:08,560 --> 00:36:10,680
Speaker 1: remember because I was a fan of your work. I

540
00:36:10,719 --> 00:36:13,120
Speaker 1: wasn't I wasn't working yet, so you know it would

541
00:36:13,400 --> 00:36:14,959
Speaker 1: you know how you meet a lot of people. There's

542
00:36:15,000 --> 00:36:17,400
Speaker 1: no way to remember. But you were very sweet and

543
00:36:17,400 --> 00:36:19,319
Speaker 1: we met very much in passing, and I was like,

544
00:36:19,360 --> 00:36:21,759
Speaker 1: I love Michael rapping in New York. In New York

545
00:36:22,080 --> 00:36:25,279
Speaker 1: before you were like popping off, yes before all right,

546
00:36:25,480 --> 00:36:28,399
Speaker 1: that's good, Lesa at Leasta was it was good because

547
00:36:28,440 --> 00:36:31,080
Speaker 1: because I know that kind of meeting is different than

548
00:36:31,080 --> 00:36:34,080
Speaker 1: oh I met you at the blah blah blah. All right,

549
00:36:34,120 --> 00:36:36,160
Speaker 1: that's good, Thank god we didn't meet. What I did

550
00:36:36,239 --> 00:36:38,560
Speaker 1: was I was. It was. It was a fan meeting.

551
00:36:38,680 --> 00:36:41,000
Speaker 1: I got you, you know what I mean, I got you. Well,

552
00:36:41,040 --> 00:36:43,520
Speaker 1: I'm a fan. Um and now we've been a fan,

553
00:36:43,719 --> 00:36:45,640
Speaker 1: but we it's funny because we we've never met, but

554
00:36:45,680 --> 00:36:47,799
Speaker 1: you know, like you know, we have so many people

555
00:36:47,800 --> 00:36:51,160
Speaker 1: in common, worked with so many people in common. Um.

556
00:36:51,200 --> 00:36:52,919
Speaker 1: And I've been a fan of yours for a long time.

557
00:36:52,960 --> 00:36:55,200
Speaker 1: I think, you know, obviously I saw you in the

558
00:36:55,239 --> 00:36:58,880
Speaker 1: Best Man, um and but I remember seeing you in

559
00:36:58,960 --> 00:37:03,839
Speaker 1: Scary Movie and it was such an interesting like your

560
00:37:03,920 --> 00:37:08,319
Speaker 1: comedy in that movie was so I feel like it

561
00:37:08,360 --> 00:37:10,040
Speaker 1: was ahead of its time for a for a girl,

562
00:37:10,080 --> 00:37:15,879
Speaker 1: because you're not like a normal comedic actress, especially at

563
00:37:15,880 --> 00:37:18,359
Speaker 1: that time, like your comedy was just sort of dead pin.

564
00:37:19,480 --> 00:37:21,440
Speaker 1: The comedy of that movie was kind of ahead of

565
00:37:21,440 --> 00:37:23,919
Speaker 1: its time. You know what I mean, yeah, definitely, because

566
00:37:23,960 --> 00:37:25,640
Speaker 1: you know a lot of people were like I was like,

567
00:37:25,680 --> 00:37:27,799
Speaker 1: you know that what some people were like, oh, I

568
00:37:27,840 --> 00:37:31,840
Speaker 1: love Brenda and realizing what really Brenda was was a stereo.

569
00:37:32,320 --> 00:37:35,600
Speaker 1: She was a stereo type of the of what we

570
00:37:35,680 --> 00:37:38,359
Speaker 1: see in you know, in like horror movies. So we

571
00:37:38,400 --> 00:37:41,920
Speaker 1: took everything a little bit far. And you know, we

572
00:37:42,000 --> 00:37:45,040
Speaker 1: had Keenan, so that made it. You know, that helped

573
00:37:45,040 --> 00:37:46,560
Speaker 1: a lot. But it was a that was a fun

574
00:37:46,600 --> 00:37:48,560
Speaker 1: movie to make because I loved Anna too. I love

575
00:37:49,080 --> 00:37:51,640
Speaker 1: she's funny she. That was kind of both of your

576
00:37:51,719 --> 00:37:55,799
Speaker 1: sort of breakthrough things and you were both unique uh

577
00:37:56,040 --> 00:38:00,279
Speaker 1: comedic performances. They were both unique comedic performances. And it

578
00:38:00,360 --> 00:38:02,880
Speaker 1: was a big fucking movie. I know. But when we

579
00:38:02,920 --> 00:38:04,680
Speaker 1: made it, nobody thought it was gonna be big. So

580
00:38:04,760 --> 00:38:07,800
Speaker 1: like we didn't have a studio person bothering us. Nobody

581
00:38:07,880 --> 00:38:10,160
Speaker 1: was there. It was just kind of like, oh, they're

582
00:38:10,160 --> 00:38:12,560
Speaker 1: doing a movie. I mean, they thought it would be good,

583
00:38:12,560 --> 00:38:14,960
Speaker 1: but it was never anticipated to be the summer released.

584
00:38:15,000 --> 00:38:18,440
Speaker 1: That was after testing things changed. Was it was that

585
00:38:18,520 --> 00:38:22,040
Speaker 1: a mirror Maax movie that was Dimension Dimension, which was

586
00:38:22,360 --> 00:38:25,640
Speaker 1: the other wine Studes. But all right, so you've done

587
00:38:25,680 --> 00:38:27,600
Speaker 1: so much ship, Like I you know, I usually don't

588
00:38:27,640 --> 00:38:29,719
Speaker 1: fact check for the Iron Rapp for Stereo podcast, but

589
00:38:29,760 --> 00:38:33,359
Speaker 1: you've done so many movies Paid in Full Love and Basketball,

590
00:38:33,880 --> 00:38:38,799
Speaker 1: Scary Movie, First Sunday, Law Binding, Citizen, Citizen, Death at

591
00:38:38,840 --> 00:38:41,280
Speaker 1: the Funeral. I mean think like a man. Of course,

592
00:38:41,280 --> 00:38:44,160
Speaker 1: you did just a Girlship, which is a huge, huge

593
00:38:44,239 --> 00:38:48,000
Speaker 1: fucking hit. Um, let me just let me just like

594
00:38:48,080 --> 00:38:52,160
Speaker 1: rattle off questions first, like, um, with the Best Man,

595
00:38:52,320 --> 00:38:57,080
Speaker 1: you played Candy. Now I rewatched that scene. How do

596
00:38:57,120 --> 00:38:58,919
Speaker 1: you get upart of you play it like you play

597
00:38:58,960 --> 00:39:01,560
Speaker 1: a stripper? Like you show up at this batchelor party?

598
00:39:01,960 --> 00:39:04,279
Speaker 1: Do you have to like go in there and dancing it? So?

599
00:39:04,360 --> 00:39:07,239
Speaker 1: You know, the first audition, the first auditions we did

600
00:39:07,280 --> 00:39:08,960
Speaker 1: for the movie, we didn't have to dance. We had

601
00:39:08,960 --> 00:39:10,759
Speaker 1: to act. We had to do the scenes. There was

602
00:39:10,800 --> 00:39:12,560
Speaker 1: another scene in there that got cut out the movie.

603
00:39:12,800 --> 00:39:14,319
Speaker 1: They were like, yeah, we're gonna make them think that

604
00:39:14,360 --> 00:39:18,480
Speaker 1: it's just so we we go and we all audition

605
00:39:18,560 --> 00:39:20,440
Speaker 1: and then once they narrowed it down to like the

606
00:39:20,480 --> 00:39:22,920
Speaker 1: five girls, we had to dance, but I had to

607
00:39:22,960 --> 00:39:24,520
Speaker 1: come back and had to come back, and then the

608
00:39:24,560 --> 00:39:27,840
Speaker 1: audition was just dancing, but I'm not a dancer, and

609
00:39:27,880 --> 00:39:29,719
Speaker 1: I was like, I can't. I mean the strip, and

610
00:39:29,719 --> 00:39:32,640
Speaker 1: you know, I was a little self conscious because I

611
00:39:32,640 --> 00:39:34,640
Speaker 1: didn't feel like I had like, you know, candy was

612
00:39:34,680 --> 00:39:36,560
Speaker 1: supposed to be the main attraction, so I didn't feel

613
00:39:36,560 --> 00:39:38,640
Speaker 1: like I had enough body, right, you know what I mean.

614
00:39:38,920 --> 00:39:42,200
Speaker 1: It was like, so we I go do it and

615
00:39:42,239 --> 00:39:45,600
Speaker 1: I do the dance, and I was um drinking. I

616
00:39:45,680 --> 00:39:47,840
Speaker 1: drank some alas a because I was like that once

617
00:39:47,880 --> 00:39:49,960
Speaker 1: to get to get loose, and I had my friend

618
00:39:50,000 --> 00:39:53,040
Speaker 1: from my acting class was like, listen she used to strip.

619
00:39:53,400 --> 00:39:55,720
Speaker 1: She said, just turned around and just you know, smack

620
00:39:55,760 --> 00:39:57,160
Speaker 1: your ass. That's all you gotta do. I was like,

621
00:39:57,200 --> 00:39:59,799
Speaker 1: that says She's like, that's it. I promise. I get

622
00:39:59,800 --> 00:40:02,520
Speaker 1: in audition and I see girls doing routines in the

623
00:40:02,520 --> 00:40:04,640
Speaker 1: waiting room because you know back then when they don't

624
00:40:04,640 --> 00:40:06,600
Speaker 1: care if you see each other, then you hear each other.

625
00:40:07,280 --> 00:40:08,920
Speaker 1: I was like, oh my goodness, I don't have a routine.

626
00:40:08,960 --> 00:40:10,840
Speaker 1: I go in through my audition. I turned around and

627
00:40:10,880 --> 00:40:13,240
Speaker 1: get a chair and I just start. That's all I do.

628
00:40:13,880 --> 00:40:16,799
Speaker 1: And then I remember the producer cut the tape off

629
00:40:16,800 --> 00:40:19,400
Speaker 1: and he said, um, okay, can you do anything else?

630
00:40:20,000 --> 00:40:22,120
Speaker 1: And I was like, yes, thank you, and then I

631
00:40:22,160 --> 00:40:24,840
Speaker 1: just I got my jacket and I left because you thought,

632
00:40:24,880 --> 00:40:26,880
Speaker 1: like you, you weren't gonna get it. And and you

633
00:40:26,880 --> 00:40:28,520
Speaker 1: know what, I was so fine with it because I

634
00:40:28,560 --> 00:40:30,880
Speaker 1: hadn't gotten so much. I hadn't gotten anything before. I

635
00:40:30,880 --> 00:40:32,439
Speaker 1: was like, all my agents will be you. They won't

636
00:40:32,480 --> 00:40:34,640
Speaker 1: even think about it, just like they'll be happy I

637
00:40:34,680 --> 00:40:37,560
Speaker 1: got close. What kind of our auditioner you are? You?

638
00:40:37,600 --> 00:40:41,480
Speaker 1: Because as an actor, it's like being an actor on

639
00:40:41,560 --> 00:40:44,000
Speaker 1: a film set, or being an actor on a television set,

640
00:40:44,040 --> 00:40:46,520
Speaker 1: or being an actor who's actually cast into play, being

641
00:40:46,520 --> 00:40:49,759
Speaker 1: a cast actor, and the skills that that take are

642
00:40:49,880 --> 00:40:54,319
Speaker 1: totally different than auditioningly and and a lot of you know,

643
00:40:54,360 --> 00:40:56,319
Speaker 1: young actors, they don't know that and they don't get it,

644
00:40:56,360 --> 00:40:58,839
Speaker 1: Like I. I have some friends who suck it auditions

645
00:40:59,000 --> 00:41:01,560
Speaker 1: and a voice and amazing actors, right yeah, and but

646
00:41:01,640 --> 00:41:04,000
Speaker 1: they just can't they can't get the parts because they

647
00:41:03,880 --> 00:41:07,680
Speaker 1: the nerves. It's such a the nerves and the pressure,

648
00:41:08,160 --> 00:41:10,080
Speaker 1: and like I used to feel like now when I

649
00:41:10,080 --> 00:41:12,839
Speaker 1: go into an audition, like I, I treat it like

650
00:41:13,360 --> 00:41:15,799
Speaker 1: it's my time. And it took me a long time

651
00:41:15,840 --> 00:41:17,560
Speaker 1: to even have that conferdence, We're all go all, I'm

652
00:41:17,560 --> 00:41:19,480
Speaker 1: gonna start again where I sort of like, if I

653
00:41:19,520 --> 00:41:22,120
Speaker 1: have to audition, I'm gonna fucking like I'm gonna treat,

654
00:41:22,239 --> 00:41:25,560
Speaker 1: like I said, but it takes years to get that confidence.

655
00:41:25,920 --> 00:41:27,680
Speaker 1: What were you a good audition or were you a

656
00:41:27,719 --> 00:41:30,680
Speaker 1: nervous audition because you're sort of zero, Like when I

657
00:41:30,719 --> 00:41:32,560
Speaker 1: see you like in interviews, and when I see you

658
00:41:32,640 --> 00:41:35,760
Speaker 1: like you know, regular, like you're you're neutral, is neutral,

659
00:41:36,040 --> 00:41:37,880
Speaker 1: But then when I see you like a scary movie,

660
00:41:37,920 --> 00:41:40,600
Speaker 1: I'm like, you're like fucking out there, you know what

661
00:41:40,680 --> 00:41:42,760
Speaker 1: I mean? Like, what what is your like your auditioning

662
00:41:42,880 --> 00:41:46,880
Speaker 1: like mentality? Well, you know when I did um for example,

663
00:41:46,960 --> 00:41:49,200
Speaker 1: scary movie or all of them, when how audition, I

664
00:41:49,239 --> 00:41:52,319
Speaker 1: feel like I really feel like the character. I'm a

665
00:41:52,320 --> 00:41:55,840
Speaker 1: little Shire, like Regina's Shire right in real life? In

666
00:41:55,880 --> 00:41:57,320
Speaker 1: real life, you know what I mean, Like, I'm a

667
00:41:57,360 --> 00:42:01,600
Speaker 1: little Shire, a little more um like um, you know, subdued.

668
00:42:01,920 --> 00:42:04,640
Speaker 1: But if I'm in character, then I'm not. You'll treat

669
00:42:04,719 --> 00:42:07,000
Speaker 1: so you get in the head of the character. Yeah,

670
00:42:07,160 --> 00:42:09,680
Speaker 1: because once I go over it, you know at home,

671
00:42:10,160 --> 00:42:11,799
Speaker 1: you know, I would be like, what's her hair like? Yeah,

672
00:42:11,800 --> 00:42:15,040
Speaker 1: I start her clothes, I could figure out the person

673
00:42:15,239 --> 00:42:18,120
Speaker 1: and then and then you know, listen, Sometimes I've had

674
00:42:18,160 --> 00:42:21,640
Speaker 1: just some really bad auditions. I mean where I've and

675
00:42:21,960 --> 00:42:24,960
Speaker 1: I thought I was good. There's nothing worse than all this. Fore,

676
00:42:24,960 --> 00:42:26,319
Speaker 1: you like I killed it. They're like, it's not going

677
00:42:26,320 --> 00:42:31,440
Speaker 1: any further. But I think, yeah, but I think, um,

678
00:42:31,760 --> 00:42:33,920
Speaker 1: you know, it's gotten better. I mean I auditioned for

679
00:42:34,160 --> 00:42:36,239
Speaker 1: you know a long time before I worked my first

680
00:42:36,280 --> 00:42:38,040
Speaker 1: I used to get freaked out if I saw somebody

681
00:42:38,080 --> 00:42:41,000
Speaker 1: famous too auditioning, Oh yeah, because I'd be like, oh,

682
00:42:41,040 --> 00:42:43,040
Speaker 1: they're gonna get it. Why am I even here? Like

683
00:42:43,080 --> 00:42:44,799
Speaker 1: if I saw somebody walked in the room that I

684
00:42:44,800 --> 00:42:47,839
Speaker 1: had seen on television, it could have been under five,

685
00:42:48,320 --> 00:42:51,080
Speaker 1: you know what I mean, but you just regize. I

686
00:42:51,080 --> 00:42:52,360
Speaker 1: would get in my head and be like, I'm not

687
00:42:52,400 --> 00:42:55,200
Speaker 1: gonna get it, do you like? I mean, at times

688
00:42:55,239 --> 00:42:57,720
Speaker 1: now I still have to audition or all choose to audition,

689
00:42:57,840 --> 00:43:02,600
Speaker 1: and it feels like youl business and success. It's like

690
00:43:02,680 --> 00:43:05,800
Speaker 1: at one point, like you know, in the nineties, early

691
00:43:05,800 --> 00:43:07,840
Speaker 1: two thousand, it was like, oh I did this, I

692
00:43:07,920 --> 00:43:09,879
Speaker 1: did that, I have my code make an offer. Now

693
00:43:09,920 --> 00:43:12,680
Speaker 1: it's like, listen, motherfucker. We're gonna give you what we're

694
00:43:12,680 --> 00:43:14,200
Speaker 1: gonna we want to give you. We don't give a

695
00:43:14,239 --> 00:43:16,600
Speaker 1: funking if you don't take it. You know, well, the

696
00:43:16,719 --> 00:43:20,360
Speaker 1: business has changed, I mean even in terms of like, um,

697
00:43:20,400 --> 00:43:23,920
Speaker 1: the respect for a body of work you don't give me. Yeah,

698
00:43:23,920 --> 00:43:26,399
Speaker 1: Like I see, like I see actors and and you'd

699
00:43:26,400 --> 00:43:29,239
Speaker 1: be one of them who I would be like, just

700
00:43:29,600 --> 00:43:32,200
Speaker 1: on just based on what they do. I'm like, we'll

701
00:43:32,239 --> 00:43:35,320
Speaker 1: be lucky to get them because I'm like, nobody's gonna

702
00:43:35,360 --> 00:43:38,320
Speaker 1: do it as good. And then you know, there's the

703
00:43:38,360 --> 00:43:41,279
Speaker 1: stuff that you learn about being there's stuff when from

704
00:43:41,320 --> 00:43:47,279
Speaker 1: working that to me, it's gonna supersede heat any day.

705
00:43:47,360 --> 00:43:49,480
Speaker 1: Some people. You know, yeah, I can edit them, but

706
00:43:49,600 --> 00:43:51,319
Speaker 1: that that doesn't mean I can edit them and make

707
00:43:51,360 --> 00:43:53,879
Speaker 1: them great. But it doesn't mean you know that they're

708
00:43:53,920 --> 00:43:56,919
Speaker 1: gonna be as And I'm talking about in the purest way,

709
00:43:56,960 --> 00:43:58,399
Speaker 1: you know what I mean, from an art form as

710
00:43:58,480 --> 00:44:01,359
Speaker 1: you know somebody else. You know, it's changed because now

711
00:44:01,400 --> 00:44:03,640
Speaker 1: it feels like it's so much more money based. I

712
00:44:03,680 --> 00:44:06,880
Speaker 1: guess yeah, and I feel like you know, they're there's

713
00:44:07,400 --> 00:44:11,960
Speaker 1: the film businesses fucked, you know, even television, it's just different.

