WEBVTT - SYSK Selects: How Bonsai Works

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<v Speaker 1>Hi, everyone, Welcome to a Saturday Selects episode. Charles W.

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<v Speaker 1>Chuck Bryant here, and this is my week to pick,

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<v Speaker 1>and I'm going with how Bonsai Works. We love those

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<v Speaker 1>little trees, we love the karate Kid, all those things

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<v Speaker 1>wrapped up make bonsai. May sixteen, two thousand sixteen is

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<v Speaker 1>when we first recorded this, and I think Josh and

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<v Speaker 1>I both promised to get into bondsai since then. Speaking

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<v Speaker 1>for myself, I have not, but you never know. I

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<v Speaker 1>did get tiny scissors from my nose here, so maybe

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<v Speaker 1>I'll use those. Check it out right now, Welcome to

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<v Speaker 1>Stuff you should know, a production of my Heart Radios

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<v Speaker 1>How Stuff Works. Hey, and welcome to the podcast. I'm

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<v Speaker 1>Josh Clark. There's Charles W. Chuck Bryant. I've decided to

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<v Speaker 1>talk about speed right now. Oh yeah, how's it going. Well?

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<v Speaker 1>You know there are some weirdos that listened to us

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<v Speaker 1>on double Speed. Well they just are like, hurry up

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<v Speaker 1>and get to the point, you idiot. Yeah, because you know,

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<v Speaker 1>busy lives. They can't listen to forty minutes of content straight.

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<v Speaker 1>It always it's funny to somebody tweets to us or

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<v Speaker 1>takes the time to write an email say like, I

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<v Speaker 1>love your your podcast, but I'm really displeased with the

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<v Speaker 1>tangents you go on. You seem to talk about a

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<v Speaker 1>lot of stuff that's unrelated. Can you stop doing that?

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<v Speaker 1>And um, I always think I don't think Sevy should

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<v Speaker 1>notice for you, buddy, if you're if you're being driven

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<v Speaker 1>crazy by that, then well yeah, like we would welcome

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<v Speaker 1>you to stay. But the tangents are They're part of

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<v Speaker 1>the fabric of the show at this point, there's the glue.

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<v Speaker 1>Like it or not. I think the whole thing would

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<v Speaker 1>be decidedly less enjoyable if we were just like vomiting. Yeah,

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<v Speaker 1>just business like you know. Yeah, or maybe after eight

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<v Speaker 1>fifty shows we should just completely change how we do it. Yeah,

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<v Speaker 1>there you go. That's a great idea. Hey, before we

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<v Speaker 1>get started, though, we do want to thank Sam for

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<v Speaker 1>gypsums m lord. Oh yeah, yeah, thank you. Sam. We

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<v Speaker 1>mentioned the unique Liqueur Chicago brand Liqueur on our PR

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<v Speaker 1>show Live in Chicago because you tried it like before

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<v Speaker 1>the show. Yeah, well, I've tried it a few times

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<v Speaker 1>and it's, uh, it's you know, it's as John Hodgman said,

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<v Speaker 1>it tastes like a pencil shavings and Heartbreak as his descriptor.

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<v Speaker 1>But Sam heard is talking about Crown Brown Royal. It

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<v Speaker 1>was like, wait a minute. They talked about my lord

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<v Speaker 1>and I didn't send him anything. Yeah, attention all of

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<v Speaker 1>their distillers in America, you can get in on this too. Yeah.

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<v Speaker 1>If the makers of Plymouth Gin or Leopold's Gin, or

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<v Speaker 1>Knob Creek or Peppy Van Winkle St. George's, they're a

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<v Speaker 1>great distillery out of San Francisco. Yeah, Peppy van Winkle. Wow,

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<v Speaker 1>we that's the stuff that gets like hijacked and sold

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<v Speaker 1>for like twenty dollars on the internet. Yeah. So I'm

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<v Speaker 1>just throwing it out there. I'm picking it back up,

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<v Speaker 1>bringing it back here, throwing it again. We're happy to

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<v Speaker 1>drink your booze and talk about it at nauseam. Uh

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<v Speaker 1>you know what else we're happy to talk about, big boy?

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<v Speaker 1>What's that bonza? Yes, which you I don't know if

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<v Speaker 1>I was saying it wrong, but right before we press record,

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<v Speaker 1>you said it's not bonsai, it's bonsai, and I was like,

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<v Speaker 1>what's it's not bonsai? Z? Right? That means heads up?

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<v Speaker 1>Right right? Right? Bonsai? Or right? Uh? Is? It basically

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<v Speaker 1>means plant in tiny container. Yeah, those are the cute

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<v Speaker 1>toy trees that Mr Miya made a plastic it depends

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<v Speaker 1>target has some definitely have plastic ones. Yeah, if you

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<v Speaker 1>search bonsa, it's one of the things that comes up immediately.

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<v Speaker 1>It's fake trees. I think it's called like nearly real

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<v Speaker 1>for nearly natural something like that. And uh, it does

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<v Speaker 1>not look nearly natural. It's like near beer. Do you

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<v Speaker 1>ever heard people called non alcoholic beer near beer. I

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<v Speaker 1>think it's kind of funny. I used to Um, I

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<v Speaker 1>probably shuldn't tell this story. So with bonds I, um, chuck,

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<v Speaker 1>we're talking, like you said, the little toy trees. And yeah,

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<v Speaker 1>there's plenty of fake bonds I out there, but they're

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<v Speaker 1>just kind of it's the same thing as fake flowers.

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<v Speaker 1>You know. Well it sort of flies in the face

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<v Speaker 1>of what's special about bonsai, which is that it's a

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<v Speaker 1>living work of art. Right it does. And a lot

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<v Speaker 1>of people are like, well, that's just a weird, freakish

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<v Speaker 1>tree that you've been abusing for the last several decades.

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<v Speaker 1>Some people actually do criticize bonsai because it is Yeah,

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<v Speaker 1>it's it's like docking a dog's tail or. Um, it's

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<v Speaker 1>nothing like, but depending on how you feel about plants,

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<v Speaker 1>it's it's the same thing. You're taking something that's natural

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<v Speaker 1>and literally bending it to your will. So there's an

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<v Speaker 1>anti pruning movement going on around the world. Maybe I

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<v Speaker 1>don't know if I would go that far to say it,

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<v Speaker 1>but um, if you are invested in bonds I, if

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<v Speaker 1>you do appreciate bonds eye part of the whole point

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<v Speaker 1>of bonds eye as you are taking your creating a

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<v Speaker 1>tableau that is a a living depiction of nature rather

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<v Speaker 1>than a painting, you're creating a living version of basically

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<v Speaker 1>a painting. It's well sculpture, living sculpture. Yeah, yeah, that's

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<v Speaker 1>even better, Like you can make it out of sculpie clay.

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<v Speaker 1>You could, but then you've you've totally missed the point

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<v Speaker 1>of bonding side Well, they'd been fun too, but but

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<v Speaker 1>it's something different, right, absolutely, So, um, we're going to

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<v Speaker 1>talk about how did how do bonds? I? I have

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<v Speaker 1>to say, um is that a verb as well? It is?

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<v Speaker 1>Now okay, we're gonna Jerry's is cracking up this episode.

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<v Speaker 1>She's she's reading, Uh, what is the guy from Crack's name?

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<v Speaker 1>Alfredy Newman's like kind of Oh yeah, he had like

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<v Speaker 1>this blond yeah counterpart. Yeah, is that still around because

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<v Speaker 1>they're sort of a different thing than they totally. Yeah. Yeah.

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<v Speaker 1>There's this great story behind Cracked, Like Cracked was a

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<v Speaker 1>round for you know, decades, and it just got left

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<v Speaker 1>to languish. And I guess some fan came along and

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<v Speaker 1>was like, hey, I noticed, like you're basically just waiting

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<v Speaker 1>around for Crack to die. Can I have a stab

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<v Speaker 1>at it? A crack at it? I specifically didn't say that,

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<v Speaker 1>but yes, and um they're like whatever, kid, go ahead.

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<v Speaker 1>And the guy basically resurrected crack Cracked in his basement,

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<v Speaker 1>brought it back from the dead, and now it's like huge,

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<v Speaker 1>sold for boatload of money. Oh yeah, good for them.

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<v Speaker 1>I hope it went to that dude who resurrected it.

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<v Speaker 1>That's great. Um, I don't remember how we got onto Cracked.

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<v Speaker 1>Jerry was laughing. Oh she was reading Cracked. That's right. Um.

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<v Speaker 1>So back to Bonds. I like I said, we're gonna

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<v Speaker 1>talk about how two bonds I which like they said

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<v Speaker 1>as a verb. Now, um, but let's talk about the

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<v Speaker 1>history of it first. Yeah, Like, uh, like many things

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<v Speaker 1>in the world, and especially many things that you might

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<v Speaker 1>associate with Japan. It started earlier in China before it

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<v Speaker 1>made its way to Japan. And in China it was

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<v Speaker 1>called well in Japan, did you already say what the

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<v Speaker 1>what it literally means? I think you did. Yeah, it

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<v Speaker 1>means plant in a tray, plant in a tray. In

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<v Speaker 1>China it was punsai, which means tray plant. Not too

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<v Speaker 1>far off. And if you go all the way back

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<v Speaker 1>to the Tang dynasty, um, they there is evidence, you know,

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<v Speaker 1>in tomb paintings that they have these little little prune

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<v Speaker 1>trees in shallow pots. Yeah, it's just like part of

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<v Speaker 1>the painting in the tomb. It's not like featured, it's

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<v Speaker 1>just part of it, kind of depicting regular life. They're like, okay, well,

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<v Speaker 1>at least by seven oh six um CE that there

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<v Speaker 1>were people doing bonzai in China. Ponies, right, Uh, it

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<v Speaker 1>may go back even further than that. There's a legend

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<v Speaker 1>that an emperor round about two oh six BC wanted

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<v Speaker 1>his entire empire China recreated a miniature in his backyard,

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<v Speaker 1>and um, they think they suspect that's possible that that

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<v Speaker 1>may have given rise to pontai. That makes sense. You're

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<v Speaker 1>like we gotta make tiny trees now because the emperor wants. Yeah. Yeah,

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<v Speaker 1>but then either through trade or through gifts, exchanges of

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<v Speaker 1>state departments and stuff like that. Right. Um, Japan does

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<v Speaker 1>what it always did, and it got its handed on

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<v Speaker 1>something and then took it to the nth degree and

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<v Speaker 1>perfected and made it awesome. That's what Japan does. That's

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<v Speaker 1>what they do. Uh. There's an ancient Japanese scroll that

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<v Speaker 1>I found, not literally in my backyard and you're adding

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<v Speaker 1>u that I found on the internet. Uh. And it

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<v Speaker 1>says this is around the Kamakura period, which was totty

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<v Speaker 1>three um. And it says to appreciate and find pleasure

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<v Speaker 1>and curiously curved potted trees is to love deformity, which

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<v Speaker 1>I thought was interesting. And the article I read said it,

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<v Speaker 1>you know, we don't know whether it's positive or negative.

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<v Speaker 1>I think it means positive. Maybe the writer was passive aggressive.

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<v Speaker 1>I thought it was a pretty interesting quote though. Oh

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<v Speaker 1>yeah for sure, because I mean, again, you're training trees

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<v Speaker 1>to to be little freaks of nature basically. Yeah. And um,

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<v Speaker 1>like a lot of other works of art at the time, Um,

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<v Speaker 1>it starts out with like monks and Buddhists, and then

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<v Speaker 1>eventually it becomes like part of the rich elite and

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<v Speaker 1>then eventually works its way to the to the common folk. Right.

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<v Speaker 1>So by the I think the thirteenth fifteen, sixteenth century,

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<v Speaker 1>it was, it was, it was, it would become like

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<v Speaker 1>a pretty well established hobby in Japan. Um, I don't

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<v Speaker 1>I got the impression that wasn't necessarily thought of as

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<v Speaker 1>an art form until the West saw it for the

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<v Speaker 1>first time. So in the seventeenth century, Japan was getting

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<v Speaker 1>really tired of Westerners trying to convert them to Christianity

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<v Speaker 1>and um basically exploiting them in unfair trade practices. So

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<v Speaker 1>they said, you know what Westerners, get out, We are

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<v Speaker 1>isolating ourselves, were closing ourselves off the trade with the

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<v Speaker 1>West except for a few Dutch and Spaniards, and then

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<v Speaker 1>the Chinese did everybody else go away? And they stayed

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<v Speaker 1>like that for a couple hundred years. And um, I

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<v Speaker 1>believe it was Millard Fillmore who sent Matthew Perry Chandler

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<v Speaker 1>being over there with the squadron of navy freighters and

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<v Speaker 1>huge cannons and guns, saying you're gonna trade with us.