714
00:44:12,000 --> 00:44:13,600
Speaker 1: I haven't really got a handle on it, but it's

715
00:44:13,640 --> 00:44:17,759
Speaker 1: just different, um in terms of the way they treat actors,

716
00:44:18,640 --> 00:44:21,560
Speaker 1: um and and the amount of jobs. And I don't know,

717
00:44:21,600 --> 00:44:23,319
Speaker 1: it's like they don't look at a body of work.

718
00:44:23,360 --> 00:44:24,960
Speaker 1: And then some people like, well I saw that, but

719
00:44:25,000 --> 00:44:27,160
Speaker 1: I have, and I'm like, you know, like with you,

720
00:44:27,200 --> 00:44:29,600
Speaker 1: like there's certain things that you've done, like certain things

721
00:44:29,680 --> 00:44:32,839
Speaker 1: that we know Regina Hall is good at. And then

722
00:44:33,080 --> 00:44:36,080
Speaker 1: like for me, like I'm like, listen, I'll audition, but like,

723
00:44:36,160 --> 00:44:38,040
Speaker 1: I'm not auditioning for a New York cop. I'm not

724
00:44:38,080 --> 00:44:40,600
Speaker 1: audition for like like you either you either get me

725
00:44:40,719 --> 00:44:42,520
Speaker 1: or fifty other New York But I'm not coming in

726
00:44:42,600 --> 00:44:46,960
Speaker 1: audition for a New York cops. No, nor nor should

727
00:44:47,000 --> 00:44:50,200
Speaker 1: anybody have the audacity to ask you that I wanted

728
00:44:50,200 --> 00:44:53,080
Speaker 1: to make them more audition like I because when I

729
00:44:53,160 --> 00:44:55,560
Speaker 1: do what, I have such resentment, Like I'm like, who

730
00:44:55,560 --> 00:44:57,440
Speaker 1: the funk are you? Like, do some push ups? Let

731
00:44:57,440 --> 00:45:00,640
Speaker 1: me see who you audition for me? What the funk?

732
00:45:01,040 --> 00:45:02,640
Speaker 1: I had somebody who wanted to be an audition and

733
00:45:02,680 --> 00:45:05,839
Speaker 1: I was like, well, they've never directed. I should see

734
00:45:05,880 --> 00:45:08,040
Speaker 1: I should ask them to put a shot list? Why

735
00:45:08,040 --> 00:45:10,319
Speaker 1: am I, but y'all, you know it is, and there're

736
00:45:10,520 --> 00:45:12,880
Speaker 1: and like I look and I go the brain, the

737
00:45:12,880 --> 00:45:16,799
Speaker 1: brain should automatically go, oh yeah, Michael boy, he'll kill this,

738
00:45:16,880 --> 00:45:18,479
Speaker 1: Like you know what I mean. It's like I think

739
00:45:18,520 --> 00:45:20,479
Speaker 1: they think it's a power thing. They do it because

740
00:45:20,480 --> 00:45:22,480
Speaker 1: they can. Sometimes, yeah, they do it because they can.

741
00:45:22,640 --> 00:45:26,239
Speaker 1: And I think it's their insecurities because you know, like

742
00:45:26,280 --> 00:45:28,360
Speaker 1: a really dope director, I'm just making sure this is on.

743
00:45:28,600 --> 00:45:31,320
Speaker 1: Like I think, like the best directors, you know, sometimes

744
00:45:31,360 --> 00:45:34,040
Speaker 1: they might make your audition. Sometimes they might not. But

745
00:45:34,080 --> 00:45:36,800
Speaker 1: I think, like you know, like if you're with somebody

746
00:45:36,840 --> 00:45:40,160
Speaker 1: that that really is in tune with what they're doing,

747
00:45:40,320 --> 00:45:42,640
Speaker 1: they're gonna know who they want to do it, so

748
00:45:42,880 --> 00:45:45,200
Speaker 1: the vision is there. You know. It's so funny because

749
00:45:45,160 --> 00:45:47,120
Speaker 1: I did went to the Austin Film Festival for a

750
00:45:47,160 --> 00:45:50,320
Speaker 1: movie I hadn't there, and I met Paul Thomas Anderson

751
00:45:50,800 --> 00:45:54,080
Speaker 1: and I had seen Phantom Thread and what I had

752
00:45:54,120 --> 00:45:55,879
Speaker 1: loved about that movie so much. And you can tell

753
00:45:55,920 --> 00:45:57,520
Speaker 1: me what you think about this if you saw it.

754
00:45:57,560 --> 00:45:59,920
Speaker 1: Was I loved it that I loved it was the

755
00:46:00,239 --> 00:46:03,120
Speaker 1: time that they felt like it was allowing an actor

756
00:46:03,160 --> 00:46:08,000
Speaker 1: to give a performance completely and that's a good movie.

757
00:46:08,040 --> 00:46:11,279
Speaker 1: It's it's it's like the space to you know, I

758
00:46:11,360 --> 00:46:12,919
Speaker 1: was like, wow, what it would be to be able

759
00:46:12,960 --> 00:46:15,919
Speaker 1: to act as opposed to you're doing something they edited

760
00:46:15,960 --> 00:46:17,960
Speaker 1: and you're like, wow, that was an amazing moment. You

761
00:46:18,040 --> 00:46:20,640
Speaker 1: just had, like you just to see that and to

762
00:46:20,719 --> 00:46:24,680
Speaker 1: see a director do that. And the woman I can't

763
00:46:24,719 --> 00:46:27,160
Speaker 1: think of her name, who, you know, I loved her

764
00:46:27,280 --> 00:46:29,280
Speaker 1: so much. I loved the I mean, I love Daniel

765
00:46:29,320 --> 00:46:31,719
Speaker 1: day Lewis, but I just really felt like, wow, it's

766
00:46:31,760 --> 00:46:33,800
Speaker 1: so nice when you get to see an actor's piece,

767
00:46:33,960 --> 00:46:36,359
Speaker 1: you know what I mean, you know, and and he's

768
00:46:36,400 --> 00:46:39,560
Speaker 1: obviously yeah, well he's on the top of his ship

769
00:46:39,680 --> 00:46:42,000
Speaker 1: and like it's a clear vision, like he writes it.

770
00:46:42,280 --> 00:46:46,520
Speaker 1: You know, the sets, the wardrobe, the music, detail. Everything

771
00:46:46,560 --> 00:46:48,920
Speaker 1: in that movie was I mean, it's a bugged out movie.

772
00:46:49,560 --> 00:46:52,120
Speaker 1: It's kind of a bugged out movie. What else have

773
00:46:52,160 --> 00:46:54,360
Speaker 1: you seen? What was the last movie you saw that

774
00:46:54,400 --> 00:46:56,839
Speaker 1: you thought it was dope that you got excited about?

775
00:46:56,880 --> 00:46:59,560
Speaker 1: Besides phantoms because that probably like besides like, I've been

776
00:46:59,560 --> 00:47:04,279
Speaker 1: watching these documentaries that are fucking nuts on Netflix, Wild

777
00:47:04,320 --> 00:47:07,280
Speaker 1: Wild Country, Love That Ship. I had the two directors

778
00:47:07,320 --> 00:47:11,200
Speaker 1: here on the podcast. I loved it. It was it

779
00:47:11,600 --> 00:47:13,680
Speaker 1: had them both here. I was bugging on. It was

780
00:47:13,840 --> 00:47:16,560
Speaker 1: crazy because I was like, my friend said, you gotta

781
00:47:16,560 --> 00:47:18,120
Speaker 1: watch Wild warld Country And I was like, what is

782
00:47:18,160 --> 00:47:20,480
Speaker 1: and she's like, just turn it on. And then kind

783
00:47:20,480 --> 00:47:22,319
Speaker 1: of we had talked about her history and when I

784
00:47:22,360 --> 00:47:24,120
Speaker 1: looked at when I looked at that and it was

785
00:47:24,160 --> 00:47:25,840
Speaker 1: a sixth partner and what happens is I was like,

786
00:47:25,840 --> 00:47:27,400
Speaker 1: why did I start looking at this at nine o'clock?

787
00:47:27,400 --> 00:47:29,000
Speaker 1: I got to get up in the morning. I was

788
00:47:29,080 --> 00:47:31,319
Speaker 1: mad that I couldn't bene it and all all at once,

789
00:47:31,360 --> 00:47:35,279
Speaker 1: but I did it over two days. But it was deep, man,

790
00:47:35,640 --> 00:47:38,120
Speaker 1: it was. It was a complex. It was a lot

791
00:47:38,160 --> 00:47:42,080
Speaker 1: of things. It was deep and bugged out. Listen the

792
00:47:42,120 --> 00:47:47,879
Speaker 1: fact that they had a plan, just what they that's yeah,

793
00:47:47,920 --> 00:47:52,440
Speaker 1: he's sleeping. See I'm Rappaport Stereo podcast news dog. Let

794
00:47:52,520 --> 00:47:55,600
Speaker 1: me tell you something. Zoos snored like an engine. That's

795
00:47:55,600 --> 00:47:59,440
Speaker 1: why this sound was so beautiful. Um, it just just

796
00:48:00,120 --> 00:48:02,239
Speaker 1: I mean, she I mean the whole thing. I was

797
00:48:02,320 --> 00:48:04,200
Speaker 1: just do you think Sheila's nuts? Do you think she's

798
00:48:04,239 --> 00:48:06,520
Speaker 1: a master? Like what do you what was your takeaway

799
00:48:06,520 --> 00:48:09,120
Speaker 1: from Sheila? You know what Sheila. You know, I like

800
00:48:09,239 --> 00:48:11,799
Speaker 1: the white girl who stood by Sheila's side, who came back.

801
00:48:11,840 --> 00:48:15,880
Speaker 1: She was she was so dope to me, like she

802
00:48:15,960 --> 00:48:18,600
Speaker 1: had a lot of I felt like her commitment was

803
00:48:18,640 --> 00:48:24,279
Speaker 1: always real. Sheila. She was definitely controlling and manipulative in

804
00:48:24,320 --> 00:48:26,439
Speaker 1: her way. Like you know, my friend was like, oh,

805
00:48:26,480 --> 00:48:28,160
Speaker 1: she just loved him so deeply, and I was like,

806
00:48:28,200 --> 00:48:29,960
Speaker 1: did she or was there a little bit of like

807
00:48:30,400 --> 00:48:34,040
Speaker 1: loving the idea that the guy who was that guy

808
00:48:34,200 --> 00:48:36,640
Speaker 1: loved her and you know that their stuff was sacred.

809
00:48:36,760 --> 00:48:39,400
Speaker 1: She treated it like a business. That's how. That's what

810
00:48:39,520 --> 00:48:41,360
Speaker 1: the dudes that you gotta listen to, because if you

811
00:48:41,440 --> 00:48:43,759
Speaker 1: live like I had them on, I fucking they gave

812
00:48:43,800 --> 00:48:46,120
Speaker 1: me the whole thing, so they the end game of

813
00:48:46,120 --> 00:48:49,719
Speaker 1: what they told me is like she treated that whole

814
00:48:49,760 --> 00:48:51,759
Speaker 1: thing like she was the business person, Like she was

815
00:48:51,840 --> 00:48:54,680
Speaker 1: like her his like the general manager, and like we're

816
00:48:54,680 --> 00:48:56,799
Speaker 1: doing whatever we need to do for the team. Have

817
00:48:56,920 --> 00:48:59,520
Speaker 1: you seen this this other one called Evil Genius. It's

818
00:48:59,600 --> 00:49:02,600
Speaker 1: brand new. No, I gotta watch it. I don't want

819
00:49:02,600 --> 00:49:04,640
Speaker 1: to say it's better or it's the same type of ship.

820
00:49:04,680 --> 00:49:08,000
Speaker 1: It's the same. Dude. The do Plas Brothers fucking give

821
00:49:08,040 --> 00:49:12,359
Speaker 1: me the documentary. Let me tell you, a documentary can

822
00:49:12,400 --> 00:49:15,160
Speaker 1: get me so good. A good documentary where I'm so

823
00:49:15,280 --> 00:49:19,160
Speaker 1: drawn in. People sleep on documentaries way too much. Oh yeah,

824
00:49:19,160 --> 00:49:22,440
Speaker 1: oh yeah, but evil geniuses like you're gonna want tonight

825
00:49:22,760 --> 00:49:24,719
Speaker 1: started and the first ten minutes you're gonna be like,

826
00:49:24,760 --> 00:49:27,080
Speaker 1: what the fuck that's gonna be tonight? Because me and

827
00:49:27,120 --> 00:49:29,640
Speaker 1: my wife started watching. No I started watching, so I'm

828
00:49:29,640 --> 00:49:31,400
Speaker 1: gonna go upstairs. I don't want to get involved with

829
00:49:31,400 --> 00:49:34,200
Speaker 1: another one of these. She came down like it was

830
00:49:34,239 --> 00:49:36,560
Speaker 1: twelve minutes because I paused it to twelve minutes. I

831
00:49:36,640 --> 00:49:38,600
Speaker 1: was like, yo, we're gonna start this ship again because

832
00:49:38,800 --> 00:49:40,400
Speaker 1: and I love when you don't have to there's no

833
00:49:40,480 --> 00:49:42,680
Speaker 1: like wait for episode three, like I need to shoot

834
00:49:42,719 --> 00:49:45,239
Speaker 1: to be on in popping off the top. It's like

835
00:49:45,280 --> 00:49:48,000
Speaker 1: your brain gets fed immediately, you know what. That's what

836
00:49:48,000 --> 00:49:50,839
Speaker 1: I mean, And you're sucked in. You're like, I'm ready, though.

837
00:49:50,880 --> 00:49:55,160
Speaker 1: Did you watch the assassination of Jianni VERSACEI? I did it?

838
00:49:55,239 --> 00:49:56,880
Speaker 1: Is it good? I want you to watch the okay?

839
00:49:57,040 --> 00:49:58,759
Speaker 1: I thought, And now that you can watch it and

840
00:49:58,800 --> 00:50:00,560
Speaker 1: you don't have to wait each week, I thought it

841
00:50:00,640 --> 00:50:03,880
Speaker 1: was darkest hour in terms of movies. I thought he

842
00:50:03,920 --> 00:50:07,799
Speaker 1: was a beast. I cried. You know why I cried

843
00:50:07,880 --> 00:50:11,960
Speaker 1: during that movie? I never thought about I don't you know,

844
00:50:12,160 --> 00:50:14,840
Speaker 1: history is history. You don't necessarily think about a moment

845
00:50:14,880 --> 00:50:17,840
Speaker 1: that you're not in. But I thought about Winston Churchill

846
00:50:18,560 --> 00:50:21,319
Speaker 1: and what it took when he said we we can't

847
00:50:21,360 --> 00:50:25,359
Speaker 1: compromise with this man. He's a monster. And I thought, yes,

848
00:50:25,440 --> 00:50:27,960
Speaker 1: talking about Hitler, and I thought, what if he hadn't,

849
00:50:29,160 --> 00:50:31,600
Speaker 1: you know, like like the conviction that it took and

850
00:50:31,640 --> 00:50:34,640
Speaker 1: he was an older man, and you know, for that

851
00:50:34,719 --> 00:50:36,960
Speaker 1: to be that prime moment, and I just, I mean,

852
00:50:37,000 --> 00:50:40,120
Speaker 1: it broke my heart to think of because you don't,

853
00:50:40,160 --> 00:50:42,200
Speaker 1: you know, you're not thinking about moments from you know,

854
00:50:42,760 --> 00:50:47,440
Speaker 1: years ago, and I go, wow, Like he was begging,

855
00:50:48,040 --> 00:50:51,759
Speaker 1: he was begging countries like we can't do this, you

856
00:50:51,800 --> 00:50:54,960
Speaker 1: know what I mean? And I was like, I just

857
00:50:55,280 --> 00:50:58,040
Speaker 1: I was like, I mean, are we do we? I mean,

858
00:50:58,160 --> 00:51:00,840
Speaker 1: I'm so grateful, you know what I mean, the gratitude

859
00:51:00,880 --> 00:51:04,240
Speaker 1: towards somebody who's like when he was like we cannot

860
00:51:04,320 --> 00:51:06,840
Speaker 1: compromise in the war, general was like, we we have

861
00:51:07,000 --> 00:51:09,160
Speaker 1: to and he was like then what then this island

862
00:51:09,280 --> 00:51:11,080
Speaker 1: is safe? But what about what he's doing. I just

863
00:51:11,239 --> 00:51:12,680
Speaker 1: I mean it was too much. Yeah, it's a good

864
00:51:12,680 --> 00:51:15,799
Speaker 1: movie and and and Gary Olman is a motherfucker. And

865
00:51:15,840 --> 00:51:18,839
Speaker 1: I mean and the makeup people and that ship because

866
00:51:18,840 --> 00:51:23,239
Speaker 1: Homeboy disappeared, disappeared. Have you ever done any any any

867
00:51:23,239 --> 00:51:26,160
Speaker 1: stuff where you had to like like prosthetics or any

868
00:51:26,160 --> 00:51:28,799
Speaker 1: crazy But I want silly stuff, but like you've never

869
00:51:28,800 --> 00:51:35,160
Speaker 1: done like full on like fat suits or totally disappear. Um,

870
00:51:35,200 --> 00:51:37,400
Speaker 1: I want to go through go through more movies. Paid

871
00:51:37,400 --> 00:51:40,960
Speaker 1: in Fall Oh yeah, which is like a Hood classic.

872
00:51:41,719 --> 00:51:44,839
Speaker 1: The crazy shi it is is the real people, Rich

873
00:51:44,920 --> 00:51:47,839
Speaker 1: Porter and Alphole, like I was around all that ship.

874
00:51:47,920 --> 00:51:51,399
Speaker 1: How about this? So when I finished school to pay

875
00:51:51,440 --> 00:51:55,680
Speaker 1: my way through going to acting school, I had started teaching.

876
00:51:55,719 --> 00:51:58,760
Speaker 1: I was a professor at the college in New Rochelle.

877
00:51:59,360 --> 00:52:06,200
Speaker 1: And what years this this is? Let me see, So

878
00:52:06,360 --> 00:52:08,239
Speaker 1: I'm at the college in New Rochelle. Always used to

879
00:52:08,239 --> 00:52:10,440
Speaker 1: wear head wraps because I wanted everybody to be like

880
00:52:10,760 --> 00:52:13,120
Speaker 1: I didn't want anybody any any of the students because

881
00:52:13,120 --> 00:52:14,839
Speaker 1: I was only I was twenty five. I didn't want

882
00:52:14,880 --> 00:52:18,480
Speaker 1: my students to think of me as on their level. Right,

883
00:52:19,200 --> 00:52:21,439
Speaker 1: So then you know, cut two years later, I'm doing

884
00:52:21,640 --> 00:52:25,000
Speaker 1: pain full and I meet Pat Porter. Pat Porter went

885
00:52:25,040 --> 00:52:27,240
Speaker 1: to that school. I knew her, she was a student.

886
00:52:27,800 --> 00:52:30,239
Speaker 1: She's like, you used to be so mean, and I

887
00:52:30,280 --> 00:52:31,799
Speaker 1: was like, no, it wasn't mean. I just couldn't really

888
00:52:31,840 --> 00:52:34,120
Speaker 1: consort with the students because you know, I'm but how

889
00:52:34,160 --> 00:52:36,080
Speaker 1: about she remember, She's like, you used to always be

890
00:52:36,080 --> 00:52:38,279
Speaker 1: like my classes starting get out. So I ended up

891
00:52:38,320 --> 00:52:41,640
Speaker 1: having a good conversation with her about the whole story,

892
00:52:41,719 --> 00:52:45,480
Speaker 1: that whole story. And it was crazy that and I

893
00:52:45,520 --> 00:52:47,719
Speaker 1: remembered her as I mean, I remembered her as my

894
00:52:47,960 --> 00:52:49,720
Speaker 1: as you know, one of the students in the school.

895
00:52:50,080 --> 00:52:52,200
Speaker 1: But it was crazy that I was then playing her.

896
00:52:52,719 --> 00:52:55,520
Speaker 1: That's fucking nuts. And you had no idea, no idea.

897
00:52:55,640 --> 00:52:57,520
Speaker 1: So like that movie is such an interesting movie because

898
00:52:57,560 --> 00:53:01,280
Speaker 1: it's like it's, I say, a hood classic, an underground classic,

899
00:53:01,320 --> 00:53:03,520
Speaker 1: but cold it is a hood classic. Like it didn't

900
00:53:03,560 --> 00:53:06,759
Speaker 1: it didn't. It didn't have a big um, It wasn't

901
00:53:06,800 --> 00:53:09,080
Speaker 1: like a big box orfice things, didn't have a big release.

902
00:53:09,120 --> 00:53:11,319
Speaker 1: It was only three And I gotta be honest, when

903
00:53:11,320 --> 00:53:16,080
Speaker 1: I first saw my expectations were so high. Okay, like

904
00:53:16,160 --> 00:53:18,879
Speaker 1: I I you know, because I was so around that

905
00:53:18,920 --> 00:53:21,480
Speaker 1: ship like really like and you know, and I thought

906
00:53:21,480 --> 00:53:23,759
Speaker 1: all the performances were dope, and Wood was dope, and

907
00:53:23,800 --> 00:53:27,239
Speaker 1: Cameron was dopen and McKay was doping. But I feel

908
00:53:27,280 --> 00:53:30,560
Speaker 1: like that movie is a really good movie. You know.

909
00:53:30,600 --> 00:53:32,600
Speaker 1: I feel like maybe it was like my expectations, but

910
00:53:32,640 --> 00:53:34,600
Speaker 1: like I knew Dame. I know Dame dash as some

911
00:53:34,719 --> 00:53:37,440
Speaker 1: fucking nine years old, so I know his struggles with it,

912
00:53:37,480 --> 00:53:39,480
Speaker 1: and he was frustrated. And you shot some of it

913
00:53:39,520 --> 00:53:42,080
Speaker 1: in Canada and like and I was like, oh, that's Canada.

914
00:53:42,719 --> 00:53:45,560
Speaker 1: So you felt it because you were in that process literally,

915
00:53:45,640 --> 00:53:47,279
Speaker 1: like you know, I was in the rooftop, you know,

916
00:53:47,320 --> 00:53:49,080
Speaker 1: like I was like I was around the ship like

917
00:53:49,239 --> 00:53:52,200
Speaker 1: like I would see them drive back. Did have some

918
00:53:52,239 --> 00:53:55,200
Speaker 1: frustrations with the studio, with everything. So yeah, you heard it.

919
00:53:55,280 --> 00:53:58,440
Speaker 1: You you experienced it and then heard it about what

920
00:53:58,520 --> 00:53:59,920
Speaker 1: was going on. So I'm sure for you it was

921
00:54:00,080 --> 00:54:03,239
Speaker 1: definitely like let's see what they did. But but when

922
00:54:03,239 --> 00:54:05,160
Speaker 1: you make a movie like that that sort of spans

923
00:54:05,160 --> 00:54:07,680
Speaker 1: the test of time and like people still love it

924
00:54:07,719 --> 00:54:10,359
Speaker 1: and it's on Instagram and it'll be like it's anniversary.

925
00:54:11,560 --> 00:54:16,360
Speaker 1: Who is keeping track that anniversary or painting for like um,

926
00:54:16,400 --> 00:54:19,439
Speaker 1: like it's it's a weird thing because you know that people,

927
00:54:19,680 --> 00:54:22,520
Speaker 1: certain people love that fucking movie. But then like Hollywood

928
00:54:22,560 --> 00:54:24,719
Speaker 1: could give two ships about painting. Do you know what

929
00:54:24,760 --> 00:54:27,920
Speaker 1: I'm saying. But I gotta tell you there's nothing like

930
00:54:28,000 --> 00:54:30,480
Speaker 1: the feedback of the people. I agree, you know what

931
00:54:30,520 --> 00:54:33,479
Speaker 1: I mean, Like Hollywood can love it, but like, which

932
00:54:33,520 --> 00:54:35,759
Speaker 1: is great, But when people come up to you and

933
00:54:35,800 --> 00:54:38,759
Speaker 1: it's like ten years later and and it's funny because

934
00:54:38,760 --> 00:54:40,400
Speaker 1: you know it's really about the guys. But when I

935
00:54:40,440 --> 00:54:43,080
Speaker 1: have people who love the scene because I'm born to

936
00:54:43,760 --> 00:54:45,080
Speaker 1: you know what I mean, Like why are you with me?

937
00:54:45,120 --> 00:54:48,520
Speaker 1: Then I'm like it is You're like, wow, you feel

938
00:54:48,560 --> 00:54:51,840
Speaker 1: like it? It um you know, it had an emotional

939
00:54:51,880 --> 00:54:54,799
Speaker 1: effect on people. And the reason that we do what

940
00:54:54,840 --> 00:54:58,400
Speaker 1: we do right more than anything is you're making statements

941
00:54:58,400 --> 00:55:01,080
Speaker 1: in the work. So I was, I was. I was

942
00:55:01,160 --> 00:55:04,400
Speaker 1: surprised because I mean, I have people. I had somebody

943
00:55:04,440 --> 00:55:05,960
Speaker 1: recently come up to me and they're like, you eight

944
00:55:06,000 --> 00:55:08,640
Speaker 1: Bookie's mom, and I had, you know, I'm not thinking

945
00:55:08,640 --> 00:55:12,080
Speaker 1: about paining Full all the time. So I was like, no,

946
00:55:12,200 --> 00:55:14,320
Speaker 1: you must have me confused, And they're like paining full

947
00:55:14,600 --> 00:55:19,239
Speaker 1: and I'm like, oh yeah, yeah, I don't even know

948
00:55:21,000 --> 00:55:24,320
Speaker 1: what what the actors in that film, like Wood Harris.

949
00:55:24,360 --> 00:55:29,200
Speaker 1: I think he's such an underrated, underappreciated actor, such a

950
00:55:29,280 --> 00:55:33,320
Speaker 1: unique actor, and and like has his own fucking vibe.

951
00:55:33,840 --> 00:55:38,520
Speaker 1: And I love Marla Ali Herschel Ali, but I'm like,

952
00:55:39,360 --> 00:55:41,520
Speaker 1: Wood Harris should be getting some of this love because

953
00:55:41,560 --> 00:55:43,360
Speaker 1: what is so And I've said this to it and

954
00:55:43,200 --> 00:55:45,200
Speaker 1: I love them both. It's not to compare, but I'm like,

955
00:55:45,760 --> 00:55:49,880
Speaker 1: what is like he's like so dope, so dope dope?

956
00:55:49,880 --> 00:55:52,080
Speaker 1: Well what like Like one of the things I do

957
00:55:52,160 --> 00:55:53,920
Speaker 1: on the on the podcast is like when I have

958
00:55:53,960 --> 00:55:57,759
Speaker 1: basketball players, uh, they'll talk about other basketball players, so

959
00:55:57,760 --> 00:56:00,680
Speaker 1: so like somebody like would what are you you take

960
00:56:00,719 --> 00:56:02,960
Speaker 1: away that makes him such a good actor? Like what

961
00:56:03,120 --> 00:56:05,120
Speaker 1: is it about him that you think is unique? Because

962
00:56:05,360 --> 00:56:08,680
Speaker 1: like he's somebody Like I think like acting is so

963
00:56:08,760 --> 00:56:11,200
Speaker 1: much of an energy. Like we all have our energies

964
00:56:11,200 --> 00:56:15,040
Speaker 1: when we're doing our thing, whether it's deniroengine energy, Denzel energy,

965
00:56:15,120 --> 00:56:19,360
Speaker 1: Christopher Walking energy, would Harris energy, um, your energy? Everybody

966
00:56:19,360 --> 00:56:22,279
Speaker 1: has an energy. You know, he's got such a specific

967
00:56:22,680 --> 00:56:27,960
Speaker 1: you know Wood is um what is so dope? Because

968
00:56:28,000 --> 00:56:33,480
Speaker 1: what he does is he's never he's all everything is

969
00:56:33,480 --> 00:56:36,360
Speaker 1: always truth. But what he doesn't do is going to

970
00:56:36,480 --> 00:56:39,720
Speaker 1: the stereotype of what we think. So Woods drug Dealer

971
00:56:39,920 --> 00:56:42,799
Speaker 1: is gonna be different because he's not gonna it's like

972
00:56:43,120 --> 00:56:46,120
Speaker 1: whatever it is on paper, Like Wood's gonna bring what

973
00:56:46,200 --> 00:56:48,040
Speaker 1: he does to it and it's not gonna be what

974
00:56:48,120 --> 00:56:50,640
Speaker 1: you thought, but it's gonna impact you, like, you know,

975
00:56:50,640 --> 00:56:53,840
Speaker 1: because he's got a subtlety. So even what is being menacing,

976
00:56:53,920 --> 00:56:57,239
Speaker 1: it's not gonna be like it's just it's different, you know.

977
00:56:57,320 --> 00:56:59,439
Speaker 1: So the way he works into a character, and he's

978
00:56:59,440 --> 00:57:02,120
Speaker 1: got like you know, he's always present and yet there's

979
00:57:02,160 --> 00:57:06,680
Speaker 1: an aloofness like he's like a he's like a dichotomy

980
00:57:06,719 --> 00:57:08,480
Speaker 1: where you know. And so you watch it and you're like,

981
00:57:08,920 --> 00:57:12,520
Speaker 1: when I watched him in um just listen, I loved

982
00:57:12,520 --> 00:57:16,080
Speaker 1: when he played um Jimi Hendrix. That's the first time.

983
00:57:16,200 --> 00:57:18,680
Speaker 1: Not a great movie, but he killed that ship killed it.

984
00:57:18,840 --> 00:57:22,280
Speaker 1: The movie wasn't great, but I watched Wood and he

985
00:57:22,360 --> 00:57:25,640
Speaker 1: killed it. And so he creates these characters that have

986
00:57:25,720 --> 00:57:28,160
Speaker 1: a different vibration than what I you know, even what

987
00:57:28,240 --> 00:57:31,720
Speaker 1: he did with with with um in in in Paid

988
00:57:31,720 --> 00:57:35,720
Speaker 1: and Full you know, as as Apple, I you know,

989
00:57:35,800 --> 00:57:38,400
Speaker 1: it wasn't like the drug dealer, you know what I mean.

990
00:57:38,400 --> 00:57:41,320
Speaker 1: There's so many subtleties and nuances to his work. And

991
00:57:41,360 --> 00:57:44,680
Speaker 1: even when he just did the New Addition story, Yeah,

992
00:57:44,680 --> 00:57:48,800
Speaker 1: that motherfucker's good. He just elevates materials. He elevates material.

993
00:57:49,600 --> 00:57:52,120
Speaker 1: He elevates material, and I want to see him get

994
00:57:52,160 --> 00:57:55,240
Speaker 1: the material that is as good as him, because he

995
00:57:55,360 --> 00:57:58,200
Speaker 1: deserves it. And and and like we're friends, but I'm

996
00:57:58,240 --> 00:58:01,840
Speaker 1: like even like I'm in so to respect of his

997
00:58:01,960 --> 00:58:04,280
Speaker 1: talent and then kind of in awe of his talent,

998
00:58:04,400 --> 00:58:06,880
Speaker 1: like as a friend, you know, we're friends. But like

999
00:58:07,080 --> 00:58:08,680
Speaker 1: even when I had a little exchange with him in

1000
00:58:08,720 --> 00:58:11,960
Speaker 1: the New Edition movie, I'm like, some motherfucker's really good. Yeah,

1001
00:58:11,960 --> 00:58:14,280
Speaker 1: he's really good, and you could you could feel it. Like,

1002
00:58:14,320 --> 00:58:16,480
Speaker 1: and I just I'm such a fan of you know,

1003
00:58:16,600 --> 00:58:19,680
Speaker 1: of acting, like when you're around people that are really good. Yeah,

1004
00:58:19,680 --> 00:58:21,840
Speaker 1: oh no, yeah, no no no. Even when we did

1005
00:58:21,880 --> 00:58:24,320
Speaker 1: our little scene and the thing, you know, we just

1006
00:58:24,400 --> 00:58:26,880
Speaker 1: were like we ended up improving it, you know what

1007
00:58:27,000 --> 00:58:29,240
Speaker 1: I mean, A lot of it is improved. And like

1008
00:58:30,000 --> 00:58:32,720
Speaker 1: you know, you know, you got your looking at him,

1009
00:58:32,800 --> 00:58:34,240
Speaker 1: and you know, but you can't be looking at him

1010
00:58:34,240 --> 00:58:35,520
Speaker 1: because you gotta be with him. We know, once you

1011
00:58:35,520 --> 00:58:40,200
Speaker 1: start acting, but you know you're watching him create this

1012
00:58:40,320 --> 00:58:42,440
Speaker 1: character and then you're just in it and you know

1013
00:58:42,520 --> 00:58:45,320
Speaker 1: he's I think he's always so present and in flow,

1014
00:58:45,440 --> 00:58:48,960
Speaker 1: like everything is just it's not from like a thought,

1015
00:58:49,080 --> 00:58:51,680
Speaker 1: it is from a being. Yeah, I agree, I agree.

1016
00:58:52,320 --> 00:58:55,640
Speaker 1: When what kind of actor do you see yourself as?

1017
00:58:56,120 --> 00:59:00,200
Speaker 1: Like do you see yourself as a method actor? Like

1018
00:59:00,280 --> 00:59:04,720
Speaker 1: I you know, I think that everybody has their own method.

1019
00:59:05,120 --> 00:59:07,240
Speaker 1: You know, then there's the method that everybody hears about.

1020
00:59:07,280 --> 00:59:10,760
Speaker 1: There's you know, some actors that you know, like there's

1021
00:59:10,800 --> 00:59:14,520
Speaker 1: this intangible thing like would another friend of mine, dope

1022
00:59:14,520 --> 00:59:17,600
Speaker 1: fucking actor Benici adult Tori's got like this kind of

1023
00:59:17,840 --> 00:59:19,880
Speaker 1: unique like you know, it's like you can't really put

1024
00:59:19,880 --> 00:59:22,760
Speaker 1: your finger on it, you know. Um, you know, some

1025
00:59:22,760 --> 00:59:25,480
Speaker 1: people are more personality driven, Like I consider myself more

1026
00:59:25,480 --> 00:59:29,760
Speaker 1: personality driven, Like you know, I like I'm not, like, um,

1027
00:59:29,800 --> 00:59:32,840
Speaker 1: a great technician. I don't consider myself a great technician,

1028
00:59:33,120 --> 00:59:36,280
Speaker 1: but like I I attract to the emotions first, Like

1029
00:59:36,320 --> 00:59:38,840
Speaker 1: I'll like trying, like if I'm reading a script or

1030
00:59:38,920 --> 00:59:40,560
Speaker 1: like trying to understand the character, Like I try to

1031
00:59:40,640 --> 00:59:43,760
Speaker 1: understand the emotions of the character. When when you're going

1032
00:59:43,840 --> 00:59:46,040
Speaker 1: about like getting into a character, when you have something

1033
00:59:46,080 --> 00:59:48,120
Speaker 1: to sink your teeth and what are you trying to

1034
00:59:48,320 --> 00:59:50,640
Speaker 1: latch onto that that makes sense for you, that sort

1035
00:59:50,640 --> 00:59:54,600
Speaker 1: of gets the puzzle figured out. Gosh, that's so interesting.

1036
00:59:54,600 --> 00:59:56,400
Speaker 1: That's a great question. I don't never ever even thought

1037
00:59:56,400 --> 01:00:00,000
Speaker 1: of it. I know, for I just did this uh

1038
01:00:00,080 --> 01:00:02,280
Speaker 1: uh indie film that that will be coming out in

1039
01:00:02,280 --> 01:00:05,600
Speaker 1: August called Support the Girls, and that one in particular,

1040
01:00:07,000 --> 01:00:08,960
Speaker 1: or all of them. I should say, I have to

1041
01:00:09,000 --> 01:00:12,000
Speaker 1: read something, and I read it until like it's um

1042
01:00:12,080 --> 01:00:14,160
Speaker 1: until I just like I can kind of I start

1043
01:00:14,240 --> 01:00:19,280
Speaker 1: to physically see how the character sounds, talks, moves, walks

1044
01:00:19,400 --> 01:00:23,120
Speaker 1: here like I just I can. And then there have

1045
01:00:23,160 --> 01:00:24,800
Speaker 1: been times where I've been like, damn, I don't see

1046
01:00:24,840 --> 01:00:26,760
Speaker 1: it yet. I get really scared. Yeah, I hear you.

1047
01:00:26,880 --> 01:00:28,720
Speaker 1: I'll be like, oh my goodness, I hope, but you know,

1048
01:00:28,720 --> 01:00:30,720
Speaker 1: I'm shooting in a week. I don't have it. It's

1049
01:00:30,760 --> 01:00:33,360
Speaker 1: not in there. And then you know it'll click. But

1050
01:00:33,440 --> 01:00:36,600
Speaker 1: like you know, I just it's like I just I

1051
01:00:36,640 --> 01:00:40,640
Speaker 1: can't even describe it, but I just know their little nuances,

1052
01:00:40,680 --> 01:00:43,560
Speaker 1: so I kind of, you know, like and like what's

1053
01:00:43,560 --> 01:00:45,280
Speaker 1: going on, But I have to read it, and I

1054
01:00:45,280 --> 01:00:48,240
Speaker 1: have to actually read the characters around them just as

1055
01:00:48,320 --> 01:00:53,520
Speaker 1: much because I have to figure out the whole world. Interesting, Yeah,

1056
01:00:53,520 --> 01:00:57,120
Speaker 1: the whole world of it. That's interesting because because I'm like,

1057
01:00:57,440 --> 01:00:59,640
Speaker 1: you know, I did a flick with Woody Allen, and

1058
01:00:59,720 --> 01:01:02,080
Speaker 1: he doesn't that you read the whole script and you'll

1059
01:01:02,120 --> 01:01:05,400
Speaker 1: just get You'll just get your pages, you know. So

1060
01:01:05,440 --> 01:01:07,800
Speaker 1: if you're in forty pages, you'll get forty pages. If

1061
01:01:07,800 --> 01:01:11,200
Speaker 1: you're in you know, that's interesting. So I didn't know

1062
01:01:11,240 --> 01:01:12,680
Speaker 1: what the fuss was going on in the movie. I

1063
01:01:12,720 --> 01:01:14,880
Speaker 1: just know my and and it's made me kind of

1064
01:01:14,880 --> 01:01:16,320
Speaker 1: be like, well, I don't really need to know what

1065
01:01:16,360 --> 01:01:22,400
Speaker 1: the fun is going on script, so I don't know

1066
01:01:22,440 --> 01:01:24,720
Speaker 1: what somebody else is gonna You don't have a fucking clue,

1067
01:01:24,760 --> 01:01:26,920
Speaker 1: so like and and it changed the way I look

1068
01:01:26,920 --> 01:01:28,120
Speaker 1: at things because I'm like, first of all, I don't

1069
01:01:28,160 --> 01:01:30,640
Speaker 1: need to read the whole script. Now if I get something,

1070
01:01:30,680 --> 01:01:33,400
Speaker 1: I will, but like, you know, especially if I'm just auditioning,

1071
01:01:33,960 --> 01:01:37,000
Speaker 1: and you know, well, if you're just auditioning, yeah that's different.