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<v Speaker 1>He said, could you guys be any cooler. You have

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<v Speaker 1>all kinds of cool stuff. That's my chandler. So Japan

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<v Speaker 1>opened up basically at the barrel of America's guns. Yeah,

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<v Speaker 1>we should do a show on that. We've talked about

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<v Speaker 1>it enough. It's really interesting the isolationist period, like what

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<v Speaker 1>was what went on there? And then uh, a lot

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<v Speaker 1>of bonds, a lot of goldfish tending. Remember Mr Burns

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<v Speaker 1>was famous quote those sandal wearing goldfish tenders. I don't

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<v Speaker 1>remember that. That's good though. But as far as coming

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<v Speaker 1>to the West, there are a couple of big fairs

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<v Speaker 1>where it kind of exploded, the Paris World Exhibition of

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<v Speaker 1>eighteen seventy eight, in the London Exhibition of nineteen o nine,

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<v Speaker 1>where you know, of course people in the West just

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<v Speaker 1>probably flipped for it. Yeah, because it's so cool. Yeah,

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<v Speaker 1>it is like, oh man, researching this, I I just

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<v Speaker 1>every time I would come across a new term for

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<v Speaker 1>like a style or something, I go look it up

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<v Speaker 1>and I end up spending half an hour just looking

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<v Speaker 1>at Bond's eye pictures. You know, it's really engrossing. Yeah.

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<v Speaker 1>I was gonna be like, all right, I'm doing this.

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<v Speaker 1>I definitely, but I'm gonna wait for what old age,

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<v Speaker 1>So like three or four years from now. Yeah, I

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<v Speaker 1>think I'm going to get into it. Yeah, I think

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<v Speaker 1>it's just for me. I've got too much going on

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<v Speaker 1>right now to do. But it's going to be a

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<v Speaker 1>great retirement past time for me. I could just I

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<v Speaker 1>could see myself really like spending days and days. I

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<v Speaker 1>can see it's caring for these little guys because I like,

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<v Speaker 1>oh yeah, and I like, uh like tiny things and miniatures. Oh,

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<v Speaker 1>you're gonna love Bond's eye. Yeah, like the little tiny

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<v Speaker 1>Tabasco bottles that you get in room service and stuff

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<v Speaker 1>like that. Plus you're crazy for it your doll houses

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<v Speaker 1>that you've built on my doll houses. Yeah, I just

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<v Speaker 1>I don't know. I think you read the doll Heinrich

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<v Speaker 1>Gibson play. Yeah, sure, great. Um, all right, well, I

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<v Speaker 1>guess we should talk about some of those styles and huh,

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<v Speaker 1>well you want to take a break first, Yeah, let's

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<v Speaker 1>do that. Okay, Okay, Josh, you mentioned styles, and I

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<v Speaker 1>did the same thing you did, Buddy. I went and

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<v Speaker 1>looked at pictures and I put little marks next to

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<v Speaker 1>my favorite ones, like your art to what I'm going

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<v Speaker 1>to try and emulate in the future. I'm very curious

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<v Speaker 1>if if we're going to do the same one. Okay,

0:13:06.200 --> 0:13:11.720
<v Speaker 1>you start so upright choken and it's the most formal

0:13:11.800 --> 0:13:17.319
<v Speaker 1>traditional style where it is basically emulates a strong, healthy,

0:13:17.520 --> 0:13:19.920
<v Speaker 1>upright growing tree. Yeah. I love that we take this

0:13:20.040 --> 0:13:22.800
<v Speaker 1>like ancient, amazing art form and the most formal style

0:13:22.840 --> 0:13:28.400
<v Speaker 1>we go right, Yeah, but I agree, didn't delight me. Uh.

0:13:28.440 --> 0:13:31.880
<v Speaker 1>And again, what you're doing is emulating nature, but you're

0:13:31.880 --> 0:13:35.480
<v Speaker 1>doing it in miniature and part of bonsai um is

0:13:36.320 --> 0:13:39.360
<v Speaker 1>using like tricks of the eye, forced perspective, that kind

0:13:39.360 --> 0:13:43.520
<v Speaker 1>of stuff. And um, the upright the choken style UM

0:13:43.559 --> 0:13:47.000
<v Speaker 1>does that by tapering the trunk so it's much wider

0:13:47.000 --> 0:13:49.200
<v Speaker 1>at the bottom than it is that that's the top,

0:13:49.480 --> 0:13:51.200
<v Speaker 1>to kind of give you the idea that you're looking

0:13:51.280 --> 0:13:54.640
<v Speaker 1>up towards a very tall tree. Yeah, and we'll sprinkle

0:13:54.679 --> 0:13:58.840
<v Speaker 1>in bits of the uh sort of philosophical art behind it.

0:13:58.880 --> 0:14:03.000
<v Speaker 1>But the idea is you you sort of imagine a

0:14:03.040 --> 0:14:05.640
<v Speaker 1>scene in your head and then you try and make

0:14:05.679 --> 0:14:07.640
<v Speaker 1>it look like that. Maybe it's something from your past,

0:14:07.760 --> 0:14:10.120
<v Speaker 1>maybe it's a great tree you saw one time on

0:14:10.160 --> 0:14:13.719
<v Speaker 1>a vacation, but just something that makes you feel good. Um.

0:14:13.800 --> 0:14:16.280
<v Speaker 1>You're usually not like, you know, let me just make

0:14:16.320 --> 0:14:19.920
<v Speaker 1>some crazy, weird looking thing because you know I'm drunk, right,

0:14:20.000 --> 0:14:22.680
<v Speaker 1>I'm gonna make the I'm gonna make that tree that

0:14:22.880 --> 0:14:25.640
<v Speaker 1>was next to the place where my friend got hit

0:14:25.720 --> 0:14:29.280
<v Speaker 1>and killed on his bike. No, it's all about harmony. Yes,

0:14:29.680 --> 0:14:32.200
<v Speaker 1>that would be the opposite of Bond's eye. Yes, that's right.

0:14:32.920 --> 0:14:35.080
<v Speaker 1>Uh So moving on to another style, which I did

0:14:35.160 --> 0:14:37.440
<v Speaker 1>not put a check martin next to. But it's okay,

0:14:37.840 --> 0:14:40.520
<v Speaker 1>um a yogi. I like this one. It's okay. It's

0:14:40.560 --> 0:14:46.080
<v Speaker 1>a little like the choke on. Um it's the informal upright, Okay,

0:14:46.120 --> 0:14:48.920
<v Speaker 1>so a little more style maybe. Yeah. So the choke

0:14:49.000 --> 0:14:53.040
<v Speaker 1>on is very formal, very straight. Um, the mayogi is

0:14:53.760 --> 0:14:57.280
<v Speaker 1>it's overall the shape is upright, but it can like

0:14:57.440 --> 0:15:00.240
<v Speaker 1>bend and twist to get to that point. See what

0:15:00.280 --> 0:15:03.080
<v Speaker 1>I'm saying. It's neat. Yeah, I think it's neat. I

0:15:03.080 --> 0:15:05.960
<v Speaker 1>wouldn't mind doing a moyogi at some point in the future,

0:15:05.960 --> 0:15:07.720
<v Speaker 1>but it definitely won't be the first one I try.

0:15:07.760 --> 0:15:10.560
<v Speaker 1>All right, it's it's down the list of it. Uh

0:15:10.600 --> 0:15:18.080
<v Speaker 1>the slanting shakan or or fukanagashi. Fukagashi. Yeah, nice, it's

0:15:18.080 --> 0:15:20.840
<v Speaker 1>that good. Um, these are pretty cool. I have to

0:15:20.880 --> 0:15:22.760
<v Speaker 1>say that has the leaning trunk at a forty five

0:15:22.760 --> 0:15:28.400
<v Speaker 1>degree angle and the branches follow the angle of the trunk. Yeah,

0:15:28.440 --> 0:15:31.960
<v Speaker 1>they're they're parallel to it, right, yes, basically parallel essentially,

0:15:32.480 --> 0:15:36.680
<v Speaker 1>so they're neat looking. Yeah, and that trunk is slanted, uh.

0:15:36.800 --> 0:15:42.520
<v Speaker 1>In in reference to the the pot, the lip the

0:15:42.560 --> 0:15:47.240
<v Speaker 1>lip of the pot, right, um? Right, yes, And we

0:15:47.280 --> 0:15:49.640
<v Speaker 1>should say we haven't said it, so we're talking mostly

0:15:49.640 --> 0:15:51.600
<v Speaker 1>about the trees and that's what gets the most attention.

0:15:52.040 --> 0:15:55.800
<v Speaker 1>But um, classically and at its heart, bonsai is a

0:15:56.160 --> 0:15:58.920
<v Speaker 1>it's a balance, it's a harmony between the plant and

0:15:58.960 --> 0:16:02.040
<v Speaker 1>the pot. Like when you're talking about it bonsai, the

0:16:02.120 --> 0:16:04.720
<v Speaker 1>pot is included in that, it's very part of the

0:16:05.560 --> 0:16:10.080
<v Speaker 1>sculpture itself. Almost Yeah, agreed. Uh. And also with that

0:16:10.320 --> 0:16:14.120
<v Speaker 1>slanting style. Um. Supposedly, even though I saw many examples

0:16:14.120 --> 0:16:17.840
<v Speaker 1>to the contrary, the first branch is supposed to go

0:16:18.000 --> 0:16:23.120
<v Speaker 1>opposite of the angle of the trunk for to provide balance. Right,

0:16:23.160 --> 0:16:30.880
<v Speaker 1>I think that's in the shotgun style, it goes the opposite. Yeah, gotcha. Yeah, alright, alright, chuck,

0:16:31.000 --> 0:16:35.080
<v Speaker 1>next cascade pretty neat and you just lit up like

0:16:35.120 --> 0:16:39.480
<v Speaker 1>a Christmas tree, it's yours. So the semi casscade, the

0:16:39.560 --> 0:16:42.480
<v Speaker 1>han Ken guy is mine. That's the one I'm going

0:16:42.520 --> 0:16:44.520
<v Speaker 1>to try first. All right, well, go ahead and describe

0:16:44.520 --> 0:16:46.840
<v Speaker 1>it then. So basically, and you need a deeper pot.

0:16:46.960 --> 0:16:51.800
<v Speaker 1>So most pots for um uh bonsai are shallow. Um

0:16:51.840 --> 0:16:54.400
<v Speaker 1>this you need like a pretty deep pot forward because

0:16:54.480 --> 0:17:00.120
<v Speaker 1>the plant is basically mostly overhanging. It's outside and hanging

0:17:00.160 --> 0:17:03.720
<v Speaker 1>down from the pot. That's a full on cascade. And

0:17:03.760 --> 0:17:06.880
<v Speaker 1>these are meant to really emulate like a tree that's

0:17:06.960 --> 0:17:09.679
<v Speaker 1>just barely hanging on and like a rocky outcrop on

0:17:09.680 --> 0:17:13.399
<v Speaker 1>a mountain. Interesting. And so the cascade is full on,

0:17:13.560 --> 0:17:17.160
<v Speaker 1>like basically the whole plant has been below the lip

0:17:17.400 --> 0:17:23.119
<v Speaker 1>of the pot. The semi cascade is where right where

0:17:23.200 --> 0:17:26.520
<v Speaker 1>the there's a substantial amount of the plant is still

0:17:26.600 --> 0:17:30.359
<v Speaker 1>in the pot, but it's growing over and down the

0:17:30.480 --> 0:17:33.520
<v Speaker 1>side something that's right or really off to the side,

0:17:33.560 --> 0:17:36.960
<v Speaker 1>wind swept. This semi cascade, I think is another term

0:17:37.000 --> 0:17:39.560
<v Speaker 1>for it. Yeah, now I'm trying to apply psychology to

0:17:39.600 --> 0:17:42.840
<v Speaker 1>why that's your favorite. It's just just the look of it.

0:17:42.920 --> 0:17:46.679
<v Speaker 1>Just aesthetically speaking, I think it's it's great. Next up,

0:17:46.760 --> 0:17:56.040
<v Speaker 1>we have the literati or the bungen or bungeniing bunging guy. Yeah,

0:17:56.240 --> 0:18:01.480
<v Speaker 1>I think that's way better. Probably bujingi one of those.

0:18:02.119 --> 0:18:05.080
<v Speaker 1>So I think I would ask my wife, sure, you know,

0:18:05.280 --> 0:18:06.679
<v Speaker 1>we should just have you me in here with like

0:18:06.720 --> 0:18:12.480
<v Speaker 1>a ruler smacking knuckles. Nope. Um. This is the one

0:18:12.520 --> 0:18:16.400
<v Speaker 1>that's really uh, focuses on perspective. So the idea here

0:18:16.560 --> 0:18:21.399
<v Speaker 1>here is that you're you're looking uh from below to

0:18:21.600 --> 0:18:23.480
<v Speaker 1>a tree that is above, like if you're at the

0:18:23.480 --> 0:18:26.040
<v Speaker 1>base of a mountain looking up. Okay, then you tailor

0:18:26.160 --> 0:18:28.520
<v Speaker 1>the tree to make it look as if And we

0:18:28.520 --> 0:18:31.040
<v Speaker 1>should also mention that you should look at eye level

0:18:31.600 --> 0:18:35.320
<v Speaker 1>is traditionally where you're when you talk about perspective. You know,

0:18:35.359 --> 0:18:38.159
<v Speaker 1>if you're standing four ft above it, right, that's different.

0:18:38.160 --> 0:18:40.480
<v Speaker 1>You should look at bonsai eye level. Yeah, that's why

0:18:40.520 --> 0:18:43.560
<v Speaker 1>they're so frequently displayed at eye level. That's right. And

0:18:43.600 --> 0:18:47.400
<v Speaker 1>there's also it is probably worth mentioning here that there's

0:18:47.440 --> 0:18:50.800
<v Speaker 1>a definite front and a definite back to a bond's eye.