1072
01:01:37,440 --> 01:01:39,520
Speaker 1: But but that's interesting that you said you have for

1073
01:01:39,600 --> 01:01:41,360
Speaker 1: you you have to understand it because sause I have

1074
01:01:41,440 --> 01:01:44,040
Speaker 1: to see I look at the whole world where that

1075
01:01:44,120 --> 01:01:47,200
Speaker 1: person fits, and then I just it's like I'll look

1076
01:01:47,200 --> 01:01:51,800
Speaker 1: and be like I might read something else and be like, oh,

1077
01:01:51,840 --> 01:01:54,840
Speaker 1: she's sensitive, like you know what I mean like, and

1078
01:01:54,880 --> 01:01:57,840
Speaker 1: then I don't know. But it's like every time I

1079
01:01:57,880 --> 01:02:00,320
Speaker 1: read it, I'll see it differently. I got you until

1080
01:02:00,320 --> 01:02:02,840
Speaker 1: it just until it just opens into something else and

1081
01:02:02,880 --> 01:02:05,840
Speaker 1: it clicks. That's just what it takes. The click, right,

1082
01:02:06,520 --> 01:02:08,520
Speaker 1: Probably you do the emotional part and that makes it

1083
01:02:08,560 --> 01:02:11,160
Speaker 1: click for you. Yeah, I have to grab onto the emotion.

1084
01:02:11,640 --> 01:02:17,720
Speaker 1: Do you know so much more about your personal skill

1085
01:02:17,840 --> 01:02:20,800
Speaker 1: level and when you're rocking, when you're not rocking, when

1086
01:02:20,800 --> 01:02:24,560
Speaker 1: you're offbeat, when you do a good take, as opposed

1087
01:02:24,600 --> 01:02:28,000
Speaker 1: to twenty years ago when you started, like yeah, talk

1088
01:02:28,040 --> 01:02:31,040
Speaker 1: about how much more in tune are you? Like almost

1089
01:02:31,040 --> 01:02:35,160
Speaker 1: like now like it's funked up, but like I'll do it.

1090
01:02:35,200 --> 01:02:37,720
Speaker 1: I'll do it, take it with it. That's good. Whereas

1091
01:02:38,000 --> 01:02:39,680
Speaker 1: you know before you're waiting for the director to be

1092
01:02:39,760 --> 01:02:42,680
Speaker 1: like that's good. So true, you know so much more.

1093
01:02:43,040 --> 01:02:45,760
Speaker 1: You're it's so I know so much more to the

1094
01:02:45,840 --> 01:02:49,720
Speaker 1: point where they may not know. I'll be like that

1095
01:02:49,800 --> 01:02:51,760
Speaker 1: wasn't that good? We need to do it? That was fine?

1096
01:02:51,800 --> 01:02:54,200
Speaker 1: It was like, no, that wasn't fine. That didn't But yeah,

1097
01:02:54,280 --> 01:02:57,200
Speaker 1: because you feel you can feel probably when you have

1098
01:02:57,320 --> 01:02:59,720
Speaker 1: no thought of it. You know, you notice your your

1099
01:02:59,720 --> 01:03:01,800
Speaker 1: best when you are you didn't even know what you

1100
01:03:01,880 --> 01:03:05,240
Speaker 1: just did, like you just ye, you're so present. But yeah,

1101
01:03:05,360 --> 01:03:10,800
Speaker 1: twenty years ago, yeah, I was very listen, I didn't.

1102
01:03:11,760 --> 01:03:14,120
Speaker 1: It's it's it's so crazy how there's a comfort level

1103
01:03:14,160 --> 01:03:17,520
Speaker 1: that changes so much. You're almost like, I hope they

1104
01:03:17,560 --> 01:03:19,360
Speaker 1: like it. I hope they like it. Now you're like,

1105
01:03:19,600 --> 01:03:21,680
Speaker 1: do I like it? Yes? You know what I mean,

1106
01:03:21,760 --> 01:03:23,640
Speaker 1: Like did that feel good to me? Or I think

1107
01:03:23,640 --> 01:03:25,520
Speaker 1: I need another one? You know what I mean? If

1108
01:03:25,520 --> 01:03:28,920
Speaker 1: you can get it? So you twenty years yes, I

1109
01:03:28,960 --> 01:03:31,600
Speaker 1: mean it's not even the same and that whole like

1110
01:03:31,800 --> 01:03:33,840
Speaker 1: I mean I literally have started doing that where I'll

1111
01:03:33,880 --> 01:03:35,960
Speaker 1: be like, that's good, Like we're almost saying it's good,

1112
01:03:36,000 --> 01:03:38,560
Speaker 1: like we can move on. You know, I'm good with that.

1113
01:03:38,560 --> 01:03:40,880
Speaker 1: That's how I am too. And and and do you

1114
01:03:41,280 --> 01:03:43,520
Speaker 1: what is a good director to you? And how many

1115
01:03:43,600 --> 01:03:46,600
Speaker 1: times you know, because people like it's a common question,

1116
01:03:47,080 --> 01:03:50,360
Speaker 1: like there's a very few directors that have actually helped me,

1117
01:03:50,840 --> 01:03:54,480
Speaker 1: you know, like where they like if you're struggling. I

1118
01:03:54,520 --> 01:03:57,080
Speaker 1: feel like, you know, there's been a few, but like,

1119
01:03:57,400 --> 01:04:00,760
Speaker 1: what is a good director? You know? The director I

1120
01:04:00,800 --> 01:04:02,680
Speaker 1: just worked with this is a guy named Andrew. You know.

1121
01:04:02,720 --> 01:04:07,400
Speaker 1: What I loved about him is that he It's like

1122
01:04:07,560 --> 01:04:11,320
Speaker 1: he literally there was a lot of trust. He trusted you,

1123
01:04:11,440 --> 01:04:14,040
Speaker 1: trusted me a lot, like you know, he had a

1124
01:04:14,040 --> 01:04:16,240
Speaker 1: lot of ideas that he would you know, before we

1125
01:04:16,240 --> 01:04:18,360
Speaker 1: started shooting that he would talk about and run by

1126
01:04:18,480 --> 01:04:21,600
Speaker 1: and be like, and I liked. I like rehearsal, you do.

1127
01:04:21,840 --> 01:04:24,840
Speaker 1: I do like rehearsal on the set beforehand running lines.

1128
01:04:25,320 --> 01:04:27,320
Speaker 1: I don't necessarily well, if it's a comedy, I don't

1129
01:04:27,320 --> 01:04:30,360
Speaker 1: want to run lines. I just want to talk about it, right,

1130
01:04:30,400 --> 01:04:32,040
Speaker 1: I don't, you know, I can be like okay because

1131
01:04:32,080 --> 01:04:34,480
Speaker 1: this scene, you know, because then I feel I don't

1132
01:04:34,480 --> 01:04:37,160
Speaker 1: like doing jokes over and over. They lose their freshness

1133
01:04:37,240 --> 01:04:39,480
Speaker 1: for me, So I don't want to do it. And

1134
01:04:40,360 --> 01:04:42,200
Speaker 1: usually I don't like to run lines, but I like

1135
01:04:42,280 --> 01:04:44,600
Speaker 1: to discuss it, okay to you know what I mean,

1136
01:04:44,640 --> 01:04:47,240
Speaker 1: And with the other actors or with the with the

1137
01:04:47,320 --> 01:04:51,520
Speaker 1: director or whoever, whoever, whoever, Yeah, yeah, I'll be I'll

1138
01:04:51,560 --> 01:04:54,160
Speaker 1: be with the gaffers if I have to, but just whoever.

1139
01:04:54,680 --> 01:04:56,840
Speaker 1: You know, I love the actors because sometimes you're sitting

1140
01:04:56,880 --> 01:04:59,080
Speaker 1: and you discover stuff where you're like, oh, that's great,

1141
01:04:59,160 --> 01:05:01,560
Speaker 1: you know, as opposed to just showing up on set.

1142
01:05:01,680 --> 01:05:06,320
Speaker 1: But um he you know what was interesting about him

1143
01:05:06,560 --> 01:05:09,320
Speaker 1: is his suggestions were something I would have never thought of.

1144
01:05:10,200 --> 01:05:12,680
Speaker 1: But I'd be like that's good. Yeah, I'd be like

1145
01:05:12,760 --> 01:05:15,680
Speaker 1: that's really good. Okay, let's try it. And they're against

1146
01:05:15,920 --> 01:05:18,880
Speaker 1: what I would have normally done in another thing, So

1147
01:05:18,960 --> 01:05:21,560
Speaker 1: like he would have me really lean away from emotion

1148
01:05:21,600 --> 01:05:25,439
Speaker 1: because you'd be like, that's way sadder. So just so

1149
01:05:25,560 --> 01:05:28,120
Speaker 1: for him, and then he allowed that. You know, he

1150
01:05:28,120 --> 01:05:32,040
Speaker 1: didn't tell me how to do it, but it was

1151
01:05:32,080 --> 01:05:34,480
Speaker 1: just his take on things. And I love that I

1152
01:05:34,520 --> 01:05:37,400
Speaker 1: got you because I think, like, you know, what if

1153
01:05:37,400 --> 01:05:39,880
Speaker 1: people don't understand, like, you know, what a director does,

1154
01:05:40,280 --> 01:05:43,880
Speaker 1: I mean, what's a good director? Obviously, like you mentioned

1155
01:05:43,920 --> 01:05:46,400
Speaker 1: Paul Thomas Anderson, that's like some other ship, you know,

1156
01:05:46,400 --> 01:05:49,440
Speaker 1: when you're working like with like these masters, it's like

1157
01:05:49,480 --> 01:05:51,880
Speaker 1: you're you're you're in a class at that point. Yeah,

1158
01:05:51,880 --> 01:05:53,960
Speaker 1: you're in some other ship, you know, like they're like,

1159
01:05:54,080 --> 01:05:56,760
Speaker 1: you know, they're like orchestra. Like it's like an orchestrator,

1160
01:05:56,800 --> 01:05:59,040
Speaker 1: you know who's written everything. He's fucking knows what you're

1161
01:05:59,080 --> 01:06:01,560
Speaker 1: you know, you down, your your your your nail polished,

1162
01:06:01,600 --> 01:06:04,080
Speaker 1: you know, like Quentin Tarantino like these. Scorsese is like,

1163
01:06:04,400 --> 01:06:07,760
Speaker 1: you're gonna have your nails and I want them shiny red,

1164
01:06:07,960 --> 01:06:09,640
Speaker 1: but but not too red, you know, like they have

1165
01:06:09,720 --> 01:06:13,440
Speaker 1: the watching Aviator again, because I watched Aviator every time

1166
01:06:13,480 --> 01:06:16,160
Speaker 1: it comes on and I was like, wow, Scorre said

1167
01:06:16,640 --> 01:06:20,000
Speaker 1: that movie, I don't know. And you have to watch

1168
01:06:20,080 --> 01:06:22,439
Speaker 1: some movies you watch over and over again and you go,

1169
01:06:23,280 --> 01:06:25,600
Speaker 1: I didn't even see that right, and the d and

1170
01:06:25,640 --> 01:06:28,080
Speaker 1: sometimes a performance is so good you don't know how

1171
01:06:28,120 --> 01:06:30,920
Speaker 1: good it is because it's so natural that you're like, dang,

1172
01:06:30,960 --> 01:06:33,200
Speaker 1: I didn't even realize how good it is until you

1173
01:06:33,200 --> 01:06:37,440
Speaker 1: watch it over and over again. And the little the

1174
01:06:37,520 --> 01:06:40,800
Speaker 1: details that were in that movie, for me, I just

1175
01:06:40,920 --> 01:06:44,240
Speaker 1: they never get old. He he's on some other ship.

1176
01:06:44,920 --> 01:06:47,280
Speaker 1: He's on some other ship. Scorsese is on some other ship,

1177
01:06:47,360 --> 01:06:50,640
Speaker 1: even if the movie isn't this departed mother ship like

1178
01:06:50,840 --> 01:06:53,240
Speaker 1: he like like like he's on to others and that's

1179
01:06:53,240 --> 01:06:55,760
Speaker 1: where I feel like as an actor, boy, what it

1180
01:06:55,800 --> 01:06:58,240
Speaker 1: gifts you have to be able to work with that

1181
01:06:58,360 --> 01:07:01,480
Speaker 1: level of artistry. It's gotta make you better, of course.

1182
01:07:01,840 --> 01:07:04,120
Speaker 1: I mean, and if you could sink your teeth into

1183
01:07:04,160 --> 01:07:07,960
Speaker 1: some ships, you can't. Like I'm literally Paul Thomas Anderson

1184
01:07:08,000 --> 01:07:09,800
Speaker 1: lives not far from me, and when I met him,

1185
01:07:09,800 --> 01:07:13,520
Speaker 1: I was like, I'm stalking you just because I just

1186
01:07:13,680 --> 01:07:15,600
Speaker 1: was like, I just I'm like, I want to talk

1187
01:07:15,640 --> 01:07:18,960
Speaker 1: to you about your stuff. You know, he's sweet. You know.

1188
01:07:19,040 --> 01:07:21,560
Speaker 1: That's the other thing too, He's he's like sweet and

1189
01:07:22,480 --> 01:07:25,480
Speaker 1: you know, nicest. Fuck. That's That's the crazy thing is

1190
01:07:25,480 --> 01:07:28,600
Speaker 1: that you know, even with that body of work, he's

1191
01:07:28,640 --> 01:07:30,760
Speaker 1: just always like he's like, yeah, we'll just we'll go

1192
01:07:30,840 --> 01:07:33,560
Speaker 1: by the cafe. You know, Like he's that kind of dude.

1193
01:07:33,560 --> 01:07:35,720
Speaker 1: I don't even know if he might not even know

1194
01:07:35,800 --> 01:07:38,240
Speaker 1: he's great. You know, he knows he's great. You think, So,

1195
01:07:40,080 --> 01:07:42,640
Speaker 1: do you have like an ego? Like you have to

1196
01:07:42,680 --> 01:07:45,600
Speaker 1: have an ego? Like I mean, he that writing those

1197
01:07:45,640 --> 01:07:49,200
Speaker 1: fucking scripts like the ships are and what's crazy about

1198
01:07:49,280 --> 01:07:52,160
Speaker 1: him is how vast they are, you know what I mean?

1199
01:07:53,560 --> 01:07:57,800
Speaker 1: Phantoms threat what was that? And then Magnoli and then

1200
01:07:58,080 --> 01:07:59,760
Speaker 1: they're all and then and then there will be blood.

1201
01:07:59,800 --> 01:08:02,520
Speaker 1: They're all so different and you're like, wow, that's the same,

1202
01:08:03,240 --> 01:08:05,040
Speaker 1: you know. But he also takes his time with him,

1203
01:08:05,400 --> 01:08:06,840
Speaker 1: you know what I mean. He takes his time. He

1204
01:08:06,880 --> 01:08:09,640
Speaker 1: doesn't put him out like a factory. Yeah, he needs

1205
01:08:09,640 --> 01:08:11,880
Speaker 1: to discuss. He's an artist. He's an artist. What what

1206
01:08:11,920 --> 01:08:14,600
Speaker 1: directors we mentioned scorsesey uh? You know what do you

1207
01:08:14,800 --> 01:08:17,639
Speaker 1: what other directors like? Get like you're like winning where

1208
01:08:17,800 --> 01:08:19,640
Speaker 1: like if they call when and where? I don't give

1209
01:08:19,640 --> 01:08:22,280
Speaker 1: a funk who it is what it is part not

1210
01:08:22,400 --> 01:08:24,960
Speaker 1: big part like what other people get you hyped? And

1211
01:08:25,200 --> 01:08:28,040
Speaker 1: I mean I like Steven Soderberg. He does a lot

1212
01:08:28,040 --> 01:08:34,800
Speaker 1: of incredibly interesting things. Um um, Obviously I just said

1213
01:08:34,840 --> 01:08:39,040
Speaker 1: Paul Thomas Anderson. I think he's phenomenal, and not that

1214
01:08:39,120 --> 01:08:41,320
Speaker 1: I liked his last movie, but he's unique to me.

1215
01:08:41,360 --> 01:08:43,599
Speaker 1: I do like Darren or I think he's I think

1216
01:08:43,640 --> 01:08:47,040
Speaker 1: he's really good. I just I didn't see Mother, you

1217
01:08:47,080 --> 01:08:48,760
Speaker 1: know what I mean? I know, but you know, I

1218
01:08:48,880 --> 01:08:53,120
Speaker 1: like I liked. I usually like his stuff because it's unique.

1219
01:08:53,160 --> 01:08:54,800
Speaker 1: I love the indie world, you know what I mean.

1220
01:08:54,840 --> 01:08:57,400
Speaker 1: I feel like there's some amazing because I feel like

1221
01:08:57,439 --> 01:09:01,680
Speaker 1: they show up for that. Yes, not to say that

1222
01:09:01,760 --> 01:09:04,720
Speaker 1: big fan fit Fair isn't amazing. I mean, you know,

1223
01:09:05,600 --> 01:09:08,639
Speaker 1: I don't funk with the Marvel, the d C, none

1224
01:09:08,640 --> 01:09:11,840
Speaker 1: of it me personally. Yeah, in terms of what if

1225
01:09:11,880 --> 01:09:14,519
Speaker 1: you want to cash me, I'm ready to go. I'll

1226
01:09:14,560 --> 01:09:16,680
Speaker 1: be ready to go, but it's not what you're gonna go.

1227
01:09:16,880 --> 01:09:20,559
Speaker 1: See Neil fucking Way, I don't caps. I don't do

1228
01:09:20,640 --> 01:09:23,400
Speaker 1: fucking masks. I don't funk with any of it. I

1229
01:09:23,479 --> 01:09:25,519
Speaker 1: like to see the I like to see pure where

1230
01:09:25,560 --> 01:09:28,800
Speaker 1: I just get mesmerized and you know you know who else?

1231
01:09:28,920 --> 01:09:31,120
Speaker 1: Um Oh, I just saw something and I love himself.