0:18:51.480 --> 0:18:55.000
<v Speaker 1>We'll get into that. Uh. This one is one of

0:18:55.000 --> 0:18:57.879
<v Speaker 1>my favorites. Broom. Yes, we're at the broom. So this

0:18:57.960 --> 0:19:01.480
<v Speaker 1>is this the one that you marked the hokey duchy yes, um,

0:19:01.560 --> 0:19:04.760
<v Speaker 1>and you might look it up people and say, huh interesting.

0:19:05.200 --> 0:19:09.320
<v Speaker 1>Not the most flashy tree. But there's something about it. Man.

0:19:09.359 --> 0:19:13.359
<v Speaker 1>It has this like really full kind of half dome

0:19:14.240 --> 0:19:17.440
<v Speaker 1>with a just a single trunk jutting up. Yeah, it's

0:19:17.440 --> 0:19:19.919
<v Speaker 1>just beautiful to me. It's like it takes the shape

0:19:19.960 --> 0:19:23.439
<v Speaker 1>of like an idealized like maple or oak tree. Yeah

0:19:23.520 --> 0:19:26.240
<v Speaker 1>you know, it reminded me of a like a grand oak. Yeah.

0:19:26.480 --> 0:19:29.120
<v Speaker 1>Well yeah, I wouldn't call you flashy. You've never been

0:19:29.119 --> 0:19:31.480
<v Speaker 1>known to where like I d bracelets or pinky rings

0:19:31.600 --> 0:19:33.360
<v Speaker 1>or I don't know what either one of those things are.

0:19:33.760 --> 0:19:36.600
<v Speaker 1>You know what a pinky ring is? Nope, yes you do.

0:19:37.800 --> 0:19:39.720
<v Speaker 1>I don't know what you're talking about. A pinky ring,

0:19:39.800 --> 0:19:43.600
<v Speaker 1>a man's pinky ring. I don't know what a man is. Okay,

0:19:43.640 --> 0:19:48.520
<v Speaker 1>well I'll tell you later. Uh So next up is

0:19:48.640 --> 0:19:54.520
<v Speaker 1>my absolute favorite by far, the landscape. It's when you

0:19:54.880 --> 0:19:58.919
<v Speaker 1>create your little miniature scene. It's like a shadow box,

0:19:59.359 --> 0:20:01.040
<v Speaker 1>which I used to love doing those when I was

0:20:01.080 --> 0:20:04.119
<v Speaker 1>a kid. My my oldest sister was into this, um

0:20:04.320 --> 0:20:06.679
<v Speaker 1>years and years ago. Yeah, she would make more like

0:20:06.760 --> 0:20:10.000
<v Speaker 1>English gardens kind of in miniature. I love that with

0:20:10.040 --> 0:20:12.360
<v Speaker 1>like you know, with like those gazing balls, she would

0:20:12.400 --> 0:20:14.760
<v Speaker 1>make like, well tiny one of those is the focal

0:20:14.800 --> 0:20:17.160
<v Speaker 1>point of the place. And yeah, so this is when

0:20:17.160 --> 0:20:18.880
<v Speaker 1>you have your little nature scene. You've got moss, you've

0:20:18.880 --> 0:20:21.119
<v Speaker 1>got little rocks, you may even have a water feature.

0:20:21.720 --> 0:20:24.360
<v Speaker 1>And it's just uh, I just ever, I don't know, man, ever,

0:20:24.400 --> 0:20:26.320
<v Speaker 1>since I was a kid. I love little things like that.

0:20:26.440 --> 0:20:29.200
<v Speaker 1>So is that the first one you're gonna try? Well,

0:20:29.359 --> 0:20:32.639
<v Speaker 1>I think I'd probably have to work up to that. Okay, Um,

0:20:32.840 --> 0:20:35.080
<v Speaker 1>you're not gonna just do water features right out of

0:20:35.119 --> 0:20:37.119
<v Speaker 1>the game, you know, but I might have built my

0:20:37.119 --> 0:20:39.320
<v Speaker 1>own fountain once. It's not that hard. You need to

0:20:39.320 --> 0:20:44.159
<v Speaker 1>pump nice um. And this actually China is still into

0:20:44.440 --> 0:20:47.879
<v Speaker 1>um yeah, into bonsai. But this is the stuff that

0:20:47.920 --> 0:20:51.840
<v Speaker 1>they practice called pinging. Yeah, very landscape oriented. Yeah. I

0:20:51.920 --> 0:20:53.960
<v Speaker 1>might even put a little like a camping scene, a

0:20:53.960 --> 0:20:56.080
<v Speaker 1>little fire ring. Oh, that'd be great with some little

0:20:56.240 --> 0:20:59.480
<v Speaker 1>little guys with their acoustic guitars. Right, and then Jason

0:20:59.560 --> 0:21:02.280
<v Speaker 1>Vorhees is standing off to the side just watching them.

0:21:02.400 --> 0:21:07.840
<v Speaker 1>Maybe um, root over or root on rock. This is

0:21:07.880 --> 0:21:09.919
<v Speaker 1>the one I thought was going to be your favorite. Yeah,

0:21:10.160 --> 0:21:12.840
<v Speaker 1>so what's the deal here? Um. You you could definitely

0:21:12.840 --> 0:21:16.240
<v Speaker 1>combine this one with something like cascade or wind sweat. Yeah.

0:21:17.400 --> 0:21:22.439
<v Speaker 1>It's where you train the roots of the um the

0:21:22.560 --> 0:21:25.040
<v Speaker 1>tree to grow around or on top of a rock.

0:21:25.119 --> 0:21:27.359
<v Speaker 1>It's pretty neat, so it looks like it is really

0:21:27.359 --> 0:21:31.520
<v Speaker 1>clinging to a mountain side. Yeah. And what they're trying

0:21:31.600 --> 0:21:33.320
<v Speaker 1>to do in a lot of these cases is give

0:21:33.359 --> 0:21:37.640
<v Speaker 1>the appearance of like an old tree something has been

0:21:37.640 --> 0:21:41.120
<v Speaker 1>around for many years, um, When in fact it may

0:21:41.119 --> 0:21:42.639
<v Speaker 1>be a tree that's like a year old, but it

0:21:42.640 --> 0:21:44.720
<v Speaker 1>looks like some ancient oak or something. Yeah. And we'll

0:21:44.720 --> 0:21:46.680
<v Speaker 1>talk about some of the techniques for doing that later,

0:21:46.720 --> 0:21:49.960
<v Speaker 1>but that is largely the It seems like the initial

0:21:50.040 --> 0:21:53.000
<v Speaker 1>point if you're you're trying to make it look like

0:21:53.040 --> 0:21:55.840
<v Speaker 1>an old tree, or you're creating a tree that you

0:21:55.920 --> 0:21:58.840
<v Speaker 1>intend to live for a few hundred years and get old,

0:21:59.480 --> 0:22:01.480
<v Speaker 1>you know. Yeah. And the oldest one they have in

0:22:01.560 --> 0:22:06.200
<v Speaker 1>DC like four years old. That's not even close. Yeah, Yeah,

0:22:06.280 --> 0:22:08.080
<v Speaker 1>I mean that one's cool. You want to talk about that.

0:22:08.680 --> 0:22:11.399
<v Speaker 1>So there's a white pine at the National Banzai and

0:22:11.440 --> 0:22:15.159
<v Speaker 1>Penji Museum in d C. And it's almost four hundred

0:22:15.280 --> 0:22:19.840
<v Speaker 1>years old. But also notably it survived a pretty big event,

0:22:21.000 --> 0:22:25.320
<v Speaker 1>the bombing of Urashima, and then it was given as

0:22:25.359 --> 0:22:30.119
<v Speaker 1>a gift from Japan to UM the US. Why I

0:22:30.160 --> 0:22:32.080
<v Speaker 1>don't know. I guess they were like, you're don't ever

0:22:32.119 --> 0:22:34.960
<v Speaker 1>do that again. Just take this thing to remind you,

0:22:35.800 --> 0:22:38.840
<v Speaker 1>I think twice. So there are many many older ones,

0:22:38.840 --> 0:22:40.560
<v Speaker 1>and that that was what you're saying. Yeah, there's one

0:22:40.600 --> 0:22:43.879
<v Speaker 1>in uh Museum in Spain. It's a ficus. It's like

0:22:43.920 --> 0:22:46.960
<v Speaker 1>a thousand years old. There's another one that's like a thousand.

0:22:47.040 --> 0:22:49.240
<v Speaker 1>There's a couple that are eight hundred years old. And

0:22:49.280 --> 0:22:53.640
<v Speaker 1>the ideas that many times these are passed within your family, correct, Yeah, yeah,

0:22:53.720 --> 0:22:57.080
<v Speaker 1>very frequently, they'll be handed down as heirlooms, right, UM.

0:22:57.240 --> 0:22:59.960
<v Speaker 1>Now some of the disparity between ages where they're like

0:23:00.160 --> 0:23:03.040
<v Speaker 1>that one doesn't really count. It may have been like

0:23:03.119 --> 0:23:05.919
<v Speaker 1>a thousand year old ficus that somebody found out in

0:23:05.920 --> 0:23:08.320
<v Speaker 1>the wild and collected and has been bond eying for

0:23:08.440 --> 0:23:12.440
<v Speaker 1>twenty years. So this one, I have the impression um

0:23:12.480 --> 0:23:14.639
<v Speaker 1>has been bonds eyed and in the same family for

0:23:14.680 --> 0:23:18.199
<v Speaker 1>like six or seven generations, so it's been like tended to.

0:23:18.800 --> 0:23:20.399
<v Speaker 1>So it may have been kind of old when it

0:23:20.480 --> 0:23:23.960
<v Speaker 1>was when it was collected, um, but it's been bonds

0:23:24.000 --> 0:23:27.480
<v Speaker 1>eyed for hundreds of years. Amazing. All right. To finish

0:23:27.560 --> 0:23:31.359
<v Speaker 1>up the last category, which I think is pretty cool,

0:23:31.720 --> 0:23:38.159
<v Speaker 1>multiform or ikada or SoCon or cabudachi, and that is

0:23:38.200 --> 0:23:40.400
<v Speaker 1>when you have the illusion that you have more than

0:23:40.440 --> 0:23:43.760
<v Speaker 1>one tree, but it's really just one tree. Yeah, that's

0:23:43.760 --> 0:23:45.920
<v Speaker 1>it's pretty cool. So it looks like, you know, it's

0:23:46.000 --> 0:23:49.040
<v Speaker 1>generally jutting out from the bottom obviously of the root

0:23:49.119 --> 0:23:51.879
<v Speaker 1>structure up and it looks like a couple of trees. Yeah,

0:23:51.920 --> 0:23:54.200
<v Speaker 1>but it's a single tree. Some people cheat and put

0:23:54.760 --> 0:23:57.639
<v Speaker 1>several trees in there. But well you can do that, right,

0:23:57.760 --> 0:24:00.080
<v Speaker 1>a little your own little forest, I guess. So it

0:24:00.160 --> 0:24:04.720
<v Speaker 1>isn't that then, really the landscape the psychi maybe? I think,

0:24:04.760 --> 0:24:06.920
<v Speaker 1>you know, what, are the bonsai police gonna come knocking

0:24:07.000 --> 0:24:09.760
<v Speaker 1>on your door? You don't want to mess with those guys,

0:24:09.840 --> 0:24:15.600
<v Speaker 1>No you don't, they'll ignore you. All right, Let's talk

0:24:15.600 --> 0:24:18.440
<v Speaker 1>a little bit about what kind of plants you can use,

0:24:18.520 --> 0:24:22.439
<v Speaker 1>because I did not know this. I thought there was

0:24:22.480 --> 0:24:26.359
<v Speaker 1>a special kind of tree that everybody used to make

0:24:26.400 --> 0:24:30.000
<v Speaker 1>a bonsai. Yeah, but in fact it's it could be

0:24:30.040 --> 0:24:34.119
<v Speaker 1>a tree that out in the wild is tall. I

0:24:34.160 --> 0:24:36.440
<v Speaker 1>had no idea. I thought they were little miniature trees.

0:24:36.480 --> 0:24:38.600
<v Speaker 1>It just grew up to be like a foot tall. Yeah, no,

0:24:38.920 --> 0:24:41.440
<v Speaker 1>a lot. Apparently that's like a common misconception. I saw

0:24:41.480 --> 0:24:44.720
<v Speaker 1>that during research a couple of times. Um. The whole

0:24:44.840 --> 0:24:50.520
<v Speaker 1>key is you are dwarfing a tree, and you're doing

0:24:50.520 --> 0:24:52.919
<v Speaker 1>that by um keeping it in a small container and

0:24:53.000 --> 0:24:55.639
<v Speaker 1>keeping its roots trimmed backed so that it comes to

0:24:55.680 --> 0:25:00.479
<v Speaker 1>basically go against its natural processes and just stay small

0:25:00.520 --> 0:25:05.879
<v Speaker 1>and miniature. Um. But yeah, basically any plant can be

0:25:06.000 --> 0:25:10.400
<v Speaker 1>bonds eyed. Crazy it is. And Um, what I didn't

0:25:10.440 --> 0:25:13.520
<v Speaker 1>realize is that most bonds eye is meant to be outdoors.

0:25:14.320 --> 0:25:16.320
<v Speaker 1>I thought it was strictly indoor. Yeah, and there are

0:25:16.400 --> 0:25:19.760
<v Speaker 1>indoor varieties, like you can take indoor plants or plants

0:25:19.800 --> 0:25:22.000
<v Speaker 1>that do well indoors and make them bonds eye, and

0:25:22.000 --> 0:25:24.320
<v Speaker 1>it's becoming more of a thing. But for the most part,

0:25:24.400 --> 0:25:27.320
<v Speaker 1>if you're doing especially something with like a pine or

0:25:27.359 --> 0:25:31.159
<v Speaker 1>a deciduous tree or a juniper, those are outdoor plants

0:25:31.160 --> 0:25:33.720
<v Speaker 1>and your your bonds eye is meant to stay outdoors,

0:25:33.760 --> 0:25:35.680
<v Speaker 1>except you know, if you bring it in and use

0:25:35.720 --> 0:25:38.640
<v Speaker 1>it as a centerpiece or something once in a while. Yeah,

0:25:38.680 --> 0:25:40.800
<v Speaker 1>And for those trees. Um, it makes a point in

0:25:40.840 --> 0:25:44.880
<v Speaker 1>here that they have a natural yearly cycle that will

0:25:44.920 --> 0:25:48.520
<v Speaker 1>be disrupted if you keep it indoors. So um, you

0:25:48.560 --> 0:25:50.960
<v Speaker 1>may have to overwinter it to a certain degree, but

0:25:51.320 --> 0:25:53.280
<v Speaker 1>you're also going to want to take these out in

0:25:53.320 --> 0:25:56.359
<v Speaker 1>the winter some r um. But it also says that

0:25:56.760 --> 0:25:59.439
<v Speaker 1>it's not like a grown tree that's covered mulch and

0:25:59.480 --> 0:26:02.280
<v Speaker 1>like super rooted, So you can't just leave it out

0:26:02.280 --> 0:26:04.600
<v Speaker 1>all winter, no, and if you do, you would want

0:26:04.600 --> 0:26:06.399
<v Speaker 1>to leave it in like a cold frame or a

0:26:06.440 --> 0:26:09.400
<v Speaker 1>greenhouse or something like that where it's gonna survive, or

0:26:09.720 --> 0:26:12.520
<v Speaker 1>you could also protect it with a bunch of mulch

0:26:12.560 --> 0:26:16.680
<v Speaker 1>too you leave it outside. But yeah, there's it does

0:26:16.760 --> 0:26:19.040
<v Speaker 1>follow a lot of its natural processes, right, So if

0:26:19.040 --> 0:26:22.800
<v Speaker 1>you're doing like a fruiting tree or a flowering tree, like,

0:26:23.280 --> 0:26:26.240
<v Speaker 1>as as long as it's healthy and happy, uh, it's

0:26:26.280 --> 0:26:29.960
<v Speaker 1>going to bear fruit. There's gonna be flowers. Um. Pretty cool. Yeah,

0:26:30.000 --> 0:26:33.199
<v Speaker 1>it's very cool. But you are simulating nature and that

0:26:33.280 --> 0:26:36.919
<v Speaker 1>it's the roots are being kept shallow and trimmed, So

0:26:36.960 --> 0:26:39.600
<v Speaker 1>you have to take that into consideration by protecting it

0:26:39.600 --> 0:26:41.760
<v Speaker 1>from cold and from making sure it has a lot

0:26:41.800 --> 0:26:45.240
<v Speaker 1>of water. Too. Yeah. Well we'll get into the specifics

0:26:45.280 --> 0:26:47.480
<v Speaker 1>of care here in a minute. Um, But as you said,

0:26:47.560 --> 0:26:50.199
<v Speaker 1>you can pretty much use any tree. Ideally, what you

0:26:50.200 --> 0:26:52.600
<v Speaker 1>want to use is something some sort of tree or

0:26:52.640 --> 0:26:56.880
<v Speaker 1>shrub that have small leaves or needles and that can

0:26:56.960 --> 0:27:01.159
<v Speaker 1>get super dense. So you just have sort of more, um,

0:27:01.680 --> 0:27:04.399
<v Speaker 1>more material to work with for your art form. Right.

0:27:04.640 --> 0:27:08.440
<v Speaker 1>How's that? I think it's wonderful. And it all starts

0:27:08.480 --> 0:27:12.800
<v Speaker 1>with roots, right, Yes, So when you're looking for a specimen,

0:27:13.200 --> 0:27:15.080
<v Speaker 1>you can just go to like your local nursery. Some

0:27:15.119 --> 0:27:18.680
<v Speaker 1>people grow stuff from seed. You can also take cuttings

0:27:18.800 --> 0:27:21.800
<v Speaker 1>um and grow them in like rooting hormone or something like. Man,

0:27:21.840 --> 0:27:25.280
<v Speaker 1>if you start from seed, that's like, that's meat, that's dedication.

0:27:25.840 --> 0:27:27.680
<v Speaker 1>And I will also say that if you start with

0:27:28.240 --> 0:27:31.040
<v Speaker 1>a kit that has a bonds I already sort of

0:27:31.040 --> 0:27:34.679
<v Speaker 1>shaped for you, that's fine. I'm not gonna knock it

0:27:34.720 --> 0:27:36.320
<v Speaker 1>too much because you might not have time and you

0:27:36.400 --> 0:27:38.800
<v Speaker 1>might still want to take care with it. That's good point.

0:27:38.960 --> 0:27:41.560
<v Speaker 1>But I would recommend like to get your full experience

0:27:41.560 --> 0:27:44.680
<v Speaker 1>and maybe start with a cutting that you kind of

0:27:44.960 --> 0:27:47.200
<v Speaker 1>grow as your own little baby, right, Or you can

0:27:47.240 --> 0:27:49.560
<v Speaker 1>go to like a nursery or something like that and

0:27:49.640 --> 0:27:52.040
<v Speaker 1>just say I would like to buy this plant and

0:27:52.080 --> 0:27:54.240
<v Speaker 1>I'm going to turn it into a Bond's eye. That

0:27:54.320 --> 0:27:57.760
<v Speaker 1>definitely counts as well. So, UM, a really good one

0:27:57.840 --> 0:28:02.800
<v Speaker 1>to start with that I found is juniper. Most junipers

0:28:02.800 --> 0:28:05.760
<v Speaker 1>they grow as groundcovers, so they stay fairly low to

0:28:05.800 --> 0:28:11.440
<v Speaker 1>the ground normally, so they do well being miniaturized. They're

0:28:11.440 --> 0:28:15.360
<v Speaker 1>also pretty hardy plants from what I understand, and um,

0:28:15.359 --> 0:28:19.960
<v Speaker 1>they grow really well in any temperate climate, relatively temperate climate.

0:28:20.200 --> 0:28:23.600
<v Speaker 1>So you go to a nursery and you you want

0:28:23.600 --> 0:28:27.119
<v Speaker 1>to kind of go already with the style in mind

0:28:27.119 --> 0:28:29.679
<v Speaker 1>that you're going to go with, whether it's broom or

0:28:29.720 --> 0:28:33.679
<v Speaker 1>whether it's wind swept or semi cascade or whatever, because

0:28:33.680 --> 0:28:36.520
<v Speaker 1>then you'll you'll be able to kind of narrow down

0:28:36.960 --> 0:28:39.240
<v Speaker 1>the plant that you want to buy because it's already

0:28:39.280 --> 0:28:41.960
<v Speaker 1>gonna you're almost seeing it in there, like you know

0:28:42.000 --> 0:28:44.200
<v Speaker 1>how sculptors say that they like look at a piece

0:28:44.240 --> 0:28:46.720
<v Speaker 1>of marble and they're just chipping away from what was

0:28:46.760 --> 0:28:49.840
<v Speaker 1>already in there all along. It's very similar with bondsai

0:28:49.960 --> 0:28:52.880
<v Speaker 1>as well. You go in, you find the plant that

0:28:52.960 --> 0:28:55.680
<v Speaker 1>kind of suits your needs a little bit and then yeah,

0:28:55.800 --> 0:28:58.800
<v Speaker 1>you dig down and you want to find the first

0:28:58.880 --> 0:29:01.320
<v Speaker 1>roots that come off of this, off of the trunk,

0:29:02.000 --> 0:29:05.200
<v Speaker 1>and that's where that's what's called the crown. Right, That's right.

0:29:05.960 --> 0:29:09.440
<v Speaker 1>And as long as those are pretty healthy looking and intact,

0:29:10.000 --> 0:29:12.320
<v Speaker 1>it's probably a pretty good bet that you can turn

0:29:12.360 --> 0:29:14.880
<v Speaker 1>that thing into a bonsai. That's right. And you should

0:29:14.920 --> 0:29:18.560
<v Speaker 1>remember too that Um, the more you want to alter

0:29:18.840 --> 0:29:21.760
<v Speaker 1>the tree, the probably younger and smaller it should be

0:29:21.800 --> 0:29:25.080
<v Speaker 1>to begin with. Um, because you can only do so much.

0:29:25.640 --> 0:29:27.560
<v Speaker 1>You know, you can't take a tree that's like stick

0:29:27.640 --> 0:29:29.160
<v Speaker 1>straight and be like, all right now, I want it

0:29:29.200 --> 0:29:32.920
<v Speaker 1>to cascade all the way back down. I yeah, you

0:29:33.320 --> 0:29:35.280
<v Speaker 1>might be able to, but it would take decades to

0:29:35.360 --> 0:29:37.040
<v Speaker 1>get it to grow like that. I would say you

0:29:37.160 --> 0:29:39.160
<v Speaker 1>have to be a bonsai master. Yeah, you would in

0:29:39.240 --> 0:29:42.360
<v Speaker 1>order to do that again like Mr Miyagi. But these

0:29:42.400 --> 0:29:47.880
<v Speaker 1>exposed roots, UM, it's going to give the appearance if

0:29:47.920 --> 0:29:49.680
<v Speaker 1>you want to have that age look like it's an

0:29:49.720 --> 0:29:53.320
<v Speaker 1>ancient tree. Maybe ancient trees usually have these great, big

0:29:53.400 --> 0:29:55.040
<v Speaker 1>roots that you see sort of on top of the ground.

0:29:55.720 --> 0:29:57.200
<v Speaker 1>So that's a neat thing you can do with your

0:29:57.240 --> 0:30:00.960
<v Speaker 1>bondsaye um. Plus, Also, what's great when you dig down

0:30:01.040 --> 0:30:03.840
<v Speaker 1>to the those top roots that form the crown, where

0:30:03.840 --> 0:30:06.120
<v Speaker 1>the trunk ends and the roots, the real roots begin,

0:30:06.160 --> 0:30:08.520
<v Speaker 1>there's gonna be plenty of fewer roots above that, and

0:30:08.560 --> 0:30:10.680
<v Speaker 1>you're actually gonna want to trim those away. But it

0:30:11.000 --> 0:30:15.280
<v Speaker 1>gives what was once a pretty short plant suddenly has

0:30:15.320 --> 0:30:17.800
<v Speaker 1>a trunk now, and you're like, oh, okay, wow, I

0:30:17.840 --> 0:30:20.320
<v Speaker 1>see where this is coming from. Its starting to take

0:30:20.320 --> 0:30:22.600
<v Speaker 1>shape just right out of the gate. Yeah, and what

0:30:22.640 --> 0:30:24.640
<v Speaker 1>you're doing, what I mean, we'll talk about pruning in

0:30:24.720 --> 0:30:26.960
<v Speaker 1>a bit, but how you're shaping this is with wire,

0:30:27.360 --> 0:30:30.480
<v Speaker 1>either with like aluminum or copper wiring that you can

0:30:30.560 --> 0:30:34.000
<v Speaker 1>leave on to bend the tree to your will up

0:30:34.040 --> 0:30:36.480
<v Speaker 1>to like a year. But you want to be careful

0:30:36.520 --> 0:30:38.400
<v Speaker 1>and not make it too tight because it can actually

0:30:38.880 --> 0:30:41.400
<v Speaker 1>cut into the tree, which you don't want at all,

0:30:41.920 --> 0:30:44.640
<v Speaker 1>and um, so you keep it on your wiring. And

0:30:44.800 --> 0:30:48.000
<v Speaker 1>the idea is that, again with harmony, you don't want

0:30:48.200 --> 0:30:51.200
<v Speaker 1>branches a mess of branches obscuring one another. You want

0:30:51.200 --> 0:30:55.320
<v Speaker 1>each branch to have have sort of its own personality exactly. Yeah,

0:30:55.440 --> 0:30:56.840
<v Speaker 1>So you want to talk about how to how to

0:30:57.080 --> 0:31:00.800
<v Speaker 1>start a bonds eye let? Okay, so you go in

0:31:01.160 --> 0:31:04.200
<v Speaker 1>you find your you find your plan and by the way, um,

0:31:04.680 --> 0:31:06.160
<v Speaker 1>well we're going to kind of give you a step

0:31:06.160 --> 0:31:08.960
<v Speaker 1>by step. But I found a really good website called

0:31:09.000 --> 0:31:13.400
<v Speaker 1>Bondsay for Beginners dot com um and they have a

0:31:13.480 --> 0:31:19.000
<v Speaker 1>really really good, really well written even though there's lots

0:31:19.000 --> 0:31:22.240
<v Speaker 1>of misspelled words, but just it's really understandable. Is for

0:31:22.400 --> 0:31:27.240
<v Speaker 1>the number four, that's like f O R E no

0:31:27.840 --> 0:31:31.040
<v Speaker 1>bonds eye four beginners. Wow, yeah, I don't remember if

0:31:31.080 --> 0:31:33.360
<v Speaker 1>it is the number four. I don't think it is. Okay,

0:31:33.680 --> 0:31:35.760
<v Speaker 1>just look it up and if it's somebody from New

0:31:35.840 --> 0:31:39.760
<v Speaker 1>Zealand writing, you found the right one. Um. But they

0:31:39.280 --> 0:31:42.200
<v Speaker 1>they they basically have a great step by step of

0:31:42.240 --> 0:31:44.280
<v Speaker 1>how to do it all. Right, So you want to

0:31:44.280 --> 0:31:45.960
<v Speaker 1>buy a tree. A good time of the year to

0:31:45.960 --> 0:31:49.560
<v Speaker 1>do this is to go in the spring when the

0:31:49.560 --> 0:31:53.480
<v Speaker 1>the growing cycle begins, uh, and go to your nursery

0:31:53.760 --> 0:31:57.400
<v Speaker 1>and uh. Like you said, you you're looking for whatever

0:31:57.480 --> 0:32:00.680
<v Speaker 1>tree that fits your mind's eye of what you've eventually want.