1232
01:09:31,120 --> 01:09:33,160
Speaker 1: Well listen, but I love the Colde. I love you know,

1233
01:09:33,840 --> 01:09:36,559
Speaker 1: uh frantans for a Coppla. I mean I think you

1234
01:09:36,720 --> 01:09:39,400
Speaker 1: just about to say the Cohen Brothers. Oh you just

1235
01:09:39,400 --> 01:09:42,760
Speaker 1: gonna yeah, But I do love the Cohen Brothers. Yeah,

1236
01:09:42,760 --> 01:09:46,479
Speaker 1: they're sick to Yeah. I mean, you know, there's so

1237
01:09:46,520 --> 01:09:49,160
Speaker 1: many people who do so many things like that are

1238
01:09:50,040 --> 01:09:55,120
Speaker 1: that are like special. You know where I will and

1239
01:09:55,160 --> 01:09:56,760
Speaker 1: I love it when I watch a movie and I

1240
01:09:56,800 --> 01:09:59,200
Speaker 1: remember it, I just you know what I mean, I

1241
01:09:59,320 --> 01:10:01,920
Speaker 1: just you know, like it resonates, Like I'm telling you

1242
01:10:01,920 --> 01:10:04,400
Speaker 1: I'm still over. I'm not over Darkest Hour yet because

1243
01:10:04,920 --> 01:10:07,360
Speaker 1: but it made you know what was interesting about that

1244
01:10:07,400 --> 01:10:09,599
Speaker 1: movie and made me go read more about him? Right

1245
01:10:09,760 --> 01:10:12,760
Speaker 1: about Churchill. About Churchill, I wanted to know. I want to.

1246
01:10:14,960 --> 01:10:18,000
Speaker 1: I mean that man, you know like what I mean,

1247
01:10:18,240 --> 01:10:21,160
Speaker 1: like he was a gift to the like that fight,

1248
01:10:21,760 --> 01:10:24,519
Speaker 1: I mean, you know what I mean. It's just it

1249
01:10:24,600 --> 01:10:26,719
Speaker 1: just makes me think he put me in that moment

1250
01:10:26,760 --> 01:10:29,479
Speaker 1: in time. I agree. Do you still go to the

1251
01:10:29,360 --> 01:10:33,519
Speaker 1: theaters or you screener person or you Netflix Apple TV? Like,

1252
01:10:33,920 --> 01:10:36,599
Speaker 1: because I might my going to the movie theater. I'm

1253
01:10:36,640 --> 01:10:39,200
Speaker 1: not proud of it. It's dropped a lot. Let me

1254
01:10:39,240 --> 01:10:41,639
Speaker 1: tell you something, mind's dropped a lot. I'll go every

1255
01:10:41,640 --> 01:10:44,559
Speaker 1: blue moon, like like I definitely for a quiet place,

1256
01:10:44,600 --> 01:10:46,680
Speaker 1: you know what I mean. Like, but it's it's not

1257
01:10:46,760 --> 01:10:48,439
Speaker 1: often or if I have a friend and I'm like

1258
01:10:48,520 --> 01:10:51,040
Speaker 1: sometimes I just buy tickets, but I'm not. I was like,

1259
01:10:51,080 --> 01:10:54,400
Speaker 1: I see why they market eighteen to thirty five because

1260
01:10:55,200 --> 01:10:57,000
Speaker 1: all my friends and I like, we aren't like we

1261
01:10:57,160 --> 01:10:59,519
Speaker 1: used to be. It used to be when something opened,

1262
01:10:59,600 --> 01:11:04,320
Speaker 1: I was there. I know, I was there every I mean, yeah,

1263
01:11:04,560 --> 01:11:07,840
Speaker 1: I go Friday. I mean like special Ship I'm like, like,

1264
01:11:07,880 --> 01:11:09,559
Speaker 1: I know, I was there for all yours. I was

1265
01:11:09,560 --> 01:11:12,519
Speaker 1: there for higher No. I was that was a big thing.

1266
01:11:12,640 --> 01:11:14,280
Speaker 1: Like we'd be like, all right, we want to see it,

1267
01:11:14,320 --> 01:11:17,880
Speaker 1: Like you know, those were movie those were moments, which

1268
01:11:17,920 --> 01:11:22,000
Speaker 1: is so crazy to me knowing you, knowing who you are,

1269
01:11:22,439 --> 01:11:27,040
Speaker 1: knowing like where your heart is and your passion for

1270
01:11:27,080 --> 01:11:31,479
Speaker 1: you to play that role that well, it's it's like shocking.

1271
01:11:31,720 --> 01:11:34,519
Speaker 1: You know what's crazy about that? It was? It was

1272
01:11:35,040 --> 01:11:36,479
Speaker 1: I mean it was a challenge. You know, so it

1273
01:11:36,560 --> 01:11:38,519
Speaker 1: was an actor and you're young. I'm gonna get in

1274
01:11:38,640 --> 01:11:43,120
Speaker 1: my method. But the fun thing is very lonely because

1275
01:11:43,120 --> 01:11:45,120
Speaker 1: the set it wasn't like I don't want to use

1276
01:11:45,160 --> 01:11:46,960
Speaker 1: this word for anybody to take it out of context.

1277
01:11:47,120 --> 01:11:49,400
Speaker 1: But first of all, it's like there was like I

1278
01:11:49,479 --> 01:11:51,720
Speaker 1: was sort of like by myself, and then there was

1279
01:11:51,760 --> 01:11:54,200
Speaker 1: like you know, the rest of the skinheads, they were

1280
01:11:54,200 --> 01:11:56,160
Speaker 1: sort of doing their own ship. And then it's like

1281
01:11:56,560 --> 01:11:59,560
Speaker 1: Omar and Regina busting and I used to know, I'm like,

1282
01:11:59,600 --> 01:12:02,160
Speaker 1: I want to go on with these motherfucker's and I

1283
01:12:02,160 --> 01:12:04,080
Speaker 1: want to hang around bust the rhymes and ship. You know,

1284
01:12:04,680 --> 01:12:07,920
Speaker 1: these motherfucker's are smoking and ship like I always remind

1285
01:12:07,960 --> 01:12:10,519
Speaker 1: Omar Epp, so I'm like he. I remember the first

1286
01:12:10,520 --> 01:12:13,960
Speaker 1: time I heard nas is Illmatic. He had a copy

1287
01:12:14,000 --> 01:12:15,880
Speaker 1: of it before it came out, and I remember walking

1288
01:12:15,880 --> 01:12:17,800
Speaker 1: by his trail and I was like, what the fund

1289
01:12:17,880 --> 01:12:19,479
Speaker 1: is that? And they were like, you know, like we

1290
01:12:19,680 --> 01:12:21,599
Speaker 1: fucking talking to you skin, and I was like, yo,

1291
01:12:21,640 --> 01:12:24,600
Speaker 1: I know, you know for Brooklyn, they're like what the

1292
01:12:24,680 --> 01:12:27,400
Speaker 1: funk are you talking? But but you know, it wasn't

1293
01:12:27,400 --> 01:12:29,519
Speaker 1: like it wasn't like people were it was just you know,

1294
01:12:31,080 --> 01:12:33,400
Speaker 1: yeah sort of yeah, so you were living in a

1295
01:12:33,400 --> 01:12:35,160
Speaker 1: little bit. I'm living it. But I'm like, I want

1296
01:12:35,160 --> 01:12:38,479
Speaker 1: to hear this sodic. That's what's so crazy to know,

1297
01:12:38,720 --> 01:12:41,120
Speaker 1: Like anybody who knows you would know or knows of

1298
01:12:41,280 --> 01:12:43,400
Speaker 1: you that you would be listening to aumatics, So for

1299
01:12:43,439 --> 01:12:45,519
Speaker 1: you to have to do that character like me, I

1300
01:12:45,520 --> 01:12:47,160
Speaker 1: remember I went with an ex boyfriend at the time

1301
01:12:47,520 --> 01:12:50,320
Speaker 1: and we were like, damn, my Grandpapore killed and he

1302
01:12:51,360 --> 01:12:54,719
Speaker 1: uh that it was X brand new being at the time. Yeah,

1303
01:12:54,760 --> 01:12:58,160
Speaker 1: so he knew you a new and he was like, oh,

1304
01:12:58,160 --> 01:12:59,760
Speaker 1: he's such a great person. He's such a great guy.

1305
01:12:59,800 --> 01:13:02,400
Speaker 1: So like watching it, I was like, wow, he killed

1306
01:13:02,439 --> 01:13:05,519
Speaker 1: it because the expression and the the headball like it

1307
01:13:05,720 --> 01:13:10,439
Speaker 1: was this And that's what I love about performance. Someone

1308
01:13:10,800 --> 01:13:14,000
Speaker 1: goes into their life and has to sacrifice listening to omatic.

1309
01:13:14,080 --> 01:13:16,640
Speaker 1: You know what I mean, No, because they're bringing you.

1310
01:13:16,640 --> 01:13:19,000
Speaker 1: You have to go in and you have no judgment

1311
01:13:19,040 --> 01:13:21,240
Speaker 1: of the character. You gotta have no judgment, no judgment,

1312
01:13:21,240 --> 01:13:23,000
Speaker 1: no judge. You can't have judgment of the can't have

1313
01:13:23,120 --> 01:13:25,080
Speaker 1: judgment of the character. And that was the thing for me.

1314
01:13:25,120 --> 01:13:27,320
Speaker 1: It was like, I didn't like I remember sometimes people

1315
01:13:27,360 --> 01:13:30,040
Speaker 1: got offended. I said, you know, the fucking internet now

1316
01:13:30,040 --> 01:13:32,600
Speaker 1: everything it's I remember saying I had fun playing that

1317
01:13:32,720 --> 01:13:34,439
Speaker 1: character and they were like, what the funk are you

1318
01:13:34,520 --> 01:13:37,080
Speaker 1: talking about? You had fun? I'm like, what do you?

1319
01:13:37,520 --> 01:13:40,519
Speaker 1: I'm like, and of course you have because an actor,

1320
01:13:41,080 --> 01:13:44,759
Speaker 1: because it's not you. You get that was truly not Yeah,

1321
01:13:45,040 --> 01:13:47,479
Speaker 1: you get to do something that isn't you and really

1322
01:13:47,520 --> 01:13:50,479
Speaker 1: explore it in a way with no judgment, Like you

1323
01:13:50,520 --> 01:13:52,559
Speaker 1: get to be like you know, you're not saying I

1324
01:13:52,600 --> 01:13:54,080
Speaker 1: condone it, I do it. I want to be it,

1325
01:13:54,120 --> 01:13:57,200
Speaker 1: but for that time can't judge that cannot or you

1326
01:13:57,360 --> 01:13:59,120
Speaker 1: or we're gonna feel it and then we're not. The

1327
01:13:59,160 --> 01:14:01,960
Speaker 1: performance is going to suffering that we suffer. So I'm

1328
01:14:01,960 --> 01:14:03,960
Speaker 1: glad you enjoy it, because if you didn't enjoy it,

1329
01:14:04,080 --> 01:14:06,840
Speaker 1: I wouldn't enjoy it, right. I appreciate that because you

1330
01:14:06,880 --> 01:14:08,599
Speaker 1: know that's what you look at to be like, Oh

1331
01:14:08,640 --> 01:14:10,479
Speaker 1: so when you walk out this like Ed Norton when

1332
01:14:10,479 --> 01:14:12,479
Speaker 1: he did it, did it? You have to walk out

1333
01:14:12,479 --> 01:14:15,800
Speaker 1: of there and be like, who, I gotta feel the

1334
01:14:15,840 --> 01:14:19,120
Speaker 1: fact that I can still remember it and that it's

1335
01:14:19,160 --> 01:14:20,920
Speaker 1: like I'm literally I mean I still watch it all

1336
01:14:20,960 --> 01:14:23,320
Speaker 1: the time, but that I literally can still remember it

1337
01:14:23,720 --> 01:14:26,920
Speaker 1: and then still know you and be like there. That

1338
01:14:27,080 --> 01:14:29,479
Speaker 1: to me is when I get to be like when

1339
01:14:29,520 --> 01:14:31,839
Speaker 1: I get like as a as a as a viewer

1340
01:14:32,000 --> 01:14:35,040
Speaker 1: or as an artist whatever, to be like, shit, you

1341
01:14:35,080 --> 01:14:37,320
Speaker 1: know that's what you look at like that was incredible.

1342
01:14:37,400 --> 01:14:40,280
Speaker 1: Well I appreciate that. Um do you know at this

1343
01:14:40,360 --> 01:14:43,040
Speaker 1: point because I'm very well aware there's all I think.

1344
01:14:43,080 --> 01:14:45,800
Speaker 1: I'm like one for however many wrong? One time I

1345
01:14:45,880 --> 01:14:47,679
Speaker 1: was wrong. Do you know when you're making a piece

1346
01:14:47,720 --> 01:14:50,680
Speaker 1: of ship and how quick do you know or or

1347
01:14:50,720 --> 01:14:52,320
Speaker 1: do you or do you have blinders on? Because I

1348
01:14:52,320 --> 01:14:55,599
Speaker 1: could tell now this is a piece of ship and

1349
01:14:56,080 --> 01:15:00,800
Speaker 1: you know it. Sometimes I know beforehand that only happened once,

1350
01:15:00,920 --> 01:15:02,800
Speaker 1: and then sometimes you could think it's gonna be one

1351
01:15:02,840 --> 01:15:04,640
Speaker 1: thing and you could literally get on the set and

1352
01:15:04,680 --> 01:15:06,559
Speaker 1: you know, like in sports will talk about a culture

1353
01:15:06,880 --> 01:15:09,240
Speaker 1: culture of winning and be like, this is a set,

1354
01:15:09,360 --> 01:15:13,120
Speaker 1: it's a culture of fucking losing. Um, how quick do

1355
01:15:13,160 --> 01:15:15,080
Speaker 1: you can you tell if you're because you never know

1356
01:15:15,120 --> 01:15:17,400
Speaker 1: if something. You never quite know if someone's gonna live

1357
01:15:17,479 --> 01:15:20,200
Speaker 1: up to the expectations. So you always think this is

1358
01:15:20,280 --> 01:15:23,000
Speaker 1: this can be good. I hope this is good. But

1359
01:15:23,040 --> 01:15:24,960
Speaker 1: there's sometimes when you're like this is gonna be a

1360
01:15:24,960 --> 01:15:28,200
Speaker 1: piece of ship. I've had somewhere I've been like this

1361
01:15:28,240 --> 01:15:31,320
Speaker 1: will be fine, this will be fine. I did one

1362
01:15:31,400 --> 01:15:34,799
Speaker 1: or I'm trying to think I did. I've done stuff,

1363
01:15:35,120 --> 01:15:36,880
Speaker 1: you know what, let me live. I've done stuff where

1364
01:15:36,880 --> 01:15:39,400
Speaker 1: I've been like I don't know if this is gonna work.

1365
01:15:40,040 --> 01:15:42,559
Speaker 1: Like I was like, this feels and then I've looked

1366
01:15:42,600 --> 01:15:45,439
Speaker 1: at it and I've been like that wasn't it right there?

1367
01:15:45,479 --> 01:15:49,200
Speaker 1: It's fine, but it's not gonna be. It's not gonna be.

1368
01:15:49,360 --> 01:15:53,639
Speaker 1: And then a lot of stuff, for example, I may

1369
01:15:53,640 --> 01:15:56,240
Speaker 1: not know how the audience is gonna respond, but I'll

1370
01:15:56,240 --> 01:15:59,120
Speaker 1: know that whoever sees it will like it. It may

1371
01:15:59,160 --> 01:16:01,120
Speaker 1: not be huge. Is that you can never tell. You

1372
01:16:01,160 --> 01:16:03,960
Speaker 1: can't tell that you can't It could be a minute,

1373
01:16:03,960 --> 01:16:05,880
Speaker 1: small thing like even like paid it for like it

1374
01:16:05,920 --> 01:16:09,639
Speaker 1: was like you know, that's like that resonated with people

1375
01:16:10,040 --> 01:16:12,600
Speaker 1: so like, but you want to walk away going like

1376
01:16:12,640 --> 01:16:14,360
Speaker 1: even if no one sees it, I want people because

1377
01:16:14,360 --> 01:16:16,000
Speaker 1: you might have probably have done You've done so many things.

1378
01:16:16,000 --> 01:16:18,800
Speaker 1: You've probably done small things that not a lot of

1379
01:16:18,800 --> 01:16:22,000
Speaker 1: people saw, but the people that saw it made an impression. Yes,

1380
01:16:22,160 --> 01:16:24,719
Speaker 1: like yes, and I love and sometimes I'm the person

1381
01:16:24,760 --> 01:16:26,680
Speaker 1: that loves to see those small things. Like I like

1382
01:16:26,800 --> 01:16:29,200
Speaker 1: to sit and I watched something. I like to sit

1383
01:16:29,200 --> 01:16:31,640
Speaker 1: and find stuff where I'm like, you know, see your

1384
01:16:31,680 --> 01:16:33,920
Speaker 1: name in it, But what is this? Because I'll just go, oh,

1385
01:16:34,280 --> 01:16:37,400
Speaker 1: I like the people involved, and then I watch it

1386
01:16:37,439 --> 01:16:39,200
Speaker 1: and be like that was a dope movie they you know,

1387
01:16:39,400 --> 01:16:42,040
Speaker 1: And I'm always like, why don't they do Why don't

1388
01:16:42,040 --> 01:16:44,280
Speaker 1: we get to see more of those? Why don't they

1389
01:16:44,800 --> 01:16:46,800
Speaker 1: you know? But I mean that's a whole different talk.

1390
01:16:46,880 --> 01:16:50,439
Speaker 1: That's the machine, right, And the machine is a different

1391
01:16:50,479 --> 01:16:53,040
Speaker 1: thing than the work. The machine is a totally that's

1392
01:16:53,040 --> 01:16:55,880
Speaker 1: a whole other But I think now we're in a culture,

1393
01:16:55,880 --> 01:16:58,920
Speaker 1: in a generation they don't know the difference necessarily of

1394
01:16:59,000 --> 01:17:03,920
Speaker 1: what of of because we're in such a we're in

1395
01:17:03,960 --> 01:17:06,519
Speaker 1: such a generation of social media that the fame is

1396
01:17:06,560 --> 01:17:09,439
Speaker 1: so connected to things like with us, you just wanted

1397
01:17:09,479 --> 01:17:12,479
Speaker 1: to work. It wasn't about like I want to be famous,

1398
01:17:12,600 --> 01:17:15,600
Speaker 1: like act you didn't, you know what I mean, you

1399
01:17:15,640 --> 01:17:18,639
Speaker 1: didn't and if you got to do that ship just

1400
01:17:18,680 --> 01:17:21,160
Speaker 1: by virtue of working. There was such a thing where

1401
01:17:21,160 --> 01:17:24,480
Speaker 1: people were like ah man, there was such a respect

1402
01:17:24,560 --> 01:17:30,479
Speaker 1: that it wasn't about um just it wasn't about fame.

1403
01:17:30,600 --> 01:17:33,120
Speaker 1: It was really more connected to and then if you

1404
01:17:33,160 --> 01:17:35,559
Speaker 1: want and then if if you only wanted to work

1405
01:17:35,600 --> 01:17:38,240
Speaker 1: more so you could get better parts if you want.

1406
01:17:38,280 --> 01:17:41,960
Speaker 1: It was only for the access to work with you know,

1407
01:17:42,040 --> 01:17:49,760
Speaker 1: great directors of special poses. The business has changed so much.