0:32:01.000 --> 0:32:03.280
<v Speaker 1>And it saysn't here to start with your scene and

0:32:03.320 --> 0:32:05.719
<v Speaker 1>work towards that. I think I would be more inclined

0:32:05.720 --> 0:32:08.160
<v Speaker 1>to sort of preform a little bit, you know, over

0:32:08.200 --> 0:32:12.120
<v Speaker 1>the years okay, which I'm sure is fine. You're gonna

0:32:12.120 --> 0:32:13.960
<v Speaker 1>be the bad boy of the bonds by world, aren't

0:32:14.680 --> 0:32:17.240
<v Speaker 1>You Never know what I'm gonna do next exhibitions wearing

0:32:17.280 --> 0:32:21.880
<v Speaker 1>like a motorcycle jacket possibly. Uh So the price is

0:32:21.880 --> 0:32:24.960
<v Speaker 1>gonna vary depending on what kind of tree you're getting. Um.

0:32:25.000 --> 0:32:26.880
<v Speaker 1>And of course I looked up the kits there. You

0:32:26.920 --> 0:32:28.920
<v Speaker 1>know they can be fifty to a couple hundred bucks

0:32:29.440 --> 0:32:31.600
<v Speaker 1>depending on the kind of tree and like how finished

0:32:31.640 --> 0:32:33.800
<v Speaker 1>looking it is, right or I mean like it can

0:32:34.160 --> 0:32:38.560
<v Speaker 1>you can go spend ten to twenty on like a say,

0:32:38.600 --> 0:32:42.160
<v Speaker 1>like a juniper. And then and there are plenty of

0:32:42.200 --> 0:32:44.520
<v Speaker 1>bonds eye tools that you can buy. The Internet will

0:32:44.520 --> 0:32:46.320
<v Speaker 1>be happy to take your money for that. But you

0:32:46.320 --> 0:32:49.800
<v Speaker 1>can also make do with other stuff like florists. Wire.

0:32:49.920 --> 0:32:53.040
<v Speaker 1>You can get the copper wire you need from probably

0:32:53.080 --> 0:32:58.200
<v Speaker 1>a hardware store piers. There's yeah, plyers. Uh. Scissors, scissors

0:32:58.520 --> 0:33:04.200
<v Speaker 1>smaller the better, sure, um because little first grade scissors. Um.

0:33:04.280 --> 0:33:07.680
<v Speaker 1>And then you're also gonna want like a root rake um,

0:33:07.800 --> 0:33:10.360
<v Speaker 1>which you can just bend a fork and bam you've

0:33:10.360 --> 0:33:12.880
<v Speaker 1>got a root rake boom, So you've got your plant

0:33:13.040 --> 0:33:15.920
<v Speaker 1>or where you're saying it's a juniper. You're gonna dig down.

0:33:16.440 --> 0:33:19.959
<v Speaker 1>You're going to um, you're gonna basically take it out,

0:33:20.000 --> 0:33:21.520
<v Speaker 1>put it on the table in front of you. You

0:33:21.520 --> 0:33:24.440
<v Speaker 1>want to spray bottle of water and take a shot

0:33:24.440 --> 0:33:30.000
<v Speaker 1>of saki. Right, get started traditionally exactly you go and

0:33:30.040 --> 0:33:33.680
<v Speaker 1>then you you get started. Um. So you take the

0:33:33.760 --> 0:33:35.640
<v Speaker 1>dirt off of the top layer all the way down

0:33:35.720 --> 0:33:37.800
<v Speaker 1>to the crown. And again there's a bunch of feet

0:33:37.800 --> 0:33:40.520
<v Speaker 1>of roots which you want to trim from the trunk itself.

0:33:40.960 --> 0:33:42.800
<v Speaker 1>And then you you take a look at the roots

0:33:42.840 --> 0:33:45.040
<v Speaker 1>like you you scraped the dirt away, and you really

0:33:45.080 --> 0:33:48.040
<v Speaker 1>look at the roots structure, and you say, I gotta

0:33:48.080 --> 0:33:49.800
<v Speaker 1>get rid of a lot of this. Yeah, and you

0:33:49.800 --> 0:33:52.240
<v Speaker 1>should already have your your pot at this point, by

0:33:52.240 --> 0:33:55.440
<v Speaker 1>the way, because this is the first step, is the

0:33:56.280 --> 0:34:01.120
<v Speaker 1>uh potting, right. And I've seen people, usually especially beginners,

0:34:01.120 --> 0:34:03.760
<v Speaker 1>make the mistake when they're first creating a bond's eye

0:34:03.880 --> 0:34:07.080
<v Speaker 1>that um, they go real small with the pot. You're

0:34:07.120 --> 0:34:09.200
<v Speaker 1>gonna go through a couple of pots in the first

0:34:09.239 --> 0:34:12.680
<v Speaker 1>few years. Um, So they say, don't be afraid to

0:34:12.719 --> 0:34:13.920
<v Speaker 1>use a big pot. As a matter of fact, you

0:34:13.960 --> 0:34:15.759
<v Speaker 1>should probably use a bigger pot. Than you think you

0:34:15.760 --> 0:34:19.239
<v Speaker 1>should for its first pots. Eventually, three or four years

0:34:19.239 --> 0:34:21.560
<v Speaker 1>down the road, you're going to finally come to that

0:34:21.760 --> 0:34:24.200
<v Speaker 1>that one pot that this thing stays in for the

0:34:24.239 --> 0:34:26.880
<v Speaker 1>rest of its life, and you're gonna repot it every

0:34:26.920 --> 0:34:29.239
<v Speaker 1>couple of years, but you're gonna repot it in the

0:34:29.280 --> 0:34:31.400
<v Speaker 1>same pot. Yeah, you're gonna be a flea market and

0:34:31.440 --> 0:34:33.760
<v Speaker 1>it's gonna just there's gonna be a golden light shine

0:34:33.840 --> 0:34:37.399
<v Speaker 1>around this one pot. And you're gonna say that things

0:34:37.440 --> 0:34:40.000
<v Speaker 1>twenty dollars and James Brown is gonna be like, dude,

0:34:40.120 --> 0:34:42.879
<v Speaker 1>you see the lie, and then you'll talk him down

0:34:42.920 --> 0:34:45.799
<v Speaker 1>to fourteen dollars and then up to seventeen, and then

0:34:45.800 --> 0:34:47.839
<v Speaker 1>you'll meet at the middle of fifteen. Nice and then

0:34:47.840 --> 0:34:52.279
<v Speaker 1>you've got your pot. That'll be a great day. Uh.

0:34:52.360 --> 0:34:54.480
<v Speaker 1>All right, So you're at the roots, I think. Yeah,

0:34:54.520 --> 0:34:57.200
<v Speaker 1>so when you trim the roots away. I was really

0:34:57.200 --> 0:34:59.360
<v Speaker 1>surprised by this. You want to trim about two thirds

0:34:59.400 --> 0:35:02.839
<v Speaker 1>of the roots present on your plant when you buy it. Yeah,

0:35:02.840 --> 0:35:06.839
<v Speaker 1>it even says in here that seems extreme, But don't fret, no, um,

0:35:06.840 --> 0:35:08.880
<v Speaker 1>and the roots you really want to go after, the

0:35:08.920 --> 0:35:12.200
<v Speaker 1>bigger ones, the more established ones. You want to leave

0:35:12.320 --> 0:35:15.680
<v Speaker 1>some at the top at that crown. But um, especially

0:35:15.719 --> 0:35:17.920
<v Speaker 1>if you're dealing with a tree and it has a

0:35:17.960 --> 0:35:20.839
<v Speaker 1>tap root, that root that goes like straight down, that's

0:35:20.840 --> 0:35:24.040
<v Speaker 1>actually not as much for watering as it is for stability,

0:35:24.200 --> 0:35:26.480
<v Speaker 1>and you don't need it in your tiny, little shallow pot.

0:35:26.760 --> 0:35:29.360
<v Speaker 1>So you want to get rid of roots like that. Yep,

0:35:29.719 --> 0:35:31.640
<v Speaker 1>you've got your pot. Um. You want to put a

0:35:31.680 --> 0:35:35.360
<v Speaker 1>little thin layer of gravel for drainage. Um. Yeah, and

0:35:35.360 --> 0:35:38.520
<v Speaker 1>that's another big thing. Your pot has to have drainage holes,

0:35:38.920 --> 0:35:43.920
<v Speaker 1>good ones. Yeah. Well you're the lawn watering expert. You

0:35:43.960 --> 0:35:47.759
<v Speaker 1>don't want a quarter quarter into of water over it

0:35:47.840 --> 0:35:50.319
<v Speaker 1>to standing. All right, So you've got your pot, you've

0:35:50.360 --> 0:35:54.040
<v Speaker 1>got your gravel down there. Um, you've trimmed your roots,

0:35:55.000 --> 0:35:58.880
<v Speaker 1>and you need your soil mixture. Yeah, this is a

0:35:58.880 --> 0:36:00.840
<v Speaker 1>big one. It's a big one. And there are different

0:36:01.000 --> 0:36:03.759
<v Speaker 1>um schools of thought on what kind of soil It

0:36:03.840 --> 0:36:08.520
<v Speaker 1>says in here, um equal parts uh, sand, pete, and loam. Yeah,

0:36:08.560 --> 0:36:11.920
<v Speaker 1>that's I guess that's like a general generic go to

0:36:12.120 --> 0:36:14.319
<v Speaker 1>bonds eyes. But you want soil specific to your tree,

0:36:15.120 --> 0:36:18.360
<v Speaker 1>Like if you have a juniper, that's gonna probably be

0:36:18.440 --> 0:36:22.160
<v Speaker 1>different soil than what like olive tree needs. And so

0:36:22.280 --> 0:36:24.000
<v Speaker 1>you just need to find out about the plant that

0:36:24.040 --> 0:36:25.920
<v Speaker 1>your bonds eyeing and find out what kind of soil

0:36:25.960 --> 0:36:28.000
<v Speaker 1>it likes, how much water it needs, what kind of

0:36:28.080 --> 0:36:31.839
<v Speaker 1>nutrients it takes, um, and what kind of sunlight it needs.

0:36:31.960 --> 0:36:34.799
<v Speaker 1>Especially that's right, it's a big one. So you stick

0:36:34.880 --> 0:36:37.040
<v Speaker 1>that sucker in there. You've got your trimmed roots, and

0:36:37.040 --> 0:36:40.440
<v Speaker 1>you want to spread them out really evenly. Um, you know,

0:36:40.680 --> 0:36:44.600
<v Speaker 1>towards the edges of the pot. Yeah, of the container right, um,

0:36:44.920 --> 0:36:47.000
<v Speaker 1>through like just all throughout the container. You want the

0:36:47.080 --> 0:36:48.960
<v Speaker 1>roots going down. Yeah, and I don't think we mentioned

0:36:49.040 --> 0:36:51.680
<v Speaker 1>you should run a wire up through the drainage hole

0:36:51.760 --> 0:36:55.440
<v Speaker 1>to support the tree. Initially, Yeah, this is a big one, um.

0:36:55.480 --> 0:36:58.400
<v Speaker 1>And this this wire, this is it's going to support

0:36:58.400 --> 0:37:00.479
<v Speaker 1>the tree. But also if you're gonna in the tree,

0:37:00.480 --> 0:37:02.680
<v Speaker 1>so you're doing a cascade or a semi cascade or

0:37:02.680 --> 0:37:08.080
<v Speaker 1>anything like that, exactly, you're gonna use that wire, um too.

0:37:08.480 --> 0:37:11.680
<v Speaker 1>You're gonna go train it around the trunk and then

0:37:11.800 --> 0:37:14.839
<v Speaker 1>bend the wire. It's gonna bend the poor plant with it,

0:37:15.200 --> 0:37:16.560
<v Speaker 1>and you're gonna leave it on there for like a

0:37:16.600 --> 0:37:19.080
<v Speaker 1>month or so at least, but you want to keep

0:37:19.120 --> 0:37:22.600
<v Speaker 1>a really close eye on it because the tree will

0:37:22.600 --> 0:37:25.520
<v Speaker 1>start to grow around it and it will be forever scarred.

0:37:25.560 --> 0:37:27.880
<v Speaker 1>And as far as Bond's eye is concerned, you're just

0:37:28.000 --> 0:37:30.320
<v Speaker 1>ruined your plants. So you want to keep a close

0:37:30.320 --> 0:37:33.520
<v Speaker 1>eye on it. Um, you want to make it tight,

0:37:33.640 --> 0:37:35.360
<v Speaker 1>but you want to make it tight enough so that

0:37:35.400 --> 0:37:37.560
<v Speaker 1>when you bend it, it's going to bend the tree

0:37:37.600 --> 0:37:40.479
<v Speaker 1>with it, but not so tight that it bites into

0:37:40.640 --> 0:37:43.600
<v Speaker 1>or damages the tree. And um, yeah, you want to

0:37:43.640 --> 0:37:45.319
<v Speaker 1>keep a really close eye on it to make sure

0:37:45.320 --> 0:37:47.959
<v Speaker 1>the tree doesn't grow. And then when it's done after

0:37:48.000 --> 0:37:50.919
<v Speaker 1>a month, maybe longer this article says up to a year,

0:37:50.960 --> 0:37:54.680
<v Speaker 1>but I didn't see that anywhere else. Um, you want

0:37:54.719 --> 0:37:57.560
<v Speaker 1>to clip clip it away like you're not gonna unwind

0:37:57.600 --> 0:37:59.480
<v Speaker 1>it or else you're probably gonna break your bonds up.

0:37:59.719 --> 0:38:02.200
<v Speaker 1>And hope cle your tree won't go and pop back

0:38:02.200 --> 0:38:04.239
<v Speaker 1>into place, and if it does, you just have to

0:38:04.280 --> 0:38:07.640
<v Speaker 1>redo it again. Patients, my friend, Patients, that's right, they

0:38:07.640 --> 0:38:10.680
<v Speaker 1>say in the article Patients is the best tool that

0:38:10.719 --> 0:38:13.680
<v Speaker 1>you can have in your arsenal. Um, So you get

0:38:13.680 --> 0:38:15.920
<v Speaker 1>the wire sticking up through the drainage hole. Now, that's right.

0:38:16.040 --> 0:38:18.200
<v Speaker 1>And um, you for as far as the soil you

0:38:18.239 --> 0:38:20.680
<v Speaker 1>want it to be, you want to tap it and

0:38:20.800 --> 0:38:23.160
<v Speaker 1>kind of you know, shake the pot around to remove

0:38:23.160 --> 0:38:25.840
<v Speaker 1>the air pockets firm and around the base of the tree.

0:38:25.880 --> 0:38:29.120
<v Speaker 1>But you don't want it so packed in that. You know,

0:38:29.160 --> 0:38:31.000
<v Speaker 1>the water's got to go through and drain all the

0:38:31.040 --> 0:38:33.920
<v Speaker 1>way through and out. Right. Well, you want well draining soil.

0:38:34.000 --> 0:38:36.480
<v Speaker 1>One thing I saw was three parts potting soil to

0:38:36.560 --> 0:38:40.680
<v Speaker 1>one part like miniature gravel basically, so the soil is

0:38:40.680 --> 0:38:44.400
<v Speaker 1>gonna drain. Well, Apparently you do want it kind of

0:38:44.440 --> 0:38:48.520
<v Speaker 1>packed because that that tree does not have stability with

0:38:48.560 --> 0:38:50.359
<v Speaker 1>its roots, so it's going to rely on the dirt

0:38:50.400 --> 0:38:54.560
<v Speaker 1>more than it normally would. Yeah, especially around the trunk right. Um.

0:38:54.680 --> 0:38:56.920
<v Speaker 1>And then but yeah, you want to shake it to

0:38:56.960 --> 0:38:59.279
<v Speaker 1>get the air pockets out for sure, that's right. Um.

0:38:59.320 --> 0:39:02.800
<v Speaker 1>A lot of people also puts additional gravel on top

0:39:02.920 --> 0:39:06.160
<v Speaker 1>to keep the dirt in place when it's water like that. Yeah,

0:39:06.239 --> 0:39:09.359
<v Speaker 1>and it looks nice to agreed. Uh. So you don't

0:39:09.360 --> 0:39:11.440
<v Speaker 1>want to do that and then go throw it out

0:39:11.440 --> 0:39:14.640
<v Speaker 1>in the full sun all day long in July. What

0:39:14.719 --> 0:39:16.160
<v Speaker 1>you want to do is start it in a shady

0:39:16.200 --> 0:39:18.960
<v Speaker 1>spot for about a week and let it get used

0:39:19.000 --> 0:39:22.280
<v Speaker 1>to be in shorter rooted and in a weird new container,

0:39:22.719 --> 0:39:24.880
<v Speaker 1>and let it accept the fact that it's. Um, I know,

0:39:24.920 --> 0:39:27.759
<v Speaker 1>I'm gonna be small. This is gonna hurt. I'm gonna

0:39:27.760 --> 0:39:30.040
<v Speaker 1>be small. I'm never gonna be a big big daddy.

0:39:30.719 --> 0:39:33.640
<v Speaker 1>And once it gets over that and accepts its fate, um,

0:39:33.760 --> 0:39:36.000
<v Speaker 1>and it says, you know what, I actually like this

0:39:36.040 --> 0:39:37.920
<v Speaker 1>because I'm gonna be a beautiful work of art and

0:39:37.960 --> 0:39:40.160
<v Speaker 1>get lots of care and attention. Now you can move

0:39:40.160 --> 0:39:41.680
<v Speaker 1>me into the sun a little bit at a time,

0:39:41.760 --> 0:39:44.160
<v Speaker 1>a couple of hours at a time, Yeah, sir or ma'am,

0:39:44.239 --> 0:39:49.480
<v Speaker 1>thank you master, and um since yes sin say and

0:39:49.520 --> 0:39:51.880
<v Speaker 1>then uh yeah, a couple of hours in the morning,

0:39:52.480 --> 0:39:55.279
<v Speaker 1>and then before you know it, you can have that

0:39:55.280 --> 0:39:58.760
<v Speaker 1>that bad boy out there, like weathering all kinds of weather,

0:39:59.560 --> 0:40:03.600
<v Speaker 1>weathering about normal weather like it normally would. Yeah. Um,

0:40:03.640 --> 0:40:06.080
<v Speaker 1>And your plants gonna tell you whether it's happy or

0:40:06.120 --> 0:40:09.440
<v Speaker 1>not happy. I think with buns I in particular, you're

0:40:09.480 --> 0:40:12.279
<v Speaker 1>gonna notice like every little change in your plant because

0:40:12.320 --> 0:40:15.200
<v Speaker 1>you're really concentrating on it and focusing on it, and

0:40:15.239 --> 0:40:17.640
<v Speaker 1>all the rest of your plants are gonna hate you. Yeah,

0:40:17.840 --> 0:40:20.440
<v Speaker 1>they're gonna be like, remember me, your spider plant is

0:40:20.440 --> 0:40:23.960
<v Speaker 1>gonna be like growing around your throat, just closing off

0:40:24.000 --> 0:40:28.319
<v Speaker 1>your airway. So watch out for your spider plant. Um.

0:40:28.360 --> 0:40:30.960
<v Speaker 1>And I should say one more thing took When you

0:40:31.000 --> 0:40:35.759
<v Speaker 1>first pot your plant, um, you the first watering. You

0:40:35.760 --> 0:40:37.640
<v Speaker 1>should basically take it in like a tray or a

0:40:37.680 --> 0:40:40.840
<v Speaker 1>pan or a bucket of water and submerge it to

0:40:41.000 --> 0:40:44.880
<v Speaker 1>the soil level and just let it sit there. Yeah,

0:40:45.239 --> 0:40:47.439
<v Speaker 1>this is what I've seen. Don't like plunk it in there.

0:40:47.920 --> 0:40:50.680
<v Speaker 1>Slowly submerge it in there, and that water is going

0:40:50.760 --> 0:40:54.120
<v Speaker 1>to make sure that every route gets into water and um,

0:40:54.160 --> 0:40:56.520
<v Speaker 1>it's going to fill in any air pockets that are

0:40:56.560 --> 0:40:59.799
<v Speaker 1>in there. So it's really going to basically solidify your

0:41:00.160 --> 0:41:03.480
<v Speaker 1>um soil. Pack it in and just get it ready.

0:41:03.760 --> 0:41:07.120
<v Speaker 1>Very nice, pretty neat, right, super neat. Should we take

0:41:07.120 --> 0:41:09.520
<v Speaker 1>a break. All right, We're gonna come back and talk

0:41:09.520 --> 0:41:12.840
<v Speaker 1>a little bit more about bonds I care and shaping,

0:41:12.920 --> 0:41:37.200
<v Speaker 1>which is where the money is. So check you got

0:41:37.200 --> 0:41:40.040
<v Speaker 1>your bonds eye yep you are. You've moved it back

0:41:40.040 --> 0:41:43.040
<v Speaker 1>onto the sunlight. It's basically accepted its fate as a

0:41:43.080 --> 0:41:48.920
<v Speaker 1>smaller version of itself. You've named it right right now? Yeah?

0:41:50.640 --> 0:41:55.440
<v Speaker 1>Uh Alan, okay, mine's Roy, So Allan and Roy. The

0:41:55.480 --> 0:42:00.120
<v Speaker 1>bonds eye twins are hanging out outside um when you

0:42:00.200 --> 0:42:04.520
<v Speaker 1>first pot it. You can also prepare the limbs to um,

0:42:04.600 --> 0:42:08.640
<v Speaker 1>where you're basically trimming the limbs back, one going. So

0:42:08.800 --> 0:42:10.799
<v Speaker 1>remember there's one in the front. There's a front and

0:42:10.840 --> 0:42:13.080
<v Speaker 1>the back to it right, yeah, which you should establish

0:42:13.120 --> 0:42:17.239
<v Speaker 1>and stick to right typically with bonds I. In traditional

0:42:17.280 --> 0:42:21.440
<v Speaker 1>bonds I, the first the first um limb is about

0:42:21.440 --> 0:42:24.080
<v Speaker 1>a third of the way up from the dirt, uh,

0:42:24.120 --> 0:42:26.840
<v Speaker 1>and it's going to jut out to the right. Second

0:42:26.840 --> 0:42:29.680
<v Speaker 1>one is going to jut out the opposite direction, but

0:42:29.760 --> 0:42:31.759
<v Speaker 1>it's not going to be even with the other one.

0:42:31.800 --> 0:42:33.680
<v Speaker 1>It's gonna be another about third of the way up.

0:42:34.200 --> 0:42:37.719
<v Speaker 1>You don't you don't ever, you rarely want um limbs

0:42:37.760 --> 0:42:41.920
<v Speaker 1>even with one another. It's called a bar that's unsightly exactly. Um.

0:42:42.000 --> 0:42:44.239
<v Speaker 1>So the next one huts out the opposite direction, and

0:42:44.239 --> 0:42:46.080
<v Speaker 1>then the third one is about another third the way up,

0:42:46.120 --> 0:42:48.840
<v Speaker 1>and that juts out towards the back, so it gives

0:42:48.880 --> 0:42:53.040
<v Speaker 1>the impression of distance of perspective and bowing and growing

0:42:53.040 --> 0:42:57.640
<v Speaker 1>out the back. Ye. Balance and harmony. UM. And you

0:42:57.719 --> 0:43:02.160
<v Speaker 1>do this by you can take that wire, different lighter wire,

0:43:02.200 --> 0:43:04.759
<v Speaker 1>depending on the size of the limb, and bend them

0:43:04.760 --> 0:43:07.480
<v Speaker 1>in the ways that you want. But more often than not,

0:43:07.600 --> 0:43:10.200
<v Speaker 1>you're going to be creating these illusions or this this

0:43:10.280 --> 0:43:13.359
<v Speaker 1>pattern by trimming your bond's eye. And like you said,

0:43:13.400 --> 0:43:15.239
<v Speaker 1>this is where the money is. This is where when

0:43:15.280 --> 0:43:16.719
<v Speaker 1>you think of bonds eye, this is what I think

0:43:16.719 --> 0:43:20.640
<v Speaker 1>of a little Japanese people like trimming the limbs off

0:43:20.680 --> 0:43:25.120
<v Speaker 1>of tiny plants. Yeah, and it's UM again. You're you're

0:43:25.160 --> 0:43:27.600
<v Speaker 1>striving to make it look like something larger that you

0:43:27.600 --> 0:43:30.800
<v Speaker 1>would find in nature. Sure, you could get super weird

0:43:31.000 --> 0:43:34.560
<v Speaker 1>and avant garde with your form and your shape, but

0:43:34.880 --> 0:43:39.160
<v Speaker 1>in general, traditionally, UM, you want it to take a

0:43:39.200 --> 0:43:41.320
<v Speaker 1>form that you would find out in the wild somewhere,

0:43:41.880 --> 0:43:44.840
<v Speaker 1>just on a smaller scale. But that that is the

0:43:45.360 --> 0:43:51.920
<v Speaker 1>that's the um effect of wind, of sun, of weird weather,

0:43:52.120 --> 0:43:55.560
<v Speaker 1>of poor soil, of just the weirder looking the tree

0:43:55.560 --> 0:43:58.680
<v Speaker 1>out in nature. Basically, the harder the heart of the

0:43:58.760 --> 0:44:02.160
<v Speaker 1>life it's had, and you're trying to recreate that, you're nurturing.