1408
01:17:50,040 --> 01:17:51,680
Speaker 1: And you know when when I look at you know,

1409
01:17:51,760 --> 01:17:54,840
Speaker 1: all the stuff that you've done to now like you know,

1410
01:17:54,880 --> 01:17:56,920
Speaker 1: like in the in the in the you know, the

1411
01:17:57,000 --> 01:17:59,280
Speaker 1: late nineties, you know, in the in the early two

1412
01:17:59,280 --> 01:18:03,320
Speaker 1: thousand's and as far as like black Hollywood, black cinema,

1413
01:18:03,360 --> 01:18:07,240
Speaker 1: black television, like I feel like right now we're at

1414
01:18:08,040 --> 01:18:13,240
Speaker 1: such a it's change. The the opportunities and the diversity

1415
01:18:13,439 --> 01:18:16,400
Speaker 1: and the kind of parts obviously Black Panther being like

1416
01:18:16,439 --> 01:18:21,320
Speaker 1: a fucking crowning, huge cultural jewel, to to the things

1417
01:18:21,360 --> 01:18:28,680
Speaker 1: like Moonlight, which was this little fucking movie dark, you know,

1418
01:18:28,880 --> 01:18:32,400
Speaker 1: with homosexuality and abuse in you know, like this is

1419
01:18:32,439 --> 01:18:35,360
Speaker 1: this would have been like sucking a sundance, may may

1420
01:18:35,439 --> 01:18:37,160
Speaker 1: not even one sun there and then it wins the

1421
01:18:37,160 --> 01:18:40,200
Speaker 1: fucking oscar in that crazy way. To all these other

1422
01:18:40,680 --> 01:18:44,760
Speaker 1: you know, the show on um, Insecure too, Blackish too,

1423
01:18:45,040 --> 01:18:49,519
Speaker 1: you know, Girls Trip being a fucking monster hit. Um

1424
01:18:49,600 --> 01:18:52,400
Speaker 1: what is your take on where it is to be? Uh?

1425
01:18:52,760 --> 01:18:54,840
Speaker 1: I hate this fucking term, but I'll just say, what

1426
01:18:54,920 --> 01:18:57,840
Speaker 1: does it take your take to be an actress a

1427
01:18:57,920 --> 01:19:01,040
Speaker 1: person of color in show biz and today and how

1428
01:19:01,120 --> 01:19:07,519
Speaker 1: much it's changed from and the opportunities and has it changed?

1429
01:19:07,520 --> 01:19:10,800
Speaker 1: Like keep it? Yeah, you know, you know, like it's

1430
01:19:10,840 --> 01:19:14,559
Speaker 1: a great moment and I don't know, you know, I'm

1431
01:19:14,600 --> 01:19:16,960
Speaker 1: I'm gonna be honest, I don't even know about it's

1432
01:19:17,040 --> 01:19:22,200
Speaker 1: it is. It's like I definitely know from sitting back

1433
01:19:22,200 --> 01:19:23,880
Speaker 1: that it that you know, you're like, it looks great

1434
01:19:23,880 --> 01:19:27,160
Speaker 1: and I definitely know. I mean, I guess back in

1435
01:19:27,160 --> 01:19:29,240
Speaker 1: the day you know, I guess there's a lot more

1436
01:19:29,280 --> 01:19:32,800
Speaker 1: to look at. You know, we had you know, maybe

1437
01:19:32,800 --> 01:19:34,880
Speaker 1: it's that it's more mainstream. I mean they've always you know,

1438
01:19:34,920 --> 01:19:37,120
Speaker 1: we had I mean, you know, back then we had

1439
01:19:37,160 --> 01:19:39,960
Speaker 1: Spike putting out the Killer movies and John Singleton, so

1440
01:19:40,120 --> 01:19:45,080
Speaker 1: you know, it was just uh much smaller pool, you

1441
01:19:45,160 --> 01:19:47,400
Speaker 1: know what I mean in terms of like where you

1442
01:19:47,439 --> 01:19:49,200
Speaker 1: could see. But you know, that's when I was also

1443
01:19:49,240 --> 01:19:51,040
Speaker 1: going in the movie. So if a John Singleton or

1444
01:19:51,080 --> 01:19:55,720
Speaker 1: Spike movie more events. Those were events. And you know,

1445
01:19:55,800 --> 01:19:59,599
Speaker 1: those events obviously weren't making the numbers that A Black

1446
01:19:59,600 --> 01:20:02,960
Speaker 1: Panther were, but for from my youth, man, they were impactful,

1447
01:20:03,120 --> 01:20:05,559
Speaker 1: you know what I mean, like too to go see

1448
01:20:05,600 --> 01:20:08,120
Speaker 1: that and like you know, to see Juice, and of

1449
01:20:08,160 --> 01:20:09,880
Speaker 1: course then we had the Eddie Murphy's and we had

1450
01:20:09,880 --> 01:20:12,439
Speaker 1: the Boomerangs and you know those because so then you know,

1451
01:20:12,920 --> 01:20:14,760
Speaker 1: so those those were events, and I guess these are

1452
01:20:14,760 --> 01:20:17,280
Speaker 1: the events now. And you know, I think with a

1453
01:20:17,320 --> 01:20:22,240
Speaker 1: lot more television options and a lot a lot of

1454
01:20:22,280 --> 01:20:25,519
Speaker 1: amazing people go into television and streaming, you know, um

1455
01:20:25,720 --> 01:20:28,960
Speaker 1: and and and and really being able to navigate both

1456
01:20:29,040 --> 01:20:31,839
Speaker 1: and you see great writing like that's amazing to see

1457
01:20:31,960 --> 01:20:36,920
Speaker 1: because you're seeing um the quality you know on a

1458
01:20:37,000 --> 01:20:40,880
Speaker 1: Netflix and and and you know, even that makes uh

1459
01:20:41,080 --> 01:20:43,920
Speaker 1: what network television happen? You know and put bits bar

1460
01:20:44,160 --> 01:20:46,839
Speaker 1: because it's like there's not like one or two sources.

1461
01:20:46,840 --> 01:20:49,280
Speaker 1: It's not just HBO anymore. Like you know, Amazon is

1462
01:20:49,320 --> 01:20:51,439
Speaker 1: like we're coming. So you know, from that, you just

1463
01:20:51,479 --> 01:20:56,680
Speaker 1: see so many things and you're watching opportunities flourish, and

1464
01:20:57,400 --> 01:21:01,400
Speaker 1: you're watching um, people uh not have to age out

1465
01:21:01,400 --> 01:21:04,519
Speaker 1: of the business too. So there's so many levels where

1466
01:21:04,560 --> 01:21:10,280
Speaker 1: it changes and it broadens, and then there's also the

1467
01:21:10,280 --> 01:21:14,280
Speaker 1: flip side of that where you know, your syndication changes.

1468
01:21:14,320 --> 01:21:16,880
Speaker 1: There's monetary this front. Then there's the value of the

1469
01:21:16,920 --> 01:21:20,479
Speaker 1: individual's work and you know how certain people because now

1470
01:21:20,479 --> 01:21:21,920
Speaker 1: it's you know, it's a lot of money, so it's

1471
01:21:21,920 --> 01:21:24,360
Speaker 1: a lot of business. So then you feel like, okay, well, gosh,

1472
01:21:24,400 --> 01:21:28,479
Speaker 1: are we losing craftsmanship because we're looking at this and

1473
01:21:28,520 --> 01:21:30,320
Speaker 1: now it's kind of like who's hot and who's the

1474
01:21:30,360 --> 01:21:32,840
Speaker 1: purpose and so then all of that changes too. So

1475
01:21:32,880 --> 01:21:34,599
Speaker 1: it's it's like, you know, I guess it's like any

1476
01:21:34,640 --> 01:21:37,679
Speaker 1: coin that has two sides, right, I I agree, I agree,

1477
01:21:37,720 --> 01:21:39,320
Speaker 1: and and you know, I think so much of what

1478
01:21:40,160 --> 01:21:44,040
Speaker 1: the interpretation of what's going on and then actually being

1479
01:21:44,640 --> 01:21:47,160
Speaker 1: you know, a person in in show business, in the

1480
01:21:47,160 --> 01:21:48,920
Speaker 1: acting or where the funk you want to call it,

1481
01:21:49,120 --> 01:21:51,160
Speaker 1: you know, based on what's on Twitter, you know, because

1482
01:21:51,160 --> 01:21:53,040
Speaker 1: they'll be like, well people think this, and I'm like,

1483
01:21:53,439 --> 01:21:55,400
Speaker 1: fucking you look at the thing. That's like seven people,

1484
01:21:55,439 --> 01:21:57,720
Speaker 1: but they'll make it that's a fake news and it

1485
01:21:57,760 --> 01:21:59,120
Speaker 1: could be good or bad. But they're like they're like,

1486
01:21:59,320 --> 01:22:03,160
Speaker 1: people are free get out over reginal holes. Uh, you know,

1487
01:22:03,240 --> 01:22:05,920
Speaker 1: sneaker collection. You're like, you're looking like there's only seven

1488
01:22:05,960 --> 01:22:08,320
Speaker 1: people comment on it, but those seven people are freaking out.

1489
01:22:08,360 --> 01:22:10,360
Speaker 1: And then what happens is I feel like, you know,

1490
01:22:10,439 --> 01:22:14,800
Speaker 1: then that becomes truer than the truth completely, and so

1491
01:22:15,040 --> 01:22:17,760
Speaker 1: then it just turns into so you know, it's always

1492
01:22:17,800 --> 01:22:22,880
Speaker 1: that's that's the part that's different, whereas before it just

1493
01:22:23,000 --> 01:22:26,400
Speaker 1: I mean, you know, like, you know, best person got

1494
01:22:26,439 --> 01:22:28,760
Speaker 1: the part and watch that you were like, oh and

1495
01:22:28,840 --> 01:22:31,120
Speaker 1: that was that was it? But there's so many other factors.

1496
01:22:31,160 --> 01:22:34,080
Speaker 1: I agree. What do you think because I I mean,

1497
01:22:34,560 --> 01:22:37,080
Speaker 1: motherfucker's don't know this. What do you think about the

1498
01:22:37,160 --> 01:22:41,400
Speaker 1: gender pay thing? Specifically this like this actor who's dope

1499
01:22:41,479 --> 01:22:43,559
Speaker 1: who I just saw him in this showtime thing which

1500
01:22:43,600 --> 01:22:46,000
Speaker 1: I can't remember the name of it, Benedict cumber Ballity,

1501
01:22:46,880 --> 01:22:49,200
Speaker 1: so I probably not saying his name right. A couple

1502
01:22:49,240 --> 01:22:51,200
Speaker 1: of other people have said this also, but he said,

1503
01:22:51,280 --> 01:22:53,519
Speaker 1: I am not going to work. I will not I

1504
01:22:53,560 --> 01:22:56,040
Speaker 1: will take down jobs where my female co star doesn't

1505
01:22:56,080 --> 01:22:58,720
Speaker 1: get paid as much as me. And I'm like, this

1506
01:22:58,800 --> 01:23:01,840
Speaker 1: is some bullshit here, not that the female shouldn't, but

1507
01:23:01,920 --> 01:23:05,240
Speaker 1: as you know, it's like, let's say he's doing a movie, right,

1508
01:23:05,280 --> 01:23:07,479
Speaker 1: and and they're like, we're gonna give you five million

1509
01:23:07,479 --> 01:23:10,280
Speaker 1: dollars a movie, and the and the female like they

1510
01:23:10,320 --> 01:23:13,000
Speaker 1: don't want to known female and she works is just

1511
01:23:13,080 --> 01:23:15,559
Speaker 1: amount is money munch of days. But she's not Jennifer

1512
01:23:15,640 --> 01:23:19,080
Speaker 1: Lawrence or she's not just someone like I'm like, homeboy,

1513
01:23:19,120 --> 01:23:22,240
Speaker 1: you're not giving up half of your five million for

1514
01:23:22,680 --> 01:23:26,280
Speaker 1: Jane done right? You know? I think people um have

1515
01:23:26,439 --> 01:23:30,479
Speaker 1: to take into account. This is this is how I feel,

1516
01:23:30,560 --> 01:23:32,800
Speaker 1: and I and you know, I'm one person, but I

1517
01:23:32,840 --> 01:23:36,360
Speaker 1: will say you have to take into account not just

1518
01:23:36,920 --> 01:23:40,759
Speaker 1: um gender, right, So I have to take into account

1519
01:23:41,160 --> 01:23:43,240
Speaker 1: who is going to motivate people to come see the

1520
01:23:43,240 --> 01:23:47,120
Speaker 1: movie and so I have to say, you know, if

1521
01:23:47,200 --> 01:23:52,200
Speaker 1: my female is you know whatever, Melissa McCarthy, and and

1522
01:23:52,280 --> 01:23:54,280
Speaker 1: you know my male I've never heard of, well, she'll

1523
01:23:54,320 --> 01:23:58,400
Speaker 1: get paid more if my male is you know, you

1524
01:23:58,439 --> 01:24:03,760
Speaker 1: know aim somebody now Leonardo DiCaprio, well ship, you know,

1525
01:24:05,320 --> 01:24:09,040
Speaker 1: than everybody and probably most of the time any other female,

1526
01:24:09,080 --> 01:24:13,120
Speaker 1: just because he's a due and because I know, like

1527
01:24:13,240 --> 01:24:15,120
Speaker 1: for me, I don't like someone who doesn't go to

1528
01:24:15,120 --> 01:24:16,920
Speaker 1: the movies a ton. But you know what, if there's

1529
01:24:16,960 --> 01:24:20,720
Speaker 1: a Leonardo movie, I'm gonna I'm gonna go, right, So

1530
01:24:20,800 --> 01:24:23,880
Speaker 1: I'm buying into his body of work, his taste, right

1531
01:24:23,920 --> 01:24:25,960
Speaker 1: because I'm like, who's she always in some good ship,

1532
01:24:26,040 --> 01:24:28,640
Speaker 1: so it's gonna be good. I'm buying into what he is.

1533
01:24:28,720 --> 01:24:31,000
Speaker 1: I'm paying for. I'm paying for all of that. I'm

1534
01:24:31,000 --> 01:24:35,000
Speaker 1: paying for all his fans over like spanning three four decades.

1535
01:24:35,439 --> 01:24:40,280
Speaker 1: So I as an investment. I get my investment back

1536
01:24:40,320 --> 01:24:42,360
Speaker 1: with him. But if it's somebody else and I don't,

1537
01:24:42,360 --> 01:24:45,320
Speaker 1: and that includes myself, I'm not gonna go up and

1538
01:24:45,360 --> 01:24:47,720
Speaker 1: be like, well, Leonardo's getting this, I should get this,

1539
01:24:47,800 --> 01:24:50,800
Speaker 1: because I'm like, I mean, I mean, even if he's

1540
01:24:50,800 --> 01:24:53,720
Speaker 1: in my movie for ten minutes. I gotta give Leonardo

1541
01:24:53,880 --> 01:24:56,320
Speaker 1: because that you know, Brad Pitt, because I'm I'm it's

1542
01:24:56,400 --> 01:25:00,519
Speaker 1: he's the McDonald's, he's the Coca Cola, the Kentucky Fight Chicken,

1543
01:25:00,560 --> 01:25:02,280
Speaker 1: whatever the funk you want to call it. He's the

1544
01:25:02,320 --> 01:25:05,640
Speaker 1: Mercedes Bend. And when you get to that level, you

1545
01:25:05,720 --> 01:25:08,559
Speaker 1: have to understand it. Now, if I had two people

1546
01:25:09,080 --> 01:25:12,240
Speaker 1: of equal caliber, well then that's different, you know what

1547
01:25:12,280 --> 01:25:13,760
Speaker 1: I mean. But that's the thing that I think is

1548
01:25:13,760 --> 01:25:17,519
Speaker 1: getting missing and how this is this gender paid you

1549
01:25:17,560 --> 01:25:20,679
Speaker 1: know is And I'm like Bennett Comer, Yo, I don't

1550
01:25:20,680 --> 01:25:23,360
Speaker 1: know what you're to because I ain't giving up that money.

1551
01:25:23,400 --> 01:25:25,640
Speaker 1: I'm not giving up that fucking money. And you know,

1552
01:25:25,720 --> 01:25:27,640
Speaker 1: the art is to make money to get oh no,

1553
01:25:27,720 --> 01:25:30,080
Speaker 1: And I've watched him when Oscars and he's amazing and

1554
01:25:30,120 --> 01:25:32,600
Speaker 1: so you know, but now if I've got him, you know,

1555
01:25:32,680 --> 01:25:35,320
Speaker 1: Bene Comer back, and then I've got Reason Witherspoon, Well

1556
01:25:35,640 --> 01:25:38,240
Speaker 1: I'm gonna pay them, you know why, because her body

1557
01:25:38,280 --> 01:25:41,479
Speaker 1: of work demands it. So you know, everything is and listen,

1558
01:25:41,760 --> 01:25:44,519
Speaker 1: I may love someone artistically and be like they're amazing,

1559
01:25:44,720 --> 01:25:47,759
Speaker 1: I just gotta pay this one more because of of

1560
01:25:47,760 --> 01:25:51,120
Speaker 1: of his box office. Hell, but I also have this

1561
01:25:51,160 --> 01:25:54,679
Speaker 1: other person who is artistically dope, So I'm at least

1562
01:25:54,720 --> 01:25:57,919
Speaker 1: I got I'm not giving him something offensive or her,

1563
01:25:58,000 --> 01:25:59,439
Speaker 1: you know what I mean. And that's for both genders.

1564
01:25:59,439 --> 01:26:01,960
Speaker 1: I agree, that's for both genders. I agree. I agree.

1565
01:26:02,479 --> 01:26:04,639
Speaker 1: It's just the way it's been sort of put out there,

1566
01:26:04,640 --> 01:26:06,280
Speaker 1: and I'm like thinking, like they're I feel like there's

1567
01:26:06,320 --> 01:26:09,759
Speaker 1: this scandal and I'm like, there's different things in play.

1568
01:26:09,920 --> 01:26:12,960
Speaker 1: It's like you could get McDonald's. Are you the other

1569
01:26:13,000 --> 01:26:15,400
Speaker 1: burger might be good, but the McDonald's the one that

1570
01:26:15,439 --> 01:26:17,479
Speaker 1: everyone's going to. Um, I don't want to keep you

1571
01:26:17,560 --> 01:26:20,720
Speaker 1: much on A couple more questions, Girls Trip, did you

1572
01:26:20,800 --> 01:26:24,439
Speaker 1: know that this what did you think you were making? Like,

1573
01:26:24,479 --> 01:26:26,840
Speaker 1: I mean, this is a huge movie. Yeah, I mean

1574
01:26:26,880 --> 01:26:28,559
Speaker 1: I thought we were making it was gonna be good,

1575
01:26:28,600 --> 01:26:30,360
Speaker 1: you know, like you know, like think like a man

1576
01:26:30,439 --> 01:26:32,280
Speaker 1: about last night. I was like, those are good, Like

1577
01:26:32,320 --> 01:26:35,240
Speaker 1: we're going in there, We're going in there a little

1578
01:26:35,320 --> 01:26:38,160
Speaker 1: maybe I thought a little less money because it was

1579
01:26:38,320 --> 01:26:40,800
Speaker 1: R rated right, So I was like, well we might

1580
01:26:40,840 --> 01:26:44,920
Speaker 1: have a little less and I thought it was gonna

1581
01:26:44,960 --> 01:26:47,000
Speaker 1: be fine, you know what I mean, Like you thought

1582
01:26:47,000 --> 01:26:48,360
Speaker 1: it was gonna be a good funny I thought it

1583
01:26:48,400 --> 01:26:50,280
Speaker 1: was gonna be a good funny movie. I didn't want

1584
01:26:50,280 --> 01:26:52,920
Speaker 1: to summer release. I was against that. I was like, oh,

1585
01:26:53,000 --> 01:26:55,200
Speaker 1: and I'm a huge speaking of directors, I'm a huge

1586
01:26:55,240 --> 01:26:58,280
Speaker 1: Chris Nolan fan. I love Christopher Nolan. I think he's

1587
01:26:58,680 --> 01:27:01,479
Speaker 1: so dope. And I was like, Kirk, you kind of

1588
01:27:02,320 --> 01:27:05,720
Speaker 1: I'm never like someone who is. I don't believe in

1589
01:27:05,920 --> 01:27:09,360
Speaker 1: counter programming like you just you you know, it's like

1590
01:27:09,800 --> 01:27:13,960
Speaker 1: you can't anticipate black people like good movies, big movies.