0:44:02.320 --> 0:44:05.840
<v Speaker 1>Pretty kind of counterintuitive, but if you just stop and

0:44:05.880 --> 0:44:08.520
<v Speaker 1>think about what you're looking at in nature that you're

0:44:08.520 --> 0:44:11.840
<v Speaker 1>trying to emulate. You'll probably figure out different ways to

0:44:11.840 --> 0:44:14.400
<v Speaker 1>do it. And if you haven't figured it out, somebody's

0:44:14.400 --> 0:44:16.759
<v Speaker 1>probably been doing it for a thousand years already. And

0:44:16.840 --> 0:44:18.520
<v Speaker 1>you can go get yourself a book or look on

0:44:18.560 --> 0:44:21.160
<v Speaker 1>the internet to find a technique. Yeah. So, like you said,

0:44:21.200 --> 0:44:23.840
<v Speaker 1>with the wind, like the wind the real tree and

0:44:24.480 --> 0:44:27.319
<v Speaker 1>real life that's on the mountaintop, the wind is trying

0:44:27.320 --> 0:44:29.960
<v Speaker 1>to kill it and it's leaning out over the edge

0:44:30.000 --> 0:44:33.760
<v Speaker 1>of the cliff like, oh man, my days are numbered. Um,

0:44:33.800 --> 0:44:36.640
<v Speaker 1>But you nurture that in your own bonds eye and

0:44:36.719 --> 0:44:39.600
<v Speaker 1>you emulate that, and it's, um, I don't know. I

0:44:39.640 --> 0:44:41.279
<v Speaker 1>like the idea of it for some reason. It's like

0:44:41.280 --> 0:44:43.680
<v Speaker 1>a tribute almost. It's Yeah, it's an homage to that

0:44:43.760 --> 0:44:48.440
<v Speaker 1>tree that's hanging on by a route. Yeah. When it

0:44:48.480 --> 0:44:51.280
<v Speaker 1>comes to light, Um, you want to rotate it around.

0:44:51.360 --> 0:44:53.680
<v Speaker 1>You don't want it getting the same it's the same

0:44:53.719 --> 0:44:56.680
<v Speaker 1>side exposure to sunlight every single day. You want to

0:44:57.000 --> 0:44:58.560
<v Speaker 1>you want to rotate it around. You want to keep

0:44:58.560 --> 0:45:01.120
<v Speaker 1>an eye out for bugs and and sex. Yeah, for sure.

0:45:01.160 --> 0:45:03.120
<v Speaker 1>And again you're paying attention to your bonds ay more

0:45:03.120 --> 0:45:05.200
<v Speaker 1>than your other plants, so you're gonna notice, like if

0:45:05.239 --> 0:45:08.680
<v Speaker 1>it suddenly has an insect infestation. Yeah, a little larva

0:45:09.239 --> 0:45:12.680
<v Speaker 1>uh what they called spittlebugs black or red dots of mites.

0:45:13.320 --> 0:45:16.960
<v Speaker 1>Uh says you can brush these away. Um. I imagine

0:45:17.000 --> 0:45:20.360
<v Speaker 1>you could smash them with a framing hammer if you wanted.

0:45:20.640 --> 0:45:24.960
<v Speaker 1>After you brush them off. Um, but a bit in

0:45:25.000 --> 0:45:28.560
<v Speaker 1>the Japanese bondsi tradition, you're you're probably brushing them away

0:45:28.600 --> 0:45:31.080
<v Speaker 1>a little paintbrush, right like you go and go hit

0:45:31.120 --> 0:45:35.919
<v Speaker 1>the spider plant. Hey, spiders are okay man, they eat

0:45:35.960 --> 0:45:39.000
<v Speaker 1>the little bugs for you. The spider plant, I mean

0:45:39.360 --> 0:45:41.799
<v Speaker 1>the spider plant said yeah, yeah, well you gotta watch

0:45:41.840 --> 0:45:43.520
<v Speaker 1>out for that thing is trying to kill you and

0:45:43.560 --> 0:45:45.360
<v Speaker 1>your whole family exactly. So that's where you need to

0:45:45.360 --> 0:45:50.440
<v Speaker 1>funnel your spittlebugs. Watering is another big one too. You

0:45:50.960 --> 0:45:53.120
<v Speaker 1>depending on how hot it is outside, you may end

0:45:53.160 --> 0:45:55.640
<v Speaker 1>up needing to water your bonds eye like two times

0:45:55.640 --> 0:45:58.200
<v Speaker 1>a day, which means if you're into bond's eye, you

0:45:58.239 --> 0:46:01.440
<v Speaker 1>probably don't leave your house very much. You most likely

0:46:01.480 --> 0:46:04.480
<v Speaker 1>want to bonds or water your bonds eye every day,

0:46:04.640 --> 0:46:07.359
<v Speaker 1>depending on again the plant, but most bonds I needs

0:46:07.560 --> 0:46:11.000
<v Speaker 1>watering every single day and twice on hot days. Yeah,

0:46:11.000 --> 0:46:13.520
<v Speaker 1>and what you don't want is, um, you know, as

0:46:13.520 --> 0:46:15.959
<v Speaker 1>you're paying attention to it, you don't want a soggy,

0:46:16.120 --> 0:46:20.520
<v Speaker 1>boggy base soil is that's a really bad sign. That

0:46:20.560 --> 0:46:23.200
<v Speaker 1>means you probably didn't put down enough gravel on the bottom,

0:46:23.600 --> 0:46:26.400
<v Speaker 1>or your soil mix doesn't have enough gravel or whatever

0:46:26.440 --> 0:46:29.160
<v Speaker 1>mixed in to make it drain quickly. That's right. Because

0:46:29.719 --> 0:46:32.680
<v Speaker 1>it's tough to over water a well draining potted plant

0:46:32.760 --> 0:46:36.200
<v Speaker 1>of any type, including bonds eye, you're probably gonna be

0:46:36.200 --> 0:46:39.719
<v Speaker 1>doing more pruning early on in the life of the

0:46:39.719 --> 0:46:42.040
<v Speaker 1>bonds I. And once it has that general shape that

0:46:42.080 --> 0:46:45.160
<v Speaker 1>you like, that's when you're doing uh, you know, just

0:46:45.239 --> 0:46:49.359
<v Speaker 1>the the subtle changes that probably mean a lot to you. Um.

0:46:49.400 --> 0:46:52.719
<v Speaker 1>But other friends that come over at you know, happy hour,

0:46:53.440 --> 0:46:58.319
<v Speaker 1>they'll just say, hey, nice tree, there's yeah, you gotta ice,

0:47:00.000 --> 0:47:03.800
<v Speaker 1>and they don't realize that makers broken. They didn't realize

0:47:03.840 --> 0:47:06.560
<v Speaker 1>all the subtle little you know, you might clip away one,

0:47:07.640 --> 0:47:10.040
<v Speaker 1>you know, a half of an inch of a branch.

0:47:10.680 --> 0:47:13.640
<v Speaker 1>To you that that makes it just perfect that other

0:47:13.680 --> 0:47:17.480
<v Speaker 1>people would probably not even notice. That's why it's your

0:47:17.520 --> 0:47:19.560
<v Speaker 1>bonds eye, that's right. Josh, That's why I was thinking

0:47:19.560 --> 0:47:22.040
<v Speaker 1>about it, Like like giving the gift of a bond's

0:47:22.080 --> 0:47:24.759
<v Speaker 1>eye to somebody that you've tended to for years and

0:47:24.840 --> 0:47:27.399
<v Speaker 1>years and years. That's that's a significant gift. Yeah, it's

0:47:27.440 --> 0:47:31.719
<v Speaker 1>like and here's my my daughter. Yeah, you know, right,

0:47:31.840 --> 0:47:34.080
<v Speaker 1>well not really, but you know what I mean. You

0:47:34.160 --> 0:47:37.080
<v Speaker 1>can marry this plant. You love it so much, why

0:47:37.080 --> 0:47:39.920
<v Speaker 1>don't you marry it. You're also going to keep up

0:47:39.920 --> 0:47:42.759
<v Speaker 1>with the fertilizer. Again, like this is so this is

0:47:42.760 --> 0:47:45.400
<v Speaker 1>almost such a generic overview in some places that I

0:47:45.440 --> 0:47:48.640
<v Speaker 1>feel bad even saying it. But just go find out

0:47:48.920 --> 0:47:52.520
<v Speaker 1>what the plant that you're raising needs normally and do that.

0:47:52.719 --> 0:47:55.399
<v Speaker 1>Do that. But again you have to bear in mind

0:47:55.440 --> 0:47:59.320
<v Speaker 1>that it's slightly different because you're you're keeping it in miniature.

0:47:59.560 --> 0:48:02.120
<v Speaker 1>It doesn't have its normal roots system. It needs more

0:48:02.160 --> 0:48:06.480
<v Speaker 1>water than usual, and um, it's probably because you're watering

0:48:06.480 --> 0:48:09.200
<v Speaker 1>it so much. The nutrients in the soil are gonna

0:48:09.280 --> 0:48:12.200
<v Speaker 1>leach out much more quickly. So you need to fertilize

0:48:12.239 --> 0:48:14.120
<v Speaker 1>it more than you would just if you were growing

0:48:14.120 --> 0:48:17.920
<v Speaker 1>it normally in a container. Right, So, since you're fertilizing

0:48:17.960 --> 0:48:20.000
<v Speaker 1>something more, usually the rule of thumb as you want

0:48:20.000 --> 0:48:24.040
<v Speaker 1>to you want to fertilize something weakly weekly, so w

0:48:24.200 --> 0:48:28.719
<v Speaker 1>E A k L Y weekly um and and that

0:48:28.800 --> 0:48:31.920
<v Speaker 1>way you're constantly replenishing the nutrients in the soil. But

0:48:32.000 --> 0:48:34.640
<v Speaker 1>you're not gonna like burn or scorch the roots with

0:48:34.800 --> 0:48:37.840
<v Speaker 1>like a chemical burn over feeding it. Yeah, and again

0:48:37.920 --> 0:48:39.840
<v Speaker 1>you pointed out earlier, but I think it bears in

0:48:39.880 --> 0:48:44.160
<v Speaker 1>mind repeating. The key is repotting and trimming those roots

0:48:44.200 --> 0:48:46.680
<v Speaker 1>every couple of years. And like you said, once you

0:48:46.719 --> 0:48:48.600
<v Speaker 1>find the pot at the flea market that you fell

0:48:48.640 --> 0:48:50.720
<v Speaker 1>in love with, you can keep it in that pot forever.

0:48:50.800 --> 0:48:52.640
<v Speaker 1>As long as it's you know, the one you want

0:48:52.680 --> 0:48:53.919
<v Speaker 1>to stay with them. You can do what you want,

0:48:54.440 --> 0:48:57.480
<v Speaker 1>but um or give it as a gift, or give

0:48:57.520 --> 0:48:59.960
<v Speaker 1>it as a gift. But as you as you keep

0:49:00.000 --> 0:49:02.320
<v Speaker 1>trim in these roots back, it's gonna stay that size.

0:49:02.360 --> 0:49:05.080
<v Speaker 1>If you forget about it. If you're a hoarder and

0:49:05.120 --> 0:49:07.520
<v Speaker 1>you and you and you're drunk and you pass out

0:49:08.400 --> 0:49:11.000
<v Speaker 1>for ten years, you're gonna wake up with a twelve

0:49:11.040 --> 0:49:13.720
<v Speaker 1>ft oak tree in your living room. That's the story

0:49:13.719 --> 0:49:18.000
<v Speaker 1>of Peppie van Winkle, Is that? Yeah? I guess that

0:49:18.120 --> 0:49:21.080
<v Speaker 1>is true, isn't it? Because yeah, you're basically once it

0:49:21.160 --> 0:49:25.160
<v Speaker 1>becomes established to the shape you want it, you're just

0:49:25.239 --> 0:49:28.120
<v Speaker 1>basically pruning it back here they're keeping it trimmed, and

0:49:28.160 --> 0:49:30.600
<v Speaker 1>then when you repotted every couple of years, like the

0:49:30.640 --> 0:49:33.400
<v Speaker 1>whole point is to keep the root system in check. Huh.

0:49:33.440 --> 0:49:35.160
<v Speaker 1>So if you didn't do that, yeah, it would just

0:49:35.960 --> 0:49:37.840
<v Speaker 1>probably it would die, is what it would do because

0:49:38.360 --> 0:49:41.480
<v Speaker 1>no water, there would be so many roots in a

0:49:41.480 --> 0:49:44.360
<v Speaker 1>pot that doesn't fit them. I probably look cool'd be

0:49:44.400 --> 0:49:48.280
<v Speaker 1>growing over it maybe, And that's some that's basic stuff

0:49:48.440 --> 0:49:50.319
<v Speaker 1>that we've been talking about. But there is a lot

0:49:50.440 --> 0:49:52.440
<v Speaker 1>of advanced things you can do too, and one of

0:49:52.440 --> 0:49:55.480
<v Speaker 1>those is like again training it to grow over rocks.

0:49:55.840 --> 0:49:58.160
<v Speaker 1>So like when you potted the bonds eye, you would

0:49:58.160 --> 0:50:01.000
<v Speaker 1>want a bonds eye with really long roots um so

0:50:01.040 --> 0:50:03.040
<v Speaker 1>that you could when you when you're potting it, you

0:50:03.040 --> 0:50:05.440
<v Speaker 1>would actually place it on a rock and then why

0:50:05.480 --> 0:50:07.880
<v Speaker 1>are the roots in place to let them start to

0:50:08.000 --> 0:50:10.680
<v Speaker 1>establish in the pots? Just things like that. There's something

0:50:10.760 --> 0:50:14.799
<v Speaker 1>called um gin, which is basically this is really neil.

0:50:14.880 --> 0:50:16.239
<v Speaker 1>But you saw it. Did you see a lot of

0:50:16.280 --> 0:50:19.600
<v Speaker 1>bonds I that had like dead wood exposed? Okay, So

0:50:19.680 --> 0:50:22.440
<v Speaker 1>gin is where at the top of the trunk or

0:50:22.480 --> 0:50:25.600
<v Speaker 1>at the ends of limbs, deadwood is exposed to just

0:50:25.680 --> 0:50:29.000
<v Speaker 1>really play up how old this thing is supposed to

0:50:29.000 --> 0:50:32.839
<v Speaker 1>be or actually is. Um there's something called shari, which

0:50:32.880 --> 0:50:35.720
<v Speaker 1>is deadwood on the trunk below, and then there's something

0:50:35.760 --> 0:50:39.680
<v Speaker 1>called sabamiki, and that's like you actually get in there

0:50:39.719 --> 0:50:44.440
<v Speaker 1>and peel away the the bark, drill into the trunk

0:50:45.040 --> 0:50:48.560
<v Speaker 1>and carve holes into it, carved like a gap into

0:50:48.600 --> 0:50:52.000
<v Speaker 1>it to create the illusion that it was scarred from

0:50:52.040 --> 0:50:54.640
<v Speaker 1>like a lightning strike. And you you've got to be

0:50:54.680 --> 0:50:56.759
<v Speaker 1>really careful doing that because you can very easily kill

0:50:56.800 --> 0:50:59.840
<v Speaker 1>your bonds eye. But if you do it right, it'll

0:51:00.080 --> 0:51:02.239
<v Speaker 1>row back and scar around it and you'll have a

0:51:02.239 --> 0:51:05.800
<v Speaker 1>pretty interesting looking tree. So that's not recommended for beginners.

0:51:05.960 --> 0:51:08.080
<v Speaker 1>I would not think so. I think you'd kill a

0:51:08.080 --> 0:51:10.280
<v Speaker 1>lot of plants doing that that way. So and and again,

0:51:10.640 --> 0:51:14.000
<v Speaker 1>people have been trying this stuff for a couple of

0:51:14.000 --> 0:51:17.080
<v Speaker 1>thousand years now, so there's a lot of different stuff

0:51:17.120 --> 0:51:20.240
<v Speaker 1>you can do in a lot of different resources out there. Nice, Yeah,

0:51:20.480 --> 0:51:23.439
<v Speaker 1>go to your local japan town and say teach me. Yeah,

0:51:24.160 --> 0:51:29.000
<v Speaker 1>And you know what, if the movie uh Karate Kid

0:51:29.480 --> 0:51:33.360
<v Speaker 1>Lost in Translation is true, then if you're a pretty

0:51:33.360 --> 0:51:37.920
<v Speaker 1>American girl, you can wander into any Japanese ceremony and

0:51:37.960 --> 0:51:40.040
<v Speaker 1>they will just accept you with open arms. Yeah that's

0:51:40.080 --> 0:51:43.680
<v Speaker 1>what they're known for. Yeah yeah, probably so right, Uh

0:51:43.800 --> 0:51:45.799
<v Speaker 1>to a certain degree, sure, and you're not a jerk?

0:51:46.320 --> 0:51:48.600
<v Speaker 1>Well yeah, like what does she walk into? Was hers

0:51:48.760 --> 0:51:51.600
<v Speaker 1>origami or was that bonsa? I don't know, I don't remember.

0:51:52.000 --> 0:51:55.440
<v Speaker 1>Was it a wedding? No, Scarlett Johansson walks out. There

0:51:55.160 --> 0:51:58.600
<v Speaker 1>were these Japanese women doing some either bonsai or origami

0:51:58.680 --> 0:52:01.040
<v Speaker 1>or something. They were like, well, you know, come on

0:52:01.200 --> 0:52:03.919
<v Speaker 1>in and let me show you our ancient ways. Yeah,

0:52:03.920 --> 0:52:07.799
<v Speaker 1>I don't remember that part. Yeah that was neat. I

0:52:07.960 --> 0:52:11.080
<v Speaker 1>like that movie a lot too, But wasn't isn't the

0:52:11.200 --> 0:52:15.080
<v Speaker 1>legend around it that Bill Murray's actually playing himself like

0:52:15.120 --> 0:52:17.840
<v Speaker 1>it's based on an experience Sofia Coppola had, Yeah, I

0:52:17.840 --> 0:52:21.280
<v Speaker 1>bet it's not too far off, and so like, uh

0:52:21.480 --> 0:52:25.799
<v Speaker 1>Giovanni Ribisi is um Spike Jones, Barly Joe Hansen is

0:52:25.920 --> 0:52:30.960
<v Speaker 1>um Sofia Coppola, um uh Anna Faris is Cameron Diaz

0:52:31.560 --> 0:52:34.200
<v Speaker 1>one dude is justin Timberlake, and so like this actually

0:52:34.239 --> 0:52:37.319
<v Speaker 1>supposedly happened, but then it's everyone says, well, who's Bill

0:52:37.440 --> 0:52:41.160
<v Speaker 1>Murray playing? Allegedly Bill Murray is playing himself. That makes sense.

0:52:41.440 --> 0:52:43.440
<v Speaker 1>I mean we'll never know what he whispers at the

0:52:43.520 --> 0:52:45.560
<v Speaker 1>end either, which I love. That was a great movie.

0:52:45.760 --> 0:52:49.040
<v Speaker 1>I forgot about that one. Make it Santry time. She's

0:52:49.080 --> 0:52:52.680
<v Speaker 1>a part of my D percent club. Sofia Coppla, what

0:52:52.800 --> 0:52:55.960
<v Speaker 1>is that? The directors who have made nothing but great movies.

0:52:57.280 --> 0:53:00.000
<v Speaker 1>I think I've only seen that in The Virgin Suicide.

0:53:00.040 --> 0:53:02.680
<v Speaker 1>It's a great movie. What else does she made? She

0:53:02.840 --> 0:53:07.400
<v Speaker 1>did Um the Blame Ring recently. I never thought really good. Really,

0:53:07.560 --> 0:53:09.920
<v Speaker 1>don't be turned off by the title, Yeah, because I

0:53:09.960 --> 0:53:15.239
<v Speaker 1>have been UM. And she did the one with Stephen Dorff. Oh,

0:53:15.280 --> 0:53:17.520
<v Speaker 1>I can't remember where he's the actor, just sort of

0:53:17.520 --> 0:53:20.520
<v Speaker 1>hold up in the Chateau Mormont before with his daughter

0:53:20.840 --> 0:53:25.000
<v Speaker 1>now before Sunrise, before Tomorrow. Nope. And she did the

0:53:25.040 --> 0:53:30.479
<v Speaker 1>one the let the meat Cake, Uh, Marie Antoinette movie

0:53:30.800 --> 0:53:33.320
<v Speaker 1>with Kirsten Dunns. It was fantastic. I never saw that

0:53:33.400 --> 0:53:35.360
<v Speaker 1>one either. Yeah, they're all great. I think she's a

0:53:35.520 --> 0:53:38.920
<v Speaker 1>top notch. I'll take him out. Uh. If you want

0:53:39.000 --> 0:53:41.600
<v Speaker 1>to know more about Bonsai or Sofia Coppola. You can

0:53:41.640 --> 0:53:43.680
<v Speaker 1>type those words in the search part house to works

0:53:43.719 --> 0:53:45.200
<v Speaker 1>dot com. And since I said that it's time for

0:53:45.239 --> 0:53:52.400
<v Speaker 1>listening to maut, Yes, I'm gonna call this uh tornado

0:53:52.480 --> 0:53:56.440
<v Speaker 1>miss already. That thing just came out today, man, And

0:53:56.480 --> 0:53:59.200
<v Speaker 1>you know what, I hope everyone's all right because there

0:53:59.200 --> 0:54:01.279
<v Speaker 1>are tornadoes like kind of all over the place. That yeah,

0:54:01.280 --> 0:54:05.640
<v Speaker 1>I heard Oklahoma's Kansas. Hey, guys, love the show. You

0:54:05.640 --> 0:54:08.600
<v Speaker 1>mentioned tornado miss episode that I bet you would get

0:54:08.640 --> 0:54:11.279
<v Speaker 1>an email from a civil engineer, and here I am.

0:54:11.360 --> 0:54:13.480
<v Speaker 1>I just wanted to share an interesting fact about designing

0:54:13.480 --> 0:54:16.000
<v Speaker 1>wind resistant buildings. I remember the day of the two

0:54:16.040 --> 0:54:18.440
<v Speaker 1>thousand eight downtown Atlanta tornado you mentioned because it was

0:54:18.760 --> 0:54:21.040
<v Speaker 1>actually the last day of classes at Georgia Tech before

0:54:21.080 --> 0:54:23.759
<v Speaker 1>I went out, before I went home to Florida for

0:54:23.840 --> 0:54:26.480
<v Speaker 1>spring break. Ironically, I just learned in one of my

0:54:26.560 --> 0:54:29.399
<v Speaker 1>classes that one reason most skyscrapers are not the same

0:54:29.440 --> 0:54:32.200
<v Speaker 1>basic shape from top to bottom is to alleviate pressure

0:54:32.239 --> 0:54:34.880
<v Speaker 1>from wind. In the same class of professor had mentioned

0:54:34.920 --> 0:54:38.840
<v Speaker 1>that one of the absolute worst structural designs where skyscraper

0:54:38.920 --> 0:54:42.440
<v Speaker 1>is a perfect cylinder, which is what our Peachtree plazas

0:54:42.600 --> 0:54:45.960
<v Speaker 1>that had the windows up for so long it's a cylinder.

0:54:46.440 --> 0:54:48.200
<v Speaker 1>The wind whips all around and ends up hitting the

0:54:48.280 --> 0:54:50.000
<v Speaker 1>entire face of the building as a giant wall of

0:54:50.040 --> 0:54:52.960
<v Speaker 1>forts rather than hitting the building at different places over time.

0:54:53.400 --> 0:54:56.400
<v Speaker 1>Not ideal for a class tube of the building. Anyway,

0:54:56.400 --> 0:54:58.680
<v Speaker 1>I thought you guys would find that interesting. You are

0:54:58.719 --> 0:55:01.279
<v Speaker 1>the best thing to come out of Athens in my

0:55:01.320 --> 0:55:04.839
<v Speaker 1>Georgia tech opinion. Oh wow, I see where that was going.

0:55:05.320 --> 0:55:07.680
<v Speaker 1>Keep up the good work. And that is from Scooter Shelbon.

0:55:07.960 --> 0:55:12.200
<v Speaker 1>Thanks a lot, Scooter, Scooter Selban. I don't know about

0:55:12.200 --> 0:55:15.120
<v Speaker 1>the best thing to come out of Athens. Uh, just

0:55:15.160 --> 0:55:20.120
<v Speaker 1>a couple of bands and beers and coffees and football

0:55:20.160 --> 0:55:24.839
<v Speaker 1>players as scooters take all right, Thank you, Scooter. If

0:55:24.920 --> 0:55:27.960
<v Speaker 1>you want to give us high praise like Scooter did,

0:55:28.000 --> 0:55:30.319
<v Speaker 1>we're always down with that. You can tweet to us

0:55:30.320 --> 0:55:33.400
<v Speaker 1>at s y esk podcast. You can post cool stuff

0:55:33.400 --> 0:55:35.840
<v Speaker 1>on Facebook dot com slash Stuff you Should Know. You

0:55:35.880 --> 0:55:38.960
<v Speaker 1>can find us on Instagram at s y sk podcast

0:55:39.120 --> 0:55:41.520
<v Speaker 1>for real. You can send us an email to Stuff

0:55:41.520 --> 0:55:43.799
<v Speaker 1>Podcast at how Stuff Works dot com. It's always join

0:55:43.920 --> 0:55:45.680
<v Speaker 1>us out our home on the web. Stuff you Should

0:55:45.680 --> 0:55:50.400
<v Speaker 1>Know dot Com. Stuff you Should Know is a production

0:55:50.440 --> 0:55:53.160
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0:55:53.239 --> 0:55:56.000
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0:55:56.080 --> 0:55:57.760
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