1591
01:27:14,000 --> 01:27:15,479
Speaker 1: So like you can't be like a you're gonna be

1592
01:27:15,520 --> 01:27:17,760
Speaker 1: out against Mr Mrs Smith. It's like the black people

1593
01:27:17,800 --> 01:27:20,120
Speaker 1: are going to see Mr Mrs Smith too. There are

1594
01:27:20,160 --> 01:27:23,960
Speaker 1: certain movies that you know are beyond race when they're

1595
01:27:24,080 --> 01:27:26,840
Speaker 1: when there's a certain like a Leonardo DiCaprio movie, don't

1596
01:27:26,880 --> 01:27:29,439
Speaker 1: hit me out against Leonardo DiCaprio. So I was like, really,

1597
01:27:29,920 --> 01:27:33,120
Speaker 1: you go done, Kirk. Oh, it's a specific movie. I

1598
01:27:33,160 --> 01:27:37,360
Speaker 1: was like, it's Christopher Nolan, like, so I was not.

1599
01:27:37,600 --> 01:27:39,680
Speaker 1: I was like, I don't know why. You know, September

1600
01:27:39,760 --> 01:27:42,639
Speaker 1: is good. You know we got a solid uh March April,

1601
01:27:42,840 --> 01:27:44,960
Speaker 1: you know what I mean. It was like, but they

1602
01:27:45,000 --> 01:27:47,519
Speaker 1: were insistent, and they were, but they were also willing

1603
01:27:47,560 --> 01:27:51,519
Speaker 1: to put their advertising dollars behind it. And right were

1604
01:27:51,520 --> 01:27:53,599
Speaker 1: you following that? Like, were you guys aware of that?

1605
01:27:53,960 --> 01:27:55,880
Speaker 1: Like for me as an actor, like sometimes you don't

1606
01:27:55,880 --> 01:27:57,639
Speaker 1: know what the funk You're like, you're you're actor, You're

1607
01:27:57,640 --> 01:28:00,760
Speaker 1: paid the funk out of here? Really were because they

1608
01:28:00,800 --> 01:28:03,400
Speaker 1: really need We'll see. This is the difference now in

1609
01:28:03,439 --> 01:28:06,960
Speaker 1: this new age of like you know, social media, you know,

1610
01:28:07,000 --> 01:28:08,639
Speaker 1: you have to be in parts. So we were being

1611
01:28:08,760 --> 01:28:10,880
Speaker 1: in the in the meetings on what their strategy was,

1612
01:28:10,920 --> 01:28:13,880
Speaker 1: and I was like, oh, okay, I see what they're doing.

1613
01:28:14,200 --> 01:28:17,519
Speaker 1: I was still nervous because summer summer, and then you know,

1614
01:28:17,920 --> 01:28:20,559
Speaker 1: I didn't know if if women were gonna feel like

1615
01:28:20,600 --> 01:28:23,920
Speaker 1: we were too crude and and you know, I was

1616
01:28:23,960 --> 01:28:26,320
Speaker 1: like as essence and essence is kind of elite, and

1617
01:28:26,640 --> 01:28:29,120
Speaker 1: you know, we're black women in that age range, we're

1618
01:28:29,160 --> 01:28:30,920
Speaker 1: gonna be like that was just too much cursing. I

1619
01:28:30,960 --> 01:28:33,479
Speaker 1: just didn't You don't know how people are going to

1620
01:28:33,560 --> 01:28:35,599
Speaker 1: receive a film, you know what I mean? So you're like,

1621
01:28:36,520 --> 01:28:38,920
Speaker 1: is our demographic gonna be okay with this? You know

1622
01:28:38,920 --> 01:28:41,600
Speaker 1: what I mean? And then is a really young demographic

1623
01:28:41,600 --> 01:28:43,360
Speaker 1: who would be okay with it, gonna see it. I

1624
01:28:43,400 --> 01:28:46,080
Speaker 1: just couldn't tell. And unlike a hangover or something like that.

1625
01:28:46,120 --> 01:28:49,040
Speaker 1: As men, men don't have that. Boys are just like, yeah,

1626
01:28:49,080 --> 01:28:51,719
Speaker 1: that's what we do. So I just wasn't I wasn't

1627
01:28:51,880 --> 01:28:57,640
Speaker 1: sure about it. But um, I just wasn't sure, you

1628
01:28:57,680 --> 01:28:59,519
Speaker 1: know what I mean? You never can be sure. When

1629
01:28:59,520 --> 01:29:01,679
Speaker 1: did you start to realize you were in like a

1630
01:29:01,720 --> 01:29:06,040
Speaker 1: big monster, like, yo, this is a hit movie. Forget

1631
01:29:06,080 --> 01:29:09,160
Speaker 1: the people like it. That's fantastic, that's that's great, but

1632
01:29:09,200 --> 01:29:11,320
Speaker 1: this is like a fucking money maker. Like it's like

1633
01:29:11,439 --> 01:29:14,320
Speaker 1: and keep going. And then the Tiffany hat is and

1634
01:29:14,360 --> 01:29:17,080
Speaker 1: it's like a Girl's Trip two and people have seen

1635
01:29:17,080 --> 01:29:22,000
Speaker 1: it twice and like keeps going. Yeah, yeah, probably you know,

1636
01:29:23,080 --> 01:29:27,320
Speaker 1: second third week out. You know when you're just like, okay,

1637
01:29:27,360 --> 01:29:31,439
Speaker 1: when we probably started getting pictures of all the girls going,

1638
01:29:32,320 --> 01:29:35,400
Speaker 1: you know what I mean, when I started an event. Yeah,

1639
01:29:35,479 --> 01:29:38,519
Speaker 1: when it became an event, when I saw white women

1640
01:29:38,920 --> 01:29:40,960
Speaker 1: who went with their girlfriends too, and I was like,

1641
01:29:40,960 --> 01:29:42,920
Speaker 1: oh and you know Spanish, like when they hit across

1642
01:29:42,960 --> 01:29:45,320
Speaker 1: the racial um thing, and I was like, oh, so

1643
01:29:45,439 --> 01:29:48,280
Speaker 1: women love it. And then you know, boyfriends who had

1644
01:29:48,320 --> 01:29:50,920
Speaker 1: seen it, her husbands, their wives were like, come with me.

1645
01:29:51,280 --> 01:29:53,599
Speaker 1: I think that's when I was like, oh, people really

1646
01:29:54,720 --> 01:29:58,559
Speaker 1: really like this movie, right, and it it had a

1647
01:29:58,680 --> 01:30:02,200
Speaker 1: you know of staying long in the summertime because I

1648
01:30:02,200 --> 01:30:03,840
Speaker 1: was like, oh, my goodness, now we're gonna get one

1649
01:30:03,880 --> 01:30:06,120
Speaker 1: weekend and be done, you know, because you never know

1650
01:30:06,160 --> 01:30:09,280
Speaker 1: what can happen in the summer. So probably then and

1651
01:30:09,080 --> 01:30:12,160
Speaker 1: up and especially like women who were like I laughed

1652
01:30:12,720 --> 01:30:16,320
Speaker 1: when I started seeing people's mother, you know, like older

1653
01:30:16,360 --> 01:30:19,000
Speaker 1: women and they were like, you know that was me

1654
01:30:19,120 --> 01:30:23,080
Speaker 1: and kind of reliving portions of their life. You know.

1655
01:30:23,240 --> 01:30:25,639
Speaker 1: That That was when I was like, Okay, is there

1656
01:30:25,640 --> 01:30:27,400
Speaker 1: going to be a part two? There is going to

1657
01:30:27,479 --> 01:30:29,760
Speaker 1: be a part two? Is it? Like? Like and so

1658
01:30:29,960 --> 01:30:33,640
Speaker 1: so now that you know this is a hit, you

1659
01:30:33,680 --> 01:30:37,439
Speaker 1: know hopefully the second one will be an even bigger hit. Uh,

1660
01:30:37,479 --> 01:30:39,920
Speaker 1: Like are you guys like, well, motherfucker, I gotta get this.

1661
01:30:40,000 --> 01:30:41,600
Speaker 1: I gotta get like you know what I'm saying in

1662
01:30:41,720 --> 01:30:43,439
Speaker 1: terms of it's not like you're saying, it's like the

1663
01:30:43,479 --> 01:30:46,160
Speaker 1: agents and who knows girl at the same age. But

1664
01:30:46,400 --> 01:30:48,280
Speaker 1: first of all, what is there a date to start

1665
01:30:48,360 --> 01:30:53,120
Speaker 1: doing part two? Um? Um, there is I know they're

1666
01:30:53,640 --> 01:30:57,000
Speaker 1: writing it with. The great thing is everybody's really busy,

1667
01:30:57,680 --> 01:30:59,760
Speaker 1: so it's you know, so we haven't locked in that

1668
01:31:00,080 --> 01:31:04,840
Speaker 1: start date, but I know would probably be um next year.

1669
01:31:05,680 --> 01:31:07,679
Speaker 1: Next year is when we would shooting. And you guys

1670
01:31:07,720 --> 01:31:12,240
Speaker 1: like like the renegotialis like because it's superseded everything was there,

1671
01:31:12,280 --> 01:31:15,519
Speaker 1: even like in your contract for a part two. It's

1672
01:31:15,520 --> 01:31:17,880
Speaker 1: not because it's not the kind of movie you would think, right, No,

1673
01:31:18,520 --> 01:31:20,559
Speaker 1: you know that's the thing. You know what. I've been

1674
01:31:20,640 --> 01:31:22,720
Speaker 1: lucky because I've been in several sequels and none of

1675
01:31:22,720 --> 01:31:24,200
Speaker 1: them have thought there was going to be a part two.

1676
01:31:24,200 --> 01:31:26,320
Speaker 1: There was no part two of a scary movie. No

1677
01:31:26,479 --> 01:31:28,400
Speaker 1: part two for thinks like a man like there's never

1678
01:31:28,560 --> 01:31:31,320
Speaker 1: like there's no part two because everyone thinks it's gonna

1679
01:31:31,320 --> 01:31:33,799
Speaker 1: be So no one thought about a Girls Trip too,

1680
01:31:34,479 --> 01:31:36,439
Speaker 1: you know what I mean. It was just kind of like, Okay,

1681
01:31:36,479 --> 01:31:38,560
Speaker 1: we'll get our fan base and da da da and

1682
01:31:38,640 --> 01:31:41,920
Speaker 1: that will be it. So never never know, so not

1683
01:31:42,080 --> 01:31:44,320
Speaker 1: for this one. But you know, for us, I think

1684
01:31:44,439 --> 01:31:48,280
Speaker 1: the biggest thing is is we just if you can't

1685
01:31:48,320 --> 01:31:50,760
Speaker 1: for me, if you can't do it great the second time,

1686
01:31:50,840 --> 01:31:53,760
Speaker 1: just don't do it right or what if you can't

1687
01:31:53,800 --> 01:31:55,040
Speaker 1: do it, great, but we can make a lot of

1688
01:31:55,320 --> 01:31:59,320
Speaker 1: money trying. I know. It's like some ship, right, you know,

1689
01:31:59,400 --> 01:32:01,200
Speaker 1: and all it's all always scary because you know they

1690
01:32:01,240 --> 01:32:03,240
Speaker 1: don't want to pay anymore and never nobody ever wants,

1691
01:32:03,320 --> 01:32:05,760
Speaker 1: nobody wants. You know, well you you guys are in

1692
01:32:05,760 --> 01:32:09,640
Speaker 1: a good position because it's four black women, like like

1693
01:32:09,680 --> 01:32:12,280
Speaker 1: the tables, like like it's like we got the fucking leverage.

1694
01:32:12,360 --> 01:32:16,120
Speaker 1: And this motherfucking ship was a hit. Yeah, like this

1695
01:32:16,160 --> 01:32:18,360
Speaker 1: is like the hot ship. But then we're gonna be hyped.

1696
01:32:18,360 --> 01:32:21,280
Speaker 1: It's like you could do some fucking crazy trail and

1697
01:32:21,320 --> 01:32:23,360
Speaker 1: like you know, people like when is this ship coming out?

1698
01:32:23,360 --> 01:32:24,960
Speaker 1: Like you guys could be coming out of a hotel,

1699
01:32:25,000 --> 01:32:28,120
Speaker 1: like we did it again, like same like the hangover. No, yeah, no,

1700
01:32:28,200 --> 01:32:31,559
Speaker 1: it's great and we do and and it's good because

1701
01:32:31,920 --> 01:32:34,080
Speaker 1: I love the girls, like you know, I love you guys.

1702
01:32:34,080 --> 01:32:37,599
Speaker 1: Got along, oh man, got along love love love Jada.

1703
01:32:37,760 --> 01:32:41,080
Speaker 1: I mean Tiffany came out and she's like exploded, you know,

1704
01:32:41,240 --> 01:32:44,280
Speaker 1: love Tiffany. So the good thing for us is that

1705
01:32:46,120 --> 01:32:48,080
Speaker 1: we like each other, right, you know what I mean?

1706
01:32:48,200 --> 01:32:51,360
Speaker 1: So you guys all get it. Yeah, in terms of

1707
01:32:51,400 --> 01:32:54,720
Speaker 1: like get it in terms of the business aspect, and

1708
01:32:54,800 --> 01:32:56,960
Speaker 1: like one hand washes the other, like we're not here

1709
01:32:56,960 --> 01:32:59,719
Speaker 1: to like everybody's gonna shine. Everybody has their moments to shine.

1710
01:32:59,760 --> 01:33:02,280
Speaker 1: A big thing too, is I think that happens a

1711
01:33:02,280 --> 01:33:05,599
Speaker 1: lot to Like you definitely have to be like you.

1712
01:33:05,600 --> 01:33:10,360
Speaker 1: You gotta be. You have to be amazingly okay with

1713
01:33:10,439 --> 01:33:13,439
Speaker 1: your co stars. You want them to shine. Everybody's got

1714
01:33:14,720 --> 01:33:17,760
Speaker 1: If they don't shine, then the whole thing needs to

1715
01:33:17,760 --> 01:33:20,120
Speaker 1: be shining. You don't need a dull spot, you know

1716
01:33:20,160 --> 01:33:22,280
Speaker 1: what I mean. You can't rocking. The two scenes are

1717
01:33:22,280 --> 01:33:27,880
Speaker 1: whack with these now this chicken and everybody's these are

1718
01:33:27,920 --> 01:33:31,559
Speaker 1: all vets. Even though Tiffany is uh the newest face

1719
01:33:31,640 --> 01:33:34,559
Speaker 1: of the world, she's newest success. She's been doing the business.

1720
01:33:34,720 --> 01:33:37,120
Speaker 1: That's dope. That's dope. Yeah, So that was a big

1721
01:33:37,160 --> 01:33:39,360
Speaker 1: part of it too. And even with Tiffany's character, you know,

1722
01:33:39,720 --> 01:33:42,439
Speaker 1: I read the script and and and um didn't we

1723
01:33:42,479 --> 01:33:44,200
Speaker 1: didn't know who they were going to get. Like so

1724
01:33:44,280 --> 01:33:46,280
Speaker 1: you know, they call me and they're like, you know,

1725
01:33:46,320 --> 01:33:48,840
Speaker 1: we're trying to get you know, Jada and Line. I

1726
01:33:48,920 --> 01:33:51,400
Speaker 1: was like, they ain't gonna do it, like, you know,

1727
01:33:51,439 --> 01:33:54,280
Speaker 1: because I'm scared, you know, you're like, I was like, Lord,

1728
01:33:54,320 --> 01:33:56,240
Speaker 1: I don't want to be in this movie and everybody's

1729
01:33:56,360 --> 01:33:59,840
Speaker 1: awful and whatever. So then they did it. And then

1730
01:33:59,840 --> 01:34:02,400
Speaker 1: I was like, but look, you know this character, this

1731
01:34:02,479 --> 01:34:05,840
Speaker 1: Dina character, which originally they had that they that was

1732
01:34:06,280 --> 01:34:09,000
Speaker 1: you know, they had somebody very specific in mine who

1733
01:34:09,080 --> 01:34:11,960
Speaker 1: passed on it, you know which I'll tell you. And

1734
01:34:12,000 --> 01:34:17,040
Speaker 1: then I was like, um, I was like, dang. And

1735
01:34:17,080 --> 01:34:18,960
Speaker 1: so they were upset and I was like, you get

1736
01:34:18,960 --> 01:34:21,880
Speaker 1: somebody else. And then and then because the studio really

1737
01:34:21,880 --> 01:34:23,799
Speaker 1: wanted that person, and then I was like, but whoever

1738
01:34:23,880 --> 01:34:26,800
Speaker 1: you get, they that role has the pop. That's like,

1739
01:34:27,200 --> 01:34:32,639
Speaker 1: what's his name, Zach Gafnak is like, that role has

1740
01:34:32,720 --> 01:34:35,640
Speaker 1: to pop. And then you know, Tiffany came and superseded that,

1741
01:34:35,760 --> 01:34:39,240
Speaker 1: you know what I mean. So it's like it's uh,

1742
01:34:39,280 --> 01:34:41,559
Speaker 1: it's an it's an all around win. It's an all

1743
01:34:41,600 --> 01:34:45,519
Speaker 1: around win. Um. All right, we we talked about would

1744
01:34:45,520 --> 01:34:48,320
Speaker 1: we talked about other actors you like, tell me off

1745
01:34:48,320 --> 01:34:50,280
Speaker 1: the top of your head, actors that you worked with,

1746
01:34:50,320 --> 01:34:52,599
Speaker 1: Actors or actresses that you've worked with, that you've been

1747
01:34:52,600 --> 01:34:55,000
Speaker 1: in front of it. It doesn't have to be necessarily dramatic,

1748
01:34:55,000 --> 01:34:58,240
Speaker 1: it could be comedic like uh, Tiffany or whoever. When

1749
01:34:58,320 --> 01:35:00,639
Speaker 1: I say to you, when you've been worked with somebody

1750
01:35:00,640 --> 01:35:02,760
Speaker 1: where you were like, Damn, this motherfucker's good, Like when

1751
01:35:02,760 --> 01:35:05,000
Speaker 1: you're across from them, where you're just like kind of

1752
01:35:05,000 --> 01:35:08,200
Speaker 1: like now, I worked with Altfred Molina and I was like, Damn,

1753
01:35:08,200 --> 01:35:12,559
Speaker 1: he's good. I just I mean, I would just watch him.

1754
01:35:12,600 --> 01:35:14,840
Speaker 1: Sometimes I'd get caught up watching him. I'd be like,

1755
01:35:15,240 --> 01:35:19,320
Speaker 1: oh shit, is it my line that I have? Yeah,

1756
01:35:19,520 --> 01:35:21,320
Speaker 1: I love when it happens. I mean it's not good

1757
01:35:21,360 --> 01:35:24,000
Speaker 1: for business, it's not good for the take, but like,

1758
01:35:24,280 --> 01:35:27,080
Speaker 1: you know, you're like, this motherfucker's I guess. It's like

1759
01:35:27,120 --> 01:35:29,080
Speaker 1: when basketball players like, yeah, I just like when they're

1760
01:35:29,120 --> 01:35:31,080
Speaker 1: like a lot of times they talk about Kobe or

1761
01:35:31,120 --> 01:35:33,639
Speaker 1: playing with Jordan's like yeah, I just watching them. Yeah,

1762
01:35:33,760 --> 01:35:36,040
Speaker 1: oh yeah, you're in it, but you're you're like not

1763
01:35:36,120 --> 01:35:38,360
Speaker 1: in it because you're like, what the fu. Yeah, you're

1764
01:35:38,439 --> 01:35:42,240
Speaker 1: just you've you've become a spectator at that point. I've

1765
01:35:42,280 --> 01:35:44,040
Speaker 1: worked with him and I watched him do some stuff.

1766
01:35:44,040 --> 01:35:47,120
Speaker 1: They've been Yeah, there've been people who have been like wow,

1767
01:35:47,160 --> 01:35:48,760
Speaker 1: you know, and what is definitely one of them? Where

1768
01:35:48,760 --> 01:35:51,479
Speaker 1: I've been like some people I've worked with and I've

1769
01:35:51,520 --> 01:35:53,840
Speaker 1: looked at the stuff and it's been amazing, but they're

1770
01:35:53,880 --> 01:35:56,800
Speaker 1: more more, I'm more amazed by them. In an edit,

1771
01:35:57,080 --> 01:35:59,160
Speaker 1: I got you then live. You know, some people cut

1772
01:35:59,160 --> 01:36:03,439
Speaker 1: together and credibly, but then in person they're like okay.

1773
01:36:04,760 --> 01:36:07,679
Speaker 1: Where then some people you're just like, oh wow, they're

1774
01:36:07,720 --> 01:36:12,599
Speaker 1: just they're just great, you know, and that that is like,

1775
01:36:14,520 --> 01:36:18,200
Speaker 1: you know, that's exciting. Yeah, Like I can't imagine, like

1776
01:36:18,320 --> 01:36:20,720
Speaker 1: you know, we're working with like a Meryl Streep or

1777
01:36:20,760 --> 01:36:23,599
Speaker 1: something like that. I can't because I don't even know

1778
01:36:23,640 --> 01:36:26,800
Speaker 1: what she would do that I know they'd be like line,

1779
01:36:27,040 --> 01:36:29,840
Speaker 1: you know, because I just and so many innocent, so

1780
01:36:29,880 --> 01:36:31,880
Speaker 1: many people. You know, I'm saying Meryl Sheep because she's

1781
01:36:31,920 --> 01:36:34,719
Speaker 1: like so so, so big, so amazing and so famous.

1782
01:36:34,760 --> 01:36:36,439
Speaker 1: I'm sure I do it for Leonardo, who's also big.

1783
01:36:36,720 --> 01:36:38,599
Speaker 1: But then there are people who may not be household names,

1784
01:36:38,640 --> 01:36:40,720
Speaker 1: who you just you know, a lot of people may

1785
01:36:40,720 --> 01:36:43,000
Speaker 1: not know whoever Malina is, but who you watch and

1786
01:36:43,040 --> 01:36:47,720
Speaker 1: you go, wow, this person is amazing. And anytime you

1787
01:36:47,760 --> 01:36:49,639
Speaker 1: get it because I feel like they make you better.

1788
01:36:50,000 --> 01:36:54,599
Speaker 1: I agree, I agree. Um, I always top five rappers.

1789
01:36:55,240 --> 01:37:00,920
Speaker 1: Top five actors, your top five, Like you're like any

1790
01:37:00,920 --> 01:37:03,599
Speaker 1: place anytime I stopped the channel, Like where you're like

1791
01:37:04,160 --> 01:37:07,839
Speaker 1: guys or girls, actors, actresses, you know, the fucking gender police.

1792
01:37:08,400 --> 01:37:11,880
Speaker 1: Your top five where you're like, these are my you

1793
01:37:11,920 --> 01:37:14,080
Speaker 1: know they living or dead? Where you're like, these are

1794
01:37:14,120 --> 01:37:16,040
Speaker 1: these are the ones that speak to me the most,

1795
01:37:16,520 --> 01:37:18,439
Speaker 1: you know what I mean? Just like your people like that,

1796
01:37:18,520 --> 01:37:21,000
Speaker 1: You're like, I'm watching him any place anytime I'm going

1797
01:37:21,040 --> 01:37:24,760
Speaker 1: to the movie. Like for me Denzel, he's probably right now,

1798
01:37:25,240 --> 01:37:28,120
Speaker 1: like I'm going to the theater site unseen, right, I'm

1799
01:37:28,160 --> 01:37:30,840
Speaker 1: doing that for Leonardo for sure. Yeah, I'm going side

1800
01:37:30,920 --> 01:37:36,120
Speaker 1: unseen no matter what he does. Now. See the thing is,

1801
01:37:36,160 --> 01:37:40,760
Speaker 1: I just watched I just rewatched Godfather again. There's a

1802
01:37:40,760 --> 01:37:42,599
Speaker 1: whole bunch of motherfucker's And I was about to say,

1803
01:37:42,600 --> 01:37:45,559
Speaker 1: and then you forget about people, you don't forget but

1804
01:37:45,640 --> 01:37:50,760
Speaker 1: you know, I mean Albuccino is I mean, and they're

1805
01:37:50,800 --> 01:37:54,240
Speaker 1: so good in that movie. It's like and then you

1806
01:37:54,280 --> 01:37:57,559
Speaker 1: know you'll go and watch them. You know you'll go

1807
01:37:57,640 --> 01:38:01,640
Speaker 1: and you know, I'll go and watch Dog Day Afternoon

1808
01:38:01,800 --> 01:38:03,800
Speaker 1: or some ship I haven't seen in a long time

1809
01:38:03,880 --> 01:38:06,400
Speaker 1: and be like, wow, you know al Butcino was you

1810
01:38:06,439 --> 01:38:09,240
Speaker 1: can forget how dope. So that's the thing too. Memories

1811
01:38:09,280 --> 01:38:11,599
Speaker 1: are short, so you know, as you know, something very

1812
01:38:11,640 --> 01:38:14,320
Speaker 1: short now, very short now, So you know when you

1813
01:38:14,360 --> 01:38:16,760
Speaker 1: think of people, you're like, yeah, but you haven't this

1814
01:38:16,800 --> 01:38:21,679
Speaker 1: person isn't this person He's a pillar, a pillar, He's

1815
01:38:21,720 --> 01:38:24,720
Speaker 1: a fucking pillar of everything. Pillar. And you know who

1816
01:38:24,760 --> 01:38:32,120
Speaker 1: else I love? And you know, so we're gonna go out? Yeah, um,

1817
01:38:32,160 --> 01:38:35,240
Speaker 1: I love I love Goldiehon and I know that's a

1818
01:38:35,400 --> 01:38:38,679
Speaker 1: rare thing, but like I'll go watch Goldiehon and something

1819
01:38:38,720 --> 01:38:41,160
Speaker 1: like a private Benjamin. I can see that influence in

1820
01:38:41,520 --> 01:38:44,800
Speaker 1: your comtion overboard and be like, I love her, like

1821
01:38:44,880 --> 01:38:47,640
Speaker 1: she's just effort. There's I could name fifties, but I

1822
01:38:47,640 --> 01:38:49,760
Speaker 1: could go old school and new school, like I love

1823
01:38:49,800 --> 01:38:52,840
Speaker 1: Sally Fields beyond I just watching I could. I mean,

1824
01:38:52,880 --> 01:38:56,280
Speaker 1: there's so many from before and then now and like

1825
01:38:58,080 --> 01:39:03,040
Speaker 1: men like Denzel is definitely how good is he He's great?

1826
01:39:03,640 --> 01:39:05,240
Speaker 1: Have you have you? I mean you've never been in

1827
01:39:05,240 --> 01:39:07,720
Speaker 1: a movie with him? Have you ever gotten to an

1828
01:39:07,760 --> 01:39:10,000
Speaker 1: auditioning with him? Like? Have you ever like read with him?

1829
01:39:10,160 --> 01:39:12,200
Speaker 1: Never read with I've met him. I don't know people

1830
01:39:12,200 --> 01:39:14,679
Speaker 1: who and I know people who worked with you. Listen,

1831
01:39:14,720 --> 01:39:17,080
Speaker 1: I love Viola, you know what I mean, they're just

1832
01:39:17,479 --> 01:39:22,000
Speaker 1: I mean, but then I mean, but there's so many

1833
01:39:22,040 --> 01:39:23,599
Speaker 1: but you know what I mean, but I'm on the spot.

1834
01:39:23,640 --> 01:39:27,400
Speaker 1: I can't think, but yes, where I know that whatever

1835
01:39:27,439 --> 01:39:30,599
Speaker 1: they do, they're gonna. You know, Denzel has a way

1836
01:39:30,640 --> 01:39:34,080
Speaker 1: too that he does stuff. I mean, they're all but

1837
01:39:34,120 --> 01:39:37,960
Speaker 1: you know, you're talking about craftsman from a generation that's different.

1838
01:39:39,960 --> 01:39:43,240
Speaker 1: And so it's just I mean, should I love Betty Davis?

1839
01:39:44,240 --> 01:39:46,280
Speaker 1: You know what I mean? Like it just it. I mean,

1840
01:39:46,400 --> 01:39:51,040
Speaker 1: I love Roberts and I'm naming I'm going back even

1841
01:39:51,080 --> 01:39:53,400
Speaker 1: though they're amazing people today and they are, but like

1842
01:39:53,439 --> 01:39:57,680
Speaker 1: I'm going back where you're looking it's oh yeah, like

1843
01:39:57,720 --> 01:40:00,200
Speaker 1: these are people that have done it. That's it's it's

1844
01:40:00,240 --> 01:40:06,120
Speaker 1: like it's you know who I love. I love Anthony Hopkins.

1845
01:40:06,600 --> 01:40:12,280
Speaker 1: He's a fucking He's stupid. He's stupid, good, ridiculous. No,

1846
01:40:12,439 --> 01:40:15,320
Speaker 1: I'm gonna just throw this my last question, top five

1847
01:40:15,439 --> 01:40:19,280
Speaker 1: rappers or rap groups? Throw give them to me in

1848
01:40:19,280 --> 01:40:22,120
Speaker 1: no particular order. And it's interchangeable because because you have

1849
01:40:22,240 --> 01:40:23,680
Speaker 1: some people listen to, like you know, you don't want

1850
01:40:23,680 --> 01:40:26,360
Speaker 1: to offend anybody. So who are your top five? This

1851
01:40:26,400 --> 01:40:29,559
Speaker 1: is the obligatory question. Okay, And let me just say this.

1852
01:40:29,720 --> 01:40:32,000
Speaker 1: I love art, so I'm just artists. I'm just gonna

1853
01:40:32,000 --> 01:40:34,840
Speaker 1: come from who comes to mind from today today, and

1854
01:40:34,840 --> 01:40:37,040
Speaker 1: it could be in tomorrow. You could have said another

1855
01:40:37,080 --> 01:40:39,920
Speaker 1: eight more. Yeah, I love Jay, always love Jay. Always

1856
01:40:39,880 --> 01:40:43,599
Speaker 1: gotta be number one. I agree, Um, I love big

1857
01:40:44,000 --> 01:40:45,960
Speaker 1: you know what I mean? Like what I mean? What

1858
01:40:46,000 --> 01:40:48,519
Speaker 1: are you going to say? Those are two? I gotta

1859
01:40:48,560 --> 01:40:50,960
Speaker 1: throw brand new being in just because of the impact

1860
01:40:51,040 --> 01:40:56,559
Speaker 1: they had under the radar arun Yeah, and when that

1861
01:40:56,640 --> 01:40:59,639
Speaker 1: came out, it was just you know, so you know

1862
01:41:00,040 --> 01:41:02,200
Speaker 1: I mean, but and I could do that and then nas,

1863
01:41:02,280 --> 01:41:06,120
Speaker 1: I mean, what do you mean? Yeah, Lauren Hill, I

1864
01:41:06,200 --> 01:41:12,080
Speaker 1: mean she's kind of incredible. I'll give you Cherry on top. Okay, cherry.

1865
01:41:12,320 --> 01:41:14,880
Speaker 1: I can't give your whole damn right, I should have

1866
01:41:14,880 --> 01:41:16,800
Speaker 1: bit just asking for a whole pop Let me see,

1867
01:41:16,840 --> 01:41:20,800
Speaker 1: let me see, Gosh, who would I be because there's

1868
01:41:20,800 --> 01:41:22,960
Speaker 1: one spot last? It's a Cherry on top? Are you

1869
01:41:23,000 --> 01:41:25,280
Speaker 1: a quick to rattle off the other one? Now? You're

1870
01:41:25,320 --> 01:41:27,639
Speaker 1: being impressious because I am, because it's my last one

1871
01:41:27,840 --> 01:41:32,360
Speaker 1: last one man, I didn't answer, like you to let

1872
01:41:32,400 --> 01:41:37,120
Speaker 1: me think, um take your time, okay, you know what,

1873
01:41:37,200 --> 01:41:38,840
Speaker 1: I just did a post where I had him on

1874
01:41:38,960 --> 01:41:41,200
Speaker 1: there because it was something I saw and it was

1875
01:41:41,360 --> 01:41:43,800
Speaker 1: a freestyle like in front of like MTV when they

1876
01:41:43,880 --> 01:41:45,600
Speaker 1: used to do your MTV wraps. And I watched this

1877
01:41:45,760 --> 01:41:48,240
Speaker 1: really dope documentary on hip hop and it was a

1878
01:41:48,240 --> 01:41:50,080
Speaker 1: bunch of hip hop artists and they were talking about

1879
01:41:50,160 --> 01:41:52,479
Speaker 1: just like the grind that you had to do because

1880
01:41:52,479 --> 01:41:54,000
Speaker 1: you there was no like you know what I mean,

1881
01:41:54,040 --> 01:41:55,640
Speaker 1: there was no way to get seen unless you just

1882
01:41:55,680 --> 01:41:58,000
Speaker 1: had to be the dopest, right, So they would just

1883
01:41:58,080 --> 01:42:01,200
Speaker 1: be in like freestyle and going to radio stations like

1884
01:42:01,560 --> 01:42:03,920
Speaker 1: just and they were and so I mean they were

1885
01:42:04,000 --> 01:42:06,960
Speaker 1: the competition the level that you had to be at

1886
01:42:07,040 --> 01:42:10,360
Speaker 1: the level of excellence and you know, your rhymes had

1887
01:42:10,400 --> 01:42:12,720
Speaker 1: to say something where people were like, oh, you know,

1888
01:42:12,800 --> 01:42:16,000
Speaker 1: and rock him. I just remember he was the bar,

1889
01:42:16,240 --> 01:42:19,519
Speaker 1: you know, like I mean he would just I mean, yeah,

1890
01:42:19,640 --> 01:42:21,479
Speaker 1: rock him. I mean that's the thing, that's what I'm

1891
01:42:21,479 --> 01:42:23,439
Speaker 1: It was kind of like naming of the actors like

1892
01:42:23,520 --> 01:42:25,519
Speaker 1: you forget and it's like, how do you not forget

1893
01:42:25,560 --> 01:42:28,160
Speaker 1: the beast that is rock Him? And then you know

1894
01:42:28,400 --> 01:42:30,639
Speaker 1: Rock Kim, you go, krs Pig that came. But when

1895
01:42:31,439 --> 01:42:35,000
Speaker 1: that's why it's interchainable. Yeah yeah, Kane, I mean there

1896
01:42:35,000 --> 01:42:38,000
Speaker 1: were so many, I mean there were It's like it's

1897
01:42:38,040 --> 01:42:41,439
Speaker 1: it's like you could think about listen. I mean obviously

1898
01:42:41,479 --> 01:42:45,280
Speaker 1: there's hip hop now, but I might be biased, but

1899
01:42:45,360 --> 01:42:48,519
Speaker 1: I swear our generation just ships on all of it. Period.

1900
01:42:49,520 --> 01:42:51,280
Speaker 1: You don't have to give an excuse. It's it's it

1901
01:42:51,439 --> 01:42:53,960
Speaker 1: is what it is. They did. They know it. The

1902
01:42:54,000 --> 01:42:58,479
Speaker 1: younger they know. They know there's no explanation. If some

1903
01:42:58,520 --> 01:43:01,599
Speaker 1: ship isn't a banging, the ship is funky. Like if

1904
01:43:01,720 --> 01:43:05,920
Speaker 1: if if you found uh paid in full Eric being

1905
01:43:05,920 --> 01:43:08,559
Speaker 1: around him three years from now, the planet, the planet

1906
01:43:08,680 --> 01:43:11,360
Speaker 1: you know, got blown up in there. You're not gonna

1907
01:43:11,360 --> 01:43:13,320
Speaker 1: have to explain. People are just gonna bob their head.

1908
01:43:13,360 --> 01:43:15,280
Speaker 1: They might be speaking another language, they might not be

1909
01:43:15,320 --> 01:43:18,320
Speaker 1: speaking English anymore, but they're gonna be like, this is dope.

1910
01:43:18,360 --> 01:43:23,080
Speaker 1: You listen to James Brown, James Brown a thousand years ago.

1911
01:43:23,200 --> 01:43:26,040
Speaker 1: You need an explanation. You might not even be speaking

1912
01:43:26,640 --> 01:43:31,160
Speaker 1: the English language. That ship will resoning alright, Reginal whole o,

1913
01:43:31,360 --> 01:43:35,280
Speaker 1: g Reginal Hall. Now he's good there's there's good people.

1914
01:43:35,360 --> 01:43:37,360
Speaker 1: Yeah yeah, yeah, well there is a good people. We're

1915
01:43:37,360 --> 01:43:39,080
Speaker 1: not shooting on the whole thing, but she says as

1916
01:43:39,120 --> 01:43:42,720
Speaker 1: as a whole. Oh yeah yeah, I mean that all right,

1917
01:43:43,200 --> 01:43:46,560
Speaker 1: Regina Hall. I'm a fan. I'm a fan. I appreciate

1918
01:43:46,600 --> 01:43:48,639
Speaker 1: you coming. Rocket. One day, maybe like not only get

1919
01:43:48,680 --> 01:43:51,760
Speaker 1: to me, we'll get to work together. That would be dope,

1920
01:43:51,840 --> 01:43:54,240
Speaker 1: that would be done. We gotta figure something out. But

1921
01:43:54,280 --> 01:43:58,200
Speaker 1: I appreciate you coming. I appreciate having me. Thank you

1922
01:44:00,680 --> 01:44:14,960
Speaker 1: answering this small answer, this small answer. See say answer

1923
01:44:17,400 --> 01:44:28,640
Speaker 1: this small answer, this small anster con say answ